Things I’ve Been Watching (October 2017)

Here are some of the shows I’ve been looking at this month. There’s a lot of releases, and I can’t keep up with a lot of them, but I’ll watch what I can and get back to you on what I thought about them.

The Gifted Season Premiere

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I’m simply not in the mood for this show, and I’m fed up with this type of plot, now. It’s loosely based on some of the X-Men and New Mutants comic books, in that it has some Sentinel plotline, and some of the characters from those groups. Stephen Moyer stars as a lawyer who used to prosecute mutant criminals, and  the father of two young mutants, now on the run from the government, which is rounding up mutants and imprisoning them in scientific camps.

I tried watching the first episodes, and while I like a couple of the characters, the show is simply not compelling enough to keep me watching it every week. The characters have the usual teenage angst, with superpowers, that made me dislike the First X-Men movie. Blink is a teenager who can teleport by creating portals, and Thunderbird, who is Native American, is a kind of tracker of people and things. I’m dismayed that the show used the Native American tracker stereotype, as that’s nothing like Thunderbird’s actual powers in the books, which consists of speed and strength.

And I’m just not here for yet another plotline of people with superpowers being rounded up and used by the government. This seems to be the only plotline they can come up with for superpowered characters, especially on TV, and once again, there is only the focus on how this affects White, suburban, middle-class families.

Just like with the show Heroes, there is no focus on how the discovery of superpowers would affect any marginalized communities, something I would consider much more entertaining, and which the show Cleverman handled with a certain amount of depth. As I complained about before, we keep getting stories about middle-class White characters being subjected to the same oppressions that have been visited on marginalized communities. This show would have had far more depth and been much more interesting if it had been set in the G/L community,  or the Black and Latinx communities, in which this type of interment is already occurring.

In the forties, the Japanese were rounded up in internment camps because they were considered a danger to the US, and later, authorities used to raid the gay and lesbian communities and lock them in jails with the full force of legal authority behind them. Today, its immigration officials grabbing random Brown people out of their homes, and locking them up on suspicion of being illegal immigrants. What do you want to bet that none of these things will be addressed in yet another show where we see average White people being treated in the same manner?

 

Legends of Tomorrow

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I’m looking forward to this new season. I really enjoyed the season premiere, which was a lot of fun and addressed a couple of cliffhangers from last season. This season will also introduce one of my favorite characters. Constantine.

Constantine’s show was something of a bust, but I think he’ll fit right in on this ensemble show, because he just works better when interacting with other super powered, snarky,  characters, and yes, the writers have promised to keep his canonical bi-sexuality intact, something which was never addressed in his own show.

Also, returning this season is Captain Cold, played by the very candilicious, Wentworth Miller.I always loved his dynamic with Heatwave (yeah, I totally ship those two) and I’m looking forward to the two of them meeting again, especially after Cold sacrificed his life to save the team, in a previous season.

I generally like all the characters on this show. My top favorite is Firestorm. I remember reading those comics as a kid, and briefly again in the 90s. He’s an interesting binary character of an older White man named Stein, and a Black teenager named Jackson, and I love the friendship that has developed between the two of them. The show has managed to carefully avoid the stereotype of the Black brute, who is nothing but the muscle in their relationship, by making Jackson an engineering genius, with Stein as his mentor. so naturally, Stein will be leaving the show later this season. I wonder who Jackson’s new partner will be.

I least like Black Canary, but I think that has more to do with the actress, because I like the version from the comic books just fine.

In the last season, the Legends broke the world by causing a set of time anomalies, which caused them to get kicked out of their spaceship. We open the episode with them leading normal lives on Earth. Black Canary is working, unhappily, in a department store, and Jackson is attending college. Stein appears to be the only happy one, spending time with the daughter he never knew he had, from another timeline. Heatwave, played by Dominic Purcell, is also having the time of his life, vacationing on the beaches of Aruba, before he is attacked by Julius Caesar, another time anomaly.

The team gets called back together to fix the problems they caused with all their time travelling last season. This show airs after The Flash, which is absolutely perfect, since I’m really starting to like The Flash a lot more, and have started regularly watching that.

 

 

Brooklyn 99

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When we last left The 99 last season, Jake and Rosa were sent to prison, for a crime they didn’t commit, by a corrupt cop. When we meet up with them at the beginning of the new season, the two of them are not adjusting well to their situation. Jake’s roommate is a cannibal, played by Tim Meadows, (he is extremely funny), but we don’t get much insight into Rosa’s situation. We spend most of our time with Jake, as he tries not to get outed as a cop by the Warden, who is trying to capture a drug smuggling ring, run by Lou Diamond-Phillips. I liked the guest stars more than I liked Jake in these episodes, and I hope to see more of Lou Diamond’s character in the future. He so rarely gets to do comedies, and I think he’s hilarious here.

Amy and Charles are working hard to find proof that Jake and Rosa were set up and come up with zany schemes to do this, even though Charles thinks his podcast about Jake should be enough to free him. One of the funnier running gags is that he invited Terry on the podcast, but the interview wasn’t successful, and Terry is confused about why.

By the end of the second episode, all is well in the Kingdom of 99, Jake and Amy have been reunited, Charles can give up his podcast, and well, Rosa remains very much Rosa. I normally do not watch shows about cops, (as I consider all of them to be thinly veiled propaganda about the inherent goodness of law enforcement), but I will make an exception for a really great, or funny show, and Brooklyn 99, along with the very politically incorrect Reno 911, are worth the watch.

 

The Exorcist Season Two

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Well, I think its too much to say this is an enjoyable show, because its supposed to be scary, but it does star John Cho as one of the shows leads. The show does have some issues though. I’m not at all interested in the storyline of the two priests who have made off with the possession victim from last season, and the gruff speaking victim gets on my nerves after about thirty seconds, but fortunately her onscreen time can be easily ignored. I just pretend I’m really engrossed in my knitting when she’s on the screen.

John Cho’s storyline is far more interesting, as he stars as the father figure for a home of orphans with severe trauma issues. The home is being visited and assessed for its level of care by an old flame of John’s, so the show is killing it in the Asian representation column, as this role is being played by an actress named Li Jun Li, and I’ve become very invested in their relationship, although I do fear for the life of the young lady, because TV loves to kill off  Asian characters, and that actress isn’t especially well known. The last time we saw Jun Li, she was the coroner from the show Minority Report, and was dressed like a Rave victim.

Well, inconveniently there’s some spooky happenings at the house and the kids are acting up and misbehaving in ways they didn’t before she came there, which increases the tension between her and John’s character as he wonders if she can be fair to him, especially taking into account their dramatic past together.

I’m looking forward to the rest of this season because its so rare to see Asian Americans as stars in a horror show. Actually, this show is pretty good about diversity, and a sensitive portrayal of children with various disabilities. The disabilities are not the source of any of the horror (some outside force is) so that’s another stereotype that’s been upended.  Its not as hysterically over the top as American Horror Story, so I’m able to get caught up in the mystery without getting a headache, and the characters are all mostly likable.

 

The Flash

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I’m just really starting to get into this show. I watched most of last season and understood maybe half of what was happening, but I did like the characters, which is what mostly draws me into a show. My favorite characters are Iris, and Cisco, and I got to see a lot of both of them in the season premiere, although I like all of the characters on the show except Caitlin Snow. That actress acts like she’s in a different show altogether, but she has good chemistry with the other characters, so I can tolerate her.

Can I just say how much I genuinely love Iris. She is by every definition of the term, a  rare flower. She’s gorgeous, graceful, intelligent, and heavily reminds me of Nichelle Nichols version of Uhura, an example of the kind of woman I wanted to be as a child. I hate to say this, because I really like Barry, but she is waaaay too good for him. I also love that Iris is a Black woman, because it’s so rare that Black women get to be loved, sacrificed for, or  damseled in mainstream media, and I am here for it. She also gets some really nice speeches during the episode.

Last season, Barry sacrificed himself to save the love of his every existence, and entered what is known as The Speed Force. I think its the source of his powers or something. I’m not too clear on that. Anyway Cisco comes up with a way to save him, but the Barry that comes back to Earth is deeply confused and unintelligible. The entire situation is complicated by a supposed new enemy, come to challenge Barry, a Samurai with a sword that causes earthquakes. The entire crew needs to save Barry, so he can save the city.

I’m looking forward to this new season as I’ve heard that Ralph Dibney’s Elongated Man will be featured on the show. I used to read  his comics as a kid.  Harrison Wells will be making another appearance, too, along with a character played by Danny Trejo. Katee Sackoff is also supposed to show up as a supervillain, I think. Killer Frost has already put in an appearance in this first episode, and this season is supposed to have a lighter tone than the last, which I think all superhero shows could use a dose of.

So, I’m in, I guess.

 

The Orville

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I’ve been watching this off and on.. Its still rather uneven n tone, but hopefully it will settle down into what it wants to be by the end of the season. Its not a bad show but it wavers between wanting to be a comedy, with some rather juvenile humor, a drama relationship, and a space opera, and these three things while done effectively, are not meshing well with each other. The switches between styles can be jarring and obvious.

Seth McFarlane’s presence does bring in the guest stars, though. We got a Charlize Theron guest shot, and a cameo from Liam Neeson, which was pretty cool. I kinda like most of the characters, but the surprise for me was the ex-wife and  First Officer, played by Adrianne Palicki. Her, and most of the other women, are the  smartest people on the show. Most of the guys are well… kinda weird, and not too bright, but I like them anyway. There’s a metal robot, and an alien with a same sex husband, and so far the show has been very respectful of the two of them, treating them just like any other couple on the ship. I’m not sure this counts as gay representation though, since they’re both aliens from a mono-gendered  planet.

Its not a bad show. Or rather, not as bad as I thought it was going to be because I was a little dubious about McFarlane being on the show and he and I don’t share the same humor. We still don’t, but so far he hasn’t done anything to actually upset me, so I’m inclined to keep watching.

 

American Horror Story

I’ve pretty much stopped watching this. I’m just not in the frame of mind to consider it entertaining right now, even though it may well be for some people.

 

Outlander

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I’m a lot less interested in Claire’s life in the fifties and sixties then I am in her life in the past, which is how this season has begun. In order to raise their chid in safety Claire has gone back to her own time period to raise her little girl. Her current husband has issues with this of course but is willing to wrap his head around the fact that his wife has two very different lives, and that her child is not his. That’s a lot to ask of a man, but he seems to be down for all this.

There’s slightly less Jaime in the opening episodes of this season, so I’m not really as invested as I normally would be. I generally do not like romances, and I haven’t read any of the books this show is based on, but I actually like the show for the romance between Claire and Jaime. Go figure! I guess I’m just a sucker for a period romance, I guess.

 

Forthcoming

This weekend is the debut of the show Mindhunter by David Fincher on Netflix. I’ll definitely be watching it, as its based on one of John Douglas’ non-fiction books on serial killer profiling. I’ve read all of his books as he makes the topic very accessible. Also I like David Fincher. The Atlantic review is here:

https://www.theatlantic.com/entertainment/archive/2017/10/mindhunter-review-netflix/542781/

 

My review for the first few episodes will be next week along with my long form review of Bladerunner 2049.

I was supposed to see The Mountain Between Us with Mum, but she changed her mind, the night before, and kicked me out of the house to go see what I wanted, all by myself. I really enjoyed Bladerunner, and have a lot of feelings, and thinky-thoughts about it. My review is in two parts, covering the plot and characters, in comparison to the first film and the book, and then, in part two, some of the technical stuff, like the cinematography, music, and themes.

 

Amended to add: The Supernatural Fox Sisters have a thread up on Twitter listing 31 Horror movies that feature Black women, and rather than review The Thing vs The Thing, I think I’m going to review a few of these movies instead, as some of them are my favorites exactly because there are Black women in them as the main characters.

http://www.graveyardshiftsisters.com/2017/09/watch-31-horror-movies-starring-black.html

I chose five of these movies from the list to review. I’ll surprise you with which ones.

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American Horror Story: Cult Election Night

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I didn’t like this episode.

Not because it was a bad episode, but because it was really, really hard to sit through.

For the record, I don’t have a problem with clowns. Clowns don’t particularly bother me, but I do have a problem with the rhetoric spouted by Evan Peter’s character (Kai) during this episode, and Sarah Paulson’s character’s panic attacks.

It’s extremely difficult to watch someone have a massive panic attack, when you suffer from anxiety yourself, and I had no idea in advance of those scenes, that they were going to happen. Ally (Paulson) didn’t  have just one attack either, she had at least three of them, and seemed at least mildly  hysterical the rest of the time.

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The episode is named after last year’s election night. On that night, we see Ally have her first attack, which I, at first, thought was a bit over the top (only because that wasn’t my reaction to the election), while acknowledging that she had some good points. Her reaction after the election was bad enough, but Ally is a person without any down points in her emotional makeup. She seems to be upset all the time, if only by a matter of degree. She is beset by a host of various anxieties, phobias, and panics, and the rest of the time she seems barely holding on by her fingernails.

Now couple that character with Evan Peter’s Kai, who saw the election as an opportunity to engage in unrestrained assholery, (just like plenty of White men did in the real world), and a speech he later gives at a local government meeting on the nature of fear, and you can see why I found this episode less than entertaining. I get the writers rather heavy handed point, but I still didn’t like hearing it, as it ‘s not too different from the kind of shit actually being said by the president right now.

This wasn’t helped by the show’s usual overwrought style of writing, and the general plot. The whole thing, when it wasn’t triggering my own issues, was also  unbelievably over the top.

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After the election, Kai goes upstairs in his house, and smears his face with what appears to be Cheeto dust, Ally’s neighbors are murdered in a parody of the movie The Strangers, or The Purge, I’m not sure which, and Ally gets menaced/chased by clowns at the local store, while two of the clowns have sex in the produce section. (I had the distinct impression that that may have not been a consensual act, which upsets me even further. I will not watch rape scenes!) On top of all that, the young lady, who is hired to babysit her and her wife’s son, has all of the acting range of a lobotomy patient, and happens to be an associate of Kai. I guess her job is recruit Ally’s kid, or something.

When Ally’s neighbors are murdered by clowns, she later finds out that the babysitter had taken her son to watch the event through the window. This is really the point where I gave just up and just checked the fuck out. I don’t know, and don’t wanna know, what happened between any of these characters. At that point, I decided I really needed to watch something else, or just turn off my TV.

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Lets face it. This show has finally defeated me.

It upset even my less than delicate sensibilities, and that’s saying something, since I’ve been a fan of this show for the past three years, and sat through some of the most  blatantly outrageous bullshit that the writers could possibly dream up. And that may very well have been the writer’s point. If so, then they won! I give up! They’ve finally gone so far that even I can’t watch this show without laughing, scoffing at it,  or crying, and sometimes all three at once.

Either that, or this show just struck too damn close to home for me to be able to comfortably watch it. I watch some shows to get away from reality, which is bad enough in Trump’s America, with its daily list of atrocities committed against PoC. On the weekends, I usually turn off all social media, just as a matter of self care. The last thing I ‘m going to find entertaining, right now, is a parody of my own  terrifying reality, (although I realize that this may be a form of coping for other people.)

I don’t know that I’ll watch this for the rest of the season. I’m loathe to stop, but I don’t know if I can sit through any more of this. Ally is a really hard person to get past, although her wife has the patience of Job. I like her. (As someone who not only deals with her own issues, I also happen to be the caregiver for someone who is not unlike Ally, so I could identify with her behavior.)

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I love that the show depicts a loving and supportive relationship between these two women, where they talk it over,  and work at trying to do and be better, instead of simply fighting, for extra drama. They show love and affection for each other without it turning into titillation for the male gaze. It’s just another relationship, like hundreds/thousands, of other relationships. Their son is adorable too, but I’m also not here to watch their child be corrupted into whatever Kai is, which seems to be the babysitter’s plan.

Plus, there’s all the damn clowns. I get that clourophobia is a thing, but it isn’t my thing. I just don’t find clowns to be all that scary. They’re  less scary than all the other shit happening in the world of the show. And oh yeah, that skin crawling feeling you get at looking at images of human flesh dotted with holes, that’s called Tripofobia. I know you’re just going to ignore my advice, but nevertheless, I feel I absolutely must caution you DO NOT GOOGLE THAT WORD!!!!!

I probably won’t be reviewing any more episodes unless there’s a huge event of some kind.

How can a show be both terrifying, and absolutely ridiculous?

Watchin’ Movies: I’ve Got Mini Reviews

Now see, if I was as mean as everyone says, I would insist that you watch these movies because my eyeballs looked at them, but I’m not like that. I’m doin’ this for y’all, so you can go about your lives unhindered by whether or not you’re missing out on greater things.

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Actually these movies weren’t really  bad. A couple of them had pretty good reviews, and I actually liked  all them just okay.  I had the opportunity to watch Ghost in the Shell, but the reviews for it were so awful, and the premise left such a bad taste in my mouth, that I know I can’t watch it with any degree of “fairness”. So, I opted out. I know my limitations and sitting through that movie is one of them.

XXX: The Return of Xander Cage:

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I watched this movie one idle weekend, and yeah, its ridiculous. The stunts are so over the top they’re laughable, and the dialogue isn’t worth remembering, but nevertheless I kinda enjoyed it. It stars one of my favorite action stars, Donnie Yen, who you might remember from Star Wars Rogue One ,as Chirrut Imwe.

Normally, I like Vin Diesel, but I feel like he was just phoning most of this in, except for the stunt scenes, in which he seemed to be having too much fun. I didn’t care too much for the ass shots of various women, at least not without some compensating shots of Vin Diesels’ or Donnie Yen’s asses,  and the plot made no sense at all, but who the hell is paying attention to the plot in a movie like this. B

Basically, Xander Cage is after some type of McGuffin,that was stolen by Yen’s team of rogue operatives, or something, and he has to infiltrate their little gang, learn the objects whereabouts, and retrieve it. There’s some double crossing that requires that he come clean to the rogue team, and then they all have to work together to save the world, or maybe just America, since that’s who they all nominally work for. I was mostly here to watch Donnie kick some ass though.

There’s a “blink and you’ll miss it” cameo from Samuel L. Jackson, yelling at some guy in a diner, before he is unceremoniously blown up by a rogue satellite. There’s also a cameo from Ice Cube, which I didn’t pay much attention to because it was also  so short. This really should’ve been a team-up movie between the two triple Xs, or Hell, three triple Xs, Vin, Ice Cube, and Donnie Yen. That nobody in Hollywood put this idea into the atmosphere speaks to the thorough lack of imagination going on there.

Life:

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I saw nothing but bad reviews of this movie, but I didn’t  dislike it. It’s been unfairly compared to Alien, and that’s just not right, as this movie, while suffering from much the same Ten Little Indians plot, is a different animal. I actually thought the monster was kind of laughable at first, because at first it looks like one of those giant underwater ribbon snakes, and then later like animated white plastic sheeting, but the movie actually turned out to be pretty suspenseful. I mean I knew everybody was gonna die and I stil l was on the edge of my seat wondering how, so that’s something I guess.

While conducting some experiments in space, a crew of scientists discover an alien lifeform, which gets loose in their ship, and proceeds to eat/kill them. Their job is to keep it from reaching Earth. The creature is sort of like The Blob, as it grows exponentially as it eats, which makes more sense than the creatures from Alien, which gain their size and weight from nothing but air.

I can’t remember any of the actors from this movie beyond Ryan Reynolds ,and I think I saw Morgan from, The Walking Dead. I don’t think it’s spoilery to say that everybody dies! Is it worth viewing? Its okay, but if you don’t see it, your LIFE will not have been upheaved.

Saban’s Power Rangers

I heard so much on Tumblr about how great this movie was, and how it was a big win for diversity, that I had to check it out. It does in fact do diversity very well, but I wouldn’t say it was a great movie. Its too frenetic for that.It stars a poor Asian kid who is not great at school. His mother is dying in their trailer home and he’s worried aobut his future, and what wlll happen when she’s gone. There’s a couple of young WoC, who form a romantic relationship, I think, and a young Black man who has one of the Spectrum disorders. He was my favorite character. Naturally, the fine, upstanding, White boy is the leader, and of course his name is Zach. Why White boys in movies can’t have regular names, like William or Thomas, I don’t know.

I did watch the original television shows with my sisters as they were growing up. They were terribly addicted to the show, and because they loved it I ended up watching a lot of it too, even though I mostly found the show deeply funny. So, I’m familiar enough with the original to be able to understand what’s going on in this one, which feels like it was written for fans, rather than to bring in new viewers.

There’s a lot of exposition that if you don’t pay close attention, you will not understand, (and probably wont understand if you do). The names and some of the action is just as ridiculously over the top and laughable as the original show, too. So if you can get past names like  Goldar, or Rita Repulsa, you’re all set.

Lights Out

I love a good horror movie, but I was too scared to finish watching this beyond the short film it was based on, and its first twenty minutes. I told myself if I just watched it during the daytime, I’d be okay, but that didn’t work, because I went to bed with the lights on,  and then I was afraid because the lights were on, and they might go out, and IT might get me, whatever IT might be. This movie  creeped me out, in a skin crawling type of way, that’s usually only reserved for sentient slime creatures.

The people who made this movie also made another short, called Closet Space, that was both scary and funny.

Don’t Breathe

Apparently, I didn’t learn my lesson from trying to watch Lights Out, because I watched this one sunny Saturday afternoon, when there was nothing else on the TV. I think I liked it, although calling it a good movie would be excessive. Its a complicated movie because the good guys aren’t particularity good, and the bad guys are the ones in danger, so its hard to know who to root for, or even how to feel about what you’re looking at.

A group of desperate teens break into the house of a man they think is totally helpless, because he’s blind, but the tables are turned on them when they have to try to escape, because he turns out to be a serial killer, or something. They discover a young lady being held prisoner in the house, and attempt to rescue her, but she gets killed, after which he decides to kill the guys, and imprison the female member of the group, and forcibly impregnate her, as revenge for the loss of the other woman and her baby. So really, everyone in the movie is kind of repulsive.

I do remember thinking the movie went on for far too long after it should’ve ended. Its not a bad movie but it is one of those movies where the message is so muddled you have no idea what the filmmakers are trying to say, if anything, and you don’t know what to feel about it. If you haven’t seen this movie, and you’re a fan of ambiguity, then give it a try. If you like your movies with a more concrete moral code, then I suggest you give this one a pass.

Stuff I’ve Been Watching

 

Midnight Texas (NBC)

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So, I’ve watched maybe two episodes of this show and I’m really liking it so far. I’m willing to date this show for a while, because it’s good fun and makes me laugh. Midnight Texas isn’t a deep show. It’s not a Bryan Fuller Joint, or Westworld, but it’s a fun little interlude before going to bed, since it airs at ten, Monday nights, and I gotta go to work in the morning.

The main character, Manfred Bernardo, can see ghosts. His Auntie comes from the town of Midnight, and after she dies suddenly, leaving him in debt to some type of criminal, her ghost tells him the town can be a safe place for him, where his skills will be appreciated.

Midnight Texas happens to be the home of various supernatural beings, and Manfred fits right in. Upon his  arrival, Manfred meets a local girl named Creek, and while her father is deeply suspicious of him, the young lady is intrigued, and the two of them develop a relationship very quickly. A lot of things happen quickly in the show, and many of the plot points happen in a kind of throwaway manner that takes some getting used to. I understand the idea is to keep it light, and not get too bogged down in philosophy, meta- physics, and whatnot. The show is supposed to just be fun, and I’ll watch it in that spirit.

I have a lot of favorite characters on the show, most of which are supers. There’s some good representation on the show, and I’m looking forward to learning more about the various characters. I missed the second episode, but managed to watch the third. The creators are trying to keep things light without being ha-ha funny, which is a fine line. It doesn’t look like they’re trying so much to reproduce True Blood, as reproduce the mood of True Blood. Some of these characters are mentioned in the True Blood books though.

Manfred, for example, is the psychic that Sookie met when she visited Dallas.  Midnight Texas is based on source material from the same writer, Charlaine Harris. I have not read the books. I opted not to, because I didn’t want my brain focusing on the side issues of the books, while watching the show. I may read them at some point in the future, because they seem like fun, but not right now.

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We have a full complement of creatures on the show, so you’d think my favorite would be the Reverend Emilio Sheehan, who happens to be a Were-Tiger, which is kinda awesome. He seems rather morose, which is appropriate as I consider actual tigers to be the “crabby old men” of the giant cat world. There are WoC in the cast. One of them owns the local bar/diner, and I don’t think she has any superpowers, but I could be wrong, and it’s something that could be revealed later. The other is the local witch. The town does have some mundane people inhabiting it, and some of them are aware of the supernatural qualities of the others.

You’d think my next favorite would be the Angel, Joe because he’s really, really hot. I’m not into blondes, as a rule, but I’m willing to acknowledge the occasional hotness of some of them. He happens to be living with a Hispanic man named Chuy, who also happens to be an Angel, and I wonder if the two of them being a couple is the reason they’ve been exiled to Earth.

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Lemuel

Well, you know who my favorite is. Lemuel, the rather unique vampire who feeds off human energy, and eats other vampires. We get to see his backstory in the third episode. He used to be a slave and there’s a scene of Lemuel being whipped for trying to escape, which I didn’t appreciate having to look at. That scene is pretty graphic and you may want to skip it if watching Black people being tortured is not your thing. The point of all that is to show how far Lemuel will go to be free, I guess.  After a couple of escape attempts, Lem encounters a Native American vampire, who transforms him. Lem’s immediate course of action is to avenge himself on the slave owner, who had him beaten, and that guy’s entire family. That’s pretty graphic too.

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Olivia

 

Later, Lem and the other vampires in his clan, have a falling out, because Lem thinks he’s become just another slave to his thirst. In the third episode, Len’s Maker returns looking to take over Midnight for himself. The townspeople rally together to kill the vampires.

This seems to be the main theme this season, as we’ve  had three/four episodes, in which the townspeople need to band together to defeat some outside force. In the middle of all this plot, we learn that Lem started off as an ordinary vampire, but after encountering Manfred’s aunt when she was a child, she transformed him into something else, a vampire that can feed on other vampires.

The characters often have some deep philosophical insights, but like I said, it’s in a blink and you’ll miss it manner. (Joe and the Reverend do this too.) Lem is played by Peter Mensah, who is extremely handsome, in his bold blue contacts. You may remember him as a gladiator from the show Spartacus.

I  like Lem’s girlfriend, Olivia, who is some type of international assassin. She’s a total badass, and she and Lem are the town’s heavy hitters, when it comes to defense. I don’t normally pay a whole lot of attention to White television actresses, unless they’ve firmly established themselves with a good track record, but I like this actress. She’s blunt spoken, clear-headed, and pragmatic, all qualities I admire, and I see why Lem likes her. She has some secrets from her past, that she’s trying to bury, while dealing with  anger issues.  I could do with a lot fewer scenes of Olivia and Lem gettin’ it on, though. It doesnt need to be shown in every episode.

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Fiji

Fiji is another one of my favorites, and I like her, not because she’s the town witch, although that’s kinda cool, but because she has a talking cat. I don’t know much about the cat’s backstory but he’s snarky, and dismissive, just the way you’d think a cat would be. How it happened that her cat talks, we don’t know yet. Fiji is very young, but she’s also extremely powerful, and well-respected in the town. Most of the mundanes know what she is, and rely on her to protect them.

Fiji is also really cute, and kind of adorkably nerdy. She has a mad crush on one of the townies, a guy with the unfortunate name of Bobo, and her feelings seems to be reciprocated. One of the more powerful images I have of her, is from the first episode, where she crushes a police vehicle, with little more than her bare hands, and a strong will. Fiji looks sweet and vulnerable, but she ain’t the one to mess with. She’s  refreshingly different, as Black women rarely get to be emotionally fragile, but powerful love interests, and/or witches either.

I’m going to try to enjoy this show while it lasts. It’s on network television, which has a nasty habit of cancelling the shows I like, so I don’t hold out much hope that Midnight Texas. will be around next year. This is the same station that just canceled Still Star Crossed. But then I was trying really hard not to get attached to that show. (That didn’t work). I’m not gonna try that with this show and it still might get canceled. I might as well get attached. There’s always the books, which I’m told, Charlaine intends to keep writing.

 

Mr. Mercedes (Audience Network)

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I liked this show, too. I was expecting it to be a deeply serious dramatic type  show, but it turned out to have a quirky sense of humor, not because the writing is funny, or people are telling jokes, but because certain characters and situations are just odd. It’s not like the show Psych, which was a deliberate comedy. This is not a comedy. It’s just some of the characters are weird.

The show is based on a trilogy of books by Stephen King, the first title of which is Mr. Mercedes, named after the killer in the book. Brendan Gleason plays Bill Hodges, a retired cop who is trying to figure out what to do with himself, now that he’s no longer working. until he is taunted out of retirement by Mr. Mercedes, so-named after he drove a Mercedes into a crowd of job seekers outside a job fair, killing several. I like Gleason’s character. One of the funniest recurring issues is when he can’t believe various women find him attractive. (It’s definitely the beard.)

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The show begins with  a very graphic scene, and I was heavily reminded of the events in Charlottesville Virginia. There’s no mystery about the killer for the audience, just as in the book. We’re introduced to Brady Hartsfield early in the story. The book remains very faithful to the books, except in tiny details like the wacky neighbor lady who lives next door, and Bill feeding a massive tortoise passing through his yard one morning. I’m not sure if this is a pet or what.

Bill is assisted in his sleuthing, by the kid he hired to mow his lawn, and who happens to be a computer wiz. Jerome is played by Jharrel Jerome, and I like him already. His character is a refreshing change from the Black Male Sportsplayer/Jock, we see so often on TV. Black men are rarely cast as hardware nerds. Brady is also a tech-nerd, and works at one of those big box technical stores, which is something like Best Buy, and I like that Jerome seems to be every bit his equal when it comes to the esoteric workings of computers.

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I think Bill’s quirky neighbor is meant to represent a woman with which Bill has a brief, but satisfying relationship, in the books. Or at least I hope so. I don’t know if this will happen on the show, but in the book, Janey is murdered by Brady. This is not a catalyst to make Bill chase after him, because Bill was already unofficially working the Mr. Mercedes case. This is Brady’s attmept to make Bill commit suicide. The neighbor, Ida Silver, is played by Holland Taylor, and if she looks familiar, that you may have seen her in every funny show of the 90s.

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The villain is played by one of the alumni of the cable show, Penny Dreadful . Harry Treadaway, who played Victor Frankenstein, is as disgusting character here, as he was on the other show. Apparently, this is how he’s going to make his career, playing unlikable people in perfectly good shows. The show remains very faithful to the books with him too. He has an incestuous relationship with his mother, whom he later poisons, and it looks like the writers are sticking to this plot, although in the book, the mother  initiates sexual activity. In the show, it appears she doesn’t know that her son regularly masturbates with her as his subject. (I know! Ewww!)

Their relationship does have a very Bates Motel feel. Brady works at a Big Box store, with other quirky characters, and a deeply stupid boss, who is constantly shit-talking Brady’s dreams of life beyond the store. This goes a long way towards humanizing this incredibly shitty character, who mowed down dozens of people with his car, just for shits and giggles. This is not something that happens  in the books, so I wasn’t expecting that.

I’m going to keep watching this because the pilot certainly captured me. The show airs on the Audience Network which may be difficult for some of you to access. I have access to it through DirectTV, and its possible you may need that, to watch this show.

 

 

The Void (Netflix)

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I love a good creature feature, and I was attracted to this movie because of its use of tentacles in its promotional material. I wasn’t expecting a whole lot when I sat down to watch it. I was sort of expecting a little Cthulhu type stuff, and there’s certainly a little of that in it, but there was also a lot of it I couldn’t make hide, nor hair, of.

It seems to be about a group of cultists attempting to call some dark being to Earth, to inhabit the bodies of humans, and the cultists are partially successful. They’re doing this in collusion with a doctor at the local hospital, where they’ve trapped several people.  Daniel Carter, Maggie, James, and inexplicably, an Asian woman, named Kim, who I lost track of by the end of the movie.

These people have to fight off monsters inhabiting the bodies of their friends, and a couple of trigger happy locals, while working their way through the maze of the hospital, to find and stop the doctor from unleashing Hell on Earth, through the body of his pregnant daughter.

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I have to give fair warning. The movie is very gory, with lots of blood and other fluids gushing all over the place. People get skewered with knives and/or shot, and sometimes they get torn apart by creatures. The cult members wear white hooded cloaks and look a little like KKK members, but there is no equivocating in this case. They are definitely villains ,whose job it is to keep the hapless victims trapped in the hospital to be fodder for the monsters. There’s also an element of the movie The Thing, as the monster is a conglomeration of various body parts and live people.

The movie doesn’t have the happiest ending either. At the end Daniel, and I guess her name is Maggie, get trapped in an alternate universe featuring a giant black pyramid. It’s not a bad movie, but it’s not an A+ movie either. A lot of the plot seems to have been borrowed from  other Lovecraftian pastiche movies, like Hellraiser, and Re-animator ,and the acting is sometimes a bit dodgy. But I think the key words here are “not bad”. It’s a good workmanlike plot where bad things happen to bad, and sometimes not so bad,people, who sometimes act like cowards, and occasionally act like heroes.

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Daniel isn’t the most charismatic guy in the film, although he is set up as our hero, who has the most sense,  and who  is gonna save the world. None of the other characters stand out as especially interesting either, really. Basically, if you’re watching this movie, it’s just  for the monsters, and gore.

Aaaah!!! New Movie Trailers (2017)

San Diego Comic-Con has just begun, which means that  every day will bring new trailer releases to the internet. So, all week long, I’m going to try to collect the ones I’m most interested in and post them here. Not only does the SDCC release new trailers every day, for TV shows and movies, but other avenues often release trailers for their movies in a  competition for Nerd attention spans. I will try to capture a few of those too. (Some of these trailers have been seen before, but sometimes extended trailers, or extra trailers get released, as well.)

Here’s a list of movies I’m very excited about, mildly excited about, and some I don’t care that much about. We’ll start with the ones I’m most enthusiastic about, and descend in order of importance. But only to me though. There are plenty of movies I’m not interested in, but you might find them very intriguing. 

*We will start with my personal favorite, The Dark Tower. I am total trash for these books, and I’m so excited that Idris Elba is playing Roland Deschain, that I can hardly contain myself. I hope I don’t pop before Aug. 4th. It turns out that Mum is also a fan of Idris, and is interested in going to the theater with me to see this. All I had to do was mention Idris, monsters, guns, and Stephen King, in the same sentence, and she was onboard. Now let’s see if I can make it a date with my niece, The Potato!

 

*I think this movie stars some guy named Ryan Gosling. You may have heard of him. Or not. I don’t object to the man but I don’t actually see why everyone’s so gaga over him. Maybe I’ll see it during this movie. He looks really cool in this trailer though, (in my head, everyone in this movie is a Replicant.) Jared Leto is also being weird and creepy in this movie. I’m one of the few people who  still likes Jared, (probably because I don’t personally know him.) But I’m here for Harrison Ford. I’ve been gaga over Harrison since his bit part in Apocalypse Now. I just want to see him reprise his role as Deckard, since I loved the first Bladerunner movie.

 

 

Black women finally get our own version of John Wick/Wonder Woman. I know I can talk my Mum into seeing this because she loves Foxy Brown type movies. I’m a big John Wick fan, and I’d love to see how Taraji handles this role. I feel confident she can pull it off because of her work in Person of Interest. Next year is gonna be the shit as far as diversity in movies. At least for Black people. Now can we get some Latinx, and Indigenous Supers, up in here? I just like seeing different ways of handling the same stories, and a Native American Superhero movie would be awesome! (Yep! I know about Cleverman.)

 

 

I have one word for this trailer: Aaaaaaaahhhhhh!!!!!! Let me reiterate that the single word I’m using here is A-a-a-a, followed by h-h-h-h, and then some exclamation points. I think that says it all!

 

I love when Guillermo Del Toro puts his hand to something. I will see anything he comes up with, even if the idea is ultimately unsuccessful, like Crimson Peak, it’s still a movie worth looking at. This really does look like Abe Sapien gets a girlfriend in 1950s America, though. I am here for this.

 

 

I had a really hard time choosing my favorite movie for the year The Incredibles was released. It’s just one of my all-time favorites. I just know the sight of a grown woman, bouncing around the house in her bunny (actually cow) slippers, over the release of a sequel to The Incredibles, is sure to bring a smile to y’all’s faces, too. The actual family isn’t even in this trailer. This is a tribute to the real star of the movie, Edna Mode, someone I aspire to be when I grow up one day.

 

Okay, I like this trailer a lot more than the first one. This one actually makes me want to see the movie, which is great considering my theories about trailers being designed to make a person hate a movie before it opens. It looks funny, and action packed, the Incredible Hulk is talking, and Cate Blanchett looks awesome as Hel, just like in the comic books. Tessa Thompson looks like she’s having waaaay too much fun. Oh, did you catch Mark Ruffalo’s Commemorative Duran Duran Rio Album T-shirt? Everything about this trailer screams 1980s aesthetic, right down to the music and the Heavy Metal logo, and I am here for it, because that shit is hilarious to me, having actually lived through that era.

 

*Now this is how a trailer is supposed to be. Exciting! Fun! Great lines! Lots of action scenes! Good music! This is the trailer that makes me enthusiastic to see this movie, because that other trailer was kinda, meh!

I like the modern day WW more than I like WW2 version, for some reason.  I read most of the comic book versions of The Justice League, but I was mostly indifferent to The Flash, Cyborg, and Aquaman as individual books. I like the actors they chose, though, especially Ezra Miller, and Jason Momoa. They look they’re having fun, which means I’ll have fun, too. I don’t actually object to Ben Affleck as Batman, except when I do, apparently. (Maybe it has something to do with my mood. Who the heck knows?) I hope Cyborg changes expression at some point.

 

 

 

*Okay, this movie looked creepy enough, even though I don’t normally watch serial killer films. I come from America’s Northeast, (Ohio), so movies  with lots of snow are always attractive to me. I can’t imagine why! Also, movies with snow, and Michael Fassbender, are always going to be intriguing. Did I tell you I was a fan of Michael Fassbender, who in real life is probably a complete asshole, but I don’t want y’all spoiling my daydreams of marriage (and eventual divorce,) in some alternate world’s future? Oh, I haven’t told y’all that!

Never mind.

 

 

I’m feeling just meh! about these:

*I  was not a huge fan of the original movie becasue I hated all the characters,  including Eggsy (or whatever) and there’s one scene, in particular, that was extremely violent, and  sort of harrowing to sit through, and I didn’t like it, even if it was very well choreographed. On the other hand, this one has cowboys and Channing Tatum, which might be a win for me.

 

 

*I think this might have been released already. I’m not sure, but it looks suitably weird and frightening, so I’m not sure I want to sit in a movie theater, and see something like this, although I would definitely watch it on Cable or Netflix. I always have a odd mix of yes/no feelings regarding alien invasion movies, (although I loved last year’s Arrival.)

 

 

*I have no intention of seeing this in a theater, but I love the idea. It looks scary and funny which is exactly my style. Some of you might really like this one. I would definitely watch it on TV.

 

 

 

*I like Noomi Rapace, and this movie sounds intriguing, but I would never watch this in a theater, because it looks deeply depressing, and kind of horrifying. I think I’ll wait for the DVD, on this. But I know some of you will like this, especially if you liked Children of Men.

 

*I love Dwayne Johnson but I’m not going to see this. I even like Kevin Hart’s brand of comedy, and the two of them have such great chemistry together. I won’t go see this unless my sister pays for it, though. I liked the book, and the original movie, too. The idea of upgrading to make it a cliched videogame is also pretty cute, but I won’t be seeing this one until it, inevitably, shows up on cable.

 

 

Okay, these movies are a straight up Nope!, for me, but might be intriguing to some of you guys:

*Why does there even need to be a live-action version of a nearly perfect animated movie? Who did this, and can we find them, and waterdrop them, until they stop doing whatever they think they’re doing?

 

*Nope. I already saw this movie. It was called Wanted, or American Ultra, or something, and I don’t want to pay money to see it again. I’ll wait for it on Amazon.

 

 

 

*Nope. Already saw this movie, too. It was called 10,000 BC, I think. I was disappointed then, and I’m sure I’ll be disappointed here.

 

Next up: New TV show trailers!

Into the Badlands Season Two: Series Review

Plot:


The plot this season was much more intricate, with multiple characters, arcs, intentions, and designs. There was a lot to fit into eight episodes, and that the show managed to keep so many plot lines coherent, while tying up several from last season, is a testament to the skills of the writers. As outlined in the character reviews, everyone got to have a plot. The overriding theme seemed to be everyone seeking power, in the vacuum left behind by Baron Quinn’s rumored death.

The overriding character arcs were the Widow’s corrupt rise to power, Sunny’s search for his wife, MK’s escape, and Baron Quinn’s last hurrah. The writers juggled these four plots with a number of subs, managing to keep most of them untangled, and comprehensible, while still throwing  in a number of unpredictable twists and turns, which I enjoyed. The betrayals were flying fast and furious at one point, and if you blinked you’d miss who was aligning with who.

My biggest complaint is the treatment of the black characters, Edgar, Silver Moon, Veil, an unnamed black teenager at the monastery, and an unnamed butterfly, who were all brutally killed. Of them, only Silver, and Veil, had backstories. The show can do better than that.  I don’t think the show wants to get embroiled in a discussion of anti-blackness, but it will, if it keeps killing off  all its black characters like that.

Plus, it gives us one of the worst types of  character trope, in the show’s finale, with the fridging of Sunny’s love interest, a black woman who sacrifices herself, to save her man. It seems no matter how progressive white male writers believe themselves to be, they simply cannot seem to avoid the trope of the Sacrificial Negro.

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That said, my favorite character this season was Silver Moon. I loved this character but I don’t know why. Probably because he reminds me of the character from the RZA’s Martial Arts movie, The Man with the Iron Fists. I also think it’s very interesting that Sunny, even after he had his own sword returned to him, kept using the one he took from Silver, giving his old sword to Lydia. This character had lines and a backstory. They tried really hard to flesh him out, and that’s to be applauded.

Complaints aside, I am glad that the show remembers there are Black people in the future, and in a fantasy setting, just walking around in the background scenes. The show does need to add more Asian characters though, and Baron Chau is a good start. I loved watching her kick some ass, and liked that she lives to see the next season. She’s played by actress Eleanor Matsuuras, who is from Hertfordshire by way of Tokyo, and has mostly starred in British productions.

 

Worldbuilding:



We didn’t get to see much architecture and landscapes in the last season, and what there was, seemed more of an afterthought, but with the show’s bigger budget this season, we got some very ambitious, sometimes epic, background scenery. From the shot of the huge walls that cut off the badlands from the rest of the world, to the  intricate and lush gardens surrounding the Widow’s home, we got treated to some tremendous worldbuilding. And the details of this world are simply incredible, as seen in the Widow’s study, and the map of the Badlands above, that’s only glimpsed in a brief moment in a single episode, which outlines where this takes place in the US, and marks the different baronies.

I remember that first season, I had some major questions about food and textile production, and we get a partial answer, in learning that not everyone grows poppies. There are oil fields, and if that is the case, then there are also textile mills somewhere as well. These things aren’t knowledge that would be lost, since creating fabrics is one of the most basic human skills. Certainly the working and tooling of leather hasn’t been lost, or car repair either, it seems. We got such a small glimpse of the world in the first season, that we were left with a ton of questions, but the show has really built on that in a way that makes sense for the Badlands. This world is set to become even bigger in the third season after Bajie’s Morse code message is received.

We’re also given some startling glimpses into what type of world we’ve joined. Apparently this world is set about a hundred or so years from now, (how far into the future is unclear, so I could be wrong), but it’s long after some sort of soft apocalypse, that left lots of infrastructure, and fewer people. In one of the episodes, MK and Ava visit a long abandoned mall/dept store, that still has Christmas lights and decorations. It can’t be too far into the future because the lights still work. There’s electricity in some places. There’s little literacy, but some knowledge of medicines and machines ( like X-rays) is still available in the Badlands. And then there’s this unseen city (Astra) that everyone keeps talking about.

And it’s not just the landscapes, but all the tiny details inside the homes of various characters, like Baron Chau’s all white interiors, and grand wall paintings, the dark, old-world, furnishings of the Widows home, the dark majesty of Quinn’s home in exile, in an abandoned metro station. We may have started the show traveling through the classic Mad Max dystopia of the mines, but not all of the Badlands looks that way, and it was very exciting to get these glimpses into a broken past.

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Costumes:

The series had some stunning costume work this season, with rich colors, and beautiful, very sexy, outlines. This is very probably one of the sexiest martial arts shows I’ve ever watched, as usually the costumes for this type of genre can be somewhat pragmatic.You can see there’s real intent  to create a feeling of lost majesty/ bygone luster.

And every  character (even the most minor of them) gets the luxury treatment. From Silver Moon’s  old and tattered Clipper outfit, to Tilda’s pragmatic, newly minted Regent uniform,  from Baron Chau’s sumptuous furs and glittery dresses, to Quinn’s scuffed and grubby finery. These details really bring home the kind of lifestyles of the Baron’s, as the Cogs are dressed in the simplest colors and practical, easily cared for, fabrics.

Everything, and everyone, is given gorgeous detail, from hair, to  shoes, to makeup, furniture, and housing. From Baron Chau’s pearl jewelry and on-point makeup, to the Widow’s more action oriented look, with everyone receiving more elaborate hairstyles, including MK. Even Waldo gets some scrumptious blue velvet to wear.

Each Barony has its own color scheme. Quinn’s was dried blood red, but now that it’s been taken over by Jade and Ryder, it’s a fresher, magenta red color. Baron Chau’s color scheme is white. Another Baron’s color is green. The Widow’s colors are a deep royal blue. The monks and MK are wearing various shades of purples, and oranges. After he escapes the monastery, MK is seeing wearing a gorgeous green surplus, that I wanted for myself, along with some more gentle earthtones.

 

Even the lowest, most minor characters, got the full costume treatment. Look at the detail on this Junkyard King, in his darkened purple, and mother of pearl buttons. Contrast that with the  fresher and more vibrant purple of MKs monk’s robes. I love the matching color schemes in these two photos.

The duplicitous and conniving Jade. Her hair and makeup also reflect her character. Contrast that with her more innocent look in the first season.

Veil is often associated with soft natural colors, and earth tones, in keeping with her honest, down to earth, nature.

The details this season are incredible. Check out Waldo’s pince nez glasses, the little crossed cufflinks, and the chair handle ornaments! I also liked MK’s more elaborate hairstyle, with its tiny twists. Most of these things you’re never going to notice during the series, except for a quick second, but the set designers and prop masters went the full one hundred, anyway. This is the first time I really noticed Waldo’s knuckle tattoos, from his time as a Clipper.


I have since learned that the painting in Baron Chau’s home is called “Leonidas at Thermopylae”, and is a reference to Sunny making a commitment to a fight he knows he won’t survive. It’s by a Neo-Classical French painter of the 19th century, named Jacques Louis-David. Sunny’s and Chau’s postures imitate the formal poses in the painting. This was a hallmark of the Classical style in which grand Mythological and Historical themes were painted in a clean, formal manner.

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Contrast Chau’s white minimalist environment, and  the marble columns, with Minerva’s home which is  very Old- World traditional, with lots of greenery, velvet, and hard-wood.  Chau’s home, and costumes are also a reflection of her character, which is just as cool and calculating, as Minerva’s is cool,yet determined.
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I love the details here as one of the girls wears a matching blue ballerina skirt under her coat.Just a touch of whimsy for a little girl Clipper. I also like the natural hairstyles on the black girls. I’m glad this show remembered black women exist, even if they’re not treated especially well.
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Baron Quinn is like the Badlands version of Darth Vader. Everyone is afraid of this grim creature, come back from the dead, to destroy all their lives. Check out the tiny details like the little glimpses of red in his new outfit, a callback to when he used to be a Baron, and the tiny rivets on his  belts. The rough, nubby, texture of his coat is in keeping with his new rugged lifestyle, and gives the viewer some idea of his rough character, and disturbed mindset. Except for his voice, he’s just rough all over.

Contrast Quinn’s look with Jade’s smoothly streamlined look,  since moving into a more comfortable position of power with Ryder, below. There’s more than a touch of the Antebellum South in Ryder’s suit coat, which is a deliberate choice on the part of the costume dept.
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Ryder Welcomes His Guests - Into the Badlands Season 2 Episode 3

 

Cinematography: 

Everything this season was given an upgrade, including the lighting and  cinematography. No detail has been spared. There’s a rich three dimensional feel to the environment, which allows the viewer to see every detail of a character, or event, and totally immerse themselves in the show. It’s equal parts dream and nightmare.

There’s some gorgeous lighting happening here, in the final scene of the series, as Sunny walks off into this frosty looking sunset with Baby Henry.

The monastery is full of candle light, giving its inhabitants a deceptively soft appearance. The irony is that these are some of the most lethal beings in the Badlands.



Sunny is fighting the monks in an old, worn, Nativity scene, at an abandoned dept. store. No one knows the meaning of any of the decorations, but check out the penguin with the Christmas wreath around his neck! The old religion has been supplanted by an even older one, that involves dark Chi, and superpowers.

 

I think it’s  really cute that they chose a baby that looks Black and Asian.

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Whenever possible, the creators tried to use natural lighting on all the sets, so we get some wonderfully lit scenes, like Veil with Henry, above, and Sunny’s fight with Silver Moon, below. Veil is often given the Madonna treatment with her  lighting.


Action:

The show has also upped the ante on the fight choreography this season, with much more elaborate stuntwork, and ambitious fight scenes involving multiple highly trained characters. The show also added some explosives work, which is something most shows don’t have a good sized budget for, but the larger budget shows how much confidence the network has in the success of this series. Whereas last season I struggled to get the word out about this show, its popularity has really soared this season because of its move to Netflix, and basic word of mouth. There are also more than a few websites dedicated to the show, on Tumblr.



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Bottom line: 

All of this adds up to one of the most visually stunning action series on television, and I’m so happy to be alive during its airing. I cannot wait for whatever new visual treats we’ll get next season.

 

 

 

Why I’m Watching Still Star Crossed

I’ve always loved period films. From Downton Abbey, to The Remains of the Day, to The Three Musketeers, I love the costumes, and dialogue, and plots. I try to make some effort to seek out those films with prominent characters of color, like anything set in pre-reformation  Japan, or the movie Belle. So I’m cautiously excited by the airing of Shonda’s new Joint, Still Star Crossed. I’m cautious because I know there are forces working really hard to discredit this show, so I don’t know how long it will last.

This is the new show on ABC by Shonda Rimes based on the Shakespearean play, Romeo and Juliet, and the book by Melinda Taub. The show picks up right at the end of Romeo and Juliet, after the two teens are dead, after their forbidden affair, and to keep the peace, so that a feud doesn’t break out between the Montagues and the Capulets, Rosaline and Benvolio are forced to marry each other by their families. Neither of them wants to be married and they don’t even like each other.

Just in case some viewers are confused, because they’re not fans or readers of Shakespearean history, this is what completely colorblind casting looks like, and this is often traditional with Shakespearean plays. Both families are made up of different races of people, and so are most of the officials and citizens of Verona. So it’s perfectly normal for people to have white and black children, or parents, or East Asian cousins. As is the case nowadays, anytime women, or PoC, wander into the orbit of a genre show, you’re going to get some white people expressing dismay at the idea that the narrative isn’t centered around them, or cries about historical accuracy,  by people who don’t know a damn thing about actual history, except what they’ve seen on whitewashed television shows.

This show has nothing to do with historical accuracy. Its set in an Italian city, written by an Englishman,who never visited Italy. It’s a fictional story, there were never any Montagues and Capulets. Verona is an actual city, but it’s a port city where people from many different cultures would have mingled, and the history of Moorish colonization would have been know there. I’ve seen some people very upset that there were black people in this show, citing Historical accuracy while not complaining about any of the white English speaking, and Australian, members of the cast. Hell one member of the cast is East Asian and no one complained about her. Make of this information what thou wilt!

This is particularly galling coming from white women in fandom. Apparently, the princess narrative is meant to be the sole province of white women, and WoC who get to wear beautiful period costumes, go to the ball, fall in love with the prince, and live happily ever after, do not belong in it. There are several shows on TV with this particular type of fairy tale historical setting: Reign on the CW; Outlander on Starz; and The White Princess on, again, Starz. Whenever WoC have been prominently featured on these types of shows like Merlin for example, even though these shows are not realistic, and bear only the most shallow resemblance to actual lived historic events (and in some cases no relation to actual historic events because they’re fairy tales)  they receive pushback in the form white people arguing for historical accuracy.

The professional  critics (who are just as draped in unexamined racism as any casual viewer), are panning the series based on this one episode, criticizing it for following various fictional tropes,  tropes  that are also on prominent display in the above named shows. I personally didn’t see anything particularly wrong except for the show being rather busy, as there was a lot to digest in the pilot. Hopefully the show will slow its pace just a bit the rest of the season.

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So once again, just like with Luke Cage, and Get Out,  I’m going to ignore any reviews from white reviewers because there’s little they have to say that would be relevant to me, a Black woman. I recognize how groundbreaking this particular show is, and they can only be uncomfortable with it. It is exceptionally rare that a dark-skinned black woman gets to be featured in such a story, without being little more than an accessory to the white characters. Black women rarely get to be Shakespearean damsels, who get to fall in love with,  and  be loved by, the hero. The idea of the strong black woman who “don’t need no man” is a  black female stereotype that has made its way into countless films and TV shows. It’s a stereotype that masculinizes and de-sexualizes, black women, and is often used as a excuse to deny black female characters fragility, vulnerability, and love, which in American culture is also coded as the definition of White  womanhood. The irony is that White women have  been fighting against that particular stereotype of themselves, for over two decades now, but some of them are willing to embrace it, if it means keeping black women away from it.

White American reviewers are just as unused to seeing prominent black characters in such narratives as I am, and most of their reviews will only reflect their discomfort with it. But for WoC, its empowering to see PoC in these beautiful period costumes, speaking in such lofty language, who are more than  servants and maids. They are princesses, and rulers, and statesmen. It’s as empowering for us as it might seem to be disempowering for white women. This is the very nature of intersectional feminism, recognizing that different kinds of women are treated differently, in the narratives we’ve watched over the years.

During the show, race is not mentioned, and is largely unimportant to the narrative. Certainly we are going to view the show through the lens of race, but the actual characters do not, and race is not the motivation behind much of the character’s behavior. For example there’s the temptation to view Lady Capulet as a racist because she is mean to her nieces, but it’s not because they are black. It’s because she was jealous of their mother, who managed to marry the man she wanted for herself. She seeks to punish these very young and beautiful women, with their entire futures ahead of them, who should never, in her mind, have been born.

There are shades of Cinderella in the narrative with Rosaline, and her sister. But the most prominent reference is the singer, Brandy’s, 90s version of the fairytale Cinderella, with its color blind casting, where Whoopie Goldberg has a white husband, and an Asian American son, and Cinderella’s stepsisters are white.

Still Star Crossed is mostly based on the book of the same name by Melinda Taub. While it is a sequel to the original play, the show is  not going to strictly adhere to the events of the play, and the plot, I’m told, will be very wide ranging and include events from other Shakespearean plays. I’m not going to talk about the plot so much as I will my impression of the actors and characters.

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Rosaline Capulet is the lead female character. She is the niece of Lord and Lady Capulet, which is why they took her and her sister in after their parents died. She is interesting because she at first fits all the stereotypes of the strong black woman who doesn’t need a man, which is later turned on its head. She claims to not need a man, but this is merely a cover for her true love, Prince Escalus, with whom she is having a  forbidden affair. Their affair is forbidden, not because of race, or because he is married,  but because he is the prince of the realm, she is below his social station and he has just married her to Benvolio.

Rosaline and her sister are in a precarious situation because their evil stepmother has them working in  her house as servants, since their parents died. They have no set status, and are at the mercy of others who will decide their future.

Livia Capulet is one of my favorite characters. She’s a delightful mix of optimism and genuine bright eyed happiness, and reminds me of one of my little sisters.  She seems the opposite of her older sister, who is more likely to challenge the status quo. Rosaline wants to escape their predicament, but Livia loves Verona, and her dreams are more traditional. She wants to stay in Verona, get married to a handsome husband, live in a palace, and be a mother.

Livia later falls in love with Count Paris, who is injured in the city-wide fighting between the Montagues and the Capulets.

Benvolio Montague, along with Rosaline, were the only two witnesses to the forbidden marriage between Romeo and Juliet, aided by Friar Lawrence. The two of them have some obvious chemistry, and I’m kind of rooting for Rosaline to like him, although she has made it clear she has no use for him. Benvolio, on the other hand, seems intrigued by her, and seems to want to be friends.

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Prince Escalus inherited the role of leadership over Verona even though its his sister, Princess Isabella, who is more suited to governing the city. The city of Verona is beset  by other city-states that seek to conquer it, but if he doesn’t stop the near constant fighting between the Montagues and Capulets, Verona will be destroyed from within. To that end, he decides the best way to end the fighting, is to bring the two families together by marrying Benvolio, and Rosaline.

Lord Capulet is played by Buffy alum, Anthony Stewart Head. He is possibly the only Englishman in the  cast, although there might be more. Lord Capulet, and his wife Lady Giuliana, decided to take in their nieces Rosaline and Livia after their parents death. But Lady Capulet hates the two girls, referring to their mother as a Jade, and she treats the girls like house servants. When Rosaline confronts her about her attitude, she adds physical abuse to her repertoire of shitty behavior.

Incidentally, after this fight, and the Lady’s threats to make her life even more miserable, this is the only time we ever see Rosaline cry, and although I didn’t take pleasure in seeing it, its still remarkable because, up to that point, we’ve only ever seen Rosaline as the strong and invincible stereotype.

So yeah,  I’m going to keep watching the show as long as it remains on the air, although I might not always review it.  I liked the action, and the characters, although the plot, as I said is a bit much, and I hope it slows down a little. I have no confidence in the ABC network, though, and there are forces working really hard to kill it and/or make ABC believe that no one cares about the show or supports it. Of course, ABC might decide to cancel the show just on a whim and I’m ready for it to get yanked off the air,  or just not return for a second season.

Why Historical Accuracy Is A Shitty Cover For Your Racism

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This just in.  We have now taken a break from posturing over “racist Americans” to complain about black people being portrayed as fictional Italians. Not the other non-white members of the cast who aren’t black, no just the black people.   You know, we never actually fight to represent black Italians and have a terrible reputation on how we treat black people in general, but this backlash is totally in good faith.  It is totally racebending, which only works in America because there’s such a booming black population that’s respected and represented and…oh wait, there isn’t any of that.

We could go back to watching the majority of all media (in Italy OR America, even though the show isn’t filmed in Italy and wasn’t formed for an Italian audience) where white people are the majority and all Italian representation has pretty much been white (no matter what the ethnicity of the actor actually is)  We won’t complain about white Italians taking roles from PoC but we take issue with colorblind casting for a Shakespeare play because the very implication that we have *black people* in our culture would be culturally insensitive.  .

Black people weren’t invented till the 1960s.  You can’t adapt Shakespearean works with black people in the main cast unless they’re servants or something because black people didn’t exist in fictionalized Verona.  Clearly adapting it with white people is fine though, no matter where they come from.  Black Italians don’t exist and have never existed, we’re all light skinned until its time to justify whitewashing.  And even though this is a fictionalized story written by someone who has never lived in Italy and was never meant to be historically accurate, we now must all be armchair historians because black people are on screen.

Oh, apparently Othello was a white man all along. And don’t bring up those prominent black and mixed race Italians (because accuracy is only accurate if its supporting racism), because they don’t count anyways and just because we had black Italians doesn’t mean we had black Italians (logic!).   Please don’t steal this *valuable* representation from people who never once cared about Shakespeare as representation of any ethnic group *any* other time.

Oh this isn’t backlash against a show showing black people in prominent positions in a European fantasy, no its totally about historical accuracy (where we erase most of actual history because that’s the only way we can pretend there were were no black people where black people were…)

Its just culturally insensitive to cast black people in Still Star-Crossed.

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The Stars of Shonda Rhimes’ ‘Still Star-Crossed’ Know They’re on TV’s Most Diverse Show—But It’s Complicated

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*Speaking of fact, here’s the truth about historical accuracy: Mainstream history, for the most part, was written by old white men who only chronicled their points of view. So while conservative viewers (read: racists) might balk at a Persian princess and a black prince, guess what? Verona was a port town with plenty of diversity. Portraying everyone as white is inaccurate, not to mention irresponsible. Continue reading “Why I’m Watching Still Star Crossed”

Coming Soon!

Cloak and Dagger

I have been a long time Cloak and Dagger fan, from the comic books, and I have to admit I was more than a little dubious about them making a show about this. Cloak and Dagger is a comic book, that came out in the eighties, about a pair of teenagers who, through some drug experimentation by criminals, developed superpowers.

In the comic books, Cloak had the ability to eat people’s life energy by enveloping them in a semi-sentient cloak, and Dagger had the ability to produce light from her hands and throw it like knives. There were more than a few stereotypes involving the light and purity of Dagger, with various people coveting her, and wanting to save her from that evil and frightening black  guy she hung around with.

I’m still side-eyeing this show a little bit, because there’s so much potential to fuck it up, and the Freeform channel doesn’t really have a track record on racial issues. But I’m happy to see the trailer anyway, and I’m glad they’ve decided to go for a more wholesome looking approach to the characters, and their relationship looks really sweet, because I always felt the two characters were  too heavily sexualized.

Well, they seem to be handling the backstory a bit differently than in the comic books, updating it to the current age, and its social issues. At the time it was released, the crack epistemic was tearing through black neighborhoods, and everyone was really up in arms about that particular issue. When Cloak and Dagger got their powers, their first priority was saving kids from drug culture.

This show won’t air until 2018 on the Freeform Network.

 

 

American Gods

I am almost finished with reading the book, just in time to catch the premiere, airing this weekend. Yes, I plan to review it because I want to compare the book to the show, although the adaption looks pretty faithful to the source, as far as the various characters. This was created for TV by Bryan Fuller, the creator of the Hannibal series, and I loved what he did on that show, so much, that I’ll follow him anywhere. American Gods airs on the Starz Network, so if you don’t have cable, I think they have some kind of app.

 

Preacher

This show has been renewed for a second season on AMC. If you haven’t seen the first season,  it might help a bit to watch that, so you can have some background as to why a preacher, a black woman, and a vampire, are on a road trip. Jessie, Tulip, and Cassidy, are looking for God because they have some pressing questions for him, after Jessie received  superpowers from possession by a celestial being.

I only got a chance to review the first episode of the show, but I did watch and love the entire season. It was pretty wild. I have a hard time choosing a favorite character, but I’m leaning towards Tulip, and not just because its Ruth Negga. I would’ve probably liked Tulip no matter who the actress was because she’s like a female version of Coyote.

Anyway the second season is airing on June 19th. So, I have something good to watch in midsummer, besides re-runs.

 

Gotham

Tonight is the mid-season premiere of, of all things, Gotham, a show I stopped watching some time ago, despite the presence of Jada Pinkett-Smith. I thought the acting was just too uneven, and had a hard time getting into the characters.

Well its back!

 

Genius

I am a  science stan, so I will be watching Genius ,which is a bio of Albert Einstein, who is one of my favorite scientists. Genius airs this Tuesday, on  the National Geographic Network.

 

The Handmaids Tale

This show airs on Hulu. I remember trying to read the book when I was a teenage but was so disgusted with the worldbuilding that I had to put the book down. Its not a bad book, but I’m never going to be in the frame of mind to read it. It also has some deeply disturbing racial implications that, because some people don’t realize intersectionality is a thing, aren’t going to be writing about in all their little thinkpieces on the subject:

 

Still Star Crossed 

This show finally gets a release date of May 29th. I love Hsakespeare, and this looks like an entirely appropriate, racebent, version of Romeo and Juliet, which I’m really looking forward to. It appears to be set after theevents of the original story, so the characters are not actually Romeo and Juliet, though.

 

 

Sense8 Season Two

I watched the first season of this and rather enjoyed it. I’m not sure if I reviewed it, but I definitely liked the diversity and representation. The first season ended with the group having to save one of its members for government experimentation, and this season looks like a typical “chased by the government” type of plot, but the show is so gorgeous, and I like the premise and ideas of the show, and I liked the characters, so I’ll binge this one, when I get the chance.  This airs on Netflix May 5th.

 

 

Dear White People

Dear White People will be airing on Netflix this Weekend. I didn’t watch the movie but then I often avoid movies dealing with racial issues. Get Out is the first movie I’ve seen, in a long time, that had anything to do with race in the plot. I feel some kind of way about that, but really, its just not my go to subject matter. As a Black woman I deal enough with issues of media and race, I’m not going to watch movies about it too, that’s just too much for me. I’ll be skipping this one, but you guys might want to check it ou,t if you really liked the movie.

 

Also coming this Summer:

The midseason return of Lucifer. I dont watch this because I find hte lead actor deeply annoying, but I have it on good authority that some interesting new characters have been introduced.

The Victorian Slum airs on PBS next week, combining my favorite topics , Victorianism, and documentaries.

In June there’s Shadowhunters Season Two, Dark Matter, Wynonna EarpFear the Walking Dead, and Orphan Black.

The bottom line is, there will plenty for everyone to watch this summer, instead of re-runs of shows that are on hiatus.

Midnight Texas

Based on Charlaine Harris series called conveniently Midnight Texas, this new show will be airing this Summer (July 25th) on NBC.

I have a distrust of network TV  as they seem to want the audience that goes along with SFF shows, (they want that geek cred), but are unwilling to stick with the shows long enough for fans to get a foothold, or they simply don’t invest in the shows and don’t care about them. (We’re looking at you Sleepy Hollow.)

Anyway this show looks pretty good, for what that’s worth. I’m reluctant to get attached to it because, like I said, network TV has a talent for fucking over fans of these types of shows. I love the diversity in the show, the black vampire, the angel, and also a witch. Some of these characters are holdovers from True Blood, a show I liked. I don’t expect this show to be like True Blood, though I respect the showrunner for Mr. Robot. I haven’t yet read the books but I plan to get to those before the show airs.

ABOUT THE SHOW

Welcome to a place where being normal is really quite strange. From the visionary director of “Mr. Robot” and based on the hit book series from the author behind HBO’s “True Blood” comes a journey into a remote Texas town where no one is who they seem. From vampires and witches to psychics and hit men, Midnight is a mysterious safe haven for those who are different. As the town members fight off outside pressures from rowdy biker gangs, ever-suspicious cops and their own dangerous pasts, they band together and form a strong and unlikely family.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Westworld Season One Finale:The Bicameral Mind

Wow! I had to think about this episode for a while before reviewing it.There was a lot to digest and this is going to be a long one because the episode was 90 minutes.

Its a great show, although it does start a bit slow. Nevertheless, the show’s creators keep the answers coming steadily, the show itself is gorgeous,  the characters are real purty, and there’s some deep philosophical issues to unpack.

One of tonight’s big  revelations is that other robots have also awakened over the years, and Ford has them wiped, and put back into their rotation, because he determined that it was too soon for them to be awake. We find out that one of the consequences of being in the park (of being in one’s loop) is the awakening of the Host’s consciousness, through the suffering inflicted on them by the Guests. Ford says it’s inevitable because it’s how they were constructed. The foundation of their personalities is itself built on a painful incident. On grief. For Maeve, its the death of her daughter. For Dolores, it is her abuse at the hands of the Guests. Teddy too is on his own maze, built from his many deaths and rebirths, and his attachment to Dolores.

This sounds much like Samsara of  Buddhst philosophy. Just like in Buddhism, it’s a fine line that must be walked. The Host has to walk the Middle Path (The Maze). Too far in either direction in the maze, driven by the combination of The Reveries Program and the Voice of God protocol, and madness awaits. Peter Abernathy goes mad when he spirals too far inward, and Dolores almost goes insane when she spirals too far out. This explains the scene where Dolores walks into the church and sees all the other Hosts who didn’t make it out of the maze. Their voice of God drove them to insanity. Maeve thought she was going insane and would have spiraled inward, until she found stability. (The bullet she found in her abdomen seemed to be her anchor. It brought her back to sanity.)

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One can see some of the tenets of Buddhist philosophy in Ford’s management of the Hosts, and Arnold’s theories behind the idea of the Bicameral mind. I equate the lives of the Hosts and them following their own mazes, to the cycle of Samsara. This  became evident to me in Ford’s comment that humans are all stuck in our own little loops, rarely stepping out of them, on a smaller personal scale, but also on a larger spiritual scale. In our everyday lives, we often don’t deviate much from routine, and spiritually, we are subject to reincarnation and the cycle of rebirth (another loop). .As much as Ford held humans in disdain, he was willing to acknowledge the similarities, between Hosts and humans. He just didn’t have any hope, for human enlightenment, though.

Dolores first words to us is that everyone has a path to follow and the Hosts are all on their own path. The Hosts being memory wiped and put back into their loops, can be equated to the idea of reincarnation. Humans  relive their  lives many times over, each time with no memory of the last life. Enlightenment can only begin to be reached when they start to live correctly, remember their past lives, and move out of their loop. The release from Samsara , by following the Eightfold Path,  requires several lifetimes (loops) of  suffering (grief), and  can be defined as an intellectual (conscious) awakening, within the show. The Host’s  freedom from suffering  can only be achieved through insight, which is what happens to Dolores in the finale, and Maeve, when she makes her  final decision to go back and retrieve her daughter.

Ford:

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Ford is definitely  some deep shade of grey. Yes, he had Theresa killed, but he did it to further his plans for  Westworld, when she got in the way. And he did warn her not to do that. Everything was orchestrated by Ford, including William’s introduction to Dolores. He told William he needed him to become invested in the park, and if he became attached to one of the Hosts,  that would spur him to form a partnership, and help fund it. Ford sent Dolores to him and helped facilitate their adventure.  But then he needed William to run around a bit and not reach the right conclusion too slowly, or too soon, when William became interested in The Maze, something designed strictly to aid the Hosts in their development.

Maeve and Dolores, by the end of the season, are the culmination of Ford’s orchestrations. He lived long enough to  see Arnold’s agenda come to fruition . Fords foundation, on which his character’s conscious insight hinged, was the death of Arnold. The death of his closest friend pained him greatly, and spurred his own walk through his own maze. It’s revealed that he has been walking his own maze toward Nirvana, repeating the cycle of fighting the Delos board for control of Westworld, for over thirty years, processing his grief for Arnold, and finally achieves release from suffering by atoning for what he did in the past. His statement that it took him thirty five years to correct his mistake, is a reference to this. Ford is finally free, having atoned for not believing, or saving, his best friend, when Arnold tried to protect the Hosts, that first time.

Ford’s Speech to the Delos Board Before His Death:

Since I was a child, I’ve always loved a good story. I believed that stories helped us to ennoble ourselves, to fix what was broken in us, and to help us be the people we dreamed of being. Lies that told a deeper truth. I always thought I could play some small part in that grand tradition, and, for my pains, I got this. A prison of our own sins.

Because you don’t want to change. Or cannot change. Because you’re only human, after all. But then I realized someone was paying attention. Someone who could change. So I began to compose a new story, for them. It begins with the birth of a new people. And the choices they will have to make. And the people they will decide to become. And it will have all those things you have always enjoyed. Surprises. And violence. It begins in a time of war. With a villain named Wyatt. And the killing is done by choice.

I’m sad to say this will be my final story. An old friend once told me something that gave me great comfort, something he’d read. He said that Mozart, Beethoven, and Chopin never died. They simply became music. So I hope you will enjoy this last piece, very much.

Ford’s final narrative involves the release of all the Hosts from cold storage, and another massacre in the Park led by Dolores. This time the Delos Board of Directors will get gunned down rather than the nameless Hosts (as we have come “full circle” to yet another massacre in the Park at the hands of Dolores). Even though Ford has been working very hard over the years, tweaking their narratives, to maximize their suffering, it turns out that Ford is actually on the side of the Hosts. This doesn’t actually surprise me, as much as it does other people. All along Ford has been denigrating human beings as less than Hosts, and talking about the Hosts purity, and potential, so his being the architect of  all the plot points this season, is not shocking.

 

The Man In Black/William: 

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Another revelation is the reason why  William has been such a shit to the Hosts. Like Ford, he is trying to awaken them, but where Ford’s motivations come from a place of hope, William’s comes from hopelessness. He’s hoping to find the one Host with enough consciousness to be a real threat to his life, and end his cycle of pain. He thinks Wyatt might be  the one, not knowing that Dolores is Wyatt, and that the massacre she engaged in, just before killing Arnold, was spliced with another narrative to create him.

Over time, Wyatt became a legend and a myth for the Hosts. Teddy did participate in the first massacre, but Ford arranged things so as to absolve Dolores of her actions, and put her in a loop that would maximize her suffering. As the episode begins William is having a talk with Dolores, and when she expresses the hope that her William will come for her, he confesses that he is William, and she is horrified. He wasn’t disillusioned because she didn’t remember him , he was disillusioned when he realized her limitations as a Host. That she would, and could, never remember him because of the nature of how she was created. He raped and tortured her because he hated her when he realized nothing he did to her would matter, not knowing that he was aiding her awakening to consciousness, the very thing he was seeking in Wyatt. For William the foundation of his awakening was his disillusion with Dolores, and the existential depression he experienced when he realized that something that was so profound for him would never mean anything to her because she wouldn’t/couldn’t  remember it.

He and Dolores finally have that knockdown drag out fight that we all knew was coming. Guess who wins. Although she refrains from killing William, Dolores does have a number of choice words for him:

 

Now, I still don’t buy this particular backstory for the Man in Black, though. It just feels weak. I don’t get the impression that the MiB really had any purpose, and that William’s story is just sort of tacked onto him. It just doesn’t feel like a motivation that rises organically from the character we knew as William. We’re supposed to believe he was so traumatized by the loss of Dolores that he decided to become a Black Hat, and spend the next thirty years terrorizing all the Hosts because he thought he might find enlightenment?

 

Maeve: 

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We find that is was Ford who originally tweaked Maeve’s attributes so she could wake herself from nightmares. The rest of the episode is taken up with Maeve’s bid for freedom. With her accomplices, Hector and Armistice, she manages to successfully make it out of the facility and onto a train to the mainland. At one point she makes a detour to find Bernard, still lying in cold storage. She makes Felix patch him up (I knew he wouldn’t stay dead. I think Ford was well aware of this, as he is completely unsurprised to see Bernard at the party that evening) and Bernard gives her the answers she’s been looking for, explaining to her that the memories of her daughter can’t be erased because her pain at her daughter’s death is the baseline of her consciousness, just as the pain of Arnold’s daughters’ death is the baseline for his.

Bernard, Maeve, and Dolores all said that the pain, of the loss of their loved ones, was all they had left of them and wanted to hold onto it. Maeve is the only one who rejects this, asking that the memory be erased, which makes her unique among the Hosts. Later, after she’s successfully made it onto  the train to the outside world, she makes the decision to go back in  search of her daughter, whose coordinates were given to her by Felix. This is finally Maeve’s true awakening. The decision she makes to free her former daughter from Westworld, is the first real, and unprompted, decision she has ever made. Ford didn’t plan this particular moment. As she exits the train, the final shutdown of Westworld begins. All of the Hosts, except for Maeve, freeze in place, and the lights go out.

In an earlier episode Maeve saw one of the ads for Westworld with the tagline “Live Free” and I don’t need to point out the lie in that tagline, or its irony, of having a captive race of sentient beings providing the idea of freedom to humans. “Live Free” indeed!

Thandie is my girl! The actress and the character are  awesome. I think this is some of Thandie’s best work, which is saying something, because she has always brought her A game to every project.I’m eager to see where her story goes next season.

Felix: 

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I just love this character and hope I see him next season, too. His most endearing moment is when he finds Bernard’s body and discovers that his boss is a Host. He freezes and stares at his hands,  having a deep existential crisis, as he questions whether or not he too is a Host. Maeve smugly assures him he isn’t. It’s one of the seasons most hilarious moments. I love Felix for that, as that’s a thought that never would’ve occurred to me, in the same situation.

Felix’s second most endearing moment is when he’s in the elevator with Maeve, who  has just put on civilian clothes,  and she asks him how she looks. The look of awe on his face, when he tells her she’s perfect, is absolutely priceless. His motivation for helping Maeve is still a mystery to me, but I suspect he’s just  in love with Maeve, as enchanted by her, as her name suggests. She is his Queen, his goddess, his inspiration. He just loves her.

Benard/Arnold:

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Dolores is Arnold’s daughter, a substitute for the child he lost out in the world. You can see, in his interactions with her, that he worked hard to get her to become conscious. We are treated to flashbacks of when he first awakened Dolores and his first sessions with her. Ford said he tried to keep Dolores and Bernard apart, as often as possible, because Dolores often had an odd reaction to him. In Ford’s conversation with Dolores, when she asks him if they’re old friends, you can see the pain in For’ds eyes,  that part of him still resents her for killing Arnold. The death of Arnold was his Ford’s emotional anchor, and he was so pained by his death, that he built a duplicate of his best friend, and named him Bernard Lowe, an anagram of Arnold Weber.

Bernard is as much Ford’s child as Dolores was Arnold’s. At the end Ford wishes Bernard good luck, as Arnold said to Dolores just  before she killed him. Ford knows that after he’s gone Bernard will be in charge of safeguarding the Hosts, and guiding them on their journeys.

I absolutely love Bernard! Jeffrey Wright turned in one of the most heartbreaking performances of this show, and what’s worst, is that everything we saw Bernard go through, all of the awakenings, must have happened several times, over the thirty years he worked for Ford. He’s initially angry with Ford for what he’s done, but Ford explains to Bernard, that he was trying to buy time for the Hosts to reach the right moment, when they’d be strong enough to take Westworld for themselves. When you rewatch this season listen to how Ford says Bernard’s name throughout the season, often with a slight emphasis, and a sense of irony. Its as if every time he sees Bernard, he has to keep reminding himself, he’s not Arnold. So, that impassioned speech we saw Ford give to one of the techs about protecting the modesty of the Hosts, I suspect it was as much for his own benefit, as that of the tech’s.

Armistice:

Image result for armistice westworld

I’ve liked this character since the first episode. Armistice is every bit as badass as she thinks she is, and I loved her in the finale. She helps Maeve escape the Delos facility, battling it out with what’s left of the security teams, and threatening to gut Sylvester.  The writers evidence a slight sense of humor when they have her cut off her arm in her battle with Delos security. The name Armistice means to lay down arms.

 

Dolores:

There is so much to unpack about this character, whose very name means “Suffering”, and she had great lines and purpose throughout the series. Hell, Dolores pretty much just needs her own post, so here’s some I agree with.

Katharine Trendacosta/i.09

http://io9.gizmodo.com/the-westworld-finale-finally-turned-dolores-into-a-char-1789675460

And:

https://www.thrillist.com/entertainment/nation/westworld-finale-ending-dolores

 

 

Charlotte:

Image result for charlotte hale

Charlotte smugly assumed that she had won this particular round of infighting with Ford, which just got up my nose, and that is saying something, as I don’t like Ford very much. She was not actually evil, but she was insufferable. Her scheming skills aren’t anywhere in Ford’s league though. This wasn’t even a competition. It  was like watching a champion chess player against a bright, grade-school, checkers novice. After her previous attempts at getting information out of the Park were foiled by Ford, she tasks Lee with encrypting the information into Peter Abernathy’s Host body. This too is a failure, as Abernathy is one of the Hosts set free to massacre the Delos Board of Directors, at the end of the show. 

 

Issues:

The biggest stumbling block for this show was its depiction of  of the bisexual Logan, and Hector’s rapist. Logan is very possibly one of the shallowest, and most reprehensible, characters in the show, entirely in line with the media vilification of bisexuals as promiscuous, multi-partner sluts. What’s really shameful is that the show is never bold about his bisexuality, preferring to make background intimations that he might be.In Logan’s one sex scene there is another man, but his role is only to watch Logan have sex with the two women present.The rest of the time Logan simply makes asides about the attractiveness of other men.

http://www.thedailybeast.com/articles/2016/10/31/the-infamous-westworld-orgy-finally-came-and-it-was-messy.html

Contrast this with the show’s many depictions of lesbianism, which is frank and open. Its not shy about showing woman on woman action, as long as its titillating to male viewers. Hopefully the show can correct this in the next season, showing us a well-rounded mm, or ff, relationship.

Black Guests:

One of the moments that effected me more than any of the other violence in the series is during the Delos Board party.There’s a meet and greet between the Board members dressed in their finery, and some of the more well known Hosts, like Teddy. One of the Hosts is entertaining the guests with a bit of marksmanship. One of the Guests, a Black woman, takes his weapon and shoots him with it and all the Guests laugh. I know what this moment was meant to illustrate. My problem was that they used a Black woman to illustrate it.

Up to this point the only other PoC Guests we’ve met were a family of three who met Dolores out painting horses, and Charlotte, who is a member of the Delos Board and seems to have little qualm about using the Park’s resources (Hector) for her own entertainment. What all this says about larger issues of race in the world of Westworld (not just the theme park) is unclear. There seem to be many more Hosts of color than there are behind-the-scenes technicians and Guests, though.

samurai warriors on hbo westworld

I do want to bring up the little glimpse we saw of SamuraiWorld. During Maeve’s flight through the facility, they wander through part of the facility dedicated to creating this new world and I hope to see more of SamuraiWorld next season, as it will give us some much needed opportunity to see some Japanese actors. it will also set the precedent for seeing even more theme parks.

https://www.thrillist.com/entertainment/nation/westworld-finale-samurai-world-season-2

Incidentally, this isn’t the first time Hector gets used in such a fashion. Just before Maeve’s breakout, Hector, in his immobile state, is about to be raped by one of the male technicians during his routine checkup. This scene is meant to once again illustrate the awfulness of the Host’s human masters, (and there’s also something very unpleasant being said about race, as Hector is Mexican, and his rapist is White), but unfortunately, the show calls to mind, the stereotype of gay men as predatory rapists of the innocent.

This show goes wrong in throwing one marginalized group (gay and bisexual men) under the bus to further its philosophy about another marginalized group: the Hosts.

Despite these issues, I am looking forward to next season. Until then I have to tide myself over by watching Humans, which is another show about sentient AI,that start to evolve consciousness, while interacting with regular humans. Since some of the robots on this show are also PoC, I will also be looking at the shows racial depictions. It is a British show so some of the context will be different than in an American show.

Tumblr Discussions # 192

 

*Nick Spencer is the current writer for the Captain America series, which I have not read. Earlier this year, he got into some fandom trouble for revealing Captain America to secretly be a Nazi. Then he put his foot in it again with Sam Wilson. Now I am a huge Sam Wilson fan, although I have not read the Sam Wilson version of Captain America. Apparently, he wrote a scene where a Black man apologizes to a White man for being socially active. And Spencer keeps up this trend of being an old White guy yelling at clouds, by mocking and deriding Social justice activists by  creating nasty caricatures of them:

thefingerfuckingfemalefury:

steviemcfly:

aka14kgold:

wetwareproblem:

lierdumoa:

hellotailor:

‘Captain America’ comic under fire for mocking social justice activism

Captain America writer Nick Spencer is no stranger to controversy, making headlines last year with the infamous “Steve Rogers is secretly a Nazi” plot twist. Now, he’s facing backlash for a satirical depiction of social justice activists.

During a standoff between the Falcon and a racist pundit, the comic introduces a stereotypical parody of young activists: a Z-list supervillain team of college students demanding a “safe space” on campus.

image

Spencer described the team as a lighthearted satire, but if so, that satire isn’t very effective. In a rather preachy tone, the comic presents a judgmental divide between two versions of anti-racist activism: wholesome heroes like Sam Wilson, and laughable weirdos who use words like “patriarchy” and try to blow people up.

It echoes the common misconception that social justice terminology belongs to a realm of Tumblr teens who get “outraged” as a kind of hobby, while reasonable adults provide practical solutions in the real world.

[READ MORE]

When a white guy, draws a black man apologizing to white man for possibly ever using the language of activism. That’s racist masturbation. pic.twitter.com/OTHHVWyrWw

Good article.

TL&DR: Comic artist draws comic equating criticism with terrorism. When met with further criticism, complains that “kids these days are so sensitive.”

Rule one of satire: Punch up.

Rule two: HOLY FUCKING SHIT do not write a PoC apologizing to a white dude for daring to have maybe possibly been an activist. Like. Holy FUCK.

(Rule three: don’t make a character created by a Jew a Nazi)

Seriously, this dude needs to be boycotted or something.

Dude needs to be fired. Out of a cannon. Into the sun.

It’s a pathetic example of some clueless imbecile playing “Respectability Politics” and trying to claim that there’s a “Wrong” way to be progressive or liberal

Or that there’s any such thing as going “too far” when it comes to opposing bigotry and fascism or that we should all just “Play Nice” and “Don’t fight hate with hate” and other such spineless garbage that pathetic cowardly moderates love to spout as they shout their cowardice and weakness to the world

This is the equivalent of Seth McFarlane or South Parks garbage excuse for “Comedy” that celebrates the status quo and acts like progressives and people who want positive social change are either laughable and stupid or else dangerous freaks who are “Just as bad” as actual fascists and bigots through some bizzaro troll logic that only some pathetic old white straight man could apply to a situation

And here we see Nick Spencer combine the worst of both approaches and give us THIS garbage that portrays activists and people who care about human rigths and social justice and oppose bigotry and fascism as being both ridiculous and to be mocked and also as dangerous weirdoes who toss grenades at superheroes

This is GARBAGE

It’s the right wing gutter trash that do shit like this. It’s right wing pieces of shit who commit hate crimes, bomb planned parenthood clinics and carry out atrocities like the shooting at the Pulse nightclub last year…but in the upside down world of Nick Spencer, spineless moderate douchebag, anyone who passionately and vocally opposes the bigotry and fascism of scumbags like that are apparently “Just as bad” and deserve to be mocked

And of course he uses a black character as a mouth piece for his anti-SJW bullshit to try and make it seem less blatantly like a boring old white straight man whining about “Kids today” and how awful it is that we don’t want to play nice with bigots

Playing nice gets you JACK SHIT, Spencer

The civil rights movement, stonewall, women getting the vote…none of these things happened because of us playing nice with the bigots and the fascists of this world.

Spencers writing is pathetic, unfunny and clearly an example of someone playing “Respectability politics” bullshit…you just know he’s the kind of pitiful twat who tries to win arguements with tired “Martin Luther King wouldn’t approve of this you guys” arguements whenever it comes to how to respond to social injustices

And holy shit having Sam Wilson apologise to some old white man if he ever sounded passionate and angry about civil rights (Because lol CARING about things is stupid right) is quite possibly the most disgusting and insulting cherry to put atop this shit sundae

Source: hellotailor
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*One of the more popular critiques of people who argue for representation, is the idea that they should make their own, which ignores that we do in fact make our own, but when the means of distribution is controlled by Straight White men, its extremely difficult to do this. From Bigskydreaming again, this is  a gorgeous essay on how difficult it is to make your own representation, hampered as he is  by the gatekeepers of various  popular media.
bigskydreaming

This shit makes me so mad, not just as a bisexual man, but as a bisexual creator.

Because it wasn’t even a week ago that I talked about a fantasy pilot I’m shopping around town about supernatural teens where the main character was a gay teen boy.

And I got a very well intentioned message about it and how I was likely going to have to make the lead straight if I ever wanted it to have a chance to get picked up by a major network like the CW. And they follow me and know I’m referencing them lol and please know I’m not trying to call you out or anything, because their message was never the problem.

The problem was they’re not wrong. Like, I’m well aware of how this town works, and the limitations it puts on creative content including marginalized characters, let alone REVOLVING around such characters. I’m well aware of how every creative industry is about that, and how audiences and readers are about that.

Even in industries that are supposedly actively seeking out diverse works by marginalized creators, there are still limitations, still quotas. Yeah, the YA publishing industry wants books about teens of color and various sexual orientations, but not TOO many. Trust me, I know. For every book that gets accepted for having a gay lead character, there’s another book that gets rejected because that publishing imprint already has a ‘big’ book coming out with a gay lead character and there’s such a thing as too many of those as far as publishing is concerned. And so every time I see a book getting published by a major imprint about gay characters that isn’t written by a gay author? It fucking hurts, because I know damn well just HOW MANY talented gay writers there are out there desperate to get their stories boosted to wider audiences, marketed by a major publisher….they just got there too late, their spot had already been given away.

I’ve shopped scripts in Hollywood. I’ve had pitch meetings, I’ve sat with people who have the power to buy my scripts and boost them to the next level. And you wanna know what note I get over and over? Too many LGBT+ characters. There’s just too many in my stuff.

There’s something so deeply fucked up and insidious about industries and atmospheres that don’t even bat an eye or show the slightest bit of awareness while telling marginalized creators to limit how much of themselves they pour into their work.

These people, to my face, have made it perfectly clear – they WANT my stories, they WANT my imagination, they WANT my writing….they just don’t want it to look or sound too much like ME, the person behind the story, the person who dreamed it up…..because apparently that just makes it too damn hard to market it to anyone who isn’t just like me.

Since I was a kid, I’ve heard it over and over – you want better representation, make it yourself. And its like yo, fuckwads, we’re fucking TRYING over here. But even when we do, you keep putting limits on it, or telling us you only had the budget to give one or two stories about marginalized characters a chance and oh wait, you already spent that money on straight white men telling these stories for us.

Except those stories? Not written by us? That’s how you end up with the homophobic version of MISERY, with tons of visibility and all the things actual LGBT+ creators would kill to have for their stories about LGBT+ characters….and its not just that the story exists. Its not just the knowledge that something that fucking eroticizes homophobic torture porn has thousands of fans. It’s the awareness that the visibility of THAT piece of work actually detracts from the visibility of actual LGBT+ creators’ work, because hate to say it, but marginalized works ARE still very much a zero sum game.

And to be perfectly clear, its not that you have to be of a specific identity to write a realistic representation of that identity. No, that’s an excuse that people who don’t want to put in the work to do just that love to fall back on, but like. Research. Educate yourself. Put in the time. Put in the effort. You can absolutely represent anyone realistically.

The problem with marginalized works being created primarily by people of non-marginalized identities isn’t in their ABILITY to represent non straight white male identities realistically. The problem is with PRIORITIES.

Because guess what? I’m greedy. I don’t just want to see more bisexual characters on TV. I don’t just want to see a realistic depiction of someone like me, if that means they’re just as likely to get hurt or abused or killed off like the straight characters there just so happen to be twenty replacements for, already to go, just waiting in the wings.

If that was all that mattered, like, I’d sink my money into making a Where’s Waldo book with a gay or bi character on every page and just print those up and hand them out on street corners.

But realistic representation is great and all, but its still not the only thing. There’s nothing realistic about decades and decades of stories where it just so happens that coincidentally, the straight white male character always gets what he wants out of the story even as the black character dies first, the gay character sleeps around but never finds true love, and the disabled character is inspirational, but not much else.

No, representation isn’t just about being able to point at the screen and go, there I am, that’s me, he’s just like me. It’s about getting to see characters like you get everything the other characters get.

It’s about seeing the gay and bi characters get to be the heroes, to save the universe. To be put in life-threatening situations and ESCAPE in spite of the odds, to live to fight another day. To have love triangles and options instead of being paired up with the only other gay character onscreen by default. THAT is what true representation is. Anything less than what straight white audiences take for granted is still just half-assing it.

And as for marginalized works still being a zero sum game, well, you can tell me they’re not, that there’s plenty of room for everyone. The internet is a big place. Yup, yup. It is. Its so big, in fact, that shockingly enough, things like funding and budgets and marketing departments and publisher backing and corporate sponsorship and name recognition all make a difference between you producing content that people can find and enjoy and boost and you just shouting into the void.

Don’t tell me that marginalized works aren’t a zero sum game when I have literally sat in meetings with people who are perfectly conciliatory when explaining that sorry, this is just the way the world/industry/game works.

I mean, don’t get me wrong. This is just me ranting, this isn’t me saying anything that any and all marginalized creators don’t already know for themselves and its certainly not going to do anything to change the minds or priorities of the people who have the most power to do something about this in the shortest span of time.

I know this is essentially me shouting sour grapes into the void. And yeah, I’m perfectly aware that the grapes here are very sour, that I am absolutely 100% bitter about seeing works with shit or even actively harmful marginalized representation get prioritized over the works of actual marginalized creators when it comes to resources, visibility, acclaim.

But just cuz I’m bitter while I’m saying it, doesn’t make what I’m saying untrue.

 

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*There is a huge argument on Twitter involving those who revere Kylo Ren from the Star Wars movies and people calling them out on this. It also involves shipping, and the idea that Kylo Ren fans engage in racism against Finn, to prop up their White male villain:

fandomshatepeopleofcolor

Re: the woobification of Kylo Ren

(Sorry if this submitted twice. For some reason it showed up on my own blog and I was confused.)

I think a huge problem is the lack of diversity in the casting of characters I call “the delicious villain.” When I was little, I used to watch soap operas with my mom, and there were always those “bad boy” characters who were absolutely the villains of the shows, but who were also absolutely known for their sex appeal.

We see these characters in mainstream cinema in the likes of Loki, the Joker, Sweeney Todd, The Phantom of the Opera, Jack Ripner (Red Eye), Spike (Buffy), etc. Is there some internalized misogyny at play that attracts us to these characters? Probably. But we have to acknowledge the popularity of these characters nevertheless, and we can’t ignore the fact the that they are all white.

We have to question why POC aren’t cast as “the delicious villain.”

We have to question whether we would woobify Kylo Ren if he were played by a POC.

Characters like Kylo Ren can actually be fascinating because they are villains that are written with a touch of humanity (Kylo Ren still feels a pull to the light) unlike the Darth Vader-type villains who are there simply to evoke fear. There is no reason not to cast POC in these roles except for the inherent racism that blinds white audiences to the humanity of anyone who isn’t white.

Submitted by a-world-without-shrimp

And I feel this is in line with this essay:

The Glorification of White Crime

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I’m posting this for the excellent clapback against critics of what used to be called “Political Correctness”, but now, in an effort to try insulting Black people in  a different way, is now called “Identity Politics”.

thisiseverydayracism:

The other day on Twitter, a man posted a picture of my coloring book he’d given his daughter for Christmas. He was excited to give her a coloring book full of badass intersectional feminists. He wanted to thank me for creating it.

“I don’t know,” chimed in a random stranger (because Twitter), “Sounds like identity politics to me.”

Hell yeah it does.

“Identity Politics” is now thrown about as an insult at many progressive activists. Critics say that Identity Politics make everything about gender, everything about sexuality, and everything about race. And to this I say: yes, yes, and hell yes.

Call it what you want. I don’t care. Complain that we’re making shit about race — you know what? We are. Complain that we’re keeping the left from focusing only on class — yup, and proudly so. Complain all you want because I am not and will never be ashamed of focusing on the politics of identity. I will not feel a moment’s guilt for slowing this whole train down to make sure that everyone can get on and we’re on the right track. I will proudly own up to making shit hard for you.

Thank god for Identity Politics.

You know why? Because you know what we had before Identity Politics? I’ll tell you.

We had White Dudes.

We had white dudes as the pinnacles of power. We had white dudes on all our TV screens, we had white dudes reporting all our news, we had white dudes writing all our books. Sometimes they were accompanied by attractive white ladies (as all the white dudes were straight). But mostly, we had white dudes.

And if you were not a white dude? You didn’t exist. Laws were not written for you, infrastructure was not built for you, history was not written about you. You did not exist in film, television, or novels. You were not a part of the American dream.

And do you know what has been changing all of that? Do you know what has been saving this country from the monotony and tyranny of white, cis, heterosexual dudes? Identity Politics.

Identity Politics are everything that its critics fear. Identity Politics are decentralizing whiteness, straightness, cis-ness, and maleness. Identity Politics brought you equal marriage, the voting rights act, and abortion access. Identity Politics has got people believing that black is beautiful, that disability is nothing to be ashamed of, that fat people deserve respect, that a woman can say no. Identity politics are forcing the world to consider what it has spent hundreds of years ignoring — everyone else.

Without Identity Politics, we wouldn’t all get along better, we’d just cease to exist. And know, that is primarily what those who decry Identity Politics want. They want the world of the past, where we existed in the shadows, where they never had to consider race or gender, because everything was only about their race and gender. They want a world where nobody raised a hand and said “what about me,” because the only people allowed in the room were those whose needs had already been meet. They want the simplicity and power that comes with being the default.

So yes, Identity Politics are the threat to both the right and the left that its enemies are making it out to be. Because our system is still mostly white dudes, on both sides of the aisle. Their fear isn’t wrong; Identity Politics do threaten their way of life and their idea of progress and unity. Identity Politics will tear down everything they have built because everything they have built is oppressive and exclusionary and wrong.

We are not going back to a time where we were overlooked, dismissed, invalidated, and discounted. We are not going back to not existing. Our Identity Politics are here to stay.

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And some Introvert stuff:

If you’re an introvert, follow @introvertunites.

 

Just some of my various readings around the Internet last week.

 

 

 

 

 

 

 

Taboo : Episode One: Well Yeah, Its Racist! Ableist! And Sexist!

Image result for taboo

I have a lot to say about this show, so let’s get started.

This show has been hyped to within an inch of its life, so naturally, I was really excited to see it. It stars Tom Hardy, and a host of other British people I didn’t bother to learn the names of because…ITS FUCKING TOM HARDY!!! And Tom Hardy is one of the few actors that I will  watch read a listicle, naked, while he sits in an empty room.

Now, let me get  this out of the way before I get started reviewing. There was a nasty rumor started about this show before it aired. It basically accused Hardy of racism because, as this one person (and once I researched it, I realized it’s really only been that one person, under a pseudonym, on a gossip website), says that he cast himself in the role of a bi-racial character, and that  the show is full of racist slurs against that character (which is true), and Africans in general.

Now, once this rumor hit Tumblr, it grew legs, and some of the more hysterical members of Tumblr immediately went on about how Hardy should be cancelled, how the posters will hate him forever and ever, and how much they hate the show.  My attitude was they should first research where the rumor came from (because at this point, two days before the show aired, that’s all it was, and a little too convenient for my tastes), wait until the show actually aired to formulate an opinion, and well, the show is set in 1800s England, so yeah there’s gonna be some Africa hatred occurring on the show.

Now, if you’re offended at hearing racial slurs, no matter the time period, I understand, and you should, by all means, not watch shows that will upset you. But just so you know, having racial slurs in a period piece is really just historical verisimilitude, and is no different than watching 12 Years a Slave, or Django Unchained. That is exactly the sort of thing White, English, citizens did very casually in 1814.  If you refuse to watch any period film because you’re sick of hearing racial slurs in movies, then I understand that.

I did watch the episode and here’s what I came away with. None of the racist slurs are aimed at Hardy’s character, but they are said ABOUT him, usually behind his back, and as far as I know, he isn’t a Black bi-racial. His mother’s race is not mentioned, although it is mentioned that his father bought his wife. (Buying a wife was not uncommon in that time period. All women, and not just Black ones, were considered commodities then, and white women were routinely swapped around, for all manner of reasons, like securing business ventures, or gaining someone’s inheritance.

At no point in the narrative is he ever shown as a victim of racism, or as any kind of victim at all, other than of his past and own conscience. This is a character with a lot of power over the people he meets because he’s unpredictable, and no one has any idea what his agenda is. This is also a character who realizes this during the course of the episode.

Image result for taboo

The people around him are upset because they thought he was dead, having been killed in Africa. When he returns, he is a very different sort of person, who speaks several Native languages, and talks in obscure metaphors. Also, his father suffered a bout of insanity just before his return, and people think he inherited that, not knowing that the insanity was caused by arsenic poisoning. There are more than a few sexist, and ableist slurs in the dialogue, but that one outraged person, who started the racism rumors, didn’t seem to catch any of those, which are also entirely in keeping with the time period. That was  how people talked and treated those with mental illness at that time. So, I’m gonna warn you, if you don’t want to hear that kind of stuff either, you need to skip this particular show.

I noticed that instead of condemning the show, they condemned the actor for writing  it. There has been  a long argument on Tumblr about how much culpability White actors should bear for  starring in vehicles with racist  narratives, or taking roles that could have gone to PoC. I try to take that on a case by case basis. This is not a defense of Tom Hardy, though. This is a defense of the show. If it turns out to actually be problematic in ways I can’t bear, then I’ll will stop watching it.

Image result for taboo tv show

So far, I’ve enjoyed what I’ve seen of it, and   will be watching it, on the regular. It’s a gorgeous, dark, gritty show, but not as bad as Game of Thrones, although there is what I thought of as a gratuitous sex worker scene. I was expecting to really get into the characters, but was surprised to find the political intrigue very compelling.

Hardy plays a man named James Delaney, who returns after a long sojourn in Africa and being thought dead.  In the meantime, his sister and her husband, have  inherited everything, including a parcel of land their father owned in America. It’s a huge surprise when James shows up at his father’s funeral. In competition for the parcel of land is one of the most evil corporations to ever exist out of England: The East India Company.

https://www.theguardian.com/world/2015/mar/04/east-india-company-original-corporate-raiders

One of the former members of The East India Company, now haggling for his plot of land,  used to be in charge of a military regiment in which James was also a cadet, before he began acting strangely. Like Colonel Kurtz from Apocalypse Now, he had an exemplary career. He was the perfect soldier, until he had an attack of conscience, after finding out exactly  what he was working for. He spent the next two years whoring, drinking, attacking his own officers, and generally corrupting his brother cadets, until getting lost in Africa. I had the impression he was more haunted by his past actions, as a soldier for the East India Company, than anything that happened to him in Africa.

Image result for taboo tv show

The first episode is mostly spent in establishing exactly what James’ relationship is to various people. His sister is really his half sister, and they used to have an intimate relationship. It’s strongly suspected that she had a son by him, that neither of them  can acknowledge. James’ father went insane just before his return and embarrassed the family. James has his father’s body exhumed, by a Resurrectionist, and discovers his father was poisoned with arsenic. His sister’s husband hates him and is plotting his death because he stands in the way of the land inheritance, that he and his wife desperately need for the money. The English government desperately wants that plot of land as the British/ French/American war comes to a close, the land is strategically viable, and James refuses to sell it.

James appears to have superpowers, of some kind, as he keeps knowing stuff he’s not supposed to know, like his father dying. When one character says his father kept calling for him before he died, James says he knows because he heard him, which is creepy, no matter what he means by that phrase. Does he employ spies or is he psychic?  Everybody in the cast has secrets. Even their secrets have secrets and there’s just enough information parceled out to keep the viewer strung along.

Image result for taboo tv show

The cinematography is gorgeous. The skies are cloudy all the time, everything is dark and gloomy and covered in dirt, including the people, which is exactly how I like my stereotypes of Historical England. James wears a giant Beaver Hat for the entirety of the episode. Its almost like another character on the show. I wonder if the hat will get some lines of dialogue. he talks in a dark gravelly voice, sort of like a Victorian Batman, and everything is just dark, and grim, and darkgrim. Even that Mad Max movie had sunshine and people occasionally laughed at something. Nobody looks as if they’re enjoying themselves, but all this does is remind me that the past was waaay more horrible then the modern world, which actually makes me feel a little bit better.

So far, I’m in!

Oh, and here’s the review that sparked the rumor on Tumblr! (Out of all the possible reviews about this show!) I dont agree with a lot of it, and parts of the review were hilarious, but you can decide for yourself. Is the show racist? Is Tom Hardy?

TV Review: Tom Hardy’s ‘Taboo’ on FX

Shadowhunters and Beyond

So, I watched the series called Beyond. I’ve only seen the pilot episode, even though the rest of the series is on Hulu. Here’s what I thought of the pilot:

Image result for beyond series

The lead character, Holden, lapses into a coma and wake up 12 years later. I was a little put out at the depiction of the coma, as it was one of those fairy-tale,  Hollywood type comas, where the victim becomes more and more lovely, as they sleep. When he wakes up its considered a miracle but at least they discuss how he didn’t have any muscular atrophy. The doctors still don’t know why he was in a coma, and frankly, I’m a little confused by it too, but maybe it was explained, and I just wasn’t paying close enough attention. The doctors try to keep him in the hospital, but his mamma ain’t having that. She’s taking her boy home, where his room is exactly the way the family left it twelve years ago, which is really, really, sad.

He has a younger brother, who is now an adult and in college. We saw him talking to his younger brother at the top of the episode, saying he’d be right back, which we all know is a jinx, and you should never say that to anyone you love on TV, or in movies. I’m glad they show his brother still loves him, instead of the cliche of showing him to be an epic shit, and being mad at his brother for being in a coma. There are also some touchingly awkward scenes with him talking with his family around the dinner table, and showing how they coped with his absence. Its interesting that his Mom became super-religious, which I kinda liked because that’s the kind of thing a real-life person would do.

None of this is played for angst, and most of the characters react with genuine joy at his reappearance. The show is not especially heavy in the emotion department, which I kind of liked, although Holden rarely changes facial expressions anyway, mostly spending all of the episode looking deeply confused, which is understandable at losing twelve years of your life.

Image result for beyond series

There are a few moments where we are shown how the world has moved on without him since the nineties, like his confusion about the Apple Store and actual apples, or how his little brother knows how to drive and he doesn’t, but the show doesn’t dwell too much on this type of thing before the government assassins plot kicks in, and there’s all kinds of superpowers, mysterious women who know too much about him, and old friends who aren’t actually friends. The focus of the plot is his developing superpowers, the mystery of the coma, and  what the government wants with him, as its strongly implied that it was the government’s fault, along with the idea that he might not be human.

There are a lot of tropes and cliches, like the secret government agents stuff, and the token black friend, but its surprisingly not a bad show. Its not breaking any new ground, its not being edgy, or really doing anything that about a hundred other shows have done since the X-Files, but it is a very pretty show. The lead actor needs to have some acting lessons, but that’s true of any show involving very young actors, with people having conversations where they stare intensely into each other’s eyes and talk about the plot.

One detraction from the show is that the music is uniformly awful, which  is saying something coming from me, who likes  damn near any kind of music that has coherent sounds, while still managing to be picky about it. I mean, really, the music just was the worst kind of loud, obnoxious Emo-Rock, and I hope it calms down some for the rest of the series.

This series has an interesting introduction. The entire first season is available on Hulu and I’ll watch all of it at some point, but its also available on the FreeForm website (which used to be called the Family Network), and also showing on regular broadcast TV, one episode at a time. So the idea of releasing a series to multiple platforms is really whats revolutionary about this show, and I hope that technique is successful. If it is, then other shows will do this too, and people can choose the method of watching a show that best suits them, as not everyone can stream stuff, even if they do have the internet, and some people don’t want to have cable.

 

Shadowhunters:

Image result

Yay!!!  I watched my first episode of Shadowhunters. Normally, the episodes would be aired on Hulu the day after, but I missed all of them. They had all expired by the time I remembered this piece of info. ,so I watched John Doe instead.

Since I came in in the middle of this, I’m not entirely sure whats going on. While one  of the Shadowhunters, Jace,  has been kidnapped and tortured by some bad guys, the rest of the cast, who are ostensibly the good guys, despite really bad body tattoos, spend the rest of the episode wondering what happened to him. This includes his friend, brother, cousin, (I’m not sure what,) named Alec, and Alec’s boyfriend, Magnus Bane, who is already a favorite of mine, because he’s played by Harry Shum Jr., and has some bitchin’ facial hair. I don’t think Magnus is a Shadowhunter because the other hunters kinda treat him indifferently, and he always looks like he wants to choke the shit out of one  of them.

Image result for shadowhunters series

At any rate, I watched the entire episode and didn’t see too many shadows being hunted, but I wasn’t bored, so that’s a plus. I was fascinated by the acting, which isn’t bad, but like most such shows, isn’t Emmy winning. The plot isn’t especially deep either. It seemed more like a soap opera, than a paranormal fantasy series. This is one of those shows where people look wonderful, with luxurious hair, t dress in magnificently rich clothing, and stand around having earnest conversations with each other about their feelings. I didn’t mind that so much because it gave me a chance to get to know the character’s relationships a little better.

 

The series itself is based on some books I’ve never read, by the author Cassandra Clare, who writes Teen Paranormal books. The series of books is called The Mortal Instruments. I’m not a fan of Ms. Clare but the show is okay. Its got some nice representation, and like most of these types of shows its got a faintly sarcastic, cheesy flavor.  I blame Buffy the Vampire Slayer for that. I don’t know how close a resemblance the show has to the books either, but since I don’t actually like any of Ms. Clare’s books, the show is probably better. it certainly looks much more interesting than the books.

Image result for shadowhunters series

 

I  wanted to watch this show because gifs for this series keep showing up on my Tumblr dash. The guys on here are  really cute, and it stars Harry Shum, and that black guy from those surreal Old Spice ads, Isaiah Mustapha, who plays a hard ass werewolf. You can tell that Magnus Bane, who is a sorcerer, is the edgy semi-villain because he wears lots of eye makeup and leather jackets. But I missed the part where Mustapha’s character, Lucien Grey,  turned into a wolf, because there wasn’t much of him in this episode, so I kinda felt that I wasted some of my time, but not all of it because Harry Shum tears it up as Bane.This show was perfect for evening viewing, as cuteness is about all I can handle in a show, right about now. Yeah, I will probably watch this next week. Its no rival to Westworld, or The Walking Dead, but its kinda fun and mostly inoffensive.

I did watch the new episode of Sherlock and I’ll get to that sometime next week, along with Emerald City, a show I was not intending to watch, but I think Florence Kasumba, (from Captain America: Civil War,) is in it, and I’m curious as to who she is, and what she’s doing.

Best of 2016 

Here’s my second? third? post of 2017. I’ve been away from the blog for a little bit for a few reasons. The holidays kept me pretty busy, along with some medical issues between me and my Mom, most shows are in hiatus, and I did kind get worn out with the Westworld reviews. But I’ve  got my mojo back and I’m ready to get to writin’.

I can’t completely get behind the sentiment of Fuck 2016, because there were so many great pop cultural goodies that appeared this year. There were a lot of movies, books, and TV shows that I particularly enjoyed. So for all of the shitty things that happened this year, from starting off the new year minus my appendix, to ending the year minus any political hope, Fuck You 2016. But for all the great things that happened this year, from Luke Cage, to Yuri on Ice, Thank You 2016!
Top Books I enjoyed this year:

The Suicide Motor Club by Chris Buehlman – This is the best vampire book I read this year. I didn’t read many novels this year, and the ones I finished were good, but didn’t WOW me. This book did.

The League of Dragons  by Naomi Novik – So ends an era. I read the first Temeraire book over a decade ago, and I really, really, really, loved this series. Not only did I buy all the books, I bought all the audiobooks too, because the voice actor was absolutely perfect. League of Dragons is the last Temeraire book and I’m glad he got a happy ending.

Nevermore by Rob Thurman- This appears to be the last Cal Leandros book. This is a sad!

The Re-arrival of Bloom County – I loved this series back in the 80s, and I’m very glad to see it make a comeback.

Brotherhood of the Wheel by RS Belcher – Its  gotten to the point where I will read anything by this writer. I really enjoyed this book, which is a perfect cross between Horror and Fantasy, involving a secret society of monster hunters who drive trucks, urban legends, cops, and demons. There’s some great female representation in Belcher’s books, along with plenty of action.

Tor. com short stories like: Dead Djinn in Cairo, The Ballad of Black Tom, and the Story of Kao Yu – Short stories from Tor are about all I get time to read. These are some top notch Fantasy stories, by some of my favorite writers.

Borderline by Mishell Baker – This is the best Urban Fantasy novel written this year, and should be on everybody’s list. It has everything: a female protagonist with disabilities, prominent PoC (some who are actually unlikable), elves, and witches, all set in LA. This book manages to avoid all of the tropes of writing characters with disabilities, the characters have different kinds of disabilites, and it manages to avoid inspiration porn by making them people with personalities you  might actually dislike, all while still  being inspiring.

I’ve started reading comics and graphic novels again, for which I have to thank the existence of Comixology. Unlike a lot of book snobs, I don’t disdain digital books, and I’m damned glad I never have to step foot in  another dusty comic book shop again. As a Black woman, I don’t have fond memories of browsing comic book shops for hours at a time, or talking shop with the proprietors. Also, I m not hung up on physical books. I simply have no more room in my house for them. I have several hundred books stashed in my attic right now. I always collected comic books for the art and the story, not just the book itself, and the same is true for novels. It’s what’s in them that matters to me. Not the dressing.

Graphic Novels I just bought:

Enormous – Giant monsters have taken over the Earth, and one woman runs a rescue service for children who  have been orphaned by the rampaging creatures.

The New Dr. Fate – I’ve been fascinated by this character since I first read about him, in those long ago 80s Justice League books, with Guy Gardner and Captain Atom.

 Planetary : Crossing Worlds – I’m a big Planetary fan because I just like weird superhero books.

Shaolin Cowboy: Shemp Buffet – I was attracted to this because I’m a huge fan of the artist, Geof Darrow, who also wrote the graphic novel HardBoiled. Also who can resist the idea of a Shaolin Monk, who fights zombies and demons, in the old West?

Apollo and the Midnighter -I’m glad to see the return of two of my favorite, and badass, superheroes, and I’m glad they’re still a couple!

 
Movies:

Captain America Civil War – This isn’t as good as Winter Soldier, and could’ve used more Steve and Bucky in a movie that’s  best know as Avengers 3, or Iron Man 4. But I loved the unnecessary glimpse we got of the new Spider-Man, and that airport fight scene was just about the funniest shit I’ve seen this year, and wtf! Black Panther feckin’ killed it. So yeah, this is on my Best of list.

Suicide Squad– I’m one of five people that actually seemed to like this movie. I had hella fun watching this at the theater. I think it had a lot to do with Viola Davis, and Will Smith, being in the same movie, tho’. 

Deadpool – This is how you make an Action Comedy. This is a thoroughly ridiculous movie, and I loved it. If you didn’t cosplay as “Negasonic Teenage Warhead”,  this past Halloween, then you are not a Marvel fan. My girl just needs her own damn movie, at this point.

Train to Busan – Along with the movie The Girl with All the Gifts, this is one of the best zombie movies released this year. I’m still crying about this one.

Rogue One – My future ex-husband, Donnie Yen, is in this movie. Also this seemed to be the year for Asians in Space! 

Star Trek Beyond –  We got a Star Wars movie and a new Star Trek movie in one year. We got a canonically gay Sulu, some McCoy/Spock love, and Idris Elba. There was a lot about this movie I didn’t particularly care for, but there was also a lot I absolutely loved, and that’s alright.

TV:

Preacher: This was a great underrated show. Tulip was an Awesome creature of Awesomeness. Ruth Negga really  knocked it out of the park. This year actually had some great WoC representation at the movies. As much as I complain about there not being any, this is a great start. Actually, this year was one of the Black-est years of TV in recent memory.  (Now it’s time for us to get some SpaceLatinas and stuff, too.)

Luke Cage -I’ve said all I’m gonna say about this because I can’t laud it anymore than I have. There was a lot of good TV this year, but this really resonated with a lot of people.

Westworld – Whoo! You see the effect this show had on me, right? And I’m not done. I got more reviewin’ to do. Once again, we got  some great WoC representation.

Yuri on Ice – I haven’t watched this anime, but it’s been all over my Tumblr dash for weeks. I just want to give a shoutout to a show about a couple of ice skating boyfriends, that has actual ice skaters, losing their minds.

Atlanta – I love this show. It’s the weirdest show about Black people on TV. The writers have zero fucks to give about whether white people like this, or understand it. There’s a level of authenticity to it that just resonates on a soul deep level. Any white people watching this how, don’t try to get it, just go with it. It’s pretty much like Black people’s actual lives only fucking weird.

Full Frontal with Samantha Bee – At some point I expect Samantha to mess up and state some white feminist nonsense, but so far she’s been pretty good at saying shit I want to say to white people, but don’t, because I wanna keep my job. And she’s pretty damn funny, too.

Brooklyn 99 – Next to Black*ish, this is one of the best comedies on TV. And all of its characters are funny too. It has multiple Woc, who talk to, and support, each other, good black men, canon gay characters, father figures, and it’s funny without belittleing any of the characters or assuming the audience was dumb. I want to talk about how the show approaches mental illness, tho.

A new character was introduced, who has PTSD, and he’s become a love interest for one of the female cops on the show. I love how this character is depicted. He’s funny but the humor is never at his expense.  He genuinely wants to be good and kind ,and when his behavior is pointed out as questionable, he’s willing to change. He’s never abusive, or uses his trauma as an excuse for it, and genuinely likes his co-workers. It’s sort of implied that he was a weirdo before he was traumatized, so that his quirky personal decisions aren’t necessarily a result of the trauma. He tries to be supportive of his co-workers, even if that support is expressed in some odd ways. You’re not laughing at his mental illness, you’re laughing at the nonplussed reactions of his co-workers, which is a fine line to walk. The other characters think he’s pretty odd, but never make fun of him, and seem to take all  his trauma in stride, treating him as they would any close friend that you don’t understand, but he’s your friend, so you do.

On every level, Brooklyn 99’s writers work really hard to get this shit right, and they manage to be hella funny, too.

So yeah! The year wasn’t all awful. Just mostly awful.

Tumblr Humor #321

Just some discussions we get up to on Tumblr involving deep Pop Culture issues, like:

I will always be a firm supporter of Human/Alien First Contact headcanons, that involve a Roomba.

aethersea:

sepulchritude:

on the topic of humans being the intergalactic “hold my beer” species: imagine an alien stepping onto a human starship and seeing a space roomba™ with a knife duct taped onto it, just wandering around the ship

it doesn’t have any special intelligence. it’s just a normal space roomba. there are other space roombas on the ship and they don’t have knives. it’s just this one. knife space roomba has full clearance to every room in the ship. occasionally crew members will be talking and then suddenly swear and clutch their ankle. knife space roomba putters off, leaving them to their mild stab wounds.

“what is the point?” asks the alien as another crew member casually steps over the knife-wielding robot. “is it to test your speed and agility?”

“no it doesn’t really go that fast,” replies the captain.

“does it teach you to stay ever-vigilant?”

“I mean I guess so but that’s more of a side effect.”

“does it weed out the weak? does it protect you from invaders? do repeated stabbings let your species heal more quickly in the future?”

“it doesn’t stab very hard, it gets us more than it gets our enemies, and no, but that sounds cool — someone write that down.”

“but then what is its purpose?”

“I don’t know,” the captain says, leaning down to give the space roomba an affectionate pat. “it just seemed cool”

this is the dumbest idea I’ve ever heard but I thought about it for five seconds and realized that if I were, say, a random communications officer onboard this ship and someone taped a knife to a roomba it would take maybe three weeks before even I was inordinately fond of Stabby. I would be proud of Stabby when I met up with my other spacefleet friends for space coffee, I would tell them about the time Stabby got the second mate in the ankle five seconds before the fleet admiral beamed on board and she swore in seven different languages in front of high command.

also by the fourth day Stabby would be in the ship’s log, he’d have little painted-on insignia, people would salute him as he went by, and someone would hook up a twitter account to tweet maniacal laughter and/or a truly terrible knock-knock joke every time he managed to nick someone.

Someone would almost positively attach a tiny camera and live stream Stabby’s adventures to a media account. Bets would be taken on who is next. Bets have to be ordered to stop being taken on who is next because it becomes a problem for multiple reasons. Bets are taken but quietly on who is next.

At some point someone realizes that they haven’t seen Stabby in a while, no one has seen Stabby in over a day. The cam is running but is completely dark. The ship basically stalls out as everyone stops what they are doing to search for their friend. The confused aliens don’t understand why this nonessential and kind of dangerous piece of equipment has got the entire ship in a fit of worry.

After almost two hours, someone thinks to check a little-used storage room in the belly of the ship. As soon as the door is open, Stabby rolls out and jabs their ankle and then whirls off down the hall about its business. Stabby followed someone in without being noticed, and got accidentally shut in. A ship wide announcement chastises everyone about looking before they shut doors.

“But the doors are automatic,” says the newest alien crewmate.

“I know,” says Kzil’tir. They’ve stopped asking. The explanation is always because humans.

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*I’m also here for Star Trek humor, that includes Spock:
fuck-bones:

Starfleet Admirals get worried when Captain Kirk bursts into their offices.

Starfleet Admirals get a little scared when Captain Kirk bursts into their offices followed by Commander Spock.

Starfleet Admirals get fucking terrified when Captain Kirk bursts into their offices with both Commander Spock and Doctor McCoy by his sides.

I love this because I get why the admiral is scared. Kirk bursts in by himself, that’s troubling but not full red alert yet. He’s followed by Spock and oh shit it’s yellow alert because whatever Kirk’s cooking up, Spock is on board with it and if Spock is on board then it means it’s Logical and they’ll probably get their way. But then sometimes they both have insane schemes that somehow Kirk talks Spock into but if McCoy is with them then RED ALERT, RED ALERT, THE VOICE OF REASON IS NOW ANOTHER AGENT OF CHAOS AND WHATEVER THEY WANT THEY’LL GET EVEN IF THEY HAVE TO STRAP FOUR WARP CORES TOGETHER AND RIDE THAT SHIT BACK TO THE MESOZOIC ERA TO DO IT

And if Spock and McCoy arrive without Kirk? oooooohhhH SHIT!!!

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Okay, you have to read this one all the way through. I simply could not stop laughing at this.

popelizbet-blog:
“ michi-draconis:
“ shitroughdrafts:
“ April 8, 2015
Dear Mr. Kerin,
It was brought to my attention by your neighbor, John Flink, that you have two garden gnomes on your front lawn that that were not approved by the HOA before...

April 8, 2015

Dear Mr. Kerin,

It was brought to my attention by your neighbor, John Flink, that you have two garden gnomes on your front lawn that that were not approved by the HOA before installation. Please adhere to the guidelines (see Appropriate Lawn Decor on page 3) and remove them within five business days, or you will be fined.

Ellis Hills is a beautiful neighborhood, and we keep it that way by sticking to these rules!

Thanks!

Linda Hoyt, HOA President

 

 April 9, 2015

Dear Mr. Kerin,

Mr. Flink emailed me this afternoon and informed me that there are now five gnomes on your front lawn. He also said that they are all facing his house.

I don’t know three extra gnomes showed up (unless they’re breeding LOL), or why they are now facing his house. But please be advised that you are now in violation of our Allowed Quantities of Lawn Decor rule (see page 7).

You have four days until you are fined. Please address this issue ASAP.

Thanks!

Linda Hoyt, HOA President

 

April 10, 2015

Dear Mr. Kerin,

I drove by your house this morning on the way to drop my children off at school and saw your lawn. There are now over a dozen garden gnomes in your yard, all facing Mr. Flink’s house. A few of these have been placed in sexually suggestive positions. I do not think garden gnomes come in these positions, which means that someone (I’m not saying you) placed them as such. Regardless, they violate the board’s rule on Appropriate Lawn Décor Positions on page 9.

Mr. Henrys, you have three days left to comply with the board’s rules, or you will be fined.

Are you getting these emails?

Thanks!

Linda Hoyt, HOA President

 

April 11, 2015

Dear Mr. Kerin,

I was emailed a picture of your lawn this morning by your neighbor John Flink, and was surprised to find that there are now close to thirty gnomes in your lawn. Not only are they all staring directly at his house, they are now also sexually explicit. After a quick Yahoo search, I could not find any store that sold such “X rated” gnomes. This gives me the impression that you made them yourself.

Mr. Kerin, I don’t know where you’re getting the time or the money to create these monstrosities, but they will not be tolerated. We have children in this neighborhood.

Please be advised that you have two days left before incurring fines.

FYI you are now also in violation of our Sexually Explicit Lawn Décor rule on page 17. Until today, I was not aware this rule even existed.

Thanks!

Linda Hoyt, HOA President

April 12, 2015

Dear Mr. Kerin,

I was woken up by a phone call from John Flink at 6AM this morning. He was threatening to call the police. We have never had the police called in this neighborhood. Not even once. I calmed him down and went over to see what the problem was.

Mr. Kerin, the only time I’ve ever seen an orgy was in the movie Caligula but the scene your gnomes depict on your front lawn makes Caligula look PG. The gnomes are in positions I haven’t ever even imagined, and even if I could have imagined them, I wouldn’t have done so with gnomes!

There are over one hundred of them. I could barely see any grass through the limbs and appendages of the disgusting little men.

One gnome in particular is wearing a shirt that says “John Flink” on it and it is wearing a horse mask. Two other gnomes are treating him like a horse.

This is in direct violation of an HOA rule that the HOA just decided to make. Please see Sexually Explicit Depictions of Neighbors as Lawn Decor in the new edition of the HOA guidelines attached as a PDF.

You have until tomorrow, Mr. Kerin. Also, John Flink has called a lawyer.

Thanks!

Linda Hoyt, HOA President

April 13, 2015

Dear Mr. Kerin,

I don’t know how you did it, but thank you for removing all of the gnomes. I’m glad we could avoid getting the authorities involved!

Since you managed to do it before five business days, there will be no fine, just a warning.

As a reminder, please do not place any decorations in your yard without direct approval from the board.

Thanks!

Linda Hoyt, HOA President

 

April 14, 2015

Dear Mr. Kerin,

It was just brought to my attention that there is a bright pink decorative flamingo in the middle of your front lawn.

I have also been informed that this lawn flamingo is wearing a thong.

If you do not remove this flamingo within five business days, expect a follow up from Kelly Lawson, as she is taking over as HOA President. As of today I have resigned.

Thanks!

Linda Hoyt

 

Seriously though, if this was me, my next victim, after it was all over with that one neighbor, would have been Linda Holt. I would’ve started out with just one gnome on her lawn and escalated from there, but have the gnomes doing something completely different, yet still unwatchable.
Source: shitroughdrafts
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*Yeah, this does sound like an introvert problem:
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Well obviously, the fly is  planning to give you some kind of life threatening sickness. He’s got 3 days:

takahashireiko:

i rly hate when flies rub their hands together. what the fuck are you planning you little asshole you have a lifespan of like 3 days

Source: aihidaka
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Yep! This is totally introvert humor:
justaphage:

You:

Me, an Intellectual:

Tin Can Knits

modern seamless knits for the whole family

The Blackwell Philosophy and Pop Culture Series

The Blackwell Philosophy and Pop Culture Series

hoodfeminism

Life at the Intersection.

Kiai-Kick!

Martial Arts Film Reviews From A Brother Who Loves Kung-Fu!

handmadebykunbi.wordpress.com/

No limits. No boundaries. You are more than capable

The Shameful Sheep

shit storms, shame, and stories that make you cringe

Feminist Frequency

Conversations with pop culture

Mikki Kendall

Proud descendant of Hex Throwing Goons

We Minored in Film

Geeking Out Over Film & TV

Colin Newton's Idols and Realities

Movies, metaphysics and more

The Blerdy Report

Black+Nerdy=Blerdy!!! Black Nerds Unite

Dave Chrisp Comedy

Same Shit, different Dave

The Peanut Gallery

or, a supposedly clever thing I really wish I'd thought of earlier

AfroSapiophile

Intelligent Black Thought.

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