Whoa! I’m very behind this week, but it’s okay, I’m not panicking, as I’ve gotten a lot of other things done like charity work, and sometimes, sleep. I also have some holiday time to look forward to. I sometimes have to remind myself that my reviews won’t be obsolete just because I waited a week. Here’s a list of shows I’m actually paying attention to, some that I’m sort of paying attention to, and some that I’m not. At least one of these shows I’m actively in hate of (and I bet you can guess which one.)
American Horror Story : Chapter 8
In last week’s episode, the killing continued with the deaths of Shelby and Dominic. It turns out that Lee is still alive and in the clutches of the Polks. It’s no accident that Lee and the Polks are the main story this evening, and no accident that we’re seeing a middle class Black woman being consumed by these very working class (or below) White villains. There’s a message in there I’ll have to parse at a later date. Anyway, Lee manages to get free by seducing and manipulating one of the younger Polks, who has become attracted to her. Humanizing herself to the him was a good tactic, getting him to see her as a human being, rather than just meat, and this helped her to escape.
But before that, as he was filming her, she confessed in a video she wanted sent to her daughter, that she killed her husband Mason, because he threatened to take sole custody of their daughter. I was more than a little shocked at this revelation, as she swore up and down she didn’t do it, and that was part of her reason for coming back to the Haunted house, and being on the show. She kept filming because she wanted to control her own story, and I believed her. See what I mean about my complete inability to speculate about a show’s plot.
In the meantime, Audrey and Monet are being tortured by the other Polks, but Monet manages to free herself. She runs off, leaving Audrey behind, but Audrey is saved by Lee, who kills Mama Polk during the event. Back at the house, Shelby and Dominic are in a panic, after watching Agnes be killed by the Butcher, and they try escaping through the tunnels under the house, but get chased back through the house by all the entities that have come out during the Blood Moon. The Japanese ghosts, the Pig- headed Man, and the nurses stalk them through the house, and a chandelier falls on Shelby’s leg.
Later, distraught at the fact that she killed her husband, Shelby, in a fit of grief, slits her throat, while Dominic watches helplessly. When Audrey and Lee return to the house, Lee is horrified to discover Matt’s body in the basement, and Audrey is equally horrified to find Shelby’s body. Naturally, she makes it all about herself. Neither of them believe Dominic’s story of what happened, thinking that he killed everyone. They exile him to the non-existent mercy of the Ghosts, and the Pig Man kills him while he screams outside the door. I was kind of rooting for Shelby. I thought for sure she’d be a survivor. If not her then Lee. But since Monet is in the wind, it might turn out to be her, instead.
Audrey and Lee decide it’s time to go. They attempt to leave, but encounter a “fake” Pig Man at the front door. One of Sydneys assistants,who has no idea that nearly everyone is dead. Now, they have to try to convince any of the crew left alive that all of these deaths happened, and that it’s too dangerous to stay.
We’ve got about two more episodes left, so we know that the ending is going to be a bit drawn out. We won’t find out who lived, or if anyone lived, until the final episode, so I suppose we have more running and screaming to look forward to.
I’m still sort of watching this. I like the queer representation going on in the show. At least that’s different, as a lot of very popular shows don’t have any. I do wish there were more WoC on the show, though. (Why won’t Hollywood hire Latinas and Asians? Really it’s becoming extremely obvious that they’re being really weird about it?) The action is pretty good. The actress playing Supergirl starts to grow on you after a bit. I dont think I’m ever gonna really like her but she’s less annoying to me than before.
The surprising break out character for me was Cat. I really thought I’d hate this character, and yes, she is an asshole, but I like how she stans for Kara, gives her good advice, and tolerates none of her flibberty nonsense, which is exactly the kind of female in Kara’s life that she needs. Cat’s tough on her because she cares and knows she can do better, not just because she’s a mean ol’ witch, who likes yelling at people. I think her new male boss at the newspapaer is kinda the same way. He is a pusher, who doesn’t coddle her, but will back her up when needed.
This week Kara got her first real news story published and I was really happy for her. I caught myself smiling at my TV. I see why people like this show, as it has lots of positive moments,and sometimes some afterschool special life lessons, which are eyeballrolling for me, but good for people in general, I guess. I’m never against positive things just because they’re positive.
The show needs to work on its plotlines though, because every genre show, that has ever existed, has done a fight club episode, but I like how Kara makes a friendly overture to her cultural enemy at the end of the episode. It’s a nice message about being a mature, and tolerant person.
I’m really starting to like this show, now. I know why I ignored it for so long. I didn’t have time to watch it. Now, I just record it, and watch it later, because I’m not reviewing it. I see why people like it. The villains are interesting, it’s got good action scenes, and special effects, but most importantly, the relationships between the characters are compelling and most of them are positive. I like that the characters actually talk to one another to solve their problems, rather than acting cold, snarky,and snappish to indicate their displeasure.Its easy to tell who the villains are, until you find out, through some mature insight and tolerance, that maybe they’re not the villain, which is kinda cool. In other words, people act like grown folks, most of the time. This is much the same formula as Supergirl. I see what DC is trying to do here, trying o make all their shows seem like they happen in the same universe, by giving them the same flavor and formulas.
This week Caitlin Snow was going through some angsty shit with her mom because she has developed superpowers. Apparently, this is something that’s going around, like a virus. I kinda got into it a bit because I kept yelling at the two of them for being such asshats to each other, after Caitlin’s father died. They both handled their grief badly, and then blamed each other for it. Barry raced around trying to find a holographic monster, but the emphasis was mostly on his relationship with his irritating co-worker, who doesn’t like him. Barry is one of those people who really needs to be liked, and that’s an interesting character trait for a superhero to have, as he spends a lot of time brokering peace between squabbling individuals.
I love Iris, Joe, and Wally, and I’m glad Iris isn’t just some lone Black woman, floating in a sea of Whiteness, although I do wish there was more of a community of Black people on the show, sort of like how Agents of Shield centers Robbie Reyes’ life around his community. He hangs with, and knows, people in his neighborhood, you see him and his brother out and about, and people know the two them. It’s not that I want The Flash to be all Black people, all the time, but one of the problems we run into when White people write PoC, is that the PoC never seem to come from a community of people similar to them. They don’t have extended families, or other Black people that know them. All it takes is a throwaway line here and there, or a few phone calls back home, to indicate they live in a wider world, of aunts, uncles, cousins, etc.
Then I remember that the vast majority of white people don’t ever see us in our communities. Their personal encounters with us usually involve one or two Black people, who are just sort of floating through their life, without family or friends attached, so White people tend to reproduce that exact same narrative when they write PoC, especially Latinos, and Asians. (Y’all know there no such thing as a lone Latinx. You know they got fam.)
I’m still not sure how to feel about it when Joe calls Iris and Barry his kids, and I’m reminded that Iris and Barry grew up in the same house. That feels a little weird to me, although since the two of them are completely unrelated, I can find no objection, other than me feeling odd about it.
Agents of Shield:
I’m totally geeking out over the Ghost Rider storyline. I’ve only just started watching the show this season after a disastrous first. I see why people love Daisy, as I’m starting to really like her. When the show started, the only character I could regularly stand was May. Melinda May has always been my best girl and and I hope Robbie becomes a more permanent member of Shield, even though Melinda would like to kick his ass. I love his relationship with his brother (family is important to me, too) and I was on the edge of my seat when he revealed what he was to Gabriel, this week. I was completely whiteknuckling that scene.
I love how television presents more nuanced versions of teenagers, probably because the writers are younger. Movies usually settle for the cliched, sullen, whining, and utterly selfish, teen. I’ve never met any teenagers like that. All the ones I’ve met, as an adult, have been fascinating, with interesting things to say, once you get them talking. I think that cliche says more about how the writers think about teenagers, than how teenagers actually are, and I love the way Gabriel is written, on the show, as he reminds me of teenagers I’ve actually met. He obviously loves his brother, and is generally positive around Robbie, probably as a way of anchoring him, and alleviating Robbie’s guilt, over what happened to them. See? That’s how you write a teenager.
I could do without the persecuted mutants, X-Men/Inhumans style storyline, though. I’m really tired of racial allegories, at this point, so I haven’t been paying a lick of attention to that part of the plot. I’ve been mostly enjoying the special effects, the characters relationships, and just not thinking too deeply about the plot line.
What?! I’m waay too old and tired to get heavily worked up about the plot of every single show I’m watching.
I stopped watching this. I tried picking it back up, and watching it again, but my mind just wasn’t into it. I don’t think I’m in the right mindset for the kind of ominous, slow burner, type of show like this. I just end up falling asleep on them.
From Dusk Til Dawn:
This show has really gotten back to the basics this season. It’s been a lot of fun, with a plot just heavy enough to be interesting, and compelling, without being too intricate and boring. I love it that the Gecko brothers are fighting side by side this season, so we’re getting a lot of brotherly lovehate, hatelove. And yeah, they literally are fighting side by side, as the action scenes are the best part of this season. I don’t care for the villain too much. But at least she found a goal this week, of putting her real body back together, so that she can open he gates of Hell, or something. At the beginning of the season, she seemed kind of purposeless. Its cliched, but I love this Gecko Brothers save the world stuff.
The show seems to have found its groove, with just the right mix of zaniness, and seriousness. The addition of Tom Savini, as a demon hunter from Xibalba, seems to have added just the right element of crazy to the storyline. I’ll be sure to give you guys the lowdown on whether or not this season’s finale is any good. It’s coming up soon.
I know there’s a contingent of twenty somethings on Tumblr, that seemingly hate all of Pop Culture, and I don’t wanna be that person. Even if they don’t hate it, they seemingly find little to like about it, and I’m just not like that. I try to be positive on here, and mostly lightweight, and informative. I also grew up having no choice but to try to mine what goodness I could out of Pop Culture, and to appreciate that it was being made at all.
I suppose its a good thing that we have so much television geekery to choose from, that we can afford to be picky and contentious, to make demands that suit us. Since I was a geekgirl before the internet, and there was precious little to choose from, I’m just not where they are mentally, so it can be hard for me to relate to their many, many, many, concerns. But am I really that different from them?
I think that if this show had been on the air twenty, or thirty years ago, I would think it was the absolute shit. But I guess I can afford to talk smack about this show, because there’s so much else to choose from and the stuff I can choose to watch is so much better than this, that I can get snarky about it. Also I just like making fun of the show. It hones my snark skills.
Now I have heard that season four is this show’s last season, and that the shortening of the season to only ten episodes has tightened its plot, somewhat. So that’s not an issue. My issue is character motivations that are really just plot points and don’t seem to derive from actual characterization. People simply do what it’s convenient in the plot for them to do, and I do like some character consistency, even when I have to do the headcanons myself. Also the acting on this show is really dodgy. It’s gotten to the point where I just hate Zack whenever I see him. He is, arguably, a worse actor than that little boy from the Phatom Menace, and that’s saying something.
Normally, I’d just ignore shows like this, but I had a lot of hopes for it, and I’ve been very disappointed. The show just aired the last episode of its third season, and every moment I watched it, I found some new fuckery to be pissed off about, including its final moments. On the other hand, I don’t need to be raising my blood pressure over a TV show. If it is the last season, next year, I’m going to have to give considerable thought to watching, or ignoring it, based on whatever else is airing at that time. We’ll see.
Legends of Tomorrow:
I’ve come across people who inexplcaby hate this show. I don’t find that the show is weighty enough to spend that level of energy on. This is really the lightest of lightweight shows, that’s not trying to be anything more than what it claims to be, which is fun entertainment, with occasional positive messages. The substance of this show is as ephemeral, and calorie-free, as cotton candy, and I love it just for that reason. It’s got pretty people, kicking ass, and cracking jokes. I can sit and enjoy the characters interacting with each other, the plot’s not deep enough to give me angst, and they just added another of my favorite characters to the crew, Vixen. She is awesome! I love how they show her superpowers, too.
Last week’s episode was some lightweight fluff about some of the crew getting trapped in Feudal Japan. The plot was silly and didn’t make one ounce of sense, but I enjoyed it anyway, because apparently, I’ll watch damn near anything, if it’s set in Feudal Japan.
This week was a little heavier with Jackson and Maya visiting the Civil War era. Jackson makes the point to the Professor that there’s no moment in American history where he would’ve fit in, when he suggests that Jackson stay on the ship, to avoid the trauma. At one point Jackson and Maya have to stand and watch a slave woman be whipped, and are utterly helpless to stop it, or they would jeopardize all of history, and they have to sneak onto a plantation disguised as slaves, and Jackson gets beaten by a bully. I think the show handled this as sensitively as it possibly could considering it’s on the CW. I suppose the writers could’ve chickened out and avoided this era entirely as they have all of history to choose from , but it’s okay. The show doesn’t usually get this heavy.
Here’s another show with yet another male/male friendship that I adore. I love how the writers have built on the relationship between Martin and Jackson, the two characters who make up the superhero Firestorm. Martin genuinely cares about Jackson’s feelings, and Jackson seems to be learning some valuable life skills from the old gentleman. These two guys couldn’t be anymore different in lifestyle and outlook, and I like how the writers took an intitially antagonistic relationship, in that first season, (Jackson resented having to share a Firestorm with Martin), and transformed it into an actual, caring, friendship between the two. I’ve been a Firestorm fan since I was a kid and I’m glad the show has decided to go with the black version of this character, as I remember reading those books.
There were also Confederate zombies, so…make of that what you will. There are very few eras of history that cannot be made more interesting with the addition of Romero style zombies.
Plus, Vixen was on the show! She’s also going to be on the show this Thursday and…get this! probably the following Thursday, too! Whoop whoop!
Yeah, I just stopped watching this. I’m not too good with shows about possession, I guess. The shows either get too heavy, too religious, or I get bored with all the ponderous omens, and actors whispering in dark corners. I stopped watching Outcast on Cinemax for the same reason. I think its because these types of shows are trying too hard to be scary, or trying too hard to be the second coming of The Omen from 1972. In this case this show is trying really hard to recreate that ominous feeling of the original movie, and as I’ve stated before, I’d rather just watch the original movie.