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Westworld Season One: Contrapasso

Contrapasso is a reference to Dante’s Inferno, where the sinner in Hell suffers a punishment related to  the sin that was committed when they were alive. Literally the “counterstrike ” or the “counter-suffering”, which describes the relationship between the sinner and the resulting justification for their torture in Hell.

I was being a bit silly last week when I said I wished the robot rebellion would get started. I don’t actually wish that, really. I’m having  too much fun parsing all the events in this show. It’s just such a rich brew, I was jittering around in my seat like a three year old.  I heard this fifth episode was going to be mind-blowing, and the actress who said that, (Guess who?), wasn’t kidding. So I re-watched all the episodes from the beginning, so I could try to get a good handle on what’s going on. I think I succeeded in understanding about fifty (maybe 60) percent of what’s happening. I’m no dummy but (just like the writers of Hannibal) the people writing this show are waay smarter than me. But here’s my recap anyway, and perhaps by doing this I can understand what the hell I’m watching.

But before I get started I just want to talk about Westworld’s theme song at the opening of the show. If you listen carefully, it’s a parallel of what happens during the course of the series. I noticed this while watching a YouTube video of someone playing the song on piano. The theme is only about a minute and a half long, but during it, more and more discordant notes start to creep in. The song becomes darker, as flatter and  lower notes are added, so that what started out as a harmonious, innocently lovely tune, ends as something ominous, echoing the direction not just of the plot of the show, but the character arcs of the Hosts as they begin to reach for self awareness. Just like that first thunderous note, is an echo of the Park’s first death, this is a machine that has been running without a hitch for some thirty years, but lately has some troubling signs that all isn’t well, as the various anomalies start to build on each other, just like the notes of the theme.

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Okay, I have to admit I have no fucking clue who the Man in Black is,  but I’d like to believe it’s Arnold, the maker who “died” in the park. Yes, yes! I know I could be wrong because as I’ve stated before, accurate speculation is not a superpower I possess. However, I’m going to forge ahead with this theory anyway, because I like it, and there have been too many ambiguous statements from Guests, Robert Ford, and the MIB himself, leading me to believe that the MIB lost himself in the park, and reinvented himself as this villain which everyone refuses to name. My biggest clue was when Logan was talking to William about the Park’s origins, and said there were no photographs of Arnold, and that he had the hardest time finding information about him. There was also last week’s guest who recognized the MIB from the real world.

Ford is in the basement with one of his old robots talking about how he used to own a greyhound, and when he let it off its leash, it ran wild and killed a cat. He’s obviously talking about the Park, and the Hosts, which he intends to let off their leash, I guess. Ford knows what’s happening to the Hosts.  He even has some idea of what the outcome could be and he is allowing all of it to happen. The show keeps having the characters make allusions to  the violent retribution that would occur should the robots ever have their restrictions removed. Those restrictions being programmed to not harm humans and the lack of memories of what the Guests do to them.

What Ford’s ultimate purpose is, I don’t know, but it may have something to do with the rival business interests that Logan represents, and this big narrative that Ford has been designing that has been disrupting the Park’s other narratives. I’m convinced that the new backstory he gave Teddy last week, involving his relationship with Wyatt, is also a part of it all. Wyatt is the boogeyman no one has yet seen.

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Ford talks to Dolores about what happened 34 years ago. (I noticed the dates keep changing. Its 33, or 35, or 30 years ago.) We learn that Dolores was the last person to interact with Arnold. It’s also mentioned, in an earlier episode, that there hasn’t been a death in the park for over thirty years, (Arnold) and that Dolores is the last Host left from that era. Either the MIB is Arnold, or he killed Arnold. This is my supposition until I get new information, which might change next week, since this show insists on confounding me. I’m still not completely ruling  out that the MIB is a Host with Arnold’s memories loaded into it like a memory card.

Dolores divulges, in her conversation with Ford, that Arnold told her her purpose was to help him destroy Westworld. Ford is attempting to find out if the Hosts are hearing the Voice of God commands they were first programmed with. But she is lying to him about that. Someone said the most frightening thing is not a robot that can pass the Turing Test (A test to see if a robot can pass for human by engaging with a human. None of the robots in existence today have passed this test, so calm down.) but a robot that deliberately fails a Turing Test.  Dolores is deliberately pretending to be less aware than she is in this scene. She may also be doing this with William and Logan, too.

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Dolores, William, and Logan reach Pariah, along with Slim, and we meet El Lazo who happens to be a copy of the Lawrence Host that’s been accompanying the MIB on his travels. His name is Lawrence, too. Their meeting with El Lazo doesn’t start off well. He tasks them to steal a shipment of nitroglycerin from the Union army, to prove they can be trusted. It’s interesting that in this narrative, the Civil War is referenced. In the real world, the Southwestern part of the US was flooded with former slaves, after the war. There still aren’t enough Black people  in Westworld, but since this is the Southwest, the number of Hispanics is pretty high and that’s good. I’ve seen no Asian Hosts at all, and I know there were thousands working the railroads in the Southwest at that time, but that could be explained by not having the railroads be  part of Westworld’s narratives. (Why not?)

Logan does mention that at the outer fringes of the Park, things are wilder, and  less well managed.  He says he hasn’t visited those areas but I ‘m guessing that he’s too busy laying on his back to do much exploring. Logan pretty much just thinks with his dick. Yet, he’s not all that different from any of the other humans I’ve seen in this show. It’s not them being sexual creatures that bothers me, it’s that a lot of their thoughts about sex could be kept to themselves.  It turns out that the secret representative that Ford mentioned to Theresa in the last episode is actually Logan. He’s from some kind of rival business or something, looking  to invest heavily in Westworld. I’m only partially interested in this part of the narrative.

At Pariah, we get to see quite a number of Black Union soldiers in this episode stationed in the town. Also there are what El Lazo calls The Confederados. His purpose is to sell the nitro to the Confederates. Logan, William and Dolores complete their task but Slim gets shot down. Dolores later discovers it’s all a ruse, as El Lazo plans to use the nitro for his own ends, replacing what he’s given to the confederates with tequila. Dolores also has several visions of herself, and the maze, and is told she must follow it. She can feel herself becoming a new person and she does, in a sense. As a bandit, she gets a brand new wardrobe, and later when William is attacked by the Confederates, angry about the tequila sham, she is definitely “born again hard”, as she shoots down all three men threatening them. In the aftermath, she tells  William she imagined not being the damsel.

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I stood and I applauded!👏🏾👏🏾👏🏾👏🏾👏🏾 Whoo!!! And thanks to her Host reflexes, she’s a perfect gun (wo)man. Excellent stance, shooting from the hip, and fast as fuck.  It was awesome! She also shows some tactical ability when El Lazo threatens to shoot her and William, when they try to escape on his train. Instead of aiming at him, she aims her weapon at the nitroglycerin loaded bodies sitting in coffins in the cabin with them. She is still hearing the voice in her head, as she spots the image of the maze on the train’s cargo.

Logan is in for a rough time of it when the Confederates find out they’ve been swindled. They can’t kill him but they’re going to beat his ass for a while. Apparently, the Hosts, in these  fringe narratives, can and will beat your ass if you step to them. They won’t kill you though. Earlier that evening, during the town orgy, Logan,  feeling in his element, brings out Willam’s dark side by goading and poking him about how useless his life and morality is in such a place.

William does have a dark side, though. When Logan calls for help during his beating, William,  very obviously, turns his back on him and leaves with Dolores. It’s okay. Logan will be aaiight! But I bet shit just got real for him in a way it wasn’t before. Contrapasso is definitely a reference to Logan, as he gets to experience, first hand,  something of what he’s been dishing out to the Park’s inhabitants for so many years. Dolores and William will be joining El Lazo in some kind of revolutionary war in Mexico. This will be another part of the Park we’ve not yet seen.

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As for Maeve, she is once again in house, getting her body repaired. One of the technicians servicing her, Felix,  is  just a bit wary of having her in the body shop with them. The other technician I hope has a quick and nasty death, not because of how he treated Maeve, but how he treated Felix, who has been practicing his coding skills on a small robot bird. When the other technician finds this out he screams at Felix about how he’ll never be anything other than what he is. The man is a more of an asshole than Logan, and that’s saying something. But then none of the humans in this show impress me much. I do get  the impression that this is a co-worker and not someone who has any power over anything Felix does, as Felix continues his efforts after his co-worker leaves. He’s successful at repairing the bird, but his celebration is cut short when he sees that Maeve, supposedly still in sleep mode the entire time, is wide awake and ready  to have an important conversation with him. I am looking forward to that convo myself.

Elsie is stunned to discover that the  robot she was sent to retrieve has some spy tech in its body. In order to procure access to the body, she threatens one of the young male technicians in the Body Shop, who has been having sex with the decommissioned robots, with public exposure. Next to Felix’s dress down by his co-worker, that was one of the uglier things I saw a human do, in this episode, which is important when you consider that nearly all of the humans are deplorable. She goes to Bernard with her concerns but he is noncommittal.

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But the standout event in tonight’s episode was the meeting between Ford and the MIB. After finding Teddy in the desert strung up by Wyatt’s men, he takes him with him. When Teddy’s health quotient gets too low, he bleeds out Lawrence, to give Teddy a transfusion. Accompanied by Teddy, they meet with Ford at a saloon, where Ford tries to parse out exactly what the MIBs purpose is, and if it’s really worth it. Harris character says he wants a worthy adversary to prevent him from reaching his goal. It seems like Dolores is being set up to be that Rival, as she is following the maze too.

There is no surprise in Ford’s meeting with him. The two act very much like old, if not friends, then certainly acquaintances. We get to see Teddy be a little badass. I like the how the show is gradually introducing us to  what the Hosts are capable  of. They’re not superhuman but they are more than. They’re certainly faster and stronger. We get a glimpse into how fast during Dolores shootout, and in Teddy’s automatic reaction to protect Ford, when The MIB threatens Ford with a knife. But the robots are held back by their cognitive limitations. They have no memories, don’t know what they are and there are human things they don’t comprehend, like death.

There have been a number of theories bandied about the show. One of the theories is that the scenes  with William and Dolores are flashbacks to thirty years ago, to the life of the MIB, and chronicles how he went from being a White Hat to  a Black one. That the MIB is actually William. This would also explain his acquaintance with Dolores. I’m not sure what to think about that theory though. There are certain people and characters whom we never see interact so its easy to reach that conclusion. The  Westworld logos during William’s entrance into the Park, and the ones we see with the old Ford are different.

http://www.vanityfair.com/hollywood/2016/10/westworld-season-1-episode-5-recap-contrapasso-timeline-theory-lawrence-bernard-is-arnold-clone-robot

Next week, the robot rebellion begins, after which we have four more episodes to the big finale and what I would consider a successful first season for the show.

 

Aaaah!!! New Movie Trailers (2017)

San Diego Comic-Con has just begun, which means that  every day will bring new trailer releases to the internet. So, all week long, I’m going to try to collect the ones I’m most interested in and post them here. Not only does the SDCC release new trailers every day, for TV shows and movies, but other avenues often release trailers for their movies in a  competition for Nerd attention spans. I will try to capture a few of those too. (Some of these trailers have been seen before, but sometimes extended trailers, or extra trailers get released, as well.)

Here’s a list of movies I’m very excited about, mildly excited about, and some I don’t care that much about. We’ll start with the ones I’m most enthusiastic about, and descend in order of importance. But only to me though. There are plenty of movies I’m not interested in, but you might find them very intriguing. 

*We will start with my personal favorite, The Dark Tower. I am total trash for these books, and I’m so excited that Idris Elba is playing Roland Deschain, that I can hardly contain myself. I hope I don’t pop before Aug. 4th. It turns out that Mum is also a fan of Idris, and is interested in going to the theater with me to see this. All I had to do was mention Idris, monsters, guns, and Stephen King, in the same sentence, and she was onboard. Now let’s see if I can make it a date with my niece, The Potato!

 

*I think this movie stars some guy named Ryan Gosling. You may have heard of him. Or not. I don’t object to the man but I don’t actually see why everyone’s so gaga over him. Maybe I’ll see it during this movie. He looks really cool in this trailer though, (in my head, everyone in this movie is a Replicant.) Jared Leto is also being weird and creepy in this movie. I’m one of the few people who  still likes Jared, (probably because I don’t personally know him.) But I’m here for Harrison Ford. I’ve been gaga over Harrison since his bit part in Apocalypse Now. I just want to see him reprise his role as Deckard, since I loved the first Bladerunner movie.

 

 

Black women finally get our own version of John Wick/Wonder Woman. I know I can talk my Mum into seeing this because she loves Foxy Brown type movies. I’m a big John Wick fan, and I’d love to see how Taraji handles this role. I feel confident she can pull it off because of her work in Person of Interest. Next year is gonna be the shit as far as diversity in movies. At least for Black people. Now can we get some Latinx, and Indigenous Supers, up in here? I just like seeing different ways of handling the same stories, and a Native American Superhero movie would be awesome! (Yep! I know about Cleverman.)

 

 

I have one word for this trailer: Aaaaaaaahhhhhh!!!!!! Let me reiterate that the single word I’m using here is A-a-a-a, followed by h-h-h-h, and then some exclamation points. I think that says it all!

 

I love when Guillermo Del Toro puts his hand to something. I will see anything he comes up with, even if the idea is ultimately unsuccessful, like Crimson Peak, it’s still a movie worth looking at. This really does look like Abe Sapien gets a girlfriend in 1950s America, though. I am here for this.

 

 

I had a really hard time choosing my favorite movie for the year The Incredibles was released. It’s just one of my all-time favorites. I just know the sight of a grown woman, bouncing around the house in her bunny (actually cow) slippers, over the release of a sequel to The Incredibles, is sure to bring a smile to y’all’s faces, too. The actual family isn’t even in this trailer. This is a tribute to the real star of the movie, Edna Mode, someone I aspire to be when I grow up one day.

 

Okay, I like this trailer a lot more than the first one. This one actually makes me want to see the movie, which is great considering my theories about trailers being designed to make a person hate a movie before it opens. It looks funny, and action packed, the Incredible Hulk is talking, and Cate Blanchett looks awesome as Hel, just like in the comic books. Tessa Thompson looks like she’s having waaaay too much fun. Oh, did you catch Mark Ruffalo’s Commemorative Duran Duran Rio Album T-shirt? Everything about this trailer screams 1980s aesthetic, right down to the music and the Heavy Metal logo, and I am here for it, because that shit is hilarious to me, having actually lived through that era.

 

*Now this is how a trailer is supposed to be. Exciting! Fun! Great lines! Lots of action scenes! Good music! This is the trailer that makes me enthusiastic to see this movie, because that other trailer was kinda, meh!

I like the modern day WW more than I like WW2 version, for some reason.  I read most of the comic book versions of The Justice League, but I was mostly indifferent to The Flash, Cyborg, and Aquaman as individual books. I like the actors they chose, though, especially Ezra Miller, and Jason Momoa. They look they’re having fun, which means I’ll have fun, too. I don’t actually object to Ben Affleck as Batman, except when I do, apparently. (Maybe it has something to do with my mood. Who the heck knows?) I hope Cyborg changes expression at some point.

 

 

 

*Okay, this movie looked creepy enough, even though I don’t normally watch serial killer films. I come from America’s Northeast, (Ohio), so movies  with lots of snow are always attractive to me. I can’t imagine why! Also, movies with snow, and Michael Fassbender, are always going to be intriguing. Did I tell you I was a fan of Michael Fassbender, who in real life is probably a complete asshole, but I don’t want y’all spoiling my daydreams of marriage (and eventual divorce,) in some alternate world’s future? Oh, I haven’t told y’all that!

Never mind.

 

 

I’m feeling just meh! about these:

*I  was not a huge fan of the original movie becasue I hated all the characters,  including Eggsy (or whatever) and there’s one scene, in particular, that was extremely violent, and  sort of harrowing to sit through, and I didn’t like it, even if it was very well choreographed. On the other hand, this one has cowboys and Channing Tatum, which might be a win for me.

 

 

*I think this might have been released already. I’m not sure, but it looks suitably weird and frightening, so I’m not sure I want to sit in a movie theater, and see something like this, although I would definitely watch it on Cable or Netflix. I always have a odd mix of yes/no feelings regarding alien invasion movies, (although I loved last year’s Arrival.)

 

 

*I have no intention of seeing this in a theater, but I love the idea. It looks scary and funny which is exactly my style. Some of you might really like this one. I would definitely watch it on TV.

 

 

 

*I like Noomi Rapace, and this movie sounds intriguing, but I would never watch this in a theater, because it looks deeply depressing, and kind of horrifying. I think I’ll wait for the DVD, on this. But I know some of you will like this, especially if you liked Children of Men.

 

*I love Dwayne Johnson but I’m not going to see this. I even like Kevin Hart’s brand of comedy, and the two of them have such great chemistry together. I won’t go see this unless my sister pays for it, though. I liked the book, and the original movie, too. The idea of upgrading to make it a cliched videogame is also pretty cute, but I won’t be seeing this one until it, inevitably, shows up on cable.

 

 

Okay, these movies are a straight up Nope!, for me, but might be intriguing to some of you guys:

*Why does there even need to be a live-action version of a nearly perfect animated movie? Who did this, and can we find them, and waterdrop them, until they stop doing whatever they think they’re doing?

 

*Nope. I already saw this movie. It was called Wanted, or American Ultra, or something, and I don’t want to pay money to see it again. I’ll wait for it on Amazon.

 

 

 

*Nope. Already saw this movie, too. It was called 10,000 BC, I think. I was disappointed then, and I’m sure I’ll be disappointed here.

 

Next up: New TV show trailers!

Cloverfield Sequel in 2018

Paramount and J.J. Abrams’ Bad Robot Productions moved the third Cloverfield film, from October 27th 2017 to February 2nd 2018. The science-fiction thriller film was was originally titled as God Particle, and was directed by Julius Onah. It stars Gugu Mbatha-Raw, David Oyelowo, Ziyi Zhang, Elizabeth Debicki, Daniel Brül, and Chris O’Dowd. The story, set in the […]

via Gugu Mbatha-Raw

First Look at Poster and Trailer for Taraji P. Henson’s ‘Proud Mary’ — WE ARE GEEKS OF COLOR

Taraji P. Henson is playing an hitwoman on the big screen. This is not a drill. She is coming to get our money, and we will gladly give it her. Proud Mary follows Mary, a hitwoman, who begins to reconsider her life when she saves a young boys life. The young boy was orphaned by […]

via First Look at Poster and Trailer for Taraji P. Henson’s ‘Proud Mary’ — WE ARE GEEKS OF COLOR

 

OMG!!!! Taraji  can just take my fucking money!!! I know she’s got the chops to pull this shit off, because she tore it up in Person of Interest, as Detective Carter.

I think we’re meant to be reminded of Pam Grier’s Foxy Brown. Right down to the title font being used.

I don’t think of Concrete Blonde as the new John Wick (I suspect that movie isn’t going to blow up the way people think it will.). I think Proud Mary is the Female John Wick!

http://www.clutchmagonline.com/2011/08/badass-why-are-black-female-action-heroes-missing-in-action/

Get Out: The Importance of Black Friendship

Over the years, its been a thing for White people to ask, “Why are all the Black kids sitting together in the lunchroom?” A question that’s almost as famous as “Why is there no White history month?” When I was asked that first question, in my youth, I had no answer. I knew there was a reason for it, and I tried to articulate why, but in the early 90s, words like micro-aggressions, and implicit bias, had  either not been  invented yet, or were not widely known to the public.

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An analogy: In my last post about American Gods, I addressed the issue of why we’re never seen Shadow Moon interacting with other PoC, or human beings, and I connected that to how “marginalized people”  need each other to touch base with, and ground them in their sense of reality, as they navigate spaces that are not considered to be theirs. An excellent illustration of this is Shadow believing he is slowly losing his mind in the presence of the supernatural creatures he is surrounded by.  Shadow isn’t only isolated from a racial standpoint, he is isolated from a human standpoint.

However, as a Black man, Shadow has had many years of practice  navigating White spaces, and no experience, at all, navigating supernatural ones, as a human being, and as a result, believes he’s losing his grasp on sanity. Without other humans present to acknowledge the events he’s been experiencing, he can only rely on his own shaky understanding of reality, which is not strong enough to keep him from believing that he’s losing his sanity. He cannot hold onto his sense of self. He can  adopt the prevailing attitudes of the supernatural creatures surrounding him, (just give in and accept it, which he has done by the end of the season), or he can declare that none of what he has experienced is real, and that he is actually insane, or he can find some human beings to ground him, and shore up the  assurance of his own humanity.

And this is not unlike the kind of choices that PoC make when we have no option but to navigate White spaces. (By White spaces, I mean public places, primarily populated and run by White people, like school and work, where close contact between Whites, and PoC is encouraged.) Do we adopt the prevailing attitude of the people around us, even if it’s detrimental to our sense of self, and well being, or do we retreat to more comfortable spaces with other members of our specific ethnicity (i.e. run away).

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This is one of the choices that Chris has to make in the movie Get Out.  A choice between an assimilation that will destroy his sense of self, or flight. During the course of the film, Chris wavers between these two impulses, but it’s his relationship with his best friend Rod, rather than his romantic relationship with Rose, that prompts him to not only deeply question what is happening to him, but to make the choice to flee (almost too late.)

One of the reasons that movie has such a resonance for Black people is that  we recognize, not just ourselves in much the same situations, but our “ride or die” friends, who we often commiserate with, after being in such spaces. Our friends help us  confirm our reality,  and criticize, and fight back, against our experiences, when we’ve been pressured to conform, or accept, that what’s happening to us is normal.

In the movie Get Out, Chris has such  a “ride or die” friend in TSA worker, Rod, played by actor/comedian LilRel, who also functions as the movies comic relief, and another version of the Everyman, with which we’re meant to identify. Rod is the character who explicitly states what the Black audience is thinking, and you could also argue that  Rod is  the hero of the movie.  Chris, alone in the wilds of White suburbia, often calls  on Rod, to touch base, to check facts, to affirm his experiences, and to confirm his sense that he is not the one who is crazy. It is everyone else.

Chris calls Rod after every questionable event, and Rod makes an effort to assure Chris that not only are his experiences are real, they are not normal, thereby confirming for Chris that his feelings are valid.  If you watch carefully, Rose does not do this. Chris calls Rod after his first meeting with Rose’s family, and Rod warns him against being hypnotized, elucidating all the things that could go wrong. Although Rod’s suppositions are comical, his distrust of someone hypnotizing Chris is spot on. Rose, however,  considers hypnotism harmless, and makes no effort to talk Chris out of  his misgivings. Instead, she deflects their discussion of how he feels, to how embarrassed SHE is  about her family, thereby derailing the discussion onto her feelings..

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Chris also calls Rod after he meets the other Black people there, because their behavior is unusual, and Rod assures him that his feelings are correct. Their behavior is wrong. Rose, while agreeing that the behavior is unusual, makes excuses for why it happened.

It is Rod who first warns Chris that he needs to leave, after he does a basic search on one of the Black people Chris met that weekend. Rod also confronts Rose about Chris whereabouts, when he can no longer contact him, and tries to trick her into giving herself away. He researches the other people Chris has met, and goes to the police with his concerns. When the police don’t respond, he takes it upon himself to find and rescue his friend, if that’s what’s necessary.

Shadow Moon, in American Gods, has no such friend. There’s no one to turn to to confirm the weirdness he just saw, and there’s no one to rescue him from an environment that is emotionally, and physically, dangerous to him.  Mr. Wednesday acts very much the way Rose does. He deflects , glosses over, and occasionally outright lies to Shadow, to keep him from fleeing the situation. Shadow eventually chooses to believe what’s happening to him. He assimilates. You can see the parallels to the victims who came before Chris,  but thanks to Rod,  he gets saved.

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Chris is in an environment where he is pressured to keep silent about his misgivings because he doesn’t want to make a scene, or upset Rose. Whenever he expresses doubts or misgivings, they’re rationalized away, not acknowledged, or dismissed as not being real.

Chris’ feelings are invalidated by the White people around him, with every one of the tactics used to discredit PoC feelings, in racial discussions with White people. The Black men and women  who are present, may look like him, but have been fully assimilated into that environment, and cannot be trusted. Chris needs Rod’s distance from the event,  emotional grounding, encouragement, and support, if he is to get out of the situation with his “self” intact. Shadow’s friends were killed (by Mr. Wednesday for the express purpose of isolating him from other humans), so Shadow has no touchstone, and the result  is Shadow BELIEVES, thereby ensuring his eventual downfall.

This is no different from Rose choosing her family’s victims based on how isolated they are from other Black people. The people she chooses don’t have close ties to their own family, or community. She chooses people that won’t be missed, that no one will look for. In Chris, she made a mistake in thinking him isolated. He has Rod, and she did not appreciate how far Rod would go for his friend. Rose’s brother isn’t so discerning. Lacking the ability to cajole, or seduce Black people, into being friends with him, he randomly ambushes isolated individuals. That was a mistake, because it’s his lack of discernment, that allows Rod to research his last victim. His family was looking for him.

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The movie resonates with Black people, in particular, because any one of us, who has been in such a situation, can identify with Chris , but we can also identify with Rod.There have been times when we’ve had to be that comic relief for a friend, the anchor that grounds their emotions, and lifts their spirits. Or we have had to be the touchstone that acknowledges that what happened to them that day, was actually real, and wrong. We have had to affirm a friend’s sense of normalcy, after a long day of working in a White corporate environment, where they are pressured to not speak out against the micro-aggressions lobbed in their direction.

It feels good to vent to friends about the insanity, and frustrations, of the job. It’s those Black friends who will  confirm that:

“Well, yeah, Becky was wrong to tell you to go get her coffee when you’re the only Black Executive Sales Manager, and she never makes that request of anyone else with your job description. ” (Confirmation of micro-aggressions)

“Yes, it is  horribly wrong for Coby, from Accounting, to keep calling you LaQuetta, when your name is Felicia. LaQuetta is the Secretary five cubicles down from you, is five inches shorter, three shades lighter, and has a French accent!”

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In the movie Hidden Figures, the women have not only a strong sense of their inner selves, Kathryn, Dorothy, and Mary, also have a strong bond with each other. There’s a scene of the three women drinking and dancing at home. Their friendship (something rarely shown of Black women in films) uplifts them, and confirms their humanity, in an environment that does nothing but try to undermine it. Many of us work in such environments, and its our friendships with members of our own race, that make such circumstances bearable.

For those who are absent a strong sense of self, or are unused to navigating White spaces, a lack of Black friends would have you thinking that sort of treatment was perfectly okay. It might have you joining in, instead of questioning, whether or not it’s a good idea to rub soup in your hair,  before your next date.

Black people have kept each other sane, supported each other, and confirmed our reality for each other, since our beginnings in this country, and it has helped us to survive tremendous hardship. Black friendship doesn’t just save one’s sanity, but in the movies, as in real life Black friendship can often save a life.

 

 

 

 

 

 

 

 

Is Arya Stark The Only White Person With A 100% Black Approval Rating? » VSB

http://verysmartbrothas.com/is-arya-stark-the-only-white-person-with-a-100-black-approval-rating/

I personally am more than a little puzzled by Black people’s love for Game of Thrones, but I can attest to Arya Stark being a Black favorite, because she’s  one of my favorites. There are Black people watching and talking about this show, who aren’t even close to being TV geeks, and don’t watch anything else, with even the slightest hint of fantasy in it, but they’ll sit and binge watch GOT marathons, and then bitch about Daenerys being problematic, for  two and half  hours, just like any hardcore blerd.

What We’d Like To See In The Power Rangers Sequel — WE ARE GEEKS OF COLOR

On March 24th, we were reintroduced to five misfits who would become the Earth’s greatest warriors, The Power Rangers! With poor box office results, we were all “Ay ay aying” to thought that there wouldn’t be a sequel. But thank Zordon for merchandise sales! Director Dean Israelite has stated before that Lionsgate

via What We’d Like To See In The Power Rangers Sequel — WE ARE GEEKS OF COLOR

 

For all you Power Rangers fans out there…GREAT NEWS!!!

Masculinity, Rage, and Racism: Some Thoughts on War for the Planet of the Apes — Feminist Frequency

War for the Planet of the Apes may be the least subtle film I have ever seen. Of course, not every film has to be subtle, but at a certain point, enduring a movie that repeatedly bludgeons you with sledgehammers of obvious meaning becomes a numbing experience. War crosses that mark within its opening 15…

via Masculinity, Rage, and Racism: Some Thoughts on War for the Planet of the Apes — Feminist Frequency