American Gods

As y’all should be well aware, tomorrow night is the premiere episode of Neil Gaiman’s American Gods. TV ads have been hyping the Hell out of this, so I predict that this is going to be cable’s next big hit, and my newest obsession, following close on the heels of Westworld.

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Peter Stormare as Czernobog

 

There are a whole bunch of reason why I know I’m going to love this show. I’m a fan of Neil Gaiman, and have read most, if not all, of his books. I’m also a Bryan Fuller fan. A better marriage between director and writer I couldn’t even make up. The lead character is a Black man named, of all things, Shadow Moon. How cool a name is that? And it features a truly astonishing cast: Ian Mcshane who I fell in love with in Deadwood, is the embodiment of Mr. Wednesday; Orlando Jones as Mr. Nancy is absolutely perfect; Crispin Glover is Mr. World (AKA Loki); Gillian Anderson is Media,; and Fuller didn’t forget the sisters, either , as he cast the actress  Yetide Badaki as Bilquist, a fertility goddess.

 

 

I still haven’t finished the book but that’s okay. I’m 3/4 of the way  through the book and will be finished before the second episode airs. For those of you not into the book experience, who haven’t read it, there’s always the audiobook option, or if you’re really pressed for a primer, Wikipedia gives a complete rundown of the book’s plot, which I can attest is accurate.

In anticipation of the premiere, here! Have some links:

Why You Should Read the American Gods Novel Before Watching the TV Show


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Ian McShane as Mr. Wednesday (Odin)

American Gods may have finally nailed the modern-fantasy formula on TV

Come for Ian McShane; stay for a faithful, 16-years-later retelling of Gaiman’s classic.


‘I Thought I Understood America’: Talking With Neil Gaiman About ‘American Gods’

As Starz launches its adaptation of the sprawling Gaiman novel, the show’s creators address its new and unexpected meanings in the Trump era.

By David M. Perry

https://psmag.com/i-thought-i-understood-america-talking-with-neil-gaiman-about-american-gods-5f892dab8711


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Crispin Glover as Mr. World (Loki)

American Gods Is a Gorgeous Mess

The new Starz show, adapted from the 2001 book by Neil Gaiman, is extravagantly ambitious and frequently absurd.

https://www.theatlantic.com/entertainment/archive/2017/04/american-gods-starz-neil-gaiman-bryan-fuller/524742/


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Ricky Whittle (Shadow Moon)

American Gods Star Ricky Whittle on Becoming a Neil Gaiman Fan and on the Non-Book Season Finale


American Gods: Exclusive First Look at Mr. Nancy as Orlando Jones Talks Anansi BoysSpin-Off

Inside the mind of the African trickster god.

http://www.vanityfair.com/hollywood/2017/03/american-gods-mr-nancy-anansi-orlando-jones-anansi-boys-spin-off

 


Image result for american gods photosTV Review: ‘American Gods’ on Starz

TV Review: ‘American Gods’ on Starz


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Yetide Badaki as Bilquist

Neil Gaiman’s obsession with identifying the metaphor, in one Americans Gods passage

http://www.vox.com/culture/2017/4/27/15436034/neil-gaiman-american-gods-metaphor


We’ve Seen Your New Favorite Show, and It’s American Gods

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Gillian Anderson as Media

The Gospel According to Neil Gaiman

The beloved author’s American Gods — now a TV show — is more politically relevant than ever. And that scares him.

By

 

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Coming Soon!

Cloak and Dagger

I have been a long time Cloak and Dagger fan, from the comic books, and I have to admit I was more than a little dubious about them making a show about this. Cloak and Dagger is a comic book, that came out in the eighties, about a pair of teenagers who, through some drug experimentation by criminals, developed superpowers.

In the comic books, Cloak had the ability to eat people’s life energy by enveloping them in a semi-sentient cloak, and Dagger had the ability to produce light from her hands and throw it like knives. There were more than a few stereotypes involving the light and purity of Dagger, with various people coveting her, and wanting to save her from that evil and frightening black  guy she hung around with.

I’m still side-eyeing this show a little bit, because there’s so much potential to fuck it up, and the Freeform channel doesn’t really have a track record on racial issues. But I’m happy to see the trailer anyway, and I’m glad they’ve decided to go for a more wholesome looking approach to the characters, and their relationship looks really sweet, because I always felt the two characters were  too heavily sexualized.

Well, they seem to be handling the backstory a bit differently than in the comic books, updating it to the current age, and its social issues. At the time it was released, the crack epistemic was tearing through black neighborhoods, and everyone was really up in arms about that particular issue. When Cloak and Dagger got their powers, their first priority was saving kids from drug culture.

This show won’t air until 2018 on the Freeform Network.

 

 

American Gods

I am almost finished with reading the book, just in time to catch the premiere, airing this weekend. Yes, I plan to review it because I want to compare the book to the show, although the adaption looks pretty faithful to the source, as far as the various characters. This was created for TV by Bryan Fuller, the creator of the Hannibal series, and I loved what he did on that show, so much, that I’ll follow him anywhere. American Gods airs on the Starz Network, so if you don’t have cable, I think they have some kind of app.

 

Preacher

This show has been renewed for a second season on AMC. If you haven’t seen the first season,  it might help a bit to watch that, so you can have some background as to why a preacher, a black woman, and a vampire, are on a road trip. Jessie, Tulip, and Cassidy, are looking for God because they have some pressing questions for him, after Jessie received  superpowers from possession by a celestial being.

I only got a chance to review the first episode of the show, but I did watch and love the entire season. It was pretty wild. I have a hard time choosing a favorite character, but I’m leaning towards Tulip, and not just because its Ruth Negga. I would’ve probably liked Tulip no matter who the actress was because she’s like a female version of Coyote.

Anyway the second season is airing on June 19th. So, I have something good to watch in midsummer, besides re-runs.

 

Gotham

Tonight is the mid-season premiere of, of all things, Gotham, a show I stopped watching some time ago, despite the presence of Jada Pinkett-Smith. I thought the acting was just too uneven, and had a hard time getting into the characters.

Well its back!

 

Genius

I am a  science stan, so I will be watching Genius ,which is a bio of Albert Einstein, who is one of my favorite scientists. Genius airs this Tuesday, on  the National Geographic Network.

 

The Handmaids Tale

This show airs on Hulu. I remember trying to read the book when I was a teenage but was so disgusted with the worldbuilding that I had to put the book down. Its not a bad book, but I’m never going to be in the frame of mind to read it. It also has some deeply disturbing racial implications that, because some people don’t realize intersectionality is a thing, aren’t going to be writing about in all their little thinkpieces on the subject:

 

Still Star Crossed 

This show finally gets a release date of May 29th. I love Hsakespeare, and this looks like an entirely appropriate, racebent, version of Romeo and Juliet, which I’m really looking forward to. It appears to be set after theevents of the original story, so the characters are not actually Romeo and Juliet, though.

 

 

Sense8 Season Two

I watched the first season of this and rather enjoyed it. I’m not sure if I reviewed it, but I definitely liked the diversity and representation. The first season ended with the group having to save one of its members for government experimentation, and this season looks like a typical “chased by the government” type of plot, but the show is so gorgeous, and I like the premise and ideas of the show, and I liked the characters, so I’ll binge this one, when I get the chance.  This airs on Netflix May 5th.

 

 

Dear White People

Dear White People will be airing on Netflix this Weekend. I didn’t watch the movie but then I often avoid movies dealing with racial issues. Get Out is the first movie I’ve seen, in a long time, that had anything to do with race in the plot. I feel some kind of way about that, but really, its just not my go to subject matter. As a Black woman I deal enough with issues of media and race, I’m not going to watch movies about it too, that’s just too much for me. I’ll be skipping this one, but you guys might want to check it ou,t if you really liked the movie.

 

Also coming this Summer:

The midseason return of Lucifer. I dont watch this because I find hte lead actor deeply annoying, but I have it on good authority that some interesting new characters have been introduced.

The Victorian Slum airs on PBS next week, combining my favorite topics , Victorianism, and documentaries.

In June there’s Shadowhunters Season Two, Dark Matter, Wynonna EarpFear the Walking Dead, and Orphan Black.

The bottom line is, there will plenty for everyone to watch this summer, instead of re-runs of shows that are on hiatus.

I’m Watching TV (Well, Duh!)

Well yeah, it’s one of my skillz, so y’all betta re-con-ize!

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That’s Right!!!

 

Actually, there’s no need to “reconize”,  as I haven’t had as much time to practice this particular set of skills, because…life! I’m just one of me Mum’s primary caregivers, so between her many dialysis adjacent appointments, taking her shopping,  and a full time job, I’m usually catching up on my sleep. I’ve begun a new tradition now, of writing these things when I can, and then queuing them for later, which kind of leaves spontaneous TV  reviews by the wayside. I don’t get to actually watch the shows in a timely manner, and dammit, these networks keep making fascinating new shit, that I don’t have time to look at.

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UGH!

 

Well, here’s what I have been looking at, so far. Some of these don’t get a full review because nothing greatly, bigly, hyuuuugely, is happening on them, and some I’ve yet to watch. Some I’ve made plans to watch later, if I remember that I told you that.

Doctor Who Season Ten

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I’ve mentioned before that I’m not a big Whovian, as Dr. Who fans are called.  I know enough to find my way around a few favorite episodes and have some favorite Doctors. For example, I love the Weeping Angels, and will watch any episode they’re in, but I think the Daleks are kinda ridiculous, and I usually won’t watch those episodes. I can’t stand Matt Smith, not because he’s not a good Doctor but because the man has a head shaped like a lightbulb, and that shit is distracting. I love David Tennant, (who always looks like he just sniffed a lemon),  and Peter Capaldi, (who kinda looks like that uncle, who has had enough of your shit), and of course, Martha is my favorite companion. (Not that the other companions are less worthy. I like Clara  too.)

I’m also really liking Bill Potts as Peter Capaldi’s new companion, and it’s not just because she’s Black, and gay, (although that is a factor). Its because she’s really good with Capaldi. She sets him off well, and Pearl Mackie is, quite simply, adorkably cute. She also has real acting abilities, and that’s always to the good. I like that the show doesn’t tease us with the idea of her being gay. Its made very clear that she is, and there’s no guessing about it.

This episode’s plot centered around Bill falling in love with a young lady, named Heather, who promises never to leave her. The girl is subsequently consumed by an alien puddle of water, and starts to pursue Bill, because it has absorbed Heather’s feelings for her. Capaldi’s doctor gets involved when Bill goes to him for help, after she realizes he knows weird things. I really loved this episode, and Pearl acquitted herself very well. It was a  beautiful and heartbreaking story, as well. The scene where Bill discovers the Tardis is wonderfully shot, evoking all of the wonder you would expect to feel, if you were in that situation. It was just a really well-done episode, even bringing tears to my eyes at the end.

I also have to point out that Capaldi is one of the more sympathetic doctors. I like his acting style, and the gravity he brings to his position. He also manages to capture a great deal of the sadness that comes with being an immortal being.

I’m all set to continue watching the rest of the season.

Class

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I don’t actually know a whole lot about this show. I know it’s an offshoot of season nine’s Dr. Who, and is set at the school where the Doctor’s former companion, Rose or Clara (I’m not sure on that one), used to teach. From the trailers and snippets, it looks pretty diverse, with plenty of PoC, and various sexualities represented. I haven’t had a chance to determine how good the acting is, but I will be recording the episodes in the hopes of actually looking at the episodes, at some point in the future, and I’ll let you know what I think. It looks interesting, although since it involves a lot of teenagers, I’m not greatly enthusiastic.

 

The Vet Life

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I do like Animal Planet, but I wasn’t happy about the introduction of various reality shows to the lineup, and I’d stopped watching that channel for a while. There’s only so many shows a person can watch about different types of veterinarians.

Well leave it to the Animal Planet to actually make a show about Black veterinarians, and actually  get me to look at it. I really like this show, not because of the plots or drama, but because representation in all areas, matters. It’s not enough to show Black people being heroes in movies, playing sports, or singing. We need to be shown doing just regular shit, like doctoring, teaching, and lawyering. So I’m all for these kinds of shows that just have us being regular, silly, happy, grumpy, or whatever. Not all of us live our lives around protesting, BLM, or activism. We do all the same shit all people do, everyday, and its time television reflected that too. Yeah, we need heroes, but things like ghostbusting, healing sick animals, and cookouts also help cement the idea that PoC are just regular folks, with jobs we love, kids getting on our nerves, parents gloating about that, and plenty of bills.

All that said, I actually like the show. The show is set in Texas, and the guys Diarra, Aubrey ,and Michael, are laid back and funny. It’s really about all I can mentally handle at the end of a long day, really. There’s not too much drama, we get to meet the vet’s families, who are really cute, and supportive, and I get to watch various  animals visit the vet.

 

Captain Fantastic

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Since I have a subscription to Amazon Prime, I got to watch this movie for free. I was intrigued because Viggo Mortensen is in this, and I thought the premise sounded interesting. After his wife commits suicide, a man and his brood of five or six kids, have a clash with the parents she left behind, to go live a survivalist lifestyle with him, in the California woods.

It was interesting. Not great, or compelling. I did watch all of it because I found their lifestyle fascinating, and the movie had its funny moments. The kids turned in some great performances and it has a semi-happy ending.

What impacted me was how he raised his kids, and how that clashed with the lifestyles of regular folks, really pointing out how modern kids are kind of coddled, and not very self sufficient. The kids know how to hunt, fish, make their own clothes, everything really. Not only that, but I was supportive of the idea of him being informatively blunt with his kids. This is a man who simply doesn’t believe in lying to his kids, or pulling his punches, regarding the truth.

He’s also turned them into political radicals who are critical thinkers about politics, even at the age of six, which I thought was pretty impressive. And they don’t just parrot what he wants them to think. They have grown up, reading , debating and arguing their ideas with him, so they know what they’re talking about when they voice an opinion, which is a refreshing change from most people, who know nothing at all about a subject,  thinking that the way they FEEL about it is sufficient. I guess you can tell I’m a fan of of the critical thought process.

When their mother dies , he flat out tells them she committed suicide, without sugar coating it. He’s not mean or angry about it. Its just information, and he lets them react however they want to react, without chastising them. For example, his youngest son gets angry, and approaches him threateningly with a knife. He doesn’t react to this. He just lets the boy work it out for himself. He’s right  there if he needs him.

The oldest son is college aged and decides that he needs to know more about how people relate to each other, after he meets a young woman who catches his fancy. He has no experience of socializing, dating, or pop culture, which becomes apparent when she tries to get him to talk about things he likes, for which he has no answers. Later, caught up in his feelings for her, he proposes marriage to her, in front of her mother, and is puzzled when the two of them think its hilarious.

But most of the movie is taken up with the relationship with the dead mom’s parents, who feel that he isn’t a good parent, and fight with him over how their daughter should be interred. She didn’t want a church service ,and requested to be cremated. Her parents get their way, but later, he and the kids dig up their mother’s body, cremate it ,and scatter her ashes over the nearest body of water, like she asked.

During this adventuring, one of his daughters breaks her arm while playing lookout on a rooftop, and he realizes that the grandparents are right,  he is leading them in a dangerous lifestyle. He tries to leave them with their grandparents but the kids stowaway on their family bus with him. I have to confess, although I agreed with how he raised his kids, I could see both sides of the issue. The viewer is pretty much left to make up their own mind on who is right, and which side you choose, says more about your values, than what the movie is saying.

The movie is pretty funny at times though. The above gif is when the entire family, who have been barred from the funeral of their mother unless they behave themselves, crash the funeral anyway, dressed in all their 1970s finery, and causing a scene. There’s also a gif of the entire cast raising a fist at the SAG Awards, and chanting “Down with The Man!”, which is hilarious.

I liked the movie. Its not a great film, so I don’t get all the hype about it. For me, it was a well acted, middle-of-the-road, comedy- drama. I’d recommend it for some quiet Saturday evening viewing, and a few chuckles.

The Furthest Station by Ben Aaronovitch

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I just finished Aaronovitch’s latest novella, starring Detective Inspector Peter Grant, and I’m very very satisfied. It’s certainly enough to tide me over until Ben’s next full length Peter Grant book, which I can’t wait to see in hardcover, one day.

I can’t recommend this series enough. I’m thoroughly addicted, but I can’t explain exactly why this series is so compelling to me. Is it the low key use of magic? Is it Peter Grant’s mordant snarkiness? Or the fact that he’s of African descent?  Is it the side characters, like Toby the Ghostfinding dog, or Peter’s magically inclined niece, who talks  to the foxes of London, or just the common, everyday,  police procedural stuff? Probably all of the above.

I especially liked this book which I finished it record time, for me anyway, although I do wish it had a bit more Beverly Brook in it. Beverly is one of the physical incarnations of one of the rivers of London. She and her sisters are some of my favorite recurring characters.  Her sisters are the incarnations of the rivers Fleet, Tyburn, and Lea, while their mother is the female incarnation of the Thames. This just tickles the Hell out of me, btw. All of them look African, which I think is an odd/but not odd thing, considering it’s London. I like Beverly, because she has a snarky sense of humor too, and she’s dating Peter.

How do I describe the mood of these books. Well, it’s very low key as I said. There’s magic in it but it’s so subtle as to appear almost mundane. Also Peter, the narrator, is so used to magic, that he describes the most extraordinary events as if they were commonplace. The books are more like police procedurals, with an overlay of magical events, rather than the deep magic world of the Jim Butcher books, which I also love. The series isn’t much like those, if that’s what you’re imagining. First of all, they’re set in London, and the author fully recognizes the diversity, with a large cast of different races of people, most of whom are cops. So Peters magical activities are fully sanctioned by the authorities, and explained away, with no one actually acknowledging their magical origins. There’s magic in this world, and quite a few people encounter it, and believe in it, but it’s so quietly done, that most regular people don’t recognize, or want to realize, that’s what they’ve just experienced.

Peter Grant comes from a musical family, and some of the books go deep into magical theory, and music, which is interesting. His father is a somewhat famous Jazz musician,who is suffering from some, not quite clear, mental illness. I love that Peter is not some lone, token black guy, as he comes from a fairly large family, on his mom’s side, which he mentions visiting from time to time. But for most of his time, he’s at work for The Folly.

The Folly is run by one Thomas Nightingale, whose age is indeterminate, but he’s old enough to be considered a Master Magician, and did some magic, for the Crown, during WW2. Peter is his new apprentice, after having run into a magical serial killer in the first novel. In the current  novella, Peter is doing most of the heavy lifting, as he and a colleague track down a missing woman, who disappeared on the Metro. Her disappearance has incited some very public ghostly activity, which is momentarily frightening to the passengers, although they don’t often remember the scare long enough to tell him the details. Since ghosts are involved, and the Folly is the Special Crimes Investigation Unit, Peter gets the call.

I love the side characters in this series.  From Walidd, the physician who specializes in autopsying magical deaths, to Molly, who is some type of supernatural creature, working as a domestic at The Folly, to Peter’s arch nemesis, The Faceless Man, and his new apprentice, Leslie May, who used to be Peter’s girlfriend.

It’s also been fun watching Peter’s rather innovative, and unorthodox, approaches to magic, to the headshaking chagrin of Nightingale, and Peter’s growing abilities over the course of seven books. He is also starting to get a reputation, among his fellow officers, for blowing things up. There’s at least one major explosion of something in each book, that Peter is at least partially responsible for, although sometimes Nightngale gets in on the action.

The bottom line is, I love this series. I think it’s one of the best British Urban Fantasy series out there. Heck, I love British Urban Fantasy in general.  There are no love triangles, nothing so mundane as vampires or werewolves, and no lone White heroine, worrying about her supernatural boyfriend, or which shoes to match with her weapons. There’s little melodrama, clever writing, and likable, quirky, and diverse, characters. A lot of the magic is based on British History, much of it unique to London, and it’s wealth of magical locations, and objects.  The plots are somewhat involved, but no more so than your typical police novel. With occasional magic.

It’s not too late to get in on this series, which is fun Summer reading material. Each book builds on the next, but it’s not required that you  read them in order, as they are also standalone books.

The Rivers of London or Midnight Riot is the first book,

followed by:

Moon Over Soho

Whispers Underground

Broken Homes

Foxglove Summer

The Hanging Tree

And now The Furthest Station.

*I received a copy of this book from Netgalley for free. If  you have a platform, and you’d like to review books for Netgalley, it costs nothing to sign up.

Midnight Texas

Based on Charlaine Harris series called conveniently Midnight Texas, this new show will be airing this Summer (July 25th) on NBC.

I have a distrust of network TV  as they seem to want the audience that goes along with SFF shows, (they want that geek cred), but are unwilling to stick with the shows long enough for fans to get a foothold, or they simply don’t invest in the shows and don’t care about them. (We’re looking at you Sleepy Hollow.)

Anyway this show looks pretty good, for what that’s worth. I’m reluctant to get attached to it because, like I said, network TV has a talent for fucking over fans of these types of shows. I love the diversity in the show, the black vampire, the angel, and also a witch. Some of these characters are holdovers from True Blood, a show I liked. I don’t expect this show to be like True Blood, though I respect the showrunner for Mr. Robot. I haven’t yet read the books but I plan to get to those before the show airs.

ABOUT THE SHOW

Welcome to a place where being normal is really quite strange. From the visionary director of “Mr. Robot” and based on the hit book series from the author behind HBO’s “True Blood” comes a journey into a remote Texas town where no one is who they seem. From vampires and witches to psychics and hit men, Midnight is a mysterious safe haven for those who are different. As the town members fight off outside pressures from rowdy biker gangs, ever-suspicious cops and their own dangerous pasts, they band together and form a strong and unlikely family.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Samurai Jack: Season Five Premiere

 

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Samurai Jack is quite possibly one of the most uniquely gorgeous cartoons on television. Now in its final season, it’s pulling out all of the stops for some truly groundbreaking and beautiful art. The plots of each episode  aren’t complicated but the overall arc of the season is complex enough to make watching it a worthwhile endeavor.

*Fifty years have passed, but I do not age. Time has lost its effect on me, yet the suffering continues. Aku’s grasp chokes the past, present and future. All hope is lost. Got to get back. Back to the past. Samurai Jack.

— Jack, in the opening sequence

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Voiced once again by Phil Lamarr from Pulp Pulp Fiction, and MadTV, it’s  some fifty years in the future, and Aku has finally succeeded in taking over the world. But he’s become bored and jaded. He’s no longer interested in hunting Jack, or trying to kill him. He let’s his robot drones and cultlike followers do his dirty work for him. A new group is hunting Jack called The Daughters of Aku.

Jack lost his legendary sword long ago and wanders Aku’s corrupt landscape, with no purpose. He failed to stop Aku from taking over the world but he can’t or won’t die. One of the side effects of having gone through the time portal to kill Aku is that he no longer ages. He longs to die, but out of long habit, fights Akus servants, over and over.

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It’s a gorgeous looking show with lots of action, and is rather mordantly funny, with the humor found in unexpected places. In one of the earlier sequences we watch as Aku goes about his day, receiving  penitents, eating breakfast, and doing some stretching and deep knee bends, because the Evil Ruler of the World has to remain nimble.

In fact, Samurai  Jack and Aku have a lot in common, as they navigate a world radically different from what they thought things would be. They’re old, jaded, weary, and tired of fighting, but just can’t seem to stop. Jack is  facing new foes, old friends, and trying to live in a world he failed to save. Aku realizes that ruling the world isn’t as wonderful as he thought it would be, but he can’t stop either. So,  the show contains a surprising amount of depth and pathos, where you have two former foes, who are tired of being foes, but have invested too much in it to stop doing it.

The art takes a bit of getting used to, because its wholly unlike any other cartons on TV, and is very minimalist and deco.

Its an excellent cartoon ,worth watching on  Adult Swim, Saturdays at 11 PM.

 

I’m Watchin’ Thangs

Hi there!

Have some mini reviews:



The Expanse:

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This is an extremely mini review, as I’ve not actually sat down to watch an entire episode, even as they keep accumulating on my DVR. As I said before, I don’t usually watch Space Operas, not because I consider them uninteresting, but because I usually don’t have time, and just end up missing the entire series. The same thing happened here, with The Expanse. I also haven’t read any of the books in the series by James Corey, so I don’t know how close a resemblance the show has to those. I have to confess I’ve only watched the trailers and a few snippets. I certainly like what I see and the show is blowing it up on the diversity front. The show has not neglected to round out the cast with Latinxs, Black people, and different Asians. So if that’s  important for you, then check it out.

The character in the photo above is the six foot tall, New Zealander, Frankie Adams who plays the bad ass Bobbie Draper, and already she’s my favorite character, even though I’ve seen nothing more than snippets of her scenes. If you liked Vasquez from the movie Aliens, you will love Bobbie, who is continuing that grand tradition of having bad ass, WoC warriors in space.

The show appears to have improved quite a bit since that first season. At some point I going to need to sit down and binge the Hell out of this show, and give a more in depth review.

The Magicians:

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This is the first episode of the second season and I remain mostly unimpressed. It’s not that it’s a bad show, because there’s plenty in it for the discerning viewer, it’s just that it has several competing tones, which can be kind of jarring if that’s not something you’re used to. On the one hand the show wants to have a lighthearted, jokey, bantering feel, most especially in the scenes where Elliot, Margot, Penny, Quentin and Alice are in Fillory, a fairytale world mentioned prominently in season one, and the real world travails of Quentin’s friend Julia, who got kicked out of Brakebills last season, and had been fumbling to get back into the magical community, ever since.

Julia’s storyline is dark, depressing ,and unnerving, as she seems to spend the majority of her time being sexually, and emotionally abused, and belittled by various characters. Last season, she was emotionally manipulated by a Hedge witch named Marina, and raped by a creature she thought was a god, after she joined a cult. This season, the person trying to both sexually, and emotionally abuse her, is named The Beast. With a name like that you would have to be a complete jackass to trust him, nevertheless, I wish we got to see a lot less of him. (As with all TV villains, he thinks he’s pretty charming, and talks too damned much.)

There’s also a third thread where we keep flipping back and forth, from Fillory to Brakebills, as Quentin, Margot, and Alice, investigate what’s happening in Fillory with Dean Fogg, and that’s confusing and  doesn’t mesh well with the rest of the episode.

You cannot have this rather casual and jokey attitude sitting side by side with the constant degradation of this other character. It just makes the whole show feel bad.  Julia seems like she’s in another show entirely. I’m not sure where they’re going with her storyline, but I wish it wasn’t. Its distracting from what is otherwise a mildly entertaining show about magic.

In the first season, we spent our time establishing various characters, and setting up for season two. This second season is going to be more like the second book in the series, called The Magician’s Land, where the four major characters become the Kings and Queens of Fillory,  except for Penny who doesn’t get a crown. I was mildly peeved by this. Even though Penny is still an asshole, I feel he deserves a crown too, and why was the lone character of color left out of it.

The show gets LGBT representation right in Elliot, but gets a  black hashmark for killing off all the other gay characters (including the lone Black woman, this show has ever had, in season one). It also gets a demerit for making the one  PoC a complete arsehole (Penny), and the other PoC is the Dean of the school. Putting the lone Black person in charge of giving orders, is a trope a show adds when it wants to have diversity, but has no clue how to write characters of color.

There were some things I enjoyed, though. I liked some of the humor. The idea that they could only win their crowns by passing some elaborate tests, only for the tests to turn about to be 90’s pop culture trivia questions, was pretty funny. And of course, I love Elliot, who is always saying the absolutely correct things, at the correct times. He’s the best written character on the show. Snarky and intelligent, but vulnerable, when he needs to be.  Quentin has improved since last season, becoming more sure of himself, but I credit the actor for that, not the writers.

Like I said, its not a bad show, and there’s something in it worth watching for the casual viewer, but the tone of the show is wildly uneven, as it swings between humor, and sexual violence, and I don’t like that.

Legion:

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Well, I watched two episodes of this show and I think I understand whats going on, or at least what the creators are trying to do, while also trying to have a plot. The first episode may appear to be plot free, but it does have one. The title character has been institutionalized for attempting to commit suicide. While there, he’s diagnosed with schizophrenia and paranoia. I don’t know how accurate the depiction of 1960’s  mental institutions is, but I didn’t have a problem with the depiction, outside of the usual tropes of “crazy patients”, in the background.

While David is  there, he meets a pretty blond girl, that he falls in love with, while he’s being hunted by some type of clandestine Federal organization that wants to study him, because they believe he’s a powerful mutant. This entire plot takes two episodes to resolve because we keep taking detours into David’s mind, as he hallucinates, imagines scenarios, or just remembers things. We spend a lot of time in David’s mind and I think the purpose is to make the audience feel as disoriented about the things happening to him, as David feels. It certainly is a different approach to a Marvel character.

Now, in the comic books, David is the son of Charles Xavier and Moira McTaggert(?) and is the most powerful telepathic being on Earth, more powerful than his father, which is why he spent the early part of his life in a vegetative state, unable to cope with his abilities. In all fairness, I haven’t read about this character in a very long time, so I’m sure he’s gone through a bunch of reiterations since the 9os.

I was reluctant to approach this show. I generally avoid shows that involve blatant displays of mental illness, especially after my own bout with mental illness in my twenties (which has since been in a kind of remission), but the fear that that state of mind could reoccur, is always present, especially when watching shows where mental illness is heavily featured. I went through some very, very rough times , and don’t like to be reminded of one of the worse periods of my life.

The closer the TV depiction of mental illness is to reality, the more I dislike it, and I was expecting to dislike this show, but it turned out to be not that bad. At least not for me, but if you’re a person currently going through some mental shit, you might want to use caution, when watching this. A lot of the show’s visuals are very disorienting. I don’t know that I’ll make  regular viewing of it, but I don’t dislike the show. The best thing I can say about it is that it’s visually spectacular.

 

Humans: 

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Actually this is a very interesting show, in its second season. Yes, it’s about sentient robots, but that’s where the  comparison, between it and Westworld, end. This  British show takes place in the real world, and recounts how humans and robots interact, as robots begin to displace human beings from working life, and how that interaction is unsettled, when some of the robots start to become self aware.

In the first season, we followed a group of self aware robots (Niska, Mia, Leo, and Max) who’d been split up and were trying to find each other. They’d all been created by the same man, now long dead. This season, one of the robots (Niska) uploads their self-awareness code into a system that all of the robots (called Synths) have to occasionally link to, and more of them become aware. Now they have to deal with not just this new awareness, but what kind of relationships do they want to have with humans.

The show also deals with the fallout for the Hawkins family’s interaction with Leo and his family, last season. How does this affect them? What do the children think? How does their interaction with self aware robots affect their future, and will the government find out they were involved? Added to that, the Hawkins parents are still in therapy, dealing with the husband’s brief infidelity with Mia, something I found to be deeply interesting. Did he or did he not cheat on his wife, and how does she process what he did, when he says it didn’t mean anything.?

There are several threads we follow through the episode.  We follow Niska, who is investigating human love, as she picks up a girl at a nightclub, and goes on trial for killing a man. I still don’t see how she can get away with appearing human  because she doesn’t talk or move like one. Why the humans don’t see it, is one of the show’s bigger mysteries.

There’s a secondary story involving a Dr. Morrow played by Carrie-Ann Moss (from Daredevil). She’s investigating how and why the Synths have become aware, and what they want. At some point during the season she will meet up with the more militant Niska.

There’s a third storyline involving Detective Karen Voss, who is also a Synth married to, and masquerading as a human. Its interesting because her husband knows what she is and still loves her anyway. She in turn appears to be very much in love with him, too. There’s also Hester, a newly sentient Synth, who is still discovering who and what she is.

This show is a lot less action packed than Westworld, and asks different types of questions on the nature of sentience. Its more thoughtful, and philosophical, and states its ideas much more blatantly. There are certainly fewer shootouts. There are also more PoC, but the narrative doesn’t explore that particular angle, in depth. Its mostly left for the viewer to suss out how race relations work in a society where robot servants look like any race of people. Do the robots of color get abused, or exploited more, I wonder?  I’m still trying to figure out whose idea was it to make them so human-looking, and why. The Synths don’t behave like humans, though. They speak and behave smoothly, stiffly, and slowly, so its fairly easy to tell they’re not human.

Taboo:

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I don’t even know how to describe this show anymore, as it has gone completely off the deep end, with wild things happening in every episode. But this week’s episode was actually refreshing in that James Delaney’s enemies have finally caught up with him and brought him low. From the jump, James has been three steps ahead of everyone but this episode proves he’s at least not invulnerable or omniscient.

There’s also the added factor that he seems deeply fascinating to many of the women in the narrative. From the little mulatto girl who thinks he’s going to take her to America, to the actress that lives with him and pines for his attention, to his own half-sister Zilpha who, in a fit of cold rage, just killed her boozy, abusive husband.

Zilpha arrives at James house, in the middle of the night, and says she did just as he asked her to do. Since we’ve never heard James express any such sentiment, its no wonder he begins to question her sanity, and if so, is it his fault, although this doesn’t stop the two of them from getting their freak on, after her husband’s funeral. Its not meant to last however, as James, hallucinating that his mother is drowning him, tries to choke Zilpha.

There’s a new player in town, an African man named Chichester, and he’s asking questions about the ship that sank with all hands,  but from  which James conveniently escaped. This is a character who pulls no punches, as he blatantly  taunts the Company men, reminding them at every opportunity that he was once a slave. His investigations into the East India Company’s illegal slave trade prompts them to attack James by burning his newly bought boat. There’s also the matter of some stolen gunpowder that James is attempting to sell to the Americans. So now James has plenty of goods to sell but no way to reach America to sell it.

Brace, James’ houseman, tries to tell him that James’ mother was no saint, but James ain’t hearing none of that, although he does keep having flashbacks to images of his mother trying to drown him. As the tension between all these characters ratchets up, James is starting to lose it, too. He becomes even darker and more violent, biting out a man’s tongue for betraying him, which is saying something, when you consider that, in an earlier episode, he ate part of a guy and cut off another man’s finger. He’s having more hallucinations, too. Is he succumbing to the madness that claimed his father, and that he thinks is claiming his sister?

Later, after recovering from a drunken stupor, he discovers the drowned body of Winter. Did he do this? Is it a setup? We’ll find out. We’ve got two more episodes left and I’ll have a full rundown on the finale when it airs.

 

On a more personal note:

I’m still very fatigued, although a lot less fatigued than I was at the start of the year. Its become my habit to go to bed as early as possible now, which means that a lot of these shows sit on my DVR until the weekend, and that’s what happened with The Expanse and Ash Vs. The Evil Dead. Also, there have been so many new shows, and season premieres, that its just hard to keep up with all of them. I’ve limited myself to reviewing the pilots and premieres only, except for those shows I’ve already been reviewing, like Supernatural, and The Walking Dead.

In March I’ll be reviewing the return of Samurai Jack, in its fifth season; Iron Fist, which I’m not especially enthused about, but hey!, I managed to sit thorough half of Jessica Jones, so how bad could it be; and the return of Into the Badlands, which I will review in the entirety of its second season.

So, TTFN!

Martial Arts March

The season five debut of Samurai Jack will air in March as well. March 11th to be exact.

I’m so looking forward to next month’s TV shows.

Samurai Jack Season 5 Trailer

“It’s been 50 years since we saw Samurai Jack and time has not been kind to him. Aku has destroyed every time portal and Jack has stopped aging, a side effect of time travel. It seems he is cursed to just roam the land for all eternity.

Women of Color in Videogames

Here, Anita Sarkeesian touches on some of the worst stereotypes of women of color in videogames.

And I thought the women’s tropes videos were vile. I had a hard time stomaching some of the images in those, but these… I don’t play any of the games listed in her video essay, so I had no idea  the racism in these games was so horrible, and that’s just in the first three minutes.

There are always a certain number of people who want to try to defend these games, but no intelligent excuses can possibly be made for some of these images. The creators of these games are grown ass men, who should damn well know better than to have ever created  any of  them.

 

As an addendum:

The Curse of the Scruffy White Male: Why Representation Matters in …

Brown hair and stubble: The new face of modern videogames

Same Face Syndrome or Why Scruffy-White-Dude Protagonists Don’t …

Why Are Game Developers Obsessed With ‘Average’ Heroes?

Shadowhunters and Beyond

So, I watched the series called Beyond. I’ve only seen the pilot episode, even though the rest of the series is on Hulu. Here’s what I thought of the pilot:

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The lead character, Holden, lapses into a coma and wake up 12 years later. I was a little put out at the depiction of the coma, as it was one of those fairy-tale,  Hollywood type comas, where the victim becomes more and more lovely, as they sleep. When he wakes up its considered a miracle but at least they discuss how he didn’t have any muscular atrophy. The doctors still don’t know why he was in a coma, and frankly, I’m a little confused by it too, but maybe it was explained, and I just wasn’t paying close enough attention. The doctors try to keep him in the hospital, but his mamma ain’t having that. She’s taking her boy home, where his room is exactly the way the family left it twelve years ago, which is really, really, sad.

He has a younger brother, who is now an adult and in college. We saw him talking to his younger brother at the top of the episode, saying he’d be right back, which we all know is a jinx, and you should never say that to anyone you love on TV, or in movies. I’m glad they show his brother still loves him, instead of the cliche of showing him to be an epic shit, and being mad at his brother for being in a coma. There are also some touchingly awkward scenes with him talking with his family around the dinner table, and showing how they coped with his absence. Its interesting that his Mom became super-religious, which I kinda liked because that’s the kind of thing a real-life person would do.

None of this is played for angst, and most of the characters react with genuine joy at his reappearance. The show is not especially heavy in the emotion department, which I kind of liked, although Holden rarely changes facial expressions anyway, mostly spending all of the episode looking deeply confused, which is understandable at losing twelve years of your life.

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There are a few moments where we are shown how the world has moved on without him since the nineties, like his confusion about the Apple Store and actual apples, or how his little brother knows how to drive and he doesn’t, but the show doesn’t dwell too much on this type of thing before the government assassins plot kicks in, and there’s all kinds of superpowers, mysterious women who know too much about him, and old friends who aren’t actually friends. The focus of the plot is his developing superpowers, the mystery of the coma, and  what the government wants with him, as its strongly implied that it was the government’s fault, along with the idea that he might not be human.

There are a lot of tropes and cliches, like the secret government agents stuff, and the token black friend, but its surprisingly not a bad show. Its not breaking any new ground, its not being edgy, or really doing anything that about a hundred other shows have done since the X-Files, but it is a very pretty show. The lead actor needs to have some acting lessons, but that’s true of any show involving very young actors, with people having conversations where they stare intensely into each other’s eyes and talk about the plot.

One detraction from the show is that the music is uniformly awful, which  is saying something coming from me, who likes  damn near any kind of music that has coherent sounds, while still managing to be picky about it. I mean, really, the music just was the worst kind of loud, obnoxious Emo-Rock, and I hope it calms down some for the rest of the series.

This series has an interesting introduction. The entire first season is available on Hulu and I’ll watch all of it at some point, but its also available on the FreeForm website (which used to be called the Family Network), and also showing on regular broadcast TV, one episode at a time. So the idea of releasing a series to multiple platforms is really whats revolutionary about this show, and I hope that technique is successful. If it is, then other shows will do this too, and people can choose the method of watching a show that best suits them, as not everyone can stream stuff, even if they do have the internet, and some people don’t want to have cable.

 

Shadowhunters:

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Yay!!!  I watched my first episode of Shadowhunters. Normally, the episodes would be aired on Hulu the day after, but I missed all of them. They had all expired by the time I remembered this piece of info. ,so I watched John Doe instead.

Since I came in in the middle of this, I’m not entirely sure whats going on. While one  of the Shadowhunters, Jace,  has been kidnapped and tortured by some bad guys, the rest of the cast, who are ostensibly the good guys, despite really bad body tattoos, spend the rest of the episode wondering what happened to him. This includes his friend, brother, cousin, (I’m not sure what,) named Alec, and Alec’s boyfriend, Magnus Bane, who is already a favorite of mine, because he’s played by Harry Shum Jr., and has some bitchin’ facial hair. I don’t think Magnus is a Shadowhunter because the other hunters kinda treat him indifferently, and he always looks like he wants to choke the shit out of one  of them.

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At any rate, I watched the entire episode and didn’t see too many shadows being hunted, but I wasn’t bored, so that’s a plus. I was fascinated by the acting, which isn’t bad, but like most such shows, isn’t Emmy winning. The plot isn’t especially deep either. It seemed more like a soap opera, than a paranormal fantasy series. This is one of those shows where people look wonderful, with luxurious hair, t dress in magnificently rich clothing, and stand around having earnest conversations with each other about their feelings. I didn’t mind that so much because it gave me a chance to get to know the character’s relationships a little better.

 

The series itself is based on some books I’ve never read, by the author Cassandra Clare, who writes Teen Paranormal books. The series of books is called The Mortal Instruments. I’m not a fan of Ms. Clare but the show is okay. Its got some nice representation, and like most of these types of shows its got a faintly sarcastic, cheesy flavor.  I blame Buffy the Vampire Slayer for that. I don’t know how close a resemblance the show has to the books either, but since I don’t actually like any of Ms. Clare’s books, the show is probably better. it certainly looks much more interesting than the books.

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I  wanted to watch this show because gifs for this series keep showing up on my Tumblr dash. The guys on here are  really cute, and it stars Harry Shum, and that black guy from those surreal Old Spice ads, Isaiah Mustapha, who plays a hard ass werewolf. You can tell that Magnus Bane, who is a sorcerer, is the edgy semi-villain because he wears lots of eye makeup and leather jackets. But I missed the part where Mustapha’s character, Lucien Grey,  turned into a wolf, because there wasn’t much of him in this episode, so I kinda felt that I wasted some of my time, but not all of it because Harry Shum tears it up as Bane.This show was perfect for evening viewing, as cuteness is about all I can handle in a show, right about now. Yeah, I will probably watch this next week. Its no rival to Westworld, or The Walking Dead, but its kinda fun and mostly inoffensive.

I did watch the new episode of Sherlock and I’ll get to that sometime next week, along with Emerald City, a show I was not intending to watch, but I think Florence Kasumba, (from Captain America: Civil War,) is in it, and I’m curious as to who she is, and what she’s doing.

Best of 2016 

Here’s my second? third? post of 2017. I’ve been away from the blog for a little bit for a few reasons. The holidays kept me pretty busy, along with some medical issues between me and my Mom, most shows are in hiatus, and I did kind get worn out with the Westworld reviews. But I’ve  got my mojo back and I’m ready to get to writin’.

I can’t completely get behind the sentiment of Fuck 2016, because there were so many great pop cultural goodies that appeared this year. There were a lot of movies, books, and TV shows that I particularly enjoyed. So for all of the shitty things that happened this year, from starting off the new year minus my appendix, to ending the year minus any political hope, Fuck You 2016. But for all the great things that happened this year, from Luke Cage, to Yuri on Ice, Thank You 2016!
Top Books I enjoyed this year:

The Suicide Motor Club by Chris Buehlman – This is the best vampire book I read this year. I didn’t read many novels this year, and the ones I finished were good, but didn’t WOW me. This book did.

The League of Dragons  by Naomi Novik – So ends an era. I read the first Temeraire book over a decade ago, and I really, really, really, loved this series. Not only did I buy all the books, I bought all the audiobooks too, because the voice actor was absolutely perfect. League of Dragons is the last Temeraire book and I’m glad he got a happy ending.

Nevermore by Rob Thurman- This appears to be the last Cal Leandros book. This is a sad!

The Re-arrival of Bloom County – I loved this series back in the 80s, and I’m very glad to see it make a comeback.

Brotherhood of the Wheel by RS Belcher – Its  gotten to the point where I will read anything by this writer. I really enjoyed this book, which is a perfect cross between Horror and Fantasy, involving a secret society of monster hunters who drive trucks, urban legends, cops, and demons. There’s some great female representation in Belcher’s books, along with plenty of action.

Tor. com short stories like: Dead Djinn in Cairo, The Ballad of Black Tom, and the Story of Kao Yu – Short stories from Tor are about all I get time to read. These are some top notch Fantasy stories, by some of my favorite writers.

Borderline by Mishell Baker – This is the best Urban Fantasy novel written this year, and should be on everybody’s list. It has everything: a female protagonist with disabilities, prominent PoC (some who are actually unlikable), elves, and witches, all set in LA. This book manages to avoid all of the tropes of writing characters with disabilities, the characters have different kinds of disabilites, and it manages to avoid inspiration porn by making them people with personalities you  might actually dislike, all while still  being inspiring.

I’ve started reading comics and graphic novels again, for which I have to thank the existence of Comixology. Unlike a lot of book snobs, I don’t disdain digital books, and I’m damned glad I never have to step foot in  another dusty comic book shop again. As a Black woman, I don’t have fond memories of browsing comic book shops for hours at a time, or talking shop with the proprietors. Also, I m not hung up on physical books. I simply have no more room in my house for them. I have several hundred books stashed in my attic right now. I always collected comic books for the art and the story, not just the book itself, and the same is true for novels. It’s what’s in them that matters to me. Not the dressing.

Graphic Novels I just bought:

Enormous – Giant monsters have taken over the Earth, and one woman runs a rescue service for children who  have been orphaned by the rampaging creatures.

The New Dr. Fate – I’ve been fascinated by this character since I first read about him, in those long ago 80s Justice League books, with Guy Gardner and Captain Atom.

 Planetary : Crossing Worlds – I’m a big Planetary fan because I just like weird superhero books.

Shaolin Cowboy: Shemp Buffet – I was attracted to this because I’m a huge fan of the artist, Geof Darrow, who also wrote the graphic novel HardBoiled. Also who can resist the idea of a Shaolin Monk, who fights zombies and demons, in the old West?

Apollo and the Midnighter -I’m glad to see the return of two of my favorite, and badass, superheroes, and I’m glad they’re still a couple!

 
Movies:

Captain America Civil War – This isn’t as good as Winter Soldier, and could’ve used more Steve and Bucky in a movie that’s  best know as Avengers 3, or Iron Man 4. But I loved the unnecessary glimpse we got of the new Spider-Man, and that airport fight scene was just about the funniest shit I’ve seen this year, and wtf! Black Panther feckin’ killed it. So yeah, this is on my Best of list.

Suicide Squad– I’m one of five people that actually seemed to like this movie. I had hella fun watching this at the theater. I think it had a lot to do with Viola Davis, and Will Smith, being in the same movie, tho’. 

Deadpool – This is how you make an Action Comedy. This is a thoroughly ridiculous movie, and I loved it. If you didn’t cosplay as “Negasonic Teenage Warhead”,  this past Halloween, then you are not a Marvel fan. My girl just needs her own damn movie, at this point.

Train to Busan – Along with the movie The Girl with All the Gifts, this is one of the best zombie movies released this year. I’m still crying about this one.

Rogue One – My future ex-husband, Donnie Yen, is in this movie. Also this seemed to be the year for Asians in Space! 

Star Trek Beyond –  We got a Star Wars movie and a new Star Trek movie in one year. We got a canonically gay Sulu, some McCoy/Spock love, and Idris Elba. There was a lot about this movie I didn’t particularly care for, but there was also a lot I absolutely loved, and that’s alright.

TV:

Preacher: This was a great underrated show. Tulip was an Awesome creature of Awesomeness. Ruth Negga really  knocked it out of the park. This year actually had some great WoC representation at the movies. As much as I complain about there not being any, this is a great start. Actually, this year was one of the Black-est years of TV in recent memory.  (Now it’s time for us to get some SpaceLatinas and stuff, too.)

Luke Cage -I’ve said all I’m gonna say about this because I can’t laud it anymore than I have. There was a lot of good TV this year, but this really resonated with a lot of people.

Westworld – Whoo! You see the effect this show had on me, right? And I’m not done. I got more reviewin’ to do. Once again, we got  some great WoC representation.

Yuri on Ice – I haven’t watched this anime, but it’s been all over my Tumblr dash for weeks. I just want to give a shoutout to a show about a couple of ice skating boyfriends, that has actual ice skaters, losing their minds.

Atlanta – I love this show. It’s the weirdest show about Black people on TV. The writers have zero fucks to give about whether white people like this, or understand it. There’s a level of authenticity to it that just resonates on a soul deep level. Any white people watching this how, don’t try to get it, just go with it. It’s pretty much like Black people’s actual lives only fucking weird.

Full Frontal with Samantha Bee – At some point I expect Samantha to mess up and state some white feminist nonsense, but so far she’s been pretty good at saying shit I want to say to white people, but don’t, because I wanna keep my job. And she’s pretty damn funny, too.

Brooklyn 99 – Next to Black*ish, this is one of the best comedies on TV. And all of its characters are funny too. It has multiple Woc, who talk to, and support, each other, good black men, canon gay characters, father figures, and it’s funny without belittleing any of the characters or assuming the audience was dumb. I want to talk about how the show approaches mental illness, tho.

A new character was introduced, who has PTSD, and he’s become a love interest for one of the female cops on the show. I love how this character is depicted. He’s funny but the humor is never at his expense.  He genuinely wants to be good and kind ,and when his behavior is pointed out as questionable, he’s willing to change. He’s never abusive, or uses his trauma as an excuse for it, and genuinely likes his co-workers. It’s sort of implied that he was a weirdo before he was traumatized, so that his quirky personal decisions aren’t necessarily a result of the trauma. He tries to be supportive of his co-workers, even if that support is expressed in some odd ways. You’re not laughing at his mental illness, you’re laughing at the nonplussed reactions of his co-workers, which is a fine line to walk. The other characters think he’s pretty odd, but never make fun of him, and seem to take all  his trauma in stride, treating him as they would any close friend that you don’t understand, but he’s your friend, so you do.

On every level, Brooklyn 99’s writers work really hard to get this shit right, and they manage to be hella funny, too.

So yeah! The year wasn’t all awful. Just mostly awful.

Forthcoming TV Shows

There are a number of television shows I’m looking forward to next year. Now in hindsight 2016 has been a fairly shitty year, except for TV, which is tearing it up with some very exciting series. I’m very much enjoying Legends of Tomorrow, which is much better in its second season. It got rid of the rather dodgy actress who played Hawkgirl, and replaced her with Vixen, with whom I’m very satisfied.

I’ve decided to try DCs other superhero shows and I’m liking them, although I do consider them to be rather light weight viewing. I still don’t like Arrow, though.

From Dusk Til Dawn also had a much better season than last year. It just aired its season finale  and I’m going to happily break that down for you guys by the end of this week.

American Horror Story just aired its finale episode which I’ve already reviewed. I feel like AHS had a great season this year, with a lot of depth, focus, and humor.

We got the truly wondrous Luke Cage, which I can’t even accurately review because my head is so crammed full of thoughts about it that I can’t straighten them out. I’m still processing this show, as I haven’t really had time to really think about it because:

Season 12 of Supernatural has just started to air and its very good. So far, its been very engaging, and funny, with some very well written side characters, and quite a number of feels.

And, I’m entirely caught up in the Westworld phenomena. Thankfully its only got two episodes left, after which I can take some time to think about something else and finish processing my thoughts and feels about it.

Then it’s back to watching and/or reviewing starting January 1st. There is such a wealth of good shows, and I have such a limited amount of time with which to review them, that I’m going to have to start farming out some reviews. So from now on, when I see a really great review of a show I’m watching, but don’t actually have time to review, I’m just going to leave a link or reblog.

Also, if you’re a person who writes long form TV reviews like these, please get in touch with me about linking , and reblogging your posts. I love a good, well thought-out, and logical review. No wanking or ‘ship wars, please. I don’t mind if you love a certain ship  but I’m not going to reblog about  ‘ships that erase PoC, canon LGBTQ characters, and women from their own narratives.

Okay, here’s what we have to look forward to:

*Sherlock (Jan.1)

Sherlock returns for its fourth season. I’m starting to get really tired of looking at Benedict Cumberbatch’s face. He’s a phenomenal actor, with one of the best voices I’ve ever heard on a screen, but he looks like a turtle that’s been squeezed too tightly, and  I think I have reached “Peak Cumberbatch”, at this point. Nevertheless, I may still watch this, because I actually enjoy the plots. (BBC)

*Beyond (Jan. 2)

This show looks like a cross between Kyle X and Teen Wolf, which isnt a bad thing. I’m looking for  a replacement teen show for Teen Wolf anyway, since its in its last season. (Freeform)

Shadowhunters (Jan. 2)

I’ve only ever watched a couple of episodes of Shadowhunters, but gifs of it keep showing up in my Tumblr feed, and I’ve liked those, so I’ll watch this. And Harry Shum, who was one of the fan contenders to play Danny Rand in Iron Fist, is in this and I do need to have some  Shum in my life, somehow. (Freeform)

Sleepy Hollow 

I won’t be watching  season four of this show and there’s no trailer as yet,  but if you don’t mind the complete wtf*ery of what happened  last season, you go right ahead .I’m gonna be a petty mf and not even post the airdate.

*Taboo (Jan.10)

I’m a huge Tom Hardy fan, often watching movies I would not normally think about just because he’s the star. Also, I just enjoy dark Historical mysteries and these trailers look gorgeous. (FX)

*Lemony Snicket (Jan.13)

I read a lot of Lemony Snicket books and enjoyed the Jim Carey version of this, so I will probably check this out. My favorite character is Violet, so I have to stan for my tiny baby. This trailer seems to capture some of the zaniness of the original film. (Netflix)

The Young Pope (Jan.15)

I really like Jude Law, but I probably won’t watch this, even if I find this kind of Catholic scandal type stuff, fascinating. I’m not Catholic, but I will watch dramatic histories about it. This looks well acted but I’m noping out. (HBO)

Six (Jan,18)

I don’t normally watch military type shows but this looks interesting. For some reason, I’m attracted to those Navy Seal non-fiction books, and this show looks suitably dramatic, so I may watch this. On the other hand, I don’t wanna see Black people being terrorized, so I may not make this a regular part of my viewing diet. (History)

*Frontier (Jan.20)

I’m always up for anything starring Jason Momoa. I have not yet reached Peak Momoa. (Netflix)

*The Magicians Jan.25)

I was a bit disappointed in the last season of this show because of the depictions of violence against its female characters, so I’m dubious about watching this new season. On the other hand, it looks gorgeous, and I hope its a better than the second book in the series on which this is based. Finishing that second book felt like working. (Syfy)

Riverdale (Jan.26)

I could not find a good trailer for this one. I try to stick to only one teen show per period, so I may not watch this, but this is the last season of Teen Wolf, and I might need something to replace that. The trailers don’t look very interesting but I could give it a try. (CW)

Black Sails (Jan.29)

I watched the first episodes of this and then stopped, but I have been following what’s happening through reviews.It still looks beautiful but I can make no promises about this show, other than I will watch the first episode and give it a chance. (Starz)

The Expanse (Feb. 8)

I only watched a few episodes of the first season, but I’ve since read that its a good show, so I’ll watch the first episodes of this second season. I don’t know if I’ll like it but I can try it. (Syfy)

Taken (Feb 27)

(NBC)

I’m a big Liam Neeson fan and I really liked the movies on which this show is based.

*Legion (Feb TBD)

This is a Marvel Superhero Joint, so I will watch it even though I’m not in the market for yet another show about a quirky, White, male hero. I do know who this character is in the comic books, though, so I’m going to check it out. (FX)

*Iron Fist (March 17)

I will watch this even though I’m disappointed that the creators didn’t choose an Asian American man to be Danny Rand. That kind of story would’ve had so much more depth, but depth isn’t Marvel’s strongest suit. I’m still not greatly impressed with the actor they chose either, but I promise to give him a chance. I’m mostly in it because I hope this show does for Colleen Wing, (who has been racebent to be Asian) what the Luke Cage series did for Misty Knight. (Netflix)

Into the Badlands (Spring TBD)

Well, duh! (AMC)

State of the Onion:TV

Whoa! I’m very behind this week, but it’s okay, I’m not panicking, as I’ve gotten a lot of other things done  like charity work, and sometimes, sleep. I also have some holiday time to look forward to.  I sometimes have to remind myself that my  reviews won’t be obsolete just because I waited a week. Here’s a list of shows I’m actually paying attention to, some that I’m sort of paying attention to, and some that I’m not. At least one of these shows I’m  actively in hate of (and I bet you can guess which one.)

American Horror Story : Chapter 8


In last week’s episode, the killing continued with the deaths of Shelby and Dominic.  It turns out that Lee is still alive and in the clutches of the Polks. It’s no accident that Lee and the Polks are the main story this evening, and no accident that we’re seeing a middle class Black woman being consumed by these very working class (or below) White villains. There’s a message in there I’ll have to parse at a later date. Anyway, Lee manages to get free by seducing and manipulating one of the younger Polks, who has become attracted to her. Humanizing herself to the him was a good tactic, getting him to see her as a human being, rather than just meat, and this helped her to escape.

But before that, as he was filming her, she confessed in a video she wanted sent to her daughter, that she killed her husband Mason, because he threatened to take sole custody of their daughter. I was more than a little shocked at this revelation, as she swore up and down she didn’t do it, and that was part of her reason for coming back to the Haunted house, and being on the show. She kept filming because she wanted to control her own story, and I believed her. See what I mean about my complete inability to speculate about a show’s plot. 

In the meantime, Audrey and Monet are being tortured by the other Polks, but Monet manages to free herself. She runs off, leaving Audrey behind, but Audrey is saved by Lee, who kills Mama Polk during the event.  Back at the house, Shelby and Dominic are in a panic, after watching Agnes be killed by the Butcher, and they try escaping through the tunnels under the house, but get chased back through the house by all the entities that have come out during the Blood Moon. The Japanese ghosts, the Pig- headed Man, and the nurses stalk them through the house, and a chandelier falls on Shelby’s leg. 

Later, distraught at the fact that she killed her husband, Shelby, in a fit of grief, slits her throat,  while Dominic watches helplessly. When Audrey and Lee return to the house, Lee is horrified to discover Matt’s body in the basement, and Audrey is equally horrified to find Shelby’s body. Naturally, she makes it all about herself. Neither of them believe Dominic’s story of what happened, thinking that he killed everyone. They exile him to the non-existent mercy of the Ghosts, and the Pig Man kills him while he screams outside the door. I was kind of rooting for Shelby. I thought for sure she’d be a survivor. If not her then Lee. But since Monet is in the wind, it might turn out to be her, instead.

Audrey and Lee decide it’s time to go. They attempt to leave, but encounter a “fake” Pig Man at the front door. One of Sydneys assistants,who has no idea that nearly everyone is dead.  Now, they have to try to convince any of the crew left alive that all of these deaths happened, and that it’s too dangerous to stay. 

We’ve got about two more episodes left, so we know that the ending is going to be a bit drawn out. We won’t find out who lived, or if anyone lived, until the final episode, so I suppose we have more running and screaming to look forward to.

Supergirl:


 I’m still sort of watching this. I like the queer representation going on in the show. At least that’s different, as a lot of very popular shows don’t have any. I do wish there were more WoC on the show, though. (Why won’t Hollywood hire Latinas and Asians? Really it’s becoming extremely obvious that they’re being really weird about it?) The action is pretty good. The actress playing Supergirl starts to grow on you after a bit. I dont think I’m ever gonna really like her but she’s less annoying to me than before. 

The surprising break out character for me was Cat. I really thought I’d hate this character, and yes, she is an asshole, but I like how she stans for Kara, gives her good advice, and tolerates none of her flibberty nonsense, which is exactly the kind of female in Kara’s  life that she needs. Cat’s tough on her because she cares and knows she can do better, not just because she’s a mean ol’ witch, who likes yelling at people. I think her new male boss at the newspapaer is kinda the same way. He is a pusher, who doesn’t coddle her, but will back her up when needed.

 This week Kara got her first real news story published and  I was really happy for her. I caught myself smiling at my TV. I see why people like this show, as it has lots of positive moments,and sometimes some afterschool special life lessons, which are eyeballrolling for me, but good for people in general, I guess. I’m never against positive things just because they’re positive.

The show needs to work on its plotlines though, because every genre show, that has ever existed, has done a fight club episode, but I like how Kara makes a friendly overture to her cultural enemy at the end of the episode. It’s a nice message about being a mature, and tolerant  person.


The Flash:


I’m really starting to like this show, now. I know why I ignored it for so long. I didn’t have time to watch it.  Now, I just record it, and watch it later, because I’m not reviewing it. I see why people like it. The villains are interesting, it’s got good action scenes, and special effects, but most importantly, the relationships between the characters are compelling and most of them are positive. I like that the  characters actually talk to one another to solve their problems, rather than acting cold, snarky,and snappish to indicate their displeasure.Its easy to tell who the villains are, until you find out, through some mature insight and tolerance, that maybe they’re not the villain, which is kinda cool. In other words, people act like grown folks, most of the time.  This is much the same formula as Supergirl. I see what DC is trying to do here, trying o make all their shows seem like they happen in the same universe, by giving them the same flavor and formulas. 

This week Caitlin Snow was going through some angsty shit with her mom because she has developed superpowers. Apparently, this is something that’s going around, like a virus. I kinda got into it a bit because I kept yelling at the two of them for being such asshats to each other, after Caitlin’s father died. They both handled their grief badly, and then blamed each other for it. Barry raced around trying to find a holographic monster, but the emphasis was mostly on his relationship with his irritating co-worker, who doesn’t like him. Barry is one of those people who really needs to be liked, and that’s an interesting character trait for a superhero to have, as he spends a lot of time brokering peace between squabbling individuals.

I love Iris, Joe, and Wally, and I’m glad Iris isn’t just some lone Black woman,  floating in a sea of Whiteness, although I do wish there was more of a community of Black people on the show, sort of like how Agents of Shield centers Robbie Reyes’ life around his community. He hangs with, and knows, people in his neighborhood, you see him and his brother out and about, and people know the two them.  It’s not that I want The Flash to be all Black people, all the time, but one of the problems we run into when White people write PoC, is that the PoC never seem to come from a community of people similar to them. They don’t have extended families, or other Black people that know them. All it takes is a throwaway line here and there, or a few phone calls back home, to indicate they live in a wider world, of aunts, uncles, cousins, etc.

Then I remember that the vast majority of white people don’t ever see us in our communities. Their personal encounters with us usually involve one or two Black people, who are just sort of floating through their life, without family or friends attached, so White people tend to reproduce that exact same narrative when they write PoC, especially Latinos, and Asians. (Y’all know there no such thing as a lone Latinx. You know they got fam.)

I’m still not sure how to feel about it when Joe calls Iris and Barry his kids, and I’m reminded that Iris and Barry grew up in the same house. That feels a little weird to me, although since the two of them are completely unrelated, I can find no objection, other than me feeling odd about it.

Agents of Shield:


I’m totally geeking out over the Ghost Rider storyline. I’ve only just started watching the show this season after a disastrous first. I see why people love Daisy, as I’m starting to really like her. When the show started, the only character I could regularly stand was May. Melinda May has always been my best girl and and I hope Robbie becomes a more permanent member of Shield, even though Melinda would like to kick his ass. I love his relationship with his brother (family is important to me, too) and I was on the edge of my seat when he revealed what he was to  Gabriel, this week. I was completely whiteknuckling that scene. 

I love how television presents more nuanced versions of teenagers, probably because the writers are younger.  Movies usually settle for the cliched, sullen, whining, and utterly selfish, teen. I’ve never met any teenagers like that. All the ones I’ve met, as an adult, have been fascinating, with interesting things to say, once you get them talking. I think that cliche says more about how the writers think about teenagers, than how teenagers actually are, and I love the way Gabriel is written, on the show, as he reminds me of teenagers I’ve actually met. He obviously loves his brother, and is generally positive around Robbie, probably as a way of anchoring him, and alleviating Robbie’s guilt, over what happened to them. See? That’s how you write a teenager. 

I could do without the persecuted mutants,  X-Men/Inhumans style storyline, though. I’m really tired of racial allegories, at this point, so I haven’t been paying a lick of attention to that part of the plot. I’ve been mostly enjoying the special effects, the characters relationships, and just not thinking too deeply about the plot line.

What?! I’m waay too old and tired to get  heavily worked up about the plot of every single show I’m watching. 

Channel Zero:

I stopped watching this. I tried picking it back up, and watching it again, but my mind just wasn’t into it. I don’t think I’m in the right mindset for the kind of ominous, slow burner, type of show like this. I just end up falling asleep on them.

From Dusk Til Dawn:


This show has really gotten back to the basics this season. It’s been a lot of fun, with a plot just heavy enough to be interesting, and compelling, without being too intricate and boring. I love it that the Gecko brothers are fighting side by side this season, so we’re getting a lot of brotherly lovehate, hatelove. And yeah, they literally are fighting side by side, as the action scenes are the best part of this season. I don’t care for the villain too much. But at least she found a goal this week, of putting her real body back together, so that she can open he gates of Hell, or something. At the beginning of the season, she seemed kind of purposeless. Its cliched, but I love this Gecko Brothers save the world stuff.

 The show seems to have found its groove, with just the right mix of zaniness, and seriousness. The addition of Tom Savini, as a demon hunter from Xibalba, seems to have added just the right element of crazy to the storyline. I’ll be sure to give you guys the lowdown on whether or not this season’s finale is any good. It’s coming up soon.

The Strain:


I know there’s a contingent of twenty somethings on Tumblr, that seemingly hate all of Pop Culture, and I don’t wanna be that person. Even if they don’t hate it, they seemingly find little to like about it, and I’m just not like that. I try to be positive on here, and mostly lightweight, and informative. I also  grew up having no choice but to try to mine what goodness I could out of Pop Culture, and to appreciate that it was being made at all.

I suppose its a good thing that we have so much television geekery to choose from, that we can afford to be picky and contentious, to make demands that suit us. Since I was a geekgirl before the internet, and there was precious little to choose from, I’m just not where they are mentally, so it can be hard for me to relate to their many, many, many, concerns. But am I really that different from them?

I think that if this show had been on the air twenty, or thirty years ago, I would think it was the absolute shit. But I guess I can afford to talk smack about this show, because there’s so much else to choose from and the stuff I can choose to watch is so much better than this, that I can get snarky about it. Also I just like making fun of the show. It hones my snark skills.

Now I have heard that season four is this show’s last season, and that the shortening of the season to only ten episodes has  tightened its plot, somewhat. So that’s not an issue. My issue is character motivations that are really just plot points and don’t seem to derive from actual characterization. People simply do what it’s convenient in the plot for them to do, and I do like some character consistency, even when I have to do the headcanons myself. Also the acting on this show is really dodgy. It’s gotten to the point where I just hate Zack whenever I see him. He is, arguably, a worse actor than that little boy from the Phatom Menace, and that’s saying something.

Normally, I’d just ignore shows like this, but I had a lot of  hopes for it, and I’ve been very disappointed. The show just aired the last episode of its third season, and every moment I watched it, I found some new fuckery to be pissed off about, including its final moments. On the other hand, I don’t need to be raising my blood pressure over a TV show. If it is the last season, next year, I’m going to have to give considerable thought to watching, or ignoring it, based on whatever else is airing at that time. We’ll see.

 

Legends of Tomorrow:


I’ve  come across people who inexplcaby hate this show. I don’t find that the show is weighty enough to spend that level of energy on. This is really the lightest of lightweight shows, that’s not trying to be anything more than what it claims to be, which is fun entertainment, with occasional positive messages. The substance of this show is as ephemeral, and calorie-free, as cotton candy, and  I love it just for that reason. It’s got pretty people, kicking ass, and cracking jokes. I can sit and enjoy the characters interacting with each other, the plot’s not deep enough to give me angst, and they just added another of my favorite characters to the crew, Vixen. She is awesome! I love how they show her superpowers, too.

Last week’s episode was some lightweight fluff about some of the crew getting trapped in Feudal Japan. The plot was silly and didn’t make one ounce of sense, but I enjoyed it anyway, because apparently,  I’ll watch damn near anything,  if it’s set in Feudal Japan.

This week was a little heavier with Jackson and Maya visiting the Civil War era. Jackson makes the point to the Professor that there’s no moment in American history where he would’ve fit in, when he suggests that Jackson stay on the ship, to avoid the trauma.  At one point Jackson and Maya have to stand and watch a slave woman be whipped, and are utterly helpless to stop it, or they would jeopardize all of history, and they have to sneak onto a plantation disguised as slaves, and Jackson gets beaten by a bully. I think  the show handled this as sensitively as it possibly could considering it’s on the CW. I suppose the writers could’ve chickened out and avoided this era entirely as they have all of history to choose from , but it’s okay. The show doesn’t usually get this heavy.  

Here’s another show with yet another male/male friendship that I adore. I love how the writers have built on the relationship between Martin and Jackson, the two characters who make up the superhero Firestorm. Martin genuinely cares about Jackson’s feelings, and Jackson seems to be learning some valuable life skills from the old gentleman. These two guys couldn’t be anymore different in lifestyle and outlook, and I like how the writers took an intitially antagonistic relationship, in that first season, (Jackson resented having to share a Firestorm with Martin), and transformed it into an actual, caring, friendship between the two.  I’ve been a Firestorm fan since I was a kid and I’m glad the show has decided to go with the black version of this character, as I remember reading those books. 

There were also Confederate zombies, so…make of that what you will. There are very few eras of history that cannot be made more interesting with the addition of Romero style zombies.

Plus, Vixen was on the show! She’s also going to be on the show this Thursday and…get this! probably the following Thursday, too! Whoop whoop!

The Exorcist:

Yeah, I just stopped watching this. I’m not too good with shows about possession, I guess. The shows either get too heavy, too religious, or I get bored with all the ponderous omens, and actors whispering in dark corners. I stopped watching Outcast on Cinemax for the same reason.  I think its because these types of shows are trying too hard to be scary, or trying too hard to be the second coming of The Omen from 1972. In this case this show is trying really hard to recreate that ominous feeling of the original movie, and as I’ve stated before, I’d rather just watch the original movie.

Tumblr Humor

Yeah, alright. You knew I had to follow up that last post with some of the funniest sh*t  that came across my dashboard last week.

*I think I might have posted this here before, but I don’t care, its still funny:

Slash Fic Gothic

You have blond hair, he has brown hair. You always have blond hair, he always has brown hair. You dye your hair brown, but suddenly his hair is blond, and you feel as though maybe you are him, and he is you, and you have blond hair again, and he has brown hair.

His gaze is impossibly fond, his eyes are impossibly blue, he pulls you impossibly closer, your heart beats impossibly fast, the bulge in his pants is impossibly hard, he should maybe get that checked out.

You don’t remember ever working out and yet you look down and see you have a six pack. When you next see yourself in the mirror you have an eight pack. When he takes of your shirt you have ten, twelve abs. You’re scared to look again in case there are more.

His eyes change colour depending on his moods. At first you thought it was a trick of the light, but now you’re not so sure. They switch between blue, green and grey. Once you thought you saw a flicker of red. You make sure to kiss with your eyes closed now.

You’re white, and so is he. Sometimes he’s your enemy, but you still love him, don’t you? Of course, it makes sense. You’re not sure what you like about him, exactly, but there must be something, right? There’s this intangible thing between you, isn’t there? You feel like you may have more chemistry with your non-white friend, but that can’t be right.

You don’t remember taking your clothes off but you’re naked now. Well, all you remember is toeing out of your shoes. You always toe out of them, although you don’t quite know what that means.

Your pronouns mix into a blur and you no longer know where you end and he begins… You reach out your hand to his hand on his arm… your arm… his… You are sitting and he straddles you but is facing away… There are hands everywhere…

THE ACCURACY HURTS.

You smell like sandlewood.  You don’t know what sandlewood even IS.

Once your shoes are off, you pad everywhere. You try to walk, but you can’t, your feet don’t comply. Your only option if you want to get from room to room is to pad.

Your tongues battle for dominance. There can be only one victor. One tongue is not walking away from this battle. Will it be yours?

He tastes like smoke and wine, whatever he had for dinner, and something distinctly him. You don’t know what that taste is or where it comes from… only that it is distinctly…him

Is he The Smaller Man? Or The Larger Man? Are you The Pale Man? Are you The Slender Man? The Blond Man? You no longer have a name… you are just an epithet.

You thought you were about the same size, but, the clothes come off… and he’s The Larger Man. So large. He’s got six inches on you. You can tuck your head under his chin. Ten inches now… is he growing? Are you shrinking?

It’s weeping. OH GOD WHY IS IT WEEPING?

 

Sometimes one of you is an alien, sometimes both, but that’s okay. Either your species’ reproductive organs are conveniently identical, or one of you has some sort of eldritch, lubricated opening somewhere which makes the whole business a lot less gay. You’re not sure what eldritch means. Whoever the alien is smells of pine needles.

Come to think of it, neither of you are gay. It’s just that you can’t imagine living the rest of your life without doing this four or five times a day, because you love each other so much. In fact, you didn’t even know two men could do this before five minutes ago. Fortunately, even though this is your first attempt at full-on anal, you both perform perfectly.

You’ve both been gay all your lives, but it’s never come up in conversation before, Even though you’re both 35 years old and spend a lot of time together on stakeouts, in the lab, or working out in the starship gym. You know the names of each other’s childhood pets. He drove your mother to the ER that time you were out of town, and she thinks of him as her other son. You once took his sister on a date because she sort of looks like him, but of course it didn’t work out. You can’t remember what sorts of animals the pets were or your mother’s face. He’s never had a sister. You’re glad you saved yourself all these years for him.

You’ve spent the entire night with him, finally able to say confess you mean to one another over two six-packs of beer. Beer be damned, the first time you kiss both of you snap to near-painful attention and you have unceasing marathon sex until four am. You wake him three hours later, sun streaming through the bedroom windows, with bacon, eggs, and toast on a silver tray. You don’t remember being able to cook before this morning and never buy eggs. There are no beer cans on the floor.

Source:

elexuscal

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Fanfiction Gothic

  • It’s late. You know you should go to sleep, but you still click ‘next chapter’. You won’t stop. You can’t stop.
  • ‘I love AUs’, you say, as you open up a story set in high-school. Then one set in a coffee-shop. Soulmate marks. Mermaids. Hogwarts. So many alternate universes; the same characters and situations, repeated over and over. The characters wish they could be free.
  • ‘update soon plz’ the reviewer writes. You update as soon as you can. ‘update soon’ they say again. You update in mere minutes. Still; ‘update soon’. It will never be soon enough.
  • You’re trying to find stories about your favourite pairing, but they’re not very popular. There are so many other pairings. So many. You don’t think you’ve ever heard of any of them. Have you?
  • The characters finally begin to make-out. Their lips touch; their bodies embrace, limbs twisting. You follow the movements. Arms contort, legs bend, spine distorts. Their bodies should be broken, yet somehow, they are not.
  • You post a new chapter. There are no comments, no kudoses, no favourites. Yet, your follower count rises. They are watching you.
  • ‘Just a little one-shot’, the author’s note says. They have only one shot to get this right.
  • You tab into a new fic. It makes no sense; you can’t understand it. It’s written in an old tongue, with grammar that so arcane and ancient that your eyes begin to bleed.
regional gothicfanficfandomshippingalternate universe ficsi did a thingregional gothic doesn’t seem like an appropriate term for these anymore…
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*Okay, this just made me smile. Of course, none of this applies in the case of Denzel Washington, Idris Elba, or Jesse Williams. I think  I have a pretty good chance of this happening because I’m not from Indiana. My friend Bethany is shit out of luck though.

darthkidderkat:

newjaxxcity:

i really don’t understand why people feel the need to stan for some actor and then obsess over who he’s dating. like do you want him to be alone until he strolls into the same tj maxx you frequent in buttfuck, indiana and fall in love with you? does he have to get all his potentials screened via snapchat by you? was he supposed to have an open audition to decide where he wets his dick next? cuz that’s not gonna happen, bethany. you gotta be realistic and get out of people’s private lives that they are entitled to.

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*This goes out to my one peep! You know who you are:
animelunatic: “ Love you ”
Stephen King has his Constant Reader. I have my Constant Follower: :http://cadburypom.wordpress.com/
Love you, babe!
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*This Reverse Daredevil scenario  was hilarious:
missveryvery:

Hiroshi Ueda, the Red Devil of Roppongi, is desperately trying to discover the secrets behind the YEEHAW Group that’s buying up strategic parcels of land in Minato Tokyo’s Roppongi district. But every time he gets close, he’s swarmed by lasso-wielding cowboys, sometimes on horseback and with six-shooters. Luckily, he’s been trained his whole life in the American art of wrestling and shooting people with assault rifles.

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*And Tumblr is always good for some animal related humor:
princessfailureee: “ zamzamafterzina: “ candiikismet: “ onlyblackgirl: “ cutecocoturtlenipples: “ bigeisamazing: “ ” ” Lmao bye. ” Oh my god. Please stop. ” lmfao i hate y'all ” this had me in tears when I saw it on twitter 😂 ”

http://youtu.be/O1SRBSmz4zw

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*I just put this here because it tickles me. Who doesn’t like SnarkCat?!

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*Chronicling the evolution of the Werewolf myth:
neeteryincorporated: “ progression ”

This Week On Geeking Out

These are the shows I watched this week. Only three of these shows are actual premieres: Channel Zero, Legends of Tomorrow, and Wolf Creek. Aftermath has been on the air for two weeks and the Exorcist has been on the air for about three. Supernatural also aired this week but will get a separate review, along with American Horror Story. I haven’t even tried to review Luke Cage, preferring to let more eloquent writers approach this topic, but I’ll have something o say about it, very spoilerific, by the end of the month, when I think most people have seen it, and somewhere during this time I promised reviews of some of my favorite horror movies.

American Horror Story:

We begin this episode, Chapter Five, with backstory on the Shaker House, that Matt and Shelby bought in episode one. It turns out the original owner has a connection to the fifth season of AHS:Freakshow, with the story of how Phillipe Mott, ancestor to the Motts mentioned in that season, bought the house in 1792. He was a closeted gay man  and a recluse, who eventually got killed by Thomasina and her minions, after he locked his servants in the cellar, when  some of his  prize paintings were vandalized.He screams a lot, even when he’s not actually in  physical pain, and you can see just a touch of the madness of the Mott family that touched them down through the centuries, culminating in Dandy Mott in 1952.

In the present day, we spend most of the episode running around the forest with Matt and Shelby, as they try to escape The Butcher, save Flora, and get repeatedly kidnapped by the Polks, who are Thomasinas aides and abetters. They made a deal with her to protect their family, and provide the sacrifices Thomasina says she needs, to consecrate the land. They escape from the Polks several times that night as the Polks attempt to deliver the two to Thomasina. At one point, since this is during the blood moon, Phillipe Mott comes to their aid. During all of this, Lee is in jail, answering questions about her husband’s death.  I’m still pissed off at Shelby for calling the police on her. That was a total dick move, Shelby! Anyway, Lee is released, and after getting one of Matt’s texts saying Flora is safe, she shows up just in time to give them a ride to freedom.

Thomasina is killed by one of her own people, who turns on her after having tired of all her killing. So it does seem as if this particular chapter of the story is over. Matt and Shelby’s story is wrapped up, Thomasina has been killed again, and Frances Conroy (Yayy!) put in her appearance as Mama Polk. The Polks also turn out to be inbred cannibals, straight out of The Texas Chainsaw Massacre, as we find Elias still alive, but missing a limb. When one of the Polks gets sick, they blame him for having rancid flesh and kill him in front of Matt and Shelby.

The episode was especially gory, as we see Elias get his head bashed in, Mott get stabbed through the chest with a wooden pole, and Shelby’s leg is broken by Mama Polk, in a scene straight out of the movie Misery. There are a lot of movie references this season, with a little bit of J-Horror thrown in this episode, when Flora gets snatched by  one of the black haired ghosts of Ju-on, in a pointless scene thrown in just to have action. Thomasina and her followers are a reference to the movie The Wicker Man, where out of town strangers get burned alive by a modern day cult of Celtic worshippers., to consecrate the land. The Amityville Horror, Insidious, and The Hills Have Eyes get a shoutout, as well.

Next week, for episode six of season six, we go behind the scenes of the reality show, as finally, my precious cinnamon bun  Cheyenne Jackson😘, puts in his first appearance this season.  Hopefully, we will see the film crew visit the house in the present, and see what fresh Hell occurs then.

Supergirl:


So yeah, I went  and watched the season premiere of Supergirl, and while I can’t say I’ll ever be a fan, or regularly watch this, I can see it’s appeal to a certain segment of the population, namely very young, white women. Like The Flash, it’s not a bad show, it’s just not to my tastes. It’s a little corny/cheesy in the dialogue area, Flockhart’s character is still an asshole, but gives some of the most excellent career advice I’ve ever heard, and Hoechlin looks really weird (he has a funny face) as Superman, but he’s not bad. I think his pants are waay too tight as Clark Kent,  but okay. Speaking of clothes, I don’t like how Kara and Clark just rip open their shirts when they’re getting into character. I mean, that’s losing a lot of buttons, and as far as I can tell, Kara can’t sew.

Kara is still too young and twitchy for me. Like Flockhart’s character, Cat Grant, I  just want to shake her really hard, sometimes. She’s not a bad character, but she’s wishy-washy when she’s not being Supergirl, and I find women like that highly annoying. I understand why they’re like that, I just don’t like it. On the other hand, I like her relationship with Jimmy, who is really cute, and patient with her, and her relationship with her sister is really cute. I’m glad they’re shown getting along instead of some manufactured drama.  I just wish Kara acted a little more sure of herself, and it wouldn’t make my brain twitch. Nevertheless, she made a couple of command decisions in this episode, as Kara. I didn’t necessarily agree with all of the decisions, but at least she made ’em.

I’ve never been a Supergirl fan, I’ve never even read the books, but I am a huge J’onn Jones fan, though. I got most of his backstory from reading the Justice League books. I can’t articulate why, but I just love this character. Maybe it’s nostalgia for the comic book version. I like the actor who plays him, and I’m sure I’ve seen him somewhere before, but it escapes me, now. Kara’s sister started out pretty boring but became a lot less so when I saw her kicking  ass later in the show. What can I say, I love a good fight sequence. The best ones are like watching good dancing.

In this episode, Kara gets a visit from her cousin, Superman, and their relationship is really cute. Kara seems to get along with everybody. Last year she got a visit from The Flash and they seemed to hit it off pretty well. She’s like “the everysister”. Yet another dropship from Krypton falls out of the sky, delivering who knows what, or who. Superman and JJ don’t get along because JJ is a pragmatic paranoiac, who keeps Kryptonite at his facility, and Supe doesn’t want anything to do with that. Lex Luther has a sister, Alex, and someone has been trying to kill her. Well, really it was just murder attempts all night, really. Everything gets resolved though. Kara breaks up with Jimmy, decides she wants to be a reporter like Clark, and Metallo gets created. I was never impressed by Metallo, in the comic books either, but he looks kinda cool in the show.

I still don’t see me ever being a fan, or regular viewer of this show. It just wasn’t galvanizing for me, but it’s not a bad show, as it has improved a lot since that first episode.  Supergirl, and The Flash, are really kind of middle-of-the-road type characters for me. Watching these shows is like watching Superman’s best budds, when what I really want is to just watch a show about Superman. It’s just not powerful or exciting enough for my tastes.

Although, I might need to watch it again next week, just to be sure.

Channel Zero:


I hate to be a wet blanket but this show needs to step up the scares and mystery if it hopes to keep my attention. It has the feel of the first season of American Horror Story, except with more lackluster acting. I didn’t know what to expect going in. I thought maybe it was an anthology show. It’s not. It’s about yet another guy who goes back  to his old hometown where something tragic occurred to him when he was a child, and finds that maybe it’s starting all over again. It’s one of those slow burn mysteries, where you have not one damn clue what’s happening, except that it involves an old tv show that’s back on the air and is influencing the town’s children, and this show ain’t trying to hard explaining shit. Nor are the questions that arise, compelling enough to keep me watching this every week.

One sure way to get me to not like your show is to torture a child. At one point one kid bullies another kid, breaking his finger, while a bunch of other kids stand around and watch. As someone who always intervened when I saw other kids being bullied, I was enraged by this. (Not just the bullying but the standing around watching it.) Apparently, such scenes are one of my few triggers. Having been on the receiving end of a few of these sessions, as a young girl, I have no shame in confessing that I hate bullies with the passion of a thousand fiery suns, and cannot tolerate watching kids harm each other in movies and tv shows. (One of the reasons I refuse to watch movies like Hunger Games, or Battle Royale.)

I also had the impression, from the  trailers, that it was supposed to be scary, but I wasn’t scared. I was however, very irritated. This was not helped by the acting. There are a lot of awkward pauses, and greetings, and  significant glances with no explanation forthcoming, other than maybe nobody likes Mike.  Mike, the guy who goes back home, is quiet and creepy and not one person has a natural sounding conversation with another person. Everything sounds portentous, and ominous for no particular reason that I could discern. Maybe some of you guys will have better luck and then come back and explain to me what the hell I just watched.

I’ll wait!

Aftermath:

I still haven’t watched this show, but I plan on it. It looks like it might be fun, like The Walking Dead, with added demons. I probably won’t get to it until something goes on hiatus in November. Until then, it’s just sitting on my DVR. For my Non-American readers,  Fall premiere season happens in the space of two months (October and September) and there were a lot of genre shows (a good thirty plus) released this season, at least 5 or 6 of them on Tuesday night, alone. Aftermath airs on the same night as Brooklyn 99, From Dusk Til Dawn, Channel Zero, and Agents of Shield, so my dance card is pretty full, and Aftermath, no matter how interesting it looks, is going to have wait it’s turn.

Legends of Tomorrow:


Okay, I watched this but I don’t have much memory about it. Not that it was bad, just kind of lightweight , I guess. So, now the team isn’t superheroes anymore, but time lords, or travelers, or something, trying to right the various wrongs throughout history, being committed by Damien Darhk, like giving nuclear weapons to the Nazis so they can blow up NY city. That’s all  I managed to get out of this episode beyond Jackson feeling salty for being left on the ship all the time,  Rip Hunter being his usual dickish self in having contingency plans he keeps refusing to tell his crew about, and somewhere in there, Albert Einstein was involved.

I kinda like this show because its mindless good fun. I can knit while watching it as its not something I’m going to get particularly angsty about all week. I like the characters, who are dealing with problems just deep enough to keep them interesting, and of course, I love Firestorm whenever he gets to come out and play.And hey! next week…Vixen! and the Justice Society, who all look pretty awesome, even if I have no idea who they are.

Rip Hunter is still a jerk, though.

Wolf Creek:


As a general rule, I don’t watch serial killer movies, except when I do. Wolf Creek, the TV show, is based on a 2005 movie, which is based on a true story of a family that got lost in the  Australian Outback, and claimed they encountered a serial killer, sort of like in the Texas Chainsaw Massacre, another movie I find annoying. (Whew! Thank you run-on sentence gods!) Anyway in the pilot episode, a family gets lost in the Outback and gets attacked by a serial killer. What a surprise! Anyway, I was dubious about watching this because torture-porn is boring, and its difficult to turn lack of character development and torture and killing into a good mini-series. I’ll get back to you guys in this one when I get around to viewing it.

Westworld:


If Westworld is going to cause more questions then answers every time it airs, I can’t keep watching this. Nevertheless, I’m hooked on it, for now. Most of the humans on this show are total assholes, but the robots are kinda cool. Last week we started the story from the Host angle. This week we get a glimpse of what it’s like for the Guests, and mostly I’m just deeply repulsed. I’m not sure if it’s the setup, or the Guests themselves, which I find more distasteful. I’m guessing that’s on purpose by the writers. We’re meant to hate the people as much as the robots would?

Two guys, one of  whom is a jerk, and the other a classic milquetoast (although there’s nothing wrong with that) visit Westworld. The jerky one seems mostly interested in fucking and/or killing the robots, so right away, his story is uninteresting. The other guy though, encounters Dolores (corrected from Dorothy, in my last post), and is immediately smitten. Apparently he’s looking for True Love. There was some girl on girl action in the saloon, and the jerky Guest likes both men and women, and I’m all for LGBT representation, except for how it’s presented in this show, as something that’s risqué, or taboo. It’s something the characters can engage in clandestinely, at Westworld, because it’s unacceptable in the real world, like all the raping and the killing they get up to. I don’t like the idea of gay representation being equated with all the other shitty behavior we see the Guests committing against the robots, especially when there’s no such representation outside of Westworld.

I’m still not clear about how people choose their adventures, how long they can stay, how much it costs and why don’t we see more women Guests being gunfighters, because I would totally choose to be a female Sheriff or something. How do bullets work there, and how do they keep Guests from killing Guests when you can’t tell who is  a robot and who isn’t? Also, the show is working really hard at getting us to believe Ed Harris guy is human but I’m still hedging my bets. I’m not completely convinced, as most of the statements he makes about himself are somewhat ambiguous. But he does know about “the world outside the world”,so I’m still confused, (and will remain so for some time apparently.)

The robots comtinue to be the most interesting characters in the show and behave in an offbeat manner. The “reveries”  code  is contagious because Dolores passes it on to Thandie Newtons character, Maeve, who starts to have flashbacks to a previous existence, where she’d been killed by Indians. One of the Indians morphs into Ed Harris’ Man in Black, and it’s been posited that he might be some kind of icon of death for the robots, like the boogeyman, or the devil, someone they’re universally afraid of. Dolores passes along the contagious code by whispering her father’s phrase into Maeve’s ear.

“These violent delights have violent ends.” Definitely a pronouncement of the future.

Maeve is set to have a diagnostics check, and be decommissioned, but unexpectedly wakes up on the operating table, using the very same technique that the techs have been using to put her to sleep. I think what she does, during her little freedom walk, is a precursor to everything that’s going to be happening later in this season, only bloodier. She comes across the lab techs, hosing down the dead bodies of a roomful of robots, and one of the techs explicitly states that they hope the robots never start remembering what the Guests do to them, which makes me feel disgusted all over again, because based on what I’ve seen of Westworld so far, the humans (even the ones working at the facility) deserve it.

Jeffrey Wright’s character, and Anthony Hopkins don’t seem especially worried about  these malfunctions, and even seem to be encouraged by them, as we see when Wright’s character secretly interviews Dolores about her thoughts. And Hopkins guy may be considering adding religion to the Westworld program. Earlier in the episode, one of the robots mentions God in an offhand manner, and I perked up, wondering if the robots had religion. If they get coded to believe in a God, they already have a devil. The Man in Black.

I have to mention the opening credits here. They’re just incredibly lovely, with its robot horse and rider, and Leonardo Da Vinci’s  ideal man imagery, and it heavily  reminds me of both the opening credits of the original Ghost in the Shell, with its contemplative, percussive theme song, which helps to set the existentialist mood, and its slow stately music, which reminds me of my favorite Bjork video, All is Full of Love, which is about a robot falling in love with itself.

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