What I’ve Learned About Right Wing Trolls While Blogging (It’s a Long One)

I still plan on doing a reboot in a couple of months, or less. I hope to make a fresh start with a new blog and continue contributing to online conversations about today’s issues. Although, I won’t be covering everything, but I still hope to discuss some topics such as racism, sexism and others. I […]

via What I’ve Learned About Right Wing Trolls While Blogging (It’s a Long One) — BROTHA WOLF

This pretty much sums up everything that is happening in Pop Culture as well.

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‘White Civil Rights’ Aren’t a Thing: Why Black People Are Protesting Unite the Right 2

 

The upcoming “white civil rights” rally isn’t an aberration of outdated hatred. On its face, it’s a grand example of Trump supporters’ desire to make America return to Jim Crow-era white nationalism. The implicit aim of the “alt-right” groups sponsoring the rally is to increase harassment and state-sanctioned violence against black, Native, Latinx, Asian, queer, trans, gender non-conforming, disabled and undocumented people while advocating against policies that would actually strengthen the social safety net for all people—including the poor and middle-income whites who make up the majority of people receiving public assistance.

 

If you wish to attend the counter protests, or know someone who will be attending tomorrow:

https://actionnetwork.org/events/rise-up-fight-back-march

Rise_up_fight_back_final

 

The Best Of Blerdcon, A Celebration Of Black Cosplay

Blerdcon is a show that was held last month in DC. It’s a celebration of Blerd culture, which began as a space for “Black Nerds” before spreading its wings and growing to encompass LGBTQ, disabled and other peoples of colour as well.

— Read on cosplay.kotaku.com/the-best-of-blerdcon-a-celebration-of-black-cosplay-1828238135

Blerdcon is one of those little things that needs to be a bigger thing!

Talk Amongst Yourselves: Here’s A Topic

Here’s some reading for your weekend. Some of these articles are not new, but they were new to me when I read them, and I thought they were interesting enough to share:

 

 

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*For those of you outside the US, this topic may be puzzling to you. The reason there are so many stories about this recently is because of the progress of technology. We can now clearly document the racism that Black people (and other marginalized groups) are on the receiving end of in this country. (This article lists several.)

Sadly, the only takeaway that a lot of White people get from the widely publicized police shootings of unarmed Black men, is that they can call the police, who will then come and punish us, or remove us, and there is a very clear reason that  many of these incidents have been instigated by White women. In a few of these cases, it is made  clear by the participants, that the reason they’re calling the police, is that they hope we will be killed. 

The bottom line is that White supremacy is not the sole province of White men. White women are not innocent, and have been willing, sometimes eager, participants in its practice.

https://www.damemagazine.com/2018/07/30/white-women-arent-afraid-of-black-people-they-want-pretty-power/

There’s a long history of white women harassing Black people and getting cops to arrest them. The only danger they feel is of losing their place within the white patriarchy.

 

 

 

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*This is an analysis of the types of gender roles played in superhero movies:

https://adanewmedia.org/2016/10/issue10-miller-rauch-kaplan/

This study examined full-length superhero movies to determine if there are gender differences in characters’ roles, appearances, and violence.

 

 

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*A lot of Black superheroes are strictly small time. Its interesting that superheroes written by White men are only ever tasked with taking care of their immediate environment, which is almost always a crime- ridden neighborhood in the inner city. This is not to negate the existence of Cosmic and Planetary  superheroes, but that there are so many of them willing to forgo protecting the planet, or the galaxy, in favor of just hanging out in the ‘hood, is something I hadn’t noticed before.

https://www.theatlantic.com/entertainment/archive/2014/11/black-superheros/383042/

Traditionally, movies have done a curious thing with black heroes: Charge them not with saving the world, but rather with protecting their immediate, ethno-specific domains, or, in many cases, to put it bluntly, the ghetto.

 

 

 

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*This has been an issue since the passing of the Civil Rights Act. Before that, Asian people had largely been vilified in the media, and by politicians, as a menace, or as not really being American. After the passing of the CRA there was a concerted effort to use the achievements of certain ethnicity of Asian Americans to make backhanded slaps at Black people, in an attempt to negate the effects of White supremacist policies on both groups.

https://www.npr.org/sections/codeswitch/2017/04/19/524571669/model-minority-myth-again-used-as-a-racial-wedge-between-asians-and-blacks

Since the end of World War II, many white people have used Asian-Americans and their perceived collective success as a racial wedge. The effect? Minimizing the role racism plays in the persistent struggles of other racial/ethnic minority groups — especially black Americans.

 

 

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*I had a long rant ready about the whininess of comedians who claim political correctness has destroyed their careers, but this article states what I wanted to say clearly enough. What they are complaining about is simply what happens to older comedians who can’t adapt to the times.

http://www.latimes.com/opinion/op-ed/la-oe-0616-rabin-seinfeld-pc-20150616-story.html

Comedy increasingly is taking the form of a conversation rather than a one-way expression of ideas and information, and cranky older comedians who opt out of this dialogue risk becoming relics of an earlier era.

 

 

 

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*This made me think about a lot of the art created by marginalized groups in hte US ,and how so much of it is created to uplift the self- esteem of the group. What Gadsby says she was doing in her stand-up is the exact opposite of rap music, for example. There is no such thing as self- deprecating rap music. I thought of this because I had been listening to Django Jane ,and how that is an anthem for QPoC, and the things Janelle Monae says about herself in that song, are a celebration of her strength, and identity, and it makes me wonder if Gadsby’s approach to stand-up, has more to do with being Tanzanian rather than American. or if its just her own introverted personality at work.

 Here, you have two very different women, both of them somewhere along the LGBTQ spectrum, one White and Non- American, and the other American born, and you have two very different philosophical approaches to their performances. Gadsby claims her self- deprecation was the price she paid for speaking, as if she needed permission to talk about her life, and could only do so by making herself smaller. This does not seem to be the case with Janelle, who creates art that celebrates herself. Janelle doesn’t ask permission. She is  telling the listener how wonderful she is, which is  one of the major components of a form of music that was created by an often denigrated, and marginalized group of people. Such a form of humility may have served Gadsby in the environment that produced it,  but Black Americans can’t afford to be humble.

http://observer.com/2018/08/film-crit-hulk-hannah-gadsby-rejects-the-premise/

“Do you understand what self-depreciation means when it comes from someone who already exists in the margins?” She asks, “it’s not humility, it’s humiliation.” And Gadsby was done having her very identity being a source of tension. She was done cutting herself down. She was done humiliating herself.

 

 

 

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*I’ve watched a lot of Science Fiction and its interesting how many or how few  characters with disabilities are present, and how little accommodation is made for them. I cannot recall any stairs on Star Trek, but I also didn’t notice if other accommodations had been made for hearing, height, or sight disabilities. I’m going to have to re-watch a lot of my favorites, and make  notes.

http://www.scifipulse.net/turning-a-blind-eye-physical-disabilities-in-sci-fi-fantasy-entertainment/

https://io9.gizmodo.com/staircases-in-space-why-are-places-in-science-fiction-1827966642

Our real world is a remarkably inaccessible place. I haven’t made it to a movie theater on opening night in years without running into a plethora of issues, from broken captioning devices to nondisabled people sitting in seats for wheelchair users and their companions, to theaters that are physically inaccessible to me because of those dang steps and staircases.

 

 

*Thandie Newton, from Westworld, has a lot to say about diversity in SciFi:

 

Your character Maeve in HBO’s “Westworld” is an android or “host” in a theme park. What do you think it means to have characters of color in genre work? A lot of what’s in the mainstream doesn’t have people of color. What irritates me is that science fiction is the place where you could have us. Science fiction is a projection of a time that hasn’t even happened, so if you don’t populate that place with people of different skin tones, shame on you.

The State of the Union – TV (Pt. 55)

I’m just putting random numbers on these types of posts, at this point, since I can’t remember whatever number I used for my last State of the Union Address. But here’s a list of shows, I’ve been looking at this Summer.

Watching/Have Watched

Castle Rock (Hulu)

Image result for castle rock

I watched the first two episodes of this show. I was really excited about seeing it and the show doesn’t completely disappoint, but that’s mostly because I’m a full-on Stephen King fan who has caught a lot of the Easter eggs in the episodes, and there are quite a few, which is something entirely in keeping with the idea of a Stephen King Universe where all his stories are connected.

We start of with the small town of Castle Rock itself, where more than a few King stories take place. The episode begins with a missing little Black boy named Henry, who is found by Sheriff Pangborn eleven days later. If you remember Pangborn is the sheriff who defeats the demon from the novel Needful Things. Henry’s father went missing as well. his adoptive mother is played by Sissy Spacek, who played Carrie in the  1976 movie of the same name.

When Henry is called back to the town of Castle Rock, we discover that his mother is suffering from dementia, and she has a romantic relationship with a much older Pangborn. Henry received a mysterious call from one of the guards at Shawshank prison, after a young man was discovered in the prison’s basement levels, who asked for him by name. The prison is also under the reign of a new female warden after the bizarre suicide of the last one, who garrotted himself in his car.

So two episodes is as far as I’ve gotten, and while I’m not wowed by the mystery I do find the characters interesting, the show looks gorgeous, and atmospheric, and I also liked the understated music in the show.

Pose (FX)

https://www.vanityfair.com/hollywood/2018/05/pose-fx-ryan-murphy-review

Image result for pose series cast

The series just finished up its first season run and is scheduled for a second season next year. I took a brief break from the show but I was there for the season finale. Good gob! but this show brings waaaay too many feels.

One of the things I love most about this show is the shameless use of sentiment, without falling into corniness. You start to seriously care about these characters so much, and get really caught up in their lives. When they’re happy, you’re happy. When they experience disappointment, so do you. It’s a testament to the acting skills of the cast. But their lives are not tragic, and the show is not a sob story. You experience as much laughter and happiness as in any drama. The characters are complicated, messy, and human.

For example, I complained that I might not be able to get into a show where characters spent so much time being nasty to each other, but that turns out not to be the case. Yes, there are some villainous types but the show has a lot of romance and heart. After Blanca’s former mother, Elektra, from House Abundance,  gets ousted from her position, Blanca takes her in, and it is commendable for Blanca, especially when you consider that the two of them parted on such bad terms,  that Blanca treats her no different than she does any of the children of her House, by counseling her, and helping her get a job.

Blanca is rewarded for her compassion by being crowned Mother of the Year, at the local Ball, while the bitchy little characters we met in the first episode get their comeuppance with an epic dress-down from Elektra. The season ends with a dance-off  between the House of Evangelista and the House of Extravaganza, going  head to head on the ballroom floor.

There is also the side story of one her children falling in love with a married businessman, and one of Blanca’s boys falls in love with another dancer after he is accepted into  Dance school, and the two of them compete for a role in a music video. In another side story, the master of Ceremonies at the Balls puts on a performance at the hospice where his lover is dying from Aids, and later goes out on a date. The conversations in the show feel true, adult, and emotional.

I fell in love with these characters so fast, I just don’t know if my heart can take this level of shameless romanticism and drama. I’m definitely going to return for the second season of this show.

 

Preacher: Season Three (AMC)

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Its as zany as the last season, picking up with the death of Tulip. Jessie takes her to his grandmother,a Hoodoo woman, who brings Tulip back from the dead. She says Jessie owes her for this, but I’m unsure exactly what it is she requires in payment.

Cassidy gets kidnapped by a cult run by another vampire and its hilarious because the other vampire has enthralled these goth kids into worshiping him, and he’s like a cheap, backwoods version of Lestat.

I’m not doing any in depth reviews for this show, mostly because its kinda lightweight, and is far too richly zany to put that kind of work into it.

Although its rarely laugh out loud funny, it is definitely entertaining.

Luke Cage: Season 2 (Netflix)

Image result for luke cage season two

I watched the entire season all the way through, and mostly enjoyed it. It really does still have some issues, mostly with pacing and story coherency, and should probably tone down on some of the music, because that was starting to be a bit much. But overall I liked the season.  I wasn’t as awed by this season as I was with the first, and I’m pretty sure it’s because the novelty of it has worn off some.

Frankly,  I was tuning in to see what happened to Misty Knight, after her ordeal in The Defenders, and I , and a lot of other people, have reached the conclusion that we are all ready for a Daughters of the Dragon spinoff , of Misty and Colleen Wing. The scenes between the two of them were a lot of fun, the actresses have good chemistry, and I was glad to see the writers of the show did not neglect the relationships between the women, although I was dismayed to realize that all of the Black women in the show had adversarial relationships with each other. I understood most of the reasons why they would, because they’re mostly well written characters, many of them with clear motivations, but I still think the writers should do better. Women don’t always have to be enemies for  dramatic tension.

Yes, there is a brief cameo, in one or two episodes, with Iron Fist, which happen late in the season, but I don’t feel this was a detraction from the show, and I wasn’t upset at seeing him. Like I said, a little bit of him goes a long way. I’m still not especially enthused about the second season of IF, but I am curious enough, based on how his character is much more positively depicted here. I know there are some people who are going to hate him no matter what the writers  do with him ,but I’m willing to forgive past sins if they fix his character, and this show, and The Defenders, went a long way towards almost making Danny Rand likable. I don’t actually like him. I don’t know that I will ever like him-like him, but at least I don’t dislike him. Let’s just say I’m open to liking him.

There was a new vilain called Bushmaster, who heavily reminded me of Black Panther: if T’Challa had become a junkie for the special herb which gave him his powers, and was a gang leader, rather than a good guy.  I still think the accents of some of these characters could use work, though. There are several moments of extreme horror that I could’ve done without, and we didn’t spend as much time with Luke as you’d think we would in a show that’s about him, but that’s okay because Luke is not an especially compelling personality, and Mariah Dillard is. Luke gets to fight with a lot of different characters, and that is always fun, but he’s not a very interesting person beyond his fight scenes, and the show’s attempts to add character to his character fell flat for me. His relationship with his father, and his fights with Clair didn’t feel true or believable.

Actually, you could just call the show Dillard, or something, because Mariah was one of the most awesome characters all season, and is a truly complicated villain. I’ve long ago given up on white feminist fans paying any attention to Black female characters, and I suppose I should be grateful for that, especially considering how shitty they are regarding all Black characters, in general. I think the last thing any of us want is twenty year old, suburban, white girls trying to write sexy fan fiction about Shades Alvarez. But there’s not a lot there for them anyway because while there are a few canon relationships, none of them involve White people.

Mariah is a very unconventional villain, being an older, educated, Black woman, who is also  an unstable, conniving alcoholic,  in a semi-abusive relationship with her lover, Shades Alvarez, who is many years younger than her, and thoroughly devoted to her. I  can’t even say she loves him, because Mariah is a psychopathic user, who loves no one but herself but the chemistry between them is palpable, and it really is a very sexy relationship. Mariah is also surprisingly vulnerable, and open at odd moments, which makes her deeply compelling. This was really a superior performance from Alfre Woodard, and one of her best roles ever.

There’s also a throwaway relationship between Shades and another man (Comanche) that if you’re anywhere on the LGBTQ spectrum,  will thoroughly enrage you, so you might want to skip all that.

https://www.dailydot.com/parsec/luke-cage-shades-mariah-shadymariah/

https://www.dailydot.com/parsec/luke-cage-season-2-review/?tu=dd

https://screenrant.com/marvel-iron-fist-better-luke-cage-season-2/

Killjoys (Syfy)

Killjoys has added a smidge more humor to the show, but I still have trouble with Hannah John-Kamen’s acting style. Its still annoying. I’m still surprised that people like this show. It looks great but I find the acting and plotting uneven. It’s not a bad show, but it struggles to hold my attention. I like the costumes, though ,and the guys are both reasonably handsome.

Image result for killjoys/wynonna Earp

Wynonna Earp (Syfy)

Wynona Earp started its new season. I watched the first episodes of the show and while I was not “not”  entertained, I wasn’t exactly inspired to keep watching them either. WE turned out to be mildly funny as vampires have been added to the show and Waverly’s approach to danger has always been funny. If you’re looking for a cute  litttle White girl lgbtq relationship, then this is the show for you. If you are a fan of mustaches, there’s a Doc Holliday character who is really cute.

 

I’m Not Watching But Probably Should

Killing Eve (BBC America)

I’ve heard so much about this show, and these curious gifs keep popping up on  my dashboard. One day I’m actually going to get around to watching this. and I’m gonna be wowed, because I really do like Sandra Oh, and I heard she got some award noms out of this. From all the meta  and gifs I’ve seen, I got the impression that this show was a female version of the Hannibal series, with its lowkey same sex relationship vibes, between an officer of the law, and a deranged psychopath. Since I’m a big fan of Hannibal , I feel I at least need to give this a looky-loo.

The Bold Type (Freefrom)

I heard there was some great LGBTQ rep in this show, between two young women, that’s being well and fairly treated,  and this is  another show that people insist on making gifs of, and sending them across my Tumblr dashboard. One day I may or may not look at this. It does involve some very young people, and I usually avoid shows that star a bunch of very young, people, so I’m dubious. Not every show is for everyone.

Dear White People (Netflix)

I keep hearing good things about this show, but once again it stars some very young people, and I’m not one of those people who is sentimental about my college years, so imma pass on this one.

Yeah…No!

Snowfall/ Power

I know people are watching these shows, but shows about Black crime are not to my taste, and I already got my quota of that subject from Luke Cage. If Black crime stories (ala New Jack City) are to your tastes,  and you’re not watching these, then you need to hop to it because they look gorgeous.

@@

I’m working on several of those longform essays you guys seem to like. The use of setting in movies, a trip in the wayback machine to some forgotten  TV series, the personalities of Goodfellas according to MBTI, an examination of the trope of the retired killer, an examination of The Thing, Eastern Promises, and some that are little more than ideas I hope to flesh out at some point.

Black; Male; INTJ

Several months ago I asked readers who classified on the MBTI scale as Introverts to write me and let me know what some of their experiences were, most especially their experiences in the Black community.  A week or so ago I got a response from DJ, who reached out ot let me know what it’s like for him as an Introverted Black man.

Earlier, I spoke about some of my experiences as an introvert who is Black and female. I know a lot about what it was like for me as a woman, about how White people behave when you act like an introvert vs. how Black people behave, and all of that while navigating  everyone’s racial expectations and stereotypes.

Most of what he says struck a chord for me, especially the idea of wearing various masks  in order to fit into whatever environment you’re navigating.

Hello,
I was curious about the number of black people who were INTJ . It was difficult to find anything on black men  and even more so on women .
As an INTJ  black man I always assumed I was different ever since I was young . So I developed a “mask” I learned and I watched and kept my true self away from everyone because of certain circumstances .  I learned what I needed to fit in , survive , and eventually move on to the next stage in life . I learned how to act and what not to do from the mistakes of others .  In a sense it allows me to make plans and move accordingly as you said when we have planned something we feel secure and content . Leaving things open to fate as you know can bring about unwanted results .  It even extends to my career choice . Critical thinking is involved in both my fields . INTJs I think can seem impatient because of how fast we think and the fact the general person is fairly annoying  . I myself have yet to meet any other black people who fit the same category . I also find it funny cause several of my friends have accused me of world domination.
My story is my much longer , but on of the biggest things I fine about us is out ability to see further than anyone else . Which is why so many of us end up in powerful positions  and have large ambitions . And generally we are more aware of our own flaws than anyone else and don’t get me started on relationships .  Especially in this current time its almost impossible for an INTJ to find someone to fit their image or doesn’t annoy them .
I also found with the proper guidance , an INTJ can be a will strong force of good in the world but if not it can be a disaster .
I hope to hear back from you ,
Dj Denton

And my response (unedited):

Thanks for contacting me.
Tbh, you’re the only person to write to me on the subject. I’m not an expert on this. I just have some knowledge based on my own experiences, and some reading, because there really is precious little out there about African American INTJs and how they experience the world.
The experiences you talked about have been mine too. I learned how to behave in whatever environments I was in by putting on various masks, and imitating others. For example, when I was in elementary school, I kept being told that I spoke differently from everyone else. Realizing I wasn’t speaking as naturally as others, I  learned how to add slang and idioms to my conversations, to make me sound more casual, and blend in better. This was a conscious plan, on my part, which I never mentioned to anyone, as I don’t think anyone would have understood it, but it worked.
I do tend to take what I like to call “the long view”, both into the past and the future, especially when it comes to exterior things like politics. This is another thing that’s hard to explain to people, especially when they’re confused about why you’re not upset or worried about certain world events, as much as they are.
The ability to plan, and maneuver, ahead of an event, and the comfort and self assurance from knowing that your plans are correct, can often look a lot like arrogance, or “being stuck-up” to a lot of people. Has that been your experience? I got called stuck-up a lot when I was young, but really, I was just confident in my planning. (To some people this planning can also  make it seem as if you’re just extremely lucky.)
I think this sort of thinking can work out great when you’re a guy, but I think people find this level of calculation, especially in a woman, to be disturbing, as I’ve gotten very hostile reactions (mostly from women) over the years, whereas most guys just  think it’s  a delightful personality quirk, (probably because I’m not using my superpower for evil).
As far as I know its  just something that’s extremely rare, and I’m pretty much settled on being a minority, within a minority, within a minority.

 

 

 

I also sent Dj a few links:

https://goodmenproject.com/featured-content/hesaid-black-male-and-introverted/

http://www.politeonsociety.com/2013/09/11/believe-it-or-not-introverted-black-males-exist/

https://blackintjwoman.wordpress.com/

https://www.quora.com/What-is-your-experience-being-black-and-an-introvert

http://www.shesquietconfident.com/quiet-black-person/

@@

And from Medium.com:

INTJ Women — You Are Not Alone by Evelyn Bertrand

Strong. Brilliant. Powerful. Intimidating. Masculine. Driven.

Cold. Bitchy. Uncaring. Standoffish. Disinterested. Detached.

These are two sets of words that describe INTJ women, also known as Alpha women. I say Alpha women because I really don’t see a difference between the personality traits that are attributed to both “types of women.”

@@

From Reddit, about a year ago:

Decolonizing My Fandom

Dr. Who. Star Trek. The Twilight Zone. The Night Stalker. Monty Python’s Flying Circus.Battlestar Galactica (the original series)E. E. “Doc” Smith. JRR Tolkien. David Eddings. Margaret Weiss & Tracy Hickman. Joseph Campbell. The Avengers(tv show and comic), Spider-Man, The Uncanny X-Men, DC’s Trinity and on and on and on. What do all of these pieces […]

via Decolonizing My Fandom — The Nerds of Color

 

Love this!

Django Jane by Janelle Monae

Happy Monday to everyone! (And if it’s not happy, then at least have a better one.)

Earlier this year Janelle Monae released her latest album called Dirty Computer, and it has taken me a little while to get to the listening part, so some of y’all might already know all about this, and I’m a little late (although I don’t believe there’s any such thing as being late when it comes to the culture, all that matters is that you’re here for it).

I am so impressed with this album. We had Beyonce’s Lemonade back in 2016, and earlier this year we got Childish Gambino’s This is America.  Black music is entering a new period of social relevance. We never actually stop doing that type of music, but there’s a lot of fresh new music happening on this front now, thanks to things like the Black Lives Matter Movement.This type of music tends to be overwhelmingly positive and galvanizing, and I always love it when we get art  like this. On the other hand, it’s unfortunate that we seem to produce some of our most relevant cultural art when we’re in the most pain.

This is what’s currently playing on my phone and MP3. I haven’t always been the most diligent fan of Janelle Monae. I’ve been sort of keeping quiet about it, while clocking her career. I’ve been impressed with her dedication to politics and music. Janelle has a long track record of addressing Black issues in her work and she continues that here.

I love that she was endorsed by one of my all-time favorite artists, Prince. When I heard about that, I really perked up because Prince was a major part of my teen life ,and I still really miss him, and he did not endorse people lightly. I listened to the entire album, and I could just hear all those little elements of Prince in the background.

If you have not watched the hour long video anthology of Dirty Computer you can check it out on Youtube. I love her flow and delivery, but it was the lyrics that really captured me.

@@

 

Django Jane is a spirit that will never die. Every black woman—every woman—should feel like, “Well, OK, Django Jane is a part of me.” I don’t think it’s just me that feels likethey’re tired, they’re upset. Tired of protesting, tired of having to see patriarchy speak all the time. It’s like, “Shut up, get away.” When I wrote these lyrics, it was coming of a place of, if women, if black women had the mic, what would we wanna say? 

@@

An Open Letter to Roger Ebert – The Raid: Redemption

(No real spoilers, but for those who haven’t seen it you may want to wait until afterward to read this) I loved The Raid. Yep, loved it to death. I gave it a 10/10 in my review grade, and I’ll stand by that grade, as I do all others. I know I’m not alone, but […]

via An Open Letter to Roger Ebert — Kiai-Kick!

The writers at Roger Ebert’s site hated this movie. Here, Kiai- Kick explains how their framing of the review was wrong, and explains a lot of why those of us who watch martial arts movies, love them so much.

If you haven’t seen this movie yet, and you love movies like Die Hard, and The Road Warrior, you would do well to check this one out, as The Raid seems almost like a mashup of the two.

Gaming Forums Must Get Political

Fuck having a comforting community for ‘everyone’.

via Gaming Forums Must Get Political — Stand Up Magazine – Empowering Millennials

All of Pop Culture is political. Do you know why? Because its created and consumed by human beings  and ALL human beings are political. Even saying that you’re not political is a political statement, which is something  gaming has been trying to do for a while now.

Being apolitical is political!

A Black Buffy the Vampire Slayer

 

Well, some of you may have heard about this:

‘Buffy the Vampire Slayer’ Is Getting a Reboot With a Black Lead

https://www.thedailybeast.com/buffy-the-vampire-slayer-is-getting-a-reboot-with-a-black-lead

 

https://the-orbit.net/progpub/2018/07/22/buffy-is-coming-back-and-this-time-shes-going-to-be-black/

I also am not loving the idea of naming a Black woman ‘Buffy’. I’ve got to be honest, on top of the fact that ‘Buffy’ has been played by 2 wyte actresses, ‘Buffy’ as a name is white coded. It doesn’t scream blackness. It screams pretty much what all other corners of USAmerican society screams: whiteness. That kinda solidifies the idea that ‘Buffy’ is a wyte name. On the other hand, if it’s going to be a reboot, they kinda need that name (although it could be a nickname, perhaps one based on athleticism).

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So far, a lot of the reactions have been mixed. Or rather,  the reasons for their negative reactions have been mixed, while the positive reactions are pretty much just  “Yay! New Buffy stories!” My feelings are completely mixed. I don’t know if I should feel happy about it or be annoyed.

I was a huge fan of the original. I think I commented on one of these that I used to watch Buffy like it was a religious experience. Some writers on the subject have distilled this feeling to its essence: For some people, it’s Star Wars, but for some of us, it was Buffy the Vampire Slayer. I was a minor fan of Star Wars. I like it,  for the most part,  but it doesn’t (didn’t) move me the way Buffy did. And something about the time period in which I saw it, (just a few years out of high school) may have played a large part in my reaction to it.

As much as I liked Buffy though, the show does have some major issues, one of which was the subject of race.

https://theconversation.com/a-revamped-buffy-could-rectify-the-original-slayers-problem-with-race-100599

Not to be deterred, however, producers of the show have responded by implying that the new season will not be a reboot with a Buffy who happens to be black, but rather a sequel to the old one, featuring a different slayer altogether. A sequel featuring a different slayer, with her own identity, would be a firm step towards a more radically inclusive and irrevocably transformed storytelling venture.

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I loved Buffy but I’m not necessarily looking forward to a reboot of Buffy because, as this article states, Black fans deserve their own characters, rather than hand me down characters of White shows. On the other hand, I have heard competing ideas of what the show is about. I’ve heard it’s a reboot, but then later I read that this will be a unique character, with her own stories, and that it is a sequel built on the old series. The character’s name will still be Buffy, however, and I think that’s a mistake. If its a reboot, then it’s unnecessary, and if it’s a  sequel to the original, and its a whole new character, then why bother to give her Buffy’s name. Not to mention that there’s not a Black woman on Earth whose name is Buffy. A nickname I could understand but her actual name? No!

I do feel that having a Black woman writer as the showrunner is a good idea because who knows more about what it’s like to be a Black woman, than a Black woman. Certainly not Joss Whedon, whose writing of Black women is, simply, atrocious.

This writer is right in saying that Black people have a wealth of fantasy stories that we’ve created, that we would like to see brought to television, although in an ideal world, I would love  ALL the stories along with the new Buffy.

https://www.slashfilm.com/buffy-reboot-problems/

What’s insulting is the thought that we’re supposed to be happy with whatever representation we get, without understanding that what we crave and demand goes far beyond the simple presence of a person of color on screen. It’s about substance. It’s about the opportunity for an actor or actress of color to be able to stand on their own merit and not in the shadows of their white predecessor. It’s about the importance of highlighting original stories by and featuring talent of color — without presenting it through a white gaze.

Image result for l a banks

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Some people flat out don’t want the new show. There are shows I’d prefer to see ,and stories I’d prefer be told, but I’m not actually opposed to this show. As I’ve said before, I’m incredibly nosy, so no matter what gets put on the air, I’m probably going to watch at least the first episode. I’m not prepared to hate it right away, but I am giving the whole idea  the side-eye.

https://www.themarysue.com/i-dont-want-a-black-buffy/

That’s why I wish, ultimately, that this and even the upcoming Charmed series were original concepts and not hopping on top of existing franchises in order to make them work. Black and non-white creators have our own vampire series that could be up for adaptation. There’s L.A. Banks with The Vampire Huntress Legend, Octavia Butler’s Fledgling(if it loses the age issues), and The Gilda Stories by Jewelle Gomes, which is about a bisexual vampire from the 1850s.

Image result for black fantasy books One of my favorites, that Id love to see adapted to TV is the Maurice Broaddus Joint :Knights of Breton Court, which is a retelling of the legend of King Arthur, set in the hood, with magical characters, and sword-bearing street thugs. There’s nothing like it on TV, right now, and this story deserves to be seen.

 

Image result for coyote kings of the space age This is another one of the unique stories I would love to see brought to TV. Coyote Kings of the Space Age Bachelor Pad is kind of indescribable, although I suppose it would be called the Black version of Ready Player One, if it took place in the show Atlanta.

And here’s a few more:

https://littlefoxandreads.wordpress.com/2017/01/24/diversity-in-sff-1-sci-fi-fantasy-books-with-black-protagonists/

Hannibal Season Three: Secondo

I was not going to review this particular episode because its one of my least favorite of the entire series. I was just going to farm this out to another reviewer like:

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http://www.denofgeek.com/tv/hannibal/35870/hannibal-season-3-episode-3-review-secondo

I’m just not particularly interested in the foundations of Hannibal’s psychology, or really in the foundational mindset of most serial killers. I’m not particularly impressed by their abusive childhoods, or teenage sexual experiences, or any of that.

But I will give this one a light review because I realized that it introduces a key character for the rest of the season, Chiyoh, and gives her something of a backstory. Chiyoh is an interesting character because what we have learned from Bedelia last season is that Hannibal is extremely good at encouraging and manipulating people into killing others. It worked with Bedelia, Will, and Abigail. He attempted it with Margot Verger, and managed to manipulate Mason Verger into harming himself. Chiyoh is fairly unique, in that she is one of the few individuals who has managed to resist his manipulations, and not kill anyone (although Margot, along with Alana Bloom, eventually kill Mason together, with his advice, later in the season).

In Secondo, we backtrack with Will Graham, a little bit, to show what he was up to, before he almost meets Hannibal in the catacombs beneath the Chapel in the second episode. Will visits Hannibal’s ancestral home in Lithuania, where he meets Chiyoh,  discovers how she is connected to Hannibal’s backstory and her  connection to Hannibal’s childhood.

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When Hannibal was a child, he and his sister were  set upon by a group of soldiers who “supposedly” murdered and cannibalized Mischa. Hannibal imprisoned one of the soldiers and set Chiyoh, who was an attendant to his Aunt, to guard the man, probably in the hopes that she would kill him, But she does not, and the man is still imprisoned many years later. Will Graham pulls a Hannibal, though, and sets the man free, because, as he tells her, he’s curious about what Chiyoh will do. When the former prisoner attacks her, Chiyoh does kill him, and now free of her “penance”, sets off with Will to find Hannibal in Florence. Before they depart, Will also creates a tableau from the dead prisoner’s body, in the form of a giant dragonfly. When Chiyoh asks why he’s looking for Hannibal, Will explains that he is more of himself when they’re together,  and sadly, Chiyoh understands that.

So does Bedelia, as she is  warns Hannibal that he will be caught. We are rivy also to Hannibal’s pensive recollection that Will forgave him at the catacombs under the chapel. Season three is the first time that it is openly acknowledged by everyone, that Will and Hannibal have a twisted love for each other. Remember what I said about Bedelia. She is the show’s Truth-Teller, and every good show has one, especially if the show deals in lots of metaphor and symbolism. You need at least one character who is distanced enough from the narrative that they can plainly speak on its themes, and on what they have observed, to the other characters (and also spell it out for the viewers). Bedelia, for example, has managed to suss out that it was, in fact,  Hannibal who ate Mischa, as a form of forgiveness. She puts the idea in Hannibal’s head that the only way he can forgive Will, for his betrayal last season, is to eat him. It speaks to her level of complicity with Hannibal that I’m not entirely certain she didn’t do that deliberately

Image result for hannibal season 3/bedelia

While Will is exploring Hannibal’s castle, Hannibal ismurdering his academic rival during dinner. The few moments of sardonic humor Hannibal displays is often around killing. One of the professors of the museum, who insulted him at a party in the opening episode, gets an ice pick through the brain. It is Bedelia who puts the finishing touch to the murder by pulling out the skewer, however. Hannibal often asks her if she is observing, or participating, and she must feel some type of way about it because she tries to distance herself from complicity in his murders by claiming she is only observing. Hannibal challenges her by telling her she is actually participating since she has done nothing at all to stop him from murdering people, and I’m inclined to agree. She may be horribly afraid of him ,and he does have dirt on her, but she has also had multiple opportunities to kill him,  flee, or warn his victims, and yet she stays.

Anyway, this is one of the least interesting episodes for me because there  isn’t a lot of plot or character development. It’s mostly a  travelogue through Hannibal’s past ,and seems more of a filler episode than one that’s important to the development of the season. Things get a little more exciting in the next episode, titled Apertivo,  when Will and Hannibal meet for the first time this season.

 

Bonus Content 

The titles of the episodes throughout Hannibal, are often some reference to food. Here, the second episode is titled, Primavera, and means Spring, The episode is a new beginning for the series, and for Hannibal. Primavera is also a food reference meaning a selection of pasta with fresh seasonal vegetables. It is also the title of the painting by Botticelli which features heavily in the theme of the season’s first five episodes, (while the second half of the season is based on The Great Red Dragon paintings of William Blake, with no more references to food.)

The first episode of season three is titled Antipasto, which is an Italian appetizer, indicating the start of a formal Italian meal. This is a callback to the very first episode in season one, titled Aperitif, which is a wine palette cleanser, at the start of a formal French meal.  The first season titles are named after French culinary etiquette, the second season’s are named after a  formal Japanese meal, and this season begins with Italian food references.

Since we are starting the story over again ,where Will meets Hannibal after a long hiatus, the titles have started over too again, too, but at a slight remove, since all these characters are familiar to each other. A formal Italian meal consists of five courses. The Apertivo, is missing, but the first title refers to a pasta dish, called the antipasto, which is an appetizer. This is followed by the primo and secondo, a vegetable dish, followed by a serving of meat, usually veal. (This is  a sly reference to The Silence of the Lambs.) This third episode title is especially appropriate, because Secondo means the secondary (lower) part of a piano duet, which could be defined as Will Graham’s part of this story, since the season opening’s focus was on Hannibal and  Will is the secondary character here.

A Classical Italian meal consists of five parts. The Apertivo (small drink) which usually marks the start of the meal has been moved. The episode Contorno refers to a type of vegetable side dish that is  eaten along with the secondary main dish, followed by  Dolce, which is dessert. And finally the season winds up with digestivo, which is a light drink to finish off the meal, which also finishes of the first half of the season.

Weekend Reading: On History and Pop Culture

Appropriation of  History

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Discussions on the appropriation of Medievalist history by various pseudo- Nazi organizations throughout, and how historians are fighting back against their livelihoods being associated with it.

https://newrepublic.com/article/144320/racism-medievalism-white-supremacists-charlottesville

http://www.inthemedievalmiddle.com/2017/08/teaching-medieval-studies-in-time-of.html

https://eidolon.pub/why-i-teach-about-race-and-ethnicity-in-the-classical-world-ade379722170

The Popularity of Vikings

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Discussions about the appropriation of Viking culture by neo Nazi groups, and how historians and the descendents of that culture  are fighting against it.

https://cjadrien.com/vikings-popular/

https://www.thelocal.se/20171006/we-cant-let-racists-re-define-viking-culture-far-right-runes-swedish

https://www.tampabay.com/opinion/columns/column-white-supremacists-love-vikings-but-theyve-got-history-all-wrong/2325755

https://www.juancole.com/2017/10/supremacists-vikings-muslims.html

https://www.vice.com/en_us/article/ywqn3j/photos-of-modern-vikings-keeping-their-traditions-alive

Star Wars and Fandom

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I have a post coming soon about a version of gamergate, that happened in the seventies, against disco. Rock music, Gamergate, Star Wars, Ghostbusters…white straight men throwing this type of tantrum because of a changing media landscape is not new, and follows the same formula every time it happens.

This is often reactionary behavior. By the time White men (and it is almost always White men) start protesting something it’s too late to do anything about it.  When it happened in the past, especially when the internet didn’t exist,  whatever they were protesting against simply went underground and emerged in a new form. Gamergate didn’t stop companies from developing diverse games, The Disco Sucks movement did not destroy that particular musical style, protests against rap music didn’t stop it from mainstreaming, and these new ass showings around PoC in scifi/ fantasy movies, isnt going to stop movies from being diverse, and women and PoC are still on the internet. So far, all they’ve managed to accomplish is a handful of celebrities closing themselves off from their fans by limiting their social media accounts.  

So what really is the point of such things?

https://www.dailydot.com/parsec/star-wars-last-jedi-gamergate/

The Beautiful, Ugly, and Possessive Hearts of Star Wars

Racism, Misogyny & Death Threats: How Star Wars Fans Turned to the Dark Side

https://www.theodysseyonline.com/star-wars-fandom-toxicity-problem

 

The latest victim of racist ass-showing is the star of the upcoming DC series Titans, Anna Diop, who closed down the comments on her Instagram page when they racist vitriol got to be a bit much. Of course she’d started to receive this commentary the moment her casting was announced, and issued this statement:

https://www.theroot.com/racist-comic-fans-run-titans-star-off-instagram-for-not-1827809010

 

https://www.themarysue.com/candice-patton-asleigh-murray-racist-backlash/

What is really upsetting to me about this is that both actresses were told to prepare themselves for this backlash, and when coming face-to-face with it, the advice they got was to ignore it. That they’re expected to just take it to lay down the foundation for other women of color, when there are so many women who have laid the down foundation for them already, is truly exhausting.

Thinking Critically

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This first article is about this writer’s long road to adjusting his attitude to current media, and learning how to feel and think about it critically, without engaging in racism, and homophobia, something I think a lot of people, who consider themselves fans, need to do.

https://birthmoviesdeath.com/2017/08/04/film-crit-hulk-smash-on-criticism-in-the-intersectional-age

 

For Huck magazine Anthony Lorenzo does not mince words about how Hollywood perpetuates racism both in front of and behind the camera:

https://www.huckmag.com/perspectives/need-talk-race-film-industry/

It isn’t difficult to imagine why white writers don’t want to tackle characters they probably wouldn’t get right and get flack for. How a character might talk, might walk, the music they’d listen to and where they’d head on a messy night out. There’s a subtlety to the art of creating a character that requires knowledge of a relevant culture to accurately depict their nuances. Getting this wrong forces characters into two dimensions, leaving the writer a failure. 

 

At some point, I need to do a post on how media audiences have changed over the decades. There was a time when the primary audience that most media aimed for was the family. Over time, that changed to teenagers with disposable income, which at some point, metastasized into White males, aged 18-34.

http://www.houstonpress.com/arts/dear-straight-white-men-you-are-being-pandered-to-as-well-7652399

Random Movies

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Zombies, Race, and Gender

Dr Zuleyka Zevallos

I don’t entirely agree with this article, as it hasn’t been my experience of the fandom, who seem to all want to be Negan, but nevertheless, it was an interesting read.

https://www.wired.com/2013/06/world-war-z-zombie-messages/

That shift towards a lone-white-man-triumphing-against-the-hordes mentality goes against the dominant manifestations of zombie fandom, where often fans want to join zombie swarms rather than be lone-wolf heroes. As Lauro explains, the group mentality that has proven successful in the past is the one fans share.

 

Bladerunner 2049 and Race

The movie definitely has some racist and sexist issues:

http://colorwebmag.com/2018/03/27/the-racial-flaws-of-blade-runner-2049/

 

The Magnificent Seven: Racial History

On the erasure of PoC from the Western narrative:

<em>The Magnificent Seven</em> vs. The Historical Negationism of Westerns

 

Ready Player One

Ready Player One has several issues wrong with it but I think for me one of the biggest issues is outlined in the first article. In this movie there is almost no acknowledgment that Black culture is American culture:

http://www.okayplayer.com/originals/ready-player-one-black-culture-erasure-harmful-opinion.html

https://inews.co.uk/culture/film/ready-player-one-panders-to-a-lame-sexist-nerd-culture-that-needs-to-die/

 

Analyzing The Purge

An analysis of everything wrong with the plot of The Purge, and an analysis of how poverty would affect the outcome of such a plot.

http://www.plotpedant.com/the-purge/

https://filmschoolrejects.com/the-purge-and-politics-of-poverty-c23e94449e4/

The Purge — the event, not the film — is for white people, specifically rich white people. They are the beneficiaries, the ones who can afford the security systems to keep them safe, the ones wanting to thin the population for the sake of conserving resources, and the ones whose bloodlust is least in check. The victims are minorities, largely, and economically disadvantaged to the point some even resort to selling themselves to wealthy people on Purge Night in exchange for their surviving family’s financial security. That’s another idea that only a couple of weeks ago sounded like pure fiction, and now….well, not as much.

 

Snowpiercer and The White Savior

An analysis of the use of the White Savior trope in the movie Snowpiercer. This is one of my favorite movies. It has a lot of messages in it about the hierarchy of inequality, and stars Chris Evans. It also has an unconventional ending that makes the use of the trope a lot more complicated.

https://alanw2000.wordpress.com/2014/11/29/snowpiercer-analysis-bong-joon-hos-sci-fi-masterpiece-by-alan/

http://mumpsimus.blogspot.com/2014/07/the-decay-of-white-savior.html

 

Avatar: The White Savior Trope

https://io9.gizmodo.com/5422666/when-will-white-people-stop-making-movies-like-avatar

 

Mad Max: Fury Road/Disability

https://womenwriteaboutcomics.com/2015/05/disability-in-the-dystopian-future-of-mad-max-fury-road/

https://www.inverse.com/article/15806-one-year-later-fury-road-resonates-on-disability-sexuality-and-the-end-of-days

 

Logan: On Violence, Death, and Dying

Logan: A Film Fighting With Itself

http://www.btchflcks.com/2017/03/logan-on-death-and-dying-and-mutants.html#.W1JVgjpKgnR

Straight Out The SDCC 2018

The San Diego Comic-Con started this weekend, and we already got a buttload of movie and TV trailers that I’m very excited about. (Picture me jitterbugging around my living room in my bunny slippers!) The Con lasts all week, so I’m going to publish some more trailers for Wednesday and even Friday if necessary. Later this month, or in August, its time to start my list of TV shows to watch for, and I’ll be working on that soon.

Let’s get started. First up:

Godzilla: King of All Monsters

I am so geeking out about this move, not because of Godzilla, mind you, although there is the iconic roar, but because of the presence of Ghidrah: The Three-Headed Dragon, and Mothra, basically a giant moth. I grew up watching Godzilla movies on those Saturday afternoons when my brothers and I couldn’t go outside. I watched Mothra a bunch of times when I was a kid, so I was excited to see something like it in the last movie, and now the full effect in this one. I’m probably not going to get Mom to see this, because she hates Godzilla, but I can introduce my nieces and nephew to it if nothing else.

 

 

Shazam

I’m not excited about this movie, but I’m not dismayed. I remember watching Shazam on TV as a kid. (I watched all the superhero TV shows.) In the TV series, Shazam was a teenager or probably an adult. I haven’t seen it in so long, I can barely remember it, beyond the iconic yelling of  “Shazam!” I don’t know what to think about this yet, probably because I wasn’t expecting it to be funny. And it did give me a few laughs. This trailer isn’t inspiring me to see it though, so I’ll wait until I see some more. Also, its DC and they’re not really good with funny.

 

Glass

Now this one, I’m really, really, excited about. (See, I used to “reallys”!) I’m a huge fan of Unbreakable. It’s just exciting to see David Dunn again. (I’m a little less a fan of the movie Split, although it has its merits, and The Beast is pants-shittingly frightening.) These are really just down to Earth versions of superhero movies, and I will always grok that.

 

 

Aquaman

This is another one I haven’t formulated an opinion on yet. I love that Momoa is Aquaman though, because it seems fitting that the King of the Oceans would be a Pacific Islander, and I never get tired of looking at him, and going, “It’s Kal Drogo! Under the sea!”. It also helps that he just looks fine as Hell!

 

 

Titans

Woo! The bitching and whining about what’s wrong with this trailer, and the miscasting of Ana Diop as Starfire, has already begun on Tumblr. I’m completely dismissing any criticism from ALL White men about her casting because here’s the thing: Starfire has always been nothing but wank material for them since she first starred in the comic books. Casting her as a Black woman seems to have put a crimp in their masturbatory fantasies for this show, I’m guessing, which is why so many of them are throwing nasty racist hissy fits.

Diop has already disabled the comments on her Instagram because of the vitriol she’s been receiving, and no! I’m not surprised by it. Sending racist messages to actors of color, and then claiming they’re doing it just to protect the show, or movie, or whatever,  is just White, male, fandom’s go-to move at this point. And it’s also all they have. They’re still gonna watch the show, they’re just gonna bitch about it the whole time, and I don’t really care at this point, as long as their eyeballs provide ratings.

What I have decided not to do is read any more whiny bullshit about TV shows before they air. I got my own whiny bullshit in mind, and ain’t adopting other people’s crap. I’ll wait to actually see the show before I form an opinion on whether it’s good or bad. Also, I’m a lot older than most of the complainers on Tumblr and have been reading Teen Titans since I was a child. I can decide for myself whether or not the show is any good.

For the record, I think the trailer looks okay, although most of it is too dark to see anything, and I’m satisfied with the depiction of Starfire, and Raven.

 

Fantastic Beasts: The Crimes of Grindewald

I don’t know that I’ll see this in the theater because I got the same issues with it, that I had with the first. But I really enjoyed the first movie, I really liked all the characters a lot, and this is an incredibly gorgeous film, too. I’m less interested in the worldbuilding than I am with the people.

 

Patient Zero

This looks like an interesting take on vampire mythology and might turn out to be what the show The Strain should have been, so I’m gonna check into it. Plus, I’m always up for some vampire apocalypse stories.

 

 

The Passage

This series is based on one of my favorite books by Justin Cronin, a trilogy called The Passage. I’m very excited about this because they’ve changed the races of the characters, thereby giving the story a deeper subtext, especially when you remember that African Americans have been used before as subjects of medical experimentation.

http://www.history.com/news/the-father-of-modern-gynecology-performed-shocking-experiments-on-slaves

https://en.wikipedia.org/wiki/Tuskegee_syphilis_experiment

https://www.hopkinsmedicine.org/henriettalacks/index.html

So you have scientists experimenting on Black convicts, and chasing after a little Black girl they want to use to save the human race, from an experiment they created, that went horribly wrong. This also closely parallels the events of the first  200 or so pages of the first book, which I thoroughly enjoyed, it was so well written, just without the racial angle. The series offers a changeup to the  “Black man bonding with and protecting,  a little White girl”, which we’ve seen more than enough of in the movies. There’s also Mark-paul Gosselaar , which is kinda neat.

 

Overlord

This looks a lot like Patient Zero, only set during WWI, and with a Black lead character, which is intriguing. It looks like it might be about medically created zombies. I dont have a lot of opinion on it yet.

 

The Walking Dead Season Nine

After the first few episodes, I skipped most of last season. I just lost interest. I still don’t care which is why I haven’t talked much about it. I’m going to watch season nine because I’m nosy, and there will be less of Negan chewing the scenery, which is something I got really, really, tired of. It’s rumored that this will be the last season for Rick. Personally, I would like to see the show headed by Michonne, but I don’t expect we will get that so I’m not getting too hopeful. At any rate, this season doesn’t look too bad, but then I thought that about last season’s trailer, too, and look what happened.

 

Star Trek Discovery Season Two

The second season for this show doesn’t air until January which I think is a horrible tease, but I can wait. It looks just as gorgeous as always. I’ve read that the series will be preceded by a series of character shorts in December, and that Spock will put in an appearance. I have been total trash for Spock since I was twelve years old, and will watch him in anything, so I’m very excited about the new season.

Can I also mention that the guy playing the tragic Captain Pike, is Anson Mount, the same guy who played Black Bolt in that deplorable Inhumans series, that only lasted a few episodes? (If you want to know what eventually happens to Captain Pike, in ten years, you need to watch the first episode of the original Star Trek, called The Menagerie.) He looks much better here than he did in the Inhumans. As a matter of fact, he is cocky, and foine as f***!

The show also looks like its adding a little more humor.  The showrunners say the focus for the new season will be “family”, so there’s going to be more character development of the bridge crew, I’m guessing. At the end of last season, Michael had gotten back her rank, and she looks a lot more comfortable in this trailer, and I’m looking forward to what she does in the role. Her character and storyline carried the entire first season, so I expect the writers to give her a little breathing room, and focus on some of the other characters this season, with Michael as the emotional center again.

 

Doctor Who Season 11

I’m not excited about this new Doctor, so much as deeply curious, about how the show will feel with a female Doctor. It looks intriguing and I’m definitely going to check it out. I have, in the past, claimed to not be a huge Doctor Who fan, but I’m enough of a fan to have favorite Doctors, Companions, villains, etc. I think this new one might become a favorite. We’ll see!