Laughs For Your Weekend

 

Well, this was a nice photo to greet me on my Tumblr dash. The first shot of Misty Knight with her new Prosthetic arm. Now its not the golden one from the comic books (maybe we’ll see that one later?), but I can see these shows leading to another teamup called Daughters of the Dragon, which stars Misty and Colleen Wing, or even a version of Heroes for Hire.

I still don’t like the idea of a relationship between Danny Rand and Misty, which is what happened in the comic books, but these shows have been changed enough from canon, that that may never come to pass onscreen (and the two of them are no longer together in the comic books, as of a couple years ago.)

This is a scene from season two of Luke Cage, which I’m really looking forward to. It’s unclear if Misty is still a detective, but she’s still hanging with the heroes. I do still  prefer her bouffant from The Defenders, though.

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*Like we need drugged up dolphins. They’re bad enough sober…

did u kno dolphins puff puff pass:

 

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You have to read the entire thread this came from. I can guarantee, after you read it, you will never again watch this video without thinking about it. NSFW!!! This whole damn thread, including the comments will have you crying at your job.

The Brrrrddott part had me in tears!

 

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*Welp!

Hey people who know astrology shit. I’ve been having a lot of feelings lately. Any planets I can blame that on.

 

 

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*I think this pretty much sums up the entirety of this blog!

reblogged from

me: man i love this series
me: here’s a 40-page annotated essay on everything i hate about it. every misstep i believe the creators have ever made, complete with citations and a signed drawing of me punching the installment i hate the most in the face
me: still love it tho

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*This squirrel discourse is truly what Tumblr is all about!

 

like u ever seen some squirrels fightin in a tree and then one of them will chase the other out of it and keep the fight going in another tree like damn b you won YOU WON MY NIGGA CHILL

 

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*Shit, I would smack Taylor Swift, Kim Kardashian, and Kendall Jenner,  for just 8 dollars, 35 cents, and the entertainment factor…

Plenty of others seem to agree.

I would do it for free tbh

*I would pay $5 to slap the shit out of her

 

I’d smack her for a hershey cookies n cream bar

 

I’d slap her for free and collect the money regardless tbh

 

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*This man is speaking my life…

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*I love Black people…!

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*This post would not be complete without some Iron Fist/Danny Rand shade…

allmisfittoyswelcomehere asked:

Danny rand is a Chihuahua: 50% unnecessary anger and 50% shaking

 

*I miss SNL, sometimes. This had me laughing so hard, I needed some aspirin…

 

“Do I get stress headaches at work? Yes, definitely. From the moment I get in, it’s “Denise we need this! Denise we need that!” Which is stressful… ‘cause my name is Linda. Denise is the other black woman that works here.

By 10am, someone in the copy room makes a joke about Kobe Bryant, and everyone looks at me to make sure it’s ok. And I smile like it’s ok. But really, my head and neck are starting to throb.

Then I spend the rest of my afternoon training my interns, and answering their questions, like, “Yes, black people use shampoo”, and, “No, I don’t know any good reggae clubs around here”, and, “Yes, Condoleezza Rice is very articulate, why do you sound so surprised?” And, “No, I can’t tell you where to buy weed!” And that’s when I reach for Excedrin.”

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*Okay, I also propose we just start doing this to every White person that does this thing…

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*Yeah, I asked myself these questions, too. Who gon’ turn down Malala, The Nobel Peace Prize winning teenager?

Okay of course I’m happy that Malala got accepted to Oxford, but I really want to know more!

What did she write for her personal essay- “Just google me bitches”?

Did she have to do an interview and if so did she just plonk her nobel peace prize down on the table?

Did her student counselor advise her to apply to other crappier places just in case she wasn’t accepted?

Was there anyone who actually turned down freaking Malala Yousafzai, I need to know!!

 

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*Here, have some funny photos. Feel free to caption any or all of them

 

 

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Unbreakable, Sleight, Spiderman, Chronicle: Shout Out to the Lowkey Superhero

 

In 1981, I watched the pilot for a show, starring William Katt (from  the 1976 movie, Carrie). In it, a Special Education teacher receives a Supersuit from some aliens and decides he wants to fight crime, even though he hates wearing the suit, and has lost the instruction manual. (Why won’t someone remake this show?) Aided by Special FBI Agent Bill Maxwell, played by Robert Culp, he spends most of his time trying to figure out what his superpowers are, and how to use them, with comical results.

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In 1976, Carrie White discovers she had the power to move objects with her mind. Bullied and humiliated at her high school, she unleashes all of her rage on her classmates at the Senior Prom.

In 2000, Bruce Willis portrays David Dunn, a man who discovers that his body is essentially unbreakable, (just like Luke Cage), and has to figure out who and what he is, and what he wants to do with this power, aided by Samuel L Jackson, who also plays the movie’s  archvillain, Mr. Glass.

In 2012’s  Chronicle, Dane DeHaan plays Andrew Detmar who, along with his cousin Matt, and his friend Steve,  stumble across a strange rock in a cave, and receive the power to move objects with their thoughts. After bearing the brunt of schoolyard bullying, physical and emotional abuse from his father, and the death of his mother, Andrew nearly kills his father, and destroys a good portion of Seattle, before being killed by Matt.

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In 2017’s Sleight, a young Black genius named Bo, creates the the ability to move metallic objects with his mind, while he clashes with the local drug dealer, Angelo.

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In Spiderman Homecoming, Peter Parker is a newbie Super, dealing with such mundane things as schoolwork, bicycle thieves, and helping out the local Churro  Lady. He longs to save the world, while using nothing more than some superstrength, a fast wit, and some silkwebbing. He doesn’t have the social cache of Captain America, nor does he have Batman’s budget.

Jessica Jones, Daredevil, Luke Cage, Iron Fist. They’ve got one major power each, the ability to punch things really hard, lift a car, skin that won’t break, and the ability to see sounds. These are not gods. They can’t destroy a city block with the touch of a finger. They don’t own supersuits. They can’t even fly.  Even all-together they ain’t ever gonna be on the level of the Justice League.

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http://www.denofgeek.com/movies/superhero-movies/39560/real-life-superhero-movies-a-closer-look

None of these characters are villains, but many of them are too beset by the weaknesses of their character, or the challenges of their environment, to ever do the world any  real good. They live in the real world of car payments, drug dealers, homework, high school bullies, and 9 to 5 jobs they don’t like, dealing with people who seriously test their ability not to abuse whatever powers they possess, and sometimes that can’t even avoid doing that.

They’re not goddesses created by Zeus. They’re not millionaires who never have to worry about paying for anything. They’re not exiled  aliens. These are not the types of heroes you call to go into outer space to destroy the intergalactic menace. They’re just trying to survive their tiny part of the universe.

And sometimes they don’t manage to do that either.

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In Chronicle, Andrew wants to be special and important to the rest of the world, but that’s not gonna happen. Andrew could have been a true benefit to the world,  but he is bullied at school, abused by his father at home, his mother is dying, and they’re running out of money to pay for her medicine.  Andrew uses his abilities to rob a local drug dealer for the money, but how are his powers going to save his mother? How are those powers going to stop making him the brunt of his father’s anger at his wife’s death? Or make him charming, witty, or popular at school?

Sadly, Andrew gets a brief taste of these things, fending off his father’s abuse in one scene, participating in a talent show where he can secretly show off his abilities (and getting the accolades that he not only feels he richly deserves, but desperately needs), and losing it all when one of his friends, Steve, (who shared the same abilities as he did), dies , possibly as a result of Andrew’s actions.

Eventually, Andrew loses everything, including his mother,  and then eventually his life, at the hands of his cousin, Matt,  (who also shared the same superpowers), as he spirals down into a vortex of shame, hatred, grief, and anger. His powers couldn’t save him from himself.

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None of these superpowers help Matt save his best friend Steve, or solve his cousin’s extreme trauma, or even alleviate his own  emotional trauma, at having to take his cousin’s life, when Andrew goes on an anger fueled rampage. We witness how useless Matt’s abilities are, during his fight with his cousin, when he can’t talk him down, can’t convince him that he is loved, and can only mitigate the damage he causes, with his only option being to kill him.

This is the horrific outcome of actual superpowers in a real world setting that is full of horribly damaged people, and people happy to inflict pain on others for fun. This is something not shown in the Avengers, and Iron Man movies. The villains in those always have lofty goals, and self-serving excuses for why they’re bad. They hate the hero, or want to control the world, or both. Andrew, and his counterpart, Carrie, (whose narrative closely parallels this one), sometimes don’t know what they are, are sometimes just  in pain, and cause an incalculable amount of damage and death, all because they  weren’t loved enough.

This is the opposite story of Unbreakable, where David Dunn, a depressed stadium security guard, begins to realize his true potential, while mentored by a  man who thinks he knows who and what David is capable of. When he and his  wife, Audrey, were involved in a car crash, David used that as an excuse to quit football, because Audrey was opposed to the sport. He spent the next ten years of his life wondering what could have been, and the life they could have had.

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Not realizing that he is an  Unbreakable man, he  is approached by  Elijah Price, who tells him that he is special, that he can regain the glory he knew as high school football star. By using his strength to save lives, David discovers a new sense of purpose. Taking on the name Savior, his activities regain the  respect of his son, the love of the wife, who was planning to divorce him, and lifts his spirits, as he realizes what kind of man he is. David wasn’t trying to save the world. He was just trying to save himself.

http://reallifesuperheroes.com/

In Sleight,  Bo has the ability to move metal, due to a magnetic device he’s implanted in his arm. He gets involved with the local drug dealer, while trying to make a better life for him and his little sister, after their mother dies. Bo isn’t the next Tony Stark, but he would’ve been, were it not for the circumstances of his birth.

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Here’s what the director had to say about the stereotypical setting of the movie, which also tackles issues of race and class, which most superhero movies don’t mention:

<Making Bo a role model and a drug-dealer seems potentially controversial, but it also speaks to his lack of options as a teenager trying to support his sister, and living without a safety net. But you don’t foreground the social issues of his choices. You don’t make it political. Was it important to you to not spell anything out too much?

Obviously, it’s a trope that’s unfortunately very recognizable for black characters in movies, in having something to do with street-level drugs and committing crimes. Part of the goal in centering ourselves in that world was to find a different, empathetic way into a trope that’s maybe a little too familiar. By centering it on this kid who is brilliant and artistic and has a scholarship going for him, we’re showing that a fall into this world really could happen to anyone. If everything you hold dear slowly started unraveling and you had massive responsibility, and part of that responsibility is shielding someone you care about from even knowing that this is going on… There are certain sacrifices we make to take care of the people around us. We don’t just want to paint that familiar iconography. We wanted to find a different way into it, then [go] past it.

And if you read between the lines in Sleight, there’s enough evidence that we’re not fully falling into the trope, I would hope. Bo’s neighborhood is actually not bad. He’s not in a crime-infested, impoverished area. He’s trying to keep his sister in the environment she’s comfortable in. But also, what he does is a very different brand of drug-dealing, one less associated with the urban crime story. When you look at a show like High Maintenance — if we had another act to talk about Bo’s clientele, these are the kinds of stories we would see. Which hints why Bo would consider selling drugs in the first place. He’s savvy enough to not end up on the corner selling dope. And his boss, Angelo, at first glance, isn’t a gun-toting gang-banger. Bo is making an educated compromise, something he thinks he can keep at arm’s distance.>

 

Bo isn’t  heroic because he’s trying to save the entire world. Bo is a hero because he’s working against long odds to save just one small world, his little sister’s.

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Contrast Spiderman Homecoming with The Avengers. The Avengers are so far removed from everyday life that they seem almost like myths to the working man. Nowhere is this contrast more obvious than in the movie Spiderman Homecoming, about the activities of a low-level superhero who wants to make it to the big time. Peter Parker comes from a world of school, homework, and junior proms. His mentor is a multi-billionaire, whose every minor decision can affect entire lives, as Tony Stark’s decision to take over the salvage operations in New York, creates The Vulture, the villain who eventually becomes one of Spiderman’s Rogue’s Gallery.

Spiderman’s inability to run with the Big Boys, like Thor and The Hulk,  is the subject of a  great deal of humor, as seen in Captain America: Civil War, but it can also result in great tragedy, as his lack of discipline nearly causes a massive loss of  life, when he accidentally breaks the Staten Island Ferry.

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In The Incredibles, the superheroes of yesteryear get a taste of what the mundane life is like when superheroing is outlawed by a fed up public. Now all they have are their real jobs, house payments, and watching their weight.  Mr Incredible chafes at these restrictions, living vicariously through his son’s grade school exploits, secretly crime fighting behind his wife’s back, and yearning for the days when he could channel all his restless ingenuity into bringing down super criminals. Like Peter Parker, the mundane life just isn’t challenging enough for him, or his little boy, Dash, There’s also the not so lowkey message in the film that when everyone is considered special, its really just another version of mundanity.

I suppose this essay would not be complete without mentioning the  ultimate street level superhero, Kick Ass, who is the very definition of a superhero nobody. David is a superhero only because he believes it. He has no superpowers to speak of, no martial skills, not even a sharp tongue. Armed with nothing more than a green bodysuit, and some Escrima sticks, he takes out muggers and drug dealers on the streets of New York City, in the hopes of  impressing that one girl in school he has a crush on. He inadvertently falls into deeper water than he can handle, when he encounters a vigilante father/ daughter duo, who are fighting an organized crime family.

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There have been a spate of these movies in the past ten years, (Super, Defendor, Special) about the the low level exploits of gifted, and non-gifted heroes, yearning for the  Big Time, something to give their life meaning, a way to work out their psychological trauma, or just wanting to be special and/or loved. For some of them, these are weaknesses of character that will never allow them to rise to the level of an Avenger, or an X-Man, and other s are so grounded, they will never  get to be heroic, no matter how much they want it.

Even the move Suicide Squad dabbles in these ideas, with characters like Captain Boomerang, and Slipknot, or a character with no superpowers at all, beyond a taste for chaos, and an ability to wield a baseball bat. The’yre little more than small-time villains who get called on to save the world.

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On the other hand, it makes them more relatable, and sympathetic,than the Tony Starks, and Supermen, of the world. Watching them rise to new levels of superheroics, as when Spiderman has no one to save him but himself in Spiderman: Homecoming, or when Bo defeats the neighborhood villains to successfully raise his little sister, gives us the  confidence to survive, especially when we’re beset by our own physical, and mental issues. When they overcome, they are the best of ourselves. And when they fall to the depths of despair, like Andrew and Carrie, they are reflections of our worst, and can spur us to examine and conquer our own weaknesses.

The Defenders Season Review

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Instead of reviewing every episode, one by one, like most other reviewers, I’ve decided to just review the entire season.  Rather than 13 episodes, the series has been reduced to eight, which I feel was a really good idea, as this helps the story move along a lot more swiftly, and with less filler, than in the individual shows.  Since the plot is moving faster, and interludes are shortened, it’s not possible to get too irritated by any particular plot point (The Villain), or character (Danny), because you just don’t have much time for it.

Overall, I enjoyed the series. I can definitely say that I like certain characters much better in a team setting, than I did in their individual stories, because a lot of their weaknesses of character aren’t on full display here, and when they are on display, there’s a reason for it. I especially enjoyed all the team action, even just sitting around and talking to each other, because these guys are  a lot of fun together. Their fighting styles and attitudes just mesh really well, and they have great chemistry with each other, which makes for some interesting, and cool fight scenes, and some funny and snarky dialogue.

I think the show played up the reluctant hero angle a bit too much. The characters are always having conversations about how they’re not heroes, and don’t want to be heroes, especially Luke and Jessica. Matt is trying to quit  the superhero game as if he were going cold turkey from some kind of -ism. Danny is the only one who wants to be a hero, and he’s not  remotely equipped to be one.

 

Luke Cage:

 

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We get a slightly deeper understanding of Luke as a person, although there are no huge revelations, or anything. He still doesn’t want to be a hero, he’s still living in Harlem, still trying to figure out what he wants to do with his life, all of this is just as in his own show.  We see the opening moves of a friendship between him and Danny, and Luke and Claire finally go out for that coffee, before being awkwardly interrupted by Luke’s former one night, Misty.

All of the characters get a chance to interact, one on one, during the series, although there’s not a lot of forward momentum in their characters, or relationships. Just hints of things to come. We get hints of a reconciliation between him and Jessica. In the comic books, the two are married and have a baby, but I don’t know if these shows will move in that direction. I’m opposed to it because of Jessica having killed his wife, (and then lied to him about it), and Jessica is also  not in any kind of emotional shape to have a relationship with anyone. Also, she is, ethically speaking, the complete opposite of  Luke, and I just don’t see those two  styles of personality meshing well.

As I mentioned, the showrunner doesn’t do anything new with the character. Luke remains a deeply principled guy who, while okay with kicking ass, is opposed to killing. He is not afraid to call someone on their shit, the way he does to Danny.

I love that all the characters have their place and purpose  in the team, and how their differing fighting styles are showcased. Luke is like Superman. He’s invulnerable to most harm, and is often a shield for the others, when the guns come out. He’s not completely invulnerable though, as Danny is one of the few people that can knock him off his feet (well…Danny and unexpected trucks). Seriously, the man is like a tank. He’s even immune to fire.

The team needs Danny whenever they need a huge, loud distraction, as in the finale, when they needed to reach a safe place, but The Hand was being an obstruction. Danny is like a large explosive device, delivering concussive sound and force, and I like the way his powers are used here, although yeah, the glowing fist still looks kinda silly. Still, Luke and Danny are definitely the team’s two heavy hitters.

One of the most annoying parts of the show is the Rap music that appears whenever Luke shows up on screen. To the showrunner: Hey! Luke does not  need a soundtrack to announce his presence!

Matt is the resident Ninja, and while Danny isn’t too bad in that department, Danny has a different purpose. Matt is the kind of team member who can move in and out of a situation quickly and quietly, warn the team of any impending danger, (and get them out of trouble with the law,  if necessary, I guess.)

 

 

Matt Murdock:

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Matt spends a lot of the first couple of episodes trying not to be heroic, or save people. I think we’re meant to believe that he gave it all up after losing Elektra, but since I wasn’t buying his relationship with her, I didn’t care. The two of them have no chemistry, and the emotional intensity of a pair of titmice, especially when it comes to passionate exchanges.

On the other hand, it was nice seeing him put his lawyer-ly shit down, it was nice to see Foggy and Karen again, and I’m glad the three of them made some effort towards reconciliation, especially after last season’s events, when Karen found out he was Daredevil. The two of them treat, and talk about Matt, as if he were a recovering junkie, so that’s kind of weird, made even weirder by scenes of Matt “staring” longingly at his Daredevil outfit, as if it were an ice cream sundae.

Actually, a lot of Charlie Cox’s acting is off in this series. There’s story movement, but his character remains pretty much the same. His fighting skills are awesome as ever, but Charlie looks like he’s phoning in  his performance. When I called him a Floor Lamp Ninja, I meant that he could pretty much be swapped out by any other martial arts actor, and this would not  greatly affect the plot.

I did enjoy the scene where he tails Jessica on the streets and she susses him out, and when they meet for the first time in their superhero guises. Matt steals that big gray scarf she wears everywhere, to wrap around his face, and Jessica rolls her eyes at him.

 

 

Jessica Jones:

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This show went a long way towards making me like this character. As much as she hates people, Jessica really does work well in a team setting. She takes nothing seriously, which ends up making her the funniest person in the group. Her one on one interactions with Matt are especially funny, and she gives absolutely no fucks about who  Danny is, and is quick to say so, which I thought was hilarious.

A lot of the weakness of Jessica’s show is that its very White Feminist, and her mistreatment of PoC in the show really started, not just to grate on my nerves, but to make me actively dislike her, no matter how much I sympathized with her issues. I know and understand  that she is dealing with the severe trauma of what Killgrave did to her, but trauma is not an excuse for her abuse and mistreatment of characters of color.

I actually had a problem, not just with her,but with the show’s writers as well. Despite women’s trauma issues being  the center of  the story, they still managed to erase  WoC entirely, which is something White Feminism keeps doing, in stories that are supposed to be empowering to women. (The stories end up being empowering only  to White women.) But I still applaud the show for its messages and the general treatment of its (White) female characters. I see why some people liked it, but ultimately the show wasn’t for me.

That’s just the logical reasoning for why I disliked the show. The other reason is there was a lot of triggering shit in that show. I had to stop watching it, for my own self care, because I was not ready!

I liked Jessica in The Defenders, because the focus wasn’t on Jessica’s pain, so we got to see her reacting to other things. She’s still an unlikable, alcoholic, snarky mess, but that’s okay. Who says heroes have to be likable? Its especially interesting because unlikability is rare in female characters, and Jessica is thoroughly unapologetic about herself. At one point she very openly steals a can of beer, from a passed out homeless man on the subway, (because she’s had a long day,) right in front of Matt and Luke, who handle  the act with no more than raised eyebrows.

Jessica is definitely the team’s Tony Stark to Luke’s Steve Rogers. There’s much of the same personality dynamics present, except some of the motivation for  Jessica’s rather  loose ethics stem partially from her trauma at the hands of Killgrave.

 

Danny Rand:

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Yeah, for someone who talked a lot of shit about the Iron Fist series, I think you guys will be pleasantly surprised that I didn’t actually dislike Danny Rand in this show. As I mentioned, the shorter running time for the series means that Danny’s scenes are kept to a minimum, so he doesn’t have as much time to be irritating. Not that he doesn’t give it a big try.

Finn Jones has also had the benefit of some practice on his fight choreography, and better directors and it shows. His fight scenes aren’t the trash fire that they were in Iron Fist, so he actually ends up looking competent. Plus, he just works better with a team of people, than he does on his own.

The team dynamics go a long way towards making Danny likable here, and really, in the next season of Iron Fist, the show runners really need to lean in to the ridiculousness of his story, rather than playing it straight, because yeah, Danny sounds like he’s insane. None of the other team members take his backstory seriously, rolling their eyes every time he mentions he’s the Immortal Iron Fist, an attitude I thought was incredibly funny. And then there’s the silliness of him walking around with a large dragon tattoo on his test. His powers aren’t funny, and the audience is never given to laugh at those, but his backstory is kinda nuts. Mr. I Punched a Dragon!

Another reason I like Danny here, is because the showrunner makes an effort to make his character understandable, in a way that he wasn’t in his own series. In his own series, his behavior is incredibly rage inducing, and frustrating, (and I can’t help but think that this change has at least a little to do with the showrunner being a man of color, who understands the issue in a way the last showrunner didn’t). But here, Danny’s behavior is in smaller doses, and he has more well developed characters reacting to his wtf*ery, so he’s  a lot easier to understand. Granted, if the character had been cast as Asian to begin with, we wouldn’t need all these careful repairs.

http://www.indiewire.com/2017/08/luke-cage-iron-fist-marvel-defenders-netflix-privilege-1201868048/

For example, at one point, he and Luke square off, with Luke confronting Danny about his privilege as a rich White man, who chooses to come into his part of town and beat up the impoverished Black people, rather than finding some other way to defeat The Hand’s purposes. The Hand is able to operate with impunity in such neighborhoods because all they have to do is offer money. Luke’s statement is a reminder to Danny that there’s a bunch of other things he could’ve done, as a wealthy White man to defeat the purposes of The Hand, besides beating up the citizens. But then you notice that Danny’s go-to, when dealing with The Hand, is only ever violence. He never tries to thwart them any other way, and thinks he can  simply punch his way to the proper outcome.

For example: Danny and Colleen find a warehouse full of bodies. The Hand is hiring young men from Luke’s  neighborhood to  clean up any evidence that might lead to their organization. Danny and Colleen do not know this. They don’t ask questions, have not investigated the situation, and haven’t bothered to understand the why of any of it. The two of them immediately jump to kicking ass. Danny and Luke first meet when  Luke steps in to protect one of the young men, who has lost his family to The Hand, and feels coerced to work for them.

Luke’s statement about his privilege is meant to remind Danny that there are other perspectives  besides his own. It’s made very plain  that when it comes to The Hand, Danny has a huge blind spot.  Danny doesn’t  think, he just reacts, and that was what happened at the warehouse, which  resulted in Danny brutally beating a (Black) teenage boy. He’s  reckless, impulsive, and has anger issues. He and Colleen don’t have any kind of a plan, beyond destroying The Hand. This gets mentioned a couple of times during the show.

https://www.theverge.com/2017/8/18/16118680/the-defenders-netflix-marvel-iron-fist-sucks

On to the good part: Danny doesn’t get any better at being impulsive, but he does listen to what gets said to him. And the showrunner is a lot better at making clear what Danny’s motivations are, something which is cloudier on his own show. Danny is looking for a purpose. Since he abdicated his responsibilities to K’un L’un (Why?), he’s not only been looking for a way to atone for that, but looking for a new purpose to replace it, and probably looking for a new family too, as he’s one of the few characters that’s at all excited about teaming up. But again he is blind to his rage about The Hand, and as long as he remains blind to his lack of control, as regards them, he can accomplish nothing.

When the rest of the team find out the the The Hand is specifically after Danny, they try to get him to stand down, and stay out of their next fight, rather than just running up on ’em, without a plan. I’m always here for Danny getting his ass handed to him, which the team has to resort to, to keep Danny from fucking up, yet again. There follows a long interlude with him and Luke getting to know each other, and Danny trying to at least understand Luke’s perspective on the world.

So yeah, this show went a little way to making me, if not like Danny, at least understand where he’s coming from in terms I could easily grok.

 

Alexandria:

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Sigourney Weaver turns in a beautiful performance, as I expected, before being unexpectedly dispatched near the end of the series. My biggest problem is that her motivations as a villain are so vague and ill-defined I was completely unable to care what her goals were. We know what she and the other members of The Hand want to do, but we have no idea why they want to take over the world, other than just wanting to do it.

I didn’t focus on her unfathomable motivations. I just tried to focus on her performance.  She and Elektra have great chemistry, reminiscent of Ellen Ripley and Call, the Android from Alien Resurrection, and I found this dynamic fascinating. On a lighter note, I loved her outfits. Alexandra is always impeccably dressed. She just looks like a woman with a lot of money and extravagant but unshowy tastes.

Another problem that I have is that the women in this show rarely get to interact with each other, (although Claire and Colleen get some nice scenes together, and later, Colleen and Misty get to talk). Alexandra spends a lot of time alone. They couldn’t even bother to write her as being friends to Madame Gao, having her treat Gao like a servant, which I found especially distasteful. Here you have a wealthy White woman treating this older Asian woman as if she were the Help, although there are other factors behind why she does it, it was still ugly and racist, even if that was not what was intended.

I still don’t know why the  showrunners bothered to call Sigourney into this show, which she is simply too good for. I had noticed that her presence sidelines the Asian characters putting, them all in a subordinate position to her, and significantly reducing Madame Gao’s street cred, that she’s built over three other shows. As much as I like Sigourney, I feel like the story would have been better served without Alexandra.

 

Elektra:

Image result for defenders gifs elektra

 

I still do not like this character, because I just feel like she’s evil for no  feckin’ reason. I didn’t like her in Daredevil either, because the writers just made her seem batshit insane for no reason. Elodie Young is gorgeous and all, and can actually act, as I’ve seen her elsewhere acting just fine, but I don’t like the way she approached this character. When we first see her here, she has been brainwashed and controlled by The Hand, most especially Alexandra. She’s pretty much a perfect example of the Born Sexy Yesterday Trope.  Later,  she appears to become evil on purpose,and for the life of me, I simply could not care.

http://tvtropes.org/pmwiki/discussion.php?id=dxgnmgk8728039vcnyat5g65

After Elektra’s resurrection, she is mentored in her evil-ness by Alexandra, and it was really interesting watching the relationship between the two of them, but she does eventually betray Alexandra, and turns against The Hand. Once again, for no reason that I could discern than that the writers needed a new villain in the plot.

The show is somewhat formulaic, with the idea of replacing one Big Bad with another, halfway through the season. This happened with Iron Fist, Daredevil, and Luke Cage, where the viewer starts out with one villain, who gets unceremoniously dispatched by the true villain of the story. Basically, a villain bait and  switch.

I wanted to like Elektra. I just don’t. I couldn’t understand her motivations for anything, and I wasn’t feeling her deep love affair with Matt Murdock. Which is not helped by Matt Murdock acting like  “Floor Lamp Ninja”, throughout most of the series. When she’s not smurking evil-ly, she has a blank, wide-eyed, look on her face, which I found kinda irritating. I got no problem with Elektra’s martial skills. Those were exemplary, as always.

 

Colleen Wing:

Image result for defenders gifs colleen

 

She has even less personality growth here then in Iron Fist. In fact, I found her much more annoying in The Defenders, than I did in that show. She didn’t make much of an impression on me for this show, either. Part of this has to do with the shorter length of the series. There’s just not enough time to develop all the characters, so some of them get short shrift and hers is especially short.

The only thing we get from Colleen’s is more of her being Danny’s support network, (as she is told by Claire) and fighting the same endless fight against Bakuto, that she fought in Iron Fist, with Bakuto making the exact same talking points. Why he wants her is anybody’s guess Is he in love? Wants her as a protege? We don’t know or understand. His motivations are pretty vague. As are most The The Hand’s motivations.

Collen’s motivations are even less discernible to us than they were in Iron Fist. That was a problem that wasn’t even approached here. We don’t know why she loves him, and the two are not especially demonstrative, but nevertheless we are led to believe they are a couple. She may be Danny’s emotional support but she’s doing an awful job at helping him deal with his anger issues ,or his ideas about who and what he is. Case in point, it took a near total stranger, Luke , to point out one of Danny’s biggest flaws. The problem may be that Colleen is unable to point out Danny’s flaws because she’s too much like him. She has a go along to get along attitude with Danny that I found irritating, never questioning what he says or does, and mindlessly following him in his quest. She has no story of her own, seemingly having gave it up to be little more than Danny’s helpmate. The writers need to do better with her. Hopefully, if there is a spinoff show with Misty, she’ll be better written.

As per usual there’s nothing wrong with Colleen’s martial skills. In fact the choreography isn’t bad for the whole series, and at least a few of the directors know how to shoot fight scenes well enough to make them all different, and compelling enough, to keep watching. My favorite fight scenes are the team fights though.

 

Misty Knight:

 

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There’s not much character growth with Misty Knight either, but at least her motivations are clear. We know exactly what she wants in the narrative and why she wants it. She wants to solve her case, and get a promotion, (or not be fired), which is hindered by the fact that the people who could help her solve it, refuse to tell her anything, and the fact that, with The Hand, she is totally out of her league.

Misty is a cop, so she has mostly cop concerns, just as she did in Luke Cage. Shit is happening, her friends are in the middle of it, and they won’t tell her anything, because they realize, but refuse to explain clearly to her, just how far out of her depth she is. I kept admonishing Luke (and Jessica) to make clear to her, that the organization they’re  dealing with  doesn’t give a flying hot damn if she’s a cop, and will happily kill her (and her entire fam), but they kept refusing to tell her this, which was becoming really frustrating.

I’ve also seen some shitty meta about how she’s a bad character because she keeps attacking people she needs help from, and I’m like Bish please! She’s not attacking your White faves! She is being a cop, who knows that the information that will allow her to do her job, is being withheld. She’s got one job in the damn show, which is solving her case, and  she can’t do it, because  the four people who know something about it, won’t tell her anything. So yeah, she gonna be irritated, and not afraid to show that irritation.  This is called DRAMA, people!( I’m trying to  remember that I’m dealing with the hysterical children of Tumblr, who think any time  characters of color show irritation at a White character’s actions,  that it automatically makes them a villain. Yep! This is the level of logic I’m dealing with on Tumblr, guys!)

But she comes through in the end anyway, and lets the team handle their bidness. Although, I suspect she’s mostly there because Luke and Claire were in danger. (Remember, Misty doesn’t know who  any of those White people are. They are just mysterious somebodies who are obstructing her job. Luke and Claire are the ones who are her friends..)

Misty is known in the comic books for having a silver bionic arm, and for teaming up with Colleen to be the Daughters of the Dragon. (On an alternate Earth, she even gets to carry Steve Rogers shield, sorta like a female Bucky.) So,  we may get to see her new prosthetic in season two of Luke Cage, and if we’re lucky we’ll get to see her and Colleen team up. Hey! If side characters like the Punisher can get their own show, they can make a Daughters of the Dragon series, (possibly in the style of the Foxy Brown Blaxploitation movies of my youth.) The series should of course be helmed by a Black or Asian woman, because I absolutely do not  trust a White, male, showrunner to get a Black woman, and an Asian woman correct.

http://mashable.com/2017/08/18/the-defenders-misty-knight-arm-daughters-of-the-dragon-spinoff/#KKkkf8UKpmqx

 

The Hand:

Image result for defenders gifs the hand

https://www.bustle.com/p/who-are-the-five-fingers-of-the-hand-the-defenders-reveals-whos-pulling-the-strings-77358

Unfortunately, the shorter the running time of the series does not seem to allow much clarity on who, or what, The Hand is, or why they want what they want. We have some idea of what they’re doing globally, not just in New York, but that’s pretty much all we get.

New York starts experiencing a spate of seismic disturbances, which are being caused by The Hand digging near some sort of fault line, under a plot of land they built an office on. Why they are digging is slightly unclear. I think some dragon bones are involved becasue its briefly mentioned tat this has something to do with how Iron Fist got his power. For some reason ,they also need to capture Iron Fist and beat him up, or make him angry so he can open some kind of doorway to K’un L’un, so the five leaders of The Hand can go back home.

I did pay attention but really that’s the best I can do regarding the rather lackluster plot. I really didn’t care, although i guess its supposed to be some sort of revelation ,that the five leaders are all incredibly old, exiled citizens of K’un L’un. Even the facts of why they’re exiled in the first place isn’t made abundantly clear. I really hope the showrunner and the writers were making some kind of point about cloudy motivations, or something becasue the villains are a mess.

Alexandra gets unceremoniously dispatched and replaced by Elektra, who gives a self important speech about how she’s now the leader of The Hand. I don’t know if its the actress, or the writing, but I was bored by the whole thing. Why we were introduced to new memebers of The Hand only to have them killed right away is anyone’s guess.

Since The Hand is an egalitarian organization there’s a Japanese guy, whose name I don’t remember, a Brazilian guy named Bakuto, an African (Haitian?) guy named Sowande, and Ms. Gao, who I assume is Chinese. Sowande reminds me of the lead character from the movie Beasts of the Southern Wilds who was a procurer of child soldiers. Sowande is brutally tortured and killed by he Defenders after they capture him in an attempt to find out his people’s plans, something which did not sit well with me. And before you come into my inbox and start mansplaining about how the other members of The Hand also get killed, I have to remind you, that none of the other members of The Hand were brutally tortured first. This happens to the sole Black member of The Hand, by people who are, supposedly, the good guys.

Couple that scene with Iron Fist’s brutal beating of a young Black boy in an earlier episode,Jessica jones treatment of its Black male characters,  Daredevil’s treatment of its Asian characters as some type of Yellow Peril (which even the presence of a White woman leader cannot resolve), and Iron Fists White Savior issues, and it becomes clear that the the MCU has some serious racial issues that need addressing. The only disability on display is Matt Murdock’s blindness. Jessica Jones treament of one of its lesbian characters was, quite simply, abominable, and outside of that there is no LGBT representation in any of it. Marvel comic books are doing much better in regards to these issues than the MCU.

One of the ways they can address some of these issues is by hiring different types of showrunners, and writers and treating the creation of these shows (and the movies which have all the same problems) the same way they approach the comic books. The newest phase of MCU movies have gotten a little bit better as far as racial issues (but not by much) and it’s seriously lacking in LGBT and disability representation, and the creators of these projects need to think more deeply about these issues, most especially in its treatment of Asian characters across all of the MCU, as it’s becoming creepily apparent that maybe don’t like people of the Asian diaspora.

Despite all my criticisms though, I actually enjoyed watching it. I’m still glad I didn’t have to spend 13 hours watching it, instead of the eight. The strongest part of the series are the scenes of The Defenders working together as a team. There’s a lot of room for improvement but also a lot of promise for a season two.

Stuff I’ve Been Watching

 

Midnight Texas (NBC)

Image result for midnight texas

So, I’ve watched maybe two episodes of this show and I’m really liking it so far. I’m willing to date this show for a while, because it’s good fun and makes me laugh. Midnight Texas isn’t a deep show. It’s not a Bryan Fuller Joint, or Westworld, but it’s a fun little interlude before going to bed, since it airs at ten, Monday nights, and I gotta go to work in the morning.

The main character, Manfred Bernardo, can see ghosts. His Auntie comes from the town of Midnight, and after she dies suddenly, leaving him in debt to some type of criminal, her ghost tells him the town can be a safe place for him, where his skills will be appreciated.

Midnight Texas happens to be the home of various supernatural beings, and Manfred fits right in. Upon his  arrival, Manfred meets a local girl named Creek, and while her father is deeply suspicious of him, the young lady is intrigued, and the two of them develop a relationship very quickly. A lot of things happen quickly in the show, and many of the plot points happen in a kind of throwaway manner that takes some getting used to. I understand the idea is to keep it light, and not get too bogged down in philosophy, meta- physics, and whatnot. The show is supposed to just be fun, and I’ll watch it in that spirit.

I have a lot of favorite characters on the show, most of which are supers. There’s some good representation on the show, and I’m looking forward to learning more about the various characters. I missed the second episode, but managed to watch the third. The creators are trying to keep things light without being ha-ha funny, which is a fine line. It doesn’t look like they’re trying so much to reproduce True Blood, as reproduce the mood of True Blood. Some of these characters are mentioned in the True Blood books though.

Manfred, for example, is the psychic that Sookie met when she visited Dallas.  Midnight Texas is based on source material from the same writer, Charlaine Harris. I have not read the books. I opted not to, because I didn’t want my brain focusing on the side issues of the books, while watching the show. I may read them at some point in the future, because they seem like fun, but not right now.

Image result for midnight texas/ joe  gifs

We have a full complement of creatures on the show, so you’d think my favorite would be the Reverend Emilio Sheehan, who happens to be a Were-Tiger, which is kinda awesome. He seems rather morose, which is appropriate as I consider actual tigers to be the “crabby old men” of the giant cat world. There are WoC in the cast. One of them owns the local bar/diner, and I don’t think she has any superpowers, but I could be wrong, and it’s something that could be revealed later. The other is the local witch. The town does have some mundane people inhabiting it, and some of them are aware of the supernatural qualities of the others.

You’d think my next favorite would be the Angel, Joe because he’s really, really hot. I’m not into blondes, as a rule, but I’m willing to acknowledge the occasional hotness of some of them. He happens to be living with a Hispanic man named Chuy, who also happens to be an Angel, and I wonder if the two of them being a couple is the reason they’ve been exiled to Earth.

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Lemuel

Well, you know who my favorite is. Lemuel, the rather unique vampire who feeds off human energy, and eats other vampires. We get to see his backstory in the third episode. He used to be a slave and there’s a scene of Lemuel being whipped for trying to escape, which I didn’t appreciate having to look at. That scene is pretty graphic and you may want to skip it if watching Black people being tortured is not your thing. The point of all that is to show how far Lemuel will go to be free, I guess.  After a couple of escape attempts, Lem encounters a Native American vampire, who transforms him. Lem’s immediate course of action is to avenge himself on the slave owner, who had him beaten, and that guy’s entire family. That’s pretty graphic too.

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Olivia

 

Later, Lem and the other vampires in his clan, have a falling out, because Lem thinks he’s become just another slave to his thirst. In the third episode, Len’s Maker returns looking to take over Midnight for himself. The townspeople rally together to kill the vampires.

This seems to be the main theme this season, as we’ve  had three/four episodes, in which the townspeople need to band together to defeat some outside force. In the middle of all this plot, we learn that Lem started off as an ordinary vampire, but after encountering Manfred’s aunt when she was a child, she transformed him into something else, a vampire that can feed on other vampires.

The characters often have some deep philosophical insights, but like I said, it’s in a blink and you’ll miss it manner. (Joe and the Reverend do this too.) Lem is played by Peter Mensah, who is extremely handsome, in his bold blue contacts. You may remember him as a gladiator from the show Spartacus.

I  like Lem’s girlfriend, Olivia, who is some type of international assassin. She’s a total badass, and she and Lem are the town’s heavy hitters, when it comes to defense. I don’t normally pay a whole lot of attention to White television actresses, unless they’ve firmly established themselves with a good track record, but I like this actress. She’s blunt spoken, clear-headed, and pragmatic, all qualities I admire, and I see why Lem likes her. She has some secrets from her past, that she’s trying to bury, while dealing with  anger issues.  I could do with a lot fewer scenes of Olivia and Lem gettin’ it on, though. It doesnt need to be shown in every episode.

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Fiji

Fiji is another one of my favorites, and I like her, not because she’s the town witch, although that’s kinda cool, but because she has a talking cat. I don’t know much about the cat’s backstory but he’s snarky, and dismissive, just the way you’d think a cat would be. How it happened that her cat talks, we don’t know yet. Fiji is very young, but she’s also extremely powerful, and well-respected in the town. Most of the mundanes know what she is, and rely on her to protect them.

Fiji is also really cute, and kind of adorkably nerdy. She has a mad crush on one of the townies, a guy with the unfortunate name of Bobo, and her feelings seems to be reciprocated. One of the more powerful images I have of her, is from the first episode, where she crushes a police vehicle, with little more than her bare hands, and a strong will. Fiji looks sweet and vulnerable, but she ain’t the one to mess with. She’s  refreshingly different, as Black women rarely get to be emotionally fragile, but powerful love interests, and/or witches either.

I’m going to try to enjoy this show while it lasts. It’s on network television, which has a nasty habit of cancelling the shows I like, so I don’t hold out much hope that Midnight Texas. will be around next year. This is the same station that just canceled Still Star Crossed. But then I was trying really hard not to get attached to that show. (That didn’t work). I’m not gonna try that with this show and it still might get canceled. I might as well get attached. There’s always the books, which I’m told, Charlaine intends to keep writing.

 

Mr. Mercedes (Audience Network)

Image result for mr mercedes gif

 

I liked this show, too. I was expecting it to be a deeply serious dramatic type  show, but it turned out to have a quirky sense of humor, not because the writing is funny, or people are telling jokes, but because certain characters and situations are just odd. It’s not like the show Psych, which was a deliberate comedy. This is not a comedy. It’s just some of the characters are weird.

The show is based on a trilogy of books by Stephen King, the first title of which is Mr. Mercedes, named after the killer in the book. Brendan Gleason plays Bill Hodges, a retired cop who is trying to figure out what to do with himself, now that he’s no longer working. until he is taunted out of retirement by Mr. Mercedes, so-named after he drove a Mercedes into a crowd of job seekers outside a job fair, killing several. I like Gleason’s character. One of the funniest recurring issues is when he can’t believe various women find him attractive. (It’s definitely the beard.)

Image result for mr mercedes tv show gifs

The show begins with  a very graphic scene, and I was heavily reminded of the events in Charlottesville Virginia. There’s no mystery about the killer for the audience, just as in the book. We’re introduced to Brady Hartsfield early in the story. The book remains very faithful to the books, except in tiny details like the wacky neighbor lady who lives next door, and Bill feeding a massive tortoise passing through his yard one morning. I’m not sure if this is a pet or what.

Bill is assisted in his sleuthing, by the kid he hired to mow his lawn, and who happens to be a computer wiz. Jerome is played by Jharrel Jerome, and I like him already. His character is a refreshing change from the Black Male Sportsplayer/Jock, we see so often on TV. Black men are rarely cast as hardware nerds. Brady is also a tech-nerd, and works at one of those big box technical stores, which is something like Best Buy, and I like that Jerome seems to be every bit his equal when it comes to the esoteric workings of computers.

Image result for mr mercedes gifs jerome

I think Bill’s quirky neighbor is meant to represent a woman with which Bill has a brief, but satisfying relationship, in the books. Or at least I hope so. I don’t know if this will happen on the show, but in the book, Janey is murdered by Brady. This is not a catalyst to make Bill chase after him, because Bill was already unofficially working the Mr. Mercedes case. This is Brady’s attmept to make Bill commit suicide. The neighbor, Ida Silver, is played by Holland Taylor, and if she looks familiar, that you may have seen her in every funny show of the 90s.

Image result for mr mercedes cast

The villain is played by one of the alumni of the cable show, Penny Dreadful . Harry Treadaway, who played Victor Frankenstein, is as disgusting character here, as he was on the other show. Apparently, this is how he’s going to make his career, playing unlikable people in perfectly good shows. The show remains very faithful to the books with him too. He has an incestuous relationship with his mother, whom he later poisons, and it looks like the writers are sticking to this plot, although in the book, the mother  initiates sexual activity. In the show, it appears she doesn’t know that her son regularly masturbates with her as his subject. (I know! Ewww!)

Their relationship does have a very Bates Motel feel. Brady works at a Big Box store, with other quirky characters, and a deeply stupid boss, who is constantly shit-talking Brady’s dreams of life beyond the store. This goes a long way towards humanizing this incredibly shitty character, who mowed down dozens of people with his car, just for shits and giggles. This is not something that happens  in the books, so I wasn’t expecting that.

I’m going to keep watching this because the pilot certainly captured me. The show airs on the Audience Network which may be difficult for some of you to access. I have access to it through DirectTV, and its possible you may need that, to watch this show.

 

 

The Void (Netflix)

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I love a good creature feature, and I was attracted to this movie because of its use of tentacles in its promotional material. I wasn’t expecting a whole lot when I sat down to watch it. I was sort of expecting a little Cthulhu type stuff, and there’s certainly a little of that in it, but there was also a lot of it I couldn’t make hide, nor hair, of.

It seems to be about a group of cultists attempting to call some dark being to Earth, to inhabit the bodies of humans, and the cultists are partially successful. They’re doing this in collusion with a doctor at the local hospital, where they’ve trapped several people.  Daniel Carter, Maggie, James, and inexplicably, an Asian woman, named Kim, who I lost track of by the end of the movie.

These people have to fight off monsters inhabiting the bodies of their friends, and a couple of trigger happy locals, while working their way through the maze of the hospital, to find and stop the doctor from unleashing Hell on Earth, through the body of his pregnant daughter.

Image result for the void movie

I have to give fair warning. The movie is very gory, with lots of blood and other fluids gushing all over the place. People get skewered with knives and/or shot, and sometimes they get torn apart by creatures. The cult members wear white hooded cloaks and look a little like KKK members, but there is no equivocating in this case. They are definitely villains ,whose job it is to keep the hapless victims trapped in the hospital to be fodder for the monsters. There’s also an element of the movie The Thing, as the monster is a conglomeration of various body parts and live people.

The movie doesn’t have the happiest ending either. At the end Daniel, and I guess her name is Maggie, get trapped in an alternate universe featuring a giant black pyramid. It’s not a bad movie, but it’s not an A+ movie either. A lot of the plot seems to have been borrowed from  other Lovecraftian pastiche movies, like Hellraiser, and Re-animator ,and the acting is sometimes a bit dodgy. But I think the key words here are “not bad”. It’s a good workmanlike plot where bad things happen to bad, and sometimes not so bad,people, who sometimes act like cowards, and occasionally act like heroes.

Image result for the void movie

Daniel isn’t the most charismatic guy in the film, although he is set up as our hero, who has the most sense,  and who  is gonna save the world. None of the other characters stand out as especially interesting either, really. Basically, if you’re watching this movie, it’s just  for the monsters, and gore.

The Fall TV Season (2017)

Here’s a list of shows I’m interested in watching for August, and the new Fall Season. I also included shows I’m not particularly interested in, but some of you might enjoy viewing. i didn’t list some of the returning shows I will be watching though. (The numbers preceding the titles, are the dates of the shows, not a rating of some kind.)

August

4 – Comrade Detective  (Amazon)

I know nothing about this show, except it appears to be set in the mid-80s, and involves a Russian detective who comes to America to solve crimes. From what I saw of the trailer it looked like a parody of 80s cop shows. Its available on Amazon Prime.

 

9 – Mr. Mercedes   (Audience Network/DirecTV)

I read the books for this series, and it’s Stephen King, so I’ll watch this. It should be a good substitute for The Mist, which turned out to be disappointingly boring. The show airs this Wednesday. Just to warn you though, the show does contain some graphic, and possibly triggering imagery:

http://www.nydailynews.com/entertainment/gossip/confidential/mr-mercedes-creators-expect-blow-back-opening-scene-article-1.3384814

 

18 – The Defenders  (Netflix)

I still have mixed feelings about this, but I will watch it. I hate Jessica Jones, and Danny Rand, but I love Luke Cage, Daredevil and Sigourney Weaver, so I actually hope the show looks, and does well, despite my misgivings.

 

25 – The Tick (Amazon)

I was never a big fan of this character but I have seen some episodes here and there over the years, and I know some people are huge fans of both the comics and the short lived cartoon, so I’m putting this on the list. I may or may not watch it. I will add that the lead actor is absolutely perfect for the role, though.

 

September

5 – American Horror Story: Cult (FX)

I’m gearing up for the final season of this show. Its got a brand new cast, along with three, or four, old cast members. I think this season is supposed to touch on some of the themes of the previous seasons. Here! Have a creepy trailer! Hope you’re not scared of clowns.

 

10 – The Orville (Fox)

I’m not sure I want to watch this because of the lead actor, (we do not share the same type of humor, really), but the special effects look like fun, and I’m always up for a Star Trek parody, which is what this appears to be. Trailers are sometimes misleading though.

 

10 – Outlander (Starz)

I kinda like this show, and not just because Jaime is a hottie. I’ve never read any of the books, beyond the Lord Grey series, because I thought they were Romances, and that’s just not my bag. But I like the show. I’m a sucker for a good costume drama, I guess.

 

10 – Fear The Walking Dead (AMC)

I don’t watch this show because one show about The Walking Dead is harrowing enough,  but I know some people love this one, too.

 

24 – Star Trek Discovery (CBS Access)

I’m eagerly looking forward to watching this. I’ll have to subscribe to the network to watch it though. CBS All Access is a subscription cable service like Netflix. It costs 5.99 a month. The show will air the first episode on network television, after which all the episodes will be available on Access, with a  hiatus after about six episodes, and the rest of the new episodes airing  in January.

 

26 – Brooklyn 99 (Fox)

The show’s last season ended on a cliffhanger with Rosa and Jake possibly going to prison on corruption charges. It sounds like a pretty heavy plot, but this show has a way of getting you to laugh at such things, without feeling guilty about it. I’m looking forward to the new season. I love these characters and don’t like to see bad things happen to them.

 

27 – SEAL Team (CBS)

I keep saying I’m going to watch these military type shows, because I find all this Spec Ops stuff fascinating, but I keep skipping them. There’s an unspoken American jingoism in a lot of them, that just doesn’t sit well with me, and I end up just not liking the shows. Also, David Boreanaz is in this one, and I don’t like him very much.

 

28 – Gotham (Fox)

Apparently, The Scarecrow makes his debut this season. I like Killer Croc and hope he’s on the show, or planning to be. I’ve been skipping this show, because it hasn’t been holding my attention, and because some of the acting was a bit dodgy. I hated most of the female characters because their acting was terrible. I hated this show’s version of The Joker. Penguin, however, continued to be a favorite. but I’ll watch the season premiere, and see what’s what.

 

29 – Marvel’s Inhumans (ABC)

This show just looks bad. But bad with the potential to be good. I’m still mad at the show runner, Scott Buck, for inflicting the mess that was Iron Fist on us earlier this year. I swear to gob the next person who mentions the words affirmative action, and undeserving Black hires, in the same sentence is gonna catch some hands. Mediocre stains like Scott Buck are allowed to fuck up multiple times and still manage to have careers. This show could have gone to some deserving PoC instead of this guy. Okay let me stop here, because this rant can, and will, go  for several pages.

     

 

 The Exorcist (Fox)

I stopped watching this about halfway through the first season, but I know some of you out there are still really into it. (It does look kinda scary from the trailers.) Let me now how its going, and I’ll check out a few episodes ,on your rec.

 

October

1 – Ghosted (Fox)

I’ve loved Craig Robinson, ever since Hot Tub Time Machine, a movie I profoundly hated. I also remember him from Reno 911, as the commercial conman who was always singing using the same five notes on his synthesizer. He also did some hilarious cameos on Brooklyn 99. I was wondering when he’d get his own show and I’m set to watch this one, where he plays some regular yahoo, who gets involved in some afterlife type of shenanigans, although it mostly just looks like a buddy-cop show, with ghosts.

 

2 – Lucifer (Fox)

I’m not a fan of this but I heard the show has greatly improved since season one. I’m still not inclined to watch any of it, because I object to the woobification of evil characters. That whole “I’m not really bad. I just like a little drinkin’ and whorin’,” shtick gets real old with me, real fast. If a character is gonna be evil don’t make excuses for them. Just let them be evil.

 

   The Gifted (Fox)

This show isn’t filling me with a great deal of confidence that it will be interesting. Right now it looks like Riverdale with superpowers, and I hate Riverdale so…nah! Also I’m kinda getting tired of the whole’ government is after superpowered people” plot. I find it difficult to believe that anything formed by the US government would have their shit together enough to be that organized. Private companies could pull it off, but not the government.

 

10 – The Flash (CW)

I watched the last season, and still have no idea what the hell is happening on this show. I’ll probably watch this just to figure out what’s going on.

     

 

Legends of Tomorrow (CW)

I’m really looking forward to this. The show is adding some  new characters, and Damien Darhk is rumored to be back on the show this season. Also I’m a huge Firestorm fan and never get tired of looking at Jax. Vixen is also a favorite who clearly needs her own damn show.

Black Lightning doesn’t air until 2018, but I’m going to check it out, as CW becomes the Official DCEU network.

12 – Supernatural (CW)

Yep! Gonna watch!

       Arrow (CW)

Nope. I always fall asleep on this show. I don’t know why!

 

22 – The Walking Dead (AMC)

Yep! Gonna watch!

 

27 – Stranger Things (Netflix)

I think I’ll watch the second season of this, which looks more interesting than the first.  I watched a few episodes, and wasn’t greatly impressed, but it also wasn’t bad either, in that I didn’t fall asleep. It does have kids in it, and I’m allergic to watching those sometimes. At any rate, it looks like a good tide-over until the release of Stephen King’s IT, in theaters next year.

 

November

2 – SWAT (CBS)

Another military themed show I’m planning to look at, and then don’t.

 

14 – Future Man (Syfy)

I got nothing. I know nothing beyond the fact that Seth Rogen is involved, and I sorta, kinda like him and this title. I know Josh Hutcherson is in it too, and I have no idea who the hell he is, nor do I care to Google him. I will, however, give the show a looky-loo,  see what’s up, and let you know what I think. The Trailer doesn’t tell you much either.

 

21 – The Runaways (Hulu)

This looks like a better match for me than The Gifted. The trailer for he Gifted just looks really bad, I think. But I like the idea behind this show, and I’ve read a few of the comic books its based on, about the sons and daughters of some kind of Superteam, (like the JLA) battling with their superparents. The showrunners say they’re not going to do the usual racist stereotype stuff, so I’m holding them to that promise. this is another one with no trailer.

 

29 – Vikings (History)

Hell if I know. I watched all the other seasons without understanding why I love this show. I might as well finish it up.

 

Midnight Texas, Charlaine Harris’ new show has already begun and is approaching its third/fourth episode. Teen Wolf is finishing its last season, and I’ve pretty much skipped it, for reasons, although I will watch the finale. The show has moved to Sunday nights at 8PM without telling anybody, though.

The most recent show to air is The Sinner, starring Jessica Biel, which I wasn’t particularly interested in, although some of you might be interested, because there may be some supernatural element involved in its plot.

Preacher is nearing its end, and I’m a little behind in my episodes because I’ve been watching movie re-runs (like The Thing and Robocop), and I need to stop it. Game of Thrones is also in its final season, but I’m not much of a fan and I’ve been skipping the episodes. I will watch the Finale though.

I will try to watch Ash Vs. The Evil Dead Season 3, even though I missed the last season. The Punisher is set to be released in November on Netflix. I really liked this character in Daredevil, and I’m looking forward to the show.

 

Coming in 2018:

We’ll be seeing the second seasons of Legion, Luke Cage and Jessica Jones, this year. Cloak and Dagger, and The New Warriors is set to be released. I’m looking forward to the New Warriors because Squirrel Girl will be prominently featured.

This isn’t a complete list. For that, visit:

https://www.newsarama.com/30432-the-full-comic-book-television-release-schedule.html

 

And we promise to keep an eye on this show, since the showrunners already feel a need to get out ahead and defend it.

‘Kevin (Probably) Saves The World’ Creators Promise To Sidestep Clichéd People Of Color Trope – TCA

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

New TV Trailers (Fall 2017)

So Pilot reviewing season is here in a month, and its time for me to nimble up my fingers, as I type furiously to keep up with all the new genre shows coming this Fall. Some of them will not be watched, some of them won’t even get reviews. As we get closer to September, I’ll eventually whittle it down to the handful of pilots I’ll be reviewing, along with my regular reviews of returning shows, like Supernatural. 

Image result for fast typing fingers gifs

 

 

 

Midnight Texas

Tonight on July 24th Midnight Texas will be airing on NBC. It’s a show based on the Charlaine Harris trilogy of the same name and involves Supernatural creatures all living in some podunk town in the middle of nowhere Texas, who need to protect themselves from outside discovery. I’m looking forward to watching this.

 

 

Mr. Mercedes

This is coming to the DirecTV Network, called Audience, this fall. Some of you may not have access to this network, so I’ll watch the pilot and review the first episode, for when it eventually makes it to DVD. This is based on a Mystery trilogy by Stephen King, about a former detective who gets called back into action after a serial killer starts sending him taunting letters.  I don’t normally watch cop shows, but this is Stephen King. Yes, it does look a lot like the show Bates Motel, which I only partially watched, but I like Brendan Gleason, and feel like he’s a good choice for this character. In the novel, he has a Black teenage neighbor who helps him navigate technological stuff , and a neurodivergent  female assistant, that I hope gets cast for true. You do not need to have read the books to follow the show, but they are very good books, with a minimum of gore, and only the slightest touch of the supernatural, if that has you worried.

 

 

Star Trek Discovery

Okay here’s, the extended trailer for the new Star Trek Discovery. Remember guys this is, a Bryan Fuller Joint, the same showrunner who worked on Hannibal, and who just finished, the critically acclaimed, first season of American Gods. Fuller also has some Star Trek experience, as he used to be one of the writers on  Deep Space Nine. The show follows lead character Michael Burnham, played by Sonequa Martin-Green, who grew up on Vulcan, and was raised by Sarek, Spock’s father.

 

 

Teen Wolf

The final season of Teen Wolf will be airing this weekend, and I’m not real crazy about it, although I may watch it in support of Scott McCall. Over the years, the show has engaged in a great deal of whitewashing ,as it started out with a good amount of diversity, but has slowly been replacing all of the PoC each season, with new White characters, something which has dulled my enthusiasm for the show. The word “final” is in the title though, so I feel compelled to at least look at the pilot. I hope for a happy end to the series.

 

 

The Incredible Jessica James

If you liked Jessica James when she was snarking at the public on  The Colbert Show than check out her new show on Netflix, coming this Friday.  Remember, she was offered the job as the new host, and famously, turned it down, because she was looking at other plans. I will definitely check it out. I loved her comedy on the show, and I’m looking forward to see what she’s gotten up to here.

 

Bright

Here’s an extended trailer for Netflix’s new show starring Will Smith. I’m a big Will Smith fan, and I’ll be on vacation then, so yeah, BingeWatch! It doesnt look as funny as I’d expect from Smith, but its got some great imagery. We get to see Will Smith wielding a sword, and snarking at some Orcs. This wil lbe released on Dec. 22nd.

 

 

The Walking Dead

Yeah, this looks as harrowing and intense as the last season…so no change then? I’m already tired of Negan, and will be glad when he’s locked up, or whatever they’re gonna do to him, but at least things  look a little more energetic than the last season, which wasn’t one of my favorites, except in those few moments when it was.  I see that Carol “Terminator” Danvers is back with the gang, and Morgan and Jesus get to have a smackdown. Also there’s a lot more Ezekiel, which is okay for me.

 

 

Westworld Season 2

I really enjoyed the first season of this show, so I’m definitely here to watch the fallout of the robot’s rise to sentience, and how that affects things in the park.

 

 

The Defenders

I’m cautiously excited about this because Iron Fist  is in here,  and watching his show was traumatic. On the other hand, I like everyone else in the show and there’s this lady in here that’s uhm…C’MON, ITS FREAKIN’ SIGOURNEY WEAVER, PEOPLE!!!

Oh okay, I’m sorry for yelling but, yeah, I did mean to do that. Uhm, there’s some fightin’, explosions, and Luke Cage, and stuff, too.

 

 

Vikings

This is another one of those shows that I dont know why I watch it. It’s not a bad show, although its gone off the rails a bit since its beginning. I just like the characters, the accents are fascinating, and there’s some gore and swordfights. Its not as complicated as Game of Thrones because the characters seem to have much more prosaic concerns. This is the final season. Apparently, I can’t resist the word “final”, in any description of a show.

 

 

Marvel’s Inhumans

This trailer looks waay better than that first one which seemed created to make you mock the show before its airing. Yeah, Medusa’s hair still looks cheap, but at least they remembered PoC exist in that world.  I’ve always been a huge Black Bolt fan, but I don’t know how to feel about the actor playing him. Hopefully, he will change facial expressions, during one of the episodes. So far, none of these trailers for the show,  are garnering the enthusiasm that I feel The Inhumans deserve.

 

Krypton

Nope. I have no plans to watch this beyond the Pilot because, from the description, it sounds like Riverdale in Space, and I won’t watch that either.

 

 

The Crossing

I think this sounds intriguing. I dont know if I’ll watch it beyond the first episode, (probably not), but it looks like an interesting premise.

 

 

The Alienist

I’m far more likely to keep watching this, because I like period shows, and I have a soft spot for this particular actress, ever since she starred in Man on Fire, with Denzel Washington. The book, by Caleb Carr, was pretty good too,  and I’m interested to see what the creators do with it.

 

 

The Orville

Not sure I want t owatch a Star Trek parody, and I’m uncertain of the lead actors humor, but I did laugh a few times during this trailer, so I’ll at least give it a try.

 

 

Stranger Things Season 2

I didn’t see the first season of Stranger Things but I heard a lot about it. i thought maybe it was an “It” ripoff, but it turned out to be a little bit more than that. This trailer goes a long way towards making me want to see the second season, which is a feat, considering I found the first season not particularly interesting.

 

 

Next up :Part Two of the New Fall Releases, and Returning Shows

Things I’ve Been Watching

The Mist (TV Pilot)

Image result for the mist series gif

I’ve only seen the first episode of this, but I’m unimpressed. I think my expectations were a bit high for this show, as it’s nothing like the movie. For one thing, the characters are either bland or unlikable. The characters who come closest to being liked is a young person of indeterminate gender designation, and the tough Mom, of the series.

There’s a mother, dad, and daughter grouping in the movie. The dad is the permissive, easy-going sort, while Mom is a woman of strong opinions and convictions. She gets fired from her job at school for sticking to her principles, and NOT teaching abstinence to her students. I can respect that, even if the local parent’s group can’t. She also forbids her 17-year-old daughter from going to the local  teen party. Dad gives his daughter permission to sneak out to the party, where she gets roofied/raped by the local football star she has a crush on. I saw that coming a mile away, as he just looked untrustworthy to me. He claims he didn’t do it, but her father reports him to the police, and the family gets harassed by the townspeople. The situation is complicated because there is also the possibility that he didn’t.

 

There’s the story line of a young military man, who wakes up in the forest, with no memory of how he got there, just as the mist rolls into town. He heads into town to warn the populace about the mist, only to be arrested by the police. I can definitely say I absolutely DID NOT appreciate watching this Black man get roughed up by the police, just for not answering their questions.  And no, it’s not okay just because that same cop gets eaten by bugs soon afterwards. Just before the dysfunctional nuclear family is about to leave town, the mist shows up, cutting off all escape.

Image result for the mist tv show  gif

There are several stories mixed up in this. Various people get trapped in at least three different locations during the mist’s siege of the town. Mom and daughter are trapped at the local mall; Dad, the sheriff, the military guy, and the non-gender designated young person, get trapped in the jail. There’s also a thoroughly unlikable woman who threatens, and insult the non-gendered teen. This woman, who has no connection to anyone else in the plot, was seemingly added just to make me furious with her, and hope she’d quickly be eaten by something. She is so reprehensible, that I seriously considered turning this shit off, and just going to bed, but I put up with crap like that in order to bring you, my loyal readers, the quality snark I feel you deserve.

Oh yeah, there’s also some  people trapped in a church with Frances Conroy, who you can tell is gonna go batshit, in about two episodes, or less.

So basically, this first episode is all set up for the tensions that will reach a boil during the mist’s invasion of the town, which is not unlike the movie I guess. Mom and daughter are trapped in the mall with the parents who got her fired, and who believe her daughter is lying about being raped. The football hero perpetrator is also trapped there. The a-gendered teen is trapped at the police station with a father who refuses to speak to him because he won’t act like a son, and an abusive inmate. And Frances Conroy’s husband gets killed by something in the mist.

The main difference between the show and the movie is that there aren’t really giant monsters in the mist. I had the impression that people are being killed by either a singular malevolent entity, or their own fears and weaknesses, or possibly both. While that’s an interesting idea that’s much easier to sustain for  an entire season, I was still hoping to see giant monsters. Maybe those show up later.

 

Blood Drive:

SYFY syfy grace blood drive eat a dick GIF

If you like this type of over the top excessiveness, then go for it. I ain’t judging. The plot of this seems to involve people being forced to race each other, by some type of post apocalyptic tyrant, who has nevertheless found a way to wear too much Maybelline. The contestants lives are forfeit if they stop for any reason, up to, and including, running out of gas, which prompts some of them to cannibalize their  opponents, (and partners) and use them for fuel.

I am not a fan of excessive pulp. I was cautiously excited about this show from the trailers, and was willing to give it a try, but some things are just too far over the top even for my tastes, which even some others would consider excessive. I think it’s because so much of this particular genre is spectacle, solely for the sake of spectacle, without rhyme, or reason, to any of it. If it’s a crazy image, the creators will throw it in, no matter if it breaks, or creates  characters, or subverts an already established plot, and Blood Drive appears to be no different.

Somewhere, someone is having a grand old-time watching this show. That person is not me. I don’t think I’m the correct audience for this. At every level of creation, the show looks tasteless, cheap, and ugly. The characters, world-building, costumes, and even the plot, is just ugly. I couldn’t sit through more than half of it. By the time we reached the point where the two main protagonists appear to be having sex in a moving vehicle, I had had enough, and turned it off. I would rather hate-watch The Strain.

Blood Drive gets a resounding NOPE!

 

Dr. Strange: 

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Yeah, I know I talked shit about this movie but I didn’t spend money to specifically see this movie, and it was on Netflix, so I thought I’d give it a try. It wasn’t a bad film, and I also don’t feel too bad about the whitewashing angle, for reasons having to do with the plot. Let’s just say, I was pissed off that the Ancient One was not Asian, but I would have been equally pissed off if an Asian woman had been cast. So, spoilers ahead.

The movie is the basic origin story type stuff, except now starring an actual asshole, as an asshole who doesn’t actually get to be a better person by the end of the movie, which is rather different. Strange is a first class shit at the beginning of the movie, and although the story, and the actor try really hard to make him a sympathetic character, I didn’t buy it. I liked every character but him. He’s just a full-time douche. I still didn’t like him even after he cleverly saved the world, but I do admit that may have more to do with the actor than the character.

Tilda Swinton plays The Ancient One, pretty much the way she plays all of her more soft-spoken characters. I generally dismiss her because, like most white actresses in Hollywood, she is thoroughly clueless on issues race and/or whitewashing. I’m also less than secretly  glad that they didn’t choose an Asian Woman to portray this character because 1.) She dies at the end; 2.)she dies to further another character’s manpain; 3.) she turned out to be a huge hypocrite.

So, there’s this alternate world called The Dark Dimension, which naturally means its evil, but basically, she’s been warning her students against having anything to do with this dimension for centuries. Hannibal…I mean, Kaecilius (which sounds like a nasty bacterial infection) is in contact with the being who rules that dimension and he gets drummed out of the corp. This Dark  Being wants to “try to take over the world” and is just lying in wait for someone to invite him to the cookout, which is what Kaecilius does.

Dr. Strange loses the use of his fine surgical dexterity after a horrible car accident. Do not watch this scene if you have car accident terror, because it’s unnecessarily graphic. He decides to travel the world searching for a cure to his neurological problem, and winds up in Kamar -Taj, where he meets the Ancient One, who teaches him how to be a sorcerer, and her eldest assistant, Baron Mordo. (I do not remember this guy from the comic books, and I should, because he is in them. I’m hoping Baron is his actual name, in the  way that some Black people name their sons Prince, or King.)

For the record, The Ancient One doesn’t actually choose Strange as her successor. See, what happened was…all the other sorcerers of the great houses of the Landsraad…I mean the other sorcery nexi, get murdered by Kaecilius. Strange, Wong, and Mordo are the only ones left alive. So he gets to be a master of Sorcery through a combination of. hubris and default.

Those two, and Strange, spend the bulk of the  movie fighting Kaecilius and his minions. Baron Karl Mordo is played by Chewitel Ejiofor, and Wong is played by a man who is, conveniently, named Benedict Wong.

I liked Wong a lot, although there were some unnecessary scenes of Wong being played for a fool by Strange, that I did not care for. The Ancient One turns out to be, while not exactly a bad guy, her betrayal of the Baron’s trust does lead to him being a villain. So really, the movie isn’t  nice to any of the PoC that star in it.

The break-out character is  Strange’s Cloak of Levitation, a semi-sentient magical object that adopts Strange as a Master. This isn’t like in the books where its the Eye of Agamotto that’s sentient. Why they switched it in the movie is anyone’s guess.

So overall, not a bad movie. It’s got some great eye candy, the magic looks really cool and worldbendy, and except for some serious eyeball rolling moments, I didn’t hate it. If you can get pass watching two hours of Benegeserrit Cucumbersnatch, then the movie isn’t a complete waste. On the other hand, if you had no intention of ever watching this movie, you ain’t missed nothing!

 

The Accountant:

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I had no intention of seeing this movie. It was on HBO last weekend and I  was not doing anything in particular that needed my eyeballs, so I ended up watching this movie. I’m not a Ben Affleck fan, but I liked him in this movie, and it was surprisingly good.

Here he plays an assassin who has autism. His father began teaching him how to kill people, as a child, in an attempt to make him more independent, and he became exceedingly good at it. He comes across some corruption at a tech company and feels like he has to protect the young woman he was working with on that case, when she’s targeted by another assassin. The other assassin turns out to be his estranged brother, and I found that particular drama  intriguing.

I initially though the movie was a ripoff of the Bourne Trilogy, but it turned out to be nothing like that, with more heart, and more depth than any of the Bourne sequels. I liked the relationship that developed between Affleck and his co-star, which she thinks is supposed to develop into romance, but he is not particularly interested in her interest. It’s a romance that never develops, even though he likes her, and I thought that was a refreshing change.

The movie kept upending my expectations, and Affleck comes across as a smoothly competent killer. The movie also doesn’t end in car chases, explosions, or dramatic surprises, but in a quiet conversation between two brothers, who have some shit to hash out between them, before they could move on, and I  liked that. I would recommend watching this on some quiet Sunday evening.

 

Alien Covenant: 

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Oh, my gob! This movie was bleak, bleak, and even more importantly, it was bleak. It was even bleaker than the very first Alien movie, if you can believe that. I mean, basically, everybody dies. Well, rather say, that any humans that  were walking around at any point during this film, ain’t walking around by the end of it. If you liked the first Alien movie, then you will like this one, as it is effective at scaring the shit out of you, even when you sort of know what’s going to happen. I mean, Ive watched the first Alien movie multiple times, and I still get scared.

Oh, did I forget to mention that this movie also stars Michael Fassbender, and get this…another Michael Fassbender. So it’s like getting two Fassbenders, for the admission price of only one of them, (even though I spent no money to watch this movie.) Did I mention that I love Michael Fassbender. I feel like I may have mentioned that in some earlier post, or something. If not, then let me reiterate..I love Michael Fassbender who, I am absolutely certain, is a total dick in real life. (If he is, don’t tell me. )

I would talk about the plot, but really that’s all there is to it. Somebody’s gon’ die! and people do stupid shit, to help facilitate their deaths, just like in the first movie, Prometheus. Things like, taking their helmets off just because they can breathe the atmosphere, running towards danger, or wandering off alone, or trusting strange androids.

Not to go off on a tangent, but why do people on strange new worlds always take off their helmets as soon as they learn the atmosphere is breathable? Have they never heard of airborne pathogens? Which is exactly what happens in the case of one of the characters, when he steps on a plant, that releases spores, that go into his ears. His demise is suitably horrible.

Later, the two Fassbenders, David, from the first movie, and some new guy named Walter,  get into a fight, as Walter tries to protect the remaining humans. I would have preferred some loincloth mud-wrestling, but that probably would not have been in keeping with the mood of the film, which is, well…kinda bleak.

 

Suicide Squad:

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Apparently, I’m one of five people on Earth who enjoyed this movie. Its been airing on HBO recently and I’ve watched it multiple times. I think the main reason I enjoy it is because I’m a Will Smith fan and will watch movies with him that I normally wouldn’t pay attention to. Not that the movie isn’t flawed, annoying, and occasionally stupid,  it’s just those moments were not enough to detract from what I was enjoying about it, which is namely Will Smith, and Viola Davis, in an anti-superhero movie together.

I could go through and list everything wrong with this movie, because it’s got a lot of problems, but IT’S WILL SMITH!!!! I love Will Smith!!! Will Smith makes every movie worth looking at, just by being in it. Plus, he’s with Viola Davis, and they actually get to exchange words in the movie, rather than pretending the other doesn’t exist.

Okay, I did like the other characters, too. In fact, my only reasons for liking the movie, was some of the characters, and the action scenes. I enjoyed seeing Killer Croc, onscreen for the first time, and Diablo turned out to be a huge favorite of mine, but then, I’m a fan of seeing Incan Fire Gods in movies, so yeah, his scenes were both hot, and cool.  Outside of Deadshot, I got really attached to Harley Quinn, who I enjoy in the comic books, and the nascent friendship I saw developing between the two of them. I’m here for a Deadshot/Harley Quinn team-up movie, as long as Amanda Waller can be in it. Viola Davis perfectly captured the idea of the Amanda (The Wall) Waller that I had in my head, as the only human on Earth, who can get away with dressing down the Batman.

The plot was deeply, (and I do mean deeply), fucking stupid though, and I have no idea what the villain’s motivation was, or how she actually hoped to accomplish her goals. Yeah, some of the characters were totally undeveloped, like Katana, or just straight up hateable,  like Captain Boomerang, and The Joker. But the movie was pleasant eye candy for its two-hour running time. It’s not a good movie, but I found it mostly inoffensive, unlike some people who found the movie deeply offensive to their intelligence. I can say that part of the reason I’m okay with the movie is because I went into it expecting nothing more than to be distracted for a while, and the movie accomplished that goal. The trailer looked like fun, and that’s what the movie delivered.

Its okay if you haven’t seen this movie, you can rectify the problem of not having enough Will Smith in your life, by watching…Concussion!

 

Note:

I’m still watching stuff because new shows keep being released. Next week I should have a review of the new season of Cleverman, now airing on the Sundance Channel, and the second season of Preacher, on AMC, which looks like a lot of fun, so far.

Coming Soon To A TV Near You

May 5th

Sense8 -Netflix

The second season of Sense8 has already begun. The showrunners are still the Wachowski Sisters. Well one of the sisters, anyway. The show has run into some criticism for its depiction of its characters of color, but is lauded for having some of the best depictions of LGBTQ characters in the genre. There’s also Freema Agyeman in the cast, which is always a plus.  I’m planning to binge it this weekend, if I can, because I enjoyed the first season. I may or may not give a review, depending on how I manage my time.

https://www.theverge.com/2017/5/9/15550466/netflix-sense8-jamie-clayton-freema-agyeman-interview

May 19th

12 Monkeys – Syfy

I know nothing about this show other than the title, how much I’ve been meaning to watch it, and that it’s been getting some very good reviews. One of these days…

May 21st

Twin Peaks – Showtime

The return of Twin Peaks is being eagerly anticipated. I was never a huge fan of the original show, but I heard a metric ton about how wonderful it was. Every critic talked about this show. I know bits and pieces about some of the characters, and that’s it. I’m including this here because I know some of you still love the show. It still stars many of the original characters, and my understanding is that, like The X-Files, it’s a limited continuation of the series. I won’t be watching this because I don’t subscribe to this network, but I will be monitoring it through reviews and trailers, just in case things get out of hand, and I need to jump into action.

May 29th 

Still Star Crossed – ABC

People have been eagerly anticipating a date for this, and it’s almost here. I’ve liked the various adaptations of Romeo and Juliet, I’m a fan of Shakespeare, and since this is a little racebent, I thought I might enjoy it. Apparently, it takes place after the deaths of Romeo and Juliet, and involves the coping and machinations of their two families. This is a Shondaland Joint, and while I don’t normally watch any of her shows, I have tremendous respect for her, and this looks like something I could get into. It’s on regular network TV though, and I feel some kind of way about them canceling the show the moment I start to like it, because that’s how they roll.

 

June 4th

Fear the Walking Dead – FX

I think the original The Walking Dead is enough zombies for me in one year. I don’t dislike this show. It looks pretty good, and it gets good reviews, but The Walking Dead is such a heavy show, I can’t subject myself to another show that’s just as heavy, and about zombies, so soon after the finale of the original. (I’m just so taaahd!) Seriously though, The Walking Dead needs a cool-down period, an after-party, or something.

June 6th

Shadowhunters – Freeform

I wasn’t as impressed with this show as the fans on Tumblr. I thought I’d try it out because it keeps scrolling across my dashboard, and all the actors are really cute. The show strikes me as a combination of Buffy/Riverdale Lite. Although I wasn’t impressed, even though I  like the character, Magnus, and the show has some good LGBT representation in his relationship with Alec, I’m no longer watching it . There’s too much schmacting in it for my taste, but I respect that some people really  love it.

June 9th

Dark Matter – Syfy

I  just started watching Dark Matter last season. The plot was compelling enough to hold my attention, and the characters were likable. I do remember not liking any of the characters when it first aired, but the plot and characters have shown tremendous improvement, and the show has some good representation of women and MoC. I’m looking forward to the new season, but I won’t be reviewing the series.

Wynonna Earp – Syfy

I checked out of this series about halfway through the first season because I didn’t have time to watch it. I’ve heard good things about it though, and it too, has some adequate LGBT representation.I remember I sorta liked the first episode but I didn’t keep up with it much after that. I’ll be watching the new season, and we’ll see if I can pick up where I left off, without getting too lost.

June 14th

Blood Drive – Syfy

Okay, this show sounds utterly batshit. It’s a kind of Mad Max hybrid, where people have run out of oil, and vehicles now run on human blood. I don’t normally watch this kind of grindhouse, Robert Rodriguez, type stuff, but I’m going to give it a try. I know the show looks, and  sounds gross, but c’mon…it has cannibal  in it, and cars that eat people!

June 22nd

The Mist – Spike

It doesn’t look as scary as the movie, but I’m going to check it out, and give you guys a report. It looks like it’s got all new monsters than the movie, and that may be due to budgetary constraints. It also looks like it’s taking place over more than one location, so that’s on the plus side. I also hope we get to see the pharmacy event. In the story, we only encountered the aftermath. A large part of the actual story is taken up with the sounds of the mist, so I hope the show pays attention to the audio factor,  as that will go a long way towards capturing the dread.

June 25th

Preacher – AMC

I totally loved the first season of this, and I’m really hoping it will blow up the same way Into the Badlands did, after airing on Netflix.  I love shows with crazy plots and characters, so this is just right for me. (Yes, I have been watching Fargo, just in case anyone was asking.)

June 30th

Killjoys – Syfy

I got away from watching this because  of time limitations. The Syfy Network has really turned itself around, but  now it  has so many good shows, that I don’t have time to watch any of them. I also like Z Nation, The Expanse, and several others.  I’ve heard great things about the racial representation of these shows, and want to support them. Please do not tell me to record anything else, though. I already have a bunch of shows, on my DVR, that I’m not looking at.  Killjoys will probably become one of those shows.

 

July 12th

Midnight Texas – NBC

I’m really looking forward to this. I’m still dithering on whether or not I should read the books, or watch the show and just go with the crazy. I only hope it’s as good as True Blood’s first two seasons.

July 16th

Game of Thrones – HBO

Every season I say I’m going to watch this show, and then I dither around and skip the first five, or six episodes. Then, along comes that one episode per season, that everybody talks about, and I end up finishing out the rest of the season. I do not consider myself a fan of this show though. I watch just enough of it to know who everyone is, and I don’t like most of the characters anyway, so I guess I’m gonna follow my usual pattern of indifferent viewership.

 

August 18th

The Defenders – Netflix

I am cautiously excited about this, despite the presence of Danny Rand. Probably because, even though I hated the series Jessica Jones, and Daredevil grew increasingly annoying, these characters are quite enough to offset my dislike of Danny Rand. Also, Finn Jones acting (and fighting) looks a little bit better than when he was in his own series. (Finn Jones is still a total douche, but that ain’t none of my bidness.) I’m  also probably just excited to see the interaction even between characters I partially dislike. Sometimes a character, by themself, can be extremely annoying, but if you pair that person with the right foil, they become great.

 

Honorable Mention:

Teen Wolf – MTV:  will be ending its six season run  sometime this Summer, but I don’t have a solid date for it, yet.

Bonus Round: 

The new trailer for Bladerunner came out this week. I’m sort of on the fence about seeing this. I hate to sound like this,  but I am just exceptionally tired of these all- White futures. Where in the fucking Hell are all the PoC? And Hollywood keeps doing this shit! You mean to tell me  they can imagine snakes made out of water, flying cars, elves, living statues, and zombies, but can’t imagine PoC living in the year 2049? This also prompts the disturbing question of where the Hell we all went? Was there some sort of mass exodus to our own planet? Were we all killed off by the plague, White people, rabid bunnies? Wtf?

Anyway here’s the new trailer. See if you can spot any PoC:

Okay, is it just me, or does Ryan Gosling always look like he’s about to start crying, but never actually does. He always has this weird, half-smiling, facial expression. I don’t know anything about Mr. Gosling, having never watched even one of his movies, but I know he’s a huge deal to some people, and this would be my first time watching him in anything. (That is not a bid for recommendations, becuz I just know y’all gonna come in here to try to give me some!)

 

Bonus Bonus Round:

Yaaay!!! I just finished reading American Gods. I do confess that I mostly listened to the audiobook, but it was still pretty cool. It has a veeeery interesting plot, and I’m kinda mad I had not read this book sooner. I just kept putting it off.

So there! I am officially ready to provide any and all spoilers for the American Gods TV show. Tag me! I’m Spoiler Adjacent!

Coming Soon!

Cloak and Dagger

I have been a long time Cloak and Dagger fan, from the comic books, and I have to admit I was more than a little dubious about them making a show about this. Cloak and Dagger is a comic book, that came out in the eighties, about a pair of teenagers who, through some drug experimentation by criminals, developed superpowers.

In the comic books, Cloak had the ability to eat people’s life energy by enveloping them in a semi-sentient cloak, and Dagger had the ability to produce light from her hands and throw it like knives. There were more than a few stereotypes involving the light and purity of Dagger, with various people coveting her, and wanting to save her from that evil and frightening black  guy she hung around with.

I’m still side-eyeing this show a little bit, because there’s so much potential to fuck it up, and the Freeform channel doesn’t really have a track record on racial issues. But I’m happy to see the trailer anyway, and I’m glad they’ve decided to go for a more wholesome looking approach to the characters, and their relationship looks really sweet, because I always felt the two characters were  too heavily sexualized.

Well, they seem to be handling the backstory a bit differently than in the comic books, updating it to the current age, and its social issues. At the time it was released, the crack epistemic was tearing through black neighborhoods, and everyone was really up in arms about that particular issue. When Cloak and Dagger got their powers, their first priority was saving kids from drug culture.

This show won’t air until 2018 on the Freeform Network.

 

 

American Gods

I am almost finished with reading the book, just in time to catch the premiere, airing this weekend. Yes, I plan to review it because I want to compare the book to the show, although the adaption looks pretty faithful to the source, as far as the various characters. This was created for TV by Bryan Fuller, the creator of the Hannibal series, and I loved what he did on that show, so much, that I’ll follow him anywhere. American Gods airs on the Starz Network, so if you don’t have cable, I think they have some kind of app.

 

Preacher

This show has been renewed for a second season on AMC. If you haven’t seen the first season,  it might help a bit to watch that, so you can have some background as to why a preacher, a black woman, and a vampire, are on a road trip. Jessie, Tulip, and Cassidy, are looking for God because they have some pressing questions for him, after Jessie received  superpowers from possession by a celestial being.

I only got a chance to review the first episode of the show, but I did watch and love the entire season. It was pretty wild. I have a hard time choosing a favorite character, but I’m leaning towards Tulip, and not just because its Ruth Negga. I would’ve probably liked Tulip no matter who the actress was because she’s like a female version of Coyote.

Anyway the second season is airing on June 19th. So, I have something good to watch in midsummer, besides re-runs.

 

Gotham

Tonight is the mid-season premiere of, of all things, Gotham, a show I stopped watching some time ago, despite the presence of Jada Pinkett-Smith. I thought the acting was just too uneven, and had a hard time getting into the characters.

Well its back!

 

Genius

I am a  science stan, so I will be watching Genius ,which is a bio of Albert Einstein, who is one of my favorite scientists. Genius airs this Tuesday, on  the National Geographic Network.

 

The Handmaids Tale

This show airs on Hulu. I remember trying to read the book when I was a teenage but was so disgusted with the worldbuilding that I had to put the book down. Its not a bad book, but I’m never going to be in the frame of mind to read it. It also has some deeply disturbing racial implications that, because some people don’t realize intersectionality is a thing, aren’t going to be writing about in all their little thinkpieces on the subject:

 

Still Star Crossed 

This show finally gets a release date of May 29th. I love Hsakespeare, and this looks like an entirely appropriate, racebent, version of Romeo and Juliet, which I’m really looking forward to. It appears to be set after theevents of the original story, so the characters are not actually Romeo and Juliet, though.

 

 

Sense8 Season Two

I watched the first season of this and rather enjoyed it. I’m not sure if I reviewed it, but I definitely liked the diversity and representation. The first season ended with the group having to save one of its members for government experimentation, and this season looks like a typical “chased by the government” type of plot, but the show is so gorgeous, and I like the premise and ideas of the show, and I liked the characters, so I’ll binge this one, when I get the chance.  This airs on Netflix May 5th.

 

 

Dear White People

Dear White People will be airing on Netflix this Weekend. I didn’t watch the movie but then I often avoid movies dealing with racial issues. Get Out is the first movie I’ve seen, in a long time, that had anything to do with race in the plot. I feel some kind of way about that, but really, its just not my go to subject matter. As a Black woman I deal enough with issues of media and race, I’m not going to watch movies about it too, that’s just too much for me. I’ll be skipping this one, but you guys might want to check it ou,t if you really liked the movie.

 

Also coming this Summer:

The midseason return of Lucifer. I dont watch this because I find hte lead actor deeply annoying, but I have it on good authority that some interesting new characters have been introduced.

The Victorian Slum airs on PBS next week, combining my favorite topics , Victorianism, and documentaries.

In June there’s Shadowhunters Season Two, Dark Matter, Wynonna EarpFear the Walking Dead, and Orphan Black.

The bottom line is, there will plenty for everyone to watch this summer, instead of re-runs of shows that are on hiatus.

Ghost in the Shell Reviews Are In

*So far, the consensus seems to be that Ghost in the Shell is  a merely okay film. I haven’t seen it and had no plans to do so, not because of the Whitewashing, although that’s a big issue, but because I’m more than a little tired of looking at Scarlett Johansson.

There’s quite a lot of spectacle but yeah, there’s the little issue of Whitewashing, not just of the film itself, but actually referenced in the plot, where the identity of an Asian character, Motoko, is erased and placed in the body of a White woman. 

According to the critics, it is possible to watch this movie and not care about any of the social issues involved, but this movie is never gonna be a classic, and doesn’t have the depth of the original anime. It’s never going to be Bladerunner, or The Matrix either, no matter how much it apes those movies aesthetics. According to the critics, it’s a gorgeous film that lacks warmth. It’s at about 51% on Rotten Tomatoes and Metacritic. The reception of the movie, even by audiences,  has been rather lukewarm.

There are a handful of reviews giving it a rousing endorsement, like Variety, Entertainment Weekly, The Telegraph and The Chicago Tribune (Roger Eberts old employer). But the critics who panned it, come from more Geek oriented online sites, that skew much younger than the ones mentioned above, with a millennial audience who grew up watching the original movies and series, and I guess they’re unimpressed by the story.

http://www.salon.com/2017/03/29/scarlett-johansson-and-the-perils-of-white-feminism/

http://www.avclub.com/review/beguiling-ghost-shell-more-replicant-remake-252941

http://www.theverge.com/2017/3/29/15114902/ghost-in-the-shell-review-scarlett-johansson

https://www.dailydot.com/parsec/ghost-shell-review-remake-2017-johansson/?tu=gav

http://www.gq.com/story/ghost-in-the-shell-review

http://www.ign.com/articles/2017/03/30/ghost-in-the-shell-review

http://www.polygon.com/2017/3/30/15121524/review-ghost-in-the-shell

http://www.businessinsider.com/ghost-in-the-shell-review-2017-3

 

*And because apparently I’m just not finished bashing Iron Fist for what we could have had vs. what we got:

http://io9.gizmodo.com/heres-the-important-stuff-that-happens-in-iron-fist-so-1793445273

http://www.theverge.com/2017/3/21/14980216/iron-fist-problems-marvel-netflix-writing-villains-optics

http://www.polygon.com/2017/3/17/14958828/finn-jones-and-iron-fist-have-one-thing-in-common

*Bottom line: if your character’s backstory features him punching a gobdamn dragon, to obtain his superpowers of being able to punch shit, and you don’t show that shit on screen, you need your entire ass thoroughly kicked. So far, we’re stuck with Finn Jones as Danny Rand but this can be fixed. He’s never going to look good as a martial artist until he gets some serious training. Put him in some intense stunt training, so that he can at least look as competent as the actors from The Matrix. Get a brand new showrunner. And this time find someone who gives a shit about Danny’s Rand being Iron Fist,  cares about his martial abilities, and is willing to do the research to make it look good.

 

*Just to cheer us all up, here are some Logan reviews. I loved this ugly, bittersweet movie, so much.

http://www.theverge.com/2017/3/6/14829768/logan-movie-wolverine-hugh-jackman-patrick-stewart-discussion-highs-lows

http://www.rollingstone.com/movies/news/why-we-needed-logan-to-kill-the-modern-superhero-movie-w470501

https://theringer.com/logan-and-conquering-pessimism-through-fatherhood-86d377ae85b9

Stuff I’m Watching

Okay, I though I posted this already, but apparently not, since I can’t find it in my published file. So here we go again, maybe!

The Ghost Brothers (TV)

 

Its a TV show about three guys who all had paranormal experiences as children, and decided as adults that they would like to investigate the existence of ghosts. The second season of this show airs April 15th. In the meantime the first season is available for streaming on TLC. I’m already addicted.

Its  a pretty good show. One of the reasons I’ve always hated ghost hunting shows is I get  exasperated with  White guys running around in the dark, shaking their cameras, and yelling at the ghosts. There’s none of that here. The feel of this show is very different. One of my biggest issues was the attitudes of the ghost hunters in these shows, challenging the ghosts, making demands, and the general disrespect. That’s not here, either. For the record, I don’t believe in ghosts, but I do believe in the inexplicable, and this show has that too, which occasionally makes it actually scary. But it’s not just that. It’s the humor and camaraderie between these three friends, that I enjoyed the most. They genuinely like each other,  and are not above ranking on each other, but don’t do it in a mean spirited way. You can tell they’re really old friends, and this is one of the most authentic depictions of black male friendship, you’ll ever see in a TV show.

The guys make a point of visiting sites that are known spots of racial trauma, so they’re not in the business of retraumatizing any presences that might be there. After all, these are their ancestors. They try to approach their job from a place of respect, with minimal equipment. They ask questions and  try to reach out and emotionally connect with a presence. In one episode, they visit a hotel where a sex worker was killed maybe a hundred years ago. They visit her rooms and attempt to find out if she’s still present. They ask her about her life, implore her to answer, and when they leave, they respectfully leave payment for her time, which I found both sad and hilarious.

In another episode, they visit a place where some children were known to have died. To get the children  to respond, they bring toys and dolls, ask the children if they would like to play, and assure them that it’s safe to come out and do that. All very respectful. Nothing happens of course, but there’s a great deal of tension as you suspect something might.They bring the absolute minimum in equipment, they don’t have scanners, and meters and various devices. They really just have their smartphones and a camera.

Also, these guys are surprisingly brave, in situations that would frankly give me the screaming heebie jeebies, sitting alone in a dark room waiting for some presence to reveal itself. Yes they do get scared, and are willing to acknowledge that, but there’s no exaggerated terror, with a lot of running and screaming. This isn’t a comedy, although the guys are occasionally funny. They take their self appointed task pretty seriously.

One of the reasons I like for white people to watch shows like Atlanta, Luke Cage, and Ghost Borthers is if they’re interested in more authentic depictions of what black people are actually like when white people arent around, and contrast these images with depictions crafted and written by white men, who can only guess at how we relate to each other, or just make shit up. One of the most interesting things I’ve noticed about media depictions of marginalized people by white male writers, is often the relationships are depicted as contentious ones. The white men, who write almost all of the media we see, have no idea what women talk about when men aren’t present, what gay people do when straight people aren’t around beyond having sex, or what black people do when white people arent present. Shows written, by marginalized people themselves, tend to have fewer token characters,  and more genuine conversations, and activities. We actually do get along with each other when white people arent around. We laugh, joke, and tease each other. We have deep conversations that aren’t about race, and trivial conversations that are. And just like with the Bechdel Test, almost none of our conversations center white  straight men.

Ghost Brothers joins those lists of shows that depicts black people’s authentic reactions to the world around us.

ETA:  I added a much more detailed description for this show, and the second season has already started. I’m currently watching episode two, where the Brothers visit the Winchester Ghost Trap House.
Ghostbusters (2016)

Image result for ghostbusters

I told myself I wasn’t going to watch this, but it aired on Starz, earlier this month, and that’s why I pay for cable. So yeah, I’m one of five people on Earth who actually love this movie. It was entertaining and I found a lot of positive  things outside of the one negative thing that made me want not watch it.

The one negative thing was me being mad about Patty, played by Leslie Jones, not being a scientist. I still don’t like that, but I also don’t feel she was ill treated by the creators of the movie. Although Leslie’s personal humor doesn’t match mine, I still really liked her character. She was one of the funniest people in the movie and gets some of the best lines. This one negative thing was outweighed by all the positive things I enjoyed.

One of my biggest takeaways was the depiction of friendship between women, which is almost never authentically shown in genre films, in favor of having a lonely badass. These characters are friendly and supportive of each other. To use Erin and Abby, for example, the subplot of how they met is Abby believing Erin when she claimed she saw a ghost when she was a child, and no one else believed her.That no one else believed her is something  that affects her for the rest of her life, prompting her to abandon Abby, and never have anything else to do with the paranormal. Later, she and Abby reaffirm their bonds of friendship when Erin risks her life to save Abby at the end of the movie. When Erin has a very obvious crush on their dimbulb male secretary, played by Chris Hemsworth, the other women never make fun of her, or make her feel ashamed of it. They just accept that she likes him, while gently cautioning her to be careful of sexually harassing him.

I liked Patty, and felt she was given ample screen time. The other characters make no big deal about her not being a scientist. She’s an expert in other things. She talks her way onto the team by offering them something they don’t have. Historical context and knowledge of the city, allows Patty to provide a lot of the movie’s exposition. This is not exactly her being “street -smart” (I suppose technically she is “street-smart,  but only because she is her own kind of nerd, who reads History books for fun. So yeah, all the ladies are in fact, nerds! Patty just is not a Science nerd.)

The other women never act as if they know better than her, or try to lord it over her that they have credentials, and even defer to her expertise on matters they know she has studied. They accept her, like Holtzman,  as one of the contributing members of the team. Yes, she gets them a car, but that’s not why she was allowed to join them. It’s something she offers, along with their ghostbusting suits. She also gets some of the funniest lines in the movie, most of which are quiet personal asides  that if you blink, you’ll miss them.

I especially enjoyed the beginning of a friendship between her and Holtzman. Abby and Erin were already friends, and Holtzman must have occasionally felt like a third wheel, but she and Patty seem to hit it off pretty well, hanging out together whenever they’re not working. Patty  saves Holtzman’s life at one point, and nicknames her Holtzy.

Speaking of Holtzman, she is my favorite character in the entire movie. She’s just plain nuts and really, really,  loves her job. The trailers don’t really do this character justice, just like they didn’t make Patty very likable. She’s impossible to describe. She just has to be seen. She loves destruction, dances around with blowtorches, and is utterly fearless when it comes to her various science toys.

ETA:

So, my niece finally watched this movie, and she had a great time. She couldn’t wait for me to get home from work, and she watched it without me, for which she was mildly chastised. And guess who her favorite character is! Guess! Patty, of course, who she thought was hilarious. I don’t know that my niece wants to grow up to be a Ghostbuster, but she really enjoyed herself, and the movie, and that’s enough for me.

 

 

Suicide Squad (2016)

Image result for suicide squad

Once again, I’m in the minority when it comes to liking a movie. I actually had a good time watching this. I really liked the visuals, and performances, even if the story was full of massive holes, and largely incoherent . I really enjoyed the characters though. I watched this with my niece and she seemed to have a good time, too. I think she wants to be Harley Quinn when she grows up, but I told her no, because that’s not a good look for a Black woman, unless she’s gettin’ paid a lot of money, like Margot Robbie. It would also require she be tortured by Jared Leto, after which I’d have to beat Leto’s ass. (He should probably have his ass kicked just on general principles, anyway, because my niece has decided she has a crush on his version of the Joker. What? She’s like ten years old!)

I’m one of five people on Earth who think that Suicide Squad winning an Oscar for Best Makeup is both hilarious and outrageous. Really!? Over Star Trek? Yeah, right!

It really shouldn’t be that shocking that I liked this. It stars Will Smith and I’ll basically watch anything he ‘s in. Margot Robbie wasn’t too bad in this. I thought her version of Harley was pretty entertaining and not too unlike the comic book version of the character. And then there’s  Queen Viola. I just love the idea of Viola Davis and Will Smith starring in a superhero movie together. Although, the next time we see them together, I hope its something a little more serious.

The Magnificent Seven (2016)

Image result for magnificent seven

Unfortunately I did not get to see this in the theater.  I did rent this for me and my Mom to watch for a couple of days. She is a die-hard Denzel fan, and she had expressed an interest in going to the movies to see this. Now this is pretty remarkable for two reasons. She’s not a huge Western movie fan, (even though she was the one who introduced me to Bonanza), and its really hard to get her to go to the movies with me, as she’s  picky. In the past few years, I managed to get her to see Jurassic World, World War Z, and that Halloween Madea movie.

We watched this movie over a weekend and she really enjoyed it. She was deeply happy that Denzel survived to the end of the movie. I enjoyed all the characters but I was kind of bummed out because the one Asian guy got killed. It doesn’t really compare overmuch to the original. It has a very different feel, although the plot is exactly the same. The action sequences were very exciting, and I enjoyed the banter between the various characters. It suffers from lone woman syndrome, and a bad guy who is evil just because he’s evil. (Not that every villain needs a backstory. Its just something I noticed.)

It has a Benetton ad cast, and although the one Mexican guy, Vasquez, is annoying, the stereotypes are mostly kept to a minimum. The men of color in the cast all get to have their action moments. Despite the presence of Vincent D’onofrio as Jack Horne, my favorite character was  Billy Rocks, the group’s blades-man. The most intriguing relationship was between Billy Rocks, and  Ethan Hawke’s character, Goodnight Robichaux. I kept wondering about the nature of their friendship, and afterwards I wrote my own headcanon, where Billy saved Goodnight from suicide, and Goodnight felt indebted to him. It was very clear that one of Billy’s purposes was helping  Goodnight hold his shit together.

My Mom liked the Jack Horne character a lot. He was  melancholy and  gruff, with a penchant for making profound philosophical statements, that mostly puzzled the other characters. Denzel, as Chisholm, was his usual mildly snarky, pragmatic self. He wasn’t really stretching it in this role, but Denzel sparkles on even his worst days, so its all cool.

No, this movie isn’t as good or influential as the original, but its worth watching some cold Saturday night, with a bowl of popcorn, and some good friends.

Legend of Tarzan (2016)

Image result for legend of tarzan

Let’s just state, for the record, that I’m a little bit older than some of the more hysterical members of Tumblr. As a result, I grew up with the idea of Tarzan, and am well used to the tired trope of Tarzan the White Savior. I grew up reading the Edgar Rice Burroughs books, and watching some of the movies with my Mom, whose favorite Tarzan was Johnny Weismuller. Yes, we did see the problematic aspects of having some White guy being a better African, than actual African people, in Africa, but since almost all of TV, and movies, consisted of this trope, it was easy to overlook it, yet impossible not to see it.

That said, I did watch this movie when it came on cable, which only proves that I will watch any damn thing when it comes on TV, where Alexander Skarsgard takes his shirt off, and growls like a lion. It does not mean I’m not “woke” or “aware”. It just means I occasionally have low standards for what I find entertaining, especially if I can knit to it.

Nevertheless, I still enjoyed this movie for the sheer silliness that it is. Yes, the premise is just as stupid as the original films, and one still wonders what the hell White people,  (and lets face it, there were no PoC clamoring for this movie to be made) were thinking when this movie got made. If you haven’t seen this movie, it’s okay, as your life will not have been upheaved.

For what its worth, the creators did keep the White Savior stuff to a minimum by adding Samuel L. Jackson, who does the saving of various Black people, and some of the actual Congolese people get lines and screen time. Skarsgard is ridiculous in this role,  and spends most of his time trying to look dramatically serious, while trying to save his girlfriend, Margot Robbie, from Waltz’ slimy Englishman. I still don’t know why Waltz kidnaps her but its got something to do with diamonds. It doesn’t matter anyway because the plot is really not that important. What’s important is that Skarsgard is bare chested for most of the movie’s running time.

There is indeed some tree swinging, and some gorilla punching, and for some strange reason, Djimon Honsou is in this movie as an antagonist. He only gets about five minutes of screen time, and maybe six lines. Samuel L. Jackson is in this movie too, and pretty much just acts like Samuel L Jackson, despite the fact that everyone else is acting like they are in a period movie, which is very jarring. I wanted to turn off the sound, so I didn’t have to listen to him speak, but then I wouldn’t have been able to hear Alexander Skarsgard talking to various animals, and yodeling. Yes, there is a classic Tarzan yodel. When I was a kid, this didn’t particularly bother me, but every time I heard it in this movie, I laughed my ass off.

But really, I think the biggest question you have to ask yourself, if you ever watch this movie: Why is Samuel L. Jackson in this movie, when they have Djimon Honsou?

Miscellanea LinkSpam

*I know I said I wasnt going to say anything more about Iron Fist but hey! I’m not saying all of  this! Someone else is saying it so…

Basically Iron Fist was always a problem, and always gonna be a problem, even in the comic books. I love the character that was created in the comics but that doesn’t preclude me from acknowledging that its still the Mighty Whitey Trope. So are a host of other characters I love, from Dr. Strange, to Tarzan, to The Last Samurai. But just because I really like these characters doesn’t make them right, or that we should keep doing it. There are other stories to be told that don’t feature White men in the middle of them. And if you do use the Mighty Whitey trope, you need to at least acknowledge it or say something new about it.

http://www.refinery29.com/2017/03/145908/iron-fist-netflix-danny-white-male-privilege

https://www.theguardian.com/tv-and-radio/2017/mar/27/iron-fist-netflix-show-finn-jones-marvel-danny-rand

http://www.avclub.com/tvclub/iron-fist-gets-better-once-it-admits-danny-rand-wo-252719

https://theringer.com/iron-fist-marvel-netflix-review-485aaabd959c#.p4ymg0c0p

https://www.wired.com/2017/03/iron-fist-canon-versus-culture/

*And from Tumbr:

sanssouciavecmoi

Ir0n F*st: Eh, what? (with background Asian count)

Spoilers follow:

Episode 1: Enter the White Dude

Hi, I am Singaporean Chinese. Yes, Netflix is available here and yes, they are trying to sell this to us.

Secondly: I do read comics, but the whole “he was white in the comics” thing does not fly–see article for context. This is 2017, not 1974. 

Thirdly: the creators of Iron Fist were fetishising the heck out of kung-fu movies when they wrote the comic back in 1974. And they are crusty old relics that use the word “Orientals” even though it’s 2017 and they know it’s not the right word (but use it anyway in interviews).

Fourthly: Iron Fist is not one person–it’s a power that is passed onto people that subsequently bear the title. Only two of them have been white. However this is is not important, because they changed almost everything about Danny Rand (and 90% of his backstory and even what the Iron Fist is for) except the bit about him being white. So the less deliberately obtuse understand that this was the most important thing to the writers, directors and producers. Lewis Tan also auditioned for the same role, so most people know that they did not pick the best actor for the job–unless you think white actor = default best lead actor.

Fifth point: this show had awful writing. And that’s even without the Orientalism and pseudo Buddhism. However, this dissection will be focused on this point.

Warning(s): Death, drug overdose, needles, guns, violence (kinda slow violence but still), Orientalism, lazy writing, car crashes, mangling of Mandarin, drugging someone against their will, forced institutionalisation, ableism, plane crashes.

Opening is … eh, kung fu in slow-mo. On a mountain top. With stuff like black ink. Like Chinese calligraphy. Only without any calligraphy. Just the vague aesthetics of calligraphy. *sighs* This is going to be painful.

In the first bit, Danny Rand returns to New York and tries to get into his parents’ company’s building. It goes as well as expected. His ex-childhood buddies treat him like shit. (He doesn’t get shot for assaulting security officers–this article explains why.) He also does not know that people think he’s dead–after 15 years, who would have thought, eh? Action scene was kinda slow. His ex-childhood buddies are also greedy cynical capitalists, so they have no reason to believe him.

I have to stop to ask: Can someone please tell me why this guy is barefoot? Other than bad writing (bad characterisation and bad worldbuilding)? Shoes were invented a long time ago and while a lot of Asians take shoes off when they enter a dwelling, we understand the need to wear shoes outdoors. Someone will no doubt write a fic where Danny gives his shoes up to some other homeless person. But there is no reason why he should be barefoot in that scene.

(How did this guy get to New York anyway?)

Back to Danny Rand, trying to get back into his old place. Ah, his other skill is animal communications or something??? His ex-childhood buddy Ward was a douche way back when. Still is. It gets creepy because Joy lives in this house now, so DR looks like a stalker.

Homeless in the park with DR. Time for him to use his iPod and read a book written in … I can’t make out what language that is but I know what they want me to think it is. (Stereotyping: your mind fills in the blanks with pre-existing scripts. Lazy writing.) Unless someone can tell me that this book is significant in some way later on, I’m going to call it unnecessary window dressing for that “Asian flavour”.

image

Translation: the original comic creators were crusty old relics that wanked over the aesthetics of 70s kung fu movies and the producers and writers of this show are not much better. I kid–it could be line of poop emojis and we would never know.

In a scene that would have been much nicer without the extra window dressing, DR makes a friend. Big Al shows him Google search on an iPhone so that DR knows that people think he’s dead. His uncle is also apparently dead. The only person to be nice to him the whole day is another homeless person. Maybe we can focus on the plight of the–nope, not going that way.

The next morning, DR is very persistent. Joy feels (rightfully) harassed and calls people. That car-jumping scene was … um. Really extra. Let me try to articulate this, okay? This is 2017, people have access to decades of martial arts movies. (The Matrix was 18 years ago.) The action sequences in this show will compare very badly to those movies. So even people watching this for fight scenes will not be entertained.

First meeting with Colleen Wing, she gives him money and he mangles Mandarin without subtitles (for subtitles please look at gif set exhibit A under the link: white man polices biracial woman’s identity) and she says she hasn’t spoken it since she was a kid (rather than punching him for that). Man, if you wanted a job, you could have said so in English. Why do you suppose Colleen would know how to speak Mandarin?

image

This is so uncomfortable on so many levels. If magical K’un Lun is not of this world, then why would they speak Mandarin? If it was truly isolated in another dimension, then K’un Lun would have its own distinct dialect, like most regions in China and most countries. So DR speaking (mangling) Mandarin is also BS. (Not even talking about the yoga-like poses in the park.) This would mean so much more if it was Chinese American DR, who was never very good in Mandarin class, and Colleen Wing, who might be able to relate.

Back to the more douchy sibling and DR. Apparently DNA tests cannot be done because Danny has no living relatives. (That’s BS too, btw.) Way to be ableist, Ward. (The only thing I like is that major douches in MCU are named Ward.) However, Danny is not as peaceful as his initial appearance suggests. We get it, he’s traumatised by the deaths of his parents–why does it get expressed as him being rather violent in a car? Apparently he’s not out of touch enough to not know how guns work (or maybe all kids know how to use guns in the US or K’un Lun–I dunno).

More job-hunting in vain. It’s not like it isn’t obvious that a) she practices a totally different school of martial arts in her dojo and b) she doesn’t have the money to pay another instructor. Yes, kick him out, Colleen. That’s what he gets for trying to police a biracial woman’s identity–is he trying to flirt with her? Ew. (Colleen Wing obviously cannot afford to pay DR–her dojo is sharing space with AA meetings. But she gives him shoes. It’s almost as if everyone who is nice to DR in this show are not very well off and–yeah, it’s very unsubtle.)

Then DR gets attacked and chased into Chinatown (while Colleen Wing watches from above). Where a parade is happening. With lion dancers, dragon dancers and fire crackers and everything. But why? Is it Chinese New Year? What is the context for this? Can someone tell me why this is necessary? Or is this a way to claim that this show is diverse because there were something like 100 Asian extras in that scene? Way to endanger the lives of all the people in the parade, DR. Fight scenes are a yawn. Even though the mask DR is wearing in no way hides his curly mop of blond hair in this parade of Asian people–who do not notice the fighting at all.

image

(I feel that this scene is a metaphor for the whole show.)

On one hand, I hope the extras were paid a reasonable rate and had a good experience. On the other hand, I have a feeling that when it comes to telling the kids about how Mum/Dad/Second Aunt/your Cousin were extras on this show, it would come with the caveat that they shouldn’t try to be actors–because they’ll probably wind up as extras in a show (with not very good fight scenes) that needed a parade of Asian faces for reasons unknown. Representation matters.

(Story time: there were Chinese actors from my tiny state that tried to make it to Hollywood. Shanghai Knights was back in 2003 and Fann Wong is still mostly known as a local actress. Lau in The Dark Knight might still be Ng Chin Han’s biggest role to date in a major movie right after Captain America: The Winter Soldier. Currently, he’s got a part in Gh0st in the *hell–not sure if he gets more or less lines than in Captain America. Most parents here still don’t encourage kids to become actors because there’s so little room for them.)

Back to Ward, the more evil sibling who sends people to assassinate homeless dudes–he has reasons for being a terrible person. Reason number one being his dad (supposedly dead but still alive???)–who is probably why Ward is the nice cuddly guy he is. Wow, every baddie has a backstory. Probably affects plot in future. But is anyone interested? (I loved the art deco style building this scene supposedly took place in. Anyone know where it is?)

Remember DR’s one friend? His one friend is now dead of a drug overdose. Why? Maybe Big Al was around for for one Google search, some food and to allow DR to mouth some platitudes over his body? Or to highlight the plight of the homeless by ki–that’s really … really not good storytelling.

Security at Rand Enterprises is dreadful–DR has no problem sneaking in again. (Or maybe it’s that other thing.) Cut to Joy, the nicer sibling. Who is very calm for a woman that’s just found a strange guy in her office (again). Maybe it’s because she might believe him. Or is being swayed by his rhetoric. (”It’s a Zen saying” … gag me with a spoon.) His backstory is taking way too long … So Joy drugs him. I take everything back, she’s just as bad.

DR wakes to … a very troubling scene of forced institutionalisation at the end. As if everything else had not been bad enough.

Plot: It’s all over the place … Not sure if the writers know what DR is supposed to be. He has trauma, tries to be a pacifist but is really angry inside? What is the message here? Wall Street is evil? Problematic portrayals all over the place? The plight of the homeless and people with mental health issues? Not enough women with lines? Colleen Wing needs her own show with Misty Knight!

Orientalism: Check, aesthetics over substance, mangling of Mandarin despite the fact that DR has no reason to be speaking Mandarin, Zen sayings, yoga poses, a huge Chinese New Year-style parade in the background for reasons unknown (oooooooor they just wanted a certain type of backdrop for a not very good fight scene). One East Asian character with lines.

Asians in the background: around 100 of them perhaps, no lines, much firecrackers. Not sure if they were Chinese-American, Korean-American, Japanese American, Hmong-American … because they have no lines.

spoilers iron fist for the sensitive it has the potential to be very triggering i actually watched thisit was dreadful worse than anything the reviews prepared me for i struggled through one episodenearly yelled at the screen for colleen to just fucking punch this guy already orientalism

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*The conservative Christian boycott of Disney’s Beauty and the Beast is Hypocritical

http://www.patheos.com/blogs/friendlyatheist/2017/03/07/the-conservative-christian-boycott-of-disneys-beauty-and-the-beast-is-the-height-of-hypocrisy/

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*Tomato Lacochran just got fired from The Blaze. I had written about this no-nothing twenty something, who had the gall to wag her finger at Black people, about  subjects on which she hadn’t done her homework.

Naw! I’m still not calling her empty headed ass by her actual name.

 I also kind of thought of her as tofu. She’s the kind of person who has no real thoughts of her own, like an intellectual mimic, she just takes on the flavor of the strongest brain, in her orbit.

http://www.papermag.com/tomi-lahren-just-got-banned-from-the-blaze-and-the-internet-is-living–2331280605.html

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*On  representation in fandom:

http://uncannymagazine.com/finding-yourself-in-fandom/

*I am loving this analysis of The Hobbits from Lord of the Rings:

6) Tolkien’s hero was average, and needed help, and failed.

This is the place where most fantasy authors, who love to simultaneously call themselves Tolkien’s heirs and blame him for a lot of what’s wrong with modern fantasy, err the worst. It’s hard to look at Frodo and see him as someone extra-special. The hints in the books that a higher power did choose him are so quiet as to be unnoticeable. And he wouldn’t have made it as far as he did without his companions. And he doesn’t keep from falling into temptation.

A lot of modern fantasy heroes are completely opposite from this. They start out extraordinary, and they stay that way. Other characters are there to train them, or be shallow antagonists and love interests and worshippers, not actually help them. And they don’t fail. (Damn it, I want to see more corrupted fantasy heroes.) It’s not fair to blame Tolkien for the disease that fantasy writers have inflicted on themselves. […]

Fantasy could use more ordinary people who are afraid and don’t know what the hell they’re doing, but volunteer for the Quest anyway.

It’s misinterpretation of Tolkien that’s the problem, not Tolkien himself.

“Tolkien Cliches,” Limyaael

(via mithtransdir)

The whole point of The Lord Of The Rings… like, the WHOLE POINT… is that it is ultimately the hobbits who save the world. The small, vulnerable, ordinary people who aren’t great warriors or heroes.

Specifically, Sam. Sam saves the world. All of it. The ultimate success of the great quest is 100% due to a fat little gardener who likes to cook and never wanted to go on an adventure but who did it because he wasn’t going to let his beloved Frodo go off alone. Frodo is the only one truly able to handle the ring long enough to get it into Mordor – and it nearly kills him and permanently emotionally damages him – but Sam is the one who takes care of Frodo that whole time. Who makes him eat. Who finds him water. Who watches over him while he sleeps.

Sam is the one who fights off Shelob.

Sam is the one who takes the Ring when he thinks Frodo is dead.

Sam is the one who strolls into Orc Central and saves Frodo by sheer determination and killing any orc who crosses him. (SAM THE GARDENER GOES AND KILLS AN ACTUAL ORC TO GET FRODO SOME CLOTHES LET’S JUST THINK ABOUT THAT). And then Sam just takes off the Ring and gives it back which is supposed to be freaking impossible and he barely even hesitates.

Sam literally carries Frodo on the last leg of the journey. On his back. He’s half-starved, dying slowly of dehydration, but he carries Frodo up the goddamn mountain and Gollum may get credit for accidentally destroying the ring but Sam was the one who got them all there.

Sam saved the world.

And let’s not forget Pippin and Merry, who get damselled out of the story (the orcs have carried them off! We must make a Heroic Run To Save Them!) and then rescue themselves, recruit the Terrifying Ancient Powers through being genuinely nice and sincere, and overthrow Saruman before the ‘real’ heroes even get there.

Let’s not forget Pippin single-handedly saving what’s left of Gondor – and Faramir – by understanding that there is a time for obeying orders and a time for realizing that the boss is bugfuck nuts and we need to get help right now.

Let’s not forget Merry sticking his sword into the terrifying, profoundly evil horror that has chased him all over his world because his friend is fighting it and he’s gonna help, dammit and that’s how the most powerful Ringwraith goes down to a suicidally depressed woman and a scared little hobbit.

Everything the others do, the kings and princes and great heroes and all? They buy time.  They distract the bad guys. They keep the armies occupied. That is what kings and great leaders are for – they do the big picture stuff.

But it is ultimately the hobbits who bring down every villain. Every one. And I believe that that is 100% on purpose. Tolkien was a soldier in WWI. His son fought in WWII. (And a lot of The Lord Of The Rings was written in letters to him while he did it.)

And hey, look, The Lord Of The Rings is about ordinary people – farmers, scholars, and so on – who get pulled into a war not of their making but who have to fight not only because their own home is in danger but so is everyone’s. And they’re small and scared but they do the best they can for as long as they can and that is what actually saves the world. Not great heroes and pre-destined kings. Ordinary people, doing extraordinary things because they want the world to be safe for ordinary people, the ones they know and the ones they don’t.

Ordinary people matter. They can save the world without being great heroes or kings or whatever. And that is really important and I get so upset when people miss that because Aragorn and Legolas and Gimli and Gandalf and all the others are great characters and all but they are ultimately a hobbit delivery system.

It is ordinary people doing their best who really change the world, and continue doing so after the war is over because they have to go home and rebuild and they do.

If nothing else, I have to reblog this for the phrase “hobbit delivery system.” So accurate it hurts.

(via elenilote)

What I love too is how even the foretold king and the assorted great heroes themselves all come to recognize that their main (and by the end, only) role is to distract Sauron. To the point that by the end they’re all gathered up before the black gates of Mordor in order to keep his attention focused on them, with only the hope – not the certainty – that they can buy Frodo whatever remaining time he needs, if he’s even still alive.

One thing the movies left out but has always been such a key part of the books for me was how when the hobbits returned home, they found that home had been changed too. The war touched everywhere. Even with all they did in far-off lands to protect the Shire, the Shire had still been damaged, both property and lives destroyed, and it wasn’t an easy or simplistically happy homecoming. They had to fight yet another battle (granted a much smaller one) to save their neighbours, and then spent years in rebuilding.

(via garrusscars)

In many ways, the entire POINT is that homecoming.

A quest, an adventure, is defined by the return home, and the realization that not only have YOU changed, so has your home.

(via mymyriadmusings)

“My friends, you bow to no one.”

(via sorrelchestnut)

Even more relevant today.

notanecromancer)

lotr

 

*And on a lighter note:

We have a twitter here too: https://twitter.com/IntrovertUnite. See some of you there?

We have a twitter here too: https://twitter.com/IntrovertUnite. See some of you there?

Next up : Some amusing stories from Tumblr

Iron Fist Season One

I’m a long time martial arts movie fan. I have clocked a lot of hours watching people fake punching and kicking each other. If you’re that level of fan of martial arts, it’s okay. You can skip this show. There is waaaay too damn much talking in this show.

On the other hand, it’s not an awful show. It’s not half as awful as the critics would have everybody believe. It certainly could be a better show, and it doesn’t live up to any of the expectations of the trailers, as bad as they were. Let’s just say all the action you saw in the trailers, is most of the action in the show. My guess is they knew they couldn’t hook us in by showing the many, many hours of people snarking at each other in offices,and  wearing nice clothes, so decided to go with inelegant fight scenes. Think the show Suits, but with worst dialogue, and sometimes somebody gets punched.

The plot is as stated. Danny Rand flees a mystical Asian land called Kun Lun, where he is the legendary Iron Fist.He comes to NY and gets involved with Colleen, Claire Temple, and the Hand. We spend most of the show running around with this trio, from place to place, jostling with Ms. Gao, and the Hand, macking on Colleen like a creepy stalker, and trying  to avenge his parents deaths, which involves the corporation his father used to run, his father’s old partner, and that man’s children, the Meachums.

My special advice is to watch the show on your tablet or phone ,and every time you see people talking in an office, fast forward through that. I fast forwarded through almost all of that part and was still able to keep up with most of the details of the plot. I would also advise you not to listen too hard to the dialogue because you will go to sleep. Unless Claire’s on screen. She’s awesome. As always.

I was going to give some type of in depth review, but I’m not interested enough to invest that much work into the characters and plots and shit. So here. Have some links and articles that carefully explain what went wrong with this show.

Iron Fist was inspired by 1970s kung fu movies, but no one seriously expected Finn Jones to become the next Bruce Lee. The show focuses on plot over action, so it makes more sense to compare it to Daredevil. And that comparison makes Iron Fist look like total garbage.

Daredevil‘s hallway fight was praised for its stylish choreography and camera work. There’s a real weight and brutality to Daredevil’s blows, and the scene uses a long tracking shot so you can see all the necessary action.

Iron Fist paid tribute with its own hallway fight scene, utilizing a very different style of filmmaking.

 

In Iron Fist, the camera constantly cuts away before the blows connect. The editor chopped Danny’s choreography into two or three shots per move, so you don’t catch the full impact of his actions. It’s like trying to follow a ballet performance through a dozen tiny windows around the stage.

Once the fight reaches the elevator, we get a completely unnecessary split-screen view of Danny disarming an opponent. At 1:35 in the above video, the split screen actually makes it harder to see what he’s doing.

[READ MORE]

*I’m going to go one step further here. This weekend was the second season premiere of Into the Badlands. This show is everything that Iron Fist should have been. Into the Badlands is full of action and every one of its fight scenes is given the love and dedication that it should receive for an action show. Contrast this fight scene with the one from Iron Fist:

 

Oh, and here is the fight scene between Zhou Cheng and Iron Fist. Zhou Cheng is being played by Lewis Tan, an actor and model  who is half White, and was one of the most prominent contenders for AA Iron Fist.Btw, this is one of the best fights in the entire series.

 

http://www.theverge.com/2017/3/20/14988036/lewis-tan-iron-fist-casting-marvel-netflix-asian-representation

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*This critique lays out the five major criticisms of the show:

 Monday, March 20, 2017

Five Comments on Iron Fist

Marvel and Netflix’s latest series dropped this past weekend, a week and a half after the pre-air reviews pretty much savaged it, calling it the partnership’s (if not the MCU’s) first complete dud.  What I found particularly damning about Iron Fist‘s reviews was their uniformity.  When one reviewer gives you a pan, you can blame the reviewer.  When a dozen reviewers give you pans that all make exactly the same criticisms–a dull and unsympathetic lead performance, an increasing emphasis on an unappealing villain, storylines that focus too much on boardroom shenanigans, lousy fight scenes–you’ve probably got a turkey on your hands.  Having watched the entire first season of Iron Fist, my only quibble with the reviewers is that most of the flaws they ascribe to the show were also present in the second season of Daredevil, which received generally favorable notices.  In fact, it’s not so much that Iron Fist is worse than Daredevil‘s second season, as that it is more boring (it lacks, for example, a magnetic central performance in the vein of Jon Bernthal’s Punisher), and this makes it easier to notice flaws that have been present in all of the Defenders shows, albeit taken to far greater extremes here.  The boring part means that the show doesn’t really deserve a full review, but there are a few points about it that I thought were worth discussing.
http://wrongquestions.blogspot.com/2017/03/five-comments-on-iron-fist.html

Continue reading “Iron Fist Season One”

Luke Cage Ep. 1: Moment of Truth

I’m not going to go too far into what Luke Cage means to me as a Black woman, but I grew up reading Power Man/Iron Fist, and I am a child of the seventies, so I remember the whole Blaxploitation era, on which Luke is based, and have a special fondness for him. He was the first Black superhero I ever read about. Before Storm, Red Falcon and Captain Marvel.

I’m not sure if people understand just how important it is for PoC to have power fantasies too, but I’ve mentioned this before. White men’s lives are full of such fantasies, in fact, almost the entire comic book/superhero industry is predicated on it, and PoC, most especially WoC, have precious few of these. So, if you can, imagine how emotional this must be for quite a few of us, especially in these turbulent racial times, to see a bulletproof Black man in a TV show, being heroic, or in some cases, just being.

I wasn’t going to do a play by play of each episode of the series but I’ve enjoyed what I’m seeing so much, that I just can’t help myself, and this is just the first episode. I enjoyed meeting all the different characters and watching them establish relationships with each other, but more importantly we get to understand Luke Cage’s relationship to his neighborhood, Harlem. Where he lives is fairly close knit. Everyone sort of knows each other. They’ve all seen each other around, even if they don’t know  each other’s names.

I grew up in a more rural Midwestern version of this environment, and its fascinating for me to see all the neighborhood nuances, speech, and body language, in a mainstream big budget TV show, that I see everyday. This show isn’t just Black because it has Black people in it. Its Black because it has BLACK people in it. Black people not filtered through a White creator’s lens.(Mostly)

Since the show’s creator is a Black man, there is a minimum of racist stereotypes in the plot. Only the usual stereotypes to be found in such an environment,  resentful fatherless teens, the barbershop banter, hanging out at the club, but done in such a way that the viewer doesn’t dwell on these things as stereotypes.

Luke, played by Mike Colter,  is one of those quiet, mystery people you always see around the ‘hood. They don’t make waves, and you don’t see them out and about too much. He just wants to live a quiet life with Pop, played by Frankie Faison. You might remember him as Barney, from Silence of the Lambs, but I remember him mostly from The Wire.

Luke works two jobs, can barely makes his rent, and is unwilling to get involved with women who give him their phone numbers, because he’s still mourning the death of his wife, which we saw in Jessica Jones. Earlier in the episode, a gorgeous, and smart, young sistah tries to invite him out for coffee, but he turns her down. Pop is the person who urges him to be more involved in living, to find a girlfriend, protect people, that sort of thing.

Eventually he does do these things. He meets Misty Knight in the Harlem Paradise, where he works part-time, as a cook or bartender. Its interesting watching the two of them flirt without giving anything away. These are two carefully guarded people trying to establish a connection, and feels almost antagonistic. Misty gives him a hard time, but he’s smart enough to keep up with her. Luke is persistent and  manages to make his interest in her evident, and she eventually responds. And yeah, this show  proves it is not PG-13, as there is a hot, sweaty love scene, between the two.

The next morning Misty lies to him about being a cop. (What is it with Luke Cage and duplicitous women?) I don’t know where the show creator is going to take this relationship but, in the comic books, Misty ends up with Iron Fist. I liked Misty, played by the lovely Simone Cook, who has just the right amount of snark ,so she doesn’t come across as the Angry Black Woman, or Sassy Black Sister.

The owner of the club (called Paradise) is similar to Daredevil’s Kingpin, only slightly less powerful, named Cottonmouth, and played by Mahershala Ali, who is every bit as badass as the snake after which he’s named. He’s so frightening that even his own female employees don’t like being alone with him. He’s engaged in some nebulous illegal activities, which I didn’t fully understand, even though I thought I was paying attention. Cottonmouth’s cousin is played by Alfre Woodard, aka Black Mariah. She’s a powerful woman in Harlem politics. In the comic books, she’s one of Luke Cage’s primary nemeses. So there are echoes of the Daredevil/Kingpin plot in this show.

Luke becomes more involved in Cottonmouth’s affairs after a young man he knows, who worked for Cottonmouth, dies when one of his co-workers steals several million dollars from his boss.  Now Cottonmouth is looking for the last remaining thief, after killing one of them. Misty, and her partner, Rafael Scarfe, (the only White guy I saw in this episode) are investigating the deaths of the two accomplices, and eyeing Luke as being involved, because he works at Cottonmouth’s club. All  of these characters are aimed right towards each other.

In the meantime, Luke gets in “game mode” by protecting his angry, loud Korean landlady, (another stereotype, which I understand why it was added, but did not appreciate in a show that’s about bucking stereotypes), from some neighborhood thugs. It’s heavily implied that Mariah has something to do with these guys little protection racket.

Its one of only three  action scenes the viewer gets in this episode, as Luke stops a bullet, fired point blank, with his hand. We often forget that Luke Cage is also prodigiously strong, as he easily tosses grown men around, like dolls. (In the comic books Luke is a direct descendant of the same Super Soldier experiments that created Captain America.)

Contrast that with the earlier scene where Luke’s friend gets shot by the thieves, which is horrifying, sad, and graphic. Luke’s scene is also very graphic, as we see bones breaking, and some small amount of gore. But the worst violence is when Cottonmouth beats a hostage to death with his bare fists,splattering blood over his own face and clothes. So yeah, this isn’t a show for young kids, really.

So, this first episode played kind of low-key for me. My minimal expectations that it be interesting were at least met and is  a typical MCU episodic formula, where the primary characters and their relationships are introduced. Its not a standout episode, nevertheless I enjoyed it very much, and I would like to go back and watch it again, catching all the cookies and eggs that I didn’t catch the first time, like Pop referring to Luke as Power Man, Raphael Saadiq singing in the club. (I love Saadiq’s music) and Cottonmouth’s painting of Biggie Smalls hanging in his office, but I need to get to the next episode.

There are comic book, and musical references, all over this episode, which can be a little distracting. I’ll discuss those in my next review.

*Edited for corrections.

He Never Died (2015)

Oh, did I mention I was a Henry Rollins fan, and that I liked him long before he starting showing up in some very interesting (and  occasionally pretty bad) films.  I’ve  been a fan since he was the lead singer in, naturally, The Rollins Band, and then he had a show called, naturally, the Henry Rollins show. He would say things I thought were pretty subversive for TV. Things that appealed to the young radical in me and I liked him for that.

You may remember him from bad movies like Jack Frost or Johnny Mnemonic. Some of his better roles were in movies like Bad Boys II, Feast, Lost Highway, and a minor role in Heat (with Robert DeNiro and Al Pacino.)

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But now he’s doing  slightly subversive movies like He Never Died (and Gotterdamerung with, of all people, Grace Jones and Iggy Pop). Some of you Hannibal fans will like this movie.  Its about a cannibal  whose been trying to suppress the impulse to feed on people, unlike Hannibal, Rollin’s character is the total opposite of Lecter. He’s not upper-crust at all. He’s not refined,  rich, or looking for love.

Actually, he’s a pretty unhappy, mopey person. I guess you would be too if you lived forever, and had a craving for human flesh. He plays a man named Jack who has a very regular routine of visiting the local diner, and playing Bingo, at the local church. Jack doesn’t wander too far from his lane. If he sticks to this rigid routine he can avoid giving in to his craving for people. But its not to last because Jack’s life is about to be up-heaved, in the form of his daughter, Andrea, and some amateur mobsters named Steve and Short, who are looking for his “blood-dealer”,  Jerry, a nurse who owes the mob some money. There’s also  a waitress named Cara, who has a crush on him, but so far he’s been able  to ignore her.

He finds Andrea at the behest of one of his ex-girlfriends, and the two of them do some light bonding. Jack is still a gloomy-gus, but starts to come out of his shell a bit more after interacting with her. She’s no Manic Pixie Girl, though, and I like her for that. She’s snarky and pragmatic, and just her presence alone makes Jack start deviating from his set routines. They both start seeing an old man in a hat, hanging around near Jack’s routine places, though, where previously only Jack could see this person.

Thanks to Jerry though, Steve and Short are now on his trail and  trying to kill him. During one attack, Andrea witnesses him kill Short and eat his flesh. They’re both horrified but for different reasons. He’s scared he will hurt her, because the craving is back full force, and she’s just squicked out by what he’s done. Jack kicks Andrea out of his apartment, but when her mother is killed, and she gets kidnapped by the neighborhood mob boss, named Alex, Jack has to go rescue her.

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After a series of adventures where he keeps trying to start fights  with people who turn out to be good guys, he stumbles across a small gang and kills and eats them when they attack. He also manages to enlist the aid of Cara, the waitress, to find Andrea, by offering her a million dollars. He and Cara manage to find and save Andrea. Alex confesses to having kidnapped her because he remembers that Jack is the same man who killed his father many years ago. Jack is about to kill Alex and eat him too, when he is interrupted by the old man in the hat, who reveals that Jack is actually the Biblical Cain, and that he’s been cursed to walk the world as a man-eating monster for having killed Abel.

 

Jack curses the old man out but ultimately decides not to kill Alex. Jack doesn’t tell Alex who the old man is ( or even that he’s there) but when he leaves with Cara and Andrea, the man in the hat approaches Alex with an offer, revealing himself to be Satan.(A good sequel would be if Alex made a deal with the devil to get revenge on Cain.)

I had some clear expectations when I saw the trailer for this movie. It looked fun and funny and I enjoy watching Rollins’ nonchalant style of acting, which goes a long way towards making the movie as funny as it is. The actors are pretty good at matching his style, especially  the two amateur gangsters, who act like they’re extras from Boyz in Tha Hood, and Alex, who thinks he’s in The Godfather.I knew going in that the movie would be about Cain because I’d heard the phrase  “he never died”, in reference to to his name before, and Rollins just looks like I picture Cain might actually appear, if he were a real person. I also thought it was going to be about vampires. It’s not, but I was close enough.

The plot is not excessively complicated, and most of the humor, like the movie “What We Do In The Shadows”, comes from the characters attitudes towards what’s happening, and not the actual plot. One of my favorite moments is when Andrea asks Jack what he does for fun and he takes her to Bingo session, and she seems to find it a pleasant activity. Another is when Steve and Short try to pick one of several fights with him, and he keeps warning them not to do that.

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I liked the depiction of the two women, who are at first incredulous, but then very matter-of- fact about Jack’s invulnerability, as they start to take it in stride. There’s a kidnapping, but no beatings or rapes. Yeah, sure the daughter is the damsel in distress, but she’s atypical just in general. In fact, the women are never treated as sexy floor lamps, even thought the movie isn’t about them. They’re just regular women caught up in something very, very weird. Henry Rollins is the star of the movie and he fills most of its screentime.

 

The movie is not especially gory or even very talky, as Jack has almost nothing to say to anyone and is out of practice at being sociable. There are lots of action scenes, which the creators managed to  make pretty funny, as Jack shrugs off various attacks on his person. What I especially liked is that the Biblical storyline wasn’t offensive to me. If you’re not a believer, you won’t be offended by the plot, as you are not asked to believe anything in it, and if you are, the plot isn’t asking you to believe anything that goes against your Christian tenets, which is a thin tightrope to walk.

On the other hand if you are offended by light gore and cussing, its best to miss this one.

 

ETA:

Correction, Andrea does get hurt pretty badly in the film. I remember she’s mostly unable to walk, by the end of it, as Cara helps her to their car. I can’t exactly remember how she gets hurt though, only that it happens after her kidnapping, so if watching characters hurt women is of especial concern for you, please exercise caution at that point in the movie. I know watching women get beaten can be triggering, or bothersome, for some people, so I wanted to give fair warning that the film may have such scenes.

He Never Died is now available on Netflix.

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