Kingdom (Korean Zombie Series)

 

I cannot speak highly enough about this show, and I want to watch it again before the 15th (before I’ll be binging Umbrella Academy). If you’re a fan of historical fiction, zombies, and political intrigue, then this is your show. The fact that all the political intrigue takes place in Korea’s past is completely irrelevant, because you will enjoy the ride. You will especially enjoy it if you watched the movies, Train to Busan, or Seoul Station, because this is from the same creators, although it is unknown if the movies are part of a trilogy, with the show.

Now, I can’t say for certain, but it is possible that Kingdom is a prequel to Seoul Station, which takes place in present day  Korea, and involves a zombie contagion spreading among the homeless. Train to Busan is about a zombie contagion that takes place among a crowd of middle class commuters, in the present day, in another area of Korea, simultaneous to Seoul Station.

Image result for kingdom korean zombie series gifs

Kingdom takes place in Korea’s ancient past and is about a zombie contagion that spreads among the populace, after the King becomes infected. While the peasants fight for their lives, the Crown Prince attempts to do his best to help save them while the rest of the nobility fight among themselves for access to the throne.There’s some neat character arcs in the series. When we first meet the Prince, he is attempting to see his father, who has been incognito. What he doesn’t know is The King had been turned into a zombie by  the medicinal use of a small purple flower, that grows in the mountains.

The current Prince is next in line to the throne, and he is indolent and kind of lazy. He’s spent most of his time enjoying himself rather than learning statecraft. There is a rival clan that wishes to put one of their own on the throne because a daughter of that clan is the King’s pregnant wife. Most of the time at court, is spent driving away the Prince, and pretending the King is still alive, but in seclusion, until that woman’s child is born, as that child will have precedence to the throne over the current Prince.

Related image

As the crisis with the zombies deepens, we watch as  the Prince steps up to care for his people in their time of need, which parallels the journey made by the lead character in Train to Busan, who goes from a selfish man, who nearly gets one of the other passengers killed, to sacrificing his life to protect them. Several times the Prince risks his life to save peasants, including several children. He steps up to be as courageous, and smart, as the peasants believe him to be. The other officials, whose job it is to take care of the villagers, turn out to be a lot less so.

Each iteration of these stories addresses the  issues of classism and poverty from three differing points of view, so I can’t talk about Kingdom without talking about the previous two films, because even if the films are not part of a trilogy, they are connected by their themes. In Seoul Station, the entire contagion begins among the homeless , when one of the men in that community, dies  and resurrects. His brother tried get help for him, but kept getting rebuffed  by people who had nothing but contempt for him. If he had been able to get medical help for his brother, the situation would not have evolved the way it did.

Related image

In Kingdom, the villagers in the outlying areas are starving to death because the local officials are neglectful in their duties, being more concerned with their pleasant lives, than if people are dying. When one of the bodies the King has fed on, is shipped home to one of the villages, someone chops up the body, and puts it in a stew, which the starving peasants eat. For the record, most of the bodies the king has fed on, don’t resurrect because they have been immersed in a pond on the castle grounds.

One of the interesting things about these zombies is they only resurrect during the day. It isn’t until later that we find out why that is, but until then, since no one believes in their existence until its too late, no one takes the opportunity to get rid of the bodies before nightfall.  As soon as the sun rises, the zombies fall down, and appear to be dead. The bodies that have been dumped into  the palace’s pond have also not resurrected, for some reason.

Related image

 

The homeless man, in Seoul Station, spends nearly the entire  movie running for his life, after having met, and saved, the life of the young woman at the center of the film. She too is a member of the underclass,  a sex worker with no real home of her own, after she breaks up with her boyfriend. Neither of them have anywhere to go, so must stay out in the streets, trying to avoid the zombies. At one point, she and the old man have simultaneous emotional breakdowns about wanting to go home, and not having one to go to.

Related image

Every opportunity people have to help them, they don’t,  including the police. The two of them get attacked or turned away. Some of the characters declare that the old man smells bad. The young lady makes a less than favorable impression, as she spends most of the movie in her bare feet, after she loses her impractical shoes. No one will help either of them because they are considered smelly, or  dirty, or  worthless. The movie isn’t just an indictment against the existence of homelessness, but an indictment against the classist snobbery that does nothing to help them.

In Train to Busan, you have another class of people, the middle class, riding a train, when a contagion occurs. You have businessmen, grandmothers, high school students. In other words, respectable people. The kind who were looking down on the primary characters of Seoul Station. Trapped in an environment no one can escape, they are shown as being selfish, full of contempt for those they think are less than, having no loyalty to one another, yet  acquiescent to any form of authority.

The man with the most power and respect is openly malicious  towards the other characters, at one point, expressing a rage filled rant towards a teenage  girl he regards as stupid. At several points in the story, he gets people killed because he wants what he wants, and in his mind that takes priority over whatever those “lesser” people want. So once again we have the themes of classicism and selfishness and snobbery. All the other characters learn to be selfless too late to save themselves, as they really get  the chance to band together. The lowest person on the class scale is the wrestler and his wife, both of whom start the story as giving and altruistic people. There is also a homeless man in this movie as well. He dies too, but he does so giving his life to save others, just as the wrestler does. This same level of personal growth is shown in The Kingdom, when  the Prince rises to the occasion, to become a true leader who makes smart, brave  decisions for the welfare of the villagers, and  always from a place of empathy.

Related image

In Train to Busan, two old women, sisters, are watching news footage of the zombie attacks on TV and, mistaking the attackers for rioters, they both express disdain for “those people”. After one sister gets infected, the other gets everyone in her train car killed, after she opens a door to let her sister inside. Her selfishness, (because she certainly isn’t thinking of the welfare of the others in the car), is what gets everyone killed, which is an interesting turnabout, as it was the people of that train car who selfishly kicked  some of the other survivors out of that car, at the commandments of the selfish businessman.

In Kingdom, the ruling officials in the area, at every opportunity to save the villagers, elect to save themselves. During an uprising of zombies, a fleet of boats is burned, leaving only one boat left. The officials and members of the local nobility, decide to take the one boat for themselves, after promising to evacuate the villagers. Unknown to them, one of  the infected has made its way onto the boat. They are all killed, and their boat destroyed, when the contagion breaks out.

While the movie is full of Game of Thrones style intrigue, its still fairly easy to follow, although you will probably not remember any of the character’s names. Even though its a series, rather than a film, it’s every bit as intense as the first two films, with the quiet moments only serving to build up the tension before the next attack, which everyone knows is coming, so a lot of daytime events have time limits on them. It is a very intense show, with lots of running, fighting, and bare escapes. Yes, children are endangered in this movie, some of them are killed (offscreen) and there are child zombies.There are also some really good plot surprises, as well, so if you’re watching this  because you find the plot intriguing, you will be satisfied. The movie is both subbed and dubbed, so those of you who hate reading subtitles can listen in English, and vice versa.

I cannot recommend this movie hard enough to anyone who is a fan of zombie movies and shows.

Kingdom is a six part TV series available on Netflix.

Advertisements

Titans (DCEU) Season One

 

Related image

I actually liked this series, although I was more than a little dubious about it from looking at the trailer. The trailer for this show should just be ignored. The show has a few problems, but those problems can be overcome.

The show starts with Raven, and her superpowers, being pursued by some unknown agents. She ends up in jail where she meets Dick Grayson. She knows who he is and pleads with him to help her. There are several suspenseful escapes from the people pursuing her. Along the way, she meets Garth (Beast Boy) and his family, the Doom Patrol, in episode four, and eventually, she encounters a superteam duo, called Hawk and Dove, who were also in the comic books, but I don’t remember them, which shows you how little of an impression they made on me. I don’t know if they’re going to have a  spin off show of their own.

Related image

It turns out the people pursuing her are the members of a cult that worship her demon father, Trigun, and are trying to procure her to work for them, so they can summon him to Earth. They are unsuccessful for the most part but then, of course, her mother (who she thought was dead), reappears, claiming to want to take care of her, or something. Naturally, since she was the one who slept with Trigun she’s on his side, which is a plot point you can see coming a mile away, but Rachel doesn’t even think about asking her mother why she slept with a demon. So yeah, her mother tricks her into summoning her father, even though Rachel knows she’s probably  not supposed to do that.

And let’s just say the comic book version of Trigun made a huge impression on me as a kid. Yeah, this show version was  deeply underwhelming. I was not whelmed at all.

Image result for trigun dc

I think one of the main problems, with this show, is the focus on Raven as a character. The actress makes this character  less than compelling because she simply isn’t a very good actress. I mean she is an adequate actress, who is not good enough to pull off this role,  and I found myself more interested in Beast Boy’s story because Ryan Potter is just better. At every opportunity, the other actors outshine her, and are much more interesting as characters. Yes, even Dick.

Image result for ryan potter beast boy gifs

There’s also the small sideplot point of Beast Boy having  trouble controlling himself  (along with some PTSD) after he kills (and eats) a man in the form of a tiger, which seems to be his go-to animal. I found Garth’s questions about the nature of his abilities to be much more interesting than anything Raven was getting up to. On the other hand, watching  the two of them  bonding as friends, was really sweet, and Beast Boy is very quickly becoming one of my favorite characters. He was mostly just annoying in the comic books but Ryan Potter’s incredibly expressive face perfectly captures both the sunniness, and the menace, of this character. Most of the time Garth is a friendly and open person, but when he goes to his animal form, he can be pretty terrifying, which is not necessarily something that can be conveyed in illustrations.

Seeing certain characters brought to life, seeing their powers manifest for real, rather than on a page,  has a different effect on how you think of them sometimes. I thought the idea of all his animals being green would be kind of silly, but the way its shown isn’t silly, at all. Potter’s body language really sells it, and you get some idea of how much power this  guy has (especially if you just ignored him in the books.)

Related image

I am reasonably  familiar with the Teen Titans comic books, (even though I’m not a DC fan, in general), and the Teen Titans Go TV show. In the comic books, my favorite character was Raven.  I found her backstory, as the daughter of the world destroying demon, Trigun, very fascinating. If you’re a fan of the cartoon, that Raven isn’t all that different from the comic book version, except for being funnier and snarkier. Oddly, the Starfire from the cartoon isn’t all that different either, at least in temperament, from the comic book version either, except in the comic book, she’s a lot sexier, which brings us to Ana Diop as Starfire.

My least favorite character from the comic books  is Starfire, although my niece, The Potato, loves her. I mostly found the character uninteresting, and occasionally, annoying.  I  thought of her as “chirpy”, but then I was a lot younger when I read those. In the show, as portrayed by Ana Diop, she’s a much more interesting character, who, at first, isn’t much like her comic book version at all. She’s kind of broody and dark, but there’s a reason for that.  Its only towards the end of the season that she starts to get more snarky, but she still lacks the sunny, happy go lucky, problem free attitude, of the woman from the comic books ,although she has an incredible smile, that when she bothers to use it, just makes you smile too.

Image result for anna diop gifs

She’s one of my favorite characters on the show. I especially love that everytime we see her, just like in the comic books, she’s wearing purple, and unlike the comic books, her scenes  are always accompanied by disco music, which I thought was hilarious. Of all the characters, she’s the most knowing and mature, while paradoxically, knowing the least.

The Starfire from the comic books is an exceptionally powerful character. which is something people tend to forget. She is a very visually distracting character, because  she barely wears any clothes, (she really does love the color purple, though). She does things in the comic books that I didn’t think about seeing on the screen because I got caught up in how she looks too. I didn’t like her hair. I didn’t like her outfits. Her attitude is different. When she uses those massive force blasts in the show, literally incinerating a roomful of men into a pile of charcoal briquets, that shit is… let’s just say, I was a bit taken aback. This was not what I’d thought about when I thought about her. Like I said, it’s different when you see it brought to life, in this manner.

Related image

When we first meet Starfire, or Kory , as the show refers to her, she has lost all her memory, which accounts for the change in attitude, at least. She encounters Rachel and adopts her as a little sister, and   vows to protect her. It isn’t until near the end of the season that she gets her memory back, and her relationship with Rachel suffers for it, which is really tragic because you could see that the four of them, Beast Boy,  Robin, Kory and Rachel were beginning to form a family. I was not impressed by the comic book version of the character but the onscreen version is truly impressive and Ana Diop is doing a wonderful job with it. I can see why she was chosen for this role. (We’re not about to address the racist wtf*ery from the fandom, and  which has surrounded the  character, from the moment the actress was announced. Ain’t nobody got time for that!)

This is not a great show, but I’m interested in the family dynamics at play, and the relationships between the characters, as they develop. Kory and Dick develop a relationship which is canon to some of the comic books, and I liked seeing that. Brendan Thwaites, I have no idea who he is, is an adequate Robin, and it was a lot of fun watching him interact with Jason Todd, the Robin who replaced him.

Dick has some anger issues, and a chip on his shoulder with Batman, which is also kind of true to the comic books, despite that silliness  in the trailer. I have to admit I mostly think of Batman’s various kids as a huge, squabbling bunch of emos, and I would love to see some of the other Batkids in the show. I find it amusing to watch them fight amongst themselves, but they will  still kick the asses of anyone who messes with  their siblings. (Batman has, like, a dozen kids! I have never found that NOT funny.)

Image result for titans series gifs

I wish the show had been a little more focused and not sort of all over the place, though. Its not that the plot points are not resolved, its that characters (Hawk, Dove, The Nuclear Family,  Doom Patrol, Jason Todd, Donna Troy) are introduced, and disappeared, so fast we barely get to know them, and the characters keep moving from place to place. The show appears to be both moving too fast and meandering slowly towards its conclusion. The pacing needs to be better. It just felt like the writers were trying to squeeze in as many cameos from the comic books as possible.

Marvel and DC seem to have carved out their respective territories with Marvel tearing it up on the big screen, while  the Prime Time TV market  is seems well settled by DC, with 7 to 8 shows airing now, and some 8 more on the way, most of which will be on the DCEU app. (Marvel and DC both  have a f**kton of animated works too.)

Titans is available on the DC app. Ignore the awful trailer and give it try if you can.

Star Trek: Discovery; Season Two

Star Trek: Discovery

I watched the second season premiere of this, and I’m sensing a theme. If the first two episodes are any indication then the overarching theme for this season will be Faith vs. Science. In the first episode, the Discovery is sent to investigate several light flares throughout the galaxy, as people claim to have seen “Red Angels” figures at those sites. Micheal is hoping to meet with Spock, from whom she has been estranged, but learns from Captain Pike that Spock checked himself into a mental institution just before the Enterprise met up with Discovery. (The series is set about ten years before the original series. Pike is the Capt. of the Enterprise, at this time, and Spock is his Science Officer.)

Image result for star trek discovery gifs/season 2

In the second episode, the Discovery follows one of these flares to a planet humans were brought to just before WW3, by some unknown alien benefactors. There’s not a lot of discussion surrounding who these mysterious benefactors are, which is the part of the show I was most interested in. There are some long discussions about having religious faith versus faith in science, which would be a lot more convincing if the writers made clear exactly what they meant by religion, and faith.

The underlying themes of the season will be watching the crew actually become a crew, after Lorca’s betrayal last season, and Pike is just the Captain they need to regain their equilibrium, as he is much more relaxed in his captaining style, slightly looser in his interpretation of the rules, and also “not evil”. This season’s focus, while not taking the main camera off Michael’s journey, will also be the viewers getting to know the rest of the crew. We’ll be getting to know the bridge crew, following Tilly’s and Saru’s development as officers, and following Stamets’ journey as he mourns his late partner, Dr. Culber. Not every episode is going to centered on Michael, but just as with last season, she’s in nearly every scene, and we’re always well informed about where she is physically and emotionally during any episode, even if that episode isn’t strictly about her.

Related image

Tilly gets into some physical trouble after which she begins to see the ghost of a former high school friend. This “ghost” may or may not be related to the return of Dr. Culber, as fans have been very upset at his fridging, and we were promised his return. I’m inclined to believe the creators because they very emphatically promised the return of Phillipa, and she did return, just not in a manner we thought she would.

We also get some more backstory on Michael’s relationship with her adoptive family, and her first meeting with Sarek’s wife Amanda, who took to this little girl as if she were her own, and I loved seeing their relationship. Spock was less welcoming to her, so he, for sure, had some feelings about her living in the house.

On the away team mission of the second episode, we get some interesting backstory on the bridge crewmember, Owesekun (pronounced Owe-WAY-sha-kun). We discover she is from a community of Luddites, so I can’t help but think that her making it to Starfleet had to be an interesting journey, and I hope we get an episode devoted to her past. We get a statement from Detmer that she got her pilot’s licence when she was 12 years old, which I find intriguing. Piloting what? So we have started getting these intriguing little glimpses of the bridge crew’s personal lives. There’s an Asian man on the bridge who we know nothing about, and a Black man, with no backstory, so yeah, we’ve got plenty of stories to be told. I think I noted before that outside of Pike there are no White men in the bridge crew at all. (No, Saru does not count.)

But I think the most intriguing character on the bridge is this person. Is she like Robocop? What is she/he/they? We havent even gotten a hint yet, and she hasn’t said a whole lot, but I hope we find out this season.

Related image

http://trekcore.com/blog/2017/12/meet-the-star-trek-discovery-bridge-crew-cast/

 

Image result for star trek discovery gifs/season 2

For some reason, this iteration of Star Trek has been successfully hiring comedians as extras on the show, and I just want to shout out to the woman above, Tig Notaro. if you haven’t heard any of her stand up, go take a listen. She’s hilarious on stage and she’s very refreshing here, and  I hope she stays on the ship. I’d like to see a more of her.

In the first episode, we get this awesome look at he crew working like a well oiled machine. They are simply fantastic, and it was a real joy to watch,  as they worked to save Michael’s life, when she is injured on an away mission. Now this is the Star Trek I remember, (only everyone talks a lot faster). My advice for those complaining that the show didn’t feel very Trek-like in that first season was to give it time, because the show had to get its main character’s  primary backstory out of the way, after which we could actually focus on the mission, and their  characters.

A lot of the feel of the first season was due to the presence of Lorca, who had a heavier, more intense persona, and this episode really shows how a Captain influences the mood of the bridge, and it’s crew. With the addition of Pike, the show feels lighter, and well…happier. Probably because that’s how he is, and while I actually did like Lorca, I definitely prefer Pike, even though he’s not much like the original series Pike. It’s not that the show lacks drama. It just doesn’t feel as dark and heavy. Starfleet isn’t involved in a war, and the Captain isn’t secretly evil. Yay!

Image result for star trek discovery gifs/season 2

Now, I have to talk about something really quick here. I’m having some kind of emotional reaction to Michael, that for some reason, I did not foresee, and part of it is because there has never been a character like Michael in a mainstream scifi show. I knew she was a groundbreaking character, but I didn’t give it deep thought, and really, the closest we fans have ever gotten is Uhura, and it took decades to start fleshing her character out, even a little bit. (We won’t mention Abby from Sleepy Hollow.)

I really cannot think of  a Black female character that has been, not just the emotional focus of a Scifi show,  but one who has been given so much backstory, and depth, and I’m having some trouble articulating how I feel about that level of representation. What’s even more interesting, for me, is that we are getting this type of character development, that isn’t centered around her race. Its not that there have never been Black women in such shows, there are a few I’ve greatly admired, including Uhura, Guinan, Auntie Entity from Thunderdome, Grace Jones, Martha from Doctor Who, but none like Michael. (There are other Black female characters in other shows, and I love them too, but they usually are not the center or focus of the entire show. The show isn’t exactly about them. I think the closest we get to such characters are Thunder from Black Lightning, and Iris West from The Flash.)

Image result for star trek discovery gifs/season 2

I want to say I like Michael, but it goes far beyond liking her. I want to love her, but I am nervous about getting too close to her, (not because she’s a bad character, but because I cannot trust the writers to do right by her. I fully expect them to fuck this up because that has always been the pattern). I cannot imagine what it must be like for Black women, younger than me, to see themselves so represented, so closely, in one of the most iconic television shows in  history. I can’t imagine it for them, because I couldn’t imagine what it would be like for me, although I knew what I wanted. One of the very first posts I ever wrote for this blog was called “Black Women like to have adventures too”. I didn’t for-see, nor could I have possibly known, that I would (or even could) get this kind of representation when I wrote that. I got exactly what I asked for, and I’m really happy, but the moment is somewhat bittersweet, because I wish I had gotten it sooner, and because I’m not entirely sure I knew exactly what I was asking for, and now I don’t know how to handle it. (Probably, I should just act a fool! Whaddaya think?!)

One of the most moving videos I ever watched was a young man looking at a Black Panther poster and he started yelling, and he said something like, “This is what it must feel like for White people all the time!” In the past ten years this is the first time we’ve gotten any kind of representation in popular culture, like this. My mom has actually become interested in comic book characters, (she’s never read a superhero comic in her life. My biggest highlight as an adult was arguing with her, in the car, about whether or not Superman could beat the Hulk!) and started watching different TV shows, and movies. that she mostly would have ignored, because they only starred white people.

I have always had firm reasons for loving Star Trek, despite its issues. Star Trek has done right by me in ways no other show has, even when I didn’t particularly care for some of them, and I’m always gonna stan for this franchise. Even if the creators never do another show correctly, there is at least this one. I will never (nor do I want to) listen to any White man’s idea of what this specific show is about, or what he thinks of the characters. I  just don’t give a flying cooch what anybody who is White and male thinks of this show, or Michael, or Pike even. I won’t look for the reviews, or opinion pieces, and I don’t need their affirmation either. I made up my mind about this a long time ago.

Am I biased? Sure!

But I don’t care.

Hannibal Season Three: Contorno (5)

Yes, I’m still writing these. I’m not finished. We are  coming up on the initial episodes of the third season, that I wrote reviews for, which were part of the Red Dragon arc. I’m going to rewrite those reviews in light of my new viewpoints.

When the season first aired, I wasn’t particularly interested in the first half. Like a lot of people, I stopped watching after the second season, and didn’t pick up the show again until the middle of season three, when the Red Dragon arc began. I missed all the stuff about Chiyoh, how Hannibal left Bedelia, and how Lecter was captured by Mason Verger, which in hindsight, was probably the most dramatic part of the season, as it reunites him with two of the people he most wronged last season, Alana and Mason Verger. That may have been the reason why some of the last part of the season was baffling to me. But I’m about to go through the process of re-reading those reviews, and see if my current thoughts line up with what I said back then.

 

Related image

This episode begins with three separate threads, and ends with all those threads converging on Hannibal’s location. This starts out as one of those quiet episodes that you don’t think will have much relevance and is merely setup for the next, after all Contorno means side dish. But side dishes can be very filling too, and this was a satisfying episode.

Will Graham has left Lithuania with Chiyo in tow, both of them headed to Florence by train, where Hannibal is holed up with Bedelia. Chiyo and Will discuss what they will do when they finally reach Florence. Will says something that alarms Chiyo, and she pushes him off the train. She has  appointed herself to be Hannibal’s protector, since she no longer guards his prisoner, and doesn’t seem to bear him any ill will for having put her in such a position. I do remember being initially confused as to why Will kept trying to kill Hannibal, even after he supposedly forgave him for killing Abigail. Chiyoh’s understanding of Will is very direct. She states that Will is afraid he will become like Hannibal, which means, of course, that Chiyoh knows exactly what Hannibal is, and seemingly doesn’t mind.

Image result for hannibal contorno gifs

Chiyoh seems utterly devoted to Lecter, which is something I have a problem with because you have this submissive Asian woman, this stereotype, following around, and protecting, a White male serial killer. Certainly she is deadly, but she is so passive in her interactions that she almost seems like she’s asleep. The most active thing she does is killing, so maybe she’s as much like Hannibal as Will , and that’s the reason she understands Will so well. I do wish the series had played that up more than it did, and established her as someone who, like Will, is trying hard to resist becoming like Hannibal, because this is not something made explicitly clear, and its also something which is at odds with how we are first introduced to her. When we first met her ,she had managed to resist killing Hannibal’s prisoner for years, but once Will sets her free by killing the prisoner himself, she is shooting people left and right, on Hannibal’s behalf.

Image result for hannibal contorno gifs/jack

Jack Crawford makes his way to Florence as well, where he releases his wife’s ashes into the river, and  relinquishes his wedding ring. Its as if, in the hunt for Hannibal, he is divesting himself of everything that makes him Jack Crawford. Jack is a straigt up “manhunter” now, with no distractions, and he is on the path of vengeance, something that wouldn’t be condoned in polite society, (or by his late wife), and he doesn’t want any vestiges of his old life, or the man he used to be, to interfere in that mission. He meets Reinaldo Pazzi, who tries to talk him into arresting Hannibal with him, but Jack demurs. He doesn’t want Hannibal arrested. He wants him dead.

Hannibal, heeding Bedelia’s warning that he is being hunted, is waiting for all these people to arrive, so he can get all this killing done. He knows Pazzi, Jack, and Will, are closing in on him.  Of the three men, Will is the one of which he is least certain, but then Will has always been a wild card for Hannibal, and difficult for him to predict his actions. Will could just as easily come into the situation and help him, as try to kill him.

Related image

Alana Bloom proves to the audience why she is who she is, as she figures out where Hannibal is, using “psychology”. She knows Hannibal  better than most, and uses her intimate knowledge of his tastes and habits to determine that he is in Florence, tracking him through Bedelia’s purchases of fine goods. In the meantime, it appears that Bedelia is trying to get caught, or get help ,or something. She makes a purchase, and then, wearing a very distinctive outfit, goes to the train station, so she can be caught on the station’s cameras. She wants someone, somewhere, to notice her. She is either asking for help, or concocting an alibi.

Mason Verger, having discovered where Hannibal lays his hat, puts out a bounty on him, which Pazzi accepts. Its illegal for a  member of law enforcement to take money in exchange for an arrest, (even in Italy), so Pazzi doesn’t inform any of his colleagues that he has found the Beast of Florence. Mason gives Pazzi instructions on how to collect the bounty. He must provide a fingerprint as proof that its Hannibal, and Pazzi meets with Hannibal to trick him into giving one. Hannibal kills Pazzi by gutting him and stringing him up outside a window, the way one of Pazzi’s ancestors was killed during the Medici era.

Related image

This particular scene is from the sequel to Silence of the Lambs, Hannibal, in which Clarice Starling has tracked Hannibal to Italy attempting to capture him. In fact, some of the dialogue between Chiyoh and Will Graham,  is taken directly from that book. There are also several parallels, in the next two episodes, of scenes from the book, only with Will Graham and Jack in place of  Starling.

https://en.wikipedia.org/wiki/Pazzi_conspiracy

Most of the conspirators were soon caught and summarily executed; five, including Francesco de’ Pazzi and Salviati, were hanged from the windows of the Palazzo della Signoria.[2]:140 Jacopo de’ Pazzi, head of the family, escaped from Florence but was caught and brought back. He was tortured, then hanged from the Palazzo della Signoria next to the decomposing corpse of Salviati. 

Pazzi is the descendant of one of the most notorious Italian families of the Renaissance. His ancestor, Francesco de’ Pazzi, was hanged during something called The Pazzi Conspiracy, in which a plot was contrived by several individuals, to assassinate Lorenzo and Giuliano de Medici. There are parallels to this story of people converging  to assassinate Hannibal, and there will be parallels to this history later in the series, as Jack, Will, Alana, and Frederick Chilton come together to take out both  Hannibal Lecter and The Red Dragon.

Image result for hannibal contorno gifs

Hannibal’s killing of Pazzi is interrupted by Jack Crawford, who followed Pazzi to their meeting, and there is a continuation of that fight that Jack lost in season two. Only this time, Hannibal gets his ass kicked, because Jack came prepared to fight dirty, and gives Hannibal no quarter. This is the first time we’ve really seen Hannibal  fighting for his life and on the defensive like this.. All the other times when we had seen him in danger, it was usually because of a stealth attack. Hannibal barely survives by using the disemboweled body of Pazzi to break his fall out of a window. Thoroughly chastened, Hannibal limps off to lick his wounds. He knows its just a matter of time before he gets caught, and that all he’s doing is postponing the inevitable, but he is determined to go down fighting.

13 Favorite Vampire Novels

Salem’s Lot – Stephen King

Related image

I first read this book when I was about nine. It would forever influence how I read about vampires. I know there were vampire novels before this, and I even read a handful of them, but  none of them made the impression on me that this book did because it was the first time I’d read about what would happen if vampires entered the modern world of American technology and culture. These were not the Hammer/ Dracula vampires that I’d been watching on TV, and that struck a chord with me. You’ll notice a trend in the type of vampires I prefer, either the mindless hungry monster, or the thoughtful, erudite, wise old man.

Ben Mears is a writer that grew up in Salem’s Lot and has a traumatic history with the Marsten House, which looms over the surrounding town, and has itself, a sordid and tragic backstory. Arriving simultaneously is vampire Kurt Barlow, and his human servant. Its up to Ben to convince his friends and family that vampires are taking over the town before the town is destroyed.

I’m going to have to do a review of the TV mini series, as it contains some interesting messaging about xenophobia and  one of King’s favorite topics, which was heavily tackled in It, the secrets of small-town life. The book also touches on the limits of belief and faith in the fight against evil. I’m going to have to do a lot more reading on those topics before I can tackle that though.

 

The Light at the End – John Skipp and Craig Spector

Image result for the light at the end skipp

This book just knocked me out! I will always stan for this book, which is a great descendant of Salem’s Lot. It contains both the mindless hungry monsters I adore, and the thoughtful , but evil, old man vampire, who sets the entire plot in motion while he’s on holiday in America. The characters are wonderful, the vampire action is great. This is what happens when a human being, Rudy, who is already a major asshole, gets bitten by a vampire, and turned loose in New York City. This book was part of the Splatterpunk era of the 80s, and the  writers do not stint on the gore.

The major drawback to this book is the rampant homophobia, which I found very jarring, when I listened to the audiobook recently. It does have a heroic gay character in it (who doesn’t get killed), but the road up to that moment is pretty rocky, and I think the writers thought they were being  progressive at the time. If that’s something that’s a deal breaker for you, then by all means you should skip it. (Its just that I had forgotten about it, since I read this as a teenager.)

 

Vampire Tapestry – Suzy McKee Charnas

Image result for vampire tapestry

This is one of those types of vampire that I found incredibly intriguing as a teenager. The vampire from this book is a ruthless, heartless, intellectual, who is without sentiment about his condition. No lush prose here. The vampire in this book is direct, pragmatic and without excuses for what he is. As far as he is concerned, he is a predator, born and evolved to feed on human beings, and everything he does  is nothing more than a masquerade  to that purpose. He doesn’t have long romantic stories of his previous lives, as he doesn’t remember any of them, because, as he says, he doesn’t need to, to fulfill his only purpose, which is feigning humanity to get human blood. This is the more scientific, biological strain of vampire, but one who is intelligent and self reflective, when called to be so. He also has no idea of his age, since he sleeps for several decades at a time, after a few years of wakefulness and feeding.

The story plays out in three acts. In the first, he is captured, and kept in a cell by a ruthless man wishing to make money from him. He escapes by emotionally manipulating the man’s teenage nephew. The most intriguing part of the book is the second act where, as a college teacher, he has a psychiatric session with a woman who figures out what he is, and he attempts to divest her of her romantic notions of vampirism.  In the third act, he believes its time for him to go back to The Big Sleep, after witnessing a stage play that arouses sentimentality in him,  something he considers a liability to his survival.

The book isn’t especially  scary, but it was a great introduction to the idea of an intellectual/scientific vampire.

 

The Vampire Lestat – Anne Rice

Related image

I read this when I was maybe 18, and  I loved it. I’d never read anything like it. I followed Rice’s vampire series for several years, but since the over saturation of the market with vampires that are all ripoffs of Anne Rice, I’ve pretty much stopped reading them. That doesn’t make her original trilogy any less effective though. I can still pick up these books and become completely immersed n the lush world of 1800s Louisiana, now aided and abetted by images of Brad Pitt, and Tom Cruise, as Louis and Lestat. This book is one of the first times I encountered a child vampire, and while I was never into Claudia, as a character, all that much, she is very effectively written. To my memory no one had written about child vampires much before Rice.

 

 

Lost Souls – Poppy Z. Brite

Related image

I’m not sure how to describe this book. The vampires are definitely vampires, but unlike any of the vampires mentioned above, although the closest resemblance is to the style of Rice’s vampires. But only the style. The book takes place in the modern day, and chronicles the coming of age of a half vampire named Nobody, who meets a trio of vampires, who have been killing their way across the Midwest, and one  of whom turns out to be his father, something he discovers only after having slept with him, because that is the kind of book we’re dealing with.

Dark, Gothic, and lush is really the only way to describe the writing style, and the vampires, here. The author, Poppy Z. Brite, was something of a Goth icon at the time this book was written, and this book was all the rage in those circles. I did not run in those circles, and quite frankly, I was mostly exasperated by the pretentiousness of that particular crowd, but that has no bearing on the book, which feels like a velvety nightmare. It can be a little hard to get into, at first, because the style is very dense, and the characters are  dark and kind of emotionally remote, but once you do, its a very satisfying read.

 

Fledgling – Octavia Butler

Image result for fledgling/butler

I wrote about this book earlier. I was not new to Butler’s books when I read it, but some of the events in this book are very jarring, and I feel I have to give a heads up on what happens. The book addresses the topic of race from the viewpoint of a new type of vampire, who can walk around in daylight. She looks like a little girl, about twelve years old, although she is much, much, older, and yes, she is Black. Right off the bat, within the first couple of chapters, she has a sex scene with the grown man (White) who rescued her. I wasn’t expecting that to happen, even though all of Butler’s books are kind of disturbing, and I should probably have expected it.

There are several scenes of her sleeping with adults, and I had a hard time getting past this, but I was younger and more hearty or something, because I managed to soldier through it, to an actually satisfying conclusion. I have not read this book since, and wouldn’t, because I can’t get past those scenes, although I found the rest of the book intriguing, and engaging.

Because the vampire’s bites cause humans to become addicted to them, the vampires acquire a “stable” of people around them, and so does she. Up to this point, the idea of child vampires has mostly not been addressed in vampire fiction, and really I suppose it should. Anne Rice got around the issue by making Claudia asexual, but Butler tackles the topic full on, and takes it as far as she possibly can. If this is something too disturbing for you, then you can skip this one, because this is a very challenging book.

 

Anno Dracula Series  – Kim Newman

Related image

The Anno Dracula books are like a vampire’s greatest hits series, where all the most famous vampires in historical fiction get a shoutout, in the chronicle of the life of  one Genevieve Dieudonne, a teenage vampire who was created in the 16th century, whose observances, and adventures with a secret society known as The Diogenes Club, make up the bulk of the novel. This is all intertwined with a Ripper type serial killer who is preying on vampires in Whitechapel, called Silver Knife.

This one of the most unique series about vampires being written. The rest of the Anno Dracula series is about what would happen if vampires were a part of the everyday history and  life of regular human beings, and how their presence would have affected historical events, politics, and pop culture.

In the first book, Dracula actually succeeds in taking over London and turning the Queen into a vampire. Vampires have all come out of the grave. They have culture and fashions and music of their own. Most humans seek to become vampires, if only to avoid being rounded up as food, and this has an effect on the poor of Whitechapel, and the question of how vampires can survive if they don’t curb their numbers. Victorian London is every bit as Dickensian as ever, but with the addition of vampires and vampirism causing even further misery.

This is a great book, if you can get past the writing style which is a bit wry. The rest of the series isn’t as good as the first book, but if you have an interest in the history of Pop culture you might want to check out Dracula Cha Cha Cha, which takes place in 1950s Hollywood.

 

 

Blood Price Series  – Tanya Huff

Related image

This particular series was branched out into a lovely universe with the lead vampire of this series at the head of it. I like the mythology of the series, which just manages to skirt the edges of being a romance. Henry Fitzroy is  a great character, and a good foil for the lead female character, Vicki Nelson, but it was Vicki that first captured me. She had a voice I liked. She wasn’t over-romantic,or maudlin, and never talked about her clothes and shoes. She’s a tough as nails, female, private detective, done correctly. She’s tough without trying too hard, disabled without dwelling on it overmuch, stubborn, prickly, pragmatic, and when confronted with the supernatural, in the form of Henry Fitzroy: Vampire, she takes that, and all subsequent introductions with supernatural creatures, completely in stride. She eventually becomes a vampire herself, and while Henry keeps telling her that all vampires are loners, who can’t live together in the same territory, Vicky is stubborn enough to make it work.

I wasn’t too fond of the short-lived, Canadian television series, Blood Ties, but I think the dynamic between Vicki and Henry was pretty good, it wasn’t as good as the book, mostly because Kyle Schmid is very pretty, but no Henry Fitzroy, while Christina Cox perfectly captures Vicki’s personality. If you don’t want to read the books, then the series is close enough in style to the books to give you a good sample.

 

 

They Thirst – Robert R McCammon

Related image

This was the second vampire invasion book I read, after Salem’s Lot, and I thought it was fantastic. I don’t think it was a particularly deep book, but it was a lot of fun, and most of that fun is in the reactions of people who begin to understand what’s happening.  McCammon does get one major thing right, just as I have always espoused, is that people for whom superstition and faith are a major part of their life, are usually the ones to catch on the fastest, and survive what’s happening. People who believe the evidence of their senses, and stop trying to apply rationality to what they clearly see is happening, are usually the ones who survive.

It wasn’t my first brush with the writing of Robert R McCammon, but it is a fondly remembered book, although the book is a little more dated, as it takes place during the height of late 70’s/80s Pop culture, so some of the characterization needs work. A lot of horror novels in the 80s, were written by straight, White men ,so many of them had some serious  issues with writing PoC, and gay, lesbian and transgender characters, in the sense that most of these depictions were abysmal, as White writers had  less sensitivity  about such groups than they do now, and you have to take that into account if you’re going to tackle some of these 80s books.

I said before, I believe McCammon was building on Salem’s Lot by taking the basic premise of that book to its logical extreme, and asking : What if Dracula came to the big city, rather than a small town? How might that story play out?In They Thirst, vampires take over the city of Los Angeles, and it mostly plays out very much as you think it does. There’s less emphasis on xenophobia, but there’s subsequently  more emphasis on city life, gangs, and how disbelief in the supernatural, and  the cynicism of city dwellers, aids and abets the vampire invasion. Its not as good as Salem’s Lot, because its simply not as deep, but its a game effort, and worth the read.

 

 

30 Days of Night

Related image

I already wrote about this series.

30 Days of Night has since become an entire series of books, with crossovers with other horror comics, and a movie starring Josh Hartnett. The graphic novel is so much better than the movie, and the movie is pretty damn good. The atmospheric art of Ben Templesmith is a huge factor in how scary the first book is. I became a huge fan of Steve Niles after reading this.

What I would like to know is why no one had ever thought of this idea before, given the icy horror of the Arctic, and the loneliness and isolation? Some of the best, and scariest, movies and TV shows have been set in this environment, so why not vampires?

The way vampires are written today, most of them aren’t very scary at all which is why I love to hype up this series. This book actually had me on the edge of my seat the first time I read it, and I’m always going to be fond of the idea, if not the various execution of the idea, over the course of the series.

 

 

 

Sunglasses After Dark – Nancy A Collins

Image result for sunglasses after dark

This is one of my favorite series because it has one of the baddest female vampires to ever be written, and tackles the subjects of sexual assault and trauma in the creation of a new vampire. Sonja Blue’s creation as a vampire was so traumatic that her personality essentially split, with one half being an amnesiac vampire, that carries a silver knife and can walk in daylight, who  kills other vampires, and a monstrous version of her vampire self that she calls The Other. She’s a bit like a female version of Blade, although I do not believe she was based on that character.

The first book is about her coming to terms with what happened to her, and how that ties in with a typical 80s, Evangelical TV couple, who want to use her for their own ends. Over the next three books in the series, she hunts the vampire who made her, while getting into adventures with various men, children, and other supernatural creatures. Most of these books end explosively, and Nancy Collins has a knack for slowly building the suspense, coiling the plot tighter and tighter, until things have to pop off. She does not stint on the gore, but she isn’t trying to write like a guy, in the Splatterpunk tradition. You can definitely tell this novel was written by a woman. This is another 80s vampire, but her writing is less problematic about PoC and gay and lesbian characters.

Later in the 90s, at the height of the Vampire RPG games fascination, Collins wrote a crossover with Sonja, and the Vampire: The Embraced series, which I thought was very effective, considering that she is a very different type of vampire than the ones from White Wolf. (The title is A Dozen Black Roses, and the first four books are available as a set on Amazon.) She even wrote a crossover with The Crow series, in the anthology “Shattered Lives and Broken Dreams”. The later books are not as deep as that first but worth reading, and there are a number of standalone short stories, to get a taste of Collins writing style and introduce yourself to Sonja Blue.

 

 

Necroscope Series – Brian Lumley

Related image

This book was  a favorite for the sheer inventiveness of the vampires in the story. In The Necroscope series, vampirism is a virulent disease that will attempt to survive at any and every cost, and even the most seemingly innocent interaction with the infected, who are cunning, vicious, and highly intelligent, can result in a person becoming infected. The genesis of vampirism is from a planet where it grows as spores (which look like tiny white eggs) in the planet’s swamp lands, and any creature can be infected and pass it on, often resulting in hideous hybrid creatures of man and animal. The infection transforms a person into a conniving, hungry, cruel and manipulative predator, which, even more frighteningly, is still fully capable of human emotions, like love and loyalty.

In the world of the vampires themselves, they were at war with one another until only a handful of long lived lords and ladies are left, living at the top of what few mountains are left behind, called Aeries, and they totally control the human population of the planet, using them for fuel, and food, and transforming them into monstrous, but useful creatures, like plumbing systems, and transport beasts. If you’re familiar with the work of Wayne Barlowe’s Hell series, this world is a close parallel, only slimier. Pretty much everything about Lumley’s vampires is maximally disgusting.

The Necroscope is a man named Harry, who  communicates with the dead, who love him. He and the dead are often the first line of defense against the encroachment of vampirism, as they often warn him in advance of infestations, and sometimes even leave their graves to help Harry, and his special government team of vampire fighters and psychics,  to fight them. If you can get past what I thought were unnecessary descriptions of the women, (Lumley has no idea how to write about women) and some inventive sex scenes, these are very enjoyable books, although the writer’s  florid, but stilted writing style may be hard for some people to get past, too. I know I had a minute getting past the writing style, but if your’e a big horror fan this series is worth it just for the imagery.

 

The Saint Germain Chronicles – Chelsea Quinn Yarbro

Image result for st germain chronicles/ path of the eclipse

This series is often referred to as horror, but there isn’t much horror in them, beyond the horrible activities that the vampire, St. Germain, has had to endure in his 30,000 year plus life. These are historical novels written from a vampire’s point of view which makes them different enough  to be of interest to me. St. Germain is a vampire who was definitely invented by a woman, think Frank Langella’s smooth, urbane, sophisticated version of in the 1979  Dracula. Since these books were mostly written in the 80s, I suspect that’s who Yarbro had in mind while creating this character, and that’s mostly who I picture when reading the books. Since she wrote this there has been a glut of historical vampire novels with characters not dissimilar to this.

In each book of the series, St. Germain travels to some new part of the world, falls in love, and has an adventure. The books were published in no particular order, and can be read in any order, as well. My personal favorite is Path of the Eclipse, a chronicle of his travels throughout Asia, from China, to Japan, to India and Tibet. Each chapter is often prefaced with an introduction to the life/lives of whatever new characters he will be interacting with, and  where he is, in the form of letters and/or documents. Yarbro manages to perfectly capture the world weariness of an incredibly long lived creature, that tries to hold itself aloof from human affairs, but keeps getting embroiled in various human dramas, often because of St. Germain’s deep well of compassion for the mayfly lives he interacts with.

If you love a well researched historical novel, with vampire, then pick up any book in the series, in any order.

The Walking Dead: Mid-Season – What Came After

Image result for the walking dead season 9

I reported a couple of weeks ago about Rick Grimes leaving the show, and how the show would take a jump six years ahead, to see what Alexandria and Hilltop had gotten up to in his absence. This is what came after.

The three societies are no longer as close as they once were, and that has something to do with Maggie’s disappearance, and Jesus now  being the acting leader of Hilltop, in her absence. To bring the three communities together, Jesus and Ezekiel have planned a fair of some kind, so that everyone can come together to touch base, but the impression is that the Alexandrians have withdrawn from contact with The Kingdom and Hilltop because Michonne had some kind of falling out with Maggie. Michonne is the security chief of Alexandria, not its leader, but she makes hard rules for the others to live by, even thought there is a counsel. The implication is that none of the Alexandrians should have contact with the other two communties.

We begin by meeting a new group of people who have fallen afoul of a swarm of walkers in the woods. One of them is injured in the fight and Judith, Aaron, and the others happen to come along at the right time to save them. Judith decides they should be taken to Alexandria, but Michonne is upset that she did it and advises that the new people be sent away.

The new group consists of a young Black boy or girl, (I’m unsure which, because the character in the comic books is male, but its an actress playing the character on the show), and their older, deaf sister. They communicate using American Sign, a music former music teacher, (Kowalski from Fantastic Beasts), an Asian woman who was badly injured, and another woman who is an ex-con, with trust issues. I am glad to see these two hearing impaired characters on the show because its a way to answer questions about how people with various disabilities would navigate a zombie apocalypse. I actually like the two of them because you can see the  bond between them. I hope they survive longer than one season.

Image result for the walking dead season 9

The Alexandrians take them back to the compound where we find that Michonne is nominally in charge along with a kind of counsel. The Alexandrians we meet now are much less trustworthy than they were under Rick, which makes me wonder what they went through after he was gone. There is no sign of the surviving Saviors who were attached to that community, so there may have been some event regarding that group.

There’s a counsel meeting where the newcomers are rejected because one of them was hiding a weapon, and withholding information that she was an ex-con, who had killed people. Later, Michonne changes her mind about them and elects to guide them to Hilltop, which is now being run by Jesus, with Tara as his assistant.

The alliance between the three groups, The Kingdom, Hilltop, and Alexandria, appears to have seriously atrophied.

Rosita and Eugene go out  to broadcast radio signals from the top of a water tower because they want to contact new people. Rosita is currently in a relationship with Father Gabriel, which I didn’t see coming, but Eugene still seems to be crushing on her. One of the more positive moments I saw on screen is Eugene’s change from timid know- it- all, to born again killer of zombies. He is definitely hardcore, and I was glad to see that. It seems he really stepped up to help care for and protect the group after Rick’s absence. Eugene and Rosita get ambushed by a swarm of walkers who are acting very oddly, and very deliberately chase them, while communicating in harsh whispers about not letting them get away.

This is the introduction of the most famous group in the comic books, the  very possibly deranged Whisperers. With the addition of this new group, The Walking Dead just got really scary again, because we know nothing of this new group except that they live like the  zombies, by hiding among them. This season will also introduce Samantha Morton as someone called The Alpha, the leader of The Whisperers, during what the books call The Whisperer War.

Meanwhile, The Kingdom has been dealing with some raiders, the last surviving members from Negan’s Sanctuary,  who keep ambushing their supply wagons. Carol ,who is now married to Ezekiel, decides to accompany their son, Henry, (the little boy we saw them training last season) to Hilltop. They get ambushed too, but as you probably guessed, Carol gets through it by being her usual murderous bad ass, and after their adventure, they encounter Daryl, who has been living in the woods like the wild man he’s always wanted to be.

 

Judith Grimes: 

Image result for the walking dead season 9

I’m trying really hard not to compare Judith to Carl and her father, but its almost impossible not to do that. She seems so much like and un-alike either of them. At this time,  Judith is somewhere around 9-11. I don’t know what her exact age was six years ago.

She’s not like your typical child of that age. She is very resourceful and extremely self possessed. She is a child who knows her limits and her power because she has had to know these things. Unlike Carl, whom we watched as he began to understand his power as he grew up, she has always had to know hers, as the zombie apocalypse is all she has ever known. For children like Judith, born after the zombie apocalypse, the walking dead are just a feature of the world, and they have nothing else to compare it to.

 

Carol and Ezekiel:

Image result for the walking dead season 9/carol and ezekiel

Carol and Ezekiel are now married, a result of the marriage proposal we’ve seen him make a number of times since he met her. Jerry refers to her as The Queen, which kind of irks her a bit. Together she and Ezekiel have been raising Henry and refer to him as their son, The Prince. It’s interesting seeing the two of them being really together as Carol has always seemed to kep people at arms length, but they are very much in love with each other, and are not afraid to engage in PDAs. Their relationship is another one of the positive things about this episode.

Carol has not entirely given up her murderous ways, as she kills  the raiding group, that attacked her and Henry, by setting them on fire. Yeah, this ain’t the first group of Saviors  that she has set on fire, remember? Carol has always been willing to be extra, to protect her family, so this is entirely in keeping with her usual modus operandi.

 

Daryl:

Image result for the walking dead season 9/daryl

Daryl isn’t introduced until the end of the episode. Apparently, he has been living in the woods with his doggo, and looks his usual greasy self. How much of his current livelihood can be boiled down to Rick’s absence, we don’t know. Carol wants Henry to meet Daryl, because she is about to send Henry out into the world, and wants someone she can trust to be at his back. She knows Daryl well enough to know he will adopt Henry as his own, and he does just that. That evening, after they have met on the road, she spies on Henry and Daryl as they kill zombies together. She got exactly what she wanted – an alliance between  two of the people she most loves in the world.

 

Negan:

Image result for negan/ walking dead

Its been six years, and Negan is still locked in Alexandria’s jail. People still interact with him, but his little verbal schtick, where he mixes truth with lies to  emotionally rattle his interviewers, doesn’t get as much respect as it used to, and doesn’t seem to work at all on my girl, Judith, who not only sees right through his bullshit, but actively calls him out on it. She does not know or care who he used to be, and he can’t seem to  manipulate her the way he used to do  others.

 

Michonne:

Image result for the walking dead season 9/michonne

Michonne has been through a lot since she lost Rick, and I suspect some of that lot has to do with Maggie’s absence from the episode. She’s been raising Judith, and has been acting as Alexandria’s Head of Security. She is still not coping with Rick’s absence in a way I think is healthy. At one point, Judith walks in on her having an imaginary conversation with Rick or Carl, I’m not sure.  She has also been raising her and Rick’s son RJ, (Rick Jr.?) who was born not long after.

When we first see her, she looks as mean and cold and hard as ever, but by the end of the episode, we see that she can still laugh and smile, even if she only does it for Judith, who like her father, is very protective of her mother. It’s also kind of nice to see she’s stopped wearing that awful headband, as I was really getting tired of it. It’s Judith who helps change her mind about the newcomers to Alexandria, even after one of them comes to her home, planning to kill her. The woman’s hand is stayed  because  she witnesses Michonne interacting with her son, although Judith did have her back with Rick’s gun, which is bigger than she is.

Image result for walking dead /judith

When Michonne was getting dressed, we saw that she had some kind of x shaped scar over the place where her left kidney should be, and I wonder at the story behind that, and if that has anything to do with Maggie disappearing. The writers keep giving us hints that the reason behind why the three society’s are not in contact with each other is because of something Maggie did.

 

Mid – Season Finale

During the mid-season finale, Negan is freed from his jail cell, and goes hunting, probably for Lucille, and Jesus is the first casualty in the Whisperer War, after he and Aaron set out to rescue Eugene from a zombie swarm.

Michonne sees Carol for the first time in several years and their meeting is somewhat prickly. Something happened between the three  communities that was so bad, that the Alexandrians entirely cut themselves off from the Hilltop, and the Kingdom.

Henry gets into some trouble with the other teenagers at the Hilltop. It’s kind of like he went away to college. he’s supposed to be apprenticing with the blacksmith there but ends up in jail after a night of drunken zombie fighting, and is in danger of getting expelled.

Now the show has entered some seriously scary territory, because the Whisperers are so unlike anything these communities have ever faced, or like anything we’ve seen on the show, and there’s gonna be a lot more death before the end of the season. I’m not entirely sure I’m up for that, but this is the scariest the show has been since the first three seasons, so my nosiness will probably get the better of me.

 

Hannibal Season Three: Apertivo

Apertivo, is  a beverage, usually wine,  that’s consumed before eating a meal, to clear the palette, and stimulate the appetite. This episode is  prelude to the  meal to come that is season three.

Image result for hannibal aperitivo

In this episode, there’s not a lot of plot, but there is a lot of maneuvering, as the various players state their goals, and move themselves into position to resume the chase for Hannibal Lecter, who is living in exile in Florence, with Bedelia Du Maurier. Its not that nothing of consequence occurs during this episode, but we’ve spent the first three episodes of the season finding out where Hannibal and Will are, and what they’ve been doing, and this is our chance to find out who survived the Red Dinner, and  see what they have been doing since that night.

In a flashback, we see Crawford in the hospital next to his wife, Bella, who is dying of cancer. Just before she dies, she admonishes him for nearly getting killed, saying that unlike her he can stop what’s killing him, his obsession with the Chesapeake Ripper.Will Graham has gone home, back to fixing boat motors. The most startling change in the aftermath of The Red Dinner however, is Alana Bloom, who has become Mason Verger’s new therapist. Frederick Chilton encounters Alana when he visits Mason in an attempt to scheme the capture of Hannibal, but Mason rejects him, in favor of hiring  Alana. We start with Chilton and Mason Verger in a face off, as Mason takes off his mask, and Chilton removes his makeup, both of them showing off  facial scars received as a result of Lecter’s machinations.

You can see that Alana has undergone some radical emotional change, since her last encounter with Hannibal, when she was pushed out of a window by Abigail. Alana was as significantly changed by the events of that night as much as Will,  and Hannibal (who of course claims that he was not.) Alana is on a mission of revenge, but she goes about it in such a subtle manner that it’s difficult to tell what her plans are exactly, until she comes right out and states to Mason Verger that she is there to offer her services in capturing Hannibal. Mason is his usual vile self, making sexual jokes and asides to her, although I think he says these things to see how she will react to them. When she shows no reaction, (Alana has far more pressing concerns than Mason’s bullshit), we don’t see him talk that way to her again.

Image result for hannibal aperitivo

This is also when Alana first meets Margot Verger, and you can immediately see that Margot is smitten  by her. Until now, we’ve been given no idea that Alana might be bisexual. Later, we see that the two of them have developed a romance, and are  working together to defeat Mason. The reason I find Alana so fascinating is that her survival of that night at Hannibal’s has really scarred her on an emotional level, to the point where her entire demeanor has changed, and she seems entirely unlike the woman we met in the first season.

Image result for hannibal /margot verger clothes

Alana has hardened. She is cool, blunt, and  pragmatic. She certainly seems less warm and motherly than she was three years ago. She is more calculating. This isn’t just the trauma of  having been thrown from a window by Hannibal’s protege. She is reacting to the final loss of Abigail ,a young woman she couldn’t save, the shame and guilt at not having listened to Will’s warning about getting close to Lecter, and whatever shame and guilt she felt as a result of having fallen for Lecter’s ruse that he loved her, and  the fact that he had been feeding her the bodies of his victims.

Image result for hannibal /alana bloom clothes

Alana also dresses differently from the first and second seasons. Where before she wore pretty feminine wrap dresses, she now wears boldly patterned pants suits, with high collared coats and jackets, as an expression of power. In fact, she dresses the way Margot used to dress. What’s interesting is that Margot begins to dress in a more relaxed and casual manner than when we first met her, and I think it’s because her relationship with Alana has opened her  in a way she couldn’t express before. Remember when we first met Margot she wore a very severe wardrobe with high collars in stark colors, as a kind of armor against her brother.  In other words, Alana is good for her.

 

As usual though, no matter how progressive  male  showrunners believe themselves to be, they almost always fall into some of the same traps regarding female characters, by neglecting relationships between women on their shows. Often there’s just a lone female character, and when there’s more than one, the women are often in adversarial relationships with each other. This is starting to change as shows begin to hire more women writers and showrunners. I’m glad to see the show has moved away from that dynamic in the third season. We only just met Margot halfway through season two,  so don’t know enough about her other than she is a woman who knows what she wants, and has no problem making it known, and she makes it clear ,she wants Alana.

Image result for hannibal aperitivo

In flashback we see Crawford visit Will Graham at his home and ask Will why he contacted Lecter to warn him that the police were coming that night. Will Confesses that he did it because Hannibal was his friend, and that he wanted to leave with him, but couldn’t. It is interesting that he and Hannibal, as far apart as they are, are emotionally sitting in the same place, regretting their actions towards each other, and missing one another terribly while  both of them are engaged in a semi-contentious relationship with a close friend.

Chilton, still scheming, goes to Crawford to ask for his help in capturing Lecter, after his rejection by Mason. Crawford tell him that he is officially out of the business of  chasing Hannibal. He says he has had enough and only wants to tend to his wife in her last days. We later find out that this is a lie, and that he has hatched a plan for Will to lure Hannibal out of hiding, so they can kill him. Or rather say, he has decided to follow Will to Hannibal. Chilton has come to the party too late, because all the key players have already formed their personal Hannibal Recapture teams.

Image result for hannibal aperitivo

Eventually, Bella dies, and Crawford is enraged to find that Hannibal has sent him a condolence card. Will Graham attends the funeral and Crawford tries to talk him out of the plan to capture Hannibal. He warns Will that he will probably be killed. But Will is determined (for a number of reasons) and sets out on a boat to Florence. How does he know where Hannibal is? He simply knows Hannibal. Both Chilton and Alana are aware that Will can lead them to Lecter, but it is only Chilton who mentions this to Jack ,who follows Will to Europe. Alana elects to find out on her own, rather than attempt talking to Will again, as the last time they spoke, he rejected her.

Essentially this episode is about a bunch of horribly scarred and vengeful people teaming up to hunt down the man who did this to them before he skipped town. Its almost as if they had learned nothing from their previous inability to capture Hannibal. Later, these same scheming tactics will be in used at the tail end of the season in an attempt to not only capture the Red Dragon, but destroy Hannibal Lecter, once and for all.

The Walking Dead Season 9: What Comes After

I’ve not been reviewing this show lately but I have been paying attention, and I decided to wait until Rick Grimes last episode because it’s the end of an era, and I want to talk about that.

Image result for what comes after. twd

Yes, indeed it is Rick Grimes last episode, but in fairness to those who haven’t watched the latest episodes , I won’t give away the very end, or add certain spoilers. Rick’s last few episodes have been especially emotional ones. No, they don’t have the resonance of those first images we saw of him riding  a horse down an empty highway, but those images are recalled by him during the episode, and there’s some musical callback to the first season with the replay of the song Space Junk by Wang Chung. This is fitting because we began with Rick, alone, remembering his family, and that’s how these last two episodes end, with Rick recalling the family he’s built over nine years.

Rick spends most of these last two episodes trying to escape a swarm of zombies ,and even though you know these are  his last episodes, they still manage to be full of suspense. You are definitely going to need some wine, (or lots of friends), to get through this one.

Image result for what comes after. twd

Yvette Nicole Brown, who is one of my favorite reviewers, and a total Richonne stan, got to interview Andrew Lincoln, and seriously, I almost broke down when she did, because the two of them are such good people, and Andrew Lincoln is such a sweetheart. They didn’t discuss a lot of his plans for the future but the show’s creators say they will be creating a series of standalone AMC films about the events that happen after Rick, and that later in the season we can look forward to a new group of survivors called The Whisperers, (a name which heavily reminds me of the R&B singing group).

 

In Rick’s memories, he gets to say all the things he wanted to say to those he felt he disappointed, like Herschel, and see Michonne one last time. I find that I’m okay with all this.  I think it was a good send off, although you know at least one reviewer is going to bitch about how it all sucked. Rick went out as heroically as he lived and I’m at peace with his leaving, the way I wasn’t with Glenn’s passing. (I’m still pissed off about that. I don’t think the show has ever made a greater mistake then killing Glenn, while Negan gets to live, but I digress.)

Image result for what comes after. twd

I’m definitely going to miss Rick, but we were shown some scenes from the next three episodes of the series, which look very interesting. According to the show, The Talking Dead, the show jumps ahead 6 years, and we get to see who is still alive, and what they’ve been doing in Rick’s absence. I’m looking forward to these next episodes, as the show becomes a true ensemble vehicle with no one particular leader. Rick anchored the show in a certain place and time.He was the linchpin, the sun around which the series revolved, and with him gone, the show will open up in some interesting new directions that I’m kind of excited to see.

It’s not that I won’t miss Rick, but he had a good long run, and I don’t mind seeing him step aside to let the others shine. I’m okay with it. And they will shine because we’ve had a chance over the years to watch all of them do just that.

Image result for what comes after. twd

At the very end of the episode, we see Judith, wearing her father’s hat, and stepping into the role of a future leader. It was so fascinating watching that because I didn’t know when I was watching her scene, or who she was. I’m like, “Whose child is this? And what’s she doing with Rick’s hat?” ( I’d had a very long and emotionally taxing day, so I was a bit slow on the uptake.) She appears confident, (almost cocky), and strong willed and  I’m a fan of hers already! I just know she’s gonna work my last nerve! It’s going to be interesting seeing how she’s been raised in Rick’s absence.

Related image

I have to  confess that I’m one of the few people who has never re-watched any episodes beyond the first season. This show is so emotionally draining engaging, that watching it is almost like a full time  job. I have re-watched the first season, but none since then. When a season is over I don’t go back, and I’m probably not going to do so here. I think my plan is to wait until the series is over and binge specific episodes. Yeah, I can’t re-watch the show while it’s airing. That’s just too much. So I’m not going to be seeing Rick again for a long  while.

Supernatural S14/E02 Review: Gods and Monsters

In “Gods and Monsters,” Supernatural begins a slow reveal of the mayhem Michael (Jensen Ackles) intends to introduce with his experimental creations. While Michael attempts to bring his ghastly vision into being, Nick (Mark Pellegrino) and Jack (Alexander Calvert) explore unacknowledged aspects of who they are. Writers Brad Buckner and Eugenie Ross-Leming construct the form […]

via Supernatural S14E02 Review: Gods and Monsters — The Supernatural Fox Sisters

I didn’t get to review this episode in time for tonight’s, so I’m just going to put this here, as it makes a lot of my own points. The Sisters are holding it down on the SPN front, really well.

I do want to add: Is anyone else excited about Sam’s new badassedness. I mean he was always like that but it was kinda lowkey most of the time. I mean I love Dean but whenever he steps out of the picture Sam always seems to level up in his demeanor.

And is anyone else worried about Sam’s proclamation about there being no more Kings of Hell. That sounds like a challenge, or the kind of declaration that’s going to put him in the interesting spot of actually ruling Hell himself, which I admit, I’d love to see, and it would be an interesting bookend to Dean’s possession by Michael at the beginning of this season.

Essentially both Hell and Heaven are completely leaderless, with whatever angels and demons that are left, just out in the world doing their own thing. The Brothers Winchester have created  two power vacuums that  makes me wonder who or what is going to take up that slack. Michaels already trying, but no one has stepped up to try for Hell yet (unless you count the possibility of Nick or Sam).

But I’m getting waay ahead of myself here, even though y’all know that sometimes what the guys say and do, at the beginning of a season, may come back to bite them later.

I’ve told you guys I’m not a huge fan of Buckner and Leoming, but they’re actually pretty good when someone keeps a tight rein on them, and that’s the case here, becasue I didn’t see too many problems with the episode, and overall I enjoyed it.

So, for the first time really, I’m going to give these two writers high marks for starting off the season with some nice action with Sam and the demons, an interesting mystery with Michael’s actions, just a touch of pathos with Jack’s, and Nick’s stories, and some intrigue by damseling Castiel this time.

Let’s hope the rest of the season hits the same high marks.

AHS Apocalypse (Ep.1)

I’m going to put this here first. This is just these two, very nice guys discussing the events in the show, and giving their opinions. This is about twenty minutes long, and afterwards I’ll discuss what I thought about the show, my feelings, and my suppositions about what I think is actually happening, about which I may be totally, and completely, wrong.

Okay, so my thinking on this is that a lot of what we saw was faked. At least, I think their lives, after the apocalypse, was faked. I think maybe there was a limited nuclear exchange, and its possible it may even have been bigger than that, but I think the rest of the world is still there and  these people were brought to this place for the express purpose of harming and torturing them.

One of the biggest tenets of my personal belief system is: always question what I am being told, especially if it’s by someone in a position of authority, or power, over me. None of these people bother to do that. They’re  the kind of people who have unquestioningly gone along with the status quo their whole lives, and that has continued here, and I believe that’s why they were specially chosen to be in this place. None of them question anything they are told, no matter how nonsensical, or how much it conflicts with what they’ve been  told before.

A lot of the rules they live by just seem designed to be pointlessly malicious and make them unhappy and scared. For example, one of the first things the newcomers see when they reach the Outpost is an execution that I feel was timed and staged just for their arrival. I think the execution itself was probably real, although it serves no purpose to be killing off the members of your survivor group because they had sexual relations with one another, and if that was true, then why was Stu and his partner allowed to be a couple at all, before Stu’s probable death.

During the episode, there were a number of instances where I thought the two lead characters were engaged in what I call “harrowing”. They are basically there to make sure the participants suffer. There’s the possibility that the Coperative, or whatever, is simply a cult of some kind ,and this is the closest they will  get to willing participants.

Image result for ahs apocalypse

The food cubes  are to keep them miserable and distracted by hunger, so they don’t think to ask proper questions. After one of the participants goes on a long rant about why there isn’t any food, when they paid so much money to be there, it’s awfully coincidental that the two women just show up with stew, possibly, or not, made from Stu, a moment I found hilarious, and may itself have been staged. Notice that Stu’s partner is the first one who jumps to that assumption. It’s possible that Stu is dead, but I don’t think they made food out of him.  Turning a human being  into hamburger is a very labor intensive activity, and we haven’t seen either of the two women involve themselves in any activity more strenuous than changing clothes. And besides, that’s what the conveniently hierarchical  slave system is for, which is also designed to make the less rich participants just as miserable, too.

Everything in this setup strikes me as being just a little too pat, and a little too well thought out. How convenient is it that they know there are mutants and whatnot trying to infiltrate their borders? And then there was the pigeon. This is what clued me in that all of this might just be a huge farce designed to keep these people trapped. They ration the food pellets again, and then say their border was infiltrated…by a messenger bird from another Outpost. One of the women asks if they could eat the bird, and the attitude is that the bird is inedible because it’s been irradiated by the environment. Then there’s this huge thing where they claim someone is irradiated and could contaminate the others with it, so that person needs to be found and ferreted out.

Image result for ahs apocalypse

Yeah, that’s not how radiation works. I know something about this topic from having watched hundreds of Scifi movies, and that is the one topic such movies always get right. Radiation isn’t contagious. It’s not a virus or bacteria. You can’t pass it on to someone, although there can be contact transference. It mostly just causes sickness. Radiation poisoning is only dangerous to the person who has it, not to people who happen to be in their orbit.

Yet, the two leaders of the group act like radiation is this horrible sickness that they can all catch, so the person who has it needs to be sorted out.

They freaked out about one of them being contaminated. But bringing that irradiated pigeon ( its too poisonous to eat) inside is okay. Those two things directly contradict each other.

None of the participants in this charade are quite smart enough to figure out that all the rules are a pointless mess designed to keep them so miserable they can’t think straight about their circumstances.

Image result for ahs apocalypse

Another clue, for my theory, is the horrible music played on a constant loop, over and over, for months, only to be arbitrarily changed to another horrible song, for several months. The point of it all is to make everyone deeply miserable, thereby making them all more easily managed.

When they are visited by the so-called leader, at the end of the episode, he rides in on a carriage with Black horses, which are subsequently killed. Now I can understand not wanting to eat irradiated horses, because imbibing it is one of the few ways a person can get radiation sickness, but really, why kill the horses? He doesn’t plan on leaving, that’s why. And why bother to travel on horses at all, if their borders are constantly being violated by irradiated mutants trying to get their stuff.  And once again, bicycles are readily available everywhere, and anywhen,  but no one ever thinks to ride those after the apocalypse.

I think the whole story is bullshit, including the story about the other fallen Outposts, is designed to keep the participants scared and trapped. They can’t be allowed to know that the rest of the world is still out there, or they would try to leave. These are people too lazy and soft to ever leave their comfort zone. They didn’t leave their comfort zones even when they were back in the world, and they need to remain in that hellish place, for the “Cooperative’s” agenda.

Image result for ahs apocalypse

And remember, the two women in charge of the Outpost are both unreliable sources of information, and we only know about the world what they have chosen to tell their prisoners. None of the things they’ve said, about the rest of the world being gone, might be true.

The bottom line is, I don’t trust any of this.

Or I could get up off my lazy behind, watch the second episode, and find out I was completely wrong about all my assumptions…

Now I also want to point out how much I loved seeing Joan Collins, and what a thoroughly bitchy delight she is as a character. This is the kind of woman, after being told she may be eating human flesh, shows she seriously doesn’t give a fuck, and says  that it tastes great. Cannibalism doesn’t bother her at all.

I also thought the scene where the Black guy declares they’re eating his boyfriend was hilarious. It’s just so incredibly over the top and ridiculous. Stu is Stew!!! Omg!

Image result for ahs apocalypse

I lowkey thought that Paulson’s and Bate’s characters were in a lesbian relationship. They still might be, but I thought that was what we were going to see, for a moment there. it turns out that the two of them are simply up to no good together, is all.

Adina Porter is her usual awesome self, and I’m glad to see her again.  Actually, I’m having a few gleeful moments, as I watch these rich twats get treated like shit, and made miserable. They were such unlikeable people, when they were out in the world, that it’s really a lot  of fun watching them have these meltdowns over their lack of food, and freaking out about the music, which I also find lowkey hilarious.

By the time you read this, the second episode will have aired and I haven’t yet watched that. Depending on what happens,  I’ll have more about the show later. But this season looks to be fun in a way that last season was not, as it was hitting a little too close to home. I think Ryan Murphy is the one of the only showrunners who can infuriate me, keep me in a state of outrage, and still keep me laughing so hard, and glued to my TV, at the same time.

A Black Buffy the Vampire Slayer

 

Well, some of you may have heard about this:

‘Buffy the Vampire Slayer’ Is Getting a Reboot With a Black Lead

https://www.thedailybeast.com/buffy-the-vampire-slayer-is-getting-a-reboot-with-a-black-lead

 

https://the-orbit.net/progpub/2018/07/22/buffy-is-coming-back-and-this-time-shes-going-to-be-black/

I also am not loving the idea of naming a Black woman ‘Buffy’. I’ve got to be honest, on top of the fact that ‘Buffy’ has been played by 2 wyte actresses, ‘Buffy’ as a name is white coded. It doesn’t scream blackness. It screams pretty much what all other corners of USAmerican society screams: whiteness. That kinda solidifies the idea that ‘Buffy’ is a wyte name. On the other hand, if it’s going to be a reboot, they kinda need that name (although it could be a nickname, perhaps one based on athleticism).

Related image

 

So far, a lot of the reactions have been mixed. Or rather,  the reasons for their negative reactions have been mixed, while the positive reactions are pretty much just  “Yay! New Buffy stories!” My feelings are completely mixed. I don’t know if I should feel happy about it or be annoyed.

I was a huge fan of the original. I think I commented on one of these that I used to watch Buffy like it was a religious experience. Some writers on the subject have distilled this feeling to its essence: For some people, it’s Star Wars, but for some of us, it was Buffy the Vampire Slayer. I was a minor fan of Star Wars. I like it,  for the most part,  but it doesn’t (didn’t) move me the way Buffy did. And something about the time period in which I saw it, (just a few years out of high school) may have played a large part in my reaction to it.

As much as I liked Buffy though, the show does have some major issues, one of which was the subject of race.

https://theconversation.com/a-revamped-buffy-could-rectify-the-original-slayers-problem-with-race-100599

Not to be deterred, however, producers of the show have responded by implying that the new season will not be a reboot with a Buffy who happens to be black, but rather a sequel to the old one, featuring a different slayer altogether. A sequel featuring a different slayer, with her own identity, would be a firm step towards a more radically inclusive and irrevocably transformed storytelling venture.

Image result for black buffy

 

I loved Buffy but I’m not necessarily looking forward to a reboot of Buffy because, as this article states, Black fans deserve their own characters, rather than hand me down characters of White shows. On the other hand, I have heard competing ideas of what the show is about. I’ve heard it’s a reboot, but then later I read that this will be a unique character, with her own stories, and that it is a sequel built on the old series. The character’s name will still be Buffy, however, and I think that’s a mistake. If its a reboot, then it’s unnecessary, and if it’s a  sequel to the original, and its a whole new character, then why bother to give her Buffy’s name. Not to mention that there’s not a Black woman on Earth whose name is Buffy. A nickname I could understand but her actual name? No!

I do feel that having a Black woman writer as the showrunner is a good idea because who knows more about what it’s like to be a Black woman, than a Black woman. Certainly not Joss Whedon, whose writing of Black women is, simply, atrocious.

This writer is right in saying that Black people have a wealth of fantasy stories that we’ve created, that we would like to see brought to television, although in an ideal world, I would love  ALL the stories along with the new Buffy.

https://www.slashfilm.com/buffy-reboot-problems/

What’s insulting is the thought that we’re supposed to be happy with whatever representation we get, without understanding that what we crave and demand goes far beyond the simple presence of a person of color on screen. It’s about substance. It’s about the opportunity for an actor or actress of color to be able to stand on their own merit and not in the shadows of their white predecessor. It’s about the importance of highlighting original stories by and featuring talent of color — without presenting it through a white gaze.

Image result for l a banks

Image result for l a banks

 

Some people flat out don’t want the new show. There are shows I’d prefer to see ,and stories I’d prefer be told, but I’m not actually opposed to this show. As I’ve said before, I’m incredibly nosy, so no matter what gets put on the air, I’m probably going to watch at least the first episode. I’m not prepared to hate it right away, but I am giving the whole idea  the side-eye.

https://www.themarysue.com/i-dont-want-a-black-buffy/

That’s why I wish, ultimately, that this and even the upcoming Charmed series were original concepts and not hopping on top of existing franchises in order to make them work. Black and non-white creators have our own vampire series that could be up for adaptation. There’s L.A. Banks with The Vampire Huntress Legend, Octavia Butler’s Fledgling(if it loses the age issues), and The Gilda Stories by Jewelle Gomes, which is about a bisexual vampire from the 1850s.

Image result for black fantasy books One of my favorites, that Id love to see adapted to TV is the Maurice Broaddus Joint :Knights of Breton Court, which is a retelling of the legend of King Arthur, set in the hood, with magical characters, and sword-bearing street thugs. There’s nothing like it on TV, right now, and this story deserves to be seen.

 

Image result for coyote kings of the space age This is another one of the unique stories I would love to see brought to TV. Coyote Kings of the Space Age Bachelor Pad is kind of indescribable, although I suppose it would be called the Black version of Ready Player One, if it took place in the show Atlanta.

And here’s a few more:

https://littlefoxandreads.wordpress.com/2017/01/24/diversity-in-sff-1-sci-fi-fantasy-books-with-black-protagonists/

Hannibal Season Three: Secondo

I was not going to review this particular episode because its one of my least favorite of the entire series. I was just going to farm this out to another reviewer like:

Image result for hannibal season 3

http://www.denofgeek.com/tv/hannibal/35870/hannibal-season-3-episode-3-review-secondo

I’m just not particularly interested in the foundations of Hannibal’s psychology, or really in the foundational mindset of most serial killers. I’m not particularly impressed by their abusive childhoods, or teenage sexual experiences, or any of that.

But I will give this one a light review because I realized that it introduces a key character for the rest of the season, Chiyoh, and gives her something of a backstory. Chiyoh is an interesting character because what we have learned from Bedelia last season is that Hannibal is extremely good at encouraging and manipulating people into killing others. It worked with Bedelia, Will, and Abigail. He attempted it with Margot Verger, and managed to manipulate Mason Verger into harming himself. Chiyoh is fairly unique, in that she is one of the few individuals who has managed to resist his manipulations, and not kill anyone (although Margot, along with Alana Bloom, eventually kill Mason together, with his advice, later in the season).

In Secondo, we backtrack with Will Graham, a little bit, to show what he was up to, before he almost meets Hannibal in the catacombs beneath the Chapel in the second episode. Will visits Hannibal’s ancestral home in Lithuania, where he meets Chiyoh,  discovers how she is connected to Hannibal’s backstory and her  connection to Hannibal’s childhood.

Image result for hannibal season 3/firefly

When Hannibal was a child, he and his sister were  set upon by a group of soldiers who “supposedly” murdered and cannibalized Mischa. Hannibal imprisoned one of the soldiers and set Chiyoh, who was an attendant to his Aunt, to guard the man, probably in the hopes that she would kill him, But she does not, and the man is still imprisoned many years later. Will Graham pulls a Hannibal, though, and sets the man free, because, as he tells her, he’s curious about what Chiyoh will do. When the former prisoner attacks her, Chiyoh does kill him, and now free of her “penance”, sets off with Will to find Hannibal in Florence. Before they depart, Will also creates a tableau from the dead prisoner’s body, in the form of a giant dragonfly. When Chiyoh asks why he’s looking for Hannibal, Will explains that he is more of himself when they’re together,  and sadly, Chiyoh understands that.

So does Bedelia, as she is  warns Hannibal that he will be caught. We are rivy also to Hannibal’s pensive recollection that Will forgave him at the catacombs under the chapel. Season three is the first time that it is openly acknowledged by everyone, that Will and Hannibal have a twisted love for each other. Remember what I said about Bedelia. She is the show’s Truth-Teller, and every good show has one, especially if the show deals in lots of metaphor and symbolism. You need at least one character who is distanced enough from the narrative that they can plainly speak on its themes, and on what they have observed, to the other characters (and also spell it out for the viewers). Bedelia, for example, has managed to suss out that it was, in fact,  Hannibal who ate Mischa, as a form of forgiveness. She puts the idea in Hannibal’s head that the only way he can forgive Will, for his betrayal last season, is to eat him. It speaks to her level of complicity with Hannibal that I’m not entirely certain she didn’t do that deliberately

Image result for hannibal season 3/bedelia

While Will is exploring Hannibal’s castle, Hannibal ismurdering his academic rival during dinner. The few moments of sardonic humor Hannibal displays is often around killing. One of the professors of the museum, who insulted him at a party in the opening episode, gets an ice pick through the brain. It is Bedelia who puts the finishing touch to the murder by pulling out the skewer, however. Hannibal often asks her if she is observing, or participating, and she must feel some type of way about it because she tries to distance herself from complicity in his murders by claiming she is only observing. Hannibal challenges her by telling her she is actually participating since she has done nothing at all to stop him from murdering people, and I’m inclined to agree. She may be horribly afraid of him ,and he does have dirt on her, but she has also had multiple opportunities to kill him,  flee, or warn his victims, and yet she stays.

Anyway, this is one of the least interesting episodes for me because there  isn’t a lot of plot or character development. It’s mostly a  travelogue through Hannibal’s past ,and seems more of a filler episode than one that’s important to the development of the season. Things get a little more exciting in the next episode, titled Apertivo,  when Will and Hannibal meet for the first time this season.

 

Bonus Content 

The titles of the episodes throughout Hannibal, are often some reference to food. Here, the second episode is titled, Primavera, and means Spring, The episode is a new beginning for the series, and for Hannibal. Primavera is also a food reference meaning a selection of pasta with fresh seasonal vegetables. It is also the title of the painting by Botticelli which features heavily in the theme of the season’s first five episodes, (while the second half of the season is based on The Great Red Dragon paintings of William Blake, with no more references to food.)

The first episode of season three is titled Antipasto, which is an Italian appetizer, indicating the start of a formal Italian meal. This is a callback to the very first episode in season one, titled Aperitif, which is a wine palette cleanser, at the start of a formal French meal.  The first season titles are named after French culinary etiquette, the second season’s are named after a  formal Japanese meal, and this season begins with Italian food references.

Since we are starting the story over again ,where Will meets Hannibal after a long hiatus, the titles have started over too again, too, but at a slight remove, since all these characters are familiar to each other. A formal Italian meal consists of five courses. The Apertivo, is missing, but the first title refers to a pasta dish, called the antipasto, which is an appetizer. This is followed by the primo and secondo, a vegetable dish, followed by a serving of meat, usually veal. (This is  a sly reference to The Silence of the Lambs.) This third episode title is especially appropriate, because Secondo means the secondary (lower) part of a piano duet, which could be defined as Will Graham’s part of this story, since the season opening’s focus was on Hannibal and  Will is the secondary character here.

A Classical Italian meal consists of five parts. The Apertivo (small drink) which usually marks the start of the meal has been moved. The episode Contorno refers to a type of vegetable side dish that is  eaten along with the secondary main dish, followed by  Dolce, which is dessert. And finally the season winds up with digestivo, which is a light drink to finish off the meal, which also finishes of the first half of the season.

New and Interesting Trailers 6/2018

HI!

Here, have some trailers! I thought these looked really good. I was already on the hook to see some of these movies and shows,  but a couple of them got me really interested in seeing something that was not necessarily on my radar. There are a couple that I’m cautiously excited about, but I’m going to approach them with an open mind.

 

Luke Cage Season 2

So Alfre Woodard appears to be tearing it up, in a season which is focusing a lot more on women. Misty Knight and Colleen Wing are kicking ass, and then there’s Bushmaster. I don’t know a whole lot about Bushmaster (as he wasn’t in any of the Luke Cage books I read), so he will be something of a surprise for me, but I am really excited for this season.

From the interviews I’ve seen, Cheo Hodari Coker knows Ryan Coogler, and the two of them tend to work parallel to each other. This show wasn’t slacking in its representation of women of color last season, but the influence of Black Panther can be seen in how it allows the Black women to be heroes and villains, rather than merely eye candy. So, despite the presence of Danny Rand, (who I’m still not feeling too good about), I’m really looking forward to this season.

 

 

Spiderman: Into the Spiderverse

This is one of the funniest Marvel trailers I’ve seen in awhile. I’m really liking this, although it took me a minute to wrap my head around the animation, as I was expecting something a little more traditional. But I’m glad to see Spider- Gwen, and an adult Peter Parker. I think I posted this trailer here before, too, which shows my enthusiasm for this movie.

I’m a big fan of Peter Parker, (and I was one of the people who lobbied that he should be Asian in the new movie), but I’m also in love with Miles Morales, too, who is from the Ultimate Spiderman line of comic books.

 

Christopher Robin

I am so much in love with this trailer and with Winnie the Pooh. The adventures of Pooh, and his friends, were one of the primary literary staples of my girlhood. I remember my Mom used to read the adventure books to me, and we watched the cartoons on TV. I loved Pooh so much, I think I’m the reason that my youngest brother, (I was 3 when he was born), is named after him, (and if you can picture a 6 ft. tall, muscular, forty something, Black firefighter, named Pooh…)

This trailer got me all up in my feels, and I have no shame in admitting that I plan to see this, multiple times, if possible.

 

 

The Girl in the Spider’s Web

I really enjoyed the original trilogy of Lisbeth Salander, and I’m excited for this new movie. I probably still won’t read the book though, although I did read the first two. I like this  new actor, although it’s hard to top the original.

 

 

Halloween

I’m not sure what I feel about this new version. I did like the Rob Zombie movies okay (the second less than the first). Apparently, this movie picks up exactly where the first movie left off, and Michael isn’t actually Laurie’s brother, and she has a granddaughter who thinks she’s insane, and all the other movies will be ignored, (with Carpenter’s blessing). But it looks pretty good, and I like Laurie’s “Born Again Hard” attitude, and gun.

 

 

The Predator

I had no idea there was a whole damn mythology behind The Predator movies, (even though I’ve seen all of them, and only been impressed by maybe a couple of them). I read a couple of the comic books, and watched the movies, and I really enjoyed both, but apparently  made no effort to put all this shit together. The Predators even have a special name, that I’ve never heard of! The first trailer didnt make me especially enthused about the movie, but I am highly enthused now that I’ve watched the mythology video, and seen this new trailer, which looks fucking awesome. (Yeah, if I’m cussing, I’m very excited.)

 

*Predator Mythology 

The Yautja (Predators Explained)

 

Bumblebee

While Bumblebee is one of my favorite Transformers characters, I’m not especially enthused about this movie for two reasons. The first is because the very first shot in this trailer is of a White woman’s ass, and I am thoroughly sick and damn tired of looking at White women’s asses (any women’s asses really) in movies, unless its actually a four legged animal. The second is because it is a Transformers movie.

A couple of things in its favor  is that there is a different director attached to this movie, and it’s about Bumblebee, and he’s a bit more kid oriented. Unfortunately, it does look like the same plot as the first Transformer film, and I even though I liked that film, I really don’t want to pay for the same movie twice.

Westworld Season Two: Kiksuya

This episode is about one of the more mysterious characters we have seen skirting the edges of the narrative, Akecheta, and his tribe Ghost Nation. This lends some insight into the tribes creation and motivation ,and their connection, from the beginning to Maeve’s story.

I thought Akane No Mai was going to be my favorite episodes of the season, but I think this episode has overtaken that one as being my most favorite..

A lot of people have reviewed this episode, broadly considered to be one of the most beautiful episodes aired this season. Rather than review it myself, I’m going to leave these here.

Note some major points: The word Kiksuya means : Remember. The episode is subtitled, with Akecheta speaking the  Lakota Sioux language. Akecheta’s entire story is being told to Maeve through her daughter. The Deathbringer is none other than Dolores. (What if it turns out that Dolores is the villain of this series?)

 

@@

Image result for kiksuya gifs

https://www.avclub.com/a-symbol-tells-his-story-on-a-heartbreaking-westworld-1826709787

For the first time, Akecheta gets to tell his story, relating his life’s journey to Maeve’s (still unnamed, I think?) daughter as William lies bleeding out on the dirt nearby. It’s a wonderfully focused hour that builds to an actual conclusion—and while I’m not sure we learn much here that we didn’t already know or suspect, it’s still emotionally satisfying to spend this much time with a single character, getting to see how they came to be and what drives them.

@@

Image result for kiksuya gifs

https://www.vox.com/culture/2018/6/10/17442310/westworld-season-2-episode-8-recap-kiksuya

All told, it’s a little languid and could have lost 10 minutes without too much trouble. (There are a lot of gigantic landscape shots, which eventually grew repetitive.) But “Kiksuya” has the visceral emotion that the series often lacks, and McClarnon is a terrific leading man. This is probably my favorite episode of the season so far, which I would not have expected going in.

@@

Related image

https://www.vanityfair.com/hollywood/2018/06/westworld-kiksuya-what-is-the-door-ending-explained-maeve-akechetah-zahn-mclarnon

*In the episode, Akecheta ‘s story parallels Maeve’s story. When he comes to his realization that the world he lives in is false, he stages his own death (as she did), and when he wakes up underground, takes a tour of of the facility, and finds his way to the cold storage room, where he finds all the family and friends he remembered had simply gone missing, and been replaced with new and unknown faces.

The scene where Akecheta returns to the world above, and tells his friend’s mother that he saw her son in the underworld, (a son who has since been replaced with a man she knows is not him), and gives her a lock of his hair, is very probably the one of the most tearful moments in the entire series.

But Westworld is also, clearly, making a bit of incisive commentary on a character like Dolores assuming she’s either the first or most important child of Ford when, all along, the Native cultures were making their way towards enlightenment. This explains why, in Season 1, a young member of Ghost Nation dropped a carving of one of the Delos employees in the dusty streets of Sweetwater. This tribe has long known what was up.

But the show also reaches much further back, to ancient myths about lost loves and the land of the dead. Fans of Greek mythology might recognize shades of Orpheus and Eurydice—the story of the legendary musician who traveled to the Underworld to find his dead bride and try to bring her back to the land of the living. Akecheta and Kohana travel that same path. But as you might expect, there’s a reflection of that very same myth in Native culture. An Algonquin legend, “The Spirit Bride,” tells an almost identical story. “The Worm Pipe” tells a similar tale, but with a happier ending than either Orpheus or Akecheta manage to find.

@@

Image result for kiksuya gifs

https://heavy.com/entertainment/2018/06/westworld-kiksuya-meaning-translation/

The title of the episode, Kiksuya, means “Remember” in Lakota. In fact, nearly the entire episode is going to be about the back story of the Ghost Nation, with much of the episode containing subtitles. Yes, much of the episode will be spoken in Lakota. If you recall, the subtitles in Episode 3 showed Hector speaking Lakota to the Ghost Nation natives.

@@

Image result for kiksuya gifs

https://www.theatlantic.com/entertainment/archive/2018/06/westworld-season-2-episode-8-kiksuya-roundtable/562451/

When Ghost Nation were introduced in the first season, they were faceless villains, made up in white and black paint (marked with bloody handprints), targets for hosts and guests alike to fight off. They were the backbone of Lee Sizemore’s gross, rejected new narrative centered on cannibalism, a garish attempt to jack up the stakes in a park already centered around murder and assault. In Season 2, there have been hints that they’re not the villains they appear to be.

@@

Image result for kiksuya gifs

https://www.rollingstone.com/tv/recaps/westworld-recap-season-two-episode-8-kiksuya-w521170

It took one of its most underutilized cast members, placed him at the center of a storyline that directly addressed the series’ sci-fi conceit but combined it with real mythmaking power and then let him run. The warrior Akecheta may not save Ghost Nation and its many human captives, but he just might have saved this show.

 

@@

Into The Badlands Season Two: So Far

Oh wow, I’m really late with this one, although not too late since the season hasn’t ended yet. I really should have begun this earlier, because there is a lot of ground to cover, and as is usual with this show, if you miss an episode, you’re up shit creek as far as understanding what’s going on, or what happened before. The plot does not slow down here. As the season moves forward the plot becomes more dense, the betrayals and alliances fly fast and furious, and of course, the action is literally kickin’! We’re gonna have to do this the old fashioned way: via character list.

 

Sunny

Sunny

Since the first episode, Sunny (whose actual name is indeed Sunshine) has been at pains to save Henry, since Henry became sick. It turns out that Henry is a baby Dark One. In his quest to save Henry from dying from his Dark Chi, Sunny teams up with Bajie, takes over a refugee camp, gets kidnapped by cannibals, and finally confronted by Nathaniel Moon, and finally reunited with the River King.

As usual, many of Sunny’s current problems spring from all the past shit he did as a Clipper, but there’s also a new wrinkle. Sunny happens to be a Dark One, only his abilities are latent. Sunny is a catalyst instead, capable of awakening the abilities of others. Should this information become public, and others find out he can create Dark Ones (possibly even control them), Sunny will become even more valuable to all the major Powers of the Badlands.

 

Bajie

Bajie

Bajie is one of those people who knows everybody, and  everybody’s everybody. The Widow used to be a former pupil of his, and one of his former masters from the abbey is a witch who can cure Henry’s illness. He and Sunny find their way to this woman. She manages to cure Henry’s fever, but she is also the person who figures out that it was Sunny who caused the flareup because  its hereditary.

Bajie is disappointed to think the signal he sent out, in first season, got no response, but the witch says it did. It attracted Pilgrim. And guess what? Bajie seems to know him too. So, at some point he and Pilgrim will be reunited.

Nathaniel Moon

Nathaniel Moon

Nathaniel Moon tracks Sunny to the lair of the cannibals, where he gets taken prisoner, as well. In exchange for saving his life from the cannibals, Moon decides to spare Sunny’s life. Also, Moon is an honorable man, who does not wish to make Henry an orphan.

The writers have learned at least a few lessons from the past seasons. They have given Moon a backstory, and although he does questionable things (most of the people in the Badlands do questionable things), he manages to maintain his honor, and occasionally make some good choices, but I suspect sooner or later, just like Tilda and Waldo,  he will grow disillusioned with The Widow, and leave her.

He also has a sordid past with Lydia, who had an affair with him, when he was Quinn’s Clipper. I like this relationship and hope they get together because their chemistry is unmistakable.

The Widow

The Widow

The Widow’s war with Baron Chau continues, and its hard to say who is winning. They both use innocent lives to manipulate each other into action, so I can’t even say who is the better person. The Widow is still one of my favorite characters but I still got  problems with her methods.

After Pilgrim floods  her poppy fields with pamphlets, stealing away half her Cogs, she decides to get out in front of the problem, and goes to see him. Subsequently, she and Pilgrim reach an accord. He doesn’t steal away any more of her workers, and she will take his side against anyone who attacks him.and there won’t be any need for violence between them,

 

Lydia

Lydia

Lydia has been appointed to be the Widow’s governor,  taking over the poppy plantation, where she used to live. It turns out that she and Nathaniel Moon used to be lovers, and their reunion was …how do you say? “Fraught with tension!” Like I said, the twists, turns and connections on this show fly fast and furious, and you have got to pay close attention, or you’ll miss some new, and relevant, development.

 

M.K.

M.K.

When we last saw MK he was zonked on opium, and without his powers, but the opium caused some type pf revelation, and he now believes that it was Sunny who killed his mother. I’m inclined to believe this is a delusion on his part, except Sunny has met more than a few people he’s wronged in his time as a Clipper, so why not MK.

During MK’s mission to find and kill Sunny, he’s shot by Gaius Chau’s crew, and found by Pilgrim. Pilgrim knows what he is, and wants him to stay and work for him, as a kind of enforcer, since one of his enforcers is in the final stages of being a Dark One burnout, and he needs a replacement. I’m not sure where this is going, but I’m pretty sure this won’t end with MK killing Sunny.  They are set to be reunited, and I’m sure there’s gonna be some kung fu fightin’, but I think that will be the extent of it.

 

Tilda

Tilda

Tilda and her mother have reconciled, (sort of), and she is now a kind of liaison, between the war refugees and her mother, helping to run the  camp set up in a corner of the Widow’s district, by Lydia. Over the course of the season, this camp has been attacked by everyone in the Badlands, mostly in an attempt to steal the refugees and get them involved in the war. Tilda makes this  deal, with her mother, to protect them.

 

Baron Chau

Image result for baron chau

After her people are attacked by Pilgrim, Juliet Chau realizes she cannot fight a war on two fronts, and sends in her nuclear option, her brother, Gaius Chau, who she suborns into working for her, by threatening his friends. She and her brother have a history where he tried to be a nice guy, but his sister took over his position as head of the family because she was utterly ruthless. They were feuding, but she imprisoned her brother, after he tried to stage a coup. Needless to say, Juliet is a few rungs down the ladder of villainy than Minerva, as she seems to actually believe in, and support, the slavery of the Cogs.

She sends her brother out to find, and assassinate Pilgrim.

I’m not sure I like this version of the “dragon lady” stereotype, but I do like this character, who is every bit The Widow’s equal. Perhaps if the show had more Asian women in it, to offset her depiction, that might be better.

 

 

Gaius Chau

Gaius Chau

Fomented a rebellion against his sister when she became the head of hte clan. And guess who was at the bottom of this rebellion. A very young Minerva, of course! She seems to have ties to everyone in the Badlands.

We’ve already seen The Widow’s reunion with Bajie, last season, which did not go well, but after Gaius’ assassination attempt of Pilgrim is unsuccessful, he finds his way to the refugee camp led by Tilda, where he and Nathaniel team up to protect it from Baron Chau, after which he is reunited with The Widow, and now works for her.

Can I just say how happy I am to see Lewis Tan in this show.

 

Pilgrim/Cressida

PilgrimCressida

Pilgrim and his entourage, which include the two Dark Ones, Nix and Castor, (and now MK), have taken up residence in an abandoned castle/museum on an islet. Pilgrim certainly seems to be educated from somewhere as he knows a lot about the artifacts in the museum, and has been heard quoting The Hagakure: The Book of the Samurai.

Pilgrim is turning into one of the top power players in the Badlands, mostly because he is able to offer hope and stability, from the war, to the Cogs  who flock to his banner. He’s certainly becoming someone who needs to be gotten rid of for becoming a hindrance, or parlayed with, instead. The Widow decides to make a deal (which she will renege on, at the first opportunity, of course). Baron Chau decides that getting rid of him is her best bet, and sends Gaius to do it.

Pilgrim and Cressida are engaged in some mysterious construction activities. Its kind of confusing because a lot of the people in the Badlands refer to Azra as  a place that is gone, a place that exists now, a place that will exist in the future, or sometimes, a person. At any rate, actual mystical abilities (magic) have been introduced to the mythology of the Badlands, as Cressida actually is a seer, and keeps seeing Sunny’s Clipper hash-marks in her visions, which is convenient becasue Sunny is on his way to Pilgrim’s place, in the last episode.

 

This season consists of sixteen episodes this time, so we’re about half through. Of course, by the end of the season, every individual situation will have changed, and I hope they all survive to the next season.