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Westworld Season One: Contrapasso

Contrapasso is a reference to Dante’s Inferno, where the sinner in Hell suffers a punishment related to  the sin that was committed when they were alive. Literally the “counterstrike ” or the “counter-suffering”, which describes the relationship between the sinner and the resulting justification for their torture in Hell.

I was being a bit silly last week when I said I wished the robot rebellion would get started. I don’t actually wish that, really. I’m having  too much fun parsing all the events in this show. It’s just such a rich brew, I was jittering around in my seat like a three year old.  I heard this fifth episode was going to be mind-blowing, and the actress who said that, (Guess who?), wasn’t kidding. So I re-watched all the episodes from the beginning, so I could try to get a good handle on what’s going on. I think I succeeded in understanding about fifty (maybe 60) percent of what’s happening. I’m no dummy but (just like the writers of Hannibal) the people writing this show are waay smarter than me. But here’s my recap anyway, and perhaps by doing this I can understand what the hell I’m watching.

But before I get started I just want to talk about Westworld’s theme song at the opening of the show. If you listen carefully, it’s a parallel of what happens during the course of the series. I noticed this while watching a YouTube video of someone playing the song on piano. The theme is only about a minute and a half long, but during it, more and more discordant notes start to creep in. The song becomes darker, as flatter and  lower notes are added, so that what started out as a harmonious, innocently lovely tune, ends as something ominous, echoing the direction not just of the plot of the show, but the character arcs of the Hosts as they begin to reach for self awareness. Just like that first thunderous note, is an echo of the Park’s first death, this is a machine that has been running without a hitch for some thirty years, but lately has some troubling signs that all isn’t well, as the various anomalies start to build on each other, just like the notes of the theme.

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Okay, I have to admit I have no fucking clue who the Man in Black is,  but I’d like to believe it’s Arnold, the maker who “died” in the park. Yes, yes! I know I could be wrong because as I’ve stated before, accurate speculation is not a superpower I possess. However, I’m going to forge ahead with this theory anyway, because I like it, and there have been too many ambiguous statements from Guests, Robert Ford, and the MIB himself, leading me to believe that the MIB lost himself in the park, and reinvented himself as this villain which everyone refuses to name. My biggest clue was when Logan was talking to William about the Park’s origins, and said there were no photographs of Arnold, and that he had the hardest time finding information about him. There was also last week’s guest who recognized the MIB from the real world.

Ford is in the basement with one of his old robots talking about how he used to own a greyhound, and when he let it off its leash, it ran wild and killed a cat. He’s obviously talking about the Park, and the Hosts, which he intends to let off their leash, I guess. Ford knows what’s happening to the Hosts.  He even has some idea of what the outcome could be and he is allowing all of it to happen. The show keeps having the characters make allusions to  the violent retribution that would occur should the robots ever have their restrictions removed. Those restrictions being programmed to not harm humans and the lack of memories of what the Guests do to them.

What Ford’s ultimate purpose is, I don’t know, but it may have something to do with the rival business interests that Logan represents, and this big narrative that Ford has been designing that has been disrupting the Park’s other narratives. I’m convinced that the new backstory he gave Teddy last week, involving his relationship with Wyatt, is also a part of it all. Wyatt is the boogeyman no one has yet seen.

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Ford talks to Dolores about what happened 34 years ago. (I noticed the dates keep changing. Its 33, or 35, or 30 years ago.) We learn that Dolores was the last person to interact with Arnold. It’s also mentioned, in an earlier episode, that there hasn’t been a death in the park for over thirty years, (Arnold) and that Dolores is the last Host left from that era. Either the MIB is Arnold, or he killed Arnold. This is my supposition until I get new information, which might change next week, since this show insists on confounding me. I’m still not completely ruling  out that the MIB is a Host with Arnold’s memories loaded into it like a memory card.

Dolores divulges, in her conversation with Ford, that Arnold told her her purpose was to help him destroy Westworld. Ford is attempting to find out if the Hosts are hearing the Voice of God commands they were first programmed with. But she is lying to him about that. Someone said the most frightening thing is not a robot that can pass the Turing Test (A test to see if a robot can pass for human by engaging with a human. None of the robots in existence today have passed this test, so calm down.) but a robot that deliberately fails a Turing Test.  Dolores is deliberately pretending to be less aware than she is in this scene. She may also be doing this with William and Logan, too.

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Dolores, William, and Logan reach Pariah, along with Slim, and we meet El Lazo who happens to be a copy of the Lawrence Host that’s been accompanying the MIB on his travels. His name is Lawrence, too. Their meeting with El Lazo doesn’t start off well. He tasks them to steal a shipment of nitroglycerin from the Union army, to prove they can be trusted. It’s interesting that in this narrative, the Civil War is referenced. In the real world, the Southwestern part of the US was flooded with former slaves, after the war. There still aren’t enough Black people  in Westworld, but since this is the Southwest, the number of Hispanics is pretty high and that’s good. I’ve seen no Asian Hosts at all, and I know there were thousands working the railroads in the Southwest at that time, but that could be explained by not having the railroads be  part of Westworld’s narratives. (Why not?)

Logan does mention that at the outer fringes of the Park, things are wilder, and  less well managed.  He says he hasn’t visited those areas but I ‘m guessing that he’s too busy laying on his back to do much exploring. Logan pretty much just thinks with his dick. Yet, he’s not all that different from any of the other humans I’ve seen in this show. It’s not them being sexual creatures that bothers me, it’s that a lot of their thoughts about sex could be kept to themselves.  It turns out that the secret representative that Ford mentioned to Theresa in the last episode is actually Logan. He’s from some kind of rival business or something, looking  to invest heavily in Westworld. I’m only partially interested in this part of the narrative.

At Pariah, we get to see quite a number of Black Union soldiers in this episode stationed in the town. Also there are what El Lazo calls The Confederados. His purpose is to sell the nitro to the Confederates. Logan, William and Dolores complete their task but Slim gets shot down. Dolores later discovers it’s all a ruse, as El Lazo plans to use the nitro for his own ends, replacing what he’s given to the confederates with tequila. Dolores also has several visions of herself, and the maze, and is told she must follow it. She can feel herself becoming a new person and she does, in a sense. As a bandit, she gets a brand new wardrobe, and later when William is attacked by the Confederates, angry about the tequila sham, she is definitely “born again hard”, as she shoots down all three men threatening them. In the aftermath, she tells  William she imagined not being the damsel.

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I stood and I applauded!👏🏾👏🏾👏🏾👏🏾👏🏾 Whoo!!! And thanks to her Host reflexes, she’s a perfect gun (wo)man. Excellent stance, shooting from the hip, and fast as fuck.  It was awesome! She also shows some tactical ability when El Lazo threatens to shoot her and William, when they try to escape on his train. Instead of aiming at him, she aims her weapon at the nitroglycerin loaded bodies sitting in coffins in the cabin with them. She is still hearing the voice in her head, as she spots the image of the maze on the train’s cargo.

Logan is in for a rough time of it when the Confederates find out they’ve been swindled. They can’t kill him but they’re going to beat his ass for a while. Apparently, the Hosts, in these  fringe narratives, can and will beat your ass if you step to them. They won’t kill you though. Earlier that evening, during the town orgy, Logan,  feeling in his element, brings out Willam’s dark side by goading and poking him about how useless his life and morality is in such a place.

William does have a dark side, though. When Logan calls for help during his beating, William,  very obviously, turns his back on him and leaves with Dolores. It’s okay. Logan will be aaiight! But I bet shit just got real for him in a way it wasn’t before. Contrapasso is definitely a reference to Logan, as he gets to experience, first hand,  something of what he’s been dishing out to the Park’s inhabitants for so many years. Dolores and William will be joining El Lazo in some kind of revolutionary war in Mexico. This will be another part of the Park we’ve not yet seen.

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As for Maeve, she is once again in house, getting her body repaired. One of the technicians servicing her, Felix,  is  just a bit wary of having her in the body shop with them. The other technician I hope has a quick and nasty death, not because of how he treated Maeve, but how he treated Felix, who has been practicing his coding skills on a small robot bird. When the other technician finds this out he screams at Felix about how he’ll never be anything other than what he is. The man is a more of an asshole than Logan, and that’s saying something. But then none of the humans in this show impress me much. I do get  the impression that this is a co-worker and not someone who has any power over anything Felix does, as Felix continues his efforts after his co-worker leaves. He’s successful at repairing the bird, but his celebration is cut short when he sees that Maeve, supposedly still in sleep mode the entire time, is wide awake and ready  to have an important conversation with him. I am looking forward to that convo myself.

Elsie is stunned to discover that the  robot she was sent to retrieve has some spy tech in its body. In order to procure access to the body, she threatens one of the young male technicians in the Body Shop, who has been having sex with the decommissioned robots, with public exposure. Next to Felix’s dress down by his co-worker, that was one of the uglier things I saw a human do, in this episode, which is important when you consider that nearly all of the humans are deplorable. She goes to Bernard with her concerns but he is noncommittal.

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But the standout event in tonight’s episode was the meeting between Ford and the MIB. After finding Teddy in the desert strung up by Wyatt’s men, he takes him with him. When Teddy’s health quotient gets too low, he bleeds out Lawrence, to give Teddy a transfusion. Accompanied by Teddy, they meet with Ford at a saloon, where Ford tries to parse out exactly what the MIBs purpose is, and if it’s really worth it. Harris character says he wants a worthy adversary to prevent him from reaching his goal. It seems like Dolores is being set up to be that Rival, as she is following the maze too.

There is no surprise in Ford’s meeting with him. The two act very much like old, if not friends, then certainly acquaintances. We get to see Teddy be a little badass. I like the how the show is gradually introducing us to  what the Hosts are capable  of. They’re not superhuman but they are more than. They’re certainly faster and stronger. We get a glimpse into how fast during Dolores shootout, and in Teddy’s automatic reaction to protect Ford, when The MIB threatens Ford with a knife. But the robots are held back by their cognitive limitations. They have no memories, don’t know what they are and there are human things they don’t comprehend, like death.

There have been a number of theories bandied about the show. One of the theories is that the scenes  with William and Dolores are flashbacks to thirty years ago, to the life of the MIB, and chronicles how he went from being a White Hat to  a Black one. That the MIB is actually William. This would also explain his acquaintance with Dolores. I’m not sure what to think about that theory though. There are certain people and characters whom we never see interact so its easy to reach that conclusion. The  Westworld logos during William’s entrance into the Park, and the ones we see with the old Ford are different.

http://www.vanityfair.com/hollywood/2016/10/westworld-season-1-episode-5-recap-contrapasso-timeline-theory-lawrence-bernard-is-arnold-clone-robot

Next week, the robot rebellion begins, after which we have four more episodes to the big finale and what I would consider a successful first season for the show.

 

Power Rangers PSA

A former Power Ranger killed a dude with a sword. Did you hear about this? Have you heard about this? Sorry. Sort of slipped into a Jay Leno impression there for a second. However, the headline is true: a former Power Rangers actor recently plead guilty to killing his roommate with a sword, an incident […]

via Everything You Need to Know About the Power Rangers [An Infographic] — We Minored in Film

Coming Soon

I have several posts in production at the moment. One of these days I’m gonna hit you guys with posts about:

The Ghost Brothers

My take on the movies Get Out and Hidden Figures and what those two movies have in common

My favorite movies for each year of my life – This isn’t going to be easy because I got a lot of life to cover and  multiple favorites.

Reviews for Into the badlands, Taboo, and Supernatural

A couple of book comparisons – The Mist by Stephen King vs. Nightworld by F. Paul Wilson

A movie comparison The Fly (1958) vs. The Fly (1986)

More analysis on the movie It Follows

I wanted to do a review of the original Nutty Professor, which is the one I grew up with. Not that I don’t love the  remix, but I have a lot of nostalgia for old Jerry Lewis movies.

There are some premieres in April: American Gods and season two of the Ghost Brothers

Hopefully, I can do some reviews of the favorite movies that didn’t make the life favorites list.

These aren’t hard and fast goals. Just what I’m working on right now.

 

Iron Fist Season One

I’m a long time martial arts movie fan. I have clocked a lot of hours watching people fake punching and kicking each other. If you’re that level of fan of martial arts, it’s okay. You can skip this show. There is waaaay too damn much talking in this show.

On the other hand, it’s not an awful show. It’s not half as awful as the critics would have everybody believe. It certainly could be a better show, and it doesn’t live up to any of the expectations of the trailers, as bad as they were. Let’s just say all the action you saw in the trailers, is most of the action in the show. My guess is they knew they couldn’t hook us in by showing the many, many hours of people snarking at each other in offices,and  wearing nice clothes, so decided to go with inelegant fight scenes. Think the show Suits, but with worst dialogue, and sometimes somebody gets punched.

The plot is as stated. Danny Rand flees a mystical Asian land called Kun Lun, where he is the legendary Iron Fist.He comes to NY and gets involved with Colleen, Claire Temple, and the Hand. We spend most of the show running around with this trio, from place to place, jostling with Ms. Gao, and the Hand, macking on Colleen like a creepy stalker, and trying  to avenge his parents deaths, which involves the corporation his father used to run, his father’s old partner, and that man’s children, the Meachums.

My special advice is to watch the show on your tablet or phone ,and every time you see people talking in an office, fast forward through that. I fast forwarded through almost all of that part and was still able to keep up with most of the details of the plot. I would also advise you not to listen too hard to the dialogue because you will go to sleep. Unless Claire’s on screen. She’s awesome. As always.

I was going to give some type of in depth review, but I’m not interested enough to invest that much work into the characters and plots and shit. So here. Have some links and articles that carefully explain what went wrong with this show.

Iron Fist was inspired by 1970s kung fu movies, but no one seriously expected Finn Jones to become the next Bruce Lee. The show focuses on plot over action, so it makes more sense to compare it to Daredevil. And that comparison makes Iron Fist look like total garbage.

Daredevil‘s hallway fight was praised for its stylish choreography and camera work. There’s a real weight and brutality to Daredevil’s blows, and the scene uses a long tracking shot so you can see all the necessary action.

Iron Fist paid tribute with its own hallway fight scene, utilizing a very different style of filmmaking.

 

In Iron Fist, the camera constantly cuts away before the blows connect. The editor chopped Danny’s choreography into two or three shots per move, so you don’t catch the full impact of his actions. It’s like trying to follow a ballet performance through a dozen tiny windows around the stage.

Once the fight reaches the elevator, we get a completely unnecessary split-screen view of Danny disarming an opponent. At 1:35 in the above video, the split screen actually makes it harder to see what he’s doing.

[READ MORE]

*I’m going to go one step further here. This weekend was the second season premiere of Into the Badlands. This show is everything that Iron Fist should have been. Into the Badlands is full of action and every one of its fight scenes is given the love and dedication that it should receive for an action show. Contrast this fight scene with the one from Iron Fist:

 

Oh, and here is the fight scene between Zhou Cheng and Iron Fist. Zhou Cheng is being played by Lewis Tan, an actor and model  who is half White, and was one of the most prominent contenders for AA Iron Fist.Btw, this is one of the best fights in the entire series.

 

http://www.theverge.com/2017/3/20/14988036/lewis-tan-iron-fist-casting-marvel-netflix-asian-representation

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*This critique lays out the five major criticisms of the show:

 Monday, March 20, 2017

Five Comments on Iron Fist

Marvel and Netflix’s latest series dropped this past weekend, a week and a half after the pre-air reviews pretty much savaged it, calling it the partnership’s (if not the MCU’s) first complete dud.  What I found particularly damning about Iron Fist‘s reviews was their uniformity.  When one reviewer gives you a pan, you can blame the reviewer.  When a dozen reviewers give you pans that all make exactly the same criticisms–a dull and unsympathetic lead performance, an increasing emphasis on an unappealing villain, storylines that focus too much on boardroom shenanigans, lousy fight scenes–you’ve probably got a turkey on your hands.  Having watched the entire first season of Iron Fist, my only quibble with the reviewers is that most of the flaws they ascribe to the show were also present in the second season of Daredevil, which received generally favorable notices.  In fact, it’s not so much that Iron Fist is worse than Daredevil‘s second season, as that it is more boring (it lacks, for example, a magnetic central performance in the vein of Jon Bernthal’s Punisher), and this makes it easier to notice flaws that have been present in all of the Defenders shows, albeit taken to far greater extremes here.  The boring part means that the show doesn’t really deserve a full review, but there are a few points about it that I thought were worth discussing.
http://wrongquestions.blogspot.com/2017/03/five-comments-on-iron-fist.html

Continue reading “Iron Fist Season One”

Stuff I’m Watching

The Ghost Brothers (TV)

 

This isn’t a movie. It’s a TV show about three guys who all had paranormal experiences as children, and decided as adults that they would like to investigate the existence of ghosts. The second season of this show airs April 15th. In the meantime the first season is available for streaming on TLC.

its actually pretty good. One of the reasons I’ve always hated most ghost hunting shows is that I thought of them as White guys running around in the dark, yelling at ghosts. There’s none of that here. The feel of this show is very different.

ETA: I’ll write more on the Ghost Brothers at a later date.

 

Ghostbusters (2016)

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I told myself I wasn’t going to watch this, but it aired on Starz, earlier this month, and that’s why I pay for cable. So yeah, I’m one of five people on Earth who actually love this movie. It was entertaining and I found a lot of positive  things outside of the one negative thing that made me want not watch it.

The one negative thing was me being mad about Patty, played by Leslie Jones, not being a scientist. I still don’t like that, but I also don’t feel she was ill treated by the creators of the movie. Although Leslie’s personal humor doesn’t match mine, I still really liked her character. She was one of the funniest people in the movie and gets some of the best lines. This one negative thing was outweighed by all the positive things I enjoyed.

One of my biggest takeaways was the depiction of friendship between women, which is almost never authentically shown in genre films, in favor of having a lonely badass. These characters are friendly and supportive of each other. To use Erin and Abby, for example, the subplot of how they met is Abby believing Erin when she claimed she saw a ghost when she was a child, and no one else believed her.That no one else believed her is something  that affects her for the rest of her life, prompting her to abandon Abby, and never have anything else to do with the paranormal. Later, she and Abby reaffirm their bonds of friendship when Erin risks her life to save Abby at the end of the movie. When Erin has a very obvious crush on their dimbulb male secretary, played by Chris Hemsworth, the other women never make fun of her, or make her feel ashamed of it. They just accept that she likes him, while gently cautioning her to be careful of sexually harassing him.

I liked Patty, and felt she was given ample screen time. The other characters make no big deal about her not being a scientist. She’s an expert in other things. She talks her way onto the team by offering them something they don’t have. Historical context and knowledge of the city, allows Patty to provide a lot of the movie’s exposition. This is not exactly her being “street -smart” (I suppose technically she is “street-smart,  but only because she is her own kind of nerd, who reads History books for fun. So yeah, all the ladies are in fact, nerds! Patty just is not a Science nerd.)

The other women never act as if they know better than her, or try to lord it over her that they have credentials, and even defer to her expertise on matters they know she has studied. They accept her, like Holtzman,  as one of the contributing members of the team. Yes, she gets them a car, but that’s not why she was allowed to join them. It’s something she offers, along with their ghostbusting suits. She also gets some of the funniest lines in the movie, most of which are quiet personal asides  that if you blink, you’ll miss them.

I especially enjoyed the beginning of a friendship between her and Holtzman. Abby and Erin were already friends, and Holtzman must have occasionally felt like a third wheel, but she and Patty seem to hit it off pretty well, hanging out together whenever they’re not working. Patty  saves Holtzman’s life at one point, and nicknames her Holtzy.

Speaking of Holtzman, she is my favorite character in the entire movie. She’s just plain nuts and really, really,  loves her job. The trailers don’t really do this character justice, just like they didn’t make Patty very likable. She’s impossible to describe. She just has to be seen. She loves destruction, dances around with blowtorches, and is utterly fearless when it comes to her various science toys.

ETA:

So my niece finally watched this movie and had a great time. She couldn’t wait for me to get home from work and watched it without me, for which she was mildly chastised. And guess who her favorite character is! Guess! Patty, of course, who she thought was hilarious. I don’t know that my niece wants to grow up to be a Ghostbuster, but she really enjoyed herself, and the movie, and that’s enough for me.

Suicide Squad (2016)

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Once again, I’m in the minority when it comes to liking a movie. I actually had a good time watching this. I really liked the visuals, and performances, even if the story was full of massive holes. I watched this with my niece and she seemed to have a good time, too. I think she wants to be Harley Quinn when she grows up, but I told her no, because that’s not a good look for a Black woman, unless she’s gettin’ paid a lot of money, like Margot Robbie. It would also require she be tortured by Jared Leto, after which I’d have to beat Leto’s ass. (He should probably have his ass kicked just on general principles, anyway.)

I’m one of five people on Earth who think that Suicide Squad winning an Oscar for Best Makeup is both hilarious and outrageous. Really!? Over Star Trek? Yeah, right!

It really shouldn’t be that shocking that I liked this. It stars Will Smith and I’ll basically watch anything he ‘s in. Margot Robbie wasn’t too bad in this. I thought her version of Harley was pretty entertaining and not too unlike the comic book version of the character. And then there’s  Queen Viola. I just love the idea of Viola Davis and Will Smith starring in a superhero movie together. Although, the next time we see them together, I hope its something a little more serious.

The Magnificent Seven (2016)

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Unfortunately I did not get to see this in the theater.  I did rent this for me and my Mom to watch for a couple of days. She is a die-hard Denzel fan, and she had expressed an interest in going to the movies to see this. Now this is pretty remarkable for two reasons. She’s not a huge Western movie fan, (even though she was the one who introduced me to Bonanza), and its really hard to get her to go to the movies with me, as she’s  picky. In the past few years, I managed to get her to see Jurassic World, World War Z, and that Halloween Madea movie.

We watched this movie over a weekend and she really enjoyed it. She was deeply happy that Denzel survived to the end of the movie. I enjoyed all the characters but I was kind of bummed out because the one Asian guy got killed. It doesn’t really compare overmuch to the original. It has a very different feel, although the plot is exactly the same. The action sequences were very exciting, and I enjoyed the banter between the various characters. It suffers from lone woman syndrome, and a bad guy who is evil just because he’s evil. (Not that every villain needs a backstory. Its just something I noticed.)

It has a Benetton ad cast, and although the one Mexican guy, Vasquez, is annoying, the stereotypes are mostly kept to a minimum. The men of color in the cast all get to have their action moments. Despite the presence of Vincent D’onofrio as Jack Horne, my favorite character was  Billy Rocks, the group’s blades-man. The most intriguing relationship was between Billy Rocks, and  Ethan Hawke’s character, Goodnight Robichaux. I kept wondering about the nature of their friendship, and afterwards I wrote my own headcanon, where Billy saved Goodnight from suicide, and Goodnight felt indebted to him. It was very clear that one of Billy’s purposes was helping  Goodnight hold his shit together.

My Mom liked the Jack Horne character a lot. He was  melancholy and  gruff, with a penchant for making profound philosophical statements, that mostly puzzled the other characters. Denzel, as Chisholm, was his usual mildly snarky, pragmatic self. He wasn’t really stretching it in this role, but Denzel sparkles on even his worst days, so its all cool.

No, this movie isn’t as good or influential as the original, but its worth watching some cold Saturday night, with a bowl of popcorn, and some good friends.

Legend of Tarzan (2016)

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Let’s just state, for the record, that I’m a little bit older than some of the more hysterical members of Tumblr. As a result, I grew up with the idea of Tarzan, and am well used to the tired trope of Tarzan the White Savior. I grew up reading the Edgar Rice Burroughs books, and watching some of the movies with my Mom, whose favorite Tarzan was Johnny Weismuller. Yes, we did see the problematic aspects of having some White guy being a better African, than actual African people, in Africa, but since almost all of TV, and movies, consisted of this trope, it was easy to overlook it, yet impossible not to see it.

That said, I did watch this movie when it came on cable, which only proves that I will watch any damn thing when it comes on TV, where Alexander Skarsgard takes his shirt off, and growls like a lion. It does not mean I’m not “woke” or “aware”. It just means I occasionally have low standards for what I find entertaining, especially if I can knit to it.

Nevertheless, I still enjoyed this movie for the sheer silliness that it is. Yes, the premise is just as stupid as the original films, and one still wonders what the hell White people,  (and lets face it, there were no PoC clamoring for this movie to be made) were thinking when this movie got made. If you haven’t seen this movie, it’s okay, as your life will not have been upheaved.

For what its worth, the creators did keep the White Savior stuff to a minimum by adding Samuel L. Jackson, who does the saving of various Black people, and some of the actual Congolese people get lines and screen time. Skarsgard is ridiculous in this role,  and spends most of his time trying to look dramatically serious, while trying to save his girlfriend, Margot Robbie, from Waltz’ slimy Englishman. I still don’t know why Waltz kidnaps her but its got something to do with diamonds. It doesn’t matter anyway because the plot is really not that important. What’s important is that Skarsgard is bare chested for most of the movie’s running time.

There is indeed some tree swinging, and some gorilla punching, and for some strange reason, Djimon Honsou is in this movie as an antagonist. He only gets about five minutes of screen time, and maybe six lines. Samuel L. Jackson is in this movie too, and pretty much just acts like Samuel L Jackson, despite the fact that everyone else is acting like they are in a period movie, which is very jarring. I wanted to turn off the sound, so I didn’t have to listen to him speak, but then I wouldn’t have been able to hear Alexander Skarsgard talking to various animals, and yodeling. Yes, there is a classic Tarzan yodel. When I was a kid, this didn’t particularly bother me, but every time I heard it in this movie, I laughed my ass off.

But really, I think the biggest question you have to ask yourself, if you ever watch this movie: Why is Samuel L. Jackson in this movie, when they have Djimon Honsou?

Midnight Texas

Based on Charlaine Harris series called conveniently Midnight Texas, this new show will be airing this Summer (July 25th) on NBC.

I have a distrust of network TV  as they seem to want the audience that goes along with SFF shows, (they want that geek cred), but are unwilling to stick with the shows long enough for fans to get a foothold, or they simply don’t invest in the shows and don’t care about them. (We’re looking at you Sleepy Hollow.)

Anyway this show looks pretty good, for what that’s worth. I’m reluctant to get attached to it because, like I said, network TV has a talent for fucking over fans of these types of shows. I love the diversity in the show, the black vampire, the angel, and also a witch. Some of these characters are holdovers from True Blood, a show I liked. I don’t expect this show to be like True Blood, though I respect the showrunner for Mr. Robot. I haven’t yet read the books but I plan to get to those before the show airs.

ABOUT THE SHOW

Welcome to a place where being normal is really quite strange. From the visionary director of “Mr. Robot” and based on the hit book series from the author behind HBO’s “True Blood” comes a journey into a remote Texas town where no one is who they seem. From vampires and witches to psychics and hit men, Midnight is a mysterious safe haven for those who are different. As the town members fight off outside pressures from rowdy biker gangs, ever-suspicious cops and their own dangerous pasts, they band together and form a strong and unlikely family.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Thanks to Jen Bartel, Kris Anka: This #AAIronFist Redesign Took Over Twitter

thenerdsofcolor

This past weekend, Netflix finally dropped all 13 episodes of Iron Fist. For the most part, the internet was not pleased. While a smattering of Fist Stans tried their damnedest to pretend what they watched was, you know, good, the consensus among critics (and fans too) was this was Marvel’s first big miss. There was one awesome outcome of the Iron Fist debacle, however: a slew of awesome comics artists began sharing their takes on a redesigned Asian American Danny (or Dani) Rand! And it all started when Jen Bartel shared her riff on Kris Anka’s original:

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10 of the Worst Cliches in Fiction Writing

Writing Is Hard Work

If you like to read like Mr. Bemis, then you notice these, too. If you like to read like Mr. Bemis, then you notice these, too.

I’m a reader because all good writers are readers.  Mostly, however, I read because I love to read.  I am in many ways like Henry Bemis in “Time Enough At Last”, adapted from a Lyne Venable short story which chronicles the sad life of a chronic reader.  I’m so glad I have a Kindle Paperwhite, because if I had to buy all the books I read my house would be full of them.

The beef I have with modern fiction is that it tends to wax cliche more often than not.  I hope I never use any of these horrible cliches I’m about to list.  If you use them, dear writer, I pray you revise them right out of your narrative.  I think when you read them you will agree that these cliches need to go.

  1. Seer Statements

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Samurai Jack: Season Five Premiere

 

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Samurai Jack is quite possibly one of the most uniquely gorgeous cartoons on television. Now in its final season, it’s pulling out all of the stops for some truly groundbreaking and beautiful art. The plots of each episode  aren’t complicated but the overall arc of the season is complex enough to make watching it a worthwhile endeavor.

*Fifty years have passed, but I do not age. Time has lost its effect on me, yet the suffering continues. Aku’s grasp chokes the past, present and future. All hope is lost. Got to get back. Back to the past. Samurai Jack.

— Jack, in the opening sequence

Image result for samurai jack season 5

Voiced once again by Phil Lamarr from Pulp Pulp Fiction, and MadTV, it’s  some fifty years in the future, and Aku has finally succeeded in taking over the world. But he’s become bored and jaded. He’s no longer interested in hunting Jack, or trying to kill him. He let’s his robot drones and cultlike followers do his dirty work for him. A new group is hunting Jack called The Daughters of Aku.

Jack lost his legendary sword long ago and wanders Aku’s corrupt landscape, with no purpose. He failed to stop Aku from taking over the world but he can’t or won’t die. One of the side effects of having gone through the time portal to kill Aku is that he no longer ages. He longs to die, but out of long habit, fights Akus servants, over and over.

Image result for samurai jack season 5

It’s a gorgeous looking show with lots of action, and is rather mordantly funny, with the humor found in unexpected places. In one of the earlier sequences we watch as Aku goes about his day, receiving  penitents, eating breakfast, and doing some stretching and deep knee bends, because the Evil Ruler of the World has to remain nimble.

In fact, Samurai  Jack and Aku have a lot in common, as they navigate a world radically different from what they thought things would be. They’re old, jaded, weary, and tired of fighting, but just can’t seem to stop. Jack is  facing new foes, old friends, and trying to live in a world he failed to save. Aku realizes that ruling the world isn’t as wonderful as he thought it would be, but he can’t stop either. So,  the show contains a surprising amount of depth and pathos, where you have two former foes, who are tired of being foes, but have invested too much in it to stop doing it.

The art takes a bit of getting used to, because its wholly unlike any other cartons on TV, and is very minimalist and deco.

Its an excellent cartoon ,worth watching on  Adult Swim, Saturdays at 11 PM.

 

Fans Sound Off on Into the Badlands Couple Sunny and Veil

thenerdsofcolor

Originally posted at Just Add Color

Into the Badlands is coming into its second season March 19, and even though we’re psyched about the level of action and and suspense, we’re also focused on the family aspect of the show, which is worrying about how Sunny’s going to get back to his family, Veil and their newborn baby.

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Get Out

AfroSapiophile

Get Out

Months into an interracial relationship, Chris Washington (Daniel Kaluuya), a young black man, agrees to  visit his white girlfriend’s secluded family.  With his girlfriend Rose (Allison Williams) at his side, he does his best to smile through the painfully expected racial microaggressions of meeting the Armitage family and dealing with their passive-aggressive racism.  During this weekend, he has incredibly strange interactions with the few black people he meets.  While the he might have been prepared for the expected polite forms of racism, there’s another edge of horror that he has never imagined.

Get Out Movie, AfroSapiophile (22)

Chris Washington, an everyman black guy, was made incredibly more relatable to me, due to the fact that he was written in as a photographer, who shoots with the same exact brand of camera I shoot with.  He even goes Gordon Parking, just like me.  For me, the story of this movie was piercing because…

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About Those Iron Fist Reviews

I’m still on the fence about this one. I’m just really dubious about watching this. It’s not that I hate the idea. It’s the awful reviews this show has gotten, along with the distinctly lackluster trailers I’ve been seeing.

Don’t get me wrong, I will be watching Iron Fist, as I don’t have to work this weekend, so I’m  free, but when I think about watching it, I  cringe. Normally, I wouldn’t pay much attention to what critics feel about something. I like to make up my own mind and critics have hated plenty of things I absolutely adored, like Suicide Squad, and the current movies of M. Night Shyamalan, but then again, they sometimes get things right. I was bored out of my head with Batman vs Superman, for example.

I think I may skip over some episodes though, and start with the third or fourth one. I don’t think I want to  binge the show straight through. Nevertheless, I do promise to try really hard not to hate-watch this show, and lay out its good and bad points. I do not however promise not to be snarky. It’s one of my skillz. I’m also going to try really hard not to compare it to my favorite Martial Arts show, Into the Badlands, which is airing this weekend, right after The Walking Dead. I’m not promising anything. I’m just gonna try.

<It does not help matters that Finn Jones is just as much of a clueless dick as his character is rumored to be.>

http://www.independent.co.uk/arts-entertainment/tv/reviews/iron-fist-review-marvel-netlfix-dud-luke-cage-daredevil-jessica-jones-a7634361.html

http://www.complex.com/pop-culture/2017/03/iron-fist-marketing-issues

http://www.gq.com/story/netflix-iron-fist-review

 

*And IGN is reviewing each episode as they watch. There are plenty of spoilers and the reviews are pretty evenhanded.

http://www.ign.com/articles/2017/03/17/marvels-iron-fist-season-1-review

 

*And in the spirit of hte occasion,  here’s a hilarious  video  of Tony Jaa kicking and punching everyday objects!

http://video.gq.com/watch/tony-jaa-kicks-and-punches-everyday-objects