October Viewing List

Raising Dion

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I binge-watched this entire series last weekend. While it wasn’t entirely what I expected, it wasn’t bad, and I will be back for a second season. It was a pleasant series, not as intense as I thought it would be, pretty fun in a lot of places, with the occasional thrill of tension  in others.

I did go into this with some assumptions based on the trailers. I thought it was going to be a straight superhero origin story, but it turned out to be as much about Nicole, his mother, as it was about Dion.

Nicole was a  professional dancer, now turned single mom, after the death of her husband , and she and Dion have moved to Atlanta. Nicole is one of those people whose life always  seems to  careen from one disaster to another, and when Dion develops superpowers, that just complicates her ability to find and keep a job. When we first meet them, she is still job searching, with the help of her older sister, and she still has not yet told Dion that his father is dead, and won’t be coming home, which is rather heartbreaking. (She eventually gets around to telling him.) Dion’s dad died under mysterious circumstances, and Nicole is still in  mourning, while her sister and her girlfriends do their best to console her.

 

The show mostly turned out to be a mystery, and not the government thriller I thought it would be, as Nicole delves into how her husband died, while he was  working for a Biology corporation. She’s spurred on this journey by Dion’s development of powers, so while trying to figure out how Dion got powers, she is also trying to find out what happened to her husband.

I wasn’t into the plot too tightly, but I did enjoy the secondary characters, like her husband’s best friend, Pat, who starts out  endearingly dorky, and obviously crushing on her, and  great as Dion’s godfather. Later in the series, his story changes, and I wasn’t ready for that ,and I was kinda mad about it. Her sister is one of those likable/unlikable people, who at first, seems super critical, but will totally ride or die for her little sister, which made me like her more. I liked these two characters okay, and Nicole was okay too, although I could have done with a lot less dancing in a couple of the episodes.

The two stand out characters for me though were Dion and Esmeralda. The actor playing Dion is as cute as a button, and Dion is imaginative, and kindhearted, which goes a long way with me. Esmeralda is a gem ,and that actress reallt endeared herself to me. Esmeralda is especially smart and insightful and I was glad to see that the show didn’t focus all her personality into her disability, but it does inform certain aspects of her personality.

Esmeralda uses a chair, and when we first meet her, is around the time that Dion discovers he has powers. He declares that he is a superhero, but Esmeralda reminds him that he isn’t a superhero yet, and has to earn that title. One of the things she says about herself is that she can turn invisible, and this is important, because people’s disregard of her allows her to be especially attentive. Because people don’t pay close attention to her, she is able to pay attention to things other people ignore, as she is the first person to figure out, (outside of his mother), that Dion has powers.

So yeah, I already like the characters, and the show is pleasant enough. There are no world ending stakes involved this season, as the story remains mostly small and personal, which will give the show room to expand, as Dion grows into his abilities.

 

Batwoman

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I can’t say that  enjoyed this episode, but I didn’t hate it either. It was a busy episode and I’m still processing it. Let’s just say there is some real potential in the show, and that there is room for some improvement. It was occasionally cheesy, and yeah, some of the dialogue needs help, but it wasn’t actually a bad show, and I’m gonna stick around for the rest of the season, because the action scenes were top notch and I just like Ruby Rose, the actress who plays Batwoman.

I’ve been a fan of Batwoman/Kate Kane fan since she was re-introduced a few years ago, and Rose just perfectly fits this character. Once again, I was not heavily invested in the plot, and I wasn’t  really feeling many of the side characters either,  except for Kate’s bubbly stepsister, Catherine, who is the daughter of her father’s second wife, and is a medical student. Kate lost her mom and bio-sister in a car accident, when she was a child, and she hates Batman because he was there to save them, but left the scene, and Kate watched them die.

We meet up with her while she is undergoing some Bruce Wayne type training with some sassy Indigenous guy, with long White hair, at the behest of her father who, for reasons of love and safety, is trying to keep her out of his hair, after she got kicked out of military school, for fraternizing with another female, her girlfriend, Sophie.

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She and Sophie are given a choice. They can reject their relationship and stay in school, or they can be expelled. Kate chooses to be expelled, but Sophie chooses to deny the relationship and stay. At first, I  was mad about it, but Sophie is a Black woman, from a modest background, who worked damn hard to get where she is, and while she appears to love Kate, she is not willing to sacrifice her potential career for her, as she may not get another chance in life. As she tells Kate, she doesn’t have the luxury of being able to take a stand, while Kate comes from a wealthy family, who will always take care of her, and I thought that was a nice touch.

So Kate’s dad sends her away for some training, and Sophie stays behind and gets a job with The Crows, Kate’s father’s security agency, something which Kate covets, but her father gives her the runaround about. When Sophie gets kidnapped by a villain called Alice, Kate returns to a Gotham which has been missing Batman for  three years. Kate is desperate to save Sophie, and prove herself to her father, and we get some twists and turns in the plot, and some fairly emotional scenes between Kate and Sophie, and Kate and her dad. I thought all that  was too much too soon, as I don’t feel we had enough of a setup to warrant tearful conversations, yet.

Anyway, there was a lot to unpack, as the show covers a lot of emotional  territory, along with Kate finding the Batcave, and meeting one of her father’s  security consultants, named Luke, who appears to have no actual security skills beyond having a big brain. We get a little bit of backstory, and a subplot about a traitor among The Crows.

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I liked that the show made some real efforts at diversity. There are plenty of poc in the cast, and they all have distinct personalities. There are only two White guys in the cast, Kate’s dad, and  one of the villains, and I find it interesting that shows are doing this thing now where they do cast White men, but only as secondary characters, or villains, the way it was done in Star Trek Discovery. It doesn’t happen all the time, but it happens often enough that I’ve noticed it.

This isn’t my first run in with Kate Kane. I first saw her in a crossover episode with Legends of Tomorrow, a show i still like and occasionally watch, and will be watching this season  because there’s supposed to be another crossover with Arrow, and Supergirl, called Crisis on Infinite Earths.Now, i’m probably one of the few comic book readers who has not read that particular series of books. As I’ve said, I was a Marvel fan at the time of that event, and I could care less what happened in the DCU comic books. I don’t dislike the DCU. All the characters I know are all current, or former, members of the Justice League, Teen Titans, or Legion of Superheroes. Of those characters, the only ones I truly cared about, at the time, were the members of the Justice League.

I will will watch all the shows and some of the movies, though. I’m picky about a lot of pop culture, but  I’m not entirely sure why some things capture my attention, while being indifferent to other things. For example, I didn’t ever give a flying rat’s ass  about Aquaman in the comic books, but I liked the movie version just fine. Well, anyway the big new event this season on the CW is the Crisis on Infinite Earths crossover, with multiple Supermen, which should (and it better) be exciting.

 

 

 

The Dead Don’t Die

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This is an exceedingly odd zombie film, which I had a lot of fun watching. Even though most zombie movies give me anxiety, I watch them anyway, because, its zombies, and there was a little of that tension here, but the movie was more comedy than horror. Its not the kind of comedy seen in Shaun of the Dead, or Evil Dead II. Its more of an intellectual kind of comedy, that doesn’t make you laugh out loud, so much as make you nod, and chuckle,  which is the hallmark of a Jim Jarmusch film, really.

The movie has an all star cast of Bill Murray, Danny Glover, Steve Buscemi, Rosie Perez, Tom Waits, Tilda Swinton, and a bunch of others, and is a very oddball film. it heavily reminded me of the movie Rubber, a movie in which a telekinetic car tire goes on a killing spree, in Southwestern America, and if you have not seen that movie, then you probably should. At the very least it will prepare you for watching any horror  movie directed by Jarmusch.

According to the movie, there is a worldwide zombie outbreak because the earth has been thrown off its axis by fracking, or something, but this isn’t important, and barely mentioned in the film. Ronnie (Murray) and Cliff (Adam Driver), are the Sheriff and deputy of Centerville, a small Midwestern town. The first time anyone notices things have gone off kilter is when Cliff notices that the sun has not set at the correct time, and  the town crankypants, (Buscemi), notices his chickens and cows are missing. When the diner is attacked by two zombies, Ronnie and Cliff investigate, and Cliff reaches the swift conclusion that it was zombies.

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There are long moments of characters standing around, or sitting somewhere, having bland conversations about the situation, the world, or sometimes each other.The town is visited by what Cliff calls hipsters from Cleveland. Cliff takes a liking to one of them, but its all pointless since everyone in the movie gets eaten, even after Cliff warns them to stay inside and not go out at night because of the outbreak.

The humor comes from the laconic acceptance, by  all the characters, that the town has been invaded by zombies, and from the activities of the zombies themselves.  The director has taken the idea of the zombies being attracted to the the things they did in life, and just ran with it, which results in the Chardonnay quote, seen in the trailer. From time to time, one of regular humans will freak out about the situation, which is only meant to offset the calm of the other characters. This movie is the exact opposite, in mood,  of The Walking Dead TV shows. The zombies are given odd quirks of personality. They still eat people, but they also like tennis and coffee. There’s a country song that plays throughout the movie, called The Dead Don’t Die, and I kind of liked it. When Ronnie asks why that song keeps playing on the radio, Cliff explains  that that is the theme song.

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Tom Waits plays the  homeless guy, who lives n the woods, named Hermit Bob, who makes voiceover observations of the events happening in the town, and  whom everyone thinks is crazy.  He’s also the only survivor at the end of the film. I  liked Cliff, who is both pragmatic and intelligent. He occasionally mentions that he’s got a bad feeling, and when Ronnie asks why, he says he read the script, and that things do not end well, which is correct. They don’t. Ronnie is unperturbed by Cliff’s insistence that there is a movie script for their scenario, and that he read it.

Swinton plays the new town mortician who also turns to to be an alien. You could tell she was a strange one, because she  made weird observations, and  carried a samurai sword that she was extremely good at using. She is both delighted and unbothered by the zombie outbreak. Yes, there is a UFO in this movie. From time to time, one of the characters will  forget that they are in a Jim Jarmusch movie,  and behave as if they are actually in a big budget zombie movie instead, and try to do something heroic, but it doesn’t work. The movie ends with the deaths of all the other characters, and  Hermit Bob shaking his head with the  observation that the world is a messed up place.

My 2019 Fall Lineup

Here’s a quick rundown of the shows I’m most interested in for Fall. Some of these are already playing. Some, I’m less excited by the idea of the show, than the potential for it to be good, but of course, I always hope they’re good shows, whether I stick around for them or not.

Playing Now

Carnival Row (Amazon Prime)

I watched a couple of episodes of this, and  just wasn’t feeling it. I felt really distant from the characters, and I think its because of the acting. In a lot of ways this is  a typical historical romance film, but with an overlay of politics, as the different races of The Fae are displaced by violent colonization, to another world (not this one), where they are refugees and immigrants. There’s a lot going on with politics, some heavy enemies to friends romance, some tragic romance, and a police procedural. I’ll get into more details in a later post. I think some elements of the plot are intriguing, and some of it is just exasperating, but at all times, I definitely think it’s a more well thought out world than that Will Smith’s Bright,  which aired on Netflix, and  featured a lot of the same themes.

 

Wu Assassins (Netflix)

I watched a few episodes of this, as well, and I liked the plot, and a couple of the characters. The fight scenes are very well done, but there’s a slight tongue in cheek element to the show that kept pulling me out of the story, because some of it is a little ridiculous, and the writers seem to know that, on some level. Ironically, I would have been more intrigued without any of the supernatural elements. I’m going to watch a few more episodes, and see where it goes, but I’m not especially invested, although its not a bad show, and its nice to see Asian characters headlining TV series. I kept wanting to compare this series to Warrior, which was excellent, and Into the Badlands, which got three seasons, and this show came up wanting, mostly because of the acting.

 

The Dark Crystal (NETFLIX)

I haven’t watched this yet, but I fondly remember the movie from the 80s, and when I finally watch, it I’ll let you know what I think.

 

The Terror: Infamy (AMC)

Okay, I did watch a couple of episodes of this. I know a lot about Japanese history, and Japan  as a society, (basically I have a head full of trivia), but I am not Japanese, and just like the series Warrior, this show throws you right into the deep end, and you have to  understand what’s happening, and try to keep up. Since I’m not Japanese, or an immigrant, I understand what’s going on, on a surface level, while suspecting that there are deeper meanings behind what I’m watching, because there’s a lot of Japanese mythology involved. Is it scary? Yeah, sure, but its mostly scary to me, because I have no clue what the fuck is happening beyond some malignant  spirits,  tormenting people at a Japanese internment camp.

 

Two Sentence Horror (CW)

I watched a couple of episodes of this, and I’m lucky I found it, because there’s no promotion of this show at all. It’s  an anthology series, with each episode focusing on one story, for thirty minutes. I enjoyed the first story I watched, which involved a murderous vlogger, and it was interesting because the vlogger was a Black, female, serial killer, who made makeup products out of her victims. I am going to check out a few more episodes too, because I like the idea of the two sentence story, and it seems to have taken a page from the new Twilight Zone, by casting PoC in unusual roles. The second story I watched was about a Japanese family with an abusive ghost, that ended with me all up in my feels. So far, its not delivering what I expect, and I like that.

 

Cannon Busters (NETFLIX)

I haven’t watched any of this yet, and I’m eager to get started. It’s an anime by a Black team, with a Black cast, which is kind of cool. It heavily reminds me of Afro Samurai, and really looks like fun.

 

 

September

6: Travels with My Father (NETFLIX)

I’m really enjoying Jack Whitehall’s travels with his father. I watched the first two seasons, and really liked the dynamic between Jack, and his rather staid, and conservative, British father, who is annoying, but still manages somehow to still  be hilarious. The first season was Jack trying to get his father to loosen up by visiting some of his favorite places around the world. The second season was about his father giving him the same treatment on the continent. I’m looking forward to their adventures in the new season, when they visit some of the crassest places in America, thanks to Jack’s ideas about what American life is actually like.

 

6: Titans (DC)

I was a little disappointed at the ending of the first season, but I like the trailer for the second season, and it looks like fun because of the addition of Krypto and Superboy!. I’m going to check it out and see what other new cameos show up.

 

10: Mr. Mercedes (AUDIENCE)

I didn’t get into the last season too much, but this is the third season, and its  loosely (kinda) following the events of the second and third books, and its okay. I’m not a stan or anything, but its the kind of show you watch on a lazy Sunday night, when not much else is on TV.

 

18: American Horror Story:1984 (FX)

So, I know I’m going to watch this, although I am not in the mood to relive any of those 80s hair, clothes, and musical numbers. On the other hand, it does feature an 80s style serial killer, and the writers are all batshit, so I expect this to be halfway enjoyable, to the point where I just might stan, and geek out, since I lost interest halfway through the last season.

 

26: Creepshow (Shudder)

I haven’t seen much of this beyond the first trailer. I probably won’t see much of it because I refuse to sign up for yet another app just to watch one show.

October

*4: Raising Dion (NETFLIX)

This one I’m really excited about, as I saw the trailer for it over a year ago, about a young Black boy with superpowers, who is on the run from the government.This trailer really got me in my feels, because it isn’t so much about Dion and his powers, as it is about his mom, and her ability to cope with raising a super, and I like her already, just from the little snippets I’ve seen.

I’m here for it!

 

6: Batwoman (CW)

A lot of people hate this show based on the trailer, but I’m actually intrigued. I first saw Batwoman, cameoing on another show, and I’ve read all the comic books about her. Yes, the dialogue needs some serious help, but I like the actress, and the action scenes look like fun. Kate Kane is not the only gay character in the DCEU, but she is the only one with her own show, so I’ll check it out.

 

10: Supernatural (CW)

I’m looking forward to the fifteenth and final season of this show. I told ya’ll I was in it to the end, and I meant it. The last couple of seasons aren’t as exciting as they used to be, but at least two or three times a season, the show airs a real gem, that reminds  me why I stan. As problematic as this show is, I still love The Winchesters, and I’m sticking with them.

 

11: Charmed (CW)

This is one of the few fantasy shows with women of color as the cast, including an Afro-Latina, and also several lesbian characters of color. Its also not a bad show, either. I didn’t catch all of the last season, but I’m gonna be right there for the first episode of this new one, so I can see what’s what.

 

15: Treadstone (USA)

This is intriguing. Its a show based on the  brainwashed sleeper agent idea behind The Bourne series. Treadstone was the program that created Jason Bourne, and this show is about the aftermath of that third movie, after Jason put a stop to it. I’m gonna check it out, because that world was interesting, and the fight scenes look really good.

 

21: Black Lightning (CW)

When the last season ended the family of Black Lightning was about to go global, to fight some kind of intergalactic menace, and I’m here for it. I am more than a little tired of the Tobias Whale storyline,  and wish they would move away from it. Also I’m deeply intrigued by what’s going on  in the ThunderGrace relationship, and I’m looking forward to some answers.

 

TBD: The Watchmen (HBO)

I no longer have access to HBO, so I probably won’t see this. I’m not especially intrigued  because, while I liked the movie okay, I’m really not much of a fan.  On the other hand, it’s Regina King, and I love her, and watching her play a vigilante is gonna be the shit, and this trailer slaps!

November

12: Disney +/ Available At Launch

So the Disney network starts on the 12th, and I’m looking forward to it for a number of reasons. There will be plenty of content, so I’m getting a good deal on my money, and I’m looking forward to watching several of these movies, like Fantasia, and Bao.

Movies

“101 Dalmatians”
*“A Bug’s Life”
“A Goofy Movie”
“An Extremely Goofy Movie”
“Bambi”
*“Bao”
“Big Hero 6″
“Born in China”
“Cars”
*“Fantasia”
*“Finding Dory”
*“Finding Nemo”
“Free Solo”
“Frozen”
“Fun and Fancy Free”
*“Hercules”
“High School Musical”
“Honey, I Shrunk the Kids”
“Inside Out”
“Iron Man”
“Lady and the Tramp”
“Lilo & Stitch”
“Mary Poppins”
“Mickey, Donald, Goofy: The Three Musketeers”
“Mickey’s Once Upon a Christmas”
*“Moana”
“Monsters University”
“Pirates of the Caribbean: The Curse of the Black Pearl”
*“Pixar Short Films Collection Vol. 1″
“Ratatouille”
“Remember the Titans”
“Rogue One: A Star Wars Story”
“Sleeping Beauty”
“Snow White and the Seven Dwarfs”
“Star Wars: Episode I: The Phantom Menace”
“Star Wars: Episode II: Attack of the Clones”
“Star Wars: Episode III: Revenge of the Sith”
“Star Wars: Episode IV: A New Hope”
“Star Wars: Episode V: The Empire Strikes Back”
“Star Wars: Episode VI: Return of the Jedi”
*“Star Wars: Episode VII: The Force Awakens”
“Star Wars: The Clone Wars”
“Steamboat Willie”
“The Good Dinosaur”
*“The Incredibles”
*“The Little Mermaid”
“The Parent Trap” (1961)
“The Prince & the Pauper” (1990)
“The Princess Diaries”
“The Rocketeer”
“The Sorcerer’s Apprentice” (short)
“The Sword in the Stone”
“The Three Caballeros”
“Thor: The Dark World”
“Toy Story”
“Tron” (1982)
“Up”
“Wall-E”
“Zootopia”

 

The Mandolorian

This looks like so much fun.

 

The World According to Jeff Goldblum

So does this! Also, who doesn’t love Jeff Goldblum.

TBD

The Witcher (Netflix)

I talked about this in an earlier post. I’m not as enthused about it as some people.  Ironically, I’m really not into High Fantasy shows that have elves and orcs and shit,  because of the simplistic messaging and overwhelming Whiteness. Game of Throes only caught my attention because of the addition of Ice Zombies.

 

 

It’s A Black Thang!

I’m not saying that Black people are the only ones who can watch these shows, but this is pop culture that is unapologetically aimed at Black audiences.

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Dolemite Is My Name

Some of us are old enough to have actually watched some of Rudy Ray Moore’s movies, like Dolemite and The Human Tornado, which they don’t show on Tv much anymore ,for…reasons.. Some of my younger readers would have encountered his movies as parodies on MadTV, or Key & Peele. They were often laughably bad in and of themselves but they were groundbreaking because Moore was one of the only Black independent filmmakers of the 70s, and was one of the primary directors in the Blaxploitation era.

The first time I saw a Rudy Ray Moore movie, it was at the Drive-In. I was maybe nine or ten years old, and the movie was The Human Tornado, which I wasn’t supposed to be watching, because I was supposedly asleep in the backseat with my two brothers, and because his movies ARE NOT FOR KIDS!!!! I don’t think I can stress this enough. Well anyway, I watched it and I don’t think my mom ever realized i saw the movie, and I haven’t ever told her. I suspect if I told her this, I’d be subject to this:

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Now couple that information with the return of one of the greatest comedians of the 80s and 90s, Eddie Murphy, who hasn’t been relevant in some time, and this is looking like a comeback role, in a classic film. Actually what it is is the making of Dolemite from Moore’s point of view. There are some other great actor/comedians in this, and even more importantly, this is airing on Netflix in September.

The Black Lady Sketch Show

The Black Lady Sketch Show is now airing on HBO, but you can watch select sketches on YouTube. This is such a great show, and I say that even though I don’t subscribe to HBO anymore. The sketches are soooo funny, and some of them are spot on.

Check out Invisible Spy for example. I’ve always thought that women of color would make exceptional spies, because so few people pay attention to us, especially when we’re doing something stereotypical, like housekeeping! The spy in this sketch is invisible all the time, and thats a commentary on how being fat, and dark skinned, renders a person irrelevant. Even her coworkers don’t know what she actually looks like , even though they’re looking right at her. I got that, as I’m always being compared to some other Black woman that people know, someone they went to school with, a cousin, or somebody’s neighbor.

But one of my favorite sketches is the Ball for Basic Bitches! I’m far too contrary to ever be considered “basic”, I think, but I perfectly understand it, though, and Basic Bitches can be fabulous too, only a lot more quietly, I guess.

Got to Youtube to watch the surreal Dance Biter, which stars my favorite comedian Quinta B, the hilarious Invisible Spy, and a sketch about how obsessed America is with beauty standards, called A Day With No Makeup.

 

 

The Rundown w/ Robin Thiede

Robin Thiede is currently one of the stars of the Black Lady Sketch Show, but if you want to see the kind of work that led up to her starring in the above show, then The Rundown is where you need to see it.

The Rundown aired on BET, and showcased different comedians, although Robin was the star. I never watched the show itself, and only just saw a few episodes because they were recommended after I viewed TBLSS, and frankly, I’m impressed. This first sketch is based on the show Stranger Things, and the character of Eleven, and is what I like to call , uncomfortably hilarious, a style that Key and Peele often specialized in.

My favorite though is this video for the Weak Black Woman, because not everybody can be woke and strong, Some of us are too tired from working on those spreadsheets for the Stevenson account, I guess. Not quite as pointed as the Basic Bitch Ball, but close enough. And the second is a parody of the series Stranger Things, that I laughed waaay too hard at.

Missy Elliott and Lizzo

I’m a huge Missy fan, and have been since that first song. Now I have a new heroine, Lizzo, who is fat, Black, and absolutely, unapologetic ally, who she is, here she teams up with Missy Elliot, and Megan The Stallion, to celebrate some more “Hot Girl Summer”. I wasn’t outraged by the dancing but I was bothered at the idea of these ladies wandering around a public parking lot, at night, in bikini wear. Well, theyre wearing fur ,so I know they won’t get cold, but apparently that was a bridge too far. (See what I mean about me being sort of Basic?)

News After San Diego

Last week was the 50th San Diego Comic Con, and we got  some exciting news and trailers from it. Well, exciting for me, at any rate.

Let’s start with the trailers for forthcoming movies and shows:

Top Gun

I am not a Top Gun fan, because I’m just not into military films, as a rule, but I know some of you guys are really into this stuff, so here’s the new trailer  for it. Its funny but I’ve seen all of Tom Cruise’s movies, but would not call myself a fan of his. He just just keeps starring in things that interest me, like spy movies. Perhaps the word I would prefer to use is “tolerate”.

 

 

Creepshow

I just watched these movies back to back a few weekends ago, and they’re still pretty effective.  The original films were an odd mix of horror and humor, and I hope this new show can hold up to the same standards.

 

 

Picard

After the success of Star trek Discovery, I am cautiously excited about this show. I really like Jean Luc Picard as a character, and I really like the idea of him having more adventures after his retirement, and it looks gorgeous. Buuuuut…. I’m still not as enthusiastic about it, as I think I should be, and I wonder if I have Star Trek fatigue. Nevertheless, I’m gonna check this out.

 

 

The Witcher

Not sure how I feel about this show. I’m not a gamer, and only know about this show, and this world, from reading books about the artwork. I keep having to suppress laughter at Henry Caville’s wig, which is very distracting, and  I don’t know why. On the other hand, this trailer looks fucking awesome!

 

 

Watchmen

This is another trailer that looks really  interesting, but I’m not a huge fan of the movie, beyond thinking it looked pretty, nor am I a fan of the philosophies espoused in it, and I’m not sure I want to watch an entire season of something this intense. I can think of a whole bunch of reasons not to watch this, in fact, but I probably will watch it, because I love Regina King , and I’ve never seen her is this type of role before. We keep asking for these types of roles with Black women, and then don’t support them, so I’m definitely gonna be there, but I’m afraid  I may not actually enjoy it.

 

Preacher

I missed the last season  of this show, but I can see by the trailer, that its as zany as it ever was.

 

 

Star Trek Short Treks

I may have to subscribe to CBS All Access again because they are making more of these little one offs, that look really good. I enjoyed the last three or four they made, which occurred between the season’s for Discovery, and were basically back stories for some of the characters we met last season, or some established characters, and one of them presented an interesting mystery for the future, that had bearing on the end of the last season! So I am looking forward to what I’m going to see here. It looks like fun, and I really did enjoy this version of  Spock, btw.

 

Batwoman

I’m really excited about this show, but only because I saw the a couple of The Legends of Tomorrow episodes which featured this actress. Yes, the dialogue is atrocious, but then the same thing was said about Titans, and I liked it okay. This trailer has been horribly panned by well…the usual suspects really, but I’m past caring whether or not they think something is bad or good, based on whether or not there’s women in it.

I gotta say, that while the MCU may be tearing it up on the big screen, the DCEU is killing it on the small one, ,as far as diversity, and inclusion, with plenty of characters of color (that they don’t always get right, but at least they’re trying, which is more than I can say for the MCU), but also plenty of openly gay and lesbian characters, (of which the MCU has but none), who are not all White people. The DCEU really does need to  work on the  dialogue though.

 

 

Snowpiercer

I watched the original move, and while I got the message behind it, it was still so incredibly depressing that it didn’t even make my favorites list for the year of its release. The trailer looks fascinating, but I don’t know if I want to visit this horrible little world on a regular basis. W’ell see how I feel bout it after its air date.

 

 

Wu Assassins

This looks like pure, campy, martial arts fun! It heavily reminds me of last Power Rangers movie.

 

************

And the big news is the upcoming slate of movies and shows from phase 4 of The MCU, including Black Panther 2, Captain Marvel 2, The Eternals, Guardians of the Galaxy 3, and Blade, and The X-Men!

Now, its been said that the new Blade movie is a reboot, and will star Maharsala Ali who has been wanting to play Blade for a while, and people are very excited abut this, (including me).

Its also been stated that Blade, like Deadpool, and Venom, which are not actually a part of the MCU in the same way as Doctor Strange, and Spiderman, will be a standalone franchise, like the other two, or maybe part of phase 5, or a TV show, or well…its not exactly clear. On the other hand, Blade may actually be part of the MCU, and there might possibly be a crossover with Dr. Strange, as in the comic books, there is a crossover between Strange, Morbius, and Blade. There will definitely be a Morbius movie though, so I’m hopeful that is the plan for these movies.

I love, love, love, the Blade movies, and have watched all the other versions, but remain unimpressed by those. A lot of people forget that there was a  live action television show, and a cartoon, as well, and Wesley Snipes recently did a brief cameo on the hit TV series, What We Do In The Shadows.

Mahershala Ali is the only Muslim actor to receive an Oscar, for his role as the drug dealing Juan in the movie Moonlight, so I am really looking forward to seeing him in this new version. If you want to see what he’d be most like as Blade, then check out his character in Battle Angel Alita, which looks like he’s auditioning for the role.

 

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More news from the CON is that Natalie Portman will be starring in the new Thor movie, which will be directed by Taika Waititi, and its rumored that she will play the new Thor, like the character from the comics. Creators have clearly stated that Tessa Thompson’s Valkyrie is the only openly gay character in the MCU, and its possible (at least we hope it is, since Waititi is both the writer and Director) that we will see her get a Queen in the new movie. (This is after Thor has handed over his Kingship to her at the end of Endgame.)

 

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Ava Duvernay is making The Eternals, which will racebend the  white, male, character of Makkari,  to  a deaf Black woman. Lauren Ridloff you may remember from her stint on last season’s The Walking Dead. I’m good with this becasue I just really like this actress.

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There’s also news about the MCU: Shang Chi, about a brilliant martial artist, which has found its lead character actor, and his villainous opponent, The Mandarin, who will be played by Tony Leung, who has starred in Hero and The Grandmaster:

 

And for the rest:

 

 

Also, one more movie I’m really excited about, because I just love this idea of time traveling to save loved ones, and its an opportunity to showcase, yet another, little Black girl in a Thriller, is this little gem, called Don’t Let Go! I thought at first it was going to be a ghost movie, but it turns out to be a little more in depth than that, and I’m here for it..

 

 

 

 

 

‘Love, Death & Robots’ suffers from blatant sexism

https://www.dailydot.com/parsec/netflix-love-death-robots-review/

Short films can find it hard to attract a wider audience, so it’s cool to see Netflix promote a big, splashy showcase of animated sci-fi shorts. Sadly, Love, Death & Robots feels much less cool and boundary-pushing when you take a closer look. Curated by Tim Miller (Deadpool) and David Fincher (Fight Club), this anthology is full of gratuitous onscreen sexism—and blatant gender discrimination behind the camera.

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I did watch this on Netflix,  and I actually enjoyed a few of the shorts featured as they were written by one of my favorite authors, John Scalzi. John Scalzi is not known as an especially “edgy” type of writer. In fact, he’s very progressive, so those shorts seem incongruous next to some of the other, more violent, shorts in the anthology. But this article is correct in stating that in every short that featured violence, female sexuality and nudity was associated with it, and in every instance of female nudity or sexuality, there was an extreme amount of violence involved in that story. In some of the stories the two occur simultaneously.

In all fairness though, not all of the short films feature either topic, and some of them are actually worth watching. Most notable were:

The Day the Yogurt Took Over was written by Scalzi from his anthology titled Miniatures. It’s hilarious.

Ice Age was very interesting. I enjoyed it a lot.

Fish Night is a story I remember reading, in another anthology, a couple of decades ago, and the story just stuck with me.

Lucky 13 was one of the better Scifi stories, and has a Black woman as the lead character.

Three Robots was really cute and it has cats, so some of you will definitely like it, and Suits was frantic and suspenseful.

But the story that affected me the most was Zima Blue, which I consider one of the best stories in the entire anthology. It was emotional and though provoking.

 

The Wired is a lot more damning of the show than I am though:

Netflix’s Love, Death & Robots is sexist sci-fi at its most tedious

https://www.wired.co.uk/article/love-death-and-robots-review-netflix

It’s not just a male gaze that ruins Love, Death & Robots, it’s an adolescent male gaze. The sex scenes are so bad they’re funny. At times, the dialogue is borderline farcical. All too often the series leans precariously on visual tricks – and while the worlds created here are vast and vivid, the plots are often non-existent.

I Saw It On Youtube Again!

Purl

This cute little video, from Pixar, is an allegory for workplace sexism. I was especially drawn to it because Purl is so sunny,  and happens to be a ball of yarn, (probably wool) and I love knitting. I found myself rooting for her, and actually feeling disappointed, when she wasn’t behaving according to my expectations!

 

 

 

White Savior

This is one of the funniest sketches about movie cliches I’ve ever seen. Seth Myers perfectly captures the trope of The White Savior, who comes barrel rolling into every scene where a Black character might appear to need a little assistance. The part of the video that made me laugh the loudest is the scene where the Black woman befriends a racist character because yeah, these types of movies love to  present the idea that forgiving the  racist is going to end racism, and we would all just get along if Black cozied up to our oppressors.

Black people are so inundated, in movies especially, with the idea that we should not be angry about racism, that this leads me to believe that White people’s deepest, most terrifying, nightmare, is Black people being angry about racism.

 

 

 

Kitbull

I thought this video was just cute. It’s from Pixar, the same studio that produced Bao by Domi Shi ,which just won an Oscar.

 

 

Juanita

This movie, about a Black woman who just wants to go on vacation some where, any where, else, and stars Alfre Woodard,  and who is totally underrated as an actress, will air on Netflix.

 

Detective Pikachu

All I know about Pokemon did not come from being a fan, but from living in a house with fans. My two little sisters pretty much controlled the TVs in our house, when they were kids, so I got a crash course in Pokemon, even though I really hated the show. Nevertheless, I did manage to develop favorites like Pikachu, and Bulbasaur, so I was really tickled at the thought of this movie. Who came up with this crazy idea? And what were they smoking?

 

 

We Got Cows

There are a whole series of these videos about cows being attracted to yodeling women. They just come running! And then they just stand there listening. And nope,  I don’t understand why I find that deeply funny.

 

 

 

Hood Naruto

Everything I learned about Naruto came not from being a fan, but from watching gifs about it on Tumblr, and some things are just hilarious, even when you know almost nothing about the subject beyond the character’s names. From what I’ve observed, Black people really, really, really love Naruto, so that explains these types of videos. I am not, however, one of those Black people, and I have not bothered to fix it, probably because I just enjoy being a contrary asshole.

 

 

 

Time For Sushi

This was just a series of weird dance videos I found on Youtube. Watching this is probably going to really mess up my algorithms probably.

Yes, these figures are naked. No, they are not real people. No, I have no idea what the hell is happening, or why this happened, but if my eyeballs had to see this, yours do too.

 

 

 

Time To Do The Dancing

I don’t want to make fun of these people, but they make it so easy. Goths are so tortured with angst, that they can’t look as if they enjoy dancing, and that attitude makes this look like some weird exercise video. Nevertheless, they do  manage to approach their lack of enjoyment in body movement, with a great deal of enthusiasm. So, they probably like “the dancing” but can’t be seen to be enjoying themselves, since dancing pretty much goes against being “Goth”.

 

 

 

Stupid Spider Videos

There’s an entire series of these videos of mate-dancing spiders twerking it to various songs like YMCA, and Staying Alive. I do not like spiders, as a rule, but I can watch these without issue because they’re just so ridiculous. This one with the lightsabers was…well, see for yourself.

Kingdom (Korean Zombie Series)

 

I cannot speak highly enough about this show, and I want to watch it again before the 15th (before I’ll be binging Umbrella Academy). If you’re a fan of historical fiction, zombies, and political intrigue, then this is your show. The fact that all the political intrigue takes place in Korea’s past is completely irrelevant, because you will enjoy the ride. You will especially enjoy it if you watched the movies, Train to Busan, or Seoul Station, because this is from the same creators, although it is unknown if the movies are part of a trilogy, with the show.

Now, I can’t say for certain, but it is possible that Kingdom is a prequel to Seoul Station, which takes place in present day  Korea, and involves a zombie contagion spreading among the homeless. Train to Busan is about a zombie contagion that takes place among a crowd of middle class commuters, in the present day, in another area of Korea, simultaneous to Seoul Station.

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Kingdom takes place in Korea’s ancient past and is about a zombie contagion that spreads among the populace, after the King becomes infected. While the peasants fight for their lives, the Crown Prince attempts to do his best to help save them while the rest of the nobility fight among themselves for access to the throne.There’s some neat character arcs in the series. When we first meet the Prince, he is attempting to see his father, who has been incognito. What he doesn’t know is The King had been turned into a zombie by  the medicinal use of a small purple flower, that grows in the mountains.

The current Prince is next in line to the throne, and he is indolent and kind of lazy. He’s spent most of his time enjoying himself rather than learning statecraft. There is a rival clan that wishes to put one of their own on the throne because a daughter of that clan is the King’s pregnant wife. Most of the time at court, is spent driving away the Prince, and pretending the King is still alive, but in seclusion, until that woman’s child is born, as that child will have precedence to the throne over the current Prince.

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As the crisis with the zombies deepens, we watch as  the Prince steps up to care for his people in their time of need, which parallels the journey made by the lead character in Train to Busan, who goes from a selfish man, who nearly gets one of the other passengers killed, to sacrificing his life to protect them. Several times the Prince risks his life to save peasants, including several children. He steps up to be as courageous, and smart, as the peasants believe him to be. The other officials, whose job it is to take care of the villagers, turn out to be a lot less so.

Each iteration of these stories addresses the  issues of classism and poverty from three differing points of view, so I can’t talk about Kingdom without talking about the previous two films, because even if the films are not part of a trilogy, they are connected by their themes. In Seoul Station, the entire contagion begins among the homeless , when one of the men in that community, dies  and resurrects. His brother tried get help for him, but kept getting rebuffed  by people who had nothing but contempt for him. If he had been able to get medical help for his brother, the situation would not have evolved the way it did.

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In Kingdom, the villagers in the outlying areas are starving to death because the local officials are neglectful in their duties, being more concerned with their pleasant lives, than if people are dying. When one of the bodies the King has fed on, is shipped home to one of the villages, someone chops up the body, and puts it in a stew, which the starving peasants eat. For the record, most of the bodies the king has fed on, don’t resurrect because they have been immersed in a pond on the castle grounds.

One of the interesting things about these zombies is they only resurrect during the day. It isn’t until later that we find out why that is, but until then, since no one believes in their existence until its too late, no one takes the opportunity to get rid of the bodies before nightfall.  As soon as the sun rises, the zombies fall down, and appear to be dead. The bodies that have been dumped into  the palace’s pond have also not resurrected, for some reason.

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The homeless man, in Seoul Station, spends nearly the entire  movie running for his life, after having met, and saved, the life of the young woman at the center of the film. She too is a member of the underclass,  a sex worker with no real home of her own, after she breaks up with her boyfriend. Neither of them have anywhere to go, so must stay out in the streets, trying to avoid the zombies. At one point, she and the old man have simultaneous emotional breakdowns about wanting to go home, and not having one to go to.

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Every opportunity people have to help them, they don’t,  including the police. The two of them get attacked or turned away. Some of the characters declare that the old man smells bad. The young lady makes a less than favorable impression, as she spends most of the movie in her bare feet, after she loses her impractical shoes. No one will help either of them because they are considered smelly, or  dirty, or  worthless. The movie isn’t just an indictment against the existence of homelessness, but an indictment against the classist snobbery that does nothing to help them.

In Train to Busan, you have another class of people, the middle class, riding a train, when a contagion occurs. You have businessmen, grandmothers, high school students. In other words, respectable people. The kind who were looking down on the primary characters of Seoul Station. Trapped in an environment no one can escape, they are shown as being selfish, full of contempt for those they think are less than, having no loyalty to one another, yet  acquiescent to any form of authority.

The man with the most power and respect is openly malicious  towards the other characters, at one point, expressing a rage filled rant towards a teenage  girl he regards as stupid. At several points in the story, he gets people killed because he wants what he wants, and in his mind that takes priority over whatever those “lesser” people want. So once again we have the themes of classicism and selfishness and snobbery. All the other characters learn to be selfless too late to save themselves, as they really get  the chance to band together. The lowest person on the class scale is the wrestler and his wife, both of whom start the story as giving and altruistic people. There is also a homeless man in this movie as well. He dies too, but he does so giving his life to save others, just as the wrestler does. This same level of personal growth is shown in The Kingdom, when  the Prince rises to the occasion, to become a true leader who makes smart, brave  decisions for the welfare of the villagers, and  always from a place of empathy.

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In Train to Busan, two old women, sisters, are watching news footage of the zombie attacks on TV and, mistaking the attackers for rioters, they both express disdain for “those people”. After one sister gets infected, the other gets everyone in her train car killed, after she opens a door to let her sister inside. Her selfishness, (because she certainly isn’t thinking of the welfare of the others in the car), is what gets everyone killed, which is an interesting turnabout, as it was the people of that train car who selfishly kicked  some of the other survivors out of that car, at the commandments of the selfish businessman.

In Kingdom, the ruling officials in the area, at every opportunity to save the villagers, elect to save themselves. During an uprising of zombies, a fleet of boats is burned, leaving only one boat left. The officials and members of the local nobility, decide to take the one boat for themselves, after promising to evacuate the villagers. Unknown to them, one of  the infected has made its way onto the boat. They are all killed, and their boat destroyed, when the contagion breaks out.

While the movie is full of Game of Thrones style intrigue, its still fairly easy to follow, although you will probably not remember any of the character’s names. Even though its a series, rather than a film, it’s every bit as intense as the first two films, with the quiet moments only serving to build up the tension before the next attack, which everyone knows is coming, so a lot of daytime events have time limits on them. It is a very intense show, with lots of running, fighting, and bare escapes. Yes, children are endangered in this movie, some of them are killed (offscreen) and there are child zombies.There are also some really good plot surprises, as well, so if you’re watching this  because you find the plot intriguing, you will be satisfied. The movie is both subbed and dubbed, so those of you who hate reading subtitles can listen in English, and vice versa.

I cannot recommend this movie hard enough to anyone who is a fan of zombie movies and shows.

Kingdom is a six part TV series available on Netflix.

Forthcoming TV 2018/2019

December

21) Diablero (Netflix)

I have never heard of this show, movie, or whatever this is, and  don’t know anything about it beyond the trailer, but it sounds interesting, and looks like fun. so I’m going to check it out next week. All I know is that its kinda like Buffy but edgier, with demon hunters and priests in the city. I’ll get back to you guys and let you know what I think.

 

23) Watership Down

I had no intention of watching this because I saw the original and it was pretty depressing. I have no need to subject myself to this anew adaptation, but I know there’s someone out there who loves the original animation, and will probably like this version, too.

 

28) Black Mirror (Netflix)

We’re supposed to get a surprise Xmas special at the end of the month. I’ve really enjoyed Black Mirror, and I’m looking forward to this, if the rumor is true. Of course there’s no trailer for something that’s supposed to be a surprise.

 

30) Orville (Fox)

This show was wildly uneven, as it couldn’t seem to balance out the comedy and drama at the same time, but I could see the potential, and I could see what MacFarlane was trying to accomplish, and sometimes it takes a show a season or two to get on its feet, and hit that groove. The show needs to make up its mind if it wants situational humor or character humor. Buffy, for example, didn’t really capture a lot of viewers until well into its third season. Well, we’ve been given a second season so I’m going to try it again because I want to like this show.

 

 

 

January

1)A Series of Unfortunate Events Season 5 (Netflix)

I find it hard to believe this is season five of this. I enjoyed the movie this was based on but I’ve been pretty much ignoring this. Well, maybe one day, I’ll get around to watching it because it does look like fun.

 

 

 

10) Brooklyn 99 (NBC)

I’m really looking forward to this. The show was threatened with cancellation earlier this year but was rescued by NBC.

 

13) True Detective  (HBO)

I don’t normally watch cop shows but sometimes they’re just too good to pass up, like Brooklyn 99, and True Detective. Unlike a lot of people I didn’t dislike the last season, but it was unremarkable. I’m watching this because I’m a huge fan of Mahershala Ali, and eager to see what he can do in this role.

 

 

14) The Passage (FOX)

I talked about this show earlier, mentioning my enthusiasm for it, based on my liking of the trilogy by Justin Cronin. Check them out if you’re interested in the show.

 

 

16) Deadly Class (SYFY)

I like the visuals of this show, and the fact that Benedict Wong, from Doctor Strange, is in this. It sorta looks like fun, but I hope it doesnt turn into a copy of The Magicians. Normally, I don’t watch teenagers on TV doing anything, but Sometimes I make an exception.

 

 

17) Star Trek Discovery Season 2 (CBS Access)

I’m very eagerly looking forward to this, since I really enjoyed the first season.

 

 

 

24) Siren

This show got quite a few things wrong, but for every wrong thing, it got something right, and I still like the idea of predatory mermaids. Now the rumor is that other supernatural beings are running around in the town, and we will be seeing some new cast members.

 

February

15) Umbrella Academy Netflix)

This is another show that I think is based  on a comic book, although its possible that it isn’t, because I read the comic book and this doesn’t seem very much like what I read. So now I’ve got to watch it and see how much alike or different it is.

 

 

March

10) American Gods (Starz)

Yeah, I’m definitely here for this, despite the change in showrunners. I can only hope the new showrunner doesnt fuck it up, and treats the characters of color, and the gay and lesbian characters, with a certain amount of dignity.

 

 

On my agenda for the holidays:

The live -action Bleach on Netflix, and Bird Box.

Fall Watch List 2018

There’s not really a lot of network TV that I’m looking forward to this Fall. There are some interesting shows on cable and streaming, though, and there’s some mid season releases I’m looking toward.

Sept. 4th

I have not watched the show that this one is a spinoff for, but I don’t care. I remember saying I couldn’t get into shows about Bikers because I know too much about actual Bikers, and the ones on TV are really just too damned pretty to be believable as a Biker Gang. The same is true here, but I’m gonna watch this anyway, even though I generally avoid watching shows that are about PoC committing crime.

The Mayans (FX)

 

Sept. 7th

I’m gon try this one mo’ agin! The trailer doesn’t look promising. In fact I’m expecting a certain level of racist wtf*ery anyway, but I’m gonna try to like it, if only because Colleen and Misty play such prominent roles. I’m probably never gonna like Danny Rand or the actor that plays him, but I can tolerate him, because I am a strong black woman!

Iron Fist (Netflix)

 

Sept. 12th

I skipped last season of this show because it was hitting too close to home, but I’ll try to watch this season, even though I skipped the very first season of AHS, too, which this is based on. It looks good though.

I’m moving away from in-depth episode reviews, unless it’s a show I’m super enthusiastic about, (like anything by Bryan Fuller). Some shows that are classed as being mildly interesting just won’t get that sort of treatment, but I will review as many season  premieres as I can.

American Horror Story (FX)

Sept. 21st 

I have no idea what this is about, and I am not a fan of either Emma Stone or Jonah Hill, considering them to be the blandest, most colorless actors that anyone could have chosen for these roles, but the premise looks mysterious, and mildly intriguing, in a science-fictiony kinda way, so I’m gonna watch it.

Maniac (Netflix)

Sept. 28th

This stars Jeffrey Wright traipsing through the wilderness, and some wolves, and that’s really all that’s needed to grab my attention, but the creators decided to add Alexander Skarsgard, who I’ve been in love with since True Blood, and now I’m committed. (It is possible after watching this I’ll  be committed, but that’s a discussion for another time.)

Hold the Dark

 

 

 

Oct. 5th

I couldn’t find a trailer for this, but I know it’s out there. Somewhere. The synopsis sounded as interesting as the title, so…

Into the Dark (HULU)

 

 

Oct. 7

I’m kinda off zombie shows, but this may be the last season to see Michonne get her kill on, and watch her and Rick canoodling. I plan to skip any and every episode that features Negan. I’ve  had about quite enough of him. I’m not super enthused about this season considering how the last episode ended. I’m not a particularly enthusiastic Maggie fan. She’s okay, but I suspect she’s going to be the next person I get really tired of seeing.

Oh, and I also have to keep watching to determine if Jesus is, in fact, as gay as I suspect he may be!

(Sorry for all the unnecessary bolding  above, but I’m too tired, and lazy, to undo it on this iPad. You’ll just have to turn down the volume on your computer.)

The Walking Dead (FX)

Oct. 9th

I don’t know why people are waiting so long to give us a trailer for this new season. I haven’t seen one yet, but when I find it, I will post it, forthwith!

Black Lightning (CW)

 

 

Oct. 11th

Well yeah….

Supernatural (CW)

 

 

Oct. 14th

I don’t know what to think or feel about this show yet.  I hated the original, but this one doesn’t inspire a great deal of enthusiasm either. I will watch it because I want it to have the support, especially after the fans of the original showed their racist asses about this casting, and hey, Mermaids turned out to be okay, so why not give this a try. Hopefully the magic represented on the show will have some elements of the ethnic backgrounds of the characters, instead of the usual European, colored lights styles, seen all over most of TV.

Charmed (CW)

 

Oct. 22

I’m watching this new season because the trailer is ridiculous, and I think Constantine is still visiting the gang. I do have this vague fear that this trailer I put up may be for last season, though, as my punishment for skimming those episodes.

Legends of Tomorrow (CW)

Oct. 26th

Heres a quick 9 minute rundown of what to expect in Season 2 of  Charlaine Harris’ second show. I thought the first season was completely uneven as far as the plot, but I did manage to get into the characters. This show does not have HBOs budget, or acting chops, but I think the show needs to embrace its cheesiness a bit more, like True Blood.  After all, this takes place in the same universe as that show.

Midnight Texas (NBC)

Nov. 28th

I think this is the last season for this show. I’ve been watching since the beginning, and haven’t always liked it, but it has been interesting.

Vikings (History)

 

Mid-Season Series – TBD

Brooklyn 99

This show,  which had run for a good five years, had been canceled by FOX, but has been picked up by it’s original creators at NBC, and will air for 13 episodes, instead of the usual 22, in January.

 

The Orville

I still don’t know how to feel about this show. It tries really hard, but it’s uneven, and sometimes the characters are hard to like. I watched quite a lot of last season, and it does look promising. If it can figure out what it wants to be it might be a great show one day.

 

 

The Passage

I really loved the books this show is based on, and the trailer looks intriguing with a father/daughter relationship between a rogue FBI agent and the little Black girl who trusts him. I’ve already posted the trailer , so here are some interviews with the actors about what to expect on the show.

 

Roswell New Mexico

Yeah, I’m  not watching this because I’m allergic to schmacting, but you know what, somebody, somewhere, is gonna love the hell out of this show. It’s like a teenage soap opera about pretty aliens.

 

Titans (DC SubScription)

I’m not subscribing to this.

 

Star Trek Discovery/ Season II (CBS All Access – Subscription)

I might subscribe. I’m still thinking about that, or just getting a jailbroken Firestick instead.

 

*I won’t be watching any of the 80s reboot shows that are all the rage this season. I’m not interested. I lived through the 80s already, I don’t wanna relive it through a bunch of shows I wasn’t all that hot about when they first aired. I’ll  try to find a better listing of new Fall shows for cable and streaming networks.

Mini Reviews From Firestick TV

I got an Amazon FireStick for Christmas, and so far, I’m having good fun with it. I’ve been doing this thing, where I go to random apps, and try them, or just watch whatever movies or shows get recommended to me on Amazon Prime, Netflix, or Hulu. I’ve watched movies on Terrarium TV, and and an app called Showbox, but I’m not gonna talk about those today. I’m sticking with Netflix, and Hulu, for now.

 

Kill Order

One of the  fun things to watching movies on the Firestick, is you get to watch low budget, never heard of, movies, and this is the case with Kill Order. I knew absolutely nothing about this movie before watching it. Had never even heard of it. Although some elements of the plot are somewhat confusing (requiring you to pay close attention to some horrible acting), the plot is fairly straightforward.

The plot involves a superhuman teenager, David Lee, played by Chris  Mark, on the run from the shadowy scientific Organization that  experimented on him. David is prone to nightmares and anxiety attacks. When he’s attacked in his classroom and his home by assassins, and his adopted parent is killed, he has to outrun more of them,  sent after him by The Organization.

There’s shades of Logan in the plot, because David is an experiment, who was freed by one of the doctors working on the program. He’s been infused with some type of elemental energy from another  world, and when he becomes stressed, or concentrates hard enough, he can access this energy to be faster and stronger than human. Unfortunately, many of the assassins out to kill him are also successful experiments and can access this energy too.

I thought the acting was atrocious, but I loved the kinetic energy in this movie. I think it was worth watching, for the action scenes, although a couple of them lasted just a tad longer than they should have. The action is really fast, brutal, and bloody. My major complaint about that, was that so many of the fights took place in public spaces, well within view of spectators, who did not seem at all puzzled to see black garbed killers flailing swords around, at the park. I mean it is a fairly unusual sight in this world but I guess maybe not so much in David’s.

Kill Order is available on Hulu, and is not related to the Maze Runner series, by James Dashner, as far as I know.

 

Pose

I heard about this show on The Root, and thought I’d give it a try. It’s a new show, from the creator of American Horror Story, Ryan Murphy, and is loosely based on the 1990 movie, Paris is Burning, about the gay Ballroom scene in 1980s New York. I enjoyed that movie, and have been fascinated with Ballroom culture ever since, and this show is an interesting glimpse into the lifestyle, that comes from a place of authenticity, as many of the actors are actually transgender.

I was a little put out by the opening of the movie, as I don’t particularly enjoy watching characters be mean and bitchy to one another, but apparently that was just  setting up the (loosely named) villains of the show, House Abundance, which is the rival to House Evangelista. There’s also a B plot involving the economic boom issues going on in NY at the time, involving the rise of  Donald Trump, (although he is not featured in the series).

House Abundance is run by Dominique, who was once the House mother for Blanca, who left her (becasue she wasn’t getting any respect), to start her own House, and we get to watch as the two Houses compete in various shows, how Blanca builds her own house, and the contrast between how the two houses are run. The show also tackles issues of teen/LGBTQ homelessness, as Blanca adopts a young man from the street, whose family abandoned him.

For those of you unfamiliar with all this, here’s are some  brief primers on  Ballroom culture and voguing. You’ll hear about the two Houses, La Beija, Xtravaganza, and Ninja, which were the focus of the movie, Paris is Burning, and some of the dance moves, like The Duck Walk, and the Death Drop. The New York Black and Latinx LGBTQ Ballroom culture is where the original meaning of “Shade” and “Reading” people came from. (None of this has anything to do with the dance form which was co-opted by Madonna in the 90s.)

I’ve only spent some time watching the various clips from this move, because it just hurts too much, to watch it, in its entirety, multiple times. The stories really move you. You start to root for certain characters, only to find out they were murdered in a hate crime, a few months later, or died of Aids. it can be hard to watch, but its worth it to glimpse a culture you may have never seen before. I try to be respectful, and keep in mind, that I’m not a part of this culture, and  a spectator to all it. I just admire it from afar.

 

Here is one of my favorite moments in Paris is Burning, about the philosophy behind voguing, realness, and authenticity:

 

I enjoyed the first episode a lot, and I made a promise to myself to catch some  more episodes, although I’m not yet devoted to it. But I do love the idea that this even managed to make its way to Primetime TV. I can actually see something like this being made in the 80s for  television, but not in the 90s, which was a lot more conservative. If you have been wishing for more LGBTQ content on TV then this is your show, this is your hour, this is you! The show discusses a lot of transgender issues, which makes this show absolutely groundbreaking!

This show wasn’t recommended to me from my Firestick, although I think you can watch it on Hulu, if you don’t have cable, or satellite TV.

 

The Outsider

I was prepared not to like this movie, which is newly available on Netflix. Netflix recommended I watch this, because I’d watched several Chinese Action movies (?), and put several more on my watchlist. So, even though I was dubious, because it starred Jared Leto, I took a chance, and gave it a try.

For the record,  I am, apparently,  one of the five people on the entire planet, who does not hate Jared Leto. I’m just occasionally wary of his presence in something, mostly  based on the stories I’ve heard about him, that I should, but I’ve always been contrary. I think he’s a perfectly okay actor, and I’ve liked him ever since he got his ass beat by Brad Pitt in Fight Club. I even liked him in this movie, although he turns in, what is for him, a rather subdued performance, which is also completely unnecessary to the plot of this movie.

I have a confession to make. I am a fan of historical movies, and books, about Westerners travelling, and living, in Japan. I will watch, or read, just about anything on that subject. That said, though, I have never understood Hollywood’s need to add White men to stories that do not actually require their presence. I don’t  object to  such things per se, but sometimes, I don’t feel like looking at White guys in Asian media. I’m told this is an economic choice, because White Americans are too stupid to watch movies without any White men in them. Personally, I think that’s a grave insult to the reasonably smart White people who actually watch foreign films, with nary a White guy in sight, (and if the American school system hadn’t spent so many decades turning its citizens brains into ignorant mush about the rest of the world, this would never have created a problem, that needed to be pandered to.)

This is an acceptable movie, and Jared Leto is fine in it, as an American criminal, imprisoned in Japan, just after WW2. While there, he meets, and saves the life of, a Yakuza member. When the two of them break out of prison, he goes to work for the man whose life he saved, the son of a Yakuza leader, and gets accepted as a low ranking member of the clan, despite the protestations of his friend’s brother, who is set to inherit the title of clan leader. He meets a girl, and gets involved in some drama, that results in the entire clan being killed, after which he’s exiled.

This story could just as easily have been told without him, because the politics and infighting of Yakuza clans is fascinating, all on its own. I don’t know if the director is Japanese, but I didn’t get much of a sense of Japan in this movie, beyond the usual surface signifiers, like Sumo scenes, neon city streets, and  dancing geisha. If you’re looking for some depth of setting, like a travelogue, this is not that movie. Leto looks distinctly out of place, but I guess that’s the point of putting him in this movie.

The setting felt more like the industrial wasteland of 80s Chicago, than 50s Japan, so there could’ve definitely been some more work done on the time setting. The trailer looks more Japanese than the actual movie, and I have no idea how a director manages to accomplish such a thing.  It’s a very dark film. It’s very gloomy. There’s a lot of sitting around in bars, gambling, and drinking, while giving people shifty looks, talking smack about the American, some macho grandstanding, and some short, brutal, fight scenes, which Leto performs satisfactorily, without ever seeming as if he is a dangerous person. I think it’s because he has this wide eyed innocent look, (he is exceptionally pretty), that works against what he’s trying to portray. He really needs to work on looking more shifty eyed, unless of course,  that was the point of his character.

It’s not a bad movie, but it’s not a spectacular one either. I liked the visuals, but I like the visuals of any movie set in Japan, so that’s a very low bar. There’s nothing in it that stands out in particular, beyond the mood, and setting, and this one White guy, that the other characters keep saying doesn’t belong where he is. If you’ve got some time to spend on a Saturday evening, with nothing much to do, and you don’t mind watching Jared Leto, and some Japanese imagery, for 90 minutes or so, then it’s an engaging enough film, but if you choose not to watch it, don’t beat yourself up over that decision, too much.

 

 

Travels With My Dad

I have a pretty close relationship to my Mom, so I’m always fascinated by other peoples real life, adult, relationships with their parents. I actually really liked this show. It wasn’t recommended to me by Netflix, but eventually it would have, because I like travel shows, and I enjoyed watching the show, An Idiot Abroad.

Jack Whitehall is a British comedian that I know nothing about. I’ve never seen any of his performances, so I came into this completely clear of any expectations beyond the show’s premise. The show is about him taking his dad,Michael, along with him on a world tour. The two of them do some father/son bonding, and have some mildly amusing adventures, as Jack attempts to connect with his dad. I would say his objective is successful, and occasionally deeply amusing, as his dad is not the kind of man who minces words, makes it clear the things he will, and will not do, while still having a sense of whimsy, and being game enough to try new things.

In fact, I really loved the show, and I’m not sure what this says about me other than I’m older than Jack or American or a woman or something, but I kinda identified with Michael for most of the show. Like his dad, I was often exasperated at Jack’s attitudes about things. When they first get to somewhere in SE Asia, Jack wants to stay at a hostel, but Michael is having none of that shit, and I don’t blame him. I wouldn’t either. I would not travel halfway around the world, to live in a small room,with a bunch of strange White people, who look none too clean, or trustworthy. (Also, I have a phobia about falling asleep in the presence of White people, because apparently,  I’ve watched far too many bad comedies.) Like Jack’s dad, I’m gonna stay at a nice hotel, like a civilized human being. If I’m gonna be robbed, I want that shit done James Bond style, with class.

Michael and Jack visit a temple, and a house of dolls. Or is it the same thing? The idea behind the dollhouse is that people have these very realistic dolls made, that are supposed to House the souls of actual children. Well, they get a doll, and Michael carries this little doll around, for the rest of the show. The point is that you’re supposed to treat the doll like an actual child. I thought this was both creepy and cute. Jack just thought it was creepy. Michael named the doll, carried him openly everywhere, and doted on it, just like he was supposed to, but eventually lost the doll, when he gave it to another little boy to hold,when he went on a sort of train ride. That’s something you really have to see because it’s not actually a train, and is a deeply inefficient form of travel, that Michael absolutely hated.

But it was a very  fun show. I adored Jack’s parents. His mom has got a bit of salt in her too, which I liked. Michael would call her every evening, and they’d talk about what he’d done that day, and she would give him no nonsense advice on things to say and do with Jack. If you’ve got parents, (especially if you’re their primary caregiver), you should probably watch this show with them. I didn’t watch this with my mom, but I’m thinking about it.

 

New and Interesting Trailers 6/2018

HI!

Here, have some trailers! I thought these looked really good. I was already on the hook to see some of these movies and shows,  but a couple of them got me really interested in seeing something that was not necessarily on my radar. There are a couple that I’m cautiously excited about, but I’m going to approach them with an open mind.

 

Luke Cage Season 2

So Alfre Woodard appears to be tearing it up, in a season which is focusing a lot more on women. Misty Knight and Colleen Wing are kicking ass, and then there’s Bushmaster. I don’t know a whole lot about Bushmaster (as he wasn’t in any of the Luke Cage books I read), so he will be something of a surprise for me, but I am really excited for this season.

From the interviews I’ve seen, Cheo Hodari Coker knows Ryan Coogler, and the two of them tend to work parallel to each other. This show wasn’t slacking in its representation of women of color last season, but the influence of Black Panther can be seen in how it allows the Black women to be heroes and villains, rather than merely eye candy. So, despite the presence of Danny Rand, (who I’m still not feeling too good about), I’m really looking forward to this season.

 

 

Spiderman: Into the Spiderverse

This is one of the funniest Marvel trailers I’ve seen in awhile. I’m really liking this, although it took me a minute to wrap my head around the animation, as I was expecting something a little more traditional. But I’m glad to see Spider- Gwen, and an adult Peter Parker. I think I posted this trailer here before, too, which shows my enthusiasm for this movie.

I’m a big fan of Peter Parker, (and I was one of the people who lobbied that he should be Asian in the new movie), but I’m also in love with Miles Morales, too, who is from the Ultimate Spiderman line of comic books.

 

Christopher Robin

I am so much in love with this trailer and with Winnie the Pooh. The adventures of Pooh, and his friends, were one of the primary literary staples of my girlhood. I remember my Mom used to read the adventure books to me, and we watched the cartoons on TV. I loved Pooh so much, I think I’m the reason that my youngest brother, (I was 3 when he was born), is named after him, (and if you can picture a 6 ft. tall, muscular, forty something, Black firefighter, named Pooh…)

This trailer got me all up in my feels, and I have no shame in admitting that I plan to see this, multiple times, if possible.

 

 

The Girl in the Spider’s Web

I really enjoyed the original trilogy of Lisbeth Salander, and I’m excited for this new movie. I probably still won’t read the book though, although I did read the first two. I like this  new actor, although it’s hard to top the original.

 

 

Halloween

I’m not sure what I feel about this new version. I did like the Rob Zombie movies okay (the second less than the first). Apparently, this movie picks up exactly where the first movie left off, and Michael isn’t actually Laurie’s brother, and she has a granddaughter who thinks she’s insane, and all the other movies will be ignored, (with Carpenter’s blessing). But it looks pretty good, and I like Laurie’s “Born Again Hard” attitude, and gun.

 

 

The Predator

I had no idea there was a whole damn mythology behind The Predator movies, (even though I’ve seen all of them, and only been impressed by maybe a couple of them). I read a couple of the comic books, and watched the movies, and I really enjoyed both, but apparently  made no effort to put all this shit together. The Predators even have a special name, that I’ve never heard of! The first trailer didnt make me especially enthused about the movie, but I am highly enthused now that I’ve watched the mythology video, and seen this new trailer, which looks fucking awesome. (Yeah, if I’m cussing, I’m very excited.)

 

*Predator Mythology 

The Yautja (Predators Explained)

 

Bumblebee

While Bumblebee is one of my favorite Transformers characters, I’m not especially enthused about this movie for two reasons. The first is because the very first shot in this trailer is of a White woman’s ass, and I am thoroughly sick and damn tired of looking at White women’s asses (any women’s asses really) in movies, unless its actually a four legged animal. The second is because it is a Transformers movie.

A couple of things in its favor  is that there is a different director attached to this movie, and it’s about Bumblebee, and he’s a bit more kid oriented. Unfortunately, it does look like the same plot as the first Transformer film, and I even though I liked that film, I really don’t want to pay for the same movie twice.

Black Mirror Review

The topic for this season of Black Mirror seems to be White Supremacy, and I guess somebody, (I won’t name names, but I will point in the general direction of my co-worker, Chad) feels some type of way about that.

“Racial issues” was the general theme of three key episodes of this season. The plot usually  involved some form of technology that had  gone horribly wrong, or gets badly misused because of the philosophy of a Toxic White person, and then some marginalized person catches some shit for it.

Yeah, I can see people feeling salty enough to give bad reviews, especially if the theme for this season seems to be  “White people fucking up, y’all!” If things were reversed, and the theme was “Them Colored folk is fucking up the future!”, I’d be inclined to dislike it, too.

I watched all of the episodes, except Hang the DJ, because I’m not particularly interested in shows about young people falling in love.

 

USS Callister

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My favorite episode was USS Callister. The story is blatantly feminist but that’s okay, because it was very entertaining, as a Star Trek parody that takes place entirely in one man’s head. At first I thought this was a straight up parody about the original Star Trek, and a critique of how the original got feminism wrong, but it turned out to be something very different.

An entitled and awkward game maker, who doesn’t feel appreciated enough in the real world, creates simulated versions of his co-workers in a virtual game, and I just thought it would be a comedy, but  what elevates this above a parody is that he is White,  he treats the other characters appallingly, and most of his simulated co-workers are women, and people of color, whose job it is to worship and praise him as the Captain of the USS Callister. Those who are not sufficiently worshipful are punished.

One of the few White male characters (his company partner in the real world) is punished, over and over again,  by having a simulation of his son murdered in front of him, and the lone Black woman gets transformed into an alien monster, as punishment for the rebellious activities of the white female lead, trying  to free them. The lone black male character is forced to speak in Af-Am vernacular and wear an Afro. The point of all of this is that all of these characters must live in stereotyped versions of themselves, and kowtow to the captain, while he uses the game to take out his real life racial and sexual resentments on these self aware, virtual, clones, who are  powerless. When you couple all that with the sexlessness of the clones (none of them possess genitalia), it all adds up to some very deeply unhealthy ideas about sex, as well.

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The simulations are not real people, but they are aware that they are trapped in a game called Infinity. They spend most of the episode trying to escape the simulation. The Captain also has access to their real world DNA, so they can never really die, as he can resurrect them anytime.

This particular episode is an indictment of  toxic White masculinity in the gaming industry. Its also a commentary on Incels, the Alt-right, and gamergate.

http://collider.com/black-mirror-uss-callister-explained/

What’s brilliant about “USS Callister” is how it serves up its headfake in the first act. We think we’re about to see a story of a mild mannered genius who gets no respect, and the episode uses our assumptions against us. We’ve seen that story time and again, where the quiet nice guy is the hero, but the story this episode tells is one that rings true to the world we live in today. 

 

Crocodile

Of all the episodes of Black Mirror, I think this one was the most hated, and I think it’s because a lot of critics didn’t understand what it was actually about. (Or maybe they did understand and it offended them.) There was also a certain contingent of people who simply couldn’t get past the deaths of the Muslim family in the episode, not quite understanding, that was the point, and  could not have been made otherwise.

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I’ve read several reviews of this episode, and when I speak on  ‘critical diversity’ issues, the fact that none of the reviews I’ve read mention race as a factor to this narrative, is exactly the sort of thing I’m talking about.

Most of the episode takes place in an Icelandic landscape, and is about a White woman, who goes on a killing spree, based on a killing she committed many years ago. Now she does kill another person in the narrative, but what many reviewers refuse to mention is that she also, coldbloodedly, murders a Muslim couple, and their baby.

Several years ago, Mia was present at the killing of a homeless man, via hit and run. Her boyfriend was the one who committed the deed, and years later, wracked with guilt,  he comes back to tell her he’s going to confess. She kills him. During this meeting another man is hit by a car outside the hotel where Mia and her old boyfriend have met, and Mia is called in as  witness by a young Muslim woman named Shazia. Shazia has a device that can probe a person’s recent memories ,and uses it on Mia, who cannot disguise the reason she was at the hotel, and that she killed her old boyfriend, at that time.

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Mia ties Shazia up, and using the memory device on Shazia, finds out that Shazia’s husband knew where she was going. She kills Shazia, and then goes to her home, and kills her husband, and their baby, just in case the device can be used on him. There is a guinea pig in the room, but Mia doesn’t kill it, and the device apparently works on animals, because Mia gets arrested while at her son’s recital that evening.

croc·o·dile tears
noun
 tears or expressions of sorrow that are insincere.
 
 https://broadly.vice.com/en_us/article/vbyp3b/in-black-mirror-white-mothers-are-the-coldest-villains

The title is a reference to the Crocodile Tears that Mia cries throughout the entire episode. Mia is always crying. She cries after she kills the homeless man. She cries after she kills her old boyfriend. She cries after killing Shazia, and her family. But all these tears do not stop her from being cold-bloooded (ie. reptilian) enough to kill a mother, her husband, and her baby to serve her own needs. Mia’s tears are meaningless, and are ultimately only about her own discomfort, and the possible loss of her lifestyle, with a new husband and career, and have nothing to do with the horrors she’s enacting. It is telling that Mia is cold enough to kill a baby, but cares enough not to kill the guinea pigs sitting on the table in the baby’s room.

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To me, a lot of these episodes are an indictment of White women who devalue the lives of women of color, and prioritize Whiteness. What Mia is doing, willingly taking the lives of marginalized others to save her own, while supposedly feeling sorry about it, is a definite reference to White feminism, the kind of feminism that is willing to throw other women (and even their children) under the bus to preserve itself, and can be directly attributed to the 53% of White female voters who put Donald Trump in the White House. I think this episode speaks directly to the hypocrisy of such women, as Mia considered the life of the family of guinea pigs to be worth more than the life of the human baby she murders, and next to The Black Museum, this is the second most powerful episode in the season.

Throughout the entire episode, Mia keeps telling herself she has no choice but to do these things, and what’s worst , she tries to convince Shazia of this as well. Of all the choices she doesn’t consider, giving up her privileged, upper class lifestyle by confessing to the police, is never one of them. At every step along the way, Mia could have stopped, but she is too cowardly, and self involved,  and cries because SHE is the one in pain, while she causes pain to others.  Mia is a monster in every sense of the term.

Its interesting to me that reviewers can easily see that the USS Callister episode was about male entitlement, and sexism, but when it comes to the events of Crocodile, reviewers conveniently fail to “get it”, never mentioning that three of the people Mia kills are a dark skinned Muslim family. In some cases, the critics walk right up to the issue, and then neatly sidestep as if the  subject of  White racism is the least important (or most banal) part of the episode ,and they simply cannot be bothered with such a topic.

Crocodile Tears: The Violence of White Womanhood in Netflix’s ‘Black Mirror’ Episode “Crocodile”

by Talynn Kel (On Medium. Com/ for Members Only)

 

Black Museum

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I spoke about this particular episode in an earlier post on why we need more Black critics. of the three episodes I talk about here, this one was the stand out.

https://tvgeekingout.wordpress.com/2018/01/10/black-mirror-and-critical-diversity/

 

*On the subject of the critical reception of this season, I want to list The Verge, for getting every single one of its hot takes of this season wrong. In every episode that approaches race, the critics of The Verge manage to totally not “get it”. (In one case, a critic ignores the message of Black Museum entirely, to focus their attention on the White male villain of the episode.) Now there isn’t anything wrong, in particular, with the individual critiques but when coupled with the all the others that never mention any of the blatantly racial aspects of  these episodes, I’m inclined to give the critics of The Verge (and The Vulture) a confirmed side eye.

 

That said:

http://feministing.com/2016/09/21/film-critics-talk-racism-in-the-movie-industry/

 

Crocodile Tears: The Violence of White Womanhood in Netflix’s ‘Black Mirror’ Episode “Crocodile” — Part One (SPOILERS AHEAD FOLKS SO STRAP IN)

                                                                                    —– Medium.com

“Am I Black Enough For You?” The Respectability of CW’s Black Lightning

The CW’s Black Lighting represents the split between Black respectability and radical politics in a singular figure.

via “Am I Black Enough For You?” The Respectability of CW’s Black Lightning — The Middle Spaces

 

This is an absolutely gorgeous analysis of Black Lightning. I haven’t written much about the show, not because I didn’t thoroughly enjoy it, but because  of the density of the text. This series is every bit as rich with meaning as Black Lightning and Luke Cage, and is pertinent to many of the discussions Black Americans are having about social justice, existing, as it does, in a space somewhere between those two sources.

The show isn’t perfect, of course. It certainly has its issues in pacing, dialogue, and occasionally the acting, but these problems are not consistent enough to make me dislike the show, and it gets more right, than it does wrong.  This review, and analysis, contains a lot of what I was thinking about, when it was on the air.

Later, after I’ve re-watched a few episodes i might do a post squeeing about everything I thought the show got right, and the handful of things that annoyed me.

Black Lightning is currently available on Netflix, and has already been renewed, for a second season on the CW, this Fall.

 

The Problems With Netflix’s The Titan

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Despite the fact that this movie involves Sam Worthington, I was really looking forward to seeing it. I don’t like Worthington, not just because he’s a lousy, one note actor, but because I’m still mad at him for playing a disabled man in Avatar, a movie I hate. (My problems with Avatar run deep, btw.) I was looking forward to watching this movie. I like movies about people being transformed by alien DNA ,and  I was lead by the trailers to believe that’s what this movie would be about.

It is not about that, and that’s not my first disappointment, in this movie.

My first problem was with the basic premise. Humans have so fucked up Earth that one of the ideas they come up with for helping the human race to survive is moving to another planet. Specifically, humanity makes plans to move to one of Saturn’s moons, called Titan.To that end, the plan of the lead scientist in the movie is, to genetically modify human beings to be able to survive on Titan. The movie’s volunteers are given a series of injections and surgeries to change their bodies to be able  to live on Titan. And no, no alien DNA was involved at all. It involves genetic resequencing or something. I don’t know anything about that, but the movie didn’t do a good job of selling me on it, as a legitimate science.

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I objected to this premise because no matter how much I love space travel (and yeah I do think we should move off Earth eventually) I don’t think our motivation should be abandoning Earth because we treated it like a garbage dump, while we were on it. I don’t think humanity needs to get in the habit of moving from planet to planet, like a plague of locusts, after we’ve used up a planet’s resources, and that’s exactly the premise of this movie. In the movie they spend several million dollars trying to get a handful of people to Titan, rather than using that money to fix the planet they’re already on.

Now, just because I’m an artist doesn’t mean I don’t enjoy science, and I do know something about the moon Titan. I did not get the impression that the makers of this movie knew anything about Titan, or the importance of any of its physical attributes, in crafting a creature that could live there. There’s a lot of emphasis on people holding their breath underwater, and being able to swim. I didn’t  think either of these skills would be helpful on Titan, which is cold, with a really dense atmosphere full of nitrogen. Scientists think there’s liquid water on Titan, and despite all the breath-holding, and swimming, I didn’t get the impression the creators of this film knew that.

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The program calls for  twelve volunteers, only one of these volunteers survives to the end of the movie, which is disappointing to say the least. One by one, the volunteers die horribly, or go insane, until only Worthington;s character is left. He then gets chased by the scientists who created him, before he gets captured, and sent to Titan by himself,  because he’s not physically equipped to live on Earth, which defeats the purpose of the entire chase sequence at the end of the movie. Frankly, I  think all of the volunteers should have started dying in Earth’s atmosphere the moment they started transforming. You would think the kind of lifeform that could exist on Titan is not going to be able to run around causing too much havoc on Earth without some kind of life support.

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What’s Worthington gonna do on the planet by himself? How the hell is he gonna make more of his kind? Are more of them coming? We don’t know and  I have no idea, (or I wasn’t paying close enough attention.)How is humanity supposed to survive with this one guy on Titan? Of course, now that he is on Titan and transformed into a conveniently humanoid creature that lives there, then he really isn’t human anymore, as far I’m concerned. He’s just a human offshoot, who is all alone on this planet, unless the scientists who created him have other plans to torture some more people into being able to live there. The volunteers were all young, pretty, and fit human beings, and they all died.

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We also don’t get to see any of the environmental devastation the movie claims to be about, and everyone looks pretty healthy. I mean everyone, their kids and wives. Even in Bladerunner we got some idea of the environmental devastation that humans are escaping to the offworld colonies for. The Titan takes place in a kind of desert oasis set aside for the purposes of the Titan program. We are simply told about Earth’s ecological devastation, and shown not a single visual of any of it. We spend our entire time at the scientific oasis, so we have  nothing to compare the volunteers present living conditions , to whatever it was that made them desperate enough to volunteer for a mission they most likely wouldn’t survive. What are they escaping from? What made each of them volunteer? None of this is explored very deeply in the movie, which would’ve made it much more interesting to watch.

What is not interesting though is watching the lead characters wife. We spend most of our time chronicling her growing mental and emotional anguish at watching her husband transform into a being  unable to communicate with her, and I get that it would be upsetting, but I really started to get exasperated with her. It was my understanding that she sort of knew what she was getting into when she and her husband volunteered for the program, so all of her histrionics rang a bit hollow, and pointless, for me. She swings uncomfortably close to the stereotype of the nagging wife who argues that she needs to keep her heroic husband all to herself and her family, because he’s given enough to the world, and not enough to his family. This trope is seen in just about any movie about a married man, who gets tasked with some dangerous activity, and I’ve seen it in everything from Red Dragon, to World War Z.

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The Titan doesn’t work as a horror movie because there’s no horror in it, (Alien) and it doesn’t work as a science movie because none of the science makes any sense, or is very convincing (Europa Report), and it lacks any sense of awe, (2001: A Space Odyssey). It doesn’t work as a drama either (Gravity) because the dramatic tension feels pointless, and contrived.

The Titan also  requires that the audience go along with the basic premise of the movie, that we abandon Earth as a species because we fucked it up. Although, I guess there is a certain amount of hope here, because the  Titans think so differently from human beings, that they won’t do to Titan what humans did to Earth. The movie managed to get that idea across, at least.

10 Unexpected Pleasures

Sometimes I sit down to watch a movie I had absolutely no plans to watch. I wasn’t going to spend money on it in the theater. I wasn’t going to watch it on cable. Yet there I am, looking at a movie I hadn’t planned on looking at. Sometimes I’m mad at the movie because the trailer was bad,  or the discourse surrounding the movie pissed me off, or the movie just doesn’t sound particularly interesting, but apparently, none of those reasons  has ever stopped my nosy-ass from watching some stuff. 

Curiosity is my middle name, I guess.

So here it is. The top ten movies I was surprised I liked.

Fantastic Beasts (& Where to Find Them) (2016)

Okay, this one was just me straight asking, “Oh hey, what’s this movie about?” It turned out to be an unexpected pleasure.

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I’d heard a lot of not so good things about this movie, and there are some things that are just irksome, and make me not want to watch something. One of the biggest turnoffs for me was the lack of PoC in turn of the century, Harlem Renaissance, New York. New York, like London, has always been very cosmopolitan and full of many different types of people, and it was kinda disheartening to see that the creators of this movie hadn’t even considered PoC,  as part of the fabric of this city.

In fact, one of the biggest drawbacks to my watching the movie, was I didn’t get any sense of New York as a hodgepodge of cultures. Everyone in the movie seemed like your standard, White, English speaking, suburbanite, instead of the Italians, Irish,  and various ethnicities  that were actually there. In the movie, the city feels curiously clean, and antiseptic.

Nevertheless, despite the absence of PoC, (and grittiness), it did have adequate representation of the kinds of women  who actually affect the plot. I liked most of the female characters, and thought they were intriguing, but I was also inspired to watch it because of a review I read on Stitch’s Media Mix, that talked about the treatment of Creedence, one of the primary characters.

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I fell in love with the two male lead characters, though. These two men, Newt Scamander ,and Jacob Kowalski, are written so differently than the way most men are written in action/fantasy films, that’ it’s a really pleasurable experience to watch them, something you don’t realize until after the film is over. The two of them are just sweet and likable characters. Even Creedence is less a villain than a victim.

Don’t get me wrong, the Fantastic Beasts of the title are, by turns, cute, terrifying, and deeply funny (and I now want a tiny, sassy, Mr. Picket for my own). But the real draw for me was the relationships between the characters, and Newt. I’m not a huge Eddie Redmayne fan, but he’s great as Newt, as he’s unlike your typical movie hero being, because he’s gentle, fearless, compassionate, slightly snarky, emotionally vulnerable, and unimposing. Redmayne also turns out to have great  comedic timing, as one of my favorite scenes was the mating dance of the Erumpant.

Raising Arizona (1987)

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https://tvgeekingout.wordpress.com/2017/05/02/speaking-of-crime-raising-arizona-1987/

My best friend in college was the person who talked me into watching this film. Well, not talked, exactly. She mentioned it to me a couple of times, while I scoffed at her, (You don’t know me!), but eventually, she had enough of my  disrespect, and  forcefully pushed me into a chair to make me watch it. I wasn’t a Coen brothers fan back then. I didn’t know anything about them, but she insisted that this was a type of movie I would enjoy. I was very resistant to watching this, because she was so insistent and, like most housecats, I enjoy being contrary, just for the sake of it.

One Saturday, she physically pushed my ass down in front of her little 20 inch TV, and said, “Sit down! You’re gonna watch this movie!” I was a little huffy about this, and said so, but really, she knew I wasn’t doing anything important that day, because I was hanging out at her place, so she knew I had no excuses.

Lemme tell you, those were two of the funniest, most memorable, hours I’d ever had in her presence. Raising Arizona will probably always be the funniest Coen Bros. movie, ever. What captured me  was the music, and the language. The incongruity of Hi’s low class actions, along with his lordly manner of speaking, thoroughly tickled me, and the yodeling soundtrack was totally ridiculous.

She and I didn’t remain friends, but whatever her faults, bad taste in movies wasn’t one of them, because she also introduced me to:

Seven Samurai (1954)

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The same roommate, referenced above, was also the person who introduced me to this movie.  I watched this at her parents house, at their insistence. Until this movie, I’d only ever watched Chinese Action movies. The closest I ever got to watching something like this was The Streetfighter with Sonny Chiba, which is a much, much, shorter film. I hadn’t paid any actual attention to the samurai genre. Didn’t even know it was a thing, although I had watched those gawdawful ninja movies Hollywood kept pumping out during the eighties, that had nan’ Japanese person in them.

I fell asleep towards the end of the movie, but not because the movie was bad, or  boring. I was engaged right up until I could no longer resist the room’s temperature. Cold rooms make me sleepy, no matter what I’m doing. Add in  a crackling fireplace, and a comfy chair however…and sleep is guaranteed to occur. (Later that week, I watched it again, in the daytime, without the fireplace.)

Do you have any idea how many movies this influenced the making of over the years? Everything from Magnificent Seven, to A Bug’s Life, to the Three Amigos was a riff on this movie. If you loved any of the films that it influenced, then you have to see the original .

https://filmschoolrejects.com/legacy-seven-samurai/

Not only did I develop an appreciation of Samurai movies, I developed a love for the movies of Akira Kurosawa, (Drunken Angel, and Dreams are two of my favorites) and through him, a number of other  notable Japanese directors.

Cabin in the Woods (2011)

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My first instinct was to turn up my nose at this movie, thinking it was going to be your typical Agatha Christie type,  “ten little Indians” in the woods plot, where pretty, young people, who had planned on having Teh Sex, would be brutally killed by something, or someone. And yeah, there is an element of that in the movie, but it turned out to be so much more, I was kinda kicking myself for having passed it up for so long.

I gave a review of this here:

https://tvgeekingout.wordpress.com/tag/cabin-in-the-woods/

Mystery Men (1999)

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I wasn’t sure what I was expecting when I sat down to watch this. I knew I liked Ben Stiller, that the characters were meant to have superpowers,  that they  didn’t actually have superpowers, except when they actually do have them, which was a whole lot funnier to me, than if the writers had simply been upfront about their powers. I do remember the trailers for this movie which emphasized Paul Reubens and Janeane Garofolo.

Supposedly this movie is based on some type of indie comic from the 80s, which I had never heard of, called Flaming Carrot, which features an image of a man with a giant carrot for a head, that is, naturally, on fire.

This movie turned out to be exceptionally funny, and I really liked all the characters, including The Invisible Boy, played by Kel Mitchell from the Nickelodeon show, Keenan and Kel, who can only turn invisible when no one is watching,  Mr. Furious played by Ben Stiller, whose only superpower is the ability to become really, really angry, and my favorite, The Bowler, or rather his daughter, played by Janeane Garofalo, who keeps her father’s skull encased in a clear plastic bowling ball.

We watch them become a team and defeat the villain, saving Champion City from Casanova Frankenstein as played by Geoffrey Rush, and his ridiculous henchpeople, The Disco Boys, lead by Eddie Izzard, who are conquering the world through the power of …well, Disco, I guess. They are aided in their quest for superhero stardom by Wes Studi, who is as baffling as his name states, (The Sphinx), and this movie’s version of James Bond’s Q, played by Tom Waits.

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It also stars Greg Kinnear as Captain Amazing, a smug Superman/Batman parody, William H. Macy as The Shoveler, who gets one of the best speeches in the entire movie, Hank Azaria, as the Blue Raja, Master of Silverware, and in one of his many quiet, comeback roles, Paul Reubens (PeeWee Herman) as The Spleen, Master of Flatulence. (I hope to one day grow up to be as cool as The Bowler,  although, according to my friends and family, I have already mastered The Shovel.)

With such a great cast, this movie really doesn’t get enough love. I chalk it up to timing, Had this been released five years earlier, or five years later, it would’ve been a real hit. People should recognize this movie more, especially since the whole superhero thing has taken off.

Paddington (2014)

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I had absolutely no plans to watch this movie, but it was on TV one night, and I didn’t change the channel fast enough, and just sat through it. I do have to admit to some mild curiosity beforehand, but not enough to make an effort to see it. I do remember watching the trailers, and thinking to myself that the little talking bear was kinda creepy, and who would watch something like that. Apparently, I will.

It turned out to be a perfectly sweet and lovely film, and now Paddington is one of my favorite bears, right up there with Pooh, and those  baby pandas on YouTube, that like to terrorize  their Chinese handlers. If you liked the movie Babe (a 1995 movie about the little pig that could herd sheep) than you’ll like this movie. (And now I want a meetup between Babe and Paddington.)

Dr. Strange (2017)

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I know I wasn’t supposed to like this movie, especially considering how much shit I talked about it, but it actually turned out to be pretty enjoyable, and not at all the grease fire I thought it was going to be, because of the whitewashing of The Ancient One, and the presence of Benedictine Cucumberpatch. (To be absolutely fair, I’m still not a Cumberbatch fan.) The man is a lofty twat, but then, so is Doctor Strange himself. I’m still not happy about the whitewashing either, because Lucy Liu (Or Michelle Yeoh)  should have been in this movie, and I’m still mad about the movie we could have had, with a Hispanic Dr. Strange, and an Ancient One of some type of ethnicity, other than pasty.

But this movie wasn’t bad. It was actually kind of fun. I mostly enjoyed the special effects, (I liked all the pretty colors), which were excellent, and the plot was not objectionable. My favorite character turned out to be Wong, played by, appropriately enough, Benedict Wong, who I’m excited to see has  been getting more roles in popular films. I just saw him last in the movie Annihilation, and he needs bigger roles, and should do more comedy. (I was glad to catch a glimpse of him in the Infinity War trailer.)

In my defense, I didn’t spend any money on this movie, beyond what I spent on Netflix.

(Seriously though, Wong, Peter Parker, The Falcon, Drax the Destroyer, and Shuri need to meet. I guarantee you, that would be one of the funniest discussions ever had by any five people on, or off, Earth.)

The Accountant (2016)

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Lets make this clear – I am not a Ben Affleck fan. I’ve disliked him since he messed up Daredevil, and I refused to forgive him enough to watch any of his movies, until I saw this movie, and decided maybe I can try to forget about Daredevil. (I’m still not gonna forgive him for it though.)

I had heard about this film but I wasn’t particularly interested in it until I saw the trailer on HBO, which was a little different from the mainstream trailer. Then I read about it in some magazine, and my curiosity got the better of me this time, (although occasionally, I do manage to wrestle it it into submission), and I was in. Also, it came on HBO, one idle Saturday, and I was too lazy to look for something else to watch.

This turned out to be a surprisingly good, and emotionally touching film though, about an assassin who is autistic, who comes to the aid of a young woman being set up to take the fall for a corrupt company CEO, because she knows too much about what happened. After he protects her, the company  hires an assassin to kill him (not knowing that is his actual career), and his brother, played by Jon Bernthal, is the one who takes the job. (His brother didn’t know this was his target.)

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There’s also a subplot with  J.K.Simmons, as a detective who has been on Affleck’s trail for years, and tells the story, in flashback, to his protege. This is interspersed with flashbacks of Affleck’s character as a child, being raised by his brother and father, while being taught the various military skills his father insisted the two of them learn. This is also connected to a special home, for children with autism, that the accountant secretly funds through his illegal activities.

I didn’t find the subplot to be especially interesting beyond Simmons acting,  but Affleck was very good in this film, and Jon Bernthal was pretty good too, and I wasn’t expecting the film to be quite as emotional as it was. One of my favorite scenes is when the woman he’s protecting tries to establish a romantic connection by kissing him, but that scene doesn’t play out in any typical way, which I found refreshing.

I can see why most people ignored it, or never heard of it. They probably would’ve just been confused by it, because the movie wants to be a drama, but has too much action to be thought of as such. Its not a thriller, either because there’s too much drama, and its kinda melancholy. This is not a loud, action-y type of movie, although there are some good hand to hand fight scenes, and some shooting, of course. Its more like a Jason Bourne type  drama, and the ending is especially low key, and I thought it was  really beautiful, as it involves a painting by Jackson Pollock.

Troll Hunter (2010)

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I was just being nosy again, when I watched this. It came up as a recommendation for me on Netflix, and it kept coming up, no matter how much I tried to ignore it. I’ve been fascinated by trolls since I was a little girl, reading about them in the school library. This was the very first book I ever read about trolls:

D’Aulaires’ Book of Trolls (New York Review Children’s

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So, despite my background in Troll-Lore, I refused to take the bait and watch the movie. I gave in late one night, as these things always seem to happen late one night. (I should really stop doing that, and take my ass to bed, like regular people, but then I wouldn’t be able to bring you guys this kind of quality entertainment.)

I thought it was going to be a comedy, because all of  the reviews I’ve read say it’s a comedy, it has  comedians in it, and its called a mockumentary, like the movie What We Do In The Shadows, but I didn’t find it especially funny. In fact, it was occasionally terrifying, but I liked it just fine, even though I didn’t laugh once.

This is not the animated cartoon of the same name. This is a Norwegian movie that was released in 2010.

The title is pretty much what its about. It’s set someplace cold, (there’s a lot of snow, which is always attractive to me), and its about an “intrepid group” of crew-members who have taken it upon themselves to not just prove the existence of trolls, but capture them on film, in their natural habitats. Its one of those live action camera type things, so if you hate those types of movies, watch it anyway, because even though it sounds typical, it moves in unexpected directions. I suspect it does so because its not an American made film.

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It consists of a series of interviews, and raw footage, of a man who hunts trolls, and thinks they’re a secret from the government, but the government knows all about them, and employs other people to keep the trolls a secret. I have to admit, I didn’t pay much attention to all that stuff. I mostly wanted to see the trolls, and I think Norwegian humor just  escapes me or something. Okay, I  did find the idea funny, that trolls like to kill Christians, so the group hires a Muslim woman, and aren’t sure how the trolls will react to her.

The trolls are genuinely scary, and I can’t imagine living in an environment in which such creatures happened to be real,  lurking around bridges and overpasses, or just wandering around in the woods. At one point there’s a mega-troll, that’s several stories tall, that gets blown up by a UV rocket of some kind, because remember, sunlight turns trolls to stone.

I thought this movie was a lot of fun, even though there was Norwegian humor in it.

Bring It On (2000)

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I only watched  this movie because one of my little sisters insisted that she wanted to see this. I held no hopes at all that it would be a good film, or even mildly interesting , although I liked both Eliza Dushku, and Kirsten Dunst. I wasn’t entirely aware that it was a comedy, either. I’d paid only peripheral attention to the trailers, although looking back on the trailers now, I don’t see how I could have missed that it was a straight up comedy, rather than the teen soap opera I expected.

It turned out to be a fairly pleasant experience and I can now count Bring It On as the only cheer-leading movie in my comedy lineup. I wasn’t expecting the performances to be so good, I wasn’t expecting any Black people of substance to be in it, like Gabrielle Union. I wasn’t expecting any of these very young actors to be especially funny, but there you go. I was expecting to fall asleep while my sister watched the movie. But I was actually engaged, and it was definitely the performances.

But then they had to throw some icing on top, and that was the theme of cultural appropriation. You have an all white middle class suburban cheerleading squad, called the Toros, competing to go to some national competition. When it turns out that all of their successful cheers were stolen from a Black cheerleading team in Compton, called the Clovers, the Toros have a decision to make. That decision is made a lot easier, when the Clovers show up at one of their home games, and embarrasses them by performing their entire routine in front of the school, after which the Toros fully understand they need to come up with a routine of their own. They figure the best way to make amends for what they’ve done is to help the Toros make it to the competition, but Isis, the team leader of the Clovers rejects their help, and she appeals to a television talkshow host, who grew up in Compton, to help finance their trip to the Nationals, where they win first place.

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The plot is just enough  to keep a person engaged, and the romantic subplot between Dunst’s character, the brother of the newest cheerleader, and one of the male cheerleaders on her team, is interesting for people who like romance. I  generally have no patience for romantic subplots (except when I feel like having some patience) and I was able to tolerate it, in this movie, solely on the basis of the actor’s performances.

It was also interesting to watch the cheer-leading parts of the show. I had never harbored the belief that cheer-leading was easy. Like most little girls, I was fascinated by it, and I had pom poms as toys, and learned how to twirl a baton, too, but I didn’t expect the choreography to be so good, and the music was fun.

This was not a deep movie, and it was a kinda silly, but still a lot of fun. The performances were good, and my little sisters both loved it, and all the women in the family have  watched it multiple times.

Yep! Even Mom.