Talking About Stuff On The Interwebz

On Watchmen

I had so much love for this show! Too bad its not going to get a second season, at least not according to the showrunner, which makes me only mildly upset, because really, its better to go out on top, then to dribble off in shame. Lindhelof says that what we saw is all of the story, and he doesn’t have any ideas for a second season, although he has given HBO his blessing to continue the show without him. I would prefer that the show simply end now, to  introducing a new and mediocre showrunner, for the second season anyway, which is the problem that American Gods has run into.

American Gods  should have just stopped at season one, with Bryan Fuller who, no matter which shows he works on, is just really hard to top. The same thing happened with ST:Discovery. On the other hand, if HBO  wanted to bring in Fuller, for a second season of Watchmen, I would be totally on board with that. The show is so rich, I just know he’d do some awesome work with it, but as it stands HBO isn’t looking at a second season right now, and the show has not been renewed.

Related image

https://www.newyorker.com/magazine/2019/12/09/the-incendiary-aims-of-hbos-watchmen

 

https://www.dailydot.com/parsec/hbo-watchmen-hooded-justice-costume/

https://www.slashfilm.com/watchmen-and-race/

https://themuse.jezebel.com/god-is-black-and-nobody-batted-an-eye-1840460304

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On Black Film

The first link is a list of 84 films that starred or were directed by women of color.

The second link is an article about why Black art and film criticism requires diversity. Because really the only people who can cogently discuss aspects of the culture that are represented in art, are Black people. Its not that white people don’t have opinions, its just their opinions carry less weight because most of them just don’t know enough about Black culture, to be able to speak on it, with any clarity.

And finally, a video on why we need to make more movies about Black people just being happy, and living our lives, without some criminal or racial crisis involved.

Image result for black joy

https://www.indiewire.com/t/directors/

https://wearyourvoicemag.com/entertainment-culture/all-black-art-deserves-valid-critique

 

http://blackyouthproject.com/waiting-wakanda-black-joy-film-epic-resistance/

 

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On Horror

Here are a number of opinion posts from The Artifice, on the subject of Horror and its themes. I’m going to urge everyone to visit the site, as it contains some of the best film writing and criticism on the internet. There’s not a lot of diversity, the people there pretty much stay in their lane, and are not professional writers for the most part, but its far better than a lot of the Bro’tube videos about pop culture.

https://the-artifice.com/wrong-turn-2003/

 

https://the-artifice.com/maternal-horror-films-dysfunctional-mother/

 

https://the-artifice.com/silence-horror/

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And from Medium.com

I can’t link to Medium articles here ,but here are some titles and authors to look for, should you give the place a visit. And be sure to check out my last post about Horror movies set in the suburbs.

Recently, Stephen King weighed in on the issue of diversity at the Oscars. (There isn’t any.) Considering that this is the same man who insisted on putting at least one magical negro in every single one of his earlier novels, (and a couple of his more recent ones, too), he really should have just kept his opinion to himself. In all fairness though, after he had the situation explained to him, he did backtrack a little bit on his statement.

Stephen King Needs More Black Friends

As decades of his Black characters show, one tone-deaf tweet is the least of his problems
Also:
One thing that is deeply funny about this topic, at least for me, is that I actually have met, what I like to call, “Magical Negroes” in my own life. Several times, Black people have shown up to help me with some issue, and then afterwards they disappeared for me to never see or hear from them ever again.
I was practicing for my driving test one day, in an empty parking lot near my house, and some guy (who was, as King would probably say, “four sheets to the wind”) came along to teach me how to parallel park, and how to back into a parking space. This went on for a while, and he was incredibly helpful, for someone who was very probably drunk. I went home afterward, but I never saw that man in my neighborhood again, although to be honest, I’d never seen him before the event either, and I’m reasonably familiar with the people in my neighborhood. This has happened to me several times in my life. Strangers who show up, help me do something, and then disappear, and well… I have questions!

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On this subject, I said in another post, that this is what fandom has devolved to, at this point, where media consumers have become so toxic, that they think they can just harass the actors they don’t like, off social media, since it worked in a few cases. But I have to ask, what do any of these campaigns gain from  this? Although such people are incredibly loud, there simply aren’t enough of them, in population size, to affect the bottom lines of any of the corporations these actors work for. Their fleeting victories, sending actors off social media, and downvoting movies on Rotten Tomatoes, and Netflix, are just that. Fleeting, and ultimately unimportant.
Not only have they engaged in harassing movie actors, they have harassed other fans who simply don’t agree with them, (which is separate from the racism and misogyny that normally goes on in fandom). The vast majority of people (and this is just the ones who watch these movies), know nothing about what’s going on, what these people have been doing (beyond what’s been reported in mainstream media), or even why its being done.
These “fans” have accomplished nothing, but have become so used to bullying actors off the internet, that they were really surprised that Boyega didn’t leave, and they most certainly believe they are more influential than they actually are. In fact, like the strong Black man he claimed to be, he stood his ground, took no shit, and clapped right back at them, so that now the White women who started this beef with him, by personally @ing him, on his Twitter account, are  now whining that he is hurting them, somehow! It’s all perfectly batshit, and also completely useless. He still has a career. He’s still going to be working, and now that he no longer under contract with Disney, he can say what he wants on social media, with a freedom he didn’t have before.
I asked Nicole (the writer) if I could have her permission to post an excerpt from her Tumblr blog here, and she kindly gave consent. If you’re not familiar with the complete White Feminism Racefail of 2020,  here’s a decent rundown of those events.

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John Boyega and the Racism of Fandom

A look into the harassment John Boyega has faced at the hands of rabid Star Wars fans

Everything came to a head not just with John’s post about how he felt about Reylo, but he posted a video on his Instagram. In the video, it shows Boyega responding to his harassment by attacking the responses. Instead of realizing they were wrong, many Reylos started to accuse him of bullying them. It didn’t matter if they were the ones who replied to John with racist, degrading comments and it also didn’t matter that the comments they made were public: they couldn’t be held responsible. it’s John’s fault for not taking abuse silently. Some people are so upset about this, they’re already planning smear campaigns for his upcoming movies.

Back Down Memory Lane…Again

Cleopatra 2525 (2000-2001)

Even though I watched this show for its entire two season run,  I don’t actually remember a whole lot about this show, except that it was cheesy, cheap, and starred the modern Goddess, Gina Torres, She of the Divine Facial Features. Perhaps that’s all one actually needs to know about this show to be intrigued.

This was girl-power before such a phrase existed, or rather, somewhere around the same time that it came into being. The term girl-power has been around for a very, very, long time. I remember it being mentioned on The Powerpuff Girls, when I watched that show with my baby sisters, when they were, in fact, actual babies!

Anyway, the basic plot is that the young blonde girl, whose name is actually Cleo, although she’s not important while standing next to Gina,  was an exotic dancer, who got put in a Futurama type situation, where she wakes up so far into the future, that the world has become completely unrecognizable to her. She joins these two young women who are fighting against some type of totalitarian authority that likes to use drones, cameras, and an evil clown type guy to oppress them. Its really is kind of like Tank Girl meets Futurama meets Charlie’s Angels, as there were at least some good action scenes.

Once again YouTube has full episodes of this show, so check them out and let me know what you think, unless of course, you are going to argue against the beauteous divinity of Gina Torres, in which case you can keep that shit to yourself!

 

 

Special Unit 2 (2001-2002)

Not to be confused with Special Unit, which was your standard police procedural, this is Special Unit 2, a standard police procedural starring paranormal creatures. I remember eagerly looking forward to this becasue Buffy the Vampire Slayer was airing around the same time ,and this was a cheap, funny knockoff blend of that and a cop show.

The show really didn’t take itself at all seriously, it was zany and cheesy, and actually pretty funny. Or rather, it fit my idea of deeply funny, at the time I watched it, since I was just a kitten then. I don’t know that my humor has changed all that much, but I’m about to find out, as I plan to watch it again, since a lot of the episodes are available for free, on YouTube.

The show is about Nick and Kate, two seemingly regular cops who are part of a special unit of the Chicago PD, who deal with things like dragons, unicorns, elves, and gnomes, while trying to keep these creatures a secret from the rest of society. Needless to say, a lot of lying is involved. The show really did try to mine the Buffy and X-Files shows for some of its plots, and occasionally got a little serious too, although there was a lot of it that was played for laughs, including a gnome type character who worked in the office, and specialized in being a thief. I remember really enjoying the acting on this show, which was played very tongue in cheek by both Nick and Kate, with surprisingly little of the “will they-won’t they” dynamic that seemed required of such shows.

In fact, of all the characters Kate was probably my favorite, next to the, highly irreverent Carl, the Office Gnome. The show was interesting because Kate was the show’s regular everyperson, who stumbles onto some grand secret of the world, and is the audience’s stand-in, as we learn about this world at the same time, and this was probably why I liked her, since female, audience stand-ins, are kind of rare in this genre.

 

 

Haunted

I remember really liking this show, at the time, because there really wasn’t anything else like on the air at the time, except maybe Millennium, and the X-Files, and Angel, and even those shows attempted some occasional lightheartedness. This show did none of that. It remained horribly gloomy right up until the end of its seven episode run, and the dark gloominess of it was probably why.  There was almost no color in this show, except for the presence of that one Black guy these shows had to hire, to reach compliance for diversity back then. The show starred Matthew Fox, before he became famous for starring in the show Lost. I did not understand his appeal in that show but I did get the whole brooding loner thing in Haunted.

Matt Fox is a private detective, named Frank, who once got killed by a serial killer of young boys,  who now hunts for missing people. Oh, and because he died that one time, he can now see ghosts. Specifically he is haunted by the spirit of his own missing son, whose disappearance caused the collapse of his marriage, and he can also see the spirit of  the serial killer, Simon, whose accidental  death he caused, which also cost him his job. I loved the show, and it was largely because of the presence of Matthew Fox’s acting skills, and the cinematography, because the show was gorgeous, with lots of black, grey, and rain.

I managed to find a couple of episodes on Youtube, which is where dead shows go, apparently, and I’ve actually re-enjoyed the couple I watched.

 

 

Reaper

This was another show that I remember was a lot of fun. Not so much for its first season, but in the second season the show made a  u-turn, and kicked the plot into high gear. The writing got better, and the characters were energetic and fun, unlike the first season where the actors tried to take things a little too seriously for the silliness of the plot.

It starred that guy from Tucker and Dale Vs Evil, Tyler Labine ,who was the sidekick of the lead character, Sam, a slacker who had  somehow been  coerced into collecting souls for Satan. I don’t remember liking Sam very much in the first season, but in the second season things got better when he found out the reason why he’d been chosen to be a Reaper was because he was Satan’s son, with Satan being played by the most excellent Ray Wise, who for some reason, was named Jerry. I remember thinking Wise was waaay out of league for this show, becasue he made what was otherwise simply a “meh” show, a very good one.

Despite Sam being the son of Satan, he continued to be whiny and incompetent at his job, and was most often saved by his accomplices, an ex-girlfriend from school, and Tyler’s character. Strangely, it’s often Satan who comes off looking sympathetic in this show, even while committing what are clearly evil acts, or acts that are at least deeply annoying ones for Sam. He and Sam used to have interesting discussions about the nature of Heaven and Hell, and why Satan can’t eat ice cream.

 

Witchblade

This was a very short lived series based on the comic books. I had actually been reading the comics right before the series was announced so I was very excited to see what they were going to do with the show. The trailers were intriguing and I liked the actress Yancey Butler, who I had last seen in the movie, Hard Target, years before. The show proved to be not as exciting as the trailers lead me to believe. The actng was fine, but the plot didn’t actually seem to go anywhere, and some of  had nothing to do with what I read in the comics. On the other hand, there were some hot guys in it, so there…

I feel like I need to explain what the Witchblade is to people who have never even heard of it, since this show has been off the air for almost twenty years, and has largely been forgotten except by its die-hard fans. Its a mystical gauntlet, suit of armor, that’s intelligent, chooses its wearer, and forms a partnership with them. They can hear it speaking, although I saw no evidence of this ability in the show. It was an extremely powerful McGuffin, that all of the other characters seemed to want, even though those who werent worthy of wearing it could potentially lose their arm.

Now we need to talk about the actress Yancey Butler. This is complicated because for the past twenty years, she’s had some substance abuse issues. At one point, getting arrested for passing out, and crashing her car, after which she was ordered to enter a rehabilitation program. I had to read about that on her IMDB page. She has started acting again (and is as beautiful as she ever was despite all her troubles), and is active on Twitter now, which is how I heard about her newest movie. At any rate, her problems didn’t start with the show, and I distinctly  remember reading about some of the problems she had  on set because of them.

Yancey,  like  countless women before her is a beautiful woman who developed substance abuse issues while working in Hollywood. I don’t know for sure if this was a problem before she started work as an actress, but I do know that Hollywood is a toxic place, that regularly chews up young actors, and then spits them out, severely damaged. And after #MeToo brought this knowledge into the mainstream, in a different way than before, its very difficult for me to believe that sexual assault and sexual exploitation doesn’t have at least some role to play in the massive amounts of substance abuse that we see in its participants. I sincerely hope that was not the case with Yancey, that she has gotten the help she needed, and worked past her demons.

 

 

 

 

Kindred: The Embraced

This show was loosely based on the role playing game, Vampire The Masquerade, which I never actually played, although I did read a few of the guide books, so I knew a lil’ sumthin-sumthin’ about that universe. So when I say it was loosely based on it, I mean exactly that. The show was pretty damn loose. So loose,  that all it seemed to have in common with the game, was its vocabulary. It was like someone read the books, but then  decided to base the show on a school book report about those, instead.

That said, I actually, sorta, liked the show. It was bad, yes, but it also had some really intriguing shit in it that kept me watching. Since the show only lasted 8 episodes, I guess other people felt the same way. Its not that the show was awful. It had some great characters in it, but it did have some terrible acting, and the plot became more convoluted with each episode. I guess the closest I can get to describing it is a Vampire Godfather, as it involved clashes between the various vampire clans in a city, along with their rulers, followers, and hangers-on. All of which has something to do with a renegade cop, named Frank, who stumbles across their existence when he falls in love with a female vamp.

The lead character was Julian Luna, played by Mark Frankel, who I thought was Latino, then later believed to be Italian, but turned out to actually be English. I found him interesting mostly because I thought he was pretty, and had a very nice voice. The best character was a member of Clan Nosferatu ,who are very old, deformed, and look somewhat batlike, with talons, long teeth, and pointed ears. Daedalus, as he was called, was played by one of my favorite actors, whose name I forget now, but that actor performed like he was in a Shakespearean play, while Luna acted like he was in the movie The Godfather III, and Frank the cop’s girlfriend, busily being extra, acted like she was in a Gothic soap opera. So the acting and dialogue was all over the place, but it best written for Luna and Daedalus.  I do remember the two had frequent conversations with one another, and that I looked forward to the times when they were onscreen together.

Whenever anyone else was onscreen, the dialogue and acting were cringeworthy at best. There were a couple of star struck young lovers from different clans, who were abysmal in their acting, especially, and I had to look this name up, Brigid Walsh, who played the human descendant of Julian, named Sasha Luna. Dear Jeebus! she was awful, which was not helped by her horrid dialogue. She played that role, as  someone who had perhaps heard of “acting”, by rough description, like she was playing the role of a  “professional angry-face” Model!

I would also like to offer my  apologies in advance for subjecting y’all to these images. Trigger Warning for: music video bad attitude, smirking, sniping, sarcasm, general batshittery, and horrible acting.

 

But the cancellation of this show seemed inevitable,  as soon after, or just before, that happened, Mark Frankel died in a traffic accident, while riding his motorcycle. I distinctly remember the reporting of this on the news,and  feeling some type of way about it.

The State of the Union: Black Entertainment Television 2010- 2020

TV has experienced something of a Black renaissance in the past ten to fifteen years. Its not perfect, but it is pretty darn good. For every questionable depiction of Blackness, there’s at least a couple of good shows, that get it right, or is at least trying to get it right, and in the last three years television shows which prominently feature Blackness, as a subject, have exploded into American mainstream consciousness. iI is a relief to note that not all of these are comedies, an area which has had a preponderance of Black shows, however there still needs to be improvement in representation, because there is still too much emphasis on crime and criminality.

Here’s a list of the most prominent shows with all Black casts, major Black characters, and /or creators and writers. This is not a complete list, and its possible you may not find your personal favorite here, but I tried to be as thorough as possible. The Starred shows are the ones I am watching or have watched. I did not include reality shows or talk shows, as I don’t watch any of them, and know nothing at all about them. For the record, though, just because a show doesn’t have a * doesn’t mean I know nothing at all about it. I try to keep track of as many Black shows as my mind can keep up with, so I end up knowing at least a little bit about a show, even if its just the show’s premise.

Some of these shows are still on the air, some are in their first seasons, others in the second and third seasons. At least a couple have been canceled, while others concluded their run as their creators moved on to new projects.

*Atlanta – Now entering its third season.

Underground – Canceled

*The Watchmen – Will only have one season.

*Raising Dion – Will be returning with a second season

*Desus & Mero – Still on the air

Queen Sugar – Still on the air

*Key and Peele – Finished its run.

*Black Lady Sketch Show – Just finished its first season.

Scandal – Finished its run of seven years.

The Game

Dear White People – Aired on Netflix

The Boondocks – Finished its run

*American Gods: Season One – Readying for its third season, has run into some major issues.

How to Get Away With Murder – Has been renewed for a sixth season.

*Black Lightning  – Now in its third season, airing on the CW.

Power – Aired on the Starz network for six seasons.

Claws – Has been renewed for a fourth and final season.

Being Mary Jane

Insecure 

Orange Is The New Black

The Haves and the Have-Nots

Black*Ish

Empire

This is Us

*Pose – The only show which prominently stars actors and characters who are are transgender. Airs on FX Network

All American

Snowfall

The Chi

*The Get Up – Now canceled. Airing on Netflix.

*Random Acts of Flyness 

Dear White People

The Last OG

Greenleaf

She’s Gotta have it

*Cannon Busters  – Airing on Netflix, futuristicanime with an entirely Black cast.

 

I  “cut the cord” and no longer have any cable channels. However, I do have a Firestick, and know how to torrent. What that means is that I know longer watch shows as they air, and only watch them whenever I remember that they aired. This not changes the output of when I talk about a show, but what shows I will be talking about.

 

Tumblr Hot Takes

I’ve been on Tumblr for a while now, and I’m still not tired of it. Here are a few hot takes about various subjects.

On Acting

Image result for mediocrity

sc*rjo made more than 2 facial expressions for the first time in her career and got a leading actress nomination meanwhile lupita played 2 entirely different people in the same movie and got snubbed.. shut it down

 

People in the comments are missing the entire picture.

It’s not as simple as ScarJo getting nominated and Lupita not and it’s not about our “fave” vs your “fave”.

Scarjo was nominated for playing a normal, regular woman whose relationship breaks down. Haven’t we seen this before? I think it was Revolutionary Road with Kate Winslet and Leo DiCaprio. Before that it was The War Of the Roses with Kathleen Turner and Michael Douglas, before that it was Kramer vs. Kramer with Meryl Streep and Dustin Hoffman, all of which were nominated for various awards from the Bafta’s to the Golden Globes to the Oscars… the point being, we’ve seen this role over and over again, the actress just changes.

Lupita literally played TWO SEPERATE PEOPLE in the MOST ORIGINAL MOVIE OF 2019 and was shafted. A very limited group of actresses could have pulled off what Lupita did in Us. Horror or not, she put on a better performance than Scarjo did in A Marriage Story. Horror or not, Us made $250 million dollars on a $20 milllion dollar budget mostly because of HER performance and she got squat.

One role could have literally been played by any actress.

The other required skill.

But guess who got nominated? Let’s stop celebrating mediocrity.

 

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On Life

 

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On Experiencing The New

Gonna tell y’all what I can hear now that I got my hearing aids

Birds! They chirp and it’s so beautiful.

 

Far away cow moos

 

image
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My friend has this is his back yard and to say I cried is an understatement.

 

My best friends singing voice

 

Chickens: *chicken noise*

Me, sobbing:

The filter for my fish tank! Bubble bubble bubble

 

I sit in the bass section in band. Today I could clearly hear the flutes up at the front! They’re not great, but I can finally hear them!

 

The sound of walking in sand.

Soft but kinda crunchy? Very nice sound 10/10

 

Me playing guitar for the first time. Took the hearing aids out. Not a very good sound… yet

 

Tree leaves in the wind. I got a little spooked at first because it’s 1 am and I’m alone in the park but it’s a real good sound.

 

Bees

Let me say, it was really fucking terrifying walking past the flowering tree in my backyard and hearing zzzzzzzzzzzzzzzzzzzzzz coming from it.

 

“sunlight” by Hozier

I sat in my car alone while listening to it. I knew it would be special but wow, that was a religious experience.

 

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Their hooves make sounds in the grass but they are completely silent. Beautiful creatures. Beautiful sound

 

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Pine needles and pine cones make crunchy sounds!!! Oh my! Very nice

 

Colored pencils make a real nice scratch noise when I’m drawing. I didn’t know they did that

 

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On White Culture

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On The White Savior Trope 

 

 

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On Gay Sarcasm 

Image result for gay men

fellas is it gay to be gay

 

according to historians? no

 

Ugh, why can’t you just let friends be friends? Like where does all the friendphobia stop, I just wanna know. So sick of the societal pressure to bone a bro just cuz he’s sitting less than five feet away from you in the hot tub.

I mean for real, what I wouldn’t give to live in a time like Alexander the Great. When two fellas could just have such a deep and abiding bond of friendship – like, just pure platonic beefcake buddies with No Homo additives, not a single one, not even a vibe – that the King Bro almost bankrupt his kingdom throwing his best bud the funeral to end all funerals. And he owed to never take another bro, so long as he lived.

Like, that’s the dream. Just two dudes being dudes and doing dude things together. Just the two of them. No group hangs. Table for two only.

Both on Earth and in the afterlife, forever after.

Together.

Eternally.

*A moment of silence for the bro-ships of the days of yore, when polishing another dude’s staff of manliness after battle was just like, what a good friend does. Out of respect for his, y’know, battle prowess. And masculinity. And like. His muscles and stuff.*

….But then you guys had to go and make everything gay. Like wtf. That’s so gay, dudes.

 

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On Canada

petition to rename the usa ‘south canada’

 

what about alaska

are we then normal canada

 

canada a bit to the left

 

moniker-padacklyte 

What about South America? Is that just America? Or South South Canada?

winchesterwolves 
image

 

 

 

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From: Lkeke35

On Villains and Fans

This was my hot take on the discussion of fandom sympathizing and excusing pop media villains. I wondered if some of the reason some fans do that is because they identify with the villain, but villains are bad, and associated that villainy with themselves. If that is the case I wanted to reassure them that liking a villain in a movie doesn’t necessarily say anything, in particular, about your morals.

Image result for villains

Somebody needs to let them understand that not only is it okay to like problematic shit, as long as you own it, it’s okay to like the villains. It doesn’t really say anything about you if you like a charismatic villain, but spinning up a bunch of bullshit philosophies about the villain because you feel ashamed to like them is the problem. And trying to cover up your racism (and sexism) by making up bullshit stories about the only PoC in the narrative is what’s our problem.

Nobody cares if you like Kylo, or Loki, but you DO NOT need to hate on the other characters to like them. You don’t need to make your liking of those characters sound like the most progressive thing one can do, by making up bullshit character traits for them that are not remotely evident in canon! We dislike the people who are showing their ass over liking a fictional character. That’s the problem.

I’ve liked plenty of villains over the years. I acknowledge the fact that they are charismatic villains, and I own that shit. That they are darkly seductive or whatever. I liked Darth Vader but I didn’t need to hate Lando Calrissian to do that. Hell I actually love Loki exactly for who he is, an emotionally messed up spirit of utter chaos, who is something of an asshole. I liked Hannibal from the tv series, but I didn’t need to hate Jack Crawford to do that! It says nothing about my character or morality that I find him enjoyable to watch, while condemning his actions. And it’s perfectly okay to like both the good guy and the bad guy simultaneously. Sometimes villains are created for the purpose of inducing such feelings in the audience. They’re handsome, or charismatic or sympathetic.

Plenty of black people loved and sympathized with Killmonger from the movie Black Panther. In fact that’s exactly why he was written the way he was written, to reflect certain thoughts and feelings of the audience, and we didn’t need to shit on T’challa to like him. I really wish these people would understand it’s okay to like the villain.

Unless, of course, your real goal is to express your racial resentment of other characters, and you’re using your love of the villain as a shield to do so…

 

On Getting Old and Tired

My hot take about not getting too excited to watch the latest movie, about Black people, showing how strong they are, by experiencing pain.

Image result for getting old

I’ve been a comic book, sci-fi, and film geek my whole life. I just love good stories, but now I’ve reached the point where if I haven’t read (name some famous black author), it ain’t gonna happen. Not saying I have no need for inspiration, or that such writing isn’t useful, and you do what you have to do, but I’m out.

I’m just damn tired of reading about black pain and misery. I don’t care what the reason is for, or how uplifting someone else thinks it is. It’s a phase I went through when I was younger, but I’m over it, now.

The only thing I wanna read about, and even watch now, is Black  bravery, courage, and joy. Now that I’ve had access to those kind of  stories, I’m spoiled. I want black love, black heroes, and black fantasies. I wanna see us in the future living our best lives. I wanna see us in alternate worlds bringing that black joy. I wanna see us defeating monsters, rescuing Excalibur, and flying rocket ships. I had so little of this growing up, I’m starving for it now.

I’m running up on fifty years old now, and that’s long enough to have traveled painful roads. And I’m really fucking tired. This world makes me shed enough tears. I don’t want tears in my fiction too.

 

On Cash Grabs and Disney

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I’m just saying, it looks really, really, suspicious when the argument about Disney doing nothing but a cash grab only seems to pop up ,from certain corners of the internet, whenever they announce some form of diversity in their latest movies.

To be absolutely fair, there are people who have been making that argument since the beginning of the MCU phase, and I don’t begrudge them their opinion, because yeah, it’s a fucking cash grab. But my counter argument to that is nobody who goes to see these movies gives a flying fuck about how they get representation. They only care that they are getting some representation in some manner. And yeah, it’s a cash grab, because Hollywood is a fucking bizness, which only now, after a hundred years, is starting to realize which side of the bread their butter is on, and the butter is on the side with diversity (and possibly China!) Yeah, PoC are all well aware of Disney’s racist past! You ain’t whitesplaining anything PoC don’t already know. What we have decided is we don’t give a fuck if we get a Black Ariel, a new Blade movie, or the next Black Panther, cuz it’s what we been fucking asking for the past twenty years!

This argument however, doesn’t ever seem to make its way across my dash when Disney announces its latest iteration of “Chris-Somebody Blows Shit Up Real Good!” But as soon as Disney announces that anybody black, or female, or gay, is working in one of their movies, then suddenly people wanna complain about a business trying to maximize its business! What the fuck they suppose to do, appeal to the smallest possible fragment of the American public and go out of business?

 

Generic White Fandom

My hot take on racial issues in pop culture:

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What I’ve observed, is that it’s not white gay men writing any of these characters. I’ve read erotica written by gay men and it is very distinct from fiction written by women. The primary writers of these all these characters are straight white women, (there, I’ve said it!)and there have long been conversations in the lgbtq community about straight women fetishizing white gay men in shipping! None of these fandoms, and we are speaking in the aggregate here, are even half as progressive as they want us to believe and like to hide their toxicity behind a faux-reverence for progressivism! In fact, it’s gotten to the point where I am automatically suspicious of any meta written by white women as I feel certain it will be their ex use to express their resentment of female characters who don’t look like them and any characters of color.

Absolute Fan wanking has finally hit the big f*cking time!

Another one of my biggest pet peeves, however, is the utter sameness of the characters being written, as the poster above says. It’s like these women, whose only knowledge of how men are actually like, comes from reading other stories exactly like the ones they write themselves, or the heteronormative relationships they are in, which they then pretend to sneer at in the source material, and only know three or four templates from which to cull their character’s traits, and they use these traits regardless of what any of these characters are like in canon.

On the other hand, I do like to try to give peope an out. And it’s this: White audiences have no f*cking idea what to do with characters of color. Since they’ve only ever been socialized by a racist pop cultural paradigm which centers white men, they can only ever villainize, or sideline, or make servile, characters of color, since those are the ONLY examples they’ve ever been given, and let’s face it, these people aren’t as imaginative as they like to think they are. Doing nothing more than reproducing the same dynamic that one has seen in decades of the source material, which sidelined characters of color, is not progressive or imaginative at all. And they really have no real examples to work from, either, Especially if their tastes in source material, are as white-centered, and/or truncated, as their ability to write fiction. Writing and thinking in a non-racist, non-sexist manner, requires active thought, and participation, and not simply the use of popular buzzwords!

Now put all that together with racial resentment, misogynoir, misogyny, homo- and transphobia, and their complete and utter inability to acknowledge their own personal insecurities, and you end up with thousands of white women writing a delusional toxic stew of all evil darkies, conniving and/or dumb white women, sassy and servile black women, and white gay men with as much character range as blocks of wood.

Viewing List – November Edition

These are the reviews from things I watched in October and November. I will try to make these as short as possible, but y’all know I’m good at blabbing about TV shows, so wish me luck with that.

 

Dolemite is My Name

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I was kinda excited about seeing this, nevertheless i was surprised by how much I liked this movie, and I can think of no better actor to play Rudy Ray Moore than Eddie Murphy, a comedian I have  always had tremendous respect for, and who really doesn’t get enough credit for all the work he’s done, in the past 30 years.

Now, I have to give a little bit of background here. I grew up in the time period in which this movie is set. I would have been 2 maybe three years old at the beginning of the movie, but I have very distinct memories of grownups being really excited about Moore, and Yes, I did encounter a couple of those racy album covers in my mom’s collection, but I don’t think she knows I remember she was a Rudy Ray Moore fan.

I have a very clear memory of mom, and her then boyfriend, taking us to the Drive-in to watch The Human Tornado, which came out in 1975, and was a sequel to Dolemite.  I would have been five, and my brothers would have been 3 and 4. She would have had the assurance that, since we were babies, we would all be asleep by the opening credits. I don’t think she knows I was wide awake No, I wasn’t scarred for life or anything, but I definitely  remember parts of  the movie, and even some  it’s theme song. I know this is a genuine memory because I have never seen the movie as an adult.

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Anyway, all this to say that this definitely brought back some memories. There are some things about Black culture that only Black people know. I’m gonna let y’all in on a little secret.

Black people have our own stories, which seem to parallel stories from other cultures. Most of them you’ve probably never heard of,  unless you grew up in the culture, or have parents of a certain age, like my Mom. My mom used to tell us stories about the Signifyin’ Monkey, the lion, and the elephant, (only without all the cursing, and never the whole story, since its fairly raunchy.) Probably not the sort of things one would tell one’s kids today, but things were different back, then, and my Mom was kinda weird. It has a pretty long history, too. If you have ever  read American Gods, Anansi tells a story that is directly based on the folklore tale , titled How the Monkey Got the Tiger’s Balls:

Numerous songs and narratives concern the signifying monkey and his interactions with his friends, the Lion and the Elephant. In general, the stories depict the signifying monkey insulting the Lion, but claiming that he is only repeating the Elephant’s words. The Lion then confronts the Elephant, who physically assaults the Lion. The Lion later realizes that the Monkey has been signifyin(g) and has duped him and returns angrily to castrate the monkey, rendering him unable to reproduce.[3]

https://en.wikipedia.org/wiki/Signifying_monkey

http://mogley.tripod.com/monkey.html  

The Signifyin’ Monkey is part of the Dolemite theme song. Since this is a Rudy Ray Moore biopic, there’s a lot of cursin’, and some mild nudity. Its not half as raunchy as the actual Moore, but I think he’d be satisfied with what was shown in this movie.

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I also enjoyed it outside of the nostalgia factor. There’s a scene, in the early part of the movie, where Rudy encounters a plus size woman whom he recruits into his comedy troupe. This woman later  became known as  Queen Bee, who was every bit as raunchy in her style of comedy as Rudy. The story is arranged in such a way that you’re meant to cheer Rudy as a driven, hard working man, who triumphs against the small minds of others. Needless to say, most comedians probably couldn’t get away with most of the comedy routines, in this movie. The seventies featured a lot of new culture, that we take for granted now, and one of those things was raunchy Black comedians.

There were plenty of Black comedians before Rudy, who said some fairly racy stuff, but they mostly worked what was known then as The Chitlin’ Circuit, which were a collection of venues where only only Blacks could perform, since they still, even in the seventies,  considered too raunchy to play in the mainstream (i.e. White ) circuits. Rudy was one of the first of these type of comedians to go (sort of) mainstream, in that even White people heard about him, although he still would never have been invited on The Johnny Carson Show. So, the movie is one of those low key inspirational films, about overcoming racism in Hollywood. The first half of the movie is very caught up in people telling Rudy “no” , telling him what he can’t do, or making fun of him for wanting certain things, and Rudy going off to do those things anyway.

I have since learned that Eddie Murphy has received a Golden Globe nomination for this role. but I don’t think he will win. He does some great work here, but its not the best work he’s done, and really, I thought it was a walk in the park for him. He can play this type of role in his sleep. But I did enjoy watching him, because his charm makes the occasionally cringey plot, very watchable.

 

The Mandolorian

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I am loving The Mandolorian, and not just for the Baby Yoda scenes. (No, that isn’t actually Yoda, but some distant descendant, since this series is set after Return of the Jedi.) This series is full of some of the classic themes we expect from Star Wars. George Lucas has said the original Star Wars was based on the works of Japanese film Director Akira Kurosawa, most specifically, Seven Smaurai, and you can see some of the influence here.

In fact the series heavily reminds me of the Japanese Manga called Lone Wolf and Cub, in which an itinerant samurai, a ronin, wanders the Japanese landscape, with his tiny son, searching for vengeance, and  getting into various adventures. The only differences between that, and The Mandolorian, is the son doesn’t have force powers, isn’t on anybody’s wanted list, and isn’t half as cute as Baby Yoda. The show takes care to focus on the relationship between Mando and Baby Yoda, too. There are a lot of really cute moments between them, and the public seem to have really taken a shine to the little guy, much the same as his adoptive Dad.

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Its also a classic story about a character’s personal growth.  Mando starts out as a bounty hunter, who is just there for the work, so he can buy some new armor, but makes the decision to take the baby and run, rather than deliver him/her to his clients. There are larger mysteries which haven’t been answered yet, like who exactly is the Mandolorian, why does everyone want the baby, and where did this baby come from.

The production values, the costumes, acting, and special effects, are all top notch. It really does have the look and  feel of one of the movies, which makes it very easy to watch, although this luxury comes at the expense of the episode running times, which never get beyond 45 minutes. I can live with that, especially since the action scenes are the highlight of the series. In one of the earlier episodes, there is a full on fight between a team of Mandolorians and the various ne’er do wells, and criminals, on the planet on which they’ve all been hiding out. When CG is used, its mostly for the creatures, and action scenes, and is largely invisible, as its supposed to be.

 

 

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War of the Worlds – BBC Version

 

There have been umpteen different versions of this show. A book, a radio program that, as it is rumored, gave some people the shits back in the thirties, as they thought it was real, several movies from the fifties to the nineties, one of which starred Tom Cruise, another TV show, and now this.

Its a three part miniseries from the BBC, and so far I’m really liking it. Its got some nice production values. You can see where the money went in this one. The special effects are well done, and not that usual cheap TV stuff you sometimes get in big idea shows, and the show, quite frankly, looks gorgeous. The acting is acceptable,  although the only actor I truly recognize is Robert Carlisle.

And this show is not fucking around with its theme. H.G.Wells wrote the novel as a reaction to the British annexation of the Congo, and the atrocities that were being committed during the colonization of India. He wrote a book about the violent colonization of England by a superior technological force, as a condemnation of the British Empire’s activities, and the show makes this connection loud and clear, right in the opening credits. In the first fifteen minutes of the show, you hear characters having conversations about the might of the British Empire, and how wonderful it is to live in such a powerful country. By the end of the first episode though, the Martians have shut that talk down.

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There’s also some melodrama involving the two stars of the show, Rafe Spall, the brother of Timothy Spall, as a fellow named George, and Eleanor Tomlinson as his paramour, Amy. The two  are madly in love, but cannot be together, because George’s  wife refuses to divorce him, She hates him, and wants to remain married to him just to spite him. The family is scandalized, his older brother,  is outraged, and the  the rest of the community don’t know how to think of this thing, where the two of them are living together, unmarried. Plus Amy is pregnant.

I was not initially interested in the melodramatic aspect of the show, but the show does this thing, where it flashes back and forth to the future, after the alien invasion has been conquered, but the Earth is a literal hot mess, because the aliens weren’t just there to invade, they were terrraforming. Amy is wandering through the red deserts of what used to be England, with her young son. She has been separated from George for a long time, but still holds out hope of finding him. I didn’t care, at first, but I decided that I liked the characters. At least, I liked Amy, and that seems to be enough for me to start to care the rest of it.

The show opens with her and George witnessing the launch of the ships from Mars. Its a little different from the movies, because the ships look like meteors as they land, and that’s hat people think they are. They look like black globes that float off the ground, and are capable of setting people on fire from a distance. The tripods break out of the ground after the globes explode, and start their rampage, although the tripods aren’t so much interested in annihilating people, as they seem to be in seeding the planet with various gasses and chemicals. Like I said, this is not an invasion, exactly. They are transforming Earth into another version of Mars, and if you look at the flash forwards, their mission seems successful.

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I did have some criticism about characters doing stupid things, but this is only because this is one of those situations where the audience knows more about what’s going to happen than the characters do, so there were a lot of instances where people are standing around looking at things, while I yell things like ,” Get the fuck out of there!!!!’, and, “Run!” There are  various government officials who act like the mayor from Jaws, and simply bluster uselessly at the reports they’re getting from other parts of the country, about the annihilation of entire towns, even though the city is filling up with refugees from those areas. The British are so full of themselves about the initial events, that I have to admit, it was a bit satisfying watching them get their asses handed to them by the Martians, which point the show is trying to make. Basically, the show is saying that the British “ain’t all that!”

There are lots of closeups of boiling ant colonies, along with images of English people living their best lives, not unlike the ants, walking the streets of their mighty London, and looking quite busy, and the tripods themselves look very insect like, such that there is a connection being made between the idea of  invasive species, and the colonizing aliens, and that what is being done to England by the Martians, England is currently  doing to other countries, and been quite proud of themselves for it. We know the English are proud of their activities, but we don’t get any idea how the aliens feel, though. There are scenes where people touch the black globes that have dropped to Earth, and see smeary lingering images of their hands and faces, in the glossy sheen of the alien device, in a very,  “We have met the alien, and they is us.” type moment. So yeah, the show ain’t being  coy regarding its critique of British empiricism.

The setting for the various iterations is England, at the height of the British Empire, when it was engaged in the violent colonization of different countries. The English were largely brought low after WW2, (look up London Blitz), so its interesting that the first American version showed up in the fifties, (1953), when America, having won some victories during the war, (and starting to feel itself to be the shit) began engaging in its own world dominance behavior. (Before the War, America pursued an isolationist stance.) The 1953 version, (and subsequent invasion movies, like Strange Invaders, and Independence Day), were not about the humbling of America, so much as they were  America conquering some  great enemy, against all odds.. The 2005 version is a response to 9/11, where its made clear that the alien invasion is a stand-in for the terrorists, and America doesn’t triumph, so much as get lucky.

Not all alien invasion movies are violent. Some of them are enlightening, like 2001, and/or  hopeful, like Close Encounters of the Third Kind. This series is in the truest spirit of the book, however, which was a rebuke to British hubris.

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* https://www.post-gazette.com/ae/movies/2012/06/13/Behind-the-fiction-lie-factual-themes-in-alien-movies/stories/201206130200

Once they were analogies of the Cold War or Vietnam. Sometimes the underlying theme is corporate greed, environmental destruction or fears of technology supplanting humans. The movies feed on public fear of enemies from abroad, which in today’s world, he said, could even include mortgage bankers.

New TV Trailers (November 2019)

Per my usual announcement, whenever I make these posts, some of these I’m excited for, and some a little less so, but I hope to be able to watch most of them.

 

Doctor Who Series Twelve (2020)

I really enjoyed having a lady Doctor, mostly because she heavily reminds me of a cross between David Tennant, and Peter Capaldi ,and I’m not sure if that’s on purpose. I could have done without a few of the episodes, in that the writing, and story, wasn’t the best on at least a couple of them, but there were at least a couple that stood out too, and since we have a new crop of writers this season, I’m looking forward to what they’re going to do. At least the trailer looks exciting.

 

 

 

 

Antelbellum (2020)

No one knows anything about this show, movie, or whatever. I’m intrigued by the trailer though, and I really like Janelle Monae, so I’m going to check it out. Jordan Peele is one of the producers on this, so it should be an interesting story, even though I generally try to avoid slave narratives, because I’m really, really, tired of them. However, if someone has a clever way of approaching it, I’m willing to give it a try..

 

 

Hunters (12.15)

This airs on Amazon Prime next month, and I’m looking forward to it. Its about a clandestine group of Nazi hunters, and its set in one of my favorite fashion decades, the seventies.

 

 

 

 

V Wars (12.5)

I don’t know what to think or feel about this show. I want to like it, but I’m not a fan of the lead character, and TV has messed up too many vampire shows for me to feel at all confident about this one. I have read some of the books this is based on, and I wonder how closely the show will follow them, which chronicles a breakout of vampirism in America, and it will destroy society, unless humanity wipes it out. I’m not a huge fan of the book series, either, mostly because I didn’t like the writing style. I want to like this though, and I’m going to give it a try.

 

 

 

Lincoln (1.10.20)

For some reason, I was really excited about seeing this. I do not normally seek out cop and detective shows, but I like the books this character is based on, and I liked the movie, which starred Denzel Washington. Some things I’m just not attracted to but if it has an interesting twist, has a diverse cast, or an actor I’m especially fond of, I’ll at least try it.

 

 

 

 

The Outsider (1.12.20)

This is another show based on a Stephen King novel, called The Outsider. I liked the book okay, although I don’t think it’s one King’s best. It did keep me intrigued, though. If you haven’t read the book, I’m not going to give away one of the plot details, on which the initial mystery is based,  which is classic  King, however. Also, if you are a fan of Holly, from the Finders Keepers series, she is one of the major characters in the book, which almost counts as a standalone adventure for her.

 

 

 

The Neighbor (12.31)

Okay, this looks and sounds almost exactly like the plot of the 80s show, Greatest American Hero, which starred William Katt, in which an alien crashes to Earth, and gives  special artifact to some nobody who happened to be close to the crash, which gives him superpowers, which he then has to navigate without any instructions. I’m not especially excited about it, but the trailer looks really cute, and its on Netflix, so it will be easy to check it out.

 

 

 

A Christmas Carol (12.19)

Every couple of years someone has to make a new version of Dicken’s classic Christmas story, and quite frankly, even  I’m not immune to a sappy, holiday story about the redemption of an asshole. I used to read this book every year, and I’ve missed a few, so its probably time to break it out of the mothballs in my closet, and read it again.

 

October Viewing List

Raising Dion

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I binge-watched this entire series last weekend. While it wasn’t entirely what I expected, it wasn’t bad, and I will be back for a second season. It was a pleasant series, not as intense as I thought it would be, pretty fun in a lot of places, with the occasional thrill of tension  in others.

I did go into this with some assumptions based on the trailers. I thought it was going to be a straight superhero origin story, but it turned out to be as much about Nicole, his mother, as it was about Dion.

Nicole was a  professional dancer, now turned single mom, after the death of her husband , and she and Dion have moved to Atlanta. Nicole is one of those people whose life always  seems to  careen from one disaster to another, and when Dion develops superpowers, that just complicates her ability to find and keep a job. When we first meet them, she is still job searching, with the help of her older sister, and she still has not yet told Dion that his father is dead, and won’t be coming home, which is rather heartbreaking. (She eventually gets around to telling him.) Dion’s dad died under mysterious circumstances, and Nicole is still in  mourning, while her sister and her girlfriends do their best to console her.

 

The show mostly turned out to be a mystery, and not the government thriller I thought it would be, as Nicole delves into how her husband died, while he was  working for a Biology corporation. She’s spurred on this journey by Dion’s development of powers, so while trying to figure out how Dion got powers, she is also trying to find out what happened to her husband.

I wasn’t into the plot too tightly, but I did enjoy the secondary characters, like her husband’s best friend, Pat, who starts out  endearingly dorky, and obviously crushing on her, and  great as Dion’s godfather. Later in the series, his story changes, and I wasn’t ready for that ,and I was kinda mad about it. Her sister is one of those likable/unlikable people, who at first, seems super critical, but will totally ride or die for her little sister, which made me like her more. I liked these two characters okay, and Nicole was okay too, although I could have done with a lot less dancing in a couple of the episodes.

The two stand out characters for me though were Dion and Esmeralda. The actor playing Dion is as cute as a button, and Dion is imaginative, and kindhearted, which goes a long way with me. Esmeralda is a gem ,and that actress reallt endeared herself to me. Esmeralda is especially smart and insightful and I was glad to see that the show didn’t focus all her personality into her disability, but it does inform certain aspects of her personality.

Esmeralda uses a chair, and when we first meet her, is around the time that Dion discovers he has powers. He declares that he is a superhero, but Esmeralda reminds him that he isn’t a superhero yet, and has to earn that title. One of the things she says about herself is that she can turn invisible, and this is important, because people’s disregard of her allows her to be especially attentive. Because people don’t pay close attention to her, she is able to pay attention to things other people ignore, as she is the first person to figure out, (outside of his mother), that Dion has powers.

So yeah, I already like the characters, and the show is pleasant enough. There are no world ending stakes involved this season, as the story remains mostly small and personal, which will give the show room to expand, as Dion grows into his abilities.

 

Batwoman

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I can’t say that  enjoyed this episode, but I didn’t hate it either. It was a busy episode and I’m still processing it. Let’s just say there is some real potential in the show, and that there is room for some improvement. It was occasionally cheesy, and yeah, some of the dialogue needs help, but it wasn’t actually a bad show, and I’m gonna stick around for the rest of the season, because the action scenes were top notch and I just like Ruby Rose, the actress who plays Batwoman.

I’ve been a fan of Batwoman/Kate Kane fan since she was re-introduced a few years ago, and Rose just perfectly fits this character. Once again, I was not heavily invested in the plot, and I wasn’t  really feeling many of the side characters either,  except for Kate’s bubbly stepsister, Catherine, who is the daughter of her father’s second wife, and is a medical student. Kate lost her mom and bio-sister in a car accident, when she was a child, and she hates Batman because he was there to save them, but left the scene, and Kate watched them die.

We meet up with her while she is undergoing some Bruce Wayne type training with some sassy Indigenous guy, with long White hair, at the behest of her father who, for reasons of love and safety, is trying to keep her out of his hair, after she got kicked out of military school, for fraternizing with another female, her girlfriend, Sophie.

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She and Sophie are given a choice. They can reject their relationship and stay in school, or they can be expelled. Kate chooses to be expelled, but Sophie chooses to deny the relationship and stay. At first, I  was mad about it, but Sophie is a Black woman, from a modest background, who worked damn hard to get where she is, and while she appears to love Kate, she is not willing to sacrifice her potential career for her, as she may not get another chance in life. As she tells Kate, she doesn’t have the luxury of being able to take a stand, while Kate comes from a wealthy family, who will always take care of her, and I thought that was a nice touch.

So Kate’s dad sends her away for some training, and Sophie stays behind and gets a job with The Crows, Kate’s father’s security agency, something which Kate covets, but her father gives her the runaround about. When Sophie gets kidnapped by a villain called Alice, Kate returns to a Gotham which has been missing Batman for  three years. Kate is desperate to save Sophie, and prove herself to her father, and we get some twists and turns in the plot, and some fairly emotional scenes between Kate and Sophie, and Kate and her dad. I thought all that  was too much too soon, as I don’t feel we had enough of a setup to warrant tearful conversations, yet.

Anyway, there was a lot to unpack, as the show covers a lot of emotional  territory, along with Kate finding the Batcave, and meeting one of her father’s  security consultants, named Luke, who appears to have no actual security skills beyond having a big brain. We get a little bit of backstory, and a subplot about a traitor among The Crows.

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I liked that the show made some real efforts at diversity. There are plenty of poc in the cast, and they all have distinct personalities. There are only two White guys in the cast, Kate’s dad, and  one of the villains, and I find it interesting that shows are doing this thing now where they do cast White men, but only as secondary characters, or villains, the way it was done in Star Trek Discovery. It doesn’t happen all the time, but it happens often enough that I’ve noticed it.

This isn’t my first run in with Kate Kane. I first saw her in a crossover episode with Legends of Tomorrow, a show i still like and occasionally watch, and will be watching this season  because there’s supposed to be another crossover with Arrow, and Supergirl, called Crisis on Infinite Earths.Now, i’m probably one of the few comic book readers who has not read that particular series of books. As I’ve said, I was a Marvel fan at the time of that event, and I could care less what happened in the DCU comic books. I don’t dislike the DCU. All the characters I know are all current, or former, members of the Justice League, Teen Titans, or Legion of Superheroes. Of those characters, the only ones I truly cared about, at the time, were the members of the Justice League.

I will will watch all the shows and some of the movies, though. I’m picky about a lot of pop culture, but  I’m not entirely sure why some things capture my attention, while being indifferent to other things. For example, I didn’t ever give a flying rat’s ass  about Aquaman in the comic books, but I liked the movie version just fine. Well, anyway the big new event this season on the CW is the Crisis on Infinite Earths crossover, with multiple Supermen, which should (and it better) be exciting.

 

 

 

The Dead Don’t Die

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This is an exceedingly odd zombie film, which I had a lot of fun watching. Even though most zombie movies give me anxiety, I watch them anyway, because, its zombies, and there was a little of that tension here, but the movie was more comedy than horror. Its not the kind of comedy seen in Shaun of the Dead, or Evil Dead II. Its more of an intellectual kind of comedy, that doesn’t make you laugh out loud, so much as make you nod, and chuckle,  which is the hallmark of a Jim Jarmusch film, really.

The movie has an all star cast of Bill Murray, Danny Glover, Steve Buscemi, Rosie Perez, Tom Waits, Tilda Swinton, and a bunch of others, and is a very oddball film. it heavily reminded me of the movie Rubber, a movie in which a telekinetic car tire goes on a killing spree, in Southwestern America, and if you have not seen that movie, then you probably should. At the very least it will prepare you for watching any horror  movie directed by Jarmusch.

According to the movie, there is a worldwide zombie outbreak because the earth has been thrown off its axis by fracking, or something, but this isn’t important, and barely mentioned in the film. Ronnie (Murray) and Cliff (Adam Driver), are the Sheriff and deputy of Centerville, a small Midwestern town. The first time anyone notices things have gone off kilter is when Cliff notices that the sun has not set at the correct time, and  the town crankypants, (Buscemi), notices his chickens and cows are missing. When the diner is attacked by two zombies, Ronnie and Cliff investigate, and Cliff reaches the swift conclusion that it was zombies.

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There are long moments of characters standing around, or sitting somewhere, having bland conversations about the situation, the world, or sometimes each other.The town is visited by what Cliff calls hipsters from Cleveland. Cliff takes a liking to one of them, but its all pointless since everyone in the movie gets eaten, even after Cliff warns them to stay inside and not go out at night because of the outbreak.

The humor comes from the laconic acceptance, by  all the characters, that the town has been invaded by zombies, and from the activities of the zombies themselves.  The director has taken the idea of the zombies being attracted to the the things they did in life, and just ran with it, which results in the Chardonnay quote, seen in the trailer. From time to time, one of regular humans will freak out about the situation, which is only meant to offset the calm of the other characters. This movie is the exact opposite, in mood,  of The Walking Dead TV shows. The zombies are given odd quirks of personality. They still eat people, but they also like tennis and coffee. There’s a country song that plays throughout the movie, called The Dead Don’t Die, and I kind of liked it. When Ronnie asks why that song keeps playing on the radio, Cliff explains  that that is the theme song.

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Tom Waits plays the  homeless guy, who lives n the woods, named Hermit Bob, who makes voiceover observations of the events happening in the town, and  whom everyone thinks is crazy.  He’s also the only survivor at the end of the film. I  liked Cliff, who is both pragmatic and intelligent. He occasionally mentions that he’s got a bad feeling, and when Ronnie asks why, he says he read the script, and that things do not end well, which is correct. They don’t. Ronnie is unperturbed by Cliff’s insistence that there is a movie script for their scenario, and that he read it.

Swinton plays the new town mortician who also turns to to be an alien. You could tell she was a strange one, because she  made weird observations, and  carried a samurai sword that she was extremely good at using. She is both delighted and unbothered by the zombie outbreak. Yes, there is a UFO in this movie. From time to time, one of the characters will  forget that they are in a Jim Jarmusch movie,  and behave as if they are actually in a big budget zombie movie instead, and try to do something heroic, but it doesn’t work. The movie ends with the deaths of all the other characters, and  Hermit Bob shaking his head with the  observation that the world is a messed up place.

What I Watched In September

I haven’t been very diligent in my television viewing the past few weeks. These shows are what I was able to get through in September. What with the glut of  genre programming, I’ve gotten a lot pickier about what I watch the past few years. There are some shows, I thought I’d be interested in, but after watching a bit,, I lost interest. There are a few I barely got thirty minutes into, before getting tired of the premise, like The Dark Crystal. This was a show I was initially excited about, but once it came time to sit down and watch it, I just didn’t fee like making the emotional investment, no matter how shallow. Of the shows below, I at least managed to get through an entire episode.

 

Carnival Row

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Well, first  of all, the show is gorgeous, but ultimately, I probably will not finish the show because I got really tired of looking at the lead actress’ face looking all sad. She just glowers through the entire show, and we spend far too much time looking at the same facial expression, sometimes for minutes at a time. You know what would be radical? If she smiled. But I don’t believe that actress knows how to do that, because I have never seen her do it. Ever!

On the other hand , it’s fascinating to watch Legolas be a human detective. He glowers a lot too, but he looks more handsome doing it, and he has the exxcuse of looking at mangled bodies all the time. The show does have some other bothersome shit in it, like the fact that there is one, light skinned, woman of color in the show, and she is a one of the Fae, and a sex worker. There is one Black man in the show, and he is a rich,  aristocratic, Fae, who has decided to woo a regular human/White woman, who is a kind of fairy bigot.

Its’ obvious that the Fae are stand-ins for people of color, and the situation on the show is an echo of our current immigration system. For the record, this show takes place in an alternate universe, where certain things in history didn’t happen, like slavery (I think), and magic works, and multiverse travel is a thing. The Fae in the show are all from a parallel universe, which is at war with  some human looking invaders. They are flooding into the current universe as refugees, along with some type of monster, that’s preying on Fae homeless and streetwalkers, while Detective Legolas is on the case.

There’s also a frustrated romance,  which I wasn’t too interested in, between Legolas and the lead character, but I will tolerate it, I guess, but just wasn’t buying the relationship. The two actors have no chemistry at all, and all their drama was unconvincing, but then I haven’t seen anyone that that particular actress (I think her name is Carla Delevigne) has ever had chemistry with. Maybe she’s just a bad actress? I don’t know. I want to like her ,and she is very pretty, but I’ve never liked her in anything I’ve watched her in. What she does have is intensity, and gravity ,and I wish she would choose the kind of roles that better highlight those qualities.

There are parts of the show which are fascinating, like the worldbuilding. I’ve also been told by a friend of mine, that I trust, that the show does get better as the season moves forward. And let me say it again, the show is absolutely gorgeous, to look at. I want to dislike the show, but I can’t, because I’m a ‘ho for a pretty show. I don;t know. Maybe I will finish it.

 

 

Titans

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I started the first episode of season two, and it took a minute for me to be impressed. The last episode, Raven brought her father, the demon Trigon, to Earth and asked him to resurrect Garth, in exchange for her soul or something. Outside her house, the rest of the team were trying to figure out a way to get inside and save her, and they do manage to get inside, but one by one, they all succumb to the worst part of their egos, and Trigon takes over their bodies, or something, and they turn all black-eyed and evil. Trigon gets defeated by Raven, and she absorbs his powers or something, and that frees the others from his influence. Or something. Honestly, I really don’t care about the plot,  which is pretty pedestrian for these types of shows.

But I am interested in the individual characters, and their  relationships to one another, because I find them fascinating, for different reasons. This is one of the reasons behind my love of ensemble shows and movies. Last season, it was the relationships I saw developing between Garth and Raven, and Dick and Kory, that captured my attention. Donna Troy, also known as Wonder Girl (Wonder Woman’s little sister) was introduced at the tail end of the season, and I like the relationship I see developing between her and Kory/ Both of them are close friends of Dick Grayson, and I  wonder how that works. There’s still never enough Garth, who turned out to be my absolute favorite of last season. I’m still indifferent to Raven, even though I loved her in the comic books.

I’m still not a fan of Hawk and Dove. I just think they are the two least interesting characters in the entire show, and I wish so much time was not devoted to them. On the other hand, I would love to see more of Jason Todd’s bratty Robin, and his conflict with the elder Robin, now Nightwing. Bruce Wayne makes a cameo too, but I don’t know that actor, and I found it difficult to wrap my head around the idea that that was Batman.

I plan to finish up the rest of the season, in time, because there will be lots of nice cameos, including Cyborg, who is now starring in Doom Patrol. New shows air on Thursdays, on the DCEU streaming app.

 

 

American Horror Story 1984

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This season is built on a number of slasher movie tropes, all of which should be instantly familiar to anyone who watches Horror movies. A lot of slasher movies get referenced, like Friday the 13th, Halloween, and Cabin in the Woods. It contains the usual cast of characters that make up such movies, where the basic plot is introducing a group of unlikable people to an environment they can’t escape, and dropping a monster into it. But the show also interposes real life serial killer Richard Ramirez into the plot in a big way.

Brooke is the virginal/ good girl, who meets the slut archetype, named Montana or Monique, or something, in aerobics class, along with the handsome pretty boy, the dumb and angry jock, and the token negro, named, naturally, Ray. Those were the only names I got out of this episode. I will be watching more of this show because it does seem like the season will be fun, and since this is Ryan Murphy, I know that its going to get more and more batshit as the season progresses. It certainly seems like more fun then the rather gloomy last season. Perhaps I will actually remember some names by the third episode.

This group of barely likable/unlikable people (I have decided that I like Brook) decide to become camp counselors for the Summer, to get away from  Richard Ramirez, The Night Stalker, who went on a house invasion/killing spree of  the women in LA at that time, for …Satan. I guess.

The night before they are set to leave, Brooke is actually attacked by him, and survives, although he threatens to get her later. On their way to the camp they hit a traveler on the road, and take the severely injured man to the camp with them. I do have an objection to the addition of Ramirez to the show because I think it glorifies, real life killers, and his deeds, which were truly atrocious. He shot, bludgeoned, and  even macheted his victims. I feel like the show will run into the same problems, with this character, that Netflix did when it showcased Ted Bundy, in a couple of dramatic documentaries. But then that seems to be the risk anytime television references serial killers. There will be a contingent of people who glorify and empathize with the killers.

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Once they get there, the camp owner turns out to be a deeply religious evangelistic woman, who expects them all to abstain from sex. It turns out, like Brooke, she is the survivor of a serial killer massacre, at the camp, when she was a child. Her survival is the reason behind her religious fervor. The guy who killed her camp mates, (named Mr. Jingles), escapes from the asylum, where he was kept, and hheads to the camp too. So you’ve got a head on collision of various killers, an injured stranger, religious extremism, and horny young people.

I know I was a little dubious about watching this because the fashions and music are every bit as annoying as I remember, (even though I generally like 80s Pop culture). However, it was nice to hear Salt N Pepa, or some Whitney Houston, because usually, when White people remember any pop culture after the 70s. they never seem to remember the existence of Black culture, and/or music of that time. I mean how the hell do you forget the existence of Prince? At least I think I heard this music, and if I did, then its a bit anachronistic, since neither one of them produced albums until 1988, and 1985, and I thought the show was only referencing music from 1984.

Anyway, the second episode has already aired, and it looks like fun. I’m not necessarily a fan of serial killer movies, but I have watched my share of them, and I do have at least a couple of favorites, so I’m looking forward to seeing references to them, at some point in the season. Also, I remember studying Ramirez in college. (By studying, I mean that I read a lot of books about serial killers and profiling, because apparently, that’s a phase that a lot of autodidacts go through.)

 

 

Prodigal Son

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Speaking of serial killers, there’s this thing. I’m not exactly sure what to call it, since it wants to be a whole lot of different shows. I want to like this  because  of the vibes I’m getting off the actors, but its hard, because everyone acts like they are all in a different show, and there is an unusual comedy aspect that keeps cropping up at odd moments. The show cannot seem to make up its mind if it wants to be a comedy, a drama, a detective show, or a buddy cop show, but is only doing one of those things well. Guess which one.

The show stars Michael Sheen (Woohoo!!!!) as a serial killer who has been caught and jailed. He has a strong relationship with his son, played by Tom Payne, who looks vaguely familiar (He played Jesus in The Walking Dead. I’m glad to see hie’s still working.) and yeah, he’s kinda cute. The lead character’s family was torn apart when his father was discovered to be a serial killer, after which he decided to study serial killers as an agent of the FBI, while using his father as a resource. The two of them eventually have a falling out (which we don’t get to see in this episode) and he doesn’t see his father for ten years. After being fired from the FBI, for being reckless, he becomes  a New York city detective, and he has to see his father, to solve a case where the killer is copying his father’s crimes.

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Now, I really want to like the show for the characters, but like I said, they all act like they are in different shows. The lead character has a mother and a sister. His mother is essentially useless, as a character who thinks she is in a soap opera, while his sister thinks she’s in a teen dramedy, even though she is not a teenager. The coroner, a cute, and  tiny, older Asian woman, acts like she is in a completely different, yet zanier, comedy, and she is obviously attracted to the lead character. There’s a very young Black woman detective, who is obviously supposed to be a future love interest, and who acts like she is in a police procedural, and Lou Diamond Phillips is also present, but thinks he is in a buddy cop movie.  You know what the show could do to change things up a bit, have a romance develop between the older woman coroner, and the lead character. I happen to like that pairing, and they  actually seem to  have chemistry. It could also tone down some of the comedic aspects too. Michael Sheen should be the only funny person on the show.

This show caught me by surprise. It wasn’t on my list and I caught it by accident. I was  intrigued because of the dynamic of a father who is a serial killer, who intensely loves his son. Michael Sheen is superb in the role of course, appearing to be warm and genial, while giving off just enough off-kilter vibes, to seem menacing. Plus there are  the Hannibal the series vibes I’m getting, as both shows are about the intense relationships that develop between a serial killer, and another man, close to him, whose trying not to get roped into madness. I think I’m gonna stick around for a little bit and see where this goes. I generally don’t watch cop shows, or network broadcast television, but it is Michael Sheen, and Tom Payne is just really, really, cute.

 

 

Treadstone (Preview)

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One of the creators of this show is Tim Kring, and I trust him with this show because he at least has some experience working with an ensemble cast, on a global scale, having been one of the creators on the series, Heroes. This show is based on the Bourne franchise, which is based on the Bourne books, and is about the clandestine organization that created Jason.

In the first episode, we ‘re mostly just meeting the primary characters, three sleeper assassins, called Cicadas in the show, who awaken to their special skills with no knowledge of their former selves. Some White guy in Alaska, another White man, being held hostage by the Russians, and a Korean piano teacher. We also meet a Black woman journalist, who is set on uncovering the  purpose behind Treadstone and the Cicadas, by a Korean defector.

I really enjoyed the action scenes, which are smart and well shot. These are people who know how to shoot acceptable action scenes. The show follows the protocol of the movies, by respecting the female characters, and giving them plenty to do. They are smart, capable, and know how to kick ass as well as any of the men, giving as good as they get. One of the major set pieces of the episode is the Korean piano teacher, duking it out with the Korean defector. It’s not simply a good action scene, it has a story in it, with suspenseful moments. There are a few things that seem farfetched but I’m willing to let those things slide because the Bourne franchise has moments like that too.

I think I’ll stick around for this show, which doesn’t actually air until October 15th, because this was a free preview. It’s not too emotionally heavy, and it has just enough intrigue and action to be interesting.

 

PS: Sunday Night was the final episode for the Preacher series. I’ve been watching this crazy-as-shit show, off and on, for about three seasons, so I’ll be reviewing the finale sometime in October.

It Came Out Of My Pocket

Here’s a short collection of articles I saved in Pocket. There’s definitely a theme to the stuff I collect there, and that’s gonna be reflected here. Now, I usually post things on Fridays, but its that time of year again where I get really, really, tired, very easily, and all I can think about is going to sleep. I call it post-seasonal malaise. (I think doctors call it SAD, or Seasonal Affective Disorder.) Well, anyway, I’m gonna soldier through it (while trying to get more sunlight.)

 

The Clapback Mailbag

If you have not read any of these, you need to get over to The Root and catch up. Michael Harriott is hilarious even on his worse days, but he shines when discussing issues of race. He is the only writer who can make me laugh about racism every time. The Clapback mailbag is posted every Friday.

https://www.theroot.com/the-root-s-clapback-mailbag-with-friends-like-these-1838540363

 

 

The Best Of Hannibal

I actually agreed with the choices in this article. These are some of my favorite episodes, but I would pick more than five though, as there are 39 episodes, in three seasons, to choose from.

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https://bloody-disgusting.com/editorials/3576484/revisiting-five-best-episodes-nbcs-hannibal/

 

 

 

The Greta Thunberg Helpline

The last thing I posted was about Greta Thunberg, the young girl who has White men in a bit of a tizzy. This is the funniest thing I’ve seen regarding the entire issue, which of course, is not remotely funny.

 

 

 

Can Black Women Be Introverts

It appears that I simply enjoy being contrary,  doing and being everything that’s against society’s mainstream rules. I’m a woman in a society that preferences men. I’m fat in a culture that prefers women be thin. I’m Black in a White supremacist culture. I’m an introvert in a society that prizes extroversion. I’m left handed in a society that prizes right handedness. I have hobbies, I’m not supposed to have, I love music I’m not supposed to listen to, I’m a nerd who likes Science Fiction and math, and a geek who likes to draw superheroes.

According to the American society I’m not supposed to be doing any of that stuff.

Well, that’s too bad, because I mean to go on, as I began.

https://www.bese.com/black-women-arent-allowed-to-be-introverted/

 

 

On Octavia Butler 

Butler talked about the overwhelming Whiteness of the Science Fiction genre waaay back in 1980.

Once again, I did things in the most contrary manner possible, as I did not come by my interest in Science fiction and Fantasy through reading the works of Tolkien and Heinlein, like most people did. I found my way into SciFi by way of Stephen King, and the Horror genre, having started that journey with women authors, like Octavia  Butler, and James Tiptree. Since I didn’t get into SciFi by reading White men, I tend to think of these men  differently than a lot of SciFi fans.

https://garage.vice.com/en_us/article/d3ekbm/octavia-butler

 

 

 

Black Time Travelers Fall Short

I would love to see some Black time travel stories where the person truly changes the course of long history, like stopping slavery, or helping some tribe win a war. Its funny, but every time I see Black time travel story, its usually them trying to save  a life, rather than the usual time travel question of who  should be killed, and I wonder if that’s some type of racial thing, because there are a million different ways to change history that do not involve killing someone. And I have never seen stories, at least not the ones written by White people, that ever seek to overturn the truly big events of events of history, beyond the Holocaust. I mean why not stop Christopher Columbus, or disrupt the slave trade?

Here Sherronda Brown talks about how she would love to see time travel stories that destroy the status quo.

http://blackyouthproject.com/i-want-black-time-travelers-to-be-a-threat-to-the-status-quo/

 

Yasuke: The Black Samurai

We’re supposed to be getting a movie about this soon starring Chadwick Bozeman. Ive been fascinated by Samurai since I was a teenager. I will watch any movie that has samurai in it, and I will definitely see this, if it ever gets made. In the meantime, there’s a couple of books on the topic that I’m looking forward to reading.

 

 

There’s already a book on Yasuke’s time in Japan:

 

An interview with the author of African Samurai Tim Lockley:

 

And here’s a short fictional film about a young girl who finds out that she is Yasuke’s great, great grandaughter. I would love to see this done on a larger scale.

 

My 2019 Fall Lineup

Here’s a quick rundown of the shows I’m most interested in for Fall. Some of these are already playing. Some, I’m less excited by the idea of the show, than the potential for it to be good, but of course, I always hope they’re good shows, whether I stick around for them or not.

Playing Now

Carnival Row (Amazon Prime)

I watched a couple of episodes of this, and  just wasn’t feeling it. I felt really distant from the characters, and I think its because of the acting. In a lot of ways this is  a typical historical romance film, but with an overlay of politics, as the different races of The Fae are displaced by violent colonization, to another world (not this one), where they are refugees and immigrants. There’s a lot going on with politics, some heavy enemies to friends romance, some tragic romance, and a police procedural. I’ll get into more details in a later post. I think some elements of the plot are intriguing, and some of it is just exasperating, but at all times, I definitely think it’s a more well thought out world than that Will Smith’s Bright,  which aired on Netflix, and  featured a lot of the same themes.

 

Wu Assassins (Netflix)

I watched a few episodes of this, as well, and I liked the plot, and a couple of the characters. The fight scenes are very well done, but there’s a slight tongue in cheek element to the show that kept pulling me out of the story, because some of it is a little ridiculous, and the writers seem to know that, on some level. Ironically, I would have been more intrigued without any of the supernatural elements. I’m going to watch a few more episodes, and see where it goes, but I’m not especially invested, although its not a bad show, and its nice to see Asian characters headlining TV series. I kept wanting to compare this series to Warrior, which was excellent, and Into the Badlands, which got three seasons, and this show came up wanting, mostly because of the acting.

 

The Dark Crystal (NETFLIX)

I haven’t watched this yet, but I fondly remember the movie from the 80s, and when I finally watch, it I’ll let you know what I think.

 

The Terror: Infamy (AMC)

Okay, I did watch a couple of episodes of this. I know a lot about Japanese history, and Japan  as a society, (basically I have a head full of trivia), but I am not Japanese, and just like the series Warrior, this show throws you right into the deep end, and you have to  understand what’s happening, and try to keep up. Since I’m not Japanese, or an immigrant, I understand what’s going on, on a surface level, while suspecting that there are deeper meanings behind what I’m watching, because there’s a lot of Japanese mythology involved. Is it scary? Yeah, sure, but its mostly scary to me, because I have no clue what the fuck is happening beyond some malignant  spirits,  tormenting people at a Japanese internment camp.

 

Two Sentence Horror (CW)

I watched a couple of episodes of this, and I’m lucky I found it, because there’s no promotion of this show at all. It’s  an anthology series, with each episode focusing on one story, for thirty minutes. I enjoyed the first story I watched, which involved a murderous vlogger, and it was interesting because the vlogger was a Black, female, serial killer, who made makeup products out of her victims. I am going to check out a few more episodes too, because I like the idea of the two sentence story, and it seems to have taken a page from the new Twilight Zone, by casting PoC in unusual roles. The second story I watched was about a Japanese family with an abusive ghost, that ended with me all up in my feels. So far, its not delivering what I expect, and I like that.

 

Cannon Busters (NETFLIX)

I haven’t watched any of this yet, and I’m eager to get started. It’s an anime by a Black team, with a Black cast, which is kind of cool. It heavily reminds me of Afro Samurai, and really looks like fun.

 

 

September

6: Travels with My Father (NETFLIX)

I’m really enjoying Jack Whitehall’s travels with his father. I watched the first two seasons, and really liked the dynamic between Jack, and his rather staid, and conservative, British father, who is annoying, but still manages somehow to still  be hilarious. The first season was Jack trying to get his father to loosen up by visiting some of his favorite places around the world. The second season was about his father giving him the same treatment on the continent. I’m looking forward to their adventures in the new season, when they visit some of the crassest places in America, thanks to Jack’s ideas about what American life is actually like.

 

6: Titans (DC)

I was a little disappointed at the ending of the first season, but I like the trailer for the second season, and it looks like fun because of the addition of Krypto and Superboy!. I’m going to check it out and see what other new cameos show up.

 

10: Mr. Mercedes (AUDIENCE)

I didn’t get into the last season too much, but this is the third season, and its  loosely (kinda) following the events of the second and third books, and its okay. I’m not a stan or anything, but its the kind of show you watch on a lazy Sunday night, when not much else is on TV.

 

18: American Horror Story:1984 (FX)

So, I know I’m going to watch this, although I am not in the mood to relive any of those 80s hair, clothes, and musical numbers. On the other hand, it does feature an 80s style serial killer, and the writers are all batshit, so I expect this to be halfway enjoyable, to the point where I just might stan, and geek out, since I lost interest halfway through the last season.

 

26: Creepshow (Shudder)

I haven’t seen much of this beyond the first trailer. I probably won’t see much of it because I refuse to sign up for yet another app just to watch one show.

October

*4: Raising Dion (NETFLIX)

This one I’m really excited about, as I saw the trailer for it over a year ago, about a young Black boy with superpowers, who is on the run from the government.This trailer really got me in my feels, because it isn’t so much about Dion and his powers, as it is about his mom, and her ability to cope with raising a super, and I like her already, just from the little snippets I’ve seen.

I’m here for it!

 

6: Batwoman (CW)

A lot of people hate this show based on the trailer, but I’m actually intrigued. I first saw Batwoman, cameoing on another show, and I’ve read all the comic books about her. Yes, the dialogue needs some serious help, but I like the actress, and the action scenes look like fun. Kate Kane is not the only gay character in the DCEU, but she is the only one with her own show, so I’ll check it out.

 

10: Supernatural (CW)

I’m looking forward to the fifteenth and final season of this show. I told ya’ll I was in it to the end, and I meant it. The last couple of seasons aren’t as exciting as they used to be, but at least two or three times a season, the show airs a real gem, that reminds  me why I stan. As problematic as this show is, I still love The Winchesters, and I’m sticking with them.

 

11: Charmed (CW)

This is one of the few fantasy shows with women of color as the cast, including an Afro-Latina, and also several lesbian characters of color. Its also not a bad show, either. I didn’t catch all of the last season, but I’m gonna be right there for the first episode of this new one, so I can see what’s what.

 

15: Treadstone (USA)

This is intriguing. Its a show based on the  brainwashed sleeper agent idea behind The Bourne series. Treadstone was the program that created Jason Bourne, and this show is about the aftermath of that third movie, after Jason put a stop to it. I’m gonna check it out, because that world was interesting, and the fight scenes look really good.

 

21: Black Lightning (CW)

When the last season ended the family of Black Lightning was about to go global, to fight some kind of intergalactic menace, and I’m here for it. I am more than a little tired of the Tobias Whale storyline,  and wish they would move away from it. Also I’m deeply intrigued by what’s going on  in the ThunderGrace relationship, and I’m looking forward to some answers.

 

TBD: The Watchmen (HBO)

I no longer have access to HBO, so I probably won’t see this. I’m not especially intrigued  because, while I liked the movie okay, I’m really not much of a fan.  On the other hand, it’s Regina King, and I love her, and watching her play a vigilante is gonna be the shit, and this trailer slaps!

November

12: Disney +/ Available At Launch

So the Disney network starts on the 12th, and I’m looking forward to it for a number of reasons. There will be plenty of content, so I’m getting a good deal on my money, and I’m looking forward to watching several of these movies, like Fantasia, and Bao.

Movies

“101 Dalmatians”
*“A Bug’s Life”
“A Goofy Movie”
“An Extremely Goofy Movie”
“Bambi”
*“Bao”
“Big Hero 6″
“Born in China”
“Cars”
*“Fantasia”
*“Finding Dory”
*“Finding Nemo”
“Free Solo”
“Frozen”
“Fun and Fancy Free”
*“Hercules”
“High School Musical”
“Honey, I Shrunk the Kids”
“Inside Out”
“Iron Man”
“Lady and the Tramp”
“Lilo & Stitch”
“Mary Poppins”
“Mickey, Donald, Goofy: The Three Musketeers”
“Mickey’s Once Upon a Christmas”
*“Moana”
“Monsters University”
“Pirates of the Caribbean: The Curse of the Black Pearl”
*“Pixar Short Films Collection Vol. 1″
“Ratatouille”
“Remember the Titans”
“Rogue One: A Star Wars Story”
“Sleeping Beauty”
“Snow White and the Seven Dwarfs”
“Star Wars: Episode I: The Phantom Menace”
“Star Wars: Episode II: Attack of the Clones”
“Star Wars: Episode III: Revenge of the Sith”
“Star Wars: Episode IV: A New Hope”
“Star Wars: Episode V: The Empire Strikes Back”
“Star Wars: Episode VI: Return of the Jedi”
*“Star Wars: Episode VII: The Force Awakens”
“Star Wars: The Clone Wars”
“Steamboat Willie”
“The Good Dinosaur”
*“The Incredibles”
*“The Little Mermaid”
“The Parent Trap” (1961)
“The Prince & the Pauper” (1990)
“The Princess Diaries”
“The Rocketeer”
“The Sorcerer’s Apprentice” (short)
“The Sword in the Stone”
“The Three Caballeros”
“Thor: The Dark World”
“Toy Story”
“Tron” (1982)
“Up”
“Wall-E”
“Zootopia”

 

The Mandolorian

This looks like so much fun.

 

The World According to Jeff Goldblum

So does this! Also, who doesn’t love Jeff Goldblum.

TBD

The Witcher (Netflix)

I talked about this in an earlier post. I’m not as enthused about it as some people.  Ironically, I’m really not into High Fantasy shows that have elves and orcs and shit,  because of the simplistic messaging and overwhelming Whiteness. Game of Throes only caught my attention because of the addition of Ice Zombies.

 

 

It’s A Black Thang!

I’m not saying that Black people are the only ones who can watch these shows, but this is pop culture that is unapologetically aimed at Black audiences.

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Dolemite Is My Name

Some of us are old enough to have actually watched some of Rudy Ray Moore’s movies, like Dolemite and The Human Tornado, which they don’t show on Tv much anymore ,for…reasons.. Some of my younger readers would have encountered his movies as parodies on MadTV, or Key & Peele. They were often laughably bad in and of themselves but they were groundbreaking because Moore was one of the only Black independent filmmakers of the 70s, and was one of the primary directors in the Blaxploitation era.

The first time I saw a Rudy Ray Moore movie, it was at the Drive-In. I was maybe nine or ten years old, and the movie was The Human Tornado, which I wasn’t supposed to be watching, because I was supposedly asleep in the backseat with my two brothers, and because his movies ARE NOT FOR KIDS!!!! I don’t think I can stress this enough. Well anyway, I watched it and I don’t think my mom ever realized i saw the movie, and I haven’t ever told her. I suspect if I told her this, I’d be subject to this:

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Now couple that information with the return of one of the greatest comedians of the 80s and 90s, Eddie Murphy, who hasn’t been relevant in some time, and this is looking like a comeback role, in a classic film. Actually what it is is the making of Dolemite from Moore’s point of view. There are some other great actor/comedians in this, and even more importantly, this is airing on Netflix in September.

The Black Lady Sketch Show

The Black Lady Sketch Show is now airing on HBO, but you can watch select sketches on YouTube. This is such a great show, and I say that even though I don’t subscribe to HBO anymore. The sketches are soooo funny, and some of them are spot on.

Check out Invisible Spy for example. I’ve always thought that women of color would make exceptional spies, because so few people pay attention to us, especially when we’re doing something stereotypical, like housekeeping! The spy in this sketch is invisible all the time, and thats a commentary on how being fat, and dark skinned, renders a person irrelevant. Even her coworkers don’t know what she actually looks like , even though they’re looking right at her. I got that, as I’m always being compared to some other Black woman that people know, someone they went to school with, a cousin, or somebody’s neighbor.

But one of my favorite sketches is the Ball for Basic Bitches! I’m far too contrary to ever be considered “basic”, I think, but I perfectly understand it, though, and Basic Bitches can be fabulous too, only a lot more quietly, I guess.

Got to Youtube to watch the surreal Dance Biter, which stars my favorite comedian Quinta B, the hilarious Invisible Spy, and a sketch about how obsessed America is with beauty standards, called A Day With No Makeup.

 

 

The Rundown w/ Robin Thiede

Robin Thiede is currently one of the stars of the Black Lady Sketch Show, but if you want to see the kind of work that led up to her starring in the above show, then The Rundown is where you need to see it.

The Rundown aired on BET, and showcased different comedians, although Robin was the star. I never watched the show itself, and only just saw a few episodes because they were recommended after I viewed TBLSS, and frankly, I’m impressed. This first sketch is based on the show Stranger Things, and the character of Eleven, and is what I like to call , uncomfortably hilarious, a style that Key and Peele often specialized in.

My favorite though is this video for the Weak Black Woman, because not everybody can be woke and strong, Some of us are too tired from working on those spreadsheets for the Stevenson account, I guess. Not quite as pointed as the Basic Bitch Ball, but close enough. And the second is a parody of the series Stranger Things, that I laughed waaay too hard at.

Missy Elliott and Lizzo

I’m a huge Missy fan, and have been since that first song. Now I have a new heroine, Lizzo, who is fat, Black, and absolutely, unapologetic ally, who she is, here she teams up with Missy Elliot, and Megan The Stallion, to celebrate some more “Hot Girl Summer”. I wasn’t outraged by the dancing but I was bothered at the idea of these ladies wandering around a public parking lot, at night, in bikini wear. Well, theyre wearing fur ,so I know they won’t get cold, but apparently that was a bridge too far. (See what I mean about me being sort of Basic?)

News After San Diego

Last week was the 50th San Diego Comic Con, and we got  some exciting news and trailers from it. Well, exciting for me, at any rate.

Let’s start with the trailers for forthcoming movies and shows:

Top Gun

I am not a Top Gun fan, because I’m just not into military films, as a rule, but I know some of you guys are really into this stuff, so here’s the new trailer  for it. Its funny but I’ve seen all of Tom Cruise’s movies, but would not call myself a fan of his. He just just keeps starring in things that interest me, like spy movies. Perhaps the word I would prefer to use is “tolerate”.

 

 

Creepshow

I just watched these movies back to back a few weekends ago, and they’re still pretty effective.  The original films were an odd mix of horror and humor, and I hope this new show can hold up to the same standards.

 

 

Picard

After the success of Star trek Discovery, I am cautiously excited about this show. I really like Jean Luc Picard as a character, and I really like the idea of him having more adventures after his retirement, and it looks gorgeous. Buuuuut…. I’m still not as enthusiastic about it, as I think I should be, and I wonder if I have Star Trek fatigue. Nevertheless, I’m gonna check this out.

 

 

The Witcher

Not sure how I feel about this show. I’m not a gamer, and only know about this show, and this world, from reading books about the artwork. I keep having to suppress laughter at Henry Caville’s wig, which is very distracting, and  I don’t know why. On the other hand, this trailer looks fucking awesome!

 

 

Watchmen

This is another trailer that looks really  interesting, but I’m not a huge fan of the movie, beyond thinking it looked pretty, nor am I a fan of the philosophies espoused in it, and I’m not sure I want to watch an entire season of something this intense. I can think of a whole bunch of reasons not to watch this, in fact, but I probably will watch it, because I love Regina King , and I’ve never seen her is this type of role before. We keep asking for these types of roles with Black women, and then don’t support them, so I’m definitely gonna be there, but I’m afraid  I may not actually enjoy it.

 

Preacher

I missed the last season  of this show, but I can see by the trailer, that its as zany as it ever was.

 

 

Star Trek Short Treks

I may have to subscribe to CBS All Access again because they are making more of these little one offs, that look really good. I enjoyed the last three or four they made, which occurred between the season’s for Discovery, and were basically back stories for some of the characters we met last season, or some established characters, and one of them presented an interesting mystery for the future, that had bearing on the end of the last season! So I am looking forward to what I’m going to see here. It looks like fun, and I really did enjoy this version of  Spock, btw.

 

Batwoman

I’m really excited about this show, but only because I saw the a couple of The Legends of Tomorrow episodes which featured this actress. Yes, the dialogue is atrocious, but then the same thing was said about Titans, and I liked it okay. This trailer has been horribly panned by well…the usual suspects really, but I’m past caring whether or not they think something is bad or good, based on whether or not there’s women in it.

I gotta say, that while the MCU may be tearing it up on the big screen, the DCEU is killing it on the small one, ,as far as diversity, and inclusion, with plenty of characters of color (that they don’t always get right, but at least they’re trying, which is more than I can say for the MCU), but also plenty of openly gay and lesbian characters, (of which the MCU has but none), who are not all White people. The DCEU really does need to  work on the  dialogue though.

 

 

Snowpiercer

I watched the original move, and while I got the message behind it, it was still so incredibly depressing that it didn’t even make my favorites list for the year of its release. The trailer looks fascinating, but I don’t know if I want to visit this horrible little world on a regular basis. W’ell see how I feel bout it after its air date.

 

 

Wu Assassins

This looks like pure, campy, martial arts fun! It heavily reminds me of last Power Rangers movie.

 

************

And the big news is the upcoming slate of movies and shows from phase 4 of The MCU, including Black Panther 2, Captain Marvel 2, The Eternals, Guardians of the Galaxy 3, and Blade, and The X-Men!

Now, its been said that the new Blade movie is a reboot, and will star Maharsala Ali who has been wanting to play Blade for a while, and people are very excited abut this, (including me).

Its also been stated that Blade, like Deadpool, and Venom, which are not actually a part of the MCU in the same way as Doctor Strange, and Spiderman, will be a standalone franchise, like the other two, or maybe part of phase 5, or a TV show, or well…its not exactly clear. On the other hand, Blade may actually be part of the MCU, and there might possibly be a crossover with Dr. Strange, as in the comic books, there is a crossover between Strange, Morbius, and Blade. There will definitely be a Morbius movie though, so I’m hopeful that is the plan for these movies.

I love, love, love, the Blade movies, and have watched all the other versions, but remain unimpressed by those. A lot of people forget that there was a  live action television show, and a cartoon, as well, and Wesley Snipes recently did a brief cameo on the hit TV series, What We Do In The Shadows.

Mahershala Ali is the only Muslim actor to receive an Oscar, for his role as the drug dealing Juan in the movie Moonlight, so I am really looking forward to seeing him in this new version. If you want to see what he’d be most like as Blade, then check out his character in Battle Angel Alita, which looks like he’s auditioning for the role.

 

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More news from the CON is that Natalie Portman will be starring in the new Thor movie, which will be directed by Taika Waititi, and its rumored that she will play the new Thor, like the character from the comics. Creators have clearly stated that Tessa Thompson’s Valkyrie is the only openly gay character in the MCU, and its possible (at least we hope it is, since Waititi is both the writer and Director) that we will see her get a Queen in the new movie. (This is after Thor has handed over his Kingship to her at the end of Endgame.)

 

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Ava Duvernay is making The Eternals, which will racebend the  white, male, character of Makkari,  to  a deaf Black woman. Lauren Ridloff you may remember from her stint on last season’s The Walking Dead. I’m good with this becasue I just really like this actress.

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There’s also news about the MCU: Shang Chi, about a brilliant martial artist, which has found its lead character actor, and his villainous opponent, The Mandarin, who will be played by Tony Leung, who has starred in Hero and The Grandmaster:

 

And for the rest:

 

 

Also, one more movie I’m really excited about, because I just love this idea of time traveling to save loved ones, and its an opportunity to showcase, yet another, little Black girl in a Thriller, is this little gem, called Don’t Let Go! I thought at first it was going to be a ghost movie, but it turns out to be a little more in depth than that, and I’m here for it..

 

 

 

 

 

Yep! I Saw It On YouTube

I’ve kept my posting light this week, because its too hot to concentrate on stuff, and I’d been prepping to do some cooking and grilling for the fam this week. Mom and I have got this thing down, where she does the prep work and I do the grilling and checking.

So here are a bunch of videos that gave me a happy this week, and one that didn’t!

 

The Mighty Grand Piton

I can’t wait to see what this is about! Do you know how many Giant Robo cartoons there are out there featuring little Black girls, set in the Caribbean?

That’s right! None! Plus I just like saying the name Mighty Grand Piton!

So right now, I think this show is only in the pilot or planning stages.

https://www.thelineanimation.com/work/the-mighty-grand-piton

 

 

Eugene Lee Yang (From Youtube’s The Try Guys):Coming Out 

Last week, Eugene Yang came out. I mean we all sorta guessed, but its my understanding that coming out isn’t about our feelings, its about the feeling of the person doing the outing. So this was his big public coming out, and he had some things he wanted to get off his chest about that, so he directed and produced this video, and its just beautiful.

In the following video, he talks about the process of choreographing and designing it.

 

Look Behind You

I’m not gonna say this made me happy, but it was deliciously scary, and I highly recommend Brian Coldrick’s book, on which these images are based. Its called Behind You, and is a great Halloween gift, if you’re into that sort of thing.

 

 

Doctor Sleep

Doctor Sleep is based on the Stephen King book, of course, and is a sequel to The Shining. Here Danny Torrance, (ewan McGregor) is all grown up, but is still trying to master his psychic visions, while working in a nursing home. He gets  drawn into a psychic battle between a little girl named Abra, and a group of psychic vampires called The True Knot.

I did enjoy the book on this, although I wouldn’t classify it as one of my favorite King novels. The movie looks promising, and the director looks as if he’s taken some care with the adaptation, but I don’t know if I’ll be seeing it in the theater.

 

 

Itsy Bitsy

See, its movies like this that give spiders a bad name. Its just straight up spider bigotry is what it is (said by someone with who does not have even a healthy amount of arachnophobia.)

 

 

Carnival Row

I love the visuals in this, and I will probably watch it. I know nothing about this except its airing on Amazon Prime, sometime this year. I love “Urban” Urban Fantasy, and this looks gorgeous, and intriguing, and, as far as I know, is an original story, starring Carla Delevingne, and Orlando Bloom ( who is looking gritty and unrecognizable). Its a serial killer/detective story, with mythological creatures immigrating to America, to escape some type of war, and looks like its set in the early 20th century.

 

 

Undone

Amazon is getting all interesting and shit this year. I don’t know if the same guys are behind this TV series, but it heavily reminds me of A Scanner Darkly, which was an animated movie about philosophy, which starred Keanu Reeves, and looked a lot like this. Here, Rosa Salazar, from Battle Angel Alita, experiences  some trippy, “timey-wimey”, visions, after a car accident. I will defintiely check out the first episode but I wont guarantee I’ll keep watching it. When TV shows start to get too trippy, , like Legion, I have a hard time mentally processing them.

 

 

Ready or Not

For some reason, I’ve already fallen in love with this movie. The idea that you need to audition to get married into this family, by surviving them trying to kill you, is hilarious. It also has a Cabin in the Woods type feel, in that I think the family members are on a schedule, where they have to kill you, or something really bad happens to them. Also, I just find the idea of killer brides, to be deeply funny.

 

 

Knives Out

This movie has the same flavor as Ready or Not, but with the feel of an Agatha Christie novel, starring all my favorite actors. I once mentioned to a friend of mine that  all horror movies could be boiled down to the plot of Ten Little Indians, which is basically, put a bunch of people in a space they can’t escape from, and start killing them. This looks more like a traditional whodunnit, with humor added, and check out Chris Evans being an asshole, Post-Captain America!

 

 

Jacob’s Ladder

The original Jacob’s ladder ttotally freaked me out, but only because of its novelty. I dont think you can reproduce that feeling here for people who saw the first movie, but the idea of a Black version of it never occurred to me. I guess this is the age of Balck people as the stars of horror movies now, thanks to Jordan Peele. Everyone wants to try to capture that magic of seeing us in new and different roles, and not all of these movies are going to be successful. This doesn’t look as scary as the original. but it does look intriguing. Incidentally, there is a whole thing where movies starring White casts, got remade with all Black casts, so this isn’t a new thing.

The movie does have two things going for it: Michael Ealy, and Nichole Beharrie, who both come with their own, but different, built in, fanbases.

 

Nope!

Charlie’s Angels 

I’m so disappointed I’m not even gonna subject you to this trailer. If you wanna see it, you’re gonna have to punish yourself. I really did expect better.

Instead, why don’t we do a refreshing throwback to some  90s, R&B, with one of my favorite videos from TLC:

Mini Reviews: Swamp Thing; Good Omens; NOS4A2; and “Ma”

Swamp Thing

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I read these comic books like they were religious texts, way back in the eighties, when they were being drawn by Stephen Bissette and John Totleben, when it was called Saga of the Swamp Thing. The books existed before these two artists worked on them (since 1972) but I only read a few of them, sporadically. I had a general idea of the history of the character when I started reading the books, and from the beginning, Swamp Thing has always been heavily based on body horror, with occasional excursions into mystery, dream logic, humor, and  psychedelia, especially during Alan Moore’s run in the mid-80s.

The original story is a scientist, Alec Holland, working on a sort of bio-restorative formula involving plants, for  Arcane Industries. The CEO’s niece is Abigail Arcane, and she develops a relationship with Alec after he becomes the Swamp Thing, which occurs after he falls into the swamp during a murder attempt. Alec spends most of his early years trying to find a cure for what happened to him, and running from the Arcane corporation. Arcane himself is eventually killed, after turning himself into a hybrid insect like creature, in an attempt to reproduce the Swamp Thing effect.

I started reading the books in earnest when Alan Moore started writing the story and his approach changed the entire plot and nature of the story. He crafted a story that was beautiful, majestic, and terrifying in brand new ways. If you’re going to read any of the Swamp Thing books, start a few issues before Moore’s run, (when Len Wein was the writer) so you can get an idea of what the main character was like before that big change. Alan Moore’s run starts with the story The Anatomy Lesson.

That said, the TV show contains little of these qualities. It moves too fast and paradoxically moves too slow, in that we keep waiting for events to happen on screen. Why? Because these are some of the least interesting characters in a TV show. Abby is an earnest, but essentially boring young woman, and a lot of it has to do with the actress who was chosen, I suspect, more for her looks, than any kind of gravity she may have as an actress. The man playing Alec Holland is both unlikable and boring. There a a handful of exciting moments when the plant life in the movie gets a bit rambunctious, and attacks everybody, but those moments are not scary. There is a little bit of the body horror element from the comic books. Why the plant life in the swamp is acting a fool, I don’t know. I must have missed the explanation when I tuned out for a moment.

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I simply could not get into these characters, which is important if I expect to care about a show. I didn’t care about either of these people. I realized this when Abby experiences some pointless drama in the form of a mother figure who hates her for accidentally killing her other daughter, and makes a scene at a party. I tried to care, but this dramatic moment, this pathos, happens too soon, and I don’t know this character enough to give a flying hot damn who does, or doesn’t, like her in the show. Alec likes her, and the two of them flirt a little bit, but since I didn’t like him, and she doesn’t have enough of a personality, I didn’t buy their budding romance. It doesn’t help that the two of them have all the chemistry, and  romantic passion, of a pair of titmice. Nor did I care when Alec gets killed later in the episode and gets turned into the Swamp Thing. I should have cared. I wanted to care. I didn’t.

I feel like the show’s creators put in too many pointless action scenes that don’t actually help the story, or build Abby and Alec’s relationship, or give them much character. We start the episode off with the plants attacking a boat of strangers in the middle of the swamp. The show immediately gets on my bad side, when the only Black man I’ve seen in the entire episode, gets killed in the first ten minutes of the show, and it serves no purpose other than to introduce us to the plants, the only creatures that have a strong personality. I’m hoping that’s the point, and that its a callback to the most famous Swamp Thing story ever written, The Anatomy Lesson. Alec gets turned into the Swamp Thing at the end. I felt that was too soon, and also  that the show had just been vamping to reach that particular moment, because things happened to these characters, and we’re meant to care, but we haven’t spent enough time with either of  them to care about anything that has happened, or will happen to them,  and we wouldn’t want to spend more time with them anyway, because they are  boring. There’s just no spark to these people at all.

I cannot recommend this show. I’m going to persevere  because there’s the possibility of improvement, and the rest of the season may have better tone and pacing than the premiere. The show has since been canceled, so I have all the time in the world to  get around to watching these episodes. I don’t think it was canceled because it was bad. There was some kind of internal fight going on between the creators, the networks, and the producers.

 

+

Good Omens

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This is the total opposite of Swamp Thing. It helps that I’m a fan of David Tennant, who always plays somewhat the same character in everything, but since he’s so charming, and funny, he can get away with it. I even like Michael Sheen, although I’m not as familiar with his career as I am with Tennant’s. The two of them star as an angel and a demon who are trying to prevent the apocalypse because they love living on Earth.

The show is heavily based in Christian mythology, but you don’t need to know all of that to like the show, since a lot of things get explained to you, even as you get thrown in the deep end. There’s a lot of information that gets thrown at you, in voiceovers, and characters speaking their thoughts, but it never feels overwhelming, because the imagery is so much fun. This show doesn’t take any of itself seriously.

Keep in mind that although I’m familiar with the book, I haven’t ever read it. I’m a Neil Gaiman fan, and I’ve read a little bit of Terry Pratchett, and I can’t think  of two more interesting people to write a biblical mythology story together. I like to think of this as a love letter to Christian mythology, sort of like the biblical version of Galaxy Quest. None of this story is done from a place of hate or disrespect. Its an irreverent show, naturally, but its not mean-spirited.

The two celestial entities were both responsible for trying to bring about the End Times, but end up botching the whole thing by losing track of where they put the Anti-Christ. The two celestial entities eventually find the Anti-Christ a week before the apocalypse is set to begin, having been working with the wrong boy who was suspected to be the Anti-Christ, but wasn’t. Just the whole lead up to the two of them losing the Lucifer’s son is hilarious, involving various dim witted and jealous demons, a sect of Satanic nuns, and the pregnant wife of some nobody from a small town in England.

God is portrayed by a woman (Frances McDormand), Adam and Eve is played by a Black couple, and Benedict Cumberbatch is Satan, (but we already knew that). I loved all the colorblind casting going on in the show. The demons are played by every race of humanity, including an Asian woman, and a Black man with a tiny lizard living on top of his head. I’m still unsure if the lizard is the demon controlling the man, or if he is just wearing the lizard for decoration. We get the Four Horseman of the Apocalypse on motorcycles, some of which are women, and the gateways to Heaven and Hell are the escalators in  the local mall. I love the dialogue, and the acting here. The show is just fun to listen to, and watch, and its utterly ridiculous.

But the highlight of the show is the relationship between the demon and the angel. The two of them are meant to work together to bring about the end of the world, and have known each other for centuries, having developed a great deal of affection for one another. Neil Gaiman himself says that its a Romance. Since both of them are asexual beings, they have to express their love and affection for one another in different ways, and they often do. The actors have such great chemistry and its a joy to watch them interact.

I have not finished watching all the episodes, but I don’t think you need me to say that as wild as that first episode was it just gets zanier. Good Omens airs on Amazon Prime.

 

NOS4A2

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Yeah, I was gonna write this long thing about how I loved the book, but was disappointed in this show, but Imma be frank. I fell asleep on it. Zachary Quinto is his usual creepy, yet excellent self, but the lead actress is bOOOOOring! And it is definitely the actress. On the other hand, the show looks great!

NOS4A2 is written, not by Stephen King, although I can see where people might get that idea.  It was  written by his son, Joe Hill, who I’m a big fan of. Charlie is a young lady with the ability to find any object. She discovers this power by riding her bicycle through a magical covered bridge. This draws the attention of a vampire like creature named Charlie Manx, who for decades has been abducting children, and feeding on their innocence, which  turns the child into  a cannibalistic vampire-like creature not unlike himself. All of these feral children live in what Manx calls Christmasland, a perpetually wintry land decorated like Christmas.

Now, I do like to give shows the benefit of the doubt, when the premiere does not inspire enthusiasm, and give the rest of the season a cursory glance at least, but I really don’t want  to sit through that actresses’ lackluster acting for the rest of the season. There’s also the possibility that the show is just too complicated to be written for TV. So, here’s what I’m gonna do. I’m gonna try again, and see if it gets any better, because I want to like the show as much as I liked the book.

*

I have watched a couple more episodes of the series, and I’m starting to actually like it. The acting is better, I like the lead actress more than I did in the pilot, there isn’t any less of the family drama that I cared so little about in the pilot, but I understand a little more of the family dynamics in the show, and the villain is suitably creepy. Zachary Quinto is his usual elegant self. I could really do without the Magical Negro though.

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https://en.wikipedia.org/wiki/Magical_Negro

The Magical Negro is a trope created by white people: the character is typically, but not always, “in some way outwardly or inwardly disabled, either by discrimination, disability or social constraint”. The Negro is often a janitor or prisoner.[7] The character often has no past but simply appears one day to help the white protagonist.[8][9]He or she usually has some sort of magical power, “rather vaguely defined but not the sort of thing one typically encounters.”[8] The character is patient and wise, often dispensing various words of wisdom, and is “closer to the earth”.[6] The character will also do almost anything, including sacrificing him or herself, to save the white protagonist, 

This character definitely fits that trope. We know nothing about her personally, and she shows up right when the lead character needs her,  so she can talk her into fighting the villain, which she knows all about, but seems unable to fight herself.  This actually is a character from the book, although I don’t remember that she was a Black woman. I wouldn’t be surprised because Stephen King has always had this problem of adding Magical Black people to his stories, and Joe seems set to follow his father in that regard. It ‘s also very distracting that she looks like one of my favorite YouTube,  makeup tutorial, personalities, and that’s all I can think about when I see her.

In one of the season previews there’s a scene of that character, being beaten up, and I’m not here for that, because I’m just fucking tired of watching Black pain on TV right right now, no matter how necessary the writers think it is. On the other hand, I suppose I should be grateful that at least her story doesn’t involve police brutality.

I don’t know that I want to watch the rest of the season. The show has gotten better, since that first episode, but my enthusiasm still isn’t up there yet.

 

 

Ma

Image result for ma gifs

 

I had no plans to go see this movie. It wasn’t even on my radar, but my Mom managed to talk me into watching this with her after I abruptly lost interest in watching Godzilla. I’m a Godzilla fan, but I was just too tired to sit through two hours of Kaiju fighting. I thought Ma would be a bit more relaxing, in the excitement department, and it kind of was, but it was also kind of emotionally wrenching. Ma is a very sad movie. There’s also a few moments of graphic violence, and one full frontal scene of Luke Evans, but I can guarantee you will not enjoy it.

Octavia Spencer plays a woman named Sue Ann, who works at a veterinary clinic, in a Podunk little town, that people desperately want to escape from. She is a lonely, and put upon woman, and one of the few Black people who live in the town. The movie doesn’t have an obvious racial message, but as I’ve said before, there is a racial component, simply because they cast  Octavia, rather than the White actress the role was written for. So, because Tate Taylor cast a Black actress, there’s an element of racism in how she is treated by all these White people in the story, and there is a tiny bit of awareness of this when Sue Anne attacks the only Black man in the movie by slathering his face with white paint. She is condemning his “go along, to get along”, attitude with his White friends, by  whitewashing him. I think that particular moment was added by Spencer, because it is so specifically a Black condemnation. In the Black community, one of the worst insults you can give someone is to say they’re a “Wannabe White”, or that they are “acting White”, and that is her way of showing contempt for him.

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Sixteen year old  Maggie is moving back to the little town with her mother, Erica, played by Juliette Lewis, after her parents divorce. Luke Evans plays the town’s local hottie, Ben Hawkins, who all the girls lusted after back in high school, and who owns a small fleet of vans for his small security company. They all have children, and Sue Ann runs into them while they are trying to buy beer at the market. She get them the beer, but the makes them promise to only drink at her house. After a while, all the local teens are partying at Sue Anne’s house, and Sue Anne is getting to experience what its like to be liked and popular in a way she didn’t get in high school. The original teenagers, sensing her neediness, start trying to avoid her, which pisses her off. driving.

This is one of those little towns where everyone grew up together, and everybody knows everyone, because they all went to the same school.  A lot of what happens in the movie arises out of events that happened when Erica, Ben, and Sue Ann were kids. Sue Ann and Erica were supposedly friends, and both of them had crushes on Ben. Ben thought nothing of Sue Ann, who became emotionally disturbed after he orchestrated her sexual humiliation in front of the whole school. Sue Ann has a host of issues, and yes, she is mean, and she is a killer, and while her  long standing need for revenge against Luke, and the others,  is completely out of proportion,  you get why.

You’ll probably hear a lot about how insane this movie was and there are elements of crazy in the movie, but its really not all that wild. Its been advertised as a Horror/serial killer type of movie, and while  there are some horrible elements, its mostly a Thriller, a campy movie with moments of uncomfortable laughter, because a couple of the characters are a little over the top in their performances, and there’s just a tiny hint of subversive humor. This movie doesn’t take itself completely seriously.

I have to take a moment to  scream about the performances. Octavia Spencer tears it up wonderfully. You can tell she was having sooo much fun making this, but just manages to miss chewing the scenery. Its a fine line, which she just manages to skirt. Her performance is phenomenal, and scary, and surprisingly sympathetic. There’s one scene where she is in a rage, sitting in her car, and some teens drive past and throw a can of beer at her, and she breaks down and cries. She has been mistreated by lots of people up to that moment, but apparently that was just one time too many, and she just loses it. She very cold-bloodedly kills at least three people in this movie.

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It’s rare to see a movie villain in a vulnerable moment, though, and its not until a little later that you understand why she’s like that. Sue Ann is a sad, angry, little woman, desperately seeking the love and attention she was denied as a teenager, and after you see her back story, you have some idea why the town folk treat her the way they do. She just wanted what any ordinary teenager wanted, which was to be the  popular girl, and get the popular guy, and that guy betrayed her trust. By hosting the teen’s parties at her home, she gets to relive her teenage years, the way they should have been, and she gets addicted to that.

Make no mistake, she is a villain and what she is doing is absolutely wrong, but like Eric Killmonger, you feel for her, and her story resonates with you, although you can’t agree with any of her tactics. Now, this is what I mean about what happens when you change a single component of the story. You end up with some deeper moments than you thought you would, because in the hands of a White actress, this would have become your run of the mill, crazy, killer woman story, but changing the race of the lead character only, adds an uncomfortable racial component, that wouldn’t otherwise be there. This same thing happened with the movie Alien, whose principal role was written for a man. At the last moment they cast Sigourney Weaver, and inadvertently made her a Feminist icon in doing so, without being an overtly Feminist film. Ma isn’t in that league, but it is a more interesting movie than it would have been, because of Octavia’s casting.

The second best actress in the movie is Juliette Lewis as Erica. I really feel that Lewis is one of the finest actresses in Hollywood, but because of the kinds of characters she plays, she really doesn’t get enough love and/or recognition. She is one of the few White actresses I stan, but because she always seems to play working class, and poor women, people tend to equate her with her characters, and think of her as not being especially bright. I would love to see a movie with just her and Spencer,, because together, the two of them are awesome.

Here, Lewis plays a newly single Mom, who is feeling some amount of guilt for leaving Maggie’s father, and moving them back to her home town, which  she was so desperate to leave. There’s an element of shame in her return, as well. None of these things are explicitly stated. Its all in her performance, and her interaction with the other characters, and their thinly veiled contempt of her. There’s also a certain amount of guilt in her seeing Sue Ann again. You can see the tension between the two of them, when Sue Ann visits Erica at home, and Erica acts relieved, as if she’s glad Sue Anne doesn’t hold a grudge against her. Erica never came to her aid, or did anything to help, after Sue Anne’s humiliation.

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Later in the movie, Erica drops the civility mask  between her and Maggie, who she has been coddling since the divorce, even though you can sometimes see her disapproval  at Maggie’s decisions. She puts her foot down, and gets her daughter in line, to try to save her life, and my Mom loved the moment she stopped trying to be Maggie’s friend. One of the rawest moments in the movie is when Sue Ann is threatening Maggie, and Erica pleads for Sue Ann’e  forgiveness, in an attempt to save her daughter’s life. Lewis really sells it, and you feel for both these women, who still feel as if they’re paying for mistakes they made decades ago, but nobody will allow them to forget.

I’m still not sure how how I feel about this movie two weeks later. I should say I liked it. I can’t say that. I didn’t hate it though, and its not a bad movie, and the performances make it worth watching.

Sitcoms Have Always Been Political

 

This essay was inspired by a conversation on Tumblr, where an anonymous poster opined that sitcoms were too political these days, and that he wanted to watch them without politics.  I found this declaration to be not just deeply funny, but  disgracefully ignorant of the history of sitcoms. There are plenty of sitcoms that have existed, and air today, that have no political message to them, but many sitcoms have always had political components, and social messages and comedy have always been good bedfellows, from Saturday Night Live, to In Living Color, to Key & Peele.

There are those shows where not every episode deals with social issues, but plenty of sitcoms addressed specific issues during their run, and some of them were political, not because they discussed social issues, but because their very existence was a political act.

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The most famous political sitcom, that didn’t appear to be about politics, also had a somewhat disingenuous title.  All In The Family aired from 1971 to 1979. It starred Carrol O’ Connor, as Archie Bunker, a close-minded and racist bigot who liked to wax nostalgic about the good ol’ days, with his sweet tempered wife Edith, his more emotionally evolved daughter, Gloria, and her counterculture husband, Michael Stivic, who often butted heads with Archie’s ignorance.

While the show didn’t appear to be a political or social justice show, it managed to  disseminate a lot of social concepts through Michael and Gloria’s arguments with Archie. Archie gave voice to a lot of the status quo bigotry of the time, and Gloria and Michael’s job on the show was to refute his ignorant statements about gays, blacks, and women.  The show often put Archie in situations with gays, Blacks, and women, that would require him to question his long held beliefs, or realize the falsity of them. Over the course of the series eight year run, Archie slowly begins to change his views on a lot of issues. But this is not a show about redemption. The point was to show how people evolve in their thinking over time, and to provide counter arguments to a lot of the types of discussions that were actually happening in people’s homes at the time. All in the family gave birth to several spinoffs, including the openly feminist show, Maude, which starred Bea Arthur, of Golden Girls fame. Maude discussed every social issue of the time, from homosexuality, to women’s rights, as Maude spent the bulk of the show butting heads with her apathetic husband, and openly bigoted neighbor.

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SOAP aired for three years, from 1977 to 1981, and included in one of its many storylines, the  life of one Jodi Dallas, an openly gay man, played by Billy Crystal. The show was groundbreaking because this was one of the first times a gay character had been prominently featured in a sitcom, where the humor wasn’t centered around making fun of his sexuality. In fact, Jodi’s “gayness” was handled very sensitively. His character was treated with a certain amount of respect by the writers, and while some of the characters disrespected Jodi, the other marginalized character in the show, a butler named Benson, always treated Jodi with respect. The bullying of any of the other characters was always met with disapproval, and Jodi knew how to defend himself, thereby getting the best lines, and often, the last word.

The show Benson was a spinoff starring the butler of SOAP, played by Robert Guillaume. While not, specifically, a Black show, there was no doubt Guillaume was the star of the show, which declared its liberal status by showcasing Guillaume’s great comedic timing, with Bensons’ sarcastic remarks to his clueless employers.

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The Mary Tyler Moore Show came right on the tail end of the first feminist movement,  and the cusp of the second, and aired from 1970 to 1977. Mary Tyler Moore, fresh off her fame on the Dick Van Dyke show, starred as herself, while navigating life as a single working girl in Minneapolis. The show was groundbreaking in showing an unmarried, woman without children, who was focused on her career.  The show tackled such issues as pre-marital sex, homosexuality, women’s working conditions, sexual harassment, and low wages , and did so while being realistically down to earth, and very funny.

It produced two spinoffs, Rhoda, about Mary’s upstairs neighbor, and Lou Grant, Mary’s boss. It also paved the way for other feminist shows about women tackling life in the big city, like Golden Girls, Designing Women, Maude, Laverne and Shirley, and Murphy Brown, all shows that had political components, and tackled many of the same issues that had been discussed on The Mary Tyler Moore Show. Few of the shows relied  on wacky situations for their humor, but on realistic situations, while putting wacky, and irreverent characters together to see how they’d interact. Sitcoms aimed  at and about only women became a staple of the genre, and the creators would take full advantage of that to discuss the pressing issues of the day.

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If The Mary Tyler Moore Show was about a young single girl in the city, Golden Girls looked at the opposite end of the spectrum, with four retired, single senior citizens sharing a house together in Miami. The show  lasted from 1985 to 1992, and tackled such topics as homosexuality, aging, and living and loving as a senior citizen. It won several awards including a number of  Emmys, Golden Globes, and People’s Choice awards. Not every show was about being old, but the show was political just by existing, since it was a rarity at the time to have female senior citizens as stars in their own  shows then.

The list of feminist shows was not limited to White women. There were plenty of shows that had feminist messages which starred women of color. Shows like Living Single, about a group of Black women living single in the city, which was the template for Friends, and the forerunner to Sex and the City, Moesha which starred Pop singer Brandy, A Different World, a spinoff of the Cosby Show, about the eldest daughter’s adventures at a well known HBCU, and even shows for teenage girls, like Disney’s That’s So Raven.  These are shows that would have been considered political without the feminist messages, as they were about Black women’s lived experiences as Black women.

No list of politics in sitcoms would be complete without mentioning  M.A.S.H., based on the 1970 movie of the same name, (about the Vietnam War), the series was set during the Korean War, and understood by both the audience, and its creators, that all of its ideology was about Vietnam, and war in general. The series aired from 1972 to 1983. One of the creators of the series, Alan Alda was an out liberal, and made that clear in his character, Hawkeye, who often disparaged the war, and occasionally spoke on issues of feminism, race, anti-semitism, and religion, and was not above being called out on his own prejudices, like sexism. The show was nominated for over 100 awards during its run, and is still, decades after its final episode, one of the most beloved sitcoms in American television.

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By their very nature, just about any show that has a cast of color will be a show about politics, or contain social messages. Not all of the episodes on the show are political, but sometimes, just showing people of color going about their daily lives, living, loving, laughing, and working, will show that the personal is sometimes the political. For people of color, and other marginalized identities, our very existence can become a social justice issue. Shows like The Cosby Show, Fresh Prince of Bel-Aire, and Living Single, were groundbreaking in the 80s and 90s because of their rarity. How rare? Julia, starring Diahanne Carroll, first aired in 1968, and was notable for having a Black actress, as the lead, in a non-stereotypical role. She played a nurse, who was a single Mom,  two years before The Mary Tyler Moore Show, and like a lot of other shows starring people of color, it was appropriated to be consumed by White audiences, since it was believed that White audiences didn’t want to watch shows with an all PoC cast, even though the popularity of The Jeffersons, a spinoff of The Archie Bunker Show, and The Cosby Show, during the 80s, made that belief to be false.

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In fact, almost all shows which starred PoC as the leads in the cast, tackled social justice issues, at one time or another, and managed to do so, while being fun and funny,  without becoming too heavy handed about it, although they did occasionally get a little preachy. In the 80s, The Jeffersons, which was a spinoff of All In The Family, the theme was  the upward mobility of the Black Middle Class, which was a turnabout on the theme of Black poverty in the shows Good Times and Sanford and Sons, in the 70s, which later evolved into  the working class themes of Whats Happening. All of these set the stage for the comfortable, Middle Class respectability of The Cosby Show. Surprisingly, a lot of these early show were written by a White man, Norman Lear.

The Cosby family didn’t sit around talking about the important issues of the day, but just showed their lives, as the family lived it. They were  fully immersed in Black culture, often discussing books, music, and movies, that were of interest to their Black audience,  thereby giving the White people who watched the show little glimpses into what the ordinary life of a Black family might be like, while dealing with universal issues like navigating the family/work dynamic, and sending the kids to college. In fact, the Cosby Show was a kind of corollary to Roeseanne, which addressed a lot of the same issues, but from the point of view of a working class White family, a viewpoint which is also a rarity in sitcoms.

There are also all the shows that may not seem as if they are political, but because they star people of color, they become political by association with some current issue, such as Brooklyn 99, which has tackled the issue of bisexuality by having one of its lead characters come out on the show, stars a gay Black cop and his White partner, and even addressed police profiling; One Day At A Time, about the life and loves of a Latina single mother, her lesbian daughter, and the daughter’s non-binary love interest; Fresh Of the Boat, which deals with issues in the Asian immigrant community; and Insecure, a callback to the original Julia, about the love life of an awkward Black woman living in the big city. There is Black*ish, Grown*ish, Speechless, Dear White People, She’s Gotta have It, based on Spike Lee’s movie of the same name, and Bob’s Burgers, all shows told from a different viewpoint than the usual.

For someone to complain that sitcoms never used to be political is evidence of a profound lack of knowledge about the history of the genre. Sitcoms have always addressed the politics of the times in which they were created. To be sure there are plenty of sitcoms that have nothing to do with politics, which are quite popular, and there’s nothing wrong with liking them. There’s a sitcom out there for everyone, from the deeply political Veep, to the blatantly silly Archer.

But some of us enjoy the politics, which is why so many of  these sitcoms are incredibly popular.