Weekend Reading Roundup (October 2017)

Some interesting articles and news items from the past week.

Race and News Media

http://fair.org/article/racism-and-mainstream-media/

http://www.stopracism.ca/content/racism-and-media

https://en.wikipedia.org/wiki/Racial_bias_in_criminal_news_in_the_United_States

http://www.slate.com/articles/news_and_politics/culturebox/2017/10/playing_devil_s_advocate_in_conversations_about_race_is_dangerous_and_counterproductive.html

 

Race at the Movies

*I’m a person who studies these subjects, and while I did know about some of these issues, I still managed to miss some of the others:

https://shadowandact.com/hyper-tokenism-ii-othering-the-black-female-body-in-star-wars-the-force-awakens/

*http://www.racebending.com/v4/blog/aliens-looking-white-extraterrestrial-skin-color-in-sci-fi/

https://www.wired.com/2016/02/geeks-guide-diversity-destroy-scifi/

 

On Harvey Weinstein

*Sexual abuse and harassment in Hollywood is an industry wide phenomenon.

 

http://www.shakesville.com/2017/10/men-who-are-bullies-hurt-women.html

https://www.thecut.com/2017/10/why-the-weinstein-sexual-harassment-allegations-came-out-now.html

https://www.washingtonpost.com/blogs/compost/wp/2017/10/06/harvey-weinstein-and-that-different-time-when-hostile-workplaces-were-totally-okay/?utm_term=.daf14ea32517

https://www.newyorker.com/culture/jia-tolentino/how-men-like-harvey-weinstein-implicate-their-victims-in-their-acts

https://www.newyorker.com/news/news-desk/from-aggressive-overtures-to-sexual-assault-harvey-weinsteins-accusers-tell-their-stories/amp

*The fallout from Rose McGowan being banned from Twitter was White women’s allyship being called into question by WoC, when White women decided to boycott Twitter in support of McGowan.

http://www.newsweek.com/women-color-wonder-why-it-took-until-now-white-women-boycott-twitter-684198

 

*An unexpected Tweet from Terry Crews on his own brush with sexual assault, and why, as a Black man, he never told anyone:

 

 

Black Movie Critic List

*Earlier I did a post on finding Black critics of Black media like Luke Cage and came across several, including an organization developed specifically to support such critics.

http://www.aafca.com/

https://splinternews.com/theres-a-huge-divide-between-how-black-and-white-critic-1797478105

https://kinja.com/danielleyoungproducer

https://www.theringer.com/authors/k-austin-collins

http://www.rogerebert.com/contributors/angelica-jade-bastien

http://www.aafca.com/carlas-corner

 

On White Men With Guns

*I feel some kind of way about watching this show, especially after what happened in Las Vegas..

The Punisher

Let’s talk about The Punisher, for a second. You know, the guy with the massive guns, chip on his shoulder, and penchant for killing people?

Are we gonna talk about how his whiteness plays into people’s acceptance of him?

Are we gonna talk about how his use of violence is pretty much accepted and lauded because of the fact that he’s a white dude?

Are we gonna talk about how Jon Bernthal had to fight to make Frank Castle unheroic on set, and how fans are still going to talk about him like he’s the greatest thing since Iron Man?

Are we gonna talk about how Frank’s whiteness allows him the space to be violent, gory and still sympathetic?  While Black heroes (like David Walker’s Nighthawk) do the exact same thing, but aren’t supported?

 

https://www.splicetoday.com/moving-pictures/taxi-driver-and-the-culture-of-violence

https://www.washingtonpost.com/blogs/compost/wp/2017/10/02/when-white-men-turn-into-lone-wolves/?utm_term=.d13d79b39238

https://theintercept.com/2017/10/02/lone-wolf-white-privlege-las-vegas-stephen-paddock/

 

 

On Rick and Morty Fans

I’m not a fan of this show. I just don’t have the patience for any of the character’s shenanigans at this time, but I’m thoroughly and completely appalled at what most fandoms have come to, at this point. Geek fandom was never a healthy place for me, to be honest, but fandom today seems to be especially toxic, with an influx of the kinds of people who have no idea how to be fans of pop culture, (although to be fair this has been happening in sports for decades.)

http://www.indiewire.com/2017/10/rick-and-morty-szechuan-sauce-breaking-bad-pizza-fandom-gone-bad-1201886904/

https://www.forbes.com/sites/danidiplacido/2017/10/08/rick-and-morty-fans-take-obnoxiousness-to-a-whole-new-dimension/#1e71038676ac

https://www.polygon.com/2017/10/9/16447460/rick-and-morty-szechuan-sauce-mcdonalds-fans-anger

 

 

Free PDF Book List On Race

Found from various places online:

The Pedagogy of the Oppressed by Paulo Freire

Angela Y. Davis – Are Prisons Obsolete?

Angela Y. Davis – Race, Women, and Class

The Communist Manifesto – Marx and Engels

Sister Outsider: Essays and Speeches by Audre Lorde

Three Guineas by Virginia Woolf

Critical Race Theory: An Introduction by Richard Delgado and Jean Stefancic

The Black Image in the White Mind: Media and Race in America- Robert M. Entman and Andrew Rojecki

Ain’t I a Woman: Black Women and Feminism – bell hooks

Feminism is for Everybody – bell hooks

outlaw culture – bell hooks

Faces at the Bottom of the Well – Derrick Bell

Sex, Power, and Consent – Anastasia Powell

I am Your Sister – Audre Lorde

Patricia Hill Collins – Black Feminist Thought

Gender Trouble – Judith Butler

Four books by Frantz Fanon

Their Eyes Were Watching God – Zora Neale Hurston

Medical Apartheid – Harriet Washington

Fear of a Queer Planet: Queer Politics and Social Theory  – edited by Michael Warner

Colonialism/Postcolonialism – Ania Loomba

Discipline and Punish – Michel Foucault

The Gloria Anzaldua Reader

Capitalist Realism: Is There No Alternative? by Mark Fisher

This Bridge Called by Back: Writings by Radical Women of Color by Cherríe Moraga & Gloria Anzaldúa

What is Cultural Studies? – John Storey 

Cultural Theory and Popular Culture – John Storey

The Disability Studies Reader 

Michel Foucault – Interviews and Other Writings 

Michel Foucault – The History of Sexuality, Vol. 1Vol. 2Vol. 3 

Michel Foucault – The Archeology of Knowledge 

 

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Last Week Tonite On Tumblr

Generally happy stuff to start off your week, especially if you haven’t heard some things yet:

Movie News

Image result for happy kermit gif

The first official trailer for Pacific Rim is LIT!!! Hollywood is killing it with the music for these trailers, but I do have to remind them that just because a movie has Black people in it doesn’t mean you need to put rap music in the trailer. Some of us recognize different musical styles, although I realize that the soundtrack can go a long way towards getting a certain type of Black guy into the theater, (namely that no account Pooky from down the street.)

I love that we get to hear Boyega’s natural accent again in an action film. I’m definitely taking my niece to see this because she loved Mako Mori in the first movie, and John Boyega was her first movie boyfriend. This movie also heavily reminds me of The Power Rangers, only for grownups, because its more violent. (I’m pretty sure there’s also lots more of the cussing.)

Boyega stars as Jake Pentacost, the son of the late Stacker, who gets called into Jaeger service, from his underworld criminal lifestyle ,by his adopted sister, Mako.

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I’m really looking forward to the reboot of The Predator franchise because it has a long history of racial progressiveness. The first movie featured the first time team up of Arnold Schwarzenegger and Carl Weathers, and I guess the makes realized they had a good thing going, because the second film starred Danny Glover ,as the hero of the movie, and Maria Conchita Alonso, who gets to live to the end of the movie. The third movie, Alien Vs Predator starred Sanaa Lathan, a Black woman as the hero of that movie and it’s one of my favorite Predator films, naturally. 

It’s interesting that as many tropes about race have been created in the horror genre, it’s also been a genre that’s been very progressive in its treatment of women, and characters of color, allowing them to be heroes and heroines, allowing them to be the stars, and sometime save the day, or the Earth. But this version of Predator appears to be more mainstream and there’s always tropes in mainstream movies.

Its as if mainstream movies know no other language beyond the visual shorthand of stereotypes (or maybe mainstream writers are just a bunch of lazy fucks who are unwilling to think outside the box). Namely The Black Guy Dies First Trope, and The Smurfette Syndrome.

Mainstream movies simply don’t have  track record for subverting tropes that the Horror genre does, and I’ve noticed, the more mainstream a horror movie  franchise becomes, the less likely it is to star a PoC, or have the woman be the primary character. This isn’t a hard and fast rule, just a trend I noticed.

I do blame the original Nights of the Living Dead for this. Something of George Romero’s liberal sensibilities in the making of that movie (and casting a Black man as the lead), has made its way into the genre.

Also, I just love Keegan Michael Key and want to see him defeat a Predator.

Keegan-Michael Key Joining Shane Black’s ‘The Predator’ (Exclusive)

http://www.hollywoodreporter.com/heat-vision/predator-keegan-michael-key-joins-shane-blacks-reboot-961207

Director Shane Black has shared a look at his team of alien hunters.

Soon, the hunt will begin... again.

 

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I thought this was a really interesting article about casting more than one Black person per movie. Now if we can get to the point where we can cast more than one gay person per film, or one woman per action  movie, or hey! let’s get all wild and shit and put two, count ’em! TWO, women of color in one mainstream movie, and let them interact with each other. 

I know, it’s crazy right?!!!

Image result for dogs and cats /ghostbusters gif

 

Chadwick Boseman And Sterling K. Brown Remember When There Could Only Be One Black Actor In A Movie

“The opportunities are not so scarce. And that’s an important moment to note.”

https://www.buzzfeed.com/jarettwieselman/chadwick-boseman-and-sterling-k-brown-remember-when-there?utm_term=.jfaWKG0qQ#.wavvWkD5R

Chadwick Boseman and Sterling K. Brown in Marshall.

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Image result for scared kermit gif

Here is the official trailer for the live action version of Tokyo Ghoul. I’ve heard that Hollywood is planning an all out assault on Manga with live action movies of some very famous books. My stomach dropped as soon as I heard that because nobody, and I mean NOBODY, is asking for Americanized versions of Full Metal Alchemist and Akira. ( I swear to Gob, if Akira does not star Osric Chau, I’m gonna personally send J J Abrams a strongly worded letter suggesting that he go fuck himself!) Now these movies have not been cast yet, but hopefully, they learned their fucking lesson from the handful of whitewashed flops in the past few years. 

Yes, it looks almost as terrifying as the anime!

Note to Hollywood:

Please, stop removing Asian people from the stories they created, and cast them as the main protagonists!!!!!

People who are fans of these stories are well used to seeing Asian faces, and some of us have a pretty large pantheon of Asian, and Asian American actors they enjoy watching. We do not read anime, or read Manga, so that we can see White people. If we wanted to see White people in Asian influenced media, we’d just watch your whitewashed dreck!

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This is why Osric Chau needs to be in any live action version of Akira. Here he is  in a (kind of) fan made trailer of The Akira Project. This is AWESOME!!!!

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The Twitter and Tumblr response to this article had me cackling the whole week. I mean, how do you reach a point in your emotional development, where you have had your ass beat by this person 18 times, and you still out here signing checks your ass can’t cash, even when you cheat.

Maria Sharapova’s Rivalry With Serena Williams Is In Her Head

Sharapova’s new memoir suggests that she still can’t seem to accept the reality that her whiteness is not enough to compensate for her own failings.

https://www.buzzfeed.com/bimadewunmi/maria-sharapovas-rivalry-with-serena-williams-is-in-her-head?utm_term=.jpMJEzJvw#.mjQPrOPmB

She’s not good enough at tennis to have a rivalry with Serena. You have to be able to sometimes be able to beat someone for it to be a rivalry as opposed to a regularly scheduled ass whoopin’.
It’s never a rivalry if you’ve only beaten someone two times and they’ve beaten you 18 times in a row and badly Serena has decimated this woman for a decade-plus there is no rivalry it’s only Domination by Serena, Maria knows that but pride mixed with delusion is a motherfucker

that’s like me having a rivalry with bill gates lmao

 

I have a rivalry with Beyoncé

 

It’s like I had a rivalry with god by throwing rocks at the sky.

 sauvamente

Sharap it’s over needs to put the meth pipe down and face reality. She’s shit and a cheat. Retire.

 pinkcheesegreenghost

Even illegal, performance enhancing drugs wasn’t enough to keep her from losing 18 times

 stayingwoke

18-2. That’s 90%. I don’t even have a 90% win rate in closing a car door all the way.

 

my-friends-call-me-lol

I have a rivalry with the sky, nothing can be higher than me.

 btheadventurer

Serena don’t give a fuck bout her. She’s literally has beef with her imagination.

 

 

 

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Image result for mad max movies

*Okay , here’s some commentary on why dystopian apocalypse wardrobes always seem to consist of bondage and fetish gear. Personally I blame Mad Max for starting that trend, but this person has another theory on this very important issue:

why does so much post apocalypse media have people wearing straight up bdsm/fetish gear like. do the kinksters watch the world ending and think “oh boy i can wear my bondage gear in public now”

 

What I wanna know is why the spiky kink warriors are always the bad evil marauders. They might be into some weird shit and unafraid to show it but that doesn’t mean they want to go around killing dudes. They’re a tight-knit bunch. A lot of them are queer. They understand the importance of community.

If the government collapses and all laws come to an end, the people rampaging around killing and looting are gonna be like, frat boys and 4chan rejects. You can mistrust the bondage raiders all you like but they’re definitely the ones you’re going to run to for help when the neoliberal blood cultists and Nazi meme demons lay siege to your survivor enclave. There’s gonna be gayboy berserkers busting up slaver gangs and burning down warboy frat houses. The assless-chaps leather daddies and weird petplay people are gonna be the accidental peacekeepers of the post-apocalyptic world just because they’re the only motherfuckers who understand the importance of consent anymore.

Listen. Don’t come to me asking how to get the secret cadre of bisexual death commandos to protect your wretched tent village if you’re scared that we might call in the kinksters for backup. I don’t give a shit if they dress up like dogs and spend all day writing poems about butt plugs. There’s assholes out there acting like Vlad the Impaler on a meth bender and you’re afraid of seeing a nipple. Fuck you. If you really want to get rid of the MRA death gangs you’re going to have to accept that a lesbian chainsaw dominatrix or two might be involved. It’s the fucking post-apocalypse my guy we gotta weigh our priorities here

 

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I love these Gothic Fables :

Black Diaspora Gothic

Image result for black gothic

your mother tells you to go find something for her. it’s not there. when she goes looking for it, it reappears, just where she said it was.

this woman is your auntie. that man is your uncle. you have too many aunties and uncles to remember. you haven’t seen them, but they all have seen you. you know, when you were no bigger than THIS?

 

You start to notice that your mom actually does look like one of your little friends. Too much. More and more each day.

You do have ____ money, but you don’t know where it is coming from. It’s just that every time you put your hand in your pocket you have just the right money you need.

 

You buy a tin of brand new cookies. When you open it there are only sewing supplies. Tin after tin there are only sewing supplies. You continuously have cookie money, but there are no more cookies.

 

you are walking down the street. you spot your favorite cousin and wave in greeting. but wait – she has a friend with her. the friend is also your cousin. he smiles. you have never seen this man in your life. it’s fine. family is family.he waves at someone behind you. it’s your cousin. your cousin waves. the legion of cousins waves
as a child, the sizzle of a hot comb or the burn of a relaxer has desensitized yet traumatized you. you tell yourself there’s food at the house just when you think about heading down to wendy’s. there’s always food at the house
  1. nightshadepaladin the-afro-argonaut

    you take the chicken out of the freezer.your mother calls. did you take the chicken out of the freezer? of course you did – but the counter is bare. you take the chicken out of the freezer.did you take the chicken out of the freezer? of course you did. you do a double-take. there is no chicken. there is no freezer.<i>did you take the chicken out of the freezer?

    You think you might be suffering from amnesia … You could have sworn you just took the chicken out of the freezer but each time you go back to check on it thawing you find it right back in the ice box. Maybe you just imagined taking it out. But this feels like the third or fourth time.. Also, hasn’t the clock read 4:15 each time you remember coming in to take it out? Just 45 minutes before mom is due home. Theres nooo way it’s going to thaw in that amount of time…

    butpersephoneitsspring

    you open a tub of ice cream and find rice. you open another, and find chicken; you open yet a third, and find stew. was there ever ice cream in the house? does ice cream exist at all? you don’t know.

    aphonicgod

    that girl? she your 5th cousin twice removed. both your parents got 5+ siblings and those siblings each have 3-5 kids. your great grandparents had 15+ kids and 10+ siblings. that random guy who says hi to you is actually your 3rd cousin his name is Jackson. say hi.

    Your mom’s always asking you if you think she looks like Booboo The Fool. You’ve never met this person, but you instinctively know that the answer should be no. One day your mom looks a little different. Is it her, or is it Booboo?

    Your mother tells you not to play in your nice clothes. After school you come home and take off your nice clothes and replace them with your play clothes.While out playing with some friends you fall into some mud. You look down and you’re still in your nice clothes. Not the other ones your switched into.In the distance you hear the distinct snap of a switch being made.

     

    lkeke35 

    You remember there’s food at the house just before you decide to go to Wendy’s. There’s always food at the house. The food is always freshly made and hot, and although there’s a huge variety to choose from, it’s always the same dishes. Cornbread, yams, potatoes, fried chicken, biscuits, green beans, a variety of side dishes but only ever one kind of meat: chicken.You’ve never seen anyone cooking in this house. You know the people in it have full time jobs, but the food is always ready no matter the time of day…or night.

    You are not The One. Your mother is not The One.No one knows The One.But everyone knows The One is somewhere.Everyone knows The One is waiting. And if someone finds The One…Pray no one ever does.

    isisnicole 

    You are told to fix your face or it will be fixed for you. My face is a part of your face so are you fixing your face also? You fix your face does my face get fixed at the same time?

    stsathyre intheindigo

    There’s just a little clap of thunder, not even full applause. Turn off the TV. Turn off the lights. Don’t touch the phone. Stay out of the tub. Whatever you were watching will never be seen or heard from again.

    You go outside to play, but you can’t come back in, because you smell like outside. You smell like an abandoned baby bird. Not her baby bird. How does one smell like inside again? Somehow you get dinner.

    Your mother had a dream. She calls every family member living or dead.

    fantasticallyvicious sauvamente

    grandma says “stop runnin in and out of my house.” grandma says “close the door you lettin all the cool air out.”every time you open one door, a different but similar grandma waits, demanding that you close the next portal to their worlds.

    spookiest-star iridessence

    You hear your mom call your name from another room. You respond only to be met with silence. You immediately get up and start running to find your mom, knowing she expects you in front of her ASAP. The silence is deafening. You hear your name called again, this time with a sharper tone. You’re not sure where the voice is coming from but you run around, only finding empty rooms. Again, your name is called with the ferocity of nails on a chalkboard and you panic. Your mother’s voice carries…

     stonecoldfemme

    You open the Danish cookie tin and find sewing supplies. Your trust has been broken. You have never seen the tins in the store, and when you finally do, you are afraid to look inside. Who are these people that create sewing tins with cookies on them?

    karnythia cypheroftyr

    There was a party. You made yourself a plate to take home. It was not enough food. It is never enough food. Even though you cooked too, the ribs made by someone you don’t know are the best you have ever had.

     karnythia

    the women have been doing your hair since you could sit up. the hands in your head are both familiar and new at the same time. each touch is a memory handed down from women for generations. out of the corner of your eye you see your mother’s mother’s mother’s behind you. stay still. don’t cry. tenderheadedness is a fault. you must suffer to be respectable, black girl child, the hot comb smells of seared ear skin.

     

     angelsscream

    Your fave Auntie makes the best potato salad. She is designated potato salad maker by the family. You get to the cookout, your fave Auntie couldn’t come and your not fave auntie made the potato salad.

     boolyphyll

    Your mother tells you to take the chicken out of the freezer before she gets home. You take out the chicken. You take out more chicken. The chicken never ends, the freezer is full of chicken, and only chicken. She gets home, everything you brought up and put on the counter is not the chicken. She is furious.

    psammoma 

    Your mother tells you to do the dishes. The sink is empty, the dishwasher is empty. You search the house for dishes. You own no dishes. You don’t remember owning any dishes. What are dishes? Who are they? Your mother screams at you to do the dishes. “What dishes?” You cry. “ALL THESE RIGHT HERE!” She screams, pointing at the sink. The dishwasher. The counters. There are no dishes. But you do the dishes.

     

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The X-Men

I’ve been reading the X-Men comics since the 80s and I can fully attest that this is generally true. This really is what most of the plots were in the 80s and 90s. I stopped reading the books in the late 90s, but I imagine this is still true:

A Complete Listing of All The Plots of the X-Men Comic Books

– vampires vs xmen
– god damn it where is [insert xmen]
– youre a better leader. no youre a better leader. no youre a better leader. no youre a b…
– someone dies
– someone comes back to life
– THE XMEN GO TO SPACE
– magneto is in the yard and wont leave

 

– Time for the annual kidnapping (either Mags and Charlie or Sabretooth and Logan, occasionally others)
– House blowing up builds character
– Put that thing back where it came from or so help me

 

-i came back from the future because you need to stop

-your best friend turns out to be mystique

-hey look some new x kids, time to ignore the ones we already had for the rest of *checks watch* forever

-the x men are DISBANDED!!!!!

-alternate universe babies

-your best friend turns out to be a clone/xorn/psychic projection

 

-well i guess it was Mr. Sinister all along

-fuck the Summers family

-no seriously fuck the Summers family

-i quit the x-men but normal life sucks

-just like the last time but i guess kind of grittier

-fuck the Summers family… IN SPACE

-wellp i guess Charles faked his own death again

-goddamnit Hank don’t put that there

 

– who the fuck is possessed this time

– the villain is in love with storm but who can blame them

– goddammit give me my body back you’re using it WRONG

– somehow we’ve ended up in a fetish club, let’s just go with it

– we’re revamping the uniforms again! deal with it logan

– our powers are gone! now they’re back! now i’ve got someone else’s!

– who wants more trauma? too late, you’re getting it

– the phoenix force is tired

 

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Introverts

Seriously, this speaks to me for some reason:

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Disability

*As a person with one of those unpredictable disabilities, where I have good days and bad days, I just found this post hilarious. Yes, I have wanted to say these things to able-bodied people:

you ever realize how able bodied people just are not expected to do things that cause them excruciating physical pain? like they’re just. not

if i shouldn’t use my cane because i can sometimes technically walk without it, it would just hurt like a motherfucker then abled people should no longer be allowed to use potholders to take things out of the oven because i mean

well they could technically pick up a hot pan with their bare hands. it would just hurt like a motherfucker

 

*sees an abled person using potholders*

i just think it’s really sad that you’re giving up on yourself like that

 

*abled person rests the day after they sprained an ankle*

‘oh come on you can’t just lie in bed. it won’t get better if you don’t run around! get up and help me!’

*abled person uses protective eyewear when handling dangerous chemicals*

‘sweetie why would you limit yourself like that.’

*abled person wears shoes*

‘some people are MUCH WORSE OFF THAN YOU and they don’t wear stupid things like shoes! stop pretending that it hurts to tread on broken glass’

 

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*The Defenders

Really, I actually liked The Defenders, but this post is an incredibly accurate description of each of these character’s approaches to problems:

The Defenders: How Shall We Get to the Boardroom?

Danny “White Privilege” Rand: Shows up in a suit, gets escorted in by security.

Luke “Harlem’s Hero” Cage: Busting in like the Kool-Aid Man

Matthew “Vigilantism as an addiction metaphor” Murdock:unnecessary staircase parkour with a scarf on his face

*Jessica Goddamn Jones: Takes the fucking elevator like a normal-ass person, what is wrong with you people.

Discussions and Linkspam (October 2017)

So it is officially October, which means its time for me to start watching and reviewing horror movies. Its also the start of Pilot season, with new and old shows premiering on network TV. I’ve already watched the new season premiere of The Exorcist and I liked that, along with episodes of The Orville. I have not yet watched The Gifted, and I simply skipped The Inhumans. I may check out the second episode of it though. There are also a few movies I’ll be reviewing this month, too.

 

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Mad Max: Fury Road and Disability

https://www.newyorker.com/news/news-desk/from-louis-armstrong-to-the-nfl-ungrateful-as-the-new-uppity/amp

View story at Medium.com

http://smartbitchestrashybooks.com/2015/06/mad-max-fury-road-makes-rape-arguments-invalid/

http://www.popmatters.com/feature/194573-power-and-disability-in-mad-max-fury-road1/

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Black Issues:

When I was watching American Gods, we got to see penises all over the place. The show did not shy away from depicting them, but one thing that was absent was any sign of Ricky Whittle’s (as he is the only Black man in the show. ) I do recall a full frontal Black male in Westworld, and I was kinda shocked. Not because of what it was, but because it’s so rare.

Don’t laugh! This is important. #Allblackpenisesmatter!

Yeah, this is a pretty good reason why I don’t, and have never watched almost anything on CBS. (I used to watch the Big Bang Theory until I began to really, really, hate every single one of the main characters on that show.) Nevertheless CBS is very possibly one of the Whitest networks.

https://www.salon.com/2016/05/22/cbs_is_the_gop_of_tv_the_networks_year_of_white_men_coincides_all_too_well_with_the_rise_of_donald_trump/

 

“Ungrateful” is the new Uppity: I don’t think there are enough words to unpack all of the meaning in the word ungrateful. It says far too much about the person using it.

https://www.newyorker.com/news/news-desk/from-louis-armstrong-to-the-nfl-ungrateful-as-the-new-uppity/amp

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From VerySmartBrothers/The Root

These are some of the funniest articles I read last week:

This is an all important discussion on grits. I guess I must be pretty boujie because I will eat grits with sugar and lot and lots of butter, but  I don’t actually care all that much because I will eat grits with anything in them really. Bacon, sugar, cheese, butter, I don’t really care. For me, grits is the main meal.

http://verysmartbrothas.theroot.com/sugar-on-grits-are-the-white-people-of-breakfast-grains-1818998656

 

I think the author of this piece left out the all-important body language portion of this discussion, because “clapping” is key here. If any portion of these phrases is accompanied by measured clapping, especially during the phrasing, then you best just start planning your funeral,  cuz its already too late.

http://verysmartbrothas.theroot.com/threatening-black-phrases-ranked-1818770473

 

It turns out I have quite a bit of Black Privilege, especially #s 18, 16, and 15. Hell, I can’t fight worth a darn, but apparently I look like I can, and have two sisters (and a brother) who love to throw down.

http://verysmartbrothas.theroot.com/types-of-black-privilege-ranked-1818633495

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Everything Wrong with The Big Bang Theory

 

I started watching this show as a favor to a friend who was really into it, and I enjoyed it for a while. When it first aired, I avoided it because I did not like Penny, and after I started watching it regularly, there were a whole host of things I began to actively hate about the show. One of the first things that worked my last nerve was my ideas about  Penny were correct. Penny is a dumb, incurious, basic Becky, with a certain amount of snark, a that snark is only used in service of making fun of the male nerds of the show. 

But my greatest issues were the show’s depiction of  women, and its treatment of  Raj. To a one, every single woman on the show has nothing but disdain, and contempt, for the nerdy pursuits of the primary characters, and I found it very telling that the show’s writers could not imagine any women who were nerds in the same way the male characters were nerds.

That most of these women are in STEM (Science Technology, Engineering, and Math) fields is not a good substitute for their complete lack of appreciation (and even hatred) for nerd culture. Outside of wanting to be princesses at Disney world, the women are shown as humorless, cultureless, unimaginative nags, who only seem to want sex and marriage. This is a white male nerd’s idea of what women are like and it is wholly inaccurate. Also there are absolutely no women of color on the show (beyond Raj’s sister in the earlier seasons, who seemed to be the template for this.) The showrunners simply could not envision a world where women could be, pretty,  involved in STEM, and actually like and appreciate Star Trek, and Disney princesses too (which is impossible, because every woman I’ve ever known in, also STEM loves Star Trek.)

As for the main characters though:

 

*Here are essays on how the masculinity in Fight Club has a direct bearing on the philosophies of the Alt-Right and Charlottesville. This also ties into my theories of how pop cultural depictions of anti-heroes are often adopted by fringe elements, of White male society, to represent their ideas. Characters like Tyler Durden, and The Joker, get to be the public icons of their philosophies, in the same way that Black gangsta rap culture adopted the mafia figures from movies like The Godfather, and 1980s Scarface.

https://www.theguardian.com/books/booksblog/2016/dec/13/fight-clubs-dark-fantasies-reality-chuck-palahniuk

http://www.huffingtonpost.com/entry/fight-club-2-chuck-palahniuk_us_5845c35ae4b028b32338a632

http://thefederalist.com/2017/03/30/why-fight-club-still-matters/

View story at Medium.com

View story at Medium.com

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Image result for GOT shame gifs

 

 

*Recently on Tumblr there was a discussion of the difference in reception of the movies Rough Night, about a group of White women who get into a night of adventures while partying in the city, and Girl’s Trip, which is about a group of Black women doing the same thing while on a trip to New Orleans. Rough Night was a complete flop, while Girl’s Trip went on to make millions and was a huge hit. Both films have nearly identical premises. Leaving aside the racial aspects, the discussion evolved into the depiction of sex workers in both movie’s narratives, and how sex workers are often mistreated in film and TV. Real world sex workers are often subjects of disdain, contempt, abuse and murder, and it was considered irresponsible for Rough Night to show the death, and humiliation of a male sex worker, as a source of comedy.

“First thing’s first: Strippers are people, and sex workers unfortunately have to tirelessly remind people of this over and over. ‘Sex workers are very marginalized groups of people who don’t have the same workplace safety and rights as other workers—and we get murdered a lot,’” says Arabelle Raphael, a porn performer and sex worker in Los Angeles. ‘Our lives are seen as disposable.’ A long-term mortality study on sex workers found that active sex workers have a mortality rate of 459 per 100,000 people—to put that in perspective, the general public mortality rate is around 1.9 per every 100,000 people.”

http://www.vocativ.com/409744/rough-night-film-trailer-draws-ire-of-sex-workers-and-allies/

https://ww2.kqed.org/pop/2017/06/20/does-rough-nights-box-office-flop-indicate-a-cultural-shift-in-how-we-see-sex-workers/

http://affinitymagazine.us/2017/03/09/rough-night-a-comedy-about-murder-and-abuse-of-male-sex-workers/

Interesting Tumblr Posts

Here, have some trailers:
*I did enjoy The Punisher parts of Daredevil’s second season, so I was interested when it was announced that he’d be receiving his own show. This looks worth a watch. Hopefully the show will be coherent and consistent.
*I have never been a Tomb Raider fan. I’ve always thought of her as just a sexier version of Indiana Jones, and I’m not a particular fan of him either, although I’ve watched all the films. I don’t hate either of them. I’m largely indifferent to them, so fan would be a strong word.  I didn’t play the games, or watch the movies.
This looks interesting because it doesn’t actually appear to be about tomb raiding, but about putting something back in a tomb, and it also stars Daniel Wu, from Into the Badlands as the seeming voice of reason.

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* I love Galaxy Quest, and this person is right. I do just sort of lump this show in with the  rest of Star Trek. Its such a faithful parody of the original source material that ‘s not mean or demeaning to it, and its genuinely funny, too. Of course Guy is a big reason for that. He says exactly the kind of shit we’d say if we were in these situations:
I love the way that Star Trek fans just accept that Galaxy Quest is part of the film franchise.

Galaxy Quest is what i imagine people would be like if star trek suddenly became real tomorrow.

Galaxy Quest was voted the 7th best Star Trek movie out of 13

 

“Intelligence is knowing that Galaxy Quest is not a Star Trek movie.
Wisdom is knowing Galaxy Quest is the best Star Trek movie.”

And I think that says a lot about the Star Trek fandom, really.

 

Source:

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*I love these posts on Fantasy armor for female characters. Often the armor is just the dumbest, most ludicrous looking shit one could possibly imagine. Most of it is just metal lingerie, and in some cases just metal pasties. I mean, nobody’s fucking shoulders, or knees, needs that much protection. I often want to inform the creators that a) women’s boobs just don’t work like that, b) those need protection too, because they’re a delicate part of a woman’s anatomy, and if something hits them, they hurt like a muthafucka,  and c) what the fuck!!!

Another thing I hate when men draw women, in any kind of uniform, is what I like to call boob-socks. Just special pockets on an outfit that are specially fitted for a woman’s boobs. This is especially prevalent in comic books.

If you want to see more of this type of critique visit Bikini Armor Battle Damage’s website, where they also discuss media that gets women’s armor right.

brb shaking my head forever

 

Time to bring this back, with a few examples proving that this parody is NOT a gross over-exaggeration of actual stuff we see in pop media:

 

The Boobplate

[x] [x] [x]

The ‘Boobplate+’ (A.K.A. boob window): 

[x] [x] [x]

The ‘What’s the Fucking Point’

[x] [x] [x]

It truly is impossible to properly satirize female sexualization. How do you even ridicule pure ridiculousness?

And that’s without even touching “warrior woman” costumes that bear no pretense of resembling armor of any kind.

~Ozzie

Source:

*This is something rarely discussed in fandom. How older characters of color are desexualized and “mammified” in fandom narratives, and sometimes made to seem older than they actually are, to keep from having to ship them with their White faves of the same age range. So older White male characters get the sexy older man treatment, but never with the nearest man of color who is anywhere close to their age. As for shipping them with a younger man of color, you can forget about it. At least some of this has to do with White women’s fetish for older men, just not if they happen to be Black.

I think its interesting that Coulson is being shipped with a woman of color, though. Although that could have something to do with the idea that fandom likes to think of Daisy as White, rather than half Chinese as the actress herself identifies. I find it interesting because one of the easiest relationships to ship in the CW is Stein and Jax, but I just don’t see it in the numbers.

For the record, I totally shipped Rupert Giles with Joyce Summers, and Rupert Giles with Ethan Rayne, when I watched Buffy. Later, I liked to ship him with Spike, but found shipping him with Xander or Willow kinda icky. When it comes to Shadowhunters, I love the combo of Luke Garroway and Magnus Bane, though.

Racialized ageism and fandom

The age of the white male character is never the problem for shipping in fandoms. The age of the white actor is never the stopping point for him being viewed as “sexy” and “desirable”. The white guys in their 60s are seen as “hot” and “shipworthy”. The age gap between the older white guy and the character he’s shipped with at the moment is never the issue.

Look all over the fandoms: Clark Gregg (62), Peter Capaldi (59), Norman Reedus (48), Colin Firth (57), Rory McCann (48)… etc. etc. are in their late 40s – early 60s. Yet their characters are seen as sexually desirable and worthy of shipping not only with the characters, who are within their own age frame, but also with much younger characters:

Fandoms are not caging these older white male characters within the frames of a “desexualized parental figure” trope. In fact, “an older white guy x younger [usually also white] character” is a hugely popular shipping trope.

Yet, things differ drastically when the male character isn’t white (or seen as white – eg. Wentworth Miller’s Captain Cold), especially when the male character is dark-skinned. These male characters of color, who are over their 40s, are almost always invisible for fandom shipping.

For example – Joe West from The Flash. Jesse L. Martin is 48. He’s the same age as Norman Reedus, Rory McCann, he’s about a decade younger than Clark Gregg, Peter Capaldi or Colin Firth. And yet, he’s mostly seen as an “unshippable parental figure”.

Samuel L. Jackson has prominent roles in numerous popular franchises, that have big presence in fandoms with rich shipping content – Star Wars, MCU, Kingsman… Yet, his characters are always left out of the shipping pool in these fandoms – Mace Windu is ignored; Nick Fury is seen as the “dad” figure of the avengers; and Valentine is seen as nothing more than a funny villain, even though, fandoms do love white male villains. SLJ was 51 when Mace Windu first appeared on screen, he was in his early 60s when the MCU franchise started out, SLJ is only few years older than Clark Gregg.

Or take Stacker Pentecost from Pacific Rim, played by Idris Elba. Idris Elba. Idris was 41 when PR came out. And yet, the fandom had collectively decided that the only ship suitable for a “parental figure” like Stacker is Herc Hansen. Max Martini is two years older than Idris, and yet:

Worth noting that the incest father/son ship with Hansens is more popular than Hercules Hansen/Stacker Pentecost, which only has 288 works in total. Raleigh had more on-screen connection with Stacker than he had with Herc; Chuck and Stacker died together while trying to save the world. Together in Death is a hugely popular shipping trope all across fandoms, for example Enjolras/Grantaire from Les Misérables had 3 seconds of total screen time together in the movie, and they have ~9k of fics on AO3 alone…

Another one is Luke Garroway from the Shadowhunters, played by Isaiah Mustafa (43). Have you seen Isaiah? Yeah, I know. And yet, he is also seen almost as some “grandpa” figure of the group. Often people use his age as an excuse of excluding him from most fanon activities involving the main group of characters – shipping, group fanvids, group edits etc. The only ships involving Luke that are accepted and supported by the fandom are with Jocelyn and Maryse. And I often see people in tags saying that any other ships with Luke are “creepy” and “uncomfortable” because he’s the “dad” of the group. I agree about the creepy factor with, say Clary and Simon… but others? – Not so much.

And, yeah, I would’ve agreed with this fandom “activism” if it wasn’t so hypocritical. Remember Rupert Giles from BTVS? Who also was the “father figure” of the Scooby Gang? Anthony Head was 43 at the start of the show and 49 when it ended. And yet, I don’t remember BTVS fandom excluding Giles at every turn because of his age:

Compare to Luke’s ships:

Speaking of Shadowhunters, people also often try to put Magnus in the same “father figure” frames – anti-Malec (J@lecs, Cl@lecs etc.) people, who ship Alec with everything white that moves, always try to insinuate that Magnus is borderline a pedophile because he’s dating Alec. Regularly I see posts in Magnus’ tags saying that shipping Magnus with Clary, Jace, Simon or Maia is “creepy” because he’s basically their “dad”. Magnus is not their dad and (so far) never considered himself to be their parental figure. I guess he did say something like that about Clary in the books, but the show had an AU storyline in 1×10, where Magnus first met Clary in that episode, and didn’t have any kind of connection to her prior. AU!Jace even thought that Clary was cheating on him with AU!Magnus. So, even with Clary there are canon possibilities of avoiding the “unhealthy” factor for the ship within fanon.

After all, I don’t see the Torcwood fandom acting as if Jack Harkness (an immortal who lived through ages and generations) is some unshippable “dad” figure, who can’t be shipped with other members of the team. I haven’t seen people there saying that Jack is a “creep” for dating Ianto (just for the record: the age gap between John and Gareth is 14 years vs. 5 years between Matt and Harry).

I’m not suggesting that people need to start shipping Luke or Magnus with the younger characters, what I am saying is that, had Luke and Magnus been portrayed by white actors, people wouldn’t have been putting them in the frames of “parental figures” of the group as much. And yeah, I love the dad!Luke and dad!Magnus headcanons as much as the next person, but let’s also be honest that we’re not living in a vacuum, the race can’t be taken out of the equation.

These are just a few examples, but this is happening all across fandoms. And not just with MoC – take Shirley Bennett from Community. Yvette Nicole Brown is of the same age as is Joel McHale – they’re both 45 now and were in their late 30s when the show first aired. And yet, both the show and the fandom treated Shirley as if she was some “grandma” and Chevy Chase’ peer (who was in his late 60s back then).

 

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*I haven’t been watching this Fear the Walking Dead ,despite its diversity of characters, because one Walking Dead show is enough for me, but I liked this particular meta.

‘Fear the Walking Dead: Passage’ Did What No Thriller Could: Empower Two Lead WoC

As some of you may know by now, I am a fan of The Walking Dead. Unpopular opinion, but I think Fear the Walking Dead is one of the greatest things to come from it (I can hear the gasps already). I can’t stress it enough, but unlike TWD, its racial inclusiveness was something that had me hooked and reeled from the very beginning. My wishes were fulfilled when FTWD premiered because for the first time, I was able to look at a popular franchise with a Native lead and Latinx main characters. It’s partially one of the reasons I’m surprised when advocates for diversity prefer the original. Other characters of color were introduced, but I still felt something was missing—what I really wanted was a Black girl. As I mentioned before, when I began to realize the absence of black women in certain genres I wanted them everywhere as a challenge for writers, especially with all the sacrificial negresses going around. At this point, we were into the second season and I still hadn’t seen one, so I promised to remain patient until it did. Finally, Fear the Walking Dead: Passage happened.

If you’d like to watch Passage, a 13 minute web series before reading, click here.

Keep reading

 

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*Okay, I’m definitely going to be watching The Exorcist show in October. I left off watching it because it wasn’t holding my attention as tightly as I wanted. But I like John Cho, and he is right in that its highly unusual to see an Asian American character in this type of venue. I’ve watched a lot of Asian horror movies, so why are they absent absent from American horror movies, and shows.

 

The Exorcist: How John Cho is changing American horror

[John Cho will] do whatever he can to help the push for Asian-American representation. It’s one reason he joined the second season of The Exorcist… “I had not seen Asian faces in American horror, and it kind of tickled me to want to change that visual vocabulary a bit,” he says. “I thought it would be, I don’t know, intrusive to have my face in it…”

“What I’ve been thinking about lately is how to tell stories that are specifically Asian-American but aren’t necessarily about being Asian-American as much,” he explains. “I’m looking at the totality of things.”(x)

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*I find Haka fascinating and terrifying, but I think that’s the point.. I would watch these all day. I’m glad Maori culture is getting some international recognition through these different sports groups, too. Even Beyonce got one when she visited new Zealand, which just made my heart hurt, I was so proud. 

https://youtu.be/xI6TRTBZUMM

2nd 1st Farewell Their Fallen Comrades With A Huge Haka

Haka is used throughout New Zealand by many, not only Māori, to demonstrate their collective thoughts. There is a haka for each of the Services, as well as the Defence Force. Units with the NZ Army have their own haka. This video shows the soldiers of 2/1 RNZIR Battalion performing their Unit haka, powerfully acknowledging the lives and feats of their fallen comrades as they come onto the Unit’s parade ground. It is also an emotive farewell for they will leave via the waharoa (the carved entrance way) for the very last time.

Haka –sometimes termed a posture dance could also be described as a chant with actions. There are various forms of haka; some with weapons some without, some have set actions others may be ‘free style.’ Haka is used by Māori (indigenous people of New Zealand) for a myriad of reasons; to challenge or express defiance or contempt, to demonstrate approval or appreciation, to encourage or to discourage, to acknowledge feats and achievements, to welcome, to farewell, as an expression of pride, happiness or sorrow. There is almost no inappropriate occasion for haka; it is an outward display of inner thoughts and emotions. Within the context of an occasion it is abundantly clear which emotion is being expressed.

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*I was always under the impression that women couldn’t do the Haka, or that they had their own special ones or something. But watching this gave me life:

Women’s Haka

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*Its officially Latinx/Hispanic Celebration Month and I came across this post on Latina in Superhero shows. There are a lot more than this is the SciFi genre but I think this is just for superheroes:

Latinx Heritage Month

↪ Characters in DC Shows’ Main Cast

✪ Lynda Carter as Diana Prince / Wonder Woman (Wonder Woman S1-3) 

✪ Angélica Celaya as Zed Martin (Constantine S1)

✪ Victoria Cartagena as Renee Montoya (Gotham S1) 

✪ Zabryna Guevara as Sarah Essen (Gotham S1-2) 

✪ Aimee Garcia as Ella Lopez (Lucifer S2-)

Honorable Mention – Recurring Characters:

– Michelle Veintimilla & Camila Perez as Bridgit Pike / Firefly (Gotham S2-3)
– Briana Venskus as Agent Vasquez (Supergirl S1-2)
– Jessica Camacho as Cindy Reynolds (The Flash S3)
– Odette Annable as Samantha March / Reign (Supergirl S3)

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*Yes, this clown vs. mime discussion has been sorely needed. People keep confusing the two, and really, mimes are just waaay, waay creepier than clowns, imo.

Okay, I’ve had it

I see people posting videos of clown-mime and clown-jester hybrids and cooing about how “pretty” and “cool” they are, but this is NOT HEALTHY OR SAFE CLOWN HUSBANDRY! In fact, it’s downright dangerous for both you and your clown!

Clowns, Mimes and Jesters may be related, yes, but their genetics are quite different and mixing their genes together have an adverse effect on your clown when they come at odds with one another, causing a host of genetic health problems like giganticism, heart problems, higher rates of cancer, organ failure, bone degradation and neurological defects.

They’re also more aggressive, territorial, unfriendly and destructive than non clown hybrids. You’re super cool clown x mime hybrid is gonna more satisfied with attacking you than making invisible balloon animals.

Not to mention the process of making a clown hybrid in the first place, considering that Clowns, Mimes and Jesters are natural enemies of each other! Your clowns/mimes/jesters are more likely to maul each other than fuck each other!

 

People only breed clown hybrids because they are seen as “cool” and “exotic” and cost a lot of money, they’re a status symbol with unique patterns, and the clowns suffer for it.

If you still have your heart set on a clown-hybrid, there are actually some breeds out there, like the Venetian Diamondcheek Juggler and the Parish Mockfool, that are bred specifically for their mime and jesteresque markings and are perfectly healthy, perfectly happy clowns.

Clowns shouldn’t suffer for human aestheticism.

Source:
 *So October is almost here, and I will be forgoing my little pop culture essays to concentrate on reviews, reviews, and more reviews. Halloween is coming and I have a list of movies I want to review, like The Mist, and Let the Right One In vs. it’s American counterpart. Its also the real start of pilot season, so I’m going to be busy with a few of those, and I want to round that out with a series of posts/reviews of Hannibal the series.
Yes, I did watch the first two episodes of Star Trek Discovery and I’ll let you know what I think by the end of the week. I know a lot of you guys either don’t have cable, or don’t want to sign up for a streaming channel just to watch one show, but I’m a die-hard Star Trek fan who  managed to sit through the mess that was Enterprise. I don’t know if I’ll keep paying for it. The show would have to be very, very compelling (which it was) to get me to keep paying to see it, at basically 5.99 per episode.

ETA: I just unsubscribed to CBS. I can always wait for the release of the dvd.

Weekend Linkspam: Television

Here, have some more interesting article links.

On Hannibal: The Series

 

I loved this mashup video of all the different iterations of this specific scene in Hannibal.

 

 

http://www.vulture.com/2013/06/seitz-on-hannibal-its-a-dream-and-it-hurts.html

https://www.firstthings.com/web-exclusives/2015/10/the-moral-universe-of-hannibal

http://www.vulture.com/2015/08/hannibal-redefined-how-we-tell-stories-on-tv.html

 

 

On Whitewashing and Other Concerns

The Seven Strategies for Defending Your Problematic TV Show or Movie—and Why They Don’t Work

http://www.slate.com/blogs/browbeat/2017/03/24/filmmakers_and_actors_keep_defending_casting_controversies_but_here_s_why.html

 

On American Gods:

 

https://blackgirlnerds.com/american-gods-realities-race/

 

On Popular Media and Racism Vs. Historical Accuracy

https://eidolon.pub/how-to-be-a-good-classicist-under-a-bad-emperor-6b848df6e54a

https://sarahemilybond.com/2017/09/10/hold-my-mead-a-bibliography-for-historians-hitting-back-at-white-supremacy/amp/

https://www.publicmedievalist.com/race-racism-middle-ages-toc/

 

On The White Savior Trope

Oh Come All Ye White Saviors

http://www.salon.com/2013/02/21/oscar_loves_a_white_savior/

 

 On Daredevil and the Yellow Peril Trope

Black Mask, Yellow Peril: Anti-Asianism in Netflix’s Otherwise Brilliant <i>Daredevil</i>

https://io9.gizmodo.com/marvel-s-got-an-asian-problem-and-it-s-not-getting-any-1781448797

 

On Furiosa and  Disability in Film

Cover Photo: Frock Flicks

https://catapult.co/stories/love-disability-and-movies

http://www.popmatters.com/feature/194573-power-and-disability-in-mad-max-fury-road1/

https://serfbazaar.wordpress.com/2015/05/22/furiosa-disability-representation-and-empowerment/

https://www.inverse.com/article/15806-one-year-later-fury-road-resonates-on-disability-sexuality-and-the-end-of-days

https://www.bitchmedia.org/article/more-our-machines/aesthetics-and-prosthetics-science-fiction

Weekend Linkspam: Film

Just a collection of interesting articles and posts for the weekend. Pick a topic. Enjoy!

On Race and  Film

Image result for FILM RACISM

 

http://splinternews.com/theres-a-huge-divide-between-how-black-and-white-critic-1797478105

https://the-artifice.com/miscegenation-on-screen/

https://www.wired.com/2016/02/geeks-guide-diversity-destroy-scifi/

https://www.thoughtco.com/dismantling-race-based-stereotypes-and-myths-2834983

https://www.thoughtco.com/common-black-stereotypes-in-tv-film-2834653

https://www.theatlantic.com/entertainment/archive/2014/03/-em-star-wars-em-and-the-4-ways-science-fiction-handles-race/359507/

https://mic.com/articles/184292/mike-hanlon-the-black-kid-in-stephen-kings-it-has-a-really-good-backstory-the-movie-erased-it#.vpeyQFX0G

http://www.blackenterprise.com/lifestyle/the-power-of-black-women-in-fandom/

http://www.blackenterprise.com/lifestyle/does-racism-impact-the-way-reviewers-rate-tv-shows/

http://blackyouthproject.com/girl-gifts-black-girls-destroying-world-save/

http://www.racebending.com/v4/blog/aliens-looking-white-extraterrestrial-skin-color-in-sci-fi/

https://www.pastemagazine.com/articles/2017/09/bias-does-not-come-out-with-the-whitewash.html

 

Image result for yellow peril no escape movie

The Yellow Peril Trope

 

https://www.bitchmedia.org/article/yellow-peril-in-the-defenders

http://thestake.org/2015/08/27/no-escape-southeast-asia-and-the-failure-of-cinematic-empathy/

http://www.scmp.com/lifestyle/film-tv/article/1854131/film-review-no-escape-owen-wilson-racist-thriller

https://www.bitchmedia.org/article/asian-women-abuse-in-science-fiction

http://www.screenspy.com/articles/tv/shadowhunters-malec-burden-representation/

https://www.thoughtco.com/asian-american-stereotypes-in-t-film-2834652

 

Scifi Film Analysis

https://pionic.org/everything-i-needed-to-know-in-life-i-learned-watching-star-trek

http://www.plotpedant.com/the-purge/

https://narrativefirst.com/articles/meaningful-storytelling-an-analysis-of-inception

 

Get Out:

Image result for get out

http://racebaitr.com/2017/03/07/listen-ancestors-run-get-zombification-pathologizing-escape-plantation/#

https://harpers.org/archive/2017/07/getting-in-and-out/

https://www.theringer.com/2017/2/27/16039722/get-out-and-the-villain-next-door-ffbbd4c84058

https://www.theatlantic.com/entertainment/archive/2017/03/in-get-out-the-eyes-have-it/518370/

https://www.vox.com/culture/2017/3/7/14759756/get-out-benevolent-racism-white-feminism

 

 Logan:

Image result for logan

https://film.avclub.com/a-cross-on-its-side-logan-gets-religion-1798258715

https://www.newyorker.com/magazine/2017/03/06/get-out-and-logan

http://www.rogerebert.com/mzs/all-things-must-pass-the-emotional-reality-of-logan

http://www.btchflcks.com/2017/03/logan-on-death-and-dying-and-mutants.html#.WcKB1rKGMnR

https://www.theverge.com/2017/3/6/14829768/logan-movie-wolverine-hugh-jackman-patrick-stewart-discussion-highs-lows

http://www.rollingstone.com/movies/news/why-we-needed-logan-to-kill-the-modern-superhero-movie-w470501

https://www.theringer.com/2017/3/6/16040020/logan-and-conquering-pessimism-through-fatherhood-86d377ae85b9

http://birthmoviesdeath.com/2017/03/05/logan-the-things-we-leave-behind

 

Alien Series:

Image result for alien movies

http://www.slate.com/articles/arts/culturebox/2012/06/prometheus_why_are_academics_so_obsessed_with_ridley_scott_s_alien_and_its_sequels_.html

https://cinephiliabeyond.org/ridley-scotts-masterpiece-alien-nothing-terrifying-fear-unknown/

http://hellotailor.blogspot.com/2012/03/movie-costumes-i-have-loved-alien-part.html

http://hellotailor.blogspot.com/2012/03/aliens-james-cameron-says-put-gun-on-it.html

 

 

On Gender and Sexuality

http://www.signature-reads.com/2017/08/the-monster-that-lgbtq-readers-see-in-stephen-kings-it/

https://www.top10films.co.uk/1600-top10films-analysis-alien-feminism/

Horror is the only film genre where women appear and speak as often as men

http://www.rogerebert.com/balder-and-dash/the-trouble-with-carrie

Fight Club

 

http://thefederalist.com/2017/03/30/why-fight-club-still-matters/

http://www.huffingtonpost.com/entry/fight-club-2-chuck-palahniuk_us_5845c35ae4b028b32338a632

https://www.theguardian.com/books/booksblog/2016/dec/13/fight-clubs-dark-fantasies-reality-chuck-palahniuk

Things We’re talking About This Week

Oh, hello there! Hi! Have some movie trailers and other assorted goodness. This first one is an awesome mashup of all the best fight scenes from the MCU, titled Battle Royale, and I just geeked out when I saw it. It’s almost as good as the Black Panther trailer:

 

*And here are some new martial arts movies to look forward to. I don’t usually rec such movies, I just like what I like, but I’m going to start, because I get really excited to hear about them, and the point of this blog is to share that kind of excitement with you.

I am really excited about this movie because I used to read the manga. I never entirely understood it, because the character relationships were often convoluted (at least to me) but I loved the premise, and the lead character, who was a total badass, and this movie seems to have captured at least a little of that here. Also, I’m a huge Takashi Miike fan. He’s very gory, but I will pretty much watch anything he makes:

 

Jackie Chan has a new movie coming out that looks like a mashup of  Mission Impossible and what Ghost in the Shell should have been. I really want to see this one because it makes Jackie look totally badass. I don’t think this movie is meant to be funny, and not just because it has the word Steel in the title:

 

I love Wushu fantasy movies and this one looks like fun. (If you like this one then you also need to check out the Detective Dee movies on Netflix, and Amazon. I used to read the Detective Dee books when I was a teen, and I like the movies.)  This movie reminds me of the Chinese action movies of the 80s, like Ghost Story:

 

 

*So, this thing happened, where an anonymous casting director made a comment about the reason Asians don’t get cast in movies. Apparently, they’re not expressive enough!

After Someone Said Asians Weren’t Expressive, People Created The Hashtag #ExpressiveAsians To Prove Them Wrong

https://www.pastemagazine.com/articles/2017/09/bias-does-not-come-out-with-the-whitewash.html

*I don’t know. Asian people do appear to have faces. I’ve seen them. I’ve been looking at them in  real life and in movies for a few decades now, and I’ve always been able to discern what emotions were being expressed, just by looking at them, but apparently this person has a problem doing that, to which I can only say:

Image result for fuck off meme

Now I’ve been saying that Hollywood’s antipathy against hiring Asian Americans, to actually play Asian characters, was becoming creepily apparent to even the most oblivious people, and here’s my receipt. Naturally, Asian Americans had something to say about this level of wtf*ery:

Hollywood Won’t Adapt Bestselling Novel Because They Refuse to Cast an Asian Lead

https://nextshark.com/michael-lewis-flash-boys-hollywood-refises-to-cast-asian-lead/

 

the issue isn’t Asians looking inscrutable and mysterious. it’s the laziness of white people.

  pic.twitter.com/Ju6fbwV1JH

 

https://www.buzzfeed.com/krishrach/someone-said-asians-werent-expressive-so-people-showed-of?utm_term=.naX3QlDW0#.hpnxd6zAJ

*C’mon!You knew somebody was gonna throw some Iron Fist shade:

Never forget Iron Fist….

‘Asians are not very expressive, lol let’s make Steven Seagal an martial arts action hero.’ 

Some used the opportunity to highlight actors who may have been overlooked by Western audiences.

View image on TwitterView image on TwitterView image on TwitterView image on Twitter

Tony Leung can express more complex emotions with just his eyes than many Western actors can with their whole bodies. 

 *And Scarlett Johansson got some shade thrown her way, too:

*Okay, is it petty for me to be enjoying all this sass, from Asian Americans on social media, who have been emboldened to speak out on their oppression and erasure? I suspect Black Twitter has been a bad influence on a lot of people.

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*I like how this person brings it full circle, on how racist stereotypes play out in fandoms, not just towards Black characters but towards all characters of color. It’s important to be aware of the existence of various tropes and stereotypes, so that you can recognize when they’re being employed against various characters. Its been said, over, and over again, that fandom does not exist in a vacuum. When you consume entertainment media of any kind, you’re also consuming racial narratives as well, which are going to play out in whatever you produce in how you think of the characters of color and whatever you produce about them.

How “Malec” (the canon couple of Alec, a White character, and Magnus, an Asian character, from the show Shadowhunters) is being portrayed in the fandom, bears a number of racist markers that people have been consuming for decades. One of these is the Madame Butterfly trope.

I think one of  the most obvious recent examples of the Madame Butterfly trope,  is a scene from the movie Watchmen, where the Comedian is confronted by a pregnant Vietnamese woman, who charges him to take care of his child. He murders her instead, because she refused to be quietly submissive, and languish for his attention.

So, there are some hardcore anti-Malec people out there that keep clogging the tags with their “deep activist” meta where they basically invent fake!SJ reasons why Malec is “problematic” and why their white ship with Alec (for example J@lec) is a lot more “wholesome”, a lot more “passionate” and “believable” ship.

The funniest thing about them is that while they smugly juggle with the SJ arguments [pretending to fight racism and homophobia] they use the grossest Anti-Asian stereotypes against Magnus while trying to prove their point.

On one hand, there those, who villainize Magnus at every turn, and claim that Alec is “suffering” in a “problematic” relationship because Magnus is a “manipulative predator”, a “bad Bi rep”, who basically “preys” on Alec’s whiteinnocence and “abuses” Alec at every turn. And, yeah, these people don’t see Magnus, when they watch the show, they see a Fu Manchu, “the Yellow Peril incarnate”.

On the other hand there are anti-Malec people, who want to “free” Magnus from his “toxic” relationship. It’s a fascinating sight, really, because there are tons of meta, headcanons and fics where people  envision Alec as being constantly cruel and selfish; this version of Alec is a cynical emotional sadist, who tortures Magnus by being with him, by using him, but never truly reciprocating Magnus’ feelings in return. These people see Alec as being “cold” and “uncaring” even in his most intimate scenes with Magnus. They don’t believe Alec’s own words when he constantly confesses his love to Magnus.

There’s a series of meta posts and gifsets “proving” how “detached” Alec is with Magnus, claiming that Alec is in a relationship with Magnus only because Jace is unavailable, but Alec would’ve thrown Magnus under the bus the first minute Jace showed any romantic interest in him. These J@lec / anti-Malec people see Magnus as nothing more than a “prop” to Alec – an endlessly suffering victim with zero agency. The poor soul that deserves pity… but never love.

That is not canon Alec of course. And neither that is Magnus portrayed by Harry. If one sees Magnus as nothing more than a “prop” to Alec, then they’ve clearly been zoning off on all of Magnus’ scenes in s2. The thing is that this fanon vision of “toxic”, “one-sided” Malec is basically a summary for the Madama Butterfly opera.

This perception of Magnus being the “silent infantile victim” stems from a very popular anti-Asian stereotype – “China Doll”. Along with the “Dragon Lady” (a female version of “Fu Manchu”) this is a racist stereotype of East and Southeast Asian women that had been perpetuated by Western media and fiction for ages, for years this trope had been exploited in Hollywood movies. And considering that emasculation and feminization of Asian men is still a big thing in Western society and media, it’s not surprising that the fandom is also constantly emasculating and feminizing Magnus.

You infantilize a woman, and she becomes eroticized. You infantilize a man, and he becomes emasculated. You infantilize a baby – and it’s possible, it appears that you can infantilize a baby even more. The [Asian] babies need to be cuter than white babies. And it’s just a weird thing that I felt like said something about mainstream America’s relationship to Asians in general.
–             
John Cho (c)

Madama Butterfly” is one of the versions of China Doll stereotype. It’s an opera in three acts (first premiere in 1904) by Giacomo Puccini. It is the story of a Japanese maiden (Cio-Cio San), who falls in love with and marries a white American navy lieutenant named Pinkerton. Pinkerton is marrying for convenience, since he intends to leave Cio-Cio San once he finds a proper American wife. After the officer leaves her to continue his naval service away from Japan, Cio-Cio San gives birth to their child. Cio-Cio San blissfully awaits Pinkerton’s return, unaware that he had not considered himself bound by his Japanese marriage to a Japanese woman. When Pinkerton arrives back in Japan with an American wife in tow and discovered that he has a child by Cio-Cio San, he proposes to take the child to be raised in America by himself and his American wife. The heartbroken Japanese girl bids farewell to her callous lover, then kills herself.

It is the most-performed opera in the United States, and it’s been hugely popular all over the world. It has numerous incarnations in Western media, pop culture, literature. The one of the modern versions of the opera is the musical “Miss Saigon”. This popularity of the trope only helps to perpetuate the notion of the dominant white male over the subjugated East Asian [female] who can be cast aside and treated as easily dispensable. (x)

So, yes, when hardcore anti-Malec people are interpreting Malec as loveless / passionless relationship, with Magnus being an endlessly suffering victim and Alec as a cold and heartless abuser, just waiting for a chance to discard Magnus aside [for a white guy Jace], they are seeing a Madama Butterfly scenario. A dated racist anti-Asian stereotype.

Madama Butterfly was first staged in 1904. It was a story showing that races can’t mix. A story saying that interracial relationships are “dirty”, and are always doomed because a white person (man) cannot really love a person of color (in this case an Asian person/ woman) because a white person (man) is superior and needs to find an “equal” (i.e. another white person). It’s a story telling that a white hero will always choose his own kind, and that a non-white person is only good for “fun” but doesn’t deserve to be loved in return. The love of a white hero is only reserved for another white person.

If that’s how people see and interpret Malec it speaks volumes. And not about the canon narrative, but about these people and their worldview.

 @@

With all that said, Daniel Dae Kim (my future ex-husband) has been cast in the role of Ben Daimio in the new Hellboy movie, in the role vacated by the actor Ed Skrein, in protest of whitewashing. This is a movie I have no intention of seeing, (despite that fact that my bae is in it), because Guillermo Del Toro’s version of Hellboy was absolute perfection, and you simply cannot improve on perfection.

But this casting of Daniel is still not without some controversy.  It’s definitely better than casting a White guy, and people like Kim, but the argument now is that Asian Americans are not interchangeable. The term Asian encompasses many different cultures. Daniel Dae Kim is Korean, and the character he’ll be playing is Japanese. If the character calls for Japanese, then a Japanese (American) person should have been cast, but I guess we’ll settle for this because when it comes to Hollywood, “baby steps”.

Daniel Dae Kim to Replace Ed Skrein in ‘Hellboy’ Reboot

Daniel Dae Kim Hellboy
Daniel Dae Kim is in talks to replace Ed Skrein in Lionsgate’s “Hellboy” reboot starring David Harbour.

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Various observances from Tumblr that I feel deserve closer attention, like this very important Chris vs. Tom discussion:

think it’s about time we stop making jokes about the amount of famous white boys named Chris, and about time we started focusing on Tom. Am I talking about Cruise? Hiddleston? Hardy? Holland? Hanks? Felton? Fletcher? Selleck? Welling? Ford? Hooper? Brady? It’s impossible to tell because apparently half the male population are called Tom.

kinghardy nicetrytopredictme

This post implies any Tom besides Tom Hardy matters and that is simply untrue.

 

scallywagsandseamonsters iamnotsebastianstan

Can I add Tom Burke, Tom Hollander, Tom Ellis? And what about Dave?! Dave Grohl, David Beckham, David Boreanaz, David Schwimmer, David Duchovny.

3fluffies raina16

Marvel does seem to be gathering all Toms to them, maybe because they’ve hit critical mass of Chrises.

azrieldoestheater

the toms simply haven’t amassed the same kind of raw power as the chrises. it’s just not the same

blunderpuff

you can tell any two Toms apart tho– put 2 Chrises next to each other, and it’s like… is that the same guy in two different outfits?????

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*And this discussion about environmental conditions in the US right now:

what the fuck is going on between poseidon and zeus right now

 

“Eyes the half of the continent that’s on fire”

Hephaestus can chill too TBH.

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Oh, and this newest edition of the Target Chronicles. Now, if only someone would start one for Walmart because I just know that’s gonna be crazy. I’ve only ever been in a Target store maybe three times in my life, because its just not my go-to store, but I imagine the stories from there can’t be any worse than stories from any other department store.
Image result for target worker
Day One Hundred And Forty-Two

-Tonight, I was asked to work guest services. Upon reaching the desk, I was handed a large tub containing boxes of “Farewell Dandelion” crayons to hand out to the children. My powers grow stronger still.

-I overheard a woman remark, “As a nurse, it is my opinion that being in a car crash would be both scary and somewhat painful.” As a human who experiences emotions somewhat normally, I concur.

-A mysterious woman with a mysterious purpose entered the store. She told me that she wished to give my manager of letter, content and reason unknown. She insisted upon delivering it herself to avoid the attention of unwanted eyes. I can only hope to one day be a part of such ominous goings-on as have gone on before me tonight.

-Halloween merchandise has arrived, and with it, the canned screams of skeletons and witches echoing down the aisles. I could not be more elated.

-A young boy, perhaps six or seven years of age, excitedly ran through the dollar section, digging around and eventually adorning himself with a pointed black witch’s cap and a tutu as pink and frilly as could be. He was delighted by his outfit, but his delight was nothing compared to his mother’s delight, and his mother’s delight was nothing compared to mine.

-A woman approached the service desk to tell me in a hushed voice that there was a dog outside. She then raised her eyebrows, gave me a knowing look, and walked away. This is precisely the kind of informant I need in my life.

-I processed a return for an elderly woman who was distressed that her new digital thermometer would only display the same numbers with no change. Unsure of how to tell her that she had yet to remove the sticker on the screen, I gladly gave her a refund and sent her on her way.

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*Here are a couple of articles from Black Nerd Problems addressing the idea of the CW show Arrow, making plans to do a BLM oriented episode, (NOPE!) when they don’t have a great track record of dealing with serious subjects, and about how the show The Defenders just wasn’t all that.

Image result for defenders

http://blacknerdproblems.com/arrow-black-lives-matter-episode-can-keep/

http://blacknerdproblems.com/3-reasons-the-defenders-isnt-must-binge-tv/

More Tumblr Discussions For Your Weekend

*Recently Munroe Bergdorf, a transgender DJ and model, was fired from her position at L’Oreal, for some statements she made about the foundations of  American and British racism. Statements that were taken entirely out of context by the British newrag, The Daily Mail.

Here’s her full statement:

There’s a great irony involved in a company attempting to make money off token efforts at diversity, firing one of its spokespeople for speaking out against racism, out of fear of what bigoted White people might think about the company. (In other words, performative allyship for money.) Then again, its L’Oréal, and I never put much stock in their efforts at diversity in the first place, or in the efforts of most businesses that try to attract my dollar this way. This is a company, that for decade, didn’t seem to want dark skinned people buying any of their skin careproducts, since they didn’t care to make any products for them, so I’m not surprised that they’ve issued a statement saying that Bergdorf does not represent the views of their company.

Well, where’s the lie?

 

And the response:

L’Oréal’s recent layoff sends a telling message about white supremacy

Anthony J. Williams

Looking backmakeup brands have strategically shut out women of color since their inception, particularly women with darker skin tones. This is not news, nor should it come as a surprise, as film was also built for white people. So in an effort to “champion diversity,” and potentially even make up for years of anti-Blackness, L’Oréal Paris casts a Black woman in their YoursTruly True Match diversity campaign.

Where they took a “risk” on her braids, they were rewarded by the potential of kudos by hiring a Black woman who is perceived as not “too Black” due to her lighter complexion. We know by now that dark skinned Black women are villainized, even when they’re FLOTUS. Where they took a risk in hiring a Black woman for a historically white company, the benefit was the accolades they would receive from GLAAD and mainstream media for hiring a Black trans woman, as opposed to a Black cis woman.

Continue reading “More Tumblr Discussions For Your Weekend”

Racial Discussion Linkage

Image result for race and Middle ages

 TPM Special Series: Race, Racism and the Middle Ages

https://www.publicmedievalist.com/race-racism-middle-ages-toc/

https://newrepublic.com/article/144320/racism-medievalism-white-supremacists-charlottesville

CHARLOTTESVILLE SYLLABUS: READINGS ON THE HISTORY OF HATE IN AMERICA

https://daily.jstor.org/charlottesville-syllabi-history-hate-america/

 

Curriculum for White Americans to Educate Themselves on Race and Racism–from Ferguson to Charleston

http://citizenshipandsocialjustice.com/2015/07/10/curriculum-for-white-americans-to-educate-themselves-on-race-and-racism/

 


 

 

https://www.theguardian.com/us-news/2017/aug/08/unlearning-the-myth-of-american-innocence

http://www.notsorryfeminism.com/2017/08/a-guide-to-different-levels-of-white-supremacist.html

https://www.thecut.com/2017/08/mens-rights-activism-is-the-gateway-drug-for-the-alt-right.html

http://www.slate.com/articles/news_and_politics/politics/2017/08/dahlia_lithwick_on_the_nazis_in_charlottesville.html

http://reallifemag.com/the-authoritarian-surround/

http://nymag.com/selectall/2017/08/baked-alaska-charlottesville-and-the-end-of-ironic-nazi.html

https://www.gq.com/story/dylann-roof-making-of-an-american-terrorist

https://www.washingtonpost.com/opinions/after-charlottesville-end-the-denial-about-trump/2017/08/13/05adbc6e-804a-11e7-b359-15a3617c767b_story.html?utm_term=.7fe1abeca686

http://splinternews.com/charlottesville-was-a-preview-of-the-future-of-the-repu-1797988745

 

Charlottesville Links & Discussion

I don’t know what to say about what happened in the US last weekend. My faith in White people to even try to be their better selves is at its absolute lowest point. I’ve gotten to where I don’t want to read anything about racism on the internet, if a White man wrote it. (But I still do.)

I don’t have the words, but plenty of other people do, and I’ve decided to link to them here. Normally, I do not directly discuss politics here, because I want this blog to be a place where people can escape the constant worry about such things, and just decompress. For those of you outside the states, me and mine are fine. The protests and rioting occurred nowhere near us, and I live in a kind of protective bubble of a Midwestern inner city. I just watched it all on TV like everyone else.

It is extremely difficult to be unaware of what’s happening in the US, no matter how much you try to avoid it (for self-care, or anxiety issues, or whatever.) But I thought a linkspam might help people outside the US figure out what the Hell is going on over here.

 

About Charlottesville Virginia:

Recounting a day of rage, hate, violence and death

<A Timeline of Events in 24 Hours from The Washington Post>

https://www.washingtonpost.com/graphics/2017/local/charlottesville-timeline/?utm_term=.a00b0596960d

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Here’s What Really Happened In Charlottesville

https://www.buzzfeed.com/blakemontgomery/heres-what-really-happened-in-charlottesville?utm_term=.sl461znwB#.vwz24J8WO

About White Nationalism and the Alt-Right:

The Right-Wing propaganda machine is working overtime, trying to equate BLM, and the White Nationalist movement, as being flip sides of the same coin. Be very aware that there is a concentrated, and planned effort, to obfuscate, and to derail, any and all discussion on the topic of White racism, onto the topic of Black people’s culpability. (They are, essentially, trying to argue that everything that has happened is the fault of Black Americans, which is yet another attempt to demonize BLM. The exact same tactic that was used to smear MLK during the Civil Rights Era.)

If the person is making claims, without any reputable links to sources for those claims, then beware of their intentions. 

Here’s a link to BLM’s actual website, so you can read about it for yourself, in their own words, rather than toxic people’s interpretations of those words:

http://blacklivesmatter.com/

@@

Most of these links are from Tumblr, Twitter, and various Op-Ed news sources, as people try to explain and understand what happened. As I always warn, do not go into the comment sections of the articles, because the apologists and racists are out in full force, and have infested most of the comments sections on any articles dealing with this subject, mostly offering misinformation, and false equivalencies.  If your tolerance for White Gibberish is at zero, then don’t read them.

THE ALT-RIGHT CAN’T DISOWN CHARLOTTESVILLE

https://www.wired.com/story/alt-right-charlottesville-reddit-4chan/

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@@

Yes, there are Medieval Historians who are pushing back against narratives of this kind.

Racism, Medievalism, and the White Supremacists of Charlottesville

https://newrepublic.com/article/144320/racism-medievalism-white-supremacists-charlottesville

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The Truth About Women and White Supremacy

https://www.thecut.com/2017/08/charlottesville-attack-women-white-supremacy.html

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A Guide to the Different Levels of White Supremacist

http://www.notsorryfeminism.com/2017/08/a-guide-to-different-levels-of-white-supremacist.html

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View story at Medium.com

To the white male supremacists who feel ‘oppressed’ in America: you’re nothing more than venomous crybabies

http://www.independent.co.uk/voices/charlottesville-white-male-supremacist-attack-killing-oppressed-venomous-crybabies-a7893011.html

On What You Can Do

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Image result for black power

phoenix-ace

I’ll say it before and I’ll say it again:

You cannot challenge racism, on this level, by being nice to and reaching out to white supremacists.  Their entire ideology revolves around dehumanizing us.  It just does. not. work.

You cannot fight fascism by prioritizing the feelings of fascists and letting them think they’re safe around you.  You don’t “get them on your side”.  Because treating them kindly and respecting them, gives them your silent approval and access to those of you who are way more vulnerable than you are and who cannot afford to feel safe enough to “debate” with these monsters.

Our humanity is not a question or a debate topic, and by giving these people a platform you legitimize their views and help spread them to a larger audience.

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We Aren’t At The Healing Stage With Racism

A lot of people want to heal our communities in the aftermath of the events in Charlottesville. I am here to counter such narratives. This is not the time for healing. Now is the time to double down on admittedly painful efforts for change instead of feelings.

https://scottwoodsmakeslists.wordpress.com/2017/08/16/we-arent-at-the-healing-stage-with-racism/

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 vaspider

Okay, friends, let’s talk about going to protests and weaponizing our whiteness, if in fact we are white.

You know what the protesters who marched with Dr. King wore? Their best. Their clergy stoles, their suits. If you’re a doctor or a nurse? Wear your scrubs. If you’re a parent? Wear your PTA shirt if it’s too hot for a suit. If you’re a student? Dress like you’re going to go volunteer somewhere nice, or wear a t-shirt that proclaims you a member of your high school band, your drama group, your church youth group. Whatever it is, make sure it’s right there with your white face.

This is literally the tactic of the people who marched with King in the 60s, and we need to bring it back, and bring it back HARD.

I do this all the time when I go to marches. I wear my cutest, least-offensive geeky t-shirt, crocs and black pants, or I wear my t-shirt that mentions my kid’s school district, or now I’ll wear the pink t-shirt that says I’m part of the Sisterhood at my shul. If it’s cold enough, I wear a cardigan and jeans and sit my ass in my wheelchair. (I need to anyway.) I put signs on my wheelchair that say things like ‘I love my trans daughter’ and ‘love for all trans children’ or something else that applies to the event. Dress like you are going to an interview if you can, or make yourself look like a parent going to pick up a gallon of milk at the corner store. Make yourself “respectable.” Use respectability politics and whiteness AS A WEAPON.

Fuck yes I will weaponize the fact that I look like a white soccer mom. And you should do this too if you can. Weaponize the fuck out of your whiteness. If you are disabled and comfortable with doing so, turn ableism on its head and weaponize it. Make it so that the cameras that WILL be pointed at you see your whiteness, see your status as a parent, see your status as a community member. See you in your wheelchair or with your cane. If you have privilege or a status that allows you to use it as a weapon or a shield, use it as a shield to defend others or a weapon to break through the bullshit.

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DEAR WHITE AMERICA: THIS IS YOUR MESS.

I don’t think you understand how serious I am.

This is your mess.

Every single time you barked about how BLM protested, you supported go fund me campaigns for racists and cops that killed unarmed Black (minority) people.  Every time you shouted freedom of speech when someone called a Black person a nigger you created this mess.

Dear White America: This is Your Mess.

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Image result for anti racism

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Ju-Hyun Park

llleighsmith: “Ju-Hyun Park ”

Tumblr Discussions on Race

Just putting these numbers out here. Actually, I think this is may be from 2014, but really, it doesn’t make much difference. Hollywood talks a good game but is really, really slow to change. I think it takes so long because Hollywood is this big unwieldy ocean liner, and most of the power players on it consider themselves to be above using social media, and interacting  with the public. I think most of them consider that to be the actor’s job, and disdain listening to the public themselves. I think if the ones calling the shots in Hollywood do hear about social issues regarding their movies, it’s probably  second hand/hearsay. (and the ones who do hear about it, just make excuses for their laziness.)

“You’ve just very bravely cast a white person in a role and people are being very critical of it. Here’s how to handle that backlash as poorly as possible.”

http://www.gq.com/story/the-whitewashing-playbook

I’ve noticed that the television creators are much more likely to interact with audiences at Cons, and on social media, than the film/casting directors, and money lenders of Hollywood. The creators of television are just much more intertwined with their audiences, and can know what their audiences think about their product, almost in real time.

For example, the creators of Arrow were on social media that first season, probably just gauging reactions to the show. But I noticed a marked change in the show from the beginning to the end of that first season. The show improved tremendously, and I think many of those improvements were based on the critiques they saw in social media. That’s how fast the creators were able to react to audience reactions. Unlike with movies, the creators for TV don’t have to wait until a show’s run is over before finding out what an audience thinks about it.

I’m not saying that television content creators don’t fuck up, (HBO we’re looking at you!) or that there isn’t an element of racism involved in Hollywood’s decision making process. Just that, in Hollywood, change takes a hell of a lot longer to be implemented because so many of these factors seem to work well enough together to delay progress. To the rest of us it just looks like a truculent inability to move forward.

From the Tumblr: 

Hollywood sticks to the script: Films aren’t more inclusive, despite a decade of advocacy 

The report “Inequality in 900 Popular Films,” released today, from Smith and the Media, Diversity & Social Change (MDSC) Initiative at USC Annenberg, reveals how little top movies have changed when it comes to the on-screen prevalence and portrayal of females, underrepresented racial/ethnic groups, the LGBT community and individuals with disabilities.

“The deficits we see on screen are worse behind the camera,” said Smith. Out of the 1,006 directors hired on the 900 films studied, just 4.1% were females. Only 5.6% of the directors were Black or African American and 3% were Asian or Asian American. Three Black or African-American women and two Asian women worked as directors across the 900 movies. “When we look intersectionally at directors, that’s where we see just how exclusionary Hollywood is when it comes to the hiring process,” said Smith. “The image of a female director seems to be that of a White woman.”

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And riding on the point of that last essay, there’s this one,  in response to  another essay/rant that, basically, blames identity politics, and call-out- culture, for why certain TV shows fail.  Essentially, that person was trying to blame the fans of color for the failure of certain shows. Yeah, that’s not it!

This essay sure sounds like it’s making a lot of sense, but it’s predicated on a bunch of false presumptions.

I agree that hypercritical dogpiling call-out culture is bad. It makes fandom a toxic environment.

Here’s where I find fault in this argument:

Violent fandom backlash/hypercriticism/dogpiling does not actually get shows cancelled, nor does it discourage the creation of future diverse media.

Lord, sometimes I wish it got shows cancelled.

But in reality, when you run the numbers, angry scary fans have a negligible effect on the success or failure of a diverse show.

Shows with a ton of discourse are usually quite successful. Supernatural’s been embroiled in fandom backlash/outcry its entire run and I’ve lost count of how many seasons it has.

Okay but SPN’s not especially diverse, so let’s go to my next example. Speaking of shows I can’t believe are still on the air, Teen Wolf (a show with a non-white lead and numerous LGBT characters) is SIX MOTHERFUCKING SEASONS LONG and fans have been ranting and raving about how shitty and problematic it is since the beginning of season 3 (I myself was one of its loudest and most savage critics back in the day).

Sleepy Hollow was a diverse show that suffered a lot of fandom backlash prior to cancellation. I suppose one might argue that the cancellation was a result of the backlash.

But consider – Sleepy Hollow’s fridged it’s black female lead, Abbie Mills, at the end of its 2nd season, shortly after, The 100 fridged it’s wlw female lead’s primary love interest mid season 3.

There was a shitte tonne of *intense* fandom drama surrounding Lexa’s fridging in season 3 of The 100. Every vaguely liberal entertainment news outlet had something to say about “Hollywood’s dead lesbian problem.” A lot of wlw fans wrote scathing rants and swore off the show.

In comparison, fandom was downright quiet about Abby’s fridging. In fact, the very small handful of posts I read criticizing the writers of Sleepy Hollow made a point of also criticizing fandom’s white feminists for their ‘deafening silence’ with regard to Abbie’s death.

Consequently The 100 just got renewed for season 5. Meanwhile,  Sleepy Hollow is as dead as a doornail.

Seems to me that silence does a better job of killing shows than any amount of screaming and ranting.

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Here’s what actually causes diverse shows to fail:

1) Old white men in power.

@temporaldecay you want to talk revenue? Perhaps you’d be surprised to learn capitalism is not the be all/end all of a tv show/film’s success as people often assume.

For example, we know that movies with diverse casts are more lucrative, yet the industry continues to churn out all-white media. Why? Nepotism. White execs bring in white producers who find white directors to tell white stories and cast white actors.

They keep doing this, even though financially speaking, it’s self-sabotage.

Teen Titans was the most popular show on Cartoon Network when it was canceled because it appealed to an audience (of girls) that wasn’t the intended target audience (boys) and the marketing team didn’t like how this messed up their gendered merchandising strategy. You can read all the details [here]

Which brings me to the next item on the list:

2) Bad marketing (combined with the aforementioned institutionalized bigotry)

There’s a great essay called Shut The Fuck up Marvel that explains in detail the problematic economics of the comics industry – TL&DR, diverse comics are failing not because of fickle and hypercritical fans, but rather because Marvel’s entire marketing strategy is so flawed that fans don’t even find out about diverse comics until they’ve already been axed.

The same is true of a lot of diverse television.

Wonder Woman got hardly any marketing. I didn’t see trailers for the movie. It managed to go viral anyway through word of mouth, and through the inherent publicity of being the first big blockbuster superhero film revolving around a female lead, but it’s the exception that proves the rule.

Still Star-Crossed, a Shondaland period romance/drama based on pro-fanfiction for Shakespeare’s Romeo & Juliet was recently canceled due to low viewership. The show got next to no marketing. The few people who managed to hear about it from tumblr couldn’t even figure out when it was airing due to the network changing the time slot twice within the first 4 episodes.

Similarly, Sense8 season 2 was under-marketed, as was The Get Down. I must have seen about 8 million ads for that garbage suicide apologia show Netflix has been hawking.

Networks don’t want to market diverse shows. They assume diverse shows will magically sell themselves, and then blame fans when they don’t.

3) Appealing to too small of a niche – Novelty vs. Variety

Consider Agent Carter – this show catered to a niche within a niche within a niche – a period noir drama, that was also a science fiction. Lack of POC meant it had trouble attracting POC as audience members. Lack of LGBTQ rep (queerbaiting doesn’t count) meant it had trouble holding on to LGBTQ fans.

The only audience Agent Carter seemed to want to actively market itself to was ‘straight white feminist-identifying women who like retro noir sci-fi’ – that’s so specific. Too niche of an audience to attract the kind of audience a network like ABC expects for its prime time shows.

Compare that to How to Get Away With Murder – which has a little something for everyone. Ensemble cast, multiple sexual orientations, multiple cultural backgrounds and ethnicities, people from diverse socioeconomic backgrounds – Shonda Rhimes knows how to cast a big net.

Or Brooklyn 99 – similar kinda deal.

Having a one member of a marginalized demographic in a lead role is a novelty. And novelty’s good for getting people to watch your pilot, but it wears off quickly. People come for novelty, but they stay for representation. I don’t mean representation as an abstract concept. I mean people continue watching a show when they find a character that they personally identify with and relate to. The more character variety, the greater the number of audience members who feel consistently well-represented.

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Discourse is not killing diversity.

This is a lie networks and showrunners tell fans to scare us into silence. They sabotage their own shows and then blame fans for being “too critical” or “too entitled.”

And we buy this bullshit. We buy it and we sell it to other fans. We write big long essays telling fellow fans to count their blessings and stfu.

Fuck that noise.

 

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This one is about how Blade began this whole superhero movie nonsense, that we all love so much. Yes, I blame Blade too. Frankly, even though I was a big Marvel Comic book reader, I had never even heard of this character before the movie was released, but I’m always gonna stan for that first movie, which still holds up very well to this day, and despite that Wesley Snipes is something of an asshole.

I personally consider Blade, and The Crow, to be two of the Blackest superhero movies of the 90s. (I will fight ‘chu!)

And that’s the real difference between Blade and the superhero franchises that have followed. Blade was never a big-name character in the first place. So there wasn’t a whole lot of retro-geek enthusiasm associated with the character. But more than that, Blade, the film, simply isn’t backwards-looking.

There’s none of the Greatest Generation boosterism that clings to the Captain America franchise, for example. Nor do we get from Blade the home front 50s stay-at-home mom-with-kids meme that pops up incongruously in Age of Ultron when we get to meet Hawkeye’s secret, perfect family.

Instead, Blade is deliberately, defiantly hip. Motherhood isn’t idealized; on the contrary, one of the queasier moments of the film involves Blade ruthlessly offing his feral, incestuously sexual, evil vampire mom. If there is nostalgia, it’s for blaxploitation’s up-to-the-minute cool.

The movie’s first grinding, sweaty, sex-and-blood drenched night club scene hasn’t dated at all. Nor has the Afrocentric incense store where Blade buys his formula fix, nor the black, brotherhood embrace between that store’s owner and the hero. There’s a notable lack of cell phones, of course, and the computer graphics prophesying the coming of the blood god look rather dated. But there’s little question that, as much as it’s able, the film is looking forward not back.

And part of the reason it’s looking forward, I think, is race. Blade—unlike most superhero films—is set in a meaningfully integrated world. That Afrocentric shop suggests, quietly but definitely, that Blade is part of a black community and that that community matters to him. One of his two crime-fighting companions Dr. Karen Jenson (N’Bushe Wright), is also black.

The diverse cast, and the acknowledgement of diverse communities, is part of why the film still feels and looks relevant. Here, after all, is a narrative that was fulfilling the call for more diverse superhero movies before superhero movies were even a thing.

But beyond that, Blade makes clear the extent to which nostalgia and whiteness are inextricably bound together in so much of the superhero genre. Retooling old, old pop-culture heroes[1] means, inevitably, dreaming about white saviors and about a time when white people were the only ones who were allowed to be heroes.

THE WHITE SUPERHERO FAD STARTED, CRAZY ENOUGH, WITH BLADE

[1]

A lot of us have talked a lot about how Blade started the current superhero domination in Hollywood and how current films forget that; and though it’s important to ask what kinds of behind-the-scenes decisions have caused that, I like this analysis about how Blade is fundamentally different from what we’re getting today and how that film is, in many ways, incompatible with today’s Ant-Men and Men of Steel.

 

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Another argument for why HBO’s new idea for a show, Confederate, (about an alternative world in which the South won the Civil War), is a truly bad idea:

blackfemalescientist

I’ve been thinking a lot about Confederate, the upcoming project by the creators of game of thrones. I’m not alone in actively hating the idea for this, but it took me a while to figure out why the idea for this show bothers me so much. Part of it is the current political climate, part of it is the idea being not nearly as new or interesting as the creators think it is (sci fi and fantasy is full of stories about chattel slavery in more modern/technologically advanced societies), and part of it is just me not trusting these two guys with this kind of story.

But what it really comes down to for me is this: even if I could buy that the south won the war, I do not buy that black people, in a majority black country, would be content to live in the only slave-holding society in the world for another 150 years. And the fact that the creators of this show can imagine that says a lot about how they feel about black people and their agency.

Like to put that idea in perspective, black people waged a successful national campaign to end jim crow in a majority white country and it didn’t take them 150 years. Haiti rebelled in 1804, and while we can talk current economic conditions (and how frace is primarily to blame for that), what you can’t say is that chattel slavery exists there now. Like what world are you living in where black people aren’t resourceful, smart or motivated enough to end chattel slavery 150 years after the entire world decided that maybe chattel slavery was doing too much.

The entire premise doesn’t work as alternative history because its not an alternate world, its a complete fantasy – a fantasy where black people are not only subjugated but incapable of taking steps to end that subjugation. And that leads to all the “who is this for” and “why would you do this” questions that smarter people than me have talked a lot about.

 

And here’s my man, Ta Nehisi Coates, laying it out, in his own very eloquent way, why the writers of Game of Thrones, and HBO, need to catch some hands:

HBO’s Confederate takes as its premise an ugly truth that black Americans are forced to live every day: What if the Confederacy wasn’t wholly defeated?

https://www.theatlantic.com/entertainment/archive/2017/08/no-confederate/535512/

Of course, any time Black people hold discourse on a subject that directly affects our lives, you’ve got those white people crawling out from under the baseboards, to defend this wtf*ery, because for them Black life is  no more than an intellectual exercise, and we should  get over it, because it’s messing up their ability to be entertained by our misery.

 

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This is one of the most cogent arguments I’ve ever read against financial inequality. I also had no idea of the history of the game of Monopoly.

We played this game all the time in our house. My Mom was, naturally, the Banker, and we always played it Socialist style,  I guess, with everyone getting the same amount of money, and being treated the same, following the same rules. Of course she always won, up until we were teenagers, and started learning more about how to handle money,  like how to plan ahead, and how to delay gratification. 

Monopoly isn’t maybe the best way to learn about money, but it does teach you something about how financial systems work.

So let me get this straight, in Monopoly if you give one player more money to start out it’s “unfair” but if you do it in real life it’s “capitalism”?

 

You know what, I’m going to tell you guys a story.

In my Sociology class a few semesters ago, our prof had us break off into groups and, much to our naive joy, began distributing Monopoly boards! We had no idea what was going on but yay! Games! Of course, once our group, and a number of others, got the board we began to work at setting up and distributing the money…

until suddenly our prof told us to put the money down and pick up the dice.

“Roll the dice and sort yourselves from highest to lowest,” our teacher commanded.  “Now, the highest number is the upper class. The next one is upper middle class.  The next two or three are middle class. The last person is in poverty.“

Well, as the person who rolled a two this was startling and not wholly welcome news.

From that point the game changed entirely. We had to hand out the money so that the “upper class” had this fucking mountain, and then less for upper middle, even less for middle, and I didn’t get any triple digit bills. We would all collect different amounts from passing go as well.

The biggest change though? Going to jail. Upper class didn’t. Period. Upper middle class could go but they only had to stay for one turn or they could immediately pay their way out. Middle class had some pretty easy guidelines for when they could pay to get out. As lower class, it was really easy for me to wind up in jail and REALLY hard to get out. But since I was working with so little money when everyone else had so much I was in jail all the time because there was no “game over”.  If I couldn’t pay I had to go to jail for a certain period of time. I had to take out loans with interest I could never pay back just to get out only to wind up back in it again, rolling dice turn after turn hoping to be able to get out.

It was simultaneously the most enlightening and most awful game I had ever played. I was bored and frustrated and a little terrified about it all. And it wasn’t only me. I would never win, I sort of accepted this, but it was amazing how the middle classes reacted as well.  They were stressed. Because they were always that close to either being able to one-up the upper class or from crashing into poverty with me. They had to fight constantly just to stay in the middle.

(I should also mention that the upper class player in one group felt so bad for the lower income players that they ended up overhauling their entire game and creating a “socialist” society instead. I’m not sure how our teacher felt about that one.)

 

Worth stressing this is entirely in the spirit of the original designer’s aims for Monopoly.

Monopoly’s  original form of The Landlord Game which was explicitly designed to teach people about the unfairness of rent systems. To quote from the wikipedia entry, just as it’s the easiest source to hand…

Magie designed the game to be a “practical demonstration of the present system of land grabbing with all its usual outcomes and consequences”.[2]She based the game on the economic principles of Georgism, a system proposed byHenry George, with the object of demonstrating how rents enrich property owners and impoverish tenants. She knew that some people could find it hard to understand why this happened and what might be done about it, and she thought that if Georgist ideas were put into the concrete form of a game, they might be easier to demonstrate.

When the usual suspects start making “don’t bring politics into games” noises, I roll my eyes pretty hard. They have no idea of the history of the form.

 

 

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This final topic speaks to the idea of accurate Representation from a Historical perspective. One of my biggest pet peeves is the bigoted argument against diversity and inclusion, in Fantasy media, coupled with the erasure of PoC from  Historical narratives, and not just because such an argument is irrelevant to a discussion of Fantasy based world-building. 

As an amateur Historian, I’m sick and  tired of seeing the argument about Historical accuracy, from the mouths of lazy, sometimes bigoted, individuals, who have done no research, who have only ever gotten their ideas about what History was like, from various movies and TV shows, trying to uphold the pop culture status quo, by saying we don’t belong in Fantasy environments.

I have found that even the  most well intentioned people are deeply, deeply, ignorant of History, having gotten most of their ideas about it, from whitewashed movies, television shows, and History classes, in which the contributions (sometimes even the presence) of PoC  are erased. When you consider that the vast majority of the world is made up of PoC (Chinese, for example) and that those who are most definitely considered to be “White”  Europeans (whatever that may mean) made up only about 11% of the world’s population in 2010, and by 2060 are set to become less than 10% of the world’s population, I find it more than a little hinky that such  people would argue for Historical accuracy. 

And now we have the Alt-Right attempting to lay claim to this same argument  in an attempt to bolster their racist  beliefs that PoC contributed nothing to Historical narratives, and that all of the humanity’s  major contributions to Literature, Science, and Art, were only done by White men.

Part of the problem is that Historians need to make clear that PoC were History. We were everywhere, not just invented in certain eras, and trotted out when White men needed to conquer somebody. History is far more nuanced and complicated than most people know.

Medievalists, Recoiling From White Supremacy, Try to Diversify the Field

By J. Clara Chan

—-The criticisms of the conference’s diversity stems from problems in medieval studies for decades — that it is still too Eurocentric, male-dominated, and resistant to change. But as the medieval era has become increasingly prevalent in rhetoric used by white supremacists to advocate for a return to racial, ethnic, and religious purity, many nonwhite medievalists are feeling a new urgency to combat the stereotypes that accompany the field.

http://www.chronicle.com/article/Medievalists-Recoiling-From/240666/

 

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And on Historical Anti-Semitism in Art:

thegetty

Dialogue: Exposing the Rhetoric of Exclusion through Medieval Manuscripts

By Kristen Collins and Bryan Keene, originally published on the Getty Iris

We invite your thoughts on an exhibition-in-progress at the Getty that addresses the persistence of prejudice as seen through lingering stereotypes from the Middle Ages.

As curators in the Getty Museum’s department of medieval and Renaissance manuscripts, we are interested in how books, and museum collections more broadly, can spark dialogues about inclusivity and diversity. Our manuscripts collection at the Getty consists primarily of objects from Western Europe, which can present challenges when trying to connect with a multicultural and increasingly international audience.

We are striving to make connections between the Middle Ages and the contemporary world—connections that may not be immediately evident, but are powerful nonetheless. Museums are inherently political organizations, in terms of the ways that collections are assembled, displayed, and interpreted. This year’s meeting of the Association of Art Museum Curators addressed how institutional narratives and implicit bias can skew ideas of history and culture in ways that exclude minorities and gloss over the shameful aspects of our past. Groups such as the Medievalists of Color, the Society for the Study of Disability in the Middle Ages, the Society for Medieval Feminist Scholarship, and the Society for the Study of Homosexuality in the Middle Ages, among others, are applying similar lines of inquiry, seeking to decolonize and diversify the field of medieval studies. We stand with these groups.

We were also inspired by Holland Cotter’s call to arms, as he exhorted museums to tell the truth about art, “about who made objects, and how they work in the world, and how they got to the museum, and what they mean, what values they advertise, good and bad. Go for truth (which, like the telling of history, is always changing), and connect art to life.”

Here is our description of the exhibition, still in draft form:

Medieval manuscripts preserve stories of romance, faith, and knowledge, but their luxurious illuminations can reveal more sinister narratives as well. Typically created for the privileged classes, such books nevertheless provide glimpses of the marginalized and powerless and reflect their tenuous places in society. Attitudes toward Jews and Muslims, the poor, those perceived as sexual or gender deviants, and the foreign peoples beyond European borders can be discerned through caricature and polemical imagery, as well as through marks of erasure and censorship.

As repositories of history and memory, museums reveal much about our shared past, but all too often the stories told from luxury art objects focus on the elite. Through case studies of objects in the Getty’s collection, this exhibition examines the “out groups” living within western Europe. Medieval society was far more diverse than is commonly understood, but diversity did not necessarily engender tolerance. Life contained significant obstacles for those who were not fully abled, wealthy, Caucasian, Christian, heterosexual, cisgendered males. For today’s viewer, the vivid images and pervasive narratives in illuminated manuscripts can serve as a stark reminder of the power of rhetoric and the danger of prejudice.

 

“If you don’t know you have a history, it can be hard to believe you have a future.” —-National Museum of Stockholm

James Baldwin: “Not everything that is faced can be changed; but nothing can be changed until it is faced.” 

 

What’s the 411? LinkSpam

Hey! I got some great reading material for your weekend. 

History of Dance Music

Image result for history of disco

*Actually pretty much all of the Popular musical styles originated in marginalized communities. I was inspired by someone asking a question on Tumblr on why Disco died. The answer is that Disco didn’t actually die, it simply went back underground, and morphed into something else.

http://gawker.com/frankie-knuckles-discos-revenge-and-gay-black-music-1556413442

https://thump.vice.com/en_us/article/aeqxwz/dance-pride-the-gay-origins-of-dance-music

https://djmag.com/content/special-feature-gay-dna-house-music

http://www.dazeddigital.com/music/article/35892/1/chicago-house-lgbtq-history-documentary

View story at Medium.com

https://www.univie.ac.at/Anglistik/webprojects/LiveMiss/Chicago-House/house-text.htm

Image result for history of disco

 

*This is about the White male backlash against Disco. There are a number of reasons why there was such a backlash, but what I’ve noticed is that its a pattern that keeps repeating itself through US history. A marginalized community creates a musical style that becomes very popular, which is then followed by an urge to contain and control that music, by the preceding generation, when its adopted by their children.

https://aeon.co/ideas/the-night-when-straight-white-males-tried-to-kill-disco

http://www.thedailybeast.com/of-gamers-gates-and-disco-demolition-the-roots-of-reactionary-rage

*This article chronicles how the backlash against Disco was tied into homophobia and racism:

https://muse.jhu.edu/article/224099

*This video by Sut Jhally, which lasts about an hour, discusses the misogyny of  behind so many poplar musical styles, but pays particualr attention to Rock N Roll. Warning this is NSFW:

https://thoughtmaybe.com/dreamworlds-desire-sex-and-power-in-music-videos/

 

At the Movies

Image result for at the movies

http://www.huffingtonpost.com/entry/black-panther-costume-designer_us_593ff13ee4b02402687cd1d2

<em>The Magnificent Seven</em> vs. The Historical Negationism of Westerns

https://www.theatlantic.com/entertainment/archive/2016/10/how-the-west-was-lost/502850/

http://www.hollywoodreporter.com/heat-vision/predator-oral-history-arnold-schwarzenegger-film-1014132

http://www.theroot.com/sophia-coppolas-blatant-erasure-of-black-women-in-the-b-1796386121

https://www.villagevoice.com/2016/10/13/the-men-who-were-the-thing-look-back-on-a-modern-horror-classic/

http://www.vanityfair.com/hollywood/2017/05/alien-xenomorph-actor

 

Sex and Gender

Image result for sex and gender

Articles on Gender and Sexual expression will always get a read from me. I just find the topic fascinating. Apparently, so do a lot of other people.

*An article about the “Berdache” gender among American Plains Natives Cultures:

http://plainshumanities.unl.edu/encyclopedia/doc/egp.gen.004

*This one is about how  much freer men were in the past, to express affection for one another.  The most distracting thing in these photos for me was the smoking of cigars. I found the cigar smoking to be kinda weird. We hardly ever see that kind of thing now.

https://truewestmagazine.com/homos-on-the-range/

http://www.artofmanliness.com/2012/07/29/bosom-buddies-a-photo-history-of-male-affection/

*I found this great article on Gender expression in other cultures throughout history:

Image result for gender variation in native americans

http://www.teenvogue.com/story/gender-variance-around-the-world?mbid=social_facebook

 

And the obligatory Fandom Racism post:

http://beatrice-otter.dreamwidth.org/343325.html

“What if a white guy played Black Panther?: The Fake Concern of Fake Geek Guys — Stitch’s Media Mix

Whenever I talk about racebending as a concept when it comes to comics and comics-related properties, smartasses always show up to say something snarky like “what if Black Panther or some other Black hero were a white guy”. They crowd into my mentions or any comment field they can get a hold of, trying to […]

via “What if a white guy played Black Panther?: The Fake Concern of Fake Geek Guys — Stitch’s Media Mix

 

**And for further reading, the distinction is that Whitewashing is bad and Racebending is okay, and here is why:

Dear Comic Fans: We Get it. You’re racist and racebending scares you.

The Incomparable Differences between Whitewashing and Racebending

Whitewashing vs. Racebending: Yes, There is a Difference

https://moviepilot.com/p/how-whitewashing-does-and-doesnt-affect-movies/4112605

https://www.theodysseyonline.com/whitewashing-racebending

 

**And further readings on Race and Media for the weekend include a description of harassment in the Art world,  for speaking the truth, which is important to me because I’m an artist.

This ties into America’s general belief that History was all White, and that PoC played no part in European History at all. As Dr. Who said, “History has been whitewashed!” And yes, I blame Hollywood, and America’s  general historical ignorance. It’s this ignorance of the part PoC played throughout every era of human history that leads to cries of “Historical Accuracy” every time a Black person wanders into the orbit of, not just historical films, but any Fantasy films that have a foundation in European folklore.

https://hyperallergic.com/383776/why-we-need-to-start-seeing-the-classical-world-in-color/

https://www.artforum.com/news/id=68963

 

**And on Race and Fandom Wankery…Stop It! Fandom is every bit as racist as non-geek culture, but Klandom thinks it’s better at disguising it. There has also been some confusion about patterns of implicit racism vs calling individuals racist.

Thinking that you are personally being called out on your racism is basically the Racism 101 approach to this topic,  because we’re not talking about individual people, although individuals may be used as examples of what were drawing attention to.

The discussion that PoC and LGBT people are having is from the 401 Class, and seems to be over quite a few people’s heads. We’re discussing patterns of behavior across multiple platforms. We’re not talking about a handful of bigots, writing stories we don’t like, but  about hundreds of people across fandom engaging in the same behavior, and then making the exact same excuses for their behavior, over and over again.

We are supposed to be the most progressive and transformative community in pop-culture.

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We who…

  • Hyper-focus on white, male characters
  • Contort these male characters into heteronormativity
  • Marginalize and erase characters of color
  • Write out women and replace them with men, especially in shipping
  • Attack women for “getting in the way” of our preferred ships
  • Hold female characters to higher standards than male characters
  • Hold characters of color to higher standards than white characters
  • Latch onto any single excuse to marginalize female characters
  • Utilize any single excuse to demonize characters of color
  • Put women on pedestals and act as if we’re doing them a favor
  • Justify white and male abuses or dismiss them as “mistakes”
  • Use actual mistakes to denigrate female and non-white characters
  • Romanticize white, male pain and mental illness
  • Expect female characters to perform all the emotional labor
  • Expect characters of color to be perfectly mentally healthy forever
  • Expect everyone to subsume their own mental health for the white males’
  • Dismiss the traumas and experiences of characters of color
  • Minimize the achievements of female characters

And then we wonder why mainstream media is so regressive, especially compared to us. We all talk as if mainstream media creators are behind the times.

They’re not.

Fandom likes to imagine itself as being progressive because of all the slash – a mechanism of progress which conveniently boils down to extra attention on overwhelmingly male (and overwhelmingly white) characters. This form of progress is one which takes a minor deviation from the social norm (homosexuality), only to end up ultimately supporting or even amplifying the status quo, by virtue of over-focusing on male characters (and over-representing white ones in the process).

Strip back that gay window dressing, though, and you’ll see that at best, fandom is just as socially stagnant as mainstream media and mainstream culture – or even worse, by virtue of engaging in media that overwhelmingly sidelines several other marginalized groups in order to prop up one.

Professional women have long known the old adage, “Whatever women do they must do twice as well as men to be thought of half as good.” What no one seems to realize is that fandom is still doing exactly the same thing.

We expect female characters to be twice as good for half the acclaim, we expect characters of color to be three times as good for a third of the acclaim, and we let white, male characters be only a quarter as good for four times the acclaim.

Mainstream media is keeping up with the times and with social progress just fine, it’s us who’ve deluded ourselves into believing that we, as a community, are more progressive than we actually are.

 

 

And Danae Guriria lays it out:


**And on Hollywood Erasure. This topic is especially interesting to me becasue I know there were Black cowboys. When Slavery ended, a lot of Black people fled West, rather than North, which is how and why there are so many black people in places like Minnesota, Oklahoma, California and a huge Black population in Texas. I know there were Black Cowboys (and many many Mexican ones) but this is something most Americans don’t no about due once again to Hollywood Whitewashing. The remake of the Magnificent Seven is a lot more historically  accurate than the original.

Although the reception of that movie proves one more thing to me, that Denzel Washington can make whatever the Hell movie he wants, and no one will criticize him for historical accuracy. Apparently, he belongs in any era he wants.

 

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The LIT History Series is for the Legends, Innovators and Trailblazers that have shaped our culture.

It is widely believed that the “Lone Ranger”, the famous cowboy of the TV show and the movie, was inspired by a Black man named Bass Reeves.

Reeves was born a slave, but he escaped to the West where he eventually became a Deputy U.S. Marshal, an expert marksman, and a master of disguise with his Native American sidekick. Blacks were a huge part of the Western frontier despite what’s told to us in pop culture or taught to us in the classroom. “The kids who are learning history in our schools are not being told the truth about the way the West was,” says Jim Austin, founder of the National Multicultural Heritage Museum. “I bet you nine out of 10 people in this country think that cowboys were all white – as I did.” (x)

Cherokee Bill, born Crawford Goldsby, was a notorious outlaw whose father was a Buffalo Soldier. His reputation and career as an outlaw rivals the reputation of Billy the Kid. Bill Picket was a “famous” Black cowboy who toured the U.S., Canada, Mexico, South America, and England, and he was inducted into the National Rodeo Hall of Fame 40 years after his death. (x)

And black cowboys are still here, they do exist.

That’s a huge part of history that was also erased from the history of America. We need to bring attention to this, because it’s unfair that black people along with other people of color have been erased from this narrative.

Source

 

Representation Matters (Pt. 2)

*It’s not enough for PoC to be included in the narrative. They also have to have character, not just be a character. Also, the more people of color in the narrative the less likely the writers (who are almost always NOT PoC) will resort to stereotypes, or rather the number of PoC in the narrative will help to ameliorate any stereotypes that are present.

It’s also important for PoC to be behind the scenes. It’s hard to create action stars  when there aren’t enough PoC as stunt doubles. It’s difficult to have authentic environments of PoC when seen through the lens of white male writers who are too lazy to do the proper research (We’re looking at you Scott Buck!), and even if they did, would never be able to capture all the details and nuances of being a recent Chinese immigrant, a transgender Latina, or a gay Black man. I’m not saying that white people can’t write these characters, but a lot  of them either don’t know, or care enough, to get their shit right.

When white women began writing more movies and TV shows, we started to getting more nuanced,  authentic, portrayals of white women in movies, and the same thing happens when PoC write and star in their own stories. For example, what makes the Luke Cage series stand out as an iconic depiction of Black life, is that the creators are Black themselves, and are aware of all the tiny details, of Black life, that would be missed by white writers, to whom none of those details would even occur.

One of the reasons Into the Badlands looks as rich as it does is because Asian men are the showrunners and the stunt crew. Now compare this show to Iron Fist, where the white writers didn’t seem to kgive a damn that a show (and character) so steeped in Orientalist culture, about a white man who learns Kung Fu, doesn’t actually feature the Kung Fu very well, or any of the Asian culture on which the character is based, and a showrunner who  seemed indifferent to what fight scenes there were. Scott Buck cared  so little about the show’s action scenes, that he didn’t give  his star, Finn Jones, enough time to practice so he could shine in those scenes. If you have a Martial Arts character named Iron Fist, and you don’t showcase the action, youre gonna get booed. I’m just sayin’.

Even White people ( as much as we hear about the racist ones who seem to hate diversity in media) actually crave different types of stories. I’ve come across the occasional essay by White people lamenting  the lack of variety in movies, and TV shows. They want something different from the “bland white guy gets the call to adventure” type of  story. They too want to see stories like Hidden Figures, and Moonlight, rather than yet another story of a white man’s growing pains in the Midwest, or another romantic comedy where the spunky, young, white actress of the moment, eventually hooks up with the bland, white guy, she initially hated.

We understand that Hollywood is a business and will keep trying  to give us the same product they have successfully sold us many times, but with the studios bottom lines beginning to suffer, it’s time for them to be less conservative, and much more daring. Yes, movies cost a lot of money, and people are loathe to risk not getting a return on their investment, but they’re losing money now, and need to try some new things.

Well, they could at least try making the same old movies, just without the same twenty five White actors we’ve been seeing.

 

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Insanity is doing the same thing over and over, but expecting different results…

I’m not celebrating or sad.  This is emblematic of a huge shift in entertainment media that will progress with or without those who stubbornly adhere to old myopic ways.

They happened upon that wave early and let it wash past them instead of surfing it out of pure hubris, color-blindness, and stubbornness.

Sleepy Hollow came before Hamilton, Queen Sugar, Underground, Insecure, Atlanta, American Gods, Luke Cage, Get Out, Moonlight, and the upcoming, A Wrinkle in Time…  Black people and other marginalized groups are increasingly occupying genres and spaces they’ve rare-to-never been leads in, where they are having their perspectives and feelings served, instead of serving a white man’s story, as so many fans have been starved to see.

Such is business that if there is a need that will make money, it will eventually be filled by someone(s) if you choose not to.

That’s what I got out of this debacle.

That and, when you cater to a singular perspective for a long, long, time, no matter how new or “fresh” a spin you think you have on it, it’s probably been done and is trite, boring, and even offensive in its refusal to treat anyone who isn’t a white guy like they matter.

In other words, the exclusion of the other being central to these narratives for so long created this condition where those very narrow white boy dreams are getting staler and staler to audiences.

They aren’t the first white male writers and producers left dumbstruck and scratching their heads wondering what the hell happened after treating everything who isn’t the central white dude like shit and they won’t be the last.

You either evolve or get left behind.

(The show being referenced above is Sleepy Hollow, a show which had been lauded in its first and second seasons, but has just been canceled after its fourth season, after fans learned how the showrunners had been mistreating its female lead, and then unceremoniously, and without  warning, killed off her character. All I have left  to say about that is: They gon’ learn!)

 

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13 Times Hollywood Made Totally Racist Casting Decisions

In the 2015 box office bomb, Stone’s character Captian Allison Ng is written as being one quarter Chinese and one quarter Hawaiian. Many viewers of the film accused the filmmakers of whitewashing the cast, as Stone doesn’t belong to either heritage. The director of the film, Cameron Crowe, released the following as a statement: “I have heard your words and your disappointment, and I offer you …
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*I laughed at this waaay too hard:
Chris Pine’s SNL monologue reminds us how bad Hollywood’s superhero diversity problem is:
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Alright, this was just hilarious for me:
What diversity actually is:
How Hollywood sees diversity:
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*That’s it! The next time I see some fan whinging about Historical accuracy, in a movie that casts any POC, I’m gonna have to (digitally) punch ’em in the side of the neck. 
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  • White actors cast as ancient Egyptian kings: “I know they weren’t white but it doesn’t have to be historically accurate to be a good movie. They should just hire the best person for the job!”
  • Black actor suggested to play fictional white character:“James Bond has always been white! I don’t care how good of an actor he is, you can’t just change history!!!”
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*I think I mentioned this one on somebody’s comments section, that the vast media machine that exists in the US is pretty much geared towards one group of people and that is middle-class, White, cis-gender, and straight, but without any religious connotations. I really only noticed this while watching TV commercials. 
Now remember, the reason why we have television shows at all, is to make us watch ads for the sponsors of those shows. Television can exist without ads (otherwise there’s be no HBO, or Netflix) but you have to pay for it out of your own pocket (subscriptions). The companies that sponsor these showsaim their ads specifically at White middle class people because that’s who, or so they believe, has all the money. Its pretty much been like this since the invvention of the TV. Middle class people were the only ones who could afford TVs anyway. In order to catch those White, middle-class, eyeballs, they created shows geared towards reflecting their lifestyles, which is why the vast majority of television shows feature White, middle-class, often urban professionals. Those are the people that advertisers want, have always wanted.
Several things not taken into account; as TVs became more affordable to the working class, and then the poor, people who are not members of the prevailing socio-economic class would see those lifestyles as something they wanted to attain. Advertisers were quick to grasp that idea and started sponsoring shows geared towards working class whites, but only a few, and mostly comedies. The vast majority of shows featured White men, in some lucrative, but  unspecified city job (Quick! What did Leave it Beaver’s Dad do for a living?), doctors, lawyers, and the occasional detective. The shows reflected the lifestyles people lived, were trying to attain, or power fantasy stories for White men, like Westerns and Police stories. 
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Case in point!
Since the eighties though, television programmers decided that the most lucrative dollar to chase, was the White male, aged 18-35. Just about every form of media, outside of magazines, in the eighties and well into the nineties, was geared towards this specific demographic. Most, if not all of TV, movies, and most forms of music, was aimed at getting these young, white men to spend their money. These young men liked sex and violence, or so it was determined by programmers, so they made movies, and TV shows, about people having sex, and committing acts of violence. Just look at any of the comedies that were released during the eighties. Anybody else who happened to be ewatching these programs were mostly disregarded. (This was not a hard and fast rule.  
There were some things geared towards non-White people, whenever White programmers and Ad-men remembered that  the rest of us had money, they would sponsor a comedy, or made for TV movie, which explains Roots and The Jeffersons.) When it was discovered that these same young white men liked Rap music, advertisers began sponsoring more shows and movies with those themes, although initially, these things were aimed at Black people, (which is how we ended up with movies like Friday, and Boyz in the Hood.)
This is not to say that nothing was aimed at non-Whites. There were a few shows and movies aimed at women, Blacks, and the occasional Latinx,  but they were rare. Occasionally some “Actor of Color” would blow up in the media and manage to get a film career out of it, which explains Richard Pryor and Eddie Murphy. And the entire time, everyone of every color, was inundated with racist stereotypes of everyone who wasn’t White, sexist lies and tropes about women, and lots and lots of jokes, at gay and transgender people’s expense. 
*And in a not-unrelated post on the racial dynamics of Hollywood movies, Teej lays it all bare, but without my polite indoor voice.

It’s time to kill the idea of white women as leads in movies as “baby steps! :)” toward inclusion of women of color and that WoC and PoC generally need to pay to see these films otherwise Hollywood will never include WoC/more PoC because “Hollywood only listens to money.”

People proffering this argument are either gullible, not paying attention, have no understanding of how racism works in Hollywood, or all three.

Hollywood knows that Black movies and shows make money (I’m focusing on Blackness because it’s what I know and antiblackness exists in all communities). Straight Out of Compton made money, Selma made money, 12 Years a Slave made money, Tyler Perry’s movies make money (much to my chagrin), and those are just some recent ones. There is a history of Black cinema and films that made money. Empire, Scandal, How to Get Away With Murder are led by Black women and Empire has a predominately Black cast, and they’re wildly popular shows.

Black people and other PoC have money and we have and will continue to spend it in theaters to see films that feature us. HOLLYWOOD IS WELL AWARE OF THIS. Stop believing and proliferating their tired excuses and lies.

The issue is that Hollywood only cares about a specific type of money: white money.  

When Hollywood refuses to put Black women and men and other PoC in lead roles in upcoming Blockbusters it’s because they don’t think white people will relate to or be comfortable with the idea of PoC as heroes. It’s not just about money (because Black people and other PoC will definitely spend money to see those films), it’s about whiteness. It’s the WHITE DOLLAR and the white audience that these studios are after and are worried about losing. They know that white people have difficulty empathizing with Black people and other PoC. They know that white people only find Black led films palatable if there’s a BLATANT NEED OR REASON that the lead/cast is Black.

That is why, due to white racism, Hollywood is only comfortable telling one kind of story of Blackness (and stereotypical stories about other PoC). So they’ll acknowledge films about slavery (usually as long as there’s one white savior), they’ll allow comedic films about Black folks, they’ll allow films about Black sports legends, etc. because they know that these kinds of images are largely palatable to white people. Occasionally, when a Black actor like Will Smith reaches mainstream appeal (read: white people no longer see them as “just Black”),  they’ll let him be the hero in a Blockbuster or two (Independence Day, Men in Black, etc) as long as he’s accompanied by enough white people to make the white audience feel comfortable.

White women have lead movies in all genres because they are white, not because Hollywood is taking “baby steps! :)” to becoming more racially inclusive. It is in furtherance of whiteness and white supremacy that white women are chosen to lead instead of PoC. Implicit in the argument that white women “need to go first” is the reality that whiteness is privileged. Continuing to privilege that whiteness is never going to lead to acceptance of PoC, especially not WoC, because widening the scope of which white people can access the privileges usually afforded to cishet white men will never lead to inclusion of WoC, least of all, Black women. Hierarchies need someone at the bottom.

This is especially obvious when white women are given roles based on characters or real women who are not white (Katniss, Tiger Lily, Angelina Jolie in blackface as Mariane Pearl in A Mighty Heart, etc).

Hollywood is built on continuing to sell white people the fantasy of them being heroic protagonists with sidekicks of color, and if they can’t be the protagonist, they must be the white savior. These stories are the ones white people time and time again will pay to see.

When you understand all of this, it is clear that progress isn’t going to come because Black people and other PoC support white lady led films. That idea is frankly laughable. Hollywood has been making lily white films since the dawn of film without any concern as to whether Black people and other PoC will pay to see them.

Change will only come when white folks show that they will support films led by WoC and other PoC as more than tokens following/supporting the white dude/lady protagonist. And these WoC need to visibly be of color–these white passing women getting leading roles are just further example of how whiteness is what is truly at work here, not just money.

There’s a reason why Black folks have a whole host of Black led movies we can reference and laugh about together that we saw in theaters and that made money that white people don’t know the first thing about: because white people by and large do not support films with black/other poc leads/casts.

So, instead of all these White Feminists ™ telling Black women and other WoC that we need to hand over our cash to support yet another white lady lead in hopes that we might one day get a WoC lead, white people need to demonstrate that they will support a WoC lead.  Get on Twitter and Facebook and ask these studios why they cast yet another white lady. Spend your white money on a film with a Black/other PoC lead/cast. Stop spending your money on these typical white male hero movies. Stop patting Hollywood on the back for doing the most basic shit and stop praising them for only spotlighting white women as if it’s opening the door for anything other than more white women.

In short, Black women and other PoC not supporting white lady led films is not the problem. The problem is white people not supporting WoC and other PoC led films. We are not the problem. You are.

Yeah, this is all bumming me out, so I know its probably bumming you out too. So here, have a Spidercat!
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Weekend Reading Assignments

Here I am, providing you guys with some enjoyable, and enlightening, reading material for the weekend. This should tide you over, until I make a post about something a little more substantial, Monday.

 

*This post is about one of my favorite action series, John Wick, and how it compares to the action films of the 80s.

At one point or another, every major movie site gets around to detailing  the collapse of the modern action movie star. Gone are the bulked up action stars of the eighties who could sell a fight sequence just by looking the part of a demi-god. Gone too are the slow-motion gunfights and myriad of squibs that contemporized the gunfight. In an era where the studio is the star and special effects are limited only by the imagination of those coding them, there isn’t a lot of room for standouts and signature styles.

From: https://wordpress.com/post/tvgeekingout.wordpress.com/57342

Continue reading “Weekend Reading Assignments”