I Watched The Fallout Series On Amazon Prime

Okay, I watched this new-fangled TV series, which I told y’all I was pretty psyched about several months ago, (and ya’ll should be really happy because this time I actually did what I said I was gonna do), and overall, I can say I was not disappointed. It was very good. I heard it’s probably getting a second season, and I’ll take a look at that.

Amazon moved the date of the release up one day, so I watched it this Wednesday evening, conveniently right before I had a day off, so I could binge watch this all night. I guess most people didn’t know about the early release time on Wednesday, so most people waited until Thursday morning, and some are watching it Friday. There are eight episodes and I finished them sometime around four in the morning of Thursday. I don’t binge watch stuff very often because I usually don’t get that type of open time, but I did this week, and except for a couple of slower episodes that seemed to be treading water, even though they were still important to the backstory, I very much enjoyed it.

There are several iterations of Fallout in game form, and I haven’t played a single one of them, so I understand the worldbuilding on the show based on the experience of someone who has never played the games. I did watch a few videos explaining the lore, after I watched the series, because I had questions. Like: How many Vaults are there? Are all the vaults as messed up as the one I saw in the show? What are ghouls, and how do they happen? What were the monsters I saw? What’s up with that dog? (It’s just a regular dog, as far as I can tell.) After watching the series and looking at it from the point of view of someone who has never played the games, I can understand why some of the lore was changed, like the making of the zombie-like creatures we see in the show. I was seeing a few comparisons to the HBO series The Last of Us on my YouTube thumbnails, asking if the show was better, worse, or as good. I can honestly say I don’t think its as good as TLOU, but it is a lot more fun, very compelling, and I was intrigued and captivated enough to keep watching one episode after another. I don’t know that this will make my “best of” list at the end of the year, ( I think that distinction will go to Shogun) but it was alright!

The series literally starts off with a bang! We meet one of the primary characters in a flashback on the day of multiple atomic bomb explosions, on an alternate Earth. One of the things non-gamers have to understand is this is not our world. It’s an another reality where atomic bombs have been dropped on countries more than once (there is a war in the Middle East over oil, China invaded Alaska, the US has annexed Canada) and the technological, and some of the cultural foundations, is that of the fifties, with an international war over basic resources, and the invention of cold fusion, a perpetual energy source, all of which is the base plot of the entire series. There are several things that are very different about this world. One of those is that there was no Jim Crow, or MLK, I guess because interracial marriages are widely accepted, and people’s greatest concern is the coming war between China and the US. There is no McCarthyism, but people are paranoid about their colleagues and actors being Communists. There is a certain level of fantasy 50’s technology too.

We then meet the main character we saw in the trailer named Lucy. The show moves back and forth in time, covering the backstory of the three primary characters, Lucy (played by Ella Purnell), The Ghoul (played by Walton Goggins), and Maximus (played by Aaron Moten). Each one of these characters gets a backstory, a clear character arc, and a mystery or goal they need to solve before the end of the season. The episodes move from the adventures of one character to another and occasionally back in time. The Ghoul’s story is told entirely in flashback though because that explains who and what he is in the present. The show is directed and written by the same people who brought us Westworld, Jonathan Nolan and Lisa Joy, which I was happy to see, because the two of them are very competent at weaving multiple story threads together. There is no confusion about where we are in the story, what’s happening to who, and/or why.

The primary story, which takes place 200 years before we even meet Lucy, involves a company called Vault Tech, which created over 100 bunkers designed for the survival of the human race after WW3, but not all is at it seems. Most of that is the backstory of The Ghoul, because his wife plays a large role in the creation of this future. The show then shifts 219 years in the future, where Lucy’s story begins as she is about to get married to a member of another Vault (#32) that’s connected to her own. Lucy is from Vault 33 (hence the numbers seen on the backs of the character’s blue radiation proof suits.) Her marriage goes tits up when the wedding party is massacred and her father is kidnapped, which prompts Lucy’s exit from the Vault in an attempt to find him. Along the way, she meets Maximus who is a member of a faction called The Brotherhood of Steel, who have taken it upon themselves to act sort of like the cops of the nuclear wasteland beyond the Vaults. Lucy and Max become allies. Interspersed with Lucy’s story is how Max came to be a member of The Brotherhood.

There are several other factions and creatures that Lucy interacts with outside Vault 33. She eventually meets up with Goggin’s character, who is simply called “The Ghoul”, who has lived an unnaturally long life (over 200 years) thanks to being exposed to radiation and a special serum he needs to constantly procure, in order to remain sane. Remember, this is an alternate world based on what people believed about technology in the 1950s, so in this world people can survive severe radiation damage by becoming what we would essentially call “zombies”. They can keep their minds from deteriorating by ingesting a special drug. Without it they turn into what others call Ferals (basically the wild, people-eating, type of zombies).

All three characters converge in an effort to take the bounty on a Scientist from another faction, called The Enclave, whose worth is stored in his brain. After he is dead, all that is needed is his head. These three characters, and a couple of others, spend most of the season chasing after it, beating the crap out of each other, and falling into various adventures, over this man’s decapitated head.

The worldbuilding is well done. Not every image gets an answer this season, as they are holding back a lot of information for the second, and what you think is a tiny scrap of information has significant resonance later, even throwaway characters turns out to be important detail to the worldbuilding, like Lucy’s father (played by the always excellent Kyle McClachlan). You do get thrown in the deep end, with some characters and mysteries being presented along the way, and a cast of interesting and occasionally disgusting, creatures like giant cockroaches, giant aquatic grabbers, organ stealing robots, brains in jars, irradiated mutant bears (ugh!), a Snake Oil Salesman who f**ks chickens (???), a Ghoul dog, people who hate Ghouls and Vault Dwellers (they do not have the best reputation in this world), and a faction of Vault raiders.

Some of the most interesting things (that are non-spoilery) is the show’s approach to sex. The women in the series are shown as enthusiastic initiators of sex, happily jumping guys bones if they are also willing, which is something I found both remarkable and deeply funny. It’s an element of storytelling that is rarely thought of or shown, in favor of showing women as semi-reluctant prey, or sexual assault victims. Walton Goggin’s character is married to a Black woman and the two get pretty frisky, sometimes in front of other people. so this particular contingent of human beings seem to have very healthy attitudes towards sex, although one must note that I had not noticed any gay or lesbian characters. Lucy is especially interesting in this regard. At one point, she just comes straight out and propositions Maximus, who, having never even been told about sex, (since he’s been raised by an order of violent, but celibate, monks) has no idea what the hell she’s talking about.

Next to all the other somewhat gray and villainous characters in the series, Lucy and her fellow Vault Dwellers tend to be what we would call “annoyingly wholesome”, in that they wear their hearts on their sleeves, believe in old 50s American values, and are refreshingly honest about their feelings, even when they’re villains. The only other gray character in the Vault is Lucy’s brother, because he’s always shuffling quickly around like he’s furtively holding onto a secret, but he’s not a villain, and it’s for a good reason.

No doubt, the star of the series, and the character most people are tuning in to watch is Walton Goggins, The Ghoul, mostly because he is professionally ultra-violent bad ass, who is the most mysterious, and we love Bounty Hunters! How did he get that way? What series of events allowed him to survive the nuclear events in the opening scene? What happened to his wife and daughter and are either of them Ghouls like him? I guess we’ll find out next season, and I hope there will be, because the series has received some very good reviews, and Amazon has been offered a deal for more episodes.

I would say more, but then I’d start getting into spoiler territory. I don’t have a problem with giving spoilers (the series is kind of hard to spoil, really), but I want y’all to watch the show, and some of the episodes have some really nice and very funny surprises. Yes, the shows is darkly humorous, so it’s okay to laugh at some things. Of course Mr. Goggins gets ALL the best lines, but the other actors aren’t phoning it in, and some of the situations these characters get into are dangerous, but still very ridiculous.

Usually when I fall in love with a series I hope for at least three to five seasons, which is just enough for a show to hit its stride, and gets most of the viewer’s questions answered, all without getting too bogged down in minutiae, or getting boring. So here’s to two more seasons of Fallout!

Next up: I wanna talk about Shogun ,which may turn out to be the best show of the year, and the movie Poor Things, which I greatly enjoyed.

I Have Stuff To Watch!!!

(Maybe)

I was going to write one of my typically long intros, but you know what? Its Holiday season and ain’t nobody got time for that.

So here, in no particular order, (as usual), is my short list of highly (or sometimes just mildly) anticipated television and movie projects. I got a little bit of everything here, some kids stuff, some history, a little SciFi, some drama, Action, and some Comedy.

And I’ve already decided that one of my New Year’s resolutions is to watch more International Horror films, like Piggy, and When Evil Lurks, which are two of my favorite Horror movies this year. (Coming soon: My favorite watches of 2023!)

Dune - Trailer #2

I’m still mad about the date getting pushed back on this, because I was all set this week to watch this movie, and now I have to wait. Phooey! In the meantime, they keep teasing me with trailers which I simply cannot resist watching because,

like a toddler, I have low impulse control, and also I’m really excited to see this movie.

Handling the Undead

I read the book this was based on several years ago, and even though I found the premise very intriguing, I was not particularly impressed. Nevertheless, I will make an attempt to watch this series. All I can tell you is that, while it is a zombie film, it’s not a typical one. There’s no screaming and running and shooting happening in the story. It’s very moody and lowkey, and its strength lies more in the territory of placing people in untenable situations in a what would you do kind of way.

Since the passing of my Mom, this story (if it close to the book version) will probably hit very differently today and I’m curious to see what effect it will have on me. I’m not enthusiastic but I am intrigued.

Beverly Hills Cop 4: Axel F

This is a movie I’m very excited about, since Beverly Hills Cop II is one of my all-time favorite Eddie Murphy movies. As soon as I saw the opening shot I got hit in my 1980s feels, which frankly, is cheating. But damn!, it sure felt good to see these characters again.

The makers of this reboot absolutely understood what a nostalgia bomb this is, and should be duly ashamed of themselves for deploying it in such a fashion. None of us had any warning this was going to happen and we were not ready. They just dropped this surprise trailer on everybody this week!

Out of Darkness

I like the look of this film, and I like these ancient historical survival things so, while I probably wouldn’t watch this in a theater, I would definitely check this out on a streaming service. I also do not think I am ready to watch Horror movies in the theater yet. I’m pretty much only interested in Action and Comedy for that.

This movie heavily reminds me of Valhalla Rising, which starred Mads Mikkelson and had some elements of Horror, as well.

American Society of Magical Negroes

There are a lot of problems with this movie in both the premise and the title. Its as if someone heard about the concept of the Magical Negro by rough description, thought it was a funny idea, and just decided to make a movie about it with no awareness of what the term Magical Negro actually means in the real world.

I was initially interested but after giving it some thought, I decided this is probably not for me because I am definitely going to overthink this movie, and not in a good way. I won’t go into details about everything wrong with this trailer but I think The Book of Clarence is a much better bet than this.

IF

I’m not a huge Ryan Reynolds fan. I don’t hate the guy or anything, (in fact, he’s very likable), but I don’t go out of my way to watch the things he stars in, outside of the Deadpool movies. So I will be seeing the next Deadpool movie because I really enjoyed the last one, and I may or may not take my niece to see this movie, which looks really cute.

My niece greatly enjoyed Disney’s Elemental, and she kept pestering me to watch it, so I did, nd I rather enjoyed it. That movie was really cute and this trailer reminds me of it a lot. Plus, I like all the colorful little monsters. I can’t relate, because I did not have imaginary friends, but I’ve always been fascinated by the idea.

Echo

I remember Dave McKean’s gorgeous artwork for this character, from the comic books, but I have mixed feelings about this show, because the character was not especially compelling in the books. I remember her as a foil for the Daredevil character. She wasn’t (isn’t) exactly a villain. She mostly seemed misguided and it had nothing to do with her lack of hearing or her prosthetic leg. She just happened to have beef with Daredevil and a disability. On the other hand, I do like the disability representation in this character. There are a number of superheroes with disabilities in the Daredevil books and I hope to see both characters Hawkeye make an appearance though.

Deep Sea

This anime is from China and its just soooo friggin’ KYUTE!!!! China has slowly, quietly, stepping up its game in the animation department, and this cartoon is the fulfillment of all those many years of hard work and its absolutely gorgeous, and a clear rival to Ghibli’s Ponyo.

Jeanne Du Barry

I’m not enamored of Johnny Depp, as of late, but I cannot deny that he has always been a compelling actor. I also know something about the basic story behind Du Barry, so now I’m interested.

The Brothers Sun

All they need to do is show that Michelle Yeoh is in the movie and they got my attention! This is a comedy about a mobster style Taiwanese family. I love to see Michelle play semi-villainous characters, and I actually laughed at this trailer, so maybe I will laugh at the movie.

True Detective

I’ve been a fan of Jodie Foster since I was about twelve, and first saw her The Little Girl Who Lives Down the Lane, so I will watch anything she stars in. I know there’s going to be some quality acting on her part. It is my understanding that the young lady seen with her in the trailer is some kind fighter or boxer. I’ve never seen her in anything, but she appears to be able to hold her own next to Foster, and I admire her already.

I liked the very first season of True Detective. I skipped season 2 and showed up in the middle of season three, which was pretty good. Hopefully this one is just as good as the first season.

I don’t have trailers for these next three projects but they sound interesting and I might check them out if I have time.

Alien Romulus – It is my understanding that this is a television series streaming on Hulu next year. There is a huge, rich, history of comic books, and novels about the Alien Universe, which I have never read, so I’m walking into this one with no knowledge beyond the handful of movies I watched.

The Crow (Reboot) – Not sure how I feel about this yet. I like the idea of a reboot of the movies and the TV series. Really, I’d forgotten all about the TV series, which starred a merely okay Mark Dacascos back inthe 90s, so yeah its time to introduce a new generation to this idea.

A Quiet Place: Day One – I liked the first two films, and I even like the concept behind this one, but I don’t think I will go to the theater to see this. There’s just to much anxiety in it for me. Now, I realize that is the point of a Horror movie, but I do not want to be trapped in a space where I can’t turn the movie off, and my only option is to waste my money by walking out.

Some Favorite Short Horror Films

It’s that time of year where I show you some of my favorite videos I’ve been watching on Youtube for Halloween. It’s okay. These are perfectly safe to watch because none of these are especially frightening. I’m saving the really scary ones for later this month, and I’ll be providing plenty of trigger warnings to those who don’t care for certain levels of creepiness, but these short little gems are all Horror comedies.

Finley

Despite my creepiness about moving dolls and ventriloquist dummies I thought this particular film was absolutely hilarious. Hopefully, you will think so too. I found myself actually rooting for Finley to get his merc on and I can see why this won so many awards.

Still

This is quite possibly one of the dumbest zombie apocalypses I have ever watched because the zombies are however fast the director needs them to be to tell the story. Like most of these types of stories, I found myself asking what would I do in the same situation, and I concluded that whatever I’d be doing, it isnt what the people in this film are doing!

Brian, It’s Back

Whatever you do, never piss off a Teddy Bear who has access to cutlery!

Scottie

Once again we have a creepy moving doll in this great animated short film, but its okay because this sweet little “good pupper” has come to the rescue.

The Exortwist

This is one of my all-time favorite animated shorts, mostly because I love the original film on which its based, and I love candy. What an inspired parody!

Spider on the Ceiling

This is another favorite of mine. It sounds so self-descriptive that I thought I’d be too scared to watch it but it turned out to be kinda goofy and I liked the two main characters a lot.

Occupied

You see? This is exactly the proper response to any type of strange noise, funny smells, or possessed bathrooms! Good!

Next up:

More monsters, and Horror movies I’ve been watching lately!

Spring and Summer Mini-Reviews (Pt. 1)

There Was A Lot of Good Stuff This Year

Zom 100 (Netflix)

This is the live action version of the anime that’s currently playing on Netflix. I watched the anime version of this too but I prefer this version. It has the same basic plot as the anime, with little extras added, and I thought, more likable characters.

Akira Tendo is a much put upon and bullied office worker who works too much overtime, never takes vacations, and almost never has any time for himself. He’s bullied by his boss, is in an unrequited love with his female coworker, and generally hates going to work, but then his good fortune comes in the form of a zombie apocalypse. He sees this as a grand opportunity to complete a bucket list of activities before he succumbs to being a zombie.

He makes a list of all the things he’s always wanted to do and wished he could once do, and sets about actually fulfilling the list. He starts off with relatively easy things like cleaning his apartment, rooftop camping with steaks and fries, lazing around the house drinking beer, and shooting off some fireworks.

While out re-upping on beer he meets a bad ass zombie fighting girl he attaches himself to, and the two of them go off to save an old friend of Akira’s with whom he had a falling out after college. Apologizing to his best friend was one of the items on his bucket list, and his friend is so touched by this that becomes one of Akira’s biggest cheerleaders.

I really liked the relationships between these three characters, which thankfully DOES NOT become a love triangle. They’re just friends who care about each other. I also liked how the other two characters decided to join Akira on his bucket list quest, cheer him on, and even add their own wishes to the list. I was surprised that the list wasn’t already finished though. Akira doesn’t have a hundred items, and he and his friends would think of something they hadn’t done yet, and just add it to the list. Sometimes they would get the activity done, like driving an RV to the ocean, or being a superhero for a day, but the list started with only about ten items and by the end of the 2 hour movie there are only about 18 items.

Now, this zombie apocalypse is mostly played for laughs. The zombies are fast when they need to be, or conveniently slow whenever the characters need to pause and say a few lines, like when Akira encounters his first zombie hoard, and they’re chasing him quite quickly, until he needs to stop and reflect for a moment while they make sure to pause or fall down in the background. Yes, the zombies are dangerous but only when the plot requires them to be. So while occasionally Akira seems as if he might be in danger of being bitten he’s mostly safe. The movie is a comedy after all.

Unlike in the anime, Akira’s character arc mostly involves standing up to his bullying boss, whom he encounters later in the film, (and he has seemingly bullied an entire crew of people to work for him during the apocalypse), and gaining the confidence to save his coworkers from him and a great white zombie landshark, which is terrifying, utterly disgusting, and still deeply funny!

I really liked this movie, and hope there’s a sequel, because Akira and his friends weren’t anywhere near a hundred items on the bucket list and were basically making it up as they went along. This is not even remotely a serious movie, and I had quite a lot of fun, cheering Akira and his friends in their ridiculous adventures.

Spiderman: Across the Spiderverse (In Theaters)

I saw this with my niece and nephew when it was released because we are both huge Spiderman fans. Now, I’m more of a classic Peter Parker fan because that’s the Spiderman I grew up with, but Miles Morales has really grown on me. I like him a lot and I enjoyed this movie, even though it’s only the first part of a duo or trilogy.

Since I’m an art nerd, I paid really close attention to the various artistic styles used in the animation and I LOVED IT! Every prominent Spiderman gets an artistic style that reflects their nature. The Indian Spiderman gets really bright red and gold sari-like colors and a smooth drawing style. SpiderGwen gets some soft pastel pinks and blues which are often reflected in her environment and shows her moods, which I thought was a neat subtle trick. There’s the primary villain (who is a result of decisions Miles made during the first movie), who gets a chaotic black and white, polka dot, drawing style, as befitting his character, and another minor villain reflects an old school Leonardo DaVinci style (in keeping with that character’s personal philosophies about what is and isn’t art), and all these different styles just had me sitting there with a big silly grin!

But the plot doesn’t slack either, as it’s not all style with no substance, and the story successfully juggles a couple of narrative messages. If the first movie was about Miles taking that leap of faith and owning up to being Spiderman, this second film is about his full acceptance of his Spider Identity, what kind of Spiderman he wants to become, and trying to escape the league of Spidermen who have decided he is not worthy since it turns out that this version of Miles was never meant to be Spiderman.

In deciding what type of Spiderman he wants to be, we get to meet a lot of great Spidermen, some of which I knew from the comic books, including some great cameos from Spidercat, Spiderhorse, and a holographic Spidergirl of the future. But my all-time favorite character was the English Spiderpunk, Hobie Brown, (I also read those comics a long time ago) with the Indian Spiderman (Pavitr) running behind him at a very, very, close pace! I loved these two characters even more than the ones from the first movie, and it’s hard as hell to top Nicholas Cage as Spiderman Noir (Yes, I still want a Spiderman Noir movie.) There’s also Miguel O’Hara as Spiderman 2099, who I distinctly remember from the comics, and a very pregnant, Black version of Jessica Drew, who is also from the comic books. Classic Peter Parker also shows up and we get to meet his babygirl, MayDay Parker, (who got them spiderskills just like her daddy!)

Okay, I better zip it up before I give the whole plot away, but heads up! the lowkey MVP of the entire movie, is Spiderpunk! Pay close attention to everything he says and does, which is easy because, even though he only gets about five minutes of screen time, and Billy Idol sneer aside, he’s easily the funniest, coolest, and realest Spiderman to ever grace a movie screen!

This movie was so much fun, and not just because of the cameos, but the plot had plenty of little twists and turns, and the film’s message echoed some of the messaging I saw in The Flash movie, (about saving everyone) and I cannot wait to see its conclusion next year.

Last Voyage of the Demeter (In Theaters)

I was really looking forward to this as I said in a post earlier this year and I think it was worth the wait. I cannot say it was an enjoyable film because that would imply that it didn’t scare the pants off me, which is, of course, exactly what I wanted it to do. I really got invested, and I considered it worth both my time and money.

Now, the clearest description I’ve heard of this movie is it’s basically Alien At Sea. This is a classic old school creature feature, with lots of practical effects and an incredible star turn by the Spanish actor Javier Botet, who I’d never heard of, but apparently I’ve been watching him in a lot of monster movies.

This is the OG Dracula in attendance here. If you walk into this expecting the Dracula from any number of romance-adjacent movies of the past thirty years, you’re gonna be disappointed. This Dracula barely speaks. He kills, slashes, stalks, flies, and skulks, but he doesn’t talk. He’s a monster and a disease. This is not the suave, well spoken, sophisticated gentleman that you’re used to seeing.

I’ve read Dracula multiple times over the years. It’s one of my favorite novels, and the Voyage of the Demeter is one of the early chapters of the book, chronicling Dracula’s journey from Transylvania to London, as told in the Captain’s log, and this version of Dracula is as described in the book. The director remained as faithful as possible to the chapter and the plot is fairly simple. Just like the movie Alien, there’s something on the ship, picking off the crew one by one, and discovering what the monster is and fighting it, is the bulk of the movie. This isn’t just a retread of the Alien movie, although there are some formulaic parallels in keeping with this type of film.

The mood of the film is exactly as it should be to induce maximum dread, even though you know more about what’s happening than the crew. I could’ve done without a few of the convenient thunderstorms that popped up whenever Dracula was on the move because it made things hard to see at times. I was rooting for the crew though, and the Black character, Clemson, who is the primary, is a made up character just for the movie.

That there is a setup for a possible sequel is mildly annoying, but to be honest, I wouldn’t mind seeing another more accurate version of the rest of the book. Coppola’s 1992 Bram Stoker’s Dracula is about as close as Hollywood has ever gotten to actually filming the book, and it still has never been topped. I don’t expect a sequel to do that, but I would watch a straight up Horror version of Dracula, that’s a mashup of 30 Days of Night and Aliens!

The Last Of Us (HBO/Max)

Let me confess, I’ve never played the videogame this series is based on. I’ve heard a lot about how good it is, and I’ve watched a few videos that explain the monsters in it, so I didn’t exactly walk into this series blind. I knew who the two primary characters were and what the goal was. I can say that you do not need to have played the videogame to understand or like this series. I thoroughly enjoyed it. Based on reviews of those who have played the game it is faithful enough to be worth watching but has enough depth and story explanation to be satisfying for those who haven’t.

The basic premise is that humanity has been overcome with zombie-like creatures that infect human beings through a fungal infection based on the real world Cordyceps infection. Like a lot of zombie adjacent movies and series, there is more than enough body horror to satisfy even the most jaded Horror movie fan, the special effects are excellent, and there is plenty of action and pathos. Once again though, what captured and kept me interested were the characters, and thankfully that’s where most of the focus is.

Joel is a burnt out survivor who finds it hard to get close to others after losing his daughter during the pandemic outbreak, and Ellie is a young girl who is seemingly immune to the virus, that he must escort to a medical facility to determine if there is a cure. In other words, this is your standard zombie road trip movie where people need to travel somewhere or accomplish some goal at the end of the world. Where it excels is in the writing and character. There are certain things expected to happen because we’ve seen this type of plot dozens of times, especially if you enjoy zombie (and zombie-adjacent) movies and shows, but there are also more than a few unexpected gems that make the series more than award-worthy.

For me and a lot of other critics, the outstanding episode was #3, Long Long Time, not least because the title is one of my favorite Linda Ronstadt songs. It isn’t often that a show about zombies makes me cry but as I said this is where this series excels. I got deeply invested in two characters who, while they were peripheral to the story in the game, are fully fleshed out here, and done in such a way that they didn’t feel like token or tragic characters, and their storyline added to the overall theme of the show. I consider this particular episode one of the finest hours of television I watched this year. It stars Nick Offerman as Bill, and Murray Bartlett as Frank, as the gay couple from the game, in an episode that is universally hailed as the series greatest.

But the show doesn’t stop there. There are many beautiful moments within the season that made me sit up and take notice. Another of my favorite episodes is the one where Ellie falls in love. Some of my favorite scenes simply show Ellie and Joel walking and talking to each other, including one where he and Ellie feed a pack of giraffes they encounter in Central Park!

I think there is definitely going to be a season two, since so many people seemed to enjoy this, and there is a part two to the game, although the focus there isnt Joel, but Ellie and her adventures. I always hesitate to say something is fun when it made me cry, or scared the bejeezus out of me, but this actually was fun to watch, since it did for me exactly what it promised.

Next Up: More Summer Movies I Loved

Movies I’ll Be Watching This Summer

Here is my watchlist for the Summer, yall! Every year, I plan my movie-watching well in advance. Unlike some people, I don’t just pay money to see everything that gets released. I don’t have that kind of throw-away money. I carefully pick and choose the movies I’m going to see and especially the ones my nieces and nephew like. I think this discernment accounts for my complete lack of burnout when it comes to watching Action movies. I make sure to choose the ones which are going to maximize my fun.

At home, I prefer to experiment more. I’ll try thoughtful, slow, and considerate movies like Women Talking or the new sound movie Last and First Men, martial arts movies, documentaries, and Horror and Classic films. In other words, I like some variety and I do discriminate. But when I go to the theater I go for fun, thrills, laughter, and adventure. I’m not spending money to cry and be upset because I can do that at home for free (and I no longer subject myself to Black trauma films).

So here is my Summer Blockbuster movie list. These are movies I’m sure I’ll be watching this Summer and feel very enthusiastic about seeing (more or less).

In The Theater

The Little Mermaid

I’m not especially enthusiastic about seeing this movie, but my niece wants to go see this and I don’t deny her stuff because I think she knows martial arts (I’m not sure about that last part but I don’t want to test it.) This looks like a pretty faithful adaptation of the original cartoon. It’s a beautiful colorful movie, especially the underwater scenes, though I am not a fan of Disney’s live-action remixes. But like I said, I guess I’ll be going to see this one.

Barbie

After seeing the latest trailer, I’m actually excited to see this. I grew up with all the Barbie dolls, and her accessories, like the apartments, vehicles, and pets, so I love her. I even have a few of the Christmas, Designer, and Specialty Barbies, along with several Black ones, and that one Latina Barbie. My niece has expressed a great interest in seeing this, although my nephew has nixed the idea of going himself. This trailer is absolutely hilarious. I already love Simu Liu’s Ken, and Ryan Gosling is absolutely perfect!

Transformers: Rise of the Beasts

This is one my nephew and I will be very excited to see. I remember the Beast Wars from books but I don’t remember watching the anime. I while I like the Transformers, I haven’t always liked the movies. This looks like a lot of fun. I’m noticing a trend here this Summer: Lots of Latino and Hispanic actors and lots of Black men and women are joining the Summer Blockbuster schedule. Well, I’m here for it. It’s very refreshing.

Blue Beetle

I did read the Blue Beetle comic books when I was a teen. These were the Ted Kord books when he was in the Justice Society and hanging out with Booster Gold. When the character was rebooted with this new kid I read a couple of those books too, so I’m more or less familiar with Jaime’s origin story. This movie looks cool as f***, and I also like the idea that his family already knows he’s a superhero and they encourage it.

Across the Spiderverse

I’m really excited about this, and so are a lot of other people it seems. I enjoyed the first movie immensely. My nephew and I are the biggest Spiderman fans ever. We are gonna have a ball, eat popcorn until we get sick, and then talk about this all the way home!

Guardians of the Galaxy

I’m a huge fan of the movies. I have never read a single comic about these characters. I’m not entirely sure that I wanna go see this because I know it’s gonna make me cry just like the last two. Apparently, this is a Rocket-centric story, as well.

The Flash

I’m not sure I’m going to see this but I am excited about it. I put it on my schedule.

At Home Movies

The Blackening

This looks hilarious and hilariously accurate! OMG! The tagline! They can’t all die first! This movie is already hitting me in the feels. This is based on a short movie I remember watching on Youtube.

In the Fall I want to talk about the amount of diversity I watched in the movie selections this Summer.

They Cloned Tyrone

This is airing on Netflix. It looks like fun and stars John Boyega and another all-Black cast.

Teenage Mutant Ninja Turtles

I’m not a huge TMNT fan but I’m familiar enough with the movies, books, and TV shows to find my way around a movie. This looks like fun and I’m told the turtles are being voiced by actual teenagers this time.

Fist of the Condor/Sakra/Once Upon Time in Ukraine

Here’s a trio of martial Arts movies I plan to watch this Spring and Summer. They all look novel and/or fun.

My Movie Hot List

Antman: QuantumMania

I’m gonna be honest, while I’m “mildly” excited to watch this, I don’t know that I’d shell out the money to go see this movie in a theater. Due to family issues beyond my control, I would have to watch this alone. Some movies are good for watching alone, but this one isn’t. It looks like a lot of weird fun that you share with your buddies.

I’m mostly interested in seeing Jonathan Majors’ giant screen breakthrough because I really really like him, I’ve heard that the character he’s portraying, Kang the Conqueror, is a huge Billy Bad Ass in the Marvel Universe, and because this movie kicks off one of the multiple plot threads of this new phase of the MCU, The MultiversalWar. Each movie after this one will be a piece of that story introducing us to alternate universes and other realms of consciousness and existence, like the Quantum universe in this movie.

Guardians of the Galaxy 2.5: Christmas Special

This movie looks like so much fun. Unlike the many fanboys who insist on complaining about the direction of the MCU, it seems that I actually do have a sense of humor. I love the MCU comedies, and I do not understand why all the MCU movies must be dark and deadly serious all the time in order to be taken seriously. I love the direction in which Thor was taken. I thought it was great fun and definitely better than the emotional slog that was Thor 2. Sometimes you don’t need or want great cinema, you just want the creators to lean into the craziness of whatever you’re watching.

Guardians of the Galaxy has been something of a comedy from the beginning, mostly because of the nature of the characters, and that last movie and this new one just sort of lean into it a little bit more. I’m looking forward to this one more than the Antman sequel because I really like spending time with all these deeply funny goofy people, and I’m glad that the creators and writers are just fearlessly leaning into the sheer batshittery of this part of the universe, because C’mon! Really!

Chevalier

I’m just coming off the finale of the Interview With the Vampire series which I’m going to have to talk about at some point because Wow! so, I’m really in a good place mentally to feel excited about seeing more Black men in wigs and stockings! It’s one thing to see Black and Indian women doing the whole ballgown movie thing, but we don’t often get to see Black men in these roles unless it involves Shakespeare or playing a servant.

I love the look of this film, and there’s the added attraction of it being based on a true story, that of a French Caribbean composer named Chevalier de Saint-Georges, Joseph Bologne. I’m a sucker for beautiful costumes, beautiful music, and sword fighting, and you throw in some Black people and I’m in, I guess!

John Wick 4

I just had the most interesting discussion about this movie with my co-worker, who said she had a real problem suspending her disbelief while watching these movies and kept getting pulled out of the film. I told her I didn’t have that problem because it never even occurred to me what I saw as taking place in a world like this one with the same political and systemic setup. I had always viewed this franchise as taking place in some kind of fantasy alternate universe, where you can just be riding through the streets of downtown New York with swords and guns and not one person would blink an eye at it.

This is what I mean when I say that whatever your mindset is when you start to watch a movie will probably determine how you’ll feel after having seen it. Anyway, this looks great and I’m eager to sit down in a theater with some popcorn and enjoy two hours of sheer Keanu Reeves, Donnie Yen, and Hiroyuki Sanada mayhem!

Violent Night

This looks like such wild and crazy fun that I just have to see this. This is definitely one of those movies that you can go see by yourself at the theater. I don’t know that I’ll do that but it’s an option. It looks like a Christmas version of a John Wick movie except it’s Santa Claus using magic and probably some guns which I know all of you must be excited about as well.

Glass Onion

Still don’t know what to make of this but I will not have to go to the movie theater to see it. I can just watch this, whatever this is, at home on Netflix. I like most of the actors here and quite frankly I was going to watch any movie that starred Dave Bautista, Janelle Monae, and Daniel Craig because these are not actors’ names that one tends to think of as being together. This also looks to be more comedic than the first film, which I didn’t think was especially funny, but apparently, that’s just a me thing.

For some reason, I’ve been watching a lot of comedy mysteries this year. I just came off the Hercule Poirot movies, The Orient Express, and Death on the Nile, and I will probably be watching See How They Run this weekend. I don’t normally gravitate to period mysteries. I’m not opposed to them or dislike them or anything. They’re just not the sort of movies I tend to gravitate to, so when I get the urge to do so, I flow with it.

Maybe I’ll Watch These

Bones and All

I’m not sure I’m in the mood to watch anything dealing with cannibals but I’m willing to watch this if it’s streaming. If it’s in the theater then it’s out of luck. I’m not spending a bunch of money to see this, although it seems intriguing.

Shadow Master

Yeah, this is a movie that’s just going to be watched via streaming only. This is not the kind of movie I would ever watch in a theater. I mean, Kung Fu movies are meant to be watched in the house, with popcorn and a remote.

Warriors of the Future

Fortunately, this is a Netflix jam so I don’t have to spend money on my curiosity about it. Okay, it really doesn’t seem like it’s a lot of fun, in the sense that it’s intentionally funny, but it does look thrilling and action-packed, so I guess that’s a kind of fun.

And Movies I’m Not Watching

Avatar 2

I didn’t care too much for the White Saviorism of the first movie. In fact, I found that movie infuriating in a way that I didn’t for movies like The Last Samurai, or Dances with Wolves. I’m not arguing about how beautiful it is but I think I’m gonna wait to watch this next year on some streaming service. Since my niece and nephew aren’t going to be with me, and this is really the kind of movie one watches with a group of people, I’m unlikely to see it in a theater anyway.

The Whale

I do not have any particular need or desire to spend money to see this. Plus this looks like one of those movies where there’s going to be a lot of crying. I’m really glad Brendan Frasier has made this return to making movies. I missed him, and this actually looks alright, but I’ll catch this on streaming.

I Wanna Dance With Somebody

I’m not going to sully my memories of Whitney Houston with a biopic. I just can’t do it.

M3gan

This movie is probably going to blow up once it comes out becomes it looks unintentionally hilarious and there are already a bunch of memes about it! I’m not paying money to watch what is essentially a killer-doll movie, but I’ll go see it my sister pays for my ticket because this seems like the kind of thing she’d attach herself to.

I still do not understand after all these killer doll movies why anyone would ever build life-size killer robots that look virtually indistinguishable from an actual person. I don’t understand the plots of movies like Bladerunner and stuff where that kind of thing happens. Why would human beings still be doing that? Have we learned nothing?!!! On the other hand, this could just be an American thing because the Japanese build life-size robots all the time and they don’t ever seem to have this problem with the robots trying to merc people.

Scary (Or Not) Short Films for Halloween

I stumbled across an entire series of these terrifying TikTok videos recently ,and by terrifying I mean it’s probably not a good idea to watch these late at night. But…during the day they might seem pretty funny, and are a great illustration of how comedy and horror are two sides of the same coin.

One of the reasons I love horror comedies so much is, as has been said before, horror is comedy without the punchline. It’s also been said that what horror and comedy have in common is the overturning of an expectation. You either laugh or jump based on what you expect to happen, so I hope you enjoy these videos (if that’s a word that can be used here), as much as I did.

TikTok Nightmare Creatures Compilation

Sometimes expectations are overturned in some very surprising ways. I really enjoyed this video. In fact, I loved it and would enjoy seeing a movie made from it.

I Live Here Too

Some videos aren’t exactly horror but they are mysterious and disturbing like this early one from Denis Villenueve, the director of Dune and Bladerunner 2049. What exactly is going on here? What is the point of it?

Next Floor

I kept stumbling across horror animations by the grickle and thought I’d choose one of my favorites for this post. For the record, I have never liked nor understood the purpose of lawn gnomes.

The Hidden People

Sometimes something is much more comedy than horror. This is from the same group that brought you the slasher boy band, The Merkins. I could not stop laughing at this because I love the first two Predator movies and I used to watch this other show late in the evening, about a journalist who would trick child predators into being interviewed (and sometimes arrested) on live television.

To Catch A Predator

As funny as the previous video is, this one is my personal favorite for this Halloween combining two of my favorite things, The Exorcist movie, and candy.

The Exortwist

Favorite Campy Horror Films

What I find funny isn’t immediately obvious to a lot of my friends. They don’t know what I might or might not find hilarious, so are hesitant to introduce me to things THEY think are funny.

Plenty of movies make me laugh though, and I’m a huge fan of completely absurdist, campy (and occasionally tasteless) humor. Some of my requirements for making this list is that the plot is ludicrous, but at least one of the actors is taking the plot seriously, and at least one other actor recognizes exactly what type of movie they’re in and is just rolling with it. Sometimes the plot is deeply stupid, trashy (usually because of some implied sexual issue) and/or tastelessly over the top, but everyone in the movie plays it completely straight, or the plot is actually what’s serious and straightforward, but the actor’s reactions are exaggerated.

There is a thin line between Campy, Horror/Comedy, and Parody and not everyone can tell the difference. Sometimes there is a lot of overlap, but most people, even if they can’t describe what it is, know Camp when they see it. For example, Rob Zombie’s Halloween is trashy, but it isn’t Campy. The new Munsters movie however is all Camp. In a Campy film, things tend to be overdone. The color is more saturated, the acting is just a bit long, and the plot is just a bit too of whatever it is. There’s a fine dance of all these elements and too much of one thing, and not enough of another, can put a film in a different subgenre.

Here’s a list of the movies I thought were the most enjoyable and funniest. These are not in any particular order, but there are a number of them from the 80s, since that was the time period in which I first saw them, and quite frankly, I consider the 80’s the great age of Horror movies. As I once said, I think my Mom and I tried to watch every single Horror movie in that ten-year period. The Horror movies of the 90s were a lot less Campy than the ones from the 80s.

Fright Night (1985)

If I were making a numbered list this would definitely be in the top five. This movie was so much fun, and not just because the vampire, Jerry Dandridge, played by Chris Sarandon, was having so much fun in his role, but because of the addition of Roddy McDowell, who is a wonderful actor who has to play a has-been Horror movie actor who is also a failed television movie host, named Peter Vincent. Vincent is the one who thinks the situation is insane, but once he realizes it’s real and incredibly dangerous, wants no part of it. He starts out as an unethical and cowardly man who eventually steps up to the plate to become a brave and surprisingly compassionate hero. The movie is also enlivened by the performance of Stephen Geoffreys as a sympathetic and completely over-the-top villain named, appropriately enough, Evil Ed, which is more of a clue as to what type of movie this is. Actually, the only characters who take the plot at all seriously are the two leads, Amy and Charlie, played by Amanda Bearse and Wm. Ragsdale.

Death Becomes Her (1992)

I absolutely love this movie (despite its problematic depictions of fatness). Madeline (played by Meryl Streep) is a vain, insecure, formerly great actress, who keeps stealing the boyfriends of her childhood friend Helen (Goldie Hawn). Tired of this dynamic after Madeline steals yet another boyfriend, Helen embarks on a revenge scheme that involves taking a potion that makes her beautiful and immortal. She hatches a plan with her ex-boyfriend (an unrecognizable Bruce Willis) to murder Madeline. Unknown to both him and Helen, Madeleine also takes the potion, and hijinks ensue as the women find out the hard way that although they can’t die, they can be killed.

The movie has the feel of a comedy of manners, (because of the various misunderstandings and mix-ups), except no one in this movie has any manners. No one in this movie is at all serious about this utterly ridiculous plot, delivering their lines with a wink and a nod, with the sole exception of Isabella Rossellini as the potion provider, who acts as if she is in some grand gothic Horror cinema, while everyone else is in a torrid soap opera. This was my first exposure to Meryl Streep the comedian, and she is absolutely hilarious, as a character whose body has started to break down after she is murdered, but my all-time-favorite line is Helen telling Madeline (after Madeline breaks her neck in a fall) that she won’t speak to her until she gets her head on straight!

At the time the movie was released in 1992, the special effects were groundbreaking as it was the first time CGI had been applied to living, moving actors. This movie is now a Cult Classic in the LGBTQ community, btw. If you haven’t seen (or even heard about) this, it’s well worth watching.

Elvira: Mistress of the Dark (1988)

Anytime I have such fond memories of a movie that I start laughing when I hear the title, it definitely means the movie has made my favorites list! I absolutely love this movie and it’s Elvira who sells it with her patented blend of sexy and snarky, which is never mean-spirited. Most of the humor involves Elvira getting herself into silly situations about which she has to make smart-ass remarks before rescuing herself. In this, her first film, she inherits a small town Gothic home from her Aunt, and is menaced by her Uncle who is hunting for a Witch’s grimoire he thinks is hidden within it. This gives Elvira plenty of opportunity to deploy her snarky little side-quips (the bread and butter of the movie) against the self-righteous townsfolk. The movie is very deliberately Camp, but only Elvira seems to understand that’s the case, and she occasionally breaks the fourth wall with a wink and smile to the audience.

The actress (Cassandra Peterson) is also a true Gay icon as she recently came out in her Memoir, Yours Cruelly, where she confessed that she’d been in a relationship with her friend, Theresa Wierson since 2002.

Evil Dead 2 (1987)

If you enjoyed Multiverse of Madness and the first Spiderman trilogy you have to see where it all began, although technically Evil Dead 2 is a remake of the first movie Evil Dead by the same director, Sam Raimi. Everything that made Spiderman 2 so much fun to watch, and all of the Madness of the latest Doctor Strange movie has its foundation in this one.

I saw this movie when it was released (on a double bill with Robocop), at a ratty little downtown theater and I don’t think I have ever laughed so hard at a movie in my life up to that moment. Picture a 17-year-old girl sitting in a movie theater by herself, laughing uproariously as a man gets attacked by his own hand. Evil Dead 2 is a deeply stupid film, but only maybe two of its characters understand that. Ash, the hero of the movie is an over-the-top clown, but one of the other characters, a female scientist of some kind acts like she’s in a perfectly straight Horror movie. This is one of Sam Raimi’s greatest films. Everything in it is overdone, extremely loud, and unashamedly, unabashedly frantic, from the music to the dialogue, and even the camera work.

The movie is a lot, and despite all the colorful gore, is actually great for teenagers who like Horror movies that aren’t quite that horrible.

Big Trouble In Little China

The best character is the one who has no idea that he is not the hero of this movie, and that is the arrogant, self-referencing, and derpy Jack Burton, played by Kurt Russell. Most of the movie is shown from his point of view, he narrates the movie and thinks of himself as a lovable scamp, but the actual hero of the film is Dennis Dun as Wang Chi, who commits numerous heroic acts, saves the day, and the girl, and plays all of the ridiculous shenanigans in this movie completely straight. Kim Cattrall plays a breathless and overconfident Gracie Law, James Hong (from Everything Everywhere All At Once) is a Fu Manchu parody, and Victor Wong is a Chinese wizard named Egg Shen, which is all you need to know to know what kind of movie we’re dealing with here.

The plot is deeply silly, (and probably exploitative as well since this is the 80s) involving the villain (Lo Pan, aided by his awesome henchmen, The Three Storms) trying to become immortal by sacrificing a girl with blue eyes to his gods, and the only characters who take any of it seriously are the hero (Wang Chi) and the villain (Lo Pan).

Return of the Living Dead

Most of the characters do act like they’re in a serious movie, but this is a movie that knows it isn’t serious at all, as the plot becomes increasingly silly for the audience. We know the movie isn’t to be taken seriously mostly because of the dialogue, and c’mon, the name of the primary company in the movie is called Uneeda which sells cadavers for profit. It’s not the characters that give a sly wink to the audience but the director and writers.

Most of the movie takes place in two small buildings (one a crematorium) with most of the characters being shuttled back and forth between them as the zombies take over the area. The zombies are the fast kind brought about through chemical means, and they also talk. well okay, they only yell for brains, but still. However, the greatest camp moment of the movie is the scene above where the zombies use the ambulance radio to call for more paramedics – so they can eat them.

Return of the Living Dead has its tongue firmly planted in its own cheek.

Vamp

There were quite a number of Camp vampire films made during the 70s, most of them came from the Italian studios, and that put Hollywood off from making vampire movies for a while, but they seemed to rediscover their interest in the 80s, releasing quite a few as Horror comedies. Vamp is one of my top favorites from the era of, what I like to call, the Golden Age of Comedy Horror.

A trio of college boys in an attempt to get into a fraternity, promise to provide strippers for a party. In their search, they stumble across a goofy childhood girlfriend who is working for a millenia-old vampire Queen, and her bug-eating human servants, in the After Dark nightclub, along with a gang of albino bikers (and yeah, the bikers and the vampires get to duke it out!) The movie is a tragedy but what makes it a comedy are the great, blink and you’ll miss them, one-liners by the lead characters, but what makes it Camp is the utterly silent Queen vampire (played by none other than Grace Jones, in what is probably one of her most pants-shittingly frightening roles) giving the audience the middle finger at the end.

And, oh yeah, there’s a little bit of stripping and Grace Jones does something that could loosely be called dancing.

Frankenhooker

There’s a thin line between Horror-Comedy and Camp because the two tend to overlap. I consider a Horror/Comedy to be much more deliberately in-your-face funny. In a campy movie, the humor is just a little bit more subtle or has a sexual element that gives the dialogue, and/or horror scenes, a double meaning. Frankenhooker walks that thin line and works it! On the surface, it appears to be a typical Horror/Comedy, but it’s the sexual component of the plot that makes this movie a little-known Camp Classic.

Everything about this movie is utterly ridiculous, from every element of the plot (supercrack, and exploding hookers) to the acting (wooden), to its dialogue (melodramatic). From its opening scene of death by electric lawnmower to the iconic scene of Frankenhooker walking the streets of, where else but New Jersey, screaming at the top of her stolen lungs: “GOT ANY MONEY?!! WANNA DATE?!!”, this movie doesn’t let up for a single moment.

All of it is incredibly, stupidly, trashy!

The Howling

Some movies don’t seem especially Campy at first, except for a knowing wink and a smile to the audience, which is embodied here in one of the werewolf characters deliberately addressing the audience at the end of the movie. The Howling is one of my favorite werewolf movies and that’s because the Camp is so subtle and well done. Like most Horror movies of the 80s, the scenes are over the top and kind of ridiculous but, if you pay close attention to the dialogue you get that the characters are all smirking at you a little bit. Occasionally, one of the characters will say something as if they know they’re being watched by an outside audience, and the movie is shot in such a way that the creators (namely VFX artist Rob Bottin) want to make the maximum amount of spectacle out of watching someone turn into a werewolf.

For example, this is a process that starts about three times during the film. The first time we don’t get to see it in its entirety because the scene is set in a dark room and interrupted by gunfire, but the second scene, (and we’ve waited for half the movie to see this) is completed in all its closeup, gory, lumpy, squishy detail. The third time, we are all set for a repeat of the second transformation, but we don’t. We get interrupted again.

There’s nothing elevated about the plot, the characters, or the scenery. The characters are rural lower-class peasants, contrasted against sophisticated metropolitan outsiders. The 3 outsiders play everything completely straight as if they don’t know they are in a werewolf movie, but all the rural characters seem in on the secret and are laughing at them and us, and that’s a large part of why this movie is so much fun!

Runners Up

Studio 666

Slaxx

Hell Baby

Good Hair

Zombeavers

The Newest Addition:

Rob Zombie’s Netflix adaptation of The Munsters, which makes no secret of its Campiness, just putting it all out there as brazen as you please! This was released last week, and I really enjoyed it. It was as much fun as I thought it would be although looking at it can be a bit exhausting. It is extremely colorful. He seemed to very much capture the mood and aesthetic of the original. I could have done with more of the Herman and Lilly falling in love plot, rather than the no-count werewolf brother side plot getting so much airtime, but it turned out the plot is a prequel, so we understand why the family moved from Transylvania to Los Angeles.

Odd Things YouTube Recommended To Me

(Why???)

I have no idea why Youtube recommends certain types of videos to me. Sometimes it will recommend things to me from over ten years ago that are not based on anything I’ve been watching recently. I normally don’t search for music videos on Youtube, but I guess this was rec’d to me because of the music post I made before, with none of those videos having anything to do with this type of music, so there’s that…

Not that I don’t like this video. I just think it’s weird that it would recommend Indigenous Rock music, seemingly out of nowhere. I love the clothing (those coats are awesome!) and attitude though, although I’m not too impressed by the actual music. At least it’s upbeat. If this is your bag though, then go for it.

Okay, I was trying to find movies directed by George Plympton and I got nothing until several weeks later and this was Youtube’s answer. I liked this a lot (it’s deeply funny) but I wonder why it couldn’t have given me this video at the time I asked for it.

Plympton’s videos are always very silly and I enjoyed this one.

Just note, I think this video is incredibly funny, but I’m not sure why this was recommended to me at the time it was (a few weeks ago). Okay, I do search for animated shorts like this every year in October, but Halloween was months ago and I don’t recall asking for anything like this recently. There seems to be a significant lag time between what I ask for and what gets recommended. Or maybe the video simply didn’t exist back when I asked for something like it.

This one really resonated with me because there have been times when highly extroverted people latched onto me and determined that we were going to be friends regardless of what I wanted. Not that I didn’t appreciate their friendship but I do understand this lady’s predicament.

This is one of Denis Villeneuve’s weirdest films. I still don’t completely understand what’s going on here, but I enjoyed it, and it probably needs to be made into a movie. I do know why this was recommended to me though. It’s the interaction between requesting short horror films, watching all of the Bladerunner short films, and Villeneuve’s interviews.

I will unashamedly admit to watching cat videos, I generally enjoy most of them, and recently searched for some. So why Youtube decided to offer me tiny goat videos is a mystery. Not that these weren’t fun to watch (and now I want a dwarf goat). I don’t know how or why Youtube makes some choices, although I suspect a bunch of other people also watched cat videos and then searched for tiny goat videos and Youtube thought I might like some too.

For the record, I have never requested tiny goat videos.

The Trailers Are Out!

The DCEU just had this thing online in August, that was sort of like ComicCon, but only for DC and its properties, called the FanDome. Basically they showcased all their shows, movies, and trailers online, for a week. So here are the relevant trailers, and a couple of random trailers, and videos, I threw into the mix,  just because I liked them!

 

Enola Holmes

This is a new series on Netflix, based on the Enola Holmes Mystery books, which I have heard about, but never read. Enola is Sherlock and Mycroft’s little sister, and Since I like her brothers, and I like this actress, I’m looking forward to the first episode, which looks like lighthearted fun.

 

Zack Snyder’s Justice League

For the record, I cared not one whit for the Zack Snyder cut to be released, let alone that it even existed. I’m also not exactly a Zack Snyder fan, even though I’ve probably seen all his films. Its more that  Zack Snyder keeps directing movies that have actors in it that I like, and so I end up seeing his movies.

All that said, I actually am looking forward to this and will definitely watch this mini-series, which I understand will take place over four days. Frankly, that’s how it should’ve been approached in the first place, rather than a 2+ hour movie, that seemed to displease everyone.

 

The Suicide Squad

Now, I must state up front, that I am a fan of the first Suicide Squad, which is differentiated from this one by not having the word ‘The” in front. I know people hate that first movie, but I found a lot of things to like about it, (as well as hate), and it’s more likely that I was looking at that film through a very different lens, than the white fanboys who hated it, and one day I’m going to have to write about why that is.

Anywho, I am a big fan of James Gunn, whose career got canceled briefly, but who has since been reinstated, in his role as the  director of the Guardians of the Galaxy movies, which I personally love. Those are two of my absolute favorite MCU films ,so I’m very much looking forward to his version of the Suicide Squad.

 

The Batman

This movie actually looks okay. Yeah, I was more than a little dubious about Robert Pattinson playing this role, but I never liked Ben Affleck, and I’ve since watched Pattinson in other roles, and I feel confident that he is gonna bring it as The Batman.

Now this is a much younger Batman than we’re used to. I’d say year one or two, in his role as Gotham’s protector, and you can see that he is not as controlled in his manner, as we’ve seen the older Batmans, and that there is a little more hand to hand combat, rather than the reliance on gadgets, that a lot of the movies fall into. Hopefully, this movie will also focus on Batman being a detective, because that was the part of his role that made him interesting in the comic books, and  which hasn’t really been depicted onscreen yet.

 

The Stand 

You guys all know I’m a dedicated Stephen King fan despite some of my issues with some of his characters, but I will admit that I disliked the original mini-series of this book intensely, because the acting was so spotty, and it was trying just a little too hard to be faithful to the book, without actually being faithful to the book. But I’m kind of looking forward to this version. For one thing, it stars much better actors ,and it looks like its going to remain faithful to the spirit in which the book was written, and it happens to be timely.

Now, I don’t know how many of you want to sign on to see a pandemic destroy the Earth, considering what we’re all going through. I tried reading the book back in May, and just couldn’t get through it, and I also believe the money spent on this would have been better served filming The Talisman, but I’m gonna watch this in December, even though it ain’t got nan but two black people in it, and let you guys know what I think.

 

Thriller Haka

Taika Waititi continues to be comedy gold! I just love this man’s humor ,and of course the Thriller dance would be a Haka!

 

Raised by Wolves

Not sure what to think about this one, but I’m going to check it out because its SciFi, and based on my blog name, I am required by law to watch this, I think.

 

Tenet

I am definitely going to watch this, and then we’re going to talk about my love of Christopher Nolan films

 

Alone

I think this is an American remake of the French movie, The Night Eats The World, a zombie type movie, in which people act insane, but are not actually zombies, right? It stars that guy from Teen Wolf. There’s also a bunch of other movies out right now called Alone, but with 0009949443528

a different type of horror, so try not to get confused. This looks intriguing, but I’m not sure I want to binge on too many end of the world flicks right now, because I’m just not feeling it.

*Hopefully, my review of Lovecraft Country’s first episode, will be ready by this Friday!

Horror’s 10 Weirdest Monsters

I was just looking over a list of of horror movies I made early on this blog, of some of my favorite monsters, and took note of how damn weird all the monsters on that list were. I remember deliberately leaving certain types of traditional monsters off the list, like vampires and werewolves.

I also noticed a trend, from decade to decade, too. Whatever social or economic concerns Americans were voicing in the media at that time, got appropriated by Hollywood to make these movies, although its not quite that simple, as Hollywood didn’t just reflect our fears, but reinforced them, as a lot of these films had a sort of dialogue with one another.

In the fifties, the big theme was nuclear generated monsters because people were still reeling from the use of atomic weaponry during the war. In the sixties, the theme was zombies, and other human related horrors, as people began to question American lifestyles, and there was a great deal of social and racial upheaval. In the seventies, it was environmental concerns, and in the eighties, Hollywood focused on human and supernatural related horrors, like zombies, and slashers.

Here is my top ten list of the weirdest horror movie monsters ever screened. There’s a lot more, these just happen to be my personal favorites.

 

Little Shop Of Horrors – Giant Venus Flytrap

This is certainly one of the strangest monsters ever seen in a movie, (especially considering the sheer numbers of strange monsters in movies), a giant flytrap that is actually from Venus, that talks and sings. It took me years to figure that that’s what Audrey II was, probably because I wasn’t paying attention to the dialogue as closely as I should have, and well…Audrey is certainly distracting. The 1986 movie stars the music of Alan Mencken, was directed by Frank Oz, of Muppet fame, while Audrey was voiced by Levi Stubbs of The Four Tops.

 

Food of the Gods – Giant Mice, Chickens, and Hornets

This 1978 movie was loosely based on the H.G.Wells novel of the same name about a strange substance that bubbles out of the ground near a farm, which gets fed to various animals. This causes the farm animals, and all the nearby woodland  wildlife to grow to tremendous sizes. The audience gets treated to giant chickens, giant hornets, and of course, giant mice. Yes, the acting is terrible, and the special effects are laughable, but there are at least a couple of truly effective scenes, which makes this movie worth taking a look at.

Part of the reason for all these giant and killer animal movies, during the 70s, was America’s new awareness of ecological issues, which prompted Hollywood to try to cash in on these new environmentalist fears. Movies like Squirm, Slugs, Day of the Animals, Frogs, and the many Grizzly films gave vent to American’s fears of humans destroying the environment, which prompted the environment to take revenge on us.

 

Attack of the Killer Tomatoes – GiantTomatoes

In keeping with the theme of ecologically based monsters, this is an utterly ridiculous, 1978 satirical film, whose style is loosely based on the giant nuclear animal movies of the fifties, and The Blob.  The tomatoes even have their own theme song, written by John Dibello. The acting is atrocious, which only contributes to the films very, very, broad humor.

 

Night of the Lepus – Giant Rabbits

This is a 1972 horror scifi movie about a town being overrun by giant rabbits. The special effects are incredibly laughable because the rabbits don’t look especially evil or angry. They just look like rabbits, which is entirely in keeping with the “nature is trying to kill us all” phase of horror that happened during the 70s.

 

Rubber – Killer Car Tire

This 2010 movie is about a rubber tire, named Robert, that somehow becomes sentient enough to psychically kill the people it encounters. It rolls around the desert, exploding the bodies of hapless animals and unsuspecting people. Directed by Quentin Depieux, and starring a cast of nobodies, this film is much more surreal, as it also has a chorus of bystanders, who view the events, while making commentary, and who eventually all contract food poisoning by eating some bad poultry they brought with them for a picnic. Quentin needs help!

 

Attack of the Killer Shrews – Giant Shrews

This 1959, black and white,  giant animal movie revolves around a boat captain and his crew, who get stranded on a research island, with a mad scientist, his daughter, and the staff. The mad scientist believes shrinking human beings to the size of party snacks is a way to solve world hunger.  He should have stuck with enlarging plants, because naturally, he gets to be one of the first people eaten by the shrews. Its also a monumentally stupid idea.

This movie has the distinction of being one of the few movies, on this list, that scared the living beejeezus out of me…when I ten years old, and watched it on some idle Saturday afternoon. its always those childhood fears that stick with you, because I saw this a couple years ago, and yeah, I laughed at it, but it was, lowkey, still effective.

 

From Hell It Came – A Tree Stump/Zombie?

In keeping with the theme of murderous, sentient, wildlife, this is a 1957 scifi horror movie, about what appears to be an angry,  nuclear generated, tree stump, on yet another desert island. This movie has the rather unique plot of having  a witch doctor and human sacrifice involved, as well. As usual, there is the demonization of some sort of African pagan religion, which I’ll be speaking on later.

 

Black Sheep – Sheep

Black Sheep is a 2006 movie from New Zealand, about a brother who accidentally zombifies a flock of sheep, by performing genetic experiments on his father’s sheep farm. Just one bite from one of these fat, and perfectly normal looking sheep, is enough to transform a man into a horrific man-sheep monstrosity. The humor is that all of this is played completely straight and the actors really sell it.

 

The Crawling Eye – Giant Loose Eyeball

Originally called the Trollenberg Terror, this is a 1958 British, black and whit,e film. This one of the few films where the monster’s origins are not a result of nuclear something or other. The location is isolated, scientists are involved, and the monsters seemingly have a form of mind controlled.

 

Squirm – Worms

This is another movie I remember watching as a kid where  I wasn’t so much terrified, as disgusted. This movie, released in 1976, was one of the worst of the ecologically based horror movies, if only for the acting, but I still found it intriguing, because…worms. During a thunderstorm, a farm full of worms get struck with electricity from downed power lines, and decide they like the taste of people. There’s some greatly ridiculous scenes of screaming worms, and houses being swarmed by regular sized, bloodthirsty, worms.

 

Honorable Mentions

The Swarm – Killer Bees

This was apart of the great Swarm! of killer bee movies that we all got inundated with in the 70s, thanks to the media horror stories about the Africanized honey bee, the most hostile and aggressive bees on the planet because…Africa! taking over America.

 

Frogs – Frogs

This movie released in 1972, is a rather slow moving thing that doesn’t contain monsters so much as deeply stupid people. A wealthy family has a reunion on their private island, so they can fight among themselves in private, but are inundated by swarms of frogs, and other wildlife, that apparently hate them. The frogs and other animals,  aren’t grown to large sizes, or are even especially malevolent. They pretty much just act like snakes, birds, and lizards, while the family members act like accident prone ninnies.

 

So hey everybody, have a happy weekend, and watch out for the trees!

Haberdasheries and Hemoglobins On Youtube

Today, I have decided to laugh.

Okay, maybe its not all sweetness and light, but I find Youtube amusing and interesting, as I carefully curate the things on my dashboard, to minimize bullshit. Here’s a list of ridiculousness that I stumbled across, and a short list of Youtubers I subscribe to. This is maybe half of them, but its a pretty good snapshot of the subjects that most interest me.

 

Tony Baker Voiceovers

From now on, I’m going to use the word “The Skibbity Pap”,  every time I love smack one of my nieces or nephews on the back of the head. These Tony Baker videos have been around for years, but they’re new to me, and I just love them. Whenever I need a quick pick me up, I just put on one of these, and I’m soon crying for a completely different reason!

Also “skibbity pap” just sounds like the kind of thing that cats would call those love smacks they enjoy giving to anyone, or anything, that wanders into their orbit.

 

 

Two things that are  deeply funny to me, are how the animals love to sing R&B songs to themselves, when they’re alone, and continuing adventures of Rudy, and his dogs.

 

 

The Patriot Act

ASMR: signifies the subjective experience of “low-grade euphoria” characterized by “a combination of positive feelings and a distinct static-like tingling sensation on the skin”. It is most commonly triggered by specific auditory or visual stimuli, and less commonly by intentional attention control.

This is one of the weirdest/funniest videos on Youtube, as Hasan Minhaj, from Patriot Act, gets in on that whole ASMR experience, by helping you relax while you’re doing your taxes. Watch the whole thing!

 

 

Beau of the Fifth Column

The first time I stumbled across one of Beau’s videos, I did what maybe a lot of people did, and skipped past it, because I really didn’t want to be bothered by yet another opinion video, from a straight white guy, about social issues that didn’t affect him. I’ve had my absolute fill of white men, “objectively” playing devil’s advocate on  social issues.

But his videos kept being recommended to me, so I gave one a try, and was pleasantly surprised by how open and level headed he is. I don’t always agree with the things he says, but he always clearly, and honestly explains what, and why, he believes it, in a way that doesn’t talk down to the viewer, or occlude the issues with erasure and lies.

The titles of the videos are often misleading, but once you start watching, you realize that he is someone who thinks very differently from most people (even me) about a thing.

 

 

 

CinemaWins

I am more than a little tired of this idea, that more than a few people deeply believe, that criticism must be negative. I keep trying to tell people that any opinion, whether its positive or negative, is actually a critique of whatever  you just consumed, because that’s what “criticize” means. Yes, loving something, and stating why, is a perfectly valid critique.

This critic says he originally started this channel as a rebuke to the Cinema Sins Channel, (which I hate). I chose this particular video because I love this movie as much as he does, and for all the same reasons.

 

 

Jesse Dollamore

I knew what I was getting into when I stumbled across Dollamore’s videos, because I started watching him back in the days when he was taking down the low hanging fruit that is Tomimo Laurencias stupid ass. At least part of the reason I like his videos are the incredible insults he levels at trump and his cronies, because they’re almost poetic. Feckless moron, and googly-eyed nitiwt, are what come to mind. I love a good, and well delivered, insult.

 

 

La Guardia Cross

Papa La Guardia says:

New Father Chronicles began in November of 2014 when my daughter Amalah was 1-week-old. I had no idea what I was doing, so I decided to chronicle my journey on YouTube and make fun of myself along the way. Our 2nd daughter, Nayely, was born in April of 2017.

My channel is filled with the silly adventures I have with my girls, infant and toddler interviews, my interpretations of their babble, silly skits, and the things I’ve learned or unlearned as a parent. Sometimes Leah and I mix it up a bit and share some pretty personal moments as well. Why? Well, we’re far from perfect and we’ve learned a lot from our mistakes.

This was one of the first videos I ever saw, and its at least a couple of years old as his baby girls are about three and five now, and I’m not sure where I heard of it, or what I’d watched, that this was recommended to me.

 

 

 

Renegade Cut

Okay, these are just really good reviews, and the critic makes an effort to make his critiques relevant to real world events, like this one about how Black peopel have always been talking about police brutality, which has permeated almost all of our tele-visual arts.

 

 

 

Sir Stevo Timothy

I’m not sure how this video got recommended to me. I thought it was funny, but still  wasn’t quite  sure what to think, when I saw the first one, so I did a little research to figure out who the hell this guy was. it turns out that this character is a parody of a certain type of racist, loud, old, ignorant, Irish uncle. He manages to make the things he says so stupidly ridiculous that you cannot possible take his opinions seriously, and even manages to slip in  some progressive thoughts, if you pay attention.

This video is one of my favorites because no matter how hard he tries, he is simply incapable of ignoring that his passenger is a Black man (from Dublin).

 

I’m probably not supposed to laugh this damn hard at these videos.

 

 

 

The Fish Locker

This video doesn’t seem like it fits anything else on this list, but  its surprisingly soothing to watch this guy combing the rocky beaches of Scotland for seafood, with his wife and son.

This is like ASMR beach combing.

 

 

 

Tkviper

And here are the real ASMR videos of Tkviper just walking the many different streets of Japan, while its raining different types of rain.

 

 

 

Aeon Flux

Does anybody remember these cartons from MTV’s Liquid Television, in the 9os? I remember watching hte hell out of these at the time. I think I still have the full DVD set.

Teeny Tiny Reviews From April

Here’s a incomplete list of movies and shows  I watched in April. For the most part, I liked all of these. I can tell I liked them because I finished watching them. I’m one of those people that feels absolutely no obligation, whatsoever, to finish consuming something I can’t stand. That’s a “young person whose got a lot more years ahead of them” type of thing! I’m also not one of those people who think you can’t have an opinion on something you didn’t finish. I mean, I won’t finish a cup of sour milk, but I can still know I didn’t like it. I feel like it’s the same for books, movies, and shows. I mean, you ain’t got to suffer your way through some shit, to know you’re wading through a pile of shit. You know what you like.

I have been watching tv shows, but most of it’s stuff that already aired, since there’s no new stuff being released right about now.

 

Unnamed Korean Drama

(Close-Knit 2017)

You may notice a trend of Korean, Japanese, and Chinese movies. Yeah, I’ve been watching a lot of those since I can now access Japanese Netflix, thanx to my IPVanish app.

Wel, this one didn’t have the  title in English, so I had to research it. A lot of the shows don’t have English titles, or translations, but I’m really used to figuring out what’s happening in Asian movies, after decades of watching this kind of thing. This one did have translations in English though, so I didn’t have to figure it out too much, otherwise I would have been deeply, and I mean, deeply, confused about this movie.

This is about a little girl who goes to live with her uncle, and his common law wife, after her mother temporarily deserts her. She is often bullied at school, but there’s a little boy, often bullied himself, who keeps trying to reach out to be her friend. Her uncle lives with his transgender girlfriend, and after some initial confusion, she and the little girl start to bond, to the point where the girlfriend considers suing the mother for custody. This movie is the game Japanese director’s attempt to tackle a controversial lgbtq issue in Japan, so it’s a little heavy handed in some places, frustrating in others, and sometimes, it’s just vague, but I’m a sucker for found family stories.

It’s a beautiful story, though,  and I really liked it. The little girl is unwilling to get close to people because she keeps experiencing the instability of being abandoned by her mother, every time her mom gets a new boyfriend. She is also reluctant to get close to her uncles gf, but it isn’t until the two of them bond over knitting, and the gf’s transgender status (she is pre-op) that the girl allows herself to open up to the little boy who’s trying to be her friend. Unfortunately, her friendship with him doesn’t work out, because his mother is deeply transphobic, and makes the girls living arrangements her personal business, to the misfortune of this lovely found  family.

Without the translation, the most confusing part of the movie, are the knitting scenes. We get a backstory on the gf, from when she came out to her mother. Her mother, while initially confused, became deeply supportive of her daughter, going so far as to knit her a pair of tiny breasts. I mention that she is pre-op, because part of the plot is that the gf spends a lot of time knitting penises. When she finishes making exactly 108 of them, she will burn them in effigy, and that will be when she is ready to have her bottom surgery.

She teaches the little girl to knit by making these penises, and that’s how the two of them bond. At one point the gf allows the little girl to squeeze her breasts, because of her intense curiosity about her gender status. She becomes less confused, but the girlfriend’s breasts are still a focal point of their relationship, because the little girl begins associating them with the warmth, comfort, and motherhood she wasn’t getting from her own mother, especially since the gf is the one who cuddles her against those same breasts, when she gets afraid in the middle of the night. The girlfriend becomes a figure of maternal love and stability for her, but even though they have chosen each other, they cannot be together, as mother and daughter, because society will not allow it.

I though this was a beautiful little story, not too emotionally taxing, with an open ending, that was somewhat bittersweet.

 

 

Birds of Prey: The Fantabulous Life of Harley Quinn (2020)

I had so much fun watching this movie. Sometimes you really can tell the difference between a movie directed by a man, and one directed by a woman, and that seems to be the case with this movie. The story itself isn’t all that different from what would appear in a film made by a man, but it is definitely a comedy, and the emphasis is on different parts of the story, over others, and the story beats, and pacing, are different, and the tiny details can mean a lot to a female audience. Still, you can sort of tell a woman did this movie, because it feels like most of the kinds of art made by women, in which the relationships between the characters are what’s  of primary importance, and that’s what’s going on in this film.

You’ll hear from a lot of male critics that the movie was bad, but really it’s that the movie is simply made with a different audience in mind, and so there’s an emphasis on different things in the movie, the kinds of things that might not appeal to male viewers. Since personal relationships are of deep importance to women in the real world, movies that emphasize that can be greatly appealing to a female audience, and we don’t consider such movies to be a failure. As women, we may be looking at the film through a different lens.

Another appeal for women is how the women interact, and I think that was this movie’s greatest appeal. The women in the movie aren’t at loggerheads just to have drama. They’re at odds with each other for real reasons, based on the plot, and they’re brought together through the plot, and learn to get along to survive the plot. The biggest problem I had was that the movie isn’t pretty. I’m not used to comic book movies looking like this, expecting a much more anti-septic, and polished, look. It looks kind of dirty and grungy, and the cinematography looks really different than a Christopher Nolan film, or anything in the MCU. Harley definitely lives in Gotham’s armpit, as do all these characters, and it shows.

Funnily enough, my favorite character turned out not to be Dinah Lance, but The Huntress. She was such an delightfully odd character, and showed some aspects of Spectrum behavior, although her uncertainty about her social skills might have had something to do with either her unconventional upbringing, or that she’s a loner, who has never had any friends. I liked Harley, but Huntress turned out to be an unexpected fave.

I really enjoyed this movie, though. It’s the complete opposite of everything in the movie Joker, so if you are any of the many women who hated that movie, then try this one, because it’s a helluva lot more fun. It’s hilarious to point at both these films and even say they are about comic book characters, let alone set in the same DC universe. The story arrangement is a little different than I’m used to, since it’s told from Harley’s point of view. There’s a lot of pausing, and back and forthing, and a couple of side issues, because Harley is a somewhat disjointed storyteller, who is mildly unreliable as a narrator, but she is zany and energetic, and a likable anti-hero, and we can see the faint seeds of the real hero she will eventually become. The movie isn’t deep, but it’s a helluva lot of fun, and I want to talk about it later in more depth, because there are a lot of fun and interesting things to be said about it.

 

 

Joker (2019)

Despite all the controversy surrounding this film, I genuinely liked this movie, as an interesting piece of filmmaking. It’s true, that it’s not an especially deep film, but that isn’t always required to like a film, and so I let that pass. I also didn’t care much for its message about yet another white guy feeling disgruntled about his life, and going on a killing spree. There are far, far, too many of these types of shows, and movies, in pop culture, and this is another one that presents the same theme, and yet, asks no questions about it.

On the other hand, it is a gorgeous looking movie, although I did think it was much too derivative of Martin Scorcese’s early works, Taxi Driver, and King of Comedy. Joachin Phoenix turns in a splendid performance though, and there were moments where I was greatly moved by the pathos and beauty of his character, his acting, and the cinematography. I’m tired of this sort of plot,  but  the director did a superb job of evoking sympathy for this character. Was this an Oscar worthy film, I don’t know, but in my opinion, it was worth watching. And I will probably watch it again, at some point, for the acting, and aesthetics.

 

 

Memories (1995)

This is a 90s animated anthology, from the maker of Akira, Katsuhiro Otomo. It consists of three stories about technology gone wrong, and people’s interactions with it, but I’m only interested in the middles story in particular, Stink Bomb. I thought it was hilarious, and kind of sad. There’s a message in it, but I’m not quite sure what that message is. Nevertheless,I really enjoyed it.

The Big Stink is the middle story, about a down on his luck office worker, who gets infected with a kind of biological warfare gas, that kills anyone within a certain mile radius of him. He, of course, doesn’t know this. All he knows is that people keep dropping dead around him, as at first, he tries to make his way home, and then attempts to outrun whatever is killing the people in his vicinity. For some reason, I found  this part, deeply funny, although if you think about it too long, it’s pretty horrifying. The attempts by the police, and the military, just get more and more outrageous, as they escalate from guns, to tanks, and then to missile strikes, in an effort to stop him from reaching the city. The ending of this one was very satisfying, though.

 

 

Roujin Z

This is one of my favorite little known Katsuhiro Otomo movies. I love the premise of it, which just thoroughly tickles me. It’s got a good strong story, and like his segment in Memories, Stink Bomb, there’s a deeply hilarious idea gliding just underneath the surface story of a rogue robot destroying a large city.

This was the movie that made me think about the different attitudes towards AI between the East and the West, which I am really going to have to have a deeper discussion about. I think I mentioned before that Japanese culture doesn’t have the same type of fears about automata that the US does. If you go by the types of books we write, the movies we make, and the types of discussions we have surrounding technology, then Westerners have some kind of deep atavistic fear of dolls, and robots. We are forever making stories about rebellious, or angry, simulacra that want to destroy their makers, and I want to examine this further.

Roujin Z is about a newly invented, healthcare,  AI robot, that is given custody of an old man with dementia, who thinks the robot is his long dead wife. The robot, which is a kind of mobile care vehicle and bed, begins to take on the persona with which he treats it, and decides  to care for him in the way his wife would have. He expresses an interest in visiting the beach, which is several miles away, and the robot decides that’s a good idea, and sets out. This causes complete chaos, as officials try to stop the robot, without hurting the old man, and the robot knocks down anything and everything in her path, to accomplish her goal, like houses, street posts, and cars. It wasn’t built to be so powerful, but it was built to modify itself to the needs of its patients, and that’s where the problem lies. Remember, the officials have no idea why the robot bed has gone rogue, and keep speculating that it is abducting the old man (which it is, but with good intentions). This is the case of  an AI that isn’t actually malevolent, but as in a lot of Japanese films, creates havoc while doing its job too well, which is an attitude not often seen in American made movies of the same type.

 

Ajin

This is another one of those Manga movies I never read, but I enjoyed this live action version, about a private war between these two immortal mutants, one of whom wants to destroy humanity for experimenting on his kind, and the other trying to protect humanity from him. Or that’s what I got out of the plot, because I watched a version of this that had no English translation. It’s got a lot of the old ultra violence in it though, which I appreciated.

Since there were no subtitles, I didn’t catch any deeper themes in the movie, but I loved the special effects, where their bodies reconstituted after their deaths, and they produce these ghostlike creatures (which look like they’re made of ashes) which battle each other kind of like Pokémon, which was fun.

 

 

Monstrum

If you are a fan of the Kingdom series, and Train to Busan, than you should check this movie out, if you can find it. It’s very much in the same sort of vein as Kingdom, in that it’s an historical monster movie, with gorgeous costumes, clever swordplay, and elements of class warfare. Where Kingdom and it’s cinematic counterpart (Rampart) contain zombies, this one just has a random giant monster.

The movie it most reminded me of was Alien 3, actually, but with more likable characters, and a more streamlined plot.  The king receives some sort of dog like pet, which soon grows to tremendous size and becomes untrainable. The king keeps it locked up in his dungeon, where it’s gone more than a little feral, but some bright soul sets it  free, presumably to destroy their enemies, the creature goes on a rampage through the capitol, and must be stopped by a hero with a bad reputation. It’s not an especially deep film, but it was a really good, straight up, horror movie, with lots of suspense. If you liked Bong Joon Ho’s The Host, then you’ll like this one, too, which is like an historical version of that film. 

 

 

Tokyo Ghoul

This was another movie I watched without subtitles. What I got out of it was this young man who discovers he’s a creature called a ghoul, which feeds on human beings, and he spends most of the movie having tentacle battles with the other ghouls. There are a lot of tentacles in this movie. That’s mostly what I remember. That, and I thought the movie had some truly disgusting scenes, which were, well, mostly just disgusting. It wasn’t particularly scary, or even fun, but it was fascinating in a “The Thing”, kind of way.

There’s a sequel to this movie which I’m debating whether or not I should watch since I didn’t get much out of the first movie beyond “ewwww”.

 

Kipo and the WonderBeasts

I’ve also been watching a lot more stuff that’s fun, stress free, and animated. Kipo definitely fits those criteria. This cartoon was sooo much fun! All the characters, outside of the Wonderbeasts are PoC, one of which is gay, it’s funny, has a lot of adventure, is reasonably intelligent for kids. I’d also like to add just one more thing to make you watch this:

‘ Drum & Bass’ Bees

or Giant Disco Bees, as I like to refer to them.

The story takes place far into some Earthlike future, where most humans are living in underground cities. After a horrible incident, Kipo gets separated from her father, and the rest of her community, and stranded on the surface, where she has to make friends and allies, to help her find her way back underground. It’s also a found family story as we watch these very different characters, with different attitudes and agendas bond, and have adventures.

if like me, things are just too stressful to watch horror movies, or thrillers right now, then series and movies like Kipo are well worth the watch. 

Also Watched:

Penny Dreadful (New show)

What We Do in the Shadows (Second Season is off to a hilarious start.)

Brooklyn 99 Finale (This was a great season! Jake and Amy’s baby is born in the final episode. Holt’s arch-nemesis, Munch, dies. We get a Halloween Heist episode, and we get an episode focusing on Cheddar, and Kevin.)

Schitt’s Creek Final Season (This was such a great show. It’s deeply funny, really sweet, it has great characters and character arcs, and moments of real pathos. It had a beautiful finale, culminating in the wedding of one of the lead characters, to his husband, after two years. It’s not too emotionally taxing, and a lot of fun. One of the most underrated shows on Netflix.)

Let’s Go Waaay Back to the 80’s

Bosom Buddies

Image result for bosom buddies

Way back in the 80’s, this little gem starred Tom Hanks and Peter Scolari, and lasted for two years. I do have to admit, there is no way in hell you could get this on TV right now. In this environment, this show would be a massive mistake. But I loved the hell out of this show when I was about thirteen or so. There was just something about the goofy  humor of this show that just appealed to me, and Tom Hanks had incredible comedic timing.

The show is about two ad agency illustrators, working in New York city, who cannot afford an apartment together, so their friend Amy suggests they dress up like women to get in to the much more affordable all women’s apartment building that she lives in.They take on the personas of Buffy (Hanks) and Hildegard (Scolari), two sisters from some podunk town in the midwest.

A lot of the humor came out of the logistics of their double lives as men at work, and women in the evening, and navigating Buffy’s crush on his pretty blond neighbor down the hall. But it wasn’t all funny, sometimes the show liked to get serious by addressing the bigotry experienced by their glamorous Black neighbor, or discussing fatphobia, as Amy dealt with being a large sized woman, and along the way the guys got to know first hand what it was like to experience New York social life as women.

This show used to air on Hulu, but now the only place  can find it is on Amazon for pay. Its unlikely to experience a revival any time soon. We’ve grown in maturity, and awareness  since then, and you couldn’t do a show like this now  without making a lot of changes. This is another one of the many hundreds of shows and movies that has done the work of associating transgender women with the idea of deception, associating it with men in women’s clothing, and has helped to contribute to transphobia.

Another interesting note, is that in just about every single famous actors or comedian’s background, is a show or movie, which puts them either in drag, or has them play flamboyantly gay characters. These cross dressed characters, and flamboyant gays were ALWAYS meant to be laughed at. One of the other side effects of constantly having straight men mock lgbtq characters for laughs, is that real life lgbtq people simply didn’t get taken seriously as real people. The height of this show’s popularity was also the height of the AIDS crisis, which was ignored by the Federal government, because it was believed by them, that God was killing the correct people.

 

 

 

Knight Rider

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I never developed the great love for David Hasselhoff that Dean Winchester did from watching this show. I liked the show when I was a teenager, but I think I mostly just loved the car, and wished I had one just like it. In fact, they used to produce these as toys when I was a child, and when my brother got one as a gift, I appropriated it for myself (i.e., I stole it), to use for my Barbie dolls.

As far as I was concerned, K.I.T.T. was the star of the show, voiced by William Daniels, and quite frankly, I thought the car was smarter than uh…whoever that guy was driving it. A few years ago there was an episode of Supernatural that referenced Knight Rider by having Sam Winchester get turned into the classic car. Y’all don’t know how much that whole thing just made me giggle like a complete fool. Even the theme song is a classic. If you were a teen when the show aired, you know how hugely popular it was, even to the point of having copycat shows, that tried to have cool classic cars that solved problems.

 

 

Designing Women

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 This was very probably one of the most progressive feminist shows on Tv, and one of the templates for feminist shows that came after it. A group of white women living together, with different sexual morals, and ethics, arguing about them, while working. The only drawback I had to shows like these were there were never any women of color, lesbians, or poor, or disabled women involved in them. This was First Wave Feminism, which meant it was almost exclusively about white working women. There was no intersectionalism at this point.

The two stand out characters were Julia, and Suzanne Sugarbaker, who were meant to be direct contrasts to one another, and Suzanne was every bit as regressive in her politics, as her cousin, Julia, was progressive in hers. Suzanne was open in her sexuality, but often treated everyone around her as if they were her personal servants, which gave Julia plenty of opportunities to give speeches, show disdain for her behavior, or teach her a lesson in how to be less judgmental. In fact, Julia’s, breathlessly, outraged performances, were often the highlight of an episode. A lot of the shows messages were pretty heavy handed, but it was the kind of stuff a teenage girl needed to hear.

Meshach Taylor also managed to get some good one liners and quips as a kind of business handyman, sort of like the character of Benson. He was the transportation and heavy lifter, doing the kinds of physical work that these four, upper class, Southern white women certainly weren’t going to be doing for themselves. He was often put upon by Suzanne, but most of the time, he managed to get the last word, without coming across as threatening. In fact his character was so non threatening I assumed, in my uninformed teenage mind, that he was gay! But at that age I had not reckoned with the social dynamics of the modern southern bigotry of white women interacting with black men. He had to be nonthreatening, and couldn’t possibly be depicted as any kind of sexual being in the presence of four professional white women. Nevertheless, I do remember liking his character.

This is another comedy, like Bosom Buddies, that didn’t age well. You could make a show like this today, but it would be bland, yet at the same time, polarizingly heavy handed.

 

 

Thangs I Looked At: Movie Mini Reviews

Here are three films I watched in February. For the record, although I had some mild criticisms, I generally liked them, and  I especially enjoyed the Terminator film, which I wasn’t entirely certain I would, since no one was talking about it.

Terminator: Dark Fate

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I was initially very excited when I saw the trailer for this movie, but ultimately didn’t get a chance to see it in theaters. After that, I didn’t hear much about it. I dont normally get too worked up about films that I think are going to be popular bombing at the box office because there are at least half a dozen reasons I won’t see it, no matter how excited I am about it. I figured that’s probably much the case with a lot of films that bomb. In other words, films bomb for a whole variety of reasons, that don’t necessarily have anything to do with the film’s quality.

And the quality of this latest entry in the Terminator franchise is very excellent. You should really check it out when you get a chance. I liked it every bit as much as I thought I would and you will remember I was very excited about the trailer. It even did a couple of things I wasn’t expecting as far as plot and characters.

The basic plot sort of parallels the Sarah Connor plot from the first movie, but is much more personal. Dani isn’t the savior of the world, she is the savior of one person in particular, and Sarah comes along for the ride. The Terminator is very interesting, combining both elements of the original T-800, and the Liquid version from T2.

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What was surprising about the movie is how female-centric it was, while touching on a lot of themes. Nearly all the characters are women, and they control the plot points in this movie. Sarah’s character reminded me  of Laurie Strode, from the most recent Halloween movie, in that she is a broken and horribly traumatized woman. I always find it interesting when female characters are deliberately written to be unlikable, and that is the case here. Sarah is kind of an asshole who butts heads with everyone. She is mean, and bitter, the sneer never leaves her face, and this is acceptable to the viewer because she is definitely hurting and broken, because of an event that happened after she and John saved the world’s future. The movie is as much about her trauma as it is about saving Dani. It is a heavy movie, with the only comic relief provided by an old-school Terminator, played by Schwarzeneggar, as a drapery salesman named Carl, who is married to a woman he doesn’t have sex with and doesn’t know what he is! Once you wrap your head around all that, the movie is an action fest every bit as good as Fury Road, only less zany.

The movie takes place largely in Mexico, and at one point, Dani, and the others must sneak into the US, but get locked up in one of the Border camps, so the movie went there, which was interesting because I didn’t think it would. While no one says anything outright, the framing of those scenes shows strong disapproval of what’s happening there, as the Terminator bursts in and slaughters half the border guards, and steals a helicopter.

The Terminator is played by one of my favorite actors, Gabriel Luna, who I got a kick out of watching in the SHIELD series, as the Ghost Rider. His technology isn’t just a blend of the two styles of Terminator we’ve seen, but so is his demeanor, which is especially chilling, because he seems very innocuous, normal, and friendly, right up until you die.

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The stand-out character for me though was Grace, who is awesome. I’m saving a special place in my personal pantheon for Grace, (as not too many white women, Ellen Ripley and Furiosa being the only two,  manage to get into it), who can definitely carry an action scene. The last time I saw that particular actress, she was playing a replicant, in Bladerunner 2049, and here she is playing another half-human character. Grace is much like her name, moving and fighting in exactly the manner you’d expect of a technologically enhanced human being, and some of the most exhilarating scenes, are watching her go toe to toe with the Terminator, and matching him hit for hit. She doesn’t actually defeat him, but she is his equal.

The ending of the movie is bittersweet, but I liked it. I liked the entire film. There are no slow moments. Nothing is wasted, and I liked the love/hate dynamics between the female characters, which felt organic, and not just thrown in for drama’s sake. If you haven’t seen this movie, you should check it out, just to watch Schwarzeneggar’s role as Carl, and hear him complain about people’s bad taste in draperies, in his usual monotone.

Spider-Man: Far From Home

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Despite a couple of hiccups, I genuinely liked this movie. I don’t think it’s as good as the first film, but that one had some novelty behind it in being Tom Hollands’ first full-length term as Spiderman. This one is okay. It’s not great. I wouldn’t put it anywhere near Maguire’s Spiderman 2, but it’s fun and watchable. The teenagers act like teens, and the love story between Pete and MJ is really cute. This is funnier than the first film, and a  genuine comedy, until it gets near the end when things get a bit more serious. As with most comedies your mileage may vary. I thought a few of the jokes landed badly, but most of them hit their mark, at least for me.

The most annoying part of the movie, however,  is the continuing attachment of Tony Stark to Peter’s storyline. He’s still cleaning up Stark’s messes, even after he’s dead. I suspect that will be going on in the MCU for some time since one of Tony’s major superpowers was pissing off powerful creatures and/or people. Probably half the villains in the MCU can be traced back to something Tony said or did to some hapless supplicant, and that is also the origin story behind Mysterio.

I also found it annoying that everyone assumes Peter wants to take up Tony Stark’s mantle and do what he did, only as Spiderman. Just let the child be himself ffs! Why does anyone have to step into Tony’s shoes? On the other hand, the movie does mention (rather roughly) some of the issues that happened in the aftermath of  the Snap and the Return, (in this movie it’s called the Blip), and how much society was upheaved by both those events. I thought it was an intriguing idea that the world was just as upset by everyone’s return after five years, as it was by the trauma of their disappearance.

Well, anyway the movie is still fun, and full of lots of humorous moments, regardless of Tony’s ghost hanging around this movie, and I have watched it a couple of times, since its release. Like the first movie, it doesn’t have a whole lot of depth, until the end, when Peter directly goes up against Mysterio.

I liked this just fine. It’s not great. It’s not even as good as Homecoming, but it’s a well-spent Saturday afternoon or evening.

John Wick 3: Parabellum

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Wow! This movie was a wild ride from start to finish. I don’t even know where to begin, I want to call this a hot ass mess, but that would imply I didn’t like it. In fact, I loved it! But yes, it is a hot-ass, but very enjoyable, cray-cray mess. it’s like a Jason Statham, Fast and Furious movie, only with a real budget, if you catch my meaning.

Like the last movie, it picks up where it left off, with Wick being hunted by the Assassin’s guild which he used to be a member of. He’s got to find some old colleagues to help him stay alive, and they of curse come immediately into danger. One of those old friends, Sofia,  is played by Halle Berry, who owns a couple of  Belgian Mallinois, that she has specifically trained to kick ass on her command, and that part of the movie is lots of fun to watch. I don’t get to watch Halle kick ass too often, so watching this fifty-plus-year-old Black woman throwing hands was a real treat.

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Another treat was watching Mark Dacascos chew the scenery, and get some genuinely funny lines, as a major villain who just wants to take John down, and supplant him as the boogeyman of assassins. I hadn’t seen Mark in a while, so it was fun to watch this professional ass-kicker throw down, even if the bald head was kind of jarring.

In the meantime, while John is trying to get his shit together there’s an actual assassins cabal, that oversees the assassin’s guild. Since John was “excommunicated”, he’s gotten help from a few friends, including Lawrence Fishburne, as the King of New York, and all their lives are put in danger, because one of the rules is that if you are a member of the guild in good standing, you have to turn in those who are excommunicated.

So the plot becomes a lot more complex, along with all the stuntwork. The John Wick movies are not especially deep, but they are great fun, even though they’re incredibly violent. Part of the reason people don’t mind the violence, quite so much, is that it’s de-mystified by the extras and behind-the-scenes videos, that show how  the stuntwork gets done, and watching the behind-the-scenes videos are just as much fun as watching