Hannibal Season 2: Tome-Wan

Tome-Wan would at first appear to be one of these interstitial episodes between momentous events, but a number of important events happen in this episode , so its not filler.

There are a number of confrontations, in the aftermath of Will snitching to Mason about how the whole situation between Mason, Margot, and Will was orchestrated by Hannibal.

Will tells Hannibal what he said to Mason, and when Hannibal asks why, he tells him he wanted to see what would happen, throwing back at Hannibal his excuse for why Hannibal warned Garrett Jacob-Hobbes, long ago in that first episode. There are a number of callbacks by Will to that first season.

Image result for hannibal tome wan

Hannibal asks Will to close his eyes and imagine what he’d like Mason to do to Hannibal. Will imagines Hannibal hanging from the rafters in Mason’s pigpen, wearing a straitjacket. In his mind he is the one who slits Hannibal’s throat. Will is suffering from a severe case of “lovehate”. Hannibal has been the architect of so much misery that he can’t wait to see him dead (or captured). At the same time, there’s a part of him that finds all of this exciting, and revels in Hannibal’s antics. Will gets to use his hidden  savage self in service to the state, and loves letting that part of himself of its leash. You can see it in the last episode where he confronted Mason.

Mason confronts Hannibal during his next therapy session. He’s being especially hard on Hannibal’s nerves, as he critiques his drawings, declaring them to be crap, throwing his feet onto Hannibal’s desk, and stabbing at them with a penknife, like a bratty ten year old, which is exactly where Mason is, mentally. He hasn’t evolved beyond the spoiled child stage, and doesn’t seem to realize that he is dealing with a wholly different type of animal than anything he’s ever encountered. Mason is a small fish that, because of his narcissism, thinks he’s pretty big, in a big pond. He doesn’t even conceive that he’s dealing with  Hannibal the  Great White.

Image result for hannibal tome wan

Mason tells Hannibal that he should have stayed out of Verger family business, and threatens to slit his throat. Hannibal, who never gives anything of himself away, acts completely unperturbed, so you know that Mason is  a walking dead man, and that Hannibal have to do this himself, since Will isn’t cooperating with his masterplan of having Will kill Mason. Watch Hannibal’s face during this scene. You can see he is barely holding himself back from snapping the shit outta that little fucker. (Not in the office, Hannibal! Not in the office! – In the voice of Last Week’s John Oliver.)

In Margot’s therapy session with Hannibal, she is broken and restrained. After her forced hysterectomy, (which his quite possibly one of the most heinous things ever done on this show, and that’s saying something, when you consider this is a a show about serial killers.), she has learned her lesson about trying to oppose her brother, and all her hope is lost.In fact all seems lost for everyone, as there are a number of setbacks for all the characters, in this episode.

Image result for hannibal tome wan

Jack Crawford, who is frustrated at how long its taking Will to ensnare Hannibal, has a surprise for Will. He has found and detained Bedelia Du’Maurier, Hannibal’s former psychiatrist. She tried to run away because she knew Hannibal was dangerous for her, but the FBI has done her the favor of putting her back on his radar, as he was too busy with his machinations with Will, to search for her himself.

Will questions Bedelia about Hannibal’s weaknesses. She tells him of her fear of him, how he manipulates others into doing his dirty work for him, something which Will is experiencing first hand, and confesses about the patient Hannibal set her up to kill.She says Hannibal will persuade Will to kill someone he loves, but the only person Will has left to love is Alana. Hannibal has carefully removed everyone else from Will’s life, including the idea of his unborn child.

Hannibal may  be aware of how much Will hates him, during their next therapy session, but he completely disregards the depths to which Will will sink in pursuit of him. Will accuses Hannibal of fostering co-dependency. Hannibal doesn’t want anyone in Will’s life but himself. Which, when you think about it, is one of Hannibal’s creepier aspects.

While Hannibal is drawing one evening, Mason’s henchman, Carlo, bursts in and kidnaps Hannibal, but not without a fight in which Mateo, a friend of Carlo, loses his life, after Hannibal stabs him in the femoral artery with a scalpel.. Carlo stuns Hannibal,  takes him to Muskrat Farm, and trusses him over Mason’s pigpen. This is directly from the book and movie, Hannibal, where Mason Verger has Hannibal in this same position.

Image result for hannibal tome wan

Just as in his imagining, Will is prodded by Mason to slit Hannibal’s throat. We’re not sure exactly whats going on in Will’s mind. He certainly hates Hannibal, but when given an opportunity to kill him he balks, and later when given the opportunity to capture Hannibal, he warns him instead. Does Will even know what he wants, or why? Instead of cutting his throat, Will frees Hannibal but gets knocked out by Carlo for his troubles. Hannibal just leaves Will there unconscious and spirits Mason away for some,  more private, torture.

When Will wakes up he finds blood streaked everywhere, no sign of mason and Carlo’s body, which was eaten by the pigs. He goes back to his home to find Hannibal there with Mason. Hannibal has drugged Mason and induced him to cut off pieces of his flesh, using his father’s knife, and feed it to Will’s dogs. I’m not sure how lost Will is in this scene. He seems  amused at what Hannibal is doing. Is he happy because he finally has evidence of Hannibal doing something actionable in front of him, or is he simply amused at Hannibal’s antics? In a  nastily gruesome scene, Hannibal also orders Mason to cut off his lips and nose, and eat them. What makes this scene especially grotesque is Mason’s mental state. As he happily mutilates his face, he still crack plenty of jokes, about it.

Finally disturbed , Will urges Hannibal to finish Mason, but canny predator that he is, Hannibal doesn’t kill Mason. Instead he carefully paralyzes Mason with a precise break of his neck.

Image result for hannibal tome wan

 

Weeks later, Jack Crawford questions Mason about what happened to him, but Mason says he fell into his own pigpen, and  sings nothing but praises for Hannibal Lecter’s care. But we know better. This shit ain’t over as far as Mason is concerned. Or maybe it is. As Jack leaves, Mason is confronted by Margot, who tells him that she will take very good care of him. She’s the one in power now. I really love this scene, for the look of deep gratification on Margot’s face, as she says this.

Later, Will and Hannibal are debating whether  to confess their sins to Jack, or not. Hannibal weighs the idea that Jack should be told, and then killed, after which he and Will will run off together.

Forthcoming TV Shows

There are a number of television shows I’m looking forward to next year. Now in hindsight 2016 has been a fairly shitty year, except for TV, which is tearing it up with some very exciting series. I’m very much enjoying Legends of Tomorrow, which is much better in its second season. It got rid of the rather dodgy actress who played Hawkgirl, and replaced her with Vixen, with whom I’m very satisfied.

I’ve decided to try DCs other superhero shows and I’m liking them, although I do consider them to be rather light weight viewing. I still don’t like Arrow, though.

From Dusk Til Dawn also had a much better season than last year. It just aired its season finale  and I’m going to happily break that down for you guys by the end of this week.

American Horror Story just aired its finale episode which I’ve already reviewed. I feel like AHS had a great season this year, with a lot of depth, focus, and humor.

We got the truly wondrous Luke Cage, which I can’t even accurately review because my head is so crammed full of thoughts about it that I can’t straighten them out. I’m still processing this show, as I haven’t really had time to really think about it because:

Season 12 of Supernatural has just started to air and its very good. So far, its been very engaging, and funny, with some very well written side characters, and quite a number of feels.

And, I’m entirely caught up in the Westworld phenomena. Thankfully its only got two episodes left, after which I can take some time to think about something else and finish processing my thoughts and feels about it.

Then it’s back to watching and/or reviewing starting January 1st. There is such a wealth of good shows, and I have such a limited amount of time with which to review them, that I’m going to have to start farming out some reviews. So from now on, when I see a really great review of a show I’m watching, but don’t actually have time to review, I’m just going to leave a link or reblog.

Also, if you’re a person who writes long form TV reviews like these, please get in touch with me about linking , and reblogging your posts. I love a good, well thought-out, and logical review. No wanking or ‘ship wars, please. I don’t mind if you love a certain ship  but I’m not going to reblog about  ‘ships that erase PoC, canon LGBTQ characters, and women from their own narratives.

Okay, here’s what we have to look forward to:

*Sherlock (Jan.1)

Sherlock returns for its fourth season. I’m starting to get really tired of looking at Benedict Cumberbatch’s face. He’s a phenomenal actor, with one of the best voices I’ve ever heard on a screen, but he looks like a turtle that’s been squeezed too tightly, and  I think I have reached “Peak Cumberbatch”, at this point. Nevertheless, I may still watch this, because I actually enjoy the plots. (BBC)

*Beyond (Jan. 2)

This show looks like a cross between Kyle X and Teen Wolf, which isnt a bad thing. I’m looking for  a replacement teen show for Teen Wolf anyway, since its in its last season. (Freeform)

Shadowhunters (Jan. 2)

I’ve only ever watched a couple of episodes of Shadowhunters, but gifs of it keep showing up in my Tumblr feed, and I’ve liked those, so I’ll watch this. And Harry Shum, who was one of the fan contenders to play Danny Rand in Iron Fist, is in this and I do need to have some  Shum in my life, somehow. (Freeform)

Sleepy Hollow 

I won’t be watching  season four of this show and there’s no trailer as yet,  but if you don’t mind the complete wtf*ery of what happened  last season, you go right ahead .I’m gonna be a petty mf and not even post the airdate.

*Taboo (Jan.10)

I’m a huge Tom Hardy fan, often watching movies I would not normally think about just because he’s the star. Also, I just enjoy dark Historical mysteries and these trailers look gorgeous. (FX)

*Lemony Snicket (Jan.13)

I read a lot of Lemony Snicket books and enjoyed the Jim Carey version of this, so I will probably check this out. My favorite character is Violet, so I have to stan for my tiny baby. This trailer seems to capture some of the zaniness of the original film. (Netflix)

The Young Pope (Jan.15)

I really like Jude Law, but I probably won’t watch this, even if I find this kind of Catholic scandal type stuff, fascinating. I’m not Catholic, but I will watch dramatic histories about it. This looks well acted but I’m noping out. (HBO)

Six (Jan,18)

I don’t normally watch military type shows but this looks interesting. For some reason, I’m attracted to those Navy Seal non-fiction books, and this show looks suitably dramatic, so I may watch this. On the other hand, I don’t wanna see Black people being terrorized, so I may not make this a regular part of my viewing diet. (History)

*Frontier (Jan.20)

I’m always up for anything starring Jason Momoa. I have not yet reached Peak Momoa. (Netflix)

*The Magicians Jan.25)

I was a bit disappointed in the last season of this show because of the depictions of violence against its female characters, so I’m dubious about watching this new season. On the other hand, it looks gorgeous, and I hope its a better than the second book in the series on which this is based. Finishing that second book felt like working. (Syfy)

Riverdale (Jan.26)

I could not find a good trailer for this one. I try to stick to only one teen show per period, so I may not watch this, but this is the last season of Teen Wolf, and I might need something to replace that. The trailers don’t look very interesting but I could give it a try. (CW)

Black Sails (Jan.29)

I watched the first episodes of this and then stopped, but I have been following what’s happening through reviews.It still looks beautiful but I can make no promises about this show, other than I will watch the first episode and give it a chance. (Starz)

The Expanse (Feb. 8)

I only watched a few episodes of the first season, but I’ve since read that its a good show, so I’ll watch the first episodes of this second season. I don’t know if I’ll like it but I can try it. (Syfy)

Taken (Feb 27)

(NBC)

I’m a big Liam Neeson fan and I really liked the movies on which this show is based.

*Legion (Feb TBD)

This is a Marvel Superhero Joint, so I will watch it even though I’m not in the market for yet another show about a quirky, White, male hero. I do know who this character is in the comic books, though, so I’m going to check it out. (FX)

*Iron Fist (March 17)

I will watch this even though I’m disappointed that the creators didn’t choose an Asian American man to be Danny Rand. That kind of story would’ve had so much more depth, but depth isn’t Marvel’s strongest suit. I’m still not greatly impressed with the actor they chose either, but I promise to give him a chance. I’m mostly in it because I hope this show does for Colleen Wing, (who has been racebent to be Asian) what the Luke Cage series did for Misty Knight. (Netflix)

Into the Badlands (Spring TBD)

Well, duh! (AMC)

Westworld Season One: Trompe L’oeil

Trompe l’oeil: a painting or design intended to create the illusion of a three-dimensional object. A French word meaning “deceive the eye”.

“Doesn’t look like anything to me.” – Westworld’s Hosts

The beauty of  the Westworld series is that it all relies on the visual perception of not just the Guests and Hosts, but the viewers, as well. According to Ford, the Hosts can’t see anything that might hurt them, but we should.

This series is full of deceptions, but a lot of masks came off for this episode, as Charlotte plays her hand, we find out who Bernard is, and William and Dolores, take things to the next level. Actually, none of the revelations are huge surprises, if you’ve been paying attention, as the show has been dropping little clues and hints all  season. But like I said, I’m pretty bad at speculation, so I just notice  these things, and move on, allowing the show to take me wherever its going.

Its a little like sightseeing, with other passengers pointing out highlights, we should pay attention to on the tour. Other people use these highlights to guess what their final destination might be, but I’m mostly  just going to take notes, and enjoy the ride, especially in a show as layered with meaning as Westworld.

Image result for westworld trompe loeil

Charlotte Hale, and Theresa, are working together to overthrow Ford’s ownership of the Park. Now, Ford warned Theresa not to get in his way, and her hubris at thinking she could best him with her juvenile actions, gets her killed, at the hands of her former lover, and newly outed Host, Bernard. Charlotte and Theresa ,while not new at manipulation, are not in Ford’s league. He’s a master chess player, who seemingly knows what they’re going to do before they do it.

I know a lot of people speculated about Bernard. It was one of the big theories of the series. Well, such people had ample reason to look smug, as it was finally revealed that Bernard has always been a Host. I enjoyed this revelation, but I wasn’t exactly surprised by it, as I’ve watched these episodes several times, and followed the trail of breadcrumbs that other people were pointing out to me. They all had some  very compelling arguments, which finally  paid off.

William has decided he’s going to stop pretending, saying to Dolores, that he’s been pretending to be something he’s not his entire life, but now that’s over. He’s going to be his true self from now on, which just furthers everyone’s theory that William is actually the MiB, about 20-30 years ago, and that he and Dolores are in another timeline. He and Dolores make out, and I kinda knew the direction they were headed, so no surprises there. Its interesting to me that its Dolores who makes the first move, professing her love for William.

Image result for westworld trompe loeil

Dolores has revealed that she is now totally in pursuit of her own goals, and William is just along for the ride, as her dreams lead her further and further away from the life she once lived. It does make me wonder, if this is the past and William is actually the  MiB, then in the present times, he may not have actually raped her in that barn. He may have been doing something entirely different. The show has made it pretty clear that nothing is as it seems,  so why not that event, too.

In their efforts to oust Ford from power, Charlotte and Theresa stage a show for Ford and the others to demonstrate how dangerous the new Reveries program might be to the Guests. Something that Elsie (who is missing this episode) took great pains to find out, and was fairly alarmed about, is just casually thrown out there by Charlotte, although in her case it’s faked. She and Theresa make a blood sacrifice of the guard and  Clementine, and we find out there are other employees wandering around who are actually Hosts.

Image result for westworld trompe loeil clementine

Now, I don’t know if everyone at the demonstration knew that the guy Clementine killed was a Host already, or if that’s something only Ford knew, but it was interesting that, as little sympathy as the employees seem to have for the Hosts, the women all looked acutely uncomfortable at watching Clementine be brutalized by this man. At any rate ,their little demonstration was faked to make Ford’s updates look bad, and  give the Board leverage to use against him. They  used  most of that leverage to fire Bernard, since they can’t directly attack Ford because he is incredibly valuable. Charlotte made it very clear in her interview with Theresa, the Board only cares about the Host’s technology, and to Hell with its employees. What they want to do is reduce the amount of power Ford possesses, so they can get their hands on it, but Ford is several moves ahead of them.

He’s had a lot of practice at this game. As he says, every few years the Board  makes some  effort to bring him to heel, and Theresa is just their latest cats-paw. When he orders Bernard to kill her, we see a new Host body being created in the background. Some people are already theorizing that its Theresa’s replacement. This has the added benefit of unsettling the viewer because now we start wondering are there any  other Hosts wandering around the facility pretending to be humans, and who might they be.

Image result for westworld trompe loeil

Its almost heartbreaking to watch it slowly dawn on Theresa that she is about to die horribly. I say almost, because I never really warmed to Theresa, although she was certainly a smart and complex character. Her terror is especially sharp, after staging that demonstration showing  how powerful Hosts are, and what they’re capable of. She essentially just watched her own death several hours earlier. She knows exactly what Bernard s going to do to her. The signature move of the Hosts is to bash their victims heads.We saw that in the episode where Elsie was almost attacked, and again with Clementine.

My heart really broke for Bernard though as he is confronted with the knowledge that he’s not human, and never has been. We opened the episode with Bernard having a nightmare about the death of his son, so its especially poignant to discover that those memories, memories that he’s used to push Dolores towards sentient awareness, aren’t real. Unless of course that too is something that was orchestrated by Ford to influence Dolores in the direction he wanted her to go.

Of course one of the prevailing theories is that those scenes of Bernard talking to Dolores are really scenes between her and Arnold, when he was alive, just after he lost his son, and just like Ford claimed Arnold made Host copies of Ford’s father, maybe Ford made Bernard in Arnold’s image. When Theresa asks if Bernard killed Arnold, Ford says Bernard wasn’t around then, but Bernard has been around for an extremely long time, though. When Theresa finds the drawings of Bernard’s schematics, the name on the sheets is carefully missing, whereas on drawings of Dolores’ schematics, her name is prominently displayed.

Image result for westworld trompe loeil

The jury is still out on whether, or not, Bernard is actually Arnold, or if Arnold was even a  real person, or just some myth that Ford made up as a another layer of protection between him and the corporation. I’m going with the idea that Arnold was a real person, but what furthers this theory is that Ford seems to be the only person who knows everything that’s going on in the Park.

Image result for westworld trompe loeil

Meanwhile, Maeve has decided she’s not going to live in the Park. She wants out, especially after she inadvertently witnesses Clementine being decommissioned, after  the Delos demonstration. She cajoles and threatens Sylvester and Felix into helping her, although I get the distinct impression from Felix that he’s helping her because he’s curious to see where this is going. He mostly seems shocked at Maeve’s boldness, and seems to really like her. He doesn’t seem as entirely opposed to the idea as Sylvester, who hates her guts. I suspect Sylvester isn’t long for this world, as this is the second time Maeve has threatened to kill him. She’s never threatened Felix, though.

The big action set piece this time is the three-way fight between Lawrence, Dolores, and William, who are trying to escape the Confedorados, who are mad at Lawrence for betraying them, and the Natives who attack the Confeds because they’re angry at all these people trespassing on their land. Its a gorgeously shot scene, with lots of nice stunt riding on the part of the actors.

Now, I’ve seen some Tumblr pieces vilifying the show for being racist. Yes, the show contains racism, but there’s a reason for it, just like all the other narratives in the show. (Except for that lesbian thing. That’s just weird.). Things aren’t what people think they are and if they are just looking at the surface layer, they will come away with the wrong idea. The creator, Lisa Joy, is an Asian-American woman, who is not simply reproducing the racist narratives she’s been told her whole life. She is meditating on them, and in many ways, subverting them.

Normally I would address this in a long rant, with receipts and bullet points, but its  apparent that would be kind of a waste, because its Tumblr, where very young people go to test out their critical thinking skills, and  none of them seem to have watched the show beyond episode three. In order to understand the show, you can’t just look at what’s happening on the surface. So, what I’ll do is leave this here again:

https://tvgeekingout.wordpress.com/2016/11/07/westworld-analysis-dolores-and-maeve/

Its not a perfect meta, and at some point I may redo and re-publish it,  but hopefully people who read it will get some idea that the issues of racism they’re seeing, are much more complex than they are  at first shown. The entire series is predicated on deceiving the eye, remember?

 

Here’s review that I especially enjoyed:

http://www.vanityfair.com/hollywood/2016/11/westworld-recap-bernard-robot-kills-theresa-episode-7-tromp-loeil

American Horror Story Season 6: Finale

Well, that was pretty confusing, but I actually liked it. It was entirely in keeping with the generally snarky attitude of the entire season’s meta approach to televisual media.

We start off the episode with the courtroom proceedings at Lee’s trial and some shameless overacting from the lawyers, as they plead their case. Lee is pronounced “Not Gulity”. Flora, who testified that she witnessed her mother kill her father, was not a believable witness, because she believed in ghosts.

Image result for american horror story finale

We get more backstory on Lee,  but this time told from the point of view of a cheesy MTV: Behind the Music style show called Crack’d, (which was hilarious) and a parody of some type of ConFest, thrown to celebrate the original Roanoke Nightmare, which totally captures the self serving bullshit of the celebrities featured at such events. Each one of the stars of My Roanoke Nightmare are at their obnoxious best, as they showboat to  try to garner as much attention from the audience as possible.  My eyeball rolling didn’t even reach maximum levels during this stage of the proceedings. Clearly the show runners were just getting started.

The episode itself is total crack-meta as it switches from one television genre to another, as shows within shows. From those opening scenes, we move on to a Barbara Walters type of show, with its overwrought and ponderous interviewing style, with Sarah Paulson reprising her role as Lana Winters, the newswoman from Asylum. She is interviewing Lee about  having been found not guilty of killing Mason, and hilariously has  the tables turned on her by Lee. That interview itself turns truly batshit insane when the last of the Polks,  Lot, shows up with a machine gun, and tries to assassinate Lee in the middle of the interview.

Image result for american horror story finale

From there, we get a callback to the last episode with some intrepid spiritchasers, called appropriately enough, Spirit Chasers, visiting the Roanoke House during the Blood Moon. I had as little empathy for these obnoxious twits, as I had sympathy for the ones who died in the last episode. That last group didn’t deserve the horrible things that happened to them, but these guys were warned frequently, they watched the second season of Roanoke, so knew what to expect, and the house itself is cordoned off against trespassers with barbed wire. These assholes chose not to believe any of it, and got themselves (and some hapless policemen) murdered by the Butcher’s followers.

Although, when you think about it, the most common trope of all horror movies is people making stupid decisions, so  the show simply ends as it began. Matt and Shelby find a ramshackle old house in the middle of fucking nowhere and decide that would be a good place to live. The Spirit Chasers make the boneheaded decision to trespass on haunted land, where at least a dozen or more people have died. I don’t even believe in ghosts but, just like in that Stephen King story 1408, I don’t have to believe in ghosts to know that staying overnight, in a place where dozens of people have died horribly, is a good idea.

Image result for american horror story finale/spirit chasers

The spirit chasers meet Lee in the house. She is there hunting Flora. This is the part I find confusing because how did Lee know that’s where Flora would be, and how did Flora get there?  Uber? How did she get inside the house? She’s, like, twelve years old! and the place is surrounded by a  barbed wire fence!  In fact, this moment is so confusing, that when Lee showed up, I thought she and Flora were dead and being reunited as ghosts. I  was disabused of that idea because they showed up on the thermal sensors the spirit chasers were using.

It turns out that Flora came back to the house after her mother’s acquittal, to stay with Priscilla. One of the few truly emotional moments is Lee’s reunion with her daughter, and her utter dedication in protecting her daughter, no matter what. Lee, the ultimate survivor, sacrifices her life to keep her daughter from killing herself, so she can stay behind and protect Priscilla, in Flora’s stead, from The Butcher.

Image result for american horror story finale/spirit chasers

As the house finally burns to the ground, Flora sees the ghosts of her mother, and Priscilla, waving goodbye to her. Lee, as she has stated so many times this season, would indeed do anything for her daughter.

Now, I have read a rather shitty review which focused the episode on Sarah Paulson’s character and I was greatly offended by the writer’s complete inability to give Lee her due as the actual star of this season, instead of focusing their review on a White character from a previous season, who only shows up in the last episode of this one. This season wasn’t about Lana Winters, as her story has already been told, and I didn’t appreciate seeing Lee being reasoned out of her own story. I can see the parallels from Lana’s story to Lee’s, but that’s no excuse to remove Lee’s adaptability, determination, fortitude, and search for love and redemption, via her daughter, as the primary focus of this season.

 

I’m not saying Lee wasn’t a problematic character, but that’s why I liked her. One of my biggest complaints about TV and movies (among many, many, many, complaints) is the lack of unlikable women. She’s the kind of woman who is hard to like, because she’s complicated, and I like  that her complications make sense, and are consistent. She’s not just given random unlikable character traits to make you hate her.  Quite frankly, none of the white people on the show came across as people I would like to get to know. But I’d be friends with Lee, if I could. She seems like the kind of person that, once she lets you in that zone, you’re in there forever. When Lee loves people, she loves them wholly and completely, the way she does Flora. But if you wrong her, or betray her trust, you will soon be experiencing fine dining in Hell.

Image result for my roanoke nightmare house

 

The final scenes of the actual show (and not a show within a show) is a shot of The Butcher, the Blood Moon, and all the police, and emergency service personnel, gathered in the valley below, and completely at The Butcher’s mercy.

Yeah, that’s not gonna end well.

But we knew that when the season began.

Overall, I really liked this season. This is coming from someone who generally hates the overwrought dramedy of Reality TV. I think the seasons have gotten  better and better over time. I enjoyed Freaks and Hotel, but those seasons suffered from a great deal of incoherence, and lack of focus, towards the end, with subplots being introduced that never got follow through. This season remained taut, focused, and nuanced, with a clear thematic goal of parodying Reality TV. I haven’t had this much fun with that sort of mockery since that Cops parody of the X-Files, titled appropriately enough, X-Cops.

And before I go, I have to give a shout out to Adina Porter. The first time I saw her she was playing a witch-con-woman on True Blood, as Tara’s broken, abusive mother. I loved her acting then, and she brings that same sense  of steely fragility to her role as Lee,  although I didn’t immediately make the connection when I saw her. Its funny how she keeps playing these broken widows, desperately  trying to win back their daughter’s love, and she has mastered it. She is an incredible actress that I hope to see even more of after this.

Well, ta-ta til next season, people! I hope you enjoyed this one. Let me know in the comments.

State of the Onion:TV

Whoa! I’m very behind this week, but it’s okay, I’m not panicking, as I’ve gotten a lot of other things done  like charity work, and sometimes, sleep. I also have some holiday time to look forward to.  I sometimes have to remind myself that my  reviews won’t be obsolete just because I waited a week. Here’s a list of shows I’m actually paying attention to, some that I’m sort of paying attention to, and some that I’m not. At least one of these shows I’m  actively in hate of (and I bet you can guess which one.)

American Horror Story : Chapter 8


In last week’s episode, the killing continued with the deaths of Shelby and Dominic.  It turns out that Lee is still alive and in the clutches of the Polks. It’s no accident that Lee and the Polks are the main story this evening, and no accident that we’re seeing a middle class Black woman being consumed by these very working class (or below) White villains. There’s a message in there I’ll have to parse at a later date. Anyway, Lee manages to get free by seducing and manipulating one of the younger Polks, who has become attracted to her. Humanizing herself to the him was a good tactic, getting him to see her as a human being, rather than just meat, and this helped her to escape.

But before that, as he was filming her, she confessed in a video she wanted sent to her daughter, that she killed her husband Mason, because he threatened to take sole custody of their daughter. I was more than a little shocked at this revelation, as she swore up and down she didn’t do it, and that was part of her reason for coming back to the Haunted house, and being on the show. She kept filming because she wanted to control her own story, and I believed her. See what I mean about my complete inability to speculate about a show’s plot. 

In the meantime, Audrey and Monet are being tortured by the other Polks, but Monet manages to free herself. She runs off, leaving Audrey behind, but Audrey is saved by Lee, who kills Mama Polk during the event.  Back at the house, Shelby and Dominic are in a panic, after watching Agnes be killed by the Butcher, and they try escaping through the tunnels under the house, but get chased back through the house by all the entities that have come out during the Blood Moon. The Japanese ghosts, the Pig- headed Man, and the nurses stalk them through the house, and a chandelier falls on Shelby’s leg. 

Later, distraught at the fact that she killed her husband, Shelby, in a fit of grief, slits her throat,  while Dominic watches helplessly. When Audrey and Lee return to the house, Lee is horrified to discover Matt’s body in the basement, and Audrey is equally horrified to find Shelby’s body. Naturally, she makes it all about herself. Neither of them believe Dominic’s story of what happened, thinking that he killed everyone. They exile him to the non-existent mercy of the Ghosts, and the Pig Man kills him while he screams outside the door. I was kind of rooting for Shelby. I thought for sure she’d be a survivor. If not her then Lee. But since Monet is in the wind, it might turn out to be her, instead.

Audrey and Lee decide it’s time to go. They attempt to leave, but encounter a “fake” Pig Man at the front door. One of Sydneys assistants,who has no idea that nearly everyone is dead.  Now, they have to try to convince any of the crew left alive that all of these deaths happened, and that it’s too dangerous to stay. 

We’ve got about two more episodes left, so we know that the ending is going to be a bit drawn out. We won’t find out who lived, or if anyone lived, until the final episode, so I suppose we have more running and screaming to look forward to.

Supergirl:


 I’m still sort of watching this. I like the queer representation going on in the show. At least that’s different, as a lot of very popular shows don’t have any. I do wish there were more WoC on the show, though. (Why won’t Hollywood hire Latinas and Asians? Really it’s becoming extremely obvious that they’re being really weird about it?) The action is pretty good. The actress playing Supergirl starts to grow on you after a bit. I dont think I’m ever gonna really like her but she’s less annoying to me than before. 

The surprising break out character for me was Cat. I really thought I’d hate this character, and yes, she is an asshole, but I like how she stans for Kara, gives her good advice, and tolerates none of her flibberty nonsense, which is exactly the kind of female in Kara’s  life that she needs. Cat’s tough on her because she cares and knows she can do better, not just because she’s a mean ol’ witch, who likes yelling at people. I think her new male boss at the newspapaer is kinda the same way. He is a pusher, who doesn’t coddle her, but will back her up when needed.

 This week Kara got her first real news story published and  I was really happy for her. I caught myself smiling at my TV. I see why people like this show, as it has lots of positive moments,and sometimes some afterschool special life lessons, which are eyeballrolling for me, but good for people in general, I guess. I’m never against positive things just because they’re positive.

The show needs to work on its plotlines though, because every genre show, that has ever existed, has done a fight club episode, but I like how Kara makes a friendly overture to her cultural enemy at the end of the episode. It’s a nice message about being a mature, and tolerant  person.


The Flash:


I’m really starting to like this show, now. I know why I ignored it for so long. I didn’t have time to watch it.  Now, I just record it, and watch it later, because I’m not reviewing it. I see why people like it. The villains are interesting, it’s got good action scenes, and special effects, but most importantly, the relationships between the characters are compelling and most of them are positive. I like that the  characters actually talk to one another to solve their problems, rather than acting cold, snarky,and snappish to indicate their displeasure.Its easy to tell who the villains are, until you find out, through some mature insight and tolerance, that maybe they’re not the villain, which is kinda cool. In other words, people act like grown folks, most of the time.  This is much the same formula as Supergirl. I see what DC is trying to do here, trying o make all their shows seem like they happen in the same universe, by giving them the same flavor and formulas. 

This week Caitlin Snow was going through some angsty shit with her mom because she has developed superpowers. Apparently, this is something that’s going around, like a virus. I kinda got into it a bit because I kept yelling at the two of them for being such asshats to each other, after Caitlin’s father died. They both handled their grief badly, and then blamed each other for it. Barry raced around trying to find a holographic monster, but the emphasis was mostly on his relationship with his irritating co-worker, who doesn’t like him. Barry is one of those people who really needs to be liked, and that’s an interesting character trait for a superhero to have, as he spends a lot of time brokering peace between squabbling individuals.

I love Iris, Joe, and Wally, and I’m glad Iris isn’t just some lone Black woman,  floating in a sea of Whiteness, although I do wish there was more of a community of Black people on the show, sort of like how Agents of Shield centers Robbie Reyes’ life around his community. He hangs with, and knows, people in his neighborhood, you see him and his brother out and about, and people know the two them.  It’s not that I want The Flash to be all Black people, all the time, but one of the problems we run into when White people write PoC, is that the PoC never seem to come from a community of people similar to them. They don’t have extended families, or other Black people that know them. All it takes is a throwaway line here and there, or a few phone calls back home, to indicate they live in a wider world, of aunts, uncles, cousins, etc.

Then I remember that the vast majority of white people don’t ever see us in our communities. Their personal encounters with us usually involve one or two Black people, who are just sort of floating through their life, without family or friends attached, so White people tend to reproduce that exact same narrative when they write PoC, especially Latinos, and Asians. (Y’all know there no such thing as a lone Latinx. You know they got fam.)

I’m still not sure how to feel about it when Joe calls Iris and Barry his kids, and I’m reminded that Iris and Barry grew up in the same house. That feels a little weird to me, although since the two of them are completely unrelated, I can find no objection, other than me feeling odd about it.

Agents of Shield:


I’m totally geeking out over the Ghost Rider storyline. I’ve only just started watching the show this season after a disastrous first. I see why people love Daisy, as I’m starting to really like her. When the show started, the only character I could regularly stand was May. Melinda May has always been my best girl and and I hope Robbie becomes a more permanent member of Shield, even though Melinda would like to kick his ass. I love his relationship with his brother (family is important to me, too) and I was on the edge of my seat when he revealed what he was to  Gabriel, this week. I was completely whiteknuckling that scene. 

I love how television presents more nuanced versions of teenagers, probably because the writers are younger.  Movies usually settle for the cliched, sullen, whining, and utterly selfish, teen. I’ve never met any teenagers like that. All the ones I’ve met, as an adult, have been fascinating, with interesting things to say, once you get them talking. I think that cliche says more about how the writers think about teenagers, than how teenagers actually are, and I love the way Gabriel is written, on the show, as he reminds me of teenagers I’ve actually met. He obviously loves his brother, and is generally positive around Robbie, probably as a way of anchoring him, and alleviating Robbie’s guilt, over what happened to them. See? That’s how you write a teenager. 

I could do without the persecuted mutants,  X-Men/Inhumans style storyline, though. I’m really tired of racial allegories, at this point, so I haven’t been paying a lick of attention to that part of the plot. I’ve been mostly enjoying the special effects, the characters relationships, and just not thinking too deeply about the plot line.

What?! I’m waay too old and tired to get  heavily worked up about the plot of every single show I’m watching. 

Channel Zero:

I stopped watching this. I tried picking it back up, and watching it again, but my mind just wasn’t into it. I don’t think I’m in the right mindset for the kind of ominous, slow burner, type of show like this. I just end up falling asleep on them.

From Dusk Til Dawn:


This show has really gotten back to the basics this season. It’s been a lot of fun, with a plot just heavy enough to be interesting, and compelling, without being too intricate and boring. I love it that the Gecko brothers are fighting side by side this season, so we’re getting a lot of brotherly lovehate, hatelove. And yeah, they literally are fighting side by side, as the action scenes are the best part of this season. I don’t care for the villain too much. But at least she found a goal this week, of putting her real body back together, so that she can open he gates of Hell, or something. At the beginning of the season, she seemed kind of purposeless. Its cliched, but I love this Gecko Brothers save the world stuff.

 The show seems to have found its groove, with just the right mix of zaniness, and seriousness. The addition of Tom Savini, as a demon hunter from Xibalba, seems to have added just the right element of crazy to the storyline. I’ll be sure to give you guys the lowdown on whether or not this season’s finale is any good. It’s coming up soon.

The Strain:


I know there’s a contingent of twenty somethings on Tumblr, that seemingly hate all of Pop Culture, and I don’t wanna be that person. Even if they don’t hate it, they seemingly find little to like about it, and I’m just not like that. I try to be positive on here, and mostly lightweight, and informative. I also  grew up having no choice but to try to mine what goodness I could out of Pop Culture, and to appreciate that it was being made at all.

I suppose its a good thing that we have so much television geekery to choose from, that we can afford to be picky and contentious, to make demands that suit us. Since I was a geekgirl before the internet, and there was precious little to choose from, I’m just not where they are mentally, so it can be hard for me to relate to their many, many, many, concerns. But am I really that different from them?

I think that if this show had been on the air twenty, or thirty years ago, I would think it was the absolute shit. But I guess I can afford to talk smack about this show, because there’s so much else to choose from and the stuff I can choose to watch is so much better than this, that I can get snarky about it. Also I just like making fun of the show. It hones my snark skills.

Now I have heard that season four is this show’s last season, and that the shortening of the season to only ten episodes has  tightened its plot, somewhat. So that’s not an issue. My issue is character motivations that are really just plot points and don’t seem to derive from actual characterization. People simply do what it’s convenient in the plot for them to do, and I do like some character consistency, even when I have to do the headcanons myself. Also the acting on this show is really dodgy. It’s gotten to the point where I just hate Zack whenever I see him. He is, arguably, a worse actor than that little boy from the Phatom Menace, and that’s saying something.

Normally, I’d just ignore shows like this, but I had a lot of  hopes for it, and I’ve been very disappointed. The show just aired the last episode of its third season, and every moment I watched it, I found some new fuckery to be pissed off about, including its final moments. On the other hand, I don’t need to be raising my blood pressure over a TV show. If it is the last season, next year, I’m going to have to give considerable thought to watching, or ignoring it, based on whatever else is airing at that time. We’ll see.

 

Legends of Tomorrow:


I’ve  come across people who inexplcaby hate this show. I don’t find that the show is weighty enough to spend that level of energy on. This is really the lightest of lightweight shows, that’s not trying to be anything more than what it claims to be, which is fun entertainment, with occasional positive messages. The substance of this show is as ephemeral, and calorie-free, as cotton candy, and  I love it just for that reason. It’s got pretty people, kicking ass, and cracking jokes. I can sit and enjoy the characters interacting with each other, the plot’s not deep enough to give me angst, and they just added another of my favorite characters to the crew, Vixen. She is awesome! I love how they show her superpowers, too.

Last week’s episode was some lightweight fluff about some of the crew getting trapped in Feudal Japan. The plot was silly and didn’t make one ounce of sense, but I enjoyed it anyway, because apparently,  I’ll watch damn near anything,  if it’s set in Feudal Japan.

This week was a little heavier with Jackson and Maya visiting the Civil War era. Jackson makes the point to the Professor that there’s no moment in American history where he would’ve fit in, when he suggests that Jackson stay on the ship, to avoid the trauma.  At one point Jackson and Maya have to stand and watch a slave woman be whipped, and are utterly helpless to stop it, or they would jeopardize all of history, and they have to sneak onto a plantation disguised as slaves, and Jackson gets beaten by a bully. I think  the show handled this as sensitively as it possibly could considering it’s on the CW. I suppose the writers could’ve chickened out and avoided this era entirely as they have all of history to choose from , but it’s okay. The show doesn’t usually get this heavy.  

Here’s another show with yet another male/male friendship that I adore. I love how the writers have built on the relationship between Martin and Jackson, the two characters who make up the superhero Firestorm. Martin genuinely cares about Jackson’s feelings, and Jackson seems to be learning some valuable life skills from the old gentleman. These two guys couldn’t be anymore different in lifestyle and outlook, and I like how the writers took an intitially antagonistic relationship, in that first season, (Jackson resented having to share a Firestorm with Martin), and transformed it into an actual, caring, friendship between the two.  I’ve been a Firestorm fan since I was a kid and I’m glad the show has decided to go with the black version of this character, as I remember reading those books. 

There were also Confederate zombies, so…make of that what you will. There are very few eras of history that cannot be made more interesting with the addition of Romero style zombies.

Plus, Vixen was on the show! She’s also going to be on the show this Thursday and…get this! probably the following Thursday, too! Whoop whoop!

The Exorcist:

Yeah, I just stopped watching this. I’m not too good with shows about possession, I guess. The shows either get too heavy, too religious, or I get bored with all the ponderous omens, and actors whispering in dark corners. I stopped watching Outcast on Cinemax for the same reason.  I think its because these types of shows are trying too hard to be scary, or trying too hard to be the second coming of The Omen from 1972. In this case this show is trying really hard to recreate that ominous feeling of the original movie, and as I’ve stated before, I’d rather just watch the original movie.

Season Premieres

Gotham:

I stopped watching this show at some point in the second season, somewhere around the time Fish Mooney was exiled from Gotham, after Penguin tried to have Gordon kill her. I’m happy to report that the plot  is as wacky as ever, although it looks more sober. The cinematography and color is beautiful. It’s just a pretty show and the actors all  look great. There are more people of color, too. The Vicki Vale from the first Batman movies is now an Asian woman named Valerie Vale, Lucius Fox is working for the police dept.instead of Wayne Enterprises,  while Gordon has retired and become a bounty hunter. Fish is back on the scene, and being her usual troublesome self, and I still like the Penguin. The plot is pretty easy to catch up with.

On the other hand, the plot is just as wacky as ever and the acting needs more work. Selina Kyle, Barbara, and her friend, Tabitha, are the worst actors in the bunch, although I did enjoy  watching them kick some ass. I’m not feeling little Bruce too much though. They could all use a few acting lessons. Except for Sean Perwee as Alfred, who is perfect, as always. The last time I saw him he was bleeding out on the Wayne living room floor. It’s nice to see he survived his semi-lethal stabbing. I’d be upset that all of the PoC are criminals except all of the people in the show are criminals, so what’s to fret?

Fish is now in charge of a gang of monsters from a research facility, that used to exist underneath Arkham Asylum, called Indian Hill. It was run by a man named Hugo Strange, who experimented on the inmates of Arkham, mutating some of them and giving others superpowers, including Mooney, who now has the power to drug her victims into suggestibility. I thought that was kind of cool to be honest. Gordon spends time chasing down Mooney who, with her gang of freaks, have been robbing pharmacies for some special drug they need and  Oswald has put a million dollar bounty on Mooney’s head. The most surprising and fun relationship is the one that’s been developed between Edward Nigma and Oswald. I enjoy watching these two actors together. That is something I remember the show being pretty good at, depicting the relationships between all these different characters. Where it fell flat was the actors who couldn’t hold up their end. Like Selina and Bruce, and Gordon and Lee. Gordon still has only one or two facial expressions so it’s hard to get into him as a character. But oddly enough, you can see the Gordon he’ll become in the Christopher Nolan movies, and I wonder if that’s a conscious choice on the part of the writers.

The rest of the episode consists of lots of drinking, some more beatdowns, thieving, and killing, and lots of information brokering. But it wasn’t a bad episode. I thought it was hella fun actually. I plan to watch this every Monday, if I’m awake.


Brooklyn 99:


This was a great season premiere, even if I didn’t get to see two of my favorite characters, Gina and Rosa. It was all Jake and Holt for the entirety of the show, as the two of them get a fish out of water plot. Last season the two of them had to go into the Witness Protection Program because a hitman was after them. We get to watch Holt completely out of his element but doing very well, actually. There are some nice cameos from Rhea Perlman from Cheers and Maya Rudolph from SNL. 

Jake and Holt start off on the wrong foot, but eventually have to work together, to get themselves out of a  situation with one of their hilariously classless neighbors, who managed to catch the two of them fighting, and threatens to upload the video to YouTube. The show has, over time, been slowly introducing slightly more serious subplots, like Jake and Amy’s relationship,and the  love lives of the various characters. Jake genuinely loves and misses Amy, and it’s really touching that he has a photo of her hanging in his house, and that he talks to it.

 It’s a good, promising start to the season. And I like the humor of this show. It doesn’t rely on putdowns and insults for most of its humor, the characters are all surprisingly supportive of each other, despite their many personality differences, and show genuine affection for one another. Most of the humor arises out of these differences in character, and how different people react to the rather bland police procedural plots. Amy and Rosa are such different people from Gina and Terry that its a lot of fun watching any of the two them team up to tackle one objective. 

Next week, we see how the rest of the crew is holding up without their two mainstays, who has taken Holt’s place, and how Amy is holding up under the pressure of being Charles’ closest friend, in place of Jake.


Pitch:

I feel some kind of way about this show and it’s going to take some time to sort that out, so I’m putting my feelings aside for the moment, and will focus on technical stuff. First of all, the show looks great. It’s a pretty show, with pretty people. There is a lot of Baseball in this show, but that didn’t stop me from getting into the story or having feels. It’s a fairly accurate depiction of how America would react at the first female pitcher in major league baseball, meaning of course that everyone would lose their shit, and act a fool.

 I thought the show might hold back on a couple of angles to make it palatable to the mainstream audience who will watch this show, but it mostly didn’t. Men were acting like assholes about their precious sport being invaded by a woman, and women and girls were ecstatic. The show did leave out the racial angle though, so I didn’t have to listen to the actual racialized, gendered slurs, that we would be subjected to if this were real, for which I’m sort of  grateful. This is something that might be addressed later in the series, but for now, the writers are only sticking with gendered insults. If anything, the show toned down how she might actually be spoken of, and treated, by sports fans and the media.

The entire plot of the episode consists of Ginny, our protagonist, being the starting pitcher for the SanDiego somebody’s, the name has entirely escaped me. For the record, I don’t know shit about baseball, and ain’t looking to learn too much either, beyond some basic terms and phrases. I don’t watch this sport, or keep track of teams, or know anybody’s stats. I know a handful of famous names, and what they were famous for, mostly from listening to more knowledgeable people talking about the subject. Nevertheless, I really got into watching Ginny navigate her fame,and the politics involved with what she’s doing, while trying to appease her father, and I started identying with her almost right away. I also learned that TV show baseball is way more exciting than real life baseball.

Ginny’s current situation is interspersed with flashbacks of her father pushing her to train harder. Her father is tough, but not mean about it, but Ginny does blowup at him after she fails spectacularly, in her first outing as a professional pitcher. Some of the speeches the characters give are cliched, and a couple of the actors need to go back and have some lessons but overall the show is pretty watchable. I kept waiting for the Fox writers to fuck up and throw in some stereotypes, but they behaved themselves, and played things straight.

Now, for how I felt. I both hated and loved this show. I sat in breathless anticipation that there would be some kind of racial fuckup that never came, and I loved  what I saw happening on the screen so much, that I had to keep reminding myself that this was not a real thing, or a true story, and this sort of tension almost brought me to tears. But the show did its job so well, that it felt like I was watching some real event, (minus the misogynoir that would surely happen in the real world.) The main characters are both likable and annoying in equal measure, although the dialogue needs help, because occasionally someone says something that no person in the real world would ever say. 

I don’t know if I’ll watch this every week. It’s a little heavy for weekly viewing, and I don’t know if I have the stamina to keep up with a bunch of heavy shows like this, The Exorcist, and The Walking Dead.


The Exorcist: 


I wasn’t greatly enthused to hear there was going to be a tv remake of The Exorcist,  even though its one of my favorite movies. I normally do not watch possession movies anyway as I consider them all to be cheap rehashes of the original. But this show is not  cheap and looks it. The production values and acting are excellent. I find the plot just complex enough to be intriguing. None of the original character names from the movie are used but the plot is kind of similar. You have a young priest (Thomas) who doesn’t believe in the supernatural, who is approached by Angela, played by Geena Davis, and insists that her daughter is being possessed by a demon. At the same time, we get  glimpses of a Father Merrin type of character, only much younger, named Father Marcus, who is performing an exorcism in Mexico, against church orders. The exorcism is deemed a falilure, as the possessed boy dies. So there are echoes of the plot of the original movie, right down to the rats in the attic scene, which you really need to see.
Father Thomas has visions and cryptic explanations from people about Father Marcus. Angela’s husband is suffering from some type of degenerative disorder of the brain, and her daughter is sullen and unapproachable after leaving college, after she had a car accident in which a close friend died. Angela implies there was more than friendship involved. 

So, the story has been lengthened and deepened for the original but in a good way. I’m not a religious person and the show wasn’t offensive to me, but I approach religious shows and movies much the same way I approach most fantasy, willing to suspend disbelief for an hour or two. Everything is played completely straight. This is serious business,  a little heavy for a Friday night, and the show has a couple of genuinely scary moments. I still don’t see too many people tuning in to be scared on Friday night primetime, and I don’t think this will ever rival the popularity of The Walking Dead, but it’s a very good effort.

I like that we see Father Thomas with his family. He has a sister and a nephew who I’m sure will be put in jeopardy during the course of the show. The show made a point of showing different familial interactions. Angela’s family vs. Thomas family. As happens in the movie, Father Thomas enlists Father Marcus’ aid in an exorcism. Maybe. Since he doesn’t believe in the supernatural, he’s not sure, and it is strongly implied, to the viewer, that Father Marcus is mentally unstable.

So yeah, I’m interested. I’m not in love yet. It’s only the first episode, but I will tune in next week as the plot deepens even further with the knowledge that there are more demons causing havoc throughout the city of Chicago.


Agents of Shield:


Yeah, alright I liked it. I hadn’t seen an episode since first season when I got pissed off at the depictions of all the PoC as criminals. That wasn’t my only complaint. There were a few more, like the writing and acting was less than compelling. Well, I’m happy to report that this is a marked improvement from the first season. I still don’t know enough to say how they’re treating the PoC on the show, but certainly the plot and acting is better.

This episode is fairly easy to follow, even if I didn’t know everybody’s names. A number of the original cast is still present. Melinda May is still a badass. Coulson is a lot  more likable and a lot less stiff, although he apparently lost a hand since I’ve been away. Daisy is the character who has gone through the most radical change, as she started out as the annoyingly  perky tech girl. I hear she’s been through some shit in the past two years, though. She has superpowers now, has been revealed as an Inhuman, and now  calls herself Quake. 

I grew up reading about The Inhumans, which are a group of superpowered beings that lived on the moon, I think. There’s also a group of Inhuman people who have been transformed by something called the Terrigen Mists. I’m not sure what type of Inhuman Daisy is, or even if I’m talking about the same beings mentioned in the show. For all I know it could be some new group not mentioned in the comic books, although in the new Marvel comic books, Inhumans are seemingly normal human beings, with a certain genetic ancestry, that when it comes in contact with the Terrigen Mists, they develop superpowers. If this is so, then the show is directly following what’s happening in the comic books. I know it’s following stuff from the movies because occasionally characters mention something that happened only in the films.

I also read Ghostrider when I was a kid too. Actually there have been several Ghostriders ,which is a type of vengeance demon, that needs a human host, who has to pledge to be possessed by it. This  usually happens in some moment of duress. The one I read about in the comic books was named Johnny, and was a racecar driver who made a deal to avoid death. He drove a motorcycle, like in the movies. Other than the movies being so incredibly awful that they were also incredibly fun, the origin story really isn’t that different from the comics. 

This new version of Ghostrider is named Robbie Reyes, and played by Gabriel Luna . He drives a muscle car, and works as a part time mechanic at a junkyard. Yeah, I liked him. I haven’t read the comic version of this character, but I love the idea that he drives a muscle car, which is entirely fitting to the type of person Reyes is. The show is a little coy, but not shy about introducing him. He puts in an appearance right away, at the top of the show, when he and Daisy chase down some thieves. The plot mostly consists of people hunting each other. Daisy is tracking Robbie. Coulson’s team is tracking Daisy. Robbie is tracking, and killing the thieves. 

There’s another character named Yoyo that I’m not familiar with (and refuse to Google her, lest I fond disappointment) and I love her. She has a great voice, and is a person  of some ancestry, but I have no idea what. Parts of the show are still kind of cheesy and some of the accents I heard could use some work, but the creators went out of their way to make Ghostriders entrance spectacular, for which they should be roundly applauded. If you don’t care for the show, you should still check out this particular episode, just for the  Ghostrider stuff, cuz those parts were fun. There’s still too much talking though.

It’s interesting that the MCU, of which this show is a part, just as much as Daredevil or Jessica Jones, has started introducing more occult type stuff. I blame the Dr.Strange movie. I like the show just okay, but I love the Ghostrider and the new badass Daisy, to go along with the other badass, Melinda May. I don’t know if I’ll watch this every week, but I am definitely in for the Ghostrider arc.


Falling Water:


This is Gale Ann Hurd’s new show, Falling Water. The Syfy channel aired a preview episode last week , but the actual show airs on Oct. 13th. My recommendation is to skip it unless you like your scifi shows to be real low energy.

 I see that woman from The Strain (Coco) has found a better show, with a more consistent character, although she appears to have lost a lot of weight, though. Throughout the entire show she appears sickly and wasted which was very distracting because I kept wondering if her character,Tess, was a drug addict or dying from cancer, or gob only knows what. Tess is also convinced she has had a child, but there is no record of it.She is approached by a European scientist about some kind of dream research he’s engaged in, that will prove that all of humanity is mentally connected, somehow. He also tells her it’s a possibility she did have a child and doesn’t remember. Of all this shows mysteries, that was the most intriguing one.

Along with her, there’s a security expert named Gordon, and a cop named Taka, and they keep having weird visions. Gordon is on some kind of corruption trail at his firm, which I found thoroughly uninteresting, and Taka is on the trail of a dead woman who is not actually who she’s supposed to be, and a room full of dead bodies, which I found only slightly more interesting. All of this is interspersed with visions of his comatose mother. So lots of mysery, and dream sequences, but no real answers, which is just frustrating.

I get that the plot is supposed to be a slow burn mystery but dear gob! this was  boring. The music, acting and dialogue are so low key, that it nearly put me right to sleep.  I kept waiting for the action to pick up, for someone to show an exciting facial expression, for the music to add some percussion, anything. Later in the episode, some guy  blew the back of his brains out, and Taka escaped a small, but pointless, explosion, but this was still not enough to make me intrigued about the plot. 

Unless you have real stamina for getting to the truth of things, you’d best skip this. I expected more from Hurd than this sleepy time  special.



Fandom Misogyny and Racism II

 

*This post from neogenesis is the beginning of the thread in my last post on misogyny and racism in fandom and gives an example of the intersection of race and misogyny (misogynoir) in fandom.This is about the kind of toxicity present in all of fandom culture. (I have this person’s permission to publish this here:)

neogenesis85:

I’ve been thinking about how toxic fandom can be.

I could write a dissertation on the various ways fan culture breeds the worst of the worst, but this particular rant is about the race thing. Because Tumblr culture thinks it’s so progressive and above other places like Twitter and Reddit and, idk, Yahoo comment sections when it comes to race. But actually it’s not any better. It just covers the bigotry up with flowery words andfeminism!!! (yeah I’m still mad at how much this site can shit on female characters while praising white peen, all the while claiming they want better for women)

This has been on my mind for awhile, even more since I’ve totally fallen in love with The Flash and watched the fallout that happened the second that Candice Patton was cast to play Iris West.

And I started to really wonder why folks went off the rails. Why people latched on to Caitlin like a life line and insisted that she should be Barry’s love interest, even before the show aired. And once it did, posts in the Iris tag ran the gauntlet of excuses of why she wasn’t a well written character to how she should either be killed off or reduced to something other than a main.

The writers of the show have pretty much made her perfect. Happy, loved, a great friend. Pretty much always has a smile on her face. College student, working part-time to cover expenses at a coffee shop. Loves her some Barry. Loves her some Joe. Even loves her some Eddie once she realizes that her whole world wasn’t just her bff, school and her dad. Even still, she starts a freaking fanblog about that super fast dude that goes around saving people because she knows Barry and wants to help him find the truth/closure about his mom’s death. She literally hasn’t done anything to anyone to be dragged across the coals the way she has been. In fact, everyone else has been doing a disservice to her by being big fat liars about things that she should really know about. Which, somehow, people turned this into being her flaw.

(If you can’t tell, I’m a stan for Iris. I will defend her to the death. Carefree blk girl that has so many people in her corner. This is SO FUCKING RARE! I have NEVER seen this before on tv)

Then that wonder turned into an ‘oh yeah, fandom is racist as hell but they don’t want to admit it.’

Because I’ve seen various versions of CW’s Iris West in other shows, with almost the same personality and charisma and having everyone be in love with her cause she’s just so awesome… and fandom tripped over themselves to stan the hell out of them.

But all those characters where white.

And this is the problem. The second a characters can no longer jokingly be called snowbunny, too much of fandom can no longer relate to them.

That’s when those tired ass tropes come out:

  • The bad actress thing
  • The no chemistry thing
  • The she’s better off without a love interest thing
  • which feeds into The Independent, don’t need a man thing
  • The she’s too aggressive thing
  • The she’s too passive thing
  • The they’re like brother and sister, so it’s incest thing
  • The she’s an action girl, therefore why are you trying to bring in a usually white male love interest to ruin it (even though that male character will have more fans than the said female character)
  • The but she’s also a damsel in distress, why can’t she just save herself and carry that load and just be a general mule that cries I Don’t Need a Hero Baby and if you help me in any way it’s just gonna invalidate my Strong Independence thing
  • The she’s too perfect thing (a.k.a the Mary Sue Syndrome)
  • The she’s not perfect enough (a.k.a. the I don’t understand that characters can be flawed and I can still love them when they identify as a woman… But hey, let me flood your dashboard with Loki and Sherlock and Bucky Barnes, and Sam and freaking Dean Winchester b/c tragic male characters are just the fucking best or something… idk, I seriously don’t care anymore)
  • The why can’t we have more strong male/female FRIENDSHIPSaremagic!!!!!11!, they don’t have to become romantic thing
  • The I just don’t like her thing, even though I can’t articulate why I actually don’t like her. And if pressed for it an explanation, I’ll just throw out the most superficial reasons why she’s just the worst thing ever to hide my internalized misogyny and racism while tagging that shit but please don’t call me out on it because then you’re just being a bully and I was only stating my opinion even though nobody fucking asked for it and gosh can’t I just live?First Amendment!!!! I’ve sent myself gotten anon death threats okay, this is why we can’t have nice things
  • The she didn’t look like that in the original source material thing. Why is everything become so PC? Those black/brown people are really getting out of hand with their want for representation. Why can’t they relate to a character if they don’t actually look like them? It shouldn’t be that hard. Who care’s if they didn’t cast Katnis or Khan or The Exodus right? They’re just characters. And their race shouldn’t play into how much you identify with them. But holly shit, Idris played a Viking god??!? Annie isn’t a pale, freckled faced red head. That’s just taking things too damn far. Let me shove the importance of European beauty standards down your throat some more, because obviously there aren’t enough of us in all your media.

Yo, this shit I just typed… this shit that I’ve seen in literally any fandom that has characters that weren’t melanin challenged… IT’S GOTTEN OLD

And the clap back that’s been happening… those people like me who are done with everyone thinking white is the status quo… it is not about shipping or us being sjw. 

It’s about us being so fucking tired of defending characters that look like us, that speak like us, that go through the same bullshit like us, but are either ignored or vilified by fandom for reason that aren’t canon just because said fandom doesn’t want to admit it’s problematic as hell.

It’s about me being too old and too done with fandom pissing on my head and claiming it’s just rain… It’s about the fact that there is no apparent safe place for fans of color because #fandom is for white women.

This should no longer be a thing. There have been more articulate and sober folks saying this since AOL free trial disks were all the rage (trust, I was there) BUT IT’S STILL HAPPENING

This is why folks like me snark, and curse, and reply to your ‘am I the only one that doesn’t/cant’s stand [insert whatever non-white person of the week’s name here] lol?’ posts with side-eye gifs and general disdain. This is why we don’t care for your criticisms that divorce race from the narrative. This is why we have to have racebending prompts and create new tags just so that we can stan for those characters that apparently the world hates. And why we don’t give a flying fuck about your ‘can’t we all just get along? Solidarity guys. Listen to the only MLK quote I know’ posts when you aren’t trying to police the people that are causing the actual problem, but trying to guilt us into thinking you’re the victim. This is why we create our own message boards and forums and no you aren’t invited. This is why we don’t care to educate you. This is why your passive attitude towards the bs we have to go through as fans of color is worst then the actual assholes that perpetuate it.

THIS IS WHY TUMBLR AIN’T SHIT

But, despite all of this, I like it here. Sure, the staff doesn’t have their priorities straight and apparently will protect the identities of KKK members before they’ll support black history month, but it’s free and the xkit guy works miracles.

But most importantly, I’ve met incredibly talented and smart individuals here. And I know it can be better.

So do better. That’s all I’m asking. Check yourself before you start applying higher standards to characters of color and judging them in ways you don’t to anyone else.

And FOR THE LOVE OF ALL THINGS UNIVERSAL, LISTEN TO US WHEN WE TELL YOU YOUR LANGUAGE IS RACIST!!!!! I DON’T CARE WHAT YOUR INTENTION WAS. I DON’T CARE IF YOU AREN’T LIKE THOSE FIGURATIVE ‘OTHER PEOPLE.’ YOU FUCKED UP. PUT ON YOUR ADULT PANTS AND OWN UP TO IT. LEARN FROM IT. AND DO BETTER NEXT TIME. It’s really that easy.

*This rant has been brought to you in part by too much caps lock, the Charles Shaw Trader Joes chardonnay blend, that tequila and Waffle House I had for breakfast, and years of frustration defending characters like Iris West | Bonnie Bennett | Abby Mills | Jenny Mills | T-Dog | Mako Mori | Breaden | Guinevere | Glenn |  Olivia Pop | Joan Watson | Roxy & Fred Weasley |  Uhura | Martha Jones | Lana Lang | Michonne | Nick Fury|  Dualla ‘Dee’ | Rosita | Tyler Lockwood | Sharon/#8/Boomer | Teyla | Regina Mills | Stacker Pentecost | Lacy Porter | Tara Thorton | Shirley Donavan | Marcel Gerard | Naevia | Melinda May | Michaela Pratt | Sam Wilson | Tiana | Cassie Robinson | Tory Foster | Rhodey | Casca | Heimdall | Hogun | Aveline de Grandpre | Scott McCall | Mika | Sasha | Ororo | Literally all the non-white characters they had white folks playing them in  Game of Thrones | dot dot freaking dot I can go on forever with this list

neogenesis85

Thing is, I’m sure if you asked any of the white girls in these fandoms who bitch and moan about the women of color in the cast, they would tell you that they actually are proponents of diversity. I’m sure they would search back to find a character of color in a previous fandom they didn’t hate (a character that was inevitably supporting, in the background, and not threatening to their understanding of the social order, definitely not of more importance than their white self-inserts).

Diversity to white fangirls has always been fine in theory, because diversity meant to them a man of color or two (usually black) to add to the number of men who idolized the sole woman (always white) in the cast. But this new specific brand of diversity doesn’t automatically place white girls on a pedestal. It doesn’t automatically treat white girls as the only obvious, worthy partner. Every single argument made against a woman of color’s position in the narrative stems from the disruption of this pattern.

White fangirls aren’t used to being placed off center and they react the way you would expect of the entitled and self-absorbed. And when a group of people who are used to casting themselves as the ultimate victims are actually just your typical ugly aggressors you get, well, what the OP described.

@
@

*This is another analysis of misogynoir from another two perspectives:

portraitrevealed:

 

theprettyfeminist:

They can think of themselves as being for diversity because it literally does not compute that expecting Black women to be on the sidelines is being anti-inclusive. They still see Black women (and men – Finn from Star Wars gets it bad, too) as The Other, always, even if they won’t admit it. The Other can exist, but she can’t possibly be the center of attention, because The Other isn’t a “regular” person.

They will always see a white person as the “obvious” match for the hero, even if they’re only seen briefly (or not at all) compared to the Black character. The Walking Dead fandom is a textbook example: Michonne showed up shortly after Rick’s wife died, and the show started building their relationship from go. When they started trusting each other, the soundtrack played a romantic piano score over their scenes. Michonne started to fill a void for Rick and his kids, and they did the same for her. They started to become a family – Rick couldn’t do it without her, and he straight up told her that.

Then the show introduces white, blonde Jessie and they’re all like “finally, a love interest for Rick!” I don’t even think most were conscious of it, it just never occurred to them that a love story had been building between Michonne and Rick all along. And even when Richonne did get together in canon, fans seriously and openly expected that any random white woman they’d see in an episode might get together with Rick. Even if they were never in the same room together. They even wanted him with Maggie, which was a double-whammy, because Maggie is married to Glenn, who is Korean-American. They couldn’t keep their minds from seeing romance between Rick and Anyone But Michonne.

It’s the same in every fandom with a Black character who is allowed to be loved. It’s dehumanization, and THAT is toxic.

@
@

*The following series of posts and articles are further examples of fandom racism, and links, and will be presented without my usual long commentary:
@
@
https://www.buzzfeed.com/tracianne/racism-in-fandom-pairing-preferences-26cv2

https://cassandrashipsit.tumblr.com/Racism101

Fandom. you’ve got a huge race problem — An Introduction Post

@

@

I literally just saw a post where the OP said that Iris West and Abbie Mills are mediocre characters and the only reason why they’re so popular is because they’re black…

DO YOU SEE WHAT I’M TALKING ABOUT? People love to deny the existence of fandom racism, but then shit like this pops up. The op was actually pissed that Iris West and Abbie Mills had fans. Because in their mind, the only reason why a black female character would have any fans is because of black privilege *severe eye roll*

Ugh, it must be so hard being a white fangirl these days.

@
@

@
@

allerasphinx answered:

I find it laughable that people insist on interpreting Finn’s desire to hold Rey’s hand as subconsciously misogynistic. And if I weren’t concerned about the real world implications of that, I’d roll my eyes and keep it moving.

However, I can’t react flippantly because it disturbs me that fans are purposely ignoring the obvious and reading Finn’s actions as ambivalently reinforcing gender roles simply because he tried to help Rey. It disturbs me, because although these characters are fictional, the way we react to them mirrors the way we react to people in real life.

I’ve read a number of articles about hypermasculinity over the years, especially in relation to black men. Men in general are hypermasculinised in society, but the concept is particularly applied to black men because of how black people are dehumanised. We as a society see black people’s physical strength, aggression and sexuality as even more heightened, not because these things are highly concentrated in black bodies, but because of stereotypes [stemming from hundreds of years of inequality].

These stereotypes don’t begin and end with the degradation of black men because black women are also masculinised. White women were (and still are) seen as the embodiment of femininity. Femininity was associated with delicateness, pureness, and vulnerability, thusly black women were defeminised in order to justify the harsh treatment and physical and sexual abuse they endured during slavery. [Note, this is part of the reason why the “strong black woman who don’t need a man” caricature–amongst other things–exists today.]

Essentially, hypermasculinity serves to elevate masculinity as superior, but also serves to distance men from having emotional responses gendered as feminine. Black women and men are primarily affected by this characteristic. And since that is the case, there are insidious and subconscious ideas that disallow black people from being viewed as needing care and emotional reassurance. We’re not allowed to be afraid and we’re certainly not allowed to be weak.

I see this underlying insidiousness in the way people talk about Finn’s cowardliness and supposed emasculation in the narrative. I see this in the way that people infantalise Finn (because a grown black man has no business being sensitive). I see this in the way that people can’t seem to accept that Finn grabbed Rey’s hand in part because he was scared.

Now, I don’t know if it’s the film’s fault for not delving enough into his backstory, but Finn’s clearly an empath; he’s a character who cares about people to the point where he’s reprimanded for it. He witnesses Poe’s torture and instead of finding another means of escape, he rescues Poe because his life is in danger too. When he lands on Jakku, he sees people attacking someone who’s outnumbered (outplanned) and he wants to help her, but then realises that she can handle herself. He runs from her when she pursues him, but then they’re attacked by The Order.

Despite Rey misinterpreting his actions, despite his fear of his captors, he doesn’t leave her behind because he knows what The Order is capable of. [There are documented stories about how horrific it is to be indoctrinated as a child soldier. Children are forced to kill in order to desensitise them. They have to kill their friends, and sometimes their family members if they won’t obey (or they have their loved ones lives threatened). It takes a lot of bravery and strength to run away from that environment, and people absolutely have to go into hiding to avoid recapture.]

Finn wanting to protect someone else from this fate is completely understandable. Finn wanting to run and hide is completely understandable. He doesn’t try to protect Rey because of some misplaced notion of chivalry toward women, he does it because that’s how he reacts to fear. He grabs Rey’s hand because they’re both running from something that makes them afraid. He grabs Rey’s hand because he assumes that if he’s terrified, she must be too.  He recognises that in that moment, Rey’s just as vulnerable as he is; this is the same reason why he rescues Poe. He sees people in danger and genuinely wants to help them.

This acknowledgement of Finn and Rey’s mutual vulnerability is solidified by the fact that Rey softens when Finn asks if she’s okay. She later takes his hand because she realises (as the audience should) that Finn doesn’t have ulterior motives–that even though he just met her, he already cares about her because it’s in his nature. This is one rare instance where a narrative presents a scene as it’s meant to be interpreted and does it in such a deliberate way that it annoys me (on so many levels) that people don’t get it.

@

@

*Reposting these links because the topic needs repeating:

https://fozmeadows.wordpress.com/2016/09/07/the-plausible-diversity-of-apples/

https://fozmeadows.wordpress.com/2016/09/11/how-to-suppress-female-characters/

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Fandom Misogyny and Racism 

Okay, this is going to be a long discussion about the intersection of misogyny and race in fandom, followed by other people’s rants about White fandom “acting a fool”. I stumbled across a Tumblr blog where the focus was entirely on misogyny in fandom. There wasn’t a lot of interesectionality in it, although it touched on the topic of racism from time to time. Most of the focus on these topics has been about its manifestation in  fanfiction. I’m not really heavily involved in that part of fandom, but I pay attention and have noticed  it everywhere else, in meta analysis, critiques of movies that haven’t been released, Twitter, in my various news-feeds, and on other websites.

What is happening in fandom is happening throughout all types of fandom, (even in books). The more PoC make a name for ourselves in media where we had been systematically denied, the louder and more strident becomes the backslash, from White people who feel we’re encroaching on something that’s theirs, making too many demands, forcing diversity, or critiquing how they perform fandom.

Calling out racism seems to galvanize those individuals who ,while reluctant to move or complain about anything else in the world, will respond to protect their bottom line. That bottom line seems to be feeling good about themselves as people, while trying to justify their complete inactivity on these issues. We’re not talking about the hardcore bigots. (Those people can’t hear anything through the swarm of wasps that live in their heads.) We’re talking about your average, everyday fan, the kind who thinks they’re liberal, progressive, good-hearted people who think they bear no one any malice because they haven’t burned any crosses on anyone’s lawn. These are the kind of people who are perfectly willing to sit and watch injustice and unfairness being done to others, and do and say nothing.  I call such people ” The Peanut Gallery”. The only time they will speak up,when they feel a  need to justify their inactivity, because feeling good about themselves  is their primary goal, not speaking out against unfairness.

There is a certain type of person who, once they find a comfortable spot on the road of life, will simply sit there and do absolutely nothing. They don’t speak out, they don’t help the ones who trip and fall in front of them, they won’t move from their comfortable spot because “they got theirs”. That’s the closest metaphor I have to the racist pushback I’ve been seeing in fandom.  There are White women who  are complicit in upholding the status quo for a variety of reasons. Most of them view themselves as not participating in racist behavior because they have been victims of sexism. They fight to hold on to their sense of being feminsit and progressive, often throwing PoC, the differently abled, ,and transgender men and women under the bus to do so. They claim to support women, but not all women get their support, especially if she interferes with whatever they want for  their favorite White characters.

It’s not just angry White men, whining about women, or racebending, in movies. There’s a significant contingent of white women engaging in racism and misogyny, mostly through their analysis and fictioning of shows and movies, and through  their erasure of certain characters. In its most toxic form its “misogynoir”, the vilification of black women, which is unique and different from the treatment of men of color, and white women in the narrative. Its rare but not unheard of for White women to engage in racist Twitter  and Tumblr rants, and harassment as well, when they feel their sense of ” being good people” has been attacked.

Many of these women consider themselves to be progressive and liberal. In all senses they consider themselves to be good people, and craft elaborately baroque reasons for why certain WoC within the narrative are villains, or should be disregarded. (This is often  but not necessarily related to “shipping”.) In the words of finnorgana and artepen, these people are anything but progressive. They want to be seen as progressive, hence the elaborate, occasionally completely non-sensical reasons they create, for their dislike of certain characters. What it actually  is, is  these characters challenge their notions of the roles  PoC, roles that have been informed by decades of Hollywood racism. Rather than confront this thinking head on, because to do so might admit they have racist ideas, they have to justify their dislike for a black hero, or black love interest and will go so far as to make up, out of whole cloth, moments in movies which never occurred, or concoct wild interpretations of the canon narrative.

@
@

*The Get Down, Black Panther, and Luke Cage

The Get Down is a show on Netflix, chronicling the lifestyles of some young  and pretty twenty something black people in seventies NY, around the popularity of disco, and the start of rap music. It has some beautiful gender representation and even a little gay/queer representation, as well. But since it’s a mostly black cast, that doesn’t prominently feature a white narrative,(Luke Cage), it is being ignored by the same people, who claim to care so much about representation of women and gays. They can make the argument that white women’s representation is good for ALL women, but can’t seem to make that same leap when it comes to Black women. The message one derives from that is WoC can’t represent ALL women. The same people telling black gay people to wait their turn when the representation is white,(Agent Carter) seem uninterested  in representation when it’s PoC.

In other words, these “good, progressive” people, who are deeply concerned with representation as long as all the characters are white, aren’t watching The Get Down, because it’s too Black. Rather than face that racist idea, they craft elaborate reasons for why it’s a bad show, while uplifting Stranger Things, which is something more familiar, with its 80s/Goonies pathos, and an all white cast. (There’s no female or queer representation  in Stranger Things.)

 
finnnorgana artepen

artepen:

what really kills me about the whole situation regarding the get down is that it’s the same annoying ass fake concerned white people who’s favorite pastime is harassing black and non black people of color to settle for fucking scraps on these terrible all white or predominantly white tv shows because it’ll either be better for white women or white queer representation, that are running up in my inbox telling me they’re not wasting their time on a show that’s a flop or they’re just flat-out ignoring it, like they didn’t read every black and nonblack person the same tired ass essay about waiting our turn because soon enough something for us is going to come and everyone will be happy and martin luther king jr’s dream about us all having sleepovers together is gonna come true!!!!! like it’s the same crusty ass white people who acted like they gave half a shit about diversity and actual positive representation that are completely ignoring the get down for the dumbest reasons, like the people who feel triggered by certain aspects of this show have an actual reason to not want to watch, like nobody’s gonna force you to watch a show that legitimately makes you uncomfortable but the people who just don’t fucking care??? the ones that are probably the same losers who tried to push black people into watching shit shows like agent carter or the 100 where we’d have to see ourselves being disrespected and ormurdered and violated on screen, y’all are trash

@
@
Here, mouseavenger lays out the various forms that misogyny takes within the MCU fandoms. There are more examples than these, and it pairs with “misogynoir” in interesting ways. Since very few Black women have had any prominent roles in the MCU, it’s not entirely clear if that has had an effect on misogynoir. This is  just a description  of how White women are being treated by fandom , which is awful without adding any elements of race.
preach on it
mouseavenger

The Marvel fandom hates women.

  • They want a Black Widow movie..but will put down other women for the sake of keeping Nat high.
  • They want to Agent Carter renewed…but erase her from Steve’s life as if she never existed to him
  • They don’t want Bruce paired with Natasha…but also forget Betty Ross literally exists and nobody seems to even care for her because she would be “irrelevant”.
  • They want Daisy Johnson and Jessica Jones to live happy…but ship them with Grant Ward and Kilgrave
  • They want Steve and Bucky to be the first canonically gay MCU ship…but trash the hell out of Sharon Carter because she…”gets in the way of their white male gay ship.” (but they won’t hate Natatsha no?)
  • They want Marvel women to be more appreciated and loved, but will tear down others in the process and diminish them to nothing.

This fandom is so FULL of hypocrisy it’s embarrassing, we are NOT progressive, we do NOTpractice what we preach to others, we are full of misogynistic trash.

We don’t really care for Marvel women, it’s all just a joke to make us look better.

Maybe we don’t deserve a Black Widow movie or a Captain Marvel movie or Jessica Jones or Agent Carter- because all I see is endless mistreatment of women in the universe.

EDIT : I’ve had few replies saying that this is generalizing the entire fandom, I am well aware that this should not be a reflection of everybody, but as of late it HAS become more apparent, the fandom has become SO divisive since AOU, characters that shouldn’t be trashed are, ship wars are getting out of fucking control, and this fandom is about ready to finally crash and burn. And shit needs to be called out because now it is just NOT okay. I’m also aware that part of this is on Marvel for not treating the female characters with proper respect, I will not deny that- but this post is calling out the FANS who are further contributing to this problem.

There’s a difference between having legitimate criticisms over a character and just trashing a character because she’s just a bitch and needs to die for no good reason. We should not pretend women like Pepper Potts, and Peggy Carter don’t exists (there have been fics that have been said to erase these women from characters lives, something that is also not okay). How are we supporting women by shipping them with men who abuse them and rape them?

Those who are doing know who they are, and they should just stop because they’re not needed.

*The above, when coupled with race,  recreates the same situations in other fandoms, only with nasty racial overtones, the purpose of which is to  erase PoC from the narrative, restore the equilibrium of White fans who are more comfortable centering White people in the story, and lowkey express racial antagonism towards characters of color. Fans erasing the existence of canon love interests, who happen to be PoC, (Michonne, Iris West) in other shows and movies, so they can be shipped with other White characters. We even get an instance of a White woman being shipped with a character who emotionally raped her within the narrative, just so they can avoid shipping her with her Black co-star. (Rey and Finn in Star Wars)

Teen Wolf

Let’s use Teen Wolf is an example of all the worst kinds of racial behavior from the fans, and even the showrunners. Scott McCall , the teen wolf in question, is played by the actor Tyler Posey, who is Latino. He is unquestionably the star of the show. If you Google Teen Wolf’s cast, however, the first image shown is that of his White co-star, Stiles played by Dylan O’Brien, who is  not the star. So Scott’s  White sidekick is privileged over the MoC, who is the star of the show, and who the show is actually about.

Whitewashing: Over the five years of the show, it has been slowly whitewashed. What started as a diverse cast  has slowly been replaced by more and more White actors in its lineup.

Erasure of gay characters: There was a canon gay character (Danny) in the first three years of the show, which the fans ignored. The same fans crying about not having gay relationships in shows, refused to ship him with any of the other characters on the show, even though he had a canon relationship with another character on the show,Ethan. Danny, played by Keahu Kahuanui, is a MoC.

Erasure of women: The two characters most likely to be shipped together would be Scott and Stiles (Sciles), who are best friends on the show, and who have been shown being loving and supportive of each other, but the paring that receives the most fanfiction is Stiles and Derek (Sterek), with fans refusing to ship Stiles with a Latino actor, in favor of shipping him with a character who actively hates him, and whom Stiles canonically fears. Fans erase the existence of Stiles’ canon love interest, Malia, and Derek’s canon love interest, a Black woman named Braeden.

There is a canon gay character in the narrative right now, Mason Hewitt. But he’s a Black man, who will be ignored by the same fans agitating about how there’s no gay representation in media.

@
@

Vilifying PoC: These fans also craft elaborate reasons for why Black co-stars are worthless or evil, (Braeden, Finn, Sam Wilson, Nick Fury, Michonne)  and hence not good enough for their White faves. They will erase and ignore canon narrative to get these wild interpretations, or just make them up, as if the rest of us don’t have eyeballs, and can’t see that they are lying. And contrary to popular opinion, the main culprits of these types of erasure and vilification are White and female.

Here’s a  good summation of this from theprettyfeminist:

reblogged

phoenix-ace asked:

Hey the majority of people hating Iris were always white women, even before the show aired. I agree with your post and it’s very well written but I wanted to send this correction because white fandom pretty much blamed their b.s. on phantom white guys so that white women didn’t have to own up.

theprettyfeminist answered:

TOTALLY. It’s so weird being on Tumblr and hearing white women constantly talking about feminism and protecting female characters, but the minute that woman is black or non-white, the feminist solidarity completely breaks down. And yes, I’ve definitely noticed white fansgirls blaming most of the fandom racism on white men. White men are definitely a huge problem and they never skip an opportunity to hate on a black woman, but they aren’t the only ones. White women have been the main culprits when it comes to the hate that black female characters get. Especially considering most of the hate is generated from shipping wars. Straight white men usually don’t care about the shipper nonsense. It’s usually white women.

Many of them can’t identify with a woman of color, so their ability to self-insert themselves into the narrative is taken away. But you know what? Women of color have been rooting for and identifying with white female characters for decades. We’ve always defended them and showered them with affection. From Buffy to Xena to Katniss to Hermione Granger. We’re always supportive. But the minute black women finally start getting some decent representation, white women magically come up with an excuse to dislike them. And don’t even get me started on the white girls who argue “I’m not racist because I like this other black character.” Usually that “other black character” is a side character who fits into a comfortable stereotype that validates the viewer’s preexisting world view. Characters like Iris West, Lacey Porter and Tulip O’Hare challenge their world view. These girls are not stereotypes. They’re not side characters. They’re not sexless automatons. They’re fully realized women who have relationships, goals and flaws. And more importantly, the hot male lead views them as viable romantic partners.

A lot of white women can’t handle that.

*And then there’s the response to the response. Fans of color calling out people for being racist and sexist, towards their favorite characters, get called toxic by people who are unused to having their motives questioned. As more PoC enter fandom (and even form our own fandoms based around characters of color) we  are encountering racism that had remained unchecked.

Many of us can already see this happening in the Luke Cage and Black Panther fandoms, with White fans trying to re-write potential narratives to center themselves, their interests, and their White faves. They want to take these stories and make them comfortable for their sensibilities, rather than try to identify with the characters as they are. They are so used to PoC not being the center of their own narratives, that they do what Hollywood has always classically done, which is marginalize PoC in their own stories.

Black fans keep having to explain that it is Luke Cage’s story and Jessica Jones doesn’t need to be in this one. She has her own show. It is Black Panther’s story and none of their White faves have any place in it. It is not necessary for Black Widow, Bucky Barnes, or Steve Rogers to be in Black Panther’s movie. If Thor, Iron Man, and Captain America (outside of Civil War) are allowed to have their own stories told about them, without the aid of other members of the MCU, then Luke and T’Challa should be granted the same privilege.

reverseracismtheprettyfeminist

theprettyfeminist:

There’s a particularly disturbing narrative that has been rearing its ugly head in Tumblr fandom discourse over the past year or so. Whenever a fandom that largely consists of people of color who are passionate about defending their favorite character from racism, white fans go out of their way to paint that fandom as “toxic” or “unfriendly.” A few examples:

  • The Westallen fandom – has been defending Iris West and Candice Patton for the past 3 years from racist and sexist attacks from angry white fanboys who are angry that a black actress is portraying the iconic comic book character, and from entitled white fangirls who are secretly offended by the idea that the good-looking white male hero would consider a black woman the love of his life. Candice Patton has been called the n-word, has been accused of sleeping with the producers to get the role of Iris West, has had her face photoshopped onto pornographic images, accused of bullying her co-starts, called an affirmative action hire,  has had her skin whitewashed in multiple photos to make her look white and completely sidelined and ignored by a large portion of the fandom, despite being the female lead. But whenever Westallen fans try to call people out on their racist behavior, they’re labelled bullies and are seen as “toxic.”
  • The Bamon fandom – has spent years defending Bonnie Bennett from racist attacks from Delena shippers who saw Bonnie as a threat to their ship from episode one. Again, whenever Bamon shippers try to address the racism that their favorite character has received, Delena fans call them angry and argue that their ship is invalid because the only people who ship it are angry black women – an argument that has been used against the Westallen fandom as well.
  • The Richonne fandom – constantly defending Michonne from racist white men who see Michonne as unattractive and white faux feminists who argue that Michonne is a “strong black woman” who should remain single. But again, whenever Richonne shippers try to fight back against these racist arguments, people label them as angry and rude.

This is literally a classic case of “being labelled a racist is worse than actual racism.” These people are more enraged by the concerns of fans of color than the actual racist treatment they’ve received. It’s like watching a Fox News anchor try to argue that Black Lives Matter is just as bad as the KKK. Because to them, any time a person of color speaks out against racism, it’s seen as hate speech. It’s sad to see this kind of argument pop up on Tumblr. Especially when the people here love to pride themselves on being progressive.

I wrote this after seeing a post about how “toxic” a particular fandom of color was, but all the examples they used were of fans tweeting the actors about their concerns about how people of color were being treated on the show. But in the eyes of the OP, those tweets were somehow on the same level as being called the n-word and having a black actor’s face photoshopped in the middle of a lynching.

@
@

Then there’s the sloppy thinking and pseudo-intellectualism of people trying to justify all of the above:

stitchmediamix stitchomancy

stitchomancy:

It makes me seethe how fandom likes to wrap their dislike and distrust of people of color up in pseudo-intellectual dribble that’s supposed to read like a cohesive and academic film analysis.

Hello!

Your use of coded academic language to basically state that you don’t trust men of color near your precious white superhero booties is played out and we can see you for what you are. If you can apply reason and logic to things like “parent assassination would keep superhero from joining the group that killed them” but not “black man would not join neo-nazi hate group because of his race but also the fact that the character isn’t like that”, there’s something wrong with you.

Full stop.

Just like there’s something wrong with everyone that attacks the actions and motivations of men of color in the MCU (because so far, there aren’t any WOC as far as I can tell in the MCU Proper) when they wouldn’t (and don’t) dare to do the same with the white heroes, villains, and sidecharacters in the series.

There’s something wrong with people who write fics, headcanons, and meta revolving around how shitty Rhodey is to Tony. How shitty a friend he is. How abusive he is. How he is less important to the narrative that Tony’s got than Bruce Banner of all the freaking people.

There’s something wrong with how there are only mere handfuls of fic that cast MCU Nick Fury as someone that isn’t a manipulative, scary, stereotype of a villain.

And there’s definitely something wrong with people trying to pretend that they are ~serious critics~ as they try to theorize that Sam Wilson could be a secret Hydra agent based on the fact that the directors/writers of Cap 2 didn’t want to have this movie feel like a multi-series comic crossover by not having Tony appear to snark where no Stark-snark was needed.

Go read a book damnit.

Maybe an actual comic book about these said MOC in comics or a book about race in film not written by a white person because this whole thing about “coded/hidden racist language presented as unbiased headcanon/exploration esp when slash ships are involved” is bullshit and people will come for you to make sure you know how wrong you are.

*And finally, on fans who are against Social Justice:

*Here’s Chescaleigh weighing on the topic of anti- SJWs, when asked, by a white fan, that such people should be shown a certain level of empathy, and that both sides need to calm down and listen to each other. The kind of people Chescaleigh is talking about, are not the kind of people who can ever be reached by showing compassion, or  dispassionately explaining things to them, nor are they the kind of people I’m trying to reach. Anti-SJWs are people who make no secret of the fact that they are against “Social Justice”, and seem quite loud and proud of it.

The people who can be reached are the ones who are  asking questions because they’re at least capable of hearing an answer. Anti-SJWs can’t hear anything outside of the angry buzzing in their heads. They don’t want answers. The want to make assertions. Basically the kind of fans who are sending vicious emails (to Zendaya), splicing black celebrities  into pornographic images (Candice Patton/Leslie Jones) and then sending it to them, making rape threats, and angry videos about Anita Sarkeesian, are not the kind of people I’m talking to. 

For the record, I don’t actually consider such people to be fans. A fan is someone who loves something and wants to share that love with other people. They want to increase the fandom for the things they love. I know such people like certain books, movies and television shows, but when they do things  like harass the stars of the show, and other fans , I have no idea how to classify such people, except to say they’re not fans.

Her response is:

Source:

Tumblr Fandom Antics 1

 

Image result for fandom

 

*This is an perfect example of the kind of wtf*ery I was talking about when I mentioned, that unless PoC were useful to White fans, they get vilified in the fandom. Here, Nick Fury is unnecessarily demeaned by of all people, Bucky, when the two of them have never interacted in canon. It becomes obvious that Bucky’s sentiments in this ficlet are really just a stand-in for the  writer’s hatred of Nick Fury.  I am an accomplished enough reader to be able to tell the difference, between a writer’s opinions, and his character’s opinions, most of the time. 

Anonymous asked:

Imagine Bucky finding out Nick Fury is alive. Can he settle between being simultaneously offended and relieved?

imaginebucky answered:

“That motherfucker,” are the first words out of Bucky’s mouth when Natasha drops the file on the table. A black and white picture of Nick on a beach floats out of the thick folder; he’s in sunglasses, reading what looks like a case file from a lounge chair.

“How do you know Fury?” She asks. “I don’t think you would’ve found the time to, uh. Chat.”

“You mean while I was shooting at him?” Bucky says, lacing his tone with acidic sweetness. Steve, sitting on his other side, rubs a hand over his face and sighs. This, this is why they’d waited to bring it up. Piecing together Bucky’s last decades has been a daily trial, but they need it – and he wants it – to remember, so it can end.

Natasha opens her mouth, then shuts it, and opts to shrug. Bucky picks up the photo. The way Nick is sitting you can’t see any damage to his chest, and his leg isn’t splinted any more. He looks healthy. Younger. “I don’t know him,” Bucky mumbles. “We’ve never met.”

“He’s underground,” Steve offers. “Very underground.”

“Don’t matter.” Bucky flips the photo over and leans far back in his chair, letting his long hair fall into his eyes. “Tried to kill him. Thought I did. What kind of asshole just lets you think they’ve died, anyway?”

Steve catches Natasha’s eye and she scowls. “You get used to it.”

stitchmediamix:

Bucky has never been okay about what he did while under the control of Hydra and how easily he’s able to be controlled because of their mind-control and brainwashing stuff. That’s literally why he did what he did at the end of Civil War, because he regretted what he’d done (even though he wasn’t in control) and how it hurt the people around him and couldn’t be sure that it wouldn’t happen again.

So what do you do?

You write a story where all of these white people sit around judging Nick Fury for not sucking up to the man who tried to murder him. (And you have Steve and Natasha judging him like they wouldn’t understand faking his death when a white supremacist organization has already tried to murder him in public once before.)

You write a story that ignores MCU canon and Bucky’s personality so that you can demonize a Black man for moving on from the Avengers and living his life.

You write a story that doesn’t even make sense from line to line (like what even are you doing with Bucky’s moods here).

There’s no reason why Bucky would be so annoyed by Nick’s continuing survival since he doesn’t know the man or have any beef with him. Hydra’s vendetta was not his vendetta and there is no actual reason in canon for any of the Avengers to hate Nick Fury. None. There’s no reason for him to decide that Nick owes it to him to go “hey, I’m alive” despite the fact that they have never interacted outside him BLOWING NICK FURY UP AND TRYING TO KILL HIM.

To you, you’re just writing a “cute and quirky” epilogue that allows you to address Nick Fury’s absence. It’s not a big deal. But to people (all fans, not just Black ones) who are fans of Nick Fury in the MCU, it’s indicative of how fandom can’t just let Black characters live.

(See how Sam Wilson went from Nanny figure and Team Therapist to an asshole that’d hurt poor, innocent Bucky because he can’t bring himself to get over how Bucky has attacked him multiple times as of CACW.)

I’m not surprised though because fandom has been vilifying Nick Fury since he showed up and didn’t suck up to everyone’s respective favorite white characters.

When they’re not making him the desexualized team dad, fandom has been writing him as a manipulative lying bastard who just wants to keep Stucky/Stony/Clintasha/Starcy apart because he’s mean like that. There are next to ZERO Nick Fury stories in the MCU that don’t tear his character to shreds in order to make white characters look better.

What you’re doing here with your story crapping on Nick Fury for literally living isn’t anything new. It’s antiblack as fuck, annoying as hell and played out, but it’s definitely not new.

Maybe rethink the next time you get a message like this, because for Black fans of Bucky andNick Fury? This is just a slap in the face that once again tells us that we’re not welcome and characters that look like us don’t belong.

And if you seriously don’t understand where you went wrong and why this is upsetting, readTHIS POST and click on all the links. Mkay? Because this sort of thing is NOT OKAY.

*stitchmediamix

Imagine Bucky understanding that despite Hydra traumatizing him and forcing him to commit violence, no one in the MCU (especially Black characters like Nick Fury and Sam Wilson) has to “get over” their trauma at having him hurt them in order to speak with him and make him feel better about what he’s done while under someone else’s control.

Oh wait, that’s canon. Too bad fandom hasn’t received the memo.

*finnnorgana artepen

artepen:

dazzledfirestar:

russianspacegeckosexparty:

dazzledfirestar:

side eyeing the fuck out of this but idk if it’s just… gross or what.

Like… ugh.

What kind of asshole? The kind that wants to live after you put three fucking shots in his back, FUCK WAD!

This is why I hate this fucking fandom. Fuck Bucky. Fuck his fans. You can all choke.

… I’m gonna vomit, WHY WAS THIS NECESSARY?! Nick Fury didn’t do anything to B*cky but of course, fandom warped shit into being so that no matter what Fury did or didn’t do was harmful to B*cky. Fury was busy saving the world and HAD to fake his death to help save shit, it wasn’t an offense towards B*cky. What, was he supposed to go track B*cky down personally and assure this man he doesn’t know that tried to kill him that he’s not in the wrong?

Also just… why would Bucky think that there being one less name on the list of people he killed as the Winter Soldier is a BAD THING?

Like what kind of logic even…

But I guess they just want Nick dead that badly. Just being out of the picture isn’t enough. He should have rolled over and died like a good target. Gee I wonder why they feel that way? >.>

Like just admit you hate black people and move on why even write a nasty ass ficlet that goes against everything Bucky stands for and completely ignores how it is CANON that he regrets everything he did while under hydra’s control? Like why waste the fucking time to be nasty just why?

Source: dazzledfirestar good god fandom racism

@

@

 *This is akin to the same attitude in fandom where WoC are asked to stan for White women’s issues, but when we need the support, they are nowhere to be found, all the while, crowing about how progressive and inclusive they are. How is that any different from White men crying about how they aren’t racist while practicing it? This girl’s Twitter response to Leslie Jones harassment is the same thing.

finnnorgana artepen

sekushionyanko-blog:

ambelle:

Remember that time white feminists pitched a fit demanding that black women ( everyone’s go to attack dog ) do something to save Agent Carter from being cancelled because it was a uber feminist show. And we were meant to ignore the lack of diversity because white women were being represented. And we collectively said hell no and it was this huge thing. They are allowed to be infuriated by our rightful silence because their issues matter and ours don’t. So naturally it’s no big deal if Leslie’s co stars don’t come to her defense publicly because whatever. Fighting racism can’t be done silently or in private but again who cares it’s not happening to their fave transphobic lesbian. I never forgot that Agent Carter BS and I won’t forget this either.

#iamnotourmule

@
@

boostergoldmansachs:

y’all… if your friend was receiving violent racial harassment for months, and the had their website hacked and their personal photos and info leaked, why would you not publicly support them?

what good is telling someone in private “hey i support you”, when you literally have the power to mobilize your own fans in defense of them?

it’s shady af that the rest of the ghostbusters cast has said nothing, it’s shady af that they haven’t been vocal, and it’s so fucking telling that all you white feminists are jumping to their defense like black women haven’t seen this shit go down thousands of times, like this hasn’t happened to us consistently over the course of our lives

like it’s obvious when people aren’t riding, and don’t intend to ride for us, and then y’all have the fucking NERVE to ask us for our support

i’m done with white women lol y’all are so myopic and selfish and honestly i’m tired of being called to the table to defend y’all when most of you cannot be bothered to think for even a MOMENT about WoC, god forbid TWoC

finnnorgana Source: boostergoldmansachs
@
@
*This is the reason I had so much trouble watching Jessica Jones. its not even a bad show. I applaud that its talking about some controversial issues and doing so in a sensitive and forthright manner, but I couldn’t get past this part of the show. It reminded me too much of what I’d gone through in the Agent Carter fandom and how the white fans of that show mistreated the poc fans. Since Agent Carter, I’ve been very wary about appeoaching any fandom that for any show with a white female lead and a lack of poc. Its just better not to get near them.

steadfastclara:

Jessica Jones is a racist show, especially anti-black.

Not only did they kill Clemmons in a very graphic way, they also made Malcolm an addict because of course they did. But not even that gross, racist storyline was his. Kilgrave made him so, to get at Jessica and she, in turn, used him. She put him in danger, she mocked his sufferings and made his addiction about herself. Frankly, it was. We were never shown him actually fighting, resisting to it. He was an addict and then, he was fine. Eventually, he became the support system of Ruben’s sister, another white girl willing to step on him if needs be. From beginning to end, Malcolm was a pawn and a liability, his efforts to insert himself on the narrative dismissed with a patronizing pat on the back.

Luke Cage got off worse. This show was supposed to lead the way to his own show, premiering in  2016. Luke Cage, that historical hero, impervious to bullets, whose story matters so much as of now. We were introduced with is character through Jessica’s binoculars, as she stalked him.

He is shown having sex with a black woman. Said black woman, it turned out, was cheating on her husband with him, allowing us to understand a bit more about Luke as he declines her advances. A straight-up guy, he “doesn’t do drama”. Never once is that woman shamed for her choices, however. She’s confident and upfront and challenges Jessica, calling her out on her obsession with Luke. Nevertheless, she is soon forgotten, set aside to let Jessica and Luke’s story begin. She was the only black woman with a speaking role in the whole series and her potential was already conveniently abandoned before the end of the pilot.

From that moment onward, Luke is surrounded by white people. His colleague is a white guy and all his scenes are with Jessica. He has no world, no friends, no relations. He is utterly othered, rarely if ever sharing the camera with another POC and linked solely to Jessica.

Their relationship is physical, leading to many sexual scenes between the two. The spectator watches as a blooming fondness is born, a trust shared. Luke helps Jessica in many ways, his moral support giving her a drive and a new-found confidence in her abilities. That, in itself, is already symptomatic of a lack of balance in their interactions. Never once is Jessica here for him, to propel his story. So far, there is none to tell. He has no ties but her.

The truth comes out, eventually. Jessica killed his wife, a black woman once again set aside by the narrative to propel their romance. She killed her and never told him, even though she knew who he was. She tricked him, abused of his trust and only came clean because she had to. Luke doesn’t shy from stating how violated he feels, how betrayed. He is completely disgusted with the very though of having slept with his wife’s murderer, showing to the spectator how wrong Jessica’s actions were. Jessica raped him and there is nothing more painful to watch than his face as he realises what she’s done. Mike Colter plays it with such intensity and raw pain, it’s unbearable.

His plight doesn’t end here, however. Kilgrave finds him and learns about is relationship with Jessica. Because they could, the writers didn’t refrain from showing the former bewildered with the very idea of their  interracial entanglement, referring to it as a “pity shag”. He proceeds to take control of Luke, unbeknownst to the spectator. Throughout a whole episode, Luke is literally forced by the narrative to forgive Jessica, to stay near her and to offer his moral support, once more. He has no choice, no say in this. Yet, we are never showed that. His turmoil remains silent, the focus staying on Jessica and her relief at being once again the receptacle of Luke’s affection. His story and feelings are of little consequence. He is pushed back in the arms of his aggressor, by Kilgrave but also by the narrative. That state of helplessness, which is so often described as traumatizing and painful, holds only emotional weight when Jessica learns that him forgiving her wasn’t real. The consequences on his mental well-being aren’t worth dwelling into because, as per usual, only Jessica and their ship matter.

Knocked unconscious for the entirety of the finale (!!!!), Luke is powerless as Jessica holds him, kisses him and professes her love. Once again, he is but a silent witness, a barely consenting participant in that poor excuse for romance.

This show is racist and romanticizes the abuse of black people. And that’s not right in the slightest.

fandomshatepeopleofcolor Source: autisticlynch

Our Semi- Regular State of the Onion Address – TV

Its time for my however many  annual list of “shows that I’ll start out enthusiastically watching, but then falling asleep on in a month, becuz I’m old and can’t stay awake”.

*Luke Cage:

This will be released on Netflix on Sept. 30th.: This shit is lit! I am here for this binging the whole weekend. It better be good! I’ve been a fan of Power Man since I was a kid, so, bear with me, as this is making me just a little bit giddy.

I probably won’t fall asleep on this one unless Jessica Jones shows up.

 

 

Iron Fist: will be released on Netflix sometime in 2017.

*I’m a lot less enthused about this teaser trailer for Iron Fist. Power Man and Iron Fist was one of my favorite superhero comics back in the day, so my problem isn’t that Danny Rand is White (although I find that disappointing) but that the actor playing him is so unremarkable. Let’s just say, he’s not as impressive, (or handsome), as Danny Rand should be.I’m going to give it a try but I’m not getting enthused about it until I see more footage. Its a good sign that Claire Temple will be in the show too, hopefully with more interesting things to do, and better treatment, than in Daredevil.

 

Teen Wolf  Season Six: November

*I understand some of the fans are very, very upset about the prominence of Stiles, in a show that’s supposed to be about the Teen Wolf of the title, (Scott), and the return of a previous villain who killed Scott in an earlier season, (Theo), but I don’t care. I’m watching this anyway, (despite the less than stellar season five), because this is the last season of this show, and it features The Wild Hunt, and I’m interested in seeing how this show will mutilate that particular folklore.

One of the cons of watching this Teen Wolf is that  its a classic “bait and switch” show, where they keep swapping out the characters of color every season, in order to add more white characters. The formula seems to be to kill off a PoC, then add two white people. (The Walking Dead has this formula down.) Now normally, I would object, but I actually like Liam and Lydia. I also do not object to having Peter as a villain again, although I find Theo deeply boring.

Some fans are deeply upset about the departure of Arden Cho, but I never much cared for Arden Cho’s Kira, mostly because her storyline became more and more nonsensical in season five, and I got bored with it. I also was not a huge fan of her cheesy, overdone, fighting style, although I realize this is a show actually aimed at teens, so yeah.

On the other hand, I’m glad that Derek has left the show for greener pastures. He’s a grown ass man. He needs to stop hanging around these messed up kids and get a life. And with his departure, the Sterek fans can come down from their hysteria, and just chill the fuck out.

 

 

The Strain Season Three : August 30th

*Ooh, look! Its the show I love to hate. Yeah, I’m going to watch this, and in all fairness, I am going to go into the third  season of this show hoping its gotten rid of its dead weight and improved from the horrible plot developments of the last , although if the trailer is any indication, they haven’t. Nevertheless,  I’m going to jump into this third season hoping that it won’t be worse than the last one.

What I’m hoping for are bigger, better, and more, action scenes, better special effects, a plot that is more coherent, has clear goals, and gets to those goals a hell of a lot faster than in season two; less annoying, conistently written characters, who have clear goals, and a much faster pace overall, with less distracting, sideplot  bullshit.

If not, there’s always the Hate-Watch!

 

Pitch: Sept. 22nd –  Fox

*I’m totally not a fan of sports shows, and I hate Network television (and Fox in particular), but this looks really good. I’m definitely going to be watching the first episode. If it gets too soapy, I can always stop and pretend I didn’t see it, kinda like how I’m doing with the show Dark Matter, right now, (pretending like I ain’t watching it).

 

Supernatural: Oct. 13th – Mini-rant

Ultimately it doesn’t matter one bit  what this season is about. I came into this show the first episode, and I’ve been faithful ever since. This show has never completely disappointed me to the point of refusing to watch it. But then I’m a grown ass woman who doesn’t freak out when shows don’t do what I want. (When I don’t like a show, I stop watching them, or mock them.)

This show introduced me to the concept of fandom, I met some great people through this fandom, and that  inspired me to start this blog, so I’m in this til the end of the series, which is why I stay way the Hell away from any of the fandom that’s too busy shitting on it, to enjoy the fact that its still on the air.

Not to get off on a rant here but this show has been on TV for six or seven years past its initial deadline, and some people are simply loathe to appreciate that shit, considering the length of airtime most shows get. I still care about these characters, and I absolutely refuse to get bogged down in which actor gets more facetime, who is shipping who, or whether or not the show is scary. Shows that last any length of time will evolve and grow, sometime in ways fans don’t foresee or agree with. That doesn’t make it a bad show, it just means either you, or the show, have outgrown one another and you need to move on, instead of going into everyone’s message boxes or personal blogs and talking about how much it sucks. Who does that serve, exactly?

Brooklyn 99: Sept. 20th

Ahhhhhhhh!

American Gods: Jan. 2017 on Starz

I haven’t read this book yet, but I’m familiar witrh some of the characters from other books that Gaiman has written in this same universe. I do plan to read the book before the series airs. This is being produced by Bryan Fuller, who last show, Hannibal, was the shit. So I’m looking forward to this.

The Walking Dead: Oct. 23rd on AMC

That I will be back for this new season is without question.

 

Ash Vs. The Evil Dead Season Two :October on Starz

They had me with Motorhead’s Ace of Spades in the trailer! There’s another black woman in this one, hopefully they won’ t piss me off by killing  her off this season, the way they  pissed me off last season. It looks a zany as ever though.

 

American Horror Story: Sept. 14th

I got nothing on this show, yet. I may even be wrong about the date because that doesn’t sound quite right.

The Flash: Oct. 4th

I’m going to try to get into this show some more. I like Kid Flash and some of the villains featured last season. My problem is that I think most of the acting is pretty bad, and  the show seems aimed at a much younger audience than me.

Legends of Tomorrow: Oct. 13th

I’m still following this show. I just like some of the heroes that are featured and there’s been some interesting character growth for some of them since the beginning of the first season.

Dirk Gently’s Holistic Detective Agency: Oct. 22nd – Douglas Adams 

I hope this is good.

 

Meh: 

These are shows I’m feeling rather lukewarm about. I don’t hate them, and I will probably watch the first episode, but I also anticipate not liking them enough to keep watching them, so they better wow me.

The Exorcist: Sept 23rd

*I love the original movie,but as a general rule, I do not watch devil possession films or shows, considering them to be little more than knockoffs of the original movie. Why watch knockoffs, when I can watch the original film, which still manages to be scary. Nevertheless, I will give it a try and tell you what-what. I know some of you are great fans of devil possession themes, so I’ll try to be as gentle as I can.

This show better be impressive because the trailer isn’t wowing me at all, although its really nice to see Geena Davis again, and the priest is really cute. Whether or not I like it will depend on what its trying to accomplish. Is it a philosophical discussion , or is it trying to scare me?

 

Lucifer – Sept 19th

Actively hated the first season, so I’m not feeling especially enthusiastic about the second, but I may watch it.

Agents of Shield – Sept 20th

I fear this show has gotten too convoluted to understand. I’m still not a fan of the actress who plays Skye, but I like The Inhumans storyline – is that over with now? I’d been following this show through social media, and the trailers looked exciting,  but everytime I looked at an episode, people I didn’t know were just standing around, talking in a non-urgent manner. So maybe it’s just me, then.

Gotham Sept. –  19th

This show is almost but not quite a hell no. I feel  some way about it but I don’t know what that feeling is. I’ll find out in the Fall, I guess.

Supergirl:

I really want to like this show. <Sigh!>

 

Does Hell Go with No!:

MacGyver: 

Nope with a side of fuck that shit! Scuze my French, but good gob!, does this look frickin’ awful.I hop

Lethal Weapon:

This is one of those nopes, where you make that “taking a shit” face, while you say it, because…

I liked the movie tho’.

Frequency:

<Gasp!> No!

Arrow:

Naw! I’m good.

Sleepy Hollow Analysis

This brilliant and beautiful analysis of Sleepy Hollow showed up in my feed again and I decided, if I didn’t want to lose it on my “Likes” page, I’d better save it here. It outlines why we cared so much about the future of this show, why we were so damn angry at what the showrunners chose to do with it, what went wrong, and  includes links to other reviews and critiques of the show. 

Post Mortem on Sleepy Hollow

Everyone is saying that the show had great potential, and that they screwed it up. But I haven’t seen anyone articulate what that potential was. Why was so resonant in season one? At this particular time, and in this particular climate?

I read the phrase “the chemistry between the two leads” and frankly that’s not enough for me. It’s not enough to explain what I saw in the show and why I am so mad. I deeply believe that the value of the fantasy/horror genre is how it lets us symbolically consider big issues of morality in ways that are fun.

American, this beautiful mess of a country, has a ton of moral thinking to do about race and history. Sleepy Hollow more than any show in decades, was perfectly set up to play with, and around, and through that tension. That was it’s potential. That is what we lost.

I’ve read some great things on Sleepy Hollow, the finale, and the death of Abbie Mills. These articles have all been explicit that the choice to kill and sideline Abbie was typical, uncreative, racist (consciously or not), and BAD FOR THE SHOW. Here are my favs:

http://blackgirlnerds.com/how-sleepy-hollow-single-handedly-destroyed-their-own-show/?utm_source=dlvr.it&utm_medium=twitter

http://www.thevisibilityproject.com/2015/05/05/i-want-great-things-for-nicole-beharie-sleepy-hollow-isnt-one-of-them/

http://bibliodaze.com/2016/04/abbiemillsdeservesbetter-how-fox-ruined-sleepy-hollow/

Now let’s talk about the big issues.

America has always been two things. A place for enlightened ideals about the equality of man, and the bloody driving heart of chattel slavery. Those are both huge. They are also utterly irreconcilable. Even as this country led the Age of Revolution that brought down kings throughout Europe, we built the North Atlantic Slave Trade. That deadly triangle put millions of people into bloodline based suffering that was harsher than any caste system in Europe at the time.

If you study American history at all, slavery is three quarters of it. The struggle for racial inclusion and equity is the rest. More than class, more than ideas, more than geography, race is the single focal point that encompasses all of American history. There is no part of this country that wasn’t molded, or counter-molded, without the presence of it. From the very beginning we argued about it. We didn’t stop arguing. We went to war over it. Then we had a second proxy cold war about it during the civil rights movement. We are still arguing about it today with Black Lives Matter.

This is the biggest question of Good vs. Evil in our country. It’s so big, and so devastating, that millions of Americans still have trouble fully admitting that slavery was evil. That it did not have any upside for the salves. There are also millions of people who see the sacrifice that ending racism demands, and flip the fuck out. They do not want to deal with that.

Doesn’t that sound like a kind of unending apocalypse? A biblical level moral threat? And historically a few people have always fought and given witness in order to redeem the rest of us from that evil we would rather ignore, or let fester, or maybe join/sell-out-too in order to maintain our privilege. The metaphor works for me.

I should probably take a moment to give my personal P.O.V. I’m white. I’m a lawyer. I am into the American mythology. I really, deeply, believe that a nation of laws is better than a nation of men. I have in actively carried around a pocket constitution, and a pocket declaration of independance. I have read the federalist papers. I have read more than one biography of John Adams. I am a patriot. I know enough about the history of patriots to understand that the best ones were all critics of their societies.

There was a moment in season one that was painfully familiar. Ichabod is singing the praises of Thomas Jefferson, and sneering at the political foe that accused him of sleeping with his slaves. That was me, in my younger and more innocent days. Irving and Abby give each other a good long side-eye and then enlighten him. That was also me. And Crane, bless him, learned better. I remember watching that scene and thinking “I can’t believe Fox, Fox!, is letting them get away with that.” See, I also live in the South. Where you still aren’t often allowed to talk about that stuff. Where discussing actually, provable, documented history, like it’s actual documented provable history, will get you hissed at. Then they’ll call you ungodly. (Look it just popped up again!  http://www.vox.com/2016/4/8/11389556/thomas-jefferson-sally-hemings-book )

Is it any wonder that Sleepy Hollow was such a tempest in a teapot?

I haven’t talked about Abbie yet. Sorry. I needed to set the stage. I needed to be able to say that the chemistry that existed between Abbie and Ichabod existed because she was black and accomplished and he was white and ignorant. The desire to smoosh them together, to make them work as partners, was more than a desire to see an attractive man with an attractive woman, it was a desire to reconcile the entire American experiment.

Think back to the images in their first meeting. Ichabod, an 18th century man, locked in a cage because he cannot understand the modern world. He’s idealistic, he’s educated, he’s utterly incompetent at modern reality, he cannot understand why he’s not in charge, why all the cretins around him treat him like he’s crazy and refuse to follow his orders. I’m pretty sure I just restated the analysis of trump voters.

Maybe just this one: http://www.alternet.org/election-2016/i-was-pastor-trump-supporters-heres-why-thousands-are-flocking-his-rallies.

Or this one:http://www.slate.com/articles/news_and_politics/cover_story/2016/03/how_donald_trump_happened_racism_against_barack_obama.html?wpsrc=sh_all_dt_tw_top

Or this one:http://www.salon.com/2016/03/14/the_payback_candidate_trumps_campaign_is_for_conservatives_seeking_revenge_on_everyone_they_think_disrespects_them/

So there is Ichabod waiting in his cage, and then Abbie shows up. A black woman. Not in a cage. Her freedom specifically addressed when Ichabod said the word “emancipated.”  She was someone he still saw in terms of slavery, but she was the one that literally held the keys to the modern world in her hand. (Of course, to screw with that, they shot it from his POV, so she looks like the one behind bars.)

Ichabod has to listen to her, he has to defer, before things start getting better for him. What is more real than that? Ichabod might have been the every-man (for a certain type of every-man) but Abbie was the arbiter, the judge, the leader. She was the character that decides what part of all that 18th century knowledge still matters, and what parts need to be chucked, like yesterday. And in season one at least, she judged from a place that was informed by her own personal morality and experiences. She was not all good and self-sacrificing. The unfairness she had experienced as a child, affected her. The central question was if she was going to reject Ichabod, and through him, symbolically at least, this whole American experiment.

Does any of that description make you uncomfortable? I hope so. Because that discomfort is what made the show so tense and riveting. Good horror works on our unconscious taboos. It materializes them, makes them literal, and once they are literal we are confronted with their grotesquerie. America, as a society, has rejected and oppressed black people from the beginning. The three fifths compromise is still in all those pocket constitutions.  But America, as a society, is also slowly, painfully, waking up to the fact that rejecting black people is unsustainable. It locks us out of the future. It ties us to evil. A not so secret demon that demands constant blood sacrifices. (Literally. Tamir Rice, Eric Harris,Walter Scott, Jonathan Ferrell, Sandra Bland, Samuel DuBose and Freddie Gray.) And whose hunger for destruction spills over and threatens everyone.

That’s what Sleepy Hollow had to work with. That’s what they stumbled into, and frankly I don’t think they could handle it. As a writer, I know that you can land in something topical accidentally. And I think that first round of folks just wrote what they thought was scary, a white man who is forced into depending on black people because he doesn’t understand the modern world. I don’t think they examined, in themselves, why those particular dynamics were so scary.

If you are white, like most of the Sleepy Hollow production team, and unconscious about that shit, you will inevitable try and move yourself to a more comfortable place. The process even has a name. It’s called white fragility.

So, when Sleepy Hollow did well, and production got crunched and probably even more unconscious, the production team moved themselves into stories that were more comfortable. Abbie’s power as arbiter and judge was sidelined. She was relied upon as a character who rejected nothing, who only sacrificed.  What little discussion of the founding fathers flaws there had been was dropped. After that first episode, nothing was said about the civil war. Nothing was said about the bulk of American history. Almost nothing was said about slavery even when Abbie went back in time.

And things could have been said. During the run of Sleepy Hollow we’ve had 12 Years a Slave, and Hamilton, and the new Birth of a Nation, and Underground. This isn’t just social justice plotting, it’s a thriving market. It’s also rich in all the tropes of horror. It’s everything you could need for a million different horror movies. Imagine how differently Season 2 could have played if Abraham or Henry approached Abbie at any point with this kind of offer:

Moloch is here, in America, in the 21st century because slavery brought him here. Ichabod’s great friends couldn’t fight him, because their sins were his fuel. So you could keep trying to help your partner’s romantic life, or you could let the whole thing burn. Let this America end. It’s cardinal sin is irredeemable. Let something new take its place. Join us, and you can even build it to your tastes.

Isn’t that tempting? If your white, isn’t that terrifying? Isn’t it real, despite all the layers of monsters and demons?  And isn’t it fun? And kampy, and hopeful too? Because nobody wants to listen to a lecture about this stuff head on. We want to all get together and slay the demon that lives on racism, and then make the improbable couple kiss. We want to love all of it. We want it to work out, history and the present to reconcile and make each other better.

Instead, we got monsters from Sumeria and ancient Greece.

Now with Abbie Mills dead, the chance for reconciliation is gone. That’s the potential that we lost.  Even when the show was at it’s worst, the mere presence of her dark skin was an indictment, a tension, a placeholder for the failings of the founding fathers. They got it wrong about her, about black people, so maybe none of their magical advice would work. At the very least it would all have to be updated. Abbie Mills as a black witness wasn’t just important because there aren’t enough women of color on TV. She was important because with this particular plot scenario information from the past must be both always necessary and always dubious. Abbie Mills, merely by existing in the frame with Ichabod crane, telegraphed that the founding fathers could have some major, and important, blind-spots.

It seems even that was intolerable.

So, History won. It didn’t compromise, it didn’t change. It didn’t admit it’s faults. It didn’t fall in love with Now. Ichabod did not offer up a part of his immortal soul to satisfy Pandora’s Box. He didn’t share the burden with Abbie. Then, to add insult, that cowardice was explained away as destiny. That’s not fun. That’s not challenging or exciting. It’s just bleak. It reduces rather than expands the story. The only thing I want to see now is Jenny Mills engaged in the long form assassination of Ichabod Crane.

And while this is just about character’s in a story, we all know, that it’s also something real. White people preferring to see black people lose everything then give up anything of themselves. That it’s something real that happens all the time. That it happened behind the scenes to Orlando Jones and then Nicole Baheri, when they were stripped of air-time and meaningful on screen stories and work.

Some of us might still be able to learn from the mistakes of history, but not Sleepy Hollow. It’s doomed.

Source:

Tumblr Talk III : Asian Edition

 

Fung Brothers:

So, I was looking for  videos on “Asian erasure in Hollywood” on Youtube and came across these guys. I really liked them. I’m gonna put their name out here, so you can check out their videos. They talk about a lot of issues that are important to Asian Americans, along with silly stuff like, the 18 Different Types of Asian Girls.

Please subscribe to their channel:

 

Rush Hour:

I also want to put out the word about the Rush Hour TV show.  I’m not really into the show, but even though the lead character fulfills the stereotype of the Asian guy who knows Martial Arts, he’s still one of the lead characters. I’m not really into buddy cop movies or shows, so we dont associate, but if you’re in the mood for some light and funny action, check it out before its gone.

 

 

 

Osric Chow:

Here’s a lovely video from Osric chow. You may remember him from Supernatural and the Live Acton trailer for Akira.

 

 

Margret Cho is, once again, tearing it up. I love this article.

http://www.refinery29.com/2016/05/109966/margaret-cho-hollywood-whitewashing-twitter?utm_source=tumblr.com&utm_medium=post

 

Diverse movies make money
nytimes.com
Why Won’t Hollywood Cast Asian Actors?
Economics has nothing to do with racist casting policies.
By Keith Chow

“If minorities are box office risks, what accounts for the success of the “Fast and Furious” franchise, which presented a broadly diverse team, behind and in front of the camera? Over seven movies it has grossed nearly $4 billion worldwide. In fact, a recent study by the Ralph J. Bunche Center for African American Studies at the University of California, Los Angeles, found that films with diverse leads not only resulted in higher box office numbers but also higher returns of investment for studios and producers.”

“ “If minorities are box office risks…”

 IT DOESN’T LOOK LIKE THE “BOX OFFICE RISK” HERE IS MINORITIES, FAM. LOOKS LIKE IT ACTUALLY MIGHT BE WHITE WASHED FILMS, MY GUY.

So if they are willing to lose money on their representations then what is the at hand with regard to their casting decisions?

Source:

 

 

 

 

 

Geeking Out About : WoC in SFF

 

 

Lately, geekdom has been having some interesting,  and contentious,  new discussions regarding diversity in some of our favorite shows and films. Women of Color have always been in it, because hey! we live on this planet, too, and I just want to give a shout out to some of my favorite WoC, who inspired my Pop Cultural geekiness.

At first, I was going to do a post just on Black women, but I decided I needed to put it up or shut it up, and include all women of color, who have brought and continue to bring their “A” to the  game and those who have and will always inspire me to be ” That Weird Black Girl”.

Nichelle Nichols image As Uhura, on the Original Star Trek, she wasn’t just a secretary, she was also an engineer. There were plenty of times we watched her fixing her communications station. She was Boss! And been credited with influencing more Black women to go into the sciences,  than any other woman on this list, including this astronaut:

image This is Dr. Mae Jemison and her flight gear handler. (Get your Google on!)

When I was ten years old, I thought Nichelle was everything a Black woman should be. Smart, elegant, graceful,  beautiful. She taught me that Black women, (that I), have a place in the future. Until Nichelle put her thing down, a lot of us had never been taught that we had a future.

Rinko Kikushi image

I have it on good authority that little Asian girls look up to the character of Mako Mori, from Pacific Rim, but Rinko makes this list because I loved her character’s  backstory, and Mako’s show of character, in fighting for what she wanted, but still respecting her adoptive father’s wishes, played by Idris Elba. Also my niece is totally little girl-crushing on that defiantly, blue streak of hair.

Lucy Liu: image

 I just like watching her.  She never seems to take any of her jobs too seriously, has a quirky sense of humor,  and always has a mischievous twinkle in her eye.

Rila Fukushima: image Throw it up! for Rila’s exemplary sword work in the movie The Wolverine. I was impressed. She’s not my picture of Yukio from the comics, but she is perfectly acceptable.

Dichen Lachman: image  Dichen has been in a number of genre TV shows, most recently Marvel Agents of Shield. She is, hands down, one of the most gorgeous Asian women on TV. And yeah, she kicks ass, too.

Saya: imageFrom Blood:The Last vampire. She’s got a sword and she’s hardcore. I will be  introducing my niece, a huge Hitgirl fan,  to Saya, this Summer.

Chun Li: image From the Streetfighter video game. I always chose this character whenever I played any version of  this game. She had some sweet and fun moves. (The movie sucked, though. We try to ignore it.)

Devon Aoki: image She starred in Sin City as the very lethal, and’ terrifyin’, Miho. Miho was all business.You do not fuck with Miho.

Eartha Kitt: image She is, as far as I’m concerned, , the first, the one, the only,  and the  true, Catwoman.

Tina Turner image As Aunty Entity, she ruled BarterTown,  in a dress made of chainmail. Seriously people! CHAINMAIL! She also had a misplaced British accent, a gang of football thugs as henchmen, and some monster trucks, so you can keep your Furiosa, because Tina got there first. (Just kiddin’! I love Furiosa.)

Rutina Wesley image The  first time I saw Tara, on True Blood, she was giving a convenience store lurker, the very erudite backside of her tongue. Afterwards, she  beat up another lady, in the store.  I couldn’t help but love her, as I have fond memories, of giving  people the business end of my tongue, when I was younger and less diplomatic, (just without the beat downs, though.)

I made the mistake of introducing my Mom to the show, in its last season. Guess who she fell in love with, right off the beat? Guess!

Freema Ageyema:  image The only Black female companion I’ve ever seen on the show, Dr. Martha Jones, also did a couple of stealth episodes of Torchwood. I’m not a huge fan of Dr. Who, but I’ve watched an episode here and there, and I enjoyed watching Martha and her family on the show.

Naomi Harris: image The first time I saw Naomi, she was bludgeoning some  guy, with a machete, and getting high on pills and falling in love with Cillian Murphy, (and who wouldn’t?) in 28 Days Later. Then, in Skyfall,  she sniped James Bond with a high powered rifle. Naomi always brings it. She is  currently Ms. Moneypenny, James’ handler, which should give us plenty of opportunities to watch her snipe at him.)

Nichole Beharrie: image I love how the writers gave Abbie Mills so much depth on Sleepy Hollow, without racializing all of her. Not everything about a Black person’s life involves race and the writers are very good to introduce the topic only when its necessary to the plot. She, her friends, and her family are all characters, who just  happen to be Black, while dealing with the Supernatural, making Sleepy Hollow unlike any other genre show on television.

Danai  Guirira: image Michonne is a total badass. If I had to pick a dream team of women to ride out the apocalypse, she’d be my first choice.

Grace Jones: imageAs a teenager, I admired the Hell out of this woman. It didn’t hurt that she dated or slept with every hot male celebrity you could think of, back in the day. From David Bowie and Adam Ant, to Dolph Lundgren. She also gets special merit for being one of the first Black female Egyptian vampires,  in the  80s movie, Vamp. She never spoke a word, and was still more terrifying than anybody in Twilight.

Jada Pinkett-Smith:image Fish Mooney, Gotham. Penguin and Fish are the two best character interactions on the entire show and the only reason to have watched it.

Rosario Dawson:image As Gail in Sin City, she liked to bite people. She is currently starring as The Night Nurse on Netflix’s Daredevil. I read a few issues of the Night Nurse when I was a little girl, so if my glee at seeing her finally depicted on the TV screen, is baffling to you, there you go.

Gina Torres:

image

I will always love Joss Whedon for this one thing. Zoe is totally in love with her husband,  tells him she will be the mother of his child one day, despite his doubts, and is a total badass, calmly tucking her Captain’s chopped off ear into her bra, while rescuing her husband from Russian Space Gangsters. Gina has always been The Queen! The Goddess! from Cleopatra 2525 to Hannibal.

Michelle Rodriguez: 

image

This is for every movie she’s ever starred in, even if she does die in all of them. Somebody get her role in a movie that she can survive, please.

Jeanette Goldstein:

image

A better movie would’ve had Vasquez team up with Ripley, to take down the Alien Queen, after all the male characters had been killed. But this is Hollywood,where only one bad ass woman, per movie, is some kind of law.

All these Women of Color are why I am, and always will be, a total Geekgirl, because like I said before, sometimes Women of Color  like to be  Heroes, too.

image

The Walking Dead: Bugging Out

In honor of The Walking Dead Finale, I thought I’d repost this, (from waaay back in 2014), with some minor edits:

If you’re a fan of zombie fiction you know  what “bugging out” means. For those not in the know, it means having a packed bag ready, with a couple articles of clothing, water, and food, so you can vacate that urban environment, that will soon be overrun with zombies and wild humans.

Well, I ain’t buggin’ no-damn-where. I sure as Hell am not going to run out to the woods, to survive the apocalypse. And, should you ever find me in the woods, you will know that civilization, has gone horribly, horribly wrong.

image
No, no! I’m good here.

Seriously! Have you even watched the show The Walking Dead? Its as dangerous running around in the woods, with wild animals, cannibals, bikers and walkers as it would be to live in the city. At least, in the city, there’s no chance of also being eaten by bears or starving to death when you run out of granola.

And why would I go running out to the woods, when I don’t know one damn thing about living in the woods. I do know about living in the city. What’s more , I know about living in the city sans utilities. I don’t like it but I got that shit down. I know where everything is, which buildings are the best fortified and most importantly, where to find the best vending machines.

It doesn’t matter how many countless hours of Survivorman I have watched, there’s a lot of shit that just isn’t covered by that show. How am I going to get my hair done? (There are no Natural Haircare specialists in the woods.) What about moisturizer?( I have very dry skin, especially on my elbows.). Or sunscreen?

What happens when I get my period? (There’s no chocolate in the woods and I don’t believe bugs are a good substitute for that, no matter how many people say they’re good for you.) How am I going to stay clean during my monthly, with no water, when I’m not even allowed to wash my hair? What happens if you get sick out in the wilderness? I have asthma when it gets cold, and my nose likes to have a sinus infection, at least once a year. Something tells me that running around in the forest would up that quota. I would run out of Puffs in about thirty minutes.

Also, where would I go to use the toilet? I ain’t fo’ no squattin? That’s just not my bag. I have lived with the Porcelain God (and his accessory,Toilet Paper), my whole life. I shall worship them forever.

Command me, Lord!
Command me, Lord!

And, most importantly, what am I going to read? There ain’t no books in the woods and I’m not making my own. There’s only so many I could carry. I could scavenge them from any houses I stumbled across, but I don’t want to risk being shot because I needed new reading material, and Americans don’t read, anyway,  so the likelihood of finding books is pretty low. Since Americans who do read, have atrocious taste in books, the likelihood of finding a good book to read would be nil.

It’s also extremely difficult to find yarn, for  my crocheting, in the woods.

Let’s face it, most of us are not equipped for forest living. I know far more about living  in the Big City, than I do about  living in the woods. I live on Lake Erie, so water would be readily available. There’s plenty of food and other resources to scavenge and sleeping under a ready-made shelter, like in an office building, is way nicer than sleeping in a bag on the ground. It most certainly would be less wet.

Yes, there will be more zombies in the city but there’s also more people to fight them. And Black people don’t have a problem working together and cooperating with each other to meet a common goal like food production or zombie fighting, although, the going narrative seems to be that people in the city would have less of a chance to survive. I call bullshit on that narrative. I’m assuming whoever came up with it,  thinks Black people would lose their shit and start that race war, they’ve all been hankering for. Trust me, we wouldn’t. We’d be too busy building rope walkways between our houses.

Quite frankly, I don’t think our lives will be greatly upheaved. We all know our zombie lore, having completely memorized the Dawn of the Dead remake.

What not to do.
What not to do.

Also, Black men are some amazingly clever tinkers. My brother and his friends, will probably have the whole neighborhood hooked up with electricity and running water, using car batteries, electrical cords and duct tape in the space of a week. Plus, it’s just safer hanging out in our own neighborhood because there’s more than a few White people who are just itching to use a zombie apocalypse as an excuse to execute Black people. They’re too scared to come here, now. They’re not going out of their way to visit during the apocalypse. I’m sure they’ll be too busy.

The place to not be be during a zombie apocalypse is the suburbs. In the city: plenty of places to scavenge for medicine because it’s where all the pharmacies are, if you shop early. I don’t drink booze, but hey, liquor stores are  everywhere, although I suspect that’s the first place people will raid. Bottled water – check. Diapers – check. Formula – check. Neighbors who are trying to shoot you – probably not. And do you know how much non-perishable food there is in the city? At my place of work alone, there’s about ten vending machines, full of soda, chips, peanuts and those little Chef Boyardee microwavable cups, with the pull tabs.

A full banquet.
A full banquet.

Also, some of us don’t have the luxury of “bugging out”. I have an elderly parent with a lot of medical issues. There’s no way I’m going to talk her into going out in the woods. I can’t even convince her to go outside when it gets below 50 degrees. Plus, she requires a small pharmacy just for her medical needs. Hell, I need diabetes medication and my glasses. What happens if I lose my glasses in the woods? I can’t even see to drive without them. I’m certainly not going to stumble around in the woods without them. Jeebus help you, if you have a physical disability or a mental illness more desperate than glasses. You better have a damn good group of friends to help you out. There’s a reason we don’t see people complaining about the arthritis in their knees. People suffering from arthritis are probably all dead.

Let’s be truthful. “Bugging out” is an activity reserved for fit, single, young, White, video game playing men, who dislike their families. Young men who are barely equipped to survive in the suburbs, with running water and microwave ovens. Young men who think they will find a hot woman and fall in love, when they can’t even attract a woman while theyre able to practice good hygiene. In other words, they think they’re Glenn from The Walking Dead, when  most such men are like Eugene. They will have to get other people to protect them. And they’d have to use lies and deception because they’re certainly not going to be able to use their charming personalities. Glenn is likable. They’re not. They’re the kind of people most people want to shoot after spending just five minutes alone with them.

image

It’s all well and good for someone like Michonne, a Black  woman, alone, wandering around in the woods chopping up zombies. She’s not even remotely concerned about being raped, taken hostage for some nutjob’s  harem, or shot for being Black during the apocalypse. She’s got skills. I harbor absolutely no illusions that I am Michonne. My vast knowledge of Samurai and Kung Fu movies is not going to be very helpful.

Not me!
Not me!
          Still not me.
Still not me.
            Nope!
Nope!

What the hell is this huge crowd of young men and their hot, but conveniently helpless girlfriends, going to be doing in the woods? My guess would be trying to look tough while carrying blunted Samurai swords they have no fucking clue how to use, and drawing the population of zombies out of the city. Those of us who couldn’t “bug out”, can get to rebuilding civilization, without being bothered by their macho silliness.

Either that or being victimized and killed by all of the other people, much tougher than them, who have watched the same zombie movies, but who actually know how to use a Samurai sword.  People who all decided to leave the city, thinking it would be safer.

image

With most of the population eaten, those of us with family members we actually love, will have to work it out for ourselves.

Is anybody writing a book for those of us who can’t Bug Out? This needs doing.

No?

I guess I better hop to it, then.

Geeking Out About : Preacher and Friends

I’m cautiously optimistic about this show, coming to AMC, soon.

I haven’t read the entire series but I’m familiar enough about the plot and characters to be looking forward to what AMC will do with this new graphic novel franchise, considering how well they’ve done with Into the Badlands, and The Walking Dead.

Check it out:

 

It  looks like an even grimmer Justified, and that show was pretty dark. You know this show means business, cuz it’s set in the West, and the lead character has a metal tipped collar. How cool is that? I want it.

 

 

And here’s the lowdown on Wynonna Earp. I love Weird Westerns and monsters, but I haven’t read the graphic novels this is based on, and  I never heard of it before. It looks fun though, and Wynonna and I will be hanging out with each other this  summer. With any luck, maybe our relationship could go long term.

I’m glad to see that the Siffee Channel has got back in the business of having actual shows on the network.

 

I like the trailer and definitely gonna watch the show but yet again, I’m kind of pissed that  only  the white ladies get to have adventures and be sheroes on TV. When can sistahs of color get some fucking love in the genre? You like us in books. Why can’t we be in any of the visual media? C’mon, people! Let’s get some brown girls in the ring!

 

Oh, and this nifty little gem will be coming to the Shiftee network soon, called Hunters. It looks suitably grim, and could take the place of Alphas, another show I was loving before it was canceled, in favor of making more of those damn shark movies. Yeah, thanx for those Swiffer channel!

Wanna hear about it? Here it goes:

 

Oh and that’s not all this summer. We’ve got several movies coming out. And some more TV shows, like Penny Dreadful, Outlander, and Game of Thrones, which I’ve never been a huge fan of, but I’m starting to get into it now. I’m looking forward to the new season and I think the episode Hardhome, had a lot to do with that. Also, now I’m really intrigued by the Jon Snow thing.

I’m still watching Daredevil and liking it so far. I’ll have another review up of the next four episodes soon.

I’m not watching Damien. That’s one of those shows, like Bates Motel, where you monitor the trailers,  just in case there’s some excitement later. I also stopped watching Blindspot, even though the trailers look pretty interesting. Second Chance ain’t gettin’ one. I don’t know anyone who cares about that show and I suspect  it won’t get renewed next season.

I did watch Crouching Tiger 2, but I got nothing to report about that, other than it ain’t the first movie. It’s not bad, the fight scenes are okay,  but it’s not as compelling as the first. The story isn’t as deep and the plot is kind of workmanlike. It’s not as pretty as the first film and the fight scenes seem tacked on because the story isn’t as deep or developed.

I’m much more interested in Rise of the Legend, which I just saw. I also watched The Revenant, The Assassin, and He Never Died, which I loved, because my boy  Henry Rollins is the star. I’m gonna have to talk about that this summer, if I have time, because I’m totally geeking over that one, along with It Follows, The Signal and another Mad Max:Fury Road review, from the male character’s (Nux and Max) points of view.

The Blerdy Report

Black+Nerdy=Blerdy!!! Black Nerds Unite

Dave Chrisp Comedy

Same Shit, different Dave

The Peanut Gallery

or, a supposedly clever thing I really wish I'd thought of earlier

AfroSapiophile

Intelligent Black Thought.

spokenblackgirl.wordpress.com/

Mental Health & Black Womanhood

UNRAVELING THE KNOT

ALLAN G. JOHNSON'S BLOG

Welcome to HORRORLAND

Horror News, Reviews, Interviews, Art, Trailers, Fashion, Collectibles

Monster Legacy

For Monster Movie Maniacs

Negra With Tumbao

Life Beauty Culture

TheWarner

Your Source for Honest Commentary and Reviews

The Middle Spaces

Comics. Music. Culture.

afros-and-opinions

a blog for the socially conscious

Abagond

500 words a day on whatever I want

Horror Novel Reviews

Honesty in the Terror

%d bloggers like this: