Geeking Out About: Brooklyn 99

Brooklyn 99

Today I am  singing the praises of one of my favorite sit-coms, Brooklyn 99. I don’t often watch comedies, because most of them  aren’t particularly funny to me, try too hard, or I just don’t have time for them, and I was not going to watch this one, because I have trouble watching cop shows, (Apparently I can watch cop comedies, I guess.  I loved Reno 911, and thought this might be similar to it. It both is and isn’t.)

Brooklyn 99 is just as ridiculously over the top as Reno 911, but the characters are much more likable, and competent. They’re certainly less raunchy, as this is a Primetime show. The 99’s characters are the kind of people you want to meet and make friends with. The characters from Reno 911 are  much more like  your annoying co-workers, that you’d  like to punch in the  neck. The 99 characters are the kind of people you laugh with and cheer for. The Reno characters are the kind you laugh at, while hoping they don’t  blow anything up. What’s refreshing about Brooklyn 99 is, you start the series with what you think are just a bunch of standard tropes, and gradually, these characters become fleshed out, and more complicated, but not in the usual ways.

This show is also an example of getting diversity right. (Except for the lack of Asians, which it really needs at least one. ) I love the attitudes of the characters. They really do act as if they are a family.

There’s none of the passive-aggressive hostility that passes for humor in other ensemble shows. The characters acknowledge that they are very different from one another, there’s occasional teasing about that, but no one is ever made to feel ashamed of, or less than, for who they are. The only time characters are ever made to feel ashamed, is when they behave badly, and their friends call them on their shit. There’s a general acceptance by the other characters when someone is just a certain way, even if that way is mildly annoying, like Charles Boyle, or in Rosa’s case , occasionally terrifying. The closest you get to meanness in the show is Rosa, but she makes up for it by only kicking the asses of people who mess with her friends, (or inanimate objects that ain’t actin’ right.)

One of the things  I really like about this show is when characters make mistakes, they’re willing to acknowledge they made the mistake, and either apologise, or atone for it. They’re willing to not only  admit when they’ve been foolish, but when they’ve been doubling down on their foolishness too, which is a refreshing change from the real life model of people who actively work at being their worst possible selves. Brooklyn 99 makes me like people, and is a perfect example of how to Grownup.

Here, in some kind of order, are:

Det. Rosa Diaz  (Stephanie Beatriz)

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Rosa is the kind of girl you want to have your back in a fight. If I was arranging a team of people to survive the Zombie Apocalypse, Rosa would be Michonne. She has an appetite for destruction that is awesome. In fact, one of the best birthday presents Gina ever gave her, was a hammer, and some time alone in a soon to be demolished house. According to Rosa it was: The Best Birthday Ever!

Strangers see me like  Rosa, or Captain Holt, depending on their personal anxiety levels. Rosa began the series as a typical anger management case, which is funny when you contrast that with how model pretty she is, and this is part of the show’s charm.The humor comes from the character traits and how various teammates respond to the events in the show. They’re usually involved in some situation that requires them to react, and because their personalities are all so different, you get some spectacularly funny moments. Occasionally the show likes to give us a real treat and put certain personalities together to solve some issue. Hilarity often ensues.

Over the years we find out many surprising things about Rosa, like she’s occasionally intimidated by people too, she used to be a ballet dancer, and  that she was raised by nuns, but when we first meet Rosa she’s beating up a copy machine, with a battering ram, and at first you think she’s just a stereotypical “Spicy Latina”. Thankfully, anger isn’t all there is to her. She’s also honest, forthright, insightful, supportive, loyal, and encouraging to her teammates. Rosa is the shows truth-teller. She specializes in stating uncomfortable truths, and doesn’t shirk from that, even when those truths are about herself.

 

 

Gina Linetti  (Chelsea Perretti)

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If I had to choose someone to be friends with, it would be Gina. She’s that best girlfriend, who always knows where the latest get-togethers are, and how to finagle her way into them. She’s carefree and deeply self involved, but not in a neurotic way, because this is a woman who has realized her fabulousness and is very comfortable with her greatness. The funny thing is, she is pretty fabulous, mostly because she acts like it, and truly believes it. She has a deep and abiding love affair with her phone, through which she receives copious amounts of gossip. She’s also totally  unwilling to let others forget how wonderful she is. Gina is also one of the laziest assistants to ever be in an office. She’s so fabulous however that not only does she not make any secret of this, she is hilariously quite proud of that, (and her interpretive dance skills).

One of the most surprising things,on the show,  is her relationship with Jake, which I truly enjoy. They’ve know each other since they were little children, having grown up in the same neighborhood, and they have one of the best platonic friendships I’ve ever seen on TV. One of my favorite moments is when Jake gives Gina the forehead kiss, as if she were his little sister, and she lets him do it, although she really isn’t affectionate, like that,with anyone else on the show, and I think she’s older than him.

 

Det. Jake Peralta  (Adam Samberg)

Jake Peralta is everybody’s cool best friend (and Charles Boyle would be more than happy to tell you this).

Jake begins the show as an irresponsible, sloppy, childlike character, but you can see his growth over the course of three seasons, as he learns to be honest with himself and others, and even manages to win Amy’s affections, after being so annoying to her at the beginning of the show. Heck he was annoying to me, and definitely to Captain Holt, but I’ve actually grown to like, and even admire  him.He has matured throughout the seasons but not so much that he doesn’t still think that frosting his hair blonde looks really cool.

When I first started watching this show, I was watching it for Andre Braugher, and I initially dismissed Jake as someone I would have to simply tolerate. I thought he’d be the typical White male protagonist who is the center of all the stories, and  everything he did and said, would be treated as gold. But that’s not what happened. Adam Samberg is willing to step aside from time to time, and let the other characters shine, and  teach his character how to grow up. Samberg understands he doesn’t need to be the center of every episode. He’s no William Shatner and that’s refreshing.

Jake always had trouble showing affection, not because he didn’t want people to think he was gay, but because he had father issues, and is still immature enough not to know how to handle affection from others. But he has grown, over the course of the show.

Witness his gradual change of character, as he attempts to become the kind of man who deserves to have someone like Amy, in his life. Jake is still immature, but he genuinely loves Amy, and tries to be the kind of man who can make her happy. Amy’s  love encourages him to want to be a better man. The distinction is subtle but there.  Amy is  the polar opposite of him, and he acknowledges that keeping her with him might require him to act more mature. Jake is also willing to acknowledge his mistakes,  apologize for them, and attempts to do better, not just for Amy, but for all those he considers his friends.

 

 

 

Captain Ray Holt (Andre Braugher)

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Captain Holt is the father figure of The 99. He’s the no-nonsense, emotionally restrained, backbone to the department. Or at least that’s  how it starts. I love the way this character has grown since the beginning of the series. He started out as real hard-case, coming down  hard on Jake, to get him to be more responsible and adult. He has since come to  understand Jake a lot more, understanding that Jake is at his best when he’s allowed to just be himself, realizing his influence over Jake, and he’s even begun to loosen up  just a bit, under Jake’s influence.

Throughout the seasons, we’ve witnessed Holt loosen up a more, finally becoming comfortable with his detectives, and allowing them to see just a little of his silly side, although he would probably be insulted at that description, not having ever believed in, or condoned, silliness or frivolousness, of any kind. At first, I just saw Holt as The Inscrutable Negro, mysterious, and unflappable. Now I really enjoy this character and I’m always eager to see how he’ll surprise me, during an episode by, for example, having an impromptu dance-off with some street thugs.

Over time, Holt has come to admire Jake, and think of him as a son, which is a total turnaround from when they first met. After all, Jake possessed every quality that Holt disdained, and he didn’t believe Jake took his job seriously, but now he’s very proud of Jake and encourages him to do his best. Jake, who spent the earliest part of his life trying to please his absentee father, and never measuring up, has found the perfect father-figure in Holt.

Holt’s team  admires him, and  strive to make him proud of them.  Captain Holt is an out, gay, Black man. His job might care about him being gay, but his team doesn’t, and they are always respectful of his relationship with his husband Kevin, treating the two just  like every other couple on the show.  For example, when Holt wanted to visit Kevin, who was on Sabbatical in France, Amy, Charles, and Jake, volunteer to dogsit the couple’s Corgi,  Cheddar. The humor doesn’t come from “Oh, these gay men have a cute dog.” No, the humor comes from the usual wackiness that ensues because Amy, Charles, and Jake are such different personalities which clash over babysitting Cheddar.

The show doesn’t browbeat you over the head with After School Special moments, though. How Holt handles his sexuality, in an environment where it is much more likely to meet with resistance, is done with grace and dignity. His gayness isn’t the joke. In fact, no one’s race is ever a joke, and no one’s gender is ever used as a joke.

I admire the hell out of this character. Hilariously he’s the character that most people who don’t know me well, see me as. My close friends find that hilarious, btw.

 

Sgt. Terry Jeffords (Terry Crews)

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Terry is like everybody’s fit  uncle. He looks intimidating, but after a while, you find out that Terry is merely extremely health conscious and an actual Teddy Bear. Terry is such a gentle soul, that he has to be carefully talked into using his tremendous strength ,and has deep anxieties about firing a weapon. I love how the show bucks stereotypes of Black men, by having two very intense looking black men, who  are nothing like they first seem.

Terry is a devoted family man who truly, madly, deeply, loves his two twin baby daughters, even though he thinks they are possibly trying to kill him. Known for speaking of himself in the first person, Terry  also loves yogurt, exercise, and his job, which mostly involves wrangling all these different personality types, to focus them on one thing together.Terry is the Peacekeeper. His job is to make sure everybody is getting along and ready to work. He’s strong, encouraging, and always speaks up,and goes to bat, for his people. Captain Holt depends on Terry to run the day to day operations, and considering the types of personalities he has to work with, Terry is doing an excellent job.

 

Det. Amy Santiago

Amy is the girl I was in High School, except I was a lot more snooty. Amy is that best friend , that you hated just a tiny bit, because not only is she smart, organized, and ready, she’s a classic goody-two-shoes, (with just a tiny competitive streak). In fact, I think when that description was created, Amy was who they had in mind.

Amy is an extremely moral and ethical person, who believes in strictly following the rules, and lots and lots of planning. She dislikes how Jake likes to cut corners, or sometimes just wing it. Amy doesn’t wing anything if she can help it. She loves to please people she admires, and will go out of her way to get Captain Holt’s approval, going so far as to cook him a large and tasteless Thanksgiving dinner, or agreeing to babysit his Corgi, Cheddar.  I love Amy because she really is a girl after my own heart. Like me, she is a stickler for prudent planning,  and  loves a nice sized binder of information.

But Amy’s life is so rigidly defined that she needs a little chaos, and that’s where jake comes in. Initially, I think she hated him because Jake is everything she isn’t, but as Jake began to prove his love for her, presenting her with options of when and where to be with him, and then waiting for her to decide, she began to see Jake’s true colors. As I said,

 

Det. Charles Boyle (Joe Lo Truglio)

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Charles is everybody’s favorite grandma and/or best friend. Hes loving , admiring, supportive, encouraging, and Jake’s right hand man, even though Jake didn’t choose him for it. He’s the kind of guy who always has a bowl of candy on his desk to offer to co-workers who are feeling a bit down.

I love Charles because, well…he’s just lovable. Joe Lo Truglio, formerly from Reno 911, is the complete opposite of his character, on that show. On 911 he was a venal, angry drug user, but  Charles is a warm, gracious, polite, foodie, and that you believe this, is a testament to Joe Lo Truglio’s acting skills. Charles is always upbeat and optimistic. He always looks on the bright side of a situation, no matter how horrible that situation may seem to others, like when his best friend, Jake accidentally shot him in the butt, or when his dog died. Charles was the only one capable of seeing the silver lining. He has a tendency to be a floor mat because he always puts others needs before his own. Now that he has a young son, whom he adopted, he has someone at which to throw all his tremendous caring.

He’s very devoted to Jake and I love the show has this depiction of a close m/m friendship without screaming no homo, everytime he and Jake show affection.

 

Det. Adrien Pimento

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Adrien is the newest recurring character at Brooklyn 99. Having suffered an emotional breakdown, after going undercover with some mobsters, Adrien is in a very  fragile emotional state, when he returns to his job as a detective. He’s paranoid and full of anxiety, and definitely suffering from some form of PTSD, but his mental state is never made the butt of the joke, and is not actually connected to his zany behavior. He acts wild, not because of his emotional fragility, but because he is thoroughly lacking in any boundaries, like breaking into Jake’s apartment to do Tai Chi, in his underwear. The humor comes from the reactions of his co-workers, who never have any idea what Adrien might  do next, not from making fun of his emotional state. The show skirts a fine line between acknowledging his emotional disability, and  understanding that it doesn’t necessarily inform  his behavior.

Adrien is definitely what’s known as  Chaotic Good.

Adrien is a good man, which is why the rest of the team accepts him. Also,  he and Rosa develop an intense, frantic, (and inexplicable) attraction to each other, although Adrien  explains, at first, that he’s not capable of having a relationship with her, they do eventually decide to get married.  Rosa seems   okay with Adrien’s unpredictability, and takes most of his decisions  in stride. She never tries to change Adrien, or make him behave, (although when she first met him she called him a freak, that she will only fall in love with). After a while, she just accepts him for the wild card that he is.

Actually, once everyone has gotten used to Adrien, they  just try to work  with him, or around him, for example, Gina is one of the few people Adrien will actually obey, when she tells him to do something, and Charles pretty much loves everyone, when he’s not terrified of them. Over time, the team’s acceptance  and trust starts to heal Adrien’s emotional wounds, and he starts to feel confident enough to form healthier relationships with others.
I’m geeking out about Brooklyn 99 because it’s an example of a show thats getting its humor and diversity right, with smart, funny, well rounded characters. It resumes its fourth season on April 11th, on the Fox network. Go figure!

Tumblr Politics: Laugh-In Edition

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Yeah, there’s not much to laugh about these days politically, but what we can do is mock politicians and here’s a list of public mockings that occurred in the last few weeks.

*Yep, Tumblr and Twitter still can’t stand this woman, and we refuse to call her by her real name. Thanks Wale! You’ve given America no end of amusement.

Here Are (Most of) the Names Tomi Lahren Has Been ‘Mistakenly’ Called on Twitter

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*The Twitter responses to 45’s response to his court decision. I could make this up but then y’all would be mad at me.

Update: Trump, Clinton and more respond to decision 

  • Since Trump’s victory, Hillary Clinton has mostly kept her opinions private. But after tonight’s decision she tweeted the following:
  • “3-0″ marks the ruling of the three federal judges that made the decision.
  • Clinton’s simple message of support for the court’s decision stood in stark contrast to Trump’s own reaction to the news.
  • Twitter users didn’t hesitate to point out the irony of Trump’s message: After all, he had, in essence, just been in court. And lost.

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*I’m pretty sure Netflix doesn’t give a flying shit about butt-hurt racists boycotting their streaming network because they don’t like some of their programming. I don’t know why they think this would even work. When there’s shit on Netflix that I don’t like, you know what I do? I don’t watch it. Why? Because there’s about a bajillion other things on Netflix to look at.

At any rate I’m always up for trolls getting trolled on Twitter.

delamind:

bellygangstaboo:

bellygangstaboo:

I am deceased

minor update:

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*Okay, this one made me laugh and cry. It really does feel like a break-up, doesn’t it?

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*When I first heard about this, I was just Wow! She just straight the fuck lying to our faces at this point. I have no more evens left. I just can’t. Twitter needs to drag this woman more often than it does. Well, in this political climate, people are definitely honing their Twitter skills.

 

Black History on Tumblr

 

Some of the most interesting posts about Black History month I found on Tumblr.

lagonegirl:

This, also keep in mind that the “American cowboy” has been exaggerated greatly by Hollywood and popular myth – it was really only a twenty/thirty year period in the mid-19th century that essentially ended around the American civil war when barbed wire was introduced and eliminated the need for them.

If you’re ever in Denver, check out the Black American West Museum. Lots of photos, artifacts, etc.

John Wayne’s character in The Searchers was based on a black man named Britt Johnson.

#BlackHistory 

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*This puts Tammy Lawrenz’ bullshit, about equating The Black Panthers to the KKK, straight to bed. And no we’re still not calling her by her name:  

xabiiba:

The Nixon Administration admits its policies were meant to attack Blacks and anti-war people, so they did what was necessary including arresting their leaders, raiding their homes and more. [From the film “13th”]

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Let’s all celebrate Sister Rosetta Tharpe – The Black Queer Woman who invented Rock N Roll. If you look closely you can clearly see her influence on Chuck Berry, Elvis Presly, and Jerry Lee Lewis.

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Frederick Douglass Was the Most Photographed American of the 19th Century

medievalpoc

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20 Things The World Wouldn’t Have If Black People Didn’t Exist

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He cared about people, not money.

Throughout his life, Carver’s actions demonstrated how little he cared for money. For example, he turned down a six-figure job offer from Thomas Edison. Carver also didn’t spend much on clothes (and consequently was always shabbily dressed).

In 1917, Carver revealed what motivated him: “Well, some day I will have to leave this world. And when that day comes, I want to feel that my life has been of some service to my fellow man.” When he passed away in 1943, it would seem he had lived just such a life.

Happy Black History Month!

Source:

Coded Blackness

 

Happy Black History Month, dear readers! This month has always meant a lot to me on a personal level. Being a Black person, I’ve witnessed erasure of our achievements, dismissal of our problems, and omissions of us from opportunities. These types of slights often expand into nerd media, where representation is already sort of scant. […]

via Black Features Shouldn’t Mean “Other” — Lady Geek Girl and Friends

The Demonization of Welfare

 

*I just want to introduce my followers to Tim Wise. He has a website at Timwise.org where all of his interviews and videos are archived. If you have seen the movie 13th, by Ava Duvernay, and thought it made valid points, then you would perhaps benefit from understanding of how the welfare system works in this country.

 

 

*And here I’d like to introduce you to Serenn, who lays out exactly what false equivalency actually means, how its used in arguments to discredit people, and how to counter it. I see this all over Tumbr, all the time. Now part of this is becasue the membership of Tumblr skews very young, and they spend a lot of time arguing the ethics of things, among themselves. Many of them can be dazzled by such logical fallacies, if they haven’t had a lot of experience with them.

Sensei Aishitemasu is very passionate about it, but that does not make what she says wrong.

 

Women of Color in Videogames

Here, Anita Sarkeesian touches on some of the worst stereotypes of women of color in videogames.

And I thought the women’s tropes videos were vile. I had a hard time stomaching some of the images in those, but these… I don’t play any of the games listed in her video essay, so I had no idea  the racism in these games was so horrible, and that’s just in the first three minutes.

There are always a certain number of people who want to try to defend these games, but no intelligent excuses can possibly be made for some of these images. The creators of these games are grown ass men, who should damn well know better than to have ever created  any of  them.

 

As an addendum:

The Curse of the Scruffy White Male: Why Representation Matters in …

Brown hair and stubble: The new face of modern videogames

Same Face Syndrome or Why Scruffy-White-Dude Protagonists Don’t …

Why Are Game Developers Obsessed With ‘Average’ Heroes?

Misc. Tumblr Shenanigans

Just a general list of hooliganism that Tumblr is getting up to lately.

Beyonce’s Pregnancy!

Beyoncé just kicked off Black History Month right with that announcement, Black joy in full effect

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y’all are saying that beyonce’s twins are gonna be geminis or leos I hope they spite y’all and they’re cancers

ME TOO

WE’RE GONNA KEEP SPEAKING IT INTO EXISTENCE IT’S GONNA HAPPEN

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wattstheproblem replied to your posty’all are saying that beyonce’s twins are gonna be…

   i rebuke this in the name of the lord, theyre gonna be virgos

I CAST YOU OUT IN JESUS’ NAME

 

Happy Black History Month

How is this a positive way to celebrate your heritage? Sad.

But did you die?

blunttholder Deactivated

WE CELEBRATE HOW WE WANT BITCH. DONT WORRY BOUT US

jailasoul Deactivated

^^^^ Oop

sexysmirkemoji Deactivated

This just made my day 36874x better

tshawnraw Deactivated

It keeps getting better

nigeah Deactivated

I would like to thank god for black people

cause we don’t give a fuck!

hersheywrites Deactivated

This post has gotten 8043220x better since last night. I love us. Someone said but “did you die?” I’m crying.

That Michelle Obama gif is so important to me

HAPPY BLACK HISTORY MONTH 2017!!!!

I know I shouldn’t have found this hella funny but I just couldn’t help it. Those gifs are everything. Especially that first one.

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Black Superpowers! Don’t tell anybody. We don’t want this getting out.

If you’re black you’re in tune with the lord of the universe and can warp reality at your command. Little known secret.

Some blacks don’t know they have telepathy until another black uses their telepathy near them.

It’s called the Nigga Neural Network

Most Black People usually discover they have Nigga Neural Network, or NNN, when a white person does something foolish in public and you somehow manage to find and make eye contact with the nearest Black Person available whether you knew they were in the vicinity or not

This is usually indicated by either an eyeroll or an up-nod of recognition.

Source:

The Oscars and the Face-Off between Moonlight and La La land

http://mikeymagee.tumblr.com/post/156417844628/can-i-ask-you-why-do-you-hate-la-la-land-i-mean

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Moonlight and the Limitation of Masculinity

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Going over Moonlight (2016) again, I’ve noticed Barry Jenkins recurring theme of showcasing Chiron’s (and Kevin’s) backs. In each act (from Lil, to Chiron, to Black) the has a long shot of the subject’s back. (Long Post under the cut)

Keep reading

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https://www.rt.com/op-edge/375816-lala-trump-great-america-hollywood/

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Tumblr Headcanaons about Folklore

*I loved this particular take on the story of The Swan Maiden.

the-last-hair-bender:

roachpatrol:

charminglyantiquated:

so if there’s one single trope i’m always down to fight it’s the animal bride (folklore motif 402??) which a lot of you are probably familiar with as the selkie – the fisherman either falls in love, steals her skin to trap her on land/gain power over her, or they fall in love and THEN he steals her skin to keep her from leaving, and either way she spends a lot of time gazing sadly out to sea and then she or her child finds the skin and never returns again.
and that’s awful on a whole lot of levels – it’s not love, it’s control.

BUT. but the thing is. you how selkies/seal women was a pretty common variation of this? another really popular one was swans.

i just want you to think about that for a moment. swans. like…I get it, they’re pretty, graceful birds, certainly it’s easy to imagine them magically becoming pretty graceful ladies? but have you ever fought a swan. swans are awful. swans are the devil’s geese. imagine seeing a pretty magic lady and being absolutely enchanted by her, and stealing her magic feather cloak, and then you go up and say ‘hey i’m in love with you, let me make you my queen, it will be great, we’ll be so happy’ and she just looks at you for a moment and…

you know i was going to say maybe she just shouts for her sisters and suddenly you’rerealizing you’ve made a terrible terrible mistake bc you’re surrounded by big fucking birds who are all hissing. but honestly if this swan lady is as aggressively down to brawl as any other generally unhappy swan, then she’d straight up fuck you up on her own. she’d just deck you roundhouse, honestly. you don’t fuck with swans. why does this trope exist

okay but consider this: a woman walks to the park every day and feeds the swans and watches them paddle gracefully around the lake, sighing to see how beautifully they swim.

finally one day, a swan comes up to her and says ‘why don’t you come and swim with us? you always sigh so wistfully to see us on the water, and you would be most welcome to join our company, for you have always been a true friend to our kind’

and the woman says, ‘i can’t swim’

and the swan says, ‘we’ll teach you’

and the woman says, ‘literally i can’t swim, my husband stole my sealskin and should i venture into deep water i would surely drown’

and the swan says ‘your husband fucking WHAT’

the next morning the woman’s front yard looks like this.

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and neither the woman nor her husband are ever heard from again, though for very different reasons.

OH MY GOD.

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On Introverts

If you’re an introvert, follow @introvertunites.introverts

And my personal favorite, as it happens to echo my exact thoughts sometimes:introverts

*Is it just me or does anybody else just get tired of hearing their friends talking to you sometimes? Like “Would u please shut up!” Only you actually like them, and don’t want to hurt their feelings, so you just grit your teeth and smile.

Learning About Introversion

I think I speak for all of us when I say that it can be VERY annoying to be called names and have people assume things about us that just isn’t true. That being said, books and articles are a great way for non-introverted people to learn more about what introversion is and how to best interact with introverts. Do you guys know of any good books, articles, or other sources about introversion?

Note: This is also a chance for introverts to seek out sources for themselves as well. Learning about oneself is a great way to spend your alone time. 🙂

If you’re an introvert, follow @introvertunites

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Characters that need to just die, cuz yeah I hate this character, too.

Dear Sleepy Hollow (and Hollywood in general) RETIRE THIS RACIST STOCK CHARACTER.

sleepynegress:

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We’ve all seen her. The black lady behind the counter. She’s dead-eyed, mono-toned, usually larger than average, and middle-aged.

She doesn’t give a shit about what you need.

She is the personification of red tape.  She is always a hindrance, merely there for the white hero and the audience watching to be annoyed at.

The audience rolls their eyes and thinks “Ugh, fuck this lady.” and take that shitty media programmed baggage out into the world when they deal with actual real life black women who work these positions and are often the most patient, helpful, “get you through this system despite it holding me down too” people.

It’s shitty and tired and disgusting and it programs people to see black women as annoying attitude-having hindrances by default.

STOP IT.

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Mocking  Stupidity. I reblogged this one for the insult, also I hate coleslaw. Where’s the lie?

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*And finally new nicknames for 45. There’s a whole website devoted to miscalling this  “Gibbering Mango”

The Orange Fire Monkey,

The Orange Fire Chicken

Hair Hitler

Top Ten Donald Trump Nicknames

The Donald — Ivana Trump (she first used the term in a 1989 Spy Magazine cover story)
Lord Voldemort — Rosie O’Donnell
Golden Wrecking Ball — Sarah Palin (who was NOT trying to be funny!)
Short-Fingered Vulgarian — Graydon Carter (a nickname Trump hates because he seems to think it implies that he is under-endowed “down there”)
Tiny Hands Trump, Babyfingers Trump and Pixie Fingers Trump — Michael R. Burch (nicknames based on Graydon Carter’s nickname above)
The Most Fabulous Whiner — after Donald Trump described himself to CNN’s Chris Cuomo as the “most fabulous whiner” who keeps “winning by whining”
Fuckface von Clownstick, Man-Baby, Comedy Entrapment and Unrepentant Narcissistic Asshole — Jon Stewart
The White Kanye ― Bill Maher
Trump of Doom — Michael R. Burch (first used in a possibly prophetic Facebook post on September 11, 2015)
Agent Orange — Anonymous

Sam Wilson: To Be Rescued

This is my love letter to the MCU Sam Wilson, AKA Falcon:

One of my all-time favorite Sam Wilson moments is in The Winter Soldier, when Sam experiences the love of flying again, in his fight with the Helicarrier, and he lets out a huge war whoop:

Image result for sam wilson winter soldier gif

This makes what he said earlier to Steve, about being glad to be out of the military, a complete lie. He may be glad no one is giving him orders but he’s glad to be back in the air doing what he does best.

First introduced in Captain America: The  Winter Soldier, Sam Wilson has been in three MCU films (The Winter Soldier, Antman,  and Captain America: Civil War) and  he just doesn’t get enough love. He’s one of my favorite characters. He’s also the most underrated, and one of the most consistently written, characters across the MCU. I think that has more to do with Anthony Mackie’s portrayal than it does the writers. Its obvious that Mackie loves this character, and he has the freedom to make this character what he wants him to be, because unlike Evans, he doesn’t have the weight of the entire plot hanging on him.

The Falcon, as he’s called in the comic books , was the first African American superhero to debut in Marvel Comics (in 1969) so its entirely correct that he should appear in the MCU. Not just because of that, but also  because he’s one of the contenders for Captain America’s mantle, now that Chris Evans has dropped the shield. (In the books, Sam  has taken up the title of Captain America.) He has been changed from his original comic book character though. In the books, Sam had limited telepathic/empathic control over birds, and is accompanied by an actual falcon named Redwing. The only nod we get to this, in the movies, is Sam being teased about his “bird costume”, and his little personal drone, named Redwing, in Civil War.

http://channel.nationalgeographic.com/inside-combat-rescue/

In the movies Sam is a former Pararescue officer, and like Tony Stark’s friend, Iron Patriot, (Rhodey), he’s a member of the US Air Force.

*Pararescuemen (also known as PJs) are United States Air Force Special Operations Command (AFSOC) and Air Combat Command (ACC) operators tasked with recovery and medical treatment of personnel in humanitarian and combat environments.

– United States Air Force Pararescue – Wikipedia

We’re first introduced to Sam in The Winter Soldier, where he’s still rescuing his fellow soldiers, only instead of going into hostile environments, he’s rescuing them from their own inner demons, as a VA Counselor. At first he tries to do the same for Steve ,sensing that the Icon of American Patriotism may require some emotional assistance, after being displaced in time. In fact that’s Sam’s first question to Steve. Not can he have his autograph, or a  confirmation  of some rumor he read in a history book. Sam’s very first statement to Steve is an offer of assistance, if  Steve would like to talk, because that’s what he does, its what he is, and has spent his entire career doing.

Image result for sam wilson gifs

There is criticism of Sam online, about his role as Steve’s  Black sidekick, but I choose not to see it that way, because of  Sam’s character, and how its established and presented within the narrative, and because I myself choose to live a life of service to others and find  a degree of satisfaction in doing so. Sam isn’t presented as some sort of Angel who can do no wrong, though.  He’s snarky and doesn’t easily forgive transgressions against himself, or those he’s adopted as his friends. He’s competent, pragmatic, and probably not quite as idealistic as Steve, as he occasionally plays Devil’s Advocate to some of Steve’s decisions. He is nuanced enough within the story for me to identify with his motivations, so no I don’t consider Sam to be a stereotype, although as I said, I think much of his character comes from Mackie’s depiction, rather than the writers.

One of the reasons I don’t see Sam as being Steve’s flunky is he’s not the only Black man in the movie. The other Black man is Nick Fury, whose relationship to Steve is much grayer than Sam’s. Nick Fury, because of the nature of his position in Shield, cannot commit to being Steve’s friend, but Sam can, and Steve does need a friend. Sam also serves the purpose in the narrative of anchoring Steve in the modern world to which he must adapt.Sam is also more of a civilian than Natasha, who like Fury, is too much a part of the lifestyle of espionage, to be trusted in the same manner.

Also, it is Sam who makes the first overture of friendship to Steve, not the other way around. He makes the offer, and then leaves it up to Steve whether or not he will respond to the overture, leaving an open space for Steve to step into, and trust him. I think this tactic works because Steve really is looking for someone to talk to. He’s looking for something, or someone, to tie him to a world he barely recognizes. He’s looking for someone to trust, and Natasha is just not a good candidate at the time, no matter how well meaning she is. He chooses to take Sam up on his offer.

I believe that Steve and Sam  bond because Sam has a tragic backstory too, that closely mirrors Steve’s, in that he lost a  brother in a very similar manner to how Steve lost Bucky, helplessly watching his friend fall to his death, during combat. I think that’s something that resonates with Steve. Although we never see Sam and Steve discuss it, there’s an understanding between them of each other’s pain and grief, and within much the same time period. For Sam its only been a year since he lost Riley. For Steve it feels like only a couple of years.

Image result for sam wilson gifs

Since he lost Riley, Sam’s been out running in the early hours of the morning, like Steve, he’s probably trying to cope with sleeplessness. We don’t know much about his day to day life but we do know he lives alone. And although we’ve seen how easily he makes friends with Steve, we get the distinct impression, that just like Steve, he doesn’t have many close friends.

I like to think that Steve rescued Sam, too.

When the call to adventure comes, in the form of Steve and Natasha showing up on his doorstep because he’s the only person they’re willing to trust, he doesn’t hesitate to answer it. Despite his grief, he hasn’t lost some of his childlike playfulness. He knows that if Captain America comes calling, its going to be the adventure of a lifetime, and he’d be crazy to turn it down, despite his earlier statements that he was glad to be out of the military. Nowhere is this attitude more evident than when he’s flying against the Shield Helicarrier, in full battle gear.

Sam is our Everyman character. He’s the regular human being through whose eyes we’re meant to see the plot. This is important because normally this type of character is often played by a scruffy White dude, with whom the audience is supposed to identify, here played by a handsome Black man.Sam is a bit of a Captain America fanboy, and we’re meant to put ourselves in Sam’s shoes, and imagine ourselves racing Steve around the reflecting pond, or fixing breakfast, or going on a mission with him. He says the things we want to say and expresses the excitement we have at that moment. And he looks cool doing all of this.

Image result for sam wilson gifs

Another of my favorite moments in Winter Soldier is the lowkey way Sam goes about taking care of business during the bridge scene. He’s not as flashy as Steve and Natasha, but watching Sam quietly kick ass during the scene on the bridge is a quiet joy as we can imagine ourselves doing that. He walks into that situation armed with nothing but a K-Bar knife, and smoothly, competently, with very little effort,  walks out of it with a machine gun. Sam makes the movie fun, but he is not the comic relief. He takes what he does very seriously and brings all his skills to the game without the toxic masculinity we see in Rumlow, for example. It is a testament to the Russo Brothers directing skills, and Mackie’s acting, that we manage to maintain our  identification with him,  as Sam’s abilities are gradually depicted as more, and more superheroic, in  subsequent movies.

Sam is competitive, but in a good way. His ego doesn’t seem to hinge on being the better man, but on just  being the best Sam Wilson. He initially races Steve when they first meet, but he knows who he’s up against, and he’s not there to try to prove his manhood. He’ knows who he is, and what his talents are, and he’s not threatened by Steve, being sensitive enough to see that Steve is in pain, comfortable enough  with himself to acknowledge that they both are, and willing to share his confidences with him.

Sam is thoughtful to his friends and  I like the movie’s honest depiction of  male friendship, with Sam waiting for  Steve to wake up in the hospital, playing the Marvin Gaye they’d discussed earlier, because that’s what friends do, and Sam remembered that. I liked that Steve was just a tiny bit surprised to see Sam  there because I think Steve was expecting to be alone. In a nice callback to Steve’s past, it may have reminded him of how many times Bucky sat by his side, when he was sick as a child. And who knows, he’s 90 years old, but he still might have missed being cared for like that.

In Antman, Sam goes up against Scott, who manages to best him. While he’s initially frustrated (and mildly embarrassed) he doesn’t hold a grudge about it, and in Civil War,  he good-naturedly seeks out Scott’s help,  while genially reminding him, that it’ll never happen again.

The nature of his job as a Pararescue, and as a counselor, sort of preclude  him being overly aggressive, yet he’s not passive. Like any good soldier, he  knows when to take the initiative, whether on the bridge, or in his fight with Rumlow.  He also has no patience for grandstanding,  so when Rumlow wants to talk smack during their fight,  Sam  tells him to  shut the hell up. He’s got no time for nonsense.

And then there’s his relationship to Bucky, which is complicated.

This is perfect:

If you’ve ever see the movie The Color Purple, Steven Spielberg depicts the kind of  relationship in the movie between Celie and Shugg, (two women who are both sleeping with the same man, who are meant to be rivals, but eventually become lovers), that’s depicted between Sam and Bucky. When they first met ,Shugg referred to Celie as ugly, and when Celie asks why, she tells her, “Its just Salt n’ the Sugah”.

That’s basically Sam and Bucky.

Salt n’ the Sugah.

I don’t think Sam actually hates Bucky, but Bucky did try to kill him several times, after which the two of them were forced to work together because they’re both Steve’s friends. Sam doesn’t hate him, but he doesn’t like Bucky either, seeing Bucky as someone that Steve keeps getting into trouble for, like that ex-girlfriend who keeps calling your buddy up every time her car needs a jump. Yet, he’s willing to work with Bucky and save his life because he loves Steve, Steve loves Bucky, and Sam is loyal to his friends. Bucky for his part barely knows Sam. I think, for him, Sam is just some guy hanging out with Steve, but he’s willing to like him if Sam will let him. Sam is willing to put aside his grudges, but not let go of them altogether, because he likes Steve.

In Civil War, we get another glimpse of Sam’s trauma. Just as Steve gets to relive that moment of terror when he lost Bucky (in The Winter Soldier), Sam gets the unpleasant experience of watching another friend get shot out of the sky, while he helplessly watches (and the added indignation of Tony’s overreaction in shooting him.) Sam, who really does rise to sainthood after that, as far as I’m concerned, manages to refrain from force choking the shit out of Tony when he comes begging for help, later in the movie. In fact Sam’s first words to Tony are to ask after Rhodey’s health and (having probably worked through most of his issues about Riley, and put in place coping mechanisms) that’s the only indication we get of how shaken he must have been at reliving that trauma.

And finally , I just love this scene. You can see how Sam never had any doubt that Steve would come for him, just as Steve came for Bucky.

After all Steve is loyal to his friends, and in many ways just like Steve, just like Bucky, Sam needed saving, too.

 

Favorited:

Sam and Natasha – Each movie gives Sam and a Natasha a couple of moments to banter with each other which basically ends up fueling lots of shipping meta between these two. In The Winter Soldier, Sam’s slightly suggestive “How  you doin?”, just tickled the heck out of  me.

Sam’s signature move is what I like to call the Kick Out. He usually does this  mid-flight, where he likes to kick people and things into another time zone. He did it to Bucky in Winter Soldier, and a helicopter in Civil War.

Sam Wilson’s Greatest Hits:

 

 

Victor Salva: “Problematic” Filmmaker

*I’m always writing these huge ambitious metas about stuff, but this is the kind of stuff that sits in my brain until I can get it out. So here goes:

I  don’t really like the word “problematic”, as I feel its overused, but its entirely accurate when it comes to this particular director. In 1988, Victor Salva was convicted of sexual misconduct, with the  then 12 year old star of his movie, Clownhouse. He pleaded guilty to lewd and lascivious conduct and spent 3 years in prison. He was registered as a sex offender and is no longer allowed to be alone with children on his film sets.

Victor Salva, more than any other director, is the one of the poster children, not just for White male privilege, but the issue of separating the artist from their art. One of the things that makes it so difficult to to do this with Salva, is that his sordid past keeps intruding into his art, which once you know about it, is impossible to unknow.

*(This Vice article, written back in 2012, lets me know I’m not the only person who has noticed this about Salva’s films.)

Victor Salva Loves Terrorizing Semi-Naked Youths

CHARLIE GRAHAM-DIXON

After Salva was released from prison, he was offered a movie to direct by Disney, in 1995, called Powder, starring Jeff Goldblum, Sean Patrick Flannery,  Lance Henriksen, and Mary Steenbergen, about a young albino genius, named Jeremy “Powder” Reed, who has electrical powers. At the movie’s release, Salva’s former victim came forward to protest the release of the film. Salva has not worked with Disney since that time.

All this would just be a footnote, and Powder would be just another of those movies lost to history, except Salva went on to make several more films, and is now, with the help of Francis Ford Coppola, about to direct another Jeepers Creepers sequel. And when watching any of Salva’s movies r you  start to notice a disturbing tendency to focus on his young male stars in ways that remind the viewer of his past transgressions.

Salva’s films, The Nature of the Beast (1995), starring Lance Henriksen again, Powder (1996), Jeepers Creepers (2001), and its sequel (2003), contain scenes that, while we might find them not  worth remarking about any other time, in light of Salva’s history, these moments are…disturbing. Now, he’s set to produce and direct Jeepers Creepers 3, and I’m debating whether or not I should see this movie. I watched these movies, the first time,  wholly unaware of Salva’s background.

For example, in one of the more controversial scenes in Powder, Jeff Goldblum’s character, Donald Ripley, finds Jeremy alone in a room, and tries to form an emotional connection to him. In any other movie, this would be a beautiful moment, and an example of non-toxic masculinity, between an empathetic older man, and a young man who is starved for affection. At least that’s how I watched it the first time, but with knowledge of Salva’s background, the scene becomes distinctly creepy.  Ripley  slowly caresses Jeremy’s face and head. Jeremy, who has never been shown any form of physical affection, nearly breaks down in tears.

“You touched me and I’ve had better sex than I’ve had in ten years… I want to be a friend.”- Jeff Goldblum’s character actually says this in the movie.

There’s another scene where Jeremy, unable to participate himself, (he doesn’t know how), watches a group of teenage boys play touch football. This entire scene is shot in the most romanticized, slow motion manner, very obviously making these teenage boys the subject of the viewer’s gaze, in a style that’s usually reserve for nubile young women (think the opening scene of the 1977 movie, Carrie). One of the young men is filmed in loving slow motion, taking off his shirt, as Jeremy surreptitiously peers at him through a doorway. His manner is curious and secretive. When the young man catches Jeremy watching, he attacks him with homophobic slurs, and beats him up.

There’s something about this scene that’s less disturbing than the previous one. This scene at least serves the purpose of allegory, as Jeremy has already been positioned, within the narrative, as a hated outsider, who must be destroyed. The idea that he might  be gay (or Bi) is set up in advance. The indictment of this scene is not in Jeremy’s actions, but in the reactions of the other characters. It also feels somewhat autobiographical on Salva’s part as something very like this scene makes its way into all of Salva’s movies.

Actually, the plot of Powder features repeated attempts by Jeremy to reach out and form emotional connections with the other teenagers around him, and he is violently rebuffed every time. Earlier, he tried to form an attachment with one of the young local ladies, but is physically threatened and assaulted by the girl’s father. Jeremy, who is telepathic, desperately craves emotional connection, having lived in isolation his whole life, but finds it impossible throughout the course of the film. On the other hand, you are constantly distracted from the plot by seeing Jeremy’s naked chest filmed in loving closeup for much of the movie.

This is something that also plays out in some of Salva’s other films, with at least one  character trying to form a connection to another, and getting violently  rejected, which makes me wonder if this is some personal incident that Salva relates to. Is the reliving of this,  over and over, in his movies, the fallout of his stint in prison? Are these bullying scenes Salva’s   manner of saying that he was bullied by the state for his predilections?

In The Nature of The Beast (1995)  Lance Hendrickson (Jack) and Eric Roberts (Adrian) play two men of the road. One claims to be a salesman, the other is a no account drifter who decides, for his own amusement, and to his misfortune, to play a Cat and Mouse game with Lance’s character. Adrian tries to form a connection to Jack, but Jack has nothing but disdain for him, and will have nothing to do with the shiftless fellow because Adrian is nothing but trouble. Adrian teases Jack about knowing  his deep dark secret, and it is implied that Jack’s secret is that he is gay, though he says he’s not. Actually, his deep dark secret is that he is a serial killer. (And no, I don’t care for the conflation between serial killing and homosexuality, either.)

 

In 1999 Salva directed a movie titled Rites of Passage, which I’d never heard of until this post, so I had to Google it. I came across this trailer:

I’m actually intrigued by the subject of this movie, and plan to watch this, if I can find a free copy somewhere. This movie seems like a psycho-sexual thriller,  in the vein of Basic Instinct, with more than a hint of The Nature of the Beast. (The term Rites of Passage means an event marking a change in status, most specifically it’s a ceremony or event applied to young boys  to mark their transition to manhood.) The entire cast is male and, once again, has a scene where a closeted character is challenged by a straight character about his sexuality, according to the trailer.There is always a no-homo scene in Salva’s movies. Someone is suspected, or accused,  of being gay and they have to assert that they’re not.

Rites of Passage seems to be a little more straightforward in its depiction of homosexuality, (even though it’s love scenes are filmed in the Calgon Bubble Bath style of filmmaking.) The interesting thing about Salva’s films is its depictions of toxic masculinity in the form of identity shaming. The actual homoerotic moments are filmed in a frank and open manner, with no shame attached to them, and the characters who are accused of being gay are often not ashamed of their behavior, until made to feel that way by some other character.

Its difficult to separate the art from the artist, or know how much of the plot can even be attributed to Salva. Divorced from any background knowledge of the director, the movies actually send a lowkey positive message about homosexuality, and being different.

The very first time I paid any attention to this director, was after I saw Jeepers Creepers in 2001. I took my youngest sister to see it at the theater, and the homoerotic nudging and winking went entirely over both our heads, at the time. Although in this film, the nudging and winking is less blatant, so its easier to miss. It is only upon repeated viewing that I came to understand that the lead character, Darry,played by Justin Long, is heavily coded as  a gay man.

While traveling home for the holidays, Darry and Trish run afoul of The Creeper, who sets his sights on acquiring Darry. I remember being surprised at the ending of the movie when Trish, realizing her brother is the monster’s target, offers herself in exchange, but The Creeper rejects her, and takes Darry. I missed a lot of things about Darry because the movie does have another issue that bothered me more  and that was the addition of a “Magical Negro”, played by Patricia Belcher.

The Magical Negro in Jeepers Creepers was like, Hmmm some total white strangers need my help? To the Blackmobile! Brilz

Jezelle swans into the narrative to provide what some needed exposition. Every 23 years, for 23 days, The Creeper, is released from his stasis, so that he can eat people. The people he eats seem to consist entirely of  pretty, young, White boys, and his modus operandi is to get the scent of some boy he fancies, and pursue them until he can devour what parts of them he needs to reconstitute his decaying body. Since The Creeper is  identified as a male, it’s understandable he’d just chase after other males, but nevertheless, we have yet another plot where you have an older male, pursuing young men, which is another staple of Salva’s movies.

I have no idea if Salva is doing this on purpose, or if he’s even aware  what he’s doing. Is he teasing the audience with his backstory? Is he trying to work out his personal dilemmas in his movies? Has he changed as a person at all, or is he just trying to normalize pedophilia? I don’t know the man, so I can’t say what’s going on in his head, but it’s clear he’s obsessed with the idea of pretty, young, White men, being chased by  older men.

At one point in the movie, The Creeper is caught sniffing Darry’s laundry, after he’s broken into his car. Darry holds up a pair of pink jockey shorts and says that now the monster knows his name. Why his shorts are pink is explained in the movie, but not why his name is on them. This  scene is somewhat gratuitous because there’s no payoff for it. The monster never speaks, and we’re  certain he doesn’t care what Darry’s name is, since he already has his scent, so why are we informed that Darry’s name is on his shorts?

At the time I saw this movie, I was unaware that “sniffing” was even a sexual activity. Like I said, most of the sexual coding went  over our heads, but not all of it. Even I thought that scene was odd when I first saw the movie. Part of the reason why this is, is the reaction of the other characters. A waitress witnesses the laundry sniffing and is outraged, but one gets the sense that she’s not upset about the activity, so much as the monster did it in a public place.  Earlier, Trish teased Darry about his pink Jockey shorts, but she doesn’t say anything about the sniffing, other than to say she’s surprised the smell didn’t knock him out. She does not react to the idea of a stranger sniffing someone’s laundry. No one in the story finds the idea of laundry sniffing  odd or repugnant. ( Not to kinkshame, but if you mentioned such a thing to the real life versions of the small town people in this movie, you’d get that reaction.)

When Trish gently implies that he may be gay, Darry just shrugs, and when he finds out the monster has been sniffing his laundry, he seems more upset that The Creeper knows his name, than at the idea that this strange man (at this point they don’t know it’s a monster) has been sniffing his shorts.
Then finally there’s Jeepers Creepers II (2003)

If you didn’t think anything untoward about all of the scenes I just listed and don’t think they  mean anything, than how about the sequel to Jeepers Creepers.  All of the most questionable  moments of Salva’s movies, are amplified in this movie. In fact his movie continues to make the lists of most unintentionally gay horror movies, but its not  at all unintentional if it’s a pattern in all his movies.

It’s been three days since Darry’s kidnapping and The Creeper, disguised as a scarecrow, snatches a young pre-teen boy right from under his father’s ,and older brother’s noses. Later that day, The Creeper attacks a bus load of  boys returning from a basketball game.  He kills the coaches, and the heavily coded as lesbian bus driver, before spending most of that day and night, terrorizing the stranded teens.

Most of the plot takes place aboard the bus, giving the teenage boys lots of opportunity to engage in:  racist discussions, gay rumormongering, kinkshaming, sunbathing together on the roof of the bus, ignoring the cheerleaders, and strangest of all, peeing in groups. In the first movie, there is a scene of Darry peeing, and another one in Powder.

At one point, The Creeper terrorizes the teenagers by singling out which ones he’s interested in by licking the windows, so some of his behavior is blatantly sexually predatory, and the teammates argue about his interest in them for some time after this.  The issue with these movies is that many of the things,the viewer notices, can be explained away in the moment, and look unintentional. Its only after repeated viewing of all Salva’s movies, and knowledge of Salva’s sordid history,  that one realizes that young men, as a rule,  do not engage in group sunbathing and peeing sessions, and none of these things are unintended.

Scott, one of the team leaders is basically the poster child for entitled, angry White boys.  He’s racist, homophobic, sullen, and petty, and spends most of his time attacking the Black players, and the one team member suspected of being gay, named Izzy. At no point in the narrative is Scott set up as a sympathetic character, though, which is also in line with Salva’s other movies. Like all the other bullies in Salva’s movies, he is a cartoon villain, entitled, opinionated, and a massive coward. The hero turns out to be Izzy and his Black teammate, named Double D. They both work  hard to save their team mates, and live to the end of the movie. Complicating matters is the arrival of the father of the little boy who was kidnapped at the beginning of the movie.

Salva isn’t a bad filmmaker. He manages to pack some subtle messages about social justice into some effective, action packed movies,  and the movies are well directed, and written. But that sordid past, though…

Are we meant to forgive Salva? After all, he’s paid his dues, spent his jail time. He has, as far as the public knows, engaged in no recidivism. Can’t we all forget about it, and move on, as long as he’s following the rules? Is he just working through his issues in his films? Normally we would give the benefit of the doubt, but Salva’s focus on the young male body,  and the attendant homo-eroticism in his movies, makes that difficult.

*To read what Salva himself has to say about his past:

http://welcome-to-monster-land.blogspot.com/2009/07/directors-dungeon-victor-salva.html

Critique Roundup

Here’s a selection of Pop Culture readings for the week of January 9th. Not all of these were written this month, or even this year. They’re just a selection of posts I’ve come across while researching my favorite topics.

*Tarantino Speaks Out: Police Brutality vs. Cinematic Violence

POSTED ON JAN 5 BY

 

*Horror Movies, Why We Love [Some of] Them

POSTED ON JAN 2 BY

 

*Here are some ads that make me irrationally angry

Amanda Rosenberg

*White Feminist Critiques of Rogue One and the Erasure of Race

*Tuesday, 8 December 2015

Where Are The Women Of Color?: On Marvel’s Problems With Race

Melanin Monroe

*The Dragnet Effect: How TV Has Obscured Police Brutality

In the most influential police procedural ever, even Joe Friday, America’s archetypal “good cop,” was blind to the problem.

CONOR FRIEDERSDORF

*What to do when you’re not the hero any more

BYLAURIE PENNY

“Identity Politics” is the New Insult

From the website This Is Everyday Racism: 

Published From: The Establishment on Medium.com

By Ijeoma Oluo

The other day on Twitter, a man posted a picture of my coloring book he’d given his daughter for Christmas. He was excited to give her a coloring book full of badass intersectional feminists. He wanted to thank me for creating it.

“I don’t know,” chimed in a random stranger (because Twitter), “Sounds like identity politics to me.”

Hell yeah it does.

“Identity Politics” is now thrown about as an insult at many progressive activists. Critics say that Identity Politics make everything about gender, everything about sexuality, and everything about race. And to this I say: yes, yes, and hell yes.

Call it what you want. I don’t care. Complain that we’re making shit about race — you know what? We are. Complain that we’re keeping the left from focusing only on class — yup, and proudly so. Complain all you want because I am not and will never be ashamed of focusing on the politics of identity. I will not feel a moment’s guilt for slowing this whole train down to make sure that everyone can get on and we’re on the right track. I will proudly own up to making shit hard for you.

Thank god for Identity Politics.

You know why? Because you know what we had before Identity Politics? I’ll tell you.

We had White Dudes.

We had white dudes as the pinnacles of power. We had white dudes on all our TV screens, we had white dudes reporting all our news, we had white dudes writing all our books. Sometimes they were accompanied by attractive white ladies (as all the white dudes were straight). But mostly, we had white dudes.

And if you were not a white dude? You didn’t exist. Laws were not written for you, infrastructure was not built for you, history was not written about you. You did not exist in film, television, or novels. You were not a part of the American dream.

And do you know what has been changing all of that? Do you know what has been saving this country from the monotony and tyranny of white, cis, heterosexual dudes? Identity Politics.

Identity Politics are everything that its critics fear. Identity Politics are decentralizing whiteness, straightness, cis-ness, and maleness. Identity Politics brought you equal marriage, the voting rights act, and abortion access. Identity Politics has got people believing that black is beautiful, that disability is nothing to be ashamed of, that fat people deserve respect, that a woman can say no. Identity politics are forcing the world to consider what it has spent hundreds of years ignoring — everyone else.

Without Identity Politics, we wouldn’t all get along better, we’d just cease to exist. And know, that is primarily what those who decry Identity Politics want. They want the world of the past, where we existed in the shadows, where they never had to consider race or gender, because everything was only about their race and gender. They want a world where nobody raised a hand and said “what about me,” because the only people allowed in the room were those whose needs had already been meet. They want the simplicity and power that comes with being the default.

So yes, Identity Politics are the threat to both the right and the left that its enemies are making it out to be. Because our system is still mostly white dudes, on both sides of the aisle. Their fear isn’t wrong; Identity Politics do threaten their way of life and their idea of progress and unity. Identity Politics will tear down everything they have built because everything they have built is oppressive and exclusionary and wrong.

We are not going back to a time where we were overlooked, dismissed, invalidated, and discounted. We are not going back to not existing. Our Identity Politics are here to stay.

 

New Year Rules and Regulations

According to my Mom, there are a number of rules and regulations that one must abide by to have good fortune in the new year. I’m just a tiny bit superstitious, somewhat tradition minded (it keeps me in touch with my ancestors), and it’s relatively harmless.

On New Years Eve one is spend the day in quiet reflection. Partying and drinking doesn’t occur til much later, I guess.

Today is to be spent doing something you love. Something calm and comforting and probably something to recover from the night’s exertions. So the order of the day is breakfasting and happy times with friends and family, knitting, reading, or watching bad movies, whatever it is that brings you personal happiness and harms no one. In other words be self indulgent just this one day.

You are required to eat black eyed peas, with cornbread, whether you like it or not. I believe this is non-negotiable. I know it’s not very indulgent, if you don’t like black eyed peas, but do it anyway.😠😠

Do not ring water from any towels today. If you have wet towels you can only squeeze the water out with your hands. Don’t do laundry. Actually this is a good excuse not to wash anything in the house except yourself., and if you’re feeling especially lazy, or hungover, don’t do that either.

If you have visitors today, make sure your first visitor is a man, who steps in your front door, right foot first. Apparently women visitors are bad luck or something. I’m not sure how this works if your visitors are somewhere on the LGBT spectrum, though.

But above all else, spend your first day doing something you want to enjoy doing the rest of the year, with the people you love.

Best of 2016 

Here’s my second? third? post of 2017. I’ve been away from the blog for a little bit for a few reasons. The holidays kept me pretty busy, along with some medical issues between me and my Mom, most shows are in hiatus, and I did kind get worn out with the Westworld reviews. But I’ve  got my mojo back and I’m ready to get to writin’.

I can’t completely get behind the sentiment of Fuck 2016, because there were so many great pop cultural goodies that appeared this year. There were a lot of movies, books, and TV shows that I particularly enjoyed. So for all of the shitty things that happened this year, from starting off the new year minus my appendix, to ending the year minus any political hope, Fuck You 2016. But for all the great things that happened this year, from Luke Cage, to Yuri on Ice, Thank You 2016!
Top Books I enjoyed this year:

The Suicide Motor Club by Chris Buehlman – This is the best vampire book I read this year. I didn’t read many novels this year, and the ones I finished were good, but didn’t WOW me. This book did.

The League of Dragons  by Naomi Novik – So ends an era. I read the first Temeraire book over a decade ago, and I really, really, really, loved this series. Not only did I buy all the books, I bought all the audiobooks too, because the voice actor was absolutely perfect. League of Dragons is the last Temeraire book and I’m glad he got a happy ending.

Nevermore by Rob Thurman- This appears to be the last Cal Leandros book. This is a sad!

The Re-arrival of Bloom County – I loved this series back in the 80s, and I’m very glad to see it make a comeback.

Brotherhood of the Wheel by RS Belcher – Its  gotten to the point where I will read anything by this writer. I really enjoyed this book, which is a perfect cross between Horror and Fantasy, involving a secret society of monster hunters who drive trucks, urban legends, cops, and demons. There’s some great female representation in Belcher’s books, along with plenty of action.

Tor. com short stories like: Dead Djinn in Cairo, The Ballad of Black Tom, and the Story of Kao Yu – Short stories from Tor are about all I get time to read. These are some top notch Fantasy stories, by some of my favorite writers.

Borderline by Mishell Baker – This is the best Urban Fantasy novel written this year, and should be on everybody’s list. It has everything: a female protagonist with disabilities, prominent PoC (some who are actually unlikable), elves, and witches, all set in LA. This book manages to avoid all of the tropes of writing characters with disabilities, the characters have different kinds of disabilites, and it manages to avoid inspiration porn by making them people with personalities you  might actually dislike, all while still  being inspiring.

I’ve started reading comics and graphic novels again, for which I have to thank the existence of Comixology. Unlike a lot of book snobs, I don’t disdain digital books, and I’m damned glad I never have to step foot in  another dusty comic book shop again. As a Black woman, I don’t have fond memories of browsing comic book shops for hours at a time, or talking shop with the proprietors. Also, I m not hung up on physical books. I simply have no more room in my house for them. I have several hundred books stashed in my attic right now. I always collected comic books for the art and the story, not just the book itself, and the same is true for novels. It’s what’s in them that matters to me. Not the dressing.

Graphic Novels I just bought:

Enormous – Giant monsters have taken over the Earth, and one woman runs a rescue service for children who  have been orphaned by the rampaging creatures.

The New Dr. Fate – I’ve been fascinated by this character since I first read about him, in those long ago 80s Justice League books, with Guy Gardner and Captain Atom.

 Planetary : Crossing Worlds – I’m a big Planetary fan because I just like weird superhero books.

Shaolin Cowboy: Shemp Buffet – I was attracted to this because I’m a huge fan of the artist, Geof Darrow, who also wrote the graphic novel HardBoiled. Also who can resist the idea of a Shaolin Monk, who fights zombies and demons, in the old West?

Apollo and the Midnighter -I’m glad to see the return of two of my favorite, and badass, superheroes, and I’m glad they’re still a couple!

 
Movies:

Captain America Civil War – This isn’t as good as Winter Soldier, and could’ve used more Steve and Bucky in a movie that’s  best know as Avengers 3, or Iron Man 4. But I loved the unnecessary glimpse we got of the new Spider-Man, and that airport fight scene was just about the funniest shit I’ve seen this year, and wtf! Black Panther feckin’ killed it. So yeah, this is on my Best of list.

Suicide Squad– I’m one of five people that actually seemed to like this movie. I had hella fun watching this at the theater. I think it had a lot to do with Viola Davis, and Will Smith, being in the same movie, tho’. 

Deadpool – This is how you make an Action Comedy. This is a thoroughly ridiculous movie, and I loved it. If you didn’t cosplay as “Negasonic Teenage Warhead”,  this past Halloween, then you are not a Marvel fan. My girl just needs her own damn movie, at this point.

Train to Busan – Along with the movie The Girl with All the Gifts, this is one of the best zombie movies released this year. I’m still crying about this one.

Rogue One – My future ex-husband, Donnie Yen, is in this movie. Also this seemed to be the year for Asians in Space! 

Star Trek Beyond –  We got a Star Wars movie and a new Star Trek movie in one year. We got a canonically gay Sulu, some McCoy/Spock love, and Idris Elba. There was a lot about this movie I didn’t particularly care for, but there was also a lot I absolutely loved, and that’s alright.

TV:

Preacher: This was a great underrated show. Tulip was an Awesome creature of Awesomeness. Ruth Negga really  knocked it out of the park. This year actually had some great WoC representation at the movies. As much as I complain about there not being any, this is a great start. Actually, this year was one of the Black-est years of TV in recent memory.  (Now it’s time for us to get some SpaceLatinas and stuff, too.)

Luke Cage -I’ve said all I’m gonna say about this because I can’t laud it anymore than I have. There was a lot of good TV this year, but this really resonated with a lot of people.

Westworld – Whoo! You see the effect this show had on me, right? And I’m not done. I got more reviewin’ to do. Once again, we got  some great WoC representation.

Yuri on Ice – I haven’t watched this anime, but it’s been all over my Tumblr dash for weeks. I just want to give a shoutout to a show about a couple of ice skating boyfriends, that has actual ice skaters, losing their minds.

Atlanta – I love this show. It’s the weirdest show about Black people on TV. The writers have zero fucks to give about whether white people like this, or understand it. There’s a level of authenticity to it that just resonates on a soul deep level. Any white people watching this how, don’t try to get it, just go with it. It’s pretty much like Black people’s actual lives only fucking weird.

Full Frontal with Samantha Bee – At some point I expect Samantha to mess up and state some white feminist nonsense, but so far she’s been pretty good at saying shit I want to say to white people, but don’t, because I wanna keep my job. And she’s pretty damn funny, too.

Brooklyn 99 – Next to Black*ish, this is one of the best comedies on TV. And all of its characters are funny too. It has multiple Woc, who talk to, and support, each other, good black men, canon gay characters, father figures, and it’s funny without belittleing any of the characters or assuming the audience was dumb. I want to talk about how the show approaches mental illness, tho.

A new character was introduced, who has PTSD, and he’s become a love interest for one of the female cops on the show. I love how this character is depicted. He’s funny but the humor is never at his expense.  He genuinely wants to be good and kind ,and when his behavior is pointed out as questionable, he’s willing to change. He’s never abusive, or uses his trauma as an excuse for it, and genuinely likes his co-workers. It’s sort of implied that he was a weirdo before he was traumatized, so that his quirky personal decisions aren’t necessarily a result of the trauma. He tries to be supportive of his co-workers, even if that support is expressed in some odd ways. You’re not laughing at his mental illness, you’re laughing at the nonplussed reactions of his co-workers, which is a fine line to walk. The other characters think he’s pretty odd, but never make fun of him, and seem to take all  his trauma in stride, treating him as they would any close friend that you don’t understand, but he’s your friend, so you do.

On every level, Brooklyn 99’s writers work really hard to get this shit right, and they manage to be hella funny, too.

So yeah! The year wasn’t all awful. Just mostly awful.

Tumblr Discussions #182

 

*More introvert facts. There’s an entire website devoted to these little blirps.

introvertunites:
“ If you’re an introvert, follow @introvertunites.
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*I’m totally in love with the idea that Finn is Force sensitive, and this person makes some very compelling arguments, for why Finn is a Jedi. 

 

*An analysis of the emotional, and psychological, differences between Finn and Kylo Ren, and their behavior towards Rey:

The parallels between Finn and Kylo Ren are the most direct (and stark) in terms of toxic masculinity. Finn seems to reject this toxicity, whereas Kylo Ren is constantly hung up on performing and proving himself strong enough. They are opposites: especially evidenced by the way they treat Rey – how they define themselves against the chief female presence of the movie.

Like Finn, Kylo Ren is also interested in and impressed by Rey. (And he also first meets her when she attacks him.) But instead of treating Rey like a person, Kylo acts out of aggression, objectification, and self-centeredness. He immediately immobilizes her, Force-faints her, and then carries her, bridal-style, to his ship: old-fashioned, exploitative, and gross. His language towards her is incredibly patronizing: “So this is the girl I’ve heard so much about…” He proceeds to insult her friends and threaten and torture her: violating her mind, using her as a tool but also relishing the show of his own power and the taking of something personal by force. “I can take what I want” is simultaneously a threat, a statement of power/entitlement, and a declaration of how Kylo fundamentally views Rey: an object, something controllable to serve his purposes. When the tables turn and Rey reads him, he is incredibly shaken by the subversion of his own authority and control, and when she escapes, he storms around looking for her in a blind rage, pursuing her with a weapon. Even as she’s beating him in the ensuing lightsaber battle, he has the gall to mansplain her own power to her: “YOU NEED A TEACHER!”

Unlike Kylo Ren, Finn uses Rey’s name throughout the movie. Kylo never calls her anything but “the girl” or “the scavenger,” even when addressing her. While Finn helps others without question, is vulnerable, and demonstrates affection, humor, feelings, and honesty, Kylo Ren is the opposite – all about projecting his own power and lashing out. He takes himself and his image incredibly seriously, valuing himself over others and their goals, treating underlings callously and with violence. Meanwhile, Finn accepts BB-8 as something deserving of his respect and speaks to the droid like a person.

While Finn easily cooperates with those around him, Kylo competes and chokes and throws tantrums, exchanging insults with Hux and belittling him at every opportunity, locked in a power struggle even with his allies. As Finn resists hurting the innocent and then straight-up defects over this, Kylo Ren is the one who orders their murders and then tortures his captives. Where Finn removes, and then ditches, his helmet at the first opportunity, Kylo Ren clings to his completely unnecessary, fabricated mask — a face that is not his own, versus Finn’s sincerity. It’s a powerful metaphor, putting on another face to become something else, to assume power. To disguise one’s true nature. The dark side, like gender, is performative — and the mask, in this case, is literal.

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*How Racism attempts to rewrite history so as to erase the accomplishments and contributions of PoC. According to such people, no person of color was doing anything in History, and they actually seem to  believe all of it was White. This plays out in everything from the shows we watch to the fiction we read. Medieval historians seek to address this issue.

I want to let you in on the dirty little secret of my field, Medieval Studies: The Middle Ages is incredibly attractive to white supremacists. For people whose vision of a backwards-looking, great world is one with white Christian men in positions of power and the rest of us put in our places, the Middle Ages is a fertile ground for fantasy, where it seems very easy, at least superficially, to ignore the integral role of an incredibly diverse population. There are legends like King Arthur, images like the Bayeaux Tapestries, and long histories of Crusading that, on the face of it, make the Middle Ages look very white and like a world very divided neatly into categories of “us” and “them.”
This vision of a very white, very Christian Middle Ages has been a part of political rhetoric for rather a long time: Anti-feminist politicians exploit their idea of medieval chivalry and courtly love to give their ideas a historical grounding. The British Nationalist party uses the story of Excalibur to promote its vision of a racially pure England. The Crusades, in particular, have factored into that: Crusaders became a favorite theme of 19th-century Romantic writers and thinkers, whose refashioning of these tales were crucial to the creating the popular vision of a very white Middle Ages. T.E. Lawrence, the young British army officer who would go on to be known as Lawrence of Arabia and reshape the map of the modern Middle East came to that region as a student at Oxford writing about Crusader castles. Various European fascist movements throughout 20th-century have adopted Crusader rhetoric. More recently and in our own country, George W. Bush called for Crusade in the wake of 9/11. And the most recent presidential election saw a proliferation of images that have long circulated more quietly in the darkest, most racist corners of the internet that rely on medieval and Crusading themes and images to support both individual candidates and wider worldviews.
But it’s not just political rhetoric: Attachment to a white Middle Ages is also an attitude that has absolutely permeated our cultural outlook: Look at something like the TV version of Game of Thrones and you see a kind of fantasy Middle Ages in which the race politics is incredibly uncomplicated, with a lily-white savior and her dragons redeeming the inarticulate, teeming masses of brown barbarians. It’s a rhetoric that politicians can use because it resonates with the population.
But when we look at the actual Middle Ages in all its complexity, the possibility of this fantasy vision evaporates very quickly.

“Both Sons of Spain”: Medieval Jews and Muslims in the Imagined Nation

My department held a round-table and teach-in yesterday in response to post-election Islamophobic and anti-Semitic vandalism on campus. We felt it was important, as scholars in the humanities, to offer a humanistic intellectual response to the changing tenor of campus discourse; we grounded this response within our discipline, with six speakers offering case studies of how different communities have responded to repression within the Spanish-speaking world. (The event was livestreamed and a recording will be available early next week; I’ll post it as and when.) What follows was my intervention. -S.J. Pearce

medievalpoc medieval studies fact and fantasy white supremacists modern politicshistorical context crusades islamophobia antisemitism academia
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*White women being taken to task for practicing White Feminism:
she-kicks-she-throws:

Dear fellow white women: we have a bad habit of self destruction. We have to stop aligning ourselves with white men. We are not ‘one of the guys’ socially or politically. They have and will actively try to ruin our lives. They only care about us when… …it suits them.

And our alliance with them HURTS NON-WHITE women. This is key! Women of color lead the way. They know how to fight. If you don’t care about non-white women, first fuck you. Second you are just hurting yourself. I’m ashamed most white women went for Trump but that’s only our most recent act of violence. White women: get your fucking shit together.

If you’re a white woman uncomfortable with this kind of call-out, check yourself. We don’t require acknowledgment of basic human decency. There’s a reason WOC mistrust us. If you don’t like it, BE BETTER. And they’ve been telling us this for years. But if you won’t listen … … to them, first fuck you, second listen to me, then: WOC mistrust of WW is founded. We need to get sorted.

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I’m always here for  Westworld meta-analysis.

Westworld & Consent

eleonoraditoledo:

I find it so odd that people find guest/host relationships on Westworld even vaguely okay.  At best, if you believe that the hosts aren’t sentient you’re looking at a weird “romancing the blowup doll” situation.  At worst, if you–like me–believe that they are sentient whether or not they’ve actually “woken up”, then you are looking at an enslavement scenario.  If the hosts are human–that is, the next form of humanity as the show has implied–then they are being enslaved.  It’s one thing to be intrigued by say the guest-host dynamics, but to act like a host having sex with a guest is just adorable and romantic is very bizarre to me?

Keep reading

the only thing im a little bit upset about

thatjokerjerome:

is that i feel swindled out of an explanation for why william was the way he was, and why he turned to the dark side so quickly. clearly he had something really disturbed inside of him in order for that change to happen, but we got no real lead-up to it. he went from white hat to black hat literally overnight, and his long-winded voice-over at the end of the episode interspersed with a montage of him being a general evil-doer seemed cheap to me, especially within the context of a show that is supposedly so big on “show don’t tell”. i want to know more about the person he was outside of the park. i want to see how he treated logan’s sister and what happened to him through all the years inbetween. i didn’t “buy” that he just snapped overnight because of one instance where he saw dolores’s insides and realized she wasn’t human. that seemed lazy as fuck to me. it seemed like they were in a super big rush to do this reveal where as it would have been better and more believable to stretch it over another season so we could have seen a bigger and more realistic spiral into darkness for william.

He was already dark. He didn’t turn to  the dark-side. All that shit people romanticized with him and Dolores was actually presented in Westworld as gross as it was from the beginning and I LOVE this show for that. Because all too often impressionable young women romanticize dudes seeing a woman’s love as someone redeeming them. Making them better.

When in reality it’s two already complete people, who cooperate and love.  William wanted Dolores to be something she was not and CONTINUED see her as that even after she insisted she wasn’t.  Dolores is her own person.

William wanted her to be that key for him.

In other words, from the beginning Will was terrible for Dolores.

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*I thoroughly enjoyed this one, which is a complete rundown of the types of toxic masculinity, embodied by the male characters, in the show.

Westworld is a Stunning Indictment of White Male Entitlement…Or One Big Reason Why I’m Invested In This Show, ESPECIALLY During These Crazy-Ass Days  (SPOILER AND TRIGGER-WARNING)

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*And to finish it up:

10 Signs You’re an Introvert

1. You find small talk incredibly cumbersome.

Introverts are notoriously small talk-phobic, as they find idle chatter to be a source of anxiety, or at least annoyance. For many quiet types, chitchat can feel disingenuous.

“Let’s clear one thing up: Introverts do not hate small talk because we dislike people,” Laurie Helgoe writes in “Introvert Power: Why Your Inner Life Is Your Hidden Strength.” “We hate small talk because we hate the barrier it creates between people.”

10 Myths About Introverts

introvertunites:

Myth #1 – Introverts don’t like to talk.
This is not true. Introverts just don’t talk unless they have something to say. They hate small talk. Get an introvert talking about something they are interested in, and they won’t shut up for days.

Myth #2 – Introverts are shy.
Shyness has nothing to do with being an Introvert. Introverts are not necessarily afraid of people. What they need is a reason to interact. They don’t interact for the sake of interacting. If you want to talk to an Introvert, just start talking. Don’t worry about being polite.

Myth #3 – Introverts are rude.

Click on the links to get the full stories and visit the websites.

Westworld Thinky- Thoughts

Robert Ford:

So, I’ve been rewatching Westworld from the beginning, and  paying  closer attention to the dialogue and plot, in preparation for the finale.

Shoutout to Anthony Hopkins for delivering a knockout performance of a man suffering from a serious God complex. I just realized the reason Ford is always so far ahead of everyone in the plot is because he uses the Hosts, some of which are planted among the employees of Delos Corporation, (I’m pretty sure Bernard isn’t the only one) to spy on those same employees.

The reason he knew where the MIB was going to be (so that he could meet with him) is because he sent that little boy Host to ask if he needed assistance. And he knew about Charlotte’s plans because Hector was present during Charlotte’s meeting with Theresa. Since Ford has such total and complete control over the Hosts, he knows everything the Hosts see and hear, even when people think the Hosts don’t appear to be paying attention.

Which probably means he knows all about Maeve, and her activities, and has allowed her to continue doing what she’s doing because it serves his purposes, whatever those might be. Lets go back to that meeting, between Ford and Charlotte, to identify Theresa’s body. In one swoop, he completely undoes all  Charlotte’s plans, and all she could do was stand there and take it. Note that he also proposed, during that meeting, that security  at the company be automated, to guard against what happened to Theresa.  Which means that whatever Maeve is about to do will be aided by having little security, during her endeavors. Everything we’ve seen happening at Westworld among the Hosts, from the stockpiling of the Hosts in cold storage, to Teddy’s new Wyatt narrative, which sends Teddy on his own journey to self-awareness, to Maeve’s upgrades, has  all been orchestrated by Ford.

Remember, it was Ford who planted the new Wyatt narrative in Teddy, and that the Hosts in cold storage are decommissioned. They aren’t exactly off, just offline for the moment. He can turn them back on with a word. When Felix and Sylvester were upgrading Maeve, Sylvester noted that someone, with higher clearance than them, had already been tampering with Maeve’s protocols. Ford doesn’t seem at all worried that she’ll actually be able to escape Westworld, and I wonder why that is. But I find it difficult to believe that he wouldn’t nt have found out about Maeve’s little tour of the facilities, and allowed it to happen, considering how much else he knows.

When Elsie starts asking too many questions of Bernard he has Bernard, take her out of commission. When Stubbs gets a little too curious about Bernard, he gets kidnapped by Ghost Nation Natives. So now the head of security is in absentia, security is now mostly automated, and anyone who would’ve been asking legitimate questions, or getting in the way, (Theresa, Elsie, Bernard, Stubbs) is now gone.

Which gives me a huge feeling of dread about Ford’s new narrative, and what that might mean for the Delos Board, who he has invited to  come  check it out. Charlotte and the MIB are already present in the Park. In all likelihood, Ford already knows about how Charlotte has suborned Lee’s loyalty, and her plans to use Peter Abernathy, to smuggle tech out of the Park.

Incidentally, the names Robert and Bernard are both of Germanic origin. Robert means famous, or shining, entirely in keeping with his narcissistic nature. Bernard means hearty, and brave, like a bear. Bern is the old German word for Bear. Jeffrey Wright does look somewhat bear-ish, and we can see Bernard’s ability to go from Teddy bear, to berserker in a hot instant.

Arnold on the other hand means Eagle Power. One who has the power of an eagle, which could be a reference to Arnold’s hovering everywhere, and influencing everything in the plot, and yet being nowhere at all, since he’s dead. Bernard Lowe, which is an anagram of Arnold Weber, is a clone of Arnold, and is also the Head of Westworld’s Programming Division, which oversees the coding and programming of all of Westworld’s Hosts.

The Man in Black/William:

I’m convinced now more than ever that William is the MIB, mostly based on all the things the MIB has said, rather than anything William has done. We’ll see if the show gives us this last theory during the finale. I have it on good authority that Ed Harris will be returning for a second season, so we’ll know, when we know.

Note that the Man in Black has no name, but William means resolute protector, which we’ve seen William try to be for Dolores, trying, but failing, to  protect her from Logan. How someone who is Dolores’ resolute protector, later turns out to be her worst nightmare, is anybody’s guess.

In case anybody cares, Logan’s name is completely appropriate for him, derived from the Gaelic word lagan, which means “hollow”, which perfectly describes this shallow, over-privileged character, who can’t seem to think beyond his base appetites.

Charlotte is the feminized name of Charles, or Charlie, which is also the name of Bernard’s (or rather Arnold’s) dead son.

Maeve/The Bird:

I was struck by the image of the sparrow perching on Maeve’s finger,when she first wakes up in the lab, and one of my online friends thought that there might have been some significance to that image. The only thing I could think of was that in mythology, such birds are often considered psychpomps:

(in Greek mythology) a guide of souls to the place of the dead.
the spiritual guide of a living person’s soul. 

Felix had just revived this bird, so the bird was dead, and presumably, in the afterlife, and when it returned and landed on Maeve’s finger, one could argue that it brought back a soul.
Also, Maeve is a name rooted in the Gaelic language, which means “one who intoxicates”, after the Fairy Queen known as Medb (or Mabh, in English), and yes, she does seem to be enchanting to Felix, and now  has the superpower to make other Hosts do her bidding. Her last name is the name of a poet, Edna St. Vincent Millay, who wrote the poem First Fig  and was controversial, in early American society, by being openly bi-sexual.

‘First Fig’

My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends–
It gives a lovely light.

Maeve reached “awareness” extremely fast, rather than the more roundabout manner which we saw for Dorothy, and like Roy Batty from Bladerunner would say: “The light that burns twice as fast, burns half as long.” Its possible that either Maeve, or her rebellion, will burn out, before she is successful.

 

Angela and Theodore:

In Angela, I have been neglecting another fully realized Host. The MIB says he remembers her, and we remember her, as the first Host William  met, when he came to Westworld. This is the same Host who wouldn’t answer his question about whether or not she was real. She is also fully conscious, and her remarks to Teddy, about how Wyatt wasn’t there yet, and bringing Teddy back into the fold, along with Teddy’s  vision of a massacre he participated in, make me want to believe that Teddy is actually Wyatt. I don’t know that he is, but sometimes all the character’s choice of words, and turns of phrase, are very interesting.

Teddy’s visions aren’t nearly as reliable as we think. When all this started, he kept seeing Wyatt killing the town of  Escalante: (Escalante is a Spanish last name  meaning climber, or one who climbs. The Dictionary of American Family Names traces its origin to the Latin word scala referring to a terraced slope, or ladder. ) I’m sure there’s some deeper meaning in naming the town, where the Hosts first pass the Turing Test, Escalante.

Teddy’s vision of that massacre later changed to him helping Wyatt, and still later, it changed to just Teddy doing it, with Wyatt’s help. At any rate, Angela has all the answers. She’s also the only Host we’ve ever seen working outside the Park, and she didn’t show up in the Park until after Ford’s talk with the MIB, which makes me think she could’ve been planted in that place by Ford, to impart specific information about Wyatt, and the location of the town of Escalante, to the MIB.

Note that Angela’s name means “Messenger of the Gods”, which is entirely appropriate, if Ford sent her to them. She absolutely insists on calling Teddy “Theodore”, which almost no one else does.  Its telling that Theodore means “God -given”, coupled with the name Flood, an unusual last name, which means an outpouring, surge, or torrent of emotion.

 

The Blerdy Report

Black+Nerdy=Blerdy!!! Black Nerds Unite

Dave Chrisp Comedy

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