Stuff I’ve Been Watching

 

Midnight Texas (NBC)

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So, I’ve watched maybe two episodes of this show and I’m really liking it so far. I’m willing to date this show for a while, because it’s good fun and makes me laugh. Midnight Texas isn’t a deep show. It’s not a Bryan Fuller Joint, or Westworld, but it’s a fun little interlude before going to bed, since it airs at ten, Monday nights, and I gotta go to work in the morning.

The main character, Manfred Bernardo, can see ghosts. His Auntie comes from the town of Midnight, and after she dies suddenly, leaving him in debt to some type of criminal, her ghost tells him the town can be a safe place for him, where his skills will be appreciated.

Midnight Texas happens to be the home of various supernatural beings, and Manfred fits right in. Upon his  arrival, Manfred meets a local girl named Creek, and while her father is deeply suspicious of him, the young lady is intrigued, and the two of them develop a relationship very quickly. A lot of things happen quickly in the show, and many of the plot points happen in a kind of throwaway manner that takes some getting used to. I understand the idea is to keep it light, and not get too bogged down in philosophy, meta- physics, and whatnot. The show is supposed to just be fun, and I’ll watch it in that spirit.

I have a lot of favorite characters on the show, most of which are supers. There’s some good representation on the show, and I’m looking forward to learning more about the various characters. I missed the second episode, but managed to watch the third. The creators are trying to keep things light without being ha-ha funny, which is a fine line. It doesn’t look like they’re trying so much to reproduce True Blood, as reproduce the mood of True Blood. Some of these characters are mentioned in the True Blood books though.

Manfred, for example, is the psychic that Sookie met when she visited Dallas.  Midnight Texas is based on source material from the same writer, Charlaine Harris. I have not read the books. I opted not to, because I didn’t want my brain focusing on the side issues of the books, while watching the show. I may read them at some point in the future, because they seem like fun, but not right now.

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We have a full complement of creatures on the show, so you’d think my favorite would be the Reverend Emilio Sheehan, who happens to be a Were-Tiger, which is kinda awesome. He seems rather morose, which is appropriate as I consider actual tigers to be the “crabby old men” of the giant cat world. There are WoC in the cast. One of them owns the local bar/diner, and I don’t think she has any superpowers, but I could be wrong, and it’s something that could be revealed later. The other is the local witch. The town does have some mundane people inhabiting it, and some of them are aware of the supernatural qualities of the others.

You’d think my next favorite would be the Angel, Joe because he’s really, really hot. I’m not into blondes, as a rule, but I’m willing to acknowledge the occasional hotness of some of them. He happens to be living with a Hispanic man named Chuy, who also happens to be an Angel, and I wonder if the two of them being a couple is the reason they’ve been exiled to Earth.

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Lemuel

Well, you know who my favorite is. Lemuel, the rather unique vampire who feeds off human energy, and eats other vampires. We get to see his backstory in the third episode. He used to be a slave and there’s a scene of Lemuel being whipped for trying to escape, which I didn’t appreciate having to look at. That scene is pretty graphic and you may want to skip it if watching Black people being tortured is not your thing. The point of all that is to show how far Lemuel will go to be free, I guess.  After a couple of escape attempts, Lem encounters a Native American vampire, who transforms him. Lem’s immediate course of action is to avenge himself on the slave owner, who had him beaten, and that guy’s entire family. That’s pretty graphic too.

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Olivia

 

Later, Lem and the other vampires in his clan, have a falling out, because Lem thinks he’s become just another slave to his thirst. In the third episode, Len’s Maker returns looking to take over Midnight for himself. The townspeople rally together to kill the vampires.

This seems to be the main theme this season, as we’ve  had three/four episodes, in which the townspeople need to band together to defeat some outside force. In the middle of all this plot, we learn that Lem started off as an ordinary vampire, but after encountering Manfred’s aunt when she was a child, she transformed him into something else, a vampire that can feed on other vampires.

The characters often have some deep philosophical insights, but like I said, it’s in a blink and you’ll miss it manner. (Joe and the Reverend do this too.) Lem is played by Peter Mensah, who is extremely handsome, in his bold blue contacts. You may remember him as a gladiator from the show Spartacus.

I  like Lem’s girlfriend, Olivia, who is some type of international assassin. She’s a total badass, and she and Lem are the town’s heavy hitters, when it comes to defense. I don’t normally pay a whole lot of attention to White television actresses, unless they’ve firmly established themselves with a good track record, but I like this actress. She’s blunt spoken, clear-headed, and pragmatic, all qualities I admire, and I see why Lem likes her. She has some secrets from her past, that she’s trying to bury, while dealing with  anger issues.  I could do with a lot fewer scenes of Olivia and Lem gettin’ it on, though. It doesnt need to be shown in every episode.

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Fiji

Fiji is another one of my favorites, and I like her, not because she’s the town witch, although that’s kinda cool, but because she has a talking cat. I don’t know much about the cat’s backstory but he’s snarky, and dismissive, just the way you’d think a cat would be. How it happened that her cat talks, we don’t know yet. Fiji is very young, but she’s also extremely powerful, and well-respected in the town. Most of the mundanes know what she is, and rely on her to protect them.

Fiji is also really cute, and kind of adorkably nerdy. She has a mad crush on one of the townies, a guy with the unfortunate name of Bobo, and her feelings seems to be reciprocated. One of the more powerful images I have of her, is from the first episode, where she crushes a police vehicle, with little more than her bare hands, and a strong will. Fiji looks sweet and vulnerable, but she ain’t the one to mess with. She’s  refreshingly different, as Black women rarely get to be emotionally fragile, but powerful love interests, and/or witches either.

I’m going to try to enjoy this show while it lasts. It’s on network television, which has a nasty habit of cancelling the shows I like, so I don’t hold out much hope that Midnight Texas. will be around next year. This is the same station that just canceled Still Star Crossed. But then I was trying really hard not to get attached to that show. (That didn’t work). I’m not gonna try that with this show and it still might get canceled. I might as well get attached. There’s always the books, which I’m told, Charlaine intends to keep writing.

 

Mr. Mercedes (Audience Network)

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I liked this show, too. I was expecting it to be a deeply serious dramatic type  show, but it turned out to have a quirky sense of humor, not because the writing is funny, or people are telling jokes, but because certain characters and situations are just odd. It’s not like the show Psych, which was a deliberate comedy. This is not a comedy. It’s just some of the characters are weird.

The show is based on a trilogy of books by Stephen King, the first title of which is Mr. Mercedes, named after the killer in the book. Brendan Gleason plays Bill Hodges, a retired cop who is trying to figure out what to do with himself, now that he’s no longer working. until he is taunted out of retirement by Mr. Mercedes, so-named after he drove a Mercedes into a crowd of job seekers outside a job fair, killing several. I like Gleason’s character. One of the funniest recurring issues is when he can’t believe various women find him attractive. (It’s definitely the beard.)

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The show begins with  a very graphic scene, and I was heavily reminded of the events in Charlottesville Virginia. There’s no mystery about the killer for the audience, just as in the book. We’re introduced to Brady Hartsfield early in the story. The book remains very faithful to the books, except in tiny details like the wacky neighbor lady who lives next door, and Bill feeding a massive tortoise passing through his yard one morning. I’m not sure if this is a pet or what.

Bill is assisted in his sleuthing, by the kid he hired to mow his lawn, and who happens to be a computer wiz. Jerome is played by Jharrel Jerome, and I like him already. His character is a refreshing change from the Black Male Sportsplayer/Jock, we see so often on TV. Black men are rarely cast as hardware nerds. Brady is also a tech-nerd, and works at one of those big box technical stores, which is something like Best Buy, and I like that Jerome seems to be every bit his equal when it comes to the esoteric workings of computers.

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I think Bill’s quirky neighbor is meant to represent a woman with which Bill has a brief, but satisfying relationship, in the books. Or at least I hope so. I don’t know if this will happen on the show, but in the book, Janey is murdered by Brady. This is not a catalyst to make Bill chase after him, because Bill was already unofficially working the Mr. Mercedes case. This is Brady’s attmept to make Bill commit suicide. The neighbor, Ida Silver, is played by Holland Taylor, and if she looks familiar, that you may have seen her in every funny show of the 90s.

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The villain is played by one of the alumni of the cable show, Penny Dreadful . Harry Treadaway, who played Victor Frankenstein, is as disgusting character here, as he was on the other show. Apparently, this is how he’s going to make his career, playing unlikable people in perfectly good shows. The show remains very faithful to the books with him too. He has an incestuous relationship with his mother, whom he later poisons, and it looks like the writers are sticking to this plot, although in the book, the mother  initiates sexual activity. In the show, it appears she doesn’t know that her son regularly masturbates with her as his subject. (I know! Ewww!)

Their relationship does have a very Bates Motel feel. Brady works at a Big Box store, with other quirky characters, and a deeply stupid boss, who is constantly shit-talking Brady’s dreams of life beyond the store. This goes a long way towards humanizing this incredibly shitty character, who mowed down dozens of people with his car, just for shits and giggles. This is not something that happens  in the books, so I wasn’t expecting that.

I’m going to keep watching this because the pilot certainly captured me. The show airs on the Audience Network which may be difficult for some of you to access. I have access to it through DirectTV, and its possible you may need that, to watch this show.

 

 

The Void (Netflix)

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I love a good creature feature, and I was attracted to this movie because of its use of tentacles in its promotional material. I wasn’t expecting a whole lot when I sat down to watch it. I was sort of expecting a little Cthulhu type stuff, and there’s certainly a little of that in it, but there was also a lot of it I couldn’t make hide, nor hair, of.

It seems to be about a group of cultists attempting to call some dark being to Earth, to inhabit the bodies of humans, and the cultists are partially successful. They’re doing this in collusion with a doctor at the local hospital, where they’ve trapped several people.  Daniel Carter, Maggie, James, and inexplicably, an Asian woman, named Kim, who I lost track of by the end of the movie.

These people have to fight off monsters inhabiting the bodies of their friends, and a couple of trigger happy locals, while working their way through the maze of the hospital, to find and stop the doctor from unleashing Hell on Earth, through the body of his pregnant daughter.

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I have to give fair warning. The movie is very gory, with lots of blood and other fluids gushing all over the place. People get skewered with knives and/or shot, and sometimes they get torn apart by creatures. The cult members wear white hooded cloaks and look a little like KKK members, but there is no equivocating in this case. They are definitely villains ,whose job it is to keep the hapless victims trapped in the hospital to be fodder for the monsters. There’s also an element of the movie The Thing, as the monster is a conglomeration of various body parts and live people.

The movie doesn’t have the happiest ending either. At the end Daniel, and I guess her name is Maggie, get trapped in an alternate universe featuring a giant black pyramid. It’s not a bad movie, but it’s not an A+ movie either. A lot of the plot seems to have been borrowed from  other Lovecraftian pastiche movies, like Hellraiser, and Re-animator ,and the acting is sometimes a bit dodgy. But I think the key words here are “not bad”. It’s a good workmanlike plot where bad things happen to bad, and sometimes not so bad,people, who sometimes act like cowards, and occasionally act like heroes.

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Daniel isn’t the most charismatic guy in the film, although he is set up as our hero, who has the most sense,  and who  is gonna save the world. None of the other characters stand out as especially interesting either, really. Basically, if you’re watching this movie, it’s just  for the monsters, and gore.

New TV Trailers (Fall 2017)

So Pilot reviewing season is here in a month, and its time for me to nimble up my fingers, as I type furiously to keep up with all the new genre shows coming this Fall. Some of them will not be watched, some of them won’t even get reviews. As we get closer to September, I’ll eventually whittle it down to the handful of pilots I’ll be reviewing, along with my regular reviews of returning shows, like Supernatural. 

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Midnight Texas

Tonight on July 24th Midnight Texas will be airing on NBC. It’s a show based on the Charlaine Harris trilogy of the same name and involves Supernatural creatures all living in some podunk town in the middle of nowhere Texas, who need to protect themselves from outside discovery. I’m looking forward to watching this.

 

 

Mr. Mercedes

This is coming to the DirecTV Network, called Audience, this fall. Some of you may not have access to this network, so I’ll watch the pilot and review the first episode, for when it eventually makes it to DVD. This is based on a Mystery trilogy by Stephen King, about a former detective who gets called back into action after a serial killer starts sending him taunting letters.  I don’t normally watch cop shows, but this is Stephen King. Yes, it does look a lot like the show Bates Motel, which I only partially watched, but I like Brendan Gleason, and feel like he’s a good choice for this character. In the novel, he has a Black teenage neighbor who helps him navigate technological stuff , and a neurodivergent  female assistant, that I hope gets cast for true. You do not need to have read the books to follow the show, but they are very good books, with a minimum of gore, and only the slightest touch of the supernatural, if that has you worried.

 

 

Star Trek Discovery

Okay here’s, the extended trailer for the new Star Trek Discovery. Remember guys this is, a Bryan Fuller Joint, the same showrunner who worked on Hannibal, and who just finished, the critically acclaimed, first season of American Gods. Fuller also has some Star Trek experience, as he used to be one of the writers on  Deep Space Nine. The show follows lead character Michael Burnham, played by Sonequa Martin-Green, who grew up on Vulcan, and was raised by Sarek, Spock’s father.

 

 

Teen Wolf

The final season of Teen Wolf will be airing this weekend, and I’m not real crazy about it, although I may watch it in support of Scott McCall. Over the years, the show has engaged in a great deal of whitewashing ,as it started out with a good amount of diversity, but has slowly been replacing all of the PoC each season, with new White characters, something which has dulled my enthusiasm for the show. The word “final” is in the title though, so I feel compelled to at least look at the pilot. I hope for a happy end to the series.

 

 

The Incredible Jessica James

If you liked Jessica James when she was snarking at the public on  The Colbert Show than check out her new show on Netflix, coming this Friday.  Remember, she was offered the job as the new host, and famously, turned it down, because she was looking at other plans. I will definitely check it out. I loved her comedy on the show, and I’m looking forward to see what she’s gotten up to here.

 

Bright

Here’s an extended trailer for Netflix’s new show starring Will Smith. I’m a big Will Smith fan, and I’ll be on vacation then, so yeah, BingeWatch! It doesnt look as funny as I’d expect from Smith, but its got some great imagery. We get to see Will Smith wielding a sword, and snarking at some Orcs. This wil lbe released on Dec. 22nd.

 

 

The Walking Dead

Yeah, this looks as harrowing and intense as the last season…so no change then? I’m already tired of Negan, and will be glad when he’s locked up, or whatever they’re gonna do to him, but at least things  look a little more energetic than the last season, which wasn’t one of my favorites, except in those few moments when it was.  I see that Carol “Terminator” Danvers is back with the gang, and Morgan and Jesus get to have a smackdown. Also there’s a lot more Ezekiel, which is okay for me.

 

 

Westworld Season 2

I really enjoyed the first season of this show, so I’m definitely here to watch the fallout of the robot’s rise to sentience, and how that affects things in the park.

 

 

The Defenders

I’m cautiously excited about this because Iron Fist  is in here,  and watching his show was traumatic. On the other hand, I like everyone else in the show and there’s this lady in here that’s uhm…C’MON, ITS FREAKIN’ SIGOURNEY WEAVER, PEOPLE!!!

Oh okay, I’m sorry for yelling but, yeah, I did mean to do that. Uhm, there’s some fightin’, explosions, and Luke Cage, and stuff, too.

 

 

Vikings

This is another one of those shows that I dont know why I watch it. It’s not a bad show, although its gone off the rails a bit since its beginning. I just like the characters, the accents are fascinating, and there’s some gore and swordfights. Its not as complicated as Game of Thrones because the characters seem to have much more prosaic concerns. This is the final season. Apparently, I can’t resist the word “final”, in any description of a show.

 

 

Marvel’s Inhumans

This trailer looks waay better than that first one which seemed created to make you mock the show before its airing. Yeah, Medusa’s hair still looks cheap, but at least they remembered PoC exist in that world.  I’ve always been a huge Black Bolt fan, but I don’t know how to feel about the actor playing him. Hopefully, he will change facial expressions, during one of the episodes. So far, none of these trailers for the show,  are garnering the enthusiasm that I feel The Inhumans deserve.

 

Krypton

Nope. I have no plans to watch this beyond the Pilot because, from the description, it sounds like Riverdale in Space, and I won’t watch that either.

 

 

The Crossing

I think this sounds intriguing. I dont know if I’ll watch it beyond the first episode, (probably not), but it looks like an interesting premise.

 

 

The Alienist

I’m far more likely to keep watching this, because I like period shows, and I have a soft spot for this particular actress, ever since she starred in Man on Fire, with Denzel Washington. The book, by Caleb Carr, was pretty good too,  and I’m interested to see what the creators do with it.

 

 

The Orville

Not sure I want t owatch a Star Trek parody, and I’m uncertain of the lead actors humor, but I did laugh a few times during this trailer, so I’ll at least give it a try.

 

 

Stranger Things Season 2

I didn’t see the first season of Stranger Things but I heard a lot about it. i thought maybe it was an “It” ripoff, but it turned out to be a little bit more than that. This trailer goes a long way towards making me want to see the second season, which is a feat, considering I found the first season not particularly interesting.

 

 

Next up :Part Two of the New Fall Releases, and Returning Shows

Things I’m Looking at # 37

Preacher:

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Aaaaaah!!!!

The second season of Preacher arrives just in time to take up the slack after the full-course meal that was American Gods. I was really looking forward to this new season. Last season was a bit of surprise hit for some people, and even though I was really enthusiastic about it, I’m surprised how much I enjoyed the characters. I was pretty much just expecting crazy plot, but I fell in love with Cassidy, Tulip, and Jessie, and I’m really looking forward to their interactions this season.

Last season, Jessie was possessed by an escaped Angel, named Genesis, that gave him the power to compel people to do his bidding, got assaulted  by two other Angels, named Fiore, and deBlanc, who were after their lost charge, was invited by Tulip to get back on the road to vengeance against some guy who betrayed them,  and being friended by an Irish vampire, who then fell in love with his best girl. The three of them, Jesse, Tulip, and Cassidy, met a fake God, and the town where all these events,  occurred was blown to smithereens, after things went horribly wrong at the local slaughterhouse. Now the three of them are on the road, looking for the real God, because they got questions they need answered, and I’m certain that yet more batshit adventures will ensue.

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Season two has introduced one of the characters from the books called The Saint of Killers. We get our first glimpse of him when the three buddies are pulled over by some cops, and The Saint guns everybody down. In the first episode alone we’re treated to the sight of one of the cops macing his own balls, Tulip siphoning gas through a piece of intestine (lost by one of the cops during the shooting), while Cassidy tries to get out of the sunlight by hiding under the cars, a man getting his tongue ripped out, a preacher who exorcises his parishioners demons by locking them in cages, and Jesse, Tulip, and Cassidy sharing a bed, with Cassidy letting them know that he wouldn’t mind if the two of them had sex in front of him. Sent there by the Jesse’s preacher friend, the three of them visit a Jazz bar/Strip club, where one of the patrons claimed she met God. Cassidy’s shenanigans gets their witness killed.

So the usual, all-around batshittery, really!

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Like I said, when I reviewed the show in the first season, I was not that big a fan of the books because I’m an artistic snob, and hated the artwork. I knew enough about the books to know who some of the characters were, and be excited by Cassidy’s appearance. I have no idea who the Saint of Killers is, or if its an accurate representation on the show. That said, The Saint is really terrifying. As Cassidy would say, “That’s some Terminator-type shite!

Yes, this series can actually be classified as Pulp, and yeah, I do remember from one of my last reviews, that I said I wasn’t a huge fan of Pulp, since I hated Blood Drive, but since I am a fan of Preacher, I guess that means it depends on one’s definition of Pulp. Preacher is everytihng tht Blood Drive isnt. Better acting, writing, cinematograghy, special effects, and characters, go a long way towards a better class of Pulp.

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I mean, Blood Drive and Preacher are basically the same type of show, involving people on the road, doing crazy-ass shit, or having crazy shit happen to them. But Preacher is just much better at it. I guess it’s the difference between an asshole with charm, manners,and a several thousand  dollar suit, compared to an asshole in cheap sneakers and a backwards baseball cap, who keeps spitting on your floor. One of those you date. The other you don’t. Which one you choose is entirely a matter of personal taste.

 

In the second episode we learn that the Saint of Killers was hired by Fiore, who is determined that Jesse not be allowed to keep his superpower, lest he abuse it, which he is already doing. Fiore, in mourning over his dead partner, deBlanc, is working a magician’s show at Mumbai Sky Tower, where he gets killed on stage and keeps coming back, because Angels can’t die. Well, rather they can die, but the only thing that can kill them is The Saint of Killers.

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Jesse, Tulip, and Cassidy petition Fiore to call off The Saint, but he refuses. Cassidy asks Jesse for permission to try to persuade him to change Fiore’s mind. There follows one of the funniest, most delightful, interludes I’ve ever seen in a show! Initially you think Cassidy plans on torturing Fiore, but the show uses that as an opportunity to turn a trope on its head, by having him get Fiore high on heroin, and then  romping with him around his hotel room, like two over-sugared toddlers, for three hours. Fiore who was depressed enough to attempt killing himself hundreds of times, since losing hs partner, is having the time of his life. My favorite moment is the two of them building a pillow fort in the middle of the room, and eating ice cream in it.

Jesse asks Tulip to get married and she accepts at first but when an old acquaintance from New Orleans (her old stomping grounds), shows up at the Mumbai, she tells Jesse she has changed her mind, after beating the holy hell out of the man. I love to watch tulip kick ass, with her little tiny self. She must weigh all of a buck’o five. Tulip’s got a lot of secrets, though. Jesse has an epiphany about how to find God, since they learned in the last episode that God loves Jazz. He figures that God might decide to visit New Orleans, someplace Tulip is  reluctant to go. At the end of the show, Fiore’s last request is for The Saint to kill him, since Jesse commanded him to “Find Peace”.

And that’s just the second episode. We got nine more episodes of this crazy shit, people.

 

Cleverman:

Last season we saw the introduction of a new superhero show, set in Australia called Cleverman. All of the primary characters, including the hero are all Native Australians. The show works along the themes of colonization, erasure, and assimilation of Native people into a violent dominant culture.

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*The Cleverman is an important figure in many Australian Aboriginal cultures. Series creator Ryan Griffen describes the Cleverman as “like the Pope of the Dreamtime … the conduit between the present and the Dreaming”.[6] The version in the television series combines many Cleverman traditions from different Aboriginal clans to create a superheroic version, with powers relating to the Dreaming’s connection to past, present and future.[7]    ——–Wikipedia

 

Koen has reluctantly accepted his position as the new Ceverman after the death of his uncle, who was the last one, and has begun to take steps to protect The Hairy People from a culture of exploitation and enslavement by the government. I didn’t review the last season and there’s a lot to explain, since its a very dense show, that requires close attention, especially if you’re not Australian. So here’s the Cleverman page on the Sundance website, which will give you a quick 101 on who the characters are, what’s going on and who’s is doing what to whom. The first episode of this season drops you right into the middle of everything, so if you didn’t watch the last season, you will need a quick catch-up:

http://www.sundance.tv/series/cleverman

 

And an AVClub review:

http://www.avclub.com/review/aboriginal-fantasy-cleverman-too-busy-building-wor-237354

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This season, Cleverman is attempting to foil a plot by the Australian  government, to destroy the Hairy People, by giving them a drug that will assimilate them into human society. So they’ve introduced a sickness they claim to be curing, and giving them this drug. They’ve also been kidnapping them, breaking up their families, and conducting medical experiments  on them. All of this is fairly graphically shown, so  keep that in mind while watching. At last some of this is being facilitated by Cleverman’s cousin, who  last season, used to hold a  Hairy People Fight Club, in the area of town where the Hairy People, and the Indigenous population, had been corralled

I’m having some difficulty watching the show because it just strikes too close to home, on a realistic level, and I can’t make it through a single episode without yelling at the TV, so I had to cut my viewing short. And I was also having trouble watching the fascistic nature of the plot. Its the reason why I’m not really into watching dystopias right now.

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But this is a great show. It’s very deep. It has good representation for my criteria although, if you’re a member of an Indigenous culture of any kind, you may have more stringent criteria than I do. It might also be too upsetting to watch because the plot does not mince around.

 

 

Will/ The Strain

Other shows I’ve checked out, and won’t be watching again, are Will, a show about the life of William Shakespeare which I found too dense to get into, and The Strain, which I continue to hate despite its change of venue, to Philadelphia, after NY blew up.

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Now, If you’re a student of Shakespearean Literature than you will  love this show because it chronicles the writing of his various plays and whatnot. its written by a couple of scholarly type guys and it shows. Its also full of pretty people being loud and boisterous,, and lots of ribaldry. I guess this is the show’s attempt to seem racy. I tried to like it, but I don’t think I was in the mood for it, as all that authenticity was giving me a headache.

I tried to watch the first episode of The Strain’s fourth and final season. I didn’t get past the first twenty minutes. I figured out what it was I hated so much about this show. Its the characters. I just hate them. Outside of Quinlan, and Fet, none of the characters are even trying to be compelling, and the villains are just ridiculous. The show also just isn’t scary. At least not to me, but the one review I read of the show the reviewer loved it. I just can’t agree. If you like the show, there’s nothing wrong with that, but  you have very different criteria, than I, for liking it.

Since NY blew up last season, the apocalypse has started t in earnest, as the resultant ash cloud has blocked out most of the sun’s UV rays, allowing the Strigoi, as the vampires are called, to walk around in daylight, menacing the populace. The setting has moved to Philly, and the first annoying thing I saw was an ad for a vampire/human organization called The Partnership, which is mostly designed to separate humans from their blood.

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Let me get this out of the way first: Many of the people in the ad were Black, although no more Black people were seen in the rest of the episode, even though it takes place in Philly, which has, quite possibly, one of the most recalcitrant Black populations in America. Apparently, rebellion against authority is only for White guys, since the two Black people I saw are shown  just rolling over for it.

This really pissed me off because I know, in the real world, you can’t even get Black people to do things they want to do, if you  give them an order to do it. Black people (and Puerto Ricans) will decide NOT do something, just to spite you. So I found it hard to believe there were no Black or Brown people rebelling, or creating some kind of Human Underground. C’mon! Marginalized communities would be the first ones to act up. And no explanation is given for why they’re all absent. Were they all wiped out? Eaten? Maybe we’ll find out later in the season but I won’t know because I’m not watching.

 

Castlevania: 

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I watched the first few episodes of this series, which is based on the arcade game from the 80’s. I do have fond memories of watching my brothers play it,  because I wasn’t particularly interested in playing it myself. I’m not that type of gamer, really. I don’t get attached to characters too much, or follow plots that closely, so I can’t tell you if the anime has anything to do with the plot of the game.

But I enjoyed the cartoon, which is about a guy named Belmont, a monster hunter from a disgraced family, going up against Dracula, and the Church. The Church is responsible for burning Dracula’s wife as a witch, and he’s so pissed off that he didn’t receive an apology, or even a tribute for his dead wife, that he unleashed a horde of batlike demons into the world to destroy humankind.

I spent a not inconsiderable time muttering at my TV about this one too because, as is natural, the villains are villainous, and  annoyingly unreasonable bullies. The Church is trying to use the approach of the demon horde to consolidate their power, and deflect attention away from the fact that the release of the demons is their fault. There’s another group of monks, truth tellers, that the Church is trying to wipe out because church officials don’t want word getting out that the demon apocalypse is their fault.

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The animation is very good, with some nice fight scenes. I usually avoid a lot of anime series because they’re too fast paced, and the characters have a tendency to talk too much, in extremely high pitched voices, which just makes my head hurt. But I liked this one. The people have actual motivations for doing stuff, even if I disagree with their actions, and they all talk like regular people.

So, if you’re a fan of the game, you could do worse than spending an evening with Belmont, who is a total bad-ass, and  Dracula. Castlevania is available now on Netflix.

 

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I also watched The British Baking Show and Game of Thrones. I enjoyed the Baking Show because British reality shows are wholly unlike American reality shows.  For one thing, there’s less bragging, and competition from the empty headed contestants, and more a feeling of camaraderie. The British shows don’t look as if they’re trying to get rid of the Black people and women as quickly as possible and the hosts are really funny.

I like the process of watching the contestants learn to bake something, I like looking at the inventiveness of the end results, the judges aren’t mean for meanness sake, but seem honest and forthright, about the results, and the way they choose the winners seems fair. If you have a bad episode, as a baker, that doesn’t automatically mean you’re out. It has to be a consistent thing. By the end of the series some of the baker’s have had several bad events.

 

I have no idea what to think of Game of Thrones. I want to like it. I like parts of it. I’m mostly a casual viewer, who has only watched a few of the more popular episodes. I know who the top five characters are, and the ones I like the most, Jon Snow, Brienne, and Arya and Sansa Stark. I’m much more interested in what’s happening in the north, at The Wall, then I am with what’s going on in the south, even though I realize all of these things are linked.

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 I don’t know who that guy is that’s been stalking Brienne.I think his name is Torm, or Torman) but he is hilariously, and very obviously, smitten with her. Brienne mostly looks annoyed and puzzled at his insinuations, and I can explain why that’s funny. I often have that same look on my face when people flirt with me. I can’t imagine why they think such a tactic would work with me, and puzzled about whatever I might have done, to make them think it would.

He longs for eve nthe faintest scrap of attention from her. Last night, after Brienne thoroughly trashed some guy  she was training with the sword, he walked up to the man and happily told him how lucky he was.

And of course, Twitter was right on it!

Tormund be looking at Brienne like

I’m going to keep watching it (not reviewing it) because I’m curious as to where it’s going to end, and how my favorites end up. Notice that there are some popular characters I didn’t mention, and that’s because I don’t care a single bit, about what they get up to, on the show.

 

Pictures From Tumblr

 

Entertainment Weekly has a great photos spread of the cast and characters of Black Panther. But not everyone has access to EW, so:

 

And here are the first images from Ava Duverny’s A Wrinkle In Time, which will also be released in 2018:

a-wrinkle-in-time-reese-witherspoon-oprahy-winfrey-mindy-kaling-ew

a-wrinkle-in-time-chris-pine-image-ewa-wrinkle-in-time-oprah-winfrey-image-ewa-wrinkle-in-time-ava-duvernay-storm-reid-ewa-wrinkle-in-time-chris-pine-ew

 

There are some incredible classical, and digital, artists on Tumblr, that are unlike anything on WordPress:

Furiosa // Abraão Lucas

 

 

And now for something completely different:

Great Moments in Black History

kainecarter

Redman’s cousin sleeping on the floor during his MTV Cribs segment.

 

specstestwalletandwatch

When Gucci Mane was asked if he was inebriated in court and answered with “Bitch I might be”

 

 booty-finesser

when ODB went on stage during the GRAMMYS and said “Wu tang is for the children”

 

inovoxowetrust

Nicki Minaj calling out Miley Cyrus on national television giving us the iconic “ Miley, what’s good ”Image result for nicki calls out miley gif

 

savagezoee

When Kanye took the mic from Taylor Swift

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doubledoseofdopamine

Originally posted by huffingtonpost

 

vividlyme

When Destiny’s Child announced they were getting back together on Oprah

 

thetattedstoner

When Snoop Dogg asked the East coast about love for the West Coast

 

nohablabs

When Dave Chapelle shot a slavemaster on cable television.Image result for dave chappelle shoots slavemaster gif

 

sistermaryfake

when common called drake Canada Dry

 

tikaboos

When Diana Ross jiggled lil Kim tit …

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oshuns

When ODB rolled up to the welfare office in a limousine

 

rapunzel-corona-lite

When Rick James told that white bitch from backstage who he was on TV

 

bruddabois

When YG showed up in a bulletproof vest and cut off pants

sauvamente

Whitney Houston trolling Diane Sawyer about her personal life for two solid hours “I ain’t telling you”

 

bruddabois

When “Bobby Bitch” dropped

 

nayborhoodhugdealer

Kanye saying George Bush doesn’t care about black people on live tv

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hutchj

When Jesse Williams got on the BET Awards and dragged every white person by their follicles and some black people too.

Originally posted by frontpagewoman

Originally posted by grantel-works

Originally posted by desingyouruniverse

jeniphyer

Monique letting Beyoncé know that big girls can “uh oh” too

 

ispeakvon

When Django blew up the candy land plantationImage result for django blows up plantation gif

 

thagoodthings

Beyoncé 2016 SuperBowl performance

 

kairo-koutureee

Image result for I like my negro nose gif

Originally posted by frontpagewoman

 

nico-incognito

Annalise Keating getting a sew-in on national TV by Mary J. Blige is honestly the blackest thing I’ve ever seen…

 

Originally posted by getawaywithgifs

 

black-geek-supremacy

Grace Jones being pulled by white dudes in her chariot in Boomerang.

happyblackteenager

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king-emare

When A.I. stepped over Lue

 

blackabsolem

When Frozone was put in his place by his wife even though he needs to help save the world.

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jaythenubian

Vince Carter dunk over Frédéric Weis in the Olympics

 

wittolblackcuckold

When Eddie Murphy dropped RAW, currently the #1 box office stand-up of all times.

Originally posted by undeadliz

 

bossbarnett

When Michel Jackson said “he was not the father”

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Originally posted by mj-loves-to-tour

 

infamousprincejayyeee

When Left Eye showed Andre who the fuck she was!

Originally posted by freshprincesst

hutchj

When Cissy Houston was side eyeing the hell out of Aretha

Originally posted by musicisneat-blog

 

theblacktroymcclure

When Ray J threatened Fabolous on Hot 97

 

a-shadyqueeen

When Patti Labelle told that white woman on the Tyra banks show she doesn’t eat paper boo

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loladivine

When Gucci mane aka big guwop exposed Angela Yee for her thot antics live on the breakfast club

 

yoblackpopculture

When Randy Watson showed Whitney how the song is really sung

Originally posted by yoblackpopculture

 

theimaginarythoughts

When Tupac and Snoop Dogg performed at Cochella

Originally posted by da-zona-sul

 

grandpaq

When Rick James told ol’ girl who he was at the BET Awards.

Originally posted by b-h-s

 

halimahmariee

When Remy Ma dragged Nicki Minaj to her grave

Originally posted by yeezusxvi

 

feezy-sama

When A.I put the reporters on blast for talking about practice

Originally posted by this-is-nba

 

sirl33te

when Rihanna threw that stack of cash at Stephen Hill the BET Awards

 

thesoultape94

When they announced the Black Panther movie with an ALL BLACK cast

Originally posted by notias1

 

yadadameanp

Originally posted by gif-weenus

 

whoareyouandwhyshouldicare

Originally posted by micdotcom

 

ohitslikethat

 

soundsfromvenus

Angela Basset burning her husbands shit in Waiting To Exhale

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untilstarsfall

Queen Latifah’s bad bitch girlfriend in Set It Off

 

LORDT
@@
I love these little gothic themes for such mundane activities as buying a house, or looking for a job. Apparently just about any activity can be made to seem creepy on Tumblr:

Millennial Job Search Gothic

 

tortillapunx

  • you have an interview next week. you always have an interview next week. The managers who interview you all seem to share the same pleasant, blank face. They promise to call you back in a few days. They never do.
  • they say the minimum wage is going up soon.
  • you must have two years of experience. you must have five years of experience. you must have ten years of experience. experience in what, exactly? the job requirements bleed into an ancient latin text as you attempt to decipher them.
  • the people in the photos in the craigslist ads smile eerily at you. their eyes seem to follow you around the room even after you click away from the job posting.
  • do not apply in person, the posting says. do not send in your resume. do not apply. we’ve lost too many employees to the creature as is.
  • you plan on leaving your job soon. you’ve been planning on leaving your job soon for months. you keep making excuses as to why you haven’t left your job yet, but you know deep down that even if you put in your two weeks tomorrow, you wouldn’t leave the company as the same person you were when you applied. if they let you leave alive at all.
  • you seem to see “help wanted” signs everywhere. when you enter and inquire about them, the employees wave you away. you hear their cries for help again as you leave.
  • you are more than qualified for the job that you are applying to. you are over-qualified for the job you are applying to.
  • you do not get the job.

 

 

Hannibal Season Three: Antipasto

Hi!

This is me beginning season three of my Hannibal re-watch. For some reason, during the time of its airing, there was a huge drop off in critical analysis for this show, after season two. I was hard pressed to find anything on the third season. (If you got a rec’, holla at me.) For some reason, most reviews stopped at the Season Two finale, and I sort of understand why, but still, there’s a whole ‘nother season after that, that none of the reviewers seemed to care about. I actually liked season three, although I do have to (somewhat shamefully) confess to blowing off the first five, or six episodes, when they aired, and having to go back to watch them later. Where here’s where I make up for that

In season three, we begin the Hannibal and Red Dragon arc of the books. The first two seasons were Bryan Fuller’s version of a pre-quel to The Red dragon, when Will and Hannibal first met. Between the season two finale, and the Red Dragon half of the third season, Fuller managed to squeeze in the primary  plot of the book, Hannibal aka Mason Verger’s Revenge.
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There will be lots of call backs to specific dialogues in the books, and some Silence of the Lamb references, throughout the entire season. But since the DeLaurentis didn’t have the rights to Silence of the Lambs, (and the show got canceled), we never got a chance to meet Fuller’s version of Clarice Starling, Well the rights to Silence of the Lambs reverts back to the DeLaurentis this August, and Fuller, who is now the showrunner for American Gods, along with the Martha DeLaurentis, has been in talks with  Mads Mikkelson, and Hugh Dancy about returning for a fourth season. Let’s keep our fingers crossed that this happens.

Hannibal Season 4 Needs to Happen: Here’s Why

At the end of season two, Hannibal took down everyone during what’s now called The Red Dinner, or for the more pretentious among us, Le Diner Rouge. Everyone who knew Hannibal, and converged on his home, left there in an ambulance. Will, Jack, Alana, Abigail… Of the four, its Abigail who dies from her injuries. The others make a comeback this season to try to recapture Hannibal.

Season three picks up with Hannibal, in black leather, riding through the streets of Paris on a motorbike, which is never how I pictured him from the first seasons. He is stalking a new victim, Roman Fell, a Library Curator from Italy, whose identity he plans to adopt as his own. There are flashbacks to the direct aftermath of The Red Dinner, we go with Hannibal to Florence, Italy, we get answers on how Bedelia and Hannibal ended up on that plane together, and about what hold he seemed to have over her.

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After leaving the House of Blood, Hannibal heads to Bedelia’s  home/office, to shower. Bedelia, who had just been called in by Jack Crawford to testify against Hannibal in preparation for his intended capture, assumes that its safe for her to drop in.  She discovers Hannibal in her shower, and in a classic pulpy, film noir, image, she holds a pistol on him when he steps out. He manages to talk her down, but really, she  could have done what no one else in the show seemed capable of doing, except she’s suffering from the same problem that WIll Graham seems to suffer from. Fascination. 

Every time Will  Graham had an opportunity to pop a cap in Hannibal’s ass, he hesitated, or wasn’t really serious about it, (to be fair, the first time it happened, Jack shot him), because there’s just something about Hannibal that made him not really want to. Bedelia does the same thing here, putting down her weapon and listening to whatever Lecter has to say. I  never completely understood why these people listened to Lecter, because I’m not impressed by the things he says. But then I’m immune to a lot of  things real-life evil people say to me, so I do struggle to understand the motivations behind why people in these narratives always listen to any  villain’s self-serving bullshit.

Bedelia, having gotten the Jedi treatment from Hannibal, flees with him to Europe. Now to be fair, one of the reasons he has such a hold over her, is just plain fear. A year or so ago, he sent a patient to her that she killed. It wasn’t entirely her fault, but Hannibal’s argument to her, was that it looked deliberate. Hannibal sent her a patient who was unstable, paranoid, and violent. When the patient (played by Zachary Quinto aka Spock) loss control, he had a seizure (it’s implied that this was something subliminally implanted in him by Hannibal, and is a direct callback to the scene in Silence of the Lambs when Hannibal makes “Multiple Miggs” eat his own tongue.) Bedelia, thinking she was helping him, tried to grab his tongue with her hand (something you are NOT supposed to do) and she killed him instead. Hannibal has been holding that death over her head for some time now.

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There’s also this: she was granted immunity by Jack Crawford in exchange for any testimony against Hannibal. Perhaps, since she believed since Jack was dead, that the  immunity he had granted wouldn’t be honored, and she’d still be held accountable. So she sort of owes Hannibal a debt for not telling on her. There’s fascination, and her own fear for her future, but there’s also plain ol’ fear of Hannibal. She is terrified of him the entire time she’s with him in Italy, but that terror doesn’t exactly spur her to leave him. (I’ll have more on this in a moment.) Perhaps there’s also the fear that he could easily track her down, and she’d never know when or where he’d be. It may be her idea of keeping her enemy close. And they are close. But I wouldn’t ever call them friends. Or even frenemies.

They are very, very close, though I don’t believe they have slept together. There are scenes of Hannibal helping her out of her clothes, and scenes where they’re half naked together, and even a scene where Hannibal washes her hair, but I never got the sense they were lovers. I think Bedelia is too terrified of Hannibal to be his lover, and Hannibal only really loves Will Graham, for which Bedelia is not a substitute. Although he greatly admires Bedelia, and is charmed by her intelligence and beauty, I believe he merely covets her, and you can see that he lacks the level of respect for her, that he’s displayed towards Will. I think it’s because of her lack of killer instinct.

Will can, and does, kill people, without hesitation when the mood takes him. There’s a deep well of darkness in him, that Hannibal has been trying to access, since he first saw Will in action waaay back in episode one, when Will took down Garrett Jacob Hobbes, without breaking a sweat. He greatly admires Will’s cool ability to kill without remorse, even with his empathy disorder, and Bedelia simply doesn’t have that in her. She lacks both Will’s levels of darkness and his, paradoxical, empathy.

She and Hannibal first travel to Paris where Hannibal stalks,  kills and eats Dr. Roman Fell, a curator for a Museum in Florence, and his wife. While staking out Dr. Fell, he encounters Anthony Dimmond who, I feel, is totally mackin’ on Hannibal, at this point. There’s no other way to see that scene except as a flirtation. I have no idea how Hannibal sees it. Anthony used to be a TA for Dr. Fell, and claims to  dislike him. Bedelia and Hannibal travel  to Florence, as Dr. Roman Fell, and his wife Lydia, where he assumes Dr. Fell’s position, as a guest lecturer on Dante, at the Library.

Dr. Fell’s name might be a reference to Bishop John Fell, who is  mentioned in The Strange Case of Dr. Jeckyl and Mr. Hyde, when one of the characters remarks that he doesn’t like Mr. Hyde. This same man is also the subject of a nursery rhyme of the same name called I Do Not Like Thee Dr. Fell. This is basically the theme of the first third of the episode as at least two people claim to dislike Dr. Roman (an anagram of Norman) Fell. (This is  an example of Fuller’s very dry literary humor.)

http://www.rhymes.org.uk/a32-i-do-not-like-thee-doctor-fell.htm

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Throughout all of this, we are treated to flashbacks of Abel Gideon (The Man Who Would Liked To Have  Been The Chesapeake Ripper) being forced to eat himself, as Hannibal slowly takes him apart, limb from limb. In an especially horrific touch, he feeds Gideon snails, acorns and wine, then feeds parts of Gideon’s body to more  snails, to make the snails  taste like Gideon, and then makes him eat those. How snails take on the flavor of whatever they eat is a recurring theme in the first three episodes. Gideon snarks at Hannibal about his future, and warns that Hannibal will soon become a hunted man. He  refers to Hannibal as  the personification of the Devil, paralleling the discussion about Dante that appears afterward.

At a party in Florence, Hannibal and Bedelia dance, and Hannibal is accosted by one of the one of the library’s professors, Professor Sogliato, who hates Dr. Fell because he is a foreigner, and who questions his knowledge of medieval Italian history. Lecter, who loves to play to a crowd whenever possible, dazzles everyone with his ability to speak fluent Italian,  by quoting Dante’s first sonnet. Dante’s first sonnet by the way is the basis of La Vita Nuova (The New Life), which is also the basis of the operetta by Patrick Cassidy, called Vide Cor Meum, which is the central musical theme in the movie Hannibal. Bedelia tries to distract Sogliato by requesting a dance, but that man has already signed his own death warrant, by questioning  Hannibal’s credentials in a public place. We learned from his reactions to  Alana and Chilton, in season two,  that Hannibal dislikes having his credentials second-guessed.

After the party, Bedelia dreams she is drowning in her bath. People being submerged in water is a recurring theme throughout the entire series. Whenever a character is feeling overwhelmed, or trapped, they often dream of being submerged in water, while unable to move, or help themselves. Both Will and Alana have had this recurring dream. In the first season, Will was struggling to hold on to his sanity, as he also suffered from encephalitis.  In season two, he struggled to hold on to his sense of who he was, as he got closer  to capturing Hannibal. Alana experienced this same sensation when she entered a romantic relationship with Hannibal and began to realize he was not who he seemed. That Bedelia is having this dream now, means  she is losing herself in Hannibal’s world, and is struggling not to be overwhelmed. Hannibal just seems to have this effect on people.

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       – Drowning in a dream is  about struggling to survive as a person, so it applies to your identity as it is dealing with relationship with other people, but also with your own internal world of instincts, body activities and needs. This is about being or feeling overwhelmed by something.

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Bedelia is in the habit of shopping at Vera Dal, and making the exact same purchase, once a week. There has been a lot of speculation about her actions in Florence, but I think the consensus that was reached, is that she knows people are looking for Lecter, and maybe her, and is trying to be found. At one point, she goes to a train station, not to escape, but to be seen on the station’s camera, just in case anyone is looking for her. I believe she’s trying, to be rescued. Notice how her Vera Dal bag is carefully turned towards the camera above her, and she makes sure to turn her face up to it. She has to be subtle about this, because she knows Hannibal is planning to eat her and if she is too blatant, in her attempts to leave,  he will kill her that much sooner. She escaped his intentions before by fleeing, but knows he won’t let her get away with that a second time.

I just want to point out that while in Florence, Bedelia’s hair, makeup, and outfits are on point. She was always a well-dressed woman, but in all her scenes, her costuming is absolutely superb.

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Lecter encounters Anthony Dimmond again, and invites him to dinner with him, and his wife. He doesn’t tell Dimmond who he’s impersonating, but invites him to one of Dr. Fell’s lectures, as well. At dinner, we find that Hannibal has been treating Bedelia to some very specific foods, much as he did with Abel Gideon. Lots of Oysters, snails, and other types of invertebrates, as Bedelia sadly jokes, that she’s trying not to eat anything with a central nervous system, because her husband wants her to taste a certain way. So yeah, they both know he was planning to kill and eat her, at some, unspecified,  point. Dimmond mentions that the Romans used to do the same thing to the animals they would eat, but  thinks Bedelia is flirting with him, perhaps suggesting a three-way. Meanwhile, Hannibal watches all this, with a great deal of amusement.

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Until this season, we’ve gotten only glimpses of Hannibal’s sense of humor. We know he has a very dry one because of the things he’s said in preceding seasons, but we rarely got a look at him actively making jokes, or reacting with happiness or glee. This season we get to see a Hannibal that is much freer in his display of emotions. He tells Bedelia that he has removed his person suit. Especially after he gets captured midway through the season, when he just has a very  “I Really Don’t Give A Fuck” attitude about the entire situation. This season Mads Mikkelsen appears to be having a great time all season.

After discovering that Hannibal is posing as Dr. Fell, Dimmond tries to blackmail Hannibal. Its an interesting discussion, as Lecter asks if  Dimmond is trying to fold him into some new shape. We never learn what their deal is because Lecter kills him in the apartment, in front of Bedelia. Bedelia was already terrified for Dimmond when he had dinner with them. When Dimmond shows up at Hannibal’s lecture, she runs back to the apartment, packs a suitcase, and attempts to escape, but Lecter and Dimmond show up before she can get out the door. This is the first time we’ve really seen Bedelia lose her carefully designed composure since making the decision to accompany Lecter to Europe. What it shows is a woman in the grip of extreme terror. Earlier, Lecter walked past her and touched her on the shoulder, when Dimmond walked into the lecture hall and that seemed to galvanize her. She is ready to run.

Lecter bashes Dimmond’s over the head as Bedelia watches. Before he breaks Dimmond’s neck,  Lecter asks if she is observing or participating, and reaches the conclusion, based on the fact that she knew what was coming, yet did nothing to prevent it, (including warning Dimmond to stay away) that what she is doing is participation. After this we see Bedelia in tears as she contemplates that this is her possible future. This is why she is not Will Graham’s substitute. She makes no pretense of her ability to handle watching Hannibal do this. In Hannibal’s mind she has no instinct to kill, despite her big talk to Will about it, later in the season. Will would not have tried to run. Will would’ve tried to kill Hannibal, or just taken it in stride, as he did when he watched Hannibal make Mason Verger cut off his own face.

Later, we find that Lecter has folded Dimmond into an interesting new shape, (just as he joked to him earlier) as he travels by train to the  Norman Cathedral in Palermo. During his trip, he folds a paper image of Michaelangelo’s Vitruvian Man into the shape of a heart, while thinking about Will Graham. ( I spoke about this in a previous post on how Will is Hannibal’s perfect man.) Will is very much in Hannibal’s thoughts after Dimmond’s death. He wonders if Will is still alive, and is in a pensive mood while on the train to Palermo.

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He places Dimmond’s body on display in the middle of the Norman Chapel over the image of death that is inscribed in the floor. He has folded Dimmond’s body into the shape of a heart, and pierced it with three upraised swords, like the Three of Swords from the tarot.

The Three of Swords represents rejection, sadness, loneliness, heartbreak, betrayal, separation and grief. Such events feel so painful because they are unexpected. However, the Three of Swords often serves as a warning sign to show when one or more of these are possible. By preparing for this difficult event, the emotional blow can be minimised or even prevented entirely.

https://www.biddytarot.com/tarot-card-meanings/minor-arcana/suit-of-swords/three-of-swords/

I don’t know if he knows that Will is alive. I think he suspects it, but  Hannibal often does things just to see what will happen, or just to artistically express himself, and this could be one of those times. If the display is meant for Will, then it’s Hannibal’s psychotic version of an apology to him, saying that he forgives Will for hurting him, and misses him.

 

 

So, this episode was entirely from Lecter’s point of view. The next episode will be about what happened  directly after the “Diner Rouge”, from Will Graham’s  point of view.

Note:

Since the airing of American gods, I’m hoping these reviews of Hannibal helps people to look more deeply into the meanings and expressions in that American Gods. As I said, in my reviews of that show, Fuller loves to put meaning into everything you will see on the screen, and that almost  nothing you see is accidental. Every image, name, and line of dialogue is, at the very least, some type of in-joke, if not foreshadowing for some later event, or an illustration of the episode’s theme. So if you are a literary student, or history major, you will find all manner of easter eggs in his work.

American Gods: Of Gods and Shadow Moon

 

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                   SPOILERSSPOILERSSPOILERSSPOILERSSPOILERSSPOILERSSPOILERS

 

 

I’m  going to maybe do a little spoiling ,so if you didn’t read the book….best check out now, although just because it’s in the book, doesn’t  mean it will play out on the show. However, the show is following the spirit of the book, and some of the major plot points  of the book have been struck.

At the end of this first season, it’s difficult to say where we are in the book because the series is showing events out of order. A significant middle portion of the book is taken up with Shadow, alone in a small town, waiting for Wednesday to contact him, as he goes about gathering together the various gods.

One of the major changes from the book is Shadow is with Wednesday, as he attempts to round up the various gods for his war. The end result of this decision by the show’s writers,  is that the focus is now on Shadow’s relationship with Wednesday. Their relationship was not something that was elaborated upon in the book, so by focusing on the closeness of Shadow’s friendship with Wednesday, we can better understand  at least one of the key decisions that Shadow will make in the next season.

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In the Bone Orchard, we’re introduced to Shadow while he’s in prison. The way we see him there, is how we’ll see him for most of the season, reacting to something that’s being done to him. He essentially moves from one kind of prison to another, where he is not in control of any of the events that are happening to him, from his wife’s death, to his early release from prison, to his meeting with Wednesday, and he spends almost all of his time being fought over by various gods, and  reacting, or not reacting, to someone, or something. From the disrespectful airport lady, to Audrey’s attempted rape, to Wednesday roping him into his deal as a bodyguard, to fighting with Mad Sweeney., Shadow spends the entire season reacting to things others are doing to him. (The most decisive things he did all season was to accept Wednesday’s job offer, and Believe.)

How Shadow reacts to the world around him in those first 30 minutes is key to realizing how shaken he is by the events of this season, and what a huge turnaround it is for him to say those words to Wednesday in the season finale. From his early reactions, we understand that Shadow is not a stupid man. He thinks about what’s happening to him, and how he should feel, or respond to it.

For example the airport scene where he thinks back on Lowkey’s warning not to piss off airport ladies, despite that woman’s blatant disrespect of him. He understands that the survival behavior he developed in prison is not going to work outside of it, and adapts his behavior accordingly. You can almost see the exact moment when he backs down from going off on the woman, realizing that more than a few ex-cons ended up right back in jail because they were unable to adapt their prison behavior to their new situations. It is his intelligence and adaptability that will stand him in good stead on his journey into the realm of the gods.

When Sweeney tries to provoke him in the bar, Shadow tries to stand down, because he wants to learn Sweeney’s coin trick, but after a moment, he figures out that Wednesday is testing him, and steps up. When Technical Boy threatens him, he remains calm and  unruffled by TB’s threats, mouthing off to TB as he would to any other convict who tried to scare him. Once again reading the situation correctly, and then adapting his behavior to suit it.

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I said in an earlier post that Shadow Moon is the show’s Everyman. Every fantastic, supernatural show, must have one. They function as a lens through which the fantastic is experienced by the audience. We’re meant to identify, and empathize with this character. Shadow is  remarkable  because the vast majority of such characters are often Average White Guys. It’s  extraordinary for us that a Black man has been cast in such a role because the audience is supposed to project themselves onto his character, and identify with him, and the decisions he makes.

This is only the first season, so much of our time has been spent establishing the world that Shadow has joined. A a result,  Shadow is often a passive, rather than a dynamic character, which I know sometimes frustrated some viewers, but this is quite common.  He’s done very little to move the plot forward, which is in keeping within the tenets of Joseph Campbell’s Hero’s Journey. Think of Luke Skywalker, who starts off Star Wars as a somewhat passive character, who is mostly reacting to things being done to him.

This season has been a journey to get Shadow to do one thing. Make one big decision of his own volition. Believe! After this, much like Luke, in The Empire Strikes Back, Shadow should become a much more active participant in the proceedings, and Bryan Fuller promises that he will.

Like Luke Skywalker, Shadow receives the call to adventure (from Wednesday). As soon as he agrees to it, he’s given supernatural aid, in the form of a magical coin by Sweeney, after his first challenge, which is besting Sweeney in a fight. (Giving the coin away is what actually aids him, at the end of The Bone Orchard. Had that coin never resurrected Laura, Shadow would have died on the tree.)

His second challenge is his checkers game with Czernobog, which he loses. He is then given a second gift in the form of a silver coin, that helps him best Czernobog, when he challenges him to another game. Technical Boy is the Guardian of the first threshold. Shadow has  fully committed to the adventure by the time they meet.  His lynching is his entrance into the Belly of the Whale. He couldn’t back out of the adventure now, even if he wanted to, because the new gods are aware of his presence. Shadow has to keep moving forward now, just like Luke had no choice but to keep moving forward after his first encounter with Darth Vader. Once you become known to the major players, its impossible to back out of  events, as they will keep drawing you back into the game, by coercion, or force, if necessary.

As Shadow moves forward, he is beset by  temptations and challenges, which occur in threes. The first temptation is in the cemetery with Audrey, while one of the challenges is his game of checkers with Czernobog.   Along the way, there are two other temptations: Laura’s return, and Media’s seduction to the dark side, both of which Shadow successfully withstands. Another of his three challenges is the  bank heist, which is successful, and Mr World makes, yet another, offering to him, of flesh and blood,  in the form of Technical Boy’s teeth. So Shadow withstands three temptations, overcomes three challenges, and receives three gifts. Along the way, he is aided by his assistant (Helper), Laura, and mentored by Wednesday.

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Shadow is also shown to have gifts of his own, an ability to prophecy, control of the weather, the ability to do coin tricks, to heal quickly, and to See. One of the  first things we know about Shadow is that he has prophetic/mystical dreams. He dreams about Laura’s death, telling her on the phone, and in his dream that he has a feeling of dread, that something bad is about to happen. The Bone Orchard is his dream about impending danger, of being attacked by Technical Boy’s white clad droogs, in a meadow, next to a tree. In the dream, Shadow stands in a blood covered orchard with bones, while he is attacked by white, bone-like hands reaching out of the trees. Shadow doesn’t know it, but the Bone Orchard represents the deaths of TB’s drones, at Laura’s hands. Later, he dreams about the same Buffalo God that denied entry into America to Nunyunnini, the forgotten god of Lemon Scented You. In his dreams this  god tells Shadow to “Believe.”

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During the scenes where Laura visited her family, Wednesday asks Shadow if he can see her, and Shadow, through glowing  eyelids, perfectly describes Laura, looking through her family’s front window, and deciding that she can’t join them. . So far, he has been shown as having the powers of many of the beings he has seen or met. His ability to prophesy mimics the Zorya Sisters powers. The coin tricks mimic Sweeney’s abilities with coins. Laura’s one heartbeat, when he kisses her, implies he has the powers of Anubis, or Easter, to resurrect the dead. (It is definitely Shadow who resurrects her because the power of  Sweeney’s  coin does not entail resurrection. )The trick with the snow is an echo of the powers of a certain storm god we all know, but who has, conspicuously,  never been mentioned.

We’ve also seen that Shadow is able to heal very quickly. When he was attacked by TB’s henchmen he suffered a stab wound in his side that needed to be stapled shut, but by the time we see Wednesday healing him in Murder of Gods, he only has the tree wound, which is healed by the time of Come to Jesus. Shadow doesn’t act, or move as if he’s in pain, or wounded, shortly after these events.

Not only do we know Shadow through his actions, but we also know him through his emotions. Ricky Whittle gives a beautiful performance  of a man who is hanging on to his sanity by his fingernails. Whittle’s portrayal is remarkable for the depth and breadth of emotions he brings to his character. He’s allowed to be tough and snarky, just like your typical hero character, but he’s also allowed to express vulnerability, without coming across as weak.

Not only is Shadow allowed to be tired, upset, angry, happy, hopeful, and even fearful, he is allowed to express these emotions without censure from the other characters. And even when he’s not openly expressing his emotions, in some of the first episodes we have some idea of what he’s feeling through the weather around him. Whenever we see Shadow trying to keep control of his emotions, the scene transitions indicate his inner turmoil, with shots of heavy clouds and storms. This is also indicated by followup shots that move from Shadows facial expressions to shots of the sky just above him.

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In one of the first scenes in The Bone Orchard, Shadow gives full vent to his emotions on a hilltop, which is followed by a shot of clouds clearing from a blue sky. When he vents, skies tend to be clear. When he tries to suppress or control his emotions, the weather is often an indicator of his inner turmoil. When he first meets Wednesday, their plane is flying through a storm, as he deals with the aftermath of Laura’s death, and this annoying stranger he’s trying not to snap at.

In Secret of the Spoons, we see clouds form, and a storm occurs, just after he is kissed by The Midnight Star, from a sky that was  clear a moment before. He must be feeling a great deal of fear, dread, and grief and guilt, after his wife dies, being threatened by Czernobog and his bleeding hammer, and having some strange girl kiss him. And there are other scenes where we are meant to directly attach the weather conditions to whatever Shadow is feeling at that moment.

In A Murder of Gods,  and The Bone Orchard, we get to see Shadow be scared, and apprehensive. We get to see him react in a realistic manner to the craziness, and potential danger around him. This is a man who, while always acutely aware of his Blackness, doesn’t let that define him, or limit his actions. Shadow is secure in who he is as a Black man, and doesn’t seem to care to engage in fake posturing, or in trying to convince everyone that he’s not weak. This is a man who simply knows he can handle himself. He is not at all intimidated by TB’s bluster, or Sweeney’s rants, and it’s that self-assurance that makes his vulnerable moments all the more touching.

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From  his guarded response to Czernobog’s questioning of his race in Secret of the Spoons, to his naked fear at being in a town with so many White people fondling guns, in A Murder of Gods, he doesn’t hold back from showing what he really feels when in Wednesday’s company. This emotional openness is part of the reason Wednesday likes him. Wednesday is almost never perturbed by Shadow’s feelings about anything. He often steps back and just lets Shadow handle his own business.

One of the highlights, and a subject of some concern to the fans, is Shadow’s relationship to Wednesday. I really want to like it. Actually, I do like it, sort of, but I also  keep in mind the Wednesday is a con man. A user, who is grooming Shadow for some dark purpose. Nevertheless, you can see the genuine affection he has towards Shadow. You know Shadow needs to separate himself from this man who orchestrated, not just his sojourn in a prison cell, but the deaths of his entire family while he was away. It’s easy to forget that when watching the two of them together though. I have to keep in mind that Wednesday thinks like a god,  and is not held to  human morality. He did what gods have always done, which is manipulating humans to suit their needs. I dislike Wednesday because he’s a manipulative narcissist.  He cares about Shadow because it’s in his best interests to care, and yet all of that doesn’t make me actually hate him, probably because there is  a genuine liking for Shadow in his demeanor.

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Shadow’s relationship with Wednesday is complicated. He knows what kind of person he’s with, which is the reason he’s so often angry with him. He knows Wednesday is a con man, a liar, a thief, and a user, but seems unable, or unwilling, to pull himself from Wednesday’s orbit. This isn’t because Shadow is stupid. It’s the opposite. It’s because Shadow is curious about the larger, weirder world, he’s been glimpsing over Wednesday’s shoulder, and he’s drawn to it, even if he resists believing in it. How many of us, if given a glimpse of such a world, could resist becoming a part of it? Of wanting to?

It’s the reason people worship gods in the first place, for a glimpse of something bigger than themselves. Shadow was mostly godless before he met Wednesday. The closest thing to a god he believed in was Laura, and that was smashed by learning of her infidelity. (See how Wednesday needed to squash that belief before recruiting Shadow to his cause? And how Wednesday warns Shadow about getting close too close to Ostara? He is a jealous god, who does not want Shadow setting any other gods before him.)

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Now for some speculation.

My speculations are entirely based on the book, and are subject to total reinterpretation next season. So this will contain spoilers from the book, and maybe, or maybe not, spoilers for the future of the show.

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One of the reasons Wednesday needs Shadow to believe is Shadow agreed to perform Wednesday’s Vigil should anything happen to him. Its part of the bargain Wednesday quietly slips  in,  at the beginning of Shadow’s employment, in The Bone Orchard. A Vigil, at least in Norse culture, is done over the body of a  dead relative. And yes, Shadow is Wednesday’s son.

I have speculated if the writers will make Bilquis Shadow’s mother, as we keep being given subtle hints that the she may well be. That Disco scene in the finale with Bilquis, with the huge Afro, morphing out of a lunar eclipse (which is another term for a shadow moon) is one such hint, and Wednesday speculating about Shadows mother having an Afro, in The Bone Orchard, is another. And having a son is something that could have happened to Bilquis during her fall from power, in the late eighties/early nineties, which would put Shadow at just the right age to be her son. But this is just me speculating. (If this is so, Shadow would be a true-God, not a Demi-god.)


Fuller has promised that Bilquis has an important part to play in the narrative, so everything we’ve seen of her so far, is all setup for a later reveal. Notice how women are instantly sexually attracted to Shadow (outside of Shadow looking like the extremely hot Ricky Whittle). I think this is  deliberate on the part of the writers. From the waitress at the Crocodile Bar who openly flirts with him,  to Audrey’s attempted rape, to Ostara being instantly smitten with him, and Laura’s new obsession ( Is the reason she sees him as an eclipse a sign of his godhood?) women have had strong sexual reactions to him, which could be a sing of Bilquis’ influence, as she is a Love Goddess.

Let me be more specific here: white women all have strong sexual reactions to him, as he hasn’t had any interactions with WoC, yet. If Bilquis is his mother that would explain much of the behavior we’ve seen, and could also be a deliberate statement on the  white supremacy which sees Black men as hypersexual stereotypes. We’ll see!

In the book, Wednesday is killed by the new gods,  to be used by Loki as a martyr, to help facilitate their war. Shadow is the one who performs this Vigil, by being hung on a tree for nine days, just like in Odin’s mythological backstory. Odin hung on the World Tree, for nine days, to receive wisdom, and the price paid, was the loss of his eye.

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In the book, Shadow hangs on an Ash tree for nine days. During that time, he receives wisdom about who and what he is, while traveling through the underworld. Shadow dies, but is resurrected by Ostara, and her fondness for Shadow, in Come to Jesus, is a nice setup for why she would decide to do that.

This also ties into the lynching imagery throughout the series, because that is foreshadowing for when Shadow will choose to hang on a tree for Wednesday, despite the naked fear we see in him. This lynching imagery is used throughout the series as a dreadful reminder of Shadows future. It is literally hanging over his head in his scenes in the jail courtyard, and Vulcan’s front yard. You are meant to be afraid for him. He is being manipulated to sacrifice himself for Wednesday, and cannot do so, if he doesn’t fully understand who Wednesday is, which is why Wednesday’s reveal, and Shadows statement are so awful. Wednesday is that much closer to realizing his plans for Shadow.


All season long Shadow has been admonished to Believe. So yes, even though believing is his downfall, it’s also the only way he can be saved. He has to believe in something, not necessarily Wednesday, but something, or he will never get through any of this intact.

Through the efforts of the other gods, Shadow survives the Vigil. Earlier in the series, Wednesday mentioned that there’s no King of America, which is why the philosophical discussions that happen between Wednesday and Shadow need to be attended closely. They offer clues to Shadows future. Shadow ends the book as a kind of Demi-god, a new King of America, who can see lies, and expose the truth. And this  is also the reason Shadow had to be a Black man. It’s a statement on how Black men are one of the few marginalized groups that have most often spoken truth to power. A black man who can see Truth is just keeping it real.

In the next few seasons we may or may not get to see the war, (in the book, there’s no war), but I’m not very concerned about that, because I don’t think that’s really the series end game either. I’m speculating that Shadow’s  birth as a kind of God of all gods, (sort of like Odin) is what’s at stake on the show. At least that’s where I’d like to see the future of this series turn.

American Gods/Hannibal Crossover

*Since the airing of American Gods, there has been a lot of speculation about the “FULLERVERSE”,  since the showrunner of both Hannibal the Series and American Gods, is one and the same, Bryan Fuller.
As a result there have been quite a few mashups of these two. Here from Tumblr Fannibal  is one of my favorites fanfictions:
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An American Gods/Hannibal mashup for Fuller Fest. (Eventually going to post on ao3)


“The next one we’re going to is out in the sticks,” Wednesday said. “This time of year, they’ll be at their summer home in Montana. When it gets colder, they head for the warmer climes. The Florida Keys. Too bad its not winter.”

Shadow said nothing. They were going there for business, not a vacation.

“This man we are going to see…It could go either way,” Wednesday continued. “He’s a mixture of old and new; born out of brimstone, but suckled at the teat of Media. He could be an important ally.”

“If you can get him,” Shadow said.

Wednesday raised an eyebrow.

“I mean if he suckled at Media’s…teat..or whatever, will he want to turn against her? Isn’t she like his mother?”

Wednesday chuckled. “Relationships between parents and children can be fraught with conflict. I hope to agitate those feelings.”

“Stirring the shit as usual?”

“Stirring the shit,” Wednesday agreed. “Seeing what floats to the top.”

The last stretch of road was little more than a footpath through the trees. Shadow thought they would have to get out and walk at any moment, but somehow the large car kept finding a way between the trees until they finally came to a small cabin sitting in a clearing. Half a dozen dogs came from around the back, barking and rushing the car.

“Shit!” said Shadow and barely pulled his door closed in time as a husky mix jumped up and braced his front paws against the driver’s side window.

A sharp whistle from the cabin called the dogs away from the car. A dark-haired man stood on the porch, hands in pockets, watching sternly as the pack ran up the stairs to join him. However, for all his serious expression and scarred face, he didn’t look like a child of brimstone.

“You can come out,” the man on the porch said. Shadow opened his door slowly, waiting for the dogs to rush them once more, but they stayed seated at the man’s feet.

“Thanks for calling off the hounds,” Wednesday said as they mounted the porch.

The man eyed the wooden box Shadow was carrying and, still unsmiling, said. “He’s waiting for you inside.”

The cabin was small and the front door opened directly into the main room. There was a fireplace on the far wall, and although it was a warm day there was a fire roaring in it. A man sat in front of the fire, but slightly to the side, so he was half in shadow and half illuminated by the flames. The firelight played over the severe planes of the figure’s face and the knife-sharp pleat in his trousers.

“Come in,” the man said, his voice resonant with a strange accent Shadow couldn’t place. He leaned over and turned on a lamp and Shadow could see him better. The severe bone structure was still there, but with the full light on him, he was softened somewhat and  looked like a normal, if fastidious man. He was wearing navy blue slacks, dress shoes, and a smoothly-ironed electric blue shirt that lost none of its formality by having the top button left undone.

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“I brought a gift for the host.” Wednesday motioned for Shadow to hand over the tributes: a single white truffle, sealed tight in a glass jar with a cork and red wax seal, and a bottle of wine still in the wooden crate they transported it in. On the way here, they had swaddled it like a baby so the ride wouldn’t shake up the sediment.

Their host stood to receive it.

“It’s a good vintage,” he said, using his thumb to wipe dust from the label. “Just barely. Its teetering on the edge of being overblown. We should drink this soon. Maybe tonight.”

“It needs to settle,” Wednesday said. “From the trip.”

“Would you at least stay for dinner? Will and I don’t often have guests.”

“Absolutely not,” Wednesday said with a smile. Curiously, the other man did not seem to take offense to that. “Unfortunately, we are in a bit of a time crunch.”

“I heard,” their host sat and indicated a chair next to his for Wednesday to sit in. “I don’t have another chair. How rude of me. Should I have my consort bring you one?”

“I like to stand,” Shadow said.

Their host nodded deferentially then turned to Wednesday. “Are you here to ask for my help? I’ve heard you’ve been supplicating all over the country and finally you find your way to me. I don’t know why I should consider helping you. Would you even want my help? I’m so far down on your list.”

“That’s more a function of geography than lack of respect,” Wednesday said. “Of course I respect you. You are the newest old deity I know. An old soul in a glossy new package. You could play an integral part in the war that is coming, the fight for the hearts and minds of this land. Let’s face it, you could only exist here, in this country, with a 24-hour news cycle and tabloid journalists scrabbling for profundity. But they have the depth of a wading pool and the attention span of a mayfly.” Wednesdays voice got low. “They are already forgetting about you. Last week there was a man in Florida who bit his girlfriend’s tongue off while they were fucking because he wanted to know what it would taste like.”

“Chewy, I would guess.” the man looked up at Shadow with a ghost of a smile on his lips. “At least they usually are, in my experience.”  Shadow felt a chill in the overheated room.

“They are already forgetting about The Ripper,” Wednesday said.

“They will never fully forget about me,” he said. “I will be feared in nightmares and taught in classrooms–”

“In a few years you will be on internet listicles with names like ‘Ten Shocking Killers You’ve Never Heard Of.’”

Shadow saw the anger flare up in the man’s eyes, although he remained perfectly still and otherwise expressionless.

“Such meager offerings,” Wednesday said. “Not what you deserve.”

“I have all the worshipers I need,” the man said. “I have my consort who is totally devoted to me.”

“One person? I think you are losing sight of the big picture here.”

“I have a foot in both camps, Wednesday,” he said. “So I have carved out a space for Will and myself that is in neither camp.”

“You make running from the cops sound like a utopia of your choosing.”

“I don’t believe discretion and prudence are the same as cowardice.”

Wednesday leaned forward. “What about the blood sacrifice? What about the meat that is passed through the fire?”

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“I told you, my consort is very devoted,” he said. “When I want meat, I have it. Do I want a million people to have a vague idea of who they think i am or one person who knows me totally and would do anything, sacrifice anything to me and for me, up to and including his very life?” Again, the man, this Ripper, looked up at Shadow. Shadow couldn’t understand how brown eyes could look so heat-fired and yet so cold. “I took Will’s child and still he loves me. I spilled his blood and still he loves me. I stripped everything from him, and he is still with me.”

The Ripper turned back to Wednesday. “ You cannot offer me that sort of devotion if I help you, but I may lose it if you fail. So, no, I will not help you. The outcome of this war does not affect me.”

“Even if it means you become yesterday’s news?”

“Even so,” The Ripper said. “I have created an entire universe for my consort and I to rule.”

“Rule? Rule what? You only have one worshiper.”

“And one is all I need.”

With that, the Ripper stood and showed them to the door.

Will was still out on the porch when they left, seated now in a rocking chair, with the dogs clustered around him.

“He’s not going to help you, is he?” he said.

Shadow paused, but Wednesday kept walking to the car.

“No,” Shadow said. “He..uh..declined that opportunity.”

Some of the dogs raised their heads, but Will made a sound through his teeth and they settled back down.

“I’m a lot like you, you know. Or I was,” Will said. “I was just a person, not even a particularly religious person at that. I didn’t know what I was getting into. When I finally figured it out, it was too late.” Will leaned down to scratch the ear of the nearest dog. “Tell me, Shadow, have you ever looked the devil in the face?”

Remembering The Ripper’s eyes, Shadow said, “I may have.”

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“What if you liked what you saw?”

Shadow didn’t answer. He couldn’t imagine what Will must have gone through to get to this point, if he really was “just a person” to start with.

“You can still go back,” Shadow said.

“Here’s where myth and reality divide,” Will said. His eyes were the same blue as a cloudless summer sky. “No on wants me back.”

“That can’t be true.”

“Everyone is either dead or glad to see me gone,” he said. “Besides, I keep him away.” He nodded toward the cabin. “I keep the beast sated.”

“Can’t someone else do it?”

“No,” he said. He smiled, looking happy about that. “They tried and they’ve died. And here is where myth and reality converge again: I wouldn’t want to go back even if I could. I’m not bound to his underworld because I ate his food. I eat his food and live in his world because I am bound to him. Nothing else matters.”

“Are you trying to warn me or something?” Shadow asked.  He didn’t want to talk to this man any more. He could feel the fanatical devotion coming off of him in waves.

“Worship whatever gods you want, Shadow. But when you find one who worships you back? Run.”

 

*I hope she doesn’t mind my posting this here, and possibly blowing up her Tumblr stats. Please visit her blog, for lots of gifs, info, and some excellent reviews of the TV show, Hannibal.

American Gods Season One : Come to Jesus (Part One)

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This  took some time to write because so many delicious things happened in the finale. I’ve been pretty busy and tired this week, but I’m determined to get this post out, doggonit! I’m also  going to have to do this in installments, because its already long enough. The next post is about the series as a whole, including its future incarnations, and an entire post devoted to speculation about the show’s lead, Shadow Moon, and his relationship with Wednesday.

Fuller and Green pulled out every stop in Come to Jesus. This episode was funny, cute, and awesome, in ways I wasn’t expecting. And that ending? Wow! This episode was also just gorgeous. The cinematography was  incredible, from Bilquis backstory, to the final scenes featuring Ostara,  tonight’s episode belonged to the women.

We open with Shadow and Wednesday, looking bored, while Nancy crafts new suits for them from spider silk, of course. Why am I not even surprised that he’s a tailor? It’s Easter holiday, and the two men plan to visit the goddess for which the holiday is named. For that, they need to look presentable. Nancy’s  house is an arachnophobic nightmare, though. All of his tailoring scenes, and even the clothing, is crawling with tiny spiders. (I think the spider’s are making the fabric, and there’s a giant loom in the background. How do I know this? I used to have  that kind of loom when I was a child.) I was a little squicked out by the spiders, though. If you have severe anxiety about spiders, then skip this scene. What’s interesting is that all of these gods have animals associated with them, and that they communicate with. Wednesday has his ravens, and the wolf we saw in A Murder of Gods, Nancy has his spiders, Ostara has bunnies.

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Afterward, we get another gorgeous scene of Nancy telling a story, despite Wednesday’s protestations, and Nancy’s  signature catchphrase, “Angry gets shit done!” is aimed, this time, at Shadow, who is pissed at Wednesday for killing Vulcan. This episode has so many favorite moments, this is simply the best episode of the season. Mr. Nancy generating his own spotlight is hilarious! (I just love this character!) At first I thought Nancy was going to tell the story he told in the book, about how the monkey got the lion’s balls, but no, he tells Bilquis’ tragic backstory, which is a very neat way to tie her to the other characters we’ve met this season, and tie her presence in this episode to Easter. How he knows her backstory is anyone’s guess, unless he’s making it up (in the book, he and Bilquis never meet) but it’s fitting that he be the one to tell her story here. I think Nancy is probably a little in love with her too, and it makes sense, in this series universe, they would’ve met.

Note: Once again, only the barest bones of this comes from the book. This series follows the foundation, and spirit, of the books, but is very heavily embellished with lots of extra stuff.

http://nerdist.com/american-gods-history-primer-bilquis-a-k-a-queen-of-sheba/

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Bilquis  is a very, very old Queen, (Sheba) with her own temple, and congregation. We’re talking about 3,000 years ago, in ancient Iran, where she was incredibly powerful, and openly worshiped. Of course, you could visit her temple, and worship her if you wanted, but you would very probably be eaten. It’s a beautiful, sensual scene that doesn’t feel gratuitous. Fuller has an unerring talent for crafting sex scenes that are titillating, without being raunchy. Bilquis was so powerful then, like a spider, she just liquefied her companions (whole groups of people), before sucking them into her vagina. Where, according to Technical Boy, they spend an eternity worshiping her in the Vagina Nebula, as she feeds off their energy.

Nancy narrates how various patriarchies went out of their way to destroy her, and failed. That handsome young man with the crown, I believe just represents royalty in general, and no God in particular. At the height of her powers, she devoured kings too. Later, as men became more and more desperate to control and contain her and her followers, out of fear and hatred, they resorted to violence, which seemed to work. As the centuries passed she fell on harder and harder times and, like Nunyunnini, was slowly forgotten, even by herself. Unlike him, she was still potent enough to be revived. As long as people wanted what she had to give she could still take sustenance. Bilquis’ story is a perfect metaphor  of the suppression of female sexual agency and  power by patriarchy, which is why it was important to Fuller that she be a  dark skinned Black woman. In the history of America, Black women have had little sexual agency, they’re bodies often exploited by men for labor and reproductive purposes. We’ve all been taught that woman’s sexuality needs to be carefully harnessed, and are only just now moving away from this concept in the US.

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Also, women who look like the gorgeous Yetide Badaki, are rarely shown as sexual icons in  media, or  as women who own their sexuality, serving no one but themselves. Women  who use their sexuality for their own ends, often have their sexuality heavily policed by men and women of all races. Witness how black women like Beyoncé, and Serena Williams have been vilified by social media for expressing themselves, slut shamed by respectability politics, and made to seem less than white women who have engaged in the exact same behavior, but are considered empowered when they do it. The true irony,  in this scenario, are white women who think the freedom to express their sexuality is something only reserved for them, and who seek to suppress and castigate WoC for expressing theirs.  Bilquis story is all the more tragic because, as Bilquis’ power diminishes, she comes to accept this shame and self hatred, along with her lowly status. She isn’t just forgotten by the world. She forgets her power.

The  passing eras, and her rise to power again, are beautifully rendered by the changes in costume and makeup. We see her in her original jewelry, at the temple. There’s a scene of her in a disco, with a huge Afro,  reminding me of Wednesday’s first statements to Shadow about his mother. (I do wonder if the show will go that route with her. It would be a nice touch, and explain a number of odd things about Shadow, who we still have no backstory for.) She even takes another WoC ,as her lover and I’m sure there are fans who loved this representation of WoC pansexuality. In 1979, during the Iranian Revolt,  she is exiled from her homeland, along with many of her followers, and years later, watches in despair, as ISIL destroys her last temple. Later, she finds her lover again, but she is dying from AIDS, which has been seen a punishment for people  who are considered too free with their sexuality.

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Bilquis is, once again, visiting her display at the museum. She is so ancient, that almost no one now alive knows what any of the  objects representing her were for. She is visited by Technical Boy, (who is wearing yet another shitty, ridiculous hairstyle) to whom she owes a huge favor, as he was the one who found her when she was at her absolute lowest ebb, homeless, and sleeping in the gutter. He offers her tribute in the form of a modern dating app, which is where we find her in episode one. What he has tasked her to do, we’re not sure, but she’s meant to meet everyone at the House on the Rock, a place of major importance in the book.

Nancy says Bilquis is reluctantly on the side of the new gods, and that Wednesday needs to collect another ancient goddess as her counterpoint.  During all Bilquis’ scenes, we get some idea of what her powers are, and while she’s not at her height, she possesses the ability to charm, beguile, or seduce any human being. Who she is meant to turn this power to at House on the Rock, is unclear. Wednesday, or Shadow? Nevertheless, it’s clear she’s not entirely willing to do Technical Boy’s bidding, and there is hope for her breaking her deal with TB, because we notice she is not carrying her phone, or using her app, when she seduces one of her travel companions.

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On the way to Easter, Shadow dreams about climbing a mountain of skulls. This is his prophecy about the war, hanging  over his subconscious like Wednesday’s storms. On some level, he knows and believes in what’s happening, but refuses to commit, and Wednesday calls him out on this. No matter how angry he gets at Wednesday, or pretends to, he still likes the old con, and I think Wednesday is counting on that fondness to keep him by his side.  Shadow also sees the White Buffalo again, and the World tree, Yggdrasil, which is also a representation of the War of the Gods (Ragnarok) spoken of in Norse mythology.

**Ragnarok (Old Norse Ragnarök, “The Doom of the Gods”) is the name the pre-Christian Norse gave to the end of their mythical cycle, during which the cosmos is destroyed and is subsequently re-created.

—– http://norse-mythology.org/tales/ragnarok/

When Shadow wakes up, he finds that he and Wednesday are being chased by bunnies. It turns out that the bunny that overturned Laura’s truck was not sent by Easter, although it is her animal to call, and they report to her. I thought that was one of the cutest things ever. The bunnies try to stop Wednesday  from reaching his destination too, but unlike Laura, he is unimpressed. He just runs them over, which makes Shadow give him the side eye. So the bunny’s job seems to be stopping uninvited  people from reaching Easter’s home, I guess.

Obstructionist Bunnies!

Easter is, naturally, celebrating Easter, but she’s celebrating it with all the various Jesuses, which I thought was hilarious. This is notable because Jesus is treated just like any of the other gods in the narrative, and most of the current versions are present at the party. The whole damn thing was just deeply, deeply funny to me, including the scenes where, whenever any of the Jesuses got near a light source, a halo would appear, and Shadow’s meeting with Jeremy Davis’ regular white guy Jesus, AKA Jesus Prime, for some reason. I did see Hippie Jesus, Black Jesus, and even a baby Jesus. Some of the Jesuses I couldn’t pinpoint, although I am told Mexican Jesus managed to resurrect long enough to show up.

Your basic guide to Jesus:

 

What do you call them? A flock? A gaggle? A Halo of Jesi?  But it’s the details that really fetched me up, and made me laugh out loud. From the flock of sheep that follow Ostara in all her outdoor background shots, to the tiny halo on the infant Jesus, being nursed by a woman dressed like old-school Mary, to  the jellybean stigmata of the Russian Orthodox Jesus, and the bunnies that poop jellybeans, it’s an incredibly rich, and thoroughly charming backdrop. And if I was a bit dubious about Ostara, at first, I was totally in love with her by the end of the episode.

 

On Ostara:

https://www.thoughtco.com/eostre-spring-goddess-or-neopagan-fancy-2562488

https://www.themonastery.org/blog/2013/03/easter-and-ostara-converging-traditions/

Easter receives several uninvited guests, along with Shadow and Wednesday. Laura and Mad Sweeney, Media and Technical Boy also arrive. The meeting of Shadow and Easter is just cute in the books but they’re shown here as being much more smitten with each other, which is a good foundation for Easter’s actions towards Shadow later in the series. In the book, she is delighted to meet Shadow and flirts shamelessly, in that way that only Southern Belles can get away with. The two of them are just the most darling thing I’ve ever seen on this show. Shadow blushes like a shy teenager with his first crush, and while she offensively refers to him as pink chocolate! she gets a pass, because I wholeheartedly agree.

That boy is foine!

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Kristen Chenoweth is wonderful in this role. I was prepared to be annoyed by her because of the trailer, (and because Chenoweth has a sordid past as a Broadway singer),  but she turned out to be a delightful character who, like a lot of southern women, is warm, gracious, and mushy, on the surface, but has a backbone of pure steel underneath. Easter is not happy that Wednesday is crashing her party, and upsetting the Jesuses, who are very nice men.

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Laura and Sweeney also arrive, but unfortunately, Easter is unable to resurrect Laura, as Sweeney requests. Looking deeply into Laura’s eyes, Ostara sees the shadow of a raven, and the face of Mad Sweeney, and determines  that Laura was killed by a god. Since Laura was killed through Wednesday’s machinations, Ostara cannot interfere in  another god’s plans. Laura figures that Sweeney knows more than he’s been telling her and tortures the truth out of him. It turns out, Wednesday isn’t just responsible for Laura’s death, but just as I suspected, is also responsible for that perfect casino heist that went horribly wrong, that landed Shadow in prison, being guarded over by Loki. You need to ask yourself why Wednesday would go through so much trouble, to procure a nobody, from nowhere. Easter also admits that the other gods have been talking about Shadow too, speculating who he is, and why he’s with Wednesday.

I like how they’ve kept Laura’s decomposition consistent. She’s definitely getting to the liquid stage, as her eyes have become milky, and she coughs up maggots. She can’t even begin to hide her smell now, (in the books she covered it up with perfume), and she has her own halo of flies. In the meantime, Shadow has a conversation with one of the Jesuses about the nature of belief. I laughed too hard at Jesus setting his drink down, and losing it in the pool he was floating on top of,  because Drunk Jesus!

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One of Easter’s bunnies whispers in her ear that Media has arrived, also without  invitation. Before I start gushing about Gillian Anderson in this role, I need to give some backstory. Irving Berlin’s Easter Parade was released in 1948, and starred Judy Garland and Fred Astaire. The plot involves an older veteran dancer, who replaces his older partner with a young dancer, he hopes to mold in his image, until he finds himself falling in love with her. The faceless drone we see Media dancing with, is dressed in a replica of his suit, from the movie, and Gillian is wearing a pink replica of Judy Garland’s dress from the movie’s title scene, at the end. The drones are even attempting to dance like Astaire. Media mostly speaks in quotes from the movie. From her opening statement about Easter’s heart beating faster, to the mention of their date, these are all quotes from the movie. Guess how I know this!😊😊😊

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Unlike Wednesday, Easter didn’t turn down Media’s offer of aid, although she never asked for it either. In exchange for making certain that Easter traditions remain popular (eggs and chocolate), Easter has gotten a significant boost in her reputation, and followers, even if she has to share her holiday with the Jesuses. In exchange, Media requests her loyalty. When Wednesday approaches, he is confronted by Media and Technical Boy, but he upsets their plans, winning Easter’s loyalty with a combination of lies and tribute. He tells  her the Shadow-unapproved story, that Vulcan was killed by the New Gods, for taking his side in the coming war, and making him a sword. He also offers her a sacrifice.

Here, we see Odin for the first time this season. In an awesome display of power,Wednesday shows Shadow his true face, and speaks his many names.

 

 Odin’s backstory:

http://norse-mythology.org/gods-and-creatures/the-aesir-gods-and-goddesses/odin/

Now once again we come back to the idea of sacrifice. By offering Easter the  deaths of his enemies, he gives her enough power to free her from the bargain she made with Media. Throughout the series, he has outlined the basic idea of godhood, and how it works. Give a little, and get a little in return, whether it be worship, tribute, prayer, or sacrifice. It’s fairly simple. Quid pro quo! If you dedicate something precious to a god, you will receive something in return, although not necessarily what you asked for. Media, Technical Boy, and the other new gods, have corrupted this arrangement, and think this makes them more powerful than the old ones. They have never seen the old gods powers fully unleashed, and have nothing but disdain for creatures they see as old and weak, the way so many young people view the elderly.

It’s not that Media and Technology don’t affect the world in some way, but they can’t control the seasons, rainfall, or lightning. They cannot truly control anything on the physical plane, and are not grounded in the real world of human physical sensation. Bilquis can compel people to love her and eats them, Wednesday can control the weather and destroy them, Vulcan can make weapons that kill them. As I said in an earlier post, the old gods are physical in a way the the new gods are not. The new gods are virtual, ephemeral. They promise dreams and fantasies, but give little or nothing  in return, for all the attention humans give them. Or rather, what they give in return for human attention is just as ephemeral, shallow, and unreal as they are.

And this is Wednesday’s key to his argument with Easter. Media can’t really give her power. She can influence humanity and she can tug on their bargain to procure Easter’s loyalty, but with the influx of direct power from Wednesday’s sacrifice, she no longer needs Media. The new gods can aid and abet, cajole, promise and seduce, but they can’t really offer her a sacrifice. It’s not just about human attention. Power comes from being offered tribute.We saw this with Bilquis and Technical Boy earlier. If it weren’t for the bargain she made with him, she would be capable of devouring him too. He doesn’t have nearly as much control over Bilquis as he thinks he does, and he is too shallow, and ignorant, of who she is, to know what he has awakened. The same way he underestimated Wednesday,  in A Murder of Gods, Media has underestimated the degree of power she is dealing with regarding Easter.

But I also said that neither side in this war is  good or bad. There’s no right or wrong from a human perspective. Gods have their own concerns and most are only concerned with what humans  can give them. This mindset (and Wednesday’s actions towards Easter) is the key to understanding why Wednesday wants this war, and why he’s willing to kill Laura to procure Shadow for himself, and is also willing to unleash untold misery on humanity, by encouraging Easter to take away the harvest season.

Wednesday did the same thing to Shadow that TB did to Bilquis. He found her at her lowest point and offered her a chance to regain power. Wednesday orchestrates the complete destruction  of Shadow’s life, and at his lowest point, when Shadow has nothing and no one, he steps in, and offers him a way out, winning his loyalty. If you want a clue as to who Shadow is, think about why Wednesday would want to collect him, and why he needs Shadow to believe.

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We see an awesome display of power, and some truly gorgeous cinematography, as Easter, high on the sacrifices given to her by Wednesday, unleashes the full meaning of her name, as Goddess of the Dawn, and kills off all the plant life in a several mile radius of her home. Humanity can have Spring back when they pray to her for it.

 

My  favorite moments were all the wonderful details like:

Mr. Nancy’s interjections in his scenes with Shadow.

Media’s presence this entire season, which is in keeping with the fact that Fuller is an out gay man, has been a showcase of gay icons. Marilyn Monroe, Lucille Ball, David Bowie, and Judy Garland, are all extremely popular gay icons, from the forties through the sixties.

The Security Rabbits jobs are to stop traffic on the road to Easter’s home, so they can see who is in the vehicle, and then report the occupants back to Easter. I suspect this is what the rabbit that caused Laura’s accident was trying to do. No one approaches her home without her knowing about it , except in the case where Wednesday killed them all.

The deviled eggs at Easters party. It was a tradition in our house to eat those every Spring.

Easter’s tiny halo.

The tiny polka dots on Shadow’s suit.

That poor waiter who was wearing an egg shaped helmet.

The tiny cookies shaped like hands with red centers representing the stigmata.

Wednesday connecting Spring Break raunchiness to the worship of Easter.

The diversity of Easter’s party guests.

Those ridiculous striped silk robes Nancy made Shadow and Wednesday wear while awaiting their new outfits.

Easters slightly tattered finery. If you look closely enough, the flower in her hat has just a bit of rough edging.

When Media’s hat blows off during the storm, that’s also a scene from  a Judy Garland movie.

Shadow disapproves of Wednesday’s buunycidal behavior.

*In part two, I’ll discuss my thoughts about Shadow Moon, and in part three I’ll talk about the costumes, cinematography, and visual aesthetics.

 

Black Panther Trailer: Class 101

Hi! Welcome to the 101 class about the Black Panther movie. I’m here to speak  on this topic because I managed to graduate to the 201 class. I am by no means an expert on Black Panther, Wakanda, or even the current version of the comic books. I have mastered basic information about who is who, what is what, and what I personally enjoy.

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So the Black Panther trailer dropped Friday, and those of you who refuse to read comic books, or don’t pay that close attention to Marvel Superhero movies, are probably wondering what all the excitement is about. Why are black people so giddy? Who the hell is Black Panther? Is he related to Malcolm X?

Okay. I see we have our work cut out for us. Alright, c’mon over here and sit down, so we can work this whole thing out. I’m gonna do this by giving some background on the character, and  breaking down some  shit in the trailer.

The Black Panther first appeared in Marvel Comics in 1966, which slightly predates the Black Panther Political Party, so there’s no relation. This is notable because he’s the first black superhero to show up in the comics, predating both Luke Cage (Wooo!) and The Falcon. Black Panther’s real name is T’Challa and he’s a prince of the country of Wakanda, located in Africa. His father, T’Chaka, was played by John Kani in Captain America Civil War. After his father’s assassination T’Challa inherited the Kingdom.

This movie is remarkable for several reasons. It has a huge  all-star cast of primarily black actors and actresses.  Lupita Nyong’o, Angela Bassett, and Forest Whitaker, are all Oscar nominated/winning actors. It has a large “dark skinned” female cast. There are more women in this cast than are featured in almost all the MCU films together.  In the comic books, these are characters with names and backstories. Where this movie will truly past the Fabulosity test is if  any of the women speak to one another about anything other than T’Challa, although even without that, this is still great representation for Black women who rarely, if ever get to play primary, action oriented roles in such films.

Its also remarkable for the introduction of the term Afro-Futurism into everyday discourse. Yep! This is a phrase you’re going to be seeing a lot more often in conjunction with discussions about this movie.

*Afrofuturism is a cultural aesthetic, philosophy of science, and philosophy of history that combines elements of science fiction, historical fiction, fantasy, Afrocentrism, and magic realism with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past.

——Wikipedia

http://www.ebony.com/entertainment-culture/black-alt-enter-afrofuturism-999#axzz4k5esHWHx

http://afrofuturism.net/

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Not only is this an almost entirely Black cast, so are many of  behind-the-scenes talent. The director is Ryan Coogler, the award winning director of Creed and Fruitvale Station. Hannah Beachler is the Production Designer. She was also the Designer for Moonlight, and Beyonce’s Lemonade. Ruth Carter is the Costume Designer, and has worked on Selma, Serenity, and the remake of Oldboy.

 

*There are people out here asking why we’re so hyped for Black Panther.

Like…in case you haven’t noticed…there’s literally a million and five big budget franchise movies centered around white super heroes.

Black Panther shows a black super hero who is the king of an extremely prominent and technologically advanced African country with his badass royal guard that consist of badass black women in all their natural glory and it portrays black people as something other than poor, enslaved, or savage.

Regardless if you understand or not…that is huge for black people.  

 

Black Panther: Chadwick Boseman

After the death of his father in Captain America, T’Challa becomes King, and  inherits the mantle of The Black Panther, which is a  generational position as Guardian of  the country of Wakanda. The Black Panthers inherit their superpowers by eating a mystical herb, which grants them the strength and speed of the Panther God, worshiped in Wakanda. He is one of the wealthiest men in the world, and something of a technological genius, responsible for some of the tech and hardware you’ll see in the movie.

Plot Synopsis:

“After the events of Marvel’s Captain America: Civil War, King T’Challa returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne from factions within his own country. When two foes conspire to destroy Wakanda, the hero known as Black Panther must team up with C.I.A. agent Everett K. Ross and members of the Dora Milaje, Wakandan special forces, to prevent Wakanda from being dragged into a world war.”

For a closer look at this character, and his abilities, see Captain America Civil War, now available on Netflix, and read  Ta-Nehisi Coates current run of the comics, (although there are other versions).

 

Everett Ross: Martin Freeman

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This is one of only two white faces you’re going to see in the rest of this trailer, and probably the movie. Everett Ross only gets a  still picture because he does nothing gifworthy  beyond being annoying to the other characters in Civil War. If you see any critiques about how this character is the hero of Black Panther… RUN!!SAVE YOURSELF!! You have wandered into a cluster of White Man’s Nonsense.

 

Ulysses Klaue: Andy Serkis

You may remember this character from Avengers Ultron, where he lost his arm, and got the privilege of locking ScarJo in a cage, I think. No, this movie isn’t about him either, but he gets the gif treatment because I like Andy Serkis. If you see reviews focused on either Ross, or Klaue’s important roles in the film, I urge you  to escape that review, STAT!!!, and immediately Google a review from a Black critic, as you have probably wandered into a field of White Gibberish. Save your brain cells!! That person is not logicking correctly and that shit is contagious.

 

Wakanda:

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Wakanda is a fictional nation, hidden, isolated, and futuristic, located in the central part of Africa. Its meant to represent what an African country would be like if it had been allowed to develop without colonization or exploitation by the West. Wakanda is one the wealthiest nations on the continent because of its large Vibranium reserves.

In the comic books, the central city of Wakanda is surrounded by 18 other city-states, that are constantly vying for power. You can catch glimpses of these various tribal kingdoms in the trailer.

 

The Dora Milaje (Dora Meh-lah-shay):

The Dora Milaje are the King’s Elite (Special Forces) Bodyguards. In English, their name means, The Adored Ones.  In the comic books they were also considered potential wives for the King, specially trained warriors, who were selected from the surrounding tribes by the King, in an effort to keep the peace between the various rival tribes. These young girls are groomed from a very early age to be warriors.

The Dora Milaje are the best warriors of Wakanda.  They have defeated Namor, and fought even Storm and Black Widow to a standstill, although it is rumored, that over the years, many Black Widows never made it out of Wakanda alive, thanks to them.

It’s the custom for them to have shaved heads. No, they are not the King’s special booty call, as Adored One is a ceremonial title. They are not his harem.

Okoye: Danae Gurira

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Danae is most famous for her role as Michonne on the Walking Dead. She’s the King’s first , speaking only to him and only in a rare language. This was so the King and his wives could speak in private while out in public. Think of her as something like the head of a federal organization that only answers to the president.

 

Ayo:Florence Kusumba

Ayo is the Dora Milaje we got to see for the first time in Captain America Civil War. She said six words and stole half the movie. They better not let her say too much in this movie or none of us will remember why the hell we were sittin’ in the theater.

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Nakia: Lupita Nyong’o

This is Nakia, played by the Oscar Award winning Lupita Nyong’o. In the the comic books Nakia is a mutant of some kind, with enhanced speed, agility, and strength. She later becomes a villain named Malice.

 

Erik Killmonger: Michael B. Jordan

Killmonger is played by Michael “Bae” Jordan from Coogler’s last film, Creed, and unfortunately from The Fantastic Four, but the first time I saw him was in the movie Chronicle. He is one of T’Challa’s rivals for the throne of Wakanda, and plays a pivotal role in the movie. In the books, Erik harbors a grudge against T’Challa for exiling him to America, after the death of his father, who had been branded a traitor. When Erik returned he plunged himself into Wakandan history and traditions, and this radicalized him. So now he preaches against outside Western influences, and wants to rule so that he can make the country more isolationist.

 

Ramonda: Angela Bassett

C’mon! Ya’ll know who Angela Bassett is. Ramonda is T’Challa’s mother. Note the white hair. Disney doesn’t possess the rights to Storm from the X-Men, who is T’Challa’s in canon ex-wife, but they can troll the film company that does, by casting the woman who was born to play that role, and making her up to look like her in this movie.

 

Shuri: Letitia Wright

This Princess of Wakanda is T’Challa’s little sister from a different mother. She is the Wakandan genius behind most of the tech you’ll see in the movie, including those nifty little cat gloves she’s wearing in the trailer. I don’t know what they do but I want them. Shuri is the very definition of Afro – Futurism, combining her country’s cultural traditions with technological concepts beyond even Tony Stark’s skills.

In the books, Shuri is a warrior who was trained by her brother to take over his mantle should the need arise, and who, on occasion,  has had to step in and become The Black Panther, in her own right, after  one of her brother’s extended absences. Here she’s been re-written as a tech genius.

 

Daniel Kaluuya: W’Kabi

I got nothing about this guy. I’ve never paid much attention to him beyond that he grew up with  and is T’Challa’s  second in command and advisor. You know him as the actor from the movie Get Out.

 

Forest Whitaker: Zuri

Zuri is played by Forest Whitaker, is a veteran warrior, and one of T’Challa’s senior advisers.

 

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*On a more serious note we have to talk about this issue here:

Since the release of the trailer onto the national stage, I know some of you guys who are the most excited about this movie, have experienced an influx of racist gibberish into all of your inboxes. There’s something about this movie that has truly galvanized racist geeks into a paroxysm of harassment. (Well I simply can’t imagine what that might be.)

I’ve been warning my friends on Tumblr, and other social media to have their Block finger ready because it’s going to  get a lot of exercise. And it’s not just the white racist dudebros out there either. You have a lineup of various hoteps, and native Africans making static too. Everybody whose  got a beef with black people have their fingers tapping, and mouths flapping, to destroy this movie, which is an utterly pointless pursuit.

You’ve got people writing racist meta about how unrealistic Wakanda is, because  Africa is such an undeveloped country,  how Black people are acting too uppity, and culturally appropriating African cultures, the poster for the movie is militant, there are going to be riots and shootings at the theaters on the day of the movie’s release, and a complete basket full of  nonsense. Basically people out there projecting every one of their racial and social insecurities onto this movie, and it hasn’t  even been released yet. And its only going to get worse as the movie nears its release date.

And all because  black people are giddy about a movie trailer.

*Black Panther is a FICTIONAL movie about a FICTIONAL country in Africa so people need to stop projecting all of their issues on to it and let ALL black people enjoy something for once.  Seriously.  CAN WE STOP WITH THOSE STUPID DIASPORA BATTLES THAT HAPPEN EVERY TIME BLACK AMERICANS GET *ANYTHING* POSITIVE?! 

—–karnythia from angelsscream

@

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This isn’t my essay, but it says want I want to say much more eloquently. This is from an AfroFuturist tumblr site, and is very deep and entertaining. Please give them a visit.

*Double Standard

I’m sure everyone has seen the trailer for the Marvel Black Panther movie that is set to be released next year. And if we are to be honest, we are over the roof excited about it. Have you seen the memes!? The ones showing how we’re going to go dressed for the premier? Have you seen the amount of views the trailer has on YouTube!?  2018 can not come any sooner!! So, tell me why, in between all the excitement and anticipation for the movie, we still see people hating on it?

So, one person called it “unrealistic” and “poorly put together in order to give Blacks a place in the entertainment industry”. And I’m like, “the name is science FICTION, afrofuturist to be exact, and the sole purpose of such work is to not just envision Blacks in the future but as the agents and subjects of the future.”

And then, I saw this post asking how can Wakanda be so technologically advanced and yet it had no imperialistic goals and its innovations did not spread to anywhere else. Y’all remember Avatar? The one with the blue people with tails that were primitive and highly developed at the same time? They loved that movie right? So why the lack of love for Black Panther then?

Could it be because it is BLACK PANTHER? Could it be because it shows Blacks not just as props and prawns but in the center as kings and leaders and scientists and warriors? But anyway, I hope this is one of many afrofuturist works to be produced because it’s about time we have a place in the future, in science fiction.

 

@

*But here’s the thing, this movie is going to be released. Its a done deal. Its going to do as well as any of the other MCU films to date. No amount of online harassment, from people who can’t stand to see Black people being happy about something, is going to stop us from going to the theater,  and seeing it multiple times. 

Now I’m done with this particular topic!

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From pathlesspagan:

Me and squad at the Black Panther premiere.

 

A Prayer For Mad Sweeney

This episode is Mad Sweeney’s elegy. He is also one of the more unlikable characters in the show., but it turns out he’s not actually a bad man, and has heart of gold. In the real world, someone like Sweeney would get their ass kicked on a regular basis, (actually he does in the show, too) but he is a great character.

Normally, I like fictionalized assholes as much as I like real world ones, which is to say not at all, but from time to time I get captured by a great depiction, and Sweeney is one of those. Pablo Schreiber plays the hell outta this guy, and I have to give him some props, especially when I had no idea who he was before this show.

One small dislike for me  is that this is another filler episode, that distracts from the greater narrative revolving around Shadow and Wednesday. I didn’t dislike this episode, it’s just that I’m less interested in what Laura and Sweeney are up to. But tonight’s episode was devastating in its implications about the relationship between Laura and Sweeney, deepening it, and explaining a lot of the dynamic between the two of them.

The episode begins at the Anubis funeral home, where Mr Ibis and Mr. Jaquel not only lay out corpses for burial, but can even predict when corpses will arrive. I thought it was interesting getting a glimpse into their relationship. Are they a couple? Are they brothers? Just friends? They’re always considerate and polite to each other, and know each other too well.  Mr. Ibis tells Sweeney’s story through the eyes of an Irish girl named Essie, who looks suspiciously like Emily Browning. Laura is not the reincarnation of Essie, though. Its  that Laura reminds Sweeney of Essie, and I think he’s starting to like her.

The episode is split between Laura’s and Sweeney’s  modern day road trip, and Sweeney’s past, when he knew Essie. This  follows the book pretty closely. Essie has a very colorful life, as a thief, an indentured servant, then a  wife and mother, and finally grandmother, where she often traded on her looks to get ahead, aided by her gifts to, and stories, about “The Good Folk”. Notice that whenever Essie stops giving to the good folk, they stop giving to her.

There’s  a scene where Essie is in Newgate prison, after having not made an offering for a time, and Mad Sweeney is in the next cell, and she tells him stories. She tells him about her wish for a good life, quiet and settled, a tree, some children. She makes an offering to the Good People using the only food she has available, a piece of rotten bread. Eventually she gets out of Newgate and gets sent back to America where her wish comes true, because she made an offering of her last bite of food.

Eventually she has to stop telling her stories about the Fair Folk, realizing that there’s no place in her current world for belief in such things. But she never stops believing, and upon her death, it is Sweeney who comes to collect her soul.

The term Good Folk is a reference to the Fay, or any Fairy creatures of Celtic folklore. The general idea in most people’s minds are the tiny, butterfly beings that frequent rings in meadows, or Tinkerbell, but the term encompasses a greater variety of creatures than just those, (some of which are pretty horrific, deadly, and not at all tiny. See any book by the painter/illustrator, Brian Froud.)  Irish folklore is pretty complicated  though,  and you could spend your entire life studying the subject.

 

*For background on Faery lore, and myth:

http://www.medbherenn.com/faerie-lore.html

http://www.medbherenn.com/faerie-lore.html

 

*And for background on the real mythology behind Mad Sweeney:

http://www.askaboutireland.ie/reading-room/history-heritage/folklore-of-ireland/carlow-folklore/the-story-of-mad-sweeney/

Sweeney, Salim, and Laura stop at the site of the White Buffalo statue.The legend of the White Buffalo is somewhere around 2,000 years old, and was originally a tradition of the Lakota Sioux, a Plains Tribe. This particular scene, like all the modern day scenes, which involve Laura and Sweeney, don’t happen in the book.

http://lightningmedicinecloud.com/legend.html

For those of you concerned that there haven’t been any Native gods depicted, I think Shadow’s dreams count. In the book, they don’t play a pivotal role until much much later, and are responsible for interfering in the war, coming in on Shadow’s behalf. I expect we may not see them until well into second season. Although I do agree they should be introduced in some greater form beyond the forgotten Nunyunnini.

 

While at their rest, Sweeney is visited by one of Odin’s birds, who he harshly chastises. He mistakenly lets Laura know that all the gods are meeting at a tourist attraction/resort called House on the Rock in Wisconsin. Now that she knows where Shadow is going, Laura decides to release Salim from his bargain to take her to a resurrectionist friend of Sweeny. She tells Salim to go get his Jinn. He happily leaves, but not without (hilariously) informing Sweeney of what a vile creature he is. (Yes, he is, but Sweeney also has a lot of secrets.)

That morning, Laura talked with Salim, asking him if he loved God, or was “in love’ with God. He answered in the affirmative. I think Laura is seeking an answer to her own questions of how she feels about Shadow. She may not have loved Shadow when she was alive, but I think she is certainly loves him now, (or is obsessed or something) and part of that may be the supernatural connection that exists between them, because I dont tihnk she is “in love” with him.

Laura hasn’t looked at peace since she was resurrected, so I just want to point out, during this episode, we often see her quietly smiling to herself when contemplating Shadow. I think she is finally at peace in a way she never  was in life. She has a goal and a purpose now, that was missing, when she was alive. Shadow is her purpose. He’s her god, now. He is literally her reason for living and not only has she realized that, she’s okay with it. She even seems happy about it. Yeah, she is stalking Shadow, but if you’ve ever read John Campbell’s Hero’s Journey books, then there’s a purpose to it.

While driving, Sweeney gives Laura some more background. He tells her about his hoard of gold, that he used to be a king in Ireland, that he was once a bird, and then a saint according to the prevailing beliefs of whatever time period in which he lived. He ran away from so long ago war in which he knew he would die. He gave up his sword and vowed not to get involved again, but he owes Wednesday a war, which explains his objections to Wednesday’s warmongering between the old and new gods, but also  his refusal to leave.

Keep in mind, Sweeney is a leprechaun, which  is a kind of  Celtic deity. Although Laura is more powerful than him, he is not without power of his own, as illustrated by him easily stomping a park bench, without breaking a sweat. His speech to Laura is a reference for how diminished the gods have become as people’s belief in them changed, and leprechauns have been demoted to cute cartoon characters on cereal boxes, something which bears almost no relation to what he actually is, or even looks like.

One of the rules of being a Fey is one can only take what’s freely given, so when we see Sweeney throw the coins out if the vehicle, its becasue he took the ice cream out of the freezer, and the owner wasn’t there. When he and Laura stole the truck, Laura gave the owner of the truck all of his money, so he doesn’t object to that. He didn’t have to leave anything behind in return for stealing Salim’s taxi because he was interrupted before he could finish.

One of the questions that is confusing to a lot of people about American Gods is if these gods can die. If all it takes is a belief in them, then can they really be killed. Vulcan is is killed in the last episode. But he is definitely a god, people actually believed in a version of him. Does that mean some other version of him will take his place? Does Wednesday’s curse prevent this from happening? Just as there are different versions of Jesus, there are different versions of ods like Wednesday and Sweeney, wherever they are believed.

 

For example, in one of the last scenes from the book, Shadow meets a more authentic version of Wednesday in his home country. He is a more original form in his country of origin, and acknowledges Wednesday as an offshoot of him. I don’t think the gods can travel to anyplace where they are not believed in. Wednesday can’t leave America, and hasn’t done so, as he says to Shadow in one of their earlier discussions. When the new gods offer to make a missile in his name, over North Korea, Wednesday refers to it as a form of exile, and it would only be that way if belief in him were transferred, from America, to the missile system over North Korea.

Another treat we get in this episode is the white rabbit. The white rabbit is a sign of the goddess Easter,  or Ostara, a pagan fertility goddess. She is also the goddess of Spring and renewal. Her imagery often involves hares and rabbits. We will meet Ostara in the season finale. When a White rabbit hops into the middle of the road, Laura swerves to avoid it, crashing their vehicle. She flies out the windshield, and loses the coin, after which there is another revelation, as Sweeney contemplates her dead body.

 

Sweeney was the one who caused Laura’s first death in a car crash, and he feels some kind of way about that. Incidentally the words he’s screaming, after the truck crash, are in Old Irish, not Gaelic. Something along the lines of, “Why is this shit happening to me? Haven’t I suffered enough? And I’m not an evil man!” Which is ironic after being told by Salim that he is an unpleasant creature.
Wednesday has been trying really hard to keep Laura and Shadow apart, and was the orchestrator of her death. He was responsible for hiring Sweeney to kill her the first time, and I’m certain he’s responsible for hiring Ostara to crash their vehicle this time, since the rabbit which caused it, is her symbol. Laura is meant to die again and she does, when the coin, that Sweeney has  made clear that’s all he’s interested in, pops out of her open chest cavity.  Sweeney retrieves his coin and he could walk away, but flashing back to the night he first killed her, he changes his mind and places the coin back in her chest. He immediately regrets it, of course, when Laura punches him out, for touching her. The two of them continue their journey.

I also want to mention the music in this episode is so  spot on, it’s hilarious. During the scene where Essie absconds with her latest husband’s money to become a market thief, the theme is Runaround Sue by Dion. Daddy’s Home by Shep and the Limelights, is the song that plays the first time she offers bread to the Good Folk in America, an unknowingly summoning Sweeney.

Next week is the season finale, titled Come to Jesus, so I guess there will be some Jesus involved.  The show has already been picked up for a second season, and if we’re lucky it will continue for many more beyond the story of the book.

 

 

Black Panther (The Reaction)

*From Dark Matters Blog, a collection of video reactions to the Black panther trailer. you gotta watch these. They will make you smile:

via The Diaspora Reacts to the Black Panther Teaser Trailer on Youtube! — Dark Matters

 

*Yeah, I don’t think people are realizing what a groundbreaking moment this is for us. Just like Wonder Woman brought so many women to tears, this seems to be having the same effect on those of the diaspora. Here on this blog, I’ve often jokingly referred to the release date of this movie as, The Ascension.

I don’t think people fully and completely realize just how much visual media matters. How much it has not just reflected the world, but shaped it, and made the world what it is. Those of us who know this realize the impact that movies like Ghostbusters, Wonder Woman and Black Panther can have.

I want Asian-American men and women, LGBTQ, Latinx, Native Americans, everybody to have this same amount of representation in movies, and get it all the time, so that movies like Wonder Woman, Suicide Squad, and Black Panther are not outliers.

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Here are some more reactions from Tumblr:

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unclesteeb

Idk what the appropriate level of emotion is when you’re in a fandom already but y’all I keep bursting into tears seeing all these beautiful edits and gifsets of black panther

This movie is so important. It might be the most important superhero movie of all time. Think of all the black children who are treated like shit from the world around them walking into a movie theater.

This is the movie we need.

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*From behind the scenes:

 

 

 

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*Wonder Women is accessible to ALL women, but it’s not FOR WoC in the same way that it’s for White women. I want White women to have that moment when you’re sitting in a movie theater in tears because you’re so happy. I also want everybody else to have that moment. That said,  I also want for people to just  let us enjoy this time, and to come out in support of this movie the way we came out for WW.

geeky-galpal

Dear white women feminists who loved Wonder Woman–

Listen, I also loved Wonder Woman. But I also think that Diana would be the first to note that we are not free until we are all free. So if you posted a thousand times about how important WW was for little girls to see, then I hope you are also prepared to post a thousand times about how important the new Black Panther movie is for black kids- girls and boys- to see.

I saw Wonder Woman, and I teared up the first time she stormed the battlefield in her full regalia. But, as a black woman, I couldn’t not notice that the women who looked like me played supporting, and largely non-speaking, background parts. Black Panther is the chance for women who look like me to see ourselves as the heroes in our own story. To see ourselves as warriors, as epic royalty, as fully actualized superheroes. In a major studio blockbuster, no less. Never- not ever- has that happened before.

We are looking forward to your support.

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disastergeek

I am all about Wonder Woman and I am definitely all about Black Panther.

But mostly what I really want is a WOC superhero movie. Every woman and every girls should feel what I felt watching that movie and while the gender is the same, race does matter. REPRESENTATION FUCKING MATTERS.

I want black and brown girls to see someone just like them playing the hero. I want them to look at that screen and say, “She’s me!” Because it matters.

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kamala-khan

so as it turns out, there is no such thing as superhero movie fatigue. we all just tired of watching the same white dude in the lead.

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 *Whatcha wearing to The Ascension?

pwussywillow

y’all gon see me walking into theater in full dora milaje gear on opening night for black panther

the-thotyssey

im making my auntie tie my head wrap so i can sit in front of white people and block the screen

pwussywillow

when they ask you to take down your head wrap, turn them, smile and just say “reparations” and go back to watching the movie

moonisneveralone

It’s gonna be cold as fuck here but I’m gonna be in full kente and a headwrap.

 

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From John Boyega, whose movie, Pacific Rim II, drops in March of 2018.

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tittytenda

me presenting my 56 slide , 2 hour long presentation on why everyone is gonna watch black panther and im not gonna hear any complaints from ANYONE  bc we all know that its gonna save the MCU:

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*And from the trailer:

Image result for black panther gifs

 

And in the “This Is Ridiculous” Column:

I just want all of y’all to be prepared for a full eight months of White noise, gibberish, and tears, as racist cockroaches come out of the woodwork to crawl all over Black people’s happiness.

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There’s a certain type of White bigot who sees Black people (any race of people that’s not them, really) being happy about something that’s important to them, who  will then go out of their way to throw water on them.

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Y’all knew this was coming tho’. As soon as all of America got to see the trailer during the NBA finals, that was the cue for the White whiner to go into danger mode like:

 movies marvel comics iron man robert downey jr GIF

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But I’m not letting these people take away my joy, and neither is anybody else. We just gonna, in the immortal words of Taylor Shifty, “Shake it Off”:

Image result for black people dancing gif

Image result for black people dancing gif

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Okay, I’m still a bit giddy, as you can tell. Later, I’ll have  something a little more substantial to add to this conversation, as I give those of you who do not read comic books, but  are still excited about this movie, the Black Panther 411.

Superheroes at a Theater Near You

Hi there!

Here’s a list of most, if not all, the top Superhero movies being released in the next two years. But first, some background, because for some reason, people love these mini slice-of -life snippets, that I keep adding to my posts.

I think I’ve said before, that I’m a huge comic book fan, and most of what I read  were superhero comics. I wasn’t a big DC reader as a child. For some reason DC Comic books weren’t as child accessible as Marvel. On the other hand, DC had a lot more shows on television, when I was little, like Shazaam, Wonder Woman, and Batman. I started by reading Peanuts and Archie comics when I was about seven or six, then graduated to Conan and Red Sonja around age eight, Horror comics like EC, and Eerie by the time I was ten, and then, by the time I was twelve, to books like Swamp Thing, and most of the Marvel superhero books.

Somewhere in one of those comics, I saw ads for Doctor Strange and the X-Men. I distinctly remember staring at those ads, wondering who these characters were, and why hadn’t I ever heard of them, because they looked fascinating. I didn’t start reading Justice League, Justice Society, Batman, and Superman comics until I was an adult in college, because my friends were into those books.

So once again, unlike most kids, I did not follow the traditional path to liking superheroes, by starting with Batman and Superman, although I watched all the DC shows and movies, followed by the apparently required reading of The Watchmen. I didn’t read that until I was an adult, and by that time, I was unimpressed by it. (But that’s probably the reason I was one of the five people who loved the movie becasue that’s how that works.)

And I’m still being contrary today. I do not enjoy being contrary. That’s just how everything works out. Since I’m a visual artist, (someday I’ll get up enough nerve to show y’all some of my old drawings) I have had training, but the past few years I’ve taken a hiatus from drawing, in favor of other artistic pursuits. I usually latch onto an artist and just follow them around from book to book,  and series to series. Some of my favorites are Barry Windsor-Smith from the early Conan books, Bill Sienkiewicz for his short stint on The New Mutants, Alan Grant for his work on Excalibur, Geof Darrow for anything, Adam Hughes, Arthur Adams, and of course Alex Ross. (Naturally, I don’t draw like any of them, no matter how much I’d love to.)

I’ve since gotten away from reading superhero comics, except for the occasional Batman, Wolverine, or Midnighter collection. I don’t buy them like I used to , and most of my comic book action happens digitally these days, and are independent projects, like Shaolin Cowboy, Hellboy, and  Cimarronin, and the various movies and TV shows. The last comic I bought online was Enormous.

So here is a  list of the comic book movies, I’m most interested in,  (although that doesn’t mean I’m going to see them in the theater) for the next couple of years:

2017 

Justice League  (11/17)

I’m cautiously excited about this. I didn’t care for BtVS, I don’t like Batfleck, and I’m not a fan of Amber Heard. On the other hand,  I love Jason Momoa, who looks as if he’s having the time of his life, in the trailer; and this movie’s version of The Flash, just because he’s really cute.

 

Thor Ragnarok (10/27)

I’m a huge fan of Jeff Goldblum, Tessa Thompson,  Thor’s new haircut, and the Avengers version of the Hulk. Will I see it. I don’t know.

 

Spiderman Homecoming (7/7)

I’m actually looking forward to seeing this. Its got a diverse cast, and that little Tom Holland is just as cute as the dickens.

 

2018

Black Panther (2/9)

The Ascension is Nigh!

 

Avengers Infinity War Pt. 1 (4/27)

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?????? I got nothing!

 

Ant Man and the Wasp (6/29)

Image result for antman and wasp

Nope!

 

Aquaman (12/21)

Image result for aquaman poster

Yep!

 

New Mutants (4/13)

Image result for new mutants poster

More of these ???????

 

Deadpool 2 (6/1)

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Image result for deadpool 2 poster

Yeah, I’m in!

 

The Incredibles 2

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I loved the first movie. If the story is any good, I’ll have my butt in the seat when its released.

 

Venom (10/5)

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I like this character, but I still feel this should be a horror movie, and that Tom Holland should be in it.

 

Dark Pheonix (11/2)

Nope. I have never cared about the Phoenix, and I ain’t about to start now!

 

After 2018 Honorable Mentions:

Captain Marvel

Meh!

 

Shazaam

I’ll go see this if the story is any good, becasue I love the character.

 

Cyborg

Hmmmm!

 

Mouse Guard

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I love these books, and I’d get a kick out of seeing them on the big screen, even in animated form.

 

Superheroes on TV

So, just as Superheroes have taken over the movie theaters for the next few years, they’re also coming to a television near you. Here’s a partial list of most, if not all, of the superhero, and  superhero adjacent, shows coming to TV this Summer and Fall.

I’ve read most of the comic books associated with these titles, so those I’m looking forward to. I will probably watch the pilots for at least half of these, but as to whether or not I’ll make them a regular viewing habit, I can’t say.

Shows In Development 

The Inhumans (9/1)

I was never a fan of the books, but many of these characters have been featured in other works, so I know about Black Bolt and Medusa. I like Black Bolt but I can’t say I’m enthusiastic about this show because it looks seriously cheap, and the show runner is the same lack-skill that worked on Iron Fist, Scott Buck. I have a special level of contempt for him, so you must forgive me if I decide to skip this.

 

The Gifted (Fall)

I was under the impression that this is based on The New Mutants comic books. I’ve always been a  huge fan of that comic, but I’m thoroughly incurious about this show. I’m not interested in watching earnest looking teens with superpowers.

 

Bright

This is the new Will Smith D&D movie airing on Netflix. I’ll watch Will in pretty much anything.

 

Black Lightning (2017)

Yeah, I’m gonna actually try to watch this. I’ve only read a single one of the comic books, so I’m walking into this one with no preconceptions, and no knowledge outside of: he’s got some daughters, and they got superpowers.

 

The Punisher (November – Netflix)

I’ve never been a Punisher fan. I’ve always thought of him as boring, and unimaginative, but I know a lot about him because he kept starring in every other character’s book. Marvel loves crossovers. I was pretty impressed with Jon Bernthal’s portrayal in Daredevil though, so I’m looking forward to the show.

 

The Tick

I’m not a Tick fan. I know something about this character because I have a friend who loves him, and insists on telling me about him, but I’m not feeling any particular way about it. I hope its as funny as my friend says it will be.

 

Krypton (Fall)

Image result for krypton comic

I’m not particularly interested in this but I’ll give it a look-see. I don’t find life on Krypton to be especially interesting, and I was not clamoring for this, but I’m curious as to what the show will be like, so I’ll take a look.

 

Cloak and Dagger (2018)

I read the comic books like a religious duty, so I’m a huge fan of the characters, but the show doesn’t bear a lot of resemblance to the books. I hope that’s a good thing because the books did have some issues. I will take a look at the pilot and  hope its some good.

 

Jessica Jones 2

I was disappointed in the first season of this show because of its lack of intersectional feminism, and its shabby treatment of PoC, so I’m not on board for the remake. I hope it’s better than season one because I can get PoC abuse and erasure in a much better show than this.

 

Iron Fist 2

*Sigh* I’ll watch this if it has a different show runner attached. Scott Bucked really fucked this up, and I have no confidence in him, so if he’s still attached to the second season, then I’m out.

 

In 2018:

Runaways 

Titans

New Warriors

 

To Be Announced:

Scarlet

Image result for scarlet  comic character

I actually like this character. She always reminded me of Xena Warrior Princess though, for some reason. Anyway, if this gets made, I’ll take a look at it. So far, I’ve only heard that its in development.

 

Hellfire Club

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I had mo interest in the comic book version, and have no interest in this, so it will probably turn out to be an awesome show that will be canceled because I was the only person watching it.

 

Umbrella Academy

Image result for umbrella academy

I enjoyed the book version, but I think its a series that’s hard to film and get the flavor of it right. I’m really curious about who will star in it, and what  it will be like, though. So far, its just in development.

 

Concrete

Image result for concrete comic

I’ve never read the books, but I have friends who love this. For their sake, I hope it gets made, and that its as good as they say the books are.

 

Static Shock

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All I know about this character, I learned from the cartoon. This is only in development though. There are no names attached and I don’t even know if it will be live action. If you know more, let me know.

 

Rasl

Image result for rasl

I liked this book, but I didn’t continue to read beyond the first collection. The book was kind of confusing but I loved the artwork.

 

 

Y: The last Man

Image result for y the last man

Didn’t care for the book. Hope the show is some good.

 

Enormous

Image result for enormous comic

I just bought this on Comixology, and enjoyed it. Its mostly about strange giant creatures taking over the Earth, and wiping out humanity, which sounds awesome. With a good budget, and some care, this could be like a Kaiju version of The Walking Dead.

 

I’m familiar with these three comics but I haven’t actually read them.

Happy

Scalped

Locke and Key

American Gods Season One: A Murder of Gods

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This episode is a big fuck you to American politics, and its Ra-Ra Americana, Gun Loving, Make America Great Again, America is for White people aesthetic. That it puts a Black man right in the middle of all this is no accident. Outside of Mr. Nancy’s speech in episode three, this is one of the more politically blatant episodes this season, as Fuller usually tries to keep his social sensibilities clear, but a little more subtle.

In the opening scene, we meet the Mexican version of Jesus, as he shepherds a group of Mexican immigrants across the border. I thought this was a respectful depiction, even though I’m not a believer. Nevertheless, I know that these beliefs are important to someone, and should be treated with a certain amount of respect. One of the immigrants doesn’t know how to swim, nearly drowning while crossing a river, but is saved by Jesus. Even I had to admit to feeling a tiny bit of a thrill with the walking on water scene. That was kinda cool.

Everyone makes it to shore but they are fired upon by a group of White men wearing badges with the word Vulcan on them. This is Fuller’s open political statement of how immigrants who came here earlier like to set themselves against the immigrants who come after them. This was the primary theme of the movie Gangs of New York, with gangs of White people calling themselves Natives, fighting with the more recent Irish immigrants. The irony in this episode is that the Mexicans are the real Natives, as they were living in this country before White people got here.

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The very nature of Jesus is sacrifice, and is illustrated in this scene of him protecting his followers with his life.  Here you have two  old gods who are diametrically opposed to each other. One of them is symbolized by fire and violence, and the other by peace and water, but both of them are willing to make sacrifices. One of them does so for the benefit of others,  and the other does it only for himself. The followers of Vulcan are  older immigrants than the ones they’re killing that night, but nevertheless feel that they have staked a claim to American soil and don’t want to share it with any others, who came here later than them. They’re devoted to the idea of America, only their version bears no resemblance to what America actually is. The Mexican immigrants have a much clearer idea of what America is but their god isn’t as powerful as the one who has decided to profit from racism,  and xenophobia, and has a lot of guns. There is a reason Vulcan has to die at the end of this episode. He has been complicit in corruption the very nature of sacrifice.

Shadow and Wednesday are walking back to the motel, to retrieve their car, after their escape from the police station. Wednesday still has not noticed that Shadow is injured, as they discuss what happened at the station. Wednesday still refuses to tell Shadow what to think, insisting that Shadow make up his own mind about what’s happening. He insists that Shadow has to believe to understand,  but Shadow doesn’t want to go there. It’s just too much. Gods are actual real beings, and Wednesday is one of them!

Note that most of the events in tonight’s episode are made up of whole cloth by the writers. With the exception of some verbatim conversations and dialogue, none of the events, from Wednesday’s healing  session with Shadow, to the return of Salim, to Laura’s road trip with Sweeney, to Wednesday’s meeting with Vulcan, is in the book. Fuller’s general method, regarding adaptations, is to expand on the source material in ways that enhance and deepen the story. In the original narrative, almost the entire book is from Shadow’s point of view, but Fuller has changed things here to make the show, an ensemble piece, where we get to see different points of view.

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Shadow and Wednesday make it back to the motel, where Shadow confesses that he was visited by Laura. Wednesday claims to be surprised, but still gives no set answer to Shadow about her resurrection. He eventually pressures Shadow into leaving with him. When Wednesday looks in the rearview mirror, he can see Laura chasing after their car, and turns up the volume on the stereo, so Shadow can’t hear her. He is determined that the two of them stay far away from each other. Either he’s concerned that Lara would be a distraction from him, and he does not want to share Shadow’s attention, or he thinks that Laura is working for his enemies and trying to seduce Shadow to their side.

Notice that up to now, there has been no emphasis on weather phenomena during this episode. No transitioning from sky to sky, or shots of storm clouds, as in previous episodes. Instead we often get shots of sun and clear blue skies, along Laura’s road trip, and in Vulcan. I can’t help but think that must be on purpose. Whenever Shadow is holding his emotions in we often get shots of turbulent weather, but when he’s openly expressing what he’s feeling, the skies are often very calm and clear.

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Shadow isn’t your typical hyper masculine asshole, with a stiff upper lip. Nor is he weak. He won’t allow himself to be preyed upon, but fights only when he absolutely has to. I like that the show allows him to not only have feelings, but openly expresses them, and that this is never sided as a weakness. When he’s afraid, he’s allowed to say so. When he’s overwhelmed, we get to see it. We’ve spent the past two episodes watching him hanging on to reality by his fingernails, and that’s kind of refreshing. Shadow isn’t trying to be “Shaft of the Supernatural”, and I like that. He’s just some guy, thrown into extraordinary circumstances, trying to make sense of it all.

While we’re on the subject I want to address some concerns some people have shown about Shadow not interacting with any PoC in the show. I had the impression that Shadow’s lack of interaction with any other black people is meant to parallel his lack of interaction with normalcy, since he signed on to work with Wednesday.

Before Shadow met Wednesday he often operated in all white environments, so he  is used to navigating racial dynamics, while holding on to his sense of self. That’s not a problem for him. Shadow is always acutely aware of who he is,  and where his place is in American society.  Here,  he’s thrown into an environment,  where he’s the only regular human being. He has to renegotiate reality now, to encompass the idea that gods exist, the television will personally talk to you, dead people can walk, and trees can come to life, plus this entire ordeal has been incredibly violent towards him, as he has been attacked multiple times. So while he is very used  to navigating racial politics, navigating the world of gods is some brand new shit he’s got no experience with, and he’s barely holding onto what is real.

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Often in situations where black people are in a minority of two or three, you’ll see us touch base with each other, to reassure ourselves of our reality, to help each other emotionally navigate an all white environment. As an example of this, see the movie Get Out. Chris regularly touches base with his friend Rod, while trying to navigate an all white environment where he is questioning what’s happening to him, and his doubts are being dismissed by the White people around him, and the black people are not reliable either. Shadow is a player in two separate environments, one of them is whiteness, and the other is the supernatural. He is alone in both spheres, as there are no normal human beings for him to interact with, just as there are no PoC for him to touch base with.  I’d like to see him interact with some people of color, but Shadow doesn’t actually need to do that. He knows how to navigate the color line. He’s got that part down. It’s the world of the gods he’s having trouble with.

The only assurance he has of the reality he’s experiencing, is coming from beings he can’t trust, because none of them are human. Notice that Wednesday behaves exactly the same way about Shadow’s reactions to the supernatural as he does to all of the racial things Shadow has mentioned.  You could substitute just about any discussion they’ve had about the supernatural, with discussions that many blacks have had with whites about race. Wednesday uses deflection, derailment, defensiveness, obtuseness, and gas lighting,  to not tell Shadow what’s happening to him. Laura also does this in their brief conversation in the last episode.

Notice how the gods in Shadow’s presence all speak to one another. It’s obvious that none of them think themselves human, but absolutely none of them come right out and say to Shadow, “Hey! I’m the God of Media! Or I’m the God of Commerce! I’m the God of War!” Nobody speaks directly to him about a state of being, that they consider to be obvious. Except for Wednesday everyone makes the assumption that Shadow knows what’s going on. Its like one of those conversations where everyone knows everyone but you, and they keep referencing events you were never a part of, in  short hand, as if you had been there.

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And there are other parallels too. When Vulcan makes his remarks about the hanging,  Wednesday narcissistically makes Shadow’s pain and suffering about himself. White people will often make the pain and suffering of PoC about themselves. (Well okay, in this case, it’s actually true. Most of Shadow’s suffering is a direct consequence of knowing Wednesday, or is used to insult him.) Nevertheless,  this makes Wednesday an unreliable indicator of whether or not he is insane.

Without any normal humans to touch base with, to confirm what he’s been experiencing, Shadow begins to doubt reality, which is something that can  happen to PoC in all white environments, where there’s not another marginalized person to keep them grounded, or affirm something they just experienced. That Shadow has not interacted with any black people may be something that’s just as on purpose as his not interacting with regular humans. I think we’re supposed to see that Shadow is twice a fish out of water, navigating two, separate environments, only one of which he has mastered.

 

On the drive to their next assignment, Wednesday finally notices Shadow is bleeding profusely, and stops the car to check his wounds. It turns out that the creature that attacked Shadow at the police station is some type of forest god, named Mr. Wood, who used to be the spirit of the woods, but sacrificed his trees for greater power. Once again we have a story about a god sacrificing a part of himself for greater power, and a parallel of Vulcan’s story.  Mr. Wood  injected a tree root into Shadow’s wound when it attacked him, and Wednesday pulls it out. This scene is so touching and funny. I can’t have any idea what Wednesday is thinking in this scene, as he kisses Shadow on his forehead, and shushes him, like an indulgent uncle, but Shadow’s level of trust in him is interesting.
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Laura returns to the motel to find her car, but encounters Sweeney again. He makes all kinds of promises this evening. He tells her he knows someone who can resurrect her,  while name dropping Jesus Christ. While trying to steal an old taxi, with a toilet for a backseat, they are interrupted by Salim. I was really glad to see him again as this meeting between the three of them doesn’t happen anywhere in the book. Salim, overhearing that Sweeney is a leprechaun, asks if he knows where to find the Jinn who left him his taxi. Salim has been searching for him ever since, and Sweeny promises that he will tell Salim where to find the Jinn, if Salim drives  the three of them to Kentucky. Salim agrees, but doesn’t go to Kentucky.

 

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Meanwhile at the Vulcan weapons manufacturing plant one of the employees falls to his death in a vat of molten metal, to the incongruous tune of C’mon Get Happy, by The Partridge Family. They were like a white version of The Jackson Five, only with worse outfits. I know this because  I watched this show, religiously, when I was about 8. To say that I enjoyed it, would be too strong an expression. Most likely it was the only thing on TV in that time slot. Anyway this is a singularly horrific death, especially once you realize the guy has just been baked into the factory product: bullets.

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When Shadow and Wednesday reach Vulcan West Virginia (Yes, this is an actual place! I checked.) they find the townsfolk having a memorial for their fallen co-worker. Shadow becomes acutely aware that he is a man out-of-place, as the entire town is covered in flags, and everyone, from the smallest child to the oldest grandparent is carrying a gun. It’s so over the top ridiculous that it’s almost funny, except this is how some Americans actually believe we should all be living. I was uncomfortable on Shadow’s behalf, because this very much reminded me of Sundown Towns:

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At the memorial, which is really a celebration of the sacrifice to Vulcan, there’s a gun salute and Wednesday warns Shadow to stay in the vehicle. At first I thought he was warning Shadow to stay hidden, but unlike me, Shadow remembers what goes up, must come down, and he decides to sit it out, as Vulcan and Wednesday greet each other in the middle of the street. There’s a hailstorm of bullets, none of which ever touch either of the two gods.

On their road trip, Sweeney, Laura and Salim get to know each other. Salim figures out that Laura is dead, and takes it in stride. After all, he met a Jinn. I think Salim is very lonely, as  he never stops talking the whole time, while Sweeney snarks at the two of them from the back seat. Sweeney ending up in the back, when he insisted that Laura would be the one, is deeply hilarious to me, for some reason.

Salim proves to be a precious cinnamon roll of sweetness, while Sweeney is the exact opposite of all decency. Yes, I would love it if Laura ripped his lips off, whether he uses the “C” word or not, but we need Sweeney to be the “truth teller”. Every Bryan Fuller show has at least one of these, a character who tells the blunt-faced, unbridled truth to the other characters, no matter how much pain it causes, or who it hurts. Salim and Laura bond over their belief that their past is gone, and so are the family members  who were a part of it. When Laura has a chance to visit her family, she changes her mind. She and Salim both agree that they can, “Fuck those assholes!”

The three of them end up at the Crocodile Bar where Sweeney lost his coin. It’s like a horrible joke. A leprechaun, a zombie, and a Muslim walk into a bar…

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Wednesday and Shadow go  Vulcan’s home, where Vulcan keeps assuring Shadow that he’s safe, but Shadow ain’t buying it. He knows badness when he feels it, and insists that the two of them leave. His instincts are correct because things are not as they seem, especially when Vulcan alludes to events to which he was never a witness, like Shadow’s lynching. That was number one. Number two is when Vulcan refuses to drink the Soma that Wednesday brought as a gift, substituting his own instead. Notice that Wednesday tells Shadow that Soma is not  the drink for him. Soma is a drink only for gods.

 

Soma was a fermented juice drink which was believed to have been consumed by the Hindu gods and their ancient priests, the brahmanas, during rituals. Thought to be an elixir its consumption not only healed illness but also brought great riches. Soma is personified by the god of the same name who is also the god of sacrifices and who may, in some texts, be associated with the Moon.

Not only drunk by priests for its sacred nature it was also credited with uplifting qualities, giving the drinker a boost in energy and alertness. These effects meant that the drink has been considered divine since ancient times; a beverage which brought humans closer to the divine.

——-     http://www.ancient.eu/Soma/

Soma is also another word for “body” and may represent the physical body of humans, in a pagan parallel of the Christian Communion ritual.  Vulcan can’t drink the Soma that Wednesday brought, even though he promises to support Wednesday in his war. Vulcan  already made a deal with the new gods, who have set up this system of worship for him, in the town of the same name. He claims that every bullet fired from one of his weapons, is a sacrifice to him.

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Wednesday tasks Vulcan to make a sword for him that can kill a god, and he does so. It’s a gorgeous specimen, and I want one. (Never mind what I’d do with it! Smite my enemies! What else?) After Vulcan confesses that he betrayed Wednesday to the new gods, Wednesday, in one lightning swift move, cuts Vulcan’s  throat and tosses his body into  one of the vats. Shadow freaks the fuck out, which is an entirely appropriate response. We’ve seen Shadow unhinged from the first episode, but this is really the first time we’ve seen him totally lose his shit. It will be interesting to see how he behaves in the next two episodes.

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Wednesday expresses his complete contempt for not just Vulcan’s actions, but an entire setup that’s basically a shiny, automated, bloodless form of sacrifice, that gives nothing back to the people who worship him. Wednesday said this to Vulcan earlier, that the new gods take, and promise,  but do not give anything in return, and that the old gods at least did something for their worshipers, which makes them less corrupt.

Wednesday curses the entire enterprise by pissing into the vat. This is probably a pretty good idea of Bryan Fulelr’s sentiments, too.

Laura, Salim, and Sweeney are still heading West. They stop to see the sunrise as Salim says his morning prayers.

 

 On guns:

https://www.bustle.com/p/american-gods-statement-on-americas-gun-obsession-takes-no-prisoners-61502

http://www.refinery29.com/2017/06/157569/american-gods-vulcan-gun-culture-season-1-episode-6

http://io9.gizmodo.com/american-gods-vulcan-is-everything-that-scares-me-abou-1795761610

 

Why I’m Watching Still Star Crossed

I’ve always loved period films. From Downton Abbey, to The Remains of the Day, to The Three Musketeers, I love the costumes, and dialogue, and plots. I try to make some effort to seek out those films with prominent characters of color, like anything set in pre-reformation  Japan, or the movie Belle. So I’m cautiously excited by the airing of Shonda’s new Joint, Still Star Crossed. I’m cautious because I know there are forces working really hard to discredit this show, so I don’t know how long it will last.

This is the new show on ABC by Shonda Rimes based on the Shakespearean play, Romeo and Juliet, and the book by Melinda Taub. The show picks up right at the end of Romeo and Juliet, after the two teens are dead, after their forbidden affair, and to keep the peace, so that a feud doesn’t break out between the Montagues and the Capulets, Rosaline and Benvolio are forced to marry each other by their families. Neither of them wants to be married and they don’t even like each other.

Just in case some viewers are confused, because they’re not fans or readers of Shakespearean history, this is what completely colorblind casting looks like, and this is often traditional with Shakespearean plays. Both families are made up of different races of people, and so are most of the officials and citizens of Verona. So it’s perfectly normal for people to have white and black children, or parents, or East Asian cousins. As is the case nowadays, anytime women, or PoC, wander into the orbit of a genre show, you’re going to get some white people expressing dismay at the idea that the narrative isn’t centered around them, or cries about historical accuracy,  by people who don’t know a damn thing about actual history, except what they’ve seen on whitewashed television shows.

This show has nothing to do with historical accuracy. Its set in an Italian city, written by an Englishman,who never visited Italy. It’s a fictional story, there were never any Montagues and Capulets. Verona is an actual city, but it’s a port city where people from many different cultures would have mingled, and the history of Moorish colonization would have been know there. I’ve seen some people very upset that there were black people in this show, citing Historical accuracy while not complaining about any of the white English speaking, and Australian, members of the cast. Hell one member of the cast is East Asian and no one complained about her. Make of this information what thou wilt!

This is particularly galling coming from white women in fandom. Apparently, the princess narrative is meant to be the sole province of white women, and WoC who get to wear beautiful period costumes, go to the ball, fall in love with the prince, and live happily ever after, do not belong in it. There are several shows on TV with this particular type of fairy tale historical setting: Reign on the CW; Outlander on Starz; and The White Princess on, again, Starz. Whenever WoC have been prominently featured on these types of shows like Merlin for example, even though these shows are not realistic, and bear only the most shallow resemblance to actual lived historic events (and in some cases no relation to actual historic events because they’re fairy tales)  they receive pushback in the form white people arguing for historical accuracy.

The professional  critics (who are just as draped in unexamined racism as any casual viewer), are panning the series based on this one episode, criticizing it for following various fictional tropes,  tropes  that are also on prominent display in the above named shows. I personally didn’t see anything particularly wrong except for the show being rather busy, as there was a lot to digest in the pilot. Hopefully the show will slow its pace just a bit the rest of the season.

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So once again, just like with Luke Cage, and Get Out,  I’m going to ignore any reviews from white reviewers because there’s little they have to say that would be relevant to me, a Black woman. I recognize how groundbreaking this particular show is, and they can only be uncomfortable with it. It is exceptionally rare that a dark-skinned black woman gets to be featured in such a story, without being little more than an accessory to the white characters. Black women rarely get to be Shakespearean damsels, who get to fall in love with,  and  be loved by, the hero. The idea of the strong black woman who “don’t need no man” is a  black female stereotype that has made its way into countless films and TV shows. It’s a stereotype that masculinizes and de-sexualizes, black women, and is often used as a excuse to deny black female characters fragility, vulnerability, and love, which in American culture is also coded as the definition of White  womanhood. The irony is that White women have  been fighting against that particular stereotype of themselves, for over two decades now, but some of them are willing to embrace it, if it means keeping black women away from it.

White American reviewers are just as unused to seeing prominent black characters in such narratives as I am, and most of their reviews will only reflect their discomfort with it. But for WoC, its empowering to see PoC in these beautiful period costumes, speaking in such lofty language, who are more than  servants and maids. They are princesses, and rulers, and statesmen. It’s as empowering for us as it might seem to be disempowering for white women. This is the very nature of intersectional feminism, recognizing that different kinds of women are treated differently, in the narratives we’ve watched over the years.

During the show, race is not mentioned, and is largely unimportant to the narrative. Certainly we are going to view the show through the lens of race, but the actual characters do not, and race is not the motivation behind much of the character’s behavior. For example there’s the temptation to view Lady Capulet as a racist because she is mean to her nieces, but it’s not because they are black. It’s because she was jealous of their mother, who managed to marry the man she wanted for herself. She seeks to punish these very young and beautiful women, with their entire futures ahead of them, who should never, in her mind, have been born.

There are shades of Cinderella in the narrative with Rosaline, and her sister. But the most prominent reference is the singer, Brandy’s, 90s version of the fairytale Cinderella, with its color blind casting, where Whoopie Goldberg has a white husband, and an Asian American son, and Cinderella’s stepsisters are white.

Still Star Crossed is mostly based on the book of the same name by Melinda Taub. While it is a sequel to the original play, the show is  not going to strictly adhere to the events of the play, and the plot, I’m told, will be very wide ranging and include events from other Shakespearean plays. I’m not going to talk about the plot so much as I will my impression of the actors and characters.

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Rosaline Capulet is the lead female character. She is the niece of Lord and Lady Capulet, which is why they took her and her sister in after their parents died. She is interesting because she at first fits all the stereotypes of the strong black woman who doesn’t need a man, which is later turned on its head. She claims to not need a man, but this is merely a cover for her true love, Prince Escalus, with whom she is having a  forbidden affair. Their affair is forbidden, not because of race, or because he is married,  but because he is the prince of the realm, she is below his social station and he has just married her to Benvolio.

Rosaline and her sister are in a precarious situation because their evil stepmother has them working in  her house as servants, since their parents died. They have no set status, and are at the mercy of others who will decide their future.

Livia Capulet is one of my favorite characters. She’s a delightful mix of optimism and genuine bright eyed happiness, and reminds me of one of my little sisters.  She seems the opposite of her older sister, who is more likely to challenge the status quo. Rosaline wants to escape their predicament, but Livia loves Verona, and her dreams are more traditional. She wants to stay in Verona, get married to a handsome husband, live in a palace, and be a mother.

Livia later falls in love with Count Paris, who is injured in the city-wide fighting between the Montagues and the Capulets.

Benvolio Montague, along with Rosaline, were the only two witnesses to the forbidden marriage between Romeo and Juliet, aided by Friar Lawrence. The two of them have some obvious chemistry, and I’m kind of rooting for Rosaline to like him, although she has made it clear she has no use for him. Benvolio, on the other hand, seems intrigued by her, and seems to want to be friends.

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Prince Escalus inherited the role of leadership over Verona even though its his sister, Princess Isabella, who is more suited to governing the city. The city of Verona is beset  by other city-states that seek to conquer it, but if he doesn’t stop the near constant fighting between the Montagues and Capulets, Verona will be destroyed from within. To that end, he decides the best way to end the fighting, is to bring the two families together by marrying Benvolio, and Rosaline.

Lord Capulet is played by Buffy alum, Anthony Stewart Head. He is possibly the only Englishman in the  cast, although there might be more. Lord Capulet, and his wife Lady Giuliana, decided to take in their nieces Rosaline and Livia after their parents death. But Lady Capulet hates the two girls, referring to their mother as a Jade, and she treats the girls like house servants. When Rosaline confronts her about her attitude, she adds physical abuse to her repertoire of shitty behavior.

Incidentally, after this fight, and the Lady’s threats to make her life even more miserable, this is the only time we ever see Rosaline cry, and although I didn’t take pleasure in seeing it, its still remarkable because, up to that point, we’ve only ever seen Rosaline as the strong and invincible stereotype.

So yeah,  I’m going to keep watching the show as long as it remains on the air, although I might not always review it.  I liked the action, and the characters, although the plot, as I said is a bit much, and I hope it slows down a little. I have no confidence in the ABC network, though, and there are forces working really hard to kill it and/or make ABC believe that no one cares about the show or supports it. Of course, ABC might decide to cancel the show just on a whim and I’m ready for it to get yanked off the air,  or just not return for a second season.

Why Historical Accuracy Is A Shitty Cover For Your Racism

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This just in.  We have now taken a break from posturing over “racist Americans” to complain about black people being portrayed as fictional Italians. Not the other non-white members of the cast who aren’t black, no just the black people.   You know, we never actually fight to represent black Italians and have a terrible reputation on how we treat black people in general, but this backlash is totally in good faith.  It is totally racebending, which only works in America because there’s such a booming black population that’s respected and represented and…oh wait, there isn’t any of that.

We could go back to watching the majority of all media (in Italy OR America, even though the show isn’t filmed in Italy and wasn’t formed for an Italian audience) where white people are the majority and all Italian representation has pretty much been white (no matter what the ethnicity of the actor actually is)  We won’t complain about white Italians taking roles from PoC but we take issue with colorblind casting for a Shakespeare play because the very implication that we have *black people* in our culture would be culturally insensitive.  .

Black people weren’t invented till the 1960s.  You can’t adapt Shakespearean works with black people in the main cast unless they’re servants or something because black people didn’t exist in fictionalized Verona.  Clearly adapting it with white people is fine though, no matter where they come from.  Black Italians don’t exist and have never existed, we’re all light skinned until its time to justify whitewashing.  And even though this is a fictionalized story written by someone who has never lived in Italy and was never meant to be historically accurate, we now must all be armchair historians because black people are on screen.

Oh, apparently Othello was a white man all along. And don’t bring up those prominent black and mixed race Italians (because accuracy is only accurate if its supporting racism), because they don’t count anyways and just because we had black Italians doesn’t mean we had black Italians (logic!).   Please don’t steal this *valuable* representation from people who never once cared about Shakespeare as representation of any ethnic group *any* other time.

Oh this isn’t backlash against a show showing black people in prominent positions in a European fantasy, no its totally about historical accuracy (where we erase most of actual history because that’s the only way we can pretend there were were no black people where black people were…)

Its just culturally insensitive to cast black people in Still Star-Crossed.

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The Stars of Shonda Rhimes’ ‘Still Star-Crossed’ Know They’re on TV’s Most Diverse Show—But It’s Complicated

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*Speaking of fact, here’s the truth about historical accuracy: Mainstream history, for the most part, was written by old white men who only chronicled their points of view. So while conservative viewers (read: racists) might balk at a Persian princess and a black prince, guess what? Verona was a port town with plenty of diversity. Portraying everyone as white is inaccurate, not to mention irresponsible. Continue reading “Why I’m Watching Still Star Crossed”

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