The Walking Dead Season 9: What Comes After

I’ve not been reviewing this show lately but I have been paying attention, and I decided to wait until Rick Grimes last episode because it’s the end of an era, and I want to talk about that.

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Yes, indeed it is Rick Grimes last episode, but in fairness to those who haven’t watched the latest episodes , I won’t give away the very end, or add certain spoilers. Rick’s last few episodes have been especially emotional ones. No, they don’t have the resonance of those first images we saw of him riding  a horse down an empty highway, but those images are recalled by him during the episode, and there’s some musical callback to the first season with the replay of the song Space Junk by Wang Chung. This is fitting because we began with Rick, alone, remembering his family, and that’s how these last two episodes end, with Rick recalling the family he’s built over nine years.

Rick spends most of these last two episodes trying to escape a swarm of zombies ,and even though you know these are  his last episodes, they still manage to be full of suspense. You are definitely going to need some wine, (or lots of friends), to get through this one.

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Yvette Nicole Brown, who is one of my favorite reviewers, and a total Richonne stan, got to interview Andrew Lincoln, and seriously, I almost broke down when she did, because the two of them are such good people, and Andrew Lincoln is such a sweetheart. They didn’t discuss a lot of his plans for the future but the show’s creators say they will be creating a series of standalone AMC films about the events that happen after Rick, and that later in the season we can look forward to a new group of survivors called The Whisperers, (a name which heavily reminds me of the R&B singing group).

 

In Rick’s memories, he gets to say all the things he wanted to say to those he felt he disappointed, like Herschel, and see Michonne one last time. I find that I’m okay with all this.  I think it was a good send off, although you know at least one reviewer is going to bitch about how it all sucked. Rick went out as heroically as he lived and I’m at peace with his leaving, the way I wasn’t with Glenn’s passing. (I’m still pissed off about that. I don’t think the show has ever made a greater mistake then killing Glenn, while Negan gets to live, but I digress.)

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I’m definitely going to miss Rick, but we were shown some scenes from the next three episodes of the series, which look very interesting. According to the show, The Talking Dead, the show jumps ahead 6 years, and we get to see who is still alive, and what they’ve been doing in Rick’s absence. I’m looking forward to these next episodes, as the show becomes a true ensemble vehicle with no one particular leader. Rick anchored the show in a certain place and time.He was the linchpin, the sun around which the series revolved, and with him gone, the show will open up in some interesting new directions that I’m kind of excited to see.

It’s not that I won’t miss Rick, but he had a good long run, and I don’t mind seeing him step aside to let the others shine. I’m okay with it. And they will shine because we’ve had a chance over the years to watch all of them do just that.

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At the very end of the episode, we see Judith, wearing her father’s hat, and stepping into the role of a future leader. It was so fascinating watching that because I didn’t know when I was watching her scene, or who she was. I’m like, “Whose child is this? And what’s she doing with Rick’s hat?” ( I’d had a very long and emotionally taxing day, so I was a bit slow on the uptake.) She appears confident, (almost cocky), and strong willed and  I’m a fan of hers already! I just know she’s gonna work my last nerve! It’s going to be interesting seeing how she’s been raised in Rick’s absence.

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I have to  confess that I’m one of the few people who has never re-watched any episodes beyond the first season. This show is so emotionally draining engaging, that watching it is almost like a full time  job. I have re-watched the first season, but none since then. When a season is over I don’t go back, and I’m probably not going to do so here. I think my plan is to wait until the series is over and binge specific episodes. Yeah, I can’t re-watch the show while it’s airing. That’s just too much. So I’m not going to be seeing Rick again for a long  while.

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Weekend Reading: On History and Pop Culture

Appropriation of  History

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Discussions on the appropriation of Medievalist history by various pseudo- Nazi organizations throughout, and how historians are fighting back against their livelihoods being associated with it.

https://newrepublic.com/article/144320/racism-medievalism-white-supremacists-charlottesville

http://www.inthemedievalmiddle.com/2017/08/teaching-medieval-studies-in-time-of.html

https://eidolon.pub/why-i-teach-about-race-and-ethnicity-in-the-classical-world-ade379722170

The Popularity of Vikings

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Discussions about the appropriation of Viking culture by neo Nazi groups, and how historians and the descendents of that culture  are fighting against it.

https://cjadrien.com/vikings-popular/

https://www.thelocal.se/20171006/we-cant-let-racists-re-define-viking-culture-far-right-runes-swedish

https://www.tampabay.com/opinion/columns/column-white-supremacists-love-vikings-but-theyve-got-history-all-wrong/2325755

https://www.juancole.com/2017/10/supremacists-vikings-muslims.html

https://www.vice.com/en_us/article/ywqn3j/photos-of-modern-vikings-keeping-their-traditions-alive

Star Wars and Fandom

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I have a post coming soon about a version of gamergate, that happened in the seventies, against disco. Rock music, Gamergate, Star Wars, Ghostbusters…white straight men throwing this type of tantrum because of a changing media landscape is not new, and follows the same formula every time it happens.

This is often reactionary behavior. By the time White men (and it is almost always White men) start protesting something it’s too late to do anything about it.  When it happened in the past, especially when the internet didn’t exist,  whatever they were protesting against simply went underground and emerged in a new form. Gamergate didn’t stop companies from developing diverse games, The Disco Sucks movement did not destroy that particular musical style, protests against rap music didn’t stop it from mainstreaming, and these new ass showings around PoC in scifi/ fantasy movies, isnt going to stop movies from being diverse, and women and PoC are still on the internet. So far, all they’ve managed to accomplish is a handful of celebrities closing themselves off from their fans by limiting their social media accounts.  

So what really is the point of such things?

https://www.dailydot.com/parsec/star-wars-last-jedi-gamergate/

The Beautiful, Ugly, and Possessive Hearts of Star Wars

Racism, Misogyny & Death Threats: How Star Wars Fans Turned to the Dark Side

https://www.theodysseyonline.com/star-wars-fandom-toxicity-problem

 

The latest victim of racist ass-showing is the star of the upcoming DC series Titans, Anna Diop, who closed down the comments on her Instagram page when they racist vitriol got to be a bit much. Of course she’d started to receive this commentary the moment her casting was announced, and issued this statement:

https://www.theroot.com/racist-comic-fans-run-titans-star-off-instagram-for-not-1827809010

 

https://www.themarysue.com/candice-patton-asleigh-murray-racist-backlash/

What is really upsetting to me about this is that both actresses were told to prepare themselves for this backlash, and when coming face-to-face with it, the advice they got was to ignore it. That they’re expected to just take it to lay down the foundation for other women of color, when there are so many women who have laid the down foundation for them already, is truly exhausting.

Thinking Critically

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This first article is about this writer’s long road to adjusting his attitude to current media, and learning how to feel and think about it critically, without engaging in racism, and homophobia, something I think a lot of people, who consider themselves fans, need to do.

https://birthmoviesdeath.com/2017/08/04/film-crit-hulk-smash-on-criticism-in-the-intersectional-age

 

For Huck magazine Anthony Lorenzo does not mince words about how Hollywood perpetuates racism both in front of and behind the camera:

https://www.huckmag.com/perspectives/need-talk-race-film-industry/

It isn’t difficult to imagine why white writers don’t want to tackle characters they probably wouldn’t get right and get flack for. How a character might talk, might walk, the music they’d listen to and where they’d head on a messy night out. There’s a subtlety to the art of creating a character that requires knowledge of a relevant culture to accurately depict their nuances. Getting this wrong forces characters into two dimensions, leaving the writer a failure. 

 

At some point, I need to do a post on how media audiences have changed over the decades. There was a time when the primary audience that most media aimed for was the family. Over time, that changed to teenagers with disposable income, which at some point, metastasized into White males, aged 18-34.

http://www.houstonpress.com/arts/dear-straight-white-men-you-are-being-pandered-to-as-well-7652399

Random Movies

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Zombies, Race, and Gender

Dr Zuleyka Zevallos

I don’t entirely agree with this article, as it hasn’t been my experience of the fandom, who seem to all want to be Negan, but nevertheless, it was an interesting read.

https://www.wired.com/2013/06/world-war-z-zombie-messages/

That shift towards a lone-white-man-triumphing-against-the-hordes mentality goes against the dominant manifestations of zombie fandom, where often fans want to join zombie swarms rather than be lone-wolf heroes. As Lauro explains, the group mentality that has proven successful in the past is the one fans share.

 

Bladerunner 2049 and Race

The movie definitely has some racist and sexist issues:

http://colorwebmag.com/2018/03/27/the-racial-flaws-of-blade-runner-2049/

 

The Magnificent Seven: Racial History

On the erasure of PoC from the Western narrative:

<em>The Magnificent Seven</em> vs. The Historical Negationism of Westerns

 

Ready Player One

Ready Player One has several issues wrong with it but I think for me one of the biggest issues is outlined in the first article. In this movie there is almost no acknowledgment that Black culture is American culture:

http://www.okayplayer.com/originals/ready-player-one-black-culture-erasure-harmful-opinion.html

https://inews.co.uk/culture/film/ready-player-one-panders-to-a-lame-sexist-nerd-culture-that-needs-to-die/

 

Analyzing The Purge

An analysis of everything wrong with the plot of The Purge, and an analysis of how poverty would affect the outcome of such a plot.

http://www.plotpedant.com/the-purge/

https://filmschoolrejects.com/the-purge-and-politics-of-poverty-c23e94449e4/

The Purge — the event, not the film — is for white people, specifically rich white people. They are the beneficiaries, the ones who can afford the security systems to keep them safe, the ones wanting to thin the population for the sake of conserving resources, and the ones whose bloodlust is least in check. The victims are minorities, largely, and economically disadvantaged to the point some even resort to selling themselves to wealthy people on Purge Night in exchange for their surviving family’s financial security. That’s another idea that only a couple of weeks ago sounded like pure fiction, and now….well, not as much.

 

Snowpiercer and The White Savior

An analysis of the use of the White Savior trope in the movie Snowpiercer. This is one of my favorite movies. It has a lot of messages in it about the hierarchy of inequality, and stars Chris Evans. It also has an unconventional ending that makes the use of the trope a lot more complicated.

https://alanw2000.wordpress.com/2014/11/29/snowpiercer-analysis-bong-joon-hos-sci-fi-masterpiece-by-alan/

http://mumpsimus.blogspot.com/2014/07/the-decay-of-white-savior.html

 

Avatar: The White Savior Trope

https://io9.gizmodo.com/5422666/when-will-white-people-stop-making-movies-like-avatar

 

Mad Max: Fury Road/Disability

https://womenwriteaboutcomics.com/2015/05/disability-in-the-dystopian-future-of-mad-max-fury-road/

https://www.inverse.com/article/15806-one-year-later-fury-road-resonates-on-disability-sexuality-and-the-end-of-days

 

Logan: On Violence, Death, and Dying

Logan: A Film Fighting With Itself

http://www.btchflcks.com/2017/03/logan-on-death-and-dying-and-mutants.html#.W1JVgjpKgnR

Straight Out The SDCC 2018

The San Diego Comic-Con started this weekend, and we already got a buttload of movie and TV trailers that I’m very excited about. (Picture me jitterbugging around my living room in my bunny slippers!) The Con lasts all week, so I’m going to publish some more trailers for Wednesday and even Friday if necessary. Later this month, or in August, its time to start my list of TV shows to watch for, and I’ll be working on that soon.

Let’s get started. First up:

Godzilla: King of All Monsters

I am so geeking out about this move, not because of Godzilla, mind you, although there is the iconic roar, but because of the presence of Ghidrah: The Three-Headed Dragon, and Mothra, basically a giant moth. I grew up watching Godzilla movies on those Saturday afternoons when my brothers and I couldn’t go outside. I watched Mothra a bunch of times when I was a kid, so I was excited to see something like it in the last movie, and now the full effect in this one. I’m probably not going to get Mom to see this, because she hates Godzilla, but I can introduce my nieces and nephew to it if nothing else.

 

 

Shazam

I’m not excited about this movie, but I’m not dismayed. I remember watching Shazam on TV as a kid. (I watched all the superhero TV shows.) In the TV series, Shazam was a teenager or probably an adult. I haven’t seen it in so long, I can barely remember it, beyond the iconic yelling of  “Shazam!” I don’t know what to think about this yet, probably because I wasn’t expecting it to be funny. And it did give me a few laughs. This trailer isn’t inspiring me to see it though, so I’ll wait until I see some more. Also, its DC and they’re not really good with funny.

 

Glass

Now this one, I’m really, really, excited about. (See, I used to “reallys”!) I’m a huge fan of Unbreakable. It’s just exciting to see David Dunn again. (I’m a little less a fan of the movie Split, although it has its merits, and The Beast is pants-shittingly frightening.) These are really just down to Earth versions of superhero movies, and I will always grok that.

 

 

Aquaman

This is another one I haven’t formulated an opinion on yet. I love that Momoa is Aquaman though, because it seems fitting that the King of the Oceans would be a Pacific Islander, and I never get tired of looking at him, and going, “It’s Kal Drogo! Under the sea!”. It also helps that he just looks fine as Hell!

 

 

Titans

Woo! The bitching and whining about what’s wrong with this trailer, and the miscasting of Ana Diop as Starfire, has already begun on Tumblr. I’m completely dismissing any criticism from ALL White men about her casting because here’s the thing: Starfire has always been nothing but wank material for them since she first starred in the comic books. Casting her as a Black woman seems to have put a crimp in their masturbatory fantasies for this show, I’m guessing, which is why so many of them are throwing nasty racist hissy fits.

Diop has already disabled the comments on her Instagram because of the vitriol she’s been receiving, and no! I’m not surprised by it. Sending racist messages to actors of color, and then claiming they’re doing it just to protect the show, or movie, or whatever,  is just White, male, fandom’s go-to move at this point. And it’s also all they have. They’re still gonna watch the show, they’re just gonna bitch about it the whole time, and I don’t really care at this point, as long as their eyeballs provide ratings.

What I have decided not to do is read any more whiny bullshit about TV shows before they air. I got my own whiny bullshit in mind, and ain’t adopting other people’s crap. I’ll wait to actually see the show before I form an opinion on whether it’s good or bad. Also, I’m a lot older than most of the complainers on Tumblr and have been reading Teen Titans since I was a child. I can decide for myself whether or not the show is any good.

For the record, I think the trailer looks okay, although most of it is too dark to see anything, and I’m satisfied with the depiction of Starfire, and Raven.

 

Fantastic Beasts: The Crimes of Grindewald

I don’t know that I’ll see this in the theater because I got the same issues with it, that I had with the first. But I really enjoyed the first movie, I really liked all the characters a lot, and this is an incredibly gorgeous film, too. I’m less interested in the worldbuilding than I am with the people.

 

Patient Zero

This looks like an interesting take on vampire mythology and might turn out to be what the show The Strain should have been, so I’m gonna check into it. Plus, I’m always up for some vampire apocalypse stories.

 

 

The Passage

This series is based on one of my favorite books by Justin Cronin, a trilogy called The Passage. I’m very excited about this because they’ve changed the races of the characters, thereby giving the story a deeper subtext, especially when you remember that African Americans have been used before as subjects of medical experimentation.

http://www.history.com/news/the-father-of-modern-gynecology-performed-shocking-experiments-on-slaves

https://en.wikipedia.org/wiki/Tuskegee_syphilis_experiment

https://www.hopkinsmedicine.org/henriettalacks/index.html

So you have scientists experimenting on Black convicts, and chasing after a little Black girl they want to use to save the human race, from an experiment they created, that went horribly wrong. This also closely parallels the events of the first  200 or so pages of the first book, which I thoroughly enjoyed, it was so well written, just without the racial angle. The series offers a changeup to the  “Black man bonding with and protecting,  a little White girl”, which we’ve seen more than enough of in the movies. There’s also Mark-paul Gosselaar , which is kinda neat.

 

Overlord

This looks a lot like Patient Zero, only set during WWI, and with a Black lead character, which is intriguing. It looks like it might be about medically created zombies. I dont have a lot of opinion on it yet.

 

The Walking Dead Season Nine

After the first few episodes, I skipped most of last season. I just lost interest. I still don’t care which is why I haven’t talked much about it. I’m going to watch season nine because I’m nosy, and there will be less of Negan chewing the scenery, which is something I got really, really, tired of. It’s rumored that this will be the last season for Rick. Personally, I would like to see the show headed by Michonne, but I don’t expect we will get that so I’m not getting too hopeful. At any rate, this season doesn’t look too bad, but then I thought that about last season’s trailer, too, and look what happened.

 

Star Trek Discovery Season Two

The second season for this show doesn’t air until January which I think is a horrible tease, but I can wait. It looks just as gorgeous as always. I’ve read that the series will be preceded by a series of character shorts in December, and that Spock will put in an appearance. I have been total trash for Spock since I was twelve years old, and will watch him in anything, so I’m very excited about the new season.

Can I also mention that the guy playing the tragic Captain Pike, is Anson Mount, the same guy who played Black Bolt in that deplorable Inhumans series, that only lasted a few episodes? (If you want to know what eventually happens to Captain Pike, in ten years, you need to watch the first episode of the original Star Trek, called The Menagerie.) He looks much better here than he did in the Inhumans. As a matter of fact, he is cocky, and foine as f***!

The show also looks like its adding a little more humor.  The showrunners say the focus for the new season will be “family”, so there’s going to be more character development of the bridge crew, I’m guessing. At the end of last season, Michael had gotten back her rank, and she looks a lot more comfortable in this trailer, and I’m looking forward to what she does in the role. Her character and storyline carried the entire first season, so I expect the writers to give her a little breathing room, and focus on some of the other characters this season, with Michael as the emotional center again.

 

Doctor Who Season 11

I’m not excited about this new Doctor, so much as deeply curious, about how the show will feel with a female Doctor. It looks intriguing and I’m definitely going to check it out. I have, in the past, claimed to not be a huge Doctor Who fan, but I’m enough of a fan to have favorite Doctors, Companions, villains, etc. I think this new one might become a favorite. We’ll see!

 

28 Days Later (2002): The Evolution of Selena

This was number four of the five Black Women in Horror reviews I wanted to do for October.

When I first saw this movie I had no idea who Naomie Harris was. I ‘d heard about the movie in a magazine and I was already a Cillian Murphy fan, having loved him in Kinky Boots, so I was pretty much just watching the movie for him. Naomie Harris came out of nowhere and just killed it. Literally!

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Now, I’m going to go off on a bit of a tangent, and mention once again, that this is why we need diverse reviewers of Pop Culture. When I read the early reviews of this movie, all of the focus was on Murphy, which is understandable, because his star was definitely on the rise at the time, and people were enamored of him. (He is very pretty!) But Selena was barely mentioned, and I feel some type of way about that. I think if I had known there was  an awesome Black woman in this movie, I would’ve paid more attention to her.

And people really should pay attention to Selena. In fact, I would argue that though the film is from Jim’s point of view, the movie is really about Selena, and Jim, as they both grow and change, and adopt what the other thought of as each other’s worst traits to survive. Selena grows from someone who is cold and calloused, who disparages Jim’s compassion for others, into someone warm and compassionate, willing to love and let herself be loved. Jim grows from someone who is too trusting and idealistic, and saying he could never live the way Selena has been living, into someone willing to fight and kill for the people he loves.

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When we first meet Selena, she is essentially  the Sapphire stereotype, of a cold an unfeeling Black woman. She loves no one, isn’t capable of loving anyone, and is angry, cold, and bitter, saying she would cut Jim loose, in a hot second, the moment he jeopardized her survival. That her anger and bitterness is justified is not made specifically clear, but she has reason. Her entire world and life has been destroyed. She believes the only thing worth doing is surviving, for survival’s sake. She is unlikable at first, (and Jim says as much), but she grows into a  more sympathetic character as the plot moves forward. Selena is the co-protagonist of this movie. She has a definite character arc, and her decisions  help to carry the plot.

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Jim wakes up alone in a hospital and discovers that the entire city of London has been evacuated because of a disease called Rage, which makes the infected viciously attack anyone they encounter. When he meets Selena, she really isn’t all that different from the infected herself, violent and quite vicious. She is travelling with another young man, who is accidentally infected, and Jim witnesses the brutal manner with which the uninfected, like Selena, have had to deal with the situation. She is cold, and incompassionate, and does not want to get attached to him. Nevertheless, she agrees to travel with him because she doesn’t want to be alone. Being alone is not good for survival either, it seems.

Over the course of the movie, she does get attached to him, and the young daughter of a family they meet in their travels., named Hannah. When they encounter an AWOL military company, who threaten to imprison and rape her and the girl, and execute Jim, they both have to use all their wits and bravery to save themselves, but ultimately it’s Selena’s attachment to her new family, and his love for her, that’s saves all of them. One of the most poignant moments in the movie is when Selena, unable to prevent their degradation from the soldiers, offers Hannah drugs to survive what’s about to happen. Not because she’s trying to hurt her, but so Hannah won’t care what’s happening. The woman who was willing to cut anyone loose, who impinged on her survival, offers to do this from a place of compassion.

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I initially didn’t like Selena, and it took some time for me to understand that that was the point. The things she says to Jim when they first meet are mean and callous. She is a hardened woman, and he rightfully chides her for it, telling her he can’t live that way. Ironically, he has to become  hardened, and more than a little brutal himself, if he wants to save the woman he’s fallen in love with. He brutally slaughters all the soldiers he meets in an effort to find and rescue the two women. Selena, in turn, has to adopt the qualities she hated in Jim, when they first met, if she wants to save Hannah, and herself.

In the end, Selena and Jim declare their love for each other when he walks through a nightmarish landscape of screaming zombies, and military men, to rescue her and Hannah, and I am totally here for it, as it echoes the plot of Django Unchained, which was based on Siegfried’s Story from the German opera, Der Ring des Nibelungen. Siegfried, who rides through a ring of fire, in a locked tower, to save the Shieldmaiden Brunhilde, and make her his wife. Selena could be classified as a Shieldmaiden like Brunhilde. She is a warrior, who at first only fought for her own survival , but later fights for those she loves, Jim and Hannah.

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If Selena were White, it would be insulting to see her dameseled in such a fashion, but since we so rarely get to see Black women be vulnerable and loved, but still brave and smart, it overturns the stereotypical narrative of the strong Black woman, who don’t need no man. At the beginning of the movie she declares she doesn’t need anyone, but she is wrong. Hannah tells her midway through the movie, that they all need each other, and by that point Selena is willing to accept that.

The movie has three different endings. In the first ending, which was not filmed,  everyone arrived at a research medical center, and gets trapped there. The second involved Jim dying in the hospital, with Hannah and Selena continuing their journey without him. The third ending involved Jim waking up in the hospital to discover it was all nothing more than a dream. The director decided to go with the more positive ending we eventually got, of Hannah, Jim, and Selena  being rescued.

28 Days Later was the best zombie movie released that year, so it got a lot of attention, not just for Murphy’s presence, and its fast zombies, but because of the multiple endings. If you have no quarrel with zombies that are not strictly zombies, then this is an excellent film to add to your zombie film collection.

It won’t be October, but I’m still going to do that last review, which is N’Bushe Wright from Blade.

 

Alien Vs. Predator & Demon Knight

Who Saves the World

(We do!)

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Here’s the second set of reviews for 31 Days of Black Women in Horror Movies for the website Graveyard Shift Sisters.

You may not think these two movies have much in common, but you’d be wrong. They have at least two things in common, Black female heroes, and Black female heroes who live to the end of the movie.

 

http://www.blackhorrormovies.com/scary-sistas-a-brief-history-of-black-women-in-horror-films/

 

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If you’re not aware of the old movie trope, “The Black Guy Dies First”, then you don’t know how groundbreaking it is for a movie to not only have a Black hero, but for that Black hero to live all the way to the end of the movie ,while saving the world. This was famously spoofed by the Black slayer named Rona, from Buffy the Vampire Slayer, with her snide remark to Buffy, “The Black girl gets it…”

Thanks to Romero’s Night of the Living Dead, horror movies have always tried to have progressive representation. This certainly isn’t true of all such movies, but Horror and Scifi movies are at least willing to break with the tradition of a White male hero and cast women, and PoC, as the stars of the movies. From The Afflicted with its Asian male lead, to Halloween’s Jamie Lee Curtis, and Sigourney Weaver in Alien,  from Danny Glover in Predator II, and Wesley Snipes in Blade, many of these movies have become iconic films by overturning the tradition of having a White guy be the hero.

Predator, the franchise ,was itself willing to break with tradition, after casting Arnold Schwarzeneggar as the hero of the first movie, by casting Danny Glover as the hero of the second. That movie is also unique in casting a Latina, Maria Conchita Alonso, as one of that movie’s good guys, who also gets to live to the end.

 

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Alien Vs Predator is just continuing this habit by casting Sanaa Lathan as Alexa Woods,  the guide for a team of archaeologists, who are exploring the Antarctic for alien artifacts, along with Charles Bishop Weyland, the CEO of Weyland Industries, and the prototype for Bishop, the android from Aliens. Suffice to say,, she is the only  survivor, after the team gets caught in the crossfire between the Aliens, and the Predators who came to Earth to hunt them.

Alexa is as tough as they come. She’s brave and determined, and finally rewarded for her fortitude with the proper facial scars of a successful Predator, by the other Predators, who have been watching the events from on-high. I haven’t watched this movie in a few years. I have to admit, I failed to appreciate its novelty when it was released. It’s only on later viewings that I realized the film’s uniqueness. It, and the fearless Alexa Woods, have since become a favorite. (I find it especially interesting that most of the reviews of this movie seem to ignore her presence in it, although fans of the movie seem to really like her, and Danny Glover.)

This movie is also notable because Alexa is also a scientist, an environmental technician. As depictions of Black women in science are really hard to come by at the movies, its important to take note, its the Blerdgirl who saves the world.

http://www.btchflcks.com/2016/07/when-will-black-women-play-leading-scientists-more-often.html#.WfDwM1tSxD4

 

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Irene goes out like a Boss!

Demon Knight is notable not just for Jada Pinkett as Jeryline, the hero of the movie, but for also starring CCH Pounder as Irene, her bullying work release employer, who is every bit as badass as she thinks she is. I did not fail to appreciate the release of this movie. Mom and I were already Jada Pinkett fans after her work in A Lowdown Dirty Shame and we were looking forward to seeing her work it in our favorite genre, Horror. We were not disappointed. Jeryline is smart as fuck, and fearless too. From the moment you meet her character, she is sympathetic, and you start to root for her to survive this movie, because you just know, somebody’s gonna die!

William Sadler (another favorite of mine) plays Frank Brayker, as a Knight of the Cross, attempting to keep a Holy artifact out of the hands of Billy Zane’s Collector, to keep the world safe from demons. The artifact is meant to hold the blood of Christ, but over the centuries, the Keepers of the “The Key” began to fill it with their own blood. The blood in The Key is sanctified  to create protective barriers, or to kill demons directly, and when the last of the blood is used, the Keeper, who is immortal as long as he/she carries it,  dies.

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When Brayker finally sacrifices his life, he passes The Key to Jeryline. The person who carries The Key must be a thief,  in homage to the first carrier of The Key, a thief who stole Christ’s blood at God’s command. Jeryline fits the bill because it was the reason for her prison conviction. In the end, Jeryline defeats The Collector, in a novel way that would never have occurred to Frank, and sets herself on the road, followed by a new Collector, a Black man carrying a suspicious looking guitar case. (My mom and I applauded.)

I was disappointed to learn there would be no sequel to this movie. I would’ve loved to have  seen this take place in Georgia or Louisiana, with an all Black cast.

Hollywood is still somewhat stuck in the rut of pandering to the White male demographic, but that is slowly beginning to change, especially after the success of Get Out, and the forthcoming release of Proud Mary in January, and Black Panther during Black History Month, next year. Hollywood could use Indie and genre films as an example of how to craft movies that appeal to other than White men.

TALES FROM THE CRYPT PRESENTS: DEMON KNIGHT, Jada Pinkett, 1995. (c) MCA/Universal Pictures
Jeryline – Tales From the Crypt: Demon Knight 
In this cult classic, Jerlyline is the definition of survivor. She wasn’t afraid to speak her mind nor kick a serious amount of ass, both of which she did!

 

 

http://wickedhorror.com/top-horror-lists/7-fierce-black-women-in-horror/

Yes, Black women want to have onscreen adventures. We like to see representations of us in movies, and TV shows, being heroes, being brave, and fearless, and saving the world, just like White women, (and I’ll wager that Asian women, and Latinas want to see this too.) There have been so many demographics Hollywood has been ignoring for decades. Horror movies, by their nature, seem willing to be different, to overturn tropes, and even mock its own stereotypes.

These aren’t the only Horror movies featuring Women of Color, they just happen to be two of my favorites. Its about time for me to watch them again.

*     *     *   *   *     *       *      *    *       *

https://blackgirlnerds.com/black-women-and-feminism-in-horror-films/

In all these films, these women used their brains, brawn, and instincts to survive amidst a mostly white, male cast. They weren’t treated as servants or sex slaves except for that cringe worthy scene in 28 Days Later.

All three women fought just as hard or harder than their white, male counterparts; proving that they could and did survive regardless of their gender or race.

The Girl with All The Gifts (2016)

This is the first of my five posts reviewing horror movies where the stars are Black women, all part of the Graveyard Shift Sisters posts on 31 Black Women of Horror, for the month of October.

Okay, despite the fact that I read the book, I still didn’t know what to expect from the movie. I should have because the movie is mostly very faithful to the source material. It had not occurred to me that the filmmakers would do the thing, and make Melanie a little Black girl. I loved the character’s voice in the book and was looking forward to whoever they would cast as she would be carrying the movie, and I’m glad the director made that decision.

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When the writer, M.R. Carey was asked about the development of the movie he stated:

‘We went a slightly different way in the movie, especially when it came to point of view. Where the novel moves between the five main characters and lets us see what’s going on in all of their heads, the movie sticks with Melanie all the way. And there are no Junkers in the movie. The base falls to a hungry attack. But it’s a case of two different paths through the same narrative space. The ending is absolutely faithful to the book.’

— M.R. Carey, in an interview with Mom Advice[7]

The plot of the movie is very faithful to the source, so if you’ve read the book, you know the ending. Most of humanity has succumbed to fungal spores and become what are known as “Hungries”. ( Basically they’re zombies. They attack and eat people. (This is not  unprecedented in nature, as there are actually fungal spores that infect hosts, and force the hosts to  propagate itself.)  Some of the zombies are intelligent, and Melanie is one of the smartest ones.

Melanie, and a group of like children, all of whom were infected in utero, are being taught, studied, and experimented on, at a specially guarded facility, by Dr. Caldwell, played by Glen Close. She is attempting to find a cure for the fungal infection by vivisecting  the children’s brains, and Melanie is her star pupil. One of Melanie’s teachers is Ms. Justineau with whom Melanie develops a close  relationship.

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Melanie is played by the unknown Sennia Nanua, and she is absolutely perfect. She doesn’t try to play Melanie as sinister, or evil. She’s just like any other regular little girl, smiling, curious about the world , and happy, until her hunger is triggered. Those scenes are shocking in their viciousness. We watch Melanie attack and bite people, and at one point she captures and eats a cat. Although the movie has kids in it, it is not for children. Her behavior isn’t sugar-coated  or glossed over, and the soldiers are correct to be afraid of Melanie, as her Hunger appears to be something she seems to control. Gemma Arterton is great as Justineau, and I enjoyed seeing her relationship with Melanie.

Justineau doesn’t try to control, or change Melanie, seems to accept Melanie just as she is, and unlike the soldiers, seems unafraid of her. She doesn’t seem to want Melanie for what Melanie can provide for her like Caldwell. Seeming to genuinely love and care for her, worrying about her safety when she’s not around. The two of them seemed to have formed a real and loving bond, and that bond between them, goes a long way towards the audience accepting Melanie for who and what she is, too.

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Justineau was constantly cautioned against attaching herself to the children she is teaching, but  she seems unable (or unwilling) to do so with Melanie. There are several scenes of the soldiers being verbally abusive to the children in their care, in order to teach Justineau to avoid them, but Justineau always behaves towards them with dignity and respect.

 

When the facility is overrun by Hungries, Melanie and Justineau escape inside a mobile lab, with some other soldiers. Caldwell, who has been bitten by one of the Hungries has developed sepsis, but still continues her experiments. The soldiers are wary that Melanie will turn on them so they make her wear a muzzle ala Hannibal Lecter.

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They soldiers fear her but Melanie is useful because she can walk among the infected with impunity. In their travels, they use Melanie to lure the Hungries away from them so that they can more successfully forage for supplies. Melanie uses that time as an opportunity to feed. During her explorations she encounters a group of feral infected children who have formed a gang to hunt  any wayward humans.

In one of the movie’s most exhilarating moments Melanie challenges and kills the gang’s leader, and commands the gang afterward, keeping them in line with the threat of her strength and ruthlessness. I’m not sure how to feel about these scenes. On the one hand, I applaud Melanie’s ability to survive and be a leader. On the other hand, I’m witnessing children committing shocking acts of violence, which is something I’m just not used to seeing. I generally avoid movies where children are killing each other. Melanie’s leadership of this gang is something that will come into play at the end of the movie.

I have to admit I felt some type of way about watching this little Black girl kicking ass, and being so vicious, because that actress looks so sweet and innocent, when she’s not doing those things. I can only guess that’s why this particular actress was chosen. There’s also the stereotype of the vicious Black brute, who is uncivilized and must be controlled, restrained, and made useful, which is illustrated in Melanie having to wear a plastic muzzle for at least half the film. All of Melanie’s captors are White, and with the exception of Ms. Justineau, they are all deeply frightened of her, which gives this movie a  disturbing racial angle, that it would not  have otherwise had, if Melanie had been cast as a little White girl. Her Blackness gives the end of this movie  a wholly different meaning, which I’ll have to discuss in another post.

There’s very little wasted space in this film, which is less than two hours, but feels   longer because the director takes time to have quiet moments to explore Melanie’s world from her point of view. She is in nearly every frame, she is the one around which the other characters revolve, and she moves the plot forward with the decisions she makes, especially the last one.

I considered giving away the ending of the movie, because I wanted to discuss how groundbreaking this is, but if you’ve read the book you already know it, and if you haven’t, I really don’t want to rob you of your feelings (and you will have some) when you see it for yourself, as everything that happens in 90 minutes of the movie is what leads up to Melanie’s final decision.

This is an excellent movie to watch on Halloween night along with, 28 Days Later, and Train to Busan, two other films that have WoC dealing with a zombie apocalypse.

28 Days Later will be my next review.

ETA: The Website featuring this list is available at the Graveyard Shift Sisters.

http://www.graveyardshiftsisters.com/2017/09/watch-31-horror-movies-starring-black.html