Tumblr Weekend Discussions

Here are some posts and articles about film and tlevision that I couldn’t fit into the last post. These are just things I found interesting in my internet travels, some old, some new:

On Television

Samurai Jack has long been one of my all-time favorite cartoons. First, its simply a gorgeous looking cartoon, and and much deeper, philosophically, than it ever needed to be to entertain teenagers. This article is almost like an ode to the series:

A lone samurai clad in white stares up in horrified awe at a gargantuan future city, constructed with neon bright colors, clashing machinery, and aliens speaking in a tongue foreign to his ear. This samurai travels through lands of the mythic and mundane, the natural and the supernatural. Here he is again, alone, in a dense forest. The only sounds are chirping crickets and the fire that crackles before him — until a vision of his long-deceased father rips through the tranquility, admonishing him for his failure. These moments aren’t from a prestige TV series with A-list talent or a long-lost Akira Kurosawa film. They’re from Samurai Jack, the animated series created by Genndy Tartakovsky that premiered in 2001, ran for four seasons, and was revived for a fifth and final season that ended this past weekend.

http://www.vulture.com/2017/05/samurai-jack-was-tvs-most-poignant-depiction-of-loneliness.html

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Note: This is a 13 page paper studying Whiteness in Buffy the Vampire Slayer.

Image result for buffy the vampire slayer  and race

The Caucasian Persuasion of
Buffy the Vampire Slayer

Ewan Kirkland

This paper explores Buffy the Vampire Slayer as a particularly white
text. By this I mean, the series is both populated by archetypal white characters, and informed by various structures, tropes and perspectives Dyer identifies as characterising
whiteness.

http://www.whedonstudies.tv/uploads/2/6/2/8/26288593/kirkland_slayage_5.1.pdf

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There are simply not enough WoC in genre fiction, certainly not as primary characters. Shows like Superstition, The Walking Dead, Z Nation, and Daniel Jose Older’s Shadowshaper Series, make a specia leffort to be diverse, but we need more, and better depictions of  fantastical WoC on screen, and in genre literature. We need more Black female witches, vampires and werewolves, and stories that are not alwyas about us dealing with the modern world in the same old way. (We need WoC power fantasies, too.)

Laveau encapsulates better than any other historical figure the narrow position black witches hold in the public imagination. (It’s important to note that, to examine this trend, I am using “witches” as a catch-all term for these characters, including rootworkers and voodoo priestesses.) While their practices — whether Haitian voodou or rootwork — are appropriated to add a flash of exoticism, they often remain thinly drawn figures, pushed to the margins of their respective stories. They are used to incite fear or curiosity in the white imagination, which remains deeply suspicious of black ancestral practices that don’t allow for easy translation. In pop culture, the historical underpinnings of these practices — which were brought to America by slaves trying to fiercely hold onto their own belief systems, even as colonialism tried to beat it out of them — are traded for a simpler, highly exoticized portrayal.

http://www.vulture.com/2017/10/black-witches-why-cant-they-get-respect-in-pop-culture.html

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Image result for lewis tan/iron fist

I’m always up for some Iron Fist bashing. Not exactly because I hate him (although I certianly hate that show) but more because I think I’m really mad about what we culd have had, had we listened to Asian-Americans, and simply cast Lewis Tan, for example.

It’s hard to not imagine what could have been. For years, Asian-Americans had hoped that Marvel would cast an Asian-American actor as the lead of its Netflix series Iron Fist, only for the role to go to Game of Thrones alum Finn Jones. The decision wasn’t exactly surprising — after all, the character Danny Rand is white in the original comics — but a casting reversal would have turned a stereotypical narrative into a fresh story about an Asian-American reclaiming his roots. Now, we know that Marvel had seriously considered the possibility: Actor Lewis Tan was on hold for Danny Rand before he was offered the role of the one-off villain Zhou Cheng, who appears in episode eight of Iron Fist.

http://www.vulture.com/2017/03/lewis-tan-marvel-iron-fist-interview.html

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Ben Wasserman clarifies exactly why Iron Fist failed as a series. 

 

And finally, this brings us to IRON FIST, Marvel Studio’s first true narrative flop. Even with all the problems regarding the series’ dialogue, editing and stunt choreography, I believe these problems could have been lessened to an extent had the story been worth caring about. Yet throughout his narrative, Danny Rand is presented as an entitled child whose actions never fit his status, constantly failing to prove his fighting abilities during numerous action sequences while simultaneously being praised as K’un Lun’s greatest fighter by one too many characters. Granted, one could equate this factor to poor choreography, but considering the praise given to DAREDEVIL’s hallway fight, there really is no excuse for sloppiness in a show centered on mystical kung-fu. And yet, underneath this convoluted mess of a narrative lies a theme that could very well have tied in with the other DEFENDERS shows: the rejection of one’s identity.

https://comicsverse.com/defenders-and-identity-why-iron-fist-failed-where-other-marvel-netflix-shows-succeeded/

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A discussion of “The New Yellow Peril” plotlines of Marvel TV series , Daredevil and Iron FIst.

THE FISTS OF WHITE MEN

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With a cast of heroes that includes a woman and a Black man, diversity should be The Defenders’s strong suit, but the show positions a nebulous Asian organization as the villain; considers white saviors, including Iron Fist and Daredevil, as the only people capable of keeping New York City from crumbling; and relies on Orientalism as a plot device.

https://www.bitchmedia.org/article/yellow-peril-in-the-defenders

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Malec and the Burden of Representation

Too much of this article is written from Alec’s point of view, but this is otherwise a solid examination of why LGBTQ representation matters, especially when it comes to Magnus Bane.

MATTHEW DADDARIO, HARRY SHUM JR.

Alec, one of the series main shadowhunters, is in the closet and the reasons for it are almost too many to count. From his society’s aggressive homophobia and an unquestionable loyalty to his family’s legacy to a fear of rejection and an emotionally confusing parabatai bond with fellow shadowhunter Jace, it’s easy to understand why he’d want to keep his sexuality a secret. Especially when it comes to Jace, with whom he shares an ambiguous bond complicated by the fact that one-half is gay and the other is not, in a culture that prohibits romance between them.

http://www.screenspy.com/articles/tv/shadowhunters-malec-burden-representation/

 

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This article discusses why race was such an important feature in Shadow Moon’s story.

Image result for american gods shadow

American Gods and the Realities of Race

…However, Sava’s words only work first to mirror the majority of Americans who are still living in this country with heads in the sand concerning race. They then dismiss a vital component of Shadow’s purpose in the story as both a dark-skinned character in modern America and as a bearer of an important Norse tradition. Sava mostly tries to whitewash the importance of the scene, which is worse than a Texas school board on an American history book.

https://blackgirlnerds.com/american-gods-realities-race/

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Tumblr Weekend Reading

Its been a whole minute since I made a Tumblr post, so here, have some interesting thoughts, memes, and photos, that came across my  dashboard:

Yes, I am lactose intolerant, although I am to understand that I have a fairly mild case. I can eat some dairy items like yogurt, ice cream, and cheese, without  wishing I would die, but a glass of chocolate milk would probably send me to the hospital, with excruciating abdominal pain.  But for real though, most cases of lactose intolerance just end in lots of farting.

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This is funny because this was sort of my thoughts while watching this movie. Earth, and the aliens, are basically a bunch of drama queens.

dragon-in-a-fez

I know we’re always talking about how Pacific Rim embraces the ridiculousness of the human race because “just build a giant robot to punch them in the face” is probably the most full-on human bullshit response we could have thought of to an invasion of giant aliens, but can we pause and also consider that the aliens are basically doing the same thing

like they wanted to invade us and their first thought about how to do so was “let’s genetically engineer giant fucking monsters that will crawl out of the depths of the ocean and trample cities”

Pacific Rim is just the story of two species that on a scale from 1 to 10 respond to every problem with a 17

 

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Image result for cat fighting gifs

The mildly annoying fighting styles of female action characters. I think Charlize Theron, and a couple of others, are leading this charge to make female fight scenes more realistic to how a woman might actually kick some ass. Most filmmakers try to give women pretty, ballet -like, fighting styles, and I don’t mind that a whole lot, but they need to know it’s okay to show women getting down and dirty, when they fight, too. This is why I loved the movie Kill Bill, because it showcased a variety of women vs. women fighting styles.

rainbow-femme

So whenever i would watch movies and see The Badass Female Character fighting in various ways, something about it always bugged me. I just assumed it was internalized misogyny that made me dislike characters like black widow and Tauriel and tried to make myself like them.

Then I was rewatching Mad Max Fury Road the other day and I noticed that nothing bothered me about watching Furiosa fight and I realized the problem wasn’t watching women fight in movies that got on my nerves.

Watching the stereotypical Badass Female Character she always has these effortless moves and a cocky, sexy smirk on her face as everything is easy. Watching Furiosa, she grunted and bared her teeth. Her fighting was hard and it took effort and it hurt like fighting is supposed to. For once her fighting style wasn’t supposed to seduce the audience it was to be effective.

I wasn’t disliking these characters because they were women I was disliking that their fighting was meant to remind me they were women. High heels and shapely outfits and not showing effort or discomfort because it’s more attractive to effortlessly lift a long leather clad leg over your head rather than rugby tackle someone.

It’s the same with the Wonder Woman movie too. Fighting is hard and it takes effort, blocking bombs and bullets with a shield makes her grimace and bare her teeth with the effort it takes. She’s not flip kicking bombs she’s yelling and straining, not because she’s weak or bad at fighting but because that’s what it would be like.

I really hope we’re moving into an era of women having fighting styles designed for realism and not how hot it looks for the men in the audience.

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Image result for serena williams gif

I’d say the answer to this is yes. America has long been obsessed with the Black female body, while trying to pretend it’s not, and here’s why:

Is Society Fascinated with Black Women’s Body Types?

blackfeminisms

Colonialism introduced Europe as the cultural/aesthetic authority on values including beauty. While doctors in ancient times warned against obesity, diet culture began in the 1800s. Weight turned into a cultural status marker that considered fat to be negative. Whiteness as the epitome of beauty imposes a standard that devalues body types by race, gender, shape, size, and color. Society teaches women to deal with fatness through exercise. Nevertheless, Black feminists see Blackness as the site of resistance to the standards.

Society interprets Blackness as indicative of moral, sexual, and racial pollution. For example, a society threatened by Black women’s reproductive capabilities, 19th century Europe likened Black women to prostitutes through the controlling image of the Black Venus, which characterized her as the perpetual prostitute. Society discouraged coupling between Black women and White men through “blood discourses”  that projected the fear of Blackness onto mixed-race children. Some sociologists remarked on this phenomena with  Meghan Markle.

Society treats Black women’s bodies as a danger to social order. On the one hand, they might displace white women as the archetypical love and sex object. On the other, they threatened the patriarchal order of worker by having the status of worker and woman.

Society robs fat Black women of their sexual agency 

Image result for mammy stereotype gifs

Sociologist Shirley Anne Tatediscusses how we can read the iconic Venus statue as a fat Black woman. This perspective reveals which Black women’s’ bodies society reads as fat and how they represent them. Tate embraces an ‘alter/native’ view of Black women to highlight the multiplicity of body politics around Black womanhood. Society treats Black women’s bodies as other to white women’s and does so by making their forms hypervisible. This process simultaneously renders the whiteness of other women’s bodies invisible. As a result, Shirley Anne Tate argues this perspective: “enable[s] us to see that there is a corporeality of white class (Bourdieu, 1988) and gender with thinness as its epitome” (Tate 2015: 80).

The Mammy portrays Black women as undesirable sexually and desirable for service work. The Mammy symbolizes the status of a domestic servant to a white woman through her girth and dark skin. This controlling image reinforces the perception that white women were superior.  For example, Hattie McDaniel played a Mammy figure in Gone With the Wind. The UK has a similar portrayal Black women as “Big Mama. Fat Black women live in a society that paints them as undesirable and worthy of disgust. These beliefs divided fat Black women into domestic and care workers and thin white women into the domestic and care overseers.

Society ridicules Black women for their fatness

In the UK racist humor often revolves around fat Black women. In the 19th century White men dressed in drag to mimic Black women for racist ridicule, making fun of the notion of a desire for this body through minstrelsy. Far from being just a joke, racist humor has more sinister implications:

“Humour is not a harmless or benign form of communication. Rather, ‘racist humour, jokes may act as a type of coping mechanism for the racist, in the form of a palliative because the effects of joking allow for the expression, reinforcement and denial of racism’ (Weaver, 2011: 12). “ (Tate 2015: 91).

Additionally, Some White women performed minstrels too. Originally, minstrels arose from white racial fear of Black men. Minstrelsy thus demonstrates simultaneous racial aversion and desire.  Fatness and Blackness place Black women outside of beauty.Rhetoric in the U.S. frames Black women in terms of discipline, relegation, marginalization, imprisonment, and segregation away from white life, comfort, embodiment, and being. Treating Black women’s body as inferior meant colonial labor and gender roles placed Black women in the lowest rung of the social order.

Society treats muscular Black women with dark skin with fear

Whenever the former First Lady chose to wear a sleeveless outfit, some members of White society reacted to Michelle Obama’s muscular arms:

The struggle over Michelle Obama’s ‘right to (bear) bare arms’ shows that the USA is far from being post-race as the respectable femininity of the First Lady is judged by white, middle/upper-class privilege which insists on lack of musculature on women (Tate 2012:93).

Shirley Anne Tate argues Michelle Obama’s body defines norms of white upper/middle-class respectability. Her very presence creates a space of resistance that represents a deviation from the somatic norms of the U.S. First Lady. As a result, she endured a constant surveillance of her body, viewed as an outsider. Therefore, this fascination transforms her into the Black First Lady.

Why do people fetishize muscular Black women?

Image result for serena williams gif

Black women’s muscle as a spectacle dates back to racist pseudoscience of the 18th/19th  century. Shirley Anne Tate describes Black women’s bodies as a site of fascination.  A person compares themselves and others to a norm. As a viewer, a person extends their own bodies through their gaze. They interpret others through points on their body like their face, muscles, or skin. Comparison of one’s body parts to another leads a person to determine how close or different one’s body is to others:

Inassimilability or extension into the other does not mean that fasci- nation ceases. Fascination continues in the desire to find out the why of assimilation and the untranslatability of the body. Why can’t I be like her? Why do I want to be like her? What have I become? Is my becoming accompanied by fear, disgust, contempt? Fascination makes us look at ourselves first and foremost, at our very lives, to find out why we are fascinated by bodies/body parts. It is in the exchange between bodies, in the matching and untranslatability that we can begin to know ourselves, begin to understand our fascination as a pull to knowing the other, to get behind the façade that is the skin to ‘the real them’ beneath (Tate 2012: 94).

Fascination leads to a desire to find out why a woman’s body does not conform to the norm. However, narcissism motivates this fascination. Hence, people recenter themselves as they gaze upon others’ bodies to construct a sense of self. Therefore, the incorporeality of fascination makes it a fluid, simultaneous process of becoming and unbecoming through comparison to others.

How does fascination with Black women turn into fear?

Fascination is a multisensory experience that has varying degrees of effect and affect, motivated thus making the gaze a result of both desire and disgust. Therefore, fascination compels a response on the part of a viewer as it occurs not only through the senses but also through imaginings.

As a result, people pursue a means to satisfy their fascination. For example, this fascination extends to dark-skinned Black women who have muscular bodies. This affects interpersonal interactions across racial lines. Stereotypes about Black women motivate people to approach them with a feeling of insecurity or a desire to avoid her at all costs. So when Black woman’s bodies get policed in this manner, they are cast as evil and transgressive to indicate they fall outside the norms of appropriate ways of life.

Tate writes that “once it is set outside the norm it remains as it is cast, an unknowable hyper-known, knowledge of which remains within the colonial stereotype.”  White people project their fear of getting displaced in society’s racial hierarchy onto Black women through a racialization process that involves creating zones of containment by labeling her a source of fear.

How is fearing Black women racist?

Groups use fear to maintain racial regimes through the restriction of the movement of others’ bodies. Additionally, they expand their own movement. However, this involves a “racial regime of visible whiteness [that] must be kept in place to ensure that the borders of whiteness are kept firm.”Furthermore, this produces a fear of racial mixing. Rather than mix interracial, they develop resemblances through what Tate names racialized aesthetic profiling:

So expert surveillance is set up of Black women’s bodies, noses, lips, hair, skin colour, breasts, bottoms and muscles so as to mark difference and develop racialized aesthetic profiling. Racialized aesthetic profiling means that fear can be materialized in all Black women’s bodies irre- spective of who they are. This ensures the continuation, circulation and amplification of fear of the Black woman’s body as she begins to move outside of the borders established through the phenotype and stereotype (Tate 2012: 98).

One such Black woman who suffers this fascination is Serena Williams.  Serena, in particular, embraced a “girly” sports aesthetic, which contradicted social norms about appropriate muscularity for women. Yet, society characterizes women with darker skin as undesirable. Serena faces derogatory comments for posing as feminine. Nevertheless, muscular Black women experience fetishization just as fat and slim women experience hypersexualization.

Race and the sociology of emotions

The white affective matrix confers and questions womanhood as the view Black women’s bodies with varying degrees of adoration and disgust. As a result, Black women experience different treatment based on their body type.

The post Is Society Fascinated with Black Women’s Body Types?appeared first on Blackfeminisms.com.
from Is Society Fascinated with Black Women’s Body Types?

 

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These affirmations of allyship are exactly my sentiments too. I want LGBTQ people, Non-Black PoC, people with disabilities, everyone to experience all the same emotions I experience when I think of the movie Black Panther. I am deeply, and profoundly happy for Jewish female representation in Wonder Woman, Black gay men in Moonlight, Queer Latinas in Brooklyn 99, and Asians in Crazy Rich Asians, even though I’m none of those things. Everyone deserves to see themselves beautifully represented on a movie screen.

 deadletterpoets

Maybe I’m not the right person to say this as a black man but,

I hope the success of Wonder Woman doesn’t just mean more women are directing superhero movies, but are given the chance to direct/write movies from the many other franchises that exist like Mission Impossible, Transformers, Star Wars, Anything in this Dark Universe Universal is doing, a big budget Monster movie with Godzilla and King Kong, James Bond, I heard they are rebooting Resident Evil let’s let a talent woman director like Jennifer Kent with her horror background tackle that, Terminator (cause they just won’t ever let that go), Alien, Fast and Furious, and so many other I can’t even name them all. Or you know give them a big budget to adapt a popular book like Ava DuVernay is currently doing with A Wrinkle in Time, or let them have their own stories we need more original voices, or let them build their own unique franchises. And if they fail, let them try again cause lord knows even the best male directors and writers fail at times and they are still given multiple chances. We all should celebrate Wonder Woman’s success, but know it’s not the end of a long journey to true equality for women in Hollywood.

yumearashi

Maybe I’m not the right person to say this as a white woman but,

I hope that Black Panther is a *smashing* success and that it leads to not only more POC directing superhero movies, but also being given the chance to direct/write movies from the many other existing franchises and adaptations.  Plus, let them have their own stories and build their own unique franchises, we need their voices. And if they fail, let them try again cause lord knows even the best white directors and writers fail at times and they are still given multiple chances. Hopefully we’ll all be able to celebrate Black Panther’s success, but even if it breaks every box office record, it won’t be the end of a long journey to true equality for POC in Hollywood.

@deadletterpoets – thank you for being an amazing ally)

 

daughter-of-rowan

Maybe I’m not the right person to say this as a black woman, but

I hope that Crazy, Rich Asians is a roaring success. I hope it leads to doing away with the whitewashing of Asians in Asian properties (I’m talking to you, Netflix: White Light in Death Note? NO!). I would love to see Asians being able to break out of the “smart Asian friend” and “inspiring immigrant story” roles. I want to see Asian representation in CBMs. I want to see more than Japanese, Chinese, and Indian people as doctors, lawyers, shop owners, and financiers on the way up. And while we’re at it: Pacific Islanders are not replacements for Asians, and they don’t just play football and dance. Representation matters, and it has to be more than what makes Hollywood comfortable.

 

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From the comments on this one, I’d say the answer is a resounding YES!!!! Yes, White people, do indeed, get tired of looking at White people onscreen sometimes, and are just as hungry for new perspectives on old stories, as PoC.

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This pretty much was the permanent oven setting in our house. Hell, it was a major source of anxiety for me to turn the oven to 375 degrees, that first time.

luvyourmane: “The perfect temperature for everything! 🤣😂 .. . . . #sundaydinner #cooking #blackpeople #baking ”

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This conversation started out talking about how terrifying angels are, and then went in the direction of the  running commentary, on Tumblr, about how murderously dangerous is the wildlife in Australia.

Anonymous asked:

What do angels actually look like per the bible?

revelation19 answered:

Well, according to Ezekiel 1 they might look something like this…

According to Daniel 10 something like this…

According to Isaiah 6…

In Ezekiel 10…

Again in Ezekiel 10…

 

Basically, when the people writing Scripture tried to describe what they saw when they saw an angel… they run into the end of their imagination… they can never quite seem to fully explain it because they had trouble even comprehending what they saw, let alone being able to describe it to someone else.

 

musiqchild007

revelation19

Yeah, that’s usually how people responded to seeing them in the Bible…

 

the-unreadable-book

There’s a good reason why angels’ standard greeting is ‘Do not be afraid’.

 

glitterbomb-goblinking

I used to listen to this radio show and one thing I remember because it was so funny was a Christmas special where an angel showed up to tell the shepherds about the birth of Christ.  The conversations went:

Angel: “FEAR NOT.”

Shepherds: *screaming*

Angel: “I SAID FEAR NOT.”

Shepherds: *screaming LOUDER*

Angel: “WHAT PART OF FEAR NOT ARE YOU NOT UNDERSTANDING?”

 

 cameoamalthea

So demons are fallen angels but they don’t look scary because they’re fallen, that’s just what all angels look like…

Maybe that’s why so many Christians see visions of Saints or the Virgin Mary instead…like Jesus is all…no, no see being human made me realize sending Angels might not be the best idea. I don’t know if humans can handle this. So I’m gonna just send mom

 

mathblr

I’M GONNA JUST SEND MOM

 

veronica-rich

God: The humans are scared.

Mary: Fine. I’m on it.

 

 upallnightogetloki

Jesus: It’s either Mom or the thousand eyed flaming wheel, Dad, do you really think the humans are gonna be chill with that when they’re terrified of spiders already?

God: Hey now, some of those spiders eat birds.

Jesus: …Dad…

God: …To be fair, Australian wildlife was my dark creation phase.

 

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Image result for funny cartoon  nazi gifs

I touched on this in an earlier post, about Hollywood treating Nazis like a story prompt for the past fifty years, in everything from comedies, to action movies, has led to Americans seriously diminishing their influence, obscuring their crimes, and complacency, with their ideas. 

 kendrasaunders

never forget that narratives that follow “what if the nazis won” are never for those of us who faced their terror- they are for tourists to our suffering, people who wish to be saviors. no jew every gets to succeed alone in a story where nazis win- we, rromas, lgbt people, and disabled people are shunted to the sidelines, in an eternal genocide from which we cannot escape. they forget the persecution that we still face- to them, to the tourists, this is clever. to them, we are helpless. we cannot fight nazis, that’s why they won.

this is a false retelling of history, and YES, in ALL CASES, it is a glorification of nazis. they DIDN’T win because they COULDN’T. and to my jewish, rroma, lgbt, and disabled followers, they lost because WE FOUGHT. We closed camps with our riots. We killed nazis. We scalped them. Our stories aren’t told because every tourist wants to act like they would Stop The Nazis- WE were doing it LONG before anyone came to our aid.

Don’t let people fool you into thinking you are helpless. Don’t let narratives that put white, straight, able-bodied and able-minded characters at the forefront make you think you need them.

Superman was originally created as a gollum- A character of jewish magic who protects us. He is not Christ, he is not Goy, he is not Theirs. We are our own protectors. We are a community, a family, and a riot.  You don’t not have to accept the idea that the Nazis could’ve won. Because the only thing Nazis are good at is dying. And the only thing a person who writes this storyline is good at is violence.

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A call out post on fandoms faux-progressivism. I think I wrote about how fandom isn’t nearly as imaginative, in its treatment of characters, as they like to believe they are, and that the vast majority merely reproduce the same racist and stereotypical narratives they’ve seen in popular media, since its inception. They just don’t have enough imagination to create anything outside of the boxes that have been created for them to play in.

Many of them are in the business of upholding the status quo, too. And far too many think being progressive is just writing about two white men, having sex, or holding hands, and that’s as far as they need to go to be considered woke. Anytime fandom ignores canon gay relationships of PoC, in a show or movie,  my argument is that their insistence on slashing every white man who merely wanders into the orbit of another for longer than a minute or two, amounts to nothing more than a straight girl fetish, which parallels the straight male  obsession with lesbians.

We are supposed to be the most progressive and transformative community in pop-culture.

We who…

  • Hyper-focus on white, male characters
  • Contort these male characters into heteronormativity
  • Marginalize and erase characters of color
  • Write out women and replace them with men, especially in shipping
  • Attack women for “getting in the way” of our preferred ships
  • Hold female characters to higher standards than male characters
  • Hold characters of color to higher standards than white characters
  • Latch onto any single excuse to marginalize female characters
  • Utilize any single excuse to demonize characters of color
  • Put women on pedestals and act as if we’re doing them a favor
  • Justify white and male abuses or dismiss them as “mistakes”
  • Use actual mistakes to denigrate female and non-white characters
  • Romanticize white, male pain and mental illness
  • Expect female characters to perform all the emotional labor
  • Expect characters of color to be perfectly mentally healthy forever
  • Expect everyone to subsume their own mental health for the white males’
  • Dismiss the traumas and experiences of characters of color
  • Minimize the achievements of female characters

And then we wonder why mainstream media is so regressive, especially compared to us. We all talk as if mainstream media creators are behind the times.

They’re not.

Fandom likes to imagine itself as being progressive because of all the slash – a mechanism of progress which conveniently boils down to extra attention on overwhelmingly male (and overwhelmingly white) characters. This form of progress is one which takes a minor deviation from the social norm (homosexuality), only to end up ultimately supporting or even amplifying the status quo, by virtue of over-focusing on male characters (and over-representing white ones in the process).

Strip back that gay window dressing, though, and you’ll see that at best, fandom is just as socially stagnant as mainstream media and mainstream culture – or even worse, by virtue of engaging in media that overwhelmingly sidelines several other marginalized groups in order to prop up one.

Professional women have long known the old adage, “Whatever women do they must do twice as well as men to be thought of half as good.” What no one seems to realize is that fandom is still doing exactly the same thing.

We expect female characters to be twice as good for half the acclaim, we expect characters of color to be three times as good for a third of the acclaim, and we let white, male characters be only a quarter as good for four times the acclaim.

Mainstream media is keeping up with the times and with social progress just fine, it’s us who’ve deluded ourselves into believing that we, as a community, are more progressive than we actually are.

It’s been a while, but since this post just got a bunch of notes recently, I figure this is as good a time as any to add on some more thoughts.

Comparative Progressivism

Historically speaking, fandom has been progressive when compared to mainstream media. What most people don’t realize is just how little that’s really saying. When mainstream media is built on white male heteronormative power fantasy, it’s easy for any “alternative” depiction to come off as progressive.

A world where most of the women are fag-hags is certainly progressive compared to a world where most of the women are walking sex toys. That does not mean we should settle for this as a good depiction of women, or the marginalization of female characters.

Same goes for race. A character of color who is not a stereotype while supporting a white character is certainly better than a world where characters of color are stereotypes who are subsumed by white characters. That does not mean we should accept these as good representation of POC, or settle for their marginalization – or ignore their demonization as racism rears its ugly head, anew, in fandom.

And quite frankly, for a community where the overwhelming majority of our stories are based on mlm relationships, it speaks a lot to our internal attitudes and beliefs that we still, even after decades of existence, continue to write gay relationships as straight relationships with different genitals. The subtle heteronormativity that permeates the gay relationship tropes of fandom are astounding, and sometimes reek of internalized misogyny.

We Are All Joss Whedon

Joss Whedon was once considered tremendously feminist, and hailed as a paragon and idol of feminism in mainstream media. But contemporary analysis of his works shows that feminism was often a shroud covering some serious fetishization and occasional bursts of downright misogyny – and somewhat more disconcerting is the fact that more and more, his current works demonstrate that he hasn’t progressed forward from this much, if at all.

Fandom is the same.

We have long prided ourselves upon a history of progressivism and being transformative. It certainly was, back in era of Star Trek slash in an era where homosexuality was still illegal in many parts of America and the world. Fandom was truly transgressive when it wrote content that challenged such a deeply entrenched status quo. Even the most misogynistic and heteronormative portrayal of a gay relationship was transgressive against the staunch heteronormativity of mid-20th century mainstream media.

“Was.”

Because we’re still writing a lot of our fics on that model. Take a look at how many people debate hotly on who in a gay pairing is “the top” and “the bottom”. They are rarely ever discussing the hypotheticals of which male finds a certain sex position/act physically pleasurable. They’re asking, which one is the penetrative and active partner, and which is the receptive and passive partner. They’re asking which one is the “dominant” and which one is the “submissive” partner (with terms like ‘power bottom’ still relying on those baselines). They’re asking, “which one is the man and which one is the woman”. *( And often engaging in racialized transphobia and homophobia, by casting any people of color in inter-racial relationships, as the “top”, who is often described as bigger, and more muscular looking, than their slighter, more feminine/ effeminate same sex partner. This goes for both mlm, and wlw, relationships.

Meanwhile, actual female characters are rarely more than props to the men’s emotional health and personal narrative. A lot of them are written as little more than a fag hag or a “Straight BFF”.

We’ve gone from characters of color being walking stereotypes in the white characters’ narrative, to characters of color being either obstacles or non-existent in the white characters’ narratives. We don’t expect characters of color to literally serve the white characters while saying “yes, massa” all the time, now – but we still expect characters of color to to subsume themselves to white characters, with white characters’ feelings coming ahead of their own mental and physical health, their safety, and sometimes even their lives. Characters of color who have the audacity to act with a fraction of the self-absorption that is routine for white characters are castigated for being irresponsible and selfish.

This is if they’re even included at all. Ranging from marginalization to outright demonization, fandom constantly sidelines characters of color. Some fandoms have the unique anti-honor of being more racist – more sociall conservative, more prejudiced, and sometimes even more bigoted – than the mainstream media source material. Think about that for a minute. Mainstream media is finally moving forward and fandom is staying right where it is.

Fandom Wants the 1960s Back

Fandom can talk about feminism and progressivism all it wants. The reality of the true desires of fandom as a collective and as a community are expressed in its fanworks – not only in what is created in the first place, but which works become popular and get attention…and which ones don’t.

Fandom wants a world where white men are still front and center of everyone’s attention, where women are kickass but their stories aren’t that interesting, and where POC don’t need any care or attention.

Peel back the white mlm fetishization, and fandom hasn’t budged more than an inch since the first slashy Star Trek zines. Joss Whedon’s got nothing on us.

Pop Culture Talks About Race

I read an interesting article that stated, one of the reasons that the Civil Rights Movement was successful, was because of the progression of technology. Basically, the invention of portable hand held cameras, in the 50s, which allowed the media to be on the scene, up front and center, when riots, marches, or any type of civil unrest was occurring, instead of photographers who showed up after the fact.  It allowed the media to film, in real time, exactly how Black people were being treated in America by the police, and it provoked a global response. Some of the global response to such images is what helped to  promote the passing of the Civil Rights Bill. I don’t know if this is true but it was an interesting thought.

Image result for civil rights footage

With the invention of camera phones, and apps that record our deaths in real time, one would expect an equal progression on racial issues, along with the technology, and there is some. Certainly there’s a greater degree of awareness about how we’re treated, that media news cameras were unable, and in some cases, unwilling to capture. Now, images of Black death and brutality are everywhere in social media, but there has been no corresponding progress in empathy from White people.

In some cases, watching some of these videos, has become for some White people, little more than pain porn, or virtue signalling. In some instances, the prominence, and easily availability of such images, has had the side effect of producing a defensive White-lash from some people, who don’t want to admit that they don’t care about Black lives (or any lives but their own, really), are content with the status quo, yet are too ashamed to admit that they are callous, soulless, individuals, because they still want others to see them as “good” people.

Image result for black pain

Black pain and degradation has always been on display. It has always made great spectacle for a certain class of people. High visibility does not mean that Black Americans have power. There are those who use the spectacles of of our brutality to try to make themselves look good to others, and those who are certainly willing to watch Black pain, can sympathize with  it, and yet, are content to do nothing but  emote about it on Facebook, because it’s not something that  directly affects them.

And then, there are those non-Black people of color who mistake attention and visibility, for power, and think we should also do the free labor of speaking out on their behalf, while never having spoken on ours.

This is from one of the more mature discussions about race I’ve seen on Tumblr. (It’s been my observation that most of the people there are too young, and lack enough nuance, to be able to hold deep discussions on the topic, but sometimes there are exceptions.)

Anonymous  asked:

People are still burning over how we got “too much attention in Charlottesville,” and I’m like, …? What people don’t realize is that attention is fruitless. Our suffering makes good clickbait, but nothing’s really being done about it unless we do it. And all that attention just gets us the envy and bitterness of other groups who insist there’s a checklist of things we not only have to fight for, but things we have to put *before* our own lives.

phoenix-ace  answered:

Exactly.

I think that part of the problem is that there is a lack of education about black people, a lot of people really don’t see us as people they’re willing to learn about. I think there is a problem with people conflating Imperialism with “American” and they take it out on minorities that are based in the U.S. because we’re an easier target. And I also think a lot of non-black people internalized that racism against us  because it is so engrained all over the world so that informs their opinions of us.  So they only  go off of the little bit they’re taught about us in school or see in the media.  I feel like they they believe that anti-black racism is something we deserve, and the point is to avoid being tread like us more than it is to stop white supremacy all together.  However, I think things go a little deeper than that.

I believe that they don’t know (or don’t care) about the way anti-black voyeurism has been an instrumental part of white supremacy in the U.S.  So they see a bunch of pictures of our dead bodies and some crying people and think “oh folks care about *them*.”  They don’t realize that people were passing around images of our lynched bodies for hundreds of years and people still didn’t care, there still weren’t consequences, no one stood up for us.  It was an acceptable part of our existence in this society.  They don’t realize that the way that they talk to us and react to us is directly affected by the idea that violence and hostility are our lot in life and the only way we can relate to people.

So they get envious because their histories are different than ours.  They forget that we live in this strange dichotomy where we are both visible and invisible at the same time.  We’re visible as targets, and invisible as victims.  We are everywhere when folks want to make ahistorical claims of oppression we “inflicted” on others but we don’t exist when they want to erase our contributions to their communities or when they want to appropriate our history to a more “deserving” minority group.  People will spread pictures of dead black children but won’t show up to support us when we want justice, worse, they’ll argue how we deserved to be victimized.  They want us loud and visible to fight battles, but refuse to give us the credit (only the blame if the activism isn’t perfect or something goes wrong). They want us to know everything about their cultures but they don’t know a thing about us beyond what racist media tells them.

Heck, the only time I’ve seen people really focus on black people is when they want to tell us we’re doing something wrong or leaving someone out.  I’ve never seen non-black people focus on black people in a way that has helped us.  People who have never overtly supported black people a day in their life have this misconception of our privilege and obligations, because they honestly don’t relate to us as suffering *people* with priorities as much as they see us as a social justice customer service line they can call and rant at.  Case in point: Look at how many people will talk about how *others feel* but will never examine how we feel or what we’re facing.

But its not just their fault: They weren’t property so they don’t get how our race gets us attention because we were primary targets, not because people wanted to help us.  Black skin was equated with whatever negative qualities they could project on to us to justify our enslavement.   When we were enslaved, our race meant that anyone who was black could be kidnapped and sold into slavery even if they were free.  We were criminalized by laws just for being black and not working for the same people who owned us after slavery was made “illegal” after the Civil War.  We’ve always had “attention”. We could never “assimilate”.  We had to be visible to survive, because the moment we were silent they could destroy all of us and the world wouldn’t bat an eye.  We had a precarious existence here, and a lot of people don’t realize that because they were never in our position.  They might have been oppressed in other ways, but they were never *property*.  The U.S. didn’t base the countries prosperity on their enslavement so they don’t get how visibility works here.

They don’t realize that our visibility has never been a privilege, because they experience racism in different ways than we do, and that they don’t have to act hostile towards us, and erase our history just to bring visibility to other people.

tl;dr: I think that people let their anti-black bias inform how they relate to us, but I also feel like they don’t understand that visibility doesn’t work as a privilege for us like it might for others who have a different history here in the U.S.  A lack of education is definitely to blame and they need to take the initiative to practice what they preach when it comes to solidarity (and intersectionality) and learn how our visibility informs our reality as black people in the U.S. and that needs to be a central part of anti-racism discourse.

Source:
And I’m warning you now, the charge will be lead by  young White women, who lack knowledge of intersectional politics, or a nuanced understanding of feminism, who are  pretending to be progressive, and concerned. You can argue with them if you want to, but remember, the Block button is always available, when the bullshit gets out of hand. When you feel your mind start to unravel from the nonsense, don’t argue. Just block!
The “White Feminist” bullshit has already  started regarding Valkyrie from Thor Ragnarok. I apologise in advance for subjecting your eyeballs  to the following  argument. (Feel free to check out at any point after the second paragraph, cuz its a shitshow of several isms.) This topic was already addressed by Stitch’s Media Mix (on her blog,) so I’ll follow her lead, and not link to the author’s name, but here is the original post and some of the other responses:
I finally realized what bothered me so much about about Thor: Ragnarok. Well, aside for all Thor’s characterization that went out the window in favour of him being a blumbering idiot who has no idea how to respectfully speak to a woman. Or the poor language choices, but I hope that was a problem with the Italian adaptation and Thor didn’t actually speak like a dumb teenager.

Anyway, my problem was with Valkyrie, more specifically with the fact she’s male coded. Heavily so.

Let me explain: there is this war veteran, who is drunk in the very first scene, whose fight buddy, who was supposedly its female love interest, died in the last war and said veteran became a rogue, violent drunkard lost in an empty life polar opposite to the past of gretness and honour of before, a past said fighter doesn’t want to be reminded of.

How many male characters are there in cinematography with this same, boring, pathethic story?

The only difference between them and Valkyrie is that she has a female body. But only that, her body, because nothing in her behaviour, gestures, way of speech or anything at all shows the slightest hint of female feelings or qualities. Loki is more feminine than she is (which is arguably intended by both writing and acting, but that’s another matter).  Gosh, even Thor has feminine bits and pieces!

My point is, Valkyrie’s character was written exactly like a “tragic male character”, then they took a female actress for the role because they realized they didn’t have enough female speaking characters (read: none other than Hela) to pass the Bechedel test. Spoiler alert! They still don’t.

 

theravennest

 This whole post is pretty anti-Black, specifically anti-Black women.

I’m gonna need you to examine why you felt like Valkyrie, a Black woman, was “too masculine” and lacked femininity to the point of seeming more masculine than both Loki and Thor.

Valkyrie was so wonderfully female in pretty much everything she did, I just can’t with this.

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steverogersorbust

Look, the Bechdel test needs to stop being invoked as the end-all be-all marker of well-written female interaction. Not that Thor gets off the hook for this, because no two female characters ever really interact with substance (though it’s notable that the two female characters who did interactTopaz and Val—are women of color) but that’s not really your point, OP, is it?

So back to Valkyrie being a male character in a female body, I….yikes. So much wrong with this statement. Reading Valkyrie as heavily male-coded means we’re assuming that women can’t have alcohol dependencies, that they can’t be powerful and flawed, that tragedy and fear and trauma as a result of war are sole domains of men, that women can’t or shouldn’t have the same complicated and flawed existences as many male characters do. Do we need a woman onscreen to, idk, nurture someone or reference her inferior upper body strength in order to be classified “feminine”? Did we need her to make a boob joke like Bruce did for Nat in AoU? Did we need her to use her ~wiles~ to trick someone or be a sexpot? I think you’re ascribing to a very binary understanding of gender qualities, and perpetuating some harmful stereotypes with this idea…after all, Valkyries are referenced by Thor as an elite force of female warriors—that they’re women is a significant factor. She is a Valkyrie. She is a woman. She gets a moment where we see her brush her hand over the Grandmaster’s cheek and he blushes in satisfaction. We see Thor try and preen for her as a show of attraction. We see Bruce call her “so beautiful.” We see her femininity in other people’s reactions to her, and that’s enough. Everything else is gravy because the story doesn’t need or doesn’t rely on any tired tropes of femininity to move forward.

 

scottmccute

 No matter what black women do y’all racists will always see us as “too masculine” lmao. And you vision of what is or is not “feminine” seems pretty sexist op. Not to mention, since when are tragic soldier backstories only meant for men? It’s actually refreshing that for once, a woman gets the “turns rogue after being traumatized by the war and the fact that she’s the only survivor of her faction, but eventually joins the hero to fight the villain” storyline.

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 *Valkyrie  sounds very like the character Jessica Jones, who is also  a flawed, complex woman, who has been through  severe trauma, and copes by drinking. Jessica  is  also stronger than most men, is unsympathetic to other people’s emotions (too busy dealing with her own), doesn’t act in a traditionally feminine manner, and yet, not once did I ever hear her being called “unfeminine” or “male-coded”. In fact, she was lauded as the epitome  of feminism by White women fans. (I personally can’t stand the character but I get why she’s important to others.)
Then there’s Charlize Theron’s Atomic Blonde, and Fury Road’s Furiosa, all hailed as feminist highpoints in cinema. Not once did I find any essays declaring that Charlize Theron lacks femininity, or that her story was too masculine coded. So, in light of the reception of Theron to the ranks of movie action heroines, it will be interesting to see what White female fans will think of the Dora Milaje, Taraji P Henson’s character, Proud Mary, which will be released in January, and Deadpool II’s Domino character, played by Zazie  Beetz.
Image result for zazie beetz domino

Never mind that plenty of Black girls and women will look up to Valkyrie, played by a Black  woman (of Cuban descent), that  they’re arguing has no use, because her character doesn’t fit their standard of White European femininity, (which is an utterly ridiculous admonishment, because her character is an alien from another planet. What the hell does masculine coded even mean in that context?)

One of the primary reasons, (among many), that that critique is so horribly wrong, is because it falls right in line with the Masculine Black woman stereotype, (which, ironically, seems to be something that both Black men, and White men and  women, can all get together to agree on). This is an insult that has followed any Black women who White people perceive as  even the slightest bit threatening, from Venus Williams (my idol) to Michelle Obama. Woven into the accusations of being too masculine are threads of transphobia, and misogyny, as well as racism.

Excerpt from:    https://blavity.com/how-serena-williams-and-viola-davis-taught-me-to-be-an-unapologetic-black-woman

“The type of body-shaming in Tarpishchev’s comment, while subtle, comes gift-wrapped in a triad from hell: misogyny, racism and transphobia. By referring to the Williams sisters as “brothers,” Tarpishchev resurrected the tired notion that black women are unattractive because we are more “masculine” than other women and are “indistinguishable” from men. These types of jokes are used to say that black women aren’t “real women,” that there’s something just not right about our bodies, not feminine enough, too muscular, too “scary” and that we’re worth less because of it. Look at radio host Sid Rosenberg, who called Serena an “animal.” Imagine how many black women are internalizing these messages. There’s little difference between Tarpishchev’s words and the transphobic slur the late Joan Rivers used to slam First Lady Michelle Obama, calling her a “tr*nny.” Both use black women and trans people as the butt of a body-policing joke.

*(While searching for articles on the topic above, I had to scroll through all manner of racist garbage, that so pissed me off… well, basically, do NOT do that shit, if you value having low blood pressure.)

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https://www.salon.com/2017/08/25/despite-declarations-to-the-contrary-black-people-watch-game-of-thrones/

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The Black Person’s Guide to Game of Thrones

My response is a little off topic, but I wanted to address the two twitter hashtags for Game of Thrones referenced in this post. You have to check them out. They are hilarious, and totally from a Black American perspective.

I initially resisted watching the show. I just wasn’t interested, which is weird because yeah, I am a geek, and required, by some type of natural law, to automatically like such shows. I only started watching it at the behest of, ironically, a White girl-friend from work. It wasn’t until after I started regularly watching the show, that I discovered there was this huge Black component of the fandom, who really, really loved this show! And I only found that out because I was looking for reviews by Black critics and stumbled across one by accident.

Image result for thrones y'all

Other people  would be puzzled by Black fans love of the show, but I’m not. GoT is kinda like a White mashup of Scandal and Empire, with ice zombies, and dragons. Now if we could only transport Cookie Lyons to that world, she would have things whipped into shape, by the end of the season. (Cookie is more terrifying than any dragon!)

 Why Is Society Intent on Erasing Black People in Fantasy and Sci-fi’s Imaginary Worlds?

Over the weekend I binge-watched 3%, a dystopian sci-fi Netflix original set in Brazil. The plot was rife with quirks and unexpected turns, but the biggest surprise of all was that the diversity in the show reflected the diversity in Brazil. The cast featured myriad shades and races, absent the stereotypical casting, such as the confinement of black and brown actors and actresses to supporting characters with botched, surface-level backstories.
*And oh yeah, according to actual  Historians, the term “Historical Accuracy” can no longer be used as an excuse for not adding Black and Brown people to fantasy narratives. It’s  past time to retire that fucking term! If your mind can wrap around orcs, dragons, elves and ice zombies, then you should have absolutely no problem dealing with the idea that PoC also exist in a fantasy world.

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*I always love reading about Black people’s excitement for this movie. I have often referred to the release date of this movie as “The Ascension”, so you can see I have already lost my everlovin-mind about this movie.

…Come Feb. 16, 2018, black people across the African Diaspora will pack the theaters with our ceiling-touching geles, our brightly colored dashikis, and our sharpest black-and-white attire, and lose our collective black minds.

All for the purpose of celebrating the blackity blackness that will be the premiere of Black Panther.

 http://www.theroot.com/wakanda-forever-on-the-importance-of-black-panther-1820459283

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If You’re a Black Woman Who’s Tired of White People Touching Your Hair, There’s a Game for That

* I just finished playing this, and it’s a helluva lot of fun. (Its also hilarious.) It’s a very simple game, that requires you to “throw some hands”, to protect whatever updo you’ve chosen, from a selection of hairstyles, while you travel to diferent parts ofthe world. You can choose your skin tone, a hairstyle, and the area of the world you’re attempting to travel to, while dodging pale hands that are trying to invade your personal space. You lose energy if the hands make contact for too long. The sheer level of “Bitch, please!”, on that woman’s face, is priceless, (although I suspect this is an expression that most people, of any color, wear at the airport.)
There’s a link at the end of the article:
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 And from the irrepressible Terry Crews:
 https://youtu.be/2jNFymV3J-M
There are still some people who want to victim blame this man for what he’s been through, saying he should’ve hit the man, or hurt him, somehow. People like that are not taking into account that Terry’s situation isn’t any different from the situation of the White women who have been assaulted. He was powerless at the time it happened, and his wife was ready for it. Many blessings upon her for being the level headed woman she is. Sometimes “keepin’ it real” isn’t the smartest response to a situation.
Some of the less smart among us don’t understand that not everything in the world can be solved by hitting someone, and Terry would only have destroyed himself, and his career, by responding with a suckerpunch, and his assailant knew that. In fact, as a Black woman, his wife would probably be intimately familiar with such a dynamic. 
Terry is no dumb jock. He clearly states why the optics of race also come into play. A large Black man, hitting a small, (but powerful) White man, who just assaulted him, would not look good in the media. He would’ve lost everything.
For those questioning why he chose now to come out about his assault, he addresses that in the interview, as well.

Racism in SciFi

*I just wanted to elaborate on this article, that I posted earlier in the year, on the topic of how race is depicted in SFF genre films and shows. No matter how well meaning the filmmakers may be, their blind spot is almost always racial in nature, and it is impossible to completely and fully tell certain narratives, if the creators refuse to even look in the direction of race. I don’t know if it’s intentional, or deliberate, but one of the failures of modern SFF cinema is an inability to approach the subject of racism  from an honest perspective, when these creators are White.   This is why creators like Jordan Peele, Ava Duverney, John Cho, and even Rod Serling are so important. They did not (do not) ignore race as a factor in the stories they are (were) trying to tell.

Why Don’t Dystopias Know How to Talk About Race?

————Fantasy novelist Daniel José Older sees the problem as a failure of imagination and craft. “I find it very telling how little these worlds that are so much about power and oppression and ways of resistance also magically somehow have solved race,” he said. “On the one hand it’s a truth failure in the sense of it doesn’t feel real to anyone who knows about the lasting power of racism and to anyone who is paying attention to the world today. And it’s a craft failure in that it is a tremendous missed opportunity to develop the world more deeply.”

http://www.vulture.com/2017/08/why-dont-dystopias-know-how-to-talk-about-race.html

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* I’ve been seeing an increasing number of SciFi shows where Blacks, and other minorities, are being cast as the oppressors of White protagonists. We’re not arguing that PoC can’t work for oppressive systems, because plenty of them do. And we’re not arguing that PoC cannot discriminate against White people.Yes, we know PoC can be bigots (towards other PoC, mostly) but that’s not what is being discussed here.

We’re talking about the casting of Black people, particularly, dark skinned, Black women, as virulently racist bigots, which  is starting to become a trope. From Teen Wolf, to The Gifted, to Heroes Reborn, I think the White male writers who create these shows are starting to get a little too comfortable with this idea.

They don’t seem comfortable with depicting actual racism towards PoC by White people, and they continue to cast White actors as the oppressed minorities in these racial allegories (like The Handmaid’s Tale). It’s especially galling in a racism/slavery allegory, to not only erase the existence of  PoC, who are actually experiencing what is being depicted onscreen, in the real world, but to cast them in the roles of the oppressors, and I’m not here for it. I’m also not here for White Writers stealing the narratives of oppressed people of color, but then NOT including any of those oppressed people in the story. (I touched on this briefly in my review of The Gifted.)

One of the major reasons I stopped watching Heroes Reborn wasn’t just because of its lackluster, badly written plot, but because  a Black woman was cast as a virulently nasty, hardline racist, who was willing to kill children, and the children they showed her killing, were White. This is the same plotline used in the final season of Teen Wolf, where a Black woman is seen killing and sometimes torturing White teens, and again, in the show The Gifted, you have a brown-skin man, of indeterminate race, spouting racist jargon against the White protagonists of the show, and hunting and arresting White kids. All of these shows steal the narrative of Black and Brown people being killed (shot, tortured, and abused) by people in positions of authority, but does not include any of these Brown people in the story that’s being told. Instead, casting White actors in roles that real PoC actually live out.

The Gifted is even more annoying because there are PoC on the show who are members of the oppressed minority, but we don’t get to see their stories, sympathize with them, or understand what their lives were like. We do get to see them be bravely tortured by the government, which sends the message that not only are our stories available for consumption, but the pain and degradation of PoC is as well.

Just Like A Caucasian

How Sci-Fi and Fantasy Television Shows Always Get Racism Wrong.

                                                     ————Shabazz Malikali
On Medium.com

 

 

**Reprinting my review of The Gifted, (which I wrote before I saw this article)

I’m simply not in the mood for this show, and I’m fed up with this type of plot, now. It’s loosely based on some of the X-Men and New Mutants comic books, in that it has some Sentinel plotline, and some of the characters from those groups. Stephen Moyer stars as a lawyer who used to prosecute mutant criminals, and  the father of two young mutants, now on the run from the government, which is rounding up mutants and imprisoning them in scientific camps.

I tried watching the first episodes, and while I like a couple of the characters, the show is simply not compelling enough to keep me watching it every week. The characters have the usual teenage angst, with superpowers, that made me dislike the First X-Men movie. Blink is a teenager who can teleport by creating portals, and Thunderbird, who is Native American, is a kind of tracker of people and things. I’m dismayed that the show used the Native American tracker stereotype, as that’s nothing like Thunderbird’s actual powers in the books, which consists of speed and strength.

And I’m just not here for yet another plotline of people with superpowers being rounded up and used by the government. This seems to be the only plotline they can come up with for superpowered characters, especially on TV, and once again, there is only the focus on how this affects White, suburban, middle-class families.

Just like with the show Heroes, there is no focus on how the discovery of superpowers would affect any marginalized communities, something I would consider much more entertaining, and which the show Cleverman handled with a certain amount of depth. As I complained about before, we keep getting stories about middle-class White characters being subjected to the same oppressions that have been visited on marginalized communities. This show would have had far more depth and been much more interesting if it had been set in the G/L community,  or the Black and Latinx communities, in which this type of interment is already occurring.

In the forties, the Japanese were rounded up in internment camps because they were considered a danger to the US, and later, authorities used to raid the gay and lesbian communities and lock them in jails with the full force of legal authority behind them. Today, its immigration officials grabbing random Brown people out of their homes, and locking them up on suspicion of being illegal immigrants. What do you want to bet that none of these things will be addressed in yet another show where we see average White people being treated in the same manner?

 

*For further reading check out Malikali’s article on The Ellison Test. It’s great reading, and available on Medium.com, (which I can’t link to here.)

 

The Ellison Test: The litmus test for diversity.

 

 

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Another way that TV and movies get racism wrong is the constant message, and I’m not certain this is intentional, is the idea that the people being oppressed actually are powerful and dangerous and need to be controlled. So, while Hollywood steals the narratives of PoC to sell their oppression stories of White people, they paradoxically send the message that the oppression is also deserved. This is what went wrong with the movie Zootopia. Zootopia made some excellent points about discrimination, but the animals being discriminated against are all powerful animals that traditionally eat other animals. There’s also the setup that in the past these animals did indeed eat the lesser animals, and so deserve persecution and fear. So Zootopia is trying to tell a story condemning the discrimination and persecution of others is wrong, it reinforces the idea that the ones being persecuted deserved to be feared and hated.

This is also the same problem I ran into with the X-Men and Mutant hysteria plotlines of The Gifted.  The persecuted minority are actually exceptionally powerful beings, and actually can destroy human life, and even the entire world, which goes against the racism metaphor the stories are trying to establish, and defeats the anti-discrimination message that’s being touted.

One story that does get the themes mostly correct is the graphic novel called Maus by Art Spiegelman, in which the Jewish people are represented as helpless prey animals being harmed by cats. The cats are depicted as Nazis.

How Zootopia Gets Its Own Point Exactly Backwards

———–The movie starts with a history of the world, explaining that while predators used to be uncontrollably violent, they have since been civilized and can now live among prey animals, which also means behaving like prey animals (prey animals aren’t asked to accommodate their behavior for predators at all). Because in Zootopia there’s a right way to live and a wrong way to live, and some animals are — in the context of this movie — biologically programmed to live wrong. They have to be corrected in order to fit in with proper, civilized society.

http://www.cracked.com/blog/why-talking-animals-are-bad-way-to-talk-about-racism/

 

Zootopia wants to teach kids about prejudice. Is it accidentally sending the wrong message?

————–The most natural line to draw between the two is that Zootopia‘s predators stand in for black men in our world, and one needs only look at the resurfacing of Hillary Clinton’s “superpredators” clip from the ’90s to know why that’s potentially inflammatory territory.

But all of this pales in comparison to the fact that when you scrutinize Zootopia‘s core metaphor for even a second, it struggles to make sense on a literal level. Yes, the film’s message is that Judy learns to trust Nick, even though he’s predator and she’s prey. But on some other level, we all know that an actual rabbit is right to be afraid of an actual fox — and that muddies the movie’s message considerably.

https://www.vox.com/2016/3/7/11173620/zootopia-review-racism

 

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Yes, even Bladerunner manages to fall into this same trap of presenting a persecuted minority as being incredibly physically powerful and smarter than the humans hunting them.

Blade Runner’s source material says more about modern politics than the movie does

It was written for an age of overreaching policing and sociopathic lack of empathy

———-The police in Do Androids Dream…? are merciless, unstoppable android killers. Their victims, in contrast, are remarkably vulnerable and weak. In the film, the replicants have enhanced reflexes, super-strength, and tremendous intelligence. Part of the reason Deckard evokes sympathy is that he’s clearly overmatched. Replicants may not deserve to be murdered, but they are terrifyingly powerful and dangerous. Roy, howling his shirtless way through an abandoned building at the end of the film, is an atavistic, gothic terror. The androids in Blade Runner are dangerous and threatening when provoked — which is how Darren Wilson saw Michael Brown, and the excuse most often given by police who kill unarmed black civilians.

————–https://www.theverge.com/2017/10/5/16428544/blade-runner-philip-k-dick-do-androids-dream-of-electric-sheep-analysis-adaptation

 

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*The next  3 articles are essays on how the new Bladerunner movie tackles the narratives of racism, assimilation, inclusion, and persecution. Or  how they actually don’t.

‘Blade Runner 2049’: The Deckard Question Matters More Than You Think

Whether Harison Ford’s character is a replicant has far-reaching implications for the film series — and for what it says about our own society.

———-http://www.hollywoodreporter.com/heat-vision/blade-runner-2049-why-it-matters-deckard-is-a-replicant-1046963

 

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Race and Blade Runner 2049

The only black people in Ridley Scott’s Blade Runner are extras. The replicants are all white, and the city of Los Angeles is basically an unmixed population of whites and Asians. The Asians live on the streets or work in small shops. Whites rule the LAPD (all that’s left of the city’s government) and biotech corporations. Whites are also the slaves manufactured by Tyrell Corporation. There are no black, Mexican, or Asian replicants. And the leader of the rebel replicants is a very Aryan Roy Batty. Replicants, however, are, according to Rick Deckard’s voiceover, called “skin jobs,” which is equivalent to calling black people “niggers.” So, Blade Runner is about a slave revolt. And what do the slaves want? Freedom? No. They want more life, which, to be fair, is another kind of freedom. As the 20th century British philosopher Alfred Whitehead put it: “Life is a bid for freedom.”

http://www.thestranger.com/slog/2017/10/06/25457531/race-and-blade-runner-2049

 

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This Future Looks Familiar: WatchingBlade Runner in 2017

————-I watched Blade Runner for the first time this week. Since I have apparently been living in a cave for the past few decades, I thought that Blade Runner was kind of like Tron but with more Harrison Ford, and less neon, and maybe a few more tricky questions about What Is The Nature Of Man.

That is the movie I was expecting.

That is not the movie I saw.

 

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*It is far easier for White audiences to watch allegories about racism, than it is for them to actually tackle the subject head-on in their daily lives. Just as it seems easier for White filmmakers to propose the idea that persecution of minorities is wrong, while engaging in erasure and whitewashing in their films on the subject.

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*There has been some discussion on Tumblr of The Empathy Gap, to explain the woobification of White villains in fandom, vs the vilification of Black and Brown villains, and even characters of color that are the stars and protagonists in the narrative. Want to know more, then read on:

Why White People Don’t Like Black Movies

Why White People Don’t Like Black Movies

http://www.indiewire.com/2014/01/why-white-people-dont-like-black-movies-162548

 

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*This is a perfect example of what we mean by implicit bias in filmmaking. I know the director of this movie, James Mangold, is not some die-hard ,card carrying, member of the alt-right, or KKK. Nevertheless a critical look at his films reveals his own blindspot when it comes to the subject of race.  Because the directors are White males, living in America, they have a tendency to reproduce narratives of race that have always prevailed in films, without much examination. I’m sure it never occurred to Mangold that it would be difficult for PoC to watch a movie in which am entire Black family is brutally murdered by vigilante members of the state. It certainly did not occur to him how such images would impact our watching of the film, given the status of American race relations today. (The same blindspot is evident in the Netflix show, Daredevil, and Mangold’s last Wolverine film, which was set in Japan.)

The Thoughtless Diversity of Logan

————–   Let’s linger on that last point for a second. In Logan, an entire black family gets slaughtered onscreen. This is a black family who we already see terrorized by racist hicks for refusing to move off their farmland. We are shown that they are at the mercy of these white folks to maintain basic amenities like running water. We also see that they are often terrorized by these men WITH GUNS on what seems to be a daily basis.

——https://fishnetcinema.com/2017/03/07/the-thoughtless-diversity-in-logan/

 

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*I liked this rather tongue-in-cheek essay on why Black people don’t attract ghosts or hauntings.

White Fright; Or, Why Are There No Black People in Haunted House Movies?


http://www.blackhorrormovies.com/white-fright-no-black-people-haunted-house-movies/

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*And another tongue in cheek piece on the expectations that Black people should  die in Horror movies, because that’s the tradition, and how hard it can be getting used to watching them survive these movies sometimes.

The Black Die Young: The Internal Struggle of a Black Horror Movie Fan

——–I have a secret passion; the less addicted of you might call it an addiction. I like to watch. I rent base, filthy movies and slip them into brown paper bags so no one can tell. I sit alone in seedy, near-empty theaters, pleasuring myself with this trash. I’m too embarrassed to tell anyone about my weakness, although my wife has caught me watching a time or two (“It’s a documentary!” is my standard excuse; she’s since cancelled the Discovery Channel.). But now I’m ready to step out of the shadows and proclaim loudly, I am a black man… and I love horror movies.

http://www.blackhorrormovies.com/black-die-young/

 

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*Yeah, we’re looking at you Star Wars! 

Every Galaxy Needs More Than Three People of Color

———When people of color do appear in science fiction, it’s often as sidekicks or advisers. Black characters are likely to die quickly and are unlikely to ever interact with any other black characters, since many galaxies seem to contain only about three black people. That lack of representation makes it hard for people of color to imagine that their writing will ever find a home in the genre.

https://www.wired.com/2016/02/geeks-guide-diversity-destroy-scifi/

 

 

*I was going to finish up my review of Bladerunner 2049 with a critique of the films technical and philosophical aspects, but I think I’ll post a list of other critical apporaches to the movie, and post my viewpoint as a followup. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

They Came From Netgalley

 

 

I was really excited to get these from Netgalley, and I’m happy to share my thoughts about them with you guys. I’m usually never able to finish reading these before I get the next book, or the original is released but, I like to take my time and get the full flavor of a book before reviewing it.

 

Under the Pendulum Sun by Jeanette Ng 

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I don’t think I’m going to finish this book. I was initially very excited at the idea of Christian Missionaries from the Victorian era visiting the land of Fairy, as that is such a novel concept, but this book has turned out not to be what I’d hoped. What I thought would be  a kind of expedition to strange lands and peoples,  with grand adventures, heroes and villains, turned out to be a lot slower and more contemplative. This isn’t a bad book, I just don’t think I’m the audience for it.

First,  let me start off by emphasizing, for me, this is a very slow book. There’s almost no action, and little investigation of the Fairylands, even though I’m almost a third of the way through. The main character, a woman searching for her brother who has become lost in Fairyland, has been trapped in the same location since the beginning of the book, a large mansion where her brother resided. She is an acceptably brave and intelligent character, and I like hearing her thoughts as she narrates the story, but she hasn’t gotten a chance to have any real adventure, which I thought this book would be about. The most notable thing she has done is find an important book in the mansion’s  library, meet a couple of  fairy house servants, and hold a church service.

I also feel some type of way about missionaries in general (as in not approving of them) but so far the proselytizing has been kept to a minimum. It’s not  that type of book, for which I am grateful, but I still don’t know if I want to keep reading it.

 
Magicians Impossible by Brad Abraham

Image result for magicians impossible

This book is much more promising. I like the action in this book. What I don’t like is the protagonist. The lead character is just boring and so very ordinary. Jason Bishop has a mysterious past, and a father he barely knew, who was said to have committed suicide. When he attends his father’s funeral, he starts an adventure where he discovers that he comes from a line of mages, and that his father was one of the primary players in an ongoing fight between several magical societies.

I don’t dislike this book, (I really like  it!) but Jason is not an exciting  character, and maybe that’s the point.  Maybe there’s some character growth later in the story? I don’t dislike him though. That would require that he have enough personality to dislike. On the other hand, the other characters are really interesting. There’s a female  Punk/Mage I really liked, and the bad guys are suitably nasty, and everyone is after Jason. Jason  has to try to navigate an entirely new and unknown world, manage his own magical gifts, and figure out who are his friends and enemies.

The magic in the books is the typical bombastic hand waving sort, but it’s also abetted by actual card magic,  which I thought was a lot of fun. Despite the presence of Jason, I am looking forward to the next book in the series, as we get past all the introductory stuff of Jason picking up skills, and meeting the other characters. Once we get into the serious world-building, this will be a wonderful series to tide you over, between Harry Dresden novels, which is the greatest compliment I could give to an Urban Fantasy book.

 

The Change Series by Guy Adams

Image result for the change series/ guy adams

I remember reading something very similar to this book a few years ago. That opening chapter scared the Beejesus out of me because I had no idea what was happening. I never got a chance to finish that book, and I think this is it.

Something happened. As in Robert McCammon’s short story ‘Something Passed By’, something happened on Earth that was so awful, that most of the people who witnessed it died. The ones who didn’t die were  mentally and physically altered and all the rules of the world changed. No one can get near any of the cities without dying, animal life has been altered, and strange and malevolent creatures prey on the people who are left.

Howard managed to survive the invasion but has amnesia. He doesn’t remember what happened but knows he needs to make it to the city of London. On the way he encounters machinist biker gangs, deadly blackbirds, and a mechanized monster that eats people and incorporates their bodies into its own.

This is a six-part series ranging from London, to Paris, to Tokyo, chronicling the adventures of various characters as they deal with this new and changed world. What makes the books so frightening is that all of the changes are inexplicable and unexpected. We learn about the nightmares of this world at the same time the characters do. The world was a known thing, but now all bets are off, and almost anything at all can happen to them as they try to survive, not just the monsters created in the wake of The Change, but the people who were badly affected by it.

The latest in the series, about the adventures of a young girl in Tokyo, named Noriko, is available  on Amazon.

 

 

 

 

Weekend Link Roundup

Here’s some interesting reading from around the web, for the weekend. Some of the articles are older, but no less relevant:

 

Asian Erasure

*From Firefly and Star Wars, and from Bladerunner to The Matrix. What do these movies have in common? They’re all about the future, and they all have a certain Asian aesthetic. Unfortunately they also have no Asians in them. Hollywood loves seeing an Asian future, as long as there are no actual Asian people in that future. The Chinese population is some 1.3 billion people.  People classifying themselves as White make up only 11% of the world’s population and are set to be even less than that in the future as their population continues to decline, yet, there’s no evidence of that in any of the most popular movies about the future.

https://boingboing.net/2017/10/11/cyberpunks-asian-representat.html

https://moviepilot.com/p/what-is-cyberpunks-obsession-asian-imagery/4379249

https://www.avclub.com/read-this-why-does-cyberpunk-keep-making-asian-cities-1819366143

http://www.slashfilm.com/blade-runner-2049-asian-culture/

https://motherboard.vice.com/en_us/article/mb7yqx/cyberpunk-cities-fetishize-asian-culture-but-have-no-asians-blade-runner

 

Hollywood’s “Little” Problem

Image result for corey feldman

https://www.thedailybeast.com/hollywoods-other-open-secret-besides-harvey-weinstein-preying-on-young-boys?via=newsletter&source=Entertainment

http://www.hollywoodreporter.com/news/corey-feldman-elijah-wood-hollywood-897403

https://www.thedailybeast.com/elijah-wood-calls-out-hollywoods-pedophile-problem

 

Toxic Masculinity in Pop Culture

Image result for toxic masculinity

http://www.vulture.com/2017/04/nice-guys-in-movies-arent-nice-anymore.html

https://www.themarysue.com/toxic-masculinity-in-jessica-jones-kilgrave-as-a-nice-guy-and-will-simpson-as-misogynistic-hero/

https://www.themarysue.com/wolverine-toxic-masculinity/

https://www.bitchmedia.org/article/how-fargo-captures-sad-realities-toxic-masculinity

http://www.ebony.com/news-views/toxic-masculinity#axzz4w4vfOIGI

https://www.thecut.com/2017/10/this-isnt-toxic-masculinity-its-sociopathic-baby-men.html

 

Neo Yokio Review

 

  1. Lord help the poor souls for whom Neo Yokio is their first introduction to anime — and let that same Lord (whatever benevolent nerd deity presides over these sorts of things) bless the brave souls who watched this inane attempt at entertainment knowing that so much greater anime exists in the world.

    Neo Yokio, a Netflix original series created by Vampire Weekend’s Ezra Koenig and starring the vocal talents of Jaden Smith, Jude Law, Susan Sarandon, Jason Schwartzman, and Steve Buscemi, among many others, takes place in a futuristic New York City that’s underwater south of 14th Street. In this version of New York, which is randomly and inexplicably peppered with elements of Japanese culture, one’s social standing — showcased on the all-knowing “Bachelor Board” in Times Square — is of the utmost importance, and those with old money look down upon the “magistocrats,” demon-slaying members of the elite who have worked their way up, through exorcisms and social engagements, into the class of nouveau riche (aka “Neo Riche” ::queue eyeroll::).

    Our hero (a term I’ll use with the same degree of irony that Neo Yokio overuses to no end) is Kaz Kaan, a young magistocrat who spends his time exorcising some demons but even more time complaining about his social status, shopping, and bemoaning his relationship status to his friends and mecha British butler, Charles. And what’s the plot, you may ask — a fitting question, but one for which Neo Yokio has no answer. The show literally follows Kaz as he mopes around, goes on errands, and tries to figure out how to become the most eligible bachelor in Neo Yokio. If there’s a reason why we should care about Kaz’s problems, it’s unclear. After all, with its fixation on brand names, fashion, and the superficial minutiae of Kaz’s upper-class life, Neo Yokio presents itself solely as a satire of classism and commercialism in our culture, right? Maybe.

    That’s just the problem — it’s unclear. For all its posturing about class, Neo Yokio never actually commits itself to saying anything about it. We see the characters bask in their privilege and throw around their money carelessly but the only instance of real contrast is when we see how Kaz treats Charles and the few characters he briefly encounters in the service industry (including the sales clerk at Bergdorf’s, whom he only refers to as “sales clerk”) with utter disregard. The characters — and the show in general — exist in a kind of vacuum, making it impossible to determine whether the show is taking itself seriously or not at all — and if it’s satirizing a group of people or an idea, who or what exactly that is. None of the characters are written with any depth and none of them reveal the show’s true aim. Sure, fashion blogger Helena St. Tessero awakens to the superficiality of Neo Yokio and initially seems like she’ll be the lens through which we may see the satirized world (think the smart, incisive gaze of Daria, who reveals the stupidity of those around her), but she too is exaggerated to the point of no return (read: is turned into a terrorist-recluse), leaving us with equally fatuous celebrations and dismissals of this upper-class life.

     

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Image result for black people

Writing With Color

 

*Here’s some basic writing advice, for writing just about any marginalized group, (and eve nsome very common, not so marginalized groups) so you don’t come off looking like a racist twat! Now this is not to say you can do none of these things. Some of them can be done without offense, if you have a damn good reason for doing it. Some of the others…not so much.

 

Common Micro-aggressions: African Americans and/or
Black People

Anonymous said: What are some common micro-aggressions that a black american will regularly have to deal with?

Behold this masterpost of common micro-aggressions towards African Americans and/or people in the African Diaspora, several of which may be applicable to other PoC. Micro-aggressions can be perpetuated by White people as well as fellow Black people and People of Color.

This is just to give a thorough understanding of some of the things a Black person (often in America) deals with. Don’t run forward and jam-pack your Black character with every one of these experiences, though I can say I’ve personally experienced every one of these or know someone who has.

General Micro-aggressions

  • People excusing blackface.
  • Having our grammar and annunciation corrected.
  • “I don’t see you as a Black person/ I don’t see colour.”
  • Calling Black people ghetto, thugs, rachet, sassy, urban…
  • People debating why they should be allowed to say the n-word.
  • Then saying the n-word anyway.
  • Whispering, spitting, or stumbling over the word “Black” as if it’s a curse.
  • Refusing to pronounce your name right, or just calling you by a different name that’s easier.
  • Alternatively, “jokingly” calling you a “ghetto” name.
  • Constantly mixing up unrelated and not even resembling Black people, because you know.. ‘Black people all look the same’.
  • Dismissing our experiences as “just overreacting,” defending the wronging party, or using our plight to talk about one’s own experience (e.g. “well as a gay man i’ve got it rough…”).
  • Telling racist jokes and calling you sensitive when you don’t find it funny.
  • “______  is the new civil rights movement!” Black folks are still fighting for their rights so…

Media

  • Fox news (xD)
  • Caricatured depictions of Black people on TV.
  • Casting calls for Black people only tailored for “race roles.”
  • Media treating white criminals and killers better than Black victims (see these headlines).

Stereotypes

  • Assuming you only listen to rap/hip-hop/r&b.
  • Assuming you love chicken, Kool-aid, and/or smoke weed.
  • Assuming you’re good at sports.
  • Assuming there’s no father in the picture in Black families.
  • Assuming all Black people (see: young girls) have children.
  • Calling Black people who don’t conform to one’s image of Blackness, “less black,” acting white or “oreo.”

AAVE

  • Non-Black People mimicking/imitating AAVE.
  • People falling into AAVE when talking to Black People.
  • “Why don’t Black people speak real English instead of ‘ebonics’?”

Insults/doubting intelligence:

  • You’re so articulate!”
  • You take advanced classes?!”
  • “How did she get into that [prestigious school and/or program]?”
  • “They only got x because they’re Black/Affirmative action.”
  • Assuming a Black person (usually male) attends college because of a sports scholarship.
  • Counselors discouraging Black students to take prestigious coursework, assuming it’s too difficult for them.

 Respectability politics:

  • “You’re a credit to your race.”
  • “I’m glad you’re not like those other Black people. You’re not ghetto or listen to that rap stuff..”
  • Tone policing: dismissing someone’s reaction/argument/etc. because they are too “emotional.” Thinking that we need to be calm in order to be taken seriously.
  • Pitting African immigrants against African Americans, especially those coming to America for education, aka “Good Blacks.”

Beauty Standards and Dating

Fetishization/Othering

  • People asking you what you are or where you’re really from.
  • Referring to Black people or our features as “exotic.”
  • Referring to Black people’s skin as chocolate or other foods.

Black Women/Misogynoir

  • Saying Black women are ”strong, independent and don’t need no man.“
  • Calling Black women ”sassy“ or angry if she shows passion/emotion.
  • Referring to white and non-black women as “girls” and “women” while calling Black women “Females.”
  • [White] males who apply courtesy to white women (holding doors, giving up seat) but don’t apply the same to Black women.
  • Referring to Black women on government assistance as “welfare queens” (While ignoring that white people get more government assistance than Black people in the USA).
  • “Black women All woman are beautiful.” (StopThatPlease.)

Hair.

  • People touching/petting your hair without consent.
  • “So is that your real hair? Are those extensions?”
  • Calling natural black hair unprofessional.
  • White people appropriating Black hair styles (dreads, twists, etc) and being praised as edgy, while it’s “ghetto, unprofessional, and unclean” on our own heads.

Poverty Assumptions:

  • “Do you live in the ghetto?”
  • “Can you afford that?”
  • “Here are the value prices of this product…”

Racial Profiling + Criminalization:

  • Crossing the street to avoid passing Black men/people.
  • Following in stores, assuming Black people are stealing.
  • Moving aside when we pass, clutching purse, locking doors.
  • Asking Black people for I.D. when paying with card (while white people are not asked).
  • Being pulled over + arrested at astonishingly higher rates than white people.

For a fuller understanding of micro aggressions and the effects it has on individuals overtime, please see this: “These incidents may appear small…”

~Mods: Colette and Alice

Image result for stereotypes

Stereotyping Tropes List (TVTropes)

A masterpost of the Stereotyping Tropes from TVtropes.org. This list is identical to the one linked above, save the addition of Indigenous peoples, which was added. Check for the titles with links, as it leads to more pages of tropes. 
For an assortment of other related tropes, some not mentioned here, see “Race Tropes” as well as “Prejudice Tropes.” Advice on handling characters that lean towards harmful portrayals can be found in the tropes & stereotypes tags at writingwithcolor.


General

Africans

African Americans/Black

Americans

Arabs

Asians

Australians

Brits

Canadians

Chinese

Dutch

Eastern Europeans

Europeans

French

Germans

Indians

Indigenous

Irish

Israel

Italians

Japanese

Jewish

Latin Americans

Nordic Countries

Russians

Scots

Spaniards

 

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Related image

*Okay, I had to put this up. This is, hands down, the funniest story I read on the internet all week, and this is next to The 15 Blackest Things About The New Black Panther Trailer , that I posted earlier.

Now while you’re reading this, continue to picture giant koi bloop blooping in a pond. They have no idea they’re the partial cause of all the chaos. They just wanna get fed.

I’m like,”Guys, ain’t nobody thinkin’ about y’all right now!”

The Great Flamingo Uprising

(Edited after additional information was obtained from zookeeping cousin)

I told this story to a few guildies a while back and decided to archive it in a longer format; so here is the story of The Great Flamingo Uprising of 2010 as told to me by my favorite cousin who was a keeper at the time.

In addition to the aviary/jungle exhibit, our zoo has several species of birds that pretty much have the run of the place.  They started with a small flock of flamingos and some free-range peacocks that I’m almost certain came from my old piano teacher’s farm.  She preferred them to chickens.  At some point in time they also acquired a pair of white swans (“hellbirds”) and some ornamental asian duckies to decorate the pond next to the picnic area.  Pigeons, crows, assorted ducks and a large number of opportunistic Canada geese moved in on their own.

Now; the ponds that dot the zoo property (I don’t remember how many there are but the one by the picnic area is the only one with swans) were also full of ginormous koi fish, some of whom by now are at least three feet long.  Sensing an opportunity to cash in on the koi, the zoo put up little vending machines all over the place that dispense handfuls of food pellets.  I swear to god the fish can hear the crank turning, and will show up at the nearest railing, blooping expectantly at whoever happens to be standing there and doing their best to appear starving and desperate.

Like this.^  And they weren’t the only ones who learned to associate the sound with the imminent arrival of food.  The Canada geese knew a good deal when they saw one, and had long since ceased to migrate anyway.  They formed roving gangs of thug-geese and staked out their turf around the vending machines, ready to mug anyone with pocket change.  Picture yourself as a small child squaring off with a bird as big as you are fully prepared to strip search you while standing on your feet and yelling “HWAAAAAKK!!” in your face.  It’s deeply traumatizing to you and incredibly hilarious to your parents.

Anyway.

The flamingos had their spot near the zoo entrance and never seemed to mind the presence of the other birds, as they kept themselves to themselves and didn’t really like the taste of fish pellets.  The problem lay in that their shrimp pond was close to a vending machine.  Ordinarily that wouldn’t have been an issue at all, but eventually the goose population grew large enough that one of the gangs decided to annex it.  Being territorial little shits, they would harass the poor flamingos any time they strayed within ten feet of it.  The flamingos tolerated this for years until one day they snapped collectively.  Here’s a summary of the incident in chronological order.

1.) It was a hot day, so everyone in question both human and avian, were cranky by the time the zoo even opened.
2.) A few flamingos (let’s call them The Jets) strayed into the radius of the vending machine and were immediately confronted by the indignant hissing geese (The Sharks)
3.) Possibly due to heat and the simple fact that the geese had been giant douchebags for far too long, the flamingos decided fuck it, this time they were going to FIGHT BACK DAMMIT, and swarmed the geese en masse.
4.) Chaos ensued.  The geese were outnumbered 4 to 1 but had the advantage of being able to scream for back-up.
5.) Hearing the shrieking Canada geese and the bellowing of the enraged flamingos, the peacocks came to the conclusion that the apocalypse had come upon them and began to gather in the surrounding trees in droves and wail in despair.  Or cheer them on, whichever.
6.) NOISE
7.) Apparently one of the siege tactics employed by geese is to shit explosively all over everything.
8.) The geese, having secured reinforcements from all over the zoo, went berserk and proceeded to attack EVERYBODY who had come to watch be they human or otherwise.
9.) The flamingos were chasing/being chased by the geese through the crowd accompanied by cheers/wails from the peacocks in the box seats.
10.) Complete pandemonium when the zoo tram became stalled by the flamingo pond due to battling birds.  The Jets, sensing these were somehow reinforcements on the side of the Sharks, charged the tram.  Adults were doing the duck and cover.  Small children were screaming, adding to the noise.  People were slipping on goose shit and hitting the ground in the fetal position, only to be stampeded by the rampaging flamingos.
11.) The koi continued to bloop hopefully for food.
12.) Two of the geese were cornered by a rival gang of their own and were chased into the swan pond.  Cue slow-motion.
13.) The swans detected an enemy presence in their territory and by god, SOMEBODY was going to PAY.
14.) The staff were having no luck in breaking up the fight and on the verge of giving up and just building another zoo elsewhere when the hellbirds stormed the battlefield, trumpeting battle-cries, to dispense feathered justice.  The staff promptly dropped their brooms and fled.
15.) Birds scattered in all directions.  Up, down, sideways.  Some people not present in the park circle swear a couple of geese flat out teleported into the petting zoo. A few ducks vanished in the chaos, presumably eaten by the swans.
16.) Two of the zookeepers barricaded themselves in the snack bar and refused to come out.
17.) The uprising was squashed in less than two minutes.  Number of casualties was unknown, feathers were flying everywhere and there was enough goose shit to build another bird.  One staff member had been knocked to the ground and was left with a melon sized bruise courtesy of one of the hellbirds.  Several children were traumatized, probably for life.  The zoo eventually removed the vending machine by the flamingos.

The geese went back to being giant douchebags. Because geese*.

Addendum:  Somehow, my aunt D got hold of this story and posted a link along with the comment: “This sounds exactly like our zoo!”
Zookeeping cousin replied: “This was exactly our zoo.”

*I’m really not kidding.  This is a photo, taken at our zoo, of a gorilla being chased by one of the thug geese.

 

*Yeah, the hellbirds came in and broke that whole shit up in two minutes!

@@

*I’m in agreement with this, really. It would make for some very intersting names:

I think we should make Puritan naming customs cool again, but like, updated to reflect Millenial values. So we can have names like Resistance Jones, Self-Care Williams, and I-Am-Not-Throwing-Away-My-Shot Anderson.

  • I-Will-Face-God-and-Walk-Backwards-Into-Hell Watson
  • Hydrate Mather
  • Healthcare-Is-A-Right-Not-A-Privilege Bradford
  • Body Positivity Watts
  • WTF-the-Fuck Preston
  • Cinnamon Roll Milton
  • Y’all-Need-Jesus Henderson
  • Snape-Was-Not-a-Hero Whitaker
  • Battery Life Wiggins
  • Reblog-If-You-Agree Bolton
  • @Horse_ebooks Humphrey
  • Renewable Moore
  • I-Came-Out-to-Have-a-Good-Time-and-I’m-Honestly-Feeling-So-Attacked-Right-Now Rutherford
  • Representation Hopkins
  • Organic Hurst
  • Money Cat Wallington
  • Fuck-It Wentworth
  • Impeachment Shepard
  • Don’t-Forget-To-Like-And-Subscribe Simpson
  • Consent Pimple
  • I-Bless-the-Rains-Down-in-Africa Woodford
  • Green Hoyle
  • Social Anxiety Travers
  • Kinkshame-Not Bailey

 

Tomorrow: A rare weekend posting. I finished the first part of my Bladerunner review.

Weekend Reading Roundup (October 2017)

Some interesting articles and news items from the past week.

Race and News Media

http://fair.org/article/racism-and-mainstream-media/

http://www.stopracism.ca/content/racism-and-media

https://en.wikipedia.org/wiki/Racial_bias_in_criminal_news_in_the_United_States

http://www.slate.com/articles/news_and_politics/culturebox/2017/10/playing_devil_s_advocate_in_conversations_about_race_is_dangerous_and_counterproductive.html

 

Race at the Movies

*I’m a person who studies these subjects, and while I did know about some of these issues, I still managed to miss some of the others:

https://shadowandact.com/hyper-tokenism-ii-othering-the-black-female-body-in-star-wars-the-force-awakens/

*http://www.racebending.com/v4/blog/aliens-looking-white-extraterrestrial-skin-color-in-sci-fi/

https://www.wired.com/2016/02/geeks-guide-diversity-destroy-scifi/

 

On Harvey Weinstein

*Sexual abuse and harassment in Hollywood is an industry wide phenomenon.

 

http://www.shakesville.com/2017/10/men-who-are-bullies-hurt-women.html

https://www.thecut.com/2017/10/why-the-weinstein-sexual-harassment-allegations-came-out-now.html

https://www.washingtonpost.com/blogs/compost/wp/2017/10/06/harvey-weinstein-and-that-different-time-when-hostile-workplaces-were-totally-okay/?utm_term=.daf14ea32517

https://www.newyorker.com/culture/jia-tolentino/how-men-like-harvey-weinstein-implicate-their-victims-in-their-acts

https://www.newyorker.com/news/news-desk/from-aggressive-overtures-to-sexual-assault-harvey-weinsteins-accusers-tell-their-stories/amp

*The fallout from Rose McGowan being banned from Twitter was White women’s allyship being called into question by WoC, when White women decided to boycott Twitter in support of McGowan.

http://www.newsweek.com/women-color-wonder-why-it-took-until-now-white-women-boycott-twitter-684198

 

*An unexpected Tweet from Terry Crews on his own brush with sexual assault, and why, as a Black man, he never told anyone:

 

 

Black Movie Critic List

*Earlier I did a post on finding Black critics of Black media like Luke Cage and came across several, including an organization developed specifically to support such critics.

http://www.aafca.com/

https://splinternews.com/theres-a-huge-divide-between-how-black-and-white-critic-1797478105

https://kinja.com/danielleyoungproducer

https://www.theringer.com/authors/k-austin-collins

http://www.rogerebert.com/contributors/angelica-jade-bastien

http://www.aafca.com/carlas-corner

 

On White Men With Guns

*I feel some kind of way about watching this show, especially after what happened in Las Vegas..

The Punisher

Let’s talk about The Punisher, for a second. You know, the guy with the massive guns, chip on his shoulder, and penchant for killing people?

Are we gonna talk about how his whiteness plays into people’s acceptance of him?

Are we gonna talk about how his use of violence is pretty much accepted and lauded because of the fact that he’s a white dude?

Are we gonna talk about how Jon Bernthal had to fight to make Frank Castle unheroic on set, and how fans are still going to talk about him like he’s the greatest thing since Iron Man?

Are we gonna talk about how Frank’s whiteness allows him the space to be violent, gory and still sympathetic?  While Black heroes (like David Walker’s Nighthawk) do the exact same thing, but aren’t supported?

 

https://www.splicetoday.com/moving-pictures/taxi-driver-and-the-culture-of-violence

https://www.washingtonpost.com/blogs/compost/wp/2017/10/02/when-white-men-turn-into-lone-wolves/?utm_term=.d13d79b39238

https://theintercept.com/2017/10/02/lone-wolf-white-privlege-las-vegas-stephen-paddock/

 

 

On Rick and Morty Fans

I’m not a fan of this show. I just don’t have the patience for any of the character’s shenanigans at this time, but I’m thoroughly and completely appalled at what most fandoms have come to, at this point. Geek fandom was never a healthy place for me, to be honest, but fandom today seems to be especially toxic, with an influx of the kinds of people who have no idea how to be fans of pop culture, (although to be fair this has been happening in sports for decades.)

http://www.indiewire.com/2017/10/rick-and-morty-szechuan-sauce-breaking-bad-pizza-fandom-gone-bad-1201886904/

https://www.forbes.com/sites/danidiplacido/2017/10/08/rick-and-morty-fans-take-obnoxiousness-to-a-whole-new-dimension/#1e71038676ac

https://www.polygon.com/2017/10/9/16447460/rick-and-morty-szechuan-sauce-mcdonalds-fans-anger

 

 

Free PDF Book List On Race

Found from various places online:

The Pedagogy of the Oppressed by Paulo Freire

Angela Y. Davis – Are Prisons Obsolete?

Angela Y. Davis – Race, Women, and Class

The Communist Manifesto – Marx and Engels

Sister Outsider: Essays and Speeches by Audre Lorde

Three Guineas by Virginia Woolf

Critical Race Theory: An Introduction by Richard Delgado and Jean Stefancic

The Black Image in the White Mind: Media and Race in America- Robert M. Entman and Andrew Rojecki

Ain’t I a Woman: Black Women and Feminism – bell hooks

Feminism is for Everybody – bell hooks

outlaw culture – bell hooks

Faces at the Bottom of the Well – Derrick Bell

Sex, Power, and Consent – Anastasia Powell

I am Your Sister – Audre Lorde

Patricia Hill Collins – Black Feminist Thought

Gender Trouble – Judith Butler

Four books by Frantz Fanon

Their Eyes Were Watching God – Zora Neale Hurston

Medical Apartheid – Harriet Washington

Fear of a Queer Planet: Queer Politics and Social Theory  – edited by Michael Warner

Colonialism/Postcolonialism – Ania Loomba

Discipline and Punish – Michel Foucault

The Gloria Anzaldua Reader

Capitalist Realism: Is There No Alternative? by Mark Fisher

This Bridge Called by Back: Writings by Radical Women of Color by Cherríe Moraga & Gloria Anzaldúa

What is Cultural Studies? – John Storey 

Cultural Theory and Popular Culture – John Storey

The Disability Studies Reader 

Michel Foucault – Interviews and Other Writings 

Michel Foucault – The History of Sexuality, Vol. 1Vol. 2Vol. 3 

Michel Foucault – The Archeology of Knowledge 

 

Last Week Tonite On Tumblr

Generally happy stuff to start off your week, especially if you haven’t heard some things yet:

Movie News

Image result for happy kermit gif

The first official trailer for Pacific Rim is LIT!!! Hollywood is killing it with the music for these trailers, but I do have to remind them that just because a movie has Black people in it doesn’t mean you need to put rap music in the trailer. Some of us recognize different musical styles, although I realize that the soundtrack can go a long way towards getting a certain type of Black guy into the theater, (namely that no account Pooky from down the street.)

I love that we get to hear Boyega’s natural accent again in an action film. I’m definitely taking my niece to see this because she loved Mako Mori in the first movie, and John Boyega was her first movie boyfriend. This movie also heavily reminds me of The Power Rangers, only for grownups, because its more violent. (I’m pretty sure there’s also lots more of the cussing.)

Boyega stars as Jake Pentacost, the son of the late Stacker, who gets called into Jaeger service, from his underworld criminal lifestyle ,by his adopted sister, Mako.

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I’m really looking forward to the reboot of The Predator franchise because it has a long history of racial progressiveness. The first movie featured the first time team up of Arnold Schwarzenegger and Carl Weathers, and I guess the makes realized they had a good thing going, because the second film starred Danny Glover ,as the hero of the movie, and Maria Conchita Alonso, who gets to live to the end of the movie. The third movie, Alien Vs Predator starred Sanaa Lathan, a Black woman as the hero of that movie and it’s one of my favorite Predator films, naturally. 

It’s interesting that as many tropes about race have been created in the horror genre, it’s also been a genre that’s been very progressive in its treatment of women, and characters of color, allowing them to be heroes and heroines, allowing them to be the stars, and sometime save the day, or the Earth. But this version of Predator appears to be more mainstream and there’s always tropes in mainstream movies.

Its as if mainstream movies know no other language beyond the visual shorthand of stereotypes (or maybe mainstream writers are just a bunch of lazy fucks who are unwilling to think outside the box). Namely The Black Guy Dies First Trope, and The Smurfette Syndrome.

Mainstream movies simply don’t have  track record for subverting tropes that the Horror genre does, and I’ve noticed, the more mainstream a horror movie  franchise becomes, the less likely it is to star a PoC, or have the woman be the primary character. This isn’t a hard and fast rule, just a trend I noticed.

I do blame the original Nights of the Living Dead for this. Something of George Romero’s liberal sensibilities in the making of that movie (and casting a Black man as the lead), has made its way into the genre.

Also, I just love Keegan Michael Key and want to see him defeat a Predator.

Keegan-Michael Key Joining Shane Black’s ‘The Predator’ (Exclusive)

http://www.hollywoodreporter.com/heat-vision/predator-keegan-michael-key-joins-shane-blacks-reboot-961207

Director Shane Black has shared a look at his team of alien hunters.

Soon, the hunt will begin... again.

 

@@

I thought this was a really interesting article about casting more than one Black person per movie. Now if we can get to the point where we can cast more than one gay person per film, or one woman per action  movie, or hey! let’s get all wild and shit and put two, count ’em! TWO, women of color in one mainstream movie, and let them interact with each other. 

I know, it’s crazy right?!!!

Image result for dogs and cats /ghostbusters gif

 

Chadwick Boseman And Sterling K. Brown Remember When There Could Only Be One Black Actor In A Movie

“The opportunities are not so scarce. And that’s an important moment to note.”

https://www.buzzfeed.com/jarettwieselman/chadwick-boseman-and-sterling-k-brown-remember-when-there?utm_term=.jfaWKG0qQ#.wavvWkD5R

Chadwick Boseman and Sterling K. Brown in Marshall.

@@

Image result for scared kermit gif

Here is the official trailer for the live action version of Tokyo Ghoul. I’ve heard that Hollywood is planning an all out assault on Manga with live action movies of some very famous books. My stomach dropped as soon as I heard that because nobody, and I mean NOBODY, is asking for Americanized versions of Full Metal Alchemist and Akira. ( I swear to Gob, if Akira does not star Osric Chau, I’m gonna personally send J J Abrams a strongly worded letter suggesting that he go fuck himself!) Now these movies have not been cast yet, but hopefully, they learned their fucking lesson from the handful of whitewashed flops in the past few years. 

Yes, it looks almost as terrifying as the anime!

Note to Hollywood:

Please, stop removing Asian people from the stories they created, and cast them as the main protagonists!!!!!

People who are fans of these stories are well used to seeing Asian faces, and some of us have a pretty large pantheon of Asian, and Asian American actors they enjoy watching. We do not read anime, or read Manga, so that we can see White people. If we wanted to see White people in Asian influenced media, we’d just watch your whitewashed dreck!

@@

This is why Osric Chau needs to be in any live action version of Akira. Here he is  in a (kind of) fan made trailer of The Akira Project. This is AWESOME!!!!

@@

The Twitter and Tumblr response to this article had me cackling the whole week. I mean, how do you reach a point in your emotional development, where you have had your ass beat by this person 18 times, and you still out here signing checks your ass can’t cash, even when you cheat.

Maria Sharapova’s Rivalry With Serena Williams Is In Her Head

Sharapova’s new memoir suggests that she still can’t seem to accept the reality that her whiteness is not enough to compensate for her own failings.

https://www.buzzfeed.com/bimadewunmi/maria-sharapovas-rivalry-with-serena-williams-is-in-her-head?utm_term=.jpMJEzJvw#.mjQPrOPmB

She’s not good enough at tennis to have a rivalry with Serena. You have to be able to sometimes be able to beat someone for it to be a rivalry as opposed to a regularly scheduled ass whoopin’.
It’s never a rivalry if you’ve only beaten someone two times and they’ve beaten you 18 times in a row and badly Serena has decimated this woman for a decade-plus there is no rivalry it’s only Domination by Serena, Maria knows that but pride mixed with delusion is a motherfucker

that’s like me having a rivalry with bill gates lmao

 

I have a rivalry with Beyoncé

 

It’s like I had a rivalry with god by throwing rocks at the sky.

 sauvamente

Sharap it’s over needs to put the meth pipe down and face reality. She’s shit and a cheat. Retire.

 pinkcheesegreenghost

Even illegal, performance enhancing drugs wasn’t enough to keep her from losing 18 times

 stayingwoke

18-2. That’s 90%. I don’t even have a 90% win rate in closing a car door all the way.

 

my-friends-call-me-lol

I have a rivalry with the sky, nothing can be higher than me.

 btheadventurer

Serena don’t give a fuck bout her. She’s literally has beef with her imagination.

 

 

 

@@

Image result for mad max movies

*Okay , here’s some commentary on why dystopian apocalypse wardrobes always seem to consist of bondage and fetish gear. Personally I blame Mad Max for starting that trend, but this person has another theory on this very important issue:

why does so much post apocalypse media have people wearing straight up bdsm/fetish gear like. do the kinksters watch the world ending and think “oh boy i can wear my bondage gear in public now”

 

What I wanna know is why the spiky kink warriors are always the bad evil marauders. They might be into some weird shit and unafraid to show it but that doesn’t mean they want to go around killing dudes. They’re a tight-knit bunch. A lot of them are queer. They understand the importance of community.

If the government collapses and all laws come to an end, the people rampaging around killing and looting are gonna be like, frat boys and 4chan rejects. You can mistrust the bondage raiders all you like but they’re definitely the ones you’re going to run to for help when the neoliberal blood cultists and Nazi meme demons lay siege to your survivor enclave. There’s gonna be gayboy berserkers busting up slaver gangs and burning down warboy frat houses. The assless-chaps leather daddies and weird petplay people are gonna be the accidental peacekeepers of the post-apocalyptic world just because they’re the only motherfuckers who understand the importance of consent anymore.

Listen. Don’t come to me asking how to get the secret cadre of bisexual death commandos to protect your wretched tent village if you’re scared that we might call in the kinksters for backup. I don’t give a shit if they dress up like dogs and spend all day writing poems about butt plugs. There’s assholes out there acting like Vlad the Impaler on a meth bender and you’re afraid of seeing a nipple. Fuck you. If you really want to get rid of the MRA death gangs you’re going to have to accept that a lesbian chainsaw dominatrix or two might be involved. It’s the fucking post-apocalypse my guy we gotta weigh our priorities here

 

@@

I love these Gothic Fables :

Black Diaspora Gothic

Image result for black gothic

your mother tells you to go find something for her. it’s not there. when she goes looking for it, it reappears, just where she said it was.

this woman is your auntie. that man is your uncle. you have too many aunties and uncles to remember. you haven’t seen them, but they all have seen you. you know, when you were no bigger than THIS?

 

You start to notice that your mom actually does look like one of your little friends. Too much. More and more each day.

You do have ____ money, but you don’t know where it is coming from. It’s just that every time you put your hand in your pocket you have just the right money you need.

 

You buy a tin of brand new cookies. When you open it there are only sewing supplies. Tin after tin there are only sewing supplies. You continuously have cookie money, but there are no more cookies.

 

you are walking down the street. you spot your favorite cousin and wave in greeting. but wait – she has a friend with her. the friend is also your cousin. he smiles. you have never seen this man in your life. it’s fine. family is family.he waves at someone behind you. it’s your cousin. your cousin waves. the legion of cousins waves
as a child, the sizzle of a hot comb or the burn of a relaxer has desensitized yet traumatized you. you tell yourself there’s food at the house just when you think about heading down to wendy’s. there’s always food at the house
  1. nightshadepaladin the-afro-argonaut

    you take the chicken out of the freezer.your mother calls. did you take the chicken out of the freezer? of course you did – but the counter is bare. you take the chicken out of the freezer.did you take the chicken out of the freezer? of course you did. you do a double-take. there is no chicken. there is no freezer.<i>did you take the chicken out of the freezer?

    You think you might be suffering from amnesia … You could have sworn you just took the chicken out of the freezer but each time you go back to check on it thawing you find it right back in the ice box. Maybe you just imagined taking it out. But this feels like the third or fourth time.. Also, hasn’t the clock read 4:15 each time you remember coming in to take it out? Just 45 minutes before mom is due home. Theres nooo way it’s going to thaw in that amount of time…

    butpersephoneitsspring

    you open a tub of ice cream and find rice. you open another, and find chicken; you open yet a third, and find stew. was there ever ice cream in the house? does ice cream exist at all? you don’t know.

    aphonicgod

    that girl? she your 5th cousin twice removed. both your parents got 5+ siblings and those siblings each have 3-5 kids. your great grandparents had 15+ kids and 10+ siblings. that random guy who says hi to you is actually your 3rd cousin his name is Jackson. say hi.

    Your mom’s always asking you if you think she looks like Booboo The Fool. You’ve never met this person, but you instinctively know that the answer should be no. One day your mom looks a little different. Is it her, or is it Booboo?

    Your mother tells you not to play in your nice clothes. After school you come home and take off your nice clothes and replace them with your play clothes.While out playing with some friends you fall into some mud. You look down and you’re still in your nice clothes. Not the other ones your switched into.In the distance you hear the distinct snap of a switch being made.

     

    lkeke35 

    You remember there’s food at the house just before you decide to go to Wendy’s. There’s always food at the house. The food is always freshly made and hot, and although there’s a huge variety to choose from, it’s always the same dishes. Cornbread, yams, potatoes, fried chicken, biscuits, green beans, a variety of side dishes but only ever one kind of meat: chicken.You’ve never seen anyone cooking in this house. You know the people in it have full time jobs, but the food is always ready no matter the time of day…or night.

    You are not The One. Your mother is not The One.No one knows The One.But everyone knows The One is somewhere.Everyone knows The One is waiting. And if someone finds The One…Pray no one ever does.

    isisnicole 

    You are told to fix your face or it will be fixed for you. My face is a part of your face so are you fixing your face also? You fix your face does my face get fixed at the same time?

    stsathyre intheindigo

    There’s just a little clap of thunder, not even full applause. Turn off the TV. Turn off the lights. Don’t touch the phone. Stay out of the tub. Whatever you were watching will never be seen or heard from again.

    You go outside to play, but you can’t come back in, because you smell like outside. You smell like an abandoned baby bird. Not her baby bird. How does one smell like inside again? Somehow you get dinner.

    Your mother had a dream. She calls every family member living or dead.

    fantasticallyvicious sauvamente

    grandma says “stop runnin in and out of my house.” grandma says “close the door you lettin all the cool air out.”every time you open one door, a different but similar grandma waits, demanding that you close the next portal to their worlds.

    spookiest-star iridessence

    You hear your mom call your name from another room. You respond only to be met with silence. You immediately get up and start running to find your mom, knowing she expects you in front of her ASAP. The silence is deafening. You hear your name called again, this time with a sharper tone. You’re not sure where the voice is coming from but you run around, only finding empty rooms. Again, your name is called with the ferocity of nails on a chalkboard and you panic. Your mother’s voice carries…

     stonecoldfemme

    You open the Danish cookie tin and find sewing supplies. Your trust has been broken. You have never seen the tins in the store, and when you finally do, you are afraid to look inside. Who are these people that create sewing tins with cookies on them?

    karnythia cypheroftyr

    There was a party. You made yourself a plate to take home. It was not enough food. It is never enough food. Even though you cooked too, the ribs made by someone you don’t know are the best you have ever had.

     karnythia

    the women have been doing your hair since you could sit up. the hands in your head are both familiar and new at the same time. each touch is a memory handed down from women for generations. out of the corner of your eye you see your mother’s mother’s mother’s behind you. stay still. don’t cry. tenderheadedness is a fault. you must suffer to be respectable, black girl child, the hot comb smells of seared ear skin.

     

     angelsscream

    Your fave Auntie makes the best potato salad. She is designated potato salad maker by the family. You get to the cookout, your fave Auntie couldn’t come and your not fave auntie made the potato salad.

     boolyphyll

    Your mother tells you to take the chicken out of the freezer before she gets home. You take out the chicken. You take out more chicken. The chicken never ends, the freezer is full of chicken, and only chicken. She gets home, everything you brought up and put on the counter is not the chicken. She is furious.

    psammoma 

    Your mother tells you to do the dishes. The sink is empty, the dishwasher is empty. You search the house for dishes. You own no dishes. You don’t remember owning any dishes. What are dishes? Who are they? Your mother screams at you to do the dishes. “What dishes?” You cry. “ALL THESE RIGHT HERE!” She screams, pointing at the sink. The dishwasher. The counters. There are no dishes. But you do the dishes.

     

@@

The X-Men

I’ve been reading the X-Men comics since the 80s and I can fully attest that this is generally true. This really is what most of the plots were in the 80s and 90s. I stopped reading the books in the late 90s, but I imagine this is still true:

A Complete Listing of All The Plots of the X-Men Comic Books

– vampires vs xmen
– god damn it where is [insert xmen]
– youre a better leader. no youre a better leader. no youre a better leader. no youre a b…
– someone dies
– someone comes back to life
– THE XMEN GO TO SPACE
– magneto is in the yard and wont leave

 

– Time for the annual kidnapping (either Mags and Charlie or Sabretooth and Logan, occasionally others)
– House blowing up builds character
– Put that thing back where it came from or so help me

 

-i came back from the future because you need to stop

-your best friend turns out to be mystique

-hey look some new x kids, time to ignore the ones we already had for the rest of *checks watch* forever

-the x men are DISBANDED!!!!!

-alternate universe babies

-your best friend turns out to be a clone/xorn/psychic projection

 

-well i guess it was Mr. Sinister all along

-fuck the Summers family

-no seriously fuck the Summers family

-i quit the x-men but normal life sucks

-just like the last time but i guess kind of grittier

-fuck the Summers family… IN SPACE

-wellp i guess Charles faked his own death again

-goddamnit Hank don’t put that there

 

– who the fuck is possessed this time

– the villain is in love with storm but who can blame them

– goddammit give me my body back you’re using it WRONG

– somehow we’ve ended up in a fetish club, let’s just go with it

– we’re revamping the uniforms again! deal with it logan

– our powers are gone! now they’re back! now i’ve got someone else’s!

– who wants more trauma? too late, you’re getting it

– the phoenix force is tired

 

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Introverts

Seriously, this speaks to me for some reason:

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Disability

*As a person with one of those unpredictable disabilities, where I have good days and bad days, I just found this post hilarious. Yes, I have wanted to say these things to able-bodied people:

you ever realize how able bodied people just are not expected to do things that cause them excruciating physical pain? like they’re just. not

if i shouldn’t use my cane because i can sometimes technically walk without it, it would just hurt like a motherfucker then abled people should no longer be allowed to use potholders to take things out of the oven because i mean

well they could technically pick up a hot pan with their bare hands. it would just hurt like a motherfucker

 

*sees an abled person using potholders*

i just think it’s really sad that you’re giving up on yourself like that

 

*abled person rests the day after they sprained an ankle*

‘oh come on you can’t just lie in bed. it won’t get better if you don’t run around! get up and help me!’

*abled person uses protective eyewear when handling dangerous chemicals*

‘sweetie why would you limit yourself like that.’

*abled person wears shoes*

‘some people are MUCH WORSE OFF THAN YOU and they don’t wear stupid things like shoes! stop pretending that it hurts to tread on broken glass’

 

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*The Defenders

Really, I actually liked The Defenders, but this post is an incredibly accurate description of each of these character’s approaches to problems:

The Defenders: How Shall We Get to the Boardroom?

Danny “White Privilege” Rand: Shows up in a suit, gets escorted in by security.

Luke “Harlem’s Hero” Cage: Busting in like the Kool-Aid Man

Matthew “Vigilantism as an addiction metaphor” Murdock:unnecessary staircase parkour with a scarf on his face

*Jessica Goddamn Jones: Takes the fucking elevator like a normal-ass person, what is wrong with you people.

Discussions and Linkspam (October 2017)

So it is officially October, which means its time for me to start watching and reviewing horror movies. Its also the start of Pilot season, with new and old shows premiering on network TV. I’ve already watched the new season premiere of The Exorcist and I liked that, along with episodes of The Orville. I have not yet watched The Gifted, and I simply skipped The Inhumans. I may check out the second episode of it though. There are also a few movies I’ll be reviewing this month, too.

 

Image result for fury Road gifs

Mad Max: Fury Road and Disability

https://www.newyorker.com/news/news-desk/from-louis-armstrong-to-the-nfl-ungrateful-as-the-new-uppity/amp

View story at Medium.com

http://smartbitchestrashybooks.com/2015/06/mad-max-fury-road-makes-rape-arguments-invalid/

http://www.popmatters.com/feature/194573-power-and-disability-in-mad-max-fury-road1/

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Image result for black people gifs

Black Issues:

When I was watching American Gods, we got to see penises all over the place. The show did not shy away from depicting them, but one thing that was absent was any sign of Ricky Whittle’s (as he is the only Black man in the show. ) I do recall a full frontal Black male in Westworld, and I was kinda shocked. Not because of what it was, but because it’s so rare.

Don’t laugh! This is important. #Allblackpenisesmatter!

Yeah, this is a pretty good reason why I don’t, and have never watched almost anything on CBS. (I used to watch the Big Bang Theory until I began to really, really, hate every single one of the main characters on that show.) Nevertheless CBS is very possibly one of the Whitest networks.

https://www.salon.com/2016/05/22/cbs_is_the_gop_of_tv_the_networks_year_of_white_men_coincides_all_too_well_with_the_rise_of_donald_trump/

 

“Ungrateful” is the new Uppity: I don’t think there are enough words to unpack all of the meaning in the word ungrateful. It says far too much about the person using it.

https://www.newyorker.com/news/news-desk/from-louis-armstrong-to-the-nfl-ungrateful-as-the-new-uppity/amp

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Image result for grits food gifs

From VerySmartBrothers/The Root

These are some of the funniest articles I read last week:

This is an all important discussion on grits. I guess I must be pretty boujie because I will eat grits with sugar and lot and lots of butter, but  I don’t actually care all that much because I will eat grits with anything in them really. Bacon, sugar, cheese, butter, I don’t really care. For me, grits is the main meal.

http://verysmartbrothas.theroot.com/sugar-on-grits-are-the-white-people-of-breakfast-grains-1818998656

 

I think the author of this piece left out the all-important body language portion of this discussion, because “clapping” is key here. If any portion of these phrases is accompanied by measured clapping, especially during the phrasing, then you best just start planning your funeral,  cuz its already too late.

http://verysmartbrothas.theroot.com/threatening-black-phrases-ranked-1818770473

 

It turns out I have quite a bit of Black Privilege, especially #s 18, 16, and 15. Hell, I can’t fight worth a darn, but apparently I look like I can, and have two sisters (and a brother) who love to throw down.

http://verysmartbrothas.theroot.com/types-of-black-privilege-ranked-1818633495

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Everything Wrong with The Big Bang Theory

 

I started watching this show as a favor to a friend who was really into it, and I enjoyed it for a while. When it first aired, I avoided it because I did not like Penny, and after I started watching it regularly, there were a whole host of things I began to actively hate about the show. One of the first things that worked my last nerve was my ideas about  Penny were correct. Penny is a dumb, incurious, basic Becky, with a certain amount of snark, a that snark is only used in service of making fun of the male nerds of the show. 

But my greatest issues were the show’s depiction of  women, and its treatment of  Raj. To a one, every single woman on the show has nothing but disdain, and contempt, for the nerdy pursuits of the primary characters, and I found it very telling that the show’s writers could not imagine any women who were nerds in the same way the male characters were nerds.

That most of these women are in STEM (Science Technology, Engineering, and Math) fields is not a good substitute for their complete lack of appreciation (and even hatred) for nerd culture. Outside of wanting to be princesses at Disney world, the women are shown as humorless, cultureless, unimaginative nags, who only seem to want sex and marriage. This is a white male nerd’s idea of what women are like and it is wholly inaccurate. Also there are absolutely no women of color on the show (beyond Raj’s sister in the earlier seasons, who seemed to be the template for this.) The showrunners simply could not envision a world where women could be, pretty,  involved in STEM, and actually like and appreciate Star Trek, and Disney princesses too (which is impossible, because every woman I’ve ever known in, also STEM loves Star Trek.)

As for the main characters though:

 

*Here are essays on how the masculinity in Fight Club has a direct bearing on the philosophies of the Alt-Right and Charlottesville. This also ties into my theories of how pop cultural depictions of anti-heroes are often adopted by fringe elements, of White male society, to represent their ideas. Characters like Tyler Durden, and The Joker, get to be the public icons of their philosophies, in the same way that Black gangsta rap culture adopted the mafia figures from movies like The Godfather, and 1980s Scarface.

https://www.theguardian.com/books/booksblog/2016/dec/13/fight-clubs-dark-fantasies-reality-chuck-palahniuk

http://www.huffingtonpost.com/entry/fight-club-2-chuck-palahniuk_us_5845c35ae4b028b32338a632

http://thefederalist.com/2017/03/30/why-fight-club-still-matters/

View story at Medium.com

View story at Medium.com

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Image result for GOT shame gifs

 

 

*Recently on Tumblr there was a discussion of the difference in reception of the movies Rough Night, about a group of White women who get into a night of adventures while partying in the city, and Girl’s Trip, which is about a group of Black women doing the same thing while on a trip to New Orleans. Rough Night was a complete flop, while Girl’s Trip went on to make millions and was a huge hit. Both films have nearly identical premises. Leaving aside the racial aspects, the discussion evolved into the depiction of sex workers in both movie’s narratives, and how sex workers are often mistreated in film and TV. Real world sex workers are often subjects of disdain, contempt, abuse and murder, and it was considered irresponsible for Rough Night to show the death, and humiliation of a male sex worker, as a source of comedy.

“First thing’s first: Strippers are people, and sex workers unfortunately have to tirelessly remind people of this over and over. ‘Sex workers are very marginalized groups of people who don’t have the same workplace safety and rights as other workers—and we get murdered a lot,’” says Arabelle Raphael, a porn performer and sex worker in Los Angeles. ‘Our lives are seen as disposable.’ A long-term mortality study on sex workers found that active sex workers have a mortality rate of 459 per 100,000 people—to put that in perspective, the general public mortality rate is around 1.9 per every 100,000 people.”

http://www.vocativ.com/409744/rough-night-film-trailer-draws-ire-of-sex-workers-and-allies/

https://ww2.kqed.org/pop/2017/06/20/does-rough-nights-box-office-flop-indicate-a-cultural-shift-in-how-we-see-sex-workers/

http://affinitymagazine.us/2017/03/09/rough-night-a-comedy-about-murder-and-abuse-of-male-sex-workers/

Interesting Tumblr Posts

Here, have some trailers:
*I did enjoy The Punisher parts of Daredevil’s second season, so I was interested when it was announced that he’d be receiving his own show. This looks worth a watch. Hopefully the show will be coherent and consistent.
*I have never been a Tomb Raider fan. I’ve always thought of her as just a sexier version of Indiana Jones, and I’m not a particular fan of him either, although I’ve watched all the films. I don’t hate either of them. I’m largely indifferent to them, so fan would be a strong word.  I didn’t play the games, or watch the movies.
This looks interesting because it doesn’t actually appear to be about tomb raiding, but about putting something back in a tomb, and it also stars Daniel Wu, from Into the Badlands as the seeming voice of reason.

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* I love Galaxy Quest, and this person is right. I do just sort of lump this show in with the  rest of Star Trek. Its such a faithful parody of the original source material that ‘s not mean or demeaning to it, and its genuinely funny, too. Of course Guy is a big reason for that. He says exactly the kind of shit we’d say if we were in these situations:
I love the way that Star Trek fans just accept that Galaxy Quest is part of the film franchise.

Galaxy Quest is what i imagine people would be like if star trek suddenly became real tomorrow.

Galaxy Quest was voted the 7th best Star Trek movie out of 13

 

“Intelligence is knowing that Galaxy Quest is not a Star Trek movie.
Wisdom is knowing Galaxy Quest is the best Star Trek movie.”

And I think that says a lot about the Star Trek fandom, really.

 

Source:

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*I love these posts on Fantasy armor for female characters. Often the armor is just the dumbest, most ludicrous looking shit one could possibly imagine. Most of it is just metal lingerie, and in some cases just metal pasties. I mean, nobody’s fucking shoulders, or knees, needs that much protection. I often want to inform the creators that a) women’s boobs just don’t work like that, b) those need protection too, because they’re a delicate part of a woman’s anatomy, and if something hits them, they hurt like a muthafucka,  and c) what the fuck!!!

Another thing I hate when men draw women, in any kind of uniform, is what I like to call boob-socks. Just special pockets on an outfit that are specially fitted for a woman’s boobs. This is especially prevalent in comic books.

If you want to see more of this type of critique visit Bikini Armor Battle Damage’s website, where they also discuss media that gets women’s armor right.

brb shaking my head forever

 

Time to bring this back, with a few examples proving that this parody is NOT a gross over-exaggeration of actual stuff we see in pop media:

 

The Boobplate

[x] [x] [x]

The ‘Boobplate+’ (A.K.A. boob window): 

[x] [x] [x]

The ‘What’s the Fucking Point’

[x] [x] [x]

It truly is impossible to properly satirize female sexualization. How do you even ridicule pure ridiculousness?

And that’s without even touching “warrior woman” costumes that bear no pretense of resembling armor of any kind.

~Ozzie

Source:

*This is something rarely discussed in fandom. How older characters of color are desexualized and “mammified” in fandom narratives, and sometimes made to seem older than they actually are, to keep from having to ship them with their White faves of the same age range. So older White male characters get the sexy older man treatment, but never with the nearest man of color who is anywhere close to their age. As for shipping them with a younger man of color, you can forget about it. At least some of this has to do with White women’s fetish for older men, just not if they happen to be Black.

I think its interesting that Coulson is being shipped with a woman of color, though. Although that could have something to do with the idea that fandom likes to think of Daisy as White, rather than half Chinese as the actress herself identifies. I find it interesting because one of the easiest relationships to ship in the CW is Stein and Jax, but I just don’t see it in the numbers.

For the record, I totally shipped Rupert Giles with Joyce Summers, and Rupert Giles with Ethan Rayne, when I watched Buffy. Later, I liked to ship him with Spike, but found shipping him with Xander or Willow kinda icky. When it comes to Shadowhunters, I love the combo of Luke Garroway and Magnus Bane, though.

Racialized ageism and fandom

The age of the white male character is never the problem for shipping in fandoms. The age of the white actor is never the stopping point for him being viewed as “sexy” and “desirable”. The white guys in their 60s are seen as “hot” and “shipworthy”. The age gap between the older white guy and the character he’s shipped with at the moment is never the issue.

Look all over the fandoms: Clark Gregg (62), Peter Capaldi (59), Norman Reedus (48), Colin Firth (57), Rory McCann (48)… etc. etc. are in their late 40s – early 60s. Yet their characters are seen as sexually desirable and worthy of shipping not only with the characters, who are within their own age frame, but also with much younger characters:

Fandoms are not caging these older white male characters within the frames of a “desexualized parental figure” trope. In fact, “an older white guy x younger [usually also white] character” is a hugely popular shipping trope.

Yet, things differ drastically when the male character isn’t white (or seen as white – eg. Wentworth Miller’s Captain Cold), especially when the male character is dark-skinned. These male characters of color, who are over their 40s, are almost always invisible for fandom shipping.

For example – Joe West from The Flash. Jesse L. Martin is 48. He’s the same age as Norman Reedus, Rory McCann, he’s about a decade younger than Clark Gregg, Peter Capaldi or Colin Firth. And yet, he’s mostly seen as an “unshippable parental figure”.

Samuel L. Jackson has prominent roles in numerous popular franchises, that have big presence in fandoms with rich shipping content – Star Wars, MCU, Kingsman… Yet, his characters are always left out of the shipping pool in these fandoms – Mace Windu is ignored; Nick Fury is seen as the “dad” figure of the avengers; and Valentine is seen as nothing more than a funny villain, even though, fandoms do love white male villains. SLJ was 51 when Mace Windu first appeared on screen, he was in his early 60s when the MCU franchise started out, SLJ is only few years older than Clark Gregg.

Or take Stacker Pentecost from Pacific Rim, played by Idris Elba. Idris Elba. Idris was 41 when PR came out. And yet, the fandom had collectively decided that the only ship suitable for a “parental figure” like Stacker is Herc Hansen. Max Martini is two years older than Idris, and yet:

Worth noting that the incest father/son ship with Hansens is more popular than Hercules Hansen/Stacker Pentecost, which only has 288 works in total. Raleigh had more on-screen connection with Stacker than he had with Herc; Chuck and Stacker died together while trying to save the world. Together in Death is a hugely popular shipping trope all across fandoms, for example Enjolras/Grantaire from Les Misérables had 3 seconds of total screen time together in the movie, and they have ~9k of fics on AO3 alone…

Another one is Luke Garroway from the Shadowhunters, played by Isaiah Mustafa (43). Have you seen Isaiah? Yeah, I know. And yet, he is also seen almost as some “grandpa” figure of the group. Often people use his age as an excuse of excluding him from most fanon activities involving the main group of characters – shipping, group fanvids, group edits etc. The only ships involving Luke that are accepted and supported by the fandom are with Jocelyn and Maryse. And I often see people in tags saying that any other ships with Luke are “creepy” and “uncomfortable” because he’s the “dad” of the group. I agree about the creepy factor with, say Clary and Simon… but others? – Not so much.

And, yeah, I would’ve agreed with this fandom “activism” if it wasn’t so hypocritical. Remember Rupert Giles from BTVS? Who also was the “father figure” of the Scooby Gang? Anthony Head was 43 at the start of the show and 49 when it ended. And yet, I don’t remember BTVS fandom excluding Giles at every turn because of his age:

Compare to Luke’s ships:

Speaking of Shadowhunters, people also often try to put Magnus in the same “father figure” frames – anti-Malec (J@lecs, Cl@lecs etc.) people, who ship Alec with everything white that moves, always try to insinuate that Magnus is borderline a pedophile because he’s dating Alec. Regularly I see posts in Magnus’ tags saying that shipping Magnus with Clary, Jace, Simon or Maia is “creepy” because he’s basically their “dad”. Magnus is not their dad and (so far) never considered himself to be their parental figure. I guess he did say something like that about Clary in the books, but the show had an AU storyline in 1×10, where Magnus first met Clary in that episode, and didn’t have any kind of connection to her prior. AU!Jace even thought that Clary was cheating on him with AU!Magnus. So, even with Clary there are canon possibilities of avoiding the “unhealthy” factor for the ship within fanon.

After all, I don’t see the Torcwood fandom acting as if Jack Harkness (an immortal who lived through ages and generations) is some unshippable “dad” figure, who can’t be shipped with other members of the team. I haven’t seen people there saying that Jack is a “creep” for dating Ianto (just for the record: the age gap between John and Gareth is 14 years vs. 5 years between Matt and Harry).

I’m not suggesting that people need to start shipping Luke or Magnus with the younger characters, what I am saying is that, had Luke and Magnus been portrayed by white actors, people wouldn’t have been putting them in the frames of “parental figures” of the group as much. And yeah, I love the dad!Luke and dad!Magnus headcanons as much as the next person, but let’s also be honest that we’re not living in a vacuum, the race can’t be taken out of the equation.

These are just a few examples, but this is happening all across fandoms. And not just with MoC – take Shirley Bennett from Community. Yvette Nicole Brown is of the same age as is Joel McHale – they’re both 45 now and were in their late 30s when the show first aired. And yet, both the show and the fandom treated Shirley as if she was some “grandma” and Chevy Chase’ peer (who was in his late 60s back then).

 

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*I haven’t been watching this Fear the Walking Dead ,despite its diversity of characters, because one Walking Dead show is enough for me, but I liked this particular meta.

‘Fear the Walking Dead: Passage’ Did What No Thriller Could: Empower Two Lead WoC

As some of you may know by now, I am a fan of The Walking Dead. Unpopular opinion, but I think Fear the Walking Dead is one of the greatest things to come from it (I can hear the gasps already). I can’t stress it enough, but unlike TWD, its racial inclusiveness was something that had me hooked and reeled from the very beginning. My wishes were fulfilled when FTWD premiered because for the first time, I was able to look at a popular franchise with a Native lead and Latinx main characters. It’s partially one of the reasons I’m surprised when advocates for diversity prefer the original. Other characters of color were introduced, but I still felt something was missing—what I really wanted was a Black girl. As I mentioned before, when I began to realize the absence of black women in certain genres I wanted them everywhere as a challenge for writers, especially with all the sacrificial negresses going around. At this point, we were into the second season and I still hadn’t seen one, so I promised to remain patient until it did. Finally, Fear the Walking Dead: Passage happened.

If you’d like to watch Passage, a 13 minute web series before reading, click here.

Keep reading

 

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*Okay, I’m definitely going to be watching The Exorcist show in October. I left off watching it because it wasn’t holding my attention as tightly as I wanted. But I like John Cho, and he is right in that its highly unusual to see an Asian American character in this type of venue. I’ve watched a lot of Asian horror movies, so why are they absent absent from American horror movies, and shows.

 

The Exorcist: How John Cho is changing American horror

[John Cho will] do whatever he can to help the push for Asian-American representation. It’s one reason he joined the second season of The Exorcist… “I had not seen Asian faces in American horror, and it kind of tickled me to want to change that visual vocabulary a bit,” he says. “I thought it would be, I don’t know, intrusive to have my face in it…”

“What I’ve been thinking about lately is how to tell stories that are specifically Asian-American but aren’t necessarily about being Asian-American as much,” he explains. “I’m looking at the totality of things.”(x)

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*I find Haka fascinating and terrifying, but I think that’s the point.. I would watch these all day. I’m glad Maori culture is getting some international recognition through these different sports groups, too. Even Beyonce got one when she visited new Zealand, which just made my heart hurt, I was so proud. 

https://youtu.be/xI6TRTBZUMM

2nd 1st Farewell Their Fallen Comrades With A Huge Haka

Haka is used throughout New Zealand by many, not only Māori, to demonstrate their collective thoughts. There is a haka for each of the Services, as well as the Defence Force. Units with the NZ Army have their own haka. This video shows the soldiers of 2/1 RNZIR Battalion performing their Unit haka, powerfully acknowledging the lives and feats of their fallen comrades as they come onto the Unit’s parade ground. It is also an emotive farewell for they will leave via the waharoa (the carved entrance way) for the very last time.

Haka –sometimes termed a posture dance could also be described as a chant with actions. There are various forms of haka; some with weapons some without, some have set actions others may be ‘free style.’ Haka is used by Māori (indigenous people of New Zealand) for a myriad of reasons; to challenge or express defiance or contempt, to demonstrate approval or appreciation, to encourage or to discourage, to acknowledge feats and achievements, to welcome, to farewell, as an expression of pride, happiness or sorrow. There is almost no inappropriate occasion for haka; it is an outward display of inner thoughts and emotions. Within the context of an occasion it is abundantly clear which emotion is being expressed.

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*I was always under the impression that women couldn’t do the Haka, or that they had their own special ones or something. But watching this gave me life:

Women’s Haka

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*Its officially Latinx/Hispanic Celebration Month and I came across this post on Latina in Superhero shows. There are a lot more than this is the SciFi genre but I think this is just for superheroes:

Latinx Heritage Month

↪ Characters in DC Shows’ Main Cast

✪ Lynda Carter as Diana Prince / Wonder Woman (Wonder Woman S1-3) 

✪ Angélica Celaya as Zed Martin (Constantine S1)

✪ Victoria Cartagena as Renee Montoya (Gotham S1) 

✪ Zabryna Guevara as Sarah Essen (Gotham S1-2) 

✪ Aimee Garcia as Ella Lopez (Lucifer S2-)

Honorable Mention – Recurring Characters:

– Michelle Veintimilla & Camila Perez as Bridgit Pike / Firefly (Gotham S2-3)
– Briana Venskus as Agent Vasquez (Supergirl S1-2)
– Jessica Camacho as Cindy Reynolds (The Flash S3)
– Odette Annable as Samantha March / Reign (Supergirl S3)

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*Yes, this clown vs. mime discussion has been sorely needed. People keep confusing the two, and really, mimes are just waaay, waay creepier than clowns, imo.

Okay, I’ve had it

I see people posting videos of clown-mime and clown-jester hybrids and cooing about how “pretty” and “cool” they are, but this is NOT HEALTHY OR SAFE CLOWN HUSBANDRY! In fact, it’s downright dangerous for both you and your clown!

Clowns, Mimes and Jesters may be related, yes, but their genetics are quite different and mixing their genes together have an adverse effect on your clown when they come at odds with one another, causing a host of genetic health problems like giganticism, heart problems, higher rates of cancer, organ failure, bone degradation and neurological defects.

They’re also more aggressive, territorial, unfriendly and destructive than non clown hybrids. You’re super cool clown x mime hybrid is gonna more satisfied with attacking you than making invisible balloon animals.

Not to mention the process of making a clown hybrid in the first place, considering that Clowns, Mimes and Jesters are natural enemies of each other! Your clowns/mimes/jesters are more likely to maul each other than fuck each other!

 

People only breed clown hybrids because they are seen as “cool” and “exotic” and cost a lot of money, they’re a status symbol with unique patterns, and the clowns suffer for it.

If you still have your heart set on a clown-hybrid, there are actually some breeds out there, like the Venetian Diamondcheek Juggler and the Parish Mockfool, that are bred specifically for their mime and jesteresque markings and are perfectly healthy, perfectly happy clowns.

Clowns shouldn’t suffer for human aestheticism.

Source:
 *So October is almost here, and I will be forgoing my little pop culture essays to concentrate on reviews, reviews, and more reviews. Halloween is coming and I have a list of movies I want to review, like The Mist, and Let the Right One In vs. it’s American counterpart. Its also the real start of pilot season, so I’m going to be busy with a few of those, and I want to round that out with a series of posts/reviews of Hannibal the series.
Yes, I did watch the first two episodes of Star Trek Discovery and I’ll let you know what I think by the end of the week. I know a lot of you guys either don’t have cable, or don’t want to sign up for a streaming channel just to watch one show, but I’m a die-hard Star Trek fan who  managed to sit through the mess that was Enterprise. I don’t know if I’ll keep paying for it. The show would have to be very, very compelling (which it was) to get me to keep paying to see it, at basically 5.99 per episode.

ETA: I just unsubscribed to CBS. I can always wait for the release of the dvd.

Weekend Linkspam: Television

Here, have some more interesting article links.

On Hannibal: The Series

 

I loved this mashup video of all the different iterations of this specific scene in Hannibal.

 

 

http://www.vulture.com/2013/06/seitz-on-hannibal-its-a-dream-and-it-hurts.html

https://www.firstthings.com/web-exclusives/2015/10/the-moral-universe-of-hannibal

http://www.vulture.com/2015/08/hannibal-redefined-how-we-tell-stories-on-tv.html

 

 

On Whitewashing and Other Concerns

The Seven Strategies for Defending Your Problematic TV Show or Movie—and Why They Don’t Work

http://www.slate.com/blogs/browbeat/2017/03/24/filmmakers_and_actors_keep_defending_casting_controversies_but_here_s_why.html

 

On American Gods:

 

https://blackgirlnerds.com/american-gods-realities-race/

 

On Popular Media and Racism Vs. Historical Accuracy

https://eidolon.pub/how-to-be-a-good-classicist-under-a-bad-emperor-6b848df6e54a

https://sarahemilybond.com/2017/09/10/hold-my-mead-a-bibliography-for-historians-hitting-back-at-white-supremacy/amp/

https://www.publicmedievalist.com/race-racism-middle-ages-toc/

 

On The White Savior Trope

Oh Come All Ye White Saviors

http://www.salon.com/2013/02/21/oscar_loves_a_white_savior/

 

 On Daredevil and the Yellow Peril Trope

Black Mask, Yellow Peril: Anti-Asianism in Netflix’s Otherwise Brilliant <i>Daredevil</i>

https://io9.gizmodo.com/marvel-s-got-an-asian-problem-and-it-s-not-getting-any-1781448797

 

On Furiosa and  Disability in Film

Cover Photo: Frock Flicks

https://catapult.co/stories/love-disability-and-movies

http://www.popmatters.com/feature/194573-power-and-disability-in-mad-max-fury-road1/

https://serfbazaar.wordpress.com/2015/05/22/furiosa-disability-representation-and-empowerment/

https://www.inverse.com/article/15806-one-year-later-fury-road-resonates-on-disability-sexuality-and-the-end-of-days

https://www.bitchmedia.org/article/more-our-machines/aesthetics-and-prosthetics-science-fiction

Weekend Linkspam: Film

Just a collection of interesting articles and posts for the weekend. Pick a topic. Enjoy!

On Race and  Film

Image result for FILM RACISM

 

http://splinternews.com/theres-a-huge-divide-between-how-black-and-white-critic-1797478105

https://the-artifice.com/miscegenation-on-screen/

https://www.wired.com/2016/02/geeks-guide-diversity-destroy-scifi/

https://www.thoughtco.com/dismantling-race-based-stereotypes-and-myths-2834983

https://www.thoughtco.com/common-black-stereotypes-in-tv-film-2834653

https://www.theatlantic.com/entertainment/archive/2014/03/-em-star-wars-em-and-the-4-ways-science-fiction-handles-race/359507/

https://mic.com/articles/184292/mike-hanlon-the-black-kid-in-stephen-kings-it-has-a-really-good-backstory-the-movie-erased-it#.vpeyQFX0G

http://www.blackenterprise.com/lifestyle/the-power-of-black-women-in-fandom/

http://www.blackenterprise.com/lifestyle/does-racism-impact-the-way-reviewers-rate-tv-shows/

http://blackyouthproject.com/girl-gifts-black-girls-destroying-world-save/

http://www.racebending.com/v4/blog/aliens-looking-white-extraterrestrial-skin-color-in-sci-fi/

https://www.pastemagazine.com/articles/2017/09/bias-does-not-come-out-with-the-whitewash.html

 

Image result for yellow peril no escape movie

The Yellow Peril Trope

 

https://www.bitchmedia.org/article/yellow-peril-in-the-defenders

http://thestake.org/2015/08/27/no-escape-southeast-asia-and-the-failure-of-cinematic-empathy/

http://www.scmp.com/lifestyle/film-tv/article/1854131/film-review-no-escape-owen-wilson-racist-thriller

https://www.bitchmedia.org/article/asian-women-abuse-in-science-fiction

http://www.screenspy.com/articles/tv/shadowhunters-malec-burden-representation/

https://www.thoughtco.com/asian-american-stereotypes-in-t-film-2834652

 

Scifi Film Analysis

https://pionic.org/everything-i-needed-to-know-in-life-i-learned-watching-star-trek

http://www.plotpedant.com/the-purge/

https://narrativefirst.com/articles/meaningful-storytelling-an-analysis-of-inception

 

Get Out:

Image result for get out

http://racebaitr.com/2017/03/07/listen-ancestors-run-get-zombification-pathologizing-escape-plantation/#

https://harpers.org/archive/2017/07/getting-in-and-out/

https://www.theringer.com/2017/2/27/16039722/get-out-and-the-villain-next-door-ffbbd4c84058

https://www.theatlantic.com/entertainment/archive/2017/03/in-get-out-the-eyes-have-it/518370/

https://www.vox.com/culture/2017/3/7/14759756/get-out-benevolent-racism-white-feminism

 

 Logan:

Image result for logan

https://film.avclub.com/a-cross-on-its-side-logan-gets-religion-1798258715

https://www.newyorker.com/magazine/2017/03/06/get-out-and-logan

http://www.rogerebert.com/mzs/all-things-must-pass-the-emotional-reality-of-logan

http://www.btchflcks.com/2017/03/logan-on-death-and-dying-and-mutants.html#.WcKB1rKGMnR

https://www.theverge.com/2017/3/6/14829768/logan-movie-wolverine-hugh-jackman-patrick-stewart-discussion-highs-lows

http://www.rollingstone.com/movies/news/why-we-needed-logan-to-kill-the-modern-superhero-movie-w470501

https://www.theringer.com/2017/3/6/16040020/logan-and-conquering-pessimism-through-fatherhood-86d377ae85b9

http://birthmoviesdeath.com/2017/03/05/logan-the-things-we-leave-behind

 

Alien Series:

Image result for alien movies

http://www.slate.com/articles/arts/culturebox/2012/06/prometheus_why_are_academics_so_obsessed_with_ridley_scott_s_alien_and_its_sequels_.html

https://cinephiliabeyond.org/ridley-scotts-masterpiece-alien-nothing-terrifying-fear-unknown/

http://hellotailor.blogspot.com/2012/03/movie-costumes-i-have-loved-alien-part.html

http://hellotailor.blogspot.com/2012/03/aliens-james-cameron-says-put-gun-on-it.html

 

 

On Gender and Sexuality

http://www.signature-reads.com/2017/08/the-monster-that-lgbtq-readers-see-in-stephen-kings-it/

https://www.top10films.co.uk/1600-top10films-analysis-alien-feminism/

Horror is the only film genre where women appear and speak as often as men

http://www.rogerebert.com/balder-and-dash/the-trouble-with-carrie

Fight Club

 

http://thefederalist.com/2017/03/30/why-fight-club-still-matters/

http://www.huffingtonpost.com/entry/fight-club-2-chuck-palahniuk_us_5845c35ae4b028b32338a632

https://www.theguardian.com/books/booksblog/2016/dec/13/fight-clubs-dark-fantasies-reality-chuck-palahniuk

Things We’re talking About This Week

Oh, hello there! Hi! Have some movie trailers and other assorted goodness. This first one is an awesome mashup of all the best fight scenes from the MCU, titled Battle Royale, and I just geeked out when I saw it. It’s almost as good as the Black Panther trailer:

 

*And here are some new martial arts movies to look forward to. I don’t usually rec such movies, I just like what I like, but I’m going to start, because I get really excited to hear about them, and the point of this blog is to share that kind of excitement with you.

I am really excited about this movie because I used to read the manga. I never entirely understood it, because the character relationships were often convoluted (at least to me) but I loved the premise, and the lead character, who was a total badass, and this movie seems to have captured at least a little of that here. Also, I’m a huge Takashi Miike fan. He’s very gory, but I will pretty much watch anything he makes:

 

Jackie Chan has a new movie coming out that looks like a mashup of  Mission Impossible and what Ghost in the Shell should have been. I really want to see this one because it makes Jackie look totally badass. I don’t think this movie is meant to be funny, and not just because it has the word Steel in the title:

 

I love Wushu fantasy movies and this one looks like fun. (If you like this one then you also need to check out the Detective Dee movies on Netflix, and Amazon. I used to read the Detective Dee books when I was a teen, and I like the movies.)  This movie reminds me of the Chinese action movies of the 80s, like Ghost Story:

 

 

*So, this thing happened, where an anonymous casting director made a comment about the reason Asians don’t get cast in movies. Apparently, they’re not expressive enough!

After Someone Said Asians Weren’t Expressive, People Created The Hashtag #ExpressiveAsians To Prove Them Wrong

https://www.pastemagazine.com/articles/2017/09/bias-does-not-come-out-with-the-whitewash.html

*I don’t know. Asian people do appear to have faces. I’ve seen them. I’ve been looking at them in  real life and in movies for a few decades now, and I’ve always been able to discern what emotions were being expressed, just by looking at them, but apparently this person has a problem doing that, to which I can only say:

Image result for fuck off meme

Now I’ve been saying that Hollywood’s antipathy against hiring Asian Americans, to actually play Asian characters, was becoming creepily apparent to even the most oblivious people, and here’s my receipt. Naturally, Asian Americans had something to say about this level of wtf*ery:

Hollywood Won’t Adapt Bestselling Novel Because They Refuse to Cast an Asian Lead

https://nextshark.com/michael-lewis-flash-boys-hollywood-refises-to-cast-asian-lead/

 

the issue isn’t Asians looking inscrutable and mysterious. it’s the laziness of white people.

  pic.twitter.com/Ju6fbwV1JH

 

https://www.buzzfeed.com/krishrach/someone-said-asians-werent-expressive-so-people-showed-of?utm_term=.naX3QlDW0#.hpnxd6zAJ

*C’mon!You knew somebody was gonna throw some Iron Fist shade:

Never forget Iron Fist….

‘Asians are not very expressive, lol let’s make Steven Seagal an martial arts action hero.’ 

Some used the opportunity to highlight actors who may have been overlooked by Western audiences.

View image on TwitterView image on TwitterView image on TwitterView image on Twitter

Tony Leung can express more complex emotions with just his eyes than many Western actors can with their whole bodies. 

 *And Scarlett Johansson got some shade thrown her way, too:

*Okay, is it petty for me to be enjoying all this sass, from Asian Americans on social media, who have been emboldened to speak out on their oppression and erasure? I suspect Black Twitter has been a bad influence on a lot of people.

@@

*I like how this person brings it full circle, on how racist stereotypes play out in fandoms, not just towards Black characters but towards all characters of color. It’s important to be aware of the existence of various tropes and stereotypes, so that you can recognize when they’re being employed against various characters. Its been said, over, and over again, that fandom does not exist in a vacuum. When you consume entertainment media of any kind, you’re also consuming racial narratives as well, which are going to play out in whatever you produce in how you think of the characters of color and whatever you produce about them.

How “Malec” (the canon couple of Alec, a White character, and Magnus, an Asian character, from the show Shadowhunters) is being portrayed in the fandom, bears a number of racist markers that people have been consuming for decades. One of these is the Madame Butterfly trope.

I think one of  the most obvious recent examples of the Madame Butterfly trope,  is a scene from the movie Watchmen, where the Comedian is confronted by a pregnant Vietnamese woman, who charges him to take care of his child. He murders her instead, because she refused to be quietly submissive, and languish for his attention.

So, there are some hardcore anti-Malec people out there that keep clogging the tags with their “deep activist” meta where they basically invent fake!SJ reasons why Malec is “problematic” and why their white ship with Alec (for example J@lec) is a lot more “wholesome”, a lot more “passionate” and “believable” ship.

The funniest thing about them is that while they smugly juggle with the SJ arguments [pretending to fight racism and homophobia] they use the grossest Anti-Asian stereotypes against Magnus while trying to prove their point.

On one hand, there those, who villainize Magnus at every turn, and claim that Alec is “suffering” in a “problematic” relationship because Magnus is a “manipulative predator”, a “bad Bi rep”, who basically “preys” on Alec’s whiteinnocence and “abuses” Alec at every turn. And, yeah, these people don’t see Magnus, when they watch the show, they see a Fu Manchu, “the Yellow Peril incarnate”.

On the other hand there are anti-Malec people, who want to “free” Magnus from his “toxic” relationship. It’s a fascinating sight, really, because there are tons of meta, headcanons and fics where people  envision Alec as being constantly cruel and selfish; this version of Alec is a cynical emotional sadist, who tortures Magnus by being with him, by using him, but never truly reciprocating Magnus’ feelings in return. These people see Alec as being “cold” and “uncaring” even in his most intimate scenes with Magnus. They don’t believe Alec’s own words when he constantly confesses his love to Magnus.

There’s a series of meta posts and gifsets “proving” how “detached” Alec is with Magnus, claiming that Alec is in a relationship with Magnus only because Jace is unavailable, but Alec would’ve thrown Magnus under the bus the first minute Jace showed any romantic interest in him. These J@lec / anti-Malec people see Magnus as nothing more than a “prop” to Alec – an endlessly suffering victim with zero agency. The poor soul that deserves pity… but never love.

That is not canon Alec of course. And neither that is Magnus portrayed by Harry. If one sees Magnus as nothing more than a “prop” to Alec, then they’ve clearly been zoning off on all of Magnus’ scenes in s2. The thing is that this fanon vision of “toxic”, “one-sided” Malec is basically a summary for the Madama Butterfly opera.

This perception of Magnus being the “silent infantile victim” stems from a very popular anti-Asian stereotype – “China Doll”. Along with the “Dragon Lady” (a female version of “Fu Manchu”) this is a racist stereotype of East and Southeast Asian women that had been perpetuated by Western media and fiction for ages, for years this trope had been exploited in Hollywood movies. And considering that emasculation and feminization of Asian men is still a big thing in Western society and media, it’s not surprising that the fandom is also constantly emasculating and feminizing Magnus.

You infantilize a woman, and she becomes eroticized. You infantilize a man, and he becomes emasculated. You infantilize a baby – and it’s possible, it appears that you can infantilize a baby even more. The [Asian] babies need to be cuter than white babies. And it’s just a weird thing that I felt like said something about mainstream America’s relationship to Asians in general.
–             
John Cho (c)

Madama Butterfly” is one of the versions of China Doll stereotype. It’s an opera in three acts (first premiere in 1904) by Giacomo Puccini. It is the story of a Japanese maiden (Cio-Cio San), who falls in love with and marries a white American navy lieutenant named Pinkerton. Pinkerton is marrying for convenience, since he intends to leave Cio-Cio San once he finds a proper American wife. After the officer leaves her to continue his naval service away from Japan, Cio-Cio San gives birth to their child. Cio-Cio San blissfully awaits Pinkerton’s return, unaware that he had not considered himself bound by his Japanese marriage to a Japanese woman. When Pinkerton arrives back in Japan with an American wife in tow and discovered that he has a child by Cio-Cio San, he proposes to take the child to be raised in America by himself and his American wife. The heartbroken Japanese girl bids farewell to her callous lover, then kills herself.

It is the most-performed opera in the United States, and it’s been hugely popular all over the world. It has numerous incarnations in Western media, pop culture, literature. The one of the modern versions of the opera is the musical “Miss Saigon”. This popularity of the trope only helps to perpetuate the notion of the dominant white male over the subjugated East Asian [female] who can be cast aside and treated as easily dispensable. (x)

So, yes, when hardcore anti-Malec people are interpreting Malec as loveless / passionless relationship, with Magnus being an endlessly suffering victim and Alec as a cold and heartless abuser, just waiting for a chance to discard Magnus aside [for a white guy Jace], they are seeing a Madama Butterfly scenario. A dated racist anti-Asian stereotype.

Madama Butterfly was first staged in 1904. It was a story showing that races can’t mix. A story saying that interracial relationships are “dirty”, and are always doomed because a white person (man) cannot really love a person of color (in this case an Asian person/ woman) because a white person (man) is superior and needs to find an “equal” (i.e. another white person). It’s a story telling that a white hero will always choose his own kind, and that a non-white person is only good for “fun” but doesn’t deserve to be loved in return. The love of a white hero is only reserved for another white person.

If that’s how people see and interpret Malec it speaks volumes. And not about the canon narrative, but about these people and their worldview.

 @@

With all that said, Daniel Dae Kim (my future ex-husband) has been cast in the role of Ben Daimio in the new Hellboy movie, in the role vacated by the actor Ed Skrein, in protest of whitewashing. This is a movie I have no intention of seeing, (despite that fact that my bae is in it), because Guillermo Del Toro’s version of Hellboy was absolute perfection, and you simply cannot improve on perfection.

But this casting of Daniel is still not without some controversy.  It’s definitely better than casting a White guy, and people like Kim, but the argument now is that Asian Americans are not interchangeable. The term Asian encompasses many different cultures. Daniel Dae Kim is Korean, and the character he’ll be playing is Japanese. If the character calls for Japanese, then a Japanese (American) person should have been cast, but I guess we’ll settle for this because when it comes to Hollywood, “baby steps”.

Daniel Dae Kim to Replace Ed Skrein in ‘Hellboy’ Reboot

Daniel Dae Kim Hellboy
Daniel Dae Kim is in talks to replace Ed Skrein in Lionsgate’s “Hellboy” reboot starring David Harbour.

@@

Various observances from Tumblr that I feel deserve closer attention, like this very important Chris vs. Tom discussion:

think it’s about time we stop making jokes about the amount of famous white boys named Chris, and about time we started focusing on Tom. Am I talking about Cruise? Hiddleston? Hardy? Holland? Hanks? Felton? Fletcher? Selleck? Welling? Ford? Hooper? Brady? It’s impossible to tell because apparently half the male population are called Tom.

kinghardy nicetrytopredictme

This post implies any Tom besides Tom Hardy matters and that is simply untrue.

 

scallywagsandseamonsters iamnotsebastianstan

Can I add Tom Burke, Tom Hollander, Tom Ellis? And what about Dave?! Dave Grohl, David Beckham, David Boreanaz, David Schwimmer, David Duchovny.

3fluffies raina16

Marvel does seem to be gathering all Toms to them, maybe because they’ve hit critical mass of Chrises.

azrieldoestheater

the toms simply haven’t amassed the same kind of raw power as the chrises. it’s just not the same

blunderpuff

you can tell any two Toms apart tho– put 2 Chrises next to each other, and it’s like… is that the same guy in two different outfits?????

@@

 

 

*And this discussion about environmental conditions in the US right now:

what the fuck is going on between poseidon and zeus right now

 

“Eyes the half of the continent that’s on fire”

Hephaestus can chill too TBH.

@@

Oh, and this newest edition of the Target Chronicles. Now, if only someone would start one for Walmart because I just know that’s gonna be crazy. I’ve only ever been in a Target store maybe three times in my life, because its just not my go-to store, but I imagine the stories from there can’t be any worse than stories from any other department store.
Image result for target worker
Day One Hundred And Forty-Two

-Tonight, I was asked to work guest services. Upon reaching the desk, I was handed a large tub containing boxes of “Farewell Dandelion” crayons to hand out to the children. My powers grow stronger still.

-I overheard a woman remark, “As a nurse, it is my opinion that being in a car crash would be both scary and somewhat painful.” As a human who experiences emotions somewhat normally, I concur.

-A mysterious woman with a mysterious purpose entered the store. She told me that she wished to give my manager of letter, content and reason unknown. She insisted upon delivering it herself to avoid the attention of unwanted eyes. I can only hope to one day be a part of such ominous goings-on as have gone on before me tonight.

-Halloween merchandise has arrived, and with it, the canned screams of skeletons and witches echoing down the aisles. I could not be more elated.

-A young boy, perhaps six or seven years of age, excitedly ran through the dollar section, digging around and eventually adorning himself with a pointed black witch’s cap and a tutu as pink and frilly as could be. He was delighted by his outfit, but his delight was nothing compared to his mother’s delight, and his mother’s delight was nothing compared to mine.

-A woman approached the service desk to tell me in a hushed voice that there was a dog outside. She then raised her eyebrows, gave me a knowing look, and walked away. This is precisely the kind of informant I need in my life.

-I processed a return for an elderly woman who was distressed that her new digital thermometer would only display the same numbers with no change. Unsure of how to tell her that she had yet to remove the sticker on the screen, I gladly gave her a refund and sent her on her way.

@@

*Here are a couple of articles from Black Nerd Problems addressing the idea of the CW show Arrow, making plans to do a BLM oriented episode, (NOPE!) when they don’t have a great track record of dealing with serious subjects, and about how the show The Defenders just wasn’t all that.

Image result for defenders

http://blacknerdproblems.com/arrow-black-lives-matter-episode-can-keep/

http://blacknerdproblems.com/3-reasons-the-defenders-isnt-must-binge-tv/

More Tumblr Discussions For Your Weekend

*Recently Munroe Bergdorf, a transgender DJ and model, was fired from her position at L’Oreal, for some statements she made about the foundations of  American and British racism. Statements that were taken entirely out of context by the British newrag, The Daily Mail.

Here’s her full statement:

There’s a great irony involved in a company attempting to make money off token efforts at diversity, firing one of its spokespeople for speaking out against racism, out of fear of what bigoted White people might think about the company. (In other words, performative allyship for money.) Then again, its L’Oréal, and I never put much stock in their efforts at diversity in the first place, or in the efforts of most businesses that try to attract my dollar this way. This is a company, that for decade, didn’t seem to want dark skinned people buying any of their skin careproducts, since they didn’t care to make any products for them, so I’m not surprised that they’ve issued a statement saying that Bergdorf does not represent the views of their company.

Well, where’s the lie?

 

And the response:

L’Oréal’s recent layoff sends a telling message about white supremacy

Anthony J. Williams

Looking backmakeup brands have strategically shut out women of color since their inception, particularly women with darker skin tones. This is not news, nor should it come as a surprise, as film was also built for white people. So in an effort to “champion diversity,” and potentially even make up for years of anti-Blackness, L’Oréal Paris casts a Black woman in their YoursTruly True Match diversity campaign.

Where they took a “risk” on her braids, they were rewarded by the potential of kudos by hiring a Black woman who is perceived as not “too Black” due to her lighter complexion. We know by now that dark skinned Black women are villainized, even when they’re FLOTUS. Where they took a risk in hiring a Black woman for a historically white company, the benefit was the accolades they would receive from GLAAD and mainstream media for hiring a Black trans woman, as opposed to a Black cis woman.

Continue reading “More Tumblr Discussions For Your Weekend”

Racial Discussion Linkage

Image result for race and Middle ages

 TPM Special Series: Race, Racism and the Middle Ages

https://www.publicmedievalist.com/race-racism-middle-ages-toc/

https://newrepublic.com/article/144320/racism-medievalism-white-supremacists-charlottesville

CHARLOTTESVILLE SYLLABUS: READINGS ON THE HISTORY OF HATE IN AMERICA

https://daily.jstor.org/charlottesville-syllabi-history-hate-america/

 

Curriculum for White Americans to Educate Themselves on Race and Racism–from Ferguson to Charleston

http://citizenshipandsocialjustice.com/2015/07/10/curriculum-for-white-americans-to-educate-themselves-on-race-and-racism/

 


 

 

https://www.theguardian.com/us-news/2017/aug/08/unlearning-the-myth-of-american-innocence

http://www.notsorryfeminism.com/2017/08/a-guide-to-different-levels-of-white-supremacist.html

https://www.thecut.com/2017/08/mens-rights-activism-is-the-gateway-drug-for-the-alt-right.html

http://www.slate.com/articles/news_and_politics/politics/2017/08/dahlia_lithwick_on_the_nazis_in_charlottesville.html

http://reallifemag.com/the-authoritarian-surround/

http://nymag.com/selectall/2017/08/baked-alaska-charlottesville-and-the-end-of-ironic-nazi.html

https://www.gq.com/story/dylann-roof-making-of-an-american-terrorist

https://www.washingtonpost.com/opinions/after-charlottesville-end-the-denial-about-trump/2017/08/13/05adbc6e-804a-11e7-b359-15a3617c767b_story.html?utm_term=.7fe1abeca686

http://splinternews.com/charlottesville-was-a-preview-of-the-future-of-the-repu-1797988745

 

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