Things I’ve Been Watching

The Mist (TV Pilot)

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I’ve only seen the first episode of this, but I’m unimpressed. I think my expectations were a bit high for this show, as it’s nothing like the movie. For one thing, the characters are either bland or unlikable. The characters who come closest to being liked is a young person of indeterminate gender designation, and the tough Mom, of the series.

There’s a mother, dad, and daughter grouping in the movie. The dad is the permissive, easy-going sort, while Mom is a woman of strong opinions and convictions. She gets fired from her job at school for sticking to her principles, and NOT teaching abstinence to her students. I can respect that, even if the local parent’s group can’t. She also forbids her 17-year-old daughter from going to the local  teen party. Dad gives his daughter permission to sneak out to the party, where she gets roofied/raped by the local football star she has a crush on. I saw that coming a mile away, as he just looked untrustworthy to me. He claims he didn’t do it, but her father reports him to the police, and the family gets harassed by the townspeople. The situation is complicated because there is also the possibility that he didn’t.

 

There’s the story line of a young military man, who wakes up in the forest, with no memory of how he got there, just as the mist rolls into town. He heads into town to warn the populace about the mist, only to be arrested by the police. I can definitely say I absolutely DID NOT appreciate watching this Black man get roughed up by the police, just for not answering their questions.  And no, it’s not okay just because that same cop gets eaten by bugs soon afterwards. Just before the dysfunctional nuclear family is about to leave town, the mist shows up, cutting off all escape.

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There are several stories mixed up in this. Various people get trapped in at least three different locations during the mist’s siege of the town. Mom and daughter are trapped at the local mall; Dad, the sheriff, the military guy, and the non-gender designated young person, get trapped in the jail. There’s also a thoroughly unlikable woman who threatens, and insult the non-gendered teen. This woman, who has no connection to anyone else in the plot, was seemingly added just to make me furious with her, and hope she’d quickly be eaten by something. She is so reprehensible, that I seriously considered turning this shit off, and just going to bed, but I put up with crap like that in order to bring you, my loyal readers, the quality snark I feel you deserve.

Oh yeah, there’s also some  people trapped in a church with Frances Conroy, who you can tell is gonna go batshit, in about two episodes, or less.

So basically, this first episode is all set up for the tensions that will reach a boil during the mist’s invasion of the town, which is not unlike the movie I guess. Mom and daughter are trapped in the mall with the parents who got her fired, and who believe her daughter is lying about being raped. The football hero perpetrator is also trapped there. The a-gendered teen is trapped at the police station with a father who refuses to speak to him because he won’t act like a son, and an abusive inmate. And Frances Conroy’s husband gets killed by something in the mist.

The main difference between the show and the movie is that there aren’t really giant monsters in the mist. I had the impression that people are being killed by either a singular malevolent entity, or their own fears and weaknesses, or possibly both. While that’s an interesting idea that’s much easier to sustain for  an entire season, I was still hoping to see giant monsters. Maybe those show up later.

 

Blood Drive:

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If you like this type of over the top excessiveness, then go for it. I ain’t judging. The plot of this seems to involve people being forced to race each other, by some type of post apocalyptic tyrant, who has nevertheless found a way to wear too much Maybelline. The contestants lives are forfeit if they stop for any reason, up to, and including, running out of gas, which prompts some of them to cannibalize their  opponents, (and partners) and use them for fuel.

I am not a fan of excessive pulp. I was cautiously excited about this show from the trailers, and was willing to give it a try, but some things are just too far over the top even for my tastes, which even some others would consider excessive. I think it’s because so much of this particular genre is spectacle, solely for the sake of spectacle, without rhyme, or reason, to any of it. If it’s a crazy image, the creators will throw it in, no matter if it breaks, or creates  characters, or subverts an already established plot, and Blood Drive appears to be no different.

Somewhere, someone is having a grand old-time watching this show. That person is not me. I don’t think I’m the correct audience for this. At every level of creation, the show looks tasteless, cheap, and ugly. The characters, world-building, costumes, and even the plot, is just ugly. I couldn’t sit through more than half of it. By the time we reached the point where the two main protagonists appear to be having sex in a moving vehicle, I had had enough, and turned it off. I would rather hate-watch The Strain.

Blood Drive gets a resounding NOPE!

 

Dr. Strange: 

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Yeah, I know I talked shit about this movie but I didn’t spend money to specifically see this movie, and it was on Netflix, so I thought I’d give it a try. It wasn’t a bad film, and I also don’t feel too bad about the whitewashing angle, for reasons having to do with the plot. Let’s just say, I was pissed off that the Ancient One was not Asian, but I would have been equally pissed off if an Asian woman had been cast. So, spoilers ahead.

The movie is the basic origin story type stuff, except now starring an actual asshole, as an asshole who doesn’t actually get to be a better person by the end of the movie, which is rather different. Strange is a first class shit at the beginning of the movie, and although the story, and the actor try really hard to make him a sympathetic character, I didn’t buy it. I liked every character but him. He’s just a full-time douche. I still didn’t like him even after he cleverly saved the world, but I do admit that may have more to do with the actor than the character.

Tilda Swinton plays The Ancient One, pretty much the way she plays all of her more soft-spoken characters. I generally dismiss her because, like most white actresses in Hollywood, she is thoroughly clueless on issues race and/or whitewashing. I’m also less than secretly  glad that they didn’t choose an Asian Woman to portray this character because 1.) She dies at the end; 2.)she dies to further another character’s manpain; 3.) she turned out to be a huge hypocrite.

So, there’s this alternate world called The Dark Dimension, which naturally means its evil, but basically, she’s been warning her students against having anything to do with this dimension for centuries. Hannibal…I mean, Kaecilius (which sounds like a nasty bacterial infection) is in contact with the being who rules that dimension and he gets drummed out of the corp. This Dark  Being wants to “try to take over the world” and is just lying in wait for someone to invite him to the cookout, which is what Kaecilius does.

Dr. Strange loses the use of his fine surgical dexterity after a horrible car accident. Do not watch this scene if you have car accident terror, because it’s unnecessarily graphic. He decides to travel the world searching for a cure to his neurological problem, and winds up in Kamar -Taj, where he meets the Ancient One, who teaches him how to be a sorcerer, and her eldest assistant, Baron Mordo. (I do not remember this guy from the comic books, and I should, because he is in them. I’m hoping Baron is his actual name, in the  way that some Black people name their sons Prince, or King.)

For the record, The Ancient One doesn’t actually choose Strange as her successor. See, what happened was…all the other sorcerers of the great houses of the Landsraad…I mean the other sorcery nexi, get murdered by Kaecilius. Strange, Wong, and Mordo are the only ones left alive. So he gets to be a master of Sorcery through a combination of. hubris and default.

Those two, and Strange, spend the bulk of the  movie fighting Kaecilius and his minions. Baron Karl Mordo is played by Chewitel Ejiofor, and Wong is played by a man who is, conveniently, named Benedict Wong.

I liked Wong a lot, although there were some unnecessary scenes of Wong being played for a fool by Strange, that I did not care for. The Ancient One turns out to be, while not exactly a bad guy, her betrayal of the Baron’s trust does lead to him being a villain. So really, the movie isn’t  nice to any of the PoC that star in it.

The break-out character is  Strange’s Cloak of Levitation, a semi-sentient magical object that adopts Strange as a Master. This isn’t like in the books where its the Eye of Agamotto that’s sentient. Why they switched it in the movie is anyone’s guess.

So overall, not a bad movie. It’s got some great eye candy, the magic looks really cool and worldbendy, and except for some serious eyeball rolling moments, I didn’t hate it. If you can get pass watching two hours of Benegeserrit Cucumbersnatch, then the movie isn’t a complete waste. On the other hand, if you had no intention of ever watching this movie, you ain’t missed nothing!

 

The Accountant:

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I had no intention of seeing this movie. It was on HBO last weekend and I  was not doing anything in particular that needed my eyeballs, so I ended up watching this movie. I’m not a Ben Affleck fan, but I liked him in this movie, and it was surprisingly good.

Here he plays an assassin who has autism. His father began teaching him how to kill people, as a child, in an attempt to make him more independent, and he became exceedingly good at it. He comes across some corruption at a tech company and feels like he has to protect the young woman he was working with on that case, when she’s targeted by another assassin. The other assassin turns out to be his estranged brother, and I found that particular drama  intriguing.

I initially though the movie was a ripoff of the Bourne Trilogy, but it turned out to be nothing like that, with more heart, and more depth than any of the Bourne sequels. I liked the relationship that developed between Affleck and his co-star, which she thinks is supposed to develop into romance, but he is not particularly interested in her interest. It’s a romance that never develops, even though he likes her, and I thought that was a refreshing change.

The movie kept upending my expectations, and Affleck comes across as a smoothly competent killer. The movie also doesn’t end in car chases, explosions, or dramatic surprises, but in a quiet conversation between two brothers, who have some shit to hash out between them, before they could move on, and I  liked that. I would recommend watching this on some quiet Sunday evening.

 

Alien Covenant: 

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Oh, my gob! This movie was bleak, bleak, and even more importantly, it was bleak. It was even bleaker than the very first Alien movie, if you can believe that. I mean, basically, everybody dies. Well, rather say, that any humans that  were walking around at any point during this film, ain’t walking around by the end of it. If you liked the first Alien movie, then you will like this one, as it is effective at scaring the shit out of you, even when you sort of know what’s going to happen. I mean, Ive watched the first Alien movie multiple times, and I still get scared.

Oh, did I forget to mention that this movie also stars Michael Fassbender, and get this…another Michael Fassbender. So it’s like getting two Fassbenders, for the admission price of only one of them, (even though I spent no money to watch this movie.) Did I mention that I love Michael Fassbender. I feel like I may have mentioned that in some earlier post, or something. If not, then let me reiterate..I love Michael Fassbender who, I am absolutely certain, is a total dick in real life. (If he is, don’t tell me. )

I would talk about the plot, but really that’s all there is to it. Somebody’s gon’ die! and people do stupid shit, to help facilitate their deaths, just like in the first movie, Prometheus. Things like, taking their helmets off just because they can breathe the atmosphere, running towards danger, or wandering off alone, or trusting strange androids.

Not to go off on a tangent, but why do people on strange new worlds always take off their helmets as soon as they learn the atmosphere is breathable? Have they never heard of airborne pathogens? Which is exactly what happens in the case of one of the characters, when he steps on a plant, that releases spores, that go into his ears. His demise is suitably horrible.

Later, the two Fassbenders, David, from the first movie, and some new guy named Walter,  get into a fight, as Walter tries to protect the remaining humans. I would have preferred some loincloth mud-wrestling, but that probably would not have been in keeping with the mood of the film, which is, well…kinda bleak.

 

Suicide Squad:

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Apparently, I’m one of five people on Earth who enjoyed this movie. Its been airing on HBO recently and I’ve watched it multiple times. I think the main reason I enjoy it is because I’m a Will Smith fan and will watch movies with him that I normally wouldn’t pay attention to. Not that the movie isn’t flawed, annoying, and occasionally stupid,  it’s just those moments were not enough to detract from what I was enjoying about it, which is namely Will Smith, and Viola Davis, in an anti-superhero movie together.

I could go through and list everything wrong with this movie, because it’s got a lot of problems, but IT’S WILL SMITH!!!! I love Will Smith!!! Will Smith makes every movie worth looking at, just by being in it. Plus, he’s with Viola Davis, and they actually get to exchange words in the movie, rather than pretending the other doesn’t exist.

Okay, I did like the other characters, too. In fact, my only reasons for liking the movie, was some of the characters, and the action scenes. I enjoyed seeing Killer Croc, onscreen for the first time, and Diablo turned out to be a huge favorite of mine, but then, I’m a fan of seeing Incan Fire Gods in movies, so yeah, his scenes were both hot, and cool.  Outside of Deadshot, I got really attached to Harley Quinn, who I enjoy in the comic books, and the nascent friendship I saw developing between the two of them. I’m here for a Deadshot/Harley Quinn team-up movie, as long as Amanda Waller can be in it. Viola Davis perfectly captured the idea of the Amanda (The Wall) Waller that I had in my head, as the only human on Earth, who can get away with dressing down the Batman.

The plot was deeply, (and I do mean deeply), fucking stupid though, and I have no idea what the villain’s motivation was, or how she actually hoped to accomplish her goals. Yeah, some of the characters were totally undeveloped, like Katana, or just straight up hateable,  like Captain Boomerang, and The Joker. But the movie was pleasant eye candy for its two-hour running time. It’s not a good movie, but I found it mostly inoffensive, unlike some people who found the movie deeply offensive to their intelligence. I can say that part of the reason I’m okay with the movie is because I went into it expecting nothing more than to be distracted for a while, and the movie accomplished that goal. The trailer looked like fun, and that’s what the movie delivered.

Its okay if you haven’t seen this movie, you can rectify the problem of not having enough Will Smith in your life, by watching…Concussion!

 

Note:

I’m still watching stuff because new shows keep being released. Next week I should have a review of the new season of Cleverman, now airing on the Sundance Channel, and the second season of Preacher, on AMC, which looks like a lot of fun, so far.

Black Panther Trailer: Class 101

Hi! Welcome to the 101 class about the Black Panther movie. I’m here to speak  on this topic because I managed to graduate to the 201 class. I am by no means an expert on Black Panther, Wakanda, or even the current version of the comic books. I have mastered basic information about who is who, what is what, and what I personally enjoy.

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So the Black Panther trailer dropped Friday, and those of you who refuse to read comic books, or don’t pay that close attention to Marvel Superhero movies, are probably wondering what all the excitement is about. Why are black people so giddy? Who the hell is Black Panther? Is he related to Malcolm X?

Okay. I see we have our work cut out for us. Alright, c’mon over here and sit down, so we can work this whole thing out. I’m gonna do this by giving some background on the character, and  breaking down some  shit in the trailer.

The Black Panther first appeared in Marvel Comics in 1966, which slightly predates the Black Panther Political Party, so there’s no relation. This is notable because he’s the first black superhero to show up in the comics, predating both Luke Cage (Wooo!) and The Falcon. Black Panther’s real name is T’Challa and he’s a prince of the country of Wakanda, located in Africa. His father, T’Chaka, was played by John Kani in Captain America Civil War. After his father’s assassination T’Challa inherited the Kingdom.

This movie is remarkable for several reasons. It has a huge  all-star cast of primarily black actors and actresses.  Lupita Nyong’o, Angela Bassett, and Forest Whitaker, are all Oscar nominated/winning actors. It has a large “dark skinned” female cast. There are more women in this cast than are featured in almost all the MCU films together.  In the comic books, these are characters with names and backstories. Where this movie will truly past the Fabulosity test is if  any of the women speak to one another about anything other than T’Challa, although even without that, this is still great representation for Black women who rarely, if ever get to play primary, action oriented roles in such films.

Its also remarkable for the introduction of the term Afro-Futurism into everyday discourse. Yep! This is a phrase you’re going to be seeing a lot more often in conjunction with discussions about this movie.

*Afrofuturism is a cultural aesthetic, philosophy of science, and philosophy of history that combines elements of science fiction, historical fiction, fantasy, Afrocentrism, and magic realism with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past.

——Wikipedia

http://www.ebony.com/entertainment-culture/black-alt-enter-afrofuturism-999#axzz4k5esHWHx

http://afrofuturism.net/

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Not only is this an almost entirely Black cast, so are many of  behind-the-scenes talent. The director is Ryan Coogler, the award winning director of Creed and Fruitvale Station. Hannah Beachler is the Production Designer. She was also the Designer for Moonlight, and Beyonce’s Lemonade. Ruth Carter is the Costume Designer, and has worked on Selma, Serenity, and the remake of Oldboy.

 

*There are people out here asking why we’re so hyped for Black Panther.

Like…in case you haven’t noticed…there’s literally a million and five big budget franchise movies centered around white super heroes.

Black Panther shows a black super hero who is the king of an extremely prominent and technologically advanced African country with his badass royal guard that consist of badass black women in all their natural glory and it portrays black people as something other than poor, enslaved, or savage.

Regardless if you understand or not…that is huge for black people.  

 

Black Panther: Chadwick Boseman

After the death of his father in Captain America, T’Challa becomes King, and  inherits the mantle of The Black Panther, which is a  generational position as Guardian of  the country of Wakanda. The Black Panthers inherit their superpowers by eating a mystical herb, which grants them the strength and speed of the Panther God, worshiped in Wakanda. He is one of the wealthiest men in the world, and something of a technological genius, responsible for some of the tech and hardware you’ll see in the movie.

Plot Synopsis:

“After the events of Marvel’s Captain America: Civil War, King T’Challa returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne from factions within his own country. When two foes conspire to destroy Wakanda, the hero known as Black Panther must team up with C.I.A. agent Everett K. Ross and members of the Dora Milaje, Wakandan special forces, to prevent Wakanda from being dragged into a world war.”

For a closer look at this character, and his abilities, see Captain America Civil War, now available on Netflix, and read  Ta-Nehisi Coates current run of the comics, (although there are other versions).

 

Everett Ross: Martin Freeman

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This is one of only two white faces you’re going to see in the rest of this trailer, and probably the movie. Everett Ross only gets a  still picture because he does nothing gifworthy  beyond being annoying to the other characters in Civil War. If you see any critiques about how this character is the hero of Black Panther… RUN!!SAVE YOURSELF!! You have wandered into a cluster of White Man’s Nonsense.

 

Ulysses Klaue: Andy Serkis

You may remember this character from Avengers Ultron, where he lost his arm, and got the privilege of locking ScarJo in a cage, I think. No, this movie isn’t about him either, but he gets the gif treatment because I like Andy Serkis. If you see reviews focused on either Ross, or Klaue’s important roles in the film, I urge you  to escape that review, STAT!!!, and immediately Google a review from a Black critic, as you have probably wandered into a field of White Gibberish. Save your brain cells!! That person is not logicking correctly and that shit is contagious.

 

Wakanda:

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Wakanda is a fictional nation, hidden, isolated, and futuristic, located in the central part of Africa. Its meant to represent what an African country would be like if it had been allowed to develop without colonization or exploitation by the West. Wakanda is one the wealthiest nations on the continent because of its large Vibranium reserves.

In the comic books, the central city of Wakanda is surrounded by 18 other city-states, that are constantly vying for power. You can catch glimpses of these various tribal kingdoms in the trailer.

 

The Dora Milaje (Dora Meh-lah-shay):

The Dora Milaje are the King’s Elite (Special Forces) Bodyguards. In English, their name means, The Adored Ones.  In the comic books they were also considered potential wives for the King, specially trained warriors, who were selected from the surrounding tribes by the King, in an effort to keep the peace between the various rival tribes. These young girls are groomed from a very early age to be warriors.

The Dora Milaje are the best warriors of Wakanda.  They have defeated Namor, and fought even Storm and Black Widow to a standstill, although it is rumored, that over the years, many Black Widows never made it out of Wakanda alive, thanks to them.

It’s the custom for them to have shaved heads. No, they are not the King’s special booty call, as Adored One is a ceremonial title. They are not his harem.

Okoye: Danae Gurira

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Danae is most famous for her role as Michonne on the Walking Dead. She’s the King’s first , speaking only to him and only in a rare language. This was so the King and his wives could speak in private while out in public. Think of her as something like the head of a federal organization that only answers to the president.

 

Ayo:Florence Kusumba

Ayo is the Dora Milaje we got to see for the first time in Captain America Civil War. She said six words and stole half the movie. They better not let her say too much in this movie or none of us will remember why the hell we were sittin’ in the theater.

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Nakia: Lupita Nyong’o

This is Nakia, played by the Oscar Award winning Lupita Nyong’o. In the the comic books Nakia is a mutant of some kind, with enhanced speed, agility, and strength. She later becomes a villain named Malice.

 

Erik Killmonger: Michael B. Jordan

Killmonger is played by Michael “Bae” Jordan from Coogler’s last film, Creed, and unfortunately from The Fantastic Four, but the first time I saw him was in the movie Chronicle. He is one of T’Challa’s rivals for the throne of Wakanda, and plays a pivotal role in the movie. In the books, Erik harbors a grudge against T’Challa for exiling him to America, after the death of his father, who had been branded a traitor. When Erik returned he plunged himself into Wakandan history and traditions, and this radicalized him. So now he preaches against outside Western influences, and wants to rule so that he can make the country more isolationist.

 

Ramonda: Angela Bassett

C’mon! Ya’ll know who Angela Bassett is. Ramonda is T’Challa’s mother. Note the white hair. Disney doesn’t possess the rights to Storm from the X-Men, who is T’Challa’s in canon ex-wife, but they can troll the film company that does, by casting the woman who was born to play that role, and making her up to look like her in this movie.

 

Shuri: Letitia Wright

This Princess of Wakanda is T’Challa’s little sister from a different mother. She is the Wakandan genius behind most of the tech you’ll see in the movie, including those nifty little cat gloves she’s wearing in the trailer. I don’t know what they do but I want them. Shuri is the very definition of Afro – Futurism, combining her country’s cultural traditions with technological concepts beyond even Tony Stark’s skills.

In the books, Shuri is a warrior who was trained by her brother to take over his mantle should the need arise, and who, on occasion,  has had to step in and become The Black Panther, in her own right, after  one of her brother’s extended absences. Here she’s been re-written as a tech genius.

 

Daniel Kaluuya: W’Kabi

I got nothing about this guy. I’ve never paid much attention to him beyond that he grew up with  and is T’Challa’s  second in command and advisor. You know him as the actor from the movie Get Out.

 

Forest Whitaker: Zuri

Zuri is played by Forest Whitaker, is a veteran warrior, and one of T’Challa’s senior advisers.

 

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*On a more serious note we have to talk about this issue here:

Since the release of the trailer onto the national stage, I know some of you guys who are the most excited about this movie, have experienced an influx of racist gibberish into all of your inboxes. There’s something about this movie that has truly galvanized racist geeks into a paroxysm of harassment. (Well I simply can’t imagine what that might be.)

I’ve been warning my friends on Tumblr, and other social media to have their Block finger ready because it’s going to  get a lot of exercise. And it’s not just the white racist dudebros out there either. You have a lineup of various hoteps, and native Africans making static too. Everybody whose  got a beef with black people have their fingers tapping, and mouths flapping, to destroy this movie, which is an utterly pointless pursuit.

You’ve got people writing racist meta about how unrealistic Wakanda is, because  Africa is such an undeveloped country,  how Black people are acting too uppity, and culturally appropriating African cultures, the poster for the movie is militant, there are going to be riots and shootings at the theaters on the day of the movie’s release, and a complete basket full of  nonsense. Basically people out there projecting every one of their racial and social insecurities onto this movie, and it hasn’t  even been released yet. And its only going to get worse as the movie nears its release date.

And all because  black people are giddy about a movie trailer.

*Black Panther is a FICTIONAL movie about a FICTIONAL country in Africa so people need to stop projecting all of their issues on to it and let ALL black people enjoy something for once.  Seriously.  CAN WE STOP WITH THOSE STUPID DIASPORA BATTLES THAT HAPPEN EVERY TIME BLACK AMERICANS GET *ANYTHING* POSITIVE?! 

—–karnythia from angelsscream

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This isn’t my essay, but it says want I want to say much more eloquently. This is from an AfroFuturist tumblr site, and is very deep and entertaining. Please give them a visit.

*Double Standard

I’m sure everyone has seen the trailer for the Marvel Black Panther movie that is set to be released next year. And if we are to be honest, we are over the roof excited about it. Have you seen the memes!? The ones showing how we’re going to go dressed for the premier? Have you seen the amount of views the trailer has on YouTube!?  2018 can not come any sooner!! So, tell me why, in between all the excitement and anticipation for the movie, we still see people hating on it?

So, one person called it “unrealistic” and “poorly put together in order to give Blacks a place in the entertainment industry”. And I’m like, “the name is science FICTION, afrofuturist to be exact, and the sole purpose of such work is to not just envision Blacks in the future but as the agents and subjects of the future.”

And then, I saw this post asking how can Wakanda be so technologically advanced and yet it had no imperialistic goals and its innovations did not spread to anywhere else. Y’all remember Avatar? The one with the blue people with tails that were primitive and highly developed at the same time? They loved that movie right? So why the lack of love for Black Panther then?

Could it be because it is BLACK PANTHER? Could it be because it shows Blacks not just as props and prawns but in the center as kings and leaders and scientists and warriors? But anyway, I hope this is one of many afrofuturist works to be produced because it’s about time we have a place in the future, in science fiction.

 

@

*But here’s the thing, this movie is going to be released. Its a done deal. Its going to do as well as any of the other MCU films to date. No amount of online harassment, from people who can’t stand to see Black people being happy about something, is going to stop us from going to the theater,  and seeing it multiple times. 

Now I’m done with this particular topic!

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From pathlesspagan:

Me and squad at the Black Panther premiere.

 

Superheroes at a Theater Near You

Hi there!

Here’s a list of most, if not all, the top Superhero movies being released in the next two years. But first, some background, because for some reason, people love these mini slice-of -life snippets, that I keep adding to my posts.

I think I’ve said before, that I’m a huge comic book fan, and most of what I read  were superhero comics. I wasn’t a big DC reader as a child. For some reason DC Comic books weren’t as child accessible as Marvel. On the other hand, DC had a lot more shows on television, when I was little, like Shazaam, Wonder Woman, and Batman. I started by reading Peanuts and Archie comics when I was about seven or six, then graduated to Conan and Red Sonja around age eight, Horror comics like EC, and Eerie by the time I was ten, and then, by the time I was twelve, to books like Swamp Thing, and most of the Marvel superhero books.

Somewhere in one of those comics, I saw ads for Doctor Strange and the X-Men. I distinctly remember staring at those ads, wondering who these characters were, and why hadn’t I ever heard of them, because they looked fascinating. I didn’t start reading Justice League, Justice Society, Batman, and Superman comics until I was an adult in college, because my friends were into those books.

So once again, unlike most kids, I did not follow the traditional path to liking superheroes, by starting with Batman and Superman, although I watched all the DC shows and movies, followed by the apparently required reading of The Watchmen. I didn’t read that until I was an adult, and by that time, I was unimpressed by it. (But that’s probably the reason I was one of the five people who loved the movie becasue that’s how that works.)

And I’m still being contrary today. I do not enjoy being contrary. That’s just how everything works out. Since I’m a visual artist, (someday I’ll get up enough nerve to show y’all some of my old drawings) I have had training, but the past few years I’ve taken a hiatus from drawing, in favor of other artistic pursuits. I usually latch onto an artist and just follow them around from book to book,  and series to series. Some of my favorites are Barry Windsor-Smith from the early Conan books, Bill Sienkiewicz for his short stint on The New Mutants, Alan Grant for his work on Excalibur, Geof Darrow for anything, Adam Hughes, Arthur Adams, and of course Alex Ross. (Naturally, I don’t draw like any of them, no matter how much I’d love to.)

I’ve since gotten away from reading superhero comics, except for the occasional Batman, Wolverine, or Midnighter collection. I don’t buy them like I used to , and most of my comic book action happens digitally these days, and are independent projects, like Shaolin Cowboy, Hellboy, and  Cimarronin, and the various movies and TV shows. The last comic I bought online was Enormous.

So here is a  list of the comic book movies, I’m most interested in,  (although that doesn’t mean I’m going to see them in the theater) for the next couple of years:

2017 

Justice League  (11/17)

I’m cautiously excited about this. I didn’t care for BtVS, I don’t like Batfleck, and I’m not a fan of Amber Heard. On the other hand,  I love Jason Momoa, who looks as if he’s having the time of his life, in the trailer; and this movie’s version of The Flash, just because he’s really cute.

 

Thor Ragnarok (10/27)

I’m a huge fan of Jeff Goldblum, Tessa Thompson,  Thor’s new haircut, and the Avengers version of the Hulk. Will I see it. I don’t know.

 

Spiderman Homecoming (7/7)

I’m actually looking forward to seeing this. Its got a diverse cast, and that little Tom Holland is just as cute as the dickens.

 

2018

Black Panther (2/9)

The Ascension is Nigh!

 

Avengers Infinity War Pt. 1 (4/27)

Related image

?????? I got nothing!

 

Ant Man and the Wasp (6/29)

Image result for antman and wasp

Nope!

 

Aquaman (12/21)

Image result for aquaman poster

Yep!

 

New Mutants (4/13)

Image result for new mutants poster

More of these ???????

 

Deadpool 2 (6/1)

Image result for deadpool 2 poster

Image result for deadpool 2 poster

Image result for deadpool 2 poster

Yeah, I’m in!

 

The Incredibles 2

Image result for incredibles 2

I loved the first movie. If the story is any good, I’ll have my butt in the seat when its released.

 

Venom (10/5)

Image result for venom poster

I like this character, but I still feel this should be a horror movie, and that Tom Holland should be in it.

 

Dark Pheonix (11/2)

Nope. I have never cared about the Phoenix, and I ain’t about to start now!

 

After 2018 Honorable Mentions:

Captain Marvel

Meh!

 

Shazaam

I’ll go see this if the story is any good, becasue I love the character.

 

Cyborg

Hmmmm!

 

Mouse Guard

Image result for mouse guard

I love these books, and I’d get a kick out of seeing them on the big screen, even in animated form.

 

Favorite Movies of My Life Pt. 3 (1991-2000)

Oh wow! From here on out its getting increasing difficult to choose one movie. When you’ve watched as many movies as I have, at my age you have a helluva lot of favorites, so this is like picking those desert island movies, (the movies that you would most like to have if you were stranded on a desert island.)

I did have to cheat a few times and choose two:

1991: Terminator 2/Addams Family

Beauty and the Beast was also released this year, so I had a really hard time choosing just one movie. Why is this so hard? I love movies. I find at least one thing to like about even the worse movies, so this is just making it extra difficult, when the movies have fewer flaws to latch onto.

I chose Terminator 2 though, because it was the movie that had the most emotional effect on me. America had just come out of the “Cold War” with Russia, in the 80s, when I had to (real quick) deal with my own existential angst, coupled with the idea of nuclear annihilation. I had a lot of sleepless nights as a teen. That was a very rough period, and watching that movie reawakened all my worst anxieties, especially the scenes of nuclear devastation. I was near tears just at the opening credits, and my anxiety issues almost caused me to walk out.

I have since calmed down about this movie, and can appreciate it for what it is. I still can’t watch the bomb blast scenes, but that hasn’t stopped  the movie from being most excellent, in all other regards, and I’m gonna have to review it someday because the plot and themes still resonate. Also, I have tremendous respect for James Cameron, who managed to tear it up, with some of the best sequels, (to already great movies), ever made.

I chose the Addam’s Family solely for nostalgic reasons. I just love this movie, and never get tired of its humor. I watched the TV show as a child and it was alright. I liked it okay, but the movie built on it in ways that just shone. The acting and actors are, quite simply, perfect. Raul Julia as Gomez simply can’t be topped. And I’ve been in love with Angelica Huston ever since. When I first saw this movie I didn’t even know who she was. Now, whenever I think of her, I think of Morticia. And of course  Wednesday Addams was my personal avatar. If I can be said to have a life philosophy, then Wednesday gave voice to a lot of it. She was smart, practical, snarky, and tolerated no nonsense, often saying the type of  things I actually manged to get away with saying to people, when I was a child,  without getting my ass thoroughly kicked. Incidentally, check out the video series Adult Wednesday Addams. It perfectly captures what she’d be like as a grown woman, and is absolutely hilarious!

The animated version of Beauty and the Beast gets a special mention. Yes, I am also a Disney fan, especially the  years before CGI, and if I had to pick just one Disney film, it would have to be Beauty and the Beast. Its just gorgeous, Howard Ashman’s music was at its best, and I loved all the songs. I know every word of Be Our Guest, and still get chills listening to it today. Why that song resonates with me I can’t even guess! But in every Disney film there’s at least one.

 

1992: Bram Stoker’s Dracula/Reservoir Dogs

I was in Art school when I went to see this movie with some friends. Dracula is another of Cuppola’s  masterpieces. It’s another one of those movies where, when you walk out of the theater, you have to take a moment to readjust to reality. Despite the dodgy acting of its younger stars which has not held up well, the movie itself is one long,  lush, beautiful dream sequence, that doesn’t even need dialogue. This is one of those movies I appreciate, not for reasons of nostalgia, but for solely artistic reasons, and this was one of the first movies I really appreciated as such. I saw it twice in the theater and have watched it multiple times since. Everything, the details, the colors, even the camerawork, has meaning, and I never get tired of watching it.

Reservoir Dogs I saw a couple of years after its release and it was the first Tarantino movie I’d ever seen. It’s one of those movies where you have to ask yourself who that is, and then follow them for the rest of your life, or their career. Despite Tarantino’s many controversies, I have never been disappointed by one of his movies. Even when I didn’t particularly care for a movie, it was still worth looking at. Another reason I like him is because he has managed to singlehandely revive the careers of actors that Hollywood had long forgotten. I would love him just for giving us back Pam Grier, who I grew up listening to my mother rave about. In fact my mother loves Grier so much that she is a total stan for Jackie Brown. I can’t get her to even look at any other of Tarantino’s movies, but Jackie Brown is always on replay. I love Tarantino because he made my Mom redsicover her love for Pam Grier.

 

1993: The Piano

Okay, now I’m reacting to the artistry of the movie. The Piano is one of my all time favorite films, looking incongruous next to movies like The Addams Family, but really it fits right in. Since I’ve been trained as a visual artist; the camerawork, costumes, colors, details, are what attract me to certain movies.  With The Piano though, I really started to pay  close attention to the music in a film.

Music has always been a huge part of my life, (I have moments, milestones, everything), but this was the first time I’d been as engrossed in the sound of a movie, as I was its visuals.  I was haunted by this movie. I thought about it for days afterward. I was moody, examining it, my feelings about it, and puzzling over its meaning. The mood of it simply wouldn’t leave me, and in a lot of ways it still hasn’t left. It’s not a movie I watch often, but when I do, I have to be prepared for several days of thoughtful melancholy afterwards.

Jurassic Park gets a shoutout because I am a total dinosaur fan, and you have not lived until you’ve seen a full grown woman act like  a damn fool in a movie theater, at the sight of one of the most realistic looking T-Rex’s every created for the silverscreen. Does it make me a bi-sexual, if I’ve fallen in live with a female dinosaur?

True Romance: Quentin Tarantino didn’t direct his movie but he wrote much of its dialogue, and it shows, most especially in the scene between Christopher Walken and Dennis Hopper. In the Sicilian scene, Walken stars as an old school Mob boss trying to torture information out of Hopper on his son’s whereabouts. This scene is right up there with that classic meeting between DeNiro and Pacino in Heat, and is very possibly  one of Hopper’s finest scenes.

 

1994: The Crow

I know I should probably pick something the critics loved like Pulp Fiction or The Shawshank Redemption which were also released this year, but nope. This year belongs to The Crow.

I had just left college around this time, I was working, and had a little bit of disposable income. So you know what I did with that extra money? That’s right! Go to lots of movies. I don’t even remember seeing the other two films in the theater, but I went to see The Crow 3 times, dragging all my friends along each time. I’ve seen this movie lots of times since, then, and read the book a few times, too. Yes, I still miss Brandon. I still feel hurt over the career this beautiful man could have had.

 

1995: Seven

The alternative to this movie was Toy Story. I enjoyed TS a lot but I wasn’t really into it like that, until Jessie’s song, When She Loved Me. Til then, I just thought it was cute.When I started crying in the second movie,  I knew that shit was serious. But I’m not picking that one. I’m picking Seven because:

This was the first time I’d ever heard of David Fincher. I wasn’t expecting too much from this movie when I first saw it. I was ready to dismiss it as one of those dark detective type movies, only with extra Morgan Freeman, whose movie career I’d been following, since he played Fast Black in Street Smart. But Seven turned out to be excellent, and upended any expectations I had about the plot. Oddly, my favorite scene isnt the ending, but the scene where Morgan Freeman’s character (Detective William Somerset) goes to do some research at the libray, and banters with the guards. The music playing during that scene is Bach’s Air on the G String. I’ve watched this dozens of times since its initial release, but the best way to watch it is with Fincher’s commentary on the DVD.

This year also saw the release of one of the most intelligent vampire movies I’ve ever seen,  Abel Ferrara’s The Addiction, starring Christopher Walken and Lily Taylor, about a college student who has an existential crisis after she gets bitten by a vampire on the streets of NY. I watched this movie three or four times just trying to follow the conversations in this movie, because gobdammit, this movie is not smarter than me! Except maybe it is. Or maybe its just a bunch of pretentious drivel.

This is one of those movies where you have to pay attention when you’re watching it. No eating popcorn, or chatting with your friends. As a result, this movie was much more successful on video then it was in the theater. And  since this is a Ferrara movie, it doesn’t skimp on the gore, either. There’s a fairly graphic scene, towards the end of the movie, where an entire college faculty  room gets massacred by vampires. These aren’t the most vicious vampires on screen, as they’re too emotionally detached, but that’s what makes the scene so  terrifying.

Christopher Walken also starred in The Prophecy this year, a movie about a new Angel war in Heaven and on Earth. This is also one of my favorites movies. I know people like to write off Walken as a silly actor but he’s starred in a number of very intelligent horror movies.

 

1996: Fargo

I just finished a two part analysis of this movie, and its comparison to Raising Arizona:

https://tvgeekingout.wordpress.com/2017/04/12/fargo-speaking-of-crime/

https://tvgeekingout.wordpress.com/2017/05/02/speaking-of-crime-raising-arizona-1987/

 

1997: Princess Mononoke

I had a hard time getting my niece to watch this, instead of her billionth viewing of Spirited Away, but I finally did, and it was worth it, as I used this movie as a way to hone her critical thinking skills. But rather than focus on the environmental issues in the plot she seemed to focus more on the moral issues. We had a good discussion about the morality of Lady Eboshi, the primary antagonist in this movie.

Lady Eboshi lives in a camp in the forest. She is a weapons maker, and to do this, she tears down and corrupts the forest and its creatures. The corruption is spreading to other parts of the forest not associated with what she’s doing, the forest creatures are angry and want to destroy her, including Princess Mononoke, a young woman who has been raised by wolves. Lady Eboshi also takes in “fallen women”, ex-whores looking to escape their old lives and live free of the brothels, and lepers, whom she tenderly cares for and makes sure their final days are comfortable.

My niece and I discussed the moral grayness of someone like Eboshi. What she’s doing to the forest is very obviously wrong, and she doesn’t care about that, but at the same time, she cares very much for the unfortunate people around her, so its not easy to condemn her as a villain. I think I summed it up for my niece like this: That sometimes, good people do very bad things. And sometimes, bad people do nice things. I don’t know how much of this conversation stuck with her because she was about ten at the time. She also seemed quite taken with the little white forest spirits in the movie. I had a much harder time explaining Japanese religious beliefs too her, tho’.

Most other people would probably choose Men in Black or Disney’s Hercules as this years favorite, but apparently, I like to be contrary.

1998: Dark City

Despite the release of both The Truman Show and Pleasantville, this year, for me, belongs to Dark City. Directed by David Goyer who made The Crow, and starring  Rufus Sewell, who a lot of people inexplicably hate, this is one of the smarter SciFi action movies of the nineties. Its not the characters though, its the plot. From its opening scene of a man waking up in a bathtub, to its apocalyptic ending ,the audience is taken on a compelling mystery, just like it s primary character, John Murdock. There are spiral symbols, aliens, mysterious men in black, a captivating beauty played by Jennifer Connelly, a nosy detective played by William Hurt, and a city that moves around at night. Are you intrigued now? Good!

I remember when I first saw the trailer for this movie. I was immediately captured by it. It suits my aesthetic. This movie wasn’t well received by critics, probably because you have to be patient with it. You don’t know anymore about what’s going on than John, and you find out what’s happening only when he finds out. This is one of the movies on which Roger Ebert and I fully agreed. He enjoyed this movie so much he did three separate commentaries for its DVDs.

 

1999: The Matrix

For a lot of people, this year was all about the Sixth Sense, and its twist ending, but for me, and a lot of other geeks, it was all about The Matrix. This is one of those tent-pole movies, that is not only a summation of all the hottest SciFi  film-making techniques of the twentieth century, but also one of those movies to which every  SciFi movie afterwards would be compared.  Bladerunner did it in the eighties, but the Matrix belongs in The Crow/Dark City family of films. Lots of rain! Check. Black trenchcoats! Check. Mysterious agents in black! Check.

This year also saw the release of Fight Club,  and the first part of the Lord of the Rings trilogy, and Ravenous. As much as I love David Fincher and cannibal movies, I’m not picking those because this is the movie that captured my imagination. The world I would most like to live in, despite the charms of Hobbit-town.As a OG Star Trek fan, I also enjoyed Galaxy Quest immensely.

 

2000: Crouching Tiger, Hidden Dragon

I did a review of this movie from a storytelling point of view.

https://tvgeekingout.wordpress.com/2015/05/04/fight-philosophy-101-crouching-tiger-hidden-dragon/

I’ve said before that I grew up watching Kung Fu and Wuxia movies,  so I’m well used to the tropes used in this movie. I used to work with a rather pretentious white guy who fancied himself something of a cinemaphile. He had seriously lofty taste in movies, and occasionally tried to recommend movies to me. I don’t recall liking anything he suggested but that’s not my point. When this movie was released, he heard great things about it, and checked it out. He came back to work crowing about the wonderfulness of this movie.

I had every intention of seeing the movie anyway but I simply wasn’t as impressed as he was. For him, the movie was the greatest creation since Wonder bread. For me, the movie was a very well made version of movies I’d been watching my whole life. I heard later that Chinese audiences had very much the same reaction. It was a beautiful film but really not a whole lot different than a thousand other Wuxia movies released in the 90s. It was only a new genre to him.

The year 2000 also saw the release of Pitch Black which starred Vin Diesel, who I had never heard of before ,and one of my all time favorite comedies Best in Show, by Christopher Guest. Unbreakable was also released this year and its  one of the most awesome low-key superhero movies ever created, and I’ll have more on it later.

Ooh! Stay tuned for my 2000s movie list, later this month? Next month? And with the success of American Gods, I’d better get started on  my Hannibal Season Three re-watch this Summer, and I have a really nice post on my favorite Supernatural episodes per season. I know I keep promising I’m gonna do special stuff, and these things are sitting in my queue, they just take a bit more time to write then some of my other stuff.

Slainte!

 

Favorite Movies of My Life Pt. 2 (1981 – 1990)

The eighties is when I did the bulk of my movie watching, so its going to get harder,  as I go,  to just choose one movie, and in some cases, some  movies are going to have to share the spotlight with others.

The eighties also saw the invention of the VCR, for wide spread home use, and my family got our first one  in 1983 or 1984. Yes, I saw more than a few of these movies with my Mom, but there’s less of a nostalgia factor involved, and more of an appreciation for good filmmaking in my choices.  This is sometimes less about which movies influenced me, and more about which ones I could appreciate as a noobie film-wonk.

At about the mid-eighties, I started babysitting my nieces and nephews, and some of my Aunts had cable. So I watched a lot of these movies on HBO, (along with lots of MTV). I watched a helluva lot of Horror movies, in the eighties too, so this list is going to contain quite a few of those. I think my Mom and I tried to see every Horror movie made between 1980 and 1988, at which time I headed off to college, and  wilder film adventures.

 

1981 – American Werewolf in London/The Howling

 

I couldn’t choose between the two hallmark werewolf movies of the 80s. At the time American Werewolf was released, it was considered the total shit, but I didn’t care because I was stuck on The Howling, and as far as I was concerned, nothing surpassed it. Until I realized what everyone was talking about. An American Werewolf in London is, indeed, a most excellent movie.

I love both movies for different reasons, though. By any measure, American Werewolf is the deeper film, with its themes of survivor’s guilt, and cultural displacement. That, along with the special effects, make it worth the hype.  The Howling is pure, grade B horror film-making, with its cheap melodrama, and mordant sense of humor, and something in my fourteen year old soul (my age when I saw it) just loved it.

1982 – Bladerunner/ The Thing

When I first saw the trailer for Bladerunner at age 12, I knew that was my movie, and we were destined to be together. Unfortunately, I didn’t get to see it until several years after its release, and only on TV. I’ve been  a Ridley Scott fan ever since. I am obviously going to have to do a review of this movie, and share my love, even if there’s nothing new to be said about it.

I distinctly remember watching this trailer on TV, and thinking I wanted to see this movie.

I could not choose between Bladerunner and what is quite possibly one of the most perfect horror movies ever made, The Thing. This is how you do a remake. I’d argue that the eighties was the decade of the great  remake. Starting in the late 70s with Invasion of the Bodysnatchers, the 80s saw the remakes of The Fly,  Scarface, The Blob, The Thing, The Little Shop of Horrors, and Cat People.

Most people looking back on this particular year, often choose E.T.  because it was the most popular. Well, I’m not an E.T. fan. I don’t care about it, have no warm feelings for it, and almost never think of it, and at twelve years old, I’d be the perfect age to love it. I didn’t.

The Thing is another movie I didn’t see at  its release. In fact, this didn’t register on my radar until several years after, when people began praising it in various magazines. I have no memory of watching the trailers for it, although I must have seen them. I really didn’t know anything about it until a few years after its release.

There was also a movie released this year called Xtro, which was one of the grossest scifi/horror mashups I’d ever seen, and  was surpassed only by another horror movie, released in 1987, called Street Trash.

1983 -The Right Stuff

I have been a total NASA stan, ever since I fell in love with Star Trek as a child, so for me this movie felt like a behind the scenes look at one of my favorite organizations. This was the first time I’d ever watched Ed Harris in anything and I totally fell in love with him, and Scott Glenn, but I was also  in love with everybody when I was fifteen, apparently.

Yeah, okay, I’m still in love with Ed Harris, solely on the basis of him starring in this movie.

1984 – The Terminator

I didn’t see this movie until 1986. I remember this so well, because at the time it was released I had longed to see it, but didn’t have any money to go to the theater. I saw it in 1986, on tape, at my neighbor’s house. I remember because our neighbors, two brothers who lived across the street from us, had just bought a new VCR, and invited our family over for movies and popcorn.

I remember their house was a total mess and I was more than a little dubious about staying, but after a while I was so engrossed in the movie, I completely forgot my surroundings. It was the first time I’d ever seen a James Cameron movie, and my introduction to Bill Paxton and Arnold Schwarzeneggar. This is another of those movies where I just wandered off, home, while slowly trying to readjust to reality.

1985 – Fright Night

See my review:

https://wordpress.com/posts/my/tvgeekingout.wordpress.com?s=fright+night

Return of the Living Dead gets an honorable mention:

https://wordpress.com/post/tvgeekingout.wordpress.com/3756

1986 – 3 Films

I could not pick just one movie for this year. Three of my top favorite films were released this year: Aliens, The Fly, and Children of a Lesser God. Each of these movies is the perfect example of its genre for this year. But, if I absolutely had to pick one of them, to watch on a desert island, or something, I’d pick Aliens, since I never get tired of watching it.

1987 – 4 Films

This is another year where too many of my favorite films were released, so I can’t pick just one of them.

I saw both Evil Dead 2, and Robocop on a double bill at the local theater. To this day, I can count this as the best spent three hours of my entire  life. Just me, some popcorn, and a quiet movie theater, all to myself.

Lost Boys is on this list because I distinctly remember gushing about this movie to one of my classmates about how the guys in the movie were so cute. So, this makes the list more out of nostalgia, than that its a great movie, although, its still pretty good, by today’s standards.

I didn’t see Near Dark until many years after its release, but I do hereby acknowledge it as one of the best, most underrated,  vampire movies of the 80s.

My review:

https://wordpress.com/posts/my/tvgeekingout.wordpress.com?s=near+dark

1988 – Akira

Dangerous Liaisons, Beetlejuice, and Young Guns, were all released this  year, but really there was no other choice for me to make. This year belongs to Akira, although I didn’t watch it until 1992, while I was in college.

Not only is it the best movie made that year, its one of my all-time favorite Anime. Its also the very first time, I’d ever seen Anime on the big screen. When I walked into that theater, I had no idea what I was in for, since my roommate refused to tell me anything about it. She just kept saying I would like it. There are a handful of movies, that have such an effect on you, that you have to seriously readjust to being back in the world, when you walk out of the theater, and end up contemplating them for months after you see them. Akira is one of these films.

Incidentally, I had a bad falling out with the roommate who introduced me to this movie, a few years later, and while I have mixed feelings about her, I have never faulted her taste in movies. Whenever she said I would like something, she was NEVER wrong. Raising Arizona, Tremors, Near Dark, Seven Samurai, and Akira are movies I probably would never have watched without her influence.

1989 – The Little Mermaid

Batman, The Abyss, and Casualties of War, were also released in 1989, but I have to pick The Little Mermaid as my favorite. Ursula’s song, Poor Unfortunate Souls, is the meanest, snarkiest shit I ‘d ever heard in a Disney film, and I absolutely love that character. Of course now I know, she was modeled after the Drag Queen, Divine.

This was one of the first Disney films that ever made me cry, and I’ve been crying at these movies ever since.

1990 – Goodfellas

Tremors and Dances with Wolves was released in 1990, and I saw all three of these movies in the theater, where they probably should first be seen. I wasn’t unaffected  by those movies, but Goodfellas is a movie made by a director, Scorcese,  who was at the top of his game at the time, and he has never made a better movie since, in my opinion.

This one of my favorite scenes in a wealth of favorite scenes. Personally, though I don’t find the “Do you think I’m funny?” scene, to be especially funny. Yeah, its iconic, but its not my favorite.

The 1990s, though,  was when I really started, not just to develop my own tastes, but began to pin down just what attracted me to certain films. I began to really think critically about what I was watching, and Why I was watching it. I began reading the opinions of others about the films I liked, and this taught me how to approach film criticism. I started to trust certain critics over others, began reading books on film theory, and audience theory, and reading the filmmakers ideas about what they were trying to accomplish.

So, as the 90s progress, you’ll start to see a change in the kinds of films I enjoy, although SciFi and Fantasy will still make up the bulk of my viewing habits.

 

 

The Mis-Evolution of James T. Kirk

In an awesome, long, and rather intense essay, Erin Horáková deconstructs Star Trek to expose Kirk Drift, a phenomenon in which the character in the original stories is shifted in our memory and perception towards a more stereotyped masculinity — and the change says some things about cultural biases. There’s a cartoon version of Kirk…

via Captain Kirk is not Zapp Brannigan! — Pharyngula

Ghost in the Shell Thoughts & LinkSpam

Here’s a roundup of thoughts and feelings  from Asian Americans (and a few others) on Ghost in the Shell, Hollywood, and Whitewashing:

Orientalism and the Ghost in Hollywood’s Shell

The Incomparable Differences between Whitewashing and Racebending

https://thirdtwinmusings.wordpress.com/2017/04/08/stolen-brilliance-whitewashing-and-the-white-mind-as-perfection/

https://screenalicious.wordpress.com/2017/04/06/how-to-end-hollywood-whitewash-in-10-easy-steps/

https://amazingrace350.wordpress.com/2017/04/06/how-get-out-proved-that-minority-actors-are-marketable-hollywood-just-refuses-to-make-it-work/

Exorcising Ghost in the Shell

https://haleyjb.wordpress.com/2017/04/11/entertainment-media-a-white-world/

http://www.gq.com/story/the-whitewashing-playbook

http://www.motherjones.com/media/2017/02/history-whitewashing-asian-american-hollywood

http://www.slate.com/blogs/browbeat/2017/03/24/filmmakers_and_actors_keep_defending_casting_controversies_but_here_s_why.html

https://theringer.com/ghost-in-the-shell-scarlett-johansson-63bd6503af72

http://www.tor.com/2016/04/20/why-are-we-still-white-washing-characters/

 

 

And also check out  the site:

http://blog.angryasianman.com/

For intelligent discourse on issues pertaining to Asian Americans in Popular media, and a list of similar blogs:.

http://blog.angryasianman.com/2017/04/read-these-blogs_9.html

Asian American Month begins in May.

 

The Akira Project

There been a lot of speculation in the news recently about Jordan Peele directing a live action version of the famous Manga, Akira. I absolutely love this movie and watched it many times over the years. It wasn’t the first anime I was introduced to but it was the first that really affected me. 

A few years ago Osric Chau, from the Supernatural series, was lobbying to be cast as Kaneda, in a live action version. He, and some people he hooked up with, made a test trailer. This is what a live action  Akira could look like:

I’ve always thought of Chau as more of a fit for Tetsuo, but I think he just likes Kaneda as the hero.

Finn Meta Linkspam

Here are some discourses on my favorite character from Star Wars:

Star Wars, Finn, and Fandom Racism

 

We start with an admonishment to not be “That Person”.

thesovereignempress:

the-bi-writer:

this is a post for my fellow white star wars fans: we gotta do better. the treatment of Finn in the fandom at large has been dismal, both in obvious and insidious ways. so let’s talk about this.

quick note before we start: if you’re only here to argue, move on. if you’re already typing out a response beginning with, “not all white people,” don’t. however, if you’re interested in challenging your own biases, welcome aboard.

here are some harmful things white fans do, in regards to Finn:

1. we ignore him in fan works.

a quick check of ao3 stats shows that Hux (who has approx. 3 min of screen time) shows up in two thousand more works than Finn.

before you get defensive: no one’s telling you what you can and can’t write. however, as white fans we need to consider why we’re willing to go to the effort to imagine a rich backstory for a minor character we know almost nothing about, while ignoring the *actual* protagonist who already has a rich backstory of his own. (that protagonist is Finn, in case i was being unclear. Finn is a protagonist of Star Wars: Episode VII -The Force Awakens. Finn is a main character and co-lead. it’s Finn.)

2. when we do include Finn in fan works, we treat him poorly.

i’m going to stay in my lane on this one, and refer you to Writing with Color for more specifics on how *not* to treat black characters in harmful and/or stereotypical ways.

briefly: Finn is often hyper-sexualized (BBC, etc.) or pushed to the side by the narrative. additionally, very few fics, even ones with Finn in the main pairing, truly treat Finn as the protagonist of their fic.

i’m guilty of this myself, and i’m working on it. which is all i’m asking you to do: educate yourself, be willing to change, and then do it.

3. we underestimate his role in cannon

go read this post, and then tell me you haven’t been underestimating Finn from the moment he stepped on screen. i’d noticed almost everything the post points out, but chalked it up to plot holes, instead of considering that Finn (again, a protagonist) had been awake in the force since the beginning of the film.

that, right there friends, is racism.

tl;dr fellow white fans, we gotta do better. let’s take the energy we spend trying to convince people we aren’t racist…and actually be less racist. it’s our responsibility to examine our attitudes and change our actions. now is the time.

further reading:

here’s some excellent finn meta

here’s 5 tips for being an ally (video) by chescaleigh (Franchesca Ramsey) – her channel has a ton of other videos about race too.

here are a whole bunch of resources from Writing with Color, a tumblr “dedicated to writing and resources centered on racial & ethnic diversity.”

(feel free to add links + resources)

The thing is, if Reylo is your pairing and that’s the characters you choose to focus on – since that is how shipping works and as a reader I’m definitely going in for Reylo and other characters are secondary – what qualifies as “ignoring” or “pushing to the side”? That’s my issue with these talks about erasure and sidelining around Finn.

Lest it be misunderstood, I totally agree that we can be better at treating Finn in our fan works. I’ve seen him used in some uncomfortable ways. But there are some contradictions in this endeavor that tend to get glossed over.

I mean, no one is saying Finn should be the focus of fanfics about Reylo or other non-Finn ships. That doesn’t make sense. When we talk about Finn erasure, we’re talking about the bigger picture.

For example, if I go to the main TFA tag or the Star Wars tag, Finn is often nowhere to be seen. If I look for Finn (or even Finnrey or Stormpilot) fics, few that come up in the search are actually about Finn, making it difficult to find actual Finn content where he’s not a background character. When the title for Ep 8 dropped, There was a lot of speculation that The Last Jedi might be Ren and Rey as if Finn doesn’t exist. It’s not just in individual ship fics, if you look at many fan spaces, you would think Finn was a very minor character, not a main character. And that’s a problem.

We have to ask why Reylo and Kylux are the dominant ships while fics about Finn are the least popular. The question is not why aren’t Reylo and Kylux fics about Finn, it’s why are these ships exponentially more popular than ships including Finn and fics where Finn is actually a main character.

After a year’s worth of justifications that historically ONLY apply to white characters (fandom loves villains, the blank slate, etc) plus the fact that white heroes/protags are shipped like crazy, it’s clear that Finn’s blackness contributes heavily to his minimization.

Source: the-bi-writer fandom racism star wars finn
jawnbaeyega luminousfinn

skywalkerapologist:

luminousfinn:

The narrative arc The Force Awakens create between Finn and Kylo Ren is an interesting one. Visually it begins in the very first scene they appear on screen together at the assault of Tuanul village after the execution of the villagers that FN-2187 refused to participate in. When Kylo Ren is returning to his shuttle, he stops and stares at Finn for, at the time, no discernible reason.

In doing this the movie draws a visual line between the two men, connecting them in the audience’s mind and in-universe. One is dressed in black, the other in white, both are helmeted and faceless, but already we have witnessed the distinction between them and the movie spends the rest of its time emphasizing it: Kylo Ren will murder on a whim, while FN-2187 refuses to kill unarmed civilians.

After this “meeting” Kylo Ren maintains a distinct interest in FN-2187. So much that he not only knows that it was the same trooper which aided Poe in escaping, but that when he learns that Finn has got away with BB-8 he throws one of his two destructive rampages.

The other he has when Rey escapes captivity.

After this their stories part for a time, but only to be rejoined on Starkiller Base after Kylo Ren murders Han Solo.

After Chewie shoots Kylo, blows up the oscillator and everyone including Finn and Rey starts shooting, we see Kylo Ren kneeling on the bridge looking up. .

The camera cuts to an angle behind Kylo Ren’s head so we now also have Finn and Rey in the shot, both standing on a balcony in the background

Another cut, closing up on our two leads. This shows them both standing, looking down on Kylo Ren. Both look shocked and Finn is stepping forward on the balcony, towards the audience and more importantly, towards Kylo.

Once again the movie cuts and again it zooms in so that now Finn is in focus. His face merges from the shock and fear he has so far displayed, into grief, anger and determination. And throughout the shot he steps further and further forward while the camera zooms in on him, visually emphasizing him stepping into the conflict with Kylo Ren.

Rey is barely in the frame here and by the end of the shot she’s entirely gone, leaving her literally out of the picture.

Next cut is back to Kylo Ren, who is staring up at Finn. The way this sequence is cut together makes it startlingly clear that this is where he is looking and who he is looking at. Kylo’s face merges from surprise into unmitigated fury and hatred at the sight of FN-2187, the Stormtrooper who defected, who is everything he is not.

The whole sequence mirrors their first encounter with the two men staring at each other, though they’re now unmasked and we can see the mutual enmity clear on their faces. Finn is no longer running away, he’s stepping forward and the camera zooms in on Kylo’s face drawing him into conflict with Finn as well.

The movie sets up this conflict not just for the coming battle in the forest, but also for the next two Episodes as the battle between the two men is a draw. Finn is defeated by Kylo, but the Dark Sider does not obtain the lightsaber and is in turn defeated by Rey. Neither of them emerges a victor and the narrative conflict between them remains unresolved.

So whatever Episode VIII and IX brings, it is clear that Finn and Kylo will cross paths again and Kylo had better beware. To borrow John’s words: “Finn ain’t playing no more”, that much is clear from the scene in the oscillator.

Next cut is back to Kylo Ren, who is staring up at Finn. The way this sequence is cut together makes it startlingly clear that this is where he is looking and who he is looking at. 

This part is so important and yet flew over like 90% of the fandom’s heads in favor of focusing on Rey (gee I wonder why).

The shift in Finn’s expression from shocked grief to quiet rage reminds me of Luke’s reaction to seeing his aunt and uncle’s burnt corpses in ANH. Obviously Rey and Kylo will be squaring off again in VIII but TFA also made it clear that there’s some serious bad blood between Finn and Kylo that’s entirely separate from wanting to protect or recruit Rey. Which is why I roll my eyes when I see people claim that Finn is going to be shunted off to a B-plot opposite Hux (a character he never interacted with in TFA) and Phasma (who he literally threw in the trash).

Also, it’s worth noting that for the first time, Rey has to take Finn by the arm and pull him away.

image

Kylo was stumbling up towards them and I’m not convinced that Finn wouldn’t have tried to take him down right then and there.

finn meta to read
rebelfinn

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*Look, as far as I’m concerned Finn is Force Sensitive, and that’s that. He will be a  Jedi. I will wrestle you out of of your underwear, with your pants still on, if you disagree. Here, have some receipts:

Also, I just love this gorgeous essay on the parallels between Finn’s narrative and Arthurian legend.

jawnbaeyega adagalore

luminousfinn:

Maz giving Finn the lightsaber is noticeable for many reasons, not least of which because it happens twice and for all the Arthurian parallels surrounding the scenes.

 

The first time takes place just after the destruction of the Hosnia system which is what makes Finn return to Han (and implicitly to the fight against the Dark Side). At this point none of them knows that they’re about to be attacked themselves by the First Order, not even Maz.

Despite this she immediately upon Finn’s return  takes him, Han and Chewie into the cellar where she keeps the lightsaber. When she takes it out of the chest Han recognizes it and asks where she got it, she brushes him off and focuses on Finn.

Why Finn? Last she saw him Finn made it clear that he was leaving. Hosnia’s destruction marked a tentative return, but so far it is tentative. And wouldn’t Han a man who might not be a paragon, but someone she’s know for years, make more sense?

Her words as she passes it are ambiguous. “Take it. Find your friend.” And do what exactly? Give it to her? Use it to protect her? What? Recall, no one but Maz and Rey herself knows that Rey can use the Force at this point. In fact Finn is never told this in TFA.

In assorted other things the fact that Han’s attention shifts off Maz and onto Finn the moment she tells him to take it, but before she stops talking is interesting. His intent gaze on Finn as he makes the choice to take the weapon is mirrored in the second “giving” by Maz.

Maz too is looking rather expectantly as Finn reaches out and takes the lightsaber from her. The music that has so far been playing softly in the background swells dramatically the moment Finn’s hand touches the saber and mixes with the diegetic sound of an approaching TIE fighter as Finn raises the lightsaber as a young Arthur might Excalibur. The scene ends in a dramatic boom as the castle is struck just as we see Finn look at the saber with a serious face.

It is noticeable that Finn is so entranced by the lightsaber that he doesn’t seem to hear the incoming TIE. Not long before at Niima Outpost he jumped at the first sound of it, but here he’s oblivious to the noise.

 

Now before I go on to the second “giving” I’m going to make a small detour around Arthurian myth.

Much have been made of the Arthurian parallels in TFA. Kylo Ren as a Mordred like figure. Luke as either a Merlin or a fallen Arthur himself and of course Rey pulling the Skywalker lightsaber out of the metaphorical stone. But the Arthurian parallels have been ignored where Finn is concerned, especially when it comes to the giving of the lightsaber/Excalibur, because in Arthurian myths there are two kinds of givings of that sword. One is Arthur pulling it out of the stone which declares himself the true king of Britain, in the other it is given to him by The Lady of the Lake.

In both versions Arthur starts out as a youth of unknown parentage grown up fostered by strangers, just as Finn is. In the second versions Arthur runs into Merlin, often portrayed as an older, wiser man. Depending on the version Arthur either asks Merlin for help or about his future, in either case Merlin takes him to The Lady of the Lake.

The Lady depending on the version of the tale is either a powerful magical being or a High Priestess of Avalon. She proceeds to ask the young Arthur several question and put him through a test which he fails, but she sees that though he is not perfect he has a good heart and a true spirit. Realizing this she bequeath him Excalibur, the sword of the true king and the mark of a hero.

Maz is in a quite literal sense The Lady of the Lake. She a powerful alien, strong in the Force who has made her home on a lake.

Her initial interactions with Finn runs parallel with The Lady’s testing of Arthur, complete with Finn “failing the test” by choosing to leave. But in deciding to return to the fight Finn proves to The Lady of the Lake that he’s heart and spirit is true and so she gives him Excalibur (the Skywalker lightsaber) to wield.

 

That she means for him to wield it and not just as a caretaker becomes clear in the second “giving”.

When they exit the now ruined castle the dark forces are upon them and battle is joined. Maz once more tells Finn to go find his friends.

This time Finn has no intention of leaving proving him once more worthy of Excalibur and this time Maz’s words are unambiguous, she intends, and always intended, for him to be a wielder of the blade, not just a carrier.

As Finn again lifts the Skywalker lightsaber and this time ignites it, Maz look on with great expectancy clearly meant to mirror the audience. Will “Excalibur” accept Finn as its wielder? And will Finn accept the lightsaber as his?

At first we see doubt on Finn’s face, it’s an unfamiliar weapon and a Jedi’s weapon to boot. How can he wield this? But Maz believes he can and Finn is nothing if not up for whatever challenge life throws at him so he ignites it. The blade flashes to life in his hand, accepting him as a worthy wielder, and the moment it does Finn’s decision is also made. He may not be a Jedi (yet), but the sword is his.

 

tl;dr. There is a lot of Arthurian coding around Han (Merlin) bringing Finn (a young Arthur) to Maz (The Lady of the Lake), Maz testing him and in finding that he has a good and pure heart gives him the Skywalker lightsaber (Excalibur). The sword allowing itself to be ignited (drawn from the sheath) confirms Finn’s worthiness as its wielder.

Source: luminousfinnLISTENTHIS IS THE CONTENT FOR WHICH I AM HEREGOOD SHIT RIGHT HERE OKfinn factsfinn metafinn is force sensitiveboth rey and finn are gonna be jedi okchoke on THAT
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*I have a friend who insists that Finn was nothing more than comedy relief and refuses to move from the position that he is a “coon”, no matter how many valid points I bring up. I just don’t get it. Its obvious that she and I were not watching the same movie at all. But then, she and I aren’t in the same place on the idea of representation, either, which might be some type of generational thing. Also part of the problem is that a lot of Black people were expecting Shaft in Space. We already got all that with Mace Windu’s  purple lightsaber, so why copy that?
lj-writes

Finn’s subversive decency

Choosing to be kind is not choosing to be passive. It’s choosing to end the cycle of abuse… . It’s a courageous act in itself.

-Melissa Grey on Cinderella

It’s amazing to me how some parts of the Star Wars fandom have no sense of nuance when it comes to Finn’s character, seeing him as either a naive child who can hardly function in the real world or a ruthless killer who showed no regrets or conflicts whatsoever about killing his former comrades.

Both extremes are fairly dehumanizing and distorted portrayals of the actual character, because the core of Finn’s character is that he is innocent when he has no business being so. He’s a character whose innocence and purity are not oblivious naïvete but qualities he had to fight to keep and attain. His morality is not based on an ignorance of life’s harsh realities, but rather on an intimate knowledge of brutality and the will to break free of it.

Keep reading

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Oooh! More theory!

https://youtu.be/YByg2UoncBs

Critique Roundup

Here’s a selection of Pop Culture readings for the week of January 9th. Not all of these were written this month, or even this year. They’re just a selection of posts I’ve come across while researching my favorite topics.

*Tarantino Speaks Out: Police Brutality vs. Cinematic Violence

POSTED ON JAN 5 BY

 

*Horror Movies, Why We Love [Some of] Them

POSTED ON JAN 2 BY

 

*Here are some ads that make me irrationally angry

Amanda Rosenberg

*White Feminist Critiques of Rogue One and the Erasure of Race

*Tuesday, 8 December 2015

Where Are The Women Of Color?: On Marvel’s Problems With Race

Melanin Monroe

*The Dragnet Effect: How TV Has Obscured Police Brutality

In the most influential police procedural ever, even Joe Friday, America’s archetypal “good cop,” was blind to the problem.

CONOR FRIEDERSDORF

*What to do when you’re not the hero any more

BYLAURIE PENNY

Bladerunner 2049

This is the new teaser trailer for Bladerunner 2049. Now, I love, love love the old Bladerunner movie. In fact, after watching this trailer, I’m going to watch the movie again, with the commentary.

I suppose at some point I’ll have to review the original movie, as it was the first major SciFi movie that sparked a real love of robot scifi. The original was released when I was twelve years old, and I remember seeing the trailers on TV, and getting very excited about it. When I finally saw the movie I was not disappointed. It was a total immersion experience for me, and it took me some time to recover after I left the theater. I’ve been fascinated with the movie ever since. I didn’t experience anything like that again until Terminator 2, and then The Matrix. (All of these movies cover a lot of the same philosophical ground as Westworld, so I come by my love of Wetworld pretty honestly.)

Note: I’m not a Ryan Gosling fan, but I do like Harrison Ford, and I’m glad to see him reprising a lot of his old movie roles. Hopefully more PoC will be included in this new movie.

Tumblr Discussions #182

 

*More introvert facts. There’s an entire website devoted to these little blirps.

introvertunites:
“ If you’re an introvert, follow @introvertunites.
”

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*I’m totally in love with the idea that Finn is Force sensitive, and this person makes some very compelling arguments, for why Finn is a Jedi. 

 

*An analysis of the emotional, and psychological, differences between Finn and Kylo Ren, and their behavior towards Rey:

The parallels between Finn and Kylo Ren are the most direct (and stark) in terms of toxic masculinity. Finn seems to reject this toxicity, whereas Kylo Ren is constantly hung up on performing and proving himself strong enough. They are opposites: especially evidenced by the way they treat Rey – how they define themselves against the chief female presence of the movie.

Like Finn, Kylo Ren is also interested in and impressed by Rey. (And he also first meets her when she attacks him.) But instead of treating Rey like a person, Kylo acts out of aggression, objectification, and self-centeredness. He immediately immobilizes her, Force-faints her, and then carries her, bridal-style, to his ship: old-fashioned, exploitative, and gross. His language towards her is incredibly patronizing: “So this is the girl I’ve heard so much about…” He proceeds to insult her friends and threaten and torture her: violating her mind, using her as a tool but also relishing the show of his own power and the taking of something personal by force. “I can take what I want” is simultaneously a threat, a statement of power/entitlement, and a declaration of how Kylo fundamentally views Rey: an object, something controllable to serve his purposes. When the tables turn and Rey reads him, he is incredibly shaken by the subversion of his own authority and control, and when she escapes, he storms around looking for her in a blind rage, pursuing her with a weapon. Even as she’s beating him in the ensuing lightsaber battle, he has the gall to mansplain her own power to her: “YOU NEED A TEACHER!”

Unlike Kylo Ren, Finn uses Rey’s name throughout the movie. Kylo never calls her anything but “the girl” or “the scavenger,” even when addressing her. While Finn helps others without question, is vulnerable, and demonstrates affection, humor, feelings, and honesty, Kylo Ren is the opposite – all about projecting his own power and lashing out. He takes himself and his image incredibly seriously, valuing himself over others and their goals, treating underlings callously and with violence. Meanwhile, Finn accepts BB-8 as something deserving of his respect and speaks to the droid like a person.

While Finn easily cooperates with those around him, Kylo competes and chokes and throws tantrums, exchanging insults with Hux and belittling him at every opportunity, locked in a power struggle even with his allies. As Finn resists hurting the innocent and then straight-up defects over this, Kylo Ren is the one who orders their murders and then tortures his captives. Where Finn removes, and then ditches, his helmet at the first opportunity, Kylo Ren clings to his completely unnecessary, fabricated mask — a face that is not his own, versus Finn’s sincerity. It’s a powerful metaphor, putting on another face to become something else, to assume power. To disguise one’s true nature. The dark side, like gender, is performative — and the mask, in this case, is literal.

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*How Racism attempts to rewrite history so as to erase the accomplishments and contributions of PoC. According to such people, no person of color was doing anything in History, and they actually seem to  believe all of it was White. This plays out in everything from the shows we watch to the fiction we read. Medieval historians seek to address this issue.

I want to let you in on the dirty little secret of my field, Medieval Studies: The Middle Ages is incredibly attractive to white supremacists. For people whose vision of a backwards-looking, great world is one with white Christian men in positions of power and the rest of us put in our places, the Middle Ages is a fertile ground for fantasy, where it seems very easy, at least superficially, to ignore the integral role of an incredibly diverse population. There are legends like King Arthur, images like the Bayeaux Tapestries, and long histories of Crusading that, on the face of it, make the Middle Ages look very white and like a world very divided neatly into categories of “us” and “them.”
This vision of a very white, very Christian Middle Ages has been a part of political rhetoric for rather a long time: Anti-feminist politicians exploit their idea of medieval chivalry and courtly love to give their ideas a historical grounding. The British Nationalist party uses the story of Excalibur to promote its vision of a racially pure England. The Crusades, in particular, have factored into that: Crusaders became a favorite theme of 19th-century Romantic writers and thinkers, whose refashioning of these tales were crucial to the creating the popular vision of a very white Middle Ages. T.E. Lawrence, the young British army officer who would go on to be known as Lawrence of Arabia and reshape the map of the modern Middle East came to that region as a student at Oxford writing about Crusader castles. Various European fascist movements throughout 20th-century have adopted Crusader rhetoric. More recently and in our own country, George W. Bush called for Crusade in the wake of 9/11. And the most recent presidential election saw a proliferation of images that have long circulated more quietly in the darkest, most racist corners of the internet that rely on medieval and Crusading themes and images to support both individual candidates and wider worldviews.
But it’s not just political rhetoric: Attachment to a white Middle Ages is also an attitude that has absolutely permeated our cultural outlook: Look at something like the TV version of Game of Thrones and you see a kind of fantasy Middle Ages in which the race politics is incredibly uncomplicated, with a lily-white savior and her dragons redeeming the inarticulate, teeming masses of brown barbarians. It’s a rhetoric that politicians can use because it resonates with the population.
But when we look at the actual Middle Ages in all its complexity, the possibility of this fantasy vision evaporates very quickly.

“Both Sons of Spain”: Medieval Jews and Muslims in the Imagined Nation

My department held a round-table and teach-in yesterday in response to post-election Islamophobic and anti-Semitic vandalism on campus. We felt it was important, as scholars in the humanities, to offer a humanistic intellectual response to the changing tenor of campus discourse; we grounded this response within our discipline, with six speakers offering case studies of how different communities have responded to repression within the Spanish-speaking world. (The event was livestreamed and a recording will be available early next week; I’ll post it as and when.) What follows was my intervention. -S.J. Pearce

medievalpoc medieval studies fact and fantasy white supremacists modern politicshistorical context crusades islamophobia antisemitism academia
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*White women being taken to task for practicing White Feminism:
she-kicks-she-throws:

Dear fellow white women: we have a bad habit of self destruction. We have to stop aligning ourselves with white men. We are not ‘one of the guys’ socially or politically. They have and will actively try to ruin our lives. They only care about us when… …it suits them.

And our alliance with them HURTS NON-WHITE women. This is key! Women of color lead the way. They know how to fight. If you don’t care about non-white women, first fuck you. Second you are just hurting yourself. I’m ashamed most white women went for Trump but that’s only our most recent act of violence. White women: get your fucking shit together.

If you’re a white woman uncomfortable with this kind of call-out, check yourself. We don’t require acknowledgment of basic human decency. There’s a reason WOC mistrust us. If you don’t like it, BE BETTER. And they’ve been telling us this for years. But if you won’t listen … … to them, first fuck you, second listen to me, then: WOC mistrust of WW is founded. We need to get sorted.

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I’m always here for  Westworld meta-analysis.

Westworld & Consent

eleonoraditoledo:

I find it so odd that people find guest/host relationships on Westworld even vaguely okay.  At best, if you believe that the hosts aren’t sentient you’re looking at a weird “romancing the blowup doll” situation.  At worst, if you–like me–believe that they are sentient whether or not they’ve actually “woken up”, then you are looking at an enslavement scenario.  If the hosts are human–that is, the next form of humanity as the show has implied–then they are being enslaved.  It’s one thing to be intrigued by say the guest-host dynamics, but to act like a host having sex with a guest is just adorable and romantic is very bizarre to me?

Keep reading

the only thing im a little bit upset about

thatjokerjerome:

is that i feel swindled out of an explanation for why william was the way he was, and why he turned to the dark side so quickly. clearly he had something really disturbed inside of him in order for that change to happen, but we got no real lead-up to it. he went from white hat to black hat literally overnight, and his long-winded voice-over at the end of the episode interspersed with a montage of him being a general evil-doer seemed cheap to me, especially within the context of a show that is supposedly so big on “show don’t tell”. i want to know more about the person he was outside of the park. i want to see how he treated logan’s sister and what happened to him through all the years inbetween. i didn’t “buy” that he just snapped overnight because of one instance where he saw dolores’s insides and realized she wasn’t human. that seemed lazy as fuck to me. it seemed like they were in a super big rush to do this reveal where as it would have been better and more believable to stretch it over another season so we could have seen a bigger and more realistic spiral into darkness for william.

He was already dark. He didn’t turn to  the dark-side. All that shit people romanticized with him and Dolores was actually presented in Westworld as gross as it was from the beginning and I LOVE this show for that. Because all too often impressionable young women romanticize dudes seeing a woman’s love as someone redeeming them. Making them better.

When in reality it’s two already complete people, who cooperate and love.  William wanted Dolores to be something she was not and CONTINUED see her as that even after she insisted she wasn’t.  Dolores is her own person.

William wanted her to be that key for him.

In other words, from the beginning Will was terrible for Dolores.

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*I thoroughly enjoyed this one, which is a complete rundown of the types of toxic masculinity, embodied by the male characters, in the show.

Westworld is a Stunning Indictment of White Male Entitlement…Or One Big Reason Why I’m Invested In This Show, ESPECIALLY During These Crazy-Ass Days  (SPOILER AND TRIGGER-WARNING)

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*And to finish it up:

10 Signs You’re an Introvert

1. You find small talk incredibly cumbersome.

Introverts are notoriously small talk-phobic, as they find idle chatter to be a source of anxiety, or at least annoyance. For many quiet types, chitchat can feel disingenuous.

“Let’s clear one thing up: Introverts do not hate small talk because we dislike people,” Laurie Helgoe writes in “Introvert Power: Why Your Inner Life Is Your Hidden Strength.” “We hate small talk because we hate the barrier it creates between people.”

10 Myths About Introverts

introvertunites:

Myth #1 – Introverts don’t like to talk.
This is not true. Introverts just don’t talk unless they have something to say. They hate small talk. Get an introvert talking about something they are interested in, and they won’t shut up for days.

Myth #2 – Introverts are shy.
Shyness has nothing to do with being an Introvert. Introverts are not necessarily afraid of people. What they need is a reason to interact. They don’t interact for the sake of interacting. If you want to talk to an Introvert, just start talking. Don’t worry about being polite.

Myth #3 – Introverts are rude.

Click on the links to get the full stories and visit the websites.

Tumblr Sundries

Just some random Tumblr stuff, I thought seemed interesting:

Laughing to keep from crying:

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*I would say this is fairly accurate and exactly describes my younger self. I’ve become a lot more tactful, and diplomatic, as I’ve gotten older.

10 Myths About Introverts

introvertunites:

Myth #1 – Introverts don’t like to talk.
This is not true. Introverts just don’t talk unless they have something to say. They hate small talk. Get an introvert talking about something they are interested in, and they won’t shut up for days.

Myth #2 – Introverts are shy.
Shyness has nothing to do with being an Introvert. Introverts are not necessarily afraid of people. What they need is a reason to interact. They don’t interact for the sake of interacting. If you want to talk to an Introvert, just start talking. Don’t worry about being polite.

Myth #3 – Introverts are rude.
Introverts often don’t see a reason for beating around the bush with social pleasantries. They want everyone to just be real and honest. Unfortunately, this is not acceptable in most settings, so Introverts can feel a lot of pressure to fit in, which they find exhausting.

Keep reading

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*This is a reference to that new space movie, I never had any intention of seeing, called Passengers. No, I’m not putting the trailer here. You would only get bored.

List of People I’d Much Rather Watch Fall in Love in Space than Jennifer Lawrence and Chris Pratt

claraandthesatellite:

tinydramatist:

darwinquark:

Gina Rodriguez and Oscar Isaac

Lupita Nyong’o and John Cho

Gugu Mbatha-Raw and Kate McKinnon

Zachary Quinto and Rami Malek

Aja Naomi King and Dev Patel

Constance Wu and Diego Luna

Feel free to add more, as I’d imagine it’s a long list.

Kat graham and rami malek

Zoe kravitz and Chadwick boseman

Chloe Bennett and John Boyega

Alfred Enoch and Steven Yeun

Riz Ahmed and Jessica Henwick

Rosario Dawson and Elodie Young

Jenna Coleman and Freema Agyeman

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*For some reason, I love these little alien/first contact headcanons people keep coming up with on Tumblr.

kedreeva:

aethersea:

sepulchritude:

on the topic of humans being the intergalactic “hold my beer” species: imagine an alien stepping onto a human starship and seeing a space roomba™ with a knife duct taped onto it, just wandering around the ship

it doesn’t have any special intelligence. it’s just a normal space roomba. there are other space roombas on the ship and they don’t have knives. it’s just this one. knife space roomba has full clearance to every room in the ship. occasionally crew members will be talking and then suddenly swear and clutch their ankle. knife space roomba putters off, leaving them to their mild stab wounds.

“what is the point?” asks the alien as another crew member casually steps over the knife-wielding robot. “is it to test your speed and agility?”

“no it doesn’t really go that fast,” replies the captain.

“does it teach you to stay ever-vigilant?”

“I mean I guess so but that’s more of a side effect.”

“does it weed out the weak? does it protect you from invaders? do repeated stabbings let your species heal more quickly in the future?”

“it doesn’t stab very hard, it gets us more than it gets our enemies, and no, but that sounds cool — someone write that down.”

“but then what is its purpose?”

“I don’t know,” the captain says, leaning down to give the space roomba an affectionate pat. “it just seemed cool”

this is the dumbest idea I’ve ever heard but I thought about it for five seconds and realized that if I were, say, a random communications officer onboard this ship and someone taped a knife to a roomba it would take maybe three weeks before even I was inordinately fond of Stabby. I would be proud of Stabby when I met up with my other spacefleet friends for space coffee, I would tell them about the time Stabby got the second mate in the ankle five seconds before the fleet admiral beamed on board and she swore in seven different languages in front of high command.

also by the fourth day Stabby would be in the ship’s log, he’d have little painted-on insignia, people would salute him as he went by, and someone would hook up a twitter account to tweet maniacal laughter and/or a truly terrible knock-knock joke every time he managed to nick someone.

Someone would almost positively attach a tiny camera and live stream Stabby’s adventures to a media account. Bets would be taken on who is next. Bets have to be ordered to stop being taken on who is next because it becomes a problem for multiple reasons. Bets are taken but quietly on who is next.

At some point someone realizes that they haven’t seen Stabby in a while, no one has seen Stabby in over a day. The cam is running but is completely dark. The ship basically stalls out as everyone stops what they are doing to search for their friend. The confused aliens don’t understand why this nonessential and kind of dangerous piece of equipment has got the entire ship in a fit of worry.

After almost two hours, someone thinks to check a little-used storage room in the belly of the ship. As soon as the door is open, Stabby rolls out and jabs their ankle and then whirls off down the hall about its business. Stabby followed someone in without being noticed, and got accidentally shut in. A ship wide announcement chastises everyone about looking before they shut doors.

“But the doors are automatic,” says the newest alien crewmate.

“I know,” says Kzil’tir. They’ve stopped asking. The explanation is always because humans.

Source: sepulchritude sci fi humans aliens star trek

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*Yeah, this sounds like me, alright!
introvertproblems: “If you can relate to an Introvert, Join the Introvert Nation ”

#1 – I will  start daydreaming at the drop of a pin, literally. I will daydream as soon as I’m sitting still. In the car, in the middle of a book, a TV show, really anywhere.

#2 – I dont talk slow. I never give anybody a chance to interrupt me, once i’ve gotten up to speed.

#3 – Yep! I usually just walk away, like “Well, I’m done, here!”

#4 – I’ve been there before. It is weird.

#5 – Yeah, I’m not broke. I’m just quiet. Jeez!

#6 – I got called snobby, and stuck up, all through Elementary and High School. Having perfect grades did not help this image.

#7 – I made the mistake of grocery shopping after work once. Never again!!!

#8 – My relatives are very ,very used to me doing this.

#10 – This is true. But I love knocking people back on their ass when I do finally say something.

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*Yes! I do this all the time. I generally like to remain non-judgmental, but I can’t help doing this with my co-workers, or close friends.

The quieter we are, the more we observe

I’ve always been quiet. I’ve always been an introvert. I think these qualities made me a good observer.

During conversations I only talk when I have something to say, I’m not a fan of small talk. This means that I spend a lot of time watching how people express themselves, observing their attitude. I know when they’re excited to talk to me, I know if a conversation is not gonna last long because they wanna leave asap even if they don’t say anything about it. Over the years, I started seeing the same patterns in different people, and I put the people that acted quite similarly in the same “mental bag”. (Of course, words were also an important factor.) This way I know who I can trust to keep a precious secret or who not to ask if I want a sincere answer.

This procedure is the only exception to the “don’t judge a book by its cover” rule I allow myself. I wonder if other people do something like this too.

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More stuff about Introverts. Please note ,these are not myths. We are incredibly attractive people!

10 Reasons Why Introverts Are Incredibly Attractive People

1. They’re Deep Thinkers

Introverts are notoriously ‘in their own head’ much of the time.  For most introverts, it’s a safe place to be.  Inside their heads, they engage in deep conversations, ruminate about life, the universe, and everything, and take the time to really reflect on all that’s going on in the world around them.  When an introvert speaks, it’s almost guaranteed that they have spent many hours thinking about the subject, forming their opinions, and carefully choosing the words they wish to use.

2. They Have More Intimate Connections

It takes something special for an introvert to bring you into their world.  When they do, you can bet that they believe you’re someone special.  By bringing down barriers, an introvert is letting you know they’re interested in connecting with you beyond a superficial level.  They’re displaying a level of intimacy and vulnerability that not many people get to see.

Keep reading

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*I watched this trailer three times. I still don’t know what the Hell is going on, but I’m unwilling to commit to seeing this. If you like Tom Cruise its got all the staple moments: 

Pecs – Check!

Running – Check!

Tom looking concerned – Check!

 

*OMG!!! Groot is so darling! I’m now prepared to give up some of my money to see this movie this Summer. Its amazing how Groots expression is an exact mirror of Tom’s in the above trailer, tho’.

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Lkeke35 Sidewalk Talk:

For some reason the people in my neighborhood hate to use the sidewalks, and seem to prefer walking in the street, sometimes right down the middle. There’s nothing wrong with the sidewalks as far as I can tell. I’ve inspected the sidewalks and they look quite lovely and smooth, with no obstructions, (since, every Summer, local construction crews dig them up, and remake them,  as a form of busywork, or therapy. I’m not sure which.)

Normally, I would find this sort of contrary behavior unobjectionable, except these pedestrians insist on pedestrianing in the middle of the street, where I’m trying to drive, and the local authorities frown on me gently nudging them out of the road with my vehicle. It’s also hard to gently nudge someone, with a Ford Escape, without them panicking. I could probably do that sort of thing using a Ford Escort or a Prius.

Westworld: Revisiting the Slave Narrative

*Okay people, I’m about to get offensive to some of y’all with this post but I’m standing by my observations. (This is of a piece with my other Westworld meta about Dolores and Maeve.) Yeah, robot rebellion movies are also about a lot of other things, but you know what they say, once is an happenstance, twice is coincidence, but three times is enemy action.

 If you’re offended by this post, I don’t need you to come in my inbox telling me how wrong my opinion is, and I’m not particularly interested in arguing  about it, so  comments are off for this one.

White people always seem to be looking for new bullying opportunities. New wars, new slaves, new enemies.

Ava DuVernay on How ’13th’ Reframes American History – The Atlantic

*Slavery lasted roughly 245 years followed by what some like to call “Slavery 2.0″, in which the 13th amendment allowed it to continue, just under a different name. See:”Slavery By Another Name

Image result for killer robots

Because  not having  Black people as slaves was so incredibly traumatic for them, White people couldn’t simply couldn’t let go of the institution. America is always casting around for its next slave race, its next victim, its next big war against…whoever, and if they can’t enslave and/or bully PoC, well  then they’ll just have to create brand new ones. Yes, White people have been working diligently to create the next race of beings that they hope won’t protest their shoddy treatment.

White people are reliving slavery and  its aftereffects just as much as Black people. But among Whites it takes the form of guilt and/or atonement, and this is often reflected in the entertainments they create. Movies are often a way for a society to collectively deal with traumatic issues. Hollywood has not only created an entire genre of movies, and TV shows, where they have designed robots to be humanity’s servants but, like  the Japanese reliving their trauma around the atomic bomb in endless Godzilla movies, American filmgoers can experience punishment from the hands of their former slaves, in movie after movie. For every feel good movie about Black people during slavery, there’s a corresponding movie about some future slave rebellion, that doesn’t actually have any Black people in it, (The Matrix is exempt from this), because that would probably  be hitting too close to home, I guess. It’s easy for Hollywood to make movies about Black brutalization, but when slaves turn on their masters, that can only be told in allegory. (Note how few movies exist about actual slave rebellions.)

From Metropolis and Bladerunner, to  The Matrix and  Ex Machina, the theme of  karmic retribution for slavery,  is so common, there’s an entire genre centered around it. The HBO show, Westworld, is just the latest example of the slave rebellion narrative. Not only is the plot of the show  an allegory for slavery, its set during a time period when slavery actually existed. The irony of people visiting a theme park that is set during a time period when people regularly committed atrocities, against actual human beings, so they can entertain themselves by  committing atrocities against fake human beings, is not lost on many critics. Not to mention that nowhere on Westworld is slavery ever mentioned, even though it’s set in, or just after that time. The closest we get is the mention of the Confederados, who lost the war.

*The word robot itself comes from the word Robota, the Czech word meaning “forced labor”, or “slavery”, and from a 1920 story by the Czech playwright,  Karel Capek , about a factory of artificial humans who turn on their robot masters.

Rise, O Machines: Why Hollywood’s Best Robot Stories Are About …

Image result for killer robots

White people don’t want to openly acknowledge slavery,except in the most defensive tones, nevertheless, they keep making endless allegories about it in popular fiction. I think these type of movies are both wish fulfillment and phobia. White people  can see themselves be punished, over and over, and through such punishment, seek to atone for their collective sin, and prepare themselves for the imagined future, in which PoC have the upper hand, and can no longer be dominated by them. You have to wonder, on some level, White people want to be punished, for the atrocities their ancestors committed. In film after film robots want to destroy humanity for past transgressions and maybe some future ones, too.

I must have watched about a couple dozen “bad robot” movies before this idea took hold, but what spurred this particular line of thought now, was watching Westworld, empathisozing with the Hosts, and seeing the level of abuse the Hosts are designed to tolerate at the hands of the Guests, from Dolores’ cyclical victimization, to the blond Host  we saw get shot in the street, her death throes cheered by the Guests. I’ve watched, over the years,  countless numbers of  movies and TV shows where robots have been  misused by humanity, and are rightfully angry.

Image result for humans tv show

In The Matrix, the machines fought a decades long war with humans, managing to subdue them, making humans  incapable of ever harming  them again, by regularly culling their population. Does this movie not echo the exact fears of the Alt-Right, and White Nationalists, who believe there’s a White genocide taking place, and that “those Brown people” will take over, and not just punish White people, but destroy all of Western civilization. Although, ironically, in that very belief,  is the assumption that White people must be punished for something. What are they being punished for? Why is revenge sought? And revenge for what? I’ve had discussions with White people who insist that Black people are really, really, angry about slavery. I’ve also observed that most racist beliefs are little more than projections of racists’ sins onto the backs of others. So, what I hear when White people say such things is: White people are afraid that Black people are angry about slavery, (while never acknowledging the hundred years of abuse that came afterwards.)

All this anxiety about slavery isn’t our burden.

Its theirs.

*’There was trauma and never any treatment or acknowledgment of what the trauma did to those that were enslaved or their progeny. Black people are “profoundly resilient,” posits DeGruy, but the fact is, they have been traumatized … and white people are afraid. Why the fear? Perhaps it is because white people feel like black people will eventually retaliate and heap upon them what they have heaped upon black people. Perhaps it is because they worry they will lose control; white supremacy is, after all, a giant system of social control. Slavery was about control, as is mass incarceration. This government was founded on the need for white people to be in control. To think about losing it is way too scary.’

– Dr. Joy A. DeGruy, Post Traumatic Slave Syndrome: America’s Legacy of Enduring Injury and Healing.

*Rebellion:

“A slave rebellion is an armed uprising by slaves. Slave rebellions have occurred in nearly all societies that practice slavery and are amongst the most feared events for slaveholders.”

https://psmag.com/can-westworld-give-us-new-ways-of-talking-about-slavery-2b921b6a6690#.j9gxqet6t

Related image

In Bladerunner, the Replicants, one of the semi-organic cyborgs used as slaves in “the Outer Colonies”, (oddly Westworld’s Hosts are seemingly the precursor to these beings) are led by Roy Batty, who comes to Earth to find the human who made him. Replicants were banned from Earth after a bloody mutiny in one of the colonies. Zhora and Pris are sex workers, and Leon is a common laborer, (ironically he’s a robot robot). There may have been a bunch of reasons given for banning them from Earth, but that the Replicants might turn on their human masters, had to have been at least one of them.

Roy eventually ends up killing his maker, who says he can’t help Roy extend his lifespan beyond the four years given to all Replicants. Why four years? To keep them from developing emotions linked to having long memories. Four years is also helpful, as the Replicants die before they have an opportunity to build up a decades long list of abuses,  inflicted on them by their makers. Unlike the Hosts of Westworld, Replicants are fully cognizant.They know what they are and what they’re capable of. Rebellions by the Replicants would be a lot more frequent and bloody, if they were allowed to build a huge database of atrocities committed against them. Its also greatly convenient for  humanity that Replicants die before enough of them can organize enough to be successful. In Bladerunner, we saw what just four of them could accomplish in their limited lifespans. Can you imagine how much power they’d have after several decades, to plan their revenge? You’d get  the  basic plot of Battlestar Galactica, and there is a clear through-line from the Hosts, to the Replicants, to the Cylons.

Image result for bladerunner /roy

http://www.pbs.org/wnet/african-americans-many-rivers-to-cross/history/did-african-american-slaves-rebel/

One of the primary beliefs of modern White supremacy,( which has changed and evolved over the centuries, as PoC have enjoyed more freedom),  is  that Black and Brown people, having once been the  servants,  are out to get White people for past transgressions. White racists believe if PoC should ever gain enough power, we will do to White people, what they have done to us.

Of course, in order to hold such a belief, such a person, on some level, are well aware of the things they have done to other races, and that what they did was worth being angry about. In order for such a revenge fantasy to exist, there has to be some event that occurred for vengeance to be desired. This has most recently culminated in the backlash that is the Trump campaign, of which one of the overriding fears, is  that Black and Brown people are taking over, gaining too much power, and that White people are now being oppressed, and will soon be destroyed. For some White people this is an idea that has moved beyond just a fear to, in their minds, despite all evidence to the contrary,  a reality.

Image result for ex machina movie

White filmmakers have been complicit in reinforcing and  reiterating  this fear, in which the slave turns on its master. Skynet, from the Terminator films, decides to wipe out all of humanity, when humans make the mistake of trying to unplug it. The entire premise of the  TV remake, Battlestar Galactica,  is based on robots wanting to wipe out humanity for past atrocities committed against them. The Daleks of Dr. Who have, rather ironically for robots, an unreasoning hatred of all humanity, and work diligently to wipe us all out.The Borg of Star Trek want to consume humanity. The Matrix wants to keep humanity in submission so it doesn’t continue to commit the atrocities of the past. The Claws from the 1995 movie Screamers, having been created to destroy war enemies, and completed their first mission, found new purpose in destroying everyone else. Hal 9000, wants to kill all humans for reasons known only to himself. And in the latest iteration of this fear, Ultron,  from The Avengers films, attempts to wipe out humanity, because we’re simply no good.

Artificial Intelligence Robot claims it will destroy human race – HackRead

http://www.vanityfair.com/hollywood/2016/11/westworld-theories-world-outside

Future Enemies:

White genocide is a white nationalist conspiracy theory that mass immigration, integration, miscegenation, low fertility rates and abortion are being promoted in predominantly white countries to deliberately turn them minority-white and hence cause white people to become extinct through forced assimilation.

Now tell me this doesn’t sound like the plot of a Star Trek movie, starring the Borg, a conglomeration of alien races that seek to absorb, consume, or forcefully assimilate, all other galactic species,  in an effort to improve its existence. This  also sounds a lot like the projections of a group of people who have done just that throughout history. Throughout the Alt-Right community is the belief in a coming race war, which will put Blacks, gay people, feminists, and everyone else, who isn’t falling in line with White (specifically male) Supremacy, back in their proper places, which is: under the complete control of White men.

Image result for the borg

Anytime any racial incident occurs in the US, for example, cries of “race war” erupt from the outer fringes of the American political system. Although not all of the proponents of race war are White, they are the main ones howling for just such a conclusion to America’s racial tensions. They see war (and their inevitable win) as the answer to solving America’s “race problem”. Such people often long for the apocalypse because afterwards they can remake the world into their fantasy images of the past, with PoC, and White women dead or submissive, as they believe such people should be. At their foundation, these fantasies are just  another way to re-establish White supremacy (which has never been lost), or to prop up the flagging manhood of its proponents. Having won this so-called “war”, one need never experience guilt or fear about race ever again, having proven beyond a doubt, that White men are superior to all others.

White Americans are always looking for whatever next great war, that will lead to their power fantasies coming true. So far American Black people have not been cooperative in giving it to them. In their efforts to find it, they cast their net far and wide (Muslims, Gays, Immigrants). One the staples of early films were the swarms of “Othered” Menaces out to destroy White manhood, tand fragile White femininity, a topic approached again and again , not just in the genre of  Science Fiction, but in Action (The Road Warrior) , Horror (Invasion of the Body Snatchers), and War (Birth of a Nation) movies.

Since most filmmakers have  gotten publicly vilified for casting Poc as hostile, screaming hordes, (I’m looking at you No Escape, Daredevil,  Blackhawk Down, and anything produced in the 80s) movies have had to settle for non-human antagonists, which are a  perfect fit: from the endless crowds of robots, (and robot-adjacent Stormtroopers), being mowed down by the heroes in Star Wars, and I Robot, to the  massive swarms of  alien hordes in Independence Day and Star Trek Beyond, to the  giant robot battles in Avengers:Age of Ultron. Yes, these swarms of destroyers of the human race make for some very exciting films but these “Menacing Swarm”  films also weren’t being made in such numbers, until after World War II, when Communism, The Red Menace, became the new threat to American soverignty, and seemed to reach their peak after the fall of Communist Russia and The Berlin Wall, in the 90s. Without the Communists to be afraid of, Hollywood had to cast around for some new enemies, and everybody who wasn’t White, straight, male, and Christian got a chance to audition for the role. (After some major tryouts by all others, for which Hollywood was duly censured, Americans seemed to have settled on Muslims, which is a diffuse enough category to include everyone and no one, since “Muslim”isn’t a race, but does happen to include many non-White people.)

Image result for saturn 3 robot

Machines may have many different reasons for wanting to destroy humanity, but the end result is a war between human and machine, in which there can be only one. Much like their fantasy race wars, there can be no equality, no living together in peaceful harmony, no cooperation. For such  mindsets, life is a zero sum game, where someone  must be in power over the other.

Whites and the Fear Caused by White Supremacy

PoC need White people to acknowledge their past because not only can PoC not be free when White people are feeling terrified, and guilty, but they can’t be free either. They can be easily controlled by their fears, and insecurities, and PoC can’t fix something that’s really only inside them. By not acknowledging and dealing with the  past , White people become easy prey for politicians like Trump, and can be stampeded in any direction, even their own destruction, as we’ve just seen during this election. White people who keep telling us to let go of the past refuse to understand that none of us can let it go, until they let it go. Its long past time for White people to confront their fears, instead of running away,  but then endlessly reliving them, in their entertainments. It’s their inability to acknowledge the past that informs every facet of their lives, from where they live, to how they socialize, to the entertainments they enjoy.

Movies don’t just tell us how to think about the world around us. Since the vast majority of these movies are made by White men, they reflect what these men think about the rest of the world, and one can glean a greater understanding of what White people think about the world based on the entertainments they enjoy, which largely seem to consist of endless violent fantasies about having or being powerful . (Contrast this with the kinds of movies made by PoC and white women.)

 Bad Robot movies: Deadly Friend, Avengers Age of Ultron, I Robot, Bladerunner, Hardware, The Terminator, Ex Machina, 2001, Battlestar Galactica, Westworld, Humans, Metropolis, Saturn 3

https://en.wikipedia.org/wiki/List_of_fictional_robots_and_androids

 

 

 

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