Coming Soon!

I don’t know when I’ll ever feel safe sitting in any enclosed space ever again. If I do, I definitely will not be inviting my mother with me as she is severely immuno-compromised. Technically, so am I, but beyond that, I wouldn’t want to bring anything back home to her. In all likelihood, Dune and Tenet may be movies I’ll have to admire from afar. I hope not because I’m really excited to see them in a theater. If there’s a way t do so safely, while observing social distancing rules…

 

 

Tenet

This is the only movie that would possibly get my ass into a theater seat (which is never gonna happen, btw.) Nevertheless, I am very excited for this. I’m a huge fan of Christopher Nolan’s work anyway, so that was gonna happen. This is the second trailer for the movie, which is aiming for a Fall release. This trailer strongly implies that its about superpowers and time travel.

 

 

 

The Old Guard

I always enjoy watching Charlize Theron kicking ass, and I like the idea of this young black female apprentice, to a kind of immortal being. I’m always for black female characters being shown as beloved, and delicate, flowers in need of being saved, we first need to get our feet in the door, and one way to do that is playing to our strengths in action films.

So far, the Hollywood idea of a strong black woman is measuring how much pain and anguish we can endure, how much abuse we can take and still keep ticking. We need to begin showcasing other versions of black women’s strength. Fortunately we are getting movies and shows like this.

I am told this is based on a comic book, and though I like the authors of the book, I don’t think I’ve ever heard of it before, so I’m going to be looking out for it. The Old Guard airs on Netflix in mid-June.

 

 

 

Da Five Bloods

I always say I’m not into certain types of movies. What I actually mean is I’m not normally attracted to such films, not that I don’t watch them, or have never seen, or liked them. Like War movies. I do have a couple of favorites, (Apocalypse Now, Full Metal Jacket), but most of them I dislike for their reliance on spectacle with no message beyond glorifying life in the military.

I will watch this one because I like the director, the actors, (Delroy Lindo, who I’ve been in love with since Romeo Must Die), and because it’s basic premise, of a close group of Black men returning to Vietnam, so they can find the body of their commanding officer, just sounds appealing to me. I like remembrance stories, or more accurately, anti-nostalgia stories, and there aren’t a whole bunch of war movies which prominently feature men of color, telling what it was like for them.

This is also airing on Netflix in mid-June.

 

 

Gundala

Here’s a superhero story, I’m moderately excited about, set in Southeast Asia, which I’m going to check out soon. I saw the trailer for this months ago, but only recently got the opportunity to see it. This very much reminds me of the Black Lightning TV series, because it’s basic premise, a man of color, with electricity powers , who trains himself to protect his little piece of the world from corrupt government forces, is appealing to me.

 

 

Code 8

This is another one of those gritty superhero stories that sort of chronicle what life would be like if superpowers existed. I kind of like these downbeat superhero movies like Unbreakable, Chronicle, and yes, I include the Carrie movies. I am, however, not always in the mood for such downbeat material, so whether or not I see this ,depends entirely on how I feel that day. I may decide to watch another John Mulaney stand up instead.

 

This one is based on a short film, I saw last year, with the same name. I didn’t care for the Short that much, but the actual movie looks a little better.

 

 

Dune 2020

I’ve been a Dune fan since I was a teenager, and used to the read the first book in the series about every couple of years. It’s one of my few favorite SciFi stories. Yes, I did see the 1984 movie starring Sting. It’s okay, and I really liked it, but it’s not my favorite, and I’m going to pretend the TV version doesn’t exist.

Next year we’re supposed to be getting a remake of this movie by one of my favorite SciFi directors, Denis Villaneuve. I’ve enjoyed quite a few of his movies, including the Bladerunner sequel, so I’m really looking forward to seeing this, as this too is one of the few films that would actually get me into a theater.

The director has been sending out pictures of the cast and crew, and whooo yeah, I’m definitely excited for this version, which looks a lot more like I imagined it from the book. I hope it does well, but I still think y’all should be prepared for a lot of hate because there are PoC working in this movie, and y’all know how white fandom behaves when they think an entertainment product is the exclusive province of white people. There’s also the fact that it is a very loved book. I do plan to stay away from any Youtube videos talking about this movie because already there are a wave of people who are ready to ream it a new asshole before the movie has even been released.

That said, there have been some changes that some people will lose their shit over, and one of the bigger changes is that Liet Kynes is being portrayed by a Black actress. If you remember from the book, Liet is the father of Chani, but is not actually one of the Fremen, and Villaneuve says he changed the role because he wanted to portray a mother /daughter relationship, and the movie was getting very male-centric. Now, if you’ve read the book, you know what role Liet plays in the story and what happens to him ,but I’m still very excited to see what this actress is going to do, and how she will interact with the other characters. In the original film, Liet Kynes was played by Max von Sydow. Jason Momoa is playing Duncan Idaho, who is not one of my favorite characters from the book, but I’m looking forward to seeing what he does with this role.

Enjoy These Dune Images in Glorious HD, Especially Oscar Isaac ...
Oscar Isaac as Duke Leto Atreides
2248x2248 Sharon Duncan-Brewster as Liet Kynes 2248x2248 ...
Sharon Duncan Brewster as Liet-Kynes
Dune photos give fans their first look at Jason Momoa and Zendaya ...
Zendaya as Chani
Enjoy These Dune Images in Glorious HD, Especially Oscar Isaac ...
Josh Brolin as Gurney Halleck
timothee chalamet dune | Tumblr
Jason Momoa as Duncan Idaho
HEAT WAVE          Timothe Chalamet and Rebecca Ferguson in Jordan. Filming in the landscape was really surreal says...
Timothy Chalumet is Paul Atreides, and Rebecca Ferguson is Lady Jessica
pThe House Atreides Left to Right Timothe Chalamet as Paul Atreides Stephen Mckinley Henderson as Thufir Hawat Oscar...
 House Atreides
Behold Dune: An Exclusive Look at Timothée Chalamet, Zendaya ...
Javier Bardem as Stilgar

Favorite Songs About Vampires

I’m feeling a bit of Pop Culture nostalgia this week, so here, have some of the vampire songs that are always on MY playlist!

 

Gordon Walker - Super-wiki

Black Vampires Through the Years | Black vampire, Eddie murphy ...

 

Bite Me! Top 10 Hottest Black Vampires | Vibe

I was on Tumblr, and I noticed a trend of people recommending vampire songs that 1. I didn’t recognize, and 2. Were all by white people and groups, as if PoC had never had any interest in vampires, and never made any songs about them. I really hate lists of music on there anyway. I have pretty wide ranging tastes, but these lists always seem to have the most obscure musical groups these people can find. Why these people can’t ever seem to listen to just regular songs, that maybe more than five people have heard, is a mystery! At any rate, there was one list I found, I listened to a couple of the songs and I think that person just has bad taste in music, because they were fairly bland. I mean if you’re gonna go through the trouble of making music about vampires, the least you can do is be EXTRA, like all the artists on this list.

But I’m often exasperated by the rather “twee” musical tastes of Tumblr patrons, who can be somewhat limited in their musical tastes, and helluva lot younger than me. Vampires are a global mythology, in that nearly every continent has one, so I’m also pretty sure other parts of the world have songs about them, but I’m Black, and American, so this is my focus. Maybe, at some point, I’ll do some research to find songs from other countries.

 

 

Bela Lugosi’s Dead – Bauhaus ( The Hunger 1983)

Cinematic Black Women Vampires | 1970's-2000's | Black vampire ...

This is the classic Gothic vampire song, used in countless movies, and shows, that feature vampires. The first time I heard it was in the 1988 movie, The Hunger, which starred Catherine Deneuve, and David Bowie, as modern day vampires. If you haven’t seen that movie than check it out, as it’s an interesting snapshot of a very specific musical period (Goth) in the early 80s. The music, fashion, cinematography, and acting are all artifacts of that particular time, and the movie was groundbreaking, in that it was a mainstream movie, that featured an openly lesbian relationship, as Deneuve’s character puts the moves on Susan Sarandon.

Remember, that in 1983, this movie was the coolest shit we’d ever seen, because American culture hadn’t yet been saturated with Gothic imagery. In fact, I blame this movie for it!

 

 

Love Song For A Vampire – Annie Lennox (Bram Stoker’s Dracula 1992)

This is one of my favorite songs, and I believe it was specifically written for the movie, in which it was featured during the end credits. I was a huge Annie Lennox fan in the 80s, otherwise I’d probably have never paid any attention to it. It helps that Annie Lennox always looked suitably vampiric since the beginning of her career, which had been going for ten years strong, by the time she made this song. It fits the film perfectly, in that it has this deep throbbing heartbeat sound, just underneath the listeners perception, the instrumentation, and singing is lushly romantic and overdone, just like the movie, and still gives me chills so many years later.

You really need to hear this with headphones to get the full effect.

 

 

Moon Over Bourbon Street – Sting (Interview With The Vampire 1994)

This song was also written in the late 80s by the newly solo lead of the British rock band, The Police. Sting wrote this after reading Anne Rice’s Interview with the Vampire, so I was expecting this song to be in the movie that was made in the 90s, but no luck. It wasn’t in it. But this isn’t my favorite version of this song, I prefer the Wozniak Club version, which I liked to jam to in the car, on my way to work. Of course, this is exactly the type pf song that would be played in the vampire club!

 

 

No One Believes me – Kid Cudi (Fright Night 2011)

https://encyclopedia2.thefreedictionary.com/African+American+Vampires

Vampires have made only infrequent appearances in African American folklore, and, similarly, African Americans have been largely absent from vampire movies and novels through the twentieth century. 

When people recommend vampire songs, everyone seems to forget that Black artists make songs about vampires, too! I came across quite a few of them when researching this. This was the feature song for the Fright Night remake made a few years ago. The remake was not especially successful, and didn’t feature this song anywhere in it, which may account for why so few people know about it, but this video was, and remains, one of my absolute favorites.

 

 

After Dark – Tito and the Tarantulas (From Dusk Til Dawn 1996)

This is the song that plays when Satanica Pandemonium does her dance, for the two brothers, at the Titty Twister bar, featured in the movie. It’s not my favorite, but I like Tito and the Tarantulas other songs, and just want to recognize that Mexican people got vampire songs.

 

 

Seduction/Surrender – Grace Jones (Vamp 1987)

Images of THE VAMPIRE BITE | Vampire bites, Vampire pictures ...

 

 

For some reason, all vampire movies must have a Club scene. We got vampires walking up in there, vampires owning clubs, dancing in clubs, hunting for a meal in the club, or all of the above. In 1987, Grace Jones owned, danced, and hunted, in the Club featured in this nearly forgotten movie. This song was specifically adapted for her strip scene.

The Hunger opens with a club scene, Interview with a Vampire has a club with actors, From Dusk til Dawn is set in a bar, Near Dark gets a bar scene, so do both Fright Nights, Bram Stoker’s Dracula, most TV shows feature clubs owned by vampires, and yes, the Blade movies have nearly famous club scenes!

 

 

Fatal – RZA (Blade 3)

20 Years Later and 'Blade' is Still Singular and Relevant | Black ...

 

As far as I’m concerned, despite the groundbreaking first film, it’s the second film, directed by Guillermo Del Toro, that’s the best of the Blade movies. This is Blade’s song, from the third, thoroughly awful, film. The song is every bit as badass as he is, and featured in the end credits, and it’s by the f*cking RZA, from Wu Tang! C’mon! How does anybody miss listing this song in any recommendations of vampire songs? On the other hand, the third film sucked, so that might have been the reason people simpy don’t remember that the RZA made a vampire song.

 

 

 

 

Cry Little Sister –  Gerard McMahon (The Lost Boys 1987)

The Lost Boys' Cast: Where Are They Now? - Biography

I’m putting this here because this is my favorite song from this movie. If you haven’t heard the soundtrack, it still holds up after some thirty years, and has a lot of great songs, including the title song.

 

 

System – Linkin Park (Queen of the Damned 2002)

Descendants of Sophia | Queen of the damned, Vampire queen ...

This is the song from the movie, where Alaska walks up in the club, and literally sets the roof on fire.

 

 

Confusion Dance Theme Remix –  New Order (Blade 1998)

This is the song from the film’s iconic opening scene, called the Blood Rave, where we’re introduced to the Blade character, and what he does for a living: killing vampires! This is very probably one of the most famous intros in vampire filmdom (is that a word?) The song itself doesn’t actually have anything to do with vampires, but every time I listen to it, this scene is what plays in my head.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Teeny Tiny Reviews From April

Here’s a incomplete list of movies and shows  I watched in April. For the most part, I liked all of these. I can tell I liked them because I finished watching them. I’m one of those people that feels absolutely no obligation, whatsoever, to finish consuming something I can’t stand. That’s a “young person whose got a lot more years ahead of them” type of thing! I’m also not one of those people who think you can’t have an opinion on something you didn’t finish. I mean, I won’t finish a cup of sour milk, but I can still know I didn’t like it. I feel like it’s the same for books, movies, and shows. I mean, you ain’t got to suffer your way through some shit, to know you’re wading through a pile of shit. You know what you like.

I have been watching tv shows, but most of it’s stuff that already aired, since there’s no new stuff being released right about now.

 

Unnamed Korean Drama

(Close-Knit 2017)

You may notice a trend of Korean, Japanese, and Chinese movies. Yeah, I’ve been watching a lot of those since I can now access Japanese Netflix, thanx to my IPVanish app.

Wel, this one didn’t have the  title in English, so I had to research it. A lot of the shows don’t have English titles, or translations, but I’m really used to figuring out what’s happening in Asian movies, after decades of watching this kind of thing. This one did have translations in English though, so I didn’t have to figure it out too much, otherwise I would have been deeply, and I mean, deeply, confused about this movie.

This is about a little girl who goes to live with her uncle, and his common law wife, after her mother temporarily deserts her. She is often bullied at school, but there’s a little boy, often bullied himself, who keeps trying to reach out to be her friend. Her uncle lives with his transgender girlfriend, and after some initial confusion, she and the little girl start to bond, to the point where the girlfriend considers suing the mother for custody. This movie is the game Japanese director’s attempt to tackle a controversial lgbtq issue in Japan, so it’s a little heavy handed in some places, frustrating in others, and sometimes, it’s just vague, but I’m a sucker for found family stories.

It’s a beautiful story, though,  and I really liked it. The little girl is unwilling to get close to people because she keeps experiencing the instability of being abandoned by her mother, every time her mom gets a new boyfriend. She is also reluctant to get close to her uncles gf, but it isn’t until the two of them bond over knitting, and the gf’s transgender status (she is pre-op) that the girl allows herself to open up to the little boy who’s trying to be her friend. Unfortunately, her friendship with him doesn’t work out, because his mother is deeply transphobic, and makes the girls living arrangements her personal business, to the misfortune of this lovely found  family.

Without the translation, the most confusing part of the movie, are the knitting scenes. We get a backstory on the gf, from when she came out to her mother. Her mother, while initially confused, became deeply supportive of her daughter, going so far as to knit her a pair of tiny breasts. I mention that she is pre-op, because part of the plot is that the gf spends a lot of time knitting penises. When she finishes making exactly 108 of them, she will burn them in effigy, and that will be when she is ready to have her bottom surgery.

She teaches the little girl to knit by making these penises, and that’s how the two of them bond. At one point the gf allows the little girl to squeeze her breasts, because of her intense curiosity about her gender status. She becomes less confused, but the girlfriend’s breasts are still a focal point of their relationship, because the little girl begins associating them with the warmth, comfort, and motherhood she wasn’t getting from her own mother, especially since the gf is the one who cuddles her against those same breasts, when she gets afraid in the middle of the night. The girlfriend becomes a figure of maternal love and stability for her, but even though they have chosen each other, they cannot be together, as mother and daughter, because society will not allow it.

I though this was a beautiful little story, not too emotionally taxing, with an open ending, that was somewhat bittersweet.

 

 

Birds of Prey: The Fantabulous Life of Harley Quinn (2020)

I had so much fun watching this movie. Sometimes you really can tell the difference between a movie directed by a man, and one directed by a woman, and that seems to be the case with this movie. The story itself isn’t all that different from what would appear in a film made by a man, but it is definitely a comedy, and the emphasis is on different parts of the story, over others, and the story beats, and pacing, are different, and the tiny details can mean a lot to a female audience. Still, you can sort of tell a woman did this movie, because it feels like most of the kinds of art made by women, in which the relationships between the characters are what’s  of primary importance, and that’s what’s going on in this film.

You’ll hear from a lot of male critics that the movie was bad, but really it’s that the movie is simply made with a different audience in mind, and so there’s an emphasis on different things in the movie, the kinds of things that might not appeal to male viewers. Since personal relationships are of deep importance to women in the real world, movies that emphasize that can be greatly appealing to a female audience, and we don’t consider such movies to be a failure. As women, we may be looking at the film through a different lens.

Another appeal for women is how the women interact, and I think that was this movie’s greatest appeal. The women in the movie aren’t at loggerheads just to have drama. They’re at odds with each other for real reasons, based on the plot, and they’re brought together through the plot, and learn to get along to survive the plot. The biggest problem I had was that the movie isn’t pretty. I’m not used to comic book movies looking like this, expecting a much more anti-septic, and polished, look. It looks kind of dirty and grungy, and the cinematography looks really different than a Christopher Nolan film, or anything in the MCU. Harley definitely lives in Gotham’s armpit, as do all these characters, and it shows.

Funnily enough, my favorite character turned out not to be Dinah Lance, but The Huntress. She was such an delightfully odd character, and showed some aspects of Spectrum behavior, although her uncertainty about her social skills might have had something to do with either her unconventional upbringing, or that she’s a loner, who has never had any friends. I liked Harley, but Huntress turned out to be an unexpected fave.

I really enjoyed this movie, though. It’s the complete opposite of everything in the movie Joker, so if you are any of the many women who hated that movie, then try this one, because it’s a helluva lot more fun. It’s hilarious to point at both these films and even say they are about comic book characters, let alone set in the same DC universe. The story arrangement is a little different than I’m used to, since it’s told from Harley’s point of view. There’s a lot of pausing, and back and forthing, and a couple of side issues, because Harley is a somewhat disjointed storyteller, who is mildly unreliable as a narrator, but she is zany and energetic, and a likable anti-hero, and we can see the faint seeds of the real hero she will eventually become. The movie isn’t deep, but it’s a helluva lot of fun, and I want to talk about it later in more depth, because there are a lot of fun and interesting things to be said about it.

 

 

Joker (2019)

Despite all the controversy surrounding this film, I genuinely liked this movie, as an interesting piece of filmmaking. It’s true, that it’s not an especially deep film, but that isn’t always required to like a film, and so I let that pass. I also didn’t care much for its message about yet another white guy feeling disgruntled about his life, and going on a killing spree. There are far, far, too many of these types of shows, and movies, in pop culture, and this is another one that presents the same theme, and yet, asks no questions about it.

On the other hand, it is a gorgeous looking movie, although I did think it was much too derivative of Martin Scorcese’s early works, Taxi Driver, and King of Comedy. Joachin Phoenix turns in a splendid performance though, and there were moments where I was greatly moved by the pathos and beauty of his character, his acting, and the cinematography. I’m tired of this sort of plot,  but  the director did a superb job of evoking sympathy for this character. Was this an Oscar worthy film, I don’t know, but in my opinion, it was worth watching. And I will probably watch it again, at some point, for the acting, and aesthetics.

 

 

Memories (1995)

This is a 90s animated anthology, from the maker of Akira, Katsuhiro Otomo. It consists of three stories about technology gone wrong, and people’s interactions with it, but I’m only interested in the middles story in particular, Stink Bomb. I thought it was hilarious, and kind of sad. There’s a message in it, but I’m not quite sure what that message is. Nevertheless,I really enjoyed it.

The Big Stink is the middle story, about a down on his luck office worker, who gets infected with a kind of biological warfare gas, that kills anyone within a certain mile radius of him. He, of course, doesn’t know this. All he knows is that people keep dropping dead around him, as at first, he tries to make his way home, and then attempts to outrun whatever is killing the people in his vicinity. For some reason, I found  this part, deeply funny, although if you think about it too long, it’s pretty horrifying. The attempts by the police, and the military, just get more and more outrageous, as they escalate from guns, to tanks, and then to missile strikes, in an effort to stop him from reaching the city. The ending of this one was very satisfying, though.

 

 

Roujin Z

This is one of my favorite little known Katsuhiro Otomo movies. I love the premise of it, which just thoroughly tickles me. It’s got a good strong story, and like his segment in Memories, Stink Bomb, there’s a deeply hilarious idea gliding just underneath the surface story of a rogue robot destroying a large city.

This was the movie that made me think about the different attitudes towards AI between the East and the West, which I am really going to have to have a deeper discussion about. I think I mentioned before that Japanese culture doesn’t have the same type of fears about automata that the US does. If you go by the types of books we write, the movies we make, and the types of discussions we have surrounding technology, then Westerners have some kind of deep atavistic fear of dolls, and robots. We are forever making stories about rebellious, or angry, simulacra that want to destroy their makers, and I want to examine this further.

Roujin Z is about a newly invented, healthcare,  AI robot, that is given custody of an old man with dementia, who thinks the robot is his long dead wife. The robot, which is a kind of mobile care vehicle and bed, begins to take on the persona with which he treats it, and decides  to care for him in the way his wife would have. He expresses an interest in visiting the beach, which is several miles away, and the robot decides that’s a good idea, and sets out. This causes complete chaos, as officials try to stop the robot, without hurting the old man, and the robot knocks down anything and everything in her path, to accomplish her goal, like houses, street posts, and cars. It wasn’t built to be so powerful, but it was built to modify itself to the needs of its patients, and that’s where the problem lies. Remember, the officials have no idea why the robot bed has gone rogue, and keep speculating that it is abducting the old man (which it is, but with good intentions). This is the case of  an AI that isn’t actually malevolent, but as in a lot of Japanese films, creates havoc while doing its job too well, which is an attitude not often seen in American made movies of the same type.

 

Ajin

This is another one of those Manga movies I never read, but I enjoyed this live action version, about a private war between these two immortal mutants, one of whom wants to destroy humanity for experimenting on his kind, and the other trying to protect humanity from him. Or that’s what I got out of the plot, because I watched a version of this that had no English translation. It’s got a lot of the old ultra violence in it though, which I appreciated.

Since there were no subtitles, I didn’t catch any deeper themes in the movie, but I loved the special effects, where their bodies reconstituted after their deaths, and they produce these ghostlike creatures (which look like they’re made of ashes) which battle each other kind of like Pokémon, which was fun.

 

 

Monstrum

If you are a fan of the Kingdom series, and Train to Busan, than you should check this movie out, if you can find it. It’s very much in the same sort of vein as Kingdom, in that it’s an historical monster movie, with gorgeous costumes, clever swordplay, and elements of class warfare. Where Kingdom and it’s cinematic counterpart (Rampart) contain zombies, this one just has a random giant monster.

The movie it most reminded me of was Alien 3, actually, but with more likable characters, and a more streamlined plot.  The king receives some sort of dog like pet, which soon grows to tremendous size and becomes untrainable. The king keeps it locked up in his dungeon, where it’s gone more than a little feral, but some bright soul sets it  free, presumably to destroy their enemies, the creature goes on a rampage through the capitol, and must be stopped by a hero with a bad reputation. It’s not an especially deep film, but it was a really good, straight up, horror movie, with lots of suspense. If you liked Bong Joon Ho’s The Host, then you’ll like this one, too, which is like an historical version of that film. 

 

 

Tokyo Ghoul

This was another movie I watched without subtitles. What I got out of it was this young man who discovers he’s a creature called a ghoul, which feeds on human beings, and he spends most of the movie having tentacle battles with the other ghouls. There are a lot of tentacles in this movie. That’s mostly what I remember. That, and I thought the movie had some truly disgusting scenes, which were, well, mostly just disgusting. It wasn’t particularly scary, or even fun, but it was fascinating in a “The Thing”, kind of way.

There’s a sequel to this movie which I’m debating whether or not I should watch since I didn’t get much out of the first movie beyond “ewwww”.

 

Kipo and the WonderBeasts

I’ve also been watching a lot more stuff that’s fun, stress free, and animated. Kipo definitely fits those criteria. This cartoon was sooo much fun! All the characters, outside of the Wonderbeasts are PoC, one of which is gay, it’s funny, has a lot of adventure, is reasonably intelligent for kids. I’d also like to add just one more thing to make you watch this:

‘ Drum & Bass’ Bees

or Giant Disco Bees, as I like to refer to them.

The story takes place far into some Earthlike future, where most humans are living in underground cities. After a horrible incident, Kipo gets separated from her father, and the rest of her community, and stranded on the surface, where she has to make friends and allies, to help her find her way back underground. It’s also a found family story as we watch these very different characters, with different attitudes and agendas bond, and have adventures.

if like me, things are just too stressful to watch horror movies, or thrillers right now, then series and movies like Kipo are well worth the watch. 

Also Watched:

Penny Dreadful (New show)

What We Do in the Shadows (Second Season is off to a hilarious start.)

Brooklyn 99 Finale (This was a great season! Jake and Amy’s baby is born in the final episode. Holt’s arch-nemesis, Munch, dies. We get a Halloween Heist episode, and we get an episode focusing on Cheddar, and Kevin.)

Schitt’s Creek Final Season (This was such a great show. It’s deeply funny, really sweet, it has great characters and character arcs, and moments of real pathos. It had a beautiful finale, culminating in the wedding of one of the lead characters, to his husband, after two years. It’s not too emotionally taxing, and a lot of fun. One of the most underrated shows on Netflix.)

Let’s Go Waaay Back to the 80’s

Bosom Buddies

Image result for bosom buddies

Way back in the 80’s, this little gem starred Tom Hanks and Peter Scolari, and lasted for two years. I do have to admit, there is no way in hell you could get this on TV right now. In this environment, this show would be a massive mistake. But I loved the hell out of this show when I was about thirteen or so. There was just something about the goofy  humor of this show that just appealed to me, and Tom Hanks had incredible comedic timing.

The show is about two ad agency illustrators, working in New York city, who cannot afford an apartment together, so their friend Amy suggests they dress up like women to get in to the much more affordable all women’s apartment building that she lives in.They take on the personas of Buffy (Hanks) and Hildegard (Scolari), two sisters from some podunk town in the midwest.

A lot of the humor came out of the logistics of their double lives as men at work, and women in the evening, and navigating Buffy’s crush on his pretty blond neighbor down the hall. But it wasn’t all funny, sometimes the show liked to get serious by addressing the bigotry experienced by their glamorous Black neighbor, or discussing fatphobia, as Amy dealt with being a large sized woman, and along the way the guys got to know first hand what it was like to experience New York social life as women.

This show used to air on Hulu, but now the only place  can find it is on Amazon for pay. Its unlikely to experience a revival any time soon. We’ve grown in maturity, and awareness  since then, and you couldn’t do a show like this now  without making a lot of changes. This is another one of the many hundreds of shows and movies that has done the work of associating transgender women with the idea of deception, associating it with men in women’s clothing, and has helped to contribute to transphobia.

Another interesting note, is that in just about every single famous actors or comedian’s background, is a show or movie, which puts them either in drag, or has them play flamboyantly gay characters. These cross dressed characters, and flamboyant gays were ALWAYS meant to be laughed at. One of the other side effects of constantly having straight men mock lgbtq characters for laughs, is that real life lgbtq people simply didn’t get taken seriously as real people. The height of this show’s popularity was also the height of the AIDS crisis, which was ignored by the Federal government, because it was believed by them, that God was killing the correct people.

 

 

 

Knight Rider

Image result for knight rider

I never developed the great love for David Hasselhoff that Dean Winchester did from watching this show. I liked the show when I was a teenager, but I think I mostly just loved the car, and wished I had one just like it. In fact, they used to produce these as toys when I was a child, and when my brother got one as a gift, I appropriated it for myself (i.e., I stole it), to use for my Barbie dolls.

As far as I was concerned, K.I.T.T. was the star of the show, voiced by William Daniels, and quite frankly, I thought the car was smarter than uh…whoever that guy was driving it. A few years ago there was an episode of Supernatural that referenced Knight Rider by having Sam Winchester get turned into the classic car. Y’all don’t know how much that whole thing just made me giggle like a complete fool. Even the theme song is a classic. If you were a teen when the show aired, you know how hugely popular it was, even to the point of having copycat shows, that tried to have cool classic cars that solved problems.

 

 

Designing Women

Image result for designing women

 This was very probably one of the most progressive feminist shows on Tv, and one of the templates for feminist shows that came after it. A group of white women living together, with different sexual morals, and ethics, arguing about them, while working. The only drawback I had to shows like these were there were never any women of color, lesbians, or poor, or disabled women involved in them. This was First Wave Feminism, which meant it was almost exclusively about white working women. There was no intersectionalism at this point.

The two stand out characters were Julia, and Suzanne Sugarbaker, who were meant to be direct contrasts to one another, and Suzanne was every bit as regressive in her politics, as her cousin, Julia, was progressive in hers. Suzanne was open in her sexuality, but often treated everyone around her as if they were her personal servants, which gave Julia plenty of opportunities to give speeches, show disdain for her behavior, or teach her a lesson in how to be less judgmental. In fact, Julia’s, breathlessly, outraged performances, were often the highlight of an episode. A lot of the shows messages were pretty heavy handed, but it was the kind of stuff a teenage girl needed to hear.

Meshach Taylor also managed to get some good one liners and quips as a kind of business handyman, sort of like the character of Benson. He was the transportation and heavy lifter, doing the kinds of physical work that these four, upper class, Southern white women certainly weren’t going to be doing for themselves. He was often put upon by Suzanne, but most of the time, he managed to get the last word, without coming across as threatening. In fact his character was so non threatening I assumed, in my uninformed teenage mind, that he was gay! But at that age I had not reckoned with the social dynamics of the modern southern bigotry of white women interacting with black men. He had to be nonthreatening, and couldn’t possibly be depicted as any kind of sexual being in the presence of four professional white women. Nevertheless, I do remember liking his character.

This is another comedy, like Bosom Buddies, that didn’t age well. You could make a show like this today, but it would be bland, yet at the same time, polarizingly heavy handed.

 

 

Thangs I Looked At: Movie Mini Reviews

Here are three films I watched in February. For the record, although I had some mild criticisms, I generally liked them, and  I especially enjoyed the Terminator film, which I wasn’t entirely certain I would, since no one was talking about it.

Terminator: Dark Fate

Image result for terminaotr dark fate gifs

I was initially very excited when I saw the trailer for this movie, but ultimately didn’t get a chance to see it in theaters. After that, I didn’t hear much about it. I dont normally get too worked up about films, that I think are going to be popular, bombing at the box office, because there are at least half a dozen reasons I won’t   see it, no mater how excited I am about it. I figured that’s probably much the case with a lot of films that bomb. In other words, films bomb for a whole variety of reasons, that don’t necessarily have anything to do with the film’s quality.

And the quality of this latest entry in the Terminator franchise is very excellent. You should really check it out when you get a chance. I liked it every bit as much as I thought I would, ,and you will remember I was very excited about the trailer. It even did a couple of things I wasn’t expecting as far as plot and characters.

The basic plot sort of parallels the Sarah Connor plot from the first movie, but is much more personal. Dani isn’t the savior of the world, she is the savior of one person in particular, and Sarah comes along for the ride. The Terminator is very interesting, combining both elements of the original T-800, and the Liquid version from T2.

Image result for terminaotr dark fate gifs

What was surprising about the movie is how female-centric it was, while touching on a lot of themes. Nearly all the characters are women, and they control the plot points in this movie. Sarah’s character reminded me  of Laurie Strode, from the most recent Halloween movie, in that she is a broken and horribly traumatized woman. I always find it interesting when female characters are deliberately written to be unlikable, and that is  the case here. Sarah is kind of an asshole, who butts heads with everyone. She is mean, and bitter, the sneer never leaves her face, and this is acceptable to the viewer, because she is  definitely hurting, and broken, because of an event that happened after she and John saved the world’s future. The movie is as much about her trauma as it is about saving Dani. It is a heavy movie, with the only comic relief provided by an old school Terminator, played by Schwarzeneggar, as a drapery salesman named Carl, who is married to a woman he doesn’t have sex with, and doesn’t know what he is! Once you  wrap your head around all that, the movie is an action fest every bit as good as Fury Road, only  less zany.

The movie takes place largely in Mexico, and at one point, Dani, and the others must sneak into the US, but get locked up in one of the Border camps, so the movie went there, which was interesting, because I didn’t think it would. While no one says anything outright, the framing of those scenes show strong disapproval of what’s happening there, as the Terminator bursts in and slaughters half the border guards, and steals a helicopter.

The Terminator is played by one of my favorite actors, Gabriel Luna, who I got a kick out of watching in the SHIELD series, as the Ghost Rider. His technology isn’t just a blend of the two styles of Terminator we’ve seen, but so is his demeanor, which is especially chilling, because he seems very, innocuous, normal, and friendly, right up until you die.

Image result for terminaotr dark fate gifs

The stand out character for me though was Grace, who is awesome. I’m saving a special place in my personal pantheon for Grace, (as not too many white women, Ellen Ripley and Furiosa being the only two,  manage to get into it), who can definitely carry an action scene. The last time I saw that particular actress, she was playing a replicant, in Bladerunner 2049, and here she is playing another half human character. Grace is much like her name, moving and fighting in exactly the manner you’d expect of a technologically enhanced human being, and some of the most exhilarating scenes, are watching her go toe to toe with the Terminator, and matching him hit for hit. She doesn’t actually defeat him, but she is his equal.

The ending of the movie is bittersweet, but I liked it. I liked the entire film. There are no slow moments. Nothing is wasted, and I liked the love/hate dynamics between the female characters, which felt organic, and not just thrown in for drama’s sake. If you haven’t seen this movie, you should check it out, just to watch Schwarzeneggar’s role as Carl, and here him complain about people’s bad taste in draperies, in his usual  monotone.

 

 

 

Spider-Man: Far From Home

Image result for spiderman far from home gifs

Despite a couple of hiccups, I genuinely liked this movie. I don’t think it’s as good as the first film, but that one had some  novelty behind it in being Tom Hollands first full length term as Spiderman. This one is okay. Its not great. I wouldn’t put it anywhere near Maguire’s Spiderman 2, but its fun and watchable. The teenagers act like teens ,and the love story between Pete and MJ is really cute. This is funnier than the first film, and a  genuine comedy, until it gets near the end, when things get a bit more serious. As with most comedies your mileage may vary. I thought a few of the jokes landed badly, but mostly of them hit their mark, at least for me.

The most annoying part of the movie however,  is the continuing attachment of Tony Stark to Peter’s storyline. He’s still cleaning up Stark’s messes, even after he’s dead. I suspect that will be going on in the MCU for some time, since one of Tony’s major superpowers was  pissing off powerful creatures and/or people. Probably half the villains in the MCU can be traced back to something Tony said or did to some hapless supplicant, and that is the origin story behind Mysterio.

I also found it annoying that everyone assumes Peter wants to take up Tony Stark’s mantle, and do what he did, only as Spiderman. Just let the child be himself ffs! Why does anyone have to step into Tony’s shoes? On the other hand, the movie does mention (rather roughly) some of the issues that happened in the aftermath of  the Snap and the Return, (in this movie its called the Blip), and how much society was upheaved by both those events. I thought it was an intriguing idea  that the world was just as upset by everyone’s return, after five years, as it was by the trauma of their disappearance.

Well, anyway the movie is still fun, and full of lots of humorous moments, regardless of Tony’s ghost hanging around this movie, and I have watched it a couple of times, since its release. Like the first movie, it doesn’t have a whole lot of depth, until the end, when Peter directly goes up against Mysterio.

I liked this just fine. Its not great. Its not even as good as Homecoming, but it’s a well spent Saturday afternoon or evening.

 

 

 

John Wick 3: Parabellum

Image result for john wick 3 gifs

Wow! This movie was a wild ride from start to finish. I don’t even know where to begin, I want to call this a hot ass mess, but that would imply I didn’t like it. In fact, I loved it! But yes, it is a hot ass, but very enjoyable, cray-cray mess. its like a Jason Statham, Fast and Furious movie, only with a real budget, if you catch my meaning.

Like the last movie, it picks up where it left off, with Wick being hunted by the Assassin’s guild which he used to be a member of. He’s got to find some old colleagues to help him stay alive, and they of curse come immediately into danger. One of those old friends, Sofia,  is played by Halle Berry, who owns a couple of  Belgian Mallinois, that she has specifically trained to kick ass, on her command, and that part of the movie is lots of fun to watch. I don’t get to watch Halle kick ass too often, so watching this fifty plus year old Black woman throwing  hands was a real treat.

Image result for john wick 3 gifs/halle

Another treat was watching Mark Dacascos chew the scenery, and get some genuinely funny lines, as a major villain who just wants to take John down, and supplant him as the boogeyman of assassins. I hadn’t seen Mark in a while, so it was fun to watch this professional ass-kicker throw down, even if the bald head was kind of jarring.

In the meantime, while John is trying to get his shit together there’s an actual assassins cabal, that oversees the assassin’s guild. Since John was “excommunicated”, he’s gotten help from a few friends, including Lawrence Fishburne, as the King of New York, and all their lives are put in danger, because one of the rules is that if you are a member of the guild in good standing, you have to turn in those who are excommunicated.

So the plot becomes a lot more complex, along with all the stuntwork. The John Wick movies are not especially deep, but they are great fun, even though they’re incredibly violent. Part of the reason people don’t mind the violence, quite so much, is that it’s de-mystified by the extras and behind the scenes videos, that show how are the stuntwork gets done, and watching the behind the scenes videos are just as much fun as watching

Things I looked At: Mini Streaming Reviews (February)

Here’s a short list of things I watched on Netflix and other streaming services, mostly at random. I just clicked on or rented stuff that had pretty promo pictures,  happened to be a subject I’m interested in, or was recommended to me by some algorithm. Not all of these are TV series, however. A few are movies, but I decided to include them, because watching them on a streaming service was really the only way I was ever going to watch them.

 

Rurouni Kenshin

These movies are based on the Samurai X manga. I don’t know if this is like the anime, because I have never watched that, and  have only a passing familiarity with the Manga, which I read many years ago, but remember liking. These movies (there are three of them so far, with more to come later this year), heavily remind me of Blade of the Immortal, which was brutal, bloody, fun, only these have a slightly, “relatively”, more positive message, and a sense of humor. Well, I laughed at it, but y’all know I’m weird.

In the first movie, the lead character, named Kenshin, is a former assassin, who decided to give up killing, and wander the countryside helping people. This appears to be a very popular theme, because its basically the same plot of Blade of the Immortal, and a bunch of other samurai movies. A young woman who runs a martial arts school of some kind, stumbles across the protagonist, and he decides to help her with a problem she’s having with a rival school, that wants to take over hers.

A plot by some minor government official to take over the government in some drug related scheme, and a couple of Kenshin’s old enemies coming back to get revenge, give plenty of opportunities for fight scenes ,which are also interesting, because although Kenshin has decided to give up killing, he still carries a sword, but its a a reverse katana, with the killing edge on the wrong side. He can swing it expertly, but it takes a conscious effort to use it to kill, which he has promised his love interest he would never do again, and opens up some interesting dialogues about pacifism, and to what purpose  violence is used.

But mostly, its just a lot of really exhilarating sword fights. I loved watching the fight scenes, especially Kenshin’s fighting style, which is fast, and inventive. Because he’s not actually trying to kill many of his opponents, but they have no problem taking his life, the fights never get boring, and if that’s what you’re looking for in a martial arts film, then check out the entire trilogy.

At least two of these movies are available on YouTube, and there wasn’t any English translation for the one I watched. So not having it be dubbed or subbed, made me deeply curious about the conversations the characters are having with each other, during the fight scenes, where they often pause in their sword swinging, to exchange words. When I finally got to see the translated versions, it turned out that those conversations were completely unimportant, and that most of the deeper philosophical discussions, take place during character monologues.

 

 

 

Attack on Titan

Wow! These movies were awesome, emotionally draining, and  very energetic. There are few slow moments in them, and not much of either movie’s time is wasted.

Once again, I’ve only read a couple of the books, one of which was an anthology. I’ve never watched any of the anime, and I have only a passing idea what all this is  about, from watching some of the most terrifying trailers I’ve ever seen, and people talking about it on Tumblr. I don’t know how close the plot of  this movie, and its direct sequel, is to the original manga. The basic plotline is the same though.

Humanity lives in walled cities, to protect themselves from massive, (once human), beings, that have a nasty habit of eating the smaller versions. The movie is pretty graphic about this. There’s a lot of body horror, as people are grabbed, eaten, squeezed, pulled apart, stepped on, and otherwise massacred, by these giant gluttonous monsters. There’s also a certain amount of body horror with the monsters too. They are humanoid creatures with disfigured faces, and bodies, who are always eagerly smiling.

It’s interesting that one of the tropes of Japanese Horror films is the grinning monster, with probably the only American equivalent to this being evil clowns, and Japan does not have that trope. I personally find grinning, (non-human), monsters pretty horrible too, but I don’t see as much of that in American horror, but then Americans tend to be much more emotionally open in public, too. I suppose, in a society where privacy, reserve, (and melancholy), is encouraged, someone walking around with a massive cheerful grin would immediately mark themselves as other than normal, possibly even monstrous, and certainly untrustworthy. Its not that Japanese people can’t be zany, or don’t have emotions, its just that in the interest of personal privacy, they try to keep it themselves, a close circle of friends, or on TV shows.

There’s also a group of soldiers, and volunteers who create a new method for killing the Titans, that requires them to engage in a little too up close and personal manner, as the Titans are nearly impossible to kill, in any normal fashion. There is a lot of dismemberment, and eating, of the brave soldiers. We follow their adventures, and  interactions, although I did find myself not caring too deeply about them,  because I don’t feel that the focus here was on character development. It’s not that I didn’t feel anything for the characters, so much as their relationships with each other were sort of underwhelmng, next to the horror of what was happening to them. I was also irritated with them, as there are a lot of images of them just standing about and staring, as the Titans do stuff. I kept yelling at my TV because the humans simply were not taking adequate precautions to save their own lives, like dodging, or running away. On the other hand, I do live in Tornado Alley, so I’m guessing that watching giant things move slowly across a landscape, is something that is universally hypnotic.

In the first movie, the humans are living  peacefully, the idea of the Titans  is long ago and far away, until a brand new Titan shows up, that is significantly larger and stronger than any Titan seen before it. It turns out that the Titans do have some residual intelligence, as they have deployed this new guy to break down the walls, so they can just walk in and feast, and the humans are just not ready for any of it. In the second film, the people rally, and with the help of a half human/half Titan, and even a little bit of martial arts, (because that is a requirement for all Asian action movies), they manage to defeat them, or at least make them go back  wherever they came from.

There’s a lot of nudity, because naturally the Titans don’t wear clothes, and lots of bloody and disgusting things happen to the human body, so be warned. You kind of have to be in a certain mood to watch it.

 

 

Inuyashiki

What I was expecting when I saw the trailer for this was a wacky, Japanese romp with superpowers,. To be fair, the trailer I saw didn’t have captions, and I might not have been paying as close attention as I should have been, but the trailer does mostly focus on all the action scenes. This movie is not a comedy. While its message was a bit heavy handed, and there were definitely some tears, I actually did enjoy this. It wasn’t what I expected, but I’ve learned, over the years, not to be angry at getting the unexpected in a story. I only get angry when I get LESS than what I expect, and I got a lovely and moving story of  family dynamics, reparation of father /daughter relationships, and loneliness. Keep in mind that I hadn’t even read any of the Manga, if such exists, let alone seen any anime. I walked into this movie completely blind, except  for having watched the trailer.

Inuyashiki is the story of an old man, (the title character), who is having a very bad day. He is a deeply lonely, and isolated man, who, one day, finds out that he is in the end stages of cancer, gets  bullied at work, and then loses his job. He is emotionally distant from his wife, son, and daughter, and finds it impossible to tell them not just about his impending death, but his real feelings for them. His daughter is especially angry, because he has never shown her how much he cares about them, although this is stated as a lack of protection, since he kept telling them that the reason he worked so hard, and was never home, was to protect their future. I was starting to get really annoyed with how much of an asshole she was, until I realized there was a point to it.

Inuyashiki goes to the park one night, gets kidnapped by aliens, and in their efforts to cure him, (at least that’s what I think they may have been doing, because its never stated in the movie why the aliens did this), they turn him into a machine/cyborg, who is able to manifest machine parts, weapons, and even fly, possibly done through nanites. The very first thing he does with his powers, is heal a little boy, who is dying of cancer, at his hospital. This outlines the type of man he is, that the first thing he does after getting superpowers, is to save another life. These superpowers are yet another thing he cannot tell his family, but he does confide in one of his daughter’s classmates, who coaches him in how to use his new superpowers.

At the same time, another student, the close friend of Inuyashiki’s coach, whose name is Shishigami, is also kidnapped at the park, and turned into a robot of some kind. Both he and Inuyashiki were both in the same place emotionally. They were alone and depressed, and dealing with highly volatile issues. In Shishigami’s case, it is school bullying, and the death of his mother, from cancer. Shishigami does share knowledge of his new abilities with his best friend, but it says a lot about his character that he demonstrates his abilities by killing an innocent creature. Shishigami of course meant to go on as he started. he becomes first a murderer, and then a mass killer, with his superpowers allowing him to kill people through their phones and other video screens.

We have these two men, both of them undergoing uniquely personal tragedies, but their reactions are completely different. Inuyahsiki dedicates himself to saving lives, and Shishigami decides to do the opposite. Inuyahshiki  is an old man, at the end of his life, so  finds life more precious than Shishigami, who is young and angry at having been mistreated by his classmates, and can only think of revenge. Shishigami is unable to think of life as precious, viewing people as disposable, and this is how he treats most of his victims. The first time he kills people, its just a random family whose home he invaded. He is brutal, without mercy, and unnecessarily cruel. When he finds out his mother has cancer, he saves her life, but in his rage at the unfairness of it, he decides to kill more people. For Inuyashiki, all life is  beautiful however, and he works hard not to kill Shishigami, understanding his pain, and viewing even his cruel existence as precious, and salvageable.

Needless to say, the two of them are on a collision course ,as Inuyashiki sets out to stop Shishigami from killing people, and the last third of the movie is taken up with their furious, and energetic, battling through the skies of the city of Tokyo, which is what you see in the trailer. Ultimately. during all this fighting, Inuyahsiki’s daughter’s life ends up in danger, and he gets plenty of opportunities to protect her from his nemesis. This results in her discovering her father’s superpowers, of course, and a reconciliation between them, as they both share this new thing that mom doesn’t  know about.

I found the whole thing very touching, even if it was, as I said, a little heavy handed in its messaging. One of the interesting things about a lot of Japanese genre movies is that characters rarely exchange important information with each other. The dialogue between characters is often kept very simple and unremarkable, while most of the important things get said in monologues, with characters appearing to just talk to themselves in the middle of some important event. That’s something that, once you notice it, takes a little getting used to, but over all, I liked the movie,   its message, and it was worth the time I spent watching it.

 

 

Wellington Paranormal

Ever since Barney Miller, I’ve had this thing about cop comedies, and I don’t know what that’s about. I won’t watch dramatic cop shows, and generally spurn mystery thriller cop shows, unless Black actors are the stars. From shows like Barney Miller, Reno 911, Brooklyn 99, and Monk, to movies like Beverly Hills Cop, Hot Fuzz, and Mall Cop,  to The Rivers of London series by Ben Aaronovitch, I’m noticing a trend. I’m attracted to laughing at, and with, cops. So Wellington Paranormal is right up my alley ,as it contains three of my favorite topics, the paranormal, and cops who are deeply funny.

Wellington Paranormal is  a loose spinoff of the movie What We Do In The Shadows, about the adventures of four vampires living as flatmates in New Zealand. Its also the second spinoff from the movie, as the first one, a series with the same name, and basic setup,  is set in America. In the movie, there’s a scene where the police get called to the vampire’s house, because the neighbors were concerned, when the vampires were engaging in some general domestic violence.

Wackily, this show is about the two cops who get called to the house, Officers Minoghe, and O’Leary (their actual real life names). If you have seen the movie, (and if you haven’t, you need to, even if you never watch either of the spinoffs), then the blithe obviousness of the two cops is the basic attitude of the show, as the two of them get conscripted by their boss, (Sgt. Maaka Pohatu), to deal with paranormal events and situations in the city of Wellington.

In the first season, they deal with such silliness as  a body swapping demon (shoutout to The Exorcist), zombies, and werewolves, while giving each one of these issues about the same amount of portentous gravity, which means none at all. O’Leary and Minogue are the anti-Scully and Mulder of the detection world, and that is never not funny to me. The two of them find a way to make even the wildest, most batshit of circumstances, appear utterly mundane, which is where most of the humor comes from, but at least 20% of the humor comes from their interactions with each other, and their boss, who takes things way too seriously.

In the second season, they tackle a town full of alien clones of themselves, in a direct callback to  The X-Files, a possessed car, a group of high school witches, in a shoutout to the Midwich Cuckoos, and some possessed cell phones. So yeah, the creator’s reference game is on point, and another nice gesture is that their boss gets a lot more airtime in the series. The closest comparison for some people will probably be Brooklyn 99, but its really not much like that. Its more of an X-Files parody, so if you liked that show, and would like to see it treated  it with the level of  silliness it deserved, then you will probably have to pirate it, as its not available in the US.

Lkeke35’s Hot Takes – Weekend Reading

I have a Tumblr blog where I follow certain people and conversations. I’m not on Twitter or Facebook ,as Twitter eats up far too much time, and Facebook is largley useless to me, for talking about issues. I talk about different things on Tumblr than I do here, and I noticed my manner there is more blunt and direct than here. I feel like when I’m on there I need to say what I need to say as fast and with as much clarity as possible, not like here on my own blog, where I can take my time to make my point.

On Tumblr, I can send some quick missives off into the ether, and maybe I’ll get  some feedback, maybe not but its a good way to dash off some thoughts about something before  forget what was being talked about. Here’s a few (largely unedited) hot takes I made in response to whatever issues were being talked about on my dashboard.

Tired Of Superheroes

Image result for superhero gifs

These are just the thoughts that occurred to me after I had a conversation with a friend of mine (who is white, btw), and she and I got into a discussion about why she feels anytihng at all about movies she has no plans to ever see, and doesn’t care about. I’m genuinely baffled at the idea of people being angry about  certain types of movies getting released. My friend knows nothing about comic books, or superheroes, so I get her disinterest. If she said she didn’t care for the quality of such films, I would understand, but that’s not what she said.

I was having a conversation with a friend of mine yesterday,and she proclaimed that she was getting really tired of superhero movies, and that they should start making other films. I had to get on her case about that, because I’m pretty sure she doesn’t know how she sounds. Hollywood does make other kinds of movies, but people don’t go see those. She certainly doesn’t go see them. Maybe if she went to see the other kinds of  movies Hollywood makes, they would make more of those types of movies.

First of all how are you going to be mad about Hollywood making movies that you don’t ever go see, and are not particularly interested in? I mean how does it work that you’re upset that other people are making certain types of films popular. I also told her that these kinds of movies are still a relatively new thing, especially since the technology has caught up with out ability to imagine absolutely anything. Its really only been about ten years that this has really been kicking off, and that’s mostly due to the MCU.

Hollywood is going to keep making superhero movies as long as we keep giving them money and making them blockbusters. Now I happen to like superhero movies. I like their action, colors, and inventiveness. I prefer the comedies, and the straight up actioners, and I just enjoy watching the onscreen version of characters I’ve always only ever read about in books, and you know what? I simply don’t pay any attention to movies I’m not interested in. I hate watching Rom Coms, and Hollywood keeps making those, but I’m not angry they are making movies I don’t like. I just don’t go see those films. How you gonna be mad that other people are excited about movies you’re not interested in seeing? I’ve never understand that kind of thinking.

I also think it’s mighty funny that I’ve been hearing this refrain a lot more often, now that women, and poc are starting to get superhero movies made about their favorite characters. I’m not saying people who make such statements are racist, but it doesn’t look good, that the only time I hear so many people talking about how they need to quit making so many superhero movies, is when poc and women start to get theirs. When it was just white men, I heard this complaint a little bit, but not as much as I did after Black Panther was released. Now suddenly after Captain Marvel, and BP, Hollywood needs to stop making these types of movies.. That’s just an interesting observation.

 

***************************

https://fangirlish.com/2020/02/04/queerly-not-straight-prioritizing-white-queer-couples-over-those-of-color/

 

White Feminism in Fandom

Image result for black women in movies

This is part of the continuing conversation to be had on Tumblr where we discuss intersectional feminism in movies and shows.This time it was about the treatment of Uhura, specifically her relationship with Spock, in fandom. Black women on Tumblr are forever trying to get white female fans to understand that the way Women of color are traditionally treated onscreen, is not the same as white women’s treatment,  and how the treatment of black female characters in fandom is often full of racist tropes. As white women you cannot demand the same things of Black female characters that you can of white ones.

What white feminists want is for black Woman to be”strong and not need no man”. Uhura is just supposed to be unloved and single, like she was in the original series, like every black woman in genre narratives. I’ve been watching the original series since I was a little girl.

Don’t get me wrong. I grew up on Spirk, I read a lot of Spirk, and that was my thing for two decades because I knew no one was ever gonna let Uhura be loved, but when I saw that JJ had went there in the new movie, I stood and I applauded.

As a little girl I used to dream about being as beautiful and elegant as Uhura, and I was sure I was gonna marry Spock when I grew up, and I finally got that representation at my old age, but I guess the dreams of little black girls don’t mean shit to white women who just want, yet another, after another, after another, mlm ship, in yet another show!

Teen Wolf, The Flash, Walking Dead, in every single show where there is a black female love interest with the white male lead, white women fans always show their whole duplicitous asses, about the black woman not being worthy of their white male love, and how she should be replaced with any compatible white woman, any same age white male he’s ever locked eyes with more than once, and even the villains who have tried to kill him, and his love interest, multiple times. We’re not talking about your individual ship, or attacking you personally. We’re telling you you need to examine why you need yet another mlm ship in yet another show or movie when fandom has dozens of such examples, all of that while ignoring canon male interracial ships, at that!

Why do all the ships need to be white!

This is a pattern across multiple genres, for more than two decades! This is racism!

Fandom is not the same for black women as it is for white women. The stereotypes for black women are the opposite compared to white women, though the objective of those stereotypes may be the same. Where white women get damseled, we don’t. We get to be strong onscreen, white women don’t. White women in movies get to be brides, while WoC only get to be side pieces, and murder victims.

Ship what you want, but be mindful of what you’re doing. Be mindful of how it looks to black women. Be mindful of what you say in defense of your ship when someone says something to you about. Our biggest issue isn’t always with the shipping you do, it’s the deceitful and racist manner in which y’all defend said ships that piss us the f*ck off!

(Spirk= Spock +Kirk; mlm = men loving men)

 

 

Zazie Beetz as Sophie Dumond in "Joker."

https://www.huffpost.com/entry/lets-talk-about-the-black-women-in-joker_n_5d9605dae4b0da7f6622abc7

**********************

Image result for birds of prey gifs

This was said during a discussion about how the failure of BoP at the box office,(which is not a compete failure, but that’s another discussion), is being spun by the “manosphere” to say that movies that include feminist thoughts and ideas, are all going to be failures. I think this is once again just part of white men’s agenda to only have films made that center them and their needs.

One of the  biggest complaints about BoP before its release was that none of the female characters were sexy. That said, the movie is unapologetically femme! So, the answer to that was “not sexy according to white men, no.” Now that the movie has under performed at the box office, these same men are using that to say that if the movie had given in to their demands to make the female characters sexier for men to look at, it would have done better.

Birds of Prey and Quality Films

 

 

*****************************

 

This was a response to some white guy on Tumblr who was upset about Black people not wanting to interact with white people, calling it racist to not trust them. This sounds exactly like men who are upset that women have difficulty trusting that men won’t hurt them and refusing to interact with them, because as men, they are individual,, special beings, that women  should be able to tell, just by looking, that they would never hurt anyone.

Habitual Foot Steppers

Image result for lynching gifs

 

Every day, PoC in this country have negative, sometimes even violent, interactions with white people. Hell, they probably often have such interactions with members of their own culture, but it’s only white people, especially those who control mainstream public messaging through media, who are constantly advocating that white people are individuals who don’t represent their group, and need to be forgiven for those negative interactions, without a single one of them making any effort to bring those types of interactions to a halt.

In fact, many of them will simultaneously argue that not only should such actions be constantly forgiven, overlooked, or gotten over, they will also insist those interactions don’t happen at all. It’s the equivalent of people stepping on your foot every time they see you, and when you complain, or tell them to stop it, them telling you they didn’t do it, to prove they didn’t step on your foot, and it didn’t happen because they didn’t notice it, or intend to do it. You would naturally be well within your right to not only avoid that people in the future, and probably be more than a little pissed that they didn’t listen to you when you told them they hurt you.

All these different people, from the same cultural group, insist on stepping on your feet, while proclaiming loudly to their audience that not only didn’t they intend to do it, that it’s not hurting you, they didn’t actually do it, and you’re too sensitive and should get over it. And when you get angry about it and avoid them and express resent,ent over their behavior, they call you a racist, for not trusting them, and deciding to protect your feet by avoiding them.

 

****************************

 

These are some of the hot takes I left on Medium.com. This one was about men who think, if they pursue a woman hard enough, long enough, she will eventually give in to his desires, and this is an idea that is prevalent in Pop culture media.

Image result for stalking gifs

Stalking for Love

One of the reasons some men are like this is because they are socialized to do so, from the moment they start consuming the culture. Songs after song, books upon books, movie after movie, and TV shows after show, are really good at imparting one major message. That women are prizes given to them for persistence, correct behavior, owning the right car, shoes, house, and sometimes just for having a penis!

They have been shown again and again, that if they pursue a woman hard enough, stalk her long enough, just keep asking, and asking, and asking, they will eventually wear her down, she will reach enlightenment, and of course, dispense her charms. “No”, in Pop culture, really just means, “Not right now.” or “Keep trying!” This is what they’ve been sold, and you can tell which ones have fully bought it, because they are the ones who get enraged when women go off-script.

They are behaving exactly the way they’ve been taught to behave, having fully, and uncritically, drank the Kool-aid, that persistence wins the girl. Almost nothing in our culture tells men they need to have the correct character, or hold certain virtues. Too much of Pop culture teaches men that they don’t have to be genuinely good, or kind, or gentle men, to attract women. They are taught that women are fickle creatures that need to be tricked, or hounded into wanting them.

This is not a hard and fast rule because there are plenty of men who have, somehow, managed to avoid this kind of thinking, but it is definitely an element in the thinking of these kind of men. I don’t think there is a causality, so much as a life long influence.

 

*******************************

White Fragility

Image result for white tears gifs

These responses I wrote as comments on Medium.com.

Both of these responses ended up being tangentially related to each other. The first  was a response to an article about White people’s hypocrisy in calling PoC racist, whenever we express any form of unhappiness (or sarcasm) at the existence of White people in a public sphere. I  remember that Asian woman who lost her journalism job over tweets she made years ago, where she joked about white people. It is important to keep in mind that these people are reacting to things that progressives have been doing, and its been the tactic recently of marginalized people not  just to  talk back to the kinds of people who victimize us on social media, and in public, but to see that such people be ostracized by society, by contacting their families and employers.

This particular article was about a young African American woman, who made a public statement about there being too many white people in her college’s Multicultural Center, and white (mostly men) opinionators in the news media, having a full on meltdown,  and calling her a racist. For the record, I think what she said was kind of stupid, but it doesn’t make her a racist. It just makes her very young and silly.

Since reactionaries have a tendency to lack imagination, they have this nasty thing where they appropriate the tactics that have traditionally been used by marginalized people to fight their oppression. Its especially galling when such people use those same tactics against, not just the people who invented the tactics, but whom they have traditionally bullied. Marginalized people invented the tactics out of desperation, to teach a lesson, or to make the harm  they cause have consequences, but what reactionaries are doing (as so much of their behavior is often motivated)  out of pure spite.

1.

I definitely think this is a backlash against white people being called out for everything they’ve gotten wrong for centuries. They’ve  been calling everyone who isn’t white, straight, or a man, nasty slurs, since the invention of American English. They still do that on the regular today, and these same people are the ones who like to argue about saying the N*word, but let some anonymous black girl make a dubious statement, and they lose the entirety of their shit! I’d be angrier, except it’s amazing to behold.

But then: Never, in the history of this country, have white people been spoken back to, and challenged, by marginalized people, in such great numbers, as much as they have, since the invention of the internet.

(Every time they say anything, they are reminded that white people have caused an incredible amount of damage to other people, and are still doing it. No one likes to be called out for behavior they have always known is wrong, but are  reluctant to change, because they derive  emotional benefits that they are unwilling to acknowledge, what Du Bois called “the psychological wages of whiteness.”)

And this isn’t like before, where your garden variety white person was largely unaware of all this “talking back”, and could simply quash any talking back, they encountered by screaming, and extreme violence. Now its impossible to not know how marginalized people feel, and our pushback against oppression, and injustice, is often immediate, and intense. They are working desperately to reestablish their equilibrium, by upholding the status quo. But someone once said to me, that’s what Conservative means: to conserve. To keep things as they were.

They’re so used to simply ignoring any form of oppression, but now it’s constantly being thrown in their face. They can’t ignore it anymore. (This is mass white fragility (rather than individual).

2.

Back Down Memory Lane…Again

Cleopatra 2525 (2000-2001)

Even though I watched this show for its entire two season run,  I don’t actually remember a whole lot about this show, except that it was cheesy, cheap, and starred the modern Goddess, Gina Torres, She of the Divine Facial Features. Perhaps that’s all one actually needs to know about this show to be intrigued.

This was girl-power before such a phrase existed, or rather, somewhere around the same time that it came into being. The term girl-power has been around for a very, very, long time. I remember it being mentioned on The Powerpuff Girls, when I watched that show with my baby sisters, when they were, in fact, actual babies!

Anyway, the basic plot is that the young blonde girl, whose name is actually Cleo, although she’s not important while standing next to Gina,  was an exotic dancer, who got put in a Futurama type situation, where she wakes up so far into the future, that the world has become completely unrecognizable to her. She joins these two young women who are fighting against some type of totalitarian authority that likes to use drones, cameras, and an evil clown type guy to oppress them. Its really is kind of like Tank Girl meets Futurama meets Charlie’s Angels, as there were at least some good action scenes.

Once again YouTube has full episodes of this show, so check them out and let me know what you think, unless of course, you are going to argue against the beauteous divinity of Gina Torres, in which case you can keep that shit to yourself!

 

 

Special Unit 2 (2001-2002)

Not to be confused with Special Unit, which was your standard police procedural, this is Special Unit 2, a standard police procedural starring paranormal creatures. I remember eagerly looking forward to this becasue Buffy the Vampire Slayer was airing around the same time ,and this was a cheap, funny knockoff blend of that and a cop show.

The show really didn’t take itself at all seriously, it was zany and cheesy, and actually pretty funny. Or rather, it fit my idea of deeply funny, at the time I watched it, since I was just a kitten then. I don’t know that my humor has changed all that much, but I’m about to find out, as I plan to watch it again, since a lot of the episodes are available for free, on YouTube.

The show is about Nick and Kate, two seemingly regular cops who are part of a special unit of the Chicago PD, who deal with things like dragons, unicorns, elves, and gnomes, while trying to keep these creatures a secret from the rest of society. Needless to say, a lot of lying is involved. The show really did try to mine the Buffy and X-Files shows for some of its plots, and occasionally got a little serious too, although there was a lot of it that was played for laughs, including a gnome type character who worked in the office, and specialized in being a thief. I remember really enjoying the acting on this show, which was played very tongue in cheek by both Nick and Kate, with surprisingly little of the “will they-won’t they” dynamic that seemed required of such shows.

In fact, of all the characters Kate was probably my favorite, next to the, highly irreverent Carl, the Office Gnome. The show was interesting because Kate was the show’s regular everyperson, who stumbles onto some grand secret of the world, and is the audience’s stand-in, as we learn about this world at the same time, and this was probably why I liked her, since female, audience stand-ins, are kind of rare in this genre.

 

 

Haunted

I remember really liking this show, at the time, because there really wasn’t anything else like on the air at the time, except maybe Millennium, and the X-Files, and Angel, and even those shows attempted some occasional lightheartedness. This show did none of that. It remained horribly gloomy right up until the end of its seven episode run, and the dark gloominess of it was probably why.  There was almost no color in this show, except for the presence of that one Black guy these shows had to hire, to reach compliance for diversity back then. The show starred Matthew Fox, before he became famous for starring in the show Lost. I did not understand his appeal in that show but I did get the whole brooding loner thing in Haunted.

Matt Fox is a private detective, named Frank, who once got killed by a serial killer of young boys,  who now hunts for missing people. Oh, and because he died that one time, he can now see ghosts. Specifically he is haunted by the spirit of his own missing son, whose disappearance caused the collapse of his marriage, and he can also see the spirit of  the serial killer, Simon, whose accidental  death he caused, which also cost him his job. I loved the show, and it was largely because of the presence of Matthew Fox’s acting skills, and the cinematography, because the show was gorgeous, with lots of black, grey, and rain.

I managed to find a couple of episodes on Youtube, which is where dead shows go, apparently, and I’ve actually re-enjoyed the couple I watched.

 

 

Reaper

This was another show that I remember was a lot of fun. Not so much for its first season, but in the second season the show made a  u-turn, and kicked the plot into high gear. The writing got better, and the characters were energetic and fun, unlike the first season where the actors tried to take things a little too seriously for the silliness of the plot.

It starred that guy from Tucker and Dale Vs Evil, Tyler Labine ,who was the sidekick of the lead character, Sam, a slacker who had  somehow been  coerced into collecting souls for Satan. I don’t remember liking Sam very much in the first season, but in the second season things got better when he found out the reason why he’d been chosen to be a Reaper was because he was Satan’s son, with Satan being played by the most excellent Ray Wise, who for some reason, was named Jerry. I remember thinking Wise was waaay out of league for this show, becasue he made what was otherwise simply a “meh” show, a very good one.

Despite Sam being the son of Satan, he continued to be whiny and incompetent at his job, and was most often saved by his accomplices, an ex-girlfriend from school, and Tyler’s character. Strangely, it’s often Satan who comes off looking sympathetic in this show, even while committing what are clearly evil acts, or acts that are at least deeply annoying ones for Sam. He and Sam used to have interesting discussions about the nature of Heaven and Hell, and why Satan can’t eat ice cream.

 

Witchblade

This was a very short lived series based on the comic books. I had actually been reading the comics right before the series was announced so I was very excited to see what they were going to do with the show. The trailers were intriguing and I liked the actress Yancey Butler, who I had last seen in the movie, Hard Target, years before. The show proved to be not as exciting as the trailers lead me to believe. The actng was fine, but the plot didn’t actually seem to go anywhere, and some of  had nothing to do with what I read in the comics. On the other hand, there were some hot guys in it, so there…

I feel like I need to explain what the Witchblade is to people who have never even heard of it, since this show has been off the air for almost twenty years, and has largely been forgotten except by its die-hard fans. Its a mystical gauntlet, suit of armor, that’s intelligent, chooses its wearer, and forms a partnership with them. They can hear it speaking, although I saw no evidence of this ability in the show. It was an extremely powerful McGuffin, that all of the other characters seemed to want, even though those who werent worthy of wearing it could potentially lose their arm.

Now we need to talk about the actress Yancey Butler. This is complicated because for the past twenty years, she’s had some substance abuse issues. At one point, getting arrested for passing out, and crashing her car, after which she was ordered to enter a rehabilitation program. I had to read about that on her IMDB page. She has started acting again (and is as beautiful as she ever was despite all her troubles), and is active on Twitter now, which is how I heard about her newest movie. At any rate, her problems didn’t start with the show, and I distinctly  remember reading about some of the problems she had  on set because of them.

Yancey,  like  countless women before her is a beautiful woman who developed substance abuse issues while working in Hollywood. I don’t know for sure if this was a problem before she started work as an actress, but I do know that Hollywood is a toxic place, that regularly chews up young actors, and then spits them out, severely damaged. And after #MeToo brought this knowledge into the mainstream, in a different way than before, its very difficult for me to believe that sexual assault and sexual exploitation doesn’t have at least some role to play in the massive amounts of substance abuse that we see in its participants. I sincerely hope that was not the case with Yancey, that she has gotten the help she needed, and worked past her demons.

 

 

 

 

Kindred: The Embraced

This show was loosely based on the role playing game, Vampire The Masquerade, which I never actually played, although I did read a few of the guide books, so I knew a lil’ sumthin-sumthin’ about that universe. So when I say it was loosely based on it, I mean exactly that. The show was pretty damn loose. So loose,  that all it seemed to have in common with the game, was its vocabulary. It was like someone read the books, but then  decided to base the show on a school book report about those, instead.

That said, I actually, sorta, liked the show. It was bad, yes, but it also had some really intriguing shit in it that kept me watching. Since the show only lasted 8 episodes, I guess other people felt the same way. Its not that the show was awful. It had some great characters in it, but it did have some terrible acting, and the plot became more convoluted with each episode. I guess the closest I can get to describing it is a Vampire Godfather, as it involved clashes between the various vampire clans in a city, along with their rulers, followers, and hangers-on. All of which has something to do with a renegade cop, named Frank, who stumbles across their existence when he falls in love with a female vamp.

The lead character was Julian Luna, played by Mark Frankel, who I thought was Latino, then later believed to be Italian, but turned out to actually be English. I found him interesting mostly because I thought he was pretty, and had a very nice voice. The best character was a member of Clan Nosferatu ,who are very old, deformed, and look somewhat batlike, with talons, long teeth, and pointed ears. Daedalus, as he was called, was played by one of my favorite actors, whose name I forget now, but that actor performed like he was in a Shakespearean play, while Luna acted like he was in the movie The Godfather III, and Frank the cop’s girlfriend, busily being extra, acted like she was in a Gothic soap opera. So the acting and dialogue was all over the place, but it best written for Luna and Daedalus.  I do remember the two had frequent conversations with one another, and that I looked forward to the times when they were onscreen together.

Whenever anyone else was onscreen, the dialogue and acting were cringeworthy at best. There were a couple of star struck young lovers from different clans, who were abysmal in their acting, especially, and I had to look this name up, Brigid Walsh, who played the human descendant of Julian, named Sasha Luna. Dear Jeebus! she was awful, which was not helped by her horrid dialogue. She played that role, as  someone who had perhaps heard of “acting”, by rough description, like she was playing the role of a  “professional angry-face” Model!

I would also like to offer my  apologies in advance for subjecting y’all to these images. Trigger Warning for: music video bad attitude, smirking, sniping, sarcasm, general batshittery, and horrible acting.

 

But the cancellation of this show seemed inevitable,  as soon after, or just before, that happened, Mark Frankel died in a traffic accident, while riding his motorcycle. I distinctly remember the reporting of this on the news,and  feeling some type of way about it.

The State of the Union: Black Film Entertainment 2010-2020

Film

This is not a comprehensive list of movies released in the past ten years, that featured a Black cast, or had Black directors, or writers. This is just a list of movies, listed by year, that I thought were the most influential, that I actually watched, liked, or know other people really loved, for that particular year. There have been a lot more released than what’s on this list, but 2018 was a record year for the number of Black films released, and/or nominated for awards.

In my mind, the past ten years has been one of the Blackest decades in film, since the 90s, not just because of the number of movies released, but the quality of the films, and  the attention and writing  surrounding them, thanks to social media. Black Panther, and Get Out were probably two of the most written about Black films in cinema. There is an encyclopedic number of writings on these films, examining everything from the plot, themes, and  characters,  to wardrobe, and  hairstyles. In fact, writing about Black films has almost become an industry in itself.

 

2010

For Colored Girls – an adaptation of the book by Ntozake Shange, and written and directed by Tyler Perry.

*Book Of Eli –  Denzel Washington stars as a blind man, traveling through an apocalyptic landscape, carrying precious cargo.

Lottery Ticket – Not one of my favorite films, since I’m not a huge fan of such broad humor, but it is a reminder that Black comedies, in the tradition of Friday, are alive and well.

 

2011

*The Help – Again, this is not one of my favorites but I’m putting this movie here because it is often in attendance at conversations about the White Savior trope in movies.

Madea’s Big Happy Family – Madea is the  only Tyler Perry character I can stand to watch, but it greatly appeals to people with a certain form of humor that  I don’t particularly share, and it helped make Tyler Perry one of the wealthiest Black men in Hollywood.

 

 

2012

*Beasts of the Southern Wild – The story about a little girl growing up in a dysfunctional family in Louisiana.

*Django Unchained – A cathartic fantasy Western starring Jamie Foxx.

 

2013

12 Years  A Slave – Oscar nominated film directed by Steve McQueen, and based on the autobiography by Solomon Northup.

*Belle – One of my favorite historical films, because historical films about Black women, that don’t prominently feature slavery, are kind of rare.

*After Earth – I’m one of the few people who actually loved this depiction of a Black father and son’s relationship, set in the far future.

Fruitvale Station – Ryan Coogler’s Oscar nominated film before Creed, based on the true story of the shooting of a young Black man in a NY subway station.

 

2014

Dear White People – About a Black student who runs a radio program at a White college.

*Ride Along – An action film, in the vein of Bad Boys, starring Kevin Hart and Ice Cube.

*Selma – One of the first Oscar nominated films directed  by a Black woman, Ava Duverney, and based on the true life story of MLK.

 

2015

Beasts of No Nation – A movie starring Idris Elba about child soldiers in an unnamed African country.

*Creed – Ryan Coogler’s second film after Fruitvale Station starring Slyvester Stallone and Michael. B. Jordan.

Dope – The coming of age story of a Black boy in California

*Chocolate City – Black cinema’s answer to the male stripper movie, Magic Mike

Straight Outta Compton – The backstory of the Rap group N.W.A.

 

2016

Fences – Based on the play of the same name, by August Wilson, and starring Denzel Washington, and Viola Davis

*Hidden Figures – Based on the real life stories of the Black women involved in the US Space program

*Magnificent Seven – A remake of the 1960 movie with the same name, and starrring Denzel Washington in a diverse cast.

*Moonlight – Oscar winning movie about the early life of a young gay Balck man in California.

Queen of Katwe – About a young female chess player in Uganda, starring Lupita Nyongo, and directed by Mira Nair

 

2017

All Eyez On Me- The stardom story of the rap artist Tupac Shakur

*Get Out – Jordan Peele’s directorial debut is a horror movie about white racist bodysnatchers.

**Girls Trip – A comedy starring an all Black female cast, including Queen Latifah,  and one of the top comedies of the year.

Marshall – A legal drama about Thurgood Marshall, directed by Reginald Hudlin

*Sleight – A superhero origin story of a young Black man who builds a device which gives him magnetic powers.

 

2018

BlackKlansman – Award nominated film by Spike Lee about a Black undercover agent infiltrating the KKK.

*Black Panther – Award nominated superhero movie about the King of a fictional African country called Wakanda, and part of the Marvel Cinematic Universe.

**First Purge – The fourth film in The Purge franchise, focusing on the original purpose of The Purge, and set in a Black neighborhood.

The Hate U Give – A drama based on the book by Angie Thomas, about a young girl dealing with the aftermath of witnessing the police shooting of her friend.

If Beale Street Could Talk – Based on the book by James Baldwin, a young woman is under pressure to prove her lover’s innocence before the birth of their child.

*Sorry to Bother You – Award nominated film about a telemarketer who discovers he has magical voice powers.

*Spiderman: Into the Spiderverse – Oscar winning animated film about the Afro-Latino Spiderman, Miles Morales.

Widows – An action thriller staring Viola Davis. A group of widows pick up where their husbands left off after they get killed in a bank heist.

*A Wrinkle In Time – A film  based on the young adult novel by Madleine L’engle, and directed by Ava Duverney.

 

2019

*Us – Jordan Peele’s second horror movie, about a family terrorized by a group of doppelgangers, while vacationing with friends.

21 Bridges – A cop thriller starring Chadwick Boseman.

**Black and Blue – A Black female cop witnesses a murder by her fellow officers, who along with a neighborhood gang, set after her in pursuit, before she can become an informant.

*Fast Color – About three generations of Black women, with super abilities, who have a family reckoning, after one of them becomes a person of interest to the American government.

*Dolemite is My Name – an award nominated biographical comedy about the Blaxploitation director Rudy Ray Moore, starring Eddie Murphy.

Harriet – The semi-biographical story of Harriet Tubman

*Little – A comedy about a mean Black woman who wakes up one morning as a little girl. The movie has an all female cast, and was produced by the 14 year old Marsai Martin.

Queen and Slim – A young Black couple goes on the run, becoming folk heroes, after they kill a police officer who threatened their lives.

 

The past ten years was seemingly a record for the number of movies released that had Black casts,  contained Black themes, or had Black writers and directors, which reached mainstream audiences, or won critical acclaim. Of all the films I listed, twenty of them were either nominated, or won, mainstream awards.

These movies were also rich in their variety, and I have to give credit for that. We have a full roster of comedies, superhero movies, thrillers, and even horror, and I hope this is a trend that continues. It’s not just that we need more films with Black artists, we also need more variety in the films that get made, instead of an emphasis on only crime or  historical misery.

 

Forthcoming in 2020:

**Antebellum – A historical genre bending mystery starring Janelle Monae

Bad Boys For Life – Action movie sequel starring Will Smith

**Tenet – Christopher Nolan’s mind-bending mystery thriller starring John David Washington

**Respect – An Aretha Franklin biopic starring Jennifer Hudson

Soul – Animated film from Pixar, about a Black jazz player navigating the afterlife

Coming 2 America – Sequel to the 90s comedy starring Eddie Murphy

**Candyman  – A remake of the original 90s classic, directed by Jordan Peele

Trial of the Chicago Seven  

The Photograph

**No Time To Die – Starring one of the first Back female agents in the franchise who takes over the 007 title.May be Daniel Craig’s last outing as James Bond.

**Bloodshot – an action sci-fi thriller starring Vin Diesel

The Lovebirds – A romantic comedy thriller starring Issa Rae.

The Banker 

**John Henry – Action drama starring Terry Crews

 

*Indicates that I’ve actually watched a movie.

**Most anticipated

 

The State of the Union: Black Entertainment Television 2010- 2020

TV has experienced something of a Black renaissance in the past ten to fifteen years. Its not perfect, but it is pretty darn good. For every questionable depiction of Blackness, there’s at least a couple of good shows, that get it right, or is at least trying to get it right, and in the last three years television shows which prominently feature Blackness, as a subject, have exploded into American mainstream consciousness. iI is a relief to note that not all of these are comedies, an area which has had a preponderance of Black shows, however there still needs to be improvement in representation, because there is still too much emphasis on crime and criminality.

Here’s a list of the most prominent shows with all Black casts, major Black characters, and /or creators and writers. This is not a complete list, and its possible you may not find your personal favorite here, but I tried to be as thorough as possible. The Starred shows are the ones I am watching or have watched. I did not include reality shows or talk shows, as I don’t watch any of them, and know nothing at all about them. For the record, though, just because a show doesn’t have a * doesn’t mean I know nothing at all about it. I try to keep track of as many Black shows as my mind can keep up with, so I end up knowing at least a little bit about a show, even if its just the show’s premise.

Some of these shows are still on the air, some are in their first seasons, others in the second and third seasons. At least a couple have been canceled, while others concluded their run as their creators moved on to new projects.

*Atlanta – Now entering its third season.

Underground – Canceled

*The Watchmen – Will only have one season.

*Raising Dion – Will be returning with a second season

*Desus & Mero – Still on the air

Queen Sugar – Still on the air

*Key and Peele – Finished its run.

*Black Lady Sketch Show – Just finished its first season.

Scandal – Finished its run of seven years.

The Game

Dear White People – Aired on Netflix

The Boondocks – Finished its run

*American Gods: Season One – Readying for its third season, has run into some major issues.

How to Get Away With Murder – Has been renewed for a sixth season.

*Black Lightning  – Now in its third season, airing on the CW.

Power – Aired on the Starz network for six seasons.

Claws – Has been renewed for a fourth and final season.

Being Mary Jane

Insecure 

Orange Is The New Black

The Haves and the Have-Nots

Black*Ish

Empire

This is Us

*Pose – The only show which prominently stars actors and characters who are are transgender. Airs on FX Network

All American

Snowfall

The Chi

*The Get Up – Now canceled. Airing on Netflix.

*Random Acts of Flyness 

Dear White People

The Last OG

Greenleaf

She’s Gotta have it

*Cannon Busters  – Airing on Netflix, futuristicanime with an entirely Black cast.

 

I  “cut the cord” and no longer have any cable channels. However, I do have a Firestick, and know how to torrent. What that means is that I know longer watch shows as they air, and only watch them whenever I remember that they aired. This not changes the output of when I talk about a show, but what shows I will be talking about.

 

Tumblr Hot Takes

I’ve been on Tumblr for a while now, and I’m still not tired of it. Here are a few hot takes about various subjects.

On Acting

Image result for mediocrity

sc*rjo made more than 2 facial expressions for the first time in her career and got a leading actress nomination meanwhile lupita played 2 entirely different people in the same movie and got snubbed.. shut it down

 

People in the comments are missing the entire picture.

It’s not as simple as ScarJo getting nominated and Lupita not and it’s not about our “fave” vs your “fave”.

Scarjo was nominated for playing a normal, regular woman whose relationship breaks down. Haven’t we seen this before? I think it was Revolutionary Road with Kate Winslet and Leo DiCaprio. Before that it was The War Of the Roses with Kathleen Turner and Michael Douglas, before that it was Kramer vs. Kramer with Meryl Streep and Dustin Hoffman, all of which were nominated for various awards from the Bafta’s to the Golden Globes to the Oscars… the point being, we’ve seen this role over and over again, the actress just changes.

Lupita literally played TWO SEPERATE PEOPLE in the MOST ORIGINAL MOVIE OF 2019 and was shafted. A very limited group of actresses could have pulled off what Lupita did in Us. Horror or not, she put on a better performance than Scarjo did in A Marriage Story. Horror or not, Us made $250 million dollars on a $20 milllion dollar budget mostly because of HER performance and she got squat.

One role could have literally been played by any actress.

The other required skill.

But guess who got nominated? Let’s stop celebrating mediocrity.

 

***************

On Life

 

********************

On Experiencing The New

Gonna tell y’all what I can hear now that I got my hearing aids

Birds! They chirp and it’s so beautiful.

 

Far away cow moos

 

image
image

My friend has this is his back yard and to say I cried is an understatement.

 

My best friends singing voice

 

Chickens: *chicken noise*

Me, sobbing:

The filter for my fish tank! Bubble bubble bubble

 

I sit in the bass section in band. Today I could clearly hear the flutes up at the front! They’re not great, but I can finally hear them!

 

The sound of walking in sand.

Soft but kinda crunchy? Very nice sound 10/10

 

Me playing guitar for the first time. Took the hearing aids out. Not a very good sound… yet

 

Tree leaves in the wind. I got a little spooked at first because it’s 1 am and I’m alone in the park but it’s a real good sound.

 

Bees

Let me say, it was really fucking terrifying walking past the flowering tree in my backyard and hearing zzzzzzzzzzzzzzzzzzzzzz coming from it.

 

“sunlight” by Hozier

I sat in my car alone while listening to it. I knew it would be special but wow, that was a religious experience.

 

image
image

Their hooves make sounds in the grass but they are completely silent. Beautiful creatures. Beautiful sound

 

image
image

Pine needles and pine cones make crunchy sounds!!! Oh my! Very nice

 

Colored pencils make a real nice scratch noise when I’m drawing. I didn’t know they did that

 

*******************

On White Culture

*****************

On The White Savior Trope 

 

 

********************

On Gay Sarcasm 

Image result for gay men

fellas is it gay to be gay

 

according to historians? no

 

Ugh, why can’t you just let friends be friends? Like where does all the friendphobia stop, I just wanna know. So sick of the societal pressure to bone a bro just cuz he’s sitting less than five feet away from you in the hot tub.

I mean for real, what I wouldn’t give to live in a time like Alexander the Great. When two fellas could just have such a deep and abiding bond of friendship – like, just pure platonic beefcake buddies with No Homo additives, not a single one, not even a vibe – that the King Bro almost bankrupt his kingdom throwing his best bud the funeral to end all funerals. And he owed to never take another bro, so long as he lived.

Like, that’s the dream. Just two dudes being dudes and doing dude things together. Just the two of them. No group hangs. Table for two only.

Both on Earth and in the afterlife, forever after.

Together.

Eternally.

*A moment of silence for the bro-ships of the days of yore, when polishing another dude’s staff of manliness after battle was just like, what a good friend does. Out of respect for his, y’know, battle prowess. And masculinity. And like. His muscles and stuff.*

….But then you guys had to go and make everything gay. Like wtf. That’s so gay, dudes.

 

****************

On Canada

petition to rename the usa ‘south canada’

 

what about alaska

are we then normal canada

 

canada a bit to the left

 

moniker-padacklyte 

What about South America? Is that just America? Or South South Canada?

winchesterwolves 
image

 

 

 

*********************

 

From: Lkeke35

On Villains and Fans

This was my hot take on the discussion of fandom sympathizing and excusing pop media villains. I wondered if some of the reason some fans do that is because they identify with the villain, but villains are bad, and associated that villainy with themselves. If that is the case I wanted to reassure them that liking a villain in a movie doesn’t necessarily say anything, in particular, about your morals.

Image result for villains

Somebody needs to let them understand that not only is it okay to like problematic shit, as long as you own it, it’s okay to like the villains. It doesn’t really say anything about you if you like a charismatic villain, but spinning up a bunch of bullshit philosophies about the villain because you feel ashamed to like them is the problem. And trying to cover up your racism (and sexism) by making up bullshit stories about the only PoC in the narrative is what’s our problem.

Nobody cares if you like Kylo, or Loki, but you DO NOT need to hate on the other characters to like them. You don’t need to make your liking of those characters sound like the most progressive thing one can do, by making up bullshit character traits for them that are not remotely evident in canon! We dislike the people who are showing their ass over liking a fictional character. That’s the problem.

I’ve liked plenty of villains over the years. I acknowledge the fact that they are charismatic villains, and I own that shit. That they are darkly seductive or whatever. I liked Darth Vader but I didn’t need to hate Lando Calrissian to do that. Hell I actually love Loki exactly for who he is, an emotionally messed up spirit of utter chaos, who is something of an asshole. I liked Hannibal from the tv series, but I didn’t need to hate Jack Crawford to do that! It says nothing about my character or morality that I find him enjoyable to watch, while condemning his actions. And it’s perfectly okay to like both the good guy and the bad guy simultaneously. Sometimes villains are created for the purpose of inducing such feelings in the audience. They’re handsome, or charismatic or sympathetic.

Plenty of black people loved and sympathized with Killmonger from the movie Black Panther. In fact that’s exactly why he was written the way he was written, to reflect certain thoughts and feelings of the audience, and we didn’t need to shit on T’challa to like him. I really wish these people would understand it’s okay to like the villain.

Unless, of course, your real goal is to express your racial resentment of other characters, and you’re using your love of the villain as a shield to do so…

 

On Getting Old and Tired

My hot take about not getting too excited to watch the latest movie, about Black people, showing how strong they are, by experiencing pain.

Image result for getting old

I’ve been a comic book, sci-fi, and film geek my whole life. I just love good stories, but now I’ve reached the point where if I haven’t read (name some famous black author), it ain’t gonna happen. Not saying I have no need for inspiration, or that such writing isn’t useful, and you do what you have to do, but I’m out.

I’m just damn tired of reading about black pain and misery. I don’t care what the reason is for, or how uplifting someone else thinks it is. It’s a phase I went through when I was younger, but I’m over it, now.

The only thing I wanna read about, and even watch now, is Black  bravery, courage, and joy. Now that I’ve had access to those kind of  stories, I’m spoiled. I want black love, black heroes, and black fantasies. I wanna see us in the future living our best lives. I wanna see us in alternate worlds bringing that black joy. I wanna see us defeating monsters, rescuing Excalibur, and flying rocket ships. I had so little of this growing up, I’m starving for it now.

I’m running up on fifty years old now, and that’s long enough to have traveled painful roads. And I’m really fucking tired. This world makes me shed enough tears. I don’t want tears in my fiction too.

 

On Cash Grabs and Disney

Image result for cash grab

I’m just saying, it looks really, really, suspicious when the argument about Disney doing nothing but a cash grab only seems to pop up ,from certain corners of the internet, whenever they announce some form of diversity in their latest movies.

To be absolutely fair, there are people who have been making that argument since the beginning of the MCU phase, and I don’t begrudge them their opinion, because yeah, it’s a fucking cash grab. But my counter argument to that is nobody who goes to see these movies gives a flying fuck about how they get representation. They only care that they are getting some representation in some manner. And yeah, it’s a cash grab, because Hollywood is a fucking bizness, which only now, after a hundred years, is starting to realize which side of the bread their butter is on, and the butter is on the side with diversity (and possibly China!) Yeah, PoC are all well aware of Disney’s racist past! You ain’t whitesplaining anything PoC don’t already know. What we have decided is we don’t give a fuck if we get a Black Ariel, a new Blade movie, or the next Black Panther, cuz it’s what we been fucking asking for the past twenty years!

This argument however, doesn’t ever seem to make its way across my dash when Disney announces its latest iteration of “Chris-Somebody Blows Shit Up Real Good!” But as soon as Disney announces that anybody black, or female, or gay, is working in one of their movies, then suddenly people wanna complain about a business trying to maximize its business! What the fuck they suppose to do, appeal to the smallest possible fragment of the American public and go out of business?

 

Generic White Fandom

My hot take on racial issues in pop culture:

Image result for generic white guy

What I’ve observed, is that it’s not white gay men writing any of these characters. I’ve read erotica written by gay men and it is very distinct from fiction written by women. The primary writers of these all these characters are straight white women, (there, I’ve said it!)and there have long been conversations in the lgbtq community about straight women fetishizing white gay men in shipping! None of these fandoms, and we are speaking in the aggregate here, are even half as progressive as they want us to believe and like to hide their toxicity behind a faux-reverence for progressivism! In fact, it’s gotten to the point where I am automatically suspicious of any meta written by white women as I feel certain it will be their ex use to express their resentment of female characters who don’t look like them and any characters of color.

Absolute Fan wanking has finally hit the big f*cking time!

Another one of my biggest pet peeves, however, is the utter sameness of the characters being written, as the poster above says. It’s like these women, whose only knowledge of how men are actually like, comes from reading other stories exactly like the ones they write themselves, or the heteronormative relationships they are in, which they then pretend to sneer at in the source material, and only know three or four templates from which to cull their character’s traits, and they use these traits regardless of what any of these characters are like in canon.

On the other hand, I do like to try to give peope an out. And it’s this: White audiences have no f*cking idea what to do with characters of color. Since they’ve only ever been socialized by a racist pop cultural paradigm which centers white men, they can only ever villainize, or sideline, or make servile, characters of color, since those are the ONLY examples they’ve ever been given, and let’s face it, these people aren’t as imaginative as they like to think they are. Doing nothing more than reproducing the same dynamic that one has seen in decades of the source material, which sidelined characters of color, is not progressive or imaginative at all. And they really have no real examples to work from, either, Especially if their tastes in source material, are as white-centered, and/or truncated, as their ability to write fiction. Writing and thinking in a non-racist, non-sexist manner, requires active thought, and participation, and not simply the use of popular buzzwords!

Now put all that together with racial resentment, misogynoir, misogyny, homo- and transphobia, and their complete and utter inability to acknowledge their own personal insecurities, and you end up with thousands of white women writing a delusional toxic stew of all evil darkies, conniving and/or dumb white women, sassy and servile black women, and white gay men with as much character range as blocks of wood.

My Favorite Memes of the Past Ten Years

What is a Meme?

meme is a virally-transmitted photograph that is embellished with text that pokes fun at a cultural symbol or social idea. The majority of modern memes are captioned photos that are intended to be funny, often as a way to publicly ridicule human behavior. Other memes can be videos and verbal expressions.

I spend a lot of time on Tumblr, which, much like Twitter, is meme central. Here’s a list of some of my all time favorite memes from the past ten years. I generally do not have a strong meme game, but I try.

******

I love this one because this perfectly describes me and my mother’s relationship, when it comes to me talking about things like superheroes, and some of the movies I like. Of course, that’s me, on the right, when Mom is enthusiastically describing whatever happened on her soap operas that day…

I’ve seen this meme all over Tumblr, and quite frankly, it describes a lot of people’s relationships with any one of  their enthusiastically geeky family members. You just know that poor woman has no idea what the hell that girl is crying about, just like I have no idea of this meme’s origin story.

 

 

This is one of the many faces you simply cannot get away with making at your White co-workers because you will probably get written up or something. You can only do this face, when you’re discussing whatever nonsense you endured, to your Black friends, at some later date.

Here’s the thing, I have no idea what show this is from. I think it might be Parks & Rec, or The Office, but I’m not sure. I only know this guy’s face from this meme becasue I never watched either show. Its like that sometimes on Tumblr. I only know what has happened on a show I don’t watch through the gifs that appear on my dash.

 

 

Sometimes I do know a memes origins, and that’s why this is one of my favorites.This is from Quinta B’s short lived video series, about being an awkward Black girl, titled “Don’t Tell Me To Relax”. Quinta B is currently starring in The Black Lady Sketch Show on HBO, and she  is one of the funniest Black women in comedy.

I love this image because her facial expression is absolutely perfect. That is the expression you wear when you know you’re right, the other person has acknowledged that you are right, and  you  want to just be a smug asshole…

…or this is twelve year old me winning a game of Uno!

 

 

 

This is Linnethia Monique “NeNe” Leakes from the show, The Real Housewives of Atlanta, which I have never watched. I only know her from her gifs and memes. In fact, I never did find out what she “said” she said, but Nene is the meme of every emphatically correct Black woman on the internet. “Don’t explain back  to me what I just said. I know what I said!”

 

 

 

This one is called calculating woman. I have no idea where this is from, so I probably could use this meme, to explain my confusion, about who the hell this woman is.

I do know why I find this one funny.This is the look Black people wear when seeing White people do something inexplicable, like walking on the sidewalk in their bare feet.

 

 

I know these are two separate memes, but I have only ever seen the two of them paired together. I only like this because my mind is very literal when it comes to this set of images, although its pretty much used everywhere on Tumblr. I would be outraged if a smug little cat sat itself down at my dinner table, too. I also know that any cat would be completely unperturbed by me screaming at them.

 

 

 

The woman in this meme spoke about what it was like to actually become a meme. She says that although how its been used is pretty funny, it wasn’t about her squinting incredulously at anything. She said she made that face because, before this pose, she’d been in a kneeling position, and when she stood up, her knees hurt!

Either way, I can understand both of those moods.

 

 

 

I’ve only ever seen both these  memes used in conjunction with people complaining about  colonizing, or appropriation. They’re both so very different, but are almost always used to mean the same thing, often used in conjunction with the term Wypipo!

 

Bonus!

The “Some of You Have Never …And it Shows” Meme

Some Of You Have Never…

 

 

 

 

…And Then It Imploded!

All four of these huge racial implosions happened in the space of a year:

 

Star Wars

This one started in December, just after the release of the last film in the Skywalker trilogy.

In the latest news on racism, we have John Boyega, now that he is free of Disney, which means he is also free of any promotional obligations to them, is lowkey stating what every Black person has felt about the Star Wars fandom, since he first encountered its most toxic members nearly six years ago: F*ck you arseholes!

For the past two weeks he has been trending on Twitter and certain members of the fandom are mad as hell! Here’s an overall  assessment of the situation from Youtube’s Clownfish TV.

This entire thing is so long and convoluted that I cannot possibly go into everything wrong with this fandom. So here’s some links, most of which are all kinds of fun as John speaks in his own words, on his own terms, and let’s  toxic fans have it.

I have long observed that you do not come for British actors and comedians on social media. They are a class of entertainer who have absolutely zero f*cks to give as regards American’s delicate feelings, and tolerate no nonsense from us. Yes, it is primarily Americans who are acting a damn fool about all of this. Americans are so used to throwing their weight around in other countries, that I’m not surprised we try the same shit on social media, and then act surprised when people from other countries push back.

https://www.cinemablend.com/news/2486615/john-boyega-get-candid-about-stupid-star-wars-fan-conflicts

https://www.cbr.com/star-wars-john-boyega-toxic-fandom/

Incidentally, both Kelly Marie Tran, and Oscar Isaac, both pulled a Mark Hamill, and have made it clear they are through with this particular  Disney franchise, and were dissatisfied with how their characters were mistreated in the story. This entire thing must have been especially trying for Kelly Marie, who started out in the franchise as a sweet and bubbly newby, who was excited by her new role, was having a lot of fun, and looking forward to an illustrious career, and look what the so called “fans”  did to her.

https://www.thedailybeast.com/the-persecution-of-kelly-marie-tran-how-star-wars-fandom-became-overrun-by-alt-right-trolls

https://www.yahoo.com/entertainment/star-wars-actress-kelly-marie-tran-reveals-how-she-coped-with-internet-trolls-after-casting-201413884.html

Tran, Boyega, and Ridley have endured years of trolling and bullying from a virulently toxic fandom. (Daisy, less so since, as she isn’t on social media.)

 

American Gods

This happened in the fall of last year:

In October and November of last year, one of my favorite actors, Orlando Jones, found out he’s been fired from the cast of American Gods. where he played Anansi, and African Trickster god. Here’s the timeline of the event from Orlando’s viewpoint. According to Orlando, it’s a complete, racist,  wtf*ery…

Image result for orlando jones

Here are Jones’ comments on his departure from American Gods.

September tenth, 2018, I was fired from American Gods. There will be no more Mr. Nancy. Don’t let these motherfuckers tell you they love Mr. Nancy—they don’t. I’m not going to name names, but the new season three showrunner is Connecticut-born and Yale-educated, so he’s very smart. And he thinks that Mr. Nancy’s angry get-shit-done is the wrong message for black America. That’s right, this white man sits in that decision-making chair, and I’m sure he has many black BFFs who are his advisors, and made it clear to him that if they did not get rid of that angry god Mr. Nancy, he’d start a Denmark Vesey uprising in this country. I mean, what else could it be?

To the wonderful Neil Gaiman, thank you for allowing me to play this role, for writing this wonderful book, for opening the door for me to become a writer/producer on season two of American Gods, thank you, sir. To the magnificent Bryan Fuller and the incredible Michael Green, thank you for creating this series and for allowing me also to become Mr. Nancy. I hope the fans enjoyed it, because really this is about you. I hope you loved it as much as I loved doing it, and, you know, we’ll see each other again real…

https://slate.com/culture/2019/12/orlando-jones-fired-american-gods-mr-nancy-charles-eglee-starz-gaiman.html

I have no plans at this time to watch the third season. The showrunner for hte first season was Bryan Fuller who is an exemplary showrunner, and out gay man, and has no problems with writing complex, and sometimes, controversial shows. The second season saw new showrunners, and while the season wasn’t a bad season, the drop in cohesion and quality was noticeable. I expect it to drop even further wit hthe ousting of Orlando, and a writer’s room that doesn’t want to be bothered writing its Black characters.

That some of it held together at all, is apparently due to Orlando Jones stepping in to help write not just his own character, but many of the of the characters of color  on the show, as the writers couldn’t bring themselves to be bothered to do it, and for which he received no producer credit. They also did not announce his firing in a timely enough manner for him to audition for a new position in an another show.

Here’s what Orlando stated, in his interview with TVLine:

I showed up in Season 2 of American Gods, and they hadn’t written for my character at all. They certainly knew I was coming. That was literally the studio’s job. And they didn’t do that job. And I wasn’t the only person: They didn’t do it for all of the characters of color. So if you really care about these characters of color, then why don’t you write for them? So, I found myself in a very odd situation, because Neil Gaiman was the one who asked me to write a [character] Bible for Mr. Nancy [at the start of Season 2]. I didn’t jump into the writing process and throw my weight around. I was invited by Neil Gaiman. And when I wrote that character Bible and sent it to him, I got back a message I wasn’t expecting. As a fan of the human and, you know, as a writer myself, I was overjoyed. It was all caps the email, you know, “I F–KING LOVE IT. Spread it around.” …I spread around that character Bible. And I suddenly found myself writing, not just Mr. Nancy, but Ibis and Salim and the Jinn and Sam Black Crow and Shadow Moon and all of the characters of color who weren’t written.

Not only did the creators of the show fire Orlando Jones, but they also got rid of the Jinn and Salim, the only MENA actors in the series, and the only openly gay couple (which the show was too chickenshit to show last season), that I’ve ever seen on TV.

I don’t think the creators on these shows realize what a massive fanbase some actors of color have, and Orlando has a huge Black fanbase on Twitter, with whom he regularly interacts. They are incredibly loyal, and vocal about their love for him, and producers and creators of these shows do not understand how much we certain Black actors, They need to recognize that it is that fanbase that’s tuning in to watch these shows. Celebrities like Orlando, Viola Davis, and Gabrielle Union, have a huge cache of good will in our communities, and to dismiss or disregard it, is sheer stupidity.

What has happened since is that about half the main cast has vacated the show. Mr. World. The Jinn, Salim, and New Media.

 

******

What happened here is not that much different from what happened on Sleepy Hollow. A show that was based on a Black female character got new showrunners, who mistreated the lead actress, and decided to focus more of their writing on the White characters in the show to the point where the original lead actress was simply written out of her own show (and replaced by a lighter skinned actress, btw). Not because of anything she’d done, but because the writers either didn’t want to focus on her,  didn’t know what to do with her character, or were too lazy to write a woman of color.

I say let this new season of American Gods go the same way as Sleepy Hollow. its not a good look when a successful show keeps cycling through more and more mediocre (and cheaper) showrunners. I won’t be watching the new season, and believe we should ignore it until it goes off the air. Don’t talk about it, don’t tweet about it. Let the third season be its last.

https://wearyourvoicemag.com/entertainment-culture/the-sleepy-hollow-ing-of-american-gods

Last week, Jones went public on Twitter about being let go from American Gods, citing that Eglee did not think the “angry” message was the right one to send to Black America and that he would know since he writes from “a Black male perspective”. 

What we are witnessing, once again is “whitening” of a show. Every time Hollywood creates a show aimed at a Black audience, they consider that audience to be expendable once the show gets good ratings. They then try to reset the show to appeal to whiter audiences, instead, get rid of everything that drew us to the original story-line (watching characters of color in a fantastic setting), and  considerably “lighten” the characters each season thereafter.

The decline of American Gods and its once sharp-as-nails grasp of the concept of race in America mirrors such issues, with the departure of Mr. Nancy bringing the casting of Herizen Guardiola as Yoruba goddess Oshun back into question. Oshun, sans her appearance in Lemonade, has always been depicted as a beautiful, darkskinned goddess. And it takes a specific type of toffetry and caucasity to assume the opposite and also assume that there cannot be two darkskinned goddesses onscreen at the same time (re: Bilquis).

*****

Image result for gabrielle union agt timeline

But the producers of American Gods aren’t just in trouble for this issue. Fremantle Media, an Australian based company, that usually produces Reality TV shows, is being investigated for the firing of Gabrielle Union, a Black actress from America’s Got Talent.

https://www.kingofreads.com/a-complete-timeline-of-the-gabrielle-union-americas-got-talent-saga/

The Romance Writers of America

Most of this happened in December of last year, and continues to now:

Image result for romance writers

Last year, I published a link to an article on the lack of diversity n romantic fiction, and how women of color were fighting to be included:

https://www.theguardian.com/books/2019/apr/04/fifty-shades-of-white-romance-novels-racism-ritas-rwa

********

NOW:

The Romance Writers guild imploded earlier this month ,in a series of vents which has culminated in the mass exodus of at least a third of its members. Here’s a timeline of the events, as we understand them:

https://www.claireryanauthor.com/blog/2019/12/27/the-implosion-of-the-rwa

********

a summary of my understanding of the situation

  • courtney milan is a chinese-american romance author and was the chair of the romance writers of america ethics committee
  • she wrote a twitter post where she called a book by kathryn lynn davis ‘a fucking racist mess’ (because it was)
  • davis and suzan tisdale file a complaint because How Dare She
image
  • are you guys seeing this because oh my fucking god ARE YOU SEEING THIS
  • “it was the nineties and she did a lot of research into chinese people, you’re just racist against white people”
  • they kicked courtney off the board because of this
  • immediately people started resigning because that’s horseshit
  • so many people resigned
  • SO MANY
  • it turned out the people resigning were some of the only people keeping the absolute bugfuckery of the people in charge at bay
  • the decision was rescinded like “oh whoops our bad” but like?? too late????
  • all the dirty laundry is coming out on twitter
image
  • there are petitions to get the president, president-elect, and executive director of rwa recalled because they’re clearly fuckups
  • either the rwa is going to need to go through some big changes, or a lot of authors (particularly queer authors and authors of color) are going to have to make their own org
  • the founder of rwa was a black woman so bigots taking over is especially fucking galling
  • courtney milan is also the reason we have dinosaur emojis
  • that’s not really relevant except who the fuck steps to the woman who got us dinosaur emojis

 

  • Courtney Milan is not only a great author and the person who gave us dinosaur emojis.
  • She is also a lawyer who clerked for Federal Judge Alex Kozinski.
  • In 2017 she spoke the WaPo and exposed Kozinski’s pattern of sexual harassment, also shedding light on how the clerking system’s confidentiality rules created an environment in which it was effectively impossible to make complaints about the judge one served under.
  • This is a massive clusterfuck from the ground up, but particularly because Milan is just about the worst possible person to fuck with in a situation like this.
  • The Board also took on the Case of the White Lady Publishers Who Don’t Like WoC Pointing Out Racism on Twitter, but has this same week refused to speak on Dreamspinner Press not paying authors.
  • So that’s a look at the priorities of what is *supposed to be* an authors’ advocacy professional org.

courtney milan managed to do a TON of good while she was on the board by taking neither prisoners nor shit, and being very vocal about calling out fuckery in the community, but now it’s looking like there were people within the rwa looking for excuses to get rid of her for exactly those reasons

hopefully they’ll be able to get the org back into good hands, because otherwise that’s a lot of resources that are going to go to waste (think: millions of dollars) while good people have to start over

 

******

*This entire timeline has resulted in the  canceling of their annual awards event.

https://www.washingtonpost.com/nation/2020/01/08/romance-writers-america-cancels-awards-program-writer-racism-controversy/

 

 

The Knitting Community

This began around this same time last year, and wound up in the Summer months:

Image result for knitting

Since this event began Ravelry has banned any form of support for Trump from its website. You can still be a conservative and discuss politics, you’re just not allowed to openly express any support for him, or his administration, on the site.

We are banning support of Donald Trump and his administration on Ravelry.

This includes support in the form of forum posts, projects, patterns, profiles, and all other content. Note that your project data will never be deleted. We will never delete your Ravelry project data for any reason and if a project needs to be removed from the site, we will make sure that you have access to your data. Even if you are permanently banned from Ravelry, you will still be able to access any patterns that you purchased. Also, we will make sure that you receive a copy of your data.

We cannot provide a space that is inclusive of all and also allow support for open white supremacy. Support of the Trump administration is undeniably support for white supremacy.

The Community Guidelines have been updated with the following language: “Note that support of President Trump, his administration, or individual policies that harm marginalized groups, all constitute hate speech.”

Policy notes:

  • You can still participate if you do in fact support the administration, you just can’t talk about it here.
  • We are not endorsing the Democrats nor banning Republicans.
  • We are definitely not banning conservative politics. Hate groups and intolerance are different from other types of political positions.
  • We are not banning people for past support.
  • Do not try to weaponize this policy by entrapping people who do support the Trump administration into voicing their support.
  • Similarly, antagonizing conservative members for their unstated positions is not acceptable.

https://www.vice.com/en_us/article/xwnp4a/the-real-reason-ravelrys-ban-on-white-supremacy-is-surprising

 

 

Hi! Have Some New Movie Trailers!

Hi! Here is a small list of movies that I’m interested in this year. Okay, partially interested in. Some of them I’m not exactly too keen on, but decided to add them here, in the interests of fake fairness.

 

*Quiet Place II 

I kinda like apocalypse movies, so I’m looking forward to this sequel. I may as well put it on my watch list for Summer, because I’m pretty sure my Mom (my movie buddy) is going to mess up my whole movie watching schedule for the Summer, by requesting to see Horror movies. A couple of times, I had to put my foot down and tell her that no we were not going to see the Annabelle movies!

I’m generally not real big on seeing Horror movies in the theater, because its easier to walk out on them when you’re at home, but I kinda know what type of scares to expect, having seen the first movie, so we will probably go see this one.

 

 

New Mutants

I started reading  the New Mutants during its first run waaay back in the 80s, and the primary story was about an Indigenous girl, named Danielle Moonstar, who was haunted by a  demonic bear. She had the ability to create realistic illusions in the minds of the people around her, and the bear had the ability to turn anyone it touched into a kind of demon minion.

I haven’t read that particular comic in decades, but I still vividly remember the images drawn by Bill Sienkiewicz (Sink-o-wits), who  became one of my all-time favorite comic book artists. I also thought the story was pretty scary too, so The New Mutants movie comes by its horror trappings very honestly.

The team consists of Illyana Rasputin, who is the sister of Colossus (from Deadpool) in the comic books. She is a kind of  half demon, who wields a soul sword. Rayne is a werewolf from Ireland. Sam is known as Cannonball, and is capable of flight, and Sunspot is ,well he’s complicated, and scary as f*ck, when you think about his powers. This trailer looks a lot more interesting than that first one we saw which really didn’t excite me very much. This new trailer makes the movie look as if it were worth paying money to see.

All that said, I’m not too keen on seeing this movie because of its overwhelming whiteness. Not a single one of these characters look anything like they have in the comic books for the past thirty years, and I just find that deeply annoying, along with not wanting to watch a bunch of teenagers, and their merely adequate acting skills. But hey, the trailer is cool.

 

 

 

John Henry

I’m really excited to see this one, (even though I still have issues about Black people constantly being associated with criminal activity in movies.) John Henry is one of those folk tales I heard when I was a little girl. I’m not clear if he was a real person or not, (I suspect he was), but he is basically an African American Folk Hero, like our version of Superman.

When Superman died in the comic books, back in the 90′, ,a bunch of different people tried to fill his shoes, and one of them was Steel, (who carries a giant hammer) who was based on John Henry.

Henry even has his own song, which I also learned as a kid. It’s basically a superhero story about a man who raced a steam drill, to tear a hole in a mountain. This was animated by Disney a few years ago, for the movie Legends. (This is not the original music for this short.)

 

This is the first live action version I’ve ever heard of, set in the modern day, and I cannot think of a better person to play this character than Terry Crews.

 

 

Tenet

Yes, yes, yes!!! I am very excited about this. i don’t know that I’ll get chance to see it in the theater, as I did The Dark Knight, but I am eagerly looking forward to Christopher Nolan’s latest thriller, which stars the son of Denzel Washington. Look for the little “time loops” in the trailer! There are several.

Tenet, described as “an action epic evolving from the world of international espionage,” seems to exist in the same complex cinematic conversation as Inception (if not the same universe) — in terms of how it dabbles in both the sci-fi and spy genre, and in regard to its futuristic-yet-grounded world filled with futuristic-yet-grounded technology.

The sequence centers around a terror crisis, and both the law enforcement members and a group of spies who respond to it, with seemingly different motivations. This plays into the specifics of the film’s spy world, as John David Washington’s character even sounds as though he’s speaking in code at one point.

It also contains a blink-and-you’ll-miss-it moment that seemingly showcases the film’s time-warping technology in action, which helps to communicate the sci-fi twist. After the sequence wraps up, the prologue dives into a trailer-like montage, which contains the reversed car flip from the online trailer.

https://www.hollywoodreporter.com/heat-vision/tenet-imax-prologue-shows-a-time-bending-mission-1264421

https://youtu.be/-BplPeKclvw

 

 

 

Black Widow

Some movies, I’m instantly excited about, whether or not I see a trailer. Black Widow was not one of those movies. I heard they were gonna make it, and my mood was pretty, “Meh, I’m over her.”(It does not help matters that  Scarlett Johannson insists on walking around with her foot firmly planted in her mouth, and its hard to act that way.)

But most people don’t know about her social media gaffes, and, this trailer actually looks like a helluva lot of fun, and this trailer does make me want to see it. A little dose of humor goes a long way with me, because that first trailer was horrible. This one is a lot better, so I predict this is gonna be pretty big, and more than enough to tide people over, until Wonder Woman is released (another movie I don’t particularly care to see, not because I hate the movie, but because I just can’t dredge up enough energy to care about it.)

I really only have one question: When are they gonna make that Kamala Khan movie?

 

 

Free Guy

I like Ryan Reynolds and this just looks like goofy fun. I will not be seeing this in the theater however, because i generally avoid films that involved video games, and while Ryan and his wife have great onscreen presences, their personal life decisions are for shit. I really need to stop reading anything about celebrities. A lot of them suck as people.

 

 

Bloodshot

I probably will not see this in the theater, although I am a fan of the comic books, which it seems there’s like a thousand of them. The action scenes look cool as f*ck though, (I’m cussing, so you know I’m excited about this!), and despite Vin Diesel’s questionable acting skills, and the mediocre plot of having his wife get fridged as a motivator for vengeance, I kinda want to see this. I’ve been spoiled by some really good, smart action films for the past ten years, and while this looks like it has a nice mental twist, it doesn’t look as if it will captivate me, in a theater, for two hours. We’ll see!

 

 

 

The King’s Man

I like this one but probably won’t see this in the theater because I wont be able to get anyone else interested in going to see it with me. Now this movie is a prequel to The Kingsman franchise, is set in a different time period, and boasts a much weightier cast. I don’t know. This movie is giving me Indiana Jones feels, and that’s a good thing, since I like those movies.

 

Honorable Mentions

*Birds of Prey – A Harley Quinn movies, which looks interesting.

Mulan – A live action movie based on the original Chinese story of a young woman who disguises herself as a man to take her father’s place in the military.

*The Lovebirds – This one stars Issa Rae and Kumail Nanjiani, whose good-natured humor has built them a large fan base, so I expect this movie to do well.

*Candyman – A remake of the original 90s movie by Jordan peel, and featuring cameos from the original cast.

*Morbius – I like a good vampire movie, and this is from the same people who made Venom, which I also liked. Morbius is part of the Spiderman universe, and is one of his deadliest villains. He basically eats spider-people. I would have preferred an animated version of this in the style of Into the Spiderverse, but we got Jared Leto instead. Whaddya gonna do?

The Hitman’s Wife’s Bodyguard – I just really like this stupid title.

Last Night in Soho – I got two words for ya’. Edgar Wright!

*Snakeeyes – This is one of my favorite characters from the G I Joe universe, so I’m looking forward to seeing this. I guess its gonna be an action movie year.

*Halloween Kills – I was one of the few people who seemed to actually enjoy the previous Halloween movie, so I guess I’ll be sitting all alone in the theater, for this sequel.

Eternals – I don’t know what to think about this yet. Its part of the newest phase of the MCU universe. I’m withholding my opinion until i see a trailer.

*Dune – I  like this director, Denis Villenueve, and liked his interpretation of Bladerunner, so I’m looking forward to his version of Dune. I’ve read Dune every couple of years, or so, and I actually enjoy the original film, despite its inaccuracies.

One drawback though is that he doesn’t feature any Black people in his movies that either aren’t criminals, or getting horribly killed. I looked at the casting for this movie, and there is only one Black man in the entire cast (on what is supposedly a desert planet where everyone appears to be lily-White). He plays the character of Jamis, one of the first people killed by Paul when he joins the Fremen. Even though the Fremen are canonically based on Middle eastern tribes, there’s not one MENA person in the cast. Zendaya is in the cast, and I like her a lot, but she is light-skinned, so she is one of those people a director casts, when they want someone of ambiguous ancestry.

I’m starting to give Villenueve a heavy side-eye on his depictions of characters of color. I’m not saying Villenueve is a racist. What I’m saying is that like a lot of White directors,he has never thought about race at all, and so continues to reproduce the same tired, worn, stereotypes of Black and Brown criminals, who need to be punished in the story.

Geeking out About: The Watchmen TV Series

Image result for watchmen series gifs"

Last Sunday was the season finale of the nine episode Watchmen TV series, on HBO,  and I’ve been having all kinds of thoughts. From the first episode, to the finale, my thoughts have just been all over the place. This show took me on a journey, but it was satisfying, and I’m not as angry with Lindhelof as I was when the series began. This makes up for some of his past transgressions, like Prometheus, and the ending of Lost. I was exasperated by some of it, some of it galvanized me, and some of it made me feel really, deeply, some type of way. The plot is a little too intricate to get into here, but I have provided plenty of links, for those who are curious.

First off, the series is a direct sequel to the comic book, and not the much maligned movie from a few years ago. This story (most of it) takes place thirty years after the events in the book, with flashbacks to some periods in between. I talked about the setting  in a  mini review.

https://tvgeekingout.wordpress.com/2019/10/28/october-viewing-list-ii/

 

Review

https://tv.avclub.com/life-on-earth-gets-a-lot-weirder-but-watchmen-continue-1840145375

Image result for watchmen series gifs"

And People’s Thinky Thoughts:

 

https://www.vulture.com/article/watchmen-hbo-easter-eggs-references-episode-guide.html

Image result for watchmen series gifs"

https://www.esquire.com/entertainment/tv/a29592776/watchmen-redfordations-racial-injustice-act-explained/

https://www.esquire.com/entertainment/tv/a29565670/watchmen-hbo-backlash-controversy-white-supremacy/

Image result for watchmen tv s gifs/manhattan"

https://www.vox.com/culture/2019/10/20/20919750/watchmen-hbo-regina-king-review-damon-lindelof-race-policing

https://www.thedailybeast.com/hbos-watchmen-pisses-off-comics-fanboys-its-woke-propaganda

Image result for watchmen tv s gifs/manhattan"

 

https://www.motherjones.com/media/2019/12/the-best-tv-show-about-racism-was-a-comic-book-fantasia-heres-how-watchmen-did-it/