Let’s Go Waaaay Back

Now and Again (1999-2000)

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I remember this show aired for one magnificent season, waay back in the 90s, before its very abrupt cancellation. I was totally in love with this show and it was my first huge disappointment in standard network TV. This was a little while before Firefly ever happened. At the time we didn’t have the vast internet systems in place to save worthy shows, so while there was a bit of an uproar, the show didn’t have that vast following of teens and twenty year-olds, with social media accounts, because this was before Twitter, Facebook, and Tumblr.

Interestingly enough, the show also has a 100% rating on Rotten Tomatoes, so somebody’s heard of it, and been watching it. I do know that several of the episodes are available on Youtube, so check them out.

The first episode stars John Goodman, as Michael Wiseman (get it?) as a tired businessman, who gets killed on the NY subway one night, leaving behind a wife and daughter, played by Margaret Colin, and Heather Matarazzo. He’s given a brand new bionic body (sort of like Steve Rogers) in the person of Eric Close. He is now an asset of the US government, his handler played by Dennis Haysbert.

The show ended on a cliffhanger, as it was abruptly (and by abrupt, I mean absolutely no fucking warning at all) canceled, after Michael Wiseman had, illegally,  teamed back up with his wife and daughter, and would have been on the run from the US government. Its been twenty years, and I still feel some type of way about getting burned like that. I learned a valuable lesson from that, and to this day, I keep my distance from most of network TV.

I was initially interested in the show solely because of the song from the trailer. A couple of years earlier, Janet Jackson had a hit song, using the same melody that was used in the trailer, and since I loved that song (I played the hell out of that song all year), I loved the show, and I made sure to tune in to watch the opening credits, since I didn’t have a DVR back then. The opening credits are gorgeous and I think the lyrics were specially written for the show.

The best parts of the show are the dialogue, and acting, although the plots were ridiculous. It doesn’t hurt that Eric Close is a fine looking White man, and Haysbert is just icing. Somewhere somebody is shipping these two characters. I just know it! The weakest part of the show are the uneven characterizations of some of the characters, and the occasional weird plot points, that raised more questions than were answered.

I loved the show for the interaction between the characters. Haysbert’s Dr. Morris, and Michael, had the most interesting and volatile relationship, as Morris, the head of the program that created Michael, was alternately threatening and very protective of his subject. He tried desperately to keep a tight rein on Michael, but Michael insisted on interacting with his past friends and family. The Wiseman ladies are the real heart of the show, especially Margaret’s Lisa Wiseman. Colin had to carry a lot of the episodes, sometimes entirely on her own.We spent a lot of time with her, and her relationships with all the other characters is key to the mood of the show.

There’s something about all these shows that aired before Buffy that is incredibly shippable, often consisting of two handsome men, of any race, and usually  opposite  personality types, who got on, either very well together, or not so well, but with great chemistry. The two men usually spent a lot of time together, often living with each other, so that a certain level of intimacy was expected. For some reason this happened in a lot of  the less well known SciFi /Horror type shows, and this show was no exception. At any rate, you cannot convince me that at least some of these shows weren’t trying to have LGBTQ representation, in a kind of low key manner, during an era where Gay and Lesbian characters were  forbidden to be out on mainstream TV.

It was the abrupt cancellation of this show that made me start examining the making of TV shows, and start looking closer at which shows got made, which ones, got renewed, and which ones got popular, and why. I also never fully trusted the Fox network ever again, so by the time that shows like  Firefly and Sleepy Hollow were getting  canceled, I was mostly calm about it, while for other people, this was their first time getting burned by that network.

 

The Others (2000-2000)

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I’ve been looking for this series forever, having only memories of the basic plot. I remember that I liked the show, but I couldn’t remember the names of the characters, or the dates it aired, or even the title. Well, I went on an all out search recently (I really just googled the plot and linked it to IMDB) and finally stumbled across the title.

The Others is about a small group of psychic individuals that get brought together to fight some nebulous evil that eventually takes human form, and approaches them in the form of a red-eyed woman, who confronts them with their worst fears and insecurities.

The group consists of a young girl just coming into her psychic abilities, played by Julianne Nicholson, an older gentlemen, who tries to be her mentor and teacher, as he’s an old hand at interpreting psychic phenomena, played by Bill Cobbs, a handsome standup looking guy, with formidable mental powers of his own, played by Gabriel Macht, Kevin J O’Connor plays the groups resident unstable flake, and a pretty young thing played by Missy Crider, who is the only character whose name I remember, Satori. The group, which most of the time acts as a kind of support group for psychics, is led by John “Neelix” Billingsley, who, I don’t believe, had any mental powers, at all.

I clearly remember liking this show, and I was fortunate enough to find all the episodes on Youtube. The show only aired in the year 2000,  lasted for 13 episodes, and then it was quickly forgotten.

*Sigh* I seem to remember a lot of forgotten shows.

 

Wild Wild West (1965-1969)

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The Wild Wild West is another show that originally aired before I was born, from 1965 to 1969, but that didn’t stop me from watching the re-runs of the show when it aired on weekend afternoons during the 70’s. I told you about how I used to watch Westerns with my Mom, like Bonanza. This wasn’t a show she watched, but I was inspired to watch it, because I liked TV westerns, and by the time I started watching it, I was into my SciFi phase, and this show had gadgets, (and funky theme music), like Lost in Space.

It starred the very handsome, Robert Conrad as Jim West, and his smarter and less handsome partner, Artemis Gordon, played by Ross Martin. It also starred the little person, Michael Dunn, as the villain Dr. Loveless. For me, one of the highlights of the show was the technology and gadgets created by Gordon and Loveless. Jim West had clearly been modeled after James Kirk, because his job was to finesse his way out of the various traps created by the show’s villains, and romance various female characters, who showed up to distract him from his job.

In hindsight, this show is clearly in the  Steampunk genre, and yet another one of those eminently slashable shows where all of the proper elements were there but, for some reason, the show didn’t get the Spock/Kirk treatment. You’ve got two handsome White guys living together, and  a merry go round of female characters, who have no intention of ever becoming permanent, but something about this formula was just a little bit off, possibly the show’s timing in the aftermath of the cancellation of Star Trek, and the show never really took off, even though it lasted four years.

I do remember that though Loveless was the villain, none of the things he did was ever alluded to his size, and for some reason that stuck with me. He wasn’t a villain because he was  a dwarf. He was just a man  who kept coming up with  nefarious plans that Jim West kept getting in the way of.

 

 

Millenium (1996-1999)

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Chris Carter isn’t only known for having created the X-Files. He created a couple more shows that were X-Files related in the sense there was a thematic dialogue between all of them about paranoia, state cover-ups, and government conspiracies. Millennium was more along the detective show spectrum and aired during the end run of the X-Files, when Carter’s star had reached its highest point.

Millennium aired in 1996 and lasted for three years. It featured one of my all-time favorite actors Lance Henriksen of Aliens fame, as a forensic profiler, with an uncanny ability to suss out paranormal conspiracies and serial killers. This uncanny ability is presented as the ability to see though the eyes of serial killers. He was retired from the FBI and worked as a consultant for his friend, played by Terry O’Quinn, who worked in the local police department. He had a beautiful wife, and a maybe psychic daughter, named Morgan.

I remember watching the show ,and I even liked a few episodes. I was mildly upset at its cancellation, but I wasn’t too put out, as the show really had run its course, and there were times when the show was a little too grim, and dark, and gloom-filled. Since it was something of an offshoot of the X-Files, this was to be expected. America was going through a specifically angst filled moment.  Some shows are only meant to run for a specific length of time, and then stop, and it was clear that in the third season the show was trying to figure out what to do with itself.

I think one of the shows biggest drawbacks was the acting of the side characters. Henriksen’s acting  was okay, but his wife and daughter were especially cringeworthy. Everyone on the show was deeply, deeply, serious, and dedicated to never smiling about anything. Also, that whole angst filled era, in the 90s, of dark conspiracies and government cover-up-itis, was starting to wind itself up, and seem less urgent. Millennium is one of those shows that, unless you were a huge fan of the X-Files, you didn’t even know existed, or you forgot about, the moment the show was canceled.

The most memorable moments for me was a brief crossover with the X-Files ,and the show opening credits which were suitably creepy, and the shows theme song. I have a head full of theme songs from long extinct shows, and this one is at the top somewhere in my mind. The creepiness factor is something that permeated the entire show, and every character interaction, no matter how light hearted the actors tried to be.

Frank’s interactions with his wife and daughter rang false, and a lot of the characters seemed weighted down by the show’s heavy gloom. This is not a show that was ever going to last. I think audiences just eventually got tired of that level of grim and gave up on it. I gave up in the second season, only tuning in to catch the occasional episode that hinted at Frank’s daughters psychic abilities.

Frank’s denial of his abilities, by the way, were the only funny highlight in the show, as he kept insisting to people that he was not psychic. In fact, I do wonder if the creators of Hannibal the TV series borrowed heavily from this show. Frank’s abilities were never illustrated,  so I’m not sure how they worked. It was only shown that he had a strange ability to encounter killers, which he did in nearly every episode of the first season. By the second season, the conspiracy stuff starting creeping in, and by then I think the audience had simply had enough of Carter’s doom and gloom. That doesn’t mean it was a bad show. It’s definitely worth watching, but  maybe not a weekend binge-watch. Small doses is  the key here.

 

Brimstone (1998-1999)

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This show had one season and during that time made quite an impression on its fans despite its low ratings. People loved the show, and wanted more of it, but there just weren’t enough of us watching it. Satan walking around and interacting with people is clearly a very popular concept, or we wouldn’t have shows like Lucifer or Sherlock, and if this show had aired anytime in the past ten years, especially during our current social media boom, it would have taken off like a rocket.

The show’s major claim to fame was its secondary star, John Glover, who was a really hot actor in the 90s, and who played a very laidback and snarky Lucifer. The lead character was played by Peter Horton as Ezekiel Stone, a cop who ended up in Hell for killing the man who murdered his wife. When 100+ evil souls somehow manage to escape from Hell, Zeke gets suckered into hunting all of them down, in exchange for a second chance at life on Earth, and the potential of getting into Heaven. The Devil is powerless on Earth, but seemingly has no problem harassing Zeke at every opportunity, and watching Zeke grow ever more irritable, and flustered, at his interference, especially since he and the viewers are the only ones who can see him. The two of them had great chemistry, and watching their interactions is  really the best part of the show. Plus its always fun to see John Glover just be snarky. It wasn’t always snark though as the two of them would have some fairly deep discussions about Heaven, Hell, Good and Evil.

Every week Zeke would hunt down some new bad buy, the most memorable of which was the soul of the man he killed, just before the series end. There were a handful of complaints  read on a few message boards about how he was only hunting evil men, most of whom had been serial killers in the world, and some viewers wondered if there were not  female serial killers. Well the writers had to have thought of it because later in the season there was an evil female who, according to my memory of these events ,was eiter a Bonnie and Clyde type character, or some form of a Typhoid Mary. Let me look it up…

Okay, there were several women souls that were hunted and returned to Hell. One of them was a partner in a Bonnie and Clyde type situation, and the other was a Typhoid Mary type, who caused diseases and pestilence. There was also a young French girl who killed the men who raped her in 1458.

That’s another thing. The souls spanned all of history. I particularly remember Richard Brooks being in an episode as a Roman soldier, and some of the souls had backgrounds that were not dissimilar to Zeke’s, in that they were sympathetic, and did not believed that they belonged in Hell because they were righting some wrong that had been done to them, like the French girl. And there were some who were just evil.

At any rate someone put a lot of thought, not just into the interaction between Zeke and the Devil, but into the creation of these one time character’s backstories, and I thought that was pretty cool, as I wasn’t expecting that. I expected the characters to just be one thing. I didn’t expect to care about any of them. If any show that’s ever been on TV is rife for a remake, or re imagining, its this one, but as I said, it may already have been done in the show Lucifer, which also mixes crime investigation and detectives, with the Devil.

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Daenerys Was Always Bad

In the past few days since the last episode of Game of Thrones there has been much discussion/fighting by fans of the show about Daenerys Targaryen. I’m not going to go over that entire character’s history here because her history is explained in the articles I’m going to link to, but suffice to say, I do agree with them.

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Daenerys has always been a bad actor, and I have never trusted the things that came out of her mouth about what she was trying to do. Then again, unlike some people who were set on her being the good guy in this show, I’ve been looking at her actions, and not listening to her spoken intentions. Daenerys has always been a tyrant, who rules through fear and punishment. The only difference between her and Cersei was Cersei was upfront abut what she was, and never hid it. Technically, Dany was upfront about herself too, but her fans, who are claiming that her actions this past episode came out of left field, and are a complete turn of personality for her, just didn’t want to see it.

Now, there is an argument to be made for the sloppiness of the writing this season, as the show runners rushed through the making of this season so fast, that they left all manner of incongruities all over the set, like modern day coffee cups,  in one scene with Dany. The writing of Dany this season was definitely  hamfisted, and over the top, but its still consistent with her character.

I speculated on Tumblr about how so many of her fans dismissed Dany’s evil  because they were taken in by her being a conventionally pretty White woman, with long blonde hair. There is precedent for such attitudes about her, since pretty White women have always gotten the benefit of the doubt in American culture. The people who follow her, want, and need, to believe in her goodness and innocence. I used the example of the actress from the movie Get Out. She says she still has people who approach her who want to make excuses for her character being complicit in her family’s evil activities. She has to  tell them that her character was not innocent, and was in fact, evil the entire time, but they don’t want to hear that, wishing instead to believe that character was coerced somehow, thereby maintaining her innocence.

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https://afropunk.com/2017/04/how-the-narrative-around-white-womens-innocence-taught-me-to-let-them-get-away-with-violence/

Dany was bad the entire time. Her actions are NOT new and were unsurprising to me, and a lot of other people. Her actions were only a surprise to people who had been as delusional as she was, about her innocence.

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https://www.rollingstone.com/tv/tv-reviews/game-of-thrones-review-bells-sepinwall-834528/

Dany’s descent into genocidal madness didn’t exactly come out of nowhere. Throughout her travels across Essos, her preferred solution to problems was to burn them and all the people associated with them. She’s impetuous, narcissistic and one of the last members of a bloodline with a history of doing things exactly like what she did to King’s Landing. 

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40 Times ‘Game of Thrones’ Foreshadowed Daenerys’ Mad Queen Transformation

https://www.inverse.com/article/55831-why-did-daenerys-burn-kings-landing-game-of-thrones-season-8-dany-mad-queen-foreshadowing-40-examples

38) In Season 2 Episode 4, Dany decrees, “When my dragons are grown… we will lay waste to armies and burn cities to the ground.”

Sounds about right.

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And from Medium.Com:

Daenerys Targaryen Acts In Character

There are a lot of complaints about last night’s episode of Game of Thrones, titled “The Bells.” The primary complaint seems to be that Daenerys suddenly becomes the “Mad Queen” when she torches everyone — citizen and soldier alike — in King’s Landing. Practically everyone has come to believe that Dany was going to be a benevolent dictator, an enlightened despot — but what I saw last night was completely consistent with what Dany has done for all eight seasons.

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The Breaker of Chains Is a Narcissist, Not a Hero

Mark Ptak

It’s notable that for all her talk about “breaking the wheel”, there was never any subsequent talk about what that would mean. Many believed the show would end with self rule for the people, and that they might play a part in an uprising against Cersei — that, like in our world, feudal monarchy and god-given birthrights would be supplanted with democracy. Never was that even considered for the former slaves she freed. And as far as we can tell, Dany’s idea of breaking the wheel in Westeros simply means the same thing it did in Essos — that she’ll be the one to control which way it turns. A benevolent dictator is, after all, still a dictator.

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This post is about how viewers have always given Dany a pass on her behavior because the people she was killing were seen as bad people who deserved to be brutally murdered by her. They were able to make excuses for her brutality because her killing them  was framed as ridding the world of evil. And where before have we heard that kind of rhetoric?

A (probably) unpopular Game of Thrones opinion …

When Daenerys Targaryen rose from nothing to be a queen in the East, many people cheered. We saw the character suffer brutally at the hands of men, including her own brother. When we saw her exact revenge, over and over, on people who wronged and betrayed her, it was easy to root for her. She had good intentions, she was a decent young girl who suffered, and the people she fought against were evil. They were rapists, they were slave masters, they were murderers. When her evil brother, who had threatened to stab her in the belly, was brutally murdered in front of her eyes, we understood why she was so cold in that moment. Viserys deserved it. We agreed with her.

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This post speaks specifically about how Game of Thrones is not a happy ending type of show and never has been. That is has almost always been about the Stark family family attempting to survive theirs and others worst impulses. It also explains in detail why Daenerys made the decisions she made in the penultimate episode.

The Trauma of Daenerys Targaryen

As the show crashes towards its tragic conclusion, I notice more and more outrage about where the story is going. The notion that characters are making bad decisions, or that their hallowed “character development” has somehow been betrayed. And if this were a Marvel superhero movie following the trope of heroism, I might agree. But it’s not.

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Here’s the problem in believing that Dany was a good person after freeing the slaves. Dany rules them now. They simply  live under one tyrannical leader, instead of many masters, and are not any  different from the population of King’s Landing in that way. Dany never actually freed them.

Breaker of Chains, Mother of Dragons, Torcher of Innocents

 

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I often wonder if some people are watching the same show as everybody else. A lot of people are “big mad” over Dany’s characterization in the last episode, and I do ask why are they so surprised, and is it really just that they’re just so horrified by what she’s done. This was never the “Dany the Hero” show, with a happy ending, where she gets to sit on the Iron Throne.

The Mad Queen Was Always Inevitable

These fans are, simply put, wrong. Daenerys’s character arc has landed right where you should have expected it to if you spent the last decade watching the show. To quote by far the worst character ever on the show — “If you think this has a happy ending, you haven’t been paying attention”. 

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But Then There Is This

I actually have seen a bit of this on Tumblr. people who heavily identified with Dany’s  character feeling betrayed because, for their own deeply personal reasons, they needed her to be The One, as trauma victims themselves, they were watching this show through a very different lens than a more casual viewer, like me.

Game of Thrones Daenerys fan fury, explained by a clinical psychologist

https://www.cnet.com/news/game-of-thrones-episode-5-daenerys-fan-fury-explained-by-psychologist-janina-scarlet/

Clinical psychologist Janina Scarlet says Game of Thrones has functioned as a kind of refuge for trauma survivors who were able to feel and establish a sense of connection with characters who endured suffering from physical disfigurement to the loss of multiple loved ones. 

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And Finally:

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Whats going to happen in the next episode, and is Arya going be the one to destroy Dany? I don’t know if that will happen, but there is a lot of foreshadowing that points to it.

Has Arya Added a New Name to Her List?

https://www.theringer.com/game-of-thrones/2019/5/13/18617922/game-of-thrones-arya-daenerys-kill-list

Melisandre did portend that Arya would shut brown eyes, blue eyes, and green eyes. Walder Frey and the Night King fill the first two categories of that prophecy. Some fans previously believed the green eyes Melisandre spoke about belonged to Littlefinger, who has green eyes in the books, but it now seems more likely that she was referring to Dany. 

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I’m probably one of the few people who is not angry about what happened in episode five. I’m horrified at what I watched, but not angry, probably because I’m not as emotionally invested in the show, in the same way, as a lot of other people. I like the show, despite its many, many, issues, and I really liked quite a few of the characters, and it had zombies! but I’m not super-invested in who is going to sit on the Iron Throne, and since I didn’t particularly care about that, I was able  to sit back and see Dany’s weaknesses, the same way I saw the weaknesses of all the other characters. I’ve always been horrified by her behavior, she was never my “hero”, and she never endeared herself to me. In my mind, she was always a delusional narcissist, and last weeks episode was just confirmation of that fact.

Oh, and while we’ve all been paying close attention to Dany, it may turn out that the person we were supposed to be watching, the entire time, was Arya, who has experienced just as much trauma as any other woman on the show, and the entire show may turn out to be about Arya’s journey.

Since next week is the series finale, I’m going to talk about it , because everyone else will, and I will probably have some thoughts about it, too.

 

 

 

 

 

 

 

Thoughts for the Weekend

 

The Media

This article talks about why one of the reasons people think the world is  going to hell. It is the prevalence of negative news. The very nature of the news, the tagline being, “If it bleeds, it leads.” accounts for the greater and greater amounts of negativity we see in the news. Each story has to be sensational, outrageous, and/or gory.

A couple of years ago, my habit, like thousands of other people, was to get up each morning, and turn on the news. I stopped doing that. When I get up in the morning now, I watch something light and fun, that doesn’t require too much thought, like a comedy I recorded the night before, or favorite episodes of old shows. I’ve found that I feel more positive throughout the day, I’m less angry, I’m nicer to my co-workers, and generally more cheerful, at the start of the day, than when I watched the news.

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The media exaggerates negative news.

https://www.theguardian.com/commentisfree/2018/feb/17/steven-pinker-media-negative-news

Whether or not the world really is getting worse, the nature of news will interact with the nature of cognition to make us think that it is.

News is about things that happen, not things that don’t happen. We never see a journalist saying to the camera, “I’m reporting live from a country where a war has not broken out”— or a city that has not been bombed, or a school that has not been shot up. 

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Game of Thrones

If you do nothing else this season of Game of Thrones, you have to read the weekly rundown of the show, by the fans at The Root. Even if you hate the show, don’t watch the show, or know nothing about the show, you should read them anyway because they are, hands down, some of the funniest reviews of anything on the internet. At this point, reading the weekly review becomes part of the show. For those of you with real stamina, you can try reading the show’s live tweet on Black Twitter.

I am always amazed that so many Black people love this show, including many non-geeks. It took me years to really get into it, because I just wasn’t interested. I followed the show off and on for the first three seasons, but didn’t become any kind of fan until season five, after the episode Hardhome, which I understand was the turning point for a lot of people.  Last weekend was the culmination of that particular episode, so there are plenty of spoilers in the post.

I want to point out that Arya Stark is one of my all-time favorite characters on the show, and has been my go-to Baby Badass since season five.

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Arya Stark Forces Night King to Drop Out of Presidential Race

Although he has not issued a formal statement, representatives for Walker—also known as the Night King—confirmed that the blue-eyed devil will not take part in the upcoming primaries, citing the fact that he had lost support among a key group of supporters—namely, the Arya Stark demographic.

 

#NotToday: The Night King nor Kim Kardashian Could Stop Us From Keeping Up With The Battle of Winterfell

With five or six tea lights lighting the battle scene on our screens, The Red Woman came and did what the fuck she had to do and said let there be light and lit the field with fire. Too bad the fire didn’t do shit for our screens our Daenerys’ vision from the sky.

 

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 Robot Fear

This is a very interesting article about how Western nations view robots vs. how cultures in the East view them. The Japanese, for example, have a very different attitude towards robots than Americans. The article credits part of that to the Western attitudes towards systems of chattel slavery. The East had slaves, but the systems there were not set up the same here, or perpetuated throughout that country’s other institutions, either.

I also think part of the issue is not just our attitudes about the treatment of slaves, but the Western religious ideas behind them, and the idea of karmic retribution that has attached itself to those ideas. We need to add decades of movie and TV narratives in which robot slaves turned on their owners. I wrote before about how a lot of futuristic fiction involves imagining what White people have done to other cultures, happening to White people, usually by beings once held in bondage, like robots. The term “robot” was invented in the West, and violent retribution by them, is one of its earliest Pop culture themes, as in the 1927 Metropolis.

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WHY WESTERNERS FEAR ROBOTS AND THE JAPANESE DO NOT

https://www.wired.com/story/ideas-joi-ito-robot-overlords/

It’s not that Westerners haven’t had their fair share of friendly robots like R2-D2 and Rosie, the Jetsons’ robot maid. But compared to the Japanese, the Western world is warier of robots. I think the difference has something to do with our different religious contexts, as well as historical differences with respect to industrial-scale slavery.

 

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Yarn Industry Diversity

Here’s a short list of Knitting designers, and Dyers of Color in the industry.

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Black Yarn Dyers and the case for Purposeful Support

https://theyarnmission.com/black-yarn-dyers-and-the-case-for-purposeful-support/

It’s not about tokenism.” Rather, we insist that folks support artists simply because they are Black. Especially for their Blackness we recognize that for so many it would mean “in spite of their Blackness.” This is what pro-Black looks like to us since we are working towards a liberation in the face of rampant, engrained, and internalized anti-Blackness. 

 

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Comedy

I’m still not over Nanette, which is still airing on Netflix. It just floored me. I’m guessing it floored a lot of people, since so many wrote think pieces about it. I do believe Hannah Gadsby is the future of comedy, while people like Bill Maher, Jerry Seinfeld, and Louis C K, are comedy’s past. I noticed that when women do comedy, (any marginalized people, really), they are as as liable to cause tears as much as laughter. The only male comedian I’ve ever seen who captures that particular vibe is Patton Oswalt, in his stand-up, Annihilation, )where he talks about the death of his wife).

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Bill Maher Is Stand-up Comedy’s Past. Hannah Gadsby Represents Its Future.

https://www.vulture.com/2018/07/bill-maher-hannah-gadsby-stand-up-comedy.html

Nanette is also a deconstruction of stand-up specials, as well as several generations’ worth of straight male–crafted opinions on what “good comedy” is and what “great art” is. Gadsby poses a question which, if answered affirmatively, would validate her stated wish to quit doing stand-up: What if “funny” is the enemy of “honest,” or at least at cross-purposes with it?

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Reverse Racism Claims

Recently Jordan Peele came into the cross hairs of the White Bigot League, when he stated that he wasn’t looking to hire White men for any of his lead roles, as that had all been done before, and he wants to try something different. I think this article perfectly captures all my thoughts on this issue.

For the record, he never said he wouldn’t  cast any White people in his movies. What he said was he wasn’t going to cast them in the lead roles.

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There’s Nothing Wrong With Jordan Peele Not Wanting to Cast White Male Leads

https://www.thewrap.com/jordan-peele-no-white-male-leads-nothing-wrong/

But racism becomes a social disease when it systematically and systemically places one race at the top of a hierarchy at the expense of other races. That is why the N-word stings so much more than any word blacks ever coined to denigrate white people. It’s why blackface hurts in a way that whiteface doesn’t. There are centuries of brutal history to back up the sting.

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Black Romance

I thought this article was especially interesting. I do not read Romance novels, as a general rule but I used to have a disdain for them. At some point, I realized my disdain was contributing to an atmosphere in Pop culture that devalues the interests of women, and if the hobbies and interests of women aren’t considered important, then imagine how denigrated Black women’s interests must be.

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Fifty shades of white: the long fight against racism in romance novels

https://www.theguardian.com/books/2019/apr/04/fifty-shades-of-white-romance-novels-racism-ritas-rwa?src=longreads

Some booksellers continued to shelve black romances separately from white romances, on special African American shelves. Accepted industry wisdom told black authors that putting black couples on their covers could hurt sales, and that they should replace them with images of jewellery, or lawn chairs, or flowers. Other authors of colour had struggled to get representation within the genre at all.

 

 

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US

I promise this is the last article I’m going to post about this movie. Its just fascinating how much (and how many) meanings people are finding in this movie.

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https://www.hollywoodreporter.com/heat-vision/us-movies-hidden-meaning-black-identity-explained-1196687

Jordan Peele may have crafted the first horror movie to truly dismantle the MAGA era and how African Americans fit into it.

 

 

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Poverty

Hollywood has crafted a lot about how we think of the world, its situations, and the people around us. I think many of us would be surprised at how much of our “knowledge” of the world comes from movies.

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Perpetuating the poverty myth: How Hollywood gives us the wrong ideas about poor people

https://www.yahoo.com/entertainment/perpetuating-poverty-myth-hollywood-gives-us-wrong-ideas-poor-people-210440365.html

Pimpare believes that at this time of deep divisions in America, movies that accurately portray modern-day poverty are more important than ever. “We are geographically so segregated, racially segregated, and we are very much economically segregated — so it may be that for growing numbers of people, the only opportunities they have to gain insight into lives of poor and low-income people are through mass media,” 

 

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Representation Matters

Yahp!

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https://the-orbit.net/progpub/2018/12/26/representation-matters/

For myself and many African-American moviegoers, one film has stood out from the rest. Not because the others listed (or those absent) are sub-par movies, but rather, because the Black Panther was the kind of movie we have long thirsted for. The first Black superhero of Marvel Comics got to headline the first Black superhero movie from Marvel Studios, with a Black director, a predominately Black cast, diverse presentation of Black bodies, an Afrofuturist aesthetic, complex nuanced characters largely devoid of stereotypes, a rich backstory, and a massive budget. A monumental box office hit, the movie shattered record after record on its way to a final global tally of roughly $1.3 billion. 

 

I Said It On Tumblr

I have got to say some things, so sometimes I respond to posts  by people on Tumblr. Sometimes, I simply make my own posts. As you can see, the things I post on Tumblr are a lot more blunt than the things I put on this blog,, which is mostly meant to be geeky about stuff I watch on TV.

So here’s some shit I said while I was on Tumblr, that I was apparently  too chickenshit to post  on this blog!

White Characters During Slavery

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I saw an interview with Danae Gurira, who stated something similar to this, where she said, if you make a movie about Black people, and then add one White person, the audience will focus on the White person, and if you make a movie that’s supposedly about women, and add one male character,  the audience will focus on that one man. So obviously, the thing to do would be remove those characters from the story, so that the audience has no choice but to  focus on who you want them to focus on.

One of the side effects of adding sympathetic White characters to narratives about slavery, (or any story involving Black pain), is that it makes White audiences comfortable with viewing Black pain at a remove. As long as there are White characters in the story that White audiences can identify with, then they can remove themselves from the (historical) causation of Black misery, and just view that as part of the landscape of the story. Instead of focusing on the idea that “White people were responsible for causing this pain.” , they will focus instead on, “I would never have been a part of that, just like that guy.” or, “There were good White people back then and I would have been one of those.”

In fact, I highly suspect the reason why so many White creators have written Slave narratives is that its a low key excuse to hurt Black people, show Black pain, and express their latent racial resentment. It makes Black pain and horror part of the “entertainment” of viewing historical narratives, while Black audiences have no such outlet. Outside of being mildly informative, (and occasionally highly misinformative), it’s not cathartic for us to watch these stories. We feel the pain being inflicted on Black characters, who are suffering, with no reprieve for us in the story, because that’s who we are meant to identify with.

White creators can punish Black people within the story, and harm Black audiences who view that pain, as well.

I’m proposing a moratorium on Slave narratives being told through a White lens, because White creators have not only done a piss poor job of the accurate depiction of what slavery was like, but have done an excellent job of inflicting trauma on Black audiences, while making White audiences feel good about themselves.

I’ve made myself this promise, at least. I will not watch anymore movies where the story is nothing more than depictions of Black pain, and misery, with no emotional outlet.

 

Earlier I said this:

I can see the parallels to this in a lot of marginalized groups depictions in popular media. Before this new era,  white, straight audiences wanted to see groups of other non-white people suffering, and they flocked to that kind of drama. We went  too, because, for us, it was representation, and for white people it was the tragic  drama of a life they will never live, and the affirmation that they were living correctly.

But now I see PoC and LGBTQ people wanting to see different depictions of themselves, in media, that go beyond merely suffering. We want images of ourselves being happy, and being in love, and being loved, and accepted. We want power images, and adventure images too.

Those previous depictions of marginalized people as sufferers of indignity had their place, (and sometimes still do), but now, this is a different generation, a different era, with new audiences that are demanding media that is a reflection of how far we’ve come ,rather than a mournful reliving of the past, or the wish fulfillment of straight white men that think they anyone who isnt them, should be suffering.

 

Racism In The Knitting Community

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This answer was a response to an article about how the knitting community is dealing with racism, and the dismissal by some members of the community of its importance. The attitude was why can’t we just knit, and forget about  this stuff, and my response was, it’s easy to say that, when they don’t have to worry about it.

The reason why we have to deal with this now is because white people don’t stop acting like racists just because they’ve taken up a hobby. A person doesn’t stop treating other human beings like crap because they enjoy an activity, and white people take racism, and discrimination with them everywhere.

BIPOC can’t ever just enjoy an activity, especially if white people are heavily involved in it. Just because you don’t have to deal with it in your personal life doesn’t mean it’s not important to the people to which this keeps happening.

We’re not letting our insecurities stop us from succeeding. What’s stopping us from making progress as designers, yarn dyers, shop owners, etc, is white racist attitudes at the idea that we don’t/ can’t share hobbies with them, and then the dismissal by white people, of our lived experiences, as not being important, because THEY don’t experience it.

Instead of opening your mouth about things you don’t experience, so therefore  think it’s not important, you need to go to Instagram and read the testimonials of BIPOC experiences in the community. All it takes is a handful of white people to make the entire experience a living hell for someone who wants to simply love a hobby as much as you do!

And it’s not just personal experiences either. How many designers of color can you name off the top of your head? Do you ever see any knitters of color anywhere just in passing ? How many knitting books have no PoC in them as models? How many have you bought any products from in the past year?

Honestly it’s very disappointing, and entirely in keeping with the article too, that all these people would go into the comments to dismiss what we go through, and tell us to just get over it!

Why am I not surprised?

 

 

Cyberpunk Revolution in Film

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For some reason, I felt prompted to speak on the concept of the Lone Agitator in Pop Culture/SciFi.  I forget what inspired me to write this, but I think I had in mind the many Futuristic and  Dystopiam movies that revolve around the lone White hero, who starts a rebellion.

Since so much of Hollywood is run by white men, the futures they often imagine, and put on screen, are often reflections of their lived experiences, which they don’t notice, or refuse to acknowledge.

Like the depiction of revolutionary futures in cyberpunk movies. Too often white imaginaries see revolutions as movements led by a strong leader, often a man, but sometimes a white woman. They rarely imagine rebelling against systems of futuristic oppression through unionized or collective grassroots action, through the use of social media, and this is because many of the men writing such stories have had no experiences with that type of action in their own lives. They are mostly likely to think of rebellion in lone rebel/hacker terms. For example, only one person (a young white person) is in charge of whatever decisions needed to fight against a system of capitalist oppression.

Even in cases which depict groups of people coming together, those groups only do so at the urging of one strong leader, who rallies everyone to action. Such future rebellions are almost never depicted the way they often look in the real world, which is decentralized, with no clear leader, and is often just a group of people who all believe something, and all decide to meet up somewhere at sometime, place phone calls, or donate money.

We can see this in the difference between how marginalized people organize to address social and corporate oppression, and how white men address what they believe to be oppression of themselves. With only a handful of exceptions, they rarely come together in unionized collective action to bring about the change they want, preferring instead to go it alone, believing their individual actions to be of primary importance, for example, witness the many “lone wolves” engaging in terrorist actions. Even in cases where white men collectively organize their organizing can still be disrupted by lone actors, as it was in Charlottesville. Most terroristic actions, the bombings, the shootings, are carried out by loners who believe they’re fighting against white male oppression and believe that violence is the only way for such change to occur.

White male rebellion against something they disagree with often looks very different from the revolutionary behavior of marginalized people, which is often non-violent (and when it does become violent, the violence is often against property rather than people). Instead of group actions, they would rather engage in individual activities, like harassment, deception, and misinformation, and when that doesn’t work, violence against people seems to be their next and only option.

This is depicted, at least  in movies, as violence against their oppressors, when in real life, grassroots, feet on the ground, rallying, marching and rebellion is most often completely nonviolent, and a carefully coordinated group action, often reached by consensus. (“Hey, let’s meet here and do______, for _________.”) But lone wolves don’t need to to reach consensus with anyone. They can skip all that and go to direct (and often violent) action, thereby retaining autonomy as individuals, without having to compromise their behavior or beliefs. (This isn’t a hard and fast rule, just a tendency.) Far too much of White men’s ideas about activism consist of causing harm to others, and its also how they classify real life activism against themselves.

The white men who make the rebellion movies we love to watch often do not depict marginalized people (beyond white women) in leadership type roles, for such, and the futuristic stories they tell about it, do not accurately depict how grassroots organizations actually work, because many of them have absolutely no experience with such activities. Most of them have never had to rally for or against something. It is one of many things Hollywood creators depicts inaccurately because the people controlling the industry do not have a window into different kinds of life experiences, and overwhelming come from the same racial, and socio-economic class.

 

 

White Negligence

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I know exactly what prompted me to write this one. I was feeling seriously pissed off about the mainstream media’s reaction to the Opioid Crisis vs. their reaction to the Crack Epidemic, (and before that, the Heroin Epidemic), in Black communities. But what made me especially angry, was just the sheer fucking waste of time and energy spent by White people on making themselves feel good by pointing out how it was our fault, (because we’re pathological), instead of putting structures in place to fix the problem. The same structures that would have been in place to help them with their current crisis.

White people have been so damn busy piling all their worst sins onto the backs of black and brown people, and smugly patting themselves on the back for not being like those violent n*gg*rs, and sp*cs, they they have absolutely failed to address any of their own pathologies.

One of the problems with spending all ones time smugly pointing out everyone’s else’s sins, and admonishing them to fix their shit, is one gains the very bad habit of allowing one’s own dysfunctions to grow and fester unimpeded. It’s been several decades of white people acting this way, and now their many, many pathologies are catching up to them, and resulting in their own deaths, while they stand around looking bewildered, and wondering what happened, or why there are no structures in place to help them.

Meanwhile, people of color, who were always being admonished to fix their shit, have been doing the work, and at least acknowledging their issues (as white people are always quick to helpfully point them out to us),  while trying to warn them that things were soon going to catch up to them, sooner or later, because they’ve got some shit they need to take care of, too.

I have observed that PoC are more compassionate and empathetic than any of the White people who have spent the past five decades wagging their fingers at them. PoC have spent a helluva lot of time trying to save them from themselves. Ultimately, it will not be immigrants, Muslims or other PoC who will destroy White people. White people will destroy themselves (as they seem to be bent on  doing so) in a paroxysm of drugs and violence, because they refuse to take care of any of the issues that have plagued their colonization of this country. The problem is that they seem hellbent on taking the rest of us with them.

 

 

Angry White Men

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I think I wrote this after the Kavanaugh hearings, in which we saw a White man have a complete, and total, breakdown-conniption-fit, in a professional setting, on live television. I remember thinking at the time that that must have been really nice, because there’s no way in Hell on Earth I would be able to get away with acting like that, in any business setting. Ever!

In fact, there’s not a woman, or PoC on this planet, who would ever be able to act that way in a public setting, without having the police called on them, or at least being fired from their job. If you think for one moment that what we saw wasn’t White privilege at work, think about acting that way in a job interview, and still getting the job!

The only group of people who have the luxury of screaming in anger and outrage in a public space are White men. Not even White women get that luxury without, (at least), being dismissed as hysterical, and if you’re a Black woman, you can look forward to being demeaned as a ‘hood wench, demonized as an angry black woman, or mocked as a ratchet hoe.

If you’re a Black man, you can look forward to getting arrested, or killed by the police, if you show any sign that you may be thinking about being angry, on even the most justifiable issue, like your own injustice.

So when you see images of white men in suits screaming at other white men in suits, just know that’s something that will be applauded as manly by other White men.

 

 

 

White Surprise

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I think what prompted this was testimonies from various White people evincing  surprise, at certain other White people, who are always calling the police on Black and Brown people, for living while having color. It really wasn’t that long ago that White people could do whatever they felt like doing to anybody Black, in any public space, without any pushback or repercussions.

I’m getting really tired of White people being surprised at the depths to which other White Americans will sink, in their hatred of people  they think are  different from them.

Such people have always existed in this country, and there were times when such people were in total power over Black and Brown people. Middle class, straight, White people have had the luxury of ignoring what doesn’t directly affect them as they were almost never the targets of such people. Apparently it’s really easy to declare something to not be a problem at all when the problem isn’t yours.

Black and Brown and Indigenous people have been the victims of such bullies since the beginning of this country, and have been warning everyone that those people will be coming for them at some point, because such people are not respecters of any humanity but their own. Now that it’s coming home to rest in their backyards, because they’ve ignored it when it was happening to everyone but them, they want to act surprised and outraged.

It’s just another form of White narcissism, that the only time anything becomes a problem to be solved , like drug addiction, authoritarianism, and poverty, is when it hits White people. As long as only “those other” people are on the receiving end of it, most White people will sit by and simply watch it happen, (if they notice it at all), while convincing themselves what good people they are. Usually by the time the problems reach White people it’s too late to do anything to stop them.

 

Black Torture

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I’m pretty sure that what prompted this post was watching Iron Fist, The Defenders, and Captain America, back to back some weekend, and noticing t scenes that all connect to each other. See, this is what my brain likes to do for fun, when I’m doing something else, which is collecting trivia, and then bring it to my attention at three o’clock in the morning, when it knows damn well I need to go to sleep. 

I can see the parallels to this in a lot of marginalized groups depictions in popular media. Before this new era,  white, straight audiences wanted to see groups of other non-white people suffering, and they flocked to that kind of drama. We went  too, because, for us, it was representation, and for white people it was the tragic  drama of a life they will never live, and the affirmation that they were living correctly.

But now I see PoC and LGBTQ people wanting to see different depictions of themselves, in media, that go beyond merely suffering. We want images of ourselves being happy, and being in love, and being loved, and accepted. We want power images, and adventure images too.

Those previous depictions of marginalized people as sufferers of indignity had their place, (and sometimes still do), but now, this is a different generation, a different era, with new audiences that are demanding media that is a reflection of how far we’ve come ,rather than a mournful reliving of the past, or the wish fulfillment of straight white men that think they anyone who isnt them, should be suffering.

Is it just me or has anyone else noticed this trend in superhero movies of Black men (and sometimes other men of color) being tortured by characters who are supposed to be heroes?

I first noticed this in Captain America Winter Soldier, when Steve, Falcon, and Natasha were torturing Jasper Sitwell, who was then brutally killed by The Winter Soldier.

I noticed it again in The Defenders, when the lone Black member of The Hand gets  tortured by the group of supposed heroes.

Daredevil’s plot (at least for the first season) seemed to consist entirely of him beating the crap out of poor men of color, which is ironic, because earlier in the season of The Defenders, Luke Cage chastised Danny Rand for beating up poor Black men, and then stands idly by, saying nothing, while Daredevil tortures yet another man of color.

I haven’t watched every single movie and show in the MCU, but wanted to know if anyone  else noticed this in other superhero shows, or franchises. Did this happen in Jessica Jones? (I understand that that show has other racial issues, too.)

Outside of the idea that people referring to themselves as god guys probably should not be using torture to get information, I’m concerned about the use of torture against Black men by White characters who claim to be doing good.And my second concern is the massive amounts of bodily trauma (beatings and deaths) being visited on men of color throughout the franchise.

What To Do At The Zombie Apocalypse

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I think what prompted this  post, was an article I read, about why we never see people riding bicycles after the apocalypse. I started thinking about a lot of the tropes, and imagery, we get fed, in Popular media, about what to do when the world is ending. When the apocalypse comes it is almost overwhelmingly White, for one thing. it almost never seems to impact communities of color, nor do we often get to see how poc react to the world ending. I think its because the vast majority of these stories are told by middle class White men, and this is their idea of what it would like like.

I’ve been saying this about the Zombie apocalypse for years. What city dwellers do you know who are  gonna immediately run out to the woods and live at a subsistence level just because dead people are walking around? People with disabilities, allergies, or just elderly parents to care for, ain’t going to be doing any such thing. Why is the advice given to people, that they need a “bug out” plan just because the dead are walking? I’m not buying it.

I live in the hood. Do you know how many handy men we have in the hood? How many military personnel. Or even homebody engineers. Do you have any fucking clue how resourceful and cooperative poor people are, and have to be to survive even with electricity? And how many of us have been trained to expect the best, but plan for the worst case scenario. No, you don’t, because that idea of poverty is never represented in popular culture. Shit! A zombie apocalypse won’t even ruffle our fucking hair. We’ll come up with ways to kill the zombies while keeping it moving. Hell, my brother all by himself, could have the electricity up and running, a defensive tower, a moat, schooling, and gardening, all in the space of two weeks.

It’s also interesting to me that all zombie apocalypse movies only seem to consist of middle-class white suburbanites trying to survive, with a handful of PoC thrown in like confetti. The most that White writers can imagine, for PoC, even during the apocalypse, is that we all die? Really! That seems to be their only scenario. They don’t take into account that poor people have been taking care of each other since the invention of poor people. The poor have never believed in an isolationist, go it alone, ruggedly individual attitude, when it comes to surviving, because we couldn’t afford that! Poor people are not lazy, and of everyone, they would be the most likely to survive any apocalypse because we have experienced surviving hardships and insecurity!

On the other hand, the middle class white guys who invented these types of stories are obsessed with that attitude. They really think that soon as the electricity stops, people are gonna lose their gotdamn minds, and start trying to kill their neighbors for fun and food, or planning a long journey to go find their wife, son, daughter, lost somewhere in the pre-tech Badlands! Not even taking into account that we have real life scenarios right here, right now, that we can look at and figure out that most people aren’t gonna act like that. (*cough, ahem! Puerto Rico! Cough*).

I have long come to understand that apocalypse scenarios are just wish fulfillment fantasies for middle class white guys who think that the end of the world will make them the heroes they always wanted to be. As a result I’m no longer interested in end of the world scenarios with white men in the center of them as the heroes, and yes, I’m also talking about a certain TV show, too.

 

 

Brooklyn 99 is Propaganda

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This was prompted by a long discussion on Tumblr about what constitutes propaganda. Mine was not the definitive answer on the subject  (at this time, the argument is still ongoing), but whether or not you think of some show as propaganda, sometimes depends on your  definition of the word. I used a very broad definition, some people wanted to be more specific.

Uhmm, actually it is. Don’t get me wrong, I absolutely love this show and all it’s characters, but that’s what makes it propaganda. Any cop show that is set up for you to think of the characters as likable, dutifull, and most importantly “good cops” is propaganda. I don’t think that’s the creators intentions, (I think their intent is to be funny with great characters, and tackle social issues) but it is propaganda because the “effect” is that you end up liking the cops on the show, and in real life they’re generally pretty conservative, whereas the cops on this show are very woke. If it were a hospital ,or a college campus it wouldn’t be considered propaganda, as a hospital or college campus are not political entities in the same way as the police. The police are tools of the state, so ANY show that makes us feel some type of way about them (good or bad) automatically makes the show political, making it propaganda.

So yes, as wonderful and lovable as the show is, as nice as the characters are, that is the very reason that it qualifies as propaganda. Technically, even if all the cops on the show were evil and corrupt, it would still be propaganda because the side effect is that you watch the show and feel some type of way about a state-run, political entity.

In a broad definition of the term, the creators have an agenda, and while that agenda is not making the police look good, the side effect is that the show makes the police look good, and makes you feel good about them. Just because it’s a comedy doesn’t mean it doesn’t have an effect on the landscape of peoples thinking. Because, in the end ,it’s not about the “intention” of the creators. It’s about the “effect” the show has in the landscape of television, along with 15-20 other cop shows.

So yeah, Brooklyn 99 qualifies. And it’s a testament to just how damn good this show is that I will watch the hell out of it, even though I avoid almost all cop shows as a believer in BLM, and recognizing they’re all propaganda.

 

Source:

Weekend Introvert Reading

I’ve noticed that the topic of Introversion is one of my most popular topics on this blog. Well, here are the links to all the posts on Introversion, most especially being Black and an Introvert. 

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https://tvgeekingout.wordpress.com/2018/08/07/black-male-intj/

https://tvgeekingout.wordpress.com/2017/07/11/intj-the-mastermind/

https://tvgeekingout.wordpress.com/2016/12/03/how-to-spot-the-intj-female-intj-bytes/

https://tvgeekingout.wordpress.com/2016/11/29/black-female-intj/

http://personalityjunkie.com/07/infj-infp-intj-intp-types-modern-life-part-2/

https://writingsofsm.wordpress.com/2017/11/01/the-intj-female/

https://tvgeekingout.wordpress.com/2016/12/08/introvert-linkage/

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Being Black and and introvert comes with its own set of rules and/or difficulties, like the idea that Black people cannot be introverted at all:

https://goodmenproject.com/featured-content/hesaid-black-male-and-introverted/

https://afropunk.com/2016/11/confessions-of-a-black-introvert-yes-were-black-enough/

https://www.quietrev.com/introverted-black-girl/

http://www.curlynikki.com/2017/09/what-it-means-to-be-black-female.html

https://www.theodysseyonline.com/confessions-self-proclaimed-black

Black and Introverted: 5 Tips To Attract Women – Quietly

The Struggle of Being an Introverted Black Girl

 

 

There’s also a couple of newbie links too:

https://www.huffpost.com/entry/the-real-reason-introverts-dread-small-talk_n_56854922e4b06fa688823798

Why introverts feel like outsiders

How To Understand an Introvert You’re in a Relationship With

https://www.fastcompany.com/90331732/these-are-the-myths-about-introverts-and-extroverts

Why Is Socializing Exhausting for Introverts? Here’s the Science

 

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And from Medium.com:

The Life of the Black Introvert

 

 

The Dilemma of The Quiet Black Girl

How to train your extrovert, the essential guide for introverts

The modern introvert’s essential guide to navigating people who think out loud, invite you to weekend parties, and interrupt your leisure reading just when it’s getting good.

People of Color Knit Too

Here’s some reading for your weekend:

Photo Credit Corbis Images

The knitting, fiber ,and yarn communities are not normally ones you’d associate with racism, but I think of it this way: Are White people involved in the community in question? Then chances are there are probably a few racists in it. And the yarn community consists of millions of people, worldwide. So yeah, some of them are gonna show their asses as regards race, some of them are going to dismiss the issue because its not anything that directly affects them, and some of them are going to be rightfully appalled, which is something that happened in the past 4 months, in an incident that sent ripples through the entire community.

Now, I do have to admit to never giving this a whole lot of thought myself, although I had noticed the lack of PoC fiber artists, yarn dyers, and designers, and no representation of women of color as models in the many books and magazines I used for reference. For me, it  was just part of the everyday erasure of color from any other community. I made a note of those things, and kept it moving, because most of the online spaces I frequent are pretty diverse. Most of the fiber arts workers  I’ve met in real life tend to behave themselves. Most of them are Black women.

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*I missed a lot of this because it all went down on Instagram, and I’ve cut my social media consumption to Blogging and Tumblr, so I mostly got the aftermath.

So, what had happened was:

https://www.vox.com/the-goods/2019/2/25/18234950/knitting-racism-instagram-stories

On January 7, she blogged excitedly about her upcoming trip to India. She wrote that 2019 would be her “year of color.” She said that as a child, India had fascinated her, and that when an Indian friend’s parents offered to take her with them on a trip, it was “like being offered a seat on a flight to Mars.” She spoke of her trip as if it were the biggest hurdle anyone could jump: “If I can go to India, I can do anything — I’m pretty sure.” Templer, it should be noted, is white.

As someone who is mixed-race Indian, to me, her post (though seemingly well-meaning) was like bingo for every conversation a white person has ever had with me about their “fascination” with my dad’s home country; it was just so colorful and complex and inspiring. It’s not that they were wrong, per se, just that the tone felt like they thought India only existed to be all those things for them.

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TL;DR: This woman said some rather clueless Eat Pray Love type shit about visiting India, and actual Indian people didn’t care much for that. I get that she wasn’t trying to offend. I get that her intention was not malignant. Nevertheless, I do not have a problem with people calling for her to think deeper about  what she said.

 

But her post triggered a wave of conversations  and responses from the entire community, about racism and prejudice in the fiber arts world, which thus far shows no signs of slowing down.

* From: u/coleo24:

Anyone care to explain the Tusken Knits business?

I have a few knitter friends and one posted something about diversity in knitting (which despite being the only black knitter I know I haven’t thought of too much) which led me down a rabbit hole. A few people mentioned some issues with a video posted by Tusken Knits. I’ve done some googling but can’t figure out exactly what it’s about. Anyone care to enlighten/discuss/share general thoughts about diversity in knitting?

From: SOEDragon

S*T*A*S*H

So, for the past 4 weeks, there has been a large conversation about racism in the knitting community which spans from lack of representation to outright hostility towards BIPOC (Black, Indigenous, People of Color). It started from a Fringe Supply Co blog post about going to India. Since then, there has been an outcry, primarily on IG, about fixing this issue. The “white” response has been everything from “we need to do better” to “why are you being so mean to us”. TuskenKnit’s most recent youtube video falls into the latter category. It was also uncovered that she had connections to actual Neo-Nazis via social media. Her Youtube video was a whole lot of tone policing and white fragility and she made a lot of vague claims that many in the knitting community, especially business, have reached out to her and said they feel the same way. She is also moderating comments on all platforms so that negative comments are removed. @wenchlette, @su,krita, @burkehousecrafts, and @masteryarnsmith have excellent summaries in their stories/recent posts/saved highlights that have more information.

As for my personal involvement, I have been making a concerted effort to diversify my IG feed to include BIPOC designers/dyers/podcasters/etc. I have been listening and I mean *really listening* to what BIPOC individuals have to say about their experience. I have also been reading *a lot* about white privilege and all that comes with it. Lots of people are recommending Layla Saad’s “Me and My White Supremacy” workbook which is free to download which assists white and white-passing people to learn and engage their own involvement in a structured way. I found at the beginning of this conversation that my very privileged (white and otherwise) upbringing prevented me from really engaging in the conversation so a lot of what I’ve done has been listening and googling and reading so I feel that I have the knowledge and vocabulary to actually communicate. On a more fun note, there are some amazing yarn dyers/podcasters/designers I completely missed that I am IN LOVE with now.

 

 

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* https://knitting.craftgossip.com/on-racism-in-the-knitting-community/2019/01/16/

I haven’t written about this before because as a white person with little to no influence in the industry, I felt like it wasn’t my place to speak up about it, that it was more important to listen to those voices that have experienced racism in the industry and in their lives.

But of course I have this space and I can amplify their messages, and this is such an important topic for the knitting community and the craft community as a whole to confront.

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*http://www.woolyventures.com/knitting-and-white-fragility/

1935

*http://thewoolnest.blogspot.com/2019/01/inclusion-and-acceptance.html

I have always welcomed everyone and will continue to do so, here on my blog, on my website and my audio podcast. I will continue to feel proud to both engage with and teach people from all different communities, from any gender/ethnicity/race/religion/level of income and also including people with physical and mental disabilities. I will continue to grow and build upon my past experiences to help you all to learn and develop your knitting and crochet skills. 

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*The knitting community is still perceived as a White community, and we are having some amount of effort convincing people that there are indeed PoC who knit (although most of the ones I’ve met are crocheters.)

 

*https://ladydyeyarns.com/?p=955

As a knitter and African-American woman business owner in the yarn industry, I know many minorities that knit and I know some minority knitwear designers who I have met at shows – and I know there are more.  Yet I have yet to find a yarn company or indie dyer in addition to myself who has attended a local or national show. In fact, between my attendance at the The National NeedleArts Association trade show in 2014 and the recent Stitches Conference, I was the only African-American business owner at these two shows. Why is this? I am sure there are other minority business owners out there. And I am not just talking about African-Americans. Yes, I am black but I know Latinos, Asians, and Africans who knit or crochet. Why are we not represented well in the knitting community?

* http://www.jeanettesloandesign.com/black-people-do-knit.html

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https://sheeptoshawl.com/knit-diversity-knitting/

Hello! My name is Gaye Glasspie, most folks know me as GG from GGmadeit.com and I knit. I am the writer behind the blog Confessions of a YarnHo. I also happen to a POC (person of color) Did that statement make you gasp? Did it shock you? I pray your response was “no,” because in my opinion, one has nothing to do with the other.

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#knittinginblackhistory I promise I love you guys! This was sent to me by Bronwyn on the blog 😍 thank you 😘the facts: source -the Ohio guide collection. Time period 1930-1940 place -Toledo Ohio. The picture is titled “Sewing Class” but they are clearly knitting 👏🏾👏🏾👏🏾 the description says “unidentified women work on knitting and sewing during a Works Progress Administration sewing class in Toledo Ohio #weknittoo #ggmadeit #blackknittersofinstagram #blackgirlsknit #knittinginhistory

girl knitting, Where to keep my needles>>>

 

BIPOC Knitting Stories

Here are a few of the replies to the above events:

*https://plymagazine.com/2019/01/trying-harder-support-bipoc/

It’s up to us to help make the fiber community safe and welcoming for BIPOC. Not being actively racist is not enough. You’ve got to actively be inclusive. You’ve got to actively be anti-racist. You’ve got to actively seek out BIPOC as designers, as spinners, as dyers, as companions. And I hear you again, “But why? Isn’t it more fair if I just purchase their wares when and if they appeal to me? That seems less racist, just taking race out of it.” Except that’s not actually feasible in the world we live in. It’s not. You are far less likely to see their work, their designs, their dyed fiber, their spun yarn because of our current paradigms. For now, we’ve gotta do a little work to make the world a better and safer place.

 

View at Medium.com

*Lisa SanCrom (on Medium. com)

I am a proud Puerto Rican woman. When not trying to save the world, I read, write, and create knitting patterns.

 

While I have met some amazing people of all colors, shapes and sizes in this community, I have also had to justify my existence no less here than anywhere else. Over the 40+ years that I have been primarily knitting (I also spin, weave, crochet, needlepoint, and embroider) I have had to ignore or respond to the following:

  • Steered towards less expensive fibers (Especially, when I am with my accented or darker family & friends. When my brother would go in with me, I was ignored in favor of the inherent munificence of a man in a yarn shop, but that’s a post for another day).
  • Followed/watched
  • Ignored
  • Admonished as not being “A woman of faith” after declining to participate in a particular knit along.

 

*https://www.woolfiend.com/blog

Although as a group they’re disadvantaged, many BIPOC want to be heard and represented. They get tired of having to explain to clueless white people the privilege that they have. They are tired of having to look harder to find a doll that looks like their daughter. They’re tired of Pantene commercials, and similar ads that are only ever targeted at white people and made by white people. They get tired of ads targeted at POC that are really stupidly and obviously made by white people (like people can’t tell). They get tired of having to deal with their lack of privilege and the pain that comes with that. They get tired of being the only ones who SEE the privilege and what it buys us (white people). They get tired of being lumped in as “white enough” or “light-skinned” or “acts white, looks black.” They JUST WANT TO EXIST.

 

American Gods Season One

The second season of American Gods airs this Sunday, and Starz has been showing season one non-stop since January. The show is available for streaming on Amazon Prime, Youtube, and Vudu, or the Starz app.

So here, for those of you who missed the first season, are all my reviews and recaps in one spot.

 

The Bone Orchard

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https://tvgeekingout.wordpress.com/2017/05/03/american-%EF%BB%BFgods-season-one-the-bone-orchard%EF%BB%BF/

 

The Secret of the Spoons

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https://tvgeekingout.wordpress.com/2017/05/12/american-gods-season-one-the-secret-of-spoons%EF%BB%BF/

Head Full of Snow

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https://tvgeekingout.wordpress.com/2017/05/19/american-gods-season-one-head-full-of-snow/

 

Git Gone

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https://tvgeekingout.wordpress.com/2017/05/27/american-gods-season-one-git-gone/

Lemon Scented You

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https://tvgeekingout.wordpress.com/2017/06/01/american-gods-season-one-lemon-scented-you/

A Murder of Gods

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https://tvgeekingout.wordpress.com/2017/06/07/american-gods-season-one-a-murder-of-gods/

A Prayer For Mad Sweeney

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https://tvgeekingout.wordpress.com/2017/06/13/a-prayer-for-mad-sweeney/

Come to Jesus

https://tvgeekingout.wordpress.com/2017/06/23/american-gods-season-one-come-to-jesus-part-one/

American Gods: Of Gods and Shadow Moon (Come To Jesus – Pt. 2)

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https://tvgeekingout.wordpress.com/2017/07/06/american-gods-of-gods-and-shadow-moon/

Weekend Reading/ Feb. 22nd, 2019

The Matrix

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This isn’t a new theme, but I liked this little essay about how to enjoy movies with so much gunfire in them, in this age of daily mass shootings. How can we enjoy such scenes, and what makes these scenes different from the kinds of scenes we’ve see on our TV screens, on  a regular basis? And what type of role does such a scene have on the prevalence of mass shootings? Not in causing them, but in inspiring how they’re committed.

https://www.vulture.com/2019/02/reckoning-with-the-matrixs-gun-problem.html

 

 

Romantic Tropes

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There is however a real link between how Hollywood depicts romance, and men’s ideas of how romance is meant to be performed, and what’s considered romantic rather than abusive.

To be fair,women also receive toxic messages about romance, outside of what’s discussed in this essay, like the idea that women  can fix broken men, an idea so normalized in Hollywood, that it even shows up in romantic fiction written by women.

https://www.theatlantic.com/entertainment/archive/2018/01/when-pop-culture-sells-dangerous-myths-about-romance/549749/

http://www.collegehumor.com/post/7038172/hey-movies-this-isnt-romantic

 

 

 

Racist Vigilantism

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As to the event that happened with Liam Neeson a couple of weeks ago, in which he confessed to an event of racial vigilantism in his youth,  I think Roland Martin, from TVOne News, says it best. But the point also needs to be made that Liam Neeson was only doing what countless numbers of Hollywood films have encouraged White men to do in the protection of White women’s bodies, which is go out and harm men of color, beginning with Birth of a Nation.  Endless Action movies and Westerns are  predicated on the basic plot of : White man goes out and shoots people he thinks  are bad.

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Liam himself has starred in countless numbers of films in which he avenges the sacrilege, or deaths, of female characters. I’m disappointed, but not angry, at Liam, for doing exactly what he’s been told to do, since the invention of film media. White woman been hurt? Go out and terrorize some Black people!

https://www.thedailybeast.com/black-america-knows-white-avengers-like-liam-neeson-all-too-well?via=newsletter&source=DDAfternoon

 

 

Film Criticism Diversity

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Yeah, we’ve been talking about this for a minute.

https://www.vox.com/culture/2018/6/22/17466246/criticism-film-movie-diversity-annenberg-study-larson-blanchett-bullock-kaling

 

 

The Apocalypse

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The basic idea of this article is that common depictions of the apocalypse are just wrong. We already have examples of how people react in the event of massive life-changing events in places that have experienced natural disasters. So why don’t we ever see any of that in Apoclaypse style movies? In fact the people in those movies, especially Western films, all react the same, running trough the streets, burning, killing and pillaging. Along with the lack of bicycles after the apocalypse, showing people acting a fool, during the end of the world, just makes for more dramatic screen images, I guess.

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https://www.tor.com/2018/11/14/what-really-happens-after-the-apocalypse/

 

 

 

Misogyny

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This one discusses how the disparaging of romance novels, and Chic-Lit, is really just another form of devaluing women’s interests and hobbies, and I agree. I think there’s something to this. Anytime women show an interest in some thing, or engage in an activity, there’s a contingent of gatekeepers, and intelligentsia, who crawl out from under the world’s baseboards, to take a shit on everything from romance novels and coloring books, to scrapbooking and fanfiction, to TV shows and Ugg boots.

In fact, this very much pertains to all Pop culture media, for which women are the audience. Pay close attention to criticism of the kinds of hobbies and interests women engage in, vs, the kinds of interests engaged in by men, and see that you don’t find that much of it is negative.

 

https://thetempest.co/2018/03/09/entertainment/chick-lit-romance-bias/

 

 

 

White Nationalism’s Nightmare

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If you haven’t seen the movie The Girl with All the Gifts, then you need to check it out. This is an interesting analysis of what this movie means to those arguing that White Genocide is a thing. I gave a review of it on this blog.

https://racebaitr.com/2017/07/25/girl-gifts-nightmare-white-supremacy/

https://tvgeekingout.wordpress.com/2017/10/17/the-girl-with-all-the-gifts-2016/

Next Week Hiatus

I won’t be doing my usual weekend reading post. I’m taking a bit of time off until next week so I can work on my long form posts. I’ve got about 5 or 6 long form posts Ive been working on for the past month, and life (illness) and work (full-time) keeps interrupting my publishing of them.

I have been watching what shows I can, when I can . I watched some episodes of Iron Fist, but was ultimately disappointed, despite actually liking a couple of episodes. I’ll have more on why later. I watched The Mayans, which wasn’t bad, but didn’t hold my interest much. I generally do not watch crime shows involving PoC, and it’s about Mexican bikers, so I kind of knew I wasn’t going to fall in love with it, but I didn’t hate it either. I just watched an episode of some show on HBO, called Random Flyness, which was really, really weird, unabashedly Black, and kinda soothing, like a freeform version of the show Atlanta crossed with an episode of Key and Peele. I want to write about that.

I’m most excited about American Horror Story Apocalypse. I did watch the first episode and I have a lot to say about it. I don’t know that I’ll post a review every week on it but that first episode deserves its own post so I’m starting work on that.

Right now I’m working on a post about landscape as an essential narrative element, and my highly ambitious second and third posts about White Male Pandering in Entertainment, along with a couple of review anthologies where I write about multiple shows.

Since the racist cartoon of Serena Williams was released, and the man who drew it claimed to know so little about a profession in which he fully takes part, I’m thinking of doing a post on the history of racist caricature, to explain exactly why what he did was racist as fuck to anyone who knows anything on the subject, and even a few who don’t. Beyond the drawing itself, I’m livid at the idea that this man claims to know nothing of the history of his craft of political cartooning.

I’m an artist. I’ve been a visual artist since I was a pre-teen. I was considered a talented draftsman, and even won local awards for my skills. I’m no cartoonist but even I know enough about the history of political cartooning that I would know a racist caricature if I drew it. I made it a point to learn about the history of my craft and improve, improve, improve. You cannot improve in your craft if you don’t know the history of it. I’m incensed because the man is being lazy and stupid (or just lying) about what he did. Either reason is equally shameful, and I have something to say about that, not just as a Black woman, who felt incredibly attacked by that image, but as an artist as well. Here are some other people who felt some kind of way about what happened:

https://www.cnn.com/2018/09/11/opinions/racist-serena-cartoon-mark-knight-rebecca-wanzo/index.html

 

This article may sit behind a paywall so be aware. Some of it is about the racial history of Australia, and how these images of Black people have contributed and enabled racism in Australia and the US..

https://www.washingtonpost.com/news/global-opinions/wp/2018/09/12/what-the-herald-suns-serena-williams-cartoon-reveals-about-australias-racial-history/

 

Warning: This website is an archive of racist cartoons. I wanted to add this for informational  purposes, for those who haven’t really seen such images before, and you can contrast and compare the image in the Australian newspaper, to the historical caricatures of Black women.

The two articles above reference some of the Australian imagery like “The Golliwog”, and the Jim Crow Museum has images of this doll on the site. It also discusses the racial history of Australia, and why and how the doll was created.

There is also a drop down menu under The Museum, which goes into the details behind many of the images, what the various images are called, and the history of their creation, like The Mammy, The Jezebel, and the Black Brute.

https://ferris.edu/jimcrow/cartoons/

 

 

TA Ta until next week.

Topics For Discussion (Weekend Edition)

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I don’t know if I’m a smart person. I’ve been told by various individuals that I am, (my brother would refer to me as a forgetful bobblehead), but I have spent my whole life trying to find out as much about the world as I can. To know as much as I can find out. So, to see the world descending into the real life version of the movie Idiocracy, is incredibly galling. I watched that movie a couple of years ago, thinking it would just be a stupid comedy, but I had a real emotional reaction to watching a movie about the decline of the human mind into… well, whatever that was in the movie, and I had to stop watching it, about halfway through. If you have never seen that movie, and your head contains brain cells that work, BY ALL THAT IS HOLY, DO NOT WATCH IT!!!! That will only end in tears.

Watching that movie will eliminate any and all faith that you had in humanity, and send you into a hell of depression and anger, as you recognize which version of the universe we are all now living in. People destroying property they have already bought, in protest of some corporate disfavor, is surely one of the signs of the apocalypse.

And don’t think this is just a problem of the Right. The Left has engaged in this sort of thing as well. Its the kind of behavior that people engage in when they have perhaps heard of protesting but aren’t quite sure how the process works.

https://www.thedailybeast.com/from-nike-to-keurig-conservatives-keep-blowing-up-things-they-bought-to-own-libs?via=newsletter&source=DDAfternoon

The stunts aren’t really boycotts at all, but attempts to channel political impotence through consumption. One American can’t change much with a vote, but she can easily set fire to her sneakers, in accordance with her political leanings.

 

 

 

Actually this article was both terrifying and hilarious. Also, it really just cements the idea in my head that bigots are people who simply lack any real imagination. Such people cannot imagine the world in any other  way other than one where they aren’t masters of everyone else in it. The only dynamic they seem to be able to  understand is one in which they are dominated by some other group, (which utterly terrifies them), or they dominate everyone else (which largely consists of bullying, terrorizing, and murdering those others.)

Being an effective artist, (especially a writer), capable of expressing nuanced ideas, requires a level of self examination, and people-knowledge that such bigots are wholly ignorant of. It requires an understanding of complexity. Anything that comes out of their imagination can only be simplistic, often appropriated from elsewhere, or pulled from their truncated understanding of  how the world works. They don’t know enough about people to write them well. They don’t know enough about the world to be able to imagine it in any  way  outside of their terror of it. These stories are full of the authors imagining the worst for stand-up, straight, morally righteous, White people, like themselves, or the worst for everyone else.

 

 

If you visit the website, linked in the article, you will have to sit there for quite a while. The author says he managed to sit through 19 minutes of it and couldn’t fastforward, go back, or pause. If you leave the site, you will just have to start  at the beginning, watching you don’t know how many minutes of a montage of videos illustrating the White Savior narrative in movies. There’s a part of me that finds that deeply funny.

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https://verysmartbrothas.theroot.com/terence-nances-whitepeoplewontsaveyou-org-and-the-never-1828809698

The Blind Side is just one of many white-savior films Terence Nance skewers on his sublime WhitePeopleWontSaveYou.org—a website that just plays scenes from them on an endless loop while a chorus sings “White people won’t save you.” Also, the website doesn’t allow you to pause, rewind or fast forward. You just have to sit and watch and wonder when it ends. (I watched 19 minutes of it last night, so I know it’s at least that long.)

 

 

This article asks the age old question: Why don’t people ride bikes during or after the apocalypse? The answer is that’s something that only works in books, and looks a lot less cool than wearing BDSM gear on a motorcycle. We are so used to the Mad Max version of the the end of the world, I think we would have a hard time grasping the image  of people riding bikes during it.

We Westerners also  seem to think that that would be a global phenomenon, too. It just  occurred to me that huge parts of Asia would not be entirely up-heaved by the end of the world. People in Japan, India, and China already regularly use bicycles right now.

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https://www.thedailybeast.com/where-are-the-bicycles-in-post-apocalyptic-fiction

Bicycles don’t break their legs, they don’t need to be fed, and on a modern road, their gait is a lot smoother. The bicycle was a radical transportation breakthrough, especially when combined with the paved road, which is why millions and millions of people in poor countries still use them.

 

 

 

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This article discusses how science fiction gets racial allegories wrong. The writer points  out how the people being feared and despised by the populace  (mutants, aliens,  orcs), are almost always given enough power that  makes the fear of them entirely justified. Racial allegories written by White writers really just end up justifying real world racism. Basically saying, it’s okay to police the bodies of Black and Brown people because they really are dangerous to the dominant group. This was the major problem with the movie Bright.

http://www.cracked.com/blog/the-cringe-worthy-way-sci-fi-fantasy-deal-with-prejudice/

So, in the least-racist way you can, please imagine black people are hideous violent monsters who are physically stronger than humans and have large protruding fangs. Then understand in your kind human heart that we should accept these hideous monsters as equal to us normal, beautiful humans.

 

 

 

I thought this was especially interesting. One of the reasons I didn’t make any effort to watch Crazy Rich Asians is not just because I’m not a fan of romantic comedies, but because of the presence of Awkwafina, a female Asian rapper, who traffics in the usual tired appropriation of whatever African American tropes are floating around in her head.  She needs to find a way to express herself that does not involve stereotypes of Black culture.

I have met (and befriended) both Asian Americans, and White people, who grew up in Black culture. They lived in the ‘hood, went to school with Black kids, and all their friends were Black. They dressed, spoke, and acted just like the Black Americans around them. I do not think this is what’s happened in the case of Awkwafina. Is this some form of minstrelsy when engaged in by Asian Americans, and what does it say about them, as a group, that they  feel a need to choose between being Black or White?

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https://www.colorlines.com/articles/performing-blackness-wont-fill-our-asian-american-culture-deficit-op-ed

“If first-generation White European immigrants…could use minstrelsy…to not only ensure their status as White people, but also to distance themselves from Black people, can Asian Americans use hip hop (the music, clothing, language and gestures, sans charcoal makeup), and everything it signifies to also assert their dominance over Black bodies, rather than their allegiance to Black liberation?”

 

 

 

 

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The people fighting against diversity in publishing are fighting a lost battle, I think. The Hugo Awards are probably trolling the Alt- Right at this point.

https://www.vox.com/2018/8/21/17763260/n-k-jemisin-hugo-awards-broken-earth-sad-puppies

But as we’ve also seen, these pushes for social change have led to backlash tinged with racism and misogyny — most notably through Gamergate, the unfortunate 2014 movement that essentially underpinned the rise of the alt-right, codified harassment campaigns against women and people of color for years, and helped give rise to the ideological polarization of the internet.

 

 

I’m always fascinated by the ideological differences between Eastern and Western approaches to technology. This article reminds me that I’ve seen very few movies and TV shows out of the East that make robots the bad guys. I’m sure there are some, but none come to mind for me. Asians have a very different approach to thinking about technology, than Westerners do. For Asian people robots and AI are friends, or allies, or happy tools that perform specific purposes. For Westerners (i.e. White people) there’s a tendency to think of robots as rivals, or enemies.

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https://www.wired.com/story/ideas-joi-ito-robot-overlords/

Technology is now at a point where we need to start thinking about what, if any, rights robots deserve and how to codify and enforce those rights. Simply imagining that our relationships with robots will be like those of the human characters in Star Wars with C-3PO, R2-D2 and BB-8 is naive.

 

 

This article is about how music (and musical styles) have degraded over the years. I still say that the 20th century was the time of the Great Vocalists, and although there are people who are good vocalists today, that an unprecedented number of them were born in the last century, and we will probably not see something like that again, (unless its an era that repeats itself later this century).

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https://www.intellectualtakeout.org/article/tragic-decline-music-literacy-and-quality

Music electronics are another aspect of musical decline as the many untalented people we hear on the radio can’t live without autotune. Autotune artificially stretches or slurs sounds in order to get it closer to center pitch. Many of today’s pop musicians and rappers could not survive without autotune, which has become a sort of musical training wheels. But unlike a five-year-old riding a bike, they never take the training wheels off to mature into a better musician.

 

 

 

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An interesting article about what it’s like to navigate an environment in which your hair is a source of fascination and political rebellion. I started wearing my hair in its natural state about three, maybe four, years ago, not for political reasons, but because I got tired of trying to keep it straight. None of the White people I know has evinced an ounce of interest in my hair. So far they are keeping silent about their thoughts. Black people however are willing to ascribe all manner of political motivations to me wearing my hair the way it just grows out of my head.

Even in Africa, Black people are fighting battles about how and where they can wear their natural hair.

https://qz.com/africa/1215070/black-hair-myths-from-slavery-to-colonialism-school-rules-and-good-hair/

This is one of the first dilemmas that black people face: do I let people touch my hair and under what circumstances? The question, “can I touch it?” becomes one of the most awkward social moments and can break relationships before they even start.

 

 

This was the topic that got to me though. Mostly I was just intensely baffled by it. The very first image that came to my mind was a scene from the book World War Z. There’s a chapter where one of the interviewees describes something called “Quislings”. He says its a French word for turncoat or something like that. Well, anyway he says that certain types of people ,when confronted with some emotionally overwhelming horror, try to appease that horror by becoming it, and that’s what quislings were trying to do, by pretending to be zombies. Of course, the zombies know they’re not zombies and promptly ate them. He describes a scene where zombies ate a quisling, but the person was so wrapped up in the delusion of being a zombie, that they were eaten alive while not making a sound, still pretending to the end.

Make of that description what thou wilt.

https://www.thedailybeast.com/why-young-men-of-color-are-joining-white-supremacist-groups

Tarrio and other people of color at the far-right rallies claim institutional racism no longer exists in America. In their view, blacks are to blame for any lingering inequality because they are dependent on welfare, lack strong leadership, and believe Democrats who tell them “You’re always going to be broke. You’re not going to make it in society because of institutional racism,” as one mixed-race man put it.

The Afrofuturism of ’90s R&B videos — Dark Matters

Michael, Janet and other Black artists saw themselves in bold, brilliant futures

via The Afrofuturism of ’90s R&B videos — Dark Matters

And on another note, today marks the 60th birthday of Michael Jackson

This is so true! I loved those videos from the 90s, in which Black people imagined themselves living in bright and  shiny futures, or dark Mad Max style apocalypses. Afrofuturism has a nice long history, going at least as far back as the 60s, and well documented.

https://www.huffingtonpost.com/entry/opinion-broadnax-afrofuturism-black-panther_us_5a85f1b9e4b004fc31903b95

What makes Afrofuturism significantly different from standard science fiction is that it’s steeped in ancient African traditions and black identity. A narrative that simply features a black character in a futuristic world is not enough. To be Afrofuturism, it must be rooted in and unapologetically celebrate the uniqueness and innovation of black culture.

 

https://www.syfy.com/syfywire/brown-girl-begins-sharon-lewis-discusses-her-afrofuturist-film-with-an-all-black-cast

browngirlbeginsposter.jpg

The reason I’m such a huge proponent of Afrofuturism is because it’s something that Black people can fully and completely claim as our own. Our traditions, our pasts, were stolen from us through enslavement and colonization, but the future is our own. Our future is ours.

” The future is not set.There’s no fate but what we make.”

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On another note, today is Michael Jackson Day and marks what would have been his 60th birthday. His sister gave a loving tribute to her brother and re- imagined the song Remember the Time in a comedic way. (This has always been one of my favorite songs. I got a whole bunch of those, btw.)

https://www.hotnewhiphop.com/janet-jackson-and-blameitonkway-re-imagine-michael-jacksons-remember-the-time-news.58467.html

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Also, this weekend was the AfroPunk festival in Brooklyn, although they have these all over the world. It’s sort of like The Burning Man Fashion Festival for Black people, without all the weed smoking, probably. One day, when I’m a little old lady perhaps, I might go there. It looks like fun. You dress in your wildest fashions, and listen to great music, and hobnob with your friends.

PHOTO: Attendees at AfroPunk 2018 in Brooklyns Commodore Barry Park, Aug. 24, 2018, share what the festival means to them.

PHOTO: Attendees at AfroPunk 2018 in Brooklyns Commodore Barry Park, Aug. 24, 2018, share what the festival means to them.

PHOTO: Attendees at AfroPunk 2018 in Brooklyns Commodore Barry Park, Aug. 24, 2018.

 

Image result for afropunk festival

Everyone at Afropunk looked like a damn dream

Everyone at Afropunk looked like a damn dream

 

http://afropunk.com/2018/08/afropunk-brooklyn-artists-repertoire/

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The trailer for the third season of True Detective dropped this weekend ,too. I’ve been a fan of the show since its first season and I’m really looking forward to this new one because it stars one of my favorite actors, Mahershala Ali, looking all serious and pensive. The third season airs in 2019 on HBO.

 

Weekend Reading: How Porn Affects The World

*I consider myself a sex positive person, in that I do not pass judgement on who, how, and when, someone is fucking another human being, as long as all of it consensual. I’m not even opposed to porn in some regards, but I do consider it part of Pop Culture, because so many of its ideas makes its way into mainstream culture, and because of that, a lot of it’s worse side effects are ignored. There is a lot of violent pornography online, which reflects and fuels misogyny, pedophilia, and some of the worst sections  of MRA and Incel culture.

Pornography finds its way into mainstream entertainment as well. One of the reasons why is that as pornography changes, as it ups the ante on graphic imagery, mainstream culture tries to compete with it by incorporating more of it, in an attempt to keep men’s attention.

https://fightthenewdrug.org/the-pornification-of-society/

https://fightthenewdrug.org/matt-morrissey-how-porn-exposure-traumatizes-boys/

 

 

*On the subject of how a constant diet of pornographic images effects the real world, we will let the facts and figures speak for themselves. This list of facts, and its links were painstakingly compiled by:

 

http://luaren.tumblr.com/post/79627230804/yeah-because-you-can-totally-tell-how-smart-i-am

 

MASSIVE trigger warning for the following links and bullets. includes mentions of rape, abuse, violence, racism, misogyny, homophobia, child sex abuse, pedophilia

 

Porn use:

  • There are over 420 million pages of pornographic material online worldwide. (IFR)
  • 72 million searches for porn are logged monthly. (IFR)
  • 25% of all daily search engine requests are for pornography (68 million searches daily) (IFR)
  • 42.7% of internet users view porn (IFR)
  • 100,000-plus websites are devoted to child pornography. There are over 116,000 daily requests for this material. (IFR)
  • 20% of men admit to accessing pornography at work (IFR)
  • 35% of those purchasing online porn make $75,000-plus annually. (IFR)
  • The United States is the top producer of pornographic web pages with 244,661,900, or 89 percent (IFR)
  • Worldwide revenue from mobile phone pornography is $1 billion-plus and growing (Bryan-Low, Cassel and Pringle, David. “Sex Cells: Wireless Operators Find That Racy Cellphone Video Drives Surge in Broadband Use.” The Wall Street Journal, May 12, 2005)

 

 

Ex-porn star testimonies:

  • Corina Taylor: ”When I arrived to the set I expected to do a vaginal girl boy scene. But during the scene with a male porn star, he forced himself anally into me and would not stop. I yelled at him to stop and screamed ‘No’ over and over but he would not stop. The pain became too much and I was in shock and my body went limp.”
  • Jenna Jameson: ”Most girls get their first experience in gonzo films – in which they’re taken to a crappy studio apartment in Mission Hills and penetrated in every hole possible by some abusive asshole who thinks her name is Bitch.”
  • Alexa James: ”The first shoot I did was with a man who was probably 40 and he was as thick as a soda can. He held me down and shoved it in me with no lube tearing my vagina. When I started to tear up and cry he flipped me over and continued from behind be so they wouldn’t get me crying on film. He pulled my hair and choked me over and over again even when I told him it hurt and I could barely breathe.”
  • Linda Lovelace: ”My initiation into prostitution was a gang rape by five men, arranged by Mr. Traynor. It was the turning point in my life. He threatened to shoot me with the pistol if I didn’t go through with it. I had never experienced anal sex before and it ripped me apart. They treated me like an inflatable plastic doll, picking me up and moving me here and there. They spread my legs this way and that, shoving their things at me and into me, they were playing musical chairs with parts of my body. I have never been so frightened and disgraced and humiliated in my life. I felt like garbage. I engaged in sex acts for pornography against my will to avoid being killed.The lives of my family were threatened.”
  • Andi Anderson: ”After a year or so of that so-called “glamorous” life, I sadly discovered that drugs and drinking were a part of the lifestyle. I began to drink and party out of control! Cocaine, alcohol and ecstasy were my favorites. Before long, I turned into a person I did not want to be. After doing so many hardcore scenes I couldn’t do it anymore. I just remember being in horrible situations and experiencing extreme depression and being alone and sad.”
  • Alexa Milano: ”My first movie I was treated very rough by 3 guys. They pounded on me, gagged me with their penises, and tossed me around like I was a ball! I was sore, hurting and could barely walk. My insides burned and hurt so badly. I could barely pee and to try to have a bowel movement was out of the question. I was hurting so bad from the physical abuse from these 3 male porn stars.”
  • Jessie Jewels: ”People in the porn industry are numb to real life and are like zombies walking around. The abuse that goes on in this industry is completely ridiculous. The way these young ladies are treated is totally sick and brainwashing. I left due to the trauma I experienced even though I was there only a short time.”
  • Genevieve: ”I had bodily fluids all over my face that had to stay on my face for ten minutes. The abuse and degradation was rough. I sweated and was in deep pain. On top of the horrifying experience, my whole body ached, and I was irritable the whole day. The director didn’t really care how I felt; he only wanted to finish the video.”
  • Jersey Jaxin: ”Guys punching you in the face. You have semen from many guys all over your face, in your eyes. You get ripped. Your insides can come out of you. It’s never ending.”
  • Elizabeth Rollings: ”I didn’t want to feel the pain of penetration from an over average sized man, being told to freeze in a position until the camera man was happy with his shots was very painful. I had peoples body fluids forced on my face or anywhere else the producer pleased and I had to accept it or else no pay. Sometimes you would get to a gig and the producer would change what the scene was supposed to be to something more intense and again if you didn’t like it, too bad, you did it or no pay.”
  • Lucky Starr: ”I was worried about my first anal scene for quite a few days … then the big moment arrived. It REALLY hurt! I almost quit and said, “I can’t do this”. When it was all over, I was so happy and relieved I was able to do it…”
  • Ashlyn Brooke: ”I honestly felt that if I had to have another strange man in my face, his hands (God knows where they’ve been all over me) him calling me his baby and having to exude some sort of forged passion for the world to see, I probably would have exploded. And what would have been stuck to the walls would have probably been nothing, just pieces of skin, bone, the brain of a robot, and what would have been left of what would have existed once as a huge and warm heart.”
  • Roxy: ”After only 30 movies I caught two sexually transmitted diseases. Herpes, a non-curable disease and HPV, which led to cervical cancer where I had to have half of my cervix removed. Porn destroyed my life.”
  • Anita Cannibal: ”Yeah, there are a lot of cover-ups going on. There is a lot of tragedy. There are a lot of horrible things.”
  • Tamra Toryn: ”As for myself, I ended up paying the price from working in the porn industry. In 2006, not even 9 months in, I caught a moderate form of dysplasia of the cervix (which is a form of HPV, a sexually transmitted disease) and later that day, I also found out I was pregnant. I had only 1 choice which was to abort the baby during my first month. It was extremely painful emotionally and physically. When it was all over, I cried my eyes out.”
  • Jessi Summers: ”I also did a scene where I was put with male talent that was on my no list. I wanted to please them so I did it. He put his foot on my head and stepped on it while he was doing me from behind. I freaked out and started balling; they stopped filming and sent me home with reduced pay since they got some shot but not the whole sce

 

porn trends:

 

 

how pornographers feel about women:

  • “I’d like to really show what I believe the men want to see: violence against women. I firmly believe that we [pornographers] serve a purpose by showing that. The most violent we can get is the cum shot in the face. Men get off behind that, because they get even with the women they can’t have. We try to inundate the world with orgasms in the face.” –  Bill Margold, porn industry veteran, quoted in Robert J. Stoller and I. S. Levine, Coming Attractions: The Making of an X-rated video; 1993.
  • “There’s nothing I love more than when a girl insists to me that she won’t take a cock in her ass, because — oh yes she will!” –Max Hardcore, interviewed in Hustler (June 1995).
  • “My whole reason for being in this Industry is to satisfy the desire of the men in the world who basically don’t much care for women and want to see the men in my Industry getting even with the women they couldn’t have when they were growing up. I strongly believe this… so we come on a woman’s face or somewhat brutalize her sexually: we’re getting even for their lost dreams. I believe this. I’ve heard audiences cheer me when I do something foul on screen. When I’ve strangled a person or sodomized a person, or brutalized a person, the audience is cheering my action, and then when I’ve fulfilled my warped desire, the audience applauds.” – Bill Margold, porn industry veteran and Free Speech Coalition board member.
  • “It might promote violence against women in the United States, but I say, ‘Good.’ I hate those bitches. They’re out of line and that’s one of the reasons I want to do this … I’m going through a divorce right now. … I hate American women.” – What pornographers really think of women (Deutsche Presse-Agentur, 14 October 1999)

 

 

2010 study on popular porn films:

  • 88% of scenes contained physical aggression, including spanking, gagging, and slapping.
  • Women were overwhelmingly the targets of aggressive acts, and men the perpetrators.
  • Following instances of aggression towards women, in 95% of cases the women expressed pleasure or neutrality.

 

 

cases of porn leading children to commit sexual assualt IN THE UK ALONE:

  • February 2014: A 13-year-old boy told a UK court that he raped his 8-year-old sister after viewing pornography at his friend’s house.  The teenager told police he “decided to try it out” on his sister because she was small and “couldn’t remember stuff,” reported the Lancashire Telegraph.
  • November 2013: A different 13-year old UK boy pleaded guilty to raping an eight-year old girlwhen he was 10. A pornography addiction since age 9 was said to have played a significant role in his crimes.
  • March 2013: Two boys aged 14 and 15 admitted to a British court that they were re-enacting scenes witnessed in violent online pornography when they beat, brutalized, then raped a 14-year-old girl they had tied to a chair.
  • March 2013: A UK report found that thousands of British children had committed sexual offenses. In all, 4,562 minors – some as young as five – committed 5,028 sexual offenses over a three year period from 2009-2012. Experts blamed “easy access to sexual material.”
  • January 2012: Children’s aid and sex abuse organizations in Australia largely blamed 414 cases of children sexually abusing other children on the explosion of pornography made accessible to children.
  • August 2012: A 13-year-old Canadian boy pleaded guilty to repeatedly raping a 4-year-old boy who lived in his foster home. The boy said the idea came from watching “gay porn” on his foster parents’ home computer.
  • April 2012: A child therapist reported a case of a 13-year-old boy who raped his 5-year-old sisterafter developing a “complex fantasy world” warped by “two years of constant porn use.”

 

 

racism in porn:

  • Latinos and HispanicsPornography tends to stereotype Hispanic women as feisty, “hot and spicy Latinas”, sexy Señoritas, with a high sex drive and low impulse control. Many are portrayed as maidsillegal immigrants to the United States, or unfaithful wives. Since Latinos and Hispanics can be of any race (many are white Hispanic AmericansMestizos etc.), cultural characteristics are sometimes portrayed via iconic items like South and Central American national costumessombrerosmaracas, or Mexican dresses.
  • Asian women: Are viewed as sexually willing or submissive. Asian men are hardly portrayed in pairing with white women and not as common compared to white men with asian women porn. Asian women are mainly portrayed as the: “Dragon Ladies”, as servile “Lotus Blossom Babies”, “Innocent School Girls” in private school uniforms, “China dolls”, “Geisha girls”, war brides, or prostitutes. Japanese media have also at times sensationalistically promoted the stereotype of Japanese women overseas as “yellow cabs”.
  • Black performers: Large penis size in Black men is consistently emphasized in pornography, often by exclusively casting actors with larger than average penises such as Lexington SteeleKid BengalaJack Napier and Mandingo. Men are often treated to stereotypes of gang affiliation, working class labor, and are overrepresented in gang rape fetish films. Also, they are represented as overly aggressive and demanding, and are performing with white women. Similarly, black women are often portrayed with large breast and buttocks, or ‘booty’. They normally play a submissive role while performing with a white male.

 

 

Kid’s access to pornography:

  • Youth who look at violent x-rated material are six times more likely to report forcing someone to do something sexual online or in-person versus youth not exposed to x-rated material. [12]
  • Middle-school aged boys who view X-rated content are almost three times more likely to report oral sex and sexual intercourse than boys who do not use sexually explicit material[13]
  • A study in the southeastern U.S. found that 53 percent of boys and 28 percent of girls (ages 12-15) reported use of sexually explicit media. The Internet was the most popular forum for viewing. [14]
  • The words “sex” and “porn” rank fourth and sixth among the top ten most popular search terms. [15]
  • Roughly two-thirds (67 percent) of young men and one-half (49 percent) of young women agree that viewing pornography is acceptable.[7]
  • Nearly 9 out of 10 (87 percent) young men and 1 out of 3 (31 percent) young women report using pornography.[8]
  • Experts have warned that the rise in the viewing of pornography was implicated in a variety of problems, including a rise in the levels of STDs and teenage pregnancies.  Additionally, males aged between 12 and 17 who regularly viewed pornography had sex at an earlier stage in life and were more likely to initiate oral sex, apparently imitating what they had seen. [9] [10]
  • Internet pornography was blamed for a 20 percent increase in sexual attacks by children over three years.[6]
  • One out of three youth who viewed pornography, viewed the pornography intentionally.[1]
  • Seven out of ten youth have accidentally come across pornography online.[2]
  • Nearly 80 percent of unwanted exposure to pornography is taking place in the home (79 percent occurs in the home; 9 percent occurs at school; 7 percent other/unknown; 5 percent at a friend’s home).[3]
  • Kids experience unwanted exposure to sexual material via:[4] A link came up as a result of an innocent word search (40 percent), Clicking on a link in another site (17 percent), A pop-up (14 percent), Other (13 percent), Misspelled web address (12 percent), Don’t know (4 percent), Pictures involving animals or other strange things (10 percent)
  • Type of material youth encounter when unwanted exposure to pornography occurs:[5] Naked people (86 percent), People having sex (37 percent), Violent pictures (13 percent)
  • Nearly 74 percent of pornography websites surveyed display adult content on their homepage (accessible to anyone) before asking if the viewers are of legal age. [11]
  • American children begin consuming hardcore pronography at an average age of 11
  • Four out of five 16 year-olds regularly access pornography online
  • Findings from the Youth Internet Safety Survey indicate that 15% of 12-17 year olds have purposefully looked at x-rated material online.
  • Data from the PEW Internet and American Life Project suggest that 70% of 15-17 year old internet users accidently view pornography “very” or “Somewhat” often.

 

 

Child Pornography

  • Child pornography is a $3-billion industry. (Top Ten Reviews)
  • Child pornography is one of the fastest growing businesses online, and the content is becoming much worse.  (Internet Watch Foundation)  Internet Watch Foundation confirmed 1536 child abuse domains in 2008.
  •  The fastest growing demand in commercial websites for child abuse is for images depicting the worst type of abuse, including penetrative sexual activity involving children and adults and sadism or penetration by an animal.  58% of child sexual abuse images depict this level of abuse. (IWF, 2008)
  •  69% of all victims in child abuse images are between the ages of 0 and 10 years old. (IWF, 2008)
  •  In a study of arrested child pornography possessors, 40 percent had both sexually victimized children and were in possession of child pornography. Of those arrested between 2000 and 2001, 83 percent had images involving children between the ages 6 and 12; 39 percent had images of children between ages 3 and 5; and 19% had images of infants and toddlers under age 3 (National Center for Missing & Exploited Children, Child Pornography Possessors Arrested in Internet-Related Crimes: Findings fro the National Juvenile Online Victimization Study. 2005).

 

 

Your brain on porn:

  • further decline in dopamine levels
  • further decline in opioids and endorphins
  • drop-off in GABA, which is an anti-anxiety neurotransmitter
  • rise in brain stress hormones CRF and norepinephrine 
  • elevated dynorphin which inhibits dopamine and lowers your pleasure response
  • one week after quitting the reward center sprouts new nerve cell branches, which correlate with cravings to use
  • More sources on addiction to porn

 

 

Common porn addiction withdrawal symptoms include:

  • Anxiety
  • Restlessness
  • Irritability
  • Insomnia
  • Fatigue
  • Headaches
  • Poor concentration
  • Depression
  • Social isolation
  • Loss of libido (Can take days to manifest, and last a long time)

 

 

Adult (>18 years old) exposure to pornographic media is connected with:

  • Believing a rape victim enjoyed rape
  • Believing women suffer less from rape
  • Believing women in general enjoy rape
  • Believing a rape victim experienced pleasure and “got what she wanted”
  • Believing women make false accusations of rape
  • Believing rapist deserve less jail time
  • More acceptance of the rape myth
  • More acceptance of violence against women
  • More likely to go to a prostitute and to go more frequently
  • Increasing their estimates of how often people engage in sex with violence
  • More self-reported likelihood of forcing a women sexually
  • More self-reported likelihood of rape
  • Creating more sexually violent fantasies to get aroused
  • Engaging in more sexual harassment behaviors
  • More likelihood of forcing a woman sexually
  • More likelihood of future rape
  • Using physical coercion to have sex
  • Using verbal coercion to have sex
  • Using drugs and alcohol to sexually coerce women
  • Having engaged in rape
  • Having engaged in date rape
  • Having engaged in marital rape
  • Being an adult sex offender
  • Being a child molester
  • Being an incest offender
  • Engaging in sexual abuse of a battered spouse
  • More willingness to have sex with 13-14 year olds
  • More sexual attraction to children
  • Having sexually abused children

 

 

Life and death of a porn star:

 

 

If you don’t feel like reading:

 

 

Just links:

 

HOW YOU CAN HELP

Talk Amongst Yourselves: Here’s A Topic

Here’s some reading for your weekend. Some of these articles are not new, but they were new to me when I read them, and I thought they were interesting enough to share:

 

 

Image result for permit patty

*For those of you outside the US, this topic may be puzzling to you. The reason there are so many stories about this recently is because of the progress of technology. We can now clearly document the racism that Black people (and other marginalized groups) are on the receiving end of in this country. (This article lists several.)

Sadly, the only takeaway that a lot of White people get from the widely publicized police shootings of unarmed Black men, is that they can call the police, who will then come and punish us, or remove us, and there is a very clear reason that  many of these incidents have been instigated by White women. In a few of these cases, it is made  clear by the participants, that the reason they’re calling the police, is that they hope we will be killed. 

The bottom line is that White supremacy is not the sole province of White men. White women are not innocent, and have been willing, sometimes eager, participants in its practice.

https://www.damemagazine.com/2018/07/30/white-women-arent-afraid-of-black-people-they-want-pretty-power/

There’s a long history of white women harassing Black people and getting cops to arrest them. The only danger they feel is of losing their place within the white patriarchy.

 

 

 

Image result for superheroes/ gender

*This is an analysis of the types of gender roles played in superhero movies:

https://adanewmedia.org/2016/10/issue10-miller-rauch-kaplan/

This study examined full-length superhero movies to determine if there are gender differences in characters’ roles, appearances, and violence.

 

 

Image result for black superheroes

*A lot of Black superheroes are strictly small time. Its interesting that superheroes written by White men are only ever tasked with taking care of their immediate environment, which is almost always a crime- ridden neighborhood in the inner city. This is not to negate the existence of Cosmic and Planetary  superheroes, but that there are so many of them willing to forgo protecting the planet, or the galaxy, in favor of just hanging out in the ‘hood, is something I hadn’t noticed before.

https://www.theatlantic.com/entertainment/archive/2014/11/black-superheros/383042/

Traditionally, movies have done a curious thing with black heroes: Charge them not with saving the world, but rather with protecting their immediate, ethno-specific domains, or, in many cases, to put it bluntly, the ghetto.

 

 

 

Image result for model minority

*This has been an issue since the passing of the Civil Rights Act. Before that, Asian people had largely been vilified in the media, and by politicians, as a menace, or as not really being American. After the passing of the CRA there was a concerted effort to use the achievements of certain ethnicity of Asian Americans to make backhanded slaps at Black people, in an attempt to negate the effects of White supremacist policies on both groups.

https://www.npr.org/sections/codeswitch/2017/04/19/524571669/model-minority-myth-again-used-as-a-racial-wedge-between-asians-and-blacks

Since the end of World War II, many white people have used Asian-Americans and their perceived collective success as a racial wedge. The effect? Minimizing the role racism plays in the persistent struggles of other racial/ethnic minority groups — especially black Americans.

 

 

Image result for bad comedians

*I had a long rant ready about the whininess of comedians who claim political correctness has destroyed their careers, but this article states what I wanted to say clearly enough. What they are complaining about is simply what happens to older comedians who can’t adapt to the times.

http://www.latimes.com/opinion/op-ed/la-oe-0616-rabin-seinfeld-pc-20150616-story.html

Comedy increasingly is taking the form of a conversation rather than a one-way expression of ideas and information, and cranky older comedians who opt out of this dialogue risk becoming relics of an earlier era.

 

 

 

Related image

*This made me think about a lot of the art created by marginalized groups in hte US ,and how so much of it is created to uplift the self- esteem of the group. What Gadsby says she was doing in her stand-up is the exact opposite of rap music, for example. There is no such thing as self- deprecating rap music. I thought of this because I had been listening to Django Jane ,and how that is an anthem for QPoC, and the things Janelle Monae says about herself in that song, are a celebration of her strength, and identity, and it makes me wonder if Gadsby’s approach to stand-up, has more to do with being Tanzanian rather than American. or if its just her own introverted personality at work.

 Here, you have two very different women, both of them somewhere along the LGBTQ spectrum, one White and Non- American, and the other American born, and you have two very different philosophical approaches to their performances. Gadsby claims her self- deprecation was the price she paid for speaking, as if she needed permission to talk about her life, and could only do so by making herself smaller. This does not seem to be the case with Janelle, who creates art that celebrates herself. Janelle doesn’t ask permission. She is  telling the listener how wonderful she is, which is  one of the major components of a form of music that was created by an often denigrated, and marginalized group of people. Such a form of humility may have served Gadsby in the environment that produced it,  but Black Americans can’t afford to be humble.

http://observer.com/2018/08/film-crit-hulk-hannah-gadsby-rejects-the-premise/

“Do you understand what self-depreciation means when it comes from someone who already exists in the margins?” She asks, “it’s not humility, it’s humiliation.” And Gadsby was done having her very identity being a source of tension. She was done cutting herself down. She was done humiliating herself.

 

 

 

Image result for scifi disability

*I’ve watched a lot of Science Fiction and its interesting how many or how few  characters with disabilities are present, and how little accommodation is made for them. I cannot recall any stairs on Star Trek, but I also didn’t notice if other accommodations had been made for hearing, height, or sight disabilities. I’m going to have to re-watch a lot of my favorites, and make  notes.

http://www.scifipulse.net/turning-a-blind-eye-physical-disabilities-in-sci-fi-fantasy-entertainment/

https://io9.gizmodo.com/staircases-in-space-why-are-places-in-science-fiction-1827966642

Our real world is a remarkably inaccessible place. I haven’t made it to a movie theater on opening night in years without running into a plethora of issues, from broken captioning devices to nondisabled people sitting in seats for wheelchair users and their companions, to theaters that are physically inaccessible to me because of those dang steps and staircases.

 

 

*Thandie Newton, from Westworld, has a lot to say about diversity in SciFi:

 

Your character Maeve in HBO’s “Westworld” is an android or “host” in a theme park. What do you think it means to have characters of color in genre work? A lot of what’s in the mainstream doesn’t have people of color. What irritates me is that science fiction is the place where you could have us. Science fiction is a projection of a time that hasn’t even happened, so if you don’t populate that place with people of different skin tones, shame on you.

Weekend Reading: On History and Pop Culture

Appropriation of  History

Image result for history

Discussions on the appropriation of Medievalist history by various pseudo- Nazi organizations throughout, and how historians are fighting back against their livelihoods being associated with it.

https://newrepublic.com/article/144320/racism-medievalism-white-supremacists-charlottesville

http://www.inthemedievalmiddle.com/2017/08/teaching-medieval-studies-in-time-of.html

https://eidolon.pub/why-i-teach-about-race-and-ethnicity-in-the-classical-world-ade379722170

The Popularity of Vikings

Image result for vikings

Discussions about the appropriation of Viking culture by neo Nazi groups, and how historians and the descendents of that culture  are fighting against it.

https://cjadrien.com/vikings-popular/

https://www.thelocal.se/20171006/we-cant-let-racists-re-define-viking-culture-far-right-runes-swedish

https://www.tampabay.com/opinion/columns/column-white-supremacists-love-vikings-but-theyve-got-history-all-wrong/2325755

https://www.juancole.com/2017/10/supremacists-vikings-muslims.html

https://www.vice.com/en_us/article/ywqn3j/photos-of-modern-vikings-keeping-their-traditions-alive

Star Wars and Fandom

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I have a post coming soon about a version of gamergate, that happened in the seventies, against disco. Rock music, Gamergate, Star Wars, Ghostbusters…white straight men throwing this type of tantrum because of a changing media landscape is not new, and follows the same formula every time it happens.

This is often reactionary behavior. By the time White men (and it is almost always White men) start protesting something it’s too late to do anything about it.  When it happened in the past, especially when the internet didn’t exist,  whatever they were protesting against simply went underground and emerged in a new form. Gamergate didn’t stop companies from developing diverse games, The Disco Sucks movement did not destroy that particular musical style, protests against rap music didn’t stop it from mainstreaming, and these new ass showings around PoC in scifi/ fantasy movies, isnt going to stop movies from being diverse, and women and PoC are still on the internet. So far, all they’ve managed to accomplish is a handful of celebrities closing themselves off from their fans by limiting their social media accounts.  

So what really is the point of such things?

https://www.dailydot.com/parsec/star-wars-last-jedi-gamergate/

The Beautiful, Ugly, and Possessive Hearts of Star Wars

Racism, Misogyny & Death Threats: How Star Wars Fans Turned to the Dark Side

https://www.theodysseyonline.com/star-wars-fandom-toxicity-problem

 

The latest victim of racist ass-showing is the star of the upcoming DC series Titans, Anna Diop, who closed down the comments on her Instagram page when they racist vitriol got to be a bit much. Of course she’d started to receive this commentary the moment her casting was announced, and issued this statement:

https://www.theroot.com/racist-comic-fans-run-titans-star-off-instagram-for-not-1827809010

 

https://www.themarysue.com/candice-patton-asleigh-murray-racist-backlash/

What is really upsetting to me about this is that both actresses were told to prepare themselves for this backlash, and when coming face-to-face with it, the advice they got was to ignore it. That they’re expected to just take it to lay down the foundation for other women of color, when there are so many women who have laid the down foundation for them already, is truly exhausting.

Thinking Critically

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This first article is about this writer’s long road to adjusting his attitude to current media, and learning how to feel and think about it critically, without engaging in racism, and homophobia, something I think a lot of people, who consider themselves fans, need to do.

https://birthmoviesdeath.com/2017/08/04/film-crit-hulk-smash-on-criticism-in-the-intersectional-age

 

For Huck magazine Anthony Lorenzo does not mince words about how Hollywood perpetuates racism both in front of and behind the camera:

https://www.huckmag.com/perspectives/need-talk-race-film-industry/

It isn’t difficult to imagine why white writers don’t want to tackle characters they probably wouldn’t get right and get flack for. How a character might talk, might walk, the music they’d listen to and where they’d head on a messy night out. There’s a subtlety to the art of creating a character that requires knowledge of a relevant culture to accurately depict their nuances. Getting this wrong forces characters into two dimensions, leaving the writer a failure. 

 

At some point, I need to do a post on how media audiences have changed over the decades. There was a time when the primary audience that most media aimed for was the family. Over time, that changed to teenagers with disposable income, which at some point, metastasized into White males, aged 18-34.

http://www.houstonpress.com/arts/dear-straight-white-men-you-are-being-pandered-to-as-well-7652399

Random Movies

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Zombies, Race, and Gender

Dr Zuleyka Zevallos

I don’t entirely agree with this article, as it hasn’t been my experience of the fandom, who seem to all want to be Negan, but nevertheless, it was an interesting read.

https://www.wired.com/2013/06/world-war-z-zombie-messages/

That shift towards a lone-white-man-triumphing-against-the-hordes mentality goes against the dominant manifestations of zombie fandom, where often fans want to join zombie swarms rather than be lone-wolf heroes. As Lauro explains, the group mentality that has proven successful in the past is the one fans share.

 

Bladerunner 2049 and Race

The movie definitely has some racist and sexist issues:

http://colorwebmag.com/2018/03/27/the-racial-flaws-of-blade-runner-2049/

 

The Magnificent Seven: Racial History

On the erasure of PoC from the Western narrative:

<em>The Magnificent Seven</em> vs. The Historical Negationism of Westerns

 

Ready Player One

Ready Player One has several issues wrong with it but I think for me one of the biggest issues is outlined in the first article. In this movie there is almost no acknowledgment that Black culture is American culture:

http://www.okayplayer.com/originals/ready-player-one-black-culture-erasure-harmful-opinion.html

https://inews.co.uk/culture/film/ready-player-one-panders-to-a-lame-sexist-nerd-culture-that-needs-to-die/

 

Analyzing The Purge

An analysis of everything wrong with the plot of The Purge, and an analysis of how poverty would affect the outcome of such a plot.

http://www.plotpedant.com/the-purge/

https://filmschoolrejects.com/the-purge-and-politics-of-poverty-c23e94449e4/

The Purge — the event, not the film — is for white people, specifically rich white people. They are the beneficiaries, the ones who can afford the security systems to keep them safe, the ones wanting to thin the population for the sake of conserving resources, and the ones whose bloodlust is least in check. The victims are minorities, largely, and economically disadvantaged to the point some even resort to selling themselves to wealthy people on Purge Night in exchange for their surviving family’s financial security. That’s another idea that only a couple of weeks ago sounded like pure fiction, and now….well, not as much.

 

Snowpiercer and The White Savior

An analysis of the use of the White Savior trope in the movie Snowpiercer. This is one of my favorite movies. It has a lot of messages in it about the hierarchy of inequality, and stars Chris Evans. It also has an unconventional ending that makes the use of the trope a lot more complicated.

https://alanw2000.wordpress.com/2014/11/29/snowpiercer-analysis-bong-joon-hos-sci-fi-masterpiece-by-alan/

http://mumpsimus.blogspot.com/2014/07/the-decay-of-white-savior.html

 

Avatar: The White Savior Trope

https://io9.gizmodo.com/5422666/when-will-white-people-stop-making-movies-like-avatar

 

Mad Max: Fury Road/Disability

https://womenwriteaboutcomics.com/2015/05/disability-in-the-dystopian-future-of-mad-max-fury-road/

https://www.inverse.com/article/15806-one-year-later-fury-road-resonates-on-disability-sexuality-and-the-end-of-days

 

Logan: On Violence, Death, and Dying

Logan: A Film Fighting With Itself

http://www.btchflcks.com/2017/03/logan-on-death-and-dying-and-mutants.html#.W1JVgjpKgnR

Random Conversations on Tumblr

 Just some of the conversations I’ve been reading, and sometimes participating in, on Tumblr. Incidentally, you should check out my Tumblr page. It’s a bit different from this one, in that I post more about politics, and social issues, along with more casual things like goofy animals, and silly discussions.

Robots and Race

* The TV Series Humans has just finished its third season, and quite a number of fans are unhappy. I watched the second season and noticed that race wasn’t much talked about, although since many of the robots featured depict different races, it should have.
The star character for some of the major plotlines was Gemma Chan’s, Mia. She was killed in the season finale, and fans felt some type of way about that. I didn’t watch the third season because I had gotten bored with the show.
But something in EAWS’s essay, about how Mia was treated on the show, and the third season’s approach to racial issues, prompted thoughts from me about how the subject of racism is depicted in science fiction/fantasy shows, especially when the writers are White. I’ve noticed that they are often not honest about White culpability in the invention of modern racism.
I’ve been noticing this trend, and I had some things to say about.
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Humans is one of those shows that is racially diverse on the surface, but in reality is very safe, very white-centric (yes, even with having Mia and Max in the main cast).

“Äkta människor”, the original Swedish show had its own problems with writing the characters of color,  but it was always very clear that the in-universe “Real Humans” (”We are People”) movement was a direct parallel to the white supremacist, anti-immigrant alt right groups / political parties, and all their members were portrayed by the white actors.

Humans, however, while also pretending to be a sci fi allegory of real life racism and xenophobia, makes sure that for each bigoted white character there’s always a Bigoted Character of Color. Just a few examples –

  • a random Black man, a member of alt-right “We Are People” movement, in s1 holding an anti-synth banner and shouting anti-synth propaganda;
  • Thusitha Jayasundera’s Neha in s2 was leading a case against Niska, yes, she went through massive character development in s3, and became an active synth rights supporter, but in her own words, she changed her views mainly because of Laura (a white woman);
  • a xenophobic anti-synth cameo character played by Naoko Mori in s2;
  • Ed’s bigoted Black friend, who persuaded Ed to sell Mia (which in turn made it easier for the writers to redeem Ed in s3 – “Ed wasn’t a racist who dehumanized his girlfriend of color, he was just a weak man, who followed an advice from his Black friend, it’s the Black friend, who is the /real/ racist” – that’s the writers’ message here);
  • a Black woman police officer, who profiled Mia in s3;
  • a random Angry Black Woman on the street, that attacked Mia in s3;
  • a Brown Muslim politician on the Synth commission, that was presented more anti-synth, than a white guy, who lead the commission (s3);
  • an anti-synth Brown Head of the Police, member of the commission;
  • an unnamed Black man leading the human supremacist group against the synth compound, targeting Max and Mia (3×08).

Once is an accident, twice is a coincidence, third time is a pattern, as they say.

  Keep reading

What was the point in changing what was basically a white nationalist into a Black xenophobe? Intersectional bigotry exists, yes. But white writers of Äkta människor managed to show intersectional bigotry through white characters – they had xenophobic white gay character and a homophobic white hubot/synth, they even had a weeb. Brown writers of Cleverman showed intersectional bigotry through Koen (in s1) and Waruu West in s2. But when white writers prefer to show Black and Brown characters as the “real” racists (like Sense8the only reason for that is that the writers don’t want to touch the subject of white supremacy because it makes them uncomfortable. *

I love this, and I just want to piggyback a little bit off this post for a minute:

This is one of the major reasons why I dislike racism allegories written by White writers. They often, and very deliberately, get these allegories wrong by trying to equate racism and white nationalism, with “reverse racism” (which is not a thing, btw). They often do this by casting PoC as virulent racists against whatever out-group is the stand-in for a marginalized group in the narrative, whether its robots, supernatural creatures, or aliens.

I’ve seen this happen in a lot of fantasy, and sci-fi narratives written by White writers, who are attempting to lecture their audience on how bad racism is, all while trying never to acknowledge the elephant in the room: That our current model of racism, they are riffing on, was invented by White people.

They often make these virulently racist characters Black as well. In Heroes, the nasty racist, who wanted to kill all heroes, was a Black woman, who actually killed children. In District 9, the African characters were racist against the aliens, monetarily prostituting them, exploiting them, and even cannibalizing them, (which is a whole other nastily racist trope about people from the African continent, that I simply cannot believe no one caught.) In the X-Men/New Mutants TV Series, The Gifted, you have a Black man, as a member of the government, hunting down the mutants, to put them in concentration camps, and in Teen Wolf, you have a Black woman who wants to destroy all supernatural creatures, and yet again, advocates killing children to accomplish her goal.

It’s even worse when sometimes these are the only Black characters in the entire narrative, or worse yet, Black women.

There is already a dearth of Black women in fantasy and sci-fi media, so Black women being cast in these roles (of killing children) is an especially nasty trope, that needs to fucking die, especially when you consider that it is real life Black women, who know, above all else, what it is like to lose their children to violence, and are working hard right now to protect their children from things like gang violence and police brutality. Real life Black women work damn hard to counter the very narratives these characters are advocating in these shows. To then cast these (always dark-skinned, with natural hair, because its simply not enough that they be Black) women as the advocates and killers of children, in these shows, is an especially insulting slap in the face to Black fans, as Black women are some of the hardest fighters against racism and sexism, being so often on the receiving end of both, and to keep seeing them cast in these roles is more than a little enraging.

I know the point the writers are trying to make is that there’s racism on all sides and that anybody can be racist, but that message is more than a little self-serving, especially when you consider that it is only White writers who tout this message, in their allegories about bigotry. So, not only are they appropriating our stories of oppression (all things that have been done by Whites to everyone else) to use for non-human beings, but casting PoC in these roles as the oppressors, because they want to express the idea that that type of racism and bigotry is an equal opportunity position. By doing that, they thereby remove themselves from collusion with the issue and relieve their own guilt.

 

Source: 

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*And then there’s this problem, which is seen in every scifi/ fantasy racial allegory from True Blood, to Zootopia, to Bladerunner, to Bright, to The X-Men……… 
Yet it’s the kind of parable that turns up over and over again in science fiction and fantasy stories that are reportedly trying to convey a message of tolerance. “Look, we get that you’re having trouble seeing minorities as humans, so perhaps it would help if you imagined them as something that is A) objectively not human and B) inherently dangerous.”…
…What makes it worse — and weirder — is that writers can’t resist giving these marginalized groups some kind of superpowers, which in turn actually gives the fictional society a legitimate reason to fear them.

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Science Fiction Genre and Race

 *White writers also have a tendency to be lacking when it comes to imagining futuristic depictions of race, often simply reproducing the same racial issues (and many of the same stereotypes) that exist right now. The situations of various PoC simply never changed. We’re still sassy sidekicks, living in poverty, model minorities, or just erased.

https://psmag.com/social-justice/welcome-to-the-post-racial-future-its-still-pretty-racist

Altered Carbon presents a world that looks post-racial, and in which humanity has escaped from identity, and identity politics, once and for all. But even when bodies are interchangeable commodities, certain bodies are treated as having more value than others. for the greater profit of rich people and white people, and especially of rich white people.

 

I’m surprised a film of this magnitude and of this scale decided to show one of the most regressive and most racially-charged images I’d seen in a while; replicant Luv (Sylvia Hoeks), the replicant assistant to Niander Wallace (Jared Leto)  is shown getting her nails electronically altered by a small Asian man, whose hunched over, deep in his work.

The stereotype of the Asian nail salon tech has made its way into the future.

 

 

https://www.theatlantic.com/entertainment/archive/2014/03/-em-star-wars-em-and-the-4-ways-science-fiction-handles-race/359507/

 Sci-fi likes to believe it can imagine anything, but, especially in its mainstream incarnations, it’s clearly a lot more comfortable imagining race in contexts where the topic is dealt with obliquely or simply not mentioned or foregrounded. In this area, Hollywood adventures are strikingly timid. 

 

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Black Feminism

*Discussion of Black women as love interests. By saying that Thor is only interested in Valkyrie, as a heroic figure, it  is akin to saying she’s a strong, independent, Black woman, who don’t need no man, and how this does not take into account intersectional femininity:

Image result for black women saviors
The Problem with Valkyrie Being Simply a “Hero” to Thor

So…I get not everyone is going to understand this, especially if someone is not a Black woman and doesn’t have our experiences, so I’m going to try to lay this out as nicely as possible and try not to come off too harsh.

I’m going to start off with a quote from Alice Walker:

“Black women are called, in the folklore that so aptly indentifies one’s status in society, ‘the mule of the world,’ because we have been handed the burdens that everyone else–everyone else–refused to carry. We have also been called ‘Matriarchs,’ ‘Superwomen,’ and ‘Mean and Evil Bitches.’ Not to mention ‘Castraters’ and ‘Sapphire’s Mama.’“

You see, Black women are expected to be the “hero” of someone else’s story. We’re expected to be “the help.” The “mystical hero.” The “sassy friend.” We’re always there to help out the lead, but we’re never the love interest.

Chris Hemsworth has said himself that Thor is “smitten” by Valkyrie…when you disregard that and say she’s simply his hero and that it’s refreshing that he’s not admiring her in a romantic way, you are confusing your experience as a non-Black woman with ours.

Black women have historically been masculinized and fetishized. We’re either seen as too unattractive for love or too sexual to be romanticized. So, when we are put on a pedestal as a hero, it’s not at all refreshing. It’s the same ol’ same ol’. Now, being adored and loved? That’s something Black women never get to see for themselves.

It’s something that has slowly been changing, but the more it changes, the more pushback is given in response. CW’s Iris West is nitpicked as a character for the silliest things while the fandom constantly ships Barry with Caitlin, a white character who has shown no interest in him or vice versa. Even the actress cannot escape the anger from fans who prefer the lead be paired with a white woman. She faces constant harassment on her social media on a regular basis.

So, while it might be revolutionary for white female leads and other non-Black female leads to be looked at like heroes rather than love interests, it’s not so much for Black women. So rarely are we given the message that we too can be worthy of love. Please tread carefully when you suggest that a Black woman being seen as a man’s hero rather than love interest is “refreshing.”

 

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Humorous Interlude

 

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*The discussion, on the adoption and care of the Roomba, continues: 

 gaymilesedgeworth

after i move i really wanna get a used roomba

 

gaymilesedgeworth

biggest-gaudiest-patronuses

just remember they’re social animals and should always be kept in pairs, don’t get a roomba if you aren’t prepared for that responsibility

 

fireheartedkaratepup

That’s a common misconception. Roombas do perfectly fine on their own if you spend quality time with them! They group together in the wild for protection, but when they have no natural predators in the area they often choose to live alone.

 

biggest-gaudiest-patronuses

i didn’t know that! do you have any advice on roomba breeding and the problem with parent roombas’ tendency towards eating their young?

 

ironbite4

……..I’m nuking this entire hell planet from orbit.

 

biggest-gaudiest-patronuses

even the roombas?

 

ironbite4

The roombas are coming with me.  Can’t let them stay with you crazy people.

 

Source: gaymilesedgeworth

 

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Representation

*I loved this speech about the importance of representation and inclusion:

Rick Riordan won a Stonewall for 2017

rosetintmyworld84

 

Rick Riordan was awarded the Stonewall Book Award for his second Magnus Chase book, due to the inclusion of the character Alex Fierro who is gender fluid. This was the speech he gave, and it really distills why I love this author and his works so much, and why I will always recommend his works to anyone and everyone.

“Thank you for inviting me here today. As I told the Stonewall Award Committee, this is an honor both humbling and unexpected.

So, what is an old cis straight white male doing up here? Where did I get the nerve to write Alex Fierro, a transgender, gender fluid child of Loki in The Hammer of Thor, and why should I get cookies for that?

These are all fair and valid questions, which I have been asking myself a lot.

I think, to support young LGBTQ readers, the most important thing publishing can do is to publish and promote more stories by LGBTQ authors, authentic experiences by authentic voices. We have to keep pushing for this. The Stonewall committee’s work is a critical part of that effort. I can only accept the Stonewall Award in the sense that I accept a call to action – firstly, to do more myself to read and promote books by LGBTQ authors.

But also, it’s a call to do better in my own writing. As one of my genderqueer readers told me recently, “Hey, thanks for Alex. You didn’t do a terrible job!” I thought: Yes! Not doing a terrible job was my goal!

As important as it is to offer authentic voices and empower authors and role models from within LGBTQ community, it’s is also important that LGBTQ kids see themselves reflected and valued in the larger world of mass media, including my books. I know this because my non-heteronormative readers tell me so. They actively lobby to see characters like themselves in my books. They like the universe I’ve created. They want to be part of it. They deserve that opportunity. It’s important that I, as a mainstream author, say, “I see you. You matter. Your life experience may not be like mine, but it is no less valid and no less real. I will do whatever I can to understand and accurately include you in my stories, in my world. I will not erase you.”

People all over the political spectrum often ask me, “Why can’t you just stay silent on these issues? Just don’t include LGBTQ material and everybody will be happy.” This assumes that silence is the natural neutral position. But silence is not neutral. It’s an active choice. Silence is great when you are listening. Silence is not so great when you are using it to ignore or exclude.

But that’s all macro, ‘big picture’ stuff. Yes, I think the principles are important. Yes, in the abstract, I feel an obligation to write the world as I see it: beautiful because of its variations. Where I can’t draw on personal experience, I listen, I read a lot – in particular I want to credit Beyond Magenta and Gender Outlaws for helping me understand more about the perspective of my character Alex Fierro – and I trust that much of the human experience is universal. You can’t go too far wrong if you use empathy as your lens. But the reason I wrote Alex Fierro, or Nico di Angelo, or any of my characters, is much more personal.

I was a teacher for many years, in public and private school, California and Texas. During those years, I taught all kinds of kids. I want them all to know that I see them. They matter. I write characters to honor my students, and to make up for what I wished I could have done for them in the classroom.

I think about my former student Adrian (a pseudonym), back in the 90s in San Francisco. Adrian used the pronouns he and him, so I will call him that, but I suspect Adrian might have had more freedom and more options as to how he self-identified in school were he growing up today. His peers, his teachers, his family all understood that Adrian was female, despite his birth designation. Since kindergarten, he had self-selected to be among the girls – socially, athletically, academically. He was one of our girls. And although he got support and acceptance at the school, I don’t know that I helped him as much as I could, or that I tried to understand his needs and his journey. At that time in my life, I didn’t have the experience, the vocabulary, or frankly the emotional capacity to have that conversation. When we broke into social skills groups, for instance, boys apart from girls, he came into my group with the boys, I think because he felt it was required, but I feel like I missed the opportunity to sit with him and ask him what he wanted. And to assure him it was okay, whichever choice he made. I learned more from Adrian than I taught him. Twenty years later, Alex Fierro is for Adrian.

I think about Jane (pseudonym), another one of my students who was a straight cis-female with two fantastic moms. Again, for LGBTQ families, San Francisco was a pretty good place to live in the 90s, but as we know, prejudice has no geographical border. You cannot build a wall high enough to keep it out. I know Jane got flack about her family. I did what I could to support her, but I don’t think I did enough. I remember the day Jane’s drama class was happening in my classroom. The teacher was new – our first African American male teacher, which we were all really excited about – and this was only his third week. I was sitting at my desk, grading papers, while the teacher did a free association exercise. One of his examples was ‘fruit – gay.’ I think he did it because he thought it would be funny to middle schoolers. After the class, I asked to see the teacher one on one. I asked him to be aware of what he was saying and how that might be hurtful. I know. Me, a white guy, lecturing this Black teacher about hurtful words. He got defensive and quit because he said he could not promise to not use that language again. At the time, I felt like I needed to do something, to stand up especially for Jane and her family. But did I make things better handling it as I did? I think I missed an opportunity to open a dialogue about how different people experience hurtful labels. Emmie and Josephine and their daughter Georgina, the family I introduced in The Dark Prophecy, are for Jane.

I think about Amy, and Mark, and Nicholas … All former students who have come out as gay since I taught them in middle school. All have gone on to have successful careers and happy families. When I taught them, I knew they were different. Their struggles were greater, their perspectives more divergent than some of my other students. I tried to provide a safe space for them, to model respect, but in retrospect, I don’t think I supported them as well as I could have, or reached out as much as they might have needed. I was too busy preparing lessons on Shakespeare or adjectives, and not focusing enough on my students’ emotional health. Adjectives were a lot easier for me to reconcile than feelings. Would they have felt comfortable coming out earlier than college or high school if they had found more support in middle school? Would they have wanted to? I don’t know. But I don’t think they felt it was a safe option, which leaves me thinking that I did not do enough for them at that critical middle school time. I do not want any kid to feel alone, invisible, misunderstood. Nico di Angelo is for Amy, and Mark and Nicholas.

I am trying to do more. Percy Jackson started as a way to empower kids, in particular, my son, who had learning differences. As my platform grew, I felt obliged to use it to empower all kids who are struggling through middle school for whatever reason. I don’t always do enough. I don’t always get it right. Good intentions are wonderful things, but at the end of a manuscript, the text has to stand on its own. What I meant ceases to matter. Kids just see what I wrote. But I have to keep trying. My kids are counting on me.

So thank you, above all, to my former students who taught me. Alex Fierro is for you.

To you, I pledge myself to do better – to apologize when I screw up, to learn from my mistakes, to be there for LGBTQ youth and make sure they know that in my books, they are included. They matter. I am going to stop talking now, but I promise you I won’t stop listening.”

 

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Dinosaurs

Image result for mosasaur gif

*This entire review is basically the only reason people got to see these films. We’re certainly not watching them for the people in them.

Now, I’ve told you guys how much my Mom loves movies about people being eaten by things, so if she says something was a bad movie, take what she says as the truth. This woman will watch almost anything with giant creatures chasing and eating people, and she hated this movie!

I’m probably one of the few people that didn’t actually hate this movie, although I hated most of the people in it, and spent some amount of time rooting for my three favorite dinosaurs: the T-Rex(which I have named Sue), the velociraptor named Blue, and the mosasaur from the last movie, which I have, henceforth, named Molly.

 

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The Apocalypse

*I had to leave a response to this because the whole idea of the zombie apocalypse has now become nothing more than power a fantasy for White men, who all imagine they’re gonna be Negan, from The Walking Dead. 

I’m not watching any more shows, or reading any more zombie apocalypse novels, with White men in the center of the story. Most zombie novels and movies only feature White, middle-class people, and focus on their reactions to the loss of electricity, I guess.  Despite the existence of most of the world’s infrastructure, and the clear examples of what human beings would actually do when encountering catastrophe, in places like Puerto Rico and  Katrina, apparently one’s immediate reaction is to run amok in the streets, trying to kill each other for food.

I’m ready for some stories featuring unconventional heroes, in diverse environments. This is why I enjoyed World War Z (the book). How does the zombie apocalypse affect the plains of Africa or the mountains of Tibet? The slums of India? Or the favelas of Brazil?

Its also interesting to note that none of the pop culture we know, exists in any of these universe created by the zombie apocalypse. It’s always a surprise to the inhabitants of these stories as if they’d never heard of zombies. They always have to start from scratch. What if we just didn’t? I want to read a story (or watch a show) where all the Black, and Latinx people, in the ‘hood,  lived, because we’ve all been watching movies about the zombie apocalypse for decades, and we know all the rules and the tropes.

why is there no electricity after the apocalypse?

jumpingjacktrash

 

something people writing post-apocalyptic fiction always seem to forget is how extremely easy basic 20th century technology is to achieve if you have a high school education (or the equivalent books from an abandoned library), a few tools (of the type that take 20 years to rust away even if left out in the elements), and the kind of metal scrap you can strip out of a trashed building.

if you want an 18th century tech level, you really need to somehow explain the total failure of humanity as a whole to rebuild their basic tech infrastructure in the decade after your apocalypse event.

i am not a scientist or an engineer, i’m just a house husband with about the level of tech know-how it takes to troubleshoot a lawn mower engine, but i could set up a series of wind turbines and storage batteries for a survivor compound with a few weeks of trial and error out of the stuff my neighbors could loot from the wreckage of the menards out on highway 3. hell, chances are the menards has a couple roof turbines in stock right now. or you could retrofit some from ceiling fans; electric motors and electric generators are the same thing, basically.

radio is garage-tinkering level tech too. so are electric/mechanical medical devices like ventilators and blood pressure cuffs. internal combustion’s trickiest engineering challenge is maintaining your seals without a good source of replacement parts, so after a few years you’re going to be experimenting with o-rings cut out of hot water bottles, but fuel is nbd. you can use alcohol. you can make bio diesel in your back yard. you can use left-over cooking oil, ffs.

what i’m saying is, we really have to stop doing the thing where after the meteor/zombies/alien invasion/whatever everyone is suddenly doing ‘little house on the prairie’ cosplay. unless every bit of metal or every bit of knowlege is somehow erased, folks are going to get set back to 1950 at the most. and you need to account somehow for stopping them from rebuilding the modern world, because that’s going to be a lot of people’s main life goal from the moment the apocalypse lets them have a minute to breathe.

nobody who remembers flush toilets will ever be content with living the medieval life, is what i’m saying. let’s stop writing the No Tech World scenario.

 

lkeke35

As a corollary to the above:

I’ve been saying this about the Zombie apocalypse for years. What city dwellers do you know are gonna immediately drop everything, run out to the woods, and live at a subsistence level, just because dead people are walking around? People with disabilities, allergies, or elderly parents to care for, ain’t going to be doing any such thing. Why is the advice given to people, that they need a “bug out” plan just because the dead are walking? I’m not buying it.

I live in the hood. Do you know how many handymen we have in the hood? How many military personnel? Or even homebody engineers? Do you have any clue how resourceful and cooperative poor people are, and have to be, to survive even with electricity? And how many of us have been trained to expect the best, but plan for the worst case scenario. No, you don’t, because that idea of poverty is never represented in popular culture. Shit! A zombie apocalypse won’t even ruffle our fucking hair. We’ll come up with ways to kill the zombies while keeping it moving. Hell, my brother, all by himself, could have the electricity up and running, a defensive tower, a moat, schooling, and gardening, all in the space of two weeks, and entirely organized by my mother.

It’s also interesting to me that all zombie apocalypse narratives only seem to consist of middle-class, white, suburbanites trying to survive, with a handful of PoC thrown in like confetti. The most that White writers can imagine, for PoC, even during the apocalypse, is that we all die? Really! That seems to be their only scenario. They don’t take into account that poor Black people have been taking care of each other since the invention of poor people. The poor have never believed in an isolationist, go it alone, ruggedly individual attitude, when it comes to surviving, because we couldn’t afford that! That’s the kind of attitude that only people, with all of their basic needs met, could adopt as a life strategy. Poor people are not lazy, and of everyone, they would be the most likely to survive the apocalypse, because we have experience with surviving hardship and insecurity!

On the other hand, the middle-class white guys who invent these types of stories are obsessed with that attitude. They really think that as soon as the electricity stops, people are gonna lose their gotdamn minds, and start trying to kill their neighbors for fun and food, or planning a long journey to go find their wife, son, daughter, lost somewhere in the pre-tech Badlands! Not even taking into account that we have real-life scenarios right here, right now, that we can look at and figure out that most people aren’t gonna act like that. (*cough, ahem! Puerto Rico! Cough*).

I have long come to understand that apocalypse scenario are just wish fulfillment fantasies for middle-class white guys who think that the end of the world will make them the heroes they always wanted to be. As a result, I’m no longer interested in apocalypse scenarios with white men in the center of them as the heroes, and yes, I’m also talking about a certain TV show, too.

 

Source: jumpingjacktrash
Actually, I’ve noticed one staple of almost all apocalyptic fiction written by White people: In everything, from those Purge movies, to alien invasion, and zombie apocalypse movies, the White Western reaction seems to be “go out and kill each other”.
I’m mostly talking about the Purge films, where the premise is that all crime is free for 12 or 24 hours, but all people can think of to do is kill each other. Are you kidding me? Can we get an Oceans 11 version of The Purge, where someone has been planning the perfect heist, all year long? Actually,  I hate the Purge movies because the movies create more questions than they answer, and my super-villain brain keeps trying to organize the cultural, social, and legal implications of such an arrangement.
In a lot of American apocalyptic fiction, we never get any idea how the rest of the world is handling the destruction of the “civilized” world, or even if the rest of the world is experiencing it at all. For all we know, it’s only the Americans and Europeans who have lost their damn minds, and the Canadians are doing just fine! How do we know the Aussies haven’t just all gone punchy from the heat,  put on some fetish gear,  and decide to ride around in the desert?
When White men write about the apocalypse, they often seem to write about destroying whatever, and whoever is left.  Now contrast all that with how Women and PoC write about the apocalypse:
https://www.huffingtonpost.com/olivia-cole/people-of-color-do-surviv_b_5126206.html
https://www.indiewire.com/2016/03/women-and-poc-survive-the-apocalypse-march-2016s-vod-and-web-series-picks-202649/

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Fandom

Image result for fandom gif

*Advice on how to NOT be a shitty fanfiction writer:

There IS such a thing as a bad premise. A story that relies on accepting racism, sexism, homophobia etc as valid or justifiable or not something that needs to be contested, like any story that can not exist or function as is if you take those elements out…is a fundamentally bad fucking premise.

Nobody questions the existence of good ideas. Why do some people fight so damn hard to deny that there is such a thing as a bad idea?

Every idea a person has ever had does not NEED to be put out there. Not every idea leads somewhere good.

And each and everyone of us is capable of evaluating whether an idea we have is good or not. If it’ll do harm or not. We each have the capacity to look at an idea we have and say…yeah that’s not really workable. And just….not share it.

This isn’t an imposition. This isn’t censorship. This is basic human awareness of the fact that ideas in our brain impact us and us alone. Ideas we make the choice to enact in the world in some fashion impact others as well as us.

So fucking many of you resort to crying censorship when all that’s being asked of you is applying some scrutiny to what ideas you decide to share, because you can’t seem to wrap your heads around the idea that someone else telling you what you can and can’t write isn’t the only conclusion to be made from conversations about creative responsibility.

Because you just can’t seem to fathom the concept that you could just decide for yourself…oh, huh, I don’t actually HAVE to do this thing I’m digging my heels in about. It’s not a binary equation. It’s not either I do this or I do nothing at all and I might as well just have no rights or freedoms whatsoever gawd.

It’s almost like it’s actually….hmmm when examining the endless array of possibilities that go into crafting ideas and honing them and all the variables that act as search filters to narrow down my selection process of what areas to focus on, what elements to include….what if ‘hey is this idea one that appropriates shit that’s outside my lane or perpetuates harmful and toxic tropes’ was just an added search filter used in that process?

 

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 Post-lude

moami

if you find bones in the forest, sit a bit and listen. they are old and have some good stories to tell. maybe they’ll teach you a spell or two, or explain where the water on our planet came from.

if you find bones by the ocean, run. don’t look back. run, faster, faster. the sea may love you but there are nights where she knows neither mercy nor science, and the bones warn you only once.

deseng

boi if you find bones call the police i hate this website so much

moami

this is a piece of creative writing, in case you couldn’t tell from the fact that real bones don’t usually go hey lil’ mama lemme whisper bony secrets in your ear or warn you of the incoming tides like a calcified weather frog.

Source: moami
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