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Westworld Season One: Contrapasso

Contrapasso is a reference to Dante’s Inferno, where the sinner in Hell suffers a punishment related to  the sin that was committed when they were alive. Literally the “counterstrike ” or the “counter-suffering”, which describes the relationship between the sinner and the resulting justification for their torture in Hell.

I was being a bit silly last week when I said I wished the robot rebellion would get started. I don’t actually wish that, really. I’m having  too much fun parsing all the events in this show. It’s just such a rich brew, I was jittering around in my seat like a three year old.  I heard this fifth episode was going to be mind-blowing, and the actress who said that, (Guess who?), wasn’t kidding. So I re-watched all the episodes from the beginning, so I could try to get a good handle on what’s going on. I think I succeeded in understanding about fifty (maybe 60) percent of what’s happening. I’m no dummy but (just like the writers of Hannibal) the people writing this show are waay smarter than me. But here’s my recap anyway, and perhaps by doing this I can understand what the hell I’m watching.

But before I get started I just want to talk about Westworld’s theme song at the opening of the show. If you listen carefully, it’s a parallel of what happens during the course of the series. I noticed this while watching a YouTube video of someone playing the song on piano. The theme is only about a minute and a half long, but during it, more and more discordant notes start to creep in. The song becomes darker, as flatter and  lower notes are added, so that what started out as a harmonious, innocently lovely tune, ends as something ominous, echoing the direction not just of the plot of the show, but the character arcs of the Hosts as they begin to reach for self awareness. Just like that first thunderous note, is an echo of the Park’s first death, this is a machine that has been running without a hitch for some thirty years, but lately has some troubling signs that all isn’t well, as the various anomalies start to build on each other, just like the notes of the theme.

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Okay, I have to admit I have no fucking clue who the Man in Black is,  but I’d like to believe it’s Arnold, the maker who “died” in the park. Yes, yes! I know I could be wrong because as I’ve stated before, accurate speculation is not a superpower I possess. However, I’m going to forge ahead with this theory anyway, because I like it, and there have been too many ambiguous statements from Guests, Robert Ford, and the MIB himself, leading me to believe that the MIB lost himself in the park, and reinvented himself as this villain which everyone refuses to name. My biggest clue was when Logan was talking to William about the Park’s origins, and said there were no photographs of Arnold, and that he had the hardest time finding information about him. There was also last week’s guest who recognized the MIB from the real world.

Ford is in the basement with one of his old robots talking about how he used to own a greyhound, and when he let it off its leash, it ran wild and killed a cat. He’s obviously talking about the Park, and the Hosts, which he intends to let off their leash, I guess. Ford knows what’s happening to the Hosts.  He even has some idea of what the outcome could be and he is allowing all of it to happen. The show keeps having the characters make allusions to  the violent retribution that would occur should the robots ever have their restrictions removed. Those restrictions being programmed to not harm humans and the lack of memories of what the Guests do to them.

What Ford’s ultimate purpose is, I don’t know, but it may have something to do with the rival business interests that Logan represents, and this big narrative that Ford has been designing that has been disrupting the Park’s other narratives. I’m convinced that the new backstory he gave Teddy last week, involving his relationship with Wyatt, is also a part of it all. Wyatt is the boogeyman no one has yet seen.

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Ford talks to Dolores about what happened 34 years ago. (I noticed the dates keep changing. Its 33, or 35, or 30 years ago.) We learn that Dolores was the last person to interact with Arnold. It’s also mentioned, in an earlier episode, that there hasn’t been a death in the park for over thirty years, (Arnold) and that Dolores is the last Host left from that era. Either the MIB is Arnold, or he killed Arnold. This is my supposition until I get new information, which might change next week, since this show insists on confounding me. I’m still not completely ruling  out that the MIB is a Host with Arnold’s memories loaded into it like a memory card.

Dolores divulges, in her conversation with Ford, that Arnold told her her purpose was to help him destroy Westworld. Ford is attempting to find out if the Hosts are hearing the Voice of God commands they were first programmed with. But she is lying to him about that. Someone said the most frightening thing is not a robot that can pass the Turing Test (A test to see if a robot can pass for human by engaging with a human. None of the robots in existence today have passed this test, so calm down.) but a robot that deliberately fails a Turing Test.  Dolores is deliberately pretending to be less aware than she is in this scene. She may also be doing this with William and Logan, too.

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Dolores, William, and Logan reach Pariah, along with Slim, and we meet El Lazo who happens to be a copy of the Lawrence Host that’s been accompanying the MIB on his travels. His name is Lawrence, too. Their meeting with El Lazo doesn’t start off well. He tasks them to steal a shipment of nitroglycerin from the Union army, to prove they can be trusted. It’s interesting that in this narrative, the Civil War is referenced. In the real world, the Southwestern part of the US was flooded with former slaves, after the war. There still aren’t enough Black people  in Westworld, but since this is the Southwest, the number of Hispanics is pretty high and that’s good. I’ve seen no Asian Hosts at all, and I know there were thousands working the railroads in the Southwest at that time, but that could be explained by not having the railroads be  part of Westworld’s narratives. (Why not?)

Logan does mention that at the outer fringes of the Park, things are wilder, and  less well managed.  He says he hasn’t visited those areas but I ‘m guessing that he’s too busy laying on his back to do much exploring. Logan pretty much just thinks with his dick. Yet, he’s not all that different from any of the other humans I’ve seen in this show. It’s not them being sexual creatures that bothers me, it’s that a lot of their thoughts about sex could be kept to themselves.  It turns out that the secret representative that Ford mentioned to Theresa in the last episode is actually Logan. He’s from some kind of rival business or something, looking  to invest heavily in Westworld. I’m only partially interested in this part of the narrative.

At Pariah, we get to see quite a number of Black Union soldiers in this episode stationed in the town. Also there are what El Lazo calls The Confederados. His purpose is to sell the nitro to the Confederates. Logan, William and Dolores complete their task but Slim gets shot down. Dolores later discovers it’s all a ruse, as El Lazo plans to use the nitro for his own ends, replacing what he’s given to the confederates with tequila. Dolores also has several visions of herself, and the maze, and is told she must follow it. She can feel herself becoming a new person and she does, in a sense. As a bandit, she gets a brand new wardrobe, and later when William is attacked by the Confederates, angry about the tequila sham, she is definitely “born again hard”, as she shoots down all three men threatening them. In the aftermath, she tells  William she imagined not being the damsel.

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I stood and I applauded!👏🏾👏🏾👏🏾👏🏾👏🏾 Whoo!!! And thanks to her Host reflexes, she’s a perfect gun (wo)man. Excellent stance, shooting from the hip, and fast as fuck.  It was awesome! She also shows some tactical ability when El Lazo threatens to shoot her and William, when they try to escape on his train. Instead of aiming at him, she aims her weapon at the nitroglycerin loaded bodies sitting in coffins in the cabin with them. She is still hearing the voice in her head, as she spots the image of the maze on the train’s cargo.

Logan is in for a rough time of it when the Confederates find out they’ve been swindled. They can’t kill him but they’re going to beat his ass for a while. Apparently, the Hosts, in these  fringe narratives, can and will beat your ass if you step to them. They won’t kill you though. Earlier that evening, during the town orgy, Logan,  feeling in his element, brings out Willam’s dark side by goading and poking him about how useless his life and morality is in such a place.

William does have a dark side, though. When Logan calls for help during his beating, William,  very obviously, turns his back on him and leaves with Dolores. It’s okay. Logan will be aaiight! But I bet shit just got real for him in a way it wasn’t before. Contrapasso is definitely a reference to Logan, as he gets to experience, first hand,  something of what he’s been dishing out to the Park’s inhabitants for so many years. Dolores and William will be joining El Lazo in some kind of revolutionary war in Mexico. This will be another part of the Park we’ve not yet seen.

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As for Maeve, she is once again in house, getting her body repaired. One of the technicians servicing her, Felix,  is  just a bit wary of having her in the body shop with them. The other technician I hope has a quick and nasty death, not because of how he treated Maeve, but how he treated Felix, who has been practicing his coding skills on a small robot bird. When the other technician finds this out he screams at Felix about how he’ll never be anything other than what he is. The man is a more of an asshole than Logan, and that’s saying something. But then none of the humans in this show impress me much. I do get  the impression that this is a co-worker and not someone who has any power over anything Felix does, as Felix continues his efforts after his co-worker leaves. He’s successful at repairing the bird, but his celebration is cut short when he sees that Maeve, supposedly still in sleep mode the entire time, is wide awake and ready  to have an important conversation with him. I am looking forward to that convo myself.

Elsie is stunned to discover that the  robot she was sent to retrieve has some spy tech in its body. In order to procure access to the body, she threatens one of the young male technicians in the Body Shop, who has been having sex with the decommissioned robots, with public exposure. Next to Felix’s dress down by his co-worker, that was one of the uglier things I saw a human do, in this episode, which is important when you consider that nearly all of the humans are deplorable. She goes to Bernard with her concerns but he is noncommittal.

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But the standout event in tonight’s episode was the meeting between Ford and the MIB. After finding Teddy in the desert strung up by Wyatt’s men, he takes him with him. When Teddy’s health quotient gets too low, he bleeds out Lawrence, to give Teddy a transfusion. Accompanied by Teddy, they meet with Ford at a saloon, where Ford tries to parse out exactly what the MIBs purpose is, and if it’s really worth it. Harris character says he wants a worthy adversary to prevent him from reaching his goal. It seems like Dolores is being set up to be that Rival, as she is following the maze too.

There is no surprise in Ford’s meeting with him. The two act very much like old, if not friends, then certainly acquaintances. We get to see Teddy be a little badass. I like the how the show is gradually introducing us to  what the Hosts are capable  of. They’re not superhuman but they are more than. They’re certainly faster and stronger. We get a glimpse into how fast during Dolores shootout, and in Teddy’s automatic reaction to protect Ford, when The MIB threatens Ford with a knife. But the robots are held back by their cognitive limitations. They have no memories, don’t know what they are and there are human things they don’t comprehend, like death.

There have been a number of theories bandied about the show. One of the theories is that the scenes  with William and Dolores are flashbacks to thirty years ago, to the life of the MIB, and chronicles how he went from being a White Hat to  a Black one. That the MIB is actually William. This would also explain his acquaintance with Dolores. I’m not sure what to think about that theory though. There are certain people and characters whom we never see interact so its easy to reach that conclusion. The  Westworld logos during William’s entrance into the Park, and the ones we see with the old Ford are different.

http://www.vanityfair.com/hollywood/2016/10/westworld-season-1-episode-5-recap-contrapasso-timeline-theory-lawrence-bernard-is-arnold-clone-robot

Next week, the robot rebellion begins, after which we have four more episodes to the big finale and what I would consider a successful first season for the show.

 

Get Out: The Importance of Black Friendship

Over the years, its been a thing for White people to ask, “Why are all the Black kids sitting together in the lunchroom?” A question that’s almost as famous as “Why is there no White history month?” When I was asked that first question, in my youth, I had no answer. I knew there was a reason for it, and I tried to articulate why, but in the early 90s, words like micro-aggressions, and implicit bias, had  either not been  invented yet, or were not widely known to the public.

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An analogy: In my last post about American Gods, I addressed the issue of why we’re never seen Shadow Moon interacting with other PoC, or human beings, and I connected that to how “marginalized people”  need each other to touch base with, and ground them in their sense of reality, as they navigate spaces that are not considered to be theirs. An excellent illustration of this is Shadow believing he is slowly losing his mind in the presence of the supernatural creatures he is surrounded by.  Shadow isn’t only isolated from a racial standpoint, he is isolated from a human standpoint.

However, as a Black man, Shadow has had many years of practice  navigating White spaces, and no experience, at all, navigating supernatural ones, as a human being, and as a result, believes he’s losing his grasp on sanity. Without other humans present to acknowledge the events he’s been experiencing, he can only rely on his own shaky understanding of reality, which is not strong enough to keep him from believing that he’s losing his sanity. He cannot hold onto his sense of self. He can  adopt the prevailing attitudes of the supernatural creatures surrounding him, (just give in and accept it, which he has done by the end of the season), or he can declare that none of what he has experienced is real, and that he is actually insane, or he can find some human beings to ground him, and shore up the  assurance of his own humanity.

And this is not unlike the kind of choices that PoC make when we have no option but to navigate White spaces. (By White spaces, I mean public places, primarily populated and run by White people, like school and work, where close contact between Whites, and PoC is encouraged.) Do we adopt the prevailing attitude of the people around us, even if it’s detrimental to our sense of self, and well being, or do we retreat to more comfortable spaces with other members of our specific ethnicity (i.e. run away).

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This is one of the choices that Chris has to make in the movie Get Out.  A choice between an assimilation that will destroy his sense of self, or flight. During the course of the film, Chris wavers between these two impulses, but it’s his relationship with his best friend Rod, rather than his romantic relationship with Rose, that prompts him to not only deeply question what is happening to him, but to make the choice to flee (almost too late.)

One of the reasons that movie has such a resonance for Black people is that  we recognize, not just ourselves in much the same situations, but our “ride or die” friends, who we often commiserate with, after being in such spaces. Our friends help us  confirm our reality,  and criticize, and fight back, against our experiences, when we’ve been pressured to conform, or accept, that what’s happening to us is normal.

In the movie Get Out, Chris has such  a “ride or die” friend in TSA worker, Rod, played by actor/comedian LilRel, who also functions as the movies comic relief, and another version of the Everyman, with which we’re meant to identify. Rod is the character who explicitly states what the Black audience is thinking, and you could also argue that  Rod is  the hero of the movie.  Chris, alone in the wilds of White suburbia, often calls  on Rod, to touch base, to check facts, to affirm his experiences, and to confirm his sense that he is not the one who is crazy. It is everyone else.

Chris calls Rod after every questionable event, and Rod makes an effort to assure Chris that not only are his experiences are real, they are not normal, thereby confirming for Chris that his feelings are valid.  If you watch carefully, Rose does not do this. Chris calls Rod after his first meeting with Rose’s family, and Rod warns him against being hypnotized, elucidating all the things that could go wrong. Although Rod’s suppositions are comical, his distrust of someone hypnotizing Chris is spot on. Rose, however,  considers hypnotism harmless, and makes no effort to talk Chris out of  his misgivings. Instead, she deflects their discussion of how he feels, to how embarrassed SHE is  about her family, thereby derailing the discussion onto her feelings..

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Chris also calls Rod after he meets the other Black people there, because their behavior is unusual, and Rod assures him that his feelings are correct. Their behavior is wrong. Rose, while agreeing that the behavior is unusual, makes excuses for why it happened.

It is Rod who first warns Chris that he needs to leave, after he does a basic search on one of the Black people Chris met that weekend. Rod also confronts Rose about Chris whereabouts, when he can no longer contact him, and tries to trick her into giving herself away. He researches the other people Chris has met, and goes to the police with his concerns. When the police don’t respond, he takes it upon himself to find and rescue his friend, if that’s what’s necessary.

Shadow Moon, in American Gods, has no such friend. There’s no one to turn to to confirm the weirdness he just saw, and there’s no one to rescue him from an environment that is emotionally, and physically, dangerous to him.  Mr. Wednesday acts very much the way Rose does. He deflects , glosses over, and occasionally outright lies to Shadow, to keep him from fleeing the situation. Shadow eventually chooses to believe what’s happening to him. He assimilates. You can see the parallels to the victims who came before Chris,  but thanks to Rod,  he gets saved.

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Chris is in an environment where he is pressured to keep silent about his misgivings because he doesn’t want to make a scene, or upset Rose. Whenever he expresses doubts or misgivings, they’re rationalized away, not acknowledged, or dismissed as not being real.

Chris’ feelings are invalidated by the White people around him, with every one of the tactics used to discredit PoC feelings, in racial discussions with White people. The Black men and women  who are present, may look like him, but have been fully assimilated into that environment, and cannot be trusted. Chris needs Rod’s distance from the event,  emotional grounding, encouragement, and support, if he is to get out of the situation with his “self” intact. Shadow’s friends were killed (by Mr. Wednesday for the express purpose of isolating him from other humans), so Shadow has no touchstone, and the result  is Shadow BELIEVES, thereby ensuring his eventual downfall.

This is no different from Rose choosing her family’s victims based on how isolated they are from other Black people. The people she chooses don’t have close ties to their own family, or community. She chooses people that won’t be missed, that no one will look for. In Chris, she made a mistake in thinking him isolated. He has Rod, and she did not appreciate how far Rod would go for his friend. Rose’s brother isn’t so discerning. Lacking the ability to cajole, or seduce Black people, into being friends with him, he randomly ambushes isolated individuals. That was a mistake, because it’s his lack of discernment, that allows Rod to research his last victim. His family was looking for him.

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The movie resonates with Black people, in particular, because any one of us, who has been in such a situation, can identify with Chris , but we can also identify with Rod.There have been times when we’ve had to be that comic relief for a friend, the anchor that grounds their emotions, and lifts their spirits. Or we have had to be the touchstone that acknowledges that what happened to them that day, was actually real, and wrong. We have had to affirm a friend’s sense of normalcy, after a long day of working in a White corporate environment, where they are pressured to not speak out against the micro-aggressions lobbed in their direction.

It feels good to vent to friends about the insanity, and frustrations, of the job. It’s those Black friends who will  confirm that:

“Well, yeah, Becky was wrong to tell you to go get her coffee when you’re the only Black Executive Sales Manager, and she never makes that request of anyone else with your job description. ” (Confirmation of micro-aggressions)

“Yes, it is  horribly wrong for Coby, from Accounting, to keep calling you LaQuetta, when your name is Felicia. LaQuetta is the Secretary five cubicles down from you, is five inches shorter, three shades lighter, and has a French accent!”

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In the movie Hidden Figures, the women have not only a strong sense of their inner selves, Kathryn, Dorothy, and Mary, also have a strong bond with each other. There’s a scene of the three women drinking and dancing at home. Their friendship (something rarely shown of Black women in films) uplifts them, and confirms their humanity, in an environment that does nothing but try to undermine it. Many of us work in such environments, and its our friendships with members of our own race, that make such circumstances bearable.

For those who are absent a strong sense of self, or are unused to navigating White spaces, a lack of Black friends would have you thinking that sort of treatment was perfectly okay. It might have you joining in, instead of questioning, whether or not it’s a good idea to rub soup in your hair,  before your next date.

Black people have kept each other sane, supported each other, and confirmed our reality for each other, since our beginnings in this country, and it has helped us to survive tremendous hardship. Black friendship doesn’t just save one’s sanity, but in the movies, as in real life Black friendship can often save a life.

 

 

 

 

 

 

 

 

Is Arya Stark The Only White Person With A 100% Black Approval Rating? » VSB

http://verysmartbrothas.com/is-arya-stark-the-only-white-person-with-a-100-black-approval-rating/

I personally am more than a little puzzled by Black people’s love for Game of Thrones, but I can attest to Arya Stark being a Black favorite, because she’s  one of my favorites. There are Black people watching and talking about this show, who aren’t even close to being TV geeks, and don’t watch anything else, with even the slightest hint of fantasy in it, but they’ll sit and binge watch GOT marathons, and then bitch about Daenerys being problematic, for  two and half  hours, just like any hardcore blerd.

What We’d Like To See In The Power Rangers Sequel — WE ARE GEEKS OF COLOR

On March 24th, we were reintroduced to five misfits who would become the Earth’s greatest warriors, The Power Rangers! With poor box office results, we were all “Ay ay aying” to thought that there wouldn’t be a sequel. But thank Zordon for merchandise sales! Director Dean Israelite has stated before that Lionsgate

via What We’d Like To See In The Power Rangers Sequel — WE ARE GEEKS OF COLOR

 

For all you Power Rangers fans out there…GREAT NEWS!!!

Masculinity, Rage, and Racism: Some Thoughts on War for the Planet of the Apes — Feminist Frequency

War for the Planet of the Apes may be the least subtle film I have ever seen. Of course, not every film has to be subtle, but at a certain point, enduring a movie that repeatedly bludgeons you with sledgehammers of obvious meaning becomes a numbing experience. War crosses that mark within its opening 15…

via Masculinity, Rage, and Racism: Some Thoughts on War for the Planet of the Apes — Feminist Frequency

John Boyega Talks Representation in the Media, ‘I Ain’t Paying Money to Always See One Type of Person On-Screen’

WE ARE GEEKS OF COLOR

In a recent photoshoot and interview with GQ, John Boyega talked Star Wars, representation in the media, getting advice from J.J. Abrams and Robert Downey Jr, and staying sane as a celebrity.

When he was first cast as a Stormtrooper, John Boyega wasn’t aware of how central to the storyline he’d end up being:

“I thought they were going to keep Stormtroopers taking helmets off a mystery for a while, “I thought they were going to hold that back, but they put you bang right in the middle of the narrative.”

Of course we were famously introduced to his character Finn in the middle of the desert; hot, bothered and out of breath as he popped up from the bottom of the screen. And that opened up the Pandora’s Box of the celebrity lifestyle for Boyega, an inevitability that he was prepared for more than most; he asked his agent…

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Things I’m Looking at # 37

Preacher:

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Aaaaaah!!!!

The second season of Preacher arrives just in time to take up the slack after the full-course meal that was American Gods. I was really looking forward to this new season. Last season was a bit of surprise hit for some people, and even though I was really enthusiastic about it, I’m surprised how much I enjoyed the characters. I was pretty much just expecting crazy plot, but I fell in love with Cassidy, Tulip, and Jessie, and I’m really looking forward to their interactions this season.

Last season, Jessie was possessed by an escaped Angel, named Genesis, that gave him the power to compel people to do his bidding, got assaulted  by two other Angels, named Fiore, and deBlanc, who were after their lost charge, was invited by Tulip to get back on the road to vengeance against some guy who betrayed them,  and being friended by an Irish vampire, who then fell in love with his best girl. The three of them, Jesse, Tulip, and Cassidy, met a fake God, and the town where all these events,  occurred was blown to smithereens, after things went horribly wrong at the local slaughterhouse. Now the three of them are on the road, looking for the real God, because they got questions they need answered, and I’m certain that yet more batshit adventures will ensue.

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Season two has introduced one of the characters from the books called The Saint of Killers. We get our first glimpse of him when the three buddies are pulled over by some cops, and The Saint guns everybody down. In the first episode alone we’re treated to the sight of one of the cops macing his own balls, Tulip siphoning gas through a piece of intestine (lost by one of the cops during the shooting), while Cassidy tries to get out of the sunlight by hiding under the cars, a man getting his tongue ripped out, a preacher who exorcises his parishioners demons by locking them in cages, and Jesse, Tulip, and Cassidy sharing a bed, with Cassidy letting them know that he wouldn’t mind if the two of them had sex in front of him. Sent there by the Jesse’s preacher friend, the three of them visit a Jazz bar/Strip club, where one of the patrons claimed she met God. Cassidy’s shenanigans gets their witness killed.

So the usual, all-around batshittery, really!

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Like I said, when I reviewed the show in the first season, I was not that big a fan of the books because I’m an artistic snob, and hated the artwork. I knew enough about the books to know who some of the characters were, and be excited by Cassidy’s appearance. I have no idea who the Saint of Killers is, or if its an accurate representation on the show. That said, The Saint is really terrifying. As Cassidy would say, “That’s some Terminator-type shite!

Yes, this series can actually be classified as Pulp, and yeah, I do remember from one of my last reviews, that I said I wasn’t a huge fan of Pulp, since I hated Blood Drive, but since I am a fan of Preacher, I guess that means it depends on one’s definition of Pulp. Preacher is everytihng tht Blood Drive isnt. Better acting, writing, cinematograghy, special effects, and characters, go a long way towards a better class of Pulp.

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I mean, Blood Drive and Preacher are basically the same type of show, involving people on the road, doing crazy-ass shit, or having crazy shit happen to them. But Preacher is just much better at it. I guess it’s the difference between an asshole with charm, manners,and a several thousand  dollar suit, compared to an asshole in cheap sneakers and a backwards baseball cap, who keeps spitting on your floor. One of those you date. The other you don’t. Which one you choose is entirely a matter of personal taste.

 

In the second episode we learn that the Saint of Killers was hired by Fiore, who is determined that Jesse not be allowed to keep his superpower, lest he abuse it, which he is already doing. Fiore, in mourning over his dead partner, deBlanc, is working a magician’s show at Mumbai Sky Tower, where he gets killed on stage and keeps coming back, because Angels can’t die. Well, rather they can die, but the only thing that can kill them is The Saint of Killers.

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Jesse, Tulip, and Cassidy petition Fiore to call off The Saint, but he refuses. Cassidy asks Jesse for permission to try to persuade him to change Fiore’s mind. There follows one of the funniest, most delightful, interludes I’ve ever seen in a show! Initially you think Cassidy plans on torturing Fiore, but the show uses that as an opportunity to turn a trope on its head, by having him get Fiore high on heroin, and then  romping with him around his hotel room, like two over-sugared toddlers, for three hours. Fiore who was depressed enough to attempt killing himself hundreds of times, since losing hs partner, is having the time of his life. My favorite moment is the two of them building a pillow fort in the middle of the room, and eating ice cream in it.

Jesse asks Tulip to get married and she accepts at first but when an old acquaintance from New Orleans (her old stomping grounds), shows up at the Mumbai, she tells Jesse she has changed her mind, after beating the holy hell out of the man. I love to watch tulip kick ass, with her little tiny self. She must weigh all of a buck’o five. Tulip’s got a lot of secrets, though. Jesse has an epiphany about how to find God, since they learned in the last episode that God loves Jazz. He figures that God might decide to visit New Orleans, someplace Tulip is  reluctant to go. At the end of the show, Fiore’s last request is for The Saint to kill him, since Jesse commanded him to “Find Peace”.

And that’s just the second episode. We got nine more episodes of this crazy shit, people.

 

Cleverman:

Last season we saw the introduction of a new superhero show, set in Australia called Cleverman. All of the primary characters, including the hero are all Native Australians. The show works along the themes of colonization, erasure, and assimilation of Native people into a violent dominant culture.

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*The Cleverman is an important figure in many Australian Aboriginal cultures. Series creator Ryan Griffen describes the Cleverman as “like the Pope of the Dreamtime … the conduit between the present and the Dreaming”.[6] The version in the television series combines many Cleverman traditions from different Aboriginal clans to create a superheroic version, with powers relating to the Dreaming’s connection to past, present and future.[7]    ——–Wikipedia

 

Koen has reluctantly accepted his position as the new Ceverman after the death of his uncle, who was the last one, and has begun to take steps to protect The Hairy People from a culture of exploitation and enslavement by the government. I didn’t review the last season and there’s a lot to explain, since its a very dense show, that requires close attention, especially if you’re not Australian. So here’s the Cleverman page on the Sundance website, which will give you a quick 101 on who the characters are, what’s going on and who’s is doing what to whom. The first episode of this season drops you right into the middle of everything, so if you didn’t watch the last season, you will need a quick catch-up:

http://www.sundance.tv/series/cleverman

 

And an AVClub review:

http://www.avclub.com/review/aboriginal-fantasy-cleverman-too-busy-building-wor-237354

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This season, Cleverman is attempting to foil a plot by the Australian  government, to destroy the Hairy People, by giving them a drug that will assimilate them into human society. So they’ve introduced a sickness they claim to be curing, and giving them this drug. They’ve also been kidnapping them, breaking up their families, and conducting medical experiments  on them. All of this is fairly graphically shown, so  keep that in mind while watching. At last some of this is being facilitated by Cleverman’s cousin, who  last season, used to hold a  Hairy People Fight Club, in the area of town where the Hairy People, and the Indigenous population, had been corralled

I’m having some difficulty watching the show because it just strikes too close to home, on a realistic level, and I can’t make it through a single episode without yelling at the TV, so I had to cut my viewing short. And I was also having trouble watching the fascistic nature of the plot. Its the reason why I’m not really into watching dystopias right now.

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But this is a great show. It’s very deep. It has good representation for my criteria although, if you’re a member of an Indigenous culture of any kind, you may have more stringent criteria than I do. It might also be too upsetting to watch because the plot does not mince around.

 

 

Will/ The Strain

Other shows I’ve checked out, and won’t be watching again, are Will, a show about the life of William Shakespeare which I found too dense to get into, and The Strain, which I continue to hate despite its change of venue, to Philadelphia, after NY blew up.

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Now, If you’re a student of Shakespearean Literature than you will  love this show because it chronicles the writing of his various plays and whatnot. its written by a couple of scholarly type guys and it shows. Its also full of pretty people being loud and boisterous,, and lots of ribaldry. I guess this is the show’s attempt to seem racy. I tried to like it, but I don’t think I was in the mood for it, as all that authenticity was giving me a headache.

I tried to watch the first episode of The Strain’s fourth and final season. I didn’t get past the first twenty minutes. I figured out what it was I hated so much about this show. Its the characters. I just hate them. Outside of Quinlan, and Fet, none of the characters are even trying to be compelling, and the villains are just ridiculous. The show also just isn’t scary. At least not to me, but the one review I read of the show the reviewer loved it. I just can’t agree. If you like the show, there’s nothing wrong with that, but  you have very different criteria, than I, for liking it.

Since NY blew up last season, the apocalypse has started t in earnest, as the resultant ash cloud has blocked out most of the sun’s UV rays, allowing the Strigoi, as the vampires are called, to walk around in daylight, menacing the populace. The setting has moved to Philly, and the first annoying thing I saw was an ad for a vampire/human organization called The Partnership, which is mostly designed to separate humans from their blood.

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Let me get this out of the way first: Many of the people in the ad were Black, although no more Black people were seen in the rest of the episode, even though it takes place in Philly, which has, quite possibly, one of the most recalcitrant Black populations in America. Apparently, rebellion against authority is only for White guys, since the two Black people I saw are shown  just rolling over for it.

This really pissed me off because I know, in the real world, you can’t even get Black people to do things they want to do, if you  give them an order to do it. Black people (and Puerto Ricans) will decide NOT do something, just to spite you. So I found it hard to believe there were no Black or Brown people rebelling, or creating some kind of Human Underground. C’mon! Marginalized communities would be the first ones to act up. And no explanation is given for why they’re all absent. Were they all wiped out? Eaten? Maybe we’ll find out later in the season but I won’t know because I’m not watching.

 

Castlevania: 

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I watched the first few episodes of this series, which is based on the arcade game from the 80’s. I do have fond memories of watching my brothers play it,  because I wasn’t particularly interested in playing it myself. I’m not that type of gamer, really. I don’t get attached to characters too much, or follow plots that closely, so I can’t tell you if the anime has anything to do with the plot of the game.

But I enjoyed the cartoon, which is about a guy named Belmont, a monster hunter from a disgraced family, going up against Dracula, and the Church. The Church is responsible for burning Dracula’s wife as a witch, and he’s so pissed off that he didn’t receive an apology, or even a tribute for his dead wife, that he unleashed a horde of batlike demons into the world to destroy humankind.

I spent a not inconsiderable time muttering at my TV about this one too because, as is natural, the villains are villainous, and  annoyingly unreasonable bullies. The Church is trying to use the approach of the demon horde to consolidate their power, and deflect attention away from the fact that the release of the demons is their fault. There’s another group of monks, truth tellers, that the Church is trying to wipe out because church officials don’t want word getting out that the demon apocalypse is their fault.

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The animation is very good, with some nice fight scenes. I usually avoid a lot of anime series because they’re too fast paced, and the characters have a tendency to talk too much, in extremely high pitched voices, which just makes my head hurt. But I liked this one. The people have actual motivations for doing stuff, even if I disagree with their actions, and they all talk like regular people.

So, if you’re a fan of the game, you could do worse than spending an evening with Belmont, who is a total bad-ass, and  Dracula. Castlevania is available now on Netflix.

 

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I also watched The British Baking Show and Game of Thrones. I enjoyed the Baking Show because British reality shows are wholly unlike American reality shows.  For one thing, there’s less bragging, and competition from the empty headed contestants, and more a feeling of camaraderie. The British shows don’t look as if they’re trying to get rid of the Black people and women as quickly as possible and the hosts are really funny.

I like the process of watching the contestants learn to bake something, I like looking at the inventiveness of the end results, the judges aren’t mean for meanness sake, but seem honest and forthright, about the results, and the way they choose the winners seems fair. If you have a bad episode, as a baker, that doesn’t automatically mean you’re out. It has to be a consistent thing. By the end of the series some of the baker’s have had several bad events.

 

I have no idea what to think of Game of Thrones. I want to like it. I like parts of it. I’m mostly a casual viewer, who has only watched a few of the more popular episodes. I know who the top five characters are, and the ones I like the most, Jon Snow, Brienne, and Arya and Sansa Stark. I’m much more interested in what’s happening in the north, at The Wall, then I am with what’s going on in the south, even though I realize all of these things are linked.

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 I don’t know who that guy is that’s been stalking Brienne.I think his name is Torm, or Torman) but he is hilariously, and very obviously, smitten with her. Brienne mostly looks annoyed and puzzled at his insinuations, and I can explain why that’s funny. I often have that same look on my face when people flirt with me. I can’t imagine why they think such a tactic would work with me, and puzzled about whatever I might have done, to make them think it would.

He longs for eve nthe faintest scrap of attention from her. Last night, after Brienne thoroughly trashed some guy  she was training with the sword, he walked up to the man and happily told him how lucky he was.

And of course, Twitter was right on it!

Tormund be looking at Brienne like

I’m going to keep watching it (not reviewing it) because I’m curious as to where it’s going to end, and how my favorites end up. Notice that there are some popular characters I didn’t mention, and that’s because I don’t care a single bit, about what they get up to, on the show.

 

The Real Argument Against The Doctor Becoming a Woman

Funk's House of Geekery

There isn’t one.

Seriously, when you broflakes start getting angry at SJWs it’s impossible to determine who’s the whiniest. 

Unless you’ve had your head stuck in the sand this past 24 hours, the popular character of The Doctor in long running series Doctor Who is going to be played by Jodie Whitaker who is, by all accounts, a woman. This has resulted in predictable hand-wringing from grumpy sods who just can’t stand the idea of a woman taking a role that’s usually played by a man. We jumped on to a Doctor Who Facebook page and grabbed the first couple of negative reactions we saw:

Idiots Butthurt Over Doctor Who.jpg

Here’s a few counter-arguments to consider.

YOU JUST CAN’T MAKE THE DOCTOR A WOMAN!

It’s a science-fiction/fantasy show. The Doctor is not a human. He’s (before you point it out, I’m sticking with the male descriptors because The Doctor is, at time of writing, male)…

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In Memoriam: George A. Romero — Funk’s House of Geekery

What’s a zombie? If you answered ‘an aspect of Haitian mythology wherein a corpse animated through magic to work as a slave and will break the spell by killing it’s master if you give it salt’ then welcome to 2017! You’ll find the future a strange place, but when we teach you to Google you’ll […]

via In Memoriam: George A. Romero — Funk’s House of Geekery

In Memoriam: Martin Landau

Funk's House of Geekery

Today is a pretty exciting day for geek culture. We have a reveal of a new Doctor on Doctor Who and a new episode of Game of Thrones is out. First though we’re going to take the time to mark the passing of some great figures.

Recently we’ve been marathoning the original series of The Twilight Zone (reviews coming soon) and noticed a familiar face in the third of the 150+ episodes.

017-the-twilight-zone-theredlist.jpg

Hey, that’s Martin Landau! Man, that guy’s been working in the business forever! Me and my big mouth.

Landau was born in Brooklyn in 1928 and got his first job in the media at 17 as an editorial cartoonist at the New York ‘Daily News’. Inspired by Charlie Chaplin he left this job to attend the Actors Studio with his close friend James Dean (you may have heard of him). Five years later Landau made his Broadway debut…

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I’ve got… complicated feelings about the newest incarnation of the Doctor

Stitch's Media Mix

Jodie Whittaker

The news that Broadchurch actress Jodie Whittaker has been cast as the Doctor’s thirteenth regeneration  is great, but I have to point out that it’s also primarily a step forward for WHITE women as women of color don’t get chosen to head up these nerdy franchises.

Additionally, as we saw with the way that fans of Jessica Jones, Agent Carter, and Supergirl (to say nothing about Doctor Who) have responded to criticism about racism in their respective shows and fandoms, WOC will be expected to stay silent.

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[WATCH] ‘A Wrinkle in Time’ Trailer: Disney Movie From Ava DuVernay | Variety

Aaaaahhhhhhhh!!!

Oh,yeah! The song in the trailer is Sweet Dreams Re Made of This by The Eurythmics, which was later covered by Marilyn Manson.

I read this book as a teenager, and loved it. I haven’t read it in at least twenty years but still remember it fondly. Some of it scared the shit out of me. There’s one scene in the trailer (that neighborhood scene) that I found especially chilling, because I specifically remember such images from the book.

‘A Wrinkle in Time’: Watch First Trailer for Disney’s Live-Action Movie