Hi! Have Some New Movie Trailers!

Hi! Here is a small list of movies that I’m interested in this year. Okay, partially interested in. Some of them I’m not exactly too keen on, but decided to add them here, in the interests of fake fairness.

 

*Quiet Place II 

I kinda like apocalypse movies, so I’m looking forward to this sequel. I may as well put it on my watch list for Summer, because I’m pretty sure my Mom (my movie buddy) is going to mess up my whole movie watching schedule for the Summer, by requesting to see Horror movies. A couple of times, I had to put my foot down and tell her that no we were not going to see the Annabelle movies!

I’m generally not real big on seeing Horror movies in the theater, because its easier to walk out on them when you’re at home, but I kinda know what type of scares to expect, having seen the first movie, so we will probably go see this one.

 

 

New Mutants

I started reading  the New Mutants during its first run waaay back in the 80s, and the primary story was about an Indigenous girl, named Danielle Moonstar, who was haunted by a  demonic bear. She had the ability to create realistic illusions in the minds of the people around her, and the bear had the ability to turn anyone it touched into a kind of demon minion.

I haven’t read that particular comic in decades, but I still vividly remember the images drawn by Bill Sienkiewicz (Sink-o-wits), who  became one of my all-time favorite comic book artists. I also thought the story was pretty scary too, so The New Mutants movie comes by its horror trappings very honestly.

The team consists of Illyana Rasputin, who is the sister of Colossus (from Deadpool) in the comic books. She is a kind of  half demon, who wields a soul sword. Rayne is a werewolf from Ireland. Sam is known as Cannonball, and is capable of flight, and Sunspot is ,well he’s complicated, and scary as f*ck, when you think about his powers. This trailer looks a lot more interesting than that first one we saw which really didn’t excite me very much. This new trailer makes the movie look as if it were worth paying money to see.

All that said, I’m not too keen on seeing this movie because of its overwhelming whiteness. Not a single one of these characters look anything like they have in the comic books for the past thirty years, and I just find that deeply annoying, along with not wanting to watch a bunch of teenagers, and their merely adequate acting skills. But hey, the trailer is cool.

 

 

 

John Henry

I’m really excited to see this one, (even though I still have issues about Black people constantly being associated with criminal activity in movies.) John Henry is one of those folk tales I heard when I was a little girl. I’m not clear if he was a real person or not, (I suspect he was), but he is basically an African American Folk Hero, like our version of Superman.

When Superman died in the comic books, back in the 90′, ,a bunch of different people tried to fill his shoes, and one of them was Steel, (who carries a giant hammer) who was based on John Henry.

Henry even has his own song, which I also learned as a kid. It’s basically a superhero story about a man who raced a steam drill, to tear a hole in a mountain. This was animated by Disney a few years ago, for the movie Legends. (This is not the original music for this short.)

 

This is the first live action version I’ve ever heard of, set in the modern day, and I cannot think of a better person to play this character than Terry Crews.

 

 

Tenet

Yes, yes, yes!!! I am very excited about this. i don’t know that I’ll get chance to see it in the theater, as I did The Dark Knight, but I am eagerly looking forward to Christopher Nolan’s latest thriller, which stars the son of Denzel Washington. Look for the little “time loops” in the trailer! There are several.

Tenet, described as “an action epic evolving from the world of international espionage,” seems to exist in the same complex cinematic conversation as Inception (if not the same universe) — in terms of how it dabbles in both the sci-fi and spy genre, and in regard to its futuristic-yet-grounded world filled with futuristic-yet-grounded technology.

The sequence centers around a terror crisis, and both the law enforcement members and a group of spies who respond to it, with seemingly different motivations. This plays into the specifics of the film’s spy world, as John David Washington’s character even sounds as though he’s speaking in code at one point.

It also contains a blink-and-you’ll-miss-it moment that seemingly showcases the film’s time-warping technology in action, which helps to communicate the sci-fi twist. After the sequence wraps up, the prologue dives into a trailer-like montage, which contains the reversed car flip from the online trailer.

https://www.hollywoodreporter.com/heat-vision/tenet-imax-prologue-shows-a-time-bending-mission-1264421

https://youtu.be/-BplPeKclvw

 

 

 

Black Widow

Some movies, I’m instantly excited about, whether or not I see a trailer. Black Widow was not one of those movies. I heard they were gonna make it, and my mood was pretty, “Meh, I’m over her.”(It does not help matters that  Scarlett Johannson insists on walking around with her foot firmly planted in her mouth, and its hard to act that way.)

But most people don’t know about her social media gaffes, and, this trailer actually looks like a helluva lot of fun, and this trailer does make me want to see it. A little dose of humor goes a long way with me, because that first trailer was horrible. This one is a lot better, so I predict this is gonna be pretty big, and more than enough to tide people over, until Wonder Woman is released (another movie I don’t particularly care to see, not because I hate the movie, but because I just can’t dredge up enough energy to care about it.)

I really only have one question: When are they gonna make that Kamala Khan movie?

 

 

Free Guy

I like Ryan Reynolds and this just looks like goofy fun. I will not be seeing this in the theater however, because i generally avoid films that involved video games, and while Ryan and his wife have great onscreen presences, their personal life decisions are for shit. I really need to stop reading anything about celebrities. A lot of them suck as people.

 

 

Bloodshot

I probably will not see this in the theater, although I am a fan of the comic books, which it seems there’s like a thousand of them. The action scenes look cool as f*ck though, (I’m cussing, so you know I’m excited about this!), and despite Vin Diesel’s questionable acting skills, and the mediocre plot of having his wife get fridged as a motivator for vengeance, I kinda want to see this. I’ve been spoiled by some really good, smart action films for the past ten years, and while this looks like it has a nice mental twist, it doesn’t look as if it will captivate me, in a theater, for two hours. We’ll see!

 

 

 

The King’s Man

I like this one but probably won’t see this in the theater because I wont be able to get anyone else interested in going to see it with me. Now this movie is a prequel to The Kingsman franchise, is set in a different time period, and boasts a much weightier cast. I don’t know. This movie is giving me Indiana Jones feels, and that’s a good thing, since I like those movies.

 

Honorable Mentions

*Birds of Prey – A Harley Quinn movies, which looks interesting.

Mulan – A live action movie based on the original Chinese story of a young woman who disguises herself as a man to take her father’s place in the military.

*The Lovebirds – This one stars Issa Rae and Kumail Nanjiani, whose good-natured humor has built them a large fan base, so I expect this movie to do well.

*Candyman – A remake of the original 90s movie by Jordan peel, and featuring cameos from the original cast.

*Morbius – I like a good vampire movie, and this is from the same people who made Venom, which I also liked. Morbius is part of the Spiderman universe, and is one of his deadliest villains. He basically eats spider-people. I would have preferred an animated version of this in the style of Into the Spiderverse, but we got Jared Leto instead. Whaddya gonna do?

The Hitman’s Wife’s Bodyguard – I just really like this stupid title.

Last Night in Soho – I got two words for ya’. Edgar Wright!

*Snakeeyes – This is one of my favorite characters from the G I Joe universe, so I’m looking forward to seeing this. I guess its gonna be an action movie year.

*Halloween Kills – I was one of the few people who seemed to actually enjoy the previous Halloween movie, so I guess I’ll be sitting all alone in the theater, for this sequel.

Eternals – I don’t know what to think about this yet. Its part of the newest phase of the MCU universe. I’m withholding my opinion until i see a trailer.

*Dune – I  like this director, Denis Villenueve, and liked his interpretation of Bladerunner, so I’m looking forward to his version of Dune. I’ve read Dune every couple of years, or so, and I actually enjoy the original film, despite its inaccuracies.

One drawback though is that he doesn’t feature any Black people in his movies that either aren’t criminals, or getting horribly killed. I looked at the casting for this movie, and there is only one Black man in the entire cast (on what is supposedly a desert planet where everyone appears to be lily-White). He plays the character of Jamis, one of the first people killed by Paul when he joins the Fremen. Even though the Fremen are canonically based on Middle eastern tribes, there’s not one MENA person in the cast. Zendaya is in the cast, and I like her a lot, but she is light-skinned, so she is one of those people a director casts, when they want someone of ambiguous ancestry.

I’m starting to give Villenueve a heavy side-eye on his depictions of characters of color. I’m not saying Villenueve is a racist. What I’m saying is that like a lot of White directors,he has never thought about race at all, and so continues to reproduce the same tired, worn, stereotypes of Black and Brown criminals, who need to be punished in the story.

Geeking out About: The Watchmen TV Series

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Last Sunday was the season finale of the nine episode Watchmen TV series, on HBO,  and I’ve been having all kinds of thoughts. From the first episode, to the finale, my thoughts have just been all over the place. This show took me on a journey, but it was satisfying, and I’m not as angry with Lindhelof as I was when the series began. This makes up for some of his past transgressions, like Prometheus, and the ending of Lost. I was exasperated by some of it, some of it galvanized me, and some of it made me feel really, deeply, some type of way. The plot is a little too intricate to get into here, but I have provided plenty of links, for those who are curious.

First off, the series is a direct sequel to the comic book, and not the much maligned movie from a few years ago. This story (most of it) takes place thirty years after the events in the book, with flashbacks to some periods in between. I talked about the setting  in a  mini review.

https://tvgeekingout.wordpress.com/2019/10/28/october-viewing-list-ii/

 

Review

https://tv.avclub.com/life-on-earth-gets-a-lot-weirder-but-watchmen-continue-1840145375

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And People’s Thinky Thoughts:

 

https://www.vulture.com/article/watchmen-hbo-easter-eggs-references-episode-guide.html

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https://www.esquire.com/entertainment/tv/a29592776/watchmen-redfordations-racial-injustice-act-explained/

https://www.esquire.com/entertainment/tv/a29565670/watchmen-hbo-backlash-controversy-white-supremacy/

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https://www.vox.com/culture/2019/10/20/20919750/watchmen-hbo-regina-king-review-damon-lindelof-race-policing

https://www.thedailybeast.com/hbos-watchmen-pisses-off-comics-fanboys-its-woke-propaganda

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https://www.motherjones.com/media/2019/12/the-best-tv-show-about-racism-was-a-comic-book-fantasia-heres-how-watchmen-did-it/

Some Favorite Comedies

I wouldn’t call myself a film comedy fan, whatever that means, (although I have and will, watch plenty of TV comedies), nevertheless, I have watched a large number of them in the past four decades. Some of them have been more impressive than others, and by impressive I mean that I actually laughed at them, or  watched them  multiple times, “… and it keeps getting funnier, every single time I see it!!!”

I have a strange relationship with humor. I don’t often find funny what other people find to be funny, is much so, that I used to think something was wrong with me (but it turns out I’m, most likely, somewhere on the Asperger’s spectrum). I’m often unimpressed with the kinds of movies other people think are hilarious. I’ve been told, from time to time, that I’m pretty funny myself, and while I like to say silly things to strangers to break the ice, I don’t really think of myself as a particularly funny person.

I have noticed a pattern to what I find funny. My sense of humor is tends to be childlike,  just straight up silliness, solely for its own sake, and the movie usually has to be mixed with some other genre. Of all the movies on this list, The Nutty Professor is the probably the only movie which I would say was made solely for comedy’s sake, as its really not mixed with some other genre, (maybe sci-fi, since it’s a parody of Dr. Jekyll and Mr. Hyde), and yeah, I am including the 1963 Jerry Lewis’ version. But most of these are Western, or Horror, or SciFi Comedy.

So here, in no particular order, are just some of my favorite comedies. I have several more favorites that, for whatever reason, didn’t make it onto this list, but hey, I can always so another post, right?

 

Galaxy Quest 

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There is no such thing as the comedy to end all comedies, but if there were, Galaxy Quest would be the parody to end all SciFi parodies. After this movie got made, no more need be said on the subject.

I absolutely love the fuck out of this movie, taking every opportunity to watch it when it airs on TV, and here are only five of the reasons why:

  1. Its a Star Trek parody, and I am an Old School Star Trek fan. Name a character, or play some music from the original series, and I can tell you the title and plot! I wanted to be Lt. Uhura when I was a little girl, and I would of course, marry Spock!

2.  Sigourney Weaver, the queen of my other favorite movie franchise, Alien. Sigourney gets nearly every great line in this movie,  and is only rivaled in the amount of great lines she gets by:

3.  Sam Rockwell, as Guy Fleegman, a redshirt nobody who is convinced that because his character has no last name, and is the head of security, that  he is going to die on whatever adventure they are having.

4. This movie contains one of my all-time, favorite, movie tropes, featured in films like The Three Amigos, Tropic Thunder, and A Bug’s Life, where a group of actors mistake a plea for help, from some unsophisticated victims, to be a request to do a show. The actors sign up to do a show, which  turns out to be the  real thing, and they have to now become actual heroes. This plot trope is also  a parody based on The Magnificent Seven, and The Seven Samurai.

5. Alan Rickman’s Dr. Lazarus, who is a loose parody of a conflation of the character, Spock, and  any number of Shakespearean English actors,  like Patrick Stewart, whose makeup becomes more, and more disheveled, the further we get into the movie, until its time to say that one line of dialogue that he absolutely hates, (but for real this time), during which his makeup becomes perfect.

Its not that Tim Allen’s character isn’t funny. He has his moments, but he is also the only character willing to take everything seriously, while all the other characters are like: WTF?!!! Especially Tony Shalhoub’s character,  Fred Kwan, who I think, spends the entire movie high as a f*cking kite, and still manages, somehow, to keep his game on point, and get the girl. I don’t think he actually believes that any of the shit that’s happening is real, and is able to just totally roll with whatever happens, and as far as I’m concerned, that’s probably a great way to get through most of the world’s minor tribulations.

One day, I have to do an entire post on this film, talk about why I love this so much, what tropes the film is parodying, the whole thing.

 

Raising Arizona

https://tvgeekingout.wordpress.com/2017/05/02/speaking-of-crime-raising-arizona-1987/

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Before, Raising Arizona, I was not much of a movie comedy person. I watched most comedies on TV, and that was where I stayed. I grew up watching the Three Stooges,, The Little Rascals, and Looney Tunes, and moved on to more adult comedies like Mary Tyler Moore, Barney Miller, and WKRP in Cincinnati, and  comedians like Robin Williams from Mork and MIndy, or George Carlin, and Jonathan Winters, especially if they showed up on the late night TV shows I wasn’t supposed to be up watching.  Sometimes I would watch a Scifi comedy, or a Horror comedy, but I didn’t often watch comedic movies that were just whatever they were.

I mentioned in an earlier post how this movie came to resonate with me, and played a big part in my memories of college life. Everything about this movie strikes my funny bone, from Hi and his  friend’s highfalutin’  manner of speaking, despite that all of them are lowlifes, to the plot,  the music, and cartoonish action scenes. This is the only movie I will watch, (besides, Ravenous, and  Mars Attacks!), that prominently features yodeling.

 

Tucker and Dale Vs Evil 

I gave a review of this movie here:

https://tvgeekingout.wordpress.com/2016/04/24/geeking-out-about-tucker-and-dale-vs-evil-2010/

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My favorite scene in the entire movie is Tucker being chased by bees, while wielding a chainsaw. I just lose it every single time, and you have to watch the movie, just to put that scene in context. This  movie is utterly ridiculous and knows it.

 

 

Best in Show

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The great thing about this movie, isn’t the situation, although I do like Dog Shows, its the complete silliness of the characters. The Director is none other than the maker of This is Spinal Tap, Christopher Guest, an alumni from Saturday Night Live, who wrote the script with Eugene Levy, who has become another favorite of mine. They specialize in the kind of smug, off brand, humor that a relies on subtly, weird characters, and puns, and which is often called pretentious.

These are not laugh out loud, guffawing type movies. The humor goes much deeper than that, to tickle waaay down in your stomach. The characters are not necessarily doing obviously funny things, there is little  slapstick, and most of the humor relies on dialogue. In some cases, you are actually laughing at the characters, while others you laugh with, and this is some exceptional writing, when you can have multiple characters like this in the same movie. But what I love the most about this movie is no matter how funny the character’s are, none of it is mean spirited. Guest loves his characters, and doesn’t  humiliate them, just for the enjoyment of it. They are always either clueless, or hapless, people who mean well, but just, for whatever reason, can’t.

The movie follows three different couples as they navigate their way through a dog show. Eugene Levy and Catherine O’Hara play John and Cookie Fleck, a lower middle class couple, the owners of a Norwich Terrrier, who are out of their league at such a prestigious event as the American Kennel Club Dog Show. Cookie has a sordid past as the town futon, who is constantly running into old lovers, while Eugene is her hapless, two left-footed, husband.

Meg and Hamilton Swan are a pretentious, and neurotic, yuppie couple, who you are probably meant to laugh at, as they wax nostalgic about meeting each other at competing Starbucks, and freak out over their completely unperturbed Wiemeraner. Scott and Stephan are a gay couple, who are the charming, funny, and the gracious, highlight of the movie, and the sweetly pretentious dogfathers of a pair of tiny Shih Tzus.

The singletons are Mrs. Cabot, a trophy wife, who has an interesting relationship with Christy Cummings, played by  Jane Lynch, as a famous, over-competitive dog trainer of a poodle. And Christopher Guest himself rounds out the cast as an overly hopeful Basset Hound owner, who is totally out of his comfort zone, named Harlan Pepper. The most silly character in the film is the Dog Show announcer who embarrasses his fellow announcer by  making dumb, loud, and off-color jokes.

All of the characters are deepened with interesting side stories, and little quirks of personality that make them more likable than annoying. Guest is the type of humorist who doesn’t try to be edgy, or shocking, to the viewer. You can tell he likes these characters, even the Swans. He’s not trying to humiliate them just for shits and giggles, and most of them get positive, if not happy, endings. This is also one of my favorite movies about dogs.

(Yes, we have two dogs in the house, our dignified elder statesman, Sargent, a Rat Terrier, who has a bobbed tail. I like to call him Capt. Wiggle-Bottom, and our smalle, and  faster, back up model, named Rusty, a redheaded Yorkie, I like to refer to as The Squeaker, and  however you just pictured them, is exactly how they behave.)

 

 

 

Tropic Thunder

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Okay, I know that I am probably not supposed to find this movie as funny as I do, filled as it is with Blackface, Black stereotypes, Asian stereotypes, Jewish stereotypes, and  its use of the R word, but I just cannot help myself. I just love this movie, and that is due almost entirely to Robert Downey Jr’s character, a White Australian actor, who spends  the entire movie masquerading as a Black man, while working next to  an actual Black man, and lecturing another White man on how that man went too far in portraying a marginalized character. I think what’s really the movie’s  saving grace for me, is the ACTUAL Black man, played by Brandon Jackson, who calls Downey’s character out at every opportunity. The people who made this film knew that everything they were doing was wrong, and still went there with it!

Tropic Thunder is meant to be a satire on war movies, and actor’s careers. Jeff Portnoy is meant to poke fun at Eddie Murphy. The makeup artist for this film, Rick Baker, also did the makeup for Murphy’s Nutty Professor movies. Tug Speedman is a play on Tom Cruise, who also has a cameo in the movie, (and almost steals the whole damn thing, even when you don’t recognize him!), and Robert Downey’s character, named Kirk Lazarus, was a statement about Australian and British actors who make it big in Hollywood, by playing chameleon-like roles.

As the film progresses, and the events that were only being faked on a movie set before, become more and more real, Lazarus’ makeup starts to wear off, and you can see his real face, as he becomes a White man,  with an incongruous, 70’s Blaxploitation accent. I remember when I first saw the trailer, I kept looking for Downey,, because I was told he was in it, and not finding him. It wasn’t until after the movie’s release that I realized I’d been looking at him the entire time. His makeup is so incredibly convincing that he looked like my late uncle, something which struck me as incredibly funny. Even after knowing it was Downey, I still kept seeing my uncle, (probably because he says a number of things that are exactly how my uncle would have reacted, under the same circumstances).

Some of my favorite moments aren’t even in the movie, like the DVD commentary, where Downey does a ridiculous Blaccent, the entire time, because  as Kirk Lazarus states,  he doesn’t break character until the DVD commentary. It is hands down one of THE funniest DVD commentaries I’ve ever listened to, as Jack Black is a natural born cusser, and, very probably, drunk during the whole thing.

 

The Nutty Professor (1963)

This is the original movie on which Eddie Murphy’s 1996 version was based. This is the one I grew up watching, along with a bunch of other Jerry Lewis films. It does differ significantly from the remake, but the basic plot is the same, a kindhearted, nebbishy, teacher transforms himself into the ultimate masculine man, to attract the attention of the beautiful woman he has a crush on. But the differences are interesting too, and not just the race of the characters. The original film is also a musical with a number of setpieces written by Walter Scharf, and performed by Jerry Lewis himself.

Jerry Lewis plays Julius Kelp, a nerdy, science teacher ,who has fallen in love with one of his students, Stella Purdy, who is played by the lovely Stella Stevens. To win her love he transforms himself with a potion, (ala Dr. Jekyll and Mr. Hyde) into an obnoxious character, named Buddy Love. Just as in the remake though, the potion doesn’t last, and his true self gets revealed for all to see.

From the opening scene, to the final act, the movie is filled with a lot of great physical comedy, but the highlight of the movie, at least for me, were the two musical performances by Lewis, and performed with maximum chill, called Old Black Magic, and my personal favorite, We’ve Got A World That Swings. But the movie is filled with some great little character moments, like the one below, where Dr. Kelp gets carried away by the song being performed by Les Brown’s Band of Reknown. He is truly among the world’s worst dancers! The dialogue is smooth and funny, with  Kelp and Buddy as very distinct characters. The most popular moment, for most viewers, is the introduction of Buddy Love, but Stella also gets her due, and her man. She may not be the star of the film, but she is always treated with respect, by the writers, and the other characters.

 

 

The Nutty Professor (1996)

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The best comedies don’t just make you laugh while watching them, they make  you laugh while  thinking about them later. The 1996 Nutty Professor is a remake of the 1963 version of the Jerry Lewis film, only instead of a nerd scientist, made cool by chemistry, you get an obese man, turned into Eddie Murphy, at his most obnoxious, through the use of chemicals. The remake makes more evident, what the original only sort of played around with, that Buddy Love is a horrible person, who is not meant to be admired. This is done by contrasting him against Sherman’s sweet and gentle nature, as they both pursue a  romance with the beautiful Miss Purdy, played by Jada Pinkett.

I think most people who love this movie will agree, that the dining scene, which  happens somewhere in the middle of this movie and illustrates both the love and   shame that Sherman feels about his over sized family, is without a doubt, one of the funniest scenes ever. Eddie Murphy plays four different characters who all interact with one another, but its his Grandma who gets all the best lines, that people are still repeating to each other, over twenty years later. Even my mother loves this movie, and is just the right age, (apporaching 70), to get away with telling someone, “C’mon Cletus!”, while shaking  her cane at people, and have that shit be funny as hell!

 

 

The Blues Brothers

Here’s another comedy that’s also a musical. I was a big fan of John Belushi, mostly for his SNL parodies of Toshiro Mifune’s character from Seven Samurai, called Samurai Delicatessen, Samurai Stockbroker, Samurai TV Repairman, Samurai Night Fever, and Samurai Hotel, bearing in mind that, at that age, I had never seen Seven Samurai.

I was not a huge fan of Dan Ackroyd, but I was willing to tolerate him, for the sake of John, and in a delightful surprise, Aretha Franklin, performing Think, and Ray Charles, performing, Shake A Tail-feather. The movie has never struck me as especially deep. It doesn’t seem like its trying to make a point, and its not really all that laugh out loud funny, but what it is, is  pure, goofy fun because Jake and Elwood are the best possible brothers.
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Evil Dead II

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I remember watching the first movie a little while before I went to see this sequel. I remember I was not particularly impressed with the first film. I remember seeing this one at a theater downtown on a double bill with Robocop. I do remember those as some very enjoyable hours.

In hindsight, I cannot imagine why I was against seeing Raising Arizona, when I was in college, because that movie has some of the same ridiculous type of humor as this one, and I thought, (heck, I still do), that this is one of the funniest horror movies I’ve ever seen.

Have you ever watched anything so over the top, ridiculously stupid, that you have no choice but to laugh at it? That pretty much describes this entire film, from the image of a rotting corpse, dancing with its own severed head,  to a demon possessed hand, that’s trying to kill its owner, Sam Raimi just gave full vent  to his silliness, for which I will always respect that man. The movie cemented my love for Bruce Campbell, whose career I’ve been following ever since.

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Kung Fu Hustle

I wrote about my love for Kung Fu Hustle here:

https://tvgeekingout.wordpress.com/2016/03/12/geeking-out-about-kung-fu-hustle/

This is another one of those movies, that is just so over the top ridiculous, that its hard not to like it. I love both Looney Toons, and martial arts films, and this movie is the perfect mashup.

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Honorable Mentions:

Blazing Saddles – This is the scene, that caught me, right here:

 

The Birdcage – One of the thee funniest movies Robin Williams ever made, and what’s so hilarious about that is, he was the straight man in this duo, while Nathan Lane got all the best lines:

 

 

A Bug’s Life – I love the bloopers and outtakes scenes at the ends of the early Pixar movies. The creators didn’t have to do that, and I love that the writers went a little out of their way. But my favorite line in the entire film is in the bar scene: “Waiter, I’m in my soup!” 

 

 

What We Do In the Shadows – Who hasn’t Wanted to finish some “dark bidding” on Ebay?

 

 

Beetlejuice – The Wedding Scene

Viewing List – November Edition

These are the reviews from things I watched in October and November. I will try to make these as short as possible, but y’all know I’m good at blabbing about TV shows, so wish me luck with that.

 

Dolemite is My Name

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I was kinda excited about seeing this, nevertheless i was surprised by how much I liked this movie, and I can think of no better actor to play Rudy Ray Moore than Eddie Murphy, a comedian I have  always had tremendous respect for, and who really doesn’t get enough credit for all the work he’s done, in the past 30 years.

Now, I have to give a little bit of background here. I grew up in the time period in which this movie is set. I would have been 2 maybe three years old at the beginning of the movie, but I have very distinct memories of grownups being really excited about Moore, and Yes, I did encounter a couple of those racy album covers in my mom’s collection, but I don’t think she knows I remember she was a Rudy Ray Moore fan.

I have a very clear memory of mom, and her then boyfriend, taking us to the Drive-in to watch The Human Tornado, which came out in 1975, and was a sequel to Dolemite.  I would have been five, and my brothers would have been 3 and 4. She would have had the assurance that, since we were babies, we would all be asleep by the opening credits. I don’t think she knows I was wide awake No, I wasn’t scarred for life or anything, but I definitely  remember parts of  the movie, and even some  it’s theme song. I know this is a genuine memory because I have never seen the movie as an adult.

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Anyway, all this to say that this definitely brought back some memories. There are some things about Black culture that only Black people know. I’m gonna let y’all in on a little secret.

Black people have our own stories, which seem to parallel stories from other cultures. Most of them you’ve probably never heard of,  unless you grew up in the culture, or have parents of a certain age, like my Mom. My mom used to tell us stories about the Signifyin’ Monkey, the lion, and the elephant, (only without all the cursing, and never the whole story, since its fairly raunchy.) Probably not the sort of things one would tell one’s kids today, but things were different back, then, and my Mom was kinda weird. It has a pretty long history, too. If you have ever  read American Gods, Anansi tells a story that is directly based on the folklore tale , titled How the Monkey Got the Tiger’s Balls:

Numerous songs and narratives concern the signifying monkey and his interactions with his friends, the Lion and the Elephant. In general, the stories depict the signifying monkey insulting the Lion, but claiming that he is only repeating the Elephant’s words. The Lion then confronts the Elephant, who physically assaults the Lion. The Lion later realizes that the Monkey has been signifyin(g) and has duped him and returns angrily to castrate the monkey, rendering him unable to reproduce.[3]

https://en.wikipedia.org/wiki/Signifying_monkey

http://mogley.tripod.com/monkey.html  

The Signifyin’ Monkey is part of the Dolemite theme song. Since this is a Rudy Ray Moore biopic, there’s a lot of cursin’, and some mild nudity. Its not half as raunchy as the actual Moore, but I think he’d be satisfied with what was shown in this movie.

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I also enjoyed it outside of the nostalgia factor. There’s a scene, in the early part of the movie, where Rudy encounters a plus size woman whom he recruits into his comedy troupe. This woman later  became known as  Queen Bee, who was every bit as raunchy in her style of comedy as Rudy. The story is arranged in such a way that you’re meant to cheer Rudy as a driven, hard working man, who triumphs against the small minds of others. Needless to say, most comedians probably couldn’t get away with most of the comedy routines, in this movie. The seventies featured a lot of new culture, that we take for granted now, and one of those things was raunchy Black comedians.

There were plenty of Black comedians before Rudy, who said some fairly racy stuff, but they mostly worked what was known then as The Chitlin’ Circuit, which were a collection of venues where only only Blacks could perform, since they still, even in the seventies,  considered too raunchy to play in the mainstream (i.e. White ) circuits. Rudy was one of the first of these type of comedians to go (sort of) mainstream, in that even White people heard about him, although he still would never have been invited on The Johnny Carson Show. So, the movie is one of those low key inspirational films, about overcoming racism in Hollywood. The first half of the movie is very caught up in people telling Rudy “no” , telling him what he can’t do, or making fun of him for wanting certain things, and Rudy going off to do those things anyway.

I have since learned that Eddie Murphy has received a Golden Globe nomination for this role. but I don’t think he will win. He does some great work here, but its not the best work he’s done, and really, I thought it was a walk in the park for him. He can play this type of role in his sleep. But I did enjoy watching him, because his charm makes the occasionally cringey plot, very watchable.

 

The Mandolorian

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I am loving The Mandolorian, and not just for the Baby Yoda scenes. (No, that isn’t actually Yoda, but some distant descendant, since this series is set after Return of the Jedi.) This series is full of some of the classic themes we expect from Star Wars. George Lucas has said the original Star Wars was based on the works of Japanese film Director Akira Kurosawa, most specifically, Seven Smaurai, and you can see some of the influence here.

In fact the series heavily reminds me of the Japanese Manga called Lone Wolf and Cub, in which an itinerant samurai, a ronin, wanders the Japanese landscape, with his tiny son, searching for vengeance, and  getting into various adventures. The only differences between that, and The Mandolorian, is the son doesn’t have force powers, isn’t on anybody’s wanted list, and isn’t half as cute as Baby Yoda. The show takes care to focus on the relationship between Mando and Baby Yoda, too. There are a lot of really cute moments between them, and the public seem to have really taken a shine to the little guy, much the same as his adoptive Dad.

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Its also a classic story about a character’s personal growth.  Mando starts out as a bounty hunter, who is just there for the work, so he can buy some new armor, but makes the decision to take the baby and run, rather than deliver him/her to his clients. There are larger mysteries which haven’t been answered yet, like who exactly is the Mandolorian, why does everyone want the baby, and where did this baby come from.

The production values, the costumes, acting, and special effects, are all top notch. It really does have the look and  feel of one of the movies, which makes it very easy to watch, although this luxury comes at the expense of the episode running times, which never get beyond 45 minutes. I can live with that, especially since the action scenes are the highlight of the series. In one of the earlier episodes, there is a full on fight between a team of Mandolorians and the various ne’er do wells, and criminals, on the planet on which they’ve all been hiding out. When CG is used, its mostly for the creatures, and action scenes, and is largely invisible, as its supposed to be.

 

 

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War of the Worlds – BBC Version

 

There have been umpteen different versions of this show. A book, a radio program that, as it is rumored, gave some people the shits back in the thirties, as they thought it was real, several movies from the fifties to the nineties, one of which starred Tom Cruise, another TV show, and now this.

Its a three part miniseries from the BBC, and so far I’m really liking it. Its got some nice production values. You can see where the money went in this one. The special effects are well done, and not that usual cheap TV stuff you sometimes get in big idea shows, and the show, quite frankly, looks gorgeous. The acting is acceptable,  although the only actor I truly recognize is Robert Carlisle.

And this show is not fucking around with its theme. H.G.Wells wrote the novel as a reaction to the British annexation of the Congo, and the atrocities that were being committed during the colonization of India. He wrote a book about the violent colonization of England by a superior technological force, as a condemnation of the British Empire’s activities, and the show makes this connection loud and clear, right in the opening credits. In the first fifteen minutes of the show, you hear characters having conversations about the might of the British Empire, and how wonderful it is to live in such a powerful country. By the end of the first episode though, the Martians have shut that talk down.

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There’s also some melodrama involving the two stars of the show, Rafe Spall, the brother of Timothy Spall, as a fellow named George, and Eleanor Tomlinson as his paramour, Amy. The two  are madly in love, but cannot be together, because George’s  wife refuses to divorce him, She hates him, and wants to remain married to him just to spite him. The family is scandalized, his older brother,  is outraged, and the  the rest of the community don’t know how to think of this thing, where the two of them are living together, unmarried. Plus Amy is pregnant.

I was not initially interested in the melodramatic aspect of the show, but the show does this thing, where it flashes back and forth to the future, after the alien invasion has been conquered, but the Earth is a literal hot mess, because the aliens weren’t just there to invade, they were terrraforming. Amy is wandering through the red deserts of what used to be England, with her young son. She has been separated from George for a long time, but still holds out hope of finding him. I didn’t care, at first, but I decided that I liked the characters. At least, I liked Amy, and that seems to be enough for me to start to care the rest of it.

The show opens with her and George witnessing the launch of the ships from Mars. Its a little different from the movies, because the ships look like meteors as they land, and that’s hat people think they are. They look like black globes that float off the ground, and are capable of setting people on fire from a distance. The tripods break out of the ground after the globes explode, and start their rampage, although the tripods aren’t so much interested in annihilating people, as they seem to be in seeding the planet with various gasses and chemicals. Like I said, this is not an invasion, exactly. They are transforming Earth into another version of Mars, and if you look at the flash forwards, their mission seems successful.

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I did have some criticism about characters doing stupid things, but this is only because this is one of those situations where the audience knows more about what’s going to happen than the characters do, so there were a lot of instances where people are standing around looking at things, while I yell things like ,” Get the fuck out of there!!!!’, and, “Run!” There are  various government officials who act like the mayor from Jaws, and simply bluster uselessly at the reports they’re getting from other parts of the country, about the annihilation of entire towns, even though the city is filling up with refugees from those areas. The British are so full of themselves about the initial events, that I have to admit, it was a bit satisfying watching them get their asses handed to them by the Martians, which point the show is trying to make. Basically, the show is saying that the British “ain’t all that!”

There are lots of closeups of boiling ant colonies, along with images of English people living their best lives, not unlike the ants, walking the streets of their mighty London, and looking quite busy, and the tripods themselves look very insect like, such that there is a connection being made between the idea of  invasive species, and the colonizing aliens, and that what is being done to England by the Martians, England is currently  doing to other countries, and been quite proud of themselves for it. We know the English are proud of their activities, but we don’t get any idea how the aliens feel, though. There are scenes where people touch the black globes that have dropped to Earth, and see smeary lingering images of their hands and faces, in the glossy sheen of the alien device, in a very,  “We have met the alien, and they is us.” type moment. So yeah, the show ain’t being  coy regarding its critique of British empiricism.

The setting for the various iterations is England, at the height of the British Empire, when it was engaged in the violent colonization of different countries. The English were largely brought low after WW2, (look up London Blitz), so its interesting that the first American version showed up in the fifties, (1953), when America, having won some victories during the war, (and starting to feel itself to be the shit) began engaging in its own world dominance behavior. (Before the War, America pursued an isolationist stance.) The 1953 version, (and subsequent invasion movies, like Strange Invaders, and Independence Day), were not about the humbling of America, so much as they were  America conquering some  great enemy, against all odds.. The 2005 version is a response to 9/11, where its made clear that the alien invasion is a stand-in for the terrorists, and America doesn’t triumph, so much as get lucky.

Not all alien invasion movies are violent. Some of them are enlightening, like 2001, and/or  hopeful, like Close Encounters of the Third Kind. This series is in the truest spirit of the book, however, which was a rebuke to British hubris.

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* https://www.post-gazette.com/ae/movies/2012/06/13/Behind-the-fiction-lie-factual-themes-in-alien-movies/stories/201206130200

Once they were analogies of the Cold War or Vietnam. Sometimes the underlying theme is corporate greed, environmental destruction or fears of technology supplanting humans. The movies feed on public fear of enemies from abroad, which in today’s world, he said, could even include mortgage bankers.

New Movie Trailers (November 2019)

 

Birds of Prey 

Well, I like the trailer for this, but then again I liked the trailer for Suicide Squad, and everyone hated that movie, (while I happen to like Suicide Squad, one of only five human beings to ever make such an outrageous claim). I have developed an appreciation for Margot Robbie, one of only a very small handful of White actresses whose work I actually seek out, and whose career I’m following. I really liked her in I, Tonya, and Mary Queen of Scots.

 

 

Call of the Wild

I read this book a lot when I was a teenager, and can probably credit it for sparking my strange fascination with the Arctic. I also think it was because I just loved dogs, and always imagined Buck  as my dog. I will not go see this in the theater, but I hope it does well, so that Hollywood will get the idea that classic stories, done well, can still do well at the box office.

 

 

Bloodshot

I’m kind of fond of the books on which this movie is based because, for some reason, I’m fascinated with nanotechnology going bad. I blame Greg Bear’s Blood Music. I’m not sure about this movie’s lackluster plot, or the fact that it stars Vin diesel. I don’t hate Vin Diesel. I actually like the guy, but he’s not an especially good actor, and I don’t know if  I want to watch him try to emote for two hours. I really have to be in a certain mood for that kind of thing, since one only needs a little bit of Vin Diesel, at any given time.

On the other hand, the books are great, if you’re a fan of adventure science fiction books, which are really just thinly veiled cover stories of superhero novels.

 

 

 

Fantasy Island

I liked the TV show this is based on, which aired from 1977 to 1984,  and if you have not watched those, I’m sure they can be streamed somewhere. Its a sappy, and sometimes very cheesy show, which rarely got above a level three on the fright-o-meter, but I remember watching it a lot with my mom, who had a crush on Ricardo Montalban. This looks interesting, despite the fact that it heavily reminds me of that failed revival, that happened in the late 90’s.

 

 

 

 

Invisible Man

Yeah, I’m not gonna go see this. I think I’ve had enough Invisible Man horror movies to last a few lifetimes. I think invisibility is probably a fairly useless superpower anyway, since one can only really get up to mischief with it.

 

 

The Irishman

I plan to watch this. I don’t normally watch gangster movies, but it has an all star cast, and marks Scorcese’s first foray into made for TV movies. Despite what Scorcese said about superhero movies, and the fact that he seems ot have staked out this gangster drama genre, I still love his work, and I don’t have to pay extra to see it in a theater, which is cool. We’ll see how good it is.

 

 

 

 

 

 

 

 

 

 

 

 

New TV Trailers (November 2019)

Per my usual announcement, whenever I make these posts, some of these I’m excited for, and some a little less so, but I hope to be able to watch most of them.

 

Doctor Who Series Twelve (2020)

I really enjoyed having a lady Doctor, mostly because she heavily reminds me of a cross between David Tennant, and Peter Capaldi ,and I’m not sure if that’s on purpose. I could have done without a few of the episodes, in that the writing, and story, wasn’t the best on at least a couple of them, but there were at least a couple that stood out too, and since we have a new crop of writers this season, I’m looking forward to what they’re going to do. At least the trailer looks exciting.

 

 

 

 

Antelbellum (2020)

No one knows anything about this show, movie, or whatever. I’m intrigued by the trailer though, and I really like Janelle Monae, so I’m going to check it out. Jordan Peele is one of the producers on this, so it should be an interesting story, even though I generally try to avoid slave narratives, because I’m really, really, tired of them. However, if someone has a clever way of approaching it, I’m willing to give it a try..

 

 

Hunters (12.15)

This airs on Amazon Prime next month, and I’m looking forward to it. Its about a clandestine group of Nazi hunters, and its set in one of my favorite fashion decades, the seventies.

 

 

 

 

V Wars (12.5)

I don’t know what to think or feel about this show. I want to like it, but I’m not a fan of the lead character, and TV has messed up too many vampire shows for me to feel at all confident about this one. I have read some of the books this is based on, and I wonder how closely the show will follow them, which chronicles a breakout of vampirism in America, and it will destroy society, unless humanity wipes it out. I’m not a huge fan of the book series, either, mostly because I didn’t like the writing style. I want to like this though, and I’m going to give it a try.

 

 

 

Lincoln (1.10.20)

For some reason, I was really excited about seeing this. I do not normally seek out cop and detective shows, but I like the books this character is based on, and I liked the movie, which starred Denzel Washington. Some things I’m just not attracted to but if it has an interesting twist, has a diverse cast, or an actor I’m especially fond of, I’ll at least try it.

 

 

 

 

The Outsider (1.12.20)

This is another show based on a Stephen King novel, called The Outsider. I liked the book okay, although I don’t think it’s one King’s best. It did keep me intrigued, though. If you haven’t read the book, I’m not going to give away one of the plot details, on which the initial mystery is based,  which is classic  King, however. Also, if you are a fan of Holly, from the Finders Keepers series, she is one of the major characters in the book, which almost counts as a standalone adventure for her.

 

 

 

The Neighbor (12.31)

Okay, this looks and sounds almost exactly like the plot of the 80s show, Greatest American Hero, which starred William Katt, in which an alien crashes to Earth, and gives  special artifact to some nobody who happened to be close to the crash, which gives him superpowers, which he then has to navigate without any instructions. I’m not especially excited about it, but the trailer looks really cute, and its on Netflix, so it will be easy to check it out.

 

 

 

A Christmas Carol (12.19)

Every couple of years someone has to make a new version of Dicken’s classic Christmas story, and quite frankly, even  I’m not immune to a sappy, holiday story about the redemption of an asshole. I used to read this book every year, and I’ve missed a few, so its probably time to break it out of the mothballs in my closet, and read it again.

 

Things Are Gonna Be Fun II: Electric Bugaloo

I wrote a version of this post, earlier this year, in which I listed all the movies I was interested in watching, and I just want to offer a sequel to that post, with mini reviews of movies I, did indeed, watch, and one I didn’t get to see, even though I wanted to.

https://tvgeekingout.wordpress.com/2018/12/10/things-are-gonna-be-fun/

I’ve noticed a pattern of saying I’m not gonna see something, because I wasn’t interested, but later I rent the movie, or watch it on cable, so obviously I’m an unreliable narrator, when it comes to determining which movies I’ll be watching in a given year. So, you can take me at my word, at your own risk. Plus my track record of movie watching has been thrown off by my mom’s insistence that we go see every killer animal movie that gets released! I don’t dislike those types of movies, but I told her she’s messin’ up my movie schedule. (Note: No, she does not care about that, and just finds the whole thing deeply funny.)

Anyway these were the movies I showed some interest for, and ended up actually watching.

Glass

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Unlike a lot of  people, who saw this,  I actually liked this movie. Yes, there was a bit of a twist n the movie, in the sense that things do not play out in any way you think they’re going to play out, but it still did have a satisfying ending. I was interested to see how David Dunn ended up in the asylum with Mr. Glass and The Beast, and I though  the team up between Glass and Beast was interesting to watch. In a lot of ways the story plays out exactly the way such stories work in comic books, and I think the twist really threw a lot of people off, especially if they were expecting the movie to go on that way to the end. About halfway through the movie, there’s  a monkey wrench thrown into the story that changes it to be about something else entirely,  and while I was initially dismayed by the change, it ultimately proved to be satisfying for me.

 

Akita Battle Angel

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I read the manga a few years ago, before the movie was announced, and it was okay, but I found this movie rather disappointing. There are a few elements in it that I liked, but ultimately I didn’t finish the movie, and it was mostly  because of the acting, which is both restrained in some places, and over the top in others. And yeah, I did have a problem with the big eyes. They were distracting, even though big eyes are not distracting in anime. I also loathe sports movies, and about halfway through this movie, this turns into one of those made-up sports movies, that’s supposed to be an analogy for revolution, or something.

Sports movies are absolutely the one genre of movie I will not happily watch. I will watch a cop movie before I sit down to watch a sports movie. On the other hand, I did enjoy the world-building, and the special effects were excellent, but ultimately, those two things were not enough to keep my interest.

 

Captain Marvel

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I liked this movie far more than I thought I would. I wasn’t greatly enthusiastic about it, preferring to see her in Avengers Endgame first, before watching this, but it turned out to be okay. I thought its messaging was a bit ham-handed, but I loved the characters most of all, especially the Rambeaus, and the cat loving Nick Fury, and it was  unexpectedly funny, and deeply emotional in some spots. Is it as good as some of my MCU favorites, that I’ve watched multiple times? Nah. This movie doesn’t even break my top ten, but it also doesn’t land in the bottom ten either. Its a good, solid, competent, middle of the road, action movie, with a feminist message, and some acceptable special effects. If I watch  it again, it will be for the character relationships and action scenes.

 

Shazam

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I wasn’t expecting a whole lot out of this movie, but it turned out to be a heckuva lot of fun. The ads for it lead you to believe the kids in the movie are kind of obnoxious, and at first the are, but they quickly grow on you, and I started to really like the lead character ,and the movie is actually pretty funny, in a cringey, covering my eyes sort of way.

I’ve always been fascinated by Billy Batson, not because I thought of him as a power fantasy for children, though. Frankly, and this is where being a PoC, and a woman, comes into me having a very different opinion about movies, I was kinda horrified by Billy’s story. This isn’t a whole lot like the TV show I watched as a child. For one thing, Billy Batson is actually a little kid in this, unlike the teenager in the show, and no kid should ever be put in that sort of position. Billy fucks up a lot, and its really frustrating, and mildly upsetting to watch the villain beat his ass because he has the physical/mental sensibilities of a child. I don’t know how to explain it, but Shazam has always struck me as more of a horror story than a fantasy.

On the other hand, despite my anxiety, this movie was a lot of fun, and I liked the other kids in it, because they were really cute, and they all defeat the villain through teamwork, and superpowers, and stuff. Its a good, lightweight, piece of fluff to watch, on some Saturday afternoon, with your nieces and nephews.

 

Hellboy

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Whoo boy! I have a lot to say about this movie, so watch for my post comparing the Del Toro movies with this version, and the graphic novels. I didn’t hate this movie like a lot of people did. In fact this movie may prove to be better liked at some later date, but I didn’t love it either. It had a lot of problems which are outweighed by how incredibly gorgeous it is.

 

Pokémon: Detective Pikachu

As I said in the original post, I only know as much about Pokemon as raising my sisters would allow me to know, so I was kind of walking into this clean. I didn’t know that the various Pokemon had personalities and stuff, so I didn’t know what to expect. I knew some of the character names, and I liked the premise, and heard that Ryan Reynolds was doing the voice of Pikachu, who is, naturally, my favorite.This movie was as cute as you think it is. Its a nice, funny, piece of fluff. Its got a couple of dark moments, but is mostly safe to watch with kids, as its not that deep, so you can enjoy it without too much anxiety.

I was mostly distracted by the kind of world in which Pokemon live side by side with people. Where do the Pokemon got to  the bathroom? How do the largest Pokemon navigate through the society, and did the biggest ones I saw belong to anyone, or were they just hanging out in the city? Some of the Pokemon were pretty dangerous, so are there humans who hunt them down and exterminate them when they get out of hand? Or do they lock them in jail, like people?

Well, I had questions!

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John Wick 3: Parabellum

This movie was every bit as wild and crazy as it looks from the trailer. I’ve been watching this franchise, and really the entire thing is ridiculous, with Assassin’s guilds, mobsters, dog attacks. Its kind of unrelenting and you may need to have a rest about halfway through it. This time there’s some type of regulatory organization involved, and its purpose is to weed out everyone who helped John in the first two movies. So, not only is John still being hunted by all the top assassins in the world, (namely Mark Dacascos, who it was nice to see again), his friends are in danger too, and this all  escalated from the killing of John’s dog, left to him by his late wife, by a no-account mobster’s son.

I loved Halle’s character, with her two guard dogs. She talked in interviews about the training for the dogs, and what it was like being on set with them, and that was fascinating. In fact the entire thing is fascinating because the creators have no qualms saying the movies are just stunt showcases, with a loose plot attached to it, and going into detail about how they do everything. Its fun to watch, not just the film itself, but the making of it, as well.

Halle Berry plays a character named Sophia, who owns two Belgian Malinois. She is fifty three years old. This is a very demanding film and most of its stars are older men and women, so that’s interesting.

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Men in Black International

I was ultimately so disappointed in this movie, that I didn’t even finish it. I mean Thor and Valkyrie team up to save the world from aliens but there’s really not much of a plot, the acting was a little lackluster. It wasn’t as funny as the first two movies. it was really just lacking Will Smith.

I wouldn’t mind seeing more stories set in this universe, and Tessa and Chris were really cute, but it really does need to have the imagery and the humor, and with actually funny actors, which is something that started to go wrong in the second film. Tessa and Chris are funny, from time to time, but they are not known for their comedy, and it showed, because the writing simply wasn’t there. Its been diminishing returns on the humor ever since that second film, really, but I  expected a lot from this, because the trailer made it look like fun. The wild enthusiasm I had for several other films, that were released around the same time, wasn’t there, but I thought this would be okay. Ultimately, I’m glad I  didn’t spend money to see this in the theater.

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Spider-Man: Far From Home

I missed this one in the theater becasue I was broke around the time this movie got released, but I rented it as soon as the it started streaming ,and I was not disappointed. it has a few slow moments, or moments I didn’t particularly care for, but those moments were not enough to stop me from overall likage. Its not as good as the first film, which had that element of novelty, but its very satisfactory.

I loved a lot of things about it, but mostly it was the relationships between the characters.  I liked the cuteness between Peter ,and MJ. They really did sell the idea of them being awkward teens beginning a romantic relationship. Peter’s friends, and co-stars also get some nice story arcs, too. The action was a lot of fun and didn’t go on interminably long, which is something that always makes me start to squirm, as I get easily  distracted. I’ve watched this about three times since then, and I keep discovering new things ,and its been fun each time.

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I don’t often do sequels to my forthcoming movies posts, but I was going back through some of my older posts, and I saw that I’d watched nearly all the movies in it, and had not given even mini-reviews. so here are some of my  mini-mini-reviews.

October Viewing List II

Supernatural

The final season has begun, I already wrote a short review on my other site. Check it out!

 

Little Monsters

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i am of two minds about this movie. On  the one hand, I hated, hated, hated, the lead character, Dave, who, while not as vile as trump, could definitely give him a run for his money, in the stupid, juvenile delinquent, category. Dave is a vile, foul mouthed, washed-up musician, and asshole, who is irresponsible with kids and himself, does not know how to behave like an adult,  and lies, and steals without compunction. He changes his entire outlook however, when he sees Miss Caroline, his nephew’s grade school teacher, who is, very probably, the greatest ray of sunshine to ever grace a zombie movie. I loved her. Everyone loves her.

On the other hand, hating Dave was not enough for me to quit watching this movie, because Lupita is the best thing in it, its actually pretty funny, and there’s plenty of zombies, gore, and cussin’.

Some serious shenanigans have been going on at a military base in the English countryside, and some zombies get loose, and head over to a nearby children’s amusement park, that Lupita and her class happened to be visiting that day. Yes, the children are in some danger of being eaten by the zombies, but its really not that type of film, as most of the tension comes from Miss Caroline, trying desperately to protect the children from any emotional trauma, that might come of the zombie outbreak.

To that end, Miss Caroline’s charm is turned up to fifteen, as she sings and dances her way through the zombie apocalypse, with her little banjo. The children adore her, and she manages to be successful, not just at saving the children, but winning Dave’s heart, as he attempts to become the type of man who is worthy of her attention, rather than the asshole he’s always been. So even though I hated Dave, this movie isn’t about him manipulating her into falling in love with him. Its about the redemption of a cad, as he understands that the only way to win the love of a woman as magnificent as  Miss Caroline, is to first realize he is not worthy of her as he is, and then to become a different person.

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I feel some type of way about Dave winning the girl at the end of the movie, especially when he is set up at the beginning of the movie as such a hateful piece of shit. (No, truly, for the first twenty minutes of this movie, I just wanted to set Dave’s sorry ass on fire.) When he first meets Caroline, he tries the usual lying bullcrap he has always used to manipulate women into giving him a pass, including his own sister. He is not successful at this because none of that works on Miss Caroline. She is completely immune to it. He’s gotta try something new, if he hopes to win her,  so he pretends to be a worthy person, and in the process, actually becomes a worthy person.

But I suppose the purpose in showing Dave to be such an awful person, is to show the redemptive power of Miss Caroline. One of the most interesting things about the plot is Miss Caroline is not trying to save Dave, or turn him good. She expects that he is already a good man, and simply treats him as if he is. Miss Caroline tells him that she is a Christian woman, who believes fervently in her job, loves children, and does not like cursing. She is not preachy about this. She simply behaves in a Christian manner, and I like that she is not a stereotype of a Christian, as she really is as wholesome as she appears. She loves her kids, loves her job, and will brave any danger to save her kids from harm, which she does, when she fights off a hoard of zombies, to retrieve one of her kid’s  inhalers. She is also tough as fucking nails,  because she is perfectly willing to stab one of her companions in the gut, when he makes himself a danger to her kids, and won’t stop cursing at them. He is supposed to be a role model for the children, and dammit, he’s gonna act like one!

This is the introduction of Mr. McGiggles, one of the entertainers at the park, who s every bit as awful, and foul mouthed as Dave, but since Dave is trying to mend his ways  to impress Caroline, we need a a new foil, to contrast what Dave is no longer trying to be. So McGiggles takes Dave’s place, as the unrepentant foul mouth, in the script, as Dave starts becoming a better person.

So yes, this movie is quite a journey for its characters. Dave finds himself wiling to do anything, and be anything, to live up to Miss Caroline’s example of bright humanity, and I suppose that’s a good thing, because it works. He makes a genuine change to be worthy of her love, and I’m okay with that, I guess, but getting through the first twenty minutes of this movie was really hard.

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Little Monsters is available on Hulu. I plan to watch this one again, when I can find the time.

 

 

Evil

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Here’s another show with religious themes and characters. I did not plan this. This is just sort of how it turned out, because I had no plans to watch this show, not because it wasn’t on my radar, but because I was not particularly interested. Its not a bad show, and I am probably going to watch more episodes of this, because it turned out to not be exactly what I thought it would be.

Now, I’ve only seen one episode, which was medium dark, and definitely had some tense moments in it, but not for the reasons you might think. I haven’t gotten the character names down yet either, so I looked those up. The horror springs from the character decisions, and  that you either know more, or less, than the characters in the show.

Dr. Bouchard is a forensic psychologist, who teams up with Mike Colter’s character, Father Acosta, along with a contractor played by Aasif Mandvi, who I really like, to investigate supernatural incidents. Dr. Bouchard’s job is to determine whether or not a supernatural event occurred, and Mandvi’s job is handling the technical equipment involved, if an incident occurs, so as to document Father Acosta’s claims to the church, when he requests  assistance.

In the episode I watched, a family claims that their little boy is possessed by an evil spirit of some kind. The episode follows as Bouchard and Acosta determine whether or not that’s true. Bouchard conducts therapy sessions with the little boy, which are actually pretty chilling, and Acosta manages to form a connection to the little boy, and actually  encourages him to begin prayer. When the boy attempts to drown his baby sister (Acosta saves the baby’s life with cpr), Bouchard and Acosta manage to convince his superiors that an exorcism is needed. We do not get the cliched exorcism scenes, because the parents of the little boy take matters into their own hands, so yeah, I didn’t see that end coming, at all.

At the same time, there is a secondary story involving Bouchard’s family. She has four little girls, who miss their absent father. She has been lying to the girls about where their father is. Either he is dead, or he left her, but the four girls, all of whom are really cute, believe that he is a expedition guide at Mt Everest. At the same time, her mother has given the little girls some VR toys with an odd Halloween type game the girls have been playing, that starts to take on an odd prominence in the lives of the two oldest girls.

The game starts to become more and more real, and the creature from the Halloween game (in the form of a little girl) starts to bleed into the other games, convincing the little girls to perform a seance with a virtual Ouija Board, and summon some type of virtual demon. Now, this all occurs within the game, but its still pretty frightening, because the only adult who suspects anything out of order is Mandvi, who hacks the game to put parental controls on it. Parental controls that don’t work, as the girl from the game simply invades the other games on the device. Bouchard  is a skeptic who finds that something supernatural might possibly be occurring right under her nose, in her own house. For me, this was the most frightening part of the show. ‘

One of the reasons, I was ignoring this is, I thought the show would simply be a retread of The X-Files, because Bouchard is a skeptic, and it’s Acosta’s job to believe, but the dynamic here is completely different. For one thing, it’s unlikely that there will be a “will they/won’t they”, dynamic between the two, and also because Bouchard is still possibly married, or just divorced or something. Mandvi, although I really like him, seems to be a kind of third wheel. I actually liked all the characters, though. I’m not a religious person, but I did like Acosta’s quiet faith, and I like that he’s not written as a stereotype of religious fanaticism. I like that he is Black, and a Catholic priest, because those are rare in American Pop Culture, with most Black people being associated with the Protestant religions.

The first thing that intrigues me about a show is often its premise, and I wasn’t too wowed by this one, but once I actually watch an episode of something, what keeps my butt in the seat is the characters, and these characters were intriguing enough that I’m going to watch some more episodes. I at least need to find out what happened to the doctor’s husband, why she is secretly crying in her kitchen, and when she is going to share this information with her daughters. I also need to know when or if her daughters are going to tell her that they conjured a demon into the house, through the VR that was gifted to them, by their grandma.

 

 

Watchmen

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I was not particularly enthusiastic about watching this, mostly because the movie was merely so-so for me.  I told y’all before that I didn’t find my way to comic book geekery through the usual White guy channels. I sort of meandered around, putting together my own foundation, via Horror, and Science Fiction. What that means is, I did not read the Watchmen comic books, when they were first published, although I was the right age for it, and by the time I got around to reading the books, I had already read other books by  Alan Moore that I thought were more impressive, like Swamp Thing, and Miracle Man.

So,  I was unimpressed with the movie, beyond liking the special effects, and Dr. Manhattan, and I didn’t think I was going to be into the TV series either, especially since it was written by Damon Lindhelof, because I’m still mad at him for Prometheus. But, nevertheless, I watched the first episode.

I have to warn you the first fifteen minutes are harrowing, as it deals with the Tulsa Race Massacre (because that is indeed what it was) of 1921. This is a real event, I first read about, when I was a teenager, (naturally, it was never something studied in school. I was one of those kids who, after a while,  my teachers just left alone to make up my  own curriculum.) There were a bunch of these “Race War” massacres  throughout the history of the US, like Ocoee Florida, Rosewood, Tulsa Oklahoma, and the Red Summer of 1919, and most people will not have learned about them in school. Needless to say, when you hear some yahoo going on about how there needs to be a Race War, what he really means is that he would like the opportunity to massacre some PoC again.

https://en.wikipedia.org/wiki/Red_Summer

Genocide of the California Indians

The lynching era (1878–1939)

You have to know a little bit about these events to understand something about the alternative universe in which this story takes place. Guns for example are outlawed (even the police need special permission from their superior officers, which is some dude wearing a Panda mask, before using lethal force). There is also an offshoot of the KKK, now called by some other name, and using the Rorschach mask, along with his talking points, thanks to the diary that was mailed to the media, after Dr. Manhattan killed him.

In our world, the police and the KKK clashed in Tulsa, and the KKK won, but in that universe, they lost, and The Reconstruction after the Civil War continued, in which Black people got political power, and the police have been fighting a decades long battle with these KKK offshoots. The police now need to wear masks to protect their identities, and families. In this universe, the police are the good guys, who are besieged by that world’s version of the Alt-Right, and some of these things are  fallout from the events that happened in the comic books, which were set in the 80’s.

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So, Dr. Manhattan still exists, and lives in exile on Mars, Ozymandias is supposedly  dead, (but I don’t think so), and because of the events he engineered in the book, involving a giant squid attacking  Earth, we get regular squid falls, for which cities need sirens to warn people. Quite frankly, I was more weirded out by the  squid rain, than anything else shown in the episode, because that’s just funky. My mind kept going back to the logistics of regular falls of squid. How to clean that up? Does it smell real bad? This is actually relevant to the rest of the season’s plot though, as it involves alternate dimensions, (which is where the squid come from), and  time travel.

The presidents of this world, often have consecutive, multiple runs, in political office. Robert Redford is the president in this universe, and has been for almost thirty years, where he has instituted reparations to the survivors of  the massacre in Tulsa, called Red-forations. Silk Spectre  is still alive, and played by Jean Smart. Vietnam is the fifty first state, ( as a result of Dr. Manhattan’s invasion during that war),  and Louis Gossett Jr. plays a man named Will Reeves, one of the few survivors of the Tulsa Race Massacre, now an old, and  disabled, man. That’s not even most of the weird shit in this show, like a character, named Looking Glass who, when he puts his silver mask on, can tell when people are lying!

An interesting note is that Will Reeves was watching a movie about the real life Bass Reeves, who was the first Black Deputy Marshall, and the character upon which the Lone Ranger was based. The movie he is watching was in the style of the Lone Ranger TV series of this universe, only it has the actual Black character in it. Another interesting theme is the recurring Oklahoma musical. One of the characters loves the play, and we get some songs, and even a little snippet of the movie, which stars an all Black cast in that universe. So the racial and sexism issues, that exist in this universe, didn’t  happen in that one, at least not in the same way, and the US looks fully integrated with Black TV shows, and Pop culture, which everyone just watches, and its no big deal, and that, too,  is probably part of the fallout of what happened in Tulsa.

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Regina King is Sister Night, a former cop, (and bakery owner), from Vietnam, who gets called back into action by some friends on the local police force, after a cop gets murdered by a member of an organization the cops thought might have been extinct. Most of the episode is just introducing us to this weird universe, and these characters, so outside of that intense opening, things calm down to the end, when Sister finds her mentor, from the police force, has been lynched, and Will Reeves is there, impossibly claiming to have done the deed. So yeah, I’m  already intrigued by the mystery of who he is, why he may or may not have done this, and what was the  secret, that got her mentor lynched. I’m looking forward to the rest of the season, even though I, initially, had no concrete plans to watch it.

 

*  _____________________________________ *

 

So, I’m in the process of cutting the cord, as we say in the US, and I no longer have access to these shows on TV.  I’ll just have to try to remember when they air, and catch them on their apps. The Watchmen airs on HBO, every Sunday night, and I’ll just have to remember that, and watch it later in the week, so my timing on some shows is going to be a bit off, as far as reviews, but what I can do, is finish off some of my long form posts, and review the season finales, when they occur.

I’m also going to post some articles to Medium. com, (which will not be posted here, but I’ll let you know when I do), so head over there, if you can, follow me, and give me some claps. I think we get paid there, according to how many people like your writing. I’ve managed to amass quite a following, which always surprises, and delights me, since I  don’t really think of writing as a way to be liked. I write because I have a lot of thoughts in my head, and I’m shit at keeping a journal.

But hey! I will be surprised and delighted if you guys also follow me on Medium, where I intend to do, at least, one post a month.

 

October Viewing List

Raising Dion

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I binge-watched this entire series last weekend. While it wasn’t entirely what I expected, it wasn’t bad, and I will be back for a second season. It was a pleasant series, not as intense as I thought it would be, pretty fun in a lot of places, with the occasional thrill of tension  in others.

I did go into this with some assumptions based on the trailers. I thought it was going to be a straight superhero origin story, but it turned out to be as much about Nicole, his mother, as it was about Dion.

Nicole was a  professional dancer, now turned single mom, after the death of her husband , and she and Dion have moved to Atlanta. Nicole is one of those people whose life always  seems to  careen from one disaster to another, and when Dion develops superpowers, that just complicates her ability to find and keep a job. When we first meet them, she is still job searching, with the help of her older sister, and she still has not yet told Dion that his father is dead, and won’t be coming home, which is rather heartbreaking. (She eventually gets around to telling him.) Dion’s dad died under mysterious circumstances, and Nicole is still in  mourning, while her sister and her girlfriends do their best to console her.

 

The show mostly turned out to be a mystery, and not the government thriller I thought it would be, as Nicole delves into how her husband died, while he was  working for a Biology corporation. She’s spurred on this journey by Dion’s development of powers, so while trying to figure out how Dion got powers, she is also trying to find out what happened to her husband.

I wasn’t into the plot too tightly, but I did enjoy the secondary characters, like her husband’s best friend, Pat, who starts out  endearingly dorky, and obviously crushing on her, and  great as Dion’s godfather. Later in the series, his story changes, and I wasn’t ready for that ,and I was kinda mad about it. Her sister is one of those likable/unlikable people, who at first, seems super critical, but will totally ride or die for her little sister, which made me like her more. I liked these two characters okay, and Nicole was okay too, although I could have done with a lot less dancing in a couple of the episodes.

The two stand out characters for me though were Dion and Esmeralda. The actor playing Dion is as cute as a button, and Dion is imaginative, and kindhearted, which goes a long way with me. Esmeralda is a gem ,and that actress reallt endeared herself to me. Esmeralda is especially smart and insightful and I was glad to see that the show didn’t focus all her personality into her disability, but it does inform certain aspects of her personality.

Esmeralda uses a chair, and when we first meet her, is around the time that Dion discovers he has powers. He declares that he is a superhero, but Esmeralda reminds him that he isn’t a superhero yet, and has to earn that title. One of the things she says about herself is that she can turn invisible, and this is important, because people’s disregard of her allows her to be especially attentive. Because people don’t pay close attention to her, she is able to pay attention to things other people ignore, as she is the first person to figure out, (outside of his mother), that Dion has powers.

So yeah, I already like the characters, and the show is pleasant enough. There are no world ending stakes involved this season, as the story remains mostly small and personal, which will give the show room to expand, as Dion grows into his abilities.

 

Batwoman

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I can’t say that  enjoyed this episode, but I didn’t hate it either. It was a busy episode and I’m still processing it. Let’s just say there is some real potential in the show, and that there is room for some improvement. It was occasionally cheesy, and yeah, some of the dialogue needs help, but it wasn’t actually a bad show, and I’m gonna stick around for the rest of the season, because the action scenes were top notch and I just like Ruby Rose, the actress who plays Batwoman.

I’ve been a fan of Batwoman/Kate Kane fan since she was re-introduced a few years ago, and Rose just perfectly fits this character. Once again, I was not heavily invested in the plot, and I wasn’t  really feeling many of the side characters either,  except for Kate’s bubbly stepsister, Catherine, who is the daughter of her father’s second wife, and is a medical student. Kate lost her mom and bio-sister in a car accident, when she was a child, and she hates Batman because he was there to save them, but left the scene, and Kate watched them die.

We meet up with her while she is undergoing some Bruce Wayne type training with some sassy Indigenous guy, with long White hair, at the behest of her father who, for reasons of love and safety, is trying to keep her out of his hair, after she got kicked out of military school, for fraternizing with another female, her girlfriend, Sophie.

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She and Sophie are given a choice. They can reject their relationship and stay in school, or they can be expelled. Kate chooses to be expelled, but Sophie chooses to deny the relationship and stay. At first, I  was mad about it, but Sophie is a Black woman, from a modest background, who worked damn hard to get where she is, and while she appears to love Kate, she is not willing to sacrifice her potential career for her, as she may not get another chance in life. As she tells Kate, she doesn’t have the luxury of being able to take a stand, while Kate comes from a wealthy family, who will always take care of her, and I thought that was a nice touch.

So Kate’s dad sends her away for some training, and Sophie stays behind and gets a job with The Crows, Kate’s father’s security agency, something which Kate covets, but her father gives her the runaround about. When Sophie gets kidnapped by a villain called Alice, Kate returns to a Gotham which has been missing Batman for  three years. Kate is desperate to save Sophie, and prove herself to her father, and we get some twists and turns in the plot, and some fairly emotional scenes between Kate and Sophie, and Kate and her dad. I thought all that  was too much too soon, as I don’t feel we had enough of a setup to warrant tearful conversations, yet.

Anyway, there was a lot to unpack, as the show covers a lot of emotional  territory, along with Kate finding the Batcave, and meeting one of her father’s  security consultants, named Luke, who appears to have no actual security skills beyond having a big brain. We get a little bit of backstory, and a subplot about a traitor among The Crows.

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I liked that the show made some real efforts at diversity. There are plenty of poc in the cast, and they all have distinct personalities. There are only two White guys in the cast, Kate’s dad, and  one of the villains, and I find it interesting that shows are doing this thing now where they do cast White men, but only as secondary characters, or villains, the way it was done in Star Trek Discovery. It doesn’t happen all the time, but it happens often enough that I’ve noticed it.

This isn’t my first run in with Kate Kane. I first saw her in a crossover episode with Legends of Tomorrow, a show i still like and occasionally watch, and will be watching this season  because there’s supposed to be another crossover with Arrow, and Supergirl, called Crisis on Infinite Earths.Now, i’m probably one of the few comic book readers who has not read that particular series of books. As I’ve said, I was a Marvel fan at the time of that event, and I could care less what happened in the DCU comic books. I don’t dislike the DCU. All the characters I know are all current, or former, members of the Justice League, Teen Titans, or Legion of Superheroes. Of those characters, the only ones I truly cared about, at the time, were the members of the Justice League.

I will will watch all the shows and some of the movies, though. I’m picky about a lot of pop culture, but  I’m not entirely sure why some things capture my attention, while being indifferent to other things. For example, I didn’t ever give a flying rat’s ass  about Aquaman in the comic books, but I liked the movie version just fine. Well, anyway the big new event this season on the CW is the Crisis on Infinite Earths crossover, with multiple Supermen, which should (and it better) be exciting.

 

 

 

The Dead Don’t Die

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This is an exceedingly odd zombie film, which I had a lot of fun watching. Even though most zombie movies give me anxiety, I watch them anyway, because, its zombies, and there was a little of that tension here, but the movie was more comedy than horror. Its not the kind of comedy seen in Shaun of the Dead, or Evil Dead II. Its more of an intellectual kind of comedy, that doesn’t make you laugh out loud, so much as make you nod, and chuckle,  which is the hallmark of a Jim Jarmusch film, really.

The movie has an all star cast of Bill Murray, Danny Glover, Steve Buscemi, Rosie Perez, Tom Waits, Tilda Swinton, and a bunch of others, and is a very oddball film. it heavily reminded me of the movie Rubber, a movie in which a telekinetic car tire goes on a killing spree, in Southwestern America, and if you have not seen that movie, then you probably should. At the very least it will prepare you for watching any horror  movie directed by Jarmusch.

According to the movie, there is a worldwide zombie outbreak because the earth has been thrown off its axis by fracking, or something, but this isn’t important, and barely mentioned in the film. Ronnie (Murray) and Cliff (Adam Driver), are the Sheriff and deputy of Centerville, a small Midwestern town. The first time anyone notices things have gone off kilter is when Cliff notices that the sun has not set at the correct time, and  the town crankypants, (Buscemi), notices his chickens and cows are missing. When the diner is attacked by two zombies, Ronnie and Cliff investigate, and Cliff reaches the swift conclusion that it was zombies.

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There are long moments of characters standing around, or sitting somewhere, having bland conversations about the situation, the world, or sometimes each other.The town is visited by what Cliff calls hipsters from Cleveland. Cliff takes a liking to one of them, but its all pointless since everyone in the movie gets eaten, even after Cliff warns them to stay inside and not go out at night because of the outbreak.

The humor comes from the laconic acceptance, by  all the characters, that the town has been invaded by zombies, and from the activities of the zombies themselves.  The director has taken the idea of the zombies being attracted to the the things they did in life, and just ran with it, which results in the Chardonnay quote, seen in the trailer. From time to time, one of regular humans will freak out about the situation, which is only meant to offset the calm of the other characters. This movie is the exact opposite, in mood,  of The Walking Dead TV shows. The zombies are given odd quirks of personality. They still eat people, but they also like tennis and coffee. There’s a country song that plays throughout the movie, called The Dead Don’t Die, and I kind of liked it. When Ronnie asks why that song keeps playing on the radio, Cliff explains  that that is the theme song.

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Tom Waits plays the  homeless guy, who lives n the woods, named Hermit Bob, who makes voiceover observations of the events happening in the town, and  whom everyone thinks is crazy.  He’s also the only survivor at the end of the film. I  liked Cliff, who is both pragmatic and intelligent. He occasionally mentions that he’s got a bad feeling, and when Ronnie asks why, he says he read the script, and that things do not end well, which is correct. They don’t. Ronnie is unperturbed by Cliff’s insistence that there is a movie script for their scenario, and that he read it.

Swinton plays the new town mortician who also turns to to be an alien. You could tell she was a strange one, because she  made weird observations, and  carried a samurai sword that she was extremely good at using. She is both delighted and unbothered by the zombie outbreak. Yes, there is a UFO in this movie. From time to time, one of the characters will  forget that they are in a Jim Jarmusch movie,  and behave as if they are actually in a big budget zombie movie instead, and try to do something heroic, but it doesn’t work. The movie ends with the deaths of all the other characters, and  Hermit Bob shaking his head with the  observation that the world is a messed up place.

Movie Disease Vectors: Pass It on

I mentioned in an earlier post that one  of the primary staples of the Horror genre is the fear of disease, or loss of bodily autonomy. The Fly is a perfect encapsulation of this theme. The Horror genre also likes to combine the two fears, as in the movie, Slither, and part of the fun of watching such films is figuring out how you would, or could, survive the fate of the film’s characters.

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I was revisiting some commentary I’d left on another website, and  discussing disease vectors. I was specifically discussing zombification, and where and how such a disease would get started. I mentioned a game I was playing called Plague Inc.

I don’t know if any of you have heard of Plague Inc., but it’s a fascinating way of learning how disease works, and the CDC itself approves of the game, and offers suggestions. The objective of the game is to kill  the human race, anything less than that and you lose. You must kill off all humanity. I’ve only won the game once on the easy setting, and trust me, it’s not a triumphant feeling.

Plague Inc. is a strategy title in which you take control of a deadly pathogen and, beginning with patient zero, attempt to spread the plague across the entire world and wipe out the human race — which does its best to adapt and stop you in your tracks at every turn.

You have to factor, not just where the disease begins, but how fast it travels, based on how its victims contract it, how the disease gets spread to different locations, and carefully calculate how fast it works on its victims bodies. You receive points on how effective your disease is, and you can use those points to buy specific attributes it, like new vectors, that can slow it down, or speed it up. If the disease kills its victims too fast, then it dies out before it can infect enough people. If it works on its victims too slowly, then the disease will be cured before it can infect enough people. What you want is a disease that spreads quickly, through as many vectors as possible, while leaving its patients alive just long enough that scientists don’t realize how fatal the disease is.

Horror movies base a lot of their plots off diseases, some of them pretty rare, and some of them entirely  fictional, but they all operate from the same basis. Diseases need to be spread somehow, and just like other living organisms, the virus or bacteria, or whatever the disease is based on, wants to survive and multiply, and can only do that by infecting as many people as possible. Horror movie diseases echo real world versions in that they need to have vectors.

 

28 Days Later (2002)/Train to Busan (2016)/World War Z

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These three movies are too similar in their depictions of zombification not to be compared. The only differences are that in 28 Days Later, the victims are still alive, and slowly starve to death, while in Train to Busan, the victims are the reanimated dead. The diseases are spread very much the same,with humans as the transport vector. and these diseases spread very quickly because the victims are fast, chasing and infecting, more victims.

Much like  Rabies, both diseases are spread through contact with infected saliva, like a bite, or interaction with bodily fluids. The diseases in the movies are spread so fast because the victims are compelled to seek out new hosts, and because it works on the body much faster than any known real life diseases, so its not very realistic in the depictions of the diseases themselves.These diseases work too fast on the bodies of the victims, but the vectors for them are realistic enough.

 

 

World War Z (2013)/The Invasion (2007)

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The vector for the zombification in World War Z is similar to the the one used in The Invasion, which is kind of a slick remake of The Invasion of the Bodysnatchers. The vector, in both cases, is humans, but one extra thing these two diseases have in common is how they react to the human body, in that a previous infection of some other disease, can render a person immune to the current one.

I think World War Z got this idea from the science of immunology.h I have it on good authority that that is not how  disease works in real life, and in World War Z,  it is more how predator/prey relationships sometimes work. In the real world, what would happen is one kind of disease suppressing one’s immune system, and  making a person vulnerable to other infections. One of the things that World War Z gets right, however are that boats and planes are two of the vectors for transport of the disease.

In The Invasion, the “disease’, which is really a kind of sentient virus, is passed via bodily fluids. The victims produce a milky saliva that they use to infect more victims, usually by adulterating beverages. This is another disease that spreads quickly, as the first victims are compelled to seek out more.  A person becomes a “podded” after they fall asleep, and a brief period in which the body tries to fight off the infection through other means, like a fever. In 1400’s England, there was a brief epidemic of something called The Sweating Sickness, that could kill a person within hours of infection. The name, and cause, of the diseases is still unknown, but it is similar to The Invasion, in that the victims suffer “night sweats” which coats their body in a gelatinous like “pod”.

Any … form of sensing the presence of infected prey, unless they just kind of know it preternaturally or something, would require methods we’re not currently aware of.

https://www.vulture.com/2013/06/biophysicist-assesses-world-war-z.html

 

The Stand – Stephen King (1978)

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The disease chronicled in The Stand is not fictional. It is very  real. Called the Superflu, it is spread the same way regular colds and flu is spread, with the only difference between it and the regular flu, is  that the Superflu was genetically modified to be a weapon. Scientists hardly needed to make a super version, as there have been several times that the flu has wiped out whole populations of people. There here have been several of these over the past 300 years. The last major Flu pandemic happened in 1918, called the Spanish Flu, it killed some 50 to 100 million people worldwide. Because the flu is easily transmitted,  it is capable of infecting a lot of people, without their knowledge. The description of the Superflu, or as its called in the book, Captain Trips, closely resembles descriptions of The Spanish Flu.

One of the most interesting chapters in King’s novel, chronicles the transmission of the disease from patient zero, to the rest of the population, illustrating the futility in trying to contain it. The disease travels just fast enough, and kills just slow enough, that no one realizes they have been infected, and are able to pass it along to many unknowingly, by touch. Just like the real flu Captain Trips is contagious before they show any symptoms, after which the disease is airborne, in infected droplets from  mucus.The only difference is that Captain Trips had a 100% mortality rate. If you caught it, you died.

The flu is transmitted through droplet, so if you catch it it’s because you have someone else’s spit in you. So if you do think you have the flu, you should wear a mask when you go outside. And if you refuse to get your flu shot, you should also wear a mask. Droplet range is about three feet. People can sneeze as far as 20 feet but about 3 feet is the contagious range.

That’s what made The Stand so scary. People would go through their days coughing and sneezing, thinking they were just suffering from a light head cold. But as they were going throughout their day, they were infecting everyone they had come across. And then a week later they were dead.

https://factandsciencefiction.com/the-flu-stephen-king-the-stand/

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The Black Death (2010)

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The tile of this movie is a reference to the  Bubonic Plague, AKA The Black Plague. In the mid 1300s, the Black Death was responsible for killing a third of Europe’s population, and parts of the Mediterranean and Africa. The disease still exists today, even here in the US. One of the vectors for Bubonic plague are rats, (and other small rodents), which carry the infected fleas, which can carry the disease quickly and quietly into populated areas. One of the other vectors is humanity. People infected with the plague are highly contagious, and can pass it on, much like the flu.

The bacteria that cause plague, Yersinia pestis, maintain their existence in a cycle involving rodents and their fleas. Plague occurs in rural and semi-rural areas of the western United States, primarily in semi-arid upland forests and grasslands where many types of rodent species can be involved. Many types of animals, such as rock squirrels, wood rats, ground squirrels, prairie dogs, chipmunks, mice, voles, and rabbits can be affected by plague. Wild carnivores can become infected by eating other infected animals.

https://www.cdc.gov/plague/transmission/index.html

 

Cabin Fever (2002)

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Just as in The Invasion , this disease can be passed on by human beings coming into contact with the bodily fluids of the infected.  In the movie, several college students come in contact with  water that’s been contaminated by an infected  body. As the disease progresses they begin to bleed profusely, and the skin begins to slough away. The basis for the disease in the movie is called necrotizing fasciitis,, aka Flesh Eating Bacteria. (I caution you to not Google images of this disease, unless you have a strong stomach. For the record,  it looks exactly like the disease in the movie.)

 If you have necrotizing fasciitis you have a life threatening condition that could spread to kill you within hours. Once you have it you can go from swollen calf to death’s door within a period of days.

https://www.popsci.com/scitech/article/2003-09/catching-cabin-fever/

 

Pontypool (2009)

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This is a unique and  interesting movie in that the vector of contamination here is speech. The use of certain words must be said and heard in a specific arrangement in English, which creates an infection that takes over the brain, and turns the victim into a living zombie.

The disease in the movie mimics some actual speech disorders, like “spasmodic dysphonia”, the speech disorder most famous for its use in the movie Us by Lupita Nyongo, who got into  some small  trouble for it.

“There are three stages to this virus. The first stage is you might begin to repeat a word. Something gets stuck. And usually it’s words that are terms of endearment like sweetheart or honey. The second stage is your language becomes scrambled and you can’t express yourself properly. The third stage you become so distraught at your condition that the only way out of the situation you feel, as an infected person, is to try and chew your way through the mouth of another person.”

https://longsworde.wordpress.com/2011/01/29/the-zombies-of-pontypool-language-as-a-virus/

 

Afflicted (2013)

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The basis for much of the mythology of vampirism is a disease  called Porphyria, a set of several inherited, blood disorders, that result in the body being unable to create hemoglobin. Some of the symptoms of  porphyria are paleness, lethargy, and extreme photsensitivity, all symptoms displayed by the character in the movie. Porphyria, however , is not infectious.

In The Afflicted,  Derek, begins to exhibit all the symptoms of vampirism, after an encounter with a pretty girl at a nightclub. He first exhibits flu like symptoms, before the disease is offset  by the other  symptoms of vamprism,  super strength, and speed. In the movies, vampirism is contagious through contact with saliva, in much the same way as rabies, to which it also bears a similarity. For example, animals with rabies often display “hydrophobia”, an aversion to water, which might have given rise to the belief, that vampires could not abide running water.

The different genetic variations that affect heme production give rise to different clinical presentations of porphyria — including one form that may be responsible for vampire folklore.

https://vector.childrenshospital.org/2017/09/gene-protoporphyria-blood-disorder/

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Rabies is a deadly virus that is transmitted to humans by the bite of an infected animal. Globally, it kills an estimated 59,000 people each year — that equates to almost one death every 9 minutes. Initial symptoms are only flu-like, but once they appear, rabies is almost always fatal.

https://www.medicalnewstoday.com/articles/321780.php

 

Slither (2006)

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The alien in this movie doesn’t resemble any kind of human disease, but it does resemble the actions of a particular fungus. The cordyceps fungus operates in much the same fashion as the alien in the movie: infect, zombify, repeat. In that way, the creature, also called The Long One,  grows to consume the life of an entire planet. The alien mimics the life cycle of cordyceps by controlling the hosts to infect more hosts, through the use of mobile spores, which look like worms.

The cordyceps fungus also infects an ant or other insect through spores. After the host is infected, it is instructed by the spores to climb to a high point, before more of the spores burst from its body, infecting the rest of the colony. In the movie, after a person is directly infected  by the primary host, their bodies are instructed to feed until they grow to enormous size, after which their bodies burst, releasing the spore-like worms.

After patient zero, Grant Grant, is infected by an initial spore (in the shape of a needle), he is instructed to feed, and impregnate more hosts. The alien takes on the intelligence level of its hosts, although it does have its own  memories, which are shared among its hosts, and  is specifically referenced, in the film, as a “Conscious Disease”.

It’s A Black Thang Tuesday

The theme this week is awesome little black girls!

Battle at Big Rock

Did I say I love dinosaurs, and that I will basically watch any movie with dinosaurs in it (including the cartoon ones)?

I loved this little short because it combines two of my favorite things, smart, little, black girls, and dinosaurs. Why? Because I used to be a smart, little, black girl who loved dinosaurs!

 

 

 

Harriet

I probably will not be seeing thisi nhte theater, but it looks intriguing, so i’ll definitely stream it later. I don’t rely on movies to tell me my history. I prefer non-fiction for that, but movies are supposed to be a  stepping stone to knowledge, not the end.

 

 

Dilili In Paris

I think this movie came out last year, but I’m still gonna shill for it, because its exceptionally cute. Its about a smart, little Black princess, who gets into adventures, when she visits Paris for the first time.

 

 

Doctor Sleep

I’m looking forward to this movie, but not just because there’s a smart little Black girl in it. I did enjoy the book, which is the sequel to The Shining, and I like really Ewan McGregor.

 

 

 

 

In the Shadow of the Moon

Okay, here’s another time travel story, from Netflix, where a young woman keeps returning from the dead, in an attempt to save the world.

 

Little Monsters

If Lupita Nyongo’s  presence in this movie doesn’t do anything to attract you, then how about Lupita and zombies? How about Lupita, some kids, and some zombies? How about Lupita at Summer Camp, with kids, fighting zombies?

 

 

THOMAS BLACKSHEAR II

I just love this man’s art. its so classic, yet so emotional.

http://www.thomasblackshearart.com/other-paintings/4594227570

ABOUT THOMAS BLACKSHEAR

After graduating in 1977 from the American Academy of Art in Chicago,

Thomas Blackshear worked for a year for the Hallmark Card Company in Kansas City, Missouri. While there, he met the famous illustrator Mark English and became his apprentice for several months. By 1980, he was working as head illustrator for Godbold/Richter Studio.

He became a freelance illustrator in 1982 and has been self-employed ever since.

Known for his dramatic lighting and sensitivity to mood, Blackshear has produced illustrations for advertising, books, calendars, collectors’ plates, greeting cards, magazines, postage stamps, and national posters. His clients range from Disney Pictures, George Lucas Studios, and Universal Studios to International Wildlife and National Geographic magazines. He has illustrated thirty United States postage stamps and a commemorative stamp book titled I Have a Dream.

Blackshear has also designed and executed illustrations for four collectors’ plate series. He is known for his best-selling Christian prints produced for DaySpring’s Masterpiece Collection. In 1995 he created Ebony Visions, which has been the number-one-selling black figurine collectible in the United States for the past twenty years. He won Artist of the Year in 1999 for that line from the National Association of Limited Edition Dealers and the prestigious International Collectible Artist of the Year Award in 2001. In 2006, Blackshear had a one-man show through the Vatican in Rome. There he unveiled his painting of Pope John Paul II for the twenty-fifth anniversary of the Pope John Paul II Foundation.

Blackshear’s work has appeared in the Society of Illustrators annuals 24, 25, 27, 28, and 30, and in Volume 2 of Outstanding American Illustrators Today. His many awards included Gold and Silver Honors in the 1982 Kansas City Art Directors Club; two Gold Awards and Best of Show in 1986, Best of Show in 1989, and two Gold Awards in the 1990 Illustrators West Shows; a Gold Medal in the 1988 National Society of Illustrators; two Silver Awards in the 1989 San Francisco Society of Illustrators Show; and the Plate of the Year Achievement Award in 1990. His paintings are displayed at the Museum of Biblical Art in Dallas, Texas, and the Booth Western Art Museum in Cartersville, Georgia.

Thomas Blackshear II is represented by Broadmoor Galleries, Colorado Springs, Colorado; and Trailside Galleries, Jackson, Wyoming, and Scottsdale, Arizona.

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Why Tony Stark Had To Die

What I’ve actually  noticed about the MCU version of Tony Stark, is that a lot of the people who stan hard for this character, are people without a fundamental understanding of what he is, why he is, and why, after everything that happened in the MCU, Tony was never meant to be the one who got to ride off into the sunset, while holding his sweetheart’s hand.

In other words, Tony had to die.

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Often, when a character who has done something bad or evil sees the error of their ways and does a Heel–Face Turnin the course of fighting to undo the damage, their redemption comes at the cost of their own life.

——– https://tvtropes.org/pmwiki/pmwiki.php/Main/RedemptionEqualsDeath

Tony needed to pay for the misdeeds of his past, (something he’s been trying to do since the first film), and according to the conventions of  Western literature, such characters can only atone for their sins by dying, and when they do die, their motivation must be pure.Tony is a redemptive figure, who tried sacrificing his life to atone for his sins multiple times, but only experiences a true atonement, at the end of his arc, as it should be.

Darth Vader from Star Wars, Yondu from Guardians of the Galaxy, Diablo from Suicide Squad, Venom, the father from A Quiet Place, Gandalf from Lord of the Rings, and Steve Rogers, are all examples of pure self sacrifice. It is the kind of sacrifice that comes from a place of pure love, of one’s son, of one’s friends, of the world in general, or one’s children, with no thought to how your death might benefit  you.

Although giving one’s life out of love for another is rare, it is not as uncommon as might be thought. Perhaps we only hear about it occasionally because the circumstances in which it might manifest itself are, fortunately, not so common. This self-sacrificing love was referred to by the Buddha when he said that a loving friend would “give what is hard to give” [1] or be prepared “to sacrifice his life for his friend”. [2] The Jatakas say something similar concerning one’s family: “Whatever your circumstances, do the necessary to alleviate the suffering of your father, your mother or your sister, even to your last breath.” [3] One is reminded of what Jesus said some five centuries later: “Greater love hath no man than this, that he lay down his life for his friend.” [4] 

—-  https://www.bhantedhammika.net/like-milk-and-water-mixed/self-sacrificing-love

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Redemption arcs make their way into Western Literature,  through the  Christian belief system, (although other religions also feature this belief), with the ultimate sacrifice  in the Bible’s New Testament, referring  to the  deliverance of Christians from sin (salvation), through the death of Christ. In this instance, Tony, who is established as a Christ figure, (a very common trope in Western films), sacrifices his life for the salvation of the human race from Thanos, (who is set up as a Satanic figure, in the Avengers narrative, but Thanos is a whole other story.).)

In the movie, Constantine, which is also heavily based on Christian narratives, the main character knows he’s going  to Hell for the sins he committed in life. He’s seen Hell, and knows its demons are waiting to have a reckoning with him. He is terrified of it, but knows it is  soon, when he finds out he has lung cancer. At the end of the film, he saves the soul of a young woman named Isabel, who committed suicide, and consequently, went to Hell. He commits suicide too, knowing that the Devil will come to collect him personally, which he does. Lucifer grants Constantine a wish out of gratitude for thwarting another demon’s plans, (quid pro quo). Instead of wishing for a longer life, or not to go to Hell, Constantine wishes for Isabel to be released to Heaven. Lucifer agrees, but realizes just too late, that he cannot take Constantine to Hell now, because he committed a genuinely  pure act of self sacrifice.

Tony has tried a few times to sacrifice his life, but his motives were never pure, and his act of sacrifice was interrupted each time.

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I’m honestly baffled that people didn’t see his death coming, but then, I have never seen Tony through rose tinted glasses. I actually like Tony, and appreciated that most of his  character arc was him being an unremitting shit, but  at least trying to atone for his sins, and failing as much as he succeeded, but I will not lie about the type of man he was.

Tony Stark was an asshole.

And what’s more, Tony knew he was an asshole, too, which is why I posit that the many sacrifices of his life he tried to make, came from a selfish foundation. Even after his death, the MCU is still dealing with the aftermath of the decisions he made, and the people he hurt, when he was alive. Most of the villains that Tony fought throughout his own trilogy, in The Avengers, and Spiderman, came about through  his callous disregard for how his decisions affected the lives of the average man. I spoke before, about how Tony’s shortsightedness limited his morality.

https://tvgeekingout.wordpress.com/2016/07/19/on-the-right-captain-america-and-iron-man/

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Stark was an arms dealer, and war profiteer. He made money from war, and up until  that came back to bite him on the ass by nearly killing him, he spent no time thinking about the amount of death  his weapons, (the guns, the missiles, the ammunition), caused in the world. Tony  always had a close relationship with death.  He and death were old friends, and he was one of Death’s greatest enablers, through The Stark Corporation.

It is not until his own weapons are used against him that Tony experiences “SATORI“, a moment of sudden enlightenment. He broke up with Death, and had been dodging Death’s retaliation ever since. Sooner, or later, it would have caught up to him. He  takes steps to rectify the damage he caused, by stopping his company’s arms dealing, but that is not enough. He creates the Iron man suit, so he can stop those he once armed, but that opens a whole new can of worms, because now other weapons dealers, following Tony’s  example, want their own version of the Iron Man suit. He’s simply created a new weapon for people to fight over.

At every step, Tony creates some new world horror, in his attempt to atone for the harm he caused earlier in his career, when he didn’t care. Ironically, one of the better things that came out of his creation of Iron Man, was the creation of the Avenger’s Initiative, which Nick Fury was inspired to create. (Nick Fury went on to commit his own sins in his attempt to protect the world.)

In the second Iron Man film, the events that occur may stem from decisions his father made before he was born, but Tony’s decision to go public with his identity in the first movie, has repercussions in this, and  the third movie. In the third movie, we learned that Tony’s earlier, callous, disregard for other people’s feelings is what helped create The Mandarin, and his decision to directly challenge The Mandarin in a public forum, nearly cost his and Pepper’s life.

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Throughout the movies, Tony, people often confront Tony. People like to pull out his sins, and slap him in the face with them, and that often works to change his behavior, so this is how I know Tony feels some type of way about the kind of life and living he made for himself. When he thinks he’s going to die in Iron Man 2, Tony goes on a drunken spree, and has to be saved by his friends. In Civil War, he’s confronted by the mother of one of the victims of the Ultron Incident which spurs him to sign The Accords, and the entire plot is based off the events in Sokovia, in Age of Ultron, which would never have happened, if Tony had not made the decision to try to protect the world via robot. Even Steve gets in on the act, in the first Avengers film , calling Tony out as a useless coward. Tony tries to prove he isn’t, by attempting to sacrifice his life at the end of that movie.

 

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Tony often put himself in situations where death was inevitable. He is afraid to die, but he can’t seem to stop himself from challenging the thing he most fears. (Challenging the things he fears is one of the things he has in common with Steve Rogers, although Tony does it for different reasons.) He is saved several times, by Rhodey, by Pepper, by his team, in The Avengers, and Captain Marvel in Endgame. I suspect that Tony doesn’t think much of his life, of how he has used it, and he probably thinks his death would have more meaning,  yet he doesn’t really  want to die. When Doctor Strange gives him the signal, there is no doubt in his mind what he is meant to do, and he doesn’t hesitate.

Tony once served death, chased after death, challenged death, and flirted with death. Yet, so terrified was he of dying, that he was willing to commit rather extreme acts of self harm to stave it off (the ARC reactor in his chest, for example).  The other times, when Tony tried to sacrifice his life, his motivation was not pure. He was doing it because he thought he deserved to die, and that is a selfish reason. It is only fitting that at the denouement of Endgame, Tony finally, gracefully, and willingly accepts death, and is not doing so to punish himself, or for his own salvation, or the accolades he think he will get when he’s gone. He does it to save the lives of his friends, and loved ones, standing just a few feet away. Removing the immediate threat is his primary goal ,and his death is just the price he must pay for that. His motivation this time is love, and unlike all the other times when he nearly died, his motive is pure.

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Tony is the only White male character, I’ve ever  liked, who was so incredibly flawed, and in some instances, actively shitty. In any other circumstances, Tony would have been considered a sympathetic villain, but here, in the MCU, he is cast as a damaged, but heroic, character. I don’t like Tony because he is a hero. I like him because he knows how flawed he is, and desperately wants and tries to be one. (I also love Robert Downey’s performance, which closely echoes Tony’s character arc, if you know anything about his personal life.)

I am not comfortable with the lionization of Tony Stark, by his fans since  his death, however. They build up his character in ways he was not, which does a disservice to the character, his story arc, and Downey’s performance. All along, Downey knew exactly the type of character he was portraying.

I feel it is disrespectful to the character, to make him out to be something he was not, because that ignores his character arc, and diminishes the meaning of his death.This is not the story of a “good” man, who did even more good when he died. This is the story of a horribly flawed man looking for salvation from his sins. I’m probably one of the few fans who doesn’t mourn Tony’s death. In an earlier post, about Endgame,, I said I was alright with Tony dying, and this is  why. In Avengers Endgame, he actually achieved the redemption he was always seeking, and did so without hesitation.

Tony died very well, because he deserved to.

My 2019 Fall Lineup

Here’s a quick rundown of the shows I’m most interested in for Fall. Some of these are already playing. Some, I’m less excited by the idea of the show, than the potential for it to be good, but of course, I always hope they’re good shows, whether I stick around for them or not.

Playing Now

Carnival Row (Amazon Prime)

I watched a couple of episodes of this, and  just wasn’t feeling it. I felt really distant from the characters, and I think its because of the acting. In a lot of ways this is  a typical historical romance film, but with an overlay of politics, as the different races of The Fae are displaced by violent colonization, to another world (not this one), where they are refugees and immigrants. There’s a lot going on with politics, some heavy enemies to friends romance, some tragic romance, and a police procedural. I’ll get into more details in a later post. I think some elements of the plot are intriguing, and some of it is just exasperating, but at all times, I definitely think it’s a more well thought out world than that Will Smith’s Bright,  which aired on Netflix, and  featured a lot of the same themes.

 

Wu Assassins (Netflix)

I watched a few episodes of this, as well, and I liked the plot, and a couple of the characters. The fight scenes are very well done, but there’s a slight tongue in cheek element to the show that kept pulling me out of the story, because some of it is a little ridiculous, and the writers seem to know that, on some level. Ironically, I would have been more intrigued without any of the supernatural elements. I’m going to watch a few more episodes, and see where it goes, but I’m not especially invested, although its not a bad show, and its nice to see Asian characters headlining TV series. I kept wanting to compare this series to Warrior, which was excellent, and Into the Badlands, which got three seasons, and this show came up wanting, mostly because of the acting.

 

The Dark Crystal (NETFLIX)

I haven’t watched this yet, but I fondly remember the movie from the 80s, and when I finally watch, it I’ll let you know what I think.

 

The Terror: Infamy (AMC)

Okay, I did watch a couple of episodes of this. I know a lot about Japanese history, and Japan  as a society, (basically I have a head full of trivia), but I am not Japanese, and just like the series Warrior, this show throws you right into the deep end, and you have to  understand what’s happening, and try to keep up. Since I’m not Japanese, or an immigrant, I understand what’s going on, on a surface level, while suspecting that there are deeper meanings behind what I’m watching, because there’s a lot of Japanese mythology involved. Is it scary? Yeah, sure, but its mostly scary to me, because I have no clue what the fuck is happening beyond some malignant  spirits,  tormenting people at a Japanese internment camp.

 

Two Sentence Horror (CW)

I watched a couple of episodes of this, and I’m lucky I found it, because there’s no promotion of this show at all. It’s  an anthology series, with each episode focusing on one story, for thirty minutes. I enjoyed the first story I watched, which involved a murderous vlogger, and it was interesting because the vlogger was a Black, female, serial killer, who made makeup products out of her victims. I am going to check out a few more episodes too, because I like the idea of the two sentence story, and it seems to have taken a page from the new Twilight Zone, by casting PoC in unusual roles. The second story I watched was about a Japanese family with an abusive ghost, that ended with me all up in my feels. So far, its not delivering what I expect, and I like that.

 

Cannon Busters (NETFLIX)

I haven’t watched any of this yet, and I’m eager to get started. It’s an anime by a Black team, with a Black cast, which is kind of cool. It heavily reminds me of Afro Samurai, and really looks like fun.

 

 

September

6: Travels with My Father (NETFLIX)

I’m really enjoying Jack Whitehall’s travels with his father. I watched the first two seasons, and really liked the dynamic between Jack, and his rather staid, and conservative, British father, who is annoying, but still manages somehow to still  be hilarious. The first season was Jack trying to get his father to loosen up by visiting some of his favorite places around the world. The second season was about his father giving him the same treatment on the continent. I’m looking forward to their adventures in the new season, when they visit some of the crassest places in America, thanks to Jack’s ideas about what American life is actually like.

 

6: Titans (DC)

I was a little disappointed at the ending of the first season, but I like the trailer for the second season, and it looks like fun because of the addition of Krypto and Superboy!. I’m going to check it out and see what other new cameos show up.

 

10: Mr. Mercedes (AUDIENCE)

I didn’t get into the last season too much, but this is the third season, and its  loosely (kinda) following the events of the second and third books, and its okay. I’m not a stan or anything, but its the kind of show you watch on a lazy Sunday night, when not much else is on TV.

 

18: American Horror Story:1984 (FX)

So, I know I’m going to watch this, although I am not in the mood to relive any of those 80s hair, clothes, and musical numbers. On the other hand, it does feature an 80s style serial killer, and the writers are all batshit, so I expect this to be halfway enjoyable, to the point where I just might stan, and geek out, since I lost interest halfway through the last season.

 

26: Creepshow (Shudder)

I haven’t seen much of this beyond the first trailer. I probably won’t see much of it because I refuse to sign up for yet another app just to watch one show.

October

*4: Raising Dion (NETFLIX)

This one I’m really excited about, as I saw the trailer for it over a year ago, about a young Black boy with superpowers, who is on the run from the government.This trailer really got me in my feels, because it isn’t so much about Dion and his powers, as it is about his mom, and her ability to cope with raising a super, and I like her already, just from the little snippets I’ve seen.

I’m here for it!

 

6: Batwoman (CW)

A lot of people hate this show based on the trailer, but I’m actually intrigued. I first saw Batwoman, cameoing on another show, and I’ve read all the comic books about her. Yes, the dialogue needs some serious help, but I like the actress, and the action scenes look like fun. Kate Kane is not the only gay character in the DCEU, but she is the only one with her own show, so I’ll check it out.

 

10: Supernatural (CW)

I’m looking forward to the fifteenth and final season of this show. I told ya’ll I was in it to the end, and I meant it. The last couple of seasons aren’t as exciting as they used to be, but at least two or three times a season, the show airs a real gem, that reminds  me why I stan. As problematic as this show is, I still love The Winchesters, and I’m sticking with them.

 

11: Charmed (CW)

This is one of the few fantasy shows with women of color as the cast, including an Afro-Latina, and also several lesbian characters of color. Its also not a bad show, either. I didn’t catch all of the last season, but I’m gonna be right there for the first episode of this new one, so I can see what’s what.

 

15: Treadstone (USA)

This is intriguing. Its a show based on the  brainwashed sleeper agent idea behind The Bourne series. Treadstone was the program that created Jason Bourne, and this show is about the aftermath of that third movie, after Jason put a stop to it. I’m gonna check it out, because that world was interesting, and the fight scenes look really good.

 

21: Black Lightning (CW)

When the last season ended the family of Black Lightning was about to go global, to fight some kind of intergalactic menace, and I’m here for it. I am more than a little tired of the Tobias Whale storyline,  and wish they would move away from it. Also I’m deeply intrigued by what’s going on  in the ThunderGrace relationship, and I’m looking forward to some answers.

 

TBD: The Watchmen (HBO)

I no longer have access to HBO, so I probably won’t see this. I’m not especially intrigued  because, while I liked the movie okay, I’m really not much of a fan.  On the other hand, it’s Regina King, and I love her, and watching her play a vigilante is gonna be the shit, and this trailer slaps!

November

12: Disney +/ Available At Launch

So the Disney network starts on the 12th, and I’m looking forward to it for a number of reasons. There will be plenty of content, so I’m getting a good deal on my money, and I’m looking forward to watching several of these movies, like Fantasia, and Bao.

Movies

“101 Dalmatians”
*“A Bug’s Life”
“A Goofy Movie”
“An Extremely Goofy Movie”
“Bambi”
*“Bao”
“Big Hero 6″
“Born in China”
“Cars”
*“Fantasia”
*“Finding Dory”
*“Finding Nemo”
“Free Solo”
“Frozen”
“Fun and Fancy Free”
*“Hercules”
“High School Musical”
“Honey, I Shrunk the Kids”
“Inside Out”
“Iron Man”
“Lady and the Tramp”
“Lilo & Stitch”
“Mary Poppins”
“Mickey, Donald, Goofy: The Three Musketeers”
“Mickey’s Once Upon a Christmas”
*“Moana”
“Monsters University”
“Pirates of the Caribbean: The Curse of the Black Pearl”
*“Pixar Short Films Collection Vol. 1″
“Ratatouille”
“Remember the Titans”
“Rogue One: A Star Wars Story”
“Sleeping Beauty”
“Snow White and the Seven Dwarfs”
“Star Wars: Episode I: The Phantom Menace”
“Star Wars: Episode II: Attack of the Clones”
“Star Wars: Episode III: Revenge of the Sith”
“Star Wars: Episode IV: A New Hope”
“Star Wars: Episode V: The Empire Strikes Back”
“Star Wars: Episode VI: Return of the Jedi”
*“Star Wars: Episode VII: The Force Awakens”
“Star Wars: The Clone Wars”
“Steamboat Willie”
“The Good Dinosaur”
*“The Incredibles”
*“The Little Mermaid”
“The Parent Trap” (1961)
“The Prince & the Pauper” (1990)
“The Princess Diaries”
“The Rocketeer”
“The Sorcerer’s Apprentice” (short)
“The Sword in the Stone”
“The Three Caballeros”
“Thor: The Dark World”
“Toy Story”
“Tron” (1982)
“Up”
“Wall-E”
“Zootopia”

 

The Mandolorian

This looks like so much fun.

 

The World According to Jeff Goldblum

So does this! Also, who doesn’t love Jeff Goldblum.

TBD

The Witcher (Netflix)

I talked about this in an earlier post. I’m not as enthused about it as some people.  Ironically, I’m really not into High Fantasy shows that have elves and orcs and shit,  because of the simplistic messaging and overwhelming Whiteness. Game of Throes only caught my attention because of the addition of Ice Zombies.

 

 

Jet Li Unleashed (2005): Surviving Abuse

 

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One of the more unusual martial arts films I’ve  seen, is one which stars Morgan Freeman (The Shawshank Redemption), and Jet Li. Yeah, I said it. Morgan Freeman starred in a martial arts film. Okay he didn’t do any martial arts, which I definitely would have watched. He was a piano tuner, but that’s okay, because Jet Li engaged in enough rock’em, sock’em for everyone in the movie. This is an unusual movie, not just because of its dissimilar cast, but because it is as much of a drama, as it is an action movie.

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The movie’s first title was Danny the Dog, when it was released overseas in 2004. When it was released in the US, in 2005, it was renamed Unleashed, and received moderate reviews, probably because most people didn’t get to see it, and the ones who did see it didn’t quite know what to make of it. Its not a bad film, but it is a tonally odd movie, that somehow manages to work, and that is entirely due to the acting, and what mindset you bring to it.

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Morgan Freeman, as Sam, is his usual excellent self, and so is Bob Hoskins as an abusive gangster named Bart. Jet Li is Danny the Dog, and  does surprisingly well, as an emotionally stunted and abused young man, They are joined by Kerry Condon, as Danny’s bubbly love interest, Victoria. I actually enjoyed this movie, but then I walked in not really knowing what to expect, even though I had heard of the movie with its previous title.

Bart has been raising Danny, the son of a young woman he exploited and killed, as a beast who wears a metal collar, which, when it’s removed, is Danny’s cue to kill whoever  Bart has pointed his finger, first as one of Bart’s enforcers, and then in  underground fight clubs. Bart styles himself as a kindly uncle, who is just taking care of the helpless Danny, but he is horrifically abusive, treating Danny like an animal, putting him on a leash, making him eat out of dog dishes, and live in a  cage in the basement. He is a cartoonish example of abusive parenting, and clothes himself in virtue, by calling it love.

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One day Danny accidentally stumbles across Sam, fixing a piano in an antique shop, and the blind Sam, is kind and friendly to him, something Danny has never experienced. He becomes fascinated by the piano, and later, asks for one from Bart, but a rival gangster takes Bart out of the equation, via car crash. Danny is injured in the attack, but manages to find his way back to the antique shop where Sam works. Sam takes Danny in, and patches him up.

So thirty minutes into the movie, it turns into a found family story, that’s rather endearing, carried mostly on the strength of the acting. Danny is from a highly abusive, even life threatening, relationship with the man who raised him, while Victoria and Sam have an open, loving, and healthy relationship, with more than enough room to welcome Danny. A significant portion of the film is taken up with montages, and scenes, of Danny discovering the joys of ice cream, kissing, and both familial and romantic love, learning to cook with Sam, and  play the piano with Vic, and just be happy. He starts to regain memories of his mother and begins investigating his origins.

Victoria is also an adopted child, but she had the good luck to be raised by Sam instead of  someone like Bart. Victoria’s biological father died when she was small, and her mother married Sam. After her mother died, Sam became her father, and moved them both to France, so that she could go to music school. Sam’s love for his child, is as it should be, sacrificial, and supportive. They are a  family that prays before each meal, and fully embody the Christian principles of charity and kindness, and become a model for Danny for how a healthy family behaves.

Sam and Victoria are the stellar opposite  of  Bart, and the various flunkies who surround, and obey him, who all witness Danny being treated abusively, and say and do nothing. Bart is a man with many pretensions. He is a user who pretends  at kindness, a gangster with pretensions to class and upbringing, and a bully, who pretends to be a father figure. Thanks to Bart, Danny is emotionally underdeveloped, withdrawn, anxious, and extremely focused on any given task.

The first time Danny wakes up in Sam’s and Victoria’s home, he is frightened and nervous, and hides under the bed. At dinner, he doesn’t know to use a spoon for his soup, and he is still wearing his metal collar. But Sam and Victoria adapt to him as he adapts to them, and are as loving and supportive to him, as they are to each other. They suspect that he comes from a violent situation, and are sensitive about how they treat him, by not asking questions they think would cause traumatic memories ,and they teach him how to live a normal life, as Danny has never been taught to do anything but kill and is completely inured to violence.

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At one point, a fight breaks out in a local store that Sam and Danny frequent, which Danny entirely ignores, saying he was unconcerned because the fight didn’t involve him. This is how well trained Danny is with his collar on. Later, when Victoria reaches to take the collar off, saying its the last vestige of his old life he needs to get rid of, he is terrified that when she does so,  he will attack her, because the only times it was ever removed, he would kill. You can see his adrenaline spike just thinking about it, but he allows her to remove it, and when nothing happens you can see the relief on his face. He trusts himself now, in a way that would not have been possible, earlier in their relationship. As it turns out, he is not the natural born killer Bart trained him to be.

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https://www.loyola.edu/department/counseling-center/students/concerns/abuse

When children are exposed to abuse, they learn to protect themselves through denial, withdrawal, approval-seeking, turning off their feelings, acting out, and self-blame. Using these coping mechanisms during childhood has long-term consequences, which can include lack of trust, a fear of change and resultant difficulty in adjusting, difficulty knowing or showing one’s own feelings, being easily stressed and acting on that by abusing substances, food, and one’s own body, and feelings of low self-esteem and self-worth.

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Sam and Victoria model for Danny how a loving relationship between a stepparent and child is supposed to work.When Sam and Victoria have a disagreement, they argue, come to a truce, and then make up. They disagreed, but that doesn’t mean they don’t still love each other. Contrast that with Danny’s relationship to his evil stepfather  Bart, who gives the orders, and, according to Bart, “the dog obeys!” There can be no disagreement with Bart. When Danny insists that he wants a piano, Bart is angry, manipulative, and cajoling. He screams and/or lies, to Danny, to get what HE wants.

Later, Danny refuses to fight, deciding he doesn’t want to kill people anymore, and Bart becomes increasingly angry and more violent, but is unable to force Danny to do what he wants him to do. Danny sees this powerlessness, and finally connects his mother’s death (which he witnessed as a child) to Bart. He rebels completely and leaves him. This move may or may not be especially cathartic to abuse survivors, but its was certainly good to watch Danny reject Bart. After experiencing so much happiness with Sam and Victoria, he can’t possibly make himself go back to that life.

Bart follows him to his home, with Sam and Victoria, and attempts to kill them, because threatening Danny’s new family is the only leverage he has to make him obey. Danny nearly kills Bart, but is stopped by Sam and Victoria who tell him that he cannot begin his commitment to peace by killing Bart. Bart’s life isn’t saved because Sam and Victoria care about him. Its saved because they love Danny and believe, as he does,  that he should stop killing.

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https://everydayfeminism.com/2016/03/survivors-child-abuse-remind/

#3. You Are Still Loved, Even When It’s Uncomfortable to Accept Love from Others

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At the end of the movie, Victoria tells Danny  his life was saved by music, and this may be true, but really Danny saves himself, by the choices he makes. Like a lot of abuse survivors, he is presented with the option of staying, as the abuser tries to sweet talk him into coming back, and how everything will better, and the abuser will be a nicer person, who really loves them. Classic abuser speak, basically.

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Danny realizes he actually has choices. He chooses to stop killing and commits to it,  he chooses to leave Bart, and sets the terms of it, and finally chooses not to kill Bart, not because he cares about Bart’s  life, but because he cares about his own. But one of the biggest choices Danny makes is the choice to accept  love and support, which is healing for him. With Sam and Victoria, Danny starts to do things he never contemplated when he was with Bart. He makes plans for his future, sets goals, and claims what he desires.

This is not a completely accurate depiction of surviving child abuse, because this is, after all, an action film, but it makes some interesting points about  it. I’m pretty sure  most of the people who walked into the theater to see this, had no idea this would turn into a movie about surviving domestic abuse, but I found it uplifting and fun to watch. True, not all martial arts movies have this level of  depth, but like Crouching Tiger, Hidden Dragon, they sometimes have messages, and deal with  serious issues.

 

 

  • Next up on martial arts movies: Bruce Lee, Jackie Chan, and  Colonialism

 

 

News After San Diego

Last week was the 50th San Diego Comic Con, and we got  some exciting news and trailers from it. Well, exciting for me, at any rate.

Let’s start with the trailers for forthcoming movies and shows:

Top Gun

I am not a Top Gun fan, because I’m just not into military films, as a rule, but I know some of you guys are really into this stuff, so here’s the new trailer  for it. Its funny but I’ve seen all of Tom Cruise’s movies, but would not call myself a fan of his. He just just keeps starring in things that interest me, like spy movies. Perhaps the word I would prefer to use is “tolerate”.

 

 

Creepshow

I just watched these movies back to back a few weekends ago, and they’re still pretty effective.  The original films were an odd mix of horror and humor, and I hope this new show can hold up to the same standards.

 

 

Picard

After the success of Star trek Discovery, I am cautiously excited about this show. I really like Jean Luc Picard as a character, and I really like the idea of him having more adventures after his retirement, and it looks gorgeous. Buuuuut…. I’m still not as enthusiastic about it, as I think I should be, and I wonder if I have Star Trek fatigue. Nevertheless, I’m gonna check this out.

 

 

The Witcher

Not sure how I feel about this show. I’m not a gamer, and only know about this show, and this world, from reading books about the artwork. I keep having to suppress laughter at Henry Caville’s wig, which is very distracting, and  I don’t know why. On the other hand, this trailer looks fucking awesome!

 

 

Watchmen

This is another trailer that looks really  interesting, but I’m not a huge fan of the movie, beyond thinking it looked pretty, nor am I a fan of the philosophies espoused in it, and I’m not sure I want to watch an entire season of something this intense. I can think of a whole bunch of reasons not to watch this, in fact, but I probably will watch it, because I love Regina King , and I’ve never seen her is this type of role before. We keep asking for these types of roles with Black women, and then don’t support them, so I’m definitely gonna be there, but I’m afraid  I may not actually enjoy it.

 

Preacher

I missed the last season  of this show, but I can see by the trailer, that its as zany as it ever was.

 

 

Star Trek Short Treks

I may have to subscribe to CBS All Access again because they are making more of these little one offs, that look really good. I enjoyed the last three or four they made, which occurred between the season’s for Discovery, and were basically back stories for some of the characters we met last season, or some established characters, and one of them presented an interesting mystery for the future, that had bearing on the end of the last season! So I am looking forward to what I’m going to see here. It looks like fun, and I really did enjoy this version of  Spock, btw.

 

Batwoman

I’m really excited about this show, but only because I saw the a couple of The Legends of Tomorrow episodes which featured this actress. Yes, the dialogue is atrocious, but then the same thing was said about Titans, and I liked it okay. This trailer has been horribly panned by well…the usual suspects really, but I’m past caring whether or not they think something is bad or good, based on whether or not there’s women in it.

I gotta say, that while the MCU may be tearing it up on the big screen, the DCEU is killing it on the small one, ,as far as diversity, and inclusion, with plenty of characters of color (that they don’t always get right, but at least they’re trying, which is more than I can say for the MCU), but also plenty of openly gay and lesbian characters, (of which the MCU has but none), who are not all White people. The DCEU really does need to  work on the  dialogue though.

 

 

Snowpiercer

I watched the original move, and while I got the message behind it, it was still so incredibly depressing that it didn’t even make my favorites list for the year of its release. The trailer looks fascinating, but I don’t know if I want to visit this horrible little world on a regular basis. W’ell see how I feel bout it after its air date.

 

 

Wu Assassins

This looks like pure, campy, martial arts fun! It heavily reminds me of last Power Rangers movie.

 

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And the big news is the upcoming slate of movies and shows from phase 4 of The MCU, including Black Panther 2, Captain Marvel 2, The Eternals, Guardians of the Galaxy 3, and Blade, and The X-Men!

Now, its been said that the new Blade movie is a reboot, and will star Maharsala Ali who has been wanting to play Blade for a while, and people are very excited abut this, (including me).

Its also been stated that Blade, like Deadpool, and Venom, which are not actually a part of the MCU in the same way as Doctor Strange, and Spiderman, will be a standalone franchise, like the other two, or maybe part of phase 5, or a TV show, or well…its not exactly clear. On the other hand, Blade may actually be part of the MCU, and there might possibly be a crossover with Dr. Strange, as in the comic books, there is a crossover between Strange, Morbius, and Blade. There will definitely be a Morbius movie though, so I’m hopeful that is the plan for these movies.

I love, love, love, the Blade movies, and have watched all the other versions, but remain unimpressed by those. A lot of people forget that there was a  live action television show, and a cartoon, as well, and Wesley Snipes recently did a brief cameo on the hit TV series, What We Do In The Shadows.

Mahershala Ali is the only Muslim actor to receive an Oscar, for his role as the drug dealing Juan in the movie Moonlight, so I am really looking forward to seeing him in this new version. If you want to see what he’d be most like as Blade, then check out his character in Battle Angel Alita, which looks like he’s auditioning for the role.

 

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More news from the CON is that Natalie Portman will be starring in the new Thor movie, which will be directed by Taika Waititi, and its rumored that she will play the new Thor, like the character from the comics. Creators have clearly stated that Tessa Thompson’s Valkyrie is the only openly gay character in the MCU, and its possible (at least we hope it is, since Waititi is both the writer and Director) that we will see her get a Queen in the new movie. (This is after Thor has handed over his Kingship to her at the end of Endgame.)

 

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Ava Duvernay is making The Eternals, which will racebend the  white, male, character of Makkari,  to  a deaf Black woman. Lauren Ridloff you may remember from her stint on last season’s The Walking Dead. I’m good with this becasue I just really like this actress.

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There’s also news about the MCU: Shang Chi, about a brilliant martial artist, which has found its lead character actor, and his villainous opponent, The Mandarin, who will be played by Tony Leung, who has starred in Hero and The Grandmaster:

 

And for the rest:

 

 

Also, one more movie I’m really excited about, because I just love this idea of time traveling to save loved ones, and its an opportunity to showcase, yet another, little Black girl in a Thriller, is this little gem, called Don’t Let Go! I thought at first it was going to be a ghost movie, but it turns out to be a little more in depth than that, and I’m here for it..