Televsion and Movie Meta Linkspam

For your reading pleasure this weekend:

 

Get Out (2017)

Wow, there is so much meta being written about Get Out that its hard to keep track of it all. (Do these writers know thats what they’re doing?)Everybody has something to say aobut this movie, even when they dont have anything to contribute. For the record, I have seen this movie and I loved it as much as I’ve loved anything on the Key and Peele show. (And no, I dont have much more to add to the discussions Ive already read.) If you’ve ever watched that show, than Get Out is not some huge surprise for you, as you are well aware of Jordan Peele’s Horror credentials. For example, his zombie spoof is pretty deep:

 

And this spoof of vampire tropes is hilarious:

I dont have anything to add since people pretty much have every topic covered:

http://www.hollywoodreporter.com/news/kareem-abdul-jabbar-why-get-is-invasion-black-body-snatchers-trump-985449

http://io9.gizmodo.com/get-out-is-a-horror-movie-only-a-black-person-could-hav-1792781911

http://www.huffingtonpost.com/entry/get-out-what-black-america-knows-about-the-sunken_us_58c199f8e4b0c3276fb7824a

http://theconcourse.deadspin.com/lets-talk-about-all-the-amazing-little-details-in-get-o-1792781479

 

Buffy The Vampire Slayer (1997)

Its the 20 year anniversary of Buffy the Vampire Slayer, and yep, people are writing about it. I was total trash for this show. I used to watch it like a religious duty, and even back then I was drafting meta, in my head, about this show. For the record, I hated the movie it was based on, and I was prepared to ignore the show. I watched it off and on for the first season. Then the internet started writing about it, and I really revved up my watching in the middle of season two, after Angel became evil. (I didn’t completely understand what was happening but I caught up fast.)

Buffy is also one of the most written about and talked about shows in television history. There are aabout a bajillion books, articles, and websites, devoted to parsing everything from the fashions, to the plot, to the characters and language. 

http://www.whedonstudies.tv/slayage-the-journal-of-whedon-studies.html

http://lithub.com/10-famous-writers-on-loving-buffy-the-vampire-slayer/

https://www.theatlantic.com/entertainment/archive/2017/03/the-body-the-radical-empathy-of-buffys-best-episode/519051/

https://www.theatlantic.com/entertainment/archive/2017/03/how-buffy-the-vampire-slayer-redefined-tv-storytelling/519174/

http://www.vox.com/culture/2017/3/10/14857542/buffy-the-vampire-slayer-explained-tv-influence

https://www.theguardian.com/tv-and-radio/2017/mar/10/buffy-the-vampire-slayer-at-20-the-thrilling-brilliant-birth-of-tv-as-art

http://blog.oxforddictionaries.com/2012/08/buffy-the-vampire-slayer/

http://io9.gizmodo.com/10-vital-storytelling-lessons-i-learned-from-buffy-the-1766651082

http://io9.gizmodo.com/20-things-we-still-love-about-buffy-the-vampire-slayer-1793132161

http://www.vulture.com/2017/03/buffy-the-vampire-slayer-twenty-years-greatest-legacy.html

 

Logan (2017)

I did go see Logan, as I promised. I was going to write a review, but a lot of people have  already written about the issues I would’ve covered in my review. It’s an excellent movie, btw, and  every bit as heartwrenching as you expect.

http://www.rogerebert.com/mzs/all-things-must-pass-the-emotional-reality-of-logan

http://birthmoviesdeath.com/2017/03/05/logan-the-things-we-leave-behind

http://www.rollingstone.com/movies/news/why-we-needed-logan-to-kill-the-modern-superhero-movie-w470501

https://theringer.com/logan-and-conquering-pessimism-through-fatherhood-86d377ae85b9#.nsgel72hh

http://www.theverge.com/2017/3/6/14829768/logan-movie-wolverine-hugh-jackman-patrick-stewart-discussion-highs-lows

https://theringer.com/james-mangold-hugh-jackman-wolverine-logan-movie-review-1d5e5b9c5c93#.2oe0rp6ff

 

Moonlight (2016)

I haven’t seen this movie yet, but I’ve heard such wonderful things about it. I’ve seen a few clips come across my dash on Tumblr, which have me intrigued, and of course, it won Best Picture at the Oscar Awards.  I’ve made plans to watch the DVD soon, however.

Why I refuse to watch “Moonlight,” or any other film about race, with white people

View story at Medium.com

http://www.cbc.ca/arts/masculinity-and-moonlight-eight-black-men-dissect-barry-jenkins-momentous-film-1.3836460

https://www.theguardian.com/commentisfree/2017/feb/21/moonlight-affirmation-gay-black-men-exist

http://www.mtv.com/news/2935326/moonlight-and-the-preservation-of-black-manhood/

https://contexts.org/blog/moonlight-trayvon-the-oscars-and-americas-fear-of-black-boys/

https://bitchmedia.org/article/shedding-moonlight-toxic-masculinity/problem-homophobia-not-gay-characters

 

Star Wars

http://www.kissmywonderwoman.com/2016/02/masculinity-monday-star-wars-finn-is.html

View story at Medium.com

A Hero, Just Not The Hero: Masculinity in Star Wars: The Force Awakens

http://www.theouthousers.com/index.php/columns/134072-lets-talk-about-finn-star-wars-the-force-awakens.html

 

Hidden Figures:

Yes, I’ve already seen this movie. I loved it, but as a long time Blerdgirl, I’m still processing my thoughts about it. I haven’t finished geeking out about it yet, but when I do, I’ll come back at you with some knowledge. Ideas are already percolating as I type.

http://latinasuprising.com/hidden-figures-feminism/

What’s Hiding Behind the Feel-Good Curtain of <i>Hidden Figures</i>: One Black Feminist’s Take

Taraji P Henson’s Hidden Figures is the intersectional feminist movie we need right now

ETA: This last link was removed because, while I have plenty of issues with feminism, I won’t tolerate any lying  MRA mansplaining bullshit on my blog.

 

Miscellaneous

http://www.chrisbrecheen.com/2012/06/8-things-prometheus-can-teach-you-about.html

https://clearancebinreview.com/2012/05/18/cinematic-soulmates-three-amigos-a-bugs-life-and-galaxy-quest/

http://www.newstatesman.com/politics/feminism/2015/10/pantomime-james-bond-reveals-tragedy-modern-white-masculinity

https://docs.google.com/document/d/1rAM9EtJTHL_M6STjL7TyfUs9ew83v_fhYAlwI97hG5s/mobilebasic

 

Tumblr Humor # 247

*Why does no one think it at all strange to be gluing appliques on their baby? And what about gluing shit on boys? How about little bow-ties, since we’re going for that whole gender essentialism thing?

brainstatic: “Tired of your baby girl being seen as a genderless imp? Afraid strangers might not recognize your sexless proto-human as the soft femme heartbreaker she is? Well now you can glue some shit on her head! That’s right, just glue some...

brainstatic:

Tired of your baby girl being seen as a genderless imp? Afraid strangers might not recognize your sexless proto-human as the soft femme heartbreaker she is? Well now you can glue some shit on her head! That’s right, just glue some gender conformity right onto her unclosed fontanelle! Say goodbye to awkwardly explaining that no, despite her bald head, your androgynous poop machine is actually a demure coquette! Glue your fucking baby today!

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*Once I sit down in my house, that’s it! I’m not having any more interactions with ppl for the rest of the evening. And no, don’t  even be in my neighborhood.

We have a twitter here too: https://twitter.com/IntrovertUnite. See some of you there?

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*I think it might have been a mistake for NASA to ask for suggestions on this. I mean they’re talking to Americans and I think we invented snark.

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*This is the most plausible explanation, I’ve ever seen, for why people don’t recognize Clark Kent as Superman, and its not the eyeglasses:

raptorific:

I still think it’s hilarious that the reason nobody ever figures out Superman’s secret identity or where he lives or what he does when he’s not saving the planet, is because he already told them all the Kryptonian stuff that can’t be tied to any of his human friends or family. I guarantee you the in-universe wikipedia article on Superman lists his name as Kal-El and the “personal life” section says that he lives full-time at his private fortress of solitude at the north pole. Nobody in the world looks at Clark Kent and thinks “oh my god, maybe he’s superman!” for the same reason nobody ever starts to suspect that their coworker who looks KINDA like Barack Obama is actually secretly Barack Obama – They know who Barack Obama is and know what he does and they know their coworker Greg is Greg and not Barack Obama. They have no reason to assume Barack Obama secretly moonlights as Greg The IT Guy at their workplace even though they’ve never seen Greg and Obama in the same place. At best, “Greg is secretly Obama” would be a running joke at the office, and the same is true at the Daily Planet. “Kal-El of Krypton, who lives in a CRYSTAL PALACE at the NORTH POLE and whose dayjob is SUPERMAN, sometimes puts on a suit and pretends to be a clumsy reporter and lives in a one-bedroom walkup in Metropolis” is a ridiculous concept to anyone who doesn’t already know it’s true

@unpretty

“Hey, that— that guy, in the corner, is that— is that Superman?” 

Clark looks up from his computer at the new intern. “Oh, no,” he says. “You caught me.”

“Clark, you pull this shit every time, man,” his desk neighbor Steve says. “Shut the fuck up.”

“No, the kid’s right, I’m Superman,” Clark says. He gets out of his seat and cracks his back out. “I guess we’re gonna have a superhero fight.”

“Clark, sit back down.”

“Nope. Superhero fight.”

“Clark if you don’t sit the hell back down and finish your article by lunch I am going to tell Perry on you.”

Clark points at the intern. “You get off easy this time, buddy,” he says, and sits back down.

“So…” the intern says, very lost. “Uh…”

“That’s Clark,” a slightly older and more experienced intern says. “He’s Superman’s asshole twin.”

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*This is, very possibly, one of the best reviews of Fences.  Ever! Or, as clueless White people at awards shows like to call it, Hidden Fences!

Art Art by John Ueland

 

Source:
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And you know Black Twitter couldnt let that Hidden Fences comment pass:
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*And finally , I laughed too long and hard at this discussion, with Black people refusing to tell White people what “Take the L”, actually meant, and basically trolling  them.

poonpie:

dope-lore:

poonpie:

For those who don’t know, ‘take this L’ refers to the Longitude and Latitude of a map. When you have to take an L, you need to locate your Longitude and Latitude. By doing so you will discover how far out of your lane you fucking traveled.

I thought the L stood for log like logarithim cuz u gotta do a complicated problem to figure out who the fuck u think ur talkin too

You’re actually not wrong. Originally it referred to the Latin word ‘lūcidus’ which means ‘radiating light’. Therefore, when you need to take an L, you must enlighten yourself on where you got me fucked up.

The “Get Out” Link Roundup

Get Out, Jordan Peele’s new Horror movie, with a racial twist, is the new media darling of the moment, and has a 100% rating on Rotten Tomatoes. It’s made almost as big of a splash as last year’s release of Lemonade and has spawned a metric ton of think-pieces. I can live with these types of Black media events happening every February, if you ask me.

What’s surprising to me is the number of White people who have gone to see this movie, and have really gotten into it by not just thinking of it as a movie for Black people, which is what usually happens when a movie stars more than three Black people but liking it as a relatable Horror movie. I think part of the charm is that it is really accessible, its not preachy, and  it is a straight up Horror movie, that’s a cross between Invasion of the Bodysnatchers and  The Stepford Wives.Its one of those types of movies with lots of gaslighting and paranoia.

Another part of the movie’s charm is that its Jordan Peele, who has  established his Horror credentials on the show he co-hosts with Keegan Michael-Key, called Key and Peele. Both of them are alumni from MadTV. (If you haven’t watched the show, please step right to it. Its almost as great as The Chappelle Show, which is saying something, because I’m a huge Chappelle Show fan.)

The video at the end of this post by Latasha, contains lots and lots of

SPOILERS

SPOILERS

SPOILERS

So, if you don’t want to know all the sordid details, as she dissects the movie, skip the video.

Now, some of these commentaries have spoilers too,  so be careful, again. And for Gob’s sake don’t read the comments to any of the articles if you have a low tolerance for White Fragility.

 

http://www.theroot.com/get-out-proves-that-nice-racism-and-white-liberalism-1792955235

https://bitchmedia.org/article/get-out-movie-white-feminism

https://www.theguardian.com/film/2017/feb/28/get-out-box-office-jordan-peele

http://www.latimes.com/entertainment/movies/la-et-mn-get-out-milk-horror-jordan-peele-allison-williams-20170301-story.html

http://www.gq.com/story/things-ill-never-trust-again-after-watching-get-out

http://www.mtv.com/news/2986793/get-out-understands-the-black-body/

http://intelexual.co/home/racist-white-women-an-american-legacy/

http://www.newyorker.com/culture/culture-desk/review-the-giant-leap-forward-of-jordan-peeles-get-out

http://www.slate.com/blogs/browbeat/2017/03/07/how_get_out_positions_white_womanhood_as_the_most_horrifying_villain_of.html

https://www.wired.com/2017/03/get-out-discussion/

View story at Medium.com

https://thinkprogress.org/white-lies-matter-get-out-knows-no-one-is-as-woke-as-they-think-they-are-d526212e28eb#.hq7j5c43e

http://www.esquire.com/entertainment/movies/a53515/get-out-jordan-peele-slavery/

http://www.vulture.com/2017/02/daniel-kaluuya-on-get-out-how-racism-is-like-horror-films.html

https://www.theatlantic.com/entertainment/archive/2017/03/in-get-out-the-eyes-have-it/518370/

View story at Medium.com

https://filmschoolrejects.com/race-horror-and-the-death-of-the-status-quo-5b1bbdf3f1c6#.ib83eao0g

http://www.vox.com/culture/2017/3/7/14759756/get-out-benevolent-racism-white-feminism

http://nymag.com/thecut/2017/03/what-get-out-gets-right-about-american-culture-and-blackness.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Random Tumblr Shenanigans #15

This video made me laugh so hard. If you’re unfamiliar with the philosophy of White Fragility, then here’s a link to the White woman who coined the term: Robin D’angelo.

http://libjournal.uncg.edu/ijcp/article/viewFile/249/116

And here’s a video lampooning White Fragility:

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Okay, this video is just begging for a caption:

Uhmhmmm, yeah, that’s it! The red tulle with the…Oh, uh hello “hooman”. I didn’t see you there. I was just putting this back…you left it on the floor..I’ll uh…just be over here then…

Please feel free to add your own captions!

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#11 is definitely not the typse of White person you  wanna be friends with, tho’, even if that is your current aesthetic.

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*This is a long one and is going to take a minute or two.

Now, normally, I would never have printed this entire review here, but the person who wrote this, has a deactivated account, and someone else published this on Tumblr. If anyone knows the original poster, and wants me to remove this from this particular site, I will.  In the meantime, this will stand as one of the most intelligent, and astute, meta of a Science fiction movie, I’ve ever read. Whats really impressive is that there’s no fan-wanking. They didn’t pull this review completely out of their  backside:

Meta: Snowpiercer

My [scattered] thoughts on Bong Joon-ho’s Snowpiercer. This was originally just a defence of the film’s ending—which I’ve seen widely criticised—because I think it’s brilliant and necessary and worth defending. But… then there’s everything else.

THIS IS AN ALLEGORY

A lot of discussions of Snowpiercer I’ve seen have been very literal, which I think is a terrible way to read this film when so much of it is densely allegorical. The train at its centre is a clear allegory for capitalism [I’ve seen this rejected so here’s the director saying it himself this is a film about capitalism]. It’s capitalism: what was promised as an ark of salvation but became a barbaric prison for all but the very privileged.

And it’s a capitalism so advanced that the illusory crutch of money has disappeared—this system deals directly in human flesh. The “alienated labour” of Tail Section is a constant supply of children fed to the machine. At the same time, the system tames the body politic by literally marking and mutilating the underclass: the flesh of almost every soul in Tail Section bears the scars of being “consumed” by each other and the regime.

That anti-capitalist sentiment concentrates around Tilda Swinton’s Mason, a character that without doubt invokes Margaret Thatcher, the widely abhorred UK prime minister who ushered in neoliberal capitalism in the 1980s. Thatcher was born to a northern British lower-middle-class family, and was mocked for her jutting teeth and large nose; she spoke with a broad loamy Lincolnshire accent until elocution lessons got rid of it [x]. Thatcher’s policies crippled British industries [including, yes, the railways] and caused incredible suffering to working-class people.

In the film Mason originally boarded the train as a lower-class citizen and over the years was groomed by Wilford to become minister [x]—she’s also a class traitor. Mason presides over the the violence & suffering inflicted on Tail Section inmates, as Snowpiercer accelerates the system so that capitalism’s slow violence becomes bloodsoaked brutality in real time.

Within capitalism crisis isn’t an accident; it’s endemic. Capitalism is untenable and inevitably manifests cycles of boom and bust; the illusion of harmony followed by violent rupture. It’s almost like clockwork—and the train itself is a clock, circumnavigating the earth once every year, ticking down to the next scheduled uprising.

Capitalism’s genius is its ability to co-opt every attempt at resistance; every revolution is engineered within the system, with the permission of the system, according to terms defined by the system. Which is why the exploitative conditions of capitalism—its visceral and mundane horrors—have persisted for so very long: they seem to be driven by a “sacred engine” which will run perfectly forever.

“We control the engine, we control the world.”

But revolution’s not impossible. Curtis is an honest Marxist revolutionary who believes in the righteousness of his cause, setting out to seize “the means of production”—the engine itself. And as a creature of the train he knows how to topple from the inside, how to turn the system’s material reality against itself.

Snowpiercer lets you see only what Curtis sees as he moves forward and forward. Maintaining an artificial hierarchy relies on an artificial reality—“false consciousness”—in which none of the classes perceive the material reality of other classes. The lower classes are socialised to keep their place, to “be a shoe”. The upper classes are socialised to believe in their natural superiority to the underclasses. By breaking down divisions & doors, remaking the train into one long continuous system, Curtis—for a moment—collapses the artificial hierarchy. He’s the first person to walk the full length of the train.

HE’S NOT THE MESSIAH…

— “My friend, you suffer from the misplaced optimism of the doomed.”

Curtis is essential to the revolution: he plots with Gilliam, he drives it forward, he realises that the guards have no bullets, it’s his strategy that gets the rebels to Prison Section; he’s on the frontline of the Battle, and he temporarily halts the bloodshed by capturing Mason. He makes the ugly decisions: he’s willing to keep others ignorant about the reality of the system, to censor what the Artist draws [i.e. what’s really in the protein bars], to seize political gains at the cost of lives [sacrificing Edgar to capture Mason; one life for many], to make brutal choices in service to The Idea.

At first Curtis is sold to the audience as an American hero, the noble but reluctant leader of the rebellion [the casting of “Captain America” in this role is slyly ingenious]. But Curtis is a creature of the train: he remembers nothing before it; he came into being as the man with the knife, the man who killed Edgar’s mother and was ready to butcher a baby, to extract use-value from something sacrosanct.

Consciously or not, he absorbed & replicated the system’s brutal exploitative logic. And even as he moves forward he’s looking back; he’s never moved beyond that horror seventeen years ago [x]. He’s still “the man with the knife”. He’s still the train.

Snowpiercer quickly collapses the idea of Curtis as a messianic figure. When he’s called upon to lead—in the Battle of Yekaterina Bridge, by Wilford at the Engine—his face & image blur, or he’s reduced to a faceless silhouette shot from behind. Curtis isn’t marked for greatness or “chosen” in any sense; he’s thrust into that role by a system which demands white male figureheads to elevate as false prophets. He’s not special; he’s just next in line.

Curtis isn’t the hero. Curtis is the inevitable crisis within the system. His chaos is as essential to the order of things as the brutalised lower classes and the debauched upper classes, and all the bureaucrats and apparatchiks and military thugs in between.

“Yes, Wilford knows you well, Mr Curtiss Everett. He’s been watching you.”

It’s hard to know if Gilliam did conspire with Wilford to bring about Curtis’s revolution; if Gilliam intended the revolution to fail but changed his mind after the Water Section, if he always intended Curtis to take Wilford’s place; or if all that was Wilford’s lie—Gilliam warned Curtis,don’t let Wilford talkcut out his tongue. Wilford’s knowledge of their conversation about having two arms strongly suggests that Gilliam conspired with Wilford.

But the ambiguity is the point: within capitalism you’re never certain that any “resistance” hasn’t already been co-opted and repurposed and undermined by the system you’re trying to escape.

When Curtis reaches the Front Section he falls to his knees before the Engine, overwhelmed and awed and horrified—the same quasi-religious fervour shown by Wilford and Mason. It’s reminiscent of Coppola’sApocalypse Now and Conrad’s Heart of Darkness, when the journey up river culminates in a view of the unseen tyrannical figurehead, an awesome and shameful creature. Curtis is the train; is the system; is Wilford’s natural & inevitable successor, the white-man heir to his throne. The man who can ensure the system’s survival and oversee the next generation of subjugated souls. Edgar inadvertently predicts this at the very beginning:

“What I mean is he’s gonna die someday. And when that happens you’re gonna have to take over. You’re going to have to run the train […] I think you’d be pretty good, if you ask me.”

Curtis’s revolution serves the system it threatens—helps to fulfil the killing quotas to keep the population down. Keeps the fishtank in equilibrium.

By sacrificing his arm to stop the train and free Timmy, Curtis begins to make amends for his crimes seventeen years ago. But he’s only ever half-redeemed. He can’t ever escape, and his violence will always be reabsorbed back into the social order, drained of all its subversive power.

Most crucially, Curtis doesn’t believe in life outside the train; that survival is possible, that the result would be anything but death and annihilation. He can only imagine the train. The irony of the word “revolution” is that it describes a circle, like the endless turning of the Sacred Engine—round and round and round, forever. That would be the legacy of Curtis’s revolution—if it weren’t for Nam.

CHILDREN OF THE REVOLUTION

Fundamentally, Snowpiercer is a film about parents and children, the legacies of generations. Parents should strive to leave their children the best possible world; but today’s children inherit the ideologies and inequalities and injustices of morally bankrupt predecessors. They inherit a world threatened by global warming and environmental collapse, thanks to the rapacious plunderings of capitalism.

Worse, children are taught to adore that monstrous world. Perhaps the most disturbing sequence in Snowpiercer takes place in the school car, a grotesque hypersaturated parody of a classroom environment.

You see the next generation of Front Section children taught to worship the Engine and its messianic Conductor, immunised to the violence and horror that system wreaks [in the first shot of the classroom all the children are faceless; dehumanised, as though not real children at all].

And the hand gestures they make in reverence to the Engine are the same gestures made by Tail Section children who become dehumanised organic-mechanical parts of the Engine. This is how propaganda works: it condenses an entire ideology into a few visual or verbal signs that can be replicated ad infinitum. And these privileged children are unwittingly complicit in the subjugation of Tail Section children. The system dehumanises everyone, front to tail.

The teacher responsible for “breeding” this ideology is pregnant, a symbol of perverted maternalism—a next generation already corrupted. She parallels Wilford, who sought to make Curtis the son and heir to the corrupt system. Curtis, too, is a failed father: he sacrifices his symbolic “son” Edgar in order to capture Mason; and the “new world” he intends to create for the next generation will look identical to the last. [Had Curtis died at Yekaterina, it seems clear that Edgar would’ve been groomed by Gilliam to lead the next revolution.]

On the other hand, Tanya is a brave and brilliant mother who fights and dies for the cause.

But she’s never reduced to a maternal figure: she’s a fierce revolutionary who fights and survives the Battle of Yekaterina Bridge [where dozens die], and who drives Curtis onward. Her beating by the soldiers is meant to invoke the beating by police of Rodney King which sparked the LA riots of 1992, another citizen uprising against oppressive violence [x]. In Tanya the personal and political are wound together: in her mind, political resistance and freeing her son are one and the same goal—she wants his liberation, in every sense.

And Namgoong is the real father of the revolution, Snowpiercer’s radical imagination. Before Curtis finds them, he and his daughter Yona exist in a liminal countercultural space within the train, taking hallucinogenic drugs rather than experience its horrific reality.

Namgoong is not interested in the Sacred Engine—his ideas are “above Curtis’s” [x]. Nam cares to see the world beyond the train; he knows that the conditions which “required” the train’s creation have begun to recede. Nam protects Yona at all costs; and once they pass the Water Section he begins to plan their escape. He demands more for his daughter than the same system in new [white] hands.

[This was the moment I knew that Yona was going to escape the train.]

The Front Section children, brainwashed and monstrous and overwhelmingly white, contrast with the young people and the “train babies” of Tail Section, who are brave and brilliant and largely not-white. These children of the underclass have also been lied to: they believe the world outside can’t be survived; that the mutilated world of the train is all there is. Edgar even hero-worships Curtis, the man who murdered his mother and tried to take a knife to him.

Most importantly, they’ve been lied to about the Engine. It’s not perfect and divine and eternal; it’s a broken defective thing that survives only by the subjugation of train-babies. The Front Section children are bred to prop up the system, the train-babies—bred to be actual cogs in its diabolical machinery—are its downfall. They are the heart & life of the revolution: when Grey is murdered, it’s with the knife that’s stabbed through his hand—he dies with his hand over his heart.

At Yekaterina Bridge, where the revolution was supposed to die, the spark of resistance comes from Chan’s little hands striking a match in the deep dark at the very back of the train.

He passes the torch to Andrew, but it’s Grey who multiplies the burning torches until the fire’s hurtling along borne by many hands of many rebels.

The desperate cage of the downtrodden written in Grey’s tattoos—surrender or die—becomes the choice he presents to his oppressors when he rises up against them.

YONA

And most important of all is Yona [“Yona” is a form of the name “Jonah”, the biblical prophet]. That revolutionary fire begun in Tail Section becomes explosive in Yona’s hands when she blows up the gate to the outside world. It’s Yona, not Curtis, that the brutal implacable killer Franco the Elder tries to shoot through two windows when the train curves.

Yona is Nam’s revolutionary legacy. Her clairvoyant eyes see through the barriers he’s made, see through the bars of the cage, see the coming violence. Psychologically, she is already “outside” the system. And with the Kronol Nam & Yona create the means to physically escape the train.

That escape means blowing up the door, the event which triggers an avalanche and destroys the train. The new world comes at terrible cost—and Snowpiercer doesn’t flinch from that. This is the radical message of the film: ideology is never just abstract—its injustices & brutalities are decreed by human mouths and wrought by human hands—and the adult revolutionaries who can bring down the system are too compromised to do anything but replicate the very thing they destroyed.

Curtis can’t be part of the new world. He has to die with the train. So does Nam: he created the protective inter-carriage doors which allowed class segregation to last for so long. Snowpiercer is determined to show the kind of sacrifices that might be demanded to bring down a system as resilient and as monstrous as this. This film is not remotely fucking around.

The only survivors of this collapse are the train-babies Yona & Timmy, who emerge from the burning wreckage of the train like phoenix-children. A clean break from the dominance of the old order and its white patriarchs. They’ve never touched the earth; and when they step outside the train it’s as though they’re the very first humans alive. This is the real “sacred engine” of Snowpiercer: nature itself. A beautiful brutal state of chaos and freedom and life and death. Cold and cleansed.

The end of Snowpiercer seems like a desolate vision: in literal terms, the children’s chances of survival are almost zero. But the film is an allegory, and in those terms the escape from the train is hopeful: these two children, a new Adam & Eve setting foot on frozen pristine ground, can repopulate the earth [x].

The polar bear which stares them down is a threat; but it’s also proof of life outside the prison of the system. [Bong originally intended the animal to be a deer, but the polar bear is a contemporary symbol of global warming and its consequences, making its survival a happy irony.]

This last scene suggests that white Westerners are too compromised and complicit with the capitalist system to bring about its downfall—inevitably, they will shore it up as “the lesser evil”. True revolution against capitalism must come from elsewhere. [Yona’s words to Curtis could be the film’s words to America and the West at large: “you’re fucked.”]

Snowpiercer is one of the very few films willing to imagine what might be necessary to bring down capitalism—if not literal fire and blood, then real destruction and suffering—and to ask, honestly, if it’s a price the generations currently in power are willing to pay for the sake of a planet staring down ecological catastrophe; and for their children, the real-world “train babies” who will inherit the earth.

This is a lot of what I saw in the film too.

 *This is a lot of what I saw in this movie too. I saw more of the racial angles, than the realtion to capitalism, but the review comes by its ideas ogically, and there are clear parallels to the real world in the movie.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“Get Out” Linkspam

Get Out, Jordan Peele’s new movie, has been the hottest Horror  around for the past month, with a 99% positive rating on Rotten Tomatoes. A lot of people have a lot to say about it, as just like Beyonce’s Lemondae

http://www.vox.com/culture/2017/2/24/14698632/get-out-review-jordan-peele

Get Out Is a Horror Hit & Still Has 100% on Rotten Tomatoes

In Jordan Peele’s Get Out, Well-Meaning White People Are the Scariest Monsters of Them All

In “Get Out,” Racism Is The Horror Story Black People Try To Survive

*Jordan Peele has always been a fan of Horror movies. Later, I want to do a post on Jordan Peele’s horror credentials, as the Key and Peele show has a long history of turning horror tropes upside down and examining them through the prism of race.

 

And here’s some links to general articles of interest, about race and Pop Culture, that I’ve come across in my travels on the internet:

Star Trek: Discovery And Black Womanhood in Speculative Fiction

‘The Walking Dead’ Finds Its Feet Again

And it’s at its best without Negan.

50 Nicknames For Donald Trump You Won’t Be Hearing On Fox News

Welcome to the America Black People Have Always Lived In

Beyoncé Falls Victim to the Grammy Awards’ Racism

The Problem With Romanticizing White Male Criminals On TV

White privilege extends all the way to our TV screens.

Missing The Point: Race in the Cinematic Universe of Marvel Comics

*Note: If the links aren’t working then feel free to copy and paste the titles in your search engine.

 

Geeking Out About: Brooklyn 99

Brooklyn 99

Today I am  singing the praises of one of my favorite sit-coms, Brooklyn 99. I don’t often watch comedies, because most of them  aren’t particularly funny to me, try too hard, or I just don’t have time for them, and I was not going to watch this one, because I have trouble watching cop shows, (Apparently I can watch cop comedies, I guess.  I loved Reno 911, and thought this might be similar to it. It both is and isn’t.)

Brooklyn 99 is just as ridiculously over the top as Reno 911, but the characters are much more likable, and competent. They’re certainly less raunchy, as this is a Primetime show. The 99’s characters are the kind of people you want to meet and make friends with. The characters from Reno 911 are  much more like  your annoying co-workers, that you’d  like to punch in the  neck. The 99 characters are the kind of people you laugh with and cheer for. The Reno characters are the kind you laugh at, while hoping they don’t  blow anything up. What’s refreshing about Brooklyn 99 is, you start the series with what you think are just a bunch of standard tropes, and gradually, these characters become fleshed out, and more complicated, but not in the usual ways.

This show is also an example of getting diversity right. (Except for the lack of Asians, which it really needs at least one. ) I love the attitudes of the characters. They really do act as if they are a family.

There’s none of the passive-aggressive hostility that passes for humor in other ensemble shows. The characters acknowledge that they are very different from one another, there’s occasional teasing about that, but no one is ever made to feel ashamed of, or less than, for who they are. The only time characters are ever made to feel ashamed, is when they behave badly, and their friends call them on their shit. There’s a general acceptance by the other characters when someone is just a certain way, even if that way is mildly annoying, like Charles Boyle, or in Rosa’s case , occasionally terrifying. The closest you get to meanness in the show is Rosa, but she makes up for it by only kicking the asses of people who mess with her friends, (or inanimate objects that ain’t actin’ right.)

One of the things  I really like about this show is when characters make mistakes, they’re willing to acknowledge they made the mistake, and either apologise, or atone for it. They’re willing to not only  admit when they’ve been foolish, but when they’ve been doubling down on their foolishness too, which is a refreshing change from the real life model of people who actively work at being their worst possible selves. Brooklyn 99 makes me like people, and is a perfect example of how to Grownup.

Here, in some kind of order, are:

Det. Rosa Diaz  (Stephanie Beatriz)

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Rosa is the kind of girl you want to have your back in a fight. If I was arranging a team of people to survive the Zombie Apocalypse, Rosa would be Michonne. She has an appetite for destruction that is awesome. In fact, one of the best birthday presents Gina ever gave her, was a hammer, and some time alone in a soon to be demolished house. According to Rosa it was: The Best Birthday Ever!

Strangers see me like  Rosa, or Captain Holt, depending on their personal anxiety levels. Rosa began the series as a typical anger management case, which is funny when you contrast that with how model pretty she is, and this is part of the show’s charm.The humor comes from the character traits and how various teammates respond to the events in the show. They’re usually involved in some situation that requires them to react, and because their personalities are all so different, you get some spectacularly funny moments. Occasionally the show likes to give us a real treat and put certain personalities together to solve some issue. Hilarity often ensues.

Over the years we find out many surprising things about Rosa, like she’s occasionally intimidated by people too, she used to be a ballet dancer, and  that she was raised by nuns, but when we first meet Rosa she’s beating up a copy machine, with a battering ram, and at first you think she’s just a stereotypical “Spicy Latina”. Thankfully, anger isn’t all there is to her. She’s also honest, forthright, insightful, supportive, loyal, and encouraging to her teammates. Rosa is the shows truth-teller. She specializes in stating uncomfortable truths, and doesn’t shirk from that, even when those truths are about herself.

 

 

Gina Linetti  (Chelsea Perretti)

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If I had to choose someone to be friends with, it would be Gina. She’s that best girlfriend, who always knows where the latest get-togethers are, and how to finagle her way into them. She’s carefree and deeply self involved, but not in a neurotic way, because this is a woman who has realized her fabulousness and is very comfortable with her greatness. The funny thing is, she is pretty fabulous, mostly because she acts like it, and truly believes it. She has a deep and abiding love affair with her phone, through which she receives copious amounts of gossip. She’s also totally  unwilling to let others forget how wonderful she is. Gina is also one of the laziest assistants to ever be in an office. She’s so fabulous however that not only does she not make any secret of this, she is hilariously quite proud of that, (and her interpretive dance skills).

One of the most surprising things,on the show,  is her relationship with Jake, which I truly enjoy. They’ve know each other since they were little children, having grown up in the same neighborhood, and they have one of the best platonic friendships I’ve ever seen on TV. One of my favorite moments is when Jake gives Gina the forehead kiss, as if she were his little sister, and she lets him do it, although she really isn’t affectionate, like that,with anyone else on the show, and I think she’s older than him.

 

Det. Jake Peralta  (Adam Samberg)

Jake Peralta is everybody’s cool best friend (and Charles Boyle would be more than happy to tell you this).

Jake begins the show as an irresponsible, sloppy, childlike character, but you can see his growth over the course of three seasons, as he learns to be honest with himself and others, and even manages to win Amy’s affections, after being so annoying to her at the beginning of the show. Heck he was annoying to me, and definitely to Captain Holt, but I’ve actually grown to like, and even admire  him.He has matured throughout the seasons but not so much that he doesn’t still think that frosting his hair blonde looks really cool.

When I first started watching this show, I was watching it for Andre Braugher, and I initially dismissed Jake as someone I would have to simply tolerate. I thought he’d be the typical White male protagonist who is the center of all the stories, and  everything he did and said, would be treated as gold. But that’s not what happened. Adam Samberg is willing to step aside from time to time, and let the other characters shine, and  teach his character how to grow up. Samberg understands he doesn’t need to be the center of every episode. He’s no William Shatner and that’s refreshing.

Jake always had trouble showing affection, not because he didn’t want people to think he was gay, but because he had father issues, and is still immature enough not to know how to handle affection from others. But he has grown, over the course of the show.

Witness his gradual change of character, as he attempts to become the kind of man who deserves to have someone like Amy, in his life. Jake is still immature, but he genuinely loves Amy, and tries to be the kind of man who can make her happy. Amy’s  love encourages him to want to be a better man. The distinction is subtle but there.  Amy is  the polar opposite of him, and he acknowledges that keeping her with him might require him to act more mature. Jake is also willing to acknowledge his mistakes,  apologize for them, and attempts to do better, not just for Amy, but for all those he considers his friends.

 

 

 

Captain Ray Holt (Andre Braugher)

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Captain Holt is the father figure of The 99. He’s the no-nonsense, emotionally restrained, backbone to the department. Or at least that’s  how it starts. I love the way this character has grown since the beginning of the series. He started out as real hard-case, coming down  hard on Jake, to get him to be more responsible and adult. He has since come to  understand Jake a lot more, understanding that Jake is at his best when he’s allowed to just be himself, realizing his influence over Jake, and he’s even begun to loosen up  just a bit, under Jake’s influence.

Throughout the seasons, we’ve witnessed Holt loosen up a more, finally becoming comfortable with his detectives, and allowing them to see just a little of his silly side, although he would probably be insulted at that description, not having ever believed in, or condoned, silliness or frivolousness, of any kind. At first, I just saw Holt as The Inscrutable Negro, mysterious, and unflappable. Now I really enjoy this character and I’m always eager to see how he’ll surprise me, during an episode by, for example, having an impromptu dance-off with some street thugs.

Over time, Holt has come to admire Jake, and think of him as a son, which is a total turnaround from when they first met. After all, Jake possessed every quality that Holt disdained, and he didn’t believe Jake took his job seriously, but now he’s very proud of Jake and encourages him to do his best. Jake, who spent the earliest part of his life trying to please his absentee father, and never measuring up, has found the perfect father-figure in Holt.

Holt’s team  admires him, and  strive to make him proud of them.  Captain Holt is an out, gay, Black man. His job might care about him being gay, but his team doesn’t, and they are always respectful of his relationship with his husband Kevin, treating the two just  like every other couple on the show.  For example, when Holt wanted to visit Kevin, who was on Sabbatical in France, Amy, Charles, and Jake, volunteer to dogsit the couple’s Corgi,  Cheddar. The humor doesn’t come from “Oh, these gay men have a cute dog.” No, the humor comes from the usual wackiness that ensues because Amy, Charles, and Jake are such different personalities which clash over babysitting Cheddar.

The show doesn’t browbeat you over the head with After School Special moments, though. How Holt handles his sexuality, in an environment where it is much more likely to meet with resistance, is done with grace and dignity. His gayness isn’t the joke. In fact, no one’s race is ever a joke, and no one’s gender is ever used as a joke.

I admire the hell out of this character. Hilariously he’s the character that most people who don’t know me well, see me as. My close friends find that hilarious, btw.

 

Sgt. Terry Jeffords (Terry Crews)

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Terry is like everybody’s fit  uncle. He looks intimidating, but after a while, you find out that Terry is merely extremely health conscious and an actual Teddy Bear. Terry is such a gentle soul, that he has to be carefully talked into using his tremendous strength ,and has deep anxieties about firing a weapon. I love how the show bucks stereotypes of Black men, by having two very intense looking black men, who  are nothing like they first seem.

Terry is a devoted family man who truly, madly, deeply, loves his two twin baby daughters, even though he thinks they are possibly trying to kill him. Known for speaking of himself in the first person, Terry  also loves yogurt, exercise, and his job, which mostly involves wrangling all these different personality types, to focus them on one thing together.Terry is the Peacekeeper. His job is to make sure everybody is getting along and ready to work. He’s strong, encouraging, and always speaks up,and goes to bat, for his people. Captain Holt depends on Terry to run the day to day operations, and considering the types of personalities he has to work with, Terry is doing an excellent job.

 

Det. Amy Santiago

Amy is the girl I was in High School, except I was a lot more snooty. Amy is that best friend , that you hated just a tiny bit, because not only is she smart, organized, and ready, she’s a classic goody-two-shoes, (with just a tiny competitive streak). In fact, I think when that description was created, Amy was who they had in mind.

Amy is an extremely moral and ethical person, who believes in strictly following the rules, and lots and lots of planning. She dislikes how Jake likes to cut corners, or sometimes just wing it. Amy doesn’t wing anything if she can help it. She loves to please people she admires, and will go out of her way to get Captain Holt’s approval, going so far as to cook him a large and tasteless Thanksgiving dinner, or agreeing to babysit his Corgi, Cheddar.  I love Amy because she really is a girl after my own heart. Like me, she is a stickler for prudent planning,  and  loves a nice sized binder of information.

But Amy’s life is so rigidly defined that she needs a little chaos, and that’s where jake comes in. Initially, I think she hated him because Jake is everything she isn’t, but as Jake began to prove his love for her, presenting her with options of when and where to be with him, and then waiting for her to decide, she began to see Jake’s true colors. As I said,

 

Det. Charles Boyle (Joe Lo Truglio)

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Charles is everybody’s favorite grandma and/or best friend. Hes loving , admiring, supportive, encouraging, and Jake’s right hand man, even though Jake didn’t choose him for it. He’s the kind of guy who always has a bowl of candy on his desk to offer to co-workers who are feeling a bit down.

I love Charles because, well…he’s just lovable. Joe Lo Truglio, formerly from Reno 911, is the complete opposite of his character, on that show. On 911 he was a venal, angry drug user, but  Charles is a warm, gracious, polite, foodie, and that you believe this, is a testament to Joe Lo Truglio’s acting skills. Charles is always upbeat and optimistic. He always looks on the bright side of a situation, no matter how horrible that situation may seem to others, like when his best friend, Jake accidentally shot him in the butt, or when his dog died. Charles was the only one capable of seeing the silver lining. He has a tendency to be a floor mat because he always puts others needs before his own. Now that he has a young son, whom he adopted, he has someone at which to throw all his tremendous caring.

He’s very devoted to Jake and I love the show has this depiction of a close m/m friendship without screaming no homo, everytime he and Jake show affection.

 

Det. Adrien Pimento

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Adrien is the newest recurring character at Brooklyn 99. Having suffered an emotional breakdown, after going undercover with some mobsters, Adrien is in a very  fragile emotional state, when he returns to his job as a detective. He’s paranoid and full of anxiety, and definitely suffering from some form of PTSD, but his mental state is never made the butt of the joke, and is not actually connected to his zany behavior. He acts wild, not because of his emotional fragility, but because he is thoroughly lacking in any boundaries, like breaking into Jake’s apartment to do Tai Chi, in his underwear. The humor comes from the reactions of his co-workers, who never have any idea what Adrien might  do next, not from making fun of his emotional state. The show skirts a fine line between acknowledging his emotional disability, and  understanding that it doesn’t necessarily inform  his behavior.

Adrien is definitely what’s known as  Chaotic Good.

Adrien is a good man, which is why the rest of the team accepts him. Also,  he and Rosa develop an intense, frantic, (and inexplicable) attraction to each other, although Adrien  explains, at first, that he’s not capable of having a relationship with her, they do eventually decide to get married.  Rosa seems   okay with Adrien’s unpredictability, and takes most of his decisions  in stride. She never tries to change Adrien, or make him behave, (although when she first met him she called him a freak, that she will only fall in love with). After a while, she just accepts him for the wild card that he is.

Actually, once everyone has gotten used to Adrien, they  just try to work  with him, or around him, for example, Gina is one of the few people Adrien will actually obey, when she tells him to do something, and Charles pretty much loves everyone, when he’s not terrified of them. Over time, the team’s acceptance  and trust starts to heal Adrien’s emotional wounds, and he starts to feel confident enough to form healthier relationships with others.
I’m geeking out about Brooklyn 99 because it’s an example of a show thats getting its humor and diversity right, with smart, funny, well rounded characters. It resumes its fourth season on April 11th, on the Fox network. Go figure!

Tumblr Humor # 168

Here’s some good laughs for today, fresh from Tumblr and Medium.

I find the idea of Toast Jail inordinately funny!

teaforyourginaa: “ dynastylnoire: “ sounddesignerjeans: “ strangelypensieve: “ trouserweasel: “ trouserweasel: “ LOOK THEY ACTUALLY DO HAVE TOASTERS WITH LITTLE WINDOWS SO YOU CAN WATCH YOUR FOOD GET TOASTED ” it looks like toast jail ” They’ve been...

trouserweasel:

LOOK THEY ACTUALLY DO HAVE TOASTERS WITH LITTLE WINDOWS SO YOU CAN WATCH YOUR FOOD GET TOASTED

it looks like toast jail

They’ve been taken into crustody…

bad and naughty slices

are put in the

These are their stories

CHNG CHNG

Source: trouserweasel
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OMG! Asian Americans are draggin’ Matt Damon on Twitter, because of his new movie, The Great Wall, and I am loving it. Personally I blame Constance Wu for being a good influence. Don’t get me wrong, I like Matt Damon okay, I just ain’t particularly interested in seeing Bourne Goes to China.
I knew Asian people had this level of snark in them! I just knew it! I’m so proud.
“We have to stop perpetuating the racist myth that only a white man can save the world. It’s not an actual fact,” Constance Wu wrote in a tweet criticizing the film back in July. “It’s not about blaming individuals. Rather, it’s about pointing out the repeatedly implied racist notion that white people are superior to POC and that POC need salvation from our own color via white strength. When you consistently make movies like this, you ARE saying that. YOU ARE.”
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I am totally here for TTI, or Tiny Turtle Investigator.

the-omniscient-narrator: “ mxcleod: “ octemberfirst: “ abqandnotu: “ merosse: “ TINY TURTLE INVESTIGATORS: THE CASE OF THE LARGE STRAWBERRY ” GOOD MORNING EVERYONE ” “HAVE YOU TRIED BALANCING ON IT” “YES OF COURSE I TRIED BALANCING ON IT JENKINS THIS...

merosse:

TINY TURTLE INVESTIGATORS: THE CASE OF THE LARGE STRAWBERRY

GOOD MORNING EVERYONE

“HAVE YOU TRIED BALANCING ON IT, SIR?”
“YES OF COURSE I TRIED BALANCING ON IT JENKINS THIS IS NOT MY FIRST DAY AS A TINY TURTLE INVESTIGATOR”

THIS IS THE STUFF THAT TUMBLR NEEDS MORE OF

@tinyfierceandsassy quality turtle content!

(Source: animalkingd0m, via frominthemirror)

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 This is my aesthetic as regards the willfully stupid.
introvertunites: “ If you’re an introvert, follow @introvertunites. ”

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I should not have laughed as hard as I did at this image.

srsfunny: “ Oh Frank, You’re Alive ”

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Uhmm, actually the idea that there might be a mobster under the bed, is still pretty frightening.

writing-prompt-s:

You realize you’ve misheard your daughter. There’s actually a mobster under her bed.

BADA BING BADA BOOM

I’M SLEEPIN HERE

(Turns on nightlight)

Voice from Under Bed: Eeeyyyyyyy pally what’s da big idea

(Parent looking around room) Voice from under bed: “Fuggedabout it”

“You didn’t see nothin’“

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There are people on the internet doing the Lord’s work of counting Tom Hardy’s grunts per film, so you dont have to.

Enjoy!

Goodbye Productivity: The Tom Hardy Grunt Counter is Here to Take Over Your Day

All the nonverbal utterances — so far — from ‘Taboo’ in one supercut.

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Caption these photos!

Related image

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Tumblr Politics: Laugh-In Edition

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Yeah, there’s not much to laugh about these days politically, but what we can do is mock politicians and here’s a list of public mockings that occurred in the last few weeks.

*Yep, Tumblr and Twitter still can’t stand this woman, and we refuse to call her by her real name. Thanks Wale! You’ve given America no end of amusement.

Here Are (Most of) the Names Tomi Lahren Has Been ‘Mistakenly’ Called on Twitter

By

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*The Twitter responses to 45’s response to his court decision. I could make this up but then y’all would be mad at me.

Update: Trump, Clinton and more respond to decision 

  • Since Trump’s victory, Hillary Clinton has mostly kept her opinions private. But after tonight’s decision she tweeted the following:
  • “3-0″ marks the ruling of the three federal judges that made the decision.
  • Clinton’s simple message of support for the court’s decision stood in stark contrast to Trump’s own reaction to the news.
  • Twitter users didn’t hesitate to point out the irony of Trump’s message: After all, he had, in essence, just been in court. And lost.

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*I’m pretty sure Netflix doesn’t give a flying shit about butt-hurt racists boycotting their streaming network because they don’t like some of their programming. I don’t know why they think this would even work. When there’s shit on Netflix that I don’t like, you know what I do? I don’t watch it. Why? Because there’s about a bajillion other things on Netflix to look at.

At any rate I’m always up for trolls getting trolled on Twitter.

delamind:

bellygangstaboo:

bellygangstaboo:

I am deceased

minor update:

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*Okay, this one made me laugh and cry. It really does feel like a break-up, doesn’t it?

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*When I first heard about this, I was just Wow! She just straight the fuck lying to our faces at this point. I have no more evens left. I just can’t. Twitter needs to drag this woman more often than it does. Well, in this political climate, people are definitely honing their Twitter skills.

 

Kip Adotta

Kip Adotta is a Cleveland comedian mostly famous for a bunch of parody songs written during the eighties and nineties. He was one of my favorite comedians growing up. The first time I heard the song Wet Dream, I think I was about 14, and  it just tickled the Hell out of me.

For some reason Kip likes to appear in his music videos dressed in a fedora and trenchcoat, but do’nt hold that against him. He’s actually pretty funny. If you like ridiculous puns and juvenile whimsy, he’s your guy.

If you’re old enough to remember The Dr. Demento show, then you will probably remember at least a couple of these songs.

 

 

Misc. Tumblr Shenanigans

Just a general list of hooliganism that Tumblr is getting up to lately.

Beyonce’s Pregnancy!

Beyoncé just kicked off Black History Month right with that announcement, Black joy in full effect

Source:
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y’all are saying that beyonce’s twins are gonna be geminis or leos I hope they spite y’all and they’re cancers

ME TOO

WE’RE GONNA KEEP SPEAKING IT INTO EXISTENCE IT’S GONNA HAPPEN

Source:
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wattstheproblem replied to your posty’all are saying that beyonce’s twins are gonna be…

   i rebuke this in the name of the lord, theyre gonna be virgos

I CAST YOU OUT IN JESUS’ NAME

 

Happy Black History Month

How is this a positive way to celebrate your heritage? Sad.

But did you die?

blunttholder Deactivated

WE CELEBRATE HOW WE WANT BITCH. DONT WORRY BOUT US

jailasoul Deactivated

^^^^ Oop

sexysmirkemoji Deactivated

This just made my day 36874x better

tshawnraw Deactivated

It keeps getting better

nigeah Deactivated

I would like to thank god for black people

cause we don’t give a fuck!

hersheywrites Deactivated

This post has gotten 8043220x better since last night. I love us. Someone said but “did you die?” I’m crying.

That Michelle Obama gif is so important to me

HAPPY BLACK HISTORY MONTH 2017!!!!

I know I shouldn’t have found this hella funny but I just couldn’t help it. Those gifs are everything. Especially that first one.

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Black Superpowers! Don’t tell anybody. We don’t want this getting out.

If you’re black you’re in tune with the lord of the universe and can warp reality at your command. Little known secret.

Some blacks don’t know they have telepathy until another black uses their telepathy near them.

It’s called the Nigga Neural Network

Most Black People usually discover they have Nigga Neural Network, or NNN, when a white person does something foolish in public and you somehow manage to find and make eye contact with the nearest Black Person available whether you knew they were in the vicinity or not

This is usually indicated by either an eyeroll or an up-nod of recognition.

Source:

The Oscars and the Face-Off between Moonlight and La La land

http://mikeymagee.tumblr.com/post/156417844628/can-i-ask-you-why-do-you-hate-la-la-land-i-mean

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Moonlight and the Limitation of Masculinity

image

Going over Moonlight (2016) again, I’ve noticed Barry Jenkins recurring theme of showcasing Chiron’s (and Kevin’s) backs. In each act (from Lil, to Chiron, to Black) the has a long shot of the subject’s back. (Long Post under the cut)

Keep reading

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https://www.rt.com/op-edge/375816-lala-trump-great-america-hollywood/

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Tumblr Headcanaons about Folklore

*I loved this particular take on the story of The Swan Maiden.

the-last-hair-bender:

roachpatrol:

charminglyantiquated:

so if there’s one single trope i’m always down to fight it’s the animal bride (folklore motif 402??) which a lot of you are probably familiar with as the selkie – the fisherman either falls in love, steals her skin to trap her on land/gain power over her, or they fall in love and THEN he steals her skin to keep her from leaving, and either way she spends a lot of time gazing sadly out to sea and then she or her child finds the skin and never returns again.
and that’s awful on a whole lot of levels – it’s not love, it’s control.

BUT. but the thing is. you how selkies/seal women was a pretty common variation of this? another really popular one was swans.

i just want you to think about that for a moment. swans. like…I get it, they’re pretty, graceful birds, certainly it’s easy to imagine them magically becoming pretty graceful ladies? but have you ever fought a swan. swans are awful. swans are the devil’s geese. imagine seeing a pretty magic lady and being absolutely enchanted by her, and stealing her magic feather cloak, and then you go up and say ‘hey i’m in love with you, let me make you my queen, it will be great, we’ll be so happy’ and she just looks at you for a moment and…

you know i was going to say maybe she just shouts for her sisters and suddenly you’rerealizing you’ve made a terrible terrible mistake bc you’re surrounded by big fucking birds who are all hissing. but honestly if this swan lady is as aggressively down to brawl as any other generally unhappy swan, then she’d straight up fuck you up on her own. she’d just deck you roundhouse, honestly. you don’t fuck with swans. why does this trope exist

okay but consider this: a woman walks to the park every day and feeds the swans and watches them paddle gracefully around the lake, sighing to see how beautifully they swim.

finally one day, a swan comes up to her and says ‘why don’t you come and swim with us? you always sigh so wistfully to see us on the water, and you would be most welcome to join our company, for you have always been a true friend to our kind’

and the woman says, ‘i can’t swim’

and the swan says, ‘we’ll teach you’

and the woman says, ‘literally i can’t swim, my husband stole my sealskin and should i venture into deep water i would surely drown’

and the swan says ‘your husband fucking WHAT’

the next morning the woman’s front yard looks like this.

image

and neither the woman nor her husband are ever heard from again, though for very different reasons.

OH MY GOD.

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On Introverts

If you’re an introvert, follow @introvertunites.introverts

And my personal favorite, as it happens to echo my exact thoughts sometimes:introverts

*Is it just me or does anybody else just get tired of hearing their friends talking to you sometimes? Like “Would u please shut up!” Only you actually like them, and don’t want to hurt their feelings, so you just grit your teeth and smile.

Learning About Introversion

I think I speak for all of us when I say that it can be VERY annoying to be called names and have people assume things about us that just isn’t true. That being said, books and articles are a great way for non-introverted people to learn more about what introversion is and how to best interact with introverts. Do you guys know of any good books, articles, or other sources about introversion?

Note: This is also a chance for introverts to seek out sources for themselves as well. Learning about oneself is a great way to spend your alone time. 🙂

If you’re an introvert, follow @introvertunites

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Characters that need to just die, cuz yeah I hate this character, too.

Dear Sleepy Hollow (and Hollywood in general) RETIRE THIS RACIST STOCK CHARACTER.

sleepynegress:

image

We’ve all seen her. The black lady behind the counter. She’s dead-eyed, mono-toned, usually larger than average, and middle-aged.

She doesn’t give a shit about what you need.

She is the personification of red tape.  She is always a hindrance, merely there for the white hero and the audience watching to be annoyed at.

The audience rolls their eyes and thinks “Ugh, fuck this lady.” and take that shitty media programmed baggage out into the world when they deal with actual real life black women who work these positions and are often the most patient, helpful, “get you through this system despite it holding me down too” people.

It’s shitty and tired and disgusting and it programs people to see black women as annoying attitude-having hindrances by default.

STOP IT.

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Mocking  Stupidity. I reblogged this one for the insult, also I hate coleslaw. Where’s the lie?

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*And finally new nicknames for 45. There’s a whole website devoted to miscalling this  “Gibbering Mango”

The Orange Fire Monkey,

The Orange Fire Chicken

Hair Hitler

Top Ten Donald Trump Nicknames

The Donald — Ivana Trump (she first used the term in a 1989 Spy Magazine cover story)
Lord Voldemort — Rosie O’Donnell
Golden Wrecking Ball — Sarah Palin (who was NOT trying to be funny!)
Short-Fingered Vulgarian — Graydon Carter (a nickname Trump hates because he seems to think it implies that he is under-endowed “down there”)
Tiny Hands Trump, Babyfingers Trump and Pixie Fingers Trump — Michael R. Burch (nicknames based on Graydon Carter’s nickname above)
The Most Fabulous Whiner — after Donald Trump described himself to CNN’s Chris Cuomo as the “most fabulous whiner” who keeps “winning by whining”
Fuckface von Clownstick, Man-Baby, Comedy Entrapment and Unrepentant Narcissistic Asshole — Jon Stewart
The White Kanye ― Bill Maher
Trump of Doom — Michael R. Burch (first used in a possibly prophetic Facebook post on September 11, 2015)
Agent Orange — Anonymous

LMAO Tumblr Day

*This just had me giggling all morning.  I’ve  loved Keegan Michael Key since his MadTv days.

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Snoop is so silly!

Btw, if you haven’t seen his cooking show with Martha Stewart, then check it out. Its a fun half hour, and the two of them have great comedic chemistry. They genuinely appear to be friends and like each other, which is kinda cute.

popelizbet-blog:
“ weavemama:
“SNOOP DOGG IS A SAVAGE FOR THIS
”
Snoop save us.
”karnythia Source: weavemama

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Here’s some general tomfoolery on Twitter!

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*I love the little squishy in this picture. He reminded me of Gary Larson. He’s giving somebody the side-eye, tho’.

fruitsgood:
“ dawwwwfactory:
“Mom’s potato staring at me across the room
”
this dog looks exactly like what renaissance era painters thought dogs looked like
”
https://s-media-cache-ak0.pinimg.com/564x/91/49/3f/91493fa3b015a8a8f42d1f9df4a2f1fc.jpg

fruitsgood:

dawwwwfactory:

Mom’s potato staring at me across the room

this dog looks exactly like what renaissance era painters thought dogs looked like

 

*Does anybody remember the cartoonist Gary Larson. I have a bunch of his books in my collection,my all-time favorite is  titled  Wiener Dog Art.

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*I can’t even laugh too hard at this because I remember back in the seventies, everybody had this type of artwork on their walls in my neighborhood. I remember staring in fascination because one of my neighbors had a picture on his wall of a half naked Black woman with a giant black panther. It looked like it had been painted on velvet. I do have a special hatred for anything painted on velvet after that.

Ankh art

ankh-niggas-anonymous:

-naked black woman
-sometimes has third eye
-always light-skinned
-hourglass shape (maybe a fatter ass tho. maybe.)
-perky titties no matter what size
-huge afro or long locs
-always doing some ‘spiritual shit’ like meditation or praying or watever
-she not christian tho, cuz christianity is the white man’s religion
-always in some sort of ‘natural environment’ i.e. the woods, the ocean, the sky
-is mystical because???
-a picture of africa somewhere in the art, either as jewelry or a tattoo
-something about the woman’s vagina being powerful bc can Procreate
-in case woman is in a relationship, it is ALWAYS with a man
-the man is darkskinned
-the man treats the woman like royalty and/or goddess, but not like an actual person
-some fake deep statement??? that makes no sense whatsoever and actually goes against all logic and common sense

reverseracism Source: ankh-niggas-anonymous

See!

Related image

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*And lastly, I’d like to introduce all of you to The Liberal Redneck. He is one of the funniest White men on Youtube and one of the few White people who has managed to make me laugh about the upcoming wtf*ery that is US politics. Check out , and subscribe to, all his other videos on Youtube.

Video Roundup

 

I  find posts  and tags on Tumblr (and around the web) that manage to be funny, with a social message. So here are some of the things that made me smile this week.

The Underwritten Female Character: I’m still laughing at this one.

 There’s an entire series of these mini-movies on YouTube by Nuclear Family, with titles like I’m Basic and So Can You, and That Scene in Every Adventure Movie. I didn’t get a chance to watch all of them, but the ones I did, were hilarious!

Please visit their site and subscribe.

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It has occurred to me that the vast majority of Americans know absolutely jack-squat about the continent of Africa. What they think they know comes from Nat’l Geo documentaries, and movies featuring all white casts, which would lead one to believe that Africa consisted of nothing but elephants, terrorists, and starving children.  

Africa consists of 54 countries, and all of them (and the people in them) are uniquely beautiful. I found this gorgeous video on African cities, and thought I’d share.

And the music is lovely too.

 

*And let’s follow that up with one of my all-time favorite cartoon songs.

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 *This little  boy totally gave me life. I laugh my ass off every time this video comes across my dash. Somebody please save this precious snowflake, so that he can grow up to become the Solid Gold Dancer, he so longs to be. I think peope are just calling this dance The Tiger Bend!

Work it out lil’ man! Work it out!

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*Then there’s this silly-ass movie trailer for something every single one of us saw last year. Trust me. You saw it and lived it! Nobody liked this movie!

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Here’s the Alien Covenant Trailer! It looks so much better than Prometheus, and I’m a tiny bit excited about it  because it actually features Black Women In Spaaace!

I think its probably going to be good because Damon Lindelof had nothing to do with the script, which means the characters might actually be intelligent and hapless, instead of dumb and asking for it.

 

*And finally these Evian Baby ads are just the cutest things I ever did see. Waay cuter than cat videos.

Tumblr Links and Humor

View story at Medium.com

Okay Dear Readers, I think I’m going to make this my last Linkspam/Tumblr post for the year. I really do enjoy making these, and I’m not stopping making them altogether. I’m just taking a short break, for the holiday season, so I can focus on all the other essays I’ve started. If you really liked these, then you should visit my Tumblr page and Follow. Not only can you view my archived posts there, but you can see all the things I LIKED, that never made it to my blog. The stuff on Tumblr is pretty different from this blog, much of it being social justice related signal boosting.

*First, some Feminist/Womanist Pop Culture Links, before we get started on the silly stuff :

Jyn Erso Isn’t Revolutionary; Her Co-Leads Are

More Women on the Bridge, Less Women in the Fridge

https://ladygeekgirl.wordpress.com/2016/12/14/house-elves-racism-or-discussing-racism-but-not-really/

http://www.huffingtonpost.com/entry/how-fantasy-film-plays-on-the-black-experience-while-erasing-black-people_us_583f36e6e4b09e21702c5de2

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I love Soniqua’s character on the Walking Dead, and I have it on good authority that she isn’t leaving that show anytime soon, (so guys, please calm down. ) So far the new Star Trek sounds lit. Its got a nice well rounded cast, with 2 Woc as the leads,  and some gay representation, as well.But its my understanding that although Soniqua’s character on Star Trek is only a Lt., she is the show’s lead, as its from her point of view.

But what I’m most excited about is the Queen, my inspiration, Michelle Yeoh, (from Crouching Tiger), as the show’s Captain. Is that or is it not AWESOME!!!!

Star Trek: Discovery casts Walking Dead actress as star — EXCLUSIVE

Sonequa Martin-Green to lead ‘Discovery’ cast on CBS All Access

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*This is how I like my apples…

View story at Medium.com

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*I lose it everytime I see this photo and caption. That guy in the background is either  practicing his “Blue Steel”, or trying to seduce the camerperson.

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*Yeah, I’ve been known to do this.  My advice is…DON’T.

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*Actually,  my chances of getting that home loan would better with the dog. Dogs seem to like me unconditionally, but people…

Me too

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I dare you to do any of this in church, especially  #1, and #3. I would go to church just to see this. (Yes, you do have  to make the dinosaur noises.)

12 ways to make Christmas Mass more fun

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*Just thought I’d add this important PSA about how to write about hickeys.

carry-on-my-wayward-butt:

minementis:

carry-on-my-wayward-butt:

thaliaai:

carry-on-my-wayward-butt:

i always know when a fic writer has never experienced a hickey

How? It’s not like you’ve experienced one either.

“[Character A] licked and nibbled [Character B]’s collarbone, leaving dark purple spots along the way.”

either they’re tossing away the meaning of “nibbled” for the advancement of smut or they have a solid misunderstanding of hickeys. it takes like four or five straight seconds of hard suction to make a spot “dark purple”.

okay so two options here:

“[Character A] licked and nibbled [Character B]’s collarbone, leaving faint pink spots along the way.”

OR (and this one is better imo)

“[character A] sucked on the skin of [character B]’s collarbone harder than a vacuum on high power, leaving behind appropriately dark purple hickeys”

“[Character A] puckered their lips and absolutely Hoover™’d the life out of [Character B]’s entire neck. ‘You DirtDevil™’ [Character B] said with a breathy sigh.”

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*Only use this excuse in case of emergency. This is only for the most Advanced Introverts, like myself.

Weekly Tumblr Shenanigans

Well, its time for our favorite game show, Tumblr Hoopla, or things we’re making fun of on Tumblr this week. I hope this will lift at least a few of your Monday doldrums.

*The website Psych2Go is full of all these helpful little blurbs. I used to do this first one to my friends, but it probably wont work anymore, if they’re reading this. The second one used to work on my little brother until he got hip to  what I was doing.

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*This about sums up the Conservative Republican approach to women’s right to choose, I guess. They’re gonna force women to have kids nobody wants, and then let the kids starve to death, just like in the slums of Victorian England.

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*I still can’t quite pinpoint why this is so funny.
If you’re an introvert, follow @introvertunites.

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*Uhm-hm! If I have to see this on my dashboard, then everyone on WordPress should  be forced to look at this, too. Enjoy!
nabyss: “counterftnoire: “ antimana: “ karnythia: “ cakeandrevolution: “ khealywu: “ hotcommunist: “I saw these shoes last week and since that moment I have not know peace. My crops are failing, my animals are sick, snakes have manifested physically...

nabyss:

counterftnoire:

antimana:

karnythia:

cakeandrevolution:

khealywu:

hotcommunist:

I saw these shoes last week and since that moment I have not know peace. My crops are failing, my animals are sick, snakes have manifested physically in my home-

This is Trump’s America

If i had to see this with my own two eyes then so do the rest of you…

WHAT THE FUCK IS THIS?

THAT is what the rest of the world pictures when they’re asked about America, I’m fucking sure of it.

My EYES ARE BLEEDING!!!

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*When I was a kid, I asked my Mom this question, about some scifi movie we were watching, and her answer was that we had left the planet. I will accept that as a perfectly legitimate answer to why there ain’t no PoC in that movie. That answer doesn’t seem to work for movies set in the past, tho’.

summerchasingmermaids:

kaylapocalypse:

kaylapocalypse:

kaylapocalypse:

Anyway, if the new Harry Potter movie that is set in NEW YORK IN THE 1920s doesn’t have any black people in it (like the trailer suggests) I am legit going to throw my Harry Potter books in the trash and never look back.

I don’t care whose fault it is. The casting directors, the producers, j.k. herself. I don’t care. That level of disrespect, historical revisionism via white supremacist fantasy is not to be tolerated.

The Jazz Age.

With no black people.

The JAZZ AGE.

Do they have ANY idea how creepy it is that every single fantasy is a world without brown people?

That every magical wondrous place they can imagine, a dominant feature is that we have been scrubbed from every corner?

And where did we go? We’re we driven out? Did they kill us all? When one type of person is overwhelmingly missing there is always a reason.

And what reason will small children of color make up in their heads to answer such a question?

What little cloud will enter their mental sky?

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*Go on Instagram and count how many of these photos show up before Xmas! We know Instagram gays are very clumsy people. I guess lesbians are a lot more graceful, so let them hang your  Xmas lights.

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*I’ve been reading a lot about how Baby Its Cold Outside is a date rape song, but guys! sometimes historical context has to be taken into account. Maybe its not an appropriate song for the modern world, but when it was written, it was pretty risque.

livinginthequestion:

bigbutterandeggman:

teachingwithcoffee:

It’s time to bring an end to the Rape Anthem Masquerading As Christmas Carol

Hi there! Former English nerd/teacher here. Also a big fan of jazz of the 30s and 40s.

So. Here’s the thing. Given a cursory glance and applying today’s worldview to the song, yes, you’re right, it absolutely *sounds* like a rape anthem.

BUT! Let’s look closer!

“Hey what’s in this drink” was a stock joke at the time, and the punchline was invariably that there’s actually pretty much nothing in the drink, not even a significant amount of alcohol.

See, this woman is staying late, unchaperoned, at a dude’s house. In the 1940’s, that’s the kind of thing Good Girls aren’t supposed to do — and she wants people to think she’s a good girl. The woman in the song says outright, multiple times, that what other people will think of her staying is what she’s really concerned about: “the neighbors might think,” “my maiden aunt’s mind is vicious,” “there’s bound to be talk tomorrow.” But she’s having a really good time, and she wants to stay, and so she is excusing her uncharacteristically bold behavior (either to the guy or to herself) by blaming it on the drink — unaware that the drink is actually really weak, maybe not even alcoholic at all. That’s the joke. That is the standard joke that’s going on when a woman in media from the early-to-mid 20th century says “hey, what’s in this drink?” It is not a joke about how she’s drunk and about to be raped. It’s a joke about how she’s perfectly sober and about to have awesome consensual sex and use the drink for plausible deniability because she’s living in a society where women aren’t supposed to have sexual agency.

Basically, the song only makes sense in the context of a society in which women are expected to reject men’s advances whether they actually want to or not, and therefore it’s normal and expected for a lady’s gentleman companion to pressure her despite her protests, because he knows she would have to say that whether or not she meant it, and if she really wants to stay she won’t be able to justify doing so unless he offers her an excuse other than “I’m staying because I want to.” (That’s the main theme of the man’s lines in the song, suggesting excuses she can use when people ask later why she spent the night at his house: it was so cold out, there were no cabs available, he simply insisted because he was concerned about my safety in such awful weather, it was perfectly innocent and definitely not about sex at all!) In this particular case, he’s pretty clearly right, because the woman has a voice, and she’s using it to give all the culturally-understood signals that she actually does want to stay but can’t say so. She states explicitly that she’s resisting because she’s supposed to, not because she wants to: “I ought to say no no no…” She states explicitly that she’s just putting up a token resistance so she’ll be able to claim later that she did what’s expected of a decent woman in this situation: “at least I’m gonna say that I tried.” And at the end of the song they’re singing together, in harmony, because they’re both on the same page and they have been all along.

So it’s not actually a song about rape – in fact it’s a song about a woman finding a way to exercise sexual agency in a patriarchal society designed to stop her from doing so. But it’s also, at the same time, one of the best illustrations of rape culture that pop culture has ever produced. It’s a song about a society where women aren’t allowed to say yes…which happens to mean it’s also a society where women don’t have a clear and unambiguous way to say no.

Best explanation of where this song came from I’ve heard, and it illustrates how much things have changed since then.

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  • I love chocolate cake but even I could only eat one piece of this. Yeah, this cake will be even more moist, after you’ve upchucked the whole thing, into your local toilet bowl. 

For more funny posts click HERE!

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*Yeah, that’s definitely Uncle Darryl! Eats  three plates of food, takes an extra two plates home, didn’t even bring chips.
For more funny posts click HERE!

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*The soothing, delightful sounds of: Songs of the Cosmos, by five time Grammy watcher, Neil D.

With partially lovable hits like: 

Tie A Yellow Ribbon Round the Milky Way

I Left my Heart in the Cabrini System

Fly Me to the Moon

Starman

The Spiders from Mars (Ziggy Left Some Time Ago)

Goodbye Yellow Dwarf Star

And many, many, (too damn many) more

Introvert Linkage

Here’s a roundup of posts and articles about being an introvert. I foind most of these to be hilarious, and for the most part kind of true about how I think, most especially about people.

There’s  also a  the idea that the Myers Briggs personality tests are  a bunch of bunk’em but I’m okay with that. Even if these personality assessments aren’t any more real than horoscopes, its still a lot of fun, and I enjoyed reading these articles.

General Introversion: I found a lot more articles about genral introversion than articles specific to women. Keep in mind that most of these are probably written to the standard of White males,  because female introverts are so rare, and most people who study this sort of thing, use White men as the default.

http://www.humanmetrics.com/personality/intj-learning-style

How Not To Be Hated By An INTJ

http://www.intjvision.com/

http://personalitygrowth.com/an-in-depth-look-behind-the-intj-stare/

 

On Women Introverts: It was a lot easier this time finding posts and articles about female introverts this time.

http://livingunabridged.com/31-realities-life-intj-woman/

http://www.quietrev.com/introverted-black-girl/

http://www.clutchmagonline.com/2012/05/the-angry-black-introvert/

https://oddblackgirl.blogspot.com/2012/09/the-black-introvert.html

http://www.gradientlair.com/post/30536301997/the-black-introvert-struggle

https://getpocket.com/a/read/1096932327

https://owlcation.com/social-sciences/INTJ-women-A-rare-Myers-Briggs-Category

http://introvertdear.com/news/what-its-like-being-an-intj-woman/

http://www.intjvision.com/intj-female/

Oh, and here’s a link to a page full of links:

http://www.candiddiversions.com/2014/05/life-as-intj-woman.html

 

On Black Introverts: It was hard finding posts on this topic, that weren’t racially insulting, so I just left those out. I’m not surprised to find that most of them were on Yahoo Answers. I don’t fuck with Yahoo as a source for anything other than my email, as it’s quite possibly one of the most racist, and least informative, of all the search engines. It’s like Fox News for the internet.

http://verysmartbrothas.com/on-successfully-navigating-life-as-a-black-male-introvert/

http://black-introvert-confessions.tumblr.com/

 

 

 

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The Peanut Gallery

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Intelligent Black Thought.

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