Tumblr Celebrates Black History Month

As a general rule, I try not to post a whole lot of negative stuff on this blog, unless it’s directly related to Pop culture. There has been a lot of racist fuckery, just this month, that we’ve been dealing with. I am, at this point in my life, inured to (i.e. tired of) the abject stupidity of the American public when it comes to the subject of race, and hey! it is Black History Month! What I’m not gonna do is turn this blog into a space that chronicles White wtf*ery towards Black people. There are plenty of places on  the internet that already do that. Let’s celebrate some positive/happy stuff. Like I said before, “Don’t bring me no bad news!”

I’m going to focus on the positive, like the first, recorded, Black, onscreen kiss. They are so cute!

GERTIE BROWN & SAINT SUTTLE

“Something Good-Negro Kiss,” the newly discovered William Selig silent film from 1898 is believed to be the earliest cinematic depiction of African-American affection. Thanks to scholars at the University of Chicago and the University of Southern California, the footage is prompting a rethinking of early film history. The performance by cakewalk partners Saint Suttle and Gertie Brown is a reinterpretation of Thomas Edison’s “The Kiss,” featuring May Irwin and John Rice. The film was announced December 12, 2018 as a new addition to the Library of Congress’ National Film Registry—one of 25 selected for their enduring importance to American culture. The 29-second clip is free of stereotypes and racist caricatures, a stark contrast from the majority of black performances at the turn of the century.

 

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Bayard Rustin has been largely erased from the Civil Rights struggle. I wonder why.

dicksandwhiches 

Bayard Rustin was an openly gay Black man who was Martin Luther King’s right hand man. He planned the Million Man March and was subject to scrutiny for his sexuality and deemed a “deviant” and “pervert”.

Bayard Rustin can be found in nearly every picture of MLK yet he has undoubtedly been erased from history. We have to fix that.

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Well then, let’s bring that name back.

Bayard Rustin, openly gay, human rights activist, proud black man.

(the guy on the left in case you wondered)

Yeah he was literally the guy who was the head of planning the March on Washington.

If you want to learn more about him, there’s a great documentary on him called Brother Outsider: The Life of Bayard Rustin

 

You can watch the full documentary here (until March 31st, 2016)

I did a research project on him, Ella Baker, Claudette Colvin and Stokely Carmichael comparing their contributions to the Civil Rights Movement to the lack of recognition and misrepresentation they received in commonly used high school American History textbooks. All of these people played major roles in the Civil Rights Movement—almost on par with MLK—yet they go largely unnoticed or unfairly pushed aside not only during their time, but even now in classes on American History. These men and women deserve to be remembered.

 

Source:

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There has always been a thriving Black film industry, especially for comedies and romances. Movies like Black Panther are not new, and it is mostly an outlier because of its sheer scale. But there a lots of beloved films about everyday Black life and romance that have little to do with the  stereotypes of mainstream Hollywood.

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I couldn’t wind this up without a shoutout to my gay and lesbian brothers and sisters.

Black LGBTQ+ Resources

It’s February, which means it’s Black History Month! Similar to how I made an LGBTQ+ resource post for Native American Heritage Month in November, here are some resources for Black LGBTQ+ people (as always, feel free to contribute if you have more resources!)

GLSEN Pages:

Historical information from the US National Park Service:

Some Black LGBTQ+ Creators:

Other Helpful/Informational Links:

Source:
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What’s the big deal about blackface? READ THIS!

What’s the big deal about blackface? READ THIS!

https://brothawolf.wordpress.com/2019/02/13/whats-the-big-deal-about-blackface-read-this/
— Read on brothawolf.wordpress.com/2019/02/13/whats-the-big-deal-about-blackface-read-this/

Kingdom (Korean Zombie Series)

 

I cannot speak highly enough about this show, and I want to watch it again before the 15th (before I’ll be binging Umbrella Academy). If you’re a fan of historical fiction, zombies, and political intrigue, then this is your show. The fact that all the political intrigue takes place in Korea’s past is completely irrelevant, because you will enjoy the ride. You will especially enjoy it if you watched the movies, Train to Busan, or Seoul Station, because this is from the same creators, although it is unknown if the movies are part of a trilogy, with the show.

Now, I can’t say for certain, but it is possible that Kingdom is a prequel to Seoul Station, which takes place in present day  Korea, and involves a zombie contagion spreading among the homeless. Train to Busan is about a zombie contagion that takes place among a crowd of middle class commuters, in the present day, in another area of Korea, simultaneous to Seoul Station.

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Kingdom takes place in Korea’s ancient past and is about a zombie contagion that spreads among the populace, after the King becomes infected. While the peasants fight for their lives, the Crown Prince attempts to do his best to help save them while the rest of the nobility fight among themselves for access to the throne.There’s some neat character arcs in the series. When we first meet the Prince, he is attempting to see his father, who has been incognito. What he doesn’t know is The King had been turned into a zombie by  the medicinal use of a small purple flower, that grows in the mountains.

The current Prince is next in line to the throne, and he is indolent and kind of lazy. He’s spent most of his time enjoying himself rather than learning statecraft. There is a rival clan that wishes to put one of their own on the throne because a daughter of that clan is the King’s pregnant wife. Most of the time at court, is spent driving away the Prince, and pretending the King is still alive, but in seclusion, until that woman’s child is born, as that child will have precedence to the throne over the current Prince.

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As the crisis with the zombies deepens, we watch as  the Prince steps up to care for his people in their time of need, which parallels the journey made by the lead character in Train to Busan, who goes from a selfish man, who nearly gets one of the other passengers killed, to sacrificing his life to protect them. Several times the Prince risks his life to save peasants, including several children. He steps up to be as courageous, and smart, as the peasants believe him to be. The other officials, whose job it is to take care of the villagers, turn out to be a lot less so.

Each iteration of these stories addresses the  issues of classism and poverty from three differing points of view, so I can’t talk about Kingdom without talking about the previous two films, because even if the films are not part of a trilogy, they are connected by their themes. In Seoul Station, the entire contagion begins among the homeless , when one of the men in that community, dies  and resurrects. His brother tried get help for him, but kept getting rebuffed  by people who had nothing but contempt for him. If he had been able to get medical help for his brother, the situation would not have evolved the way it did.

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In Kingdom, the villagers in the outlying areas are starving to death because the local officials are neglectful in their duties, being more concerned with their pleasant lives, than if people are dying. When one of the bodies the King has fed on, is shipped home to one of the villages, someone chops up the body, and puts it in a stew, which the starving peasants eat. For the record, most of the bodies the king has fed on, don’t resurrect because they have been immersed in a pond on the castle grounds.

One of the interesting things about these zombies is they only resurrect during the day. It isn’t until later that we find out why that is, but until then, since no one believes in their existence until its too late, no one takes the opportunity to get rid of the bodies before nightfall.  As soon as the sun rises, the zombies fall down, and appear to be dead. The bodies that have been dumped into  the palace’s pond have also not resurrected, for some reason.

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The homeless man, in Seoul Station, spends nearly the entire  movie running for his life, after having met, and saved, the life of the young woman at the center of the film. She too is a member of the underclass,  a sex worker with no real home of her own, after she breaks up with her boyfriend. Neither of them have anywhere to go, so must stay out in the streets, trying to avoid the zombies. At one point, she and the old man have simultaneous emotional breakdowns about wanting to go home, and not having one to go to.

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Every opportunity people have to help them, they don’t,  including the police. The two of them get attacked or turned away. Some of the characters declare that the old man smells bad. The young lady makes a less than favorable impression, as she spends most of the movie in her bare feet, after she loses her impractical shoes. No one will help either of them because they are considered smelly, or  dirty, or  worthless. The movie isn’t just an indictment against the existence of homelessness, but an indictment against the classist snobbery that does nothing to help them.

In Train to Busan, you have another class of people, the middle class, riding a train, when a contagion occurs. You have businessmen, grandmothers, high school students. In other words, respectable people. The kind who were looking down on the primary characters of Seoul Station. Trapped in an environment no one can escape, they are shown as being selfish, full of contempt for those they think are less than, having no loyalty to one another, yet  acquiescent to any form of authority.

The man with the most power and respect is openly malicious  towards the other characters, at one point, expressing a rage filled rant towards a teenage  girl he regards as stupid. At several points in the story, he gets people killed because he wants what he wants, and in his mind that takes priority over whatever those “lesser” people want. So once again we have the themes of classicism and selfishness and snobbery. All the other characters learn to be selfless too late to save themselves, as they really get  the chance to band together. The lowest person on the class scale is the wrestler and his wife, both of whom start the story as giving and altruistic people. There is also a homeless man in this movie as well. He dies too, but he does so giving his life to save others, just as the wrestler does. This same level of personal growth is shown in The Kingdom, when  the Prince rises to the occasion, to become a true leader who makes smart, brave  decisions for the welfare of the villagers, and  always from a place of empathy.

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In Train to Busan, two old women, sisters, are watching news footage of the zombie attacks on TV and, mistaking the attackers for rioters, they both express disdain for “those people”. After one sister gets infected, the other gets everyone in her train car killed, after she opens a door to let her sister inside. Her selfishness, (because she certainly isn’t thinking of the welfare of the others in the car), is what gets everyone killed, which is an interesting turnabout, as it was the people of that train car who selfishly kicked  some of the other survivors out of that car, at the commandments of the selfish businessman.

In Kingdom, the ruling officials in the area, at every opportunity to save the villagers, elect to save themselves. During an uprising of zombies, a fleet of boats is burned, leaving only one boat left. The officials and members of the local nobility, decide to take the one boat for themselves, after promising to evacuate the villagers. Unknown to them, one of  the infected has made its way onto the boat. They are all killed, and their boat destroyed, when the contagion breaks out.

While the movie is full of Game of Thrones style intrigue, its still fairly easy to follow, although you will probably not remember any of the character’s names. Even though its a series, rather than a film, it’s every bit as intense as the first two films, with the quiet moments only serving to build up the tension before the next attack, which everyone knows is coming, so a lot of daytime events have time limits on them. It is a very intense show, with lots of running, fighting, and bare escapes. Yes, children are endangered in this movie, some of them are killed (offscreen) and there are child zombies.There are also some really good plot surprises, as well, so if you’re watching this  because you find the plot intriguing, you will be satisfied. The movie is both subbed and dubbed, so those of you who hate reading subtitles can listen in English, and vice versa.

I cannot recommend this movie hard enough to anyone who is a fan of zombie movies and shows.

Kingdom is a six part TV series available on Netflix.

Titans (DCEU) Season One

 

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I actually liked this series, although I was more than a little dubious about it from looking at the trailer. The trailer for this show should just be ignored. The show has a few problems, but those problems can be overcome.

The show starts with Raven, and her superpowers, being pursued by some unknown agents. She ends up in jail where she meets Dick Grayson. She knows who he is and pleads with him to help her. There are several suspenseful escapes from the people pursuing her. Along the way, she meets Garth (Beast Boy) and his family, the Doom Patrol, in episode four, and eventually, she encounters a superteam duo, called Hawk and Dove, who were also in the comic books, but I don’t remember them, which shows you how little of an impression they made on me. I don’t know if they’re going to have a  spin off show of their own.

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It turns out the people pursuing her are the members of a cult that worship her demon father, Trigun, and are trying to procure her to work for them, so they can summon him to Earth. They are unsuccessful for the most part but then, of course, her mother (who she thought was dead), reappears, claiming to want to take care of her, or something. Naturally, since she was the one who slept with Trigun she’s on his side, which is a plot point you can see coming a mile away, but Rachel doesn’t even think about asking her mother why she slept with a demon. So yeah, her mother tricks her into summoning her father, even though Rachel knows she’s probably  not supposed to do that.

And let’s just say the comic book version of Trigun made a huge impression on me as a kid. Yeah, this show version was  deeply underwhelming. I was not whelmed at all.

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I think one of the main problems, with this show, is the focus on Raven as a character. The actress makes this character  less than compelling because she simply isn’t a very good actress. I mean she is an adequate actress, who is not good enough to pull off this role,  and I found myself more interested in Beast Boy’s story because Ryan Potter is just better. At every opportunity, the other actors outshine her, and are much more interesting as characters. Yes, even Dick.

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There’s also the small sideplot point of Beast Boy having  trouble controlling himself  (along with some PTSD) after he kills (and eats) a man in the form of a tiger, which seems to be his go-to animal. I found Garth’s questions about the nature of his abilities to be much more interesting than anything Raven was getting up to. On the other hand, watching  the two of them  bonding as friends, was really sweet, and Beast Boy is very quickly becoming one of my favorite characters. He was mostly just annoying in the comic books but Ryan Potter’s incredibly expressive face perfectly captures both the sunniness, and the menace, of this character. Most of the time Garth is a friendly and open person, but when he goes to his animal form, he can be pretty terrifying, which is not necessarily something that can be conveyed in illustrations.

Seeing certain characters brought to life, seeing their powers manifest for real, rather than on a page,  has a different effect on how you think of them sometimes. I thought the idea of all his animals being green would be kind of silly, but the way its shown isn’t silly, at all. Potter’s body language really sells it, and you get some idea of how much power this  guy has (especially if you just ignored him in the books.)

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I am reasonably  familiar with the Teen Titans comic books, (even though I’m not a DC fan, in general), and the Teen Titans Go TV show. In the comic books, my favorite character was Raven.  I found her backstory, as the daughter of the world destroying demon, Trigun, very fascinating. If you’re a fan of the cartoon, that Raven isn’t all that different from the comic book version, except for being funnier and snarkier. Oddly, the Starfire from the cartoon isn’t all that different either, at least in temperament, from the comic book version either, except in the comic book, she’s a lot sexier, which brings us to Ana Diop as Starfire.

My least favorite character from the comic books  is Starfire, although my niece, The Potato, loves her. I mostly found the character uninteresting, and occasionally, annoying.  I  thought of her as “chirpy”, but then I was a lot younger when I read those. In the show, as portrayed by Ana Diop, she’s a much more interesting character, who, at first, isn’t much like her comic book version at all. She’s kind of broody and dark, but there’s a reason for that.  Its only towards the end of the season that she starts to get more snarky, but she still lacks the sunny, happy go lucky, problem free attitude, of the woman from the comic books ,although she has an incredible smile, that when she bothers to use it, just makes you smile too.

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She’s one of my favorite characters on the show. I especially love that everytime we see her, just like in the comic books, she’s wearing purple, and unlike the comic books, her scenes  are always accompanied by disco music, which I thought was hilarious. Of all the characters, she’s the most knowing and mature, while paradoxically, knowing the least.

The Starfire from the comic books is an exceptionally powerful character. which is something people tend to forget. She is a very visually distracting character, because  she barely wears any clothes, (she really does love the color purple, though). She does things in the comic books that I didn’t think about seeing on the screen because I got caught up in how she looks too. I didn’t like her hair. I didn’t like her outfits. Her attitude is different. When she uses those massive force blasts in the show, literally incinerating a roomful of men into a pile of charcoal briquets, that shit is… let’s just say, I was a bit taken aback. This was not what I’d thought about when I thought about her. Like I said, it’s different when you see it brought to life, in this manner.

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When we first meet Starfire, or Kory , as the show refers to her, she has lost all her memory, which accounts for the change in attitude, at least. She encounters Rachel and adopts her as a little sister, and   vows to protect her. It isn’t until near the end of the season that she gets her memory back, and her relationship with Rachel suffers for it, which is really tragic because you could see that the four of them, Beast Boy,  Robin, Kory and Rachel were beginning to form a family. I was not impressed by the comic book version of the character but the onscreen version is truly impressive and Ana Diop is doing a wonderful job with it. I can see why she was chosen for this role. (We’re not about to address the racist wtf*ery from the fandom, and  which has surrounded the  character, from the moment the actress was announced. Ain’t nobody got time for that!)

This is not a great show, but I’m interested in the family dynamics at play, and the relationships between the characters, as they develop. Kory and Dick develop a relationship which is canon to some of the comic books, and I liked seeing that. Brendan Thwaites, I have no idea who he is, is an adequate Robin, and it was a lot of fun watching him interact with Jason Todd, the Robin who replaced him.

Dick has some anger issues, and a chip on his shoulder with Batman, which is also kind of true to the comic books, despite that silliness  in the trailer. I have to admit I mostly think of Batman’s various kids as a huge, squabbling bunch of emos, and I would love to see some of the other Batkids in the show. I find it amusing to watch them fight amongst themselves, but they will  still kick the asses of anyone who messes with  their siblings. (Batman has, like, a dozen kids! I have never found that NOT funny.)

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I wish the show had been a little more focused and not sort of all over the place, though. Its not that the plot points are not resolved, its that characters (Hawk, Dove, The Nuclear Family,  Doom Patrol, Jason Todd, Donna Troy) are introduced, and disappeared, so fast we barely get to know them, and the characters keep moving from place to place. The show appears to be both moving too fast and meandering slowly towards its conclusion. The pacing needs to be better. It just felt like the writers were trying to squeeze in as many cameos from the comic books as possible.

Marvel and DC seem to have carved out their respective territories with Marvel tearing it up on the big screen, while  the Prime Time TV market  is seems well settled by DC, with 7 to 8 shows airing now, and some 8 more on the way, most of which will be on the DCEU app. (Marvel and DC both  have a f**kton of animated works too.)

Titans is available on the DC app. Ignore the awful trailer and give it try if you can.

Liam Neeson’s revelation unmasks the dark heart of toxic white masculinity — Media Diversified

The response to Liam Neeson’s recent revelations of his plans to randomly kill a Black man as an act of revenge has now switched to the impact on the actor’s career. But as Kristel Tracey writes, it reflects the fact there is still much work to do around toxic white masculinity and structural racism You […]

via Liam Neeson’s revelation unmasks the dark heart of toxic white masculinity — Media Diversified

I’ll have more to say about this next week!

The minimising of the sexual assault of Black boys

The minimising of the sexual assault of Black boys

The minimising of the sexual assault of Black boys
— Read on mediadiversified.org/2019/02/06/the-minimising-of-the-sexual-assault-of-black-boys/

I was aware of this, but only as something that men joked about among themselves. I never did understand why it was funny. Any sexual contact with a child is statutory rape, for boys as well as girls. I never thought this was a topic of humor, but what’s interesting is how the idea that Black Boys cannot be raped perfectly dovetails into the stereotypes of the hyper sexuality of women of color, and this idea, created by white racism , that certain groups of people of color are always ready and willing to have sex, making them, essentially, unrapeable.

That is quite possibly one of the most insidious ideas behind the white supremacy that was used to excuse white male rape and molestation of girls and women of other races. Of course you know I’m going to se this through the lens of the pop culture stereotypes of PoC. The Squaw! The Spicy Latina! The Jezebel!

In this instance, the sexual abuse of Black boys contributes to the idea that Black men are hypersexual, and the Black brute stereotype.

Some Exciting Trailers!

Doom Patrol

I’m actually enjoying Titans, which is something I’ll talk about later, but one of my favorite episodes was number four, which featured the superhero group, called Doom Patrol. Yes, they are comic book characters. No, I never read any of the books. I sort of knew about Doom Patrol in passing, but never actually picked up any of the books. Occasionally, I’d stumble across that Robot guy, but I’ve never heard of the team beyond Cyborg.

In the Titans episode clip below, Beast Boy takes Raven to meet his family. I have this thing about depictions of family dynamics, so I was on board right from the beginning. The team, as it will in the show, consists of Negative Man (the guy with the bandages), Elastic Woman (who can shift her looks), Robot Man (who used to be a race car driver before he lost his body in an accident), Cyborg,(we met him in Justice League), and Jane (who has 60 different personalities, all of whom have a different superpower).

I’m looking forward to watching this soon.

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Fast Color

One of the things I like about the new year are all the interesting new trailers for films no one has mentioned, or I’ve never heard of. This is Fast Color, about a Black woman who has superpowers, who goes home to discover her daughter has abilities too. I really like Gugu Mbatha-Raw. I’ll watch anything in which she stars, so if this is playing in my area, maybe I can talk Mom into going to see it with me.

 

 

Avengers Endgame

This is the latest trailer for the new Avengers movie, airing during the Superbowl. I’m very excited to see this movie mostly because I’m deeply curious about the interactions between characters who have never met before.

It seems that we’ve been reduced to the first five, or so, original Avengers, in the direct aftermath of the loss of so much life, so there’s a distinctly melancholy feel to the movie. I don’t mind, as long as I get to see most of my favorites return.

 

 

The Twilight Zone

I’m a huge fan of the original TW, and the various reboots weren’t too bad either. I’m a big fan of Jordan Peele, who has already shown us his horror bonifides with his first movie, Get Out, and his newest release this Spring, titled US. I think he’s just a Producer on this, which is cool. I already have the CBS All Access App for watching Star trek Discovery, so I might as well take advantage.

 

 

Hanna

I can’t say I’m a fan of the movie, which turned out not to be the full on action fest I thought it would, but turned out to be quieter, and more contemplative, than I thought. I did not dislike the movie this came from, but I didn’t love it either, probably because my expectations, and the payoff were so wildly different.

The movie is a bout a young girl raised by her adoptive father to be lethal, her escape from his pursuers, and her attempts to live as a normal teenager, when she meets another young woman looking to be friends. If the show follows the movie, then be prepared for some really good action scenes, alongside a great deal of  coming of age drama. I’m curious about this. one of the  standout things , from the movie, was Hanna’s relationships with the normal teens, and their reactions to who and what she is.

So, I’m going to check it out and let you know what’s going on here. Hanna airs on Amazon Prime. Tbh, I haven’t watched a single one of Amazon Prime’s many original series, so maybe I’ll break that record with this one.

 

 

Toy Story 4

I’m probably not going to the theater to see this, but then I’ve said that about other movies, so don’t take me at my word on it. After all, I have several nieces and nephews who all love Toy Story, I’ve seen all the other ones in theaters, and I could be easily persuaded to take them to see it. My family has discovered that I am notoriously easy to be talked into seeing movies I had no plans to watch, (and I’m pretty sure my Mom is just taking shameless advantage of me.)

So, we’ll see.

 

 

Game of Thrones

Season eight is coming.

 

 

Scary Stories To Tell In The Dark

I remember scaring myself to death with these books as a kid, so I’m mildly excited about a movie based on them. For me the scariest parts of the books are the illustrations, but some of the stories are pretty effective today, too. Apparently this movie is produced by Guillermo Del Toro, who rarely goes wrong when it comes to Horror, so I’m looking forward to checking this out.

 

 

 

Hobbs and Shaw

I’m not really a Fast and Furious fan. I’ve maybe watched half of the movies, but the inclusion of Idris Elba, as a total badass, has my complete attention, Since my Mom is a huge Idris fan, and will actually go see movies featuring The Rock, and for some  reason that is unbeknownst to the rest of her family, has become enamored of Jason Statham’s Transporter movies, I’m pretty sure I can talk her into going to see this movie with me.

It looks like a helluva lot of fun, too.

 

 

The Secret Life Of Pets 2

I though the original film was just sooo cute! My favorite character is Gidget because  her name reminds me of those Gidget Beach movies I watched as a kid. This new trailer is really funny, so I’m sure I can be talked into going to see it by my sister’s kids.

 

How dare the APA refuse to recognize that men and boys are violent creatures of instinct

How dare the APA refuse to recognize that men and boys are violent creatures of instinct

https://freethoughtblogs.com/pharyngula/2019/02/02/how-dare-the-apa-refuse-to-recognize-that-men-and-boys-are-violent-creatures-of-instinct/
— Read on freethoughtblogs.com/pharyngula/2019/02/02/how-dare-the-apa-refuse-to-recognize-that-men-and-boys-are-violent-creatures-of-instinct/

Interesting article!

Black History Month Kick-Off! Black People Are Amazing! PERIOD! — WriteSomeShit

Today kicks off 28 glorious days of all things Black! (Please cue the White tears.) This is one of my most favorite times of the year where we take the time to highlight Black history, Black genius, Black joy, and Black excellence. Make no mistake, this celebration won’t just be 28 days of peace, laughter,…

via Black History Month Kick-Off! Black People Are Amazing! PERIOD! — WriteSomeShit

That falling down video made me totally lose control at work. That is sooo like some people I know.

No Bad News For Black History Month

Well, it is officially Black History Month, and to start things off on a good foot, I’m bringing back an old favorite of mine. Some of y’all will remember watching this as a kid, and for those of you who are new to this song, it’s from the 1970’s version of The Wiz, which starred Michael Jackson, before he was *Michael Jackson, Nipsy Russell, and Diana Ross.

I love this entire scene, from the dancing to the costumes (Evil’s costume is fucking awesome!). This, and the scene with Michael Jackson as the scarecrow singing,  “You Can’t Win”,  were the two scenes that made the biggest impression on my little girl brain, and for a long time I forgot about this movie. I didn’t get to see this in the theater, but when it came on television, my whole family, (all my many aunts and uncles, and my grandma), made this a total event.

This is my favorite song from the movie. It’s kinda  been my mantra for some 40 years, really. And for the entire month of February, this  is going to take on extra importance, because I’m really, really tired of bad news, right now.

Don’t Nobody Bring Me No Bad News!

 

Star Trek: Discovery; Season Two

Star Trek: Discovery

I watched the second season premiere of this, and I’m sensing a theme. If the first two episodes are any indication then the overarching theme for this season will be Faith vs. Science. In the first episode, the Discovery is sent to investigate several light flares throughout the galaxy, as people claim to have seen “Red Angels” figures at those sites. Micheal is hoping to meet with Spock, from whom she has been estranged, but learns from Captain Pike that Spock checked himself into a mental institution just before the Enterprise met up with Discovery. (The series is set about ten years before the original series. Pike is the Capt. of the Enterprise, at this time, and Spock is his Science Officer.)

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In the second episode, the Discovery follows one of these flares to a planet humans were brought to just before WW3, by some unknown alien benefactors. There’s not a lot of discussion surrounding who these mysterious benefactors are, which is the part of the show I was most interested in. There are some long discussions about having religious faith versus faith in science, which would be a lot more convincing if the writers made clear exactly what they meant by religion, and faith.

The underlying themes of the season will be watching the crew actually become a crew, after Lorca’s betrayal last season, and Pike is just the Captain they need to regain their equilibrium, as he is much more relaxed in his captaining style, slightly looser in his interpretation of the rules, and also “not evil”. This season’s focus, while not taking the main camera off Michael’s journey, will also be the viewers getting to know the rest of the crew. We’ll be getting to know the bridge crew, following Tilly’s and Saru’s development as officers, and following Stamets’ journey as he mourns his late partner, Dr. Culber. Not every episode is going to centered on Michael, but just as with last season, she’s in nearly every scene, and we’re always well informed about where she is physically and emotionally during any episode, even if that episode isn’t strictly about her.

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Tilly gets into some physical trouble after which she begins to see the ghost of a former high school friend. This “ghost” may or may not be related to the return of Dr. Culber, as fans have been very upset at his fridging, and we were promised his return. I’m inclined to believe the creators because they very emphatically promised the return of Phillipa, and she did return, just not in a manner we thought she would.

We also get some more backstory on Michael’s relationship with her adoptive family, and her first meeting with Sarek’s wife Amanda, who took to this little girl as if she were her own, and I loved seeing their relationship. Spock was less welcoming to her, so he, for sure, had some feelings about her living in the house.

On the away team mission of the second episode, we get some interesting backstory on the bridge crewmember, Owesekun (pronounced Owe-WAY-sha-kun). We discover she is from a community of Luddites, so I can’t help but think that her making it to Starfleet had to be an interesting journey, and I hope we get an episode devoted to her past. We get a statement from Detmer that she got her pilot’s licence when she was 12 years old, which I find intriguing. Piloting what? So we have started getting these intriguing little glimpses of the bridge crew’s personal lives. There’s an Asian man on the bridge who we know nothing about, and a Black man, with no backstory, so yeah, we’ve got plenty of stories to be told. I think I noted before that outside of Pike there are no White men in the bridge crew at all. (No, Saru does not count.)

But I think the most intriguing character on the bridge is this person. Is she like Robocop? What is she/he/they? We havent even gotten a hint yet, and she hasn’t said a whole lot, but I hope we find out this season.

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http://trekcore.com/blog/2017/12/meet-the-star-trek-discovery-bridge-crew-cast/

 

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For some reason, this iteration of Star Trek has been successfully hiring comedians as extras on the show, and I just want to shout out to the woman above, Tig Notaro. if you haven’t heard any of her stand up, go take a listen. She’s hilarious on stage and she’s very refreshing here, and  I hope she stays on the ship. I’d like to see a more of her.

In the first episode, we get this awesome look at he crew working like a well oiled machine. They are simply fantastic, and it was a real joy to watch,  as they worked to save Michael’s life, when she is injured on an away mission. Now this is the Star Trek I remember, (only everyone talks a lot faster). My advice for those complaining that the show didn’t feel very Trek-like in that first season was to give it time, because the show had to get its main character’s  primary backstory out of the way, after which we could actually focus on the mission, and their  characters.

A lot of the feel of the first season was due to the presence of Lorca, who had a heavier, more intense persona, and this episode really shows how a Captain influences the mood of the bridge, and it’s crew. With the addition of Pike, the show feels lighter, and well…happier. Probably because that’s how he is, and while I actually did like Lorca, I definitely prefer Pike, even though he’s not much like the original series Pike. It’s not that the show lacks drama. It just doesn’t feel as dark and heavy. Starfleet isn’t involved in a war, and the Captain isn’t secretly evil. Yay!

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Now, I have to talk about something really quick here. I’m having some kind of emotional reaction to Michael, that for some reason, I did not foresee, and part of it is because there has never been a character like Michael in a mainstream scifi show. I knew she was a groundbreaking character, but I didn’t give it deep thought, and really, the closest we fans have ever gotten is Uhura, and it took decades to start fleshing her character out, even a little bit. (We won’t mention Abby from Sleepy Hollow.)

I really cannot think of  a Black female character that has been, not just the emotional focus of a Scifi show,  but one who has been given so much backstory, and depth, and I’m having some trouble articulating how I feel about that level of representation. What’s even more interesting, for me, is that we are getting this type of character development, that isn’t centered around her race. Its not that there have never been Black women in such shows, there are a few I’ve greatly admired, including Uhura, Guinan, Auntie Entity from Thunderdome, Grace Jones, Martha from Doctor Who, but none like Michael. (There are other Black female characters in other shows, and I love them too, but they usually are not the center or focus of the entire show. The show isn’t exactly about them. I think the closest we get to such characters are Thunder from Black Lightning, and Iris West from The Flash.)

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I want to say I like Michael, but it goes far beyond liking her. I want to love her, but I am nervous about getting too close to her, (not because she’s a bad character, but because I cannot trust the writers to do right by her. I fully expect them to fuck this up because that has always been the pattern). I cannot imagine what it must be like for Black women, younger than me, to see themselves so represented, so closely, in one of the most iconic television shows in  history. I can’t imagine it for them, because I couldn’t imagine what it would be like for me, although I knew what I wanted. One of the very first posts I ever wrote for this blog was called “Black Women like to have adventures too”. I didn’t for-see, nor could I have possibly known, that I would (or even could) get this kind of representation when I wrote that. I got exactly what I asked for, and I’m really happy, but the moment is somewhat bittersweet, because I wish I had gotten it sooner, and because I’m not entirely sure I knew exactly what I was asking for, and now I don’t know how to handle it. (Probably, I should just act a fool! Whaddaya think?!)

One of the most moving videos I ever watched was a young man looking at a Black Panther poster and he started yelling, and he said something like, “This is what it must feel like for White people all the time!” In the past ten years this is the first time we’ve gotten any kind of representation in popular culture, like this. My mom has actually become interested in comic book characters, (she’s never read a superhero comic in her life. My biggest highlight as an adult was arguing with her, in the car, about whether or not Superman could beat the Hulk!) and started watching different TV shows, and movies. that she mostly would have ignored, because they only starred white people.

I have always had firm reasons for loving Star Trek, despite its issues. Star Trek has done right by me in ways no other show has, even when I didn’t particularly care for some of them, and I’m always gonna stan for this franchise. Even if the creators never do another show correctly, there is at least this one. I will never (nor do I want to) listen to any White man’s idea of what this specific show is about, or what he thinks of the characters. I  just don’t give a flying cooch what anybody who is White and male thinks of this show, or Michael, or Pike even. I won’t look for the reviews, or opinion pieces, and I don’t need their affirmation either. I made up my mind about this a long time ago.

Am I biased? Sure!

But I don’t care.

The Passage – Season Premiere

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I have a lot to say about the first episode of The Passage. First of all, I really enjoyed this. I found myself really liking the characters and their relationships, and I was really feeling the whole thing. I’m definitely going to be watching this for the entirety of the season. I even got Mom to watch the Pilot, and I’ll ask what her opinion is later. *(She is really enjoying it, and will be tuning in every week, because she is totally in love with Amy. I suspect Amy reminds her of her Granddaughter, The Potato, because they are both around the same age, and they sort of look alike, and The Potato is her favorite Grandbaby.)

The show is based on a trilogy by Justin Cronin, and is about a vampire plague that destroys most of humanity, killing some, turning others, and forcing the humans who are left to fight for survival. Amy , the little girl in the show, is both a part of, separate from, and above all of this. Technically she’s a vampire too, but a special kind, with all of the vampire’s powers, and none of their weaknesses (like a tiny female Blade, with no Kung Fu skills). The vampires who break out of the lab are called The Twelve, and the leader is the military man we saw get infected in the first episode by a real vampire. At some point, this is all going to come down to a face off between him and Amy, both of them at opposite ends of the vampire spectrum.

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In the pilot, we meet Amy Bellafonte, who is the daughter of a drug addict, who dies in the first few moments of the show, and she is now on her own, with no family, except Brad, the government agent tasked with procuring Amy for human experiments. He is told by his superiors that they need a child, an orphan who isn’t yet in the system, and so won’t be missed, and Amy just happens to fit that description right away.

Amy is  White in the books, so it is very interesting that they cast Amy as a Black girl for the show. Along with Amy are a number of other people who have been experimented on. One of them is a Black man, and the other is a female ex-con. All of them are death row inmates except for  the initial patient. In other words, these are people who won’t be missed, and who the government discounts as being  important. Amy herself was specifically chosen  because she is someone no one will miss, just like the hundreds of little girls of color, who go missing on reservations, and in Black neighborhoods yearly, that the authorities don’t bother to make an effort to look for.

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This is Anthony, He also begins to form a relationship with Amy after she is taken to the institution and injected with Fanning’s more refined DNA. Amy and Anthony are the furthest on the spectrum  from Fanning, who is called Patient Zero.

There are some strong parallels in the storyline to the Tuskegee Syphilis Experiments of 1932, where the government experimented on a group of Black men, charting the course of the disease by not treating them. There is also another parallel in the gynecological experiments on Black slaves by Dr. J. Marion Sims, who is credited as the father of modern gynecology.

https://www.history.com/news/the-infamous-40-year-tuskegee-study

https://www.history.com/news/the-father-of-modern-gynecology-performed-shocking-experiments-on-slaves

But there is also a parallel to the story of Henrietta Lacks:

https://en.wikipedia.org/wiki/Henrietta_Lacks

These parallels also give us some idea of Amy’s level of importance to this story, because  like Henrietta Lacks, it’s Amy’s destiny to save the human race. Its interesting to note that just by race bending a single character, you can bring a great deal of historical depth to a story that would have only been “just okay” with a White actress.

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Brad Wolgast is the agent who is chosen  to bring Amy in, but he has an attack of conscience, partly because he is trying to be a good person, and also because he’s still suffering from the loss of his own little girl, which has estranged him from his wife. He decides to take Amy and run, and the first episode is spent watching the two of them bond with each other, and learn to trust each other. For some people, this is all a bit slow, but I didn’t have a problem with it because Amy’s relationship with Brad is important to the kind of person she will become, and I appreciated the writers taking the time to establish their relationship. In fact, their relationship is one of the highlights of the show, and around which much  of the opening episodes will be centered.

One of the most touching moments for me is when Brad pep talks Amy, giving her the kind of affirmation she so desperately needs. He champions her when no one else does. He kills for her, and would (probably will) die for her. There’s another scene where he helps give her closure for the loss of her mother, by  encouraging her to eulogize her, and I appreciated that the show took time out from the car chases to show the two of them bonding like any father and daughter. At first, Brad is treating her the way he would have treated his daughter, had she lived, and there’s an element of guilt and atonement in his actions, but after a while he starts to see her as an individual, and not just a replacement for his lost child. He starts to love her for her. She is the daughter of his heart, and its overwhelmingly touching to watch their devotion to each other. That chemistry is there.

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In the second episode, the two of them make a pact (well Amy makes it) where they vow to never leave each other. She enacts promises from Brad, but she also abides by what she asks of him, which is key to how the government finally catches up to the two of them. She sacrifices her freedom to save his life, which is why it was so important to show  scenes of the two of them bonding. You would not have been able to buy her sacrifice if the writer’s had not already established their relationship.

It’s clear that Amy is very much the star of the show, and the creators take great effort in humanizing and empathizing with her, and her emotions.  We are meant to identify closely with this little girl, through closeups of her face in different situations, and her voiceover, which recounts what we’re seeing in flashback (which is an important thing, as this is being told to us from far in the future).

When Amy is happy, we’re meant to be happy. When she is sad, so are we. But more importantly, we are meant to feel her terror when she is frightened, and not just look at, in a form of titillation. In a lot of scenes with her, we see the situations from her point of view. During one scene, Brad is engaged in a shootout with other agents, and we don’t just dwell on the action.In fact, there are moments where we don’t see what Brad is doing, (gunning down fellow agents on her behalf), but are meant to feel Amy’s terror during those scenes, as we focus on her facial expressions, to the sounds of guns in the background. The way the scene is shot, we are not focused on her just for spectacle. We are meant to empathize with her feelings.

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The show has other PoC in it besides Amy. The doctor who wants to experiment on her is a Black woman, who is very obviously conflicted about what she is doing, but we are meant to sympathize with her wanting to save the world from an epidemic of Bird Flu, which has killed hundreds of thousands of people. I kind of feel for her ,as she is in a very desperate position, but I still don’t sympathize completely, and she should feel bad about what she’s doing, because it’s just wrong to experiment on children.

When (Fanning) is infected, he is experimented on to find cures for various diseases, and different strains of vampirism are the result, with the last patient, Anthony being the one least like him and more likely to break away from the other vampires. The doctors find that above a certain age, the victims they experimented on just become true vampires. They theorize that by using a child, they can bypass all the strange stuff, and reach a cure faster. In the second episode we get a sympathetic view of Babcock,  her backstory, and how she ended up on death row. (She killed her rapey stepfather, and her knowingly unhelpful mother.) Its interesting how these characters have been fleshed out with          both good and bad traits. Fanning was an honorable man when he was alive, and Babcock was a thief, who had been sexually victimized.

This show is turning out to be what The  Strain should have been, with better acting, better written characters, and a more well thought out plot, but that could be because the source material was better written, and the writers are being more faithful to it, although I don’t want to cast aspersions on Guillermo Del Toro’s written trilogy, which was pretty good. On the other hand, it is taking place on Fox which is notorious for fucking over fans of shows it refuses to renew, or fucking over the actors on the show, so that they leave. So far, the actress playing Amy (Saniyya Sidney) has been allowed to be front and center in the promotional material, and allowed to talk about her character, and what she means, in her own words.

I’ll come back and talk some more about this show later. I think its really good though, and deserves to be given some amount of respect by Fox. I’ve been burned by Fox several times, so I’m always wary when they have a good show on their hands.

As with Star Trek Discovery, I’m just making up my own mind about how I feel about this show, and not reading any reviews, unless they’re written by women or PoC. In the past few weeks, I’ve gotten exceptionally weary of White men’s opinions on (a lot of things) TV shows which prominently star PoC, (and its not like I need their affirmation to like or dislike anything). *(Don’t let me get started on a rant here!)*

‘Til Next Time!

What Fandom Racism Looks Like: Misogynoir – Convenient Excuses

What Fandom Racism Looks Like: Misogynoir – Convenient Excuses

What Fandom Racism Looks Like: Misogynoir – Convenient Excuses
— Read on stitchmediamix.com/2019/01/28/what-fandom-racism-looks-like-misogynoir-convenient-excuses/

I’ve observed this myself. I left a comment, and yes, I did write a post on the subject of writer’s intentions towards characters of color in the source material we consume, because I haven’t seen anyone writing about it.

New Trailers! YIPPEEEE!!!!!!

Here are a few of the new trailers I was waiting to get a look at when I did my watchlist last year. I waited so I could collect all of them in one post. I’m very excited about a couple of these (and a couple of surprises) and just wanted share my love:

 

John Wick 3

Why yes, I am a John Wick fan. I consider these to be some of Keanu’s best action films ever. This franchise just fits him so well. I actually got my Mom to watch the first movie, which she seemed to enjoy, even though she said it was a crazy movie, and was upset about the dog. And this next movie in the trilogy looks hella fun. In the last movie John broke some rules which had him being hunted by the assassin’s guild of which he was once a member. I’m here just to watch Keanu Reeves riding horseback though.

 

 

Umbrella Academy

OH!!!, this looks like so much fun! I like the characters already, and I was always a fan of Ellen Page.  I did read the comic books, (although it was a long time ago) but  I’ve been a Gerard Way fan ever since. (He also wrote Spidergeddon, and Doom Patrol for a while.). And yes, that is indeed a monkey in the second part of the trailer. I sort of remember that from the books. This is airing on Netflix on February 15th.

 

 

Little

This movie is so cute. Normally, I’m not a fan of movies where adults exchange places with children, because they are usually done so badly, but I did like the Tom Hanks movie, which is the opposite of this one, called BIG. I just love the little actress here, and I’m a fan of Issa Rae, and I think the trailer is pretty funny.  I have plans to take my 13 year old niece to see this, becasue the young lady in the movie helped produce it, and hired a female director, and writers, to work on the  film.. She has the distinction of being the youngest producer in Hollywood.  I don’t normally go see comedies, but I’ll take this over the next Madea movie my family forces me to go see.

 

 

Spiderman: Far From Home 

I was already excited about this movie because I actually am a Spiderman fan, and the addition of Mysterio just clinched it. Now, to find out that the movie does indeed take place far from home, and that Aunt May is also on board the Spiderman train, (and she and Happy appear to be making some kind of love connection, which is not anything like in the comic books), well I am here for it.

And yeah, I think MJ (Michelle) has always known that Peter is Spiderman. Go back and watch the first movie. Whenever Peter and Ned are discussing Spiderman in public, she always seems to be nearby, (also Peter and Ned lack the ability to whisper), and I’m pretty sure she recognized Peter as Spiderman when the class visited Washington. But that’s a topic for another post, so here we go:

 

 

 

Polar

I don’t know, this looks like a total ripoff of John Wick, but I don’t care because its on Netflix, and it stars Mads Mikkelson as a total badass, which is always fun. I’m always up for watching movies about assassins, for some reason. This is airing today on Netflix.