Black Panther : Selected readings From Medium. com

All of these essays come from I decided to do a separate post for this site because I can’t directly link to all the articles. But I can link to the writers and you can look around, after joining Medium, and check out their other writings, as well. There are a few of these articles that sit behind a paywall, but its only five dollars a month, if you’re willing. Later, I’ll do a separate list of essays for fans on Tumblr.

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Black Panther: The King For Our Time

Lessons for America on the Consequences of Isolationism and Burying your Violent History Jay Kapoor


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Meditations on ‘Black Panther’ and the Future of Black Superhero Movies: Why did it succeed where many other black superhero movies have failed?

Eric Anthony Glover


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Black Panther: Lessons in Hollywood diversity and black pride

By: Nicol Turner-Lee


‘Black Panther’: When Will African-American Films No Longer be Considered Unicorns?

After a string of seemingly anomalous box-office hits (‘Get Out,’ ‘Girls Trip’ and now Marvel’s latest), THR columnist Marc Bernardin argues that these hits can be repeated if Hollywood pays attention to the real reasons they succeeded in the first place.

The Hollywood Reporter


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I Went to See Black Panther and Found Myself in Erik Killmonger Jonathan Walton


“Have I Ever Failed You?”

On Black Panther and Battling Our Father’s Demons

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Wakanda Future Do You Imagine? A Critical Examination of the Aesthetics, Culture, Politics, and Symbolism of the Blockbuster Film ‘Black Panther’ Son of Baldwin


What ‘Black Panther’ Teaches Us About When Fathers Lie to Their Sons Zaron Burnett III


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‘Black Panther’ Inspires More Than African Americans  CNN


Black Panther Is the Superhero Every Kid Will Want to Be This Halloween

Why that’s a good thing, and a few other observations about the latest Marvel blockbuster  Tim Grierson


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5 Lessons from Black Panther That Can Save Our Lives — and Transform Black Politics  Frank Leon Roberts


Black Panther is one of the most important cultural moments in American history Shaun King


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How ‘Black Panther’ taps into 500 years of history


Ryan Coogler’s film draws on centuries of black dreams of independence to create Wakanda


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An American Monster In Wakanda: Why I Would Be Erik Killmonger Talynn Kel






Movies I Loved (But Y’all Hated)

You are all wrong, btw!😝

Saying I loved these movies is a strong word.  But I definitely liked them, and watched them multiple times.In some cases I can’t  put my finger on why I liked them, and others, I know exactly why I’m compelled to watch them every time they air on TV. I still do not understand why so many of these films seem to feature Will Smith. Apparently, in my mind, the man can do no wrong, (except I really did hate Bagger Vance and Hitch, so go figure!)

And yeah, some of these reviews did determine this thing, where I’m completely disregarding the reviews of diverse movies by White critics, as being totally justified.


Suicide Squad:

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This movie starred two of my favorite actors along with two of my favorite characters. Viola Davis was a totally cold, badass, Amanda Waller. I’ve been a fan of The Wall since her first run in Batman. She’s the only character who has ever told Batman, to his face, where he could step the fuck off, and although Batman sits in my personal pantheon, I totally ugly laughed when she did that. The Wall was a woman who feared no man, not even The Bat, and Viola perfectly captured that. I liked how she wasn’t just a straight up villain either. She was on the side of good most of the time but she’s also utterly ruthless, and smart as fuck. Like Nick Fury, she’s not evil, and I would classify her more as an adversary, or anti-hero.

Then there’s Will Smith. I will watch Will in anything, even if I know I might hate it. He has played far too many magical negroes for my taste, but he seems to have gotten that phase of his career out of his system, and is killing it in some interesting roles now (including a short cameo as Lucifer in A Winters Tale). I didn’t know shit about Deadshot, other than he was an adversary of Batman, but it’s Will Frickin’ Smith, so I don’t care that I don’t care.

I’ve been a Harley Quinn fan since her inception, (mostly the CN version) and I liked how she was portrayed here. The movie didn’t forget to add her tragic backstory, and if you’ve read the comic books, you know she eventually sets Joker aside, and has some healthier relationships. So I watched the movie with that in mind. And I just liked the zaniness of her character. She was fun! I also liked the relationship she was developing with Deadshot.

Then there’s Diablo. I knew nothing about Diablo before this movie, because I’m not a huge DC fan, really. Had never even heard of him. So when he turned into an Ancient Fire God, at the end of the movie, I nearly popped out of my bunny slippers! THAT SHIT WAS FUCKING AWESOME!!! (Whew! Let me calm down). I was totally not ready for that shit. Why didn’t anybody tell me? You know what, that’s okay because that would have spoiled the joyfulness of seeing it for myself.

I also liked seeing Killer Croc onscreen. He’s terrifying ,and insane, in the comic books, but he’s almost sympathetic in this movie. Almost. He’s still pretty terrifying, though. My favorite scene in the entire movie is when the meta-villains are sitting in that bar talking about their identities. I felt that scene added a great deal of depth to the characters.

I’m also one of five people who actually think the movie is funny, but that is mostly due to the presence of Will Smith, and Margot Robbie. Like most people I hated the villain. She was ridiculous, but the movie has a lot of great scenes, great music, and interesting characters, and I didn’t feel like my time was at all wasted by watching it. I wish there been more Slipknot, and Katana, though.

So yeah, there’s gonna be a sequel because this movie cleaned up at the box office, because audiences loved it, even though most of the (not so diverse) journalists critiquing it, hated it. I don’t know what movie they were watching, but I know what I’m gonna spend my money on next year.

I also heard Diablo is not dead and will be in the next movie. WHOOOOOOT!!!


I Am Legend/After Earth

Here are some more Will Smith movies. I have a longer review in order for After Earth, but I Am Legend is definitely a favorite of mine. I am starting to develop an interesting theory on why these critics hate these films, and it goes a little bit beyond disliking movies not centered around white people, and wanting to see such movies fail by giving them bad reviews.

White Racial Resentment and Implicit Bias are real things that have been studied extensively, that have made their way into every aspect of American life, and its ridiculous to think it wouldn’t have made its way into film journalism, or that journalists would be unaffected. (I consider most of White fandom to be an entire shitshow, and generally limit my fandom activities to Black spaces whenever possible. It’s about the only way I can retain any of the sanity I have left.)

But I consider I Am Legend to be one of Will Smith’s greatest performances, up there with Ali. At least right up until the last thirty minutes. Yes, the ending did indeed suck, but the ending was not enough to keep me from liking the first two thirds of the film. I was totally in my feels watching this movie, and I feel like Will killed it!

I’m going to have to go into greater detail about After Earth in a later post, about that movie is relevant to Black men, and the inadvertent dialogue it appears to be having with other films, like Moonlight.


The Village:

One of the reasons people hated After Earth, is the same reason that The Village was panned by critics. They were hating on the director, and not the movie itself. I found nothing in this movie that was worth the bad reviews this movie got. It was beautifully filmed, thoughtful, and melancholy. I liked the actors, and their performances were wonderful. I loved the characters and their relationships to each other, including a beautiful sister/sister relationship, and some beautiful scenes of love, unrequited.

It seemed like, at some point, people decided to turn on the director and hate everything he made, after a couple of his movies failed at the box office. I Iike M. Night, and wasn’t ready to write him off as a good director just for making a couple of awful films, after he made some really good ones, and I think this is one of the good ones. I watch The Village whenever I’m in a certain mood, and it has never failed to move me. Not only that, but I feel like there’s some type of dialogue happening between After Earth, and The Village, with their themes of father/child relationships, emotional suppression, and the philosophy of fear.


Alien Resurrection:


I’ve been a Winona Ryder fan since her role in Heathers, waaay back in the 80’s, so I’m always gonna fangirl over her, in even some of her worst roles (I’m talking about you, Dracula!) I was delighted to see she’d been cast in the Alien franchise, which has always been heavily woman -centered, from its inception, and I was hoping for some wonderful female to female moments between her and Ripley, and I got this beautiful mother/daughter dynamic, which echoed some of same themes in Aliens, where Ripley bonds with Newt.

There’s also Ron Perlman being an ass, while using grammatically correct English.

Call, the robot Wynnona plays in the movie, is one of my all-time favorite Aliens characters, right up there with Ripley, and Vasquez. I think my love for Call has a lot to do with my age at the time when I saw the movie. I have all kinds of thoughts about this movie, and Call and Ripley in particular, so I should probably review it, huh?


Alien Vs Predator:
Yeah, we talked about this in an earlier post, and if you haven’t been paying attention, there is a trend in the kind of movie I enjoy Vs the kind of movie critics hate. Don’t get me wrong, there are a lot of movies that I can agree are wonderful, but I’m still feeling suspicious about how some movies end up with really awful reviews, when I’ve not noticed a great qualitative difference between it and any other mediocre film it’s type. Sometimes though, the timing of a movie’s release is just bad, and people are rejecting it in the moment, only to embrace the movie many years later, as with Bladerunner.

And sometimes critics hate something, and they’re right about that, but then movies like that tend to be very obviously awful, too.


And as a special bonus round, cuz sometimes y’all know some stuff that I don’t:

Movies I Hated (But Y’all Loved!)😐

There are only a couple of these movies that I actively hate, so hate is maybe a stronger word, than I need. I should say I’m mostly indifferent  to them, (but the word “indifferent ” doesn’t look good in the sub-title). Also this list was initially a lot longer. It seems I’m apathetic to a lot of movies that other people really, really love.



I think I was one of five people that was unimpressed by this movie. I watched this when I was a teenager, and thought it was really cute, but beyond that my feeling was…meh. I liked Elliot, and the E.T. was kinda adorable, but ultimately this movie didn’t end up on any of  my favorites list. It may also have had something to do with the hyping of the film before and just after it’s release. I do remember feeling sick and damn tired of seeing the ads for it. And once again, it all comes down to timing, too. I probably wasn’t in the right mind frame, or right age to appreciate it. Released a couple of years earlier, I probably would’ve loved it.


Wonder Woman:

I don’t actually hate this movie. It’s a perfectly adequate action movie. I think part of the reason I wasn’t too ga-ga over it is probably because I’m a forty something year old Black woman, whose seen this kind of movie before. I saw it the first time when it was called Alien, and again when it was called Aliens, and again, when it was called Ghostbusters, and Mad Max Fury Road. I am well used to the idea of White women being non-sexualized badasses in movies. This ain’t new to me. Hell, Ripley is my patron saint, and sits in the cinematic pantheon. So maybe I’m just really tired, or the timing was off, or I wasn’t the audience for it.

But you know what? I’ve decided this movie just wasn’t for me, I guess. I respect that some people really, really loved it, so I’m not gonna talk too much shit about it, but really, I wasn’t feeling that. The movie was just alright. I was crazier over Mad Max. If I were a twenty year old White woman, I might be insane over this movie, and wtf, twenty year old White women still need representation too.


The Deer Hunter:

I just hated this depressing-assed movie,which wasnt as awful as Deliverance, but well within spitting distance. The characters are fine, the premise is great, but this is one of those movies that only ever needs to be watched one time, after which you cleanse yourself, and try to recover from the mood it caused. This movie along with

Casualties of War:

…are two of the most depressing and/or horrifying war movies ever made. I have one word of advice for anyone coming across this film, because it stars Michael J Fox, and they think it might be worth watching…


Please save yourself the abject misery of watching this film. Sitting through this movie was an act of sheer fucking endurance,and I will never get the hours of my life back, that I spent watching it. Other than the movie looking beautiful, there is nothing enjoyable about this film. I basically spent two hours watching Fox’s character wish-wash, back and forth, over whether or not to save the life of a young Vietnamese woman, who is never given a name, and had been kidnapped, and repeatedly raped and brutalized by his commanding officer, and the small squad of soldiers he commanded. The movie manages to make it all about his dilemma and guilt over ratting out his commanding officer, for war crimes, rather than the story of the young woman actually undergoing the ordeal over which he feels so conflicted. The most galling moment comes at the end of the movie when he is offered redemption for his difficult decision, by a young Asian American woman he saw on his bus route, whose face reminded him of that long ago victim.
This is exactly what we mean when we say White writers should no longer be allowed to tell other people’s stories. The story is very obviously about her, and her ordeal, but written from the point of view of the lone white man, with a conscience, who is deeply concerned about turning against his squad buddies, and reporting them to upper command.

I hated this movie.

Critics seemed to like it just fine.

Back to the Future:

For the record, I am a fan of Michael J. Fox, and don’t hate all his films, but this movie also misses me. Ive seen it about three times, and watched the two sequels when they came on TV. I thought they were really cute. I do not understand the foaming at the mouth level of glee I’ve seen from movie fans for it, though. It just doesn’t move me that much, even though something about it, I don’t know what, seemed to have thoroughly captured the imaginations of White male nerds. I say that because I’ve never heard, or even read, of a single PoC, woman (or man), who loves this movie like that.

To me, it’s just a fun, not too deep, Scifi movie, aimed at teenagers.


Point Break: 

Patrick Swayze was one of the sexiest men in Hollywood when he as at the height of his career. That said, this ain’t one of my favorites by him. (That would be Roadhouse.) I hated the characters in Point Blank, and thought the plot was deeply stupid, and not in a good way. Roadhouse was stupid too, but the plot was audaciously stupid, and everyone just ran with it, and I couldn’t help but give it two thumbs up. Also, I liked the main character, so that helped.



I remember the huge hype around this movie, but I didn’t go to see this in the theaters. I watched it on cable a few years later. I wasn’t really trying to see it either. It was just on TV. I watched it with my Mom, and we were both mostly bored, although the romance of Jack and Rose was really cute . I didn’t object to the romance and the prologue and stuff, and the movie was very pretty, but I didn’t find any of it especially compelling either. We were almost clinically fascinated by the disaster scenes, with me discussing the physics of it with her, but apparently the physics is not something you tell people that you enjoyed about this movie.



Yeah, this was another movie I absolutely hated. It has the distinction of being the only movie, starring Sigourney Weaver, that I’ve ever intensely disliked. Omg! This motherf… movie is gonna need a whole hate post about it, starting with Sam Worthington, his character, the plot, the aliens. I don’t normally do shitposts about movies. I like to stick with movies I loved, and why I loved them, so don’t hold your breath on that.

Ugh! Lemme stop thinking about it!



This movie was just alright. I liked the characters okay, and Sandra Bullock was a lot of fun in the role, but I wasn’t very excited by this movie. It did have the affect of making me like Keanu Reeves a little bit more than before,and it was thrilling, I guess, but I wasn’t greatly moved to laud it as the second coming of the action movie.

I’m Looking Forward To Watching…(Movies)

I think its very interesting that we all have so much choice out there today, as regards popular media, that some of us PoC are making the bold choice of only supporting films and TV shows which prominently feature other PoC. So there is progress being made as far as diversity and inclusion. Its slow, and hasn’t reached any level of normalcy, to the point where we can just disregard these films, but hopefully we can reach that point.

For myself, I’m just reaching a point where I dont give a flying hot damn what any White fanboy thinks of most movies. I am completely and thoroughly disregarding all of their opinions on movies, (I long ago stopped listening to them as regards music) and most of television. They’ve had their say long enough. It’s time for other people to be heard now.


(9) A Wrinkle in Time

This movie is being released this weekend, and I’m  to take my 12 year old niece to see this. I read this book  as a child, so I’m almost as excited about this movie as she is, even if she has not yet read it. She just likes seeing little girls having adventures in movies, and I am more than happy to provide her with a steady diet of that. And yeah, watch out for the bad reviews until you’ve seen the movie yourself. They’re already getting started panning this movie, (probably because they can’t hate on Black Panther without looking like a fool.)



(23) Pacific Rim Uprising

I’m sort of in love with John Boyega. I plan to take my niece to see this one too, because she isn’t just sort of in love with him, she is crushin’ bad. We both liked the first film, I’m a huge fan of  kaiju movies,  and this looks really exciting. Plus, its  got that whole Power Rangers thing going for it, too.





(20) Rampage

My Mom loves giant killer somethings in movies -dogs, crocodiles, dinosaurs. It makes no difference to her as long as ts based on a real animal, is large, and eats people. The film does receive one demerit from her because she is not a Dwayne Johnson fan. On the other hand, I am a Dwayne Johnson fan, and it also stars Naomie Harris, which gives this movie the distinction of not having any of the Chris-es in charge of this action thriller.





(4) Avengers Infinity War

I got plans!



(18) Deapool 2

I love the trailers for this movie, but I don’t know if I’ll be inviting my niece  to see this one, and the thought of seeing this with my Mom is kinda terrifying. I think it’s just a tad too mature for my niece, so I may have to go this one alone, or not at all. I do like the movie’s version of Domino. She’s so Pam Grier! And of course, my girl-fave, Negasonic Teenage Warhead, (What an awesome name!!!) will be present, so I have to support her.



(25) Solo

This looks like fun, although I do wish the movie was about Lando, rather than Han, and the lead actor has luxurious, cheesy 70’s hair, which is annoying, since I am over that phase of my life..



(8) Oceans 8

The only reason I want to see this film is to see Rihanna. I probably won’t see this anyway. I’ll be all out of money because I have plans to also see…



(15) The  Incredibles 2

Yep! Elastigirl is worth 2 Rihannas, and Edna Mode is worth about a couple hundred of whoever else is starring in Oceans 8.



(22) Jurassic World: Fallen Kingdom

Oh c’mon! You know! Giant animals? Check! Eating people? Check! Jeff Goldblum? Check! Running and screaming? Check!

Okay then.




(6) Ant Man and The Wasp

I had no plans to go see this movie, just as I had no plans to see the first film. Then this trailer dropped, and it looks like hella fun, so I’m thinking about it. Just remember, nobody was asking for the first movie. Marvel just decided, for whatever reason, to give us an Ant Man movie, despite our asking for a Black Widow movie. On the other hand, I fully support Janet Van Dyne, (I love her in the comic books) and wish the first movie had been all about her.



(27) Mission Impossible: Fallout

I have never gone to see any of the Mission Impossible movies at the theater, but I’m considering seeing this. The trailer is totally batshit, and Angela Bassett is in it, so…




There are no trailers for these two movies yet.

(3) The Equalizer 2

I only kind of enjoyed the first movie, but I’m interested in this one because the little boy from Moonlight is in this one, I think. I don’t know why people are resting on Antoine Fuqua’s movies, almost all of them starring Denzel Washington, though. He’s no Ryan Coogler, but he’s a Black director who has been quietly going about the business of putting his thing down, and we should probably show some respect for that.


(10) Crazy Rich Asians

I’m almost as excited about this movie as a lot of Asian people. It will be the first movie starring an entirely Asian cast, along with an Asian director, based on a book by an Asian author. Its a romantic comedy , and while I’m not fond of such movies, as a general rule, this movie stars some of my favorite people, like Constance Wu, Gemma Chan, Awkwafina, Harry Shum,  and Michelle Yeoh. This is their Black Panther moment and I hope people come out in support for it, especially if you want to see more Asian actors in American films.

In their own words:



(14) The Predator

I haven’t seen any trailers for this yet, but I’m kind of excited about it becasue Keegan Michael Key is in this movie, and I’ve never seen him be a badass with a gun, outside of a comedic purposes. It also stars Edward James Olmos, Sterling K. Brown, and Olivia Munn. I really like the Predator franchise, which has a good history of showcasing PoC in prominent roles,  like Carl Weathers from the first film, Danny Glover from Predator II, and Sanaa Lathan in AvP.



(5) Venom

I don’t know what to think about this  movie yet, because the trailer doesn’t actually show anytihng, or tell anything. On the other hand, it does star Tom Hardy, and I have to support his crazy ass. I’m a fan of some of  the comic book versions of Venom, so I’m cautiously excited about this. I also heard that this movie isn’t related to any of the MCU films, so I don’t think we can expect a cameo from Tom holland.



I have not found any official trailers for these movies.

(2) Mulan

I am cautiously excited about this movie. I will be even more excited if there are no White people in the cast. We watched the cartoon version and that  didn’t feature any White people, so I don’t feel we need any in the live action version either. Why would you add White people to this anyway?

Hollywood needs to learn that you do not need White actors to tell a story, or draw the audience in. If the story is good, it can stand for itself. On the other hand, overseas audiences see White people as exotic, and that might be a reason a White character would be added to this movie.


(16) Fantastic Beasts 2: The Crimes of Grindelwald

I’m less than happy that Johnny Depp is in this, and I’m still in my feelings about the lack of PoC in the last movie, even though I enjoyed all the characters, and the plot made no sense. This one, I think, is set in France ,and I’m looking forward to seeing all the characters from the first film, although I probably won’t be seeing this in the theater.


Also: Creed 2; Mary Queen of Scots;Aquaman

I got nothing on these films. They just sound mildly interesting.




I’m Looking Forward To Watching…TV

Ooh! There’s some great stuff coming to television this spring. Also, some not so great stuff, but we won’t know that until we look at it, soo…


Altered Carbon (Netflix): I have not yet watched this. I will get around to it and let you know what I think at some point.



Ash Vs The Evil Dead Season 3 (Starz): I’ve watched a couple of episodes of this season. Lucy Lawless has returned, and Ash finds out he has a daughter. I don’t think I’ll watch the entire season, but as far as I can tell, the show is even gorier, and zanier, than that first season. Next to Happy, and Legion, its one of the most batshit shows on TV.



Mute (Netflix): I started watching this but checkedout because I got bored. Since then I’ve read a number of great reviews comparing it to Balderunner and Altered Carbon. I also happen to like the lead actor who  played Eric from the show True Blood. There’s lot so secretive conversations, half naked dancing, and neon, so my tolerance may be a bit low, but I’ll try to watch it again.


(1) Atlanta:Robbin Season (FX): I missed a lot of episodes of the first season, so I had to go back and catch up. I’ve watched the first episode of this new season, and really enjoyed it. You have to see it to believe it. The special guest star for this episode is Katt Williams, playing a man who owns an alligator, and has kidnapped his girlfriend until she pays him back the money she stole.


(2) Ravenous (Netflix): I think this show is Swedish, or Danish, or French or something. Its not in English anyway. It’s about a small town beset by zombies, and looks intriguing. I’m taking some vacation next week, so I’ll check it out then, and let you know if the subtitles are worth it.


(7) Hard Sun (Hulu): I have no idea what this is aobut, but the description sounded kinda like a British version of The X-Files. I like the X-Files, and I like British shows, but I don’t know that I’ll like this. It just sounds interesting.


(7) Hap and Leonard Season 2 (Sundance): I’ve read a couple of the books, and the show looks like fun. The books are definitely an acquired taste, and have a kind Pulp Fiction meets Justified feel to them. I’m interested to see if the show captures the same flavor. I’m not going to bingewatch it though, just check out a couple of episodes. The trailers look like fun, but I don’t know that I’d enjoy a steady diet of this.


(8) Jessica Jones Season 2 (Netflix): I couldn’t make it through the first season of the show for…reasons. Maybe I’ll have better luck this weekend. I want to like Jessica, but she is such a downer type person, that its hard to watch her series. She was cool in The Defenders, and the trailers look a bit more appetizing though, so I’m going to try again. Maybe I’ll see more WoC in this season, yeah?


(9) The Outsider (Netflix): Despite my judgmental nature, I’m not actually  willing to completely condemn a show before I watch it. I’m also one of five people who does not simply hate Jared Leto, although I probably should. I’m not a fan, but I’m not averse to watching (or liking) any vehicle he happens to be in.I also happen to like movies about The Yakuza and will pretty much watch anything with them in it, probably because I get a kick out of watching Japanese men behaving badly.


(9) A.I.C.O. Incarnation (Netflix): I rarely watch anime series, but this looks interesting and scary, so I’m going to try it.


(11) Timeless Season 2 (NBC): I have never watched this, but I’m sure some of you may be interested in it. Its my understanding that the show did some interesting things with the Black character last season, and have not neglected to take into account that he is a Black man, who travels into time periods that are probably not too good for his health.



(21) Krypton (Syfy): I would not normally have included this, because I have no interest in watching a show that doesn’t actually feature Superman, and the trailers look a little too soap opera-adjacent for my tastes. But hey! I’m sure someone, somewhere is very excited about this, and it might turn out to be a good show.


(26) The Terror (AMC): You already heard me gushing about this one. Still gushing!


(29) Siren (Freeform): This is like a horror movie version of The Little Mermaid. The acting looks really dodgy, but I’m going to try it, because i’m always here for evil sea-creatures, pretending to be beautiful, but talent-less actresses.


(30) The Titan (Netflix): I’m not a huge fan of the lead actor here, but I like the idea of hideous transformations and planetary travel.


(30) A Series of Unfortunate Events Season 2 (Netflix): I missed the entire first season, but hey! it’s still on Netflix, so theoretically I can catch up anytime, right? Well, maybe someone besides me can catch up. I liked the movie okay, but I got bored in the first episode. Not that its a bad, or even a boring show. I’m just much more likely to fall asleep while lying in bed with the Netflix on.




(2) The Crossing (ABC): I like the premise of this show which reminds me of The 4400, which was canceled right when I was starting to get into it. Hopefully this has shown up at a good time, and will do well. Sometimes half the success of a show is the timing of its release.


(3) Legion (FX): I think the first season hurt my brain.This is unlike any other superhero show on television. If you like wild situations, that may or may not be tangentially related to the plot, or even real, occasionally linear dialogue, and zany imagery, then go for it.  I think this show broke my head, but I’m gonna watch it again anyway.



(8) Killing Eve (BBC): People are always clamoring for female lead shows that are dark and thrilling. Well here you go! I hate the lead character, just from the trailer alone, but I know there’s an audience out there for a female psychopath. I do happen to like and respect Sandra Oh, and she looks wonderful in this.



(13) Lost in Space (netflix): I don’t know why they’re making a remake of this, but I’ll watch it, since I watched and sorta liked the original. Of course I was a kid when I saw the original so that may have been a factor in my enjoyment, and also I wanted a Robbie the Robot just like in the show.


(13) The Expanse Season 3 (Syfy): One of these days I’m going to watch one of the seasons The Expanse, all the way through to the end, after which there shall  commence a day of celebration. There shall be much rejoicing, (and possibly some wailing and gnashing of teeth, too.)


(22) Westworld (HBO): AAAAAAAAHHHHHHHH!!!!!!!!

Allow me to repeat that, in case you didn’t get that…uh’hem! AAAAAAAHHHHHHHH!!!!!!


(22) Into the Badlands Season 3 (AMC):  Well naturally, to punish me for my enthusiasm, my two favorite shows will air on the same night. Fortunately HBO likes to show multiple repeats all week long, so I can watch this, and record the other. And of course you know, this means reviews, reviews, and more reviews.





Apparently, there’s nothing coming on TV in May. All the stations will just be blank, which will be the signal for the Apocalypse to begin, because What the Fuck!!!

Oh yeah right!  Bear Grylls is gonna be doing some shit, on the last day of the month, if you’re into that sort of thing!




(7) Cloak and Dagger (Freeform): I read this comic book as a teen, but I don’t think this show is gonna be a whole lot like the comic, which is a really good thing, because that book was hella racist. I mean half the stuff they did with those two characters, would not fly on TV today, without a major backlash. Cloak’s superpower is that he absorbs light, and Dagger’s power is that she emits it.


(22) Luke Cage Season 2:

Write your own, highly  enthusiastic, response here!


Castle Rock (Hulu): We still have received no date for this show. All I know is that its coming to Hulu this year, but I can wait. It looks interesting.



I Saved It From Tumblr

Just another collection of interesting items that came across my dashboard.

Best Insult on Tumblr:

“You Uncultured Common Fly!”


*Putting this here:

Image result for killmonger


This is a beautiful collection of information, and images from the movie Coco. This movie did as well in Mexico as Black Panther did in the US. I haven’t yet seen it, but when I finally do, I’ll know what to look for. The writers (and I believe many of the animators themselves), are Mexican. This is why it’s so important for people of other cultures to write their own stories. They know their stories and audiences better than anyone. And its just a wonderful cache of information, and had I seen the movie first, most of it, would’ve gone right over my head.

References to Mexican Culture in Coco

By now, you’ve probably heard Coco is one of the most well researched films about Mexico and its culture. There are many small details that make it feel like Mexico: the stone roads in a small town, the traditional embroidery patterns in the shirts of Miguel’s female relatives, an uncle wearing a soccer team shirt, even a bowl of limes in a stand of aguas frescas. Of course, the looks of papel picado, day of the dead altars, and cemeteries are also well represented. The clothes of the relatives Miguel sees in the world of the dead is accurate to their eras. While these are a nice touch, you’re ultimately not missing out on anything by not spotting them, so in this post I wanted to talk about the more culturally based details that show the most research and you might not understand if you’re not very well acquainted with Mexican culture:

Image result for coco

Names and pronouns

1. Coco

This one is the most straightforward, so let’s start with the name of the movie. While the protagonist is called Miguel, we soon learn that Coco is his great grandmother. “Coco” is what we call a woman called “Socorro” (lit. “help” – it’s a very traditional name that’s considered old fashioned).

The Rivera family calls her “Mamá Coco,” which means “Mother Coco.” They also call Imelda “Mamá Imelda,” and so on. Calling your grandparents “mamá” or “papá” instead of “abuelita” and “abuelito” is a thing you can do, though I can’t say how common it is.

In the Spanish version of the film, Miguel’s grandmother, Elena, talks to Mamá Coco with “usted” (I didn’t notice other instances, but they might be there). Spanish has a formal and an informal version of singular “you:” “usted” for formal, “tú” for informal. The verb conjugation also changes depending on which one you use. It is used differently all through the Spanish speaking world, but in Mexico, other than older people you respect (like a teacher), you can talk to older family members with “usted,” which means respect rather than the distance the formality might imply. Nowadays, it has fallen out of use: as someone born in the 90s, my grandparents talked to their parents almost exclusively with “usted;” out of my parents, my mother talked to hers with “usted” and my father with “tú;” I speak to my parents with “tú.” I have cousins on my mother’s side that talk to their parents with “usted,” but I would say that makes them a minority nowadays.

Traditions and beliefs

2. Crossing to the world of the dead on a bridge of marigolds

If you paid very close attention, you might have noticed two children scattering marigold petals on the ground and their mother telling them not to scatter them, but to make a bridge so the dead could cross over. It was easy to miss, but that’s actually something we believe!

There are several types of flowers you can place in a day of the dead altar, but the one you can’t do without is the yellow marigold. Its petals are scattered all around the altar, and at the very front, you’ll form a path surrounded with candles. The bright yellow will help the dead properly make their way to the altar, and the candles surrounding the path will light their way.

3. Crossing to the world of the dead with a xoloitzcuintli

Several prehispanic cultures had a similar concept of the underworld as many other cultures around the world, in which there was a river they had to cross to get there. For both the Aztecs/Mexicas and the Mayas, a xoloitzcuintli would guide their souls so they could cross the river safely and arrive to Mictlan (Mexicas) or Xibalba (Mayas). To achieve this, a xoloitzcuintli would be sacrificed and buried with its owner. Day of the dead altars can have a xoloitzcuintli figure so that the dead can make it back safely as well.

4. Being thrown into a cenote

My screenshot isn’t the best but at some point, Miguel is thrown into a big pit with water. That’s not just any random pit, but a cenote.

Cenotes are naturally ocurring sinkholes caused by the collapse of limestone. The word “cenote” has Maya etymology, as cenotes are commonly found in the Yucatán peninsula, where they (still!) live. In old times, they would sacrifice animals and people as tributes to the gods, and also throw ceramic objects and jewelry as part of the tribute.

5. Alebrijes

I left these for last because they don’t have any deep meaning. Alebrijes are colorful fantastic animals that a man called Pedro Linares saw in a fever dream. He was a skilled artisan, so when he woke up from his long sickness, he brought them to life in his art.

In Coco, alebrijes are spiritual guides, and while their designs are to the likes of the real alebrijes, the film actually gave them a more important role than they have for us.


6. Genres of Mexican music

The songs in Coco all belong to genres we’ve grown up with, so even if someone isn’t that knowledgeable in music theory or genres, we could vaguely tell they sounded “Mexican” (some more than others). Someone who is more knowledgeable of music genres can help me out here, but I think:

– Remember Me / Recuérdame is a bolero ranchero.

– Much Needed Advice / Dueto a través del tiempo is a ranchera.

– Everyone Knows Juanita / Juanita is a corrido.

– Un Poco Loco is a son jarocho.

– The World Es Mi Familia / El mundo es mi familia is huapango inspired.

– Proud Corazón / El latido de mi corazón is a a son (son de mariachi? I’m most uncertain about this one).

6.5 Un Poco Loco

Un Poco Loco starts in English as

What color is the sky, ay mi amor, ay mi amor,
You tell me that it’s red, ay mi amor, ay mi amor

And in Spanish as

Que el cielo no es azul, ay mi amor, ay mi amor,
Es rojo dices tú, ay mi amor, ay mi amor

(You say the sky isn’t blue, oh my love, oh my love,
It’s red, you say, oh my love, oh my love)

This might be a deliberate reference to a huapango called “Cielo rojo,” which says:

Mientras yo estoy dormido
Sueño que vamos los dos muy juntos
A un cielo azul
Pero cuando despierto
El cielo es rojo, me faltas tú

(As I sleep
I dream of us close together
Going towards a blue sky
But when I wake up
The sky red, I am missing you)

Within the universe of the movie, this would make it an anachronistic reference, though. Additionally, Cielo rojo is a song of loss and Un poco loco is about a woman who thinks very differently and likes to say everything backwards, and that makes him crazy (in a good way!). Hence, in English we’ve got her saying to put his shoes on his head instead of his feet, and in Spanish him saying she might think with her feet and also how she keeps playing with his thoughts. Cielo rojo is a pretty sad song.

7. La Llorona

And I purposefully left La Llorona out of that list (it’s originally a son istmeño, though).

There’s a full musical number in Spanish, which seems to have suprised some people. For those of us who watched Coco in Spanish, it wasn’t too hard to guess it was this one: La Llorona was likely left in Spanish because it’s a very old folk song, one of those that are so old it has no known author and there are many different versions of the lyrics.

“Llorona” just means “weeper,” which is not really as unusual of a word in Spanish as it is in English. It’s closer to “crybaby” in use. If you’re curious, the version used in Coco says the following, with “llorona” being the singer herself:

Poor me, llorona, llorona dressed in sky blue
Even if it costs me my life, llorona, I won’t stop loving you
I climbed the highest pine tree to see if I could spot you
Since the pine tree was so green, llorona, it cried upon seeing me cry

What is grief and what is not grief, llorona: it all is grief to me
Yesterday, I was crying to see you, llorona; today, I’m crying because I saw you

Poor me, llorona, llorona dressed in sky blue
Even if it costs me my life, llorona, I won’t stop loving you

Famous people

8. Ernesto de la Cruz

“Isn’t he an original charact-” NO LISTEN STAY WITH ME.

Remember how I said Remember Me is a bolero ranchero? Guess who we associate boleros rancheros with?

That would be Pedro Infante, who happens to have a strong resemblance to no other than Ernesto de la Cruz.

It’s probably not a coincidence at all, as later on we see Ernesto with Pedro Infante and Jorge Negrete at his party. Ernesto de la Cruz was explicitly stated to be inspired on both of them and another singer of the same genres, Vicente Fernández.

My parents left the movie saying “Pedro Infante didn’t deserve that burn,” lol.

9. Frida Kahlo (and Diego)

She does have a rather prominent role so she’s hard to miss. For those unaware, Frida is the artist who made the flaming papaya.

The themes in Frida’s are autobiographical, as she had a rather unusual life due to polio and injury. She painted herself and her suffering a lot. That might be why we get performances with many Fridas and things like a crying cactus that’s herself.

Bonus: her husband, Diego Rivera, is also in the same studio where we meet Frida. He was an important artist, specifically a muralist.

10. Other Mexican celebrities

I already brought up Pedro Infante and Jorge Negrete as characters that appear right beside Ernesto de la Cruz.

But we also get to see a cameo of many other famous Mexican names in Ernesto’s studio! Excluding the people at the piano, from left to right:

Emiliano Zapata, a revolutionary; (my best guess is) Adela Velarde, another revolutionary; Ernesto and Miguel; (probably) Agustín Lara, composer and singer; (probably) Dolores del Río, actress (in Hollywood too!); Cantinflas, comedian and actor; Pedro Infante, singer and actor; María Félix, actress; El Santo, wrestler and actor; Jorge Negrete, singer and actor.

They kind of looked like this:

Another bonus: this gal looks like the calavera garbancera / the Catrina illustrated by José Guadalupe Posada.

There might be more things I’m missing or forgot; if that’s the case, feel free to let me know! You can also fix my music genres for me since that’s never been my forte.

I hope this was of interest to someone!


*Frankie Trixx came across my dashboard, and I totally fell in love with him. I was just in tears. Now, its my understanding that this guy isn’t actually from Africa. I believe he’s Canadian, but he has an African name, and this is one of his Instagram personas. He is absolutely hilarious though, and has a lot to say about everything. Here, he discusses unseasoned chicken:

Check him out!

“Why is the chef seasoning his chicken with amnesia?!”


*Another one of my favorite comedians is Quinta Brunson, who has her own Youtube channel. Check her out too.

The real comedy here, outside of Quinta’s dancing,  is her boyfriend’s facial expressions. He was not ready!


 *As a parallel to my calls for diversity in  commenters and reviewers, there is a call for people within fandom to step up their game, to be sensitive to media that is for, and by, Black Americans, and any media that holds special emotional, or religious resonance, or speaks on internal issues within our communities. Don’t write fanfic, or create fanart, or meta, without a thorough understanding of what you’re creating. Do your research. Listen to Black fans discussing how the movie affects them, and read, read, read! (The same goes for media that features other poC, and their cultures.)

Do Your research!!!!

Dear White Fandom

Let’s talk for a second.

So Black Panther opens nationwide today. I saw it last night, and let me tell you: it’s absolutely incredible. It’s as good as you’re hearing. It’s gorgeous. It’s compelling. Everyone acts their faces off. It’s also, inarguably, the most complex movie in the MCU.

You might leave the theater super jazzed and wanting to write meta and fic about how beautiful Wakanda is, how badass the Dora Milajae are, or who the real villains might be and why, or over that little cameo at the end (no spoilers). And you’re not wrong – but if you’re white, pump the brakes on that feeling for a few days.

There’s a lot to take in, about Black Panther. It’s an intricate, incredibly well thought-out movie that covers a lot of ground in terms of thorny and important themes. It stares right in the face of generational trauma, the legacy of slavery, conflicts between the diaspora and Africans and what responsibilities and connections each feel to each other, how colonization continues today under different names, and on and on.

And you’re gonna be missing the context for a lot of that. So hit pause on that content creation for a little bit, okay?

There’s a lot of meta, fic, thought posts, personal experiences, and resources already being shared by Black fans. There’s gonna be a lot more. Take the next few days to read them. Get lost reading up on the historical and cultural touchstones that the movie draws from. Follow Black fans and reblog their stuff. Listen before you hit post on that fic or meta.

And maybe you don’t end up posting it at all. Maybe you learn the context of the characters and issues and history you saw up on screen, and that great idea you came out of the theater with seems more and more like a hot take. That’s okay. It’s totally fine just to listen.

I’m not saying that white people aren’t allowed in the Black Panther fandom. I’m not saying that only Black people can write Black Panther fic. First, that would be incredibly hypocritical of me; and Second, I think that white people not putting in the effort to humanize non-white people literally makes us worse human beings.

What I’m saying is, if you wanna do it: it’s worth putting in the work. Not just to create content that isn’t full of microaggressions and outright racism, but participation means you have to put in the work to do it right. If you’re not willing to wait, and listen, and learn, and work – then just don’t.



*This is pretty much my mood whenever I’m experiencing bouts of insomnia.

Don’t trust morning you. Morning you is a dick. Morning you would sell your loved ones if it got them 5 minutes of extra sleep

maybe morning me wouldn’t be such a dick if that flaky bitch evening me had gone to bed instead of tumblring til butts o’clock in the morning

Well evening me might have fallen asleep at a reasonable hour if that dumbass afternoon me hadn’t lain down for a “little nap” that lasted four hours.


*I love this woman’s clapback. I know we called a moratorium  on inviting various White people to the cookout after Trump, but  really, this is how you ally.

As a general rule, I don’t give one flying hot damn about who some random Black guy is fucking, but if you feel the need to scandalize  my name, (i.e. Black women) to justify who you’re fucking, the problem is not us. The problem is your insecurity about who you’re fucking. There’s no need to put us down to declare your love of White women, and Liv was correct to put these men in heir place:


This right here…MOOD!!!


*Yeah, there’s a reason why people didn’t rally around Catwoman the way they did around Black Panther, and it has nothing to do with disliking Black women. The movie was just shit. Even I checked the fuck out halfway through it. When even the movie’s own writers realize the movie was shit, well..

Also Catwoman had nothing whatsoever to do with the culture. It was essentially culture-less, which is how all Black characters are, when written by non-Black writers. The only White director I’ve ever come across, who got it right, was Steven Spielberg, and I suspect his being Jewish informed a lot of what he did on The Color Purple. (Not even Tarantino gets it right, even though I liked Django Unchained.)

I feel like people are making unfair comparisons to other movies, when really the only movie that comes close to doing what Black Panther has done, is the 1998 Blade movie. It had a couple of Black cultural moments in it, but that had more to do with its star, Wesley Snipes, than the director Stephen Norrington.


*I’m obviously gonna have to do another post on this show. I love this show. It’s like a weekly Luke Cage/Black Panther fix. But really, what I like about all these different Black stories, isn’t just the primarily black cast, but how  they truly represent the individuality of our culture,  how  different they all are, in style and flavor. Atlanta, is a very different type of comedy than Black*ish, or Insecure. Black Lightning feels very different than Black Panther or Luke Cage. They’re all telling very different types of stories.

Below: The Iconic Thunder Foot Stomp! straight out of the comic books. You  have nan idea how loud my Mom and I were whooping and hollering, during these scenes.!

Image result for black lightning gif/anissa

Image result for black lightning gif/anissa


And finally I want to introduce all of you to Shaina West, also known as THE SAMURIDER, a tiny stuntwoman doing her own thing on Youtube.

Black Panther Selected Readings 3

*Since this movie blew up the theaters there have been a metric ton of think-pieces and examinations about it. I’ve tried to collect as many of these as I thought were interesting, leaving out all the contrarian negative stuff. I know I promised to write a review, but there’s nothing I would say in it that isn’t already covered by the three lists of think pieces I’ve collected. (Maybe later, I’ll jot something down about my feelings for the various characters or something.)

*But first up, I thought this essay was related to the idea of Wakanda having never been colonized, versus how we are all taught by popular media to think of the continent of Africa. You can read this first ,and then play a drinking game of how many times the writers do these things in the following articles:

Always use the word ‘Africa’ or ‘Darkness’ or ‘Safari’ in your title. Subtitles may include the words ‘Zanzibar’, ‘Masai’, ‘Zulu’, ‘Zambezi’, ‘Congo’, ‘Nile’, ‘Big’, ‘Sky’, ‘Shadow’, ‘Drum’, ‘Sun’ or ‘Bygone’. Also useful are words such as ‘Guerrillas’, ‘Timeless’, ‘Primordial’ and ‘Tribal’. Note that ‘People’ means Africans who are not black, while ‘The People’ means black Africans.

Never have a picture of a well-adjusted African on the cover of your book, or in it, unless that African has won the Nobel Prize. An AK-47, prominent ribs, naked breasts: use these. If you must include an African, make sure you get one in Masai or Zulu or Dogon dress.




Black Panther has a lot to say about politics:

Image result for black panther movie politics

The Revolutionary Power of Black Panther

*I didn’t agree with this review but I’m including it here because some of you will find it interesting, and the author does make other salient points. I have to admit, I was a bit taken aback by the depiction of the lone African American in the movie. I was deeply saddened by Killmonger, while agreeing with much of his philosophy. I get why he was angry. I was also saddened by the fate of the only African American woman in the entire film, and I wish the director had put more thought into it. I get the point he’s trying to make, but it still felt pretty bad to watch that point being made.


View story at

5 Lessons from Black Panther That Can Save Our Lives — and Transform Black Politics –

Dear Fellow White People: Go See “Black Panther” –

Here are six reasons. Do it this weekend. Seriously, just go.


*This article is about people who are trolling the movie. As the movie began to take off last weekend, there were a number of alt-right trolls who posted fake tweets demonising the movie’s fans, and claiming that white people had been beaten up at theaters. 

I put this here to point out the utter futility of their efforts in trying to disparage and destroy this movie. Their efforts will always meet with failure, not because they’re awful, (because yeah,  they are) but because, by the time they are resorting to  efforts to sabotage these movies, it’s already too late. These acts are purely defensive, and only illustrate how little control such people have over mainstream media.

All they have in their arsenal to combat progress is more of the same lies and vitriol against black people that they’ve always espoused. Their messages are not new, and not effective.



*Not all of these essays were written by Black reviewers, but even so, I thought the reviewer, regardless of race, had interesting things to say about the philosophies of, and psychology behind, the film’s characters. Just becasue White reviewers can’t (or won’t) talk about race,  doesn’t mean they have nothing worthwhile to say on other topics.

One Tribe: Black Panther’s Altruism


The Women:

Let’s face it, women are the backbone of this movie, holding it down and keeping it 100. I was surprised to find that my favorite female character was Nakia. (I thought it would be Okoye.)


I was watching and after Okoye was called the general a boy next to me said : “I didn’t know girls can be generals!”
That’s why representation matters


One of the best things about was definitely the women. Shuri, our princess is cheeky, charming and a fcking genius. Okoye could kill me and I’d gladly thank her. If I have even an ounce of Nakia’s compassion, I would be a better woman that I am now.



From Tumblr:


The Making of:

*Everyone wants to know everything about the making of Wakanda, and Ruth Carter’s  major influences on her designs for the film.

Ruth Carter is a Hollywood costume designer who grew up in Springfield. Her career spans a long list of major motion pictures, and she is best known for her work on Spike Lee’s “Malcolm X” and Steven Spielberg’s “Amistad,” receiving Academy Award nominations for both films. Carter’s most recent work can be seen in “Selma,” a film about the trio of marches from Selma to Montgomery, Alabama, in 1965.

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Marvel’s ‘Black Panther’ is a broad mix of African cultures—here are some of them




“The PanAfrican flag is red, black and green, so when you see Okoye, T’Challa and Nakia in their covert looks, you’re seeing the PanAfrican flag.” – Ryan Coogler, director of Black Panther.




Oh, yeah. The hair thing:


The Fans:

*This essay was originally written as a response to Beyonce’s Lemonade but many of the writer’s arguments can be equally applied to any media that is made by, and speaks to, a Black audience, including Black Panther.

Beyoncé’s Lemonade: A Lesson on Appreciating Art That Wasn’t Made for You


*This is what Tumblr fans are saying about representation:

*Took my african dad to see Black Panther


*no spoilers*

He does not like superhero movies and normally he falls asleep in the cinema. But not this time, he was on the edge of his seat and he said that he didn’t wanna miss a single moment. He absolutely loved the movie, the first thing he did when we got home was to call his african friend, yelling at him to go watch it as soon as possible. The second thing he did was ask me when the sequel will be out.

I asked my dad what he liked about the movie and he said everything. He loved that almost everyone was black and that they spoke Xhosa. He was so happy that they captured what life is actually like in many african cities in those scenes when they were walking around in wakanda. Seeing the people sit in cafes, buying food from food stands, kids running around with school bags, just people living their everyday life all the while being unapologetically african. He said he felt as if he was back home. And he was so happy that there finally was a movie where africans weren’t starving, or warlords, or dealing drugs. He told me that this is the kind of movie he has wanted to see for years, not alluding to the superhero stuff but the fact that they portray africans the same way that most if not all movies portray white people and not criminalize or dehumanize them but uplifting them. He loved every single character and especially M’Baku but his absolute favourite was the Queen mother Ramonda because she was so calm and collected while simultaneously being this strong queen. My dad, coming from a culture that really uplifts and value mothers and holds them above all, felt like the movie really captured that in Ramonda and that’s why he loved her.

He loved the soundtrack and how they mixed in djembe drums and traditional african singing with modern western music and he loved the costumes because a lot of the clothes look like the things people are wearing at all the african parties we go to.

The only complaint my dad had was that the sound was to high, which was his own fault for insisting that he sit at the end of the row right next to one of the speakers.

So yeah, representation do matter. I’ve never in my life seen him so happy about a movie. And he wanted to talk about it after it had ended which never happens normally. We joked around with the idea of him being a wakandan wardog stationed here and we did Shuris and T’Challas little handshake saying that is the only way we will now greet other africans. This movie gave my dad pure joy and happiness and it gave us a bonding opportunity because we finally have something that we both could geek out about.

Source: theghostwasblue
*Hollywood needs to start getting itself together:

*This needs to be said…

After Black Panther, and Coco, and all the other great films that have come out and boasted great representation (and great Box Office returns) I hope all movie studios are aware that nothing can every go back to the way it used to be.

Like, you know how when you’ve had something high quality, and you just can’t go back to the bargain brand again because you know what this product is supposed to be?

Well, Black Panther and Coco just introduced an entire generation of people (young and old alike) what positive representation is supposed to feel like.

People aren’t going to stand for “This character couldn’t be X because it’s a stereotype.”

People aren’t going to stand for “This character had a small role but it’s fine because X”

People ain’t gonna stand for “Finn can’t be written well because there’s no place for his story to go”

People aren’t going to stand for “Iron Fist couldn’t be Asian-American because it perpetuates a stereotype.

People aren’t going to stand for “We couldn’t find the right type of actor so we just went with a white person.”

People aren’t going to stand for “Let’s make the black woman a frog for the entire movie.”

People aren’t going to stand for “There weren’t any people of color in this era. It wouldn’t be historically accurate.”

People aren’t going to stand for “Well…it’s close enough, isn’t it? Why’re you complaining?”

Movie studios  thought it was bad before? Honey. Buckle up.


*The Alnur African Drum and Dance Troupe as The Dora Milaje

The Fans


In Africa:

I loved the African reaction to this movie:


*And the windup:




Do You Remember The Sentinel TV Series

This series aired form 1996 through 1999. I remember watching the hell outta this show. It was through this show that I rediscovered slash fan fiction, having gotten away from it, from when I’d discovered Kirk/Spock.

This was very possibly one of the slashiest shows on TV next to Star Trek. Ao3 didn’t exist back then, (although yes, the internet existed) and there was so much fanfiction written about the two male leads of this show, that there were several whole archives devoted to it. (Like 852 Prospect). You can probably still find them. I feel that in some ways this show contributed to  many of the tropes of slash fan fiction, that we find so annoying today.

Image result for sentinel tv show

The show featured a Ranger named James Ellison, played by Richard Burgi, who lost his Special Ops team in the Amazon jungle. The sole survivor, he discovered he was a member of a mystic warrior race with heightened senses, called Sentinels, whose job it was to watch over their specific tribes. After his rescue, he goes back to Cascade Washington (really just someplace in Canada), becomes a cop, and years later, has forgotten all about his time in the Amazon, until his senses get accidentally re-awakened, when solving one of his cases. At this point he gets discovered by an anthropology researcher named Blair.To help control his superpowers, Jim adopts Blair as a  spiritual focus, whose job is to bring Jim back to reality, when he gets too caught up in whatever he’s sensing.

Now, is that, or is that not, the kinda stuff slash fiction is made of. You’ve got superpowers, spiritual bonds, mystic shenanigans, cops, a handsome and gruff older man, and a cute  and excitable younger partner. It’s like the plot of every yaoi anime ever, and I was totally here for it. This show took me to church!

The popularity of this show was not at all harmed by shirtless images of Richard Burgi in his prime, and that the show’s actors were well aware they were being ‘shipped, and were all for it. Possibly they were even playing it up, since, because of censorship, the show’s creators would have been largely prevented from showing an openly gay relationship, between the two male leads. The study of slash fanfiction was also in its infancy then, and most people wouldn’t have known anything about it, as that was very much under  everyone’s radar. To give you some idea of the timelines involved, Buffy began the year this show ended, and ran until 2003. The show Supernatural began in 2005.

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Richard Burgi was the new hawtness at the time, and Garrett Maggart, who played Blair, wasn’t too shabby looking either, and a lot of the show was really suggestive. The two of them lived together as roommates, they also worked together, because Blair said he wanted  to monitor Ellison’s superpowers, they were very touchy-feely and dramatic, everyone in their lives knew they were living together, including Jim’s ex-wife (Jim simply referred to Blair as his partner, with no other explanation to the rest of the staff of the police dept.) and the two hung out together ALL the time, and everyone seemed perfectly okay with it. This show set the grand standard for queerbaiting .

But I don’t think of this show as queer baiting because that wasn’t really much of a thing back then,  and because of the time period of the show, an open homosexual relationship couldn’t be shown. (Well, rather say that it is, in fact, queer baiting, but its the same kind of queer baiting that exists in old movies, where nothing could be explicitly stated.) Neither character had any long term love interests that the viewer knew they’d eventually end up with, and both of them spent entirely too much time standing uncomfortably close to one another, and looking into each other’s eyes. Queer baiting wasn’t a term that was used yet, but people did spend a lot of time discussing whether or not the characters were gay.

I really think this was a way for the show’s creators to get around  gay relationships not being  shown (or allowed to be shown) on prime time TV. In other words, they had to be sneaky. If you were gay, or gay adjacent, you would see it, and if you weren’t, then you didn’t, (because plausible excuses had been given for why they were not), which is entirely in keeping with the way homosexuality had always been dealt with in popular culture, with innuendo, hints, and allegations, and the show made absolutely no effort to go the “no homo” route by playing up the character’s  relationship with each other, while putting them in  endgame heterosexual relationships.

It helps that there  was nothing about this show that was even remotely realistic, although if you’re not gonna quibble about the mystical aspects of the show, you shouldn’t have too many problems with other stuff on the show, such as the relationships, or how the “detectiving” was done.

Has anyone else noticed how the detectives on these shows don’t seem to specialize in any one type of detection, even though you can see that wherever they work is fully staffed? Ellison shouldn’t be working a murder case, a drug deal,  and a counterfeit jewelry op, all while trying to catch a terrorist bomber, at the same time.  Most 80’s cop shows just call for the detectives to work on whatever crime pops up that day, instead of specializing in a particular type of crime like homicide, or drugs, or something, which is not how that actually works, in big cities.

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At least several times a season Jim’s senses would go haywire, and Blair would have to talk him out of it, all while trying to keep this a secret from his commanding officer, Captain Simon Banks, played by Bruce Young, because, according to Ellison, if people found out he had superpowers, all his old cases would come up for review, and all the criminals he captured would have to be released. After all, superpowers are not sanctioned by the court system. I think this was a thinly veiled metaphor for being closeted. Jim and Blair often lived in fear that the people around them would find out about Jim’s superpowers, but neither of them cared that they looked like they were in a romantic relationship.

Simon wasn’t clueless the whole time. He eventually finds out, and keeps Jim’s secret, although I do like to wonder what he was thinking about this supposed academic following Jim around, and living with him. And Jim wasn’t actually wrong either. At the end of the series, there’s a riff between him and Blair, when Blair’s dissertation on Jim is accidentally leaked to the public, Jim is outed as a superbeing, and all hell breaks loose. Jim gets suspended. His cases all come up for review. He blames Blair for the potential  loss of his career, and civilians (and the media) are harassing him in the streets. But it all gets resolved, and the series ends on a positive note.

Since there was a mystical component to Jim’s superpowers as a Sentinel, there was a lot of references to his time in the Amazon, and a black jaguar, which appeared to be Jim’s totem animal. My biggest issue was that Jim had regular sightings of this jaguar, and I feel some type of of way about a cop who regularly hallucinates about his spirit animal. That just really bothered me. I’m dubious about the motivations of most cops when they’re completely sober, so a cop who has  visions, yeah…no! But I admit,  I really enjoyed that one episode that involved Jim’s Amazonian shaman visiting Cascade. That was kinda cool.

Jim Ellison and Blair Sandburg in "The Sentinel"


The Powers

Jim’s hyperacute senses allow him to perceive things undetectable by normal humans. He can see perfectly in low light situations and with superb acuity at long distances, hear sounds at extremely low volume or beyond the normal range of human hearing, and sense what others cannot via taste, touch and smell; he declares himself “a walking forensic lab”. Jim’s powers have a drawback: if he concentrates too strongly on one sense, he may become oblivious to his immediate surroundings. Part of Blair’s job is preventing this, and protecting Jim when he is focusing. As a Sentinel Jim has several powers:

  • All 5 senses are strongly enhanced
  • Able to communicate with ghosts
  • Has a spirit animal, a black jaguar
  • Receives visions that guide him in the choices he makes and sometimes predict the future (Jim had a vision that showed Blair’s death before Alex killed him)
  • Used the power of his animal spirit to bring Blair back from the dead


Despite my misgivings though, I genuinely loved the show, and not just because I thought Richard Burgi was the second coming of hawt and bothered, which…yeah!.  I  actually liked the premise of the show. It was inspired,  and I think it would be great for a remake.



Some of the best fanfiction I ever read came out of this ‘ship, and I’m sad that I never let those writers know just how appreciative I was of their skills, at that time. Most especially, Saraid, and Brenda Antrim who now goes by the name Glacis,  and has her own Wikipedia page. (She is so good that she’s won awards just for being a fan.)   Saraid’s  Panther Tales series can be found on Ao3.


Oh yeah, here is one of the funniest reviews I ever read about this show:


The Sentinel is not currently available for streaming . All four seasons can  only be found on DVD.




Reading Black Pop Culture

I just wanted to list a few resources for understanding the history of Black representation in Science Fiction and Fantasy film and comic books. I’ve only read a few of these though. The rest are on my TBR pile for the rest of the year.

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We’ll start with Samuel R. Delaney’s famous essay. I’ve been offering this essay to everyone on Tumblr as the answer to their questions on why we’ve been seeing so much blatant racism in fandom. It also answers the question on why people like the Sad Puppies exist.

—–Delany countered that the current Hugo debacle has nothing to do with science fiction at all. “It’s socio-economic,” he said. In 1967, as the only black writer among the Nebula nominees, he didn’t represent the same kind of threat. But Delany believes that, as women and people of color start to have “economic heft,” there is a fear that what is “normal” will cease to enjoy the same position of power. “There are a lot of black women writers, and some of them are gay, and they are writing about their own historical moment, and the result is that white male writers find themselves wondering if this is a reverse kind of racism. But when it gets to fifty per cent,” he said, then “we can talk about that.” It has nothing to do with science fiction, he reiterated. “It has to do with the rest of society where science fiction exists.”


If you enjoy Black Panther this weekend, here are some  interesting sources of entertainment to follow up:


All of these are books are available on Amazon:

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Speculative Blackness: The Future of Race in Science Fiction by [Carrington, André M.]
Super Black: American Pop Culture and Black Superheroes by [Nama, Adilifu]

Black Movies You Haven’t Watched (But Are Worth Looking At)

Some of these movies, I haven’t  seen because they are hard to find, or didn’t get a wide enough release. Some of them I’m only just hearing about.  Like this first one for example. It looks like a Western, but I think it’s set in South Africa, and looks really intriguing, and I like a good Western. I have no idea where to watch it. (When I find out, I’ll get back to you.)

Twenty years ago, the young ‘Five Fingers’ fought for the rural town of Marseilles, against brutal police oppression. Now, after fleeing in disgrace, Tau returns, seeking peace. Finding the town under new threat, he must reluctantly fight to free it. Will the Five Fingers stand again?



This is another beautiful film that heavily reminds me of the movie Daughters of the Dust, but is set in 1745, of course. I’m not certain that this film has been released yet, becasue when I saw the trailer the creators were still trying to get funding to finish it.

Two sisters torn from their home in Nigeria and sold into slavery try to retake their freedom in a foreign and hostile land, attempting to elude their master in the perilous Scottish Highlands. As they experience the dangerous and transformative power of nature their battle for survival intensifies, and they draw strength not only from within, but from each other and their shared spiritual roots in Africa. Yet can they ever be truly free..?



I’d planned to introduce this movie to my niece, The Potato. She loves movies about little girls, and loves to make up step routines with her friends. She might enjoy it. I always thought of this as a straight up horror movie, for some reason. The last time I checked this was available for streaming through Amazon Prime.

Toni trains as a boxer with her brother at a community center in Cincinnati’s West End, but becomes fascinated by the dance team that also practices there. Enamored by their strength and confidence, Toni eventually joins the group, eagerly absorbing routines, mastering drills, and even piercing her own ears to fit in. As she discovers the joys of dance and of female camaraderie, she grapples with her individual identity amid her newly defined social sphere. Shortly after Toni joins the team, the captain faints during practice. By the end of the week, most of the girls on the team suffer from episodes of fainting, swooning, moaning, and shaking in a seemingly uncontrollable catharsis. Soon, however, the girls on the team embrace these mysterious spasms, transforming them into a rite of passage. Toni fears “the fits” but is equally afraid of losing her place just as she’s found her footing. Caught between her need for control and her desire for acceptance, Toni must decide how far she will go to embody her new ideals.



I have heard, and know almost nothing, about this film, but it looks absolutely gorgeous.

Based on the novel by renowned South African author, Zakes Mda. The seaside village of Hermanus is overrun with whale-watchers; foreign tourists determined to see whales in their natural habitat. But when the tourists have gone home, the Whale Caller lingers at the shoreline, wooing a whale he has named Sharisha with cries from a kelp horn. When Sharisha fails to appear for weeks on end, the whale caller frets like a jealous lover, oblivious to the fact that the town drunk, Saluni, a woman who wears a silk dress and red stiletto heels, is infatuated with him. The two misfits eventually fall in love. But each of them is ill equipped for romance, and their relationship suggests the deeper concern is not so much the fragility of love, but the fragility of life itself when one surrenders wholly to the foolish heart.



I watched this last year, and I’m not certain if its still available on Netflix, but its a much better watch than that sorry movie that was released a few years ago.

Using never-before-heard recordings, rare archival footage and her best-known songs, this is the story of legendary singer and activist Nina Simone.



I saw this movie some time ago, and loved it. Gugu MBatha-Raw turned in a stunning performance. I loved that this movie isn’t simply an exercise in Black torture, and has a positive ending. 

The illegitimate, mixed-race daughter of a Captain in the Royal Navy finds her unique social standing become instrumental in the campaign to end slavery in England after meeting an idealistic young vicar’s son.


Black Panther: Select Readings

*So posts and articles have been slowly trickling in for Black Panther. I’ll try to collect as many as possible and put them all in one place. Here are some readings I found this week. 

On Representation

The Revolutionary Power of Black Panther


On Racism in Criticism/Fandom


*This first title I couldn’t link to because the article is behind a paywall, but if you sign up for you may be able to read it as part of your free preview. Yeah, there’s a class of White people (and yes, I mean White women too) who have collectively lost their everlovin’ minds about this movie, but not in any good way. Not only are there  White dudes planning to sabotage the movie’s reviews on Rotten Tomatoes, but also White gals writing concern trolling meta about Shuri being in an abusive relationship with her family, to produce tech for Wakanda. 


And the movie hasn’t even been released yet.

Now I would have been the first person to tell them their little plan was doomed to failure, and if they tried it they were gonna get their asses handed to them.These same people successfully pulled off this plan with the Ghostbusters remake (which people didn’t find out about until after the fact), but by the time Wonder Woman was released, everyone had learned a lesson from that, and it wasn’t successfully carried out. We will be getting a sequel to Wonder Woman, no matter how much they gnash their teeth. 

Their plan failed, (will fail) here because first, they’re  coming for Black people and we have a long history of disregarding anything White men say about the things we love, and second, they’re fucking with Disney, and Disney does not like people trying to fuck with their bottom line. This company has put a helluva lot of money into promoting this movie, and they’re not about to let a bunch of disgruntled, racist, fanboys mess their shit up. 

So yeah, their Facebook page got pulled and even Rotten Tomatoes issued a response. What’s even sadder is that they tried to cover up their racism by claiming they were doing it on behalf of the DCEU.


“Black Panther, White Avengers

Movie hasn’t debuted and fan boys have already lost their damn minds”


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First Negative Review

*And this is why I’ve been advocating for more diverse reviewers, and giving the side eye to any  negative reviews from White critics. I don’t know that I can trust them. There’s nothing wrong with a negative review of a movie with a Black cast, and if the reviewer was a person of color, I would give the review some consideration. Some movies aren’t for everyone, and this reviewer should have realized this. Its okay to not get everything in a movie, but this reviewer really needed to stay in his lane.




Black Panther: Can We Just Enjoy It?

 —-The look on a young Black boy’s face when he sees a Black Panther toy commercial or a grown Black man’s face when he sees a Black Panther Lexus commercial is something special that shouldn’t be over-analyzed. There’s no think piece on capitalism that will change the fact that Black girls of all ages will see themselves in a spectrum of intelligent, strong, dark-skinned natural hair-wearing Black women in a major Hollywood blockbuster for the first time. African speculative fiction has finally reached mainstream culture, and it’s a great feeling.

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*And then, for some reason, someone introduced somebody to the idea that Black Americans were appropriating African cultures. 

*Le Sigh*

 I would break down what an absolutely fucked up idea that is except it would take too long, and I got shit to do, but here’s someone else who can do it.

Given that the blipsters who sport African dress very well could be Yoruba or Fulani, it’s not quite fair to accuse them of appropriating the fashions of such groups. African Americans, after all, have the dubious distinction of not knowing what their traditional dress is. For them, wearing African attire has always been more complicated than “taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else’s culture without permission,” as Susan Scafidi, author of Who Owns Culture? Appropriation and Authenticity in American Law, defines cultural appropriation.

View story at




The Sunken Place to Wakanda with Tananarive Due and Steven Barnes





I Found These on Netflix

Inspired by a new season of BBCs Blue Planet, and the introduction of a bad head cold, I decided to watch some shows that were a little out of the ordinary for me on Netflix. Normally, I watch Scifi and Fantasy movies, or reruns of old favorite shows, along with some of Marvels output. I actually enjoyed sort of looking at these while knitting or reading. They’re not plot intensive and are definitely the kind of stuff you watch if you have the flu and can’t concentrate, want something to feel good about for a couple of hours, or something not too loud, to help you fall asleep at night.

Animal Airport

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This is a show about Heathrow Airport’s animal department, where they ship all kinds of animals to different parts of the world, and people ship their animals to England. Hundreds of animals, a day, pass through the airport and the staff is responsible for checking that they’re all healthy and have the proper paperwork. Its a fascinating show, although you sort of have to wait for the facts to come in, so it’s not a documentary.

Since the UK is an island, they have to care very deeply if any animals that come into the country are carrying any diseases that can be passed on to humans or other animals, like rabies, so close attention is paid to people bringing various pets into the country, especially dogs and cats.

But the department, which is also nicknamed The Ark, also gets lots of other really weird shipments for and from zoos, and pet stores, like giant tortoises, llamas, snakes, and once, a shipment of butterfly cocoons that needed fast shipment, before they hatched. The show chronicles the day to day decision making processes of the staff, as they look for any animal smuggling evidence.

The show really isn’t about the staff. The various animals are the highlight in this show. One of my favorite episodes involved a giant snapping tortoise that refused to eat, and in another episode the staff has to let its resident company of ring-tailed lemurs go to a zoo. They’d been stuck at The Ark for two years because of a paperwork snafu. In one of the earliest episodes, a kindly old man tries to smuggle two tiny turtles, in his coat pockets. His reaction, when he got caught, was rather explosive.

Sometimes people try to sneak their dogs and cats in, or just don’t know they’re supposed to declare them, and there can be some tears and yelling when they find out their pet might be confiscated, but usually the situations are peacefully resolved.

This is a great show to watch if you love animals but are too sick to muster up enough concentration to watch a nature documentary.

The Great British Baking Show

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I love cooking shows, especially baking shows, but I hate the competitive and quite frankly, dumb atmosphere, of the American versions of these shows. Americans talk too much in those shows, and when they do say stuff, its generally self serving bullshit, or nasty shit against their opponents, and I’m never in a mood to hear that.

But I like the British shows.The competitors are humble, hard working and supportive of each other, and its a real joy to watch them work on the various recipes. You get really caught up in their emotions through the season as you get to know each one of them. They are kind, and beautifully supportive of each other, celebrating each other’s wins, and commiserating with each other’s losses, and admiring each other’s skills. The emotional dynamic on these shows is completely different. The hosts aren’t screaming insults and tend to be supportive themselves. But the biggest difference between the American and British shows, is that the Americans are competing against each other, whereas the British contestants are competing against their individual selves, and their personal insecurities.

This show has two hosts and two judges. The hosts are Mel Giedrouyc, and Sue Perkins, who work great together, and are actually pretty funny, but never at the expense of the contestants. The two judges are Mary Berry, and Paul Hollywood. Mr. Hollywood has dreamy blue eyes, and he and Mary are both consummate professionals, who find at least one nice thing to say about every bake they judge, no matter how awful the contestant thinks it is.

Each episode consist of three tests, and is entirely about baking deserts and pastries, with the occasional savory dish. The first is usually something of the contestants own design, and something they’ve been practicing for years. The second test is Technical and it’s usually something the contestants have never heard of before, and the last is a kind of proficiency test, that includes all the skills they’ve learned over the course of the show, that day ,or that week. They’re allowed to be as imaginative as they want and its a lot of fun to see them all reproduce the same recipe, but with significantly different results.

This is a great show to watch, if, like me, you love pastries.

Tales By Light

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This is a documentary series of interviews with nature photographers that discusses how they got particular shots, and what urges led them to becoming photographers. If you love nature shows, and possess enough brain power to watch a documentary, than this is the show for you. There’s a lot of talking, but you can safely ignore it, and just watch the beautiful animals, scenery and cultures.

What is always amazing to me is the amount of cooperation the photographers get from the people they film. I always wonder if the tribal people they’re filming, understand that people from around the world (other tribes, really) will be looking at their photos.

There are six episodes about places like The Himalayas, various tribal groups (my personal favorite), ocean photography, and various mountains and volcanoes.

Somebody Feed Phil

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More than people cooking food, I like to watch people eat food. Especially if its food I’m never likely to eat.

I have never heard of Phil, but I feel comfortable saying I think I’m probably in love with him. He is such a sweet character. He’s always so positive and happy. If you need to feel good for a couple of hours than you can watch a couple of episodes of Phil visiting parts of Asia, Israel, and other places, eating the food, and striking up conversations with random people. This is not a deep show, and can be easily watched when you have little brain power to spare for a plot. Its mostly just Phil talking about the  food, and eating the food, and interacting with some friends.

In the first episode, Phil Rosenthal, the creator of the show Everybody Loves Raymond, visits Bangkok, and tries some durian fruit. Apparently he’s okay with that, and says it tastes pretty good. He also visits Tel Aviv, and since he’s Jewish, he has a grand old time exploring the food and culture, and having conversations with random strangers about what it’s like to be Jewish in Israel. Phil isn’t a foodie, so there’s none of the snootiness, or pretentiousness, that you get with other travel food hosts like Bourdain. I like Bourdain, but he tries too hard to seem cool and detached. Zimmern can come across a little too folksy sometimes. Phil on the other hand has no chill at all. He has all the enthusiasm of a child, which is kind of refreshing.

My favorite part of all the episodes though, are the endings, when Phil Skypes with his elderly parents about his adventures. I love their relationship with their son, who they don’t always understand, and they also think they’re pretty funny, so of course they are. And he just talks to them about the food he ate during his visit, and people he saw, and they sometimes give commentary. It’s a really lovely touch to add these scenes of bonding. Most of the time you get the impression that people on TV shows don’t have families at all, and you almost never see them interact.

Phil also visits Lisbon Spain, and parts of Mexico in subsequent episodes. Phil’s regular facial expression is one of pleased surprise, and for some reason I find that deeply funny.


The Superbowl: Movie Trailers

Here are some of the top movie and series  trailers that were shown throughout the Superbowl. Now, I didn’t watch the Superbowl, (I never do), but I did get on the internet to check for any ads I may have missed. I had it on good authority that there would be a lot of movie and TV show ads shown during.  I know that not all of you watched the Superbowl, but you are interested in movies, so I collected as many as I could.

I was out of it all last week with a nasty cold and couldn’t get any posts done beyond the ones I’d already scheduled, so I’m a little behind in my reviews. (Let’s face it, I’m waaay behind.)But I’m doing fine now, and will catch you guys up on things I’ve been looking at while I was sick, like the new Cloverfield movie that was just released on Netflix, along with Altered Carbon,  Star Trek Discovery, and a handful of food shows.


Cloverfield Paradox

I was as surprised as anyone to discover this was being released right after the Superbowl. It’s been said that Netflix had some kind of rule that they wouldn’t release movies or shows that would compete with the Superbowl for attention, but apparently that is no longer true. I have it on good authority that the viewership for the Superbowl was the lowest its ever been, and maybe Netflix wanted to take advantage of that. I don’t know.

Anyway, I was on top of this the moment I found out.  I thoroughly enjoyed it, and thought it was pretty damn scary, especially in the first hour when you didn’t quite know what was going on. I thought it was a very effective Scifi horror movie that wasn’t a  total riff off of Alien. The synopsis is that this is some kind of prequel that explains  the how and the why of the first movie in the franchise. I’m satisfied with the explanation and thought this movie was an elegant solution to the questions posited by Cloverfield, and 10 Cloverfield Lane.

The movie is lead by a Black woman, Gugu Mbatha -Raw, and also stars David Oyowelo, and Zhang Ziyi. I’ll review this later this month, if I can.



Avengers Infinity War Trailer #2

I’m almost as excited about this movie as I am about Black Panther.


All my favorite people, all in one movie…How does anybody hate this? This trailer is kickin’!

I cannot explain, though, why I’m inordinately excited to see Dr. Strange interacting with both Tony Stark, and Spiderman. All of the best Avengers books are deeply funny, because of the interactions between wildly different characters, and their reactions to each other. That was one of the best parts of Civil War, so I hope this movie will be funny.



Jurassic World: Fallen Kingdom

Okay, that last movie was alright. Not great, but okay and a mostly fun B movie. This trailer is a lot more interesting because, as I’ve said before, I’m a total sucker for “dinosaurs in the city” movies. Cuz yeah, my first question was: Wtf is this dinosaur doing in this child’s bedroom? Yep, something has gone horribly fucking wrong here, and I wanna know what happened!

I’m gonna see if I can talk my Mom into going to see this, and Rampage because as far as I’m concerned ,you can never watch too many movies about giant monsters, rampaging through a city.



Westworld Season II

Okay, I actually am as excited for this as I am for Black Panther, the movie to which all other movies will be measured this year, apparently, as far as excitement levels. Fortunately for all of you, you can’t see me jitterbugging around in my seat right now, over this trailer.

But in conclusion, I would like to say:

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Mission Impossible: Fallout

I’m a big fan of this franchise, but what’s ironic about that is that I wasn’t planning to be. The movies just kept getting better, and Tom actually looks like he’s having a lot of fun in them. I like Tom Cruise okay, but I wasn’t a fan of the original series, or Tom Cruise, really.When his career first began, in the 80s, I couldn’t stand him, but he kept happening to  be in movies I liked, and I think that’s what happened here,and now I guess I’m a fan, since I’ve watched all his movies.   It didn’t hurt that he kept starring in these movies with some of my other favorite actors, like Jean Reno, Ving Rhames, and Laurence Fishburne. This new movie just looks entirely batshit, and stars Angela Bassett and Simon Pegg.




Okay, this is a good trailer, and makes me interested in seeing this movie, now. I was completely indifferent to the idea of a Han Solo movie, wondering why we needed this, and who was asking for it, but this really looks like fun, even if the lead actor looks cheesy. I still don’t know that I’ll go see this in the theater, but  I’m a little less worried about this movie sucking.



Castle Rock

I’m looking forward to this show, after the success of the movie IT. (Yes, I’ve seen that.) On the other hand, I’m dubious about this show, because The Mist sucked. Well, all I can do is give it a try and let you know what I think. It seems like it’s going to be okay, but then those Mist trailers were misleading, too. (I am glad to see that movies and television shows are remembering that Black people exist on this planet. That’s kinda cool.)



A Quiet Place

This looks intriguing…



Black Dynamite II

And now for something completely ridiculous…

I didn’t’ see the first movie until years after it was released, and I’m still not entirely sure how I feel about it. I did feel an urge to laugh at it, but not quite. Well, I smiled at it, a lot. I didn’t hate it, but I didn’t love it either. Maybe I’ll know how the heck I feel about after watching this sequel.



The Blackest Videos on Youtube

Africa on Fire

I loved this little mini-movie about a Black fantasy land with superpowers, even if it is sponsored by a company that makes Vodka.



Groundhog Day for Black People

I didn’t know whether to laugh, cry, or just get mad at this video, so I did all three just to cover all the  bases.



Spiderman Lives: Miles Morales

This is the character Spiderman Homecoming should have been about, but I’ll accept Tom Holland as Spiderman, for right now.



Alexa Loses Her Voice

I included this because of the addition of Cardi B, although hers isn’t my favorite part. My favorite parts are all the other celebrities, especially Rebel Wilson.



Peter Dinklage/Morgan Freeman Rap Battle

I’ve been a fan of Dinklage since his movie The Station Agent, and a fan of Freeman since, well… forever. Combine the two of them with Busta Rhymes, and Missy Elliot though…


Best Scifi Costumes on TV


Luke Cage

Luke Cage makes this list not just because the costumes are beautiful, but because this is some of the most politically relevant costuming in the MCU. All of the costumes speak to the specific backgrounds and identities of the wearer, and were designed by Stephanie Maslansky, whose priority was keeping things casual.

Cottonmouth’s dapper business suits represent his aspirations for legitmacy, as does Mariah’s middle-class chic. Cottonmouth’s suits are carefully crafted to inspire ambition to the young people of Harlem, while Mariah’s are carefully coded to inspire the folksy warmth and political legitimacy she seeks to project to the community.

Misty Knight’s no-nonsense practiciality is what’s on display in her costuming. She is a competent detective who is sexy while not being sexualized.

Luke’s hoodie is representative of the anonymity he attempts to cling to while protecting Harlem.That hoodie full of bullet holes is a direct callback to the shooting of Trayvon Martin, (one of the many young Black men who have died at the hands of police and  vigilante shhotings in the US.), and meant to invoke a feeling of hope and strength to the show’s audience.

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I think Farscape had some of the most imaginative costuming on television. There’s nothing on TV right now that’s come close to it. The creators managed to make the female characters both alien and sexy, while the men were alien and virile, and funny.

I think one of my favorite costumes was Crichton’s black coat, that he adopted at some point towards the end of season two, which created a very sexy outline for him, with broad shoulders, a cinched waist, and it flared nicely during his action sequences.

The creators seemed to figure out that black leather seemed to work really, really well in this universe, and so, just made an infinite variety of  these outfits for everyone on the show. There was definitely some bondage leather influence on the wardrobe.

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This is Scorpius, a half Scarran, half Peacekeeper hybrid, whose unique body chemistry requires a face mask, which gives him a sinister look..

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I especially liked this red and black number Crichton wore in season two. I think this is a Peacekeeper outfit.

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These are the Scarrans. They wear lots and lots of black or red leather.

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It wasn’t until the second season that I figured out that Virginia Hey, who played Pa’u Zotoh Zhaan, was also the Warrior Woman from The Road Warrior.

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Space 1999 – Maya

Maya, played by Catherine Schell, was the only character worth watching this show for, and the episodes that centered around her, were always the most interesting. For some reason, there was a thing about bird aliens during this time period, because Buck Roger’s had a male character that was kind of like her, too.  The only difference was that Maya could take on the shapes of different aliens. Still, she was definitely this show’s version of a Spock character, and the creators tried to differentiate her from Spock by giving her superpowers.

What’s interesting is the idea of a woman with the suggestion of mutton chop sideburns, who is sexy in a mainstream television show. But you have to remember, back in the day, these types of shows remained very much under the radar, as most people wrote them off as being for children, even if Space 1999, strived to present more mature themes. I appreciate it now, in a way I didn’t, when I was a teenager.

There’s also more than a little bit of Barbarella in her outfits and posing. In how she was prominently featured on the show. Space 1999 also starred Martin Landau, from the  Mission Impossible TV show, and Barbara Bain, who was also from that show.  I liked them both okay, and they really were too good for this show, but Maya was real draw for most people

The show aired from 1975 through 1977, but there was a definite 60s vibe in the setup, designs, and fashions, the were heavily reminiscent of Star Trek, which first aired in 1963.

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American God

I loved the costumes from this show. To go into the influences, and meaning, of the costumes, would require several posts devoted entirely to the subject, and guess what? I found one! My favorite is of course Media. Gillian Anderson is absolutely stunning throughout the entire season. A close second would be Anansi, and Easter, who had some wonderful outfits.

Suttirat Anne Larlarb is Series Costume Designer on American Gods first season, with Assistant Costume Designers Laura Montgomery, Brenda Broer, Sabrina Zain, Anita Bacic and Costume Supervisor Quita Alfred.


Notice the old world European embroidery on the lapels and cuffs of the Zorya’s   costume, which is appropriate, since she hails from Russia. The designs echo other  details in her home, which is old and shabby, but warm and comfortable, just like her attitude.

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This is Media as the late, great, David Bowie, one of several gay icons as she was dressed for the show. The others are Lucille Ball, Marilyn Monroe, and Judy Garland. Gillian Anderson proved to be  incredible chameleon, and this must have been great fun for her.

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Notice the similarity in costumes between Loki and Odin.

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If you look closely at Shadow’s suit, it has tiny little dots all over it. There’s such great attention to details that the viewer will almost certainly never notice.

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I think I already mentioned Easter’s slightly tattered finery. Notice the tiny frayed edges on her flower headpiece, and her matching eye-shadow.

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This is one of Bilquis’ outfits from her 70s scenes.

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The faceless men in white, with their jackboots, suspenders, and black hats were deliberately meant to resemble the Droogs from the movie, a Clockwork Orange.

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Claire’s dresses are designed by Terry Dresbach and are one of the highlights of this show. No matter what era she inhabits,  whether it’s the American 40s, or 18th century Scotland, Claire is always dressed to the nines. There are websites out there dedicated to examining the fashions of this show

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Downton Abbey

What I liked most about this show is that it told the story of this wealthy  English family as much through clothing, as what they did. And the characters themselves occasionally discussed fashion and how it was changing.

The time period moves from the turn of the 20th century, through the first world war, to the 1920s, and you can get a very good idea, not only of how women’s fashions changed over that time period, but more importantly, WHY they changed. Women’s fashions were often a response to outside events,   because, in the past centuries,  the vast majority of women’s fashions were designed by women, who were responding to the ebb and flow of historic events.

In an exclusive interview with MASTERPIECE, Downton Abbey’s costume designer, Anna Mary Scott Robbins, recently took a break from her exciting work on Downton Abbey Season 6 to talk about the signature styles of the women of Downton and designing their sumptuous, jazz-age costumes.

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Contrast the above manner of dress (from 1900 through 1910s) with the looser, lighter style of dress below. In the 20s, the world was just coming out of the first World War, when everyone, rich and poor alike,  had experienced significant hardship. With so many men lost during the war, it marked a significant turn, for women, as they begin to movie into the workforce in greater numbers, especially the women of the middle, and upper, classes, the kind of women who had been pressured against working before the war. The new style of dress was more practical, and business-like.

Take note that with so many people dead from the war, the servant class all but dried up afterwards, as they also moved into the greater workforce. The servant class, that had made it really easy to dress in the many layers of clothing that women required during the Victorian era, were all but extinct. Upper class women needed to be able to more easily dress themselves, and take care of their own clothing and hair, since, after a while, there were no longer such things as Lady’s Maids. Dresses and hairstyles became simpler. There were fabric restrictions during the war, so women saved fabric by raising hemlines, (which never went back down, and got raised again during, and after, WW2.)

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In one episode, we can  hear the women’s opinions of the change in fashion, when the younger daughters of the house model the new 20s flapper dresses for their mother and grandmother, who express shock at the flimsiness and skin exposure of the designs. The silhouette of the flapper dresses are completely different from the more modest dresses that came before.

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Star Trek :The Original Series

The fashion designer for the original Star Trek was William Thiel. You can see a lot of the 60s influence in his fashions, even though he tried really hard to make the outfits realistic. Still these are some of the loveliest women’s costumes in Scifi, all very feminine, with some beautiful colorwork.

The amount of skin being shown is entirely in keeping with the 60s era thinking, which was a reaction to the deep conservatism of the 50s. These fashions were considered very progressive for women, at the time. The biggest influence over fashion was the invention of the bikini, which was invented in the 40s, just after the war, but didn’t make its way to American shores until the 50s.

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See the bikini influence:

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The miniskirt was a huge thing back in the 60s. There’s been a lot of discussion about how the miniskirt does not make Star Trek a sexist show.

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The third woman just appears to be wearing a one sleeved poncho.

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Into the Badlands

Being the only martial arts television series is a big burden, It’s important that everything be meticulous and that includes the wardrobe. i talked about this just a bit in my reviews of the second season.

The men’s outfits  feel influenced by the costumes from A Clockwork Orange.

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Even in the Badlands, people manage to find luxurious fabrics:

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You can see the Asian influence here, where there’s  a bit of Genghis Khan, Warlord, in Quinn’s outfit.

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Hannibal the Series

One of the best parts of this series is  looking at Hannibal’s suits. Hannibal comes from very old money, so I don’t think he’s making his wardrobe choices based on a therapist’s salary.

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One of the few times we see Hannibal witohut a suit is in the season three premiere episode. The showrunner, Bryan Fuller, says he was specifically influenced by the movie The Hunger ,which starred Katherine Deneuve, and David Bowie.

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You can see The Hunger’s influence on Gillian Anderson’s look for the third season, too:

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In Hannibal, Gillian Anderson got a chance to dress upscale. Here she’s wearing a very modern Parisian look.

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It Came From Youtube

You ever get on the internet to actually get something done, like look up some movie times, or some actor’s name, and then get sucked into the deep well that is YouTube. And they’ve got this formula down too, where they keep offering you these fascinating new videos that are just slightly related to stuff you were just watching. Youtube’s algorithms work just a bit too well.

Well, here’s a few videos I got sucked into watching when I had not planned on it. If my eyeballs had to see these, then so do yours. You especially deserve to see them if you’re a follower of this blog.



First up,  these videos, called Rollin’ Wild, that I stumbled across by accident. I think I was looking at panda videos when Youtube offered me a look at these. I don’t think I’ve ever laughed so hard at a cartoon before in my life. There’s an entire website devoted to producing more of these, including some Christmas themed ones, which are equally ridiculous.

The basic premise is that overnight, every animal on Earth has turned into a balloon like version of itself, and tries to continue with their regular behavior, as if nothing different had happened. Watch for the poor hamster…



I would like to introduce everyone to Lucas the Spider. Now, as a general rule, the only spiders I think are adorable are those tiny jumping spiders we keep finding on our house, and I think Lucas is probably one of those. You have done an incredible job of character, and animation, if you can get a confirmed arachnophobic, like me, to fall in love with Lucas.



There’s an entire series of these Angry Birds Hatchlings videos and I can’t get enough of them. Omg! They are soooo cute!

The creators seemed to have really captured the random funniness that is only possessed by children, ages 2- 4, who have just learned to speak. This  one is my favorite, especially that little purple fella, who isn’t even trying to participate. He’s got his own agenda:



One of my favorite parts of Cloudy with Meatballs 2 is the discovery of the Foodimal Jungle. I enjoyed the first movie a lot, and I expected the sequel to not live up to the first movie, but I was pleasantly surprised to see the creators become even more imaginative (and funny). This video is about how they came up with the various foodimals, and personalities.

Naturally my favorite character was “Barry”. I do not know why I associated the little critter with Barry White though, (and his name really should be Darryl.) My second favorite are what I like to call “The Pickle Barbarians”. Who do you think would win in a fight against The Minions?

(Another favorite part of the movie is the character voiced by Terry Crews, a cop who really loves his son, and insists on telling him that at every opportunity.)



Now, on a more serious note, this is Jay Z’s new video titled Family Feud. It presents an interesting futuristic concept, where humanity has been taken charge of by a matriarchal coalition, whose job it is to maintain peace. Movies and television rarely depict matriarchies, at least not in this way, so I was intrigued, and I’d love it if this idea was made into an entire movie.

Why is is that when Hollywood re-imagines the world, they always imagine that the bad Guys won? The Nazis? The Confederates? Hydra? The Handmaid’s Tale? The only alternative worlds they seem to be able to come up with are worse alternatives to the one we’re already in,  but only for people who are already marginalized, like gays, women, and Black people. The kind of worlds in which straight,White men act even worse than they do right now. I like this video (and Star Trek, too) because it imagines an alternative world where marginalized people are flourishing.



And finally, the video that began this whole journey, about little puffball pandas mobbing their handler. That poor man! It reminds me of that crazy scene in Raising Arizona, when Hi tries to kidnap one of the babies, and they just get the better of him.

Lil’V aka Viv Lu

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