Do You Remember Earth: The Final Conflict?


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This show came across my dash, while I was scrolling through Amazon Prime, and I  had to say something about it. I did watch this show when it aired, and it wasn’t a bad show, but I had some trouble watching it now, as I’m spoiled from having too much of the good shit.

Earth The Final Conflict is a Gene Roddenberry show, (it says so right in its title), even though the show doesn’t seem very Roddenberry-ish in tone, and one of the only other shows he ever created besides Star Trek. I remember deciding to watch it, back in the day, because I thought it would be kinda Trekky, but it wasn’t. Its a very different type of show. than Trek.

It aired from 1997 to 2002 ,and you’d think people would remember this more, because it wasn’t actually awful, but maybe because it was so middle of the road, people don’t care. Hell, even I feel that way about it, and I watched it. I only remembered it because it was suggested to me as part of my viewing history on Amazon.


The show kinda reminded me a little bit of V, because aliens called the Jaridians,  visit Earth with the public intention of helping humanity, as they always  say. In this case though, the aliens really are ALIEN, and deeply enigmatic. I watched this show for about three years, and I still don’t know what the fuck the aliens wanted on Earth. But no matter what their intentions, you know there has to be a group of human beings in opposition to them, because they’re suspicious of the aliens, even though the aliens have provided food security, cured various diseases, and stopped war.

ETFC starred Gene Roddenberry’s wife, Majel Barrett, and a handful of bland White people, along with PoC who had too much character, because that’s how TV did things in the 90’s. The show had an Asian actor as one of the leads, Von Flores, but his character was pretty  sketchy, and was in league with the aliens, so I don’t know if he counts as good representation according to today’s standards, and because I still can’t say whether or not the aliens were evil. The aliens are such a gray space that they might have actually been good, but its  the humans around them who were a bunch of duplicitous assholes, and maintaining the drama.

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There was the token white, male, hero of the show, Kevin Kilner, playing a guy named Boone, who gets conscripted into working for the aliens, after his family is fridged. This actor was so lacking in character, and personality, that I don’t even remember his name, nor do I remember seeing him in any other shows after this. Not that he didn’t star in anything else, it’s just that I wouldn’t have noticed if he did.

There was also  the token Black guy named Richard Chevolleau, and he played some type of rebel hacker. I remember him because he had a weird accent.

But the standout characters were actually the aliens themselves. Someone put some real imagination into making them really alien, especially the leader, Da’an, played by a woman named Leni Parker. All the aliens were played by women, but played in such a way that they were meant to be non-binary, so the aliens did not behave as either males of females, in any stereotypical manner. They put some real thought into things like how to dress them, body language, speech and their actual voices. These aliens were so mysterious, that I didn’t even consider them stand-ins for some other race of human beings, which is a trap that shows like this frequently fall into.

I actually liked Da’an, because they seemed okay, and I liked the way they were portrayed. I remember when I watched the first episode, and heard Da’ans voice for the first time, and was deeply puzzled. It took a few episodes to get used to the depiction of the aliens, because there just wasn’t anything on TV like them. My brain kept wanting to read Da’an as female, but the show creators actually took things like that into account, and put some real effort into making sure Da’an didn’t conform to any gender roles.

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I do  remember  mildly disliking most of the humans on the show. Except for the token Black guy, named Auger, and Von Flores, as they were the only two characters with actual personalities. Flores was sneaky and duplicitous, so he was hard to actually like, but at least you remembered him when the episode ended, and Chevolleau’s character had a sense of humor, something which no one else on the show displayed. Everyone on the show was always deeply grim and serious, even though the show didn’t look that way until the later seasons.


Later on, there was an alien- human hybrid added to the show because, of course, and some extra, more suspicious, aliens were added to the show, to contrast  Da’an. Basically, because the show was unclear  if Da’an was a villain,  they needed to clear that up by adding an actual villain,  which did not work, because, many years later, I’m still unsure if Da’an was a villain. So  that didn’t work either, and  there were some actual evil aliens added to the show, called the Atavus that the Jaridians were fighting.

I also got tired of the humans fighting colonization by aliens plot that was the primary plot of season one and two. I still hate this plot today. Once again, it’s always White people (the ultimate colonizers of everywhere on Earth) who get to decide, and fight for the future of humanity, and then there was the idea in the back of my mind,  that the aliens weren’t actually bad guys,  just the humans who worked for them were bad, and that these resistance fighters were blowing up buildings, and assassinating people, for nothing.

The rebels seemed to be resisting the idea of aliens making human beings behave better towards each other, and I remember being upset about them making the decision to kill other beings, for all humanity, without asking the rest of humanity if they wanted to be fought for. I remember disliking  the rebels deciding  that humans needed saving, because I’m not entirely sure the aliens were evil. I, for one, welcome our new alien overlords.

The show is also an interesting depiction of how humans might actually behave, if Earth were colonized by an advanced species, that weren’t obviously hostile. Because of their good behavior towards humans, some people would worship them, and some people  formed churches, in which Da’an is deified. Some other human beings would definitely be upset about the deification of the aliens, and want to break that shit up, I guess.

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I thought the special effects were pretty good, especially the flying ships, the depiction of the aliens, who were these semi-transparent creatures, that seemed to be made out of layers of energy, and the destructive blasters worn by their human assistants, called Skrills, which I think were living creatures of some kind. I remember being more curious about the living writstblasters than any other technology displayed on the show, and wondered what it was like to wear one, and if the aliens were monitoring their human companions through their bioware.


Anyway, the show is  worth a re-watch if you can get past the bland acting of the humans. The aliens are definitely worth watching, if only to try to figure out if they are actually evil, or not, and because they are an  interesting interpretation of non-binary, a-gendered beings. I didn’t watch the show through its entire run, so I can’t say what the outcome is, or whether or not the conflict was, indeed, final.


The Terror TV Series

I’ve been fascinated by Arctic environments since I first watched the 1956 verson of The Thing (with james Arness) when I was a kid. And it wasn’t just The Thing, There was another movie called The Beast From 20,000 Fathoms that combined Arctic environments with dinosaurs rampaging through a city concept, that I got a real kick out of, too.

A few years, I’d never read any of Dan Simmons books, although he was on my radar becasue he is one of the top horror writers in the industry. I hadn’t read them, not because he’s a bad writer. He’s a most excellent writer. I just never had the time, and he writes some real doorstoppers. But I couldn’t resist the plot of The Teror, about an old school Arctic expedition that goes horribly wrong. It features a mysterious monster, some serious levels of  hardship, starvation, and  possibly some cannibalism.

I love the book.  It’s one of my top favorites of the past 20 years, so imagine my joy when I found out they were making a TV show about it, and it’s on AMC, which means the creators can remain faithful  to the plot of the book, which also involves an element of the supernatural, and some graphic deaths. It definitely classifies as horror. I hope it blows up as much as The Walking Dead did, too.

This week, the first trailer was released. The show airs right at the end of TWD’s season in March, which will be here in no time, so I’m very excited. I just want to hype this up a bit, in case you guys hadn’t heard of it yet.



It also looks very faithful to the plot of the book, and seems to have captured that feeling of dread, that seems to be a requirement of ny movie set in a cold climate.It’s based on a true story in the sense that it has many events from that have actually happened in such expeditions.

For those of you worried about problematic issues, I can’t recall any from the book There is a young Indigenous woman, but in the book she comes to no harm, and if the creators keep that truthfulness to the book, she won’t on the show.

I’ll review the pilot episode when it airs.

Black Lightning The Review

So this review is going to be a little unusual because I’m going to talk about my Mom first. If you’ve been reading this blog then you know that she has had a huge influence over my tastes in pop culture and we often enjoy movies and TV shows together.

One of the things we really  didn’t enjoy together, very much, was comic books. I know she has read them, but she pretty much stuck to Archie and Peanuts, and those were the comics I was introduced to as a little girl. I went from there to Marvel, where I read Conan and Red Sonja, and then superheroes in the 80s and 90s. My Mom pretty much stopped reading comics, and moved on to paperbacks.

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So, while my Mom does know something about superheroes like Batman and Superman, whom she disdains for some reason, and I do remember watching Wonder Woman, and The Incredible Hulk with her, when I was a kid, she is not specifically a fan of superheroes, really. I couldn’t get her to watch Captain America, Daredevil, The Defenders or Spiderman, but I did get her to watch Luke Cage, which I consider a success. Apparently, if its a Black superhero, she will watch it, because she also really loved Blade, and seems to be looking forward to Black Panther. She binge-watched (for the first time) Luke Cage, the weekend after it aired.

Basically, I know my the kind of stuff she likes, so I tried to sell her on Black Lightning. I was only slightly nervous, because I wasn’t absolutely sure she would like it. I told her it was like Luke Cage, which I think she maybe watched too fast, because she only has vague memories of really enjoying it. (I did inform her there would be a season two of the show this summer.)

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I don’t know why I was so nervous though, because I should’ve remembered that she loved Blade, and yeah,  she loved Black Lightning. She mostly really got into the action scenes., which I have to admit were very exciting.  Now, anytime I can get my 67 year old Mom to watch a superhero show on the CW, it must be compelling. I have to tell you, my Mom is what you might call, an enthusiastic television viewer. She is very loud and vocal about what she is liking on the screen, and this was the case with Black Lightning. The loud whoops, and cheers I heard coming from her part of the house, was more than enough to vindicate my decision. She was even giddy enough to try to tell me about the episode afterwards, even though I told her I’d already watched it! I was getting a tiny bit worried because she was very worked up about Anissa having superpowers.

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I had already watched the episode the night it aired, and recorded it on the DVR. Wednesday nights are her dialysis evenings, and after her session is over she likes to watch a couple of hours of TV and fall asleep. So now she’s excited to watch 9-1-1 on Wednesday nights, and Black Lightning on Tuesdays.

As for Black Lightning, I did very much enjoy it. Its very possibly one of the most unapologetically Black things on TV, or at least on the CW.  From the dialogue, to the plot, and music, there’s a lot of cultural relevance in it for Black audiences, and this appears to have worked because the show got good reviews. I was not wrong in comparing it to Luke Cage, because the plot is very reminiscent of that show. The show isn’t related to any  of the other superhero shows on the CW. Meaning it doesn’t take place in the same universe as Arrow or Legends of Tomorrow. Nevertheless, I’m really glad a lot of non-Black viewers came out in support of the show, and seemed to enjoy it. too.

Jefferson Pierce is Black Lightning, a high school principal, who  has been  retired from the superhero/vigilante lifestyle for some nine years. He is separated from his wife, with whom he has joint custody of their two daughters,. One of his daughters, Anissa, is a part-time  sex education teacher at the school (so viewers will definitely be receiving some sex education this season, along with history lessons), and the other, Jennifer, is one of the top students at the school. When Jennifer falls into the company of a local gangbanger, who threatens her, and her sister’s  life, their father has to come out of retirement to rescue them both.

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As I’ve said before, I’m always here for some Black girl damseling, but that isn’t all we’re in for though, as it turns out that Anissa also has superpowers. She can change her physical density, which gives her speed and strength. In the comic books, her superhero name is Thunder, and her little sister, who has powers much like her father, is known as Lightning. (She has the ability to transform her body into lightning, which is all kinds of awesomeness). I haven’t read much about either of them in the comic books, even though I was a fan of Batman and the Outsiders in the early nineties. I first encountered Thunder in a story where she was fighting with her dad about choosing the superhero lifestyle. She is currently a member of The Outsiders. I suspect that title  is going to become very popular after this show.

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Black Lightning and Luke Cage (Misty Knight) will be only two of three shows, that I know of, which will feature Black female superheroes.  The other show is Legends of Tomorrow with Vixen. It will have the groundbreaking distinction of being the only show on television with a Black lesbian superhero (in the comic books Thunder is the partner of superhero  Grace Choi, who is being played by Chantal Thuy) This is notable for two reasons. Grace Choi will be the only Asian (Vietnamese/Canadian) lesbian superhero on TV, as part of an interracial couple, (where neither partner is White),  which is pretty rare.

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Another thing I liked about this show was the relationships.  We see a positive ex-wife/husband relationship. They act like mature adults who talk to each other about their lives, and raising their daughters. Its evident that Jefferson and his ex-wife still love each other, but for some reason feel they can’t be together.We get to see a positive family dynamic between a father and his two daughters, and we get to see a loving and supportive relationship between two sisters, which is also interesting on TV, as there are rarely more than one or two WoC in any narrative.

My Mom seemed especially interested and excited at the idea that the daughters have superpowers. She was very vocal about it at any rate. Which kind of saddens me, because sometimes a person doesn’t know they need something until they’ve seen it. She’s probably wanted to see Black women with superpowers her whole life. And it was not until we started getting Black directors and content creators, that she got the chance to see it. I read comic books as a kid, so I had Storm, but my Mom had none of this growing up.

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So I just want to give a shout-out to the Black  men content creators, who have not forgotten that their “sistahs” exist, and want to see representation for themselves. We want to see ourselves kicking  ass and having adventures too. Ryan Coogler, (The Dora Milaje), Cheo Hodari- Coker (Misty Knight), and the husband and wife directing team (Salim and Mara Brock Alil) of Black Lightning, have not forgotten to give Black women strong, positive roles in their new venture, something which White directors (especially White female directors)  always seem to forget, or only remember as an afterthought. Black content creators are doing the Lord’s work and I thank them for it. Plenty of little Black girls, including my niece, will grow up watching versions of themselves saving the world. And my Mom can finally get to see those Black female superheroes she didn’t know she needed.

This is one of my favorite scenes where Jefferson’s daughters surprise their father by joining him on his morning run.

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As for the more questionable stuff: If you’re having anxiety issues surrounding police brutality, or implications of rape, then use caution while watching this show. There are a lot of guns (mostly used by gang members),  but you don’t really see many people get shot, until the end of the show, (and those are all villains). There is a mildly graphic scene where a man gets eaten by piranha. Don’t ask!

I have to admit to feeling a good deal of tension surrounding the opening scene, when Jefferson gets pulled over by  cops for driving while Black, and he and  his daughters are threatened. It’s a very harrowing scene, even when you remember that none of these characters are going to die ,or there’d be no show. This doesn’t seem to be one of those shows where “anybody can die”, but only the marginalized characters ever seem to get killed, so you guys are safe on that front.

There are three primary villains in the show. One of them is a low status employee of the local drug dealer who stalks Jennifer after she goes out to a club with him. One of them is an associate of Jefferson named La La, played by William Catlett,  and the other is Tobias Whale played by the albino actor, Marvin Krondon Jones III. Although ,once again, we really need to examine this thing where people with albinism are cast as villains all the time. I’m pretty sure that such individuals don’t like seeing themselves as the bad guys all the time in popular media.

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The show tackles several topics. like the generation gap in activism, gangs, gun control in schools, and it also presents interesting ideas of how Black men handle oppression. There’s Jefferson’s manner, which is to try to lift up as many people as possible. There’s La La’s way of handling it, which seems to be just giving in, and the Kingpin-like Tobias Whale approach, which is to take advantage of the system to get ahead, and  attempt respectability.

After Jennifer and Anissa are kidnapped,  Black Lightning has to come out of retirement to rescue them. It seems the stress of being kidnapped, and nearly killed has unleashed Anissa’s abilities, so while we come into Black Lightning’s story in the middle, we will get to see the origins of Thunder and Lightning, and how they navigate the world with powers. We’ll also get to see how Jefferson deals with his children having abilities, and his daughter’s coming out,as a lesbian.

The show-runners have said that for the first season their focus is going to be on Black Lightning’s origins, and his beef with Tobias Whale. Most of his adventures will remain at the street/vigilante level, as with the first season of Daredevil ,and they’ll explore how Jennifer and Anissa deal with their new powers.

I also want to give a shout-out to the soundtrack director. Every form of  modern Black music gets represented , and I spent more than a little amount of my time not paying attention to the plot, as I sang along to some oldies, and even got introduced to a few new artists.

As with most pop culture  aimed at Black audiences, I’m mostly reading and signal boosting reviews from PoC , because I feel like these are the reviewers who can best understand  what they’ve just seen, and be able to speak to the authenticity of the show, as regards Black culture, although most reviewers, of all races, seemed to have enjoyed it.

Be here for further updates. I wont be doing a week by week review but I will keep abreast of events,  and come back to discuss some of the highlight episodes.


Star Trek Discovery :The Mirror Universe

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— The midseason premiere of Star Trek: Discovery – the Jonathan Frakes-directed “Despite Yourself” – confirmed one of the show’s longest brewing rumors, revealing that the titular Federation starship has unexpectedly found itself in the Mirror Universe following a malfunction of its experimental spore drive.

So, Star Trek Discovery came back for the second half of the first season, and it’s a doozy. The show has turned itself a full 90 degrees from the first half of the season. At the end of episode nine, the crew of the USS Discovery found itself stranded in some unknown place among the war relics of old Klingon ships, and their transportation system (LT. Stametz) was incapacitated.




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Captain Michael Burnham

It turns out that they’re in the Mirror Universe first encountered in the original Star Trek series. If you remember, Scotty, Uhura, and Kirk, and McCoy got trapped in that universe after a transporter incident, and had to try to find a way to get back home. They also encountered a goateed Spock in that universe, and discovered that every human in that universe was evil. The Mirrorverse is an alternate reality that contains copies of most of humanity from the Prime universe ,except everyone is their worse possible self.

Out of the entire franchise, The Next Generation crew  is the only one that never visited that universe, and the episode “Through a Mirror Darkly”, from the show Enterprise, was the last time we visited. So getting to see Lorca, Tilly, and Michael navigate this universe is  especially fun and interesting, but still really intense, and I was totally captured.

I’ve been fascinated by the Mirrorverse since that very first episode. It was so well written ,and the backstory on that universe, and its characters was deeply intriguing. (For the record, the original universe episode occurs about a hundred years after Discovery.) Not only is there a great backstory, but it has a well chronicled future, as well.

In the Mirrorverse there is no Federation. There’s something called the Terran Empire, and humans are complete and utter despots. They are paranoid, xenophobic, vicious, and untrustworthy, and that’s just towards other human beings. Imagine if the Nazis had taken over Starfleet, only worse. Humans are so evil that they make the  Klingons look like good guys, and they, the Vulcans, and every  other non-human race with access to spaceship technology,  have formed an alliance to destroy them.

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The original dynamic duo!

Imagine a universe in which the only way to get ahead, in any venture, is to kill one’s predecessor, any emotion outside of anger and rage is considered a weakness, everyone carries knives on them at all times because they are required to do so, people are tortured for the slightest mistake, or infraction, and there are special pain booths built just for the purpose.

All the human women of this ‘verse (and the men too) use sexual wiles to get ahead, as well,, and the men expect those favors, and hope they survive the encounter, because the women of this universe are not to be trifled with, or underestimated.  They are just as vicious and mean as rabid dogs themselves. From time to time, alliances and loyalties are formed, but only until one’s goals are reached, and if the other person’s goals happen to align with yours. The only reason humans have formed alliances among themselves, is so they can conquer everyone who isn’t them.

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Uhura being a total badass! with abs!

There’s been a lot of Nazi allegories happening in the genre lately, most of it is horrible and badly written claptrap, written by men who do not understand any of the psychology behind such beings. But This! This is how you write a Nazi allegory, (in such a way that you don’t realize its an allegory, until you are well involved in the episode), and with the understanding that such a regime is scary as fuck. There’s is nothing about this universe that inspires a person to want to live in it, except the morbid curiosity of what kind of person you would become. (Probably dead.)

There is nothing about these humans that’s at all admirable, beyond their sheer ruthlessness. The ones who aren’t  mean and vicious, are fawning, bootlicking sycphants. There’s no way to woobify these characters, (although fans came pretty close with Spock, but he’s a special case.) These people are not meant to be liked. They are deeply unlikable.

Now pair all this information with images of the likable, sweet, bumbling Tilly, the logical practicality of Michael, and the brave timidity of Lt Saru, and you’ve got some seriously juicy drama about to happen. What’s going to happen to them and  How far will they have to go to fit into this universe?

The first test of the Discovery is to convince another ship, The Cooper, that it is indeed the Mirrorverse version of the Discovery. (The Discovery that was once in the Mirrorverse has switched places with them and is now in what I like to call the Prime universe.) To do that they need to speak to the Captain, and guess who that is…

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“I’d cut out your tongue and use it to lick my boots.”

Watching Tilly put on her gameface is one of the great joys of this episode, and hilarious (also, watching that actress play Captain Tilly is kinda scary.) It really is kinda like seeing a cute little bunny viciously bite someone. She also gets one of the best lines in the entire episode. Earlier in the season, Stamets, while caught in a mycelium fugue state, called her Captain, and their time in this universe may have been what he glimpsed. This episode, he spends most of his time yelling senselessly about a palace, and imminent danger. What that means for future episodes is anyone’s guess.

Captain Lorca gets to be unexpectedly funny when he has to coach Tilly through her first conversation as a Captain. Somewhere, somehow he has met Scotty, because when he is finally asked to speak, he puts on a flawless Scotty  accent. Lorca is totally hard core. His counterpart in the Mirrorverse is in the wind, so he pretends he’s been caught by Michael, who is presumed to have died in pursuit of him. To lend authenticity to Michael’s story, this guy head- butts himself against a bulkhead. So yeah, this universe is definitely gritty enough to make him happy.

Michael’s first act, as the Captain of The Shenzhou, is to kill the current acting Captain, a man she saw die in the Prime universe, and wonders if this is what all of this will be like for them, constantly running into dead people. To find their way back home, she and Tilly need to be their worse selves, and they both rightfully worry about how this will change them in the future. Lorca tells all of them that their focus needs to be on returning home, and to do, and say, whatever is required to get back there alive. For his part, he willingly walks into a situation that will require him to be tortured in a pain booth.

Michael’s relationship with Ash Tyler has progressed to love making, and I got a bad feeling about this drop, because  Ash has some problems, and may in fact be a brainwashed Klingon, named Voq, who has since disappeared since we saw him the first two episodes. I think Ash has been genetically, and surgically, altered to look human, which I really hope not. Lorca assigns him to be Michael’s personal guard, because that’s how this universe rolls, and Ash has totally dedicated himself to this job ,which was kind of nice to see, but this is tempered by the fact that he is slowly unraveling.

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There has been some speculation, from fans, that Lorca himself is actually from this universe. If so, it would certainly answer a whole hell of a lot of questions about his character, including why he is so unperturbed to be in the Mirrorverse. In the Mirrorverse, he was presumed in flight, after killing that Universe’s version of Michael, who was sent to assassinate him.  If he had a previous relationship with the Mirrorverse Michael, that might explain his strong attachment to this Michael.

This theory would certainly explain Lorca’s  shifty behavior, if his ultimate goal, from the time we met him, was to try to get back to the Mirrorverse, so he can assassinate the Terran Emperor. (Yep, I got theories! And I’m not the only one, either.)) It would explain his behavior with Cornwell, like the fact that he keeps a phaser under his pillow, which is exactly the sort of shit captains have to do in the Mirrorverse, if they want to stay alive. Cornwell also tells him that after the event that damaged  his eyes, he changed, and became a different person, and he makes love differently than before, too. Now, watching that scene, without any of these suspicions, it is very obvious that he is trying to manipulate her into doing something he wants, which is keep his ship from being taken from him.

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I strongly suspect that in the episode Lethe, when Sarek is injured, and unable to meet with the Klingons, and their mediators, to stop the war, that he is the one who gave the Klingons the secret location of the meeting. After all, he is the one that suggested she take Sarek’s place. It would certainly explain his not even trying to rescue her, after she’d been captured. It very conveniently gets her out of the way, and he can continue his mission, without her interference.

Cornwell came into that conversation to discuss how he is running his ship, and he turned it into a seduction, and sexual manipulation is, once again,  the kind of shit that captains in the Mirroverse do. She had chalked up these differences to PTSD, or some other psychological issue, but its possible Lorca just isn’t who she thinks he is. This is par for the course on this show. Everybody else has a horrible secret, so why not him. Stamets  spends a lot of time yelling to Culber about how the danger is  present, and I did not think he was talking about Ash Tyler.

One of the most shocking moments is the death of Doctor Culber, Lt Stamets Space -Boo, (as he is referred to by the fans), by Ash Tyler, when  Ash experiences a bout of PTSD, after visiting L’Rel in prison. A lot of fans were very wound up about this, but the writers and the actor have assured us that they understand the importance of Culber and Stamets relationship, this is not a “Kill Your Gays” moment, and that we WILL see more of Culber in the future. Wilson Cruz, who plays Culber, says that some of his best work is yet to be seen on the show. And keep in mind that Star Trek has a long tradition of finding ways to bring characters back from the dead. (Spock has died twice. Once on the show, and once in the movies.)

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I did enjoy the scene between Culber and Lorca. Culber is bold enough to confront Lorca on his behavior. In fact, outside of Michael, he’s the only other person I’ve ever seen call Lorca out on his bullshit.

The writers also assured viewers that there will be no evil version of Culber in this show. (If he does exist in this universe, then he is probably on the Mirrorverse version of Discovery, now trapped in the Prime universe.) And that’s if these particular human beings aren’t homophobic as well. If they are, then Culber and Stamets may not even exist as a couple, in the Mirrorverse.

Now you see why I was mad about not being able to binge this show. On the other hand, I would have finished it in a day and then I would’ve been angry I’d finished it so fast.

Should I give a review of next week’s show? I don’t know. I got other stuff to write, but I’m pretty caught up in this thing now. leave me comment, and let me know if I should keep going. I know some of you don’t get this show, and don’t want to pay for it, so hopefully my reviews will be entertaining.

Til’ next week, here’s to reckless eyeballing:

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Star Trek Discovery Review


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Before we get started on the second half of the new season, let’s talk about what I liked and disliked about this new show, and do some quick character reviews. I know some of you had some doubts about this show and you can decide for yourself whether or not it’s worth your time, based on my observations. I’m gonna try to be as fair as I can considering I’m biased.

Let me lay out my credentials: I’m an OG Star Trek fan, since about ten or so. I’ve been around since the replays of the Original series back in the 80s, and have watched every episode, multiple times, over the last 35 years. I’ve seen every movie multiple times, can quote dialogue, know most characters backstories, from having read almost all the books , and vowed I would marry Mr. Spock when I was twelve years old. I was a Trek fan before I was a fan of Star Wars,and that’s where the bulk of my nerd-love went.

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I have to admit, I’m kinda addicted to this show, which surprised me, after my initial reserve of those first two episodes. I got into it about six episodes in,when CBS All Access offered a special subscription. As I’ve said, there’s nothing else on the network worth looking at, but I’ve heard there are some promising shows for the future, and I think this is one of them. It’s tackled a couple of sensitive issues with Star Trek’s usual care, and lack of hysteria, and it has some intriguing characters.

The major plot consists of Captain Lorca’s efforts to create a weapon that will help Starfleet win in the war against the Klingons. To that end, he has Michael’s transport shuttle waylaid, so he can use her big brain to help him to do this. Over time, we learn that he has Carte Blanche to do whatever he pleases, as long as it accomplishes his goal. When they find another ship whose crew wiped out by a hostile alien, called a tardigrade, they capture the alien, and use it, (and it’s parasitic relationship with some sentient mushroom spores) to create a new form of trans warp drive, that allows their ship to movie itself anywhere instantly.

When Michael and Stamets find out that their use of the creature is killing it, Michael, in her compassion, sets it free, and prepares to use her own body in place of the alien, to communicate with the spores, but Stamets sacrifices himself instead, and by the end of the season, they have accomplished their goal of creating a new weapon in the war, to spectacular fashion, in an episode rivaling the TNG two parter, The Best of Both Worlds. But Stamets is so changed in personality by what he has done, as to be unrecognizable from when we first met him,and there will be repercussions from that, as biological experimental weapons are outlawed in Starfleet.


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In the meantime, most of Michael’s actions, on the ship,revolve around her navigating  new, and old,  relationships, and occasionally saving the ship. She is usually the one person who thinks differently enough from any of the other characters (due to her dual heritage) that she is able to come up with solutions to their problems.


Up first:

I like the relationships and characters most of all. ST has never shied away from relationship stories. In fact, I’d argue those were some of the best episodes of any of the series. But Star Trek has always been very plot driven, too, and Discovery does not skimp on that end. I find everything except the  Klingons to be compelling. The special effects are good, and the writing is well done, often involving a primary plot, a B plot, and a couple of smaller subplots, all of them elegantly intertwined, such that what you think is a B or subplot could have an effect on the main one, at any moment, or come into play later in the season.

A word of warning:


This is a very dark show. If you liked DS9, then you’ll probably like this one. I was not a huge DS9 fan until after the series ended. But I like how dark this show is. The characters aren’t as blandly pleasant as they were in TNG, which I also liked a lot, or as polarizing as in the Original series. The show has dealt with war, ptsd, rape trauma, spiritual possession, revenge, and treason, and that’s just in the first half of the season.

If you’re used to thinking of Star Trek as light and fluffy, then just remember the Original series had some occasionally very dark episodes too, that addressed serious social issues, like Toxic Masculinity, in Charlie X, and The Enemy Within. It dealt with sexism in Turnabout Intruder, and frequently dealt with issues of population control, slavery, conflicted identity, and the nature of violence. One of my all time favorite episodes of Voyager was the introduction of a member of the immortal Q Continuum who wanted to commit suicide, but was prevented from doing so by the others, in Death Wish. I think that’s probably the only episode, of any of the series, to ever bring me to tears.

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If you’re looking for fun and fluffy, this has very little of it to go around. There are occasionally beautiful moments, (you can see this show costs money), and some lighthearted banter, but that’s not the focus of the show.

Now let’s talk about the six primary characters:

Michael Burnham:

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Its hard to get a grasp on this character. She really is the main focus of the show. She has most of the onscreen time,and many of the episodes revolve around how she thinks and feels, but she is not an especially demonstrative character, due to her Vulcan upbringing, and it’s takes time, and lots of viewing, to get some idea of what she’s thinking and feeling. She is brave, idealistic, and earnest. And at least is not as stiffly formal as when we first met her. She is learning to act more human, I’m going to argue that she either suppressed or ignored her emotions as being irrelevant, because that’s how so many Vulcans operate.

We need to keep in mind that the third episode and the subsequent episodes take place immediately after her court martial, so I’m guessing all within the space of a year, or a few months. Her entrance to Lorca’s ship gets off to a rocky start, as she is rebuffed by Tilley, and tested by Stamets, and rebuked by Saru, who is terrified of her. But over time, these individuals start to understand her worth, as she regularly saves their lives, and they warm to her.

Everyone questions her purpose on the ship, but Lorca knows why he wants her. She’s smart as fuck, and has no qualms about kicking Klingon ass. And I think he just admires her, for her. She has been a great asset to his ship, but no matter how useful she is to him, she has to always keep in mind that she is under a life imprisonment sentence with Starfleet, and is, basically, a convict, whose sentence has been briefly commuted. When Lorca’s mission is over she believes she will go back to prison, so that’s the sword that is hanging over her head throughout all her missions,and informs some of her decision making.



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Tilly is Michael’s roommate, and I immediately disliked Tilly, at first, because of the way she treated Michael when they first met. But, I’ve grown to really, really like her. Sometimes more than Michael, but Michael is a very heavy character, who is hard to cozy up to, because she’s so closed with her emotions. Tilly’s emotions are wide open, which makes her more easily accessible, and one of the most likable people on the show. If Michael is the intellect, then Tilly is the heart of the show, and in their friendship, we can see a reflection of the relationships of the Original series, (Kirk, Spock ,and McCoy, who often acted as Kirks intellect and conscience). The only word that can truly describe Tilly, is ” bubbly”.

She is often the comedy relief, for whom Michael plays the straight man, and has sort of appointed herself to be Michael’s emotional liaison, helping her navigate a human social system, without any rank to smooth the way, and I would argue that they are great friends, or getting there. Michael has none, so has to work out each individual relationship, as she encounters them. Tilley has also appointed Michael to be her mentor, and I can’t tell you how heartening it is to watch Michael develop the same relationship with Tilley that she had with Gheorgiu, and fulfilling Gheorgius wishes for her.

Another thing I have to applaud the show for is Tilly’s relationship with Michael is  treated as a priority for both of them, and the writers show that by not creating a trite love triangle between Tilly, Ash, and Michael. It is Tilly who shows initial interest in Ash, but when she can see that Ash and Michael have a connection, she steps aside, and encourages Michael to pursue a relationship with him. In the hands of lesser writers, Tilly and Michael would have competed for Ash’s attention, and I appreciate that these writers were more mature.

Bryan Fuller is known for having positive female relationships in his shows and I am here for it, and I love seeing it.


Ash Tyler:

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Ash is played by the exceptionally handsome Shazad Latif, he of the big round eyes! When Captain Lorca gets kidnapped by the Klingons, he gets trapped in a cell with Ash, who had been a prisoner for some time, and was only alive because L’Rel, a female Klingon, took a romantic fancy to him. He later talks about his time with her, to Michael, and we come to understand that he was in fact raped repeatedly by L’Rel, as he slept with her to keep from being tortured and killed, like all the other prisoners who were captured before him. When L’Rel surrenders to Lorca, she gets sent to brig and we see Ash have his first panic attack, as he suffers from ptsd. The writers handle the issues of rape, and post traumatic stress, delicately, and with respect.

After a successful mission with Michael, that saves the ship, Ash gets appointed to Head of Security, as he and Michael form a strong emotional bond. It’s not exactly a romance yet, but there is an implied intimacy of feeling between the two, and they do discuss having a future romantic relationship. Later, during a time travel episode, they share their first kiss. Star Trek has portrayed many different types of romances, but this is one of the few interracial relationships, on any of its shows, that do not involve a White partner, (most interracial relationships on TV involve a White partner), or an alien, and I think it’s handled very well, with care and sensitivity for both their issues, although I suspect it will turn out to be tragic, as the future doesn’t look good for an ex-con, whose only free on sufferance, and a Head of Security in Starfleet.


Lt. Saru:

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Saru is played by the inimitable Doug Jones, from Hellboy, and The Shape of Water. If you’re interested in some interesting tidbits and updates on his career (along with some great philosophical analysis of mythology in pop culture) then check out, and follow, his brothers website:

For smart, philisophocal reading on superheroes, follow my oldest brother Bobby and scroll down his WordPress entries!

Saru is another character that is hard to warm up to, but only because he’s so bluntly, and directly suspicious of Michael. I have to keep in mind that Saru is traumatized by the loss of his captain,which really wasn’t that long ago, and blames Michael, and in many ways, himself. Saru is an alien from a member of what he calls, “a prey species”, and so has developed a keen ability to detect danger. He often talks about being risk avoidant, but I’ve seen this character be brave and fearless in a couple of episodes, so I’m taking what he says about himself with a grain of salt.

Over time he does begin to warm up to and trust mIchael, but he never loses his initial suspicion of her. He’s still very wary, but the two of them reached a moment of ,if not friendship, then at least detente,when Michael is delivered Gheorgius last will and testament in the form of a giant telescope, that was her family heirloom. Gheorgius last words to Michael is the first really tearjerker moment in the series, which is only equaled by the scene in which Michael offers the telescope to Saru. In fact we learn about what Saru thinks and feels in that episode,so we reach a fuller understanding of him, even if he is difficult to warm to. He’s not a bad character. He’s not even especially dark. He’s just afraid, but I’m very protective when it comes to Michael’s character, and tend to give the side eye to anyone on the show, who doesn’t like her.

Saru is too traumatized to ever trust Michael. He is always going to be afraid of her, and what she might do, but he makes it clear that he has the utmost respect for her, and I’ll accept that.


Lt. Stamets:

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I think all of these characters start out as inherently unlikable, but over time you grow to like them,and none more so than Stamets. He is also a lot like Lorca, in that he is focused and needs to work on his social skills, as he is very blunt and direct, and I initially hated him. When he first meets Michael, he tests her scientific knowledge, but once she has proven she is capable, he simply doesn’t care about her past. She is a member of his crew and the only person he considers smarter than her, is himself. As a character, he is every bit as idealistic and brave as any of the other characters from previous series, and becomes much more likable after he forms an intimate relationship with some sentient mushroom spores. (Don’t ask!) Although, without the influence of the mushrooms, Stamets is the kind of person you’re either terrified of, or just want to slap the living shit out of.

Stamets is married to the ships doctor, Hugh Culber. I liked how their relationship was portrayed in the show, as just like any other. The audience is gradually introduced to them as a romantic couple, living together as partners, over time. Culber doesn’t have a huge role in the show as of this time, but we’ll see more of him as the series progresses. There’s also another one of the first (and few) gay kisses on a Star Trek show, (DS9 had a couple of them), and it is given the full romantic treatment, with swelling music, and swooping camera angles, that it should be given, as Stamets prepares to risk his life to save the ship. Earlier in the season Michael got her own romantic moment with Ash.

Culber is focused and dedicated in his work, and is an absolute cinnamon roll compared to Stamets. Nevertheless, you can see in their interactions with each other, why Culber loves him,and Culber is one of the few people who can call Stamets on his bullshit, and get away with it.

Anthony Rapp, and Wilson Cruz, are both openly gay actors who play openly gay characters, which is how it should be.


Captain Lorca:

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Let’s get this out of the way. You will not like Lorca. He isn’t meant to be liked, and he isn’t likable. If you’re expecting someone like Picard or Kirk, then you need to go home, cuz he ain’t the one. Picard, Kirk, and the others were captains of exploratory, diplomatic ships. They were chosen specifically for their positions because of their charm, idealism, diplomacy, candor, and all those other fine qualities. Lorca is the captain of a ship of war. He is mysterious, shifty, shady, unreliable, ruthless, conniving, and morally gray, but he is not evil. At least not actively so. He was appointed to his position for the specific purpose of puttin’ a whoopin’ on some Klingon asses, and that’s his top priority. His job, and his ship are focused on creating new weapons for Starfleet. He is focused and blunt (I can identify with that to a degree), and will sacrifice anyone or anything to meet his ends.

He likes to collect things, and his dimly lit office, (he has some kind of eye disorder that makes him allergic to bright lights) is full of all manner of alien curios, including a live tribble, and some Gorn armor. He’s intriguing and I ljust know he’s getting shipped with somebody on this show even though he isn’t close to any of his crew. He’s generally respectful but he’s not a warm man. The only time we ever see him be warm is with his lover, and oldest friend, Admiral Cornwell.

He is the kind of man that makes no effort to be the bigger person. He saves Ash from the Klingons but when he finds out that Harry Mudd is a spy for them, he leaves him behind to be tortured by them, which is something that comes back to bite him in the ass later, When his lover, Admiral Cornwell , gets captured by the Klingons, he makes no effort to rescue, her because she called into question his ability to command,and planned to report him to Starfleet. And although there are no details, the loss of his light vision is directly attributable to some dust-up he had with Klingons.

It’s interesting that no mention of him is made in any of the other series, which take place long after his death. So I do wonder what happened to him and the technology he created in this show. I very much suspect that he and his ship are destroyed, or are lost somehow. Although we need to keep in mind which universe this show takes place in. Is it the 2009 Star Trek Verse, or the Original series/movie Verse?


Favorite episodes:

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Episode 6: Lethe – This one is about Michael’s relationship with Sarek, her decision to join Starfleet, and a mystery she needs to resolve between the two of them to save Sareks life. Some great character work from Sonequa, and Frain.

Episode 7: Magic To Make the Sanest Man Go Mad – This was my all time favorite episode, which surprised me because I’m familiar with the old Harry Mudd episodes from the Original series,and those were not my favorites. So when I heard that the new series would re-introduce this character, I automatically dismissed him. But this episode proved extremely likable.  And Rainn Wilson makes a very compelling Harry Mudd.The events of this episode are directly brought about by Lorca’s previous actions in an earlier episode.

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*There’s a scene where the crew is having a party and the music you hear playing in the background is definitely Al Green’s “Love and Happiness”, and Wycliffe Jean’s “We Tryin’ to Stay Alive” and  Tilley refers to this as Classical music. (All you gotta do is put some of my favorite music in your show to make me a fan for life, apparently. ) Michael dances with Stamets, and Ash and Michael share their first kiss. This episode sets up Michael as being qualifying romantic potential.

Episode 8: Si Vis Pacem, Para Bellum – I actually think this is one of the weakest episodes of this season, because the plot is rather typical, what sets it apart is Doug Jones awesome performance, as an exceptionally dangerous being, possessed by another alien species. This episode belongs entirely to Lt. Saru.

Episode 9: Into The Forest I Go – The last episode before the hiatus is just some great plotting,as far as I’m concerned. Outside of the Harry Mudd episode is the second best of the season, and a great setup for the major changes to come in the second half.


The show picks up the second half of its season on January 9th. And while I’m looking forward to new episodes, I’m kinda pissed that I have to wait a week between them as CBS has string the episodes out to keep people subscribing to their channel. They seem pretty aware that the only reason any of us signed up for it is to watch this show,and that as soon as it’s over, we’ll drop this channel. Hopefully, they’ll release some new shows before we all feel an urge to cancel it.


Coming in 2018

Into The Badlands (Season Three)

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I am totally psyched about this new season coming in 2018. Nick Frost will be returning which I’m happy to report, and the astonishingly lovely Lewis Tan will be making a cameo as well. The character of  Nathaniel Moon, from last season, will be a recurring character this season. I fully intend to review all the episodes of this series, which has now been boosted to fifteen episodes, which is where it should stay. I like that AMC keeps its seasons short, because then there are fewer filler episodes, and the plot moves well.

Into the Badlands: Season 3 First Look & Photo Gallery
The drama will return to AMC in early 2018 and finds Sunny (Wu) living off the grid, doing his best to provide for his infant son, Henry, in the wake of Veil’s death. It is only when Henry contracts a mysterious illness that Sunny must join forces with Bajie (Nick Frost) and journey back into the Badlands, where The Widow (Beecham) and Baron Chau (Eleanor Matsuura) are entrenched in a drawn-out war that has destabilized the entire region.No longer supported by Tilda (Ioannides) or Waldo (Stephen Lang), The Widow must find new allies in Lydia (Orla Brady) and in Nathaniel Moon (Sherman Augustus) — the former regent who lost his hand to Sunny and Bajie in Season 2.  But when a mysterious nomadic leader called Pilgrim (Babou Ceesay) arrives in the Badlands on a mission to restore Azra and usher in a new era of “peace,” old enemies must band together to defend the Badlands.@@

Mortal Engines

I have only a passing knowledge of this series of books, having partially read the first one. I don’t think I’ll go see this movie, although I did get a thrill from seeing the city of London devour a truck full of people. And I do like the idea of a world full of mobile cities. I have no idea who stars in this and only just heard about its release, but it looks good.

Pacific Rim 2

I never get tired of watching giant robots, and John Boyega is a great substitute for Idris Elba. I’ll probably go see this so I can check out Boyega’s premiere film creation. I like the diversity of this in this film. It’s got a good mix of men and women of different races, and abilities, along with a few faces from the first film.

Jurassic World: Fallen Kingdom

This looks like a lot more fun than the first movie which I took my mom to see. This trailer is certainly better, at least. We’re going to see this one because we love dinosaurs. Also, there’s Jeff Goldblum, so seeing this is probably some type of law.


C’mon! You know we’re going to see this! Dwayne Johnson!Giant animals tearing up the city! Naomie Harris! Dean Morgan! Mom and I have already set the date aside.


This trailer is much more interesting than the teaser. It does look like a typical monster film though, and maybe not quite as bizarre as the book series, which was pretty damn weird. I mean indescribably weird. It’s possible they can’t fully capture the books, so the trailers just aren’t going to do it justice. I am intrigued though. We’ll see what happens closer to the release date.

I still feel some kind of way about the lead character not being Asian, like she is in the books, and I just have one major question: WHAT THE FUCK IS WRONG WITH HOLLYWOOD? WHY DO THEY HATE  ASIAN PEOPLE IN MOVIES? WTF?

Oceans 8

I won’t be seeing this in the theater, but I do like it. I watched all the other Ocean movies, including the original Frank Sinatra film, and really enjoyed all of them. Making a female version is a cool idea, and it doesn’t look like a bad movi, but I only have so much money, so unless someone else is gonna pay for me to go, I’m just gonna read the reviews. Hopefully, Rihanna won’t die in this one.

Battle Angel Alita

I’ve got mixed feelings about this. It looks action packed. It certainly looks better than Ghost in the Shell, but once again, WTF IS WRONG WITH HOLLYWOOD AND HIRING ASIAN ACTORS? No seriously this shit is starting to feel like we’re all getting punk’d. When given even the slightest opportunity to hire an Asian actor for a primary role, they absolutely insist on skipping right to a white actor. WTF!!!

Okay, I’m probably not gonna see this anyway, because the actresse’s eyes look really creepy, and I don’t think I can sit through two hours of some very distracting eyeballs, although the action scenes look okay. Still, I got a bad feeling aobut this movie. I just dont think its going to blow up like that.

The Thousand Faces Of Dunjia

You can tell this movie isn’t American because it has Asian people in it. It looks like a Chinese version of The Avengers, but more fun, and with fewer White men. I probably won’t see this in the theater because there’s nowhere in my city that would play it.

Saturday Church

If you liked Moonlight then you should definitley check this out. A young man tries to navigate betwqeen his homelife and his queer identity. I’m always here for any media that celebrates queer PoC in a positive way. There are already a metric ton of positive portrayals of white lgbtq people, (even if most of those are indie films). There aren’t so many movies about young men of color discovering their identities, and we need more. Young Black men need to know there are other ways of being Black men that aren’t just thug life, which is all a lot of movies seem to be interested in. Also movies like this provide a kind of map for navigating real life situations for queer young people.


Ep. 2 Hannibal Season Three: Primavera

In the last episode, we got caught up with Hannibal’s activities since the night of the Red Dinner. In this episode, we find out what Will Graham has been doing, as one of the survivors of that night.

All throughout season two, we’ve been getting strong “hints and allegations” that Hannibal and Will have an intense (and dangerous) attraction to each other. This season the subtext has definitely become text, as it’s flat-out stated by both of them, what feelings they have for each other, and exactly how far into the abyss Will Graham fell, in his efforts to bring Hannibal to justice. At the beginning of this season, Will sets out to find and re-engage with Hannibal again, seemingly not having learned his lesson from that night.

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We open almost immediately after the Red Dinner, with Will in the hospital recovering from his wounds, reliving the events of that night, and  imagining that Abigail has survived. Actually this imagining of her isn’t any different from his previous thoughts about Abigail. Will has an idealized view of Abigail, as the perfect daughter and companion, an image that Hannibal well knew, and used against him. In the real world,  he and Abigail weren’t  that close, and she certainly didn’t feel about him the way he felt about her, although since this Abigail argues with, and castigates him for his actions last season, this is probably a much truer version of her than we’ve seen from Will before.

This is something a lot of fans of the show forget. That Will and Abigail didn’t interact that much in the real world, beyond season one, and on those occasions when they were together, she was just as unforthcoming, duplicitous, and manipulative with Will, as she was with everyone else, so I was immediately suspect of this image of her. And the show  plays coy with the idea that she survived that night, until near the end of the episode.

One of the  clues, that maybe she didn’t survive, is that Abigail asks Will questions about things she couldn’t possibly know about, unless Hannibal discussed these things with her, and  I don’t believe he did. Also notice that Abigail wears the same hunting jacket that Will has imagined her wearing before, but in a dried blood color,  we’ve never seen. Her body language, and attitude, are the same as when he imagined talking with her, when he was in prison last season.

So keep in mind that Abigail did not survive that night, and Will’s discussions with her, are just Will castigating himself for being stupid.

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Will also has an image of the stag, for the last time, as it dies on Hannibal’s kitchen floor.  The Stag doesn’t represent Hannibal, (as he knows Hannibal isn’t dead), and when Will is hunting for Hannibal in Europe, the Stag  is reborn. There has been a lot of discussion about what the Stag means, but my theory is that this is an avatar of  Will. This isn’t the RavenStag, which is an avatar of Hannibal the Killer. This is just The Stag that Will imagines whenever the darker side of his nature begins to assert itself.

Will  has an image of himself, and Abigail, drowning in a lake of blood. I’ve written before, that images of drowning represent  someone’s belief that they have gotten in over the heads, or into a situation that has overwhelmed them, or that they can’t control. Bedelia has such dreams in the last episode. These dreams of drowning are Will’s though, and are tied to the knowledge that he totally underestimated Hannibal’s will to survive, and his spiteful nature.

Will’s hallucinations and images are jumbled with Hannibal’s images of the breaking teacup, that reverses itself, and becomes un-shattered. I think  this represents Will, and the reversal of its breakage represents the turning back of time, and the resurrection of their previous relationship, which is something Hannibal deeply misses, even in his anger at Will’s betrayal. It’s something that Will longs for too, as he deeply regrets the decisions he made leading up to the night Abigail died. So both men are in the same place emotionally, saddened. missing each other, and regretting what they did to each other.

Will sets out in his boat to look for Hannibal in Europe, based on conversations had during Will’s therapy sessions. On arrival, eight months later, still accompanied by the ghost of Abigail, he goes to the Norman Chapel in Palermo, Italy that Hannibal mentioned, and finds a murder investigation in progress.

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The Norman Chapel  is an actual place, which is also part of Hannibal’s Memory Palace. It’s  real, although, the skeleton on the floor isn’t actually there. That was placed in post-production by Fuller, and i think it indicates indicates Hannibal’s placation to Will. It is an image of Hannibal’s forgiveness, or perhaps, he is praying to Will for forgiveness..

One of the images of Hannibal’s forgiveness is the Vetruvian Man origami from the first episode, and the mutilation sculpture of Dimmond’s body by Hannibal. He folded Dimmond’s body into the shape of a heart, pierced it with upside down swords, and placed it in the Chapel’s foyer. Will doesn’t actually get to see the body, though. He is met at the Chapel by a Rinaldo Pazzi, a detective in the city, who has been reading of Will’s attempts to capture The Chesapeake Ripper. Pazzi shows WIll a photograph of the crime scene, and believes it is linked to Will’s arrival in the city.

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Pazzi believes that Dimmond was killed by a serial killer that he calls Il Mostro, who managed to escape capture many years ago, by framing another man for his murders. He believes Il mostro, and The Chesapeake Ripper, are one and  the same, and that Il Mostro left Dimmond’s body as a message for Will, which it is. After learning from Bedelia that Will is still alive, and has traveled to Italy to find him, Will is much on his mind. Even if Hannibal may not recognize his feelings as a form of love, Bedelia does. (I mentioned in season one, that every show needs a truth-teller, a person who sees things more clearly than the main character/s around whom the story revolves. Bedelia’s role is to say what the outsider (us, the viewer) has observed.)

Pazzi recalls the case that set him against Il Mostro. He found the bodies of two people designed to emulate the 1482 painting, La Primavera by Boticelli, which hangs in the Uffizi Gallery in Florence.

Primavera or Allegory of Spring by Sandro Botticelli

Hannibal was obsessed with the painting. Sitting for hours, and drawing the painting over and over, and his last murder in Italy was a reenactment of Zephyrus chasing Flora (to the right in the painting). Pazzi recognizes Hannibal’s style in the killings of the Chesapeake Ripper and believes Hannibal has returned to Italy. He thinks Will may have some insight into Il Mostro’s nature.

But Will is not helpful, as he grapples with his darker self. Will is torn between wanting to join Hannibal, and wanting to capture him. Whenever he feels he is getting too emotionally involved, too close to Hannibal, he becomes afraid that he will lose himself, (hence his dreams about drowning), and feeling a need to reassert his better self (as an agent of the law), he  tries to capture him instead. He seems to go through this cycle of longing and destruction at least twice a season.

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Observe that while contemplating Hannibal’s crime scene, Will doesn’t use his pendulum system to ease into the killer’s mindset. He knows Hannibal so well that he doesn’t need it, and he seamlessly moves back and forth between his own mind, and Hannibal’s. He hallucinates (or dreams) of the Dimmond heart, and in one of this series most grotesque scenes, it comes to life, unfolds itself into the shape of the Stag, and stalks him across the chapel floor. My theory is that this is the rebirth of Will’s murderous avatar. Just being in a place Hannibal has been, has awakened the darker parts of his nature, a part of himself he thought was destroyed that night in Hannibal’s kitchen, when Abigail died.

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Will and Pazzi descend into the catacombs underneath the Chapel. Will is searching for Hannibal, believing he can feel him nearby. Will warns Pazzi to not be so trusting, because he may harm him. Will knows that his distress will attract Hannibal and killing Pazzi might bring draw him for sure. And Hannibal is there, so he hears Will’s quiet assertion that he is forgiven. But what is Will forgiving him for? Running away and leaving him? Trying to kill him? Killing Abigail? All three? Does it matter?


Of Note:

Will’s mention of the church ceiling falling in is something mentioned by Hannibal, in the movie Silence of the Lambs, where he says he likes to collect church collapses.

Abigail stares at one of the priests in the chapel, and he stares back as if he can see her, as if he can see this dark spectre following Will around.


Posts & Articles


Hi! Have Some Mini Reviews

Attack of the Killer Donuts

Yep! Its attack of the Killer Donuts. I was eager to watch this the moment I heard about it, but didn’t know where I’d be able watch it. I thought maybe it would take at least a year for it to reach the Syfy channel, maybe. Its actually on a library app called Hoopla. (If you have a library card, and your library subscribes to Hoopla, you should be able to access free books, movies, comic books and music.)

Yes, this movie is exactly as stupid as it sounds, carrying on in the grand tradition of Attack of the Killer Tomatoes, and Killer Klowns from Outer Space, and stars our boy, Ponyboy,  I mean C. Thomas Howell, yucking it up, as a cop who naturally, loves donuts. I’d list the other actors in this movie, but you still wouldn’t know who they were. It’s an entire cast of nobodies, who will never be anybodies, because that’s just how atrocious their acting is.

It’s hard to make a parody of a parody, but this movie actually  manages to successfully spoof Killer Tomatoes. Johnny is a hapless loser, whose blonde bombshell girlfriend cheats on him, and who doesn’t recognize that  his childhood friend, Michelle, has been totally crushing on him. He lives with his Mom, while his uncle lives in the basement and does weird medical experiments on rats. Also, his Mom is secretly sleeping with his nerdy best friend, Howard. Johnny works in a local donut shop that’s been going out of business for years because the town is nearly dead.

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Michelle is a techinical genius, who fixes computers, in her spare time. Unfortunately, her shiftless, dumbbell brother takes all the credit, and refuses to pay her for it. Michelle has been crushing on Johnny since they were little kids, and I totally bought into their relationship. The actress is good  enough, and there’s just enough backstory, to be able to sell her friendship with Johnny. Why does she love him, especially since she’s the smartest person in town? Because it’s in the script.

When Johnny’s uncle’s weird resurrection experiment manages to contaminate some donuts, the infection soon spreads to the rest of the shop, where the donuts come alive, sprout giant teeth, and decide to chew their way through the town’s inhabitants. Do not stop to ask yourself pertinent questions like: Where did they grow those teeth from? How are they moving around without legs?  Where is all the flesh they’re eating going to if they don’t have stomachs? And do the donuts produce poop? Never mind all this! Just enjoy the sheer goofiness of watching crullers, twists, and creme filled long johns, flying through the air, and trying ot bite people.

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I got a real kick out of this movie, though. It’s not very deep and I got a few hearty laughs out of it. The characters are definitely meant to be mocked and ridiculed. The three smartest people in the cast are Michelle, Howard, and Johnny ,who manage to fight off the donuts, and prevent possible donut Armageddon, by beating back the donuts using a combination of bravery and batlike objects, and blowing up the donut shop. The body count is pretty  low, but only because the movie doesn’t have a large enough budget to star more than ten to twelve people anyway.

The characters who are meant to be liked are likable, and you root for them to survive. The characters who are meant to be hated, are hatefully over the top, and you gleefully hope the donuts will eat them, like Johnny’s asshole boss, who allows Michelle to be bullied and sexually harassed by some dudebro customers, and Johnny’s faux-girlfriend, who is only with him because he keeps giving her money. Michelle is waaay too pretty and smart for Johnny, but that’s also on purpose. Heroes in these movies are almost always outshone by their girlfriends.

The stars of the movie though, are the donuts who chase, bounce, jump, bite, and generally act like a pack of rabid weasels. Occasionally someone  eats one of the cursed donuts and they, in turn, become rabid, and attack people, too. These are some of the cheapest, funniest special effects, I’ve seen in a while and I loved it! You could do worse than spend a happy, mindless, 90 minutes with this movie.


Star Trek Discovery

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I re-subscribed to CBS All Access because they offered some kind of special to sign back up. Of course I’m sure they realize, that as soon as the first season of this show is over, I’m going to unsubscribe to this  channel, because there’s not a whole hell of a lot to offer on this network. I generally don’t watch CBS. (They don’t have especially interesting shows, there’s almost no diversity, and there’ aren’t a whole lot of movie choices, either.)

Well, I subscribed so I could watch the first half of the first season of Star Trek Discovery and I have to say. I’m hooked! It took about three days to get through the first 7 or 8 episodes and now I’m invested. Like a lot of shows that do so, it improved from the pilot episode, with the introduction of new characters and themes.

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The first two episodes don’t really give a lot of indication of what the show will be like the rest of the season, and by the 4th and 5th episodes the show has definitely developed its flavor, with a good balance of light heartedness, and seriousness. Michael Burnham’s character takes a real turn when her prison ship is diverted to the Discovery by Captain Lorca.

Michael isn’t well received on the ship. Most people either hate her or fear her, except for Lorca, and her roommate, Tilly, who is quickly becoming one of my favorite characters. There’s also been the introduction of a love interest named Ash Tyler, played by the lovely Shazad Latif, who was rescued from a Klingon ship, suffers from PTSD, and may be a Klingon spy. I’m also really liking Anthony Rapp’s character, after I hated him in the first couple of episodes. Something happened to him that made him much more likable and approachable, without changing his essential nature.

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Each episode has a philosophical theme, that can get a little bit heavy. and I’ve gotten the impression that a lot of the kids on Tumblr aren’t used to Scifi shows being like that, I guess. But if you’re an OG Star Trek fan you should be well used to that sort of thing. The show definitely captures the spirit of Star Trek, if not the exact timeline and details. One of the things you may have the hardest time with is people cussing, and actual (not implied) sex scenes, because up til now, its mostly been a very PG type of show.

I’ll do a more in depth post on this later this month, after I’ve had some more time to think about the characters and plot.


Justice League

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Certain parts of this movie I really enjoyed, mostly any scene that didn’t involve Batman, or the villain. The end of the movie is a hot and colorful mess. The pacing is off, the music is annoying, just really, this could have been a  better movie.  But there are things to like about it. The most compelling story is Cyborg, and I wish I’d gotten to see more of The Flash, because all we got from him is quips. He still turned out to be my favorite character in the entire movie, which was a suprise because I thought it would be Aquaman. (Cyborg is too grim and tragic to be a favorite, although I really liked him, and I look forward to his solo film.)

It doesn’t help matters that every time I heard the villain’s name, I thought of the band Steppenwolf, (I did not know this was an actual character in DC comics.), and the funky remix of Magic Carpet Ride would play in my head.


Thor: Ragnarok

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This was a much better movie, even though I was trying really hard not to compare it to Justice League.  I really love Taika Waititi, and his brand of humor is stamped all over this movie, plus there’s a lowkey anti-colonialist message underneath all of the fun.

My favorite moment is Hela’s entrance into the story, and the introduction of Fenris. I didn’t know I needed to see a giant wolf  until I saw it. The Hulk turned out to be a lot funnier than I thought he would be, and of course, Jeff Goldblum was gold! Tessa Thompson was having waaay too much fun blowing shit up, and catwalking her way through the action scenes, and I loved it. Heimdall has a much larger role in this movie, and I’m eternally grateful at getting to watch Idris Elba kick some ass with a giant sword.

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Funny moment #213!

I had a great time!


Blade of the Immortal

I used to read this Manga back in the nineties, becasue that’s what I was doing back then, reading Samurai Manga, and binging YA novels. If you’re looking for a fairly faithful rendition of the manga, this will do.

Manji is about to die in battle when he’s approached by some type of immortal nun, who infects him with something called blodworms. The bloodworms heal any injuries he gets, no matter how severe or life threatening. In the books, he can only be killed after he kills 1000 men. Well, in the movie its been 50 something years, and he hasn’t killed 1000 men yet, when he’s contacted by a woman, Rin, who wants him to avenge her family’s deaths at the hands of the local sword fighting school.

I really love Samurai movies, ever since I first watched Seven Samurai, and will watch almost any one of them. I really liked this one, but not for the story, which I found not too remarkable. I liked it for the gore and sowrdfighting. I’m pretty sure Japanese viewers will get a lot more out of watching this movie than I did, but for me it was all just eye candy and some great fight scenes. And there are a lot of those, and naturally, there’s also a lot of blood. Blood and appendages are flying all over the place in this movie, re-attaching themselves, only to be lopped off later in the film. While this has the unintended side effect of muting any danger that Manji might be in, Rin is still in peril, and you’ll have to settle for a will she or won’t she survive type of thrill.


Valerian and the City of One Thousand Planets

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I was really hyped to see this movie because its got creatures, aliens, scifi costumes, and action and adventure, and I like Dane Dehaan. I ended up being disappointed, not because this is a bad movie, but because  it has so little substance to it, and I just expected more. Despite all the alien candy on display, the most fascinating thing, in the entire movie, was Cara Delevigne eyebrows. Talk about eyebrows “on fleek”. I kept staring at them, wondering when she had time to do her makeup, with all the shooting and running around she had to do.

I was also mildy excited because there was a big deal about the  singer Rihanna being is in this movie, as a shapeshifting character named Bubble, but she doesn’t appear until about 3/4 of the way in, and is killed off soon after, as she sacrifices her life for the two White protagonists, after one of them tortured her for information. Everything aobut this character is just bad, when looked at from the perspective of race. Everything!!! She’s toyalty of some kind, who was kidnapped and enslaved, and reduced to the level of a sex worker, (who is happy to be whatever you want). The worst part is that this tragic character is meant to be a form of comedy relief.

So let’s get this right:

Enslaved? Check!

Sex worker?Check!

Torture of yet another PoC? Check!

Comedy relief? Check!

Sacrifices herself to save the White protagonists? Check!


It’s like the writers went through a list of all the  Black film stereotypes they could find and wrote the character around every one of them. It wouldve been better if this character had never existed at all. (That would still have not improved this film however.) I know Rihanna is a huge scifi geek because she said so, but she really needs ot choose her nextproject with more care. I had no trouble with her performance of Bubble, however. She came across as funny and sweetly vulnerable.

There’s a lot of action in this movie. A lot of running around all so that everyone can end up in the same place, which has the side efect of making you think all the running around was to no purpose, a series of film vignettes, loosely based around the movie’s McGuffin. There is the same underlying theme of colonialism as in Thor Ragnarok, but it’s so nebulous you can barely see it.

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And so am I.



Mindhunter Review

*Amanda DobbinsWe need more expensive, mediocre, highly watchable television!

*Fennessey: One of the things I like about this show is that its pleasure is not derived from murder sequences, scenes that depict or dissect murder, or even the hunt for a killer. They’re process-driven, sure. But they are also skeptical of their heroes, unafraid to undermine their intelligence. This show isn’t about watching serial killers. It’s about watching watchers.

                                   ———-Excerpted from the Mindhunter Exit Survey

I’m just going to showcase this review of Mindhunter from Bitch Media. It highlights all the good and bad, from the perspective of a fan of Forensic Science shows.

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I’m also a fan of Forensic Science shows, in general, and I did like this show a lot, but it does have some real issues. Those particular issues didnt stop me from bingewatching it though, mostly because, on the issues of racism and misogyny, I expect only the absolute bare minimum, from a White male Hollywood director like Fincher, who has never addressed those specific issues in any of  his movies. (Now if this were Bryan Fuller, I’d be more upset. I expect more social awareness from Fuller, than I do from Fincher.)

Hollywood’s writers, who tend to be White and male, have a blind spot when it comes to certain issues and most of them are highlighted in this show. Not wanting to address those particular issues, (like  racial corruption in the FBI and COINTELPRO) doesn’t make those issues go away, and this is something that made me increasingly uncomfortable as I watched, as  I know something of the FBI’s sordid history.

I would have found this a far more interesting show had its focus been on one of the much smarter women, like the lesbian psychologist who gives the lead character all the correct answers, or the girlfriend with an actual sociology degree. I would have liked to have seen whatever dynamic played out with the killers being interviewed by someone they would normally consider one of their victims.

One thing that the article doesn’t mention is the latent homosexuality, in this all male environment, which is tinged with just a hint of violence between the main character and his interviewees. This is noticeable especially in the scene with Edmund Kemper, who makes a habit of invading the character’s personal space ,and touching him in an almost intimate manner, when they first meet. I think this is entirely unintentional on the part of the writer, but probably not on the actor’s part.

Cameron Britton and Jonathan Groff in Mindhunter


On the other hand, I do realize that’s not the show’s focus, (as its not a critique of the FBI,) and I do know more than I should about some of  the serial killers being interviewed in the show, having read John Douglas’ seminal book of the same name (and all his other books). Edmund Kemper, Jerome Brudos, and Dennis Rader (known as BTK) are all featured, and I can see that much more attention was paid to getting their details correct than in approaching social issues. Also, Douglas doesn’t address any of these issues in his book, so the writers may have been performing their idea of faithfulness to the source material.



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‘Ford is a mediocre white cishet male hostage negotiator for the FBI, who we are introduced to during a hostage situation. While the hostage was not harmed, the perpetrator–who was suffering from mental illness–committed suicide. We learn, though, that Ford already exhibits some of the character traits that will lead him to criminal psychology; that is, exploring not just what killers do, but why they do it. Post-hostage scene, Ford’s mediocrity is increasingly apparent to everyone except, perhaps, the writer and director, who clearly envision him as a determined and dedicated individual hellbent on finding answers, but who the audience might peg as a white guy to whom white-guy things happen.’


Mindhunter is available on Netflix, and despite its problems, is actually is worth watching, although it’s a much better show if you know nothing about the history of the FBI. Hopefully, the writer will become a little more daring with his characters and plot, in the second season.

Note: This is a vert talky show. There are no car chases, gore, or scenes of women screaming and running. The horror doesn’t derive from watching the killers take lives, but talking about why they did it, and how, and the focus, and casualness, with which they approach the concept of killing other human beings, as a hobby. 


Star Trek Discovery S01E03 Review: Context Is for Kings — The Supernatural Fox Sisters

In “Context Is For Kings,” we finally get to meet the namesake of Star Trek: Discovery. The U.S.S. Discovery is a brand new ship on a mysterious mission. It’s a scientific vessel, but with locked lab doors and black alerts. And it may hold the secret to winning the war against the Klingons.

via Star Trek Discovery S01E03 Review: Context Is for Kings — The Supernatural Fox Sisters


I did not watch this particular episode except in a couple of snippets online. It was very uncomfortable viewing, but I guess that was meant to be like that. I didn’t expect Michael to receive warm welcomes on the Discovery, but I was dismayed at the shitty behavior displayed by the rest of the crew towards her and wanted to “Force Choke” every single one of them, including her roommate. I understand their feelings about her, but it still felt and looked bad, and I’m not used to that level of sneering contempt from a Star Trek crew, (although the STNG crew was occasionally pretty snobbish.)

On the other hand, it does make for great drama, so I guess that was the point. I liked this review though, which gives a great overview of the episode, without any spoilers, which is totally unlike my overly-detailed ramblings. I can’t watch the show, but I ‘ll watch the snippets, and forward these lovely reviews from the Supernatural Fox Sisters.


Hannibal Kills

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I was asked recently, by one of my readers, (The Laughable Cheese) to elaborate on my thoughts  about the whys and wherefores of Hannibal’s murderous motivations on the show. Now, I’m no psychologist, so what I’m about to write is sheer speculation on my part, based mainly on my thoughts about the series version of Hannibal.

Throughout the series we’ve seen him kill to aid Will Graham, out of spite and anger, to satisfy his curiosity, out of a sense of whimsy, to protect himself from being captured, or manipulate others, but it is not until season two that we get any deeper reason for his murders.

Acc­ording to Holmes typology, serial killers can be act-focused (who kill quickly), or process-focused (who kill slowly). For act-focused killers, killing is simply about the act itself. Within this group, there are two different types: the visionary and the missionary. The visionary murders because he hears voices or has visions that direct him to do so. The missionary murders because he believes that he is meant to get rid of a particular group of people.

Process-focused serial killers get enjoyment from torture and the slow death of their victims. These include three different types of hedonists — lust, thrill and gain — and power-seeking killers. Lust killers derive sexual pleasure from killing. Thrill killers get a “kick” from it. Gain killers murder because they believe they will profit in some way. Power killers wish to “play God” or be in charge of life and death.


I think Hannibal kills for a multitude of reasons, but seems to fit the model of being a process killer. The act is drawn often a long drawn out event, which has a lot of meaning for him. We can see that in his killing and eating of Abel Gideon, in season two and three.

A lot of fans speculate that Hannibal kills because he can, and that’s as good a reason as any other, but I don’t feel that goes deep enough. Hannibal’s reasons are complex. Why does he feel he can? Because Hannibal likens himself to God. Why does he want to assert himself as God’s equal? For the same reason that many others seek to assert their power. Because, on some level,  he knows how it feels to be powerless.

In season one, Hannibal mostly kills the rude (for food), or to protect his identity. He kills Georgia Madchen because he believes she saw him killing Will’s doctor. He killed Will’s doctor because that man knew too much about his unethical manipulations of Will Graham, and could blackmail him for it.

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The first time we encounter one of Hannibal’s kills,  is when the body of Cassie Boyle is found in an open field. Hannibal has impaled her on a rack of antlers, (and removed her lungs, so that he can eat them.) Crawford and his forensic team discover her body after Will is confounded  about  the murder  of another young woman, named Elise.

Hannibal kills Cassie to provide what Will calls “a negative” to the body of Elise. Will thinks Cassie Boyle was killed to aid him in his search for Elise’s killer, and he’s not wrong. That is one of Hannibal’s motivations for killing the young woman, but another motivation, and this is just my speculation, is that he was also inspired by Elise’s killer, to create a more elaborate death. The way Cassie Boyle was killed was simply a way he hadn’t tried before.

In fact, no mention is made of how the Chesapeake Ripper (also Hannibal) killed or displayed his victims prior to the show’s opening, although the Chesapeake Ripper is mentioned as someone Jack has been hunting for many years. His killing and display of Cassie Boyle is the first mention of what Will calls “Field Kabuki”, which stands in direct contrast to how Elise was killed by Garret Jacob Hobbes. That contrast is what helps Will develop a picture of Hobbes, but also has the side effect of  bringing Hannibal to Will’s attention.

Now remember at this point, Hannibal has only  just met Will, after being given the task by Jack Crawford, of being the caretaker of Will’s sanity, while Will helps the FBI catch serial killers. Already we can see that he is fascinated by Will, and wants to get closer to him. He wants to be friends. So he was willing to take that risk to aid Will. He would get to see how Will’s mind works and better understand him. So one could argue that Cassie’s death was an overture of friendship to Will (although Will does not know that.).

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The very first meal that Will and Hannibal eat together is Cassie’s breakfast scramble. Prior to that we are shown Hannibal eating this alone in his house. He doesn’t appear to have any friends until he meets Will. After feeding Cassie to Will, he seems to have developed a sense of satisfaction from feeding the remains of his victims to his acquaintances, because he continues to do this throughout the entire series run, feeding his victims to Jack, Will, Alana Bloom, and various dinner guests. In the movies, Hannibal is shown feeding his victims to dinner guests, so there is precedent for it, but that’s  only shown in the TV show once, and only after he meets Will Graham. After that he mostly feeds his victims to his “friends”.

Hannibal kills for multiple reasons in season two. He also manipulates people into attempting to kill others. He manipulates Abel Gideon into  killing Alana Bloom, so that Will Graham will be forced to kill Abel to protect her. He does the same to Miriam Lass, using her PTSD against her, to get her to kill Frederick Chilton, who he has framed as the Chesapeake Ripper. He and Will attempt to orchestrate the killing of Mason Verger, and Lecter  successfully manipulates Will Graham into killing Randall Tier, by sending Tier after him at his home.

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Hannibal kills others for  a dinner party. One is a doctor who was rude to him, and Sheldon Isley, a land dealer who opposed the salvage of some wetlands. Lecter kills him out of spite and plants his body within a tree. It is the clues from Sheldon’s body that lead to the discovery that Miriam Lass, (a detective whose disappearance had been attributed to The Chesapeake Ripper), is actually alive.

However, his most notable and memorable killing, in season two, is the judge in Will’s case. Having framed Will as The Chesapeake Ripper in season one, Lecter now regrets his actions, and misses Will. The judge dismissed the testimony he gave in his attempt to free Will. In a fit of spite, Lecter simply removes the judge, which has the added side benefit of freeing Will, as his case gets thrown out.

Most of his reasons for killing in season three are pragmatic.  In season three he kills to protect his identity, as when he kills Reynaldo Pazzi, a detective who recognizes him from a previous case, and Anthony Dimmond, a man who tried to blackmail him. He kills to establish a new identity when he kills and eats Roman Fell and his wife.

But the most notable killing in season three are the flashbacks to the  killing and eating of Abel Gideon, the man who tried to steal his name and reputation as the Chespaeake Ripper, and knew too much about his manipulations of Will Graham. It’s especially horrifying as he spends most of that time talking with Gideon about what he’s doing to him, and forcing Gideon to partake of his own flesh.

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Note that what Hannibal does with his victims bodies afterwards is not the reason he kills them. He is not necessarily killing them to help Will, or send messages, or be artistic. He is making art out of something he already feels compelled to do. For example, he didn’t kill Dimmond to make the origami heart for Will. He just took advantage of a death he caused to leave Will a message. He killed Dimmond to protect his identity as Norman Fell.

Lecter has also talked, at length, about ethical killing, claiming to Bella Crawford that he employs an ethical butcher, who doesn’t make the food suffer before killing and eating it, and in season two he chides Will for terrifying Freddie Lounds too much before killing her, saying that it makes her flesh taste acidic. What he is saying is that the method (the process) by which he kills is important to him.

Miriam Lass, in her testimony to the FBI, also claimed that the Ripper never tried to cause unnecessary pain, informed her of his actions beforehand, and taking care to see that she didn’t experience undo anguish. So one could make the argument that Hannibal is definitely a “Process” type killer.

One of the theories for why Hannibal kills goes back to his childhood and the loss of his little sister Mischa. In the book version of his back story, (Hannibal Rising) he lost his sister during the war, when a group of enemy soldiers took his family prisoner, killed his family, and ate his sister, which he witnessed. Subsequently he hunted, killed,  and ate each of  them in turn, and this is a habit he simply developed and continued. Killing and eating people he thinks were rude to him.

In the show, this has been changed to;  witnessing his sister’s death, and then eating her himself, after he had pledged to always protect her. But Hannibal’s motivations on the show parallels his motivations from the books. He says to both Will Graham, and Margot Verger, that killing bad people feels good. Of course Hannibal’s criteria for “bad” is fairly loose, in that almost everyone can meet it. Hannibal likens their behavior to disrespecting God (himself).

Of course Will is allowed to be as rude to Hannibal as he likes. His motivation for trying to kill and eat Will, in season three, is not because Will is rude, but because Bedelia suggested it to him, as the only way to relieve his heartache over Will.

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Because Hannibal doesn’t see his victims as people, he sees them as creatures far beneath him (a theme that will more heavily come into play late in the second season, after Mason Verger is introduced). A much truer version of his thoughts is heard in season two when he says that God kills with impunity, and so should he. When killing the “Eye of God” killer, he explains that he is God’s equal and uses that argument to persuade the Eye of God killer to sacrifice himself for his art.

This thirst for power over people, to be godlike in his killing of them, may have derived from the vigilante killing of his sister’s killers. Having helplessly stood by and watched her be killed would be excellent motivation for taking back his power by killing her killers. In a sense, Hannibal is a kind of vigilante killer, only killing and eating those people who his cellkeeper Barney, in the movie Hannibal, referred to as  “Free Range Rude”. And what may have started as a form of vigilantism, to avenge his sister’s death, or to right the wrongs of the world, has simply evolved into a lust for power. Put all these reasons together and Hannibal definitely comes across as a Power type of Killer.



Star Trek Discovery

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So I did watch the first and second episodes of this show, but I won’t be watching any more of them, I guess, because the show sits behind a paywall. In order to watch Discovery in the US you have to subscribe to a streaming channel called CBS All Access, the first week of which is free. Also, I can’t watch this on my TV, because I can’t add any channels to it.  The streaming channels are preset on my DVD player too, so I can only watch it on my Ipad, or at my computer, which is inconvenient for me.

Now, I generally don’t watch network television anyway, that is the top four networks of  Fox, CBS, ABC, and NBC. I don’t watch them because their programming isn’t particularly interesting to me, and I’m extremely wary of liking a show, only to see it get canceled after one season. I’ve been burned waay too many times by  network TV.

I subscribed to CBS All Access, but after scrolling through the shows available on the streaming network, I figured out that I was really just paying for each episode of Star Trek, (like about 2 or 3 bucks an episode, which isn’t bad, but still) and decided to unsubscribe. It’s not a bad price per episode, as the six dollar fee is only once a month, and there are three or four episodes per month, but there is literally nothing else I watch on that network. Maybe later I’ll change my mind, so I can binge watch all eight of them during the hiatus in December.

Star Trek Discovery is a very different show for CBS. They have no track record for diversity, either. In fact most of their lineup seems to consist of  mediocre detective style shows, of which the only interesting one is Elementary (Lucy Liu is a goddess!), which I can watch reruns of anywhere else, including at my library. So basically, Discovery is like nothing else on that network.

After watching the first two episodes, I decided that I did indeed like the show, but I’m going to have to forgo this  pleasure until later. I’m also to understand that the rest of the season will be a whole new animal from the pilot, although from the trailers it still looks  pretty good.



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What I Liked:

Soniqua Martin-Green (Michael Rainsford) naturally  gets a lot of screen time, as the show’s lead. A lot of the episode rests on her shoulders and I feel confident that she is  up to the job. She turned in a very strong performance. I had a few quibbles about some of her character’s decisions during the episode, but the show was suspenseful and compelling, only requiring a little tweaking, for consistency.

I loved everything about Michael and it was a real joy watching her and the captain banter with each other. We don’t get to meet any of the rest of the crew really, and there’s a reason for that. We won’t be seeing any more of them beyond Saru (the alien scientist played by Doug Jones.) Another thing I like is that there is quite a contingent of White women who seem to really like Michael too, and are coming to bat for her.

The only people who seemingly hate the show, and nitpick every single tiny detail, so as to do so, appear to be White men, and I expected as much from the ones online, because they stay disappointing me on the regular. (Its funny! The real life White guys are know are some of the nicest, most considerate people. Are they even the same species  as the ones online?)

The plot of the first two episodes is basically background stuff for Michael’s character for the rest of the season. We’re introduced to the person she was so we can get to know and understand the person she will be. Michael is orphaned during a Klingon attack on an outpost and is adopted by James Frain’s Sarek. (You may remember Frain as the vampire who was obsessed Tara Thornton in the show True Blood.) I like Frain’s version of Sarek. I liked the other versions too, but Frain’s version seems less stiff and formal. He seems like the type of man who is just very used to being comfortable around humans, while still remaining uncompromisingly Vulcan. My favorite moment is him whispering “Behave!” to his young charge just before he leaves her alone with Gheorghiu, because that’s such a ‘parent- type’ thing to do, (This is the kind of behavior he might well have learned from raising his spirited, half human son.)

I liked that the show isn’t filmed in quite the same way as other Trek shows. For one thing, we get flashbacks to Michael’s upbringing on Vulcan, and I wish we’d had more of those, rather than showcasing the Klingons. In one of the first flashbacks we see her as a child having a moment of PTSD in one of the learning pods, and witness Sarek’s reaction to her.

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I have to admit I have never been a fan of the Klingons. I’m simply not now, nor ever have been, impressed by their existence, language, culture, any of it. So I didn’t particularly enjoy having to look at the Klingons for half the episode. What made them even more annoying was that their makeup was hard to look at, and they were difficult to understand, and not just because they were speaking their native tongue. They sounded like  people speaking through masks, and quite frankly,  a Klingon with a lisp is not scary. (Plus, they all spoke very slowly, as if they had all suffered  recent head injuries.)

Klingons have always been “coded”as Black people and I don’t really have a problem with that. My problem is with their depiction as one of the more violent races on Star Trek. On the other hand, the show does have a very good track record for giving them depth and making them likable, and sympathetic characters, the most notable one being Worf from STNG. Now there is an element of colorism involved in their depiction, as there is a Klingon with albinism, who seems to have to prove himself to be more Klingon then all the others, after being kicked out of his family. I’m reminded of the discrimination of albinos in certain parts of Africa, but I don’t know that this calls back to that or not.

I liked the Klingon  costumes, though. The costumes had this beautiful Elizabethan look that just kinda suited them. I liked all the costumes in the show really, and I liked all the tech stuff that Trek is famous for. This is an extremely pretty show, that’s just nice to look at. The color scheme and design reminds me of DS9, and the Federation outfits seem almost Bajoran. Well, Bajoran with lots of bling, and I like bling, so that didn’t bother me. That’s probably  due to Fuller’s influence since DS9 was the last Trek show he worked on.

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Michael joins the crew of the Shenzhou with Michelle Yeoh’s  Captain Phillipa Gheorghiu. I loved the relationship between these two women and hope to see that replicated in later episodes, because showing that type of rapport and mentorship between women is important. After Michael encounters and kills a Klingon (a race of people that the federation had not had contact with in some 100 years), on Sarek’s advice, she argues that the Shenzhou should fire on the Klingon ship, to show greater strength, hence the name of the episode, The Vulcan Hello. Gheorghiu disagrees with her and Michael gives her the Vulcan Sleeper Pinch, and takes over the bridge.

When Gheorghiu gets back on the bridge, her Federation backup has arrived, but because she still refuses to fire on the Klingons, even though their backup arrived first, this starts a skirmish in which the Federation loses. Michael, who has been stashed in the brig during this fight, manages to escape just before her imminent death, by logicking at the computer. She goes back to the bridge and proposes the idea of capturing the Klingon leader, so as not to make him a martyr. Michael and Gheorghiu board the Klingon ship,  but their attempt to capture the Klingon leader (T’Kuvma) is unsuccessful, and Gheorghiu is killed.

At the end of episode two, Michael is convicted of assaulting her captain, mutiny,  (and exacerbating an already tense  situation). The rest of the season is her (and Jason Isaac’s Captain Lorca) dealing with the aftermath of her conviction.

During the standoff between the two women, Michael makes a bunch of emotional decisions, but she’s been raised on Vulcan and has never dealt with the PTSD of what happened to her as a child, so she has not learned how to handle her emotions in an environment with a lot of other emotional issues. Well, she doesnt seem to have learned, and this incident is a direct callback to a highly personal event that she’s never had to think about while safe on Vulcan.

She seems to be having difficulty telling the difference between decisions she makes through logic, and ones made through emotions, which makes her a wonderfully complex character. I’m interested to see how she grows and changes throughout the season, and I hope the writers don’t pull a Sleepy Hollow, and sideline her in favor of Captain Lorca. This first season should be all about Michael and her journey. Later, we can get more  into the stories of the other characters.

I loved the special effects, even if I didn’t like the makeup on the Klingons. The transporter effect looks a little different and Gheorghiu explains that it’s because the Shenzhou is using older technology.

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Doug Jones (you may remember him as Hellboy’s Abe Sapien) has great makeup, but those stilt things he has to walk around on look deeply uncomfortable, and I worried that his feet hurt, even though surely, he must be used to that sort of thing. I liked the character too and enjoyed the rapport between him and Michael. It reminded me of the threesome from the original show.


Things I Could’ve Done Without

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As I said, I hated the Klingon makeup, not because I thought it was especially bad, but because they all look like they’re trying to talk through Kabuki masks. I’m used to Klingons looking expressive, and their faces (the makeup) makes that impossible. Another thing I don’t particularly care for with Klingons is all the group yelling. I’ve always found that annoying.

I wish they would’ve shown more of Michael’s background, as I could’ve used a lot less of the Klingons, and I also get the impression that the people who wrote this show don’t understand Klingons very well. I understood their reasons for attacking the federation but those reasons still were not well articulated for me.

I think they could have ditched the ten minute prologue  of Michael and Gheorghiu on the desert planet. It was a cute scene, that introduces the two characters and the nature of their relationship, but ultimately it was unnecessary. That was made clear when the two of them first met, and I would’ve liked to have seen more of that first meeting. Or they could have done away with the first two episodes altogether and just jumped right into Michael’s new life, and new captain, for the rest of the season. The plot feels like a bait and switch and I didn’t like that, although I understand that Gheorghiu will be making plenty of cameos in the form of flashbacks, so the show began as it means to go on. Its flashbacks all the way in.

There wasn’t a lot I disliked  about the show itself, and I think the show is really worth watching. Part of me hopes it succeeds but as I said i’m probably not going to be watching it because I don’t want to pay for it. Apparently a lot of other people feel the same way because I heard it’s one of the most pirated shows online. I’m not going to pirate the show, but maybe I’ll sign up later.

You’re probably going to see a lot of comparisons between this show, and another one called The Orville, led by Seth MCFarlane from Family Guy. If you’re lookng for something like Star Trek, but a little lighter, than the Orville is your show. In the last episode I saw, things got just a bit heavy, dealing with the issue of gender change, in an interesting way, and I think it was handled well, (but it would be up to transgender people to say whether or not it was actually handled well).

The first couple of episodes are an odd blend of seriousness and humor. Now, I don’t watch Family Guy, because I don’t find the  show not particularly funny. McFarlane’s dudebro humor doesn’t mesh well with mine, but The Orville is a different side of McFarlane. He wants to be taken seriously as both a comedian and a showrunner and it shows. The show still doesn’t know whether it wants to be a comedy or a drama, but once it figures that out, it can be a really good show, and I actually enjoyed watching it. The humor is scattered all over the place, but its not raunchy or especially offensive, if that’s your worry.

The closest comparison would be Galaxy Quest, (although it’s less funny), as the show is very obviously a love letter to Star Trek, if a somewhat irreverant one. The show still needs some  degree of tweaking, but it’s not a bad show. And I hate to say it, but it’s a lot more fun than Discovery. Discovery is a heavy show with very little humor, and although I enjoyed it, it’s a very different type of show than The Orville. The two don’t really compare, inasmuch as they are both offshoots of Star Trek.

So for those of you who can’t get your Trek fix, I think The Orville is a good enough substitute, and this is coming from an OG Trekkie, who also loves Galaxy Quest.


American Horror Story: Cult Election Night

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I didn’t like this episode.

Not because it was a bad episode, but because it was really, really hard to sit through.

For the record, I don’t have a problem with clowns. Clowns don’t particularly bother me, but I do have a problem with the rhetoric spouted by Evan Peter’s character (Kai) during this episode, and Sarah Paulson’s character’s panic attacks.

It’s extremely difficult to watch someone have a massive panic attack, when you suffer from anxiety yourself, and I had no idea in advance of those scenes, that they were going to happen. Ally (Paulson) didn’t  have just one attack either, she had at least three of them, and seemed at least mildly  hysterical the rest of the time.

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The episode is named after last year’s election night. On that night, we see Ally have her first attack, which I, at first, thought was a bit over the top (only because that wasn’t my reaction to the election), while acknowledging that she had some good points. Her reaction after the election was bad enough, but Ally is a person without any down points in her emotional makeup. She seems to be upset all the time, if only by a matter of degree. She is beset by a host of various anxieties, phobias, and panics, and the rest of the time she seems barely holding on by her fingernails.

Now couple that character with Evan Peter’s Kai, who saw the election as an opportunity to engage in unrestrained assholery, (just like plenty of White men did in the real world), and a speech he later gives at a local government meeting on the nature of fear, and you can see why I found this episode less than entertaining. I get the writers rather heavy handed point, but I still didn’t like hearing it, as it ‘s not too different from the kind of shit actually being said by the president right now.

This wasn’t helped by the show’s usual overwrought style of writing, and the general plot. The whole thing, when it wasn’t triggering my own issues, was also  unbelievably over the top.

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After the election, Kai goes upstairs in his house, and smears his face with what appears to be Cheeto dust, Ally’s neighbors are murdered in a parody of the movie The Strangers, or The Purge, I’m not sure which, and Ally gets menaced/chased by clowns at the local store, while two of the clowns have sex in the produce section. (I had the distinct impression that that may have not been a consensual act, which upsets me even further. I will not watch rape scenes!) On top of all that, the young lady, who is hired to babysit her and her wife’s son, has all of the acting range of a lobotomy patient, and happens to be an associate of Kai. I guess her job is recruit Ally’s kid, or something.

When Ally’s neighbors are murdered by clowns, she later finds out that the babysitter had taken her son to watch the event through the window. This is really the point where I gave just up and just checked the fuck out. I don’t know, and don’t wanna know, what happened between any of these characters. At that point, I decided I really needed to watch something else, or just turn off my TV.

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Lets face it. This show has finally defeated me.

It upset even my less than delicate sensibilities, and that’s saying something, since I’ve been a fan of this show for the past three years, and sat through some of the most  blatantly outrageous bullshit that the writers could possibly dream up. And that may very well have been the writer’s point. If so, then they won! I give up! They’ve finally gone so far that even I can’t watch this show without laughing, scoffing at it,  or crying, and sometimes all three at once.

Either that, or this show just struck too damn close to home for me to be able to comfortably watch it. I watch some shows to get away from reality, which is bad enough in Trump’s America, with its daily list of atrocities committed against PoC. On the weekends, I usually turn off all social media, just as a matter of self care. The last thing I ‘m going to find entertaining, right now, is a parody of my own  terrifying reality, (although I realize that this may be a form of coping for other people.)

I don’t know that I’ll watch this for the rest of the season. I’m loathe to stop, but I don’t know if I can sit through any more of this. Ally is a really hard person to get past, although her wife has the patience of Job. I like her. (As someone who not only deals with her own issues, I also happen to be the caregiver for someone who is not unlike Ally, so I could identify with her behavior.)

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I love that the show depicts a loving and supportive relationship between these two women, where they talk it over,  and work at trying to do and be better, instead of simply fighting, for extra drama. They show love and affection for each other without it turning into titillation for the male gaze. It’s just another relationship, like hundreds/thousands, of other relationships. Their son is adorable too, but I’m also not here to watch their child be corrupted into whatever Kai is, which seems to be the babysitter’s plan.

Plus, there’s all the damn clowns. I get that clourophobia is a thing, but it isn’t my thing. I just don’t find clowns to be all that scary. They’re  less scary than all the other shit happening in the world of the show. And oh yeah, that skin crawling feeling you get at looking at images of human flesh dotted with holes, that’s called Tripofobia. I know you’re just going to ignore my advice, but nevertheless, I feel I absolutely must caution you DO NOT GOOGLE THAT WORD!!!!!

I probably won’t be reviewing any more episodes unless there’s a huge event of some kind.

How can a show be both terrifying, and absolutely ridiculous?


The Defenders Season Review

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Instead of reviewing every episode, one by one, like most other reviewers, I’ve decided to just review the entire season.  Rather than 13 episodes, the series has been reduced to eight, which I feel was a really good idea, as this helps the story move along a lot more swiftly, and with less filler, than in the individual shows.  Since the plot is moving faster, and interludes are shortened, it’s not possible to get too irritated by any particular plot point (The Villain), or character (Danny), because you just don’t have much time for it.

Overall, I enjoyed the series. I can definitely say that I like certain characters much better in a team setting, than I did in their individual stories, because a lot of their weaknesses of character aren’t on full display here, and when they are on display, there’s a reason for it. I especially enjoyed all the team action, even just sitting around and talking to each other, because these guys are  a lot of fun together. Their fighting styles and attitudes just mesh really well, and they have great chemistry with each other, which makes for some interesting, and cool fight scenes, and some funny and snarky dialogue.

I think the show played up the reluctant hero angle a bit too much. The characters are always having conversations about how they’re not heroes, and don’t want to be heroes, especially Luke and Jessica. Matt is trying to quit  the superhero game as if he were going cold turkey from some kind of -ism. Danny is the only one who wants to be a hero, and he’s not  remotely equipped to be one.


Luke Cage:


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We get a slightly deeper understanding of Luke as a person, although there are no huge revelations, or anything. He still doesn’t want to be a hero, he’s still living in Harlem, still trying to figure out what he wants to do with his life, all of this is just as in his own show.  We see the opening moves of a friendship between him and Danny, and Luke and Claire finally go out for that coffee, before being awkwardly interrupted by Luke’s former one night, Misty.

All of the characters get a chance to interact, one on one, during the series, although there’s not a lot of forward momentum in their characters, or relationships. Just hints of things to come. We get hints of a reconciliation between him and Jessica. In the comic books, the two are married and have a baby, but I don’t know if these shows will move in that direction. I’m opposed to it because of Jessica having killed his wife, (and then lied to him about it), and Jessica is also  not in any kind of emotional shape to have a relationship with anyone. Also, she is, ethically speaking, the complete opposite of  Luke, and I just don’t see those two  styles of personality meshing well.

As I mentioned, the showrunner doesn’t do anything new with the character. Luke remains a deeply principled guy who, while okay with kicking ass, is opposed to killing. He is not afraid to call someone on their shit, the way he does to Danny.

I love that all the characters have their place and purpose  in the team, and how their differing fighting styles are showcased. Luke is like Superman. He’s invulnerable to most harm, and is often a shield for the others, when the guns come out. He’s not completely invulnerable though, as Danny is one of the few people that can knock him off his feet (well…Danny and unexpected trucks). Seriously, the man is like a tank. He’s even immune to fire.

The team needs Danny whenever they need a huge, loud distraction, as in the finale, when they needed to reach a safe place, but The Hand was being an obstruction. Danny is like a large explosive device, delivering concussive sound and force, and I like the way his powers are used here, although yeah, the glowing fist still looks kinda silly. Still, Luke and Danny are definitely the team’s two heavy hitters.

One of the most annoying parts of the show is the Rap music that appears whenever Luke shows up on screen. To the showrunner: Hey! Luke does not  need a soundtrack to announce his presence!

Matt is the resident Ninja, and while Danny isn’t too bad in that department, Danny has a different purpose. Matt is the kind of team member who can move in and out of a situation quickly and quietly, warn the team of any impending danger, (and get them out of trouble with the law,  if necessary, I guess.)



Matt Murdock:

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Matt spends a lot of the first couple of episodes trying not to be heroic, or save people. I think we’re meant to believe that he gave it all up after losing Elektra, but since I wasn’t buying his relationship with her, I didn’t care. The two of them have no chemistry, and the emotional intensity of a pair of titmice, especially when it comes to passionate exchanges.

On the other hand, it was nice seeing him put his lawyer-ly shit down, it was nice to see Foggy and Karen again, and I’m glad the three of them made some effort towards reconciliation, especially after last season’s events, when Karen found out he was Daredevil. The two of them treat, and talk about Matt, as if he were a recovering junkie, so that’s kind of weird, made even weirder by scenes of Matt “staring” longingly at his Daredevil outfit, as if it were an ice cream sundae.

Actually, a lot of Charlie Cox’s acting is off in this series. There’s story movement, but his character remains pretty much the same. His fighting skills are awesome as ever, but Charlie looks like he’s phoning in  his performance. When I called him a Floor Lamp Ninja, I meant that he could pretty much be swapped out by any other martial arts actor, and this would not  greatly affect the plot.

I did enjoy the scene where he tails Jessica on the streets and she susses him out, and when they meet for the first time in their superhero guises. Matt steals that big gray scarf she wears everywhere, to wrap around his face, and Jessica rolls her eyes at him.



Jessica Jones:

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This show went a long way towards making me like this character. As much as she hates people, Jessica really does work well in a team setting. She takes nothing seriously, which ends up making her the funniest person in the group. Her one on one interactions with Matt are especially funny, and she gives absolutely no fucks about who  Danny is, and is quick to say so, which I thought was hilarious.

A lot of the weakness of Jessica’s show is that its very White Feminist, and her mistreatment of PoC in the show really started, not just to grate on my nerves, but to make me actively dislike her, no matter how much I sympathized with her issues. I know and understand  that she is dealing with the severe trauma of what Killgrave did to her, but trauma is not an excuse for her abuse and mistreatment of characters of color.

I actually had a problem, not just with her,but with the show’s writers as well. Despite women’s trauma issues being  the center of  the story, they still managed to erase  WoC entirely, which is something White Feminism keeps doing, in stories that are supposed to be empowering to women. (The stories end up being empowering only  to White women.) But I still applaud the show for its messages and the general treatment of its (White) female characters. I see why some people liked it, but ultimately the show wasn’t for me.

That’s just the logical reasoning for why I disliked the show. The other reason is there was a lot of triggering shit in that show. I had to stop watching it, for my own self care, because I was not ready!

I liked Jessica in The Defenders, because the focus wasn’t on Jessica’s pain, so we got to see her reacting to other things. She’s still an unlikable, alcoholic, snarky mess, but that’s okay. Who says heroes have to be likable? Its especially interesting because unlikability is rare in female characters, and Jessica is thoroughly unapologetic about herself. At one point she very openly steals a can of beer, from a passed out homeless man on the subway, (because she’s had a long day,) right in front of Matt and Luke, who handle  the act with no more than raised eyebrows.

Jessica is definitely the team’s Tony Stark to Luke’s Steve Rogers. There’s much of the same personality dynamics present, except some of the motivation for  Jessica’s rather  loose ethics stem partially from her trauma at the hands of Killgrave.


Danny Rand:

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Yeah, for someone who talked a lot of shit about the Iron Fist series, I think you guys will be pleasantly surprised that I didn’t actually dislike Danny Rand in this show. As I mentioned, the shorter running time for the series means that Danny’s scenes are kept to a minimum, so he doesn’t have as much time to be irritating. Not that he doesn’t give it a big try.

Finn Jones has also had the benefit of some practice on his fight choreography, and better directors and it shows. His fight scenes aren’t the trash fire that they were in Iron Fist, so he actually ends up looking competent. Plus, he just works better with a team of people, than he does on his own.

The team dynamics go a long way towards making Danny likable here, and really, in the next season of Iron Fist, the show runners really need to lean in to the ridiculousness of his story, rather than playing it straight, because yeah, Danny sounds like he’s insane. None of the other team members take his backstory seriously, rolling their eyes every time he mentions he’s the Immortal Iron Fist, an attitude I thought was incredibly funny. And then there’s the silliness of him walking around with a large dragon tattoo on his test. His powers aren’t funny, and the audience is never given to laugh at those, but his backstory is kinda nuts. Mr. I Punched a Dragon!

Another reason I like Danny here, is because the showrunner makes an effort to make his character understandable, in a way that he wasn’t in his own series. In his own series, his behavior is incredibly rage inducing, and frustrating, (and I can’t help but think that this change has at least a little to do with the showrunner being a man of color, who understands the issue in a way the last showrunner didn’t). But here, Danny’s behavior is in smaller doses, and he has more well developed characters reacting to his wtf*ery, so he’s  a lot easier to understand. Granted, if the character had been cast as Asian to begin with, we wouldn’t need all these careful repairs.

For example, at one point, he and Luke square off, with Luke confronting Danny about his privilege as a rich White man, who chooses to come into his part of town and beat up the impoverished Black people, rather than finding some other way to defeat The Hand’s purposes. The Hand is able to operate with impunity in such neighborhoods because all they have to do is offer money. Luke’s statement is a reminder to Danny that there’s a bunch of other things he could’ve done, as a wealthy White man to defeat the purposes of The Hand, besides beating up the citizens. But then you notice that Danny’s go-to, when dealing with The Hand, is only ever violence. He never tries to thwart them any other way, and thinks he can  simply punch his way to the proper outcome.

For example: Danny and Colleen find a warehouse full of bodies. The Hand is hiring young men from Luke’s  neighborhood to  clean up any evidence that might lead to their organization. Danny and Colleen do not know this. They don’t ask questions, have not investigated the situation, and haven’t bothered to understand the why of any of it. The two of them immediately jump to kicking ass. Danny and Luke first meet when  Luke steps in to protect one of the young men, who has lost his family to The Hand, and feels coerced to work for them.

Luke’s statement about his privilege is meant to remind Danny that there are other perspectives  besides his own. It’s made very plain  that when it comes to The Hand, Danny has a huge blind spot.  Danny doesn’t  think, he just reacts, and that was what happened at the warehouse, which  resulted in Danny brutally beating a (Black) teenage boy. He’s  reckless, impulsive, and has anger issues. He and Colleen don’t have any kind of a plan, beyond destroying The Hand. This gets mentioned a couple of times during the show.

On to the good part: Danny doesn’t get any better at being impulsive, but he does listen to what gets said to him. And the showrunner is a lot better at making clear what Danny’s motivations are, something which is cloudier on his own show. Danny is looking for a purpose. Since he abdicated his responsibilities to K’un L’un (Why?), he’s not only been looking for a way to atone for that, but looking for a new purpose to replace it, and probably looking for a new family too, as he’s one of the few characters that’s at all excited about teaming up. But again he is blind to his rage about The Hand, and as long as he remains blind to his lack of control, as regards them, he can accomplish nothing.

When the rest of the team find out the the The Hand is specifically after Danny, they try to get him to stand down, and stay out of their next fight, rather than just running up on ’em, without a plan. I’m always here for Danny getting his ass handed to him, which the team has to resort to, to keep Danny from fucking up, yet again. There follows a long interlude with him and Luke getting to know each other, and Danny trying to at least understand Luke’s perspective on the world.

So yeah, this show went a little way to making me, if not like Danny, at least understand where he’s coming from in terms I could easily grok.



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Sigourney Weaver turns in a beautiful performance, as I expected, before being unexpectedly dispatched near the end of the series. My biggest problem is that her motivations as a villain are so vague and ill-defined I was completely unable to care what her goals were. We know what she and the other members of The Hand want to do, but we have no idea why they want to take over the world, other than just wanting to do it.

I didn’t focus on her unfathomable motivations. I just tried to focus on her performance.  She and Elektra have great chemistry, reminiscent of Ellen Ripley and Call, the Android from Alien Resurrection, and I found this dynamic fascinating. On a lighter note, I loved her outfits. Alexandra is always impeccably dressed. She just looks like a woman with a lot of money and extravagant but unshowy tastes.

Another problem that I have is that the women in this show rarely get to interact with each other, (although Claire and Colleen get some nice scenes together, and later, Colleen and Misty get to talk). Alexandra spends a lot of time alone. They couldn’t even bother to write her as being friends to Madame Gao, having her treat Gao like a servant, which I found especially distasteful. Here you have a wealthy White woman treating this older Asian woman as if she were the Help, although there are other factors behind why she does it, it was still ugly and racist, even if that was not what was intended.

I still don’t know why the  showrunners bothered to call Sigourney into this show, which she is simply too good for. I had noticed that her presence sidelines the Asian characters putting, them all in a subordinate position to her, and significantly reducing Madame Gao’s street cred, that she’s built over three other shows. As much as I like Sigourney, I feel like the story would have been better served without Alexandra.



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I still do not like this character, because I just feel like she’s evil for no  feckin’ reason. I didn’t like her in Daredevil either, because the writers just made her seem batshit insane for no reason. Elodie Young is gorgeous and all, and can actually act, as I’ve seen her elsewhere acting just fine, but I don’t like the way she approached this character. When we first see her here, she has been brainwashed and controlled by The Hand, most especially Alexandra. She’s pretty much a perfect example of the Born Sexy Yesterday Trope.  Later,  she appears to become evil on purpose,and for the life of me, I simply could not care.

After Elektra’s resurrection, she is mentored in her evil-ness by Alexandra, and it was really interesting watching the relationship between the two of them, but she does eventually betray Alexandra, and turns against The Hand. Once again, for no reason that I could discern than that the writers needed a new villain in the plot.

The show is somewhat formulaic, with the idea of replacing one Big Bad with another, halfway through the season. This happened with Iron Fist, Daredevil, and Luke Cage, where the viewer starts out with one villain, who gets unceremoniously dispatched by the true villain of the story. Basically, a villain bait and  switch.

I wanted to like Elektra. I just don’t. I couldn’t understand her motivations for anything, and I wasn’t feeling her deep love affair with Matt Murdock. Which is not helped by Matt Murdock acting like  “Floor Lamp Ninja”, throughout most of the series. When she’s not smurking evil-ly, she has a blank, wide-eyed, look on her face, which I found kinda irritating. I got no problem with Elektra’s martial skills. Those were exemplary, as always.


Colleen Wing:

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She has even less personality growth here then in Iron Fist. In fact, I found her much more annoying in The Defenders, than I did in that show. She didn’t make much of an impression on me for this show, either. Part of this has to do with the shorter length of the series. There’s just not enough time to develop all the characters, so some of them get short shrift and hers is especially short.

The only thing we get from Colleen’s is more of her being Danny’s support network, (as she is told by Claire) and fighting the same endless fight against Bakuto, that she fought in Iron Fist, with Bakuto making the exact same talking points. Why he wants her is anybody’s guess Is he in love? Wants her as a protege? We don’t know or understand. His motivations are pretty vague. As are most The The Hand’s motivations.

Collen’s motivations are even less discernible to us than they were in Iron Fist. That was a problem that wasn’t even approached here. We don’t know why she loves him, and the two are not especially demonstrative, but nevertheless we are led to believe they are a couple. She may be Danny’s emotional support but she’s doing an awful job at helping him deal with his anger issues ,or his ideas about who and what he is. Case in point, it took a near total stranger, Luke , to point out one of Danny’s biggest flaws. The problem may be that Colleen is unable to point out Danny’s flaws because she’s too much like him. She has a go along to get along attitude with Danny that I found irritating, never questioning what he says or does, and mindlessly following him in his quest. She has no story of her own, seemingly having gave it up to be little more than Danny’s helpmate. The writers need to do better with her. Hopefully, if there is a spinoff show with Misty, she’ll be better written.

As per usual there’s nothing wrong with Colleen’s martial skills. In fact the choreography isn’t bad for the whole series, and at least a few of the directors know how to shoot fight scenes well enough to make them all different, and compelling enough, to keep watching. My favorite fight scenes are the team fights though.


Misty Knight:


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There’s not much character growth with Misty Knight either, but at least her motivations are clear. We know exactly what she wants in the narrative and why she wants it. She wants to solve her case, and get a promotion, (or not be fired), which is hindered by the fact that the people who could help her solve it, refuse to tell her anything, and the fact that, with The Hand, she is totally out of her league.

Misty is a cop, so she has mostly cop concerns, just as she did in Luke Cage. Shit is happening, her friends are in the middle of it, and they won’t tell her anything, because they realize, but refuse to explain clearly to her, just how far out of her depth she is. I kept admonishing Luke (and Jessica) to make clear to her, that the organization they’re  dealing with  doesn’t give a flying hot damn if she’s a cop, and will happily kill her (and her entire fam), but they kept refusing to tell her this, which was becoming really frustrating.

I’ve also seen some shitty meta about how she’s a bad character because she keeps attacking people she needs help from, and I’m like Bish please! She’s not attacking your White faves! She is being a cop, who knows that the information that will allow her to do her job, is being withheld. She’s got one job in the damn show, which is solving her case, and  she can’t do it, because  the four people who know something about it, won’t tell her anything. So yeah, she gonna be irritated, and not afraid to show that irritation.  This is called DRAMA, people!( I’m trying to  remember that I’m dealing with the hysterical children of Tumblr, who think any time  characters of color show irritation at a White character’s actions,  that it automatically makes them a villain. Yep! This is the level of logic I’m dealing with on Tumblr, guys!)

But she comes through in the end anyway, and lets the team handle their bidness. Although, I suspect she’s mostly there because Luke and Claire were in danger. (Remember, Misty doesn’t know who  any of those White people are. They are just mysterious somebodies who are obstructing her job. Luke and Claire are the ones who are her friends..)

Misty is known in the comic books for having a silver bionic arm, and for teaming up with Colleen to be the Daughters of the Dragon. (On an alternate Earth, she even gets to carry Steve Rogers shield, sorta like a female Bucky.) So,  we may get to see her new prosthetic in season two of Luke Cage, and if we’re lucky we’ll get to see her and Colleen team up. Hey! If side characters like the Punisher can get their own show, they can make a Daughters of the Dragon series, (possibly in the style of the Foxy Brown Blaxploitation movies of my youth.) The series should of course be helmed by a Black or Asian woman, because I absolutely do not  trust a White, male, showrunner to get a Black woman, and an Asian woman correct.


The Hand:

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Unfortunately, the shorter the running time of the series does not seem to allow much clarity on who, or what, The Hand is, or why they want what they want. We have some idea of what they’re doing globally, not just in New York, but that’s pretty much all we get.

New York starts experiencing a spate of seismic disturbances, which are being caused by The Hand digging near some sort of fault line, under a plot of land they built an office on. Why they are digging is slightly unclear. I think some dragon bones are involved becasue its briefly mentioned tat this has something to do with how Iron Fist got his power. For some reason ,they also need to capture Iron Fist and beat him up, or make him angry so he can open some kind of doorway to K’un L’un, so the five leaders of The Hand can go back home.

I did pay attention but really that’s the best I can do regarding the rather lackluster plot. I really didn’t care, although i guess its supposed to be some sort of revelation ,that the five leaders are all incredibly old, exiled citizens of K’un L’un. Even the facts of why they’re exiled in the first place isn’t made abundantly clear. I really hope the showrunner and the writers were making some kind of point about cloudy motivations, or something becasue the villains are a mess.

Alexandra gets unceremoniously dispatched and replaced by Elektra, who gives a self important speech about how she’s now the leader of The Hand. I don’t know if its the actress, or the writing, but I was bored by the whole thing. Why we were introduced to new memebers of The Hand only to have them killed right away is anyone’s guess.

Since The Hand is an egalitarian organization there’s a Japanese guy, whose name I don’t remember, a Brazilian guy named Bakuto, an African (Haitian?) guy named Sowande, and Ms. Gao, who I assume is Chinese. Sowande reminds me of the lead character from the movie Beasts of the Southern Wilds who was a procurer of child soldiers. Sowande is brutally tortured and killed by he Defenders after they capture him in an attempt to find out his people’s plans, something which did not sit well with me. And before you come into my inbox and start mansplaining about how the other members of The Hand also get killed, I have to remind you, that none of the other members of The Hand were brutally tortured first. This happens to the sole Black member of The Hand, by people who are, supposedly, the good guys.

Couple that scene with Iron Fist’s brutal beating of a young Black boy in an earlier episode,Jessica jones treatment of its Black male characters,  Daredevil’s treatment of its Asian characters as some type of Yellow Peril (which even the presence of a White woman leader cannot resolve), and Iron Fists White Savior issues, and it becomes clear that the the MCU has some serious racial issues that need addressing. The only disability on display is Matt Murdock’s blindness. Jessica Jones treament of one of its lesbian characters was, quite simply, abominable, and outside of that there is no LGBT representation in any of it. Marvel comic books are doing much better in regards to these issues than the MCU.

One of the ways they can address some of these issues is by hiring different types of showrunners, and writers and treating the creation of these shows (and the movies which have all the same problems) the same way they approach the comic books. The newest phase of MCU movies have gotten a little bit better as far as racial issues (but not by much) and it’s seriously lacking in LGBT and disability representation, and the creators of these projects need to think more deeply about these issues, most especially in its treatment of Asian characters across all of the MCU, as it’s becoming creepily apparent that maybe don’t like people of the Asian diaspora.

Despite all my criticisms though, I actually enjoyed watching it. I’m still glad I didn’t have to spend 13 hours watching it, instead of the eight. The strongest part of the series are the scenes of The Defenders working together as a team. There’s a lot of room for improvement but also a lot of promise for a season two.


Hannibal Season Three: Antipasto


This is me beginning season three of my Hannibal re-watch. For some reason, during the time of its airing, there was a huge drop off in critical analysis for this show, after season two. I was hard pressed to find anything on the third season. (If you got a rec’, holla at me.) For some reason, most reviews stopped at the Season Two finale, and I sort of understand why, but still, there’s a whole ‘nother season after that, that none of the reviewers seemed to care about. I actually liked season three, although I do have to (somewhat shamefully) confess to blowing off the first five, or six episodes, when they aired, and having to go back to watch them later. Where here’s where I make up for that

In season three, we begin the Hannibal and Red Dragon arc of the books. The first two seasons were Bryan Fuller’s version of a pre-quel to The Red dragon, when Will and Hannibal first met. Between the season two finale, and the Red Dragon half of the third season, Fuller managed to squeeze in the primary  plot of the book, Hannibal aka Mason Verger’s Revenge.
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There will be lots of call backs to specific dialogues in the books, and some Silence of the Lamb references, throughout the entire season. But since the DeLaurentis didn’t have the rights to Silence of the Lambs, (and the show got canceled), we never got a chance to meet Fuller’s version of Clarice Starling, Well the rights to Silence of the Lambs reverts back to the DeLaurentis this August, and Fuller, who is now the showrunner for American Gods, along with the Martha DeLaurentis, has been in talks with  Mads Mikkelson, and Hugh Dancy about returning for a fourth season. Let’s keep our fingers crossed that this happens.

Hannibal Season 4 Needs to Happen: Here’s Why

At the end of season two, Hannibal took down everyone during what’s now called The Red Dinner, or for the more pretentious among us, Le Diner Rouge. Everyone who knew Hannibal, and converged on his home, left there in an ambulance. Will, Jack, Alana, Abigail… Of the four, its Abigail who dies from her injuries. The others make a comeback this season to try to recapture Hannibal.

Season three picks up with Hannibal, in black leather, riding through the streets of Paris on a motorbike, which is never how I pictured him from the first seasons. He is stalking a new victim, Roman Fell, a Library Curator from Italy, whose identity he plans to adopt as his own. There are flashbacks to the direct aftermath of The Red Dinner, we go with Hannibal to Florence, Italy, we get answers on how Bedelia and Hannibal ended up on that plane together, and about what hold he seemed to have over her.

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After leaving the House of Blood, Hannibal heads to Bedelia’s  home/office, to shower. Bedelia, who had just been called in by Jack Crawford to testify against Hannibal in preparation for his intended capture, assumes that its safe for her to drop in.  She discovers Hannibal in her shower, and in a classic pulpy, film noir, image, she holds a pistol on him when he steps out. He manages to talk her down, but really, she  could have done what no one else in the show seemed capable of doing, except she’s suffering from the same problem that WIll Graham seems to suffer from. Fascination. 

Every time Will  Graham had an opportunity to pop a cap in Hannibal’s ass, he hesitated, or wasn’t really serious about it, (to be fair, the first time it happened, Jack shot him), because there’s just something about Hannibal that made him not really want to. Bedelia does the same thing here, putting down her weapon and listening to whatever Lecter has to say. I  never completely understood why these people listened to Lecter, because I’m not impressed by the things he says. But then I’m immune to a lot of  things real-life evil people say to me, so I do struggle to understand the motivations behind why people in these narratives always listen to any  villain’s self-serving bullshit.

Bedelia, having gotten the Jedi treatment from Hannibal, flees with him to Europe. Now to be fair, one of the reasons he has such a hold over her, is just plain fear. A year or so ago, he sent a patient to her that she killed. It wasn’t entirely her fault, but Hannibal’s argument to her, was that it looked deliberate. Hannibal sent her a patient who was unstable, paranoid, and violent. When the patient (played by Zachary Quinto aka Spock) loss control, he had a seizure (it’s implied that this was something subliminally implanted in him by Hannibal, and is a direct callback to the scene in Silence of the Lambs when Hannibal makes “Multiple Miggs” eat his own tongue.) Bedelia, thinking she was helping him, tried to grab his tongue with her hand (something you are NOT supposed to do) and she killed him instead. Hannibal has been holding that death over her head for some time now.

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There’s also this: she was granted immunity by Jack Crawford in exchange for any testimony against Hannibal. Perhaps, since she believed since Jack was dead, that the  immunity he had granted wouldn’t be honored, and she’d still be held accountable. So she sort of owes Hannibal a debt for not telling on her. There’s fascination, and her own fear for her future, but there’s also plain ol’ fear of Hannibal. She is terrified of him the entire time she’s with him in Italy, but that terror doesn’t exactly spur her to leave him. (I’ll have more on this in a moment.) Perhaps there’s also the fear that he could easily track her down, and she’d never know when or where he’d be. It may be her idea of keeping her enemy close. And they are close. But I wouldn’t ever call them friends. Or even frenemies.

They are very, very close, though I don’t believe they have slept together. There are scenes of Hannibal helping her out of her clothes, and scenes where they’re half naked together, and even a scene where Hannibal washes her hair, but I never got the sense they were lovers. I think Bedelia is too terrified of Hannibal to be his lover, and Hannibal only really loves Will Graham, for which Bedelia is not a substitute. Although he greatly admires Bedelia, and is charmed by her intelligence and beauty, I believe he merely covets her, and you can see that he lacks the level of respect for her, that he’s displayed towards Will. I think it’s because of her lack of killer instinct.

Will can, and does, kill people, without hesitation when the mood takes him. There’s a deep well of darkness in him, that Hannibal has been trying to access, since he first saw Will in action waaay back in episode one, when Will took down Garrett Jacob Hobbes, without breaking a sweat. He greatly admires Will’s cool ability to kill without remorse, even with his empathy disorder, and Bedelia simply doesn’t have that in her. She lacks both Will’s levels of darkness and his, paradoxical, empathy.

She and Hannibal first travel to Paris where Hannibal stalks,  kills and eats Dr. Roman Fell, a curator for a Museum in Florence, and his wife. While staking out Dr. Fell, he encounters Anthony Dimmond who, I feel, is totally mackin’ on Hannibal, at this point. There’s no other way to see that scene except as a flirtation. I have no idea how Hannibal sees it. Anthony used to be a TA for Dr. Fell, and claims to  dislike him. Bedelia and Hannibal travel  to Florence, as Dr. Roman Fell, and his wife Lydia, where he assumes Dr. Fell’s position, as a guest lecturer on Dante, at the Library.

Dr. Fell’s name might be a reference to Bishop John Fell, who is  mentioned in The Strange Case of Dr. Jeckyl and Mr. Hyde, when one of the characters remarks that he doesn’t like Mr. Hyde. This same man is also the subject of a nursery rhyme of the same name called I Do Not Like Thee Dr. Fell. This is basically the theme of the first third of the episode as at least two people claim to dislike Dr. Roman (an anagram of Norman) Fell. (This is  an example of Fuller’s very dry literary humor.)

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Throughout all of this, we are treated to flashbacks of Abel Gideon (The Man Who Would Liked To Have  Been The Chesapeake Ripper) being forced to eat himself, as Hannibal slowly takes him apart, limb from limb. In an especially horrific touch, he feeds Gideon snails, acorns and wine, then feeds parts of Gideon’s body to more  snails, to make the snails  taste like Gideon, and then makes him eat those. How snails take on the flavor of whatever they eat is a recurring theme in the first three episodes. Gideon snarks at Hannibal about his future, and warns that Hannibal will soon become a hunted man. He  refers to Hannibal as  the personification of the Devil, paralleling the discussion about Dante that appears afterward.

At a party in Florence, Hannibal and Bedelia dance, and Hannibal is accosted by one of the one of the library’s professors, Professor Sogliato, who hates Dr. Fell because he is a foreigner, and who questions his knowledge of medieval Italian history. Lecter, who loves to play to a crowd whenever possible, dazzles everyone with his ability to speak fluent Italian,  by quoting Dante’s first sonnet. Dante’s first sonnet by the way is the basis of La Vita Nuova (The New Life), which is also the basis of the operetta by Patrick Cassidy, called Vide Cor Meum, which is the central musical theme in the movie Hannibal. Bedelia tries to distract Sogliato by requesting a dance, but that man has already signed his own death warrant, by questioning  Hannibal’s credentials in a public place. We learned from his reactions to  Alana and Chilton, in season two,  that Hannibal dislikes having his credentials second-guessed.

After the party, Bedelia dreams she is drowning in her bath. People being submerged in water is a recurring theme throughout the entire series. Whenever a character is feeling overwhelmed, or trapped, they often dream of being submerged in water, while unable to move, or help themselves. Both Will and Alana have had this recurring dream. In the first season, Will was struggling to hold on to his sanity, as he also suffered from encephalitis.  In season two, he struggled to hold on to his sense of who he was, as he got closer  to capturing Hannibal. Alana experienced this same sensation when she entered a romantic relationship with Hannibal and began to realize he was not who he seemed. That Bedelia is having this dream now, means  she is losing herself in Hannibal’s world, and is struggling not to be overwhelmed. Hannibal just seems to have this effect on people.

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       – Drowning in a dream is  about struggling to survive as a person, so it applies to your identity as it is dealing with relationship with other people, but also with your own internal world of instincts, body activities and needs. This is about being or feeling overwhelmed by something.

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Bedelia is in the habit of shopping at Vera Dal, and making the exact same purchase, once a week. There has been a lot of speculation about her actions in Florence, but I think the consensus that was reached, is that she knows people are looking for Lecter, and maybe her, and is trying to be found. At one point, she goes to a train station, not to escape, but to be seen on the station’s camera, just in case anyone is looking for her. I believe she’s trying, to be rescued. Notice how her Vera Dal bag is carefully turned towards the camera above her, and she makes sure to turn her face up to it. She has to be subtle about this, because she knows Hannibal is planning to eat her and if she is too blatant, in her attempts to leave,  he will kill her that much sooner. She escaped his intentions before by fleeing, but knows he won’t let her get away with that a second time.

I just want to point out that while in Florence, Bedelia’s hair, makeup, and outfits are on point. She was always a well-dressed woman, but in all her scenes, her costuming is absolutely superb.

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Lecter encounters Anthony Dimmond again, and invites him to dinner with him, and his wife. He doesn’t tell Dimmond who he’s impersonating, but invites him to one of Dr. Fell’s lectures, as well. At dinner, we find that Hannibal has been treating Bedelia to some very specific foods, much as he did with Abel Gideon. Lots of Oysters, snails, and other types of invertebrates, as Bedelia sadly jokes, that she’s trying not to eat anything with a central nervous system, because her husband wants her to taste a certain way. So yeah, they both know he was planning to kill and eat her, at some, unspecified,  point. Dimmond mentions that the Romans used to do the same thing to the animals they would eat, but  thinks Bedelia is flirting with him, perhaps suggesting a three-way. Meanwhile, Hannibal watches all this, with a great deal of amusement.

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Until this season, we’ve gotten only glimpses of Hannibal’s sense of humor. We know he has a very dry one because of the things he’s said in preceding seasons, but we rarely got a look at him actively making jokes, or reacting with happiness or glee. This season we get to see a Hannibal that is much freer in his display of emotions. He tells Bedelia that he has removed his person suit. Especially after he gets captured midway through the season, when he just has a very  “I Really Don’t Give A Fuck” attitude about the entire situation. This season Mads Mikkelsen appears to be having a great time all season.

After discovering that Hannibal is posing as Dr. Fell, Dimmond tries to blackmail Hannibal. Its an interesting discussion, as Lecter asks if  Dimmond is trying to fold him into some new shape. We never learn what their deal is because Lecter kills him in the apartment, in front of Bedelia. Bedelia was already terrified for Dimmond when he had dinner with them. When Dimmond shows up at Hannibal’s lecture, she runs back to the apartment, packs a suitcase, and attempts to escape, but Lecter and Dimmond show up before she can get out the door. This is the first time we’ve really seen Bedelia lose her carefully designed composure since making the decision to accompany Lecter to Europe. What it shows is a woman in the grip of extreme terror. Earlier, Lecter walked past her and touched her on the shoulder, when Dimmond walked into the lecture hall and that seemed to galvanize her. She is ready to run.

Lecter bashes Dimmond’s over the head as Bedelia watches. Before he breaks Dimmond’s neck,  Lecter asks if she is observing or participating, and reaches the conclusion, based on the fact that she knew what was coming, yet did nothing to prevent it, (including warning Dimmond to stay away) that what she is doing is participation. After this we see Bedelia in tears as she contemplates that this is her possible future. This is why she is not Will Graham’s substitute. She makes no pretense of her ability to handle watching Hannibal do this. In Hannibal’s mind she has no instinct to kill, despite her big talk to Will about it, later in the season. Will would not have tried to run. Will would’ve tried to kill Hannibal, or just taken it in stride, as he did when he watched Hannibal make Mason Verger cut off his own face.

Later, we find that Lecter has folded Dimmond into an interesting new shape, (just as he joked to him earlier) as he travels by train to the  Norman Cathedral in Palermo. During his trip, he folds a paper image of Michaelangelo’s Vitruvian Man into the shape of a heart, while thinking about Will Graham. ( I spoke about this in a previous post on how Will is Hannibal’s perfect man.) Will is very much in Hannibal’s thoughts after Dimmond’s death. He wonders if Will is still alive, and is in a pensive mood while on the train to Palermo.

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He places Dimmond’s body on display in the middle of the Norman Chapel over the image of death that is inscribed in the floor. He has folded Dimmond’s body into the shape of a heart, and pierced it with three upraised swords, like the Three of Swords from the tarot.

The Three of Swords represents rejection, sadness, loneliness, heartbreak, betrayal, separation and grief. Such events feel so painful because they are unexpected. However, the Three of Swords often serves as a warning sign to show when one or more of these are possible. By preparing for this difficult event, the emotional blow can be minimised or even prevented entirely.

I don’t know if he knows that Will is alive. I think he suspects it, but  Hannibal often does things just to see what will happen, or just to artistically express himself, and this could be one of those times. If the display is meant for Will, then it’s Hannibal’s psychotic version of an apology to him, saying that he forgives Will for hurting him, and misses him.



So, this episode was entirely from Lecter’s point of view. The next episode will be about what happened  directly after the “Diner Rouge”, from Will Graham’s  point of view.


Since the airing of American gods, I’m hoping these reviews of Hannibal helps people to look more deeply into the meanings and expressions in that American Gods. As I said, in my reviews of that show, Fuller loves to put meaning into everything you will see on the screen, and that almost  nothing you see is accidental. Every image, name, and line of dialogue is, at the very least, some type of in-joke, if not foreshadowing for some later event, or an illustration of the episode’s theme. So if you are a literary student, or history major, you will find all manner of easter eggs in his work.