Fall Series and Films 2020

Okay, I was initially just going to post only those shows I was invested in watching, but decided to add at least a couple of shows that, while I might not be especially enthused about them, I’m sure someone reading this, is.

So, here’s a thoroughly incomplete list of new Fall shows that someone, who is not necessarily me, might be interested in watching in October.

 

Walking Dead: World Beyond

This is one of the shows I’m not terribly enthused about, because I’m not really in much of a mood for apocalyptic fiction, right now, it’s based off The Walking Dead series, which is now in its 1,000th season, and I refuse to get attached to any of the characters I see here, just in case they die horribly in the first two episodes.

Pretty much the only thing I got out of The Walking Dead, was not to care about any of the characters, because they’re  all just gonna be horribly killed at some point, and since characters are how I get invested in a show, well…

On the other hand, it does look intriguing, because it answers some questions about those helicopter people who approached Rick that one time, and what happened to Rick after his supposed death.

One theme in zombie fiction, that I am seriously tired of, is the travelogue narrative ,where, as soon as the world goes into lockdown mode, someone decides to take a road trip to find some lost loved ones, sometimes with neighbors, or a dog in tow, and they have harrowing adventures, and this seems like more of that. *Sigh*

 

Utopia

I want to like this but I’m just not feeling it. I will look at the pilot though, and maybe I will want to see more of it. yeah, I have no idea what it’s actually about ,and I don’t even care, which is how I know I probably won’t be jumping on this.

 

 

Lovecraft Country 

I have mixed feelings about this show. On the one hand it is directed by a Black woman, and I’m just now coming off The Old Guard, which was also directed by a Black woman, and I’m feeling confident. Its also produced by Jordan Peele, and the original story was written by Matt Ruff, and I read and liked the book okay. It also has monsters in it, and I like to think the racistly racist Lovecraft is rolling over in his grave at having his universe adapted to serve Black characters. Its about a Black family that take a road trip and encounter a mystery and some Lovecraft style monsters.

But…I’m not at all in the mood to watch any more oppression narratives that are rooted in Black pain and trauma. I don’t want to watch any more shows, or movies, set in the Slave era, or Jim Crow South, where we get to watch the characters suffer, and I’m strongly inclined to pretend this doesn’t exist, and will not exist any time in the future.

 

 

Project Power 

Unlike a lot of other whiners on Youtube (and other media), I’m not yet tired of the superhero genre, especially if they keep putting interesting versions of it onscreen, but then, I’m a person who much more carefully chooses these movies and shows, rather than rushing to watch every single thing with a superhero in it, and I also tend to like non-superhero, superhero movies like Unbreakable, The Old Guard, and this vehicle here.

I really like Joseph Gordon-Levitt, and Jamie Foxx ,and I’ve never seen the two of them in a movie together, and it looks like fun, I guess. I think I read a book that had something of the same premise waaay back in the 90s, and I think there’s been a least a couple of comic book stories, where gaining superpowers through drugs, was an idea.

 

Truth Seekers

I really like Edgar Wright and Simon Pegg. Ive seen most of their movies together, and I loathe the paranormal investigation reality show genre, so I’m actually looking forward to this parody.

 

 

The Good Lord Bird

That thing I said about Slave era narratives is still true, but I find myself greatly intrigued by this movie, because its a comedy that stars Orlando Jones, an actor I love, and Ethan Hawke, who, as John Brown, looks unrecognizable in this movie, and who was great in The Magnificent Seven remake, and Daveed Diggs, who plays Frederick Douglas. I also like it because it is a comedy where the plot isn’t rooted in the consumption of Black trauma.

It actually looks really, really, funny ,and the young girl we see in the trailer is actually a young boy who has  disguised himself as a young girl because he found his life easier that way, and he sort of accidentally falls under Brown’s care.

You guys have got to read the book on which this movie is based, because Brown is a real hoot. Brown himself is a trigger happy abolitionist, who guns down any slave owners, and slave patrols he happens to encounter, making no effort to protect himself from harm, because he believes he is doing God’s will and that he is already protected.

 

 

Star Trek: Lower Decks

I’m not sure this is the best use of the money we gave these people for those last couple of Star Trek movies, so I’m just gonna leave this here.

I mean, I’m not opposed to an animated version of Star Trek, but I am opposed to an animated version of Star Trek. Heck, I didn’t even watch the original animated Trek, from the 70s. But you know what, I’m not gonna act like one of those fanboy purists who refuse to watch something just because its radically different from whatever came before, and I loved that Spiderverse movie. Not that this is, in any way, Spiderverse level entertainment, but I might be surprised.

 

An American Pickle

At first glance, this doesn’t seem much like something I’d watch, but I Seth Rogan okay, I like time travel movies, it looks funny, and I like the initial setting of Victorian New York.

 

Hannibal Season Three: Digestivo

So, I know all of you are now watching my favorite show, since its airing on Netflix. Yay!!! I don’t know if any of you guys have reached season three of the show (there’s no rush, take your time), but when you finally make it, I’m ready for ya’ with some of my more  interesting thoughts on those episodes.

Mizumono (S2E13), Digestivo (S3E07), And The Woman Clothed W GIF ...

Digestivo is, hands down, one of my favorite episodes of season three, as it finishes out the arc just before the Red Dragon book, when Hannibal is in prison, but I’m not entirely certain why, I like it so much, so lets examine this. I think its because, although I’ve definitely seen Will being dark before, this is really the first time I’ve seen him actually working in tandem with Hannibal, of his own volition, and the two of them are every bit as terrifying a team as I suspected they would be.

In a lot of ways, Will is more terrifying than Hannibal. Hannibal has engaged in years of disciplined hiding of who and what he is, while Will’s dark side has simply been suppressed, with few outlets, given the type of life he’s lived. Will’s violence doesn’t have any controls, and is completely unpredictable. Hannibal revels in Will’s violent tendencies, but even he doesn’t know when it might be unleashed, or against whom,  even himself. Will is chaotic.

In the last episode, Lecter was interrupted by the police, as he was just about to chow down on Will’s brain, with Jack Crawford as a witness. The police grab Will and Lecter, to take them to Mason Verger’s Muskrat Farm, in Maryland. I was under the impression, when I first watched this, that these were men in Verger’s employ, but it turns out that these are actually the Florentine police, capturing Lecter for the Mason’s bounty, which is actually  illegal. The police are not allowed to capture suspects for reward. At least that’s how it works in the US.

3X07 GIF - Find & Share on GIPHY

The police are about to kill Crawford for witnessing the abduction, but are taken out by Chiyoh, who seems to have gotten over her issues about killing, now that she’s gotten a taste for it, I guess. Remember, she  refused to kill Lecter’s prisoner in the dungeon, from the episode Contorno. So either she’s suddenly become more bloodthirsty, or she simply insists on killing on her own terms, and not Lecter’s. After all, she did comment to Will, that sooner or later, they all become what Lecter wants them to be, whether they like it or not, and this seems to be a truism throughout the series. Fuller himself has stated that Lecter is analogous to Lucifer, a being that wants to usurp God, (which he does), and corrupts human souls to his side (which Lecter often does).

While this is going on, Mason Verger and his henchman/cook/nurse’s aide, Cordell, make plans for cooking Lecter, and transplanting Will Graham’s face onto Mason’s. There’s a truly gruesome (but also deeply funny) image of a cooked Lecter, as the two discuss frying him like a Peking Duck.

Yes, the plot has pretty much gone completely batshit,  at this point, and the creators seem to know this, as there is a, not quite faint, tongue-in-cheek vibe, to the entire season, as if the people involved can barely keep a straight face. The show has completely jettisoned even the idea of the police procedural as it segues into the Red Dragon plotline. It’s probably better to look on this season as somewhere slightly to the left or right of Camp. The only thing that saves it from that, are the horror elements and acting, which are portrayed seriously by the cast. 

Hannibal' Delivers a Romantic 'Digestivo'

 

Chiyoh frees Crawford, in exchange for the location of Muskrat Farm, while Crawford wonders how he’s going to get out of Florence without the police noticing. Chiyoh, at least, manages to get out of town, as she eventually shows up at the Farm, after having a truly hilarious conversation with Bedelia, who is high as a kite during her scene, but still manages to get in a dig at Chiyoh about serving Lecter’s needs, which is really rich, coming from someone who spent the first half of the season enabling him.

Alana and Margot discuss making a child using Mason’s sperm, with Alana as the surrogate, after Mason shows Margot the surrogate mother of the child she would have had with Will, if Mason hadn’t had her uterus extracted. (See, that is the kind of thing that I could only be typing about a show like this.) 

hannibal digestivo | Tumblr

Hannibal, Will, and Mason, have dinner together, while Mason tortures the two men with the knowledge of what he plans to do with them. I will not mention in detail how Mason thinks Will has a pretty face, or why he would want Will’s face in the first place. (Will’s attractiveness has lowkey been an underlying theme since season one, but will be openly mentioned, by several characters, in season three.) In the commentary for this episode, Fuller says that Mason intends to rape Lecter, while wearing Will’s face (this is in reference to Mason’s comment about Lecter being in his shorties by then), if so, this is the first time that Fuller is introducing  sexual motivations for violence, into the series, as he says he has tried to avoid such motivations before.

endlessly fascinated — The Hot Darkness of Hannibal Lecter's Mind

During the dinner, Cordell gets a little too close to Will, who bites a chunk out of his cheek, and spits it on the table. We’ve seen Will be violent before, usually in dream sequences, and this shows his evolution from the first season, when Will was having trouble simply discharging his weapon at a criminal, and Alana mentions biting behavior in serial killing, in a lecture she is giving in one of Will’s classes. This is also an echo from the movie Hannibal Rising, when Hannibal bites the cheek of one of the men who killed Mischa. 

Contrast that with Will’s behavior in previous seasons. He has nothing but contempt for Cordell, and afterwards, he looks, with some slight embarrassment, in Lecter’s direction, as if to shrug that he’s sorry he’s being a such bad boy. Hannibal is, of course, very proud that Will is becoming what he always wanted Will to be, and smiles like an indulgent father. Murder husbands indeed.

Dee Discusses: Hannibal 3×07 | Media Nerd Alert!

Alana and Margot scheme to save the life of Margot’s child, but are too late, by the time they find the surrogate, a massive hog. They  discover that Will and Lecter are on the premises, and that Crawford is still alive, and may bring the FBI into the equation, although Mason says he has handled it. Alana is rightfully concerned that Mason has not killed Hannibal yet, fearing that Hannibal will escape before revenge can be exacted.

While Cordell gets ready for the surgery to remove Will’s face, Alana and Margot visit Hannibal. This is interesting for Alana because this is the first time she has seen Hannibal since they tried to kill each other. She has a profound grievance at his betrayal of her, and as it turns out, he also fed her human flesh in the form of the  “special beer” he made.  Everything she has done this season has lead up to this moment, but Alana is desperate to save Will, because he was never part of her issues. In exchange for saving Will from Mason, the two of them set Hannibal free. He counsels Margot to kill Mason after they impregnate Alana. The two of them speak to Mason explaining what they did. Mason, incensed, tries to shoot them, but a fight ensues, and the two end up drowning him in his own aquarium.

Hannibal' Delivers a Romantic 'Digestivo'

Hannibal kills Mason’s henchmen, rescues Will, and kills Cordell, placing Cordell’s face on Mason, instead. He manages to get Will to his home in Wolf Trap Virginia, with the help of Chiyoh, who shoots the last of Mason’s henchmen.

Hannibal takes will back to his home, where Will delivers his final goodbye to him, a promise he manages to keep for three years. After Will regains consciousness, he makes it clear he will have no more to do with Hannibal, not because he doesn’t love him, but because he simply does not have the stamina to live the kind of life that Hannibal wants. I also suspect that he is simply appalled at his behavior with Cordell, and  has fully reached the conclusion that Hannibal is not only not good for him, but that he and Hannibal together, are not good for everyone else. When he is with him, is when Hannibal is happiest, because Will is at his worst. He tells Hannibal that he doesn’t want to know where he is or what he’s doing, and to stay away from him.

Hannibal Lecter Mads Mikkelsen Will Graham Hugh Dancy Digestivo ...

Hannibal is heartbroken again, but his reaction this time is the opposite of what happened at the end of season two, when he tried to kill Will to show that Will hadn’t emotionally affected him. He makes no pretense  about being emotionally unaffected by his association with Will, now. Jack Crawford shows up, and asks after Hannibal, who gives himself up to the FBI, claiming that this way, Will will always know where he is, and be thinking about him.

Will, opening up, confides: “I miss my dogs. I’m not gonna miss you. I’m not going to find you, I’m not gonna look for you. I don’t wanna know where you are, or what you do; I don’t want to think about you anymore. Good-bye, Hannibal.”

After seeing Lecter taken away by the FBI, Chiyoh leaves. There’s nothing more for her to do here.

Hannibal GIF and a Graf: The Doctor Surrenders to the FBI | WIRED

 Throughout the series we have been inundated with images, and discussion, about the breaking teacup, and time. This is a reference to the instability of Lecter’s relationships with others, and him trying to undo the destruction of lives that often follows in his wake.  These discussions and images often occur to Hannibal during moments of regret with Will. He cannot reverse time, and undo what was done, and cannot seem to fix what was broken. His relationship with Will is broken, and while he understands why, he doesn’t know how to fix it. 

I also think the teacup is a reference to himself. The act of eating his little sister after her death, (something he confesses to Chiyoh), sets in motion the entire chain of events that leads to this moment with Will, and another relationship that ends up destroyed. Hannibal, in his lowest, and most honest moments, believes he is broken, so naturally his relationship with the people he admits to loving, (Will, Chiyoh, Abigail), can only ever end in destruction. He cannot turn back time and change who he is. What is broken, can only remain broken, and he cannot be repaired. Will cutting him loose is the closest he will ever get to such an outcome. He turns himself in,  not because he thinks the teacup will be repaired, but because that conscious act will keep it from breaking.  He cannot turn back time, but perhaps he can freeze it, and keep the teacup from being destroyed. As long as Will knows where he is, and is thinking about him, their relationship can remain unbroken, and  in suspension, which is exactly what happens over the next several years of their separation.

 

 

Addendum

Lets talk about the show’s handling of mental health issues, which I think has been, if not favorable, then at least sympathetic, and that includes Will Graham. This is a show about a murderous psychiatrist, so in the first and second seasons,  the audience is often presented with characters with various mental illnesses, and the show takes pains not to just show such patients as violent, but to show them as also victims within a system.

The first time Jack Crawford meets Will Graham, he is somewhat insensitive, blatantly asking him about his mental disorder, and pulling off his glasses, which is representative of the general attitude that other characters show towards the mentally ill. The show itself always treats such characters with a certain degree of sensitivity, even when some of the characters do not.

Starting with Will Graham, these characters are almost never shown as murderous, or even dangerous, for its own sake, and when they are shown as dangerous, it is usually because of extenuating circumstances, and not necessarily their mental illness. When they are violent its not out of malignancy, or because mental illness makes a person violent, but because they are being driven by their illness to alleviate their pain. 

In season one’s Coquilles, the murderer is driven by a brain tumor. He suffers from delusions that make him believe that certain people are angels meant to watch over him, while he sleeps. His victim’s deaths are a side effect of what he does, not his primary motivations, and that distinction matters. This also the case with Georgia Madchen in Buffet Froid, who kills as a side effect of her delusions, not because that was her primary goal.

But the ultimate depiction of sympathy towards mental illness takes place in season three, in Su Zakana, where we encounter Peter, a man suffering from a form of brain damage that doesn’t allow him to look at things, while touching them at the same time. At every opportunity, Will shows care, sensitivity,  and compassion towards Peter, and believes him when he says he’s not a killer. 

In fact, Peter isn’t a killer, but he is being manipulated to take the fall for the actual killer, not unlike how current political systems take advantage of, abuse, and misuse the mentally ill. Will shows care and sensitivity to Georgia Madchen as well. It is one of Will’s signature traits that his empathy draws him to such people, and the writers are always careful to make these characters sympathetic to some degree.

None of the mentally ill on the show are evil just to be evil. They are not trying to kill people. Many of them don’t actually believe they’re causing harm, and the harm they do cause is a side affect of their attempt to relieve their pain. Fuller is walking a very thin line here, but I believe it deserves merit. The show isn’t a perfect depiction of mental illness, but it does take care not too easily fall into tropes about it. The show still makes the mistake of associating monstrous behavior with mental illness, and horror, however.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Coming Soon!

I don’t know when I’ll ever feel safe sitting in any enclosed space ever again. If I do, I definitely will not be inviting my mother with me as she is severely immuno-compromised. Technically, so am I, but beyond that, I wouldn’t want to bring anything back home to her. In all likelihood, Dune and Tenet may be movies I’ll have to admire from afar. I hope not because I’m really excited to see them in a theater. If there’s a way t do so safely, while observing social distancing rules…

 

 

Tenet

This is the only movie that would possibly get my ass into a theater seat (which is never gonna happen, btw.) Nevertheless, I am very excited for this. I’m a huge fan of Christopher Nolan’s work anyway, so that was gonna happen. This is the second trailer for the movie, which is aiming for a Fall release. This trailer strongly implies that its about superpowers and time travel.

 

 

 

The Old Guard

I always enjoy watching Charlize Theron kicking ass, and I like the idea of this young black female apprentice, to a kind of immortal being. I’m always for black female characters being shown as beloved, and delicate, flowers in need of being saved, we first need to get our feet in the door, and one way to do that is playing to our strengths in action films.

So far, the Hollywood idea of a strong black woman is measuring how much pain and anguish we can endure, how much abuse we can take and still keep ticking. We need to begin showcasing other versions of black women’s strength. Fortunately we are getting movies and shows like this.

I am told this is based on a comic book, and though I like the authors of the book, I don’t think I’ve ever heard of it before, so I’m going to be looking out for it. The Old Guard airs on Netflix in mid-June.

 

 

 

Da Five Bloods

I always say I’m not into certain types of movies. What I actually mean is I’m not normally attracted to such films, not that I don’t watch them, or have never seen, or liked them. Like War movies. I do have a couple of favorites, (Apocalypse Now, Full Metal Jacket), but most of them I dislike for their reliance on spectacle with no message beyond glorifying life in the military.

I will watch this one because I like the director, the actors, (Delroy Lindo, who I’ve been in love with since Romeo Must Die), and because it’s basic premise, of a close group of Black men returning to Vietnam, so they can find the body of their commanding officer, just sounds appealing to me. I like remembrance stories, or more accurately, anti-nostalgia stories, and there aren’t a whole bunch of war movies which prominently feature men of color, telling what it was like for them.

This is also airing on Netflix in mid-June.

 

 

Gundala

Here’s a superhero story, I’m moderately excited about, set in Southeast Asia, which I’m going to check out soon. I saw the trailer for this months ago, but only recently got the opportunity to see it. This very much reminds me of the Black Lightning TV series, because it’s basic premise, a man of color, with electricity powers , who trains himself to protect his little piece of the world from corrupt government forces, is appealing to me.

 

 

Code 8

This is another one of those gritty superhero stories that sort of chronicle what life would be like if superpowers existed. I kind of like these downbeat superhero movies like Unbreakable, Chronicle, and yes, I include the Carrie movies. I am, however, not always in the mood for such downbeat material, so whether or not I see this ,depends entirely on how I feel that day. I may decide to watch another John Mulaney stand up instead.

 

This one is based on a short film, I saw last year, with the same name. I didn’t care for the Short that much, but the actual movie looks a little better.

 

 

Dune 2020

I’ve been a Dune fan since I was a teenager, and used to the read the first book in the series about every couple of years. It’s one of my few favorite SciFi stories. Yes, I did see the 1984 movie starring Sting. It’s okay, and I really liked it, but it’s not my favorite, and I’m going to pretend the TV version doesn’t exist.

Next year we’re supposed to be getting a remake of this movie by one of my favorite SciFi directors, Denis Villaneuve. I’ve enjoyed quite a few of his movies, including the Bladerunner sequel, so I’m really looking forward to seeing this, as this too is one of the few films that would actually get me into a theater.

The director has been sending out pictures of the cast and crew, and whooo yeah, I’m definitely excited for this version, which looks a lot more like I imagined it from the book. I hope it does well, but I still think y’all should be prepared for a lot of hate because there are PoC working in this movie, and y’all know how white fandom behaves when they think an entertainment product is the exclusive province of white people. There’s also the fact that it is a very loved book. I do plan to stay away from any Youtube videos talking about this movie because already there are a wave of people who are ready to ream it a new asshole before the movie has even been released.

That said, there have been some changes that some people will lose their shit over, and one of the bigger changes is that Liet Kynes is being portrayed by a Black actress. If you remember from the book, Liet is the father of Chani, but is not actually one of the Fremen, and Villaneuve says he changed the role because he wanted to portray a mother /daughter relationship, and the movie was getting very male-centric. Now, if you’ve read the book, you know what role Liet plays in the story and what happens to him ,but I’m still very excited to see what this actress is going to do, and how she will interact with the other characters. In the original film, Liet Kynes was played by Max von Sydow. Jason Momoa is playing Duncan Idaho, who is not one of my favorite characters from the book, but I’m looking forward to seeing what he does with this role.

Enjoy These Dune Images in Glorious HD, Especially Oscar Isaac ...
Oscar Isaac as Duke Leto Atreides
2248x2248 Sharon Duncan-Brewster as Liet Kynes 2248x2248 ...
Sharon Duncan Brewster as Liet-Kynes
Dune photos give fans their first look at Jason Momoa and Zendaya ...
Zendaya as Chani
Enjoy These Dune Images in Glorious HD, Especially Oscar Isaac ...
Josh Brolin as Gurney Halleck
timothee chalamet dune | Tumblr
Jason Momoa as Duncan Idaho
HEAT WAVE          Timothe Chalamet and Rebecca Ferguson in Jordan. Filming in the landscape was really surreal says...
Timothy Chalumet is Paul Atreides, and Rebecca Ferguson is Lady Jessica
pThe House Atreides Left to Right Timothe Chalamet as Paul Atreides Stephen Mckinley Henderson as Thufir Hawat Oscar...
 House Atreides
Behold Dune: An Exclusive Look at Timothée Chalamet, Zendaya ...
Javier Bardem as Stilgar

Teeny Tiny Reviews From April

Here’s a incomplete list of movies and shows  I watched in April. For the most part, I liked all of these. I can tell I liked them because I finished watching them. I’m one of those people that feels absolutely no obligation, whatsoever, to finish consuming something I can’t stand. That’s a “young person whose got a lot more years ahead of them” type of thing! I’m also not one of those people who think you can’t have an opinion on something you didn’t finish. I mean, I won’t finish a cup of sour milk, but I can still know I didn’t like it. I feel like it’s the same for books, movies, and shows. I mean, you ain’t got to suffer your way through some shit, to know you’re wading through a pile of shit. You know what you like.

I have been watching tv shows, but most of it’s stuff that already aired, since there’s no new stuff being released right about now.

 

Unnamed Korean Drama

(Close-Knit 2017)

You may notice a trend of Korean, Japanese, and Chinese movies. Yeah, I’ve been watching a lot of those since I can now access Japanese Netflix, thanx to my IPVanish app.

Wel, this one didn’t have the  title in English, so I had to research it. A lot of the shows don’t have English titles, or translations, but I’m really used to figuring out what’s happening in Asian movies, after decades of watching this kind of thing. This one did have translations in English though, so I didn’t have to figure it out too much, otherwise I would have been deeply, and I mean, deeply, confused about this movie.

This is about a little girl who goes to live with her uncle, and his common law wife, after her mother temporarily deserts her. She is often bullied at school, but there’s a little boy, often bullied himself, who keeps trying to reach out to be her friend. Her uncle lives with his transgender girlfriend, and after some initial confusion, she and the little girl start to bond, to the point where the girlfriend considers suing the mother for custody. This movie is the game Japanese director’s attempt to tackle a controversial lgbtq issue in Japan, so it’s a little heavy handed in some places, frustrating in others, and sometimes, it’s just vague, but I’m a sucker for found family stories.

It’s a beautiful story, though,  and I really liked it. The little girl is unwilling to get close to people because she keeps experiencing the instability of being abandoned by her mother, every time her mom gets a new boyfriend. She is also reluctant to get close to her uncles gf, but it isn’t until the two of them bond over knitting, and the gf’s transgender status (she is pre-op) that the girl allows herself to open up to the little boy who’s trying to be her friend. Unfortunately, her friendship with him doesn’t work out, because his mother is deeply transphobic, and makes the girls living arrangements her personal business, to the misfortune of this lovely found  family.

Without the translation, the most confusing part of the movie, are the knitting scenes. We get a backstory on the gf, from when she came out to her mother. Her mother, while initially confused, became deeply supportive of her daughter, going so far as to knit her a pair of tiny breasts. I mention that she is pre-op, because part of the plot is that the gf spends a lot of time knitting penises. When she finishes making exactly 108 of them, she will burn them in effigy, and that will be when she is ready to have her bottom surgery.

She teaches the little girl to knit by making these penises, and that’s how the two of them bond. At one point the gf allows the little girl to squeeze her breasts, because of her intense curiosity about her gender status. She becomes less confused, but the girlfriend’s breasts are still a focal point of their relationship, because the little girl begins associating them with the warmth, comfort, and motherhood she wasn’t getting from her own mother, especially since the gf is the one who cuddles her against those same breasts, when she gets afraid in the middle of the night. The girlfriend becomes a figure of maternal love and stability for her, but even though they have chosen each other, they cannot be together, as mother and daughter, because society will not allow it.

I though this was a beautiful little story, not too emotionally taxing, with an open ending, that was somewhat bittersweet.

 

 

Birds of Prey: The Fantabulous Life of Harley Quinn (2020)

I had so much fun watching this movie. Sometimes you really can tell the difference between a movie directed by a man, and one directed by a woman, and that seems to be the case with this movie. The story itself isn’t all that different from what would appear in a film made by a man, but it is definitely a comedy, and the emphasis is on different parts of the story, over others, and the story beats, and pacing, are different, and the tiny details can mean a lot to a female audience. Still, you can sort of tell a woman did this movie, because it feels like most of the kinds of art made by women, in which the relationships between the characters are what’s  of primary importance, and that’s what’s going on in this film.

You’ll hear from a lot of male critics that the movie was bad, but really it’s that the movie is simply made with a different audience in mind, and so there’s an emphasis on different things in the movie, the kinds of things that might not appeal to male viewers. Since personal relationships are of deep importance to women in the real world, movies that emphasize that can be greatly appealing to a female audience, and we don’t consider such movies to be a failure. As women, we may be looking at the film through a different lens.

Another appeal for women is how the women interact, and I think that was this movie’s greatest appeal. The women in the movie aren’t at loggerheads just to have drama. They’re at odds with each other for real reasons, based on the plot, and they’re brought together through the plot, and learn to get along to survive the plot. The biggest problem I had was that the movie isn’t pretty. I’m not used to comic book movies looking like this, expecting a much more anti-septic, and polished, look. It looks kind of dirty and grungy, and the cinematography looks really different than a Christopher Nolan film, or anything in the MCU. Harley definitely lives in Gotham’s armpit, as do all these characters, and it shows.

Funnily enough, my favorite character turned out not to be Dinah Lance, but The Huntress. She was such an delightfully odd character, and showed some aspects of Spectrum behavior, although her uncertainty about her social skills might have had something to do with either her unconventional upbringing, or that she’s a loner, who has never had any friends. I liked Harley, but Huntress turned out to be an unexpected fave.

I really enjoyed this movie, though. It’s the complete opposite of everything in the movie Joker, so if you are any of the many women who hated that movie, then try this one, because it’s a helluva lot more fun. It’s hilarious to point at both these films and even say they are about comic book characters, let alone set in the same DC universe. The story arrangement is a little different than I’m used to, since it’s told from Harley’s point of view. There’s a lot of pausing, and back and forthing, and a couple of side issues, because Harley is a somewhat disjointed storyteller, who is mildly unreliable as a narrator, but she is zany and energetic, and a likable anti-hero, and we can see the faint seeds of the real hero she will eventually become. The movie isn’t deep, but it’s a helluva lot of fun, and I want to talk about it later in more depth, because there are a lot of fun and interesting things to be said about it.

 

 

Joker (2019)

Despite all the controversy surrounding this film, I genuinely liked this movie, as an interesting piece of filmmaking. It’s true, that it’s not an especially deep film, but that isn’t always required to like a film, and so I let that pass. I also didn’t care much for its message about yet another white guy feeling disgruntled about his life, and going on a killing spree. There are far, far, too many of these types of shows, and movies, in pop culture, and this is another one that presents the same theme, and yet, asks no questions about it.

On the other hand, it is a gorgeous looking movie, although I did think it was much too derivative of Martin Scorcese’s early works, Taxi Driver, and King of Comedy. Joachin Phoenix turns in a splendid performance though, and there were moments where I was greatly moved by the pathos and beauty of his character, his acting, and the cinematography. I’m tired of this sort of plot,  but  the director did a superb job of evoking sympathy for this character. Was this an Oscar worthy film, I don’t know, but in my opinion, it was worth watching. And I will probably watch it again, at some point, for the acting, and aesthetics.

 

 

Memories (1995)

This is a 90s animated anthology, from the maker of Akira, Katsuhiro Otomo. It consists of three stories about technology gone wrong, and people’s interactions with it, but I’m only interested in the middles story in particular, Stink Bomb. I thought it was hilarious, and kind of sad. There’s a message in it, but I’m not quite sure what that message is. Nevertheless,I really enjoyed it.

The Big Stink is the middle story, about a down on his luck office worker, who gets infected with a kind of biological warfare gas, that kills anyone within a certain mile radius of him. He, of course, doesn’t know this. All he knows is that people keep dropping dead around him, as at first, he tries to make his way home, and then attempts to outrun whatever is killing the people in his vicinity. For some reason, I found  this part, deeply funny, although if you think about it too long, it’s pretty horrifying. The attempts by the police, and the military, just get more and more outrageous, as they escalate from guns, to tanks, and then to missile strikes, in an effort to stop him from reaching the city. The ending of this one was very satisfying, though.

 

 

Roujin Z

This is one of my favorite little known Katsuhiro Otomo movies. I love the premise of it, which just thoroughly tickles me. It’s got a good strong story, and like his segment in Memories, Stink Bomb, there’s a deeply hilarious idea gliding just underneath the surface story of a rogue robot destroying a large city.

This was the movie that made me think about the different attitudes towards AI between the East and the West, which I am really going to have to have a deeper discussion about. I think I mentioned before that Japanese culture doesn’t have the same type of fears about automata that the US does. If you go by the types of books we write, the movies we make, and the types of discussions we have surrounding technology, then Westerners have some kind of deep atavistic fear of dolls, and robots. We are forever making stories about rebellious, or angry, simulacra that want to destroy their makers, and I want to examine this further.

Roujin Z is about a newly invented, healthcare,  AI robot, that is given custody of an old man with dementia, who thinks the robot is his long dead wife. The robot, which is a kind of mobile care vehicle and bed, begins to take on the persona with which he treats it, and decides  to care for him in the way his wife would have. He expresses an interest in visiting the beach, which is several miles away, and the robot decides that’s a good idea, and sets out. This causes complete chaos, as officials try to stop the robot, without hurting the old man, and the robot knocks down anything and everything in her path, to accomplish her goal, like houses, street posts, and cars. It wasn’t built to be so powerful, but it was built to modify itself to the needs of its patients, and that’s where the problem lies. Remember, the officials have no idea why the robot bed has gone rogue, and keep speculating that it is abducting the old man (which it is, but with good intentions). This is the case of  an AI that isn’t actually malevolent, but as in a lot of Japanese films, creates havoc while doing its job too well, which is an attitude not often seen in American made movies of the same type.

 

Ajin

This is another one of those Manga movies I never read, but I enjoyed this live action version, about a private war between these two immortal mutants, one of whom wants to destroy humanity for experimenting on his kind, and the other trying to protect humanity from him. Or that’s what I got out of the plot, because I watched a version of this that had no English translation. It’s got a lot of the old ultra violence in it though, which I appreciated.

Since there were no subtitles, I didn’t catch any deeper themes in the movie, but I loved the special effects, where their bodies reconstituted after their deaths, and they produce these ghostlike creatures (which look like they’re made of ashes) which battle each other kind of like Pokémon, which was fun.

 

 

Monstrum

If you are a fan of the Kingdom series, and Train to Busan, than you should check this movie out, if you can find it. It’s very much in the same sort of vein as Kingdom, in that it’s an historical monster movie, with gorgeous costumes, clever swordplay, and elements of class warfare. Where Kingdom and it’s cinematic counterpart (Rampart) contain zombies, this one just has a random giant monster.

The movie it most reminded me of was Alien 3, actually, but with more likable characters, and a more streamlined plot.  The king receives some sort of dog like pet, which soon grows to tremendous size and becomes untrainable. The king keeps it locked up in his dungeon, where it’s gone more than a little feral, but some bright soul sets it  free, presumably to destroy their enemies, the creature goes on a rampage through the capitol, and must be stopped by a hero with a bad reputation. It’s not an especially deep film, but it was a really good, straight up, horror movie, with lots of suspense. If you liked Bong Joon Ho’s The Host, then you’ll like this one, too, which is like an historical version of that film. 

 

 

Tokyo Ghoul

This was another movie I watched without subtitles. What I got out of it was this young man who discovers he’s a creature called a ghoul, which feeds on human beings, and he spends most of the movie having tentacle battles with the other ghouls. There are a lot of tentacles in this movie. That’s mostly what I remember. That, and I thought the movie had some truly disgusting scenes, which were, well, mostly just disgusting. It wasn’t particularly scary, or even fun, but it was fascinating in a “The Thing”, kind of way.

There’s a sequel to this movie which I’m debating whether or not I should watch since I didn’t get much out of the first movie beyond “ewwww”.

 

Kipo and the WonderBeasts

I’ve also been watching a lot more stuff that’s fun, stress free, and animated. Kipo definitely fits those criteria. This cartoon was sooo much fun! All the characters, outside of the Wonderbeasts are PoC, one of which is gay, it’s funny, has a lot of adventure, is reasonably intelligent for kids. I’d also like to add just one more thing to make you watch this:

‘ Drum & Bass’ Bees

or Giant Disco Bees, as I like to refer to them.

The story takes place far into some Earthlike future, where most humans are living in underground cities. After a horrible incident, Kipo gets separated from her father, and the rest of her community, and stranded on the surface, where she has to make friends and allies, to help her find her way back underground. It’s also a found family story as we watch these very different characters, with different attitudes and agendas bond, and have adventures.

if like me, things are just too stressful to watch horror movies, or thrillers right now, then series and movies like Kipo are well worth the watch. 

Also Watched:

Penny Dreadful (New show)

What We Do in the Shadows (Second Season is off to a hilarious start.)

Brooklyn 99 Finale (This was a great season! Jake and Amy’s baby is born in the final episode. Holt’s arch-nemesis, Munch, dies. We get a Halloween Heist episode, and we get an episode focusing on Cheddar, and Kevin.)

Schitt’s Creek Final Season (This was such a great show. It’s deeply funny, really sweet, it has great characters and character arcs, and moments of real pathos. It had a beautiful finale, culminating in the wedding of one of the lead characters, to his husband, after two years. It’s not too emotionally taxing, and a lot of fun. One of the most underrated shows on Netflix.)

Viewing List – November Edition

These are the reviews from things I watched in October and November. I will try to make these as short as possible, but y’all know I’m good at blabbing about TV shows, so wish me luck with that.

 

Dolemite is My Name

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I was kinda excited about seeing this, nevertheless i was surprised by how much I liked this movie, and I can think of no better actor to play Rudy Ray Moore than Eddie Murphy, a comedian I have  always had tremendous respect for, and who really doesn’t get enough credit for all the work he’s done, in the past 30 years.

Now, I have to give a little bit of background here. I grew up in the time period in which this movie is set. I would have been 2 maybe three years old at the beginning of the movie, but I have very distinct memories of grownups being really excited about Moore, and Yes, I did encounter a couple of those racy album covers in my mom’s collection, but I don’t think she knows I remember she was a Rudy Ray Moore fan.

I have a very clear memory of mom, and her then boyfriend, taking us to the Drive-in to watch The Human Tornado, which came out in 1975, and was a sequel to Dolemite.  I would have been five, and my brothers would have been 3 and 4. She would have had the assurance that, since we were babies, we would all be asleep by the opening credits. I don’t think she knows I was wide awake No, I wasn’t scarred for life or anything, but I definitely  remember parts of  the movie, and even some  it’s theme song. I know this is a genuine memory because I have never seen the movie as an adult.

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Anyway, all this to say that this definitely brought back some memories. There are some things about Black culture that only Black people know. I’m gonna let y’all in on a little secret.

Black people have our own stories, which seem to parallel stories from other cultures. Most of them you’ve probably never heard of,  unless you grew up in the culture, or have parents of a certain age, like my Mom. My mom used to tell us stories about the Signifyin’ Monkey, the lion, and the elephant, (only without all the cursing, and never the whole story, since its fairly raunchy.) Probably not the sort of things one would tell one’s kids today, but things were different back, then, and my Mom was kinda weird. It has a pretty long history, too. If you have ever  read American Gods, Anansi tells a story that is directly based on the folklore tale , titled How the Monkey Got the Tiger’s Balls:

Numerous songs and narratives concern the signifying monkey and his interactions with his friends, the Lion and the Elephant. In general, the stories depict the signifying monkey insulting the Lion, but claiming that he is only repeating the Elephant’s words. The Lion then confronts the Elephant, who physically assaults the Lion. The Lion later realizes that the Monkey has been signifyin(g) and has duped him and returns angrily to castrate the monkey, rendering him unable to reproduce.[3]

https://en.wikipedia.org/wiki/Signifying_monkey

http://mogley.tripod.com/monkey.html  

The Signifyin’ Monkey is part of the Dolemite theme song. Since this is a Rudy Ray Moore biopic, there’s a lot of cursin’, and some mild nudity. Its not half as raunchy as the actual Moore, but I think he’d be satisfied with what was shown in this movie.

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I also enjoyed it outside of the nostalgia factor. There’s a scene, in the early part of the movie, where Rudy encounters a plus size woman whom he recruits into his comedy troupe. This woman later  became known as  Queen Bee, who was every bit as raunchy in her style of comedy as Rudy. The story is arranged in such a way that you’re meant to cheer Rudy as a driven, hard working man, who triumphs against the small minds of others. Needless to say, most comedians probably couldn’t get away with most of the comedy routines, in this movie. The seventies featured a lot of new culture, that we take for granted now, and one of those things was raunchy Black comedians.

There were plenty of Black comedians before Rudy, who said some fairly racy stuff, but they mostly worked what was known then as The Chitlin’ Circuit, which were a collection of venues where only only Blacks could perform, since they still, even in the seventies,  considered too raunchy to play in the mainstream (i.e. White ) circuits. Rudy was one of the first of these type of comedians to go (sort of) mainstream, in that even White people heard about him, although he still would never have been invited on The Johnny Carson Show. So, the movie is one of those low key inspirational films, about overcoming racism in Hollywood. The first half of the movie is very caught up in people telling Rudy “no” , telling him what he can’t do, or making fun of him for wanting certain things, and Rudy going off to do those things anyway.

I have since learned that Eddie Murphy has received a Golden Globe nomination for this role. but I don’t think he will win. He does some great work here, but its not the best work he’s done, and really, I thought it was a walk in the park for him. He can play this type of role in his sleep. But I did enjoy watching him, because his charm makes the occasionally cringey plot, very watchable.

 

The Mandolorian

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I am loving The Mandolorian, and not just for the Baby Yoda scenes. (No, that isn’t actually Yoda, but some distant descendant, since this series is set after Return of the Jedi.) This series is full of some of the classic themes we expect from Star Wars. George Lucas has said the original Star Wars was based on the works of Japanese film Director Akira Kurosawa, most specifically, Seven Smaurai, and you can see some of the influence here.

In fact the series heavily reminds me of the Japanese Manga called Lone Wolf and Cub, in which an itinerant samurai, a ronin, wanders the Japanese landscape, with his tiny son, searching for vengeance, and  getting into various adventures. The only differences between that, and The Mandolorian, is the son doesn’t have force powers, isn’t on anybody’s wanted list, and isn’t half as cute as Baby Yoda. The show takes care to focus on the relationship between Mando and Baby Yoda, too. There are a lot of really cute moments between them, and the public seem to have really taken a shine to the little guy, much the same as his adoptive Dad.

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Its also a classic story about a character’s personal growth.  Mando starts out as a bounty hunter, who is just there for the work, so he can buy some new armor, but makes the decision to take the baby and run, rather than deliver him/her to his clients. There are larger mysteries which haven’t been answered yet, like who exactly is the Mandolorian, why does everyone want the baby, and where did this baby come from.

The production values, the costumes, acting, and special effects, are all top notch. It really does have the look and  feel of one of the movies, which makes it very easy to watch, although this luxury comes at the expense of the episode running times, which never get beyond 45 minutes. I can live with that, especially since the action scenes are the highlight of the series. In one of the earlier episodes, there is a full on fight between a team of Mandolorians and the various ne’er do wells, and criminals, on the planet on which they’ve all been hiding out. When CG is used, its mostly for the creatures, and action scenes, and is largely invisible, as its supposed to be.

 

 

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War of the Worlds – BBC Version

 

There have been umpteen different versions of this show. A book, a radio program that, as it is rumored, gave some people the shits back in the thirties, as they thought it was real, several movies from the fifties to the nineties, one of which starred Tom Cruise, another TV show, and now this.

Its a three part miniseries from the BBC, and so far I’m really liking it. Its got some nice production values. You can see where the money went in this one. The special effects are well done, and not that usual cheap TV stuff you sometimes get in big idea shows, and the show, quite frankly, looks gorgeous. The acting is acceptable,  although the only actor I truly recognize is Robert Carlisle.

And this show is not fucking around with its theme. H.G.Wells wrote the novel as a reaction to the British annexation of the Congo, and the atrocities that were being committed during the colonization of India. He wrote a book about the violent colonization of England by a superior technological force, as a condemnation of the British Empire’s activities, and the show makes this connection loud and clear, right in the opening credits. In the first fifteen minutes of the show, you hear characters having conversations about the might of the British Empire, and how wonderful it is to live in such a powerful country. By the end of the first episode though, the Martians have shut that talk down.

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There’s also some melodrama involving the two stars of the show, Rafe Spall, the brother of Timothy Spall, as a fellow named George, and Eleanor Tomlinson as his paramour, Amy. The two  are madly in love, but cannot be together, because George’s  wife refuses to divorce him, She hates him, and wants to remain married to him just to spite him. The family is scandalized, his older brother,  is outraged, and the  the rest of the community don’t know how to think of this thing, where the two of them are living together, unmarried. Plus Amy is pregnant.

I was not initially interested in the melodramatic aspect of the show, but the show does this thing, where it flashes back and forth to the future, after the alien invasion has been conquered, but the Earth is a literal hot mess, because the aliens weren’t just there to invade, they were terrraforming. Amy is wandering through the red deserts of what used to be England, with her young son. She has been separated from George for a long time, but still holds out hope of finding him. I didn’t care, at first, but I decided that I liked the characters. At least, I liked Amy, and that seems to be enough for me to start to care the rest of it.

The show opens with her and George witnessing the launch of the ships from Mars. Its a little different from the movies, because the ships look like meteors as they land, and that’s hat people think they are. They look like black globes that float off the ground, and are capable of setting people on fire from a distance. The tripods break out of the ground after the globes explode, and start their rampage, although the tripods aren’t so much interested in annihilating people, as they seem to be in seeding the planet with various gasses and chemicals. Like I said, this is not an invasion, exactly. They are transforming Earth into another version of Mars, and if you look at the flash forwards, their mission seems successful.

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I did have some criticism about characters doing stupid things, but this is only because this is one of those situations where the audience knows more about what’s going to happen than the characters do, so there were a lot of instances where people are standing around looking at things, while I yell things like ,” Get the fuck out of there!!!!’, and, “Run!” There are  various government officials who act like the mayor from Jaws, and simply bluster uselessly at the reports they’re getting from other parts of the country, about the annihilation of entire towns, even though the city is filling up with refugees from those areas. The British are so full of themselves about the initial events, that I have to admit, it was a bit satisfying watching them get their asses handed to them by the Martians, which point the show is trying to make. Basically, the show is saying that the British “ain’t all that!”

There are lots of closeups of boiling ant colonies, along with images of English people living their best lives, not unlike the ants, walking the streets of their mighty London, and looking quite busy, and the tripods themselves look very insect like, such that there is a connection being made between the idea of  invasive species, and the colonizing aliens, and that what is being done to England by the Martians, England is currently  doing to other countries, and been quite proud of themselves for it. We know the English are proud of their activities, but we don’t get any idea how the aliens feel, though. There are scenes where people touch the black globes that have dropped to Earth, and see smeary lingering images of their hands and faces, in the glossy sheen of the alien device, in a very,  “We have met the alien, and they is us.” type moment. So yeah, the show ain’t being  coy regarding its critique of British empiricism.

The setting for the various iterations is England, at the height of the British Empire, when it was engaged in the violent colonization of different countries. The English were largely brought low after WW2, (look up London Blitz), so its interesting that the first American version showed up in the fifties, (1953), when America, having won some victories during the war, (and starting to feel itself to be the shit) began engaging in its own world dominance behavior. (Before the War, America pursued an isolationist stance.) The 1953 version, (and subsequent invasion movies, like Strange Invaders, and Independence Day), were not about the humbling of America, so much as they were  America conquering some  great enemy, against all odds.. The 2005 version is a response to 9/11, where its made clear that the alien invasion is a stand-in for the terrorists, and America doesn’t triumph, so much as get lucky.

Not all alien invasion movies are violent. Some of them are enlightening, like 2001, and/or  hopeful, like Close Encounters of the Third Kind. This series is in the truest spirit of the book, however, which was a rebuke to British hubris.

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* https://www.post-gazette.com/ae/movies/2012/06/13/Behind-the-fiction-lie-factual-themes-in-alien-movies/stories/201206130200

Once they were analogies of the Cold War or Vietnam. Sometimes the underlying theme is corporate greed, environmental destruction or fears of technology supplanting humans. The movies feed on public fear of enemies from abroad, which in today’s world, he said, could even include mortgage bankers.

The Irishman (Netflix)

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*****Here Be Spoilers****

 

Let’s  get something out of the way first.

Yes, I’m aware of what Scorsese has said about the current crop of superhero movies, and yes, I was offended, until he clarified his statements in a recent Vanity Fair article. I’m glad he did, because I was prepared to stay mad at one of my all-time, favorite directors. Well, I’m not as angry, but he is not wrong. He’s not right though, mostly because I don’t think its fair to compare the two types of movies. They serve very different purposes for their audiences in that one type of film consists of exciting power fantasies (like the first half of the movie Goodfellas), and righting wrongs, and Scorsese’s films seem to be about the consequences of that amount of unchecked power,  and what it actually gets you. Superhero movies make no claims of depth.  They are not dramas, although movies like The Dark Knight, The Winter Soldier, and Logan come very close.

The Irishman had a brief theatrical run, of about a week or two, before it settled on Netflix, which is where I viewed it, with a great deal of anticipation. There’s a lot of backstory about why the movie is airing on Netflix, but I’m not covering that here. Like a lot of people, I went into this expecting something similar to Goodfellas, and Casino, since Scorsese seems to have some sort of lock on the depiction of  White men in the mafia life. The movie is definitely about gangsters, and appears to be having some kind of dialogue with the other two films. It would be interesting to watch all three of these movies back to back, to see what they are saying to, and about, each other.

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I loved this movie, and I wasn’t expecting that. Everyone involved is at the top of their game. I didn’t think Scorsese had a lot more to say about the mafia life, that he hadn’t already said, but he does.

Like the other two films in this trilogy, it’s a meditation on crime and regret. I think a lot of people have had a  very wrong takeaway from Scorsese’s movies. Although he seems both fascinated with , and terrified of, this lifestyle, he definitely does not approve. These are the kinds of people he knew growing up, and he seemed to have kept, in the forefront of his mind, that they were not good people, no matter what their claims of nobility, or  how fascinating their lives were.

These films are not a glorification of their lifestyle.  Henry Hill, in the last third of Goodfellas, just flat out states this. Scorsese has never sugarcoated who and what these people are. The violence in these films is always  sudden, and brutal.  Hill spoke on the topic in Goodfellas, but here its just shown. Scorsese always  has  his characters realize, by the end, the horror of the decisions they’ve made. Every participant ends up  dead, or regretful, and there is a an onscreen commentary, on the fate of each one of the character’s introduced, in the film. The bottom line is, if you choose the mobster life, because you have romanticized notions about it, it will end badly.

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I knew a young Italian man, in college, who told me that his father met some people in the life, but he also told me that one of the key things is never to invite them into your life. Don’t ask them for favors, don’t hang out with them in their places, don’t befriend them. They’re like vampires. You have to let them in.

A classic example, is the restaurant owner from Goodfellas, who allows Tommy, and his friends, to frequent his restaurant. Just like Henry did as a child, he thinks its exciting to be associated with these men. He admires the life, and believes he is friends with them, until the time comes for Tommy to pay the massive bill he’s run up on his tab. These guys are just taking advantage of him, but he is still too enamored of their life to see that. In an effort to get Tommy to pay his bill, the restaurant owner goes to Paulie, (Tommy’s boss), and makes Paulie a partner, in exchange for taking care of Tommy’s bill. Paulie takes advantage of him too, until he  goes out of business, as they steal  him blind, eventually the restaurant gets burned down for the insurance. The owner romanticized their lifestyle. He failed to see them as the unprincipled thieves they were. He invited them in, and he lost everything. The same thing goes for the character of Spider, a mirror of the young Henry, who romanticizes their lifestyle, and gets killed by Tommy, for standing up for himself, with not a single tear shed by any of the witnesses.

The Irishman  follows another low grade member of a mafia crew, a hitman named Frank Sheeran, (Robert DeNiro), as he befriends various mobsters, and paints houses (carries out mob hits). Most of the movie is about his friendship with Jimmy Hoffa, (Al Pacino), and his confession that he killed him, after being assigned to do so by his then bosses, one of which is also a close friend, Russell Bufalino, played by Joe Pesci. The movie is based on a book by Charles Brandt titled “I Heard You Paint Houses?”, which is the line in the movie said by Pacino, when he and Frank first meet over the phone. So once again, you have someone who invites these people into his life. Hoffa knows who, and what, these people are, but he romanticizes the life, and has an outsized sense of his worth to them.

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Right away, the mood and setting are very different than the other two movies, (Goodfellas and Casino), which open with exciting scenes of violence, (and interestingly, with men in cars). This movie is reflective and melancholy. The opening scene is a quiet shot of Frank, in a senior citizen’s home, reminiscing about his past, to his lawyers. The movie is a flashback, but unlike Henry Hill”s story, Frank has no misty-eyed remembrances for the things he’s done. He joined the mob because he was a soldier who needed to do something with his life, after he came back from the war. He didn’t join because he loved the life, or glorified its denizens, and this is probably why he survived, although that’s no consolation, either. He is an old man filled with regret, and we come to have some amount of sympathy for him, although Scorsese never lets us think, for a moment, that he is a good guy. Nor does he show Frank as vicious or evil, for its own sake, although the things he does, are indeed,  vicious, and evil. Scorsese presents him as just a guy, who made the best choices he could, in the circumstances presented to him.

Deniro definitely deserves some form of recognition for his role here, but the two major highlights of the movie, for me, was Al Pacino’s Jimmy Hoffa, and Joe Pesci’s much quieter turn, as Russell Bufalino. You want to be reminded of his role as Tommy in Goodfellas, but this character is wholly unlike him. Bufalino is smarter, and more calculating, with a cool menace that the hotheaded, showboating, Tommy lacked. He and Frank become friends, and get to be quite close, but Frank, (and hence the audience), never forgets the power dynamic between them. Russell is his boss, and should Frank prove to be a threat, or an inconvenience, Russell could have him killed, and it would be just business.

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This was the most interesting part of the movie for me. Y’all know me. I love to watch different types of  characters interact. It’s interesting because movie audiences don’t often get to watch the  process of two grown men, who have been steeped in pride and machismo, their entire lives, put themselves in the vulnerable position of trusting a stranger, while navigating the power and violence of their positions,  to  become friends. You can see them feeling the other out, trying to reach a place of comfort. I found myself totally caught up in the moment. The faint distrust, and the questions they ask of each other, without actually asking them: What do you want from me? Are you a stand up guy? Will you give me straight answers? Can you be trusted?

Frank’s relationship with Hoffa is covered just as deeply. The most  fascinating part, is comparing how trust is shown between Frank and Hoffa, and Frank and Russell. Scorsese doesn’t fall into the trap of having the characters make grand declarations of how much they love and trust each other. There are scenes with Frank and Russell hanging out with each other’s families, or having dinner together. Some scenes with Frank and Hoffa are just them talking in Hoffa’s bedroom, before he goes to sleep. At one point, Hoffa nods off while talking to Frank, he trusts Frank so completely, and Frank just quietly sits there for a while, watching him sleep, and glancing out the window, and that scene is unexpectedly moving. It’s hard to know what Frank is thinking during that scene. The specter of violence hangs over everything he does, and that scene is even more tragic, when you know what happens between them later.

There are not a lot of women in this movie, and none of the men have any moral standing. The moral center of this film is Frank’s daughter, Peggy, (Anna Paquin) who sees her father beat a man on her behalf, when she is a child, and this impacts her relationship with him, for the rest of their lives. She gets probably three lines in the entire movie, but Scorsese sets her up, by giving us long closeups of her face, and her disapproval, and fear, of her father, (and by association, Russell), is apparent. We don’t need a loud, dramatic shouting match between them, to know that she has seen what kind of man he is, and  will never love him. Frank tries to reconcile with her before his death, but she will have none of him.

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Frank doesn’t just regret the things he did when he was younger, but all the familial relationships he let fall by the wayside, while prioritizing his relationships with the men he worked for, all of whom are now dead. He has to pay for his own funeral, buying his own tombstone. There’s no one alive, who would come to his funeral, anyway. The movie ends with Frank, alone in his room. He is the last one left of that old life, and he has nothing to show for it. Once again, Scorsese presents the mobster lifestyle as empty and meaningless. If you don’t die horribly, at the hands of someone you trusted, then you die alone, with no one to care.

There’s a lot of the movie I didn’t talk about, like the cinematography, and music, which are pretty standard for a Scorsese film, with some upbeat sixties songs, the most prominent song being, In the Still of the Night, by The Five Satins, which bookends the movie. There are two opening scenes, one with Frank beginning his story in the nursing home, and the other, the beginning of the story, which features him and Russell, taking a road trip, with their wives. The movie starts out really cute, with the wives fussing with their husbands in the car. Everyone is very comfortable with each other, at first, but as the trip continues, the tension begins to mount, as we overhear increasingly nervous phone calls between Russell, Frank, and Hoffa, finally culminating, in the last third of the movie, in Russell’s order to Frank.

The cinematography is superb ,as usual, but there are a few uncanny valley moments in the film as Deniro, Pesci, and Pacino had to be de-aged in a few of the scenes. The de-aged faces aren’t as emotive as their actual faces, so I kept getting jarred out of the story, by wondering every now and then, how the actors got de-aged for their roles, but this doesn’t happen a lot, and is easily ignored. If you’re not a fan of Scorsese’s mobster films, this still may be worth a look for you, because its very different in tone, but I do have to warn you,  that just like in the other movies, the violence is flat, graphic, and unforgiving. When it comes to acts of violence, Scorsese does not fuck around, or wince. People get beaten and shot, and there’s a harrowing scene where Frank shoots up a restaurant full of people. I have become a lot more squeamish, as I’ve gotten older, and these scenes were hard for even me to watch.

Despite its three hour run time, the movie didn’t make me feel restless at all. I sat through the entire three hours, and never missed them, or a moment of dialogue. The movie simply pulled me right in. It was moving, with moments of sheer horror, and is a testament to Scorsese’s skill as a director, as nothing is explicitly stated by any of the characters, yet its message is loud, and clear. I don’t know if this movie will be nominated for an Oscar. It, and everyone involved, should.

The Irishman is the best movie I’ve seen this year.

October Viewing List

Raising Dion

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I binge-watched this entire series last weekend. While it wasn’t entirely what I expected, it wasn’t bad, and I will be back for a second season. It was a pleasant series, not as intense as I thought it would be, pretty fun in a lot of places, with the occasional thrill of tension  in others.

I did go into this with some assumptions based on the trailers. I thought it was going to be a straight superhero origin story, but it turned out to be as much about Nicole, his mother, as it was about Dion.

Nicole was a  professional dancer, now turned single mom, after the death of her husband , and she and Dion have moved to Atlanta. Nicole is one of those people whose life always  seems to  careen from one disaster to another, and when Dion develops superpowers, that just complicates her ability to find and keep a job. When we first meet them, she is still job searching, with the help of her older sister, and she still has not yet told Dion that his father is dead, and won’t be coming home, which is rather heartbreaking. (She eventually gets around to telling him.) Dion’s dad died under mysterious circumstances, and Nicole is still in  mourning, while her sister and her girlfriends do their best to console her.

 

The show mostly turned out to be a mystery, and not the government thriller I thought it would be, as Nicole delves into how her husband died, while he was  working for a Biology corporation. She’s spurred on this journey by Dion’s development of powers, so while trying to figure out how Dion got powers, she is also trying to find out what happened to her husband.

I wasn’t into the plot too tightly, but I did enjoy the secondary characters, like her husband’s best friend, Pat, who starts out  endearingly dorky, and obviously crushing on her, and  great as Dion’s godfather. Later in the series, his story changes, and I wasn’t ready for that ,and I was kinda mad about it. Her sister is one of those likable/unlikable people, who at first, seems super critical, but will totally ride or die for her little sister, which made me like her more. I liked these two characters okay, and Nicole was okay too, although I could have done with a lot less dancing in a couple of the episodes.

The two stand out characters for me though were Dion and Esmeralda. The actor playing Dion is as cute as a button, and Dion is imaginative, and kindhearted, which goes a long way with me. Esmeralda is a gem ,and that actress reallt endeared herself to me. Esmeralda is especially smart and insightful and I was glad to see that the show didn’t focus all her personality into her disability, but it does inform certain aspects of her personality.

Esmeralda uses a chair, and when we first meet her, is around the time that Dion discovers he has powers. He declares that he is a superhero, but Esmeralda reminds him that he isn’t a superhero yet, and has to earn that title. One of the things she says about herself is that she can turn invisible, and this is important, because people’s disregard of her allows her to be especially attentive. Because people don’t pay close attention to her, she is able to pay attention to things other people ignore, as she is the first person to figure out, (outside of his mother), that Dion has powers.

So yeah, I already like the characters, and the show is pleasant enough. There are no world ending stakes involved this season, as the story remains mostly small and personal, which will give the show room to expand, as Dion grows into his abilities.

 

Batwoman

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I can’t say that  enjoyed this episode, but I didn’t hate it either. It was a busy episode and I’m still processing it. Let’s just say there is some real potential in the show, and that there is room for some improvement. It was occasionally cheesy, and yeah, some of the dialogue needs help, but it wasn’t actually a bad show, and I’m gonna stick around for the rest of the season, because the action scenes were top notch and I just like Ruby Rose, the actress who plays Batwoman.

I’ve been a fan of Batwoman/Kate Kane fan since she was re-introduced a few years ago, and Rose just perfectly fits this character. Once again, I was not heavily invested in the plot, and I wasn’t  really feeling many of the side characters either,  except for Kate’s bubbly stepsister, Catherine, who is the daughter of her father’s second wife, and is a medical student. Kate lost her mom and bio-sister in a car accident, when she was a child, and she hates Batman because he was there to save them, but left the scene, and Kate watched them die.

We meet up with her while she is undergoing some Bruce Wayne type training with some sassy Indigenous guy, with long White hair, at the behest of her father who, for reasons of love and safety, is trying to keep her out of his hair, after she got kicked out of military school, for fraternizing with another female, her girlfriend, Sophie.

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She and Sophie are given a choice. They can reject their relationship and stay in school, or they can be expelled. Kate chooses to be expelled, but Sophie chooses to deny the relationship and stay. At first, I  was mad about it, but Sophie is a Black woman, from a modest background, who worked damn hard to get where she is, and while she appears to love Kate, she is not willing to sacrifice her potential career for her, as she may not get another chance in life. As she tells Kate, she doesn’t have the luxury of being able to take a stand, while Kate comes from a wealthy family, who will always take care of her, and I thought that was a nice touch.

So Kate’s dad sends her away for some training, and Sophie stays behind and gets a job with The Crows, Kate’s father’s security agency, something which Kate covets, but her father gives her the runaround about. When Sophie gets kidnapped by a villain called Alice, Kate returns to a Gotham which has been missing Batman for  three years. Kate is desperate to save Sophie, and prove herself to her father, and we get some twists and turns in the plot, and some fairly emotional scenes between Kate and Sophie, and Kate and her dad. I thought all that  was too much too soon, as I don’t feel we had enough of a setup to warrant tearful conversations, yet.

Anyway, there was a lot to unpack, as the show covers a lot of emotional  territory, along with Kate finding the Batcave, and meeting one of her father’s  security consultants, named Luke, who appears to have no actual security skills beyond having a big brain. We get a little bit of backstory, and a subplot about a traitor among The Crows.

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I liked that the show made some real efforts at diversity. There are plenty of poc in the cast, and they all have distinct personalities. There are only two White guys in the cast, Kate’s dad, and  one of the villains, and I find it interesting that shows are doing this thing now where they do cast White men, but only as secondary characters, or villains, the way it was done in Star Trek Discovery. It doesn’t happen all the time, but it happens often enough that I’ve noticed it.

This isn’t my first run in with Kate Kane. I first saw her in a crossover episode with Legends of Tomorrow, a show i still like and occasionally watch, and will be watching this season  because there’s supposed to be another crossover with Arrow, and Supergirl, called Crisis on Infinite Earths.Now, i’m probably one of the few comic book readers who has not read that particular series of books. As I’ve said, I was a Marvel fan at the time of that event, and I could care less what happened in the DCU comic books. I don’t dislike the DCU. All the characters I know are all current, or former, members of the Justice League, Teen Titans, or Legion of Superheroes. Of those characters, the only ones I truly cared about, at the time, were the members of the Justice League.

I will will watch all the shows and some of the movies, though. I’m picky about a lot of pop culture, but  I’m not entirely sure why some things capture my attention, while being indifferent to other things. For example, I didn’t ever give a flying rat’s ass  about Aquaman in the comic books, but I liked the movie version just fine. Well, anyway the big new event this season on the CW is the Crisis on Infinite Earths crossover, with multiple Supermen, which should (and it better) be exciting.

 

 

 

The Dead Don’t Die

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This is an exceedingly odd zombie film, which I had a lot of fun watching. Even though most zombie movies give me anxiety, I watch them anyway, because, its zombies, and there was a little of that tension here, but the movie was more comedy than horror. Its not the kind of comedy seen in Shaun of the Dead, or Evil Dead II. Its more of an intellectual kind of comedy, that doesn’t make you laugh out loud, so much as make you nod, and chuckle,  which is the hallmark of a Jim Jarmusch film, really.

The movie has an all star cast of Bill Murray, Danny Glover, Steve Buscemi, Rosie Perez, Tom Waits, Tilda Swinton, and a bunch of others, and is a very oddball film. it heavily reminded me of the movie Rubber, a movie in which a telekinetic car tire goes on a killing spree, in Southwestern America, and if you have not seen that movie, then you probably should. At the very least it will prepare you for watching any horror  movie directed by Jarmusch.

According to the movie, there is a worldwide zombie outbreak because the earth has been thrown off its axis by fracking, or something, but this isn’t important, and barely mentioned in the film. Ronnie (Murray) and Cliff (Adam Driver), are the Sheriff and deputy of Centerville, a small Midwestern town. The first time anyone notices things have gone off kilter is when Cliff notices that the sun has not set at the correct time, and  the town crankypants, (Buscemi), notices his chickens and cows are missing. When the diner is attacked by two zombies, Ronnie and Cliff investigate, and Cliff reaches the swift conclusion that it was zombies.

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There are long moments of characters standing around, or sitting somewhere, having bland conversations about the situation, the world, or sometimes each other.The town is visited by what Cliff calls hipsters from Cleveland. Cliff takes a liking to one of them, but its all pointless since everyone in the movie gets eaten, even after Cliff warns them to stay inside and not go out at night because of the outbreak.

The humor comes from the laconic acceptance, by  all the characters, that the town has been invaded by zombies, and from the activities of the zombies themselves.  The director has taken the idea of the zombies being attracted to the the things they did in life, and just ran with it, which results in the Chardonnay quote, seen in the trailer. From time to time, one of regular humans will freak out about the situation, which is only meant to offset the calm of the other characters. This movie is the exact opposite, in mood,  of The Walking Dead TV shows. The zombies are given odd quirks of personality. They still eat people, but they also like tennis and coffee. There’s a country song that plays throughout the movie, called The Dead Don’t Die, and I kind of liked it. When Ronnie asks why that song keeps playing on the radio, Cliff explains  that that is the theme song.

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Tom Waits plays the  homeless guy, who lives n the woods, named Hermit Bob, who makes voiceover observations of the events happening in the town, and  whom everyone thinks is crazy.  He’s also the only survivor at the end of the film. I  liked Cliff, who is both pragmatic and intelligent. He occasionally mentions that he’s got a bad feeling, and when Ronnie asks why, he says he read the script, and that things do not end well, which is correct. They don’t. Ronnie is unperturbed by Cliff’s insistence that there is a movie script for their scenario, and that he read it.

Swinton plays the new town mortician who also turns to to be an alien. You could tell she was a strange one, because she  made weird observations, and  carried a samurai sword that she was extremely good at using. She is both delighted and unbothered by the zombie outbreak. Yes, there is a UFO in this movie. From time to time, one of the characters will  forget that they are in a Jim Jarmusch movie,  and behave as if they are actually in a big budget zombie movie instead, and try to do something heroic, but it doesn’t work. The movie ends with the deaths of all the other characters, and  Hermit Bob shaking his head with the  observation that the world is a messed up place.

My 2019 Fall Lineup

Here’s a quick rundown of the shows I’m most interested in for Fall. Some of these are already playing. Some, I’m less excited by the idea of the show, than the potential for it to be good, but of course, I always hope they’re good shows, whether I stick around for them or not.

Playing Now

Carnival Row (Amazon Prime)

I watched a couple of episodes of this, and  just wasn’t feeling it. I felt really distant from the characters, and I think its because of the acting. In a lot of ways this is  a typical historical romance film, but with an overlay of politics, as the different races of The Fae are displaced by violent colonization, to another world (not this one), where they are refugees and immigrants. There’s a lot going on with politics, some heavy enemies to friends romance, some tragic romance, and a police procedural. I’ll get into more details in a later post. I think some elements of the plot are intriguing, and some of it is just exasperating, but at all times, I definitely think it’s a more well thought out world than that Will Smith’s Bright,  which aired on Netflix, and  featured a lot of the same themes.

 

Wu Assassins (Netflix)

I watched a few episodes of this, as well, and I liked the plot, and a couple of the characters. The fight scenes are very well done, but there’s a slight tongue in cheek element to the show that kept pulling me out of the story, because some of it is a little ridiculous, and the writers seem to know that, on some level. Ironically, I would have been more intrigued without any of the supernatural elements. I’m going to watch a few more episodes, and see where it goes, but I’m not especially invested, although its not a bad show, and its nice to see Asian characters headlining TV series. I kept wanting to compare this series to Warrior, which was excellent, and Into the Badlands, which got three seasons, and this show came up wanting, mostly because of the acting.

 

The Dark Crystal (NETFLIX)

I haven’t watched this yet, but I fondly remember the movie from the 80s, and when I finally watch, it I’ll let you know what I think.

 

The Terror: Infamy (AMC)

Okay, I did watch a couple of episodes of this. I know a lot about Japanese history, and Japan  as a society, (basically I have a head full of trivia), but I am not Japanese, and just like the series Warrior, this show throws you right into the deep end, and you have to  understand what’s happening, and try to keep up. Since I’m not Japanese, or an immigrant, I understand what’s going on, on a surface level, while suspecting that there are deeper meanings behind what I’m watching, because there’s a lot of Japanese mythology involved. Is it scary? Yeah, sure, but its mostly scary to me, because I have no clue what the fuck is happening beyond some malignant  spirits,  tormenting people at a Japanese internment camp.

 

Two Sentence Horror (CW)

I watched a couple of episodes of this, and I’m lucky I found it, because there’s no promotion of this show at all. It’s  an anthology series, with each episode focusing on one story, for thirty minutes. I enjoyed the first story I watched, which involved a murderous vlogger, and it was interesting because the vlogger was a Black, female, serial killer, who made makeup products out of her victims. I am going to check out a few more episodes too, because I like the idea of the two sentence story, and it seems to have taken a page from the new Twilight Zone, by casting PoC in unusual roles. The second story I watched was about a Japanese family with an abusive ghost, that ended with me all up in my feels. So far, its not delivering what I expect, and I like that.

 

Cannon Busters (NETFLIX)

I haven’t watched any of this yet, and I’m eager to get started. It’s an anime by a Black team, with a Black cast, which is kind of cool. It heavily reminds me of Afro Samurai, and really looks like fun.

 

 

September

6: Travels with My Father (NETFLIX)

I’m really enjoying Jack Whitehall’s travels with his father. I watched the first two seasons, and really liked the dynamic between Jack, and his rather staid, and conservative, British father, who is annoying, but still manages somehow to still  be hilarious. The first season was Jack trying to get his father to loosen up by visiting some of his favorite places around the world. The second season was about his father giving him the same treatment on the continent. I’m looking forward to their adventures in the new season, when they visit some of the crassest places in America, thanks to Jack’s ideas about what American life is actually like.

 

6: Titans (DC)

I was a little disappointed at the ending of the first season, but I like the trailer for the second season, and it looks like fun because of the addition of Krypto and Superboy!. I’m going to check it out and see what other new cameos show up.

 

10: Mr. Mercedes (AUDIENCE)

I didn’t get into the last season too much, but this is the third season, and its  loosely (kinda) following the events of the second and third books, and its okay. I’m not a stan or anything, but its the kind of show you watch on a lazy Sunday night, when not much else is on TV.

 

18: American Horror Story:1984 (FX)

So, I know I’m going to watch this, although I am not in the mood to relive any of those 80s hair, clothes, and musical numbers. On the other hand, it does feature an 80s style serial killer, and the writers are all batshit, so I expect this to be halfway enjoyable, to the point where I just might stan, and geek out, since I lost interest halfway through the last season.

 

26: Creepshow (Shudder)

I haven’t seen much of this beyond the first trailer. I probably won’t see much of it because I refuse to sign up for yet another app just to watch one show.

October

*4: Raising Dion (NETFLIX)

This one I’m really excited about, as I saw the trailer for it over a year ago, about a young Black boy with superpowers, who is on the run from the government.This trailer really got me in my feels, because it isn’t so much about Dion and his powers, as it is about his mom, and her ability to cope with raising a super, and I like her already, just from the little snippets I’ve seen.

I’m here for it!

 

6: Batwoman (CW)

A lot of people hate this show based on the trailer, but I’m actually intrigued. I first saw Batwoman, cameoing on another show, and I’ve read all the comic books about her. Yes, the dialogue needs some serious help, but I like the actress, and the action scenes look like fun. Kate Kane is not the only gay character in the DCEU, but she is the only one with her own show, so I’ll check it out.

 

10: Supernatural (CW)

I’m looking forward to the fifteenth and final season of this show. I told ya’ll I was in it to the end, and I meant it. The last couple of seasons aren’t as exciting as they used to be, but at least two or three times a season, the show airs a real gem, that reminds  me why I stan. As problematic as this show is, I still love The Winchesters, and I’m sticking with them.

 

11: Charmed (CW)

This is one of the few fantasy shows with women of color as the cast, including an Afro-Latina, and also several lesbian characters of color. Its also not a bad show, either. I didn’t catch all of the last season, but I’m gonna be right there for the first episode of this new one, so I can see what’s what.

 

15: Treadstone (USA)

This is intriguing. Its a show based on the  brainwashed sleeper agent idea behind The Bourne series. Treadstone was the program that created Jason Bourne, and this show is about the aftermath of that third movie, after Jason put a stop to it. I’m gonna check it out, because that world was interesting, and the fight scenes look really good.

 

21: Black Lightning (CW)

When the last season ended the family of Black Lightning was about to go global, to fight some kind of intergalactic menace, and I’m here for it. I am more than a little tired of the Tobias Whale storyline,  and wish they would move away from it. Also I’m deeply intrigued by what’s going on  in the ThunderGrace relationship, and I’m looking forward to some answers.

 

TBD: The Watchmen (HBO)

I no longer have access to HBO, so I probably won’t see this. I’m not especially intrigued  because, while I liked the movie okay, I’m really not much of a fan.  On the other hand, it’s Regina King, and I love her, and watching her play a vigilante is gonna be the shit, and this trailer slaps!

November

12: Disney +/ Available At Launch

So the Disney network starts on the 12th, and I’m looking forward to it for a number of reasons. There will be plenty of content, so I’m getting a good deal on my money, and I’m looking forward to watching several of these movies, like Fantasia, and Bao.

Movies

“101 Dalmatians”
*“A Bug’s Life”
“A Goofy Movie”
“An Extremely Goofy Movie”
“Bambi”
*“Bao”
“Big Hero 6″
“Born in China”
“Cars”
*“Fantasia”
*“Finding Dory”
*“Finding Nemo”
“Free Solo”
“Frozen”
“Fun and Fancy Free”
*“Hercules”
“High School Musical”
“Honey, I Shrunk the Kids”
“Inside Out”
“Iron Man”
“Lady and the Tramp”
“Lilo & Stitch”
“Mary Poppins”
“Mickey, Donald, Goofy: The Three Musketeers”
“Mickey’s Once Upon a Christmas”
*“Moana”
“Monsters University”
“Pirates of the Caribbean: The Curse of the Black Pearl”
*“Pixar Short Films Collection Vol. 1″
“Ratatouille”
“Remember the Titans”
“Rogue One: A Star Wars Story”
“Sleeping Beauty”
“Snow White and the Seven Dwarfs”
“Star Wars: Episode I: The Phantom Menace”
“Star Wars: Episode II: Attack of the Clones”
“Star Wars: Episode III: Revenge of the Sith”
“Star Wars: Episode IV: A New Hope”
“Star Wars: Episode V: The Empire Strikes Back”
“Star Wars: Episode VI: Return of the Jedi”
*“Star Wars: Episode VII: The Force Awakens”
“Star Wars: The Clone Wars”
“Steamboat Willie”
“The Good Dinosaur”
*“The Incredibles”
*“The Little Mermaid”
“The Parent Trap” (1961)
“The Prince & the Pauper” (1990)
“The Princess Diaries”
“The Rocketeer”
“The Sorcerer’s Apprentice” (short)
“The Sword in the Stone”
“The Three Caballeros”
“Thor: The Dark World”
“Toy Story”
“Tron” (1982)
“Up”
“Wall-E”
“Zootopia”

 

The Mandolorian

This looks like so much fun.

 

The World According to Jeff Goldblum

So does this! Also, who doesn’t love Jeff Goldblum.

TBD

The Witcher (Netflix)

I talked about this in an earlier post. I’m not as enthused about it as some people.  Ironically, I’m really not into High Fantasy shows that have elves and orcs and shit,  because of the simplistic messaging and overwhelming Whiteness. Game of Throes only caught my attention because of the addition of Ice Zombies.

 

 

It’s A Black Thang!

I’m not saying that Black people are the only ones who can watch these shows, but this is pop culture that is unapologetically aimed at Black audiences.

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Dolemite Is My Name

Some of us are old enough to have actually watched some of Rudy Ray Moore’s movies, like Dolemite and The Human Tornado, which they don’t show on Tv much anymore ,for…reasons.. Some of my younger readers would have encountered his movies as parodies on MadTV, or Key & Peele. They were often laughably bad in and of themselves but they were groundbreaking because Moore was one of the only Black independent filmmakers of the 70s, and was one of the primary directors in the Blaxploitation era.

The first time I saw a Rudy Ray Moore movie, it was at the Drive-In. I was maybe nine or ten years old, and the movie was The Human Tornado, which I wasn’t supposed to be watching, because I was supposedly asleep in the backseat with my two brothers, and because his movies ARE NOT FOR KIDS!!!! I don’t think I can stress this enough. Well anyway, I watched it and I don’t think my mom ever realized i saw the movie, and I haven’t ever told her. I suspect if I told her this, I’d be subject to this:

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Now couple that information with the return of one of the greatest comedians of the 80s and 90s, Eddie Murphy, who hasn’t been relevant in some time, and this is looking like a comeback role, in a classic film. Actually what it is is the making of Dolemite from Moore’s point of view. There are some other great actor/comedians in this, and even more importantly, this is airing on Netflix in September.

The Black Lady Sketch Show

The Black Lady Sketch Show is now airing on HBO, but you can watch select sketches on YouTube. This is such a great show, and I say that even though I don’t subscribe to HBO anymore. The sketches are soooo funny, and some of them are spot on.

Check out Invisible Spy for example. I’ve always thought that women of color would make exceptional spies, because so few people pay attention to us, especially when we’re doing something stereotypical, like housekeeping! The spy in this sketch is invisible all the time, and thats a commentary on how being fat, and dark skinned, renders a person irrelevant. Even her coworkers don’t know what she actually looks like , even though they’re looking right at her. I got that, as I’m always being compared to some other Black woman that people know, someone they went to school with, a cousin, or somebody’s neighbor.

But one of my favorite sketches is the Ball for Basic Bitches! I’m far too contrary to ever be considered “basic”, I think, but I perfectly understand it, though, and Basic Bitches can be fabulous too, only a lot more quietly, I guess.

Got to Youtube to watch the surreal Dance Biter, which stars my favorite comedian Quinta B, the hilarious Invisible Spy, and a sketch about how obsessed America is with beauty standards, called A Day With No Makeup.

 

 

The Rundown w/ Robin Thiede

Robin Thiede is currently one of the stars of the Black Lady Sketch Show, but if you want to see the kind of work that led up to her starring in the above show, then The Rundown is where you need to see it.

The Rundown aired on BET, and showcased different comedians, although Robin was the star. I never watched the show itself, and only just saw a few episodes because they were recommended after I viewed TBLSS, and frankly, I’m impressed. This first sketch is based on the show Stranger Things, and the character of Eleven, and is what I like to call , uncomfortably hilarious, a style that Key and Peele often specialized in.

My favorite though is this video for the Weak Black Woman, because not everybody can be woke and strong, Some of us are too tired from working on those spreadsheets for the Stevenson account, I guess. Not quite as pointed as the Basic Bitch Ball, but close enough. And the second is a parody of the series Stranger Things, that I laughed waaay too hard at.

Missy Elliott and Lizzo

I’m a huge Missy fan, and have been since that first song. Now I have a new heroine, Lizzo, who is fat, Black, and absolutely, unapologetic ally, who she is, here she teams up with Missy Elliot, and Megan The Stallion, to celebrate some more “Hot Girl Summer”. I wasn’t outraged by the dancing but I was bothered at the idea of these ladies wandering around a public parking lot, at night, in bikini wear. Well, theyre wearing fur ,so I know they won’t get cold, but apparently that was a bridge too far. (See what I mean about me being sort of Basic?)

News After San Diego

Last week was the 50th San Diego Comic Con, and we got  some exciting news and trailers from it. Well, exciting for me, at any rate.

Let’s start with the trailers for forthcoming movies and shows:

Top Gun

I am not a Top Gun fan, because I’m just not into military films, as a rule, but I know some of you guys are really into this stuff, so here’s the new trailer  for it. Its funny but I’ve seen all of Tom Cruise’s movies, but would not call myself a fan of his. He just just keeps starring in things that interest me, like spy movies. Perhaps the word I would prefer to use is “tolerate”.

 

 

Creepshow

I just watched these movies back to back a few weekends ago, and they’re still pretty effective.  The original films were an odd mix of horror and humor, and I hope this new show can hold up to the same standards.

 

 

Picard

After the success of Star trek Discovery, I am cautiously excited about this show. I really like Jean Luc Picard as a character, and I really like the idea of him having more adventures after his retirement, and it looks gorgeous. Buuuuut…. I’m still not as enthusiastic about it, as I think I should be, and I wonder if I have Star Trek fatigue. Nevertheless, I’m gonna check this out.

 

 

The Witcher

Not sure how I feel about this show. I’m not a gamer, and only know about this show, and this world, from reading books about the artwork. I keep having to suppress laughter at Henry Caville’s wig, which is very distracting, and  I don’t know why. On the other hand, this trailer looks fucking awesome!

 

 

Watchmen

This is another trailer that looks really  interesting, but I’m not a huge fan of the movie, beyond thinking it looked pretty, nor am I a fan of the philosophies espoused in it, and I’m not sure I want to watch an entire season of something this intense. I can think of a whole bunch of reasons not to watch this, in fact, but I probably will watch it, because I love Regina King , and I’ve never seen her is this type of role before. We keep asking for these types of roles with Black women, and then don’t support them, so I’m definitely gonna be there, but I’m afraid  I may not actually enjoy it.

 

Preacher

I missed the last season  of this show, but I can see by the trailer, that its as zany as it ever was.

 

 

Star Trek Short Treks

I may have to subscribe to CBS All Access again because they are making more of these little one offs, that look really good. I enjoyed the last three or four they made, which occurred between the season’s for Discovery, and were basically back stories for some of the characters we met last season, or some established characters, and one of them presented an interesting mystery for the future, that had bearing on the end of the last season! So I am looking forward to what I’m going to see here. It looks like fun, and I really did enjoy this version of  Spock, btw.

 

Batwoman

I’m really excited about this show, but only because I saw the a couple of The Legends of Tomorrow episodes which featured this actress. Yes, the dialogue is atrocious, but then the same thing was said about Titans, and I liked it okay. This trailer has been horribly panned by well…the usual suspects really, but I’m past caring whether or not they think something is bad or good, based on whether or not there’s women in it.

I gotta say, that while the MCU may be tearing it up on the big screen, the DCEU is killing it on the small one, ,as far as diversity, and inclusion, with plenty of characters of color (that they don’t always get right, but at least they’re trying, which is more than I can say for the MCU), but also plenty of openly gay and lesbian characters, (of which the MCU has but none), who are not all White people. The DCEU really does need to  work on the  dialogue though.

 

 

Snowpiercer

I watched the original move, and while I got the message behind it, it was still so incredibly depressing that it didn’t even make my favorites list for the year of its release. The trailer looks fascinating, but I don’t know if I want to visit this horrible little world on a regular basis. W’ell see how I feel bout it after its air date.

 

 

Wu Assassins

This looks like pure, campy, martial arts fun! It heavily reminds me of last Power Rangers movie.

 

************

And the big news is the upcoming slate of movies and shows from phase 4 of The MCU, including Black Panther 2, Captain Marvel 2, The Eternals, Guardians of the Galaxy 3, and Blade, and The X-Men!

Now, its been said that the new Blade movie is a reboot, and will star Maharsala Ali who has been wanting to play Blade for a while, and people are very excited abut this, (including me).

Its also been stated that Blade, like Deadpool, and Venom, which are not actually a part of the MCU in the same way as Doctor Strange, and Spiderman, will be a standalone franchise, like the other two, or maybe part of phase 5, or a TV show, or well…its not exactly clear. On the other hand, Blade may actually be part of the MCU, and there might possibly be a crossover with Dr. Strange, as in the comic books, there is a crossover between Strange, Morbius, and Blade. There will definitely be a Morbius movie though, so I’m hopeful that is the plan for these movies.

I love, love, love, the Blade movies, and have watched all the other versions, but remain unimpressed by those. A lot of people forget that there was a  live action television show, and a cartoon, as well, and Wesley Snipes recently did a brief cameo on the hit TV series, What We Do In The Shadows.

Mahershala Ali is the only Muslim actor to receive an Oscar, for his role as the drug dealing Juan in the movie Moonlight, so I am really looking forward to seeing him in this new version. If you want to see what he’d be most like as Blade, then check out his character in Battle Angel Alita, which looks like he’s auditioning for the role.

 

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More news from the CON is that Natalie Portman will be starring in the new Thor movie, which will be directed by Taika Waititi, and its rumored that she will play the new Thor, like the character from the comics. Creators have clearly stated that Tessa Thompson’s Valkyrie is the only openly gay character in the MCU, and its possible (at least we hope it is, since Waititi is both the writer and Director) that we will see her get a Queen in the new movie. (This is after Thor has handed over his Kingship to her at the end of Endgame.)

 

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Ava Duvernay is making The Eternals, which will racebend the  white, male, character of Makkari,  to  a deaf Black woman. Lauren Ridloff you may remember from her stint on last season’s The Walking Dead. I’m good with this becasue I just really like this actress.

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There’s also news about the MCU: Shang Chi, about a brilliant martial artist, which has found its lead character actor, and his villainous opponent, The Mandarin, who will be played by Tony Leung, who has starred in Hero and The Grandmaster:

 

And for the rest:

 

 

Also, one more movie I’m really excited about, because I just love this idea of time traveling to save loved ones, and its an opportunity to showcase, yet another, little Black girl in a Thriller, is this little gem, called Don’t Let Go! I thought at first it was going to be a ghost movie, but it turns out to be a little more in depth than that, and I’m here for it..

 

 

 

 

 

‘Love, Death & Robots’ suffers from blatant sexism

https://www.dailydot.com/parsec/netflix-love-death-robots-review/

Short films can find it hard to attract a wider audience, so it’s cool to see Netflix promote a big, splashy showcase of animated sci-fi shorts. Sadly, Love, Death & Robots feels much less cool and boundary-pushing when you take a closer look. Curated by Tim Miller (Deadpool) and David Fincher (Fight Club), this anthology is full of gratuitous onscreen sexism—and blatant gender discrimination behind the camera.

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I did watch this on Netflix,  and I actually enjoyed a few of the shorts featured as they were written by one of my favorite authors, John Scalzi. John Scalzi is not known as an especially “edgy” type of writer. In fact, he’s very progressive, so those shorts seem incongruous next to some of the other, more violent, shorts in the anthology. But this article is correct in stating that in every short that featured violence, female sexuality and nudity was associated with it, and in every instance of female nudity or sexuality, there was an extreme amount of violence involved in that story. In some of the stories the two occur simultaneously.

In all fairness though, not all of the short films feature either topic, and some of them are actually worth watching. Most notable were:

The Day the Yogurt Took Over was written by Scalzi from his anthology titled Miniatures. It’s hilarious.

Ice Age was very interesting. I enjoyed it a lot.

Fish Night is a story I remember reading, in another anthology, a couple of decades ago, and the story just stuck with me.

Lucky 13 was one of the better Scifi stories, and has a Black woman as the lead character.

Three Robots was really cute and it has cats, so some of you will definitely like it, and Suits was frantic and suspenseful.

But the story that affected me the most was Zima Blue, which I consider one of the best stories in the entire anthology. It was emotional and though provoking.

 

The Wired is a lot more damning of the show than I am though:

Netflix’s Love, Death & Robots is sexist sci-fi at its most tedious

https://www.wired.co.uk/article/love-death-and-robots-review-netflix

It’s not just a male gaze that ruins Love, Death & Robots, it’s an adolescent male gaze. The sex scenes are so bad they’re funny. At times, the dialogue is borderline farcical. All too often the series leans precariously on visual tricks – and while the worlds created here are vast and vivid, the plots are often non-existent.

I Saw It On Youtube Again!

Purl

This cute little video, from Pixar, is an allegory for workplace sexism. I was especially drawn to it because Purl is so sunny,  and happens to be a ball of yarn, (probably wool) and I love knitting. I found myself rooting for her, and actually feeling disappointed, when she wasn’t behaving according to my expectations!

 

 

 

White Savior

This is one of the funniest sketches about movie cliches I’ve ever seen. Seth Myers perfectly captures the trope of The White Savior, who comes barrel rolling into every scene where a Black character might appear to need a little assistance. The part of the video that made me laugh the loudest is the scene where the Black woman befriends a racist character because yeah, these types of movies love to  present the idea that forgiving the  racist is going to end racism, and we would all just get along if Black cozied up to our oppressors.

Black people are so inundated, in movies especially, with the idea that we should not be angry about racism, that this leads me to believe that White people’s deepest, most terrifying, nightmare, is Black people being angry about racism.

 

 

 

Kitbull

I thought this video was just cute. It’s from Pixar, the same studio that produced Bao by Domi Shi ,which just won an Oscar.

 

 

Juanita

This movie, about a Black woman who just wants to go on vacation some where, any where, else, and stars Alfre Woodard,  and who is totally underrated as an actress, will air on Netflix.

 

Detective Pikachu

All I know about Pokemon did not come from being a fan, but from living in a house with fans. My two little sisters pretty much controlled the TVs in our house, when they were kids, so I got a crash course in Pokemon, even though I really hated the show. Nevertheless, I did manage to develop favorites like Pikachu, and Bulbasaur, so I was really tickled at the thought of this movie. Who came up with this crazy idea? And what were they smoking?

 

 

We Got Cows

There are a whole series of these videos about cows being attracted to yodeling women. They just come running! And then they just stand there listening. And nope,  I don’t understand why I find that deeply funny.

 

 

 

Hood Naruto

Everything I learned about Naruto came not from being a fan, but from watching gifs about it on Tumblr, and some things are just hilarious, even when you know almost nothing about the subject beyond the character’s names. From what I’ve observed, Black people really, really, really love Naruto, so that explains these types of videos. I am not, however, one of those Black people, and I have not bothered to fix it, probably because I just enjoy being a contrary asshole.

 

 

 

Time For Sushi

This was just a series of weird dance videos I found on Youtube. Watching this is probably going to really mess up my algorithms probably.

Yes, these figures are naked. No, they are not real people. No, I have no idea what the hell is happening, or why this happened, but if my eyeballs had to see this, yours do too.

 

 

 

Time To Do The Dancing

I don’t want to make fun of these people, but they make it so easy. Goths are so tortured with angst, that they can’t look as if they enjoy dancing, and that attitude makes this look like some weird exercise video. Nevertheless, they do  manage to approach their lack of enjoyment in body movement, with a great deal of enthusiasm. So, they probably like “the dancing” but can’t be seen to be enjoying themselves, since dancing pretty much goes against being “Goth”.

 

 

 

Stupid Spider Videos

There’s an entire series of these videos of mate-dancing spiders twerking it to various songs like YMCA, and Staying Alive. I do not like spiders, as a rule, but I can watch these without issue because they’re just so ridiculous. This one with the lightsabers was…well, see for yourself.

Kingdom (Korean Zombie Series)

 

I cannot speak highly enough about this show, and I want to watch it again before the 15th (before I’ll be binging Umbrella Academy). If you’re a fan of historical fiction, zombies, and political intrigue, then this is your show. The fact that all the political intrigue takes place in Korea’s past is completely irrelevant, because you will enjoy the ride. You will especially enjoy it if you watched the movies, Train to Busan, or Seoul Station, because this is from the same creators, although it is unknown if the movies are part of a trilogy, with the show.

Now, I can’t say for certain, but it is possible that Kingdom is a prequel to Seoul Station, which takes place in present day  Korea, and involves a zombie contagion spreading among the homeless. Train to Busan is about a zombie contagion that takes place among a crowd of middle class commuters, in the present day, in another area of Korea, simultaneous to Seoul Station.

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Kingdom takes place in Korea’s ancient past and is about a zombie contagion that spreads among the populace, after the King becomes infected. While the peasants fight for their lives, the Crown Prince attempts to do his best to help save them while the rest of the nobility fight among themselves for access to the throne.There’s some neat character arcs in the series. When we first meet the Prince, he is attempting to see his father, who has been incognito. What he doesn’t know is The King had been turned into a zombie by  the medicinal use of a small purple flower, that grows in the mountains.

The current Prince is next in line to the throne, and he is indolent and kind of lazy. He’s spent most of his time enjoying himself rather than learning statecraft. There is a rival clan that wishes to put one of their own on the throne because a daughter of that clan is the King’s pregnant wife. Most of the time at court, is spent driving away the Prince, and pretending the King is still alive, but in seclusion, until that woman’s child is born, as that child will have precedence to the throne over the current Prince.

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As the crisis with the zombies deepens, we watch as  the Prince steps up to care for his people in their time of need, which parallels the journey made by the lead character in Train to Busan, who goes from a selfish man, who nearly gets one of the other passengers killed, to sacrificing his life to protect them. Several times the Prince risks his life to save peasants, including several children. He steps up to be as courageous, and smart, as the peasants believe him to be. The other officials, whose job it is to take care of the villagers, turn out to be a lot less so.

Each iteration of these stories addresses the  issues of classism and poverty from three differing points of view, so I can’t talk about Kingdom without talking about the previous two films, because even if the films are not part of a trilogy, they are connected by their themes. In Seoul Station, the entire contagion begins among the homeless , when one of the men in that community, dies  and resurrects. His brother tried get help for him, but kept getting rebuffed  by people who had nothing but contempt for him. If he had been able to get medical help for his brother, the situation would not have evolved the way it did.

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In Kingdom, the villagers in the outlying areas are starving to death because the local officials are neglectful in their duties, being more concerned with their pleasant lives, than if people are dying. When one of the bodies the King has fed on, is shipped home to one of the villages, someone chops up the body, and puts it in a stew, which the starving peasants eat. For the record, most of the bodies the king has fed on, don’t resurrect because they have been immersed in a pond on the castle grounds.

One of the interesting things about these zombies is they only resurrect during the night. It isn’t until later that we find out why that is, but until then, since no one believes in their existence until its too late, no one takes the opportunity to get rid of the bodies before nightfall.  As soon as the sun rises, the zombies fall down, and appear to be dead. The bodies that have been dumped into  the palace’s pond have also not resurrected, for some reason.

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The homeless man, in Seoul Station, spends nearly the entire  movie running for his life, after having met, and saved, the life of the young woman at the center of the film. She too is a member of the underclass,  a sex worker with no real home of her own, after she breaks up with her boyfriend. Neither of them have anywhere to go, so must stay out in the streets, trying to avoid the zombies. At one point, she and the old man have simultaneous emotional breakdowns about wanting to go home, and not having one to go to.

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Every opportunity people have to help them, they don’t,  including the police. The two of them get attacked or turned away. Some of the characters declare that the old man smells bad. The young lady makes a less than favorable impression, as she spends most of the movie in her bare feet, after she loses her impractical shoes. No one will help either of them because they are considered smelly, or  dirty, or  worthless. The movie isn’t just an indictment against the existence of homelessness, but an indictment against the classist snobbery that does nothing to help them.

In Train to Busan, you have another class of people, the middle class, riding a train, when a contagion occurs. You have businessmen, grandmothers, high school students. In other words, respectable people. The kind who were looking down on the primary characters of Seoul Station. Trapped in an environment no one can escape, they are shown as being selfish, full of contempt for those they think are less than, having no loyalty to one another, yet  acquiescent to any form of authority.

The man with the most power and respect is openly malicious  towards the other characters, at one point, expressing a rage filled rant towards a teenage  girl he regards as stupid. At several points in the story, he gets people killed because he wants what he wants, and in his mind that takes priority over whatever those “lesser” people want. So once again we have the themes of classicism and selfishness and snobbery. All the other characters learn to be selfless too late to save themselves, as they really get  the chance to band together. The lowest person on the class scale is the wrestler and his wife, both of whom start the story as giving and altruistic people. There is also a homeless man in this movie as well. He dies too, but he does so giving his life to save others, just as the wrestler does. This same level of personal growth is shown in The Kingdom, when  the Prince rises to the occasion, to become a true leader who makes smart, brave  decisions for the welfare of the villagers, and  always from a place of empathy.

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In Train to Busan, two old women, sisters, are watching news footage of the zombie attacks on TV and, mistaking the attackers for rioters, they both express disdain for “those people”. After one sister gets infected, the other gets everyone in her train car killed, after she opens a door to let her sister inside. Her selfishness, (because she certainly isn’t thinking of the welfare of the others in the car), is what gets everyone killed, which is an interesting turnabout, as it was the people of that train car who selfishly kicked  some of the other survivors out of that car, at the commandments of the selfish businessman.

In Kingdom, the ruling officials in the area, at every opportunity to save the villagers, elect to save themselves. During an uprising of zombies, a fleet of boats is burned, leaving only one boat left. The officials and members of the local nobility, decide to take the one boat for themselves, after promising to evacuate the villagers. Unknown to them, one of  the infected has made its way onto the boat. They are all killed, and their boat destroyed, when the contagion breaks out.

While the movie is full of Game of Thrones style intrigue, its still fairly easy to follow, although you will probably not remember any of the character’s names. Even though its a series, rather than a film, it’s every bit as intense as the first two films, with the quiet moments only serving to build up the tension before the next attack, which everyone knows is coming, so a lot of daytime events have time limits on them. It is a very intense show, with lots of running, fighting, and bare escapes. Yes, children are endangered in this movie, some of them are killed (offscreen) and there are child zombies.There are also some really good plot surprises, as well, so if you’re watching this  because you find the plot intriguing, you will be satisfied. The movie is both subbed and dubbed, so those of you who hate reading subtitles can listen in English, and vice versa.

I cannot recommend this movie hard enough to anyone who is a fan of zombie movies and shows.

Kingdom is a six part TV series available on Netflix.

Forthcoming TV 2018/2019

December

21) Diablero (Netflix)

I have never heard of this show, movie, or whatever this is, and  don’t know anything about it beyond the trailer, but it sounds interesting, and looks like fun. so I’m going to check it out next week. All I know is that its kinda like Buffy but edgier, with demon hunters and priests in the city. I’ll get back to you guys and let you know what I think.

 

23) Watership Down

I had no intention of watching this because I saw the original and it was pretty depressing. I have no need to subject myself to this anew adaptation, but I know there’s someone out there who loves the original animation, and will probably like this version, too.

 

28) Black Mirror (Netflix)

We’re supposed to get a surprise Xmas special at the end of the month. I’ve really enjoyed Black Mirror, and I’m looking forward to this, if the rumor is true. Of course there’s no trailer for something that’s supposed to be a surprise.

 

30) Orville (Fox)

This show was wildly uneven, as it couldn’t seem to balance out the comedy and drama at the same time, but I could see the potential, and I could see what MacFarlane was trying to accomplish, and sometimes it takes a show a season or two to get on its feet, and hit that groove. The show needs to make up its mind if it wants situational humor or character humor. Buffy, for example, didn’t really capture a lot of viewers until well into its third season. Well, we’ve been given a second season so I’m going to try it again because I want to like this show.

 

 

 

January

1)A Series of Unfortunate Events Season 5 (Netflix)

I find it hard to believe this is season five of this. I enjoyed the movie this was based on but I’ve been pretty much ignoring this. Well, maybe one day, I’ll get around to watching it because it does look like fun.

 

 

 

10) Brooklyn 99 (NBC)

I’m really looking forward to this. The show was threatened with cancellation earlier this year but was rescued by NBC.

 

13) True Detective  (HBO)

I don’t normally watch cop shows but sometimes they’re just too good to pass up, like Brooklyn 99, and True Detective. Unlike a lot of people I didn’t dislike the last season, but it was unremarkable. I’m watching this because I’m a huge fan of Mahershala Ali, and eager to see what he can do in this role.

 

 

14) The Passage (FOX)

I talked about this show earlier, mentioning my enthusiasm for it, based on my liking of the trilogy by Justin Cronin. Check them out if you’re interested in the show.

 

 

16) Deadly Class (SYFY)

I like the visuals of this show, and the fact that Benedict Wong, from Doctor Strange, is in this. It sorta looks like fun, but I hope it doesnt turn into a copy of The Magicians. Normally, I don’t watch teenagers on TV doing anything, but Sometimes I make an exception.

 

 

17) Star Trek Discovery Season 2 (CBS Access)

I’m very eagerly looking forward to this, since I really enjoyed the first season.

 

 

 

24) Siren

This show got quite a few things wrong, but for every wrong thing, it got something right, and I still like the idea of predatory mermaids. Now the rumor is that other supernatural beings are running around in the town, and we will be seeing some new cast members.

 

February

15) Umbrella Academy Netflix)

This is another show that I think is based  on a comic book, although its possible that it isn’t, because I read the comic book and this doesn’t seem very much like what I read. So now I’ve got to watch it and see how much alike or different it is.

 

 

March

10) American Gods (Starz)

Yeah, I’m definitely here for this, despite the change in showrunners. I can only hope the new showrunner doesnt fuck it up, and treats the characters of color, and the gay and lesbian characters, with a certain amount of dignity.

 

 

On my agenda for the holidays:

The live -action Bleach on Netflix, and Bird Box.

Fall Watch List 2018

There’s not really a lot of network TV that I’m looking forward to this Fall. There are some interesting shows on cable and streaming, though, and there’s some mid season releases I’m looking toward.

Sept. 4th

I have not watched the show that this one is a spinoff for, but I don’t care. I remember saying I couldn’t get into shows about Bikers because I know too much about actual Bikers, and the ones on TV are really just too damned pretty to be believable as a Biker Gang. The same is true here, but I’m gonna watch this anyway, even though I generally avoid watching shows that are about PoC committing crime.

The Mayans (FX)

 

Sept. 7th

I’m gon try this one mo’ agin! The trailer doesn’t look promising. In fact I’m expecting a certain level of racist wtf*ery anyway, but I’m gonna try to like it, if only because Colleen and Misty play such prominent roles. I’m probably never gonna like Danny Rand or the actor that plays him, but I can tolerate him, because I am a strong black woman!

Iron Fist (Netflix)

 

Sept. 12th

I skipped last season of this show because it was hitting too close to home, but I’ll try to watch this season, even though I skipped the very first season of AHS, too, which this is based on. It looks good though.

I’m moving away from in-depth episode reviews, unless it’s a show I’m super enthusiastic about, (like anything by Bryan Fuller). Some shows that are classed as being mildly interesting just won’t get that sort of treatment, but I will review as many season  premieres as I can.

American Horror Story (FX)

Sept. 21st 

I have no idea what this is about, and I am not a fan of either Emma Stone or Jonah Hill, considering them to be the blandest, most colorless actors that anyone could have chosen for these roles, but the premise looks mysterious, and mildly intriguing, in a science-fictiony kinda way, so I’m gonna watch it.

Maniac (Netflix)

Sept. 28th

This stars Jeffrey Wright traipsing through the wilderness, and some wolves, and that’s really all that’s needed to grab my attention, but the creators decided to add Alexander Skarsgard, who I’ve been in love with since True Blood, and now I’m committed. (It is possible after watching this I’ll  be committed, but that’s a discussion for another time.)

Hold the Dark

 

 

 

Oct. 5th

I couldn’t find a trailer for this, but I know it’s out there. Somewhere. The synopsis sounded as interesting as the title, so…

Into the Dark (HULU)

 

 

Oct. 7

I’m kinda off zombie shows, but this may be the last season to see Michonne get her kill on, and watch her and Rick canoodling. I plan to skip any and every episode that features Negan. I’ve  had about quite enough of him. I’m not super enthused about this season considering how the last episode ended. I’m not a particularly enthusiastic Maggie fan. She’s okay, but I suspect she’s going to be the next person I get really tired of seeing.

Oh, and I also have to keep watching to determine if Jesus is, in fact, as gay as I suspect he may be!

(Sorry for all the unnecessary bolding  above, but I’m too tired, and lazy, to undo it on this iPad. You’ll just have to turn down the volume on your computer.)

The Walking Dead (FX)

Oct. 9th

I don’t know why people are waiting so long to give us a trailer for this new season. I haven’t seen one yet, but when I find it, I will post it, forthwith!

Black Lightning (CW)

 

 

Oct. 11th

Well yeah….

Supernatural (CW)

 

 

Oct. 14th

I don’t know what to think or feel about this show yet.  I hated the original, but this one doesn’t inspire a great deal of enthusiasm either. I will watch it because I want it to have the support, especially after the fans of the original showed their racist asses about this casting, and hey, Mermaids turned out to be okay, so why not give this a try. Hopefully the magic represented on the show will have some elements of the ethnic backgrounds of the characters, instead of the usual European, colored lights styles, seen all over most of TV.

Charmed (CW)

 

Oct. 22

I’m watching this new season because the trailer is ridiculous, and I think Constantine is still visiting the gang. I do have this vague fear that this trailer I put up may be for last season, though, as my punishment for skimming those episodes.

Legends of Tomorrow (CW)

Oct. 26th

Heres a quick 9 minute rundown of what to expect in Season 2 of  Charlaine Harris’ second show. I thought the first season was completely uneven as far as the plot, but I did manage to get into the characters. This show does not have HBOs budget, or acting chops, but I think the show needs to embrace its cheesiness a bit more, like True Blood.  After all, this takes place in the same universe as that show.

Midnight Texas (NBC)

Nov. 28th

I think this is the last season for this show. I’ve been watching since the beginning, and haven’t always liked it, but it has been interesting.

Vikings (History)

 

Mid-Season Series – TBD

Brooklyn 99

This show,  which had run for a good five years, had been canceled by FOX, but has been picked up by it’s original creators at NBC, and will air for 13 episodes, instead of the usual 22, in January.

 

The Orville

I still don’t know how to feel about this show. It tries really hard, but it’s uneven, and sometimes the characters are hard to like. I watched quite a lot of last season, and it does look promising. If it can figure out what it wants to be it might be a great show one day.

 

 

The Passage

I really loved the books this show is based on, and the trailer looks intriguing with a father/daughter relationship between a rogue FBI agent and the little Black girl who trusts him. I’ve already posted the trailer , so here are some interviews with the actors about what to expect on the show.

 

Roswell New Mexico

Yeah, I’m  not watching this because I’m allergic to schmacting, but you know what, somebody, somewhere, is gonna love the hell out of this show. It’s like a teenage soap opera about pretty aliens.

 

Titans (DC SubScription)

I’m not subscribing to this.

 

Star Trek Discovery/ Season II (CBS All Access – Subscription)

I might subscribe. I’m still thinking about that, or just getting a jailbroken Firestick instead.

 

*I won’t be watching any of the 80s reboot shows that are all the rage this season. I’m not interested. I lived through the 80s already, I don’t wanna relive it through a bunch of shows I wasn’t all that hot about when they first aired. I’ll  try to find a better listing of new Fall shows for cable and streaming networks.