Things I Watched – More Mini Reviews

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Legends of Tomorrow Mid-season Finale

I’ve not been paying really close attention to this show. Just sort of watching it off and on, and enough to know who the main characters are, and the general plot-line. The show just came off of a four-way combination plot, involving Arrow, Supergirl, The Flash, Nazi versions of the main characters, the death of one of my favorite characters, and the cameo of another.

I didn’t care too much for all the Nazi shit, though. For some reason, now that there are real, actual, Nazis having parades in the streets, media content providers (who are primarily White and male) have decided that now is the proper time to tell alternative timeline stories about them. I can’t help but feel that treating Nazis as little more than action movie villains helped fuel Americans laissez-faire attitude towards seeing real life ones, in that nobody takes them seriously. The refusal to take 45 seriously is part of what lead to him winning the last election, so I don’t want to think about what the refusal to take these pseudo Nazis seriously will cause to happen here. (Treating Nazis as little more than story prompts also serves to humanize and normalize them as well.)

I am going to miss Jax and Stein as Firestorm. I read the Firestorm comic books when I was a teenager, and I’ve always liked him, so I was heartsick to see half that team get killed in the last episode, and to see Jax’s heartbroken demeanor for much of this one. Although the plot was fairly ridiculous, involving a time-misplaced, plush toy, that causes the Vikings to invade America. There was a more serious parallel story of Jax dealing with his grief at Stein’s loss. I was also happy to see Snart again, although this is not the same version who starred at the beginning of the series, but a softer, more emotional Snart,, who spend his time trying to get his old partner to stop drinking, and open up his feelings.

On an up note,  the end of the season saw the introduction of Constantine to the ship’s roster. I don’t now how long he’s going to hang around, but even though I hated the series about Constantine, (and the movie wasn’t all that great either), I still loved the actor who played him in the series, and I’m glad to see him.

 

Sleight

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I watched this movie this weekend, and found myself enjoying this a lot. Now, if only it were made into a TV series. It certainly presents an uncommon superhero origin story in Bo, a former engineering student who implants an anti-gravity device, he invented, into his bicep. This device allows him to levitate objects and do magic tricks, which helps him make money to raise his little sister.

Bo also has a job as a low-level drug dealer, working for Angelo, played by one of  my favorite cinnamon rolls, Dule Hill from Psych. Angelo wants Bo to move up in his operation by moving more product, but Bo makes a critical mistake when he tries to shortchange Angelo, who goes ballistic, demands an exorbitant amount of money as payback, and  kidnaps Bo’s  sister, when he can’t make the deadline. If he wants to rescue her, Bo is going to have to up his game.

This was a much quieter movie than I expected. There are long character moments where Bo is just talking to his girlfriend, or his sister, and a scene where he meets with his former engineering teacher, who helps him make a stronger device. (Bo’s little sister is being played by the upcoming star, Storm Reid, who will be starring in Ava Duverney’s A Wrinkle in Time. ) These scenes serve to make the action scenes a lot more suspenseful, especially at the end, in the final confrontation between Angelo and Bo, that you know has to happen, sooner or later.

There’s some child endangerment issues, but it all ends okay, with stability restored, and Bo, his sister, and his girlfriend, Holly, starting their family life together in a new city. I could’ve done without the drug dealing angle, because I really wish that writers could do some other type of story, based on current Black lives, that didn’t involve crime. When writers do this it just serves to, once again, associate Black people and crime together. Luke Cage and Black Lightning are both guilty of this, (despite that I like them.)

It’s a predictable film, which is saved by the performances of  Jacob Latimore who plays Bo, and Dule Hill. It’s also really weird seeing Dule play a bad guy, especially when his most famous role is Shawn Spencer’s best friend Gus, on the show Psych, which just released its new movie. So I had the pleasure of watching his two performances side by side. Dule needs more work.

This is a good comedown from the bombast of the  Justice League  and Thor movies. Bo isn’t trying to save the world. He just wants to save his sister, and movie on with his life, and that’s okay. The action scenes are still pretty thrilling, too. The movie was directed by J.D. Dillard, who is also the director of Star Wars: The Force Awakens.

 

The Problem with Apu

I watched this one idle Sunday evening. It’s a documentary hosted by Hari Kondabolu, an Asian American comedian. His argument is that the character of Apu should be done away with on the Simpsons show because its nothing more than a collection of the worst Indian stereotypes, which is offensive.

Now, I had stopped watching The Simpsons years ago, and I didn’t know this was even happening, but apparently there has been a big push by Indian Americans to have Hank Azaria answer for this offensive character he created in the show. And rightfully so.

Not being Asian, I didn’t really get it at first. I didn’t like Apu all that much, but also didn’t see anything wrong with his depiction. Once again, it’s not for me to say what’s offensive to other people. If Asian Americans find it offensive, then that’s all that needs to be said. It should e fairly easy to get rid of the character, as he isn’t one of the primary characters on the show. The documentary appears to have been effective because the show runners have given this some amount of thought and addressed its issues.

https://www.huffingtonpost.com/entry/simpsons-hank-azaria-addresses-the-problem-with-apu-documentary_us_5a26f57fe4b0ee6f9637dbee

 

Happy

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This show is every bit as batshit as I thought it was going to be. Normally I don’t watch so much gore, since so much of it it’s just gore for the sake of having it, but I actually enjoyed this show, and it turned out to actually be funny. It’s so over the top, I couldn’t possibly take any of it seriously. Not to say it doesn’t have some truly dark aspects.There’s a child endangerment angle some people might not be too comfortable with.

Christopher Meloni is absolutely perfect as a down on his luck detective named Nick Sax, who used to be famous, but now works as  an addled and drunken hit man. He has a heart attack in the middle of one of his hits and loses consciousness right next to the dead body of his last victim. When he wakes up in the ambulance he coerces the paramedics into giving him lots of nitroglycerin, but he is also being harassed by a blue, cartoon, flying horse, named Happy.

Apparently, Happy is real, I guess. He’s the imaginary playmate of the endangered little girl I mentioned earlier, and since Nick is the only other human being who can see him (Why? Is it a near death thing? A genetic thing?), Happy needs his help to rescue her. This is complicated by Nick being pursued by cops who want some information they think he has, and some mobsters.

This is very much a niche type of show and is not for everyone, says the woman who is too delicate to watch cop shows. I suppose technically this is a cop show, but apparently, I like cop shows that have a great deal of humor in them, like Reno 911, and Brooklyn 99 (I know you’re noticing a theme here. The show must have a location or number in its title, and be a batshit comedy).

The humor is very adult, involving shootings, hookers, and corrupt cops, and I found it all to be deeply funny, but can’t explain why. I think this is meant to take the place of the pulp show, Blood Drive, which I didn’t particularly care for, even though it was just as insane. (Maybe I didn’t like it because there were no cops in it.) It’s also a very energetic and loud show. I will probably keep watching it, but for jeebus’ sake, despite the presence of Happy, do not let your kids watch this show.

It is totally not for kids!!!!

 

The Autopsy of Jane Doe

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Like The Void, this is one of those horror movies that flew just underneath everyone’s radar. It’s genuinely spooky, mostly because you have no idea what the Hell is going on, or why things are happening for most of the movie. The plot sounds pretty simple on the surface but becomes increasingly complex until finally you’re left with the final idea that none of it is accidental and that everything that happens is, very malevolently, on purpose.

A father and son coroner team receive a female body in their morgue, that presents some bizarre mysteries, most notably that they can’t tell what killed her. After they start her autopsy, a number of strange events occur, like the death of their cat, sounds, footsteps, and voices, are heard in empty rooms of the facility, a strange fire, and a mysterious fog, all of which culminate in the deaths of both of them, leading to an even further mystery for the emergency workers who find them.

The body of the Jane Doe they had been examining is moved on to another morgue, and I had the distinct impression that it had been moved on  from several other morgues, after the deaths of the examiners, and after the ambulances that transported it,  met with accidents themselves. This same body (which is probably possessed by a demon or a witch) just moves from morgue to morgue, with no name, and no identity beyond looking female and dead. You think at first that this is a simple ghost story, but I suspect this is something much more subtle, and sinister, than a ghost story, in that this body had probably never been alive.

If you liked the movie The Witch, this movie has the same deeply creepy feel. I was most appreciative of the minimal jump scares, and the absence of any scenes where people get dragged along floors by mysterious entities, cuz I’m getting especially tired of that one.

 

Strange Empire

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I saw the trailer for Strange Empire a few weeks before the release of Godless, so when I saw the trailer for Godless, I was reminded of the first. Strange Empire has much the same plot as Godless, and it has more prominent WoC in it, so I decided to skip Godless, which didnt appear to have any WoC at all, watch this instead.

I’m about halfway through the season, and I like it, but its tough watching because most of it consists of the women trying to avoid prostitution. Unlike Godless which boasted of its all female cast, Strange Empire actually bothers to have the women front and center, and its a really interesting group of women. The show takes place in Alberta Canada, during the same time frame, so I don’t know if that has much parallel to Godless.

In both shows a group of women have been left to fend for themselves against some ruthless male foe. In Godless, all the men have died in a mining incident, but in Empire, the men are massacred by a local brothel owner, named Aaron Slotter, whose wife just lost a child.. There  are two  feral young women who are to be sold to a brothel, and a half Indigenous woman named Kat, who adopts them, to save them from that life. When she hides the girls, the caravan of men they were traveling with are massacred by the brothel owner, and he tries to coerce the women into working for him.

In the meantime, Aaron’s wife, a bi-racial Black woman, named Isabelle, schemes to get money from  father, by substituting the child of one of their whores , for their dead son, and she works with Kat to rescue the two young girls her husband wants to sell to the highest bidder.

There’s also a neurodivergent female doctor, named Rebecca, who forms a friendship and alliance with Kat, even though her husband was one of the few men that survived the massacre. It took me a moment to figure out that this young lady had autism, but she also happens to be a surgical genius being held back by her husband’s fears of her being insane, which is the only understanding anyone had of autism back then.

Outside of the main plot involving the women trying not to be sold into prostitution, it’s not a bad show. Unlike with Godless, the women (mostly Kat) get most of the screen-time and dialogue. There are men in the cast, but it most definitely isn’t about any of them, although they are important to keeping the plot moving, most of their time is spent fighting with Kat, or killing each other.

So if you’re looking for a good Western, but checked out of Godless because of its overwhelming whiteness,  and its prioritization of men or some other reason, than check out Strange Empire.

 

Most shows are heading into the winter hiatus right now, which should give me time to post some mid-season reviews of Supernatural and  The Walking Dead and a couple more movie reviews, along with that character review of Star Trek Discovery that I promised.

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Coming Soon To A TV Near You

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Here’s a list of various upcoming TV programs and series, that I might watch, or am excited about, this month. Some of these will available for streaming on Amazon, Hulu, and Netflix.

For the rest of December:

 

Happy:

Starring Christopher Meloni, and Patton Oswalt, this has already aired, and I haven’t yet watched the episode. As soon as I do I’ll let you know what I think. I was kind of excited about this mostly because I’m a Christopher Meloni fan, who will watch him in just about anything, and Patton Oswalt’s not a bad comedian. This looks almost as zany as Legion, but probably less confusing, and maybe it will be funny. It’s definitely very graphic, so if you have trouble watching lots of gore, maybe take a rain-check on this one. Believe it or not, its actually based on a comic book, and does not star a superhero, so it will be interesting to see other things besides superhero shows from comics in the next couple of years.

Meloni’s character is some kind of cop, or hitman, I’m not sure which, who starts to hallucinate a tiny blue horse that is the polar opposite of his demeanor, in that its named Happy, and tries to get him to see the bright side of living.

 

Knightrfall

This has also just aired after the new episodes of Vikings. I wasn’t impressed, not because its a bad show, but because I’m not interested in this particular era of history, or this area of the world. I checked out after the anti-semitic sentiment (which was common for the time period) started to work on my nerves, a bit. So if you’re Jewish, and were planning to watch it, maybe you can skip it, and that’s okay. I can say it’s an extremely pretty show, but the dialogue needs some help. I don’t think this show is going to blow up the same way Vikings did, though.

 

7th: Psych :The Movie

I was an on again off again fan of the series, so I’m mildly excited about this, even though Tim Omundsen isn’t making an appearance, (or so I’ve been lead to believe). Tonight, we get to find out what Gus and Shawn have gotten up to since the series ended. One of the biggest draws of the show was their friendship, and I’d like to immerse myself in their silliness for a while, and I’ll let you know what happened.

 

13th: The Librarians

I’m not a fan of this show, and have never seen a single episode, which is really weird, because I’m a librarian and, I believe I’m required, by some law, to watch it. Maybe I will.

 

15th: Jean Claude Van Johnson

I saw the first episode of this and was shocked to see Phylicia Rashad in it, as Jean Claude Van Damme and Phylicia Rashad are not two names I ever associated with one another. Here, he plays a government agent whose secret identity is being the famous Jean Claude. I sort of liked it. I thought his self-deprecation was pretty funny, but the humor is uneven and  doesn’t fit well with some of the violence in the show, even if some of that violence is played for laughs. It’s worth a watch if you like Kung Fu, and comedy.The show airs on Amazon Prime.

 

18th: Gunpowder

I’m  looking forward to this, even though it airs on HBO, and I don’t have that network anymore. It’s  about the events leading up to Guy Fawkes Day in England and star Kit Harrington from Game of Thrones..

 

19th: The Indian Detective

I like the idea of this. I enjoy watching detectives of other cultures, as they attempt to solve crimes within their respective cultures, or attempt to navigate someone else’s. Also, Russell Peters is the star, and I think he’s pretty funny. This airs on Netflix, too.

 

21st: Peaky Blinders

This also airs on Netflix. I only partially watched the first couple of  seasons of this show, which stars Cillian Murphy, about a criminal gang from Birmingham England called, what else, Peaky Blinders. I’m excited for this new season which also stars Tom Hardy.

 

22nd: Bright

This is being touted as one of the most expensive original  shows on Netflix, and we know why. Will Smith costs money! I’m very excited about this because I don’t think I’ll ever get tired of Will Smith smartin’ off at strange creatures any time soon, and who can resist the mashup of Elves, Orcs, and the gangbangers of LA. This is the very definition of “Urban” Fantasy, and I’m here for it. It also has music videos.

 

25th: Dr. Who Xmas Special: Twice Upon A Time

As usual, every year there’s a Xmas special that introduces the old Doctor Who to the new Doctor Who, or to the viewers. Since the new Doctor is now a woman, I might actually watch it this year. It’s also my last chance to see Pearl Mackie and Peter Capaldi together, again. What happens is, rather than recording the show like a normal human being, I usually end up skipping it, going to bed, and then forgetting that it ever aired.Well, maybe this year I may remain awake (if the day hasn’t been too strenuous), and get to watch it this time.

 

29th: Black Mirror

I’m not a huge Black Mirror fan. I watched bits and pieces of the last season, and my attitude was “It’s okay.”, but I like the new trailer for this season, which looks fun rather than gloomy, or tragic, so I guess I’m going to be watching a lot, (and I mean, a lot), of Netflix this December.

 

31st: Dave Chappelle 

I didn’t care for Chappelle’s last show on \Netflix. I just didn’t think it was as funny as I expected it to be, but I’m glad to see he’s working again, and I’ve always been a huge fan, so I’ll check this out, instead of partying on New Year’s Eve.

 

Next Up: What’s coming in January

We have a lot to look forward to next month, not just on TV but in theaters.

Also: a list of forthcoming TV shows for the next year, and which movie remakes are in the works, or being discussed for 2018

 

Thangs I Been Looking At (Mini – Reviews)

Ghost Wars

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I’m  impressed with this show, ,not just for its good production, but because it’s actually scary. I don’t normally pay much attention to literary ghost stories, but movies and TV shows seem to work for me a bit, although I still prefer monster movies, where normalcy has been upheaved by something that’s blatantly malicious, and then order is restored after the creature is defeated. Ghost stories are too open ended for me to really get into them, and sometimes they’re just not very scary to me.

The ghost stories that actually scared me were The Sixth Sense, Ju-On, and, The Ring. In my mind, everything made since those movies have been nothing but ripoffs of the originals. But I actually like this show. There’s just enough uncanny shit happening to keep me off balance. I like the characters and their issues. The acting is better than I expected (because Vincent D’onofrio is present as a town preacher.) and there’s also just enough social subtext to make it compelling.

 

 

Roman Mercer is the town outcast because he can see ghosts, especially the ghosts of regular townspeople, so he has a reputation. In the pilot, he was attempting to leave town, but there was some type of explosive paranormal event that prevented that, and killed the bus full of people he’d been on. (His best friend is a young lady who is also a ghost, and she warned him about the bus crash in advance.)

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So now this remote Alaskan town is being overrun by ghosts, who are definitely malevolent. What event awakened them all, and what the ghosts want, is still a delicious mystery, that I’m here for. The ghosts can possess people, cause nasty hallucinations, like when the town preacher, while giving a wake in the town bar, sees blood pouring from his drinking glass, and they cause people to believe the town bridge  is still intact, when its been destroyed. The only thing that saves everyone is that Roman can see through the hallucination, and prevent people from trying to drive across.

There have also been some interesting character changes as the townsfolk who didn’t believe in Roman’s abilities, now have no choice but to believe, as they are being attacked by ghosts, and those who did believe in Roman’s powers, and hated him for it, have since realized his usefulness, and stopped bullying him.

 

Kim Coates and Meatloaf also star in the show. I’ve liked Coates ever since I first saw him in Waterworld, although he’s been around since the late 80s. In the show he plays either a lovable rogue, who is responsible for his little brother’s death, or the town ne’er do well. I wasn’t sure of Meatloaf’s acting abilities until I saw him in Fight Club, although I’d also seen him in other projects. He plays one of the town bullies.

I think I’m going to stick with this show for a while. The Syfy Channel is slowly starting to build back its reputation for interesting shows, and I’m glad. The Expanse, Dark Matters, Killjoys, Z Nation, Superstition, Ghost Wars. By focusing on character, paying close attention to diversity, (lots of women in these shows, lots of PoC, and most importantly lots of different WoC), and coupling these things with interesting  concepts, Syfy is slowly getting back its street cred as a network that geeks are not ashamed to admit to watching.

 

Superstition

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I really like the idea of this Black family that fights supernatural creatures in this small town, and I have tremendous respect for Van Peebles for breaking new ground, just by adding racial diversity to genre shows. He’s done Westerns (Posse), and werewolves, (Full Eclipse), and now he’s taking a crack at the Supernatural/Buffy style show, involving family dynamics with monster killing.  I don’t know how long this show is going to last because I haven’t seen many people talking about it anywhere, but I hope it at least finishes out one season.

The problem I have is with the execution of the ideas on the show. The acting could be better, (its a little dodgy) and the plot needs to be beefier. I feel like it should’ve lead with the demons/monster plot, and then worked in the soap opera aspects, once we got to really know the characters. I  think the plot leans a little too heavy on the drama, and we just met all these characters, so we have no incentive to care about their emotional issues.

The Hastings are basically a bunch of badasses who use deadly weapons and magic to battle the forces of evil. The eldest son was estranged from the family, but has come back home, and been welcomed back into the family business of monster killing, so we learn about what’s going on just as he does, as he needs to be taught the ropes.

Sadly, not much was known about this show before it aired and the only place I saw any promos was on the Syfy network itself. The network does not appear to be as invested in this show as it seems to be in other shows, like The Expanse, and Z Nation, and that’s why I don’t think this show is going to last very long. But I’m here for it while it airs.

 

Stranger Things Season Two

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I get why people like this show. There’s a definite nostalgia factor, and those kids are cute as all heck, but My feeling about the show was kinda meh. its not a bad show, and it has excellent production values, but I just wasn’t deeply invested. I wasn’t carried away, I guess.

Maybe part of the reason I didn’t find this especially compelling is because I didn’t watch the entire first season. I saw bits and pieces of it. Enough to get a general idea of what was happening, but not all the tiny details, like names. I liked all the little 80s callbacks, and I liked quite a few of the characters. Wynona Ryder plays Michael’s Mom, and she was her usual excellent self. Sean Astin plays her love interest, and he is a goofily cheerful character that I sort of liked. The most interesting two characters were Lucas, and his seeming love interest, a ginger haired skater- girl ,who just moved into town. Lucas’ friendship with her causes a minor riff between the four friends.

Eleven escapes from her overprotective adoptive father, but after the two of them have a falling out,  she finds herself having adventures in the city, where she falls in with a group of thieves led by another girl with tattoos, and the ability to cause illusions. She eventually leaves them when she receives a premonition that Mike is in danger. Eleven’s activities are the most interesting part of the show.

Michael, the boy who befriended Eleven in the first season keeps having visions of a massive creature that has infested (infected) the entire town. He develops a connection to it, and eventually becomes possessed by the creature. When the rest of his family and friends realize what’s happening they spring into action to prevent the creature’s release, into the town, from the local  medical facility, but its already too late, as one of Michael’s friends has befriended a small  frog-like creature that turns out to be a juvenile form of the monster.

I didn’t dislike the show, and I bingewatched all ten episodes, but I wasn’t wildly enthused either. I can recommend it if you don’t have anything more pressing to watch, or if you just really love 80s nostalgia. Really, the most compelling thing in the entire show was the monster, and I want to see season three because I’d like to know what’s going to happen to it, and Eleven.

 

Jeepers Creepers 3

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Don’t worry. I didn’t pay money to see this movie. At any rate I couldn’t have even if I wanted to. Sensing that people wouldn’t want to associate too much with the cinematic output of a convicted pedophile, the movie’s creators sought only a limited, one day, release, before sending it directly to video, or rather the Syfy Channel where I saw it the weekend before Halloween.

I did not care for this movie because it’s a confusing mess. It takes place between the first and second films, but that isn’t immediately apparent, as only two of the characters from the first film appear in it, and only one of the characters from the second. Ridiculous things happen in the movie that I couldn’t make sense of, and even though there’s a lot of exposition, (I mean a LOT! People talk and talk and talk.) all the talking didn’t make anything about this movie any clearer.

Most of that talking is is from a brand new character, a cop named Tashtego, who is constantly stressing to the other characters how evil The Creeper is and that he must be killed. There’s lots of shots of he Creeper being his usual weird and nasty self, terrorizing teenagers, eating people, etc. For some reason, someone thought it would be a grand idea to prominently feature the creature’s truck, which is tricked out with various booby traps, which is what the police find out when they try to investigate the dead bodies lying in it, and a pack of obnoxious teenagers find this out too before they’re promptly caught and killed by The Creeper. He still likes to hunt  pretty young men, but occasionally takes time out of his busy schedule to terrify a woman or two.

One ofthe most baffling scenes is the discovery of a disembodied hand of The Creeper that gives people visions when they touch it. This isn’t something that was even hinted at in the first movie, although in every film, there’s the one character who seems to mystically know shit about The Creeper, so as to give more exposition on him. Exposition that illuminates not at all.

Since The Creeper can’t actually be killed, and we saw him in the second movie that was released we pretty much know how this one ends. He doesn’t get caught. At any rate, it matters not one bit, because I don’t believe Salva will be making any more of these. I sense that the makers of this movie just wanted to release it quietly, and get it off their books, and get Salva out of their hair, so I don’t think he’ll be making another Creeper movie any time soon. It’s very possible that he won’t ever be making any more movies again, since no one wants to be associated with him, especially in this new climate of awareness involving past sex scandals.

 

Seoul Station

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I was really excited to get to see this, the moment I heard of it, especially after watching Train to Busan. Seoul Station is an animated pre-quel to the live action Train to Busan, and its every bit as harrowing, nerve wracking, and action packed as the movie, despite the medium. It takes its time getting started but like the live action movie, once it gets going it doesn’t let up, doesn’t let you have a rest, and you get attached to the primary character just as in the other film.

In Seoul Sta. we see the beginning of the zombie infestation, and how it managed to escape notice until it got out of hand. This happens the way it always does by affecting the poor and underclass first. We meet a young woman who just escaped prostitution with  an abusive pimp, but the man she’s currently  living with isn’t much better. He’s having money issues and keeps trying to convince her to sell herself so they can pay the rent. At one point he hits her, and she;s so used to being treated that way she doesn’t even fight back.. (I wasn’t expecting that scene and it kind of threw me for a bit, so here’s my warning in advance. If you have trouble watching such things,s know the movie contains scenes of stalking and domestic abuse.)

We follow this young woman for the rest of the movie, after she breaks up with her current boyfriend. She barely manages to stay one step ahead of the zombie infestation, running from one seemingly safe place to another, only for those places to be overrun by the dead. From a police station, to the subway, to an alley that’s been cordoned off by the police (who think its all some type of insurrection), she has to use all her strength, and wits to stay ahead of the zombies, while wearing nothing more than a little pink dress and bare feet. She’s not an entirely sympathetic character either, as one of her most annoying traits is a complete inability to close doors behind her, thereby exacerbating her zombie issues.

In the meantime she’s also being pursued by her current boyfriend and her former pimp, both of whom have try to make their way through the zombie infested streets of Seoul. I was a little confused at first, because I thought her former pimp was her father, but it turns out he’s just lying to enlist her boyfriend’s aid in finding her.

A funny observation  about this movie (and I don’t know if this is just something that’s done in the movie, or if people in Seoul actually behave this way) are the many people who are  willing to verbally harangue strangers in public. From her landlady screaming at her about her late rent, to when she screams at her boyfriend at a cyber cafe, to random disturbed people on the street, characters are forever running up to others and screaming at them. Needless to say you cannot do that shit in America, where you just run up on somebody and start yelling, especially during a Zombie apocalypse. (You will get your ass beat for that just on a regular Tuesday.) Sometimes they just scream gibberish, but sometimes the rants are very specific. At any rate, some of this behavior serves too illustrate the lives of the rather downtrodden, and in some cases, criminal individuals.

Unlike the live action film, none of the characters are your typical salaried workers, which is a refreshing change from American made films, in which we watch your standard  American family endure some kind of crisis. Some of them are not the least bit nice, or innocent, either. There are homeless people bullying each other, and salaried workers, who treat the homeless characters with disdain and contempt. I don’t know if the creator is trying to make some kind of social argument about life in Seoul, or not, though.

Seoul Station is available right now for free on Amazon Prime, (or for rent). This is an absolutely excellent double bill, with its sequel, but you’re going to have to rest between films, because neither will give you a moment.

The Mummy

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I was not impressed by this movie. In fact, I think I hated it. Tom Cruise looks worn and tired, the plot is rather lackluster, and I was not expecting Russell Crowe to be shamelessly overacting in this movie. Its not a bad film, in the sense that the people who cared about it, tried their best, to make it look good, but the movie is simply uninspired. The first Mummy movie in the last trilogy at least had a feeling of freshness in its lead female character, Evie. Here the only female character we are meant to pay attention to is boring and flat, and the other one is the villain.

Essentially, The Mummy tells the origin story of how a modern man gets chosen by an ancient priestess, Ahmanet, to be the avatar of the Egyptian god, Set. It would’ve been a much more interesting movie, if they had just stuck to the portion dealing with Ahmanet, but you know Hollywood hates WoC, because its unthinkable to them that one of them (namely Sofia Boutella, who is actually Egyptian) would ever be the head of her own franchise. Franchises must be led by your standard white guy named Chris, or Tom in this case. One of these days Miss Boutella will be treated with respect and won’t have to kiss tired looking men, twice her age, to be in a movie.

Tom should  stick with those Mission Impossible, and Jack Reacher movies, which I actually like. He looks as if he’s enjoying himself in those, and I like a Tom Cruise film in which he appears to at least be having some fun. Here, he  looks like he can’t wait for the movie to be over, and seems like he’s just going through the motions until it ends.

I was only mildly excited to see this in the theater, and I’m glad I didn’t waste my money. My advice is to skip this and watch the 1999 version again.

Mindhunter Review

*Amanda DobbinsWe need more expensive, mediocre, highly watchable television!

https://www.theringer.com/tv/2017/10/18/16495494/mindhunter-exit-survey

*Fennessey: One of the things I like about this show is that its pleasure is not derived from murder sequences, scenes that depict or dissect murder, or even the hunt for a killer. They’re process-driven, sure. But they are also skeptical of their heroes, unafraid to undermine their intelligence. This show isn’t about watching serial killers. It’s about watching watchers.

                                   ———-Excerpted from the Mindhunter Exit Survey

I’m just going to showcase this review of Mindhunter from Bitch Media. It highlights all the good and bad, from the perspective of a fan of Forensic Science shows.

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I’m also a fan of Forensic Science shows, in general, and I did like this show a lot, but it does have some real issues. Those particular issues didnt stop me from bingewatching it though, mostly because, on the issues of racism and misogyny, I expect only the absolute bare minimum, from a White male Hollywood director like Fincher, who has never addressed those specific issues in any of  his movies. (Now if this were Bryan Fuller, I’d be more upset. I expect more social awareness from Fuller, than I do from Fincher.)

Hollywood’s writers, who tend to be White and male, have a blind spot when it comes to certain issues and most of them are highlighted in this show. Not wanting to address those particular issues, (like  racial corruption in the FBI and COINTELPRO) doesn’t make those issues go away, and this is something that made me increasingly uncomfortable as I watched, as  I know something of the FBI’s sordid history.

I would have found this a far more interesting show had its focus been on one of the much smarter women, like the lesbian psychologist who gives the lead character all the correct answers, or the girlfriend with an actual sociology degree. I would have liked to have seen whatever dynamic played out with the killers being interviewed by someone they would normally consider one of their victims.

One thing that the article doesn’t mention is the latent homosexuality, in this all male environment, which is tinged with just a hint of violence between the main character and his interviewees. This is noticeable especially in the scene with Edmund Kemper, who makes a habit of invading the character’s personal space ,and touching him in an almost intimate manner, when they first meet. I think this is entirely unintentional on the part of the writer, but probably not on the actor’s part.

Cameron Britton and Jonathan Groff in Mindhunter

 

On the other hand, I do realize that’s not the show’s focus, (as its not a critique of the FBI,) and I do know more than I should about some of  the serial killers being interviewed in the show, having read John Douglas’ seminal book of the same name (and all his other books). Edmund Kemper, Jerome Brudos, and Dennis Rader (known as BTK) are all featured, and I can see that much more attention was paid to getting their details correct than in approaching social issues. Also, Douglas doesn’t address any of these issues in his book, so the writers may have been performing their idea of faithfulness to the source material.

PROFILING 101

THE WHITE MEDIOCRITY OF “MINDHUNTER”

https://www.bitchmedia.org/article/mindhunter-white-male-problem

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‘Ford is a mediocre white cishet male hostage negotiator for the FBI, who we are introduced to during a hostage situation. While the hostage was not harmed, the perpetrator–who was suffering from mental illness–committed suicide. We learn, though, that Ford already exhibits some of the character traits that will lead him to criminal psychology; that is, exploring not just what killers do, but why they do it. Post-hostage scene, Ford’s mediocrity is increasingly apparent to everyone except, perhaps, the writer and director, who clearly envision him as a determined and dedicated individual hellbent on finding answers, but who the audience might peg as a white guy to whom white-guy things happen.’

 

Mindhunter is available on Netflix, and despite its problems, is actually is worth watching, although it’s a much better show if you know nothing about the history of the FBI. Hopefully, the writer will become a little more daring with his characters and plot, in the second season.

Note: This is a vert talky show. There are no car chases, gore, or scenes of women screaming and running. The horror doesn’t derive from watching the killers take lives, but talking about why they did it, and how, and the focus, and casualness, with which they approach the concept of killing other human beings, as a hobby. 

Weekend Link Roundup

Here’s some interesting reading from around the web, for the weekend. Some of the articles are older, but no less relevant:

 

Asian Erasure

*From Firefly and Star Wars, and from Bladerunner to The Matrix. What do these movies have in common? They’re all about the future, and they all have a certain Asian aesthetic. Unfortunately they also have no Asians in them. Hollywood loves seeing an Asian future, as long as there are no actual Asian people in that future. The Chinese population is some 1.3 billion people.  People classifying themselves as White make up only 11% of the world’s population and are set to be even less than that in the future as their population continues to decline, yet, there’s no evidence of that in any of the most popular movies about the future.

https://boingboing.net/2017/10/11/cyberpunks-asian-representat.html

https://moviepilot.com/p/what-is-cyberpunks-obsession-asian-imagery/4379249

https://www.avclub.com/read-this-why-does-cyberpunk-keep-making-asian-cities-1819366143

http://www.slashfilm.com/blade-runner-2049-asian-culture/

https://motherboard.vice.com/en_us/article/mb7yqx/cyberpunk-cities-fetishize-asian-culture-but-have-no-asians-blade-runner

 

Hollywood’s “Little” Problem

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https://www.thedailybeast.com/hollywoods-other-open-secret-besides-harvey-weinstein-preying-on-young-boys?via=newsletter&source=Entertainment

http://www.hollywoodreporter.com/news/corey-feldman-elijah-wood-hollywood-897403

https://www.thedailybeast.com/elijah-wood-calls-out-hollywoods-pedophile-problem

 

Toxic Masculinity in Pop Culture

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http://www.vulture.com/2017/04/nice-guys-in-movies-arent-nice-anymore.html

https://www.themarysue.com/toxic-masculinity-in-jessica-jones-kilgrave-as-a-nice-guy-and-will-simpson-as-misogynistic-hero/

https://www.themarysue.com/wolverine-toxic-masculinity/

https://www.bitchmedia.org/article/how-fargo-captures-sad-realities-toxic-masculinity

http://www.ebony.com/news-views/toxic-masculinity#axzz4w4vfOIGI

https://www.thecut.com/2017/10/this-isnt-toxic-masculinity-its-sociopathic-baby-men.html

 

Neo Yokio Review

 

  1. Lord help the poor souls for whom Neo Yokio is their first introduction to anime — and let that same Lord (whatever benevolent nerd deity presides over these sorts of things) bless the brave souls who watched this inane attempt at entertainment knowing that so much greater anime exists in the world.

    Neo Yokio, a Netflix original series created by Vampire Weekend’s Ezra Koenig and starring the vocal talents of Jaden Smith, Jude Law, Susan Sarandon, Jason Schwartzman, and Steve Buscemi, among many others, takes place in a futuristic New York City that’s underwater south of 14th Street. In this version of New York, which is randomly and inexplicably peppered with elements of Japanese culture, one’s social standing — showcased on the all-knowing “Bachelor Board” in Times Square — is of the utmost importance, and those with old money look down upon the “magistocrats,” demon-slaying members of the elite who have worked their way up, through exorcisms and social engagements, into the class of nouveau riche (aka “Neo Riche” ::queue eyeroll::).

    Our hero (a term I’ll use with the same degree of irony that Neo Yokio overuses to no end) is Kaz Kaan, a young magistocrat who spends his time exorcising some demons but even more time complaining about his social status, shopping, and bemoaning his relationship status to his friends and mecha British butler, Charles. And what’s the plot, you may ask — a fitting question, but one for which Neo Yokio has no answer. The show literally follows Kaz as he mopes around, goes on errands, and tries to figure out how to become the most eligible bachelor in Neo Yokio. If there’s a reason why we should care about Kaz’s problems, it’s unclear. After all, with its fixation on brand names, fashion, and the superficial minutiae of Kaz’s upper-class life, Neo Yokio presents itself solely as a satire of classism and commercialism in our culture, right? Maybe.

    That’s just the problem — it’s unclear. For all its posturing about class, Neo Yokio never actually commits itself to saying anything about it. We see the characters bask in their privilege and throw around their money carelessly but the only instance of real contrast is when we see how Kaz treats Charles and the few characters he briefly encounters in the service industry (including the sales clerk at Bergdorf’s, whom he only refers to as “sales clerk”) with utter disregard. The characters — and the show in general — exist in a kind of vacuum, making it impossible to determine whether the show is taking itself seriously or not at all — and if it’s satirizing a group of people or an idea, who or what exactly that is. None of the characters are written with any depth and none of them reveal the show’s true aim. Sure, fashion blogger Helena St. Tessero awakens to the superficiality of Neo Yokio and initially seems like she’ll be the lens through which we may see the satirized world (think the smart, incisive gaze of Daria, who reveals the stupidity of those around her), but she too is exaggerated to the point of no return (read: is turned into a terrorist-recluse), leaving us with equally fatuous celebrations and dismissals of this upper-class life.

     

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Writing With Color

 

*Here’s some basic writing advice, for writing just about any marginalized group, (and eve nsome very common, not so marginalized groups) so you don’t come off looking like a racist twat! Now this is not to say you can do none of these things. Some of them can be done without offense, if you have a damn good reason for doing it. Some of the others…not so much.

 

Common Micro-aggressions: African Americans and/or
Black People

Anonymous said: What are some common micro-aggressions that a black american will regularly have to deal with?

Behold this masterpost of common micro-aggressions towards African Americans and/or people in the African Diaspora, several of which may be applicable to other PoC. Micro-aggressions can be perpetuated by White people as well as fellow Black people and People of Color.

This is just to give a thorough understanding of some of the things a Black person (often in America) deals with. Don’t run forward and jam-pack your Black character with every one of these experiences, though I can say I’ve personally experienced every one of these or know someone who has.

General Micro-aggressions

  • People excusing blackface.
  • Having our grammar and annunciation corrected.
  • “I don’t see you as a Black person/ I don’t see colour.”
  • Calling Black people ghetto, thugs, rachet, sassy, urban…
  • People debating why they should be allowed to say the n-word.
  • Then saying the n-word anyway.
  • Whispering, spitting, or stumbling over the word “Black” as if it’s a curse.
  • Refusing to pronounce your name right, or just calling you by a different name that’s easier.
  • Alternatively, “jokingly” calling you a “ghetto” name.
  • Constantly mixing up unrelated and not even resembling Black people, because you know.. ‘Black people all look the same’.
  • Dismissing our experiences as “just overreacting,” defending the wronging party, or using our plight to talk about one’s own experience (e.g. “well as a gay man i’ve got it rough…”).
  • Telling racist jokes and calling you sensitive when you don’t find it funny.
  • “______  is the new civil rights movement!” Black folks are still fighting for their rights so…

Media

  • Fox news (xD)
  • Caricatured depictions of Black people on TV.
  • Casting calls for Black people only tailored for “race roles.”
  • Media treating white criminals and killers better than Black victims (see these headlines).

Stereotypes

  • Assuming you only listen to rap/hip-hop/r&b.
  • Assuming you love chicken, Kool-aid, and/or smoke weed.
  • Assuming you’re good at sports.
  • Assuming there’s no father in the picture in Black families.
  • Assuming all Black people (see: young girls) have children.
  • Calling Black people who don’t conform to one’s image of Blackness, “less black,” acting white or “oreo.”

AAVE

  • Non-Black People mimicking/imitating AAVE.
  • People falling into AAVE when talking to Black People.
  • “Why don’t Black people speak real English instead of ‘ebonics’?”

Insults/doubting intelligence:

  • You’re so articulate!”
  • You take advanced classes?!”
  • “How did she get into that [prestigious school and/or program]?”
  • “They only got x because they’re Black/Affirmative action.”
  • Assuming a Black person (usually male) attends college because of a sports scholarship.
  • Counselors discouraging Black students to take prestigious coursework, assuming it’s too difficult for them.

 Respectability politics:

  • “You’re a credit to your race.”
  • “I’m glad you’re not like those other Black people. You’re not ghetto or listen to that rap stuff..”
  • Tone policing: dismissing someone’s reaction/argument/etc. because they are too “emotional.” Thinking that we need to be calm in order to be taken seriously.
  • Pitting African immigrants against African Americans, especially those coming to America for education, aka “Good Blacks.”

Beauty Standards and Dating

Fetishization/Othering

  • People asking you what you are or where you’re really from.
  • Referring to Black people or our features as “exotic.”
  • Referring to Black people’s skin as chocolate or other foods.

Black Women/Misogynoir

  • Saying Black women are ”strong, independent and don’t need no man.“
  • Calling Black women ”sassy“ or angry if she shows passion/emotion.
  • Referring to white and non-black women as “girls” and “women” while calling Black women “Females.”
  • [White] males who apply courtesy to white women (holding doors, giving up seat) but don’t apply the same to Black women.
  • Referring to Black women on government assistance as “welfare queens” (While ignoring that white people get more government assistance than Black people in the USA).
  • “Black women All woman are beautiful.” (StopThatPlease.)

Hair.

  • People touching/petting your hair without consent.
  • “So is that your real hair? Are those extensions?”
  • Calling natural black hair unprofessional.
  • White people appropriating Black hair styles (dreads, twists, etc) and being praised as edgy, while it’s “ghetto, unprofessional, and unclean” on our own heads.

Poverty Assumptions:

  • “Do you live in the ghetto?”
  • “Can you afford that?”
  • “Here are the value prices of this product…”

Racial Profiling + Criminalization:

  • Crossing the street to avoid passing Black men/people.
  • Following in stores, assuming Black people are stealing.
  • Moving aside when we pass, clutching purse, locking doors.
  • Asking Black people for I.D. when paying with card (while white people are not asked).
  • Being pulled over + arrested at astonishingly higher rates than white people.

For a fuller understanding of micro aggressions and the effects it has on individuals overtime, please see this: “These incidents may appear small…”

~Mods: Colette and Alice

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Stereotyping Tropes List (TVTropes)

A masterpost of the Stereotyping Tropes from TVtropes.org. This list is identical to the one linked above, save the addition of Indigenous peoples, which was added. Check for the titles with links, as it leads to more pages of tropes. 
For an assortment of other related tropes, some not mentioned here, see “Race Tropes” as well as “Prejudice Tropes.” Advice on handling characters that lean towards harmful portrayals can be found in the tropes & stereotypes tags at writingwithcolor.


General

Africans

African Americans/Black

Americans

Arabs

Asians

Australians

Brits

Canadians

Chinese

Dutch

Eastern Europeans

Europeans

French

Germans

Indians

Indigenous

Irish

Israel

Italians

Japanese

Jewish

Latin Americans

Nordic Countries

Russians

Scots

Spaniards

 

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Related image

*Okay, I had to put this up. This is, hands down, the funniest story I read on the internet all week, and this is next to The 15 Blackest Things About The New Black Panther Trailer , that I posted earlier.

Now while you’re reading this, continue to picture giant koi bloop blooping in a pond. They have no idea they’re the partial cause of all the chaos. They just wanna get fed.

I’m like,”Guys, ain’t nobody thinkin’ about y’all right now!”

The Great Flamingo Uprising

(Edited after additional information was obtained from zookeeping cousin)

I told this story to a few guildies a while back and decided to archive it in a longer format; so here is the story of The Great Flamingo Uprising of 2010 as told to me by my favorite cousin who was a keeper at the time.

In addition to the aviary/jungle exhibit, our zoo has several species of birds that pretty much have the run of the place.  They started with a small flock of flamingos and some free-range peacocks that I’m almost certain came from my old piano teacher’s farm.  She preferred them to chickens.  At some point in time they also acquired a pair of white swans (“hellbirds”) and some ornamental asian duckies to decorate the pond next to the picnic area.  Pigeons, crows, assorted ducks and a large number of opportunistic Canada geese moved in on their own.

Now; the ponds that dot the zoo property (I don’t remember how many there are but the one by the picnic area is the only one with swans) were also full of ginormous koi fish, some of whom by now are at least three feet long.  Sensing an opportunity to cash in on the koi, the zoo put up little vending machines all over the place that dispense handfuls of food pellets.  I swear to god the fish can hear the crank turning, and will show up at the nearest railing, blooping expectantly at whoever happens to be standing there and doing their best to appear starving and desperate.

Like this.^  And they weren’t the only ones who learned to associate the sound with the imminent arrival of food.  The Canada geese knew a good deal when they saw one, and had long since ceased to migrate anyway.  They formed roving gangs of thug-geese and staked out their turf around the vending machines, ready to mug anyone with pocket change.  Picture yourself as a small child squaring off with a bird as big as you are fully prepared to strip search you while standing on your feet and yelling “HWAAAAAKK!!” in your face.  It’s deeply traumatizing to you and incredibly hilarious to your parents.

Anyway.

The flamingos had their spot near the zoo entrance and never seemed to mind the presence of the other birds, as they kept themselves to themselves and didn’t really like the taste of fish pellets.  The problem lay in that their shrimp pond was close to a vending machine.  Ordinarily that wouldn’t have been an issue at all, but eventually the goose population grew large enough that one of the gangs decided to annex it.  Being territorial little shits, they would harass the poor flamingos any time they strayed within ten feet of it.  The flamingos tolerated this for years until one day they snapped collectively.  Here’s a summary of the incident in chronological order.

1.) It was a hot day, so everyone in question both human and avian, were cranky by the time the zoo even opened.
2.) A few flamingos (let’s call them The Jets) strayed into the radius of the vending machine and were immediately confronted by the indignant hissing geese (The Sharks)
3.) Possibly due to heat and the simple fact that the geese had been giant douchebags for far too long, the flamingos decided fuck it, this time they were going to FIGHT BACK DAMMIT, and swarmed the geese en masse.
4.) Chaos ensued.  The geese were outnumbered 4 to 1 but had the advantage of being able to scream for back-up.
5.) Hearing the shrieking Canada geese and the bellowing of the enraged flamingos, the peacocks came to the conclusion that the apocalypse had come upon them and began to gather in the surrounding trees in droves and wail in despair.  Or cheer them on, whichever.
6.) NOISE
7.) Apparently one of the siege tactics employed by geese is to shit explosively all over everything.
8.) The geese, having secured reinforcements from all over the zoo, went berserk and proceeded to attack EVERYBODY who had come to watch be they human or otherwise.
9.) The flamingos were chasing/being chased by the geese through the crowd accompanied by cheers/wails from the peacocks in the box seats.
10.) Complete pandemonium when the zoo tram became stalled by the flamingo pond due to battling birds.  The Jets, sensing these were somehow reinforcements on the side of the Sharks, charged the tram.  Adults were doing the duck and cover.  Small children were screaming, adding to the noise.  People were slipping on goose shit and hitting the ground in the fetal position, only to be stampeded by the rampaging flamingos.
11.) The koi continued to bloop hopefully for food.
12.) Two of the geese were cornered by a rival gang of their own and were chased into the swan pond.  Cue slow-motion.
13.) The swans detected an enemy presence in their territory and by god, SOMEBODY was going to PAY.
14.) The staff were having no luck in breaking up the fight and on the verge of giving up and just building another zoo elsewhere when the hellbirds stormed the battlefield, trumpeting battle-cries, to dispense feathered justice.  The staff promptly dropped their brooms and fled.
15.) Birds scattered in all directions.  Up, down, sideways.  Some people not present in the park circle swear a couple of geese flat out teleported into the petting zoo. A few ducks vanished in the chaos, presumably eaten by the swans.
16.) Two of the zookeepers barricaded themselves in the snack bar and refused to come out.
17.) The uprising was squashed in less than two minutes.  Number of casualties was unknown, feathers were flying everywhere and there was enough goose shit to build another bird.  One staff member had been knocked to the ground and was left with a melon sized bruise courtesy of one of the hellbirds.  Several children were traumatized, probably for life.  The zoo eventually removed the vending machine by the flamingos.

The geese went back to being giant douchebags. Because geese*.

Addendum:  Somehow, my aunt D got hold of this story and posted a link along with the comment: “This sounds exactly like our zoo!”
Zookeeping cousin replied: “This was exactly our zoo.”

*I’m really not kidding.  This is a photo, taken at our zoo, of a gorilla being chased by one of the thug geese.

 

*Yeah, the hellbirds came in and broke that whole shit up in two minutes!

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*I’m in agreement with this, really. It would make for some very intersting names:

I think we should make Puritan naming customs cool again, but like, updated to reflect Millenial values. So we can have names like Resistance Jones, Self-Care Williams, and I-Am-Not-Throwing-Away-My-Shot Anderson.

  • I-Will-Face-God-and-Walk-Backwards-Into-Hell Watson
  • Hydrate Mather
  • Healthcare-Is-A-Right-Not-A-Privilege Bradford
  • Body Positivity Watts
  • WTF-the-Fuck Preston
  • Cinnamon Roll Milton
  • Y’all-Need-Jesus Henderson
  • Snape-Was-Not-a-Hero Whitaker
  • Battery Life Wiggins
  • Reblog-If-You-Agree Bolton
  • @Horse_ebooks Humphrey
  • Renewable Moore
  • I-Came-Out-to-Have-a-Good-Time-and-I’m-Honestly-Feeling-So-Attacked-Right-Now Rutherford
  • Representation Hopkins
  • Organic Hurst
  • Money Cat Wallington
  • Fuck-It Wentworth
  • Impeachment Shepard
  • Don’t-Forget-To-Like-And-Subscribe Simpson
  • Consent Pimple
  • I-Bless-the-Rains-Down-in-Africa Woodford
  • Green Hoyle
  • Social Anxiety Travers
  • Kinkshame-Not Bailey

 

Tomorrow: A rare weekend posting. I finished the first part of my Bladerunner review.

Laughs For Your Weekend

 

Well, this was a nice photo to greet me on my Tumblr dash. The first shot of Misty Knight with her new Prosthetic arm. Now its not the golden one from the comic books (maybe we’ll see that one later?), but I can see these shows leading to another teamup called Daughters of the Dragon, which stars Misty and Colleen Wing, or even a version of Heroes for Hire.

I still don’t like the idea of a relationship between Danny Rand and Misty, which is what happened in the comic books, but these shows have been changed enough from canon, that that may never come to pass onscreen (and the two of them are no longer together in the comic books, as of a couple years ago.)

This is a scene from season two of Luke Cage, which I’m really looking forward to. It’s unclear if Misty is still a detective, but she’s still hanging with the heroes. I do still  prefer her bouffant from The Defenders, though.

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*Like we need drugged up dolphins. They’re bad enough sober…

did u kno dolphins puff puff pass:

 

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You have to read the entire thread this came from. I can guarantee, after you read it, you will never again watch this video without thinking about it. NSFW!!! This whole damn thread, including the comments will have you crying at your job.

The Brrrrddott part had me in tears!

 

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*Welp!

Hey people who know astrology shit. I’ve been having a lot of feelings lately. Any planets I can blame that on.

 

 

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*I think this pretty much sums up the entirety of this blog!

reblogged from

me: man i love this series
me: here’s a 40-page annotated essay on everything i hate about it. every misstep i believe the creators have ever made, complete with citations and a signed drawing of me punching the installment i hate the most in the face
me: still love it tho

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*This squirrel discourse is truly what Tumblr is all about!

 

like u ever seen some squirrels fightin in a tree and then one of them will chase the other out of it and keep the fight going in another tree like damn b you won YOU WON MY NIGGA CHILL

 

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*Shit, I would smack Taylor Swift, Kim Kardashian, and Kendall Jenner,  for just 8 dollars, 35 cents, and the entertainment factor…

Plenty of others seem to agree.

I would do it for free tbh

*I would pay $5 to slap the shit out of her

 

I’d smack her for a hershey cookies n cream bar

 

I’d slap her for free and collect the money regardless tbh

 

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*This man is speaking my life…

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*I love Black people…!

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*This post would not be complete without some Iron Fist/Danny Rand shade…

allmisfittoyswelcomehere asked:

Danny rand is a Chihuahua: 50% unnecessary anger and 50% shaking

 

*I miss SNL, sometimes. This had me laughing so hard, I needed some aspirin…

 

“Do I get stress headaches at work? Yes, definitely. From the moment I get in, it’s “Denise we need this! Denise we need that!” Which is stressful… ‘cause my name is Linda. Denise is the other black woman that works here.

By 10am, someone in the copy room makes a joke about Kobe Bryant, and everyone looks at me to make sure it’s ok. And I smile like it’s ok. But really, my head and neck are starting to throb.

Then I spend the rest of my afternoon training my interns, and answering their questions, like, “Yes, black people use shampoo”, and, “No, I don’t know any good reggae clubs around here”, and, “Yes, Condoleezza Rice is very articulate, why do you sound so surprised?” And, “No, I can’t tell you where to buy weed!” And that’s when I reach for Excedrin.”

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*Okay, I also propose we just start doing this to every White person that does this thing…

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*Yeah, I asked myself these questions, too. Who gon’ turn down Malala, The Nobel Peace Prize winning teenager?

Okay of course I’m happy that Malala got accepted to Oxford, but I really want to know more!

What did she write for her personal essay- “Just google me bitches”?

Did she have to do an interview and if so did she just plonk her nobel peace prize down on the table?

Did her student counselor advise her to apply to other crappier places just in case she wasn’t accepted?

Was there anyone who actually turned down freaking Malala Yousafzai, I need to know!!

 

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*Here, have some funny photos. Feel free to caption any or all of them

 

 

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Unbreakable, Sleight, Spiderman, Chronicle: Shout Out to the Lowkey Superhero

 

In 1981, I watched the pilot for a show, starring William Katt (from  the 1976 movie, Carrie). In it, a Special Education teacher receives a Supersuit from some aliens and decides he wants to fight crime, even though he hates wearing the suit, and has lost the instruction manual. (Why won’t someone remake this show?) Aided by Special FBI Agent Bill Maxwell, played by Robert Culp, he spends most of his time trying to figure out what his superpowers are, and how to use them, with comical results.

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In 1976, Carrie White discovers she had the power to move objects with her mind. Bullied and humiliated at her high school, she unleashes all of her rage on her classmates at the Senior Prom.

In 2000, Bruce Willis portrays David Dunn, a man who discovers that his body is essentially unbreakable, (just like Luke Cage), and has to figure out who and what he is, and what he wants to do with this power, aided by Samuel L Jackson, who also plays the movie’s  archvillain, Mr. Glass.

In 2012’s  Chronicle, Dane DeHaan plays Andrew Detmar who, along with his cousin Matt, and his friend Steve,  stumble across a strange rock in a cave, and receive the power to move objects with their thoughts. After bearing the brunt of schoolyard bullying, physical and emotional abuse from his father, and the death of his mother, Andrew nearly kills his father, and destroys a good portion of Seattle, before being killed by Matt.

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In 2017’s Sleight, a young Black genius named Bo, creates the the ability to move metallic objects with his mind, while he clashes with the local drug dealer, Angelo.

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In Spiderman Homecoming, Peter Parker is a newbie Super, dealing with such mundane things as schoolwork, bicycle thieves, and helping out the local Churro  Lady. He longs to save the world, while using nothing more than some superstrength, a fast wit, and some silkwebbing. He doesn’t have the social cache of Captain America, nor does he have Batman’s budget.

Jessica Jones, Daredevil, Luke Cage, Iron Fist. They’ve got one major power each, the ability to punch things really hard, lift a car, skin that won’t break, and the ability to see sounds. These are not gods. They can’t destroy a city block with the touch of a finger. They don’t own supersuits. They can’t even fly.  Even all-together they ain’t ever gonna be on the level of the Justice League.

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http://www.denofgeek.com/movies/superhero-movies/39560/real-life-superhero-movies-a-closer-look

None of these characters are villains, but many of them are too beset by the weaknesses of their character, or the challenges of their environment, to ever do the world any  real good. They live in the real world of car payments, drug dealers, homework, high school bullies, and 9 to 5 jobs they don’t like, dealing with people who seriously test their ability not to abuse whatever powers they possess, and sometimes that can’t even avoid doing that.

They’re not goddesses created by Zeus. They’re not millionaires who never have to worry about paying for anything. They’re not exiled  aliens. These are not the types of heroes you call to go into outer space to destroy the intergalactic menace. They’re just trying to survive their tiny part of the universe.

And sometimes they don’t manage to do that either.

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In Chronicle, Andrew wants to be special and important to the rest of the world, but that’s not gonna happen. Andrew could have been a true benefit to the world,  but he is bullied at school, abused by his father at home, his mother is dying, and they’re running out of money to pay for her medicine.  Andrew uses his abilities to rob a local drug dealer for the money, but how are his powers going to save his mother? How are those powers going to stop making him the brunt of his father’s anger at his wife’s death? Or make him charming, witty, or popular at school?

Sadly, Andrew gets a brief taste of these things, fending off his father’s abuse in one scene, participating in a talent show where he can secretly show off his abilities (and getting the accolades that he not only feels he richly deserves, but desperately needs), and losing it all when one of his friends, Steve, (who shared the same abilities as he did), dies , possibly as a result of Andrew’s actions.

Eventually, Andrew loses everything, including his mother,  and then eventually his life, at the hands of his cousin, Matt,  (who also shared the same superpowers), as he spirals down into a vortex of shame, hatred, grief, and anger. His powers couldn’t save him from himself.

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None of these superpowers help Matt save his best friend Steve, or solve his cousin’s extreme trauma, or even alleviate his own  emotional trauma, at having to take his cousin’s life, when Andrew goes on an anger fueled rampage. We witness how useless Matt’s abilities are, during his fight with his cousin, when he can’t talk him down, can’t convince him that he is loved, and can only mitigate the damage he causes, with his only option being to kill him.

This is the horrific outcome of actual superpowers in a real world setting that is full of horribly damaged people, and people happy to inflict pain on others for fun. This is something not shown in the Avengers, and Iron Man movies. The villains in those always have lofty goals, and self-serving excuses for why they’re bad. They hate the hero, or want to control the world, or both. Andrew, and his counterpart, Carrie, (whose narrative closely parallels this one), sometimes don’t know what they are, are sometimes just  in pain, and cause an incalculable amount of damage and death, all because they  weren’t loved enough.

This is the opposite story of Unbreakable, where David Dunn, a depressed stadium security guard, begins to realize his true potential, while mentored by a  man who thinks he knows who and what David is capable of. When he and his  wife, Audrey, were involved in a car crash, David used that as an excuse to quit football, because Audrey was opposed to the sport. He spent the next ten years of his life wondering what could have been, and the life they could have had.

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Not realizing that he is an  Unbreakable man, he  is approached by  Elijah Price, who tells him that he is special, that he can regain the glory he knew as high school football star. By using his strength to save lives, David discovers a new sense of purpose. Taking on the name Savior, his activities regain the  respect of his son, the love of the wife, who was planning to divorce him, and lifts his spirits, as he realizes what kind of man he is. David wasn’t trying to save the world. He was just trying to save himself.

http://reallifesuperheroes.com/

In Sleight,  Bo has the ability to move metal, due to a magnetic device he’s implanted in his arm. He gets involved with the local drug dealer, while trying to make a better life for him and his little sister, after their mother dies. Bo isn’t the next Tony Stark, but he would’ve been, were it not for the circumstances of his birth.

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Here’s what the director had to say about the stereotypical setting of the movie, which also tackles issues of race and class, which most superhero movies don’t mention:

<Making Bo a role model and a drug-dealer seems potentially controversial, but it also speaks to his lack of options as a teenager trying to support his sister, and living without a safety net. But you don’t foreground the social issues of his choices. You don’t make it political. Was it important to you to not spell anything out too much?

Obviously, it’s a trope that’s unfortunately very recognizable for black characters in movies, in having something to do with street-level drugs and committing crimes. Part of the goal in centering ourselves in that world was to find a different, empathetic way into a trope that’s maybe a little too familiar. By centering it on this kid who is brilliant and artistic and has a scholarship going for him, we’re showing that a fall into this world really could happen to anyone. If everything you hold dear slowly started unraveling and you had massive responsibility, and part of that responsibility is shielding someone you care about from even knowing that this is going on… There are certain sacrifices we make to take care of the people around us. We don’t just want to paint that familiar iconography. We wanted to find a different way into it, then [go] past it.

And if you read between the lines in Sleight, there’s enough evidence that we’re not fully falling into the trope, I would hope. Bo’s neighborhood is actually not bad. He’s not in a crime-infested, impoverished area. He’s trying to keep his sister in the environment she’s comfortable in. But also, what he does is a very different brand of drug-dealing, one less associated with the urban crime story. When you look at a show like High Maintenance — if we had another act to talk about Bo’s clientele, these are the kinds of stories we would see. Which hints why Bo would consider selling drugs in the first place. He’s savvy enough to not end up on the corner selling dope. And his boss, Angelo, at first glance, isn’t a gun-toting gang-banger. Bo is making an educated compromise, something he thinks he can keep at arm’s distance.>

 

Bo isn’t  heroic because he’s trying to save the entire world. Bo is a hero because he’s working against long odds to save just one small world, his little sister’s.

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Contrast Spiderman Homecoming with The Avengers. The Avengers are so far removed from everyday life that they seem almost like myths to the working man. Nowhere is this contrast more obvious than in the movie Spiderman Homecoming, about the activities of a low-level superhero who wants to make it to the big time. Peter Parker comes from a world of school, homework, and junior proms. His mentor is a multi-billionaire, whose every minor decision can affect entire lives, as Tony Stark’s decision to take over the salvage operations in New York, creates The Vulture, the villain who eventually becomes one of Spiderman’s Rogue’s Gallery.

Spiderman’s inability to run with the Big Boys, like Thor and The Hulk,  is the subject of a  great deal of humor, as seen in Captain America: Civil War, but it can also result in great tragedy, as his lack of discipline nearly causes a massive loss of  life, when he accidentally breaks the Staten Island Ferry.

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In The Incredibles, the superheroes of yesteryear get a taste of what the mundane life is like when superheroing is outlawed by a fed up public. Now all they have are their real jobs, house payments, and watching their weight.  Mr Incredible chafes at these restrictions, living vicariously through his son’s grade school exploits, secretly crime fighting behind his wife’s back, and yearning for the days when he could channel all his restless ingenuity into bringing down super criminals. Like Peter Parker, the mundane life just isn’t challenging enough for him, or his little boy, Dash, There’s also the not so lowkey message in the film that when everyone is considered special, its really just another version of mundanity.

I suppose this essay would not be complete without mentioning the  ultimate street level superhero, Kick Ass, who is the very definition of a superhero nobody. David is a superhero only because he believes it. He has no superpowers to speak of, no martial skills, not even a sharp tongue. Armed with nothing more than a green bodysuit, and some Escrima sticks, he takes out muggers and drug dealers on the streets of New York City, in the hopes of  impressing that one girl in school he has a crush on. He inadvertently falls into deeper water than he can handle, when he encounters a vigilante father/ daughter duo, who are fighting an organized crime family.

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There have been a spate of these movies in the past ten years, (Super, Defendor, Special) about the the low level exploits of gifted, and non-gifted heroes, yearning for the  Big Time, something to give their life meaning, a way to work out their psychological trauma, or just wanting to be special and/or loved. For some of them, these are weaknesses of character that will never allow them to rise to the level of an Avenger, or an X-Man, and other s are so grounded, they will never  get to be heroic, no matter how much they want it.

Even the move Suicide Squad dabbles in these ideas, with characters like Captain Boomerang, and Slipknot, or a character with no superpowers at all, beyond a taste for chaos, and an ability to wield a baseball bat. The’yre little more than small-time villains who get called on to save the world.

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On the other hand, it makes them more relatable, and sympathetic,than the Tony Starks, and Supermen, of the world. Watching them rise to new levels of superheroics, as when Spiderman has no one to save him but himself in Spiderman: Homecoming, or when Bo defeats the neighborhood villains to successfully raise his little sister, gives us the  confidence to survive, especially when we’re beset by our own physical, and mental issues. When they overcome, they are the best of ourselves. And when they fall to the depths of despair, like Andrew and Carrie, they are reflections of our worst, and can spur us to examine and conquer our own weaknesses.

The Defenders Season Review

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Instead of reviewing every episode, one by one, like most other reviewers, I’ve decided to just review the entire season.  Rather than 13 episodes, the series has been reduced to eight, which I feel was a really good idea, as this helps the story move along a lot more swiftly, and with less filler, than in the individual shows.  Since the plot is moving faster, and interludes are shortened, it’s not possible to get too irritated by any particular plot point (The Villain), or character (Danny), because you just don’t have much time for it.

Overall, I enjoyed the series. I can definitely say that I like certain characters much better in a team setting, than I did in their individual stories, because a lot of their weaknesses of character aren’t on full display here, and when they are on display, there’s a reason for it. I especially enjoyed all the team action, even just sitting around and talking to each other, because these guys are  a lot of fun together. Their fighting styles and attitudes just mesh really well, and they have great chemistry with each other, which makes for some interesting, and cool fight scenes, and some funny and snarky dialogue.

I think the show played up the reluctant hero angle a bit too much. The characters are always having conversations about how they’re not heroes, and don’t want to be heroes, especially Luke and Jessica. Matt is trying to quit  the superhero game as if he were going cold turkey from some kind of -ism. Danny is the only one who wants to be a hero, and he’s not  remotely equipped to be one.

 

Luke Cage:

 

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We get a slightly deeper understanding of Luke as a person, although there are no huge revelations, or anything. He still doesn’t want to be a hero, he’s still living in Harlem, still trying to figure out what he wants to do with his life, all of this is just as in his own show.  We see the opening moves of a friendship between him and Danny, and Luke and Claire finally go out for that coffee, before being awkwardly interrupted by Luke’s former one night, Misty.

All of the characters get a chance to interact, one on one, during the series, although there’s not a lot of forward momentum in their characters, or relationships. Just hints of things to come. We get hints of a reconciliation between him and Jessica. In the comic books, the two are married and have a baby, but I don’t know if these shows will move in that direction. I’m opposed to it because of Jessica having killed his wife, (and then lied to him about it), and Jessica is also  not in any kind of emotional shape to have a relationship with anyone. Also, she is, ethically speaking, the complete opposite of  Luke, and I just don’t see those two  styles of personality meshing well.

As I mentioned, the showrunner doesn’t do anything new with the character. Luke remains a deeply principled guy who, while okay with kicking ass, is opposed to killing. He is not afraid to call someone on their shit, the way he does to Danny.

I love that all the characters have their place and purpose  in the team, and how their differing fighting styles are showcased. Luke is like Superman. He’s invulnerable to most harm, and is often a shield for the others, when the guns come out. He’s not completely invulnerable though, as Danny is one of the few people that can knock him off his feet (well…Danny and unexpected trucks). Seriously, the man is like a tank. He’s even immune to fire.

The team needs Danny whenever they need a huge, loud distraction, as in the finale, when they needed to reach a safe place, but The Hand was being an obstruction. Danny is like a large explosive device, delivering concussive sound and force, and I like the way his powers are used here, although yeah, the glowing fist still looks kinda silly. Still, Luke and Danny are definitely the team’s two heavy hitters.

One of the most annoying parts of the show is the Rap music that appears whenever Luke shows up on screen. To the showrunner: Hey! Luke does not  need a soundtrack to announce his presence!

Matt is the resident Ninja, and while Danny isn’t too bad in that department, Danny has a different purpose. Matt is the kind of team member who can move in and out of a situation quickly and quietly, warn the team of any impending danger, (and get them out of trouble with the law,  if necessary, I guess.)

 

 

Matt Murdock:

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Matt spends a lot of the first couple of episodes trying not to be heroic, or save people. I think we’re meant to believe that he gave it all up after losing Elektra, but since I wasn’t buying his relationship with her, I didn’t care. The two of them have no chemistry, and the emotional intensity of a pair of titmice, especially when it comes to passionate exchanges.

On the other hand, it was nice seeing him put his lawyer-ly shit down, it was nice to see Foggy and Karen again, and I’m glad the three of them made some effort towards reconciliation, especially after last season’s events, when Karen found out he was Daredevil. The two of them treat, and talk about Matt, as if he were a recovering junkie, so that’s kind of weird, made even weirder by scenes of Matt “staring” longingly at his Daredevil outfit, as if it were an ice cream sundae.

Actually, a lot of Charlie Cox’s acting is off in this series. There’s story movement, but his character remains pretty much the same. His fighting skills are awesome as ever, but Charlie looks like he’s phoning in  his performance. When I called him a Floor Lamp Ninja, I meant that he could pretty much be swapped out by any other martial arts actor, and this would not  greatly affect the plot.

I did enjoy the scene where he tails Jessica on the streets and she susses him out, and when they meet for the first time in their superhero guises. Matt steals that big gray scarf she wears everywhere, to wrap around his face, and Jessica rolls her eyes at him.

 

 

Jessica Jones:

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This show went a long way towards making me like this character. As much as she hates people, Jessica really does work well in a team setting. She takes nothing seriously, which ends up making her the funniest person in the group. Her one on one interactions with Matt are especially funny, and she gives absolutely no fucks about who  Danny is, and is quick to say so, which I thought was hilarious.

A lot of the weakness of Jessica’s show is that its very White Feminist, and her mistreatment of PoC in the show really started, not just to grate on my nerves, but to make me actively dislike her, no matter how much I sympathized with her issues. I know and understand  that she is dealing with the severe trauma of what Killgrave did to her, but trauma is not an excuse for her abuse and mistreatment of characters of color.

I actually had a problem, not just with her,but with the show’s writers as well. Despite women’s trauma issues being  the center of  the story, they still managed to erase  WoC entirely, which is something White Feminism keeps doing, in stories that are supposed to be empowering to women. (The stories end up being empowering only  to White women.) But I still applaud the show for its messages and the general treatment of its (White) female characters. I see why some people liked it, but ultimately the show wasn’t for me.

That’s just the logical reasoning for why I disliked the show. The other reason is there was a lot of triggering shit in that show. I had to stop watching it, for my own self care, because I was not ready!

I liked Jessica in The Defenders, because the focus wasn’t on Jessica’s pain, so we got to see her reacting to other things. She’s still an unlikable, alcoholic, snarky mess, but that’s okay. Who says heroes have to be likable? Its especially interesting because unlikability is rare in female characters, and Jessica is thoroughly unapologetic about herself. At one point she very openly steals a can of beer, from a passed out homeless man on the subway, (because she’s had a long day,) right in front of Matt and Luke, who handle  the act with no more than raised eyebrows.

Jessica is definitely the team’s Tony Stark to Luke’s Steve Rogers. There’s much of the same personality dynamics present, except some of the motivation for  Jessica’s rather  loose ethics stem partially from her trauma at the hands of Killgrave.

 

Danny Rand:

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Yeah, for someone who talked a lot of shit about the Iron Fist series, I think you guys will be pleasantly surprised that I didn’t actually dislike Danny Rand in this show. As I mentioned, the shorter running time for the series means that Danny’s scenes are kept to a minimum, so he doesn’t have as much time to be irritating. Not that he doesn’t give it a big try.

Finn Jones has also had the benefit of some practice on his fight choreography, and better directors and it shows. His fight scenes aren’t the trash fire that they were in Iron Fist, so he actually ends up looking competent. Plus, he just works better with a team of people, than he does on his own.

The team dynamics go a long way towards making Danny likable here, and really, in the next season of Iron Fist, the show runners really need to lean in to the ridiculousness of his story, rather than playing it straight, because yeah, Danny sounds like he’s insane. None of the other team members take his backstory seriously, rolling their eyes every time he mentions he’s the Immortal Iron Fist, an attitude I thought was incredibly funny. And then there’s the silliness of him walking around with a large dragon tattoo on his test. His powers aren’t funny, and the audience is never given to laugh at those, but his backstory is kinda nuts. Mr. I Punched a Dragon!

Another reason I like Danny here, is because the showrunner makes an effort to make his character understandable, in a way that he wasn’t in his own series. In his own series, his behavior is incredibly rage inducing, and frustrating, (and I can’t help but think that this change has at least a little to do with the showrunner being a man of color, who understands the issue in a way the last showrunner didn’t). But here, Danny’s behavior is in smaller doses, and he has more well developed characters reacting to his wtf*ery, so he’s  a lot easier to understand. Granted, if the character had been cast as Asian to begin with, we wouldn’t need all these careful repairs.

http://www.indiewire.com/2017/08/luke-cage-iron-fist-marvel-defenders-netflix-privilege-1201868048/

For example, at one point, he and Luke square off, with Luke confronting Danny about his privilege as a rich White man, who chooses to come into his part of town and beat up the impoverished Black people, rather than finding some other way to defeat The Hand’s purposes. The Hand is able to operate with impunity in such neighborhoods because all they have to do is offer money. Luke’s statement is a reminder to Danny that there’s a bunch of other things he could’ve done, as a wealthy White man to defeat the purposes of The Hand, besides beating up the citizens. But then you notice that Danny’s go-to, when dealing with The Hand, is only ever violence. He never tries to thwart them any other way, and thinks he can  simply punch his way to the proper outcome.

For example: Danny and Colleen find a warehouse full of bodies. The Hand is hiring young men from Luke’s  neighborhood to  clean up any evidence that might lead to their organization. Danny and Colleen do not know this. They don’t ask questions, have not investigated the situation, and haven’t bothered to understand the why of any of it. The two of them immediately jump to kicking ass. Danny and Luke first meet when  Luke steps in to protect one of the young men, who has lost his family to The Hand, and feels coerced to work for them.

Luke’s statement about his privilege is meant to remind Danny that there are other perspectives  besides his own. It’s made very plain  that when it comes to The Hand, Danny has a huge blind spot.  Danny doesn’t  think, he just reacts, and that was what happened at the warehouse, which  resulted in Danny brutally beating a (Black) teenage boy. He’s  reckless, impulsive, and has anger issues. He and Colleen don’t have any kind of a plan, beyond destroying The Hand. This gets mentioned a couple of times during the show.

https://www.theverge.com/2017/8/18/16118680/the-defenders-netflix-marvel-iron-fist-sucks

On to the good part: Danny doesn’t get any better at being impulsive, but he does listen to what gets said to him. And the showrunner is a lot better at making clear what Danny’s motivations are, something which is cloudier on his own show. Danny is looking for a purpose. Since he abdicated his responsibilities to K’un L’un (Why?), he’s not only been looking for a way to atone for that, but looking for a new purpose to replace it, and probably looking for a new family too, as he’s one of the few characters that’s at all excited about teaming up. But again he is blind to his rage about The Hand, and as long as he remains blind to his lack of control, as regards them, he can accomplish nothing.

When the rest of the team find out the the The Hand is specifically after Danny, they try to get him to stand down, and stay out of their next fight, rather than just running up on ’em, without a plan. I’m always here for Danny getting his ass handed to him, which the team has to resort to, to keep Danny from fucking up, yet again. There follows a long interlude with him and Luke getting to know each other, and Danny trying to at least understand Luke’s perspective on the world.

So yeah, this show went a little way to making me, if not like Danny, at least understand where he’s coming from in terms I could easily grok.

 

Alexandria:

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Sigourney Weaver turns in a beautiful performance, as I expected, before being unexpectedly dispatched near the end of the series. My biggest problem is that her motivations as a villain are so vague and ill-defined I was completely unable to care what her goals were. We know what she and the other members of The Hand want to do, but we have no idea why they want to take over the world, other than just wanting to do it.

I didn’t focus on her unfathomable motivations. I just tried to focus on her performance.  She and Elektra have great chemistry, reminiscent of Ellen Ripley and Call, the Android from Alien Resurrection, and I found this dynamic fascinating. On a lighter note, I loved her outfits. Alexandra is always impeccably dressed. She just looks like a woman with a lot of money and extravagant but unshowy tastes.

Another problem that I have is that the women in this show rarely get to interact with each other, (although Claire and Colleen get some nice scenes together, and later, Colleen and Misty get to talk). Alexandra spends a lot of time alone. They couldn’t even bother to write her as being friends to Madame Gao, having her treat Gao like a servant, which I found especially distasteful. Here you have a wealthy White woman treating this older Asian woman as if she were the Help, although there are other factors behind why she does it, it was still ugly and racist, even if that was not what was intended.

I still don’t know why the  showrunners bothered to call Sigourney into this show, which she is simply too good for. I had noticed that her presence sidelines the Asian characters putting, them all in a subordinate position to her, and significantly reducing Madame Gao’s street cred, that she’s built over three other shows. As much as I like Sigourney, I feel like the story would have been better served without Alexandra.

 

Elektra:

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I still do not like this character, because I just feel like she’s evil for no  feckin’ reason. I didn’t like her in Daredevil either, because the writers just made her seem batshit insane for no reason. Elodie Young is gorgeous and all, and can actually act, as I’ve seen her elsewhere acting just fine, but I don’t like the way she approached this character. When we first see her here, she has been brainwashed and controlled by The Hand, most especially Alexandra. She’s pretty much a perfect example of the Born Sexy Yesterday Trope.  Later,  she appears to become evil on purpose,and for the life of me, I simply could not care.

http://tvtropes.org/pmwiki/discussion.php?id=dxgnmgk8728039vcnyat5g65

After Elektra’s resurrection, she is mentored in her evil-ness by Alexandra, and it was really interesting watching the relationship between the two of them, but she does eventually betray Alexandra, and turns against The Hand. Once again, for no reason that I could discern than that the writers needed a new villain in the plot.

The show is somewhat formulaic, with the idea of replacing one Big Bad with another, halfway through the season. This happened with Iron Fist, Daredevil, and Luke Cage, where the viewer starts out with one villain, who gets unceremoniously dispatched by the true villain of the story. Basically, a villain bait and  switch.

I wanted to like Elektra. I just don’t. I couldn’t understand her motivations for anything, and I wasn’t feeling her deep love affair with Matt Murdock. Which is not helped by Matt Murdock acting like  “Floor Lamp Ninja”, throughout most of the series. When she’s not smurking evil-ly, she has a blank, wide-eyed, look on her face, which I found kinda irritating. I got no problem with Elektra’s martial skills. Those were exemplary, as always.

 

Colleen Wing:

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She has even less personality growth here then in Iron Fist. In fact, I found her much more annoying in The Defenders, than I did in that show. She didn’t make much of an impression on me for this show, either. Part of this has to do with the shorter length of the series. There’s just not enough time to develop all the characters, so some of them get short shrift and hers is especially short.

The only thing we get from Colleen’s is more of her being Danny’s support network, (as she is told by Claire) and fighting the same endless fight against Bakuto, that she fought in Iron Fist, with Bakuto making the exact same talking points. Why he wants her is anybody’s guess Is he in love? Wants her as a protege? We don’t know or understand. His motivations are pretty vague. As are most The The Hand’s motivations.

Collen’s motivations are even less discernible to us than they were in Iron Fist. That was a problem that wasn’t even approached here. We don’t know why she loves him, and the two are not especially demonstrative, but nevertheless we are led to believe they are a couple. She may be Danny’s emotional support but she’s doing an awful job at helping him deal with his anger issues ,or his ideas about who and what he is. Case in point, it took a near total stranger, Luke , to point out one of Danny’s biggest flaws. The problem may be that Colleen is unable to point out Danny’s flaws because she’s too much like him. She has a go along to get along attitude with Danny that I found irritating, never questioning what he says or does, and mindlessly following him in his quest. She has no story of her own, seemingly having gave it up to be little more than Danny’s helpmate. The writers need to do better with her. Hopefully, if there is a spinoff show with Misty, she’ll be better written.

As per usual there’s nothing wrong with Colleen’s martial skills. In fact the choreography isn’t bad for the whole series, and at least a few of the directors know how to shoot fight scenes well enough to make them all different, and compelling enough, to keep watching. My favorite fight scenes are the team fights though.

 

Misty Knight:

 

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There’s not much character growth with Misty Knight either, but at least her motivations are clear. We know exactly what she wants in the narrative and why she wants it. She wants to solve her case, and get a promotion, (or not be fired), which is hindered by the fact that the people who could help her solve it, refuse to tell her anything, and the fact that, with The Hand, she is totally out of her league.

Misty is a cop, so she has mostly cop concerns, just as she did in Luke Cage. Shit is happening, her friends are in the middle of it, and they won’t tell her anything, because they realize, but refuse to explain clearly to her, just how far out of her depth she is. I kept admonishing Luke (and Jessica) to make clear to her, that the organization they’re  dealing with  doesn’t give a flying hot damn if she’s a cop, and will happily kill her (and her entire fam), but they kept refusing to tell her this, which was becoming really frustrating.

I’ve also seen some shitty meta about how she’s a bad character because she keeps attacking people she needs help from, and I’m like Bish please! She’s not attacking your White faves! She is being a cop, who knows that the information that will allow her to do her job, is being withheld. She’s got one job in the damn show, which is solving her case, and  she can’t do it, because  the four people who know something about it, won’t tell her anything. So yeah, she gonna be irritated, and not afraid to show that irritation.  This is called DRAMA, people!( I’m trying to  remember that I’m dealing with the hysterical children of Tumblr, who think any time  characters of color show irritation at a White character’s actions,  that it automatically makes them a villain. Yep! This is the level of logic I’m dealing with on Tumblr, guys!)

But she comes through in the end anyway, and lets the team handle their bidness. Although, I suspect she’s mostly there because Luke and Claire were in danger. (Remember, Misty doesn’t know who  any of those White people are. They are just mysterious somebodies who are obstructing her job. Luke and Claire are the ones who are her friends..)

Misty is known in the comic books for having a silver bionic arm, and for teaming up with Colleen to be the Daughters of the Dragon. (On an alternate Earth, she even gets to carry Steve Rogers shield, sorta like a female Bucky.) So,  we may get to see her new prosthetic in season two of Luke Cage, and if we’re lucky we’ll get to see her and Colleen team up. Hey! If side characters like the Punisher can get their own show, they can make a Daughters of the Dragon series, (possibly in the style of the Foxy Brown Blaxploitation movies of my youth.) The series should of course be helmed by a Black or Asian woman, because I absolutely do not  trust a White, male, showrunner to get a Black woman, and an Asian woman correct.

http://mashable.com/2017/08/18/the-defenders-misty-knight-arm-daughters-of-the-dragon-spinoff/#KKkkf8UKpmqx

 

The Hand:

Image result for defenders gifs the hand

https://www.bustle.com/p/who-are-the-five-fingers-of-the-hand-the-defenders-reveals-whos-pulling-the-strings-77358

Unfortunately, the shorter the running time of the series does not seem to allow much clarity on who, or what, The Hand is, or why they want what they want. We have some idea of what they’re doing globally, not just in New York, but that’s pretty much all we get.

New York starts experiencing a spate of seismic disturbances, which are being caused by The Hand digging near some sort of fault line, under a plot of land they built an office on. Why they are digging is slightly unclear. I think some dragon bones are involved becasue its briefly mentioned tat this has something to do with how Iron Fist got his power. For some reason ,they also need to capture Iron Fist and beat him up, or make him angry so he can open some kind of doorway to K’un L’un, so the five leaders of The Hand can go back home.

I did pay attention but really that’s the best I can do regarding the rather lackluster plot. I really didn’t care, although i guess its supposed to be some sort of revelation ,that the five leaders are all incredibly old, exiled citizens of K’un L’un. Even the facts of why they’re exiled in the first place isn’t made abundantly clear. I really hope the showrunner and the writers were making some kind of point about cloudy motivations, or something becasue the villains are a mess.

Alexandra gets unceremoniously dispatched and replaced by Elektra, who gives a self important speech about how she’s now the leader of The Hand. I don’t know if its the actress, or the writing, but I was bored by the whole thing. Why we were introduced to new memebers of The Hand only to have them killed right away is anyone’s guess.

Since The Hand is an egalitarian organization there’s a Japanese guy, whose name I don’t remember, a Brazilian guy named Bakuto, an African (Haitian?) guy named Sowande, and Ms. Gao, who I assume is Chinese. Sowande reminds me of the lead character from the movie Beasts of the Southern Wilds who was a procurer of child soldiers. Sowande is brutally tortured and killed by he Defenders after they capture him in an attempt to find out his people’s plans, something which did not sit well with me. And before you come into my inbox and start mansplaining about how the other members of The Hand also get killed, I have to remind you, that none of the other members of The Hand were brutally tortured first. This happens to the sole Black member of The Hand, by people who are, supposedly, the good guys.

Couple that scene with Iron Fist’s brutal beating of a young Black boy in an earlier episode,Jessica jones treatment of its Black male characters,  Daredevil’s treatment of its Asian characters as some type of Yellow Peril (which even the presence of a White woman leader cannot resolve), and Iron Fists White Savior issues, and it becomes clear that the the MCU has some serious racial issues that need addressing. The only disability on display is Matt Murdock’s blindness. Jessica Jones treament of one of its lesbian characters was, quite simply, abominable, and outside of that there is no LGBT representation in any of it. Marvel comic books are doing much better in regards to these issues than the MCU.

One of the ways they can address some of these issues is by hiring different types of showrunners, and writers and treating the creation of these shows (and the movies which have all the same problems) the same way they approach the comic books. The newest phase of MCU movies have gotten a little bit better as far as racial issues (but not by much) and it’s seriously lacking in LGBT and disability representation, and the creators of these projects need to think more deeply about these issues, most especially in its treatment of Asian characters across all of the MCU, as it’s becoming creepily apparent that maybe don’t like people of the Asian diaspora.

Despite all my criticisms though, I actually enjoyed watching it. I’m still glad I didn’t have to spend 13 hours watching it, instead of the eight. The strongest part of the series are the scenes of The Defenders working together as a team. There’s a lot of room for improvement but also a lot of promise for a season two.

Stuff I’ve Been Watching

 

Midnight Texas (NBC)

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So, I’ve watched maybe two episodes of this show and I’m really liking it so far. I’m willing to date this show for a while, because it’s good fun and makes me laugh. Midnight Texas isn’t a deep show. It’s not a Bryan Fuller Joint, or Westworld, but it’s a fun little interlude before going to bed, since it airs at ten, Monday nights, and I gotta go to work in the morning.

The main character, Manfred Bernardo, can see ghosts. His Auntie comes from the town of Midnight, and after she dies suddenly, leaving him in debt to some type of criminal, her ghost tells him the town can be a safe place for him, where his skills will be appreciated.

Midnight Texas happens to be the home of various supernatural beings, and Manfred fits right in. Upon his  arrival, Manfred meets a local girl named Creek, and while her father is deeply suspicious of him, the young lady is intrigued, and the two of them develop a relationship very quickly. A lot of things happen quickly in the show, and many of the plot points happen in a kind of throwaway manner that takes some getting used to. I understand the idea is to keep it light, and not get too bogged down in philosophy, meta- physics, and whatnot. The show is supposed to just be fun, and I’ll watch it in that spirit.

I have a lot of favorite characters on the show, most of which are supers. There’s some good representation on the show, and I’m looking forward to learning more about the various characters. I missed the second episode, but managed to watch the third. The creators are trying to keep things light without being ha-ha funny, which is a fine line. It doesn’t look like they’re trying so much to reproduce True Blood, as reproduce the mood of True Blood. Some of these characters are mentioned in the True Blood books though.

Manfred, for example, is the psychic that Sookie met when she visited Dallas.  Midnight Texas is based on source material from the same writer, Charlaine Harris. I have not read the books. I opted not to, because I didn’t want my brain focusing on the side issues of the books, while watching the show. I may read them at some point in the future, because they seem like fun, but not right now.

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We have a full complement of creatures on the show, so you’d think my favorite would be the Reverend Emilio Sheehan, who happens to be a Were-Tiger, which is kinda awesome. He seems rather morose, which is appropriate as I consider actual tigers to be the “crabby old men” of the giant cat world. There are WoC in the cast. One of them owns the local bar/diner, and I don’t think she has any superpowers, but I could be wrong, and it’s something that could be revealed later. The other is the local witch. The town does have some mundane people inhabiting it, and some of them are aware of the supernatural qualities of the others.

You’d think my next favorite would be the Angel, Joe because he’s really, really hot. I’m not into blondes, as a rule, but I’m willing to acknowledge the occasional hotness of some of them. He happens to be living with a Hispanic man named Chuy, who also happens to be an Angel, and I wonder if the two of them being a couple is the reason they’ve been exiled to Earth.

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Lemuel

Well, you know who my favorite is. Lemuel, the rather unique vampire who feeds off human energy, and eats other vampires. We get to see his backstory in the third episode. He used to be a slave and there’s a scene of Lemuel being whipped for trying to escape, which I didn’t appreciate having to look at. That scene is pretty graphic and you may want to skip it if watching Black people being tortured is not your thing. The point of all that is to show how far Lemuel will go to be free, I guess.  After a couple of escape attempts, Lem encounters a Native American vampire, who transforms him. Lem’s immediate course of action is to avenge himself on the slave owner, who had him beaten, and that guy’s entire family. That’s pretty graphic too.

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Olivia

 

Later, Lem and the other vampires in his clan, have a falling out, because Lem thinks he’s become just another slave to his thirst. In the third episode, Len’s Maker returns looking to take over Midnight for himself. The townspeople rally together to kill the vampires.

This seems to be the main theme this season, as we’ve  had three/four episodes, in which the townspeople need to band together to defeat some outside force. In the middle of all this plot, we learn that Lem started off as an ordinary vampire, but after encountering Manfred’s aunt when she was a child, she transformed him into something else, a vampire that can feed on other vampires.

The characters often have some deep philosophical insights, but like I said, it’s in a blink and you’ll miss it manner. (Joe and the Reverend do this too.) Lem is played by Peter Mensah, who is extremely handsome, in his bold blue contacts. You may remember him as a gladiator from the show Spartacus.

I  like Lem’s girlfriend, Olivia, who is some type of international assassin. She’s a total badass, and she and Lem are the town’s heavy hitters, when it comes to defense. I don’t normally pay a whole lot of attention to White television actresses, unless they’ve firmly established themselves with a good track record, but I like this actress. She’s blunt spoken, clear-headed, and pragmatic, all qualities I admire, and I see why Lem likes her. She has some secrets from her past, that she’s trying to bury, while dealing with  anger issues.  I could do with a lot fewer scenes of Olivia and Lem gettin’ it on, though. It doesnt need to be shown in every episode.

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Fiji

Fiji is another one of my favorites, and I like her, not because she’s the town witch, although that’s kinda cool, but because she has a talking cat. I don’t know much about the cat’s backstory but he’s snarky, and dismissive, just the way you’d think a cat would be. How it happened that her cat talks, we don’t know yet. Fiji is very young, but she’s also extremely powerful, and well-respected in the town. Most of the mundanes know what she is, and rely on her to protect them.

Fiji is also really cute, and kind of adorkably nerdy. She has a mad crush on one of the townies, a guy with the unfortunate name of Bobo, and her feelings seems to be reciprocated. One of the more powerful images I have of her, is from the first episode, where she crushes a police vehicle, with little more than her bare hands, and a strong will. Fiji looks sweet and vulnerable, but she ain’t the one to mess with. She’s  refreshingly different, as Black women rarely get to be emotionally fragile, but powerful love interests, and/or witches either.

I’m going to try to enjoy this show while it lasts. It’s on network television, which has a nasty habit of cancelling the shows I like, so I don’t hold out much hope that Midnight Texas. will be around next year. This is the same station that just canceled Still Star Crossed. But then I was trying really hard not to get attached to that show. (That didn’t work). I’m not gonna try that with this show and it still might get canceled. I might as well get attached. There’s always the books, which I’m told, Charlaine intends to keep writing.

 

Mr. Mercedes (Audience Network)

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I liked this show, too. I was expecting it to be a deeply serious dramatic type  show, but it turned out to have a quirky sense of humor, not because the writing is funny, or people are telling jokes, but because certain characters and situations are just odd. It’s not like the show Psych, which was a deliberate comedy. This is not a comedy. It’s just some of the characters are weird.

The show is based on a trilogy of books by Stephen King, the first title of which is Mr. Mercedes, named after the killer in the book. Brendan Gleason plays Bill Hodges, a retired cop who is trying to figure out what to do with himself, now that he’s no longer working. until he is taunted out of retirement by Mr. Mercedes, so-named after he drove a Mercedes into a crowd of job seekers outside a job fair, killing several. I like Gleason’s character. One of the funniest recurring issues is when he can’t believe various women find him attractive. (It’s definitely the beard.)

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The show begins with  a very graphic scene, and I was heavily reminded of the events in Charlottesville Virginia. There’s no mystery about the killer for the audience, just as in the book. We’re introduced to Brady Hartsfield early in the story. The book remains very faithful to the books, except in tiny details like the wacky neighbor lady who lives next door, and Bill feeding a massive tortoise passing through his yard one morning. I’m not sure if this is a pet or what.

Bill is assisted in his sleuthing, by the kid he hired to mow his lawn, and who happens to be a computer wiz. Jerome is played by Jharrel Jerome, and I like him already. His character is a refreshing change from the Black Male Sportsplayer/Jock, we see so often on TV. Black men are rarely cast as hardware nerds. Brady is also a tech-nerd, and works at one of those big box technical stores, which is something like Best Buy, and I like that Jerome seems to be every bit his equal when it comes to the esoteric workings of computers.

Image result for mr mercedes gifs jerome

I think Bill’s quirky neighbor is meant to represent a woman with which Bill has a brief, but satisfying relationship, in the books. Or at least I hope so. I don’t know if this will happen on the show, but in the book, Janey is murdered by Brady. This is not a catalyst to make Bill chase after him, because Bill was already unofficially working the Mr. Mercedes case. This is Brady’s attmept to make Bill commit suicide. The neighbor, Ida Silver, is played by Holland Taylor, and if she looks familiar, that you may have seen her in every funny show of the 90s.

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The villain is played by one of the alumni of the cable show, Penny Dreadful . Harry Treadaway, who played Victor Frankenstein, is as disgusting character here, as he was on the other show. Apparently, this is how he’s going to make his career, playing unlikable people in perfectly good shows. The show remains very faithful to the books with him too. He has an incestuous relationship with his mother, whom he later poisons, and it looks like the writers are sticking to this plot, although in the book, the mother  initiates sexual activity. In the show, it appears she doesn’t know that her son regularly masturbates with her as his subject. (I know! Ewww!)

Their relationship does have a very Bates Motel feel. Brady works at a Big Box store, with other quirky characters, and a deeply stupid boss, who is constantly shit-talking Brady’s dreams of life beyond the store. This goes a long way towards humanizing this incredibly shitty character, who mowed down dozens of people with his car, just for shits and giggles. This is not something that happens  in the books, so I wasn’t expecting that.

I’m going to keep watching this because the pilot certainly captured me. The show airs on the Audience Network which may be difficult for some of you to access. I have access to it through DirectTV, and its possible you may need that, to watch this show.

 

 

The Void (Netflix)

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I love a good creature feature, and I was attracted to this movie because of its use of tentacles in its promotional material. I wasn’t expecting a whole lot when I sat down to watch it. I was sort of expecting a little Cthulhu type stuff, and there’s certainly a little of that in it, but there was also a lot of it I couldn’t make hide, nor hair, of.

It seems to be about a group of cultists attempting to call some dark being to Earth, to inhabit the bodies of humans, and the cultists are partially successful. They’re doing this in collusion with a doctor at the local hospital, where they’ve trapped several people.  Daniel Carter, Maggie, James, and inexplicably, an Asian woman, named Kim, who I lost track of by the end of the movie.

These people have to fight off monsters inhabiting the bodies of their friends, and a couple of trigger happy locals, while working their way through the maze of the hospital, to find and stop the doctor from unleashing Hell on Earth, through the body of his pregnant daughter.

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I have to give fair warning. The movie is very gory, with lots of blood and other fluids gushing all over the place. People get skewered with knives and/or shot, and sometimes they get torn apart by creatures. The cult members wear white hooded cloaks and look a little like KKK members, but there is no equivocating in this case. They are definitely villains ,whose job it is to keep the hapless victims trapped in the hospital to be fodder for the monsters. There’s also an element of the movie The Thing, as the monster is a conglomeration of various body parts and live people.

The movie doesn’t have the happiest ending either. At the end Daniel, and I guess her name is Maggie, get trapped in an alternate universe featuring a giant black pyramid. It’s not a bad movie, but it’s not an A+ movie either. A lot of the plot seems to have been borrowed from  other Lovecraftian pastiche movies, like Hellraiser, and Re-animator ,and the acting is sometimes a bit dodgy. But I think the key words here are “not bad”. It’s a good workmanlike plot where bad things happen to bad, and sometimes not so bad,people, who sometimes act like cowards, and occasionally act like heroes.

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Daniel isn’t the most charismatic guy in the film, although he is set up as our hero, who has the most sense,  and who  is gonna save the world. None of the other characters stand out as especially interesting either, really. Basically, if you’re watching this movie, it’s just  for the monsters, and gore.

The Fall TV Season (2017)

Here’s a list of shows I’m interested in watching for August, and the new Fall Season. I also included shows I’m not particularly interested in, but some of you might enjoy viewing. i didn’t list some of the returning shows I will be watching though. (The numbers preceding the titles, are the dates of the shows, not a rating of some kind.)

August

4 – Comrade Detective  (Amazon)

I know nothing about this show, except it appears to be set in the mid-80s, and involves a Russian detective who comes to America to solve crimes. From what I saw of the trailer it looked like a parody of 80s cop shows. Its available on Amazon Prime.

 

9 – Mr. Mercedes   (Audience Network/DirecTV)

I read the books for this series, and it’s Stephen King, so I’ll watch this. It should be a good substitute for The Mist, which turned out to be disappointingly boring. The show airs this Wednesday. Just to warn you though, the show does contain some graphic, and possibly triggering imagery:

http://www.nydailynews.com/entertainment/gossip/confidential/mr-mercedes-creators-expect-blow-back-opening-scene-article-1.3384814

 

18 – The Defenders  (Netflix)

I still have mixed feelings about this, but I will watch it. I hate Jessica Jones, and Danny Rand, but I love Luke Cage, Daredevil and Sigourney Weaver, so I actually hope the show looks, and does well, despite my misgivings.

 

25 – The Tick (Amazon)

I was never a big fan of this character but I have seen some episodes here and there over the years, and I know some people are huge fans of both the comics and the short lived cartoon, so I’m putting this on the list. I may or may not watch it. I will add that the lead actor is absolutely perfect for the role, though.

 

September

5 – American Horror Story: Cult (FX)

I’m gearing up for the final season of this show. Its got a brand new cast, along with three, or four, old cast members. I think this season is supposed to touch on some of the themes of the previous seasons. Here! Have a creepy trailer! Hope you’re not scared of clowns.

 

10 – The Orville (Fox)

I’m not sure I want to watch this because of the lead actor, (we do not share the same type of humor, really), but the special effects look like fun, and I’m always up for a Star Trek parody, which is what this appears to be. Trailers are sometimes misleading though.

 

10 – Outlander (Starz)

I kinda like this show, and not just because Jaime is a hottie. I’ve never read any of the books, beyond the Lord Grey series, because I thought they were Romances, and that’s just not my bag. But I like the show. I’m a sucker for a good costume drama, I guess.

 

10 – Fear The Walking Dead (AMC)

I don’t watch this show because one show about The Walking Dead is harrowing enough,  but I know some people love this one, too.

 

24 – Star Trek Discovery (CBS Access)

I’m eagerly looking forward to watching this. I’ll have to subscribe to the network to watch it though. CBS All Access is a subscription cable service like Netflix. It costs 5.99 a month. The show will air the first episode on network television, after which all the episodes will be available on Access, with a  hiatus after about six episodes, and the rest of the new episodes airing  in January.

 

26 – Brooklyn 99 (Fox)

The show’s last season ended on a cliffhanger with Rosa and Jake possibly going to prison on corruption charges. It sounds like a pretty heavy plot, but this show has a way of getting you to laugh at such things, without feeling guilty about it. I’m looking forward to the new season. I love these characters and don’t like to see bad things happen to them.

 

27 – SEAL Team (CBS)

I keep saying I’m going to watch these military type shows, because I find all this Spec Ops stuff fascinating, but I keep skipping them. There’s an unspoken American jingoism in a lot of them, that just doesn’t sit well with me, and I end up just not liking the shows. Also, David Boreanaz is in this one, and I don’t like him very much.

 

28 – Gotham (Fox)

Apparently, The Scarecrow makes his debut this season. I like Killer Croc and hope he’s on the show, or planning to be. I’ve been skipping this show, because it hasn’t been holding my attention, and because some of the acting was a bit dodgy. I hated most of the female characters because their acting was terrible. I hated this show’s version of The Joker. Penguin, however, continued to be a favorite. but I’ll watch the season premiere, and see what’s what.

 

29 – Marvel’s Inhumans (ABC)

This show just looks bad. But bad with the potential to be good. I’m still mad at the show runner, Scott Buck, for inflicting the mess that was Iron Fist on us earlier this year. I swear to gob the next person who mentions the words affirmative action, and undeserving Black hires, in the same sentence is gonna catch some hands. Mediocre stains like Scott Buck are allowed to fuck up multiple times and still manage to have careers. This show could have gone to some deserving PoC instead of this guy. Okay let me stop here, because this rant can, and will, go  for several pages.

     

 

 The Exorcist (Fox)

I stopped watching this about halfway through the first season, but I know some of you out there are still really into it. (It does look kinda scary from the trailers.) Let me now how its going, and I’ll check out a few episodes ,on your rec.

 

October

1 – Ghosted (Fox)

I’ve loved Craig Robinson, ever since Hot Tub Time Machine, a movie I profoundly hated. I also remember him from Reno 911, as the commercial conman who was always singing using the same five notes on his synthesizer. He also did some hilarious cameos on Brooklyn 99. I was wondering when he’d get his own show and I’m set to watch this one, where he plays some regular yahoo, who gets involved in some afterlife type of shenanigans, although it mostly just looks like a buddy-cop show, with ghosts.

 

2 – Lucifer (Fox)

I’m not a fan of this but I heard the show has greatly improved since season one. I’m still not inclined to watch any of it, because I object to the woobification of evil characters. That whole “I’m not really bad. I just like a little drinkin’ and whorin’,” shtick gets real old with me, real fast. If a character is gonna be evil don’t make excuses for them. Just let them be evil.

 

   The Gifted (Fox)

This show isn’t filling me with a great deal of confidence that it will be interesting. Right now it looks like Riverdale with superpowers, and I hate Riverdale so…nah! Also I’m kinda getting tired of the whole’ government is after superpowered people” plot. I find it difficult to believe that anything formed by the US government would have their shit together enough to be that organized. Private companies could pull it off, but not the government.

 

10 – The Flash (CW)

I watched the last season, and still have no idea what the hell is happening on this show. I’ll probably watch this just to figure out what’s going on.

     

 

Legends of Tomorrow (CW)

I’m really looking forward to this. The show is adding some  new characters, and Damien Darhk is rumored to be back on the show this season. Also I’m a huge Firestorm fan and never get tired of looking at Jax. Vixen is also a favorite who clearly needs her own damn show.

Black Lightning doesn’t air until 2018, but I’m going to check it out, as CW becomes the Official DCEU network.

12 – Supernatural (CW)

Yep! Gonna watch!

       Arrow (CW)

Nope. I always fall asleep on this show. I don’t know why!

 

22 – The Walking Dead (AMC)

Yep! Gonna watch!

 

27 – Stranger Things (Netflix)

I think I’ll watch the second season of this, which looks more interesting than the first.  I watched a few episodes, and wasn’t greatly impressed, but it also wasn’t bad either, in that I didn’t fall asleep. It does have kids in it, and I’m allergic to watching those sometimes. At any rate, it looks like a good tide-over until the release of Stephen King’s IT, in theaters next year.

 

November

2 – SWAT (CBS)

Another military themed show I’m planning to look at, and then don’t.

 

14 – Future Man (Syfy)

I got nothing. I know nothing beyond the fact that Seth Rogen is involved, and I sorta, kinda like him and this title. I know Josh Hutcherson is in it too, and I have no idea who the hell he is, nor do I care to Google him. I will, however, give the show a looky-loo,  see what’s up, and let you know what I think. The Trailer doesn’t tell you much either.

 

21 – The Runaways (Hulu)

This looks like a better match for me than The Gifted. The trailer for he Gifted just looks really bad, I think. But I like the idea behind this show, and I’ve read a few of the comic books its based on, about the sons and daughters of some kind of Superteam, (like the JLA) battling with their superparents. The showrunners say they’re not going to do the usual racist stereotype stuff, so I’m holding them to that promise. this is another one with no trailer.

 

29 – Vikings (History)

Hell if I know. I watched all the other seasons without understanding why I love this show. I might as well finish it up.

 

Midnight Texas, Charlaine Harris’ new show has already begun and is approaching its third/fourth episode. Teen Wolf is finishing its last season, and I’ve pretty much skipped it, for reasons, although I will watch the finale. The show has moved to Sunday nights at 8PM without telling anybody, though.

The most recent show to air is The Sinner, starring Jessica Biel, which I wasn’t particularly interested in, although some of you might be interested, because there may be some supernatural element involved in its plot.

Preacher is nearing its end, and I’m a little behind in my episodes because I’ve been watching movie re-runs (like The Thing and Robocop), and I need to stop it. Game of Thrones is also in its final season, but I’m not much of a fan and I’ve been skipping the episodes. I will watch the Finale though.

I will try to watch Ash Vs. The Evil Dead Season 3, even though I missed the last season. The Punisher is set to be released in November on Netflix. I really liked this character in Daredevil, and I’m looking forward to the show.

 

Coming in 2018:

We’ll be seeing the second seasons of Legion, Luke Cage and Jessica Jones, this year. Cloak and Dagger, and The New Warriors is set to be released. I’m looking forward to the New Warriors because Squirrel Girl will be prominently featured.

This isn’t a complete list. For that, visit:

https://www.newsarama.com/30432-the-full-comic-book-television-release-schedule.html

 

And we promise to keep an eye on this show, since the showrunners already feel a need to get out ahead and defend it.

‘Kevin (Probably) Saves The World’ Creators Promise To Sidestep Clichéd People Of Color Trope – TCA

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

New TV Trailers (Fall 2017)

So Pilot reviewing season is here in a month, and its time for me to nimble up my fingers, as I type furiously to keep up with all the new genre shows coming this Fall. Some of them will not be watched, some of them won’t even get reviews. As we get closer to September, I’ll eventually whittle it down to the handful of pilots I’ll be reviewing, along with my regular reviews of returning shows, like Supernatural. 

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Midnight Texas

Tonight on July 24th Midnight Texas will be airing on NBC. It’s a show based on the Charlaine Harris trilogy of the same name and involves Supernatural creatures all living in some podunk town in the middle of nowhere Texas, who need to protect themselves from outside discovery. I’m looking forward to watching this.

 

 

Mr. Mercedes

This is coming to the DirecTV Network, called Audience, this fall. Some of you may not have access to this network, so I’ll watch the pilot and review the first episode, for when it eventually makes it to DVD. This is based on a Mystery trilogy by Stephen King, about a former detective who gets called back into action after a serial killer starts sending him taunting letters.  I don’t normally watch cop shows, but this is Stephen King. Yes, it does look a lot like the show Bates Motel, which I only partially watched, but I like Brendan Gleason, and feel like he’s a good choice for this character. In the novel, he has a Black teenage neighbor who helps him navigate technological stuff , and a neurodivergent  female assistant, that I hope gets cast for true. You do not need to have read the books to follow the show, but they are very good books, with a minimum of gore, and only the slightest touch of the supernatural, if that has you worried.

 

 

Star Trek Discovery

Okay here’s, the extended trailer for the new Star Trek Discovery. Remember guys this is, a Bryan Fuller Joint, the same showrunner who worked on Hannibal, and who just finished, the critically acclaimed, first season of American Gods. Fuller also has some Star Trek experience, as he used to be one of the writers on  Deep Space Nine. The show follows lead character Michael Burnham, played by Sonequa Martin-Green, who grew up on Vulcan, and was raised by Sarek, Spock’s father.

 

 

Teen Wolf

The final season of Teen Wolf will be airing this weekend, and I’m not real crazy about it, although I may watch it in support of Scott McCall. Over the years, the show has engaged in a great deal of whitewashing ,as it started out with a good amount of diversity, but has slowly been replacing all of the PoC each season, with new White characters, something which has dulled my enthusiasm for the show. The word “final” is in the title though, so I feel compelled to at least look at the pilot. I hope for a happy end to the series.

 

 

The Incredible Jessica James

If you liked Jessica James when she was snarking at the public on  The Colbert Show than check out her new show on Netflix, coming this Friday.  Remember, she was offered the job as the new host, and famously, turned it down, because she was looking at other plans. I will definitely check it out. I loved her comedy on the show, and I’m looking forward to see what she’s gotten up to here.

 

Bright

Here’s an extended trailer for Netflix’s new show starring Will Smith. I’m a big Will Smith fan, and I’ll be on vacation then, so yeah, BingeWatch! It doesnt look as funny as I’d expect from Smith, but its got some great imagery. We get to see Will Smith wielding a sword, and snarking at some Orcs. This wil lbe released on Dec. 22nd.

 

 

The Walking Dead

Yeah, this looks as harrowing and intense as the last season…so no change then? I’m already tired of Negan, and will be glad when he’s locked up, or whatever they’re gonna do to him, but at least things  look a little more energetic than the last season, which wasn’t one of my favorites, except in those few moments when it was.  I see that Carol “Terminator” Danvers is back with the gang, and Morgan and Jesus get to have a smackdown. Also there’s a lot more Ezekiel, which is okay for me.

 

 

Westworld Season 2

I really enjoyed the first season of this show, so I’m definitely here to watch the fallout of the robot’s rise to sentience, and how that affects things in the park.

 

 

The Defenders

I’m cautiously excited about this because Iron Fist  is in here,  and watching his show was traumatic. On the other hand, I like everyone else in the show and there’s this lady in here that’s uhm…C’MON, ITS FREAKIN’ SIGOURNEY WEAVER, PEOPLE!!!

Oh okay, I’m sorry for yelling but, yeah, I did mean to do that. Uhm, there’s some fightin’, explosions, and Luke Cage, and stuff, too.

 

 

Vikings

This is another one of those shows that I dont know why I watch it. It’s not a bad show, although its gone off the rails a bit since its beginning. I just like the characters, the accents are fascinating, and there’s some gore and swordfights. Its not as complicated as Game of Thrones because the characters seem to have much more prosaic concerns. This is the final season. Apparently, I can’t resist the word “final”, in any description of a show.

 

 

Marvel’s Inhumans

This trailer looks waay better than that first one which seemed created to make you mock the show before its airing. Yeah, Medusa’s hair still looks cheap, but at least they remembered PoC exist in that world.  I’ve always been a huge Black Bolt fan, but I don’t know how to feel about the actor playing him. Hopefully, he will change facial expressions, during one of the episodes. So far, none of these trailers for the show,  are garnering the enthusiasm that I feel The Inhumans deserve.

 

Krypton

Nope. I have no plans to watch this beyond the Pilot because, from the description, it sounds like Riverdale in Space, and I won’t watch that either.

 

 

The Crossing

I think this sounds intriguing. I dont know if I’ll watch it beyond the first episode, (probably not), but it looks like an interesting premise.

 

 

The Alienist

I’m far more likely to keep watching this, because I like period shows, and I have a soft spot for this particular actress, ever since she starred in Man on Fire, with Denzel Washington. The book, by Caleb Carr, was pretty good too,  and I’m interested to see what the creators do with it.

 

 

The Orville

Not sure I want t owatch a Star Trek parody, and I’m uncertain of the lead actors humor, but I did laugh a few times during this trailer, so I’ll at least give it a try.

 

 

Stranger Things Season 2

I didn’t see the first season of Stranger Things but I heard a lot about it. i thought maybe it was an “It” ripoff, but it turned out to be a little bit more than that. This trailer goes a long way towards making me want to see the second season, which is a feat, considering I found the first season not particularly interesting.

 

 

Next up :Part Two of the New Fall Releases, and Returning Shows

Things I’ve Been Watching

The Mist (TV Pilot)

Image result for the mist series gif

I’ve only seen the first episode of this, but I’m unimpressed. I think my expectations were a bit high for this show, as it’s nothing like the movie. For one thing, the characters are either bland or unlikable. The characters who come closest to being liked is a young person of indeterminate gender designation, and the tough Mom, of the series.

There’s a mother, dad, and daughter grouping in the movie. The dad is the permissive, easy-going sort, while Mom is a woman of strong opinions and convictions. She gets fired from her job at school for sticking to her principles, and NOT teaching abstinence to her students. I can respect that, even if the local parent’s group can’t. She also forbids her 17-year-old daughter from going to the local  teen party. Dad gives his daughter permission to sneak out to the party, where she gets roofied/raped by the local football star she has a crush on. I saw that coming a mile away, as he just looked untrustworthy to me. He claims he didn’t do it, but her father reports him to the police, and the family gets harassed by the townspeople. The situation is complicated because there is also the possibility that he didn’t.

 

There’s the story line of a young military man, who wakes up in the forest, with no memory of how he got there, just as the mist rolls into town. He heads into town to warn the populace about the mist, only to be arrested by the police. I can definitely say I absolutely DID NOT appreciate watching this Black man get roughed up by the police, just for not answering their questions.  And no, it’s not okay just because that same cop gets eaten by bugs soon afterwards. Just before the dysfunctional nuclear family is about to leave town, the mist shows up, cutting off all escape.

Image result for the mist tv show  gif

There are several stories mixed up in this. Various people get trapped in at least three different locations during the mist’s siege of the town. Mom and daughter are trapped at the local mall; Dad, the sheriff, the military guy, and the non-gender designated young person, get trapped in the jail. There’s also a thoroughly unlikable woman who threatens, and insult the non-gendered teen. This woman, who has no connection to anyone else in the plot, was seemingly added just to make me furious with her, and hope she’d quickly be eaten by something. She is so reprehensible, that I seriously considered turning this shit off, and just going to bed, but I put up with crap like that in order to bring you, my loyal readers, the quality snark I feel you deserve.

Oh yeah, there’s also some  people trapped in a church with Frances Conroy, who you can tell is gonna go batshit, in about two episodes, or less.

So basically, this first episode is all set up for the tensions that will reach a boil during the mist’s invasion of the town, which is not unlike the movie I guess. Mom and daughter are trapped in the mall with the parents who got her fired, and who believe her daughter is lying about being raped. The football hero perpetrator is also trapped there. The a-gendered teen is trapped at the police station with a father who refuses to speak to him because he won’t act like a son, and an abusive inmate. And Frances Conroy’s husband gets killed by something in the mist.

The main difference between the show and the movie is that there aren’t really giant monsters in the mist. I had the impression that people are being killed by either a singular malevolent entity, or their own fears and weaknesses, or possibly both. While that’s an interesting idea that’s much easier to sustain for  an entire season, I was still hoping to see giant monsters. Maybe those show up later.

 

Blood Drive:

SYFY syfy grace blood drive eat a dick GIF

If you like this type of over the top excessiveness, then go for it. I ain’t judging. The plot of this seems to involve people being forced to race each other, by some type of post apocalyptic tyrant, who has nevertheless found a way to wear too much Maybelline. The contestants lives are forfeit if they stop for any reason, up to, and including, running out of gas, which prompts some of them to cannibalize their  opponents, (and partners) and use them for fuel.

I am not a fan of excessive pulp. I was cautiously excited about this show from the trailers, and was willing to give it a try, but some things are just too far over the top even for my tastes, which even some others would consider excessive. I think it’s because so much of this particular genre is spectacle, solely for the sake of spectacle, without rhyme, or reason, to any of it. If it’s a crazy image, the creators will throw it in, no matter if it breaks, or creates  characters, or subverts an already established plot, and Blood Drive appears to be no different.

Somewhere, someone is having a grand old-time watching this show. That person is not me. I don’t think I’m the correct audience for this. At every level of creation, the show looks tasteless, cheap, and ugly. The characters, world-building, costumes, and even the plot, is just ugly. I couldn’t sit through more than half of it. By the time we reached the point where the two main protagonists appear to be having sex in a moving vehicle, I had had enough, and turned it off. I would rather hate-watch The Strain.

Blood Drive gets a resounding NOPE!

 

Dr. Strange: 

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Yeah, I know I talked shit about this movie but I didn’t spend money to specifically see this movie, and it was on Netflix, so I thought I’d give it a try. It wasn’t a bad film, and I also don’t feel too bad about the whitewashing angle, for reasons having to do with the plot. Let’s just say, I was pissed off that the Ancient One was not Asian, but I would have been equally pissed off if an Asian woman had been cast. So, spoilers ahead.

The movie is the basic origin story type stuff, except now starring an actual asshole, as an asshole who doesn’t actually get to be a better person by the end of the movie, which is rather different. Strange is a first class shit at the beginning of the movie, and although the story, and the actor try really hard to make him a sympathetic character, I didn’t buy it. I liked every character but him. He’s just a full-time douche. I still didn’t like him even after he cleverly saved the world, but I do admit that may have more to do with the actor than the character.

Tilda Swinton plays The Ancient One, pretty much the way she plays all of her more soft-spoken characters. I generally dismiss her because, like most white actresses in Hollywood, she is thoroughly clueless on issues race and/or whitewashing. I’m also less than secretly  glad that they didn’t choose an Asian Woman to portray this character because 1.) She dies at the end; 2.)she dies to further another character’s manpain; 3.) she turned out to be a huge hypocrite.

So, there’s this alternate world called The Dark Dimension, which naturally means its evil, but basically, she’s been warning her students against having anything to do with this dimension for centuries. Hannibal…I mean, Kaecilius (which sounds like a nasty bacterial infection) is in contact with the being who rules that dimension and he gets drummed out of the corp. This Dark  Being wants to “try to take over the world” and is just lying in wait for someone to invite him to the cookout, which is what Kaecilius does.

Dr. Strange loses the use of his fine surgical dexterity after a horrible car accident. Do not watch this scene if you have car accident terror, because it’s unnecessarily graphic. He decides to travel the world searching for a cure to his neurological problem, and winds up in Kamar -Taj, where he meets the Ancient One, who teaches him how to be a sorcerer, and her eldest assistant, Baron Mordo. (I do not remember this guy from the comic books, and I should, because he is in them. I’m hoping Baron is his actual name, in the  way that some Black people name their sons Prince, or King.)

For the record, The Ancient One doesn’t actually choose Strange as her successor. See, what happened was…all the other sorcerers of the great houses of the Landsraad…I mean the other sorcery nexi, get murdered by Kaecilius. Strange, Wong, and Mordo are the only ones left alive. So he gets to be a master of Sorcery through a combination of. hubris and default.

Those two, and Strange, spend the bulk of the  movie fighting Kaecilius and his minions. Baron Karl Mordo is played by Chewitel Ejiofor, and Wong is played by a man who is, conveniently, named Benedict Wong.

I liked Wong a lot, although there were some unnecessary scenes of Wong being played for a fool by Strange, that I did not care for. The Ancient One turns out to be, while not exactly a bad guy, her betrayal of the Baron’s trust does lead to him being a villain. So really, the movie isn’t  nice to any of the PoC that star in it.

The break-out character is  Strange’s Cloak of Levitation, a semi-sentient magical object that adopts Strange as a Master. This isn’t like in the books where its the Eye of Agamotto that’s sentient. Why they switched it in the movie is anyone’s guess.

So overall, not a bad movie. It’s got some great eye candy, the magic looks really cool and worldbendy, and except for some serious eyeball rolling moments, I didn’t hate it. If you can get pass watching two hours of Benegeserrit Cucumbersnatch, then the movie isn’t a complete waste. On the other hand, if you had no intention of ever watching this movie, you ain’t missed nothing!

 

The Accountant:

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I had no intention of seeing this movie. It was on HBO last weekend and I  was not doing anything in particular that needed my eyeballs, so I ended up watching this movie. I’m not a Ben Affleck fan, but I liked him in this movie, and it was surprisingly good.

Here he plays an assassin who has autism. His father began teaching him how to kill people, as a child, in an attempt to make him more independent, and he became exceedingly good at it. He comes across some corruption at a tech company and feels like he has to protect the young woman he was working with on that case, when she’s targeted by another assassin. The other assassin turns out to be his estranged brother, and I found that particular drama  intriguing.

I initially though the movie was a ripoff of the Bourne Trilogy, but it turned out to be nothing like that, with more heart, and more depth than any of the Bourne sequels. I liked the relationship that developed between Affleck and his co-star, which she thinks is supposed to develop into romance, but he is not particularly interested in her interest. It’s a romance that never develops, even though he likes her, and I thought that was a refreshing change.

The movie kept upending my expectations, and Affleck comes across as a smoothly competent killer. The movie also doesn’t end in car chases, explosions, or dramatic surprises, but in a quiet conversation between two brothers, who have some shit to hash out between them, before they could move on, and I  liked that. I would recommend watching this on some quiet Sunday evening.

 

Alien Covenant: 

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Oh, my gob! This movie was bleak, bleak, and even more importantly, it was bleak. It was even bleaker than the very first Alien movie, if you can believe that. I mean, basically, everybody dies. Well, rather say, that any humans that  were walking around at any point during this film, ain’t walking around by the end of it. If you liked the first Alien movie, then you will like this one, as it is effective at scaring the shit out of you, even when you sort of know what’s going to happen. I mean, Ive watched the first Alien movie multiple times, and I still get scared.

Oh, did I forget to mention that this movie also stars Michael Fassbender, and get this…another Michael Fassbender. So it’s like getting two Fassbenders, for the admission price of only one of them, (even though I spent no money to watch this movie.) Did I mention that I love Michael Fassbender. I feel like I may have mentioned that in some earlier post, or something. If not, then let me reiterate..I love Michael Fassbender who, I am absolutely certain, is a total dick in real life. (If he is, don’t tell me. )

I would talk about the plot, but really that’s all there is to it. Somebody’s gon’ die! and people do stupid shit, to help facilitate their deaths, just like in the first movie, Prometheus. Things like, taking their helmets off just because they can breathe the atmosphere, running towards danger, or wandering off alone, or trusting strange androids.

Not to go off on a tangent, but why do people on strange new worlds always take off their helmets as soon as they learn the atmosphere is breathable? Have they never heard of airborne pathogens? Which is exactly what happens in the case of one of the characters, when he steps on a plant, that releases spores, that go into his ears. His demise is suitably horrible.

Later, the two Fassbenders, David, from the first movie, and some new guy named Walter,  get into a fight, as Walter tries to protect the remaining humans. I would have preferred some loincloth mud-wrestling, but that probably would not have been in keeping with the mood of the film, which is, well…kinda bleak.

 

Suicide Squad:

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Apparently, I’m one of five people on Earth who enjoyed this movie. Its been airing on HBO recently and I’ve watched it multiple times. I think the main reason I enjoy it is because I’m a Will Smith fan and will watch movies with him that I normally wouldn’t pay attention to. Not that the movie isn’t flawed, annoying, and occasionally stupid,  it’s just those moments were not enough to detract from what I was enjoying about it, which is namely Will Smith, and Viola Davis, in an anti-superhero movie together.

I could go through and list everything wrong with this movie, because it’s got a lot of problems, but IT’S WILL SMITH!!!! I love Will Smith!!! Will Smith makes every movie worth looking at, just by being in it. Plus, he’s with Viola Davis, and they actually get to exchange words in the movie, rather than pretending the other doesn’t exist.

Okay, I did like the other characters, too. In fact, my only reasons for liking the movie, was some of the characters, and the action scenes. I enjoyed seeing Killer Croc, onscreen for the first time, and Diablo turned out to be a huge favorite of mine, but then, I’m a fan of seeing Incan Fire Gods in movies, so yeah, his scenes were both hot, and cool.  Outside of Deadshot, I got really attached to Harley Quinn, who I enjoy in the comic books, and the nascent friendship I saw developing between the two of them. I’m here for a Deadshot/Harley Quinn team-up movie, as long as Amanda Waller can be in it. Viola Davis perfectly captured the idea of the Amanda (The Wall) Waller that I had in my head, as the only human on Earth, who can get away with dressing down the Batman.

The plot was deeply, (and I do mean deeply), fucking stupid though, and I have no idea what the villain’s motivation was, or how she actually hoped to accomplish her goals. Yeah, some of the characters were totally undeveloped, like Katana, or just straight up hateable,  like Captain Boomerang, and The Joker. But the movie was pleasant eye candy for its two-hour running time. It’s not a good movie, but I found it mostly inoffensive, unlike some people who found the movie deeply offensive to their intelligence. I can say that part of the reason I’m okay with the movie is because I went into it expecting nothing more than to be distracted for a while, and the movie accomplished that goal. The trailer looked like fun, and that’s what the movie delivered.

Its okay if you haven’t seen this movie, you can rectify the problem of not having enough Will Smith in your life, by watching…Concussion!

 

Note:

I’m still watching stuff because new shows keep being released. Next week I should have a review of the new season of Cleverman, now airing on the Sundance Channel, and the second season of Preacher, on AMC, which looks like a lot of fun, so far.

Coming Soon To A TV Near You

May 5th

Sense8 -Netflix

The second season of Sense8 has already begun. The showrunners are still the Wachowski Sisters. Well one of the sisters, anyway. The show has run into some criticism for its depiction of its characters of color, but is lauded for having some of the best depictions of LGBTQ characters in the genre. There’s also Freema Agyeman in the cast, which is always a plus.  I’m planning to binge it this weekend, if I can, because I enjoyed the first season. I may or may not give a review, depending on how I manage my time.

https://www.theverge.com/2017/5/9/15550466/netflix-sense8-jamie-clayton-freema-agyeman-interview

May 19th

12 Monkeys – Syfy

I know nothing about this show other than the title, how much I’ve been meaning to watch it, and that it’s been getting some very good reviews. One of these days…

May 21st

Twin Peaks – Showtime

The return of Twin Peaks is being eagerly anticipated. I was never a huge fan of the original show, but I heard a metric ton about how wonderful it was. Every critic talked about this show. I know bits and pieces about some of the characters, and that’s it. I’m including this here because I know some of you still love the show. It still stars many of the original characters, and my understanding is that, like The X-Files, it’s a limited continuation of the series. I won’t be watching this because I don’t subscribe to this network, but I will be monitoring it through reviews and trailers, just in case things get out of hand, and I need to jump into action.

May 29th 

Still Star Crossed – ABC

People have been eagerly anticipating a date for this, and it’s almost here. I’ve liked the various adaptations of Romeo and Juliet, I’m a fan of Shakespeare, and since this is a little racebent, I thought I might enjoy it. Apparently, it takes place after the deaths of Romeo and Juliet, and involves the coping and machinations of their two families. This is a Shondaland Joint, and while I don’t normally watch any of her shows, I have tremendous respect for her, and this looks like something I could get into. It’s on regular network TV though, and I feel some kind of way about them canceling the show the moment I start to like it, because that’s how they roll.

 

June 4th

Fear the Walking Dead – FX

I think the original The Walking Dead is enough zombies for me in one year. I don’t dislike this show. It looks pretty good, and it gets good reviews, but The Walking Dead is such a heavy show, I can’t subject myself to another show that’s just as heavy, and about zombies, so soon after the finale of the original. (I’m just so taaahd!) Seriously though, The Walking Dead needs a cool-down period, an after-party, or something.

June 6th

Shadowhunters – Freeform

I wasn’t as impressed with this show as the fans on Tumblr. I thought I’d try it out because it keeps scrolling across my dashboard, and all the actors are really cute. The show strikes me as a combination of Buffy/Riverdale Lite. Although I wasn’t impressed, even though I  like the character, Magnus, and the show has some good LGBT representation in his relationship with Alec, I’m no longer watching it . There’s too much schmacting in it for my taste, but I respect that some people really  love it.

June 9th

Dark Matter – Syfy

I  just started watching Dark Matter last season. The plot was compelling enough to hold my attention, and the characters were likable. I do remember not liking any of the characters when it first aired, but the plot and characters have shown tremendous improvement, and the show has some good representation of women and MoC. I’m looking forward to the new season, but I won’t be reviewing the series.

Wynonna Earp – Syfy

I checked out of this series about halfway through the first season because I didn’t have time to watch it. I’ve heard good things about it though, and it too, has some adequate LGBT representation.I remember I sorta liked the first episode but I didn’t keep up with it much after that. I’ll be watching the new season, and we’ll see if I can pick up where I left off, without getting too lost.

June 14th

Blood Drive – Syfy

Okay, this show sounds utterly batshit. It’s a kind of Mad Max hybrid, where people have run out of oil, and vehicles now run on human blood. I don’t normally watch this kind of grindhouse, Robert Rodriguez, type stuff, but I’m going to give it a try. I know the show looks, and  sounds gross, but c’mon…it has cannibal  in it, and cars that eat people!

June 22nd

The Mist – Spike

It doesn’t look as scary as the movie, but I’m going to check it out, and give you guys a report. It looks like it’s got all new monsters than the movie, and that may be due to budgetary constraints. It also looks like it’s taking place over more than one location, so that’s on the plus side. I also hope we get to see the pharmacy event. In the story, we only encountered the aftermath. A large part of the actual story is taken up with the sounds of the mist, so I hope the show pays attention to the audio factor,  as that will go a long way towards capturing the dread.

June 25th

Preacher – AMC

I totally loved the first season of this, and I’m really hoping it will blow up the same way Into the Badlands did, after airing on Netflix.  I love shows with crazy plots and characters, so this is just right for me. (Yes, I have been watching Fargo, just in case anyone was asking.)

June 30th

Killjoys – Syfy

I got away from watching this because  of time limitations. The Syfy Network has really turned itself around, but  now it  has so many good shows, that I don’t have time to watch any of them. I also like Z Nation, The Expanse, and several others.  I’ve heard great things about the racial representation of these shows, and want to support them. Please do not tell me to record anything else, though. I already have a bunch of shows, on my DVR, that I’m not looking at.  Killjoys will probably become one of those shows.

 

July 12th

Midnight Texas – NBC

I’m really looking forward to this. I’m still dithering on whether or not I should read the books, or watch the show and just go with the crazy. I only hope it’s as good as True Blood’s first two seasons.

July 16th

Game of Thrones – HBO

Every season I say I’m going to watch this show, and then I dither around and skip the first five, or six episodes. Then, along comes that one episode per season, that everybody talks about, and I end up finishing out the rest of the season. I do not consider myself a fan of this show though. I watch just enough of it to know who everyone is, and I don’t like most of the characters anyway, so I guess I’m gonna follow my usual pattern of indifferent viewership.

 

August 18th

The Defenders – Netflix

I am cautiously excited about this, despite the presence of Danny Rand. Probably because, even though I hated the series Jessica Jones, and Daredevil grew increasingly annoying, these characters are quite enough to offset my dislike of Danny Rand. Also, Finn Jones acting (and fighting) looks a little bit better than when he was in his own series. (Finn Jones is still a total douche, but that ain’t none of my bidness.) I’m  also probably just excited to see the interaction even between characters I partially dislike. Sometimes a character, by themself, can be extremely annoying, but if you pair that person with the right foil, they become great.

 

Honorable Mention:

Teen Wolf – MTV:  will be ending its six season run  sometime this Summer, but I don’t have a solid date for it, yet.

Bonus Round: 

The new trailer for Bladerunner came out this week. I’m sort of on the fence about seeing this. I hate to sound like this,  but I am just exceptionally tired of these all- White futures. Where in the fucking Hell are all the PoC? And Hollywood keeps doing this shit! You mean to tell me  they can imagine snakes made out of water, flying cars, elves, living statues, and zombies, but can’t imagine PoC living in the year 2049? This also prompts the disturbing question of where the Hell we all went? Was there some sort of mass exodus to our own planet? Were we all killed off by the plague, White people, rabid bunnies? Wtf?

Anyway here’s the new trailer. See if you can spot any PoC:

Okay, is it just me, or does Ryan Gosling always look like he’s about to start crying, but never actually does. He always has this weird, half-smiling, facial expression. I don’t know anything about Mr. Gosling, having never watched even one of his movies, but I know he’s a huge deal to some people, and this would be my first time watching him in anything. (That is not a bid for recommendations, becuz I just know y’all gonna come in here to try to give me some!)

 

Bonus Bonus Round:

Yaaay!!! I just finished reading American Gods. I do confess that I mostly listened to the audiobook, but it was still pretty cool. It has a veeeery interesting plot, and I’m kinda mad I had not read this book sooner. I just kept putting it off.

So there! I am officially ready to provide any and all spoilers for the American Gods TV show. Tag me! I’m Spoiler Adjacent!

Coming Soon!

Cloak and Dagger

I have been a long time Cloak and Dagger fan, from the comic books, and I have to admit I was more than a little dubious about them making a show about this. Cloak and Dagger is a comic book, that came out in the eighties, about a pair of teenagers who, through some drug experimentation by criminals, developed superpowers.

In the comic books, Cloak had the ability to eat people’s life energy by enveloping them in a semi-sentient cloak, and Dagger had the ability to produce light from her hands and throw it like knives. There were more than a few stereotypes involving the light and purity of Dagger, with various people coveting her, and wanting to save her from that evil and frightening black  guy she hung around with.

I’m still side-eyeing this show a little bit, because there’s so much potential to fuck it up, and the Freeform channel doesn’t really have a track record on racial issues. But I’m happy to see the trailer anyway, and I’m glad they’ve decided to go for a more wholesome looking approach to the characters, and their relationship looks really sweet, because I always felt the two characters were  too heavily sexualized.

Well, they seem to be handling the backstory a bit differently than in the comic books, updating it to the current age, and its social issues. At the time it was released, the crack epistemic was tearing through black neighborhoods, and everyone was really up in arms about that particular issue. When Cloak and Dagger got their powers, their first priority was saving kids from drug culture.

This show won’t air until 2018 on the Freeform Network.

 

 

American Gods

I am almost finished with reading the book, just in time to catch the premiere, airing this weekend. Yes, I plan to review it because I want to compare the book to the show, although the adaption looks pretty faithful to the source, as far as the various characters. This was created for TV by Bryan Fuller, the creator of the Hannibal series, and I loved what he did on that show, so much, that I’ll follow him anywhere. American Gods airs on the Starz Network, so if you don’t have cable, I think they have some kind of app.

 

Preacher

This show has been renewed for a second season on AMC. If you haven’t seen the first season,  it might help a bit to watch that, so you can have some background as to why a preacher, a black woman, and a vampire, are on a road trip. Jessie, Tulip, and Cassidy, are looking for God because they have some pressing questions for him, after Jessie received  superpowers from possession by a celestial being.

I only got a chance to review the first episode of the show, but I did watch and love the entire season. It was pretty wild. I have a hard time choosing a favorite character, but I’m leaning towards Tulip, and not just because its Ruth Negga. I would’ve probably liked Tulip no matter who the actress was because she’s like a female version of Coyote.

Anyway the second season is airing on June 19th. So, I have something good to watch in midsummer, besides re-runs.

 

Gotham

Tonight is the mid-season premiere of, of all things, Gotham, a show I stopped watching some time ago, despite the presence of Jada Pinkett-Smith. I thought the acting was just too uneven, and had a hard time getting into the characters.

Well its back!

 

Genius

I am a  science stan, so I will be watching Genius ,which is a bio of Albert Einstein, who is one of my favorite scientists. Genius airs this Tuesday, on  the National Geographic Network.

 

The Handmaids Tale

This show airs on Hulu. I remember trying to read the book when I was a teenage but was so disgusted with the worldbuilding that I had to put the book down. Its not a bad book, but I’m never going to be in the frame of mind to read it. It also has some deeply disturbing racial implications that, because some people don’t realize intersectionality is a thing, aren’t going to be writing about in all their little thinkpieces on the subject:

 

Still Star Crossed 

This show finally gets a release date of May 29th. I love Hsakespeare, and this looks like an entirely appropriate, racebent, version of Romeo and Juliet, which I’m really looking forward to. It appears to be set after theevents of the original story, so the characters are not actually Romeo and Juliet, though.

 

 

Sense8 Season Two

I watched the first season of this and rather enjoyed it. I’m not sure if I reviewed it, but I definitely liked the diversity and representation. The first season ended with the group having to save one of its members for government experimentation, and this season looks like a typical “chased by the government” type of plot, but the show is so gorgeous, and I like the premise and ideas of the show, and I liked the characters, so I’ll binge this one, when I get the chance.  This airs on Netflix May 5th.

 

 

Dear White People

Dear White People will be airing on Netflix this Weekend. I didn’t watch the movie but then I often avoid movies dealing with racial issues. Get Out is the first movie I’ve seen, in a long time, that had anything to do with race in the plot. I feel some kind of way about that, but really, its just not my go to subject matter. As a Black woman I deal enough with issues of media and race, I’m not going to watch movies about it too, that’s just too much for me. I’ll be skipping this one, but you guys might want to check it ou,t if you really liked the movie.

 

Also coming this Summer:

The midseason return of Lucifer. I dont watch this because I find hte lead actor deeply annoying, but I have it on good authority that some interesting new characters have been introduced.

The Victorian Slum airs on PBS next week, combining my favorite topics , Victorianism, and documentaries.

In June there’s Shadowhunters Season Two, Dark Matter, Wynonna EarpFear the Walking Dead, and Orphan Black.

The bottom line is, there will plenty for everyone to watch this summer, instead of re-runs of shows that are on hiatus.

Ghost in the Shell Reviews Are In

*So far, the consensus seems to be that Ghost in the Shell is  a merely okay film. I haven’t seen it and had no plans to do so, not because of the Whitewashing, although that’s a big issue, but because I’m more than a little tired of looking at Scarlett Johansson.

There’s quite a lot of spectacle but yeah, there’s the little issue of Whitewashing, not just of the film itself, but actually referenced in the plot, where the identity of an Asian character, Motoko, is erased and placed in the body of a White woman. 

According to the critics, it is possible to watch this movie and not care about any of the social issues involved, but this movie is never gonna be a classic, and doesn’t have the depth of the original anime. It’s never going to be Bladerunner, or The Matrix either, no matter how much it apes those movies aesthetics. According to the critics, it’s a gorgeous film that lacks warmth. It’s at about 51% on Rotten Tomatoes and Metacritic. The reception of the movie, even by audiences,  has been rather lukewarm.

There are a handful of reviews giving it a rousing endorsement, like Variety, Entertainment Weekly, The Telegraph and The Chicago Tribune (Roger Eberts old employer). But the critics who panned it, come from more Geek oriented online sites, that skew much younger than the ones mentioned above, with a millennial audience who grew up watching the original movies and series, and I guess they’re unimpressed by the story.

http://www.salon.com/2017/03/29/scarlett-johansson-and-the-perils-of-white-feminism/

http://www.avclub.com/review/beguiling-ghost-shell-more-replicant-remake-252941

http://www.theverge.com/2017/3/29/15114902/ghost-in-the-shell-review-scarlett-johansson

https://www.dailydot.com/parsec/ghost-shell-review-remake-2017-johansson/?tu=gav

http://www.gq.com/story/ghost-in-the-shell-review

http://www.ign.com/articles/2017/03/30/ghost-in-the-shell-review

http://www.polygon.com/2017/3/30/15121524/review-ghost-in-the-shell

http://www.businessinsider.com/ghost-in-the-shell-review-2017-3

 

*And because apparently I’m just not finished bashing Iron Fist for what we could have had vs. what we got:

http://io9.gizmodo.com/heres-the-important-stuff-that-happens-in-iron-fist-so-1793445273

http://www.theverge.com/2017/3/21/14980216/iron-fist-problems-marvel-netflix-writing-villains-optics

http://www.polygon.com/2017/3/17/14958828/finn-jones-and-iron-fist-have-one-thing-in-common

*Bottom line: if your character’s backstory features him punching a gobdamn dragon, to obtain his superpowers of being able to punch shit, and you don’t show that shit on screen, you need your entire ass thoroughly kicked. So far, we’re stuck with Finn Jones as Danny Rand but this can be fixed. He’s never going to look good as a martial artist until he gets some serious training. Put him in some intense stunt training, so that he can at least look as competent as the actors from The Matrix. Get a brand new showrunner. And this time find someone who gives a shit about Danny’s Rand being Iron Fist,  cares about his martial abilities, and is willing to do the research to make it look good.

 

*Just to cheer us all up, here are some Logan reviews. I loved this ugly, bittersweet movie, so much.

http://www.theverge.com/2017/3/6/14829768/logan-movie-wolverine-hugh-jackman-patrick-stewart-discussion-highs-lows

http://www.rollingstone.com/movies/news/why-we-needed-logan-to-kill-the-modern-superhero-movie-w470501

https://theringer.com/logan-and-conquering-pessimism-through-fatherhood-86d377ae85b9