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Westworld Season One: Contrapasso

Contrapasso is a reference to Dante’s Inferno, where the sinner in Hell suffers a punishment related to  the sin that was committed when they were alive. Literally the “counterstrike ” or the “counter-suffering”, which describes the relationship between the sinner and the resulting justification for their torture in Hell.

I was being a bit silly last week when I said I wished the robot rebellion would get started. I don’t actually wish that, really. I’m having  too much fun parsing all the events in this show. It’s just such a rich brew, I was jittering around in my seat like a three year old.  I heard this fifth episode was going to be mind-blowing, and the actress who said that, (Guess who?), wasn’t kidding. So I re-watched all the episodes from the beginning, so I could try to get a good handle on what’s going on. I think I succeeded in understanding about fifty (maybe 60) percent of what’s happening. I’m no dummy but (just like the writers of Hannibal) the people writing this show are waay smarter than me. But here’s my recap anyway, and perhaps by doing this I can understand what the hell I’m watching.

But before I get started I just want to talk about Westworld’s theme song at the opening of the show. If you listen carefully, it’s a parallel of what happens during the course of the series. I noticed this while watching a YouTube video of someone playing the song on piano. The theme is only about a minute and a half long, but during it, more and more discordant notes start to creep in. The song becomes darker, as flatter and  lower notes are added, so that what started out as a harmonious, innocently lovely tune, ends as something ominous, echoing the direction not just of the plot of the show, but the character arcs of the Hosts as they begin to reach for self awareness. Just like that first thunderous note, is an echo of the Park’s first death, this is a machine that has been running without a hitch for some thirty years, but lately has some troubling signs that all isn’t well, as the various anomalies start to build on each other, just like the notes of the theme.

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Okay, I have to admit I have no fucking clue who the Man in Black is,  but I’d like to believe it’s Arnold, the maker who “died” in the park. Yes, yes! I know I could be wrong because as I’ve stated before, accurate speculation is not a superpower I possess. However, I’m going to forge ahead with this theory anyway, because I like it, and there have been too many ambiguous statements from Guests, Robert Ford, and the MIB himself, leading me to believe that the MIB lost himself in the park, and reinvented himself as this villain which everyone refuses to name. My biggest clue was when Logan was talking to William about the Park’s origins, and said there were no photographs of Arnold, and that he had the hardest time finding information about him. There was also last week’s guest who recognized the MIB from the real world.

Ford is in the basement with one of his old robots talking about how he used to own a greyhound, and when he let it off its leash, it ran wild and killed a cat. He’s obviously talking about the Park, and the Hosts, which he intends to let off their leash, I guess. Ford knows what’s happening to the Hosts.  He even has some idea of what the outcome could be and he is allowing all of it to happen. The show keeps having the characters make allusions to  the violent retribution that would occur should the robots ever have their restrictions removed. Those restrictions being programmed to not harm humans and the lack of memories of what the Guests do to them.

What Ford’s ultimate purpose is, I don’t know, but it may have something to do with the rival business interests that Logan represents, and this big narrative that Ford has been designing that has been disrupting the Park’s other narratives. I’m convinced that the new backstory he gave Teddy last week, involving his relationship with Wyatt, is also a part of it all. Wyatt is the boogeyman no one has yet seen.

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Ford talks to Dolores about what happened 34 years ago. (I noticed the dates keep changing. Its 33, or 35, or 30 years ago.) We learn that Dolores was the last person to interact with Arnold. It’s also mentioned, in an earlier episode, that there hasn’t been a death in the park for over thirty years, (Arnold) and that Dolores is the last Host left from that era. Either the MIB is Arnold, or he killed Arnold. This is my supposition until I get new information, which might change next week, since this show insists on confounding me. I’m still not completely ruling  out that the MIB is a Host with Arnold’s memories loaded into it like a memory card.

Dolores divulges, in her conversation with Ford, that Arnold told her her purpose was to help him destroy Westworld. Ford is attempting to find out if the Hosts are hearing the Voice of God commands they were first programmed with. But she is lying to him about that. Someone said the most frightening thing is not a robot that can pass the Turing Test (A test to see if a robot can pass for human by engaging with a human. None of the robots in existence today have passed this test, so calm down.) but a robot that deliberately fails a Turing Test.  Dolores is deliberately pretending to be less aware than she is in this scene. She may also be doing this with William and Logan, too.

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Dolores, William, and Logan reach Pariah, along with Slim, and we meet El Lazo who happens to be a copy of the Lawrence Host that’s been accompanying the MIB on his travels. His name is Lawrence, too. Their meeting with El Lazo doesn’t start off well. He tasks them to steal a shipment of nitroglycerin from the Union army, to prove they can be trusted. It’s interesting that in this narrative, the Civil War is referenced. In the real world, the Southwestern part of the US was flooded with former slaves, after the war. There still aren’t enough Black people  in Westworld, but since this is the Southwest, the number of Hispanics is pretty high and that’s good. I’ve seen no Asian Hosts at all, and I know there were thousands working the railroads in the Southwest at that time, but that could be explained by not having the railroads be  part of Westworld’s narratives. (Why not?)

Logan does mention that at the outer fringes of the Park, things are wilder, and  less well managed.  He says he hasn’t visited those areas but I ‘m guessing that he’s too busy laying on his back to do much exploring. Logan pretty much just thinks with his dick. Yet, he’s not all that different from any of the other humans I’ve seen in this show. It’s not them being sexual creatures that bothers me, it’s that a lot of their thoughts about sex could be kept to themselves.  It turns out that the secret representative that Ford mentioned to Theresa in the last episode is actually Logan. He’s from some kind of rival business or something, looking  to invest heavily in Westworld. I’m only partially interested in this part of the narrative.

At Pariah, we get to see quite a number of Black Union soldiers in this episode stationed in the town. Also there are what El Lazo calls The Confederados. His purpose is to sell the nitro to the Confederates. Logan, William and Dolores complete their task but Slim gets shot down. Dolores later discovers it’s all a ruse, as El Lazo plans to use the nitro for his own ends, replacing what he’s given to the confederates with tequila. Dolores also has several visions of herself, and the maze, and is told she must follow it. She can feel herself becoming a new person and she does, in a sense. As a bandit, she gets a brand new wardrobe, and later when William is attacked by the Confederates, angry about the tequila sham, she is definitely “born again hard”, as she shoots down all three men threatening them. In the aftermath, she tells  William she imagined not being the damsel.

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I stood and I applauded!👏🏾👏🏾👏🏾👏🏾👏🏾 Whoo!!! And thanks to her Host reflexes, she’s a perfect gun (wo)man. Excellent stance, shooting from the hip, and fast as fuck.  It was awesome! She also shows some tactical ability when El Lazo threatens to shoot her and William, when they try to escape on his train. Instead of aiming at him, she aims her weapon at the nitroglycerin loaded bodies sitting in coffins in the cabin with them. She is still hearing the voice in her head, as she spots the image of the maze on the train’s cargo.

Logan is in for a rough time of it when the Confederates find out they’ve been swindled. They can’t kill him but they’re going to beat his ass for a while. Apparently, the Hosts, in these  fringe narratives, can and will beat your ass if you step to them. They won’t kill you though. Earlier that evening, during the town orgy, Logan,  feeling in his element, brings out Willam’s dark side by goading and poking him about how useless his life and morality is in such a place.

William does have a dark side, though. When Logan calls for help during his beating, William,  very obviously, turns his back on him and leaves with Dolores. It’s okay. Logan will be aaiight! But I bet shit just got real for him in a way it wasn’t before. Contrapasso is definitely a reference to Logan, as he gets to experience, first hand,  something of what he’s been dishing out to the Park’s inhabitants for so many years. Dolores and William will be joining El Lazo in some kind of revolutionary war in Mexico. This will be another part of the Park we’ve not yet seen.

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As for Maeve, she is once again in house, getting her body repaired. One of the technicians servicing her, Felix,  is  just a bit wary of having her in the body shop with them. The other technician I hope has a quick and nasty death, not because of how he treated Maeve, but how he treated Felix, who has been practicing his coding skills on a small robot bird. When the other technician finds this out he screams at Felix about how he’ll never be anything other than what he is. The man is a more of an asshole than Logan, and that’s saying something. But then none of the humans in this show impress me much. I do get  the impression that this is a co-worker and not someone who has any power over anything Felix does, as Felix continues his efforts after his co-worker leaves. He’s successful at repairing the bird, but his celebration is cut short when he sees that Maeve, supposedly still in sleep mode the entire time, is wide awake and ready  to have an important conversation with him. I am looking forward to that convo myself.

Elsie is stunned to discover that the  robot she was sent to retrieve has some spy tech in its body. In order to procure access to the body, she threatens one of the young male technicians in the Body Shop, who has been having sex with the decommissioned robots, with public exposure. Next to Felix’s dress down by his co-worker, that was one of the uglier things I saw a human do, in this episode, which is important when you consider that nearly all of the humans are deplorable. She goes to Bernard with her concerns but he is noncommittal.

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But the standout event in tonight’s episode was the meeting between Ford and the MIB. After finding Teddy in the desert strung up by Wyatt’s men, he takes him with him. When Teddy’s health quotient gets too low, he bleeds out Lawrence, to give Teddy a transfusion. Accompanied by Teddy, they meet with Ford at a saloon, where Ford tries to parse out exactly what the MIBs purpose is, and if it’s really worth it. Harris character says he wants a worthy adversary to prevent him from reaching his goal. It seems like Dolores is being set up to be that Rival, as she is following the maze too.

There is no surprise in Ford’s meeting with him. The two act very much like old, if not friends, then certainly acquaintances. We get to see Teddy be a little badass. I like the how the show is gradually introducing us to  what the Hosts are capable  of. They’re not superhuman but they are more than. They’re certainly faster and stronger. We get a glimpse into how fast during Dolores shootout, and in Teddy’s automatic reaction to protect Ford, when The MIB threatens Ford with a knife. But the robots are held back by their cognitive limitations. They have no memories, don’t know what they are and there are human things they don’t comprehend, like death.

There have been a number of theories bandied about the show. One of the theories is that the scenes  with William and Dolores are flashbacks to thirty years ago, to the life of the MIB, and chronicles how he went from being a White Hat to  a Black one. That the MIB is actually William. This would also explain his acquaintance with Dolores. I’m not sure what to think about that theory though. There are certain people and characters whom we never see interact so its easy to reach that conclusion. The  Westworld logos during William’s entrance into the Park, and the ones we see with the old Ford are different.

http://www.vanityfair.com/hollywood/2016/10/westworld-season-1-episode-5-recap-contrapasso-timeline-theory-lawrence-bernard-is-arnold-clone-robot

Next week, the robot rebellion begins, after which we have four more episodes to the big finale and what I would consider a successful first season for the show.

 

So When Are We Gonna Stop Letting Joss Whedon Coast on 20-Year-Old White Feminism? — Sublime Zoo

If you were on these rough Internet streets a week-and-a-half ago, you probably caught wind of the Joss Whedon’s age-old Wonder Woman script. You know, that thing that bounced around in production hell briefly, nearly attached to the likes of Charisma Carpenter and Lucy Lawless. It had been rumored for years. Over a decade. And […]

via So When Are We Gonna Stop Letting Joss Whedon Coast on 20-Year-Old White Feminism? — Sublime Zoo

Reboot of Hellboy Will Have Limited Use Of CGI — Geeks of Color

In today’s world of larger than life blockbusters, we’ve all come to expect the use of CGI in order to depict worlds and creatures that don’t actually exist. None of us have actually ever seen an alien ship attack New York, but due to CGI, we believe it when it happens every single time. Neil Marshall, […]

via Reboot of Hellboy Will Have Limited Use Of CGI — Geeks of Color

Favorite Movies of My Life Pt. 4 (2001-2010)

Here we go with part four of the most influential movies of my life, according to the year they were released. I thought about adding more of a prologue here but I’ll save it for the last and final chapter of this essay, covering 2011 through 2016.

2001: Spirited Away

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For this year there was simply no contest. Hayao Miyazaki’s Spirited Away wins this one hands down. This is not just The Potato’s favorite movie, but her Mom’s and her Aunt’s, when they were her age. I have shown this movie to two generations of little girls and there’s just something about this movie that just resonates with them. This movie was voted the 4th best movie of the 20th century, and that is just too accurate.

This is the coming of age story of a bored little girl named Chihiro, whose parent’s gluttony traps her in the spirit world, where she has to navigate this liminal space in a  bathhouse for spirits, dragons, soot sprites, hungry ghosts without faces, and a witch named Yubaba. It’s an Alice in Wonderland story nestled firmly in Japanese traditions. A story about a little girl re-engaging with the world, becoming self-sufficient, gaining confidence, saving her parents, mending relationships and making new friends; most specifically with  a little boy named Haku, who has a  special secret of his own, a tiny bird, and a little guinea pig, that used to be a giant baby.

Every little girl I’ve shared this movie with became completely obsessed with it and wanted to watch it again and again. And no, I was not immune to it either,as I’ve watched this a countless number of times with them.

This year also saw the release of the final chapter in the Lord of the Rings trilogy, which gets an honorable mention and was one the most entertaining movies of the year.

 

2002: Blade 2

The movies 28 Days Later, Dog Soldiers, and Eight Legged Freaks were  all released this year, and I initially chose Dog Soldiers as my favorite, but on second thought, I think I prefer Blade 2, because I love Guillermo Del Toro’s vampires, and it’s one of the  first films in what would later become the MCU juggernaut. The next time I think on this topic, my favorite could be Dog Soldiers, though.

Del Toro also introduced a different iteration of the vampire here, which became the foundation of the vampires used in the TV series, the Strain, although I think the book versions were more disgusting. Blade 2 isn’t a meaningful film. It’s just a helluva lot of fun, with Ron Perlman, a giant Jewish guy, playing a  Nazi vampire, and some great Martial Arts, choreographed by Donnie Yen and Wesley Snipes. This is one of the most diverse group of vampire villains I’ve ever seen in a  movie. And you have to watch the DVD, because  Gillermo always gives hilarious commentary. He is quite possibly the most cheerful, profanity spewing, director in Hollywood.

I enjoyed 28 Days Later for showcasing Naomie Harris, in one of her first starring roles as an absolute badass, who gets to kiss pretty boy, Ciilian Murphy. Eight Legged Freaks is one of the funniest movies I saw for this year, and I did a reviews of both it and Dog Soldiers.

https://tvgeekingout.wordpress.com/2016/10/10/eight-legged-freaks-2002/

https://tvgeekingout.wordpress.com/2015/08/18/geeking-out-about-dog-soldiers-2002/

 

2003: Kill Bill Pt. 1

I love Kung Fu movies, and so does Quentin Tarantino, and in the making of this movie, he managed to introduce me to a few I’d not heard of.  This movie is one long beautiful love letter to the Kung Fu movies from his youth. From his casting of Gordon Liu as the leader of the Crazy 88s, Johnny Mo, to Daryl Hannah as an assassin named California Whitesnake, from Viveca Fox as Vernita Green (codename Copperhead), to that final big boss fight, that takes up nearly the last full hour, this movie is totally awesome-sauce.

My favorite scene has to be the final fight between Beatrix and O-ren Ishii. It’s a masterclass in how to craft a minimalist fight sequence. The lighting, and sound effects, (which is something I almost never pay close attention to in a movie), the stop and start of the action, the minimal dialogue, and the costumes (O-ren is dressed as the character Lady Snowblood from the movie of the same name), all of it is simply gorgeous. And its such an emotional scene. We’ve been building to the moment these two characters finally crossed swords, since the beginning of the film, when we noticed that O-ren’s name had already been crossed off of Beatrix’s list. Why this film wasn’t lauded by White women as the second coming of Feminism is anybody’s guess., and it’s another reason I find WW unimpressive.  Because I’ve seen better.

There wasn’t anything else of note released this year, in my opinion.

 

2004: Shaun of the Dead/Man on Fire

I’m going with Shawn of the Dead as my favorite this year, even though the Dawn of the Dead remake was also released. I liked Dawn but I always prefer funny over angsty, so Shaun gets my vote, and Dawn of the Dead was mostly pretty grim. Likable but grim. I’m going to review both of these in October. (Yeah, I’m already making a list of horror movies I want to review for Halloween month!)

This year was a really tough call, because Denzel Washington’s remake of Man on Fire, from the book of the same name, was also released this year. I will always stan for Denzel, no matter what movies he makes, but this is one of my top favorites from him, and Tony Scott, who passed on in 2012. It also stars Chrisotpher Walken. Just about anything with a Walken speech in it is going to get my attention.

The Incredibles is the only cartoon about superheroes that I love, love, love, and watch, every time it airs on TV. It was a serious contender for the title of best film of this year for me,  (and I feel kinda guilty for not choosing it, so let’s call it a Runner-Up), but I’m going stick  with Shaun of the Dead because I wouldn’t mind living in Shaun’s world for a few days.

 

2005: A History of Violence 

David Cronenberg has always been a filmmaker of depth and intelligence, qualities which are well showcased in this movie, based on the comic book of the same name. I do have in my post queue, an outline for a review of this movie, and its companion film, Eastern Promises, because I have a lot to say about both these movies. They have so much in common, even though they look almost nothing alike. The movie has the added benefit of starring two of my personal favorites, Ed Harris, and William Hurt, who I’ve had crushes on since I was a teenager.

In hindsight, I would like to have chosen the Joss Whedon Joint, Serenity, as a fave, but one can only watch this movie so many times. I love it, but Whedon is just not in Cronenberg’s league, and this is one of the few SciFi movies that had my angry-crying at a crucial moment.

Cronenberg  is just on a “ho ‘notha level!” It’s just gotten to the point where everything he creates is a gem.

 

2006: The Host/Slither

I did a review of Slither here:

https://tvgeekingout.wordpress.com/2015/10/31/geeking-out-about-slither/

 The Host appears in my list of ten favorite monsters here:

https://tvgeekingout.wordpress.com/2015/02/01/my-ten-favorite-monsters/

Now three other worthy films were released this year, but I couldn’t pick Apocalypto because I have an intense dislike of Mel Gibson. I love his films,  (his version of Hamlet is totally the shit), and Apocalypto is simply one of the most gorgeous films he’s ever made. The man is a phenomenal director, and actor, but also a really shitty human being, so no. I couldnt pick this one.

Paprika is an anime movie from  Satoshi Kon, the director most famous for Tokyo Godfathers, and Millenium Actress, and this is one of the most beautiful animes ever made, but unfortunately, it’s confusing as hell. I know that’s on purpose, but still, I’ve watched this movie at least half a dozen times and I’m still confused, which makes this movie little more than a pretty distraction for me. It’s a great movie that has remained opaque to my sensibilities. I’m just going to accept that Satoshi Kon is just waaay smarter than me.

300 is yet another pretty distraction, because I already knew about the Battle of Thermopylae from paying attention in school. There’s nothing particularly deep about this movie, and the plot is fairly simple, but I actually do like Zack Snyder, and this is a gorgeous movie. It doesn’t hurt that it has lots of pretty, half-naked men, running around with spears and shields. I make ‘nan apology for enjoying the sight of Michael Fassbender, jumping around like a giant spider, in a red loincloth.  I mean c’mon! Its Michael Fassbender!!!…Naked!!! I will watch Michael Fassbender do just about anything, really. I have watched movies that I have zero interest in, just because they starred Fassbender, and I make ‘nan apology for that!

 

2007: Hot Fuzz

I had to pick Hot Fuzz, even though I chose Shaun of the Dead, earlier. This movie is just one of the funniest cop movies I’ve ever seen. Okay, I don’t actually watch cop movies all that much, which make Hot Fuzz pretty remarkable Every scene in this movie is a gem, from the opening scenes establishing Nicholas Angel’s total badassery, to establishing Constable Butterman’s total incompetence. Even their names are perfect reflections of their characters, as Nick can do nothing wrong, and Butterman is one of the laziest cops I’ve ever seen in a movie, which is also kinda refreshing.

I loved seeing Billie Whitelaw again, this time being hilarious with a machine gun, and this is the funniest  I’ve ever seen  Timothy Dalton. I didn’t know he was even capable of that level of smarm. The plot, characters, and every tiny detail, is hilarious, from the police interpreter who needs an interpreter, to Constable  Doris Thatcher’s off-color double entendres, to the fact that the village’s security watch group is named after the rap group N.W.A., to the final, ridiculously over the top shootout, which is a requirement in every cop movie. If you have not seen, this check it out. It was last available on Netflix.

I suppose I could have easily chosen Frank Darabont’s The Mist. It’s a good movie, but I wouldn’t call it enjoyable, exactly. That’s a strong word. The end is waaay too depressing for that. I normally shy away from reviewing horror movies that are too famous, preferring to review indies, or little known films, but this is on my list for October, and is mentioned in my top ten monsters list.

There were a lot of really, really excellent movies to choose from this year:  No Country for Old Men, There Will Be Blood,  The Assassination of Jesse James by the Coward Robert Ford, Sunshine, The Bourne Ultimatum, and finally, Eastern Promises, another Cronenberg Joint, that I’ll be doing a review for, later this Summer.

Wow! This was a great year! But I could only choose one, so Hot Fuzz is it.

 

2008: The Dark Knight

C’mon! Was there really going to be any other choice.?

The Dark Knight absolutely ruled this entire year, both the anticipation, and the aftermath. I have no more to say about this movie, than the few hundred other people who wrote about it, so I’ll just leave it alone, and let these guys speak:

A Scene-By-Scene Analysis of THE DARK KNIGHT (2008, dir. Christopher Nolan)

http://www.slashfilm.com/assessing-the-themes-of-the-dark-knight/

 

2009:  Star Trek

I chose Star Trek because I’m one of the few lovers of the OG series who actually likes this movie. I don’t think people hated it exactly, but people had a lot of complaints about it. I didn’t have very many outside of plot and pacing. It wasnt a deep movie, but I had a lot of feels and sometimes that’s good enough to make something a favorite. I mean these actors did a great job of capturing the spirit of the original actors without mimicry, and I just found that all kinds of ticklish!

I was going to choose Watchmen for this year, but that movie is a lot more depressing that my usual fare, and contains a nuclear holocaust, which makes it even less fun, and I think The Watchmen is a superhero movie for people who hate superheroes, because it’s a cynic’s wet dream. But I like the ideas being presented, and I liked the visuals so it makes my top five of the year, along with Sherlock Holmes.

Like Zack Snyder, Guy Ritchie is one of those directors people seem to have no middle ground for. You love them or hate them. I really enjoyed this remake of Sherlock. I enjoy all of the Sherlock’s really, and never seem to get tired of new versions of this character. Plus,  I will watch Robert Downey Jr. do absolutely anything in a movie.

 

2010: Inception

Christopher Nolan just makes movies after my own heart. He is not the kind of director that ever speaks down to his audience. If you are watching a Nolan film you are expected to pay attention, and be on your toes. And he doesn’t stint on the action scenes either. Like Hitchcock, he makes Thrillers for thinkers, and I appreciate that. He just crafts some wonderfully satisfying movies.

http://narrativefirst.com/articles/meaningful-storytelling-an-analysis-of-inception

Movie Review: “Inception”

Let Me In is complicated. I enjoyed the book the original movie was based on, but didn’t care too much for the  original movie. I think it was the acting that threw me off. I think the creators of the American version did a really good job adapting it for American sensibilities while keeping the spirit and theme of the  original film intact, but I couldnt choose it as a favorite, as it has too many scenes of the primary actor being tortured by bullies, for it to be enjoyable, and its kind of depressing.

Anita Sarkeesian responds to the garbage humans — Pharyngula

She has a fine statement on their fundamental dishonesty. Now, he and his followers are acting as if me publicly calling him a “garbage human” is the equivalent to what he has done to me. In truth, he and his followers cannot begin to imagine what it is to have to constantly beg for and…

via Anita Sarkeesian responds to the garbage humans — Pharyngula

The I-Don’t-See-Color of Horror Films, “The Watcher”, Accidentally Makes a Profound Racial Point

Scott Woods Makes Lists

the-watcher-2016-feature

There were so many actors of color in the 2016 horror film The Watcher that I felt compelled to investigate it halfway through to see if its creative or production teams were black (answer: nope and definitely not). Despite being a horror movie junkie, The Watcher is not my normal smack. This is the kind of film I would have kept shuffling down my to-do list until I hit a 3 AM fiend wall on Netflix. So imagine my surprise to discover it starred a black X-Man, my dude Hank from Sirens, the always-looking-at-me Tracie Thoms, and a Miss Evers’ boy.

More surprising to me as the movie droned on was that the story didn’t reference the ethnicity of the black characters once that I can recall, which is saying a lot when 70% of your cast are people of color. Despite the first five minutes of the film…

View original post 703 more words

I’m Not sure if I would call the Cops. My Skin is too Dark. — AfroSapiophile

I really don’t see myself calling police, ever in my life. If police can murder a person who calls the police, and still evade justice themselves, then one must conclude that police are far more than merely unreliable. Police function with a grotesque lack of accountability.

via I’m Not sure if I would call the Cops. My Skin is too Dark. — AfroSapiophile

I don’t normally post this type of thing, but I’m definitely reaching this stage of being fed up with the police.

“What if a white guy played Black Panther?: The Fake Concern of Fake Geek Guys — Stitch’s Media Mix

Whenever I talk about racebending as a concept when it comes to comics and comics-related properties, smartasses always show up to say something snarky like “what if Black Panther or some other Black hero were a white guy”. They crowd into my mentions or any comment field they can get a hold of, trying to […]

via “What if a white guy played Black Panther?: The Fake Concern of Fake Geek Guys — Stitch’s Media Mix

 

**And for further reading, the distinction is that Whitewashing is bad and Racebending is okay, and here is why:

Dear Comic Fans: We Get it. You’re racist and racebending scares you.

The Incomparable Differences between Whitewashing and Racebending

Whitewashing vs. Racebending: Yes, There is a Difference

https://moviepilot.com/p/how-whitewashing-does-and-doesnt-affect-movies/4112605

https://www.theodysseyonline.com/whitewashing-racebending

 

**And further readings on Race and Media for the weekend include a description of harassment in the Art world,  for speaking the truth, which is important to me because I’m an artist.

This ties into America’s general belief that History was all White, and that PoC played no part in European History at all. As Dr. Who said, “History has been whitewashed!” And yes, I blame Hollywood, and America’s  general historical ignorance. It’s this ignorance of the part PoC played throughout every era of human history that leads to cries of “Historical Accuracy” every time a Black person wanders into the orbit of, not just historical films, but any Fantasy films that have a foundation in European folklore.

https://hyperallergic.com/383776/why-we-need-to-start-seeing-the-classical-world-in-color/

https://www.artforum.com/news/id=68963

 

**And on Race and Fandom Wankery…Stop It! Fandom is every bit as racist as non-geek culture, but Klandom thinks it’s better at disguising it. There has also been some confusion about patterns of implicit racism vs calling individuals racist.

Thinking that you are personally being called out on your racism is basically the Racism 101 approach to this topic,  because we’re not talking about individual people, although individuals may be used as examples of what were drawing attention to.

The discussion that PoC and LGBT people are having is from the 401 Class, and seems to be over quite a few people’s heads. We’re discussing patterns of behavior across multiple platforms. We’re not talking about a handful of bigots, writing stories we don’t like, but  about hundreds of people across fandom engaging in the same behavior, and then making the exact same excuses for their behavior, over and over again.

We are supposed to be the most progressive and transformative community in pop-culture.

nyxelestia

We who…

  • Hyper-focus on white, male characters
  • Contort these male characters into heteronormativity
  • Marginalize and erase characters of color
  • Write out women and replace them with men, especially in shipping
  • Attack women for “getting in the way” of our preferred ships
  • Hold female characters to higher standards than male characters
  • Hold characters of color to higher standards than white characters
  • Latch onto any single excuse to marginalize female characters
  • Utilize any single excuse to demonize characters of color
  • Put women on pedestals and act as if we’re doing them a favor
  • Justify white and male abuses or dismiss them as “mistakes”
  • Use actual mistakes to denigrate female and non-white characters
  • Romanticize white, male pain and mental illness
  • Expect female characters to perform all the emotional labor
  • Expect characters of color to be perfectly mentally healthy forever
  • Expect everyone to subsume their own mental health for the white males’
  • Dismiss the traumas and experiences of characters of color
  • Minimize the achievements of female characters

And then we wonder why mainstream media is so regressive, especially compared to us. We all talk as if mainstream media creators are behind the times.

They’re not.

Fandom likes to imagine itself as being progressive because of all the slash – a mechanism of progress which conveniently boils down to extra attention on overwhelmingly male (and overwhelmingly white) characters. This form of progress is one which takes a minor deviation from the social norm (homosexuality), only to end up ultimately supporting or even amplifying the status quo, by virtue of over-focusing on male characters (and over-representing white ones in the process).

Strip back that gay window dressing, though, and you’ll see that at best, fandom is just as socially stagnant as mainstream media and mainstream culture – or even worse, by virtue of engaging in media that overwhelmingly sidelines several other marginalized groups in order to prop up one.

Professional women have long known the old adage, “Whatever women do they must do twice as well as men to be thought of half as good.” What no one seems to realize is that fandom is still doing exactly the same thing.

We expect female characters to be twice as good for half the acclaim, we expect characters of color to be three times as good for a third of the acclaim, and we let white, male characters be only a quarter as good for four times the acclaim.

Mainstream media is keeping up with the times and with social progress just fine, it’s us who’ve deluded ourselves into believing that we, as a community, are more progressive than we actually are.

 

 

And Danae Guriria lays it out:


**And on Hollywood Erasure. This topic is especially interesting to me becasue I know there were Black cowboys. When Slavery ended, a lot of Black people fled West, rather than North, which is how and why there are so many black people in places like Minnesota, Oklahoma, California and a huge Black population in Texas. I know there were Black Cowboys (and many many Mexican ones) but this is something most Americans don’t no about due once again to Hollywood Whitewashing. The remake of the Magnificent Seven is a lot more historically  accurate than the original.

Although the reception of that movie proves one more thing to me, that Denzel Washington can make whatever the Hell movie he wants, and no one will criticize him for historical accuracy. Apparently, he belongs in any era he wants.

 

black-to-the-bones

The LIT History Series is for the Legends, Innovators and Trailblazers that have shaped our culture.

It is widely believed that the “Lone Ranger”, the famous cowboy of the TV show and the movie, was inspired by a Black man named Bass Reeves.

Reeves was born a slave, but he escaped to the West where he eventually became a Deputy U.S. Marshal, an expert marksman, and a master of disguise with his Native American sidekick. Blacks were a huge part of the Western frontier despite what’s told to us in pop culture or taught to us in the classroom. “The kids who are learning history in our schools are not being told the truth about the way the West was,” says Jim Austin, founder of the National Multicultural Heritage Museum. “I bet you nine out of 10 people in this country think that cowboys were all white – as I did.” (x)

Cherokee Bill, born Crawford Goldsby, was a notorious outlaw whose father was a Buffalo Soldier. His reputation and career as an outlaw rivals the reputation of Billy the Kid. Bill Picket was a “famous” Black cowboy who toured the U.S., Canada, Mexico, South America, and England, and he was inducted into the National Rodeo Hall of Fame 40 years after his death. (x)

And black cowboys are still here, they do exist.

That’s a huge part of history that was also erased from the history of America. We need to bring attention to this, because it’s unfair that black people along with other people of color have been erased from this narrative.

Source

 

Blacktastic Books! 10 Urban Fantasy Novels By and About Black People

Chronicles of Harriet

A couple of years ago, I penned an article entitled IT’S STILL DARK AT TWILIGHT: Scrubbing off the Whitewash of Urban Fantasy. In it, I explored the common practice of whitewashing – taking a character who is originally of color in literature and film and replacing them with a white character, actor, or model, or a person who looks “more white”, in order to appeal to the white masses – across genres and, especially, in the popular genre of Urban Fantasy.

This practice continues today. However, more Black authors are producing great works of Urban Fantasy with Black main characters and are gaining recognition and earning Black readership.

Yesterday, however, a sister lamented on Goodreads that the only Urban Fantasy with a Black hero that she knew of was the Vampire Huntress series by the late, great L.A. Banks. That tells me I – and other Black authors of

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American Gods Season One : Come to Jesus (Part One)

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This  took some time to write because so many delicious things happened in the finale. I’ve been pretty busy and tired this week, but I’m determined to get this post out, doggonit! I’m also  going to have to do this in installments, because its already long enough. The next post is about the series as a whole, including its future incarnations, and an entire post devoted to speculation about the show’s lead, Shadow Moon, and his relationship with Wednesday.

Fuller and Green pulled out every stop in Come to Jesus. This episode was funny, cute, and awesome, in ways I wasn’t expecting. And that ending? Wow! This episode was also just gorgeous. The cinematography was  incredible, from Bilquis backstory, to the final scenes featuring Ostara,  tonight’s episode belonged to the women.

We open with Shadow and Wednesday, looking bored, while Nancy crafts new suits for them from spider silk, of course. Why am I not even surprised that he’s a tailor? It’s Easter holiday, and the two men plan to visit the goddess for which the holiday is named. For that, they need to look presentable. Nancy’s  house is an arachnophobic nightmare, though. All of his tailoring scenes, and even the clothing, is crawling with tiny spiders. (I think the spider’s are making the fabric, and there’s a giant loom in the background. How do I know this? I used to have  that kind of loom when I was a child.) I was a little squicked out by the spiders, though. If you have severe anxiety about spiders, then skip this scene. What’s interesting is that all of these gods have animals associated with them, and that they communicate with. Wednesday has his ravens, and the wolf we saw in A Murder of Gods, Nancy has his spiders, Ostara has bunnies.

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Afterward, we get another gorgeous scene of Nancy telling a story, despite Wednesday’s protestations, and Nancy’s  signature catchphrase, “Angry gets shit done!” is aimed, this time, at Shadow, who is pissed at Wednesday for killing Vulcan. This episode has so many favorite moments, this is simply the best episode of the season. Mr. Nancy generating his own spotlight is hilarious! (I just love this character!) At first I thought Nancy was going to tell the story he told in the book, about how the monkey got the lion’s balls, but no, he tells Bilquis’ tragic backstory, which is a very neat way to tie her to the other characters we’ve met this season, and tie her presence in this episode to Easter. How he knows her backstory is anyone’s guess, unless he’s making it up (in the book, he and Bilquis never meet) but it’s fitting that he be the one to tell her story here. I think Nancy is probably a little in love with her too, and it makes sense, in this series universe, they would’ve met.

Note: Once again, only the barest bones of this comes from the book. This series follows the foundation, and spirit, of the books, but is very heavily embellished with lots of extra stuff.

http://nerdist.com/american-gods-history-primer-bilquis-a-k-a-queen-of-sheba/

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Bilquis  is a very, very old Queen, (Sheba) with her own temple, and congregation. We’re talking about 3,000 years ago, in ancient Iran, where she was incredibly powerful, and openly worshiped. Of course, you could visit her temple, and worship her if you wanted, but you would very probably be eaten. It’s a beautiful, sensual scene that doesn’t feel gratuitous. Fuller has an unerring talent for crafting sex scenes that are titillating, without being raunchy. Bilquis was so powerful then, like a spider, she just liquefied her companions (whole groups of people), before sucking them into her vagina. Where, according to Technical Boy, they spend an eternity worshiping her in the Vagina Nebula, as she feeds off their energy.

Nancy narrates how various patriarchies went out of their way to destroy her, and failed. That handsome young man with the crown, I believe just represents royalty in general, and no God in particular. At the height of her powers, she devoured kings too. Later, as men became more and more desperate to control and contain her and her followers, out of fear and hatred, they resorted to violence, which seemed to work. As the centuries passed she fell on harder and harder times and, like Nunyunnini, was slowly forgotten, even by herself. Unlike him, she was still potent enough to be revived. As long as people wanted what she had to give she could still take sustenance. Bilquis’ story is a perfect metaphor  of the suppression of female sexual agency and  power by patriarchy, which is why it was important to Fuller that she be a  dark skinned Black woman. In the history of America, Black women have had little sexual agency, they’re bodies often exploited by men for labor and reproductive purposes. We’ve all been taught that woman’s sexuality needs to be carefully harnessed, and are only just now moving away from this concept in the US.

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Also, women who look like the gorgeous Yetide Badaki, are rarely shown as sexual icons in  media, or  as women who own their sexuality, serving no one but themselves. Women  who use their sexuality for their own ends, often have their sexuality heavily policed by men and women of all races. Witness how black women like Beyoncé, and Serena Williams have been vilified by social media for expressing themselves, slut shamed by respectability politics, and made to seem less than white women who have engaged in the exact same behavior, but are considered empowered when they do it. The true irony,  in this scenario, are white women who think the freedom to express their sexuality is something only reserved for them, and who seek to suppress and castigate WoC for expressing theirs.  Bilquis story is all the more tragic because, as Bilquis’ power diminishes, she comes to accept this shame and self hatred, along with her lowly status. She isn’t just forgotten by the world. She forgets her power.

The  passing eras, and her rise to power again, are beautifully rendered by the changes in costume and makeup. We see her in her original jewelry, at the temple. There’s a scene of her in a disco, with a huge Afro,  reminding me of Wednesday’s first statements to Shadow about his mother. (I do wonder if the show will go that route with her. It would be a nice touch, and explain a number of odd things about Shadow, who we still have no backstory for.) She even takes another WoC ,as her lover and I’m sure there are fans who loved this representation of WoC pansexuality. In 1979, during the Iranian Revolt,  she is exiled from her homeland, along with many of her followers, and years later, watches in despair, as ISIL destroys her last temple. Later, she finds her lover again, but she is dying from AIDS, which has been seen a punishment for people  who are considered too free with their sexuality.

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Bilquis is, once again, visiting her display at the museum. She is so ancient, that almost no one now alive knows what any of the  objects representing her were for. She is visited by Technical Boy, (who is wearing yet another shitty, ridiculous hairstyle) to whom she owes a huge favor, as he was the one who found her when she was at her absolute lowest ebb, homeless, and sleeping in the gutter. He offers her tribute in the form of a modern dating app, which is where we find her in episode one. What he has tasked her to do, we’re not sure, but she’s meant to meet everyone at the House on the Rock, a place of major importance in the book.

Nancy says Bilquis is reluctantly on the side of the new gods, and that Wednesday needs to collect another ancient goddess as her counterpoint.  During all Bilquis’ scenes, we get some idea of what her powers are, and while she’s not at her height, she possesses the ability to charm, beguile, or seduce any human being. Who she is meant to turn this power to at House on the Rock, is unclear. Wednesday, or Shadow? Nevertheless, it’s clear she’s not entirely willing to do Technical Boy’s bidding, and there is hope for her breaking her deal with TB, because we notice she is not carrying her phone, or using her app, when she seduces one of her travel companions.

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On the way to Easter, Shadow dreams about climbing a mountain of skulls. This is his prophecy about the war, hanging  over his subconscious like Wednesday’s storms. On some level, he knows and believes in what’s happening, but refuses to commit, and Wednesday calls him out on this. No matter how angry he gets at Wednesday, or pretends to, he still likes the old con, and I think Wednesday is counting on that fondness to keep him by his side.  Shadow also sees the White Buffalo again, and the World tree, Yggdrasil, which is also a representation of the War of the Gods (Ragnarok) spoken of in Norse mythology.

**Ragnarok (Old Norse Ragnarök, “The Doom of the Gods”) is the name the pre-Christian Norse gave to the end of their mythical cycle, during which the cosmos is destroyed and is subsequently re-created.

—– http://norse-mythology.org/tales/ragnarok/

When Shadow wakes up, he finds that he and Wednesday are being chased by bunnies. It turns out that the bunny that overturned Laura’s truck was not sent by Easter, although it is her animal to call, and they report to her. I thought that was one of the cutest things ever. The bunnies try to stop Wednesday  from reaching his destination too, but unlike Laura, he is unimpressed. He just runs them over, which makes Shadow give him the side eye. So the bunny’s job seems to be stopping uninvited  people from reaching Easter’s home, I guess.

Obstructionist Bunnies!

Easter is, naturally, celebrating Easter, but she’s celebrating it with all the various Jesuses, which I thought was hilarious. This is notable because Jesus is treated just like any of the other gods in the narrative, and most of the current versions are present at the party. The whole damn thing was just deeply, deeply funny to me, including the scenes where, whenever any of the Jesuses got near a light source, a halo would appear, and Shadow’s meeting with Jeremy Davis’ regular white guy Jesus, AKA Jesus Prime, for some reason. I did see Hippie Jesus, Black Jesus, and even a baby Jesus. Some of the Jesuses I couldn’t pinpoint, although I am told Mexican Jesus managed to resurrect long enough to show up.

Your basic guide to Jesus:

 

What do you call them? A flock? A gaggle? A Halo of Jesi?  But it’s the details that really fetched me up, and made me laugh out loud. From the flock of sheep that follow Ostara in all her outdoor background shots, to the tiny halo on the infant Jesus, being nursed by a woman dressed like old-school Mary, to  the jellybean stigmata of the Russian Orthodox Jesus, and the bunnies that poop jellybeans, it’s an incredibly rich, and thoroughly charming backdrop. And if I was a bit dubious about Ostara, at first, I was totally in love with her by the end of the episode.

 

On Ostara:

https://www.thoughtco.com/eostre-spring-goddess-or-neopagan-fancy-2562488

https://www.themonastery.org/blog/2013/03/easter-and-ostara-converging-traditions/

Easter receives several uninvited guests, along with Shadow and Wednesday. Laura and Mad Sweeney, Media and Technical Boy also arrive. The meeting of Shadow and Easter is just cute in the books but they’re shown here as being much more smitten with each other, which is a good foundation for Easter’s actions towards Shadow later in the series. In the book, she is delighted to meet Shadow and flirts shamelessly, in that way that only Southern Belles can get away with. The two of them are just the most darling thing I’ve ever seen on this show. Shadow blushes like a shy teenager with his first crush, and while she offensively refers to him as pink chocolate! she gets a pass, because I wholeheartedly agree.

That boy is foine!

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Kristen Chenoweth is wonderful in this role. I was prepared to be annoyed by her because of the trailer, (and because Chenoweth has a sordid past as a Broadway singer),  but she turned out to be a delightful character who, like a lot of southern women, is warm, gracious, and mushy, on the surface, but has a backbone of pure steel underneath. Easter is not happy that Wednesday is crashing her party, and upsetting the Jesuses, who are very nice men.

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Laura and Sweeney also arrive, but unfortunately, Easter is unable to resurrect Laura, as Sweeney requests. Looking deeply into Laura’s eyes, Ostara sees the shadow of a raven, and the face of Mad Sweeney, and determines  that Laura was killed by a god. Since Laura was killed through Wednesday’s machinations, Ostara cannot interfere in  another god’s plans. Laura figures that Sweeney knows more than he’s been telling her and tortures the truth out of him. It turns out, Wednesday isn’t just responsible for Laura’s death, but just as I suspected, is also responsible for that perfect casino heist that went horribly wrong, that landed Shadow in prison, being guarded over by Loki. You need to ask yourself why Wednesday would go through so much trouble, to procure a nobody, from nowhere. Easter also admits that the other gods have been talking about Shadow too, speculating who he is, and why he’s with Wednesday.

I like how they’ve kept Laura’s decomposition consistent. She’s definitely getting to the liquid stage, as her eyes have become milky, and she coughs up maggots. She can’t even begin to hide her smell now, (in the books she covered it up with perfume), and she has her own halo of flies. In the meantime, Shadow has a conversation with one of the Jesuses about the nature of belief. I laughed too hard at Jesus setting his drink down, and losing it in the pool he was floating on top of,  because Drunk Jesus!

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One of Easter’s bunnies whispers in her ear that Media has arrived, also without  invitation. Before I start gushing about Gillian Anderson in this role, I need to give some backstory. Irving Berlin’s Easter Parade was released in 1948, and starred Judy Garland and Fred Astaire. The plot involves an older veteran dancer, who replaces his older partner with a young dancer, he hopes to mold in his image, until he finds himself falling in love with her. The faceless drone we see Media dancing with, is dressed in a replica of his suit, from the movie, and Gillian is wearing a pink replica of Judy Garland’s dress from the movie’s title scene, at the end. The drones are even attempting to dance like Astaire. Media mostly speaks in quotes from the movie. From her opening statement about Easter’s heart beating faster, to the mention of their date, these are all quotes from the movie. Guess how I know this!😊😊😊

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Unlike Wednesday, Easter didn’t turn down Media’s offer of aid, although she never asked for it either. In exchange for making certain that Easter traditions remain popular (eggs and chocolate), Easter has gotten a significant boost in her reputation, and followers, even if she has to share her holiday with the Jesuses. In exchange, Media requests her loyalty. When Wednesday approaches, he is confronted by Media and Technical Boy, but he upsets their plans, winning Easter’s loyalty with a combination of lies and tribute. He tells  her the Shadow-unapproved story, that Vulcan was killed by the New Gods, for taking his side in the coming war, and making him a sword. He also offers her a sacrifice.

Here, we see Odin for the first time this season. In an awesome display of power,Wednesday shows Shadow his true face, and speaks his many names.

 

 Odin’s backstory:

http://norse-mythology.org/gods-and-creatures/the-aesir-gods-and-goddesses/odin/

Now once again we come back to the idea of sacrifice. By offering Easter the  deaths of his enemies, he gives her enough power to free her from the bargain she made with Media. Throughout the series, he has outlined the basic idea of godhood, and how it works. Give a little, and get a little in return, whether it be worship, tribute, prayer, or sacrifice. It’s fairly simple. Quid pro quo! If you dedicate something precious to a god, you will receive something in return, although not necessarily what you asked for. Media, Technical Boy, and the other new gods, have corrupted this arrangement, and think this makes them more powerful than the old ones. They have never seen the old gods powers fully unleashed, and have nothing but disdain for creatures they see as old and weak, the way so many young people view the elderly.

It’s not that Media and Technology don’t affect the world in some way, but they can’t control the seasons, rainfall, or lightning. They cannot truly control anything on the physical plane, and are not grounded in the real world of human physical sensation. Bilquis can compel people to love her and eats them, Wednesday can control the weather and destroy them, Vulcan can make weapons that kill them. As I said in an earlier post, the old gods are physical in a way the the new gods are not. The new gods are virtual, ephemeral. They promise dreams and fantasies, but give little or nothing  in return, for all the attention humans give them. Or rather, what they give in return for human attention is just as ephemeral, shallow, and unreal as they are.

And this is Wednesday’s key to his argument with Easter. Media can’t really give her power. She can influence humanity and she can tug on their bargain to procure Easter’s loyalty, but with the influx of direct power from Wednesday’s sacrifice, she no longer needs Media. The new gods can aid and abet, cajole, promise and seduce, but they can’t really offer her a sacrifice. It’s not just about human attention. Power comes from being offered tribute.We saw this with Bilquis and Technical Boy earlier. If it weren’t for the bargain she made with him, she would be capable of devouring him too. He doesn’t have nearly as much control over Bilquis as he thinks he does, and he is too shallow, and ignorant, of who she is, to know what he has awakened. The same way he underestimated Wednesday,  in A Murder of Gods, Media has underestimated the degree of power she is dealing with regarding Easter.

But I also said that neither side in this war is  good or bad. There’s no right or wrong from a human perspective. Gods have their own concerns and most are only concerned with what humans  can give them. This mindset (and Wednesday’s actions towards Easter) is the key to understanding why Wednesday wants this war, and why he’s willing to kill Laura to procure Shadow for himself, and is also willing to unleash untold misery on humanity, by encouraging Easter to take away the harvest season.

Wednesday did the same thing to Shadow that TB did to Bilquis. He found her at her lowest point and offered her a chance to regain power. Wednesday orchestrates the complete destruction  of Shadow’s life, and at his lowest point, when Shadow has nothing and no one, he steps in, and offers him a way out, winning his loyalty. If you want a clue as to who Shadow is, think about why Wednesday would want to collect him, and why he needs Shadow to believe.

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We see an awesome display of power, and some truly gorgeous cinematography, as Easter, high on the sacrifices given to her by Wednesday, unleashes the full meaning of her name, as Goddess of the Dawn, and kills off all the plant life in a several mile radius of her home. Humanity can have Spring back when they pray to her for it.

 

My  favorite moments were all the wonderful details like:

Mr. Nancy’s interjections in his scenes with Shadow.

Media’s presence this entire season, which is in keeping with the fact that Fuller is an out gay man, has been a showcase of gay icons. Marilyn Monroe, Lucille Ball, David Bowie, and Judy Garland, are all extremely popular gay icons, from the forties through the sixties.

The Security Rabbits jobs are to stop traffic on the road to Easter’s home, so they can see who is in the vehicle, and then report the occupants back to Easter. I suspect this is what the rabbit that caused Laura’s accident was trying to do. No one approaches her home without her knowing about it , except in the case where Wednesday killed them all.

The deviled eggs at Easters party. It was a tradition in our house to eat those every Spring.

Easter’s tiny halo.

The tiny polka dots on Shadow’s suit.

That poor waiter who was wearing an egg shaped helmet.

The tiny cookies shaped like hands with red centers representing the stigmata.

Wednesday connecting Spring Break raunchiness to the worship of Easter.

The diversity of Easter’s party guests.

Those ridiculous striped silk robes Nancy made Shadow and Wednesday wear while awaiting their new outfits.

Easters slightly tattered finery. If you look closely enough, the flower in her hat has just a bit of rough edging.

When Media’s hat blows off during the storm, that’s also a scene from  a Judy Garland movie.

Shadow disapproves of Wednesday’s buunycidal behavior.

*In part two, I’ll discuss my thoughts about Shadow Moon, and in part three I’ll talk about the costumes, cinematography, and visual aesthetics.

 

“You’ve Got Me Feeling Emotions”

This is a pretty good description of how my emotions work. I also need to add, that being slightly removed from our emotions, also helps in immediate crisis situations, where everyone else is panicking. During such moments, we actually are quite calm. It’s only afterward that we give in to the emotion of whatever just occurred.

Black INTJ Woman

Actually, no.  You really don’t.  But, I thought I’d use back-in-the-day Mariah Carey as a cheesy and snarky segue into explaining INTJ emotions – or our seemingly lack thereof of them.

INTJs are often depicted as cold and unfeeling because of how we view, speak, and react to people’s emotions.  We’re not devoid of them though.  Feelings, particularly expressing them, are very tricky for us.  Let me illustrate it this way, and pardon my nerd moment.

Think of every fight between Captain Kirk and Dr. Spock on Star Trek.  Kirk is annoyingly emotional (well, maybe that’s William Shatner’s overacting, but it’s irritating nonetheless), while Spock thinks (emphasis on thinks) things should be viewed and handled analytically and dispassionately.  It’s not that Spock doesn’t understand or recognize that emotions exist.  He views them as a nuisance, and possibly causing more problems.

Because we’re wired to see matters – even…

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Prodigy of Mobb Deep Dead at 42

Philando Castile, then yet another police shooting of a pregnant mother, and then this. 

It’s only Tuesday!

http://www.independent.co.uk/arts-entertainment/music/prodigy-dead-mobb-deep-rapper-dies-death-age-life-health-latest-updates-a7799676.html

http://www.rollingstone.com/music/lists/prodigy-10-essential-tracks-from-the-mobb-deep-mc-w488935

50 New Pulp Movies To Get You Started

Great list!

The Ferguson Theater

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So after stirring up more than enough trouble with my “50 New Pulp Books To Get You Started” why then would I go ahead and go ahead and dive into making up a list of New Pulp movies. And how can there be New Pulp movies in the first place when New Pulp has been barely recognized as a genre in the first place?

Simple: I think there should be a way for people unfamiliar with what I and a whole bunch of other writers/editors/similarly minded creative folk term “The New Pulp Movement” to get into it and movies are a terrific way of doing that. First of all, what is New Pulp? Broken down to the simplest of elements it is fiction written in the mold and sensibilities of the style of Classic Pulp of the 1930s and 40s. Linear storytelling, creative use of words and phrasing, larger than…

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Magical Mondays: Sentience Is Magical—and Horrifying — Lady Geek Girl and Friends

Sometimes it’s a bad idea to think too hard about the things you love. Last week, while we were looking for something to watch between the Tonys red carpet and the actual Tonys, my friend and I settled on a channel showing Toy Story. Now don’t get me wrong, I adore the Toy Story franchise. […]

via Magical Mondays: Sentience Is Magical—and Horrifying — Lady Geek Girl and Friends

What It’s Like Being Fandom Critical While Black — Stitch’s Media Mix

If we adopted Scientologist terms in fandom I’d probably be deemed as a negative influence or suppressive person because of the way I talk about the things I’ve seen and experienced in fandom spaces. I’ve had my opinions invalidated, my analysis responded to with condescension, and my inbox invaded by assholes. I even wound up […]

via What It’s Like Being Fandom Critical While Black — Stitch’s Media Mix

Black Panther Trailer: Class 101

Hi! Welcome to the 101 class about the Black Panther movie. I’m here to speak  on this topic because I managed to graduate to the 201 class. I am by no means an expert on Black Panther, Wakanda, or even the current version of the comic books. I have mastered basic information about who is who, what is what, and what I personally enjoy.

Image result for black panther movie cast awards

So the Black Panther trailer dropped Friday, and those of you who refuse to read comic books, or don’t pay that close attention to Marvel Superhero movies, are probably wondering what all the excitement is about. Why are black people so giddy? Who the hell is Black Panther? Is he related to Malcolm X?

Okay. I see we have our work cut out for us. Alright, c’mon over here and sit down, so we can work this whole thing out. I’m gonna do this by giving some background on the character, and  breaking down some  shit in the trailer.

The Black Panther first appeared in Marvel Comics in 1966, which slightly predates the Black Panther Political Party, so there’s no relation. This is notable because he’s the first black superhero to show up in the comics, predating both Luke Cage (Wooo!) and The Falcon. Black Panther’s real name is T’Challa and he’s a prince of the country of Wakanda, located in Africa. His father, T’Chaka, was played by John Kani in Captain America Civil War. After his father’s assassination T’Challa inherited the Kingdom.

This movie is remarkable for several reasons. It has a huge  all-star cast of primarily black actors and actresses.  Lupita Nyong’o, Angela Bassett, and Forest Whitaker, are all Oscar nominated/winning actors. It has a large “dark skinned” female cast. There are more women in this cast than are featured in almost all the MCU films together.  In the comic books, these are characters with names and backstories. Where this movie will truly past the Fabulosity test is if  any of the women speak to one another about anything other than T’Challa, although even without that, this is still great representation for Black women who rarely, if ever get to play primary, action oriented roles in such films.

Its also remarkable for the introduction of the term Afro-Futurism into everyday discourse. Yep! This is a phrase you’re going to be seeing a lot more often in conjunction with discussions about this movie.

*Afrofuturism is a cultural aesthetic, philosophy of science, and philosophy of history that combines elements of science fiction, historical fiction, fantasy, Afrocentrism, and magic realism with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past.

——Wikipedia

http://www.ebony.com/entertainment-culture/black-alt-enter-afrofuturism-999#axzz4k5esHWHx

http://afrofuturism.net/

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Not only is this an almost entirely Black cast, so are many of  behind-the-scenes talent. The director is Ryan Coogler, the award winning director of Creed and Fruitvale Station. Hannah Beachler is the Production Designer. She was also the Designer for Moonlight, and Beyonce’s Lemonade. Ruth Carter is the Costume Designer, and has worked on Selma, Serenity, and the remake of Oldboy.

 

*There are people out here asking why we’re so hyped for Black Panther.

Like…in case you haven’t noticed…there’s literally a million and five big budget franchise movies centered around white super heroes.

Black Panther shows a black super hero who is the king of an extremely prominent and technologically advanced African country with his badass royal guard that consist of badass black women in all their natural glory and it portrays black people as something other than poor, enslaved, or savage.

Regardless if you understand or not…that is huge for black people.  

 

Black Panther: Chadwick Boseman

After the death of his father in Captain America, T’Challa becomes King, and  inherits the mantle of The Black Panther, which is a  generational position as Guardian of  the country of Wakanda. The Black Panthers inherit their superpowers by eating a mystical herb, which grants them the strength and speed of the Panther God, worshiped in Wakanda. He is one of the wealthiest men in the world, and something of a technological genius, responsible for some of the tech and hardware you’ll see in the movie.

Plot Synopsis:

“After the events of Marvel’s Captain America: Civil War, King T’Challa returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne from factions within his own country. When two foes conspire to destroy Wakanda, the hero known as Black Panther must team up with C.I.A. agent Everett K. Ross and members of the Dora Milaje, Wakandan special forces, to prevent Wakanda from being dragged into a world war.”

For a closer look at this character, and his abilities, see Captain America Civil War, now available on Netflix, and read  Ta-Nehisi Coates current run of the comics, (although there are other versions).

 

Everett Ross: Martin Freeman

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This is one of only two white faces you’re going to see in the rest of this trailer, and probably the movie. Everett Ross only gets a  still picture because he does nothing gifworthy  beyond being annoying to the other characters in Civil War. If you see any critiques about how this character is the hero of Black Panther… RUN!!SAVE YOURSELF!! You have wandered into a cluster of White Man’s Nonsense.

 

Ulysses Klaue: Andy Serkis

You may remember this character from Avengers Ultron, where he lost his arm, and got the privilege of locking ScarJo in a cage, I think. No, this movie isn’t about him either, but he gets the gif treatment because I like Andy Serkis. If you see reviews focused on either Ross, or Klaue’s important roles in the film, I urge you  to escape that review, STAT!!!, and immediately Google a review from a Black critic, as you have probably wandered into a field of White Gibberish. Save your brain cells!! That person is not logicking correctly and that shit is contagious.

 

Wakanda:

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Wakanda is a fictional nation, hidden, isolated, and futuristic, located in the central part of Africa. Its meant to represent what an African country would be like if it had been allowed to develop without colonization or exploitation by the West. Wakanda is one the wealthiest nations on the continent because of its large Vibranium reserves.

In the comic books, the central city of Wakanda is surrounded by 18 other city-states, that are constantly vying for power. You can catch glimpses of these various tribal kingdoms in the trailer.

 

The Dora Milaje (Dora Meh-lah-shay):

The Dora Milaje are the King’s Elite (Special Forces) Bodyguards. In English, their name means, The Adored Ones.  In the comic books they were also considered potential wives for the King, specially trained warriors, who were selected from the surrounding tribes by the King, in an effort to keep the peace between the various rival tribes. These young girls are groomed from a very early age to be warriors.

The Dora Milaje are the best warriors of Wakanda.  They have defeated Namor, and fought even Storm and Black Widow to a standstill, although it is rumored, that over the years, many Black Widows never made it out of Wakanda alive, thanks to them.

It’s the custom for them to have shaved heads. No, they are not the King’s special booty call, as Adored One is a ceremonial title. They are not his harem.

Okoye: Danae Gurira

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Danae is most famous for her role as Michonne on the Walking Dead. She’s the King’s first , speaking only to him and only in a rare language. This was so the King and his wives could speak in private while out in public. Think of her as something like the head of a federal organization that only answers to the president.

 

Ayo:Florence Kusumba

Ayo is the Dora Milaje we got to see for the first time in Captain America Civil War. She said six words and stole half the movie. They better not let her say too much in this movie or none of us will remember why the hell we were sittin’ in the theater.

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Nakia: Lupita Nyong’o

This is Nakia, played by the Oscar Award winning Lupita Nyong’o. In the the comic books Nakia is a mutant of some kind, with enhanced speed, agility, and strength. She later becomes a villain named Malice.

 

Erik Killmonger: Michael B. Jordan

Killmonger is played by Michael “Bae” Jordan from Coogler’s last film, Creed, and unfortunately from The Fantastic Four, but the first time I saw him was in the movie Chronicle. He is one of T’Challa’s rivals for the throne of Wakanda, and plays a pivotal role in the movie. In the books, Erik harbors a grudge against T’Challa for exiling him to America, after the death of his father, who had been branded a traitor. When Erik returned he plunged himself into Wakandan history and traditions, and this radicalized him. So now he preaches against outside Western influences, and wants to rule so that he can make the country more isolationist.

 

Ramonda: Angela Bassett

C’mon! Ya’ll know who Angela Bassett is. Ramonda is T’Challa’s mother. Note the white hair. Disney doesn’t possess the rights to Storm from the X-Men, who is T’Challa’s in canon ex-wife, but they can troll the film company that does, by casting the woman who was born to play that role, and making her up to look like her in this movie.

 

Shuri: Letitia Wright

This Princess of Wakanda is T’Challa’s little sister from a different mother. She is the Wakandan genius behind most of the tech you’ll see in the movie, including those nifty little cat gloves she’s wearing in the trailer. I don’t know what they do but I want them. Shuri is the very definition of Afro – Futurism, combining her country’s cultural traditions with technological concepts beyond even Tony Stark’s skills.

In the books, Shuri is a warrior who was trained by her brother to take over his mantle should the need arise, and who, on occasion,  has had to step in and become The Black Panther, in her own right, after  one of her brother’s extended absences. Here she’s been re-written as a tech genius.

 

Daniel Kaluuya: W’Kabi

I got nothing about this guy. I’ve never paid much attention to him beyond that he grew up with  and is T’Challa’s  second in command and advisor. You know him as the actor from the movie Get Out.

 

Forest Whitaker: Zuri

Zuri is played by Forest Whitaker, is a veteran warrior, and one of T’Challa’s senior advisers.

 

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*On a more serious note we have to talk about this issue here:

Since the release of the trailer onto the national stage, I know some of you guys who are the most excited about this movie, have experienced an influx of racist gibberish into all of your inboxes. There’s something about this movie that has truly galvanized racist geeks into a paroxysm of harassment. (Well I simply can’t imagine what that might be.)

I’ve been warning my friends on Tumblr, and other social media to have their Block finger ready because it’s going to  get a lot of exercise. And it’s not just the white racist dudebros out there either. You have a lineup of various hoteps, and native Africans making static too. Everybody whose  got a beef with black people have their fingers tapping, and mouths flapping, to destroy this movie, which is an utterly pointless pursuit.

You’ve got people writing racist meta about how unrealistic Wakanda is, because  Africa is such an undeveloped country,  how Black people are acting too uppity, and culturally appropriating African cultures, the poster for the movie is militant, there are going to be riots and shootings at the theaters on the day of the movie’s release, and a complete basket full of  nonsense. Basically people out there projecting every one of their racial and social insecurities onto this movie, and it hasn’t  even been released yet. And its only going to get worse as the movie nears its release date.

And all because  black people are giddy about a movie trailer.

*Black Panther is a FICTIONAL movie about a FICTIONAL country in Africa so people need to stop projecting all of their issues on to it and let ALL black people enjoy something for once.  Seriously.  CAN WE STOP WITH THOSE STUPID DIASPORA BATTLES THAT HAPPEN EVERY TIME BLACK AMERICANS GET *ANYTHING* POSITIVE?! 

—–karnythia from angelsscream

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This isn’t my essay, but it says want I want to say much more eloquently. This is from an AfroFuturist tumblr site, and is very deep and entertaining. Please give them a visit.

*Double Standard

I’m sure everyone has seen the trailer for the Marvel Black Panther movie that is set to be released next year. And if we are to be honest, we are over the roof excited about it. Have you seen the memes!? The ones showing how we’re going to go dressed for the premier? Have you seen the amount of views the trailer has on YouTube!?  2018 can not come any sooner!! So, tell me why, in between all the excitement and anticipation for the movie, we still see people hating on it?

So, one person called it “unrealistic” and “poorly put together in order to give Blacks a place in the entertainment industry”. And I’m like, “the name is science FICTION, afrofuturist to be exact, and the sole purpose of such work is to not just envision Blacks in the future but as the agents and subjects of the future.”

And then, I saw this post asking how can Wakanda be so technologically advanced and yet it had no imperialistic goals and its innovations did not spread to anywhere else. Y’all remember Avatar? The one with the blue people with tails that were primitive and highly developed at the same time? They loved that movie right? So why the lack of love for Black Panther then?

Could it be because it is BLACK PANTHER? Could it be because it shows Blacks not just as props and prawns but in the center as kings and leaders and scientists and warriors? But anyway, I hope this is one of many afrofuturist works to be produced because it’s about time we have a place in the future, in science fiction.

 

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*But here’s the thing, this movie is going to be released. Its a done deal. Its going to do as well as any of the other MCU films to date. No amount of online harassment, from people who can’t stand to see Black people being happy about something, is going to stop us from going to the theater,  and seeing it multiple times. 

Now I’m done with this particular topic!

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From pathlesspagan:

Me and squad at the Black Panther premiere.