Teeny Tiny Reviews From April

Here’s a incomplete list of movies and shows  I watched in April. For the most part, I liked all of these. I can tell I liked them because I finished watching them. I’m one of those people that feels absolutely no obligation, whatsoever, to finish consuming something I can’t stand. That’s a “young person whose got a lot more years ahead of them” type of thing! I’m also not one of those people who think you can’t have an opinion on something you didn’t finish. I mean, I won’t finish a cup of sour milk, but I can still know I didn’t like it. I feel like it’s the same for books, movies, and shows. I mean, you ain’t got to suffer your way through some shit, to know you’re wading through a pile of shit. You know what you like.

I have been watching tv shows, but most of it’s stuff that already aired, since there’s no new stuff being released right about now.

 

Unnamed Korean Drama

(Close-Knit 2017)

You may notice a trend of Korean, Japanese, and Chinese movies. Yeah, I’ve been watching a lot of those since I can now access Japanese Netflix, thanx to my IPVanish app.

Wel, this one didn’t have the  title in English, so I had to research it. A lot of the shows don’t have English titles, or translations, but I’m really used to figuring out what’s happening in Asian movies, after decades of watching this kind of thing. This one did have translations in English though, so I didn’t have to figure it out too much, otherwise I would have been deeply, and I mean, deeply, confused about this movie.

This is about a little girl who goes to live with her uncle, and his common law wife, after her mother temporarily deserts her. She is often bullied at school, but there’s a little boy, often bullied himself, who keeps trying to reach out to be her friend. Her uncle lives with his transgender girlfriend, and after some initial confusion, she and the little girl start to bond, to the point where the girlfriend considers suing the mother for custody. This movie is the game Japanese director’s attempt to tackle a controversial lgbtq issue in Japan, so it’s a little heavy handed in some places, frustrating in others, and sometimes, it’s just vague, but I’m a sucker for found family stories.

It’s a beautiful story, though,  and I really liked it. The little girl is unwilling to get close to people because she keeps experiencing the instability of being abandoned by her mother, every time her mom gets a new boyfriend. She is also reluctant to get close to her uncles gf, but it isn’t until the two of them bond over knitting, and the gf’s transgender status (she is pre-op) that the girl allows herself to open up to the little boy who’s trying to be her friend. Unfortunately, her friendship with him doesn’t work out, because his mother is deeply transphobic, and makes the girls living arrangements her personal business, to the misfortune of this lovely found  family.

Without the translation, the most confusing part of the movie, are the knitting scenes. We get a backstory on the gf, from when she came out to her mother. Her mother, while initially confused, became deeply supportive of her daughter, going so far as to knit her a pair of tiny breasts. I mention that she is pre-op, because part of the plot is that the gf spends a lot of time knitting penises. When she finishes making exactly 108 of them, she will burn them in effigy, and that will be when she is ready to have her bottom surgery.

She teaches the little girl to knit by making these penises, and that’s how the two of them bond. At one point the gf allows the little girl to squeeze her breasts, because of her intense curiosity about her gender status. She becomes less confused, but the girlfriend’s breasts are still a focal point of their relationship, because the little girl begins associating them with the warmth, comfort, and motherhood she wasn’t getting from her own mother, especially since the gf is the one who cuddles her against those same breasts, when she gets afraid in the middle of the night. The girlfriend becomes a figure of maternal love and stability for her, but even though they have chosen each other, they cannot be together, as mother and daughter, because society will not allow it.

I though this was a beautiful little story, not too emotionally taxing, with an open ending, that was somewhat bittersweet.

 

 

Birds of Prey: The Fantabulous Life of Harley Quinn (2020)

I had so much fun watching this movie. Sometimes you really can tell the difference between a movie directed by a man, and one directed by a woman, and that seems to be the case with this movie. The story itself isn’t all that different from what would appear in a film made by a man, but it is definitely a comedy, and the emphasis is on different parts of the story, over others, and the story beats, and pacing, are different, and the tiny details can mean a lot to a female audience. Still, you can sort of tell a woman did this movie, because it feels like most of the kinds of art made by women, in which the relationships between the characters are what’s  of primary importance, and that’s what’s going on in this film.

You’ll hear from a lot of male critics that the movie was bad, but really it’s that the movie is simply made with a different audience in mind, and so there’s an emphasis on different things in the movie, the kinds of things that might not appeal to male viewers. Since personal relationships are of deep importance to women in the real world, movies that emphasize that can be greatly appealing to a female audience, and we don’t consider such movies to be a failure. As women, we may be looking at the film through a different lens.

Another appeal for women is how the women interact, and I think that was this movie’s greatest appeal. The women in the movie aren’t at loggerheads just to have drama. They’re at odds with each other for real reasons, based on the plot, and they’re brought together through the plot, and learn to get along to survive the plot. The biggest problem I had was that the movie isn’t pretty. I’m not used to comic book movies looking like this, expecting a much more anti-septic, and polished, look. It looks kind of dirty and grungy, and the cinematography looks really different than a Christopher Nolan film, or anything in the MCU. Harley definitely lives in Gotham’s armpit, as do all these characters, and it shows.

Funnily enough, my favorite character turned out not to be Dinah Lance, but The Huntress. She was such an delightfully odd character, and showed some aspects of Spectrum behavior, although her uncertainty about her social skills might have had something to do with either her unconventional upbringing, or that she’s a loner, who has never had any friends. I liked Harley, but Huntress turned out to be an unexpected fave.

I really enjoyed this movie, though. It’s the complete opposite of everything in the movie Joker, so if you are any of the many women who hated that movie, then try this one, because it’s a helluva lot more fun. It’s hilarious to point at both these films and even say they are about comic book characters, let alone set in the same DC universe. The story arrangement is a little different than I’m used to, since it’s told from Harley’s point of view. There’s a lot of pausing, and back and forthing, and a couple of side issues, because Harley is a somewhat disjointed storyteller, who is mildly unreliable as a narrator, but she is zany and energetic, and a likable anti-hero, and we can see the faint seeds of the real hero she will eventually become. The movie isn’t deep, but it’s a helluva lot of fun, and I want to talk about it later in more depth, because there are a lot of fun and interesting things to be said about it.

 

 

Joker (2019)

Despite all the controversy surrounding this film, I genuinely liked this movie, as an interesting piece of filmmaking. It’s true, that it’s not an especially deep film, but that isn’t always required to like a film, and so I let that pass. I also didn’t care much for its message about yet another white guy feeling disgruntled about his life, and going on a killing spree. There are far, far, too many of these types of shows, and movies, in pop culture, and this is another one that presents the same theme, and yet, asks no questions about it.

On the other hand, it is a gorgeous looking movie, although I did think it was much too derivative of Martin Scorcese’s early works, Taxi Driver, and King of Comedy. Joachin Phoenix turns in a splendid performance though, and there were moments where I was greatly moved by the pathos and beauty of his character, his acting, and the cinematography. I’m tired of this sort of plot,  but  the director did a superb job of evoking sympathy for this character. Was this an Oscar worthy film, I don’t know, but in my opinion, it was worth watching. And I will probably watch it again, at some point, for the acting, and aesthetics.

 

 

Memories (1995)

This is a 90s animated anthology, from the maker of Akira, Katsuhiro Otomo. It consists of three stories about technology gone wrong, and people’s interactions with it, but I’m only interested in the middles story in particular, Stink Bomb. I thought it was hilarious, and kind of sad. There’s a message in it, but I’m not quite sure what that message is. Nevertheless,I really enjoyed it.

The Big Stink is the middle story, about a down on his luck office worker, who gets infected with a kind of biological warfare gas, that kills anyone within a certain mile radius of him. He, of course, doesn’t know this. All he knows is that people keep dropping dead around him, as at first, he tries to make his way home, and then attempts to outrun whatever is killing the people in his vicinity. For some reason, I found  this part, deeply funny, although if you think about it too long, it’s pretty horrifying. The attempts by the police, and the military, just get more and more outrageous, as they escalate from guns, to tanks, and then to missile strikes, in an effort to stop him from reaching the city. The ending of this one was very satisfying, though.

 

 

Roujin Z

This is one of my favorite little known Katsuhiro Otomo movies. I love the premise of it, which just thoroughly tickles me. It’s got a good strong story, and like his segment in Memories, Stink Bomb, there’s a deeply hilarious idea gliding just underneath the surface story of a rogue robot destroying a large city.

This was the movie that made me think about the different attitudes towards AI between the East and the West, which I am really going to have to have a deeper discussion about. I think I mentioned before that Japanese culture doesn’t have the same type of fears about automata that the US does. If you go by the types of books we write, the movies we make, and the types of discussions we have surrounding technology, then Westerners have some kind of deep atavistic fear of dolls, and robots. We are forever making stories about rebellious, or angry, simulacra that want to destroy their makers, and I want to examine this further.

Roujin Z is about a newly invented, healthcare,  AI robot, that is given custody of an old man with dementia, who thinks the robot is his long dead wife. The robot, which is a kind of mobile care vehicle and bed, begins to take on the persona with which he treats it, and decides  to care for him in the way his wife would have. He expresses an interest in visiting the beach, which is several miles away, and the robot decides that’s a good idea, and sets out. This causes complete chaos, as officials try to stop the robot, without hurting the old man, and the robot knocks down anything and everything in her path, to accomplish her goal, like houses, street posts, and cars. It wasn’t built to be so powerful, but it was built to modify itself to the needs of its patients, and that’s where the problem lies. Remember, the officials have no idea why the robot bed has gone rogue, and keep speculating that it is abducting the old man (which it is, but with good intentions). This is the case of  an AI that isn’t actually malevolent, but as in a lot of Japanese films, creates havoc while doing its job too well, which is an attitude not often seen in American made movies of the same type.

 

Ajin

This is another one of those Manga movies I never read, but I enjoyed this live action version, about a private war between these two immortal mutants, one of whom wants to destroy humanity for experimenting on his kind, and the other trying to protect humanity from him. Or that’s what I got out of the plot, because I watched a version of this that had no English translation. It’s got a lot of the old ultra violence in it though, which I appreciated.

Since there were no subtitles, I didn’t catch any deeper themes in the movie, but I loved the special effects, where their bodies reconstituted after their deaths, and they produce these ghostlike creatures (which look like they’re made of ashes) which battle each other kind of like Pokémon, which was fun.

 

 

Monstrum

If you are a fan of the Kingdom series, and Train to Busan, than you should check this movie out, if you can find it. It’s very much in the same sort of vein as Kingdom, in that it’s an historical monster movie, with gorgeous costumes, clever swordplay, and elements of class warfare. Where Kingdom and it’s cinematic counterpart (Rampart) contain zombies, this one just has a random giant monster.

The movie it most reminded me of was Alien 3, actually, but with more likable characters, and a more streamlined plot.  The king receives some sort of dog like pet, which soon grows to tremendous size and becomes untrainable. The king keeps it locked up in his dungeon, where it’s gone more than a little feral, but some bright soul sets it  free, presumably to destroy their enemies, the creature goes on a rampage through the capitol, and must be stopped by a hero with a bad reputation. It’s not an especially deep film, but it was a really good, straight up, horror movie, with lots of suspense. If you liked Bong Joon Ho’s The Host, then you’ll like this one, too, which is like an historical version of that film. 

 

 

Tokyo Ghoul

This was another movie I watched without subtitles. What I got out of it was this young man who discovers he’s a creature called a ghoul, which feeds on human beings, and he spends most of the movie having tentacle battles with the other ghouls. There are a lot of tentacles in this movie. That’s mostly what I remember. That, and I thought the movie had some truly disgusting scenes, which were, well, mostly just disgusting. It wasn’t particularly scary, or even fun, but it was fascinating in a “The Thing”, kind of way.

There’s a sequel to this movie which I’m debating whether or not I should watch since I didn’t get much out of the first movie beyond “ewwww”.

 

Kipo and the WonderBeasts

I’ve also been watching a lot more stuff that’s fun, stress free, and animated. Kipo definitely fits those criteria. This cartoon was sooo much fun! All the characters, outside of the Wonderbeasts are PoC, one of which is gay, it’s funny, has a lot of adventure, is reasonably intelligent for kids. I’d also like to add just one more thing to make you watch this:

‘ Drum & Bass’ Bees

or Giant Disco Bees, as I like to refer to them.

The story takes place far into some Earthlike future, where most humans are living in underground cities. After a horrible incident, Kipo gets separated from her father, and the rest of her community, and stranded on the surface, where she has to make friends and allies, to help her find her way back underground. It’s also a found family story as we watch these very different characters, with different attitudes and agendas bond, and have adventures.

if like me, things are just too stressful to watch horror movies, or thrillers right now, then series and movies like Kipo are well worth the watch. 

Also Watched:

Penny Dreadful (New show)

What We Do in the Shadows (Second Season is off to a hilarious start.)

Brooklyn 99 Finale (This was a great season! Jake and Amy’s baby is born in the final episode. Holt’s arch-nemesis, Munch, dies. We get a Halloween Heist episode, and we get an episode focusing on Cheddar, and Kevin.)

Schitt’s Creek Final Season (This was such a great show. It’s deeply funny, really sweet, it has great characters and character arcs, and moments of real pathos. It had a beautiful finale, culminating in the wedding of one of the lead characters, to his husband, after two years. It’s not too emotionally taxing, and a lot of fun. One of the most underrated shows on Netflix.)

Let’s Go Waaay Back to the 80’s

Bosom Buddies

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Way back in the 80’s, this little gem starred Tom Hanks and Peter Scolari, and lasted for two years. I do have to admit, there is no way in hell you could get this on TV right now. In this environment, this show would be a massive mistake. But I loved the hell out of this show when I was about thirteen or so. There was just something about the goofy  humor of this show that just appealed to me, and Tom Hanks had incredible comedic timing.

The show is about two ad agency illustrators, working in New York city, who cannot afford an apartment together, so their friend Amy suggests they dress up like women to get in to the much more affordable all women’s apartment building that she lives in.They take on the personas of Buffy (Hanks) and Hildegard (Scolari), two sisters from some podunk town in the midwest.

A lot of the humor came out of the logistics of their double lives as men at work, and women in the evening, and navigating Buffy’s crush on his pretty blond neighbor down the hall. But it wasn’t all funny, sometimes the show liked to get serious by addressing the bigotry experienced by their glamorous Black neighbor, or discussing fatphobia, as Amy dealt with being a large sized woman, and along the way the guys got to know first hand what it was like to experience New York social life as women.

This show used to air on Hulu, but now the only place  can find it is on Amazon for pay. Its unlikely to experience a revival any time soon. We’ve grown in maturity, and awareness  since then, and you couldn’t do a show like this now  without making a lot of changes. This is another one of the many hundreds of shows and movies that has done the work of associating transgender women with the idea of deception, associating it with men in women’s clothing, and has helped to contribute to transphobia.

Another interesting note, is that in just about every single famous actors or comedian’s background, is a show or movie, which puts them either in drag, or has them play flamboyantly gay characters. These cross dressed characters, and flamboyant gays were ALWAYS meant to be laughed at. One of the other side effects of constantly having straight men mock lgbtq characters for laughs, is that real life lgbtq people simply didn’t get taken seriously as real people. The height of this show’s popularity was also the height of the AIDS crisis, which was ignored by the Federal government, because it was believed by them, that God was killing the correct people.

 

 

 

Knight Rider

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I never developed the great love for David Hasselhoff that Dean Winchester did from watching this show. I liked the show when I was a teenager, but I think I mostly just loved the car, and wished I had one just like it. In fact, they used to produce these as toys when I was a child, and when my brother got one as a gift, I appropriated it for myself (i.e., I stole it), to use for my Barbie dolls.

As far as I was concerned, K.I.T.T. was the star of the show, voiced by William Daniels, and quite frankly, I thought the car was smarter than uh…whoever that guy was driving it. A few years ago there was an episode of Supernatural that referenced Knight Rider by having Sam Winchester get turned into the classic car. Y’all don’t know how much that whole thing just made me giggle like a complete fool. Even the theme song is a classic. If you were a teen when the show aired, you know how hugely popular it was, even to the point of having copycat shows, that tried to have cool classic cars that solved problems.

 

 

Designing Women

Image result for designing women

 This was very probably one of the most progressive feminist shows on Tv, and one of the templates for feminist shows that came after it. A group of white women living together, with different sexual morals, and ethics, arguing about them, while working. The only drawback I had to shows like these were there were never any women of color, lesbians, or poor, or disabled women involved in them. This was First Wave Feminism, which meant it was almost exclusively about white working women. There was no intersectionalism at this point.

The two stand out characters were Julia, and Suzanne Sugarbaker, who were meant to be direct contrasts to one another, and Suzanne was every bit as regressive in her politics, as her cousin, Julia, was progressive in hers. Suzanne was open in her sexuality, but often treated everyone around her as if they were her personal servants, which gave Julia plenty of opportunities to give speeches, show disdain for her behavior, or teach her a lesson in how to be less judgmental. In fact, Julia’s, breathlessly, outraged performances, were often the highlight of an episode. A lot of the shows messages were pretty heavy handed, but it was the kind of stuff a teenage girl needed to hear.

Meshach Taylor also managed to get some good one liners and quips as a kind of business handyman, sort of like the character of Benson. He was the transportation and heavy lifter, doing the kinds of physical work that these four, upper class, Southern white women certainly weren’t going to be doing for themselves. He was often put upon by Suzanne, but most of the time, he managed to get the last word, without coming across as threatening. In fact his character was so non threatening I assumed, in my uninformed teenage mind, that he was gay! But at that age I had not reckoned with the social dynamics of the modern southern bigotry of white women interacting with black men. He had to be nonthreatening, and couldn’t possibly be depicted as any kind of sexual being in the presence of four professional white women. Nevertheless, I do remember liking his character.

This is another comedy, like Bosom Buddies, that didn’t age well. You could make a show like this today, but it would be bland, yet at the same time, polarizingly heavy handed.

 

 

Thangs I Looked At: Movie Mini Reviews

Here are three films I watched in February. For the record, although I had some mild criticisms, I generally liked them, and  I especially enjoyed the Terminator film, which I wasn’t entirely certain I would, since no one was talking about it.

Terminator: Dark Fate

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I was initially very excited when I saw the trailer for this movie, but ultimately didn’t get a chance to see it in theaters. After that, I didn’t hear much about it. I dont normally get too worked up about films, that I think are going to be popular, bombing at the box office, because there are at least half a dozen reasons I won’t   see it, no mater how excited I am about it. I figured that’s probably much the case with a lot of films that bomb. In other words, films bomb for a whole variety of reasons, that don’t necessarily have anything to do with the film’s quality.

And the quality of this latest entry in the Terminator franchise is very excellent. You should really check it out when you get a chance. I liked it every bit as much as I thought I would, ,and you will remember I was very excited about the trailer. It even did a couple of things I wasn’t expecting as far as plot and characters.

The basic plot sort of parallels the Sarah Connor plot from the first movie, but is much more personal. Dani isn’t the savior of the world, she is the savior of one person in particular, and Sarah comes along for the ride. The Terminator is very interesting, combining both elements of the original T-800, and the Liquid version from T2.

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What was surprising about the movie is how female-centric it was, while touching on a lot of themes. Nearly all the characters are women, and they control the plot points in this movie. Sarah’s character reminded me  of Laurie Strode, from the most recent Halloween movie, in that she is a broken and horribly traumatized woman. I always find it interesting when female characters are deliberately written to be unlikable, and that is  the case here. Sarah is kind of an asshole, who butts heads with everyone. She is mean, and bitter, the sneer never leaves her face, and this is acceptable to the viewer, because she is  definitely hurting, and broken, because of an event that happened after she and John saved the world’s future. The movie is as much about her trauma as it is about saving Dani. It is a heavy movie, with the only comic relief provided by an old school Terminator, played by Schwarzeneggar, as a drapery salesman named Carl, who is married to a woman he doesn’t have sex with, and doesn’t know what he is! Once you  wrap your head around all that, the movie is an action fest every bit as good as Fury Road, only  less zany.

The movie takes place largely in Mexico, and at one point, Dani, and the others must sneak into the US, but get locked up in one of the Border camps, so the movie went there, which was interesting, because I didn’t think it would. While no one says anything outright, the framing of those scenes show strong disapproval of what’s happening there, as the Terminator bursts in and slaughters half the border guards, and steals a helicopter.

The Terminator is played by one of my favorite actors, Gabriel Luna, who I got a kick out of watching in the SHIELD series, as the Ghost Rider. His technology isn’t just a blend of the two styles of Terminator we’ve seen, but so is his demeanor, which is especially chilling, because he seems very, innocuous, normal, and friendly, right up until you die.

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The stand out character for me though was Grace, who is awesome. I’m saving a special place in my personal pantheon for Grace, (as not too many white women, Ellen Ripley and Furiosa being the only two,  manage to get into it), who can definitely carry an action scene. The last time I saw that particular actress, she was playing a replicant, in Bladerunner 2049, and here she is playing another half human character. Grace is much like her name, moving and fighting in exactly the manner you’d expect of a technologically enhanced human being, and some of the most exhilarating scenes, are watching her go toe to toe with the Terminator, and matching him hit for hit. She doesn’t actually defeat him, but she is his equal.

The ending of the movie is bittersweet, but I liked it. I liked the entire film. There are no slow moments. Nothing is wasted, and I liked the love/hate dynamics between the female characters, which felt organic, and not just thrown in for drama’s sake. If you haven’t seen this movie, you should check it out, just to watch Schwarzeneggar’s role as Carl, and here him complain about people’s bad taste in draperies, in his usual  monotone.

 

 

 

Spider-Man: Far From Home

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Despite a couple of hiccups, I genuinely liked this movie. I don’t think it’s as good as the first film, but that one had some  novelty behind it in being Tom Hollands first full length term as Spiderman. This one is okay. Its not great. I wouldn’t put it anywhere near Maguire’s Spiderman 2, but its fun and watchable. The teenagers act like teens ,and the love story between Pete and MJ is really cute. This is funnier than the first film, and a  genuine comedy, until it gets near the end, when things get a bit more serious. As with most comedies your mileage may vary. I thought a few of the jokes landed badly, but mostly of them hit their mark, at least for me.

The most annoying part of the movie however,  is the continuing attachment of Tony Stark to Peter’s storyline. He’s still cleaning up Stark’s messes, even after he’s dead. I suspect that will be going on in the MCU for some time, since one of Tony’s major superpowers was  pissing off powerful creatures and/or people. Probably half the villains in the MCU can be traced back to something Tony said or did to some hapless supplicant, and that is the origin story behind Mysterio.

I also found it annoying that everyone assumes Peter wants to take up Tony Stark’s mantle, and do what he did, only as Spiderman. Just let the child be himself ffs! Why does anyone have to step into Tony’s shoes? On the other hand, the movie does mention (rather roughly) some of the issues that happened in the aftermath of  the Snap and the Return, (in this movie its called the Blip), and how much society was upheaved by both those events. I thought it was an intriguing idea  that the world was just as upset by everyone’s return, after five years, as it was by the trauma of their disappearance.

Well, anyway the movie is still fun, and full of lots of humorous moments, regardless of Tony’s ghost hanging around this movie, and I have watched it a couple of times, since its release. Like the first movie, it doesn’t have a whole lot of depth, until the end, when Peter directly goes up against Mysterio.

I liked this just fine. Its not great. Its not even as good as Homecoming, but it’s a well spent Saturday afternoon or evening.

 

 

 

John Wick 3: Parabellum

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Wow! This movie was a wild ride from start to finish. I don’t even know where to begin, I want to call this a hot ass mess, but that would imply I didn’t like it. In fact, I loved it! But yes, it is a hot ass, but very enjoyable, cray-cray mess. its like a Jason Statham, Fast and Furious movie, only with a real budget, if you catch my meaning.

Like the last movie, it picks up where it left off, with Wick being hunted by the Assassin’s guild which he used to be a member of. He’s got to find some old colleagues to help him stay alive, and they of curse come immediately into danger. One of those old friends, Sofia,  is played by Halle Berry, who owns a couple of  Belgian Mallinois, that she has specifically trained to kick ass, on her command, and that part of the movie is lots of fun to watch. I don’t get to watch Halle kick ass too often, so watching this fifty plus year old Black woman throwing  hands was a real treat.

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Another treat was watching Mark Dacascos chew the scenery, and get some genuinely funny lines, as a major villain who just wants to take John down, and supplant him as the boogeyman of assassins. I hadn’t seen Mark in a while, so it was fun to watch this professional ass-kicker throw down, even if the bald head was kind of jarring.

In the meantime, while John is trying to get his shit together there’s an actual assassins cabal, that oversees the assassin’s guild. Since John was “excommunicated”, he’s gotten help from a few friends, including Lawrence Fishburne, as the King of New York, and all their lives are put in danger, because one of the rules is that if you are a member of the guild in good standing, you have to turn in those who are excommunicated.

So the plot becomes a lot more complex, along with all the stuntwork. The John Wick movies are not especially deep, but they are great fun, even though they’re incredibly violent. Part of the reason people don’t mind the violence, quite so much, is that it’s de-mystified by the extras and behind the scenes videos, that show how are the stuntwork gets done, and watching the behind the scenes videos are just as much fun as watching

Things I looked At: Mini Streaming Reviews (February)

Here’s a short list of things I watched on Netflix and other streaming services, mostly at random. I just clicked on or rented stuff that had pretty promo pictures,  happened to be a subject I’m interested in, or was recommended to me by some algorithm. Not all of these are TV series, however. A few are movies, but I decided to include them, because watching them on a streaming service was really the only way I was ever going to watch them.

 

Rurouni Kenshin

These movies are based on the Samurai X manga. I don’t know if this is like the anime, because I have never watched that, and  have only a passing familiarity with the Manga, which I read many years ago, but remember liking. These movies (there are three of them so far, with more to come later this year), heavily remind me of Blade of the Immortal, which was brutal, bloody, fun, only these have a slightly, “relatively”, more positive message, and a sense of humor. Well, I laughed at it, but y’all know I’m weird.

In the first movie, the lead character, named Kenshin, is a former assassin, who decided to give up killing, and wander the countryside helping people. This appears to be a very popular theme, because its basically the same plot of Blade of the Immortal, and a bunch of other samurai movies. A young woman who runs a martial arts school of some kind, stumbles across the protagonist, and he decides to help her with a problem she’s having with a rival school, that wants to take over hers.

A plot by some minor government official to take over the government in some drug related scheme, and a couple of Kenshin’s old enemies coming back to get revenge, give plenty of opportunities for fight scenes ,which are also interesting, because although Kenshin has decided to give up killing, he still carries a sword, but its a a reverse katana, with the killing edge on the wrong side. He can swing it expertly, but it takes a conscious effort to use it to kill, which he has promised his love interest he would never do again, and opens up some interesting dialogues about pacifism, and to what purpose  violence is used.

But mostly, its just a lot of really exhilarating sword fights. I loved watching the fight scenes, especially Kenshin’s fighting style, which is fast, and inventive. Because he’s not actually trying to kill many of his opponents, but they have no problem taking his life, the fights never get boring, and if that’s what you’re looking for in a martial arts film, then check out the entire trilogy.

At least two of these movies are available on YouTube, and there wasn’t any English translation for the one I watched. So not having it be dubbed or subbed, made me deeply curious about the conversations the characters are having with each other, during the fight scenes, where they often pause in their sword swinging, to exchange words. When I finally got to see the translated versions, it turned out that those conversations were completely unimportant, and that most of the deeper philosophical discussions, take place during character monologues.

 

 

 

Attack on Titan

Wow! These movies were awesome, emotionally draining, and  very energetic. There are few slow moments in them, and not much of either movie’s time is wasted.

Once again, I’ve only read a couple of the books, one of which was an anthology. I’ve never watched any of the anime, and I have only a passing idea what all this is  about, from watching some of the most terrifying trailers I’ve ever seen, and people talking about it on Tumblr. I don’t know how close the plot of  this movie, and its direct sequel, is to the original manga. The basic plotline is the same though.

Humanity lives in walled cities, to protect themselves from massive, (once human), beings, that have a nasty habit of eating the smaller versions. The movie is pretty graphic about this. There’s a lot of body horror, as people are grabbed, eaten, squeezed, pulled apart, stepped on, and otherwise massacred, by these giant gluttonous monsters. There’s also a certain amount of body horror with the monsters too. They are humanoid creatures with disfigured faces, and bodies, who are always eagerly smiling.

It’s interesting that one of the tropes of Japanese Horror films is the grinning monster, with probably the only American equivalent to this being evil clowns, and Japan does not have that trope. I personally find grinning, (non-human), monsters pretty horrible too, but I don’t see as much of that in American horror, but then Americans tend to be much more emotionally open in public, too. I suppose, in a society where privacy, reserve, (and melancholy), is encouraged, someone walking around with a massive cheerful grin would immediately mark themselves as other than normal, possibly even monstrous, and certainly untrustworthy. Its not that Japanese people can’t be zany, or don’t have emotions, its just that in the interest of personal privacy, they try to keep it themselves, a close circle of friends, or on TV shows.

There’s also a group of soldiers, and volunteers who create a new method for killing the Titans, that requires them to engage in a little too up close and personal manner, as the Titans are nearly impossible to kill, in any normal fashion. There is a lot of dismemberment, and eating, of the brave soldiers. We follow their adventures, and  interactions, although I did find myself not caring too deeply about them,  because I don’t feel that the focus here was on character development. It’s not that I didn’t feel anything for the characters, so much as their relationships with each other were sort of underwhelmng, next to the horror of what was happening to them. I was also irritated with them, as there are a lot of images of them just standing about and staring, as the Titans do stuff. I kept yelling at my TV because the humans simply were not taking adequate precautions to save their own lives, like dodging, or running away. On the other hand, I do live in Tornado Alley, so I’m guessing that watching giant things move slowly across a landscape, is something that is universally hypnotic.

In the first movie, the humans are living  peacefully, the idea of the Titans  is long ago and far away, until a brand new Titan shows up, that is significantly larger and stronger than any Titan seen before it. It turns out that the Titans do have some residual intelligence, as they have deployed this new guy to break down the walls, so they can just walk in and feast, and the humans are just not ready for any of it. In the second film, the people rally, and with the help of a half human/half Titan, and even a little bit of martial arts, (because that is a requirement for all Asian action movies), they manage to defeat them, or at least make them go back  wherever they came from.

There’s a lot of nudity, because naturally the Titans don’t wear clothes, and lots of bloody and disgusting things happen to the human body, so be warned. You kind of have to be in a certain mood to watch it.

 

 

Inuyashiki

What I was expecting when I saw the trailer for this was a wacky, Japanese romp with superpowers,. To be fair, the trailer I saw didn’t have captions, and I might not have been paying as close attention as I should have been, but the trailer does mostly focus on all the action scenes. This movie is not a comedy. While its message was a bit heavy handed, and there were definitely some tears, I actually did enjoy this. It wasn’t what I expected, but I’ve learned, over the years, not to be angry at getting the unexpected in a story. I only get angry when I get LESS than what I expect, and I got a lovely and moving story of  family dynamics, reparation of father /daughter relationships, and loneliness. Keep in mind that I hadn’t even read any of the Manga, if such exists, let alone seen any anime. I walked into this movie completely blind, except  for having watched the trailer.

Inuyashiki is the story of an old man, (the title character), who is having a very bad day. He is a deeply lonely, and isolated man, who, one day, finds out that he is in the end stages of cancer, gets  bullied at work, and then loses his job. He is emotionally distant from his wife, son, and daughter, and finds it impossible to tell them not just about his impending death, but his real feelings for them. His daughter is especially angry, because he has never shown her how much he cares about them, although this is stated as a lack of protection, since he kept telling them that the reason he worked so hard, and was never home, was to protect their future. I was starting to get really annoyed with how much of an asshole she was, until I realized there was a point to it.

Inuyashiki goes to the park one night, gets kidnapped by aliens, and in their efforts to cure him, (at least that’s what I think they may have been doing, because its never stated in the movie why the aliens did this), they turn him into a machine/cyborg, who is able to manifest machine parts, weapons, and even fly, possibly done through nanites. The very first thing he does with his powers, is heal a little boy, who is dying of cancer, at his hospital. This outlines the type of man he is, that the first thing he does after getting superpowers, is to save another life. These superpowers are yet another thing he cannot tell his family, but he does confide in one of his daughter’s classmates, who coaches him in how to use his new superpowers.

At the same time, another student, the close friend of Inuyashiki’s coach, whose name is Shishigami, is also kidnapped at the park, and turned into a robot of some kind. Both he and Inuyashiki were both in the same place emotionally. They were alone and depressed, and dealing with highly volatile issues. In Shishigami’s case, it is school bullying, and the death of his mother, from cancer. Shishigami does share knowledge of his new abilities with his best friend, but it says a lot about his character that he demonstrates his abilities by killing an innocent creature. Shishigami of course meant to go on as he started. he becomes first a murderer, and then a mass killer, with his superpowers allowing him to kill people through their phones and other video screens.

We have these two men, both of them undergoing uniquely personal tragedies, but their reactions are completely different. Inuyahsiki dedicates himself to saving lives, and Shishigami decides to do the opposite. Inuyahshiki  is an old man, at the end of his life, so  finds life more precious than Shishigami, who is young and angry at having been mistreated by his classmates, and can only think of revenge. Shishigami is unable to think of life as precious, viewing people as disposable, and this is how he treats most of his victims. The first time he kills people, its just a random family whose home he invaded. He is brutal, without mercy, and unnecessarily cruel. When he finds out his mother has cancer, he saves her life, but in his rage at the unfairness of it, he decides to kill more people. For Inuyashiki, all life is  beautiful however, and he works hard not to kill Shishigami, understanding his pain, and viewing even his cruel existence as precious, and salvageable.

Needless to say, the two of them are on a collision course ,as Inuyashiki sets out to stop Shishigami from killing people, and the last third of the movie is taken up with their furious, and energetic, battling through the skies of the city of Tokyo, which is what you see in the trailer. Ultimately. during all this fighting, Inuyahsiki’s daughter’s life ends up in danger, and he gets plenty of opportunities to protect her from his nemesis. This results in her discovering her father’s superpowers, of course, and a reconciliation between them, as they both share this new thing that mom doesn’t  know about.

I found the whole thing very touching, even if it was, as I said, a little heavy handed in its messaging. One of the interesting things about a lot of Japanese genre movies is that characters rarely exchange important information with each other. The dialogue between characters is often kept very simple and unremarkable, while most of the important things get said in monologues, with characters appearing to just talk to themselves in the middle of some important event. That’s something that, once you notice it, takes a little getting used to, but over all, I liked the movie,   its message, and it was worth the time I spent watching it.

 

 

Wellington Paranormal

Ever since Barney Miller, I’ve had this thing about cop comedies, and I don’t know what that’s about. I won’t watch dramatic cop shows, and generally spurn mystery thriller cop shows, unless Black actors are the stars. From shows like Barney Miller, Reno 911, Brooklyn 99, and Monk, to movies like Beverly Hills Cop, Hot Fuzz, and Mall Cop,  to The Rivers of London series by Ben Aaronovitch, I’m noticing a trend. I’m attracted to laughing at, and with, cops. So Wellington Paranormal is right up my alley ,as it contains three of my favorite topics, the paranormal, and cops who are deeply funny.

Wellington Paranormal is  a loose spinoff of the movie What We Do In The Shadows, about the adventures of four vampires living as flatmates in New Zealand. Its also the second spinoff from the movie, as the first one, a series with the same name, and basic setup,  is set in America. In the movie, there’s a scene where the police get called to the vampire’s house, because the neighbors were concerned, when the vampires were engaging in some general domestic violence.

Wackily, this show is about the two cops who get called to the house, Officers Minoghe, and O’Leary (their actual real life names). If you have seen the movie, (and if you haven’t, you need to, even if you never watch either of the spinoffs), then the blithe obviousness of the two cops is the basic attitude of the show, as the two of them get conscripted by their boss, (Sgt. Maaka Pohatu), to deal with paranormal events and situations in the city of Wellington.

In the first season, they deal with such silliness as  a body swapping demon (shoutout to The Exorcist), zombies, and werewolves, while giving each one of these issues about the same amount of portentous gravity, which means none at all. O’Leary and Minogue are the anti-Scully and Mulder of the detection world, and that is never not funny to me. The two of them find a way to make even the wildest, most batshit of circumstances, appear utterly mundane, which is where most of the humor comes from, but at least 20% of the humor comes from their interactions with each other, and their boss, who takes things way too seriously.

In the second season, they tackle a town full of alien clones of themselves, in a direct callback to  The X-Files, a possessed car, a group of high school witches, in a shoutout to the Midwich Cuckoos, and some possessed cell phones. So yeah, the creator’s reference game is on point, and another nice gesture is that their boss gets a lot more airtime in the series. The closest comparison for some people will probably be Brooklyn 99, but its really not much like that. Its more of an X-Files parody, so if you liked that show, and would like to see it treated  it with the level of  silliness it deserved, then you will probably have to pirate it, as its not available in the US.

The State of the Union: Black Film Entertainment 2010-2020

Film

This is not a comprehensive list of movies released in the past ten years, that featured a Black cast, or had Black directors, or writers. This is just a list of movies, listed by year, that I thought were the most influential, that I actually watched, liked, or know other people really loved, for that particular year. There have been a lot more released than what’s on this list, but 2018 was a record year for the number of Black films released, and/or nominated for awards.

In my mind, the past ten years has been one of the Blackest decades in film, since the 90s, not just because of the number of movies released, but the quality of the films, and  the attention and writing  surrounding them, thanks to social media. Black Panther, and Get Out were probably two of the most written about Black films in cinema. There is an encyclopedic number of writings on these films, examining everything from the plot, themes, and  characters,  to wardrobe, and  hairstyles. In fact, writing about Black films has almost become an industry in itself.

 

2010

For Colored Girls – an adaptation of the book by Ntozake Shange, and written and directed by Tyler Perry.

*Book Of Eli –  Denzel Washington stars as a blind man, traveling through an apocalyptic landscape, carrying precious cargo.

Lottery Ticket – Not one of my favorite films, since I’m not a huge fan of such broad humor, but it is a reminder that Black comedies, in the tradition of Friday, are alive and well.

 

2011

*The Help – Again, this is not one of my favorites but I’m putting this movie here because it is often in attendance at conversations about the White Savior trope in movies.

Madea’s Big Happy Family – Madea is the  only Tyler Perry character I can stand to watch, but it greatly appeals to people with a certain form of humor that  I don’t particularly share, and it helped make Tyler Perry one of the wealthiest Black men in Hollywood.

 

 

2012

*Beasts of the Southern Wild – The story about a little girl growing up in a dysfunctional family in Louisiana.

*Django Unchained – A cathartic fantasy Western starring Jamie Foxx.

 

2013

12 Years  A Slave – Oscar nominated film directed by Steve McQueen, and based on the autobiography by Solomon Northup.

*Belle – One of my favorite historical films, because historical films about Black women, that don’t prominently feature slavery, are kind of rare.

*After Earth – I’m one of the few people who actually loved this depiction of a Black father and son’s relationship, set in the far future.

Fruitvale Station – Ryan Coogler’s Oscar nominated film before Creed, based on the true story of the shooting of a young Black man in a NY subway station.

 

2014

Dear White People – About a Black student who runs a radio program at a White college.

*Ride Along – An action film, in the vein of Bad Boys, starring Kevin Hart and Ice Cube.

*Selma – One of the first Oscar nominated films directed  by a Black woman, Ava Duverney, and based on the true life story of MLK.

 

2015

Beasts of No Nation – A movie starring Idris Elba about child soldiers in an unnamed African country.

*Creed – Ryan Coogler’s second film after Fruitvale Station starring Slyvester Stallone and Michael. B. Jordan.

Dope – The coming of age story of a Black boy in California

*Chocolate City – Black cinema’s answer to the male stripper movie, Magic Mike

Straight Outta Compton – The backstory of the Rap group N.W.A.

 

2016

Fences – Based on the play of the same name, by August Wilson, and starring Denzel Washington, and Viola Davis

*Hidden Figures – Based on the real life stories of the Black women involved in the US Space program

*Magnificent Seven – A remake of the 1960 movie with the same name, and starrring Denzel Washington in a diverse cast.

*Moonlight – Oscar winning movie about the early life of a young gay Balck man in California.

Queen of Katwe – About a young female chess player in Uganda, starring Lupita Nyongo, and directed by Mira Nair

 

2017

All Eyez On Me- The stardom story of the rap artist Tupac Shakur

*Get Out – Jordan Peele’s directorial debut is a horror movie about white racist bodysnatchers.

**Girls Trip – A comedy starring an all Black female cast, including Queen Latifah,  and one of the top comedies of the year.

Marshall – A legal drama about Thurgood Marshall, directed by Reginald Hudlin

*Sleight – A superhero origin story of a young Black man who builds a device which gives him magnetic powers.

 

2018

BlackKlansman – Award nominated film by Spike Lee about a Black undercover agent infiltrating the KKK.

*Black Panther – Award nominated superhero movie about the King of a fictional African country called Wakanda, and part of the Marvel Cinematic Universe.

**First Purge – The fourth film in The Purge franchise, focusing on the original purpose of The Purge, and set in a Black neighborhood.

The Hate U Give – A drama based on the book by Angie Thomas, about a young girl dealing with the aftermath of witnessing the police shooting of her friend.

If Beale Street Could Talk – Based on the book by James Baldwin, a young woman is under pressure to prove her lover’s innocence before the birth of their child.

*Sorry to Bother You – Award nominated film about a telemarketer who discovers he has magical voice powers.

*Spiderman: Into the Spiderverse – Oscar winning animated film about the Afro-Latino Spiderman, Miles Morales.

Widows – An action thriller staring Viola Davis. A group of widows pick up where their husbands left off after they get killed in a bank heist.

*A Wrinkle In Time – A film  based on the young adult novel by Madleine L’engle, and directed by Ava Duverney.

 

2019

*Us – Jordan Peele’s second horror movie, about a family terrorized by a group of doppelgangers, while vacationing with friends.

21 Bridges – A cop thriller starring Chadwick Boseman.

**Black and Blue – A Black female cop witnesses a murder by her fellow officers, who along with a neighborhood gang, set after her in pursuit, before she can become an informant.

*Fast Color – About three generations of Black women, with super abilities, who have a family reckoning, after one of them becomes a person of interest to the American government.

*Dolemite is My Name – an award nominated biographical comedy about the Blaxploitation director Rudy Ray Moore, starring Eddie Murphy.

Harriet – The semi-biographical story of Harriet Tubman

*Little – A comedy about a mean Black woman who wakes up one morning as a little girl. The movie has an all female cast, and was produced by the 14 year old Marsai Martin.

Queen and Slim – A young Black couple goes on the run, becoming folk heroes, after they kill a police officer who threatened their lives.

 

The past ten years was seemingly a record for the number of movies released that had Black casts,  contained Black themes, or had Black writers and directors, which reached mainstream audiences, or won critical acclaim. Of all the films I listed, twenty of them were either nominated, or won, mainstream awards.

These movies were also rich in their variety, and I have to give credit for that. We have a full roster of comedies, superhero movies, thrillers, and even horror, and I hope this is a trend that continues. It’s not just that we need more films with Black artists, we also need more variety in the films that get made, instead of an emphasis on only crime or  historical misery.

 

Forthcoming in 2020:

**Antebellum – A historical genre bending mystery starring Janelle Monae

Bad Boys For Life – Action movie sequel starring Will Smith

**Tenet – Christopher Nolan’s mind-bending mystery thriller starring John David Washington

**Respect – An Aretha Franklin biopic starring Jennifer Hudson

Soul – Animated film from Pixar, about a Black jazz player navigating the afterlife

Coming 2 America – Sequel to the 90s comedy starring Eddie Murphy

**Candyman  – A remake of the original 90s classic, directed by Jordan Peele

Trial of the Chicago Seven  

The Photograph

**No Time To Die – Starring one of the first Back female agents in the franchise who takes over the 007 title.May be Daniel Craig’s last outing as James Bond.

**Bloodshot – an action sci-fi thriller starring Vin Diesel

The Lovebirds – A romantic comedy thriller starring Issa Rae.

The Banker 

**John Henry – Action drama starring Terry Crews

 

*Indicates that I’ve actually watched a movie.

**Most anticipated

 

My Favorite Memes of the Past Ten Years

What is a Meme?

meme is a virally-transmitted photograph that is embellished with text that pokes fun at a cultural symbol or social idea. The majority of modern memes are captioned photos that are intended to be funny, often as a way to publicly ridicule human behavior. Other memes can be videos and verbal expressions.

I spend a lot of time on Tumblr, which, much like Twitter, is meme central. Here’s a list of some of my all time favorite memes from the past ten years. I generally do not have a strong meme game, but I try.

******

I love this one because this perfectly describes me and my mother’s relationship, when it comes to me talking about things like superheroes, and some of the movies I like. Of course, that’s me, on the right, when Mom is enthusiastically describing whatever happened on her soap operas that day…

I’ve seen this meme all over Tumblr, and quite frankly, it describes a lot of people’s relationships with any one of  their enthusiastically geeky family members. You just know that poor woman has no idea what the hell that girl is crying about, just like I have no idea of this meme’s origin story.

 

 

This is one of the many faces you simply cannot get away with making at your White co-workers because you will probably get written up or something. You can only do this face, when you’re discussing whatever nonsense you endured, to your Black friends, at some later date.

Here’s the thing, I have no idea what show this is from. I think it might be Parks & Rec, or The Office, but I’m not sure. I only know this guy’s face from this meme becasue I never watched either show. Its like that sometimes on Tumblr. I only know what has happened on a show I don’t watch through the gifs that appear on my dash.

 

 

Sometimes I do know a memes origins, and that’s why this is one of my favorites.This is from Quinta B’s short lived video series, about being an awkward Black girl, titled “Don’t Tell Me To Relax”. Quinta B is currently starring in The Black Lady Sketch Show on HBO, and she  is one of the funniest Black women in comedy.

I love this image because her facial expression is absolutely perfect. That is the expression you wear when you know you’re right, the other person has acknowledged that you are right, and  you  want to just be a smug asshole…

…or this is twelve year old me winning a game of Uno!

 

 

 

This is Linnethia Monique “NeNe” Leakes from the show, The Real Housewives of Atlanta, which I have never watched. I only know her from her gifs and memes. In fact, I never did find out what she “said” she said, but Nene is the meme of every emphatically correct Black woman on the internet. “Don’t explain back  to me what I just said. I know what I said!”

 

 

 

This one is called calculating woman. I have no idea where this is from, so I probably could use this meme, to explain my confusion, about who the hell this woman is.

I do know why I find this one funny.This is the look Black people wear when seeing White people do something inexplicable, like walking on the sidewalk in their bare feet.

 

 

I know these are two separate memes, but I have only ever seen the two of them paired together. I only like this because my mind is very literal when it comes to this set of images, although its pretty much used everywhere on Tumblr. I would be outraged if a smug little cat sat itself down at my dinner table, too. I also know that any cat would be completely unperturbed by me screaming at them.

 

 

 

The woman in this meme spoke about what it was like to actually become a meme. She says that although how its been used is pretty funny, it wasn’t about her squinting incredulously at anything. She said she made that face because, before this pose, she’d been in a kneeling position, and when she stood up, her knees hurt!

Either way, I can understand both of those moods.

 

 

 

I’ve only ever seen both these  memes used in conjunction with people complaining about  colonizing, or appropriation. They’re both so very different, but are almost always used to mean the same thing, often used in conjunction with the term Wypipo!

 

Bonus!

The “Some of You Have Never …And it Shows” Meme

Some Of You Have Never…

 

 

 

 

Some Favorite Comedies

I wouldn’t call myself a film comedy fan, whatever that means, (although I have and will, watch plenty of TV comedies), nevertheless, I have watched a large number of them in the past four decades. Some of them have been more impressive than others, and by impressive I mean that I actually laughed at them, or  watched them  multiple times, “… and it keeps getting funnier, every single time I see it!!!”

I have a strange relationship with humor. I don’t often find funny what other people find to be funny, is much so, that I used to think something was wrong with me (but it turns out I’m, most likely, somewhere on the Asperger’s spectrum). I’m often unimpressed with the kinds of movies other people think are hilarious. I’ve been told, from time to time, that I’m pretty funny myself, and while I like to say silly things to strangers to break the ice, I don’t really think of myself as a particularly funny person.

I have noticed a pattern to what I find funny. My sense of humor is tends to be childlike,  just straight up silliness, solely for its own sake, and the movie usually has to be mixed with some other genre. Of all the movies on this list, The Nutty Professor is the probably the only movie which I would say was made solely for comedy’s sake, as its really not mixed with some other genre, (maybe sci-fi, since it’s a parody of Dr. Jekyll and Mr. Hyde), and yeah, I am including the 1963 Jerry Lewis’ version. But most of these are Western, or Horror, or SciFi Comedy.

So here, in no particular order, are just some of my favorite comedies. I have several more favorites that, for whatever reason, didn’t make it onto this list, but hey, I can always so another post, right?

 

Galaxy Quest 

Image result for galaxy quest gifs

There is no such thing as the comedy to end all comedies, but if there were, Galaxy Quest would be the parody to end all SciFi parodies. After this movie got made, no more need be said on the subject.

I absolutely love the fuck out of this movie, taking every opportunity to watch it when it airs on TV, and here are only five of the reasons why:

  1. Its a Star Trek parody, and I am an Old School Star Trek fan. Name a character, or play some music from the original series, and I can tell you the title and plot! I wanted to be Lt. Uhura when I was a little girl, and I would of course, marry Spock!

2.  Sigourney Weaver, the queen of my other favorite movie franchise, Alien. Sigourney gets nearly every great line in this movie,  and is only rivaled in the amount of great lines she gets by:

3.  Sam Rockwell, as Guy Fleegman, a redshirt nobody who is convinced that because his character has no last name, and is the head of security, that  he is going to die on whatever adventure they are having.

4. This movie contains one of my all-time, favorite, movie tropes, featured in films like The Three Amigos, Tropic Thunder, and A Bug’s Life, where a group of actors mistake a plea for help, from some unsophisticated victims, to be a request to do a show. The actors sign up to do a show, which  turns out to be the  real thing, and they have to now become actual heroes. This plot trope is also  a parody based on The Magnificent Seven, and The Seven Samurai.

5. Alan Rickman’s Dr. Lazarus, who is a loose parody of a conflation of the character, Spock, and  any number of Shakespearean English actors,  like Patrick Stewart, whose makeup becomes more, and more disheveled, the further we get into the movie, until its time to say that one line of dialogue that he absolutely hates, (but for real this time), during which his makeup becomes perfect.

Its not that Tim Allen’s character isn’t funny. He has his moments, but he is also the only character willing to take everything seriously, while all the other characters are like: WTF?!!! Especially Tony Shalhoub’s character,  Fred Kwan, who I think, spends the entire movie high as a f*cking kite, and still manages, somehow, to keep his game on point, and get the girl. I don’t think he actually believes that any of the shit that’s happening is real, and is able to just totally roll with whatever happens, and as far as I’m concerned, that’s probably a great way to get through most of the world’s minor tribulations.

One day, I have to do an entire post on this film, talk about why I love this so much, what tropes the film is parodying, the whole thing.

 

Raising Arizona

https://tvgeekingout.wordpress.com/2017/05/02/speaking-of-crime-raising-arizona-1987/

Image result for raising arizona gifs

Before, Raising Arizona, I was not much of a movie comedy person. I watched most comedies on TV, and that was where I stayed. I grew up watching the Three Stooges,, The Little Rascals, and Looney Tunes, and moved on to more adult comedies like Mary Tyler Moore, Barney Miller, and WKRP in Cincinnati, and  comedians like Robin Williams from Mork and MIndy, or George Carlin, and Jonathan Winters, especially if they showed up on the late night TV shows I wasn’t supposed to be up watching.  Sometimes I would watch a Scifi comedy, or a Horror comedy, but I didn’t often watch comedic movies that were just whatever they were.

I mentioned in an earlier post how this movie came to resonate with me, and played a big part in my memories of college life. Everything about this movie strikes my funny bone, from Hi and his  friend’s highfalutin’  manner of speaking, despite that all of them are lowlifes, to the plot,  the music, and cartoonish action scenes. This is the only movie I will watch, (besides, Ravenous, and  Mars Attacks!), that prominently features yodeling.

 

Tucker and Dale Vs Evil 

I gave a review of this movie here:

https://tvgeekingout.wordpress.com/2016/04/24/geeking-out-about-tucker-and-dale-vs-evil-2010/

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My favorite scene in the entire movie is Tucker being chased by bees, while wielding a chainsaw. I just lose it every single time, and you have to watch the movie, just to put that scene in context. This  movie is utterly ridiculous and knows it.

 

 

Best in Show

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The great thing about this movie, isn’t the situation, although I do like Dog Shows, its the complete silliness of the characters. The Director is none other than the maker of This is Spinal Tap, Christopher Guest, an alumni from Saturday Night Live, who wrote the script with Eugene Levy, who has become another favorite of mine. They specialize in the kind of smug, off brand, humor that a relies on subtly, weird characters, and puns, and which is often called pretentious.

These are not laugh out loud, guffawing type movies. The humor goes much deeper than that, to tickle waaay down in your stomach. The characters are not necessarily doing obviously funny things, there is little  slapstick, and most of the humor relies on dialogue. In some cases, you are actually laughing at the characters, while others you laugh with, and this is some exceptional writing, when you can have multiple characters like this in the same movie. But what I love the most about this movie is no matter how funny the character’s are, none of it is mean spirited. Guest loves his characters, and doesn’t  humiliate them, just for the enjoyment of it. They are always either clueless, or hapless, people who mean well, but just, for whatever reason, can’t.

The movie follows three different couples as they navigate their way through a dog show. Eugene Levy and Catherine O’Hara play John and Cookie Fleck, a lower middle class couple, the owners of a Norwich Terrrier, who are out of their league at such a prestigious event as the American Kennel Club Dog Show. Cookie has a sordid past as the town futon, who is constantly running into old lovers, while Eugene is her hapless, two left-footed, husband.

Meg and Hamilton Swan are a pretentious, and neurotic, yuppie couple, who you are probably meant to laugh at, as they wax nostalgic about meeting each other at competing Starbucks, and freak out over their completely unperturbed Wiemeraner. Scott and Stephan are a gay couple, who are the charming, funny, and the gracious, highlight of the movie, and the sweetly pretentious dogfathers of a pair of tiny Shih Tzus.

The singletons are Mrs. Cabot, a trophy wife, who has an interesting relationship with Christy Cummings, played by  Jane Lynch, as a famous, over-competitive dog trainer of a poodle. And Christopher Guest himself rounds out the cast as an overly hopeful Basset Hound owner, who is totally out of his comfort zone, named Harlan Pepper. The most silly character in the film is the Dog Show announcer who embarrasses his fellow announcer by  making dumb, loud, and off-color jokes.

All of the characters are deepened with interesting side stories, and little quirks of personality that make them more likable than annoying. Guest is the type of humorist who doesn’t try to be edgy, or shocking, to the viewer. You can tell he likes these characters, even the Swans. He’s not trying to humiliate them just for shits and giggles, and most of them get positive, if not happy, endings. This is also one of my favorite movies about dogs.

(Yes, we have two dogs in the house, our dignified elder statesman, Sargent, a Rat Terrier, who has a bobbed tail. I like to call him Capt. Wiggle-Bottom, and our smalle, and  faster, back up model, named Rusty, a redheaded Yorkie, I like to refer to as The Squeaker, and  however you just pictured them, is exactly how they behave.)

 

 

 

Tropic Thunder

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Okay, I know that I am probably not supposed to find this movie as funny as I do, filled as it is with Blackface, Black stereotypes, Asian stereotypes, Jewish stereotypes, and  its use of the R word, but I just cannot help myself. I just love this movie, and that is due almost entirely to Robert Downey Jr’s character, a White Australian actor, who spends  the entire movie masquerading as a Black man, while working next to  an actual Black man, and lecturing another White man on how that man went too far in portraying a marginalized character. I think what’s really the movie’s  saving grace for me, is the ACTUAL Black man, played by Brandon Jackson, who calls Downey’s character out at every opportunity. The people who made this film knew that everything they were doing was wrong, and still went there with it!

Tropic Thunder is meant to be a satire on war movies, and actor’s careers. Jeff Portnoy is meant to poke fun at Eddie Murphy. The makeup artist for this film, Rick Baker, also did the makeup for Murphy’s Nutty Professor movies. Tug Speedman is a play on Tom Cruise, who also has a cameo in the movie, (and almost steals the whole damn thing, even when you don’t recognize him!), and Robert Downey’s character, named Kirk Lazarus, was a statement about Australian and British actors who make it big in Hollywood, by playing chameleon-like roles.

As the film progresses, and the events that were only being faked on a movie set before, become more and more real, Lazarus’ makeup starts to wear off, and you can see his real face, as he becomes a White man,  with an incongruous, 70’s Blaxploitation accent. I remember when I first saw the trailer, I kept looking for Downey,, because I was told he was in it, and not finding him. It wasn’t until after the movie’s release that I realized I’d been looking at him the entire time. His makeup is so incredibly convincing that he looked like my late uncle, something which struck me as incredibly funny. Even after knowing it was Downey, I still kept seeing my uncle, (probably because he says a number of things that are exactly how my uncle would have reacted, under the same circumstances).

Some of my favorite moments aren’t even in the movie, like the DVD commentary, where Downey does a ridiculous Blaccent, the entire time, because  as Kirk Lazarus states,  he doesn’t break character until the DVD commentary. It is hands down one of THE funniest DVD commentaries I’ve ever listened to, as Jack Black is a natural born cusser, and, very probably, drunk during the whole thing.

 

The Nutty Professor (1963)

This is the original movie on which Eddie Murphy’s 1996 version was based. This is the one I grew up watching, along with a bunch of other Jerry Lewis films. It does differ significantly from the remake, but the basic plot is the same, a kindhearted, nebbishy, teacher transforms himself into the ultimate masculine man, to attract the attention of the beautiful woman he has a crush on. But the differences are interesting too, and not just the race of the characters. The original film is also a musical with a number of setpieces written by Walter Scharf, and performed by Jerry Lewis himself.

Jerry Lewis plays Julius Kelp, a nerdy, science teacher ,who has fallen in love with one of his students, Stella Purdy, who is played by the lovely Stella Stevens. To win her love he transforms himself with a potion, (ala Dr. Jekyll and Mr. Hyde) into an obnoxious character, named Buddy Love. Just as in the remake though, the potion doesn’t last, and his true self gets revealed for all to see.

From the opening scene, to the final act, the movie is filled with a lot of great physical comedy, but the highlight of the movie, at least for me, were the two musical performances by Lewis, and performed with maximum chill, called Old Black Magic, and my personal favorite, We’ve Got A World That Swings. But the movie is filled with some great little character moments, like the one below, where Dr. Kelp gets carried away by the song being performed by Les Brown’s Band of Reknown. He is truly among the world’s worst dancers! The dialogue is smooth and funny, with  Kelp and Buddy as very distinct characters. The most popular moment, for most viewers, is the introduction of Buddy Love, but Stella also gets her due, and her man. She may not be the star of the film, but she is always treated with respect, by the writers, and the other characters.

 

 

The Nutty Professor (1996)

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The best comedies don’t just make you laugh while watching them, they make  you laugh while  thinking about them later. The 1996 Nutty Professor is a remake of the 1963 version of the Jerry Lewis film, only instead of a nerd scientist, made cool by chemistry, you get an obese man, turned into Eddie Murphy, at his most obnoxious, through the use of chemicals. The remake makes more evident, what the original only sort of played around with, that Buddy Love is a horrible person, who is not meant to be admired. This is done by contrasting him against Sherman’s sweet and gentle nature, as they both pursue a  romance with the beautiful Miss Purdy, played by Jada Pinkett.

I think most people who love this movie will agree, that the dining scene, which  happens somewhere in the middle of this movie and illustrates both the love and   shame that Sherman feels about his over sized family, is without a doubt, one of the funniest scenes ever. Eddie Murphy plays four different characters who all interact with one another, but its his Grandma who gets all the best lines, that people are still repeating to each other, over twenty years later. Even my mother loves this movie, and is just the right age, (apporaching 70), to get away with telling someone, “C’mon Cletus!”, while shaking  her cane at people, and have that shit be funny as hell!

 

 

The Blues Brothers

Here’s another comedy that’s also a musical. I was a big fan of John Belushi, mostly for his SNL parodies of Toshiro Mifune’s character from Seven Samurai, called Samurai Delicatessen, Samurai Stockbroker, Samurai TV Repairman, Samurai Night Fever, and Samurai Hotel, bearing in mind that, at that age, I had never seen Seven Samurai.

I was not a huge fan of Dan Ackroyd, but I was willing to tolerate him, for the sake of John, and in a delightful surprise, Aretha Franklin, performing Think, and Ray Charles, performing, Shake A Tail-feather. The movie has never struck me as especially deep. It doesn’t seem like its trying to make a point, and its not really all that laugh out loud funny, but what it is, is  pure, goofy fun because Jake and Elwood are the best possible brothers.
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Evil Dead II

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I remember watching the first movie a little while before I went to see this sequel. I remember I was not particularly impressed with the first film. I remember seeing this one at a theater downtown on a double bill with Robocop. I do remember those as some very enjoyable hours.

In hindsight, I cannot imagine why I was against seeing Raising Arizona, when I was in college, because that movie has some of the same ridiculous type of humor as this one, and I thought, (heck, I still do), that this is one of the funniest horror movies I’ve ever seen.

Have you ever watched anything so over the top, ridiculously stupid, that you have no choice but to laugh at it? That pretty much describes this entire film, from the image of a rotting corpse, dancing with its own severed head,  to a demon possessed hand, that’s trying to kill its owner, Sam Raimi just gave full vent  to his silliness, for which I will always respect that man. The movie cemented my love for Bruce Campbell, whose career I’ve been following ever since.

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Kung Fu Hustle

I wrote about my love for Kung Fu Hustle here:

https://tvgeekingout.wordpress.com/2016/03/12/geeking-out-about-kung-fu-hustle/

This is another one of those movies, that is just so over the top ridiculous, that its hard not to like it. I love both Looney Toons, and martial arts films, and this movie is the perfect mashup.

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Honorable Mentions:

Blazing Saddles – This is the scene, that caught me, right here:

 

The Birdcage – One of the thee funniest movies Robin Williams ever made, and what’s so hilarious about that is, he was the straight man in this duo, while Nathan Lane got all the best lines:

 

 

A Bug’s Life – I love the bloopers and outtakes scenes at the ends of the early Pixar movies. The creators didn’t have to do that, and I love that the writers went a little out of their way. But my favorite line in the entire film is in the bar scene: “Waiter, I’m in my soup!” 

 

 

What We Do In the Shadows – Who hasn’t Wanted to finish some “dark bidding” on Ebay?

 

 

Beetlejuice – The Wedding Scene

Viewing List – November Edition

These are the reviews from things I watched in October and November. I will try to make these as short as possible, but y’all know I’m good at blabbing about TV shows, so wish me luck with that.

 

Dolemite is My Name

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I was kinda excited about seeing this, nevertheless i was surprised by how much I liked this movie, and I can think of no better actor to play Rudy Ray Moore than Eddie Murphy, a comedian I have  always had tremendous respect for, and who really doesn’t get enough credit for all the work he’s done, in the past 30 years.

Now, I have to give a little bit of background here. I grew up in the time period in which this movie is set. I would have been 2 maybe three years old at the beginning of the movie, but I have very distinct memories of grownups being really excited about Moore, and Yes, I did encounter a couple of those racy album covers in my mom’s collection, but I don’t think she knows I remember she was a Rudy Ray Moore fan.

I have a very clear memory of mom, and her then boyfriend, taking us to the Drive-in to watch The Human Tornado, which came out in 1975, and was a sequel to Dolemite.  I would have been five, and my brothers would have been 3 and 4. She would have had the assurance that, since we were babies, we would all be asleep by the opening credits. I don’t think she knows I was wide awake No, I wasn’t scarred for life or anything, but I definitely  remember parts of  the movie, and even some  it’s theme song. I know this is a genuine memory because I have never seen the movie as an adult.

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Anyway, all this to say that this definitely brought back some memories. There are some things about Black culture that only Black people know. I’m gonna let y’all in on a little secret.

Black people have our own stories, which seem to parallel stories from other cultures. Most of them you’ve probably never heard of,  unless you grew up in the culture, or have parents of a certain age, like my Mom. My mom used to tell us stories about the Signifyin’ Monkey, the lion, and the elephant, (only without all the cursing, and never the whole story, since its fairly raunchy.) Probably not the sort of things one would tell one’s kids today, but things were different back, then, and my Mom was kinda weird. It has a pretty long history, too. If you have ever  read American Gods, Anansi tells a story that is directly based on the folklore tale , titled How the Monkey Got the Tiger’s Balls:

Numerous songs and narratives concern the signifying monkey and his interactions with his friends, the Lion and the Elephant. In general, the stories depict the signifying monkey insulting the Lion, but claiming that he is only repeating the Elephant’s words. The Lion then confronts the Elephant, who physically assaults the Lion. The Lion later realizes that the Monkey has been signifyin(g) and has duped him and returns angrily to castrate the monkey, rendering him unable to reproduce.[3]

https://en.wikipedia.org/wiki/Signifying_monkey

http://mogley.tripod.com/monkey.html  

The Signifyin’ Monkey is part of the Dolemite theme song. Since this is a Rudy Ray Moore biopic, there’s a lot of cursin’, and some mild nudity. Its not half as raunchy as the actual Moore, but I think he’d be satisfied with what was shown in this movie.

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I also enjoyed it outside of the nostalgia factor. There’s a scene, in the early part of the movie, where Rudy encounters a plus size woman whom he recruits into his comedy troupe. This woman later  became known as  Queen Bee, who was every bit as raunchy in her style of comedy as Rudy. The story is arranged in such a way that you’re meant to cheer Rudy as a driven, hard working man, who triumphs against the small minds of others. Needless to say, most comedians probably couldn’t get away with most of the comedy routines, in this movie. The seventies featured a lot of new culture, that we take for granted now, and one of those things was raunchy Black comedians.

There were plenty of Black comedians before Rudy, who said some fairly racy stuff, but they mostly worked what was known then as The Chitlin’ Circuit, which were a collection of venues where only only Blacks could perform, since they still, even in the seventies,  considered too raunchy to play in the mainstream (i.e. White ) circuits. Rudy was one of the first of these type of comedians to go (sort of) mainstream, in that even White people heard about him, although he still would never have been invited on The Johnny Carson Show. So, the movie is one of those low key inspirational films, about overcoming racism in Hollywood. The first half of the movie is very caught up in people telling Rudy “no” , telling him what he can’t do, or making fun of him for wanting certain things, and Rudy going off to do those things anyway.

I have since learned that Eddie Murphy has received a Golden Globe nomination for this role. but I don’t think he will win. He does some great work here, but its not the best work he’s done, and really, I thought it was a walk in the park for him. He can play this type of role in his sleep. But I did enjoy watching him, because his charm makes the occasionally cringey plot, very watchable.

 

The Mandolorian

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I am loving The Mandolorian, and not just for the Baby Yoda scenes. (No, that isn’t actually Yoda, but some distant descendant, since this series is set after Return of the Jedi.) This series is full of some of the classic themes we expect from Star Wars. George Lucas has said the original Star Wars was based on the works of Japanese film Director Akira Kurosawa, most specifically, Seven Smaurai, and you can see some of the influence here.

In fact the series heavily reminds me of the Japanese Manga called Lone Wolf and Cub, in which an itinerant samurai, a ronin, wanders the Japanese landscape, with his tiny son, searching for vengeance, and  getting into various adventures. The only differences between that, and The Mandolorian, is the son doesn’t have force powers, isn’t on anybody’s wanted list, and isn’t half as cute as Baby Yoda. The show takes care to focus on the relationship between Mando and Baby Yoda, too. There are a lot of really cute moments between them, and the public seem to have really taken a shine to the little guy, much the same as his adoptive Dad.

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Its also a classic story about a character’s personal growth.  Mando starts out as a bounty hunter, who is just there for the work, so he can buy some new armor, but makes the decision to take the baby and run, rather than deliver him/her to his clients. There are larger mysteries which haven’t been answered yet, like who exactly is the Mandolorian, why does everyone want the baby, and where did this baby come from.

The production values, the costumes, acting, and special effects, are all top notch. It really does have the look and  feel of one of the movies, which makes it very easy to watch, although this luxury comes at the expense of the episode running times, which never get beyond 45 minutes. I can live with that, especially since the action scenes are the highlight of the series. In one of the earlier episodes, there is a full on fight between a team of Mandolorians and the various ne’er do wells, and criminals, on the planet on which they’ve all been hiding out. When CG is used, its mostly for the creatures, and action scenes, and is largely invisible, as its supposed to be.

 

 

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War of the Worlds – BBC Version

 

There have been umpteen different versions of this show. A book, a radio program that, as it is rumored, gave some people the shits back in the thirties, as they thought it was real, several movies from the fifties to the nineties, one of which starred Tom Cruise, another TV show, and now this.

Its a three part miniseries from the BBC, and so far I’m really liking it. Its got some nice production values. You can see where the money went in this one. The special effects are well done, and not that usual cheap TV stuff you sometimes get in big idea shows, and the show, quite frankly, looks gorgeous. The acting is acceptable,  although the only actor I truly recognize is Robert Carlisle.

And this show is not fucking around with its theme. H.G.Wells wrote the novel as a reaction to the British annexation of the Congo, and the atrocities that were being committed during the colonization of India. He wrote a book about the violent colonization of England by a superior technological force, as a condemnation of the British Empire’s activities, and the show makes this connection loud and clear, right in the opening credits. In the first fifteen minutes of the show, you hear characters having conversations about the might of the British Empire, and how wonderful it is to live in such a powerful country. By the end of the first episode though, the Martians have shut that talk down.

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There’s also some melodrama involving the two stars of the show, Rafe Spall, the brother of Timothy Spall, as a fellow named George, and Eleanor Tomlinson as his paramour, Amy. The two  are madly in love, but cannot be together, because George’s  wife refuses to divorce him, She hates him, and wants to remain married to him just to spite him. The family is scandalized, his older brother,  is outraged, and the  the rest of the community don’t know how to think of this thing, where the two of them are living together, unmarried. Plus Amy is pregnant.

I was not initially interested in the melodramatic aspect of the show, but the show does this thing, where it flashes back and forth to the future, after the alien invasion has been conquered, but the Earth is a literal hot mess, because the aliens weren’t just there to invade, they were terrraforming. Amy is wandering through the red deserts of what used to be England, with her young son. She has been separated from George for a long time, but still holds out hope of finding him. I didn’t care, at first, but I decided that I liked the characters. At least, I liked Amy, and that seems to be enough for me to start to care the rest of it.

The show opens with her and George witnessing the launch of the ships from Mars. Its a little different from the movies, because the ships look like meteors as they land, and that’s hat people think they are. They look like black globes that float off the ground, and are capable of setting people on fire from a distance. The tripods break out of the ground after the globes explode, and start their rampage, although the tripods aren’t so much interested in annihilating people, as they seem to be in seeding the planet with various gasses and chemicals. Like I said, this is not an invasion, exactly. They are transforming Earth into another version of Mars, and if you look at the flash forwards, their mission seems successful.

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I did have some criticism about characters doing stupid things, but this is only because this is one of those situations where the audience knows more about what’s going to happen than the characters do, so there were a lot of instances where people are standing around looking at things, while I yell things like ,” Get the fuck out of there!!!!’, and, “Run!” There are  various government officials who act like the mayor from Jaws, and simply bluster uselessly at the reports they’re getting from other parts of the country, about the annihilation of entire towns, even though the city is filling up with refugees from those areas. The British are so full of themselves about the initial events, that I have to admit, it was a bit satisfying watching them get their asses handed to them by the Martians, which point the show is trying to make. Basically, the show is saying that the British “ain’t all that!”

There are lots of closeups of boiling ant colonies, along with images of English people living their best lives, not unlike the ants, walking the streets of their mighty London, and looking quite busy, and the tripods themselves look very insect like, such that there is a connection being made between the idea of  invasive species, and the colonizing aliens, and that what is being done to England by the Martians, England is currently  doing to other countries, and been quite proud of themselves for it. We know the English are proud of their activities, but we don’t get any idea how the aliens feel, though. There are scenes where people touch the black globes that have dropped to Earth, and see smeary lingering images of their hands and faces, in the glossy sheen of the alien device, in a very,  “We have met the alien, and they is us.” type moment. So yeah, the show ain’t being  coy regarding its critique of British empiricism.

The setting for the various iterations is England, at the height of the British Empire, when it was engaged in the violent colonization of different countries. The English were largely brought low after WW2, (look up London Blitz), so its interesting that the first American version showed up in the fifties, (1953), when America, having won some victories during the war, (and starting to feel itself to be the shit) began engaging in its own world dominance behavior. (Before the War, America pursued an isolationist stance.) The 1953 version, (and subsequent invasion movies, like Strange Invaders, and Independence Day), were not about the humbling of America, so much as they were  America conquering some  great enemy, against all odds.. The 2005 version is a response to 9/11, where its made clear that the alien invasion is a stand-in for the terrorists, and America doesn’t triumph, so much as get lucky.

Not all alien invasion movies are violent. Some of them are enlightening, like 2001, and/or  hopeful, like Close Encounters of the Third Kind. This series is in the truest spirit of the book, however, which was a rebuke to British hubris.

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* https://www.post-gazette.com/ae/movies/2012/06/13/Behind-the-fiction-lie-factual-themes-in-alien-movies/stories/201206130200

Once they were analogies of the Cold War or Vietnam. Sometimes the underlying theme is corporate greed, environmental destruction or fears of technology supplanting humans. The movies feed on public fear of enemies from abroad, which in today’s world, he said, could even include mortgage bankers.

October Viewing List II

Supernatural

The final season has begun, I already wrote a short review on my other site. Check it out!

 

Little Monsters

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i am of two minds about this movie. On  the one hand, I hated, hated, hated, the lead character, Dave, who, while not as vile as trump, could definitely give him a run for his money, in the stupid, juvenile delinquent, category. Dave is a vile, foul mouthed, washed-up musician, and asshole, who is irresponsible with kids and himself, does not know how to behave like an adult,  and lies, and steals without compunction. He changes his entire outlook however, when he sees Miss Caroline, his nephew’s grade school teacher, who is, very probably, the greatest ray of sunshine to ever grace a zombie movie. I loved her. Everyone loves her.

On the other hand, hating Dave was not enough for me to quit watching this movie, because Lupita is the best thing in it, its actually pretty funny, and there’s plenty of zombies, gore, and cussin’.

Some serious shenanigans have been going on at a military base in the English countryside, and some zombies get loose, and head over to a nearby children’s amusement park, that Lupita and her class happened to be visiting that day. Yes, the children are in some danger of being eaten by the zombies, but its really not that type of film, as most of the tension comes from Miss Caroline, trying desperately to protect the children from any emotional trauma, that might come of the zombie outbreak.

To that end, Miss Caroline’s charm is turned up to fifteen, as she sings and dances her way through the zombie apocalypse, with her little banjo. The children adore her, and she manages to be successful, not just at saving the children, but winning Dave’s heart, as he attempts to become the type of man who is worthy of her attention, rather than the asshole he’s always been. So even though I hated Dave, this movie isn’t about him manipulating her into falling in love with him. Its about the redemption of a cad, as he understands that the only way to win the love of a woman as magnificent as  Miss Caroline, is to first realize he is not worthy of her as he is, and then to become a different person.

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I feel some type of way about Dave winning the girl at the end of the movie, especially when he is set up at the beginning of the movie as such a hateful piece of shit. (No, truly, for the first twenty minutes of this movie, I just wanted to set Dave’s sorry ass on fire.) When he first meets Caroline, he tries the usual lying bullcrap he has always used to manipulate women into giving him a pass, including his own sister. He is not successful at this because none of that works on Miss Caroline. She is completely immune to it. He’s gotta try something new, if he hopes to win her,  so he pretends to be a worthy person, and in the process, actually becomes a worthy person.

But I suppose the purpose in showing Dave to be such an awful person, is to show the redemptive power of Miss Caroline. One of the most interesting things about the plot is Miss Caroline is not trying to save Dave, or turn him good. She expects that he is already a good man, and simply treats him as if he is. Miss Caroline tells him that she is a Christian woman, who believes fervently in her job, loves children, and does not like cursing. She is not preachy about this. She simply behaves in a Christian manner, and I like that she is not a stereotype of a Christian, as she really is as wholesome as she appears. She loves her kids, loves her job, and will brave any danger to save her kids from harm, which she does, when she fights off a hoard of zombies, to retrieve one of her kid’s  inhalers. She is also tough as fucking nails,  because she is perfectly willing to stab one of her companions in the gut, when he makes himself a danger to her kids, and won’t stop cursing at them. He is supposed to be a role model for the children, and dammit, he’s gonna act like one!

This is the introduction of Mr. McGiggles, one of the entertainers at the park, who s every bit as awful, and foul mouthed as Dave, but since Dave is trying to mend his ways  to impress Caroline, we need a a new foil, to contrast what Dave is no longer trying to be. So McGiggles takes Dave’s place, as the unrepentant foul mouth, in the script, as Dave starts becoming a better person.

So yes, this movie is quite a journey for its characters. Dave finds himself wiling to do anything, and be anything, to live up to Miss Caroline’s example of bright humanity, and I suppose that’s a good thing, because it works. He makes a genuine change to be worthy of her love, and I’m okay with that, I guess, but getting through the first twenty minutes of this movie was really hard.

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Little Monsters is available on Hulu. I plan to watch this one again, when I can find the time.

 

 

Evil

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Here’s another show with religious themes and characters. I did not plan this. This is just sort of how it turned out, because I had no plans to watch this show, not because it wasn’t on my radar, but because I was not particularly interested. Its not a bad show, and I am probably going to watch more episodes of this, because it turned out to not be exactly what I thought it would be.

Now, I’ve only seen one episode, which was medium dark, and definitely had some tense moments in it, but not for the reasons you might think. I haven’t gotten the character names down yet either, so I looked those up. The horror springs from the character decisions, and  that you either know more, or less, than the characters in the show.

Dr. Bouchard is a forensic psychologist, who teams up with Mike Colter’s character, Father Acosta, along with a contractor played by Aasif Mandvi, who I really like, to investigate supernatural incidents. Dr. Bouchard’s job is to determine whether or not a supernatural event occurred, and Mandvi’s job is handling the technical equipment involved, if an incident occurs, so as to document Father Acosta’s claims to the church, when he requests  assistance.

In the episode I watched, a family claims that their little boy is possessed by an evil spirit of some kind. The episode follows as Bouchard and Acosta determine whether or not that’s true. Bouchard conducts therapy sessions with the little boy, which are actually pretty chilling, and Acosta manages to form a connection to the little boy, and actually  encourages him to begin prayer. When the boy attempts to drown his baby sister (Acosta saves the baby’s life with cpr), Bouchard and Acosta manage to convince his superiors that an exorcism is needed. We do not get the cliched exorcism scenes, because the parents of the little boy take matters into their own hands, so yeah, I didn’t see that end coming, at all.

At the same time, there is a secondary story involving Bouchard’s family. She has four little girls, who miss their absent father. She has been lying to the girls about where their father is. Either he is dead, or he left her, but the four girls, all of whom are really cute, believe that he is a expedition guide at Mt Everest. At the same time, her mother has given the little girls some VR toys with an odd Halloween type game the girls have been playing, that starts to take on an odd prominence in the lives of the two oldest girls.

The game starts to become more and more real, and the creature from the Halloween game (in the form of a little girl) starts to bleed into the other games, convincing the little girls to perform a seance with a virtual Ouija Board, and summon some type of virtual demon. Now, this all occurs within the game, but its still pretty frightening, because the only adult who suspects anything out of order is Mandvi, who hacks the game to put parental controls on it. Parental controls that don’t work, as the girl from the game simply invades the other games on the device. Bouchard  is a skeptic who finds that something supernatural might possibly be occurring right under her nose, in her own house. For me, this was the most frightening part of the show. ‘

One of the reasons, I was ignoring this is, I thought the show would simply be a retread of The X-Files, because Bouchard is a skeptic, and it’s Acosta’s job to believe, but the dynamic here is completely different. For one thing, it’s unlikely that there will be a “will they/won’t they”, dynamic between the two, and also because Bouchard is still possibly married, or just divorced or something. Mandvi, although I really like him, seems to be a kind of third wheel. I actually liked all the characters, though. I’m not a religious person, but I did like Acosta’s quiet faith, and I like that he’s not written as a stereotype of religious fanaticism. I like that he is Black, and a Catholic priest, because those are rare in American Pop Culture, with most Black people being associated with the Protestant religions.

The first thing that intrigues me about a show is often its premise, and I wasn’t too wowed by this one, but once I actually watch an episode of something, what keeps my butt in the seat is the characters, and these characters were intriguing enough that I’m going to watch some more episodes. I at least need to find out what happened to the doctor’s husband, why she is secretly crying in her kitchen, and when she is going to share this information with her daughters. I also need to know when or if her daughters are going to tell her that they conjured a demon into the house, through the VR that was gifted to them, by their grandma.

 

 

Watchmen

Image result for watchmen tv series gifs

I was not particularly enthusiastic about watching this, mostly because the movie was merely so-so for me.  I told y’all before that I didn’t find my way to comic book geekery through the usual White guy channels. I sort of meandered around, putting together my own foundation, via Horror, and Science Fiction. What that means is, I did not read the Watchmen comic books, when they were first published, although I was the right age for it, and by the time I got around to reading the books, I had already read other books by  Alan Moore that I thought were more impressive, like Swamp Thing, and Miracle Man.

So,  I was unimpressed with the movie, beyond liking the special effects, and Dr. Manhattan, and I didn’t think I was going to be into the TV series either, especially since it was written by Damon Lindhelof, because I’m still mad at him for Prometheus. But, nevertheless, I watched the first episode.

I have to warn you the first fifteen minutes are harrowing, as it deals with the Tulsa Race Massacre (because that is indeed what it was) of 1921. This is a real event, I first read about, when I was a teenager, (naturally, it was never something studied in school. I was one of those kids who, after a while,  my teachers just left alone to make up my  own curriculum.) There were a bunch of these “Race War” massacres  throughout the history of the US, like Ocoee Florida, Rosewood, Tulsa Oklahoma, and the Red Summer of 1919, and most people will not have learned about them in school. Needless to say, when you hear some yahoo going on about how there needs to be a Race War, what he really means is that he would like the opportunity to massacre some PoC again.

https://en.wikipedia.org/wiki/Red_Summer

Genocide of the California Indians

The lynching era (1878–1939)

You have to know a little bit about these events to understand something about the alternative universe in which this story takes place. Guns for example are outlawed (even the police need special permission from their superior officers, which is some dude wearing a Panda mask, before using lethal force). There is also an offshoot of the KKK, now called by some other name, and using the Rorschach mask, along with his talking points, thanks to the diary that was mailed to the media, after Dr. Manhattan killed him.

In our world, the police and the KKK clashed in Tulsa, and the KKK won, but in that universe, they lost, and The Reconstruction after the Civil War continued, in which Black people got political power, and the police have been fighting a decades long battle with these KKK offshoots. The police now need to wear masks to protect their identities, and families. In this universe, the police are the good guys, who are besieged by that world’s version of the Alt-Right, and some of these things are  fallout from the events that happened in the comic books, which were set in the 80’s.

Image result for watchmen tv series gifs

So, Dr. Manhattan still exists, and lives in exile on Mars, Ozymandias is supposedly  dead, (but I don’t think so), and because of the events he engineered in the book, involving a giant squid attacking  Earth, we get regular squid falls, for which cities need sirens to warn people. Quite frankly, I was more weirded out by the  squid rain, than anything else shown in the episode, because that’s just funky. My mind kept going back to the logistics of regular falls of squid. How to clean that up? Does it smell real bad? This is actually relevant to the rest of the season’s plot though, as it involves alternate dimensions, (which is where the squid come from), and  time travel.

The presidents of this world, often have consecutive, multiple runs, in political office. Robert Redford is the president in this universe, and has been for almost thirty years, where he has instituted reparations to the survivors of  the massacre in Tulsa, called Red-forations. Silk Spectre  is still alive, and played by Jean Smart. Vietnam is the fifty first state, ( as a result of Dr. Manhattan’s invasion during that war),  and Louis Gossett Jr. plays a man named Will Reeves, one of the few survivors of the Tulsa Race Massacre, now an old, and  disabled, man. That’s not even most of the weird shit in this show, like a character, named Looking Glass who, when he puts his silver mask on, can tell when people are lying!

An interesting note is that Will Reeves was watching a movie about the real life Bass Reeves, who was the first Black Deputy Marshall, and the character upon which the Lone Ranger was based. The movie he is watching was in the style of the Lone Ranger TV series of this universe, only it has the actual Black character in it. Another interesting theme is the recurring Oklahoma musical. One of the characters loves the play, and we get some songs, and even a little snippet of the movie, which stars an all Black cast in that universe. So the racial and sexism issues, that exist in this universe, didn’t  happen in that one, at least not in the same way, and the US looks fully integrated with Black TV shows, and Pop culture, which everyone just watches, and its no big deal, and that, too,  is probably part of the fallout of what happened in Tulsa.

Image result for watchmen tv series gifs/ sister

Regina King is Sister Night, a former cop, (and bakery owner), from Vietnam, who gets called back into action by some friends on the local police force, after a cop gets murdered by a member of an organization the cops thought might have been extinct. Most of the episode is just introducing us to this weird universe, and these characters, so outside of that intense opening, things calm down to the end, when Sister finds her mentor, from the police force, has been lynched, and Will Reeves is there, impossibly claiming to have done the deed. So yeah, I’m  already intrigued by the mystery of who he is, why he may or may not have done this, and what was the  secret, that got her mentor lynched. I’m looking forward to the rest of the season, even though I, initially, had no concrete plans to watch it.

 

*  _____________________________________ *

 

So, I’m in the process of cutting the cord, as we say in the US, and I no longer have access to these shows on TV.  I’ll just have to try to remember when they air, and catch them on their apps. The Watchmen airs on HBO, every Sunday night, and I’ll just have to remember that, and watch it later in the week, so my timing on some shows is going to be a bit off, as far as reviews, but what I can do, is finish off some of my long form posts, and review the season finales, when they occur.

I’m also going to post some articles to Medium. com, (which will not be posted here, but I’ll let you know when I do), so head over there, if you can, follow me, and give me some claps. I think we get paid there, according to how many people like your writing. I’ve managed to amass quite a following, which always surprises, and delights me, since I  don’t really think of writing as a way to be liked. I write because I have a lot of thoughts in my head, and I’m shit at keeping a journal.

But hey! I will be surprised and delighted if you guys also follow me on Medium, where I intend to do, at least, one post a month.

 

Have Some Spooky Mini Movies

Hi there!!

Have a small selection of short movies for Halloween. Most of these aren’t too serious or scary, so you should be able to sleep after watching them.

Right?!

 

Alien Anthology

This is one of the serous ones however. If you are  a fan of the Alien movies, these shorts based on that universe, have been released on Youtube, to celebrate the 40th anniversary of the original Alien movie. They have some beautiful production values and hte acting is acceptable.

The surviving crew of a damaged deep-space harvester have minutes to reach the emergency evacuation shuttle. A motion sensor is their only navigation tool leading them to safety while a creature in the shadows terrorizes the crew. However, the greatest threat might have been hiding in plain sight all along.

 

 

We Summoned A Demon

Here is the first of our “summoning” movies. For some reason, all kinds of wacky stories can be made out of this topic. This one has a lot of goop in it., and a demon that likes to play.

 

 

The Summoning

This was one of my favorite “summoning” movies, because its so cute, and disgusting. I guess one of the bigger dangers is summoning the wrong type of demon. This is one of a series of cartoons from a show called Cartoon Hangover called Go! Cartoons, all of which can be found on Youtube.

 

 

 

The Graveyard Shift

This is one of my favorites. It starts off pretty scary, and you think its going to go one way, but…

 

 

Fright Lite

If you were one of those kids (or even an adult) who needed a Nite Lite, I’m sure short will resonate with you.

 

 

 

Amy

A little girl is afraid of the wolf living with her in the house.

This one looks really cute at first but then takes a slightly darker turn.

 

 

 

Behind You

I found the work of Brian Coldrick to be deeply disturbing. Check out his book, with a lot more of these frightening images.

 

 

The Return of the Monster

I liked this one a lot.

10 Favorite Horror Movies (Of The Past 10 Years)

Cabin in the Woods (2011)

The trailer for this movie was very deceptive, so I avoided watching it, because it looked like a  typical slasher horror movie, with all the cliched characters, and tropes. It turns out that there’s very much a reason for that, (which you sort of  find out in the first fifteen minutes of the movie, if you’re paying attention). The ending is also a surprise, in that its definitely not a Happily Ever After, and is  one of the most iconic scenes in any horror movie, ever!

 

Train to Busan/ Seoul Station/ Kingdom (2014-18)

I consider Train to Busan, and its companion movies, Seoul Station, and Kingdom (Rampant), to be some of the best zombie horror being made today. They are harrowing, thrilling and terrifying,  in a way that American zombie movies haven’t been in a long time. They also contain the one bit of advice that American style horror movies never seem to add: If you see a crowd of people running in one direction, don’t wait to see what they’re running from. JUST GO WITH THEM!!!

 

It Follows (2014)

This movie seriously captured me. I loved it so much, I wrote two reviews about the themes, and what the monster represented. I still haven’t gotten tired of watching it.

https://tvgeekingout.wordpress.com/2016/06/16/the-monster-it-follows-2014/

 

Us (2018)

 

I had a choice between Jordan Peele’s Get Out, and this movie, and I chose this one because, while Get Out was good, and I  certainly reckonize,  Us  resonated with me on a fundamental level that the other didn’t. I suspect because it had a Black female lead, and that lead is Lupita Nyongo.

https://tvgeekingout.wordpress.com/2019/04/01/the-meanings-of-us-2019/

 

Shin Godzilla (2016)

I enjoyed this version more that the American version that came out a couple years before it. This one, made by the original creators of Toho studios, actually made Godzilla horrifying and tragic again, with its powerful echoes of the Fukushima earthquake.

 

A Quiet Place (2018)

My Mom had the bright idea to see this at the theater, and I balked at that, because I thought it looked too scary. I was right. It was definitely scary, and horrible, and tragic, with a tiny bit of hope at the end, although  if you think about it too much, the whole plot breaks down.

 

What We Do in the Shadows (2014)

Is very easily one of the best, and funniest, vampire movies to be released in the last ten years, and the TV show that came from it, is equally funny. Also, there’s another spinoff that was released only in Australia, called Wellington Paranormal. Check that out, on Vimeo, if you get a chance.

 

Tucker & Dale vs Evil (2010)

I loved watching this bit of horror silliness with my niece, The Potato. We had a ball and learned a lot about jumping to conclusions about other people. She’ll be visiting soon, and I wonder if I can get her to watch this golden oldie with me. The video is one of our favorite scenes, too. When we first saw it, we really were rolling around on the floor, laughing hysterically.

 

Attack the Block (2011)

This is another movie I watched with my niece. She totally fell in love with John Boyega. She is so fortunate to be growing up with all this great representation in a genre I grew up watching, and seeing nearly none. One day I’m gonna have to explain to her how fortunate she is, to be able to see aspects of herself in Pop culture, in a  way I couldn’t.

 

Halloween ((2018)

I actually liked this movie. I wasn’t sure that I would like it, and I do not normally get into serial killer movies, or remakes, all that much, (in that they are not my first choice of entertainment), but this movie actually made Michael hella scary again, when he hasn’t been scary since Halloween II, which was released about thirty years ago.

Honorable Mentions:

Annihilation (2018)

This was emotional, tragic, with an intriguing mystery.

 

Let Me In (2010)

Its rare to get vampire child movies that truly focus on what that’s like.

 

Afflicted (2013)

Its the horror of being trapped in a situation with no good choices, and no way out of it.

 

The Ritual (2017)

A person cannot movie forward until they deal with ah=n truly let go about the shameful events in their past.

 

Lights Out (2016)

This movie was just pantshittingly scary, and really d.

 

 

 

 

The Git Up challenge

Yeah, this song is incredibly catchy!

I’m always late to these things. Apparently, this was some hot thing that was happening this Summer, thanks to Blanco Brown’s hit song The Git up. He issued something called The Git Up Challenge, and well, it took off from there. This mostly appears to be a Western or Southern thing, as I haven’t heard anyone talking about it up here in the Northeast really. Its not  just a teen thing either, because I’ve seen grown ass men and women taking this challenge which is fun, and wholesome, and sorely needed right now.

 

That’s another thing I found interesting about these videos. All the young people have a mixed bag of friends of all different races, and I found that encouraging. This is what’s called Generation Z, I guess. these kids are my nice’s age. She’s 14, now. These kids are the future, and I just love to see them having a carefree time, and making the kinds of memories they’ll look back on with a cringe and a grimace, when they’re my age. Also, are mismatched sneakers a thing, now? Not that I intend to engage, because some things should just be left for younger people to live, but I didn’t know that was a thing the younguns were doing, (although I knew about the mismatched socks thing from my niece. She never even considers wearing matching socks.)

I was also encouraged by all the different types of people who participated in the challenge, everyone from small kids to seniors. The song really does seem to be universally loved!

A lot of people decided to do a Line Dance version of the challenge, which is entirely in keeping with Black culture. Black people will Line Dance anywhere. We’ll probably Line Dance at the Apocalypse, and if you’ve never joined in The Electric Slide at a family reunion, then you have not been living right!

I was a little less enthused about all the cops who love this song, and I avoided a lot of their videos,  but a couple of them were very enjoyable. Like this guy. The twerking just killed me. I was dead! I don’t actually think the song was calling for twerking , but each person interpreted the song their own way ,and brought their own thing to it, and he thought of twerking, so…

Also, I  kept getting distracted by  the thought that the police were supposed to be working not twerking.

 

This is one of my favorite ones. I just wanted to post this, because I’m feeling good this week, what with our coming impeachment of the president, and I thought I’d share some good feelings. These videos just made me smile, and they’re a fascinating glimpse into  the everyday lives of average Americans.

It Came Out Of My Pocket

Here’s a short collection of articles I saved in Pocket. There’s definitely a theme to the stuff I collect there, and that’s gonna be reflected here. Now, I usually post things on Fridays, but its that time of year again where I get really, really, tired, very easily, and all I can think about is going to sleep. I call it post-seasonal malaise. (I think doctors call it SAD, or Seasonal Affective Disorder.) Well, anyway, I’m gonna soldier through it (while trying to get more sunlight.)

 

The Clapback Mailbag

If you have not read any of these, you need to get over to The Root and catch up. Michael Harriott is hilarious even on his worse days, but he shines when discussing issues of race. He is the only writer who can make me laugh about racism every time. The Clapback mailbag is posted every Friday.

https://www.theroot.com/the-root-s-clapback-mailbag-with-friends-like-these-1838540363

 

 

The Best Of Hannibal

I actually agreed with the choices in this article. These are some of my favorite episodes, but I would pick more than five though, as there are 39 episodes, in three seasons, to choose from.

Image result for hannibal series

https://bloody-disgusting.com/editorials/3576484/revisiting-five-best-episodes-nbcs-hannibal/

 

 

 

The Greta Thunberg Helpline

The last thing I posted was about Greta Thunberg, the young girl who has White men in a bit of a tizzy. This is the funniest thing I’ve seen regarding the entire issue, which of course, is not remotely funny.

 

 

 

Can Black Women Be Introverts

It appears that I simply enjoy being contrary,  doing and being everything that’s against society’s mainstream rules. I’m a woman in a society that preferences men. I’m fat in a culture that prefers women be thin. I’m Black in a White supremacist culture. I’m an introvert in a society that prizes extroversion. I’m left handed in a society that prizes right handedness. I have hobbies, I’m not supposed to have, I love music I’m not supposed to listen to, I’m a nerd who likes Science Fiction and math, and a geek who likes to draw superheroes.

According to the American society I’m not supposed to be doing any of that stuff.

Well, that’s too bad, because I mean to go on, as I began.

https://www.bese.com/black-women-arent-allowed-to-be-introverted/

 

 

On Octavia Butler 

Butler talked about the overwhelming Whiteness of the Science Fiction genre waaay back in 1980.

Once again, I did things in the most contrary manner possible, as I did not come by my interest in Science fiction and Fantasy through reading the works of Tolkien and Heinlein, like most people did. I found my way into SciFi by way of Stephen King, and the Horror genre, having started that journey with women authors, like Octavia  Butler, and James Tiptree. Since I didn’t get into SciFi by reading White men, I tend to think of these men  differently than a lot of SciFi fans.

https://garage.vice.com/en_us/article/d3ekbm/octavia-butler

 

 

 

Black Time Travelers Fall Short

I would love to see some Black time travel stories where the person truly changes the course of long history, like stopping slavery, or helping some tribe win a war. Its funny, but every time I see Black time travel story, its usually them trying to save  a life, rather than the usual time travel question of who  should be killed, and I wonder if that’s some type of racial thing, because there are a million different ways to change history that do not involve killing someone. And I have never seen stories, at least not the ones written by White people, that ever seek to overturn the truly big events of events of history, beyond the Holocaust. I mean why not stop Christopher Columbus, or disrupt the slave trade?

Here Sherronda Brown talks about how she would love to see time travel stories that destroy the status quo.

http://blackyouthproject.com/i-want-black-time-travelers-to-be-a-threat-to-the-status-quo/

 

Yasuke: The Black Samurai

We’re supposed to be getting a movie about this soon starring Chadwick Bozeman. Ive been fascinated by Samurai since I was a teenager. I will watch any movie that has samurai in it, and I will definitely see this, if it ever gets made. In the meantime, there’s a couple of books on the topic that I’m looking forward to reading.

 

 

There’s already a book on Yasuke’s time in Japan:

 

An interview with the author of African Samurai Tim Lockley:

 

And here’s a short fictional film about a young girl who finds out that she is Yasuke’s great, great grandaughter. I would love to see this done on a larger scale.

 

It’s A Black Thang II (On Tumblr)

This was an old post that somehow got switched to another blog! But theres no such thing as an out of date laugh, (although I could be wrong about that.) Well, I hope it brings smiles to your day, your week, your month, or even your year.

 

 

Man, we just don’t get good Star Trek meta, like this, anymore…

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vulcandroid

i will never be over the fact that during first contact a human offered their hand to a vulcan and the vulcan was just like “wow humans are fucking wild” and took it

 

roachpatrol

Humanity’s first contact with Vulcans was some guy going “I’m down to fuck.”

Vulcans’ first contact with Humans was an emphatic “Sure.”

 

lilian-cho

@sineala

star-lord

#iiiiiiiiiiiiii mean vulcans had been watching humans for a long time#they knew the significance of a handshake but still#they had to find some fast and loose ambassador#willing to fuckin make out with a human for the sake of not offending them on first contact#lmao#star trek

give me the story of this fast and loose vulcan

 

moonsofavalon

“sir…these…these humans…they greet each other by…” *glances around before furtively whispering* “byclasping hands…”

*prolonged silence* “oh my…”

“sir…sir how will we make first contact with them? surely we…we cannot refuse this handclasping ritual, they will take it as an insult, but what vulcan would agree to such a distasteful and uncomfortable ritual??”

*several pensive moments later* “contact the vulcan high command and tell them to send us kuvak. i once saw that crazy son of a bitch arm wrestle a klingon, he’ll put his hands on anything”

 

evilminji

Elsewhere, w/ kuvak: “….my day has come.”

 

lierdumoa

The vulcan who made first contact with humans is named Solkar guys. Y’all just be makin’ up names for characters that already have names.

Bonus: here’s a screencap of Solkar doing the “my body is ready” pose right before he shakes Zefram Cochrane’s hand:

adreadfulidea

 

I swear Vulcans only come in two types and they are “distant xenophobes” or “horny on main for humanity”. Also apparently this guy is Spock’s great-grandfather and frankly that explains everything.

Source: lycanthropiste st

 

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Black Hogwarts was tending several months ago. Yes, this is still funny as hell! (Number five is my favorite, and check out The Sortin’ Durag.)

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Tumblr would not be Tumblr without calling out racism in fandom, and we have to keep explaining this multiple times cuz, as my Mom used to say, ya’ll hard-headed, and you don’t listen!

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Carrying the fandom load

It does get tiring at times staying conscious of bigoted tropes in fandom, deciding not to support racist art, wondering if a quote is appropriative of Jewish experiences, discarding a homophobic fanwork idea, and more.

So as a Fandom Old I can see why some fans long for the “good old days.” Back then anything went! Total creative freedom! We were wild and unfettered! None of these long-winded discussions, we just went and did it and did not give a single fuck!

Except freedom wasn’t for everyone, was it? You only had that total freedom if you were unaffected by fandom’s racism, homophobia, transphobia, antisemitism, ableism, and a host of other bigotries that are a reflection of the world we live in.

Fandom was never the carefree, escapist enterprise some of us like to think it was. It’s just that minority fans were bearing the load of others’ freedom in silence. Too often, fans who were marginalized in real life could not escape to fandom because fandom would uncritically celebrate their oppression and trauma. And if they dared to speak about it they were bullied and shouted down into silence, into leaving.

I speak in the past tense but this is still ongoing, obviously. Fans of marginalized identities are a little more vocal now, but are facing a sustained and vicious backlash that accuses them of being “bullies” and starting “discourse” and “drama” and of “virtue signalling.”

It’s not about discourse or virtue, though. It’s about fans being told that they are not welcome unless they bite their tongues, grin, and go along with a thousand stings and slaps in the very spaces they go to have fun. It’s about fans having to watch characters who look like them be constantly erased and demonized. It’s about fans having to spend endless amounts of time and energy educating other fans about their oppression when all they’d like to do is unwind after a long day made longer by those very issues.

It’s not about virtue. It’s about people.

The thing is, fans who criticize minority fans and their allies for “discourse” aren’t angry about the fact that fandom puts these psychological burdens on minority fans. They’re mad about having to share a tiny little part of the burden minority fans, most visibly Black women, have been carrying for too long. In the minds of these “discourse”-critical fans the burden of considering the impact of fandom and fanworks is not theirs to bear. It is the lot of fans who are not them, “others,” to pay the cost for the majority’s creative freedom. The very suggestion that the load exists, and worse, that all of fandom should share in it so marginalized fans don’t carry it so disproportionately, is enough to make a lot of fans uncomfortable. I know, because I feel that discomfort at times, too.

The thing is, the load of thinking about marginalization in fandom spaces was always mine to bear. It’s every fan’s responsibility to be conscious of how they create and consume fanwork so that they don’t hurt other fans, so fandom can be inclusive and fun for everyone.

No, it’s not pleasant. It’s not fun to always watch yourself and second guess your choices, to fall short anyway and be called out and confront the fact that you have so many unconscious biases and have hurt others. I get it. I do. I want to think of myself as a good person. I don’t like admitting to wrongdoing. I hate challenging myself. I don’t want to think about this hard stuff. I just want to have fun!

But think about how much LESS fun it is when it’s your own humanity on the line. Many marginalized fans don’t have the luxury of just letting go and having fun, not when they always have to brace themselves for the next psychological assault.

These fans have been carrying this fandom burden and are punished for saying it’s too heavy. If you’re feeling a little less feather light in fannish activities than you used to, that’s a good sign! It means you’re starting to carry, in a very small measure, the fandom load of consciousness. It’s something you should be carrying as part of a community, and chances are it’s still not nearly as heavy a load as many marginalized fans are still made to bear.

A community joins together, watches out for its members, shares in the good and the bad. If some members are asked to bear the costs of others’ fun and either stay silent about it or leave, then the promise of community rings pretty hollow, doesn’t it? Sometimes discomfort is a good thing, and if my small discomfort means I am sharing in a tiny measure of my rightful load in fandom spaces, then it is a very good thing indeed.

 

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I think I may have posted this here before, and its definitely not funny, but at the same time, its the funniest shit I have ever encountered. People who are so incredibly pressed about having all those “icky” Brown and Black men in their favorite media, so incredibly adamant that the only valid type of “ship, is between two White men, that they are willing to Photoshop them out, for their White faves.

Wow!

 stitchmediamix

So I’m writing something about how characters and actors of color are literally cut out of images in order to center white characters/actors (usually for shipping purposes) and I’d like to be able to actually link to examples of instances where that’s happened.

I’ve got an image of John and Daisy where John has been replaced by Driver (courtesy of @xprincessrey ’s recent post in the fandom racism tag) and SEVERAL images where Iris West has been erased and replaced by Caitlin that I referenced in my presentation on the misogynoir directed towards her.

I need more examples though and I honestly don’t know how to find what I’m looking for. And… I’m really bad at finding images on the internet.

So if you have collected any receipts on this particular fandom phenomenon where fans cut out characters/actors of color from images in order to focus on a white character or ship, please let me know. I’ll link to your post on the subject if you’ve made one and give you credit for finding the images that I use if you want it.

I need examples of:

  • Anthony Mackie being cut out of press images for either Winter Soldier or Civil War
  • Scott/Tyler Posey being cut out of Teen Wolf press images or scenes in the show
  • Photo manips where Finn/John Boyega has been replaced by Kylo/Adam
  • Any other fandom that cut characters of color out in this way!

I’m writing a thing and I’m working on the header image already but I’d like more examples because man… People need to know that this is a thing that happens and pictures help drive the whole thing in.

(Also, unfortunately I have no idea how y’all  can submit straight up images to me because I don’t use tumblr submit for several reasons, BUT you can always DM me images on twitter or use Tumblr IM if you don’t have links  to images, but want to send them to me anyway.)

If you can share this with your followers, that’d be awesome.

elandrialore

R3ylo manips

Original photoshoot with John and Daisy

St3r3k manip

Original promo image

St3r3k manip

Original image of Tyler Posey, Crystal Reed, and Tyler Hoechlin

St3r3k manip

Original image of Tyler Posey and Dylan O’Brien

St3r3k manip

Original image with Tyler Posey and Dylan O’Brien

kyberfox

@stitchmediamix

Here’s a video of Finn getting cut out not just of his own confession scene – a character defining moment for him – and Kylo being inserted, he’s also replaced in the hug he and Rey shares. xx

The OP of that then made a gif set of some of the scene they’d cut where they replace Finn with Kylo because they were so proud of their work. x

And here Kylo is edited in instead of Finn in the scene where Rey gives Finn a “wow he looks good” look at Jakku. x

uprisingofcolor

@stitchmediamix

Here’s an entire gif set of Jake Pentecost getting cut out of his own trailer to center his white co star.

Oh, and here’s OP’s Response to @kyberfox calling them out (X), they take it about as well as you’d expect. This happened a day or so(?) after the trailer dropped, just for a frame of reference.

diversehighfantasy

The Doctor Who series 3 “Fix It”:

Here, they didn’t erase Martha Jones entirely, they made her a third wheel in a series the fandom felt Rose was rightfully entitled to. IMO this is as much of an in-your-face “fuck you” to Martha as pretending she didn’t exist.

Britchell. This is a more obscure ship, but it relentlessly erased, sidelined and minimized one of my favorite characters, Annie Sawyer of Being Human (UK) for being romantically involved with Mitchell, played by Aidan Turner, who also played Kili in The Hobbit. Britchell was a crossover between Mitchell and another character played by the actor who played Kili’s brother Fili in The Hobbit. Anyway. Britchell is the biggest ship in the Being Human fandom to this day.

Annie x Mitchell: http://reyesbidal.tumblr.com/post/53885860951

Britchell (in a nutchell):

nerdsagainstfandomracism

In Shadowhunters Jalec and Clalec shippers always use Malec scenes for their manips in order to erase Magnus. Here’s an example of a Clalec manip (x). I stay away from their tags and blacklist Jalecs and Clalecs on sight, but pretty sure Google has plenty of more examples. Luke is constantly excluded from the group fanarts, fan videos, etc.

Also, Rickylers in TWD always try to erase Michonne from her own narrative.

Source: stitchmediamix fandom racismracism in fandom Erasure ShippingLong Post white prioritization ReblogMod P.

 

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Tag me! I’m Blacktose Intolerant!

anonymous asked:

so you’re jamaican and not regular black?

yourbigsisnissi answered:

What the hell is regular black?

 

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Tweets from Satan!

It’s A Black Thang!

I’m not saying that Black people are the only ones who can watch these shows, but this is pop culture that is unapologetically aimed at Black audiences.

Image result for a black thang gif

Dolemite Is My Name

Some of us are old enough to have actually watched some of Rudy Ray Moore’s movies, like Dolemite and The Human Tornado, which they don’t show on Tv much anymore ,for…reasons.. Some of my younger readers would have encountered his movies as parodies on MadTV, or Key & Peele. They were often laughably bad in and of themselves but they were groundbreaking because Moore was one of the only Black independent filmmakers of the 70s, and was one of the primary directors in the Blaxploitation era.

The first time I saw a Rudy Ray Moore movie, it was at the Drive-In. I was maybe nine or ten years old, and the movie was The Human Tornado, which I wasn’t supposed to be watching, because I was supposedly asleep in the backseat with my two brothers, and because his movies ARE NOT FOR KIDS!!!! I don’t think I can stress this enough. Well anyway, I watched it and I don’t think my mom ever realized i saw the movie, and I haven’t ever told her. I suspect if I told her this, I’d be subject to this:

Image result for outrage gif

Now couple that information with the return of one of the greatest comedians of the 80s and 90s, Eddie Murphy, who hasn’t been relevant in some time, and this is looking like a comeback role, in a classic film. Actually what it is is the making of Dolemite from Moore’s point of view. There are some other great actor/comedians in this, and even more importantly, this is airing on Netflix in September.

The Black Lady Sketch Show

The Black Lady Sketch Show is now airing on HBO, but you can watch select sketches on YouTube. This is such a great show, and I say that even though I don’t subscribe to HBO anymore. The sketches are soooo funny, and some of them are spot on.

Check out Invisible Spy for example. I’ve always thought that women of color would make exceptional spies, because so few people pay attention to us, especially when we’re doing something stereotypical, like housekeeping! The spy in this sketch is invisible all the time, and thats a commentary on how being fat, and dark skinned, renders a person irrelevant. Even her coworkers don’t know what she actually looks like , even though they’re looking right at her. I got that, as I’m always being compared to some other Black woman that people know, someone they went to school with, a cousin, or somebody’s neighbor.

But one of my favorite sketches is the Ball for Basic Bitches! I’m far too contrary to ever be considered “basic”, I think, but I perfectly understand it, though, and Basic Bitches can be fabulous too, only a lot more quietly, I guess.

Got to Youtube to watch the surreal Dance Biter, which stars my favorite comedian Quinta B, the hilarious Invisible Spy, and a sketch about how obsessed America is with beauty standards, called A Day With No Makeup.

 

 

The Rundown w/ Robin Thiede

Robin Thiede is currently one of the stars of the Black Lady Sketch Show, but if you want to see the kind of work that led up to her starring in the above show, then The Rundown is where you need to see it.

The Rundown aired on BET, and showcased different comedians, although Robin was the star. I never watched the show itself, and only just saw a few episodes because they were recommended after I viewed TBLSS, and frankly, I’m impressed. This first sketch is based on the show Stranger Things, and the character of Eleven, and is what I like to call , uncomfortably hilarious, a style that Key and Peele often specialized in.

My favorite though is this video for the Weak Black Woman, because not everybody can be woke and strong, Some of us are too tired from working on those spreadsheets for the Stevenson account, I guess. Not quite as pointed as the Basic Bitch Ball, but close enough. And the second is a parody of the series Stranger Things, that I laughed waaay too hard at.

Missy Elliott and Lizzo

I’m a huge Missy fan, and have been since that first song. Now I have a new heroine, Lizzo, who is fat, Black, and absolutely, unapologetic ally, who she is, here she teams up with Missy Elliot, and Megan The Stallion, to celebrate some more “Hot Girl Summer”. I wasn’t outraged by the dancing but I was bothered at the idea of these ladies wandering around a public parking lot, at night, in bikini wear. Well, theyre wearing fur ,so I know they won’t get cold, but apparently that was a bridge too far. (See what I mean about me being sort of Basic?)

johnrieber

Burgers, Books, Music, Movies, Offbeat Adventures & Pop Culture!

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knitting, needlepoint & blogging in Summit, NJ

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