From Libbie Grant on Facebook, here’s something we can prepare for. Folks. There is serious talk today all over Twitter about organizing a national strike to force the GOP-controlled Congress to either impeach Trump or force his resignation. This is a great idea, but it’s something we need to prepare for, and we may not…
I got an Amazon FireStick for Christmas, and so far, I’m having good fun with it. I’ve been doing this thing, where I go to random apps, and try them, or just watch whatever movies or shows get recommended to me on Amazon Prime, Netflix, or Hulu. I’ve watched movies on Terrarium TV, and and an app called Showbox, but I’m not gonna talk about those today. I’m sticking with Netflix, and Hulu, for now.
One of the fun things to watching movies on the Firestick, is you get to watch low budget, never heard of, movies, and this is the case with Kill Order. I knew absolutely nothing about this movie before watching it. Had never even heard of it. Although some elements of the plot are somewhat confusing (requiring you to pay close attention to some horrible acting), the plot is fairly straightforward.
The plot involves a superhuman teenager, David Lee, played by Chris Mark, on the run from the shadowy scientific Organization that experimented on him. David is prone to nightmares and anxiety attacks. When he’s attacked in his classroom and his home by assassins, and his adopted parent is killed, he has to outrun more of them, sent after him by The Organization.
There’s shades of Logan in the plot, because David is an experiment, who was freed by one of the doctors working on the program. He’s been infused with some type of elemental energy from another world, and when he becomes stressed, or concentrates hard enough, he can access this energy to be faster and stronger than human. Unfortunately, many of the assassins out to kill him are also successful experiments and can access this energy too.
I thought the acting was atrocious, but I loved the kinetic energy in this movie. I think it was worth watching, for the action scenes, although a couple of them lasted just a tad longer than they should have. The action is really fast, brutal, and bloody. My major complaint about that, was that so many of the fights took place in public spaces, well within view of spectators, who did not seem at all puzzled to see black garbed killers flailing swords around, at the park. I mean it is a fairly unusual sight in this world but I guess maybe not so much in David’s.
Kill Order is available on Hulu, and is not related to the Maze Runner series, by James Dashner, as far as I know.
I heard about this show on The Root, and thought I’d give it a try. It’s a new show, from the creator of American Horror Story, Ryan Murphy, and is loosely based on the 1990 movie, Paris is Burning, about the gay Ballroom scene in 1980s New York. I enjoyed that movie, and have been fascinated with Ballroom culture ever since, and this show is an interesting glimpse into the lifestyle, that comes from a place of authenticity, as many of the actors are actually transgender.
I was a little put out by the opening of the movie, as I don’t particularly enjoy watching characters be mean and bitchy to one another, but apparently that was just setting up the (loosely named) villains of the show, House Abundance, which is the rival to House Evangelista. There’s also a B plot involving the economic boom issues going on in NY at the time, involving the rise of Donald Trump, (although he is not featured in the series).
House Abundance is run by Dominique, who was once the House mother for Blanca, who left her (becasue she wasn’t getting any respect), to start her own House, and we get to watch as the two Houses compete in various shows, how Blanca builds her own house, and the contrast between how the two houses are run. The show also tackles issues of teen/LGBTQ homelessness, as Blanca adopts a young man from the street, whose family abandoned him.
For those of you unfamiliar with all this, here’s are some brief primers on Ballroom culture and voguing. You’ll hear about the two Houses, La Beija, Xtravaganza, and Ninja, which were the focus of the movie, Paris is Burning, and some of the dance moves, like The Duck Walk, and the Death Drop. The New York Black and Latinx LGBTQ Ballroom culture is where the original meaning of “Shade” and “Reading” people came from. (None of this has anything to do with the dance form which was co-opted by Madonna in the 90s.)
I’ve only spent some time watching the various clips from this move, because it just hurts too much, to watch it, in its entirety, multiple times. The stories really move you. You start to root for certain characters, only to find out they were murdered in a hate crime, a few months later, or died of Aids. it can be hard to watch, but its worth it to glimpse a culture you may have never seen before. I try to be respectful, and keep in mind, that I’m not a part of this culture, and a spectator to all it. I just admire it from afar.
Here is one of my favorite moments in Paris is Burning, about the philosophy behind voguing, realness, and authenticity:
I enjoyed the first episode a lot, and I made a promise to myself to catch some more episodes, although I’m not yet devoted to it. But I do love the idea that this even managed to make its way to Primetime TV. I can actually see something like this being made in the 80s for television, but not in the 90s, which was a lot more conservative. If you have been wishing for more LGBTQ content on TV then this is your show, this is your hour, this is you! The show discusses a lot of transgender issues, which makes this show absolutely groundbreaking!
This show wasn’t recommended to me from my Firestick, although I think you can watch it on Hulu, if you don’t have cable, or satellite TV.
I was prepared not to like this movie, which is newly available on Netflix. Netflix recommended I watch this, because I’d watched several Chinese Action movies (?), and put several more on my watchlist. So, even though I was dubious, because it starred Jared Leto, I took a chance, and gave it a try.
For the record, I am, apparently, one of the five people on the entire planet, who does not hate Jared Leto. I’m just occasionally wary of his presence in something, mostly based on the stories I’ve heard about him, that I should, but I’ve always been contrary. I think he’s a perfectly okay actor, and I’ve liked him ever since he got his ass beat by Brad Pitt in Fight Club. I even liked him in this movie, although he turns in, what is for him, a rather subdued performance, which is also completely unnecessary to the plot of this movie.
I have a confession to make. I am a fan of historical movies, and books, about Westerners travelling, and living, in Japan. I will watch, or read, just about anything on that subject. That said, though, I have never understood Hollywood’s need to add White men to stories that do not actually require their presence. I don’t object to such things per se, but sometimes, I don’t feel like looking at White guys in Asian media. I’m told this is an economic choice, because White Americans are too stupid to watch movies without any White men in them. Personally, I think that’s a grave insult to the reasonably smart White people who actually watch foreign films, with nary a White guy in sight, (and if the American school system hadn’t spent so many decades turning its citizens brains into ignorant mush about the rest of the world, this would never have created a problem, that needed to be pandered to.)
This is an acceptable movie, and Jared Leto is fine in it, as an American criminal, imprisoned in Japan, just after WW2. While there, he meets, and saves the life of, a Yakuza member. When the two of them break out of prison, he goes to work for the man whose life he saved, the son of a Yakuza leader, and gets accepted as a low ranking member of the clan, despite the protestations of his friend’s brother, who is set to inherit the title of clan leader. He meets a girl, and gets involved in some drama, that results in the entire clan being killed, after which he’s exiled.
This story could just as easily have been told without him, because the politics and infighting of Yakuza clans is fascinating, all on its own. I don’t know if the director is Japanese, but I didn’t get much of a sense of Japan in this movie, beyond the usual surface signifiers, like Sumo scenes, neon city streets, and dancing geisha. If you’re looking for some depth of setting, like a travelogue, this is not that movie. Leto looks distinctly out of place, but I guess that’s the point of putting him in this movie.
The setting felt more like the industrial wasteland of 80s Chicago, than 50s Japan, so there could’ve definitely been some more work done on the time setting. The trailer looks more Japanese than the actual movie, and I have no idea how a director manages to accomplish such a thing. It’s a very dark film. It’s very gloomy. There’s a lot of sitting around in bars, gambling, and drinking, while giving people shifty looks, talking smack about the American, some macho grandstanding, and some short, brutal, fight scenes, which Leto performs satisfactorily, without ever seeming as if he is a dangerous person. I think it’s because he has this wide eyed innocent look, (he is exceptionally pretty), that works against what he’s trying to portray. He really needs to work on looking more shifty eyed, unless of course, that was the point of his character.
It’s not a bad movie, but it’s not a spectacular one either. I liked the visuals, but I like the visuals of any movie set in Japan, so that’s a very low bar. There’s nothing in it that stands out in particular, beyond the mood, and setting, and this one White guy, that the other characters keep saying doesn’t belong where he is. If you’ve got some time to spend on a Saturday evening, with nothing much to do, and you don’t mind watching Jared Leto, and some Japanese imagery, for 90 minutes or so, then it’s an engaging enough film, but if you choose not to watch it, don’t beat yourself up over that decision, too much.
Travels With My Dad
I have a pretty close relationship to my Mom, so I’m always fascinated by other peoples real life, adult, relationships with their parents. I actually really liked this show. It wasn’t recommended to me by Netflix, but eventually it would have, because I like travel shows, and I enjoyed watching the show, An Idiot Abroad.
Jack Whitehall is a British comedian that I know nothing about. I’ve never seen any of his performances, so I came into this completely clear of any expectations beyond the show’s premise. The show is about him taking his dad,Michael, along with him on a world tour. The two of them do some father/son bonding, and have some mildly amusing adventures, as Jack attempts to connect with his dad. I would say his objective is successful, and occasionally deeply amusing, as his dad is not the kind of man who minces words, makes it clear the things he will, and will not do, while still having a sense of whimsy, and being game enough to try new things.
In fact, I really loved the show, and I’m not sure what this says about me other than I’m older than Jack or American or a woman or something, but I kinda identified with Michael for most of the show. Like his dad, I was often exasperated at Jack’s attitudes about things. When they first get to somewhere in SE Asia, Jack wants to stay at a hostel, but Michael is having none of that shit, and I don’t blame him. I wouldn’t either. I would not travel halfway around the world, to live in a small room,with a bunch of strange White people, who look none too clean, or trustworthy. (Also, I have a phobia about falling asleep in the presence of White people, because apparently, I’ve watched far too many bad comedies.) Like Jack’s dad, I’m gonna stay at a nice hotel, like a civilized human being. If I’m gonna be robbed, I want that shit done James Bond style, with class.
Michael and Jack visit a temple, and a house of dolls. Or is it the same thing? The idea behind the dollhouse is that people have these very realistic dolls made, that are supposed to House the souls of actual children. Well, they get a doll, and Michael carries this little doll around, for the rest of the show. The point is that you’re supposed to treat the doll like an actual child. I thought this was both creepy and cute. Jack just thought it was creepy. Michael named the doll, carried him openly everywhere, and doted on it, just like he was supposed to, but eventually lost the doll, when he gave it to another little boy to hold,when he went on a sort of train ride. That’s something you really have to see because it’s not actually a train, and is a deeply inefficient form of travel, that Michael absolutely hated.
But it was a very fun show. I adored Jack’s parents. His mom has got a bit of salt in her too, which I liked. Michael would call her every evening, and they’d talk about what he’d done that day, and she would give him no nonsense advice on things to say and do with Jack. If you’ve got parents, (especially if you’re their primary caregiver), you should probably watch this show with them. I didn’t watch this with my mom, but I’m thinking about it.
Top 10 LGBT Superheroes (done)
In honor of June which is also Pride month! I haven’t mentioned that much this month but I have a couple more articles about it, coming soon.
I would’ve loved if one of my favorite characters had been added to this list. Daken, Wolverine’s son. He’s such a mystery that I can see why he might not have been added. Is he a hero, a villain, an anti-hero? Don’t know! Is he actually queer, or just something he does to manipulate people with no feeling behind it? At any rate, I think he should probably be acknowledged.
I approve of the addition of Wonder Woman, Constantine, and America Chavez, though!
Here, have some trailers! I thought these looked really good. I was already on the hook to see some of these movies and shows, but a couple of them got me really interested in seeing something that was not necessarily on my radar. There are a couple that I’m cautiously excited about, but I’m going to approach them with an open mind.
Luke Cage Season 2
So Alfre Woodard appears to be tearing it up, in a season which is focusing a lot more on women. Misty Knight and Colleen Wing are kicking ass, and then there’s Bushmaster. I don’t know a whole lot about Bushmaster (as he wasn’t in any of the Luke Cage books I read), so he will be something of a surprise for me, but I am really excited for this season.
From the interviews I’ve seen, Cheo Hodari Coker knows Ryan Coogler, and the two of them tend to work parallel to each other. This show wasn’t slacking in its representation of women of color last season, but the influence of Black Panther can be seen in how it allows the Black women to be heroes and villains, rather than merely eye candy. So, despite the presence of Danny Rand, (who I’m still not feeling too good about), I’m really looking forward to this season.
Spiderman: Into the Spiderverse
This is one of the funniest Marvel trailers I’ve seen in awhile. I’m really liking this, although it took me a minute to wrap my head around the animation, as I was expecting something a little more traditional. But I’m glad to see Spider- Gwen, and an adult Peter Parker. I think I posted this trailer here before, too, which shows my enthusiasm for this movie.
I’m a big fan of Peter Parker, (and I was one of the people who lobbied that he should be Asian in the new movie), but I’m also in love with Miles Morales, too, who is from the Ultimate Spiderman line of comic books.
I am so much in love with this trailer and with Winnie the Pooh. The adventures of Pooh, and his friends, were one of the primary literary staples of my girlhood. I remember my Mom used to read the adventure books to me, and we watched the cartoons on TV. I loved Pooh so much, I think I’m the reason that my youngest brother, (I was 3 when he was born), is named after him, (and if you can picture a 6 ft. tall, muscular, forty something, Black firefighter, named Pooh…)
This trailer got me all up in my feels, and I have no shame in admitting that I plan to see this, multiple times, if possible.
The Girl in the Spider’s Web
I really enjoyed the original trilogy of Lisbeth Salander, and I’m excited for this new movie. I probably still won’t read the book though, although I did read the first two. I like this new actor, although it’s hard to top the original.
I’m not sure what I feel about this new version. I did like the Rob Zombie movies okay (the second less than the first). Apparently, this movie picks up exactly where the first movie left off, and Michael isn’t actually Laurie’s brother, and she has a granddaughter who thinks she’s insane, and all the other movies will be ignored, (with Carpenter’s blessing). But it looks pretty good, and I like Laurie’s “Born Again Hard” attitude, and gun.
I had no idea there was a whole damn mythology behind The Predator movies, (even though I’ve seen all of them, and only been impressed by maybe a couple of them). I read a couple of the comic books, and watched the movies, and I really enjoyed both, but apparently made no effort to put all this shit together. The Predators even have a special name, that I’ve never heard of! The first trailer didnt make me especially enthused about the movie, but I am highly enthused now that I’ve watched the mythology video, and seen this new trailer, which looks fucking awesome. (Yeah, if I’m cussing, I’m very excited.)
The Yautja (Predators Explained)
While Bumblebee is one of my favorite Transformers characters, I’m not especially enthused about this movie for two reasons. The first is because the very first shot in this trailer is of a White woman’s ass, and I am thoroughly sick and damn tired of looking at White women’s asses (any women’s asses really) in movies, unless its actually a four legged animal. The second is because it is a Transformers movie.
A couple of things in its favor is that there is a different director attached to this movie, and it’s about Bumblebee, and he’s a bit more kid oriented. Unfortunately, it does look like the same plot as the first Transformer film, and I even though I liked that film, I really don’t want to pay for the same movie twice.
Created by Manuel and Geiszel Godo
It’s 2018, and unfortunately, nerd culture is as insufferable as it’s ever been. Despite white male protagonists dominating mainstream media for decades, there is still a very loud portion of “fans” who can’t handle change. In the wake of recent news about Kelly Marie Tran’s decision to delete her Instagram, it’s time we all come […]
This episode is about one of the more mysterious characters we have seen skirting the edges of the narrative, Akecheta, and his tribe Ghost Nation. This lends some insight into the tribes creation and motivation ,and their connection, from the beginning to Maeve’s story.
I thought Akane No Mai was going to be my favorite episodes of the season, but I think this episode has overtaken that one as being my most favorite..
A lot of people have reviewed this episode, broadly considered to be one of the most beautiful episodes aired this season. Rather than review it myself, I’m going to leave these here.
Note some major points: The word Kiksuya means : Remember. The episode is subtitled, with Akecheta speaking the Lakota Sioux language. Akecheta’s entire story is being told to Maeve through her daughter. The Deathbringer is none other than Dolores. (What if it turns out that Dolores is the villain of this series?)
For the first time, Akecheta gets to tell his story, relating his life’s journey to Maeve’s (still unnamed, I think?) daughter as William lies bleeding out on the dirt nearby. It’s a wonderfully focused hour that builds to an actual conclusion—and while I’m not sure we learn much here that we didn’t already know or suspect, it’s still emotionally satisfying to spend this much time with a single character, getting to see how they came to be and what drives them.
All told, it’s a little languid and could have lost 10 minutes without too much trouble. (There are a lot of gigantic landscape shots, which eventually grew repetitive.) But “Kiksuya” has the visceral emotion that the series often lacks, and McClarnon is a terrific leading man. This is probably my favorite episode of the season so far, which I would not have expected going in.
*In the episode, Akecheta ‘s story parallels Maeve’s story. When he comes to his realization that the world he lives in is false, he stages his own death (as she did), and when he wakes up underground, takes a tour of of the facility, and finds his way to the cold storage room, where he finds all the family and friends he remembered had simply gone missing, and been replaced with new and unknown faces.
The scene where Akecheta returns to the world above, and tells his friend’s mother that he saw her son in the underworld, (a son who has since been replaced with a man she knows is not him), and gives her a lock of his hair, is very probably the one of the most tearful moments in the entire series.
But Westworld is also, clearly, making a bit of incisive commentary on a character like Dolores assuming she’s either the first or most important child of Ford when, all along, the Native cultures were making their way towards enlightenment. This explains why, in Season 1, a young member of Ghost Nation dropped a carving of one of the Delos employees in the dusty streets of Sweetwater. This tribe has long known what was up.
But the show also reaches much further back, to ancient myths about lost loves and the land of the dead. Fans of Greek mythology might recognize shades of Orpheus and Eurydice—the story of the legendary musician who traveled to the Underworld to find his dead bride and try to bring her back to the land of the living. Akecheta and Kohana travel that same path. But as you might expect, there’s a reflection of that very same myth in Native culture. An Algonquin legend, “The Spirit Bride,” tells an almost identical story. “The Worm Pipe” tells a similar tale, but with a happier ending than either Orpheus or Akecheta manage to find.
The title of the episode, Kiksuya, means “Remember” in Lakota. In fact, nearly the entire episode is going to be about the back story of the Ghost Nation, with much of the episode containing subtitles. Yes, much of the episode will be spoken in Lakota. If you recall, the subtitles in Episode 3 showed Hector speaking Lakota to the Ghost Nation natives.
When Ghost Nation were introduced in the first season, they were faceless villains, made up in white and black paint (marked with bloody handprints), targets for hosts and guests alike to fight off. They were the backbone of Lee Sizemore’s gross, rejected new narrative centered on cannibalism, a garish attempt to jack up the stakes in a park already centered around murder and assault. In Season 2, there have been hints that they’re not the villains they appear to be.
It took one of its most underutilized cast members, placed him at the center of a storyline that directly addressed the series’ sci-fi conceit but combined it with real mythmaking power and then let him run. The warrior Akecheta may not save Ghost Nation and its many human captives, but he just might have saved this show.
Oh wow, I’m really late with this one, although not too late since the season hasn’t ended yet. I really should have begun this earlier, because there is a lot of ground to cover, and as is usual with this show, if you miss an episode, you’re up shit creek as far as understanding what’s going on, or what happened before. The plot does not slow down here. As the season moves forward the plot becomes more dense, the betrayals and alliances fly fast and furious, and of course, the action is literally kickin’! We’re gonna have to do this the old fashioned way: via character list.
Since the first episode, Sunny (whose actual name is indeed Sunshine) has been at pains to save Henry, since Henry became sick. It turns out that Henry is a baby Dark One. In his quest to save Henry from dying from his Dark Chi, Sunny teams up with Bajie, takes over a refugee camp, gets kidnapped by cannibals, and finally confronted by Nathaniel Moon, and finally reunited with the River King.
As usual, many of Sunny’s current problems spring from all the past shit he did as a Clipper, but there’s also a new wrinkle. Sunny happens to be a Dark One, only his abilities are latent. Sunny is a catalyst instead, capable of awakening the abilities of others. Should this information become public, and others find out he can create Dark Ones (possibly even control them), Sunny will become even more valuable to all the major Powers of the Badlands.
Bajie is one of those people who knows everybody, and everybody’s everybody. The Widow used to be a former pupil of his, and one of his former masters from the abbey is a witch who can cure Henry’s illness. He and Sunny find their way to this woman. She manages to cure Henry’s fever, but she is also the person who figures out that it was Sunny who caused the flareup because its hereditary.
Bajie is disappointed to think the signal he sent out, in first season, got no response, but the witch says it did. It attracted Pilgrim. And guess what? Bajie seems to know him too. So, at some point he and Pilgrim will be reunited.
Nathaniel Moon tracks Sunny to the lair of the cannibals, where he gets taken prisoner, as well. In exchange for saving his life from the cannibals, Moon decides to spare Sunny’s life. Also, Moon is an honorable man, who does not wish to make Henry an orphan.
The writers have learned at least a few lessons from the past seasons. They have given Moon a backstory, and although he does questionable things (most of the people in the Badlands do questionable things), he manages to maintain his honor, and occasionally make some good choices, but I suspect sooner or later, just like Tilda and Waldo, he will grow disillusioned with The Widow, and leave her.
He also has a sordid past with Lydia, who had an affair with him, when he was Quinn’s Clipper. I like this relationship and hope they get together because their chemistry is unmistakable.
The Widow’s war with Baron Chau continues, and its hard to say who is winning. They both use innocent lives to manipulate each other into action, so I can’t even say who is the better person. The Widow is still one of my favorite characters but I still got problems with her methods.
After Pilgrim floods her poppy fields with pamphlets, stealing away half her Cogs, she decides to get out in front of the problem, and goes to see him. Subsequently, she and Pilgrim reach an accord. He doesn’t steal away any more of her workers, and she will take his side against anyone who attacks him.and there won’t be any need for violence between them,
Lydia has been appointed to be the Widow’s governor, taking over the poppy plantation, where she used to live. It turns out that she and Nathaniel Moon used to be lovers, and their reunion was …how do you say? “Fraught with tension!” Like I said, the twists, turns and connections on this show fly fast and furious, and you have got to pay close attention, or you’ll miss some new, and relevant, development.
When we last saw MK he was zonked on opium, and without his powers, but the opium caused some type pf revelation, and he now believes that it was Sunny who killed his mother. I’m inclined to believe this is a delusion on his part, except Sunny has met more than a few people he’s wronged in his time as a Clipper, so why not MK.
During MK’s mission to find and kill Sunny, he’s shot by Gaius Chau’s crew, and found by Pilgrim. Pilgrim knows what he is, and wants him to stay and work for him, as a kind of enforcer, since one of his enforcers is in the final stages of being a Dark One burnout, and he needs a replacement. I’m not sure where this is going, but I’m pretty sure this won’t end with MK killing Sunny. They are set to be reunited, and I’m sure there’s gonna be some kung fu fightin’, but I think that will be the extent of it.
Tilda and her mother have reconciled, (sort of), and she is now a kind of liaison, between the war refugees and her mother, helping to run the camp set up in a corner of the Widow’s district, by Lydia. Over the course of the season, this camp has been attacked by everyone in the Badlands, mostly in an attempt to steal the refugees and get them involved in the war. Tilda makes this deal, with her mother, to protect them.
After her people are attacked by Pilgrim, Juliet Chau realizes she cannot fight a war on two fronts, and sends in her nuclear option, her brother, Gaius Chau, who she suborns into working for her, by threatening his friends. She and her brother have a history where he tried to be a nice guy, but his sister took over his position as head of the family because she was utterly ruthless. They were feuding, but she imprisoned her brother, after he tried to stage a coup. Needless to say, Juliet is a few rungs down the ladder of villainy than Minerva, as she seems to actually believe in, and support, the slavery of the Cogs.
She sends her brother out to find, and assassinate Pilgrim.
I’m not sure I like this version of the “dragon lady” stereotype, but I do like this character, who is every bit The Widow’s equal. Perhaps if the show had more Asian women in it, to offset her depiction, that might be better.
Fomented a rebellion against his sister when she became the head of hte clan. And guess who was at the bottom of this rebellion. A very young Minerva, of course! She seems to have ties to everyone in the Badlands.
We’ve already seen The Widow’s reunion with Bajie, last season, which did not go well, but after Gaius’ assassination attempt of Pilgrim is unsuccessful, he finds his way to the refugee camp led by Tilda, where he and Nathaniel team up to protect it from Baron Chau, after which he is reunited with The Widow, and now works for her.
Can I just say how happy I am to see Lewis Tan in this show.
Pilgrim and his entourage, which include the two Dark Ones, Nix and Castor, (and now MK), have taken up residence in an abandoned castle/museum on an islet. Pilgrim certainly seems to be educated from somewhere as he knows a lot about the artifacts in the museum, and has been heard quoting The Hagakure: The Book of the Samurai.
Pilgrim is turning into one of the top power players in the Badlands, mostly because he is able to offer hope and stability, from the war, to the Cogs who flock to his banner. He’s certainly becoming someone who needs to be gotten rid of for becoming a hindrance, or parlayed with, instead. The Widow decides to make a deal (which she will renege on, at the first opportunity, of course). Baron Chau decides that getting rid of him is her best bet, and sends Gaius to do it.
Pilgrim and Cressida are engaged in some mysterious construction activities. Its kind of confusing because a lot of the people in the Badlands refer to Azra as a place that is gone, a place that exists now, a place that will exist in the future, or sometimes, a person. At any rate, actual mystical abilities (magic) have been introduced to the mythology of the Badlands, as Cressida actually is a seer, and keeps seeing Sunny’s Clipper hash-marks in her visions, which is convenient becasue Sunny is on his way to Pilgrim’s place, in the last episode.
This season consists of sixteen episodes this time, so we’re about half through. Of course, by the end of the season, every individual situation will have changed, and I hope they all survive to the next season.
Describing a problem isn’t an explanation
I wanted to put this here because one of my favorite entertainers, Anthony Bourdain, has committed suicide at the age of 61. Suicides of celebrities always strike me very hard. (I’m still not over Robin Williams death, and its been over two years.)
The actress, Olivia Munn had words for Asia Argento, her close friend and Bourdain’s girlfriend, and I feel like so much of what she said is spot on. Suicide is not about wanting to die. Its about being in so much pain, that you just want it to end, and most of the time it is a hormonal thing, that’s beyond your control. You are going to need help. (The trouble is recognizing that.)
When I was younger, I suffered from great bouts of depression, and was sometimes suicidal, but there was a small part of me that realized I didn’t actually want to die. I just wanted the pain and despair to end, and I was able to recognize that I needed help. I haven’t had such a bout in many, many, years, but that has not stopped me from identifying with those who are going through it.
I really like Asia Argento, as much as I liked Bourdain, and my heart goes out to her. He doesn’t need my prayers, because his pain is over, but he has left plenty of pain behind, and I feel for her, and the rest of his family.
“For those who don’t understand depression, when someone is in that place it’s not because they want to die,” the 37-year-old wrote. “It’s because the ongoing relentless darkness is too painful to endure anymore.”
If you or someone you know needs help, please call the National Suicide Prevention Lifeline at 1-800-273-TALK (8255).
This has definitely caught me in my feels this week as I learned that Kelly Marie Tran was, very possibly, driven from the only social media site she has engaged with, Instagram, since being cast as Rose Tico in the latest Star Wars film. She received so much racist and sexist hate, that she deleted all her posts, and shut down her page. I’m saddened by this, because I was really enjoying following her actor’s journey on Tumblr, and she seemed incredibly happy to be a part of the franchise. Joining the Star Wars franchise, as a principle player, was supposed to be a happy, and momentous, occasion for her, and a bunch of assholes spoiled it! She seemed like such a positive person, so bubbly, and pleasant,and she just wanted to share some of her happiness. I was interested in her journey to stardom, and planned to follow her career.
So how did a breakout role in an incredibly influential film end in fear and self-censorship? For anyone who’s been following recent trends within the Star Wars fandom, this outcome would actually be fairly predictable; in fact, given the racism, misogyny, and general toxicity that’s built up around the franchise, it’s impressive that Tran was able to last this long. Like so many other assholes, bigoted Star Wars fans have recently become emboldened, emerging from the chrysalises of racist Reddit threads as ubiquitous, bullshit-spouting butterflies.
And now, like Leslie Jones, and Daisy Ridley before her, she’s decided she has simply had enough of the constant racist abuse, and the Star Wars fandom is just too toxic for her. This is what “fandom “has come to, people harassing and abusing the creators of the content they claim to love. This goes against the very definition of what “fandom” is.
Fandom is a subculture composed of fans characterized by a feeling of empathy and camaraderie with others who share a common interest. Fans typically are interested in even minor details of the object(s) of their fandom and spend a significant portion of their time and energy involved with their interest, often as a part of a social network with particular practices (a fandom); this is what differentiates “fannish” (fandom-affiliated) fans from those with only a casual interest.
This isn’t just about criticizing Star Wars, or disliking her character. No matter how much certain media sites try to play it down by mentioning that other Star Wars actors have been harassed out of acting altogether (Jake Lloyd, Hayden Christensen ), they must acknowledge that her harassment included the triple vectors of racism, sexism, and fat shaming. This wasn’t about calling her being a bad actress and is the the exact same thing that happened to Leslie Jones for daring to appear in a movie.
And no, this isn’t just the Star Wars fandom. This is a much larger issue than Kelly Marie Tran and its about time the mainstream media looked closely at it. Every type of fandom has this same toxic element within, from books (check out the Goodreads bullies from the early 2000’s, and the SadPuppy Brigade in Science fiction), movies (Leslie Jones’ retreat from Twitter, and the attempted tanking of Black Panther on Rotten Tomatoes), games (see Gamergate, and the term “Swatting”, which has already cost the life of one man), and television (see the racist harassment of Candace Patton of The Flash, the erasure of characters of color, in media in which they are the primary characters, like Teen Wolf, and there was The Rick and Morty Schezuan Sauce Debacle last year).
The common denominator of all this toxicity is primarily straight, White, and male. White male geeks are showing their whole ass, in every sphere of geekdom, as they always have, but now this news has finally made its way into mainstream media, which has long ignored what goes on in fandom circles. How did things go so terribly wrong? Did this happen because being a geek has gone mainstream and attracted unsavory elements? Was geekdom always like this? And if not, what caused the behavior change? People are thinking about this now because this is a larger issue beyond Kelly Marie Tran, and The Guardian pulls no punches when it comes to naming exactly what this issue is:
These males – and it is males – feel they have ownership over a piece of entertainment: that geekdom is their safe space, theirs alone, and the newfound mass popularity of the genre is bringing a lot of casuals into their hitherto predominantly straight, white, male dojo. Diversity isn’t what some of them want. Which is bizarre, considering the benefits of diversity are what quite a lot of sci-fi is actually about. But it’s not what these people believe they paid for, and therefore see themselves of having part-ownership of. The sense of entitlement is staggering.
I can’t even say its just White fanboys who are responsible because there is just as significant a contingent of White women, who are as toxic, “misogynoiristic”, racist, and delusional in their fandom, as the White fanboys, who insist that these creations are ruining their childhoods, by being inclusive of gender and race. For example, check out the ‘shipping behavior surrounding Reylo, JohnLock, and Destiel.
White female fans have attacked Candace Patton, the women of the MCU, the actress wives of the stars of Supernatural and Sherlock. Why? Because they believe these real life women stand in the way of their OTP (One true pairing.) These are the same women who think they’re being progressive because they ‘ship two White male characters, while ignoring the half dozen actually canon, gay characters of color, in movies like Moonlight, and TV shows like Teen Wolf, and Shadowhunters.
Female fans were so incensed at the character, Sharon, from Captain America: The Winter Soldier, that they harassed, and attacked the actress, and started a Twitter campaign insisting that Captain America have a boyfriend. (Never mind that Steve Rogers has NEVER even been hinted at as being gay, anywhere in the comics, or the MCU.) (For the record, I’m not against gay characters. I don’t want canon straight characters being changed to gay in the source material, although I will headcanon them as gay in fanfiction. I would prefer creating media with actual gay characters, of which there are plenty, that I’d love to see in movies.)
White male fanboys have even attacked Star Trek, for having too much diversity, and social justice messages! They claim that is not what they’ve watched the show for and I have to question whether they’ve EVER watched the show, because diversity, and social issues was the entire foundation around which the franchise was created. What the Hell have they been watching?!!!
I’ve tried to figure why these fandoms have become more toxic, and there are several articles that point to things like, the anonymity of the internet, and the feelings of entitlement that fans may have towards the source material, the actors, and characters. All of that is true, but those are just a couple of elements in the toxic stew that so many fandoms have become.
Not all toxic fandom has a racial component, because those fandoms without a significant portion of marginalized members can be just as toxic as the ones that do. But it cannot be denied that when there’s a significant number of PoC, and women, in the source material, there’s also a definite racial component to the backlash. I fear this will only get worse, as people who were previously marginalized as creators, actors, and fans, keep making significant inroads into Pop culture. I see that I’m going to have to pull out Samuel R. Delany’s essay again:
As long as there are only one, two, or a handful of us, however, I presume in a field such as science fiction, where many of its writers come out of the liberal-Jewish tradition, prejudice will most likely remain a slight force—until, say, black writers start to number thirteen, fifteen, twenty percent of the total. At that point, where the competition might be perceived as having some economic heft, chances are we will have as much racism and prejudice here as in any other field. ——Samuel R. Delaney
And I believe that this is what’s happening here. White fanboys are having a full on meltdown, as the Pop culture they use to claim entirely for themselves, has begun broadening its fanbase, by appealing to women and minorities. Not only that, but a significant portion of fandom has been infiltrated by people who are not actually fans at all. The loose coalition of the Alt-Right, and White Nationalists, for example, who see all this as yet another opportunity to harass women, and PoC, are simply jumping on the bandwagon.
And yes, I think this behavior in fandom is directly tied to the behavior of White men behaving badly in the rest of the culture, from mass shootings, to car attacks, to violent marches. They have caused controversy in every field, including the fields of History, and Science, as they attempt to change historical, and scientific narratives to fit their White racial agenda. There is an all out attack on every part of American culture.
But I generally believe there is more racism in fandom, not because there are more racists in fandom, but because there are more races in fandom. Not because the business of entertainment cares so much about these groups, but because we have all been exceptionally clear about letting them know we will no longer be giving them our money for products that refuse to include us, (and they’ve also seen they can make serious bank by appealing to us, i.e. Black Panther, The Fast and The Furious, Star Wars.) Even some White fans have claimed to be tired of only seeing White men onscreen, and have been clamoring for more diversity.
She begins by explaining that racism has become a bigger issue in fandom lately, partly because people of color are becoming more powerful as creators in the publishing industry. And that means the backlash is going to be stronger.
But ultimately, it doesn’t matter how many temper tantrums, and meltdowns White men have, though. Once “fans” start reacting this badly, they’ve already lost whatever war they think they are a part of. The business of entertainment has made so much money from appealing to people like me, that I don’t think they have any plans to go back to the way things once were, of only appealing to the demographic of: White men ages 18-35. (There’s also the side effect of fans and creators watching this behavior, and doubling down in their fight against racism, homophobia, and sexism, as they don’t want to be associated with such rabid behavior.)
It seems I wasn’t the only person who felt some type of way about what happened to Kelly. A lot of people came out in support of her, including her co-stars and the director.
*And yeah, I’m not leaving White women out of this either. There are a ton of white women writing fanfiction, and meta essays, that seek to erase, and diminish, characters of color from their own narratives.
When it comes to WoC in fandom:
If you’ve been involved in the dedicated fandoms of comics, science fiction, and fantasy as a black woman for any length of time you’ve undoubtedly had to face a degree of racism and sexism that such tweets are rooted in. It doesn’t matter if you’re an actress or a journalist, a screenwriter or a director, the price of visibility for black women in geek properties feels too high.
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