Tumblr Hot Takes

I’ve been on Tumblr for a while now, and I’m still not tired of it. Here are a few hot takes about various subjects.

On Acting

Image result for mediocrity

sc*rjo made more than 2 facial expressions for the first time in her career and got a leading actress nomination meanwhile lupita played 2 entirely different people in the same movie and got snubbed.. shut it down

 

People in the comments are missing the entire picture.

It’s not as simple as ScarJo getting nominated and Lupita not and it’s not about our “fave” vs your “fave”.

Scarjo was nominated for playing a normal, regular woman whose relationship breaks down. Haven’t we seen this before? I think it was Revolutionary Road with Kate Winslet and Leo DiCaprio. Before that it was The War Of the Roses with Kathleen Turner and Michael Douglas, before that it was Kramer vs. Kramer with Meryl Streep and Dustin Hoffman, all of which were nominated for various awards from the Bafta’s to the Golden Globes to the Oscars… the point being, we’ve seen this role over and over again, the actress just changes.

Lupita literally played TWO SEPERATE PEOPLE in the MOST ORIGINAL MOVIE OF 2019 and was shafted. A very limited group of actresses could have pulled off what Lupita did in Us. Horror or not, she put on a better performance than Scarjo did in A Marriage Story. Horror or not, Us made $250 million dollars on a $20 milllion dollar budget mostly because of HER performance and she got squat.

One role could have literally been played by any actress.

The other required skill.

But guess who got nominated? Let’s stop celebrating mediocrity.

 

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On Life

 

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On Experiencing The New

Gonna tell y’all what I can hear now that I got my hearing aids

Birds! They chirp and it’s so beautiful.

 

Far away cow moos

 

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My friend has this is his back yard and to say I cried is an understatement.

 

My best friends singing voice

 

Chickens: *chicken noise*

Me, sobbing:

The filter for my fish tank! Bubble bubble bubble

 

I sit in the bass section in band. Today I could clearly hear the flutes up at the front! They’re not great, but I can finally hear them!

 

The sound of walking in sand.

Soft but kinda crunchy? Very nice sound 10/10

 

Me playing guitar for the first time. Took the hearing aids out. Not a very good sound… yet

 

Tree leaves in the wind. I got a little spooked at first because it’s 1 am and I’m alone in the park but it’s a real good sound.

 

Bees

Let me say, it was really fucking terrifying walking past the flowering tree in my backyard and hearing zzzzzzzzzzzzzzzzzzzzzz coming from it.

 

“sunlight” by Hozier

I sat in my car alone while listening to it. I knew it would be special but wow, that was a religious experience.

 

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Their hooves make sounds in the grass but they are completely silent. Beautiful creatures. Beautiful sound

 

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Pine needles and pine cones make crunchy sounds!!! Oh my! Very nice

 

Colored pencils make a real nice scratch noise when I’m drawing. I didn’t know they did that

 

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On White Culture

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On The White Savior Trope 

 

 

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On Gay Sarcasm 

Image result for gay men

fellas is it gay to be gay

 

according to historians? no

 

Ugh, why can’t you just let friends be friends? Like where does all the friendphobia stop, I just wanna know. So sick of the societal pressure to bone a bro just cuz he’s sitting less than five feet away from you in the hot tub.

I mean for real, what I wouldn’t give to live in a time like Alexander the Great. When two fellas could just have such a deep and abiding bond of friendship – like, just pure platonic beefcake buddies with No Homo additives, not a single one, not even a vibe – that the King Bro almost bankrupt his kingdom throwing his best bud the funeral to end all funerals. And he owed to never take another bro, so long as he lived.

Like, that’s the dream. Just two dudes being dudes and doing dude things together. Just the two of them. No group hangs. Table for two only.

Both on Earth and in the afterlife, forever after.

Together.

Eternally.

*A moment of silence for the bro-ships of the days of yore, when polishing another dude’s staff of manliness after battle was just like, what a good friend does. Out of respect for his, y’know, battle prowess. And masculinity. And like. His muscles and stuff.*

….But then you guys had to go and make everything gay. Like wtf. That’s so gay, dudes.

 

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On Canada

petition to rename the usa ‘south canada’

 

what about alaska

are we then normal canada

 

canada a bit to the left

 

moniker-padacklyte 

What about South America? Is that just America? Or South South Canada?

winchesterwolves 
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From: Lkeke35

On Villains and Fans

This was my hot take on the discussion of fandom sympathizing and excusing pop media villains. I wondered if some of the reason some fans do that is because they identify with the villain, but villains are bad, and associated that villainy with themselves. If that is the case I wanted to reassure them that liking a villain in a movie doesn’t necessarily say anything, in particular, about your morals.

Image result for villains

Somebody needs to let them understand that not only is it okay to like problematic shit, as long as you own it, it’s okay to like the villains. It doesn’t really say anything about you if you like a charismatic villain, but spinning up a bunch of bullshit philosophies about the villain because you feel ashamed to like them is the problem. And trying to cover up your racism (and sexism) by making up bullshit stories about the only PoC in the narrative is what’s our problem.

Nobody cares if you like Kylo, or Loki, but you DO NOT need to hate on the other characters to like them. You don’t need to make your liking of those characters sound like the most progressive thing one can do, by making up bullshit character traits for them that are not remotely evident in canon! We dislike the people who are showing their ass over liking a fictional character. That’s the problem.

I’ve liked plenty of villains over the years. I acknowledge the fact that they are charismatic villains, and I own that shit. That they are darkly seductive or whatever. I liked Darth Vader but I didn’t need to hate Lando Calrissian to do that. Hell I actually love Loki exactly for who he is, an emotionally messed up spirit of utter chaos, who is something of an asshole. I liked Hannibal from the tv series, but I didn’t need to hate Jack Crawford to do that! It says nothing about my character or morality that I find him enjoyable to watch, while condemning his actions. And it’s perfectly okay to like both the good guy and the bad guy simultaneously. Sometimes villains are created for the purpose of inducing such feelings in the audience. They’re handsome, or charismatic or sympathetic.

Plenty of black people loved and sympathized with Killmonger from the movie Black Panther. In fact that’s exactly why he was written the way he was written, to reflect certain thoughts and feelings of the audience, and we didn’t need to shit on T’challa to like him. I really wish these people would understand it’s okay to like the villain.

Unless, of course, your real goal is to express your racial resentment of other characters, and you’re using your love of the villain as a shield to do so…

 

On Getting Old and Tired

My hot take about not getting too excited to watch the latest movie, about Black people, showing how strong they are, by experiencing pain.

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I’ve been a comic book, sci-fi, and film geek my whole life. I just love good stories, but now I’ve reached the point where if I haven’t read (name some famous black author), it ain’t gonna happen. Not saying I have no need for inspiration, or that such writing isn’t useful, and you do what you have to do, but I’m out.

I’m just damn tired of reading about black pain and misery. I don’t care what the reason is for, or how uplifting someone else thinks it is. It’s a phase I went through when I was younger, but I’m over it, now.

The only thing I wanna read about, and even watch now, is Black  bravery, courage, and joy. Now that I’ve had access to those kind of  stories, I’m spoiled. I want black love, black heroes, and black fantasies. I wanna see us in the future living our best lives. I wanna see us in alternate worlds bringing that black joy. I wanna see us defeating monsters, rescuing Excalibur, and flying rocket ships. I had so little of this growing up, I’m starving for it now.

I’m running up on fifty years old now, and that’s long enough to have traveled painful roads. And I’m really fucking tired. This world makes me shed enough tears. I don’t want tears in my fiction too.

 

On Cash Grabs and Disney

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I’m just saying, it looks really, really, suspicious when the argument about Disney doing nothing but a cash grab only seems to pop up ,from certain corners of the internet, whenever they announce some form of diversity in their latest movies.

To be absolutely fair, there are people who have been making that argument since the beginning of the MCU phase, and I don’t begrudge them their opinion, because yeah, it’s a fucking cash grab. But my counter argument to that is nobody who goes to see these movies gives a flying fuck about how they get representation. They only care that they are getting some representation in some manner. And yeah, it’s a cash grab, because Hollywood is a fucking bizness, which only now, after a hundred years, is starting to realize which side of the bread their butter is on, and the butter is on the side with diversity (and possibly China!) Yeah, PoC are all well aware of Disney’s racist past! You ain’t whitesplaining anything PoC don’t already know. What we have decided is we don’t give a fuck if we get a Black Ariel, a new Blade movie, or the next Black Panther, cuz it’s what we been fucking asking for the past twenty years!

This argument however, doesn’t ever seem to make its way across my dash when Disney announces its latest iteration of “Chris-Somebody Blows Shit Up Real Good!” But as soon as Disney announces that anybody black, or female, or gay, is working in one of their movies, then suddenly people wanna complain about a business trying to maximize its business! What the fuck they suppose to do, appeal to the smallest possible fragment of the American public and go out of business?

 

Generic White Fandom

My hot take on racial issues in pop culture:

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What I’ve observed, is that it’s not white gay men writing any of these characters. I’ve read erotica written by gay men and it is very distinct from fiction written by women. The primary writers of these all these characters are straight white women, (there, I’ve said it!)and there have long been conversations in the lgbtq community about straight women fetishizing white gay men in shipping! None of these fandoms, and we are speaking in the aggregate here, are even half as progressive as they want us to believe and like to hide their toxicity behind a faux-reverence for progressivism! In fact, it’s gotten to the point where I am automatically suspicious of any meta written by white women as I feel certain it will be their ex use to express their resentment of female characters who don’t look like them and any characters of color.

Absolute Fan wanking has finally hit the big f*cking time!

Another one of my biggest pet peeves, however, is the utter sameness of the characters being written, as the poster above says. It’s like these women, whose only knowledge of how men are actually like, comes from reading other stories exactly like the ones they write themselves, or the heteronormative relationships they are in, which they then pretend to sneer at in the source material, and only know three or four templates from which to cull their character’s traits, and they use these traits regardless of what any of these characters are like in canon.

On the other hand, I do like to try to give peope an out. And it’s this: White audiences have no f*cking idea what to do with characters of color. Since they’ve only ever been socialized by a racist pop cultural paradigm which centers white men, they can only ever villainize, or sideline, or make servile, characters of color, since those are the ONLY examples they’ve ever been given, and let’s face it, these people aren’t as imaginative as they like to think they are. Doing nothing more than reproducing the same dynamic that one has seen in decades of the source material, which sidelined characters of color, is not progressive or imaginative at all. And they really have no real examples to work from, either, Especially if their tastes in source material, are as white-centered, and/or truncated, as their ability to write fiction. Writing and thinking in a non-racist, non-sexist manner, requires active thought, and participation, and not simply the use of popular buzzwords!

Now put all that together with racial resentment, misogynoir, misogyny, homo- and transphobia, and their complete and utter inability to acknowledge their own personal insecurities, and you end up with thousands of white women writing a delusional toxic stew of all evil darkies, conniving and/or dumb white women, sassy and servile black women, and white gay men with as much character range as blocks of wood.

Horror Comes To The ‘Burbs: Part I of the Starring the Landscape series

Hi everyone,

My newest post is now available on Medium.com. Head over there, give it read, and some applause!

You don’t need to have a membership to read the story, but it helps, because there’s a lot more interesting writers on the site, and they would love some applause, too. A membership is only about 5.00 a month, but like I said, you don’t need to have one as Medium will allow you to read a limited number of stories of your choosing.

Visit:

Horror Comes to the ‘Burbs, by Lakitha Tolbert.

…And Then It Imploded!

All four of these huge racial implosions happened in the space of a year:

 

Star Wars

This one started in December, just after the release of the last film in the Skywalker trilogy.

In the latest news on racism, we have John Boyega, now that he is free of Disney, which means he is also free of any promotional obligations to them, is lowkey stating what every Black person has felt about the Star Wars fandom, since he first encountered its most toxic members nearly six years ago: F*ck you arseholes!

For the past two weeks he has been trending on Twitter and certain members of the fandom are mad as hell! Here’s an overall  assessment of the situation from Youtube’s Clownfish TV.

This entire thing is so long and convoluted that I cannot possibly go into everything wrong with this fandom. So here’s some links, most of which are all kinds of fun as John speaks in his own words, on his own terms, and let’s  toxic fans have it.

I have long observed that you do not come for British actors and comedians on social media. They are a class of entertainer who have absolutely zero f*cks to give as regards American’s delicate feelings, and tolerate no nonsense from us. Yes, it is primarily Americans who are acting a damn fool about all of this. Americans are so used to throwing their weight around in other countries, that I’m not surprised we try the same shit on social media, and then act surprised when people from other countries push back.

https://www.cinemablend.com/news/2486615/john-boyega-get-candid-about-stupid-star-wars-fan-conflicts

https://www.cbr.com/star-wars-john-boyega-toxic-fandom/

Incidentally, both Kelly Marie Tran, and Oscar Isaac, both pulled a Mark Hamill, and have made it clear they are through with this particular  Disney franchise, and were dissatisfied with how their characters were mistreated in the story. This entire thing must have been especially trying for Kelly Marie, who started out in the franchise as a sweet and bubbly newby, who was excited by her new role, was having a lot of fun, and looking forward to an illustrious career, and look what the so called “fans”  did to her.

https://www.thedailybeast.com/the-persecution-of-kelly-marie-tran-how-star-wars-fandom-became-overrun-by-alt-right-trolls

https://www.yahoo.com/entertainment/star-wars-actress-kelly-marie-tran-reveals-how-she-coped-with-internet-trolls-after-casting-201413884.html

Tran, Boyega, and Ridley have endured years of trolling and bullying from a virulently toxic fandom. (Daisy, less so since, as she isn’t on social media.)

 

American Gods

This happened in the fall of last year:

In October and November of last year, one of my favorite actors, Orlando Jones, found out he’s been fired from the cast of American Gods. where he played Anansi, and African Trickster god. Here’s the timeline of the event from Orlando’s viewpoint. According to Orlando, it’s a complete, racist,  wtf*ery…

Image result for orlando jones

Here are Jones’ comments on his departure from American Gods.

September tenth, 2018, I was fired from American Gods. There will be no more Mr. Nancy. Don’t let these motherfuckers tell you they love Mr. Nancy—they don’t. I’m not going to name names, but the new season three showrunner is Connecticut-born and Yale-educated, so he’s very smart. And he thinks that Mr. Nancy’s angry get-shit-done is the wrong message for black America. That’s right, this white man sits in that decision-making chair, and I’m sure he has many black BFFs who are his advisors, and made it clear to him that if they did not get rid of that angry god Mr. Nancy, he’d start a Denmark Vesey uprising in this country. I mean, what else could it be?

To the wonderful Neil Gaiman, thank you for allowing me to play this role, for writing this wonderful book, for opening the door for me to become a writer/producer on season two of American Gods, thank you, sir. To the magnificent Bryan Fuller and the incredible Michael Green, thank you for creating this series and for allowing me also to become Mr. Nancy. I hope the fans enjoyed it, because really this is about you. I hope you loved it as much as I loved doing it, and, you know, we’ll see each other again real…

https://slate.com/culture/2019/12/orlando-jones-fired-american-gods-mr-nancy-charles-eglee-starz-gaiman.html

I have no plans at this time to watch the third season. The showrunner for hte first season was Bryan Fuller who is an exemplary showrunner, and out gay man, and has no problems with writing complex, and sometimes, controversial shows. The second season saw new showrunners, and while the season wasn’t a bad season, the drop in cohesion and quality was noticeable. I expect it to drop even further wit hthe ousting of Orlando, and a writer’s room that doesn’t want to be bothered writing its Black characters.

That some of it held together at all, is apparently due to Orlando Jones stepping in to help write not just his own character, but many of the of the characters of color  on the show, as the writers couldn’t bring themselves to be bothered to do it, and for which he received no producer credit. They also did not announce his firing in a timely enough manner for him to audition for a new position in an another show.

Here’s what Orlando stated, in his interview with TVLine:

I showed up in Season 2 of American Gods, and they hadn’t written for my character at all. They certainly knew I was coming. That was literally the studio’s job. And they didn’t do that job. And I wasn’t the only person: They didn’t do it for all of the characters of color. So if you really care about these characters of color, then why don’t you write for them? So, I found myself in a very odd situation, because Neil Gaiman was the one who asked me to write a [character] Bible for Mr. Nancy [at the start of Season 2]. I didn’t jump into the writing process and throw my weight around. I was invited by Neil Gaiman. And when I wrote that character Bible and sent it to him, I got back a message I wasn’t expecting. As a fan of the human and, you know, as a writer myself, I was overjoyed. It was all caps the email, you know, “I F–KING LOVE IT. Spread it around.” …I spread around that character Bible. And I suddenly found myself writing, not just Mr. Nancy, but Ibis and Salim and the Jinn and Sam Black Crow and Shadow Moon and all of the characters of color who weren’t written.

Not only did the creators of the show fire Orlando Jones, but they also got rid of the Jinn and Salim, the only MENA actors in the series, and the only openly gay couple (which the show was too chickenshit to show last season), that I’ve ever seen on TV.

I don’t think the creators on these shows realize what a massive fanbase some actors of color have, and Orlando has a huge Black fanbase on Twitter, with whom he regularly interacts. They are incredibly loyal, and vocal about their love for him, and producers and creators of these shows do not understand how much we certain Black actors, They need to recognize that it is that fanbase that’s tuning in to watch these shows. Celebrities like Orlando, Viola Davis, and Gabrielle Union, have a huge cache of good will in our communities, and to dismiss or disregard it, is sheer stupidity.

What has happened since is that about half the main cast has vacated the show. Mr. World. The Jinn, Salim, and New Media.

 

******

What happened here is not that much different from what happened on Sleepy Hollow. A show that was based on a Black female character got new showrunners, who mistreated the lead actress, and decided to focus more of their writing on the White characters in the show to the point where the original lead actress was simply written out of her own show (and replaced by a lighter skinned actress, btw). Not because of anything she’d done, but because the writers either didn’t want to focus on her,  didn’t know what to do with her character, or were too lazy to write a woman of color.

I say let this new season of American Gods go the same way as Sleepy Hollow. its not a good look when a successful show keeps cycling through more and more mediocre (and cheaper) showrunners. I won’t be watching the new season, and believe we should ignore it until it goes off the air. Don’t talk about it, don’t tweet about it. Let the third season be its last.

https://wearyourvoicemag.com/entertainment-culture/the-sleepy-hollow-ing-of-american-gods

Last week, Jones went public on Twitter about being let go from American Gods, citing that Eglee did not think the “angry” message was the right one to send to Black America and that he would know since he writes from “a Black male perspective”. 

What we are witnessing, once again is “whitening” of a show. Every time Hollywood creates a show aimed at a Black audience, they consider that audience to be expendable once the show gets good ratings. They then try to reset the show to appeal to whiter audiences, instead, get rid of everything that drew us to the original story-line (watching characters of color in a fantastic setting), and  considerably “lighten” the characters each season thereafter.

The decline of American Gods and its once sharp-as-nails grasp of the concept of race in America mirrors such issues, with the departure of Mr. Nancy bringing the casting of Herizen Guardiola as Yoruba goddess Oshun back into question. Oshun, sans her appearance in Lemonade, has always been depicted as a beautiful, darkskinned goddess. And it takes a specific type of toffetry and caucasity to assume the opposite and also assume that there cannot be two darkskinned goddesses onscreen at the same time (re: Bilquis).

*****

Image result for gabrielle union agt timeline

But the producers of American Gods aren’t just in trouble for this issue. Fremantle Media, an Australian based company, that usually produces Reality TV shows, is being investigated for the firing of Gabrielle Union, a Black actress from America’s Got Talent.

https://www.kingofreads.com/a-complete-timeline-of-the-gabrielle-union-americas-got-talent-saga/

The Romance Writers of America

Most of this happened in December of last year, and continues to now:

Image result for romance writers

Last year, I published a link to an article on the lack of diversity n romantic fiction, and how women of color were fighting to be included:

https://www.theguardian.com/books/2019/apr/04/fifty-shades-of-white-romance-novels-racism-ritas-rwa

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NOW:

The Romance Writers guild imploded earlier this month ,in a series of vents which has culminated in the mass exodus of at least a third of its members. Here’s a timeline of the events, as we understand them:

https://www.claireryanauthor.com/blog/2019/12/27/the-implosion-of-the-rwa

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a summary of my understanding of the situation

  • courtney milan is a chinese-american romance author and was the chair of the romance writers of america ethics committee
  • she wrote a twitter post where she called a book by kathryn lynn davis ‘a fucking racist mess’ (because it was)
  • davis and suzan tisdale file a complaint because How Dare She
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  • are you guys seeing this because oh my fucking god ARE YOU SEEING THIS
  • “it was the nineties and she did a lot of research into chinese people, you’re just racist against white people”
  • they kicked courtney off the board because of this
  • immediately people started resigning because that’s horseshit
  • so many people resigned
  • SO MANY
  • it turned out the people resigning were some of the only people keeping the absolute bugfuckery of the people in charge at bay
  • the decision was rescinded like “oh whoops our bad” but like?? too late????
  • all the dirty laundry is coming out on twitter
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  • there are petitions to get the president, president-elect, and executive director of rwa recalled because they’re clearly fuckups
  • either the rwa is going to need to go through some big changes, or a lot of authors (particularly queer authors and authors of color) are going to have to make their own org
  • the founder of rwa was a black woman so bigots taking over is especially fucking galling
  • courtney milan is also the reason we have dinosaur emojis
  • that’s not really relevant except who the fuck steps to the woman who got us dinosaur emojis

 

  • Courtney Milan is not only a great author and the person who gave us dinosaur emojis.
  • She is also a lawyer who clerked for Federal Judge Alex Kozinski.
  • In 2017 she spoke the WaPo and exposed Kozinski’s pattern of sexual harassment, also shedding light on how the clerking system’s confidentiality rules created an environment in which it was effectively impossible to make complaints about the judge one served under.
  • This is a massive clusterfuck from the ground up, but particularly because Milan is just about the worst possible person to fuck with in a situation like this.
  • The Board also took on the Case of the White Lady Publishers Who Don’t Like WoC Pointing Out Racism on Twitter, but has this same week refused to speak on Dreamspinner Press not paying authors.
  • So that’s a look at the priorities of what is *supposed to be* an authors’ advocacy professional org.

courtney milan managed to do a TON of good while she was on the board by taking neither prisoners nor shit, and being very vocal about calling out fuckery in the community, but now it’s looking like there were people within the rwa looking for excuses to get rid of her for exactly those reasons

hopefully they’ll be able to get the org back into good hands, because otherwise that’s a lot of resources that are going to go to waste (think: millions of dollars) while good people have to start over

 

******

*This entire timeline has resulted in the  canceling of their annual awards event.

https://www.washingtonpost.com/nation/2020/01/08/romance-writers-america-cancels-awards-program-writer-racism-controversy/

 

 

The Knitting Community

This began around this same time last year, and wound up in the Summer months:

Image result for knitting

Since this event began Ravelry has banned any form of support for Trump from its website. You can still be a conservative and discuss politics, you’re just not allowed to openly express any support for him, or his administration, on the site.

We are banning support of Donald Trump and his administration on Ravelry.

This includes support in the form of forum posts, projects, patterns, profiles, and all other content. Note that your project data will never be deleted. We will never delete your Ravelry project data for any reason and if a project needs to be removed from the site, we will make sure that you have access to your data. Even if you are permanently banned from Ravelry, you will still be able to access any patterns that you purchased. Also, we will make sure that you receive a copy of your data.

We cannot provide a space that is inclusive of all and also allow support for open white supremacy. Support of the Trump administration is undeniably support for white supremacy.

The Community Guidelines have been updated with the following language: “Note that support of President Trump, his administration, or individual policies that harm marginalized groups, all constitute hate speech.”

Policy notes:

  • You can still participate if you do in fact support the administration, you just can’t talk about it here.
  • We are not endorsing the Democrats nor banning Republicans.
  • We are definitely not banning conservative politics. Hate groups and intolerance are different from other types of political positions.
  • We are not banning people for past support.
  • Do not try to weaponize this policy by entrapping people who do support the Trump administration into voicing their support.
  • Similarly, antagonizing conservative members for their unstated positions is not acceptable.

https://www.vice.com/en_us/article/xwnp4a/the-real-reason-ravelrys-ban-on-white-supremacy-is-surprising

 

 

Hi! Have Some New Movie Trailers!

Hi! Here is a small list of movies that I’m interested in this year. Okay, partially interested in. Some of them I’m not exactly too keen on, but decided to add them here, in the interests of fake fairness.

 

*Quiet Place II 

I kinda like apocalypse movies, so I’m looking forward to this sequel. I may as well put it on my watch list for Summer, because I’m pretty sure my Mom (my movie buddy) is going to mess up my whole movie watching schedule for the Summer, by requesting to see Horror movies. A couple of times, I had to put my foot down and tell her that no we were not going to see the Annabelle movies!

I’m generally not real big on seeing Horror movies in the theater, because its easier to walk out on them when you’re at home, but I kinda know what type of scares to expect, having seen the first movie, so we will probably go see this one.

 

 

New Mutants

I started reading  the New Mutants during its first run waaay back in the 80s, and the primary story was about an Indigenous girl, named Danielle Moonstar, who was haunted by a  demonic bear. She had the ability to create realistic illusions in the minds of the people around her, and the bear had the ability to turn anyone it touched into a kind of demon minion.

I haven’t read that particular comic in decades, but I still vividly remember the images drawn by Bill Sienkiewicz (Sink-o-wits), who  became one of my all-time favorite comic book artists. I also thought the story was pretty scary too, so The New Mutants movie comes by its horror trappings very honestly.

The team consists of Illyana Rasputin, who is the sister of Colossus (from Deadpool) in the comic books. She is a kind of  half demon, who wields a soul sword. Rayne is a werewolf from Ireland. Sam is known as Cannonball, and is capable of flight, and Sunspot is ,well he’s complicated, and scary as f*ck, when you think about his powers. This trailer looks a lot more interesting than that first one we saw which really didn’t excite me very much. This new trailer makes the movie look as if it were worth paying money to see.

All that said, I’m not too keen on seeing this movie because of its overwhelming whiteness. Not a single one of these characters look anything like they have in the comic books for the past thirty years, and I just find that deeply annoying, along with not wanting to watch a bunch of teenagers, and their merely adequate acting skills. But hey, the trailer is cool.

 

 

 

John Henry

I’m really excited to see this one, (even though I still have issues about Black people constantly being associated with criminal activity in movies.) John Henry is one of those folk tales I heard when I was a little girl. I’m not clear if he was a real person or not, (I suspect he was), but he is basically an African American Folk Hero, like our version of Superman.

When Superman died in the comic books, back in the 90′, ,a bunch of different people tried to fill his shoes, and one of them was Steel, (who carries a giant hammer) who was based on John Henry.

Henry even has his own song, which I also learned as a kid. It’s basically a superhero story about a man who raced a steam drill, to tear a hole in a mountain. This was animated by Disney a few years ago, for the movie Legends. (This is not the original music for this short.)

 

This is the first live action version I’ve ever heard of, set in the modern day, and I cannot think of a better person to play this character than Terry Crews.

 

 

Tenet

Yes, yes, yes!!! I am very excited about this. i don’t know that I’ll get chance to see it in the theater, as I did The Dark Knight, but I am eagerly looking forward to Christopher Nolan’s latest thriller, which stars the son of Denzel Washington. Look for the little “time loops” in the trailer! There are several.

Tenet, described as “an action epic evolving from the world of international espionage,” seems to exist in the same complex cinematic conversation as Inception (if not the same universe) — in terms of how it dabbles in both the sci-fi and spy genre, and in regard to its futuristic-yet-grounded world filled with futuristic-yet-grounded technology.

The sequence centers around a terror crisis, and both the law enforcement members and a group of spies who respond to it, with seemingly different motivations. This plays into the specifics of the film’s spy world, as John David Washington’s character even sounds as though he’s speaking in code at one point.

It also contains a blink-and-you’ll-miss-it moment that seemingly showcases the film’s time-warping technology in action, which helps to communicate the sci-fi twist. After the sequence wraps up, the prologue dives into a trailer-like montage, which contains the reversed car flip from the online trailer.

https://www.hollywoodreporter.com/heat-vision/tenet-imax-prologue-shows-a-time-bending-mission-1264421

https://youtu.be/-BplPeKclvw

 

 

 

Black Widow

Some movies, I’m instantly excited about, whether or not I see a trailer. Black Widow was not one of those movies. I heard they were gonna make it, and my mood was pretty, “Meh, I’m over her.”(It does not help matters that  Scarlett Johannson insists on walking around with her foot firmly planted in her mouth, and its hard to act that way.)

But most people don’t know about her social media gaffes, and, this trailer actually looks like a helluva lot of fun, and this trailer does make me want to see it. A little dose of humor goes a long way with me, because that first trailer was horrible. This one is a lot better, so I predict this is gonna be pretty big, and more than enough to tide people over, until Wonder Woman is released (another movie I don’t particularly care to see, not because I hate the movie, but because I just can’t dredge up enough energy to care about it.)

I really only have one question: When are they gonna make that Kamala Khan movie?

 

 

Free Guy

I like Ryan Reynolds and this just looks like goofy fun. I will not be seeing this in the theater however, because i generally avoid films that involved video games, and while Ryan and his wife have great onscreen presences, their personal life decisions are for shit. I really need to stop reading anything about celebrities. A lot of them suck as people.

 

 

Bloodshot

I probably will not see this in the theater, although I am a fan of the comic books, which it seems there’s like a thousand of them. The action scenes look cool as f*ck though, (I’m cussing, so you know I’m excited about this!), and despite Vin Diesel’s questionable acting skills, and the mediocre plot of having his wife get fridged as a motivator for vengeance, I kinda want to see this. I’ve been spoiled by some really good, smart action films for the past ten years, and while this looks like it has a nice mental twist, it doesn’t look as if it will captivate me, in a theater, for two hours. We’ll see!

 

 

 

The King’s Man

I like this one but probably won’t see this in the theater because I wont be able to get anyone else interested in going to see it with me. Now this movie is a prequel to The Kingsman franchise, is set in a different time period, and boasts a much weightier cast. I don’t know. This movie is giving me Indiana Jones feels, and that’s a good thing, since I like those movies.

 

Honorable Mentions

*Birds of Prey – A Harley Quinn movies, which looks interesting.

Mulan – A live action movie based on the original Chinese story of a young woman who disguises herself as a man to take her father’s place in the military.

*The Lovebirds – This one stars Issa Rae and Kumail Nanjiani, whose good-natured humor has built them a large fan base, so I expect this movie to do well.

*Candyman – A remake of the original 90s movie by Jordan peel, and featuring cameos from the original cast.

*Morbius – I like a good vampire movie, and this is from the same people who made Venom, which I also liked. Morbius is part of the Spiderman universe, and is one of his deadliest villains. He basically eats spider-people. I would have preferred an animated version of this in the style of Into the Spiderverse, but we got Jared Leto instead. Whaddya gonna do?

The Hitman’s Wife’s Bodyguard – I just really like this stupid title.

Last Night in Soho – I got two words for ya’. Edgar Wright!

*Snakeeyes – This is one of my favorite characters from the G I Joe universe, so I’m looking forward to seeing this. I guess its gonna be an action movie year.

*Halloween Kills – I was one of the few people who seemed to actually enjoy the previous Halloween movie, so I guess I’ll be sitting all alone in the theater, for this sequel.

Eternals – I don’t know what to think about this yet. Its part of the newest phase of the MCU universe. I’m withholding my opinion until i see a trailer.

*Dune – I  like this director, Denis Villenueve, and liked his interpretation of Bladerunner, so I’m looking forward to his version of Dune. I’ve read Dune every couple of years, or so, and I actually enjoy the original film, despite its inaccuracies.

One drawback though is that he doesn’t feature any Black people in his movies that either aren’t criminals, or getting horribly killed. I looked at the casting for this movie, and there is only one Black man in the entire cast (on what is supposedly a desert planet where everyone appears to be lily-White). He plays the character of Jamis, one of the first people killed by Paul when he joins the Fremen. Even though the Fremen are canonically based on Middle eastern tribes, there’s not one MENA person in the cast. Zendaya is in the cast, and I like her a lot, but she is light-skinned, so she is one of those people a director casts, when they want someone of ambiguous ancestry.

I’m starting to give Villenueve a heavy side-eye on his depictions of characters of color. I’m not saying Villenueve is a racist. What I’m saying is that like a lot of White directors,he has never thought about race at all, and so continues to reproduce the same tired, worn, stereotypes of Black and Brown criminals, who need to be punished in the story.

Most Beautiful Horror Movies

October is long over, but I’m never going to get tired of discussing Horror movies, so you’ll  just have to bear with me.

As a visual artist, movies are very important to me.  It’s part of the reason I love most of the movies I love regardless of their other qualities. I especially love movies that dazzle my  eyes. I chose Horror movies for this post. Horror, and Scifi are the two  genres that are most free to imagine, while breaking the rules of costuming, and makeup, and people really don’t give them enough credit for their beauty.

 

Bride of Frankenstein – The Bride (1935)

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The Monster’s Bride’s makeup and hair are iconic. Anytime its referenced in another movie, and everyone who sees the costume, who knows movies at all, knows where this look is from, the name of it, and the actress who wore it, Elsa Lanchester. The Bride is one of the first female monsters to ever appear on film, with the exception of the 1932 Vampyr, (which featured the first onscreen female vampire, Carmilla).

Bride of Frankenstein was directed by James Whale, and this movie is heavily referenced in the 1998 movie, Gods and Monsters, where we see Whale, (played by  Ian McKellen), get reunited with his monsters, Karloff and Lanchester.

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Us – The Tethered (2019)

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The costumes in this movie are not especially beautiful, but they do have a lot of wealth of meaning, as related to the plot. Here, the costumer, Kym Barrett, and the director, Jordan Peele,  discuss the meaning of the costumes from Us.

https://www.theatlantic.com/entertainment/archive/2019/03/us-meaning-costumes-kym-barrett-interview-red-jumpsuit/585793/

https://fashionista.com/2019/03/jordan-peele-us-movie-costumes

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It- Pennywise (2019)

Pennywise’s costume is just a tiny bit uncommon because it  is loosely based on Pedrolino, a sort of generic, French clown from the  Italian commedia dell’arte. At any rate, clowns being scary has a very loooong history. The 2019 version of Pennywise (Skarsgaard), in his white costume and distinct, Pagliacci style,  makeup, is very different in looks, from the television mini-series version, played by Tim Curry, who looked much more traditionally American. The costume designer, Luis Sequeira, is also known for his work on The Shape of Water, (which got him nominated for an Oscar in 2017.)

https://www.telegraph.co.uk/films/warner-home-video/why-is-pennywise-so-scary/

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https://www.smithsonianmag.com/arts-culture/the-history-and-psychology-of-clowns-being-scary-20394516/

You aren’t alone in your fear of makeup-clad entertainers; people have been frightened by clowns for centuries

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Legend- Darkness (1985

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This movie is known for Tim Curry’s portrayal of a Satanic figure, Darkness, who tempts an innocent young virgin to be her worst self. Mia Sara and Tom Cruise star as a pair of star crossed lovers, who run afoul of Curry’s Demon King after Sara’s encounter with a unicorn gets it killed. He uses her guilt at having lured the unicorn to its death to try to turn her into a demon as well. This is  the most underrated straight  Fantasy movie of the 80s, and probably because of the presence of Tom Cruise, that people dismiss it.

This was Ridley Scott’s next big film after Bladerunner, and it has all of his usual markers, in that it is gorgeous, lush, surprisingly sexy, and has a point to make, about good vs. evil, and fate vs. choice. The standout visuals, and the best lines, all belong to Tim Curry. The makeup was designed by Rob Bottin, fresh off his stints on The Howling, and The Thing. The  soundtrack was composed by Tangerine Dream and the costume designer was Charles Knode, who was also responsible for the costumes for Bladerunner.

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Queen of the Damned – Akasha (2002)

i already talked about Akasha, the Egyptian adjacent Queen of the vampires, from Anne Rice’s Queen of the Damned.

https://wordpress.com/post/tvgeekingout.wordpress.com/80911

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Beetlejuice- Lydia Deetz (1988)

Lydia Deetz, is one of Tim Burton’s most iconic characters, and is also the most well dressed emo, Goth-girl in cinema. Wynona Ryder is  probably the only teenager in America that could pull off wearing a black veil, when not in actual mourning. She remains true to her style, and her nature, even after her parents decide to forgo civilization, and movie to the boonies. It only makes sense that their new house would be haunted by the ghosts of the gentle couple that lived there before them, (along with that rascally scoundrel, and  ne’er do-well, Beetlejuice.)

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The Cell (2000)

The Cell is one of the most beautiful horror movies ever made. A psychologist played by Jenifer Lopez, goes into the dreaming mind of a serial killer, to find the whereabouts of his latest victim, before her time runs out.  Tarsem, the director, who got his start in music videos, was heavily influenced by the some of the more  avante-garde artists who came before him. The costumes for this movie were also designed by Eiko Ishioka, the costumer for 1992’s Bram Stoker’s Dracula.

Artistic Influences

Some of the scenes in The Cell are inspired by works of art. A scene in which a horse is split into sections by falling glass panels was inspired by the works of British artist Damien Hirst. The film also includes scenes based on the work of other late 20th century artists, including Odd NerdrumH. R. Giger and the Brothers Quay.[3] Tarsem—who began his career directing music videos such as En Vogue‘s “Hold On” and R.E.M.‘s “Losing My Religion“—drew upon such imagery for Stargher’s dream sequences. In particular, he was influenced by videos directed by Mark Romanek, such as “Closer” and “The Perfect Drug” by Nine Inch Nails, “Bedtime Story” by Madonna,[4] and the many videos that Floria Sigismondi directed for Marilyn Manson. During a scene, Jennifer Lopez falls asleep watching a film; the film is Fantastic Planet.

In the scene where Catherine talks with Carl while he is “cleaning” his first victim, the scenery resembles the music video “Losing My Religion” by R.E.M.. The scene where Peter Novak first enters the mind of Carl Stargher, and is confronted by three women with open mouths to the sky is based on the painting Dawn by Norwegian painter Odd Nerdrum. The scene when Catherine Deane is chasing Carl through a stone hallway, right before she enters the room with the horse, is based on a painting by H. R. Giger called “Schacht”.

                      —– https://en.wikipedia.org/wiki/The_Cell#Artistic_influences

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Hellraiser- Pinhead (1988)

Pinhead, as played by the origianl, Doug Bradley,  (although no name was given for the character in either the book or movie), is an iconic horror figure. Even people who have never seen Hellraiser know him. Inspired by Dante, Faust, and  BDSM gear, the silhouette, the headgear, the “its just business” attitude, has itself inspired a line of streetwear.

 

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Bran Stoker’s Dracula (1992)

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Although Francis Ford Coppola was confident enough in his interpretation of this classic story to put Bram Stoker’s name on it, there are some significant differences from the original source material, and one of  them is  Dracula is shown as a much more romantic figure. The movie is essentially a love story, whereas in the book, Dracula is much more a figure of horror, and the emphasis is more on his symbolism as a  disease, since at that time, England was very much concerned with the influx of European immigrants. At the time, Eastern Europeans were not considered White, and were said to be of impure blood, and polluting England’s shores.

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Dracula is shown here to be a studly studmuffin in the form of Gary Oldman, who is not normally considered very hawt, but manages to pull it off very well. This movie has some of the most beautiful costuming I’ve ever seen in a horror movie, and it put the designer, Eiko Ishioka, on the map, as the go-to person for freaky/sexy, historical dress.

https://www.independent.co.uk/arts-entertainment/films/news/eiko-ishioka-japanese-costume-designer-google-doodle-bram-stokers-dracula-gary-oldman-winona-ryder-a7836536.html

 

 

Honorable Mentions:

Brotherhood of the Wolf (2001)

This movie is a beautiful mashup of historical inaccuracy,  Kung Fu, and steampunk  Monsters!

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The Birds

Tipi Hedren is the epitome of a hip, urban, fashionista of the 60s.

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The Hunger

Catherine Deneuve and David Bowie as modern day, urban, vampires.

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The Company of Wolves

This classic fairy tale got the 1980s makeover treatment with high fashion and werewolves, courtesy of Neil Jordan, the director of 1992’s Interview with the Vampire.

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Some Favorite Comedies

I wouldn’t call myself a film comedy fan, whatever that means, (although I have and will, watch plenty of TV comedies), nevertheless, I have watched a large number of them in the past four decades. Some of them have been more impressive than others, and by impressive I mean that I actually laughed at them, or  watched them  multiple times, “… and it keeps getting funnier, every single time I see it!!!”

I have a strange relationship with humor. I don’t often find funny what other people find to be funny, is much so, that I used to think something was wrong with me (but it turns out I’m, most likely, somewhere on the Asperger’s spectrum). I’m often unimpressed with the kinds of movies other people think are hilarious. I’ve been told, from time to time, that I’m pretty funny myself, and while I like to say silly things to strangers to break the ice, I don’t really think of myself as a particularly funny person.

I have noticed a pattern to what I find funny. My sense of humor is tends to be childlike,  just straight up silliness, solely for its own sake, and the movie usually has to be mixed with some other genre. Of all the movies on this list, The Nutty Professor is the probably the only movie which I would say was made solely for comedy’s sake, as its really not mixed with some other genre, (maybe sci-fi, since it’s a parody of Dr. Jekyll and Mr. Hyde), and yeah, I am including the 1963 Jerry Lewis’ version. But most of these are Western, or Horror, or SciFi Comedy.

So here, in no particular order, are just some of my favorite comedies. I have several more favorites that, for whatever reason, didn’t make it onto this list, but hey, I can always so another post, right?

 

Galaxy Quest 

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There is no such thing as the comedy to end all comedies, but if there were, Galaxy Quest would be the parody to end all SciFi parodies. After this movie got made, no more need be said on the subject.

I absolutely love the fuck out of this movie, taking every opportunity to watch it when it airs on TV, and here are only five of the reasons why:

  1. Its a Star Trek parody, and I am an Old School Star Trek fan. Name a character, or play some music from the original series, and I can tell you the title and plot! I wanted to be Lt. Uhura when I was a little girl, and I would of course, marry Spock!

2.  Sigourney Weaver, the queen of my other favorite movie franchise, Alien. Sigourney gets nearly every great line in this movie,  and is only rivaled in the amount of great lines she gets by:

3.  Sam Rockwell, as Guy Fleegman, a redshirt nobody who is convinced that because his character has no last name, and is the head of security, that  he is going to die on whatever adventure they are having.

4. This movie contains one of my all-time, favorite, movie tropes, featured in films like The Three Amigos, Tropic Thunder, and A Bug’s Life, where a group of actors mistake a plea for help, from some unsophisticated victims, to be a request to do a show. The actors sign up to do a show, which  turns out to be the  real thing, and they have to now become actual heroes. This plot trope is also  a parody based on The Magnificent Seven, and The Seven Samurai.

5. Alan Rickman’s Dr. Lazarus, who is a loose parody of a conflation of the character, Spock, and  any number of Shakespearean English actors,  like Patrick Stewart, whose makeup becomes more, and more disheveled, the further we get into the movie, until its time to say that one line of dialogue that he absolutely hates, (but for real this time), during which his makeup becomes perfect.

Its not that Tim Allen’s character isn’t funny. He has his moments, but he is also the only character willing to take everything seriously, while all the other characters are like: WTF?!!! Especially Tony Shalhoub’s character,  Fred Kwan, who I think, spends the entire movie high as a f*cking kite, and still manages, somehow, to keep his game on point, and get the girl. I don’t think he actually believes that any of the shit that’s happening is real, and is able to just totally roll with whatever happens, and as far as I’m concerned, that’s probably a great way to get through most of the world’s minor tribulations.

One day, I have to do an entire post on this film, talk about why I love this so much, what tropes the film is parodying, the whole thing.

 

Raising Arizona

https://tvgeekingout.wordpress.com/2017/05/02/speaking-of-crime-raising-arizona-1987/

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Before, Raising Arizona, I was not much of a movie comedy person. I watched most comedies on TV, and that was where I stayed. I grew up watching the Three Stooges,, The Little Rascals, and Looney Tunes, and moved on to more adult comedies like Mary Tyler Moore, Barney Miller, and WKRP in Cincinnati, and  comedians like Robin Williams from Mork and MIndy, or George Carlin, and Jonathan Winters, especially if they showed up on the late night TV shows I wasn’t supposed to be up watching.  Sometimes I would watch a Scifi comedy, or a Horror comedy, but I didn’t often watch comedic movies that were just whatever they were.

I mentioned in an earlier post how this movie came to resonate with me, and played a big part in my memories of college life. Everything about this movie strikes my funny bone, from Hi and his  friend’s highfalutin’  manner of speaking, despite that all of them are lowlifes, to the plot,  the music, and cartoonish action scenes. This is the only movie I will watch, (besides, Ravenous, and  Mars Attacks!), that prominently features yodeling.

 

Tucker and Dale Vs Evil 

I gave a review of this movie here:

https://tvgeekingout.wordpress.com/2016/04/24/geeking-out-about-tucker-and-dale-vs-evil-2010/

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My favorite scene in the entire movie is Tucker being chased by bees, while wielding a chainsaw. I just lose it every single time, and you have to watch the movie, just to put that scene in context. This  movie is utterly ridiculous and knows it.

 

 

Best in Show

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The great thing about this movie, isn’t the situation, although I do like Dog Shows, its the complete silliness of the characters. The Director is none other than the maker of This is Spinal Tap, Christopher Guest, an alumni from Saturday Night Live, who wrote the script with Eugene Levy, who has become another favorite of mine. They specialize in the kind of smug, off brand, humor that a relies on subtly, weird characters, and puns, and which is often called pretentious.

These are not laugh out loud, guffawing type movies. The humor goes much deeper than that, to tickle waaay down in your stomach. The characters are not necessarily doing obviously funny things, there is little  slapstick, and most of the humor relies on dialogue. In some cases, you are actually laughing at the characters, while others you laugh with, and this is some exceptional writing, when you can have multiple characters like this in the same movie. But what I love the most about this movie is no matter how funny the character’s are, none of it is mean spirited. Guest loves his characters, and doesn’t  humiliate them, just for the enjoyment of it. They are always either clueless, or hapless, people who mean well, but just, for whatever reason, can’t.

The movie follows three different couples as they navigate their way through a dog show. Eugene Levy and Catherine O’Hara play John and Cookie Fleck, a lower middle class couple, the owners of a Norwich Terrrier, who are out of their league at such a prestigious event as the American Kennel Club Dog Show. Cookie has a sordid past as the town futon, who is constantly running into old lovers, while Eugene is her hapless, two left-footed, husband.

Meg and Hamilton Swan are a pretentious, and neurotic, yuppie couple, who you are probably meant to laugh at, as they wax nostalgic about meeting each other at competing Starbucks, and freak out over their completely unperturbed Wiemeraner. Scott and Stephan are a gay couple, who are the charming, funny, and the gracious, highlight of the movie, and the sweetly pretentious dogfathers of a pair of tiny Shih Tzus.

The singletons are Mrs. Cabot, a trophy wife, who has an interesting relationship with Christy Cummings, played by  Jane Lynch, as a famous, over-competitive dog trainer of a poodle. And Christopher Guest himself rounds out the cast as an overly hopeful Basset Hound owner, who is totally out of his comfort zone, named Harlan Pepper. The most silly character in the film is the Dog Show announcer who embarrasses his fellow announcer by  making dumb, loud, and off-color jokes.

All of the characters are deepened with interesting side stories, and little quirks of personality that make them more likable than annoying. Guest is the type of humorist who doesn’t try to be edgy, or shocking, to the viewer. You can tell he likes these characters, even the Swans. He’s not trying to humiliate them just for shits and giggles, and most of them get positive, if not happy, endings. This is also one of my favorite movies about dogs.

(Yes, we have two dogs in the house, our dignified elder statesman, Sargent, a Rat Terrier, who has a bobbed tail. I like to call him Capt. Wiggle-Bottom, and our smalle, and  faster, back up model, named Rusty, a redheaded Yorkie, I like to refer to as The Squeaker, and  however you just pictured them, is exactly how they behave.)

 

 

 

Tropic Thunder

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Okay, I know that I am probably not supposed to find this movie as funny as I do, filled as it is with Blackface, Black stereotypes, Asian stereotypes, Jewish stereotypes, and  its use of the R word, but I just cannot help myself. I just love this movie, and that is due almost entirely to Robert Downey Jr’s character, a White Australian actor, who spends  the entire movie masquerading as a Black man, while working next to  an actual Black man, and lecturing another White man on how that man went too far in portraying a marginalized character. I think what’s really the movie’s  saving grace for me, is the ACTUAL Black man, played by Brandon Jackson, who calls Downey’s character out at every opportunity. The people who made this film knew that everything they were doing was wrong, and still went there with it!

Tropic Thunder is meant to be a satire on war movies, and actor’s careers. Jeff Portnoy is meant to poke fun at Eddie Murphy. The makeup artist for this film, Rick Baker, also did the makeup for Murphy’s Nutty Professor movies. Tug Speedman is a play on Tom Cruise, who also has a cameo in the movie, (and almost steals the whole damn thing, even when you don’t recognize him!), and Robert Downey’s character, named Kirk Lazarus, was a statement about Australian and British actors who make it big in Hollywood, by playing chameleon-like roles.

As the film progresses, and the events that were only being faked on a movie set before, become more and more real, Lazarus’ makeup starts to wear off, and you can see his real face, as he becomes a White man,  with an incongruous, 70’s Blaxploitation accent. I remember when I first saw the trailer, I kept looking for Downey,, because I was told he was in it, and not finding him. It wasn’t until after the movie’s release that I realized I’d been looking at him the entire time. His makeup is so incredibly convincing that he looked like my late uncle, something which struck me as incredibly funny. Even after knowing it was Downey, I still kept seeing my uncle, (probably because he says a number of things that are exactly how my uncle would have reacted, under the same circumstances).

Some of my favorite moments aren’t even in the movie, like the DVD commentary, where Downey does a ridiculous Blaccent, the entire time, because  as Kirk Lazarus states,  he doesn’t break character until the DVD commentary. It is hands down one of THE funniest DVD commentaries I’ve ever listened to, as Jack Black is a natural born cusser, and, very probably, drunk during the whole thing.

 

The Nutty Professor (1963)

This is the original movie on which Eddie Murphy’s 1996 version was based. This is the one I grew up watching, along with a bunch of other Jerry Lewis films. It does differ significantly from the remake, but the basic plot is the same, a kindhearted, nebbishy, teacher transforms himself into the ultimate masculine man, to attract the attention of the beautiful woman he has a crush on. But the differences are interesting too, and not just the race of the characters. The original film is also a musical with a number of setpieces written by Walter Scharf, and performed by Jerry Lewis himself.

Jerry Lewis plays Julius Kelp, a nerdy, science teacher ,who has fallen in love with one of his students, Stella Purdy, who is played by the lovely Stella Stevens. To win her love he transforms himself with a potion, (ala Dr. Jekyll and Mr. Hyde) into an obnoxious character, named Buddy Love. Just as in the remake though, the potion doesn’t last, and his true self gets revealed for all to see.

From the opening scene, to the final act, the movie is filled with a lot of great physical comedy, but the highlight of the movie, at least for me, were the two musical performances by Lewis, and performed with maximum chill, called Old Black Magic, and my personal favorite, We’ve Got A World That Swings. But the movie is filled with some great little character moments, like the one below, where Dr. Kelp gets carried away by the song being performed by Les Brown’s Band of Reknown. He is truly among the world’s worst dancers! The dialogue is smooth and funny, with  Kelp and Buddy as very distinct characters. The most popular moment, for most viewers, is the introduction of Buddy Love, but Stella also gets her due, and her man. She may not be the star of the film, but she is always treated with respect, by the writers, and the other characters.

 

 

The Nutty Professor (1996)

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The best comedies don’t just make you laugh while watching them, they make  you laugh while  thinking about them later. The 1996 Nutty Professor is a remake of the 1963 version of the Jerry Lewis film, only instead of a nerd scientist, made cool by chemistry, you get an obese man, turned into Eddie Murphy, at his most obnoxious, through the use of chemicals. The remake makes more evident, what the original only sort of played around with, that Buddy Love is a horrible person, who is not meant to be admired. This is done by contrasting him against Sherman’s sweet and gentle nature, as they both pursue a  romance with the beautiful Miss Purdy, played by Jada Pinkett.

I think most people who love this movie will agree, that the dining scene, which  happens somewhere in the middle of this movie and illustrates both the love and   shame that Sherman feels about his over sized family, is without a doubt, one of the funniest scenes ever. Eddie Murphy plays four different characters who all interact with one another, but its his Grandma who gets all the best lines, that people are still repeating to each other, over twenty years later. Even my mother loves this movie, and is just the right age, (apporaching 70), to get away with telling someone, “C’mon Cletus!”, while shaking  her cane at people, and have that shit be funny as hell!

 

 

The Blues Brothers

Here’s another comedy that’s also a musical. I was a big fan of John Belushi, mostly for his SNL parodies of Toshiro Mifune’s character from Seven Samurai, called Samurai Delicatessen, Samurai Stockbroker, Samurai TV Repairman, Samurai Night Fever, and Samurai Hotel, bearing in mind that, at that age, I had never seen Seven Samurai.

I was not a huge fan of Dan Ackroyd, but I was willing to tolerate him, for the sake of John, and in a delightful surprise, Aretha Franklin, performing Think, and Ray Charles, performing, Shake A Tail-feather. The movie has never struck me as especially deep. It doesn’t seem like its trying to make a point, and its not really all that laugh out loud funny, but what it is, is  pure, goofy fun because Jake and Elwood are the best possible brothers.
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Evil Dead II

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I remember watching the first movie a little while before I went to see this sequel. I remember I was not particularly impressed with the first film. I remember seeing this one at a theater downtown on a double bill with Robocop. I do remember those as some very enjoyable hours.

In hindsight, I cannot imagine why I was against seeing Raising Arizona, when I was in college, because that movie has some of the same ridiculous type of humor as this one, and I thought, (heck, I still do), that this is one of the funniest horror movies I’ve ever seen.

Have you ever watched anything so over the top, ridiculously stupid, that you have no choice but to laugh at it? That pretty much describes this entire film, from the image of a rotting corpse, dancing with its own severed head,  to a demon possessed hand, that’s trying to kill its owner, Sam Raimi just gave full vent  to his silliness, for which I will always respect that man. The movie cemented my love for Bruce Campbell, whose career I’ve been following ever since.

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Kung Fu Hustle

I wrote about my love for Kung Fu Hustle here:

https://tvgeekingout.wordpress.com/2016/03/12/geeking-out-about-kung-fu-hustle/

This is another one of those movies, that is just so over the top ridiculous, that its hard not to like it. I love both Looney Toons, and martial arts films, and this movie is the perfect mashup.

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Honorable Mentions:

Blazing Saddles – This is the scene, that caught me, right here:

 

The Birdcage – One of the thee funniest movies Robin Williams ever made, and what’s so hilarious about that is, he was the straight man in this duo, while Nathan Lane got all the best lines:

 

 

A Bug’s Life – I love the bloopers and outtakes scenes at the ends of the early Pixar movies. The creators didn’t have to do that, and I love that the writers went a little out of their way. But my favorite line in the entire film is in the bar scene: “Waiter, I’m in my soup!” 

 

 

What We Do In the Shadows – Who hasn’t Wanted to finish some “dark bidding” on Ebay?

 

 

Beetlejuice – The Wedding Scene

Viewing List – November Edition

These are the reviews from things I watched in October and November. I will try to make these as short as possible, but y’all know I’m good at blabbing about TV shows, so wish me luck with that.

 

Dolemite is My Name

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I was kinda excited about seeing this, nevertheless i was surprised by how much I liked this movie, and I can think of no better actor to play Rudy Ray Moore than Eddie Murphy, a comedian I have  always had tremendous respect for, and who really doesn’t get enough credit for all the work he’s done, in the past 30 years.

Now, I have to give a little bit of background here. I grew up in the time period in which this movie is set. I would have been 2 maybe three years old at the beginning of the movie, but I have very distinct memories of grownups being really excited about Moore, and Yes, I did encounter a couple of those racy album covers in my mom’s collection, but I don’t think she knows I remember she was a Rudy Ray Moore fan.

I have a very clear memory of mom, and her then boyfriend, taking us to the Drive-in to watch The Human Tornado, which came out in 1975, and was a sequel to Dolemite.  I would have been five, and my brothers would have been 3 and 4. She would have had the assurance that, since we were babies, we would all be asleep by the opening credits. I don’t think she knows I was wide awake No, I wasn’t scarred for life or anything, but I definitely  remember parts of  the movie, and even some  it’s theme song. I know this is a genuine memory because I have never seen the movie as an adult.

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Anyway, all this to say that this definitely brought back some memories. There are some things about Black culture that only Black people know. I’m gonna let y’all in on a little secret.

Black people have our own stories, which seem to parallel stories from other cultures. Most of them you’ve probably never heard of,  unless you grew up in the culture, or have parents of a certain age, like my Mom. My mom used to tell us stories about the Signifyin’ Monkey, the lion, and the elephant, (only without all the cursing, and never the whole story, since its fairly raunchy.) Probably not the sort of things one would tell one’s kids today, but things were different back, then, and my Mom was kinda weird. It has a pretty long history, too. If you have ever  read American Gods, Anansi tells a story that is directly based on the folklore tale , titled How the Monkey Got the Tiger’s Balls:

Numerous songs and narratives concern the signifying monkey and his interactions with his friends, the Lion and the Elephant. In general, the stories depict the signifying monkey insulting the Lion, but claiming that he is only repeating the Elephant’s words. The Lion then confronts the Elephant, who physically assaults the Lion. The Lion later realizes that the Monkey has been signifyin(g) and has duped him and returns angrily to castrate the monkey, rendering him unable to reproduce.[3]

https://en.wikipedia.org/wiki/Signifying_monkey

http://mogley.tripod.com/monkey.html  

The Signifyin’ Monkey is part of the Dolemite theme song. Since this is a Rudy Ray Moore biopic, there’s a lot of cursin’, and some mild nudity. Its not half as raunchy as the actual Moore, but I think he’d be satisfied with what was shown in this movie.

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I also enjoyed it outside of the nostalgia factor. There’s a scene, in the early part of the movie, where Rudy encounters a plus size woman whom he recruits into his comedy troupe. This woman later  became known as  Queen Bee, who was every bit as raunchy in her style of comedy as Rudy. The story is arranged in such a way that you’re meant to cheer Rudy as a driven, hard working man, who triumphs against the small minds of others. Needless to say, most comedians probably couldn’t get away with most of the comedy routines, in this movie. The seventies featured a lot of new culture, that we take for granted now, and one of those things was raunchy Black comedians.

There were plenty of Black comedians before Rudy, who said some fairly racy stuff, but they mostly worked what was known then as The Chitlin’ Circuit, which were a collection of venues where only only Blacks could perform, since they still, even in the seventies,  considered too raunchy to play in the mainstream (i.e. White ) circuits. Rudy was one of the first of these type of comedians to go (sort of) mainstream, in that even White people heard about him, although he still would never have been invited on The Johnny Carson Show. So, the movie is one of those low key inspirational films, about overcoming racism in Hollywood. The first half of the movie is very caught up in people telling Rudy “no” , telling him what he can’t do, or making fun of him for wanting certain things, and Rudy going off to do those things anyway.

I have since learned that Eddie Murphy has received a Golden Globe nomination for this role. but I don’t think he will win. He does some great work here, but its not the best work he’s done, and really, I thought it was a walk in the park for him. He can play this type of role in his sleep. But I did enjoy watching him, because his charm makes the occasionally cringey plot, very watchable.

 

The Mandolorian

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I am loving The Mandolorian, and not just for the Baby Yoda scenes. (No, that isn’t actually Yoda, but some distant descendant, since this series is set after Return of the Jedi.) This series is full of some of the classic themes we expect from Star Wars. George Lucas has said the original Star Wars was based on the works of Japanese film Director Akira Kurosawa, most specifically, Seven Smaurai, and you can see some of the influence here.

In fact the series heavily reminds me of the Japanese Manga called Lone Wolf and Cub, in which an itinerant samurai, a ronin, wanders the Japanese landscape, with his tiny son, searching for vengeance, and  getting into various adventures. The only differences between that, and The Mandolorian, is the son doesn’t have force powers, isn’t on anybody’s wanted list, and isn’t half as cute as Baby Yoda. The show takes care to focus on the relationship between Mando and Baby Yoda, too. There are a lot of really cute moments between them, and the public seem to have really taken a shine to the little guy, much the same as his adoptive Dad.

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Its also a classic story about a character’s personal growth.  Mando starts out as a bounty hunter, who is just there for the work, so he can buy some new armor, but makes the decision to take the baby and run, rather than deliver him/her to his clients. There are larger mysteries which haven’t been answered yet, like who exactly is the Mandolorian, why does everyone want the baby, and where did this baby come from.

The production values, the costumes, acting, and special effects, are all top notch. It really does have the look and  feel of one of the movies, which makes it very easy to watch, although this luxury comes at the expense of the episode running times, which never get beyond 45 minutes. I can live with that, especially since the action scenes are the highlight of the series. In one of the earlier episodes, there is a full on fight between a team of Mandolorians and the various ne’er do wells, and criminals, on the planet on which they’ve all been hiding out. When CG is used, its mostly for the creatures, and action scenes, and is largely invisible, as its supposed to be.

 

 

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War of the Worlds – BBC Version

 

There have been umpteen different versions of this show. A book, a radio program that, as it is rumored, gave some people the shits back in the thirties, as they thought it was real, several movies from the fifties to the nineties, one of which starred Tom Cruise, another TV show, and now this.

Its a three part miniseries from the BBC, and so far I’m really liking it. Its got some nice production values. You can see where the money went in this one. The special effects are well done, and not that usual cheap TV stuff you sometimes get in big idea shows, and the show, quite frankly, looks gorgeous. The acting is acceptable,  although the only actor I truly recognize is Robert Carlisle.

And this show is not fucking around with its theme. H.G.Wells wrote the novel as a reaction to the British annexation of the Congo, and the atrocities that were being committed during the colonization of India. He wrote a book about the violent colonization of England by a superior technological force, as a condemnation of the British Empire’s activities, and the show makes this connection loud and clear, right in the opening credits. In the first fifteen minutes of the show, you hear characters having conversations about the might of the British Empire, and how wonderful it is to live in such a powerful country. By the end of the first episode though, the Martians have shut that talk down.

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There’s also some melodrama involving the two stars of the show, Rafe Spall, the brother of Timothy Spall, as a fellow named George, and Eleanor Tomlinson as his paramour, Amy. The two  are madly in love, but cannot be together, because George’s  wife refuses to divorce him, She hates him, and wants to remain married to him just to spite him. The family is scandalized, his older brother,  is outraged, and the  the rest of the community don’t know how to think of this thing, where the two of them are living together, unmarried. Plus Amy is pregnant.

I was not initially interested in the melodramatic aspect of the show, but the show does this thing, where it flashes back and forth to the future, after the alien invasion has been conquered, but the Earth is a literal hot mess, because the aliens weren’t just there to invade, they were terrraforming. Amy is wandering through the red deserts of what used to be England, with her young son. She has been separated from George for a long time, but still holds out hope of finding him. I didn’t care, at first, but I decided that I liked the characters. At least, I liked Amy, and that seems to be enough for me to start to care the rest of it.

The show opens with her and George witnessing the launch of the ships from Mars. Its a little different from the movies, because the ships look like meteors as they land, and that’s hat people think they are. They look like black globes that float off the ground, and are capable of setting people on fire from a distance. The tripods break out of the ground after the globes explode, and start their rampage, although the tripods aren’t so much interested in annihilating people, as they seem to be in seeding the planet with various gasses and chemicals. Like I said, this is not an invasion, exactly. They are transforming Earth into another version of Mars, and if you look at the flash forwards, their mission seems successful.

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I did have some criticism about characters doing stupid things, but this is only because this is one of those situations where the audience knows more about what’s going to happen than the characters do, so there were a lot of instances where people are standing around looking at things, while I yell things like ,” Get the fuck out of there!!!!’, and, “Run!” There are  various government officials who act like the mayor from Jaws, and simply bluster uselessly at the reports they’re getting from other parts of the country, about the annihilation of entire towns, even though the city is filling up with refugees from those areas. The British are so full of themselves about the initial events, that I have to admit, it was a bit satisfying watching them get their asses handed to them by the Martians, which point the show is trying to make. Basically, the show is saying that the British “ain’t all that!”

There are lots of closeups of boiling ant colonies, along with images of English people living their best lives, not unlike the ants, walking the streets of their mighty London, and looking quite busy, and the tripods themselves look very insect like, such that there is a connection being made between the idea of  invasive species, and the colonizing aliens, and that what is being done to England by the Martians, England is currently  doing to other countries, and been quite proud of themselves for it. We know the English are proud of their activities, but we don’t get any idea how the aliens feel, though. There are scenes where people touch the black globes that have dropped to Earth, and see smeary lingering images of their hands and faces, in the glossy sheen of the alien device, in a very,  “We have met the alien, and they is us.” type moment. So yeah, the show ain’t being  coy regarding its critique of British empiricism.

The setting for the various iterations is England, at the height of the British Empire, when it was engaged in the violent colonization of different countries. The English were largely brought low after WW2, (look up London Blitz), so its interesting that the first American version showed up in the fifties, (1953), when America, having won some victories during the war, (and starting to feel itself to be the shit) began engaging in its own world dominance behavior. (Before the War, America pursued an isolationist stance.) The 1953 version, (and subsequent invasion movies, like Strange Invaders, and Independence Day), were not about the humbling of America, so much as they were  America conquering some  great enemy, against all odds.. The 2005 version is a response to 9/11, where its made clear that the alien invasion is a stand-in for the terrorists, and America doesn’t triumph, so much as get lucky.

Not all alien invasion movies are violent. Some of them are enlightening, like 2001, and/or  hopeful, like Close Encounters of the Third Kind. This series is in the truest spirit of the book, however, which was a rebuke to British hubris.

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* https://www.post-gazette.com/ae/movies/2012/06/13/Behind-the-fiction-lie-factual-themes-in-alien-movies/stories/201206130200

Once they were analogies of the Cold War or Vietnam. Sometimes the underlying theme is corporate greed, environmental destruction or fears of technology supplanting humans. The movies feed on public fear of enemies from abroad, which in today’s world, he said, could even include mortgage bankers.

The Irishman (Netflix)

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*****Here Be Spoilers****

 

Let’s  get something out of the way first.

Yes, I’m aware of what Scorsese has said about the current crop of superhero movies, and yes, I was offended, until he clarified his statements in a recent Vanity Fair article. I’m glad he did, because I was prepared to stay mad at one of my all-time, favorite directors. Well, I’m not as angry, but he is not wrong. He’s not right though, mostly because I don’t think its fair to compare the two types of movies. They serve very different purposes for their audiences in that one type of film consists of exciting power fantasies (like the first half of the movie Goodfellas), and righting wrongs, and Scorsese’s films seem to be about the consequences of that amount of unchecked power,  and what it actually gets you. Superhero movies make no claims of depth.  They are not dramas, although movies like The Dark Knight, The Winter Soldier, and Logan come very close.

The Irishman had a brief theatrical run, of about a week or two, before it settled on Netflix, which is where I viewed it, with a great deal of anticipation. There’s a lot of backstory about why the movie is airing on Netflix, but I’m not covering that here. Like a lot of people, I went into this expecting something similar to Goodfellas, and Casino, since Scorsese seems to have some sort of lock on the depiction of  White men in the mafia life. The movie is definitely about gangsters, and appears to be having some kind of dialogue with the other two films. It would be interesting to watch all three of these movies back to back, to see what they are saying to, and about, each other.

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I loved this movie, and I wasn’t expecting that. Everyone involved is at the top of their game. I didn’t think Scorsese had a lot more to say about the mafia life, that he hadn’t already said, but he does.

Like the other two films in this trilogy, it’s a meditation on crime and regret. I think a lot of people have had a  very wrong takeaway from Scorsese’s movies. Although he seems both fascinated with , and terrified of, this lifestyle, he definitely does not approve. These are the kinds of people he knew growing up, and he seemed to have kept, in the forefront of his mind, that they were not good people, no matter what their claims of nobility, or  how fascinating their lives were.

These films are not a glorification of their lifestyle.  Henry Hill, in the last third of Goodfellas, just flat out states this. Scorsese has never sugarcoated who and what these people are. The violence in these films is always  sudden, and brutal.  Hill spoke on the topic in Goodfellas, but here its just shown. Scorsese always  has  his characters realize, by the end, the horror of the decisions they’ve made. Every participant ends up  dead, or regretful, and there is a an onscreen commentary, on the fate of each one of the character’s introduced, in the film. The bottom line is, if you choose the mobster life, because you have romanticized notions about it, it will end badly.

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I knew a young Italian man, in college, who told me that his father met some people in the life, but he also told me that one of the key things is never to invite them into your life. Don’t ask them for favors, don’t hang out with them in their places, don’t befriend them. They’re like vampires. You have to let them in.

A classic example, is the restaurant owner from Goodfellas, who allows Tommy, and his friends, to frequent his restaurant. Just like Henry did as a child, he thinks its exciting to be associated with these men. He admires the life, and believes he is friends with them, until the time comes for Tommy to pay the massive bill he’s run up on his tab. These guys are just taking advantage of him, but he is still too enamored of their life to see that. In an effort to get Tommy to pay his bill, the restaurant owner goes to Paulie, (Tommy’s boss), and makes Paulie a partner, in exchange for taking care of Tommy’s bill. Paulie takes advantage of him too, until he  goes out of business, as they steal  him blind, eventually the restaurant gets burned down for the insurance. The owner romanticized their lifestyle. He failed to see them as the unprincipled thieves they were. He invited them in, and he lost everything. The same thing goes for the character of Spider, a mirror of the young Henry, who romanticizes their lifestyle, and gets killed by Tommy, for standing up for himself, with not a single tear shed by any of the witnesses.

The Irishman  follows another low grade member of a mafia crew, a hitman named Frank Sheeran, (Robert DeNiro), as he befriends various mobsters, and paints houses (carries out mob hits). Most of the movie is about his friendship with Jimmy Hoffa, (Al Pacino), and his confession that he killed him, after being assigned to do so by his then bosses, one of which is also a close friend, Russell Bufalino, played by Joe Pesci. The movie is based on a book by Charles Brandt titled “I Heard You Paint Houses?”, which is the line in the movie said by Pacino, when he and Frank first meet over the phone. So once again, you have someone who invites these people into his life. Hoffa knows who, and what, these people are, but he romanticizes the life, and has an outsized sense of his worth to them.

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Right away, the mood and setting are very different than the other two movies, (Goodfellas and Casino), which open with exciting scenes of violence, (and interestingly, with men in cars). This movie is reflective and melancholy. The opening scene is a quiet shot of Frank, in a senior citizen’s home, reminiscing about his past, to his lawyers. The movie is a flashback, but unlike Henry Hill”s story, Frank has no misty-eyed remembrances for the things he’s done. He joined the mob because he was a soldier who needed to do something with his life, after he came back from the war. He didn’t join because he loved the life, or glorified its denizens, and this is probably why he survived, although that’s no consolation, either. He is an old man filled with regret, and we come to have some amount of sympathy for him, although Scorsese never lets us think, for a moment, that he is a good guy. Nor does he show Frank as vicious or evil, for its own sake, although the things he does, are indeed,  vicious, and evil. Scorsese presents him as just a guy, who made the best choices he could, in the circumstances presented to him.

Deniro definitely deserves some form of recognition for his role here, but the two major highlights of the movie, for me, was Al Pacino’s Jimmy Hoffa, and Joe Pesci’s much quieter turn, as Russell Bufalino. You want to be reminded of his role as Tommy in Goodfellas, but this character is wholly unlike him. Bufalino is smarter, and more calculating, with a cool menace that the hotheaded, showboating, Tommy lacked. He and Frank become friends, and get to be quite close, but Frank, (and hence the audience), never forgets the power dynamic between them. Russell is his boss, and should Frank prove to be a threat, or an inconvenience, Russell could have him killed, and it would be just business.

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This was the most interesting part of the movie for me. Y’all know me. I love to watch different types of  characters interact. It’s interesting because movie audiences don’t often get to watch the  process of two grown men, who have been steeped in pride and machismo, their entire lives, put themselves in the vulnerable position of trusting a stranger, while navigating the power and violence of their positions,  to  become friends. You can see them feeling the other out, trying to reach a place of comfort. I found myself totally caught up in the moment. The faint distrust, and the questions they ask of each other, without actually asking them: What do you want from me? Are you a stand up guy? Will you give me straight answers? Can you be trusted?

Frank’s relationship with Hoffa is covered just as deeply. The most  fascinating part, is comparing how trust is shown between Frank and Hoffa, and Frank and Russell. Scorsese doesn’t fall into the trap of having the characters make grand declarations of how much they love and trust each other. There are scenes with Frank and Russell hanging out with each other’s families, or having dinner together. Some scenes with Frank and Hoffa are just them talking in Hoffa’s bedroom, before he goes to sleep. At one point, Hoffa nods off while talking to Frank, he trusts Frank so completely, and Frank just quietly sits there for a while, watching him sleep, and glancing out the window, and that scene is unexpectedly moving. It’s hard to know what Frank is thinking during that scene. The specter of violence hangs over everything he does, and that scene is even more tragic, when you know what happens between them later.

There are not a lot of women in this movie, and none of the men have any moral standing. The moral center of this film is Frank’s daughter, Peggy, (Anna Paquin) who sees her father beat a man on her behalf, when she is a child, and this impacts her relationship with him, for the rest of their lives. She gets probably three lines in the entire movie, but Scorsese sets her up, by giving us long closeups of her face, and her disapproval, and fear, of her father, (and by association, Russell), is apparent. We don’t need a loud, dramatic shouting match between them, to know that she has seen what kind of man he is, and  will never love him. Frank tries to reconcile with her before his death, but she will have none of him.

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Frank doesn’t just regret the things he did when he was younger, but all the familial relationships he let fall by the wayside, while prioritizing his relationships with the men he worked for, all of whom are now dead. He has to pay for his own funeral, buying his own tombstone. There’s no one alive, who would come to his funeral, anyway. The movie ends with Frank, alone in his room. He is the last one left of that old life, and he has nothing to show for it. Once again, Scorsese presents the mobster lifestyle as empty and meaningless. If you don’t die horribly, at the hands of someone you trusted, then you die alone, with no one to care.

There’s a lot of the movie I didn’t talk about, like the cinematography, and music, which are pretty standard for a Scorsese film, with some upbeat sixties songs, the most prominent song being, In the Still of the Night, by The Five Satins, which bookends the movie. There are two opening scenes, one with Frank beginning his story in the nursing home, and the other, the beginning of the story, which features him and Russell, taking a road trip, with their wives. The movie starts out really cute, with the wives fussing with their husbands in the car. Everyone is very comfortable with each other, at first, but as the trip continues, the tension begins to mount, as we overhear increasingly nervous phone calls between Russell, Frank, and Hoffa, finally culminating, in the last third of the movie, in Russell’s order to Frank.

The cinematography is superb ,as usual, but there are a few uncanny valley moments in the film as Deniro, Pesci, and Pacino had to be de-aged in a few of the scenes. The de-aged faces aren’t as emotive as their actual faces, so I kept getting jarred out of the story, by wondering every now and then, how the actors got de-aged for their roles, but this doesn’t happen a lot, and is easily ignored. If you’re not a fan of Scorsese’s mobster films, this still may be worth a look for you, because its very different in tone, but I do have to warn you,  that just like in the other movies, the violence is flat, graphic, and unforgiving. When it comes to acts of violence, Scorsese does not fuck around, or wince. People get beaten and shot, and there’s a harrowing scene where Frank shoots up a restaurant full of people. I have become a lot more squeamish, as I’ve gotten older, and these scenes were hard for even me to watch.

Despite its three hour run time, the movie didn’t make me feel restless at all. I sat through the entire three hours, and never missed them, or a moment of dialogue. The movie simply pulled me right in. It was moving, with moments of sheer horror, and is a testament to Scorsese’s skill as a director, as nothing is explicitly stated by any of the characters, yet its message is loud, and clear. I don’t know if this movie will be nominated for an Oscar. It, and everyone involved, should.

The Irishman is the best movie I’ve seen this year.

New Movie Trailers (November 2019)

 

Birds of Prey 

Well, I like the trailer for this, but then again I liked the trailer for Suicide Squad, and everyone hated that movie, (while I happen to like Suicide Squad, one of only five human beings to ever make such an outrageous claim). I have developed an appreciation for Margot Robbie, one of only a very small handful of White actresses whose work I actually seek out, and whose career I’m following. I really liked her in I, Tonya, and Mary Queen of Scots.

 

 

Call of the Wild

I read this book a lot when I was a teenager, and can probably credit it for sparking my strange fascination with the Arctic. I also think it was because I just loved dogs, and always imagined Buck  as my dog. I will not go see this in the theater, but I hope it does well, so that Hollywood will get the idea that classic stories, done well, can still do well at the box office.

 

 

Bloodshot

I’m kind of fond of the books on which this movie is based because, for some reason, I’m fascinated with nanotechnology going bad. I blame Greg Bear’s Blood Music. I’m not sure about this movie’s lackluster plot, or the fact that it stars Vin diesel. I don’t hate Vin Diesel. I actually like the guy, but he’s not an especially good actor, and I don’t know if  I want to watch him try to emote for two hours. I really have to be in a certain mood for that kind of thing, since one only needs a little bit of Vin Diesel, at any given time.

On the other hand, the books are great, if you’re a fan of adventure science fiction books, which are really just thinly veiled cover stories of superhero novels.

 

 

 

Fantasy Island

I liked the TV show this is based on, which aired from 1977 to 1984,  and if you have not watched those, I’m sure they can be streamed somewhere. Its a sappy, and sometimes very cheesy show, which rarely got above a level three on the fright-o-meter, but I remember watching it a lot with my mom, who had a crush on Ricardo Montalban. This looks interesting, despite the fact that it heavily reminds me of that failed revival, that happened in the late 90’s.

 

 

 

 

Invisible Man

Yeah, I’m not gonna go see this. I think I’ve had enough Invisible Man horror movies to last a few lifetimes. I think invisibility is probably a fairly useless superpower anyway, since one can only really get up to mischief with it.

 

 

The Irishman

I plan to watch this. I don’t normally watch gangster movies, but it has an all star cast, and marks Scorcese’s first foray into made for TV movies. Despite what Scorcese said about superhero movies, and the fact that he seems ot have staked out this gangster drama genre, I still love his work, and I don’t have to pay extra to see it in a theater, which is cool. We’ll see how good it is.

 

 

 

 

 

 

 

 

 

 

 

 

A Scathing Critique of the Disney Monopoly

“[If they] want to bitch about movies, that’s certainly their right… are you telling me Ryan Coogler, making Black Panther, is doing something… ‘less than’ what [they] have ever done… come on. There. I said it.”

By invoking Coogler’s name in response to criticism, Iger positioned BLACK PANTHER as representative of a pattern instead of an outlier in Marvel’s track record.  Out of 23 male directors hired leading up to ENDGAME, 21 are white men; the studio’s ratios of non-white male screenwriters and producers are likewise bleak.  It’s also reflected in ENDGAME’s condescending, slapdash battlefield moment featuring all-female characters— largely interchangeable and with negligible prior interaction —and co-director Joe Russo’s small cameo as a gay man—a demeaning footnote to a parade of heteronormality, with its ad nauseam “no homo” inserts of nuclear families meant to symbolize a return to normalcy.  Superficial inclusion means nothing if the underlying message is ignorant.

http://cinemalogue.com/2019/11/18/the-marvel-juggernaut-with-great-power-comes-zero-responsibility/

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Let’s set aside for now the film’s internal time-travel “logic”–of which even the directors and writers cannot agree–or the film’s aggressive heteronormativity, and the bizarre lack of closure to the Steve Rogers’ life-defining friendship with Bucky Barnes.  Other publications sufficiently explore these themes:

GameSpot: Avengers Endgame: Captain America’s Ending Totally Ruins The Movie

The Daily Dot: How the straight agenda ruined ‘Avengers: Endgame’

Fansided: Avengers: Endgame: A lack of closure at the end of the line

At the conclusion of Endgame, Rogers struggles for five years with the aftereffects of living in a post-apocalyptic world.  A veteran of World War II, frozen for 70 years, almost every event in his life since receiving Doctor Erskine’s serum accumulates shock and trauma.  He’s left with a litany of unaddressed mental health issues (including depression and PTSD), never truly acknowledged by the franchise.

http://cinemalogue.com/2019/05/20/avengers-endgame-male-entitlement-undermines-steve-rogers-core-characterization-and-story-arc/

 

Things Are Gonna Be Fun II: Electric Bugaloo

I wrote a version of this post, earlier this year, in which I listed all the movies I was interested in watching, and I just want to offer a sequel to that post, with mini reviews of movies I, did indeed, watch, and one I didn’t get to see, even though I wanted to.

https://tvgeekingout.wordpress.com/2018/12/10/things-are-gonna-be-fun/

I’ve noticed a pattern of saying I’m not gonna see something, because I wasn’t interested, but later I rent the movie, or watch it on cable, so obviously I’m an unreliable narrator, when it comes to determining which movies I’ll be watching in a given year. So, you can take me at my word, at your own risk. Plus my track record of movie watching has been thrown off by my mom’s insistence that we go see every killer animal movie that gets released! I don’t dislike those types of movies, but I told her she’s messin’ up my movie schedule. (Note: No, she does not care about that, and just finds the whole thing deeply funny.)

Anyway these were the movies I showed some interest for, and ended up actually watching.

Glass

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Unlike a lot of  people, who saw this,  I actually liked this movie. Yes, there was a bit of a twist n the movie, in the sense that things do not play out in any way you think they’re going to play out, but it still did have a satisfying ending. I was interested to see how David Dunn ended up in the asylum with Mr. Glass and The Beast, and I though  the team up between Glass and Beast was interesting to watch. In a lot of ways the story plays out exactly the way such stories work in comic books, and I think the twist really threw a lot of people off, especially if they were expecting the movie to go on that way to the end. About halfway through the movie, there’s  a monkey wrench thrown into the story that changes it to be about something else entirely,  and while I was initially dismayed by the change, it ultimately proved to be satisfying for me.

 

Akita Battle Angel

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I read the manga a few years ago, before the movie was announced, and it was okay, but I found this movie rather disappointing. There are a few elements in it that I liked, but ultimately I didn’t finish the movie, and it was mostly  because of the acting, which is both restrained in some places, and over the top in others. And yeah, I did have a problem with the big eyes. They were distracting, even though big eyes are not distracting in anime. I also loathe sports movies, and about halfway through this movie, this turns into one of those made-up sports movies, that’s supposed to be an analogy for revolution, or something.

Sports movies are absolutely the one genre of movie I will not happily watch. I will watch a cop movie before I sit down to watch a sports movie. On the other hand, I did enjoy the world-building, and the special effects were excellent, but ultimately, those two things were not enough to keep my interest.

 

Captain Marvel

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I liked this movie far more than I thought I would. I wasn’t greatly enthusiastic about it, preferring to see her in Avengers Endgame first, before watching this, but it turned out to be okay. I thought its messaging was a bit ham-handed, but I loved the characters most of all, especially the Rambeaus, and the cat loving Nick Fury, and it was  unexpectedly funny, and deeply emotional in some spots. Is it as good as some of my MCU favorites, that I’ve watched multiple times? Nah. This movie doesn’t even break my top ten, but it also doesn’t land in the bottom ten either. Its a good, solid, competent, middle of the road, action movie, with a feminist message, and some acceptable special effects. If I watch  it again, it will be for the character relationships and action scenes.

 

Shazam

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I wasn’t expecting a whole lot out of this movie, but it turned out to be a heckuva lot of fun. The ads for it lead you to believe the kids in the movie are kind of obnoxious, and at first the are, but they quickly grow on you, and I started to really like the lead character ,and the movie is actually pretty funny, in a cringey, covering my eyes sort of way.

I’ve always been fascinated by Billy Batson, not because I thought of him as a power fantasy for children, though. Frankly, and this is where being a PoC, and a woman, comes into me having a very different opinion about movies, I was kinda horrified by Billy’s story. This isn’t a whole lot like the TV show I watched as a child. For one thing, Billy Batson is actually a little kid in this, unlike the teenager in the show, and no kid should ever be put in that sort of position. Billy fucks up a lot, and its really frustrating, and mildly upsetting to watch the villain beat his ass because he has the physical/mental sensibilities of a child. I don’t know how to explain it, but Shazam has always struck me as more of a horror story than a fantasy.

On the other hand, despite my anxiety, this movie was a lot of fun, and I liked the other kids in it, because they were really cute, and they all defeat the villain through teamwork, and superpowers, and stuff. Its a good, lightweight, piece of fluff to watch, on some Saturday afternoon, with your nieces and nephews.

 

Hellboy

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Whoo boy! I have a lot to say about this movie, so watch for my post comparing the Del Toro movies with this version, and the graphic novels. I didn’t hate this movie like a lot of people did. In fact this movie may prove to be better liked at some later date, but I didn’t love it either. It had a lot of problems which are outweighed by how incredibly gorgeous it is.

 

Pokémon: Detective Pikachu

As I said in the original post, I only know as much about Pokemon as raising my sisters would allow me to know, so I was kind of walking into this clean. I didn’t know that the various Pokemon had personalities and stuff, so I didn’t know what to expect. I knew some of the character names, and I liked the premise, and heard that Ryan Reynolds was doing the voice of Pikachu, who is, naturally, my favorite.This movie was as cute as you think it is. Its a nice, funny, piece of fluff. Its got a couple of dark moments, but is mostly safe to watch with kids, as its not that deep, so you can enjoy it without too much anxiety.

I was mostly distracted by the kind of world in which Pokemon live side by side with people. Where do the Pokemon got to  the bathroom? How do the largest Pokemon navigate through the society, and did the biggest ones I saw belong to anyone, or were they just hanging out in the city? Some of the Pokemon were pretty dangerous, so are there humans who hunt them down and exterminate them when they get out of hand? Or do they lock them in jail, like people?

Well, I had questions!

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John Wick 3: Parabellum

This movie was every bit as wild and crazy as it looks from the trailer. I’ve been watching this franchise, and really the entire thing is ridiculous, with Assassin’s guilds, mobsters, dog attacks. Its kind of unrelenting and you may need to have a rest about halfway through it. This time there’s some type of regulatory organization involved, and its purpose is to weed out everyone who helped John in the first two movies. So, not only is John still being hunted by all the top assassins in the world, (namely Mark Dacascos, who it was nice to see again), his friends are in danger too, and this all  escalated from the killing of John’s dog, left to him by his late wife, by a no-account mobster’s son.

I loved Halle’s character, with her two guard dogs. She talked in interviews about the training for the dogs, and what it was like being on set with them, and that was fascinating. In fact the entire thing is fascinating because the creators have no qualms saying the movies are just stunt showcases, with a loose plot attached to it, and going into detail about how they do everything. Its fun to watch, not just the film itself, but the making of it, as well.

Halle Berry plays a character named Sophia, who owns two Belgian Malinois. She is fifty three years old. This is a very demanding film and most of its stars are older men and women, so that’s interesting.

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Men in Black International

I was ultimately so disappointed in this movie, that I didn’t even finish it. I mean Thor and Valkyrie team up to save the world from aliens but there’s really not much of a plot, the acting was a little lackluster. It wasn’t as funny as the first two movies. it was really just lacking Will Smith.

I wouldn’t mind seeing more stories set in this universe, and Tessa and Chris were really cute, but it really does need to have the imagery and the humor, and with actually funny actors, which is something that started to go wrong in the second film. Tessa and Chris are funny, from time to time, but they are not known for their comedy, and it showed, because the writing simply wasn’t there. Its been diminishing returns on the humor ever since that second film, really, but I  expected a lot from this, because the trailer made it look like fun. The wild enthusiasm I had for several other films, that were released around the same time, wasn’t there, but I thought this would be okay. Ultimately, I’m glad I  didn’t spend money to see this in the theater.

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Spider-Man: Far From Home

I missed this one in the theater becasue I was broke around the time this movie got released, but I rented it as soon as the it started streaming ,and I was not disappointed. it has a few slow moments, or moments I didn’t particularly care for, but those moments were not enough to stop me from overall likage. Its not as good as the first film, which had that element of novelty, but its very satisfactory.

I loved a lot of things about it, but mostly it was the relationships between the characters.  I liked the cuteness between Peter ,and MJ. They really did sell the idea of them being awkward teens beginning a romantic relationship. Peter’s friends, and co-stars also get some nice story arcs, too. The action was a lot of fun and didn’t go on interminably long, which is something that always makes me start to squirm, as I get easily  distracted. I’ve watched this about three times since then, and I keep discovering new things ,and its been fun each time.

Image result for spiderman gifs/ far from home

 

I don’t often do sequels to my forthcoming movies posts, but I was going back through some of my older posts, and I saw that I’d watched nearly all the movies in it, and had not given even mini-reviews. so here are some of my  mini-mini-reviews.

October Viewing List II

Supernatural

The final season has begun, I already wrote a short review on my other site. Check it out!

 

Little Monsters

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i am of two minds about this movie. On  the one hand, I hated, hated, hated, the lead character, Dave, who, while not as vile as trump, could definitely give him a run for his money, in the stupid, juvenile delinquent, category. Dave is a vile, foul mouthed, washed-up musician, and asshole, who is irresponsible with kids and himself, does not know how to behave like an adult,  and lies, and steals without compunction. He changes his entire outlook however, when he sees Miss Caroline, his nephew’s grade school teacher, who is, very probably, the greatest ray of sunshine to ever grace a zombie movie. I loved her. Everyone loves her.

On the other hand, hating Dave was not enough for me to quit watching this movie, because Lupita is the best thing in it, its actually pretty funny, and there’s plenty of zombies, gore, and cussin’.

Some serious shenanigans have been going on at a military base in the English countryside, and some zombies get loose, and head over to a nearby children’s amusement park, that Lupita and her class happened to be visiting that day. Yes, the children are in some danger of being eaten by the zombies, but its really not that type of film, as most of the tension comes from Miss Caroline, trying desperately to protect the children from any emotional trauma, that might come of the zombie outbreak.

To that end, Miss Caroline’s charm is turned up to fifteen, as she sings and dances her way through the zombie apocalypse, with her little banjo. The children adore her, and she manages to be successful, not just at saving the children, but winning Dave’s heart, as he attempts to become the type of man who is worthy of her attention, rather than the asshole he’s always been. So even though I hated Dave, this movie isn’t about him manipulating her into falling in love with him. Its about the redemption of a cad, as he understands that the only way to win the love of a woman as magnificent as  Miss Caroline, is to first realize he is not worthy of her as he is, and then to become a different person.

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I feel some type of way about Dave winning the girl at the end of the movie, especially when he is set up at the beginning of the movie as such a hateful piece of shit. (No, truly, for the first twenty minutes of this movie, I just wanted to set Dave’s sorry ass on fire.) When he first meets Caroline, he tries the usual lying bullcrap he has always used to manipulate women into giving him a pass, including his own sister. He is not successful at this because none of that works on Miss Caroline. She is completely immune to it. He’s gotta try something new, if he hopes to win her,  so he pretends to be a worthy person, and in the process, actually becomes a worthy person.

But I suppose the purpose in showing Dave to be such an awful person, is to show the redemptive power of Miss Caroline. One of the most interesting things about the plot is Miss Caroline is not trying to save Dave, or turn him good. She expects that he is already a good man, and simply treats him as if he is. Miss Caroline tells him that she is a Christian woman, who believes fervently in her job, loves children, and does not like cursing. She is not preachy about this. She simply behaves in a Christian manner, and I like that she is not a stereotype of a Christian, as she really is as wholesome as she appears. She loves her kids, loves her job, and will brave any danger to save her kids from harm, which she does, when she fights off a hoard of zombies, to retrieve one of her kid’s  inhalers. She is also tough as fucking nails,  because she is perfectly willing to stab one of her companions in the gut, when he makes himself a danger to her kids, and won’t stop cursing at them. He is supposed to be a role model for the children, and dammit, he’s gonna act like one!

This is the introduction of Mr. McGiggles, one of the entertainers at the park, who s every bit as awful, and foul mouthed as Dave, but since Dave is trying to mend his ways  to impress Caroline, we need a a new foil, to contrast what Dave is no longer trying to be. So McGiggles takes Dave’s place, as the unrepentant foul mouth, in the script, as Dave starts becoming a better person.

So yes, this movie is quite a journey for its characters. Dave finds himself wiling to do anything, and be anything, to live up to Miss Caroline’s example of bright humanity, and I suppose that’s a good thing, because it works. He makes a genuine change to be worthy of her love, and I’m okay with that, I guess, but getting through the first twenty minutes of this movie was really hard.

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Little Monsters is available on Hulu. I plan to watch this one again, when I can find the time.

 

 

Evil

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Here’s another show with religious themes and characters. I did not plan this. This is just sort of how it turned out, because I had no plans to watch this show, not because it wasn’t on my radar, but because I was not particularly interested. Its not a bad show, and I am probably going to watch more episodes of this, because it turned out to not be exactly what I thought it would be.

Now, I’ve only seen one episode, which was medium dark, and definitely had some tense moments in it, but not for the reasons you might think. I haven’t gotten the character names down yet either, so I looked those up. The horror springs from the character decisions, and  that you either know more, or less, than the characters in the show.

Dr. Bouchard is a forensic psychologist, who teams up with Mike Colter’s character, Father Acosta, along with a contractor played by Aasif Mandvi, who I really like, to investigate supernatural incidents. Dr. Bouchard’s job is to determine whether or not a supernatural event occurred, and Mandvi’s job is handling the technical equipment involved, if an incident occurs, so as to document Father Acosta’s claims to the church, when he requests  assistance.

In the episode I watched, a family claims that their little boy is possessed by an evil spirit of some kind. The episode follows as Bouchard and Acosta determine whether or not that’s true. Bouchard conducts therapy sessions with the little boy, which are actually pretty chilling, and Acosta manages to form a connection to the little boy, and actually  encourages him to begin prayer. When the boy attempts to drown his baby sister (Acosta saves the baby’s life with cpr), Bouchard and Acosta manage to convince his superiors that an exorcism is needed. We do not get the cliched exorcism scenes, because the parents of the little boy take matters into their own hands, so yeah, I didn’t see that end coming, at all.

At the same time, there is a secondary story involving Bouchard’s family. She has four little girls, who miss their absent father. She has been lying to the girls about where their father is. Either he is dead, or he left her, but the four girls, all of whom are really cute, believe that he is a expedition guide at Mt Everest. At the same time, her mother has given the little girls some VR toys with an odd Halloween type game the girls have been playing, that starts to take on an odd prominence in the lives of the two oldest girls.

The game starts to become more and more real, and the creature from the Halloween game (in the form of a little girl) starts to bleed into the other games, convincing the little girls to perform a seance with a virtual Ouija Board, and summon some type of virtual demon. Now, this all occurs within the game, but its still pretty frightening, because the only adult who suspects anything out of order is Mandvi, who hacks the game to put parental controls on it. Parental controls that don’t work, as the girl from the game simply invades the other games on the device. Bouchard  is a skeptic who finds that something supernatural might possibly be occurring right under her nose, in her own house. For me, this was the most frightening part of the show. ‘

One of the reasons, I was ignoring this is, I thought the show would simply be a retread of The X-Files, because Bouchard is a skeptic, and it’s Acosta’s job to believe, but the dynamic here is completely different. For one thing, it’s unlikely that there will be a “will they/won’t they”, dynamic between the two, and also because Bouchard is still possibly married, or just divorced or something. Mandvi, although I really like him, seems to be a kind of third wheel. I actually liked all the characters, though. I’m not a religious person, but I did like Acosta’s quiet faith, and I like that he’s not written as a stereotype of religious fanaticism. I like that he is Black, and a Catholic priest, because those are rare in American Pop Culture, with most Black people being associated with the Protestant religions.

The first thing that intrigues me about a show is often its premise, and I wasn’t too wowed by this one, but once I actually watch an episode of something, what keeps my butt in the seat is the characters, and these characters were intriguing enough that I’m going to watch some more episodes. I at least need to find out what happened to the doctor’s husband, why she is secretly crying in her kitchen, and when she is going to share this information with her daughters. I also need to know when or if her daughters are going to tell her that they conjured a demon into the house, through the VR that was gifted to them, by their grandma.

 

 

Watchmen

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I was not particularly enthusiastic about watching this, mostly because the movie was merely so-so for me.  I told y’all before that I didn’t find my way to comic book geekery through the usual White guy channels. I sort of meandered around, putting together my own foundation, via Horror, and Science Fiction. What that means is, I did not read the Watchmen comic books, when they were first published, although I was the right age for it, and by the time I got around to reading the books, I had already read other books by  Alan Moore that I thought were more impressive, like Swamp Thing, and Miracle Man.

So,  I was unimpressed with the movie, beyond liking the special effects, and Dr. Manhattan, and I didn’t think I was going to be into the TV series either, especially since it was written by Damon Lindhelof, because I’m still mad at him for Prometheus. But, nevertheless, I watched the first episode.

I have to warn you the first fifteen minutes are harrowing, as it deals with the Tulsa Race Massacre (because that is indeed what it was) of 1921. This is a real event, I first read about, when I was a teenager, (naturally, it was never something studied in school. I was one of those kids who, after a while,  my teachers just left alone to make up my  own curriculum.) There were a bunch of these “Race War” massacres  throughout the history of the US, like Ocoee Florida, Rosewood, Tulsa Oklahoma, and the Red Summer of 1919, and most people will not have learned about them in school. Needless to say, when you hear some yahoo going on about how there needs to be a Race War, what he really means is that he would like the opportunity to massacre some PoC again.

https://en.wikipedia.org/wiki/Red_Summer

Genocide of the California Indians

The lynching era (1878–1939)

You have to know a little bit about these events to understand something about the alternative universe in which this story takes place. Guns for example are outlawed (even the police need special permission from their superior officers, which is some dude wearing a Panda mask, before using lethal force). There is also an offshoot of the KKK, now called by some other name, and using the Rorschach mask, along with his talking points, thanks to the diary that was mailed to the media, after Dr. Manhattan killed him.

In our world, the police and the KKK clashed in Tulsa, and the KKK won, but in that universe, they lost, and The Reconstruction after the Civil War continued, in which Black people got political power, and the police have been fighting a decades long battle with these KKK offshoots. The police now need to wear masks to protect their identities, and families. In this universe, the police are the good guys, who are besieged by that world’s version of the Alt-Right, and some of these things are  fallout from the events that happened in the comic books, which were set in the 80’s.

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So, Dr. Manhattan still exists, and lives in exile on Mars, Ozymandias is supposedly  dead, (but I don’t think so), and because of the events he engineered in the book, involving a giant squid attacking  Earth, we get regular squid falls, for which cities need sirens to warn people. Quite frankly, I was more weirded out by the  squid rain, than anything else shown in the episode, because that’s just funky. My mind kept going back to the logistics of regular falls of squid. How to clean that up? Does it smell real bad? This is actually relevant to the rest of the season’s plot though, as it involves alternate dimensions, (which is where the squid come from), and  time travel.

The presidents of this world, often have consecutive, multiple runs, in political office. Robert Redford is the president in this universe, and has been for almost thirty years, where he has instituted reparations to the survivors of  the massacre in Tulsa, called Red-forations. Silk Spectre  is still alive, and played by Jean Smart. Vietnam is the fifty first state, ( as a result of Dr. Manhattan’s invasion during that war),  and Louis Gossett Jr. plays a man named Will Reeves, one of the few survivors of the Tulsa Race Massacre, now an old, and  disabled, man. That’s not even most of the weird shit in this show, like a character, named Looking Glass who, when he puts his silver mask on, can tell when people are lying!

An interesting note is that Will Reeves was watching a movie about the real life Bass Reeves, who was the first Black Deputy Marshall, and the character upon which the Lone Ranger was based. The movie he is watching was in the style of the Lone Ranger TV series of this universe, only it has the actual Black character in it. Another interesting theme is the recurring Oklahoma musical. One of the characters loves the play, and we get some songs, and even a little snippet of the movie, which stars an all Black cast in that universe. So the racial and sexism issues, that exist in this universe, didn’t  happen in that one, at least not in the same way, and the US looks fully integrated with Black TV shows, and Pop culture, which everyone just watches, and its no big deal, and that, too,  is probably part of the fallout of what happened in Tulsa.

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Regina King is Sister Night, a former cop, (and bakery owner), from Vietnam, who gets called back into action by some friends on the local police force, after a cop gets murdered by a member of an organization the cops thought might have been extinct. Most of the episode is just introducing us to this weird universe, and these characters, so outside of that intense opening, things calm down to the end, when Sister finds her mentor, from the police force, has been lynched, and Will Reeves is there, impossibly claiming to have done the deed. So yeah, I’m  already intrigued by the mystery of who he is, why he may or may not have done this, and what was the  secret, that got her mentor lynched. I’m looking forward to the rest of the season, even though I, initially, had no concrete plans to watch it.

 

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So, I’m in the process of cutting the cord, as we say in the US, and I no longer have access to these shows on TV.  I’ll just have to try to remember when they air, and catch them on their apps. The Watchmen airs on HBO, every Sunday night, and I’ll just have to remember that, and watch it later in the week, so my timing on some shows is going to be a bit off, as far as reviews, but what I can do, is finish off some of my long form posts, and review the season finales, when they occur.

I’m also going to post some articles to Medium. com, (which will not be posted here, but I’ll let you know when I do), so head over there, if you can, follow me, and give me some claps. I think we get paid there, according to how many people like your writing. I’ve managed to amass quite a following, which always surprises, and delights me, since I  don’t really think of writing as a way to be liked. I write because I have a lot of thoughts in my head, and I’m shit at keeping a journal.

But hey! I will be surprised and delighted if you guys also follow me on Medium, where I intend to do, at least, one post a month.

 

The Baddest Bad-Ass Females In Horror

Here are ten of my favorite horror movie females, and why:

Annie Wilkes –  Misery

I read this book when I was a teenager, and I was mostly unimpressed by it, but Kathy Bates knocked this character out of the park, in the movie. Think of Annie as a rather unhinged version of Dolores Umbridge long before Harry Potter existed. I love characters that have these sweet temperaments on the surface, but are willing to commit to horrific acts of violence when they don’t get their way. There are a lot of male characters like that all over film, (usually serial killers), but female characters who do that are kind of rare, and worth noting.

I had a choice between Sue Ann from Ma, and this character, but I chose this one because she came first, and that leg hammering scene was the most hardcore shit I’ve ever seen a female character commit on a movie screen. She is the poster child for keeping your fanship in fucking perspective, and never letting it get out of hand. You define what your fandom is going to be. You don’t let your fandom define you.

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Samara –  The Ring

What I like, (for lack of a better word), about this character is she is just evil to be fucking evil. Yes, she was drowned by her mother or something, in a well, but what’s bad ass about her is there is no appeasing of this character. You can’t find her body and lay her to rest. She’s not angry because her murderers got away, or any of the usual reasons for ghostly activity. She ‘s just bad, to be bad. There’s just shit all you can do to save yourself from her, and that’s simply terrifying.

The lead character does everything she can to avert Samaras wrath, and the deaths of her loved ones, by investigating Samara’s crimes, and trying to find her, and get justice for her, but to no avail. You can’t do anything to make her happy. She is just bad. Samara is an example of how we should sometimes just “Let it go, already!”

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Carrie White – Carrie

Although the story is tragic, I still see Carrie as a revenge fantasy for teenage girls. I can’t think of a single teenage girl who didn’t like this character, or have her resonate with them, somehow. Stephen King says she was based on a young woman he knew in high school, who was something of an underdog. She tried to get out from under it, to be more popular, dress better, or be more fun, but ultimately she couldn’t, and King saw that and wondered about what her life was like, and her story just stuck with him.

Despite that there have been several movies made about this character, two in the theater, and one on TV, her story, from the book, has still not been adequately captured. Carrie is the ultimate bad-ass of feminine vengeance. In the book, she destroys thousands of lives and burns down an entire town. I think there’d be an audience for this,  if it were made with an actual budget, because the full scope of Carrie’s abilities has never actually been shown.

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Eli  –  Let the Right One In

Eli is one of the few child vampires in cinema, and I would argue its a fairly accurate depiction of the life, in that she seems entirely plausible. A child vampire would need a caretaker, someone to act as a parent. They wouldn’t be able to go to school really, since they don’t age, and even if they did, they couldn’t remain in one place for more than a couple of years at a time.

In the novel, Eli simply says she’s been twelve for a very long time, so she is not a grownup in child’s body. Her brain simply never develops into adulthood at all, which sounds absolutely horrifying. She simply remembers being a child for a very long time, and never develops mature thinking, at all.

Eli is also a total bad ass. At the end of the movie, she comes to the defense of her child friend, when he is being tormented by bullies. What happens to them occurs off screen, but its still an incredibly effective scene. She has all of a child’s terrifying rage and intensity in a fight, coupled with the speed and strength of a vampire.

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Katrina –  Vamp

Katrina was the first Black vampire I’d ever seen. I’d read about a couple of them, but I can’t think of anyone more likely to play a vampire,  than Grace Jones, who was my idol at the time she played this character, waaay back in the eighties, who says not one word throughout the entire movie, and still manages to get the last word right before she dies!

Grace Jones was important to me not just because I happened to be the right age for it, but she was of my time. Not someone my mother, or aunts, or grandmother admired. I chose her. She was an example of the kind of woman I wanted to be at sixteen, laughing, and beautiful, and fearless, in a way I just wasn’t. She was a dark skinned supermodel at a time when there were none who looked like her. She was an action star when there were no black female action stars. And she dated some of the hottest men of that era including Adam Ant, and Dolph Lundgren.

Later, the great Aaliyah, and Eddie Murphy himself, would follow in Jones footsteps, proving , yet again, that African vampires could put their shit down, and compete with any European Vampire. Katrina rips out throats and hearts, and still manages to find time for her night job, dancing in, and running, a vampire strip club. She was the highlight of the movie, and really the only reason anyone remembers this, still rather obscure, 80s vampire comedy.

 

 

 

The Alien Queen – Aliens

Normally The Queen would qualify as the baddest of the bad, except she was defeated by Ripley. I mean, she had a good thing going there, with lots of warm bodies for her eggs, obedient kids, and plenty of food, and it was all ruined. She is every bit as bad as she believes she is, when going  toe to toe with the power loader wearing human, who destroyed her nest. Normally, this sort of thing gets copied over and over in any movies that get released in its wake, like what happened after The Matrix, but nobody even tried to duplicate her.

She is, and always will be, one of a kind!

I remember the first time I saw this in the theater. The audience let out a collective gasp. Everyone was in awe of her. Cameron had delivered an excellent, thrill ride of a movie up to that point. He didn’t need to impress us any more, so really, our first glimpse of this thing, that had only been theorized about earlier in the movie, was like the icing on a chocolate fudge cake. And then to follow that up with a “Final Girl” battle…just WOW!!!

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Satanico Pandemonium – From Dusk Til Dawn

This is only the third woman of color I’ve ever seen as a vampire. This is interesting because, even though vampire mythology can be found across every culture in the world, from Asia, to Africa, and South America, the only vampires we almost ever see in films and books, are White. Vampirism is not a White European tradition. There is a bunch of different types of vampires in the South American tradition, because of the interaction of so many cultures in the region. The vampires in From Dusk til Dawn most closely resemble the Cihuateteo of Aztec folklore.

In the TV series,  Satanica tells about how she was sacrificed to an Aztec god when she was a child, and that she was given certain powers and curses by that god, and at the end of the movie version, we find that the nightclub, the Titty Twister, is situated at the top of an ancient temple.

I find the trope of the centuries old vampire, living a  quiet, and discreet lifestyle, as the owner of a nightclub, to be pretty interesting. I guess it makes sense, as vampires can’t come out in the daytime, and as was explained in the movie Vamp, you get a ready supply of itinerant victims, many of whom won’t be missed. What I find equally interesting is that female vampires eventually become sex workers, club dancers, in the modern era. The male vamps who own nightclubs never have to dance, apparently.

If there is anyone who was going to play this character in a movie, I can think of no one else than the beautiful, and  bodacious, Salma Hayek. She is definitely a rival for Akasha, as the world’s sexiest, baddest vampire.

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Akasha – Queen of the Damned

Guys! When an ancient one walks up in the club, it’s time to get the fuck out!

By any measure of cinema, Queen of the Damned is probably a horrible movie, but it joins the list of horrible movies I’m not ashamed to love, solely on the strength of Aaliyah’s performance, as the titular character. She is a queen by every definition of the word and she knows it. I think I hated every other character in the film, (except Marius), but Aaliyah rocked the shit out of this role. She was simply outstanding!

The scene, where she burns down an entire nightclub full of vampires, is one of the highlights of vampire cinema, and is right up there with the shootout from Near Dark, and the power loader scene from Aliens. She then saunters away from the flames, with not a care in the world. Her ass is completely unbothered, and unburnt. The walk! The Attitude! The music!

What’s interesting to me is that I’ve seen a whole new generation of young black women, including my niece, The Potato, who have fallen in love with Aaliyah. I don’t know if it’s because of her movie roles or her music, though. How about both!

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Sue – Jurassic Park

I don’t actually know the Name of the Rex from this movie. I don’t think she has a name in the film. I call her Sue because the T. Rex skeleton, from the Chicago Field Museum of Natural History, is named Sue, and I’m a fan. (Actually, Sue  is from South Dakota.) The real life Sue was a bigger, and heavier animal than her animatronic counterpart.

I loved this character, and not  because she ate a lawyer. As the movie’s heavyweight (she is fully  acknowledged by the director, Spielberg, as being the film’s star), Sue is iconic, and the special effects still stand up, twenty five years later. According to her Wiki, (yes, she has her own page), she stood 17 feet tall, weighed 17,000+ pounds, and was 20 feet long. The T. Rex was truly a force of nature:

Its roar is a baby elephant mixed with a tiger and an alligator, and its breath is a whale‘s blow.[58] A dog attacking a rope toy was used for the sounds of the T. rex tearing a Gallimimus apart,[12] while cut sequoias crashing to the ground became the sound of the dinosaur’s footsteps.

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 Ellen Ripley – Alien/Aliens

This list would not be complete if I didn’t add Ellen Ripley. She doesn’t just make this list just because she’s the baddest of the bad, or because I’m a huge fan of the actress, Sigourney Weaver. I think of the character as an icon and role model. (I have a couple of others, Grace Jones, and Nichelle Nichols, for example.) Ripley is the only fictitious role model I’ve ever adopted. I just happened to be at the right age, and the right stage of emotional development, when I first saw her.

I remember watching the first film, Alien, when I was  around eleven or twelve, and no Ripley did not impress me in her first outing. (It would be Parker, played by  Yaphet Kotto, who did that.)  I distinctly remember being scared and intrigued by the ads for that movie, but I was too young to see it in the theater, at just nine years old, when it was released. By the time I saw Aliens, I was sixteen, and by that time my family had a VCR. I’d already been  impressed by Cameron’s The Terminator, but for some reason, Sarah Connor, although she was pretty tough, did not make the list to role model, Ripley did.

I think the thing that most impressed me about this character was the scene at the beginning of the movie, Aliens, when her voice breaks as she is describing the murders of the crew of the Nostromo, because its that scene, (and the cut scene where she cries about the daughter she left behind), that informs all her decisions for the rest of the movie.

Ripley cries a lot, actually. She cries, screams, shakes, her voice trembles. This is a woman who has nightmares, and trauma, and is deeply terrified, but nevertheless, she keeps moving forward, and this was an attitude I would adopt as I moved through a life filled with anxieties, nightmares, mental illness, and suicide. I didn’t so much ask myself what she would do, (I knew what she would do), so much as adopt her attitude. Ellen Ripley taught how  me to pass through fear like a cloud of dust, and  that whatever terrors I have are irrelevant, if my goal is important enough.

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Addendum: 

One of the reasons I didn’t add Vasquez from Aliens, is because I wanted to highlight one of the non-human characters in the film, which I thought was awesome, and I had already included Ripley. Because I added the Xenomorph,  I decided to take out the Latina Bad Ass I admired so much when I first saw the film. I had never seen any character like Vasquez in a movie, especially in 1986. Latina character simply were not regulalrly seen in Science Fiction movies, which sort of makes her character as groundbreaking as she is problematic. (The actress who plays her is not Latina, and is Jewish American. Her cultural markers are a bit stereotypical.)

I like all of the women in this movie, to tell the truth, including the brave and resourceful Newt, and the no nonsense Cpl. Ferro (whose very name is totally metal). I’d end up highlighting the entire film if I did that.

I  specifically referenced the Aliens version of Ripley, because of her link to the first film, which is classified as a Horror movie, and while Ripley was an admirable character in that film, she was not yet a full on Bad Ass yet. That didn’t happen until the second movie which is why I referenced that one instead.

Another character I would have liked to include, for the same reason, is Sarah Connor. The first movie classifies as SciFi Horror, but she doesn’t become a true Bad Ass until the sequel. She too is one of the few White female characters, I truly admire, and one of the few White actresses whose career I followed very closely. But once again, I wanted to highlight non-human characters that impressed me, like Sue.

 

Horror Movie Themes: Women Directors And Monster Women

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Women who direct horror movies are few and far between. They are simply not telling stories in significant numbers in the genre for critics to say there’s an overwhelming theme being tackled, but there are enough of them that a pattern is beginning to emerge.

 

Ostensibly, the stories women tell cover the same subjects as male directors,  but there are sometimes subtle differences, and most of that has to do with women’s perspective on the same topics. There is plenty of vengeance, serial killers, and  ultra violence, but where movies with male directors often focus on the spectacle of violence  against women, without questioning it, female directors often make women the total focus of the plot, as both victims and perpetrators. There are also  fewer otherworldly monsters in female directed movies. Often, in such films, the monsters are very  human, and sometimes those monsters are, in fact, the women.

There are exceptionally few horror movies directed by women of color, and the bare handful of movies that were, like Beloved, fall into the category of personal hauntings, that tackle issues that resonate with other women of color. The majority of women horror filmmakers, are White women, and they tend to focus on issues that are of importance to them, and one starts to notice a pattern in the themes of the movies they make.

If White men work out their personal anxieties through the types of horror they create, then so do White women. It is not that women of color cannot relate to these themes, it’s just that for them, such themes may not be a priority, and tend to carry less resonance for them.

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In movies like Carrie by Kimberly Pierce, A Girl Walks Home Alone At Night, by Ana Lily Amirpour,  and Jennifer’s Body by Karyn Kusama, the theme is not just the Monstrous Feminine, but femaleness itself as monster. There is no coding of femininity as  horrific in these movies. It is a  woman who is a horrible monster, who feeds on men, or  destroys the human body, with a thought, and she is like this, because she is female, as that is an integral part of the horror in the film.

Carrie and Jennifer’s Body  also tackle issues that are of specific relevance to women, like puberty, menstruation,  friendship, and sexual trauma. In female directed films, there is less emphasis on the disruption and restoration of order, or the status quo. Often, their films don’t actually have any resolution, or the emphasis is on the disruption, and restoration, of relationships, or cathartic punishments, instead.

Themes about monstrosity, in such movies, often revolve around body horror, and consumption, as dieting, and the non/consumption of food, and women’s relationships to food, make up the bulk of the personal anxieties in the privileged classes of women who sometimes make these films. In Julia Decournau’s Raw (2016),  a vegetarian girl develops a craving for meat after she undergoes a hazing ritual involving the eating of raw animals. In the 1999 Ravenous,  by the late Antonia Bird, Guy Pierce develops a taste for raw meat after he is nearly killed during the Mexican – American War, and in Jennifer’s Body, a young woman has to save her high school friend, after she realizes her friend has become a flesh eating demon. (There is a lot to unpack, in the movie Jennifer’s Body, which we will discuss later.) Many middle-class, White, Western women have a love/hate , and a fear/disgust, relationship with food, dieting, and  consumption, and we see that play out in these films, as eating, (usually blood and meat), becomes the primary focus of the horror.

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Female directed movies often tend to be more intimate, focusing on the horror of relationships, or the topic of motherhood. What mothers are willing to do for, or sometimes to, their families is the subject of the 2014 movie, The Babadook, where a mother fears she may kill her son, when she is haunted,  and then possessed, after reading about the titular character.

In the anthology XX, many of the stories revolve around the horrific circumstances that can occur when a mother loves her family. Motherhood, already a source of real world anxiety, is a frequent topic in films made by women. In The Box, the themes are also loss, helplessness, and non/consumption, as a woman loses her entire family, when they starve themselves, after her son views the contents of a mysterious box. It is a secret that kills them, and which they refuse to share with her, so that when they are gone, she spends the rest of her life riding the subway, hoping to encounter the man with the box again. The story, Her only Living Son, directly tackles sacrificial motherhood, as a woman sacrifices her life to save her son from his Satanic destiny.

Sex is a huge component of female directed horror movies, but unlike films directed by men, that mostly just feature the spectacle of  women having sex,  or being raped, the focus from women directors is on the danger, and vulnerability of intimacy, and often based on a young woman’s fear of sexual activity, and fear of the loss of innocence, that may be the result. In the film, A Girl Walks Home Alone, a nameless female, Iraqi  vampire hunts men. This movie is groundbreaking, not just because of its setting, and plot, but character. The sexual forwardness of Iraqi women isn’t often featured in film, let alone as a night-stalking blood drinker. The director, Amirpour, is not White, but the themes of consumption, and blood as a euphemism for sex, still find a way into the story.

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Blood plays a huge part in a lot of the stories told by women, from Carrie, to Raw, to Jennifer’s Body, with the theme being  linked to  femininity, fertility, and/or sex. The movie, Carrie, begins and ends with blood. Based on the novel by Stephen King, it chronicles a young woman’s perilous navigation through high school. At the beginning of the story, the onset of her menses signals her introduction to adulthood, and heightens her telekinetic abilities. The story ends with the killing of her entire graduating class, after a bucket of pig’s blood is dumped over her during the school prom, an act which was informed by the opening events of the story, when she has her first period in front of her bullying classmates.

Blood and flesh are especially popular topics of these films, in that many of them contain cannibalism and/or vampirism. In the movie Raw, relationships, and adulthood rites take center stage, as a young woman, who has a contentious relationship with her sister, gets turned into a cannibal after an initial hazing at her sister’s college, that turns out to be an initiation, not just into a sorority, but also adulthood. In Blood and Donuts (1995), a vampire who has just awakened from a long sleep, is introduced to the modern world, via the night shift worker at a local bakery. Over the course of the evening, the young lady figures out who and what he is, and the two of them engage in a push and pull attraction, as he decides whether or not he should prey on her.

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In the 1987 movie, Near dark, a young man is inducted into a nightmare lifestyle, where he has to kill to live, when he meets a pretty blonde girl, at a bar one night. Vampires, since they, like blood, are often a euphemism for sex and adulthood, are the focus of women’s stories, such as Fran Rubel Kazui’s Buffy the Vampire Slayer.  Buffy went on to answer deeper questions about girlhood and monsters, in the TV series, which lasted from 1997 to 2003. In fact, these themes are so prevalent, that they often seem to be having a dialogue with each other, or with movies of the same genre, made by men.

There is a lot of narrative overlap, for example, between Near Dark, Ravenous, and the movie, Afflicted, which cover not just the same themes, but sometimes the same talking points, of the male protagonist’s empathy making them unfit to live the kind of lifestyle that requires killing others. There is also a great deal of narrative overlap in the movies Carrie, Raw, and Ginger Snaps, more films in which menstruation, and flesh eating, are the signals that a young woman has reached full adulthood.

Now let’s talk about Jennifer’s Body.

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Jennifer’s body is a great encapsulation of some of the themes and topics that women address through horror. The themes of friendship, female ally-ship and support, revenge, sexuality,  and patriarchy are part of this narrative.

Jennifer’s Body was released in 2009, written by Diablo Cody, and directed by Karen Kusama. Jennifer Check, as played by Megan Fox, is the high school hot girl. She is the sassy, beautiful, popular, cheerleader, that all the  high school boys lust after. Amanda Seyfried plays Amanda “Needy” Lesnicki,  her quiet, bookish,  best friend, since elementary school. Jennifer gets possessed by a demon, after she is sacrificed to Satan by a local rock band, in exchange for fame.

Already there are themes of the sexuality of women being exploited for male gain. The band, called Low Shoulder, thinks she is a virgin, and their sacrifice was successful, but since she was not actually a virgin, she became possessed instead. After she has killed two young men, Amanda figures out that she is a succubus that is impervious to harm after feeding on her victims. Jennifer attacks Amanda’s boyfriend, who then attacks and eventually kills her. However, bitten by Jennifer, Amanda has now developed some of the Demon Jennifer’s abilities. At the end of the movie, she hunts down  the band Low Shoulder, and kills them.

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Throughout the movie, we are  privy to some of the more interesting conversations that women have when men are not present, and this is something that will only happen in a movie that is written and controlled by women. Not only will there often be more than one woman in a movie, but their relationships and conversations often have more depth. The film is informed by two women in front of the camera as well as the two women behind it. It is the relationship between Amanda and Jennifer that is integral to the plot of the film. If we don’t buy their friendship, we cannot become emotionally invested in their plight, most especially in Amanda’s dilemma at having to kill her best friend.

https://www.refinery29.com/en-us/2018/08/206237/jennifers-body-review-defense-female-revenge-movie

Amanda isn’t just killing Jennifer to save the lives of the young men she might feed on, but to save Jennifer. too. I talked in an earlier post about how Horror is basically the disruption of the status quo by the unknown, often the paranormal, and yes, Jennifer as a demon is a disruption of the status quo,  but the status quo, does not necessarily mean “good”. The status quo is Jennifer’s humanity being disregarded  by  men who were willing to  sacrifice her life for their own gain. That Jennifer, and then Amanda, become demons is a necessary disruption, especially as part of the revenge narratives that are also prominent in women’s horror. Not only are revenge narratives common for women directors, they are often very cathartic for the creators and audiences.

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https://www.theguardian.com/film/2016/nov/03/carrie-stephen-king-brian-de-palma-horror-films-feminism

Kimberly Pierce’s Carrie, from 2011, is another movie that appears to be having a dialogue with Jennifer’s Body, as it covers many of the same themes, of women’s relationships, both supportive and toxic, and the revenge narrative. Although the story was originally written by Stephen King, and the original movie was directed Brian De Palma, I talked at length about how the mood and emphasis of the film is changed, as Pierce  focuses more on the women’s tangled relationships with each other, rather than on spectacle.

So for female horror directors, there seems to be less emphasis on spectacle (although that’s definitively present becasue these are horror movies), and more focus on symbolism, and the relationships between the characters. For me, this supports my supposition that the type of moves that get made are a reflection of the types of people who make them. If this is true of the Japanese, or British, then its equally true for the White men who run Hollywood, and are the primary creators in the horror genre. So, yes, I think that the types of films being made by White women (as these directors are primarily White) are a reflection of the things that are important to them.

There have not been enough Black and Asian-American filmmakers, in the horror genre, for certain patterns to emerge, but I’m going to give it a try in a follow-up post.

Have Some Spooky Mini Movies

Hi there!!

Have a small selection of short movies for Halloween. Most of these aren’t too serious or scary, so you should be able to sleep after watching them.

Right?!

 

Alien Anthology

This is one of the serous ones however. If you are  a fan of the Alien movies, these shorts based on that universe, have been released on Youtube, to celebrate the 40th anniversary of the original Alien movie. They have some beautiful production values and hte acting is acceptable.

The surviving crew of a damaged deep-space harvester have minutes to reach the emergency evacuation shuttle. A motion sensor is their only navigation tool leading them to safety while a creature in the shadows terrorizes the crew. However, the greatest threat might have been hiding in plain sight all along.

 

 

We Summoned A Demon

Here is the first of our “summoning” movies. For some reason, all kinds of wacky stories can be made out of this topic. This one has a lot of goop in it., and a demon that likes to play.

 

 

The Summoning

This was one of my favorite “summoning” movies, because its so cute, and disgusting. I guess one of the bigger dangers is summoning the wrong type of demon. This is one of a series of cartoons from a show called Cartoon Hangover called Go! Cartoons, all of which can be found on Youtube.

 

 

 

The Graveyard Shift

This is one of my favorites. It starts off pretty scary, and you think its going to go one way, but…

 

 

Fright Lite

If you were one of those kids (or even an adult) who needed a Nite Lite, I’m sure short will resonate with you.

 

 

 

Amy

A little girl is afraid of the wolf living with her in the house.

This one looks really cute at first but then takes a slightly darker turn.

 

 

 

Behind You

I found the work of Brian Coldrick to be deeply disturbing. Check out his book, with a lot more of these frightening images.

 

 

The Return of the Monster

I liked this one a lot.