I’m Watchin’ Thangs

Hi there!

Have some mini reviews:



The Expanse:

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This is an extremely mini review, as I’ve not actually sat down to watch an entire episode, even as they keep accumulating on my DVR. As I said before, I don’t usually watch Space Operas, not because I consider them uninteresting, but because I usually don’t have time, and just end up missing the entire series. The same thing happened here, with The Expanse. I also haven’t read any of the books in the series by James Corey, so I don’t know how close a resemblance the show has to those. I have to confess I’ve only watched the trailers and a few snippets. I certainly like what I see and the show is blowing it up on the diversity front. The show has not neglected to round out the cast with Latinxs, Black people, and different Asians. So if that’s  important for you, then check it out.

The character in the photo above is the six foot tall, New Zealander, Frankie Adams who plays the bad ass Bobbie Draper, and already she’s my favorite character, even though I’ve seen nothing more than snippets of her scenes. If you liked Vasquez from the movie Aliens, you will love Bobbie, who is continuing that grand tradition of having bad ass, WoC warriors in space.

The show appears to have improved quite a bit since that first season. At some point I going to need to sit down and binge the Hell out of this show, and give a more in depth review.

The Magicians:

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This is the first episode of the second season and I remain mostly unimpressed. It’s not that it’s a bad show, because there’s plenty in it for the discerning viewer, it’s just that it has several competing tones, which can be kind of jarring if that’s not something you’re used to. On the one hand the show wants to have a lighthearted, jokey, bantering feel, most especially in the scenes where Elliot, Margot, Penny, Quentin and Alice are in Fillory, a fairytale world mentioned prominently in season one, and the real world travails of Quentin’s friend Julia, who got kicked out of Brakebills last season, and had been fumbling to get back into the magical community, ever since.

Julia’s storyline is dark, depressing ,and unnerving, as she seems to spend the majority of her time being sexually, and emotionally abused, and belittled by various characters. Last season, she was emotionally manipulated by a Hedge witch named Marina, and raped by a creature she thought was a god, after she joined a cult. This season, the person trying to both sexually, and emotionally abuse her, is named The Beast. With a name like that you would have to be a complete jackass to trust him, nevertheless, I wish we got to see a lot less of him. (As with all TV villains, he thinks he’s pretty charming, and talks too damned much.)

There’s also a third thread where we keep flipping back and forth, from Fillory to Brakebills, as Quentin, Margot, and Alice, investigate what’s happening in Fillory with Dean Fogg, and that’s confusing and  doesn’t mesh well with the rest of the episode.

You cannot have this rather casual and jokey attitude sitting side by side with the constant degradation of this other character. It just makes the whole show feel bad.  Julia seems like she’s in another show entirely. I’m not sure where they’re going with her storyline, but I wish it wasn’t. Its distracting from what is otherwise a mildly entertaining show about magic.

In the first season, we spent our time establishing various characters, and setting up for season two. This second season is going to be more like the second book in the series, called The Magician’s Land, where the four major characters become the Kings and Queens of Fillory,  except for Penny who doesn’t get a crown. I was mildly peeved by this. Even though Penny is still an asshole, I feel he deserves a crown too, and why was the lone character of color left out of it.

The show gets LGBT representation right in Elliot, but gets a  black hashmark for killing off all the other gay characters (including the lone Black woman, this show has ever had, in season one). It also gets a demerit for making the one  PoC a complete arsehole (Penny), and the other PoC is the Dean of the school. Putting the lone Black person in charge of giving orders, is a trope a show adds when it wants to have diversity, but has no clue how to write characters of color.

There were some things I enjoyed, though. I liked some of the humor. The idea that they could only win their crowns by passing some elaborate tests, only for the tests to turn about to be 90’s pop culture trivia questions, was pretty funny. And of course, I love Elliot, who is always saying the absolutely correct things, at the correct times. He’s the best written character on the show. Snarky and intelligent, but vulnerable, when he needs to be.  Quentin has improved since last season, becoming more sure of himself, but I credit the actor for that, not the writers.

Like I said, its not a bad show, and there’s something in it worth watching for the casual viewer, but the tone of the show is wildly uneven, as it swings between humor, and sexual violence, and I don’t like that.

Legion:

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Well, I watched two episodes of this show and I think I understand whats going on, or at least what the creators are trying to do, while also trying to have a plot. The first episode may appear to be plot free, but it does have one. The title character has been institutionalized for attempting to commit suicide. While there, he’s diagnosed with schizophrenia and paranoia. I don’t know how accurate the depiction of 1960’s  mental institutions is, but I didn’t have a problem with the depiction, outside of the usual tropes of “crazy patients”, in the background.

While David is  there, he meets a pretty blond girl, that he falls in love with, while he’s being hunted by some type of clandestine Federal organization that wants to study him, because they believe he’s a powerful mutant. This entire plot takes two episodes to resolve because we keep taking detours into David’s mind, as he hallucinates, imagines scenarios, or just remembers things. We spend a lot of time in David’s mind and I think the purpose is to make the audience feel as disoriented about the things happening to him, as David feels. It certainly is a different approach to a Marvel character.

Now, in the comic books, David is the son of Charles Xavier and Moira McTaggert(?) and is the most powerful telepathic being on Earth, more powerful than his father, which is why he spent the early part of his life in a vegetative state, unable to cope with his abilities. In all fairness, I haven’t read about this character in a very long time, so I’m sure he’s gone through a bunch of reiterations since the 9os.

I was reluctant to approach this show. I generally avoid shows that involve blatant displays of mental illness, especially after my own bout with mental illness in my twenties (which has since been in a kind of remission), but the fear that that state of mind could reoccur, is always present, especially when watching shows where mental illness is heavily featured. I went through some very, very rough times , and don’t like to be reminded of one of the worse periods of my life.

The closer the TV depiction of mental illness is to reality, the more I dislike it, and I was expecting to dislike this show, but it turned out to be not that bad. At least not for me, but if you’re a person currently going through some mental shit, you might want to use caution, when watching this. A lot of the show’s visuals are very disorienting. I don’t know that I’ll make  regular viewing of it, but I don’t dislike the show. The best thing I can say about it is that it’s visually spectacular.

 

Humans: 

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Actually this is a very interesting show, in its second season. Yes, it’s about sentient robots, but that’s where the  comparison, between it and Westworld, end. This  British show takes place in the real world, and recounts how humans and robots interact, as robots begin to displace human beings from working life, and how that interaction is unsettled, when some of the robots start to become self aware.

In the first season, we followed a group of self aware robots (Niska, Mia, Leo, and Max) who’d been split up and were trying to find each other. They’d all been created by the same man, now long dead. This season, one of the robots (Niska) uploads their self-awareness code into a system that all of the robots (called Synths) have to occasionally link to, and more of them become aware. Now they have to deal with not just this new awareness, but what kind of relationships do they want to have with humans.

The show also deals with the fallout for the Hawkins family’s interaction with Leo and his family, last season. How does this affect them? What do the children think? How does their interaction with self aware robots affect their future, and will the government find out they were involved? Added to that, the Hawkins parents are still in therapy, dealing with the husband’s brief infidelity with Mia, something I found to be deeply interesting. Did he or did he not cheat on his wife, and how does she process what he did, when he says it didn’t mean anything.?

There are several threads we follow through the episode.  We follow Niska, who is investigating human love, as she picks up a girl at a nightclub, and goes on trial for killing a man. I still don’t see how she can get away with appearing human  because she doesn’t talk or move like one. Why the humans don’t see it, is one of the show’s bigger mysteries.

There’s a secondary story involving a Dr. Morrow played by Carrie-Ann Moss (from Daredevil). She’s investigating how and why the Synths have become aware, and what they want. At some point during the season she will meet up with the more militant Niska.

There’s a third storyline involving Detective Karen Voss, who is also a Synth married to, and masquerading as a human. Its interesting because her husband knows what she is and still loves her anyway. She in turn appears to be very much in love with him, too. There’s also Hester, a newly sentient Synth, who is still discovering who and what she is.

This show is a lot less action packed than Westworld, and asks different types of questions on the nature of sentience. Its more thoughtful, and philosophical, and states its ideas much more blatantly. There are certainly fewer shootouts. There are also more PoC, but the narrative doesn’t explore that particular angle, in depth. Its mostly left for the viewer to suss out how race relations work in a society where robot servants look like any race of people. Do the robots of color get abused, or exploited more, I wonder?  I’m still trying to figure out whose idea was it to make them so human-looking, and why. The Synths don’t behave like humans, though. They speak and behave smoothly, stiffly, and slowly, so its fairly easy to tell they’re not human.

Taboo:

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I don’t even know how to describe this show anymore, as it has gone completely off the deep end, with wild things happening in every episode. But this week’s episode was actually refreshing in that James Delaney’s enemies have finally caught up with him and brought him low. From the jump, James has been three steps ahead of everyone but this episode proves he’s at least not invulnerable or omniscient.

There’s also the added factor that he seems deeply fascinating to many of the women in the narrative. From the little mulatto girl who thinks he’s going to take her to America, to the actress that lives with him and pines for his attention, to his own half-sister Zilpha who, in a fit of cold rage, just killed her boozy, abusive husband.

Zilpha arrives at James house, in the middle of the night, and says she did just as he asked her to do. Since we’ve never heard James express any such sentiment, its no wonder he begins to question her sanity, and if so, is it his fault, although this doesn’t stop the two of them from getting their freak on, after her husband’s funeral. Its not meant to last however, as James, hallucinating that his mother is drowning him, tries to choke Zilpha.

There’s a new player in town, an African man named Chichester, and he’s asking questions about the ship that sank with all hands,  but from  which James conveniently escaped. This is a character who pulls no punches, as he blatantly  taunts the Company men, reminding them at every opportunity that he was once a slave. His investigations into the East India Company’s illegal slave trade prompts them to attack James by burning his newly bought boat. There’s also the matter of some stolen gunpowder that James is attempting to sell to the Americans. So now James has plenty of goods to sell but no way to reach America to sell it.

Brace, James’ houseman, tries to tell him that James’ mother was no saint, but James ain’t hearing none of that, although he does keep having flashbacks to images of his mother trying to drown him. As the tension between all these characters ratchets up, James is starting to lose it, too. He becomes even darker and more violent, biting out a man’s tongue for betraying him, which is saying something, when you consider that, in an earlier episode, he ate part of a guy and cut off another man’s finger. He’s having more hallucinations, too. Is he succumbing to the madness that claimed his father, and that he thinks is claiming his sister?

Later, after recovering from a drunken stupor, he discovers the drowned body of Winter. Did he do this? Is it a setup? We’ll find out. We’ve got two more episodes left and I’ll have a full rundown on the finale when it airs.

 

On a more personal note:

I’m still very fatigued, although a lot less fatigued than I was at the start of the year. Its become my habit to go to bed as early as possible now, which means that a lot of these shows sit on my DVR until the weekend, and that’s what happened with The Expanse and Ash Vs. The Evil Dead. Also, there have been so many new shows, and season premieres, that its just hard to keep up with all of them. I’ve limited myself to reviewing the pilots and premieres only, except for those shows I’ve already been reviewing, like Supernatural, and The Walking Dead.

In March I’ll be reviewing the return of Samurai Jack, in its fifth season; Iron Fist, which I’m not especially enthused about, but hey!, I managed to sit thorough half of Jessica Jones, so how bad could it be; and the return of Into the Badlands, which I will review in the entirety of its second season.

So, TTFN!

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Lkeke’s Fall Lineup (TV)

Television

I will review the first episode of season three of The Strain this weekend. Hopefully it won’t turn into a hate-review and this season will be better put together than last season. There’s still going to be plenty of snarking on it though. I have never in my life hate-watched a show, but I really believed in the show, because its such a great idea and  the books were pretty good, and I kept hoping the show would get better.

It didn’t.

Last season had some truly awful plot points, characters, and whole episodes. I always go into these endeavors with a sense of optimism, though. I’ll try to do the same for this show as I do for all the other shows.

I will be reviewing as many of the new pilots as I can, and based on my reactions to those, I will add or subtract them to the list of weekly reviews, but my time is limited. I may not review one of your favorites. There are some shows that I’m definitely waiting to review, on a regular basis as soon as they return, like Into the Badlands (TBD/2017), and Shadowhunters, which looks silly and fun,  and The Magicians. I don’t think these will be released until next year. In the meantime, here is the list of shows I will definitely give weekly reviews for.

American Horror Story(9/14) – I have no idea what this season is about. Nobody does. The creators are keeping it a secret which is very frustrating to a lot of people who are used to knowing the entire plots of movies before they’re even released. I don’t mind the surprise, though. I do know that whatever the creators give us will be batshit crazy, so I’m expectant.

Luke Cage (9/30) – I’m so looking forward to this. it looks like its going to be fun. I will be watching for how the characters are treated, especially, the WoC, as Marvel doesn’t have the best track record when it comes to such things.I wonder if Iron Fist will get a mention, and if we’ll get to hear Luke’s catchphrase from the comic books.

Supernatural (10/13) – The show that never ends will be in its twelfth season.  Like I told you guys, I’m gonna be here to the end of the line.  I always go into every  new season with a positive outlook, and I’ll decide how I feel about a season when its over. As usual, my reviews will first be posted on https://samanddeanbrothersinarms.wordpress.com/      and then reblogged here.

The Walking Dead (10/23) – I’ve mostly avoided talking about this show all Summer. I feel really good about this season despite the presence of Negan and the absence of his victim, which I know is really gonna hurt, no matter who it is. I refuse to speculate as to who it will be.

I may or may not review From Dusk Til Dawn (9/6) and Aftermath (9/27) on the Syfy channel. Also coming up is the second season of Ash vs. The Evil Dead (10/2), which I may not review because I didn’t like how the one black woman in the entire show got treated in the narrative. I’m still pissed off about the writers fridging her  (in the   most horrible manner they could think of), just to provide some minor manpain for Ash.

There’s some intriguing new shows coming to the Syfy network , that I have no idea what to think about them, like Falling Water (10/13), and Channel Zero (9/27), which looks pretty scary and weird. I’ll review the pilots if I remember to program them into the DVR.

I still have not watched The Get Down on Netflix, and had no plans to watch Mr. Robot or Gomorrah.

 The pilots I’ll be reviewing are:

Atlanta (9/6) – this looks like a lot of fun. It has an all Black cast, and I’m casting around for a new comedy that’s as good as Black-ish and Brooklyn 99, and I like Donald Glover.

 

Pitch (/22) – I don’t normally watch anything that’s sports related outside of The Olympics. I definitely do not watch anything involving Baseball, but this looks so good, I’m getting kinda excited for it. I may never watch beyond the pilot but I hope it does well. Its about the first female pitcher in major league baseball, and she’s a black woman, so I hope the writers get the subjects of racism, misogyny, and feminism right.

 

 

Versailles (10/1) – I love historical shows about 17th and 18th century France. (Mostly because I love the clothes.) I’m going to check it out because its different from anything else I’m watching and will tide me over til Vikings (TBD/2017) is back on. I always have to watch at least one or two shows that totally don’t fit the aesthetic of anything else I’m watching. I like a little variety, sometimes.

 

 

Still Star Crossed (TBD/2017) – This is another historically themed show based on Shakespeare’s Romeo and Juliet, and starring a large Black cast. It looks gorgeous, and I can’t wait to see it.  I just came off  of Coriolanus,  and Macbeth, on Amazon. I’m no expert, and generally not into romances, though. I don’t study the hell out of his plays, or recite them line by line, but I know enough to get by.

 

 

Aftermath (9/27) – SyFy needs to hype its new shows more. I barely paid attention to this one but from the trailer it looks interesting. I don’t know if I’m going to tune in on a week by week basis, because The Walking Dead is enough apocalyptic TV for anyone. But this looks like one of those End of the World Christian millenialist type deals and I’m not gonna get all het up about this if I’m also watching the Exorcist.

 

 

Channel Zero (9/27) – There’s a horrible looking tooth-monster in the trailer. That’s all I got because Syfy is trying real hard to be mysterious about the creepy shows its going to be airing this Fall. I’m okay with that approach. It just means I’ll tune in to find out what the hell was going on in the trailer.

 

Midnight Texas (TBD/2017) – From the writer of True Blood (Charlaine Harris) and it may even star a few characters who made cameos on there. This is on NBC, which brought us Hannibal, but I’m not getting my hopes up ,that the show is going to be too wild. I think Hannibal was maybe a fluke or something.

Westworld (10/2) – I generally try to avoid HBO’s shows as they tend to rely a great deal on female violation to titillate male viewers. I’ve already read a bad review of the pilot for Westworld. On the other hand, I enjoyed Deadwood,  Carnivale, and Oz, and  I have memories of the original movie. I want to know how it stacks up.

 

Mascots (Netflix 10/13) – This is a comedy from the creator of Best in Show,  which is one of my favorite mockumentary films. Its about the world of sports team mascots. I expect it to be as lowkey hilarious as the movies Christopher Guest writes.

 

Falling Water (10/13) – I got nothing! Looks intriguing. I know nothing about it. I’m not especially impressed by the trailer and that doesn’t bode well.

 

 

Dirk Gently’s Holistic Detective Agency (10/22) – I remember reading this book in High School. The trailer looks suitably zany and Frodo is starring in it, and I like him, so I’m going to check it out and see what’s up. There’s also a BBC version of this series, which I have not seen but the trailer looks as zany as this one.

 

The Crown (Netflix/TBD) – Another historical series on Netflix. I’m not especially impressed with this but I may watch it.

 

The Exorcist (9/23) – There’s no way this is as good as the original movie but I have to watch it to find out if that’s true.

 

There’s a bunch of returning shows that I will probably watch but only give a barebones review for. I prefer to leave such reviews up to those who’ve been more devoted to those shows than I have been. Nevertheless I am giddy about a few of the returning shows, like:

Teen Wolf (Season 6 -11/16)

 

Brooklyn 99 (Season 4 – 9/20)

Agents of Shield (9/20) 

Okay, lets try this again. I haven’t been watching this show because I dislike Chloe Bennett. She’s just highly annoying to me, for some reason, although I like everybody else, with my fave being Melinda, naturally. This season is helped by having one of my all-time favorite characters joining the show Ghostrider. I read these comics as a teen, and even watched those shitty movies, starring a totally miscast Nicholas Cage, for the special effects.

 

Legends of Tomorrow (Season 2 – 10/13)

I kinda like this show. I cant stand to watch most of the other superhero shows on the Cw but I get through this one just fine. I’m not devoted, but I am intrigued, mostly by Firestorm, whose comic I used to read the hell out of.

 

From Dusk Til Dawn (Season 3)

I missed some parts of season tweo but i watched enough to know what’s going on and to look forward to season three. This show still looks great but some of the acting is a little cheesy, and the plot is all over the place, by the middle of the season. Nevertheless, where else am I going to see lots of bad-ass, Mexican vampires.

 

 

Yeah…NO!

I have no intention of looking at these shows although some of you guys might get a kick out of them.

Conviction starring Hayley Atwell –  She’s a great actress but she’s made  the horrible choice of picking a bland lawyer show to star in next and I don’t watch those.

Lethal Weapon – I refuse to relive mediocre eighties action movies, in the form of mediocre television shows.

Sleepy Hollow – C’mon! You know why!

The DC superhero shows on the CW, I don’t dislike these shows exactly, but I’m never gonna be a Supergirl fan, I don’t care who is on that show. Arrow simply wasn’t compelling enough for me and The Flash felt like it was aimed at kids, although I really like the characters.

I like the look of Gotham and I hope its improved since the second season, when I last watched it, but it wasn’t compelling enough for me, even with the addition of Jada Smith.The show looks gorgeous but its stil la show with cops in it and I’m avoiding those right now.

Lucifer has some interesting looking characters, but I’m waiting for an especially compelling trailer or something becasue so far its just not capturing me, even though it stars DB Woodside, on of my fave Black actors.

Training Day seems like a grittier version of Lethal Weapon. I’m not watching any cop shows, so this one is out.

Van Helsing – I watched the pilot. I was thoroughly unimpressed. No.

Wolf Creek – I’m not sure how I feel about this one yet. Its one of those serial killer movies, so maybe no.

 

Next up Movies and Books to look forward to.