My Favorite MadTV Characters

Now for something a little more fun.

MadTV was one of my all-time favorite comedy sketch shows, and it was definitely for the characters, who were often as nerve-wracking as they were funny. You wanted to punch them just as much as laugh at them, which certainly makes for memorable characters.

I was, and still am, a huge fan of Mad Magazine, which this show was loosely based on. It aired for 12 seasons on the Fox Network, with a brief revival for its 20th anniversary, in 2015. From the beginning, the show was inclusive, with a number of Black female comedians, something which SNL, a show I genuinely liked, had never done. Some of the most notable comedians were Keegan Michael Key, Jordan Peele, Orlando Jones, Phil Lamarr, Nicole Sullivan, Debra Wilson, Will Sasso, and  Michael McDonald.

The Vancome Lady – Nicole Sullivan

The character most people remember, and the woman voted most likely to get the shit slapped out of her at a party, she was just mean for no fucking reason. She  had an evil, snide, or  sarcastic, comment for everyone she met. It wasn’t just her sarcasm that endeared her,  watching her occasionally get her comeuppance was always fun, too.

 

Ms. Swann – Alex Borstein

For all the clueless characters created for this show Ms. Swann was the most. Or was she? Every now and then, she would show a sly sense of humor, as if to say she knew what she was saying, or doing, was ridiculous, and why are you even paying attention to her.

 

Bunifa  Latifah Halifah Sharifah Jackson – Debra Wilson

What was so funny about this character, wasn’t just the multiple names, but that I actually knew women like this.  They were funny as hell, great to have as friends, horrible enemies, great at parties, and habitual liars.

 

The UPS Man – Phil Lamarr

This was one of the first characters I remember seeing on the show, and he was so weird, that I was intrigued enough to keep watching, week after week. I was just awed by the physicality of the actor. Incidentally, the actor who plays this character is Phil Lamarr, the voice of Samurai Jack, and  John Stewart/Green Lantern.

 

 

Java Man – Mr. McNer – Pat Kilbane

Java Man was not as easily remembered as some other characters, but he was one of the first characters I looked forward to seeing in each show. This man put other coffee addicts to shame. He was a coffee junkie, and it showed in all his twitchy glory. A lot of the comedians for the show were wonderful at physical comedy.

 

Leona Campbell – Stephanie Weir

Not a lot of people remember Leona, but she was one of my favorites. She seemed like she didn’t know what was going on,  but often questioned the ridiculousness of the American lifestyle, and always  managed to be entirely on point. Leona visiting the movie theater is one of my favorites. Stephanie Weir also played a lovely and imaginative little 8 year old girl named Dot, who loved tiny mittens and gum, and who was hated by her parents for not being a genius, like her twin sister.

 

Lorraine Swanson – Mo Collins

Lorraine is another one of my favorite characters. MadTV had a knack for creating some of the funniest, most annoying, characters that ever appeared on television, and Lorraine was at the top. She had some kind of throat clearing issue, that was constantly making her cough,usually in someone’s face, and was an indecisive know-nothing, know-it-all, that her foils always had to explain everything to.

 

 

Stewart Larkin – Michael James McDonald

Wow! This was very probably MadTV’s most famous character. The comedians of MadTV were utterly fearless, and they had no problems thoroughly humiliating themselves for a joke. If you remember nothing else about this show, you remember Stewart, and his hapless Mother, lamenting the fact that she was single, because his father left them on Tuesday. I just recently saw Mr. McDonald in the Ghostbusters reboot as a hysterical theater owner, so yeah, he’s still up and about..

 

Yvonne Criddle – Daniele Gaither

Yvonne was very possibly one of the most vindictive women on the planet and she was proud of it. Be careful if you slighted this woman, because her revenge would be totally disproportionate to anything you’d done. Accidentally throw leaves in her front yard, and you might find Child Services called to take away your children. Take her parking space at the Home Depot, and she would try to run you off a cliff afterwards.

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Trump Needs To Go

 And Congress Must Be Held Accountable

 Concentration Camps in the US


Elizabeth C. McLaughlin@ECMcLaughlin·

Jun 13

The Trump administration will be able to conduct itself in whatever way it wants to without anyone knowing what’s going on inside. Think about what that means. Think about why they would want that. This is happening RIGHT NOW.

15/322.7K5KElizabeth C. McLaughlin@ECMcLaughlin·

Jun 13

ICE facilities with beds and food are EMPTY, because the Trump administration is moving refugees into military-run concentration camps where they can do ANYTHING THEY CHOOSE without oversight, media scrutiny or advocate access.

16/703.9K5.5KElizabeth C. McLaughlin@ECMcLaughlin·

Jun 13

This administration is already committing atrocities at CBP facilities. Border Patrol agents at the facility where my friend was working refer to these human beings as “bodies.” Not people. “Bodies.” They are denying medicine, toilets, beds, food, shelter and clothes.

17/412.7K4.7KElizabeth C. McLaughlin@ECMcLaughlin·

Jun 13

My friend said that “Flores is on very tenuous ground.” We’re days away from being met with “we’re not going to let you in, no matter what.”

18/131.7K3.9KElizabeth C. McLaughlin@ECMcLaughlin·

Jun 13

What is coming is crimes against humanity. America is already perpetrating mass human rights violations, and this administration is setting it up so they can do far worse, in secret, under military supervision.

19/613K5.6KElizabeth C. McLaughlin@ECMcLaughlin·

Jun 13

Military forces are already been shifted to CBP. My friend saw *coast guard agents* (read that again) working for CBP at this facility. If we do nothing, there will be blood on our hands.

20/362.1K4.5KElizabeth C. McLaughlin@ECMcLaughlin·

Jun 13

If Pelosi does nothing, there will be blood on her hands and the hands of every Democrat who refuses to act to end this administration’s reign. Fascism is here.

21/933K7.1KElizabeth C. McLaughlin@ECMcLaughlin·

Jun 13

If this enrages you, devastates you, frightens you, share this thread. Then call your member of Congress and read it to them. Then call @SpeakerPelosi and ask her why she sits silently by as our government does this.

22/632.9K6KElizabeth C. McLaughlin@ECMcLaughlin·

Jun 13

We’re on a fast train to hell. There’s only one way to stop it. Trump must be removed from power immediately, by any legal means, using every weapon in our arsenal.

23/812.2K6.2KElizabeth C. McLaughlin@ECMcLaughlin·

Jun 13

This is where we are. This is WHO we are. Look reality in the face. Don’t look away. Fight like human life depends on it. It does. It does. It does. /end471.9K5K

This is from Eilzabeth McLaughlin’s Twitter thread yesterday.

We need to spread this information! The mainstream media is doing and saying nothing.

https://www.texasmonthly.com/news/border-patrol-outdoor-detention-migrants-el-paso/

https://www.inquirer.com/opinion/fort-sill-oklahoma-migrant-kids-concentration-camp-trump-20190613.html

https://aldianews.com/articles/politics/immigration/back-wwii-trump-administration-puts-immigrants-concentration-camps

https://www.commondreams.org/news/2019/06/07/predicting-even-more-horrifying-conditions-historical-journalist-describes-parallels

Curatorial vs. Transformative Fandom

The basic definition of the two is fandom that is practiced in one of two ways by either collecting information about the source material, or transforming/changing the source material to best interact with it. Sometimes there is a degree of overlap, but the motivations for the overlap tend to differ. Male fans generally engage in curatorial fandom, where the degree of fandom is noted by how many details of the source material can be collected and/or memorized, from figurines, to dialogue, to plot details. There is sometimes quantification involved such as rankings and listings. See those YouTube videos and posts that list episodes in a series from best to worst, or movies in a franchise. Curatorial fandom does not require intimate engagement with the material. One example is the movie Endgame, where male fans got caught up on attempting to parse how the Time travel worked in the movie, while female fans on Tumblr wrote meta-analysis about the different character’s psychology and emotions.

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Transformative fandom, as primarily practiced by women, involves a deep interaction with the source material, along with the collection of details for transforming the source material into something else, usually something that resonates with that particular fan, such as cosplay, fan art, fan fiction, and meta- analysis.

This is not a hard and fast rule, as there can be some degree of overlap. There are plenty of men involved in cosplay, fan art, and meta-analysis, and there are plenty of women who memorize dialogue, and collect information about their favorite shows.

Transformative fandom seeks to change the source material to reflect its needs, or analyse the source material for why those needs aren’t being  met, and how it could. One of the tenets of Curatorial fandom is that it doesn’t question the source material, simply accepting it. Having not been the primary audience for much of the source material of many fandoms, Transformative fandom this is mostly, but not exclusively, engaged in by PoC, LGBTQ, and White women.

 

It has been speculated that one of the reasons white male fans have been reacting in fandom the way they have is that Curatorial fandom is in opposition to Transformative fandom, which seeks to change the canon source material, thereby making the collection of facts and figures obsolete or irrelevant. Such men have defined their fandomhood, sometimes their very identities, by the amount of knowledge they possess about their particular fandom, and in their minds, Transformative fandom seeks to arbitrarily, and unnecessarily, change it. So, beyond the idea that they are no longer the audience for the material (something which is not ever going to change) is the false idea that female fans are taking the material and making random changes to it in the form of fanfiction and fan art. Helping matters along is that Speculative and Fantastic fiction is becoming more diverse, with creators changing the canon sources themselves by changing characters to women (Thor), stating the sexual orientations of older characters (Iceman), or making other characters PoC (Candace Patton as Iris West.)

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https://fanlore.org/wiki/Curative_Fandom

Curative fandom is all about knowledge. It’s about making sure that everything is lined up and in order, knowing how it works, and finding out which one is the best. What is the Doctor Who canon? Who is the best Doctor? How do Weeping Angels work? Etc etc. Curative fandom is p. much the norm on reddit, especially r/gallifrey. Transformative fandom is about change. Let’s write fic! Let’s make art! Let’s make a fan vid! Let’s cosplay! Let’s somehow change the text.

 

Transformative fandom seeks to interact on an emotional level with the source material. It wants to question it, and work within it, which is why so much of it centers on characters and relationships between the  characters, while taking place in different environments. I know plenty of people consider Coffee Shop AUs to be cliche, but it is a way for female fans to self insert, while analyzing the characters, by changing the environment in which the story takes place. It is not about removing dramatic impetus from the source, but understanding who the characters are, how they interact, and giving themselves the happy endings that so much of the source material in Fantastic fiction disdains. Its also a way for marginalized people to imagine themselves in source material in which they are not represented. The Mary Sue, the Self  Insert, and Shipping, are all attempts by Transformative fandom to interact personally  with the source material.

If Curatorial fans ,who are well represented in the source material, imagine themselves as being one of the characters in it, then Transformative fans like to imagine interacting with the characters in it. Its not so much that they want to be Buffy, or Willow, but self inserting as a friend of Buffy, gives such fans a way to express their love and affection for any of the other characters she may interact with in the show, like Spike, Anya, or Giles. Or putting themselves in the situations the characters encounter. many of the tropes of fan fiction come from female fans imagining what they would do if they found themselves within the source material, like defeating the villain, having love affairs , or offering comfort when their favorite characters are in pain.

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https://www.vox.com/2016/6/2/11531406/why-were-terrified-fanfiction-teen-girls

My preferred explanation is the idea that the vast majority of what we watch is from the male perspective – authored, directed, and filmed by men, and mostly straight white men at that. Fan fiction gives women and other marginalised groups the chance to subvert that perspective, to fracture a story and recast it in her own way. … It often feels as if there isn’t much space for difference in the dominant cultural narratives; in fandom, by design, there’s space for all.

 

Another issue is the devaluation of women’s interests and hobbies. Because Transformative fandom is mostly engaged in by women, there is a tendency to disregard it, along with its problems. There is also a certain level of mockery and disgust, whereas the same level of disgust is not aimed at, for example, men’s sports fandoms, which can be far more violent. Narratives aimed at a female audience, or interests and hobbies of women and other marginalized people are often disregarded, the way movies aimed at Black audiences were often disregarded or considered of no importance by White audiences. Don’t believe me?  Name the top three favorite films in the Black community. From before 2000!

What is not often discussed, and this is where devaluation comes in, is that Transformative fandom also has its contingent of harassment and bigotry,   but because its women, its less obvious than the harassment engaged in by Curatorial fans,  dismissed as not being important, and mocked as fans just being  crazy. Bigotry in Transformative fandom changes source material that may actually be progressive, to reflect the mainstream status quo, by erasing women of color from canon relationships, or abusing Black male characters, by writing them  into slavefic. When WoC  question and/or  analyse the source for racism and misogynoir, they are often harassed, gaslighted, or shouted down by White female fans. When Gay fans question the fetishizing of mlm characters in fandom, they are often treated the same. There are plenty of white women fans harassing WoC actresses, who happen to be paired with White men in the source material, like the still ongoing harassment campaign against Candace Patton, from The Flash.This is not the type of bad fandom behavior that gets covered in mainstream media, which attributes such harassment only to White men, and as a result, the public tends to think that White women are innocent of it. They are not. They simply have different motivations.

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https://newrepublic.com/article/137489/women-color-price-fandom-can-high

The attacks on her character range from obvious bigotry referring to her as a monkey to more subtle remarks about how the two love interests don’t “look good together”. Look through Tumblr, Twitter, or even the recaps on popular sites and you’ll find an inordinate amount of hate toward Iris for things other white female characters get a pass for. 

There were plenty of White female fans denigrating Kelly Marie Tran, and her character, before she deleted her Instagram account. The only difference was their behavior wasn’t in the public eye, because they were not attacking the actress directly. They were attacking her fans instead, or engaging in transformative media, in the form of tweets, essays, and fanfiction that erased and/or vilified her character. This is typical in Transformative fandom, where White women deliberately fail to understand, or choose to ignore, intersectional feminism, in favor of uplifting white female characters, while diminishing WoC in both fandom and the narrative.

https://stitchmediamix.com/2018/09/19/what-fandom-racism-looks-like-only-33-words-in-a-trailer/

Hell, did y’all see how the Agent Carter fandom demanded that WOC support a show where we weren’t even vaguely represented – all in the name of feminism – and then blame us for the show doing poorly in its second season? (Or, Tamora Pierce wading in with a totally wrong and racist interjection about 1940s New York must have looked like and what Black people would’ve done in that time period.

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There has been a lot of discussion lately about Curatorial fandom behaving badly, while ignoring that Transformative fandom often behaves just as badly, but because the perpetrators are White women, who tend to be more subtle in their practice of it, whose interests and hobbies tend to be devalued,  and who have traditionally always been seen as innocent of bigoted and racist behavior, this gets  ignored by the mainstream.

Now, this isn’t to say that one form of fandom is better or worse than the other. They are both simply differing ways of being a fan. But that is not to say that Curatorial fandom doesn’t have issues. We’ve already talked about how bigotry and racism from Curatorial fans is covered in mainstream media, but one other issue is that sometimes curatorial fandom does not go beyond collecting information about the source material, and has a tendency to lack depth. Fans may not ask questions, or seek to think any deeper about it beyond simply knowing it in detail, or ranking it from best to worst. That can lead to a certain amount of shallowness , and we’ve already seen that it can lead to gatekeeping, where members of a particular fandom feel a need to test newer fans on their knowledge about it, before being permitted to enjoy that fandom. Since they practice fandom in a  Curatorial style, , a lack of knowledge, in their minds, means that someone isn’t a real fan.

Another side effect of Transformative fandom is that fans can get so caught up in their imaginary version of the source material (known as head canon) that they  bully and harass others who don’t believe as they do. They will attack other fans, thereby keeping the harassment in-house. This accounts for the many “shipping wars” that are bizarre and puzzling to outsiders, like what happened in the Supernatural fandom, when certain fans became convinced that their imaginary relationship, between Dean Winchester and the Angel Castiel, (called Destiel) was actually a canon relationship being kept from them by the creators. It got to the point where such fans were also  harassing the actors, their wives, and the writers, by making fanciful claims about the real life actors relationships with each other and their wives, and bullying those fans who refuted these beliefs.

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https://scadconnector.com/2018/04/10/fascination-and-frustration-an-analysis-of-fan-fiction/

Fan fiction is written by people who watch a show or a movie, or read a book, and look at what they are given and think, but what if this happened?

Although there are differences in how fandom is practiced, there is a great deal of overlap in type, and no way of performing fandom is better than another. Both styles of fandom have significant drawbacks, especially when practiced carelessly, by forgetting that other types of fans exist,  acting and thinking without regard to other members of the fandom, or even the creators.  These are just different ways of enjoying the narrative, and most people engage in at least a little bit of both kinds of fandom. But when people feel threatened by, for example, changes in the source material, or by other fans (sometimes other marginalized fans) who refute their ideas about the source material, the kind of behavior we see is usually based on this  divide.

https://www.syfy.com/syfywire/ready-player-one-marvel-and-the-cure-for-curative-fandom

All we have to do to open up curative fandom is incorporate a little more of Column B, shifting the curative focus from “catalog everything in the collection” to “what’s the most interesting thing in here?” By leaning harder into the curatorial roots of curative fandom, Marvel’s hit upon the solution to it.

Or, to put it another way—Ready Player One feels like the past. Black Panther feels like the future.

 

**This is just my attempt to understand why some fans behave so badly, and yet still refer  to themselves as fans, because one of the first things I did was question whether or not these people were real fans, and these essays somewhat answer my question. My definition of fandom wasn’t wrong, it just needed to be expanded to include different performances of it, and that a lot of the behavior we see coming out of fandom is due, at its foundation, to this difference in thinking. This is not to give these people an out for their bad behavior, or an excuse, but for me to understand the psychology behind why people do what they do in fandom, and pass along some of that understanding.

 

 

 

 

Sitcoms Have Always Been Political

 

This essay was inspired by a conversation on Tumblr, where an anonymous poster opined that sitcoms were too political these days, and that he wanted to watch them without politics.  I found this declaration to be not just deeply funny, but  disgracefully ignorant of the history of sitcoms. There are plenty of sitcoms that have existed, and air today, that have no political message to them, but many sitcoms have always had political components, and social messages and comedy have always been good bedfellows, from Saturday Night Live, to In Living Color, to Key & Peele.

There are those shows where not every episode deals with social issues, but plenty of sitcoms addressed specific issues during their run, and some of them were political, not because they discussed social issues, but because their very existence was a political act.

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The most famous political sitcom, that didn’t appear to be about politics, also had a somewhat disingenuous title.  All In The Family aired from 1971 to 1979. It starred Carrol O’ Connor, as Archie Bunker, a close-minded and racist bigot who liked to wax nostalgic about the good ol’ days, with his sweet tempered wife Edith, his more emotionally evolved daughter, Gloria, and her counterculture husband, Michael Stivic, who often butted heads with Archie’s ignorance.

While the show didn’t appear to be a political or social justice show, it managed to  disseminate a lot of social concepts through Michael and Gloria’s arguments with Archie. Archie gave voice to a lot of the status quo bigotry of the time, and Gloria and Michael’s job on the show was to refute his ignorant statements about gays, blacks, and women.  The show often put Archie in situations with gays, Blacks, and women, that would require him to question his long held beliefs, or realize the falsity of them. Over the course of the series eight year run, Archie slowly begins to change his views on a lot of issues. But this is not a show about redemption. The point was to show how people evolve in their thinking over time, and to provide counter arguments to a lot of the types of discussions that were actually happening in people’s homes at the time. All in the family gave birth to several spinoffs, including the openly feminist show, Maude, which starred Bea Arthur, of Golden Girls fame. Maude discussed every social issue of the time, from homosexuality, to women’s rights, as Maude spent the bulk of the show butting heads with her apathetic husband, and openly bigoted neighbor.

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SOAP aired for three years, from 1977 to 1981, and included in one of its many storylines, the  life of one Jodi Dallas, an openly gay man, played by Billy Crystal. The show was groundbreaking because this was one of the first times a gay character had been prominently featured in a sitcom, where the humor wasn’t centered around making fun of his sexuality. In fact, Jodi’s “gayness” was handled very sensitively. His character was treated with a certain amount of respect by the writers, and while some of the characters disrespected Jodi, the other marginalized character in the show, a butler named Benson, always treated Jodi with respect. The bullying of any of the other characters was always met with disapproval, and Jodi knew how to defend himself, thereby getting the best lines, and often, the last word.

The show Benson was a spinoff starring the butler of SOAP, played by Robert Guillaume. While not, specifically, a Black show, there was no doubt Guillaume was the star of the show, which declared its liberal status by showcasing Guillaume’s great comedic timing, with Bensons’ sarcastic remarks to his clueless employers.

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The Mary Tyler Moore Show came right on the tail end of the first feminist movement,  and the cusp of the second, and aired from 1970 to 1977. Mary Tyler Moore, fresh off her fame on the Dick Van Dyke show, starred as herself, while navigating life as a single working girl in Minneapolis. The show was groundbreaking in showing an unmarried, woman without children, who was focused on her career.  The show tackled such issues as pre-marital sex, homosexuality, women’s working conditions, sexual harassment, and low wages , and did so while being realistically down to earth, and very funny.

It produced two spinoffs, Rhoda, about Mary’s upstairs neighbor, and Lou Grant, Mary’s boss. It also paved the way for other feminist shows about women tackling life in the big city, like Golden Girls, Designing Women, Maude, Laverne and Shirley, and Murphy Brown, all shows that had political components, and tackled many of the same issues that had been discussed on The Mary Tyler Moore Show. Few of the shows relied  on wacky situations for their humor, but on realistic situations, while putting wacky, and irreverent characters together to see how they’d interact. Sitcoms aimed  at and about only women became a staple of the genre, and the creators would take full advantage of that to discuss the pressing issues of the day.

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If The Mary Tyler Moore Show was about a young single girl in the city, Golden Girls looked at the opposite end of the spectrum, with four retired, single senior citizens sharing a house together in Miami. The show  lasted from 1985 to 1992, and tackled such topics as homosexuality, aging, and living and loving as a senior citizen. It won several awards including a number of  Emmys, Golden Globes, and People’s Choice awards. Not every show was about being old, but the show was political just by existing, since it was a rarity at the time to have female senior citizens as stars in their own  shows then.

The list of feminist shows was not limited to White women. There were plenty of shows that had feminist messages which starred women of color. Shows like Living Single, about a group of Black women living single in the city, which was the template for Friends, and the forerunner to Sex and the City, Moesha which starred Pop singer Brandy, A Different World, a spinoff of the Cosby Show, about the eldest daughter’s adventures at a well known HBCU, and even shows for teenage girls, like Disney’s That’s So Raven.  These are shows that would have been considered political without the feminist messages, as they were about Black women’s lived experiences as Black women.

No list of politics in sitcoms would be complete without mentioning  M.A.S.H., based on the 1970 movie of the same name, (about the Vietnam War), the series was set during the Korean War, and understood by both the audience, and its creators, that all of its ideology was about Vietnam, and war in general. The series aired from 1972 to 1983. One of the creators of the series, Alan Alda was an out liberal, and made that clear in his character, Hawkeye, who often disparaged the war, and occasionally spoke on issues of feminism, race, anti-semitism, and religion, and was not above being called out on his own prejudices, like sexism. The show was nominated for over 100 awards during its run, and is still, decades after its final episode, one of the most beloved sitcoms in American television.

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By their very nature, just about any show that has a cast of color will be a show about politics, or contain social messages. Not all of the episodes on the show are political, but sometimes, just showing people of color going about their daily lives, living, loving, laughing, and working, will show that the personal is sometimes the political. For people of color, and other marginalized identities, our very existence can become a social justice issue. Shows like The Cosby Show, Fresh Prince of Bel-Aire, and Living Single, were groundbreaking in the 80s and 90s because of their rarity. How rare? Julia, starring Diahanne Carroll, first aired in 1968, and was notable for having a Black actress, as the lead, in a non-stereotypical role. She played a nurse, who was a single Mom,  two years before The Mary Tyler Moore Show, and like a lot of other shows starring people of color, it was appropriated to be consumed by White audiences, since it was believed that White audiences didn’t want to watch shows with an all PoC cast, even though the popularity of The Jeffersons, a spinoff of The Archie Bunker Show, and The Cosby Show, during the 80s, made that belief to be false.

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In fact, almost all shows which starred PoC as the leads in the cast, tackled social justice issues, at one time or another, and managed to do so, while being fun and funny,  without becoming too heavy handed about it, although they did occasionally get a little preachy. In the 80s, The Jeffersons, which was a spinoff of All In The Family, the theme was  the upward mobility of the Black Middle Class, which was a turnabout on the theme of Black poverty in the shows Good Times and Sanford and Sons, in the 70s, which later evolved into  the working class themes of Whats Happening. All of these set the stage for the comfortable, Middle Class respectability of The Cosby Show. Surprisingly, a lot of these early show were written by a White man, Norman Lear.

The Cosby family didn’t sit around talking about the important issues of the day, but just showed their lives, as the family lived it. They were  fully immersed in Black culture, often discussing books, music, and movies, that were of interest to their Black audience,  thereby giving the White people who watched the show little glimpses into what the ordinary life of a Black family might be like, while dealing with universal issues like navigating the family/work dynamic, and sending the kids to college. In fact, the Cosby Show was a kind of corollary to Roeseanne, which addressed a lot of the same issues, but from the point of view of a working class White family, a viewpoint which is also a rarity in sitcoms.

There are also all the shows that may not seem as if they are political, but because they star people of color, they become political by association with some current issue, such as Brooklyn 99, which has tackled the issue of bisexuality by having one of its lead characters come out on the show, stars a gay Black cop and his White partner, and even addressed police profiling; One Day At A Time, about the life and loves of a Latina single mother, her lesbian daughter, and the daughter’s non-binary love interest; Fresh Of the Boat, which deals with issues in the Asian immigrant community; and Insecure, a callback to the original Julia, about the love life of an awkward Black woman living in the big city. There is Black*ish, Grown*ish, Speechless, Dear White People, She’s Gotta have It, based on Spike Lee’s movie of the same name, and Bob’s Burgers, all shows told from a different viewpoint than the usual.

For someone to complain that sitcoms never used to be political is evidence of a profound lack of knowledge about the history of the genre. Sitcoms have always addressed the politics of the times in which they were created. To be sure there are plenty of sitcoms that have nothing to do with politics, which are quite popular, and there’s nothing wrong with liking them. There’s a sitcom out there for everyone, from the deeply political Veep, to the blatantly silly Archer.

But some of us enjoy the politics, which is why so many of  these sitcoms are incredibly popular.

Summer Music Playlist 2019

Okay, here are the songs that are going to be on constant rotation on my phone this Summer of 2019. I guess the theme for the Summer is Into the Spiderverse, since I’m still stuck on that soundtrack.

 

You cannot have a Summer playlist without at least a handful of island sounds.

 

 

I fell in love with this song when I heard it on the radio in my car. Yes, I still listen to the regular radio, as its the only place I can stay up on the latest hits, really, without having to pay subscription fees. 

 

 

I just liked the video for this one when I came across it on Youtube.

 

 

There’s a lot of controversy about this song because Billboard took the song off the Country Music listings, saying that it wasn’t really a country song. The artist got a great deal of support from other artists in the Country music community, like Billy Ray Cyrus, who featured in the song just to spite the people at Billboard. Black people were pretty pissed off at Billbard’s questionable maneuver, since it was Black people who invented country music, but got pushed out of the genre, the more it was appropriated. 

 

 

This show is fire, and always features a different Korean Rap artist during the show’s end credits, but this one is based on the show’s opening theme. 

 

 

I’m going to write a post later about why I love this movie, despite how much some people hate it. I am not an Eminem fan but I’m willing to listen to the occasional song. I liked this video, which is every bit as wild and campy as the film.

 

 

I know absolutely nothing about Post Malone, but I love this song becasue I love sunflowers, and this video isn’t too bad either.

 

 

I don’t remember hearing this song in the movie, , but I love it, because it’s got this funky 70’s feel to it, that just seems to fit the movie.

 

 

My Summer playlist would not be complete without some old Classic Soul sounds from the 70’s. I actually do have a playlist with nothing but 70’s R&B songs, with multiple numbers from the Staple Singers.

 

 

More Spiderverse songs!

 

 

There are already people online talking about what a disaster this movie is going to be. How can a person totally trash a journey before they take it? I’m just baffled by that because I love the actors here, and it looks pretty cool because James Cameron knows how to do at least one thing extremely well – craft an action scene.

What Fandom Racism Looks Like: Keep Calm and Wait Your Turn — Stitch’s Media Mix

At every level of fandom, women of color are told to “be patient” and to “wait your turn” when we talk about the way that it stings to constantly see white female characters – like Wonder Woman, Rey, Black Widow, and Supergirl – held up as universal representation for all women.

via What Fandom Racism Looks Like: Keep Calm and Wait Your Turn — Stitch’s Media Mix

Fleeting Frustrations 6.5: “We Can’t Have Anything, Can We?” — Stitch’s Media Mix

Star Wars Episode IX: Rise of the Skywalker is the focus for the cover story for Vanity Fair’s Summer 2019 issue and readers were “blessed” with dual covers – one with Adam Driver’s Kylo Ren and the other with Daisy Ridley’s Rey. Written by The Magicians’ author Lev Grossman and interspersed with photos from Annie […]

via Fleeting Frustrations 6.5: “We Can’t Have Anything, Can We?” — Stitch’s Media Mix

The 10 Biggest Cultural Thefts in Black History

The Root lists the ten biggest moments of cultural apprpriation of Black Culture in this list, and yeah they are not wrong. The very first time I ever heard the original version of Hound Dog was in the movie A Few Good Men. Up til them i had only ever even heard of the Elvis Presley version. I was shooketh! I liked Elvis, but I had no idea how incredibly  fucking bland  White bread he was, until i heard the true funkiness of the original songs he appropriated for his career. After that I tried to find as many original versions of songs by popular White groups like The Rolling Stones, and The Beatles, that I could.

This didn’t just happen in Rock either. It happened in every form of music we created, and we’ve got some trying to do so now with Rap music but the only person who hs made any inroads has been Eminem and he can de dismissed at any time. White people keep trying to do it with R&B, but Black audiences have roundly rejected any attempts by them to blow up in that genre, so R&B is still pretty Black, despite Adele’s best efforts.

https://www.theroot.com/the-10-biggest-cultural-thefts-in-black-history-1835106474

This list was not voted on by a panel of wypipologists or vetted by the American Consortium of Caucasians Be Stealing. Instead of broad categories like the blues, jazz or Kardashian-ing (a verb that combines cultural appropriation and desperation for fame—also known as “Ariana Grandestanding”), we (meaning “I”) chose specific examples that met the following criteria:

  • Something was created by a black person or black people.
  • A white person or white people took it without permission.
  • The white person benefitted or profited.
  • The people who created the thing never shared in the recognition, accolades or financial benefit.

Netflix is airing a documentary on the history of the song The Lion Sleeps Tonight.

 

New And Exciting Trailers (May 23rd)

Terminator: Dark Fate

This movie actually looks very exciting, although I don’t know how it fits in with the rest of the franchise. I think Miles Dyson’s son Danny is in this one, there are several different timelines, of which this is but one of them, and Sarah Connor survived in this one. Remember, she didn’t survive in Terminator 3, and the World War happened in that one. The “terminators” look pretty cool too. I guess we have to keep upgrading in every film.  James Cameron is a complete, whole ass, but the man does know how to make an action movie, and the Terminator films (that he actually worked on), are some of his best work.

It’s nice to see Linda Hamilton kicking ass again, even if she is looking a little worn. Saving the world, time and again, will do that to a person, I guess.. I’ve never  been a really huge Schwarzeneggar fan, although I like him okay. I’m still I’m not greatly impressed by his presence here, (although he has been doing some  superb dramatic work in the last ten years. Check out the movie, Maggie. Its awesome, and he’s great in it.) I have had a huge crush on  Gabriel Luna, ever since Agents of Shield,  and I hope one day we get to see that Ghost Rider movie, with him as the star, although I just heard there will definitely be a TV show, on Hulu,  about Ghost Rider and Damon Hellstrom, starring Luna as The Rider. I like him as a terminator. He’s not as pantsshittingly scary as Robert Patrick, but he’s alright.

 

 

Star Trek: Picard: (CBS)

I’m cautiously excited about this show. I was a big fan of Star Trek: The Next Generation, and I liked Picard, although I thought sometimes that he was a bit of a stick.But I am a big Patrick Stewart fan,and he always brings his Shakespearean A- game to everything he does.

This show takes place in the 18 years after Star Trek Nemesis, after Picard has seemingly retired from Starfleet, and is said to be less action oriented, with more drama. The trailer looks a little melancholy, though. I wonder if it will tackle some of the themes from the movie Logan, and how much diversity there will be, because the new Trek Discovery is tearing it up in that department.

I also like the idea of the individual stories of different characters in Star Trek. I’d watch a show about Worf’s early life, or Data’s life before he joined Starfleet. Picard will be airing on CBS All Access sometime later this year, and I will consider signing up for it again.

 

 

Downton Abbey

My best friend at work is a huge Downton Abbey fan. I’m a fan too, but I don’t know if I wanna watch a two hour movie about it. Anyway, she’s trying to get me to see it at the theater with her, and I’m considering it. She and I rarely get to watch movies together because we have such widely different tastes in what we consider entertaining. I’ve told her  many times that if no one is being horribly killed, eaten, or having their ass thoroughly kicked in the movie, I’m probably not going ot see it in the theater.

But I really do like the show, the trailer is alright, and it’ll be one of the few opportunities for the two of us to hang out at the movies together.

 

 

Crawl

This is the movie my Mom is trying to get us to go see next. I have no objection to watching this in the theater. This is what I call a safe scare, in that its fairly predictable. People gonna do stupid shit, and die, and some of ’em gon’ get ate. Those are the kinds of things that happens\ in giant killer animal movies ,and I’m cool with that. Its a nice, easy, popcorn movie, that’s not too intellectually taxing.

 

 

IT: Chapter II

I have no particular investment in this movie, but I know some of you guys are big fans. I was unimpressed by the book, and the original made for television movie ,and I wasn’t too keen on the first Chapter of this remake, which kind of bored me. But, this is a Stephen King movie, so I hope it does really well. I always hope his movies do well in the theater, because that means we’ll get more Stephen King movies.

 

 

Judy

Wow! I don’t think you guys understand just how much this movie means to so many people. I’ve loved Judy Garland since I was a little girl, when I first saw her in The Wizard of Oz. Over the years, I’ve watched her in a lot of movies (most of them starring Mickey Rooney), with one of my favorites being Easter Parade. 

This is a grand trifecta of “I’m gonna need a box of tissues-itis”, because I love the song Somewhere Over the Rainbow,  I’m a big fan of movie musicals, and ITS RENEE ZELLWEGER AS JUDY- FUCKING-GARLAND!!!

 

 

Batwoman (CW)

Batwoman is probably one of the worst trailers ever released by the CW, but I’m gonna give most people’s opinions on this show the side eye because Youtube says this about every single trailer about any show with a woman at its helm, and comic book fanboys, who have never read any of the books, are known to be complete hysterics. This is the CW. Its not a show aimed at guys (not that they can’t enjoy it) but squarely aimed at the kind of women who watch Supergirl, a show I find deeply annoying.

That said, I’m also giving the trailer the side eye, not just because it is distinctly cringeworthy, (Yeah, it stinks), but  unlike a lot of people, I understand that most trailers are not created by the same people who created the source material, and quite a number of them have been designed to make a person not want to see the film or show. I’m long used to parsing what bits and pieces I can from trailers, to determine whether or not I want to watch a thing, and I’m actually excited about this show. I’ve loved a lot of shows, and movies, that had shitty trailers, so a shitty trailer doesn’t necessarily mean anything to me. This trailer is just the latest thing for people to be outraged about. All I know is that I have every intention of seeing the show and will probably like it. Maybe.

I actually have read the comic books though,  and I really enjoyed them. I got no problem with the feminism angle, as the feminism shown on the CW has always been very White, ham-fisted, and more than a little cringey. For me, this trailer is just more of the same. I also really, really, like that actress, and this show is groundbreaking in ways the MCU has not even tried to be. It is the only superhero show on TV where the title character is gay! There are other gay characters in superhero shows, but none of them are the  leads, so this is a first, and I suspect a lot of people (especially the ones who are unsatisfied with gay representation in the MCU) are going to tune in for the  premiere, just for that reason.

Also this character isn’t new to me. I’ve seen her in Legends of Tomorrow, which is another cheeesy superhero show, that I happen to actually like, and I was impressed by the character.

 

 

His Dark Materials (HBO)

I’ve not been a big fan of the series this is based on,  by Richard Pullman. I can’t say much about it, other than it looks faithful to the movie, The Golden Compass, which came out a few years ago, so if you remember that, then this is a TV series based on that movie, and you may like it. In this universe, people have familiar-like companions that accompany them everywhere and look like different animals. This is HBO hoping to hit it out of the park again, with a follow-up to Game of Thrones. Hopefully, there will be fewer rape scenes, in this show.

I had not the intention of watching this, because I’m really not a fanatic about Fantasy series and movies, although one might get the impression that I was, based on the things I’ve reviewed on this blog. In fact, my taste in Fantasy shows is entirely arbitrary, depending on a number of unexplainable factors. What is more likely to happen is that I’ll skip the first couple of years, pick it up somewhere in its third or fourth year, and then really enjoy it.

But who knows?

 

 

The Dark Crystal

I saw the original movie when I was a kid, and I remember being terrified of the Skeksis, and enchanted by all the other creatures in the movie. If you haven’t watched the original film, please find a way to stream it, or get the DVD. It really should be as much of a classic as Labyrinth. In fact, if you liked Labyrinth, you will probably like this too.

 

 

Border

I started watching this on Hulu, and will probably not finish it any time soon, but I thought I’d mention it here, because its a very odd and beautiful movie, which  heavily reminded me of  Thelma, which I also watched on Hulu. I like odd and melancholy romances, and this one has been classified as one of the weirdest movies of the year.

Let’s Go Waaaay Back

Now and Again (1999-2000)

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I remember this show aired for one magnificent season, waay back in the 90s, before its very abrupt cancellation. I was totally in love with this show and it was my first huge disappointment in standard network TV. This was a little while before Firefly ever happened. At the time we didn’t have the vast internet systems in place to save worthy shows, so while there was a bit of an uproar, the show didn’t have that vast following of teens and twenty year-olds, with social media accounts, because this was before Twitter, Facebook, and Tumblr.

Interestingly enough, the show also has a 100% rating on Rotten Tomatoes, so somebody’s heard of it, and been watching it. I do know that several of the episodes are available on Youtube, so check them out.

The first episode stars John Goodman, as Michael Wiseman (get it?) as a tired businessman, who gets killed on the NY subway one night, leaving behind a wife and daughter, played by Margaret Colin, and Heather Matarazzo. He’s given a brand new bionic body (sort of like Steve Rogers) in the person of Eric Close. He is now an asset of the US government, his handler played by Dennis Haysbert.

The show ended on a cliffhanger, as it was abruptly (and by abrupt, I mean absolutely no fucking warning at all) canceled, after Michael Wiseman had, illegally,  teamed back up with his wife and daughter, and would have been on the run from the US government. Its been twenty years, and I still feel some type of way about getting burned like that. I learned a valuable lesson from that, and to this day, I keep my distance from most of network TV.

I was initially interested in the show solely because of the song from the trailer. A couple of years earlier, Janet Jackson had a hit song, using the same melody that was used in the trailer, and since I loved that song (I played the hell out of that song all year), I loved the show, and I made sure to tune in to watch the opening credits, since I didn’t have a DVR back then. The opening credits are gorgeous and I think the lyrics were specially written for the show.

The best parts of the show are the dialogue, and acting, although the plots were ridiculous. It doesn’t hurt that Eric Close is a fine looking White man, and Haysbert is just icing. Somewhere somebody is shipping these two characters. I just know it! The weakest part of the show are the uneven characterizations of some of the characters, and the occasional weird plot points, that raised more questions than were answered.

I loved the show for the interaction between the characters. Haysbert’s Dr. Morris, and Michael, had the most interesting and volatile relationship, as Morris, the head of the program that created Michael, was alternately threatening and very protective of his subject. He tried desperately to keep a tight rein on Michael, but Michael insisted on interacting with his past friends and family. The Wiseman ladies are the real heart of the show, especially Margaret’s Lisa Wiseman. Colin had to carry a lot of the episodes, sometimes entirely on her own.We spent a lot of time with her, and her relationships with all the other characters is key to the mood of the show.

There’s something about all these shows that aired before Buffy that is incredibly shippable, often consisting of two handsome men, of any race, and usually  opposite  personality types, who got on, either very well together, or not so well, but with great chemistry. The two men usually spent a lot of time together, often living with each other, so that a certain level of intimacy was expected. For some reason this happened in a lot of  the less well known SciFi /Horror type shows, and this show was no exception. At any rate, you cannot convince me that at least some of these shows weren’t trying to have LGBTQ representation, in a kind of low key manner, during an era where Gay and Lesbian characters were  forbidden to be out on mainstream TV.

It was the abrupt cancellation of this show that made me start examining the making of TV shows, and start looking closer at which shows got made, which ones, got renewed, and which ones got popular, and why. I also never fully trusted the Fox network ever again, so by the time that shows like  Firefly and Sleepy Hollow were getting  canceled, I was mostly calm about it, while for other people, this was their first time getting burned by that network.

 

The Others (2000-2000)

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I’ve been looking for this series forever, having only memories of the basic plot. I remember that I liked the show, but I couldn’t remember the names of the characters, or the dates it aired, or even the title. Well, I went on an all out search recently (I really just googled the plot and linked it to IMDB) and finally stumbled across the title.

The Others is about a small group of psychic individuals that get brought together to fight some nebulous evil that eventually takes human form, and approaches them in the form of a red-eyed woman, who confronts them with their worst fears and insecurities.

The group consists of a young girl just coming into her psychic abilities, played by Julianne Nicholson, an older gentlemen, who tries to be her mentor and teacher, as he’s an old hand at interpreting psychic phenomena, played by Bill Cobbs, a handsome standup looking guy, with formidable mental powers of his own, played by Gabriel Macht, Kevin J O’Connor plays the groups resident unstable flake, and a pretty young thing played by Missy Crider, who is the only character whose name I remember, Satori. The group, which most of the time acts as a kind of support group for psychics, is led by John “Neelix” Billingsley, who, I don’t believe, had any mental powers, at all.

I clearly remember liking this show, and I was fortunate enough to find all the episodes on Youtube. The show only aired in the year 2000,  lasted for 13 episodes, and then it was quickly forgotten.

*Sigh* I seem to remember a lot of forgotten shows.

 

Wild Wild West (1965-1969)

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The Wild Wild West is another show that originally aired before I was born, from 1965 to 1969, but that didn’t stop me from watching the re-runs of the show when it aired on weekend afternoons during the 70’s. I told you about how I used to watch Westerns with my Mom, like Bonanza. This wasn’t a show she watched, but I was inspired to watch it, because I liked TV westerns, and by the time I started watching it, I was into my SciFi phase, and this show had gadgets, (and funky theme music), like Lost in Space.

It starred the very handsome, Robert Conrad as Jim West, and his smarter and less handsome partner, Artemis Gordon, played by Ross Martin. It also starred the little person, Michael Dunn, as the villain Dr. Loveless. For me, one of the highlights of the show was the technology and gadgets created by Gordon and Loveless. Jim West had clearly been modeled after James Kirk, because his job was to finesse his way out of the various traps created by the show’s villains, and romance various female characters, who showed up to distract him from his job.

In hindsight, this show is clearly in the  Steampunk genre, and yet another one of those eminently slashable shows where all of the proper elements were there but, for some reason, the show didn’t get the Spock/Kirk treatment. You’ve got two handsome White guys living together, and  a merry go round of female characters, who have no intention of ever becoming permanent, but something about this formula was just a little bit off, possibly the show’s timing in the aftermath of the cancellation of Star Trek, and the show never really took off, even though it lasted four years.

I do remember that though Loveless was the villain, none of the things he did was ever alluded to his size, and for some reason that stuck with me. He wasn’t a villain because he was  a dwarf. He was just a man  who kept coming up with  nefarious plans that Jim West kept getting in the way of.

 

 

Millenium (1996-1999)

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Chris Carter isn’t only known for having created the X-Files. He created a couple more shows that were X-Files related in the sense there was a thematic dialogue between all of them about paranoia, state cover-ups, and government conspiracies. Millennium was more along the detective show spectrum and aired during the end run of the X-Files, when Carter’s star had reached its highest point.

Millennium aired in 1996 and lasted for three years. It featured one of my all-time favorite actors Lance Henriksen of Aliens fame, as a forensic profiler, with an uncanny ability to suss out paranormal conspiracies and serial killers. This uncanny ability is presented as the ability to see though the eyes of serial killers. He was retired from the FBI and worked as a consultant for his friend, played by Terry O’Quinn, who worked in the local police department. He had a beautiful wife, and a maybe psychic daughter, named Morgan.

I remember watching the show ,and I even liked a few episodes. I was mildly upset at its cancellation, but I wasn’t too put out, as the show really had run its course, and there were times when the show was a little too grim, and dark, and gloom-filled. Since it was something of an offshoot of the X-Files, this was to be expected. America was going through a specifically angst filled moment.  Some shows are only meant to run for a specific length of time, and then stop, and it was clear that in the third season the show was trying to figure out what to do with itself.

I think one of the shows biggest drawbacks was the acting of the side characters. Henriksen’s acting  was okay, but his wife and daughter were especially cringeworthy. Everyone on the show was deeply, deeply, serious, and dedicated to never smiling about anything. Also, that whole angst filled era, in the 90s, of dark conspiracies and government cover-up-itis, was starting to wind itself up, and seem less urgent. Millennium is one of those shows that, unless you were a huge fan of the X-Files, you didn’t even know existed, or you forgot about, the moment the show was canceled.

The most memorable moments for me was a brief crossover with the X-Files ,and the show opening credits which were suitably creepy, and the shows theme song. I have a head full of theme songs from long extinct shows, and this one is at the top somewhere in my mind. The creepiness factor is something that permeated the entire show, and every character interaction, no matter how light hearted the actors tried to be.

Frank’s interactions with his wife and daughter rang false, and a lot of the characters seemed weighted down by the show’s heavy gloom. This is not a show that was ever going to last. I think audiences just eventually got tired of that level of grim and gave up on it. I gave up in the second season, only tuning in to catch the occasional episode that hinted at Frank’s daughters psychic abilities.

Frank’s denial of his abilities, by the way, were the only funny highlight in the show, as he kept insisting to people that he was not psychic. In fact, I do wonder if the creators of Hannibal the TV series borrowed heavily from this show. Frank’s abilities were never illustrated,  so I’m not sure how they worked. It was only shown that he had a strange ability to encounter killers, which he did in nearly every episode of the first season. By the second season, the conspiracy stuff starting creeping in, and by then I think the audience had simply had enough of Carter’s doom and gloom. That doesn’t mean it was a bad show. It’s definitely worth watching, but  maybe not a weekend binge-watch. Small doses is  the key here.

 

Brimstone (1998-1999)

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This show had one season and during that time made quite an impression on its fans despite its low ratings. People loved the show, and wanted more of it, but there just weren’t enough of us watching it. Satan walking around and interacting with people is clearly a very popular concept, or we wouldn’t have shows like Lucifer or Sherlock, and if this show had aired anytime in the past ten years, especially during our current social media boom, it would have taken off like a rocket.

The show’s major claim to fame was its secondary star, John Glover, who was a really hot actor in the 90s, and who played a very laidback and snarky Lucifer. The lead character was played by Peter Horton as Ezekiel Stone, a cop who ended up in Hell for killing the man who murdered his wife. When 100+ evil souls somehow manage to escape from Hell, Zeke gets suckered into hunting all of them down, in exchange for a second chance at life on Earth, and the potential of getting into Heaven. The Devil is powerless on Earth, but seemingly has no problem harassing Zeke at every opportunity, and watching Zeke grow ever more irritable, and flustered, at his interference, especially since he and the viewers are the only ones who can see him. The two of them had great chemistry, and watching their interactions is  really the best part of the show. Plus its always fun to see John Glover just be snarky. It wasn’t always snark though as the two of them would have some fairly deep discussions about Heaven, Hell, Good and Evil.

Every week Zeke would hunt down some new bad buy, the most memorable of which was the soul of the man he killed, just before the series end. There were a handful of complaints  read on a few message boards about how he was only hunting evil men, most of whom had been serial killers in the world, and some viewers wondered if there were not  female serial killers. Well the writers had to have thought of it because later in the season there was an evil female who, according to my memory of these events ,was eiter a Bonnie and Clyde type character, or some form of a Typhoid Mary. Let me look it up…

Okay, there were several women souls that were hunted and returned to Hell. One of them was a partner in a Bonnie and Clyde type situation, and the other was a Typhoid Mary type, who caused diseases and pestilence. There was also a young French girl who killed the men who raped her in 1458.

That’s another thing. The souls spanned all of history. I particularly remember Richard Brooks being in an episode as a Roman soldier, and some of the souls had backgrounds that were not dissimilar to Zeke’s, in that they were sympathetic, and did not believed that they belonged in Hell because they were righting some wrong that had been done to them, like the French girl. And there were some who were just evil.

At any rate someone put a lot of thought, not just into the interaction between Zeke and the Devil, but into the creation of these one time character’s backstories, and I thought that was pretty cool, as I wasn’t expecting that. I expected the characters to just be one thing. I didn’t expect to care about any of them. If any show that’s ever been on TV is rife for a remake, or re imagining, its this one, but as I said, it may already have been done in the show Lucifer, which also mixes crime investigation and detectives, with the Devil.

Daenerys Was Always Bad

In the past few days since the last episode of Game of Thrones there has been much discussion/fighting by fans of the show about Daenerys Targaryen. I’m not going to go over that entire character’s history here because her history is explained in the articles I’m going to link to, but suffice to say, I do agree with them.

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Daenerys has always been a bad actor, and I have never trusted the things that came out of her mouth about what she was trying to do. Then again, unlike some people who were set on her being the good guy in this show, I’ve been looking at her actions, and not listening to her spoken intentions. Daenerys has always been a tyrant, who rules through fear and punishment. The only difference between her and Cersei was Cersei was upfront abut what she was, and never hid it. Technically, Dany was upfront about herself too, but her fans, who are claiming that her actions this past episode came out of left field, and are a complete turn of personality for her, just didn’t want to see it.

Now, there is an argument to be made for the sloppiness of the writing this season, as the show runners rushed through the making of this season so fast, that they left all manner of incongruities all over the set, like modern day coffee cups,  in one scene with Dany. The writing of Dany this season was definitely  hamfisted, and over the top, but its still consistent with her character.

I speculated on Tumblr about how so many of her fans dismissed Dany’s evil  because they were taken in by her being a conventionally pretty White woman, with long blonde hair. There is precedent for such attitudes about her, since pretty White women have always gotten the benefit of the doubt in American culture. The people who follow her, want, and need, to believe in her goodness and innocence. I used the example of the actress from the movie Get Out. She says she still has people who approach her who want to make excuses for her character being complicit in her family’s evil activities. She has to  tell them that her character was not innocent, and was in fact, evil the entire time, but they don’t want to hear that, wishing instead to believe that character was coerced somehow, thereby maintaining her innocence.

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https://afropunk.com/2017/04/how-the-narrative-around-white-womens-innocence-taught-me-to-let-them-get-away-with-violence/

Dany was bad the entire time. Her actions are NOT new and were unsurprising to me, and a lot of other people. Her actions were only a surprise to people who had been as delusional as she was, about her innocence.

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game-of-thrones-season-8-episode-5-tyrion-in-wreckage

https://www.rollingstone.com/tv/tv-reviews/game-of-thrones-review-bells-sepinwall-834528/

Dany’s descent into genocidal madness didn’t exactly come out of nowhere. Throughout her travels across Essos, her preferred solution to problems was to burn them and all the people associated with them. She’s impetuous, narcissistic and one of the last members of a bloodline with a history of doing things exactly like what she did to King’s Landing. 

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40 Times ‘Game of Thrones’ Foreshadowed Daenerys’ Mad Queen Transformation

https://www.inverse.com/article/55831-why-did-daenerys-burn-kings-landing-game-of-thrones-season-8-dany-mad-queen-foreshadowing-40-examples

38) In Season 2 Episode 4, Dany decrees, “When my dragons are grown… we will lay waste to armies and burn cities to the ground.”

Sounds about right.

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And from Medium.Com:

Daenerys Targaryen Acts In Character

There are a lot of complaints about last night’s episode of Game of Thrones, titled “The Bells.” The primary complaint seems to be that Daenerys suddenly becomes the “Mad Queen” when she torches everyone — citizen and soldier alike — in King’s Landing. Practically everyone has come to believe that Dany was going to be a benevolent dictator, an enlightened despot — but what I saw last night was completely consistent with what Dany has done for all eight seasons.

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The Breaker of Chains Is a Narcissist, Not a Hero

Mark Ptak

It’s notable that for all her talk about “breaking the wheel”, there was never any subsequent talk about what that would mean. Many believed the show would end with self rule for the people, and that they might play a part in an uprising against Cersei — that, like in our world, feudal monarchy and god-given birthrights would be supplanted with democracy. Never was that even considered for the former slaves she freed. And as far as we can tell, Dany’s idea of breaking the wheel in Westeros simply means the same thing it did in Essos — that she’ll be the one to control which way it turns. A benevolent dictator is, after all, still a dictator.

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This post is about how viewers have always given Dany a pass on her behavior because the people she was killing were seen as bad people who deserved to be brutally murdered by her. They were able to make excuses for her brutality because her killing them  was framed as ridding the world of evil. And where before have we heard that kind of rhetoric?

A (probably) unpopular Game of Thrones opinion …

When Daenerys Targaryen rose from nothing to be a queen in the East, many people cheered. We saw the character suffer brutally at the hands of men, including her own brother. When we saw her exact revenge, over and over, on people who wronged and betrayed her, it was easy to root for her. She had good intentions, she was a decent young girl who suffered, and the people she fought against were evil. They were rapists, they were slave masters, they were murderers. When her evil brother, who had threatened to stab her in the belly, was brutally murdered in front of her eyes, we understood why she was so cold in that moment. Viserys deserved it. We agreed with her.

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This post speaks specifically about how Game of Thrones is not a happy ending type of show and never has been. That is has almost always been about the Stark family family attempting to survive theirs and others worst impulses. It also explains in detail why Daenerys made the decisions she made in the penultimate episode.

The Trauma of Daenerys Targaryen

As the show crashes towards its tragic conclusion, I notice more and more outrage about where the story is going. The notion that characters are making bad decisions, or that their hallowed “character development” has somehow been betrayed. And if this were a Marvel superhero movie following the trope of heroism, I might agree. But it’s not.

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Here’s the problem in believing that Dany was a good person after freeing the slaves. Dany rules them now. They simply  live under one tyrannical leader, instead of many masters, and are not any  different from the population of King’s Landing in that way. Dany never actually freed them.

Breaker of Chains, Mother of Dragons, Torcher of Innocents

 

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I often wonder if some people are watching the same show as everybody else. A lot of people are “big mad” over Dany’s characterization in the last episode, and I do ask why are they so surprised, and is it really just that they’re just so horrified by what she’s done. This was never the “Dany the Hero” show, with a happy ending, where she gets to sit on the Iron Throne.

The Mad Queen Was Always Inevitable

These fans are, simply put, wrong. Daenerys’s character arc has landed right where you should have expected it to if you spent the last decade watching the show. To quote by far the worst character ever on the show — “If you think this has a happy ending, you haven’t been paying attention”. 

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But Then There Is This

I actually have seen a bit of this on Tumblr. people who heavily identified with Dany’s  character feeling betrayed because, for their own deeply personal reasons, they needed her to be The One, as trauma victims themselves, they were watching this show through a very different lens than a more casual viewer, like me.

Game of Thrones Daenerys fan fury, explained by a clinical psychologist

https://www.cnet.com/news/game-of-thrones-episode-5-daenerys-fan-fury-explained-by-psychologist-janina-scarlet/

Clinical psychologist Janina Scarlet says Game of Thrones has functioned as a kind of refuge for trauma survivors who were able to feel and establish a sense of connection with characters who endured suffering from physical disfigurement to the loss of multiple loved ones. 

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And Finally:

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Whats going to happen in the next episode, and is Arya going be the one to destroy Dany? I don’t know if that will happen, but there is a lot of foreshadowing that points to it.

Has Arya Added a New Name to Her List?

https://www.theringer.com/game-of-thrones/2019/5/13/18617922/game-of-thrones-arya-daenerys-kill-list

Melisandre did portend that Arya would shut brown eyes, blue eyes, and green eyes. Walder Frey and the Night King fill the first two categories of that prophecy. Some fans previously believed the green eyes Melisandre spoke about belonged to Littlefinger, who has green eyes in the books, but it now seems more likely that she was referring to Dany. 

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I’m probably one of the few people who is not angry about what happened in episode five. I’m horrified at what I watched, but not angry, probably because I’m not as emotionally invested in the show, in the same way, as a lot of other people. I like the show, despite its many, many, issues, and I really liked quite a few of the characters, and it had zombies! but I’m not super-invested in who is going to sit on the Iron Throne, and since I didn’t particularly care about that, I was able  to sit back and see Dany’s weaknesses, the same way I saw the weaknesses of all the other characters. I’ve always been horrified by her behavior, she was never my “hero”, and she never endeared herself to me. In my mind, she was always a delusional narcissist, and last weeks episode was just confirmation of that fact.

Oh, and while we’ve all been paying close attention to Dany, it may turn out that the person we were supposed to be watching, the entire time, was Arya, who has experienced just as much trauma as any other woman on the show, and the entire show may turn out to be about Arya’s journey.

Since next week is the series finale, I’m going to talk about it , because everyone else will, and I will probably have some thoughts about it, too.

 

 

 

 

 

 

 

What Am I Watching

Here’s a list of shows I’m actually watching and ones I plan to watch. Here are also some shows I’m interested in watching but may never get around to for some time, as I’m afraid my dance card is quite full.

Gentleman Jack (Sun.9P/HBO)

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I had only recently heard about this show when I saw the ad on HBO, and I watched the first episode and now I’m hooked. It was so much fun watching the lead character, that I watched the next two encores.

The show is set in the mid-1800s, and is based on a true story about a woman named Ann Lister, who lived her life openly as a lesbian at the time. The show is based on her diaries that chronicled everything about her life, including the women she loved, and the one she actually married. Like a lot of Queer people, I’m off the Tragic Gay Stereotype. I really don’t want to see any more gay and lesbian characters in pain or getting killed just for fun.

https://www.theguardian.com/society/2018/jul/28/anne-lister-blue-plaque-lesbian-marriage-church

“She never experienced any difficulty in reconciling her lesbian sexuality with her Christianity,” said Helena Whitbread, who has studied Lister’s diaries for 35 years and is writing a biography. “Her firm belief was that as God had endowed her with her sexual nature, it would be wrong to act against it.”

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I loved her character immediately, especially  her outfits. In the first episode, Ann comes home to find her father too ill to collect rents from their tenants, and sets out to do it herself. This is a lot of the reason why I liked her. She is always being admonished to behave in a womanly manner, but she is the kind of person who sees that something needs to be done, and when no one steps up, simply does it herself. When we first meet her, she is recklessly driving a coach through the streets of the nearby town after the driver was injured.. When she was asked why she did it, she just says that no one else stepped up to do it, and she didn’t want to wait for the injured driver to get better.

She discovers that a  coal seam has been discovered on her land, and she decides, against everyone’s judgement, that she wants to mine it, so she can make that paper. She is having an affair with a local woman, whose husband leaves her alone too much, and yes, there are sex scenes. The show is not shy about it, and its filmed very matter of factly, rather than in some kind of soft porn type of way. Her future wife (yes, there is a happy ending) is a shy young woman, who lives in the nearby town, and Ann makes a strong play for her affections. It also doesn’t hurt that the woman is very wealthy.

I actually liked most of the supporting characters, except for her harridan sister,who keeps telling her what she can’t do. Ann usually just explains things, or waves her away.  She lives a very open life, and everyone knows her business, and her aunt and neighbors try to set her up with eligible young women, especially after they find out about her recent breakup with a young woman who loved her, but bowed to tradition, and  chose to marry a man.

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I can see the show is setting up some interesting issues for later. She has a bi-racial, Ladies Maid, who is secretly (or maybe not) pregnant, and one of the house servants keeps giving her significant glances, which makes me think that Ann maybe dallied with her once, or twice, and the servant is jealous to see Ann in relationships now. From time to time, Ann breaks the fourth wall ato address the viewer. She is very bold, and charming, and brash, and I liked that about her. The show packs a lot of information into that first hour, becasue the series is  only about eight  episodes long, and is written by Sally Wainwright.

There’s  some brief discussion of social issues like voting rights for women, and some of the show is taken up with plotlines that have her come fact to face with men seeking to thwart her aims, and her finding ways around them. At one point, she almost comes to blows with one of her tenants, who is trying to cheat her out of her rent money.

https://www.indiewire.com/2019/04/gentleman-jack-hbo-review-anne-lister-1202126654/

So, if you’re looking for some wlw representation, then you need to check it out.

 

 

What We Do In The Shadows (Wed. 10P/FX)

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This show is, hands down one of the funniest vampire shows on TV. Of course it helps that there are only a few of those on TV, at any one time. It’s based on the movie, What We Do In The Shadows, which stars Jermaine Clement, and Taika Waititi (the director of Thor Ragnarok), and centers around four vampires, who are  living as flatmates in Wellington, New Zealand, and are being followed by a film crew. This is the second spinoff from the movie. The first one was called Wellington Paranormal, and centered around the police, and a film crew, dealing with supernatural creatures and events in the city.

This second spinoff from the movie repeats that formula, but makes some significant changes, centering around four vampires, who  live on Staten Island. The characters are rough equivalents to the ones from the movie, except that the writers learned from their mistakes from the rather low budget film, and added a female vampire, who is one of the smartest and funniest of the group.

There’s Nadja, her husband Lazlo, and their flatmate, Nandor the Relentless, who is relentlessly obtuse. There’s also a new type of vampire, an emotional vampire named Colin, who is both incredibly funny, and tremendously boring,  but that’s his superpower. There’s  also the addition of  Nandor’s long suffering, put-upon, familiar, Guillermo, and a recurring character, the several thousand year old Baron, who has come to oversee the group’s takeover of NY.

I don’t think I can express how much I love this show. Almost as much as I love Brooklyn 99. I usually get into a show through my attraction to the characters, and I was immediately drawn to, of all people, Colin. This is probably because I work in an office space, and have met plenty of Colins.

All of the characters are well drawn.. The each have their own adventures, which is the hallmark of a good multi-cast show. Nadja gets restless and occasionally cheats on her husband, with various humans she finds attractive. She turns a young woman she is attracted to, and at some point this is something that’s going to come back to bite her in the ass, as Nadja and the others are unaware this has happened.

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Nandor seems to think he’s actually in charge of things. He’s neat, fussy,  and detail oriented. He’s the one who comes up with ideas to do certain things, or go certain places. Sometimes he remembers to be nice to his familiar, Guillermo, who he’s been stringing along for ten years. His most recent adventure involves losing his Witch’s Hat, which he refuses to believe is cursed, and a fight with a local werewolf pack, who are every bit as lamely funny as they are in the movie. Nandor enjoys trimming the shrubbery around the house into various animal, and erotic, shapes, and  is constantly hypnotizing their neighbor into not noticing the things going on at the vampire’s house.

Lazlo is the most hapless and clueless of the group. He’s completely devoted to Nadja, who was the one who turned him. Lazlo is not the brightest vampire. His most recent adventure involved turning into a bat, and being unable to change back, so he gets captured by animal control, and locked in  a shelter. The other vampires have to go rescue him, while Nadja decides to ignore the whole thing, and go off to have an affair with a parking garage attendant, that she believes is the reincarnation of a past lover.

Colin Robinson is a non-descript vampire that feeds off other vampires. He’s incredibly boring and also kind of petty. He openly delights in the other’s misfortunes, actually feeding off their unhappiness. The subjects he uses to drain people of their vitality are boringly hilarious. He drains other vampires, so the others always try to avoid him, or disavow knowing who he is. He loves to tag along on their adventures anyway, often just inviting himself. He mostly feeds at work, or goes to public civic meetings.

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Colin’s latest adventure involved meeting another psychic vampire. At first they try to drain each other, but then have the great idea to team up. and  end up draining the entire office too much. Its a testament to the writers that she is a different type of emotional vampire than Colin, Colin just drains a person’s will to live, while she feeds on sympathy, by  being pathetic. Something horrible is always happening to her, like dead grandparents, a dog with autism, getting kicked out of her apartment… In some ways, vampires like her and  Colin are the most ruthless, as they are completely opportunistic, and will feed on anyone, at any time, anywhere.

One of the most recent episodes was groundbreaking, in that it featured vampire guest stars from other shows and movies. Those vampires that didn’t show up in the show were name checked by the others, in a kind of Vampire Council, headed by the three actors from the original movie. The three primary actors used their character names, but the other actors just used their regular actor names, Wesley, Tilda, Paul, Evan Rachael Wood, and Dave Bautista. Once again we get to meet some more familiars, and its always funny when they all get stashed in a room together to talk about their particular vampires.

I like that the show remembers that other types of vampires exist besides the White ones, and its hilarious how they call attention to/call out, the different types of tropey modern  vampires, including two sisters who aren’t actually sisters, and a hip-hop Asian vampire, who only talks in rhymes. The trio also meet other types of supernatural creatures, including the werewolves, and of course they have a fight.

The show has just been renewed for a second season.

 

Of Interest

Now Apocalypse (STARZ) is a show about various pretty, gay, people having adventures in LA, while trying to avoid the coming apocalypse, that only one of them can see coming.

 

 

Barry (HBO) is about a former assassin who is attempting to leave that life to become an actor. He takes acting classes, but keeps being drawn back into his former life by his classmates, and the people he used to work for.

 

 

Shrill (Netflix) is about an oversize young lady, along with her Black, lesbian, roommate,  having various love adventures. The show is surprisingly positive about her size, and actually, pretty funny and uplifting.

 

 

Killing Eve (BBC) is a show I keep meaning to watch, but never actually getting around to, outside of a single episode a season. I love the two lead characters, and Sandra Oh absolutely deserves her Emmy. She is incredible in the show. This show heavily reminds me of a female version of the show Hannibal. There’s  a love/hate/fear relationship, developing between the two leads that’s fascinating.

 

 

Santa Clarita Diet (Netflix) just got canceled after two seasons. I had been meaning to watch it, but never got around to it, about a woman who becomes a flesh eating zombie, who gets aided and abetted in her hunt for human flesh by her husband. In the meantime, they deal with perfectly mundane neighborhood and household issues.

 

Good Omens (May 31st/Amazon) is something I’m really looking forward to at the end of this month. It stars David Tennant.  I’m always up for watching what he’s getting up to, and the original story was  written by Neil Gaiman.