My Favorite Memes of the Past Ten Years

What is a Meme?

meme is a virally-transmitted photograph that is embellished with text that pokes fun at a cultural symbol or social idea. The majority of modern memes are captioned photos that are intended to be funny, often as a way to publicly ridicule human behavior. Other memes can be videos and verbal expressions.

I spend a lot of time on Tumblr, which, much like Twitter, is meme central. Here’s a list of some of my all time favorite memes from the past ten years. I generally do not have a strong meme game, but I try.

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I love this one because this perfectly describes me and my mother’s relationship, when it comes to me talking about things like superheroes, and some of the movies I like. Of course, that’s me, on the right, when Mom is enthusiastically describing whatever happened on her soap operas that day…

I’ve seen this meme all over Tumblr, and quite frankly, it describes a lot of people’s relationships with any one of  their enthusiastically geeky family members. You just know that poor woman has no idea what the hell that girl is crying about, just like I have no idea of this meme’s origin story.

 

 

This is one of the many faces you simply cannot get away with making at your White co-workers because you will probably get written up or something. You can only do this face, when you’re discussing whatever nonsense you endured, to your Black friends, at some later date.

Here’s the thing, I have no idea what show this is from. I think it might be Parks & Rec, or The Office, but I’m not sure. I only know this guy’s face from this meme becasue I never watched either show. Its like that sometimes on Tumblr. I only know what has happened on a show I don’t watch through the gifs that appear on my dash.

 

 

Sometimes I do know a memes origins, and that’s why this is one of my favorites.This is from Quinta B’s short lived video series, about being an awkward Black girl, titled “Don’t Tell Me To Relax”. Quinta B is currently starring in The Black Lady Sketch Show on HBO, and she  is one of the funniest Black women in comedy.

I love this image because her facial expression is absolutely perfect. That is the expression you wear when you know you’re right, the other person has acknowledged that you are right, and  you  want to just be a smug asshole…

…or this is twelve year old me winning a game of Uno!

 

 

 

This is Linnethia Monique “NeNe” Leakes from the show, The Real Housewives of Atlanta, which I have never watched. I only know her from her gifs and memes. In fact, I never did find out what she “said” she said, but Nene is the meme of every emphatically correct Black woman on the internet. “Don’t explain back  to me what I just said. I know what I said!”

 

 

 

This one is called calculating woman. I have no idea where this is from, so I probably could use this meme, to explain my confusion, about who the hell this woman is.

I do know why I find this one funny.This is the look Black people wear when seeing White people do something inexplicable, like walking on the sidewalk in their bare feet.

 

 

I know these are two separate memes, but I have only ever seen the two of them paired together. I only like this because my mind is very literal when it comes to this set of images, although its pretty much used everywhere on Tumblr. I would be outraged if a smug little cat sat itself down at my dinner table, too. I also know that any cat would be completely unperturbed by me screaming at them.

 

 

 

The woman in this meme spoke about what it was like to actually become a meme. She says that although how its been used is pretty funny, it wasn’t about her squinting incredulously at anything. She said she made that face because, before this pose, she’d been in a kneeling position, and when she stood up, her knees hurt!

Either way, I can understand both of those moods.

 

 

 

I’ve only ever seen both these  memes used in conjunction with people complaining about  colonizing, or appropriation. They’re both so very different, but are almost always used to mean the same thing, often used in conjunction with the term Wypipo!

 

Bonus!

The “Some of You Have Never …And it Shows” Meme

Some Of You Have Never…

 

 

 

 

Some Favorite Comedies

I wouldn’t call myself a film comedy fan, whatever that means, (although I have and will, watch plenty of TV comedies), nevertheless, I have watched a large number of them in the past four decades. Some of them have been more impressive than others, and by impressive I mean that I actually laughed at them, or  watched them  multiple times, “… and it keeps getting funnier, every single time I see it!!!”

I have a strange relationship with humor. I don’t often find funny what other people find to be funny, is much so, that I used to think something was wrong with me (but it turns out I’m, most likely, somewhere on the Asperger’s spectrum). I’m often unimpressed with the kinds of movies other people think are hilarious. I’ve been told, from time to time, that I’m pretty funny myself, and while I like to say silly things to strangers to break the ice, I don’t really think of myself as a particularly funny person.

I have noticed a pattern to what I find funny. My sense of humor is tends to be childlike,  just straight up silliness, solely for its own sake, and the movie usually has to be mixed with some other genre. Of all the movies on this list, The Nutty Professor is the probably the only movie which I would say was made solely for comedy’s sake, as its really not mixed with some other genre, (maybe sci-fi, since it’s a parody of Dr. Jekyll and Mr. Hyde), and yeah, I am including the 1963 Jerry Lewis’ version. But most of these are Western, or Horror, or SciFi Comedy.

So here, in no particular order, are just some of my favorite comedies. I have several more favorites that, for whatever reason, didn’t make it onto this list, but hey, I can always so another post, right?

 

Galaxy Quest 

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There is no such thing as the comedy to end all comedies, but if there were, Galaxy Quest would be the parody to end all SciFi parodies. After this movie got made, no more need be said on the subject.

I absolutely love the fuck out of this movie, taking every opportunity to watch it when it airs on TV, and here are only five of the reasons why:

  1. Its a Star Trek parody, and I am an Old School Star Trek fan. Name a character, or play some music from the original series, and I can tell you the title and plot! I wanted to be Lt. Uhura when I was a little girl, and I would of course, marry Spock!

2.  Sigourney Weaver, the queen of my other favorite movie franchise, Alien. Sigourney gets nearly every great line in this movie,  and is only rivaled in the amount of great lines she gets by:

3.  Sam Rockwell, as Guy Fleegman, a redshirt nobody who is convinced that because his character has no last name, and is the head of security, that  he is going to die on whatever adventure they are having.

4. This movie contains one of my all-time, favorite, movie tropes, featured in films like The Three Amigos, Tropic Thunder, and A Bug’s Life, where a group of actors mistake a plea for help, from some unsophisticated victims, to be a request to do a show. The actors sign up to do a show, which  turns out to be the  real thing, and they have to now become actual heroes. This plot trope is also  a parody based on The Magnificent Seven, and The Seven Samurai.

5. Alan Rickman’s Dr. Lazarus, who is a loose parody of a conflation of the character, Spock, and  any number of Shakespearean English actors,  like Patrick Stewart, whose makeup becomes more, and more disheveled, the further we get into the movie, until its time to say that one line of dialogue that he absolutely hates, (but for real this time), during which his makeup becomes perfect.

Its not that Tim Allen’s character isn’t funny. He has his moments, but he is also the only character willing to take everything seriously, while all the other characters are like: WTF?!!! Especially Tony Shalhoub’s character,  Fred Kwan, who I think, spends the entire movie high as a f*cking kite, and still manages, somehow, to keep his game on point, and get the girl. I don’t think he actually believes that any of the shit that’s happening is real, and is able to just totally roll with whatever happens, and as far as I’m concerned, that’s probably a great way to get through most of the world’s minor tribulations.

One day, I have to do an entire post on this film, talk about why I love this so much, what tropes the film is parodying, the whole thing.

 

Raising Arizona

https://tvgeekingout.wordpress.com/2017/05/02/speaking-of-crime-raising-arizona-1987/

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Before, Raising Arizona, I was not much of a movie comedy person. I watched most comedies on TV, and that was where I stayed. I grew up watching the Three Stooges,, The Little Rascals, and Looney Tunes, and moved on to more adult comedies like Mary Tyler Moore, Barney Miller, and WKRP in Cincinnati, and  comedians like Robin Williams from Mork and MIndy, or George Carlin, and Jonathan Winters, especially if they showed up on the late night TV shows I wasn’t supposed to be up watching.  Sometimes I would watch a Scifi comedy, or a Horror comedy, but I didn’t often watch comedic movies that were just whatever they were.

I mentioned in an earlier post how this movie came to resonate with me, and played a big part in my memories of college life. Everything about this movie strikes my funny bone, from Hi and his  friend’s highfalutin’  manner of speaking, despite that all of them are lowlifes, to the plot,  the music, and cartoonish action scenes. This is the only movie I will watch, (besides, Ravenous, and  Mars Attacks!), that prominently features yodeling.

 

Tucker and Dale Vs Evil 

I gave a review of this movie here:

https://tvgeekingout.wordpress.com/2016/04/24/geeking-out-about-tucker-and-dale-vs-evil-2010/

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My favorite scene in the entire movie is Tucker being chased by bees, while wielding a chainsaw. I just lose it every single time, and you have to watch the movie, just to put that scene in context. This  movie is utterly ridiculous and knows it.

 

 

Best in Show

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The great thing about this movie, isn’t the situation, although I do like Dog Shows, its the complete silliness of the characters. The Director is none other than the maker of This is Spinal Tap, Christopher Guest, an alumni from Saturday Night Live, who wrote the script with Eugene Levy, who has become another favorite of mine. They specialize in the kind of smug, off brand, humor that a relies on subtly, weird characters, and puns, and which is often called pretentious.

These are not laugh out loud, guffawing type movies. The humor goes much deeper than that, to tickle waaay down in your stomach. The characters are not necessarily doing obviously funny things, there is little  slapstick, and most of the humor relies on dialogue. In some cases, you are actually laughing at the characters, while others you laugh with, and this is some exceptional writing, when you can have multiple characters like this in the same movie. But what I love the most about this movie is no matter how funny the character’s are, none of it is mean spirited. Guest loves his characters, and doesn’t  humiliate them, just for the enjoyment of it. They are always either clueless, or hapless, people who mean well, but just, for whatever reason, can’t.

The movie follows three different couples as they navigate their way through a dog show. Eugene Levy and Catherine O’Hara play John and Cookie Fleck, a lower middle class couple, the owners of a Norwich Terrrier, who are out of their league at such a prestigious event as the American Kennel Club Dog Show. Cookie has a sordid past as the town futon, who is constantly running into old lovers, while Eugene is her hapless, two left-footed, husband.

Meg and Hamilton Swan are a pretentious, and neurotic, yuppie couple, who you are probably meant to laugh at, as they wax nostalgic about meeting each other at competing Starbucks, and freak out over their completely unperturbed Wiemeraner. Scott and Stephan are a gay couple, who are the charming, funny, and the gracious, highlight of the movie, and the sweetly pretentious dogfathers of a pair of tiny Shih Tzus.

The singletons are Mrs. Cabot, a trophy wife, who has an interesting relationship with Christy Cummings, played by  Jane Lynch, as a famous, over-competitive dog trainer of a poodle. And Christopher Guest himself rounds out the cast as an overly hopeful Basset Hound owner, who is totally out of his comfort zone, named Harlan Pepper. The most silly character in the film is the Dog Show announcer who embarrasses his fellow announcer by  making dumb, loud, and off-color jokes.

All of the characters are deepened with interesting side stories, and little quirks of personality that make them more likable than annoying. Guest is the type of humorist who doesn’t try to be edgy, or shocking, to the viewer. You can tell he likes these characters, even the Swans. He’s not trying to humiliate them just for shits and giggles, and most of them get positive, if not happy, endings. This is also one of my favorite movies about dogs.

(Yes, we have two dogs in the house, our dignified elder statesman, Sargent, a Rat Terrier, who has a bobbed tail. I like to call him Capt. Wiggle-Bottom, and our smalle, and  faster, back up model, named Rusty, a redheaded Yorkie, I like to refer to as The Squeaker, and  however you just pictured them, is exactly how they behave.)

 

 

 

Tropic Thunder

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Okay, I know that I am probably not supposed to find this movie as funny as I do, filled as it is with Blackface, Black stereotypes, Asian stereotypes, Jewish stereotypes, and  its use of the R word, but I just cannot help myself. I just love this movie, and that is due almost entirely to Robert Downey Jr’s character, a White Australian actor, who spends  the entire movie masquerading as a Black man, while working next to  an actual Black man, and lecturing another White man on how that man went too far in portraying a marginalized character. I think what’s really the movie’s  saving grace for me, is the ACTUAL Black man, played by Brandon Jackson, who calls Downey’s character out at every opportunity. The people who made this film knew that everything they were doing was wrong, and still went there with it!

Tropic Thunder is meant to be a satire on war movies, and actor’s careers. Jeff Portnoy is meant to poke fun at Eddie Murphy. The makeup artist for this film, Rick Baker, also did the makeup for Murphy’s Nutty Professor movies. Tug Speedman is a play on Tom Cruise, who also has a cameo in the movie, (and almost steals the whole damn thing, even when you don’t recognize him!), and Robert Downey’s character, named Kirk Lazarus, was a statement about Australian and British actors who make it big in Hollywood, by playing chameleon-like roles.

As the film progresses, and the events that were only being faked on a movie set before, become more and more real, Lazarus’ makeup starts to wear off, and you can see his real face, as he becomes a White man,  with an incongruous, 70’s Blaxploitation accent. I remember when I first saw the trailer, I kept looking for Downey,, because I was told he was in it, and not finding him. It wasn’t until after the movie’s release that I realized I’d been looking at him the entire time. His makeup is so incredibly convincing that he looked like my late uncle, something which struck me as incredibly funny. Even after knowing it was Downey, I still kept seeing my uncle, (probably because he says a number of things that are exactly how my uncle would have reacted, under the same circumstances).

Some of my favorite moments aren’t even in the movie, like the DVD commentary, where Downey does a ridiculous Blaccent, the entire time, because  as Kirk Lazarus states,  he doesn’t break character until the DVD commentary. It is hands down one of THE funniest DVD commentaries I’ve ever listened to, as Jack Black is a natural born cusser, and, very probably, drunk during the whole thing.

 

The Nutty Professor (1963)

This is the original movie on which Eddie Murphy’s 1996 version was based. This is the one I grew up watching, along with a bunch of other Jerry Lewis films. It does differ significantly from the remake, but the basic plot is the same, a kindhearted, nebbishy, teacher transforms himself into the ultimate masculine man, to attract the attention of the beautiful woman he has a crush on. But the differences are interesting too, and not just the race of the characters. The original film is also a musical with a number of setpieces written by Walter Scharf, and performed by Jerry Lewis himself.

Jerry Lewis plays Julius Kelp, a nerdy, science teacher ,who has fallen in love with one of his students, Stella Purdy, who is played by the lovely Stella Stevens. To win her love he transforms himself with a potion, (ala Dr. Jekyll and Mr. Hyde) into an obnoxious character, named Buddy Love. Just as in the remake though, the potion doesn’t last, and his true self gets revealed for all to see.

From the opening scene, to the final act, the movie is filled with a lot of great physical comedy, but the highlight of the movie, at least for me, were the two musical performances by Lewis, and performed with maximum chill, called Old Black Magic, and my personal favorite, We’ve Got A World That Swings. But the movie is filled with some great little character moments, like the one below, where Dr. Kelp gets carried away by the song being performed by Les Brown’s Band of Reknown. He is truly among the world’s worst dancers! The dialogue is smooth and funny, with  Kelp and Buddy as very distinct characters. The most popular moment, for most viewers, is the introduction of Buddy Love, but Stella also gets her due, and her man. She may not be the star of the film, but she is always treated with respect, by the writers, and the other characters.

 

 

The Nutty Professor (1996)

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The best comedies don’t just make you laugh while watching them, they make  you laugh while  thinking about them later. The 1996 Nutty Professor is a remake of the 1963 version of the Jerry Lewis film, only instead of a nerd scientist, made cool by chemistry, you get an obese man, turned into Eddie Murphy, at his most obnoxious, through the use of chemicals. The remake makes more evident, what the original only sort of played around with, that Buddy Love is a horrible person, who is not meant to be admired. This is done by contrasting him against Sherman’s sweet and gentle nature, as they both pursue a  romance with the beautiful Miss Purdy, played by Jada Pinkett.

I think most people who love this movie will agree, that the dining scene, which  happens somewhere in the middle of this movie and illustrates both the love and   shame that Sherman feels about his over sized family, is without a doubt, one of the funniest scenes ever. Eddie Murphy plays four different characters who all interact with one another, but its his Grandma who gets all the best lines, that people are still repeating to each other, over twenty years later. Even my mother loves this movie, and is just the right age, (apporaching 70), to get away with telling someone, “C’mon Cletus!”, while shaking  her cane at people, and have that shit be funny as hell!

 

 

The Blues Brothers

Here’s another comedy that’s also a musical. I was a big fan of John Belushi, mostly for his SNL parodies of Toshiro Mifune’s character from Seven Samurai, called Samurai Delicatessen, Samurai Stockbroker, Samurai TV Repairman, Samurai Night Fever, and Samurai Hotel, bearing in mind that, at that age, I had never seen Seven Samurai.

I was not a huge fan of Dan Ackroyd, but I was willing to tolerate him, for the sake of John, and in a delightful surprise, Aretha Franklin, performing Think, and Ray Charles, performing, Shake A Tail-feather. The movie has never struck me as especially deep. It doesn’t seem like its trying to make a point, and its not really all that laugh out loud funny, but what it is, is  pure, goofy fun because Jake and Elwood are the best possible brothers.
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Evil Dead II

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I remember watching the first movie a little while before I went to see this sequel. I remember I was not particularly impressed with the first film. I remember seeing this one at a theater downtown on a double bill with Robocop. I do remember those as some very enjoyable hours.

In hindsight, I cannot imagine why I was against seeing Raising Arizona, when I was in college, because that movie has some of the same ridiculous type of humor as this one, and I thought, (heck, I still do), that this is one of the funniest horror movies I’ve ever seen.

Have you ever watched anything so over the top, ridiculously stupid, that you have no choice but to laugh at it? That pretty much describes this entire film, from the image of a rotting corpse, dancing with its own severed head,  to a demon possessed hand, that’s trying to kill its owner, Sam Raimi just gave full vent  to his silliness, for which I will always respect that man. The movie cemented my love for Bruce Campbell, whose career I’ve been following ever since.

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Kung Fu Hustle

I wrote about my love for Kung Fu Hustle here:

https://tvgeekingout.wordpress.com/2016/03/12/geeking-out-about-kung-fu-hustle/

This is another one of those movies, that is just so over the top ridiculous, that its hard not to like it. I love both Looney Toons, and martial arts films, and this movie is the perfect mashup.

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Honorable Mentions:

Blazing Saddles – This is the scene, that caught me, right here:

 

The Birdcage – One of the thee funniest movies Robin Williams ever made, and what’s so hilarious about that is, he was the straight man in this duo, while Nathan Lane got all the best lines:

 

 

A Bug’s Life – I love the bloopers and outtakes scenes at the ends of the early Pixar movies. The creators didn’t have to do that, and I love that the writers went a little out of their way. But my favorite line in the entire film is in the bar scene: “Waiter, I’m in my soup!” 

 

 

What We Do In the Shadows – Who hasn’t Wanted to finish some “dark bidding” on Ebay?

 

 

Beetlejuice – The Wedding Scene

Viewing List – November Edition

These are the reviews from things I watched in October and November. I will try to make these as short as possible, but y’all know I’m good at blabbing about TV shows, so wish me luck with that.

 

Dolemite is My Name

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I was kinda excited about seeing this, nevertheless i was surprised by how much I liked this movie, and I can think of no better actor to play Rudy Ray Moore than Eddie Murphy, a comedian I have  always had tremendous respect for, and who really doesn’t get enough credit for all the work he’s done, in the past 30 years.

Now, I have to give a little bit of background here. I grew up in the time period in which this movie is set. I would have been 2 maybe three years old at the beginning of the movie, but I have very distinct memories of grownups being really excited about Moore, and Yes, I did encounter a couple of those racy album covers in my mom’s collection, but I don’t think she knows I remember she was a Rudy Ray Moore fan.

I have a very clear memory of mom, and her then boyfriend, taking us to the Drive-in to watch The Human Tornado, which came out in 1975, and was a sequel to Dolemite.  I would have been five, and my brothers would have been 3 and 4. She would have had the assurance that, since we were babies, we would all be asleep by the opening credits. I don’t think she knows I was wide awake No, I wasn’t scarred for life or anything, but I definitely  remember parts of  the movie, and even some  it’s theme song. I know this is a genuine memory because I have never seen the movie as an adult.

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Anyway, all this to say that this definitely brought back some memories. There are some things about Black culture that only Black people know. I’m gonna let y’all in on a little secret.

Black people have our own stories, which seem to parallel stories from other cultures. Most of them you’ve probably never heard of,  unless you grew up in the culture, or have parents of a certain age, like my Mom. My mom used to tell us stories about the Signifyin’ Monkey, the lion, and the elephant, (only without all the cursing, and never the whole story, since its fairly raunchy.) Probably not the sort of things one would tell one’s kids today, but things were different back, then, and my Mom was kinda weird. It has a pretty long history, too. If you have ever  read American Gods, Anansi tells a story that is directly based on the folklore tale , titled How the Monkey Got the Tiger’s Balls:

Numerous songs and narratives concern the signifying monkey and his interactions with his friends, the Lion and the Elephant. In general, the stories depict the signifying monkey insulting the Lion, but claiming that he is only repeating the Elephant’s words. The Lion then confronts the Elephant, who physically assaults the Lion. The Lion later realizes that the Monkey has been signifyin(g) and has duped him and returns angrily to castrate the monkey, rendering him unable to reproduce.[3]

https://en.wikipedia.org/wiki/Signifying_monkey

http://mogley.tripod.com/monkey.html  

The Signifyin’ Monkey is part of the Dolemite theme song. Since this is a Rudy Ray Moore biopic, there’s a lot of cursin’, and some mild nudity. Its not half as raunchy as the actual Moore, but I think he’d be satisfied with what was shown in this movie.

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I also enjoyed it outside of the nostalgia factor. There’s a scene, in the early part of the movie, where Rudy encounters a plus size woman whom he recruits into his comedy troupe. This woman later  became known as  Queen Bee, who was every bit as raunchy in her style of comedy as Rudy. The story is arranged in such a way that you’re meant to cheer Rudy as a driven, hard working man, who triumphs against the small minds of others. Needless to say, most comedians probably couldn’t get away with most of the comedy routines, in this movie. The seventies featured a lot of new culture, that we take for granted now, and one of those things was raunchy Black comedians.

There were plenty of Black comedians before Rudy, who said some fairly racy stuff, but they mostly worked what was known then as The Chitlin’ Circuit, which were a collection of venues where only only Blacks could perform, since they still, even in the seventies,  considered too raunchy to play in the mainstream (i.e. White ) circuits. Rudy was one of the first of these type of comedians to go (sort of) mainstream, in that even White people heard about him, although he still would never have been invited on The Johnny Carson Show. So, the movie is one of those low key inspirational films, about overcoming racism in Hollywood. The first half of the movie is very caught up in people telling Rudy “no” , telling him what he can’t do, or making fun of him for wanting certain things, and Rudy going off to do those things anyway.

I have since learned that Eddie Murphy has received a Golden Globe nomination for this role. but I don’t think he will win. He does some great work here, but its not the best work he’s done, and really, I thought it was a walk in the park for him. He can play this type of role in his sleep. But I did enjoy watching him, because his charm makes the occasionally cringey plot, very watchable.

 

The Mandolorian

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I am loving The Mandolorian, and not just for the Baby Yoda scenes. (No, that isn’t actually Yoda, but some distant descendant, since this series is set after Return of the Jedi.) This series is full of some of the classic themes we expect from Star Wars. George Lucas has said the original Star Wars was based on the works of Japanese film Director Akira Kurosawa, most specifically, Seven Smaurai, and you can see some of the influence here.

In fact the series heavily reminds me of the Japanese Manga called Lone Wolf and Cub, in which an itinerant samurai, a ronin, wanders the Japanese landscape, with his tiny son, searching for vengeance, and  getting into various adventures. The only differences between that, and The Mandolorian, is the son doesn’t have force powers, isn’t on anybody’s wanted list, and isn’t half as cute as Baby Yoda. The show takes care to focus on the relationship between Mando and Baby Yoda, too. There are a lot of really cute moments between them, and the public seem to have really taken a shine to the little guy, much the same as his adoptive Dad.

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Its also a classic story about a character’s personal growth.  Mando starts out as a bounty hunter, who is just there for the work, so he can buy some new armor, but makes the decision to take the baby and run, rather than deliver him/her to his clients. There are larger mysteries which haven’t been answered yet, like who exactly is the Mandolorian, why does everyone want the baby, and where did this baby come from.

The production values, the costumes, acting, and special effects, are all top notch. It really does have the look and  feel of one of the movies, which makes it very easy to watch, although this luxury comes at the expense of the episode running times, which never get beyond 45 minutes. I can live with that, especially since the action scenes are the highlight of the series. In one of the earlier episodes, there is a full on fight between a team of Mandolorians and the various ne’er do wells, and criminals, on the planet on which they’ve all been hiding out. When CG is used, its mostly for the creatures, and action scenes, and is largely invisible, as its supposed to be.

 

 

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War of the Worlds – BBC Version

 

There have been umpteen different versions of this show. A book, a radio program that, as it is rumored, gave some people the shits back in the thirties, as they thought it was real, several movies from the fifties to the nineties, one of which starred Tom Cruise, another TV show, and now this.

Its a three part miniseries from the BBC, and so far I’m really liking it. Its got some nice production values. You can see where the money went in this one. The special effects are well done, and not that usual cheap TV stuff you sometimes get in big idea shows, and the show, quite frankly, looks gorgeous. The acting is acceptable,  although the only actor I truly recognize is Robert Carlisle.

And this show is not fucking around with its theme. H.G.Wells wrote the novel as a reaction to the British annexation of the Congo, and the atrocities that were being committed during the colonization of India. He wrote a book about the violent colonization of England by a superior technological force, as a condemnation of the British Empire’s activities, and the show makes this connection loud and clear, right in the opening credits. In the first fifteen minutes of the show, you hear characters having conversations about the might of the British Empire, and how wonderful it is to live in such a powerful country. By the end of the first episode though, the Martians have shut that talk down.

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There’s also some melodrama involving the two stars of the show, Rafe Spall, the brother of Timothy Spall, as a fellow named George, and Eleanor Tomlinson as his paramour, Amy. The two  are madly in love, but cannot be together, because George’s  wife refuses to divorce him, She hates him, and wants to remain married to him just to spite him. The family is scandalized, his older brother,  is outraged, and the  the rest of the community don’t know how to think of this thing, where the two of them are living together, unmarried. Plus Amy is pregnant.

I was not initially interested in the melodramatic aspect of the show, but the show does this thing, where it flashes back and forth to the future, after the alien invasion has been conquered, but the Earth is a literal hot mess, because the aliens weren’t just there to invade, they were terrraforming. Amy is wandering through the red deserts of what used to be England, with her young son. She has been separated from George for a long time, but still holds out hope of finding him. I didn’t care, at first, but I decided that I liked the characters. At least, I liked Amy, and that seems to be enough for me to start to care the rest of it.

The show opens with her and George witnessing the launch of the ships from Mars. Its a little different from the movies, because the ships look like meteors as they land, and that’s hat people think they are. They look like black globes that float off the ground, and are capable of setting people on fire from a distance. The tripods break out of the ground after the globes explode, and start their rampage, although the tripods aren’t so much interested in annihilating people, as they seem to be in seeding the planet with various gasses and chemicals. Like I said, this is not an invasion, exactly. They are transforming Earth into another version of Mars, and if you look at the flash forwards, their mission seems successful.

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I did have some criticism about characters doing stupid things, but this is only because this is one of those situations where the audience knows more about what’s going to happen than the characters do, so there were a lot of instances where people are standing around looking at things, while I yell things like ,” Get the fuck out of there!!!!’, and, “Run!” There are  various government officials who act like the mayor from Jaws, and simply bluster uselessly at the reports they’re getting from other parts of the country, about the annihilation of entire towns, even though the city is filling up with refugees from those areas. The British are so full of themselves about the initial events, that I have to admit, it was a bit satisfying watching them get their asses handed to them by the Martians, which point the show is trying to make. Basically, the show is saying that the British “ain’t all that!”

There are lots of closeups of boiling ant colonies, along with images of English people living their best lives, not unlike the ants, walking the streets of their mighty London, and looking quite busy, and the tripods themselves look very insect like, such that there is a connection being made between the idea of  invasive species, and the colonizing aliens, and that what is being done to England by the Martians, England is currently  doing to other countries, and been quite proud of themselves for it. We know the English are proud of their activities, but we don’t get any idea how the aliens feel, though. There are scenes where people touch the black globes that have dropped to Earth, and see smeary lingering images of their hands and faces, in the glossy sheen of the alien device, in a very,  “We have met the alien, and they is us.” type moment. So yeah, the show ain’t being  coy regarding its critique of British empiricism.

The setting for the various iterations is England, at the height of the British Empire, when it was engaged in the violent colonization of different countries. The English were largely brought low after WW2, (look up London Blitz), so its interesting that the first American version showed up in the fifties, (1953), when America, having won some victories during the war, (and starting to feel itself to be the shit) began engaging in its own world dominance behavior. (Before the War, America pursued an isolationist stance.) The 1953 version, (and subsequent invasion movies, like Strange Invaders, and Independence Day), were not about the humbling of America, so much as they were  America conquering some  great enemy, against all odds.. The 2005 version is a response to 9/11, where its made clear that the alien invasion is a stand-in for the terrorists, and America doesn’t triumph, so much as get lucky.

Not all alien invasion movies are violent. Some of them are enlightening, like 2001, and/or  hopeful, like Close Encounters of the Third Kind. This series is in the truest spirit of the book, however, which was a rebuke to British hubris.

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* https://www.post-gazette.com/ae/movies/2012/06/13/Behind-the-fiction-lie-factual-themes-in-alien-movies/stories/201206130200

Once they were analogies of the Cold War or Vietnam. Sometimes the underlying theme is corporate greed, environmental destruction or fears of technology supplanting humans. The movies feed on public fear of enemies from abroad, which in today’s world, he said, could even include mortgage bankers.

October Viewing List II

Supernatural

The final season has begun, I already wrote a short review on my other site. Check it out!

 

Little Monsters

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i am of two minds about this movie. On  the one hand, I hated, hated, hated, the lead character, Dave, who, while not as vile as trump, could definitely give him a run for his money, in the stupid, juvenile delinquent, category. Dave is a vile, foul mouthed, washed-up musician, and asshole, who is irresponsible with kids and himself, does not know how to behave like an adult,  and lies, and steals without compunction. He changes his entire outlook however, when he sees Miss Caroline, his nephew’s grade school teacher, who is, very probably, the greatest ray of sunshine to ever grace a zombie movie. I loved her. Everyone loves her.

On the other hand, hating Dave was not enough for me to quit watching this movie, because Lupita is the best thing in it, its actually pretty funny, and there’s plenty of zombies, gore, and cussin’.

Some serious shenanigans have been going on at a military base in the English countryside, and some zombies get loose, and head over to a nearby children’s amusement park, that Lupita and her class happened to be visiting that day. Yes, the children are in some danger of being eaten by the zombies, but its really not that type of film, as most of the tension comes from Miss Caroline, trying desperately to protect the children from any emotional trauma, that might come of the zombie outbreak.

To that end, Miss Caroline’s charm is turned up to fifteen, as she sings and dances her way through the zombie apocalypse, with her little banjo. The children adore her, and she manages to be successful, not just at saving the children, but winning Dave’s heart, as he attempts to become the type of man who is worthy of her attention, rather than the asshole he’s always been. So even though I hated Dave, this movie isn’t about him manipulating her into falling in love with him. Its about the redemption of a cad, as he understands that the only way to win the love of a woman as magnificent as  Miss Caroline, is to first realize he is not worthy of her as he is, and then to become a different person.

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I feel some type of way about Dave winning the girl at the end of the movie, especially when he is set up at the beginning of the movie as such a hateful piece of shit. (No, truly, for the first twenty minutes of this movie, I just wanted to set Dave’s sorry ass on fire.) When he first meets Caroline, he tries the usual lying bullcrap he has always used to manipulate women into giving him a pass, including his own sister. He is not successful at this because none of that works on Miss Caroline. She is completely immune to it. He’s gotta try something new, if he hopes to win her,  so he pretends to be a worthy person, and in the process, actually becomes a worthy person.

But I suppose the purpose in showing Dave to be such an awful person, is to show the redemptive power of Miss Caroline. One of the most interesting things about the plot is Miss Caroline is not trying to save Dave, or turn him good. She expects that he is already a good man, and simply treats him as if he is. Miss Caroline tells him that she is a Christian woman, who believes fervently in her job, loves children, and does not like cursing. She is not preachy about this. She simply behaves in a Christian manner, and I like that she is not a stereotype of a Christian, as she really is as wholesome as she appears. She loves her kids, loves her job, and will brave any danger to save her kids from harm, which she does, when she fights off a hoard of zombies, to retrieve one of her kid’s  inhalers. She is also tough as fucking nails,  because she is perfectly willing to stab one of her companions in the gut, when he makes himself a danger to her kids, and won’t stop cursing at them. He is supposed to be a role model for the children, and dammit, he’s gonna act like one!

This is the introduction of Mr. McGiggles, one of the entertainers at the park, who s every bit as awful, and foul mouthed as Dave, but since Dave is trying to mend his ways  to impress Caroline, we need a a new foil, to contrast what Dave is no longer trying to be. So McGiggles takes Dave’s place, as the unrepentant foul mouth, in the script, as Dave starts becoming a better person.

So yes, this movie is quite a journey for its characters. Dave finds himself wiling to do anything, and be anything, to live up to Miss Caroline’s example of bright humanity, and I suppose that’s a good thing, because it works. He makes a genuine change to be worthy of her love, and I’m okay with that, I guess, but getting through the first twenty minutes of this movie was really hard.

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Little Monsters is available on Hulu. I plan to watch this one again, when I can find the time.

 

 

Evil

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Here’s another show with religious themes and characters. I did not plan this. This is just sort of how it turned out, because I had no plans to watch this show, not because it wasn’t on my radar, but because I was not particularly interested. Its not a bad show, and I am probably going to watch more episodes of this, because it turned out to not be exactly what I thought it would be.

Now, I’ve only seen one episode, which was medium dark, and definitely had some tense moments in it, but not for the reasons you might think. I haven’t gotten the character names down yet either, so I looked those up. The horror springs from the character decisions, and  that you either know more, or less, than the characters in the show.

Dr. Bouchard is a forensic psychologist, who teams up with Mike Colter’s character, Father Acosta, along with a contractor played by Aasif Mandvi, who I really like, to investigate supernatural incidents. Dr. Bouchard’s job is to determine whether or not a supernatural event occurred, and Mandvi’s job is handling the technical equipment involved, if an incident occurs, so as to document Father Acosta’s claims to the church, when he requests  assistance.

In the episode I watched, a family claims that their little boy is possessed by an evil spirit of some kind. The episode follows as Bouchard and Acosta determine whether or not that’s true. Bouchard conducts therapy sessions with the little boy, which are actually pretty chilling, and Acosta manages to form a connection to the little boy, and actually  encourages him to begin prayer. When the boy attempts to drown his baby sister (Acosta saves the baby’s life with cpr), Bouchard and Acosta manage to convince his superiors that an exorcism is needed. We do not get the cliched exorcism scenes, because the parents of the little boy take matters into their own hands, so yeah, I didn’t see that end coming, at all.

At the same time, there is a secondary story involving Bouchard’s family. She has four little girls, who miss their absent father. She has been lying to the girls about where their father is. Either he is dead, or he left her, but the four girls, all of whom are really cute, believe that he is a expedition guide at Mt Everest. At the same time, her mother has given the little girls some VR toys with an odd Halloween type game the girls have been playing, that starts to take on an odd prominence in the lives of the two oldest girls.

The game starts to become more and more real, and the creature from the Halloween game (in the form of a little girl) starts to bleed into the other games, convincing the little girls to perform a seance with a virtual Ouija Board, and summon some type of virtual demon. Now, this all occurs within the game, but its still pretty frightening, because the only adult who suspects anything out of order is Mandvi, who hacks the game to put parental controls on it. Parental controls that don’t work, as the girl from the game simply invades the other games on the device. Bouchard  is a skeptic who finds that something supernatural might possibly be occurring right under her nose, in her own house. For me, this was the most frightening part of the show. ‘

One of the reasons, I was ignoring this is, I thought the show would simply be a retread of The X-Files, because Bouchard is a skeptic, and it’s Acosta’s job to believe, but the dynamic here is completely different. For one thing, it’s unlikely that there will be a “will they/won’t they”, dynamic between the two, and also because Bouchard is still possibly married, or just divorced or something. Mandvi, although I really like him, seems to be a kind of third wheel. I actually liked all the characters, though. I’m not a religious person, but I did like Acosta’s quiet faith, and I like that he’s not written as a stereotype of religious fanaticism. I like that he is Black, and a Catholic priest, because those are rare in American Pop Culture, with most Black people being associated with the Protestant religions.

The first thing that intrigues me about a show is often its premise, and I wasn’t too wowed by this one, but once I actually watch an episode of something, what keeps my butt in the seat is the characters, and these characters were intriguing enough that I’m going to watch some more episodes. I at least need to find out what happened to the doctor’s husband, why she is secretly crying in her kitchen, and when she is going to share this information with her daughters. I also need to know when or if her daughters are going to tell her that they conjured a demon into the house, through the VR that was gifted to them, by their grandma.

 

 

Watchmen

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I was not particularly enthusiastic about watching this, mostly because the movie was merely so-so for me.  I told y’all before that I didn’t find my way to comic book geekery through the usual White guy channels. I sort of meandered around, putting together my own foundation, via Horror, and Science Fiction. What that means is, I did not read the Watchmen comic books, when they were first published, although I was the right age for it, and by the time I got around to reading the books, I had already read other books by  Alan Moore that I thought were more impressive, like Swamp Thing, and Miracle Man.

So,  I was unimpressed with the movie, beyond liking the special effects, and Dr. Manhattan, and I didn’t think I was going to be into the TV series either, especially since it was written by Damon Lindhelof, because I’m still mad at him for Prometheus. But, nevertheless, I watched the first episode.

I have to warn you the first fifteen minutes are harrowing, as it deals with the Tulsa Race Massacre (because that is indeed what it was) of 1921. This is a real event, I first read about, when I was a teenager, (naturally, it was never something studied in school. I was one of those kids who, after a while,  my teachers just left alone to make up my  own curriculum.) There were a bunch of these “Race War” massacres  throughout the history of the US, like Ocoee Florida, Rosewood, Tulsa Oklahoma, and the Red Summer of 1919, and most people will not have learned about them in school. Needless to say, when you hear some yahoo going on about how there needs to be a Race War, what he really means is that he would like the opportunity to massacre some PoC again.

https://en.wikipedia.org/wiki/Red_Summer

Genocide of the California Indians

The lynching era (1878–1939)

You have to know a little bit about these events to understand something about the alternative universe in which this story takes place. Guns for example are outlawed (even the police need special permission from their superior officers, which is some dude wearing a Panda mask, before using lethal force). There is also an offshoot of the KKK, now called by some other name, and using the Rorschach mask, along with his talking points, thanks to the diary that was mailed to the media, after Dr. Manhattan killed him.

In our world, the police and the KKK clashed in Tulsa, and the KKK won, but in that universe, they lost, and The Reconstruction after the Civil War continued, in which Black people got political power, and the police have been fighting a decades long battle with these KKK offshoots. The police now need to wear masks to protect their identities, and families. In this universe, the police are the good guys, who are besieged by that world’s version of the Alt-Right, and some of these things are  fallout from the events that happened in the comic books, which were set in the 80’s.

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So, Dr. Manhattan still exists, and lives in exile on Mars, Ozymandias is supposedly  dead, (but I don’t think so), and because of the events he engineered in the book, involving a giant squid attacking  Earth, we get regular squid falls, for which cities need sirens to warn people. Quite frankly, I was more weirded out by the  squid rain, than anything else shown in the episode, because that’s just funky. My mind kept going back to the logistics of regular falls of squid. How to clean that up? Does it smell real bad? This is actually relevant to the rest of the season’s plot though, as it involves alternate dimensions, (which is where the squid come from), and  time travel.

The presidents of this world, often have consecutive, multiple runs, in political office. Robert Redford is the president in this universe, and has been for almost thirty years, where he has instituted reparations to the survivors of  the massacre in Tulsa, called Red-forations. Silk Spectre  is still alive, and played by Jean Smart. Vietnam is the fifty first state, ( as a result of Dr. Manhattan’s invasion during that war),  and Louis Gossett Jr. plays a man named Will Reeves, one of the few survivors of the Tulsa Race Massacre, now an old, and  disabled, man. That’s not even most of the weird shit in this show, like a character, named Looking Glass who, when he puts his silver mask on, can tell when people are lying!

An interesting note is that Will Reeves was watching a movie about the real life Bass Reeves, who was the first Black Deputy Marshall, and the character upon which the Lone Ranger was based. The movie he is watching was in the style of the Lone Ranger TV series of this universe, only it has the actual Black character in it. Another interesting theme is the recurring Oklahoma musical. One of the characters loves the play, and we get some songs, and even a little snippet of the movie, which stars an all Black cast in that universe. So the racial and sexism issues, that exist in this universe, didn’t  happen in that one, at least not in the same way, and the US looks fully integrated with Black TV shows, and Pop culture, which everyone just watches, and its no big deal, and that, too,  is probably part of the fallout of what happened in Tulsa.

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Regina King is Sister Night, a former cop, (and bakery owner), from Vietnam, who gets called back into action by some friends on the local police force, after a cop gets murdered by a member of an organization the cops thought might have been extinct. Most of the episode is just introducing us to this weird universe, and these characters, so outside of that intense opening, things calm down to the end, when Sister finds her mentor, from the police force, has been lynched, and Will Reeves is there, impossibly claiming to have done the deed. So yeah, I’m  already intrigued by the mystery of who he is, why he may or may not have done this, and what was the  secret, that got her mentor lynched. I’m looking forward to the rest of the season, even though I, initially, had no concrete plans to watch it.

 

*  _____________________________________ *

 

So, I’m in the process of cutting the cord, as we say in the US, and I no longer have access to these shows on TV.  I’ll just have to try to remember when they air, and catch them on their apps. The Watchmen airs on HBO, every Sunday night, and I’ll just have to remember that, and watch it later in the week, so my timing on some shows is going to be a bit off, as far as reviews, but what I can do, is finish off some of my long form posts, and review the season finales, when they occur.

I’m also going to post some articles to Medium. com, (which will not be posted here, but I’ll let you know when I do), so head over there, if you can, follow me, and give me some claps. I think we get paid there, according to how many people like your writing. I’ve managed to amass quite a following, which always surprises, and delights me, since I  don’t really think of writing as a way to be liked. I write because I have a lot of thoughts in my head, and I’m shit at keeping a journal.

But hey! I will be surprised and delighted if you guys also follow me on Medium, where I intend to do, at least, one post a month.

 

Have Some Spooky Mini Movies

Hi there!!

Have a small selection of short movies for Halloween. Most of these aren’t too serious or scary, so you should be able to sleep after watching them.

Right?!

 

Alien Anthology

This is one of the serous ones however. If you are  a fan of the Alien movies, these shorts based on that universe, have been released on Youtube, to celebrate the 40th anniversary of the original Alien movie. They have some beautiful production values and hte acting is acceptable.

The surviving crew of a damaged deep-space harvester have minutes to reach the emergency evacuation shuttle. A motion sensor is their only navigation tool leading them to safety while a creature in the shadows terrorizes the crew. However, the greatest threat might have been hiding in plain sight all along.

 

 

We Summoned A Demon

Here is the first of our “summoning” movies. For some reason, all kinds of wacky stories can be made out of this topic. This one has a lot of goop in it., and a demon that likes to play.

 

 

The Summoning

This was one of my favorite “summoning” movies, because its so cute, and disgusting. I guess one of the bigger dangers is summoning the wrong type of demon. This is one of a series of cartoons from a show called Cartoon Hangover called Go! Cartoons, all of which can be found on Youtube.

 

 

 

The Graveyard Shift

This is one of my favorites. It starts off pretty scary, and you think its going to go one way, but…

 

 

Fright Lite

If you were one of those kids (or even an adult) who needed a Nite Lite, I’m sure short will resonate with you.

 

 

 

Amy

A little girl is afraid of the wolf living with her in the house.

This one looks really cute at first but then takes a slightly darker turn.

 

 

 

Behind You

I found the work of Brian Coldrick to be deeply disturbing. Check out his book, with a lot more of these frightening images.

 

 

The Return of the Monster

I liked this one a lot.

10 Favorite Horror Movies (Of The Past 10 Years)

Cabin in the Woods (2011)

The trailer for this movie was very deceptive, so I avoided watching it, because it looked like a  typical slasher horror movie, with all the cliched characters, and tropes. It turns out that there’s very much a reason for that, (which you sort of  find out in the first fifteen minutes of the movie, if you’re paying attention). The ending is also a surprise, in that its definitely not a Happily Ever After, and is  one of the most iconic scenes in any horror movie, ever!

 

Train to Busan/ Seoul Station/ Kingdom (2014-18)

I consider Train to Busan, and its companion movies, Seoul Station, and Kingdom (Rampant), to be some of the best zombie horror being made today. They are harrowing, thrilling and terrifying,  in a way that American zombie movies haven’t been in a long time. They also contain the one bit of advice that American style horror movies never seem to add: If you see a crowd of people running in one direction, don’t wait to see what they’re running from. JUST GO WITH THEM!!!

 

It Follows (2014)

This movie seriously captured me. I loved it so much, I wrote two reviews about the themes, and what the monster represented. I still haven’t gotten tired of watching it.

https://tvgeekingout.wordpress.com/2016/06/16/the-monster-it-follows-2014/

 

Us (2018)

 

I had a choice between Jordan Peele’s Get Out, and this movie, and I chose this one because, while Get Out was good, and I  certainly reckonize,  Us  resonated with me on a fundamental level that the other didn’t. I suspect because it had a Black female lead, and that lead is Lupita Nyongo.

https://tvgeekingout.wordpress.com/2019/04/01/the-meanings-of-us-2019/

 

Shin Godzilla (2016)

I enjoyed this version more that the American version that came out a couple years before it. This one, made by the original creators of Toho studios, actually made Godzilla horrifying and tragic again, with its powerful echoes of the Fukushima earthquake.

 

A Quiet Place (2018)

My Mom had the bright idea to see this at the theater, and I balked at that, because I thought it looked too scary. I was right. It was definitely scary, and horrible, and tragic, with a tiny bit of hope at the end, although  if you think about it too much, the whole plot breaks down.

 

What We Do in the Shadows (2014)

Is very easily one of the best, and funniest, vampire movies to be released in the last ten years, and the TV show that came from it, is equally funny. Also, there’s another spinoff that was released only in Australia, called Wellington Paranormal. Check that out, on Vimeo, if you get a chance.

 

Tucker & Dale vs Evil (2010)

I loved watching this bit of horror silliness with my niece, The Potato. We had a ball and learned a lot about jumping to conclusions about other people. She’ll be visiting soon, and I wonder if I can get her to watch this golden oldie with me. The video is one of our favorite scenes, too. When we first saw it, we really were rolling around on the floor, laughing hysterically.

 

Attack the Block (2011)

This is another movie I watched with my niece. She totally fell in love with John Boyega. She is so fortunate to be growing up with all this great representation in a genre I grew up watching, and seeing nearly none. One day I’m gonna have to explain to her how fortunate she is, to be able to see aspects of herself in Pop culture, in a  way I couldn’t.

 

Halloween ((2018)

I actually liked this movie. I wasn’t sure that I would like it, and I do not normally get into serial killer movies, or remakes, all that much, (in that they are not my first choice of entertainment), but this movie actually made Michael hella scary again, when he hasn’t been scary since Halloween II, which was released about thirty years ago.

Honorable Mentions:

Annihilation (2018)

This was emotional, tragic, with an intriguing mystery.

 

Let Me In (2010)

Its rare to get vampire child movies that truly focus on what that’s like.

 

Afflicted (2013)

Its the horror of being trapped in a situation with no good choices, and no way out of it.

 

The Ritual (2017)

A person cannot movie forward until they deal with ah=n truly let go about the shameful events in their past.

 

Lights Out (2016)

This movie was just pantshittingly scary, and really d.

 

 

 

 

The Git Up challenge

Yeah, this song is incredibly catchy!

I’m always late to these things. Apparently, this was some hot thing that was happening this Summer, thanks to Blanco Brown’s hit song The Git up. He issued something called The Git Up Challenge, and well, it took off from there. This mostly appears to be a Western or Southern thing, as I haven’t heard anyone talking about it up here in the Northeast really. Its not  just a teen thing either, because I’ve seen grown ass men and women taking this challenge which is fun, and wholesome, and sorely needed right now.

 

That’s another thing I found interesting about these videos. All the young people have a mixed bag of friends of all different races, and I found that encouraging. This is what’s called Generation Z, I guess. these kids are my nice’s age. She’s 14, now. These kids are the future, and I just love to see them having a carefree time, and making the kinds of memories they’ll look back on with a cringe and a grimace, when they’re my age. Also, are mismatched sneakers a thing, now? Not that I intend to engage, because some things should just be left for younger people to live, but I didn’t know that was a thing the younguns were doing, (although I knew about the mismatched socks thing from my niece. She never even considers wearing matching socks.)

I was also encouraged by all the different types of people who participated in the challenge, everyone from small kids to seniors. The song really does seem to be universally loved!

A lot of people decided to do a Line Dance version of the challenge, which is entirely in keeping with Black culture. Black people will Line Dance anywhere. We’ll probably Line Dance at the Apocalypse, and if you’ve never joined in The Electric Slide at a family reunion, then you have not been living right!

I was a little less enthused about all the cops who love this song, and I avoided a lot of their videos,  but a couple of them were very enjoyable. Like this guy. The twerking just killed me. I was dead! I don’t actually think the song was calling for twerking , but each person interpreted the song their own way ,and brought their own thing to it, and he thought of twerking, so…

Also, I  kept getting distracted by  the thought that the police were supposed to be working not twerking.

 

This is one of my favorite ones. I just wanted to post this, because I’m feeling good this week, what with our coming impeachment of the president, and I thought I’d share some good feelings. These videos just made me smile, and they’re a fascinating glimpse into  the everyday lives of average Americans.

It Came Out Of My Pocket

Here’s a short collection of articles I saved in Pocket. There’s definitely a theme to the stuff I collect there, and that’s gonna be reflected here. Now, I usually post things on Fridays, but its that time of year again where I get really, really, tired, very easily, and all I can think about is going to sleep. I call it post-seasonal malaise. (I think doctors call it SAD, or Seasonal Affective Disorder.) Well, anyway, I’m gonna soldier through it (while trying to get more sunlight.)

 

The Clapback Mailbag

If you have not read any of these, you need to get over to The Root and catch up. Michael Harriott is hilarious even on his worse days, but he shines when discussing issues of race. He is the only writer who can make me laugh about racism every time. The Clapback mailbag is posted every Friday.

https://www.theroot.com/the-root-s-clapback-mailbag-with-friends-like-these-1838540363

 

 

The Best Of Hannibal

I actually agreed with the choices in this article. These are some of my favorite episodes, but I would pick more than five though, as there are 39 episodes, in three seasons, to choose from.

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https://bloody-disgusting.com/editorials/3576484/revisiting-five-best-episodes-nbcs-hannibal/

 

 

 

The Greta Thunberg Helpline

The last thing I posted was about Greta Thunberg, the young girl who has White men in a bit of a tizzy. This is the funniest thing I’ve seen regarding the entire issue, which of course, is not remotely funny.

 

 

 

Can Black Women Be Introverts

It appears that I simply enjoy being contrary,  doing and being everything that’s against society’s mainstream rules. I’m a woman in a society that preferences men. I’m fat in a culture that prefers women be thin. I’m Black in a White supremacist culture. I’m an introvert in a society that prizes extroversion. I’m left handed in a society that prizes right handedness. I have hobbies, I’m not supposed to have, I love music I’m not supposed to listen to, I’m a nerd who likes Science Fiction and math, and a geek who likes to draw superheroes.

According to the American society I’m not supposed to be doing any of that stuff.

Well, that’s too bad, because I mean to go on, as I began.

https://www.bese.com/black-women-arent-allowed-to-be-introverted/

 

 

On Octavia Butler 

Butler talked about the overwhelming Whiteness of the Science Fiction genre waaay back in 1980.

Once again, I did things in the most contrary manner possible, as I did not come by my interest in Science fiction and Fantasy through reading the works of Tolkien and Heinlein, like most people did. I found my way into SciFi by way of Stephen King, and the Horror genre, having started that journey with women authors, like Octavia  Butler, and James Tiptree. Since I didn’t get into SciFi by reading White men, I tend to think of these men  differently than a lot of SciFi fans.

https://garage.vice.com/en_us/article/d3ekbm/octavia-butler

 

 

 

Black Time Travelers Fall Short

I would love to see some Black time travel stories where the person truly changes the course of long history, like stopping slavery, or helping some tribe win a war. Its funny, but every time I see Black time travel story, its usually them trying to save  a life, rather than the usual time travel question of who  should be killed, and I wonder if that’s some type of racial thing, because there are a million different ways to change history that do not involve killing someone. And I have never seen stories, at least not the ones written by White people, that ever seek to overturn the truly big events of events of history, beyond the Holocaust. I mean why not stop Christopher Columbus, or disrupt the slave trade?

Here Sherronda Brown talks about how she would love to see time travel stories that destroy the status quo.

http://blackyouthproject.com/i-want-black-time-travelers-to-be-a-threat-to-the-status-quo/

 

Yasuke: The Black Samurai

We’re supposed to be getting a movie about this soon starring Chadwick Bozeman. Ive been fascinated by Samurai since I was a teenager. I will watch any movie that has samurai in it, and I will definitely see this, if it ever gets made. In the meantime, there’s a couple of books on the topic that I’m looking forward to reading.

 

 

There’s already a book on Yasuke’s time in Japan:

 

An interview with the author of African Samurai Tim Lockley:

 

And here’s a short fictional film about a young girl who finds out that she is Yasuke’s great, great grandaughter. I would love to see this done on a larger scale.

 

It’s A Black Thang II (On Tumblr)

This was an old post that somehow got switched to another blog! But theres no such thing as an out of date laugh, (although I could be wrong about that.) Well, I hope it brings smiles to your day, your week, your month, or even your year.

 

 

Man, we just don’t get good Star Trek meta, like this, anymore…

Related image

vulcandroid

i will never be over the fact that during first contact a human offered their hand to a vulcan and the vulcan was just like “wow humans are fucking wild” and took it

 

roachpatrol

Humanity’s first contact with Vulcans was some guy going “I’m down to fuck.”

Vulcans’ first contact with Humans was an emphatic “Sure.”

 

lilian-cho

@sineala

star-lord

#iiiiiiiiiiiiii mean vulcans had been watching humans for a long time#they knew the significance of a handshake but still#they had to find some fast and loose ambassador#willing to fuckin make out with a human for the sake of not offending them on first contact#lmao#star trek

give me the story of this fast and loose vulcan

 

moonsofavalon

“sir…these…these humans…they greet each other by…” *glances around before furtively whispering* “byclasping hands…”

*prolonged silence* “oh my…”

“sir…sir how will we make first contact with them? surely we…we cannot refuse this handclasping ritual, they will take it as an insult, but what vulcan would agree to such a distasteful and uncomfortable ritual??”

*several pensive moments later* “contact the vulcan high command and tell them to send us kuvak. i once saw that crazy son of a bitch arm wrestle a klingon, he’ll put his hands on anything”

 

evilminji

Elsewhere, w/ kuvak: “….my day has come.”

 

lierdumoa

The vulcan who made first contact with humans is named Solkar guys. Y’all just be makin’ up names for characters that already have names.

Bonus: here’s a screencap of Solkar doing the “my body is ready” pose right before he shakes Zefram Cochrane’s hand:

adreadfulidea

 

I swear Vulcans only come in two types and they are “distant xenophobes” or “horny on main for humanity”. Also apparently this guy is Spock’s great-grandfather and frankly that explains everything.

Source: lycanthropiste st

 

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Black Hogwarts was tending several months ago. Yes, this is still funny as hell! (Number five is my favorite, and check out The Sortin’ Durag.)

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Tumblr would not be Tumblr without calling out racism in fandom, and we have to keep explaining this multiple times cuz, as my Mom used to say, ya’ll hard-headed, and you don’t listen!

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Carrying the fandom load

It does get tiring at times staying conscious of bigoted tropes in fandom, deciding not to support racist art, wondering if a quote is appropriative of Jewish experiences, discarding a homophobic fanwork idea, and more.

So as a Fandom Old I can see why some fans long for the “good old days.” Back then anything went! Total creative freedom! We were wild and unfettered! None of these long-winded discussions, we just went and did it and did not give a single fuck!

Except freedom wasn’t for everyone, was it? You only had that total freedom if you were unaffected by fandom’s racism, homophobia, transphobia, antisemitism, ableism, and a host of other bigotries that are a reflection of the world we live in.

Fandom was never the carefree, escapist enterprise some of us like to think it was. It’s just that minority fans were bearing the load of others’ freedom in silence. Too often, fans who were marginalized in real life could not escape to fandom because fandom would uncritically celebrate their oppression and trauma. And if they dared to speak about it they were bullied and shouted down into silence, into leaving.

I speak in the past tense but this is still ongoing, obviously. Fans of marginalized identities are a little more vocal now, but are facing a sustained and vicious backlash that accuses them of being “bullies” and starting “discourse” and “drama” and of “virtue signalling.”

It’s not about discourse or virtue, though. It’s about fans being told that they are not welcome unless they bite their tongues, grin, and go along with a thousand stings and slaps in the very spaces they go to have fun. It’s about fans having to watch characters who look like them be constantly erased and demonized. It’s about fans having to spend endless amounts of time and energy educating other fans about their oppression when all they’d like to do is unwind after a long day made longer by those very issues.

It’s not about virtue. It’s about people.

The thing is, fans who criticize minority fans and their allies for “discourse” aren’t angry about the fact that fandom puts these psychological burdens on minority fans. They’re mad about having to share a tiny little part of the burden minority fans, most visibly Black women, have been carrying for too long. In the minds of these “discourse”-critical fans the burden of considering the impact of fandom and fanworks is not theirs to bear. It is the lot of fans who are not them, “others,” to pay the cost for the majority’s creative freedom. The very suggestion that the load exists, and worse, that all of fandom should share in it so marginalized fans don’t carry it so disproportionately, is enough to make a lot of fans uncomfortable. I know, because I feel that discomfort at times, too.

The thing is, the load of thinking about marginalization in fandom spaces was always mine to bear. It’s every fan’s responsibility to be conscious of how they create and consume fanwork so that they don’t hurt other fans, so fandom can be inclusive and fun for everyone.

No, it’s not pleasant. It’s not fun to always watch yourself and second guess your choices, to fall short anyway and be called out and confront the fact that you have so many unconscious biases and have hurt others. I get it. I do. I want to think of myself as a good person. I don’t like admitting to wrongdoing. I hate challenging myself. I don’t want to think about this hard stuff. I just want to have fun!

But think about how much LESS fun it is when it’s your own humanity on the line. Many marginalized fans don’t have the luxury of just letting go and having fun, not when they always have to brace themselves for the next psychological assault.

These fans have been carrying this fandom burden and are punished for saying it’s too heavy. If you’re feeling a little less feather light in fannish activities than you used to, that’s a good sign! It means you’re starting to carry, in a very small measure, the fandom load of consciousness. It’s something you should be carrying as part of a community, and chances are it’s still not nearly as heavy a load as many marginalized fans are still made to bear.

A community joins together, watches out for its members, shares in the good and the bad. If some members are asked to bear the costs of others’ fun and either stay silent about it or leave, then the promise of community rings pretty hollow, doesn’t it? Sometimes discomfort is a good thing, and if my small discomfort means I am sharing in a tiny measure of my rightful load in fandom spaces, then it is a very good thing indeed.

 

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I think I may have posted this here before, and its definitely not funny, but at the same time, its the funniest shit I have ever encountered. People who are so incredibly pressed about having all those “icky” Brown and Black men in their favorite media, so incredibly adamant that the only valid type of “ship, is between two White men, that they are willing to Photoshop them out, for their White faves.

Wow!

 stitchmediamix

So I’m writing something about how characters and actors of color are literally cut out of images in order to center white characters/actors (usually for shipping purposes) and I’d like to be able to actually link to examples of instances where that’s happened.

I’ve got an image of John and Daisy where John has been replaced by Driver (courtesy of @xprincessrey ’s recent post in the fandom racism tag) and SEVERAL images where Iris West has been erased and replaced by Caitlin that I referenced in my presentation on the misogynoir directed towards her.

I need more examples though and I honestly don’t know how to find what I’m looking for. And… I’m really bad at finding images on the internet.

So if you have collected any receipts on this particular fandom phenomenon where fans cut out characters/actors of color from images in order to focus on a white character or ship, please let me know. I’ll link to your post on the subject if you’ve made one and give you credit for finding the images that I use if you want it.

I need examples of:

  • Anthony Mackie being cut out of press images for either Winter Soldier or Civil War
  • Scott/Tyler Posey being cut out of Teen Wolf press images or scenes in the show
  • Photo manips where Finn/John Boyega has been replaced by Kylo/Adam
  • Any other fandom that cut characters of color out in this way!

I’m writing a thing and I’m working on the header image already but I’d like more examples because man… People need to know that this is a thing that happens and pictures help drive the whole thing in.

(Also, unfortunately I have no idea how y’all  can submit straight up images to me because I don’t use tumblr submit for several reasons, BUT you can always DM me images on twitter or use Tumblr IM if you don’t have links  to images, but want to send them to me anyway.)

If you can share this with your followers, that’d be awesome.

elandrialore

R3ylo manips

Original photoshoot with John and Daisy

St3r3k manip

Original promo image

St3r3k manip

Original image of Tyler Posey, Crystal Reed, and Tyler Hoechlin

St3r3k manip

Original image of Tyler Posey and Dylan O’Brien

St3r3k manip

Original image with Tyler Posey and Dylan O’Brien

kyberfox

@stitchmediamix

Here’s a video of Finn getting cut out not just of his own confession scene – a character defining moment for him – and Kylo being inserted, he’s also replaced in the hug he and Rey shares. xx

The OP of that then made a gif set of some of the scene they’d cut where they replace Finn with Kylo because they were so proud of their work. x

And here Kylo is edited in instead of Finn in the scene where Rey gives Finn a “wow he looks good” look at Jakku. x

uprisingofcolor

@stitchmediamix

Here’s an entire gif set of Jake Pentecost getting cut out of his own trailer to center his white co star.

Oh, and here’s OP’s Response to @kyberfox calling them out (X), they take it about as well as you’d expect. This happened a day or so(?) after the trailer dropped, just for a frame of reference.

diversehighfantasy

The Doctor Who series 3 “Fix It”:

Here, they didn’t erase Martha Jones entirely, they made her a third wheel in a series the fandom felt Rose was rightfully entitled to. IMO this is as much of an in-your-face “fuck you” to Martha as pretending she didn’t exist.

Britchell. This is a more obscure ship, but it relentlessly erased, sidelined and minimized one of my favorite characters, Annie Sawyer of Being Human (UK) for being romantically involved with Mitchell, played by Aidan Turner, who also played Kili in The Hobbit. Britchell was a crossover between Mitchell and another character played by the actor who played Kili’s brother Fili in The Hobbit. Anyway. Britchell is the biggest ship in the Being Human fandom to this day.

Annie x Mitchell: http://reyesbidal.tumblr.com/post/53885860951

Britchell (in a nutchell):

nerdsagainstfandomracism

In Shadowhunters Jalec and Clalec shippers always use Malec scenes for their manips in order to erase Magnus. Here’s an example of a Clalec manip (x). I stay away from their tags and blacklist Jalecs and Clalecs on sight, but pretty sure Google has plenty of more examples. Luke is constantly excluded from the group fanarts, fan videos, etc.

Also, Rickylers in TWD always try to erase Michonne from her own narrative.

Source: stitchmediamix fandom racismracism in fandom Erasure ShippingLong Post white prioritization ReblogMod P.

 

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Tag me! I’m Blacktose Intolerant!

anonymous asked:

so you’re jamaican and not regular black?

yourbigsisnissi answered:

What the hell is regular black?

 

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Tweets from Satan!

It’s A Black Thang!

I’m not saying that Black people are the only ones who can watch these shows, but this is pop culture that is unapologetically aimed at Black audiences.

Image result for a black thang gif

Dolemite Is My Name

Some of us are old enough to have actually watched some of Rudy Ray Moore’s movies, like Dolemite and The Human Tornado, which they don’t show on Tv much anymore ,for…reasons.. Some of my younger readers would have encountered his movies as parodies on MadTV, or Key & Peele. They were often laughably bad in and of themselves but they were groundbreaking because Moore was one of the only Black independent filmmakers of the 70s, and was one of the primary directors in the Blaxploitation era.

The first time I saw a Rudy Ray Moore movie, it was at the Drive-In. I was maybe nine or ten years old, and the movie was The Human Tornado, which I wasn’t supposed to be watching, because I was supposedly asleep in the backseat with my two brothers, and because his movies ARE NOT FOR KIDS!!!! I don’t think I can stress this enough. Well anyway, I watched it and I don’t think my mom ever realized i saw the movie, and I haven’t ever told her. I suspect if I told her this, I’d be subject to this:

Image result for outrage gif

Now couple that information with the return of one of the greatest comedians of the 80s and 90s, Eddie Murphy, who hasn’t been relevant in some time, and this is looking like a comeback role, in a classic film. Actually what it is is the making of Dolemite from Moore’s point of view. There are some other great actor/comedians in this, and even more importantly, this is airing on Netflix in September.

The Black Lady Sketch Show

The Black Lady Sketch Show is now airing on HBO, but you can watch select sketches on YouTube. This is such a great show, and I say that even though I don’t subscribe to HBO anymore. The sketches are soooo funny, and some of them are spot on.

Check out Invisible Spy for example. I’ve always thought that women of color would make exceptional spies, because so few people pay attention to us, especially when we’re doing something stereotypical, like housekeeping! The spy in this sketch is invisible all the time, and thats a commentary on how being fat, and dark skinned, renders a person irrelevant. Even her coworkers don’t know what she actually looks like , even though they’re looking right at her. I got that, as I’m always being compared to some other Black woman that people know, someone they went to school with, a cousin, or somebody’s neighbor.

But one of my favorite sketches is the Ball for Basic Bitches! I’m far too contrary to ever be considered “basic”, I think, but I perfectly understand it, though, and Basic Bitches can be fabulous too, only a lot more quietly, I guess.

Got to Youtube to watch the surreal Dance Biter, which stars my favorite comedian Quinta B, the hilarious Invisible Spy, and a sketch about how obsessed America is with beauty standards, called A Day With No Makeup.

 

 

The Rundown w/ Robin Thiede

Robin Thiede is currently one of the stars of the Black Lady Sketch Show, but if you want to see the kind of work that led up to her starring in the above show, then The Rundown is where you need to see it.

The Rundown aired on BET, and showcased different comedians, although Robin was the star. I never watched the show itself, and only just saw a few episodes because they were recommended after I viewed TBLSS, and frankly, I’m impressed. This first sketch is based on the show Stranger Things, and the character of Eleven, and is what I like to call , uncomfortably hilarious, a style that Key and Peele often specialized in.

My favorite though is this video for the Weak Black Woman, because not everybody can be woke and strong, Some of us are too tired from working on those spreadsheets for the Stevenson account, I guess. Not quite as pointed as the Basic Bitch Ball, but close enough. And the second is a parody of the series Stranger Things, that I laughed waaay too hard at.

Missy Elliott and Lizzo

I’m a huge Missy fan, and have been since that first song. Now I have a new heroine, Lizzo, who is fat, Black, and absolutely, unapologetic ally, who she is, here she teams up with Missy Elliot, and Megan The Stallion, to celebrate some more “Hot Girl Summer”. I wasn’t outraged by the dancing but I was bothered at the idea of these ladies wandering around a public parking lot, at night, in bikini wear. Well, theyre wearing fur ,so I know they won’t get cold, but apparently that was a bridge too far. (See what I mean about me being sort of Basic?)

Unnecessary Tumblr

threadworks windorabug
kunabee: “ rabbittiddy: “ petermorwood: “ hippiebirdmom: “ bibliotecaria-d: “ ebonykain: “ karacat: “ othersideofforty: “ erinnightwalker: “ ripped-up-jeans-and-glitter: “ erinnightwalker: “ acaffeinejunkie: “ erinnightwalker: “ erinnightwalker: “...
 sixpenceee

“A house I pass on the way to work has this sculpture in its yard. Its about 8 feet tall.”

 

 geostatonary

“HELLO NEIGHBOR STEVE, I WOULD LIKE TO INVITE YOU TO BARBEQUE ON THE EVE OF THE BLOOD MOON.  I FEEL WE GOT OFF TO A BAD START.”

“NEIGHBOR STEVE, DO YOU NOT WISH TO PARTAKE OF THE UNCLEAN FLESH-MEATS OF PIGS AND THE POLLUTED ESSENCES OF TOMATO?  PERHAPS YOU ARE A CAROLINA STYLE MAN, NEIGHBOR STEVE?”

“PUT THE GUN AWAY NEIGHBOR STEVE, YOU KNOW I SHALL ONLY RISE AGAIN WITH THE DAWNING OF THE MOON.  WE HAVE BEEN THROUGH THIS MANY TIMES.”

“LOOK AT THIS PICTURE MY SON DREW OF YOU AND CHILD TIMMY, YOUR SON.  ARE THEY NOT THE PICTURE OF PACT-MATES?  THIS COULD BE YOU AND ME, NEIGHBOR STEVE.”

“YOU MISSED THE UNHOLY NEXUS OF POWER THAT IS THE KEY TO MY CORPOREAL FORM, NEIGHBOR STEVE.  YOU WILL NEED TO RELOAD NOW, SO I WILL GO INSIDE TO MY HELL-WIFE AND PUT YOU DOWN AS A SOLID ‘MAYBE’.“

 erinnightwalker

I have the feeling that the families get along great except for Steve. Like, the wives are baking (questionable) brownies together, the kids are playing together, Antler Guy occasionally takes Son and Timmy to school (no car, just carries them in huge swinging strides through a nexus of ungoldly sights in a swirling netherworld shortcut. Sometimes they stop for McDonalds). Hell-wife gave them a potted Audrey Jr., Steve’s wife (who I now christen Sharon) gave them a begonia.

One time Steve tries throwing holy water but all Antler Guy does is thank him, saying that no, Antler Guy isn’t Catholic but it’s the thought that counts, he is so kind to water his creeping deathshade vines regardless.

For Christmas Antler Guy gives Steve a case of ammunition. To be funny/sarcastically mean Steve gets Antler Guy the world’s most hideous Christmas sweater, singing light-up reindeer included. He immediately regrets it because not only does Antler Guy love it and wears it for several months, it will never need batteries because Antler Guy powers it with his own eldritch aura.

When they come back from a holiday to Hawaii, Steve is horrified to find out Sharon bought them matching Hawaiian shirts. He is even more horrified that his wife means it that if he doesn’t wear it he will forever sleep on the couch.

 erinnightwalker

I want to expand on this, since I see it’s still passing around and the ideas have grown in my brainmeats.

What drives Steve up the wall and down the other side is how… normal… everyone treats the Abominations. (Yes, that is their last name. No, it is not a joke. Son was asked his last name for the standardized testing at school, had a quick conference with Timmy, and decided that Son Abomination sounded good, “Since my dad calls your dad the Abomination anyway and we can paint it on your mailbox just like the Henderson’s did theirs!”. Antler Guy agreed and did a lovely rendition of it for the mailbox, with only a few glyphs of soul-rending terror added to keep up to snuff.)

The Great Plant Exchange went beautifully, though the Audrey Jr. (named Aubergine for the lovely shade of purple poison that drips from her fangs) is on a diet at the moment. She was in cahoots with the cat and the dog to get into the good people food and ate two frozen turkeys all herself. Now she’s restricted to the hallway table to answer the phone and the door. (Steve actually likes her, and keeps slipping her hotdogs when Sharon isn’t looking. Their door-to-door salesman rates have dropped dramatically since she changed abodes.) Hell-wife has almost gotten the begonia to bloom and say it’s first words.

The homeowner’s association just loves the Abominations. All paperwork stamped and dotted, in on time and in triplicate. Antler Guy likes filing, says it reminds him of his old job. There is a resident who spent 20 years as a lawyer and they have long, animated conversations about all sorts of things that make Steve swear to never need legal counsel.

Hell-wife joined the PTA and spearheaded a committee to fundraise in the fall with a haunted house. It was a county-wide hit, though the claims that a particularly rowdy group had been deliberately lost in a timeslip to the Outer Doors Of Chaos was firmly rebuffed. Most young people nowadays, it was agreed, just couldn’t appreciate flute music.

Antler Guy really does try to connect with Steve. The surprise birthday party was perhaps a bit much, given that most participants do not have the ability to suddenly materialize in front of the guest of honor to give them a hug. Sharon assured them that Steve normally screams on his birthday, and the remains of the cake were heartily enjoyed by all. (A plate was saved for Steve once he came down from the treehouse.)

After the Hawaii trip (which was a present for his birthday) and the Matching Shirt Ultimatum (which was Sharon’s attempt at patching things up with Antler Guy, he really was sad about the birthday screaming), Steve finally grabs his courage in both hands (plus the shotgun, which let’s face it is about as useful as a teddybear at the moment but it does comfort him) and confronts Antler Guy, about why such a group of……Abominations could possibly come to his quiet slice of suburban bliss.

“……BUT NEIGHBOR STEVE, WE HAVE ALWAYS BEEN HERE.”

“No no no, I read it in a book! Don’t you have to be invited or something?!”

“WELL YES, TO THE HUMAN WORLD. BUT THIS IS NOT THE HUMAN WORLD AS YOUR THREE-DIMENSIONAL BRAIN PERCEIVES IT.”

“What the hell does that mean?!!”

“DID YOU NOT KNOW, NEIGHBOR STEVE? LEGALLY SPEAKING, ALL OF THE VASTNESS OF HUMAN SUBURBIA IS, IN FACT, A PART OF HELL.”

“……..”

“THE FLAMINGOES ARE THE BOUNDARY MARKERS. IT WAS DECIDED THAT THE FLAMING SKULLS WERE TOO KITSCHY FOR MODERN TIMES.”

 acaffeinejunkie

Reblogging cause I kind of want more of this….

 erinnightwalker

Since you asked nicely ^_^Antler Guy, as one may have noticed, is a calm sort of fellow. In the face of human atrocities he displays a curious Zen sort of state of mind. Timmy asks Son if he’d ever seen his dad angry, and Son hasn’t. (When asked, Timmy says that yeah his dad gets mad, but it’s like the Fitz-Simmon’s chihuahua down the street- mostly high-pitched noise and occasionally TV remote chewing. Sharon replaces the poor thing every 3 months or so.) When pressed (gently, at the monthly book club, and with many cups of tea and at least one daiquiri), Hellwife admits that this comes from serving many years at his old job.

After the revelation of the nature of his neighborhood, Steve has not been overtly mean to Antler Guy. Not yet in the realm of friends, but vastly better than before. No more holy water, no more shotgun blasts. (Still the occasional jumpscare, but Antler Guy really can’t help that part.) They even occasionally share news over the fence as Antler Guy trains the creeping deathshade vines in proper oral hygiene, and Steve waters his lawn (and occasionally slips a goldfish cracker to a deathshade vine that looks particularly adorable. Aubergine has trained him well.)

Which is how Antler Guy learns about the peeping tom that’s been plaguing the adjacent streets. Apparently the pervert has been getting bolder, and rattling doors. He almost broke into one apartment, whose occupants were a single mother and her daughter, Mildred. Millie, a shy girl who is a great horror fan and firm friends with Timmy and Son, had missed school because of it.

Steve knew because Sharon had told him, on her way to deliver a tuna casserole and a double batch of brownies to the pair. (Sharon has been dubbed the unoffical mob boss of the Mother’s Mafia. She is quite pleased with this title.) He tells her to wait, confers briefly with Aubergine, and sends her along with, “Only as a loan, you know, but Auby wants to stretch her roots and she’d probably like getting all ribboned and curled anyway. Little girls still do that, right?” She has strict orders to bite anyone that makes Millie or her mother cry. (Steve is dubbed the official neighborhood marshmallow for this. The bookclub buys him a jar of marshmallow fluff in commemoration.)

He turns to look at Antler Guy, and freezes, much as a chihuahua will when faced with a hungry hellhound.

“You….you alright there buddy?”

“Ň̵̴̫̫̙͙̻̞͈̫̥̪̱͈͈̯̍̀̀͆ͫ̒̿̄͗͘͡͝ͅO̊͑̑͒̎͑̃ͬͭͮ̅̔̆̃̉ͯ̇͗̀҉̵̻̜̞͉̟͙͚̻̪̼̖̀͟ͅ.̵͈̣͈̙̣̜̻̭̩̝̠̞͗ͤͥ̓͗ͬ̓̄͊̓̅̐ͩͮͧͤ̽̐ “

“Uh, yeah, I guess not. Did you, uh, know you’re kinda fuzzing at the edges, there?”

“Ň̵̴̫̫̙͙̻̞͈̫̥̪̱͈͈̯̍̀̀͆ͫ̒̿̄͗͘͡͝ͅO̊͑̑͒̎͑̃ͬͭͮ̅̔̆̃̉ͯ̇͗̀҉̵̻̜̞͉̟͙͚̻̪̼̖̀͟ͅ.̵͈̣͈̙̣̜̻̭̩̝̠̞͗ͤͥ̓͗ͬ̓̄͊̓̅̐ͩͮͧͤ̽̐ “

“Right. Um. Well.”

Steven makes a very ungraceful exit when space starts bending around Antler Guy’s still, unmoving form.

When Steve sees a shadowy form in his back yard when he gets up to pee that night, there’s no hesitation. He grabs the shotgun from the cabinet and peeks out the back door window.

Just in time to see a nebulous form of soul-wrenching terror engulf the man reaching for the door handle. A sliver of moonlight reveals a very familiar eyesocket. After a moment (and a sincere prayer of thanks that he had already peed, cause otherwise he’d have done it then and there) Steve opens the door. The nebulous form freezes, reality bending around the edges.

“Nice night for it, huh?”

“…..Y̮̮͍͔͇͙͙̟̐͌͛̓̏͞͡Eͩͭͮ̓̍ͯ̀ͧ͏̵̴̛̺̠̱͕̕ͅS͈̹̮̟̳̪̩̘͍̤̲̻͈̱̳̽̋́ͩ̃͋̎ͩ̈͆̀͘͢͢͟ͅ.̧̢͈̭̝̥̦͚͍̇ͫ̃̓͆̿̇ͪ͊ͧ̃͛͌͜͢ “

“Guy won’t scare anymore litttle girls, will he?”

“Ň̵̴̫̫̙͙̻̞͈̫̥̪̱͈͈̯̍̀̀͆ͫ̒̿̄͗͘͡͝ͅO̊͑̑͒̎͑̃ͬͭͮ̅̔̆̃̉ͯ̇͗̀҉̵̻̜̞͉̟͙͚̻̪̼̖̀͟ͅ.̵͈̣͈̙̣̜̻̭̩̝̠̞͗ͤͥ̓͗ͬ̓̄͊̓̅̐ͩͮͧͤ̽̐ “

“Good. G’night then. Oh, and if Hellwife has an extra Audrey Jr. that needs a home, let me know. Millie likes Aubergine a lot but Augy’s just too big for the apartment. Dunno if they come in miniatures though.”

“ I̴̛̟̭͉̮̜̩̬̮̣̘̰͚̩͙̟̳͔̜̙͑̂̆̆͗͒̀ ͖̖̰͉̥͖͔̙̤̺͍̳͈̹͙̣̞̇̇ͤ͒̅̈́͆̽ͧ́̚̚̕͘W̶̶̱͈̞͖̼̟̣̮̌͂͒̈́͑͌͒͋̍ͮ͗̈ͣ̓ͤ͘͟I̴̶̞̥̩͇̔ͩͦ̇̉̾ͣͬ̀̀̒͒ͧ͛͌͛͆̚͘͢ͅͅL̠̟͕̠̟̪̰̻ͯ͂͊ͥ̍̏͋̐ͬ̉̆̈̀͠L̸̞̭͔̮ͦ͑̉ͮͩ́ͬͨͣ͘͜.̴͈͎̮͇͓͖̱̻̣͊͊ͤͩ͊̑͗͞ ̸̡̩̖̞̩̻̩̪̭͙̳͚͇̟̺͖̑͊ͫ̀͆ͨ̉̔̓̂̓̋T̷̷̟͉̟̻̻̪̞̰̯̻͈̣̰̬̻̾͐́ͭ̓̅́͡H͇̬̪̩̬̝̣͍͈͇ͯ͛̏͌ͮͧͭͦ͟͜A̴̴̤͕͈̤̮̞̱̯͔͕̙͔͖̰̬̰͈̠ͥ̏ͥ̍̽ͧ̀͝N͗̓͋̃̈̑̀̅ͣ̽̒̂̄ͯͩͤ͏̢͢͏͈̯͎̪͇̟̠͔̯͓͓̰̠̱̠̳͕̳͝K̢̓ͧ͛͛ͣ̄̓̓ͯ̍̈̈́̌͂̔͟҉̛̘̥̖̤̦̻̳͙͟ ̢̢̻̥̹̣̞͉̘͇͚͍̖̯̘͚͔̗̩͓͐ͮ͂͂̀̚͘͠Y̜̞͇̳̗̬͎̰̙̜̩̪͎̞̙̠̔͂̌̃́̀O͇̺̲͙͍̬̳̘͈̱̜̝͔̖̊ͥ̿ͫͤͫͫͩ͋̓̃ͦ̈̄͢͟Ū̢͖̲̦̠̤͎̙͉̦͖̖͓͍̺̺ͪͯ͐͆͆ͭͯ͗ͦ̄̅̌̈̃̾ͭ̋ͧ͢͢͠͡.̶̸̞͓̞̹̗̻̣͈͕̠̬̦ͫ̆ͤͬͨͦ͒͂ͨ̿ͩͪ͘͞.ͧ͛̒̂̂͗ͨ̌͆ͥͭ͒̉͘͜͏̙͖̰̝̙̲͓̙͕͍̥̳̩́͠.̶̷̮͎̱̼̬͖̰͎͚͙̥̓͋͋ͦ̓̓ͯ͆͛̏ͫ̅ͯ.̨̧̙̤̳̮̺̙͖̞͔̗͎͍̑̆ͮ͐ͩͦ̌̽̾̏͘͠.̹̖͕̮͕̞̰͍͚͖̌ͪ̃̐̐̌̌̅̉͑ͧͪͪͬ̓͐́͛̿͘͞ ….NEIGHBOR STEVE.”

“Anytime.”

There are no more peeping reports. Millie brings back Aubergine and spends an entire afternoon teaching Steve the particulars of Augy’s new “hairstyle” (a gravity-defying mass of teased tendrils, ribbons, and barrettes) in between games of tag and hide-and-seek with Timmy and Son.

When Antler Guy and Hellwife present her and her mother Beatrice with a tiny Audrey Jr. (”pOOr ThinG Is a ruNT And wOn’T geT MorE Than A FooT taLL, BEa, aNd NeeDS a New FRiEnD”, assures Hellwife), both mother and child burst out crying. Millie names it Bella, after Bella Lugosi, and shows it to the excited group of boys (Steve and Augy included).

 ripped-up-jeans-and-glitter

IT GOT SO MUCH BETTER!!!!

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Life in a subdivision partly populated with eldritch and possibly magical (officially classified as “extra-dimensional”, for even when faced with the physics-defying nature of their new co-habitating citizens the government cannot bring itself to acknowledge them as “magic wielding hell-beasts”, as some high-ranking staff members initially suggested) goes on fairly normally.

Sure, there are a few hiccoughs. The creeping deathshade vines get a stern talking to about appropriate afternoon snacks (”NOT the Fitz-Simmon’s chihuahua, I don’t care how much he has it coming or what he excreted where, now spit it out!”), Aubergine sheds all her leaves at once and snowballs the house (but does helps sweep up afterwards), and moonrise is a good time to watch the night-gaunts fly by (but on moondark it’s best to stay inside, no matter how prettily they glow. They’re somewhat similar to fireflies, and don’t always check to see if their partner glows as well. It wouldn’t be as much of a problem if they didn’t dive mid-coitus and drop just above the ground.)

While the neighborhood in general is accepting of the Abominations, when things get to be a bit much they tend to come to Steve. Since meeting Beatrice and Millie (and the formation of the Terrifying Triad known as Millie, Son, and Timmy) Steve is the adult human male most comfortable dealing with Antler Guy on the whole street. (Sharon as U.M.B. is widely held to have, well, steel-whatever-the-hell-she-wants, and Timmy is known to run over to Antler Guy and ask for rides through “that wobbly grey place, you know, the one with the REALLY BIG alligators?”. Still, the courtesies must be observed.)

So when a writhing sparking ball of snarling terror and teeth takes up residence in the Manzo’s tool-shed, and when Animal Control refuses to come (the street is banned due to a run-in with the deathshade vines), Steve is called. Having heard the description, Steve brings Antler Guy.

When they get there, Mr. Manzo is forcibly holding the door shut. Unholy yowling is coming from inside. At a gesture from Antler Guy, Mr. Manzo leaps away, and the doors blast open.

A 150 pound ball of whimpering, flaming something hits Steve and knocks him on his ass. The whimpering, flaming something proceeds to slobber all over Steve, his shirt, his pants, and a decent portion of grass in between distressed yelps.

“GACK!”

“NEIGHBOR STEVE, ARE YOU IN DISTRESS?”

“GAAACKLEARGHSPLUH- DOWN boy, HEEL, that’s a good- Antler Guy, what is this?!”

“I BELIEVE IT IS A HELLHOUND, NEIGHBOR STEVE.”

“Good grief, I didn’t know they came this big and…..and….. Guy?”

“YES NEIGHBOR STEVE?”

“Is he supposed to be…..skinless?”

“YES NEIGHBOR STEVE. THIS VARIETY WAS BRED TO BE LAP DOGS. THEIR FLAME IS MOSTLY WITHOUT HEAT, AND THEY HAVE NO SKIN FOR THOSE WHO ARE ALLERGIC.”

“…….laPDOG?!”

“YES NEIGHBOR STEVE.” Antler Guy lays a hand on the hellhound, who tries to burrow further into Steve with little success. “HE APPEARS TO HAVE BEEN RECENTLY WEANED. IT WILL TAKE TIME FOR HIM TO GROW TO HIS FULL SIZE.”

“……”

“THE SMALL BREEDS GROW MORE SLOWLY.”

A vile hissing emanates from the shed. (Mr. Manzo has long since fled for the safety of his kitchen.) As Steve attempts to calm the frantic hell-puppy, Antler Guy investigates. He reaches one long hand in behind the riding lawnmower and….. winces.

“NEIGHBOR STEVE?”

“Yeah- I’m right here, uh, doggie, not going anywhere- Guy?”

“I APPEAR TO HAVE AN…. ATTACHMENT.”

Steve is awed at the tiny ball of white fluff attached to one long, thin finger. He didn’t know that Antler Guy’s fingers COULD be bitten, much less by a tiny kitten.

Which is how Steve and Sharon got Clifford (”Aww c’mon Sharon, how could I pass that one up?”), and Antler Guy and Hellwife get Fluffy (”NEIGHBOR STEVE ASSURES ME IT IS A TRADITIONAL TITLE.”)

 

*****

Earlier this year, Bill Maher, the comedian talk show host had a whole lot to say about people who read comic books, and like superhero movies. I’ve enjoyed comic books my whole life, and yes, it’s a way of keeping the wonder of my childhood with me always, but I never shirked any of my adult responsibilities to do so. So Miss Valente had to set his ass straight:

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*****

Here’s a thread I found very necessary, about how people who treat fat people like shit, aren’t interested in them losing weight, no matter how much they claim to give a fuck about their health. If they gave a damn about the health of fat people, then that person’s mental and emotional health would also be a factor, and I don’t see how traumatizing, bullying them, and causing emotional distress, is somehow supposed to help them. Miss Allison correctly states that fat-phobia is mostly helpful to making them feel good about themselves, at the expense of others.

Actually this is a truism across all power dynamics, and marginalized groups of people. The people vilifying marginalized people want to punish them, and make them suffer. They are not interested in people being equals or becoming treated in a less marginalized manner.

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This tiny history on the creation of “Race”.

The racial categories that we’re familiar with developed only 200 years ago, primarily by England and Spain. Otherwise cut off from the rest of the world, England kept on invading Ireland, labeling the people as savages — in fact, the cruel saying “the only good Indian is a dead Indian” first circulated in England as “the only good Irishman is a dead Irishman.”

A little less than 2,000 miles away from England, Spain, loyal to the Catholic Church, was offering the Jewish and Muslim people under their rule three choices: “leave, convert, or die.” While many Jews and Muslims converted to Catholicism to escape persecution, church leaders questioned their sincerity, leading to the 1478 Spanish Inquisition, during which “interest in religious purity morphed into an obsession with blood purity,” as Matthew Desmond and Mustafa Emirbayer write in Racial Domination, Racial Progress.

In both England and Spain during this time, nationalism and capitalism began to rise. To satisfy Europe’s growing sense of nationalism and hunger for capitalism, the Age of Discovery began — “or, from the standpoint of the indigenous people of Africa and the Americas, the ‘Age of Terrorism,’” write Desmond and Emirbayer. When Christopher Columbus “discovered America” — aka happened upon an island in the Bahamas that was already inhabited — the Americas were populated by approximately 50 million to 100 million indigenous people.

With Christopher Columbus’ lead, the Spanish colonized the Americas; the English followed a century later. From 1600 to 1900, 90 to 99 percent of America’s indigenous peoples died as a direct result of European colonization.

With the rise of nationalism, capitalism, and European discovery of the “New World” — which, again, was only “new” from a European perspective — a different worldview was desired to make sense of it all. Through colonialism, “race” became a key element of that worldview.

Whiteness remains the dominant category today — other races are compared and contrasted relative to it.

To further their capitalist interests in the “New World,” the English needed a labor force. So, indentured servitude started. Indentured servants were often kidnapped. They included Irish, impoverished English, indigenous, and African people. (Note how the English and Irish are identified as people from two separate nations, whereas indigenous and African people, all from different nations, are considered as two monoliths.)

Indentured servitude evolved into chattel slavery. Among all other indentured servants, why were Black people singled out to be enslaved? It couldn’t be Native Americans, because their numbers were reducing rapidly, they could escape their captors more easily since they were familiar with the land, and they were already relied upon as trappers in the lucrative fur trade business. It couldn’t be the “savage Irish” because, upon escaping, Irish slaves could “blend in” with their English captors.

Africans, however, could not blend in. Furthermore, Africans were not accustomed to the American landscape, making escape from captivity more difficult; they were also immune to Old World diseases, unlike Natives, and many were already farmers. Africans soon came to be seen as “the perfect slaves” and originally not strictly because of their Blackness.

Thus, Whiteness and Blackness were born: “twins birthed from the same womb, that of slavery,” write Desmond and Emirbayer. The White race began to be formed “out of a heterogeneous and motley collection of Europeans who had never before perceived that they had anything in common.”

Whiteness remains the dominant category today — other races are compared and contrasted relative to it. Whiteness positions itself against ideas of, among others, Blackness, Indigenousness, Asianness, and Hispanic-ness. This is why people of color, rather than White people, will frequently be identified by their race. Whiteness has become the norm.

 

Source:

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Yeah, this was my reasoning behind why w should give the more disingenuous bigots exactly what they ask for and teach a  White History month, because I get tired of people asking this question every year in February, during Black History Month,, and then conveniently forgetting all  about it, come March.

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Dr. Who said it himself: History has been Whitewashed!

Literally the only reason people think the past was all white is racism in Hollywood. All the images of the past that you think are accurate from TV shows & movies produced during Jim Crow are actually fictional representations of what racists wanted the world to be like instead of their reality.

That’s why you have people arguing that Egypt isn’t in Africa and that Cleopatra looked like Liz Taylor. That’s why you have period pieces set in London with none of the Black Victorians, Chinese sailors in Limehouse, or Jewish communities. That’s why you don’t see the drag balls that were common in New York, Chicago etc. You don’t even see the diversity of Roman citizens or the Moorish Empire. Next to nothing about women of color at any point in history, despite them being inventors, pioneers, and artists who changed the world.

Gee, it’s like media representation has an impact across time. Like, maybe producing media that isn’t inclusive contributes to ignorance, erasure, and perpetuating racist, sexist, homophobic propaganda. If you’re still producing these bland historically  inaccurate shows in 2015 that’s not about historical accuracy, that’s about your internalized bigotry. .

****************

This tweet can be summed up as :

“The salient fact of American politics is that there are fifty to seventy million voters each of whom will volunteer to live, with his family, in a cardboard box under an overpass, and cook sparrows on an old curtain rod, if someone would only guarantee that the black, gay, Hispanic, liberal, whatever, in the next box over doesn’t even have a curtain rod, or a sparrow to put on it.”

 

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Top Ten SNL Skits

I grew up watching Saturday Night Live. I would stay up late at night, when I wasn’t supposed to be up, just to watch my favorite comedians. SNL is well over thirty years old now, and its really hard to pick the best ten skits, so I’m just going to stick with my ten favorites. There are definitely more, but I’m limiting this to ten, or we’d be reading all day, because ideally, I could do the top ten of each season, or even each decade. I tried not to pick the classics that everyone else picks, but the ones that especially resonated with my childlike silliness.

 

Samurai Delicatessen and Hotel /John Belushi

This is one of the first skits I remember seeing. I didn’t know who John Belushi was, and I’d never really watched the show that closely, but this one just caught me up, and I was thoroughly tickled. This is probably hella racist, but in my defense I was about 14 at the time, and this is very clearly a parody of Toshiro Mifune’s character from Seven Samurai, rather than a critique of Japanese culture in general. Watch Chevy Chase’s perfectly calm reaction to being confronted with two angry, fighting, samurai.

 

Land Shark/Cast

This skit still makes me laugh uncontrollably to this day. Just the idea of sharks getting smart enough to realize that all the food is on land, and knocking on doors, announcing what they are, and people letting them in! This is of course a straight up parody of Jaws, which came out in 1975, and was one of the biggest movies of the 70s.

 

James Brown’s Celebrity Hot Tub/Eddie Murphy

I showed this one to my mom, a few years ago, and its the first time I’ve ever seen her giggling, but still kind of outraged, as she kept asking why it had ever been made. I explained to her that its just how the mind of Eddie Murphy works. He had so many great skits, from making himself up as a White man to clock racism, to a parody of Mr. Roger’s Neighborhood, that it was really hard to pick just one of them.

 

 

The Continental/Christopher Walken

I loved it whenever Christopher Walken appeared on the show, because I hoped for an episode of The Continental, which was about a horndog, who was always trying really hard to get this one women to spend the night with him. She always managed to escape, usually while giving him his comeuppance.

 

 

Church Chat/Dana Carvey

A perfect parody of little, old, chastising church ladies. The Church lady was fearless in her critique of perfectly innocuous things, that nobody else was ever angry about, and you just know she had a purse full of Kleenex, and peppermints.

 

 

Black Jeopardy/Chadwick Boseman

I’m still laughing about this because it was so timely, and  the Black Jeopardy skits are all ridiculous. I could have listed the one from 2016, which featured Tom Hanks,as Doug, because that was one of the more political versions, but I went with this one, because I like the idea of T’Challa, from Black Panther, starring in a game show about African American vernacular, and winning.

 

 

Ed Grimley/Martin Short

Ed is, for some reason, one of Martin Short’s little known SNL characters, and I don’t know why, considering that this character even had his own cartoon show. I like Ed more than any of Short’s other characters because he’s just sooo weird. He also reminds me, not a little bit, of Pee Wee Herman.

 

 

Sprockets/Mike Myers

Mike Myers is probably one of the greatest SNL cast members on the show, and he has a lot of great characters to choose from, from Linda Richman to Wayne’s World , but his character, Dieter, from Sprockets, this Germanic, avante-garde, parody of German art culture in the 80s was the funniest for me. It was really really weird, and being the strange girl that I was I was delighted by it.

 

 

Space: The Infinite Frontier with Harry Caray/ Will Farrell

Will Farrell has so many great characters to chose from, but I wanted to pick this little known fellow, who was this incredibly clueless host of a talk show, who was barely aware of what talk show he was on, let alone what the topic was. He said such bizarre things to his guests, that the most fun part was watching his guests try not to laugh at him. I didn’t know until much later that this was a parody of an actual sports telecaster!

 

 

Buh Weet Sings/Eddie Murphy

This is one of the classic sketches from the Murphy years. I couldn’t leave this without adding a second one from him. I remember knowing all the wrong words to the songs he was singing in this sketch. This was a parody of the little racist Sambo character from the original incarnation of The Little Rascals, called Our Gang, from the 50’s, and that was actually how the character spoke. Was it racist? Hell yes! Was Murphy’s  parody funny as shit? Hell yes!

 

 

Honorable Mention

Billie Crystal’s Clueless Talk Show host of Fernando’s Hideaway, who somehow managed to get a hit song based on this famous catchphrase:

 

Top Five Guest Stars

Christopher Walken

 

Alec Baldwin

 

Jeff Goldblum

 

Justin Timberlake

 

Tom Hanks

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Yep! I Saw It On YouTube

I’ve kept my posting light this week, because its too hot to concentrate on stuff, and I’d been prepping to do some cooking and grilling for the fam this week. Mom and I have got this thing down, where she does the prep work and I do the grilling and checking.

So here are a bunch of videos that gave me a happy this week, and one that didn’t!

 

The Mighty Grand Piton

I can’t wait to see what this is about! Do you know how many Giant Robo cartoons there are out there featuring little Black girls, set in the Caribbean?

That’s right! None! Plus I just like saying the name Mighty Grand Piton!

So right now, I think this show is only in the pilot or planning stages.

https://www.thelineanimation.com/work/the-mighty-grand-piton

 

 

Eugene Lee Yang (From Youtube’s The Try Guys):Coming Out 

Last week, Eugene Yang came out. I mean we all sorta guessed, but its my understanding that coming out isn’t about our feelings, its about the feeling of the person doing the outing. So this was his big public coming out, and he had some things he wanted to get off his chest about that, so he directed and produced this video, and its just beautiful.

In the following video, he talks about the process of choreographing and designing it.

 

Look Behind You

I’m not gonna say this made me happy, but it was deliciously scary, and I highly recommend Brian Coldrick’s book, on which these images are based. Its called Behind You, and is a great Halloween gift, if you’re into that sort of thing.

 

 

Doctor Sleep

Doctor Sleep is based on the Stephen King book, of course, and is a sequel to The Shining. Here Danny Torrance, (ewan McGregor) is all grown up, but is still trying to master his psychic visions, while working in a nursing home. He gets  drawn into a psychic battle between a little girl named Abra, and a group of psychic vampires called The True Knot.

I did enjoy the book on this, although I wouldn’t classify it as one of my favorite King novels. The movie looks promising, and the director looks as if he’s taken some care with the adaptation, but I don’t know if I’ll be seeing it in the theater.

 

 

Itsy Bitsy

See, its movies like this that give spiders a bad name. Its just straight up spider bigotry is what it is (said by someone with who does not have even a healthy amount of arachnophobia.)

 

 

Carnival Row

I love the visuals in this, and I will probably watch it. I know nothing about this except its airing on Amazon Prime, sometime this year. I love “Urban” Urban Fantasy, and this looks gorgeous, and intriguing, and, as far as I know, is an original story, starring Carla Delevingne, and Orlando Bloom ( who is looking gritty and unrecognizable). Its a serial killer/detective story, with mythological creatures immigrating to America, to escape some type of war, and looks like its set in the early 20th century.

 

 

Undone

Amazon is getting all interesting and shit this year. I don’t know if the same guys are behind this TV series, but it heavily reminds me of A Scanner Darkly, which was an animated movie about philosophy, which starred Keanu Reeves, and looked a lot like this. Here, Rosa Salazar, from Battle Angel Alita, experiences  some trippy, “timey-wimey”, visions, after a car accident. I will defintiely check out the first episode but I wont guarantee I’ll keep watching it. When TV shows start to get too trippy, , like Legion, I have a hard time mentally processing them.

 

 

Ready or Not

For some reason, I’ve already fallen in love with this movie. The idea that you need to audition to get married into this family, by surviving them trying to kill you, is hilarious. It also has a Cabin in the Woods type feel, in that I think the family members are on a schedule, where they have to kill you, or something really bad happens to them. Also, I just find the idea of killer brides, to be deeply funny.

 

 

Knives Out

This movie has the same flavor as Ready or Not, but with the feel of an Agatha Christie novel, starring all my favorite actors. I once mentioned to a friend of mine that  all horror movies could be boiled down to the plot of Ten Little Indians, which is basically, put a bunch of people in a space they can’t escape from, and start killing them. This looks more like a traditional whodunnit, with humor added, and check out Chris Evans being an asshole, Post-Captain America!

 

 

Jacob’s Ladder

The original Jacob’s ladder ttotally freaked me out, but only because of its novelty. I dont think you can reproduce that feeling here for people who saw the first movie, but the idea of a Black version of it never occurred to me. I guess this is the age of Balck people as the stars of horror movies now, thanks to Jordan Peele. Everyone wants to try to capture that magic of seeing us in new and different roles, and not all of these movies are going to be successful. This doesn’t look as scary as the original. but it does look intriguing. Incidentally, there is a whole thing where movies starring White casts, got remade with all Black casts, so this isn’t a new thing.

The movie does have two things going for it: Michael Ealy, and Nichole Beharrie, who both come with their own, but different, built in, fanbases.

 

Nope!

Charlie’s Angels 

I’m so disappointed I’m not even gonna subject you to this trailer. If you wanna see it, you’re gonna have to punish yourself. I really did expect better.

Instead, why don’t we do a refreshing throwback to some  90s, R&B, with one of my favorite videos from TLC:

My Favorite MadTV Characters

Now for something a little more fun.

MadTV was one of my all-time favorite comedy sketch shows, and it was definitely for the characters, who were often as nerve-wracking as they were funny. You wanted to punch them just as much as laugh at them, which certainly makes for memorable characters.

I was, and still am, a huge fan of Mad Magazine, which this show was loosely based on. It aired for 12 seasons on the Fox Network, with a brief revival for its 20th anniversary, in 2015. From the beginning, the show was inclusive, with a number of Black female comedians, something which SNL, a show I genuinely liked, had never done. Some of the most notable comedians were Keegan Michael Key, Jordan Peele, Orlando Jones, Phil Lamarr, Nicole Sullivan, Debra Wilson, Will Sasso, and  Michael McDonald.

The Vancome Lady – Nicole Sullivan

The character most people remember, and the woman voted most likely to get the shit slapped out of her at a party, she was just mean for no fucking reason. She  had an evil, snide, or  sarcastic, comment for everyone she met. It wasn’t just her sarcasm that endeared her,  watching her occasionally get her comeuppance was always fun, too.

 

Ms. Swann – Alex Borstein

For all the clueless characters created for this show Ms. Swann was the most. Or was she? Every now and then, she would show a sly sense of humor, as if to say she knew what she was saying, or doing, was ridiculous, and why are you even paying attention to her.

 

Bunifa  Latifah Halifah Sharifah Jackson – Debra Wilson

What was so funny about this character, wasn’t just the multiple names, but that I actually knew women like this.  They were funny as hell, great to have as friends, horrible enemies, great at parties, and habitual liars.

 

The UPS Man – Phil Lamarr

This was one of the first characters I remember seeing on the show, and he was so weird, that I was intrigued enough to keep watching, week after week. I was just awed by the physicality of the actor. Incidentally, the actor who plays this character is Phil Lamarr, the voice of Samurai Jack, and  John Stewart/Green Lantern.

 

 

Java Man – Mr. McNer – Pat Kilbane

Java Man was not as easily remembered as some other characters, but he was one of the first characters I looked forward to seeing in each show. This man put other coffee addicts to shame. He was a coffee junkie, and it showed in all his twitchy glory. A lot of the comedians for the show were wonderful at physical comedy.

 

Leona Campbell – Stephanie Weir

Not a lot of people remember Leona, but she was one of my favorites. She seemed like she didn’t know what was going on,  but often questioned the ridiculousness of the American lifestyle, and always  managed to be entirely on point. Leona visiting the movie theater is one of my favorites. Stephanie Weir also played a lovely and imaginative little 8 year old girl named Dot, who loved tiny mittens and gum, and who was hated by her parents for not being a genius, like her twin sister.

 

Lorraine Swanson – Mo Collins

Lorraine is another one of my favorite characters. MadTV had a knack for creating some of the funniest, most annoying, characters that ever appeared on television, and Lorraine was at the top. She had some kind of throat clearing issue, that was constantly making her cough,usually in someone’s face, and was an indecisive know-nothing, know-it-all, that her foils always had to explain everything to.

 

 

Stewart Larkin – Michael James McDonald

Wow! This was very probably MadTV’s most famous character. The comedians of MadTV were utterly fearless, and they had no problems thoroughly humiliating themselves for a joke. If you remember nothing else about this show, you remember Stewart, and his hapless Mother, lamenting the fact that she was single, because his father left them on Tuesday. I just recently saw Mr. McDonald in the Ghostbusters reboot as a hysterical theater owner, so yeah, he’s still up and about..

 

Yvonne Criddle – Daniele Gaither

Yvonne was very possibly one of the most vindictive women on the planet and she was proud of it. Be careful if you slighted this woman, because her revenge would be totally disproportionate to anything you’d done. Accidentally throw leaves in her front yard, and you might find Child Services called to take away your children. Take her parking space at the Home Depot, and she would try to run you off a cliff afterwards.

Sitcoms Have Always Been Political

 

This essay was inspired by a conversation on Tumblr, where an anonymous poster opined that sitcoms were too political these days, and that he wanted to watch them without politics.  I found this declaration to be not just deeply funny, but  disgracefully ignorant of the history of sitcoms. There are plenty of sitcoms that have existed, and air today, that have no political message to them, but many sitcoms have always had political components, and social messages and comedy have always been good bedfellows, from Saturday Night Live, to In Living Color, to Key & Peele.

There are those shows where not every episode deals with social issues, but plenty of sitcoms addressed specific issues during their run, and some of them were political, not because they discussed social issues, but because their very existence was a political act.

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The most famous political sitcom, that didn’t appear to be about politics, also had a somewhat disingenuous title.  All In The Family aired from 1971 to 1979. It starred Carrol O’ Connor, as Archie Bunker, a close-minded and racist bigot who liked to wax nostalgic about the good ol’ days, with his sweet tempered wife Edith, his more emotionally evolved daughter, Gloria, and her counterculture husband, Michael Stivic, who often butted heads with Archie’s ignorance.

While the show didn’t appear to be a political or social justice show, it managed to  disseminate a lot of social concepts through Michael and Gloria’s arguments with Archie. Archie gave voice to a lot of the status quo bigotry of the time, and Gloria and Michael’s job on the show was to refute his ignorant statements about gays, blacks, and women.  The show often put Archie in situations with gays, Blacks, and women, that would require him to question his long held beliefs, or realize the falsity of them. Over the course of the series eight year run, Archie slowly begins to change his views on a lot of issues. But this is not a show about redemption. The point was to show how people evolve in their thinking over time, and to provide counter arguments to a lot of the types of discussions that were actually happening in people’s homes at the time. All in the family gave birth to several spinoffs, including the openly feminist show, Maude, which starred Bea Arthur, of Golden Girls fame. Maude discussed every social issue of the time, from homosexuality, to women’s rights, as Maude spent the bulk of the show butting heads with her apathetic husband, and openly bigoted neighbor.

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SOAP aired for three years, from 1977 to 1981, and included in one of its many storylines, the  life of one Jodi Dallas, an openly gay man, played by Billy Crystal. The show was groundbreaking because this was one of the first times a gay character had been prominently featured in a sitcom, where the humor wasn’t centered around making fun of his sexuality. In fact, Jodi’s “gayness” was handled very sensitively. His character was treated with a certain amount of respect by the writers, and while some of the characters disrespected Jodi, the other marginalized character in the show, a butler named Benson, always treated Jodi with respect. The bullying of any of the other characters was always met with disapproval, and Jodi knew how to defend himself, thereby getting the best lines, and often, the last word.

The show Benson was a spinoff starring the butler of SOAP, played by Robert Guillaume. While not, specifically, a Black show, there was no doubt Guillaume was the star of the show, which declared its liberal status by showcasing Guillaume’s great comedic timing, with Bensons’ sarcastic remarks to his clueless employers.

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The Mary Tyler Moore Show came right on the tail end of the first feminist movement,  and the cusp of the second, and aired from 1970 to 1977. Mary Tyler Moore, fresh off her fame on the Dick Van Dyke show, starred as herself, while navigating life as a single working girl in Minneapolis. The show was groundbreaking in showing an unmarried, woman without children, who was focused on her career.  The show tackled such issues as pre-marital sex, homosexuality, women’s working conditions, sexual harassment, and low wages , and did so while being realistically down to earth, and very funny.

It produced two spinoffs, Rhoda, about Mary’s upstairs neighbor, and Lou Grant, Mary’s boss. It also paved the way for other feminist shows about women tackling life in the big city, like Golden Girls, Designing Women, Maude, Laverne and Shirley, and Murphy Brown, all shows that had political components, and tackled many of the same issues that had been discussed on The Mary Tyler Moore Show. Few of the shows relied  on wacky situations for their humor, but on realistic situations, while putting wacky, and irreverent characters together to see how they’d interact. Sitcoms aimed  at and about only women became a staple of the genre, and the creators would take full advantage of that to discuss the pressing issues of the day.

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If The Mary Tyler Moore Show was about a young single girl in the city, Golden Girls looked at the opposite end of the spectrum, with four retired, single senior citizens sharing a house together in Miami. The show  lasted from 1985 to 1992, and tackled such topics as homosexuality, aging, and living and loving as a senior citizen. It won several awards including a number of  Emmys, Golden Globes, and People’s Choice awards. Not every show was about being old, but the show was political just by existing, since it was a rarity at the time to have female senior citizens as stars in their own  shows then.

The list of feminist shows was not limited to White women. There were plenty of shows that had feminist messages which starred women of color. Shows like Living Single, about a group of Black women living single in the city, which was the template for Friends, and the forerunner to Sex and the City, Moesha which starred Pop singer Brandy, A Different World, a spinoff of the Cosby Show, about the eldest daughter’s adventures at a well known HBCU, and even shows for teenage girls, like Disney’s That’s So Raven.  These are shows that would have been considered political without the feminist messages, as they were about Black women’s lived experiences as Black women.

No list of politics in sitcoms would be complete without mentioning  M.A.S.H., based on the 1970 movie of the same name, (about the Vietnam War), the series was set during the Korean War, and understood by both the audience, and its creators, that all of its ideology was about Vietnam, and war in general. The series aired from 1972 to 1983. One of the creators of the series, Alan Alda was an out liberal, and made that clear in his character, Hawkeye, who often disparaged the war, and occasionally spoke on issues of feminism, race, anti-semitism, and religion, and was not above being called out on his own prejudices, like sexism. The show was nominated for over 100 awards during its run, and is still, decades after its final episode, one of the most beloved sitcoms in American television.

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By their very nature, just about any show that has a cast of color will be a show about politics, or contain social messages. Not all of the episodes on the show are political, but sometimes, just showing people of color going about their daily lives, living, loving, laughing, and working, will show that the personal is sometimes the political. For people of color, and other marginalized identities, our very existence can become a social justice issue. Shows like The Cosby Show, Fresh Prince of Bel-Aire, and Living Single, were groundbreaking in the 80s and 90s because of their rarity. How rare? Julia, starring Diahanne Carroll, first aired in 1968, and was notable for having a Black actress, as the lead, in a non-stereotypical role. She played a nurse, who was a single Mom,  two years before The Mary Tyler Moore Show, and like a lot of other shows starring people of color, it was appropriated to be consumed by White audiences, since it was believed that White audiences didn’t want to watch shows with an all PoC cast, even though the popularity of The Jeffersons, a spinoff of The Archie Bunker Show, and The Cosby Show, during the 80s, made that belief to be false.

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In fact, almost all shows which starred PoC as the leads in the cast, tackled social justice issues, at one time or another, and managed to do so, while being fun and funny,  without becoming too heavy handed about it, although they did occasionally get a little preachy. In the 80s, The Jeffersons, which was a spinoff of All In The Family, the theme was  the upward mobility of the Black Middle Class, which was a turnabout on the theme of Black poverty in the shows Good Times and Sanford and Sons, in the 70s, which later evolved into  the working class themes of Whats Happening. All of these set the stage for the comfortable, Middle Class respectability of The Cosby Show. Surprisingly, a lot of these early show were written by a White man, Norman Lear.

The Cosby family didn’t sit around talking about the important issues of the day, but just showed their lives, as the family lived it. They were  fully immersed in Black culture, often discussing books, music, and movies, that were of interest to their Black audience,  thereby giving the White people who watched the show little glimpses into what the ordinary life of a Black family might be like, while dealing with universal issues like navigating the family/work dynamic, and sending the kids to college. In fact, the Cosby Show was a kind of corollary to Roeseanne, which addressed a lot of the same issues, but from the point of view of a working class White family, a viewpoint which is also a rarity in sitcoms.

There are also all the shows that may not seem as if they are political, but because they star people of color, they become political by association with some current issue, such as Brooklyn 99, which has tackled the issue of bisexuality by having one of its lead characters come out on the show, stars a gay Black cop and his White partner, and even addressed police profiling; One Day At A Time, about the life and loves of a Latina single mother, her lesbian daughter, and the daughter’s non-binary love interest; Fresh Of the Boat, which deals with issues in the Asian immigrant community; and Insecure, a callback to the original Julia, about the love life of an awkward Black woman living in the big city. There is Black*ish, Grown*ish, Speechless, Dear White People, She’s Gotta have It, based on Spike Lee’s movie of the same name, and Bob’s Burgers, all shows told from a different viewpoint than the usual.

For someone to complain that sitcoms never used to be political is evidence of a profound lack of knowledge about the history of the genre. Sitcoms have always addressed the politics of the times in which they were created. To be sure there are plenty of sitcoms that have nothing to do with politics, which are quite popular, and there’s nothing wrong with liking them. There’s a sitcom out there for everyone, from the deeply political Veep, to the blatantly silly Archer.

But some of us enjoy the politics, which is why so many of  these sitcoms are incredibly popular.

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