Tumblr Introvert Memes

 

Here! Have some memes about introverts from the IntrovertUnites Tumblr. Please visit.

http://introvertunites.tumblr.com/

I have a variety of skills but I have mastered these particular ones. I can daydream for the Olympics, and pissing people off was something I mastered early, with little effort:

introvertunites: “ If you’re an introvert, follow @introvertunites​. ”

 

I thought this was the funniest one. Basically, just don’t call! I tell my family members, all the time, that they better not call me, unless WW3 breaks out, or they are personally on fire.

introvertunites: “ If you’re an introvert, follow @introvertunites​. ”

 

This is me after an especially vigorous day at work, or any family get-together:

introvertunites: “ If you’re an introvert, follow @introvertunites​. ”

 

Quiet!!!

introvertunites: “If you relate to being an introvert, follow me @introvertunites. ”

This sounds about right, except I won’t socialize for one day, let alone five.

whyy0umadth0ugh:
“ introvertunites:
“ If you’re an introvert, follow @introvertunites​.
”
Pretty much
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 Tag me! I’m that dancin’ fool in the pink jacket! Heeey!

introvertunites:
“ If you’re an introvert, follow @introvertunites​.
”

 

But which gods, though? I’m just asking for a friend!
introvertunites: “ If you’re an introvert, follow @introvertunites​. ”

 

I did this all the time when I was younger. As soon as I finished any conversation, I would just walk off. Note: People do not like that shit!

introvertunites:
“ If you’re an introvert, follow @introvertunites​.
”

 

This does present something of a dilemma because…People!

introvertunites:
“ If you’re an introvert, follow @introvertunites​.
”

Coming Soon!

Cloak and Dagger

I have been a long time Cloak and Dagger fan, from the comic books, and I have to admit I was more than a little dubious about them making a show about this. Cloak and Dagger is a comic book, that came out in the eighties, about a pair of teenagers who, through some drug experimentation by criminals, developed superpowers.

In the comic books, Cloak had the ability to eat people’s life energy by enveloping them in a semi-sentient cloak, and Dagger had the ability to produce light from her hands and throw it like knives. There were more than a few stereotypes involving the light and purity of Dagger, with various people coveting her, and wanting to save her from that evil and frightening black  guy she hung around with.

I’m still side-eyeing this show a little bit, because there’s so much potential to fuck it up, and the Freeform channel doesn’t really have a track record on racial issues. But I’m happy to see the trailer anyway, and I’m glad they’ve decided to go for a more wholesome looking approach to the characters, and their relationship looks really sweet, because I always felt the two characters were  too heavily sexualized.

Well, they seem to be handling the backstory a bit differently than in the comic books, updating it to the current age, and its social issues. At the time it was released, the crack epistemic was tearing through black neighborhoods, and everyone was really up in arms about that particular issue. When Cloak and Dagger got their powers, their first priority was saving kids from drug culture.

This show won’t air until 2018 on the Freeform Network.

 

 

American Gods

I am almost finished with reading the book, just in time to catch the premiere, airing this weekend. Yes, I plan to review it because I want to compare the book to the show, although the adaption looks pretty faithful to the source, as far as the various characters. This was created for TV by Bryan Fuller, the creator of the Hannibal series, and I loved what he did on that show, so much, that I’ll follow him anywhere. American Gods airs on the Starz Network, so if you don’t have cable, I think they have some kind of app.

 

Preacher

This show has been renewed for a second season on AMC. If you haven’t seen the first season,  it might help a bit to watch that, so you can have some background as to why a preacher, a black woman, and a vampire, are on a road trip. Jessie, Tulip, and Cassidy, are looking for God because they have some pressing questions for him, after Jessie received  superpowers from possession by a celestial being.

I only got a chance to review the first episode of the show, but I did watch and love the entire season. It was pretty wild. I have a hard time choosing a favorite character, but I’m leaning towards Tulip, and not just because its Ruth Negga. I would’ve probably liked Tulip no matter who the actress was because she’s like a female version of Coyote.

Anyway the second season is airing on June 19th. So, I have something good to watch in midsummer, besides re-runs.

 

Gotham

Tonight is the mid-season premiere of, of all things, Gotham, a show I stopped watching some time ago, despite the presence of Jada Pinkett-Smith. I thought the acting was just too uneven, and had a hard time getting into the characters.

Well its back!

 

Genius

I am a  science stan, so I will be watching Genius ,which is a bio of Albert Einstein, who is one of my favorite scientists. Genius airs this Tuesday, on  the National Geographic Network.

 

The Handmaids Tale

This show airs on Hulu. I remember trying to read the book when I was a teenage but was so disgusted with the worldbuilding that I had to put the book down. Its not a bad book, but I’m never going to be in the frame of mind to read it. It also has some deeply disturbing racial implications that, because some people don’t realize intersectionality is a thing, aren’t going to be writing about in all their little thinkpieces on the subject:

 

Still Star Crossed 

This show finally gets a release date of May 29th. I love Hsakespeare, and this looks like an entirely appropriate, racebent, version of Romeo and Juliet, which I’m really looking forward to. It appears to be set after theevents of the original story, so the characters are not actually Romeo and Juliet, though.

 

 

Sense8 Season Two

I watched the first season of this and rather enjoyed it. I’m not sure if I reviewed it, but I definitely liked the diversity and representation. The first season ended with the group having to save one of its members for government experimentation, and this season looks like a typical “chased by the government” type of plot, but the show is so gorgeous, and I like the premise and ideas of the show, and I liked the characters, so I’ll binge this one, when I get the chance.  This airs on Netflix May 5th.

 

 

Dear White People

Dear White People will be airing on Netflix this Weekend. I didn’t watch the movie but then I often avoid movies dealing with racial issues. Get Out is the first movie I’ve seen, in a long time, that had anything to do with race in the plot. I feel some kind of way about that, but really, its just not my go to subject matter. As a Black woman I deal enough with issues of media and race, I’m not going to watch movies about it too, that’s just too much for me. I’ll be skipping this one, but you guys might want to check it ou,t if you really liked the movie.

 

Also coming this Summer:

The midseason return of Lucifer. I dont watch this because I find hte lead actor deeply annoying, but I have it on good authority that some interesting new characters have been introduced.

The Victorian Slum airs on PBS next week, combining my favorite topics , Victorianism, and documentaries.

In June there’s Shadowhunters Season Two, Dark Matter, Wynonna EarpFear the Walking Dead, and Orphan Black.

The bottom line is, there will plenty for everyone to watch this summer, instead of re-runs of shows that are on hiatus.

I’m Watching TV (Well, Duh!)

Well yeah, it’s one of my skillz, so y’all betta re-con-ize!

Image result for smug black woman gif
That’s Right!!!

 

Actually, there’s no need to “reconize”,  as I haven’t had as much time to practice this particular set of skills, because…life! I’m just one of me Mum’s primary caregivers, so between her many dialysis adjacent appointments, taking her shopping,  and a full time job, I’m usually catching up on my sleep. I’ve begun a new tradition now, of writing these things when I can, and then queuing them for later, which kind of leaves spontaneous TV  reviews by the wayside. I don’t get to actually watch the shows in a timely manner, and dammit, these networks keep making fascinating new shit, that I don’t have time to look at.

Image result for little girl angry face gif
UGH!

 

Well, here’s what I have been looking at, so far. Some of these don’t get a full review because nothing greatly, bigly, hyuuuugely, is happening on them, and some I’ve yet to watch. Some I’ve made plans to watch later, if I remember that I told you that.

Doctor Who Season Ten

Image result for dr who season ten gif

I’ve mentioned before that I’m not a big Whovian, as Dr. Who fans are called.  I know enough to find my way around a few favorite episodes and have some favorite Doctors. For example, I love the Weeping Angels, and will watch any episode they’re in, but I think the Daleks are kinda ridiculous, and I usually won’t watch those episodes. I can’t stand Matt Smith, not because he’s not a good Doctor but because the man has a head shaped like a lightbulb, and that shit is distracting. I love David Tennant, (who always looks like he just sniffed a lemon),  and Peter Capaldi, (who kinda looks like that uncle, who has had enough of your shit), and of course, Martha is my favorite companion. (Not that the other companions are less worthy. I like Clara  too.)

I’m also really liking Bill Potts as Peter Capaldi’s new companion, and it’s not just because she’s Black, and gay, (although that is a factor). Its because she’s really good with Capaldi. She sets him off well, and Pearl Mackie is, quite simply, adorkably cute. She also has real acting abilities, and that’s always to the good. I like that the show doesn’t tease us with the idea of her being gay. Its made very clear that she is, and there’s no guessing about it.

This episode’s plot centered around Bill falling in love with a young lady, named Heather, who promises never to leave her. The girl is subsequently consumed by an alien puddle of water, and starts to pursue Bill, because it has absorbed Heather’s feelings for her. Capaldi’s doctor gets involved when Bill goes to him for help, after she realizes he knows weird things. I really loved this episode, and Pearl acquitted herself very well. It was a  beautiful and heartbreaking story, as well. The scene where Bill discovers the Tardis is wonderfully shot, evoking all of the wonder you would expect to feel, if you were in that situation. It was just a really well-done episode, even bringing tears to my eyes at the end.

I also have to point out that Capaldi is one of the more sympathetic doctors. I like his acting style, and the gravity he brings to his position. He also manages to capture a great deal of the sadness that comes with being an immortal being.

I’m all set to continue watching the rest of the season.

Class

Image result for class show

I don’t actually know a whole lot about this show. I know it’s an offshoot of season nine’s Dr. Who, and is set at the school where the Doctor’s former companion, Rose or Clara (I’m not sure on that one), used to teach. From the trailers and snippets, it looks pretty diverse, with plenty of PoC, and various sexualities represented. I haven’t had a chance to determine how good the acting is, but I will be recording the episodes in the hopes of actually looking at the episodes, at some point in the future, and I’ll let you know what I think. It looks interesting, although since it involves a lot of teenagers, I’m not greatly enthusiastic.

 

The Vet Life

Image result for vet life
I do like Animal Planet, but I wasn’t happy about the introduction of various reality shows to the lineup, and I’d stopped watching that channel for a while. There’s only so many shows a person can watch about different types of veterinarians.

Well leave it to the Animal Planet to actually make a show about Black veterinarians, and actually  get me to look at it. I really like this show, not because of the plots or drama, but because representation in all areas, matters. It’s not enough to show Black people being heroes in movies, playing sports, or singing. We need to be shown doing just regular shit, like doctoring, teaching, and lawyering. So I’m all for these kinds of shows that just have us being regular, silly, happy, grumpy, or whatever. Not all of us live our lives around protesting, BLM, or activism. We do all the same shit all people do, everyday, and its time television reflected that too. Yeah, we need heroes, but things like ghostbusting, healing sick animals, and cookouts also help cement the idea that PoC are just regular folks, with jobs we love, kids getting on our nerves, parents gloating about that, and plenty of bills.

All that said, I actually like the show. The show is set in Texas, and the guys Diarra, Aubrey ,and Michael, are laid back and funny. It’s really about all I can mentally handle at the end of a long day, really. There’s not too much drama, we get to meet the vet’s families, who are really cute, and supportive, and I get to watch various  animals visit the vet.

 

Captain Fantastic

Image result for captain fantastic gif

Since I have a subscription to Amazon Prime, I got to watch this movie for free. I was intrigued because Viggo Mortensen is in this, and I thought the premise sounded interesting. After his wife commits suicide, a man and his brood of five or six kids, have a clash with the parents she left behind, to go live a survivalist lifestyle with him, in the California woods.

It was interesting. Not great, or compelling. I did watch all of it because I found their lifestyle fascinating, and the movie had its funny moments. The kids turned in some great performances and it has a semi-happy ending.

What impacted me was how he raised his kids, and how that clashed with the lifestyles of regular folks, really pointing out how modern kids are kind of coddled, and not very self sufficient. The kids know how to hunt, fish, make their own clothes, everything really. Not only that, but I was supportive of the idea of him being informatively blunt with his kids. This is a man who simply doesn’t believe in lying to his kids, or pulling his punches, regarding the truth.

He’s also turned them into political radicals who are critical thinkers about politics, even at the age of six, which I thought was pretty impressive. And they don’t just parrot what he wants them to think. They have grown up, reading , debating and arguing their ideas with him, so they know what they’re talking about when they voice an opinion, which is a refreshing change from most people, who know nothing at all about a subject,  thinking that the way they FEEL about it is sufficient. I guess you can tell I’m a fan of of the critical thought process.

When their mother dies , he flat out tells them she committed suicide, without sugar coating it. He’s not mean or angry about it. Its just information, and he lets them react however they want to react, without chastising them. For example, his youngest son gets angry, and approaches him threateningly with a knife. He doesn’t react to this. He just lets the boy work it out for himself. He’s right  there if he needs him.

The oldest son is college aged and decides that he needs to know more about how people relate to each other, after he meets a young woman who catches his fancy. He has no experience of socializing, dating, or pop culture, which becomes apparent when she tries to get him to talk about things he likes, for which he has no answers. Later, caught up in his feelings for her, he proposes marriage to her, in front of her mother, and is puzzled when the two of them think its hilarious.

But most of the movie is taken up with the relationship with the dead mom’s parents, who feel that he isn’t a good parent, and fight with him over how their daughter should be interred. She didn’t want a church service ,and requested to be cremated. Her parents get their way, but later, he and the kids dig up their mother’s body, cremate it ,and scatter her ashes over the nearest body of water, like she asked.

During this adventuring, one of his daughters breaks her arm while playing lookout on a rooftop, and he realizes that the grandparents are right,  he is leading them in a dangerous lifestyle. He tries to leave them with their grandparents but the kids stowaway on their family bus with him. I have to confess, although I agreed with how he raised his kids, I could see both sides of the issue. The viewer is pretty much left to make up their own mind on who is right, and which side you choose, says more about your values, than what the movie is saying.

The movie is pretty funny at times though. The above gif is when the entire family, who have been barred from the funeral of their mother unless they behave themselves, crash the funeral anyway, dressed in all their 1970s finery, and causing a scene. There’s also a gif of the entire cast raising a fist at the SAG Awards, and chanting “Down with The Man!”, which is hilarious.

I liked the movie. Its not a great film, so I don’t get all the hype about it. For me, it was a well acted, middle-of-the-road, comedy- drama. I’d recommend it for some quiet Saturday evening viewing, and a few chuckles.

The Racism in Fandom (Do I Really Need to Number This One?) Chronicles

This is PoC at this point.

Crowded Gif

Fantasy Writer N.K. Jemisin Explains the Rise of Racism in Fandom

I’m going to start this off with a quote from Chip Delany, writing in the essay “Racism and Science Fiction” which was published in NYRSF in 1998. It’s online, you can look it up.

“Since I began to publish in 1962, I have often been asked, by people of all colors, what my experience of racial prejudice in the science fiction field has been. Has it been nonexistent? By no means: It was definitely there. A child of the political protests of the ’50s and ’60s, I’ve frequently said to people who asked that question: As long as there are only one, two, or a handful of us, however, I presume in a field such as science fiction, where many of its writers come out of the liberal-Jewish tradition, prejudice will most likely remain a slight force—until, say, black writers start to number thirteen, fifteen, twenty percent of the total. At that point, where the competition might be perceived as having some economic heft, chances are we will have as much racism and prejudice here as in any other field.

We are still a long way away from such statistics.

But we are certainly moving closer.”

 

N.K.Jemisen, Leslie Jones, John Boyega, Candice Patton

Danai Gurira, Nicole Beharie, Lucy Liu

http://observationdeck.kinja.com/pop-discourse-the-state-of-black-female-characters-in-1725969028/1725979051

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*We’re going to be hearing a lot about this topic, as next month is Asian American ,and Pacific Islander Heritage Month. The Model Minority Myth has often been used as a way to silence Black Americans from speaking out on their own oppression, as it was invented as a way for White racists to escape culpability for their behavior, and ignore systemic racism, by “pretending” to elevate another racial group to favored status. I say “pretending” because White people don’t actually care about Asian Americans either. The MMM has been used as an excuse to ignore social issues within Asian American communities.

The real fallout from the Model Minority Myth for Asian Americans:

Zack isn’t a new breed of Asian-American. It’s just that Zack and the millions of others like him are rarely seen in Hollywood movies. It was 1987 when TIME ran its cover story, “Those Asian American Whiz Kids,” which chronicled the academic prowess and affluence of American-born children of Asian immigrants. It was a flashpoint for Asian-Americans at the time, who became aware of their image as the “model minority” (a term which first appeared in the New York Times in 1966). A follow-up in 2014 revealed things hadn’t changed: “The belief in a blanket Asian-American culture is so thick that it has resulted in confusion when Asian-Americans deviate from the model minority myth,” wrote journalist Jack Linshi. “[T]hose who display that diversity are often perceived as exceptions.”

This misperception that Asian-Americans are naturally gifted and succeed more has been devastating for the psyche; the Counseling and Mental Health Center of the University of Texas at Austin purports Asian-American students are “more likely to seek medical leave, more likely to go on academic probation, and are less likely to graduate in four years.” The university has statistics to illustrate the crippling pressure: 33 percent of Asian-American students drop out of high school. Asian-American students were likely to report stress, loss of sleep, and “feelings of hopelessness” but “were less likely to seek counseling.”

And not all of them have the resources to seek help: 11.8 percent of Asian-Americans live below the poverty line. The model minority monolith ignores Asian-Americans from less-prosperous regions. A national report in 2015 revealed that those of Cambodian, Laotian, and Hmong heritage “earned bachelor’s degrees at a lower rate than the national average.” In 2013, The Myth of the Model Minority author Rosalind Chou told NPR “there are consequences to living in a country with a racial hierarchy,” to which Sharon H. Chang argued in ThinkProgress results in complete and total invisibility, even within one’s own minority group.

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*This one was a topic that I’d both noticed and didn’t notice. I’m one of those women who are somewhere in the medium brown category, so the only time I ever noticed colorism, was when I noticed how I was treated when I was around girls with lighter skin. I kind of knew, but didn’t,  that girls who were darker than me got treated shabbily, but it didn’t really register until I saw the movie Dark Girls a few years ago. I couldn’t imagine how horribly the women in that movie had been treated, and I’m sorry to say I’d remained largely oblivious to it. I’m taking steps to correct my woefully ignorant stance on this issue:

The “Angry Dark Skin Friend”

There’s a common pattern in many forms of black media where there are 2 black female characters who are friends or sisters, one being lighter in skintone, while the other is darker. Even though darkskin and lightskin women form friendships all the time, the way they’re commonly depicted in Black Media is what stands out and perpetuates certain stereotypes:

1. in the film/show/etc, the main character/focus of the 2 is typical the lighter skin woman

2. this makes the darker skin woman the “sidekick”

3. the lighter skin woman is portrayed as prettier, nicer, “classier”, more reserved, and/or overall more likeable and desirable

4. the darker skin woman is portrayed as shady, mean, loud, desperate, abrasive, aggressive, and/or overall less attractive (many would say “ghetto”)

These photos show just a few examples that came to mind…

Coming to America (1988) – The darker skin sister was more desperate for a man, chasing after Prince Akeem, Simi, and even her sister’s ex-fiancé. In the frame of society’s norms, this would be seen as “fast”, “tacky” or lacking in morals, which would therefore, make her less fitting to be a wife.

House Party (1990) – The darker skin friend (AJ Johnson) was the louder, more outgoing friend who was ready to date both Kid & Play, whereas Tisha Campbell’s character was more timid, and ended up being Kid’s “better suited” love interest.

Martin (1992-1997) – Once again, Tisha Campbell is playing the main female character, Gina Waters, and love interest to the main character, Martin Payne. While Gina is depicted as a kinder, classier, professional, “wifey” type, her best friend/assistant Pamela James, played by Tichina Arnold, is depicted as a loud, angry, man-less, berating black woman with “buckshots” and “beedeebees” in her “horse” hair, who was constantly butting heads with Martin.

Proud Family (2001-2005) – Penny, the lighter skin girl, was the main character with Dijonay, the darker skin girl, as the friend/sidekick. Dijonay had a less “traditional” name, as did her many siblings, was portrayed as louder, having more attitude, and was constantly chasing after Sticky, a boy who not only didn’t want her, but preferred the lighter skin friend, Penny.

Rick Ross’ Music Video for “Aston Martin Music” (2010) – In the early portion of the video, we see a young Ricky out on the block with other neighborhood kids, dreaming about owning a luxury car one day. Among the kids there’s 2 young girls, one darker skin and the other lighter skin. While the darker skin girl is quick to berate him and tear down his dreams of ever being that successful, raising her voice and waving her finger in his face, the lighter skin girl is quick to reassure him and support his dream. Once again, this display reaffirms the stereotype of darker skin women being mean, bitter, and angry, while lighter skin women are kinder, sweeter, and happier.

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*This person is reminding us all that at the intersection of race and sexual expression, there is a helluva lot of anti-Black racism, in the fandoms. As a straight, cis-gender, woman of color, who is supportive of these issues, I really do have to stay on top of of what these communities are saying if I want to be a good ally.  One of the ways I do that is by constantly reading, keeping informed on the subject, through the writings and speeches of those who are are actually experiencing it.

sapphicwocsource:

I’m really tired of white LGBT people sanctimoniously preaching to LGBT people of color what constitutes “good” vs “bad” LGBT representation. You expect us to put up with heavily white-dominated, often toxic and racist representation that harms us, in the name of progressiveness, but at the same time you turn around and make fun of our sources of representation and tell us that they aren’t “good” enough or don’t hold up to your racist, exclusive standards.

You’ll tell us to endure racist writing and racist white characters but then mock LGBT characters of color using all sorts of absurd reasons – “there wasn’t enough time for them!” or “they just aren’t realistic!” or “I’m going to rant about how a children’s cartoon is reinforcing bourgeois, imperialist conceptualizations of class”. You never give LGBT people of color a chance to celebrate the few sources of representation they have. You rant endlessly about white LGBT characters being tokenized or killed off, but when the same things happen tenfold to LGBT characters of color, who are also brutalized, fetishized, and sexualized by both their creators and their fandoms, you use all sorts of justifications to whisk away any criticisms LGBT fans of color have.

Stop telling us what to prioritize and what not to like. Stop making us feel bad for finding representation in sources that you might decry as not “good” or “intellectual” or “radical” enough for you. Stop condescendingly informing us that the shows we love are bad but that the shows you love are good using x circular logic.

You’ll celebrate 0.2 seconds of a same-gender couple’s appearance in a children’s movie (like Finding Dory) but if a show begins to flesh out a storyline for LGBT characters of color (as in The Get Down), you’ll say “lol Dizzee only kissed another boy for a couple seconds so it’s terrible representation and you’re an idiot for liking it”. You’ll lament Commander Lexa’s death but justify Poussey Washington’s death. You’ll fawn over Clarke Griffin but claim that Asami Sato is a “bourgeois light-skinned imperialist”. You’ll drool over Connor Walsh but call Magnus Bane “predatory”. You’ll say “lol Barb from Stranger Things is clearly a lesbian because she died” but remain silent when lesbians of color are brutalized or killed off. You’ll claim needing LGBT representation and use that as a reason not to watch shows with people of color in them but when The Get Down and Queen Sugar both have LGBT representation, you won’t say anything about them or give them the time of day. You’ll glorify Carol, which had sex scenes, but claim that The Handmaiden, which also had sex scenes, involved “the male gaze”. You’ll get angry at cishets for expecting us to put up with heternormative media but tell LGBT people of color to shut up when they criticize how white and racist LGBT shows are and how they alienate LGBT people of color.

And I am completely exhausted by this. It is not “divisive” or “whiny” of me to bring this up because guess what? White LGBT people use the exact same arguments against cishets when they talk about how “LGBT representation is unrealistic and blah blah blah”. Yet you turn around and pull the same line of rhetoric when LGBT people of color try and express themselves. You’ll either use our media (all the “foreign” LGBT movies that you watch and consume, all the iconic LGBT characters of color who broke boundaries and stereotypes, all the LGBT celebrities of color who are outspoken and compassionate, etc) without giving credit where credit is due, or you’ll tokenize our media, stamp it as not good enough, and glorify your often racist, exclusive, and frankly bad media and demand that we put up with it. It is immensely hypocritical, not to mention self-righteous.

And as a corollary, to the above, is a reminder that some shows and movies are engaging in little more than performative diversity. They don’t actually care about representation, but they do want the brownie points that come with doing the absolute bare minimum required to support inclusion. (We’re looking at you MCU, Disney, and DCEU!)

andhumanslovedstories:

There’s such a weird fixation in media about “firsts”. Beauty and the Beast boasting disney’s “first gay scene” is the one I’m thinking about in particular, and Power Rangers with the “first gay superhero”, and in both cases it’s a blink and you’ll miss it thing, something that maintains plausible deniability of queerness within the film itself, but establishing explicit queerness in everything outside the film. We know Lefou is gay because the interview told us he was in disney’s first gay scene.

And most of these discussions of firsts devolve into which first is first. Bill gets announced as the first gay companion on doctor who, and then follows the argument of whether Jack counts as companion, whether he was the first pansexual companion while Bill is the first gay companion, whether Amy or Clara was ever canonically bisexual and should that be a factoring in calculating firsts as well. (I remember a similar argument going on when Martha was announced as the first black companion, and people were like “but Mickey?” And there’s definitely commentary waiting about contentious Firsts and characters of color, but my white ass has nothing incisive to offer on that front except the hope we are kinder and better towards Bill than we were towards Martha.) And meanwhile, here is Bill, a black gay female companion, and while that fact has definitely not gotten lost, it is still very very cool and good that she is the companion even if she is not the Absolute First.

The language of Firsts is everywhere when you start looking for it, the idea that this show/movie/video game is doing something New Never Before Done Whoa Look At The Unprecedented Gay. And when this trend worries me, it’s because:

1) it gives off a strong whiff of performative representation, where the representation isn’t as important as people knowing you’re doing it

1a) the corollary being that the emphasis on First First First makes me worried that creators are not interested in Second Third Fourth. That having had the First *spins wheel, throws dart* Lesbian Asian Marvel character (a guest star in three episodes of the Defenders, maybe fifteen minutes, every gif set celebrating her has the same three quotes because that’s all there is), they are now exempted from every having to write a Second Lesbian Asian Marvel character. Because they already did that. Didn’t you see the article in Entertainment Weekly? It was a very big deal.

2) the trend of press on the First Gay Thing tends to vastly outscale the actually gayness, which traps us in an endless loop of hype and disappointment (versus Dumbledoring where the gayness is revealed retroactively for a previously ambiguous character or relationship, and it’s a weird combination of vindication because you thought they might be gay, surprise because you didn’t expect them to be gay, and disappointment because why didn’t the work just say they were gay)

And this, even more than the rest of this post, is a personal grievance but 3) queer fandom has spent decades finding representation in subtext, in coding, in wishful thinking and disciplined literary analysis of the text. This whole First thing seems come with a subtext that every other character who had significant ambiguous relationships, was flamboyant or butch, was in anyway queercoded? Not queer. This here is the first gay thing, and we’re very brave for being the first to have done it. Gay characters must formally come out to count.

Putting aside explicitly queer characters (which exist! Which have a history that creators and fans are welcome to build upon instead of thinking they have to invent gay representation every time they launch a franchise), queer history and queer art has always entailed writing and reading in between the lines. Which requires there be lines. If the new trend is unwritten in text, out and proud in press, what does that offer? I’m happy that Explicitly Confirmed Queer is a thing that’s happening, I very much am, but if a gay child who has never read a think-piece cannot recognize themself in your Brave Unprecedented Gay Character because they didn’t read your interview with the av club, then what use is that character? What was the point? What have you actually contributed to us?

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And finally, a clear illustration of the difference between racebending and whitewashing, since some o’y’all seem confused on the issues. (Also, I thought this article was really cute! Tag me! I’m the raisin in the bottom left corner.)

This is a jar full of major characters

Actually it is a jar full of chocolate covered raisins on top of a dirty TV tray. But pretend the raisins are interesting and well rounded fictional characters with significant roles in their stories.

We’re sharing these raisins at a party for Western Storytelling, so we get out two bowls.

Then we start filling the bowls. And at first we only fill the one on the left.

This doesn’t last forever though. Eventually we do start putting raisins in the bowl on the right. But for every raisin we put in the bowl on the right, we just keep adding to the bowl on the left.

And the thing about these bowls is, they don’t ever reset. We don’t get to empty them and start over. While we might lose some raisins to lost records or the stories becoming unpopular, but we never get to just restart. So even when we start putting raisins in the bowl on the right, we’re still way behind from the bowl on the left.

And time goes on and the bowl on the left gets raisins much faster than the bowl on the right.

Until these are the bowls.

Now you get to move and distribute more raisins. You can add raisins or take away raisins entirely, or you can move them from one bowl to the other.

This is the bowl on the left. I might have changed the number of raisins from one picture to the next. Can you tell me, did I add or remove raisins? How many? Did I leave the number the same?

You can’t tell for certain, can you? Adding or removing a raisin over here doesn’t seem to make much of a change to this bowl.

This is the bowl on the right. I might have changed the number of raisins from one picture to the next. Can you tell me, did I add or remove raisins? How many? Did I leave the number the same?

When there are so few raisins to start, any change made is really easy to spot, and makes a really significant difference.

This is why it is bad, even despicable, to take a character who was originally a character of color and make them white. But why it can be positive to take a character who was originally white and make them a character of color.

The white characters bowl is already so full that any change in number is almost meaningless (and is bound to be undone in mere minutes anyway, with the amount of new story creation going on), while the characters of color bowl changes hugely with each addition or subtraction, and any subtraction is a major loss.

This is also something to take in consideration when creating new characters. When you create a white character you have already, by the context of the larger culture, created a character with at least one feature that is not going to make a difference to the narratives at large. But every time you create a new character of color, you are changing something in our world.

I mean, imagine your party guests arrive

Oh my god they are adorable!

And they see their bowls

But before you hand them out you look right into the little black girls’s eyes and take two of her seven raisins and put them in the little white girl’s bowl.

I think she’d be totally justified in crying or leaving and yelling at you. Because how could you do that to a little girl? You were already giving the white girl so much more, and her so little, why would you do that? How could you justify yourself?

But on the other hand if you took two raisins from the white girl’s bowl and moved them over to the black girl’s bowl and the white girl looked at her bowl still full to the brim and decided your moving those raisins was unfair and she stomped and cried and yelled, well then she is a spoiled and entitled brat. 

And if you are adding new raisins, it seems more important to add them to the bowl on the right. I mean, even if we added the both bowls at the same speed from now on (and we don’t) it would still take a long time before the numbers got big enough to make the difference we’ve already established insignificant.

And that’s the difference between whitewashing POC characters and making previously white characters POC. And that’s why every time a character’s race is ambiguous and we make them white, we’ve lost an opportunity.

*goes off to eat her chocolate covered raisins, which are no longer metaphors just snacks*

Source: timemachineyeah

 

 

 

 

 

 

 

 

Favorite Movies of My Life Pt. 2 (1981 – 1990)

The eighties is when I did the bulk of my movie watching, so its going to get harder,  as I go,  to just choose one movie, and in some cases, some  movies are going to have to share the spotlight with others.

The eighties also saw the invention of the VCR, for wide spread home use, and my family got our first one  in 1983 or 1984. Yes, I saw more than a few of these movies with my Mom, but there’s less of a nostalgia factor involved, and more of an appreciation for good filmmaking in my choices.  This is sometimes less about which movies influenced me, and more about which ones I could appreciate as a noobie film-wonk.

At about the mid-eighties, I started babysitting my nieces and nephews, and some of my Aunts had cable. So I watched a lot of these movies on HBO, (along with lots of MTV). I watched a helluva lot of Horror movies, in the eighties too, so this list is going to contain quite a few of those. I think my Mom and I tried to see every Horror movie made between 1980 and 1988, at which time I headed off to college, and  wilder film adventures.

 

1981 – American Werewolf in London/The Howling

 

I couldn’t choose between the two hallmark werewolf movies of the 80s. At the time American Werewolf was released, it was considered the total shit, but I didn’t care because I was stuck on The Howling, and as far as I was concerned, nothing surpassed it. Until I realized what everyone was talking about. An American Werewolf in London is, indeed, a most excellent movie.

I love both movies for different reasons, though. By any measure, American Werewolf is the deeper film, with its themes of survivor’s guilt, and cultural displacement. That, along with the special effects, make it worth the hype.  The Howling is pure, grade B horror film-making, with its cheap melodrama, and mordant sense of humor, and something in my fourteen year old soul (my age when I saw it) just loved it.

1982 – Bladerunner/ The Thing

When I first saw the trailer for Bladerunner at age 12, I knew that was my movie, and we were destined to be together. Unfortunately, I didn’t get to see it until several years after its release, and only on TV. I’ve been  a Ridley Scott fan ever since. I am obviously going to have to do a review of this movie, and share my love, even if there’s nothing new to be said about it.

I distinctly remember watching this trailer on TV, and thinking I wanted to see this movie.

I could not choose between Bladerunner and what is quite possibly one of the most perfect horror movies ever made, The Thing. This is how you do a remake. I’d argue that the eighties was the decade of the great  remake. Starting in the late 70s with Invasion of the Bodysnatchers, the 80s saw the remakes of The Fly,  Scarface, The Blob, The Thing, The Little Shop of Horrors, and Cat People.

Most people looking back on this particular year, often choose E.T.  because it was the most popular. Well, I’m not an E.T. fan. I don’t care about it, have no warm feelings for it, and almost never think of it, and at twelve years old, I’d be the perfect age to love it. I didn’t.

The Thing is another movie I didn’t see at  its release. In fact, this didn’t register on my radar until several years after, when people began praising it in various magazines. I have no memory of watching the trailers for it, although I must have seen them. I really didn’t know anything about it until a few years after its release.

There was also a movie released this year called Xtro, which was one of the grossest scifi/horror mashups I’d ever seen, and  was surpassed only by another horror movie, released in 1987, called Street Trash.

1983 -The Right Stuff

I have been a total NASA stan, ever since I fell in love with Star Trek as a child, so for me this movie felt like a behind the scenes look at one of my favorite organizations. This was the first time I’d ever watched Ed Harris in anything and I totally fell in love with him, and Scott Glenn, but I was also  in love with everybody when I was fifteen, apparently.

Yeah, okay, I’m still in love with Ed Harris, solely on the basis of him starring in this movie.

1984 – The Terminator

I didn’t see this movie until 1986. I remember this so well, because at the time it was released I had longed to see it, but didn’t have any money to go to the theater. I saw it in 1986, on tape, at my neighbor’s house. I remember because our neighbors, two brothers who lived across the street from us, had just bought a new VCR, and invited our family over for movies and popcorn.

I remember their house was a total mess and I was more than a little dubious about staying, but after a while I was so engrossed in the movie, I completely forgot my surroundings. It was the first time I’d ever seen a James Cameron movie, and my introduction to Bill Paxton and Arnold Schwarzeneggar. This is another of those movies where I just wandered off, home, while slowly trying to readjust to reality.

1985 – Fright Night

See my review:

https://wordpress.com/posts/my/tvgeekingout.wordpress.com?s=fright+night

Return of the Living Dead gets an honorable mention:

https://wordpress.com/post/tvgeekingout.wordpress.com/3756

1986 – 3 Films

I could not pick just one movie for this year. Three of my top favorite films were released this year: Aliens, The Fly, and Children of a Lesser God. Each of these movies is the perfect example of its genre for this year. But, if I absolutely had to pick one of them, to watch on a desert island, or something, I’d pick Aliens, since I never get tired of watching it.

1987 – 4 Films

This is another year where too many of my favorite films were released, so I can’t pick just one of them.

I saw both Evil Dead 2, and Robocop on a double bill at the local theater. To this day, I can count this as the best spent three hours of my entire  life. Just me, some popcorn, and a quiet movie theater, all to myself.

Lost Boys is on this list because I distinctly remember gushing about this movie to one of my classmates about how the guys in the movie were so cute. So, this makes the list more out of nostalgia, than that its a great movie, although, its still pretty good, by today’s standards.

I didn’t see Near Dark until many years after its release, but I do hereby acknowledge it as one of the best, most underrated,  vampire movies of the 80s.

My review:

https://wordpress.com/posts/my/tvgeekingout.wordpress.com?s=near+dark

1988 – Akira

Dangerous Liaisons, Beetlejuice, and Young Guns, were all released this  year, but really there was no other choice for me to make. This year belongs to Akira, although I didn’t watch it until 1992, while I was in college.

Not only is it the best movie made that year, its one of my all-time favorite Anime. Its also the very first time, I’d ever seen Anime on the big screen. When I walked into that theater, I had no idea what I was in for, since my roommate refused to tell me anything about it. She just kept saying I would like it. There are a handful of movies, that have such an effect on you, that you have to seriously readjust to being back in the world, when you walk out of the theater, and end up contemplating them for months after you see them. Akira is one of these films.

Incidentally, I had a bad falling out with the roommate who introduced me to this movie, a few years later, and while I have mixed feelings about her, I have never faulted her taste in movies. Whenever she said I would like something, she was NEVER wrong. Raising Arizona, Tremors, Near Dark, Seven Samurai, and Akira are movies I probably would never have watched without her influence.

1989 – The Little Mermaid

Batman, The Abyss, and Casualties of War, were also released in 1989, but I have to pick The Little Mermaid as my favorite. Ursula’s song, Poor Unfortunate Souls, is the meanest, snarkiest shit I ‘d ever heard in a Disney film, and I absolutely love that character. Of course now I know, she was modeled after the Drag Queen, Divine.

This was one of the first Disney films that ever made me cry, and I’ve been crying at these movies ever since.

1990 – Goodfellas

Tremors and Dances with Wolves was released in 1990, and I saw all three of these movies in the theater, where they probably should first be seen. I wasn’t unaffected  by those movies, but Goodfellas is a movie made by a director, Scorcese,  who was at the top of his game at the time, and he has never made a better movie since, in my opinion.

This one of my favorite scenes in a wealth of favorite scenes. Personally, though I don’t find the “Do you think I’m funny?” scene, to be especially funny. Yeah, its iconic, but its not my favorite.

The 1990s, though,  was when I really started, not just to develop my own tastes, but began to pin down just what attracted me to certain films. I began to really think critically about what I was watching, and Why I was watching it. I began reading the opinions of others about the films I liked, and this taught me how to approach film criticism. I started to trust certain critics over others, began reading books on film theory, and audience theory, and reading the filmmakers ideas about what they were trying to accomplish.

So, as the 90s progress, you’ll start to see a change in the kinds of films I enjoy, although SciFi and Fantasy will still make up the bulk of my viewing habits.

 

 

Ghost in the Shell Thoughts & LinkSpam

Here’s a roundup of thoughts and feelings  from Asian Americans (and a few others) on Ghost in the Shell, Hollywood, and Whitewashing:

Orientalism and the Ghost in Hollywood’s Shell

The Incomparable Differences between Whitewashing and Racebending

https://thirdtwinmusings.wordpress.com/2017/04/08/stolen-brilliance-whitewashing-and-the-white-mind-as-perfection/

https://screenalicious.wordpress.com/2017/04/06/how-to-end-hollywood-whitewash-in-10-easy-steps/

https://amazingrace350.wordpress.com/2017/04/06/how-get-out-proved-that-minority-actors-are-marketable-hollywood-just-refuses-to-make-it-work/

Exorcising Ghost in the Shell

https://haleyjb.wordpress.com/2017/04/11/entertainment-media-a-white-world/

http://www.gq.com/story/the-whitewashing-playbook

http://www.motherjones.com/media/2017/02/history-whitewashing-asian-american-hollywood

http://www.slate.com/blogs/browbeat/2017/03/24/filmmakers_and_actors_keep_defending_casting_controversies_but_here_s_why.html

https://theringer.com/ghost-in-the-shell-scarlett-johansson-63bd6503af72

http://www.tor.com/2016/04/20/why-are-we-still-white-washing-characters/

 

 

And also check out  the site:

http://blog.angryasianman.com/

For intelligent discourse on issues pertaining to Asian Americans in Popular media, and a list of similar blogs:.

http://blog.angryasianman.com/2017/04/read-these-blogs_9.html

Asian American Month begins in May.

 

Badly Behaving Airlines

I just thought this would be a nice companion piece to this morning’s post:

It’s not just United — 8 times airlines notoriously violated people of color

  • David Dao is not the first to be dragged off an airplane. He’s also certainly not the first to have been allegedly racially discriminated against by an airline company.
  • In fact, airlines companies have discriminated against people of color so many times, Mic published an article listing 26 everyday things that can get you kicked off a plane — and that’s just if you’re Muslim or look like a Muslim.
  • But viral footage of Dao, a 69-year-old Asian doctor, being forcefully removed by security guards from an overbooked United Airlines flight, sparked a new conversation about racial profiling and discrimination among airline carriers. Mic curated a list of eight other times when these companies discriminated against people of color. Read more. (4/12/2017 11:20 AM)

Not So United Airlines

If you live in the US you’ve probably heard much about what happened on United Airlines earlier this week, when an Asian man was forcibly removed from one of their planes.

I dont normally link to social justice issues here but I felt this was relevant in light of what happened with Ghost in the Shell, and the fact that Asian American History month starts in May. I’m an African American woman and I know a racial incident when I see one. I refuse to be gaslighted on this, and neither will Asian people. China has already responded to  this incident by calling for a boycott of United, and the CEO of United has issued a less than satisfactory apology, and gone so far as to blame the victim.

There are numerous videos of the event and I have to admit I was just a little bit surprised at my reaction to this incident myself. I wasn’t expecting to be as strongly affected by this, as I am by videos of Black Americans being brutalized on film. I saw the photos and I just couldn’t bring myself to watch any of the videos. I wont link to them here.

What I thought I’d do, to alleviate some of my own distress, is signal boost the voices of Asian Americans who are speaking out on this, and provide some  links to think-pieces that are  relevant to this case.

I think, now more than ever before, its time for PoC to set aside our complaints, with one another, and join together to fight against what we see happening in Trump’s America. I hear complaints about anti-Black racism from other PoC, when I think we should keep in mind, that this is America, and absolutely no one is immune to anti-Black racism, not even Black people. Also not every group of marginalized people is going to be in the same place in the racial game as we are, with the same level of experience and awareness.

We need to keep in mind, that no one will be immune to this kind terrorism in a corporate state. We can stand together, or be destroyed separately. (When the dust settles, we’ll all still be here, and  can go back to petty infighting later.)

People have thoughts:

http://verysmartbrothas.com/the-chinese-doctor-dragged-off-a-united-airlines-flight-is-the-blackest-thing-that-ever-happened-this-week/

PR Has Been Grounded (Sorry, “Re-Accommodated”)

The Defenses Of United Airlines’ Behavior Reveal Some Uncomfortable Truths

https://www.theatlantic.com/business/archive/2017/04/united-video-scandal-law/522552/

https://www.pastemagazine.com/articles/2017/04/youre-not-mad-at-united-airlines-youre-mad-at-amer.html

 

The trolling of United:

Now other airlines are brutally trolling United Airlines, and it’s hilarious

“A lack of planning on your part does not constitute an emergency on mine.”

 

Tumblr had some choice words too:

Vietnamese doctor gets roughed up and hauled out of a plane by cops at United: I’m Vietnamese-American myself and naturally my community’s in an uproar over this. But where was this outrage for the brutality against black people? They’ve been suffering this kind of treatment for years. The general attitude I perceive in my community, especially among the older 1st gen immigrants, is judgment, victim blaming, or indifference. All of a sudden we care because “one of our own” got attacked. I’m sick of the double standards we’re perpetrating. The Asian diaspora population has maintained a content and compliant attitude, so when something like the United incident happens, it jolts us out of our happy little bubble and scares us to the core, and it should. We’re scared because the model minority myth does not exempt or protect us (that’s exactly what it is: a myth, not a fact, and it hurts us more than it helps us). We need to stop assuming that we’re an exception. That is very dangerous thinking. We need to hold ourselves accountable and do better.

It Came From Tumblr

*Some things said on Tumblr this week:

This roundup of some of the best clapbacks on Pepsi’s  new ad.  Pepsi released a new ad targeting Millennials by using protest imagery. Consequently, everyone involved in that debacle had their asses handed to them, on social media. 

violaslayvis: “I’m going to bed ”

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resistdrumpf:
“Pepsi may have pulled the ad but the damage is done.
”

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nabyss: “loubeesarmy: “ andinthemeantimeconsultabook: “The Best of Twitter dragging Pepsi™ and Kendall Jenner’s ignorant ass for that horrendous new ad they just released. ” How y'all gonna defend her ass? “She is just doing her job” “She has no...

@

nabyss: “loubeesarmy: “ andinthemeantimeconsultabook: “The Best of Twitter dragging Pepsi™ and Kendall Jenner’s ignorant ass for that horrendous new ad they just released. ” How y'all gonna defend her ass? “She is just doing her job” “She has no...nabyss: “loubeesarmy: “ andinthemeantimeconsultabook: “The Best of Twitter dragging Pepsi™ and Kendall Jenner’s ignorant ass for that horrendous new ad they just released. ” How y'all gonna defend her ass? “She is just doing her job” “She has no...

@

If only Daddy would have known about the power of .

@nabyss: “loubeesarmy: “ andinthemeantimeconsultabook: “The Best of Twitter dragging Pepsi™ and Kendall Jenner’s ignorant ass for that horrendous new ad they just released. ” How y'all gonna defend her ass? “She is just doing her job” “She has no...

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*And for all the people asking why no one tried to stop them from making or releasing this ad, Mikki Kendall lays it out for you:

 

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Think about this for a minute:

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Yeah, I feel ya’. I hate those cheap Rose Art crayons, too.

 

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Introvert PSAs

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Some people do this, just as a matter of course.

Today’s lesson kids. #motivation #moveryourass http://ift.tt/2kO34RV

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This explains a lot in my house, really.

just-shower-thoughts:

I’m 100% convinced that every time a sock goes missing in the dryer, it comes back as an extra tupperware lid.

 

@

Actually, its both!

introvertunites:
“If you relate to being an introvert, follow me @introvertunites.
”

@

Everybody named Chad gets a shock, just on principle,  cuz you just know, at some point, he gon’ fuck up!

We have a twitter here too: https://twitter.com/IntrovertUnite. See some of you there?

New Movie Trailers 

Well, we’ve got a new batch of trailers, for movies some of us have already decided we will, or won’t see. As per usual, the  more trailers I watch, for some movie I was highly enthusiastic about six months ago, the less I want to see it. I think trailers are specifically designed to make you hate a movie before you see it, and you should probably just keep your trailer watching to a minimum. Well, probably I should.

Except, from time to time, there is that rare trailer that makes you more excited to see the movie.

 
The Mummy:

I’m still not sure how I feel about this movie, except to say Tom is starting to look a bit worn. Apparently, this isn’t just a remake but, like the Ghostbusters, a re-imagining. Well, the special effects indeed look special, and there’s Russell Exposition, to give us the lowdown.

 
War for the Planet of the Apes:

I had no intention of seeing this movie, after all, I haven’t seen any of the previous ones. I have a friend who is really enthusiastic about this series, but I was put off by the animal abuse, in the first film. I get the point of these movies (slavery allegories don’t excite me) but I couldn’t get past the animal abuse. It bothered me for several days afterward, and I decided I wouldn’t watch any of the movies, not having finished the first one.

 
Valerian and the City of a Thousand Planets

Well, it’s still really really pretty. I love movies, but it’s both a blessing, and a curse. Sometimes, I just get tired of looking at white ppl have incredible adventures in movies.  (At such moments you gotta break out the Japanese anime, or Chinese action movies.)

 
Alien: Covenant

The more I see of this movie, the less I want the to see it. I love the Alien movies, but I have no intention of  seeing this.

 
Spiderman Homecoming

Well, this is the rare movie, that I still want to see, after having watched several trailers. I still love little Tom Holland, no matter how mad the children on Tumblr might be about him.



Deadpool 2

I may or may not see this movie. I’m a little dubious about  the humor in this scene, but the first movie had some nice, funny, surprises, so I’m still game.

Favorite Movies of My Life Pt. 1 (1969-1980)

This was inspired by a Twitter challenge to name the favorite films for each year of your life, starting from birth. You under thirty film folks have this pretty easy, but I’m an oldy (but goody), so its going to take me  time to lay all this out, and I’m obviously going to have do this in installments! This doesn’t mean I saw these movies in that year. It’s just the year of the release.

I thought you guys might find it interesting to know what films I consider the most influential in my life. I know compiling this list surprised me a little bit. I’d never given this a whole lot of deep thought, and I was pretty certain of what movies I knew I liked, but this was pleasantly eye opening. Also, I’m definitely giving away my actual age, but I’m not ashamed of my age, so here goes:

1969 – The Valley of Gwangi

Well, I had to pick one film a year and this was it. In fact, its appropriate, becasue this is really the first dinosaur/kaiju movie I’d ever seen, and influenced my fascination with Godzilla, The Beast from 20,000 Fathoms, the Ymir, and those Sinbad movies. It also introduced me to the work of Ray Harryhausen, who I have a soft spot for.

Anyway, this is a ridiculous Western/Fantasy movie, about some cowboys who encounter a valley full of  giant beasts. A tyrannosaur gets captured and brought back to the city where it, naturally, escapes, because that’s what such creatures do, thereby ensuring my lifelong love of giant monsters destroying cities.

Ray Harryhausen is also the man responsible for this. These skeletons scared the shit out of me when I was eight, and I’ve loved him ever since:

Related image

 

1970 – A Man Called Horse

I first watched this movie with my Mom, because it contained some graphic scenes, and I was a kid who needed adult supervision, or so she said, so there’s definitely a nostalgia factor involved in me liking this movie, which is basically, Tarzan in the Old West. A White Englishman gets captured by some Native Americans, they torture him for a while, but eventually he wins their respect, by going through various manhood trials, which look little different than the torture he’d undrgone earlier in the movie, which had been to less purpose. At any rate, I liked the lead actor, Richard Harris, and was a fan of his ever after.

It was while watching Westerns, that I really began to question the  tropes presented about Native Americans, like why they all wore headbands, and spoke broken English.

I watched a lot of these Westerns with my Mom. She was a fan of Richard Harris, too. She heavily influenced a lot of my early movie watching experiences, by just sharing her love of various movies (and actors) with me, until I started developing my own tastes. She introduced me to The Big Valley because she was a huge Barbara Stanwyck fan, so I liked Barbara, too. She loved Bonanza because she was a fan of Lorne Greene, so I was a Lorne Greene fan, and started watching Battlestar Galactica.  I became a fan of a lot of old actors just because my Mom liked those movies and invited me to watch them with her.

Our movie tastes have  diverged over the years, as I tend  to be more adventurous in my movie watching, (as you will see), and will watch quieter, more intellectual films, while she prefers a lot more drama and bombast.

My mom is of the generation that considers movies to be nothing more than entertaining, or melodramatic, spectacle. I’m of the generation that enjoys  movies that have some level of philosophical insight, or intellectual depth, to go along with all the spectacle, which is basically anything released after 1965. Not that movies didn’t have that before 1965, but moviemakers started making more of these types of movies.

1971 – A Clockwork Orange

There were a lot of great movies made in 1971, and I had a really hard time choosing one. I had a choice between Spielberg’s Duel, George Lucas’ THX-1138, Let’s Scare Jessica to Death (a big contender in this category), Shaft, Willard, but I chose Clockwork because its one of the first SciFi films I watched without my Mom’s supervision. I don’t think she knew about it, or she would have had something to say. This wasn’t my first Kubrick film. That was The Shining, which I did watch with her. But I was hooked. I made a point to watch as many Kubrick movies as I could after that.

It may sound as if I watched these movies at a very young age but I was in my teens when I saw  most of these  films, and a lot of the movies I watched, when I was very young, were edited for television.

1972 – Aguirre: The Wrath of God

I know a lot of people choose The Godfather, or  Lady Sings the Blues, but I didn’t watch those movies until I was an adult, and I wasn’t impressed by them, by the time I saw them. I think you have to be of a certain age for a movie to have a great influence over you. I didn’t see this until I was in my twenties, long after I’d watched Salem’s Lot.

This is Werner Herzog’s movie about the conquistador, Lope De Aguirre, heading down the Amazon River to find the city of El Dorado, and starring  Klaus Kinski, who is not a pretty man. The grotesque is what occasionally fascinated me about foreign films.  Now here’s how my thought processes work: I first saw Klaus Kinski in Herzog’s remake of Nosferatu, when I was maybe fifteen. My interest, in that particular version of Nosferatu, was prompted by learning that the vampire from the TV movie, Salem’s Lot, was based on him. which I saw Salem’s Lot the  year it was released, and of course, I watched with it my Mom!

Image result for salem's lot vampire/gif

Watching this movie, I think,  informed my love of documentaries, and books, about exploring the Amazon. Up til then, I’d pretty much been consumed with books about exploring Arctic landscapes, or climbing Mt Everest. (I think at one point I aspired to be a Sherpa, but I was  later disappointed to find you have to be born a Sherpa, I guess. )

1973 – The Exorcist

A lot of good movies were released this year: Mean Streets, Don’t Look Now, Enter the Dragon. I like all those movies but The Exorcist is the movie I keep coming back to over and over. I will watch this whenever it comes on TV. I’ve watched it with all the commentaries. I never get tired of it, but I have seen it so many times that I can get a bit snarky on the parts I find exasperating.

Here’s a funny story:  I remember lobbying my Mom to watch this movie. She was a bit dubious about that, because I was all of maybe twelve, the same age as Regan in the movie,  but I convinced her that I was mature enough to handle it. So, I watched the TV edited version, with her supervision, late one weekend. I know it was aired past my bedtime, and I needed her permission to be up, anyway.  I watched it, and she saw that I didn’t seem unduly affected by it, and didn’t give it any more thought.

Now, I live in the Midwest,  an area of the country that is not known for having earthquakes, but guess what? We had an earthquake a couple of nights later.  A pretty strong one, at about a 6.0, and you don’t want to know how quickly I sprang out of that bed and ran screaming to my Mom’s room. It took her a while to calm me down, and make me understand that my bed was shaking because there was  an earthquake. She’d been watching the news when it happened, so she was perfectly calm.(It did not help matters that I was going through my existential crisis period, where I was questioning God, religion, and my existence in general.)

Yeah,  she was kind enough to indulge me sleeping  in her bed, for a couple of nights.

1974 – Deathdream

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I know everyone always picks Blazing Saddles or Young Frankenstein, and I love both those movies, but this one had a much bigger influence on me. I saw this movie as a teen, and it was the first modern era  vampire movie I’d seen, outside of Salem’s Lot. It’s set in the modern era of 1970 something, when a young man comes home from Vietnam.

Unbeknownst to his family, he died in that war, and what came home was a revenant, responding to his mother’s fervent wishes that he return.  You can tell something is seriously wrong  with him, from the moment you first see him, but his family is so happy he’s home, that they don’t want to  see it. He needs blood to live, but the blood becomes increasingly less potent, and he starts to break down,  becoming more ghoulish as the movie progresses, attacking his family and neighbors, and behaving very badly. 

The movie is notable  because its narrative is an indictment of the Vietnam War, and what happened to the young men who fought in it, who came home haunted,  broken, and forever changed. This movie had a  greater  influence over how I think about movies than Night of the Living Dead, which also had a socially conscious message. It’s also a great illustration of family dynamics, as the drama is every bit as compelling as the vampire part of the story. The mother, who was hanging on to her last threads of sanity before her son came home, and the father who realizes that something’s horribly wrong with his son, but can’t speak to his wife about any of it, because she is delusional.

1975 – Trilogy of Terror

I would have chosen Jaws, but I chose this movie instead, because although I love Jaws, and watch it every time it comes on TV, this movie had a much bigger influence over me as , once again, I watched it with my Mom, and she was a Karen Black fan. I’m only a middling Karen Black fan, so I didn’t get that out of this movie. What I got out of this movie, was a love of Richard Matheson, as his short story, Prey, makes up the third part of this movie, and I thought that part of the movie was awesome. In it, an African doll, He Who Hunts, comes to life and chases a woman all over her apartment. But its harrowing, intense, and  hilarious as this tiny, screaming, doll gets the better of this huge woman, as Karen Black is no delicate two Oz. damsel.

This movie might have something to do with my inarticulate fear of inanimate objects, that come to life,  and move around. I was about ten years old when I saw this movie, and was quite reasonably, terrified. The new Ghostbusters has a scene in it, where a mannequin chases Leslie Jones’ character, and I nearly shit myself.

And you’re probably also seeing a theme developing here, with  people with fangs and appetites, who aren’t what they seem, preying on other people.

 

1976 – Taxi Driver

I had a hard time choosing which movie was my favorite, for this year, because its the same year Carrie was released. Ultimately, I settled on this one because I think Taxi Driver is a much deeper film.

I didn’t see this until I was an adult. It’s the first Martin Scorsese movie I ever watched, (I backtracked later, and  watched Mean Streets) and only because I’d heard of its reputation from critics like Roger Ebert and Pauline Kael. Travis Bickle is a painfully awkward character to watch. I’m still unable to articulate how I feel about this movie. I go through periods where I’m loathe to watch it, yet compelled to sit through it. Watching a baby Jodi Foster might have something to do with my feelings about this movie but I’m not sure what.

 

1977- The Last Dinosaur

This movie is almost comically bad but I still love it. The special effects are awful, and the characters are ridiculous, but the movie makes up for that with its subtext and theme song. It’s by the same people that created some of the Godzilla films, and it shows in the awful acting and the rubbery monsters, which all move in slow motion, to illustrate how powerful they are.

Maston Thrust (yes, that is the character’s actual name), is a big game hunter who is tired, old, and jaded. He has hunted all of the creatures of Earth and is looking for new challenges. It’s the 70s, and Maston, a virile he-man, is a blatant sexist, and the world has changed around him so much, that he no longer recognizes it, and can find no place in it. The world doesn’t need rugged white men, who can kill things. He’s a dinosaur.

Given the opportunity to visit a Lost World and hunt a dinosaur, he jumps at this, and accompanied by his faithful Maasai tracker friend, named Bunta, (yes, I just typed that name), and a blonde female photographer, played by that era’s hottest blond, Joan Van Ark, they all head down. When he gets to this Lost World,  he, and the Tyrannosaurus Rex that killed the last expedition, develop an immediate enmity, as the Rex tries to kill everyone on his team (He enjoys stepping on his prey. He likes his food pureed.) The two of them spend the rest of the movie trying to outsmart each other.

Now, if this sounds like the plot of Kong: Skull Island, you are correct! Kong has better effects,, dialogue, acting, really everything but it doesn’t have a theme song. I first heard this song when I was a child, and have never forgotten it, as its a lovely song. It helps to think of the song as Maston’s theme.

 

1978- Invasion of the Body Snatchers

Wow, I do have a lot of favorites! This is one of the best remakes of a fifties SciFi movie ever made. This movie I think began the trend of eighties remakes that were better than the original movies. If it wasn’t for this movie, there probably wouldn’t be the remake of The Fly, The Thing, or The Blob. I didn’t really want to pick just this one movie because Halloween, The Fury, and Superman were all released in 1978, and those are all favorites, but the rule of the game is to pick only one movie.

 

1979-  Apocalypse Now

The first time I saw this movie, I didn’t get what made it so wonderful. Roger Ebert was a huge fan, and so was Pauline Kael, and I trusted their opinions. I watched it and liked it okay, but didn’t love it. It’s only after successive viewings that I grew to truly appreciate it. To give you some idea of how hard it is to choose just one favorite film from this year: Alien,  and The Warriors was also released, and I chose Apocalypse Now becasue its a deeper film.

You can start to see how my tastes have begun to diverge from my mother’s. She loved The Warriors, but was uninterested in this movie, and she  is mostly indifferent to Alien.

 

1980- Altered States

This was another tough one becasue I have a couple of favorites for this year, but I chose this movie because its such a trippy mess, and at the time I saw this, I had not yet seen 2001. This was the first movie that had ideas and concepts in it that I knew were important, but I was just too young to understand them.

Several viewings (and years) later, I was able to follow most of the arguments made by the characters in this movie, most of which involve a great deal of existential angst. it was also the first time I’d ever seen William Hurt. He’s a complete asshole for most of the movie, but he’s a cute asshole, and he  learns his lesson by the end.

My other favorites for this year are The Elephant Man, The Shining, and Fame, a musical with a diverse cast, which starred Irene Cara.

Next up: 1981 through 1990.

Ghost in the Shell Reviews Are In

*So far, the consensus seems to be that Ghost in the Shell is  a merely okay film. I haven’t seen it and had no plans to do so, not because of the Whitewashing, although that’s a big issue, but because I’m more than a little tired of looking at Scarlett Johansson.

There’s quite a lot of spectacle but yeah, there’s the little issue of Whitewashing, not just of the film itself, but actually referenced in the plot, where the identity of an Asian character, Motoko, is erased and placed in the body of a White woman. 

According to the critics, it is possible to watch this movie and not care about any of the social issues involved, but this movie is never gonna be a classic, and doesn’t have the depth of the original anime. It’s never going to be Bladerunner, or The Matrix either, no matter how much it apes those movies aesthetics. According to the critics, it’s a gorgeous film that lacks warmth. It’s at about 51% on Rotten Tomatoes and Metacritic. The reception of the movie, even by audiences,  has been rather lukewarm.

There are a handful of reviews giving it a rousing endorsement, like Variety, Entertainment Weekly, The Telegraph and The Chicago Tribune (Roger Eberts old employer). But the critics who panned it, come from more Geek oriented online sites, that skew much younger than the ones mentioned above, with a millennial audience who grew up watching the original movies and series, and I guess they’re unimpressed by the story.

http://www.salon.com/2017/03/29/scarlett-johansson-and-the-perils-of-white-feminism/

http://www.avclub.com/review/beguiling-ghost-shell-more-replicant-remake-252941

http://www.theverge.com/2017/3/29/15114902/ghost-in-the-shell-review-scarlett-johansson

https://www.dailydot.com/parsec/ghost-shell-review-remake-2017-johansson/?tu=gav

http://www.gq.com/story/ghost-in-the-shell-review

http://www.ign.com/articles/2017/03/30/ghost-in-the-shell-review

http://www.polygon.com/2017/3/30/15121524/review-ghost-in-the-shell

http://www.businessinsider.com/ghost-in-the-shell-review-2017-3

 

*And because apparently I’m just not finished bashing Iron Fist for what we could have had vs. what we got:

http://io9.gizmodo.com/heres-the-important-stuff-that-happens-in-iron-fist-so-1793445273

http://www.theverge.com/2017/3/21/14980216/iron-fist-problems-marvel-netflix-writing-villains-optics

http://www.polygon.com/2017/3/17/14958828/finn-jones-and-iron-fist-have-one-thing-in-common

*Bottom line: if your character’s backstory features him punching a gobdamn dragon, to obtain his superpowers of being able to punch shit, and you don’t show that shit on screen, you need your entire ass thoroughly kicked. So far, we’re stuck with Finn Jones as Danny Rand but this can be fixed. He’s never going to look good as a martial artist until he gets some serious training. Put him in some intense stunt training, so that he can at least look as competent as the actors from The Matrix. Get a brand new showrunner. And this time find someone who gives a shit about Danny’s Rand being Iron Fist,  cares about his martial abilities, and is willing to do the research to make it look good.

 

*Just to cheer us all up, here are some Logan reviews. I loved this ugly, bittersweet movie, so much.

http://www.theverge.com/2017/3/6/14829768/logan-movie-wolverine-hugh-jackman-patrick-stewart-discussion-highs-lows

http://www.rollingstone.com/movies/news/why-we-needed-logan-to-kill-the-modern-superhero-movie-w470501

https://theringer.com/logan-and-conquering-pessimism-through-fatherhood-86d377ae85b9

Stuff I’m Watching

Okay, I though I posted this already, but apparently not, since I can’t find it in my published file. So here we go again, maybe!

The Ghost Brothers (TV)

 

Its a TV show about three guys who all had paranormal experiences as children, and decided as adults that they would like to investigate the existence of ghosts. The second season of this show airs April 15th. In the meantime the first season is available for streaming on TLC. I’m already addicted.

Its  a pretty good show. One of the reasons I’ve always hated ghost hunting shows is I get  exasperated with  White guys running around in the dark, shaking their cameras, and yelling at the ghosts. There’s none of that here. The feel of this show is very different. One of my biggest issues was the attitudes of the ghost hunters in these shows, challenging the ghosts, making demands, and the general disrespect. That’s not here, either. For the record, I don’t believe in ghosts, but I do believe in the inexplicable, and this show has that too, which occasionally makes it actually scary. But it’s not just that. It’s the humor and camaraderie between these three friends, that I enjoyed the most. They genuinely like each other,  and are not above ranking on each other, but don’t do it in a mean spirited way. You can tell they’re really old friends, and this is one of the most authentic depictions of black male friendship, you’ll ever see in a TV show.

The guys make a point of visiting sites that are known spots of racial trauma, so they’re not in the business of retraumatizing any presences that might be there. After all, these are their ancestors. They try to approach their job from a place of respect, with minimal equipment. They ask questions and  try to reach out and emotionally connect with a presence. In one episode, they visit a hotel where a sex worker was killed maybe a hundred years ago. They visit her rooms and attempt to find out if she’s still present. They ask her about her life, implore her to answer, and when they leave, they respectfully leave payment for her time, which I found both sad and hilarious.

In another episode, they visit a place where some children were known to have died. To get the children  to respond, they bring toys and dolls, ask the children if they would like to play, and assure them that it’s safe to come out and do that. All very respectful. Nothing happens of course, but there’s a great deal of tension as you suspect something might.They bring the absolute minimum in equipment, they don’t have scanners, and meters and various devices. They really just have their smartphones and a camera.

Also, these guys are surprisingly brave, in situations that would frankly give me the screaming heebie jeebies, sitting alone in a dark room waiting for some presence to reveal itself. Yes they do get scared, and are willing to acknowledge that, but there’s no exaggerated terror, with a lot of running and screaming. This isn’t a comedy, although the guys are occasionally funny. They take their self appointed task pretty seriously.

One of the reasons I like for white people to watch shows like Atlanta, Luke Cage, and Ghost Borthers is if they’re interested in more authentic depictions of what black people are actually like when white people arent around, and contrast these images with depictions crafted and written by white men, who can only guess at how we relate to each other, or just make shit up. One of the most interesting things I’ve noticed about media depictions of marginalized people by white male writers, is often the relationships are depicted as contentious ones. The white men, who write almost all of the media we see, have no idea what women talk about when men aren’t present, what gay people do when straight people aren’t around beyond having sex, or what black people do when white people arent present. Shows written, by marginalized people themselves, tend to have fewer token characters,  and more genuine conversations, and activities. We actually do get along with each other when white people arent around. We laugh, joke, and tease each other. We have deep conversations that aren’t about race, and trivial conversations that are. And just like with the Bechdel Test, almost none of our conversations center white  straight men.

Ghost Brothers joins those lists of shows that depicts black people’s authentic reactions to the world around us.

ETA:  I added a much more detailed description for this show, and the second season has already started. I’m currently watching episode two, where the Brothers visit the Winchester Ghost Trap House.
Ghostbusters (2016)

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I told myself I wasn’t going to watch this, but it aired on Starz, earlier this month, and that’s why I pay for cable. So yeah, I’m one of five people on Earth who actually love this movie. It was entertaining and I found a lot of positive  things outside of the one negative thing that made me want not watch it.

The one negative thing was me being mad about Patty, played by Leslie Jones, not being a scientist. I still don’t like that, but I also don’t feel she was ill treated by the creators of the movie. Although Leslie’s personal humor doesn’t match mine, I still really liked her character. She was one of the funniest people in the movie and gets some of the best lines. This one negative thing was outweighed by all the positive things I enjoyed.

One of my biggest takeaways was the depiction of friendship between women, which is almost never authentically shown in genre films, in favor of having a lonely badass. These characters are friendly and supportive of each other. To use Erin and Abby, for example, the subplot of how they met is Abby believing Erin when she claimed she saw a ghost when she was a child, and no one else believed her.That no one else believed her is something  that affects her for the rest of her life, prompting her to abandon Abby, and never have anything else to do with the paranormal. Later, she and Abby reaffirm their bonds of friendship when Erin risks her life to save Abby at the end of the movie. When Erin has a very obvious crush on their dimbulb male secretary, played by Chris Hemsworth, the other women never make fun of her, or make her feel ashamed of it. They just accept that she likes him, while gently cautioning her to be careful of sexually harassing him.

I liked Patty, and felt she was given ample screen time. The other characters make no big deal about her not being a scientist. She’s an expert in other things. She talks her way onto the team by offering them something they don’t have. Historical context and knowledge of the city, allows Patty to provide a lot of the movie’s exposition. This is not exactly her being “street -smart” (I suppose technically she is “street-smart,  but only because she is her own kind of nerd, who reads History books for fun. So yeah, all the ladies are in fact, nerds! Patty just is not a Science nerd.)

The other women never act as if they know better than her, or try to lord it over her that they have credentials, and even defer to her expertise on matters they know she has studied. They accept her, like Holtzman,  as one of the contributing members of the team. Yes, she gets them a car, but that’s not why she was allowed to join them. It’s something she offers, along with their ghostbusting suits. She also gets some of the funniest lines in the movie, most of which are quiet personal asides  that if you blink, you’ll miss them.

I especially enjoyed the beginning of a friendship between her and Holtzman. Abby and Erin were already friends, and Holtzman must have occasionally felt like a third wheel, but she and Patty seem to hit it off pretty well, hanging out together whenever they’re not working. Patty  saves Holtzman’s life at one point, and nicknames her Holtzy.

Speaking of Holtzman, she is my favorite character in the entire movie. She’s just plain nuts and really, really,  loves her job. The trailers don’t really do this character justice, just like they didn’t make Patty very likable. She’s impossible to describe. She just has to be seen. She loves destruction, dances around with blowtorches, and is utterly fearless when it comes to her various science toys.

ETA:

So, my niece finally watched this movie, and she had a great time. She couldn’t wait for me to get home from work, and she watched it without me, for which she was mildly chastised. And guess who her favorite character is! Guess! Patty, of course, who she thought was hilarious. I don’t know that my niece wants to grow up to be a Ghostbuster, but she really enjoyed herself, and the movie, and that’s enough for me.

 

 

Suicide Squad (2016)

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Once again, I’m in the minority when it comes to liking a movie. I actually had a good time watching this. I really liked the visuals, and performances, even if the story was full of massive holes, and largely incoherent . I really enjoyed the characters though. I watched this with my niece and she seemed to have a good time, too. I think she wants to be Harley Quinn when she grows up, but I told her no, because that’s not a good look for a Black woman, unless she’s gettin’ paid a lot of money, like Margot Robbie. It would also require she be tortured by Jared Leto, after which I’d have to beat Leto’s ass. (He should probably have his ass kicked just on general principles, anyway, because my niece has decided she has a crush on his version of the Joker. What? She’s like ten years old!)

I’m one of five people on Earth who think that Suicide Squad winning an Oscar for Best Makeup is both hilarious and outrageous. Really!? Over Star Trek? Yeah, right!

It really shouldn’t be that shocking that I liked this. It stars Will Smith and I’ll basically watch anything he ‘s in. Margot Robbie wasn’t too bad in this. I thought her version of Harley was pretty entertaining and not too unlike the comic book version of the character. And then there’s  Queen Viola. I just love the idea of Viola Davis and Will Smith starring in a superhero movie together. Although, the next time we see them together, I hope its something a little more serious.

The Magnificent Seven (2016)

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Unfortunately I did not get to see this in the theater.  I did rent this for me and my Mom to watch for a couple of days. She is a die-hard Denzel fan, and she had expressed an interest in going to the movies to see this. Now this is pretty remarkable for two reasons. She’s not a huge Western movie fan, (even though she was the one who introduced me to Bonanza), and its really hard to get her to go to the movies with me, as she’s  picky. In the past few years, I managed to get her to see Jurassic World, World War Z, and that Halloween Madea movie.

We watched this movie over a weekend and she really enjoyed it. She was deeply happy that Denzel survived to the end of the movie. I enjoyed all the characters but I was kind of bummed out because the one Asian guy got killed. It doesn’t really compare overmuch to the original. It has a very different feel, although the plot is exactly the same. The action sequences were very exciting, and I enjoyed the banter between the various characters. It suffers from lone woman syndrome, and a bad guy who is evil just because he’s evil. (Not that every villain needs a backstory. Its just something I noticed.)

It has a Benetton ad cast, and although the one Mexican guy, Vasquez, is annoying, the stereotypes are mostly kept to a minimum. The men of color in the cast all get to have their action moments. Despite the presence of Vincent D’onofrio as Jack Horne, my favorite character was  Billy Rocks, the group’s blades-man. The most intriguing relationship was between Billy Rocks, and  Ethan Hawke’s character, Goodnight Robichaux. I kept wondering about the nature of their friendship, and afterwards I wrote my own headcanon, where Billy saved Goodnight from suicide, and Goodnight felt indebted to him. It was very clear that one of Billy’s purposes was helping  Goodnight hold his shit together.

My Mom liked the Jack Horne character a lot. He was  melancholy and  gruff, with a penchant for making profound philosophical statements, that mostly puzzled the other characters. Denzel, as Chisholm, was his usual mildly snarky, pragmatic self. He wasn’t really stretching it in this role, but Denzel sparkles on even his worst days, so its all cool.

No, this movie isn’t as good or influential as the original, but its worth watching some cold Saturday night, with a bowl of popcorn, and some good friends.

Legend of Tarzan (2016)

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Let’s just state, for the record, that I’m a little bit older than some of the more hysterical members of Tumblr. As a result, I grew up with the idea of Tarzan, and am well used to the tired trope of Tarzan the White Savior. I grew up reading the Edgar Rice Burroughs books, and watching some of the movies with my Mom, whose favorite Tarzan was Johnny Weismuller. Yes, we did see the problematic aspects of having some White guy being a better African, than actual African people, in Africa, but since almost all of TV, and movies, consisted of this trope, it was easy to overlook it, yet impossible not to see it.

That said, I did watch this movie when it came on cable, which only proves that I will watch any damn thing when it comes on TV, where Alexander Skarsgard takes his shirt off, and growls like a lion. It does not mean I’m not “woke” or “aware”. It just means I occasionally have low standards for what I find entertaining, especially if I can knit to it.

Nevertheless, I still enjoyed this movie for the sheer silliness that it is. Yes, the premise is just as stupid as the original films, and one still wonders what the hell White people,  (and lets face it, there were no PoC clamoring for this movie to be made) were thinking when this movie got made. If you haven’t seen this movie, it’s okay, as your life will not have been upheaved.

For what its worth, the creators did keep the White Savior stuff to a minimum by adding Samuel L. Jackson, who does the saving of various Black people, and some of the actual Congolese people get lines and screen time. Skarsgard is ridiculous in this role,  and spends most of his time trying to look dramatically serious, while trying to save his girlfriend, Margot Robbie, from Waltz’ slimy Englishman. I still don’t know why Waltz kidnaps her but its got something to do with diamonds. It doesn’t matter anyway because the plot is really not that important. What’s important is that Skarsgard is bare chested for most of the movie’s running time.

There is indeed some tree swinging, and some gorilla punching, and for some strange reason, Djimon Honsou is in this movie as an antagonist. He only gets about five minutes of screen time, and maybe six lines. Samuel L. Jackson is in this movie too, and pretty much just acts like Samuel L Jackson, despite the fact that everyone else is acting like they are in a period movie, which is very jarring. I wanted to turn off the sound, so I didn’t have to listen to him speak, but then I wouldn’t have been able to hear Alexander Skarsgard talking to various animals, and yodeling. Yes, there is a classic Tarzan yodel. When I was a kid, this didn’t particularly bother me, but every time I heard it in this movie, I laughed my ass off.

But really, I think the biggest question you have to ask yourself, if you ever watch this movie: Why is Samuel L. Jackson in this movie, when they have Djimon Honsou?

Tumblr Funnies

*Tumblr is great for story prompts about alien contact, and hair dye:

lady-of-greenwood:

patternofdefiance:

just-a-kind-of-magic:

Imagine being a human in an alien crew in space and leaving with bright blue or pink hair and the color fades and everybody on board wonders WHY you are losing your colors??? Is it the lack of greens? Are you sad? Angry? They just don’t know??

“Human-Kelly may we have a moment of your time?”

Kelly pauses in her inventorying of the photo-synth plates she’ll be installing after today’s cycle ends. “It’s just Kelly, hellot-Halzar, you don’t have to acknowledge my species every time we talk.” She smiles. “That’s not considered rude for us.”

“Very well hu—Kelly. Erm. May we have a moment of your time?” Many eyes blink earnestly at her.

“Sure. What’s up?”

hellot-Halzar considers. “May we discuss the structural nature of the ship interior and gravity-derived reference values at a later date? At this moment we would like to inquire as to the nature of your corporeal change.”

“Yeah sure—wait my what?”

“There is a mess hall wager.”

“About my –?”

“Concerning your strands,” hellot-Halzar says, gesturing.

“My….hair.” Kelly runs a hand through it. It’s purple as of two ship days ago. “Ok?”

“We wish to know whether the colour change signifies mood, nutritional intake variance, or ….erm….whether your mating season status has changed.”

“My mating season status, huh?” Kelly lifts an eyebrow.

“Yes.”

“Did Jerry put you up to this?”

“Human-Jerry refused to answer our questions about your strands, citing some phenomenon known to your homeworld as ‘famine in missed eek’.”

Kelly snorted. “Tell Jerry he can shove his archaic ideas about ‘feminine mystique’ where M-series stars don’t shine. As for your bet: sorry, it’s none of the above. I changed my hair because my last box of dye was about to expire and because I felt like it.”

hellot-Halzar considers. “chinret-Zer wins then, by technicality: that reason falls within acceptable parameters for ‘mood’.”

“I suppose it does.” Kelly pauses. “Who bet on the ‘mating season’ one?”

“Hmm?” hellot-Halzar had already turned to go and deliver the verdict. They turn one set of eyes back. “Oh that would be Drannuc. He said he smelled a difference in you.”

“Delightful,” Kelly says, instead of explaining menstruation and how that can affect mood, diet, and that technically it correlates to what most of the species on the ship would consider a mating season.
“Next time, instead of betting, maybe just ask questions? And not Jerry. He’s a jerk.”

“Reclassifying human-Jerry as jerk-Jerry. We will approach you with all human queries from now on,” hellot-Halzar says and then continues on their way.

Probably for the best, she thinks with a lopsided grin, and then continues sorting the photo-synth plates to install on her space walk tomorrow.

“Reclassifying human-Jerry as jerk-Jerry”

Pure. There is no other word.

Source: just-a-kind-of-magic

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*Tumblr is great for story prompts about ghostly roommates:

tygermama:

agwitow:

just-shower-thoughts:

If a ghost can open cupboards and break things, why not just take a pencil, find paper, write exactly why it’s unhappy, and tape the message on the fridge.

It just became second nature to close all the cupboards first thing in the morning (even though they’d been closed the night before). Which was when things escalated from banging cupboard doors to actually breaking things.

Faucets, door handles, curtain rods ripped from the wall… all the repairs started to add up.

“Look, I didn’t mind having an ethereal roommate, but I can’t afford to keep fixing all this shit. Here’s a pencil and some paper. Just write what’s bothering you–I doubt you could put anything that would be more expensive than having a plumber come out to replace all the faucets again.”

The next morning there’s a scrawl line at the top of the page that devolved into an angry scribbling mess that tore through the page. Two cupboard doors were entirely ripped off.

“I don’t want to get someone in to banish you, but this is ridiculous. Just tell me what you want.”

The second piece of paper is ripped into shreds and several knives are embedded in the wall.

A careful examination of the paper scraps show that it had the same scribbles as the first piece.

A quick trip to the library and a stop at a store later, there are kindergarten workbooks on learning to write spread across the counter.

“Look, I don’t know if you’re just being difficult, but I hope not. So I got an audiobook on learning to read and write, and here are some workbooks for kids–don’t get mad–to teach them their letters. Just press play on the stereo, and work through the books at your own pace. I’ll get more when you finish.”

The first workbook is half-completed before being ripped to pieces, but at least there was no other damage. Replacing it is significantly cheaper than replacing cupboard doors.

It takes awhile, but eventually the workbooks progress to a fifth grade level. These ones are starting to be more costly (they’re bigger, for one thing), but it’s not even the money anymore. Little notes scrawled in a shaky hand appear on the steamy bathroom mirror

Have A gooD dy

Or written in ketchup on the counter (that was a frightening sight the first time)

You R out of MLK

And then one day there’s a message taped to the fridge. The spelling and penmanship isn’t the best, but it’s legible and even signed.

Dear Occupente,

I have haunted this spot for ovr three huner hudre 300 years. My bones are dust and I am fergotN. I do not have wants to trap me. I am here 4 ever.

I am bord. Lonly.

I am sorrY 4 breaking things.

We be frends?

Syncerly Eloise

I love you, Eloise

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*I feel like this may be  Paul Ryan’s life goal:

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*Dog refuses to stay on pillow, is about how I’d describe the people in my life right now. Annoying but lovable inconveniences:

IF YOUR DOG SLEEPS WITH YOU THEN YOU UNDERSTAND THE STRUGGLE

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*Someone needs to invent this:

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*This pretty much sums up America’s politics at this time, yeah:

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*Other than just a general reason to be happy, I’m posting this here, because some troll in the comments, got his ass handed to him, when he stated that these weren’t the best actors.

wisdomandlogicareking:

Angela Basset: Academy Award nominee and Golden Globe winner, with enough award nominations/wins to necessitate her own wikipedia page for awards alone.
Lupita Nyong’o: Academy Award winner.
Chadwick Boseman: Joseph Jefferson Award nominee; already showed his stripes as Black Panther in Captain America: Civil War.
Sterling K. Brown: Emmy Award Winner for The People Vs. OJ Simpson and actor in the Golden Globe nominated television show This Is Us
Florence Kasumba: Already had a bit part in Captain America: Civil War; was praised by many critics for her one scene being a scene-stealer
Forest Whitaker:  Academy Award for Best Actor
African-American Film Critics Association Award for Best Actor
BAFTA Award for Best Actor in a Leading Role
BET Award for Best Actor
Black Reel Award for Best Actor
Boston Society of Film Critics Award for Best Actor
Broadcast Film Critics Association Award for Best Actor
Chicago Film Critics Association Award for Best Actor
Dallas–Fort Worth Film Critics Association Award for Best Actor
Florida Film Critics Circle Award for Best Actor
Golden Globe Award for Best Actor in a Motion Picture – Drama
Hollywood Film Award for Actor of the Year
Kansas City Film Critics Circle Award for Best Actor
Las Vegas Film Critics Society Award for Best Actor
London Film Critics’ Circle Award for Actor of the Year
Los Angeles Film Critics Association Award for Best Actor
NAACP Image Award for Outstanding Actor in a Motion Picture
National Board of Review Award for Best Actor
National Society of Film Critics Award for Best Actor
New York Film Critics Circle Award for Best Actor
Online Film Critics Society Award for Best Actor
Phoenix Film Critics Society Award for Best Actor
Satellite Award for Best Actor – Motion Picture
Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role
Southeastern Film Critics Association Award for Best Actor
Vancouver Film Critics Circle Award for Best Actor
Washington D.C. Area Film Critics Association for Best Actor
Nominated – BIFA Award for Best Performance by an Actor in a British Independent Film
Nominated – Toronto Film Critics Association Award for Best Actor
2nd Place – Awards Circuit Community Award for Best Actor in a Leading Role

^ that’s all from a single movie.
Danai Gurira: Tony-award winning writer, plays Michonne on The Walking Dead, one of the most popular series out there today
Michael J. Jordan: Featured actor in popular shows like Friday Night Lights, The Wire, and Parenthood in addition to frequent appearances on film.
Daniel Kaluuya: The star of Get Out, which currently boasts a 99% rating on Rotten Tomatoes, and has been in the press pretty much constantly upon release.  He was also featured in an episode of the acclaimed series Black Mirror.
John Kani: An actor, playwright and director; while he hasn’t had as much work in America, he’s prolific enough to have a theatre in Newtown Johannesberg named after him.

Winston Duke and Letitia Wright have fewer credits to their names (the former has a consistent role in the well-received Person of Interest; the latter has been cast in Black Panther and Ready Player One in what is hopefully the beginnings of a bright career), but I don’t mean to belittle their successes by leaving them out, and those who aren’t as well known SHOULD be given a chance by big franchises.  Lesser known names tend to get big after starring in Marvel movies.  I sure as hell didn’t know who Chris Evans or Chris Hemsworth were prior to their flagship titles.

But even putting aside how important it is that this film is led by black creators, just because you don’t know these people doesn’t mean that they’re not critically acclaimed in their field, who haven’t put in the work.  They have, and they’ve been recognized for it.  Consider checking out some of their work before you decide whether or not only two of them are great actors.

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blckrapunzel

I sure your feelings are hurt and you’re a little confused by a movie that’s not made with several boxes of assorted crackers and a token black guy 😂😂😂😂😂

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cloama

1. I love this post and seeing this person get flamed and have their activity page all fucked up because of it makes me so happy. 2. This is where non-black people misunderstand anti-black microagression. This person was willing to trade their sense of logic just to shit on Black people because to them, it’s worth it. That’s a big part of how y’all talk about us. Watch yourself.3. That person forgot that every black actor in Hollywood has to have twice as much classical training and work…

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problematticusfinch

Hm, gee, I wonder which 2 are meant as the great actors. Which two…. which two stand out for the person hung up on the small number of white people… hmmm…..

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Imagine being that racist that you think only white actors can be awesome…Imagine being that racist that you look at the black ones and just go “who?” despite their loooooong list of accomplishments and popularity…

Imagine being so racist, that people are excited for a cast of actors, and you are just itching to tell them not to be excited because the cast happens to be black (and you dont like that)….but a white cast, sure you can be excited.

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@wisdomandlogicareking

I never heard of Chris Hemsworth, Tom Hiddleston, Mark Ruffalo, or Chris Evans before their debut in a Marvel film…But unlike some cocks on here, I am not so self centered as to believe that MY personal history of viewing an actor dictates whom is good or not….I also bet similar racists (ppl like wisdomandlogicareking) never said shit about the announced cast of relatively unknown actors of Thor or Cap America, or future films like wtf is the new guy playing young Han Solo?…but just gotta put their two cents in on Black Panther…..because “reason

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*Oh, and introducing the Land of Introverts!

 

Miscellanea LinkSpam

*I know I said I wasnt going to say anything more about Iron Fist but hey! I’m not saying all of  this! Someone else is saying it so…

Basically Iron Fist was always a problem, and always gonna be a problem, even in the comic books. I love the character that was created in the comics but that doesn’t preclude me from acknowledging that its still the Mighty Whitey Trope. So are a host of other characters I love, from Dr. Strange, to Tarzan, to The Last Samurai. But just because I really like these characters doesn’t make them right, or that we should keep doing it. There are other stories to be told that don’t feature White men in the middle of them. And if you do use the Mighty Whitey trope, you need to at least acknowledge it or say something new about it.

http://www.refinery29.com/2017/03/145908/iron-fist-netflix-danny-white-male-privilege

https://www.theguardian.com/tv-and-radio/2017/mar/27/iron-fist-netflix-show-finn-jones-marvel-danny-rand

http://www.avclub.com/tvclub/iron-fist-gets-better-once-it-admits-danny-rand-wo-252719

https://theringer.com/iron-fist-marvel-netflix-review-485aaabd959c#.p4ymg0c0p

https://www.wired.com/2017/03/iron-fist-canon-versus-culture/

*And from Tumbr:

sanssouciavecmoi

Ir0n F*st: Eh, what? (with background Asian count)

Spoilers follow:

Episode 1: Enter the White Dude

Hi, I am Singaporean Chinese. Yes, Netflix is available here and yes, they are trying to sell this to us.

Secondly: I do read comics, but the whole “he was white in the comics” thing does not fly–see article for context. This is 2017, not 1974. 

Thirdly: the creators of Iron Fist were fetishising the heck out of kung-fu movies when they wrote the comic back in 1974. And they are crusty old relics that use the word “Orientals” even though it’s 2017 and they know it’s not the right word (but use it anyway in interviews).

Fourthly: Iron Fist is not one person–it’s a power that is passed onto people that subsequently bear the title. Only two of them have been white. However this is is not important, because they changed almost everything about Danny Rand (and 90% of his backstory and even what the Iron Fist is for) except the bit about him being white. So the less deliberately obtuse understand that this was the most important thing to the writers, directors and producers. Lewis Tan also auditioned for the same role, so most people know that they did not pick the best actor for the job–unless you think white actor = default best lead actor.

Fifth point: this show had awful writing. And that’s even without the Orientalism and pseudo Buddhism. However, this dissection will be focused on this point.

Warning(s): Death, drug overdose, needles, guns, violence (kinda slow violence but still), Orientalism, lazy writing, car crashes, mangling of Mandarin, drugging someone against their will, forced institutionalisation, ableism, plane crashes.

Opening is … eh, kung fu in slow-mo. On a mountain top. With stuff like black ink. Like Chinese calligraphy. Only without any calligraphy. Just the vague aesthetics of calligraphy. *sighs* This is going to be painful.

In the first bit, Danny Rand returns to New York and tries to get into his parents’ company’s building. It goes as well as expected. His ex-childhood buddies treat him like shit. (He doesn’t get shot for assaulting security officers–this article explains why.) He also does not know that people think he’s dead–after 15 years, who would have thought, eh? Action scene was kinda slow. His ex-childhood buddies are also greedy cynical capitalists, so they have no reason to believe him.

I have to stop to ask: Can someone please tell me why this guy is barefoot? Other than bad writing (bad characterisation and bad worldbuilding)? Shoes were invented a long time ago and while a lot of Asians take shoes off when they enter a dwelling, we understand the need to wear shoes outdoors. Someone will no doubt write a fic where Danny gives his shoes up to some other homeless person. But there is no reason why he should be barefoot in that scene.

(How did this guy get to New York anyway?)

Back to Danny Rand, trying to get back into his old place. Ah, his other skill is animal communications or something??? His ex-childhood buddy Ward was a douche way back when. Still is. It gets creepy because Joy lives in this house now, so DR looks like a stalker.

Homeless in the park with DR. Time for him to use his iPod and read a book written in … I can’t make out what language that is but I know what they want me to think it is. (Stereotyping: your mind fills in the blanks with pre-existing scripts. Lazy writing.) Unless someone can tell me that this book is significant in some way later on, I’m going to call it unnecessary window dressing for that “Asian flavour”.

image

Translation: the original comic creators were crusty old relics that wanked over the aesthetics of 70s kung fu movies and the producers and writers of this show are not much better. I kid–it could be line of poop emojis and we would never know.

In a scene that would have been much nicer without the extra window dressing, DR makes a friend. Big Al shows him Google search on an iPhone so that DR knows that people think he’s dead. His uncle is also apparently dead. The only person to be nice to him the whole day is another homeless person. Maybe we can focus on the plight of the–nope, not going that way.

The next morning, DR is very persistent. Joy feels (rightfully) harassed and calls people. That car-jumping scene was … um. Really extra. Let me try to articulate this, okay? This is 2017, people have access to decades of martial arts movies. (The Matrix was 18 years ago.) The action sequences in this show will compare very badly to those movies. So even people watching this for fight scenes will not be entertained.

First meeting with Colleen Wing, she gives him money and he mangles Mandarin without subtitles (for subtitles please look at gif set exhibit A under the link: white man polices biracial woman’s identity) and she says she hasn’t spoken it since she was a kid (rather than punching him for that). Man, if you wanted a job, you could have said so in English. Why do you suppose Colleen would know how to speak Mandarin?

image

This is so uncomfortable on so many levels. If magical K’un Lun is not of this world, then why would they speak Mandarin? If it was truly isolated in another dimension, then K’un Lun would have its own distinct dialect, like most regions in China and most countries. So DR speaking (mangling) Mandarin is also BS. (Not even talking about the yoga-like poses in the park.) This would mean so much more if it was Chinese American DR, who was never very good in Mandarin class, and Colleen Wing, who might be able to relate.

Back to the more douchy sibling and DR. Apparently DNA tests cannot be done because Danny has no living relatives. (That’s BS too, btw.) Way to be ableist, Ward. (The only thing I like is that major douches in MCU are named Ward.) However, Danny is not as peaceful as his initial appearance suggests. We get it, he’s traumatised by the deaths of his parents–why does it get expressed as him being rather violent in a car? Apparently he’s not out of touch enough to not know how guns work (or maybe all kids know how to use guns in the US or K’un Lun–I dunno).

More job-hunting in vain. It’s not like it isn’t obvious that a) she practices a totally different school of martial arts in her dojo and b) she doesn’t have the money to pay another instructor. Yes, kick him out, Colleen. That’s what he gets for trying to police a biracial woman’s identity–is he trying to flirt with her? Ew. (Colleen Wing obviously cannot afford to pay DR–her dojo is sharing space with AA meetings. But she gives him shoes. It’s almost as if everyone who is nice to DR in this show are not very well off and–yeah, it’s very unsubtle.)

Then DR gets attacked and chased into Chinatown (while Colleen Wing watches from above). Where a parade is happening. With lion dancers, dragon dancers and fire crackers and everything. But why? Is it Chinese New Year? What is the context for this? Can someone tell me why this is necessary? Or is this a way to claim that this show is diverse because there were something like 100 Asian extras in that scene? Way to endanger the lives of all the people in the parade, DR. Fight scenes are a yawn. Even though the mask DR is wearing in no way hides his curly mop of blond hair in this parade of Asian people–who do not notice the fighting at all.

image

(I feel that this scene is a metaphor for the whole show.)

On one hand, I hope the extras were paid a reasonable rate and had a good experience. On the other hand, I have a feeling that when it comes to telling the kids about how Mum/Dad/Second Aunt/your Cousin were extras on this show, it would come with the caveat that they shouldn’t try to be actors–because they’ll probably wind up as extras in a show (with not very good fight scenes) that needed a parade of Asian faces for reasons unknown. Representation matters.

(Story time: there were Chinese actors from my tiny state that tried to make it to Hollywood. Shanghai Knights was back in 2003 and Fann Wong is still mostly known as a local actress. Lau in The Dark Knight might still be Ng Chin Han’s biggest role to date in a major movie right after Captain America: The Winter Soldier. Currently, he’s got a part in Gh0st in the *hell–not sure if he gets more or less lines than in Captain America. Most parents here still don’t encourage kids to become actors because there’s so little room for them.)

Back to Ward, the more evil sibling who sends people to assassinate homeless dudes–he has reasons for being a terrible person. Reason number one being his dad (supposedly dead but still alive???)–who is probably why Ward is the nice cuddly guy he is. Wow, every baddie has a backstory. Probably affects plot in future. But is anyone interested? (I loved the art deco style building this scene supposedly took place in. Anyone know where it is?)

Remember DR’s one friend? His one friend is now dead of a drug overdose. Why? Maybe Big Al was around for for one Google search, some food and to allow DR to mouth some platitudes over his body? Or to highlight the plight of the homeless by ki–that’s really … really not good storytelling.

Security at Rand Enterprises is dreadful–DR has no problem sneaking in again. (Or maybe it’s that other thing.) Cut to Joy, the nicer sibling. Who is very calm for a woman that’s just found a strange guy in her office (again). Maybe it’s because she might believe him. Or is being swayed by his rhetoric. (”It’s a Zen saying” … gag me with a spoon.) His backstory is taking way too long … So Joy drugs him. I take everything back, she’s just as bad.

DR wakes to … a very troubling scene of forced institutionalisation at the end. As if everything else had not been bad enough.

Plot: It’s all over the place … Not sure if the writers know what DR is supposed to be. He has trauma, tries to be a pacifist but is really angry inside? What is the message here? Wall Street is evil? Problematic portrayals all over the place? The plight of the homeless and people with mental health issues? Not enough women with lines? Colleen Wing needs her own show with Misty Knight!

Orientalism: Check, aesthetics over substance, mangling of Mandarin despite the fact that DR has no reason to be speaking Mandarin, Zen sayings, yoga poses, a huge Chinese New Year-style parade in the background for reasons unknown (oooooooor they just wanted a certain type of backdrop for a not very good fight scene). One East Asian character with lines.

Asians in the background: around 100 of them perhaps, no lines, much firecrackers. Not sure if they were Chinese-American, Korean-American, Japanese American, Hmong-American … because they have no lines.

spoilers iron fist for the sensitive it has the potential to be very triggering i actually watched thisit was dreadful worse than anything the reviews prepared me for i struggled through one episodenearly yelled at the screen for colleen to just fucking punch this guy already orientalism

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*
*The conservative Christian boycott of Disney’s Beauty and the Beast is Hypocritical

http://www.patheos.com/blogs/friendlyatheist/2017/03/07/the-conservative-christian-boycott-of-disneys-beauty-and-the-beast-is-the-height-of-hypocrisy/

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*

*Tomato Lacochran just got fired from The Blaze. I had written about this no-nothing twenty something, who had the gall to wag her finger at Black people, about  subjects on which she hadn’t done her homework.

Naw! I’m still not calling her empty headed ass by her actual name.

 I also kind of thought of her as tofu. She’s the kind of person who has no real thoughts of her own, like an intellectual mimic, she just takes on the flavor of the strongest brain, in her orbit.

http://www.papermag.com/tomi-lahren-just-got-banned-from-the-blaze-and-the-internet-is-living–2331280605.html

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*

*On  representation in fandom:

http://uncannymagazine.com/finding-yourself-in-fandom/

*I am loving this analysis of The Hobbits from Lord of the Rings:

6) Tolkien’s hero was average, and needed help, and failed.

This is the place where most fantasy authors, who love to simultaneously call themselves Tolkien’s heirs and blame him for a lot of what’s wrong with modern fantasy, err the worst. It’s hard to look at Frodo and see him as someone extra-special. The hints in the books that a higher power did choose him are so quiet as to be unnoticeable. And he wouldn’t have made it as far as he did without his companions. And he doesn’t keep from falling into temptation.

A lot of modern fantasy heroes are completely opposite from this. They start out extraordinary, and they stay that way. Other characters are there to train them, or be shallow antagonists and love interests and worshippers, not actually help them. And they don’t fail. (Damn it, I want to see more corrupted fantasy heroes.) It’s not fair to blame Tolkien for the disease that fantasy writers have inflicted on themselves. […]

Fantasy could use more ordinary people who are afraid and don’t know what the hell they’re doing, but volunteer for the Quest anyway.

It’s misinterpretation of Tolkien that’s the problem, not Tolkien himself.

“Tolkien Cliches,” Limyaael

(via mithtransdir)

The whole point of The Lord Of The Rings… like, the WHOLE POINT… is that it is ultimately the hobbits who save the world. The small, vulnerable, ordinary people who aren’t great warriors or heroes.

Specifically, Sam. Sam saves the world. All of it. The ultimate success of the great quest is 100% due to a fat little gardener who likes to cook and never wanted to go on an adventure but who did it because he wasn’t going to let his beloved Frodo go off alone. Frodo is the only one truly able to handle the ring long enough to get it into Mordor – and it nearly kills him and permanently emotionally damages him – but Sam is the one who takes care of Frodo that whole time. Who makes him eat. Who finds him water. Who watches over him while he sleeps.

Sam is the one who fights off Shelob.

Sam is the one who takes the Ring when he thinks Frodo is dead.

Sam is the one who strolls into Orc Central and saves Frodo by sheer determination and killing any orc who crosses him. (SAM THE GARDENER GOES AND KILLS AN ACTUAL ORC TO GET FRODO SOME CLOTHES LET’S JUST THINK ABOUT THAT). And then Sam just takes off the Ring and gives it back which is supposed to be freaking impossible and he barely even hesitates.

Sam literally carries Frodo on the last leg of the journey. On his back. He’s half-starved, dying slowly of dehydration, but he carries Frodo up the goddamn mountain and Gollum may get credit for accidentally destroying the ring but Sam was the one who got them all there.

Sam saved the world.

And let’s not forget Pippin and Merry, who get damselled out of the story (the orcs have carried them off! We must make a Heroic Run To Save Them!) and then rescue themselves, recruit the Terrifying Ancient Powers through being genuinely nice and sincere, and overthrow Saruman before the ‘real’ heroes even get there.

Let’s not forget Pippin single-handedly saving what’s left of Gondor – and Faramir – by understanding that there is a time for obeying orders and a time for realizing that the boss is bugfuck nuts and we need to get help right now.

Let’s not forget Merry sticking his sword into the terrifying, profoundly evil horror that has chased him all over his world because his friend is fighting it and he’s gonna help, dammit and that’s how the most powerful Ringwraith goes down to a suicidally depressed woman and a scared little hobbit.

Everything the others do, the kings and princes and great heroes and all? They buy time.  They distract the bad guys. They keep the armies occupied. That is what kings and great leaders are for – they do the big picture stuff.

But it is ultimately the hobbits who bring down every villain. Every one. And I believe that that is 100% on purpose. Tolkien was a soldier in WWI. His son fought in WWII. (And a lot of The Lord Of The Rings was written in letters to him while he did it.)

And hey, look, The Lord Of The Rings is about ordinary people – farmers, scholars, and so on – who get pulled into a war not of their making but who have to fight not only because their own home is in danger but so is everyone’s. And they’re small and scared but they do the best they can for as long as they can and that is what actually saves the world. Not great heroes and pre-destined kings. Ordinary people, doing extraordinary things because they want the world to be safe for ordinary people, the ones they know and the ones they don’t.

Ordinary people matter. They can save the world without being great heroes or kings or whatever. And that is really important and I get so upset when people miss that because Aragorn and Legolas and Gimli and Gandalf and all the others are great characters and all but they are ultimately a hobbit delivery system.

It is ordinary people doing their best who really change the world, and continue doing so after the war is over because they have to go home and rebuild and they do.

If nothing else, I have to reblog this for the phrase “hobbit delivery system.” So accurate it hurts.

(via elenilote)

What I love too is how even the foretold king and the assorted great heroes themselves all come to recognize that their main (and by the end, only) role is to distract Sauron. To the point that by the end they’re all gathered up before the black gates of Mordor in order to keep his attention focused on them, with only the hope – not the certainty – that they can buy Frodo whatever remaining time he needs, if he’s even still alive.

One thing the movies left out but has always been such a key part of the books for me was how when the hobbits returned home, they found that home had been changed too. The war touched everywhere. Even with all they did in far-off lands to protect the Shire, the Shire had still been damaged, both property and lives destroyed, and it wasn’t an easy or simplistically happy homecoming. They had to fight yet another battle (granted a much smaller one) to save their neighbours, and then spent years in rebuilding.

(via garrusscars)

In many ways, the entire POINT is that homecoming.

A quest, an adventure, is defined by the return home, and the realization that not only have YOU changed, so has your home.

(via mymyriadmusings)

“My friends, you bow to no one.”

(via sorrelchestnut)

Even more relevant today.

notanecromancer)

lotr

 

*And on a lighter note:

We have a twitter here too: https://twitter.com/IntrovertUnite. See some of you there?

We have a twitter here too: https://twitter.com/IntrovertUnite. See some of you there?

Next up : Some amusing stories from Tumblr

Samir Chopra

Refusing to Stick to the Subject

The Nobe

The People-Watcher and Noticer of Things

Black and Bougie

musings of a colored introvert with a thing for green juice and french vanilla

Colin Newton's Idols and Realities

Movies, metaphysics and more

Square Cop In A Round World

A former cop taking on tough subjects

The Blerdy Report

Black+Nerdy=Blerdy!!! Black Nerds Unite

Dave Chrisp Comedy

Same Shit, different Dave

The Peanut Gallery

or, a supposedly clever thing I really wish I'd thought of earlier

AfroSapiophile

Intelligent Black Thought.

spokenblackgirl.wordpress.com/

Mental Health & Black Womanhood

UNRAVELING THE KNOT

ALLAN G. JOHNSON'S BLOG

Welcome to HORRORLAND

Horror News, Reviews, Interviews, Art, Trailers, Fashion, Collectibles

Monster Legacy

Behind the scenes of the greatest Movie Monsters

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