The Girl with All The Gifts (2016)

This is the first of my five posts reviewing horror movies where the stars are Black women, all part of the Graveyard Shift Sisters posts on 31 Black Women of Horror, for the month of October.

Okay, despite the fact that I read the book, I still didn’t know what to expect from the movie. I should have because the movie is mostly very faithful to the source material. It had not occurred to me that the filmmakers would do the thing, and make Melanie a little Black girl. I loved the character’s voice in the book and was looking forward to whoever they would cast as she would be carrying the movie, and I’m glad the director made that decision.

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When the writer, M.R. Carey was asked about the development of the movie he stated:

‘We went a slightly different way in the movie, especially when it came to point of view. Where the novel moves between the five main characters and lets us see what’s going on in all of their heads, the movie sticks with Melanie all the way. And there are no Junkers in the movie. The base falls to a hungry attack. But it’s a case of two different paths through the same narrative space. The ending is absolutely faithful to the book.’

— M.R. Carey, in an interview with Mom Advice[7]

The plot of the movie is very faithful to the source, so if you’ve read the book, you know the ending. Most of humanity has succumbed to fungal spores and become what are known as “Hungries”. ( Basically they’re zombies. They attack and eat people. (This is not  unprecedented in nature, as there are actually fungal spores that infect hosts, and force the hosts to  propagate itself.)  Some of the zombies are intelligent, and Melanie is one of the smartest ones.

Melanie, and a group of like children, all of whom were infected in utero, are being taught, studied, and experimented on, at a specially guarded facility, by Dr. Caldwell, played by Glen Close. She is attempting to find a cure for the fungal infection by vivisecting  the children’s brains, and Melanie is her star pupil. One of Melanie’s teachers is Ms. Justineau with whom Melanie develops a close  relationship.

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Melanie is played by the unknown Sennia Nanua, and she is absolutely perfect. She doesn’t try to play Melanie as sinister, or evil. She’s just like any other regular little girl, smiling, curious about the world , and happy, until her hunger is triggered. Those scenes are shocking in their viciousness. We watch Melanie attack and bite people, and at one point she captures and eats a cat. Although the movie has kids in it, it is not for children. Her behavior isn’t sugar-coated  or glossed over, and the soldiers are correct to be afraid of Melanie, as her Hunger appears to be something she seems to control. Gemma Arterton is great as Justineau, and I enjoyed seeing her relationship with Melanie.

Justineau doesn’t try to control, or change Melanie, seems to accept Melanie just as she is, and unlike the soldiers, seems unafraid of her. She doesn’t seem to want Melanie for what Melanie can provide for her like Caldwell. Seeming to genuinely love and care for her, worrying about her safety when she’s not around. The two of them seemed to have formed a real and loving bond, and that bond between them, goes a long way towards the audience accepting Melanie for who and what she is, too.

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Justineau was constantly cautioned against attaching herself to the children she is teaching, but  she seems unable (or unwilling) to do so with Melanie. There are several scenes of the soldiers being verbally abusive to the children in their care, in order to teach Justineau to avoid them, but Justineau always behaves towards them with dignity and respect.

 

When the facility is overrun by Hungries, Melanie and Justineau escape inside a mobile lab, with some other soldiers. Caldwell, who has been bitten by one of the Hungries has developed sepsis, but still continues her experiments. The soldiers are wary that Melanie will turn on them so they make her wear a muzzle ala Hannibal Lecter.

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They soldiers fear her but Melanie is useful because she can walk among the infected with impunity. In their travels, they use Melanie to lure the Hungries away from them so that they can more successfully forage for supplies. Melanie uses that time as an opportunity to feed. During her explorations she encounters a group of feral infected children who have formed a gang to hunt  any wayward humans.

In one of the movie’s most exhilarating moments Melanie challenges and kills the gang’s leader, and commands the gang afterward, keeping them in line with the threat of her strength and ruthlessness. I’m not sure how to feel about these scenes. On the one hand, I applaud Melanie’s ability to survive and be a leader. On the other hand, I’m witnessing children committing shocking acts of violence, which is something I’m just not used to seeing. I generally avoid movies where children are killing each other. Melanie’s leadership of this gang is something that will come into play at the end of the movie.

I have to admit I felt some type of way about watching this little Black girl kicking ass, and being so vicious, because that actress looks so sweet and innocent, when she’s not doing those things. I can only guess that’s why this particular actress was chosen. There’s also the stereotype of the vicious Black brute, who is uncivilized and must be controlled, restrained, and made useful, which is illustrated in Melanie having to wear a plastic muzzle for at least half the film. All of Melanie’s captors are White, and with the exception of Ms. Justineau, they are all deeply frightened of her, which gives this movie a  disturbing racial angle, that it would not  have otherwise had, if Melanie had been cast as a little White girl. Her Blackness gives the end of this movie  a wholly different meaning, which I’ll have to discuss in another post.

There’s very little wasted space in this film, which is less than two hours, but feels   longer because the director takes time to have quiet moments to explore Melanie’s world from her point of view. She is in nearly every frame, she is the one around which the other characters revolve, and she moves the plot forward with the decisions she makes, especially the last one.

I considered giving away the ending of the movie, because I wanted to discuss how groundbreaking this is, but if you’ve read the book you already know it, and if you haven’t, I really don’t want to rob you of your feelings (and you will have some) when you see it for yourself, as everything that happens in 90 minutes of the movie is what leads up to Melanie’s final decision.

This is an excellent movie to watch on Halloween night along with, 28 Days Later, and Train to Busan, two other films that have WoC dealing with a zombie apocalypse.

28 Days Later will be my next review.

ETA: The Website featuring this list is available at the Graveyard Shift Sisters.

http://www.graveyardshiftsisters.com/2017/09/watch-31-horror-movies-starring-black.html

 

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Weekend Reading Roundup (October 2017)

Some interesting articles and news items from the past week.

Race and News Media

http://fair.org/article/racism-and-mainstream-media/

http://www.stopracism.ca/content/racism-and-media

https://en.wikipedia.org/wiki/Racial_bias_in_criminal_news_in_the_United_States

http://www.slate.com/articles/news_and_politics/culturebox/2017/10/playing_devil_s_advocate_in_conversations_about_race_is_dangerous_and_counterproductive.html

 

Race at the Movies

*I’m a person who studies these subjects, and while I did know about some of these issues, I still managed to miss some of the others:

https://shadowandact.com/hyper-tokenism-ii-othering-the-black-female-body-in-star-wars-the-force-awakens/

*http://www.racebending.com/v4/blog/aliens-looking-white-extraterrestrial-skin-color-in-sci-fi/

https://www.wired.com/2016/02/geeks-guide-diversity-destroy-scifi/

 

On Harvey Weinstein

*Sexual abuse and harassment in Hollywood is an industry wide phenomenon.

 

http://www.shakesville.com/2017/10/men-who-are-bullies-hurt-women.html

https://www.thecut.com/2017/10/why-the-weinstein-sexual-harassment-allegations-came-out-now.html

https://www.washingtonpost.com/blogs/compost/wp/2017/10/06/harvey-weinstein-and-that-different-time-when-hostile-workplaces-were-totally-okay/?utm_term=.daf14ea32517

https://www.newyorker.com/culture/jia-tolentino/how-men-like-harvey-weinstein-implicate-their-victims-in-their-acts

https://www.newyorker.com/news/news-desk/from-aggressive-overtures-to-sexual-assault-harvey-weinsteins-accusers-tell-their-stories/amp

*The fallout from Rose McGowan being banned from Twitter was White women’s allyship being called into question by WoC, when White women decided to boycott Twitter in support of McGowan.

http://www.newsweek.com/women-color-wonder-why-it-took-until-now-white-women-boycott-twitter-684198

 

*An unexpected Tweet from Terry Crews on his own brush with sexual assault, and why, as a Black man, he never told anyone:

 

 

Black Movie Critic List

*Earlier I did a post on finding Black critics of Black media like Luke Cage and came across several, including an organization developed specifically to support such critics.

http://www.aafca.com/

https://splinternews.com/theres-a-huge-divide-between-how-black-and-white-critic-1797478105

https://kinja.com/danielleyoungproducer

https://www.theringer.com/authors/k-austin-collins

http://www.rogerebert.com/contributors/angelica-jade-bastien

http://www.aafca.com/carlas-corner

 

On White Men With Guns

*I feel some kind of way about watching this show, especially after what happened in Las Vegas..

The Punisher

Let’s talk about The Punisher, for a second. You know, the guy with the massive guns, chip on his shoulder, and penchant for killing people?

Are we gonna talk about how his whiteness plays into people’s acceptance of him?

Are we gonna talk about how his use of violence is pretty much accepted and lauded because of the fact that he’s a white dude?

Are we gonna talk about how Jon Bernthal had to fight to make Frank Castle unheroic on set, and how fans are still going to talk about him like he’s the greatest thing since Iron Man?

Are we gonna talk about how Frank’s whiteness allows him the space to be violent, gory and still sympathetic?  While Black heroes (like David Walker’s Nighthawk) do the exact same thing, but aren’t supported?

 

https://www.splicetoday.com/moving-pictures/taxi-driver-and-the-culture-of-violence

https://www.washingtonpost.com/blogs/compost/wp/2017/10/02/when-white-men-turn-into-lone-wolves/?utm_term=.d13d79b39238

https://theintercept.com/2017/10/02/lone-wolf-white-privlege-las-vegas-stephen-paddock/

 

 

On Rick and Morty Fans

I’m not a fan of this show. I just don’t have the patience for any of the character’s shenanigans at this time, but I’m thoroughly and completely appalled at what most fandoms have come to, at this point. Geek fandom was never a healthy place for me, to be honest, but fandom today seems to be especially toxic, with an influx of the kinds of people who have no idea how to be fans of pop culture, (although to be fair this has been happening in sports for decades.)

http://www.indiewire.com/2017/10/rick-and-morty-szechuan-sauce-breaking-bad-pizza-fandom-gone-bad-1201886904/

https://www.forbes.com/sites/danidiplacido/2017/10/08/rick-and-morty-fans-take-obnoxiousness-to-a-whole-new-dimension/#1e71038676ac

https://www.polygon.com/2017/10/9/16447460/rick-and-morty-szechuan-sauce-mcdonalds-fans-anger

 

 

Free PDF Book List On Race

Found from various places online:

The Pedagogy of the Oppressed by Paulo Freire

Angela Y. Davis – Are Prisons Obsolete?

Angela Y. Davis – Race, Women, and Class

The Communist Manifesto – Marx and Engels

Sister Outsider: Essays and Speeches by Audre Lorde

Three Guineas by Virginia Woolf

Critical Race Theory: An Introduction by Richard Delgado and Jean Stefancic

The Black Image in the White Mind: Media and Race in America- Robert M. Entman and Andrew Rojecki

Ain’t I a Woman: Black Women and Feminism – bell hooks

Feminism is for Everybody – bell hooks

outlaw culture – bell hooks

Faces at the Bottom of the Well – Derrick Bell

Sex, Power, and Consent – Anastasia Powell

I am Your Sister – Audre Lorde

Patricia Hill Collins – Black Feminist Thought

Gender Trouble – Judith Butler

Four books by Frantz Fanon

Their Eyes Were Watching God – Zora Neale Hurston

Medical Apartheid – Harriet Washington

Fear of a Queer Planet: Queer Politics and Social Theory  – edited by Michael Warner

Colonialism/Postcolonialism – Ania Loomba

Discipline and Punish – Michel Foucault

The Gloria Anzaldua Reader

Capitalist Realism: Is There No Alternative? by Mark Fisher

This Bridge Called by Back: Writings by Radical Women of Color by Cherríe Moraga & Gloria Anzaldúa

What is Cultural Studies? – John Storey 

Cultural Theory and Popular Culture – John Storey

The Disability Studies Reader 

Michel Foucault – Interviews and Other Writings 

Michel Foucault – The History of Sexuality, Vol. 1Vol. 2Vol. 3 

Michel Foucault – The Archeology of Knowledge 

 

Things I’ve Been Watching (October 2017)

Here are some of the shows I’ve been looking at this month. There’s a lot of releases, and I can’t keep up with a lot of them, but I’ll watch what I can and get back to you on what I thought about them.

The Gifted Season Premiere

Image result for the gifted

I’m simply not in the mood for this show, and I’m fed up with this type of plot, now. It’s loosely based on some of the X-Men and New Mutants comic books, in that it has some Sentinel plotline, and some of the characters from those groups. Stephen Moyer stars as a lawyer who used to prosecute mutant criminals, and  the father of two young mutants, now on the run from the government, which is rounding up mutants and imprisoning them in scientific camps.

I tried watching the first episodes, and while I like a couple of the characters, the show is simply not compelling enough to keep me watching it every week. The characters have the usual teenage angst, with superpowers, that made me dislike the First X-Men movie. Blink is a teenager who can teleport by creating portals, and Thunderbird, who is Native American, is a kind of tracker of people and things. I’m dismayed that the show used the Native American tracker stereotype, as that’s nothing like Thunderbird’s actual powers in the books, which consists of speed and strength.

And I’m just not here for yet another plotline of people with superpowers being rounded up and used by the government. This seems to be the only plotline they can come up with for superpowered characters, especially on TV, and once again, there is only the focus on how this affects White, suburban, middle-class families.

Just like with the show Heroes, there is no focus on how the discovery of superpowers would affect any marginalized communities, something I would consider much more entertaining, and which the show Cleverman handled with a certain amount of depth. As I complained about before, we keep getting stories about middle-class White characters being subjected to the same oppressions that have been visited on marginalized communities. This show would have had far more depth and been much more interesting if it had been set in the G/L community,  or the Black and Latinx communities, in which this type of interment is already occurring.

In the forties, the Japanese were rounded up in internment camps because they were considered a danger to the US, and later, authorities used to raid the gay and lesbian communities and lock them in jails with the full force of legal authority behind them. Today, its immigration officials grabbing random Brown people out of their homes, and locking them up on suspicion of being illegal immigrants. What do you want to bet that none of these things will be addressed in yet another show where we see average White people being treated in the same manner?

 

Legends of Tomorrow

Image result for Legends of tomorrow

I’m looking forward to this new season. I really enjoyed the season premiere, which was a lot of fun and addressed a couple of cliffhangers from last season. This season will also introduce one of my favorite characters. Constantine.

Constantine’s show was something of a bust, but I think he’ll fit right in on this ensemble show, because he just works better when interacting with other super powered, snarky,  characters, and yes, the writers have promised to keep his canonical bi-sexuality intact, something which was never addressed in his own show.

Also, returning this season is Captain Cold, played by the very candilicious, Wentworth Miller.I always loved his dynamic with Heatwave (yeah, I totally ship those two) and I’m looking forward to the two of them meeting again, especially after Cold sacrificed his life to save the team, in a previous season.

I generally like all the characters on this show. My top favorite is Firestorm. I remember reading those comics as a kid, and briefly again in the 90s. He’s an interesting binary character of an older White man named Stein, and a Black teenager named Jackson, and I love the friendship that has developed between the two of them. The show has managed to carefully avoid the stereotype of the Black brute, who is nothing but the muscle in their relationship, by making Jackson an engineering genius, with Stein as his mentor. so naturally, Stein will be leaving the show later this season. I wonder who Jackson’s new partner will be.

I least like Black Canary, but I think that has more to do with the actress, because I like the version from the comic books just fine.

In the last season, the Legends broke the world by causing a set of time anomalies, which caused them to get kicked out of their spaceship. We open the episode with them leading normal lives on Earth. Black Canary is working, unhappily, in a department store, and Jackson is attending college. Stein appears to be the only happy one, spending time with the daughter he never knew he had, from another timeline. Heatwave, played by Dominic Purcell, is also having the time of his life, vacationing on the beaches of Aruba, before he is attacked by Julius Caesar, another time anomaly.

The team gets called back together to fix the problems they caused with all their time travelling last season. This show airs after The Flash, which is absolutely perfect, since I’m really starting to like The Flash a lot more, and have started regularly watching that.

 

 

Brooklyn 99

Image result for brooklyn 99

When we last left The 99 last season, Jake and Rosa were sent to prison, for a crime they didn’t commit, by a corrupt cop. When we meet up with them at the beginning of the new season, the two of them are not adjusting well to their situation. Jake’s roommate is a cannibal, played by Tim Meadows, (he is extremely funny), but we don’t get much insight into Rosa’s situation. We spend most of our time with Jake, as he tries not to get outed as a cop by the Warden, who is trying to capture a drug smuggling ring, run by Lou Diamond-Phillips. I liked the guest stars more than I liked Jake in these episodes, and I hope to see more of Lou Diamond’s character in the future. He so rarely gets to do comedies, and I think he’s hilarious here.

Amy and Charles are working hard to find proof that Jake and Rosa were set up and come up with zany schemes to do this, even though Charles thinks his podcast about Jake should be enough to free him. One of the funnier running gags is that he invited Terry on the podcast, but the interview wasn’t successful, and Terry is confused about why.

By the end of the second episode, all is well in the Kingdom of 99, Jake and Amy have been reunited, Charles can give up his podcast, and well, Rosa remains very much Rosa. I normally do not watch shows about cops, (as I consider all of them to be thinly veiled propaganda about the inherent goodness of law enforcement), but I will make an exception for a really great, or funny show, and Brooklyn 99, along with the very politically incorrect Reno 911, are worth the watch.

 

The Exorcist Season Two

Image result for exorcist season two

Well, I think its too much to say this is an enjoyable show, because its supposed to be scary, but it does star John Cho as one of the shows leads. The show does have some issues though. I’m not at all interested in the storyline of the two priests who have made off with the possession victim from last season, and the gruff speaking victim gets on my nerves after about thirty seconds, but fortunately her onscreen time can be easily ignored. I just pretend I’m really engrossed in my knitting when she’s on the screen.

John Cho’s storyline is far more interesting, as he stars as the father figure for a home of orphans with severe trauma issues. The home is being visited and assessed for its level of care by an old flame of John’s, so the show is killing it in the Asian representation column, as this role is being played by an actress named Li Jun Li, and I’ve become very invested in their relationship, although I do fear for the life of the young lady, because TV loves to kill off  Asian characters, and that actress isn’t especially well known. The last time we saw Jun Li, she was the coroner from the show Minority Report, and was dressed like a Rave victim.

Well, inconveniently there’s some spooky happenings at the house and the kids are acting up and misbehaving in ways they didn’t before she came there, which increases the tension between her and John’s character as he wonders if she can be fair to him, especially taking into account their dramatic past together.

I’m looking forward to the rest of this season because its so rare to see Asian Americans as stars in a horror show. Actually, this show is pretty good about diversity, and a sensitive portrayal of children with various disabilities. The disabilities are not the source of any of the horror (some outside force is) so that’s another stereotype that’s been upended.  Its not as hysterically over the top as American Horror Story, so I’m able to get caught up in the mystery without getting a headache, and the characters are all mostly likable.

 

The Flash

Image result for the flash season four iris

I’m just really starting to get into this show. I watched most of last season and understood maybe half of what was happening, but I did like the characters, which is what mostly draws me into a show. My favorite characters are Iris, and Cisco, and I got to see a lot of both of them in the season premiere, although I like all of the characters on the show except Caitlin Snow. That actress acts like she’s in a different show altogether, but she has good chemistry with the other characters, so I can tolerate her.

Can I just say how much I genuinely love Iris. She is by every definition of the term, a  rare flower. She’s gorgeous, graceful, intelligent, and heavily reminds me of Nichelle Nichols version of Uhura, an example of the kind of woman I wanted to be as a child. I hate to say this, because I really like Barry, but she is waaaay too good for him. I also love that Iris is a Black woman, because it’s so rare that Black women get to be loved, sacrificed for, or  damseled in mainstream media, and I am here for it. She also gets some really nice speeches during the episode.

Last season, Barry sacrificed himself to save the love of his every existence, and entered what is known as The Speed Force. I think its the source of his powers or something. I’m not too clear on that. Anyway Cisco comes up with a way to save him, but the Barry that comes back to Earth is deeply confused and unintelligible. The entire situation is complicated by a supposed new enemy, come to challenge Barry, a Samurai with a sword that causes earthquakes. The entire crew needs to save Barry, so he can save the city.

I’m looking forward to this new season as I’ve heard that Ralph Dibney’s Elongated Man will be featured on the show. I used to read  his comics as a kid.  Harrison Wells will be making another appearance, too, along with a character played by Danny Trejo. Katee Sackoff is also supposed to show up as a supervillain, I think. Killer Frost has already put in an appearance in this first episode, and this season is supposed to have a lighter tone than the last, which I think all superhero shows could use a dose of.

So, I’m in, I guess.

 

The Orville

Image result for the orville

I’ve been watching this off and on.. Its still rather uneven n tone, but hopefully it will settle down into what it wants to be by the end of the season. Its not a bad show but it wavers between wanting to be a comedy, with some rather juvenile humor, a drama relationship, and a space opera, and these three things while done effectively, are not meshing well with each other. The switches between styles can be jarring and obvious.

Seth McFarlane’s presence does bring in the guest stars, though. We got a Charlize Theron guest shot, and a cameo from Liam Neeson, which was pretty cool. I kinda like most of the characters, but the surprise for me was the ex-wife and  First Officer, played by Adrianne Palicki. Her, and most of the other women, are the  smartest people on the show. Most of the guys are well… kinda weird, and not too bright, but I like them anyway. There’s a metal robot, and an alien with a same sex husband, and so far the show has been very respectful of the two of them, treating them just like any other couple on the ship. I’m not sure this counts as gay representation though, since they’re both aliens from a mono-gendered  planet.

Its not a bad show. Or rather, not as bad as I thought it was going to be because I was a little dubious about McFarlane being on the show and he and I don’t share the same humor. We still don’t, but so far he hasn’t done anything to actually upset me, so I’m inclined to keep watching.

 

American Horror Story

I’ve pretty much stopped watching this. I’m just not in the frame of mind to consider it entertaining right now, even though it may well be for some people.

 

Outlander

Image result for outlander season 3

I’m a lot less interested in Claire’s life in the fifties and sixties then I am in her life in the past, which is how this season has begun. In order to raise their chid in safety Claire has gone back to her own time period to raise her little girl. Her current husband has issues with this of course but is willing to wrap his head around the fact that his wife has two very different lives, and that her child is not his. That’s a lot to ask of a man, but he seems to be down for all this.

There’s slightly less Jaime in the opening episodes of this season, so I’m not really as invested as I normally would be. I generally do not like romances, and I haven’t read any of the books this show is based on, but I actually like the show for the romance between Claire and Jaime. Go figure! I guess I’m just a sucker for a period romance, I guess.

 

Forthcoming

This weekend is the debut of the show Mindhunter by David Fincher on Netflix. I’ll definitely be watching it, as its based on one of John Douglas’ non-fiction books on serial killer profiling. I’ve read all of his books as he makes the topic very accessible. Also I like David Fincher. The Atlantic review is here:

https://www.theatlantic.com/entertainment/archive/2017/10/mindhunter-review-netflix/542781/

 

My review for the first few episodes will be next week along with my long form review of Bladerunner 2049.

I was supposed to see The Mountain Between Us with Mum, but she changed her mind, the night before, and kicked me out of the house to go see what I wanted, all by myself. I really enjoyed Bladerunner, and have a lot of feelings, and thinky-thoughts about it. My review is in two parts, covering the plot and characters, in comparison to the first film and the book, and then, in part two, some of the technical stuff, like the cinematography, music, and themes.

 

Amended to add: The Supernatural Fox Sisters have a thread up on Twitter listing 31 Horror movies that feature Black women, and rather than review The Thing vs The Thing, I think I’m going to review a few of these movies instead, as some of them are my favorites exactly because there are Black women in them as the main characters.

http://www.graveyardshiftsisters.com/2017/09/watch-31-horror-movies-starring-black.html

I chose five of these movies from the list to review. I’ll surprise you with which ones.

Last Week Tonite On Tumblr

Generally happy stuff to start off your week, especially if you haven’t heard some things yet:

Movie News

Image result for happy kermit gif

The first official trailer for Pacific Rim is LIT!!! Hollywood is killing it with the music for these trailers, but I do have to remind them that just because a movie has Black people in it doesn’t mean you need to put rap music in the trailer. Some of us recognize different musical styles, although I realize that the soundtrack can go a long way towards getting a certain type of Black guy into the theater, (namely that no account Pooky from down the street.)

I love that we get to hear Boyega’s natural accent again in an action film. I’m definitely taking my niece to see this because she loved Mako Mori in the first movie, and John Boyega was her first movie boyfriend. This movie also heavily reminds me of The Power Rangers, only for grownups, because its more violent. (I’m pretty sure there’s also lots more of the cussing.)

Boyega stars as Jake Pentacost, the son of the late Stacker, who gets called into Jaeger service, from his underworld criminal lifestyle ,by his adopted sister, Mako.

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I’m really looking forward to the reboot of The Predator franchise because it has a long history of racial progressiveness. The first movie featured the first time team up of Arnold Schwarzenegger and Carl Weathers, and I guess the makes realized they had a good thing going, because the second film starred Danny Glover ,as the hero of the movie, and Maria Conchita Alonso, who gets to live to the end of the movie. The third movie, Alien Vs Predator starred Sanaa Lathan, a Black woman as the hero of that movie and it’s one of my favorite Predator films, naturally. 

It’s interesting that as many tropes about race have been created in the horror genre, it’s also been a genre that’s been very progressive in its treatment of women, and characters of color, allowing them to be heroes and heroines, allowing them to be the stars, and sometime save the day, or the Earth. But this version of Predator appears to be more mainstream and there’s always tropes in mainstream movies.

Its as if mainstream movies know no other language beyond the visual shorthand of stereotypes (or maybe mainstream writers are just a bunch of lazy fucks who are unwilling to think outside the box). Namely The Black Guy Dies First Trope, and The Smurfette Syndrome.

Mainstream movies simply don’t have  track record for subverting tropes that the Horror genre does, and I’ve noticed, the more mainstream a horror movie  franchise becomes, the less likely it is to star a PoC, or have the woman be the primary character. This isn’t a hard and fast rule, just a trend I noticed.

I do blame the original Nights of the Living Dead for this. Something of George Romero’s liberal sensibilities in the making of that movie (and casting a Black man as the lead), has made its way into the genre.

Also, I just love Keegan Michael Key and want to see him defeat a Predator.

Keegan-Michael Key Joining Shane Black’s ‘The Predator’ (Exclusive)

http://www.hollywoodreporter.com/heat-vision/predator-keegan-michael-key-joins-shane-blacks-reboot-961207

Director Shane Black has shared a look at his team of alien hunters.

Soon, the hunt will begin... again.

 

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I thought this was a really interesting article about casting more than one Black person per movie. Now if we can get to the point where we can cast more than one gay person per film, or one woman per action  movie, or hey! let’s get all wild and shit and put two, count ’em! TWO, women of color in one mainstream movie, and let them interact with each other. 

I know, it’s crazy right?!!!

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Chadwick Boseman And Sterling K. Brown Remember When There Could Only Be One Black Actor In A Movie

“The opportunities are not so scarce. And that’s an important moment to note.”

https://www.buzzfeed.com/jarettwieselman/chadwick-boseman-and-sterling-k-brown-remember-when-there?utm_term=.jfaWKG0qQ#.wavvWkD5R

Chadwick Boseman and Sterling K. Brown in Marshall.

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Here is the official trailer for the live action version of Tokyo Ghoul. I’ve heard that Hollywood is planning an all out assault on Manga with live action movies of some very famous books. My stomach dropped as soon as I heard that because nobody, and I mean NOBODY, is asking for Americanized versions of Full Metal Alchemist and Akira. ( I swear to Gob, if Akira does not star Osric Chau, I’m gonna personally send J J Abrams a strongly worded letter suggesting that he go fuck himself!) Now these movies have not been cast yet, but hopefully, they learned their fucking lesson from the handful of whitewashed flops in the past few years. 

Yes, it looks almost as terrifying as the anime!

Note to Hollywood:

Please, stop removing Asian people from the stories they created, and cast them as the main protagonists!!!!!

People who are fans of these stories are well used to seeing Asian faces, and some of us have a pretty large pantheon of Asian, and Asian American actors they enjoy watching. We do not read anime, or read Manga, so that we can see White people. If we wanted to see White people in Asian influenced media, we’d just watch your whitewashed dreck!

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This is why Osric Chau needs to be in any live action version of Akira. Here he is  in a (kind of) fan made trailer of The Akira Project. This is AWESOME!!!!

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The Twitter and Tumblr response to this article had me cackling the whole week. I mean, how do you reach a point in your emotional development, where you have had your ass beat by this person 18 times, and you still out here signing checks your ass can’t cash, even when you cheat.

Maria Sharapova’s Rivalry With Serena Williams Is In Her Head

Sharapova’s new memoir suggests that she still can’t seem to accept the reality that her whiteness is not enough to compensate for her own failings.

https://www.buzzfeed.com/bimadewunmi/maria-sharapovas-rivalry-with-serena-williams-is-in-her-head?utm_term=.jpMJEzJvw#.mjQPrOPmB

She’s not good enough at tennis to have a rivalry with Serena. You have to be able to sometimes be able to beat someone for it to be a rivalry as opposed to a regularly scheduled ass whoopin’.
It’s never a rivalry if you’ve only beaten someone two times and they’ve beaten you 18 times in a row and badly Serena has decimated this woman for a decade-plus there is no rivalry it’s only Domination by Serena, Maria knows that but pride mixed with delusion is a motherfucker

that’s like me having a rivalry with bill gates lmao

 

I have a rivalry with Beyoncé

 

It’s like I had a rivalry with god by throwing rocks at the sky.

 sauvamente

Sharap it’s over needs to put the meth pipe down and face reality. She’s shit and a cheat. Retire.

 pinkcheesegreenghost

Even illegal, performance enhancing drugs wasn’t enough to keep her from losing 18 times

 stayingwoke

18-2. That’s 90%. I don’t even have a 90% win rate in closing a car door all the way.

 

my-friends-call-me-lol

I have a rivalry with the sky, nothing can be higher than me.

 btheadventurer

Serena don’t give a fuck bout her. She’s literally has beef with her imagination.

 

 

 

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*Okay , here’s some commentary on why dystopian apocalypse wardrobes always seem to consist of bondage and fetish gear. Personally I blame Mad Max for starting that trend, but this person has another theory on this very important issue:

why does so much post apocalypse media have people wearing straight up bdsm/fetish gear like. do the kinksters watch the world ending and think “oh boy i can wear my bondage gear in public now”

 

What I wanna know is why the spiky kink warriors are always the bad evil marauders. They might be into some weird shit and unafraid to show it but that doesn’t mean they want to go around killing dudes. They’re a tight-knit bunch. A lot of them are queer. They understand the importance of community.

If the government collapses and all laws come to an end, the people rampaging around killing and looting are gonna be like, frat boys and 4chan rejects. You can mistrust the bondage raiders all you like but they’re definitely the ones you’re going to run to for help when the neoliberal blood cultists and Nazi meme demons lay siege to your survivor enclave. There’s gonna be gayboy berserkers busting up slaver gangs and burning down warboy frat houses. The assless-chaps leather daddies and weird petplay people are gonna be the accidental peacekeepers of the post-apocalyptic world just because they’re the only motherfuckers who understand the importance of consent anymore.

Listen. Don’t come to me asking how to get the secret cadre of bisexual death commandos to protect your wretched tent village if you’re scared that we might call in the kinksters for backup. I don’t give a shit if they dress up like dogs and spend all day writing poems about butt plugs. There’s assholes out there acting like Vlad the Impaler on a meth bender and you’re afraid of seeing a nipple. Fuck you. If you really want to get rid of the MRA death gangs you’re going to have to accept that a lesbian chainsaw dominatrix or two might be involved. It’s the fucking post-apocalypse my guy we gotta weigh our priorities here

 

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I love these Gothic Fables :

Black Diaspora Gothic

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your mother tells you to go find something for her. it’s not there. when she goes looking for it, it reappears, just where she said it was.

this woman is your auntie. that man is your uncle. you have too many aunties and uncles to remember. you haven’t seen them, but they all have seen you. you know, when you were no bigger than THIS?

 

You start to notice that your mom actually does look like one of your little friends. Too much. More and more each day.

You do have ____ money, but you don’t know where it is coming from. It’s just that every time you put your hand in your pocket you have just the right money you need.

 

You buy a tin of brand new cookies. When you open it there are only sewing supplies. Tin after tin there are only sewing supplies. You continuously have cookie money, but there are no more cookies.

 

you are walking down the street. you spot your favorite cousin and wave in greeting. but wait – she has a friend with her. the friend is also your cousin. he smiles. you have never seen this man in your life. it’s fine. family is family.he waves at someone behind you. it’s your cousin. your cousin waves. the legion of cousins waves
as a child, the sizzle of a hot comb or the burn of a relaxer has desensitized yet traumatized you. you tell yourself there’s food at the house just when you think about heading down to wendy’s. there’s always food at the house
  1. nightshadepaladin the-afro-argonaut

    you take the chicken out of the freezer.your mother calls. did you take the chicken out of the freezer? of course you did – but the counter is bare. you take the chicken out of the freezer.did you take the chicken out of the freezer? of course you did. you do a double-take. there is no chicken. there is no freezer.<i>did you take the chicken out of the freezer?

    You think you might be suffering from amnesia … You could have sworn you just took the chicken out of the freezer but each time you go back to check on it thawing you find it right back in the ice box. Maybe you just imagined taking it out. But this feels like the third or fourth time.. Also, hasn’t the clock read 4:15 each time you remember coming in to take it out? Just 45 minutes before mom is due home. Theres nooo way it’s going to thaw in that amount of time…

    butpersephoneitsspring

    you open a tub of ice cream and find rice. you open another, and find chicken; you open yet a third, and find stew. was there ever ice cream in the house? does ice cream exist at all? you don’t know.

    aphonicgod

    that girl? she your 5th cousin twice removed. both your parents got 5+ siblings and those siblings each have 3-5 kids. your great grandparents had 15+ kids and 10+ siblings. that random guy who says hi to you is actually your 3rd cousin his name is Jackson. say hi.

    Your mom’s always asking you if you think she looks like Booboo The Fool. You’ve never met this person, but you instinctively know that the answer should be no. One day your mom looks a little different. Is it her, or is it Booboo?

    Your mother tells you not to play in your nice clothes. After school you come home and take off your nice clothes and replace them with your play clothes.While out playing with some friends you fall into some mud. You look down and you’re still in your nice clothes. Not the other ones your switched into.In the distance you hear the distinct snap of a switch being made.

     

    lkeke35 

    You remember there’s food at the house just before you decide to go to Wendy’s. There’s always food at the house. The food is always freshly made and hot, and although there’s a huge variety to choose from, it’s always the same dishes. Cornbread, yams, potatoes, fried chicken, biscuits, green beans, a variety of side dishes but only ever one kind of meat: chicken.You’ve never seen anyone cooking in this house. You know the people in it have full time jobs, but the food is always ready no matter the time of day…or night.

    You are not The One. Your mother is not The One.No one knows The One.But everyone knows The One is somewhere.Everyone knows The One is waiting. And if someone finds The One…Pray no one ever does.

    isisnicole 

    You are told to fix your face or it will be fixed for you. My face is a part of your face so are you fixing your face also? You fix your face does my face get fixed at the same time?

    stsathyre intheindigo

    There’s just a little clap of thunder, not even full applause. Turn off the TV. Turn off the lights. Don’t touch the phone. Stay out of the tub. Whatever you were watching will never be seen or heard from again.

    You go outside to play, but you can’t come back in, because you smell like outside. You smell like an abandoned baby bird. Not her baby bird. How does one smell like inside again? Somehow you get dinner.

    Your mother had a dream. She calls every family member living or dead.

    fantasticallyvicious sauvamente

    grandma says “stop runnin in and out of my house.” grandma says “close the door you lettin all the cool air out.”every time you open one door, a different but similar grandma waits, demanding that you close the next portal to their worlds.

    spookiest-star iridessence

    You hear your mom call your name from another room. You respond only to be met with silence. You immediately get up and start running to find your mom, knowing she expects you in front of her ASAP. The silence is deafening. You hear your name called again, this time with a sharper tone. You’re not sure where the voice is coming from but you run around, only finding empty rooms. Again, your name is called with the ferocity of nails on a chalkboard and you panic. Your mother’s voice carries…

     stonecoldfemme

    You open the Danish cookie tin and find sewing supplies. Your trust has been broken. You have never seen the tins in the store, and when you finally do, you are afraid to look inside. Who are these people that create sewing tins with cookies on them?

    karnythia cypheroftyr

    There was a party. You made yourself a plate to take home. It was not enough food. It is never enough food. Even though you cooked too, the ribs made by someone you don’t know are the best you have ever had.

     karnythia

    the women have been doing your hair since you could sit up. the hands in your head are both familiar and new at the same time. each touch is a memory handed down from women for generations. out of the corner of your eye you see your mother’s mother’s mother’s behind you. stay still. don’t cry. tenderheadedness is a fault. you must suffer to be respectable, black girl child, the hot comb smells of seared ear skin.

     

     angelsscream

    Your fave Auntie makes the best potato salad. She is designated potato salad maker by the family. You get to the cookout, your fave Auntie couldn’t come and your not fave auntie made the potato salad.

     boolyphyll

    Your mother tells you to take the chicken out of the freezer before she gets home. You take out the chicken. You take out more chicken. The chicken never ends, the freezer is full of chicken, and only chicken. She gets home, everything you brought up and put on the counter is not the chicken. She is furious.

    psammoma 

    Your mother tells you to do the dishes. The sink is empty, the dishwasher is empty. You search the house for dishes. You own no dishes. You don’t remember owning any dishes. What are dishes? Who are they? Your mother screams at you to do the dishes. “What dishes?” You cry. “ALL THESE RIGHT HERE!” She screams, pointing at the sink. The dishwasher. The counters. There are no dishes. But you do the dishes.

     

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The X-Men

I’ve been reading the X-Men comics since the 80s and I can fully attest that this is generally true. This really is what most of the plots were in the 80s and 90s. I stopped reading the books in the late 90s, but I imagine this is still true:

A Complete Listing of All The Plots of the X-Men Comic Books

– vampires vs xmen
– god damn it where is [insert xmen]
– youre a better leader. no youre a better leader. no youre a better leader. no youre a b…
– someone dies
– someone comes back to life
– THE XMEN GO TO SPACE
– magneto is in the yard and wont leave

 

– Time for the annual kidnapping (either Mags and Charlie or Sabretooth and Logan, occasionally others)
– House blowing up builds character
– Put that thing back where it came from or so help me

 

-i came back from the future because you need to stop

-your best friend turns out to be mystique

-hey look some new x kids, time to ignore the ones we already had for the rest of *checks watch* forever

-the x men are DISBANDED!!!!!

-alternate universe babies

-your best friend turns out to be a clone/xorn/psychic projection

 

-well i guess it was Mr. Sinister all along

-fuck the Summers family

-no seriously fuck the Summers family

-i quit the x-men but normal life sucks

-just like the last time but i guess kind of grittier

-fuck the Summers family… IN SPACE

-wellp i guess Charles faked his own death again

-goddamnit Hank don’t put that there

 

– who the fuck is possessed this time

– the villain is in love with storm but who can blame them

– goddammit give me my body back you’re using it WRONG

– somehow we’ve ended up in a fetish club, let’s just go with it

– we’re revamping the uniforms again! deal with it logan

– our powers are gone! now they’re back! now i’ve got someone else’s!

– who wants more trauma? too late, you’re getting it

– the phoenix force is tired

 

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Introverts

Seriously, this speaks to me for some reason:

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Disability

*As a person with one of those unpredictable disabilities, where I have good days and bad days, I just found this post hilarious. Yes, I have wanted to say these things to able-bodied people:

you ever realize how able bodied people just are not expected to do things that cause them excruciating physical pain? like they’re just. not

if i shouldn’t use my cane because i can sometimes technically walk without it, it would just hurt like a motherfucker then abled people should no longer be allowed to use potholders to take things out of the oven because i mean

well they could technically pick up a hot pan with their bare hands. it would just hurt like a motherfucker

 

*sees an abled person using potholders*

i just think it’s really sad that you’re giving up on yourself like that

 

*abled person rests the day after they sprained an ankle*

‘oh come on you can’t just lie in bed. it won’t get better if you don’t run around! get up and help me!’

*abled person uses protective eyewear when handling dangerous chemicals*

‘sweetie why would you limit yourself like that.’

*abled person wears shoes*

‘some people are MUCH WORSE OFF THAN YOU and they don’t wear stupid things like shoes! stop pretending that it hurts to tread on broken glass’

 

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*The Defenders

Really, I actually liked The Defenders, but this post is an incredibly accurate description of each of these character’s approaches to problems:

The Defenders: How Shall We Get to the Boardroom?

Danny “White Privilege” Rand: Shows up in a suit, gets escorted in by security.

Luke “Harlem’s Hero” Cage: Busting in like the Kool-Aid Man

Matthew “Vigilantism as an addiction metaphor” Murdock:unnecessary staircase parkour with a scarf on his face

*Jessica Goddamn Jones: Takes the fucking elevator like a normal-ass person, what is wrong with you people.

Discussions and Linkspam (October 2017)

So it is officially October, which means its time for me to start watching and reviewing horror movies. Its also the start of Pilot season, with new and old shows premiering on network TV. I’ve already watched the new season premiere of The Exorcist and I liked that, along with episodes of The Orville. I have not yet watched The Gifted, and I simply skipped The Inhumans. I may check out the second episode of it though. There are also a few movies I’ll be reviewing this month, too.

 

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Mad Max: Fury Road and Disability

https://www.newyorker.com/news/news-desk/from-louis-armstrong-to-the-nfl-ungrateful-as-the-new-uppity/amp

View story at Medium.com

http://smartbitchestrashybooks.com/2015/06/mad-max-fury-road-makes-rape-arguments-invalid/

http://www.popmatters.com/feature/194573-power-and-disability-in-mad-max-fury-road1/

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Black Issues:

When I was watching American Gods, we got to see penises all over the place. The show did not shy away from depicting them, but one thing that was absent was any sign of Ricky Whittle’s (as he is the only Black man in the show. ) I do recall a full frontal Black male in Westworld, and I was kinda shocked. Not because of what it was, but because it’s so rare.

Don’t laugh! This is important. #Allblackpenisesmatter!

Yeah, this is a pretty good reason why I don’t, and have never watched almost anything on CBS. (I used to watch the Big Bang Theory until I began to really, really, hate every single one of the main characters on that show.) Nevertheless CBS is very possibly one of the Whitest networks.

https://www.salon.com/2016/05/22/cbs_is_the_gop_of_tv_the_networks_year_of_white_men_coincides_all_too_well_with_the_rise_of_donald_trump/

 

“Ungrateful” is the new Uppity: I don’t think there are enough words to unpack all of the meaning in the word ungrateful. It says far too much about the person using it.

https://www.newyorker.com/news/news-desk/from-louis-armstrong-to-the-nfl-ungrateful-as-the-new-uppity/amp

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From VerySmartBrothers/The Root

These are some of the funniest articles I read last week:

This is an all important discussion on grits. I guess I must be pretty boujie because I will eat grits with sugar and lot and lots of butter, but  I don’t actually care all that much because I will eat grits with anything in them really. Bacon, sugar, cheese, butter, I don’t really care. For me, grits is the main meal.

http://verysmartbrothas.theroot.com/sugar-on-grits-are-the-white-people-of-breakfast-grains-1818998656

 

I think the author of this piece left out the all-important body language portion of this discussion, because “clapping” is key here. If any portion of these phrases is accompanied by measured clapping, especially during the phrasing, then you best just start planning your funeral,  cuz its already too late.

http://verysmartbrothas.theroot.com/threatening-black-phrases-ranked-1818770473

 

It turns out I have quite a bit of Black Privilege, especially #s 18, 16, and 15. Hell, I can’t fight worth a darn, but apparently I look like I can, and have two sisters (and a brother) who love to throw down.

http://verysmartbrothas.theroot.com/types-of-black-privilege-ranked-1818633495

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Everything Wrong with The Big Bang Theory

 

I started watching this show as a favor to a friend who was really into it, and I enjoyed it for a while. When it first aired, I avoided it because I did not like Penny, and after I started watching it regularly, there were a whole host of things I began to actively hate about the show. One of the first things that worked my last nerve was my ideas about  Penny were correct. Penny is a dumb, incurious, basic Becky, with a certain amount of snark, a that snark is only used in service of making fun of the male nerds of the show. 

But my greatest issues were the show’s depiction of  women, and its treatment of  Raj. To a one, every single woman on the show has nothing but disdain, and contempt, for the nerdy pursuits of the primary characters, and I found it very telling that the show’s writers could not imagine any women who were nerds in the same way the male characters were nerds.

That most of these women are in STEM (Science Technology, Engineering, and Math) fields is not a good substitute for their complete lack of appreciation (and even hatred) for nerd culture. Outside of wanting to be princesses at Disney world, the women are shown as humorless, cultureless, unimaginative nags, who only seem to want sex and marriage. This is a white male nerd’s idea of what women are like and it is wholly inaccurate. Also there are absolutely no women of color on the show (beyond Raj’s sister in the earlier seasons, who seemed to be the template for this.) The showrunners simply could not envision a world where women could be, pretty,  involved in STEM, and actually like and appreciate Star Trek, and Disney princesses too (which is impossible, because every woman I’ve ever known in, also STEM loves Star Trek.)

As for the main characters though:

 

*Here are essays on how the masculinity in Fight Club has a direct bearing on the philosophies of the Alt-Right and Charlottesville. This also ties into my theories of how pop cultural depictions of anti-heroes are often adopted by fringe elements, of White male society, to represent their ideas. Characters like Tyler Durden, and The Joker, get to be the public icons of their philosophies, in the same way that Black gangsta rap culture adopted the mafia figures from movies like The Godfather, and 1980s Scarface.

https://www.theguardian.com/books/booksblog/2016/dec/13/fight-clubs-dark-fantasies-reality-chuck-palahniuk

http://www.huffingtonpost.com/entry/fight-club-2-chuck-palahniuk_us_5845c35ae4b028b32338a632

http://thefederalist.com/2017/03/30/why-fight-club-still-matters/

View story at Medium.com

View story at Medium.com

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*Recently on Tumblr there was a discussion of the difference in reception of the movies Rough Night, about a group of White women who get into a night of adventures while partying in the city, and Girl’s Trip, which is about a group of Black women doing the same thing while on a trip to New Orleans. Rough Night was a complete flop, while Girl’s Trip went on to make millions and was a huge hit. Both films have nearly identical premises. Leaving aside the racial aspects, the discussion evolved into the depiction of sex workers in both movie’s narratives, and how sex workers are often mistreated in film and TV. Real world sex workers are often subjects of disdain, contempt, abuse and murder, and it was considered irresponsible for Rough Night to show the death, and humiliation of a male sex worker, as a source of comedy.

“First thing’s first: Strippers are people, and sex workers unfortunately have to tirelessly remind people of this over and over. ‘Sex workers are very marginalized groups of people who don’t have the same workplace safety and rights as other workers—and we get murdered a lot,’” says Arabelle Raphael, a porn performer and sex worker in Los Angeles. ‘Our lives are seen as disposable.’ A long-term mortality study on sex workers found that active sex workers have a mortality rate of 459 per 100,000 people—to put that in perspective, the general public mortality rate is around 1.9 per every 100,000 people.”

http://www.vocativ.com/409744/rough-night-film-trailer-draws-ire-of-sex-workers-and-allies/

https://ww2.kqed.org/pop/2017/06/20/does-rough-nights-box-office-flop-indicate-a-cultural-shift-in-how-we-see-sex-workers/

http://affinitymagazine.us/2017/03/09/rough-night-a-comedy-about-murder-and-abuse-of-male-sex-workers/

Star Trek Discovery S01E03 Review: Context Is for Kings — The Supernatural Fox Sisters

In “Context Is For Kings,” we finally get to meet the namesake of Star Trek: Discovery. The U.S.S. Discovery is a brand new ship on a mysterious mission. It’s a scientific vessel, but with locked lab doors and black alerts. And it may hold the secret to winning the war against the Klingons.

via Star Trek Discovery S01E03 Review: Context Is for Kings — The Supernatural Fox Sisters

 

I did not watch this particular episode except in a couple of snippets online. It was very uncomfortable viewing, but I guess that was meant to be like that. I didn’t expect Michael to receive warm welcomes on the Discovery, but I was dismayed at the shitty behavior displayed by the rest of the crew towards her and wanted to “Force Choke” every single one of them, including her roommate. I understand their feelings about her, but it still felt and looked bad, and I’m not used to that level of sneering contempt from a Star Trek crew, (although the STNG crew was occasionally pretty snobbish.)

On the other hand, it does make for great drama, so I guess that was the point. I liked this review though, which gives a great overview of the episode, without any spoilers, which is totally unlike my overly-detailed ramblings. I can’t watch the show, but I ‘ll watch the snippets, and forward these lovely reviews from the Supernatural Fox Sisters.

Hannibal Kills

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I was asked recently, by one of my readers, (The Laughable Cheese) to elaborate on my thoughts  about the whys and wherefores of Hannibal’s murderous motivations on the show. Now, I’m no psychologist, so what I’m about to write is sheer speculation on my part, based mainly on my thoughts about the series version of Hannibal.

Throughout the series we’ve seen him kill to aid Will Graham, out of spite and anger, to satisfy his curiosity, out of a sense of whimsy, to protect himself from being captured, or manipulate others, but it is not until season two that we get any deeper reason for his murders.

Acc­ording to Holmes typology, serial killers can be act-focused (who kill quickly), or process-focused (who kill slowly). For act-focused killers, killing is simply about the act itself. Within this group, there are two different types: the visionary and the missionary. The visionary murders because he hears voices or has visions that direct him to do so. The missionary murders because he believes that he is meant to get rid of a particular group of people.

Process-focused serial killers get enjoyment from torture and the slow death of their victims. These include three different types of hedonists — lust, thrill and gain — and power-seeking killers. Lust killers derive sexual pleasure from killing. Thrill killers get a “kick” from it. Gain killers murder because they believe they will profit in some way. Power killers wish to “play God” or be in charge of life and death.

— http://people.howstuffworks.com/serial-killer1.htm

I think Hannibal kills for a multitude of reasons, but seems to fit the model of being a process killer. The act is drawn often a long drawn out event, which has a lot of meaning for him. We can see that in his killing and eating of Abel Gideon, in season two and three.

A lot of fans speculate that Hannibal kills because he can, and that’s as good a reason as any other, but I don’t feel that goes deep enough. Hannibal’s reasons are complex. Why does he feel he can? Because Hannibal likens himself to God. Why does he want to assert himself as God’s equal? For the same reason that many others seek to assert their power. Because, on some level,  he knows how it feels to be powerless.

In season one, Hannibal mostly kills the rude (for food), or to protect his identity. He kills Georgia Madchen because he believes she saw him killing Will’s doctor. He killed Will’s doctor because that man knew too much about his unethical manipulations of Will Graham, and could blackmail him for it.

Image result for will and hannibal eating  gifs

The first time we encounter one of Hannibal’s kills,  is when the body of Cassie Boyle is found in an open field. Hannibal has impaled her on a rack of antlers, (and removed her lungs, so that he can eat them.) Crawford and his forensic team discover her body after Will is confounded  about  the murder  of another young woman, named Elise.

Hannibal kills Cassie to provide what Will calls “a negative” to the body of Elise. Will thinks Cassie Boyle was killed to aid him in his search for Elise’s killer, and he’s not wrong. That is one of Hannibal’s motivations for killing the young woman, but another motivation, and this is just my speculation, is that he was also inspired by Elise’s killer, to create a more elaborate death. The way Cassie Boyle was killed was simply a way he hadn’t tried before.

In fact, no mention is made of how the Chesapeake Ripper (also Hannibal) killed or displayed his victims prior to the show’s opening, although the Chesapeake Ripper is mentioned as someone Jack has been hunting for many years. His killing and display of Cassie Boyle is the first mention of what Will calls “Field Kabuki”, which stands in direct contrast to how Elise was killed by Garret Jacob Hobbes. That contrast is what helps Will develop a picture of Hobbes, but also has the side effect of  bringing Hannibal to Will’s attention.

Now remember at this point, Hannibal has only  just met Will, after being given the task by Jack Crawford, of being the caretaker of Will’s sanity, while Will helps the FBI catch serial killers. Already we can see that he is fascinated by Will, and wants to get closer to him. He wants to be friends. So he was willing to take that risk to aid Will. He would get to see how Will’s mind works and better understand him. So one could argue that Cassie’s death was an overture of friendship to Will (although Will does not know that.).

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The very first meal that Will and Hannibal eat together is Cassie’s breakfast scramble. Prior to that we are shown Hannibal eating this alone in his house. He doesn’t appear to have any friends until he meets Will. After feeding Cassie to Will, he seems to have developed a sense of satisfaction from feeding the remains of his victims to his acquaintances, because he continues to do this throughout the entire series run, feeding his victims to Jack, Will, Alana Bloom, and various dinner guests. In the movies, Hannibal is shown feeding his victims to dinner guests, so there is precedent for it, but that’s  only shown in the TV show once, and only after he meets Will Graham. After that he mostly feeds his victims to his “friends”.

Hannibal kills for multiple reasons in season two. He also manipulates people into attempting to kill others. He manipulates Abel Gideon into  killing Alana Bloom, so that Will Graham will be forced to kill Abel to protect her. He does the same to Miriam Lass, using her PTSD against her, to get her to kill Frederick Chilton, who he has framed as the Chesapeake Ripper. He and Will attempt to orchestrate the killing of Mason Verger, and Lecter  successfully manipulates Will Graham into killing Randall Tier, by sending Tier after him at his home.

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Hannibal kills others for  a dinner party. One is a doctor who was rude to him, and Sheldon Isley, a land dealer who opposed the salvage of some wetlands. Lecter kills him out of spite and plants his body within a tree. It is the clues from Sheldon’s body that lead to the discovery that Miriam Lass, (a detective whose disappearance had been attributed to The Chesapeake Ripper), is actually alive.

However, his most notable and memorable killing, in season two, is the judge in Will’s case. Having framed Will as The Chesapeake Ripper in season one, Lecter now regrets his actions, and misses Will. The judge dismissed the testimony he gave in his attempt to free Will. In a fit of spite, Lecter simply removes the judge, which has the added side benefit of freeing Will, as his case gets thrown out.

Most of his reasons for killing in season three are pragmatic.  In season three he kills to protect his identity, as when he kills Reynaldo Pazzi, a detective who recognizes him from a previous case, and Anthony Dimmond, a man who tried to blackmail him. He kills to establish a new identity when he kills and eats Roman Fell and his wife.

But the most notable killing in season three are the flashbacks to the  killing and eating of Abel Gideon, the man who tried to steal his name and reputation as the Chespaeake Ripper, and knew too much about his manipulations of Will Graham. It’s especially horrifying as he spends most of that time talking with Gideon about what he’s doing to him, and forcing Gideon to partake of his own flesh.

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Note that what Hannibal does with his victims bodies afterwards is not the reason he kills them. He is not necessarily killing them to help Will, or send messages, or be artistic. He is making art out of something he already feels compelled to do. For example, he didn’t kill Dimmond to make the origami heart for Will. He just took advantage of a death he caused to leave Will a message. He killed Dimmond to protect his identity as Norman Fell.

Lecter has also talked, at length, about ethical killing, claiming to Bella Crawford that he employs an ethical butcher, who doesn’t make the food suffer before killing and eating it, and in season two he chides Will for terrifying Freddie Lounds too much before killing her, saying that it makes her flesh taste acidic. What he is saying is that the method (the process) by which he kills is important to him.

Miriam Lass, in her testimony to the FBI, also claimed that the Ripper never tried to cause unnecessary pain, informed her of his actions beforehand, and taking care to see that she didn’t experience undo anguish. So one could make the argument that Hannibal is definitely a “Process” type killer.

One of the theories for why Hannibal kills goes back to his childhood and the loss of his little sister Mischa. In the book version of his back story, (Hannibal Rising) he lost his sister during the war, when a group of enemy soldiers took his family prisoner, killed his family, and ate his sister, which he witnessed. Subsequently he hunted, killed,  and ate each of  them in turn, and this is a habit he simply developed and continued. Killing and eating people he thinks were rude to him.

In the show, this has been changed to;  witnessing his sister’s death, and then eating her himself, after he had pledged to always protect her. But Hannibal’s motivations on the show parallels his motivations from the books. He says to both Will Graham, and Margot Verger, that killing bad people feels good. Of course Hannibal’s criteria for “bad” is fairly loose, in that almost everyone can meet it. Hannibal likens their behavior to disrespecting God (himself).

Of course Will is allowed to be as rude to Hannibal as he likes. His motivation for trying to kill and eat Will, in season three, is not because Will is rude, but because Bedelia suggested it to him, as the only way to relieve his heartache over Will.

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Because Hannibal doesn’t see his victims as people, he sees them as creatures far beneath him (a theme that will more heavily come into play late in the second season, after Mason Verger is introduced). A much truer version of his thoughts is heard in season two when he says that God kills with impunity, and so should he. When killing the “Eye of God” killer, he explains that he is God’s equal and uses that argument to persuade the Eye of God killer to sacrifice himself for his art.

This thirst for power over people, to be godlike in his killing of them, may have derived from the vigilante killing of his sister’s killers. Having helplessly stood by and watched her be killed would be excellent motivation for taking back his power by killing her killers. In a sense, Hannibal is a kind of vigilante killer, only killing and eating those people who his cellkeeper Barney, in the movie Hannibal, referred to as  “Free Range Rude”. And what may have started as a form of vigilantism, to avenge his sister’s death, or to right the wrongs of the world, has simply evolved into a lust for power. Put all these reasons together and Hannibal definitely comes across as a Power type of Killer.

 

Star Trek Discovery

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So I did watch the first and second episodes of this show, but I won’t be watching any more of them, I guess, because the show sits behind a paywall. In order to watch Discovery in the US you have to subscribe to a streaming channel called CBS All Access, the first week of which is free. Also, I can’t watch this on my TV, because I can’t add any channels to it.  The streaming channels are preset on my DVD player too, so I can only watch it on my Ipad, or at my computer, which is inconvenient for me.

Now, I generally don’t watch network television anyway, that is the top four networks of  Fox, CBS, ABC, and NBC. I don’t watch them because their programming isn’t particularly interesting to me, and I’m extremely wary of liking a show, only to see it get canceled after one season. I’ve been burned waay too many times by  network TV.

I subscribed to CBS All Access, but after scrolling through the shows available on the streaming network, I figured out that I was really just paying for each episode of Star Trek, (like about 2 or 3 bucks an episode, which isn’t bad, but still) and decided to unsubscribe. It’s not a bad price per episode, as the six dollar fee is only once a month, and there are three or four episodes per month, but there is literally nothing else I watch on that network. Maybe later I’ll change my mind, so I can binge watch all eight of them during the hiatus in December.

Star Trek Discovery is a very different show for CBS. They have no track record for diversity, either. In fact most of their lineup seems to consist of  mediocre detective style shows, of which the only interesting one is Elementary (Lucy Liu is a goddess!), which I can watch reruns of anywhere else, including at my library. So basically, Discovery is like nothing else on that network.

After watching the first two episodes, I decided that I did indeed like the show, but I’m going to have to forgo this  pleasure until later. I’m also to understand that the rest of the season will be a whole new animal from the pilot, although from the trailers it still looks  pretty good.

 

 

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What I Liked:

Soniqua Martin-Green (Michael Rainsford) naturally  gets a lot of screen time, as the show’s lead. A lot of the episode rests on her shoulders and I feel confident that she is  up to the job. She turned in a very strong performance. I had a few quibbles about some of her character’s decisions during the episode, but the show was suspenseful and compelling, only requiring a little tweaking, for consistency.

I loved everything about Michael and it was a real joy watching her and the captain banter with each other. We don’t get to meet any of the rest of the crew really, and there’s a reason for that. We won’t be seeing any more of them beyond Saru (the alien scientist played by Doug Jones.) Another thing I like is that there is quite a contingent of White women who seem to really like Michael too, and are coming to bat for her.

The only people who seemingly hate the show, and nitpick every single tiny detail, so as to do so, appear to be White men, and I expected as much from the ones online, because they stay disappointing me on the regular. (Its funny! The real life White guys are know are some of the nicest, most considerate people. Are they even the same species  as the ones online?)

The plot of the first two episodes is basically background stuff for Michael’s character for the rest of the season. We’re introduced to the person she was so we can get to know and understand the person she will be. Michael is orphaned during a Klingon attack on an outpost and is adopted by James Frain’s Sarek. (You may remember Frain as the vampire who was obsessed Tara Thornton in the show True Blood.) I like Frain’s version of Sarek. I liked the other versions too, but Frain’s version seems less stiff and formal. He seems like the type of man who is just very used to being comfortable around humans, while still remaining uncompromisingly Vulcan. My favorite moment is him whispering “Behave!” to his young charge just before he leaves her alone with Gheorghiu, because that’s such a ‘parent- type’ thing to do, (This is the kind of behavior he might well have learned from raising his spirited, half human son.)

I liked that the show isn’t filmed in quite the same way as other Trek shows. For one thing, we get flashbacks to Michael’s upbringing on Vulcan, and I wish we’d had more of those, rather than showcasing the Klingons. In one of the first flashbacks we see her as a child having a moment of PTSD in one of the learning pods, and witness Sarek’s reaction to her.

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I have to admit I have never been a fan of the Klingons. I’m simply not now, nor ever have been, impressed by their existence, language, culture, any of it. So I didn’t particularly enjoy having to look at the Klingons for half the episode. What made them even more annoying was that their makeup was hard to look at, and they were difficult to understand, and not just because they were speaking their native tongue. They sounded like  people speaking through masks, and quite frankly,  a Klingon with a lisp is not scary. (Plus, they all spoke very slowly, as if they had all suffered  recent head injuries.)

Klingons have always been “coded”as Black people and I don’t really have a problem with that. My problem is with their depiction as one of the more violent races on Star Trek. On the other hand, the show does have a very good track record for giving them depth and making them likable, and sympathetic characters, the most notable one being Worf from STNG. Now there is an element of colorism involved in their depiction, as there is a Klingon with albinism, who seems to have to prove himself to be more Klingon then all the others, after being kicked out of his family. I’m reminded of the discrimination of albinos in certain parts of Africa, but I don’t know that this calls back to that or not.

I liked the Klingon  costumes, though. The costumes had this beautiful Elizabethan look that just kinda suited them. I liked all the costumes in the show really, and I liked all the tech stuff that Trek is famous for. This is an extremely pretty show, that’s just nice to look at. The color scheme and design reminds me of DS9, and the Federation outfits seem almost Bajoran. Well, Bajoran with lots of bling, and I like bling, so that didn’t bother me. That’s probably  due to Fuller’s influence since DS9 was the last Trek show he worked on.

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Michael joins the crew of the Shenzhou with Michelle Yeoh’s  Captain Phillipa Gheorghiu. I loved the relationship between these two women and hope to see that replicated in later episodes, because showing that type of rapport and mentorship between women is important. After Michael encounters and kills a Klingon (a race of people that the federation had not had contact with in some 100 years), on Sarek’s advice, she argues that the Shenzhou should fire on the Klingon ship, to show greater strength, hence the name of the episode, The Vulcan Hello. Gheorghiu disagrees with her and Michael gives her the Vulcan Sleeper Pinch, and takes over the bridge.

When Gheorghiu gets back on the bridge, her Federation backup has arrived, but because she still refuses to fire on the Klingons, even though their backup arrived first, this starts a skirmish in which the Federation loses. Michael, who has been stashed in the brig during this fight, manages to escape just before her imminent death, by logicking at the computer. She goes back to the bridge and proposes the idea of capturing the Klingon leader, so as not to make him a martyr. Michael and Gheorghiu board the Klingon ship,  but their attempt to capture the Klingon leader (T’Kuvma) is unsuccessful, and Gheorghiu is killed.

At the end of episode two, Michael is convicted of assaulting her captain, mutiny,  (and exacerbating an already tense  situation). The rest of the season is her (and Jason Isaac’s Captain Lorca) dealing with the aftermath of her conviction.

During the standoff between the two women, Michael makes a bunch of emotional decisions, but she’s been raised on Vulcan and has never dealt with the PTSD of what happened to her as a child, so she has not learned how to handle her emotions in an environment with a lot of other emotional issues. Well, she doesnt seem to have learned, and this incident is a direct callback to a highly personal event that she’s never had to think about while safe on Vulcan.

She seems to be having difficulty telling the difference between decisions she makes through logic, and ones made through emotions, which makes her a wonderfully complex character. I’m interested to see how she grows and changes throughout the season, and I hope the writers don’t pull a Sleepy Hollow, and sideline her in favor of Captain Lorca. This first season should be all about Michael and her journey. Later, we can get more  into the stories of the other characters.

I loved the special effects, even if I didn’t like the makeup on the Klingons. The transporter effect looks a little different and Gheorghiu explains that it’s because the Shenzhou is using older technology.

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Doug Jones (you may remember him as Hellboy’s Abe Sapien) has great makeup, but those stilt things he has to walk around on look deeply uncomfortable, and I worried that his feet hurt, even though surely, he must be used to that sort of thing. I liked the character too and enjoyed the rapport between him and Michael. It reminded me of the threesome from the original show.

 

Things I Could’ve Done Without

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As I said, I hated the Klingon makeup, not because I thought it was especially bad, but because they all look like they’re trying to talk through Kabuki masks. I’m used to Klingons looking expressive, and their faces (the makeup) makes that impossible. Another thing I don’t particularly care for with Klingons is all the group yelling. I’ve always found that annoying.

I wish they would’ve shown more of Michael’s background, as I could’ve used a lot less of the Klingons, and I also get the impression that the people who wrote this show don’t understand Klingons very well. I understood their reasons for attacking the federation but those reasons still were not well articulated for me.

I think they could have ditched the ten minute prologue  of Michael and Gheorghiu on the desert planet. It was a cute scene, that introduces the two characters and the nature of their relationship, but ultimately it was unnecessary. That was made clear when the two of them first met, and I would’ve liked to have seen more of that first meeting. Or they could have done away with the first two episodes altogether and just jumped right into Michael’s new life, and new captain, for the rest of the season. The plot feels like a bait and switch and I didn’t like that, although I understand that Gheorghiu will be making plenty of cameos in the form of flashbacks, so the show began as it means to go on. Its flashbacks all the way in.

There wasn’t a lot I disliked  about the show itself, and I think the show is really worth watching. Part of me hopes it succeeds but as I said i’m probably not going to be watching it because I don’t want to pay for it. Apparently a lot of other people feel the same way because I heard it’s one of the most pirated shows online. I’m not going to pirate the show, but maybe I’ll sign up later.

You’re probably going to see a lot of comparisons between this show, and another one called The Orville, led by Seth MCFarlane from Family Guy. If you’re lookng for something like Star Trek, but a little lighter, than the Orville is your show. In the last episode I saw, things got just a bit heavy, dealing with the issue of gender change, in an interesting way, and I think it was handled well, (but it would be up to transgender people to say whether or not it was actually handled well).

The first couple of episodes are an odd blend of seriousness and humor. Now, I don’t watch Family Guy, because I don’t find the  show not particularly funny. McFarlane’s dudebro humor doesn’t mesh well with mine, but The Orville is a different side of McFarlane. He wants to be taken seriously as both a comedian and a showrunner and it shows. The show still doesn’t know whether it wants to be a comedy or a drama, but once it figures that out, it can be a really good show, and I actually enjoyed watching it. The humor is scattered all over the place, but its not raunchy or especially offensive, if that’s your worry.

The closest comparison would be Galaxy Quest, (although it’s less funny), as the show is very obviously a love letter to Star Trek, if a somewhat irreverant one. The show still needs some  degree of tweaking, but it’s not a bad show. And I hate to say it, but it’s a lot more fun than Discovery. Discovery is a heavy show with very little humor, and although I enjoyed it, it’s a very different type of show than The Orville. The two don’t really compare, inasmuch as they are both offshoots of Star Trek.

So for those of you who can’t get your Trek fix, I think The Orville is a good enough substitute, and this is coming from an OG Trekkie, who also loves Galaxy Quest.

Interesting Tumblr Posts

Here, have some trailers:
*I did enjoy The Punisher parts of Daredevil’s second season, so I was interested when it was announced that he’d be receiving his own show. This looks worth a watch. Hopefully the show will be coherent and consistent.
*I have never been a Tomb Raider fan. I’ve always thought of her as just a sexier version of Indiana Jones, and I’m not a particular fan of him either, although I’ve watched all the films. I don’t hate either of them. I’m largely indifferent to them, so fan would be a strong word.  I didn’t play the games, or watch the movies.
This looks interesting because it doesn’t actually appear to be about tomb raiding, but about putting something back in a tomb, and it also stars Daniel Wu, from Into the Badlands as the seeming voice of reason.

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* I love Galaxy Quest, and this person is right. I do just sort of lump this show in with the  rest of Star Trek. Its such a faithful parody of the original source material that ‘s not mean or demeaning to it, and its genuinely funny, too. Of course Guy is a big reason for that. He says exactly the kind of shit we’d say if we were in these situations:
I love the way that Star Trek fans just accept that Galaxy Quest is part of the film franchise.

Galaxy Quest is what i imagine people would be like if star trek suddenly became real tomorrow.

Galaxy Quest was voted the 7th best Star Trek movie out of 13

 

“Intelligence is knowing that Galaxy Quest is not a Star Trek movie.
Wisdom is knowing Galaxy Quest is the best Star Trek movie.”

And I think that says a lot about the Star Trek fandom, really.

 

Source:

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*I love these posts on Fantasy armor for female characters. Often the armor is just the dumbest, most ludicrous looking shit one could possibly imagine. Most of it is just metal lingerie, and in some cases just metal pasties. I mean, nobody’s fucking shoulders, or knees, needs that much protection. I often want to inform the creators that a) women’s boobs just don’t work like that, b) those need protection too, because they’re a delicate part of a woman’s anatomy, and if something hits them, they hurt like a muthafucka,  and c) what the fuck!!!

Another thing I hate when men draw women, in any kind of uniform, is what I like to call boob-socks. Just special pockets on an outfit that are specially fitted for a woman’s boobs. This is especially prevalent in comic books.

If you want to see more of this type of critique visit Bikini Armor Battle Damage’s website, where they also discuss media that gets women’s armor right.

brb shaking my head forever

 

Time to bring this back, with a few examples proving that this parody is NOT a gross over-exaggeration of actual stuff we see in pop media:

 

The Boobplate

[x] [x] [x]

The ‘Boobplate+’ (A.K.A. boob window): 

[x] [x] [x]

The ‘What’s the Fucking Point’

[x] [x] [x]

It truly is impossible to properly satirize female sexualization. How do you even ridicule pure ridiculousness?

And that’s without even touching “warrior woman” costumes that bear no pretense of resembling armor of any kind.

~Ozzie

Source:

*This is something rarely discussed in fandom. How older characters of color are desexualized and “mammified” in fandom narratives, and sometimes made to seem older than they actually are, to keep from having to ship them with their White faves of the same age range. So older White male characters get the sexy older man treatment, but never with the nearest man of color who is anywhere close to their age. As for shipping them with a younger man of color, you can forget about it. At least some of this has to do with White women’s fetish for older men, just not if they happen to be Black.

I think its interesting that Coulson is being shipped with a woman of color, though. Although that could have something to do with the idea that fandom likes to think of Daisy as White, rather than half Chinese as the actress herself identifies. I find it interesting because one of the easiest relationships to ship in the CW is Stein and Jax, but I just don’t see it in the numbers.

For the record, I totally shipped Rupert Giles with Joyce Summers, and Rupert Giles with Ethan Rayne, when I watched Buffy. Later, I liked to ship him with Spike, but found shipping him with Xander or Willow kinda icky. When it comes to Shadowhunters, I love the combo of Luke Garroway and Magnus Bane, though.

Racialized ageism and fandom

The age of the white male character is never the problem for shipping in fandoms. The age of the white actor is never the stopping point for him being viewed as “sexy” and “desirable”. The white guys in their 60s are seen as “hot” and “shipworthy”. The age gap between the older white guy and the character he’s shipped with at the moment is never the issue.

Look all over the fandoms: Clark Gregg (62), Peter Capaldi (59), Norman Reedus (48), Colin Firth (57), Rory McCann (48)… etc. etc. are in their late 40s – early 60s. Yet their characters are seen as sexually desirable and worthy of shipping not only with the characters, who are within their own age frame, but also with much younger characters:

Fandoms are not caging these older white male characters within the frames of a “desexualized parental figure” trope. In fact, “an older white guy x younger [usually also white] character” is a hugely popular shipping trope.

Yet, things differ drastically when the male character isn’t white (or seen as white – eg. Wentworth Miller’s Captain Cold), especially when the male character is dark-skinned. These male characters of color, who are over their 40s, are almost always invisible for fandom shipping.

For example – Joe West from The Flash. Jesse L. Martin is 48. He’s the same age as Norman Reedus, Rory McCann, he’s about a decade younger than Clark Gregg, Peter Capaldi or Colin Firth. And yet, he’s mostly seen as an “unshippable parental figure”.

Samuel L. Jackson has prominent roles in numerous popular franchises, that have big presence in fandoms with rich shipping content – Star Wars, MCU, Kingsman… Yet, his characters are always left out of the shipping pool in these fandoms – Mace Windu is ignored; Nick Fury is seen as the “dad” figure of the avengers; and Valentine is seen as nothing more than a funny villain, even though, fandoms do love white male villains. SLJ was 51 when Mace Windu first appeared on screen, he was in his early 60s when the MCU franchise started out, SLJ is only few years older than Clark Gregg.

Or take Stacker Pentecost from Pacific Rim, played by Idris Elba. Idris Elba. Idris was 41 when PR came out. And yet, the fandom had collectively decided that the only ship suitable for a “parental figure” like Stacker is Herc Hansen. Max Martini is two years older than Idris, and yet:

Worth noting that the incest father/son ship with Hansens is more popular than Hercules Hansen/Stacker Pentecost, which only has 288 works in total. Raleigh had more on-screen connection with Stacker than he had with Herc; Chuck and Stacker died together while trying to save the world. Together in Death is a hugely popular shipping trope all across fandoms, for example Enjolras/Grantaire from Les Misérables had 3 seconds of total screen time together in the movie, and they have ~9k of fics on AO3 alone…

Another one is Luke Garroway from the Shadowhunters, played by Isaiah Mustafa (43). Have you seen Isaiah? Yeah, I know. And yet, he is also seen almost as some “grandpa” figure of the group. Often people use his age as an excuse of excluding him from most fanon activities involving the main group of characters – shipping, group fanvids, group edits etc. The only ships involving Luke that are accepted and supported by the fandom are with Jocelyn and Maryse. And I often see people in tags saying that any other ships with Luke are “creepy” and “uncomfortable” because he’s the “dad” of the group. I agree about the creepy factor with, say Clary and Simon… but others? – Not so much.

And, yeah, I would’ve agreed with this fandom “activism” if it wasn’t so hypocritical. Remember Rupert Giles from BTVS? Who also was the “father figure” of the Scooby Gang? Anthony Head was 43 at the start of the show and 49 when it ended. And yet, I don’t remember BTVS fandom excluding Giles at every turn because of his age:

Compare to Luke’s ships:

Speaking of Shadowhunters, people also often try to put Magnus in the same “father figure” frames – anti-Malec (J@lecs, Cl@lecs etc.) people, who ship Alec with everything white that moves, always try to insinuate that Magnus is borderline a pedophile because he’s dating Alec. Regularly I see posts in Magnus’ tags saying that shipping Magnus with Clary, Jace, Simon or Maia is “creepy” because he’s basically their “dad”. Magnus is not their dad and (so far) never considered himself to be their parental figure. I guess he did say something like that about Clary in the books, but the show had an AU storyline in 1×10, where Magnus first met Clary in that episode, and didn’t have any kind of connection to her prior. AU!Jace even thought that Clary was cheating on him with AU!Magnus. So, even with Clary there are canon possibilities of avoiding the “unhealthy” factor for the ship within fanon.

After all, I don’t see the Torcwood fandom acting as if Jack Harkness (an immortal who lived through ages and generations) is some unshippable “dad” figure, who can’t be shipped with other members of the team. I haven’t seen people there saying that Jack is a “creep” for dating Ianto (just for the record: the age gap between John and Gareth is 14 years vs. 5 years between Matt and Harry).

I’m not suggesting that people need to start shipping Luke or Magnus with the younger characters, what I am saying is that, had Luke and Magnus been portrayed by white actors, people wouldn’t have been putting them in the frames of “parental figures” of the group as much. And yeah, I love the dad!Luke and dad!Magnus headcanons as much as the next person, but let’s also be honest that we’re not living in a vacuum, the race can’t be taken out of the equation.

These are just a few examples, but this is happening all across fandoms. And not just with MoC – take Shirley Bennett from Community. Yvette Nicole Brown is of the same age as is Joel McHale – they’re both 45 now and were in their late 30s when the show first aired. And yet, both the show and the fandom treated Shirley as if she was some “grandma” and Chevy Chase’ peer (who was in his late 60s back then).

 

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*I haven’t been watching this Fear the Walking Dead ,despite its diversity of characters, because one Walking Dead show is enough for me, but I liked this particular meta.

‘Fear the Walking Dead: Passage’ Did What No Thriller Could: Empower Two Lead WoC

As some of you may know by now, I am a fan of The Walking Dead. Unpopular opinion, but I think Fear the Walking Dead is one of the greatest things to come from it (I can hear the gasps already). I can’t stress it enough, but unlike TWD, its racial inclusiveness was something that had me hooked and reeled from the very beginning. My wishes were fulfilled when FTWD premiered because for the first time, I was able to look at a popular franchise with a Native lead and Latinx main characters. It’s partially one of the reasons I’m surprised when advocates for diversity prefer the original. Other characters of color were introduced, but I still felt something was missing—what I really wanted was a Black girl. As I mentioned before, when I began to realize the absence of black women in certain genres I wanted them everywhere as a challenge for writers, especially with all the sacrificial negresses going around. At this point, we were into the second season and I still hadn’t seen one, so I promised to remain patient until it did. Finally, Fear the Walking Dead: Passage happened.

If you’d like to watch Passage, a 13 minute web series before reading, click here.

Keep reading

 

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*Okay, I’m definitely going to be watching The Exorcist show in October. I left off watching it because it wasn’t holding my attention as tightly as I wanted. But I like John Cho, and he is right in that its highly unusual to see an Asian American character in this type of venue. I’ve watched a lot of Asian horror movies, so why are they absent absent from American horror movies, and shows.

 

The Exorcist: How John Cho is changing American horror

[John Cho will] do whatever he can to help the push for Asian-American representation. It’s one reason he joined the second season of The Exorcist… “I had not seen Asian faces in American horror, and it kind of tickled me to want to change that visual vocabulary a bit,” he says. “I thought it would be, I don’t know, intrusive to have my face in it…”

“What I’ve been thinking about lately is how to tell stories that are specifically Asian-American but aren’t necessarily about being Asian-American as much,” he explains. “I’m looking at the totality of things.”(x)

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*I find Haka fascinating and terrifying, but I think that’s the point.. I would watch these all day. I’m glad Maori culture is getting some international recognition through these different sports groups, too. Even Beyonce got one when she visited new Zealand, which just made my heart hurt, I was so proud. 

https://youtu.be/xI6TRTBZUMM

2nd 1st Farewell Their Fallen Comrades With A Huge Haka

Haka is used throughout New Zealand by many, not only Māori, to demonstrate their collective thoughts. There is a haka for each of the Services, as well as the Defence Force. Units with the NZ Army have their own haka. This video shows the soldiers of 2/1 RNZIR Battalion performing their Unit haka, powerfully acknowledging the lives and feats of their fallen comrades as they come onto the Unit’s parade ground. It is also an emotive farewell for they will leave via the waharoa (the carved entrance way) for the very last time.

Haka –sometimes termed a posture dance could also be described as a chant with actions. There are various forms of haka; some with weapons some without, some have set actions others may be ‘free style.’ Haka is used by Māori (indigenous people of New Zealand) for a myriad of reasons; to challenge or express defiance or contempt, to demonstrate approval or appreciation, to encourage or to discourage, to acknowledge feats and achievements, to welcome, to farewell, as an expression of pride, happiness or sorrow. There is almost no inappropriate occasion for haka; it is an outward display of inner thoughts and emotions. Within the context of an occasion it is abundantly clear which emotion is being expressed.

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*I was always under the impression that women couldn’t do the Haka, or that they had their own special ones or something. But watching this gave me life:

Women’s Haka

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*Its officially Latinx/Hispanic Celebration Month and I came across this post on Latina in Superhero shows. There are a lot more than this is the SciFi genre but I think this is just for superheroes:

Latinx Heritage Month

↪ Characters in DC Shows’ Main Cast

✪ Lynda Carter as Diana Prince / Wonder Woman (Wonder Woman S1-3) 

✪ Angélica Celaya as Zed Martin (Constantine S1)

✪ Victoria Cartagena as Renee Montoya (Gotham S1) 

✪ Zabryna Guevara as Sarah Essen (Gotham S1-2) 

✪ Aimee Garcia as Ella Lopez (Lucifer S2-)

Honorable Mention – Recurring Characters:

– Michelle Veintimilla & Camila Perez as Bridgit Pike / Firefly (Gotham S2-3)
– Briana Venskus as Agent Vasquez (Supergirl S1-2)
– Jessica Camacho as Cindy Reynolds (The Flash S3)
– Odette Annable as Samantha March / Reign (Supergirl S3)

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*Yes, this clown vs. mime discussion has been sorely needed. People keep confusing the two, and really, mimes are just waaay, waay creepier than clowns, imo.

Okay, I’ve had it

I see people posting videos of clown-mime and clown-jester hybrids and cooing about how “pretty” and “cool” they are, but this is NOT HEALTHY OR SAFE CLOWN HUSBANDRY! In fact, it’s downright dangerous for both you and your clown!

Clowns, Mimes and Jesters may be related, yes, but their genetics are quite different and mixing their genes together have an adverse effect on your clown when they come at odds with one another, causing a host of genetic health problems like giganticism, heart problems, higher rates of cancer, organ failure, bone degradation and neurological defects.

They’re also more aggressive, territorial, unfriendly and destructive than non clown hybrids. You’re super cool clown x mime hybrid is gonna more satisfied with attacking you than making invisible balloon animals.

Not to mention the process of making a clown hybrid in the first place, considering that Clowns, Mimes and Jesters are natural enemies of each other! Your clowns/mimes/jesters are more likely to maul each other than fuck each other!

 

People only breed clown hybrids because they are seen as “cool” and “exotic” and cost a lot of money, they’re a status symbol with unique patterns, and the clowns suffer for it.

If you still have your heart set on a clown-hybrid, there are actually some breeds out there, like the Venetian Diamondcheek Juggler and the Parish Mockfool, that are bred specifically for their mime and jesteresque markings and are perfectly healthy, perfectly happy clowns.

Clowns shouldn’t suffer for human aestheticism.

Source:
 *So October is almost here, and I will be forgoing my little pop culture essays to concentrate on reviews, reviews, and more reviews. Halloween is coming and I have a list of movies I want to review, like The Mist, and Let the Right One In vs. it’s American counterpart. Its also the real start of pilot season, so I’m going to be busy with a few of those, and I want to round that out with a series of posts/reviews of Hannibal the series.
Yes, I did watch the first two episodes of Star Trek Discovery and I’ll let you know what I think by the end of the week. I know a lot of you guys either don’t have cable, or don’t want to sign up for a streaming channel just to watch one show, but I’m a die-hard Star Trek fan who  managed to sit through the mess that was Enterprise. I don’t know if I’ll keep paying for it. The show would have to be very, very compelling (which it was) to get me to keep paying to see it, at basically 5.99 per episode.

ETA: I just unsubscribed to CBS. I can always wait for the release of the dvd.

Weekend Linkspam: Television

Here, have some more interesting article links.

On Hannibal: The Series

 

I loved this mashup video of all the different iterations of this specific scene in Hannibal.

 

 

http://www.vulture.com/2013/06/seitz-on-hannibal-its-a-dream-and-it-hurts.html

https://www.firstthings.com/web-exclusives/2015/10/the-moral-universe-of-hannibal

http://www.vulture.com/2015/08/hannibal-redefined-how-we-tell-stories-on-tv.html

 

 

On Whitewashing and Other Concerns

The Seven Strategies for Defending Your Problematic TV Show or Movie—and Why They Don’t Work

http://www.slate.com/blogs/browbeat/2017/03/24/filmmakers_and_actors_keep_defending_casting_controversies_but_here_s_why.html

 

On American Gods:

 

https://blackgirlnerds.com/american-gods-realities-race/

 

On Popular Media and Racism Vs. Historical Accuracy

https://eidolon.pub/how-to-be-a-good-classicist-under-a-bad-emperor-6b848df6e54a

https://sarahemilybond.com/2017/09/10/hold-my-mead-a-bibliography-for-historians-hitting-back-at-white-supremacy/amp/

https://www.publicmedievalist.com/race-racism-middle-ages-toc/

 

On The White Savior Trope

Oh Come All Ye White Saviors

http://www.salon.com/2013/02/21/oscar_loves_a_white_savior/

 

 On Daredevil and the Yellow Peril Trope

Black Mask, Yellow Peril: Anti-Asianism in Netflix’s Otherwise Brilliant <i>Daredevil</i>

https://io9.gizmodo.com/marvel-s-got-an-asian-problem-and-it-s-not-getting-any-1781448797

 

On Furiosa and  Disability in Film

Cover Photo: Frock Flicks

https://catapult.co/stories/love-disability-and-movies

http://www.popmatters.com/feature/194573-power-and-disability-in-mad-max-fury-road1/

https://serfbazaar.wordpress.com/2015/05/22/furiosa-disability-representation-and-empowerment/

https://www.inverse.com/article/15806-one-year-later-fury-road-resonates-on-disability-sexuality-and-the-end-of-days

https://www.bitchmedia.org/article/more-our-machines/aesthetics-and-prosthetics-science-fiction

Weekend Linkspam: Film

Just a collection of interesting articles and posts for the weekend. Pick a topic. Enjoy!

On Race and  Film

Image result for FILM RACISM

 

http://splinternews.com/theres-a-huge-divide-between-how-black-and-white-critic-1797478105

https://the-artifice.com/miscegenation-on-screen/

https://www.wired.com/2016/02/geeks-guide-diversity-destroy-scifi/

https://www.thoughtco.com/dismantling-race-based-stereotypes-and-myths-2834983

https://www.thoughtco.com/common-black-stereotypes-in-tv-film-2834653

https://www.theatlantic.com/entertainment/archive/2014/03/-em-star-wars-em-and-the-4-ways-science-fiction-handles-race/359507/

https://mic.com/articles/184292/mike-hanlon-the-black-kid-in-stephen-kings-it-has-a-really-good-backstory-the-movie-erased-it#.vpeyQFX0G

http://www.blackenterprise.com/lifestyle/the-power-of-black-women-in-fandom/

http://www.blackenterprise.com/lifestyle/does-racism-impact-the-way-reviewers-rate-tv-shows/

http://blackyouthproject.com/girl-gifts-black-girls-destroying-world-save/

http://www.racebending.com/v4/blog/aliens-looking-white-extraterrestrial-skin-color-in-sci-fi/

https://www.pastemagazine.com/articles/2017/09/bias-does-not-come-out-with-the-whitewash.html

 

Image result for yellow peril no escape movie

The Yellow Peril Trope

 

https://www.bitchmedia.org/article/yellow-peril-in-the-defenders

http://thestake.org/2015/08/27/no-escape-southeast-asia-and-the-failure-of-cinematic-empathy/

http://www.scmp.com/lifestyle/film-tv/article/1854131/film-review-no-escape-owen-wilson-racist-thriller

https://www.bitchmedia.org/article/asian-women-abuse-in-science-fiction

http://www.screenspy.com/articles/tv/shadowhunters-malec-burden-representation/

https://www.thoughtco.com/asian-american-stereotypes-in-t-film-2834652

 

Scifi Film Analysis

https://pionic.org/everything-i-needed-to-know-in-life-i-learned-watching-star-trek

http://www.plotpedant.com/the-purge/

https://narrativefirst.com/articles/meaningful-storytelling-an-analysis-of-inception

 

Get Out:

Image result for get out

http://racebaitr.com/2017/03/07/listen-ancestors-run-get-zombification-pathologizing-escape-plantation/#

https://harpers.org/archive/2017/07/getting-in-and-out/

https://www.theringer.com/2017/2/27/16039722/get-out-and-the-villain-next-door-ffbbd4c84058

https://www.theatlantic.com/entertainment/archive/2017/03/in-get-out-the-eyes-have-it/518370/

https://www.vox.com/culture/2017/3/7/14759756/get-out-benevolent-racism-white-feminism

 

 Logan:

Image result for logan

https://film.avclub.com/a-cross-on-its-side-logan-gets-religion-1798258715

https://www.newyorker.com/magazine/2017/03/06/get-out-and-logan

http://www.rogerebert.com/mzs/all-things-must-pass-the-emotional-reality-of-logan

http://www.btchflcks.com/2017/03/logan-on-death-and-dying-and-mutants.html#.WcKB1rKGMnR

https://www.theverge.com/2017/3/6/14829768/logan-movie-wolverine-hugh-jackman-patrick-stewart-discussion-highs-lows

http://www.rollingstone.com/movies/news/why-we-needed-logan-to-kill-the-modern-superhero-movie-w470501

https://www.theringer.com/2017/3/6/16040020/logan-and-conquering-pessimism-through-fatherhood-86d377ae85b9

http://birthmoviesdeath.com/2017/03/05/logan-the-things-we-leave-behind

 

Alien Series:

Image result for alien movies

http://www.slate.com/articles/arts/culturebox/2012/06/prometheus_why_are_academics_so_obsessed_with_ridley_scott_s_alien_and_its_sequels_.html

https://cinephiliabeyond.org/ridley-scotts-masterpiece-alien-nothing-terrifying-fear-unknown/

http://hellotailor.blogspot.com/2012/03/movie-costumes-i-have-loved-alien-part.html

http://hellotailor.blogspot.com/2012/03/aliens-james-cameron-says-put-gun-on-it.html

 

 

On Gender and Sexuality

http://www.signature-reads.com/2017/08/the-monster-that-lgbtq-readers-see-in-stephen-kings-it/

https://www.top10films.co.uk/1600-top10films-analysis-alien-feminism/

Horror is the only film genre where women appear and speak as often as men

http://www.rogerebert.com/balder-and-dash/the-trouble-with-carrie

Fight Club

 

http://thefederalist.com/2017/03/30/why-fight-club-still-matters/

http://www.huffingtonpost.com/entry/fight-club-2-chuck-palahniuk_us_5845c35ae4b028b32338a632

https://www.theguardian.com/books/booksblog/2016/dec/13/fight-clubs-dark-fantasies-reality-chuck-palahniuk

The Problem with White Critics

Image result for critics gifs

I think I began several different iterations of this post, but finally settled on making this as positive as possible, rather than making it just a rant, because what I want to do is encourage people to do something that’s helpful to everyone, including themselves.

We don’t have enough critics of popular media who are people of color ,and we desperately need more.

http://www.blackenterprise.com/lifestyle/does-racism-impact-the-way-reviewers-rate-tv-shows/

The  problem I have with so many white critics is that they don’t see color. No really, they just don’t see it. We’re experiencing a time where PoC are being increasingly cast in roles, or sometimes have their own vehicles, and most white critics either don’t know enough about other cultures to adequately critique that media, or who have such a deep seated discomfort with acknowledging other cultures, that they simply ignore characters of color in the media. They really just don’t see them, they erase them, forget they’re there, diminish their importance in the narrative, and there are some cases where I would consider certain reviews to be overt micro-aggressions, themselves, like the review of Hidden Figures, and Moonlight, by the racially tone-deaf, British critic, Camilla Long.

“The received wisdom on Moonlight, a film about gay love in the black ghetto, is that it is ‘necessary’ and ‘important’. It is an ‘urgent’ and ‘relevant’ examination of forbidden attraction in a world, ‘the streets’, that is largely hostile to gay men.

Only, relevant to whom? Certainly not the audience. Most will be straight, white, middle class. Nor is it particularly ‘urgent’: the story has been told countless times, against countless backdrops.”

https://www.themarysue.com/tone-deaf-moonlight-hidden-figures-reviews/

Image result for westworld maeve gif

In Westworld, there are two major threads of robot cognition occurring on the show, between Dolores, a White coded woman , and Maeve, a Black coded character. I found it impossible to find critiques of Maeve’s storyline, especially from an intersectional feminist perspective. Most White critics ignored her entirely, focusing all of their attention on the character they felt was the show’s star, Dolores.

Critics  of color, have long pointed out White Prioritization in media narratives, but this prioritization also extends to fandom and critics as well, where, if there is a single White person in narratives that involve PoC, fans and critics will focus entirely on that character, neglecting, erasing, and sometimes  even re-writing the contributions of the characters of color in the story.

Image result for finn star wars  gifs

We’ve directly witnessed fandom engaging in this with Finn from Star Wars, and  Nick Fury from the MCU, with fans often re-writing the narrative to villainize or  erase their contribution to the story. But this was notably illustrated on the show Sleepy Hollow, when, during the second and third seasons, the show’s Black female lead, Abbie Mills, was often sidelined in favor of the more marginal, White character’s storylines.

Maeve had nearly the same character arc as  Dolores, but no one was writing about her, and the people who did write about her didn’t take her race into consideration for how she was treated as a character, or how her race impacted her storyline vs. Dolores. Either White critics just didn’t see it, or they just didn’t care. Pick one!

I couldn’t find any posts on the topic of White female stereotypes vs Black female stereotypes in media, so I had to research it, and make my own. Ten minutes after that post was published, I was contacted by a young woman who said she’d just been searching the Internet, looking for exactly that type of post for her intersectional feminism paper, and citing that post  on a similar topic. Since then, that post has become one of my most popular, getting at least a couple of hits every day. (For the record, I’m not an  academic. I work in the Social Science and Research Dept. of a major library.)

Image result for luke cage gifs

When Luke Cage, and Beyonce’s Lemonade were released, I stated that I was specifically seeking critiques from Black critic perspectives, because no white critique would have been able to capture the nuances of either. Not being a part of Black American  culture, White critics would be unlikely to catch all of the Easter eggs, and details that made this media so important to us. Some things you just have to be a part of the culture to understand.

I’ve watched many, many, movies from other cultures and critiqued many of them, but have always kept in the back of my thoughts, that I’m not a member of that culture, and I’m unlikely to understand many details, so am able only to speak to a certain depth on films with primarily Latinx, or Asian casts. I would entirely understand if people from any of those cultures dismissed my reviews.

http://splinternews.com/theres-a-huge-divide-between-how-black-and-white-critic-1797478105

Image result for detroit movie gifs

This is the same problem that’s found in the movies of White directors of Black culture. Kathryn Bigelow’s Detroit suffers from a lack of nuance. It’s two hours of Black pain, with no  depiction of the regular everyday life of the Black people in the city of Detroit. Their personal lives are lacking or given short shrift, and it lacks any depictions of the roles Black women played in the resistance to their oppression. I’m not arguing that Bigelow is a racist, but she is recreating a Black story through a White woman’s lens, so no matter how awake she may be as a person, her perspective on the issue is going to be limited, as she does not come from the environment she is portraying. I don’t object to Bigelow directing the film as she’s an excellent filmmaker. I’m just wondering if the film would’ve been better served by having a director from the same culture as depicted in the film.

http://www.huffingtonpost.com/entry/detroit-and-the-problem-with-watching-black-pain-through-a-white-lens_us_597f8907e4b08e143004bbf1

One of my favorite genres is the martial arts film. Jet Li is one of my favorite actors, and one of his early movies is Once Upon a Time in China. I watched this film in the nineties when my brother gifted me with the entire boxed set for Christmas. I really enjoyed them. They also came with a commentary from famed martial arts writer Bey Logan, who taught me exactly what I was missing when I was watching those films, many of which also have Easter eggs, like the names of streets signs, character names, and character fighting styles. Bey Logan is not Asian, but he does know more about the topic than I ever will, so I defer to him. (Ideally, I would read Asian writers writing about movies depicting them, which is what I did for Ghost in the Shell.)

Image result for once upon a time in china gif

Logan gave backstory on  characters that it didn’t occur  to me to ask, and answered a few questions that had been bubbling in the back of my mind regarding cultural issues, such as why you almost never see Chinese couples kissing in movies. These are all things I would never have known (or sometimes noticed) because I’m not Chinese, or a member of that diaspora.  I can enjoy the films only to a certain depth, but Bey Logan did teach me a lot about what to look for, and what to critique in such films.

I’m not saying White people can’t critique movies and TV shows that are primarily about people of color, just that their perspective isn’t going to carry the same weight as that of a person who is from the culture being depicted, and there are some critics, like Ms. Long mentioned above, who seem actively hostile.

My aim is to follow in Bey Logan’s footsteps, and  deepen understanding of characters and culture, by critiquing the media from my perspective, through my own lens, as a Black woman. I don’t just want to point out what White owned media, and fandom gets wrong about their depictions of characters of color, but to point out how, and why, it’s wrong, and teach viewers what to look for when watching events like Luke Cage, Lemonade, and Jessica Jones,  and movies like Detroit, Moonlight, and Hidden Figures. So from now on, when I write reviews on these types of productions, I intend to add more cultural and historical information, as I did when reviewing American Gods.

Image result for standing on a road gif

I’m standing in a very different spot than White men (and women) when viewing pop culture, and when it comes to media involving Black American culture specifically, my perspective is that of someone fully immersed in that culture. White male is certainly one perspective, and it has its merits but, once again, a lot of  nuance and history will probably be missed.

Right now, I’m following a White critic who regularly dismisses or erases Black characters, (he simply doesn’t mention them, and when he does, is often clueless as to their impact and importance in the narrative) although he is otherwise a perfectly decent reviewer. I don’t think he knows he’s doing it, but the cumulative effect of forgetting to mention certain characters, or not remembering their names, is one of dismissal of characters of color. He is a perfectly acceptable reviewer though, and we agree on a great many issues, but he is simply unwilling (or what is much more likely), incapable of seeing what I see in even the shows and movies we both like.

He’s standing where he’s standing, and I’m standing where I’m standing, and he can’t imagine what I’m seeing from over here. I don’t really expect of him, to be honest.

Image result for standing on opposite sides

Before Iron Fist, and Ghost in the Shell were  released, I deferred to the opinions of Asian Americans, and boosted their voices on topics of concern, as much as possible. I can’t speak for them, although I do try to notice if they’re being treated fairly in a narrative. They are the only ones who really KNOW the issues that are of paramount concern to them, as part of the culture being shown onscreen, and whenever possible I prefer to let people of their own culture speak for themselves.

So here’s my encouragement and a challenge: If you’re a person of color, who is interested in TV and film, and you know anything about history, or social justice,  or just care about those issues, you can be a reviewer. It’s easiest to start with television shows since those are much more accessible, but there’s no academic credentials, or specialized knowledge required to blog about it. All you have to do is be a person of color, who loves movies and TV, and have something to say about it.

Pick one show you especially enjoy, and write an essay on how it makes you feel (this is an example of Meta). Pick a movie you liked and talk about its themes or ideas that captured you. Pick a character that speaks to you, with whom you identify and talk about that. It doesn’t have to be like the newspaper reviews. It doesn’t have to be an academic treatise. It also doesn’t have to be negative. Saying how much you love something, and why, is still a review.

Is it a rant? Is it something you hate that movies keep doing? Is it something you love and want to encourage? Go for it! Do you actually have some specialized knowledge on a topic movies keep getting wrong? Let us know!

Trust me, you will find an audience. Its slow going, at first, but I promise to signal boost you. I will give you a platform. If you are a person of color with a movie and TV review blog, let me know, and I’ll reblog your stuff.  Got some meta on Tumblr? Just send me a link and I’ll post it.

We need more critics of color.

 

 

 

 

 

 

http://howlround.com/the-need-for-cultivating-theatre-critics-of-color

 

 

 

More Tumblr Discussions For Your Weekend

*Recently Munroe Bergdorf, a transgender DJ and model, was fired from her position at L’Oreal, for some statements she made about the foundations of  American and British racism. Statements that were taken entirely out of context by the British newrag, The Daily Mail.

Here’s her full statement:

There’s a great irony involved in a company attempting to make money off token efforts at diversity, firing one of its spokespeople for speaking out against racism, out of fear of what bigoted White people might think about the company. (In other words, performative allyship for money.) Then again, its L’Oréal, and I never put much stock in their efforts at diversity in the first place, or in the efforts of most businesses that try to attract my dollar this way. This is a company, that for decade, didn’t seem to want dark skinned people buying any of their skin careproducts, since they didn’t care to make any products for them, so I’m not surprised that they’ve issued a statement saying that Bergdorf does not represent the views of their company.

Well, where’s the lie?

 

And the response:

L’Oréal’s recent layoff sends a telling message about white supremacy

Anthony J. Williams

Looking backmakeup brands have strategically shut out women of color since their inception, particularly women with darker skin tones. This is not news, nor should it come as a surprise, as film was also built for white people. So in an effort to “champion diversity,” and potentially even make up for years of anti-Blackness, L’Oréal Paris casts a Black woman in their YoursTruly True Match diversity campaign.

Where they took a “risk” on her braids, they were rewarded by the potential of kudos by hiring a Black woman who is perceived as not “too Black” due to her lighter complexion. We know by now that dark skinned Black women are villainized, even when they’re FLOTUS. Where they took a risk in hiring a Black woman for a historically white company, the benefit was the accolades they would receive from GLAAD and mainstream media for hiring a Black trans woman, as opposed to a Black cis woman.

Continue reading “More Tumblr Discussions For Your Weekend”

Watchin’ Movies: I’ve Got Mini Reviews

Now see, if I was as mean as everyone says, I would insist that you watch these movies because my eyeballs looked at them, but I’m not like that. I’m doin’ this for y’all, so you can go about your lives unhindered by whether or not you’re missing out on greater things.

Image result for I'm trying to help you gif

Actually these movies weren’t really  bad. A couple of them had pretty good reviews, and I actually liked  all them just okay.  I had the opportunity to watch Ghost in the Shell, but the reviews for it were so awful, and the premise left such a bad taste in my mouth, that I know I can’t watch it with any degree of “fairness”. So, I opted out. I know my limitations and sitting through that movie is one of them.

XXX: The Return of Xander Cage:

Image result for return of xander cage gif

I watched this movie one idle weekend, and yeah, its ridiculous. The stunts are so over the top they’re laughable, and the dialogue isn’t worth remembering, but nevertheless I kinda enjoyed it. It stars one of my favorite action stars, Donnie Yen, who you might remember from Star Wars Rogue One ,as Chirrut Imwe.

Normally, I like Vin Diesel, but I feel like he was just phoning most of this in, except for the stunt scenes, in which he seemed to be having too much fun. I didn’t care too much for the ass shots of various women, at least not without some compensating shots of Vin Diesels’ or Donnie Yen’s asses,  and the plot made no sense at all, but who the hell is paying attention to the plot in a movie like this. B

Basically, Xander Cage is after some type of McGuffin,that was stolen by Yen’s team of rogue operatives, or something, and he has to infiltrate their little gang, learn the objects whereabouts, and retrieve it. There’s some double crossing that requires that he come clean to the rogue team, and then they all have to work together to save the world, or maybe just America, since that’s who they all nominally work for. I was mostly here to watch Donnie kick some ass though.

There’s a “blink and you’ll miss it” cameo from Samuel L. Jackson, yelling at some guy in a diner, before he is unceremoniously blown up by a rogue satellite. There’s also a cameo from Ice Cube, which I didn’t pay much attention to because it was also  so short. This really should’ve been a team-up movie between the two triple Xs, or Hell, three triple Xs, Vin, Ice Cube, and Donnie Yen. That nobody in Hollywood put this idea into the atmosphere speaks to the thorough lack of imagination going on there.

Life:

Image result for life 2017 movie gif

I saw nothing but bad reviews of this movie, but I didn’t  dislike it. It’s been unfairly compared to Alien, and that’s just not right, as this movie, while suffering from much the same Ten Little Indians plot, is a different animal. I actually thought the monster was kind of laughable at first, because at first it looks like one of those giant underwater ribbon snakes, and then later like animated white plastic sheeting, but the movie actually turned out to be pretty suspenseful. I mean I knew everybody was gonna die and I stil l was on the edge of my seat wondering how, so that’s something I guess.

While conducting some experiments in space, a crew of scientists discover an alien lifeform, which gets loose in their ship, and proceeds to eat/kill them. Their job is to keep it from reaching Earth. The creature is sort of like The Blob, as it grows exponentially as it eats, which makes more sense than the creatures from Alien, which gain their size and weight from nothing but air.

I can’t remember any of the actors from this movie beyond Ryan Reynolds ,and I think I saw Morgan from, The Walking Dead. I don’t think it’s spoilery to say that everybody dies! Is it worth viewing? Its okay, but if you don’t see it, your LIFE will not have been upheaved.

Saban’s Power Rangers

I heard so much on Tumblr about how great this movie was, and how it was a big win for diversity, that I had to check it out. It does in fact do diversity very well, but I wouldn’t say it was a great movie. Its too frenetic for that.It stars a poor Asian kid who is not great at school. His mother is dying in their trailer home and he’s worried aobut his future, and what wlll happen when she’s gone. There’s a couple of young WoC, who form a romantic relationship, I think, and a young Black man who has one of the Spectrum disorders. He was my favorite character. Naturally, the fine, upstanding, White boy is the leader, and of course his name is Zach. Why White boys in movies can’t have regular names, like William or Thomas, I don’t know.

I did watch the original television shows with my sisters as they were growing up. They were terribly addicted to the show, and because they loved it I ended up watching a lot of it too, even though I mostly found the show deeply funny. So, I’m familiar enough with the original to be able to understand what’s going on in this one, which feels like it was written for fans, rather than to bring in new viewers.

There’s a lot of exposition that if you don’t pay close attention, you will not understand, (and probably wont understand if you do). The names and some of the action is just as ridiculously over the top and laughable as the original show, too. So if you can get past names like  Goldar, or Rita Repulsa, you’re all set.

Lights Out

I love a good horror movie, but I was too scared to finish watching this beyond the short film it was based on, and its first twenty minutes. I told myself if I just watched it during the daytime, I’d be okay, but that didn’t work, because I went to bed with the lights on,  and then I was afraid because the lights were on, and they might go out, and IT might get me, whatever IT might be. This movie  creeped me out, in a skin crawling type of way, that’s usually only reserved for sentient slime creatures.

The people who made this movie also made another short, called Closet Space, that was both scary and funny.

Don’t Breathe

Apparently, I didn’t learn my lesson from trying to watch Lights Out, because I watched this one sunny Saturday afternoon, when there was nothing else on the TV. I think I liked it, although calling it a good movie would be excessive. Its a complicated movie because the good guys aren’t particularity good, and the bad guys are the ones in danger, so its hard to know who to root for, or even how to feel about what you’re looking at.

A group of desperate teens break into the house of a man they think is totally helpless, because he’s blind, but the tables are turned on them when they have to try to escape, because he turns out to be a serial killer, or something. They discover a young lady being held prisoner in the house, and attempt to rescue her, but she gets killed, after which he decides to kill the guys, and imprison the female member of the group, and forcibly impregnate her, as revenge for the loss of the other woman and her baby. So really, everyone in the movie is kind of repulsive.

I do remember thinking the movie went on for far too long after it should’ve ended. Its not a bad movie but it is one of those movies where the message is so muddled you have no idea what the filmmakers are trying to say, if anything, and you don’t know what to feel about it. If you haven’t seen this movie, and you’re a fan of ambiguity, then give it a try. If you like your movies with a more concrete moral code, then I suggest you give this one a pass.

Favorite Movies of My Life Pt. 5 (2011 – 2017)

Here it is! This is the final part of the movies of my life series, where I list my favorite movies for each year I’ve been on Earth. This has been an eye opener for me too, as some of these I hadn’t really thought of in quite this way before, and the realization that so much of my earliest movie watching experiences are the product of Mom, and nostalgia.

My tastes really started to branch away from hers in my teens, which I suppose is normal. I’m still a lot more adventurous than her, when it comes to choosing movies. I’ll go anywhere I think is interesting, while she likes to stay in her comfort zone, although I can occasionally talk her into watching new things.

 

2011: Attack The Block 

I did a review of this movie here:

 https://tvgeekingout.wordpress.com/2015/12/17/why-we-love-attack-the-block-2011/

This movie is mostly notable for starring my precious cinnamon bun, John Boyega, in one of his first movie roles.

I had two other movies to choose from,The Tree of Life, and The Road. I would have chosen one of these but The Tree is such a complicated film to describe, it would take an entire post just to parse its meaning. The movie has no straight plot, and is really nothing more than a series of images and vignettes with voiceovers loosely strung together with a theme. I love it, not  for its philosophy, but for its mood. The imagery, and music are beautiful, and it has a lot of quiet moments where scenes simply play out to their conclusion, with no explanation.

http://www.scholardarity.com/?p=1361

I love The Road but I was never going to chose it as my top film for this year becasue while it has a hopeful ending, it’s really just  too bleak and depressing a movie to ever be considered enjoyable. I really like Viggo Mortensen though, and think this is very possibly one of his best films.

https://reelrundown.com/movies/The-Road-Movie

 

2012: SkyFall

This year saw the release of The Avengers movie, which was a lot of fun for me; the movie Chronicle, with Michael B Jordan, which I’ll be discussing in another post; The Amazing Spiderman, which I absolutely did not hate, but didn’t love enough to make it my choice for my best movie this year, and finally Django Unchained, which I defended in an earlier post.

https://tvgeekingout.wordpress.com/2016/01/15/in-defense-of-django-unchained/

But my choice for this year is Skyfall. I wasn’t a big fan of the first two Bond movies but I like this one. I think it perfectly captures Bond’s  washed up nature, fighting for a corrupt  political system,  that sees him as expendable. I think David Craig does some of his best acting here. For me, the film was most enjoyable for the introduction of Ms. Moneypenny, played by one of my favorite actresses, Naomie Harris, and its development of M’s character, who does not come off looking too good.

 

 

2013: Snowpiercer/Afflicted

This movie was a tie between SnowPiercer and the movie Afflicted. I reviewed Afflicted here. I think it’s one of the best vampire movies I’d seen in a long time.

https://tvgeekingout.wordpress.com/2015/08/21/geeking-out-about-afflicted-2013/

As for Snowpiercer, what can I say about this movie that hasn’t already been said by better writers than me.:

https://no-award.net/2014/08/01/snowpiercer-the-revolution-cannot-be-trusted-if-its-white/

https://alanw2000.wordpress.com/2014/11/29/snowpiercer-analysis-bong-joon-hos-sci-fi-masterpiece-by-alan/

http://aldianews.com/articles/culture/film-television/snowpiercer-and-one-white-dude-rule-them-all/34908

 

 

2014: Captain America The Winter Soldier

I had a really hard time choosing between Captain America: The Winter Soldier, It Follows, and What We Do in the Shadows. Ultimately, I chose Captain America because  I really enjoyed all three movies in the franchise, and What We Do in the Shadows is such a lightweight, silly thing next to these other two movies. There’s nothing wrong with lightweight, but it just didn’t win out against these two heavyweight message movies.

I’ve done two reviews of It Follows, that’s how intrigued I was by this movie:

https://tvgeekingout.wordpress.com/2017/04/19/it-follows-2014-more-thoughts/

https://tvgeekingout.wordpress.com/2016/06/16/the-monster-it-follows-2014/

I’ve also done a review of What We Do in the Shadows, which cemented Taika Waititi as one of my favorite film directors, forever, and one of the main reasons why Thor: Ragnarok might make my favorites list for this year:

https://tvgeekingout.wordpress.com/2015/11/20/geeking-out-about-what-we-do-in-the-shadows-2014/

I am working on yet another post about Captain America right now, but I have done an entire series of posts on its characters, Sam Wilson, Steve Rogers, and Black Widow. i love it for its message,its characters,  the action scenes are top of the line, and its sentimental moments, which callback to the first movie.

https://tvgeekingout.wordpress.com/2016/07/19/on-the-right-captain-america-and-iron-man/

https://tvgeekingout.wordpress.com/2015/06/15/black-widow-lying-liar-who-lies/

https://tvgeekingout.wordpress.com/2017/01/20/sam-wilson-to-be-rescued/

 

 

2015: Mad Max Fury Road

Most people think I would have chosen Star Wars Force Awakens because of my love for John Boyega/Finn, but really the characters were my only real reason to love it, and I’m also mad because Han Solo was killed, and I haven’t gotten over that yet.

No, the movie that did it for me, this year, was Mad Max Fury Road. I’m a total George Miller stan. His Mad Max movies were so influential,during the 80s, that every post-apocalypse movie since, has tried to ape his style…and failed! They simply could not capture the essential something in his movies, which were  combinations of intelligent writing and ferocious action, and Fury Road is no different. An action movie with a message that every post-apoc movie will try to ape in the future…and fail! For me, Fury Road was my Wonder Woman, (which is another reason why I wasn’t too impressed with that film.) One of the few woman-led actioners against which all others will be compared.

 

2016: Train to Busan

This was one of the best zombie movies in the past few years in my opinion. This is me, squeeing about this movie:

https://tvgeekingout.wordpress.com/2016/10/22/train-to-busan-2016-2/

I have another post on its comparison to World War Z later this year.

 

 

2017: Logan, Get Out, Spiderman Homecoming, and ?

I haven’t yet chosen a film for this year yet, but the three films in the running for my favorite so far, are: Logan, Spiderman Homecoming, and Get Out. I’m also greatly looking forward to the yet to be released films, Thor Ragnarok,  Justice League, and Bladerunner 2049. I might choose one of them. We don’t know! What do you think, I’ll choose?