Everybody Was Kung Fu Fighting In The Twilight Zone

 

Sadly, this is the final season for Into the Badlands. It was not renewed for a fourth season on AMC, and surprisingly, I’m okay with that. Into the Badlands was groundbreaking in so many different ways, and I really did love the show, despite how it treated its one Black female character in season two, (and I explained in a previous post why that didn’t stop me from watching the show), but most especially in its representation. It had an Asian male lead, adequate representation of women and Black people, in an alternate future timeline, and the show has the distinction of having the only Black/Chinese- American woman, Chipo Chung,  kicking ass on this show.

I’m okay/ not okay with the cancellation, because it will be followed by a first class runner up: Warrior, which is airing on Cinemax. I gotta get my Martial Arts fix! Warrior is an homage to Bruce Lee, featuring a concept he came up with early in his career (and eventually became the show Kung Fu),  but was not allowed to implement, because Hollywood had no fucking idea what to do with Asian men back then, except mock them or erase them.  I’m a huge Bruce Lee fan, so I’m here for it. The representation is beautiful and accurate for the time period, and its just nice to see more Asian people in TV shows, (although now we probably need to see fewer of them doing something besides Martial Arts and Comedies. Hi, Sandra!)

Warrior

Image result for warrior tv series

Warrior is a complicated show, with a lot of depth and detail. Its based on an early idea Bruce Lee had for a story about a man from China, wandering  the  American old West. This was basically the premise of the show Kung Fu, which starred David Carradine, about a Shaolin Monk named Caine. Actually that idea was stolen from Lee,  it generally lacked Asians, and when they were present, it was only in supporting roles, in a show that was supposedly about Chinese immigrants. David Carradine is not Asian, btw.

https://en.wikipedia.org/wiki/Kung_Fu_(TV_series)

This show is produced and directed by Justin Lin, of Fast and Furious and Star Trek fame, so I expect the most out of this, since I like Lin, and think he’s a good director, and he mostly does not disappoint, The show is very dense with meaning and action scenes. You don’t need to know anything about the history of San Francisco, Chinatown, or what was going on in China, to watch the show, but it helps if you have a little bit of grounding, and pay close attention to what the people say on the show, because they talk about things, even though all the ass kicking is distracting. It also helps if you’ve religiously watched any of Bruce Lee’s movies, because there are  more than a few very nice Easter Eggs. That outfit, for example, that Ah Sahm wears below is a callback to the outfit Lee wore in The Big Boss, (although in all his movies, Lee’s shirt gets artfully torn off. Later, Ah Sahm’s shirt gets artfully torn off, too.) I don’t know if that actor is deliberately channeling Lee’s  acting/ fighting stances, but he looks great doing it, and it made me smile.

 

Image result for warrior tv series
Check the stance!

The series is based on the real life events of the late 1880s, in Chinatown, when there were a series of Tong wars, mostly over the Opium Trade. At the time, in China there was the aftermath of the Opium Wars, and the beginning of the Boxer Rebellion (against the Qin dynasty). Into this stew of rivalries, steps Ah Sahm, a Martial Arts champion of some kind, who is in America looking for his sister. He finds her in the first episode, so that mystery is out of the way, but she wants nothing to do with him. She has a traumatic past,  and current secrets, like being married to the leader of a rival Tong than Ah Sahm works for, secretly working behind her husband’s back with an American, who wants to keep Chinatown destabilized, and going out at night as a vigilante to kill White men who harm Chinatown citizens. (At least I think this is her, or perhaps a character we haven’t met yet.) Her dance card is pretty full, and the last thing she needs is an appearance from her wayward brother, trying to save her. Plus, she hates him.

In fact, a lot of the women in this show live in complicated circumstances. The pretty blond wife of the town Mayor, (I think her name is Buckley), hates her husband, has compassion for the Chinese,  and is having a very open relationship with his secretary, or brother, or somebody , who lives in their house with them. It is unclear if he approves of their relationship, although he most certainly knows about it. Oh yeah, there are a lot of bare  titties in this show, so be aware of that, if you’re letting your kids watch this, although I suppose if you’re letting them watch all the hyper-violence and cussing, you should not have a problem with female presenting nipples. (There’s equity, too, as plenty of male presenting nipples are also on display. Okay, it’s mostly Ah Sahm.)

Image result for warrior tv series

The show starts off with everyone speaking Cantonese, and gradually, during one long take, they start speaking English. That was done so smoothly, that I  missed it the first time. The residents of Chinatown have their own English language terms, their own slang, and it can be hard to know what some things mean. You pretty much get thrown into the deep end on this show, and if you’re not of Chinese descent, it can be a little overwhelming. Even though I know a little  something something about Chinese history, I was still having trouble keeping up, having to watch the  episode multiple times.

https://www.geek.com/television/the-story-of-warrior-bruce-lees-long-delayed-tv-series-1781391/

The title of the epis. is called The Itchy Onion, and I’m not sure what Onion means, except it’s a slur that some Chinese people were calling one another in the show. I know a slur when I hear one, and that’s exactly what it is. An “itchy” one is the equivalent of the Black people version of the word “froggy”.  As in , “Do you feel froggy? Then you just jump!”. Its a call out to a fight. And conveniently, Ah Sahm kept getting called out by everyone he meets. Some challenges he backed down from, but others he just jumped right in with gusto. Most especially, the first fight of the show, when he first gets off the boat, as he totally thrashes a trio of bullying White bigots. I stood and I applauded, because that is such a Bruce Lee thing to do, he could have written that scene himself. If you’ve watched any of his movies, then you know he hated bullies, and always stood up for the underdog.

And what glorious fight scenes we get! I’m telling you, I was tired after watching this show. Ah Sahm has several fights, all of them well done, and very cinematic, rivaling any scene in Into the Badlands. He also kinda has a big mouth and is well aware of his skills.

Image result for warrior tv series

Where the show falls flat is in the depiction of its female characters ,and some of the White characters are less than compelling. One of the most interesting of that group is a White police officer, who emigrated from Georgia after the Civil War, named Richard Lee, and played with a very  genuine sounding Georgian accent, by the very British Tom Weston-Jones. What is is with English men and Southern American accents? Anyway, he volunteers to be amember of a Chinatown Detective Squad after several of the residents are murdered by angry Irishmen, who are concerned about losing their jobs to foreigners. He is the only cop on the force with integrity apparently, and he does have some ass kicking skills himself. I’m looking forward to watching him team up with or face off against Ah Sahm, cuz you know it’s coming. They will probably team up though, because while Bruce was angry about a lot of things people did, he also believed that cooperation and unity between the races was a good thing, and he championed that in several of his movies, (most notably, Enter the Dragon.)

There’s a wealth of information out there about Bruce Lee, and an 8 part video series about the making of  the show. Each video is only about five to ten minutes long, but if you want to know more about Bruce Lee’s ideas about life and the show, there are several documentaries floating about Youtube, so check those out:

 

Further Reading:

Tao of Jeet Kune Do by [Lee, Bruce]

Bruce Lee Striking Thoughts: Bruce Lee's Wisdom for Daily Living (Bruce Lee Library) by [Lee, Bruce]

Bruce Lee: Letters of the Dragon: An Anthology of Bruce Lee's Correspondence with Family, Friends, and Fans 1958-1973 (The Bruce Lee Library) by [Lee, Bruce]

The Twilight Zone

Image result for twilight zone new

I mostly skipped the first episode of this season, which seemed to have a The Shining vibe to it, as a man, Kumail Nanjiani, sells his soul and life in a comedy club. Its creepy and haunting, but didn’t really hit me much, even though Tracy Morgan gives a great performance, 0009199119299

and I’m not particularly interested in shows about comedians. I did watch the second episode, and I really enjoyed it, although I think it went on a wee  bit longer than it needed to.

https://www.pastemagazine.com/articles/2019/04/with-the-comedian-the-twilight-zone-addresses-some.html

The second episode of the Twilight Zone, Nightmare at 30,000 Feet, is an homage to one of the every first episodes of the original series, and Jordan manages to pull this off very well, without me being able to predict what’s going to actually happen until a few minutes from the end, even though you’re told what’s going to happen at the end. The original story,  Nightmare at 20, 000 Feet was written by Richard Matheson and starred William Shatner, and I thought this episode would be a retread of that story. In the original story, one of the passengers sees a gremlin tearing apart the wing of the plane. He  has a panic attack, while trying to convince everyone on board that there is a monster on the  wing. This episode also managed to make its way into the Twilight Zone (one of my favorite) movie and starred John Lithgow.

In this remake, they change the story up a bit. Just as in the original, you  sort of travel around the cabin meeting various odd characters, as the lead character slowly loses his shit,  as he becomes aware that something is wrong with the plane.

Justin Sanderson tries to avoid Fate when he finds a listening device on the plane that is cued up to a podcast that discusses the loss/crash of the flight. He spends the rest of the episode trying to convince people that the flight is doomed, or trying to stop it, which, when you think about it, isn’t really his responsibility. This was more than a little frustrating to me, because I know the rules. In trying his best to stop it, he ends up causing the problem, and I could have told him that’s how Fate works.

Before this,  we get treated to some nice foreshadowing on the number 015, and he argues with his wife about the PTSD he’s been experiencing, after witnessing some shit go down in Tel Aviv. This gets the audience to question his sanity. So we learn a lot about him through dialogue, and he’s not an unlikable character, but there were times I wanted him to just sit his ass down, and stop trying to help, because I just knew HE was going to be the reason the plane crashed, and I also knew it would have something to do with that “extra” character on the plane, with speaking lines, who appears to have no actual purpose. But none of this weakened my enjoyment of the episode becasue it was just fun.

The character that does end up crashing the plane, a drunken ex-pilot named Bob, was someone who felt really off to me the moment I saw him. I was immediately suspicious of his presence on the plane, especially since he was so friendly with Justin, for no reason, and most especially after he said he was a pilot.

There’s a funny little moment when Justin confronts a couple of Sikhs, and tries to get them to stop speaking their language out loud,  or people would get suspicious. They just  roll their eyes at him and tell him they’re not Muslim, and to go away somewhere, which I thought was funny/but not funny. Jordan always makes sure to mention some social issue we’re currently dealing with in all his horror stories, and Muslims on airplanes is something (White) people are  still freaking out about in the US.

Jordan is very successful at upping the tension, especially in such a confined space, so in that sense, its as good as the original episodes, and well worth giving it a watch. And if you know little factoids about the original episode there’s some nice Easter Eggs in it.

10 Non-Spoiler Things We've Learned From Jordan Peele's 'Get Out'

But what stood out for me is Jordan’s summation at the end of these  episodes, in which he seems to be channeling the full spirit of Rod Serling. Standing there in a suit, holding either a glass of wine or champagne, with Serling’s vocal mannerisms intact,  this is more than a little creepy, and kind of funny. I’m so used to him being a comedian that I just expect him to burst into laughter at any second, as if he was just putting me on. I couldn’t help a nervous giggle.

For some reason people are so surprised at Peele’s turn towards Horror, and how he is so successful at it, but these must be people who didn’t watch Key and Peele. Peele has an almost encyclopedic knowledge of Horror movies, and he was forever referencing them on the show.

In fact, a lot of the comedy on the show was clearly  horrific, with a punch line tacked onto them , like the episode, Das Negros,  where two Black men in whiteface pretend to be Nazis in order to hide from a Nazi officer looking for victims of the Reich. It’s a terrifying idea by itself, and it’s full of tension, but made hilarious by the idea that the officer is dumb enough to fall for their bad makeup jobs, and his silly stereotypes of Black people. Peele seemed to fully understand the idea that fear and laughter both spring from the same fountain, and can be turned towards one or the other by  the addition of the ridiculous. In the Twilight Zone remake, the tension and horror are still there, but the ridiculous has been removed, leaving a distinct unease.

Image result for twilight zone new

https://www.okayplayer.com/culture/jordan-peele-series-of-horror-films-get-out.html

I have four other social thrillers that I want to unveil in the next decade…The best and scariest monsters in the world are human beings and what we are capable of especially when we get together,” Peele said. “I’ve been working on these premises about these different social demons, these innately human monsters that are woven into the fabric of how we think and how we interact, and each one of my movies is going to be about a different one of these social demons.”

I’m so looking forward to Peele’s next work and the rest of his career. I’m also looking to the far future when he starts making those Dramas, that, like with  Cronenberg, I know live somewhere in his mind.

Advertisements

What Fandom Racism Looks Like: Misogynoir – Black Women in the Way — Stitch’s Media Mix

Don’t forget to check out last month’s post and the introduction! I may later eat my words because I haven’t seen more than season 1 of ToS or any of the movies but I hate that Uhura in the reboot is just a love sick puppy that follows Spock around. Like she doesn’t even resemble […]

via What Fandom Racism Looks Like: Misogynoir – Black Women in the Way — Stitch’s Media Mix

 

As I mentioned before, (and keep mentioning, because, above everything else), I want the reader to keep in the forefront of their minds, that fandom is not practiced in a vacuum. A lot of fandom tropes, and misbehavior comes directly from real life, and the fans own personal experiences, and knowledge, of race, gender, and sexuality, often imparted to them by a media that is by, for, and about White ,straight men, even if its on a subconscious level.

Fandom has been taught, by decades of media consumption, that Black women CANNOT be love interests. The media has not only taught White women, but has also taught Black women, that we are unloved, unlovable, and not capable of love, which is the foundation behind a lot of arguments that we are “strong, so we don’t need a man”. The foundation of this argument is the Mammy stereotype, who is often defemenized, or sometimes even masculinized, (as a sign of her strength), and who cares so much for her White patron, that she has no concerns for her own life.

https://www.ferris.edu/jimcrow/mammies/

The caricature portrayed an obese, coarse, maternal figure. She had great love for her white “family,” but often treated her own family with disdain. Although she had children, sometimes many, she was completely desexualized. She “belonged” to the white family, though it was rarely stated. Unlike Sambo, she was a faithful worker. She had no black friends; the white family was her entire world.

This stereotype is especially recognizable in arguments about how Uhura is too strong to need a man. Instead, she is meant to be background support of a mlm relationship, that has absolutely no chance, whatsoever, of becoming canon. It is interesting to me that in their erasure and denigration of Black characters, that so many fans (especially the ones who consider themselves feminists), tend to fall back on Black stereotypes they’ve consumed from media. To me, it shows the insidiousness of racism. That media that goes unexamined is media that has filled one’s mind with beliefs one may not actually “believe”.

It took me many years to root out some of the more damaging beliefs, about being a Black woman, from my own consumption of Pop culture, and this happened despite my mother’s vigilance in making sure that I consumed messages in other forms of media (Black media, for example), that did not reinforce stereotypes, so I know how sneaky this sort of  racist messaging can be.

As I always say, please visit Snitch’s Media blog, where she discusses the how and what of fandom, on the intersection of  race and Queer issues. That’s her area of expertise and I always go to her blog when I need to know what kind of fu**ery  the fandom has been engaging, and I like to riff on her posts, rather than subjecting her to one of my long winded comments on her blog.

My agenda isn’t so much what the fans are doing, so much as why fandom does it, and to tie her posts to wider media and Pop cultural narratives. There’s a reason why the fandom does what it does, and much of it can be laid at the feet of examined White supremacy that so many of us, (because I’m a fan too), have consumed.

Later, we’ll discuss how the consumption of racist narratives in Pop culture affects the self-esteem of Black girls and women, and how, due to the resurgence of source material created by, for, and about Black women, that’s slowly starting to change.

 

Some Exciting Trailers!

Doom Patrol

I’m actually enjoying Titans, which is something I’ll talk about later, but one of my favorite episodes was number four, which featured the superhero group, called Doom Patrol. Yes, they are comic book characters. No, I never read any of the books. I sort of knew about Doom Patrol in passing, but never actually picked up any of the books. Occasionally, I’d stumble across that Robot guy, but I’ve never heard of the team beyond Cyborg.

In the Titans episode clip below, Beast Boy takes Raven to meet his family. I have this thing about depictions of family dynamics, so I was on board right from the beginning. The team, as it will in the show, consists of Negative Man (the guy with the bandages), Elastic Woman (who can shift her looks), Robot Man (who used to be a race car driver before he lost his body in an accident), Cyborg,(we met him in Justice League), and Jane (who has 60 different personalities, all of whom have a different superpower).

I’m looking forward to watching this soon.

Image result for doom patrol with rita and robot man

 

Fast Color

One of the things I like about the new year are all the interesting new trailers for films no one has mentioned, or I’ve never heard of. This is Fast Color, about a Black woman who has superpowers, who goes home to discover her daughter has abilities too. I really like Gugu Mbatha-Raw. I’ll watch anything in which she stars, so if this is playing in my area, maybe I can talk Mom into going to see it with me.

 

 

Avengers Endgame

This is the latest trailer for the new Avengers movie, airing during the Superbowl. I’m very excited to see this movie mostly because I’m deeply curious about the interactions between characters who have never met before.

It seems that we’ve been reduced to the first five, or so, original Avengers, in the direct aftermath of the loss of so much life, so there’s a distinctly melancholy feel to the movie. I don’t mind, as long as I get to see most of my favorites return.

 

 

The Twilight Zone

I’m a huge fan of the original TW, and the various reboots weren’t too bad either. I’m a big fan of Jordan Peele, who has already shown us his horror bonifides with his first movie, Get Out, and his newest release this Spring, titled US. I think he’s just a Producer on this, which is cool. I already have the CBS All Access App for watching Star trek Discovery, so I might as well take advantage.

 

 

Hanna

I can’t say I’m a fan of the movie, which turned out not to be the full on action fest I thought it would, but turned out to be quieter, and more contemplative, than I thought. I did not dislike the movie this came from, but I didn’t love it either, probably because my expectations, and the payoff were so wildly different.

The movie is a bout a young girl raised by her adoptive father to be lethal, her escape from his pursuers, and her attempts to live as a normal teenager, when she meets another young woman looking to be friends. If the show follows the movie, then be prepared for some really good action scenes, alongside a great deal of  coming of age drama. I’m curious about this. one of the  standout things , from the movie, was Hanna’s relationships with the normal teens, and their reactions to who and what she is.

So, I’m going to check it out and let you know what’s going on here. Hanna airs on Amazon Prime. Tbh, I haven’t watched a single one of Amazon Prime’s many original series, so maybe I’ll break that record with this one.

 

 

Toy Story 4

I’m probably not going to the theater to see this, but then I’ve said that about other movies, so don’t take me at my word on it. After all, I have several nieces and nephews who all love Toy Story, I’ve seen all the other ones in theaters, and I could be easily persuaded to take them to see it. My family has discovered that I am notoriously easy to be talked into seeing movies I had no plans to watch, (and I’m pretty sure my Mom is just taking shameless advantage of me.)

So, we’ll see.

 

 

Game of Thrones

Season eight is coming.

 

 

Scary Stories To Tell In The Dark

I remember scaring myself to death with these books as a kid, so I’m mildly excited about a movie based on them. For me the scariest parts of the books are the illustrations, but some of the stories are pretty effective today, too. Apparently this movie is produced by Guillermo Del Toro, who rarely goes wrong when it comes to Horror, so I’m looking forward to checking this out.

 

 

 

Hobbs and Shaw

I’m not really a Fast and Furious fan. I’ve maybe watched half of the movies, but the inclusion of Idris Elba, as a total badass, has my complete attention, Since my Mom is a huge Idris fan, and will actually go see movies featuring The Rock, and for some  reason that is unbeknownst to the rest of her family, has become enamored of Jason Statham’s Transporter movies, I’m pretty sure I can talk her into going to see this movie with me.

It looks like a helluva lot of fun, too.

 

 

The Secret Life Of Pets 2

I though the original film was just sooo cute! My favorite character is Gidget because  her name reminds me of those Gidget Beach movies I watched as a kid. This new trailer is really funny, so I’m sure I can be talked into going to see it by my sister’s kids.

 

The Passage – Season Premiere

Image result for the passage series

I have a lot to say about the first episode of The Passage. First of all, I really enjoyed this. I found myself really liking the characters and their relationships, and I was really feeling the whole thing. I’m definitely going to be watching this for the entirety of the season. I even got Mom to watch the Pilot, and I’ll ask what her opinion is later. *(She is really enjoying it, and will be tuning in every week, because she is totally in love with Amy. I suspect Amy reminds her of her Granddaughter, The Potato, because they are both around the same age, and they sort of look alike, and The Potato is her favorite Grandbaby.)

The show is based on a trilogy by Justin Cronin, and is about a vampire plague that destroys most of humanity, killing some, turning others, and forcing the humans who are left to fight for survival. Amy , the little girl in the show, is both a part of, separate from, and above all of this. Technically she’s a vampire too, but a special kind, with all of the vampire’s powers, and none of their weaknesses (like a tiny female Blade, with no Kung Fu skills). The vampires who break out of the lab are called The Twelve, and the leader is the military man we saw get infected in the first episode by a real vampire. At some point, this is all going to come down to a face off between him and Amy, both of them at opposite ends of the vampire spectrum.

Image result for the passage series

 

In the pilot, we meet Amy Bellafonte, who is the daughter of a drug addict, who dies in the first few moments of the show, and she is now on her own, with no family, except Brad, the government agent tasked with procuring Amy for human experiments. He is told by his superiors that they need a child, an orphan who isn’t yet in the system, and so won’t be missed, and Amy just happens to fit that description right away.

Amy is  White in the books, so it is very interesting that they cast Amy as a Black girl for the show. Along with Amy are a number of other people who have been experimented on. One of them is a Black man, and the other is a female ex-con. All of them are death row inmates except for  the initial patient. In other words, these are people who won’t be missed, and who the government discounts as being  important. Amy herself was specifically chosen  because she is someone no one will miss, just like the hundreds of little girls of color, who go missing on reservations, and in Black neighborhoods yearly, that the authorities don’t bother to make an effort to look for.

Image result for the passage series

This is Anthony, He also begins to form a relationship with Amy after she is taken to the institution and injected with Fanning’s more refined DNA. Amy and Anthony are the furthest on the spectrum  from Fanning, who is called Patient Zero.

There are some strong parallels in the storyline to the Tuskegee Syphilis Experiments of 1932, where the government experimented on a group of Black men, charting the course of the disease by not treating them. There is also another parallel in the gynecological experiments on Black slaves by Dr. J. Marion Sims, who is credited as the father of modern gynecology.

https://www.history.com/news/the-infamous-40-year-tuskegee-study

https://www.history.com/news/the-father-of-modern-gynecology-performed-shocking-experiments-on-slaves

But there is also a parallel to the story of Henrietta Lacks:

https://en.wikipedia.org/wiki/Henrietta_Lacks

These parallels also give us some idea of Amy’s level of importance to this story, because  like Henrietta Lacks, it’s Amy’s destiny to save the human race. Its interesting to note that just by race bending a single character, you can bring a great deal of historical depth to a story that would have only been “just okay” with a White actress.

Image result for the passage series

Brad Wolgast is the agent who is chosen  to bring Amy in, but he has an attack of conscience, partly because he is trying to be a good person, and also because he’s still suffering from the loss of his own little girl, which has estranged him from his wife. He decides to take Amy and run, and the first episode is spent watching the two of them bond with each other, and learn to trust each other. For some people, this is all a bit slow, but I didn’t have a problem with it because Amy’s relationship with Brad is important to the kind of person she will become, and I appreciated the writers taking the time to establish their relationship. In fact, their relationship is one of the highlights of the show, and around which much  of the opening episodes will be centered.

One of the most touching moments for me is when Brad pep talks Amy, giving her the kind of affirmation she so desperately needs. He champions her when no one else does. He kills for her, and would (probably will) die for her. There’s another scene where he helps give her closure for the loss of her mother, by  encouraging her to eulogize her, and I appreciated that the show took time out from the car chases to show the two of them bonding like any father and daughter. At first, Brad is treating her the way he would have treated his daughter, had she lived, and there’s an element of guilt and atonement in his actions, but after a while he starts to see her as an individual, and not just a replacement for his lost child. He starts to love her for her. She is the daughter of his heart, and its overwhelmingly touching to watch their devotion to each other. That chemistry is there.

Image result for the passage series

In the second episode, the two of them make a pact (well Amy makes it) where they vow to never leave each other. She enacts promises from Brad, but she also abides by what she asks of him, which is key to how the government finally catches up to the two of them. She sacrifices her freedom to save his life, which is why it was so important to show  scenes of the two of them bonding. You would not have been able to buy her sacrifice if the writer’s had not already established their relationship.

It’s clear that Amy is very much the star of the show, and the creators take great effort in humanizing and empathizing with her, and her emotions.  We are meant to identify closely with this little girl, through closeups of her face in different situations, and her voiceover, which recounts what we’re seeing in flashback (which is an important thing, as this is being told to us from far in the future).

When Amy is happy, we’re meant to be happy. When she is sad, so are we. But more importantly, we are meant to feel her terror when she is frightened, and not just look at, in a form of titillation. In a lot of scenes with her, we see the situations from her point of view. During one scene, Brad is engaged in a shootout with other agents, and we don’t just dwell on the action.In fact, there are moments where we don’t see what Brad is doing, (gunning down fellow agents on her behalf), but are meant to feel Amy’s terror during those scenes, as we focus on her facial expressions, to the sounds of guns in the background. The way the scene is shot, we are not focused on her just for spectacle. We are meant to empathize with her feelings.

Related image

The show has other PoC in it besides Amy. The doctor who wants to experiment on her is a Black woman, who is very obviously conflicted about what she is doing, but we are meant to sympathize with her wanting to save the world from an epidemic of Bird Flu, which has killed hundreds of thousands of people. I kind of feel for her ,as she is in a very desperate position, but I still don’t sympathize completely, and she should feel bad about what she’s doing, because it’s just wrong to experiment on children.

When (Fanning) is infected, he is experimented on to find cures for various diseases, and different strains of vampirism are the result, with the last patient, Anthony being the one least like him and more likely to break away from the other vampires. The doctors find that above a certain age, the victims they experimented on just become true vampires. They theorize that by using a child, they can bypass all the strange stuff, and reach a cure faster. In the second episode we get a sympathetic view of Babcock,  her backstory, and how she ended up on death row. (She killed her rapey stepfather, and her knowingly unhelpful mother.) Its interesting how these characters have been fleshed out with          both good and bad traits. Fanning was an honorable man when he was alive, and Babcock was a thief, who had been sexually victimized.

This show is turning out to be what The  Strain should have been, with better acting, better written characters, and a more well thought out plot, but that could be because the source material was better written, and the writers are being more faithful to it, although I don’t want to cast aspersions on Guillermo Del Toro’s written trilogy, which was pretty good. On the other hand, it is taking place on Fox which is notorious for fucking over fans of shows it refuses to renew, or fucking over the actors on the show, so that they leave. So far, the actress playing Amy (Saniyya Sidney) has been allowed to be front and center in the promotional material, and allowed to talk about her character, and what she means, in her own words.

I’ll come back and talk some more about this show later. I think its really good though, and deserves to be given some amount of respect by Fox. I’ve been burned by Fox several times, so I’m always wary when they have a good show on their hands.

As with Star Trek Discovery, I’m just making up my own mind about how I feel about this show, and not reading any reviews, unless they’re written by women or PoC. In the past few weeks, I’ve gotten exceptionally weary of White men’s opinions on (a lot of things) TV shows which prominently star PoC, (and its not like I need their affirmation to like or dislike anything). *(Don’t let me get started on a rant here!)*

‘Til Next Time!

New Trailers! YIPPEEEE!!!!!!

Here are a few of the new trailers I was waiting to get a look at when I did my watchlist last year. I waited so I could collect all of them in one post. I’m very excited about a couple of these (and a couple of surprises) and just wanted share my love:

 

John Wick 3

Why yes, I am a John Wick fan. I consider these to be some of Keanu’s best action films ever. This franchise just fits him so well. I actually got my Mom to watch the first movie, which she seemed to enjoy, even though she said it was a crazy movie, and was upset about the dog. And this next movie in the trilogy looks hella fun. In the last movie John broke some rules which had him being hunted by the assassin’s guild of which he was once a member. I’m here just to watch Keanu Reeves riding horseback though.

 

 

Umbrella Academy

OH!!!, this looks like so much fun! I like the characters already, and I was always a fan of Ellen Page.  I did read the comic books, (although it was a long time ago) but  I’ve been a Gerard Way fan ever since. (He also wrote Spidergeddon, and Doom Patrol for a while.). And yes, that is indeed a monkey in the second part of the trailer. I sort of remember that from the books. This is airing on Netflix on February 15th.

 

 

Little

This movie is so cute. Normally, I’m not a fan of movies where adults exchange places with children, because they are usually done so badly, but I did like the Tom Hanks movie, which is the opposite of this one, called BIG. I just love the little actress here, and I’m a fan of Issa Rae, and I think the trailer is pretty funny.  I have plans to take my 13 year old niece to see this, becasue the young lady in the movie helped produce it, and hired a female director, and writers, to work on the  film.. She has the distinction of being the youngest producer in Hollywood.  I don’t normally go see comedies, but I’ll take this over the next Madea movie my family forces me to go see.

 

 

Spiderman: Far From Home 

I was already excited about this movie because I actually am a Spiderman fan, and the addition of Mysterio just clinched it. Now, to find out that the movie does indeed take place far from home, and that Aunt May is also on board the Spiderman train, (and she and Happy appear to be making some kind of love connection, which is not anything like in the comic books), well I am here for it.

And yeah, I think MJ (Michelle) has always known that Peter is Spiderman. Go back and watch the first movie. Whenever Peter and Ned are discussing Spiderman in public, she always seems to be nearby, (also Peter and Ned lack the ability to whisper), and I’m pretty sure she recognized Peter as Spiderman when the class visited Washington. But that’s a topic for another post, so here we go:

 

 

 

Polar

I don’t know, this looks like a total ripoff of John Wick, but I don’t care because its on Netflix, and it stars Mads Mikkelson as a total badass, which is always fun. I’m always up for watching movies about assassins, for some reason. This is airing today on Netflix.

What Fandom Racism Looks Like – When White Characters (Somehow) Aren’t White

Let’s keep this short and salty: did y’all know that there are people – thankfully a minority in their respective fandoms – that will claim a white male character or actor isn’t white for some reason or another. Well, if you didn’t know before reading that sentence, I’m willing to be that you’ve figured out […]

via What Fandom Racism Looks Like – When White Characters (Somehow) Aren’t White — Stitch’s Media Mix

Stitch is considered something of an expert on the subject of fandom racism dynamics, since this is something she has intensely studied. I never argue with her findings, but I am constantly surprised by the ways in which fandom seeks to revert to a certain status quo. What I’d  like to do  is build on this by  tying fandom racism back to how its been learned from the source material,  and fan’s understanding of how racism works, through the material they’ve been consuming, because their performance of  these forms of racism  don’t exist in a vacuum. White people (all races really) have been unconsciously inundated with decades of racist messaging in American films, books, and TV,   and  fandom often becomes nothing more than  the act of regurgitating what was consumed, especially if these things have never been critically examined.

I don’t think we can fight against how fandom racism is performed without acknowledgment, or understanding, of how its performance is tied to the decades old, racist narratives in Popular media.

There’s also a new angle to this as well. Since the source material being consumed has become more diverse and inclusive than ever, what I’ve been witnessing, is  fans trying to  bend these narratives to fit their world view – worldviews that have been informed by years of racist narratives. This is just as much an attempt to keep things the way they’ve always been, and they are no less different, from  the harassment campaigns against PoC actors, in an attempt to center Whiteness in Geek media, and reassert the status quo of PoC, and other marginalized groups, on the fringe of narratives that center White characters. This is what such fans are used to, and this is what they twist these stories to reflect. This particular form of fandom racism is often engaged in (but not necessarily exclusive to) White women in fandom, while the more public and aggressive forms of racism are usually engaged in by White men.

I’m going to reiterate that the reason fandom acts this way is that fandom isn’t the slightest bit progressive or woke. In fact, its fairly conservative, and quite a lot of them are thoroughly unimaginative, as well, as the participants do nothing but reproduce the same narratives they’ve seen over, and over, and over, from the  source material (and sometimes other parts of fandom, which accounts for the sheer numbers of coffee shop AUs in fanfiction), – narratives that have been overwhelmingly written, and helmed, by straight white men, who themselves have only the most rudimentary idea of what its like to be a member of a marginalized group.

That’s another reason I’m against racial allegories in fiction, especially the ones referenced above by Stitch. Such narratives do nothing to further dialogue, or deepen understanding of racial issues, because the writers of these narratives do not live, or understand, race in any personal capacity.  All fans get out of these stories is a foundational understanding that “racism is bad”. The Handmaid’s Tale, Zootopia, The Gifted, Teen Wolf, and Bright, are bad racial allegories because they get the depiction of racism wrong, have suspect intentions, borrow the oppression of Poc, while not including them, or  take little to no account of the systemic and institutionalized nature of racism, often showing it as a problem of individuals simply not liking some people.

Contrast those stories to Jordan Peel’s discussion of racism in the movie Get Out, or the music video, This Is America, by Childish Gambino, or the discussions surrounding the movie Black Panther. The understanding of racism is  different when written by those who have  actual knowledge of the subject, something which most fans of the media listed above,  do not have, so all they can do is reproduce the media they’ve been given, and can only  approach these subjects in their meta and fictions with  the performative wokeness  that they are engaging in now.

Forthcoming TV 2018/2019

December

21) Diablero (Netflix)

I have never heard of this show, movie, or whatever this is, and  don’t know anything about it beyond the trailer, but it sounds interesting, and looks like fun. so I’m going to check it out next week. All I know is that its kinda like Buffy but edgier, with demon hunters and priests in the city. I’ll get back to you guys and let you know what I think.

 

23) Watership Down

I had no intention of watching this because I saw the original and it was pretty depressing. I have no need to subject myself to this anew adaptation, but I know there’s someone out there who loves the original animation, and will probably like this version, too.

 

28) Black Mirror (Netflix)

We’re supposed to get a surprise Xmas special at the end of the month. I’ve really enjoyed Black Mirror, and I’m looking forward to this, if the rumor is true. Of course there’s no trailer for something that’s supposed to be a surprise.

 

30) Orville (Fox)

This show was wildly uneven, as it couldn’t seem to balance out the comedy and drama at the same time, but I could see the potential, and I could see what MacFarlane was trying to accomplish, and sometimes it takes a show a season or two to get on its feet, and hit that groove. The show needs to make up its mind if it wants situational humor or character humor. Buffy, for example, didn’t really capture a lot of viewers until well into its third season. Well, we’ve been given a second season so I’m going to try it again because I want to like this show.

 

 

 

January

1)A Series of Unfortunate Events Season 5 (Netflix)

I find it hard to believe this is season five of this. I enjoyed the movie this was based on but I’ve been pretty much ignoring this. Well, maybe one day, I’ll get around to watching it because it does look like fun.

 

 

 

10) Brooklyn 99 (NBC)

I’m really looking forward to this. The show was threatened with cancellation earlier this year but was rescued by NBC.

 

13) True Detective  (HBO)

I don’t normally watch cop shows but sometimes they’re just too good to pass up, like Brooklyn 99, and True Detective. Unlike a lot of people I didn’t dislike the last season, but it was unremarkable. I’m watching this because I’m a huge fan of Mahershala Ali, and eager to see what he can do in this role.

 

 

14) The Passage (FOX)

I talked about this show earlier, mentioning my enthusiasm for it, based on my liking of the trilogy by Justin Cronin. Check them out if you’re interested in the show.

 

 

16) Deadly Class (SYFY)

I like the visuals of this show, and the fact that Benedict Wong, from Doctor Strange, is in this. It sorta looks like fun, but I hope it doesnt turn into a copy of The Magicians. Normally, I don’t watch teenagers on TV doing anything, but Sometimes I make an exception.

 

 

17) Star Trek Discovery Season 2 (CBS Access)

I’m very eagerly looking forward to this, since I really enjoyed the first season.

 

 

 

24) Siren

This show got quite a few things wrong, but for every wrong thing, it got something right, and I still like the idea of predatory mermaids. Now the rumor is that other supernatural beings are running around in the town, and we will be seeing some new cast members.

 

February

15) Umbrella Academy Netflix)

This is another show that I think is based  on a comic book, although its possible that it isn’t, because I read the comic book and this doesn’t seem very much like what I read. So now I’ve got to watch it and see how much alike or different it is.

 

 

March

10) American Gods (Starz)

Yeah, I’m definitely here for this, despite the change in showrunners. I can only hope the new showrunner doesnt fuck it up, and treats the characters of color, and the gay and lesbian characters, with a certain amount of dignity.

 

 

On my agenda for the holidays:

The live -action Bleach on Netflix, and Bird Box.

These Shows Look Exciting

For some of these TV shows, I already posted trailers, but recently new trailers were introduced at the New York Comic Con, which got me enthused all over again. Now these are surefire shows and returns that I will definitely be watching when they air, usually because I enjoyed the first season, or read the book, or because I just like the premise and actors.

Wolf Creek Season 2 – Dec. 15th/?

Some of these shows, I don’t have concrete dates for, and for some of them I don’t even have a network, nevertheless, I will be scrolling through my TV guide to find them at the appointed times.

I remember doing a mini review of this when it first aired. The series was unexpectedly good. I say unexpected because I hated the movie on which this was based. Wolf Creek is based on the story of a real life serial killer who roamed the Australian Outback, several years ago, and I had trouble watching the film because it was more like torture porn than a legitimate movie, and seemed to be glorifying the killer, and I seriously didn’t like that. I also hate films where the soundtrack consists entirely of women screaming. I was sort of expecting that with this series, but what I got was a tension-filled thriller, where the  usual “Final Girl” plays a long cat and mouse game with the man who destroyed her family.

This time around I didn’t see any of that in the trailer, and there seems no continuation of the fallout from the first story, as far as I can tell. I think this is an entirely new cast, although once again, there’s a little bit too much glorification of the killer for my comfort. I’m not a fan of portraying real life serial killers as funny and entertaining, but I will tolerate that, if the show is really, really compelling.

We’ll see.

Good Omens – 2019/ Amazon/BBC

I’m a big David Tennant fan, so I will probably be here to watch this. No, I didn’t read the original story and have no great urge to do so. Sometimes I like to watch a source based show, solely on its own merits, and I want to do that with this one. I like the premise, and it looks hilarious, which I’m told is also true of the book its based on.

The Passage – 2019/Fox

I mentioned being excited about this earlier this year. Now this series, I did read the book but not because I knew it would become a TV show. I read it because it has some truly scary vampires in it, and I really liked the writing. The trailer heavily reminds me of Carey’s The Girl With All The Gifts, and I can’t help but think this may have been influenced by it, (although it wasn’t.)

The one problem I had with the first book in the trilogy by Justin Cronin was about halfway through the first book the story really slowed down, especially after those great first 200 pages. I seriously considered simply dropping the book, but I persevered, and I’m glad I did, because it picked up again for the last 50 pages or so, and the last part has some relevance to the next book in the series, called The Twelve.

The makers of the show have said they plan to stick pretty close to the first book as much as possible, including that 100 year jump that happens just after the events in the first 100 or so pages. Now I’m curious as to how they’re gonna pull that off without losing their audience. I almost didn’t finish the book for that reason.

Titans – DCEU Streaming/Today

I have no plans to subscribe to this network. I’m not buying one more damn app to watch shows on. I spend enough money now on cable. Nevertheless, I’m still excited about this show, not so much because of Anna Diop, but because I’m a big fan of Beastboy, mostly from watching Teen Titans Go, with my niece. (I’m probably one of five people, in the US, who doesn’t give a single  gotdamn that Starfire is being played by a Black woman. I think she looks gorgeous! I still hate her outfit.)

Star Trek Discovery Season 2 – Jan. 17th/ CBS All Access

The more of this I see, the more excited I am for the new season. I hope to get more insight into the Bridge crew, and I actually like Pike with his cocky ass. It’s still kind of bittersweet when you consider his life trajectory, though. It’s fitting there would be some Spock in this season, as Spock eventually comes to serve with Pike on the Enterprise, before Kirk became Captain. I really like Michael, and I love how she was so much of the focus of the first season, as is fitting, but I’d also like to see a little less focus on just her, and a little more of a focus on her interaction with the rest of the crew, and what their lives are like together.

And I have to watch it for the promised reunion between Culber and Stamets.

Siren – Jan. 2019/Freeform

I mostly enjoyed the first season which was kind of uneven as far as pacing and character. It seems like this season the show is going to focus on Indigenous shapeshifters, not just the mermaids, which I think is very exciting, and it appears the show will  continue to  slam it out of the park on the diversity angle, by adding more Indigenous people to the cast.

Daredevil Season 3 – Oct. 19th/Netflix

I’m almost excited for this new season because the trailer looks great. I was okay with the last season. I give it a C, as it could’ve been better, and mostly I just seemed to see all its faults. Well, it had a lot of faults. But I really like Vincent D’Onofrio though, so I’m looking forward to seeing the Kingpin again, only because Vincent is so damned good at playing him. The fight scenes look really good, and I’ve heard the other characters on the show get some major screen-time, separate from Matt’s shenanigans as Daredevil. Frankly, Foggy deserves it.

American Gods Season 2 – 2019/Starz

Do I even need to talk about how excited I am for the second season of this show. I do have a few misgivings though because the prolific Bryan Fuller is no longer in charge of this season. I think Nei Gaiman has taken over the writing or something, which is good, but Neil is not Bryan and I don’t know how or if he will approach the racial issues of the story the ay Bryan did. I’m always wary of White writers when it comes to the subject of race, unless they have proven track record of care and improvement. I like Neil, and have read many of his books, but I don’t know how he planes to approach the show.

Nevertheless, I’ll remain optimistic based on this trailer, which looks pretty good. I’d watch the show even if I hated the trailer, because I’m looking forward to meeting all the other Gods, like Mama-Ji. There’s also an Indigenous character, a young woman, that was added from the book, and another Asian woman called New Media, since Gillian Anderson left the show. New Media represents the god of social media and the internet, and is strongly aligned with Technical Boy. Hopefully we’ll get to see more of the Native gods of America, even though they were briefly mentioned and seen in the first season, although I have to say that such beings don’t show up til the end of the book, not that I think we should wait to see them.

What I’ve Been Watching: Mini-Reviews Of Dr. Who And Others

TV

Dr Who

I’m hooked! I know I’ve stated that I do not consider myself a Whovian because I’m not as steeped in the history of the show as some other more knowledgeable people might be, but I’ve always liked the show, and watched specific episodes when I was a kid in the 70s. I remember the Daleks from back then, and I know most of the villains on the series, and am familiar with a lot of the Doctors and their companions. I’m not steeped in minute details, but I know enough to navigate my way around a season.

In season 9 I started watching the show in earnest, because of the presence of Peter Capaldi, of whom I’m a big fan. I really loved him as the Doctor and I loved his new companion Bill Potts, and I was sorry to see them both gone.

I didnt actually know what to think of Jodi as the new Doctor at first. I was reserving my opinion on the entire issue until I saw some trailers or something, but after I saw the first trailer, I was intrigued, and I’ve seen her interviews about her new role, and her love and enthusiasm really captured me. I really like the actress herself. She so captures that sense of the Doctor. In fact, she reminds me of one of my other favorite Doctors, David Tennant whose career I’ve been following ever since. The first time I saw Jodi was in Grabbers, playing a drunken cop, and killing aliens, and I liked her in that movie, so when it was announced she’d be the new Doctor, I wasn’t upset, because I kinda knew of her.

Well, I watched the first episode and she is a darling . I really like her and I plan to watch the rest of the season. Now don’t get me wrong, the show isnt perfect, and did some things I found frustrating, but not frustrating enough to stop watching it, or lose interest, and overall, I really enjoyed myself. Some parts of it were a little heavy handed, and it remains to be seen how her companions, three at the moment, two of them PoC, will be treated by the writers. I have it on good authority that there are PoC in the writers room  for the very first time, so I feel optimistic about it.

Her new companions are a Black fellow named Ryan,and  his White stepfather, Graham (which is a dynamic I hope will be elaborated on in the future as their relationship is not an easy one), and a young Asian woman named Yasmin, who is/was a minor detective with the police. I like the relationship between Yasmin and Ryan as they are old grade school chums.

As for the Dr., she is her usual obnoxiously intelligent self, but with that little something extra that only Jodi could have brought to the role and something which all the actors who have played the Dr. were chosen for, their unique take on the character. It doesn’t hurt that she’s as nice to look at as any of the other Doctors like Tennant or Capaldi. I love her usual  know-it-all enthusiasm, which can get a bit grating after more than a little bit of it, but that’s okay, because the doctor usually prevails, and that’s also part of the reason I like this show so much.

So I guess this actually does make me a fan, huh?

Supernatural

I’m cautiously excited, and yet dreading, the rest of the season, because I care  so much about all  these characters, and know they’re in for a hard road, and some of them ain’t gonna make it out alive. Well, I’m in it til the end, so there. I’ll give a more detailed review at my other website and link it to this one. But I  really liked the premiere, and I’m going to give it a pretty high rating, and hope the rest of the season continues at that same level.

Charmed

I’ve been trying to drum up some enthusiasm for this show, but it’s been hard. I’m not a fan of the original show. In fact, I pretty much hated it, and that might have something to do with this retread. I don’t dislike this show. It’s only been one episode but I have a couple of objections.

I was really hoping, since the characters are meant to be Latina, that there would be some introduction of Brujeria magic into the show. Instead what we got was more of the European stuff, with Latin, and sparkly lights. It would have been a great idea to introduce Hispanic/Latinx cultural traditions into the show, and I would have liked to have seen that. I’m also against remaking old shows with Brown characters. Just give us a new show with a new name, maybe even the same characters, but an original show.

Now the show isn’t actually bad. One of the minor concepts in the premiere was the issue of sexual assault on campus. There’s a background story about one of the Professors being exonerated of sexual assault charges, who later turns out to be a demon who feeds on women’s strength. I thought that was neat little dovetail connecting the two issues, although occasionally heavy handed.

My biggest issue was the acting and the actresses. I’ve never seen two of them in anything, so I don’t know them, but they need a little work on their skills. And the youngest sister is one of those annoying narcissistic teenagers who doesn’t want to be special because it will ruin her chances to pledge with a sorority. The middle sister is a Lesbian with anger issues. Normally I’d have a problem with that but the writers try to be subtle about it,and it’s implied that the anger is a result of her coping with her mothers death, so this gets a pass. She’s the most intriguing character becasue I don’t know her as much about her, whereas with the younger sister, you feel like you know all you need to know about her.

I did like Mantocks older sister though because I understood her, and she’s just a better actress than the other two. Remember Mantock from Into the Badlands, so she’s got a great deal of experience p,and I liked her on that show. She shows up at the house after the girls mother dies and she’s lonely, and looking for a family. At first the two sisters reject her, and I kinda felt for her on that, but eventually they accept her, and try to bond with her. Mantocks acting is top notch. She almost brought me to tears a coupe of times. She’s also a scientist, which is something that plays out in an interesting way in the show. I liked that the writers combined some of her scientific knowledge with the magic,and it’s also really rare to see Brown women in STEM, so I’m all for it.

I feel like the writers need to spend time fleshing out their characters more, which they will of the show lasts beyond season one. The baby girl seems like she’s the comedy relief, and she can hear peoples thoughts. The middle girl seems to be the hearts and feelings one. She can stop time. The oldest played by Mantock is the brainy, logical one. I forget what her unique gift is though, so now I need to watch it for that.

Well, I don’t hate it, but I don’t dislike it either, and sometimes it takes time for me to determine if I liked something. I’m leaning in the direction of I Cautiously Like It. I’m not in love with it, but there’s the possibility of love, maybe.

Black Lightning

This is another show I’m invested in. I enjoy these characters, and want the best for them and like the dynamics between them. I’m a little tired of Tobias Whale as a villain and hope the season moves on from him, but I get why he’s present. There were a number of unexpected plot turns in the season premiere, so I’m looking forward to how the season turns out. I continue to be impressed by Anissa and even Jennifer. Yes, she’s still a  bratty teen who doesn’t want superpowers, but circumstances will force her to face her issues, whether she likes it or not, so I’m interested in what happens to her.

I didn’t see Siren’s (Tobias henchwoman’s) death coming. She was less likable than Tobias, so I’m not too broken up about her being killed by a sharpened stiletto through the throat. Incidentally, Anissa’s fight scenes are definitely the shit. I love to watch her put her thing down. She’s less conservative than her father. She’s a lot more of a maverick, and it shows in her fighting style, and I like that. When told that she can’t do something, she manages to find a workaround.

Jennifer is losing control of her powers, but that statement implies she was in control of them in the first place. She mostly tried to deny having them. At one point she has to be rescued by her father, when she can’t turn off her abilities. When she’s manifesting, he’s the only one who can make physical contact with her without dying, and from the looks of it, it’s still pretty painful for him. I mentioned to my Mom that in the comic books, she’s basically a sentient  bolt of lightning (or at least that’s how she’s drawn, and that her sleep/ floating is an indication of her flight powers manifesting.)

Lynn is her usual beautiful self. My mom and I had an interesting discussion about Lynn’s statement that Jennifer needed therapy. My mom thinks that’s a crock. What’s a therapist gonna do? But she feels that way about a lot of therapists. Some things she thinks talking about doesnt help at all, but I think Jennifer has been going through some major traumatic events outside of having superpowers, and needs to talk to someone who’s not her dad or sister.

Jefferson outed himself, and Anissa, to the Police commissioner. I didn’t see that coming, and I wonder what that means for their future endeavors as vigilantes. Is it gonna be like a Gotham city Batman type thing, where he quietly calls on Black Lightning to help him out from time to time, or will it be  a Dark Knight thing, where he has to pretend to want to catch him?

The show started off with a young Black man being killed by the police for having superpowers. This event is tied into the Black Lives Matter movement very neatly by a preacher on the show who says that the police are using the presence of superpowers to terrorize and kill young Black men. Now that’s how you do a racism allegory, by tying the fantasy aspect into the actual real life oppression of a marginalized group, and showing how that would affect that group. I talked about how I’m not a fan of racist allegories that don’t include any members of the group that the allegory was appropriated from. Here, it’s been done correctly, in a way I stated I would like to see in a sci fi fantasy show. And since it involves superpowers, this is done in such a way that I don’t too caught up in my feelings about police brutality. There’s a bit of an intellectual remove. If children from marginalized communities were suddenly developing superpowers, how would that affect how they’re treated by the dominant culture, and  their community. How would they react? It seems like the show will be addressing some of this. I hope they elaborate on it a bit more.

I loved the music for the show, too. I think Anissa’s fight scenes get some of the best music and its usually a reflection of her youth and general attitude. Jefferson’s music tends to be a bit more old school R&B, with some Jazz thrown in.

So, yeah, I’m definitely invested. Hopefully, the show will continue at this same high level for the rest of the season.

The Walking Dead

I’m watching it. Things seem okay. It certainly seems less depressing than previous seasons. I understand that this is Rick’s last season on the show, so I’m curious as to what is gonna happen to him and Michonne, and if the show can survive without him. I think it can. The show has built up the other characters enough that it would still be an emotionally compelling show without him.

I’m not a huge fan of intrigue and political gaming shows, though. It’s one of the major aspects that I dislike about Game of Thrones because I’m not interested in watching people fight with each other over who gets to be in charge, and I don’t want to see Game of Thrones during the Apocalypse, which is what this seems to be becoming, as Maggie and the others scheme to …well, I’m not sure what they’re scheming, but it feels bad though. I like these characters, and don’t want to watch them fight each other for power, although I’m always here for watching Michonne beaning somebody over the head when they start acting a fool.

I’m curious about the outcome of this season, but I’m kinda burnt out on the show, as a result I’m less enthused about it then I have been in the past. I’m pretty sure some of that lack of enthusiasm was caused by the death of Glenn, who I really, really miss. The show hasn’t felt right since his death. Without him, the past two seasons have just felt pointless, and depressing, in a way it didn’t when he was on the show. I’m not entirely done with the show, but I’m not making the huge emotional investment that I did in the past.

Also, part of the reason I’m reluctant to become as emotionally involved in the show is that I’m too damn tired to do it. Things are so batshit right now in this country, that I’ve quite used up all my emotions, and don’t have any to spare for a TV show like this. If it were a more intellectual series, than maybe I could, but this show is not Westworld, a show which requires less emotional investment, only a mostly intellectual one. This is actually a pretty draining show, which is part of the reason why I stopped reviewing it.

Well, I can always keep abreast of the show through the Talking Dead show which airs right after. I’m not a fan of the host of the show, since he tries too hard to be funny, but the guests discuss their characters and the plot in depth, and I can get an idea of what’s going on without having to sit through an entire episode.

Mr. Mercedes

This series is based on the trilogy by Stephen King, which I really enjoyed. The first season was based on the first book, about a serial killer, named Brady who plays cat and mouse games with the retired cop, Hodges, who assigned himself to capture him. He’s accompanied by a young black kid, named Jerome, his love interest/neighbor Donna, and a young woman on the autism spectrum named Holly. (Hint: I’m a huge fan of Holly.) The first season, and the book, ended with Brady in a coma, being kept in a special hospital.

The new season skips over the second book, which doesn’t have a whole lot to do with Brady, and skips to the third book in the series, called End of Watch, and chronicles Brady’s mental superpowers that result from his doctors experiments with drugs, and Brady using those powers to target the people who put him in his condition.

Since I didn’t finish the first season of the show, I missed out on the fact that there are a lot of PoC in this show. Sure Hodges is the center of it but not completely. The other characters get major screen time and are shown to have lives and family outside of Hodges. Especially Jerome, whose father is going through some financial issues, while his little sister seems to be going through some emotional ones. I already like Jerome, but his family members didn’t make a good impression on me because the plot requires them to be assholes to Jerome, and I didn’t care for that.

I’m going to stick around for a bit and see if what happens on the show lines up with what happens in the book, which I think was the best book in the trilogy.

Mr. Inbetween

I’m not a huge fan of shows which sympathize and humanize incredibly violent men but this show is intriguing because it does some unexpected things with the characters and I liked the mood of it. The show is out of Australia and that may have something to do with the approach which, while kind of light at times, is not played for comedy. The humor arises out of the dialogue and decisions characters make on the show. The violence is not played for laughs.

The lead character is named Ray, a hitman, and an ex-con, who gets into various misadventures while trying to juggle his relationships with his loved ones, and attend anger management classes. The most poignant relationship is with his young daughter, who is really cute, and so far as I’ve seen, does not exist to be put in danger, and his relationship with a young woman he just met. The show is unremarkable beyond the acting and dialogue. The plot consist of Ray getting into and solving crazy situations while being harangued by whatever criminal employers he’s with that week, while sorta keeping things secret from his family. The Typical “hitman as lovable rogue” type plots really.

Next Week Hiatus

I won’t be doing my usual weekend reading post. I’m taking a bit of time off until next week so I can work on my long form posts. I’ve got about 5 or 6 long form posts Ive been working on for the past month, and life (illness) and work (full-time) keeps interrupting my publishing of them.

I have been watching what shows I can, when I can . I watched some episodes of Iron Fist, but was ultimately disappointed, despite actually liking a couple of episodes. I’ll have more on why later. I watched The Mayans, which wasn’t bad, but didn’t hold my interest much. I generally do not watch crime shows involving PoC, and it’s about Mexican bikers, so I kind of knew I wasn’t going to fall in love with it, but I didn’t hate it either. I just watched an episode of some show on HBO, called Random Flyness, which was really, really weird, unabashedly Black, and kinda soothing, like a freeform version of the show Atlanta crossed with an episode of Key and Peele. I want to write about that.

I’m most excited about American Horror Story Apocalypse. I did watch the first episode and I have a lot to say about it. I don’t know that I’ll post a review every week on it but that first episode deserves its own post so I’m starting work on that.

Right now I’m working on a post about landscape as an essential narrative element, and my highly ambitious second and third posts about White Male Pandering in Entertainment, along with a couple of review anthologies where I write about multiple shows.

Since the racist cartoon of Serena Williams was released, and the man who drew it claimed to know so little about a profession in which he fully takes part, I’m thinking of doing a post on the history of racist caricature, to explain exactly why what he did was racist as fuck to anyone who knows anything on the subject, and even a few who don’t. Beyond the drawing itself, I’m livid at the idea that this man claims to know nothing of the history of his craft of political cartooning.

I’m an artist. I’ve been a visual artist since I was a pre-teen. I was considered a talented draftsman, and even won local awards for my skills. I’m no cartoonist but even I know enough about the history of political cartooning that I would know a racist caricature if I drew it. I made it a point to learn about the history of my craft and improve, improve, improve. You cannot improve in your craft if you don’t know the history of it. I’m incensed because the man is being lazy and stupid (or just lying) about what he did. Either reason is equally shameful, and I have something to say about that, not just as a Black woman, who felt incredibly attacked by that image, but as an artist as well. Here are some other people who felt some kind of way about what happened:

https://www.cnn.com/2018/09/11/opinions/racist-serena-cartoon-mark-knight-rebecca-wanzo/index.html

 

This article may sit behind a paywall so be aware. Some of it is about the racial history of Australia, and how these images of Black people have contributed and enabled racism in Australia and the US..

https://www.washingtonpost.com/news/global-opinions/wp/2018/09/12/what-the-herald-suns-serena-williams-cartoon-reveals-about-australias-racial-history/

 

Warning: This website is an archive of racist cartoons. I wanted to add this for informational  purposes, for those who haven’t really seen such images before, and you can contrast and compare the image in the Australian newspaper, to the historical caricatures of Black women.

The two articles above reference some of the Australian imagery like “The Golliwog”, and the Jim Crow Museum has images of this doll on the site. It also discusses the racial history of Australia, and why and how the doll was created.

There is also a drop down menu under The Museum, which goes into the details behind many of the images, what the various images are called, and the history of their creation, like The Mammy, The Jezebel, and the Black Brute.

https://ferris.edu/jimcrow/cartoons/

 

 

TA Ta until next week.

Fall Watch List 2018

There’s not really a lot of network TV that I’m looking forward to this Fall. There are some interesting shows on cable and streaming, though, and there’s some mid season releases I’m looking toward.

Sept. 4th

I have not watched the show that this one is a spinoff for, but I don’t care. I remember saying I couldn’t get into shows about Bikers because I know too much about actual Bikers, and the ones on TV are really just too damned pretty to be believable as a Biker Gang. The same is true here, but I’m gonna watch this anyway, even though I generally avoid watching shows that are about PoC committing crime.

The Mayans (FX)

 

Sept. 7th

I’m gon try this one mo’ agin! The trailer doesn’t look promising. In fact I’m expecting a certain level of racist wtf*ery anyway, but I’m gonna try to like it, if only because Colleen and Misty play such prominent roles. I’m probably never gonna like Danny Rand or the actor that plays him, but I can tolerate him, because I am a strong black woman!

Iron Fist (Netflix)

 

Sept. 12th

I skipped last season of this show because it was hitting too close to home, but I’ll try to watch this season, even though I skipped the very first season of AHS, too, which this is based on. It looks good though.

I’m moving away from in-depth episode reviews, unless it’s a show I’m super enthusiastic about, (like anything by Bryan Fuller). Some shows that are classed as being mildly interesting just won’t get that sort of treatment, but I will review as many season  premieres as I can.

American Horror Story (FX)

Sept. 21st 

I have no idea what this is about, and I am not a fan of either Emma Stone or Jonah Hill, considering them to be the blandest, most colorless actors that anyone could have chosen for these roles, but the premise looks mysterious, and mildly intriguing, in a science-fictiony kinda way, so I’m gonna watch it.

Maniac (Netflix)

Sept. 28th

This stars Jeffrey Wright traipsing through the wilderness, and some wolves, and that’s really all that’s needed to grab my attention, but the creators decided to add Alexander Skarsgard, who I’ve been in love with since True Blood, and now I’m committed. (It is possible after watching this I’ll  be committed, but that’s a discussion for another time.)

Hold the Dark

 

 

 

Oct. 5th

I couldn’t find a trailer for this, but I know it’s out there. Somewhere. The synopsis sounded as interesting as the title, so…

Into the Dark (HULU)

 

 

Oct. 7

I’m kinda off zombie shows, but this may be the last season to see Michonne get her kill on, and watch her and Rick canoodling. I plan to skip any and every episode that features Negan. I’ve  had about quite enough of him. I’m not super enthused about this season considering how the last episode ended. I’m not a particularly enthusiastic Maggie fan. She’s okay, but I suspect she’s going to be the next person I get really tired of seeing.

Oh, and I also have to keep watching to determine if Jesus is, in fact, as gay as I suspect he may be!

(Sorry for all the unnecessary bolding  above, but I’m too tired, and lazy, to undo it on this iPad. You’ll just have to turn down the volume on your computer.)

The Walking Dead (FX)

Oct. 9th

I don’t know why people are waiting so long to give us a trailer for this new season. I haven’t seen one yet, but when I find it, I will post it, forthwith!

Black Lightning (CW)

 

 

Oct. 11th

Well yeah….

Supernatural (CW)

 

 

Oct. 14th

I don’t know what to think or feel about this show yet.  I hated the original, but this one doesn’t inspire a great deal of enthusiasm either. I will watch it because I want it to have the support, especially after the fans of the original showed their racist asses about this casting, and hey, Mermaids turned out to be okay, so why not give this a try. Hopefully the magic represented on the show will have some elements of the ethnic backgrounds of the characters, instead of the usual European, colored lights styles, seen all over most of TV.

Charmed (CW)

 

Oct. 22

I’m watching this new season because the trailer is ridiculous, and I think Constantine is still visiting the gang. I do have this vague fear that this trailer I put up may be for last season, though, as my punishment for skimming those episodes.

Legends of Tomorrow (CW)

Oct. 26th

Heres a quick 9 minute rundown of what to expect in Season 2 of  Charlaine Harris’ second show. I thought the first season was completely uneven as far as the plot, but I did manage to get into the characters. This show does not have HBOs budget, or acting chops, but I think the show needs to embrace its cheesiness a bit more, like True Blood.  After all, this takes place in the same universe as that show.

Midnight Texas (NBC)

Nov. 28th

I think this is the last season for this show. I’ve been watching since the beginning, and haven’t always liked it, but it has been interesting.

Vikings (History)

 

Mid-Season Series – TBD

Brooklyn 99

This show,  which had run for a good five years, had been canceled by FOX, but has been picked up by it’s original creators at NBC, and will air for 13 episodes, instead of the usual 22, in January.

 

The Orville

I still don’t know how to feel about this show. It tries really hard, but it’s uneven, and sometimes the characters are hard to like. I watched quite a lot of last season, and it does look promising. If it can figure out what it wants to be it might be a great show one day.

 

 

The Passage

I really loved the books this show is based on, and the trailer looks intriguing with a father/daughter relationship between a rogue FBI agent and the little Black girl who trusts him. I’ve already posted the trailer , so here are some interviews with the actors about what to expect on the show.

 

Roswell New Mexico

Yeah, I’m  not watching this because I’m allergic to schmacting, but you know what, somebody, somewhere, is gonna love the hell out of this show. It’s like a teenage soap opera about pretty aliens.

 

Titans (DC SubScription)

I’m not subscribing to this.

 

Star Trek Discovery/ Season II (CBS All Access – Subscription)

I might subscribe. I’m still thinking about that, or just getting a jailbroken Firestick instead.

 

*I won’t be watching any of the 80s reboot shows that are all the rage this season. I’m not interested. I lived through the 80s already, I don’t wanna relive it through a bunch of shows I wasn’t all that hot about when they first aired. I’ll  try to find a better listing of new Fall shows for cable and streaming networks.

The State of the Union – TV (Pt. 55)

I’m just putting random numbers on these types of posts, at this point, since I can’t remember whatever number I used for my last State of the Union Address. But here’s a list of shows, I’ve been looking at this Summer.

Watching/Have Watched

Castle Rock (Hulu)

Image result for castle rock

I watched the first two episodes of this show. I was really excited about seeing it and the show doesn’t completely disappoint, but that’s mostly because I’m a full-on Stephen King fan who has caught a lot of the Easter eggs in the episodes, and there are quite a few, which is something entirely in keeping with the idea of a Stephen King Universe where all his stories are connected.

We start of with the small town of Castle Rock itself, where more than a few King stories take place. The episode begins with a missing little Black boy named Henry, who is found by Sheriff Pangborn eleven days later. If you remember Pangborn is the sheriff who defeats the demon from the novel Needful Things. Henry’s father went missing as well. his adoptive mother is played by Sissy Spacek, who played Carrie in the  1976 movie of the same name.

When Henry is called back to the town of Castle Rock, we discover that his mother is suffering from dementia, and she has a romantic relationship with a much older Pangborn. Henry received a mysterious call from one of the guards at Shawshank prison, after a young man was discovered in the prison’s basement levels, who asked for him by name. The prison is also under the reign of a new female warden after the bizarre suicide of the last one, who garrotted himself in his car.

So two episodes is as far as I’ve gotten, and while I’m not wowed by the mystery I do find the characters interesting, the show looks gorgeous, and atmospheric, and I also liked the understated music in the show.

Pose (FX)

https://www.vanityfair.com/hollywood/2018/05/pose-fx-ryan-murphy-review

Image result for pose series cast

The series just finished up its first season run and is scheduled for a second season next year. I took a brief break from the show but I was there for the season finale. Good gob! but this show brings waaaay too many feels.

One of the things I love most about this show is the shameless use of sentiment, without falling into corniness. You start to seriously care about these characters so much, and get really caught up in their lives. When they’re happy, you’re happy. When they experience disappointment, so do you. It’s a testament to the acting skills of the cast. But their lives are not tragic, and the show is not a sob story. You experience as much laughter and happiness as in any drama. The characters are complicated, messy, and human.

For example, I complained that I might not be able to get into a show where characters spent so much time being nasty to each other, but that turns out not to be the case. Yes, there are some villainous types but the show has a lot of romance and heart. After Blanca’s former mother, Elektra, from House Abundance,  gets ousted from her position, Blanca takes her in, and it is commendable for Blanca, especially when you consider that the two of them parted on such bad terms,  that Blanca treats her no different than she does any of the children of her House, by counseling her, and helping her get a job.

Blanca is rewarded for her compassion by being crowned Mother of the Year, at the local Ball, while the bitchy little characters we met in the first episode get their comeuppance with an epic dress-down from Elektra. The season ends with a dance-off  between the House of Evangelista and the House of Extravaganza, going  head to head on the ballroom floor.

There is also the side story of one her children falling in love with a married businessman, and one of Blanca’s boys falls in love with another dancer after he is accepted into  Dance school, and the two of them compete for a role in a music video. In another side story, the master of Ceremonies at the Balls puts on a performance at the hospice where his lover is dying from Aids, and later goes out on a date. The conversations in the show feel true, adult, and emotional.

I fell in love with these characters so fast, I just don’t know if my heart can take this level of shameless romanticism and drama. I’m definitely going to return for the second season of this show.

 

Preacher: Season Three (AMC)

Image result for preacher season three

Its as zany as the last season, picking up with the death of Tulip. Jessie takes her to his grandmother,a Hoodoo woman, who brings Tulip back from the dead. She says Jessie owes her for this, but I’m unsure exactly what it is she requires in payment.

Cassidy gets kidnapped by a cult run by another vampire and its hilarious because the other vampire has enthralled these goth kids into worshiping him, and he’s like a cheap, backwoods version of Lestat.

I’m not doing any in depth reviews for this show, mostly because its kinda lightweight, and is far too richly zany to put that kind of work into it.

Although its rarely laugh out loud funny, it is definitely entertaining.

Luke Cage: Season 2 (Netflix)

Image result for luke cage season two

I watched the entire season all the way through, and mostly enjoyed it. It really does still have some issues, mostly with pacing and story coherency, and should probably tone down on some of the music, because that was starting to be a bit much. But overall I liked the season.  I wasn’t as awed by this season as I was with the first, and I’m pretty sure it’s because the novelty of it has worn off some.

Frankly,  I was tuning in to see what happened to Misty Knight, after her ordeal in The Defenders, and I , and a lot of other people, have reached the conclusion that we are all ready for a Daughters of the Dragon spinoff , of Misty and Colleen Wing. The scenes between the two of them were a lot of fun, the actresses have good chemistry, and I was glad to see the writers of the show did not neglect the relationships between the women, although I was dismayed to realize that all of the Black women in the show had adversarial relationships with each other. I understood most of the reasons why they would, because they’re mostly well written characters, many of them with clear motivations, but I still think the writers should do better. Women don’t always have to be enemies for  dramatic tension.

Yes, there is a brief cameo, in one or two episodes, with Iron Fist, which happen late in the season, but I don’t feel this was a detraction from the show, and I wasn’t upset at seeing him. Like I said, a little bit of him goes a long way. I’m still not especially enthused about the second season of IF, but I am curious enough, based on how his character is much more positively depicted here. I know there are some people who are going to hate him no matter what the writers  do with him ,but I’m willing to forgive past sins if they fix his character, and this show, and The Defenders, went a long way towards almost making Danny Rand likable. I don’t actually like him. I don’t know that I will ever like him-like him, but at least I don’t dislike him. Let’s just say I’m open to liking him.

There was a new vilain called Bushmaster, who heavily reminded me of Black Panther: if T’Challa had become a junkie for the special herb which gave him his powers, and was a gang leader, rather than a good guy.  I still think the accents of some of these characters could use work, though. There are several moments of extreme horror that I could’ve done without, and we didn’t spend as much time with Luke as you’d think we would in a show that’s about him, but that’s okay because Luke is not an especially compelling personality, and Mariah Dillard is. Luke gets to fight with a lot of different characters, and that is always fun, but he’s not a very interesting person beyond his fight scenes, and the show’s attempts to add character to his character fell flat for me. His relationship with his father, and his fights with Clair didn’t feel true or believable.

Actually, you could just call the show Dillard, or something, because Mariah was one of the most awesome characters all season, and is a truly complicated villain. I’ve long ago given up on white feminist fans paying any attention to Black female characters, and I suppose I should be grateful for that, especially considering how shitty they are regarding all Black characters, in general. I think the last thing any of us want is twenty year old, suburban, white girls trying to write sexy fan fiction about Shades Alvarez. But there’s not a lot there for them anyway because while there are a few canon relationships, none of them involve White people.

Mariah is a very unconventional villain, being an older, educated, Black woman, who is also  an unstable, conniving alcoholic,  in a semi-abusive relationship with her lover, Shades Alvarez, who is many years younger than her, and thoroughly devoted to her. I  can’t even say she loves him, because Mariah is a psychopathic user, who loves no one but herself but the chemistry between them is palpable, and it really is a very sexy relationship. Mariah is also surprisingly vulnerable, and open at odd moments, which makes her deeply compelling. This was really a superior performance from Alfre Woodard, and one of her best roles ever.

There’s also a throwaway relationship between Shades and another man (Comanche) that if you’re anywhere on the LGBTQ spectrum,  will thoroughly enrage you, so you might want to skip all that.

https://www.dailydot.com/parsec/luke-cage-shades-mariah-shadymariah/

https://www.dailydot.com/parsec/luke-cage-season-2-review/?tu=dd

https://screenrant.com/marvel-iron-fist-better-luke-cage-season-2/

Killjoys (Syfy)

Killjoys has added a smidge more humor to the show, but I still have trouble with Hannah John-Kamen’s acting style. Its still annoying. I’m still surprised that people like this show. It looks great but I find the acting and plotting uneven. It’s not a bad show, but it struggles to hold my attention. I like the costumes, though ,and the guys are both reasonably handsome.

Image result for killjoys/wynonna Earp

Wynonna Earp (Syfy)

Wynona Earp started its new season. I watched the first episodes of the show and while I was not “not”  entertained, I wasn’t exactly inspired to keep watching them either. WE turned out to be mildly funny as vampires have been added to the show and Waverly’s approach to danger has always been funny. If you’re looking for a cute  litttle White girl lgbtq relationship, then this is the show for you. If you are a fan of mustaches, there’s a Doc Holliday character who is really cute.

 

I’m Not Watching But Probably Should

Killing Eve (BBC America)

I’ve heard so much about this show, and these curious gifs keep popping up on  my dashboard. One day I’m actually going to get around to watching this. and I’m gonna be wowed, because I really do like Sandra Oh, and I heard she got some award noms out of this. From all the meta  and gifs I’ve seen, I got the impression that this show was a female version of the Hannibal series, with its lowkey same sex relationship vibes, between an officer of the law, and a deranged psychopath. Since I’m a big fan of Hannibal , I feel I at least need to give this a looky-loo.

The Bold Type (Freefrom)

I heard there was some great LGBTQ rep in this show, between two young women, that’s being well and fairly treated,  and this is  another show that people insist on making gifs of, and sending them across my Tumblr dashboard. One day I may or may not look at this. It does involve some very young people, and I usually avoid shows that star a bunch of very young, people, so I’m dubious. Not every show is for everyone.

Dear White People (Netflix)

I keep hearing good things about this show, but once again it stars some very young people, and I’m not one of those people who is sentimental about my college years, so imma pass on this one.

Yeah…No!

Snowfall/ Power

I know people are watching these shows, but shows about Black crime are not to my taste, and I already got my quota of that subject from Luke Cage. If Black crime stories (ala New Jack City) are to your tastes,  and you’re not watching these, then you need to hop to it because they look gorgeous.

@@

I’m working on several of those longform essays you guys seem to like. The use of setting in movies, a trip in the wayback machine to some forgotten  TV series, the personalities of Goodfellas according to MBTI, an examination of the trope of the retired killer, an examination of The Thing, Eastern Promises, and some that are little more than ideas I hope to flesh out at some point.

Straight Out The SDCC 2018

The San Diego Comic-Con started this weekend, and we already got a buttload of movie and TV trailers that I’m very excited about. (Picture me jitterbugging around my living room in my bunny slippers!) The Con lasts all week, so I’m going to publish some more trailers for Wednesday and even Friday if necessary. Later this month, or in August, its time to start my list of TV shows to watch for, and I’ll be working on that soon.

Let’s get started. First up:

Godzilla: King of All Monsters

I am so geeking out about this move, not because of Godzilla, mind you, although there is the iconic roar, but because of the presence of Ghidrah: The Three-Headed Dragon, and Mothra, basically a giant moth. I grew up watching Godzilla movies on those Saturday afternoons when my brothers and I couldn’t go outside. I watched Mothra a bunch of times when I was a kid, so I was excited to see something like it in the last movie, and now the full effect in this one. I’m probably not going to get Mom to see this, because she hates Godzilla, but I can introduce my nieces and nephew to it if nothing else.

 

 

Shazam

I’m not excited about this movie, but I’m not dismayed. I remember watching Shazam on TV as a kid. (I watched all the superhero TV shows.) In the TV series, Shazam was a teenager or probably an adult. I haven’t seen it in so long, I can barely remember it, beyond the iconic yelling of  “Shazam!” I don’t know what to think about this yet, probably because I wasn’t expecting it to be funny. And it did give me a few laughs. This trailer isn’t inspiring me to see it though, so I’ll wait until I see some more. Also, its DC and they’re not really good with funny.

 

Glass

Now this one, I’m really, really, excited about. (See, I used to “reallys”!) I’m a huge fan of Unbreakable. It’s just exciting to see David Dunn again. (I’m a little less a fan of the movie Split, although it has its merits, and The Beast is pants-shittingly frightening.) These are really just down to Earth versions of superhero movies, and I will always grok that.

 

 

Aquaman

This is another one I haven’t formulated an opinion on yet. I love that Momoa is Aquaman though, because it seems fitting that the King of the Oceans would be a Pacific Islander, and I never get tired of looking at him, and going, “It’s Kal Drogo! Under the sea!”. It also helps that he just looks fine as Hell!

 

 

Titans

Woo! The bitching and whining about what’s wrong with this trailer, and the miscasting of Ana Diop as Starfire, has already begun on Tumblr. I’m completely dismissing any criticism from ALL White men about her casting because here’s the thing: Starfire has always been nothing but wank material for them since she first starred in the comic books. Casting her as a Black woman seems to have put a crimp in their masturbatory fantasies for this show, I’m guessing, which is why so many of them are throwing nasty racist hissy fits.

Diop has already disabled the comments on her Instagram because of the vitriol she’s been receiving, and no! I’m not surprised by it. Sending racist messages to actors of color, and then claiming they’re doing it just to protect the show, or movie, or whatever,  is just White, male, fandom’s go-to move at this point. And it’s also all they have. They’re still gonna watch the show, they’re just gonna bitch about it the whole time, and I don’t really care at this point, as long as their eyeballs provide ratings.

What I have decided not to do is read any more whiny bullshit about TV shows before they air. I got my own whiny bullshit in mind, and ain’t adopting other people’s crap. I’ll wait to actually see the show before I form an opinion on whether it’s good or bad. Also, I’m a lot older than most of the complainers on Tumblr and have been reading Teen Titans since I was a child. I can decide for myself whether or not the show is any good.

For the record, I think the trailer looks okay, although most of it is too dark to see anything, and I’m satisfied with the depiction of Starfire, and Raven.

 

Fantastic Beasts: The Crimes of Grindewald

I don’t know that I’ll see this in the theater because I got the same issues with it, that I had with the first. But I really enjoyed the first movie, I really liked all the characters a lot, and this is an incredibly gorgeous film, too. I’m less interested in the worldbuilding than I am with the people.

 

Patient Zero

This looks like an interesting take on vampire mythology and might turn out to be what the show The Strain should have been, so I’m gonna check into it. Plus, I’m always up for some vampire apocalypse stories.

 

 

The Passage

This series is based on one of my favorite books by Justin Cronin, a trilogy called The Passage. I’m very excited about this because they’ve changed the races of the characters, thereby giving the story a deeper subtext, especially when you remember that African Americans have been used before as subjects of medical experimentation.

http://www.history.com/news/the-father-of-modern-gynecology-performed-shocking-experiments-on-slaves

https://en.wikipedia.org/wiki/Tuskegee_syphilis_experiment

https://www.hopkinsmedicine.org/henriettalacks/index.html

So you have scientists experimenting on Black convicts, and chasing after a little Black girl they want to use to save the human race, from an experiment they created, that went horribly wrong. This also closely parallels the events of the first  200 or so pages of the first book, which I thoroughly enjoyed, it was so well written, just without the racial angle. The series offers a changeup to the  “Black man bonding with and protecting,  a little White girl”, which we’ve seen more than enough of in the movies. There’s also Mark-paul Gosselaar , which is kinda neat.

 

Overlord

This looks a lot like Patient Zero, only set during WWI, and with a Black lead character, which is intriguing. It looks like it might be about medically created zombies. I dont have a lot of opinion on it yet.

 

The Walking Dead Season Nine

After the first few episodes, I skipped most of last season. I just lost interest. I still don’t care which is why I haven’t talked much about it. I’m going to watch season nine because I’m nosy, and there will be less of Negan chewing the scenery, which is something I got really, really, tired of. It’s rumored that this will be the last season for Rick. Personally, I would like to see the show headed by Michonne, but I don’t expect we will get that so I’m not getting too hopeful. At any rate, this season doesn’t look too bad, but then I thought that about last season’s trailer, too, and look what happened.

 

Star Trek Discovery Season Two

The second season for this show doesn’t air until January which I think is a horrible tease, but I can wait. It looks just as gorgeous as always. I’ve read that the series will be preceded by a series of character shorts in December, and that Spock will put in an appearance. I have been total trash for Spock since I was twelve years old, and will watch him in anything, so I’m very excited about the new season.

Can I also mention that the guy playing the tragic Captain Pike, is Anson Mount, the same guy who played Black Bolt in that deplorable Inhumans series, that only lasted a few episodes? (If you want to know what eventually happens to Captain Pike, in ten years, you need to watch the first episode of the original Star Trek, called The Menagerie.) He looks much better here than he did in the Inhumans. As a matter of fact, he is cocky, and foine as f***!

The show also looks like its adding a little more humor.  The showrunners say the focus for the new season will be “family”, so there’s going to be more character development of the bridge crew, I’m guessing. At the end of last season, Michael had gotten back her rank, and she looks a lot more comfortable in this trailer, and I’m looking forward to what she does in the role. Her character and storyline carried the entire first season, so I expect the writers to give her a little breathing room, and focus on some of the other characters this season, with Michael as the emotional center again.

 

Doctor Who Season 11

I’m not excited about this new Doctor, so much as deeply curious, about how the show will feel with a female Doctor. It looks intriguing and I’m definitely going to check it out. I have, in the past, claimed to not be a huge Doctor Who fan, but I’m enough of a fan to have favorite Doctors, Companions, villains, etc. I think this new one might become a favorite. We’ll see!

 

Westworld/Into the Badlands Season Reviews

I did give some light mid-season reviews for both of these shows, and I said I’d have something to say about each one of these seasons.

Hmmm…lets go with some statements about Into the Badlands, first.

Into the Badlands

Related image

This season ended on another cliffhanger, which was not as intriguing for me as the last one. Sunny has spent the entire season trying to get help for Henry, who is sick because of his genetic heritage of Black Chi, from Sunny. It turns out that Sunny is a catalyst, who can induce it, in those with latent abilities. We find out what that really means when he finally makes his way to the Sanctuary run by Pilgrim.

Pilgrim insists on referring to  Sunny as his brother, (and I’m not sure if this is literal, or metaphorical), and says his real name is Sanzo, (and one of the earlier characters, in the season, mentioned he has a sister). So we are just beginning to find out tiny details of Sunny’s backstory. Sunny encounters an angry MK, who only wants to fight. Sunny tries to talk him down, and stave off the fight as long as possible. He’s not trying to hurt MK, and has far more pressing concerns.

Image result for into the badlands season 3  episode 8

Pilgrim has started to show he’s not as much of a good guy as he wants the denizens of the Badlands to believe he is, as he kills Castor, tries to cover it up, lies to Nyx, and  attacks Cressida, when she confronts him. He’s not as stable as he seems. He and his followers unearth a massive machine, and when he and Sunny touch it, he is imbued with Henry’s  Black Chi. How this is going to help him rebuild Azra is anyone’s guess. Now he’s more powerful than any of the others in the Badlands, except for one Wild Card. And it is not The Widow.

Image result for into the badlands/ The master

 

I like to call her The Abbess, but The Master of the Abbey, that MK escaped from last season, and played by the African-Chinese actress, Chipo Chung, has a role to play in this new dynamic. When The Widow finds herself trapped, and near death, after walking into a trap in Baron Chau’s home, the Abbess, freezes, then reverses Chau’s wweapons, and rescues Minerva. With this one act, the writers have officially added magic to the worldbuilding of the Badlands, (although it was always heavily implied that this world was magical).

I am interested to see what role the Abbess is going to play in the next season. Somehow, I don’t think she and Pilgrim are going to be on the same side, and we might find out the reason it appeared as if she were siphoning the Black Chi from the students at the Abbey.

Image result for into the badlands season 3  episode 8

Some of the relationships were foreshadowed, as Lydia and Nathaniel Moon have renewed their old romance. The most interesting, (yet completely unsurprising), relationship is between Gaius Chau and The Widow. The Widow has really sort of lost everything, by the end, as her people turned against her, held her prisoner, and she was lead into a trap by some false information. She has seemingly teamed up with The Abbess, and it’ll be interesting to see what these two heavyweights will get into next season, as the Abbess has promised to return Minerva’s Chi powers to her.

Image result for into the badlands season 3  episode 8

 

The Westworld Finale:

Image result for westworld season 2

Opening Credits/Themes

One of the most noticeable changes to the opening credits, for season two of Westworld,  is the addition of a woman, (it appears to be Maeve), holding a baby. This is not, (according to the show’s creators), meant to convey the idea that the Hosts can get pregnant, (as these are not organic beings), but an illustration of the concept of family. The major theme this season is the relationship between parent and child. This is examined, in the plot, as the idea of fidelity. This is a word Dolores says to Bernard when she is testing him for his authenticity to Arnold. William says it to the James Delos hybrid when he tests him, and The MIB’s daughter, Emily, says this to him, in the end credits. Remember, the linchpin of a Host’s sentience  is often based on the loss of family, and note that William, James, Bernard, and Maeve all have the memories of having killed, or lost, their children.

(Side note: One of the more implausible fan theories I saw floating about, was the idea that the mother and child image, meant that Dolores was pregnant with Teddy’s baby. The idea of two “non-organic” constructs having a child, is what’s known as “fan wank”. But outside of that, is the incredibly annoying act of applying that particular image to Dolores, rather than the Black star of the series, whose narrative is actually searching for her  “child”. That image is a direct reference to Maeve, so why would you take an image of a Black woman, with a  child, and apply it, in a fan-wank no less, to her White co-star? *Sigh* White fans stay trying my fucking patience!)

Image result for westworld season 2

The most obvious reference, for that image, is Maeve’s storyline, to find and rescue her daughter, but Maeve’s companions, Hector, Armistice, Felix, and even Lee have also, through their adventures, formed a family, of sorts, and this is a theme peppered throughout  Maeve’s entire arc, extending into the story of Akecheta of the Ghost Nation, and Akane’s parallel story of her daughter. The revelation of Akecheta’s nature, and the world, is through his connection to family, and the loss of his wife. Akane’s story is a parallel to Maeve’s relationship to Clementine, the adopted daughter she has to kill in the finale.

Dolores, as much as Ford,  has control issues, and her character  arc is to learn to let the other Hosts be themselves, and learn to rely on other’s strengths. Teddy’s strength ,after finding out what he was, was his compassion. He would have been able to temper Dolores, and help her accomplish her goals that way, had she trusted it.  Just as Maeve has learned to rely on the individual strengths of her companions, Dolores has not learned to appreciate these qualities in hers, and learns the hard way, by losing Teddy, who rebels against her manipulation of him by destroying himself.

I think, for Dolores to be more successful in her next goal, she needs to make the idea of family a personal one, rather than an abstract concept, that is less important than her objective. Her story arc is the reverse of the others though. She spends the first half of the season trying to rescue Peter Abernathy from the Delos Corporation.

Related image

The theme of parents, destroying, or rescuing their children  is also illustrated through James Delos, and William (The Man in Black). The aim of the Delos corporation was to put human brains into Host bodies, and they semi-succeeded. Just like the Hosts, the Human/Host hybrids also have a linchpin memory, which is the key to their sentience. For the James Delos hybrid, it was the death of his son Logan, who he rejected just before Logan overdosed on drugs. The Host version of Delos seemingly cannot get past that incident, and is eventually destroyed. James and William both rejected (and thereby, killed) their children, and neither of them seems to be able to get past the memory of that.

Related image

For The Man in Black, some parts of the season were scenes of him doubling back and forth in his loop, and attempting to make different decisions than we saw him make the first season, and some parts are of a different timeline ,where he is actually making the bad decisions. Basically if you see him making different choices than he made before, its probably the hybrid/Host version. The linchpin memory for him is when he shot his daughter, Emily. (This is what the end credits scene is about.) The scene where he kills her is an actual flashback, according to the writers.

(Side Note: I don’t pay attention to the idea of the different timelines, because that’s not especially fascinating to me. I keep a loose idea of when things happen, in my forethoughts, but  I refuse to get hung up on it, because when things happen, is essentially meaningless. In my mind, all of the decisions of the Hosts, humans, and Hybrids, are of a piece, and its not as important for me to understand when something happened, so much as why it happened. I think the writers feel this way, as well, which is why they jumbled up the timelines, in the first place. I don’t think they want viewers to get hung up on when something occurs. For me, Westworld is about the characters, personalities, and relationships, and how they all serve the primary theme. It is not about the minutiae of when, and I don’t spend a lot of time parsing that.)

It’s almost as if, for the Hosts to move forward, to move out of the stagnancy of their loop, they need to confront their greatest sins, realize that, and then undo them. Many of the mind concepts on this show are based in various psychotherapies and PTSD. Although, unlike humans, the Hosts don’t just hold on to  painful memories, they actually live them, over and over. One thing the show took pains to mention is the idea of humans remaining in their loops as well. (I mentioned this in one of my posts last season, about the idea of Karmic Debt.) The humans are less free than the Hosts. I think this is illustrated in William’s story and his inability to move past Emily’s death, and James Delos’ inability to move beyond Logan’s death.

https://www.recoveryranch.com/mental-health/why-do-people-with-ptsd-relive-traumatic-experiences/

The one person, who is able to move beyond the loss of their child, is Maeve.

Image result for westworld season 3/maeve

For Maeve, her emotional linchpin was her inability to save her daughter from the MIB, and she, just like him, had to circle back to the place and time where she lost her. To save her daughter, she had to respond  differently and, (to reach a kind of emotional equilibrium), she takes on and defeats The MIB, which gives her some small amount of closure, (even if she doesn’t kill him).  For her to keep moving forward, she needed to confront one of her greatest sins, and the demon that came with it.

More importantly, Maeve doesn’t do this alone. She accomplished her goal because of the coalition of humans, of different races, and Hosts, with different strengths and skills, (like Hector and Akecheta). She forms this “family’ through a combination of mercy and compassion, unlike Dolores, who coerces her accomplices, through brute force, sacrificing them when they are no longer needed, and remaking them to suit her needs, like she did with Teddy. There is a reason that Dolores is nicknamed The Deathbringer by Ghost Nation.

For Delores, her linchpin  was the killing of Arnold, her biological father. We know this because it’s the one memory she kept revisiting, again and again, in season one. In fact, Dolores could be said to have reached full sentience, when she circled back to her beginning and Arnold’s killing. She spends the first half of the season attempting to rescue and protect her Host father, Peter Abernathy, from Charlotte’s machinations, but Arnold is her linchpin memory, and she is responsible for his death. She can’t save him, but she can save Peter Abernathy, and Bernard, the replica of her biological father. Unlike the others, Dolore’s sentience is through the loss of a parent.

 

The Finale

*Maeve escapes the Mesa and reunites with her group, and they, Bernard, Dolores, Akecheta, William, and Delos all converge on the Valley Beyond. Dolores and Bernard enter first and find the Forge, a more advanced version of the Cradle. Dolores reads some of the guest data as the Forge opens “the Door” for Akecheta and his followers to upload their minds into “the Sublime”, a digital world cut off from the physical world. Bernard kills Dolores to prevent her from destroying the Forge and flees with Elsie back to the Mesa.

Maeve and her group sacrifice themselves holding off Delos forces to ensure Akecheta and Maeve’s daughter escape to the Sublime. Charlotte murders Elsie to keep her quiet, which convinces Bernard to build a host version of Charlotte with Dolores’ control unit. Dolores kills and replaces Charlotte while Bernard scrambles his own memories. In the present, Dolores kills Strand and Bernard while transferring the host minds in the Sublime to a safer location. She then escapes back to the mainland where she rebuilds Bernard, knowing that he will oppose her plan to destroy humanity and hoping their resulting conflict will ensure the survival of the hosts.

In a flash-forward, William enters the Forge to find it abandoned save for Emily, who tests him for “fidelity”, revealing that his consciousness has been implanted in a host body.

 

Overall Plot: The Cradle/The Forge/ The Valley Beyond

Related image

This season was very very busy. There were multiple threads, timelines, motivations, and a lot of dying! I am ill equipped to explain all of the plot to you because I mostly watch to see how the characters are navigating the plot,  their emotions, and relationships. This can leave me ignorant of some of the finer  details. So, how about some links from people who are either marginally smarter than me, or just paid closer attention to the plot.

https://www.gq.com/story/westworld-finale-explained

Still trying to wrap your head around all those crazy twists? We’re here to help.

@@

*And from the creators themselves, Lisa Joy and Jonathan Nolan:

https://mashable.com/2018/06/25/westworld-season-2-finale-explained-lisa-joy-jonathan-nolan/#VqdG.8m3.Oqg

Maeve:

Image result for westworld season 3/

One of my biggest pet peeves, for the first season, was how many critics slept on Maeve’s story. I knew that her story would be important, in comparison to Dolores’ story, and that there would be a payoff, for it.

https://io9.gizmodo.com/sorry-maeve-had-a-more-satisfying-story-than-dolores-i-1827122416

Maeve, unlike Delores gets to have a certain amount of  closure to her story. Her original objective was simply to break out of the Matrix Westworld, and she almost succeeded, but gave that up in favor of finding her “once” daughter, who has undergone her own awakening,  and still remembers the mother she once had. She accomplished this goal, aided by a group of Hosts,  Lee,  a couple of Westworld technicians, and the leader of the Ghost Tribe. In the finale, she safely escorted her daughter into a pocket digital universe, called The Valley Beyond, where humans can’t go. Maeve may never see her daughter again, but at least she knows that she is safe.

It was interesting watching Maeve’s character arc all season, as she not only grew in power, but in her compassion, and her ability to love and sacrifice. She started off as a much more selfish character, and though there are criticisms that could be made of her character within the narrative of Black female stereotypes, overall, I’m satisfied with her story and how it ended this season.

Image result for westworld season 3/maeve

That said, my favorite episode is Akane No Mai, as it was a showcase episode for her character, emphasizing her deep humanity and compassion. And I just love the sight of Black women wielding samurai swords, for some reason.

Since the Delos Corp. have no idea that what happened was the robots reaching sentience, they intend to start the various Parks up again, after wiping and fixing the Hosts. They  believe it was all some sort sabotage by Ford, to destroy the Park, because he was forced to relinquish control of it. The issue of the Hosts sentience has not been resolved, and Dolores and a handful of other Hosts are now out in the actual world, as well.

When we last see Maeve, she and her crew have all been decommissioned, but we know she will be one of the ones to be revived, as Felix is one of the technicians who has been tasked with reprogramming the Hosts. Unlike Dolores, Maeve isn’t trying to do what she does all alone. She has a team, and they work as a team. Maeve is the Mastermind, with each member of the group working to their strengths, with Hector,  Armistice, and her Japanese twin, often working as “the muscle”, and Felix and the other humans, acting as the technical specialists. And then there’s Lee.

Image result for westworld season 3/karma

Remember how I said I disliked Lee, who is the hack writer of most of the storylines of Westworld, and even Shogun World. Well, he proved himself to be redeemable, and much more complicated, than he was when we first met him. After Maeve’s shootout with The Man in Black, she gets taken back to the facility, where everyone tries to figure out how it was possible for her to control the other Hosts, after which they plan to decommission her. But it is Lee, who pleads with the technicians to save her life, and he seems to be so deeply affected by her imminent death, that he is in tears, and sits by her table, and talks to her, the entire time.

She so transcended the limited narrative that he wrote for her, that, like Hector, and Felix, he has fallen in love with her. (there’s a very neat parallel to her and Hector in Akane No Mai, when you realize Musashi might very well be in love with Akane.) This is very possibly one of my favorite moments in the season, because I love to be surprised by  changes in a character. Later, he actually sacrifices his life so she can rescue her daughter.

Once again,  the name Maeve means “to enchant”. And that is what she does, both literally, and figuratively.

 

Dolores:

Image result for westworld season 3/dolores

Dolores is on a different journey from Maeve. Her objective was to free the Hosts from the Park, and she mostly succeeded at this, having uploaded the minds of  many of the Hosts (at least the ones who went into the Valley) to an undisclosed location. She and Bernard leave the park and go out into the real world. Her new objective is, I think, to destroy the human world, or close all the parks, or something.

Dolores is learning how to work with others, which is to the good. Maybe she learned her lesson after Teddy decommissioned himself, but she seems willing to work with Bernard to accomplish her next goal, and she managed to rescue several of the mind pearls from the park.

I don’t have as much to say about Dolores, because her story wandered in some unexpected directions, and there’s a lot of mystery about her new goals. At any rate a lot has already been written about her, that’s much more in-depth than what I could provide:

https://www.express.co.uk/showbiz/tv-radio/979084/Westworld-season-2-finale-explained-Is-Dolores-alive-S02E10-Charlotte-Hale

Overall, though I’ve seen some reviews bashing this season, (there’s always several of those, by people who probably shouldn’t be watching the series, if they’re not into, or even getting, the point), but I enjoyed it. I don’t think it was as good as the first season, but the first season had the benefit of novelty, and we are now well used to all these characters now. I’m looking forward to season three. I’m eager to see what kind of mischief Dolores can get up to in the real world, if there are other Hosts already walking about, will Maeve be back, and in what capacity, and will the Delos Corporation figure out that their problem is much, much, bigger than Ford?

 

 

 

 

Weekend Reading List (The Pocket Files)

Guys! I’ve been horribly slack with the postings this week, but that doesn’t mean I’m not working on stuff. (Actually, I have not been doing anything, really.) I’ve been on a sort of vacay all week, but I’ll be back with more ramblings in June, starting Monday.

Here’s some of the lighter stuff that’s been sitting in my Pocket list for a while. Some of these are not new, but they’re new for me.

I loved this piece from BNP/Facebook writer, Stephanee Killen, about one of my favorite episodes of Star Trek, The Enemy Within. I must have unknowingly taken the episode to heart because I’ve always thought of my less attractive qualities as useful, positive things. Or at the very least tried to turn them into useful things.

Like a lot of people I suffer from anxiety. I don’t take medication for this, but I manage it very well. One of the ways I manage it is by turning it into something useful, like the ability to plan ahead. Making plans within plans is one of the ways I manage anxiety about things other people would probably consider trivial, like driving to new locations. When I have anxiety about something specific, I usually research the hell out of it, and the knowledge helps to alleviate some of the problem. Turning anxiety into knowledge is one of my ways of using a negative quality for good.

Image result for star trek enemy within gifs

In this particular episode, Kirk gets split into halves, a  passive, lighter side, and a darker, more negative side. The argument, illustrated beautifully in the show, is that Kirk needs his darker half to function competently as a Commander. 

I think the philosophy I most disagree with in Star Wars is the concept that light and dark are two separate things, and that one of them is undesirable. Star Trek’s more nuanced argument is that both these qualities are needed to form a whole, and that taken singularly, they’re both useless.

McCoy tells him, we’re all brutal animals. We all have our dark side. It’s human. The dark side holds strength. The light side holds caring, love, and courage. Spock, who understands duality better than most, indicates that what enables him to survive the differences between his two often-contrary halves is his intellect. Scotty eventually fixes the transporter. Kirk 1 and 2 get put back together, and the question of whether half a man can live is answered: No, he cannot—but thankfully, that’s not required.

http://blacknerdproblems.com/nerd-lessons-star-trek-the-dark-side/

@@

I am loving this newest season of Into the Badlands, and will have some opinions about that  next week. What I’m finding a hell of a lot of fun is the character of Nathaniel Moon. He’s an important part of the show, with his own story-line, and agenda, and even a love interest. 

I’ve seen this actor there and about, from time to time, but never gave him much attention. I’m gonna fix that right now, cuz Lawd, is he foine!

And do it he has. Since his first film role in the movie Colors (1988), Sherman hasn’t stopped sharpening his craft. With a career spanning over thirty years, he says that the characters, themes, setting and coworkers on Into the Badlands continue to inspire and motivate him.

http://blacknerdproblems.com/sherman-augustus-badlands-talks-film-football-acting-black/

@@

Related image

Here! Have some more Donald Glover think-pieces. It seems that every couple of months there’s some new artistic piece from a Black artist. We just sat through Black Panther, and then came Beychella (which I watched online), and the release of Glover’s video was a nice addition, marking 2018 as one of the “Blackest” years ever.

Jim Crow began as mere pop culture entertainment at the expense of America’s freed slaves and became the means of their oppression. The term “Jim Crow” became so pejorative this country’s apartheid separating Africans and their descendants from white Americans its name. pic.twitter.com/IEwLwfB2i4

http://www.indiewire.com/2018/05/justin-simien-analyzes-donald-glover-this-is-america-1201961450/

http://www.thisisinsider.com/this-is-america-music-video-meaning-references-childish-gambino-donald-glover-2018-5

https://thegrio.com/2018/05/07/this-is-america-5-powerful-messages-that-will-stay-with-you-long-after-your-donald-glover-hangover/

http://time.com/5267890/childish-gambino-this-is-america-meaning/

https://www.theatlantic.com/entertainment/archive/2018/05/this-is-america-childish-gambino-donald-glover-kinesthetic-empathy-dance/559928/

@@

Image result for invasion of the body snatchers gifs

Here’s an incredible review of Kaufmann’s 1978 remake of  Albert Finney’s Invasion of the Bodysnatchers. This is one of my all time favorite alien invasion movies, and although I did a film comparison of all the Invasion movies, I have yet to do a complete analysis/review of this one. I got some thoughts, ya’know! 

Like the remake of The Thing, it is a near perfect example of Science Fiction Horror. There’s not one wrong note of dialogue in it, the acting is superb, and the setting is perfect for its message. 

In a more thrilling flourish, Kaufman channels Alfred Hitchcock by cutting back-and-forth between pod people following Matthew and Elizabeth on a city street; as the two speed up, their clacking exaggerated for effect, we see the feet of their pursuers speeding up in unison, until both reach a sprint. 

https://deepfocusreview.com/definitives/invasion-of-the-body-snatchers/

@@

This has been sitting in my Pocket page just waiting to be deployed. The whole thing just tickled the hell out of me.

Animals That Look Like They’re About To Drop The Hottest Albums Ever

Obviously this is Country music (The chicken, tho’!)

The Up-And-Coming Music Legends

 

He ’bout to drop that hot new Mixtape

 

 

I swear to gob, these two look like Hall &Oates

 

That hot new Norwegian Emo Band, or The Verve. Pick One!

 

This is that new Rock band with the twin guitarists

The Band With The Twin Guitarists

 

 

There’s a whole bunch of these gothic looking pet pictures all over the internet. I’m still finding these deeply hilarious…

@@

 I actually love the Marvel Cinematic Universe, despite all my bitching. It is an unquestionably visually stunning place to visit, and even the worse movies in the MCU look gorgeous. They also look all of a piece, as if they really all belonged in the same world.

I grew up reading Marvel Comics. In fact, those were the first comic books I read (starting with Conan and Red Sonja.) I wasn’t thrilled when Marvel started pumping out these movies, but only because I hadn’t read any of the individual character’s books, and wasn’t particularly interested in their standalone movies. I was not a Captain America, Iron man, Ant Man, or Black Widow fan. I knew all these characters because they were in The Avengers, and I read all of those books. I dutifully watched the first few movies, not especially enthused, but cautiously interested. I didn’t get excited until the first Captain America movie, which turned out to be surprisingly good, and The Avengers movie clinched it. 

I still haven’t watched all the movies. I skipped the first two Thor movies, and the first Iron Man. I never cared about Ant Man, and never will, I’m betting, although I am a big fan of  The Wasp (from the comic books), so I might see that movie.

Here are some of the better MCU music videos on Youtube. This was one of the first ones I saw. Not all of them are this good, but the editing on this one, was astounding.

 

I liked this one because it includes everything in the MCU, including all of The Defenders, all except Blade (which really should have been included, along with the X-Men and Wolverine films, even though they’re not part of the MCU. Yet!)

 

 

I skipped the first two Thor movies. I watched maybe the first thirty minutes of the second one before I fell asleep. I did enjoy this last one because I knew the director, Taika Waititi, from What We Do in the Shadows, and I trusted his film making skills.

 

 

This video was pretty good too. The editor of this one was nice enough to include  action parallels from the different films, something which helps to reinforce the idea that these movies all take place in the same cinematic world. I do object to the music of this one. I just dislike the song, and  would’ve chosen something more energetic.