Back Down Memory Lane…Again

Cleopatra 2525 (2000-2001)

Even though I watched this show for its entire two season run,  I don’t actually remember a whole lot about this show, except that it was cheesy, cheap, and starred the modern Goddess, Gina Torres, She of the Divine Facial Features. Perhaps that’s all one actually needs to know about this show to be intrigued.

This was girl-power before such a phrase existed, or rather, somewhere around the same time that it came into being. The term girl-power has been around for a very, very, long time. I remember it being mentioned on The Powerpuff Girls, when I watched that show with my baby sisters, when they were, in fact, actual babies!

Anyway, the basic plot is that the young blonde girl, whose name is actually Cleo, although she’s not important while standing next to Gina,  was an exotic dancer, who got put in a Futurama type situation, where she wakes up so far into the future, that the world has become completely unrecognizable to her. She joins these two young women who are fighting against some type of totalitarian authority that likes to use drones, cameras, and an evil clown type guy to oppress them. Its really is kind of like Tank Girl meets Futurama meets Charlie’s Angels, as there were at least some good action scenes.

Once again YouTube has full episodes of this show, so check them out and let me know what you think, unless of course, you are going to argue against the beauteous divinity of Gina Torres, in which case you can keep that shit to yourself!

 

 

Special Unit 2 (2001-2002)

Not to be confused with Special Unit, which was your standard police procedural, this is Special Unit 2, a standard police procedural starring paranormal creatures. I remember eagerly looking forward to this becasue Buffy the Vampire Slayer was airing around the same time ,and this was a cheap, funny knockoff blend of that and a cop show.

The show really didn’t take itself at all seriously, it was zany and cheesy, and actually pretty funny. Or rather, it fit my idea of deeply funny, at the time I watched it, since I was just a kitten then. I don’t know that my humor has changed all that much, but I’m about to find out, as I plan to watch it again, since a lot of the episodes are available for free, on YouTube.

The show is about Nick and Kate, two seemingly regular cops who are part of a special unit of the Chicago PD, who deal with things like dragons, unicorns, elves, and gnomes, while trying to keep these creatures a secret from the rest of society. Needless to say, a lot of lying is involved. The show really did try to mine the Buffy and X-Files shows for some of its plots, and occasionally got a little serious too, although there was a lot of it that was played for laughs, including a gnome type character who worked in the office, and specialized in being a thief. I remember really enjoying the acting on this show, which was played very tongue in cheek by both Nick and Kate, with surprisingly little of the “will they-won’t they” dynamic that seemed required of such shows.

In fact, of all the characters Kate was probably my favorite, next to the, highly irreverent Carl, the Office Gnome. The show was interesting because Kate was the show’s regular everyperson, who stumbles onto some grand secret of the world, and is the audience’s stand-in, as we learn about this world at the same time, and this was probably why I liked her, since female, audience stand-ins, are kind of rare in this genre.

 

 

Haunted

I remember really liking this show, at the time, because there really wasn’t anything else like on the air at the time, except maybe Millennium, and the X-Files, and Angel, and even those shows attempted some occasional lightheartedness. This show did none of that. It remained horribly gloomy right up until the end of its seven episode run, and the dark gloominess of it was probably why.  There was almost no color in this show, except for the presence of that one Black guy these shows had to hire, to reach compliance for diversity back then. The show starred Matthew Fox, before he became famous for starring in the show Lost. I did not understand his appeal in that show but I did get the whole brooding loner thing in Haunted.

Matt Fox is a private detective, named Frank, who once got killed by a serial killer of young boys,  who now hunts for missing people. Oh, and because he died that one time, he can now see ghosts. Specifically he is haunted by the spirit of his own missing son, whose disappearance caused the collapse of his marriage, and he can also see the spirit of  the serial killer, Simon, whose accidental  death he caused, which also cost him his job. I loved the show, and it was largely because of the presence of Matthew Fox’s acting skills, and the cinematography, because the show was gorgeous, with lots of black, grey, and rain.

I managed to find a couple of episodes on Youtube, which is where dead shows go, apparently, and I’ve actually re-enjoyed the couple I watched.

 

 

Reaper

This was another show that I remember was a lot of fun. Not so much for its first season, but in the second season the show made a  u-turn, and kicked the plot into high gear. The writing got better, and the characters were energetic and fun, unlike the first season where the actors tried to take things a little too seriously for the silliness of the plot.

It starred that guy from Tucker and Dale Vs Evil, Tyler Labine ,who was the sidekick of the lead character, Sam, a slacker who had  somehow been  coerced into collecting souls for Satan. I don’t remember liking Sam very much in the first season, but in the second season things got better when he found out the reason why he’d been chosen to be a Reaper was because he was Satan’s son, with Satan being played by the most excellent Ray Wise, who for some reason, was named Jerry. I remember thinking Wise was waaay out of league for this show, becasue he made what was otherwise simply a “meh” show, a very good one.

Despite Sam being the son of Satan, he continued to be whiny and incompetent at his job, and was most often saved by his accomplices, an ex-girlfriend from school, and Tyler’s character. Strangely, it’s often Satan who comes off looking sympathetic in this show, even while committing what are clearly evil acts, or acts that are at least deeply annoying ones for Sam. He and Sam used to have interesting discussions about the nature of Heaven and Hell, and why Satan can’t eat ice cream.

 

Witchblade

This was a very short lived series based on the comic books. I had actually been reading the comics right before the series was announced so I was very excited to see what they were going to do with the show. The trailers were intriguing and I liked the actress Yancey Butler, who I had last seen in the movie, Hard Target, years before. The show proved to be not as exciting as the trailers lead me to believe. The actng was fine, but the plot didn’t actually seem to go anywhere, and some of  had nothing to do with what I read in the comics. On the other hand, there were some hot guys in it, so there…

I feel like I need to explain what the Witchblade is to people who have never even heard of it, since this show has been off the air for almost twenty years, and has largely been forgotten except by its die-hard fans. Its a mystical gauntlet, suit of armor, that’s intelligent, chooses its wearer, and forms a partnership with them. They can hear it speaking, although I saw no evidence of this ability in the show. It was an extremely powerful McGuffin, that all of the other characters seemed to want, even though those who werent worthy of wearing it could potentially lose their arm.

Now we need to talk about the actress Yancey Butler. This is complicated because for the past twenty years, she’s had some substance abuse issues. At one point, getting arrested for passing out, and crashing her car, after which she was ordered to enter a rehabilitation program. I had to read about that on her IMDB page. She has started acting again (and is as beautiful as she ever was despite all her troubles), and is active on Twitter now, which is how I heard about her newest movie. At any rate, her problems didn’t start with the show, and I distinctly  remember reading about some of the problems she had  on set because of them.

Yancey,  like  countless women before her is a beautiful woman who developed substance abuse issues while working in Hollywood. I don’t know for sure if this was a problem before she started work as an actress, but I do know that Hollywood is a toxic place, that regularly chews up young actors, and then spits them out, severely damaged. And after #MeToo brought this knowledge into the mainstream, in a different way than before, its very difficult for me to believe that sexual assault and sexual exploitation doesn’t have at least some role to play in the massive amounts of substance abuse that we see in its participants. I sincerely hope that was not the case with Yancey, that she has gotten the help she needed, and worked past her demons.

 

 

 

 

Kindred: The Embraced

This show was loosely based on the role playing game, Vampire The Masquerade, which I never actually played, although I did read a few of the guide books, so I knew a lil’ sumthin-sumthin’ about that universe. So when I say it was loosely based on it, I mean exactly that. The show was pretty damn loose. So loose,  that all it seemed to have in common with the game, was its vocabulary. It was like someone read the books, but then  decided to base the show on a school book report about those, instead.

That said, I actually, sorta, liked the show. It was bad, yes, but it also had some really intriguing shit in it that kept me watching. Since the show only lasted 8 episodes, I guess other people felt the same way. Its not that the show was awful. It had some great characters in it, but it did have some terrible acting, and the plot became more convoluted with each episode. I guess the closest I can get to describing it is a Vampire Godfather, as it involved clashes between the various vampire clans in a city, along with their rulers, followers, and hangers-on. All of which has something to do with a renegade cop, named Frank, who stumbles across their existence when he falls in love with a female vamp.

The lead character was Julian Luna, played by Mark Frankel, who I thought was Latino, then later believed to be Italian, but turned out to actually be English. I found him interesting mostly because I thought he was pretty, and had a very nice voice. The best character was a member of Clan Nosferatu ,who are very old, deformed, and look somewhat batlike, with talons, long teeth, and pointed ears. Daedalus, as he was called, was played by one of my favorite actors, whose name I forget now, but that actor performed like he was in a Shakespearean play, while Luna acted like he was in the movie The Godfather III, and Frank the cop’s girlfriend, busily being extra, acted like she was in a Gothic soap opera. So the acting and dialogue was all over the place, but it best written for Luna and Daedalus.  I do remember the two had frequent conversations with one another, and that I looked forward to the times when they were onscreen together.

Whenever anyone else was onscreen, the dialogue and acting were cringeworthy at best. There were a couple of star struck young lovers from different clans, who were abysmal in their acting, especially, and I had to look this name up, Brigid Walsh, who played the human descendant of Julian, named Sasha Luna. Dear Jeebus! she was awful, which was not helped by her horrid dialogue. She played that role, as  someone who had perhaps heard of “acting”, by rough description, like she was playing the role of a  “professional angry-face” Model!

I would also like to offer my  apologies in advance for subjecting y’all to these images. Trigger Warning for: music video bad attitude, smirking, sniping, sarcasm, general batshittery, and horrible acting.

 

But the cancellation of this show seemed inevitable,  as soon after, or just before, that happened, Mark Frankel died in a traffic accident, while riding his motorcycle. I distinctly remember the reporting of this on the news,and  feeling some type of way about it.

The State of the Union: Black Film Entertainment 2010-2020

Film

This is not a comprehensive list of movies released in the past ten years, that featured a Black cast, or had Black directors, or writers. This is just a list of movies, listed by year, that I thought were the most influential, that I actually watched, liked, or know other people really loved, for that particular year. There have been a lot more released than what’s on this list, but 2018 was a record year for the number of Black films released, and/or nominated for awards.

In my mind, the past ten years has been one of the Blackest decades in film, since the 90s, not just because of the number of movies released, but the quality of the films, and  the attention and writing  surrounding them, thanks to social media. Black Panther, and Get Out were probably two of the most written about Black films in cinema. There is an encyclopedic number of writings on these films, examining everything from the plot, themes, and  characters,  to wardrobe, and  hairstyles. In fact, writing about Black films has almost become an industry in itself.

 

2010

For Colored Girls – an adaptation of the book by Ntozake Shange, and written and directed by Tyler Perry.

*Book Of Eli –  Denzel Washington stars as a blind man, traveling through an apocalyptic landscape, carrying precious cargo.

Lottery Ticket – Not one of my favorite films, since I’m not a huge fan of such broad humor, but it is a reminder that Black comedies, in the tradition of Friday, are alive and well.

 

2011

*The Help – Again, this is not one of my favorites but I’m putting this movie here because it is often in attendance at conversations about the White Savior trope in movies.

Madea’s Big Happy Family – Madea is the  only Tyler Perry character I can stand to watch, but it greatly appeals to people with a certain form of humor that  I don’t particularly share, and it helped make Tyler Perry one of the wealthiest Black men in Hollywood.

 

 

2012

*Beasts of the Southern Wild – The story about a little girl growing up in a dysfunctional family in Louisiana.

*Django Unchained – A cathartic fantasy Western starring Jamie Foxx.

 

2013

12 Years  A Slave – Oscar nominated film directed by Steve McQueen, and based on the autobiography by Solomon Northup.

*Belle – One of my favorite historical films, because historical films about Black women, that don’t prominently feature slavery, are kind of rare.

*After Earth – I’m one of the few people who actually loved this depiction of a Black father and son’s relationship, set in the far future.

Fruitvale Station – Ryan Coogler’s Oscar nominated film before Creed, based on the true story of the shooting of a young Black man in a NY subway station.

 

2014

Dear White People – About a Black student who runs a radio program at a White college.

*Ride Along – An action film, in the vein of Bad Boys, starring Kevin Hart and Ice Cube.

*Selma – One of the first Oscar nominated films directed  by a Black woman, Ava Duverney, and based on the true life story of MLK.

 

2015

Beasts of No Nation – A movie starring Idris Elba about child soldiers in an unnamed African country.

*Creed – Ryan Coogler’s second film after Fruitvale Station starring Slyvester Stallone and Michael. B. Jordan.

Dope – The coming of age story of a Black boy in California

*Chocolate City – Black cinema’s answer to the male stripper movie, Magic Mike

Straight Outta Compton – The backstory of the Rap group N.W.A.

 

2016

Fences – Based on the play of the same name, by August Wilson, and starring Denzel Washington, and Viola Davis

*Hidden Figures – Based on the real life stories of the Black women involved in the US Space program

*Magnificent Seven – A remake of the 1960 movie with the same name, and starrring Denzel Washington in a diverse cast.

*Moonlight – Oscar winning movie about the early life of a young gay Balck man in California.

Queen of Katwe – About a young female chess player in Uganda, starring Lupita Nyongo, and directed by Mira Nair

 

2017

All Eyez On Me- The stardom story of the rap artist Tupac Shakur

*Get Out – Jordan Peele’s directorial debut is a horror movie about white racist bodysnatchers.

**Girls Trip – A comedy starring an all Black female cast, including Queen Latifah,  and one of the top comedies of the year.

Marshall – A legal drama about Thurgood Marshall, directed by Reginald Hudlin

*Sleight – A superhero origin story of a young Black man who builds a device which gives him magnetic powers.

 

2018

BlackKlansman – Award nominated film by Spike Lee about a Black undercover agent infiltrating the KKK.

*Black Panther – Award nominated superhero movie about the King of a fictional African country called Wakanda, and part of the Marvel Cinematic Universe.

**First Purge – The fourth film in The Purge franchise, focusing on the original purpose of The Purge, and set in a Black neighborhood.

The Hate U Give – A drama based on the book by Angie Thomas, about a young girl dealing with the aftermath of witnessing the police shooting of her friend.

If Beale Street Could Talk – Based on the book by James Baldwin, a young woman is under pressure to prove her lover’s innocence before the birth of their child.

*Sorry to Bother You – Award nominated film about a telemarketer who discovers he has magical voice powers.

*Spiderman: Into the Spiderverse – Oscar winning animated film about the Afro-Latino Spiderman, Miles Morales.

Widows – An action thriller staring Viola Davis. A group of widows pick up where their husbands left off after they get killed in a bank heist.

*A Wrinkle In Time – A film  based on the young adult novel by Madleine L’engle, and directed by Ava Duverney.

 

2019

*Us – Jordan Peele’s second horror movie, about a family terrorized by a group of doppelgangers, while vacationing with friends.

21 Bridges – A cop thriller starring Chadwick Boseman.

**Black and Blue – A Black female cop witnesses a murder by her fellow officers, who along with a neighborhood gang, set after her in pursuit, before she can become an informant.

*Fast Color – About three generations of Black women, with super abilities, who have a family reckoning, after one of them becomes a person of interest to the American government.

*Dolemite is My Name – an award nominated biographical comedy about the Blaxploitation director Rudy Ray Moore, starring Eddie Murphy.

Harriet – The semi-biographical story of Harriet Tubman

*Little – A comedy about a mean Black woman who wakes up one morning as a little girl. The movie has an all female cast, and was produced by the 14 year old Marsai Martin.

Queen and Slim – A young Black couple goes on the run, becoming folk heroes, after they kill a police officer who threatened their lives.

 

The past ten years was seemingly a record for the number of movies released that had Black casts,  contained Black themes, or had Black writers and directors, which reached mainstream audiences, or won critical acclaim. Of all the films I listed, twenty of them were either nominated, or won, mainstream awards.

These movies were also rich in their variety, and I have to give credit for that. We have a full roster of comedies, superhero movies, thrillers, and even horror, and I hope this is a trend that continues. It’s not just that we need more films with Black artists, we also need more variety in the films that get made, instead of an emphasis on only crime or  historical misery.

 

Forthcoming in 2020:

**Antebellum – A historical genre bending mystery starring Janelle Monae

Bad Boys For Life – Action movie sequel starring Will Smith

**Tenet – Christopher Nolan’s mind-bending mystery thriller starring John David Washington

**Respect – An Aretha Franklin biopic starring Jennifer Hudson

Soul – Animated film from Pixar, about a Black jazz player navigating the afterlife

Coming 2 America – Sequel to the 90s comedy starring Eddie Murphy

**Candyman  – A remake of the original 90s classic, directed by Jordan Peele

Trial of the Chicago Seven  

The Photograph

**No Time To Die – Starring one of the first Back female agents in the franchise who takes over the 007 title.May be Daniel Craig’s last outing as James Bond.

**Bloodshot – an action sci-fi thriller starring Vin Diesel

The Lovebirds – A romantic comedy thriller starring Issa Rae.

The Banker 

**John Henry – Action drama starring Terry Crews

 

*Indicates that I’ve actually watched a movie.

**Most anticipated

 

The State of the Union: Black Entertainment Television 2010- 2020

TV has experienced something of a Black renaissance in the past ten to fifteen years. Its not perfect, but it is pretty darn good. For every questionable depiction of Blackness, there’s at least a couple of good shows, that get it right, or is at least trying to get it right, and in the last three years television shows which prominently feature Blackness, as a subject, have exploded into American mainstream consciousness. iI is a relief to note that not all of these are comedies, an area which has had a preponderance of Black shows, however there still needs to be improvement in representation, because there is still too much emphasis on crime and criminality.

Here’s a list of the most prominent shows with all Black casts, major Black characters, and /or creators and writers. This is not a complete list, and its possible you may not find your personal favorite here, but I tried to be as thorough as possible. The Starred shows are the ones I am watching or have watched. I did not include reality shows or talk shows, as I don’t watch any of them, and know nothing at all about them. For the record, though, just because a show doesn’t have a * doesn’t mean I know nothing at all about it. I try to keep track of as many Black shows as my mind can keep up with, so I end up knowing at least a little bit about a show, even if its just the show’s premise.

Some of these shows are still on the air, some are in their first seasons, others in the second and third seasons. At least a couple have been canceled, while others concluded their run as their creators moved on to new projects.

*Atlanta – Now entering its third season.

Underground – Canceled

*The Watchmen – Will only have one season.

*Raising Dion – Will be returning with a second season

*Desus & Mero – Still on the air

Queen Sugar – Still on the air

*Key and Peele – Finished its run.

*Black Lady Sketch Show – Just finished its first season.

Scandal – Finished its run of seven years.

The Game

Dear White People – Aired on Netflix

The Boondocks – Finished its run

*American Gods: Season One – Readying for its third season, has run into some major issues.

How to Get Away With Murder – Has been renewed for a sixth season.

*Black Lightning  – Now in its third season, airing on the CW.

Power – Aired on the Starz network for six seasons.

Claws – Has been renewed for a fourth and final season.

Being Mary Jane

Insecure 

Orange Is The New Black

The Haves and the Have-Nots

Black*Ish

Empire

This is Us

*Pose – The only show which prominently stars actors and characters who are are transgender. Airs on FX Network

All American

Snowfall

The Chi

*The Get Up – Now canceled. Airing on Netflix.

*Random Acts of Flyness 

Dear White People

The Last OG

Greenleaf

She’s Gotta have it

*Cannon Busters  – Airing on Netflix, futuristicanime with an entirely Black cast.

 

I  “cut the cord” and no longer have any cable channels. However, I do have a Firestick, and know how to torrent. What that means is that I know longer watch shows as they air, and only watch them whenever I remember that they aired. This not changes the output of when I talk about a show, but what shows I will be talking about.

 

Tumblr Hot Takes

I’ve been on Tumblr for a while now, and I’m still not tired of it. Here are a few hot takes about various subjects.

On Acting

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sc*rjo made more than 2 facial expressions for the first time in her career and got a leading actress nomination meanwhile lupita played 2 entirely different people in the same movie and got snubbed.. shut it down

 

People in the comments are missing the entire picture.

It’s not as simple as ScarJo getting nominated and Lupita not and it’s not about our “fave” vs your “fave”.

Scarjo was nominated for playing a normal, regular woman whose relationship breaks down. Haven’t we seen this before? I think it was Revolutionary Road with Kate Winslet and Leo DiCaprio. Before that it was The War Of the Roses with Kathleen Turner and Michael Douglas, before that it was Kramer vs. Kramer with Meryl Streep and Dustin Hoffman, all of which were nominated for various awards from the Bafta’s to the Golden Globes to the Oscars… the point being, we’ve seen this role over and over again, the actress just changes.

Lupita literally played TWO SEPERATE PEOPLE in the MOST ORIGINAL MOVIE OF 2019 and was shafted. A very limited group of actresses could have pulled off what Lupita did in Us. Horror or not, she put on a better performance than Scarjo did in A Marriage Story. Horror or not, Us made $250 million dollars on a $20 milllion dollar budget mostly because of HER performance and she got squat.

One role could have literally been played by any actress.

The other required skill.

But guess who got nominated? Let’s stop celebrating mediocrity.

 

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On Life

 

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On Experiencing The New

Gonna tell y’all what I can hear now that I got my hearing aids

Birds! They chirp and it’s so beautiful.

 

Far away cow moos

 

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My friend has this is his back yard and to say I cried is an understatement.

 

My best friends singing voice

 

Chickens: *chicken noise*

Me, sobbing:

The filter for my fish tank! Bubble bubble bubble

 

I sit in the bass section in band. Today I could clearly hear the flutes up at the front! They’re not great, but I can finally hear them!

 

The sound of walking in sand.

Soft but kinda crunchy? Very nice sound 10/10

 

Me playing guitar for the first time. Took the hearing aids out. Not a very good sound… yet

 

Tree leaves in the wind. I got a little spooked at first because it’s 1 am and I’m alone in the park but it’s a real good sound.

 

Bees

Let me say, it was really fucking terrifying walking past the flowering tree in my backyard and hearing zzzzzzzzzzzzzzzzzzzzzz coming from it.

 

“sunlight” by Hozier

I sat in my car alone while listening to it. I knew it would be special but wow, that was a religious experience.

 

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Their hooves make sounds in the grass but they are completely silent. Beautiful creatures. Beautiful sound

 

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Pine needles and pine cones make crunchy sounds!!! Oh my! Very nice

 

Colored pencils make a real nice scratch noise when I’m drawing. I didn’t know they did that

 

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On White Culture

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On The White Savior Trope 

 

 

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On Gay Sarcasm 

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fellas is it gay to be gay

 

according to historians? no

 

Ugh, why can’t you just let friends be friends? Like where does all the friendphobia stop, I just wanna know. So sick of the societal pressure to bone a bro just cuz he’s sitting less than five feet away from you in the hot tub.

I mean for real, what I wouldn’t give to live in a time like Alexander the Great. When two fellas could just have such a deep and abiding bond of friendship – like, just pure platonic beefcake buddies with No Homo additives, not a single one, not even a vibe – that the King Bro almost bankrupt his kingdom throwing his best bud the funeral to end all funerals. And he owed to never take another bro, so long as he lived.

Like, that’s the dream. Just two dudes being dudes and doing dude things together. Just the two of them. No group hangs. Table for two only.

Both on Earth and in the afterlife, forever after.

Together.

Eternally.

*A moment of silence for the bro-ships of the days of yore, when polishing another dude’s staff of manliness after battle was just like, what a good friend does. Out of respect for his, y’know, battle prowess. And masculinity. And like. His muscles and stuff.*

….But then you guys had to go and make everything gay. Like wtf. That’s so gay, dudes.

 

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On Canada

petition to rename the usa ‘south canada’

 

what about alaska

are we then normal canada

 

canada a bit to the left

 

moniker-padacklyte 

What about South America? Is that just America? Or South South Canada?

winchesterwolves 
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From: Lkeke35

On Villains and Fans

This was my hot take on the discussion of fandom sympathizing and excusing pop media villains. I wondered if some of the reason some fans do that is because they identify with the villain, but villains are bad, and associated that villainy with themselves. If that is the case I wanted to reassure them that liking a villain in a movie doesn’t necessarily say anything, in particular, about your morals.

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Somebody needs to let them understand that not only is it okay to like problematic shit, as long as you own it, it’s okay to like the villains. It doesn’t really say anything about you if you like a charismatic villain, but spinning up a bunch of bullshit philosophies about the villain because you feel ashamed to like them is the problem. And trying to cover up your racism (and sexism) by making up bullshit stories about the only PoC in the narrative is what’s our problem.

Nobody cares if you like Kylo, or Loki, but you DO NOT need to hate on the other characters to like them. You don’t need to make your liking of those characters sound like the most progressive thing one can do, by making up bullshit character traits for them that are not remotely evident in canon! We dislike the people who are showing their ass over liking a fictional character. That’s the problem.

I’ve liked plenty of villains over the years. I acknowledge the fact that they are charismatic villains, and I own that shit. That they are darkly seductive or whatever. I liked Darth Vader but I didn’t need to hate Lando Calrissian to do that. Hell I actually love Loki exactly for who he is, an emotionally messed up spirit of utter chaos, who is something of an asshole. I liked Hannibal from the tv series, but I didn’t need to hate Jack Crawford to do that! It says nothing about my character or morality that I find him enjoyable to watch, while condemning his actions. And it’s perfectly okay to like both the good guy and the bad guy simultaneously. Sometimes villains are created for the purpose of inducing such feelings in the audience. They’re handsome, or charismatic or sympathetic.

Plenty of black people loved and sympathized with Killmonger from the movie Black Panther. In fact that’s exactly why he was written the way he was written, to reflect certain thoughts and feelings of the audience, and we didn’t need to shit on T’challa to like him. I really wish these people would understand it’s okay to like the villain.

Unless, of course, your real goal is to express your racial resentment of other characters, and you’re using your love of the villain as a shield to do so…

 

On Getting Old and Tired

My hot take about not getting too excited to watch the latest movie, about Black people, showing how strong they are, by experiencing pain.

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I’ve been a comic book, sci-fi, and film geek my whole life. I just love good stories, but now I’ve reached the point where if I haven’t read (name some famous black author), it ain’t gonna happen. Not saying I have no need for inspiration, or that such writing isn’t useful, and you do what you have to do, but I’m out.

I’m just damn tired of reading about black pain and misery. I don’t care what the reason is for, or how uplifting someone else thinks it is. It’s a phase I went through when I was younger, but I’m over it, now.

The only thing I wanna read about, and even watch now, is Black  bravery, courage, and joy. Now that I’ve had access to those kind of  stories, I’m spoiled. I want black love, black heroes, and black fantasies. I wanna see us in the future living our best lives. I wanna see us in alternate worlds bringing that black joy. I wanna see us defeating monsters, rescuing Excalibur, and flying rocket ships. I had so little of this growing up, I’m starving for it now.

I’m running up on fifty years old now, and that’s long enough to have traveled painful roads. And I’m really fucking tired. This world makes me shed enough tears. I don’t want tears in my fiction too.

 

On Cash Grabs and Disney

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I’m just saying, it looks really, really, suspicious when the argument about Disney doing nothing but a cash grab only seems to pop up ,from certain corners of the internet, whenever they announce some form of diversity in their latest movies.

To be absolutely fair, there are people who have been making that argument since the beginning of the MCU phase, and I don’t begrudge them their opinion, because yeah, it’s a fucking cash grab. But my counter argument to that is nobody who goes to see these movies gives a flying fuck about how they get representation. They only care that they are getting some representation in some manner. And yeah, it’s a cash grab, because Hollywood is a fucking bizness, which only now, after a hundred years, is starting to realize which side of the bread their butter is on, and the butter is on the side with diversity (and possibly China!) Yeah, PoC are all well aware of Disney’s racist past! You ain’t whitesplaining anything PoC don’t already know. What we have decided is we don’t give a fuck if we get a Black Ariel, a new Blade movie, or the next Black Panther, cuz it’s what we been fucking asking for the past twenty years!

This argument however, doesn’t ever seem to make its way across my dash when Disney announces its latest iteration of “Chris-Somebody Blows Shit Up Real Good!” But as soon as Disney announces that anybody black, or female, or gay, is working in one of their movies, then suddenly people wanna complain about a business trying to maximize its business! What the fuck they suppose to do, appeal to the smallest possible fragment of the American public and go out of business?

 

Generic White Fandom

My hot take on racial issues in pop culture:

Image result for generic white guy

What I’ve observed, is that it’s not white gay men writing any of these characters. I’ve read erotica written by gay men and it is very distinct from fiction written by women. The primary writers of these all these characters are straight white women, (there, I’ve said it!)and there have long been conversations in the lgbtq community about straight women fetishizing white gay men in shipping! None of these fandoms, and we are speaking in the aggregate here, are even half as progressive as they want us to believe and like to hide their toxicity behind a faux-reverence for progressivism! In fact, it’s gotten to the point where I am automatically suspicious of any meta written by white women as I feel certain it will be their ex use to express their resentment of female characters who don’t look like them and any characters of color.

Absolute Fan wanking has finally hit the big f*cking time!

Another one of my biggest pet peeves, however, is the utter sameness of the characters being written, as the poster above says. It’s like these women, whose only knowledge of how men are actually like, comes from reading other stories exactly like the ones they write themselves, or the heteronormative relationships they are in, which they then pretend to sneer at in the source material, and only know three or four templates from which to cull their character’s traits, and they use these traits regardless of what any of these characters are like in canon.

On the other hand, I do like to try to give peope an out. And it’s this: White audiences have no f*cking idea what to do with characters of color. Since they’ve only ever been socialized by a racist pop cultural paradigm which centers white men, they can only ever villainize, or sideline, or make servile, characters of color, since those are the ONLY examples they’ve ever been given, and let’s face it, these people aren’t as imaginative as they like to think they are. Doing nothing more than reproducing the same dynamic that one has seen in decades of the source material, which sidelined characters of color, is not progressive or imaginative at all. And they really have no real examples to work from, either, Especially if their tastes in source material, are as white-centered, and/or truncated, as their ability to write fiction. Writing and thinking in a non-racist, non-sexist manner, requires active thought, and participation, and not simply the use of popular buzzwords!

Now put all that together with racial resentment, misogynoir, misogyny, homo- and transphobia, and their complete and utter inability to acknowledge their own personal insecurities, and you end up with thousands of white women writing a delusional toxic stew of all evil darkies, conniving and/or dumb white women, sassy and servile black women, and white gay men with as much character range as blocks of wood.

My Favorite Memes of the Past Ten Years

What is a Meme?

meme is a virally-transmitted photograph that is embellished with text that pokes fun at a cultural symbol or social idea. The majority of modern memes are captioned photos that are intended to be funny, often as a way to publicly ridicule human behavior. Other memes can be videos and verbal expressions.

I spend a lot of time on Tumblr, which, much like Twitter, is meme central. Here’s a list of some of my all time favorite memes from the past ten years. I generally do not have a strong meme game, but I try.

******

I love this one because this perfectly describes me and my mother’s relationship, when it comes to me talking about things like superheroes, and some of the movies I like. Of course, that’s me, on the right, when Mom is enthusiastically describing whatever happened on her soap operas that day…

I’ve seen this meme all over Tumblr, and quite frankly, it describes a lot of people’s relationships with any one of  their enthusiastically geeky family members. You just know that poor woman has no idea what the hell that girl is crying about, just like I have no idea of this meme’s origin story.

 

 

This is one of the many faces you simply cannot get away with making at your White co-workers because you will probably get written up or something. You can only do this face, when you’re discussing whatever nonsense you endured, to your Black friends, at some later date.

Here’s the thing, I have no idea what show this is from. I think it might be Parks & Rec, or The Office, but I’m not sure. I only know this guy’s face from this meme becasue I never watched either show. Its like that sometimes on Tumblr. I only know what has happened on a show I don’t watch through the gifs that appear on my dash.

 

 

Sometimes I do know a memes origins, and that’s why this is one of my favorites.This is from Quinta B’s short lived video series, about being an awkward Black girl, titled “Don’t Tell Me To Relax”. Quinta B is currently starring in The Black Lady Sketch Show on HBO, and she  is one of the funniest Black women in comedy.

I love this image because her facial expression is absolutely perfect. That is the expression you wear when you know you’re right, the other person has acknowledged that you are right, and  you  want to just be a smug asshole…

…or this is twelve year old me winning a game of Uno!

 

 

 

This is Linnethia Monique “NeNe” Leakes from the show, The Real Housewives of Atlanta, which I have never watched. I only know her from her gifs and memes. In fact, I never did find out what she “said” she said, but Nene is the meme of every emphatically correct Black woman on the internet. “Don’t explain back  to me what I just said. I know what I said!”

 

 

 

This one is called calculating woman. I have no idea where this is from, so I probably could use this meme, to explain my confusion, about who the hell this woman is.

I do know why I find this one funny.This is the look Black people wear when seeing White people do something inexplicable, like walking on the sidewalk in their bare feet.

 

 

I know these are two separate memes, but I have only ever seen the two of them paired together. I only like this because my mind is very literal when it comes to this set of images, although its pretty much used everywhere on Tumblr. I would be outraged if a smug little cat sat itself down at my dinner table, too. I also know that any cat would be completely unperturbed by me screaming at them.

 

 

 

The woman in this meme spoke about what it was like to actually become a meme. She says that although how its been used is pretty funny, it wasn’t about her squinting incredulously at anything. She said she made that face because, before this pose, she’d been in a kneeling position, and when she stood up, her knees hurt!

Either way, I can understand both of those moods.

 

 

 

I’ve only ever seen both these  memes used in conjunction with people complaining about  colonizing, or appropriation. They’re both so very different, but are almost always used to mean the same thing, often used in conjunction with the term Wypipo!

 

Bonus!

The “Some of You Have Never …And it Shows” Meme

Some Of You Have Never…

 

 

 

 

…And Then It Imploded!

All four of these huge racial implosions happened in the space of a year:

 

Star Wars

This one started in December, just after the release of the last film in the Skywalker trilogy.

In the latest news on racism, we have John Boyega, now that he is free of Disney, which means he is also free of any promotional obligations to them, is lowkey stating what every Black person has felt about the Star Wars fandom, since he first encountered its most toxic members nearly six years ago: F*ck you arseholes!

For the past two weeks he has been trending on Twitter and certain members of the fandom are mad as hell! Here’s an overall  assessment of the situation from Youtube’s Clownfish TV.

This entire thing is so long and convoluted that I cannot possibly go into everything wrong with this fandom. So here’s some links, most of which are all kinds of fun as John speaks in his own words, on his own terms, and let’s  toxic fans have it.

I have long observed that you do not come for British actors and comedians on social media. They are a class of entertainer who have absolutely zero f*cks to give as regards American’s delicate feelings, and tolerate no nonsense from us. Yes, it is primarily Americans who are acting a damn fool about all of this. Americans are so used to throwing their weight around in other countries, that I’m not surprised we try the same shit on social media, and then act surprised when people from other countries push back.

https://www.cinemablend.com/news/2486615/john-boyega-get-candid-about-stupid-star-wars-fan-conflicts

https://www.cbr.com/star-wars-john-boyega-toxic-fandom/

Incidentally, both Kelly Marie Tran, and Oscar Isaac, both pulled a Mark Hamill, and have made it clear they are through with this particular  Disney franchise, and were dissatisfied with how their characters were mistreated in the story. This entire thing must have been especially trying for Kelly Marie, who started out in the franchise as a sweet and bubbly newby, who was excited by her new role, was having a lot of fun, and looking forward to an illustrious career, and look what the so called “fans”  did to her.

https://www.thedailybeast.com/the-persecution-of-kelly-marie-tran-how-star-wars-fandom-became-overrun-by-alt-right-trolls

https://www.yahoo.com/entertainment/star-wars-actress-kelly-marie-tran-reveals-how-she-coped-with-internet-trolls-after-casting-201413884.html

Tran, Boyega, and Ridley have endured years of trolling and bullying from a virulently toxic fandom. (Daisy, less so since, as she isn’t on social media.)

 

American Gods

This happened in the fall of last year:

In October and November of last year, one of my favorite actors, Orlando Jones, found out he’s been fired from the cast of American Gods. where he played Anansi, and African Trickster god. Here’s the timeline of the event from Orlando’s viewpoint. According to Orlando, it’s a complete, racist,  wtf*ery…

Image result for orlando jones

Here are Jones’ comments on his departure from American Gods.

September tenth, 2018, I was fired from American Gods. There will be no more Mr. Nancy. Don’t let these motherfuckers tell you they love Mr. Nancy—they don’t. I’m not going to name names, but the new season three showrunner is Connecticut-born and Yale-educated, so he’s very smart. And he thinks that Mr. Nancy’s angry get-shit-done is the wrong message for black America. That’s right, this white man sits in that decision-making chair, and I’m sure he has many black BFFs who are his advisors, and made it clear to him that if they did not get rid of that angry god Mr. Nancy, he’d start a Denmark Vesey uprising in this country. I mean, what else could it be?

To the wonderful Neil Gaiman, thank you for allowing me to play this role, for writing this wonderful book, for opening the door for me to become a writer/producer on season two of American Gods, thank you, sir. To the magnificent Bryan Fuller and the incredible Michael Green, thank you for creating this series and for allowing me also to become Mr. Nancy. I hope the fans enjoyed it, because really this is about you. I hope you loved it as much as I loved doing it, and, you know, we’ll see each other again real…

https://slate.com/culture/2019/12/orlando-jones-fired-american-gods-mr-nancy-charles-eglee-starz-gaiman.html

I have no plans at this time to watch the third season. The showrunner for hte first season was Bryan Fuller who is an exemplary showrunner, and out gay man, and has no problems with writing complex, and sometimes, controversial shows. The second season saw new showrunners, and while the season wasn’t a bad season, the drop in cohesion and quality was noticeable. I expect it to drop even further wit hthe ousting of Orlando, and a writer’s room that doesn’t want to be bothered writing its Black characters.

That some of it held together at all, is apparently due to Orlando Jones stepping in to help write not just his own character, but many of the of the characters of color  on the show, as the writers couldn’t bring themselves to be bothered to do it, and for which he received no producer credit. They also did not announce his firing in a timely enough manner for him to audition for a new position in an another show.

Here’s what Orlando stated, in his interview with TVLine:

I showed up in Season 2 of American Gods, and they hadn’t written for my character at all. They certainly knew I was coming. That was literally the studio’s job. And they didn’t do that job. And I wasn’t the only person: They didn’t do it for all of the characters of color. So if you really care about these characters of color, then why don’t you write for them? So, I found myself in a very odd situation, because Neil Gaiman was the one who asked me to write a [character] Bible for Mr. Nancy [at the start of Season 2]. I didn’t jump into the writing process and throw my weight around. I was invited by Neil Gaiman. And when I wrote that character Bible and sent it to him, I got back a message I wasn’t expecting. As a fan of the human and, you know, as a writer myself, I was overjoyed. It was all caps the email, you know, “I F–KING LOVE IT. Spread it around.” …I spread around that character Bible. And I suddenly found myself writing, not just Mr. Nancy, but Ibis and Salim and the Jinn and Sam Black Crow and Shadow Moon and all of the characters of color who weren’t written.

Not only did the creators of the show fire Orlando Jones, but they also got rid of the Jinn and Salim, the only MENA actors in the series, and the only openly gay couple (which the show was too chickenshit to show last season), that I’ve ever seen on TV.

I don’t think the creators on these shows realize what a massive fanbase some actors of color have, and Orlando has a huge Black fanbase on Twitter, with whom he regularly interacts. They are incredibly loyal, and vocal about their love for him, and producers and creators of these shows do not understand how much we certain Black actors, They need to recognize that it is that fanbase that’s tuning in to watch these shows. Celebrities like Orlando, Viola Davis, and Gabrielle Union, have a huge cache of good will in our communities, and to dismiss or disregard it, is sheer stupidity.

What has happened since is that about half the main cast has vacated the show. Mr. World. The Jinn, Salim, and New Media.

 

******

What happened here is not that much different from what happened on Sleepy Hollow. A show that was based on a Black female character got new showrunners, who mistreated the lead actress, and decided to focus more of their writing on the White characters in the show to the point where the original lead actress was simply written out of her own show (and replaced by a lighter skinned actress, btw). Not because of anything she’d done, but because the writers either didn’t want to focus on her,  didn’t know what to do with her character, or were too lazy to write a woman of color.

I say let this new season of American Gods go the same way as Sleepy Hollow. its not a good look when a successful show keeps cycling through more and more mediocre (and cheaper) showrunners. I won’t be watching the new season, and believe we should ignore it until it goes off the air. Don’t talk about it, don’t tweet about it. Let the third season be its last.

https://wearyourvoicemag.com/entertainment-culture/the-sleepy-hollow-ing-of-american-gods

Last week, Jones went public on Twitter about being let go from American Gods, citing that Eglee did not think the “angry” message was the right one to send to Black America and that he would know since he writes from “a Black male perspective”. 

What we are witnessing, once again is “whitening” of a show. Every time Hollywood creates a show aimed at a Black audience, they consider that audience to be expendable once the show gets good ratings. They then try to reset the show to appeal to whiter audiences, instead, get rid of everything that drew us to the original story-line (watching characters of color in a fantastic setting), and  considerably “lighten” the characters each season thereafter.

The decline of American Gods and its once sharp-as-nails grasp of the concept of race in America mirrors such issues, with the departure of Mr. Nancy bringing the casting of Herizen Guardiola as Yoruba goddess Oshun back into question. Oshun, sans her appearance in Lemonade, has always been depicted as a beautiful, darkskinned goddess. And it takes a specific type of toffetry and caucasity to assume the opposite and also assume that there cannot be two darkskinned goddesses onscreen at the same time (re: Bilquis).

*****

Image result for gabrielle union agt timeline

But the producers of American Gods aren’t just in trouble for this issue. Fremantle Media, an Australian based company, that usually produces Reality TV shows, is being investigated for the firing of Gabrielle Union, a Black actress from America’s Got Talent.

https://www.kingofreads.com/a-complete-timeline-of-the-gabrielle-union-americas-got-talent-saga/

The Romance Writers of America

Most of this happened in December of last year, and continues to now:

Image result for romance writers

Last year, I published a link to an article on the lack of diversity n romantic fiction, and how women of color were fighting to be included:

https://www.theguardian.com/books/2019/apr/04/fifty-shades-of-white-romance-novels-racism-ritas-rwa

********

NOW:

The Romance Writers guild imploded earlier this month ,in a series of vents which has culminated in the mass exodus of at least a third of its members. Here’s a timeline of the events, as we understand them:

https://www.claireryanauthor.com/blog/2019/12/27/the-implosion-of-the-rwa

********

a summary of my understanding of the situation

  • courtney milan is a chinese-american romance author and was the chair of the romance writers of america ethics committee
  • she wrote a twitter post where she called a book by kathryn lynn davis ‘a fucking racist mess’ (because it was)
  • davis and suzan tisdale file a complaint because How Dare She
image
  • are you guys seeing this because oh my fucking god ARE YOU SEEING THIS
  • “it was the nineties and she did a lot of research into chinese people, you’re just racist against white people”
  • they kicked courtney off the board because of this
  • immediately people started resigning because that’s horseshit
  • so many people resigned
  • SO MANY
  • it turned out the people resigning were some of the only people keeping the absolute bugfuckery of the people in charge at bay
  • the decision was rescinded like “oh whoops our bad” but like?? too late????
  • all the dirty laundry is coming out on twitter
image
  • there are petitions to get the president, president-elect, and executive director of rwa recalled because they’re clearly fuckups
  • either the rwa is going to need to go through some big changes, or a lot of authors (particularly queer authors and authors of color) are going to have to make their own org
  • the founder of rwa was a black woman so bigots taking over is especially fucking galling
  • courtney milan is also the reason we have dinosaur emojis
  • that’s not really relevant except who the fuck steps to the woman who got us dinosaur emojis

 

  • Courtney Milan is not only a great author and the person who gave us dinosaur emojis.
  • She is also a lawyer who clerked for Federal Judge Alex Kozinski.
  • In 2017 she spoke the WaPo and exposed Kozinski’s pattern of sexual harassment, also shedding light on how the clerking system’s confidentiality rules created an environment in which it was effectively impossible to make complaints about the judge one served under.
  • This is a massive clusterfuck from the ground up, but particularly because Milan is just about the worst possible person to fuck with in a situation like this.
  • The Board also took on the Case of the White Lady Publishers Who Don’t Like WoC Pointing Out Racism on Twitter, but has this same week refused to speak on Dreamspinner Press not paying authors.
  • So that’s a look at the priorities of what is *supposed to be* an authors’ advocacy professional org.

courtney milan managed to do a TON of good while she was on the board by taking neither prisoners nor shit, and being very vocal about calling out fuckery in the community, but now it’s looking like there were people within the rwa looking for excuses to get rid of her for exactly those reasons

hopefully they’ll be able to get the org back into good hands, because otherwise that’s a lot of resources that are going to go to waste (think: millions of dollars) while good people have to start over

 

******

*This entire timeline has resulted in the  canceling of their annual awards event.

https://www.washingtonpost.com/nation/2020/01/08/romance-writers-america-cancels-awards-program-writer-racism-controversy/

 

 

The Knitting Community

This began around this same time last year, and wound up in the Summer months:

Image result for knitting

Since this event began Ravelry has banned any form of support for Trump from its website. You can still be a conservative and discuss politics, you’re just not allowed to openly express any support for him, or his administration, on the site.

We are banning support of Donald Trump and his administration on Ravelry.

This includes support in the form of forum posts, projects, patterns, profiles, and all other content. Note that your project data will never be deleted. We will never delete your Ravelry project data for any reason and if a project needs to be removed from the site, we will make sure that you have access to your data. Even if you are permanently banned from Ravelry, you will still be able to access any patterns that you purchased. Also, we will make sure that you receive a copy of your data.

We cannot provide a space that is inclusive of all and also allow support for open white supremacy. Support of the Trump administration is undeniably support for white supremacy.

The Community Guidelines have been updated with the following language: “Note that support of President Trump, his administration, or individual policies that harm marginalized groups, all constitute hate speech.”

Policy notes:

  • You can still participate if you do in fact support the administration, you just can’t talk about it here.
  • We are not endorsing the Democrats nor banning Republicans.
  • We are definitely not banning conservative politics. Hate groups and intolerance are different from other types of political positions.
  • We are not banning people for past support.
  • Do not try to weaponize this policy by entrapping people who do support the Trump administration into voicing their support.
  • Similarly, antagonizing conservative members for their unstated positions is not acceptable.

https://www.vice.com/en_us/article/xwnp4a/the-real-reason-ravelrys-ban-on-white-supremacy-is-surprising

 

 

Hi! Have Some New Movie Trailers!

Hi! Here is a small list of movies that I’m interested in this year. Okay, partially interested in. Some of them I’m not exactly too keen on, but decided to add them here, in the interests of fake fairness.

 

*Quiet Place II 

I kinda like apocalypse movies, so I’m looking forward to this sequel. I may as well put it on my watch list for Summer, because I’m pretty sure my Mom (my movie buddy) is going to mess up my whole movie watching schedule for the Summer, by requesting to see Horror movies. A couple of times, I had to put my foot down and tell her that no we were not going to see the Annabelle movies!

I’m generally not real big on seeing Horror movies in the theater, because its easier to walk out on them when you’re at home, but I kinda know what type of scares to expect, having seen the first movie, so we will probably go see this one.

 

 

New Mutants

I started reading  the New Mutants during its first run waaay back in the 80s, and the primary story was about an Indigenous girl, named Danielle Moonstar, who was haunted by a  demonic bear. She had the ability to create realistic illusions in the minds of the people around her, and the bear had the ability to turn anyone it touched into a kind of demon minion.

I haven’t read that particular comic in decades, but I still vividly remember the images drawn by Bill Sienkiewicz (Sink-o-wits), who  became one of my all-time favorite comic book artists. I also thought the story was pretty scary too, so The New Mutants movie comes by its horror trappings very honestly.

The team consists of Illyana Rasputin, who is the sister of Colossus (from Deadpool) in the comic books. She is a kind of  half demon, who wields a soul sword. Rayne is a werewolf from Ireland. Sam is known as Cannonball, and is capable of flight, and Sunspot is ,well he’s complicated, and scary as f*ck, when you think about his powers. This trailer looks a lot more interesting than that first one we saw which really didn’t excite me very much. This new trailer makes the movie look as if it were worth paying money to see.

All that said, I’m not too keen on seeing this movie because of its overwhelming whiteness. Not a single one of these characters look anything like they have in the comic books for the past thirty years, and I just find that deeply annoying, along with not wanting to watch a bunch of teenagers, and their merely adequate acting skills. But hey, the trailer is cool.

 

 

 

John Henry

I’m really excited to see this one, (even though I still have issues about Black people constantly being associated with criminal activity in movies.) John Henry is one of those folk tales I heard when I was a little girl. I’m not clear if he was a real person or not, (I suspect he was), but he is basically an African American Folk Hero, like our version of Superman.

When Superman died in the comic books, back in the 90′, ,a bunch of different people tried to fill his shoes, and one of them was Steel, (who carries a giant hammer) who was based on John Henry.

Henry even has his own song, which I also learned as a kid. It’s basically a superhero story about a man who raced a steam drill, to tear a hole in a mountain. This was animated by Disney a few years ago, for the movie Legends. (This is not the original music for this short.)

 

This is the first live action version I’ve ever heard of, set in the modern day, and I cannot think of a better person to play this character than Terry Crews.

 

 

Tenet

Yes, yes, yes!!! I am very excited about this. i don’t know that I’ll get chance to see it in the theater, as I did The Dark Knight, but I am eagerly looking forward to Christopher Nolan’s latest thriller, which stars the son of Denzel Washington. Look for the little “time loops” in the trailer! There are several.

Tenet, described as “an action epic evolving from the world of international espionage,” seems to exist in the same complex cinematic conversation as Inception (if not the same universe) — in terms of how it dabbles in both the sci-fi and spy genre, and in regard to its futuristic-yet-grounded world filled with futuristic-yet-grounded technology.

The sequence centers around a terror crisis, and both the law enforcement members and a group of spies who respond to it, with seemingly different motivations. This plays into the specifics of the film’s spy world, as John David Washington’s character even sounds as though he’s speaking in code at one point.

It also contains a blink-and-you’ll-miss-it moment that seemingly showcases the film’s time-warping technology in action, which helps to communicate the sci-fi twist. After the sequence wraps up, the prologue dives into a trailer-like montage, which contains the reversed car flip from the online trailer.

https://www.hollywoodreporter.com/heat-vision/tenet-imax-prologue-shows-a-time-bending-mission-1264421

https://youtu.be/-BplPeKclvw

 

 

 

Black Widow

Some movies, I’m instantly excited about, whether or not I see a trailer. Black Widow was not one of those movies. I heard they were gonna make it, and my mood was pretty, “Meh, I’m over her.”(It does not help matters that  Scarlett Johannson insists on walking around with her foot firmly planted in her mouth, and its hard to act that way.)

But most people don’t know about her social media gaffes, and, this trailer actually looks like a helluva lot of fun, and this trailer does make me want to see it. A little dose of humor goes a long way with me, because that first trailer was horrible. This one is a lot better, so I predict this is gonna be pretty big, and more than enough to tide people over, until Wonder Woman is released (another movie I don’t particularly care to see, not because I hate the movie, but because I just can’t dredge up enough energy to care about it.)

I really only have one question: When are they gonna make that Kamala Khan movie?

 

 

Free Guy

I like Ryan Reynolds and this just looks like goofy fun. I will not be seeing this in the theater however, because i generally avoid films that involved video games, and while Ryan and his wife have great onscreen presences, their personal life decisions are for shit. I really need to stop reading anything about celebrities. A lot of them suck as people.

 

 

Bloodshot

I probably will not see this in the theater, although I am a fan of the comic books, which it seems there’s like a thousand of them. The action scenes look cool as f*ck though, (I’m cussing, so you know I’m excited about this!), and despite Vin Diesel’s questionable acting skills, and the mediocre plot of having his wife get fridged as a motivator for vengeance, I kinda want to see this. I’ve been spoiled by some really good, smart action films for the past ten years, and while this looks like it has a nice mental twist, it doesn’t look as if it will captivate me, in a theater, for two hours. We’ll see!

 

 

 

The King’s Man

I like this one but probably won’t see this in the theater because I wont be able to get anyone else interested in going to see it with me. Now this movie is a prequel to The Kingsman franchise, is set in a different time period, and boasts a much weightier cast. I don’t know. This movie is giving me Indiana Jones feels, and that’s a good thing, since I like those movies.

 

Honorable Mentions

*Birds of Prey – A Harley Quinn movies, which looks interesting.

Mulan – A live action movie based on the original Chinese story of a young woman who disguises herself as a man to take her father’s place in the military.

*The Lovebirds – This one stars Issa Rae and Kumail Nanjiani, whose good-natured humor has built them a large fan base, so I expect this movie to do well.

*Candyman – A remake of the original 90s movie by Jordan peel, and featuring cameos from the original cast.

*Morbius – I like a good vampire movie, and this is from the same people who made Venom, which I also liked. Morbius is part of the Spiderman universe, and is one of his deadliest villains. He basically eats spider-people. I would have preferred an animated version of this in the style of Into the Spiderverse, but we got Jared Leto instead. Whaddya gonna do?

The Hitman’s Wife’s Bodyguard – I just really like this stupid title.

Last Night in Soho – I got two words for ya’. Edgar Wright!

*Snakeeyes – This is one of my favorite characters from the G I Joe universe, so I’m looking forward to seeing this. I guess its gonna be an action movie year.

*Halloween Kills – I was one of the few people who seemed to actually enjoy the previous Halloween movie, so I guess I’ll be sitting all alone in the theater, for this sequel.

Eternals – I don’t know what to think about this yet. Its part of the newest phase of the MCU universe. I’m withholding my opinion until i see a trailer.

*Dune – I  like this director, Denis Villenueve, and liked his interpretation of Bladerunner, so I’m looking forward to his version of Dune. I’ve read Dune every couple of years, or so, and I actually enjoy the original film, despite its inaccuracies.

One drawback though is that he doesn’t feature any Black people in his movies that either aren’t criminals, or getting horribly killed. I looked at the casting for this movie, and there is only one Black man in the entire cast (on what is supposedly a desert planet where everyone appears to be lily-White). He plays the character of Jamis, one of the first people killed by Paul when he joins the Fremen. Even though the Fremen are canonically based on Middle eastern tribes, there’s not one MENA person in the cast. Zendaya is in the cast, and I like her a lot, but she is light-skinned, so she is one of those people a director casts, when they want someone of ambiguous ancestry.

I’m starting to give Villenueve a heavy side-eye on his depictions of characters of color. I’m not saying Villenueve is a racist. What I’m saying is that like a lot of White directors,he has never thought about race at all, and so continues to reproduce the same tired, worn, stereotypes of Black and Brown criminals, who need to be punished in the story.

Geeking out About: The Watchmen TV Series

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Last Sunday was the season finale of the nine episode Watchmen TV series, on HBO,  and I’ve been having all kinds of thoughts. From the first episode, to the finale, my thoughts have just been all over the place. This show took me on a journey, but it was satisfying, and I’m not as angry with Lindhelof as I was when the series began. This makes up for some of his past transgressions, like Prometheus, and the ending of Lost. I was exasperated by some of it, some of it galvanized me, and some of it made me feel really, deeply, some type of way. The plot is a little too intricate to get into here, but I have provided plenty of links, for those who are curious.

First off, the series is a direct sequel to the comic book, and not the much maligned movie from a few years ago. This story (most of it) takes place thirty years after the events in the book, with flashbacks to some periods in between. I talked about the setting  in a  mini review.

https://tvgeekingout.wordpress.com/2019/10/28/october-viewing-list-ii/

 

Review

https://tv.avclub.com/life-on-earth-gets-a-lot-weirder-but-watchmen-continue-1840145375

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And People’s Thinky Thoughts:

 

https://www.vulture.com/article/watchmen-hbo-easter-eggs-references-episode-guide.html

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https://www.esquire.com/entertainment/tv/a29592776/watchmen-redfordations-racial-injustice-act-explained/

https://www.esquire.com/entertainment/tv/a29565670/watchmen-hbo-backlash-controversy-white-supremacy/

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https://www.vox.com/culture/2019/10/20/20919750/watchmen-hbo-regina-king-review-damon-lindelof-race-policing

https://www.thedailybeast.com/hbos-watchmen-pisses-off-comics-fanboys-its-woke-propaganda

Image result for watchmen tv s gifs/manhattan"

 

https://www.motherjones.com/media/2019/12/the-best-tv-show-about-racism-was-a-comic-book-fantasia-heres-how-watchmen-did-it/

Recognizing Anti-Semitism

*Warning for symbols and Imagery of Anti-Semitism*

So You Want to Fight Against Antisemitism

This post is for everyone. 

So, you know that antisemitism is a major problem in today’s world. You know it is a system of oppression unlike any other. And you know you have to do something. But what? 

 

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Anti-Semitism Symbol

Learn what Antisemitism is. 

  • You can’t really fight antisemitism if you don’t understand it
  • This, of course, applies to every system of power in our society, but it especially applies to antisemitism for a few reasons:
    • Antisemitism is probably one of the oldest forms of institutionalized hatred in our society (along with, like, misogyny). It is so old that its tropes are written into the foundation of our world. More than any other system of oppression, you are just as likely to accidentally say something antisemitic as you are to reference a common aphorism
    • Antisemitism is a weird form of oppression that doesn’t function like other systems of oppression. In most systems of oppression, the oppressed are portrayed as weak, deserving their lower station, and lesser than the oppressors. Jewish people are portrayed as powerful and dangerous because of that power – and so, in a sense, Jewish people are portrayed as the oppressors of everyone else, and thus antisemitism is “justified” because the Jewish people have it coming, are privileged, etc. This is poppycock, but it’s built into the framework of antisemitism and thus our society. And it’s hard to remember if it’s not in your face every. damn. day.
    • Antisemitism doesn’t really fall under any oppression umbrella well – it’s not really about gender and sexuality, you could say it’s about race/ethnicity but that doesn’t work completely either, and you could say it’s about religion but that doesn’t work either. It’s a whole other complicated beast, coming from a time before we tried to neatly partition our world into these boxes
    • Western Society got really fucking guilty after the Holocaust and, in an effort to assuage that guilt rather than… I don’t know, improve? Apparently actually trying to be better is too hard for this mofos… most of Western Society, especially the United States began to spread this Mythos that:
      • A) Judaism and Xtianity (Christianity) share an Intimate and Tightly Knit history; that Xtianity has always respected its parent religion, and that the two can be united as “Judeo-Xtian” to the exclusion of all else;
      • B) that antisemitism was destroyed in WWII when the camps were liberated, and everything for Jewish People is Fine now;
      • C) antisemitism wasn’t really a problem in “good” western countries before then anyway (see: more anglo-saxon-y/western-europe-y than Germany) and so the united states never had to improve to begin with, we were always completely against the nazis, go team!
      • This all means that it is so ingrained in the mindset of Americans that there Isn’t a Problem Anymore and that feeds back into the whole “Jews are actually privileged!” mythos I mentioned earlier
    • And then, on top of it, people have this weird kick in the Information Era of deciding that words should mean what their etymology suggests? Like, the whole “bisexual people are ONLY attracted to two genders” thing when bisexual people have said “two or more” for decades but that doesn’t matter; or “dinosaurs are lizards because saur means lizard” when that’s utter nonsense, etc. And so people think “semite = speaker of a semitic language group = people of middle eastern descent = antisemitism is prejudice against all middle eastern groups, not just jews” when, no, the word has an actual history, it was just a term designed to make jew-hatred seem “reasonable” instead of calling it, literally, jew-hatred, which is what it had been called before. it only has to do with jews.
    • Also just… people… don’t understand Jewish history. At all. Which is weird, because they keep saying we have an “intimate shared past” with the whole judeo-xtian crap
  • So you can’t just treat Antisemitism like you do Racism, Sexism, Homophobia, etc. You can’t. It’s a whole other Thing, because of the attitude people have towards the oppressed group
    • Disclaimer: this does not mean it’s “worse” than any other system of oppression. I don’t play the fucking oppression olympics. We all have equally important problems and we all have to help each other, end of discussion.
    • That being said, the unique mindset of antisemitism does present unique challenges that have to be uniquely overcome (just like every system of oppression has their own unique challenges.)
  • So, what is antisemitism? 
    • Antisemitism is a form of oppression in almost every modern society that targets Jewish people for being Jewish
    • Being Jewish has been defined in a lot of different ways over the years, but it is primarily an ethnoreligion 
      • This means that Judaism is the religious & cultural system for the Jewish People
      • And the Jewish People are defined by their common ancestry from a small family of sheep-hearders from the ancient middle east
      • So, being Jewish = someone who belongs to that group of people, either through being born into it or getting adopted into it (for the purposes of… everything, conversion to Judaism is literally just voluntary adult adoption.)
      • And, usually, Jewish people follow the religious traditions of Judaism, but this is not an absolute rule
      • In the past, the prejudice against Jewish people was based on them believing in Judaism. In the “modern” era (since the 1800s), it began to transition to be about their heritage – so even if a Jewish person converted to Xtianity, they were subjected to this new form of the hatred 
      • Still, in the modern day, it can literally be about either, both, or somehow none, because people are the worst 
    • This weird definition of what it means to be Jewish is why it’s hard to put antisemitism into a neat box, oppression-category-wise
    • Like, it takes some stuff from racist power structures, but also those structures designed to keep xtianity in power, etc.
      • Disclaimer: I am from the United States. As such, I can only speak about my experiences in a majority-Xtian country. While antisemitism is present in countries where the majority religion is something other than Xtianity, it is not my place to discuss it here. That is something that you have to research on your own. 
      • Also, just, so many of our antisemitic tropes evolved in Christendom or whatever you want to call it, and much antisemitism found in non-xtian countries is just… the fault of xtian countries to begin with, so. yeah. Oof.
    • Antisemitism is, thus, built on a wide variety of tropes, prejudices, and assumptions about the Jewish people that stem all the way back to the split of Xtianity and Judaism 2000 years ago
      • I can’t list every single antisemitic stereotype because A) there’s too many of them and B) that would be depressing as hell and I don’t feel like being more depressed than I have to be
      • But here are some common ones (we = Jewish people):
        • We killed Jesus
        • Blood Libel (we are bloodthirsty in general, use the blood/flesh of Xtian children fro our food, etc.)
        • We Have Horns/Are Manifestations of the Devil
        • We are here to “test” xtians
        • We are Greedy
        • We are Rich
        • We secretly control the government/the media/the economy/the world/…anything
        • And that we have a secret club where we discuss controlling things
        • We aren’t trustworthy/we break our oaths/ we’ll stab you in the back
        • We are lizard people who, again, control the government
        • We tax and suck the money from everyone who isn’t Jewish
        • We are evil, greedy capitalists
        • We are scary, violent communists
        • We smell and are unclean
        • We hate all goyim (non-Jewish people)
        • We destroy Xtian objects
        • We cause wars, revolutions, and catastrophes
        • We caused the slave trade
        • We are lying about the holocaust/any other antisemitic event
        • We use our oppression and past to “get things” (influence in the government, in the media, Israel as a country, etc.)
        • Usury stuff
        • We are disloyal to our home countries
        • We are immoral
        • We are homeless/wandering/etc.
      • yeah ok I’m done with listing shit
      • If you see some contradictory ones in there yes, yes you do, isn’t it fun
      • But, you can see how this feeds back to the unique nature of antisemitism: almost all of these tropes are about painting Jewish people as the source of all suffering or problems for non-Jews and, thus, worth hating and rising up against. Jewish people are portrayed as powerful and, non-Jews, as the people without power who must defeat them. 
      • So you can see how denying the problem of antisemitism is actually FEEDING INTO ANTISEMITISM what a world we live in 
  • How did antisemitism get started? 
    • No one likes an “other” or an “outgroup”
    • And Jews are the Ultimate Outgroup
    • I’m serious
    • Judaism was a Different Sort of Religion in the ancient world. Rather than being paganistic, it was monotheistic (at least, after a point, it was monotheistic; let’s not debate the history of the view of Gd in jewish thought today) and, as such, the gods of other cultures couldn’t just be adopted into Jewish thought
    • This was a common method of cultural exchange and how many empires imposed their power
    • So, Jewish people, by refusing to take on other gds (by and large), marked themselves out as other
    • Also, it didn’t help that our people originated in the Levant, which is literally the bridge between Eurasia and Africa and the crossroads of the Mediterranean world
    • Everyone wants control of the bridge 
    • So, we kept being conquered and then exiled or oppressed in our homeland, because we wouldn’t do the Normal Thing of taking on other gds and we were on land that people really needed for Warring reasons (and trade reasons)
    • Even before Xtianity was a thing, we were an Other
    • And then Xtianity happened
      • Xtianity, at its roots, is built on the Fundamental Idea that Jesus of Nazareth was the Mosiach
      • The Messiah, or Mosiach, is a prophecy in Jewish thought of a man, descended through his father from King Solomon, would come and initate a time of complete peace on earth, when all Jewish people would be returned to the Levant and actually control our country again
      • Jewish people rejected Jesus as the messiah almost immediately in most groups except for Jesus’ disciples
        • Jesus wasn’t descended from Solomon through his dad (if you agree his dad is gd, then he really isn’t; if his dad is Joseph, then Joseph is from a different son of David, not Solomon, etc.)
        • Jesus didn’t do jack diddly squat to start an era of peace and liberate the Jewish people from the Romans
        • also, Jewish people are really strict about the Gd is One thing and even thinking that Gd could have an equally Gd Son is ridiculous in Jewish thought and also not part of the messianic tradition 
        • Oof
        • Moving on
      • But, for Xtianity to be “valid” in the eyes of the early church, Jesus had to be the messiah
      • And if Jews weren’t accepting Jesus as the messiah, xtians had one of two choices: either they were wrong, or jews were wrong
      • Honestly, i can’t even blame early xtians for going with the second one, it’s just basic self-preservation
      • And as xtians gained more power in roman society, they began to oppress Jewish people more and more, because they were literally visible reminder that Xtianity might not be Right, which threatened the entire system of power xtianity was building for itself along the scaffold provided by the roman empire
    • So, from the time of the end of the roman empire through the 1800s, almost all anti-Jewish thought was based around religious tropes and the idea that Jewish people, by rejecting the Messiah, were now agents of the devil
      • Very little of it was ethnicity based
      • Similar things did happen in the Islamic world to a lesser extent – Muslims see Muhammad as the Final Prophet and the successor to the Jewish prophetic tradition, Jewish people see prophets as not being a thing since a little after the babylonian exile, so by rejecting Muhammad jews kind of delegitimize Islam, etc.
      • But it wasn’t as devastating for the foundation of Islam as rejecting Jesus was for Xtianity, so this sort of anti-Jewish prejudice in the Islamic world at the time wasn’t neaaaarly as bad – Jewish people had a lot more rights, on average, in the Islamic world than in the Xtian world during the middle ages
    • This all laid the foundation for antisemitism to “evolve” (devolve) during the 1800s
      • People trying to rationalize hatred against various groups needed a reason to hate Jewish people that wasn’t about religion because, something something Enlightenment Means We Reject Supernatural Explanations Aka Religion something something
      • I dunno about you guys but illogical hatred seems Unenlightened to me but whatever
      • And, so, the hatred of the Jews already present and built into Xtian society was turned into hatred of them because of their ethnicity/family ties/race
        • this was around the same time women were considered lesser because it was just their biological condition that they were lesser, not because of eve or whatever
        • also the same time racism against black people started to get a lot of pseudo-science crap to “back it up”
        • it was a fun time. a fun, fun, super fun time of people wanting to continue to be crappy and trying to bullshit reasons to do so.
      • This lead to the atrocities of the progroms and the holocaust to evolve out of enlightenment thinking
    • But, do not get it twistedAntisemitism is, at its core, because Jewish people refuse to assimilate into the main culture/religion of their larger society that they live in; and people just do not like the other. Everything else that has been used to justify and/or explain antisemitism in an attempt to have it “make sense” is just that: justification. Pulling shit out of their asses. Trying to make their hatred seem OK. 
  • Every trope of antisemitism has its own sordid history and I’m not going to continue to get into it
  • It’s up to you to educate yourself about all of them so you can “spot them in the wild”
    • ie, if your cousin Renee says “lizard people control new york city!’ just go up to her and slap her across the face because you know Lizard People = Jews now
    • And if your mutual tumblr user IMissThePorn89 says “gal gadot killed children!” you can be like “this is blood libel she was a fitness instructor” because now you know what blood libel is
  • Educate yourself slowly, carefully, and check your own assumptions and prejudices every step along the way. 

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Anti-Semitic Flyer

Evaluate your own Risk. 

  • Before you start actively fighting antisemitism on the ground, ask yourself a couple of important questions:
    • Am I Jewish?
    • Am I Planning to Become Jewish?
    • Do I belong to any other Oppressed Class, especially those that could put me at risk with certain groups such as the alt-right and nazis?
    • Do I have friends and family members who could be at risk from my activism?
  • Fighting against antisemitism is dangerous 
    • Nazis don’t really care about your humanity my friend 
    • You can get hurt. You can get punched, doxxed, SWAT’ed, attacked, or even killed, depending on how dire the situation is
    • Neverput yourself in more danger than is needed based on a situation
    • Use your head: if picking a fight won’t endanger anyone other than you and could get a nazi to shut the fuck up, then pick the fight. If picking the fight will just put jewish people (or other oppressed people) in the crosshairs, don’t pick the fight
  • Only you know your own level of risk
    • You know if you can afford to put yourself on the front lines against alt-righters, etc.
    • There are a lot of ways to fight antisemitism that don’t involve making bonehead moves
    • But, still, someone has to do the bonehead stuff. Punching nazis works. Just see Richard Spencer. Or, you know, Nazi Germany
  • And, plus, you know what you’re best at
    • Are you best at confrontation? Punch away!
    • Are you best at talking? Try to explain to the ignorant how antisemitism works
    • Are you somewhere in between? Handle lower-scale conflicts s
  • Are you a lover and not a fighter? 
    • There are a lot of more peaceful ways to fight antisemitism that doesn’t involve arguing and physical fights
    • Provide an ear for listening and a shoulder for crying for victims and survivors to seek support
    • Break the law to weaken their power in a variety of ways
    • Speak out in public, and preserve knowledge and truth in the face of “fake news”
    • Every little bit of resistance can help against encroaching antisemitic fascist power

https://www.myjewishlearning.com/article/anti-semitic-stereotypes-of-the-jewish-body/

Recognize the signs. 

  • There are dog-whistles for antisemitism as there are with any system of oppression
  • Recognizing these key phrases and ideas can help to identify someone with antisemitic opinions (or just straight-up an antisemite) before a situation escalates
  • These dog-whistles tie into common antisemitic tropes
  • Words such as:
    • Globalist
    • Cabal
    • Triple Parentheses
    • Worldwide
    • Zionist [note: this word is often used to refer to any jewish person as a way to legitimize hatred against them. please, please, please don’t get into Israel-related stuff on this post. Talk about derailment and feeding back into my main point]
    • Jew/Jewess used as a noun
    • Someone’s Jewishness being pointed out when not actually relevant
    • Coastal Elite / Elite
    • Hollywood Liberals / Liberals
    • Mentioning individuals such as Soros and other powerful Jewish individuals when, again, they don’t actually matter for the situation
    • Conspiracy Theories
    • Lizard people
  • Tropes such as:
    • Hooked noses
    • Wringing hands
    • Piles of money
    • Six-pointed stars
  • These and other symbols are used to indicate “I know that the Jews are the problem, do you?” and, upon assessing that in the individual they’re interacting with, can increase blatant antisemtism or not
  • This is what a dog-whistle does: it helps to identify members of your hate group and then group up together to create real damage
    • And then, these dog-whistles are ways to gently trick people into being bigots with you
    • It’s like a fast track to overt hatred
  • So, if you recognize a dog whistle, call it the fuck out, even if that person is just ignorant
    • Because it’s a short distance from ignorant to antisemitic
    • You can very easily go from thinking globalists are the problem, to realize globalist = jew, to thinking jewish people are the problem
    • So you call it out. every time. 

Utilize your privilege. 

  • Gentiles have a unique positions. They’re not affected by antisemitism, but they can fight against it if they put their mind to it
  • Jewish people, no matter their other privileges, do not escape antisemitism
    • Of course, white-passing Jewish people can help to fight against race/colorism related situations and prejudices more than non-white-passing Jews, etc.
    • And those kinds of prejudice often tie into antisemitism
    • But really this section is mostly about what gentiles can do
  • It is always more dangerous for a Jewish person to fight against an antisemite than it is for a gentile
    • So, in terms of fighting on the front lines, the best way for a gentile to help Jewish people is to put themselves in positions of danger over a Jewish individual doing so
    • Like, if there’s a choice between a group of Jews acting as security at an event that is at risk and a group of gentiles, the gentiles should step up
    • If a Jewish person is arguing against an antisemite, a gentile should
      • Uplift that Jew’s voice
      • Repeat what they say
      • Support them
      • Fight against the antisemite themselves
    • Don’t drag Jewish people into fights they’re not in
      • If you see a nazi or other antisemite on the internet or in the meatspace, fight against them yourself 
      • Don’t drag a Jewish person into a fight
      • This is why you have to educate yourself. So that Jewish people don’t have to put themselves in danger (or emotional distress) needlessly
  • If you want to be a true ally for Jewish people, you need to use your privilege to do things that would be more unsafe for Jewish people to do. End of story.

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Educate as much as possible. 

  • You’re always learning, obviously, but you need to help others learn too
  • Education is exhausting, especially when talking about something that personally, negatively affects you
  • Leaving the burden of education on Jewish people alone is problematic, even though we’re the experts on our own oppression
    • So like, Jewish people should educate because we’re the experts
    • And gentiles should educate because they’re not personally affected (to the same extent)
    • But Jewish people shouldn’t educate beyond what they’re emotionally/physically able to do (exhaustion/spoon-wise)
    • And gentiles shouldn’t educate beyond what they’re able to in terms fo knowledge
    • It’s a balancing act and we all have to contribute
  • Education is the main barrier against hatred 
    • The more people are educated about oppression, history, and society, the less likely they are to be bigoted
    • That doesn’t mean it’s impossible – I know some really fucking well educated bigots – but education is by far the biggest tool we have (the second biggest tool is fighting)
    • Spend your time making posts explaining antisemitism, helping others learn, and discussing how antisemitism works with leaders of social justice groups (or just members thereof)
    • Antisemitism is a unique oppression. It requires unique attention and education. And you can help fight against it by bringing that education to others

Image result for anti semitism symbols

Get your hands dirty. 

  • I touched on this in the privilege section, but you gotta get out there and do things 
  • Even if it’s internet-based things, you have to act
  • Sitting and not saying anything is not doing anything
  • You don’t have to argue. You don’t have to physically fight. But you do have to do something
  • And, honestly, there are other ways to really get at the root of antisemitism
    • Because antisemitism is literally built into the DNA of western society, it is everywhere 
    • This means it is a part of our government, our institutions, our history, even if it might not be as blatantly obvious as, say, racism and transphobia
  • You can utilize graffiti and other forms of subversive art to spread anti-antisemitism messages
  • You can prep portions of your home in case Jewish people need to hide there
    • I cannot stress this enough
    • It is literally a game among Jewish children
    • “Will you hide me?”
    • It’s how we measure trust
  • Prepare yourself to lie to figures of authority – especially police – if things get really dire
    • Again, the police are less likely to attack a gentile than a Jew in these scenarios
    • You can use your privilege to lie to help a Jewish person stay safe
  • Antisemitism is dirty, and it doesn’t play by the rules. Neither should you

Step outside of your comfort zone. 

  • None of these things are easy, so all of this might be out of your comfort zone
  • But to grow as a person and as an ally/fighter, you have to do things you’re not completely comfortable with
  • This is why it’s hard 
  • You’ve got to push yourself to make meaningful change
  • It’s hard to step into it – especially if you’re a baby Jew (ie, conversion student or convert) and are new to all of this – but the more you step into it, the more you’ll be able to do
  • Remember, not fighting against antisemitism is comfortable. It’s supposed to be, because society wants you to be antisemitic
    • Any fighting against this (or other forms of bigotry) is, by definition, uncomfortable, because society says you should be comfortable with the hatred
    • But you’re not. That’s why you want to fight. So what’s a little more discomfort? 

Practice radical self-care. 

  • ALL OF THIS IS REALLY HARD
  • ESPECIALLY IF YOU’RE JEWISH OR AN ALMOST-JEW
  • TAKE. CARE. OF. YOURSELF.
  • I can’t stress this enough
    • You are no good to the resistance if you’re hurting yourself fighting in it 
    • Take breaks
    • Step back from arguments
    • Learn to say no
  • This isn’t all on you.
  • If you take care of yourself, then you can get back to the fight
  • Learn to find your own limits and your own boundaries
  • And, learn to ask for help
    • So that, if you have to step back form an active situation, someone else can step in
    • You have to know your own limits
  • Of course, you also have to know your own comforts and ways of care
    • For me, it’s playing dumb video games and cuddling birds
    • For you, it might be going on hikes and taking bubble baths
    • It varies and you should learn what helps you regain your energy and get back out there
  • It is not a negative reflection of you if you cannot fight 
    • Either at all or in specific ways
    • Anxiety, depression, etc. all make actively fighting against bigotry very hard 
    • Same with other mental and physical disabilities and conditions
    • Because then you have other societal systems of oppression weighing you down (as well as your own body in most cases)
    • And of course there are other factors (money, education, race, gender, sexuality, ethnicity, etc.)
    • Do what you can, but don’t destroy yourself in the process. No one wants you to sacrifice yourself. 

You are not alone. 

  • We’re all fighting this together
  • Lean on other people for support and for help
  • Never take on a problem alone
  • If you’re Jewish, never put yourself into a dangerous situation alone
  • Heck that applies if you’re not too
  • We’re all. in. this. together. And we are stronger together than we are apart
  • Don’t be afraid to ask for help, advice, and ideas to move forward

Don’t just listen to me. 

  • I’m a tired potato crying under a pile of moving boxes
  • Everyone has different ideas and different emphases in how they fight against this horrible, horrible things
  • You want to fight against antisemitism? Listen to a wide variety of Jewish voices, not just me
  • Diversity is what we’re fighting for. Seek it out in your own education

Past PostsJewish Conversion / Rosh Chodesh / Rosh Hashanah / Days of Awe / Religious Fasting / Yom Kippur / Sukkot / Sh’mini Atzeret & Simchat Torah / Chanukah / Tu B’Shevat / Branches of Judaism / Second Temple Judaism

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Most Beautiful Horror Movies

October is long over, but I’m never going to get tired of discussing Horror movies, so you’ll  just have to bear with me.

As a visual artist, movies are very important to me.  It’s part of the reason I love most of the movies I love regardless of their other qualities. I especially love movies that dazzle my  eyes. I chose Horror movies for this post. Horror, and Scifi are the two  genres that are most free to imagine, while breaking the rules of costuming, and makeup, and people really don’t give them enough credit for their beauty.

 

Bride of Frankenstein – The Bride (1935)

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The Monster’s Bride’s makeup and hair are iconic. Anytime its referenced in another movie, and everyone who sees the costume, who knows movies at all, knows where this look is from, the name of it, and the actress who wore it, Elsa Lanchester. The Bride is one of the first female monsters to ever appear on film, with the exception of the 1932 Vampyr, (which featured the first onscreen female vampire, Carmilla).

Bride of Frankenstein was directed by James Whale, and this movie is heavily referenced in the 1998 movie, Gods and Monsters, where we see Whale, (played by  Ian McKellen), get reunited with his monsters, Karloff and Lanchester.

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Us – The Tethered (2019)

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The costumes in this movie are not especially beautiful, but they do have a lot of wealth of meaning, as related to the plot. Here, the costumer, Kym Barrett, and the director, Jordan Peele,  discuss the meaning of the costumes from Us.

https://www.theatlantic.com/entertainment/archive/2019/03/us-meaning-costumes-kym-barrett-interview-red-jumpsuit/585793/

https://fashionista.com/2019/03/jordan-peele-us-movie-costumes

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It- Pennywise (2019)

Pennywise’s costume is just a tiny bit uncommon because it  is loosely based on Pedrolino, a sort of generic, French clown from the  Italian commedia dell’arte. At any rate, clowns being scary has a very loooong history. The 2019 version of Pennywise (Skarsgaard), in his white costume and distinct, Pagliacci style,  makeup, is very different in looks, from the television mini-series version, played by Tim Curry, who looked much more traditionally American. The costume designer, Luis Sequeira, is also known for his work on The Shape of Water, (which got him nominated for an Oscar in 2017.)

https://www.telegraph.co.uk/films/warner-home-video/why-is-pennywise-so-scary/

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https://www.smithsonianmag.com/arts-culture/the-history-and-psychology-of-clowns-being-scary-20394516/

You aren’t alone in your fear of makeup-clad entertainers; people have been frightened by clowns for centuries

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Legend- Darkness (1985

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This movie is known for Tim Curry’s portrayal of a Satanic figure, Darkness, who tempts an innocent young virgin to be her worst self. Mia Sara and Tom Cruise star as a pair of star crossed lovers, who run afoul of Curry’s Demon King after Sara’s encounter with a unicorn gets it killed. He uses her guilt at having lured the unicorn to its death to try to turn her into a demon as well. This is  the most underrated straight  Fantasy movie of the 80s, and probably because of the presence of Tom Cruise, that people dismiss it.

This was Ridley Scott’s next big film after Bladerunner, and it has all of his usual markers, in that it is gorgeous, lush, surprisingly sexy, and has a point to make, about good vs. evil, and fate vs. choice. The standout visuals, and the best lines, all belong to Tim Curry. The makeup was designed by Rob Bottin, fresh off his stints on The Howling, and The Thing. The  soundtrack was composed by Tangerine Dream and the costume designer was Charles Knode, who was also responsible for the costumes for Bladerunner.

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Queen of the Damned – Akasha (2002)

i already talked about Akasha, the Egyptian adjacent Queen of the vampires, from Anne Rice’s Queen of the Damned.

https://wordpress.com/post/tvgeekingout.wordpress.com/80911

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Beetlejuice- Lydia Deetz (1988)

Lydia Deetz, is one of Tim Burton’s most iconic characters, and is also the most well dressed emo, Goth-girl in cinema. Wynona Ryder is  probably the only teenager in America that could pull off wearing a black veil, when not in actual mourning. She remains true to her style, and her nature, even after her parents decide to forgo civilization, and movie to the boonies. It only makes sense that their new house would be haunted by the ghosts of the gentle couple that lived there before them, (along with that rascally scoundrel, and  ne’er do-well, Beetlejuice.)

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The Cell (2000)

The Cell is one of the most beautiful horror movies ever made. A psychologist played by Jenifer Lopez, goes into the dreaming mind of a serial killer, to find the whereabouts of his latest victim, before her time runs out.  Tarsem, the director, who got his start in music videos, was heavily influenced by the some of the more  avante-garde artists who came before him. The costumes for this movie were also designed by Eiko Ishioka, the costumer for 1992’s Bram Stoker’s Dracula.

Artistic Influences

Some of the scenes in The Cell are inspired by works of art. A scene in which a horse is split into sections by falling glass panels was inspired by the works of British artist Damien Hirst. The film also includes scenes based on the work of other late 20th century artists, including Odd NerdrumH. R. Giger and the Brothers Quay.[3] Tarsem—who began his career directing music videos such as En Vogue‘s “Hold On” and R.E.M.‘s “Losing My Religion“—drew upon such imagery for Stargher’s dream sequences. In particular, he was influenced by videos directed by Mark Romanek, such as “Closer” and “The Perfect Drug” by Nine Inch Nails, “Bedtime Story” by Madonna,[4] and the many videos that Floria Sigismondi directed for Marilyn Manson. During a scene, Jennifer Lopez falls asleep watching a film; the film is Fantastic Planet.

In the scene where Catherine talks with Carl while he is “cleaning” his first victim, the scenery resembles the music video “Losing My Religion” by R.E.M.. The scene where Peter Novak first enters the mind of Carl Stargher, and is confronted by three women with open mouths to the sky is based on the painting Dawn by Norwegian painter Odd Nerdrum. The scene when Catherine Deane is chasing Carl through a stone hallway, right before she enters the room with the horse, is based on a painting by H. R. Giger called “Schacht”.

                      —– https://en.wikipedia.org/wiki/The_Cell#Artistic_influences

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Hellraiser- Pinhead (1988)

Pinhead, as played by the origianl, Doug Bradley,  (although no name was given for the character in either the book or movie), is an iconic horror figure. Even people who have never seen Hellraiser know him. Inspired by Dante, Faust, and  BDSM gear, the silhouette, the headgear, the “its just business” attitude, has itself inspired a line of streetwear.

 

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Bran Stoker’s Dracula (1992)

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Although Francis Ford Coppola was confident enough in his interpretation of this classic story to put Bram Stoker’s name on it, there are some significant differences from the original source material, and one of  them is  Dracula is shown as a much more romantic figure. The movie is essentially a love story, whereas in the book, Dracula is much more a figure of horror, and the emphasis is more on his symbolism as a  disease, since at that time, England was very much concerned with the influx of European immigrants. At the time, Eastern Europeans were not considered White, and were said to be of impure blood, and polluting England’s shores.

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Dracula is shown here to be a studly studmuffin in the form of Gary Oldman, who is not normally considered very hawt, but manages to pull it off very well. This movie has some of the most beautiful costuming I’ve ever seen in a horror movie, and it put the designer, Eiko Ishioka, on the map, as the go-to person for freaky/sexy, historical dress.

https://www.independent.co.uk/arts-entertainment/films/news/eiko-ishioka-japanese-costume-designer-google-doodle-bram-stokers-dracula-gary-oldman-winona-ryder-a7836536.html

 

 

Honorable Mentions:

Brotherhood of the Wolf (2001)

This movie is a beautiful mashup of historical inaccuracy,  Kung Fu, and steampunk  Monsters!

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The Birds

Tipi Hedren is the epitome of a hip, urban, fashionista of the 60s.

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The Hunger

Catherine Deneuve and David Bowie as modern day, urban, vampires.

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The Company of Wolves

This classic fairy tale got the 1980s makeover treatment with high fashion and werewolves, courtesy of Neil Jordan, the director of 1992’s Interview with the Vampire.

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Some Favorite Comedies

I wouldn’t call myself a film comedy fan, whatever that means, (although I have and will, watch plenty of TV comedies), nevertheless, I have watched a large number of them in the past four decades. Some of them have been more impressive than others, and by impressive I mean that I actually laughed at them, or  watched them  multiple times, “… and it keeps getting funnier, every single time I see it!!!”

I have a strange relationship with humor. I don’t often find funny what other people find to be funny, is much so, that I used to think something was wrong with me (but it turns out I’m, most likely, somewhere on the Asperger’s spectrum). I’m often unimpressed with the kinds of movies other people think are hilarious. I’ve been told, from time to time, that I’m pretty funny myself, and while I like to say silly things to strangers to break the ice, I don’t really think of myself as a particularly funny person.

I have noticed a pattern to what I find funny. My sense of humor is tends to be childlike,  just straight up silliness, solely for its own sake, and the movie usually has to be mixed with some other genre. Of all the movies on this list, The Nutty Professor is the probably the only movie which I would say was made solely for comedy’s sake, as its really not mixed with some other genre, (maybe sci-fi, since it’s a parody of Dr. Jekyll and Mr. Hyde), and yeah, I am including the 1963 Jerry Lewis’ version. But most of these are Western, or Horror, or SciFi Comedy.

So here, in no particular order, are just some of my favorite comedies. I have several more favorites that, for whatever reason, didn’t make it onto this list, but hey, I can always so another post, right?

 

Galaxy Quest 

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There is no such thing as the comedy to end all comedies, but if there were, Galaxy Quest would be the parody to end all SciFi parodies. After this movie got made, no more need be said on the subject.

I absolutely love the fuck out of this movie, taking every opportunity to watch it when it airs on TV, and here are only five of the reasons why:

  1. Its a Star Trek parody, and I am an Old School Star Trek fan. Name a character, or play some music from the original series, and I can tell you the title and plot! I wanted to be Lt. Uhura when I was a little girl, and I would of course, marry Spock!

2.  Sigourney Weaver, the queen of my other favorite movie franchise, Alien. Sigourney gets nearly every great line in this movie,  and is only rivaled in the amount of great lines she gets by:

3.  Sam Rockwell, as Guy Fleegman, a redshirt nobody who is convinced that because his character has no last name, and is the head of security, that  he is going to die on whatever adventure they are having.

4. This movie contains one of my all-time, favorite, movie tropes, featured in films like The Three Amigos, Tropic Thunder, and A Bug’s Life, where a group of actors mistake a plea for help, from some unsophisticated victims, to be a request to do a show. The actors sign up to do a show, which  turns out to be the  real thing, and they have to now become actual heroes. This plot trope is also  a parody based on The Magnificent Seven, and The Seven Samurai.

5. Alan Rickman’s Dr. Lazarus, who is a loose parody of a conflation of the character, Spock, and  any number of Shakespearean English actors,  like Patrick Stewart, whose makeup becomes more, and more disheveled, the further we get into the movie, until its time to say that one line of dialogue that he absolutely hates, (but for real this time), during which his makeup becomes perfect.

Its not that Tim Allen’s character isn’t funny. He has his moments, but he is also the only character willing to take everything seriously, while all the other characters are like: WTF?!!! Especially Tony Shalhoub’s character,  Fred Kwan, who I think, spends the entire movie high as a f*cking kite, and still manages, somehow, to keep his game on point, and get the girl. I don’t think he actually believes that any of the shit that’s happening is real, and is able to just totally roll with whatever happens, and as far as I’m concerned, that’s probably a great way to get through most of the world’s minor tribulations.

One day, I have to do an entire post on this film, talk about why I love this so much, what tropes the film is parodying, the whole thing.

 

Raising Arizona

https://tvgeekingout.wordpress.com/2017/05/02/speaking-of-crime-raising-arizona-1987/

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Before, Raising Arizona, I was not much of a movie comedy person. I watched most comedies on TV, and that was where I stayed. I grew up watching the Three Stooges,, The Little Rascals, and Looney Tunes, and moved on to more adult comedies like Mary Tyler Moore, Barney Miller, and WKRP in Cincinnati, and  comedians like Robin Williams from Mork and MIndy, or George Carlin, and Jonathan Winters, especially if they showed up on the late night TV shows I wasn’t supposed to be up watching.  Sometimes I would watch a Scifi comedy, or a Horror comedy, but I didn’t often watch comedic movies that were just whatever they were.

I mentioned in an earlier post how this movie came to resonate with me, and played a big part in my memories of college life. Everything about this movie strikes my funny bone, from Hi and his  friend’s highfalutin’  manner of speaking, despite that all of them are lowlifes, to the plot,  the music, and cartoonish action scenes. This is the only movie I will watch, (besides, Ravenous, and  Mars Attacks!), that prominently features yodeling.

 

Tucker and Dale Vs Evil 

I gave a review of this movie here:

https://tvgeekingout.wordpress.com/2016/04/24/geeking-out-about-tucker-and-dale-vs-evil-2010/

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My favorite scene in the entire movie is Tucker being chased by bees, while wielding a chainsaw. I just lose it every single time, and you have to watch the movie, just to put that scene in context. This  movie is utterly ridiculous and knows it.

 

 

Best in Show

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The great thing about this movie, isn’t the situation, although I do like Dog Shows, its the complete silliness of the characters. The Director is none other than the maker of This is Spinal Tap, Christopher Guest, an alumni from Saturday Night Live, who wrote the script with Eugene Levy, who has become another favorite of mine. They specialize in the kind of smug, off brand, humor that a relies on subtly, weird characters, and puns, and which is often called pretentious.

These are not laugh out loud, guffawing type movies. The humor goes much deeper than that, to tickle waaay down in your stomach. The characters are not necessarily doing obviously funny things, there is little  slapstick, and most of the humor relies on dialogue. In some cases, you are actually laughing at the characters, while others you laugh with, and this is some exceptional writing, when you can have multiple characters like this in the same movie. But what I love the most about this movie is no matter how funny the character’s are, none of it is mean spirited. Guest loves his characters, and doesn’t  humiliate them, just for the enjoyment of it. They are always either clueless, or hapless, people who mean well, but just, for whatever reason, can’t.

The movie follows three different couples as they navigate their way through a dog show. Eugene Levy and Catherine O’Hara play John and Cookie Fleck, a lower middle class couple, the owners of a Norwich Terrrier, who are out of their league at such a prestigious event as the American Kennel Club Dog Show. Cookie has a sordid past as the town futon, who is constantly running into old lovers, while Eugene is her hapless, two left-footed, husband.

Meg and Hamilton Swan are a pretentious, and neurotic, yuppie couple, who you are probably meant to laugh at, as they wax nostalgic about meeting each other at competing Starbucks, and freak out over their completely unperturbed Wiemeraner. Scott and Stephan are a gay couple, who are the charming, funny, and the gracious, highlight of the movie, and the sweetly pretentious dogfathers of a pair of tiny Shih Tzus.

The singletons are Mrs. Cabot, a trophy wife, who has an interesting relationship with Christy Cummings, played by  Jane Lynch, as a famous, over-competitive dog trainer of a poodle. And Christopher Guest himself rounds out the cast as an overly hopeful Basset Hound owner, who is totally out of his comfort zone, named Harlan Pepper. The most silly character in the film is the Dog Show announcer who embarrasses his fellow announcer by  making dumb, loud, and off-color jokes.

All of the characters are deepened with interesting side stories, and little quirks of personality that make them more likable than annoying. Guest is the type of humorist who doesn’t try to be edgy, or shocking, to the viewer. You can tell he likes these characters, even the Swans. He’s not trying to humiliate them just for shits and giggles, and most of them get positive, if not happy, endings. This is also one of my favorite movies about dogs.

(Yes, we have two dogs in the house, our dignified elder statesman, Sargent, a Rat Terrier, who has a bobbed tail. I like to call him Capt. Wiggle-Bottom, and our smalle, and  faster, back up model, named Rusty, a redheaded Yorkie, I like to refer to as The Squeaker, and  however you just pictured them, is exactly how they behave.)

 

 

 

Tropic Thunder

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Okay, I know that I am probably not supposed to find this movie as funny as I do, filled as it is with Blackface, Black stereotypes, Asian stereotypes, Jewish stereotypes, and  its use of the R word, but I just cannot help myself. I just love this movie, and that is due almost entirely to Robert Downey Jr’s character, a White Australian actor, who spends  the entire movie masquerading as a Black man, while working next to  an actual Black man, and lecturing another White man on how that man went too far in portraying a marginalized character. I think what’s really the movie’s  saving grace for me, is the ACTUAL Black man, played by Brandon Jackson, who calls Downey’s character out at every opportunity. The people who made this film knew that everything they were doing was wrong, and still went there with it!

Tropic Thunder is meant to be a satire on war movies, and actor’s careers. Jeff Portnoy is meant to poke fun at Eddie Murphy. The makeup artist for this film, Rick Baker, also did the makeup for Murphy’s Nutty Professor movies. Tug Speedman is a play on Tom Cruise, who also has a cameo in the movie, (and almost steals the whole damn thing, even when you don’t recognize him!), and Robert Downey’s character, named Kirk Lazarus, was a statement about Australian and British actors who make it big in Hollywood, by playing chameleon-like roles.

As the film progresses, and the events that were only being faked on a movie set before, become more and more real, Lazarus’ makeup starts to wear off, and you can see his real face, as he becomes a White man,  with an incongruous, 70’s Blaxploitation accent. I remember when I first saw the trailer, I kept looking for Downey,, because I was told he was in it, and not finding him. It wasn’t until after the movie’s release that I realized I’d been looking at him the entire time. His makeup is so incredibly convincing that he looked like my late uncle, something which struck me as incredibly funny. Even after knowing it was Downey, I still kept seeing my uncle, (probably because he says a number of things that are exactly how my uncle would have reacted, under the same circumstances).

Some of my favorite moments aren’t even in the movie, like the DVD commentary, where Downey does a ridiculous Blaccent, the entire time, because  as Kirk Lazarus states,  he doesn’t break character until the DVD commentary. It is hands down one of THE funniest DVD commentaries I’ve ever listened to, as Jack Black is a natural born cusser, and, very probably, drunk during the whole thing.

 

The Nutty Professor (1963)

This is the original movie on which Eddie Murphy’s 1996 version was based. This is the one I grew up watching, along with a bunch of other Jerry Lewis films. It does differ significantly from the remake, but the basic plot is the same, a kindhearted, nebbishy, teacher transforms himself into the ultimate masculine man, to attract the attention of the beautiful woman he has a crush on. But the differences are interesting too, and not just the race of the characters. The original film is also a musical with a number of setpieces written by Walter Scharf, and performed by Jerry Lewis himself.

Jerry Lewis plays Julius Kelp, a nerdy, science teacher ,who has fallen in love with one of his students, Stella Purdy, who is played by the lovely Stella Stevens. To win her love he transforms himself with a potion, (ala Dr. Jekyll and Mr. Hyde) into an obnoxious character, named Buddy Love. Just as in the remake though, the potion doesn’t last, and his true self gets revealed for all to see.

From the opening scene, to the final act, the movie is filled with a lot of great physical comedy, but the highlight of the movie, at least for me, were the two musical performances by Lewis, and performed with maximum chill, called Old Black Magic, and my personal favorite, We’ve Got A World That Swings. But the movie is filled with some great little character moments, like the one below, where Dr. Kelp gets carried away by the song being performed by Les Brown’s Band of Reknown. He is truly among the world’s worst dancers! The dialogue is smooth and funny, with  Kelp and Buddy as very distinct characters. The most popular moment, for most viewers, is the introduction of Buddy Love, but Stella also gets her due, and her man. She may not be the star of the film, but she is always treated with respect, by the writers, and the other characters.

 

 

The Nutty Professor (1996)

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The best comedies don’t just make you laugh while watching them, they make  you laugh while  thinking about them later. The 1996 Nutty Professor is a remake of the 1963 version of the Jerry Lewis film, only instead of a nerd scientist, made cool by chemistry, you get an obese man, turned into Eddie Murphy, at his most obnoxious, through the use of chemicals. The remake makes more evident, what the original only sort of played around with, that Buddy Love is a horrible person, who is not meant to be admired. This is done by contrasting him against Sherman’s sweet and gentle nature, as they both pursue a  romance with the beautiful Miss Purdy, played by Jada Pinkett.

I think most people who love this movie will agree, that the dining scene, which  happens somewhere in the middle of this movie and illustrates both the love and   shame that Sherman feels about his over sized family, is without a doubt, one of the funniest scenes ever. Eddie Murphy plays four different characters who all interact with one another, but its his Grandma who gets all the best lines, that people are still repeating to each other, over twenty years later. Even my mother loves this movie, and is just the right age, (apporaching 70), to get away with telling someone, “C’mon Cletus!”, while shaking  her cane at people, and have that shit be funny as hell!

 

 

The Blues Brothers

Here’s another comedy that’s also a musical. I was a big fan of John Belushi, mostly for his SNL parodies of Toshiro Mifune’s character from Seven Samurai, called Samurai Delicatessen, Samurai Stockbroker, Samurai TV Repairman, Samurai Night Fever, and Samurai Hotel, bearing in mind that, at that age, I had never seen Seven Samurai.

I was not a huge fan of Dan Ackroyd, but I was willing to tolerate him, for the sake of John, and in a delightful surprise, Aretha Franklin, performing Think, and Ray Charles, performing, Shake A Tail-feather. The movie has never struck me as especially deep. It doesn’t seem like its trying to make a point, and its not really all that laugh out loud funny, but what it is, is  pure, goofy fun because Jake and Elwood are the best possible brothers.
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Evil Dead II

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I remember watching the first movie a little while before I went to see this sequel. I remember I was not particularly impressed with the first film. I remember seeing this one at a theater downtown on a double bill with Robocop. I do remember those as some very enjoyable hours.

In hindsight, I cannot imagine why I was against seeing Raising Arizona, when I was in college, because that movie has some of the same ridiculous type of humor as this one, and I thought, (heck, I still do), that this is one of the funniest horror movies I’ve ever seen.

Have you ever watched anything so over the top, ridiculously stupid, that you have no choice but to laugh at it? That pretty much describes this entire film, from the image of a rotting corpse, dancing with its own severed head,  to a demon possessed hand, that’s trying to kill its owner, Sam Raimi just gave full vent  to his silliness, for which I will always respect that man. The movie cemented my love for Bruce Campbell, whose career I’ve been following ever since.

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Kung Fu Hustle

I wrote about my love for Kung Fu Hustle here:

https://tvgeekingout.wordpress.com/2016/03/12/geeking-out-about-kung-fu-hustle/

This is another one of those movies, that is just so over the top ridiculous, that its hard not to like it. I love both Looney Toons, and martial arts films, and this movie is the perfect mashup.

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Honorable Mentions:

Blazing Saddles – This is the scene, that caught me, right here:

 

The Birdcage – One of the thee funniest movies Robin Williams ever made, and what’s so hilarious about that is, he was the straight man in this duo, while Nathan Lane got all the best lines:

 

 

A Bug’s Life – I love the bloopers and outtakes scenes at the ends of the early Pixar movies. The creators didn’t have to do that, and I love that the writers went a little out of their way. But my favorite line in the entire film is in the bar scene: “Waiter, I’m in my soup!” 

 

 

What We Do In the Shadows – Who hasn’t Wanted to finish some “dark bidding” on Ebay?

 

 

Beetlejuice – The Wedding Scene

Viewing List – November Edition

These are the reviews from things I watched in October and November. I will try to make these as short as possible, but y’all know I’m good at blabbing about TV shows, so wish me luck with that.

 

Dolemite is My Name

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I was kinda excited about seeing this, nevertheless i was surprised by how much I liked this movie, and I can think of no better actor to play Rudy Ray Moore than Eddie Murphy, a comedian I have  always had tremendous respect for, and who really doesn’t get enough credit for all the work he’s done, in the past 30 years.

Now, I have to give a little bit of background here. I grew up in the time period in which this movie is set. I would have been 2 maybe three years old at the beginning of the movie, but I have very distinct memories of grownups being really excited about Moore, and Yes, I did encounter a couple of those racy album covers in my mom’s collection, but I don’t think she knows I remember she was a Rudy Ray Moore fan.

I have a very clear memory of mom, and her then boyfriend, taking us to the Drive-in to watch The Human Tornado, which came out in 1975, and was a sequel to Dolemite.  I would have been five, and my brothers would have been 3 and 4. She would have had the assurance that, since we were babies, we would all be asleep by the opening credits. I don’t think she knows I was wide awake No, I wasn’t scarred for life or anything, but I definitely  remember parts of  the movie, and even some  it’s theme song. I know this is a genuine memory because I have never seen the movie as an adult.

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Anyway, all this to say that this definitely brought back some memories. There are some things about Black culture that only Black people know. I’m gonna let y’all in on a little secret.

Black people have our own stories, which seem to parallel stories from other cultures. Most of them you’ve probably never heard of,  unless you grew up in the culture, or have parents of a certain age, like my Mom. My mom used to tell us stories about the Signifyin’ Monkey, the lion, and the elephant, (only without all the cursing, and never the whole story, since its fairly raunchy.) Probably not the sort of things one would tell one’s kids today, but things were different back, then, and my Mom was kinda weird. It has a pretty long history, too. If you have ever  read American Gods, Anansi tells a story that is directly based on the folklore tale , titled How the Monkey Got the Tiger’s Balls:

Numerous songs and narratives concern the signifying monkey and his interactions with his friends, the Lion and the Elephant. In general, the stories depict the signifying monkey insulting the Lion, but claiming that he is only repeating the Elephant’s words. The Lion then confronts the Elephant, who physically assaults the Lion. The Lion later realizes that the Monkey has been signifyin(g) and has duped him and returns angrily to castrate the monkey, rendering him unable to reproduce.[3]

https://en.wikipedia.org/wiki/Signifying_monkey

http://mogley.tripod.com/monkey.html  

The Signifyin’ Monkey is part of the Dolemite theme song. Since this is a Rudy Ray Moore biopic, there’s a lot of cursin’, and some mild nudity. Its not half as raunchy as the actual Moore, but I think he’d be satisfied with what was shown in this movie.

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I also enjoyed it outside of the nostalgia factor. There’s a scene, in the early part of the movie, where Rudy encounters a plus size woman whom he recruits into his comedy troupe. This woman later  became known as  Queen Bee, who was every bit as raunchy in her style of comedy as Rudy. The story is arranged in such a way that you’re meant to cheer Rudy as a driven, hard working man, who triumphs against the small minds of others. Needless to say, most comedians probably couldn’t get away with most of the comedy routines, in this movie. The seventies featured a lot of new culture, that we take for granted now, and one of those things was raunchy Black comedians.

There were plenty of Black comedians before Rudy, who said some fairly racy stuff, but they mostly worked what was known then as The Chitlin’ Circuit, which were a collection of venues where only only Blacks could perform, since they still, even in the seventies,  considered too raunchy to play in the mainstream (i.e. White ) circuits. Rudy was one of the first of these type of comedians to go (sort of) mainstream, in that even White people heard about him, although he still would never have been invited on The Johnny Carson Show. So, the movie is one of those low key inspirational films, about overcoming racism in Hollywood. The first half of the movie is very caught up in people telling Rudy “no” , telling him what he can’t do, or making fun of him for wanting certain things, and Rudy going off to do those things anyway.

I have since learned that Eddie Murphy has received a Golden Globe nomination for this role. but I don’t think he will win. He does some great work here, but its not the best work he’s done, and really, I thought it was a walk in the park for him. He can play this type of role in his sleep. But I did enjoy watching him, because his charm makes the occasionally cringey plot, very watchable.

 

The Mandolorian

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I am loving The Mandolorian, and not just for the Baby Yoda scenes. (No, that isn’t actually Yoda, but some distant descendant, since this series is set after Return of the Jedi.) This series is full of some of the classic themes we expect from Star Wars. George Lucas has said the original Star Wars was based on the works of Japanese film Director Akira Kurosawa, most specifically, Seven Smaurai, and you can see some of the influence here.

In fact the series heavily reminds me of the Japanese Manga called Lone Wolf and Cub, in which an itinerant samurai, a ronin, wanders the Japanese landscape, with his tiny son, searching for vengeance, and  getting into various adventures. The only differences between that, and The Mandolorian, is the son doesn’t have force powers, isn’t on anybody’s wanted list, and isn’t half as cute as Baby Yoda. The show takes care to focus on the relationship between Mando and Baby Yoda, too. There are a lot of really cute moments between them, and the public seem to have really taken a shine to the little guy, much the same as his adoptive Dad.

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Its also a classic story about a character’s personal growth.  Mando starts out as a bounty hunter, who is just there for the work, so he can buy some new armor, but makes the decision to take the baby and run, rather than deliver him/her to his clients. There are larger mysteries which haven’t been answered yet, like who exactly is the Mandolorian, why does everyone want the baby, and where did this baby come from.

The production values, the costumes, acting, and special effects, are all top notch. It really does have the look and  feel of one of the movies, which makes it very easy to watch, although this luxury comes at the expense of the episode running times, which never get beyond 45 minutes. I can live with that, especially since the action scenes are the highlight of the series. In one of the earlier episodes, there is a full on fight between a team of Mandolorians and the various ne’er do wells, and criminals, on the planet on which they’ve all been hiding out. When CG is used, its mostly for the creatures, and action scenes, and is largely invisible, as its supposed to be.

 

 

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War of the Worlds – BBC Version

 

There have been umpteen different versions of this show. A book, a radio program that, as it is rumored, gave some people the shits back in the thirties, as they thought it was real, several movies from the fifties to the nineties, one of which starred Tom Cruise, another TV show, and now this.

Its a three part miniseries from the BBC, and so far I’m really liking it. Its got some nice production values. You can see where the money went in this one. The special effects are well done, and not that usual cheap TV stuff you sometimes get in big idea shows, and the show, quite frankly, looks gorgeous. The acting is acceptable,  although the only actor I truly recognize is Robert Carlisle.

And this show is not fucking around with its theme. H.G.Wells wrote the novel as a reaction to the British annexation of the Congo, and the atrocities that were being committed during the colonization of India. He wrote a book about the violent colonization of England by a superior technological force, as a condemnation of the British Empire’s activities, and the show makes this connection loud and clear, right in the opening credits. In the first fifteen minutes of the show, you hear characters having conversations about the might of the British Empire, and how wonderful it is to live in such a powerful country. By the end of the first episode though, the Martians have shut that talk down.

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There’s also some melodrama involving the two stars of the show, Rafe Spall, the brother of Timothy Spall, as a fellow named George, and Eleanor Tomlinson as his paramour, Amy. The two  are madly in love, but cannot be together, because George’s  wife refuses to divorce him, She hates him, and wants to remain married to him just to spite him. The family is scandalized, his older brother,  is outraged, and the  the rest of the community don’t know how to think of this thing, where the two of them are living together, unmarried. Plus Amy is pregnant.

I was not initially interested in the melodramatic aspect of the show, but the show does this thing, where it flashes back and forth to the future, after the alien invasion has been conquered, but the Earth is a literal hot mess, because the aliens weren’t just there to invade, they were terrraforming. Amy is wandering through the red deserts of what used to be England, with her young son. She has been separated from George for a long time, but still holds out hope of finding him. I didn’t care, at first, but I decided that I liked the characters. At least, I liked Amy, and that seems to be enough for me to start to care the rest of it.

The show opens with her and George witnessing the launch of the ships from Mars. Its a little different from the movies, because the ships look like meteors as they land, and that’s hat people think they are. They look like black globes that float off the ground, and are capable of setting people on fire from a distance. The tripods break out of the ground after the globes explode, and start their rampage, although the tripods aren’t so much interested in annihilating people, as they seem to be in seeding the planet with various gasses and chemicals. Like I said, this is not an invasion, exactly. They are transforming Earth into another version of Mars, and if you look at the flash forwards, their mission seems successful.

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I did have some criticism about characters doing stupid things, but this is only because this is one of those situations where the audience knows more about what’s going to happen than the characters do, so there were a lot of instances where people are standing around looking at things, while I yell things like ,” Get the fuck out of there!!!!’, and, “Run!” There are  various government officials who act like the mayor from Jaws, and simply bluster uselessly at the reports they’re getting from other parts of the country, about the annihilation of entire towns, even though the city is filling up with refugees from those areas. The British are so full of themselves about the initial events, that I have to admit, it was a bit satisfying watching them get their asses handed to them by the Martians, which point the show is trying to make. Basically, the show is saying that the British “ain’t all that!”

There are lots of closeups of boiling ant colonies, along with images of English people living their best lives, not unlike the ants, walking the streets of their mighty London, and looking quite busy, and the tripods themselves look very insect like, such that there is a connection being made between the idea of  invasive species, and the colonizing aliens, and that what is being done to England by the Martians, England is currently  doing to other countries, and been quite proud of themselves for it. We know the English are proud of their activities, but we don’t get any idea how the aliens feel, though. There are scenes where people touch the black globes that have dropped to Earth, and see smeary lingering images of their hands and faces, in the glossy sheen of the alien device, in a very,  “We have met the alien, and they is us.” type moment. So yeah, the show ain’t being  coy regarding its critique of British empiricism.

The setting for the various iterations is England, at the height of the British Empire, when it was engaged in the violent colonization of different countries. The English were largely brought low after WW2, (look up London Blitz), so its interesting that the first American version showed up in the fifties, (1953), when America, having won some victories during the war, (and starting to feel itself to be the shit) began engaging in its own world dominance behavior. (Before the War, America pursued an isolationist stance.) The 1953 version, (and subsequent invasion movies, like Strange Invaders, and Independence Day), were not about the humbling of America, so much as they were  America conquering some  great enemy, against all odds.. The 2005 version is a response to 9/11, where its made clear that the alien invasion is a stand-in for the terrorists, and America doesn’t triumph, so much as get lucky.

Not all alien invasion movies are violent. Some of them are enlightening, like 2001, and/or  hopeful, like Close Encounters of the Third Kind. This series is in the truest spirit of the book, however, which was a rebuke to British hubris.

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* https://www.post-gazette.com/ae/movies/2012/06/13/Behind-the-fiction-lie-factual-themes-in-alien-movies/stories/201206130200

Once they were analogies of the Cold War or Vietnam. Sometimes the underlying theme is corporate greed, environmental destruction or fears of technology supplanting humans. The movies feed on public fear of enemies from abroad, which in today’s world, he said, could even include mortgage bankers.

SCP: Special Containment Procedures

 Hi! Welcome to my new obsession!

The shared world of SCP has been around for about ten years now, but I’m just now hearing about it, and I’m kinda mad about that. SCP is a shared world anthology series, not unlike Wikipedia, about an organization somewhat like the Men in Black, that does all of the above for paranormal events, people, places, monsters, objects, and any other things that may potentially harm humanity, are just plain weird, or anomalous.

SCP is old enough  that you can spend weeks reading about the different events, protocols, and monsters of this universe, some of which are truly terrifying, some of which are deeply funny, and some of which are just cute. Anyone can contribute (once you’ve done your research) usually in the form of stories about the organization’s encounters with the weird, dangerous, and/or paranormal. Strictly speaking, there isn’t any canon, and writers are free to reference other characters, events, and  monsters in their own works. Some of these works take the form of personal narratives, fictional stories, biographies, and internal memos of the various anomolies.

For those of you have a little trouble with the written word, there is a huge trough of videos about SCP on YouTube, some of which are audio versions  of  the more famous and popular encounters, some are examinations of various creatures, and artifacts, and explorations of events and places.

For a quick rundown of the past ten years, including stories about experiments, first encounters, and biographies of the hundreds of creatures, beings, places, artifacts, and events, you can visit the following Wiki:

SCP Foundation

 

What is the SCP Foundation?

Most of the things featured, in this shared world, are about monsters, (and y’all know I love monsters), but there are also quite a number of benign objects, and a few downright cute ones, which are often classified not just according to their level of danger to humanity, but how much, or how little, procedure is involved in containing them.

I spent the entire weekend watching videos about the different creatures, places, and events of the SCP, from the funniest (a company that that will get a regular, plain, ol’ llama out to you immediately, no matter where in the world you are), to the most terrifying, ( a god-like creature, that is  set to destroy the world, after the breaking of seven chains, six of which have already broken), to the cutest, (a small orange blob that loves to be tickled, and might be the savior of humanity! ), to just the oddball, (a vending machine that can dispense almost any beverage that can be imagined, a shower curtain that kills you with your worst fear, and a company that specializes in selling dinosaur meat.)

 

There are a number of different  “object” classes, and the site is also used as a guide, for writers who wish to contribute to this shared world experience:

Safe

Safe-class SCPs are anomalies that are easily and safely contained. This is often due to the fact that the Foundation has researched the SCP well enough that containment does not require significant resources or that the anomalies require a specific and conscious activation or trigger. Classifying an SCP as Safe, however, does not mean that handling or activating it does not pose a threat.

For a complete list of Safe-class articles on the site, click here.

Euclid

Euclid-class SCPs are anomalies that require more resources to contain completely or where containment isn’t always reliable. Usually this is because the SCP is insufficiently understood or inherently unpredictable. Euclid is the Object Class with the greatest scope, and it’s usually a safe bet that an SCP will be this class if it doesn’t easily fall into any of the other standard Object Classes.

As a note, any SCP that’s autonomoussentient and/or sapient is generally classified as Euclid, due to the inherent unpredictability of an object that can act or think on its own.

For a complete list of Euclid-class articles on the site, click here.

Keter

Keter-class SCPs are anomalies that are exceedingly difficult to contain consistently or reliably, with containment procedures often being extensive and complex. The Foundation often can’t contain these SCPs well due to not having a solid understanding of the anomaly, or lacking the technology to properly contain or counter it. A Keter SCP does not mean the SCP is dangerous, just that it is simply very difficult or costly to contain.

For a complete list of Keter-class articles on the site, click here.

Thaumiel

Thaumiel-class SCPs are anomalies that the Foundation specifically uses to contain other SCPs. Even the mere existence of Thaumiel-class objects is classified at the highest levels of the Foundation and their locations, functions, and current status are known to few Foundation personnel outside of the O5 Council.

 

Most of the contained creatures and artifacts do not have names, only numbers, but same have both. Some of the more famous SCPs are The Shy Guy, The Flesh That Hates, and The Blood Pool, which are some of the more horrific “things” the organization keeps a watch over.

 

The  top five most terrifying SCP encounters:

 

There are also a number of security clearance levels with D and E being the lowest.

Class D personnel are expendable personnel used to handle extremely hazardous anomalies and are not allowed to come into contact with Class A or Class B personnel. Class D personnel are typically drawn worldwide from the ranks of prison inmates convicted of violent crimes, especially those on death row. In times of duress, Protocol 12 may be enacted, which allows recruitment from other sources — such as political prisoners, refugee populations, and other civilian sources — that can be transferred into Foundation custody under plausibly deniable circumstances. Class D personnel are to be given regular mandatory psychiatric evaluations and are to be administered an amnestic of at least Class B strength or terminated at the end of the month at the discretion of on-site security or medical staff. In the event of a catastrophic site event, Class D personnel are to be terminated immediately except as deemed necessary by on-site security personnel.

 

There are a few channels on YouTube that explore and chronicle these creatures and events. For those of you who are not interested in being scared, there’s something here for you too, as there are a number of deeply funny SCPs out there. There are several different classes of SCP. The less strange and horrible ones are  classified as SAFE. If you’re not a fan of horror, try to steer clear of anything labeled Keter, or Euclid.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

New Movie Trailers (November 2019)

 

Birds of Prey 

Well, I like the trailer for this, but then again I liked the trailer for Suicide Squad, and everyone hated that movie, (while I happen to like Suicide Squad, one of only five human beings to ever make such an outrageous claim). I have developed an appreciation for Margot Robbie, one of only a very small handful of White actresses whose work I actually seek out, and whose career I’m following. I really liked her in I, Tonya, and Mary Queen of Scots.

 

 

Call of the Wild

I read this book a lot when I was a teenager, and can probably credit it for sparking my strange fascination with the Arctic. I also think it was because I just loved dogs, and always imagined Buck  as my dog. I will not go see this in the theater, but I hope it does well, so that Hollywood will get the idea that classic stories, done well, can still do well at the box office.

 

 

Bloodshot

I’m kind of fond of the books on which this movie is based because, for some reason, I’m fascinated with nanotechnology going bad. I blame Greg Bear’s Blood Music. I’m not sure about this movie’s lackluster plot, or the fact that it stars Vin diesel. I don’t hate Vin Diesel. I actually like the guy, but he’s not an especially good actor, and I don’t know if  I want to watch him try to emote for two hours. I really have to be in a certain mood for that kind of thing, since one only needs a little bit of Vin Diesel, at any given time.

On the other hand, the books are great, if you’re a fan of adventure science fiction books, which are really just thinly veiled cover stories of superhero novels.

 

 

 

Fantasy Island

I liked the TV show this is based on, which aired from 1977 to 1984,  and if you have not watched those, I’m sure they can be streamed somewhere. Its a sappy, and sometimes very cheesy show, which rarely got above a level three on the fright-o-meter, but I remember watching it a lot with my mom, who had a crush on Ricardo Montalban. This looks interesting, despite the fact that it heavily reminds me of that failed revival, that happened in the late 90’s.

 

 

 

 

Invisible Man

Yeah, I’m not gonna go see this. I think I’ve had enough Invisible Man horror movies to last a few lifetimes. I think invisibility is probably a fairly useless superpower anyway, since one can only really get up to mischief with it.

 

 

The Irishman

I plan to watch this. I don’t normally watch gangster movies, but it has an all star cast, and marks Scorcese’s first foray into made for TV movies. Despite what Scorcese said about superhero movies, and the fact that he seems ot have staked out this gangster drama genre, I still love his work, and I don’t have to pay extra to see it in a theater, which is cool. We’ll see how good it is.

 

 

 

 

 

 

 

 

 

 

 

 

New TV Trailers (November 2019)

Per my usual announcement, whenever I make these posts, some of these I’m excited for, and some a little less so, but I hope to be able to watch most of them.

 

Doctor Who Series Twelve (2020)

I really enjoyed having a lady Doctor, mostly because she heavily reminds me of a cross between David Tennant, and Peter Capaldi ,and I’m not sure if that’s on purpose. I could have done without a few of the episodes, in that the writing, and story, wasn’t the best on at least a couple of them, but there were at least a couple that stood out too, and since we have a new crop of writers this season, I’m looking forward to what they’re going to do. At least the trailer looks exciting.

 

 

 

 

Antelbellum (2020)

No one knows anything about this show, movie, or whatever. I’m intrigued by the trailer though, and I really like Janelle Monae, so I’m going to check it out. Jordan Peele is one of the producers on this, so it should be an interesting story, even though I generally try to avoid slave narratives, because I’m really, really, tired of them. However, if someone has a clever way of approaching it, I’m willing to give it a try..

 

 

Hunters (12.15)

This airs on Amazon Prime next month, and I’m looking forward to it. Its about a clandestine group of Nazi hunters, and its set in one of my favorite fashion decades, the seventies.

 

 

 

 

V Wars (12.5)

I don’t know what to think or feel about this show. I want to like it, but I’m not a fan of the lead character, and TV has messed up too many vampire shows for me to feel at all confident about this one. I have read some of the books this is based on, and I wonder how closely the show will follow them, which chronicles a breakout of vampirism in America, and it will destroy society, unless humanity wipes it out. I’m not a huge fan of the book series, either, mostly because I didn’t like the writing style. I want to like this though, and I’m going to give it a try.

 

 

 

Lincoln (1.10.20)

For some reason, I was really excited about seeing this. I do not normally seek out cop and detective shows, but I like the books this character is based on, and I liked the movie, which starred Denzel Washington. Some things I’m just not attracted to but if it has an interesting twist, has a diverse cast, or an actor I’m especially fond of, I’ll at least try it.

 

 

 

 

The Outsider (1.12.20)

This is another show based on a Stephen King novel, called The Outsider. I liked the book okay, although I don’t think it’s one King’s best. It did keep me intrigued, though. If you haven’t read the book, I’m not going to give away one of the plot details, on which the initial mystery is based,  which is classic  King, however. Also, if you are a fan of Holly, from the Finders Keepers series, she is one of the major characters in the book, which almost counts as a standalone adventure for her.

 

 

 

The Neighbor (12.31)

Okay, this looks and sounds almost exactly like the plot of the 80s show, Greatest American Hero, which starred William Katt, in which an alien crashes to Earth, and gives  special artifact to some nobody who happened to be close to the crash, which gives him superpowers, which he then has to navigate without any instructions. I’m not especially excited about it, but the trailer looks really cute, and its on Netflix, so it will be easy to check it out.

 

 

 

A Christmas Carol (12.19)

Every couple of years someone has to make a new version of Dicken’s classic Christmas story, and quite frankly, even  I’m not immune to a sappy, holiday story about the redemption of an asshole. I used to read this book every year, and I’ve missed a few, so its probably time to break it out of the mothballs in my closet, and read it again.