Things I’ve Been Watching

The Mist (TV Pilot)

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I’ve only seen the first episode of this, but I’m unimpressed. I think my expectations were a bit high for this show, as it’s nothing like the movie. For one thing, the characters are either bland or unlikable. The characters who come closest to being liked is a young person of indeterminate gender designation, and the tough Mom, of the series.

There’s a mother, dad, and daughter grouping in the movie. The dad is the permissive, easy-going sort, while Mom is a woman of strong opinions and convictions. She gets fired from her job at school for sticking to her principles, and NOT teaching abstinence to her students. I can respect that, even if the local parent’s group can’t. She also forbids her 17-year-old daughter from going to the local  teen party. Dad gives his daughter permission to sneak out to the party, where she gets roofied/raped by the local football star she has a crush on. I saw that coming a mile away, as he just looked untrustworthy to me. He claims he didn’t do it, but her father reports him to the police, and the family gets harassed by the townspeople. The situation is complicated because there is also the possibility that he didn’t.

 

There’s the story line of a young military man, who wakes up in the forest, with no memory of how he got there, just as the mist rolls into town. He heads into town to warn the populace about the mist, only to be arrested by the police. I can definitely say I absolutely DID NOT appreciate watching this Black man get roughed up by the police, just for not answering their questions.  And no, it’s not okay just because that same cop gets eaten by bugs soon afterwards. Just before the dysfunctional nuclear family is about to leave town, the mist shows up, cutting off all escape.

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There are several stories mixed up in this. Various people get trapped in at least three different locations during the mist’s siege of the town. Mom and daughter are trapped at the local mall; Dad, the sheriff, the military guy, and the non-gender designated young person, get trapped in the jail. There’s also a thoroughly unlikable woman who threatens, and insult the non-gendered teen. This woman, who has no connection to anyone else in the plot, was seemingly added just to make me furious with her, and hope she’d quickly be eaten by something. She is so reprehensible, that I seriously considered turning this shit off, and just going to bed, but I put up with crap like that in order to bring you, my loyal readers, the quality snark I feel you deserve.

Oh yeah, there’s also some  people trapped in a church with Frances Conroy, who you can tell is gonna go batshit, in about two episodes, or less.

So basically, this first episode is all set up for the tensions that will reach a boil during the mist’s invasion of the town, which is not unlike the movie I guess. Mom and daughter are trapped in the mall with the parents who got her fired, and who believe her daughter is lying about being raped. The football hero perpetrator is also trapped there. The a-gendered teen is trapped at the police station with a father who refuses to speak to him because he won’t act like a son, and an abusive inmate. And Frances Conroy’s husband gets killed by something in the mist.

The main difference between the show and the movie is that there aren’t really giant monsters in the mist. I had the impression that people are being killed by either a singular malevolent entity, or their own fears and weaknesses, or possibly both. While that’s an interesting idea that’s much easier to sustain for  an entire season, I was still hoping to see giant monsters. Maybe those show up later.

 

Blood Drive:

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If you like this type of over the top excessiveness, then go for it. I ain’t judging. The plot of this seems to involve people being forced to race each other, by some type of post apocalyptic tyrant, who has nevertheless found a way to wear too much Maybelline. The contestants lives are forfeit if they stop for any reason, up to, and including, running out of gas, which prompts some of them to cannibalize their  opponents, (and partners) and use them for fuel.

I am not a fan of excessive pulp. I was cautiously excited about this show from the trailers, and was willing to give it a try, but some things are just too far over the top even for my tastes, which even some others would consider excessive. I think it’s because so much of this particular genre is spectacle, solely for the sake of spectacle, without rhyme, or reason, to any of it. If it’s a crazy image, the creators will throw it in, no matter if it breaks, or creates  characters, or subverts an already established plot, and Blood Drive appears to be no different.

Somewhere, someone is having a grand old-time watching this show. That person is not me. I don’t think I’m the correct audience for this. At every level of creation, the show looks tasteless, cheap, and ugly. The characters, world-building, costumes, and even the plot, is just ugly. I couldn’t sit through more than half of it. By the time we reached the point where the two main protagonists appear to be having sex in a moving vehicle, I had had enough, and turned it off. I would rather hate-watch The Strain.

Blood Drive gets a resounding NOPE!

 

Dr. Strange: 

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Yeah, I know I talked shit about this movie but I didn’t spend money to specifically see this movie, and it was on Netflix, so I thought I’d give it a try. It wasn’t a bad film, and I also don’t feel too bad about the whitewashing angle, for reasons having to do with the plot. Let’s just say, I was pissed off that the Ancient One was not Asian, but I would have been equally pissed off if an Asian woman had been cast. So, spoilers ahead.

The movie is the basic origin story type stuff, except now starring an actual asshole, as an asshole who doesn’t actually get to be a better person by the end of the movie, which is rather different. Strange is a first class shit at the beginning of the movie, and although the story, and the actor try really hard to make him a sympathetic character, I didn’t buy it. I liked every character but him. He’s just a full-time douche. I still didn’t like him even after he cleverly saved the world, but I do admit that may have more to do with the actor than the character.

Tilda Swinton plays The Ancient One, pretty much the way she plays all of her more soft-spoken characters. I generally dismiss her because, like most white actresses in Hollywood, she is thoroughly clueless on issues race and/or whitewashing. I’m also less than secretly  glad that they didn’t choose an Asian Woman to portray this character because 1.) She dies at the end; 2.)she dies to further another character’s manpain; 3.) she turned out to be a huge hypocrite.

So, there’s this alternate world called The Dark Dimension, which naturally means its evil, but basically, she’s been warning her students against having anything to do with this dimension for centuries. Hannibal…I mean, Kaecilius (which sounds like a nasty bacterial infection) is in contact with the being who rules that dimension and he gets drummed out of the corp. This Dark  Being wants to “try to take over the world” and is just lying in wait for someone to invite him to the cookout, which is what Kaecilius does.

Dr. Strange loses the use of his fine surgical dexterity after a horrible car accident. Do not watch this scene if you have car accident terror, because it’s unnecessarily graphic. He decides to travel the world searching for a cure to his neurological problem, and winds up in Kamar -Taj, where he meets the Ancient One, who teaches him how to be a sorcerer, and her eldest assistant, Baron Mordo. (I do not remember this guy from the comic books, and I should, because he is in them. I’m hoping Baron is his actual name, in the  way that some Black people name their sons Prince, or King.)

For the record, The Ancient One doesn’t actually choose Strange as her successor. See, what happened was…all the other sorcerers of the great houses of the Landsraad…I mean the other sorcery nexi, get murdered by Kaecilius. Strange, Wong, and Mordo are the only ones left alive. So he gets to be a master of Sorcery through a combination of. hubris and default.

Those two, and Strange, spend the bulk of the  movie fighting Kaecilius and his minions. Baron Karl Mordo is played by Chewitel Ejiofor, and Wong is played by a man who is, conveniently, named Benedict Wong.

I liked Wong a lot, although there were some unnecessary scenes of Wong being played for a fool by Strange, that I did not care for. The Ancient One turns out to be, while not exactly a bad guy, her betrayal of the Baron’s trust does lead to him being a villain. So really, the movie isn’t  nice to any of the PoC that star in it.

The break-out character is  Strange’s Cloak of Levitation, a semi-sentient magical object that adopts Strange as a Master. This isn’t like in the books where its the Eye of Agamotto that’s sentient. Why they switched it in the movie is anyone’s guess.

So overall, not a bad movie. It’s got some great eye candy, the magic looks really cool and worldbendy, and except for some serious eyeball rolling moments, I didn’t hate it. If you can get pass watching two hours of Benegeserrit Cucumbersnatch, then the movie isn’t a complete waste. On the other hand, if you had no intention of ever watching this movie, you ain’t missed nothing!

 

The Accountant:

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I had no intention of seeing this movie. It was on HBO last weekend and I  was not doing anything in particular that needed my eyeballs, so I ended up watching this movie. I’m not a Ben Affleck fan, but I liked him in this movie, and it was surprisingly good.

Here he plays an assassin who has autism. His father began teaching him how to kill people, as a child, in an attempt to make him more independent, and he became exceedingly good at it. He comes across some corruption at a tech company and feels like he has to protect the young woman he was working with on that case, when she’s targeted by another assassin. The other assassin turns out to be his estranged brother, and I found that particular drama  intriguing.

I initially though the movie was a ripoff of the Bourne Trilogy, but it turned out to be nothing like that, with more heart, and more depth than any of the Bourne sequels. I liked the relationship that developed between Affleck and his co-star, which she thinks is supposed to develop into romance, but he is not particularly interested in her interest. It’s a romance that never develops, even though he likes her, and I thought that was a refreshing change.

The movie kept upending my expectations, and Affleck comes across as a smoothly competent killer. The movie also doesn’t end in car chases, explosions, or dramatic surprises, but in a quiet conversation between two brothers, who have some shit to hash out between them, before they could move on, and I  liked that. I would recommend watching this on some quiet Sunday evening.

 

Alien Covenant: 

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Oh, my gob! This movie was bleak, bleak, and even more importantly, it was bleak. It was even bleaker than the very first Alien movie, if you can believe that. I mean, basically, everybody dies. Well, rather say, that any humans that  were walking around at any point during this film, ain’t walking around by the end of it. If you liked the first Alien movie, then you will like this one, as it is effective at scaring the shit out of you, even when you sort of know what’s going to happen. I mean, Ive watched the first Alien movie multiple times, and I still get scared.

Oh, did I forget to mention that this movie also stars Michael Fassbender, and get this…another Michael Fassbender. So it’s like getting two Fassbenders, for the admission price of only one of them, (even though I spent no money to watch this movie.) Did I mention that I love Michael Fassbender. I feel like I may have mentioned that in some earlier post, or something. If not, then let me reiterate..I love Michael Fassbender who, I am absolutely certain, is a total dick in real life. (If he is, don’t tell me. )

I would talk about the plot, but really that’s all there is to it. Somebody’s gon’ die! and people do stupid shit, to help facilitate their deaths, just like in the first movie, Prometheus. Things like, taking their helmets off just because they can breathe the atmosphere, running towards danger, or wandering off alone, or trusting strange androids.

Not to go off on a tangent, but why do people on strange new worlds always take off their helmets as soon as they learn the atmosphere is breathable? Have they never heard of airborne pathogens? Which is exactly what happens in the case of one of the characters, when he steps on a plant, that releases spores, that go into his ears. His demise is suitably horrible.

Later, the two Fassbenders, David, from the first movie, and some new guy named Walter,  get into a fight, as Walter tries to protect the remaining humans. I would have preferred some loincloth mud-wrestling, but that probably would not have been in keeping with the mood of the film, which is, well…kinda bleak.

 

Suicide Squad:

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Apparently, I’m one of five people on Earth who enjoyed this movie. Its been airing on HBO recently and I’ve watched it multiple times. I think the main reason I enjoy it is because I’m a Will Smith fan and will watch movies with him that I normally wouldn’t pay attention to. Not that the movie isn’t flawed, annoying, and occasionally stupid,  it’s just those moments were not enough to detract from what I was enjoying about it, which is namely Will Smith, and Viola Davis, in an anti-superhero movie together.

I could go through and list everything wrong with this movie, because it’s got a lot of problems, but IT’S WILL SMITH!!!! I love Will Smith!!! Will Smith makes every movie worth looking at, just by being in it. Plus, he’s with Viola Davis, and they actually get to exchange words in the movie, rather than pretending the other doesn’t exist.

Okay, I did like the other characters, too. In fact, my only reasons for liking the movie, was some of the characters, and the action scenes. I enjoyed seeing Killer Croc, onscreen for the first time, and Diablo turned out to be a huge favorite of mine, but then, I’m a fan of seeing Incan Fire Gods in movies, so yeah, his scenes were both hot, and cool.  Outside of Deadshot, I got really attached to Harley Quinn, who I enjoy in the comic books, and the nascent friendship I saw developing between the two of them. I’m here for a Deadshot/Harley Quinn team-up movie, as long as Amanda Waller can be in it. Viola Davis perfectly captured the idea of the Amanda (The Wall) Waller that I had in my head, as the only human on Earth, who can get away with dressing down the Batman.

The plot was deeply, (and I do mean deeply), fucking stupid though, and I have no idea what the villain’s motivation was, or how she actually hoped to accomplish her goals. Yeah, some of the characters were totally undeveloped, like Katana, or just straight up hateable,  like Captain Boomerang, and The Joker. But the movie was pleasant eye candy for its two-hour running time. It’s not a good movie, but I found it mostly inoffensive, unlike some people who found the movie deeply offensive to their intelligence. I can say that part of the reason I’m okay with the movie is because I went into it expecting nothing more than to be distracted for a while, and the movie accomplished that goal. The trailer looked like fun, and that’s what the movie delivered.

Its okay if you haven’t seen this movie, you can rectify the problem of not having enough Will Smith in your life, by watching…Concussion!

 

Note:

I’m still watching stuff because new shows keep being released. Next week I should have a review of the new season of Cleverman, now airing on the Sundance Channel, and the second season of Preacher, on AMC, which looks like a lot of fun, so far.

American Gods Season One: Git Gone

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This episode is all about Laura and it’s a pretty good episode. I enjoyed it. I initially thought it would be rather boring because I wasn’t particularly interested in Laura Moon. I’m still not a huge fan but I like and understand her a little bit more. In the book, Laura has no backstory. We hardly know anything about her other than Shadow loves her, and she cheated on him with his best friend. So kudos to Bryan Fuller for fleshing her out for the show, and making her as richly complicated as any female character I’ve ever seen, on TV.

I don’t want to get into diagnostic behavior but Laura shows all of the Classic signs of clinical depression. She’s low energy, she’s got no hobbies, she’s bored, sad, and at one point tries to commit suicide in her hot tub,using a bug spray called Git Gone. She’s looking for meaning. She’s looking to believe in something. Depression is often signified not so much by not wanting to do something, so much as just not caring about what you’re doing.  Much of the decision making on Laura’s part arises out of boredom, and apathy, and I understood that.

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Laura at the Casino

She works in what some people consider the most exciting place on Earth; Las Vegas, as a dealer in a cheesy, Egyptian themed casino. For Laura,  it’s just any other old job until Shadow walks in, and tries to scam money from her Blackjack table. Like Wednesday, Shadow lived his life conning people out of their money. She warns him against that, and  afterwards, he approaches her in the parking lot,  to thank her. She takes him home with her, they have sex, and begin a relationship. One of the clues I had for Laura’s sense of apathy is she goads Shadow into being rough with her. This means she’s looking for excitement. For something to break up the endless tedium of her life. She takes home a stranger she knows is a criminal, so perhaps she was hoping he would kill her.

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Rob and Shadow

Over the four years they’re together, Shadow meets her friends, a couple named Robbie and Audrey, and they become Shadow’s friends too. Robbie offers him a job at his gym, and Shadow is happy. Shadow, as it stands in the narrative right now, has no backstory. As far as we can tell, he’s all alone. His mother is dead (or so he believes) and he doesn’t seem to come from anywhere, and appeared to be going no where in particular,when he met Laura. Laura becomes his home, and he cares deeply, not just about her, but the idea of her. He idealizes her and she is perfect in his eyes. Shadow isn’t just in love with Laura, he’s in love with being in love, as he really doesn’t know a whole lot about her. In other words, he BELIEVES in Laura, even after he finds out about her infidelity. I think this is what allowed the coin to resurrect her.

The first time Laura approaches Shadow, with the idea that she is unhappy, he doesn’t understand. He simply took it for granted that she was happy because he was happy with their life. She tries to explain that she is depressed but she can’t articulate this to him. She  tells him that it’s not him, but I don’t think Laura fully understands what she’s experiencing either. She knows she’s supposed to be happy, but she isn’t. And she wants to be.  So when we catch her asking Shadow to bring home bug spray, we know her depression is in full force again.

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Instead of suicide, she decides that criminal enterprise is the way to make her life exciting this time. She comes up with what she thinks is a full proof plan for robbing the casino. Shadow initially balks at this (We can see where his reaction to Wednesday robbing a bank comes from. That he ultimately goes along with Wednesday’s plan, proves that Shadow hasn’t learned his lesson, or he actually really trusts him. Pick one!) but he goes along with Laura because he thinks it will make her happy.

It all goes horribly wrong.

Shadow ends up in prison, where Laura says she will wait for him. She does wait, and tells her friends she’s waiting, but Laura is still bored and depressed. One way to alleviate her boredom, if not the actual depression, is to fuck her best friend’s husband. So she begins an affair with Robbie. She keeps saying she wants to break it off but keeps sleeping with him anyway. it the only thing she has to alleviate her ennui.

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All of this is carefully watched over by Hugnin and Munin, Wednesday’s ravens. They’re present at every stage of Shadow and Laura’s relationship; at the barbecue where Shadow meets Robbie, they’re watching from the roof; when Shadow goes off to work they’re watching from the street lamps; when Laura and Robbie have their fatal accident, the birds are following their vehicle. Which means Wednesday didn’t just meet Shadow by chance. He’s known about him for a very long time, although whether or not he caused the car accident is still uncertain. I do wonder if Wednesday had something to do with the heist that went wrong, that landed Shadow in prison, to be conveniently watched over by a man named Low Key (Loki) Liesmith. 

Because Laura believed in nothing, but worked in a casino dedicated to Egyptian gods, it’s  Anubis who comes to retrieve her when she’s dead. She refuses to cooperate with him, she doesn’t want her heart weighed. She wants to be sent back home,  but he tells her she will go into darkness instead. She asks if there will be peace but he doesn’t say, and before he can make her climb into the representative hot tub, in which she tried so often to kill herself, she gets snapped back to Earth when Shadow drops his lucky coin on her grave.

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Laura kicks ass.

Laura crawls out of her grave and is understandably mystified by her return. She sees a beacon of light in the distance and follows it until she comes upon Shadow hanging from the tree, surrounded by his assailants. So it’s Laura who was Shadow’s mystery savior. She discovers she is incredibly fast and strong as she easily bludgeons Shadow’s attackers, then  jumps into the air, and pulls him down. She does lose her arm, though. Unable to face Shadow in her bloody state she eventually finds her way to Audrey’s home.

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I’m still not entirely certain exactly what Laura felt for Shadow. Audrey claims she treated Shadow like a pet, but Laura insists that even if she didn’t love Shadow before, she certainly loves him now, and that appears to be the case. Laura finally BELIEVES in something. In someone. Like she’d always been searching for when she was alive. And remember, in this world,  it’s all about belief. This makes me wonder how her belief in Shadow will express itself in his life. Because all it takes is for just one person to be thoroughly convinced that Shadow is special.

Audrey is freaked out to discover a dead woman, in her house, walking and talking. I love the relationship between these two. They say exactly the kinds of things you expect two such people to say, and are fairly blunt about it. Audrey handles the situation like a boss. I still don’t like her for trying to rape Shadow, but she’s not actually evil. Like Laura, she’s complicated, and so is their relationship.

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Laura and Audrey on a road trip.

Laura convinces Audrey to take her on a road trip but that is interrupted by Anubis and Mr. Ibis. The two of them run a funeral home and they take Laura there and patch up her decaying body, reattaching her arm and giving her a lifelike glow. One of my favorite moments was Anubis low key dragging Laura, while he fixes her up. She gives him the side-eye because shes not sure if he’s being funny. He also says he’ll be there to collect her when her task is over.

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Laura waits for Shadow.

Shadows presence in the world appears to Laura like a beam of sunlight moving in the distance and she is compelled to follow it. I think it’s hilarious that Shadow looks like his name to her. A “Shadow Moon” is basically another term for eclipse, and that’s what he looks like to her, a shadow that’s surrounded by beams of light. Laura eventually makes it to Shadow’s motel room. One of my favorite images is Laura’s point of view of Shadow walking towards her, his light getting brighter and brighter, outlining him in a yellow corona, as he steps into his motel room.

The Mist Vs. Nightworld: Writing the Supernatural Apocalypse II

I just recently listened to the audiobook versions of these two stories, and was as  struck by the similarities,  as much as the dissimilarities. Suffice to say, if you’re going to write a Kaiju Style Apocalypse, for maximum terror, these are the things you’re gonna need to include: monsters, death, intrepid survivors, and some human villains.

Nightworld, written by F. Paul Wilson, waaay back in 1992, (it was heavily revised in 2001) ,  was the conclusion to a seven book series that started with The Keep, and starred Wilson’s original character, Repairman Jack, (who is sort of like Jack Reacher, only he fights the supernatural.)

In Nightworld, the entire world is beset by  monsters who have emerged from sinkholes that circle the globe. This invasion is the precursor to the rise of an of Anti-God, named Rasolom, and Hell on Earth, as the sun begins rising later every day, and setting earlier every evening. Worldwide. (To someone with even the most basic understanding of Astronomy, that’s already pretty terrifying.) The endgame is an endless nighttime, where the various monsters, that are  allergic to sunlight, can roam, and eat, freely.

In The Mist, a novella written by Stephen King, and first published in 1980, in the anthology titled Dark Forces, the world is overcome by a dense fog, in which all manner of different  monsters live. It is theorized, by the characters, that scientists accidentally opened a portal to another universe, that flooded into Earth.

First, something naturally unnatural has to occur, in the sky or in the earth, like the sun setting at the wrong time everyday, fogs, mists,  tsunamis, or giant holes opening up in the ground. The precursor to all hell breaking loose (literally), for these characters, is if the natural environment has suddenly gone horribly awry.

Second, you are going to  need monsters, and not just Leviathans. You’re gonna need a variety of sizes to induce maximum terror. After all, you might be able to fight off,  or avoid, the big ones, (I say “might”) but smaller monsters can creep into human hiding places, and cause general havoc, as well as sleeplessness.This is what makes these books different from a Kaiju story. They’re more like Kaiju-Adjacent.

You must have gruesome deaths. Some of these gruesome deaths must involve the use of some kind of acid that dissolves its victims alive. In Nightworld, there is a thoroughly disgusting collection of acidic  critters that fly around eating people’s faces. In The Mist there are giant spiders with acidic webbing, as if the idea of giant spiders isn’t  quite terrifying enough,I guess.

Some of your monsters must have wings. It doesn’t particularly matter what type of wings, as long as the creatures can fly. In Nightworld they have insect wings. In The Mist bat wings seem to be the preferred method of flight.

At least some of your monsters must have tentacles. Nightworld fulfills this requirement admirably, by having lots (and lots) of creatures with tentacles, grabbing people and pulling them into small apertures. The Mist has giant tentacles just sitting outside a grocery story, not even attached to anything, apparently. They’re certainly not attached to anything aquatic as grocery stores are normally on land. The Mist pours some extra gravy on its tentacular horrors by giving them tiny mouths.

At least one of the monsters encountered has to be so fantastical, that it defies belief , like The Mist’s Leviathan, or the creature that decides to take up most of the Atlantic Ocean in Nightworld.

Speaking of giant monsters, they have to come from somewhere, and out of giant holes, whether under the ocean,  or out of the ground, as in Nightworld, are the perfect portals for entry. You must have portals. What?! Them monsters gotta get here somehow.

Okay, once you’ve got your monsters sorted into their various sizes, along with where they’re visiting  from, and their transportation, you then have to lay out who it is they’ll be eating. You must have an intrepid group of people, whose job it is to be eaten, trapped, survive, or defeat the monsters.

Intrepid – fearless, unafraid, undaunted, unflinching, unshrinking, bold, daring, gallant, audacious, adventurous, heroic, dynamic, spirited, indomitable;

I’m not sure if The Mist qualifies in that department, as the people in that story seem scared shitless, throughout the entire ordeal. Nevertheless, since all the other criteria are met, we’ll refer to them as intrepid anyway. After all, they do some brave things,  like fighting the giant spiders, and arguing with the crazy religious lady. The characters from Nightworld are actually described as brave and fearless in the book. In fact, one of the characters has a speech about it, and they all engage in some boldness, some daring, and  even some indomitable behavior.

Your intrepid group of people must consist of, at least one straight, honest, stand-up, White guy. It is a requirement that he be both honest, and White, and no substitutes will be made. He must be the kind of White guy who is strong and bold, but also compassionate, idealistic, and willing to protect the little guy. He must be able to clearly articulate why things need doing, and convey those beliefs to the other characters.

In other words, you need Captain James Tiberius Kirk.

Nightworld fulfills this quota with two…count’em!, two stand-up White guys. Although,  I feel the writer is clearly overdoing it, by having one of them be a former priest, and the other an ancient swordsman.

In accordance with the James Kirk Axiom, you will them need a pretty  blond  White woman. A redhead or possibly auburn haired woman can be used in a pinch, but she must be heterosexual, and conventionally pretty. No arm fat, tattoos, arthritis, or nervous diseases need apply. Not even allergies. She must be in perfect physical health and form, and above all else, she must remain un-traumatized by any of the preceding events attending the end of the world, like watching her family and friends be eaten.

And for Gob’s sake, no women of color! Apparently women of color, (and any women with tattoos) all get eaten first…or something. Whatever is happening though,  they never seem to make it to the being intrepid  part of the story.

There must be at least one child, preferably a boy, but a young girl will suffice. They can be White, but it is not a hard and fast rule, as it is not  required that they be genetically related to either the White man, or White woman. Sometimes it can just be some kid one of them picked up somewhere. Extra points if the child is an orphan who  just witnessed their family be eaten by the monsters, for maximum trauma. How else are you going to convey to the reader how dangerous the world  is, without the help of crying, screaming children. Also, you can always fill up some time by having the child be in extra special danger, by having them wander off alone, or be autistic, or something.

Nightworld is interesting in that there is a perfectly healthy and un-traumatized child in the story, which is turned on its head, by having the child become autistic, when he helps save the world.

Surrounding this trio are what I like to call the intrepid, but disposable people. They are the  literary equivalent of non-playable characters. Don’t get too attached to them, these characters could be eaten at any second. They should consist of at least one (if not more) men of color, preferably Black or Latino.  You can break the rules and have there be at least one  woman of color in the story, but they can’t have any lines of dialogue, unless its exclamations like “Look out!”, or “Aaaaaahhhh!” Any exposition should be left to any extra White men, that you have added,  preferably a teacher, or a scientist. Nightworld has a priest, who knows what’s happening, and can explain it to those characters who are out of the loop. David Drayton, from The Mist, is an illustrator, which kind of changes things up a bit, but he is still the narrator.

Nightworld is not a good template for casting your characters because all of its major characters are White. (People of color probably didn’t exist when it was written. I have it on good authority, that we weren’t invented, in Horror literature, until about 1999. Well, Stephen King had discovered us, but we had to be magical to get in his stories.) There should be no more than ten of these non-essential characters. More than ten and the reader will  lose track of who they should be terrified is going to die next.

And last, but not least, you must have at least one asshole. No story about the end of the world is complete without at least one human being, who is trying to kill off the other human beings, and  that you wish would hurry up and be eaten by something. By anything.

The Mist is exemplary in that it has two…Count ’em! Two assholes. Norton, the asshole neighbor of David Drayton, and Ms. Carmody, the asshole religious townie. Norton fulfills the role of the asshole who wants desperately to be in charge, but no one will listen to him, who becomes increasingly unhinged. He eventually dies by skipping out into the mist to feed himself to the monsters.

Ms Carmody fulfills the role of the asshole, who is already thoroughly unhinged, before the story even begins, and the intrepid people are now trapped with her crazy ass, and the other scared  people start thinking that human sacrifice makes sense.

Nightworld  fulfills this requirement, in exemplary fashion, by also having multiple assholes in the script. In the unrevised edition of the story, (from before 2001), it was the husband of one of the intrepid people. In the newly improved book, its some random bad guys from  previous books, who mostly don’t come into contact with our intrepid gang.

And finally, the ending can’t be all wishy-washy. (We’re looking at you Steve!) In The Mist, there really isn’t much of an end to the story. We don’t know if David Drayton and his friends ever get out of it, or how long it lasts. (Thankfully the movie corrects this problem, which is all I have to say, in that the movie definitely has an end.) Nightworld correctly follows the rules, by having the good guys win, at the last possible second. You know the rules. Disaster is only averted when the countdown reaches one.

Now my people, go forth, and kill your darlings.

Gruesomely!

 

 

 

 

 

 

 

 

 

 

Favorite Movies of My Life Pt. 3 (1991-2000)

Oh wow! From here on out its getting increasing difficult to choose one movie. When you’ve watched as many movies as I have, at my age you have a helluva lot of favorites, so this is like picking those desert island movies, (the movies that you would most like to have if you were stranded on a desert island.)

I did have to cheat a few times and choose two:

1991: Terminator 2/Addams Family

Beauty and the Beast was also released this year, so I had a really hard time choosing just one movie. Why is this so hard? I love movies. I find at least one thing to like about even the worse movies, so this is just making it extra difficult, when the movies have fewer flaws to latch onto.

I chose Terminator 2 though, because it was the movie that had the most emotional effect on me. America had just come out of the “Cold War” with Russia, in the 80s, when I had to (real quick) deal with my own existential angst, coupled with the idea of nuclear annihilation. I had a lot of sleepless nights as a teen. That was a very rough period, and watching that movie reawakened all my worst anxieties, especially the scenes of nuclear devastation. I was near tears just at the opening credits, and my anxiety issues almost caused me to walk out.

I have since calmed down about this movie, and can appreciate it for what it is. I still can’t watch the bomb blast scenes, but that hasn’t stopped  the movie from being most excellent, in all other regards, and I’m gonna have to review it someday because the plot and themes still resonate. Also, I have tremendous respect for James Cameron, who managed to tear it up, with some of the best sequels, (to already great movies), ever made.

I chose the Addam’s Family solely for nostalgic reasons. I just love this movie, and never get tired of its humor. I watched the TV show as a child and it was alright. I liked it okay, but the movie built on it in ways that just shone. The acting and actors are, quite simply, perfect. Raul Julia as Gomez simply can’t be topped. And I’ve been in love with Angelica Huston ever since. When I first saw this movie I didn’t even know who she was. Now, whenever I think of her, I think of Morticia. And of course  Wednesday Addams was my personal avatar. If I can be said to have a life philosophy, then Wednesday gave voice to a lot of it. She was smart, practical, snarky, and tolerated no nonsense, often saying the type of  things I actually manged to get away with saying to people, when I was a child,  without getting my ass thoroughly kicked. Incidentally, check out the video series Adult Wednesday Addams. It perfectly captures what she’d be like as a grown woman, and is absolutely hilarious!

The animated version of Beauty and the Beast gets a special mention. Yes, I am also a Disney fan, especially the  years before CGI, and if I had to pick just one Disney film, it would have to be Beauty and the Beast. Its just gorgeous, Howard Ashman’s music was at its best, and I loved all the songs. I know every word of Be Our Guest, and still get chills listening to it today. Why that song resonates with me I can’t even guess! But in every Disney film there’s at least one.

 

1992: Bram Stoker’s Dracula/Reservoir Dogs

I was in Art school when I went to see this movie with some friends. Dracula is another of Cuppola’s  masterpieces. It’s another one of those movies where, when you walk out of the theater, you have to take a moment to readjust to reality. Despite the dodgy acting of its younger stars which has not held up well, the movie itself is one long,  lush, beautiful dream sequence, that doesn’t even need dialogue. This is one of those movies I appreciate, not for reasons of nostalgia, but for solely artistic reasons, and this was one of the first movies I really appreciated as such. I saw it twice in the theater and have watched it multiple times since. Everything, the details, the colors, even the camerawork, has meaning, and I never get tired of watching it.

Reservoir Dogs I saw a couple of years after its release and it was the first Tarantino movie I’d ever seen. It’s one of those movies where you have to ask yourself who that is, and then follow them for the rest of your life, or their career. Despite Tarantino’s many controversies, I have never been disappointed by one of his movies. Even when I didn’t particularly care for a movie, it was still worth looking at. Another reason I like him is because he has managed to singlehandely revive the careers of actors that Hollywood had long forgotten. I would love him just for giving us back Pam Grier, who I grew up listening to my mother rave about. In fact my mother loves Grier so much that she is a total stan for Jackie Brown. I can’t get her to even look at any other of Tarantino’s movies, but Jackie Brown is always on replay. I love Tarantino because he made my Mom redsicover her love for Pam Grier.

 

1993: The Piano

Okay, now I’m reacting to the artistry of the movie. The Piano is one of my all time favorite films, looking incongruous next to movies like The Addams Family, but really it fits right in. Since I’ve been trained as a visual artist; the camerawork, costumes, colors, details, are what attract me to certain movies.  With The Piano though, I really started to pay  close attention to the music in a film.

Music has always been a huge part of my life, (I have moments, milestones, everything), but this was the first time I’d been as engrossed in the sound of a movie, as I was its visuals.  I was haunted by this movie. I thought about it for days afterward. I was moody, examining it, my feelings about it, and puzzling over its meaning. The mood of it simply wouldn’t leave me, and in a lot of ways it still hasn’t left. It’s not a movie I watch often, but when I do, I have to be prepared for several days of thoughtful melancholy afterwards.

Jurassic Park gets a shoutout because I am a total dinosaur fan, and you have not lived until you’ve seen a full grown woman act like  a damn fool in a movie theater, at the sight of one of the most realistic looking T-Rex’s every created for the silverscreen. Does it make me a bi-sexual, if I’ve fallen in live with a female dinosaur?

True Romance: Quentin Tarantino didn’t direct his movie but he wrote much of its dialogue, and it shows, most especially in the scene between Christopher Walken and Dennis Hopper. In the Sicilian scene, Walken stars as an old school Mob boss trying to torture information out of Hopper on his son’s whereabouts. This scene is right up there with that classic meeting between DeNiro and Pacino in Heat, and is very possibly  one of Hopper’s finest scenes.

 

1994: The Crow

I know I should probably pick something the critics loved like Pulp Fiction or The Shawshank Redemption which were also released this year, but nope. This year belongs to The Crow.

I had just left college around this time, I was working, and had a little bit of disposable income. So you know what I did with that extra money? That’s right! Go to lots of movies. I don’t even remember seeing the other two films in the theater, but I went to see The Crow 3 times, dragging all my friends along each time. I’ve seen this movie lots of times since, then, and read the book a few times, too. Yes, I still miss Brandon. I still feel hurt over the career this beautiful man could have had.

 

1995: Seven

The alternative to this movie was Toy Story. I enjoyed TS a lot but I wasn’t really into it like that, until Jessie’s song, When She Loved Me. Til then, I just thought it was cute.When I started crying in the second movie,  I knew that shit was serious. But I’m not picking that one. I’m picking Seven because:

This was the first time I’d ever heard of David Fincher. I wasn’t expecting too much from this movie when I first saw it. I was ready to dismiss it as one of those dark detective type movies, only with extra Morgan Freeman, whose movie career I’d been following, since he played Fast Black in Street Smart. But Seven turned out to be excellent, and upended any expectations I had about the plot. Oddly, my favorite scene isnt the ending, but the scene where Morgan Freeman’s character (Detective William Somerset) goes to do some research at the libray, and banters with the guards. The music playing during that scene is Bach’s Air on the G String. I’ve watched this dozens of times since its initial release, but the best way to watch it is with Fincher’s commentary on the DVD.

This year also saw the release of one of the most intelligent vampire movies I’ve ever seen,  Abel Ferrara’s The Addiction, starring Christopher Walken and Lily Taylor, about a college student who has an existential crisis after she gets bitten by a vampire on the streets of NY. I watched this movie three or four times just trying to follow the conversations in this movie, because gobdammit, this movie is not smarter than me! Except maybe it is. Or maybe its just a bunch of pretentious drivel.

This is one of those movies where you have to pay attention when you’re watching it. No eating popcorn, or chatting with your friends. As a result, this movie was much more successful on video then it was in the theater. And  since this is a Ferrara movie, it doesn’t skimp on the gore, either. There’s a fairly graphic scene, towards the end of the movie, where an entire college faculty  room gets massacred by vampires. These aren’t the most vicious vampires on screen, as they’re too emotionally detached, but that’s what makes the scene so  terrifying.

Christopher Walken also starred in The Prophecy this year, a movie about a new Angel war in Heaven and on Earth. This is also one of my favorites movies. I know people like to write off Walken as a silly actor but he’s starred in a number of very intelligent horror movies.

 

1996: Fargo

I just finished a two part analysis of this movie, and its comparison to Raising Arizona:

https://tvgeekingout.wordpress.com/2017/04/12/fargo-speaking-of-crime/

https://tvgeekingout.wordpress.com/2017/05/02/speaking-of-crime-raising-arizona-1987/

 

1997: Princess Mononoke

I had a hard time getting my niece to watch this, instead of her billionth viewing of Spirited Away, but I finally did, and it was worth it, as I used this movie as a way to hone her critical thinking skills. But rather than focus on the environmental issues in the plot she seemed to focus more on the moral issues. We had a good discussion about the morality of Lady Eboshi, the primary antagonist in this movie.

Lady Eboshi lives in a camp in the forest. She is a weapons maker, and to do this, she tears down and corrupts the forest and its creatures. The corruption is spreading to other parts of the forest not associated with what she’s doing, the forest creatures are angry and want to destroy her, including Princess Mononoke, a young woman who has been raised by wolves. Lady Eboshi also takes in “fallen women”, ex-whores looking to escape their old lives and live free of the brothels, and lepers, whom she tenderly cares for and makes sure their final days are comfortable.

My niece and I discussed the moral grayness of someone like Eboshi. What she’s doing to the forest is very obviously wrong, and she doesn’t care about that, but at the same time, she cares very much for the unfortunate people around her, so its not easy to condemn her as a villain. I think I summed it up for my niece like this: That sometimes, good people do very bad things. And sometimes, bad people do nice things. I don’t know how much of this conversation stuck with her because she was about ten at the time. She also seemed quite taken with the little white forest spirits in the movie. I had a much harder time explaining Japanese religious beliefs too her, tho’.

Most other people would probably choose Men in Black or Disney’s Hercules as this years favorite, but apparently, I like to be contrary.

1998: Dark City

Despite the release of both The Truman Show and Pleasantville, this year, for me, belongs to Dark City. Directed by David Goyer who made The Crow, and starring  Rufus Sewell, who a lot of people inexplicably hate, this is one of the smarter SciFi action movies of the nineties. Its not the characters though, its the plot. From its opening scene of a man waking up in a bathtub, to its apocalyptic ending ,the audience is taken on a compelling mystery, just like it s primary character, John Murdock. There are spiral symbols, aliens, mysterious men in black, a captivating beauty played by Jennifer Connelly, a nosy detective played by William Hurt, and a city that moves around at night. Are you intrigued now? Good!

I remember when I first saw the trailer for this movie. I was immediately captured by it. It suits my aesthetic. This movie wasn’t well received by critics, probably because you have to be patient with it. You don’t know anymore about what’s going on than John, and you find out what’s happening only when he finds out. This is one of the movies on which Roger Ebert and I fully agreed. He enjoyed this movie so much he did three separate commentaries for its DVDs.

 

1999: The Matrix

For a lot of people, this year was all about the Sixth Sense, and its twist ending, but for me, and a lot of other geeks, it was all about The Matrix. This is one of those tent-pole movies, that is not only a summation of all the hottest SciFi  film-making techniques of the twentieth century, but also one of those movies to which every  SciFi movie afterwards would be compared.  Bladerunner did it in the eighties, but the Matrix belongs in The Crow/Dark City family of films. Lots of rain! Check. Black trenchcoats! Check. Mysterious agents in black! Check.

This year also saw the release of Fight Club,  and the first part of the Lord of the Rings trilogy, and Ravenous. As much as I love David Fincher and cannibal movies, I’m not picking those because this is the movie that captured my imagination. The world I would most like to live in, despite the charms of Hobbit-town.As a OG Star Trek fan, I also enjoyed Galaxy Quest immensely.

 

2000: Crouching Tiger, Hidden Dragon

I did a review of this movie from a storytelling point of view.

https://tvgeekingout.wordpress.com/2015/05/04/fight-philosophy-101-crouching-tiger-hidden-dragon/

I’ve said before that I grew up watching Kung Fu and Wuxia movies,  so I’m well used to the tropes used in this movie. I used to work with a rather pretentious white guy who fancied himself something of a cinemaphile. He had seriously lofty taste in movies, and occasionally tried to recommend movies to me. I don’t recall liking anything he suggested but that’s not my point. When this movie was released, he heard great things about it, and checked it out. He came back to work crowing about the wonderfulness of this movie.

I had every intention of seeing the movie anyway but I simply wasn’t as impressed as he was. For him, the movie was the greatest creation since Wonder bread. For me, the movie was a very well made version of movies I’d been watching my whole life. I heard later that Chinese audiences had very much the same reaction. It was a beautiful film but really not a whole lot different than a thousand other Wuxia movies released in the 90s. It was only a new genre to him.

The year 2000 also saw the release of Pitch Black which starred Vin Diesel, who I had never heard of before ,and one of my all time favorite comedies Best in Show, by Christopher Guest. Unbreakable was also released this year and its  one of the most awesome low-key superhero movies ever created, and I’ll have more on it later.

Ooh! Stay tuned for my 2000s movie list, later this month? Next month? And with the success of American Gods, I’d better get started on  my Hannibal Season Three re-watch this Summer, and I have a really nice post on my favorite Supernatural episodes per season. I know I keep promising I’m gonna do special stuff, and these things are sitting in my queue, they just take a bit more time to write then some of my other stuff.

Slainte!

 

It Follows (2014): More Thoughts

*So here I am, with more thoughts about this movie, because I just love thinking about it, and analyzing it. Its also a good way to exercise my brain and practice writing. Hopefully this post isn’t too much of a wankfest, and when you watch the movie, maybe some of this will occur to you, too.

For my earlier review of the movie, and the meanings behind the monster, see:

https://wordpress.com/posts/my/tvgeekingout.wordpress.com?s=it+follows

I’ve wanted, for some time now, to follow that first review with several more observations of the plot and characters. A lot of the meaning gleaned from the movie is through implication, but by looking at the movie’s details, listening carefully to what the characters say, and what they, and the monster, does, you can get a clearer idea of the movie’s meaning.

This movie is not just about sexuality and STDs. That’s just a surface-level description, and the one most easily accessed by the viewer. Those  two subjects are merely the vehicles through which the meaning of the story is being imparted. The movie is actually about the existential fear of growing up, growing old, and death.

Jay:

Jay is a pretty blond girl right on the cusp of womanhood. She is presumably attending some type of community college in her city, and is entering the part of her life where she’s considering leaving home, getting married, and having kids. These are major issues for her, and I think the monster reflects these anxieties about her present and future.

In Rockwell’s famous painting, we see a young girl contemplating her oncoming womanhood. She has thrown her doll to the side (ie. put away childish things) and is considering her  future, comparing herself to the woman in the magazine.

Image result for young girl in mirror/rockwell

Mary’s pose seems “apprehensive, as if she understands that womanhood is upon her and fears that she is not quite ready,” writes art expert Karal Ann Marling in her 1997 book, Norman Rockwell.

http://www.saturdayeveningpost.com/2013/03/29/art-entertainment/norman-rockwell-girl-at-the-mirror.html

I feel that the above is an accurate statement of Jay’s mindset. Several times we see Jay looking at herself in mirrors. In the first instance, she is just using it to put on her makeup. She is playing at being an adult, copying behavior she’s seen her mother engage in many times. But Jay is very young and not as sophisticated. The reason I say playing at being a adult is becasue of Jay’s visible bra straps. A more sophisticated, and experienced woman would know to wear a bra with straps that match with her dress. We can tell from this, that Jay is still new at this whole, dating thing, and is pretending at being an older, more experienced woman.

 

The second time we see her, in the mirror, is after Hugh has passed the monster to her. Everyone believes she has been raped, although  the sex was consensual. Nevertheless, this scene evokes the type of contemplation scene we often see in movies, where a woman has undergone some radical, physical experience (such as a sexual assault) and is staring, wonderingly, at herself in a mirror.

We’re not sure exactly what Jay is thinking here, as she carefully inspects her privates, but the idea being imparted,  is that she’s genuinely a woman  now, whereas before, she was only playing at being one. In the parlance of gaming, she has had sex with an adult male, of her own free will, and so now, has leveled up.  She is no longer a child. This has nothing to do with sex, exactly, because Jay was not a virgin when she slept with Hugh, but what happened to her does represent some type of  major change in her life that she is apprehensive about. When seen in the context of the rest of the movie,  for the first time, she may be thinking of her impending death, in some nebulous future.

It Follows Mirror

 

Time:

The time period for the events in the movie have been deliberately obscured, according to the director. There is no specific year, that it occurs, as evidenced by people’s clothing, the TV shows they watch, and cars they drive. People are dressed  modern, but all of the TV  shows anyone watches are more than twenty years old. All of the movies are in black and white. The cars are all older models, except for Paul’s car which looks slightly more modern at the end of the movie. Yara’s shell reader throws a monkey wrench into everything by being futuristic. That’s an object, that’s never been invented in this world.

Its also impossible to tell what time of year it is. The weather changes from sunny, to dark and cloudy, from day to day. Its cold enough for people to wear heavy jackets and boots in the evening, but warm  enough at midday for Kelly to drink cold sodas,  and  for Jay to swim in the backyard pool. One night, its warm enough for Jay to fall asleep on top of her car wearing nothing but a t-shirt and shorts, but earlier on her date with Hugh, she wore boots and a jacket. Detroit exists above the snowline, so its not winter, but neither is it clearly Spring, or clearly Fall.

Image result for it follows/shell reader

Another thing that adds to the obscurity of the time period is that we’re not sure how long it takes for any of these events to occur. We know that the events at the end of the movie occur very close to one another, because Jay is still wearing a cast on her arm, from when she crashed Greg’s car, but for the events that happen before that, there could’ve been a few days, weeks, or even months between those. For example, we don’t know  the time period from when Jay has sex with Hugh, to the time when she retreats to Greg’s lake house, or from the beginning of the movie, to its end.

Water:

Water is Jay’s safe space. This is a message reinforced throughout the movie which begins with an image of Jay floating in her backyard pool, just before her date with Hugh, after which her life is irrevocably changed.  Just before, or just after, each encounter with It, Jay retreats, or runs to water, and there are images of her in water throughout the movie. Water represents safety and childhood. Or possibly even the womb. Jay’s mirror is surrounded by photos of her in her pool, for example, and after she witnesses Greg’s death, she drives to the woods, next to another body of water.

Just after one of her first encounters with It, Jay runs to her room, and although there’s no water there, one of the first things she says to her sister, during her panicked reaction, is that she wants some water. When the monster invades her bedroom, Jay runs away, but only as far as the neighborhood playground, which represents, yet another, retreat to childhood.

Jay spends most of the movie, not trying to pass the monster on to someone else, but running from it. And in doing that, one could argue that she is regressing to her childhood, as she doesn’t want to think about what it means to be a grownup, even though she seemed happy enough to pretend at it earlier, and when she’s in the water she doesn’t have to.  One could also think of her backyard pool as a a kind of womb, from which she feels she never has to emerge. Later in the movie, there’s a shot of the pool, broken, with all the water emptied out, a not so subtle metaphor about birth.  After that, Jay can no longer retreat to her special womb, because its  been destroyed.

Image result for it follows jay

At the end of the movie we find that It does not like water, and will not enter any water voluntarily, reinforcing the idea that Jay is safe from death, as long as she remains in it, as long as she remains a child.

Image result for it follows jay

 

The Monster – Again

At this point we need to discuss the monster again, and why it appears to Jay in the forms she sees. Its interesting to note that It pays no attention to any of the other people in Jay’s surroundings. When she’s sitting on the beach, as It approaches, It doesn’t register the presences of her friends. I suspect that It can’t see anyone but its victims. This reinforces the idea that death is a specific event, for each individual, who has to grapple with their mortality alone. When a person walks through that door to the other side, they have to walk through it alone. So it’s fitting that Jay is the only person who can see It.

Throughout the movie, her friend Yara’s only quotes from The Idiot, are about the inevitability of death.

“The most terrible part of the whole punishment is, not the bodily pain at all—but the certain knowledge that in an hour—then in ten minutes, then in half a minute, then now—this very instant—your soul must quit your body and that you will no longer be a man—and that this is certain, certain!”        -One of Yara’s quotes that she reads from Dostoevsky’s The Idiot.

Image result for it follows/on the beach

When Paul attacks It with a chair, it pauses in its attack on Jay long enough to knock Paul aside, but otherwise, acknowledges no one but Jay, and the only time we see It register the presence of someone who is not its immediate victim, is when its pursuing Jay’s neighbor Greg, to whom she passed it, at the hospital.  Jay has followed It into Greg’s  house, and the creature, in the form of Greg’s mother, is determinedly knocking on his bedroom door, when it pauses long enough to notice Jay’s presence. This moment is especially chilling because, until then, It has not noticed anyone else in the movie. It notices Jay because she is the only other person who can see it, and she’s next, when it finishes its business with Greg.

The first time it appears to Jay is in the forms of strangers, who represent concepts of adulthood, that Jay has anxieties about. Later, after its been pursuing her for some time, these forms become much more specific. The first form it appears in, that she knows, is her friend Yara, then  her sister, Kelly. It appears to her later as Greg, while its stalking him. Its unclear if the creature took Greg’s form only because she can see it, or if that’s just a projection from Jay.

After Greg is dead, It appears in the forms of the dead, her father and grandfather. Its interesting that it doesn’t appear in Greg’s form again, as you would expect Jay to have  some anxiety about Greg’s death, and for the creature to exploit that, but Greg’s death is probably too immediate to register as a subconscious anxiety.

It never appears to her in Paul’s, or her mother’s,  form. Jay has no anxieties about Paul, it seems, and worries very  little about her mother. She feels secure about the two of them, in a way that she doesn’t, about Yara and Kelly, who appear to be closer friends to each other, than they are to her.

 

Mothers:

Image result for it follows/moms

There are three mothers in the movie, and no fathers. We never see Yara’s and Paul’s parents at all.  It appears to us, first as Hugh’s mother, and then later, as Greg’s mom. It’s interesting that it never appears to Jay in the form of her own mother, but it does appear to her as her father, which has led some people to speculate about the sexual component to the creature’s transformations.  As I said, I don’t think the creature’s appearances have anything to do with sex. I think that’s just the vehicle by which it’s passed on.

There are many theories about Jay’s mother. That she is an alcoholic after her husband’s death, or that her alcoholism drove the father away, and that she is neglectful of her kids. I  disagree. I believe her husband is dead, but I don’t think that’s her fault. She does drink, and makes no secret of her drinking. The day after Jay’s assault, she is seen drinking,  with Greg’s mother, in the middle of the day. But I don’t consider her a full-fledged alcoholic. After all, she is still working and paying the bills. According to Kelly she has some job that requires her to be up at 5AM.

Jay’s mother (she has no name) does care about her daughters, and what we see as neglect, is probably just the usual parental obliviousness to what’s going on in their kid’s lives, since the movie is told from their point of view. She is at the hospital after Jay’s car accident, and at the end of the movie, we can see her giving Jay a backrub. Her full face is never shown. I think that’s meant to illustrate how teens often believe their parents to be peripheral to their lives. Or that Jay has assigned a decreased level of importance to her mother. Greg and his mother are shown as being close enough to have conversations about their neighbors, and Hugh’s mother, although she knows nothing of her son’s extracurricular activities, is warm and friendly to Jay, when they meet.

Much has been made of the fact that for Greg and Hugh, It appears in the form of their mothers. I don’t necessarily believe there is any Oedipal component to this. Their father’s aren’t present. Their mothers appear to be the primary influence on their life, so it would make sense that the creature would appear as someone that they have anxieties about. Although, I do understand why people would think the above, because both of their mothers appear to them either entirely naked, or half dressed.

Paul and Yara

Image result for it follows/paul and yara

I said earlier that we never see Paul and Yara’s parents. (Also, I think Paul and Yara are twins.) Most of their time seems to be spent in Jay’s house. I think Paul and Yara represent the past that Jay is leaving behind as she grows up. I think Paul represents childhood, and Yara represents being a child.

For example Jay and Paul are almost always having conversations about the past. The two of them never have a full discussion about the future until Paul comes up with his plan to destroy the creature. When Jay and Paul talk later, Jay makes it clear there are no hard feelings about any of Paul’s past misdeeds, but once again she and Paul reminisce about some past sexual behaviors, like finding some porn magazines, or being each other’s first kiss.

When Yara isn’t quoting death passages from The Idiot, she mostly discusses past events. She talks about how, when she was a child, she wasn’t allowed to go the Fair, without her parents permission. She mentions this while all four of them are out at night, going to the Rec Center they visited as children, and this is meant to delineate the divide between childhood and adulthood. Adults go where they want, when they want, but children always need permission. She and Kelly both take turns mentioning embarrassing events from Paul’s childhood.

The only person Jay ever discusses the future with is her sister, Kelly. One of Kelly’s first statements to her is asking if she’s going on a date later that evening. And when the two of them go out for a walk, Kelly asks Jay if she’s going to sleep with Hugh. Kelly is in a place where she also play acts at adulthood, by smoking, but she’s still mentally in a child’s place because she tries to hide that from her mother.

The Ending

At the end of the movie, all of them believe they have defeated the creature. After Paul shoots it ,it falls into the swimming pool, where Jay believed herself to be safe. Using dream-logic though, there is no body left behind in the pool, only a giant bloom of blood. Some people have theorized that this is meant to represent menstrual blood, as across many cultures, menses is the moment that represents a young girl’s final ascent to  womanhood. Jay’s journey is now complete and her existential wrestle with her mortality is over. She isn’t any safer than she was before, because death could still come for her “in any form”, but she has now made peace with that.

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I think this is  illustrated by Jay finally agreeing to have sex with Paul. During their sex scene, its raining heavily outside, but not storming;  keep in mind that water means  safety. Instead of fearing the future, she has decided to find some kind of future with Paul. The last scene, in the movie, is of  the two of them, walking down a sidewalk, hand in hand. Jay is wearing the same dress she wore on her date with Hugh, at the beginning of the movie. She’s no longer pretending at being grownup, now. Jay looks mildly apprehensive about her relationship with her childhood friend, but seems like she ‘s okay to live with her curse, as long as she has Paul by her side. And this is how most people deal with existential dread. They form relationships, they love each other, and hope, by doing so, to keep their “demons” at bay, which Jay may well have done. Far in the background, can be seen a figure, walking slowly, keeping pace with the two of them.

 

Favorite Movies of My Life Pt. 2 (1981 – 1990)

The eighties is when I did the bulk of my movie watching, so its going to get harder,  as I go,  to just choose one movie, and in some cases, some  movies are going to have to share the spotlight with others.

The eighties also saw the invention of the VCR, for wide spread home use, and my family got our first one  in 1983 or 1984. Yes, I saw more than a few of these movies with my Mom, but there’s less of a nostalgia factor involved, and more of an appreciation for good filmmaking in my choices.  This is sometimes less about which movies influenced me, and more about which ones I could appreciate as a noobie film-wonk.

At about the mid-eighties, I started babysitting my nieces and nephews, and some of my Aunts had cable. So I watched a lot of these movies on HBO, (along with lots of MTV). I watched a helluva lot of Horror movies, in the eighties too, so this list is going to contain quite a few of those. I think my Mom and I tried to see every Horror movie made between 1980 and 1988, at which time I headed off to college, and  wilder film adventures.

 

1981 – American Werewolf in London/The Howling

 

I couldn’t choose between the two hallmark werewolf movies of the 80s. At the time American Werewolf was released, it was considered the total shit, but I didn’t care because I was stuck on The Howling, and as far as I was concerned, nothing surpassed it. Until I realized what everyone was talking about. An American Werewolf in London is, indeed, a most excellent movie.

I love both movies for different reasons, though. By any measure, American Werewolf is the deeper film, with its themes of survivor’s guilt, and cultural displacement. That, along with the special effects, make it worth the hype.  The Howling is pure, grade B horror film-making, with its cheap melodrama, and mordant sense of humor, and something in my fourteen year old soul (my age when I saw it) just loved it.

1982 – Bladerunner/ The Thing

When I first saw the trailer for Bladerunner at age 12, I knew that was my movie, and we were destined to be together. Unfortunately, I didn’t get to see it until several years after its release, and only on TV. I’ve been  a Ridley Scott fan ever since. I am obviously going to have to do a review of this movie, and share my love, even if there’s nothing new to be said about it.

I distinctly remember watching this trailer on TV, and thinking I wanted to see this movie.

I could not choose between Bladerunner and what is quite possibly one of the most perfect horror movies ever made, The Thing. This is how you do a remake. I’d argue that the eighties was the decade of the great  remake. Starting in the late 70s with Invasion of the Bodysnatchers, the 80s saw the remakes of The Fly,  Scarface, The Blob, The Thing, The Little Shop of Horrors, and Cat People.

Most people looking back on this particular year, often choose E.T.  because it was the most popular. Well, I’m not an E.T. fan. I don’t care about it, have no warm feelings for it, and almost never think of it, and at twelve years old, I’d be the perfect age to love it. I didn’t.

The Thing is another movie I didn’t see at  its release. In fact, this didn’t register on my radar until several years after, when people began praising it in various magazines. I have no memory of watching the trailers for it, although I must have seen them. I really didn’t know anything about it until a few years after its release.

There was also a movie released this year called Xtro, which was one of the grossest scifi/horror mashups I’d ever seen, and  was surpassed only by another horror movie, released in 1987, called Street Trash.

1983 -The Right Stuff

I have been a total NASA stan, ever since I fell in love with Star Trek as a child, so for me this movie felt like a behind the scenes look at one of my favorite organizations. This was the first time I’d ever watched Ed Harris in anything and I totally fell in love with him, and Scott Glenn, but I was also  in love with everybody when I was fifteen, apparently.

Yeah, okay, I’m still in love with Ed Harris, solely on the basis of him starring in this movie.

1984 – The Terminator

I didn’t see this movie until 1986. I remember this so well, because at the time it was released I had longed to see it, but didn’t have any money to go to the theater. I saw it in 1986, on tape, at my neighbor’s house. I remember because our neighbors, two brothers who lived across the street from us, had just bought a new VCR, and invited our family over for movies and popcorn.

I remember their house was a total mess and I was more than a little dubious about staying, but after a while I was so engrossed in the movie, I completely forgot my surroundings. It was the first time I’d ever seen a James Cameron movie, and my introduction to Bill Paxton and Arnold Schwarzeneggar. This is another of those movies where I just wandered off, home, while slowly trying to readjust to reality.

1985 – Fright Night

See my review:

https://wordpress.com/posts/my/tvgeekingout.wordpress.com?s=fright+night

Return of the Living Dead gets an honorable mention:

https://wordpress.com/post/tvgeekingout.wordpress.com/3756

1986 – 3 Films

I could not pick just one movie for this year. Three of my top favorite films were released this year: Aliens, The Fly, and Children of a Lesser God. Each of these movies is the perfect example of its genre for this year. But, if I absolutely had to pick one of them, to watch on a desert island, or something, I’d pick Aliens, since I never get tired of watching it.

1987 – 4 Films

This is another year where too many of my favorite films were released, so I can’t pick just one of them.

I saw both Evil Dead 2, and Robocop on a double bill at the local theater. To this day, I can count this as the best spent three hours of my entire  life. Just me, some popcorn, and a quiet movie theater, all to myself.

Lost Boys is on this list because I distinctly remember gushing about this movie to one of my classmates about how the guys in the movie were so cute. So, this makes the list more out of nostalgia, than that its a great movie, although, its still pretty good, by today’s standards.

I didn’t see Near Dark until many years after its release, but I do hereby acknowledge it as one of the best, most underrated,  vampire movies of the 80s.

My review:

https://wordpress.com/posts/my/tvgeekingout.wordpress.com?s=near+dark

1988 – Akira

Dangerous Liaisons, Beetlejuice, and Young Guns, were all released this  year, but really there was no other choice for me to make. This year belongs to Akira, although I didn’t watch it until 1992, while I was in college.

Not only is it the best movie made that year, its one of my all-time favorite Anime. Its also the very first time, I’d ever seen Anime on the big screen. When I walked into that theater, I had no idea what I was in for, since my roommate refused to tell me anything about it. She just kept saying I would like it. There are a handful of movies, that have such an effect on you, that you have to seriously readjust to being back in the world, when you walk out of the theater, and end up contemplating them for months after you see them. Akira is one of these films.

Incidentally, I had a bad falling out with the roommate who introduced me to this movie, a few years later, and while I have mixed feelings about her, I have never faulted her taste in movies. Whenever she said I would like something, she was NEVER wrong. Raising Arizona, Tremors, Near Dark, Seven Samurai, and Akira are movies I probably would never have watched without her influence.

1989 – The Little Mermaid

Batman, The Abyss, and Casualties of War, were also released in 1989, but I have to pick The Little Mermaid as my favorite. Ursula’s song, Poor Unfortunate Souls, is the meanest, snarkiest shit I ‘d ever heard in a Disney film, and I absolutely love that character. Of course now I know, she was modeled after the Drag Queen, Divine.

This was one of the first Disney films that ever made me cry, and I’ve been crying at these movies ever since.

1990 – Goodfellas

Tremors and Dances with Wolves was released in 1990, and I saw all three of these movies in the theater, where they probably should first be seen. I wasn’t unaffected  by those movies, but Goodfellas is a movie made by a director, Scorcese,  who was at the top of his game at the time, and he has never made a better movie since, in my opinion.

This one of my favorite scenes in a wealth of favorite scenes. Personally, though I don’t find the “Do you think I’m funny?” scene, to be especially funny. Yeah, its iconic, but its not my favorite.

The 1990s, though,  was when I really started, not just to develop my own tastes, but began to pin down just what attracted me to certain films. I began to really think critically about what I was watching, and Why I was watching it. I began reading the opinions of others about the films I liked, and this taught me how to approach film criticism. I started to trust certain critics over others, began reading books on film theory, and audience theory, and reading the filmmakers ideas about what they were trying to accomplish.

So, as the 90s progress, you’ll start to see a change in the kinds of films I enjoy, although SciFi and Fantasy will still make up the bulk of my viewing habits.

 

 

The Walking Dead: Season 7 Review

I was waiting for the season finale to write a review for this season, as I wasn’t here for every episode. There were a few I  liked but I didn’t want to give my opinions about them until I saw how things would play out. I normally enjoy writing episode reviews but TWD, is just really not the kind of show I want to relive twice, once when I view it, and again when I write the review.  And sometimes it can take a few days to digest what was seen.

A lot has happened since the beginning of the season. I think I was still depressed and reeling after Glenn’s death because my enthusiasm for the show took a real turndown. I just wasn’t feeling it and started skipping episodes. But the interesting thing was how those earlier episodes got to play out in the finale.

From the tail end of the season, you can see how the writers maneuvered people and events, to get them into their proper places, for the finale. While this seemed pretty slow for us (we’re used to a much faster place, as regards the plots on this show), you can see how each episode set the stage for decisions that people make later in the season.

For example, although I skipped it, it turned out that we needed to visit the Saviors Sanctuary, not just to get more of Negan, but to help us understand how he  maintains control, and how that later backfires on him. It helps  us understand the drawbacks of maintaining one’s leadership skills through pain, and intimidation. These episodes help us to understand the fundamental (and subtle) differences between Rick and Negan.

Image result for twd season 7 finale

For example, having Eugene be taken into the Saviors, puts him in the  position of being able to help Sasha in a manner that only he can, in a way that having Daryl there, wouldn’t. Its only at the end of the season that we can see how these individual pieces fit together. I sort of knew this is what the writers were doing but just didn’t have the heart to watch certain episodes because I was in no mood to listen to Negan’s self aggrandizing bullshit for entire episodes.

My favorite episode for the entire season is The Cell, because we get to be introduced to King Ezekiel, Jerry, and  Shiva. The King is a ridiculously over the top character, but he did bring some much needed levity to the season. Tara visiting Oceanside, Rick’s supply run, and his meeting with  the Scavengers, Carol’s relationship with King Ezekiel, and Dwight’s punishment, all figured in the finale, as far as plot and character motivations. Not everything fits, though. There were some plot points that have yet to play out and haven’t gone anywhere yet, like Gregory’s departure.

Now that I look back on it, I have to say this season was well done, despite my upset and  misgivings during the first half, in the wake of Glenn’s death, but I understand if Glenn fans want nothing else to do with this show ever again. I was  dissatisfied with how that was handled, and then we spent the first half of the season watching Rick be bullied by Negan, and that shit was just demoralizing. On the other hand, that makes Rick’s partial victory over the Saviors, during the finale, feel that much sweeter. (Yes, I’m still upset about Glenn and wish he could’ve been there to see it. I think I’m always gonna be pissed about Glenn and Abraham.)

Rick

For the first half of the season we watched Rick lose, and lose again, and be completely beaten down by Negan’s reign of terror. He simply couldn’t catch a break. So it was especially nice when we came back after the hiatus,  to see Rick getting his mojo back. It was actually enjoyable to watch Rick swaggering into other people’s territories and negotiating with such confidence. I thought the episode with the Scavengers was especially fun, and the one where he and Michonne have a kind of honeymoon, was really sweet.

Its about time we saw Rick (and crew) get a win. For a brief moment during the finale, Negan had him down, but the moment got saved by an unexpected source. The look on Rick’s face as Negan rides up to Alexandria, with Eugene on the bullhorn, is priceless.

Another hilarious moment, is the look on Rick’s face when the Scavenger leader  asks Michonne if she minds if she sleeps with Rick when its all over. You can tell that sleeping with her never crossed Rick’s mind, and he had no idea how to think about that.

I also enjoyed the moment when, even under threat of the deaths of his entire family, he refuses to kowtow to Negan’s authority.  Good for him!

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Michonne

I think this was Michonne’s season, as she was really the heart, and soul, of the show. I credit her with being, at least, partially responsible for most of Rick’s turnaround, in the second half of the  season. At least part of that was because they kept their relationship so low key, that she was able to escape Negan’s notice.

The Scavenger leader, asking Michonne if she minded if she slept with Rick was apparently a deal she made with Negan, as a  ruse to confirm exactly what the nature of Michonne’s relationship to Rick was, as Negan wasn’t sure, and then, once confirmed, to kill her.

I feel certain that if Negan had noticed Michonne earlier, he would have killed her (which would have been the end of Rick), or taken her from him to the Sanctuary. She was able to hold onto the fire, after everyone else’s had been extinguished because, at no point, did Negan focus his attention on her.

I fully support their relationship. They’re so much better together than they are separate. They hold each other up, and anchor each other in a good way.  She lifts him up, and he anchors her in place, and I like that. Rick is the first man she has opened her heart to, after her profound depression when  the group first met her, and its been fascinating watching their relationship develop. (Rick is just about the only person she gives that smile to). I didn’t actually think it would happen, really. I thought the writers would just keep teasing us  about a relationship that would never happen, because television is notoriously chickenshit about showing interracial relationships.

Morgan

Image result for TWD season 7 finale/morgan

I know a lot of the fans were disappointed in Morgan when he was re-introduced. Once again, we get yet another Black man who has decided to be peaceful and make boneheaded decisions about not killing. First there was Tyrese, who decided he couldn’t kill, then Bob, who everyone thought was a coward, and  Father Gabriel, another coward, that no one respected, and now we get Morgan, who also doesn’t want to fight.

I wasn’t happy with Morgan’s new philosophy either, although I understood why. I still found myself yelling at my TV a lot, but what made Morgan different, is that he is actually very lethal, and he will fuck a person up. He just won’t kill them.

We saw Morgan adopt and mentor another young man while he was at the Kingdom, and then lose him to the Savior’s whimsy, and I think that just broke Morgan. I feel like maybe his philosophy of not killing was him trying to hold on to the last shreds of his sanity. Remember where he was last season before he hooked back up with Rick. He was killing anyone and everything that crossed his path, and he was pretty far gone, until he was given this philosophy to cling to, in the episode Here’s Not Here, in season six.

After the last couple of episodes, Morgan is, emotionally, right back where he was after the loss of his son, and on another killing spree. Only this time its  aimed at the Saviors. For the second time, since he rejoined Rick’s group, we watch him pick up a gun and kill. The Saviors have a knack for bringing that out in people.

Carol

Carol, like Morgan,  was also going through a crisis of conscience, after she met the Saviors. She’d removed herself from any human contact, but the Saviors bullying (the killing of Abraham and Glenn) brought her back into the fray. I think, on some level, she felt responsible for the death of Glenn. Not only did she kill a lot of the Saviors, she probably felt like she could have saved the two men, if she’d been there, rather than in hiding.

We have the coming out episode of SlayerCarol. After Daryl’s and Morgan’s visit with her, the wily and lethal version of Carol is definitely born again. I can appreciate her wanting to get away from killing people for a while, considering what it was doing to her. But, like Buffy the Vampire Slayer, killing is her main superpower, and she mostly uses it for the good of others. Unfortunately, this is the kind of world where someone like Carol finds a purpose or gets dead.

One of my favorite things this season, is watching the slow burn, between her and King Ezekiel. She told him she didn’t want any contact, with him or his people, but he kept cleverly finding ways around this rule, without being intrusive, or breaking her boundaries. He is very obviously smitten with her, but I like that he respects her right to make up her mind, about whether or not she wants a relationship with him, and seems prepared to wait as long as it takes, while occasionally reminding her  that he hasn’t lost interest. Carol has been closed off since Tobin. She and Daryl are too damaged to give each other what they need.

So, Ezekiel would be good for her.

Negan

Image result for twd season 7 finale

Negan began this season all confidence and smiles, and ended the season surprised and humbled. In this episode, he swaggered up to Alexandria, secure in the knowledge that he had the upper hand because of his deal with the Scavengers. He had Eugene’s loyalty, and thought he ‘d gotten Sasha’s too. After Sasha’s surprise, everything that could go wrong, did go wrong. Things went so wrong that even he had to  express some surprise. Michonne wasn’t killed, there was a fucking tiger eating his men, Morgan and Carol were set loose, and the Scavengers turned tail. What seemed like a sure win,  bringing  Rick to heel, turned into a  total route. Negan got his ass handed to him, probably for the first time in a very long while.

I love Jeffrey Dean Morgan, but I still think Negan talks entirely too damn much. I’m cautiously enthusiastic about his return next season.

 

Sasha:

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What can I say about Sasha? Well, she has completed the long character arc that brought her from being so closed off, when we first met her, to sacrificing herself for her family.

I’m not surprised at her death, and I’m not angry about her death, the way I was at Glenn’s. I kind of figured  she might be killed off the show because she is starring as the lead  in another show, which I consider much more important than TWD, and that’s Star Trek Discovery. I also strongly suspected she was going to die, after she explicitly told Negan that only one person needed to die, after he tried to get her to agree to killing three. I’m okay because I knew she wouldn’t be able to do both shows, her death wasn’t pointless, or even especially brutal, and actually turned the tide in Rick’s fight against Negan.

We get to see her have some lovely memories (and imaginings) of what she could have had with Abraham, as Michael Cudlitz makes a cameo. It was nice seeing him again. I consider this whole scene to be about Sasha coming to terms with her death, and mourning what could have been, vs how things turned out.

After breaking into the Sanctuary, Sasha is held prisoner. When one of the Saviors threatens to rape her, Negan kills him, and leaves his body in her cell to turn, but also leaves a weapon for her to defend herself. When Negan returns, she has dispatched the zombie, something Negan admires the Hell out of and tries to make a deal with her. Its clear he’s very taken with her, and some of my favorite moments are their scenes together. Soniqua brings her A game, and it was a delight watching her square off against him, plus she looks gorgeous in those scenes, with those large, expressive, eyes.

Knowing that he’s going to use her to harm her family, she persuades Eugene to bring her something to kill herself with. Eugene is against this, but uses his considerable skills to make a  homemade cyanide capsule for her. Negan, suspecting that Rick is up to no good, takes Sasha to Alexandria in a coffin, to tease Rick about her death. But Sasha takes her suicide pill before they reach Alexandria, and when Negan opens the casket, Sasha’s zombie attacks him at a crucial moment.

I don’t care how outraged the kids on Tumbr are, (they’re always very angry about a lot of TV shows, it seems), as far as I’m concerned, Sasha went out like a boss! I absolutely refuse to be upset about it.

 

Eugene

I know everybody was mad at Eugene for switching sides, but I’m not. I can get where he’s coming from, although he hasn’t articulated his motivations very well. I’m not even sure why people were surprised. He lied to Abraham,  Rick, and the others, when he first met them, because he desired safety. That’s always been Eugene’s primary concern from day one. I guess he figured he couldn’t be any  safer from the devil, than in the devil’s arms.

At the end of the episode, Negan has some deep suspicions about what happened to Sasha, and Eugene’s part in that. So now I’m worried for him again. Maybe being so close to the devil isn’t as safe as it seems, huh Eugene?

 

King Ezekiel and Jeffrey:

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These are two of my favorite characters. I’m surprise at how easy it was to get attached to Jerry, and really, considering the death rate on this show, I shouldn’t do that. Jerry is just a lovely, light note, in such a grim show, and and I kept muttering to myself during the entire firefight, “Please don’t kill Jerry! Please don’t kill Jerry!”

Also, I like King Ezekiel because  he’s so overdone! Who talks like that, naturally? And everyone just sort of takes it in stride when he talks like that. And c’mon! The man owns a fucking tiger! These are two of the most fun characters in the show. I would totally watch a spin-off of him, Shiva ,and Jerry, and their adventures before the founding of The Kingdom.

 

Shiva

Yeah, my girl gets in on the action during the firefight with Negan, literally jumping in, during a crucial moment. Even Negan had to stop, and marvel, for a quick second, that there’s a tiger! I know a lot of people loved that moment. Go to the 10:30 mark:

 

Well, this is my idea of a review of season seven. Let me know what you thought about it in the comments.

 

New Movie Trailers 

Well, we’ve got a new batch of trailers, for movies some of us have already decided we will, or won’t see. As per usual, the  more trailers I watch, for some movie I was highly enthusiastic about six months ago, the less I want to see it. I think trailers are specifically designed to make you hate a movie before you see it, and you should probably just keep your trailer watching to a minimum. Well, probably I should.

Except, from time to time, there is that rare trailer that makes you more excited to see the movie.

 
The Mummy:

I’m still not sure how I feel about this movie, except to say Tom is starting to look a bit worn. Apparently, this isn’t just a remake but, like the Ghostbusters, a re-imagining. Well, the special effects indeed look special, and there’s Russell Exposition, to give us the lowdown.

 
War for the Planet of the Apes:

I had no intention of seeing this movie, after all, I haven’t seen any of the previous ones. I have a friend who is really enthusiastic about this series, but I was put off by the animal abuse, in the first film. I get the point of these movies (slavery allegories don’t excite me) but I couldn’t get past the animal abuse. It bothered me for several days afterward, and I decided I wouldn’t watch any of the movies, not having finished the first one.

 
Valerian and the City of a Thousand Planets

Well, it’s still really really pretty. I love movies, but it’s both a blessing, and a curse. Sometimes, I just get tired of looking at white ppl have incredible adventures in movies.  (At such moments you gotta break out the Japanese anime, or Chinese action movies.)

 
Alien: Covenant

The more I see of this movie, the less I want the to see it. I love the Alien movies, but I have no intention of  seeing this.

 
Spiderman Homecoming

Well, this is the rare movie, that I still want to see, after having watched several trailers. I still love little Tom Holland, no matter how mad the children on Tumblr might be about him.



Deadpool 2

I may or may not see this movie. I’m a little dubious about  the humor in this scene, but the first movie had some nice, funny, surprises, so I’m still game.

Kong: Skull Island

First of all this review contains lots of spoilers. So if you haven’t seen  the movie, you know the drill.

 I had no plans to go see this movie. Not to say I wasn’t intrigued. I love giant monsters as much as the next person,  but I had a choice between Get Out, Logan, and Kong, and I had chose Logan. I’ve since seen both of those movies, thanks to friends with more money than me, who enjoy my company. I still hadn’t planned to see Kong. 

Well, Mom had other plans. She saw the trailer, and because it hit all the check marks for her entertainment, we were gonna be seeing it. 

Big guns! Check.

 Monsters! Check. 

Samuel L Jackson! Check.

I had read some  reviews, which seemed neither bad nor good, and I had the impression it would be sort of like Apocalypse Now with monsters. I was, and was not wrong.  It was very entertaining, mostly as a war movie with monsters, than a straight up monster movie. I’m a huge fan of Apocalypse Now and it’s got more than a few parallels with that movie.

Me, Mom, and two of the little tikes; my niece, The Potato and her baby sister, who we like to call Lil’ Momma, had a girls day out. I spent a not inconsiderable amount of time between amusing Lil Momma with treats, hugging her when she got scared, and being scared shitless myself. There’s a reason I don’t see too many scary movies in a theatre. I can’t turn them off, and walk out.

But it was still a helluva lot of fun too, and not exactly what I thought it would be. Most of the tropes of King Kong movies were neatly, and deliberately, subverted.There was a lot more talking but that was okay because most of it was setup for the action scenes. It’s not a very deep film. Well, it didn’t have a deep message in it,  but I think y’all should know that King Kong movies (and those Planet of the Ape films) have always had a deep meaning for Black Americans. We always found subtext in them. This movie manages to neatly set aside that subtext, which in itself ends up creating subtext. 

The year is 1974 and the US had just made the decision to pull out of Vietnam. Jacksons character is depressed and enraged by this, which informs his motivation for the rest of the movie. Hiddlestons character is set adrift and looking for adventure. Goodman’s character is considered something of a crackpot conspiracy theorist with his Hollow Earth, and Lost World beliefs. Him and his partner, played by Corey Hawkins, have been petitioning the government to fund an expedition to search for one of these lost worlds. They’re finally granted permission and have to assemble their crew. Tom Hiddleston is a bland, but brave hero, who didn’t really stand out to me, very much. Samuel Jackson plays the Colonel, for whom Kong becomes his white whale, after Kong nearly kills his entire team. Brie Larson is a photographer along for the ride. I barely know who she is, as there ain’t any white actresses, under 45, whose careers I pay any attention to. She wasn’t bad though, and the movie didn’t do with her what I was afraid it would do, which was fetishize the awesome purity of her blonde whiteness to Kong. There’s another woman in the movie. She’s Asian. She and Brie’s character don’t say so much as a hello to each other. It’s almost like they’re in separate movies. 

Kong does form an attachment to Brie’s character, but not because of her looks ,which is how the director sidesteps the subtext black people see in these movies. Kong likes her because of something she does, and he approves of. At no point do the Natives try to sacrifice her to him, and the rest of the crew don’t spend all their time rescuing her. Tom Hiddleston’s character does so, but only because he likes her, and she’s very brave. At one point he asks her to do a very dangerous thing, to save their lives, and she successfully carries it off. He’s not protecting her because he thinks of her as a delicate woman, and the only person who mentions her femininity at all, is Reilly’s character, and he sounds ridiculous, when he does. 

The writers neatly sidestep the native issues by having there be no Natives. The people on the island are the leftover crew members from a Japanese ship that crashed on the island and became trapped there. They’re fierce but not mindlessly hostile, and appear to have developed their own peaceful culture. Storms have caused a lot of crashes there, so there are a lot of shipwrecks lying about.  There’s a giant wall on the island, but it’s not there to keep Kong out, just the hostile wildlife at bay, and  it turns out his job is protecting the people.  Since the rest of Kong’s family were killed by the island wildlife, he’s seemingly adopted these trapped humans as his clan. Make no mistake, Kong is the star of this movie. He is the lead character, and the protagonist, and survives to the end.

 John C. Reilly’s character is the most fun and memorable character in the movie, and I loved him right away. I’ve found that I enjoy movies a lot more if I can attach myself to a particular character and just follow that character through the plot. His character gives a lot of exposition, but it doesn’t feel like speechifying, when he does it, which is a testament to how good Mr. Reilly is, as an actor. We see his plane crash on the island at the beginning of the movie. His Japanese opponent also crashes his plane, and the two immediately commence to fighting, but are interrupted by Kong. After that they stop and become friends. Kong just has that effect on people. Later, Reilly’s character gets a sweet and happy ending when he’s reunited with his family. He’d been trapped on the island since 1944, and acts exactly the way a person would, after having been separated from a life they missed, for nearly thirty years.

Kong’s motivations are also explained in the movie. He’s a guy who likes everything peaceful and quiet, because when the military expedition starts dropping bombs on the landscape, to track the islands depth, he becomes enraged, and makes short work of all of the helicopters. They were disturbing the peace. So what’s funny is that all of the usual Kong tropes are in this movie but under completely different contexts, with Kong fighting helicopters, or wrapped in chains, or rescuing the blonde damsel. You can tell the writers gave it some thought, playing with our expectations, and knowledge of other Kong movies. The end result of all this is you end up rooting for Kong, as the hero of this movie, rather than the human characters.

Kong is set up as the protector of the island (and possibly the world) from some dinosaur-like creatures, that come out of the Hollow Earth, having been awakened by the bombings. There’s some little ones, and one giant one, with skull-like heads, full of teeth, slithering around on two legs. They’re fast, powerful, and will eat anything, even Kong. He spends a not inconsiderable amount of time fighting these nasty fuckers all over the landscape. He spends a lot of the movie fighting something. At one point he fights a giant octopus, and then eats it. 

There are other monstrous creatures on the island. Some pterosaur like creatures, that like to gang up on a person and carry them off, like in the Riddick movie called Pitch Black. There’s a giant spider naturally, and also what we hilariously figured out was a giant walking stick, and just about as bright. The Potato and I guessed this because it looked like a cross between Groot, and a small Ent, from Lord of the Rings. It scared the shit outta my Mom, when she saw it, even though it’s harmless.  My favorites were the house sized Water Buffalo, because I thought they were dumb but  cute, and more importantly, non- hostile. 

Brie’s  character wins Kongs fondness, when he finds her trying to save one of the big dumb brutes, who is  trapped under a helicopter wing, and he helps her out. He likes her because she was trying to save one of the creatures he has decided to protect, and even allows her to get close enough to touch his face. It’s  telling that his closeness to her never directly endangers him. On the other hand, her proximity to Kong, puts her in danger from the skull dinosaurs. Later, she saves his life, by standing between him and a bullet from the colonel’s gun, after Kong has been hobbled, by being set on fire with napalm. The military is the bad guys in this movie, and Kong kills them indiscriminately. So if you feel some kind of way about the military, you might want to  skip this movie. They’re not totally evil, but they’re not the heroes.
During a significant portion of the movie, everyone has to ride upriver in a hastily thrown together plane/boat combo, and that, and the helicopter intro when they arrive at the island, is what lends it that Apocalypse Now feeling. But I liked the movie a lot and didn’t mind the parallels. I was expecting at some point to be insulted or offended by something in the movie, but the writers were careful to sidestep all the major issues that my Mom and I usually have with Kong movies. Unfortunately, that also took away any depth. That’s okay. The movie makes  up for this lack with a great deal of spectacle. 

Now, I have since seen Godzilla Resurgence, and I heard rumors that both of these movies were being setup for a future sequel,  where Kong and Godzilla would be fighting each other. If that’s true you could watch the setup in this movie, where Kong is being put forth as a good guy protector to the Japanese people, or whatever group of people survive to the sequel. The Kong in this movie is said to be an adolescent who hasn’t reached his full height, and like Godzilla, he’s already as tall as an office building. So the reason Kong looks bigger than ever is because of this future plan for a franchise, of some kind. In Godzilla Resurgence, Godzilla is definitely a bad monster who, sort of randomly, destroys parts of Japan, for no fucking reason. I’ll be reviewing that movie later this Summer. But keep in mind, if these two characters meet, there will be blood.

After a certain age, I stopped watching Godzilla movies, but I did enjoy the remakes, and I liked this movie okay. I’m not sure I’ll enjoy a sequel where these two characters fight, although after watching  the fight scenes in Kong, I anticipate that Kong will win.

Stuff I’m Watching

Okay, I though I posted this already, but apparently not, since I can’t find it in my published file. So here we go again, maybe!

The Ghost Brothers (TV)

 

Its a TV show about three guys who all had paranormal experiences as children, and decided as adults that they would like to investigate the existence of ghosts. The second season of this show airs April 15th. In the meantime the first season is available for streaming on TLC. I’m already addicted.

Its  a pretty good show. One of the reasons I’ve always hated ghost hunting shows is I get  exasperated with  White guys running around in the dark, shaking their cameras, and yelling at the ghosts. There’s none of that here. The feel of this show is very different. One of my biggest issues was the attitudes of the ghost hunters in these shows, challenging the ghosts, making demands, and the general disrespect. That’s not here, either. For the record, I don’t believe in ghosts, but I do believe in the inexplicable, and this show has that too, which occasionally makes it actually scary. But it’s not just that. It’s the humor and camaraderie between these three friends, that I enjoyed the most. They genuinely like each other,  and are not above ranking on each other, but don’t do it in a mean spirited way. You can tell they’re really old friends, and this is one of the most authentic depictions of black male friendship, you’ll ever see in a TV show.

The guys make a point of visiting sites that are known spots of racial trauma, so they’re not in the business of retraumatizing any presences that might be there. After all, these are their ancestors. They try to approach their job from a place of respect, with minimal equipment. They ask questions and  try to reach out and emotionally connect with a presence. In one episode, they visit a hotel where a sex worker was killed maybe a hundred years ago. They visit her rooms and attempt to find out if she’s still present. They ask her about her life, implore her to answer, and when they leave, they respectfully leave payment for her time, which I found both sad and hilarious.

In another episode, they visit a place where some children were known to have died. To get the children  to respond, they bring toys and dolls, ask the children if they would like to play, and assure them that it’s safe to come out and do that. All very respectful. Nothing happens of course, but there’s a great deal of tension as you suspect something might.They bring the absolute minimum in equipment, they don’t have scanners, and meters and various devices. They really just have their smartphones and a camera.

Also, these guys are surprisingly brave, in situations that would frankly give me the screaming heebie jeebies, sitting alone in a dark room waiting for some presence to reveal itself. Yes they do get scared, and are willing to acknowledge that, but there’s no exaggerated terror, with a lot of running and screaming. This isn’t a comedy, although the guys are occasionally funny. They take their self appointed task pretty seriously.

One of the reasons I like for white people to watch shows like Atlanta, Luke Cage, and Ghost Borthers is if they’re interested in more authentic depictions of what black people are actually like when white people arent around, and contrast these images with depictions crafted and written by white men, who can only guess at how we relate to each other, or just make shit up. One of the most interesting things I’ve noticed about media depictions of marginalized people by white male writers, is often the relationships are depicted as contentious ones. The white men, who write almost all of the media we see, have no idea what women talk about when men aren’t present, what gay people do when straight people aren’t around beyond having sex, or what black people do when white people arent present. Shows written, by marginalized people themselves, tend to have fewer token characters,  and more genuine conversations, and activities. We actually do get along with each other when white people arent around. We laugh, joke, and tease each other. We have deep conversations that aren’t about race, and trivial conversations that are. And just like with the Bechdel Test, almost none of our conversations center white  straight men.

Ghost Brothers joins those lists of shows that depicts black people’s authentic reactions to the world around us.

ETA:  I added a much more detailed description for this show, and the second season has already started. I’m currently watching episode two, where the Brothers visit the Winchester Ghost Trap House.
Ghostbusters (2016)

Image result for ghostbusters

I told myself I wasn’t going to watch this, but it aired on Starz, earlier this month, and that’s why I pay for cable. So yeah, I’m one of five people on Earth who actually love this movie. It was entertaining and I found a lot of positive  things outside of the one negative thing that made me want not watch it.

The one negative thing was me being mad about Patty, played by Leslie Jones, not being a scientist. I still don’t like that, but I also don’t feel she was ill treated by the creators of the movie. Although Leslie’s personal humor doesn’t match mine, I still really liked her character. She was one of the funniest people in the movie and gets some of the best lines. This one negative thing was outweighed by all the positive things I enjoyed.

One of my biggest takeaways was the depiction of friendship between women, which is almost never authentically shown in genre films, in favor of having a lonely badass. These characters are friendly and supportive of each other. To use Erin and Abby, for example, the subplot of how they met is Abby believing Erin when she claimed she saw a ghost when she was a child, and no one else believed her.That no one else believed her is something  that affects her for the rest of her life, prompting her to abandon Abby, and never have anything else to do with the paranormal. Later, she and Abby reaffirm their bonds of friendship when Erin risks her life to save Abby at the end of the movie. When Erin has a very obvious crush on their dimbulb male secretary, played by Chris Hemsworth, the other women never make fun of her, or make her feel ashamed of it. They just accept that she likes him, while gently cautioning her to be careful of sexually harassing him.

I liked Patty, and felt she was given ample screen time. The other characters make no big deal about her not being a scientist. She’s an expert in other things. She talks her way onto the team by offering them something they don’t have. Historical context and knowledge of the city, allows Patty to provide a lot of the movie’s exposition. This is not exactly her being “street -smart” (I suppose technically she is “street-smart,  but only because she is her own kind of nerd, who reads History books for fun. So yeah, all the ladies are in fact, nerds! Patty just is not a Science nerd.)

The other women never act as if they know better than her, or try to lord it over her that they have credentials, and even defer to her expertise on matters they know she has studied. They accept her, like Holtzman,  as one of the contributing members of the team. Yes, she gets them a car, but that’s not why she was allowed to join them. It’s something she offers, along with their ghostbusting suits. She also gets some of the funniest lines in the movie, most of which are quiet personal asides  that if you blink, you’ll miss them.

I especially enjoyed the beginning of a friendship between her and Holtzman. Abby and Erin were already friends, and Holtzman must have occasionally felt like a third wheel, but she and Patty seem to hit it off pretty well, hanging out together whenever they’re not working. Patty  saves Holtzman’s life at one point, and nicknames her Holtzy.

Speaking of Holtzman, she is my favorite character in the entire movie. She’s just plain nuts and really, really,  loves her job. The trailers don’t really do this character justice, just like they didn’t make Patty very likable. She’s impossible to describe. She just has to be seen. She loves destruction, dances around with blowtorches, and is utterly fearless when it comes to her various science toys.

ETA:

So, my niece finally watched this movie, and she had a great time. She couldn’t wait for me to get home from work, and she watched it without me, for which she was mildly chastised. And guess who her favorite character is! Guess! Patty, of course, who she thought was hilarious. I don’t know that my niece wants to grow up to be a Ghostbuster, but she really enjoyed herself, and the movie, and that’s enough for me.

 

 

Suicide Squad (2016)

Image result for suicide squad

Once again, I’m in the minority when it comes to liking a movie. I actually had a good time watching this. I really liked the visuals, and performances, even if the story was full of massive holes, and largely incoherent . I really enjoyed the characters though. I watched this with my niece and she seemed to have a good time, too. I think she wants to be Harley Quinn when she grows up, but I told her no, because that’s not a good look for a Black woman, unless she’s gettin’ paid a lot of money, like Margot Robbie. It would also require she be tortured by Jared Leto, after which I’d have to beat Leto’s ass. (He should probably have his ass kicked just on general principles, anyway, because my niece has decided she has a crush on his version of the Joker. What? She’s like ten years old!)

I’m one of five people on Earth who think that Suicide Squad winning an Oscar for Best Makeup is both hilarious and outrageous. Really!? Over Star Trek? Yeah, right!

It really shouldn’t be that shocking that I liked this. It stars Will Smith and I’ll basically watch anything he ‘s in. Margot Robbie wasn’t too bad in this. I thought her version of Harley was pretty entertaining and not too unlike the comic book version of the character. And then there’s  Queen Viola. I just love the idea of Viola Davis and Will Smith starring in a superhero movie together. Although, the next time we see them together, I hope its something a little more serious.

The Magnificent Seven (2016)

Image result for magnificent seven

Unfortunately I did not get to see this in the theater.  I did rent this for me and my Mom to watch for a couple of days. She is a die-hard Denzel fan, and she had expressed an interest in going to the movies to see this. Now this is pretty remarkable for two reasons. She’s not a huge Western movie fan, (even though she was the one who introduced me to Bonanza), and its really hard to get her to go to the movies with me, as she’s  picky. In the past few years, I managed to get her to see Jurassic World, World War Z, and that Halloween Madea movie.

We watched this movie over a weekend and she really enjoyed it. She was deeply happy that Denzel survived to the end of the movie. I enjoyed all the characters but I was kind of bummed out because the one Asian guy got killed. It doesn’t really compare overmuch to the original. It has a very different feel, although the plot is exactly the same. The action sequences were very exciting, and I enjoyed the banter between the various characters. It suffers from lone woman syndrome, and a bad guy who is evil just because he’s evil. (Not that every villain needs a backstory. Its just something I noticed.)

It has a Benetton ad cast, and although the one Mexican guy, Vasquez, is annoying, the stereotypes are mostly kept to a minimum. The men of color in the cast all get to have their action moments. Despite the presence of Vincent D’onofrio as Jack Horne, my favorite character was  Billy Rocks, the group’s blades-man. The most intriguing relationship was between Billy Rocks, and  Ethan Hawke’s character, Goodnight Robichaux. I kept wondering about the nature of their friendship, and afterwards I wrote my own headcanon, where Billy saved Goodnight from suicide, and Goodnight felt indebted to him. It was very clear that one of Billy’s purposes was helping  Goodnight hold his shit together.

My Mom liked the Jack Horne character a lot. He was  melancholy and  gruff, with a penchant for making profound philosophical statements, that mostly puzzled the other characters. Denzel, as Chisholm, was his usual mildly snarky, pragmatic self. He wasn’t really stretching it in this role, but Denzel sparkles on even his worst days, so its all cool.

No, this movie isn’t as good or influential as the original, but its worth watching some cold Saturday night, with a bowl of popcorn, and some good friends.

Legend of Tarzan (2016)

Image result for legend of tarzan

Let’s just state, for the record, that I’m a little bit older than some of the more hysterical members of Tumblr. As a result, I grew up with the idea of Tarzan, and am well used to the tired trope of Tarzan the White Savior. I grew up reading the Edgar Rice Burroughs books, and watching some of the movies with my Mom, whose favorite Tarzan was Johnny Weismuller. Yes, we did see the problematic aspects of having some White guy being a better African, than actual African people, in Africa, but since almost all of TV, and movies, consisted of this trope, it was easy to overlook it, yet impossible not to see it.

That said, I did watch this movie when it came on cable, which only proves that I will watch any damn thing when it comes on TV, where Alexander Skarsgard takes his shirt off, and growls like a lion. It does not mean I’m not “woke” or “aware”. It just means I occasionally have low standards for what I find entertaining, especially if I can knit to it.

Nevertheless, I still enjoyed this movie for the sheer silliness that it is. Yes, the premise is just as stupid as the original films, and one still wonders what the hell White people,  (and lets face it, there were no PoC clamoring for this movie to be made) were thinking when this movie got made. If you haven’t seen this movie, it’s okay, as your life will not have been upheaved.

For what its worth, the creators did keep the White Savior stuff to a minimum by adding Samuel L. Jackson, who does the saving of various Black people, and some of the actual Congolese people get lines and screen time. Skarsgard is ridiculous in this role,  and spends most of his time trying to look dramatically serious, while trying to save his girlfriend, Margot Robbie, from Waltz’ slimy Englishman. I still don’t know why Waltz kidnaps her but its got something to do with diamonds. It doesn’t matter anyway because the plot is really not that important. What’s important is that Skarsgard is bare chested for most of the movie’s running time.

There is indeed some tree swinging, and some gorilla punching, and for some strange reason, Djimon Honsou is in this movie as an antagonist. He only gets about five minutes of screen time, and maybe six lines. Samuel L. Jackson is in this movie too, and pretty much just acts like Samuel L Jackson, despite the fact that everyone else is acting like they are in a period movie, which is very jarring. I wanted to turn off the sound, so I didn’t have to listen to him speak, but then I wouldn’t have been able to hear Alexander Skarsgard talking to various animals, and yodeling. Yes, there is a classic Tarzan yodel. When I was a kid, this didn’t particularly bother me, but every time I heard it in this movie, I laughed my ass off.

But really, I think the biggest question you have to ask yourself, if you ever watch this movie: Why is Samuel L. Jackson in this movie, when they have Djimon Honsou?

Midnight Texas

Based on Charlaine Harris series called conveniently Midnight Texas, this new show will be airing this Summer (July 25th) on NBC.

I have a distrust of network TV  as they seem to want the audience that goes along with SFF shows, (they want that geek cred), but are unwilling to stick with the shows long enough for fans to get a foothold, or they simply don’t invest in the shows and don’t care about them. (We’re looking at you Sleepy Hollow.)

Anyway this show looks pretty good, for what that’s worth. I’m reluctant to get attached to it because, like I said, network TV has a talent for fucking over fans of these types of shows. I love the diversity in the show, the black vampire, the angel, and also a witch. Some of these characters are holdovers from True Blood, a show I liked. I don’t expect this show to be like True Blood, though I respect the showrunner for Mr. Robot. I haven’t yet read the books but I plan to get to those before the show airs.

ABOUT THE SHOW

Welcome to a place where being normal is really quite strange. From the visionary director of “Mr. Robot” and based on the hit book series from the author behind HBO’s “True Blood” comes a journey into a remote Texas town where no one is who they seem. From vampires and witches to psychics and hit men, Midnight is a mysterious safe haven for those who are different. As the town members fight off outside pressures from rowdy biker gangs, ever-suspicious cops and their own dangerous pasts, they band together and form a strong and unlikely family.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Televsion and Movie Meta Linkspam

For your reading pleasure this weekend:

 

Get Out (2017)

Wow, there is so much meta being written about Get Out that its hard to keep track of it all. (Do these writers know thats what they’re doing?)Everybody has something to say aobut this movie, even when they dont have anything to contribute. For the record, I have seen this movie and I loved it as much as I’ve loved anything on the Key and Peele show. (And no, I dont have much more to add to the discussions Ive already read.) If you’ve ever watched that show, than Get Out is not some huge surprise for you, as you are well aware of Jordan Peele’s Horror credentials. For example, his zombie spoof is pretty deep:

 

And this spoof of vampire tropes is hilarious:

I dont have anything to add since people pretty much have every topic covered:

http://www.hollywoodreporter.com/news/kareem-abdul-jabbar-why-get-is-invasion-black-body-snatchers-trump-985449

http://io9.gizmodo.com/get-out-is-a-horror-movie-only-a-black-person-could-hav-1792781911

http://www.huffingtonpost.com/entry/get-out-what-black-america-knows-about-the-sunken_us_58c199f8e4b0c3276fb7824a

http://theconcourse.deadspin.com/lets-talk-about-all-the-amazing-little-details-in-get-o-1792781479

 

Buffy The Vampire Slayer (1997)

Its the 20 year anniversary of Buffy the Vampire Slayer, and yep, people are writing about it. I was total trash for this show. I used to watch it like a religious duty, and even back then I was drafting meta, in my head, about this show. For the record, I hated the movie it was based on, and I was prepared to ignore the show. I watched it off and on for the first season. Then the internet started writing about it, and I really revved up my watching in the middle of season two, after Angel became evil. (I didn’t completely understand what was happening but I caught up fast.)

Buffy is also one of the most written about and talked about shows in television history. There are aabout a bajillion books, articles, and websites, devoted to parsing everything from the fashions, to the plot, to the characters and language. 

http://www.whedonstudies.tv/slayage-the-journal-of-whedon-studies.html

http://lithub.com/10-famous-writers-on-loving-buffy-the-vampire-slayer/

https://www.theatlantic.com/entertainment/archive/2017/03/the-body-the-radical-empathy-of-buffys-best-episode/519051/

https://www.theatlantic.com/entertainment/archive/2017/03/how-buffy-the-vampire-slayer-redefined-tv-storytelling/519174/

http://www.vox.com/culture/2017/3/10/14857542/buffy-the-vampire-slayer-explained-tv-influence

https://www.theguardian.com/tv-and-radio/2017/mar/10/buffy-the-vampire-slayer-at-20-the-thrilling-brilliant-birth-of-tv-as-art

http://blog.oxforddictionaries.com/2012/08/buffy-the-vampire-slayer/

http://io9.gizmodo.com/10-vital-storytelling-lessons-i-learned-from-buffy-the-1766651082

http://io9.gizmodo.com/20-things-we-still-love-about-buffy-the-vampire-slayer-1793132161

http://www.vulture.com/2017/03/buffy-the-vampire-slayer-twenty-years-greatest-legacy.html

 

Logan (2017)

I did go see Logan, as I promised. I was going to write a review, but a lot of people have  already written about the issues I would’ve covered in my review. It’s an excellent movie, btw, and  every bit as heartwrenching as you expect.

http://www.rogerebert.com/mzs/all-things-must-pass-the-emotional-reality-of-logan

http://birthmoviesdeath.com/2017/03/05/logan-the-things-we-leave-behind

http://www.rollingstone.com/movies/news/why-we-needed-logan-to-kill-the-modern-superhero-movie-w470501

https://theringer.com/logan-and-conquering-pessimism-through-fatherhood-86d377ae85b9#.nsgel72hh

http://www.theverge.com/2017/3/6/14829768/logan-movie-wolverine-hugh-jackman-patrick-stewart-discussion-highs-lows

https://theringer.com/james-mangold-hugh-jackman-wolverine-logan-movie-review-1d5e5b9c5c93#.2oe0rp6ff

 

Moonlight (2016)

I haven’t seen this movie yet, but I’ve heard such wonderful things about it. I’ve seen a few clips come across my dash on Tumblr, which have me intrigued, and of course, it won Best Picture at the Oscar Awards.  I’ve made plans to watch the DVD soon, however.

Why I refuse to watch “Moonlight,” or any other film about race, with white people

View story at Medium.com

http://www.cbc.ca/arts/masculinity-and-moonlight-eight-black-men-dissect-barry-jenkins-momentous-film-1.3836460

https://www.theguardian.com/commentisfree/2017/feb/21/moonlight-affirmation-gay-black-men-exist

http://www.mtv.com/news/2935326/moonlight-and-the-preservation-of-black-manhood/

https://contexts.org/blog/moonlight-trayvon-the-oscars-and-americas-fear-of-black-boys/

https://bitchmedia.org/article/shedding-moonlight-toxic-masculinity/problem-homophobia-not-gay-characters

 

Star Wars

http://www.kissmywonderwoman.com/2016/02/masculinity-monday-star-wars-finn-is.html

View story at Medium.com

A Hero, Just Not The Hero: Masculinity in Star Wars: The Force Awakens

http://www.theouthousers.com/index.php/columns/134072-lets-talk-about-finn-star-wars-the-force-awakens.html

 

Hidden Figures:

Yes, I’ve already seen this movie. I loved it, but as a long time Blerdgirl, I’m still processing my thoughts about it. I haven’t finished geeking out about it yet, but when I do, I’ll come back at you with some knowledge. Ideas are already percolating as I type.

http://latinasuprising.com/hidden-figures-feminism/

What’s Hiding Behind the Feel-Good Curtain of <i>Hidden Figures</i>: One Black Feminist’s Take

Taraji P Henson’s Hidden Figures is the intersectional feminist movie we need right now

ETA: This last link was removed because, while I have plenty of issues with feminism, I won’t tolerate any lying  MRA mansplaining bullshit on my blog.

 

Miscellaneous

http://www.chrisbrecheen.com/2012/06/8-things-prometheus-can-teach-you-about.html

https://clearancebinreview.com/2012/05/18/cinematic-soulmates-three-amigos-a-bugs-life-and-galaxy-quest/

http://www.newstatesman.com/politics/feminism/2015/10/pantomime-james-bond-reveals-tragedy-modern-white-masculinity

https://docs.google.com/document/d/1rAM9EtJTHL_M6STjL7TyfUs9ew83v_fhYAlwI97hG5s/mobilebasic

 

Hannibal Season Two Finale: Mizumono

And so we end with a perfect cap on this season. We began in episode one, with a forecast of how the season would end, with a massive knockdown fight, between Jack Crawford and Hannibal. How did we get from them being friends to that point? The rest of the season is really just a flashback, to how we reach that moment, and its aftermath.

All season long ,we’ve watched Will Graham, thoroughly unburdened by the illness he was suffering  in that first season, at the top of his game. Most of this season chronicles Will’s  fall from grace. In his efforts to capture the Chesapeake Ripper, he finds himself in spiritual, and emotional, alignment with Hannibal. After failing to get any traction on his accusation that Hannibal is the Ripper, Will, in collusion with a newly believing Jack, after  Beverly’s death, embarked on a campaign to take down Hannibal, by cozying up to him, winning his trust, and gathering  evidence of wrongdoing. Hannibal being too canny for that plan to work, didn’t enter into their equations, and Will found himself being drawn  further down the rabbit hole of Hannibal’s machinations. Hannibal’s goal is  to make Will realize that he is just as much a killer as Hannibal, and make him his partner in death.This culminates in the death of Randall Tier at Will’s hands, in self-defense, and the seeming death of Freddie Lounds.

In this episode everything comes to a head. Jack’s predicament in allowing Will’s plan, Will’s predicament in lying to Hannibal, and the actual fate of Abigail Hobbes is revealed.

Hannibal sends Jack a letter, inviting him to dine with him and Will, and he accepts. Will and Jack discuss this Last Supper, while finalizing their plan to catch The Chesapeake Ripper. Alana is filled with doom and gloom and nightmares, as she begins to realize exactly what’s been happening, and what Hannibal is. She hasn’t been sleeping and is filled with dread that Hannibal has laid a trap for all of them.

Jack is finally successful in finding Hannibal’s therapist Bedelia Du’Maurier, who had gone into hiding, after she felt threatened by Hannibal. In his interview with her, Bedelia warns Will that Hannibal will find a way to prevail. She explains what hold Hannibal has over her. Will and Jack offer her immunity from prosecution for her testimony against Hannibal. An astute observer, she can somehow tell that Will’s loyalties have been severely compromised, and that it is Will’s weakness that will hand Hannibal his victory over their plans.

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Bella Crawford is dying in the hospital of lung cancer. Hannibal visits her and they discuss forgiveness. She says she forgives him for saving her life, and letting her die in this manner, but in return, Hannibal has to save Jack, the way Hannibal saved her. She has no idea that Hannibal didn’t save her out of caring or friendship, but as an exercise to see  what would happen, and to distract Jack from his hunt for The Ripper. She never discovers that Hannibal not only doesn’t keep his promise to save Jack but makes plans with Will Graham to kill him.

Nevertheless, Bella’s words about forgiveness come back to haunt Hannibal in season three. Unbeknownst to her she (and everyone he has met) does have an effect on him. In fact, even though Hannibal later claims that Will and the others had effected no change in him, that is a lie. Since becoming involved with the FBI, and knowing Will, Hannibal has developed close relationships with many people he would otherwise have never met. Remember  season one, when  Hannibal was a profoundly lonely man, who didn’t realize just how alone he was. After involving himself with Will, he became surrounded by people who cared about and trusted him, and although that did not prevent him from killing any of them, it has affected his attitudes and behaviors in small ways that will  play out in season three.

Will is clearly conflicted about Hannibal. As he makes plans with Jack, he also helps Hannibal destroy evidence in his office. While the two of them burn Hannibal’s files,  they make plans to run away together. Will is cagey about the commitment but it all becomes moot anyway, when Hannibal, with his keen sense of smell, scents Freddie Lound’s hair shampoo on Will’s clothes. Will had just had a meeting with her to ask her not to write any more stories involving Abigail, and to let her rest in peace, as he makes plans for Hannibal’s imminent capture.

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Will and Hannibal discuss what would happen to Hannibal if he were ever captured and Hannibal says he would live inside his Memory Palace, (something peripherally mentioned in the Silence of the Lambs), which is a place deep inside his mind, which resembles the foyer of the Norman Chapel in Palermo. Foreshadowing: This is information that Will uses to find Hannibal in season three.

Just as Hannibal has his Memory Palace, Will also has one. Fishing in the river.We saw Will visiting this place when he was in prison. At the time, Hannibal as the RavenStag, or the ManStag, was often shown infiltrating Will’s private mental space, illustrating that Hannibal (and Abigail) were never far from Will’s thoughts. Later, in season three, Will easily visits Hannibal’s Memory Palace. As an example of how intertwined their thoughts are, by that point, its not immediately clear to the viewer, whose mind we’re visiting, Will’s or Hannibal’s.

While having dinner, Hannibal asks Will to just leave with him, and not inform Jack, but Will lies to Hannibal, saying that Jack deserves to know, and puts forth the idea that Jack be killed. Hannibal doesn’t require that Jack die but he allows Will to keep lying to him. He was hoping that Will would come clean but he didn’t. Hannibal makes other plans at this point.

Kade Prunell, the Special Investigator, has caught wind of Jack’s plan. She aims to put a stop to it because its a complete violation of the law, and a private citizen’s rights. Claiming that the imminent death of his wife has compromised his logic, she suspends Jack from his position as Director. Jack, now free of any legal obligations to capture Hannibal alive, surrenders his gun and badge. Alana comes to his defense, arguing that the only way that Hannibal can be captured is in the act, , but Kade won’t hear of it. She tells Alana that Jack and Will are to be arrested for what happened to Randall Tier. Alana calls Will, to warn him about the warrants put out for his and Jack’s arrests, while Jack visits Bella in the hospital one last time.

Will calls Hannibal. Just as this whole thing began, that first season, with Hannibal’s phone call to Garrett Jacob Hobbes, (just because he was curious what would happen), Will’s phone call to Hannibal sets in motion a series of events that will end in tragedy for everyone in Hannibal’s orbit, and have repercussions far into their futures, as it sets off what fans  know as The Diner Rouge, The Red Dinner, where everyone’s  paths cross.

Jack arrives early for dinner at Hannibal’s home. They exchange pleasantries, but they both understand each other very well, in this instance. They begin to fight.

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Hannibal bests Jack and Jack locks himself in the walk-in cupboard, with a near mortal wound to the throat. Alana arrives to find Hannibal trying to batter his way in to finish off Jack. When she attracts his attention, he tells her that he tried, very hard, to keep her ignorant of what he is, expresses regret that he has to say goodbye to her, and as a courtesy, tells her she should flee. She fires at Hannibal but Hannibal had earlier removed the bullets from her gun.

Now she flees. She runs upstairs with Hannibal in pursuit, although he leaves the  kitchen knives behind. Alana is shocked to encounter Abigail Hobbes in an upstairs bedroom. Abigail pushes her out the window, and heads downstairs.

Will is just arriving. He finds Alana broken on the front steps, but alive. She warns him about Jack, while he calls for Emergency Services, then he goes inside where he finally sees that Abigail is actually alive. Shocked by this turn of events he doesn’t try to defend himself as Hannibal approaches. Hannibal says it was meant to be a surprise, the three of them going away together, as one big happy family. But that will never happen now. Just as Hannibal had his moment of complete understanding with Jack, Hannibal and Will have their moment. Hannibal is full of righteous fury about Will’s betrayal and deception.Will knows Hannibal is going to kill him and he accepts that he deserves it. What he didn’t count on was Hannibal taking Abigail away from him, again.

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To show Will his power, and to punish Will for his betrayal, (even if Will did renege at the last minute and warn him) Hannibal stabs Will in the stomach, but doesn’t kill him, although he easily could have, and as Will lays dying, Hannibal cuts Abigail’s throat in front of him. We end as we began, in season one, with Will clutching Abigail’s throat trying to save her life. Killing Abigail is also a moment of defiance because Will said he  affected Hannibal’s life for the good. Killing Abigail is Hannibal’s way of showing Will how little he changed him. After all, if he had changed him, would he be able to do this? But Will, in complete understanding, knows that the very act of killing Abigail, in defiance of Will’s assertions, is in itself, evidence of how much Hannibal has changed.

It’s also Hannibal just being petty and angry. He claims Will didn’t affect who he is, but he allowed Will to get close to him, and trusted him. Will did to Hannibal what Hannibal was doing to Alana, and that betrayal hurts. Its one of the reasons Hannibal kept himself aloof from other people all those years. Not just to protect his secret life, but the understanding that emotional connections would compromise his survival instincts. This is him showing Will that he is not compromised.

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But of course Will affected him, or he wouldn’t feel so much pain.

And this is not something out of character for Hannibal. The entire time that we’ve known Hannibal, he has tried to maintain a facade of equanimity, and dispassion, most of the time (I imagine for most of his life). He’s not emotionless. He has a deep well of emotion, but he maintains a rather impassive veneer. When he does get caught up in his emotions, and allow them to take rein, usually people die, and the Diner Rouge is no different event.

Most of the time we see Hannibal killing others from a place of clinical detachment. Killing is just something he thinks needs doing. This season we’ve seen him kill from emotion, at least once , when he killed the Judge who threw out his testimony during Will’s trial. He was insulted and outraged at his treatment, feeling lonely because of Will’s absence, and killing the Judge fell in line with removing an obstacle to his happiness. (Remember, before he decides to kill the Judge, there’s a scene of him sitting alone in his office, realizing exactly how much he played himself, when he had Will arrested, and how much he misses Will.)

At the end of season one Hannibal frames Will for survival reasons. At the end of season two, he is still in a mental  place, where he thinks more of himself, than he does the people in his orbit. He is still very much a selfish creature at the end of season one. But all during season two he has allowed himself to  care about Will, the only person he has ever allowed himself to have emotions for, since the death of his sister Misha, and he gets betrayed for his trouble. He’s not just mad at Will. He’s angry that he got suckered. Not ever having built up any kind of immunity against even the most the casual pains that human beings can inflict on each other, Hannibal is like a dangerous child, lashing out at anyone who hurts him.

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Having officially burned all his bridges, he steps out into the cleansing rain, believing that this part of his life is over, and that he can begin anew, casually stepping over Alana’s prone body, without even checking to see if she’s still alive. She meant nothing to him except as a means to control Will. He only made overtures to her when it looked like she might fall for Will, and only kept up a relationship with her so that Will couldn’t.

The final coda to this episode is Hannibal on a plane bound for Europe in the company of his psychiatrist, Bedelia Du’Maurier.

 

I started writing these reviews because I couldn’t find any good meta for this show that had been written after season two. I just decided, rather than scouring the internet for it, I should just write something myself.

Next up: The entirety of season three in my Hannibal re-watch.

 

 

 

 

 

Pop Culture News

And now some PopCulture News.

*I am totally squeeeing in my bunny slippers about the next season of Preacher. So, now its time to re-watch the first season!

dailypreacher:

AMC has announced that “Preacher,” the hit drama based on the Vertigo comic series by Garth Ennis and Steve Dillon, will return for its 13-episode second season on Monday, June 19, at 9 p.m. ET/PT. That marks a move from Sunday to Monday, which has become AMC’s second night for original programming.

*Here is a partial list of cast members for the new Star Trek Discovery, produced by Brayn Fuller. I love this cast, some of whom I recognize from other favorite shows. Even if I wasn’t geeking out over Soniqua, I’d still be there for Michelle Yeoh, and Doug Jones.

Bryan Fuller is pretty good at remembering that PoC exist in the future. He used to work on Star Trek DS9, so he’s got some Trek cred. And after his interpretation of Hannibal Lecter,  I’d follow him anywhere.

I‘m told that the only way to see the intial episodes of this show, is on the streaming service called CBS All Access, which is 5.99 a month for the ads added version.

frontier001:

So I thought I’d make this to help everyone out.

This is Likely Not All of the Cast.  It is everyone who has, so far, been announced.  CBS has been announcing people two or three at a time.  Why?  No one knows!

  • We don’t know for sure who is regular cast and who is guest cast for the most part.
  • IMDB offers some info-speculation, but take it with a grain of salt.
  • CBS has never officially said Sonequa Martin-Green is aboard; but she did briefly in an interview with Entertainment Weekly that was mostly about how she can do both Discovery and The Walking Dead.  Why CBS hasn’t said anything is anyone’s guess!
  • We know we’ll have 2 (two) Starfleet Ships AND at least 1 (one) Klingon ship, though not for how long – the Klingons are all so far only listed as in 2 episodes.
  • Sarek is thus far the only previously canon character; he’s only listed in 1 episode yet.

I think all of them are on Twitter?  As are all the writers.  Though all to various degrees of activity.  If you’re interested.

Here’s hoping the next cast announced is three more women, to even things out!

Netfix is producing a movie starring Steven Yeun and Tilda Swinton titled Okja

Netflix is producing a zombie show set in medieval Korea

 

*Look for Will Smith’s new movie coming sometime soon, titled Bright. It looks like an adaption of Maurice Broaddus’ Kingmaker series, so if you like Arthurian Legends set in an Urban landscape, check out that series, too.

 

*Charlize Theron is getting her version of John Wick. It looks like a lot of fun, but I probably won’t be seeing this. I like Charize, and all, but I already saw Salt, and I’m not paying to see the same movie twice. The title is kickin’ tho’.

 

*Here are some new trailers and clips for Alien Covenant, due in April, I think. Michael Fassbender is being creepy again as a new robot.. ahem, Artificial Person, named Walter.

Enjoy!

 

*This is a kinda cool riff on the dinner scene from the original Alien, and a good way to be introduced to some obnoxious characters. 

 

*If you enjoyed Train to Busan, than Seoul Station, the animated prequel, will be available in the US this Summer. It appears to be every bit as harrowing as the live action movie.

 

The “Get Out” Link Roundup

Get Out, Jordan Peele’s new Horror movie, with a racial twist, is the new media darling of the moment, and has a 100% rating on Rotten Tomatoes. It’s made almost as big of a splash as last year’s release of Lemonade and has spawned a metric ton of think-pieces. I can live with these types of Black media events happening every February, if you ask me.

What’s surprising to me is the number of White people who have gone to see this movie, and have really gotten into it by not just thinking of it as a movie for Black people, which is what usually happens when a movie stars more than three Black people but liking it as a relatable Horror movie. I think part of the charm is that it is really accessible, its not preachy, and  it is a straight up Horror movie, that’s a cross between Invasion of the Bodysnatchers and  The Stepford Wives.Its one of those types of movies with lots of gaslighting and paranoia.

Another part of the movie’s charm is that its Jordan Peele, who has  established his Horror credentials on the show he co-hosts with Keegan Michael-Key, called Key and Peele. Both of them are alumni from MadTV. (If you haven’t watched the show, please step right to it. Its almost as great as The Chappelle Show, which is saying something, because I’m a huge Chappelle Show fan.)

The video at the end of this post by Latasha, contains lots and lots of

SPOILERS

SPOILERS

SPOILERS

So, if you don’t want to know all the sordid details, as she dissects the movie, skip the video.

Now, some of these commentaries have spoilers too,  so be careful, again. And for Gob’s sake don’t read the comments to any of the articles if you have a low tolerance for White Fragility.

 

http://www.theroot.com/get-out-proves-that-nice-racism-and-white-liberalism-1792955235

https://bitchmedia.org/article/get-out-movie-white-feminism

https://www.theguardian.com/film/2017/feb/28/get-out-box-office-jordan-peele

http://www.latimes.com/entertainment/movies/la-et-mn-get-out-milk-horror-jordan-peele-allison-williams-20170301-story.html

http://www.gq.com/story/things-ill-never-trust-again-after-watching-get-out

http://www.mtv.com/news/2986793/get-out-understands-the-black-body/

http://intelexual.co/home/racist-white-women-an-american-legacy/

http://www.newyorker.com/culture/culture-desk/review-the-giant-leap-forward-of-jordan-peeles-get-out

http://www.slate.com/blogs/browbeat/2017/03/07/how_get_out_positions_white_womanhood_as_the_most_horrifying_villain_of.html

https://www.wired.com/2017/03/get-out-discussion/

View story at Medium.com

https://thinkprogress.org/white-lies-matter-get-out-knows-no-one-is-as-woke-as-they-think-they-are-d526212e28eb#.hq7j5c43e

http://www.esquire.com/entertainment/movies/a53515/get-out-jordan-peele-slavery/

http://www.vulture.com/2017/02/daniel-kaluuya-on-get-out-how-racism-is-like-horror-films.html

https://www.theatlantic.com/entertainment/archive/2017/03/in-get-out-the-eyes-have-it/518370/

View story at Medium.com

https://filmschoolrejects.com/race-horror-and-the-death-of-the-status-quo-5b1bbdf3f1c6#.ib83eao0g

http://www.vox.com/culture/2017/3/7/14759756/get-out-benevolent-racism-white-feminism

http://nymag.com/thecut/2017/03/what-get-out-gets-right-about-american-culture-and-blackness.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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