Tumblr Weekend Discussions

Here are some posts and articles about film and tlevision that I couldn’t fit into the last post. These are just things I found interesting in my internet travels, some old, some new:

On Television

Samurai Jack has long been one of my all-time favorite cartoons. First, its simply a gorgeous looking cartoon, and and much deeper, philosophically, than it ever needed to be to entertain teenagers. This article is almost like an ode to the series:

A lone samurai clad in white stares up in horrified awe at a gargantuan future city, constructed with neon bright colors, clashing machinery, and aliens speaking in a tongue foreign to his ear. This samurai travels through lands of the mythic and mundane, the natural and the supernatural. Here he is again, alone, in a dense forest. The only sounds are chirping crickets and the fire that crackles before him — until a vision of his long-deceased father rips through the tranquility, admonishing him for his failure. These moments aren’t from a prestige TV series with A-list talent or a long-lost Akira Kurosawa film. They’re from Samurai Jack, the animated series created by Genndy Tartakovsky that premiered in 2001, ran for four seasons, and was revived for a fifth and final season that ended this past weekend.

http://www.vulture.com/2017/05/samurai-jack-was-tvs-most-poignant-depiction-of-loneliness.html

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Note: This is a 13 page paper studying Whiteness in Buffy the Vampire Slayer.

Image result for buffy the vampire slayer  and race

The Caucasian Persuasion of
Buffy the Vampire Slayer

Ewan Kirkland

This paper explores Buffy the Vampire Slayer as a particularly white
text. By this I mean, the series is both populated by archetypal white characters, and informed by various structures, tropes and perspectives Dyer identifies as characterising
whiteness.

http://www.whedonstudies.tv/uploads/2/6/2/8/26288593/kirkland_slayage_5.1.pdf

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There are simply not enough WoC in genre fiction, certainly not as primary characters. Shows like Superstition, The Walking Dead, Z Nation, and Daniel Jose Older’s Shadowshaper Series, make a specia leffort to be diverse, but we need more, and better depictions of  fantastical WoC on screen, and in genre literature. We need more Black female witches, vampires and werewolves, and stories that are not alwyas about us dealing with the modern world in the same old way. (We need WoC power fantasies, too.)

Laveau encapsulates better than any other historical figure the narrow position black witches hold in the public imagination. (It’s important to note that, to examine this trend, I am using “witches” as a catch-all term for these characters, including rootworkers and voodoo priestesses.) While their practices — whether Haitian voodou or rootwork — are appropriated to add a flash of exoticism, they often remain thinly drawn figures, pushed to the margins of their respective stories. They are used to incite fear or curiosity in the white imagination, which remains deeply suspicious of black ancestral practices that don’t allow for easy translation. In pop culture, the historical underpinnings of these practices — which were brought to America by slaves trying to fiercely hold onto their own belief systems, even as colonialism tried to beat it out of them — are traded for a simpler, highly exoticized portrayal.

http://www.vulture.com/2017/10/black-witches-why-cant-they-get-respect-in-pop-culture.html

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Image result for lewis tan/iron fist

I’m always up for some Iron Fist bashing. Not exactly because I hate him (although I certianly hate that show) but more because I think I’m really mad about what we culd have had, had we listened to Asian-Americans, and simply cast Lewis Tan, for example.

It’s hard to not imagine what could have been. For years, Asian-Americans had hoped that Marvel would cast an Asian-American actor as the lead of its Netflix series Iron Fist, only for the role to go to Game of Thrones alum Finn Jones. The decision wasn’t exactly surprising — after all, the character Danny Rand is white in the original comics — but a casting reversal would have turned a stereotypical narrative into a fresh story about an Asian-American reclaiming his roots. Now, we know that Marvel had seriously considered the possibility: Actor Lewis Tan was on hold for Danny Rand before he was offered the role of the one-off villain Zhou Cheng, who appears in episode eight of Iron Fist.

http://www.vulture.com/2017/03/lewis-tan-marvel-iron-fist-interview.html

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Ben Wasserman clarifies exactly why Iron Fist failed as a series. 

 

And finally, this brings us to IRON FIST, Marvel Studio’s first true narrative flop. Even with all the problems regarding the series’ dialogue, editing and stunt choreography, I believe these problems could have been lessened to an extent had the story been worth caring about. Yet throughout his narrative, Danny Rand is presented as an entitled child whose actions never fit his status, constantly failing to prove his fighting abilities during numerous action sequences while simultaneously being praised as K’un Lun’s greatest fighter by one too many characters. Granted, one could equate this factor to poor choreography, but considering the praise given to DAREDEVIL’s hallway fight, there really is no excuse for sloppiness in a show centered on mystical kung-fu. And yet, underneath this convoluted mess of a narrative lies a theme that could very well have tied in with the other DEFENDERS shows: the rejection of one’s identity.

https://comicsverse.com/defenders-and-identity-why-iron-fist-failed-where-other-marvel-netflix-shows-succeeded/

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A discussion of “The New Yellow Peril” plotlines of Marvel TV series , Daredevil and Iron FIst.

THE FISTS OF WHITE MEN

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With a cast of heroes that includes a woman and a Black man, diversity should be The Defenders’s strong suit, but the show positions a nebulous Asian organization as the villain; considers white saviors, including Iron Fist and Daredevil, as the only people capable of keeping New York City from crumbling; and relies on Orientalism as a plot device.

https://www.bitchmedia.org/article/yellow-peril-in-the-defenders

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Malec and the Burden of Representation

Too much of this article is written from Alec’s point of view, but this is otherwise a solid examination of why LGBTQ representation matters, especially when it comes to Magnus Bane.

MATTHEW DADDARIO, HARRY SHUM JR.

Alec, one of the series main shadowhunters, is in the closet and the reasons for it are almost too many to count. From his society’s aggressive homophobia and an unquestionable loyalty to his family’s legacy to a fear of rejection and an emotionally confusing parabatai bond with fellow shadowhunter Jace, it’s easy to understand why he’d want to keep his sexuality a secret. Especially when it comes to Jace, with whom he shares an ambiguous bond complicated by the fact that one-half is gay and the other is not, in a culture that prohibits romance between them.

http://www.screenspy.com/articles/tv/shadowhunters-malec-burden-representation/

 

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This article discusses why race was such an important feature in Shadow Moon’s story.

Image result for american gods shadow

American Gods and the Realities of Race

…However, Sava’s words only work first to mirror the majority of Americans who are still living in this country with heads in the sand concerning race. They then dismiss a vital component of Shadow’s purpose in the story as both a dark-skinned character in modern America and as a bearer of an important Norse tradition. Sava mostly tries to whitewash the importance of the scene, which is worse than a Texas school board on an American history book.

https://blackgirlnerds.com/american-gods-realities-race/

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Ep. 2 Hannibal Season Three: Primavera

In the last episode, we got caught up with Hannibal’s activities since the night of the Red Dinner. In this episode, we find out what Will Graham has been doing, as one of the survivors of that night.

All throughout season two, we’ve been getting strong “hints and allegations” that Hannibal and Will have an intense (and dangerous) attraction to each other. This season the subtext has definitely become text, as it’s flat-out stated by both of them, what feelings they have for each other, and exactly how far into the abyss Will Graham fell, in his efforts to bring Hannibal to justice. At the beginning of this season, Will sets out to find and re-engage with Hannibal again, seemingly not having learned his lesson from that night.

Image result for hannibal primavera/abigail gifs

We open almost immediately after the Red Dinner, with Will in the hospital recovering from his wounds, reliving the events of that night, and  imagining that Abigail has survived. Actually this imagining of her isn’t any different from his previous thoughts about Abigail. Will has an idealized view of Abigail, as the perfect daughter and companion, an image that Hannibal well knew, and used against him. In the real world,  he and Abigail weren’t  that close, and she certainly didn’t feel about him the way he felt about her, although since this Abigail argues with, and castigates him for his actions last season, this is probably a much truer version of her than we’ve seen from Will before.

This is something a lot of fans of the show forget. That Will and Abigail didn’t interact that much in the real world, beyond season one, and on those occasions when they were together, she was just as unforthcoming, duplicitous, and manipulative with Will, as she was with everyone else, so I was immediately suspect of this image of her. And the show  plays coy with the idea that she survived that night, until near the end of the episode.

One of the  clues, that maybe she didn’t survive, is that Abigail asks Will questions about things she couldn’t possibly know about, unless Hannibal discussed these things with her, and  I don’t believe he did. Also notice that Abigail wears the same hunting jacket that Will has imagined her wearing before, but in a dried blood color,  we’ve never seen. Her body language, and attitude, are the same as when he imagined talking with her, when he was in prison last season.

So keep in mind that Abigail did not survive that night, and Will’s discussions with her, are just Will castigating himself for being stupid.

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Will also has an image of the stag, for the last time, as it dies on Hannibal’s kitchen floor.  The Stag doesn’t represent Hannibal, (as he knows Hannibal isn’t dead), and when Will is hunting for Hannibal in Europe, the Stag  is reborn. There has been a lot of discussion about what the Stag means, but my theory is that this is an avatar of  Will. This isn’t the RavenStag, which is an avatar of Hannibal the Killer. This is just The Stag that Will imagines whenever the darker side of his nature begins to assert itself.

Will  has an image of himself, and Abigail, drowning in a lake of blood. I’ve written before, that images of drowning represent  someone’s belief that they have gotten in over the heads, or into a situation that has overwhelmed them, or that they can’t control. Bedelia has such dreams in the last episode. These dreams of drowning are Will’s though, and are tied to the knowledge that he totally underestimated Hannibal’s will to survive, and his spiteful nature.

Will’s hallucinations and images are jumbled with Hannibal’s images of the breaking teacup, that reverses itself, and becomes un-shattered. I think  this represents Will, and the reversal of its breakage represents the turning back of time, and the resurrection of their previous relationship, which is something Hannibal deeply misses, even in his anger at Will’s betrayal. It’s something that Will longs for too, as he deeply regrets the decisions he made leading up to the night Abigail died. So both men are in the same place emotionally, saddened. missing each other, and regretting what they did to each other.

Will sets out in his boat to look for Hannibal in Europe, based on conversations had during Will’s therapy sessions. On arrival, eight months later, still accompanied by the ghost of Abigail, he goes to the Norman Chapel in Palermo, Italy that Hannibal mentioned, and finds a murder investigation in progress.

Image result for hannibal primavera gifs

The Norman Chapel  is an actual place, which is also part of Hannibal’s Memory Palace. It’s  real, although, the skeleton on the floor isn’t actually there. That was placed in post-production by Fuller, and i think it indicates indicates Hannibal’s placation to Will. It is an image of Hannibal’s forgiveness, or perhaps, he is praying to Will for forgiveness..



One of the images of Hannibal’s forgiveness is the Vetruvian Man origami from the first episode, and the mutilation sculpture of Dimmond’s body by Hannibal. He folded Dimmond’s body into the shape of a heart, pierced it with upside down swords, and placed it in the Chapel’s foyer. Will doesn’t actually get to see the body, though. He is met at the Chapel by a Rinaldo Pazzi, a detective in the city, who has been reading of Will’s attempts to capture The Chesapeake Ripper. Pazzi shows WIll a photograph of the crime scene, and believes it is linked to Will’s arrival in the city.

Image result for the body heart/hannibals

Pazzi believes that Dimmond was killed by a serial killer that he calls Il Mostro, who managed to escape capture many years ago, by framing another man for his murders. He believes Il mostro, and The Chesapeake Ripper, are one and  the same, and that Il Mostro left Dimmond’s body as a message for Will, which it is. After learning from Bedelia that Will is still alive, and has traveled to Italy to find him, Will is much on his mind. Even if Hannibal may not recognize his feelings as a form of love, Bedelia does. (I mentioned in season one, that every show needs a truth-teller, a person who sees things more clearly than the main character/s around whom the story revolves. Bedelia’s role is to say what the outsider (us, the viewer) has observed.)

https://www.keen.com/articles/tarot/3-of-swords-tarot-card

Pazzi recalls the case that set him against Il Mostro. He found the bodies of two people designed to emulate the 1482 painting, La Primavera by Boticelli, which hangs in the Uffizi Gallery in Florence.

Primavera or Allegory of Spring by Sandro Botticelli

http://www.uffizi.org/artworks/la-primavera-allegory-of-spring-by-sandro-botticelli/

Hannibal was obsessed with the painting. Sitting for hours, and drawing the painting over and over, and his last murder in Italy was a reenactment of Zephyrus chasing Flora (to the right in the painting). Pazzi recognizes Hannibal’s style in the killings of the Chesapeake Ripper and believes Hannibal has returned to Italy. He thinks Will may have some insight into Il Mostro’s nature.

https://hannibalfannibals.com/2015/06/17/hannibal-the-history-of-il-mostro-fact-vs-fiction/

But Will is not helpful, as he grapples with his darker self. Will is torn between wanting to join Hannibal, and wanting to capture him. Whenever he feels he is getting too emotionally involved, too close to Hannibal, he becomes afraid that he will lose himself, (hence his dreams about drowning), and feeling a need to reassert his better self (as an agent of the law), he  tries to capture him instead. He seems to go through this cycle of longing and destruction at least twice a season.

Image result for hannibal primavera/abigail gifs

Observe that while contemplating Hannibal’s crime scene, Will doesn’t use his pendulum system to ease into the killer’s mindset. He knows Hannibal so well that he doesn’t need it, and he seamlessly moves back and forth between his own mind, and Hannibal’s. He hallucinates (or dreams) of the Dimmond heart, and in one of this series most grotesque scenes, it comes to life, unfolds itself into the shape of the Stag, and stalks him across the chapel floor. My theory is that this is the rebirth of Will’s murderous avatar. Just being in a place Hannibal has been, has awakened the darker parts of his nature, a part of himself he thought was destroyed that night in Hannibal’s kitchen, when Abigail died.

Image result for hannibal primavera gifs

Will and Pazzi descend into the catacombs underneath the Chapel. Will is searching for Hannibal, believing he can feel him nearby. Will warns Pazzi to not be so trusting, because he may harm him. Will knows that his distress will attract Hannibal and killing Pazzi might bring draw him for sure. And Hannibal is there, so he hears Will’s quiet assertion that he is forgiven. But what is Will forgiving him for? Running away and leaving him? Trying to kill him? Killing Abigail? All three? Does it matter?

 

Of Note:

Will’s mention of the church ceiling falling in is something mentioned by Hannibal, in the movie Silence of the Lambs, where he says he likes to collect church collapses.

Abigail stares at one of the priests in the chapel, and he stares back as if he can see her, as if he can see this dark spectre following Will around.

 

Posts & Articles

https://www.firstthings.com/web-exclusives/2015/10/the-moral-universe-of-hannibal

http://www.vulture.com/2013/06/seitz-on-hannibal-its-a-dream-and-it-hurts.html

http://www.vulture.com/2015/08/hannibal-redefined-how-we-tell-stories-on-tv.html

Forthcoming TV In January

3rd

9-1-1 (Fox)

I normally don’t watch these types of shows because they’re too stressful, but the Divine Angela Bassett is starring in this show, and I’ve never seen her play a cop before, so I will watch the premiere episode, and get back to you on what I think. One of the co-runners of the show is Ryan Murphy who does the American Horror Story Series, and I’m curious about what he’s done with this subject.Those of you, who can handle higher levels of stress than me, may enjoy to watch it on the regular. If so, let me know how you like it in the comments. Just because I’m not watching something doesn’t necessarily mean I don’t want other people to enjoy it.

 

The X-Files (Fox)

I’m sort of looking forward to the return of this show. I was never a fan of the Mythology stuff, although I followed along so I didn’t get any more lost in the plot than usual. This looks like a continuation of the six episode mini season we got last year, which I sort of enjoyed. I’m not wildly enthusiastic but I’m not un-excited. Imma check it out, see if I like it, and get back to y’all later.

 

7th

Star Trek Discovery (CBS All Access)

I’m thoroughly hooked on this show. I’m still not remotely interested in the Klingons, but I’m into the human characters and whats going to happen next. See my upcoming review of the first half of the season before the second half airs.

 

10th

The Magicians – Season Three (Syfy)

I had mixed emotions about the last season. On the one hand I loved the humorous part of the narrative, and Quentin’s mystery solving capabilities. I’m especially enjoying Dean Foggs larger role in the story. On the other hand, I hated Julia’s storyline because it’s so horrifying and tragic. I just don’t like watching this character be abused every season, and it’s a storyline that doesn’t mesh well with the rest of the show. There was also the issue of killing off two gay characters last season, one white and male and the other, a disabled black woman, and that really put me off the show. But I will watch the premiere and see if there will be more of the same. If so, then I can’t make this regular viewing, although those who are less delicate than me, about such things, might have a grand ol’ time.

 

12th

Philip K Dick’s Science Fiction Anthology: Electric Dreams (Amazon)

I know nothing about what kind of stories will be on this show, but I think it’s meant to be Amazon’s rival to the critically acclaimed Black Mirror, which airs on Netflix.

 

Taken – Season Two (NBC)

I didn’t watch the first season of this show because I wasn’t interested, but now in the second season the creators have decided to try to save it by giving the plot and cast a complete overhaul. I personally feel that this is the kind of storyline that should ge remade every season with an entirely new cast and details. It also has a new showrunner, the guy who ran the show Person of Interest. POI was another show that I never meant to start watching, but the plot and performances drew me in, and I stayed watching to the end. Maybe the same will happen with this show.

 

Proud Mary (In Theaters)

I’ve been a fan of Taraji P. Hensen since her Person of Interest days, so I’m very excited about this movie., and so is my Mom. I think it reminds her of those Blaxploitation movies starring Pam Grier. (And she just likes Taraji, too.) This is notable becasue it’s a Black woman carrying a major action film. No, Taraji’s not the first, but it is rare enough to take notice. We keep  getting all these female versions of John Wick, and I guess this is the Black version. (We already have some Asian guy versions which are basically any movies by John Woo.)

 

16th

Black Lightning (CW)

I’m looking forward to this. One of Black Lightning’s daughters is a superhero in her own right, and it’ll be nice to see a Black woman hero on TV. Maybe if we’re really lucky, the show won’t suck, and we can get a spin-off.

 

22nd

The Alienist (TNT)

I read the book by Caleb Carr that this show is based on. I’m a sucker for Historical mysteries set at the turn of the century. I have no idea why. And since I liked Ripper Street, I thought maybe this would capture me too. It looks good, but once again you’ve got a really really White NY city. (Why does Hollywood keep forgetting people of color have existed in both London and New York City since their inception?) But it stars Luke Evans, and he has an epic jawline and I need to support that while it’s on TV. Dakota Fanning, I can either take or leave.

Coming Soon To A TV Near You

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Here’s a list of various upcoming TV programs and series, that I might watch, or am excited about, this month. Some of these will available for streaming on Amazon, Hulu, and Netflix.

For the rest of December:

 

Happy:

Starring Christopher Meloni, and Patton Oswalt, this has already aired, and I haven’t yet watched the episode. As soon as I do I’ll let you know what I think. I was kind of excited about this mostly because I’m a Christopher Meloni fan, who will watch him in just about anything, and Patton Oswalt’s not a bad comedian. This looks almost as zany as Legion, but probably less confusing, and maybe it will be funny. It’s definitely very graphic, so if you have trouble watching lots of gore, maybe take a rain-check on this one. Believe it or not, its actually based on a comic book, and does not star a superhero, so it will be interesting to see other things besides superhero shows from comics in the next couple of years.

Meloni’s character is some kind of cop, or hitman, I’m not sure which, who starts to hallucinate a tiny blue horse that is the polar opposite of his demeanor, in that its named Happy, and tries to get him to see the bright side of living.

 

Knightrfall

This has also just aired after the new episodes of Vikings. I wasn’t impressed, not because its a bad show, but because I’m not interested in this particular era of history, or this area of the world. I checked out after the anti-semitic sentiment (which was common for the time period) started to work on my nerves, a bit. So if you’re Jewish, and were planning to watch it, maybe you can skip it, and that’s okay. I can say it’s an extremely pretty show, but the dialogue needs some help. I don’t think this show is going to blow up the same way Vikings did, though.

 

7th: Psych :The Movie

I was an on again off again fan of the series, so I’m mildly excited about this, even though Tim Omundsen isn’t making an appearance, (or so I’ve been lead to believe). Tonight, we get to find out what Gus and Shawn have gotten up to since the series ended. One of the biggest draws of the show was their friendship, and I’d like to immerse myself in their silliness for a while, and I’ll let you know what happened.

 

13th: The Librarians

I’m not a fan of this show, and have never seen a single episode, which is really weird, because I’m a librarian and, I believe I’m required, by some law, to watch it. Maybe I will.

 

15th: Jean Claude Van Johnson

I saw the first episode of this and was shocked to see Phylicia Rashad in it, as Jean Claude Van Damme and Phylicia Rashad are not two names I ever associated with one another. Here, he plays a government agent whose secret identity is being the famous Jean Claude. I sort of liked it. I thought his self-deprecation was pretty funny, but the humor is uneven and  doesn’t fit well with some of the violence in the show, even if some of that violence is played for laughs. It’s worth a watch if you like Kung Fu, and comedy.The show airs on Amazon Prime.

 

18th: Gunpowder

I’m  looking forward to this, even though it airs on HBO, and I don’t have that network anymore. It’s  about the events leading up to Guy Fawkes Day in England and star Kit Harrington from Game of Thrones..

 

19th: The Indian Detective

I like the idea of this. I enjoy watching detectives of other cultures, as they attempt to solve crimes within their respective cultures, or attempt to navigate someone else’s. Also, Russell Peters is the star, and I think he’s pretty funny. This airs on Netflix, too.

 

21st: Peaky Blinders

This also airs on Netflix. I only partially watched the first couple of  seasons of this show, which stars Cillian Murphy, about a criminal gang from Birmingham England called, what else, Peaky Blinders. I’m excited for this new season which also stars Tom Hardy.

 

22nd: Bright

This is being touted as one of the most expensive original  shows on Netflix, and we know why. Will Smith costs money! I’m very excited about this because I don’t think I’ll ever get tired of Will Smith smartin’ off at strange creatures any time soon, and who can resist the mashup of Elves, Orcs, and the gangbangers of LA. This is the very definition of “Urban” Fantasy, and I’m here for it. It also has music videos.

 

25th: Dr. Who Xmas Special: Twice Upon A Time

As usual, every year there’s a Xmas special that introduces the old Doctor Who to the new Doctor Who, or to the viewers. Since the new Doctor is now a woman, I might actually watch it this year. It’s also my last chance to see Pearl Mackie and Peter Capaldi together, again. What happens is, rather than recording the show like a normal human being, I usually end up skipping it, going to bed, and then forgetting that it ever aired.Well, maybe this year I may remain awake (if the day hasn’t been too strenuous), and get to watch it this time.

 

29th: Black Mirror

I’m not a huge Black Mirror fan. I watched bits and pieces of the last season, and my attitude was “It’s okay.”, but I like the new trailer for this season, which looks fun rather than gloomy, or tragic, so I guess I’m going to be watching a lot, (and I mean, a lot), of Netflix this December.

 

31st: Dave Chappelle 

I didn’t care for Chappelle’s last show on \Netflix. I just didn’t think it was as funny as I expected it to be, but I’m glad to see he’s working again, and I’ve always been a huge fan, so I’ll check this out, instead of partying on New Year’s Eve.

 

Next Up: What’s coming in January

We have a lot to look forward to next month, not just on TV but in theaters.

Also: a list of forthcoming TV shows for the next year, and which movie remakes are in the works, or being discussed for 2018

 

The Mist Movie Review

Image result for the mist movie script

Normally this would be a comparison between The Mist film, and the TV show, but I didn’t watch the TV show beyond the first couple of episodes, because I got bored. Let’s just  say that the TV show ain’t got nothing on the movie, probably because Frank Darabont had nothing to do with it, and the two people who were involved with it had a very different vision of what the Mist was about.

The series was a hot mess, that was slow and mostly incoherent, and was finally canceled.  I was hopeful that it would be good, (I’m always hopeful that a show will be good), but I was a bit dubious when I heard there wouldn’t be any monsters in the show, and I think part of the reason for its failure, is  fans of the movie had one idea of how it should be, and the creators had a completely different, and incompatible, idea

And of course, it’s really hard to top the original movie that it was based on. Frank Darabont has proven to be something of a genius when it comes to adapting Stephen King’s stories, having directed not just The Mist, but The Shawshank Redemption (which I loved), and The Green Mile, (which I hated for  different reasons.)

Except for the controversial ending, The Mist is faithful to the novella on which it’s based, and that’s part of its success, because  the story is a very effective study of human nature under extreme conditions, and you can’t get more extreme than being trapped in an enclosed space, while being menaced by giant hungry monsters.

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The Grey Widower

I wrote an essay on how to write the apocalypse novel, and I used The Mist as the type of  framework that many writers could try to hang such a story on, but really I have to credit Agatha Christie with making the premise famous, (although its much, much older than her) of a small group of people, trapped in a  space they can’t leave, who start mysteriously dying. So many books and movies have been based on this idea that you can’t count them, and it’s an idea that seems to work especially well with horror movies, in everything from Alien (outer space), to Friday the 13th (the woods), to Night of the Living Dead (the apocalypse). The only thing that you can truly change about such stories is the size, and nature, of the space, (jungles, warehouses, summer camps, and spaceships) the type of people dying (probably White), and why (probably monsters). Along the way, the survivors have to navigate the very human monsters of greed, stupidity, callousness, cowardice, insanity…

In The Mist, David Drayton, his son Billy, and neighbor, Brent Norton get trapped inside a local grocery when a mysterious mist descends, a mist that contains some very hungry creatures. Also trapped with them is a small contingent of local people, along with Mrs. Carmody, a woman with the reputation of being a kind of hedge witch, who is also a  religious fanatic.The two standout performances are from Andre Braugher as Norton , and Marcia Gay Harden, as  Mrs. Carmody, with Melissa Mcbride (aka Carol from The Walking Dead) in her big film debut, making this a grand trifecta of awesome. Bringing up the rear, but never slouching, is Toby Jones, William Sadler, Sam Witwer, and Laurie Holden as Amanda Dunfrey, a woman David has an attraction to.

The Stephen King Multiverse

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The Leviathan

Near the small town of Bridgton Maine is a military facility that’s believed to be responsible for the descent of the Mist, after a huge thunderstorm knocks out  the power in the town. The book suggests it was some experimental physics event created by something called The Arrowhead Project, that triggered the Mist, and Stephen King (and many fans ) have made this story part of the Stephen King Universe by suggesting that the Project opened what’s known in other King books, as a “thinny”, a portal between the worlds.

My personal assumption was that the portal opened into what King calls “todash” space, the dark void between the different worlds, which is inhabited by different types of monsters, like Tak , from The Regulators, and the creatures in this story. Todash Space is also something heavily referenced in The Dark Tower books, and at the opening of the movie, we can see David Drayton painting a picture of Roland Deschain, from The Gunslinger.

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David Drayton

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Thomas Jane, as David Drayton, just manages to just hold his own in this movie, which is impressive, as I never credited him as a particularly fine actor, although he has had a long career in film. Here, he’s supposed to be our everyman character, with whom the audience is meant to identify, and through which we’re meant to get into the story. His most direct nemesis’ is not the mist, but Edward Norton, a representative of disbelief, and Mrs. Carmody, who represents too much belief.

David tries to navigate these two approaches to their extreme circumstances, without falling into either the camp of delusion and denial, called The Flat Earth Society, in the book, or hysterical religious ideation, like Mrs. Carmody. In the novel, David has an affair with Amanda Dunfrey, as a form of solace over the loss of his wife, but in the film, Darabont stated that the two of them having an affair would make David’s character less sympathetic, so that was removed from the script. It would also have had the unintended side effect of the audience supposing that David was being punished for his adultery with her, especially if that was coupled with Darabont’s ending.

The ending sparked some controversy, because it’s completely at odds from what happened in the book, and some viewers claim that it defeats the purpose of everything David Drayton survived beforehand. The story itself is open-ended, David and the others never find their way out of the mist, although it ends on a hopeful note. In the movie, David and his friends elect to kill themselves, rather than be eaten by the monsters,, when their car runs out of gas. This made some people angry because they felt he went through so much to survive Mrs. Carmody, only to give up at the end.

But I felt this was an entirely reasonable response, if looked at along a continuum  of the kinds of  behavior we’d seen from everyone caught in the mist. In the book, some of the characters retreat from their circumstances by getting drunk, and a number of people who David says “went over”, simply go insane. People commit suicide, and retreat into religious hysteria, and denial. But the bottom line is that most of these people (except for a handful) do not want to face their situation head on. In the movie, David does, but even he and his friends are eventually defeated by the mist, and take their own lives.

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Eventually, the only survivor is David, and he realizes the futility of what they’ve done after he steps out of his vehicle, intending to just give up and be eaten by whatever monster finds him first, only to encounter the retreat of the mist, and the American military destroying any monsters left over. That was something that infuriated a lot of people. David and the others having given up too soon. Had they waited just another hour or two, they would have all survived. But many people don’t understand that this is all an illustration of how hopelessness works. It’s immediate and intense, and must be taken care of right away. Hopelessness has no patience, and believes there is no time.

At any rate, staying in the store wouldn’t have saved them. They would have had to leave because of Mrs. Carmody anyway, as the military would never have arrived before she started killing more people.

Edward Norton

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Andre Braugher is incredible as Edward Norton. Heperfectly  captures Norton’s officious resentment, from the book, and even manages to add an uncomfortable racial component, to his discussion with David in the market. So watch that scene again where he insinuates that people are racist, wtihout actually saying people are racist towards him.. In the book, he becomes the leader of the Flat Earth Society ,a faction of people withing the store who simply refuse to believe that the mist is  dangerous., or that there are monsters.

It’s never made exactly clear what Norton does for a living, but I suspect he’s a lawyer. He approaches the entire event from an argumentative stance, as if his clinging to a rational approach to their circumstances should be enough to survive it. He and his crew represent just one approach to what has happened, and they (and the bagboy, who also didn’t believe the mist was dangerous.) are the first of the store’s customers to die. After those people are dead, we are left with the  those who believe their circumstances are real, and that the monsters exist.

In the book, David states that there are so many different ways that the mind can approach what’s happened, but really there aren’t that many. People can only respond in about three ways to extreme fear: flight (whether it’s  physical (suicide), mental (insanity)) from their circumstances, confrontating the situation head on, in an attempt to get around it, which is what David does, and negotiation, which is what Mrs. Carmody does. Edward Norton, and Norm the bagboy, tried disbelief and confrontation, and that promptly got them killed. In the novel, several people choose flight from their circumstances. They just mentally check out, (they go insane), still others use alcohol, or suicide to escape. This is somewhat less evident in the movie than in the story. We don’t see any of the characters getting drunk as a way of coping with the situation, for example.

And then  there’s Mrs. Carmody. I think, in the movie, she’s meant to represent insanity, but I don’t believe she is insane, and I’ll explain why in a moment.

Mrs. Carmody

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In the book, Mrs. Carmody is  a caricature of religious insanity, screaming about the abominations in the mist, in a bright yellow pantsuit. She starts off the story as a joke, a figure of mockery. Over the years King has become better at writing radically religious people, but Mrs. Carmody is one of the weakest characters in the novel, as she is very one-note, and over the top. When we first meet her in the novel, she only has one setting and that is “crazy”, and she remains that way for the rest of the story. There’s no background or depth given to her. She’s little better than the monsters in the mist.

This is where Darabont’s talent for adapting King’s films comes into play. Under his creative control, Mrs. Carmody is considerably  deepened as a character. We don’t  learn anything new about her backstory, but we do learn that she is not as sure of herself as she would like everyone to believe. In the movie, she begins as a simple curmudgeon,  complaining about the smallest thing. Like Norton, she sees her response to what’s happening as entirely reasonable, calmly and quietly explaining to the imprisoned crowd what will happen to everyone, if they don’t do as she says,  which is one of the best changes from the book. As the movie progresses, you  get a much better grasp of her character, especially in the scene with Amanda.

Amanda Dunfrey comes across Carmody in the lady’s restroom, and finds her in tears, as she prays to God to give her the strength to commit to His will. Amanda offers her comfort, but Mrs. Carmody’s response lets you know that she is  aware of what contempt she is held in the town, and she rejects her. She speaks from  the perspective of someone who sees herself as an underdog, a figure of mockery and disdain. She doesn’t accept Amanda’s overture of friendship because she knows Amanda doesn’t care about her, and that none of the people in the market are worthy.

That scenes lends a new perspective to her actions in the market. She is not as certain of her strength as she seems, not as sure she’s doing the right thing but she forges ahead anyway, and since you get the subtle impression she has just as much contempt for the townsfolk ( they are all horrible sinners) as they do for her (as the town crazy), we have to question her motivations for calling for more and more extreme ends to deal with the  mist. Her way of dealing with the mist is to try to appease the deity, from whom she beleives the mist comes, but she goes about it the wrong way.

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Carmody’s belief, that she is doing God’s will, is abetted by surviving an attack by one of the mist creatures. A large dragonfly creature, with a venomous stinger lands on her, while she prays that it won’t kill her. When it doesn’t harm her, I think she sees that as a sign of God’s approval, that she is indeed doing the right thing, (after which she starts to show a certain degree of pride, and certainty, in knowing what God wants). She also shows pride in believing that she can save these people from certain damnation. But I don’t believe she is insane, as that’s too easy. (I think her motivations are a lot darker than insanity, and some of it may be revenge against the townspeople, she feels hate her, although that’s something that’s not immediately clear, and is just my supposition.) In other words, her motivations are not pure.

If Norton, and David, represent forms of confrontation, then Mrs. Carmody represents negotiation, which also doesn’t work in their circumstances either. Norton tries confrontation and dies, Carmody’s approach is appeasement and negotiation, and she dies, and this is why Darabont’s ending doesn’t upset me overmuch, as its entirely in keeping with the theme of the movie, that there’s only one response that saved anyone from the mist.

David’s confrontational approach doesn’t work because it is self-serving, and he  ends up losing everything, his wife, son, friends, and endangering his sanity. Everyone around David dies, every time he goes into the mist. But he miraculously  survives, because his reasons for going into the mist, while altruistic, are not completely pure. One can even make the argument that only the impure, the sinners, die, and that the reason David survives while others do not, is because, although he is tainted,  he is still never directly responsible for anyone’s death, and does make efforts to save people, like Norm the bagboy, and Edward Norton. But he is the one who talks the others into going to the pharmacy,  and talks them into escaping the market. And those actions could be considered a form of hubris, as Mrs. Carmody says.

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One can make a comparison between David and Mrs Carmody, in that it is their pride and hubris  that get other people killed, as they are both guilty of these things. Norton’s pride and disbelief got him killed, and David’s pride lets him believe he can somehow defeat the mist by confronting it head on. Carmody’s prideful belief that she knows God’s will results in her death, too.

It’s interesting to note that Ollie Weeks dies just after he kills Mrs Carmody. He is not a prideful character, and seemed to genuinely regret killing her, and even though he had a very good reason for doing so, murder is still a sin. In the novel, the soldiers commit suicide, but in the movie Carmody is directly responsible for the death of at least one of them, when she talks the crowd into sacrificing him to the mist, which is still murder. Their situation can be likened to a form of purgatory, in which there is nothing they can do to escape their fate,except for  the one character who actually does.

Melissa McBride’s character is one of the few people who actually survives walking out onto the mist, and I suspect it’s because she doesn’t  negotiate with it, or try to run from it. She surrenders to it with faith, and humility, that she will be safe to save her children. She is also one of the purest people to do so, as she has harmed no one,  unlike Mrs. Carmody. She believes the mist is dangerous, but leaves the market anyway, to save her kids, and hers is one of the few motivations which is pure and not entirely self serving, the love for her children. At the end of the movie, we see her riding with the soldiers, both her children with her. It is interesting that David survives only after he does what she did, which is knowingly surrender himself to the will of the mist, and simply walk out into it.

All that said, I don’t believe Darabont (or Stephen King) set out to tell a religious allegory, but the presence of Mr.s Carmody allows one to see it in that light.

Bladerunner 2049 LinkSpam

<i>Blade Runner 2049</i> Knows You Aren’t Special

Hey there! Have some weekend reading on one of my current favorite films: Bladerunner 2049. Yes, I have read all of these, but there are quite a few out there that I haven’t had a chance to read, so if you have a link that’s not listed here, please feel free to post it in the comments! And just a word of warning, since so many of the articles deal with social issues, you should probably avoid reading the comment sections, if you want to keep your blood pressure at a manageable level.  The White Nonsense Faction was out in full force for a lot of them.

 

Identity

*One of the primary plot points in the new Bladerunner is Ryan gosling’s character, Officer K believes he’s the special child born of a replicant from the first movie, Rachael. He believes tihs because of an uploaded real memory, something forbidden to replicants. He finds he’s not as special as he seems, when he discovers other replicants also hold  the same memory. He becomes more human when he moves past this need to feel special. And so would we:

https://www.washingtonpost.com/news/act-four/wp/2017/10/17/blade-runner-2049-is-about-learning-that-youre-not-the-main-character-in-your-own-story/?utm_term=.47e2d3dd43f2

https://www.pastemagazine.com/articles/2017/11/blade-runner-2049-knows-you-arent-special.html

https://www.vox.com/culture/2017/10/9/16433088/blade-runner-2049-spoilers-review

https://www.theatlantic.com/entertainment/archive/2017/10/the-real-and-unreal-in-blade-runner-2049/542574/

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Dystopia

*Do the Bladerunner movies predict the eventual outcome of capitalism run amok?

http://thephilosophicalsalon.com/blade-runner-2049-a-view-of-post-human-capitalism/

*Are we tired of dystopian narratvies yet, considering that we might well be living in one? And does that fatigue acoount for Bladerunner’s poor run at the box office?

http://www.rollingstone.com/movies/news/why-blade-runner-2049-may-have-been-a-victim-of-peak-dystopia-fatigue-w507722

Whether Harison Ford's character is a replicant has far-reaching implications for the film series — and for what it says about our own society.

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Race

Bladerunner has been criticised for doing a lot of borrowing, mostly of  Asian aesthetics,  and Black American cultural narratives. 

As critic Angelica Jade Bastién recently noted at Vulture, mainstream dystopian sci-fi has always been obsessed with oppression narratives. While it returns over and over again to the downtrodden-rises-up-against-the-subjugator model, the genre has always had a remarkable ability to overlook the persecuted groups—people of color, women, the LGBTQ community, people with disabilities—whose experiences it mines for drama. White creators, men in particular, tend instead to whitewash their casts, imagining themselves as both villain and hero. Rather than simply putting the real thing in the story, their tales become metaphorsfor the real thing. Blade Runner 2049 falls into this trap: Even as Wallace grandstands about “great societies” being “built on the backs of a disposable workforce,” everyone the movie deems powerful or worth exploring is still white and almost 100 percent male, relegating those disposable workforces’ descendants to the story’s incidental margins.

———–   https://www.wired.com/story/blade-runner-2049-politics/

@

http://www.thestranger.com/slog/2017/10/06/25457531/race-and-blade-runner-2049

http://birthmoviesdeath.com/2017/10/13/on-blade-runner-2049s-asian-influence-and-disconnect

http://www.hollywoodreporter.com/heat-vision/blade-runner-2049-why-it-matters-deckard-is-a-replicant-1046963

https://www.theguardian.com/film/2017/oct/06/blade-runner-2049-dystopian-vision-seen-things-wouldnt-believe

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By contrast, in both Blade Runner and Blade Runner 2049, the notion of white-skinned replicants as escaped slaves does not fit the historical and representational iconography that we associate with slaves as being both black and engaged in menial labor.  Neither film gives us a glimpse of the ‘slave labor’ that the replicants were engaged in on the off-world colonies.  Therefore, the written preamble in both films about replicants being used as slave labor in off-world colonies does not become a significant theme in either film.  From the perspective of dispassionate black spectators, all we see are white people killing other white people for somehow not being authentic white people.  The replicants are near perfect reproductions of white people that even the authentic white people in pursuit are unsure about until after they have been killed. It is in this way that one might consider both Blade Runner films as mediations about white-on-white crime.  “Do white people kill other white people for not acting like authentic white people,” might be an alternative title for both films.  Furthermore, does being a slave for the benefit of white people automatically revoke one’s status as human? 

—————–   https://shadowandact.com/blade-runner-2049-slavery

 

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Women

One of the themes in Bladerunner 2049, is the commodification, of  not just labor, (which has always been so), but women . Of their bodies, their sexuality, and in the case of Niander Wallace, the commodification of reproduction.

There are also all the issues surrounding the character of Joi and her relationship to Officer K, what she is, what she thinks, and does any of it matter if she’s not real.

There are also issues stemming from the films excessive use of the male gaze and how that impacts the film’s message.

http://mashable.com/2017/10/14/blade-runner-2049-feminist-environment-patriarchy/#Dp20nOimkkqJ

http://www.nybooks.com/daily/2017/10/20/blade-runners-immaterial-girls/

http://www.denofgeek.com/us/movies/blade-runner/268248/blade-runner-2049-and-the-role-of-joi-in-a-joyless-world

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The Actors

I disagred with a lot of this article. The author completely dismisses the role of of the holographic Joi, in K’s existence, and her projection of a certain type of mindset onto Robin Wright’s Lt. Joshi, but otherwise, this is a nice solid article on how well Gosling captures K’s quiet inner life.

http://www.vulture.com/2017/10/ryan-goslings-vulnerable-performance-in-blade-runner-2049.html

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THE MEANING OF LIFE IN ‘BLADE RUNNER 2049’

A philosopher expounds on the film’s deep questions about knowledge and genetically engineered life, and offers some clues as to its ambiguous ending.

https://psmag.com/news/meaning-of-life-blade-runner-2049

 

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Audience

*This new movie seems set to duplicate the box office results of the first Bladeruner. In this article, the author of Robopocalypse, Daniel H. Wilson, wonders why that is, and ponders the new film’s thematic content.

https://www.wired.com/2017/10/geeks-guide-blade-runner-2049/

Mindhunter Review

*Amanda DobbinsWe need more expensive, mediocre, highly watchable television!

https://www.theringer.com/tv/2017/10/18/16495494/mindhunter-exit-survey

*Fennessey: One of the things I like about this show is that its pleasure is not derived from murder sequences, scenes that depict or dissect murder, or even the hunt for a killer. They’re process-driven, sure. But they are also skeptical of their heroes, unafraid to undermine their intelligence. This show isn’t about watching serial killers. It’s about watching watchers.

                                   ———-Excerpted from the Mindhunter Exit Survey

I’m just going to showcase this review of Mindhunter from Bitch Media. It highlights all the good and bad, from the perspective of a fan of Forensic Science shows.

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I’m also a fan of Forensic Science shows, in general, and I did like this show a lot, but it does have some real issues. Those particular issues didnt stop me from bingewatching it though, mostly because, on the issues of racism and misogyny, I expect only the absolute bare minimum, from a White male Hollywood director like Fincher, who has never addressed those specific issues in any of  his movies. (Now if this were Bryan Fuller, I’d be more upset. I expect more social awareness from Fuller, than I do from Fincher.)

Hollywood’s writers, who tend to be White and male, have a blind spot when it comes to certain issues and most of them are highlighted in this show. Not wanting to address those particular issues, (like  racial corruption in the FBI and COINTELPRO) doesn’t make those issues go away, and this is something that made me increasingly uncomfortable as I watched, as  I know something of the FBI’s sordid history.

I would have found this a far more interesting show had its focus been on one of the much smarter women, like the lesbian psychologist who gives the lead character all the correct answers, or the girlfriend with an actual sociology degree. I would have liked to have seen whatever dynamic played out with the killers being interviewed by someone they would normally consider one of their victims.

One thing that the article doesn’t mention is the latent homosexuality, in this all male environment, which is tinged with just a hint of violence between the main character and his interviewees. This is noticeable especially in the scene with Edmund Kemper, who makes a habit of invading the character’s personal space ,and touching him in an almost intimate manner, when they first meet. I think this is entirely unintentional on the part of the writer, but probably not on the actor’s part.

Cameron Britton and Jonathan Groff in Mindhunter

 

On the other hand, I do realize that’s not the show’s focus, (as its not a critique of the FBI,) and I do know more than I should about some of  the serial killers being interviewed in the show, having read John Douglas’ seminal book of the same name (and all his other books). Edmund Kemper, Jerome Brudos, and Dennis Rader (known as BTK) are all featured, and I can see that much more attention was paid to getting their details correct than in approaching social issues. Also, Douglas doesn’t address any of these issues in his book, so the writers may have been performing their idea of faithfulness to the source material.

PROFILING 101

THE WHITE MEDIOCRITY OF “MINDHUNTER”

https://www.bitchmedia.org/article/mindhunter-white-male-problem

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‘Ford is a mediocre white cishet male hostage negotiator for the FBI, who we are introduced to during a hostage situation. While the hostage was not harmed, the perpetrator–who was suffering from mental illness–committed suicide. We learn, though, that Ford already exhibits some of the character traits that will lead him to criminal psychology; that is, exploring not just what killers do, but why they do it. Post-hostage scene, Ford’s mediocrity is increasingly apparent to everyone except, perhaps, the writer and director, who clearly envision him as a determined and dedicated individual hellbent on finding answers, but who the audience might peg as a white guy to whom white-guy things happen.’

 

Mindhunter is available on Netflix, and despite its problems, is actually is worth watching, although it’s a much better show if you know nothing about the history of the FBI. Hopefully, the writer will become a little more daring with his characters and plot, in the second season.

Note: This is a vert talky show. There are no car chases, gore, or scenes of women screaming and running. The horror doesn’t derive from watching the killers take lives, but talking about why they did it, and how, and the focus, and casualness, with which they approach the concept of killing other human beings, as a hobby. 

Bladerunner 2049 Review (Part I)

Last  weekend I did go see  Bladerunner 2049 because Mum changed her mind about going to see The Mt. Between Us. I went to see this alone, which is what I prefer when I go see such movies, so I don’t feel a burden to socialize with the person next to me, or talk about the movie afterwards. I can take my time and get my thoughts and feelings in order.

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I had a lot of feels about this movie, but wonderfully, I also got a bit of intellectual stimulation too, as I tried to puzzle out what the plot meant,  and what the characters symbolize. Also, the movie is just great eye candy. Let me start from the very beginning with a primer on the two movies and how they’re related to the book on which they are both based. This is going to be a long one, with lots of spoilers, so I’m going to need to break into two parts. Forgive me if I get some things wrong because I’m writing this from memory.

 

Warning For Spoilers

 

Related image

 

 

There really isn’t any direct need to watch the short films,  but watching them will enhance your Bladerunner 2049 viewing experience because there are some things in the movie which are not made explicitly clear, or if you blink, you’ll miss it.

https://www.inverse.com/article/35997-blade-runner-shorts-2049-prequels-connections-canon


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The Plot:

Foundation

I cannot talk about Bladeruner 2049, without discussing the plot of the first film, because so much of that film is the foundation of this one, and I can’t discuss that movie without talking about the book on which all of this is based. So much of the new movie is built from the original that it’s difficult to understand the full scope of what Villanueve has done without looking at his sources.

In the original novel, by Philip K. Dick, titled Do Androids Dream of Electric Sheep, the primary themes of Self, Identity, and the meaning of Humanity are still present. One of the major changes from the book is that the replicants in the book are different from the ones in the movies. In the book they’re definitely robots/androids. In the movies, they are genetic constructs, that are alive, need to breathe, can be drowned,  bleed out, and die just like humans. Except for being stronger, faster, and largely immune to pain, ( or indifferent to it, as illustrated in the first movie, when Pris sticks her hand in a vat of boiling water), they are indistinguishable in appearance from human beings.

In the new movie, all replicants after the Nexus Six are distinguished by having lit tattoos of their serial number in their right eye, as we saw in the film short, Nexus Dawn. This is something that figures into the plot of the short film Blackout 2022.

For all intents and purposes, just as in the book, all replicants were indistinguishable from humans, which is why the Voight-Kampff test was created. The Voight-Kampff Test is what you see happening at the beginning of the first Bladerunner movie, and it detects emotional responses in human beings, specifically pupillary response to emotion. Replicants, specifically the Nexus 6, built by the Tyrell Corporation, (from the first movie), don’t have normal human emotional responses because they only had a four-year life span, which doesn’t give them time to develop such things. This, and Eldon Tyrell’s conversation with Roy Batty in that movie, is important to remember, because it directly pertains to Rachael (Deckard’s lover), and the replicants of the current movie. Rachael was Tyrell’s experimental success, in that she had an unlimited lifespan. This must have been a successful line because all Nexus 8 replicants have unlimited lifespans.

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The new replicants in the current film are built by a different creator than was featured in the first, Niander Wallace, here played by Jared Leto. The Tyrell Corporation went bankrupt after the Blackout of 2022, I think, which occurs after the creation of the Nexus 8. The Wallace Corporation stepped in to build on Tyrell’s foundation. Just as in the first movie, all the replicants, the current ones built by Niander Wallace, and the Nexus 8s built by Tyrell, know what they are, and  don’t seem to like it any more than the Nexus 6s. The major difference between Wallace’s replicants and Tyrell’s is that the new replicants  are programmed tonever question their submission to humans, to always obey.

In Nexus Dawn, Wallace has a meeting with some of the city’s governing bodies about removing the replicant ban on Earth. If you will remember from the first film, replicants were banned from Earth after a bloody rebellion shortly before 2019. Replicants are only allowed in the off world colonies. Keeping them off Earth is the reason the Bladerunners were created. The current Bladerunner’s job is to “retire” the Nexus 8s. (There’s a list.)  Niander’s argument is that the ban needs to be lifted because humanity is dying, just like most of the Earth, and he thinks the replicants could replace them.

In Blackout 2022, the Nexus 8s cause a massive blackout over the city, destroying all the city’s digital information. In conjunction with the removal of their right eyes, they hoped to erase the knowledge of any Nexus 8s left on Earth, and remain undetected. The Blackout  also plays a major part in the plot of the sequel.

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Niander’s theories are related to another theme from the original book and movie, ecological destruction. In the book, one of the major ways that humanity differentiates itself from replicants is by caring for animals. Showing care for animals is a way of proving you have human feelings. Deckard owns an android sheep that lives on the roof of his building, and other characters own other types of robot animals, because they are too poor to own real ones.  This world  is so damaged, that most of its animals are extinct, or specially protected, and no city dweller, unless they’re extremely wealthy, has ever seen a real animal. The movies remains faithful to this idea, so all the animals you see in the first movie, are all replications of animals, made by humans.

The world is so ravaged, that  Officer K, played by Ryan Gosling, marvels at small plants (Sapper Morton’s window garden) and bees, because he doesn’t know what they are. One of the standout images in this movie is when he sticks his hand into a beehive without flinching. He not only doesn’t know that they sting, he doesn’t  register it when they do.

The Earth is dying, humanity has killed off most of its plant and animal life, and the ones left behind are dying too, from various abnormalities and illnesses. It is implied that humans without illnesses, or afflictions, are highly encouraged and incentivized to move off-world, and Wallace claims that humans have colonized some nine different worlds. But he thinks this is not enough to ensure mankind’s survival, and believes humans should colonize all the known universe.

 

Now

Officer K is a replicant programmed to retire other replicants, namely any Nexus 8s left on the planet after the blackout of 2022. The first replicant we see him retire is Sapper Morton, the replicant from the third short film, as a direct result of Sapper’s actions there. Afterwards, K discovers the bones of a woman interred beneath a dead tree, located on Sapper’s protein farm. These are the bones of Rachael, Deckard’s lover from the first movie. It  is discovered, under examination, that she gave birth to two children, a boy and a girl, which is considered impossible, because replicant women are infertile. And if Deckard is a replicant, as was theorized in the first movie, this is doubly impossible.

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Officer K is tasked by his boss, Lt. Joshi, played by an unrecognizable Robin Wright, with finding these now adult children, and retiring them, lest word gets out that replicants can now reproduce. It would make it that much harder to tell the difference between manufactured beings and naturally born human beings. K is aided in his investigation by his, implanted childhood memories, and his holographic lover named Joi, and thwarted by Niander Wallace’s personal replicant assistant, Luv, who has also been given the task of finding Rachael’s children.

K follows the trail of his memories all the way to a children’s workhouse, where he discovers there was only one child, and it was a girl, but her records were obscured during the Blackout. He makes his way to a devastated Las Vegas, where Deckard lives in exile. K  believes himself to be the lost child of Rachael because of the memory that was planted in his programming by Rachael’s daughter, Ana, until he encounters a group of replicants who all were implanted with that same memory. Ana is alive and well, but living in isolation because of an immunity disease. She creates replicant memories for the Wallace Corporation, and the memory in K’s mind, and in all the others minds, is actually hers, even though giving repplicants real memories is illegal.. She seeded this memory in all the replicants she worked on, in the hope that one day one of them would find her father.

K finds and loses Deckard in a fight with Luv, who destroys Joi, and kidnaps Deckard. He defeats Niander Wallace’s plans to torture Deckard for information on Rachael’s pregnancy, kills Luv, then reunites Deckard with his daughter. Fatally injured in his fight with Luv, K lies down to die in the snow.

 

 

The Characters:

Officer K

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When we first meet K he is as cool as they come, and  completely unperturbed by the thought of the  danger in his job, at which he is extremely good. The only character who can get anywhere beneath this placid exterior is Joi. He is a replicant who kills other replicants, but by the end of the movie, he is willing to sacrifice his life for the  cause of  reuniting Deckard with his child. For love.

K does have a character arc, but its a quiet one, that’s not as obvious as Deckard’s, although it parallels that one. It requires some effort to see, as it is not neatly or clearly spelled out. His  arc is the opposite of Deckard’s. Deckard goes from being a cold and unfeeling human being who disregards the lives of the replicants enough to kill them, to rediscovering his humanity by realizing it doesn’t matter whether or not they’re human. By falling in love with Rachael. K goes from being a replicant that is callous enough to kill his own kind, to sacrificing his life for Deckard’s goal, because it’s the closest he will ever be to being human.

Lt. Joshi, his superior makes a point of stating that replicants, at least the newer models like K, can’t lie but he does actually lie to her about finding and retiring Deckard’s child, which I find interesting. After every mission, K is subjected to a post-trauma debriefing that establishes his emotional base parameters, and determines whether or not he should be retired. By the time he’s lying to Joshi, his programming has become so compromised (he has become so human in hs responses) that he can no longer pass it. Joshi, as a grace, gives him the opportunity to run, which is ironic after what he said to Sapper earlier in the movie. His kind don’t run.

Incidentally, the test K undergoes is a series of keywords that he must repeat in sequence. Those words are based on a poem Vladimir Nabokov’s novel Pale Fire.

 *Decode the test, and you realize that the computer is quoting verse:

Cells interlinked within cells interlinked
Within one stem. And dreadfully distinct
Against the dark, a tall white fountain played.

 

There is a Pinocchio element to K’s character, as he comes to believe that he may be Rachael’s special child and you can see the heartbreak in his eyes when he discovers that those childhood memories are not his, and he is not the one. For a brief moment in time he was truly special.  In the original film, the unicorn is associated with Deckard, as being special, as being unique. K thinks he is a unicorn for a fleeting moment and  when it passes, it is devastating to him, and Gosling conveys all of this with just his eyes.

Ryan Gosling carries the bulk of this movie as Officer K. I have to admit, I’d paid not an ounce of attention to this actor except to note that White women seemed to be crazy about him, while I was simply unimpressed. Now I am impressed. He’s phenomenal as K. I have to admit I had some doubts he could pull off this role because the trailers lead you to believe that all he does is look stoic for the entirety of the film. It’s a  lowkey performance as befits the character. The majority of what Gosling does is in his eyes, which is appropriate,  as the eyes being the windows to the soul, is one of the primary themes of both movies.

As an often despised minority, I identified with him on a certain level. K lives in a world  where he is disdained for who, and what, he is. Chillingly, as he is walking down a crowded corridor, one of his co-workers spits the word “skinjob” at him, and I am heavily reminded of  the narration from the first movie which equates that word with the N word. People just sort of casually say this word to him, or around him, and I’m reminded that there was a time when the N word was so casually said, in the presence of Black people, that nobody raised the slightest eyebrow at its use. And no one blinks at the use of the word “skinjob” in this movie.

Sapper Morton 

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Sapper is played by Dave Bautista, who you may remember as Drax from Guardians of the Galaxy. He’s the replicant we met in the short film set in 2048. He works as a protein farmer in one of Earth’s dead zones. When K comes to retire him, just after the events in the short film, he claims to have witnessed a miracle and, it is heavily implied, was present at the birth of Rachael’s child. After Rachael’s death, he buried her bones beneath the tree on his property.

I just want to commend Bautista. He is killing it in the serious acting category, and is hilarious as Drax. I never expected this level of acting quality from a Championship wrestler, which is something I just found out about as I only know Bautista through his acting career, in Spectre and Bushwick. He is definitely one to watch.

 

Rick Deckard

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Harrison Ford reprises his role as Deckard. If you’re hoping to find out if he’s a human or a replicant, you’re not going to find out in this movie. It’s heavily implied by Wallace and Luv that he is a replicant. But he has clearly aged, and every replicant he’s ever fought has thoroughly kicked his ass. So he’s not fast, or especially strong, and unlike K, he definitely seems to feel pain.

According to Ridley Scott, Deckard is a replicant, but Harrison Ford doesn’t believe he is. After watching the first film, I was convinced he was, but now I’m not so sure. Also, I just like the idea that he’s human, as it sets up a thematic parallel to K’s journey of finding his humanity. Both of them end up finding their humanity through the love of women the rest of the world disregards as unimprtant and disposable.

When K finds Deckard,  he is living in what’s left of an irradiated Las Vegas, and has reached a point in his life where he simply doesn’t care what’s real or synthetic. When K asks if his dog is real, he says he doesn’t know. He has long since ceased to care about such things because his love for Rachael was as real to him as K’s love for Joi.

Its important to remember that part of the reason for the dynamic  seen between Deckard and K, is that K, at this point in the narrative, falsely believes he is Deckard’s son, and tells him the name Joi provided him. Joe.

We do not get to see Deckard’s reunion with his daughter, and I feel some type of way about that.

 

Joi

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Joi is K’s holographic girlfriend, played by actress Ana De Armis. I actually liked Joi, although she doesn’t really have a huge role to play in the film’s plot. She is, rather, emotional support for K. She serves as the embodiment of joy for K.  Like many “real” women, she grounds K, giving him a homebase. She is his refuge in a loud, and untidy world, and later in the movie, she accompanies him on his quest to find Deckard. This feeling of safety is as ephemeral as her body, though. She cannot really save K.

K can’t physically touch her, although there is a scene where Joi takes it on herself to hire a local sex worker that she can possess so that K can imagine having  sex with her. She is tied to the emitter in his apartment until K buys her a mobile version. He tells her she can go anywhere, but naturally her first request is to go outside, where she experiences rain for the first time. Despite all this, Joi is capable of making decisions for herself, or for K. She is capable of delight, and wonder, and who is to say that how she experiences the world isn’t real. That she isn’t real.

After the apartment emitter is destroyed, she is confined only to her mobile emitter until Luv destroys it, and her, in her fight with K. Dejected and bereft, having lost both Deckard and Joi, K wanders the streets of LA until he encounters a giant nude hologram which looks like Joi. When she refers to him as Joe, he realizes that what he had with Joi was always meant to be fleeting and was probably never real. Earlier in the movie,  when he believed himself to be human, Joi had re-named him Joe. In the background of this scene can be seen the shadow of a small horse, possibly a unicorn. Joe thought he was special, and unique. He thought Joi was special.

 

Luv

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Luv is Niander Wallace’s personal assassin/henchman. She appears to be as calm and callous in her treatment of humans as K is with replicants. Where K develops a soft spot for humanity, Luv has nothing but contempt for them. This is best illustrated in the scene where she kills Lt. Joshi, after referring to her as a small thing. She makes the deliberate choice to destroy Joi’s emitter, after Joi pleads for K’s life.

There’s not a lot of character development with her. She remains as hard and cold at the end of the movie, as she does in the beginning, except for one slight surprise.When Wallace kills replicants in front of her you can see her shocked reaction.  Later she kills a fake version of Rachael, not because she wants to do it, but because she is designed to obey Wallace without question. And in another surprising moment, she shows a certain amount of compassion towards Deckard.  Luv takes out her hatred of Wallace on  people he sends her  to kill. She seems to have no trouble killing humans. Her more softened approach to Deckard is puzzling, if you believe Deckard is human.

Luv is deeply affected by Wallace’s treament of his supposed children, and I believe she hates him. She is also deeply afraid of him as he could decide to kill her on a whim like so many of the other replicants we watch him abuse. She’s not capable of expressing that hatred to him because he is too powerful. He controls her. But she can  express that rage towards humans less powerful than she is, like Lt. Joshi, as she screams in rage while she kills her. (We’ll talk more about this movie’s treatment of women in Part Two.) I do wonder about her past. I know she can’t be the first version of Luv to exist, and if not, was she forced to kill her predecessor?

Luv also knows how to lie, which is something else Wallace has not seemed to notice, probably becasue they don’t lie to him. But K blatantly lies to Joshi, and so does Luv. Most people think that replicants can’t, which might be true of the older models, but apparently Wallace’s can.   I don’t think Zhora and Sapper outright lie when others ask them questons. I think they sort of derail or sidestep the questions. SoTyrell’s replicants couldnt lie, maybe, but they made up for that by being openly rebellious. Wallace’s replicants are extremely obedient, but their programs can be just as corrupted from being around humans, or K’s baseline wouldn’t need to be checked so often.

 

Niander Wallace

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Niander is an egomaniac who likens himself to god. He often refers to the replicants as angels, or his children, but that doesn’t stop him from casually ending their lives on a whim. In the film short, he orders the replicant to take its own life, but in the movie he’s a bit more hands on, disemboweling a female replicant, to prove a minor point, and ordering Luv to shoot the Rachael replicant he was using to torture Deckard.

Wallace is as incompassionate, in his behavior towards the replicants, as Deckard was in the first movie. In Bladerunner, Deckard had a conscience, and bemoaned having feelings about what he did, especially after killing Zhora. When we see K kill Sapper, he is emotionless. It’s just work, although later we see his warmth and regard for Joi, buying her presents, and bantering with her. We can see that he is visibly touched by her willingness to endanger her existence to aid him, and his grief at her destruction. Later, he kills Luv with his bare hands, with all the rage and grief at his disposal. He hates her for killing Joi.

So here we have (potentially) a human who lost and regained his humanity, a replicant searching for his, and another human who is so out of touch with his humanity that he thinks he’s God. Wallace is more than just physically blind. He doesnt see what is right under his nose (or he does but disregards it.) He doesn,t, for example, see that Luv hates him. He says he has built his replicants to always obey and never run, but K is a perfect example of never saying never. Wallace’s replicants can be compromised and are highly emotional creatures. We can see this in K, and in Luv as well. Niander also doesn’t see something else directly under his nose, that the child he is looking for, Ana Stelline, has been working for him for years.

Tyrell’s attempt to make the replicants tractable by giving them memories, did not work to make them less violent, and Wallace’s ability to make them obedient doesn’t seem to have worked either. Luv is just as violent as Batty from the original, and K’s programming becomes so corrupted that he rebels. Wallace doesn’t see that his goal is doomed to failure, as there is no way to make replicants happily accept being the slaves of  lesser beings.

 

Dr. Ana Stelline

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Ana is the woman who implanted the memory that leads K to her. She is subcontracted by the Wallace Corporation to create false memories for replicants. It’s illegal to plant real memories, nevertheless, she has seeded her childhood memory, of a small wooden horse, into the minds of dozens (possibly hundreds) of replicants, in the hope that one day, one of them would find her, or her parents.

As the daughter of a replicant, is she one as well? If Deckard is human, does it make her human? It has been theorized by fans that the immunity disease she claims to have is merely a false front to keep her isolated, and away from the suspicion of being Rachael’s daughter. It also has the added benefit of protecting her unique DNA from further scrutiny. Its  just another layer of false information, like the memories, the obscuring of her gender, and where and when she was born.

She has a deep well of compassion for the replicants. She tells K she can’t make their lives easier but she can give them happy memories.

 

The Girl with All The Gifts (2016)

This is the first of my five posts reviewing horror movies where the stars are Black women, all part of the Graveyard Shift Sisters posts on 31 Black Women of Horror, for the month of October.

Okay, despite the fact that I read the book, I still didn’t know what to expect from the movie. I should have because the movie is mostly very faithful to the source material. It had not occurred to me that the filmmakers would do the thing, and make Melanie a little Black girl. I loved the character’s voice in the book and was looking forward to whoever they would cast as she would be carrying the movie, and I’m glad the director made that decision.

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When the writer, M.R. Carey was asked about the development of the movie he stated:

‘We went a slightly different way in the movie, especially when it came to point of view. Where the novel moves between the five main characters and lets us see what’s going on in all of their heads, the movie sticks with Melanie all the way. And there are no Junkers in the movie. The base falls to a hungry attack. But it’s a case of two different paths through the same narrative space. The ending is absolutely faithful to the book.’

— M.R. Carey, in an interview with Mom Advice[7]

The plot of the movie is very faithful to the source, so if you’ve read the book, you know the ending. Most of humanity has succumbed to fungal spores and become what are known as “Hungries”. ( Basically they’re zombies. They attack and eat people. (This is not  unprecedented in nature, as there are actually fungal spores that infect hosts, and force the hosts to  propagate itself.)  Some of the zombies are intelligent, and Melanie is one of the smartest ones.

Melanie, and a group of like children, all of whom were infected in utero, are being taught, studied, and experimented on, at a specially guarded facility, by Dr. Caldwell, played by Glen Close. She is attempting to find a cure for the fungal infection by vivisecting  the children’s brains, and Melanie is her star pupil. One of Melanie’s teachers is Ms. Justineau with whom Melanie develops a close  relationship.

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Melanie is played by the unknown Sennia Nanua, and she is absolutely perfect. She doesn’t try to play Melanie as sinister, or evil. She’s just like any other regular little girl, smiling, curious about the world , and happy, until her hunger is triggered. Those scenes are shocking in their viciousness. We watch Melanie attack and bite people, and at one point she captures and eats a cat. Although the movie has kids in it, it is not for children. Her behavior isn’t sugar-coated  or glossed over, and the soldiers are correct to be afraid of Melanie, as her Hunger appears to be something she seems to control. Gemma Arterton is great as Justineau, and I enjoyed seeing her relationship with Melanie.

Justineau doesn’t try to control, or change Melanie, seems to accept Melanie just as she is, and unlike the soldiers, seems unafraid of her. She doesn’t seem to want Melanie for what Melanie can provide for her like Caldwell. Seeming to genuinely love and care for her, worrying about her safety when she’s not around. The two of them seemed to have formed a real and loving bond, and that bond between them, goes a long way towards the audience accepting Melanie for who and what she is, too.

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Justineau was constantly cautioned against attaching herself to the children she is teaching, but  she seems unable (or unwilling) to do so with Melanie. There are several scenes of the soldiers being verbally abusive to the children in their care, in order to teach Justineau to avoid them, but Justineau always behaves towards them with dignity and respect.

 

When the facility is overrun by Hungries, Melanie and Justineau escape inside a mobile lab, with some other soldiers. Caldwell, who has been bitten by one of the Hungries has developed sepsis, but still continues her experiments. The soldiers are wary that Melanie will turn on them so they make her wear a muzzle ala Hannibal Lecter.

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They soldiers fear her but Melanie is useful because she can walk among the infected with impunity. In their travels, they use Melanie to lure the Hungries away from them so that they can more successfully forage for supplies. Melanie uses that time as an opportunity to feed. During her explorations she encounters a group of feral infected children who have formed a gang to hunt  any wayward humans.

In one of the movie’s most exhilarating moments Melanie challenges and kills the gang’s leader, and commands the gang afterward, keeping them in line with the threat of her strength and ruthlessness. I’m not sure how to feel about these scenes. On the one hand, I applaud Melanie’s ability to survive and be a leader. On the other hand, I’m witnessing children committing shocking acts of violence, which is something I’m just not used to seeing. I generally avoid movies where children are killing each other. Melanie’s leadership of this gang is something that will come into play at the end of the movie.

I have to admit I felt some type of way about watching this little Black girl kicking ass, and being so vicious, because that actress looks so sweet and innocent, when she’s not doing those things. I can only guess that’s why this particular actress was chosen. There’s also the stereotype of the vicious Black brute, who is uncivilized and must be controlled, restrained, and made useful, which is illustrated in Melanie having to wear a plastic muzzle for at least half the film. All of Melanie’s captors are White, and with the exception of Ms. Justineau, they are all deeply frightened of her, which gives this movie a  disturbing racial angle, that it would not  have otherwise had, if Melanie had been cast as a little White girl. Her Blackness gives the end of this movie  a wholly different meaning, which I’ll have to discuss in another post.

There’s very little wasted space in this film, which is less than two hours, but feels   longer because the director takes time to have quiet moments to explore Melanie’s world from her point of view. She is in nearly every frame, she is the one around which the other characters revolve, and she moves the plot forward with the decisions she makes, especially the last one.

I considered giving away the ending of the movie, because I wanted to discuss how groundbreaking this is, but if you’ve read the book you already know it, and if you haven’t, I really don’t want to rob you of your feelings (and you will have some) when you see it for yourself, as everything that happens in 90 minutes of the movie is what leads up to Melanie’s final decision.

This is an excellent movie to watch on Halloween night along with, 28 Days Later, and Train to Busan, two other films that have WoC dealing with a zombie apocalypse.

28 Days Later will be my next review.

ETA: The Website featuring this list is available at the Graveyard Shift Sisters.

http://www.graveyardshiftsisters.com/2017/09/watch-31-horror-movies-starring-black.html

 

Things I’ve Been Watching (October 2017)

Here are some of the shows I’ve been looking at this month. There’s a lot of releases, and I can’t keep up with a lot of them, but I’ll watch what I can and get back to you on what I thought about them.

The Gifted Season Premiere

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I’m simply not in the mood for this show, and I’m fed up with this type of plot, now. It’s loosely based on some of the X-Men and New Mutants comic books, in that it has some Sentinel plotline, and some of the characters from those groups. Stephen Moyer stars as a lawyer who used to prosecute mutant criminals, and  the father of two young mutants, now on the run from the government, which is rounding up mutants and imprisoning them in scientific camps.

I tried watching the first episodes, and while I like a couple of the characters, the show is simply not compelling enough to keep me watching it every week. The characters have the usual teenage angst, with superpowers, that made me dislike the First X-Men movie. Blink is a teenager who can teleport by creating portals, and Thunderbird, who is Native American, is a kind of tracker of people and things. I’m dismayed that the show used the Native American tracker stereotype, as that’s nothing like Thunderbird’s actual powers in the books, which consists of speed and strength.

And I’m just not here for yet another plotline of people with superpowers being rounded up and used by the government. This seems to be the only plotline they can come up with for superpowered characters, especially on TV, and once again, there is only the focus on how this affects White, suburban, middle-class families.

Just like with the show Heroes, there is no focus on how the discovery of superpowers would affect any marginalized communities, something I would consider much more entertaining, and which the show Cleverman handled with a certain amount of depth. As I complained about before, we keep getting stories about middle-class White characters being subjected to the same oppressions that have been visited on marginalized communities. This show would have had far more depth and been much more interesting if it had been set in the G/L community,  or the Black and Latinx communities, in which this type of interment is already occurring.

In the forties, the Japanese were rounded up in internment camps because they were considered a danger to the US, and later, authorities used to raid the gay and lesbian communities and lock them in jails with the full force of legal authority behind them. Today, its immigration officials grabbing random Brown people out of their homes, and locking them up on suspicion of being illegal immigrants. What do you want to bet that none of these things will be addressed in yet another show where we see average White people being treated in the same manner?

 

Legends of Tomorrow

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I’m looking forward to this new season. I really enjoyed the season premiere, which was a lot of fun and addressed a couple of cliffhangers from last season. This season will also introduce one of my favorite characters. Constantine.

Constantine’s show was something of a bust, but I think he’ll fit right in on this ensemble show, because he just works better when interacting with other super powered, snarky,  characters, and yes, the writers have promised to keep his canonical bi-sexuality intact, something which was never addressed in his own show.

Also, returning this season is Captain Cold, played by the very candilicious, Wentworth Miller.I always loved his dynamic with Heatwave (yeah, I totally ship those two) and I’m looking forward to the two of them meeting again, especially after Cold sacrificed his life to save the team, in a previous season.

I generally like all the characters on this show. My top favorite is Firestorm. I remember reading those comics as a kid, and briefly again in the 90s. He’s an interesting binary character of an older White man named Stein, and a Black teenager named Jackson, and I love the friendship that has developed between the two of them. The show has managed to carefully avoid the stereotype of the Black brute, who is nothing but the muscle in their relationship, by making Jackson an engineering genius, with Stein as his mentor. so naturally, Stein will be leaving the show later this season. I wonder who Jackson’s new partner will be.

I least like Black Canary, but I think that has more to do with the actress, because I like the version from the comic books just fine.

In the last season, the Legends broke the world by causing a set of time anomalies, which caused them to get kicked out of their spaceship. We open the episode with them leading normal lives on Earth. Black Canary is working, unhappily, in a department store, and Jackson is attending college. Stein appears to be the only happy one, spending time with the daughter he never knew he had, from another timeline. Heatwave, played by Dominic Purcell, is also having the time of his life, vacationing on the beaches of Aruba, before he is attacked by Julius Caesar, another time anomaly.

The team gets called back together to fix the problems they caused with all their time travelling last season. This show airs after The Flash, which is absolutely perfect, since I’m really starting to like The Flash a lot more, and have started regularly watching that.

 

 

Brooklyn 99

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When we last left The 99 last season, Jake and Rosa were sent to prison, for a crime they didn’t commit, by a corrupt cop. When we meet up with them at the beginning of the new season, the two of them are not adjusting well to their situation. Jake’s roommate is a cannibal, played by Tim Meadows, (he is extremely funny), but we don’t get much insight into Rosa’s situation. We spend most of our time with Jake, as he tries not to get outed as a cop by the Warden, who is trying to capture a drug smuggling ring, run by Lou Diamond-Phillips. I liked the guest stars more than I liked Jake in these episodes, and I hope to see more of Lou Diamond’s character in the future. He so rarely gets to do comedies, and I think he’s hilarious here.

Amy and Charles are working hard to find proof that Jake and Rosa were set up and come up with zany schemes to do this, even though Charles thinks his podcast about Jake should be enough to free him. One of the funnier running gags is that he invited Terry on the podcast, but the interview wasn’t successful, and Terry is confused about why.

By the end of the second episode, all is well in the Kingdom of 99, Jake and Amy have been reunited, Charles can give up his podcast, and well, Rosa remains very much Rosa. I normally do not watch shows about cops, (as I consider all of them to be thinly veiled propaganda about the inherent goodness of law enforcement), but I will make an exception for a really great, or funny show, and Brooklyn 99, along with the very politically incorrect Reno 911, are worth the watch.

 

The Exorcist Season Two

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Well, I think its too much to say this is an enjoyable show, because its supposed to be scary, but it does star John Cho as one of the shows leads. The show does have some issues though. I’m not at all interested in the storyline of the two priests who have made off with the possession victim from last season, and the gruff speaking victim gets on my nerves after about thirty seconds, but fortunately her onscreen time can be easily ignored. I just pretend I’m really engrossed in my knitting when she’s on the screen.

John Cho’s storyline is far more interesting, as he stars as the father figure for a home of orphans with severe trauma issues. The home is being visited and assessed for its level of care by an old flame of John’s, so the show is killing it in the Asian representation column, as this role is being played by an actress named Li Jun Li, and I’ve become very invested in their relationship, although I do fear for the life of the young lady, because TV loves to kill off  Asian characters, and that actress isn’t especially well known. The last time we saw Jun Li, she was the coroner from the show Minority Report, and was dressed like a Rave victim.

Well, inconveniently there’s some spooky happenings at the house and the kids are acting up and misbehaving in ways they didn’t before she came there, which increases the tension between her and John’s character as he wonders if she can be fair to him, especially taking into account their dramatic past together.

I’m looking forward to the rest of this season because its so rare to see Asian Americans as stars in a horror show. Actually, this show is pretty good about diversity, and a sensitive portrayal of children with various disabilities. The disabilities are not the source of any of the horror (some outside force is) so that’s another stereotype that’s been upended.  Its not as hysterically over the top as American Horror Story, so I’m able to get caught up in the mystery without getting a headache, and the characters are all mostly likable.

 

The Flash

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I’m just really starting to get into this show. I watched most of last season and understood maybe half of what was happening, but I did like the characters, which is what mostly draws me into a show. My favorite characters are Iris, and Cisco, and I got to see a lot of both of them in the season premiere, although I like all of the characters on the show except Caitlin Snow. That actress acts like she’s in a different show altogether, but she has good chemistry with the other characters, so I can tolerate her.

Can I just say how much I genuinely love Iris. She is by every definition of the term, a  rare flower. She’s gorgeous, graceful, intelligent, and heavily reminds me of Nichelle Nichols version of Uhura, an example of the kind of woman I wanted to be as a child. I hate to say this, because I really like Barry, but she is waaaay too good for him. I also love that Iris is a Black woman, because it’s so rare that Black women get to be loved, sacrificed for, or  damseled in mainstream media, and I am here for it. She also gets some really nice speeches during the episode.

Last season, Barry sacrificed himself to save the love of his every existence, and entered what is known as The Speed Force. I think its the source of his powers or something. I’m not too clear on that. Anyway Cisco comes up with a way to save him, but the Barry that comes back to Earth is deeply confused and unintelligible. The entire situation is complicated by a supposed new enemy, come to challenge Barry, a Samurai with a sword that causes earthquakes. The entire crew needs to save Barry, so he can save the city.

I’m looking forward to this new season as I’ve heard that Ralph Dibney’s Elongated Man will be featured on the show. I used to read  his comics as a kid.  Harrison Wells will be making another appearance, too, along with a character played by Danny Trejo. Katee Sackoff is also supposed to show up as a supervillain, I think. Killer Frost has already put in an appearance in this first episode, and this season is supposed to have a lighter tone than the last, which I think all superhero shows could use a dose of.

So, I’m in, I guess.

 

The Orville

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I’ve been watching this off and on.. Its still rather uneven n tone, but hopefully it will settle down into what it wants to be by the end of the season. Its not a bad show but it wavers between wanting to be a comedy, with some rather juvenile humor, a drama relationship, and a space opera, and these three things while done effectively, are not meshing well with each other. The switches between styles can be jarring and obvious.

Seth McFarlane’s presence does bring in the guest stars, though. We got a Charlize Theron guest shot, and a cameo from Liam Neeson, which was pretty cool. I kinda like most of the characters, but the surprise for me was the ex-wife and  First Officer, played by Adrianne Palicki. Her, and most of the other women, are the  smartest people on the show. Most of the guys are well… kinda weird, and not too bright, but I like them anyway. There’s a metal robot, and an alien with a same sex husband, and so far the show has been very respectful of the two of them, treating them just like any other couple on the ship. I’m not sure this counts as gay representation though, since they’re both aliens from a mono-gendered  planet.

Its not a bad show. Or rather, not as bad as I thought it was going to be because I was a little dubious about McFarlane being on the show and he and I don’t share the same humor. We still don’t, but so far he hasn’t done anything to actually upset me, so I’m inclined to keep watching.

 

American Horror Story

I’ve pretty much stopped watching this. I’m just not in the frame of mind to consider it entertaining right now, even though it may well be for some people.

 

Outlander

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I’m a lot less interested in Claire’s life in the fifties and sixties then I am in her life in the past, which is how this season has begun. In order to raise their chid in safety Claire has gone back to her own time period to raise her little girl. Her current husband has issues with this of course but is willing to wrap his head around the fact that his wife has two very different lives, and that her child is not his. That’s a lot to ask of a man, but he seems to be down for all this.

There’s slightly less Jaime in the opening episodes of this season, so I’m not really as invested as I normally would be. I generally do not like romances, and I haven’t read any of the books this show is based on, but I actually like the show for the romance between Claire and Jaime. Go figure! I guess I’m just a sucker for a period romance, I guess.

 

Forthcoming

This weekend is the debut of the show Mindhunter by David Fincher on Netflix. I’ll definitely be watching it, as its based on one of John Douglas’ non-fiction books on serial killer profiling. I’ve read all of his books as he makes the topic very accessible. Also I like David Fincher. The Atlantic review is here:

https://www.theatlantic.com/entertainment/archive/2017/10/mindhunter-review-netflix/542781/

 

My review for the first few episodes will be next week along with my long form review of Bladerunner 2049.

I was supposed to see The Mountain Between Us with Mum, but she changed her mind, the night before, and kicked me out of the house to go see what I wanted, all by myself. I really enjoyed Bladerunner, and have a lot of feelings, and thinky-thoughts about it. My review is in two parts, covering the plot and characters, in comparison to the first film and the book, and then, in part two, some of the technical stuff, like the cinematography, music, and themes.

 

Amended to add: The Supernatural Fox Sisters have a thread up on Twitter listing 31 Horror movies that feature Black women, and rather than review The Thing vs The Thing, I think I’m going to review a few of these movies instead, as some of them are my favorites exactly because there are Black women in them as the main characters.

http://www.graveyardshiftsisters.com/2017/09/watch-31-horror-movies-starring-black.html

I chose five of these movies from the list to review. I’ll surprise you with which ones.

Stuff I’ve Been Watching

 

Midnight Texas (NBC)

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So, I’ve watched maybe two episodes of this show and I’m really liking it so far. I’m willing to date this show for a while, because it’s good fun and makes me laugh. Midnight Texas isn’t a deep show. It’s not a Bryan Fuller Joint, or Westworld, but it’s a fun little interlude before going to bed, since it airs at ten, Monday nights, and I gotta go to work in the morning.

The main character, Manfred Bernardo, can see ghosts. His Auntie comes from the town of Midnight, and after she dies suddenly, leaving him in debt to some type of criminal, her ghost tells him the town can be a safe place for him, where his skills will be appreciated.

Midnight Texas happens to be the home of various supernatural beings, and Manfred fits right in. Upon his  arrival, Manfred meets a local girl named Creek, and while her father is deeply suspicious of him, the young lady is intrigued, and the two of them develop a relationship very quickly. A lot of things happen quickly in the show, and many of the plot points happen in a kind of throwaway manner that takes some getting used to. I understand the idea is to keep it light, and not get too bogged down in philosophy, meta- physics, and whatnot. The show is supposed to just be fun, and I’ll watch it in that spirit.

I have a lot of favorite characters on the show, most of which are supers. There’s some good representation on the show, and I’m looking forward to learning more about the various characters. I missed the second episode, but managed to watch the third. The creators are trying to keep things light without being ha-ha funny, which is a fine line. It doesn’t look like they’re trying so much to reproduce True Blood, as reproduce the mood of True Blood. Some of these characters are mentioned in the True Blood books though.

Manfred, for example, is the psychic that Sookie met when she visited Dallas.  Midnight Texas is based on source material from the same writer, Charlaine Harris. I have not read the books. I opted not to, because I didn’t want my brain focusing on the side issues of the books, while watching the show. I may read them at some point in the future, because they seem like fun, but not right now.

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We have a full complement of creatures on the show, so you’d think my favorite would be the Reverend Emilio Sheehan, who happens to be a Were-Tiger, which is kinda awesome. He seems rather morose, which is appropriate as I consider actual tigers to be the “crabby old men” of the giant cat world. There are WoC in the cast. One of them owns the local bar/diner, and I don’t think she has any superpowers, but I could be wrong, and it’s something that could be revealed later. The other is the local witch. The town does have some mundane people inhabiting it, and some of them are aware of the supernatural qualities of the others.

You’d think my next favorite would be the Angel, Joe because he’s really, really hot. I’m not into blondes, as a rule, but I’m willing to acknowledge the occasional hotness of some of them. He happens to be living with a Hispanic man named Chuy, who also happens to be an Angel, and I wonder if the two of them being a couple is the reason they’ve been exiled to Earth.

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Lemuel

Well, you know who my favorite is. Lemuel, the rather unique vampire who feeds off human energy, and eats other vampires. We get to see his backstory in the third episode. He used to be a slave and there’s a scene of Lemuel being whipped for trying to escape, which I didn’t appreciate having to look at. That scene is pretty graphic and you may want to skip it if watching Black people being tortured is not your thing. The point of all that is to show how far Lemuel will go to be free, I guess.  After a couple of escape attempts, Lem encounters a Native American vampire, who transforms him. Lem’s immediate course of action is to avenge himself on the slave owner, who had him beaten, and that guy’s entire family. That’s pretty graphic too.

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Olivia

 

Later, Lem and the other vampires in his clan, have a falling out, because Lem thinks he’s become just another slave to his thirst. In the third episode, Len’s Maker returns looking to take over Midnight for himself. The townspeople rally together to kill the vampires.

This seems to be the main theme this season, as we’ve  had three/four episodes, in which the townspeople need to band together to defeat some outside force. In the middle of all this plot, we learn that Lem started off as an ordinary vampire, but after encountering Manfred’s aunt when she was a child, she transformed him into something else, a vampire that can feed on other vampires.

The characters often have some deep philosophical insights, but like I said, it’s in a blink and you’ll miss it manner. (Joe and the Reverend do this too.) Lem is played by Peter Mensah, who is extremely handsome, in his bold blue contacts. You may remember him as a gladiator from the show Spartacus.

I  like Lem’s girlfriend, Olivia, who is some type of international assassin. She’s a total badass, and she and Lem are the town’s heavy hitters, when it comes to defense. I don’t normally pay a whole lot of attention to White television actresses, unless they’ve firmly established themselves with a good track record, but I like this actress. She’s blunt spoken, clear-headed, and pragmatic, all qualities I admire, and I see why Lem likes her. She has some secrets from her past, that she’s trying to bury, while dealing with  anger issues.  I could do with a lot fewer scenes of Olivia and Lem gettin’ it on, though. It doesnt need to be shown in every episode.

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Fiji

Fiji is another one of my favorites, and I like her, not because she’s the town witch, although that’s kinda cool, but because she has a talking cat. I don’t know much about the cat’s backstory but he’s snarky, and dismissive, just the way you’d think a cat would be. How it happened that her cat talks, we don’t know yet. Fiji is very young, but she’s also extremely powerful, and well-respected in the town. Most of the mundanes know what she is, and rely on her to protect them.

Fiji is also really cute, and kind of adorkably nerdy. She has a mad crush on one of the townies, a guy with the unfortunate name of Bobo, and her feelings seems to be reciprocated. One of the more powerful images I have of her, is from the first episode, where she crushes a police vehicle, with little more than her bare hands, and a strong will. Fiji looks sweet and vulnerable, but she ain’t the one to mess with. She’s  refreshingly different, as Black women rarely get to be emotionally fragile, but powerful love interests, and/or witches either.

I’m going to try to enjoy this show while it lasts. It’s on network television, which has a nasty habit of cancelling the shows I like, so I don’t hold out much hope that Midnight Texas. will be around next year. This is the same station that just canceled Still Star Crossed. But then I was trying really hard not to get attached to that show. (That didn’t work). I’m not gonna try that with this show and it still might get canceled. I might as well get attached. There’s always the books, which I’m told, Charlaine intends to keep writing.

 

Mr. Mercedes (Audience Network)

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I liked this show, too. I was expecting it to be a deeply serious dramatic type  show, but it turned out to have a quirky sense of humor, not because the writing is funny, or people are telling jokes, but because certain characters and situations are just odd. It’s not like the show Psych, which was a deliberate comedy. This is not a comedy. It’s just some of the characters are weird.

The show is based on a trilogy of books by Stephen King, the first title of which is Mr. Mercedes, named after the killer in the book. Brendan Gleason plays Bill Hodges, a retired cop who is trying to figure out what to do with himself, now that he’s no longer working. until he is taunted out of retirement by Mr. Mercedes, so-named after he drove a Mercedes into a crowd of job seekers outside a job fair, killing several. I like Gleason’s character. One of the funniest recurring issues is when he can’t believe various women find him attractive. (It’s definitely the beard.)

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The show begins with  a very graphic scene, and I was heavily reminded of the events in Charlottesville Virginia. There’s no mystery about the killer for the audience, just as in the book. We’re introduced to Brady Hartsfield early in the story. The book remains very faithful to the books, except in tiny details like the wacky neighbor lady who lives next door, and Bill feeding a massive tortoise passing through his yard one morning. I’m not sure if this is a pet or what.

Bill is assisted in his sleuthing, by the kid he hired to mow his lawn, and who happens to be a computer wiz. Jerome is played by Jharrel Jerome, and I like him already. His character is a refreshing change from the Black Male Sportsplayer/Jock, we see so often on TV. Black men are rarely cast as hardware nerds. Brady is also a tech-nerd, and works at one of those big box technical stores, which is something like Best Buy, and I like that Jerome seems to be every bit his equal when it comes to the esoteric workings of computers.

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I think Bill’s quirky neighbor is meant to represent a woman with which Bill has a brief, but satisfying relationship, in the books. Or at least I hope so. I don’t know if this will happen on the show, but in the book, Janey is murdered by Brady. This is not a catalyst to make Bill chase after him, because Bill was already unofficially working the Mr. Mercedes case. This is Brady’s attmept to make Bill commit suicide. The neighbor, Ida Silver, is played by Holland Taylor, and if she looks familiar, that you may have seen her in every funny show of the 90s.

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The villain is played by one of the alumni of the cable show, Penny Dreadful . Harry Treadaway, who played Victor Frankenstein, is as disgusting character here, as he was on the other show. Apparently, this is how he’s going to make his career, playing unlikable people in perfectly good shows. The show remains very faithful to the books with him too. He has an incestuous relationship with his mother, whom he later poisons, and it looks like the writers are sticking to this plot, although in the book, the mother  initiates sexual activity. In the show, it appears she doesn’t know that her son regularly masturbates with her as his subject. (I know! Ewww!)

Their relationship does have a very Bates Motel feel. Brady works at a Big Box store, with other quirky characters, and a deeply stupid boss, who is constantly shit-talking Brady’s dreams of life beyond the store. This goes a long way towards humanizing this incredibly shitty character, who mowed down dozens of people with his car, just for shits and giggles. This is not something that happens  in the books, so I wasn’t expecting that.

I’m going to keep watching this because the pilot certainly captured me. The show airs on the Audience Network which may be difficult for some of you to access. I have access to it through DirectTV, and its possible you may need that, to watch this show.

 

 

The Void (Netflix)

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I love a good creature feature, and I was attracted to this movie because of its use of tentacles in its promotional material. I wasn’t expecting a whole lot when I sat down to watch it. I was sort of expecting a little Cthulhu type stuff, and there’s certainly a little of that in it, but there was also a lot of it I couldn’t make hide, nor hair, of.

It seems to be about a group of cultists attempting to call some dark being to Earth, to inhabit the bodies of humans, and the cultists are partially successful. They’re doing this in collusion with a doctor at the local hospital, where they’ve trapped several people.  Daniel Carter, Maggie, James, and inexplicably, an Asian woman, named Kim, who I lost track of by the end of the movie.

These people have to fight off monsters inhabiting the bodies of their friends, and a couple of trigger happy locals, while working their way through the maze of the hospital, to find and stop the doctor from unleashing Hell on Earth, through the body of his pregnant daughter.

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I have to give fair warning. The movie is very gory, with lots of blood and other fluids gushing all over the place. People get skewered with knives and/or shot, and sometimes they get torn apart by creatures. The cult members wear white hooded cloaks and look a little like KKK members, but there is no equivocating in this case. They are definitely villains ,whose job it is to keep the hapless victims trapped in the hospital to be fodder for the monsters. There’s also an element of the movie The Thing, as the monster is a conglomeration of various body parts and live people.

The movie doesn’t have the happiest ending either. At the end Daniel, and I guess her name is Maggie, get trapped in an alternate universe featuring a giant black pyramid. It’s not a bad movie, but it’s not an A+ movie either. A lot of the plot seems to have been borrowed from  other Lovecraftian pastiche movies, like Hellraiser, and Re-animator ,and the acting is sometimes a bit dodgy. But I think the key words here are “not bad”. It’s a good workmanlike plot where bad things happen to bad, and sometimes not so bad,people, who sometimes act like cowards, and occasionally act like heroes.

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Daniel isn’t the most charismatic guy in the film, although he is set up as our hero, who has the most sense,  and who  is gonna save the world. None of the other characters stand out as especially interesting either, really. Basically, if you’re watching this movie, it’s just  for the monsters, and gore.

New TV Trailers (Fall 2017)

So Pilot reviewing season is here in a month, and its time for me to nimble up my fingers, as I type furiously to keep up with all the new genre shows coming this Fall. Some of them will not be watched, some of them won’t even get reviews. As we get closer to September, I’ll eventually whittle it down to the handful of pilots I’ll be reviewing, along with my regular reviews of returning shows, like Supernatural. 

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Midnight Texas

Tonight on July 24th Midnight Texas will be airing on NBC. It’s a show based on the Charlaine Harris trilogy of the same name and involves Supernatural creatures all living in some podunk town in the middle of nowhere Texas, who need to protect themselves from outside discovery. I’m looking forward to watching this.

 

 

Mr. Mercedes

This is coming to the DirecTV Network, called Audience, this fall. Some of you may not have access to this network, so I’ll watch the pilot and review the first episode, for when it eventually makes it to DVD. This is based on a Mystery trilogy by Stephen King, about a former detective who gets called back into action after a serial killer starts sending him taunting letters.  I don’t normally watch cop shows, but this is Stephen King. Yes, it does look a lot like the show Bates Motel, which I only partially watched, but I like Brendan Gleason, and feel like he’s a good choice for this character. In the novel, he has a Black teenage neighbor who helps him navigate technological stuff , and a neurodivergent  female assistant, that I hope gets cast for true. You do not need to have read the books to follow the show, but they are very good books, with a minimum of gore, and only the slightest touch of the supernatural, if that has you worried.

 

 

Star Trek Discovery

Okay here’s, the extended trailer for the new Star Trek Discovery. Remember guys this is, a Bryan Fuller Joint, the same showrunner who worked on Hannibal, and who just finished, the critically acclaimed, first season of American Gods. Fuller also has some Star Trek experience, as he used to be one of the writers on  Deep Space Nine. The show follows lead character Michael Burnham, played by Sonequa Martin-Green, who grew up on Vulcan, and was raised by Sarek, Spock’s father.

 

 

Teen Wolf

The final season of Teen Wolf will be airing this weekend, and I’m not real crazy about it, although I may watch it in support of Scott McCall. Over the years, the show has engaged in a great deal of whitewashing ,as it started out with a good amount of diversity, but has slowly been replacing all of the PoC each season, with new White characters, something which has dulled my enthusiasm for the show. The word “final” is in the title though, so I feel compelled to at least look at the pilot. I hope for a happy end to the series.

 

 

The Incredible Jessica James

If you liked Jessica James when she was snarking at the public on  The Colbert Show than check out her new show on Netflix, coming this Friday.  Remember, she was offered the job as the new host, and famously, turned it down, because she was looking at other plans. I will definitely check it out. I loved her comedy on the show, and I’m looking forward to see what she’s gotten up to here.

 

Bright

Here’s an extended trailer for Netflix’s new show starring Will Smith. I’m a big Will Smith fan, and I’ll be on vacation then, so yeah, BingeWatch! It doesnt look as funny as I’d expect from Smith, but its got some great imagery. We get to see Will Smith wielding a sword, and snarking at some Orcs. This wil lbe released on Dec. 22nd.

 

 

The Walking Dead

Yeah, this looks as harrowing and intense as the last season…so no change then? I’m already tired of Negan, and will be glad when he’s locked up, or whatever they’re gonna do to him, but at least things  look a little more energetic than the last season, which wasn’t one of my favorites, except in those few moments when it was.  I see that Carol “Terminator” Danvers is back with the gang, and Morgan and Jesus get to have a smackdown. Also there’s a lot more Ezekiel, which is okay for me.

 

 

Westworld Season 2

I really enjoyed the first season of this show, so I’m definitely here to watch the fallout of the robot’s rise to sentience, and how that affects things in the park.

 

 

The Defenders

I’m cautiously excited about this because Iron Fist  is in here,  and watching his show was traumatic. On the other hand, I like everyone else in the show and there’s this lady in here that’s uhm…C’MON, ITS FREAKIN’ SIGOURNEY WEAVER, PEOPLE!!!

Oh okay, I’m sorry for yelling but, yeah, I did mean to do that. Uhm, there’s some fightin’, explosions, and Luke Cage, and stuff, too.

 

 

Vikings

This is another one of those shows that I dont know why I watch it. It’s not a bad show, although its gone off the rails a bit since its beginning. I just like the characters, the accents are fascinating, and there’s some gore and swordfights. Its not as complicated as Game of Thrones because the characters seem to have much more prosaic concerns. This is the final season. Apparently, I can’t resist the word “final”, in any description of a show.

 

 

Marvel’s Inhumans

This trailer looks waay better than that first one which seemed created to make you mock the show before its airing. Yeah, Medusa’s hair still looks cheap, but at least they remembered PoC exist in that world.  I’ve always been a huge Black Bolt fan, but I don’t know how to feel about the actor playing him. Hopefully, he will change facial expressions, during one of the episodes. So far, none of these trailers for the show,  are garnering the enthusiasm that I feel The Inhumans deserve.

 

Krypton

Nope. I have no plans to watch this beyond the Pilot because, from the description, it sounds like Riverdale in Space, and I won’t watch that either.

 

 

The Crossing

I think this sounds intriguing. I dont know if I’ll watch it beyond the first episode, (probably not), but it looks like an interesting premise.

 

 

The Alienist

I’m far more likely to keep watching this, because I like period shows, and I have a soft spot for this particular actress, ever since she starred in Man on Fire, with Denzel Washington. The book, by Caleb Carr, was pretty good too,  and I’m interested to see what the creators do with it.

 

 

The Orville

Not sure I want t owatch a Star Trek parody, and I’m uncertain of the lead actors humor, but I did laugh a few times during this trailer, so I’ll at least give it a try.

 

 

Stranger Things Season 2

I didn’t see the first season of Stranger Things but I heard a lot about it. i thought maybe it was an “It” ripoff, but it turned out to be a little bit more than that. This trailer goes a long way towards making me want to see the second season, which is a feat, considering I found the first season not particularly interesting.

 

 

Next up :Part Two of the New Fall Releases, and Returning Shows

Things I’m Looking at # 37

Preacher:

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Aaaaaah!!!!

The second season of Preacher arrives just in time to take up the slack after the full-course meal that was American Gods. I was really looking forward to this new season. Last season was a bit of surprise hit for some people, and even though I was really enthusiastic about it, I’m surprised how much I enjoyed the characters. I was pretty much just expecting crazy plot, but I fell in love with Cassidy, Tulip, and Jessie, and I’m really looking forward to their interactions this season.

Last season, Jessie was possessed by an escaped Angel, named Genesis, that gave him the power to compel people to do his bidding, got assaulted  by two other Angels, named Fiore, and deBlanc, who were after their lost charge, was invited by Tulip to get back on the road to vengeance against some guy who betrayed them,  and being friended by an Irish vampire, who then fell in love with his best girl. The three of them, Jesse, Tulip, and Cassidy, met a fake God, and the town where all these events,  occurred was blown to smithereens, after things went horribly wrong at the local slaughterhouse. Now the three of them are on the road, looking for the real God, because they got questions they need answered, and I’m certain that yet more batshit adventures will ensue.

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Season two has introduced one of the characters from the books called The Saint of Killers. We get our first glimpse of him when the three buddies are pulled over by some cops, and The Saint guns everybody down. In the first episode alone we’re treated to the sight of one of the cops macing his own balls, Tulip siphoning gas through a piece of intestine (lost by one of the cops during the shooting), while Cassidy tries to get out of the sunlight by hiding under the cars, a man getting his tongue ripped out, a preacher who exorcises his parishioners demons by locking them in cages, and Jesse, Tulip, and Cassidy sharing a bed, with Cassidy letting them know that he wouldn’t mind if the two of them had sex in front of him. Sent there by the Jesse’s preacher friend, the three of them visit a Jazz bar/Strip club, where one of the patrons claimed she met God. Cassidy’s shenanigans gets their witness killed.

So the usual, all-around batshittery, really!

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Like I said, when I reviewed the show in the first season, I was not that big a fan of the books because I’m an artistic snob, and hated the artwork. I knew enough about the books to know who some of the characters were, and be excited by Cassidy’s appearance. I have no idea who the Saint of Killers is, or if its an accurate representation on the show. That said, The Saint is really terrifying. As Cassidy would say, “That’s some Terminator-type shite!

Yes, this series can actually be classified as Pulp, and yeah, I do remember from one of my last reviews, that I said I wasn’t a huge fan of Pulp, since I hated Blood Drive, but since I am a fan of Preacher, I guess that means it depends on one’s definition of Pulp. Preacher is everytihng tht Blood Drive isnt. Better acting, writing, cinematograghy, special effects, and characters, go a long way towards a better class of Pulp.

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I mean, Blood Drive and Preacher are basically the same type of show, involving people on the road, doing crazy-ass shit, or having crazy shit happen to them. But Preacher is just much better at it. I guess it’s the difference between an asshole with charm, manners,and a several thousand  dollar suit, compared to an asshole in cheap sneakers and a backwards baseball cap, who keeps spitting on your floor. One of those you date. The other you don’t. Which one you choose is entirely a matter of personal taste.

 

In the second episode we learn that the Saint of Killers was hired by Fiore, who is determined that Jesse not be allowed to keep his superpower, lest he abuse it, which he is already doing. Fiore, in mourning over his dead partner, deBlanc, is working a magician’s show at Mumbai Sky Tower, where he gets killed on stage and keeps coming back, because Angels can’t die. Well, rather they can die, but the only thing that can kill them is The Saint of Killers.

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Jesse, Tulip, and Cassidy petition Fiore to call off The Saint, but he refuses. Cassidy asks Jesse for permission to try to persuade him to change Fiore’s mind. There follows one of the funniest, most delightful, interludes I’ve ever seen in a show! Initially you think Cassidy plans on torturing Fiore, but the show uses that as an opportunity to turn a trope on its head, by having him get Fiore high on heroin, and then  romping with him around his hotel room, like two over-sugared toddlers, for three hours. Fiore who was depressed enough to attempt killing himself hundreds of times, since losing hs partner, is having the time of his life. My favorite moment is the two of them building a pillow fort in the middle of the room, and eating ice cream in it.

Jesse asks Tulip to get married and she accepts at first but when an old acquaintance from New Orleans (her old stomping grounds), shows up at the Mumbai, she tells Jesse she has changed her mind, after beating the holy hell out of the man. I love to watch tulip kick ass, with her little tiny self. She must weigh all of a buck’o five. Tulip’s got a lot of secrets, though. Jesse has an epiphany about how to find God, since they learned in the last episode that God loves Jazz. He figures that God might decide to visit New Orleans, someplace Tulip is  reluctant to go. At the end of the show, Fiore’s last request is for The Saint to kill him, since Jesse commanded him to “Find Peace”.

And that’s just the second episode. We got nine more episodes of this crazy shit, people.

 

Cleverman:

Last season we saw the introduction of a new superhero show, set in Australia called Cleverman. All of the primary characters, including the hero are all Native Australians. The show works along the themes of colonization, erasure, and assimilation of Native people into a violent dominant culture.

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*The Cleverman is an important figure in many Australian Aboriginal cultures. Series creator Ryan Griffen describes the Cleverman as “like the Pope of the Dreamtime … the conduit between the present and the Dreaming”.[6] The version in the television series combines many Cleverman traditions from different Aboriginal clans to create a superheroic version, with powers relating to the Dreaming’s connection to past, present and future.[7]    ——–Wikipedia

 

Koen has reluctantly accepted his position as the new Ceverman after the death of his uncle, who was the last one, and has begun to take steps to protect The Hairy People from a culture of exploitation and enslavement by the government. I didn’t review the last season and there’s a lot to explain, since its a very dense show, that requires close attention, especially if you’re not Australian. So here’s the Cleverman page on the Sundance website, which will give you a quick 101 on who the characters are, what’s going on and who’s is doing what to whom. The first episode of this season drops you right into the middle of everything, so if you didn’t watch the last season, you will need a quick catch-up:

http://www.sundance.tv/series/cleverman

 

And an AVClub review:

http://www.avclub.com/review/aboriginal-fantasy-cleverman-too-busy-building-wor-237354

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This season, Cleverman is attempting to foil a plot by the Australian  government, to destroy the Hairy People, by giving them a drug that will assimilate them into human society. So they’ve introduced a sickness they claim to be curing, and giving them this drug. They’ve also been kidnapping them, breaking up their families, and conducting medical experiments  on them. All of this is fairly graphically shown, so  keep that in mind while watching. At last some of this is being facilitated by Cleverman’s cousin, who  last season, used to hold a  Hairy People Fight Club, in the area of town where the Hairy People, and the Indigenous population, had been corralled

I’m having some difficulty watching the show because it just strikes too close to home, on a realistic level, and I can’t make it through a single episode without yelling at the TV, so I had to cut my viewing short. And I was also having trouble watching the fascistic nature of the plot. Its the reason why I’m not really into watching dystopias right now.

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But this is a great show. It’s very deep. It has good representation for my criteria although, if you’re a member of an Indigenous culture of any kind, you may have more stringent criteria than I do. It might also be too upsetting to watch because the plot does not mince around.

 

 

Will/ The Strain

Other shows I’ve checked out, and won’t be watching again, are Will, a show about the life of William Shakespeare which I found too dense to get into, and The Strain, which I continue to hate despite its change of venue, to Philadelphia, after NY blew up.

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Now, If you’re a student of Shakespearean Literature than you will  love this show because it chronicles the writing of his various plays and whatnot. its written by a couple of scholarly type guys and it shows. Its also full of pretty people being loud and boisterous,, and lots of ribaldry. I guess this is the show’s attempt to seem racy. I tried to like it, but I don’t think I was in the mood for it, as all that authenticity was giving me a headache.

I tried to watch the first episode of The Strain’s fourth and final season. I didn’t get past the first twenty minutes. I figured out what it was I hated so much about this show. Its the characters. I just hate them. Outside of Quinlan, and Fet, none of the characters are even trying to be compelling, and the villains are just ridiculous. The show also just isn’t scary. At least not to me, but the one review I read of the show the reviewer loved it. I just can’t agree. If you like the show, there’s nothing wrong with that, but  you have very different criteria, than I, for liking it.

Since NY blew up last season, the apocalypse has started t in earnest, as the resultant ash cloud has blocked out most of the sun’s UV rays, allowing the Strigoi, as the vampires are called, to walk around in daylight, menacing the populace. The setting has moved to Philly, and the first annoying thing I saw was an ad for a vampire/human organization called The Partnership, which is mostly designed to separate humans from their blood.

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Let me get this out of the way first: Many of the people in the ad were Black, although no more Black people were seen in the rest of the episode, even though it takes place in Philly, which has, quite possibly, one of the most recalcitrant Black populations in America. Apparently, rebellion against authority is only for White guys, since the two Black people I saw are shown  just rolling over for it.

This really pissed me off because I know, in the real world, you can’t even get Black people to do things they want to do, if you  give them an order to do it. Black people (and Puerto Ricans) will decide NOT do something, just to spite you. So I found it hard to believe there were no Black or Brown people rebelling, or creating some kind of Human Underground. C’mon! Marginalized communities would be the first ones to act up. And no explanation is given for why they’re all absent. Were they all wiped out? Eaten? Maybe we’ll find out later in the season but I won’t know because I’m not watching.

 

Castlevania: 

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I watched the first few episodes of this series, which is based on the arcade game from the 80’s. I do have fond memories of watching my brothers play it,  because I wasn’t particularly interested in playing it myself. I’m not that type of gamer, really. I don’t get attached to characters too much, or follow plots that closely, so I can’t tell you if the anime has anything to do with the plot of the game.

But I enjoyed the cartoon, which is about a guy named Belmont, a monster hunter from a disgraced family, going up against Dracula, and the Church. The Church is responsible for burning Dracula’s wife as a witch, and he’s so pissed off that he didn’t receive an apology, or even a tribute for his dead wife, that he unleashed a horde of batlike demons into the world to destroy humankind.

I spent a not inconsiderable time muttering at my TV about this one too because, as is natural, the villains are villainous, and  annoyingly unreasonable bullies. The Church is trying to use the approach of the demon horde to consolidate their power, and deflect attention away from the fact that the release of the demons is their fault. There’s another group of monks, truth tellers, that the Church is trying to wipe out because church officials don’t want word getting out that the demon apocalypse is their fault.

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The animation is very good, with some nice fight scenes. I usually avoid a lot of anime series because they’re too fast paced, and the characters have a tendency to talk too much, in extremely high pitched voices, which just makes my head hurt. But I liked this one. The people have actual motivations for doing stuff, even if I disagree with their actions, and they all talk like regular people.

So, if you’re a fan of the game, you could do worse than spending an evening with Belmont, who is a total bad-ass, and  Dracula. Castlevania is available now on Netflix.

 

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I also watched The British Baking Show and Game of Thrones. I enjoyed the Baking Show because British reality shows are wholly unlike American reality shows.  For one thing, there’s less bragging, and competition from the empty headed contestants, and more a feeling of camaraderie. The British shows don’t look as if they’re trying to get rid of the Black people and women as quickly as possible and the hosts are really funny.

I like the process of watching the contestants learn to bake something, I like looking at the inventiveness of the end results, the judges aren’t mean for meanness sake, but seem honest and forthright, about the results, and the way they choose the winners seems fair. If you have a bad episode, as a baker, that doesn’t automatically mean you’re out. It has to be a consistent thing. By the end of the series some of the baker’s have had several bad events.

 

I have no idea what to think of Game of Thrones. I want to like it. I like parts of it. I’m mostly a casual viewer, who has only watched a few of the more popular episodes. I know who the top five characters are, and the ones I like the most, Jon Snow, Brienne, and Arya and Sansa Stark. I’m much more interested in what’s happening in the north, at The Wall, then I am with what’s going on in the south, even though I realize all of these things are linked.

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 I don’t know who that guy is that’s been stalking Brienne.I think his name is Torm, or Torman) but he is hilariously, and very obviously, smitten with her. Brienne mostly looks annoyed and puzzled at his insinuations, and I can explain why that’s funny. I often have that same look on my face when people flirt with me. I can’t imagine why they think such a tactic would work with me, and puzzled about whatever I might have done, to make them think it would.

He longs for eve nthe faintest scrap of attention from her. Last night, after Brienne thoroughly trashed some guy  she was training with the sword, he walked up to the man and happily told him how lucky he was.

And of course, Twitter was right on it!

Tormund be looking at Brienne like

I’m going to keep watching it (not reviewing it) because I’m curious as to where it’s going to end, and how my favorites end up. Notice that there are some popular characters I didn’t mention, and that’s because I don’t care a single bit, about what they get up to, on the show.

 

Pictures From Tumblr

 

Entertainment Weekly has a great photos spread of the cast and characters of Black Panther. But not everyone has access to EW, so:

 

And here are the first images from Ava Duverny’s A Wrinkle In Time, which will also be released in 2018:

a-wrinkle-in-time-reese-witherspoon-oprahy-winfrey-mindy-kaling-ew

a-wrinkle-in-time-chris-pine-image-ewa-wrinkle-in-time-oprah-winfrey-image-ewa-wrinkle-in-time-ava-duvernay-storm-reid-ewa-wrinkle-in-time-chris-pine-ew

 

There are some incredible classical, and digital, artists on Tumblr, that are unlike anything on WordPress:

Furiosa // Abraão Lucas

 

 

And now for something completely different:

Great Moments in Black History

kainecarter

Redman’s cousin sleeping on the floor during his MTV Cribs segment.

 

specstestwalletandwatch

When Gucci Mane was asked if he was inebriated in court and answered with “Bitch I might be”

 

 booty-finesser

when ODB went on stage during the GRAMMYS and said “Wu tang is for the children”

 

inovoxowetrust

Nicki Minaj calling out Miley Cyrus on national television giving us the iconic “ Miley, what’s good ”Image result for nicki calls out miley gif

 

savagezoee

When Kanye took the mic from Taylor Swift

Image result for kanye takes taylors mic gif

 

 

doubledoseofdopamine

Originally posted by huffingtonpost

 

vividlyme

When Destiny’s Child announced they were getting back together on Oprah

 

thetattedstoner

When Snoop Dogg asked the East coast about love for the West Coast

 

nohablabs

When Dave Chapelle shot a slavemaster on cable television.Image result for dave chappelle shoots slavemaster gif

 

sistermaryfake

when common called drake Canada Dry

 

tikaboos

When Diana Ross jiggled lil Kim tit …

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oshuns

When ODB rolled up to the welfare office in a limousine

 

rapunzel-corona-lite

When Rick James told that white bitch from backstage who he was on TV

 

bruddabois

When YG showed up in a bulletproof vest and cut off pants

sauvamente

Whitney Houston trolling Diane Sawyer about her personal life for two solid hours “I ain’t telling you”

 

bruddabois

When “Bobby Bitch” dropped

 

nayborhoodhugdealer

Kanye saying George Bush doesn’t care about black people on live tv

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hutchj

When Jesse Williams got on the BET Awards and dragged every white person by their follicles and some black people too.

Originally posted by frontpagewoman

Originally posted by grantel-works

Originally posted by desingyouruniverse

jeniphyer

Monique letting Beyoncé know that big girls can “uh oh” too

 

ispeakvon

When Django blew up the candy land plantationImage result for django blows up plantation gif

 

thagoodthings

Beyoncé 2016 SuperBowl performance

 

kairo-koutureee

Image result for I like my negro nose gif

Originally posted by frontpagewoman

 

nico-incognito

Annalise Keating getting a sew-in on national TV by Mary J. Blige is honestly the blackest thing I’ve ever seen…

 

Originally posted by getawaywithgifs

 

black-geek-supremacy

Grace Jones being pulled by white dudes in her chariot in Boomerang.

happyblackteenager

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king-emare

When A.I. stepped over Lue

 

blackabsolem

When Frozone was put in his place by his wife even though he needs to help save the world.

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jaythenubian

Vince Carter dunk over Frédéric Weis in the Olympics

 

wittolblackcuckold

When Eddie Murphy dropped RAW, currently the #1 box office stand-up of all times.

Originally posted by undeadliz

 

bossbarnett

When Michel Jackson said “he was not the father”

Image result for michael jackson billie jean video gif

Originally posted by mj-loves-to-tour

 

infamousprincejayyeee

When Left Eye showed Andre who the fuck she was!

Originally posted by freshprincesst

hutchj

When Cissy Houston was side eyeing the hell out of Aretha

Originally posted by musicisneat-blog

 

theblacktroymcclure

When Ray J threatened Fabolous on Hot 97

 

a-shadyqueeen

When Patti Labelle told that white woman on the Tyra banks show she doesn’t eat paper boo

Image result for patti labelle on tyra banks/paper gif

 

loladivine

When Gucci mane aka big guwop exposed Angela Yee for her thot antics live on the breakfast club

 

yoblackpopculture

When Randy Watson showed Whitney how the song is really sung

Originally posted by yoblackpopculture

 

theimaginarythoughts

When Tupac and Snoop Dogg performed at Cochella

Originally posted by da-zona-sul

 

grandpaq

When Rick James told ol’ girl who he was at the BET Awards.

Originally posted by b-h-s

 

halimahmariee

When Remy Ma dragged Nicki Minaj to her grave

Originally posted by yeezusxvi

 

feezy-sama

When A.I put the reporters on blast for talking about practice

Originally posted by this-is-nba

 

sirl33te

when Rihanna threw that stack of cash at Stephen Hill the BET Awards

 

thesoultape94

When they announced the Black Panther movie with an ALL BLACK cast

Originally posted by notias1

 

yadadameanp

Originally posted by gif-weenus

 

whoareyouandwhyshouldicare

Originally posted by micdotcom

 

ohitslikethat

 

soundsfromvenus

Angela Basset burning her husbands shit in Waiting To Exhale

Image result for angela bassett/ waiting to exhale gif

 

untilstarsfall

Queen Latifah’s bad bitch girlfriend in Set It Off

 

LORDT
@@
I love these little gothic themes for such mundane activities as buying a house, or looking for a job. Apparently just about any activity can be made to seem creepy on Tumblr:

Millennial Job Search Gothic

 

tortillapunx

  • you have an interview next week. you always have an interview next week. The managers who interview you all seem to share the same pleasant, blank face. They promise to call you back in a few days. They never do.
  • they say the minimum wage is going up soon.
  • you must have two years of experience. you must have five years of experience. you must have ten years of experience. experience in what, exactly? the job requirements bleed into an ancient latin text as you attempt to decipher them.
  • the people in the photos in the craigslist ads smile eerily at you. their eyes seem to follow you around the room even after you click away from the job posting.
  • do not apply in person, the posting says. do not send in your resume. do not apply. we’ve lost too many employees to the creature as is.
  • you plan on leaving your job soon. you’ve been planning on leaving your job soon for months. you keep making excuses as to why you haven’t left your job yet, but you know deep down that even if you put in your two weeks tomorrow, you wouldn’t leave the company as the same person you were when you applied. if they let you leave alive at all.
  • you seem to see “help wanted” signs everywhere. when you enter and inquire about them, the employees wave you away. you hear their cries for help again as you leave.
  • you are more than qualified for the job that you are applying to. you are over-qualified for the job you are applying to.
  • you do not get the job.

 

 

Hannibal Season Three: Antipasto

Hi!

This is me beginning season three of my Hannibal re-watch. For some reason, during the time of its airing, there was a huge drop off in critical analysis for this show, after season two. I was hard pressed to find anything on the third season. (If you got a rec’, holla at me.) For some reason, most reviews stopped at the Season Two finale, and I sort of understand why, but still, there’s a whole ‘nother season after that, that none of the reviewers seemed to care about. I actually liked season three, although I do have to (somewhat shamefully) confess to blowing off the first five, or six episodes, when they aired, and having to go back to watch them later. Where here’s where I make up for that

In season three, we begin the Hannibal and Red Dragon arc of the books. The first two seasons were Bryan Fuller’s version of a pre-quel to The Red dragon, when Will and Hannibal first met. Between the season two finale, and the Red Dragon half of the third season, Fuller managed to squeeze in the primary  plot of the book, Hannibal aka Mason Verger’s Revenge.
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There will be lots of call backs to specific dialogues in the books, and some Silence of the Lamb references, throughout the entire season. But since the DeLaurentis didn’t have the rights to Silence of the Lambs, (and the show got canceled), we never got a chance to meet Fuller’s version of Clarice Starling, Well the rights to Silence of the Lambs reverts back to the DeLaurentis this August, and Fuller, who is now the showrunner for American Gods, along with the Martha DeLaurentis, has been in talks with  Mads Mikkelson, and Hugh Dancy about returning for a fourth season. Let’s keep our fingers crossed that this happens.

Hannibal Season 4 Needs to Happen: Here’s Why

At the end of season two, Hannibal took down everyone during what’s now called The Red Dinner, or for the more pretentious among us, Le Diner Rouge. Everyone who knew Hannibal, and converged on his home, left there in an ambulance. Will, Jack, Alana, Abigail… Of the four, its Abigail who dies from her injuries. The others make a comeback this season to try to recapture Hannibal.

Season three picks up with Hannibal, in black leather, riding through the streets of Paris on a motorbike, which is never how I pictured him from the first seasons. He is stalking a new victim, Roman Fell, a Library Curator from Italy, whose identity he plans to adopt as his own. There are flashbacks to the direct aftermath of The Red Dinner, we go with Hannibal to Florence, Italy, we get answers on how Bedelia and Hannibal ended up on that plane together, and about what hold he seemed to have over her.

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After leaving the House of Blood, Hannibal heads to Bedelia’s  home/office, to shower. Bedelia, who had just been called in by Jack Crawford to testify against Hannibal in preparation for his intended capture, assumes that its safe for her to drop in.  She discovers Hannibal in her shower, and in a classic pulpy, film noir, image, she holds a pistol on him when he steps out. He manages to talk her down, but really, she  could have done what no one else in the show seemed capable of doing, except she’s suffering from the same problem that WIll Graham seems to suffer from. Fascination. 

Every time Will  Graham had an opportunity to pop a cap in Hannibal’s ass, he hesitated, or wasn’t really serious about it, (to be fair, the first time it happened, Jack shot him), because there’s just something about Hannibal that made him not really want to. Bedelia does the same thing here, putting down her weapon and listening to whatever Lecter has to say. I  never completely understood why these people listened to Lecter, because I’m not impressed by the things he says. But then I’m immune to a lot of  things real-life evil people say to me, so I do struggle to understand the motivations behind why people in these narratives always listen to any  villain’s self-serving bullshit.

Bedelia, having gotten the Jedi treatment from Hannibal, flees with him to Europe. Now to be fair, one of the reasons he has such a hold over her, is just plain fear. A year or so ago, he sent a patient to her that she killed. It wasn’t entirely her fault, but Hannibal’s argument to her, was that it looked deliberate. Hannibal sent her a patient who was unstable, paranoid, and violent. When the patient (played by Zachary Quinto aka Spock) loss control, he had a seizure (it’s implied that this was something subliminally implanted in him by Hannibal, and is a direct callback to the scene in Silence of the Lambs when Hannibal makes “Multiple Miggs” eat his own tongue.) Bedelia, thinking she was helping him, tried to grab his tongue with her hand (something you are NOT supposed to do) and she killed him instead. Hannibal has been holding that death over her head for some time now.

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There’s also this: she was granted immunity by Jack Crawford in exchange for any testimony against Hannibal. Perhaps, since she believed since Jack was dead, that the  immunity he had granted wouldn’t be honored, and she’d still be held accountable. So she sort of owes Hannibal a debt for not telling on her. There’s fascination, and her own fear for her future, but there’s also plain ol’ fear of Hannibal. She is terrified of him the entire time she’s with him in Italy, but that terror doesn’t exactly spur her to leave him. (I’ll have more on this in a moment.) Perhaps there’s also the fear that he could easily track her down, and she’d never know when or where he’d be. It may be her idea of keeping her enemy close. And they are close. But I wouldn’t ever call them friends. Or even frenemies.

They are very, very close, though I don’t believe they have slept together. There are scenes of Hannibal helping her out of her clothes, and scenes where they’re half naked together, and even a scene where Hannibal washes her hair, but I never got the sense they were lovers. I think Bedelia is too terrified of Hannibal to be his lover, and Hannibal only really loves Will Graham, for which Bedelia is not a substitute. Although he greatly admires Bedelia, and is charmed by her intelligence and beauty, I believe he merely covets her, and you can see that he lacks the level of respect for her, that he’s displayed towards Will. I think it’s because of her lack of killer instinct.

Will can, and does, kill people, without hesitation when the mood takes him. There’s a deep well of darkness in him, that Hannibal has been trying to access, since he first saw Will in action waaay back in episode one, when Will took down Garrett Jacob Hobbes, without breaking a sweat. He greatly admires Will’s cool ability to kill without remorse, even with his empathy disorder, and Bedelia simply doesn’t have that in her. She lacks both Will’s levels of darkness and his, paradoxical, empathy.

She and Hannibal first travel to Paris where Hannibal stalks,  kills and eats Dr. Roman Fell, a curator for a Museum in Florence, and his wife. While staking out Dr. Fell, he encounters Anthony Dimmond who, I feel, is totally mackin’ on Hannibal, at this point. There’s no other way to see that scene except as a flirtation. I have no idea how Hannibal sees it. Anthony used to be a TA for Dr. Fell, and claims to  dislike him. Bedelia and Hannibal travel  to Florence, as Dr. Roman Fell, and his wife Lydia, where he assumes Dr. Fell’s position, as a guest lecturer on Dante, at the Library.

Dr. Fell’s name might be a reference to Bishop John Fell, who is  mentioned in The Strange Case of Dr. Jeckyl and Mr. Hyde, when one of the characters remarks that he doesn’t like Mr. Hyde. This same man is also the subject of a nursery rhyme of the same name called I Do Not Like Thee Dr. Fell. This is basically the theme of the first third of the episode as at least two people claim to dislike Dr. Roman (an anagram of Norman) Fell. (This is  an example of Fuller’s very dry literary humor.)

http://www.rhymes.org.uk/a32-i-do-not-like-thee-doctor-fell.htm

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Throughout all of this, we are treated to flashbacks of Abel Gideon (The Man Who Would Liked To Have  Been The Chesapeake Ripper) being forced to eat himself, as Hannibal slowly takes him apart, limb from limb. In an especially horrific touch, he feeds Gideon snails, acorns and wine, then feeds parts of Gideon’s body to more  snails, to make the snails  taste like Gideon, and then makes him eat those. How snails take on the flavor of whatever they eat is a recurring theme in the first three episodes. Gideon snarks at Hannibal about his future, and warns that Hannibal will soon become a hunted man. He  refers to Hannibal as  the personification of the Devil, paralleling the discussion about Dante that appears afterward.

At a party in Florence, Hannibal and Bedelia dance, and Hannibal is accosted by one of the one of the library’s professors, Professor Sogliato, who hates Dr. Fell because he is a foreigner, and who questions his knowledge of medieval Italian history. Lecter, who loves to play to a crowd whenever possible, dazzles everyone with his ability to speak fluent Italian,  by quoting Dante’s first sonnet. Dante’s first sonnet by the way is the basis of La Vita Nuova (The New Life), which is also the basis of the operetta by Patrick Cassidy, called Vide Cor Meum, which is the central musical theme in the movie Hannibal. Bedelia tries to distract Sogliato by requesting a dance, but that man has already signed his own death warrant, by questioning  Hannibal’s credentials in a public place. We learned from his reactions to  Alana and Chilton, in season two,  that Hannibal dislikes having his credentials second-guessed.

After the party, Bedelia dreams she is drowning in her bath. People being submerged in water is a recurring theme throughout the entire series. Whenever a character is feeling overwhelmed, or trapped, they often dream of being submerged in water, while unable to move, or help themselves. Both Will and Alana have had this recurring dream. In the first season, Will was struggling to hold on to his sanity, as he also suffered from encephalitis.  In season two, he struggled to hold on to his sense of who he was, as he got closer  to capturing Hannibal. Alana experienced this same sensation when she entered a romantic relationship with Hannibal and began to realize he was not who he seemed. That Bedelia is having this dream now, means  she is losing herself in Hannibal’s world, and is struggling not to be overwhelmed. Hannibal just seems to have this effect on people.

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       – Drowning in a dream is  about struggling to survive as a person, so it applies to your identity as it is dealing with relationship with other people, but also with your own internal world of instincts, body activities and needs. This is about being or feeling overwhelmed by something.

Image result for hannibal series/ drowning gif

Image result for hannibal series/ drowning gifImage result for hannibal series/ drowning gif

 

Bedelia is in the habit of shopping at Vera Dal, and making the exact same purchase, once a week. There has been a lot of speculation about her actions in Florence, but I think the consensus that was reached, is that she knows people are looking for Lecter, and maybe her, and is trying to be found. At one point, she goes to a train station, not to escape, but to be seen on the station’s camera, just in case anyone is looking for her. I believe she’s trying, to be rescued. Notice how her Vera Dal bag is carefully turned towards the camera above her, and she makes sure to turn her face up to it. She has to be subtle about this, because she knows Hannibal is planning to eat her and if she is too blatant, in her attempts to leave,  he will kill her that much sooner. She escaped his intentions before by fleeing, but knows he won’t let her get away with that a second time.

I just want to point out that while in Florence, Bedelia’s hair, makeup, and outfits are on point. She was always a well-dressed woman, but in all her scenes, her costuming is absolutely superb.

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Lecter encounters Anthony Dimmond again, and invites him to dinner with him, and his wife. He doesn’t tell Dimmond who he’s impersonating, but invites him to one of Dr. Fell’s lectures, as well. At dinner, we find that Hannibal has been treating Bedelia to some very specific foods, much as he did with Abel Gideon. Lots of Oysters, snails, and other types of invertebrates, as Bedelia sadly jokes, that she’s trying not to eat anything with a central nervous system, because her husband wants her to taste a certain way. So yeah, they both know he was planning to kill and eat her, at some, unspecified,  point. Dimmond mentions that the Romans used to do the same thing to the animals they would eat, but  thinks Bedelia is flirting with him, perhaps suggesting a three-way. Meanwhile, Hannibal watches all this, with a great deal of amusement.

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Until this season, we’ve gotten only glimpses of Hannibal’s sense of humor. We know he has a very dry one because of the things he’s said in preceding seasons, but we rarely got a look at him actively making jokes, or reacting with happiness or glee. This season we get to see a Hannibal that is much freer in his display of emotions. He tells Bedelia that he has removed his person suit. Especially after he gets captured midway through the season, when he just has a very  “I Really Don’t Give A Fuck” attitude about the entire situation. This season Mads Mikkelsen appears to be having a great time all season.

After discovering that Hannibal is posing as Dr. Fell, Dimmond tries to blackmail Hannibal. Its an interesting discussion, as Lecter asks if  Dimmond is trying to fold him into some new shape. We never learn what their deal is because Lecter kills him in the apartment, in front of Bedelia. Bedelia was already terrified for Dimmond when he had dinner with them. When Dimmond shows up at Hannibal’s lecture, she runs back to the apartment, packs a suitcase, and attempts to escape, but Lecter and Dimmond show up before she can get out the door. This is the first time we’ve really seen Bedelia lose her carefully designed composure since making the decision to accompany Lecter to Europe. What it shows is a woman in the grip of extreme terror. Earlier, Lecter walked past her and touched her on the shoulder, when Dimmond walked into the lecture hall and that seemed to galvanize her. She is ready to run.

Lecter bashes Dimmond’s over the head as Bedelia watches. Before he breaks Dimmond’s neck,  Lecter asks if she is observing or participating, and reaches the conclusion, based on the fact that she knew what was coming, yet did nothing to prevent it, (including warning Dimmond to stay away) that what she is doing is participation. After this we see Bedelia in tears as she contemplates that this is her possible future. This is why she is not Will Graham’s substitute. She makes no pretense of her ability to handle watching Hannibal do this. In Hannibal’s mind she has no instinct to kill, despite her big talk to Will about it, later in the season. Will would not have tried to run. Will would’ve tried to kill Hannibal, or just taken it in stride, as he did when he watched Hannibal make Mason Verger cut off his own face.

Later, we find that Lecter has folded Dimmond into an interesting new shape, (just as he joked to him earlier) as he travels by train to the  Norman Cathedral in Palermo. During his trip, he folds a paper image of Michaelangelo’s Vitruvian Man into the shape of a heart, while thinking about Will Graham. ( I spoke about this in a previous post on how Will is Hannibal’s perfect man.) Will is very much in Hannibal’s thoughts after Dimmond’s death. He wonders if Will is still alive, and is in a pensive mood while on the train to Palermo.

Related imageImage result for floor of norman chapel

 

 

He places Dimmond’s body on display in the middle of the Norman Chapel over the image of death that is inscribed in the floor. He has folded Dimmond’s body into the shape of a heart, and pierced it with three upraised swords, like the Three of Swords from the tarot.

The Three of Swords represents rejection, sadness, loneliness, heartbreak, betrayal, separation and grief. Such events feel so painful because they are unexpected. However, the Three of Swords often serves as a warning sign to show when one or more of these are possible. By preparing for this difficult event, the emotional blow can be minimised or even prevented entirely.

https://www.biddytarot.com/tarot-card-meanings/minor-arcana/suit-of-swords/three-of-swords/

I don’t know if he knows that Will is alive. I think he suspects it, but  Hannibal often does things just to see what will happen, or just to artistically express himself, and this could be one of those times. If the display is meant for Will, then it’s Hannibal’s psychotic version of an apology to him, saying that he forgives Will for hurting him, and misses him.

 

 

So, this episode was entirely from Lecter’s point of view. The next episode will be about what happened  directly after the “Diner Rouge”, from Will Graham’s  point of view.

Note:

Since the airing of American gods, I’m hoping these reviews of Hannibal helps people to look more deeply into the meanings and expressions in that American Gods. As I said, in my reviews of that show, Fuller loves to put meaning into everything you will see on the screen, and that almost  nothing you see is accidental. Every image, name, and line of dialogue is, at the very least, some type of in-joke, if not foreshadowing for some later event, or an illustration of the episode’s theme. So if you are a literary student, or history major, you will find all manner of easter eggs in his work.

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