This questionnaire was featured on Tumblr, and I don’t usually make long posts there, so I decided to transfer it here and answer. This is an update for a post I did waay back in 2018. Things have changed a lot since then so it’s time for a revisit.
1. Do you knit or crochet or both?
Both. I started crocheting when I was a child and I was taught by a neighbor who was one of my Mom’s best friends. I got away from crocheting after I focused my artistic talents on drawing and painting, for a couple of decades. I picked it up again several years ago and a couple of years after that I taught myself to knit by watching Youtube videos.
2. What’s your favorite yarn brand?
My all-time favorite yarn brand is Malabrigo Worsted, closely followed by Madelinetosh Vintage and DK. There’s also Malabrigo Washted which is a real joy to work with.
3. What’s your favorite fiber?
I will work with almost any fiber, but I prefer pure wool. My second favorite would be some of the wool silk blends and the more affordable Alpaca yarns.
4. Do you prefer neutral tones, jewel tones, or earth tones?
I like earth tones but I am always first attracted to jewel tones. I’m partial to garnet reds, deep purples, and dark blues and will always buy those first. I only buy neutral tones for a specific project.
5. Describe/ show pictures of your favorite project?
I just learned how to do brioche knitting, so my favorite project is a cowl I knitted for a friend in dark blue wool and rainbow Crystal Palace Danube, which has since been discontinued. I must have frogged it about five or six times, but eventually, I got it. My friend loved it.
6. How many WIPs do you have?
I’m working on maybe five or six projects right now. At least three sweaters are on the needles, along with some baby booties and a poncho for my younger sister, a hat, and oddly, a dickey for myself, which I know I’m going to need for Fall.
7. What’s your go-to needle/hook size(s)?
I prefer working with size 6, 7, and 8 knitting needles. I prefer circular needles to straight ones, but that doesn’t mean I’ve thrown out all my straight needles.
8. What’s your favorite yarn weight(s)?
I prefer worsted weights worked on size 7 needles. I’ve decided I’m not into smaller weights of yarn. Anything smaller than Sport yarn is just frustrating for me.
9. Favorite place to shop for yarn?
Online, usually at Loveknitting, but I’ve found quite a few good places to buy discounted yarns.
10. Do you like to knit/crochet in public?
I don’t like to do either in public, because curious people always want to talk to me, and while I love their curiosity, I’m not any good at talking to strangers.
11. What’s the most outrageous thing someone’s asked you to make for them?
So far, I’ve not had any outrageous requests. Most people stick with scarves and hats and mittens. I will no longer make any of these things for my nieces and nephew because they keep losing the items and that’s a waste of yarn! I was recently asked by my nephew to make him a sweater though.
12. Do you have an Etsy shop?
Nope. I have no plans to do so in the near future but that could change.
13. Do you like to watch TV while you craft? If so, what’s your favorite program?
I like to binge TV series on Netflix or Hulu while I knit. Sometimes, I’ll choose a fun but mindless Action or Horror movie that I’ve already seen a dozen times. I don’t pick something that requires too much mental involvement.
14. What type of music do you listen to when you craft?
I like listening to Chillhop, or ambient new age stuff. Unfortunately, there is a danger of falling asleep to that. I have better luck with audiobooks, especially if they are read by men with British accents.
15. Are you a fast or slow knitter/crocheter?
I can crochet pretty fast and I’ve gotten a lot faster at knitting but I’m still not particularly fast at it.
16. How long have you been knitting/crocheting?
About maybe 7 or 8 years of crochet, and perhaps 4 or 5 years of knitting.
17. Do you do any other crafts?
I was a professional artist for nearly twenty years, (pencils, and watercolor fantasy illustration). I have a smattering of other skills like pottery and weaving, that I learned in the couple of schools I attended. I also grew up in a house where arts and crafts were highly encouraged.
18. What is on your knit/crochet wishlist?
I just have different types of yarns I want to work with, like cashmere blends and the highly expensive Qivut. I’ve heard a lot about it and would like to work with it sometime.
19. Do you prefer printed or PDF patterns?
I like to use both. When I’m studying a pattern, in the pre-stages, I like to refer to the print version, but when I’m actually working on a pattern, I prefer a PDF.
20. How do you work?
My ideal setup is to grab a cup of tea, (iced or hot), set up my iPad to play an audiobook, pull up a pdf, and get started. I prefer this setup, but I’ve also done a lot of knitting in hospitals and doctor’s offices.
23. How do you plan a project?
I usually buy the yarn first, and then find a project to match it. Like most knitters and crocheters I have a giant stash of yarn, some of which I have no particular plans for, but the yarn looked really pretty.
Hey, we got a bunch of exciting new trailers that recently dropped so let’s check them out! Which ones are you looking forward to, and why. Let me know in the comments!
Jurassic World: Dominion
This is such a great trailer for the movie. I would watch an entire season of short snippets of people coping with dinosaurs, so I’m really excited to watch this. I hope it’s a really good movie because this was the kind of stuff I used to imagine when I was a kid and I don’t want to walk out of the theater disappointed.
Wow! I mean just think about it! What if dinosaurs existed at the same time as modern humans? We’d have to take the good (incredible images and photos) with the bad (possibly being eaten). What if you lived in a place with a dinosaur infestation? What would your insurance be like? How would you explain being late for work because there were some triceratopsians blocking the freeway? What if the local pack of herbivores showed up in your backyard and ate your flower garden? And let’s be honest here, there is a part of me that thinks watching human beings be menaced by giant predators is just deeply entertaining.
Incidentally, if you like this video there’s a trilogy of books by James David called Footprints of Thunder that has this same plot, with dinosaurs having made it into the modern world through a time rift! Not sure if it’s still in print but if you can find some copies, check them out.
As I mentioned before, my youngest niece and nephew have already decided we’re going to see this film, and I believe in shamelessly indulging their interests. My Millennial sister likes dinosaurs too, so I hope to turn this into a full family affair, (although my oldest niece may miss out because of work).
Okay, I have no intention of watching this. I watched all 15 years of Supernatural and I have no more taste for their story. I stuck it out to the end, and have moved on. More than likely this is an appeal to a younger generation of supernatural fans who while they may have watched the old episodes, are probably more likely to watch this than those of us who sat through 15 seasons of the original series. The actors are all very pretty but I don’t know any of them and I don’t want to supplant any of my memories of the original with any images from this one, so I’m going to pass on it.
But I know there are some people who are greatly interested in this, so I’m giving y’all a heads up in case you hadn’t heard the news.
The Umbrella Academy
I am very excited about this series and I’m really looking forward to the season three premiere. If you haven’t seen the first two seasons, I implore you to check it out. There will be at least one character you will fall in love with. I thought the character I would love the most was Klaus, who acts like a free spirit but is mostly traumatized by his ability to speak to the dead, and so self medicates. To my surprise, my favorite character turned out to be Number Five, an old man in a child’s body (due to time mishap) and who is the smartest sibling along with being a complete badass.
But this series is notable for having Eliot Page. Eliot came out as non-binary transgender last year and everyone was wondering how the character he played on screen in seasons one and two would be treated in the story. It appears that the character has also come out as transgender since the writers changed the name of the character from Vanya to Victor. Hopefully, Victor won’t try to destroy the world again as they did in the first two seasons. See how new this is. This is something that so different from what we’re used to that I don’t even know how to talk about a fictional character. How do I talk about Vanya? Is it deadnaming to talk about her since the new character is named Victor? And is it okay because she’s fictional? Somebody help!
I was a huge fan of the Jim Byrne run of the She-Hulk comic series, and I love what they’re doing here with the character. They seem to have perfectly captured the sensibility and mood of the books and now I’m looking forward to this. It looks fun and funny. I love how they made her a sexual being with appetites who makes it clear that she wants what she wants. The comic book version was often sexy and sassy, with a lot of snark and attitude, and yeah, Bruce Banner is indeed her cousin.
All that aside, I do hate the CGI. It looks awful and cheap and simply not up to Disney standards. The face is just wrong, especially in her Hulked-out state, and her body looks too thin, and not very muscular, which is a real problem I have with female characters who are supposed to have super strength but whose arms look like twigs. I hope they correct all this by the time the series airs. (Note: Jane Thor and King Valkyrie have just the right amount of muscle for such characters).
Note: I read that the CGI has been upgraded to look a bit better, so I checked it out, and the trailer was improved a bit. She looks more muscular than before, but her face still looks a little bit off to me. It’s not as bad as in the original trailer though.
I have not read the Neil Gaiman comic books on which this series is based, something I plan to correct before the series airs in August. Since I am only passingly familiar with The Endless, I don’t know enough to be really excited about this, but so far, I like what I see, and I’m looking forward to reading the books, and watching the show.
But, whether or not I watch this also depends greatly on what else will be out at the time. Sometimes I have every intention of watching some show or movie, and then I don’t, or only watch some of it, not because it’s bad or anything, not because I’m bored, but because it’s sometimes hard for me to keep up the momentum, which has been stolen by another series. But even if I don’t watch the series, I intend to refresh myself with the books, which I haven’t even glanced at since I was a young’un.
New Thor 2 Trailer
Well, I already had plans to see this. Yeah, I’m an MCU fan and no shame in that, because I go to the movies to have fun and adventures, and MCU films deliver every single time. If I’m gonna spend that much money to be entertained I want it to be worth it. (Yeah, I’m not going to pay the cost of birthing a child in the US to watch a movie about pain and tragedy, unless it’s by Martin Scorcese.)
One of the primary reasons I love Taika Waititi (the director) is his ability, almost his compulsion, to take famous characters, sometimes famously evil ones, and deconstruct them, making them human and relatable, while never denying they’re not actually good people. He did this with vampires, Hitler, pirates, and superheroes, and he’s done the same thing for Thor, and I find it a really interesting habit. I’m gonna have to talk about that some more in another post.
So, yeah I’m looking forward to his interpretation of Jane Thor, King Valkyrie, and this new villain, Ghorr the Godslayer, who is played by Christian Bale.
Mission Impossible: Dead Reckoning
Okay, these actors are starting to get up there in years, (except for Rebecca Ferguson, who I believe might be a vampire), but I don’t care. The Mission Impossible franchise consistently hits it out of the park in the Action genre, and you have the usual required scenes of Tom Cruise jumping onto something while clenching a woman, and running really fast somewhere. I’m probably not going to see this in the theater because it’s simply not on my list of movies to watch this Summer. My mom used to throw my whole watchlist into disarray every year, but fortunately, I can dictate to my sister’s kids, and they kinda have to go along with my tastes if they wanna eat free popcorn.
I don’t actually have much to say about this trailer except the Action doesn’t look as wild and crazy as it has in previous films, but maybe they’re just holding back on those images, and when you’re sitting in the theater you’ll get that familiar sensation of your stomach dropping down to your knees, and you’ll clench the arms of your seat in terror, and paying five thousand dollars to see it will have been worth it.
I don’t normally engage in a whole lot of nostalgia, but for this movie, I will make an exception! The original movie was released in the 80s, and when it was available for TV, I remember watching it multiple times. It’s been thirty+ years and we have a sequel television series. As soon as I heard there was a trailer for this, my mind started playing the John Williams theme from the original. Yep, I still fondly remember that.
The reason the movie was so special to me was because of Warwick Davis. He was my first exposure to a dwarf actor, and I thought he was very handsome and very charming. In the movie, he is tasked with the care of a tiny baby girl that is the “chosen one”, But the movie isn’t about her, because she’s, like, one year old and has no speaking parts, so much as the hero’s journey of Davis’ character, Willow. It’s a little bit of a remix of Snow White, and surprisingly progressive for its time, with a woman warrior character and an evil Queen.
This sequel happens many years later and the “baby” is an adult, and Willow and some companions have been called to save their world again. The original was also my first real exposure to High Fantasy that I actually liked, as I was mostly indifferent to these types of books and movies, and most of them made no impression on me. But Willow snuck in and got to me, and I’m obviously going to have to do a deep dive before this series release!
I’m looking forward to it because it looks like a lot of fun and the nostalgia factor really kicked my ass while watching this!
Despite that I’ve watched almost none of the movies, I do love a good horror series with lots of monsters, so I’m looking forward to this series. I’m not enthusiastic exactly, but anytime I’m watching a trailer, and I am sitting on the edge of my seat or just nope the fuck out (the giant spider scene), it’s definitely worth checking it out. so zombies, spiders, chainsaws, Black women being included in the story? I’m in!
I am glad to see more Black girls and women being involved in fantasy and horror movies and series. For the longest time, at least since the seventies, the existence of Black women as an audience that could be pandered to was not a thing. There’s nothing wrong with being pandered to in a narrative, despite the fact that straight white male audiences want to turn it into a dirty word, which is really ironic since for the past seventy years they have been the ones being pandered to by every form of entertainment media that existed.
Creators, almost all of whom were white men, literally didn’t think about other groups of people, in fact making it expressly clear that white men, between the ages of 15 and 35, was the ideal audience they were chasing after, and there is a contingent of online assholery that actually wants to go back to a time when we were considered nothing but maids, slaves, and servants to be abused in whatever stories we were in (hence the current online trolling of Black actresses who happen to find work in these genres). I’m glad to see these creators and writers remembering that WoC watch shit too, recognize that we also have money and choices, are willing to chase after PoC for their money, and that we want to see ourselves in these narratives as heroes and villains. Putting that message out into the world is one of the primary reasons I started this blog.
So yeah, I’m excited to see a Black girl in this series who is apparently being a total bad ass.
I am a really huge fan of Lost World type movies, and my personal favorite is Cloudy with a Chance of Meatballs 2. I just love watching movies about goopy aliens, monsters, and weird environments and this looks like hella fun, plus it’s got this retro-vibe that I find aesthetically appealing. I don’t normally watch a lot of the kid’s stuff on Disney, and I don’t go to those type of movies anymore (cuz I don’t have that kind of money), but I would pay money to go see this. I think it’s just going to be on the Disney+ app though which has more than shown it’s worth in the series Wandavision, Hawkeye, Moon Knight, and a bunch of movies and documentaries.
I’m not sure how I feel about the characters, because as I said many times, it’s not just a plot or some imagery that pulls me into something. It’s got to have at least one or two characters I’m drawn to, although the characters do look really cute! I didn’t see much of their personalities in this trailer so I don’t know what to think of them yet, (and although the pilot looks appealing, it doesn’t mean I will like her) but the trailer looks like weird goopy fun, which is enough of an attraction for me, I guess. It’ll get a look-see.
And finally there’s this gem, starring Ralph, Fiennes, and one of my favorite new actresses, who I hope will be around for a good long while, Anya Taylor-Joy! I have the feeling this movie is about one of my favorite topics, cannibalism, and I’m always up for a good humans eating humans movie, especially if it’s an “eat the rich” story. I only just heard of this movie, so I don’t have a lot of knowledge beyond the visuals, but I will probably watch this when it streams.
I have no idea why Youtube recommends certain types of videos to me. Sometimes it will recommend things to me from over ten years ago that are not based on anything I’ve been watching recently. I normally don’t search for music videos on Youtube, but I guess this was rec’d to me because of the music post I made before, with none of those videos having anything to do with this type of music, so there’s that…
Not that I don’t like this video. I just think it’s weird that it would recommend Indigenous Rock music, seemingly out of nowhere. I love the clothing (those coats are awesome!) and attitude though, although I’m not too impressed by the actual music. At least it’s upbeat. If this is your bag though, then go for it.
Okay, I was trying to find movies directed by George Plympton and I got nothing until several weeks later and this was Youtube’s answer. I liked this a lot (it’s deeply funny) but I wonder why it couldn’t have given me this video at the time I asked for it.
Plympton’s videos are always very silly and I enjoyed this one.
Just note, I think this video is incredibly funny, but I’m not sure why this was recommended to me at the time it was (a few weeks ago). Okay, I do search for animated shorts like this every year in October, but Halloween was months ago and I don’t recall asking for anything like this recently. There seems to be a significant lag time between what I ask for and what gets recommended. Or maybe the video simply didn’t exist back when I asked for something like it.
This one really resonated with me because there have been times when highly extroverted people latched onto me and determined that we were going to be friends regardless of what I wanted. Not that I didn’t appreciate their friendship but I do understand this lady’s predicament.
This is one of Denis Villeneuve’s weirdest films. I still don’t completely understand what’s going on here, but I enjoyed it, and it probably needs to be made into a movie. I do know why this was recommended to me though. It’s the interaction between requesting short horror films, watching all of the Bladerunner short films, and Villeneuve’s interviews.
I will unashamedly admit to watching cat videos, I generally enjoy most of them, and recently searched for some. So why Youtube decided to offer me tiny goat videos is a mystery. Not that these weren’t fun to watch (and now I want a dwarf goat). I don’t know how or why Youtube makes some choices, although I suspect a bunch of other people also watched cat videos and then searched for tiny goat videos and Youtube thought I might like some too.
For the record, I have never requested tiny goat videos.
Here is part two of my non-comprehensive list of Monstrology, The New School, although some of these aren’t so much new as updates of some of the classic monsters. I mostly tried to stick with monsters from the late 20th century, from the 70s to now, so some monsters won’t get mentioned, like the tripods from the original War of the Worlds because it hails from the 1950s, and there is a notable atomic theme in there, and the updated remake doesn’t quite qualify as new because it’s just the same monster. However, Invasion of the Bodysnatchers gets mentioned in the new monster category even though the original film was released in the 50s, because each subsequent remake adopts new scientific knowledge about how the invasion might occur. If you’re looking for consistency, my mind isn’t the place to find it!
The criteria my brain used for making these lists was a broad combination of form and intent. There are monsters that have a very specific intent,(like possession, or mimicry) and some have the same intent of all the other monsters, just in an unusual form, so that means I have left out a lot of monstrous creatures from these lists. If you don’t see your favorite monster that doesn’t mean I didn’t like or didn’t know about it. It just means I ran out of room to mention it. Like I said, this isn’t a comprehensive list but there are a lot of my favorites.
The New School:Devourers
These monsters are not regular animals grown to large size, like the ones in the 50s. They’re smaller, faster, and in some cases, slightly more intelligent than their kaiju brothers, which makes them capable of reaching into smaller, more intimate spaces, like people’s homes, to actively hunt their prey. I’m also going to add to this list the more human-like predators, like the rural-style cannibals that look more or less human but are often twisted and deformed because of environmental factors, and a few alien invaders. These aren’t the kind that lurk in caves, and lie underground and wait, on the off-chance, that some humans might drop in but we’ll talk about those in a minute. These are the kind that actively stalk and occasionally eat humans in broad daylight. They’re not shy or taking any chances about finding their next meal.
The poster children for this type of monster are the creatures from Tremors, released in 1990 and starring Kevin Bacon, Fred Ward, and Reba McEntire. These monsters come from underground and hunt their prey through sound, meaning any vibrations made on the ground will attract their attention.They’re also pretty smart, learning from their fellow monster’s mistakes, which requires humans to be inventive in dispatching them. The characters in the film had the bright idea to call them Graboids, and the movie was so popular that it spawned an entire franchise of sequels, most of them starring Michael Gross (Yes, the guy from the Family Ties sitcom) as Burt Gummer, a crackpot survivalist. Not all of the movies are any good but all of them try their best to be as much fun as the original.
In the same vein is the 2012 movie Grabbers, which feels like a comedic cross between Aliens and Tremors. Set in Ireland, the movie pokes fun at Irish drinking habits because drunkenness makes humans taste bad. The heroes of the movie spend their time trying to keep the inhabitants of their small town drunk enough to save them from being eaten. In another alien invasion movie are the Quiet Place monsters, who don’t appear to eat people but nevertheless stalk and kill them in using the same method as the Graboids from Tremors, sound. It’s possible for the Quiet Place alien monsters to go into their own category but I decided they belong here because not all alien invasions are the same, and my brain slotted these here because these monsters seem to have no other motive. They’re not trying to take over the planet or replace humanity or anything. In fact, The Quiet Place monsters seemed to have landed on Earth by accident, unlike the Martians from War of the Worlds who came with a specific intent. But this does include the aliens from Pitch Black., though. Yeah, humans dropped into their environment by accident but they do actively hunt and eat people.
One of the newer popular monsters (popular in the last thirty years) is the Wendigo, a creature of Algonquin folklore, a gluttonous spirit that was once human but has been corrupted by cannibalism to always feed on human flesh. Normally this monster abides in forests and out-of-the-way places, as in the historical horror movie Ravenous, which deals with issues of colonialism, greed, and personal cowardice, as a group of American soldiers are possessed by the Wendigo. There are also a few of these films set in urban landscapes, like the 2021 film, Antlers, where a little boy is tasked to take care of his father and brother after they both become possessed after being bitten by one. The movie also addresses issues of poverty and child abuse.
Addressing cultural and social issues is kind of new thing too, at least since 1968s Night of the Living Dead, which set the stage for movies to be about more than just interpersonal relations. Before NOTLD, most Horror movies didn’t really discuss social issues like racism or domestic abuse, at least not much beyond anti-nuclear sentiment, or environmentalist issues, and seemed to focus almost entirely on the relationships between the characters.
There are also the modern-day cannibal mutants in the American Southwest, in The Hills Have Eyes. In some of these movies, the monsters are or were once human. We must also not forget the updated versions of vampires in movies like 30 Days of Night, and the highly infectious fast-moving modern zombies in movies like Train to Busan and 28 Days Later, and the deformed and infected zombies of the Resident Evil franchise. The sole purpose of a lot of these monsters is to devour people and that’s it. They are creatures with not much motive beyond procuring food.
The New School: Possessive Aliensand Parasites
There is an entire class of monsters that just want to be us, because humans are a great place to hide, or sometimes breed.
These are the body snatchers, and the shape-shifting memory thieves and these type of monsters did not appear until the mid-20th century and are usually based on scientific principles. The original bodysnatchers were human body thieves who stole cadavers from cemeteries, to meet the demands of the nascent English medical establishment, during the 1800s, and there are a few of these type of films made in the early 20th century. Later on, the term bodysnatcher came to mean something very different, a living being, or organism, that uses live human bodies as hosts.
I know some of you are thinking 1979’s Alien, and yes, that is one of them, but this actually began in 1956, with the movie adaptation of Albert Finney’s horror scifi novel, Invasion of the Bodysnatchers, in which infectious alien spores take over human bodies in a small California town. In the1978 remake, the spores would become more ambitious, taking over the city of San Francisco, then a military base in 1993, and eventually the entire world in 2007. Each remake gets updated with a new version of how the invasion and possession of the human body occurs.
In the original and 1978 versions, there are actual plant-like pods that grow imitations of human bodies, while in the 1993 movie Body Snatchers the possession of a human body takes the form of tentacles, and in the 2007 version, the possession occurs in the form of a contractable virus. The three early versions had human bodies be destroyed as the alien took over their consciousness, but in the last one, the bodies are not broken down to make a new plant-like body. In the new version the invason behaves like a virus that overwrites the mind of its host, so that it is possible for a person to be converted back to their original self, once the infection is destroyed.
Let’s not forget all of the many alien invasion movies that have a somewhat similar idea like 2018’s Annihilation,where a team of women are sent into a spreading patch of Earth that’s been taken over by an alien threat. There is 2019’s Assimilate, where a small town gets invaded by bodysnatcing aliens from a swamp, and 2013’s The World’s End, where humans get replaced with robot-like aliens during a pub crawl by some high school friends.
One of the most famous bodysnatching alien invasions films is John Carpenter’s gory 1982 remake of the 1951 movie,The Thing From Another World, which was based on John W. Campbell’s Who Goes There. Here, the alien consumes the entire person, after which it can mimic their form perfectly, with their knowledge and personality intact, thereby making it indistinguishable from the original person.
The Thing is notable because in the other body snatcher films, there is a noticeable emotional flattening that gives away the mimicry. Not so here. A mimicked person is completely indistinguishable from the person they were before, and there has been much argument among fans if a person knows if they are a Thing, and if so, are they truly dead. Unlike in 1979s Alien this isn’t a parasitic relationship, nor is it like some of the later versions of the bodysnatcher invasion where the human host isn’t destroyed, although The Thing’s invasion contains elements of the infection storyline. The human body is invaded and destroyed, with the person becoming another component of the alien mind, which possesses all of their knowledge and sense of self.
In Ridley Scott’s Alien, human bodies are used as incubators for alien young. Consuming humans isn’t the alien’s ultimate intent but I find it difficult to believe that the aliens don’t eat the leftovers. Many fans have likened this particular monster to Earth’s parasitic wasps, a creature which uses other insects as hosts for its young. Birthed from eggs this monster has a complicated three part lifecycle, which culminates in the implantation of yet another egg into a human body, and the eventual live birth of an alien, called appropriately enough, the chestburster.
As was said in the 1978 Invasion movie: Aliens don’t always need metal ships.
The New School: Possessive Ghosts and Demons
These are possessive monsters too, the only differences are they’re usually supernatural in origin, are non-corporeal entities, and aren’t so much interested in becoming someone, so much as being alive again. They’re non-corporeal beings that, hating their non-corporeal state, are looking for a physical shell in which to exist.
Possession films are a genuinely new category appearing for the first time in the late 60s/ early 70s. The Exorcist, released in 1972 was based on the book by Wm. Peter Blatty who claims that it’s based on the real story of an exorcism performed by the Catholic Church, and this paved the way for an entire sub-genre of film, with hundreds of ripoffs, lookalikes, and related miscellanea. Almost any movie starring Satanic rituals and/or demonic possession can be traced back to it, and/or 1968s Rosemary’s Baby. To be sure movies with a demonic theme existed long before The Exorcist, but it was this movie that set the template for all the possession movies that came afterward, including comedies like The Evil Dead, which spawned its on sub-sub-category. In fact, The Exorcist was so influential that most of the body horror imagery of demonic possession and exorcism has not changed in over forty years.
The Exorcist was a deeply controversial film at the time and I suspect that it, and Rosemary’s Baby set the stage for the Satanic panic of the 80s, since people had been imbibing a steady diet of demonic films all throughout the 70s, and which were often about Satanic conspiracies in otherwise innocuous jobs and communities. Movies like 1975’s The Devil’s Rain, 1978’s The Omen, its sequel, and 1973’s Satan’s School for Girls were set in small towns, the world of politics, and private schools, positing the idea that people who worshipped Satan could be found anywhere and everywhere, and appear quite innocent. (Actually, there were a helluva lot of movies with Satan in their titles during the 70s, so there’s that.) During the Satanic Panic the police formed whole units dedicated to deciphering satanic symbols and people actually went to prison on Satanic conspiracy charges.
The Evil Dead movies spawned an entire sub genre of its own during the 80s about people being possessed by demons and going on killing sprees in movies like 1985s Demons, and The Night of the Demons from 1988.
I should include haunted house movies since there is a common theme of incorporeal beings inhabiting a physical structure, but it’s a little bit different since hauntings mostly occur against the will of the haunters. They just happen to be stuck in a place they can’t leave. Even though the trope is a classic, there aren’t a whole lot of these types of movies in Hollywood’s early history. There is the 1927 Cat and the Canary, a couple of movies in the 40s, namely Rebecca by Alfred Hitchcock, and 1959s House on haunted Hill. So although there can be spirits possessing a person in such movies as 1983s Amityville 3D: The Demon, it’s not quite the same thing, and Haunted Houses are a much older trope.
The New School: Cellar Dwellers
These kinds of monsters are hidden in the out-of-the-way places where humans generally don’t make a home, like outer space, the desert, caves, sewers, and jungles. These monsters don’t normally go on the hunt for human beings unless they drop in uninvited. These are opportunistic predators that lie in wait, sometimes for centuries, for their prey to come to them. This is a relatively new sub-genre as there are only a handful of early films with this theme, like the 1925 Phantom of the Opera, and the 1959 Beast From Haunted Cave, in which a group of thieves flee into the jungle while being pursued by a giant spider creature.
I suppose one could add those Lost World-type movies, and even King Kong, but the primary goal of those type of movies is adventure. In Cellar Dweller films the primary goal of the monster is usually to eat people, or use them for some other reason, and there is a rich history of this type of film despite it having only really sprung up in the 80s, with movies about extra-large crocodiles, alligators, and various sea creatures coming out of the depths of wherever they were to terrorize. (Sea Creatures can be another sub-genre itself.)
Movies like Alligator from 1980 were based on the US urban legend that people were buying baby alligators as pets and flushing them into the sewers when they couldn’t take care of them. I am including movies where people are unsafe in watery conditions, with 1976’s Jaws setting the stage. These include all the Jaws ripoffs that have ever been made in its wake, like Lake Placid, Deep Star Six, Leviathan, Deep Rising, and the newest addition, Sea Fever. I didn’t include any of the Sharknado-style movies because I refuse to sit through one of those, and the point is humans usually have to encroach into the monster’s territory (the water), although according to such films, being on land is not a guarantee of safety either.
Cellar Dweller movies play on humanity’s innate claustrophobia, fear of the dark, and/or enclosed spaces that are not easily escaped. 1979s Alien set the stage by being the perfect Cellar Dweller movie with a group of people trapped in a spaceship while being picked off by a stealthy vicious creature. Since then there have been several standout movies of this sort, like the famous Descent films from 2005, where a group of women cave hikers are hunted by weird humanoid predators, and The Cave, where yet another group of cave explorers are hunted by some unnameable humanoid creatures. For some reason, there was a huge slate of these movies released in the early aughts. I’m not sure exactly what America was going through at that time but this was a very popular sub-genre.
And then we have the jungle dwellers, in movies like The Ritual where a Norse forest god menaces a group of hikers for the rather vague purpose of collecting worshipers. But there are also lots of reptiles grown to large size in the jungles, in movies like Anaconda, and Rogue Crocodile. I want to include some of the Predator films, since only one of those takes place in an urban environment. The rest are in the jungles and one is set in the Arctic, these are the kind of places that are just a little bit out of the way for a regular person, a person must actually travel to or through them. If you stick close to your urban home you may be able to avoid giant spiders, small spiders, small snakes, giant snakes, any monsters that live in lagoons, and giant rats that have grown to large size after eating The Food of the Gods.
My point is that by avoiding traveling to these places you may also avoid being eaten by jungle cannibals, killer shrews, and giant wasps and chickens. However, I cannot vouchsafe your safety if you live near a sewer system, or catacombs since things like demons, rat gods, giant roaches, regular size snakes, and other monsters are given access to your basements and toilets.
Humans battling against murderous machines are almost a staple of the genre in movies like The Terminator and Maximum Overdrive, but I’m classifying them as new monsters because this particular horror of technology is relatively new (about mid 20th century) and because there have been so many of these movies in the latter half of the 20th century that killer machines have become their own subgenre of Scifi Horror.
Horror Scifi started with the golem-like Frankenstein and fears of the robot revolution of 1927s Metropolis, but updated movie-making techniques have moved us beyond techno-paranoia to full-on technophobia. The machines aren’t simply going to rebel. They’re going to kill us all. From movies like 1999s The Matrix to Ex-Machina, from the alien style Virus, to the futuristic Saturn 3, murderous robots are not simply content to win their freedom from human bondage, but wipe out specific human beings and sometimes humanity altogether. I wrote about this topic for Medium, where I discussed where the foundation of this particular fear might have sprung.
The Slave Rebellion Genre (by Lakitha Tolbert)
White Hollywood loves slave rebellion movies starring robots, but starring Black people, not so much.
New and Weird
This category is the repository for all those monsters where there is simply no real classification and sometimes not even a name. They don’t make up a sub-genre, and are often stand-alone, without a franchise or sometimes even a comprehensive theme. Some of them don’t seem much interested in eating people even though they are inimical to human life, because hating, and/or killing humans seems to be their primary objective. Personally, I blame Stephen King for this as he has made an entire career out of making innocuous items terrifying.
Outside of masquerading as an innocent-looking object many of them don’t usually lurk or sneak, often committing their murderous behavior right out in the open where the victims can see them. They’ve basically got no chill, and tend to be the kinds of objects that are not commonly associated with killing people, or even being considered animated, like dolls, rubber tires, plants, shopping carts, donuts, and tomatoes, as a result, many of these types of films fall into the comedy spectrum, like Attack of the Killer Tomatoes, and yes I did indeed watch the exceptionally stupid Attack of the Killer Donuts.
No, I’m not talking about haunted dolls that cause supernatural mischief. Those belong directly in the Supernatural genre. I mean creatures like Richard Matheson’s murderous doll from 1975’s Trilogy of Terror, 1988’s Chucky, and the cast of Demonic Toys from 1992. This category applies to inanimate objects that come to life and try to kill and/or eat human beings. Sometimes they stalk their prey, imitating the template of the slasher film and sometimes they like to be a little more stealthy, but most of these beings and creatures don’t get that no one is supposed to be seeing them.
This type of movie is sometimes one that is genuinely scary for me because I have a thing about inanimate objects, that aren’t supposed to be moving, moving! In Trilogy of Terror Karen Black plays a woman named Amelia who buys a doll that proceeds to hunt her through her apartment. It’s not so much that it’s a killer doll that scares me, so much that the little thing is small, sneaky, and frighteningly intelligent. He is also appropriately named “He Who Kills”. I consider myself reasonably intelligent so part of the fun, and terror, of watching this movie is figuring out how I would outsmart such a thing. Yeah, I think I could take him. Not that I would ever want to, but I think I could.
This category includes movies such as Killer Klowns from Outer Space from 1988, about …guess what? A murderous conjoined twin in 1982’s Basketcase, Society from 1989 is a new take on the rich consuming the poor, Zombeavers from 2014 is a new take on, well…zombies, in Street Trash, the monster is a deadly bottle of liquor that melts its imbibers into puddles of goo, and sometimes, well sometimes, the monster is one’s parents, like the cannibal parents from1989s Parents, 2018’s Mom and Dad, where kids have to survive against their suddenly murderous parents..oh hell! Killer parents, siblings, and grandparents can probably all be part of their own sub-sub-genre! (No, The Shining doesn’t count because that’s a Haunted House movie!) There are also a whole host of movies that feature randomly possessed childhood objects like Frosty the Snowman, The Gingerbread Man, and other food items like donuts and tomatoes.
There are also some rather unique monsters that haven’t really been copied anywhere else, like The Blob, both the 1956 version and its 1988 remake, and the highly unique The Stuff from 1985. There are insectile monsters, like the alien induced giant bugs from Love and Monsters, the folkloric Babadook, the science-based The Fly, The Yautja aliens from the Predator franchise, the Krites from the Critters movies, and technically speaking, the monsters from Gremlins are kind of unique, but it’s success did spawn a bunch of replicas like Ghoulies, and Trolls. I would also include comedies like the genetically engineered, zombie-like creatures, from the 2006 comedy, Black Sheep.
Sometimes it’s not so much the monster as the movie itself is just unique. Movies like the Final Destination franchise, in which the thematic purpose of Horror movies is made explicit because Death itself is the villain, as really all monsters, no matter what their form, are simply manifestations of death.
There are one-off movies like Cabin in the Woods, which features all the monsters and film tropes, as well as The Mist, with entirely unique creatures from another dimension, some of which kinda resemble the monsters of this one, and wholly unique Cosmic horror movies like From Beyond, about a machine that creates portals to a hell universe, and Event Horizon about people trapped on a Hellish ship. There are some interesting stand-alone films, like Pontypool, and the uniquely terrifying Birdbox.
This list also includes monsters for which there is simply no description because they are non-corporeal entities or simply remain unseen, and yet, they don’t necessarily have a supernatural origin, like the invisible monster from It Follows, the invisible rapist from the 1982 film, The Entity, and the nameless god-like creature from Children of the Corn, He Who Walks Behind the Rows.
Okay, this is obviously turning into Monster May! I have a couple more SCP posts coming up, and some mini reviews of things I’ve seen, like the new Dr. Strange movie, and a movie called Underground Monster, from China!
(Hello everyone, I’m doing alright. I’m just working on some long-form essays or being generally lazy because…Spring! Here, have some SCP stuff!)
I don’t think I have ever talked about these particular SCPs, but there is absolutely no shortage of creepy, disturbing, or just pantshittingly scary SCPs, so I should have plenty to talk about for the foreseeable future. Not sure what’s going on, but these SCP posts have become pretty popular, and I definitely want to write about them, but I also don’t want this to become SCP Central because there are far more knowledgable fans out there.
Two of my top favorite SCP Youtube Channels (with the kind of things you won’t find here) are The Volgun, and The Exploring Series, both of which specialize in some of the more obscure SCPs, and long-form readings of SCP stories. Be sure to check them out.
SCP 205: Shadow Play Demons
This one is somewhat complicated to explain. It consists of two large photography lamps that when shining on a blank white surface cast a shadowplay of the life of a young model. She interacts with friends and family and has an old-fashioned camera with which she constantly takes photos. Over the course of a few weeks, she meets a man and they date, and eventually have sex. He introduces her to a couple of friends of his, and she takes photos of their shared activities.
After a couple of weeks, she is shown developing the photos in her apartment, while her date sits in the other room, and she sees that the men she has met, including the one she has been dating are all demons with horns, which is something the viewers of the shadowplay could always see. She gets scared and tries to hide in her apartment but the demons find her and rape and kill her over several days. When they are done with her one of them looks over to the lamps, and approaches to turn them off.
But that is not even the creepiest part. If someone walks into the room while the shadowplay is occurring, makes a noise, turns off one of the lamps, or interrupts the activities in any way, that will disrupt the demon’s activities, attracting their attention to the viewer. One of the demons will approach the lamps, turn them off, and if the viewer remains in the room they will be beaten and killed. These events usually take place over thirty days, at the end of which the entire thing will reset.
The lamps are secure, but there is a certain amount of caution that needs to be taken. The lamps must be left on, or the room in which they are kept will be trashed for several days. If one of the bulbs goes out or needs to be replaced, which is common, it must be done early in the sequence of events. If this happens later in the sequence of events the room will be closed to all entry until the thirty-day period is up.
Yeah, this is an example of an SCP that is easily contained, and doesn’t actually harm anyone, but is still deeply creepy, and given a Euclid status because it’s not controlled, and cannot be stopped without bringing harm to the person who interrupts it. You can’t even warn the young woman of what’s going to happen, because, unlike the demons she meets, she remains completely unaware of the viewer. All the viewer can do is wait for the sequence to end.
SCP 145: A Dangerous Phone Call
This SCP is also pretty complicated to understand. There are a lot of questions. It consists of a standard push-button house phone. When it rings, whoever picks it up will hear a woman panicking on the other end, describing how someone is being tortured. The caller doesn’t respond to any statements or questions from the person who picked up the phone.
Once again that isn’t the creepiest part of this SCP. If there is more than one person in the room when the phone is answered nothing will happen. If there is only one person in the room when the call is ended that person will vanish. The next time the phone rings they will be the person being tortured in the phone call. The SCP has tried to come up with ways to trace the call, or interrupt the proceedings on the other end of the call, by sending people wearing tracking devices, carrying weapons (which simply end up being used against the person), and once, carrying an explosive which detonated just before they vanished.
I actually still have a touch-tone phone in the house, which occasionally still rings, even though the person it’s ringing for doesn’t live there anymore. I never pick it up though, because I think that would be creepy, and I don’t want to have to keep explaining to total strangers that the person they’re calling isn’t home.
SCP 1981: Cutting Up Reagan
This is an SCP that while not particularly complicated is pretty disgusting, and just plain weird. It’s yet another sequence of events that a person can only watch and do nothing, although no one is actually harmed during it. It’s a homemade video of a speech being given by the 1980s President Ronald Reagan to a meeting of Evangelicals. It’s his “evil empire” speech which I do remember hearing about at the time. This is a real speech that was given in Florida in 1983.
The first couple of minutes someone watches it nothing happens, but if you watch it to the end, or rewind and watch it again, the speech starts to get stranger and stranger. Reagan starts talking about things that make no sense given who he is talking to. Each time he goes off-script, his face gets cut or bruised. This only happens a little at first, but each time the viewer watches the speech his scars and bruises get worse and worse until it reaches the point where he is almost unrecognizable and the tape ends, usually around the 22-minute mark. if you rewind it and watch it again, he will deliver an entirely new speech that bears no resemblance to the first one and is sometimes about child molestation, cannibalism, ritual sacrifice, and torture. Sometimes he mentions future events that he could never have known about, and sometimes a black-robed and hooded figure appears in some of the background shots.
Now, it is entirely possible that some people watching this video wouldn’t be disturbing at all, as he was roundly hated by a large swathe of the American public. In fact, I hated the man with the passion of a thousand suns, and it was while under his tenure that I became more politically aware and active as a teenager, although I do think I would still be disturbed by watching him get his throat cut onscreen. Not because I cared about his life, but because watching violence is disturbing.
21 Reasons why People Might Feel Some Type of Way About Ronald Reagan:
SCP 599 is a tiny little town in the middle of nowhere. It’s not found on a map, and none of the roads that lead to it are marked, so you really have to either find it by accident or go missing, I guess. (The name of the town is redacted in reports), with a population of about 700 people, who are all very friendly to outsiders. What makes it so weird is that the inhabitants are all people who match the descriptions of people who have been listed as missing by the authorities, but only for the last ten years.
But once again, that’s not what’s so strange about it. When questioned all of the inhabitants insist that they have always lived in this town, with no memories of having been anywhere else, and will insist that you move into town and buy a house. Any refusal to do that is met with hostility, although so far, none of the inhabitants have ever been violent.
Any visitors to the town will be happily put up at the local hotel for free, in which there are no other guests, but there will be lots of noise as if there are. Visiting city hall will produce all manner of town records except there are no recordings of births or deaths. A field agent was brave enough to spend the night in town to determine what type of SCP they were dealing with. When he was asleep someone entered his room and rifled through his belongings although nothing was stolen. He kept being asked if he was thinking of buying a house, couldn’t find any maps of the town or newspaper archives, and the library was mostly empty. He did find the previous field agent who, of course, had gone missing. The former agent had no memory of him or of working for the SCP, and had a family, with a wife and a five-year-old child, even though the agent had only been missing for a few months.
The agent further discovered that no one has ever died in the town. There are no mortuaries, funeral homes, cemeteries, or even a hospital. The water and gas systems aren’t hooked up to anything. When the agent tried to leave the town it was like that scene from The Truman Show with the town or fate or whatever throwing increasingly absurd obstacles in his path. Door locks getting stuck, losing the whereabouts of his car, a wild thunderstorm, inconveniently closed off streets, broken cars sitting in the middle of intersections, and falling traffic lights!
I did laugh at the ending of this story, but it’s still pretty creepy and reminds me of more than a few of those mystery TV series where people get trapped in weird small towns that won’t let them leave and an old movie from 2006, called Population 436, starring Jeremy Sisto, in which the population of a small town never changes, and anyone who tries to leave meets with a horrible accident, and needs to be replaced by a newcomer.
Why yes, being trapped in a place I can’t leave is one of my base fears! How did you know?
SCP 3122: Deadly GPS
This one isn’t so much complicated as it is a somewhat involved SCP story. It is what appears to be a normal older-style GPS device except that everyone who has ever used it has gone missing. So the SCP tried to find out why by putting a recorder and tracking device on one of its D-Class personnel to see what was going on, and it is quite a bizarre journey.
The anomalies only kick in after certain criteria have been met. The journey must take at least three hours, and the vehicle in which the GPS is set must complete at least two hours of its journey, after which it will be automatically transported to a parallel dimension, and given further instructions, which become more and more bizarre consisting, for example, of instructions to remove different body parts for sacrificial purposes. At first, the landscape will not appear to be any different than before, but as time passes, the landscape will begin to change, and the more the person continues to drive, the more lost they will become. After two or three days the car and the device will arrive back at the originally programmed destination, only without the driver.
I know a lot of people have an intense fear of getting lost. Now imagine never being able to get “unlost”.
SCP 4000: Call Him By Your Name
Oh, this is a deliciously creepy cautionary tale about following all the rules when interacting with the Fair Folk. This is the story of a field researcher who, while exploring a forested world on the other side of a portal, came across one of the inhabitants, creatures who regularly put themselves into positions that require a person to interact with them. The agent was given instructions about never eating any offered food, only following the dirt path provided, and never giving anyone on the other side of the portal their real name, since all names have power. In fact, nothing of that world is ever referred to by any given name or allowed to be named consistently.
The field agent forgot that such creatures are clever and opportunistic. After several run-throughs on the path and several interactions with the entity, they thought they were doing pretty good but made one mistake. They allowed the entity to give them a consistent name, with the entity calling them by the same title every time they met. This was just enough to trap the agent in the forest while the entity stole their identity, and replaced them in the real world.
But making certain the environment remains unnamed isn’t the only rule. People must be careful not to make anyone they meet angry, and to always carefully placate any beings that are met on the path. Breaking the rules can result in hallucinations, headaches, having one’s form changed against one’s will and amnesia. Using a consistent name for anything that’s in the forest world, in the real world, can result in conjuring a being or item into the real world, or transporting the speaker into the unnamed forest.
How about we just avoid this place altogether? What’s the creepiest part of this? The entity was able to successfully integrate itself into the occupation and life of the person whose identity they’d stolen, despite looking nothing like the person, and was found out only by a kind of accident! This is a place where all words have power. They can both give and remove power, so using euphemisms, slang, and idioms, or calling anything in this world the same thing more than once, can result in disaster for the person speaking.
Guidelines for interacting with native entities:
…2.01 Greet native entities with any formal salutation9 before engaging in conversation. If female, bow or curtsy. …2.02 Speak in a cordial tone of voice. …2.03 Do not make any statements that you know to be false. …2.04 Do not make disparaging comments about native entities while in their presence. …2.05 Say ‘please’ and ‘thank you’ when appropriate. …2.06 Refer to and address native entities using descriptions of their physical appearance, per protocol 4000-Eshu. …2.07 Do not refer to a native entity by a name, title, or designation, even if it introduces itself with such. …2.08 Do not state your name, nickname, codename, alias, or any other personal designation when in the presence of a native entity. …2.09 If a native entity offers to assign you a name, title, or designation, politely decline. …2.10 If a native entity makes a statement in which it addresses or refers to you by a name, title, designation, or anything other than a physical description, ignore the statement as though it had not been spoken. …2.11 If pressed for information that is considered confidential, refuse, briefly apologize and bow. …2.12 If a native entity appears to require your assistance, consider its appearance before choosing to help: ………2.12.A If the entity appears threatening, do whatever is necessary to aid it. ………2.12.B If the entity appears attractive or harmless, do not approach. ………2.12.C: Always feed a native entity if it is hungry. This overrules 2.12.B. …2.13 Do not attempt to mount any bestial entities you encounter unless it has earned your trust and given you its consent. …2.14 If you are offered a physical gift, receive it with both hands. Do not discard this gift, even if it appears to have no use or value. This is overruled by 1.04. …2.15 If a native entity offers you a nonphysical gift or attempts to initiate a trade, politely decline. …2.16 You may accept food offered by native entities, and offer that food to other native entities you encounter, but do not consume it yourself. …2.17 Do not sleep in any lodging offered by native entities. You may sleep inside the residence of a native entity as long as you do not have an invitation to do so. …2.18 If a native entity offers to accompany on your journey, accept, but do not tell them where you are going. …2.19 If you are aided by a native entity, you must aid it in return if you have not done so already. …2.20 If you encounter an incorporeal humanoid that claims it is not a native entity, disregard all previous protocols and follow its instructions.
SCP 588: Carnivorous Coins
This is an SCP that may sound a bit silly at first but think about it. How many people carry around at least a few coins on their person at all times, sometimes unknowingly? This SCP appears to be a quarter minted in 1972, except the head of George Washington which is pictured on the side is capable of moving, opening, and closing its mouth, and will feed on any organic matter that comes into its orbit. It’s capable of ingesting, digesting, and excreting matter! It’s even capable of reproduction. The coin can move by inching itself along flat surfaces in the manner of a slug, and can sometimes hop using its edge. It is only ever motivated to move by feeding. The feeding isn’t to keep it alive but to create more coins. This is done through binary fission.
The containment procedures for the coin are not elaborate but it still needs to be carefully watched because it has breached containment at least once by disguising itself as a regular coin. It’s intelligent enough to mimic regular coins, lying flat until someone tries to pick it up. it will bite them (it can’t take more than a gram of flesh) and attempt to flee by hopping away, which sounds hilarious until you take into account that it’s only ever interested in making more of itself, its reasonably intelligent, and gatherings of these coins will coordinate their feedings.
On ██/██/2002, junior researcher Dr. █████ reported to a senior staff member that while transporting SCP-588 from its containment locker to a testing room it “slipped out of the box and scuttled away.” The unfortunate containment breach of SCP-███ at approximately the same time and the resulting death of Dr. █████ led to the incident not being logged. Five months later on ██/██/2002, janitorial staff member ██████ ████ came into contact with a colony of over four hundred individual copies of SCP-588 living off detritus behind the shelves in Storage Pantry-B10. ██████ ████ was discovered unconscious by his coworkers two hours later and was treated for several thousand minute bites on his limbs and body. All escaped instances of SCP-588 are believed to have been retrieved and destroyed, but any Site-19 staff members finding loose change in unlikely places are to report to an on-site security officer immediately.
SCP 636: Elevator to Nowhere
I got a real kick out of this one because elevators are distinctly creepy even when they go where they’re supposed to go. I mean you have no real idea what’s going to be on the other side of an elevator door when it opens, do you? As a liminal space, (something that is used to travel between other spaces) elevators are often used as portals to other dimensions in all kinds of stories. It is still unknown what type of world or worlds this elevator opens onto, and only one person has ever returned through it.
This SCP is a maintenance elevator found in a now-abandoned building, which has been contained by being officially condemned due to mold. The containment procedure is only slightly elaborate and mostly consists of making sure no urban explorers go into the building and destroying anything that might come out. The elevator goes to three sub-basements although only two of the sub-basements are listed in the building plans. It is accessed using a magnetic key card.
Anything or anyone that is in the elevator when it reaches the non-existent third sub-basement will vanish when the doors open on that floor, even though there are no openings in the shaft that lead to another level. There are only blank walls there. Sometimes the elevator will move to the sub-basement on its own. When it returns to the normal floor it will contain anomalous objects like piles of flesh and blood, the equipment of people who have disappeared, elevator walls covered in human eyeballs, and once one of the “disappeared” field agents, in a horribly emaciated state, who killed one of the guards while frantically insisting he had to go back.
Look! I’m sorry, I’m nosy! But I still wanna know what’s on that floor. Is it just one horribly messed up world, or multiple worlds, that the elevator has access to? What happened to the agent that returned that made him want to desperately go back? Is there a safer way to find out? What happens if the building is destroyed? I got questions!
SCP 513: Haunted Cowbell
Yeah, I know some of you are thinking of that old SNL skit with Christopher Walken, but this story isn’t as funny as that one. It’s not what it is that’s the creepy part though. It’s what gets summoned when you ring it. The containment procedure is fairly elaborate and designed not just to contain it but to make certain it never rings. The SCP is kept in a block of gelatin, inside a soundproof cell. The personnel who administer it are to check it after any natural disasters while wearing earplugs and noise-canceling headphones (although only deaf personnel are allowed to actually handle the object).
Anyone who is exposed to the sound of SCP 513 is to be quarantined for the next 72 hours, and not allowed to go to sleep. If the two guards on duty detect any mental degradation over that time period the subject is to be terminated. If they fall unconscious they must be terminated.
This SCP consists of two parts. An old and rusty cowbell called SCP 513, and the entity it summons is called SCP 513-1. SCP -1 is summoned when the bell is rung but is not immediately noticeable, although everyone within earshot of the sound will feel uncomfortable and disoriented by it. After a few moments, they will start to feel paranoid, as if someone or something is watching them…and something is. SCP 513-1 will only appear to them in their peripheral vision, glimpses through just opened doors, or in the backgrounds of mirrors. If the entity perceives that it’s been noticed it will vanish, and it is invisible to anyone not affected by the sound of the bell.
But there’s more! This entity, described as a tall thin humanoid with overly large hands, will stalk the person for several days, inducing even more paranoia along with sleeplessness. Many subjects report that the creature is in their room with them at night. If they somehow manage to fall asleep before it appears, it will violently awaken them and then vanish when they open their eyes. This lack of sleep continues until the person’s mental state has become so degraded by fatigue and depression that they commit suicide. (Keeping in mind that the longest any person has ever gone without sleep is 11 days and that after just 3 or 4 days they will begin to hallucinate.)
Saying uttered by one of the SCP test subjects:
You’ve seen it. Now he can hear you. You’ve touched it. Now he can see you. Never ring it. If you hear it, he can touch you.
Quite a few hotly anticipated films were released in 2021. Well, they were hotly anticipated by me. I didn’t spend a lot of time watching movies that were off my list of films because I was so busy dealing with my mother’s health issues, which was pretty stressful. (I’m not so much recovering from my Mother’s passing as I am from the sheer emotional stress of trying to keep her alive.)
As a result, I spent a lot of time watching a lot of stress- relieving TV series, standup comedies, or just things that simply weren’t very emotionally taxing. I just didn’t have the bandwidth for much more than that. This also meant that I watched a lot more escapist-type movies, MCU films, or just films without any heavy topics. But these were my favorites of all the movies I got to see.
Keep in mind, that I also tend to like a lot of what I watch because I’m not a professional critic, so don’t have to watch anything I don’t want to, and I tend to gravitate to movies and shows that I think will make me happy, or at the very least, make me think! Unlike professional critics, I don’t have to soldier through a movie that’s not working for me. I can always turn it off and walk away. I never hate-watch anything because life is too short to be subjecting myself to unpleasant movie-watching experiences as a form of fun! I love movies though, and can always find something I liked about most of the things I subject myself to.
And that’s the same aesthetic I carried into the TV series I watched this year. There were a lot of superhero shows, some comedies (a lot of standup), all of the MCU series except Loki, and lots of Youtube.
Spiderman: No Way Home
I do not as a general rule, rank things according to best to worst, or by numbers. My mind simply doesn’t work that way. For me, I either liked a movie, or I didn’t, and it starts with how the movie made me feel. If I didn’t like it, I won’t expend any more energy thinking about it, beyond what went wrong for me. That said, while this isn’t my absolute favorite movie this year, it is extremely high on my list of favorites because:
I went to the theater for the first time since 2019, and the first time without Mom. I took my niece and nephew instead. My nephew is ten and is a huge Spiderman fan, even though he doesn’t read comic books! It was so much fun sitting there speculating about the plot and characters with him, while trying to keep my youngest niece from eating all the popcorn and making herself sick. My oldest niece, The Potato, couldn’t make it.
I rated this movie at the top of my list largely because of the fun factors of going to the theater with my family, and the movie itself. My nephew and I are both huge Spiderman fans, so we were probably gonna like it regardless! And it was pretty neat watching him be excited about the two Spidermen that he wasn’t around to see that first time, as he’s only been alive since the Holland era!
I have a different attitude towards being a comic book/superhero nerd than a lot of other people. I do not engage in gatekeeping because the way I grew up I was wholly and completely alone in these geeky interests. There wasn’t anyone around to be geeky with, so I’m loving this thing where I get to share these interests with my nephew, who is also incredibly knowledgable, for one so young!
Expect to read more of my takes on Spiderman in the coming weeks.
I absolutely loved this movie, which has so much depth that, like most of Villeneuve’s movies, it’s gonna take a minute (and probably several posts and re-watches) to sort out my thoughts and feelings. If I had to rank this film I would put this at not only my most hotly anticipated film, but the best SciFi movie of the year.
Like Bladerunner 2049, this is a very immersive film, not just visually, but through plot, sound, and character. I’ve watched this multiple times, (it was on HBOMax), and the more I think of it, the more layers I find. Villenueve really did an exceptional job with this film, and I will be discussing this some more when Dune returns to HBOMax at the end of this month.
The Suicide Squad
And this is why it’s so hard for my brain to rank movies. I absolutely loved this film too, and would also count this one as one of the best movies of the year. This movie isn’t half as shallow as people think it is, considering it is a kind of grindhouse/found-family/superhero movie. I mean, if you’re a fan of the show Invincible, or the TV series The Boys, or Preacher, you might like this movie. It’s gory, fun, funny, utterly ridiculous, and has a surprising amount of pathos. I posted about this earlier. I am one of five people who are readily willing to admit that they actually liked the first movie too. I loved the characters mostly, and their interactions, and this movie built on that beautifully, even if I did miss Will Smith.
James Gunn has an incredible knack for taking characters you’re not supposed to like, characters who are villains, and making them nuanced and sympathetic. He even manages to make the final boss, Starro the Conqueror, a sympathetic character! He’s really good at getting you to care about them, and he’s done this in movie, after movie, after movie, from Dawn of the Dead, to Slither, to Guardians of the Galaxy. I trust him as a director, and can’t wait to see what he’s going to do next (probably Guardians of the Galaxy 3).
The Harder They Fall
I spoke briefly about this movie before it was released on Netflix. This movie just has a coolness factor that is simply unparalleled. It’s definitely the kind of movie Quentin Tarantino would’ve loved, except with a lot less use of the N*word. (That’s the difference between having a white director vs a Black one. White directors like Tarantino will throw that word around in the script, with no regard for Black audiences, because they think it’s more important to be edgy. Black directors almost never do this without considering that Black people will be watching it. Not that they don’t use the word, but when they do, it usually serves more purpose.)
That said, the movie’s focus is on style, and feelings, and not so much on truth or facts. Most of the characters in the movie lived in slightly different time periods, and never met each other, but that’s not a drawback, as far as I’m concerned, although some people seemed outraged at the idea. The movie is also a who’s who of Black cinema with Idris Elba, Regina King, Delroy Lindo, Zazie Beetz, and my personal favorite (as an actor and a character) Lakeith Stanfield, who is very possibly, one of the coolest Black men to ever be seen in a Western!
The movie doesn’t just have a coolness factor, there are layers, and it pays to know a little bit about the time period in which the film is set, which is that little slice of time just after the Civil War. So much of the history of the West has been thoroughly whitewashed, but basically all the stories you either watched and or read about that only had white characters, well Black, Brown, and Indigenous people were all engaging in the same types of stories. They formed gangs, committed crimes, caught criminals, loved, fought, and died on horseback, too, and we never got any of these stories because a film industry run almost entirely by straight white men wasn’t interested in telling them.
Army of the Dead
For some reason, this movie caught a lot of flack from critics for being dumb, but I enjoyed it because sometimes the term dumb is being used in place of “fun”! That said, this is one of the more fun zombie films ever made. It’s not on the level of Shaun of the Dead, but it was a lot of fun, with a surprising amount of depth of feeling. I wrote about this movie in an earlier review, and I talked about Zack Snyder’s relationship to the film and its characters.
I do wonder why no one ever decided to combine the heist narrative with the zombie apocalypse, and I hope to see more of these kinds of zombie mashups in the future.
Zack Snyder’s Justice League
As I said in an earlier post, I wasn’t one of the people clamoring for the release of this movie. I was largely indifferent to the first version, and gave it no more thought after I watched it. There was a lot of the movie that, while watchable, just didn’t impress me much. But the Snyder cut deepened two of my favorite characters, who got short shrift in the theatrical version, and gave me mad respect for an old character that I just wasn’t feeling before: The Flash, Cyborg, and Wonder Woman, and I will always love this movie for that.
It doesn’t hurt that the villain was significantly more impressive, the plot was more coherent, and the action scenes looked excessively cool, especially Wonder Woman’s scenes. I discussed all of this in one of my mini reviews last year.
I generally liked The Eternals. I am a big fan of Chloe Zhao because of Nomadland, and I really “enjoyed” that movie, and I could definitely see her flavor of filmmaking here. It was a very “comfortable”, and “comforting” movie to settle into, because she has a different, quieter, and less “jangly” style of filmmaking than the other MCU films. The sounds, color, characters, all it just felt different.
As I said before, my way “into” a movie is often through its characters. The characters are quirky, or interesting, or sometimes I just see myself in them, and I think that’s why I liked the characters in this movie so much. They’re superpowered characters who just felt like people, and I actually liked all of them. I feel like the characters, and their relationships with one another was the movie’s strongest aspect.
The movie’s weakest aspect was the plot, which feels a bit disjointed at first, but then after a while, it just falls flat. I simply didn’t care about the plot, and I wasn’t invested in it. I will watch it again because the characters are all so likable, and the absolute best part of the film, but the plot didn’t move me at all!
Rurouni Kenshin: The Finale/The Beginning
I have an entire post dedicated to this five-part series of live-action movies, based on the anime. Keep in mind that that post will be only about the films because I never watched any of the anime, or read the manga. There is a lot to be said about this series, which is fun and action packed, and like a lot of Japanese projects has elements of everything: war, romance, martial arts, comedy. Right now, the last two parts of this series is available on Netflix, so check it out before I finish writing my review!
The Green Knight
I don’t have a whole lot to say about this movie. It’s very much a “were you feeling it”, dream sequence style of movie. If you’re not onboard with dream logic, magical plot points, and weird characters, or are simply unfamiliar with the original story of Gawain and the Green Knight, you’re not going to get a lot of mileage out of this movie beyond the visuals. That said, I didn’t get a lot of meaning out of it, although I’m sure it’s in there. I was simply too caught up in just following the story, and the cinematography, which is okay since it takes multiple viewings for me to get to the meaning of something at times, and I have not had the opportunity to re-watch it, since I haven’t rented it again. The movie is definitely haunting me though, so I may have to.
A lot of people claimed that this movie was too slow, it didn’t have enough gore or killing in it, (as if that were the only criteria for a Horror movie), and that the plot made no sense, but Candyman is essentially a mashup of a slasher film and a ghost story, and I found it very satisfactory. Yes, it started off slow, but that is entirely in keeping with the narrative of the ghost story, where the foundation has to be set up before we can move on to the actual “haunting” section of the story, and I don’t mind slow-moving Horror.
I was impressed with how much of the original story was integrated into this one, and of course, there might have been some people who were confused about what type of movie this was, because knowing that makes it easier to slot it into a category they can understand. This definitely isn’t a prequel, and it’s not exactly a remake. It’s more of an updated sequel, continuing the story that was set up in the last movie, but with new information (since the Cabrini Green Housing Projects are now extinct), and new characters, and expanding the story to give it a kind of global mythology, and I really liked that.
Yahya Abdul-Mateen turns in a great performance, which is a sort of a reprisal of the role of Helen, in the first film. I’m getting really attached to this actor, because he keeps showing up in everything I want to watch. If you were hoping for more of Tony Todd, then you’ll be disappointed, because this version isn’t really about him, and he doesn’t turn up until the end of the movie. I feel like people’s mileage may vary regarding Horror movies depending on what expectations they bring into it. I’m not quite sure what I expected. I went into this having read the original story by Clive Barker, but only having watched the first movie a couple of times, and not being especially impressed by it.
As I said, this is a quiet, dialogue-heavy film that relies more on producing feelings of dread than gore and body counts, and I was here for it. Is it as good as Get Out, or Us? Maybe not, but I am here for this new wave of Horror movies featuring Black casts and mythologies, from the above named films, and movies like Vampires vs Brooklyn, to TV shows like Lovecraft Country.
Last Night in Soho
This movie made this list because I’ve always been fascinated by 1960’s London fashion and culture, which this movie captures beautifully. It’s not a great film, but it makes a really good effort at being great, it looks gorgeous, and it’s by one of my favorite directors, Edgar Wright. The drawback was that I wasn’t feeling the characters and plot that deeply. I just wasn’t very emotionally engaged with what happened to any of the characters, but that’s not to say you shouldn’t check it out. Its exceptionally stylish, and you may feel about the characters in a way that I didn’t.
There has been a lot of criticism of this movie as being stupid, and I feel I need to make the distinction here. The characters in the film are deeply stupid, which is par for the course when it comes to Horror movies, so I’m not sure why people are outraged about it here. The film itself has a point it wants to make, and I feel makes it beautifully. If the first film was about dealing with the aftermath of traumatic events, than this movie is about regret. I spoke about this in a previous post, and I stand by that. This was also the last Horror movie I watched with my Mom, who was, shall I say…unimpressed.
A GAME EFFORT:
These are movies that made a pretty game effort at being my favorites of the year, or at least the most entertaining, but for one reason or another just fell short. Not that I didn’t enjoy them, or that they were bad films, they just didn’t make it into the top ten.
These movies are all still well worth watching, and I watched a lot more movies than the ones on this list, but some movies stick in your memory, and others just don’t.
Shang Chi: Legend of the Ten Rings
This is another movie where the plot fell flat for me, but I absolutely loved the characters and the action. The stand out character for me wasn’t Shang Chi, but his father, Wenwu, played by one of my favorite actors, Tony Leung. I think I may be in love with his heartfelt, soulful facial expressions, and that voice! He’s just dreamy…uhm okay…let move on.
Like I said, the weakest part was the plot. There are a few moments that pulled me right out of the film, or that I simply didn’t like, although the action scenes were very good, until the end of the movie, when all the fighting went on just a little too long, and so was a little bit tiresome. The same problem I ran into while watching Black Panther. It’s about people, until the end, then it’s just a too long action sequence with not enough “people” in it. Contrast that ending with the ending of The Eternals, or even Avengers Endgame, which still had some great character defining moments during the last fight scene.
But I do like Shang Chi, and the movie would’ve been higher on this list, except it got beat out by a couple of other films. It’s a fun, entertaining film, with two of my favorite actors, (Michelle Yeoh, and Tony Leung), and I’m really looking forward to whatever movie the “almost as likable as Spiderman”, Shang Chi shows up next!
I tried really hard to like this movie. I loved the action sequences, and one of the two primary characters was played by Jessica Henwick, who I was surprised to see got a lot (and I mean a lot!) of screen time. I loved her character, and Yahya’s version of Morpheus was great, and totally bad ass. I was less than impressed with Neo’s role, but Carrie Ann Moss’ character was good in the quieter, dialogue heavy moments, which I actually liked. For example, I thoroughly enjoyed her first meeting with Neo.
Where the movie fell flat, for me, was its treatment of mental illness, and parts of the plot. As I’ve said before, I’ve had some mental illness and suicide issues in the past, and parts of this movie were less enjoyable for me because they hit just a little too close to home, and kind of broadsided me with no warning. This doesn’t mean it’s a bad film, it just means it was especially triggering for me. I was very excited to see it, though, and will definitely watch it again, because the action scenes are really cool, and I really enjoyed the ending.
Also, I’m still not invested in Neo and Trinity’s relationship. They either have no chemistry or I’m still just not feeling it. The plot of the movie needs some work, and there were bits of it that felt a little soul-less, although there’s more humor in it than the last movies. I’m a big fan of the Wachowski Sisters, and I enjoyed Sense8, so I’m on board with anything else Lana comes up with in the future.
And Let’s Not Forget:
Once again, the characters were great, and I liked the action, but the plot didn’t impress me much, and I kept wandering off to do something else, while the movie played in the background. The best character in the entire movie, of course, was Yelena, and I’ve really enjoyed seeing her in the Hawkeye TV series. I
I’ve been really impressed by Florence Pugh (Yelena). The last time I saw her was in Midsommar, where she simply tore it up, and I’m really looking forward to seeing where her career goes in the MCU. She is a worthy successor to the old Black Widow played by Scarlett Johansson. Interestingly it’s the Yelena version of Black Widow that I’m most familiar from the comic books. I was well aware of the other Black Widow, but indifferent to her, never paying much attention, and I never read any of her adventures. I do remember some stories of Yelena and Hawkeye working together though.
This is a pretty solid and gory horror movie that is yet again, about the Wendigo, and I’m here for it. It’s scary enough, but also a little predictable, the plot, and some of the acting didn’t meet my exacting criteria/s, so it didn’t make it very high on my list, but I just watched it, and it seems to be sticking with me, and I guess that’s a good thing. Not as good as Last Night in Soho, but better than Halloween Kills, I think.
I really liked this one, but I didn’t love it. It’s about a couple on a sheep farm, who lost their daughter fairly recently, and have not moved on from their grief. When one of their sheep gives birth to a half lamb, half human creature (thanks to a large half man, half ram creature assaulting their flock), they steal it, and raise it as their own. You can guess that things come to a bad end.
I cannot say the movie is “enjoyable” because it’s just too disturbing for that, but it is dreadful, and haunting, and that’s enough to make it onto this list.
There are few movies that feature the suburbs before the 1950s. Most movies, up to that point, were about city-living, because for most people, that was where the excitement was. All the action happened there, and the suburbs and small towns were places to escape from. You couldn’t have a life in those places. At least, not an interesting one. After the second world war, the suburban population exploded thanks to programs like the GI Bill, which allowed white people to buy homes away from the city, and the massive funding of the highway system, which allowed white people to flee the cities, and still be able to reach the places of work they left behind
While the GI Bill’s language did not specifically exclude African-American veterans from its benefits, it was structured in a way that ultimately shut doors for the 1.2 million black veterans who had bravely served their country during World War II, in segregated ranks.
If you want to discuss themes of conformity, existential angst, boredom, dullness, ennui, and escape from any of those issues, then you need to set your story in the suburbs, with its endless miles of strip malls, identical pastel housing, well kept patches of lawn, and daily rituals of pleasantness. The suburbs, in the movies, are used to represent stability, order, the status quo, and the mainstream. In other words, normalcy. In the ‘burbs, one day is much like the next, the unexpected doesn’t occur, and change is not encouraged.
The suburbs are often shown as unexciting places that are meant to be escaped from, or unexciting places into which some excitement falls, and the members of the community must deal with the repercussions, or the members of the community must fight off the encroachment of some thing, or someone, in order to keep the status quo, in order to return to “normal”. Many Horror movies set in suburbia followed the standard formula of something from the “outside” disrupting stability, and needed to be defeated.
The reason why Horror works so well in suburban settings, is because of the underlying sense of the suburbs as a safe space,. The suburbs were established as a place away from the “darkness” (i.e. PoC), and sins of the city, but in horror movies, the suburbs are invaded by something dangerous, that is either masquerading as a member of the community, like Fright Night. Sometimes the horror comes from within, when a disruption is caused by someone rebelling against a community which insists on controlling its members through authoritarianism, (The Stepford Wives), murder (Suburbia), or in one particular short story by Robert R. McCammon, He’ll Come Knocking At Your Door, being sacrificed to nameless gods, in exchange for good fortune. The theme is that the good fortune of living there comes at a price. It can cost the inhabitants their autonomy, their sense of individualism, or their lives.
The suburbs were created as a way to escape “the other”, (known as “White Flight”.) The suburbs themselves were supposed to be free from the encroachment of the violence, and incivility, and crime that white people were told, by the mainstream media, had overtaken the cities. What the residents did not take into account was that because of the inter-connectedness of American society, the decline of cities would eventually lead to the decline of the suburbs, as well. And, as PoC gained access to the suburbs, during the 80s, which was the height of the Slasher film era, those white people who could afford to leave, ran away to the ex-urbs, (a district outside a city, especially a prosperous area beyond the suburbs),leaving their poor white cousins behind. Since a system had already been set up, so that housing values declined with the “encroachment” of PoC, these white people were now trapped in these supposedly safe, but declining areas, being invaded by the poc they had been told they needed told to escape from, and unable to afford to leave.
In the early years of suburban movies and shows, the suburbs were a utopia, and saw the residents engaged in melodramas, or kids adventures, such as Leave it to Beaver, Father Knows Best, and Peyton Place, but as television moved into the 60s, the movies, and shows, started hinting at the darker underbelly, as in the movies of Douglas Sirk, and shows about non-conformity, like The Addams Family. In these, the suburbs are shown to be a deceptive environment, where dark things could flourish behind its walls, like pedophilia, and domestic violence. It is not the actual environment of the suburbs that produce feelings of horror, and disquiet, but the people who live there. What kind of human beings could live in this boring, carefully arranged world, with its identical homes, and territorial picket fences? Apparently the kind who are hiding secrets.
This may seem obvious), but suburban horror is known for being made in spaces where people are, but a film’s tension comes from where people are not. Slasher movies, in suburban environments, focus attention on hidden, dark, out of the way spaces, like abandoned houses, empty schools, and even deserted streets at night. The 1978 Halloween, for example, took place largely at night, and the streets and neighborhoods are curiously empty. There is the sense that other people are around, but they are locked away in the well-lit houses, where they don’t answer their doors to people in distress. Several times, in the movie, Laurie Strode, the movie’s Final Girl, yells for help in the middle of the street, or hammers on doors, to no response. For most of the runtime of the movie, she appears to be entirely alone in this environment, as she frantically dashes from house to house.
And there are secrets here, too. Secrets that eventually come back to disrupt the lives of the inhabitants. This is the premise of The Nightmare on Elm Street franchise, in which the sins of the parents are visited upon their children, in the form of a dead pedophile, on which they’d enacted vigilante justice, by burning him alive in a school basement. Their sons and daughters are systematically murdered by this angry ghost. Angry ghosts are also the motivation behind hauntings, in movies like the 1982 Poltergeist, in which the Freeling family are haunted by ghosts in their brand-spanking new, suburban development, which was built on a cemetery from which none of the bodies had been removed. The ghosts in the Amityville Horror from 1979, go back even further, as the movie posits that the house was built on Native American burial grounds. The metaphor here is that the suburbs are not as historically, or emotionally, sterile or pristine as its inhabitants are led to believe. This land has a backstory, and its foundation is built over a dark, and malignant, underbelly.
Sometimes, these stories are cautionary tales, about distrusting people, and usually follow a standard formula of something from “outside” infiltrating this peaceful space, and masquerading as one of its inhabitants, as in 1985’s Fright Night, in which a teenager becomes convinced that his new neighbor is a vampire, or that there is some form of corruption growing within it, like Alfred Hitchcock’s The Birds, in which an ordinary looking menace is hiding in plain sight, or just living in the suburbs itself is the danger, in movies like The Stepford Wives from 1975, and 2007’s Disturbia.
A classic “the horror comes from outside” story is Steven Spielberg’s 1976 Jaws. Amity is a small New England suburban town, that is visited by an avatar of death, in the form of a mindless killing machine, a Great White shark. The town’s new Sheriff, Martin Brody, himself an outsider, along with a local boat captain, and a wealthy marine biologist, have to destroy the shark to restore order, because, according to the Mayor, no tourist will visit a Summer town where they can’t swim at the beach, and without tourists the town can’t survive. The presence of the shark threatens to throw the entire economic system into disorder, and destroy the town. Along with an intrusion from an indifferent outside force, such movies also included trash talkin’, about cities, as hellish landscapes, filled with crime and poverty. In one scene, Martin Brody explains to Richard Dreyfuss’ Matt Hooper, the reasons why he left the city:
Brody : [Drunk] I’m tellin’ ya, the crime rate in New York’ll kill you. There’s so many problems, you never feel like you’re accomplishing anything. Violence, rip-offs, muggings… kids can’t leave the house — you gotta walk them to school. But in Amity one man can make a difference. In twenty-five years, there’s never been a shooting or a murder in this town.
The idea of the suburbs, as a safe haven from the death and disorder found in cities, didn’t get it’s start in horror films, but it was one of the reasons used to get White citizens to buy into the value of living so far from the it. That nothing ever happened there was part of the appeal. Brody’s postioning of Amity as an innocent, place that is free of danger, is thoroughly ironic, considering one of his kids is almost eaten by the shark.
Because Horror films, (and real life), have shown us that terror and death will come for us all, and cannot simply be escaped by driving further away, across some water, or in the movie, It Follows, in the water.
In It Follows from 2016, several teens living in the declining suburbs of Chicago, are hunted by an avatar of death that is transmitted via sexual activity. The beautiful, but listless, Jay has already experienced tragedy with her father’s death, but after a sexual encounter with a young man who is not who he claims to be, she finds she is being stalked by an invisible, powerful entity, whose only purpose is to kill her. She can stave off death by having sex with someone else, thereby passing it on, but she will never escape it entirely, because just as in the real world, one cannot pass off death to another to save oneself, nor know the hour of one’s death. The film’s theme is based on the existential angst, that comes to the young, only after they begin to realize their own mortality.
…and you have no suspicion that death, which has been making its way towards you along another plane, shrouded in an impenetrable darkness, has chosen precisely this day of all days to make its appearance, in a few minutes’ time, more or less…
— — — Marcel Proust — The Guermantes Way
In Suburban Horror, the suburbs can be infiltrated by something dangerous, that may be masquerading as a member of the community, as in the movie Fright Night, from 1985. Jerry Dandridge is a vampire, able to successfully blend into the suburban environment, by simply conforming to the manner of dress, rituals, and behavior of its inhabitants. He is handsome, polite, charming, and friendly, introducing himself to his neighbors and accepting, and extending, invitations. His house is well taken care of and he causes no disruptions. He fits right in, thereby not arousing suspicion, except from a single teenage boy, that no one believes. Not because no one believes in vampires, but because Jerry laughs at people’s jokes, and wears turtleneck sweaters. Witness the scene when Charlie calls the police to investigate Jerry. The detective visits Jerry’s home and finds no signs of disorder. The lawn and hedges are nicely kept, the garbage is taken out, and the “gardener” says Jerry is away on a business trip. The horror comes from the idea that this “safe” place is harboring a creature that is only pretending to be human. It is especially telling that this movie was released in the 80’s, at the height of the AIDs crisis, as Jerry Dandridge is also a metaphor for another hidden monstrosity, the “predatory gay man” with his pretty face, loyal male hangers-on, and effete European mannerisms, who moves to the suburbs, so he can “infect” the children.
The suburbs are a stand in for conformity and authoritarianism. Sometimes suburbia doesn’t just produce, or expose, darkness, but actually IS the horror. Homeowners Associations, with their stifling and authoritarian rules about the length of the grass on one’s lawn, the color of one’s home, how many Christmas lights can be used, and/or the number of cars that can be parked in one’s driveway, eliminate any forms of individual expression, in favor of suffocating monotony. Obedient wives, toxic masculinity, and forced camaraderie are the norms illustrated in the film, The Stepford Wives. Based on the satire by Ira Levin, the movie takes place during 70’s First Wave feminism, as Joanna, a successful photographer, moves to the well to do town of Stepford Connecticut, with her husband and children. She grows increasingly frightened of her neighbors, and her gaslighting husband, who tells her there is nothing for her to fear. The horror in Stepford Wives is not the death of Joanna’s body, (although that’s part of it), but that she can see the death of her sense of self, through the deliberate destruction of her individuality. By the mid-70’s, the suburbs had received a reputation as the place where a woman’s dreams go to die.
As more PoC could afford to move into suburban areas in the 80’s, a siege mentality set in, as the residents believed their territory was being encroached upon, which partially accounts for the glut of slasher films released between 1980, and 1989, and all of the other suburban invasion films released along the same timeline, which pictured the suburbs being invaded by violent beings of all kinds, from aliens (Critters), to serial killers (Freddie Krueger), to creatures of folklore (Gremlins), that came there to kill, rape, or create disorder.
What the residents failed to take into account, and still do, was in fleeing the cities, they simply carried all of their pathologies with them, engaging in the same activities, from which, they were attempting to flee. After all, you cannot run away from yourself.
It’s a cheesy old adage, but it’s true. Wherever you go, there you are. What does it mean? It means that if you don’t like yourself, or you haven’t made peace with yourself for things you’ve done in the past, you will be dealing with that baggage forever.
You may even be cursed to make endless movies about it.
I’ve been watching horror movies since I was a little girl ,who was supposed to be asleep at 11 o’clock at night. I went through a period, with my mother, where I think we tried to watch every horror movie that got made between 1980 and 1988, before I went off to college, so I have seen a helluva lot of movies, many of which have been forgotten, unless your’e a serious horror movie fan. I admit, not everything I watched was any good, but I found something interesting in these five movies, which have stayed in my memory even though I haven’t watched some of them in decades.
Don’t Look in the Basement(1973)
This move was made back in 1973 so I wouldnt go in expecting it t be enlightened about mental illness. I saw this movie when I was a teenager, and there was just something about it that I found deeply disturbing. Yes, the characters are disturbed, certainly, becasue this is an asylum, but that’s not the reason why this movie has haunted me for years. I suspect its some quality of mood, or lighting, or acting that I found mesmerizing back then.
A young nurse gets a job in a remote asylum for the mentally ill, and has a great deal of difficulty doing her work, as the director of the facility seems as deeply disturbed as her patients. You can probably guess what the twist is long before the plot spirals down into a hot mess of murder and mutilation.
Children Shouldn’t Play With Dead Things
A troupe of method actors and their despotic director head out to Coconut Grove, Florida where, as a prank, they exhume a corpse called Orville and are subsequently horrified when his similarly deceased friends emerge from their graves to play some deadly games of their own. Filmed as America experienced its post-60s comedown, director Bob Clark’s first horror feature began a truly terrifying trilogy that continued with the powerful anti-Vietnam war statement Dead Of Night and climaxed with the classic seasonal (and subsequently re-made) scarefest Black Christmas.
You can definitely tell this movie was filmed on the cheap, but this is also one of the first zombie movies I ever saw, long before ever watched Night of the Living Dead, and of course this is nearly forgotten, except by zombie movie enthusiasts like me. The acting isn’t great, and the special effects aren’t either, but the movie has such a distinctive feel, that I’ve never forgotten it, despite having not watched it in decades.
Let’s Scare Jessica to Death (1971)
I haven’t seen this movie in decades but for some reason I still remember the haunted feeling I had watching this. The plot is a little fuzzy, but I think its about a woman who moves out into the country, with her boyfriend, to recover from a nervous breakdown, and encounters strange events, and possibly ghosts and vampires.
The movie is surprisingly well acted for a horror movie from the 70’s, and the cinematography looks gorgeous. The only drawback seems to be that the plot is a bit murky, but I do remember enjoying watching this on late night TV.
This is another movie I remember watching as a kid, late one night, when I was supposed to be asleep. I haven’t seen it in decades, but I still remember it pretty well, although it took me some time to find the title. I remember that I started off excited about the movie because, Hey! Zombie Bikers!, but by the end I recall a distinct feeling of melancholy for the bikers, and their inability to die, and at least part of that was due to this song.
I remember thinking something along the lines of how all these characters eventually became pretty jaded by the1974 lifestyle they thought was a form of true freedom, only to be trapped in a kind of hellish living afterlife.
The Little Girl Who Lives Down the Lane(1976)
This is another movie I watched late one night, without my mother’s permission, even though she was the one who told me about it! Its more of a mystery than a horror movie, but I’m going to put this here because it does have some onscreen kills. It stars a very young Jodi Foster, who was still riding on her fame from Taxi Driver, I think, which came out the same year.
It’s been awhile since I’ve seen this, but I think one of my mother’s objections to this movie, is the character is a serial killer ,who genuinely regrets killing people. My guess is that my Mom was opposed to kids killing adults in movies, which is understandable, but it might also have been the pedophilia from one of the characters, which she thought I was too young to be watching.
I wanted to see it because I was under the impression, at about nine years old, that Jodi seemed to be about my age, when she was, in fact, thirteen, at the time. I have observed that little girls often gravitate to movies about other little girls, and I was no different, except I gravitated to horror movies that starred little girls.
I cannot recall if she was alone because she killed her parents, but I do remember her making up various stories for the adults who investigated her situation, as to why she was alone, and killing the ones who got too nosy, as well as a man who was trying to get too cozy with her, if y’all know what I mean.
The Jungle is the symbolic opposite of the desert and the tundra. The Jungle environment is a stand in for confusion, the loss of civilization, wildness, overabundance, hardship, danger, fear, threat, and powerlessness. The colors associated with jungle environments in movies are greens, black, and red. The kind of horror stories that take place in the jungle often embody all these themes. In fact, many movies that take place in the jungle involve many elements of horror, even if they’re not actually horror movies.
The jungle is the opposite of the desert/Arctic, in that it has an overabundance of life, and most of that life is indifferent to ours. So dropping human beings into such an environment automatically makes it horrific, with the jungle itself as an external threat. Jungle movies that contain both internal and external threats are kind of rare, because often just the backdrop of the jungle itself is enough of a threat to human life that it makes the movie horrifying.
In the 2017 movie Jungle, starring Daniel Radcliffe, there is no more threat needed than the act of simply attempting to survive while in the jungle, with no food, no tools, and no resources, or skills. The movie is based on the true story of Yossi, an Israeli traveler who gets stranded, alone, in the Amazon, after a series of misadventures with friends. After several days of trying to get food and make shelter, Yossi is rescued by one of his friends. The movie is filmed much like a horror movie, except the killer is the environment, as Yossi and his companions encounter one challenge after another, from sickness and wounds, to river rapids and hunger.
In the 1972 movie, Aguirre the Wrath of God, directed by Werner Herzog, the horror comes not just from the environment, but also internal, as it comes from the weaknesses of other people. In 1560, a group of Conquistadors get lost in the Amazon, while searching for the fabled City of Gold, El Dorado. One by one, they succumb to the dangers of river rafting, sickness, hunger, angry natives, and their own perfidy, until their cruel leader is finally left alone to die in his madness. The soldiers were not only ill prepared for the rigors of survival in the jungle, but were brought low by their own greed, selfishness, and cruelty.
Writers don’t really need to add more to make the environment more threatening to increase the horror, but writers will occasionally drop in another external threat, such as in the most famous of these types of film, the 1987 Predator, in which Arnold Schwarzenegger, and a small, heavily armed, paramilitary rescue team, encounter a hostile alien in Central America, The alien possesses advanced weaponry and, one by one, stalks and kills them, until only Arnold’s character is left to outsmart it. The soldiers deal with multiple external threats that make watching the movie especially harrowing. They don’t just have to survive the dangers of the jungle, but the hostile insurgents they came to fight, and the alien, all while attempting to rescue a government official.
Alien beings are not the only threats form Outside however. Sometimes the threats are humans, or animals. Since the beginning of cinema, the deep, dark jungles of Africa, and South America have been shown to be the place where White explorers fear to tread, largely because of cannibals. The most recent one of these is Eli Roth’s 2013 Green Inferno, in which a cast of white plane crash survivors are set upon by a tribe of hungry natives.
The Green Inferno received negative reviews, not just for its gore, but for the tired racist concept of Indigenous people as inherently bloodthirsty and cannibalistic, predators lying in wait for white tourists, or travelers, to happen by, so they can torture and kill them. Among these films were a series of exploitation films, by Italian directors from the 80s, like 1980s Cannibal Holocaust, 1981s Eaten Alive, and Cannibal Ferox, that were devoted to the topic of white people being eaten by natives in jungle environments.
The Ruins, which was released in 2008, follows much the same plot, at least on the surface, when a group of backpackers in the Amazon, are attacked by the Indigenous tribe of that area, after they stumble across a forbidden site. The cannibal narrative is overturned, however, as the natives aren’t simply out to kill tourists, but are keeping them trapped in the jungle, to save the rest of the world from the sentient carnivorous plants the travelers have become infected with.
There is always an element of racism involved in such movies, as the natives, often people of color, are depicted as hostile, primitive, and cannibalistic, and whatever religions they practice are also demonized. The local natives in such films are often shown to jabbering hysterically in foreign languages, ignorant, uneducated, and not in charge of their own fates. The pagan religions they practice are associated with the jungle landscape, and represent the wild outer reaches of civilization, where human beings can survive, but not without the assistance of unknowable animal or eldritch gods, who are depicted as greedy, bloodthirsty, and requiring ritual sacrifices of animals and people, or involving arcane and mysterious rites of appeasement, as in the 1987 film The Believers, where a man is terrorized and cursed by the members of a Santeria cult, after he stumbles across a plot to sacrifice his son to a pagan god, to prevent World War 3.
In film after film, South and Central American religions like Voodoo and Santeria are associated with cults, jungle tribes, primitivism, a lack of education, gullibility, zombies, and Satanism. In fact, the term Witch Doctor comes directly from such movies, differentiating itself from the European witch model, by combining pagan religious rituals with medical and scientific experiments, as in the 1988 The Serpent and the Rainbow, supposedly based on the true story of Wade Davis, where a medical doctor, gets zombified by the local Witch Doctor, while researching the zombie myth. With rare exceptions, the only time Black people (or Indigenous peoples) appear in such films is when they’re the villains.
When attractive looking White people, (because let’s be honest, urban Black people are not traveling to the jungle for any reason, and we never star in these films as the victims), are not being eaten by humans in the jungle, they are being chased and eaten by the many dangerously large animals that live there. Every year since America’s environmental awakening in the 70s, Hollywood has produced a host of movies nature’s revenge movies, involving people being chased by giant snakes (Anaconda 1997), giant bears (Grizzly 1976), giant crocodiles (Primeval 2007) or giant pigs, (Razorback 1984) as a punishment for their hubris in believing they could conquer such an environment, or for not paying proper respect to it.
The premise of “Lost World” films is often based on revenge for the hubris of white colonizers, where there is some part of the world that is so unexplored, or uninhabitable, that it is still available for exploration and/or exploitation by white men, which nature duly rebukes for their trouble. The latest movie featuring a lost world plot is the 2017 Kong: Skull Island, wherein a group of military specialists get stranded on an unknown jungle island during the Vietnam War. They encounter the titular ape, and get picked off, one by one, by a menagerie of dangerously massive animals like spiders, pterosaurs, and to make the setup complete, horrific underground monsters.
But the most famous of these giant animal movies, upon which the new version is based, is the 1933 King Kong, in which an intrepid group of explorers get stranded on a jungle island that’s been lost in time. They get hunted by everything from hostile tribesmen, to dinosaurs, to the actual ape himself. The Jurassic Park franchise of the mid-90s, is just a scientific way to upgrade the Lost World myth to the modern world, with humans being hunted through dark jungles, by ancient creatures, while still addressing the same issues of economic exploitation. The dinosaurs are a scientific version of King King, (only without the elements of racism that mar the original film.)
The jungle is where human beings go to kill or be killed. That’s its only purpose. There’s no compromising with it, anything can be imagined in such a place, and a person can only exist in there on its terms, which makes movies set in jungles the most exciting and terrifying adventures to have.
A couple of weeks ago saw the debut of the new HBO series, Lovecraft Country, based on the book of the same name by Matt Ruff. In the book, a young black man named Atticus goes on a road trip through the Jim Crow South, with his uncle, and childhood friend, to find his father, who has mysteriously gone missing up North. They stumble across racist cops, sundown towns, Lovecraftian monsters, and occultism, in their travels.
I watched the first two episodes of this series. Normally I would not have watched any show that’s based in the Jim Crow South because that’s just a particularly triggering time period, but the writers and producers are black, so I was willing to give it a chance. Its still a very nerve-wracking show, but in a kind of good way, because its also surprisingly cathartic, entertaining, and not wholly based on Black pain and suffering. The characters are very likable, and there are other, more personal issues they deal with besides racism.
I can honestly say I enjoyed this episode. I know that sounds weird, considering how I’ve complained about no longer being interested in shows that are based on black pain and suffering, in different eras, but this show, along with the Watchman series, was very entertaining. For one thing, the plot isn’t necessarily based in suffering. the Jim Crow era in which the story takes place is simply the backdrop, and the way the story is written, the racism of the white characters is just one of the primary obstacles that the protagonists have to navigate, occasionally in the form of harrowing car chases.
It doesn’t hurt that the three main characters, Atticus, the very fine looking lead character, his uncle George, played by the incredible Courtney B. Vance, and the gorgeous Leticia, Atticus childhood friend, played by Journee Smollet, who you may remember as Black Canary, from the Harley Quinn/Birds of Prey movie, released earlier this year, are all immensely likable, and reasonably smart.
Outside of the mystery itself, the series presents a lot of ideas about black people that don’t often get seen in popular culture, which are merely glimpses into the lives of regular black people, in the midst of horrific circumstances, because that too is as important to our representation, as seeing ourselves be heroic, hearing our own stories, or seeing ourselves existing as a culture in the future. We get loving black couples, black people who love books, clothes, and superheroes, ordinary disputes between family members and black people snatching little moments of joy, even in the darkest times.
The episode begins with Atticus on his way home from the Korean War. Its 1954, and that particular war (the one depicted in the MASH series) ended around 1953. He’s dreaming of a mashup of all the scifi he’s ever read, Cthulhu, John Carter of Mars, and an ass kicking cameo from #42 himself, Jackie Robinson.
When the bus he’s riding breaks down, he and the only other black passenger, rather than being allowed to hitch a ride with a local farmer, have to walk several miles to the next town. During their walk is when we get Atticus broad opinions on fantasy stories with racist characters, or written by racist writers, like Robert E. Howard, or Lovecraft himself. Genre fiction, whether movies, books, or TV, has always been problematic for black people. Most of it was not written with us in mind, and what was, often had negative connotations.
When Atticus gets home, he finds the neighborhood is preparing to have a block party. This is something that really resonated with me, because I remember attending quite a few of these, during my childhood. My family is/was huge, so most of the block party consisted of me, my little brothers, and a seemingly vast number of cousins, uncles, and aunties! Anyway Atticus finds out from his uncle George that his father has gone missing but left a note saying he could be found in a place called Ardham. That’s right, not Arkham, but Ardham House. He, and George are joined by Leticia, a young woman that Atticus knew when they were children, because Letty was the only girl in his Science fiction book club, but who is now a traveling photographer.
Uncle George offers to come along because he is the publisher of the Chicago based green book. His wife, Hippolyta, offers to come, but George says no, out of a sense of protection. He knows how dangerous it would be for her to do such a thing., considering that he once had both his knees broken, by some racists, while on a previous trip for his travel books.
The travel books, that George writes, (based on the real life Negro Motorist’s Green Book), aided black people in navigating through the Jim Crow South, listing problem areas, like eating and sleeping places that were safe, but most especially, listed all the Sundown Towns, in both the North and South. At that time, these were all white towns, in which black people would be either run out, or murdered, if they were found within the town limits, after sundown.
Welcome to the world’s only registry of sundown towns. A sundown town is not just a place where something racist happened. It is an entire community (or even county) that for decades was “all white” on purpose. “All white” is in quotes because some towns allowed one black family to remain when they drove out the rest. Also, institutionalized persons (in prisons, hospitals, colleges, etc.), live-in servants (in white households), and black or interracial children (in white households) do not violate the taboo.
“On purpose” does not require a formal ordinance. If, for example, if a black family tried to move in, encountered considerable hostility, and left, that would qualify the town as “sundown.” Note that some sundown towns kept out Chinese Americans, Jews, Mexican Americans, Native Americans, even Mormons.
One of the most hair raising, but exhilarating, chase sequences occurs when George mistakenly takes them to a cafe that does not serve black people, and the local firefighters chase them out of town. They are saved by Letty’s well honed survival instincts, her ability to drive like a maniac, and a little bit of hoodoo, from a mysterious benefactor.
This same benefactor comes to their aid at the end of the episode, after they get stopped in a sundown county by the local sheriff, who challenges them to get out of the county 8 minutes before sundown, but without speeding. This is very probably the slowest, most nerve wracking car chase in television history, and does a spectacular job of showing how frustrating, and enraging it was to live during the Jim Crow era, in which those who held authority, (yes, the police, but regular citizens were encouraged to get in on the fun), could terrorize black people on a whim, or simply for their own pleasure.
They do follow the cops rules and manage to barely make it out of town, only to be stopped by the police in the neighboring county, who were lying in wait for them. This is an especially relevant point, because it speaks to the arbitrary nature of the rules. It ultimately doesn’t mean anything that Atticus and the others followed the rules. They’ll be killed anyway, because a group of people determined that they should, and no amount of rule following would’ve saved them. However, the three of them are inadvertently saved by monsters.
*I want to point out some of the images used in the show, which is rich with detail. This particular image here was based off some famous photographs by Gordon Parks.
And here is another, which can also seen in the episode:
*There’s also a famous interview from James Baldwin, which is used in voiceover, before the trio’s second encounter with the police.
*Hippolyta (George’s wife) is also the name of Wonder Woman’s mother, and George has a daughter named Diana.
The cops take the three of them into the woods to execute them. This is an especially chilling scene when you think about how many black people might have been murdered in this fashion, who were never missed, or whose bodies were never discovered. In fact there are a host of activities that black people don’t do today, not just because we were discouraged from participating in everyday American life, but because, even today, we are still recovering from the trauma of the constant terrorizing and policing of our actions, which lasted some sixty to seventy years. Activities like road trips, camping, swimming, walking on the sidewalks, or just out enjoying nature, could (and did) get us murdered.
Until the seventies, many state parks were off limits to black people and earlier this Summer a young black man posted videos where he was threatened with lynching, by a white mob that assaulted him in a park. The bottom line is that many of the nature activities that white people took for granted, were enduring traumas for PoC, but especially black people. So when you hear us joking about not going into the woods, or never going hiking, keep this in mind, as one of the factors.
“When I’m walking to work with park rangers or with other campers and hikers who treat me in some sort of way that make me feel unwelcome, that make me feel unsafe, that is startling,” Tariq said. “And that goes unchecked because there’s, there’s just no channel for us to be able to challenge that in such remote places.”
As much as white people claim to be afraid of black people because…..crime, or something, I don’t think many of them have ever thought about what it must be like to live one’s life in constant fear of stepping on white people’s toes, at work, or the store, in a park, or just out of doors. Always having to watch what you say, how you look, dress, act, and carefully structure one’s facial expressions, lest you set one of them off, as if they were unexploded ordinance.
The police take them into the woods to execute them, but before that can happen, they are all attacked by what viewers are calling Shuggoths, but what the characters in the show are calling vampires. They are covered with eyes, shun the light, and can move extremely fast, so they manage to take out the five or six cops rather easily. Letty and Atticus escape to an abandoned cabin, along with two of the cops, one of whom had their arm bitten off. After George joins them in the cabin, they make a plan to get more light from the cars parked at the edge of the woods. Atticus wants to go, but is prevented from doing so by the cops who 1) don’t trust him, and on top of that 2) aren’t very bright, because why would he leave his friends behind just to spite the police? The cops nominate Letty to run to the vehicles.
Okay, I’m going to have to stop here for another aside. These are the same type of white men who will happily kill a black man for breathing too hard in a white woman’s direction but are perfectly happy to sacrificing a black woman to save their skins. In their minds, black women are not worth protecting. So even though they are armed and can take care of themselves, they insist that this black woman attempt to outrun the monsters, to save their skins. To calm everyone down, Letty does make a case that she is faster than Atticus, having run track as a girl, and off she goes.
And this is the way that people should be running in a Horror movie. Letty is seriously hauling ass! I wonder how many times Journee had to do that scene, because this is not a stunt double, and she is seriously working out! There’s none of that glancing behind, or tripping and falling shit in your typical generic horror movie. This is also probably the reason black people don’t get to star in too many of them, because they would be boringly short films.
Letty makes it to the car, and heads back to the cabin, where the two cops are so busy concentrating on holding those two scary black men in check, that they don’t notice that one of them is turning into a one of the creatures that attacked them, but that’s not what’s interesting . What’s fascinating is even though the cop next to him is turning into a nightmare that’s going to eat him, he is hesitant to shoot him, despite Attticus’ and George’s warnings, instead choosing to keep his weapon aimed at the two unarmed black men in front of him. See ,this is one of the reasons I don’t trust white people, (no, not even my white friends), with my safety. After decades of fear-mongering propaganda, the majority of them simply do not have good judgment when it comes to what’s actually dangerous, and what isn’t.
The cop turns into a monster and eats the other cop, which is a nice conflation of the idea that there are other types of monsters in the world, but the human ones are the scariest. Letty arrives with the car just as the monster turns its attention to Atticus and George, but they still need to hold the monsters off until daylight, or fight them, and that’s when the mysterious benefactor arrives and calls them off using, what else…a dog whistle!
We next see the three travelers arriving at Ardham house, exhausted, and covered in blood, where they are welcomed and expected by their happy blond host, and yes, I’m immediately suspicious.
So that’s my first impression of the show. I have, since the posting of this review, watched a couple more episodes, and the show manages to keep that same energy for each episode, which is more like a connected anthology than a serialistic show. The second episode finishes out the first story arc at Ardham House, and the third focuses on Leticia buying a haunted house. Both episodes continue with the same wealth of detail, racist white men, and historical asides, including references to the Garden of Eden, and a chilling cameo from Emmet Till!
There are so many layers to this show, but its also just entertaining, even if you don’t get, or see, all the socio-historical references. The show is fun to watch, with a lot of exciting moments, because its well written, and the characters and plot are compelling.
The DCEU just had this thing online in August, that was sort of like ComicCon, but only for DC and its properties, called the FanDome. Basically they showcased all their shows, movies, and trailers online, for a week. So here are the relevant trailers, and a couple of random trailers, and videos, I threw into the mix, just because I liked them!
This is a new series on Netflix, based on the Enola Holmes Mystery books, which I have heard about, but never read. Enola is Sherlock and Mycroft’s little sister, and Since I like her brothers, and I like this actress, I’m looking forward to the first episode, which looks like lighthearted fun.
Zack Snyder’s Justice League
For the record, I cared not one whit for the Zack Snyder cut to be released, let alone that it even existed. I’m also not exactly a Zack Snyder fan, even though I’ve probably seen all his films. Its more that Zack Snyder keeps directing movies that have actors in it that I like, and so I end up seeing his movies.
All that said, I actually am looking forward to this and will definitely watch this mini-series, which I understand will take place over four days. Frankly, that’s how it should’ve been approached in the first place, rather than a 2+ hour movie, that seemed to displease everyone.
The Suicide Squad
Now, I must state up front, that I am a fan of the first Suicide Squad, which is differentiated from this one by not having the word ‘The” in front. I know people hate that first movie, but I found a lot of things to like about it, (as well as hate), and it’s more likely that I was looking at that film through a very different lens, than the white fanboys who hated it, and one day I’m going to have to write about why that is.
Anywho, I am a big fan of James Gunn, whose career got canceled briefly, but who has since been reinstated, in his role as the director of the Guardians of the Galaxy movies, which I personally love. Those are two of my absolute favorite MCU films ,so I’m very much looking forward to his version of the Suicide Squad.
This movie actually looks okay. Yeah, I was more than a little dubious about Robert Pattinson playing this role, but I never liked Ben Affleck, and I’ve since watched Pattinson in other roles, and I feel confident that he is gonna bring it as The Batman.
Now this is a much younger Batman than we’re used to. I’d say year one or two, in his role as Gotham’s protector, and you can see that he is not as controlled in his manner, as we’ve seen the older Batmans, and that there is a little more hand to hand combat, rather than the reliance on gadgets, that a lot of the movies fall into. Hopefully, this movie will also focus on Batman being a detective, because that was the part of his role that made him interesting in the comic books, and which hasn’t really been depicted onscreen yet.
You guys all know I’m a dedicated Stephen King fan despite some of my issues with some of his characters, but I will admit that I disliked the original mini-series of this book intensely, because the acting was so spotty, and it was trying just a little too hard to be faithful to the book, without actually being faithful to the book. But I’m kind of looking forward to this version. For one thing, it stars much better actors ,and it looks like its going to remain faithful to the spirit in which the book was written, and it happens to be timely.
Now, I don’t know how many of you want to sign on to see a pandemic destroy the Earth, considering what we’re all going through. I tried reading the book back in May, and just couldn’t get through it, and I also believe the money spent on this would have been better served filming The Talisman, but I’m gonna watch this in December, even though it ain’t got nan but two black people in it, and let you guys know what I think.
Taika Waititi continues to be comedy gold! I just love this man’s humor ,and of course the Thriller dance would be a Haka!
Raised by Wolves
Not sure what to think about this one, but I’m going to check it out because its SciFi, and based on my blog name, I am required by law to watch this, I think.
I am definitely going to watch this, and then we’re going to talk about my love of Christopher Nolan films
I think this is an American remake of the French movie, The Night Eats The World, a zombie type movie, in which people act insane, but are not actually zombies, right? It stars that guy from Teen Wolf. There’s also a bunch of other movies out right now called Alone, but with 0009949443528
a different type of horror, so try not to get confused. This looks intriguing, but I’m not sure I want to binge on too many end of the world flicks right now, because I’m just not feeling it.
*Hopefully, my review of Lovecraft Country’s first episode, will be ready by this Friday!
Yeah, I’m still on this thing where I look through files about the SCP organization. That place is really a lot weirder than I ever thought it might be. Although there are at least a couple of these that are just joke SCPs, some of these I’m not too sure about.
SCP 8003 – Talking Penny
This one you’ll have to read for yourself as it defies description, and may not, in fact, exist at all.
This umbrella attracts lightning, when held directly above the head of its holder. It only attracts lightning when held directly overhead, and only during inclement weather, otherwise its just a regular umbrella.
SCP 799 – Carnivorous Blanket
This object appears to be a typical woolen blanket, that occasionally transforms into a large predator, that lies in wait for someone to wrap themselves in it, and then consumes them.
SCP 789 – Haunted Toilet
This is a butt ghost, which only consists of a face, that talks to people while they poop into the toilet. It will stop talking if you poop on it, and can only be gotten rid of by wiping your behind!
SCP 1057 – Invisible Shark
I think the above photo is a little misleading, since this is just a tank that holds a shark shaped space in it. The shark cannot be seen by the human eye, or measured by most instrumentation, but is capable of killing and eating anyone who gets inside the tank. As long as you don’t get int the tank with it, then you’re fine.
SCP 2852 – Cousin Johnny
This is definitely one of the creepiest of the cognito-hazards. Cousin Johnny is an alien entity that induces psychotic and cannibalistic behavior in the humans it comes into contact with at parties and weddings. The people it infects have no memory of interaction with the entity, which shows up at their special events masquerading as a previously unknown cousin named John, but after the event is over, the people are induced to brutalize one another in violent rituals.
SCP 1728 – Butter Man
Sadly, there are currently no photographs of Butter Man!
A man without a head, whose body exudes a buttery substance from his skin, making him exceptionally slippery, and difficult to contain in the facility.
SCP 2662 – Worship Him/F*ck Cthulhu!
A man, voluntarily residing in a containment facility, who has strange tentacles growing from his back. People are compelled to form cults and worship him. Sometimes people from outside the containment facility attempt to break in and hold violent, or sexually ritualistic services in his name, which cause the anomaly a great deal of emotional distress.
SCP 123 – I Can’t Believe Its Not Butter
A tub of what appears to be butter, that apparently tastes like butter, but when consumers are informed that it is not, in fact, butter, they react in an incredulous or sometimes disgusted manner.
SCP 919 – Needy Mirror
A mirror that compels a person to keep looking into it, making eye contact with their reflection. Should they break eye contact, their reflection will scream, and then burst into flames, until eye contact is returned.
SCP 1048 – Builder Bear
This seems ot be a harmless sentient bear, that is friendly and affectionate, except it likes to dismember human bodies, craft them together into a replica of itself, that will resurrect, and attempt to kill any humans nearby.
I was just looking over a list of of horror movies I made early on this blog, of some of my favorite monsters, and took note of how damn weird all the monsters on that list were. I remember deliberately leaving certain types of traditional monsters off the list, like vampires and werewolves.
I also noticed a trend, from decade to decade, too. Whatever social or economic concerns Americans were voicing in the media at that time, got appropriated by Hollywood to make these movies, although its not quite that simple, as Hollywood didn’t just reflect our fears, but reinforced them, as a lot of these films had a sort of dialogue with one another.
In the fifties, the big theme was nuclear generated monsters because people were still reeling from the use of atomic weaponry during the war. In the sixties, the theme was zombies, and other human related horrors, as people began to question American lifestyles, and there was a great deal of social and racial upheaval. In the seventies, it was environmental concerns, and in the eighties, Hollywood focused on human and supernatural related horrors, like zombies, and slashers.
Here is my top ten list of the weirdest horror movie monsters ever screened. There’s a lot more, these just happen to be my personal favorites.
Little Shop Of Horrors – Giant Venus Flytrap
This is certainly one of the strangest monsters ever seen in a movie, (especially considering the sheer numbers of strange monsters in movies), a giant flytrap that is actually from Venus, that talks and sings. It took me years to figure that that’s what Audrey II was, probably because I wasn’t paying attention to the dialogue as closely as I should have, and well…Audrey is certainly distracting. The 1986 movie stars the music of Alan Mencken, was directed by Frank Oz, of Muppet fame, while Audrey was voiced by Levi Stubbs of The Four Tops.
Food of the Gods – Giant Mice, Chickens, and Hornets
This 1978 movie was loosely based on the H.G.Wells novel of the same name about a strange substance that bubbles out of the ground near a farm, which gets fed to various animals. This causes the farm animals, and all the nearby woodland wildlife to grow to tremendous sizes. The audience gets treated to giant chickens, giant hornets, and of course, giant mice. Yes, the acting is terrible, and the special effects are laughable, but there are at least a couple of truly effective scenes, which makes this movie worth taking a look at.
Part of the reason for all these giant and killer animal movies, during the 70s, was America’s new awareness of ecological issues, which prompted Hollywood to try to cash in on these new environmentalist fears. Movies like Squirm, Slugs, Day of the Animals, Frogs, and the many Grizzly films gave vent to American’s fears of humans destroying the environment, which prompted the environment to take revenge on us.
Attack of the Killer Tomatoes – GiantTomatoes
In keeping with the theme of ecologically based monsters, this is an utterly ridiculous, 1978 satirical film, whose style is loosely based on the giant nuclear animal movies of the fifties, and The Blob. The tomatoes even have their own theme song, written by John Dibello. The acting is atrocious, which only contributes to the films very, very, broad humor.
Night of the Lepus – Giant Rabbits
This is a 1972 horror scifi movie about a town being overrun by giant rabbits. The special effects are incredibly laughable because the rabbits don’t look especially evil or angry. They just look like rabbits, which is entirely in keeping with the “nature is trying to kill us all” phase of horror that happened during the 70s.
Rubber – Killer Car Tire
This 2010 movie is about a rubber tire, named Robert, that somehow becomes sentient enough to psychically kill the people it encounters. It rolls around the desert, exploding the bodies of hapless animals and unsuspecting people. Directed by Quentin Depieux, and starring a cast of nobodies, this film is much more surreal, as it also has a chorus of bystanders, who view the events, while making commentary, and who eventually all contract food poisoning by eating some bad poultry they brought with them for a picnic. Quentin needs help!
Attack of the Killer Shrews – Giant Shrews
This 1959, black and white, giant animal movie revolves around a boat captain and his crew, who get stranded on a research island, with a mad scientist, his daughter, and the staff. The mad scientist believes shrinking human beings to the size of party snacks is a way to solve world hunger. He should have stuck with enlarging plants, because naturally, he gets to be one of the first people eaten by the shrews. Its also a monumentally stupid idea.
This movie has the distinction of being one of the few movies, on this list, that scared the living beejeezus out of me…when I ten years old, and watched it on some idle Saturday afternoon. its always those childhood fears that stick with you, because I saw this a couple years ago, and yeah, I laughed at it, but it was, lowkey, still effective.
From Hell It Came – A Tree Stump/Zombie?
In keeping with the theme of murderous, sentient, wildlife, this is a 1957 scifi horror movie, about what appears to be an angry, nuclear generated, tree stump, on yet another desert island. This movie has the rather unique plot of having a witch doctor and human sacrifice involved, as well. As usual, there is the demonization of some sort of African pagan religion, which I’ll be speaking on later.
Black Sheep – Sheep
Black Sheep is a 2006 movie from New Zealand, about a brother who accidentally zombifies a flock of sheep, by performing genetic experiments on his father’s sheep farm. Just one bite from one of these fat, and perfectly normal looking sheep, is enough to transform a man into a horrific man-sheep monstrosity. The humor is that all of this is played completely straight and the actors really sell it.
The Crawling Eye – Giant Loose Eyeball
Originally called the Trollenberg Terror, this is a 1958 British, black and whit,e film. This one of the few films where the monster’s origins are not a result of nuclear something or other. The location is isolated, scientists are involved, and the monsters seemingly have a form of mind controlled.
Squirm – Worms
This is another movie I remember watching as a kid where I wasn’t so much terrified, as disgusted. This movie, released in 1976, was one of the worst of the ecologically based horror movies, if only for the acting, but I still found it intriguing, because…worms. During a thunderstorm, a farm full of worms get struck with electricity from downed power lines, and decide they like the taste of people. There’s some greatly ridiculous scenes of screaming worms, and houses being swarmed by regular sized, bloodthirsty, worms.
The Swarm – Killer Bees
This was apart of the great Swarm! of killer bee movies that we all got inundated with in the 70s, thanks to the media horror stories about the Africanized honey bee, the most hostile and aggressive bees on the planet because…Africa! taking over America.
Frogs – Frogs
This movie released in 1972, is a rather slow moving thing that doesn’t contain monsters so much as deeply stupid people. A wealthy family has a reunion on their private island, so they can fight among themselves in private, but are inundated by swarms of frogs, and other wildlife, that apparently hate them. The frogs and other animals, aren’t grown to large sizes, or are even especially malevolent. They pretty much just act like snakes, birds, and lizards, while the family members act like accident prone ninnies.
So hey everybody, have a happy weekend, and watch out for the trees!
Sometimes you don’t know enough to ask the correct questions, or be able to look up the correct key words. Here’s a quick Wikipedia rundown of the different types of political parties and ideologies that you always hear people talking about but have no idea what any of the terms mean. Arm yourself with knowledge.
Okay, I was initially just going to post only those shows I was invested in watching, but decided to add at least a couple of shows that, while I might not be especially enthused about them, I’m sure someone reading this, is.
So, here’s a thoroughly incomplete list of new Fall shows that someone, who is not necessarily me, might be interested in watching in October.
Walking Dead: World Beyond
This is one of the shows I’m not terribly enthused about, because I’m not really in much of a mood for apocalyptic fiction, right now, it’s based off The Walking Dead series, which is now in its 1,000th season, and I refuse to get attached to any of the characters I see here, just in case they die horribly in the first two episodes.
Pretty much the only thing I got out of The Walking Dead, was not to care about any of the characters, because they’re all just gonna be horribly killed at some point, and since characters are how I get invested in a show, well…
On the other hand, it does look intriguing, because it answers some questions about those helicopter people who approached Rick that one time, and what happened to Rick after his supposed death.
One theme in zombie fiction, that I am seriously tired of, is the travelogue narrative ,where, as soon as the world goes into lockdown mode, someone decides to take a road trip to find some lost loved ones, sometimes with neighbors, or a dog in tow, and they have harrowing adventures, and this seems like more of that. *Sigh*
I want to like this but I’m just not feeling it. I will look at the pilot though, and maybe I will want to see more of it. yeah, I have no idea what it’s actually about ,and I don’t even care, which is how I know I probably won’t be jumping on this.
I have mixed feelings about this show. On the one hand it is directed by a Black woman, and I’m just now coming off The Old Guard, which was also directed by a Black woman, and I’m feeling confident. Its also produced by Jordan Peele, and the original story was written by Matt Ruff, and I read and liked the book okay. It also has monsters in it, and I like to think the racistly racist Lovecraft is rolling over in his grave at having his universe adapted to serve Black characters. Its about a Black family that take a road trip and encounter a mystery and some Lovecraft style monsters.
But…I’m not at all in the mood to watch any more oppression narratives that are rooted in Black pain and trauma. I don’t want to watch any more shows, or movies, set in the Slave era, or Jim Crow South, where we get to watch the characters suffer, and I’m strongly inclined to pretend this doesn’t exist, and will not exist any time in the future.
Unlike a lot of other whiners on Youtube (and other media), I’m not yet tired of the superhero genre, especially if they keep putting interesting versions of it onscreen, but then, I’m a person who much more carefully chooses these movies and shows, rather than rushing to watch every single thing with a superhero in it, and I also tend to like non-superhero, superhero movies like Unbreakable, The Old Guard, and this vehicle here.
I really like Joseph Gordon-Levitt, and Jamie Foxx ,and I’ve never seen the two of them in a movie together, and it looks like fun, I guess. I think I read a book that had something of the same premise waaay back in the 90s, and I think there’s been a least a couple of comic book stories, where gaining superpowers through drugs, was an idea.
I really like Edgar Wright and Simon Pegg. Ive seen most of their movies together, and I loathe the paranormal investigation reality show genre, so I’m actually looking forward to this parody.
The Good Lord Bird
That thing I said about Slave era narratives is still true, but I find myself greatly intrigued by this movie, because its a comedy that stars Orlando Jones, an actor I love, and Ethan Hawke, who, as John Brown, looks unrecognizable in this movie, and who was great in The Magnificent Seven remake, and Daveed Diggs, who plays Frederick Douglas. I also like it because it is a comedy where the plot isn’t rooted in the consumption of Black trauma.
It actually looks really, really, funny ,and the young girl we see in the trailer is actually a young boy who has disguised himself as a young girl because he found his life easier that way, and he sort of accidentally falls under Brown’s care.
You guys have got to read the book on which this movie is based, because Brown is a real hoot. Brown himself is a trigger happy abolitionist, who guns down any slave owners, and slave patrols he happens to encounter, making no effort to protect himself from harm, because he believes he is doing God’s will and that he is already protected.
Star Trek: Lower Decks
I’m not sure this is the best use of the money we gave these people for those last couple of Star Trek movies, so I’m just gonna leave this here.
I mean, I’m not opposed to an animated version of Star Trek, but I am opposed to an animated version of Star Trek. Heck, I didn’t even watch the original animated Trek, from the 70s. But you know what, I’m not gonna act like one of those fanboy purists who refuse to watch something just because its radically different from whatever came before, and I loved that Spiderverse movie. Not that this is, in any way, Spiderverse level entertainment, but I might be surprised.
An American Pickle
At first glance, this doesn’t seem much like something I’d watch, but I Seth Rogan okay, I like time travel movies, it looks funny, and I like the initial setting of Victorian New York.