Weekend Reading (On Gender And Race)

Here’s a roundup of some of the articles I’ve been  reading about gender related issues regarding Race and Intersectionality. 

*The first one is about how oppressed people are required to do the emotional labor of teaching their oppressors what oppression is, and  how not to do that.

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https://www.harpersbazaar.com/culture/politics/a19480416/women-changing-mens-minds-feminism-steven-crowder/

Audre Lorde perhaps put this best when she wrote, “Black and Third World people are expected to educate white people as to our humanity. Women are expected to educate men. Lesbians and gay men are expected to educate the heterosexual world. The oppressors maintain their position and evade their responsibility for their own actions. There is a constant drain of energy which might be better used in redefining ourselves and devising realistic scenarios for altering the present and constructing the future.”

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*On how movies about Black pain are only viewed by White audiences as a substitute for the actual work of eliminating White Supremacy, and how Black lives would be better served, if we stopped using up all our energy on appealing to White people to actually care about their fellow human beings.

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http://blackyouthproject.com/the-stories-of-our-struggles-are-not-for-white-people-to-consume-in-an-effort-to-do-better/

Think of all the possibilities that exist should we invest in one another and divest entirely from the practice of curating white “empathy”

-@arielle_newton

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  *Feminism is not about liking other women, and supporting  their bullshit, no matter what. That’s not the definition. If you call yourself a feminist and you hold some shitty non-intersectional views, or are just a moron, you’re going to get called on it.
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Because feminism does not dictate that you are required to like every stupid woman you encounter. Feminism isn’t a hot air balloon designed to lift already privileged ladies to new joyful heights. Those women are thinking of “girl power” or “bootyliciousness” or “domestic feminism”—some other term that was intended to act as a milquetoast substitute for actual feminism.

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*In this review of Get Out, the author discuses Black people’s reactions to  danger in movies, vs White people’s reactions to the danger.

 

Well, Too Bad We Can’t Stay

As I write this review, it has been five years since the horrific and cold-blooded murder of Trayvon Martin. When a car ominously pulls up alongside André and stops, we — people of color and horror fans — collectively hold our breath because we recognize the signal for danger. But for white audiences, that frisson is the delicious fear of the unknown. For POC, it’s precisely the opposite — the threat we see is all too well-known. It’s for that reason that Andre’s abrupt turnaround with a “No. Not today. You know how they be doing motherfuckers out here!” is so satisfying.

 

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*Til this point, I have largely been ignoring The Purge films ,because the first movie was such a poorly executed idea, that I couldn’t get past that. But now, the movies are starting to explicitly address the gender, class, and racial issues that I found dis-satisfyingly absent from that first movie.

In The First Purge we are given the racialialized backstory of the first three movies. The Purge movies turn out to be  not so much about purging society’s urge to commit evil, as it is about rich White people purging society of  marginalized  people.

Here, in this review of The Purge Anarchy, some of the details of this world are fleshed out a bit more, and they are, quite frankly, horrifying.

http://efbresearch.blogspot.com/2014/08/race-and-class-in-purge-anarchy.html

Both of these scenes highlight for me the interrelationship between class and race and the exploitative powers of a system that only reifies the lasting order and undervalues the lives of poor and minority bodies. In this film, both the rich and the government specifically target and kill blacks, the homeless, deviants, and youth in an attempt to eradicate and “purge” the society of perceived evils. This movie asks us all to reflect on who is in power, what oppressive acts are they committing, and who does society really serve. Both the murderers and the white families who can afford to lock up and hide are complicit in the exploitation and eradication of people deemed unworthy of life… Who gets to define who is worthy of life? Who gets to define how punishment is laid out? Who is in control of our streets, our livelihoods, our identities as targets or as civilians?

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  *The abuse of Asian women in popular media continues. I really enjoyed Guardians of the Galaxy 2 , a lot, but what I couldn’t get behind, was the treatment of Mantis. It was just wrong. I know the writers thought it was funny, but that’s how I know there were no Asian people in the writing room, because they would have pointed out what the constant abuse, of this stereotypically submissive Asian woman, looked like. for the record,  I loved the character, because she’s just really sweet, but her treatment by the other characters made me very, very, uncomfortable.  
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 There are also other issues with how Asians are portrayed in media. First, if seen at all, Asian characters are almost either Chinese, Japanese, Korean, or Indian. There are forty-eight different countries in Asia, so it is unfair and inaccurate to assume that all Asians are east Asians or Indian. Next, as Thai-American actor Pun Bandhu stated about Asian characters portrayed, “We’re the information givers. We’re the geeks. We’re the prostitutes. We’re so sick and tired of seeing ourselves in those roles.” Asians are associated with certain roles, so as a result, it is very hard to see change in the roles Asians play.
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There is no nuanced relationship between Ego and Mantis — just a master who demands his servant ease his pain of loneliness by helping him fall asleep. She dutifully does as she’s asked, because she does not know that there is another way of life.
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Mantis’s journey to joining the Guardians can be credited mostly to her “friendship” with a character who takes advantage of her innocence. Although Drax protects her from physical harm and Mantis helps Drax to access his buried pain about his lost wife and children, it isn’t enough to lessen the impact of his verbal abuse. Mantis’s past is a blank slate: She is an orphan, possibly the last survivor of her race, trained to be the companion and servant of Ego…Ego’s evil “expansion” plan is imperialistic, only adding to the subtext that Mantis is a colonized figure and one of his first casualties. She is educated by him, molded into, as she puts it, “a flea with a purpose.” Much of her character in the film is centered around her subordination; even though part of her storyline is breaking free from Ego’s control, that her friendship with Drax—the relationship that incites her rebellion against Ego—is built upon him insulting her isn’t much healthier.

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*Another invisible thing in movies, is how different types of characters talk, and what they talk about, based on race. I thought this article was fascinating, and I’m surprised that someone tracked this, because it never occurred to me that characters of different races talk about different things, and that what they talk about adheres so closely to stereotypes about that race!

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They found that the language used by female characters tended to be more positive, emotional and related to family values, while the language used by male characters was more closely linked to achievement. African-American characters were more likely to use swear words, and Latino characters were more apt to use words related to sexuality. Older characters, meanwhile, were more likely to discuss religion.

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*I’m a little dubious about reading this book because I don’t know if WoC will be characters, and how they’ll be treated. Since this book is written by a White woman, I’m  pretty sure that the treatment of men of color, by White women, who now have the power to harm them, is not going to be addressed, and for some reason that makes me very nervous about reading it.

White authors have a very long history of not addressing White racial resentment, or including it as a factor, in  fantasy and science fiction narratives. White feminists generally never mention it at all. This book references male oppression but White feminism refuse to acknowledge that men of color are not the ones oppressing White women, and in fact it is White women who already hold the power in that dynamic. I’m also certain that the point of view of Black women (who actually are oppressed by men of color) won’t be addressed either.

From the many reviews I’ve read, the book does address power imbalances, and how the women who are now in potions of power, simply replicate the old power dynamics that men created, bullying, torturing, and killing others. It is not mentioned if the women fight among themselves, since women are not a monolith, and even now, there are women who will fight to uphold  patriarchal systems. I do not know if transgender women, (or people who identify as non-binary) are taken into account in the story.

http://www.nybooks.com/daily/2018/02/26/imagining-violence-the-power-of-feminist-fantasy/

Rage and the desire for revenge against male oppressors, however, has emerged in women’s dystopian writing during periods of feminist protest and uprising. We can see it during the first wave of the suffrage movement. Inez Haynes Gillmore, an American writer and suffragist, wrote, “When the first militant in England threw the first brick my heart flew with it. Thereafter I was a firm believer in militant tactics.” In principle, Gillmore believed, militant women should use the actions that had always worked for men: “rebellion and violence.” Yet she was also thinking about suicide as a suffragist tactic in practice:

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http://blackyouthproject.com/feminist-triumph-action-thrillers-always-white-women/

Here we are now, in the wake of Wonder Woman, and we find ourselves amidst these familiar conversations once again, and once again we are reminded that feminist realizations in major U.S. action films thus far have largely been for and about white women…

…And the ease with which Wonder Woman fans are able to ignore healthy critiques of the film and its star reflects how mainstream feminism and feminist solidarity have always been for and about white women.

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*I’m a big fan of Kim Coles, both as an actress and a comedian, and it was a lot of fun to read this interview, so many years after her star turn in the show Living Single.

https://theundefeated.com/features/90s-token-black-actors-phil-morris-bianca-lawson-kim-coles/

… in the 1990s, the wealth of black representation on television could lull you into thinking (if you turned the channel from Rodney King taking more than 50 blows from Los Angeles Police Department batons) that black lives actually did matter. But almost all of these shows were, in varying ways, an extension of segregated America. It’s there in the memories of the stars below: There were “black shows” and there were “white shows.” If you were a black actor appearing on a white show, you were usually alone.

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https://www.harpersbazaar.com/culture/film-tv/a12022020/how-women-of-color-portrayed-tv-film/

A diverse writers’ rooms matter as much as the show’s cast. It is imperative that we continue to critique both the shows and movies we love until they properly reflect the world we are living in—and the people who live in this world. The fictional characters I love shouldn’t have to eclipse their sun to shine.

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*The styles of oppression and stereotype faced by White and Black women are just different. so we require different ways of addressing them.

https://thenerdsofcolor.org/2016/09/26/why-it-matters-when-women-of-color-play-love-interests/

Women of color have emphatically not been flooded with images of being treated as princesses and beloved love interests. The emotionally resilient, invulnerable, no-nonsense woman is all we are often allowed to be in media. We’re used to seeing roles where the women of color are expected to stare death and torment in the face with nary a single tear shed. We’re used to being expected to shoulder some great burden with no complaint. We often see ourselves play stoic bodyguards, hardened leaders, and calculating assassins who will do whatever it takes to survive. Rarely do women of color — particularly Black women — get to see themselves portrayed as precious, beautiful, and in need of protection. Rarely do we see films where we aren’t automatically expected to save ourselves.

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*Michael Burnham, of Star Trek Discovery, has become my new favorite hero.

https://mediadiversified.org/2018/03/06/normalising-black-women-as-heroes-star-trek-discovery-as-groundbreaking/

Discovery normalizes a black female hero in space. Evading the extremes of paragon and pariah, the show gives us a nuanced figure and places her at the very centre of the story. Few SF shows have ever tried to do this. The only example that comes to mind is the short-lived Extant, which also aired on CBS. But Extant was never really a space show and it never gained traction with audiences. So until Discovery came along, the primary model for black women in space (even empowered black women) was a sidekick. Shows like Doctor Who, Firefly, and Battlestar Galactica include wonderful black female characters but always as secondary players. By casting a black woman as the lead, Discovery is unprecedented in the Star Trek franchise and extraordinary for SF television.

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*An interview with the Author of Where No Black Woman Has Gone Before, discussing how WoC are treated in science fiction media.

As an associate professor of English at Denison University, Diana Adesola Mafe makes her stride in the resistance where she teaches courses in postcolonial, gender, and Black studies. Her newest published endeavor is described to include “in-depth explorations of six contemporary American and British films and shows, this pioneering volume spotlights Black female characters who play central, subversive roles in science fiction, fantasy, and horror.” We were able to steal her away for a moment from her busy schedule where she is currently teaching a few classes to pick her brain about Where No Black Woman Has Gone Before and how it came to be.

Black Nerd Problems: Diana, thank you so much for making time in your busy schedule for us! First things first, presentation is everything. I love the book cover art and the title! The cover features a Black woman in a sci-fi type setting, centered in the middle of it all. I’m a visual learner so this image speaks to me before I even read a single page. Centering a Black woman is a very deliberate step in analyzing different collective portrayals of Black women especially when we are subjected to not being a leading lady in many mainstream projects. And it doesn’t go over my head that she’s a beautiful dark skinned Black woman, as European beauty standards have really amped up colorism. What input did you have on your cover and why was imperative to have imagery that aligns with who you are and your book’s content?

Diana Mafe: I’m so glad you mention the book cover! Despite the old adage about not judging books by their covers, book covers are an entry point to a text (much like titles) and they can send a powerful message even before you flip to the first page. I’m pleased to say that I had considerable input on the cover, which speaks to the flexibility of the University of Texas Press. I chose the image and filled out a questionnaire that allowed me to weigh in on things like design and color.

I remember spending several afternoons and evenings combing through online images in an attempt to find something that captured the spirit of the book. This meant doing keyword searches by combining terms like “Black women,” “science fiction,” “space,” “superhero,” “Afrofuturism,” and so on. Eventually, I happened upon a photograph of a black female Iron Man as portrayed by the Liberian model Deddeh Howard. As soon as I saw it, I thought, that’s it—that’s the cover. Having a Black woman literally front and center is important because that, in many ways, is the point of the book. To do otherwise would (ironically) perpetuate the very erasure of black women that I’m trying to interrogate.

BNP: I’m also very much in my fangirl feels because I’m assuming your title, “Where No Black Woman Has Gone Before” is a nod to Star Trek’s “Where No Man Has Gone Before”. Granted your introduction is titled, “To Boldly Go” and you mention Nichelle Nichol’s pioneering Lt. Uhura as one of few early gateway representations of Black women.

I think this is totally appropriate as stunningly revolutionary as her presence was (and how rightfully she is an icon), I love how you also dig in deeper critically and mention the shortcomings of Star Trek to her character. In your final chapter, you dutifully return to Uhura’s more recent portrayal in the rebooted Star Trekfilms. I really like how you come back to speaking about the male gaze regarding Uhura, especially in her newer portrayal. How do you think this critique can serve as food for thought for Uhura’s next portrayal in the future whenever that happens?

 

DM: Your assumption about the title is correct—a definite nod to Star Trek. The same goes for subtitles like “To Boldly Go” and “Final Frontiers.” Because Nichelle Nichols’s Uhura is such a pioneering figure, the first Black female science fiction icon, it was appropriate to begin and end the book with her character. And since she has been rebooted in the new millennium, her character offers some insight into how far we have come in terms of black female representation onscreen.

But as I discuss in the book’s conclusion, the “new” Uhura (Zoe Saldana) is not especially radical. The Eurocentrism and phallocentrism of the original show carries over into the reboots. Of course, there are understandable limits to rebooting classic science fiction television and cinema—if you change the original too much, it becomes unrecognizable and thus defeats the point. So along with returning to and revamping classic narratives that we love, we also need to continue imagining entirely new narratives in which old molds are not merely stretched but broken.

For Uhura, that means more screen time, more dialogue, and more agency. The key is to preserve this beloved Black female character without also preserving her constraints. At the same time, it’s vital that shows like Star Trek create fresh characters. Here, the franchise has made a “giant leap for Black womankind” (I couldn’t resist one last space cliché) by debuting Star Trek: Discovery, which gives us Michael Burnham (Sonequa Martin-Green), the first Black female lead in Star Trek history.

Read on here[x]

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And just because these are hella cute! Shuri would definitely be Bubbles, while Okoye would be Buttercup.

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A Quiet Place Review

Mom managed to talk me into going to see this movie, which I had no plans to see, at the theater. I didn’t want to see it, not because I thought it was going to be bad, (I was really intrigued by it), but because sometimes my anxiety likes to ramp itself up, and I can’t leave the theater. When you’re at home you can turn off the TV, or pause a disc, but its a lot harder to call time out in public. I told her this, but she really wanted to see it, and it really did look good, so we agreed that I could hold her hand if I got too scared.

I loved it, actually. I love scary movies, but usually only only watch them when I can control my reaction to them. I didn’t get too scared, though. There were a couple of moments where I was white knuckling it a bit, because I really did like the characters, and empathized with them. One of the ways of controlling my anxiety is telling myself is that its okay, I’m not actually in any danger, and this is what I’m supposed to be feeling during such scenes. This is a process that may, or may not, work for you in public, but I have many, many years of practice at managing such this.

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Also, one of the reasons I didn’t get too worked up is because the movie isn’t exactly what I expected. It has a 100% rating on Rotten Tomatoes. Normally, I don’t give a fly what a movie’s rating is on that site, but in this case, I understand why it’s rated so high, and I see why people are crazy about it. It really is very good, just not what I was expecting. I was expecting more bombast, more jump scares, lots of monsters, but the writers did more interesting things.

If you’re going to see this for the monster, or for gore, you’re going to be disappointed. There’s not much of either, beyond the occasional blink and you’ll miss it shot. You do get a good look at the monster eventually, but  the monsters are not the focus of the movie. Like the movie Alien, the focus is the relationships between the characters, and how they’re dealing with a horrific situation.

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The Earth has experienced some kind of alien invasion, most of humanity has been killed, and the ones left alive mostly live underground, and can’t make any noise, or the aliens, which operate solely on sound waves, (they don’t have eyes) will attack them. The aliens are extremely fast and brutal, with long legs, and giant claws. They don’t eat their victims it seems. They just kill them. I think they just dislike noise. I had the impression that they view loud noises as some sort of attack, rather than as a source of food.

The movie follows a family with a deaf daughter, and a hearing son, who are navigating this world with its new set of rules. They go barefoot, along sand trails that have been set down by the father, to the places they most often frequent. They use American Sign Language to communicate. They wear headphones to listen to anything. They live above ground during the day because the father has been working to perfect a radio system to communicate with any other people.

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Most of this information you can get from paying close attention to what’s happening on the screen. There’s no sound for most of the movies running time, so there’s plenty of time to concentrate, and if you don’t like to read movies…too bad.. you’re to see this movie anyway, and like it!

The terror comes from the logistics of living in a world in which the slightest sound you make could get you killed. When you think about it, human beings are made up of nothing but noise. It seems to be our primary superpower, and kids and babies are noise personified. Getting above a certain decibel level attracts the monsters, and just because you hunker down and get quiet doesn’t mean necessarily mean they go away. There are work-arounds to be had, though. For example, natural sounds like running water, wind, storms, etc.do not attract them, and if you’re near something that’s a natural sound, that’s louder than whatever noise you’re making, you’re mostly safe. I enjoyed watching some of the father’s clever ideas of living within the rules.

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The movie is mostly about this family, their relationships, how they feel about what’s happening and how they navigate this world. The parents are genuinely in love, they love their kids deeply, and most of the film’s tension arises from their need to keep their children safe, and past guilts. At the beginning of the movie something horrible happens that the daughter spends the rest of the movie blaming herself for, and believing her father blames her and hates her for, too. Meanwhile, the mother also blames herself for it, and the son is just terrified of living in this world, in general.

I loved Emily Blunt here. I’ve been a fan of hers for a while now, and she really carries the emotionalism in this movie. The rest of the cast is good too, especially the little actress who plays the daughter. I really enjoyed her performance, although I could’ve done without the “kids wander off on their own” plot points. A lot of the plot points are predictable too, but the acting is so well done, you’re not particularly bothered by that. And the movie is just beautiful to look at. The country landscape is lush and green and…quiet.

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There were a few things I noticed that I had questions about, and a lot of things you can infer from the information onscreen. I understand why cities would have been abandoned. And we witness that any animal that makes noise will be attacked, not just human beings, which implies that most of Earth’s ground animals were probably killed. We can still see that there are some birds left, and that would make some sense.

My biggest problem was the ending, which was only disappointing in the sense that I wanted more of it. I wanted to see a big boss battle at the end. I wanted a little bit more closure. But I get why the movie ended the way it did. You get to tell your own ending and the one I made up was a happy one, that fits the last image we see.

Adequate Representation & Fandom Racism

 

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I think Samuel R. Delaney really summed this up best when he outlined how the rise in racist behavior from White people in fandoms (and most other ventures and organizations) is often directly commensurate with a rise in the number of PoC who are participating in said event. Not to imply causality here, but certainly there is a correlation.

 

*(Warning for graphic descriptions of lynching.)

“Racism and Science Fiction”
by Samuel R. Delany

From NYRSF Issue 120, August 1998. “Racism in SF” first appeared in volume form
in Darkmatter, edited by Sheree R. Thomas, Warner Books: New York, 2000.
Posted by Permission of Samuel R. Delany. Copyright © 1998 by Samuel R. Delany.


Racism for me has always appeared to be first and foremost a system, largely supported by material and economic conditions at work in a field of social traditions. Thus, though racism is always made manifest through individuals’ decisions, actions, words, and feelings, when we have the luxury of looking at it with the longer view (and we don’t, always), usually I don’t see much point in blaming people personally, white or black, for their feelings or even for their specific actions—as long as they remain this side of the criminal. These are not what stabilize the system. These are not what promote and reproduce the system. These are not the points where the most lasting changes can be introduced to alter the system.

 

http://www.nyrsf.com/racism-and-science-fiction-.html

 

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Delaney was specifically discussing Genre literature in this essay, but this same reasoning could also be applied to television, film, fandoms, tech startups,  travel, medicine, and academia. The reason why so many people like to look back to the “Good ‘Ol Days” and say there wasn’t any racism back then, is because there weren’t enough PoC involved in that particular industry back then, to trigger the “Pushback” behavior we’re seeing now, at least not in enough numbers that White people thought it worrisome.

There isn’t more racism being expressed in fandom. It’s the same amount of whitewashing, erasure, and White prioritization that  has always existed. The only differences now is that with the rise, in number, of fans of color, White bigots have become more  vocal in their efforts to push back against those numbers, and there are more of us to call them out on their behavior.

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Whether they know what they’re doing or not, fans are participating in an effort to drive PoC away from spaces they have always considered safely theirs, and not just against PoC, but women as well. This happens in every industry, and it has always failed.  There has never been a time when White bigots (whether they knew they were bigots, or not) successfully managed to send THOSE people back where they came from, or halt their participation in some cultural pursuit. Nevertheless, each generation of newcomers must go through the same song and dance of defending our presence, wherever we happened to show up, or defending our interest, in something we found entertaining.

And I am a WoC, so I have had to work doubly hard at this.

Ten Scary Short Horror Movies

Well, it’s almost Halloween and so naturally, as it does every other day of the year, my mind turns toward scary movies. I can’t out a whole movie on here but I can share with you some of my favorite short films. I like monsters, so most of these have monsters. I like comedies, so some of them are funny and there’s a couple of these that scared the living shit outta m
This movie infuriated me, especially after I realized what was actually happening:

Don’t Move

 

 

You guys know I’m not a  fan of spiders, so I was reluctant to watch this one, but it just so happens it has a surprisingly funny ending:

Itsy Bitsy Spiders

 

 

I saw this one last year, and it stuck in my mind for a whole year, but I’d forgotten where I’d seen it, and the title. It took me some time to find it again, and it’s still scary:

Ghost Story

 

 

Yeah, this one is very, very, creepy:

Mimic

 

 

Yeah, this one is creepy but hilarious, and I think I remember this song from my childhood.

The Cat Came Back

 

 

This is a little longer than the others but it’s worth the wait and it’s  funny.

Waiting

 

 

This one isn’t particularly scary but it has zombies in it and I thought it was deeply cute:

Less Than Human

 

 

Here’s a slightly different haunted house story:

Vienna Waits For You

 

 

This isn’t what it seems:

Midnight Snack

 

 

Okay, this is the one that made me actually scream  out loud:

The Thing In The Apartment

 

Hope you enjoyed these. I’ll have some more on Halloween!

 

 

 

 

Things We’re talking About This Week

Oh, hello there! Hi! Have some movie trailers and other assorted goodness. This first one is an awesome mashup of all the best fight scenes from the MCU, titled Battle Royale, and I just geeked out when I saw it. It’s almost as good as the Black Panther trailer:

 

*And here are some new martial arts movies to look forward to. I don’t usually rec such movies, I just like what I like, but I’m going to start, because I get really excited to hear about them, and the point of this blog is to share that kind of excitement with you.

I am really excited about this movie because I used to read the manga. I never entirely understood it, because the character relationships were often convoluted (at least to me) but I loved the premise, and the lead character, who was a total badass, and this movie seems to have captured at least a little of that here. Also, I’m a huge Takashi Miike fan. He’s very gory, but I will pretty much watch anything he makes:

 

Jackie Chan has a new movie coming out that looks like a mashup of  Mission Impossible and what Ghost in the Shell should have been. I really want to see this one because it makes Jackie look totally badass. I don’t think this movie is meant to be funny, and not just because it has the word Steel in the title:

 

I love Wushu fantasy movies and this one looks like fun. (If you like this one then you also need to check out the Detective Dee movies on Netflix, and Amazon. I used to read the Detective Dee books when I was a teen, and I like the movies.)  This movie reminds me of the Chinese action movies of the 80s, like Ghost Story:

 

 

*So, this thing happened, where an anonymous casting director made a comment about the reason Asians don’t get cast in movies. Apparently, they’re not expressive enough!

After Someone Said Asians Weren’t Expressive, People Created The Hashtag #ExpressiveAsians To Prove Them Wrong

https://www.pastemagazine.com/articles/2017/09/bias-does-not-come-out-with-the-whitewash.html

*I don’t know. Asian people do appear to have faces. I’ve seen them. I’ve been looking at them in  real life and in movies for a few decades now, and I’ve always been able to discern what emotions were being expressed, just by looking at them, but apparently this person has a problem doing that, to which I can only say:

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Now I’ve been saying that Hollywood’s antipathy against hiring Asian Americans, to actually play Asian characters, was becoming creepily apparent to even the most oblivious people, and here’s my receipt. Naturally, Asian Americans had something to say about this level of wtf*ery:

Hollywood Won’t Adapt Bestselling Novel Because They Refuse to Cast an Asian Lead

https://nextshark.com/michael-lewis-flash-boys-hollywood-refises-to-cast-asian-lead/

 

the issue isn’t Asians looking inscrutable and mysterious. it’s the laziness of white people.

  pic.twitter.com/Ju6fbwV1JH

 

https://www.buzzfeed.com/krishrach/someone-said-asians-werent-expressive-so-people-showed-of?utm_term=.naX3QlDW0#.hpnxd6zAJ

*C’mon!You knew somebody was gonna throw some Iron Fist shade:

Never forget Iron Fist….

‘Asians are not very expressive, lol let’s make Steven Seagal an martial arts action hero.’ 

Some used the opportunity to highlight actors who may have been overlooked by Western audiences.

View image on TwitterView image on TwitterView image on TwitterView image on Twitter

Tony Leung can express more complex emotions with just his eyes than many Western actors can with their whole bodies. 

 *And Scarlett Johansson got some shade thrown her way, too:

*Okay, is it petty for me to be enjoying all this sass, from Asian Americans on social media, who have been emboldened to speak out on their oppression and erasure? I suspect Black Twitter has been a bad influence on a lot of people.

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*I like how this person brings it full circle, on how racist stereotypes play out in fandoms, not just towards Black characters but towards all characters of color. It’s important to be aware of the existence of various tropes and stereotypes, so that you can recognize when they’re being employed against various characters. Its been said, over, and over again, that fandom does not exist in a vacuum. When you consume entertainment media of any kind, you’re also consuming racial narratives as well, which are going to play out in whatever you produce in how you think of the characters of color and whatever you produce about them.

How “Malec” (the canon couple of Alec, a White character, and Magnus, an Asian character, from the show Shadowhunters) is being portrayed in the fandom, bears a number of racist markers that people have been consuming for decades. One of these is the Madame Butterfly trope.

I think one of  the most obvious recent examples of the Madame Butterfly trope,  is a scene from the movie Watchmen, where the Comedian is confronted by a pregnant Vietnamese woman, who charges him to take care of his child. He murders her instead, because she refused to be quietly submissive, and languish for his attention.

So, there are some hardcore anti-Malec people out there that keep clogging the tags with their “deep activist” meta where they basically invent fake!SJ reasons why Malec is “problematic” and why their white ship with Alec (for example J@lec) is a lot more “wholesome”, a lot more “passionate” and “believable” ship.

The funniest thing about them is that while they smugly juggle with the SJ arguments [pretending to fight racism and homophobia] they use the grossest Anti-Asian stereotypes against Magnus while trying to prove their point.

On one hand, there those, who villainize Magnus at every turn, and claim that Alec is “suffering” in a “problematic” relationship because Magnus is a “manipulative predator”, a “bad Bi rep”, who basically “preys” on Alec’s whiteinnocence and “abuses” Alec at every turn. And, yeah, these people don’t see Magnus, when they watch the show, they see a Fu Manchu, “the Yellow Peril incarnate”.

On the other hand there are anti-Malec people, who want to “free” Magnus from his “toxic” relationship. It’s a fascinating sight, really, because there are tons of meta, headcanons and fics where people  envision Alec as being constantly cruel and selfish; this version of Alec is a cynical emotional sadist, who tortures Magnus by being with him, by using him, but never truly reciprocating Magnus’ feelings in return. These people see Alec as being “cold” and “uncaring” even in his most intimate scenes with Magnus. They don’t believe Alec’s own words when he constantly confesses his love to Magnus.

There’s a series of meta posts and gifsets “proving” how “detached” Alec is with Magnus, claiming that Alec is in a relationship with Magnus only because Jace is unavailable, but Alec would’ve thrown Magnus under the bus the first minute Jace showed any romantic interest in him. These J@lec / anti-Malec people see Magnus as nothing more than a “prop” to Alec – an endlessly suffering victim with zero agency. The poor soul that deserves pity… but never love.

That is not canon Alec of course. And neither that is Magnus portrayed by Harry. If one sees Magnus as nothing more than a “prop” to Alec, then they’ve clearly been zoning off on all of Magnus’ scenes in s2. The thing is that this fanon vision of “toxic”, “one-sided” Malec is basically a summary for the Madama Butterfly opera.

This perception of Magnus being the “silent infantile victim” stems from a very popular anti-Asian stereotype – “China Doll”. Along with the “Dragon Lady” (a female version of “Fu Manchu”) this is a racist stereotype of East and Southeast Asian women that had been perpetuated by Western media and fiction for ages, for years this trope had been exploited in Hollywood movies. And considering that emasculation and feminization of Asian men is still a big thing in Western society and media, it’s not surprising that the fandom is also constantly emasculating and feminizing Magnus.

You infantilize a woman, and she becomes eroticized. You infantilize a man, and he becomes emasculated. You infantilize a baby – and it’s possible, it appears that you can infantilize a baby even more. The [Asian] babies need to be cuter than white babies. And it’s just a weird thing that I felt like said something about mainstream America’s relationship to Asians in general.
–             
John Cho (c)

Madama Butterfly” is one of the versions of China Doll stereotype. It’s an opera in three acts (first premiere in 1904) by Giacomo Puccini. It is the story of a Japanese maiden (Cio-Cio San), who falls in love with and marries a white American navy lieutenant named Pinkerton. Pinkerton is marrying for convenience, since he intends to leave Cio-Cio San once he finds a proper American wife. After the officer leaves her to continue his naval service away from Japan, Cio-Cio San gives birth to their child. Cio-Cio San blissfully awaits Pinkerton’s return, unaware that he had not considered himself bound by his Japanese marriage to a Japanese woman. When Pinkerton arrives back in Japan with an American wife in tow and discovered that he has a child by Cio-Cio San, he proposes to take the child to be raised in America by himself and his American wife. The heartbroken Japanese girl bids farewell to her callous lover, then kills herself.

It is the most-performed opera in the United States, and it’s been hugely popular all over the world. It has numerous incarnations in Western media, pop culture, literature. The one of the modern versions of the opera is the musical “Miss Saigon”. This popularity of the trope only helps to perpetuate the notion of the dominant white male over the subjugated East Asian [female] who can be cast aside and treated as easily dispensable. (x)

So, yes, when hardcore anti-Malec people are interpreting Malec as loveless / passionless relationship, with Magnus being an endlessly suffering victim and Alec as a cold and heartless abuser, just waiting for a chance to discard Magnus aside [for a white guy Jace], they are seeing a Madama Butterfly scenario. A dated racist anti-Asian stereotype.

Madama Butterfly was first staged in 1904. It was a story showing that races can’t mix. A story saying that interracial relationships are “dirty”, and are always doomed because a white person (man) cannot really love a person of color (in this case an Asian person/ woman) because a white person (man) is superior and needs to find an “equal” (i.e. another white person). It’s a story telling that a white hero will always choose his own kind, and that a non-white person is only good for “fun” but doesn’t deserve to be loved in return. The love of a white hero is only reserved for another white person.

If that’s how people see and interpret Malec it speaks volumes. And not about the canon narrative, but about these people and their worldview.

 @@

With all that said, Daniel Dae Kim (my future ex-husband) has been cast in the role of Ben Daimio in the new Hellboy movie, in the role vacated by the actor Ed Skrein, in protest of whitewashing. This is a movie I have no intention of seeing, (despite that fact that my bae is in it), because Guillermo Del Toro’s version of Hellboy was absolute perfection, and you simply cannot improve on perfection.

But this casting of Daniel is still not without some controversy.  It’s definitely better than casting a White guy, and people like Kim, but the argument now is that Asian Americans are not interchangeable. The term Asian encompasses many different cultures. Daniel Dae Kim is Korean, and the character he’ll be playing is Japanese. If the character calls for Japanese, then a Japanese (American) person should have been cast, but I guess we’ll settle for this because when it comes to Hollywood, “baby steps”.

Daniel Dae Kim to Replace Ed Skrein in ‘Hellboy’ Reboot

Daniel Dae Kim Hellboy
Daniel Dae Kim is in talks to replace Ed Skrein in Lionsgate’s “Hellboy” reboot starring David Harbour.

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Various observances from Tumblr that I feel deserve closer attention, like this very important Chris vs. Tom discussion:

think it’s about time we stop making jokes about the amount of famous white boys named Chris, and about time we started focusing on Tom. Am I talking about Cruise? Hiddleston? Hardy? Holland? Hanks? Felton? Fletcher? Selleck? Welling? Ford? Hooper? Brady? It’s impossible to tell because apparently half the male population are called Tom.

kinghardy nicetrytopredictme

This post implies any Tom besides Tom Hardy matters and that is simply untrue.

 

scallywagsandseamonsters iamnotsebastianstan

Can I add Tom Burke, Tom Hollander, Tom Ellis? And what about Dave?! Dave Grohl, David Beckham, David Boreanaz, David Schwimmer, David Duchovny.

3fluffies raina16

Marvel does seem to be gathering all Toms to them, maybe because they’ve hit critical mass of Chrises.

azrieldoestheater

the toms simply haven’t amassed the same kind of raw power as the chrises. it’s just not the same

blunderpuff

you can tell any two Toms apart tho– put 2 Chrises next to each other, and it’s like… is that the same guy in two different outfits?????

@@

 

 

*And this discussion about environmental conditions in the US right now:

what the fuck is going on between poseidon and zeus right now

 

“Eyes the half of the continent that’s on fire”

Hephaestus can chill too TBH.

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Oh, and this newest edition of the Target Chronicles. Now, if only someone would start one for Walmart because I just know that’s gonna be crazy. I’ve only ever been in a Target store maybe three times in my life, because its just not my go-to store, but I imagine the stories from there can’t be any worse than stories from any other department store.
Image result for target worker
Day One Hundred And Forty-Two

-Tonight, I was asked to work guest services. Upon reaching the desk, I was handed a large tub containing boxes of “Farewell Dandelion” crayons to hand out to the children. My powers grow stronger still.

-I overheard a woman remark, “As a nurse, it is my opinion that being in a car crash would be both scary and somewhat painful.” As a human who experiences emotions somewhat normally, I concur.

-A mysterious woman with a mysterious purpose entered the store. She told me that she wished to give my manager of letter, content and reason unknown. She insisted upon delivering it herself to avoid the attention of unwanted eyes. I can only hope to one day be a part of such ominous goings-on as have gone on before me tonight.

-Halloween merchandise has arrived, and with it, the canned screams of skeletons and witches echoing down the aisles. I could not be more elated.

-A young boy, perhaps six or seven years of age, excitedly ran through the dollar section, digging around and eventually adorning himself with a pointed black witch’s cap and a tutu as pink and frilly as could be. He was delighted by his outfit, but his delight was nothing compared to his mother’s delight, and his mother’s delight was nothing compared to mine.

-A woman approached the service desk to tell me in a hushed voice that there was a dog outside. She then raised her eyebrows, gave me a knowing look, and walked away. This is precisely the kind of informant I need in my life.

-I processed a return for an elderly woman who was distressed that her new digital thermometer would only display the same numbers with no change. Unsure of how to tell her that she had yet to remove the sticker on the screen, I gladly gave her a refund and sent her on her way.

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*Here are a couple of articles from Black Nerd Problems addressing the idea of the CW show Arrow, making plans to do a BLM oriented episode, (NOPE!) when they don’t have a great track record of dealing with serious subjects, and about how the show The Defenders just wasn’t all that.

Image result for defenders

http://blacknerdproblems.com/arrow-black-lives-matter-episode-can-keep/

http://blacknerdproblems.com/3-reasons-the-defenders-isnt-must-binge-tv/

Favorite Movies of My Life Pt. 2 (1981 – 1990)

The eighties is when I did the bulk of my movie watching, so its going to get harder,  as I go,  to just choose one movie, and in some cases, some  movies are going to have to share the spotlight with others.

The eighties also saw the invention of the VCR, for wide spread home use, and my family got our first one  in 1983 or 1984. Yes, I saw more than a few of these movies with my Mom, but there’s less of a nostalgia factor involved, and more of an appreciation for good filmmaking in my choices.  This is sometimes less about which movies influenced me, and more about which ones I could appreciate as a noobie film-wonk.

At about the mid-eighties, I started babysitting my nieces and nephews, and some of my Aunts had cable. So I watched a lot of these movies on HBO, (along with lots of MTV). I watched a helluva lot of Horror movies, in the eighties too, so this list is going to contain quite a few of those. I think my Mom and I tried to see every Horror movie made between 1980 and 1988, at which time I headed off to college, and  wilder film adventures.

 

1981 – American Werewolf in London/The Howling

 

I couldn’t choose between the two hallmark werewolf movies of the 80s. At the time American Werewolf was released, it was considered the total shit, but I didn’t care because I was stuck on The Howling, and as far as I was concerned, nothing surpassed it. Until I realized what everyone was talking about. An American Werewolf in London is, indeed, a most excellent movie.

I love both movies for different reasons, though. By any measure, American Werewolf is the deeper film, with its themes of survivor’s guilt, and cultural displacement. That, along with the special effects, make it worth the hype.  The Howling is pure, grade B horror film-making, with its cheap melodrama, and mordant sense of humor, and something in my fourteen year old soul (my age when I saw it) just loved it.

1982 – Bladerunner/ The Thing

When I first saw the trailer for Bladerunner at age 12, I knew that was my movie, and we were destined to be together. Unfortunately, I didn’t get to see it until several years after its release, and only on TV. I’ve been  a Ridley Scott fan ever since. I am obviously going to have to do a review of this movie, and share my love, even if there’s nothing new to be said about it.

I distinctly remember watching this trailer on TV, and thinking I wanted to see this movie.

I could not choose between Bladerunner and what is quite possibly one of the most perfect horror movies ever made, The Thing. This is how you do a remake. I’d argue that the eighties was the decade of the great  remake. Starting in the late 70s with Invasion of the Bodysnatchers, the 80s saw the remakes of The Fly,  Scarface, The Blob, The Thing, The Little Shop of Horrors, and Cat People.

Most people looking back on this particular year, often choose E.T.  because it was the most popular. Well, I’m not an E.T. fan. I don’t care about it, have no warm feelings for it, and almost never think of it, and at twelve years old, I’d be the perfect age to love it. I didn’t.

The Thing is another movie I didn’t see at  its release. In fact, this didn’t register on my radar until several years after, when people began praising it in various magazines. I have no memory of watching the trailers for it, although I must have seen them. I really didn’t know anything about it until a few years after its release.

There was also a movie released this year called Xtro, which was one of the grossest scifi/horror mashups I’d ever seen, and  was surpassed only by another horror movie, released in 1987, called Street Trash.

1983 -The Right Stuff

I have been a total NASA stan, ever since I fell in love with Star Trek as a child, so for me this movie felt like a behind the scenes look at one of my favorite organizations. This was the first time I’d ever watched Ed Harris in anything and I totally fell in love with him, and Scott Glenn, but I was also  in love with everybody when I was fifteen, apparently.

Yeah, okay, I’m still in love with Ed Harris, solely on the basis of him starring in this movie.

1984 – The Terminator

I didn’t see this movie until 1986. I remember this so well, because at the time it was released I had longed to see it, but didn’t have any money to go to the theater. I saw it in 1986, on tape, at my neighbor’s house. I remember because our neighbors, two brothers who lived across the street from us, had just bought a new VCR, and invited our family over for movies and popcorn.

I remember their house was a total mess and I was more than a little dubious about staying, but after a while I was so engrossed in the movie, I completely forgot my surroundings. It was the first time I’d ever seen a James Cameron movie, and my introduction to Bill Paxton and Arnold Schwarzeneggar. This is another of those movies where I just wandered off, home, while slowly trying to readjust to reality.

1985 – Fright Night

See my review:

https://wordpress.com/posts/my/tvgeekingout.wordpress.com?s=fright+night

Return of the Living Dead gets an honorable mention:

https://wordpress.com/post/tvgeekingout.wordpress.com/3756

1986 – 3 Films

I could not pick just one movie for this year. Three of my top favorite films were released this year: Aliens, The Fly, and Children of a Lesser God. Each of these movies is the perfect example of its genre for this year. But, if I absolutely had to pick one of them, to watch on a desert island, or something, I’d pick Aliens, since I never get tired of watching it.

1987 – 4 Films

This is another year where too many of my favorite films were released, so I can’t pick just one of them.

I saw both Evil Dead 2, and Robocop on a double bill at the local theater. To this day, I can count this as the best spent three hours of my entire  life. Just me, some popcorn, and a quiet movie theater, all to myself.

Lost Boys is on this list because I distinctly remember gushing about this movie to one of my classmates about how the guys in the movie were so cute. So, this makes the list more out of nostalgia, than that its a great movie, although, its still pretty good, by today’s standards.

I didn’t see Near Dark until many years after its release, but I do hereby acknowledge it as one of the best, most underrated,  vampire movies of the 80s.

My review:

https://wordpress.com/posts/my/tvgeekingout.wordpress.com?s=near+dark

1988 – Akira

Dangerous Liaisons, Beetlejuice, and Young Guns, were all released this  year, but really there was no other choice for me to make. This year belongs to Akira, although I didn’t watch it until 1992, while I was in college.

Not only is it the best movie made that year, its one of my all-time favorite Anime. Its also the very first time, I’d ever seen Anime on the big screen. When I walked into that theater, I had no idea what I was in for, since my roommate refused to tell me anything about it. She just kept saying I would like it. There are a handful of movies, that have such an effect on you, that you have to seriously readjust to being back in the world, when you walk out of the theater, and end up contemplating them for months after you see them. Akira is one of these films.

Incidentally, I had a bad falling out with the roommate who introduced me to this movie, a few years later, and while I have mixed feelings about her, I have never faulted her taste in movies. Whenever she said I would like something, she was NEVER wrong. Raising Arizona, Tremors, Near Dark, Seven Samurai, and Akira are movies I probably would never have watched without her influence.

1989 – The Little Mermaid

Batman, The Abyss, and Casualties of War, were also released in 1989, but I have to pick The Little Mermaid as my favorite. Ursula’s song, Poor Unfortunate Souls, is the meanest, snarkiest shit I ‘d ever heard in a Disney film, and I absolutely love that character. Of course now I know, she was modeled after the Drag Queen, Divine.

This was one of the first Disney films that ever made me cry, and I’ve been crying at these movies ever since.

1990 – Goodfellas

Tremors and Dances with Wolves was released in 1990, and I saw all three of these movies in the theater, where they probably should first be seen. I wasn’t unaffected  by those movies, but Goodfellas is a movie made by a director, Scorcese,  who was at the top of his game at the time, and he has never made a better movie since, in my opinion.

This one of my favorite scenes in a wealth of favorite scenes. Personally, though I don’t find the “Do you think I’m funny?” scene, to be especially funny. Yeah, its iconic, but its not my favorite.

The 1990s, though,  was when I really started, not just to develop my own tastes, but began to pin down just what attracted me to certain films. I began to really think critically about what I was watching, and Why I was watching it. I began reading the opinions of others about the films I liked, and this taught me how to approach film criticism. I started to trust certain critics over others, began reading books on film theory, and audience theory, and reading the filmmakers ideas about what they were trying to accomplish.

So, as the 90s progress, you’ll start to see a change in the kinds of films I enjoy, although SciFi and Fantasy will still make up the bulk of my viewing habits.

 

 

New Movie Trailers 

Well, we’ve got a new batch of trailers, for movies some of us have already decided we will, or won’t see. As per usual, the  more trailers I watch, for some movie I was highly enthusiastic about six months ago, the less I want to see it. I think trailers are specifically designed to make you hate a movie before you see it, and you should probably just keep your trailer watching to a minimum. Well, probably I should.

Except, from time to time, there is that rare trailer that makes you more excited to see the movie.

 
The Mummy:

I’m still not sure how I feel about this movie, except to say Tom is starting to look a bit worn. Apparently, this isn’t just a remake but, like the Ghostbusters, a re-imagining. Well, the special effects indeed look special, and there’s Russell Exposition, to give us the lowdown.

 
War for the Planet of the Apes:

I had no intention of seeing this movie, after all, I haven’t seen any of the previous ones. I have a friend who is really enthusiastic about this series, but I was put off by the animal abuse, in the first film. I get the point of these movies (slavery allegories don’t excite me) but I couldn’t get past the animal abuse. It bothered me for several days afterward, and I decided I wouldn’t watch any of the movies, not having finished the first one.

 
Valerian and the City of a Thousand Planets

Well, it’s still really really pretty. I love movies, but it’s both a blessing, and a curse. Sometimes, I just get tired of looking at white ppl have incredible adventures in movies.  (At such moments you gotta break out the Japanese anime, or Chinese action movies.)

 
Alien: Covenant

The more I see of this movie, the less I want the to see it. I love the Alien movies, but I have no intention of  seeing this.

 
Spiderman Homecoming

Well, this is the rare movie, that I still want to see, after having watched several trailers. I still love little Tom Holland, no matter how mad the children on Tumblr might be about him.



Deadpool 2

I may or may not see this movie. I’m a little dubious about  the humor in this scene, but the first movie had some nice, funny, surprises, so I’m still game.

Stuff I’m Watching

Okay, I though I posted this already, but apparently not, since I can’t find it in my published file. So here we go again, maybe!

The Ghost Brothers (TV)

 

Its a TV show about three guys who all had paranormal experiences as children, and decided as adults that they would like to investigate the existence of ghosts. The second season of this show airs April 15th. In the meantime the first season is available for streaming on TLC. I’m already addicted.

Its  a pretty good show. One of the reasons I’ve always hated ghost hunting shows is I get  exasperated with  White guys running around in the dark, shaking their cameras, and yelling at the ghosts. There’s none of that here. The feel of this show is very different. One of my biggest issues was the attitudes of the ghost hunters in these shows, challenging the ghosts, making demands, and the general disrespect. That’s not here, either. For the record, I don’t believe in ghosts, but I do believe in the inexplicable, and this show has that too, which occasionally makes it actually scary. But it’s not just that. It’s the humor and camaraderie between these three friends, that I enjoyed the most. They genuinely like each other,  and are not above ranking on each other, but don’t do it in a mean spirited way. You can tell they’re really old friends, and this is one of the most authentic depictions of black male friendship, you’ll ever see in a TV show.

The guys make a point of visiting sites that are known spots of racial trauma, so they’re not in the business of retraumatizing any presences that might be there. After all, these are their ancestors. They try to approach their job from a place of respect, with minimal equipment. They ask questions and  try to reach out and emotionally connect with a presence. In one episode, they visit a hotel where a sex worker was killed maybe a hundred years ago. They visit her rooms and attempt to find out if she’s still present. They ask her about her life, implore her to answer, and when they leave, they respectfully leave payment for her time, which I found both sad and hilarious.

In another episode, they visit a place where some children were known to have died. To get the children  to respond, they bring toys and dolls, ask the children if they would like to play, and assure them that it’s safe to come out and do that. All very respectful. Nothing happens of course, but there’s a great deal of tension as you suspect something might.They bring the absolute minimum in equipment, they don’t have scanners, and meters and various devices. They really just have their smartphones and a camera.

Also, these guys are surprisingly brave, in situations that would frankly give me the screaming heebie jeebies, sitting alone in a dark room waiting for some presence to reveal itself. Yes they do get scared, and are willing to acknowledge that, but there’s no exaggerated terror, with a lot of running and screaming. This isn’t a comedy, although the guys are occasionally funny. They take their self appointed task pretty seriously.

One of the reasons I like for white people to watch shows like Atlanta, Luke Cage, and Ghost Borthers is if they’re interested in more authentic depictions of what black people are actually like when white people arent around, and contrast these images with depictions crafted and written by white men, who can only guess at how we relate to each other, or just make shit up. One of the most interesting things I’ve noticed about media depictions of marginalized people by white male writers, is often the relationships are depicted as contentious ones. The white men, who write almost all of the media we see, have no idea what women talk about when men aren’t present, what gay people do when straight people aren’t around beyond having sex, or what black people do when white people arent present. Shows written, by marginalized people themselves, tend to have fewer token characters,  and more genuine conversations, and activities. We actually do get along with each other when white people arent around. We laugh, joke, and tease each other. We have deep conversations that aren’t about race, and trivial conversations that are. And just like with the Bechdel Test, almost none of our conversations center white  straight men.

Ghost Brothers joins those lists of shows that depicts black people’s authentic reactions to the world around us.

ETA:  I added a much more detailed description for this show, and the second season has already started. I’m currently watching episode two, where the Brothers visit the Winchester Ghost Trap House.
Ghostbusters (2016)

Image result for ghostbusters

I told myself I wasn’t going to watch this, but it aired on Starz, earlier this month, and that’s why I pay for cable. So yeah, I’m one of five people on Earth who actually love this movie. It was entertaining and I found a lot of positive  things outside of the one negative thing that made me want not watch it.

The one negative thing was me being mad about Patty, played by Leslie Jones, not being a scientist. I still don’t like that, but I also don’t feel she was ill treated by the creators of the movie. Although Leslie’s personal humor doesn’t match mine, I still really liked her character. She was one of the funniest people in the movie and gets some of the best lines. This one negative thing was outweighed by all the positive things I enjoyed.

One of my biggest takeaways was the depiction of friendship between women, which is almost never authentically shown in genre films, in favor of having a lonely badass. These characters are friendly and supportive of each other. To use Erin and Abby, for example, the subplot of how they met is Abby believing Erin when she claimed she saw a ghost when she was a child, and no one else believed her.That no one else believed her is something  that affects her for the rest of her life, prompting her to abandon Abby, and never have anything else to do with the paranormal. Later, she and Abby reaffirm their bonds of friendship when Erin risks her life to save Abby at the end of the movie. When Erin has a very obvious crush on their dimbulb male secretary, played by Chris Hemsworth, the other women never make fun of her, or make her feel ashamed of it. They just accept that she likes him, while gently cautioning her to be careful of sexually harassing him.

I liked Patty, and felt she was given ample screen time. The other characters make no big deal about her not being a scientist. She’s an expert in other things. She talks her way onto the team by offering them something they don’t have. Historical context and knowledge of the city, allows Patty to provide a lot of the movie’s exposition. This is not exactly her being “street -smart” (I suppose technically she is “street-smart,  but only because she is her own kind of nerd, who reads History books for fun. So yeah, all the ladies are in fact, nerds! Patty just is not a Science nerd.)

The other women never act as if they know better than her, or try to lord it over her that they have credentials, and even defer to her expertise on matters they know she has studied. They accept her, like Holtzman,  as one of the contributing members of the team. Yes, she gets them a car, but that’s not why she was allowed to join them. It’s something she offers, along with their ghostbusting suits. She also gets some of the funniest lines in the movie, most of which are quiet personal asides  that if you blink, you’ll miss them.

I especially enjoyed the beginning of a friendship between her and Holtzman. Abby and Erin were already friends, and Holtzman must have occasionally felt like a third wheel, but she and Patty seem to hit it off pretty well, hanging out together whenever they’re not working. Patty  saves Holtzman’s life at one point, and nicknames her Holtzy.

Speaking of Holtzman, she is my favorite character in the entire movie. She’s just plain nuts and really, really,  loves her job. The trailers don’t really do this character justice, just like they didn’t make Patty very likable. She’s impossible to describe. She just has to be seen. She loves destruction, dances around with blowtorches, and is utterly fearless when it comes to her various science toys.

ETA:

So, my niece finally watched this movie, and she had a great time. She couldn’t wait for me to get home from work, and she watched it without me, for which she was mildly chastised. And guess who her favorite character is! Guess! Patty, of course, who she thought was hilarious. I don’t know that my niece wants to grow up to be a Ghostbuster, but she really enjoyed herself, and the movie, and that’s enough for me.

 

 

Suicide Squad (2016)

Image result for suicide squad

Once again, I’m in the minority when it comes to liking a movie. I actually had a good time watching this. I really liked the visuals, and performances, even if the story was full of massive holes, and largely incoherent . I really enjoyed the characters though. I watched this with my niece and she seemed to have a good time, too. I think she wants to be Harley Quinn when she grows up, but I told her no, because that’s not a good look for a Black woman, unless she’s gettin’ paid a lot of money, like Margot Robbie. It would also require she be tortured by Jared Leto, after which I’d have to beat Leto’s ass. (He should probably have his ass kicked just on general principles, anyway, because my niece has decided she has a crush on his version of the Joker. What? She’s like ten years old!)

I’m one of five people on Earth who think that Suicide Squad winning an Oscar for Best Makeup is both hilarious and outrageous. Really!? Over Star Trek? Yeah, right!

It really shouldn’t be that shocking that I liked this. It stars Will Smith and I’ll basically watch anything he ‘s in. Margot Robbie wasn’t too bad in this. I thought her version of Harley was pretty entertaining and not too unlike the comic book version of the character. And then there’s  Queen Viola. I just love the idea of Viola Davis and Will Smith starring in a superhero movie together. Although, the next time we see them together, I hope its something a little more serious.

The Magnificent Seven (2016)

Image result for magnificent seven

Unfortunately I did not get to see this in the theater.  I did rent this for me and my Mom to watch for a couple of days. She is a die-hard Denzel fan, and she had expressed an interest in going to the movies to see this. Now this is pretty remarkable for two reasons. She’s not a huge Western movie fan, (even though she was the one who introduced me to Bonanza), and its really hard to get her to go to the movies with me, as she’s  picky. In the past few years, I managed to get her to see Jurassic World, World War Z, and that Halloween Madea movie.

We watched this movie over a weekend and she really enjoyed it. She was deeply happy that Denzel survived to the end of the movie. I enjoyed all the characters but I was kind of bummed out because the one Asian guy got killed. It doesn’t really compare overmuch to the original. It has a very different feel, although the plot is exactly the same. The action sequences were very exciting, and I enjoyed the banter between the various characters. It suffers from lone woman syndrome, and a bad guy who is evil just because he’s evil. (Not that every villain needs a backstory. Its just something I noticed.)

It has a Benetton ad cast, and although the one Mexican guy, Vasquez, is annoying, the stereotypes are mostly kept to a minimum. The men of color in the cast all get to have their action moments. Despite the presence of Vincent D’onofrio as Jack Horne, my favorite character was  Billy Rocks, the group’s blades-man. The most intriguing relationship was between Billy Rocks, and  Ethan Hawke’s character, Goodnight Robichaux. I kept wondering about the nature of their friendship, and afterwards I wrote my own headcanon, where Billy saved Goodnight from suicide, and Goodnight felt indebted to him. It was very clear that one of Billy’s purposes was helping  Goodnight hold his shit together.

My Mom liked the Jack Horne character a lot. He was  melancholy and  gruff, with a penchant for making profound philosophical statements, that mostly puzzled the other characters. Denzel, as Chisholm, was his usual mildly snarky, pragmatic self. He wasn’t really stretching it in this role, but Denzel sparkles on even his worst days, so its all cool.

No, this movie isn’t as good or influential as the original, but its worth watching some cold Saturday night, with a bowl of popcorn, and some good friends.

Legend of Tarzan (2016)

Image result for legend of tarzan

Let’s just state, for the record, that I’m a little bit older than some of the more hysterical members of Tumblr. As a result, I grew up with the idea of Tarzan, and am well used to the tired trope of Tarzan the White Savior. I grew up reading the Edgar Rice Burroughs books, and watching some of the movies with my Mom, whose favorite Tarzan was Johnny Weismuller. Yes, we did see the problematic aspects of having some White guy being a better African, than actual African people, in Africa, but since almost all of TV, and movies, consisted of this trope, it was easy to overlook it, yet impossible not to see it.

That said, I did watch this movie when it came on cable, which only proves that I will watch any damn thing when it comes on TV, where Alexander Skarsgard takes his shirt off, and growls like a lion. It does not mean I’m not “woke” or “aware”. It just means I occasionally have low standards for what I find entertaining, especially if I can knit to it.

Nevertheless, I still enjoyed this movie for the sheer silliness that it is. Yes, the premise is just as stupid as the original films, and one still wonders what the hell White people,  (and lets face it, there were no PoC clamoring for this movie to be made) were thinking when this movie got made. If you haven’t seen this movie, it’s okay, as your life will not have been upheaved.

For what its worth, the creators did keep the White Savior stuff to a minimum by adding Samuel L. Jackson, who does the saving of various Black people, and some of the actual Congolese people get lines and screen time. Skarsgard is ridiculous in this role,  and spends most of his time trying to look dramatically serious, while trying to save his girlfriend, Margot Robbie, from Waltz’ slimy Englishman. I still don’t know why Waltz kidnaps her but its got something to do with diamonds. It doesn’t matter anyway because the plot is really not that important. What’s important is that Skarsgard is bare chested for most of the movie’s running time.

There is indeed some tree swinging, and some gorilla punching, and for some strange reason, Djimon Honsou is in this movie as an antagonist. He only gets about five minutes of screen time, and maybe six lines. Samuel L. Jackson is in this movie too, and pretty much just acts like Samuel L Jackson, despite the fact that everyone else is acting like they are in a period movie, which is very jarring. I wanted to turn off the sound, so I didn’t have to listen to him speak, but then I wouldn’t have been able to hear Alexander Skarsgard talking to various animals, and yodeling. Yes, there is a classic Tarzan yodel. When I was a kid, this didn’t particularly bother me, but every time I heard it in this movie, I laughed my ass off.

But really, I think the biggest question you have to ask yourself, if you ever watch this movie: Why is Samuel L. Jackson in this movie, when they have Djimon Honsou?

The “Get Out” Link Roundup

Get Out, Jordan Peele’s new Horror movie, with a racial twist, is the new media darling of the moment, and has a 100% rating on Rotten Tomatoes. It’s made almost as big of a splash as last year’s release of Lemonade and has spawned a metric ton of think-pieces. I can live with these types of Black media events happening every February, if you ask me.

What’s surprising to me is the number of White people who have gone to see this movie, and have really gotten into it by not just thinking of it as a movie for Black people, which is what usually happens when a movie stars more than three Black people but liking it as a relatable Horror movie. I think part of the charm is that it is really accessible, its not preachy, and  it is a straight up Horror movie, that’s a cross between Invasion of the Bodysnatchers and  The Stepford Wives.Its one of those types of movies with lots of gaslighting and paranoia.

Another part of the movie’s charm is that its Jordan Peele, who has  established his Horror credentials on the show he co-hosts with Keegan Michael-Key, called Key and Peele. Both of them are alumni from MadTV. (If you haven’t watched the show, please step right to it. Its almost as great as The Chappelle Show, which is saying something, because I’m a huge Chappelle Show fan.)

The video at the end of this post by Latasha, contains lots and lots of

SPOILERS

SPOILERS

SPOILERS

So, if you don’t want to know all the sordid details, as she dissects the movie, skip the video.

Now, some of these commentaries have spoilers too,  so be careful, again. And for Gob’s sake don’t read the comments to any of the articles if you have a low tolerance for White Fragility.

 

http://www.theroot.com/get-out-proves-that-nice-racism-and-white-liberalism-1792955235

https://bitchmedia.org/article/get-out-movie-white-feminism

https://www.theguardian.com/film/2017/feb/28/get-out-box-office-jordan-peele

http://www.latimes.com/entertainment/movies/la-et-mn-get-out-milk-horror-jordan-peele-allison-williams-20170301-story.html

http://www.gq.com/story/things-ill-never-trust-again-after-watching-get-out

http://www.mtv.com/news/2986793/get-out-understands-the-black-body/

http://intelexual.co/home/racist-white-women-an-american-legacy/

http://www.newyorker.com/culture/culture-desk/review-the-giant-leap-forward-of-jordan-peeles-get-out

http://www.slate.com/blogs/browbeat/2017/03/07/how_get_out_positions_white_womanhood_as_the_most_horrifying_villain_of.html

https://www.wired.com/2017/03/get-out-discussion/

View story at Medium.com

https://thinkprogress.org/white-lies-matter-get-out-knows-no-one-is-as-woke-as-they-think-they-are-d526212e28eb#.hq7j5c43e

http://www.esquire.com/entertainment/movies/a53515/get-out-jordan-peele-slavery/

http://www.vulture.com/2017/02/daniel-kaluuya-on-get-out-how-racism-is-like-horror-films.html

https://www.theatlantic.com/entertainment/archive/2017/03/in-get-out-the-eyes-have-it/518370/

View story at Medium.com

https://filmschoolrejects.com/race-horror-and-the-death-of-the-status-quo-5b1bbdf3f1c6#.ib83eao0g

http://www.vox.com/culture/2017/3/7/14759756/get-out-benevolent-racism-white-feminism

http://nymag.com/thecut/2017/03/what-get-out-gets-right-about-american-culture-and-blackness.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Tumblr Humor # 168

Here’s some good laughs for today, fresh from Tumblr and Medium.

I find the idea of Toast Jail inordinately funny!

teaforyourginaa: “ dynastylnoire: “ sounddesignerjeans: “ strangelypensieve: “ trouserweasel: “ trouserweasel: “ LOOK THEY ACTUALLY DO HAVE TOASTERS WITH LITTLE WINDOWS SO YOU CAN WATCH YOUR FOOD GET TOASTED ” it looks like toast jail ” They’ve been...

trouserweasel:

LOOK THEY ACTUALLY DO HAVE TOASTERS WITH LITTLE WINDOWS SO YOU CAN WATCH YOUR FOOD GET TOASTED

it looks like toast jail

They’ve been taken into crustody…

bad and naughty slices

are put in the

These are their stories

CHNG CHNG

Source: trouserweasel
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OMG! Asian Americans are draggin’ Matt Damon on Twitter, because of his new movie, The Great Wall, and I am loving it. Personally I blame Constance Wu for being a good influence. Don’t get me wrong, I like Matt Damon okay, I just ain’t particularly interested in seeing Bourne Goes to China.
I knew Asian people had this level of snark in them! I just knew it! I’m so proud.
“We have to stop perpetuating the racist myth that only a white man can save the world. It’s not an actual fact,” Constance Wu wrote in a tweet criticizing the film back in July. “It’s not about blaming individuals. Rather, it’s about pointing out the repeatedly implied racist notion that white people are superior to POC and that POC need salvation from our own color via white strength. When you consistently make movies like this, you ARE saying that. YOU ARE.”
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I am totally here for TTI, or Tiny Turtle Investigator.

the-omniscient-narrator: “ mxcleod: “ octemberfirst: “ abqandnotu: “ merosse: “ TINY TURTLE INVESTIGATORS: THE CASE OF THE LARGE STRAWBERRY ” GOOD MORNING EVERYONE ” “HAVE YOU TRIED BALANCING ON IT” “YES OF COURSE I TRIED BALANCING ON IT JENKINS THIS...

merosse:

TINY TURTLE INVESTIGATORS: THE CASE OF THE LARGE STRAWBERRY

GOOD MORNING EVERYONE

“HAVE YOU TRIED BALANCING ON IT, SIR?”
“YES OF COURSE I TRIED BALANCING ON IT JENKINS THIS IS NOT MY FIRST DAY AS A TINY TURTLE INVESTIGATOR”

THIS IS THE STUFF THAT TUMBLR NEEDS MORE OF

@tinyfierceandsassy quality turtle content!

(Source: animalkingd0m, via frominthemirror)

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 This is my aesthetic as regards the willfully stupid.
introvertunites: “ If you’re an introvert, follow @introvertunites. ”

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I should not have laughed as hard as I did at this image.

srsfunny: “ Oh Frank, You’re Alive ”

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Uhmm, actually the idea that there might be a mobster under the bed, is still pretty frightening.

writing-prompt-s:

You realize you’ve misheard your daughter. There’s actually a mobster under her bed.

BADA BING BADA BOOM

I’M SLEEPIN HERE

(Turns on nightlight)

Voice from Under Bed: Eeeyyyyyyy pally what’s da big idea

(Parent looking around room) Voice from under bed: “Fuggedabout it”

“You didn’t see nothin’“

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There are people on the internet doing the Lord’s work of counting Tom Hardy’s grunts per film, so you dont have to.

Enjoy!

Goodbye Productivity: The Tom Hardy Grunt Counter is Here to Take Over Your Day

All the nonverbal utterances — so far — from ‘Taboo’ in one supercut.

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Caption these photos!

Related image

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Image result for funny animals

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Image result for funny animals

 

Forthcoming Shenanigans

I have not been posting much lately,  mostly because …Holidays!!! and being really, really tired. I think critiquing  Westworld really took a lot out of me. But when  January 1st rolls around, you can expect me to get back on the horse, resume my regime, play ball,  and whatever other metaphors I can mix in there.

This new year, I want to focus exclusively on television,  from a Race and  Feminist viewpoint. I love a lot of different types of TV, so I wouldn’t feel right only limiting myself to shows that had PoC prominently listed in the cast. Some shows just aren’t going to have that, considering the nature of the television industry, and that I’m old enough to be used to that sort of thing. I’m capable of watching shows without PoC in them, with only a little bit of grumbling.

I’ll talk about movies, mostly in the form of Meta-Critiques of the plots, themes and characters, the way I did with the Captain America and It Follows. I enjoyed writing those and people seemed to like reading them. I will keep doing Meta-Critiques of television shows too. People seemed to really like the Dolores/Maeve Meta I wrote on Westworld. Its one of my most popular metas,  and I want to keep doing those types of posts.

A lot of the reason I write such things is that I enjoy reading them myself,  but can’t find anything like it online. There are some things I’ve  just taken it upon myself to do, and connecting popular television shows to Racial and Feminist Rhetoric, seems to be one of those things. Most of the critiques I’ve read, are primarily about the White characters, or from a White Feminist perspective. My thinking was that  most of  these writers don’t know enough about racialized sexism to be able to discuss the topic, and those people who are writing about it, aren’t focusing their lens at Pop culture.

Some of the critiques I’ve been turning over in my mind:

A character analysis of Sam Wilson from The Winter Soldier

An analysis of static vs dynamic characters in the movies of Quentin Tarantino

How to write a novel about the Apocalypse

Victor Salva

The Toxic Male Duo

The Treatment of Mental Disability in Hannibal

I remember telling you guys I’d planned on reviewing the midwinter finales of The Walking Dead and Westworld. I may still do the Westworld one (Apparently I haven’t learned my lesson about that show, I guess) but the Walking Dead review is probably off the table. I’m going to wait until something really worth talking about happens, as I’m unhappy with this season.

And yeah, I’m still doing the rewatch of Hannibal. I’m almost done with season two. I’m going to  finish it all up with season three, which in my mind, is the most important season. Bryan Fuller is still talking about a continuation of the series and which direction it might go. I’m lobbying for a six part series on Netflix.

I also planned a bunch of movie reviews,and I may still do them but right now, they’re not really on my radar.What I’ve listed above are just the posts I’m most excited about finishing right now, so don’t worry, the element of surprise isn’t completely gone.

Next up: My favorite books, movies and TV shows of 2016.

Tumblr Sundries

Just some random Tumblr stuff, I thought seemed interesting:

Laughing to keep from crying:

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*I would say this is fairly accurate and exactly describes my younger self. I’ve become a lot more tactful, and diplomatic, as I’ve gotten older.

10 Myths About Introverts

introvertunites:

Myth #1 – Introverts don’t like to talk.
This is not true. Introverts just don’t talk unless they have something to say. They hate small talk. Get an introvert talking about something they are interested in, and they won’t shut up for days.

Myth #2 – Introverts are shy.
Shyness has nothing to do with being an Introvert. Introverts are not necessarily afraid of people. What they need is a reason to interact. They don’t interact for the sake of interacting. If you want to talk to an Introvert, just start talking. Don’t worry about being polite.

Myth #3 – Introverts are rude.
Introverts often don’t see a reason for beating around the bush with social pleasantries. They want everyone to just be real and honest. Unfortunately, this is not acceptable in most settings, so Introverts can feel a lot of pressure to fit in, which they find exhausting.

Keep reading

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*This is a reference to that new space movie, I never had any intention of seeing, called Passengers. No, I’m not putting the trailer here. You would only get bored.

List of People I’d Much Rather Watch Fall in Love in Space than Jennifer Lawrence and Chris Pratt

claraandthesatellite:

tinydramatist:

darwinquark:

Gina Rodriguez and Oscar Isaac

Lupita Nyong’o and John Cho

Gugu Mbatha-Raw and Kate McKinnon

Zachary Quinto and Rami Malek

Aja Naomi King and Dev Patel

Constance Wu and Diego Luna

Feel free to add more, as I’d imagine it’s a long list.

Kat graham and rami malek

Zoe kravitz and Chadwick boseman

Chloe Bennett and John Boyega

Alfred Enoch and Steven Yeun

Riz Ahmed and Jessica Henwick

Rosario Dawson and Elodie Young

Jenna Coleman and Freema Agyeman

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*For some reason, I love these little alien/first contact headcanons people keep coming up with on Tumblr.

kedreeva:

aethersea:

sepulchritude:

on the topic of humans being the intergalactic “hold my beer” species: imagine an alien stepping onto a human starship and seeing a space roomba™ with a knife duct taped onto it, just wandering around the ship

it doesn’t have any special intelligence. it’s just a normal space roomba. there are other space roombas on the ship and they don’t have knives. it’s just this one. knife space roomba has full clearance to every room in the ship. occasionally crew members will be talking and then suddenly swear and clutch their ankle. knife space roomba putters off, leaving them to their mild stab wounds.

“what is the point?” asks the alien as another crew member casually steps over the knife-wielding robot. “is it to test your speed and agility?”

“no it doesn’t really go that fast,” replies the captain.

“does it teach you to stay ever-vigilant?”

“I mean I guess so but that’s more of a side effect.”

“does it weed out the weak? does it protect you from invaders? do repeated stabbings let your species heal more quickly in the future?”

“it doesn’t stab very hard, it gets us more than it gets our enemies, and no, but that sounds cool — someone write that down.”

“but then what is its purpose?”

“I don’t know,” the captain says, leaning down to give the space roomba an affectionate pat. “it just seemed cool”

this is the dumbest idea I’ve ever heard but I thought about it for five seconds and realized that if I were, say, a random communications officer onboard this ship and someone taped a knife to a roomba it would take maybe three weeks before even I was inordinately fond of Stabby. I would be proud of Stabby when I met up with my other spacefleet friends for space coffee, I would tell them about the time Stabby got the second mate in the ankle five seconds before the fleet admiral beamed on board and she swore in seven different languages in front of high command.

also by the fourth day Stabby would be in the ship’s log, he’d have little painted-on insignia, people would salute him as he went by, and someone would hook up a twitter account to tweet maniacal laughter and/or a truly terrible knock-knock joke every time he managed to nick someone.

Someone would almost positively attach a tiny camera and live stream Stabby’s adventures to a media account. Bets would be taken on who is next. Bets have to be ordered to stop being taken on who is next because it becomes a problem for multiple reasons. Bets are taken but quietly on who is next.

At some point someone realizes that they haven’t seen Stabby in a while, no one has seen Stabby in over a day. The cam is running but is completely dark. The ship basically stalls out as everyone stops what they are doing to search for their friend. The confused aliens don’t understand why this nonessential and kind of dangerous piece of equipment has got the entire ship in a fit of worry.

After almost two hours, someone thinks to check a little-used storage room in the belly of the ship. As soon as the door is open, Stabby rolls out and jabs their ankle and then whirls off down the hall about its business. Stabby followed someone in without being noticed, and got accidentally shut in. A ship wide announcement chastises everyone about looking before they shut doors.

“But the doors are automatic,” says the newest alien crewmate.

“I know,” says Kzil’tir. They’ve stopped asking. The explanation is always because humans.

Source: sepulchritude sci fi humans aliens star trek

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*Yeah, this sounds like me, alright!
introvertproblems: “If you can relate to an Introvert, Join the Introvert Nation ”

#1 – I will  start daydreaming at the drop of a pin, literally. I will daydream as soon as I’m sitting still. In the car, in the middle of a book, a TV show, really anywhere.

#2 – I dont talk slow. I never give anybody a chance to interrupt me, once i’ve gotten up to speed.

#3 – Yep! I usually just walk away, like “Well, I’m done, here!”

#4 – I’ve been there before. It is weird.

#5 – Yeah, I’m not broke. I’m just quiet. Jeez!

#6 – I got called snobby, and stuck up, all through Elementary and High School. Having perfect grades did not help this image.

#7 – I made the mistake of grocery shopping after work once. Never again!!!

#8 – My relatives are very ,very used to me doing this.

#10 – This is true. But I love knocking people back on their ass when I do finally say something.

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*Yes! I do this all the time. I generally like to remain non-judgmental, but I can’t help doing this with my co-workers, or close friends.

The quieter we are, the more we observe

I’ve always been quiet. I’ve always been an introvert. I think these qualities made me a good observer.

During conversations I only talk when I have something to say, I’m not a fan of small talk. This means that I spend a lot of time watching how people express themselves, observing their attitude. I know when they’re excited to talk to me, I know if a conversation is not gonna last long because they wanna leave asap even if they don’t say anything about it. Over the years, I started seeing the same patterns in different people, and I put the people that acted quite similarly in the same “mental bag”. (Of course, words were also an important factor.) This way I know who I can trust to keep a precious secret or who not to ask if I want a sincere answer.

This procedure is the only exception to the “don’t judge a book by its cover” rule I allow myself. I wonder if other people do something like this too.

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More stuff about Introverts. Please note ,these are not myths. We are incredibly attractive people!

10 Reasons Why Introverts Are Incredibly Attractive People

1. They’re Deep Thinkers

Introverts are notoriously ‘in their own head’ much of the time.  For most introverts, it’s a safe place to be.  Inside their heads, they engage in deep conversations, ruminate about life, the universe, and everything, and take the time to really reflect on all that’s going on in the world around them.  When an introvert speaks, it’s almost guaranteed that they have spent many hours thinking about the subject, forming their opinions, and carefully choosing the words they wish to use.

2. They Have More Intimate Connections

It takes something special for an introvert to bring you into their world.  When they do, you can bet that they believe you’re someone special.  By bringing down barriers, an introvert is letting you know they’re interested in connecting with you beyond a superficial level.  They’re displaying a level of intimacy and vulnerability that not many people get to see.

Keep reading

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*I watched this trailer three times. I still don’t know what the Hell is going on, but I’m unwilling to commit to seeing this. If you like Tom Cruise its got all the staple moments: 

Pecs – Check!

Running – Check!

Tom looking concerned – Check!

 

*OMG!!! Groot is so darling! I’m now prepared to give up some of my money to see this movie this Summer. Its amazing how Groots expression is an exact mirror of Tom’s in the above trailer, tho’.

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Lkeke35 Sidewalk Talk:

For some reason the people in my neighborhood hate to use the sidewalks, and seem to prefer walking in the street, sometimes right down the middle. There’s nothing wrong with the sidewalks as far as I can tell. I’ve inspected the sidewalks and they look quite lovely and smooth, with no obstructions, (since, every Summer, local construction crews dig them up, and remake them,  as a form of busywork, or therapy. I’m not sure which.)

Normally, I would find this sort of contrary behavior unobjectionable, except these pedestrians insist on pedestrianing in the middle of the street, where I’m trying to drive, and the local authorities frown on me gently nudging them out of the road with my vehicle. It’s also hard to gently nudge someone, with a Ford Escape, without them panicking. I could probably do that sort of thing using a Ford Escort or a Prius.

Forthcoming Movies 2017

This is a  somewhat premature list of the movies I’m most interested in  next year. Unfortunately, Black Panther isn’t coming out next year, so it’s not on this list ,although Star Wars 8 is being released, so that’s cool.

My big thing next year is the new Wolverine movie titled Logan. I love the trailer for this movie, and I enjoyed the Old man Logan series. I’m also a big fan of Wolverine’s kids, Daken and X-23, so this movie is a big yes for me, even though I don’t think Daken is in it because he is very openly gay, and the MCU is as allergic to gay representation,  as it is to positive Asian representation.

My second big yippee! is Luc Besson’s Valerian. I’ve seen every one  of Besson’s films since La Femme Nikita in 1990, and if you haven’t seen that, you need to get right on it, as it still holds up as a female lead action movie. Valerian looks like its going to be too much fun.

January

Hidden Figures –

I like the idea of telling Black stories that don’t involve us being tortured by White people. Also, I love Black women in Science.

A Monster Calls –

I probably won’t go see this because just the trailer brought me to tears. I’m going to be a blubbering mess in a theater.

Underworld: Blood Wars

I think everything that would’ve been said about Selene’s story was told in the first movie. I have completely lost any interest in this character.

Monster Trucks

I think this movie is supposed to be fun, but the monster in the truck just looks terrifying.

X3: Xander Cage –

The XXX movies are very possibly the funniest, most ridiculous stunt movies ever made. It’s hard not believe this  isn’t a parody.

Resident Evil: The FInal Chapter –

Hmmmmm! No!

I had no particular plans to see any of these movies in January, but I thought I’d list them just in case any of you were interested and I was trying to look fair by showing the trailers.

Psych! I’m not seeing any of these until they’re officially on DVD, approximately five days after their release.

February

Rings –

A mashup of Ju-On and The Ring

John Wick II –

This looks as much fun as the original.

The Great Wall –

Nope! Its got dragons in it but I really don’t feel like looking at Matt Damon’s face again so soon after I’ve  watched Jason Bourne.

Get Out – This looks hilarious in a Dave Chappelle kind of way.

Of these five movies, I only plan to see Get Out, which is a movie produced and directed by the creators of Key& Peele.  I love that show, so I’m highly interested in the movie.

I loved the first John Wick, and I wasn’t expecting to. I thought it would be a typical, middle-of-the-road, action flick, but it turned out to be okay, and more than a little fun. Keanu Reeves is playing a character that perfectly suits him.

I wouldn’t piss on that Great Wall movie if you paid me. I’m getting a little tired of Hollywood not letting Asians be the stars of their own stories, and quite frankly its starting to look more than a little  creepy that that’s what Hollywood is doing, even to people who don’t normally pay attention to that kind of stuff.

I’m going to ignore the existence of Rings. Just the thought of it is scary. We really don’t need a mashup of Ju-On and The Ring. Well, I don’t, but if you like that sort of thing,  Happy Screaming to You!

March

Logan –

I love this trailer. Johnny Cash songs get me every time.

Kong of Skull Island –

I wouldn’t normally care about this except Samuel L. Jackson and Tom Hiddleston are back together again, and it looks like it takes place entirely on the island, and that Kong appears to be winning.

Beauty and the Beast –

I’ll just stick with the animated version, mostly for the music. “Be Our Guest” is one of my favorite Disney songs ,of all time, so there’s nothing this movie could offer me that would top that entire sequence.

King Arthur: Legend of the Sword – ?

Power Rangers –

Back down memory lane, y’all! I used to watch this  ridiculous show with my little sisters. This looks waaay better than the TV show. I may take my niece to see this if she’s amenable.

Ghost in the Shell –

A big ol’ fat NO! I’ll just watch the original anime. The trailer doesn’t make me want to see this, and I’m  really tired of looking at Scarlett Johansen.

The standout movie for this month will be Logan.

April

Fast 8 – I’m only just getting into this franchise. I kinda liked the last two movies, and its got a very colorful cast, who all seem to like each other and get along well.

Lost City of Z – I read this book some time ago, and I’m a sucker for movies set in Jungles. I don’t know why.

May

The Autopsy of Jane Doe –

Looks intriguing. I won’t see it in the  theater but I will wait for the DVD.

Guardians of the Galaxy II –

My niece will definitely talk me into going to see this movie, so I really don’t have a choice about this, if I want to have peace in the house. (And I love Groot too, so…)

Pirates of the Caribbean #23 –

Whah?

Baywatch – Okay, I’ll bite. Why would I want to see this movie about a TV show that I loathed? Okay, other than the nice pecs?

June

Wonder Woman –

Naaw! I’m good.

The Mummy – But not that good, apparently. I could be talked into this one by a wayward relative.

World War Z II – Hey! I loved the books, but I like Brad Pitt, too. I can’t let him down. He needs me.

Kingsman II – I didn’t really enjoy the first film. I mostly tolerated it and parts of it were disturbing, and annoying. The creators are going to have to smarten this one up, or dumb it down, to get me to watch this.

So once again we’re getting almost nothing but sequels and remakes being released this summer.  I don’t actually  get as upset over this as some people, as I’ve enjoyed, and will enjoy, a number of sequels. I’m just making a note of this.

Also, I don’t plan to see everything that gets released, so I don’t get frustrated about that sort of stuff. As I mentioned earlier, I’m on a limited budget when it comes to movies, so I carefull choose what movies I’ll be seeing well in advance. Going to the movies is never an  impulse event in our house, where we’re just looking for something to do on a Friday night.

July – None of the rest of these movies have trailers yet, so except for Valerian, I haven’t decided if I’ll see them.

Valerian and the City of 1000 Planets – Looks like fun.

Spiderman:Homecoming – Hmmm…maybe. I like the little guy whose playing him and Zendaya is in it, although I have since heard she’s not playing Mary Jane. I need to see a trailer before I commit.

War for the Planet of the Apes – I haven’t watched any of the others movies, so I’m not gonna start with this one.

The Dark Tower –  Well, duh! I’ve got to support my precious cinnamon bun, Idris Elba.

August

Alien Covenant – No trailer, no commitment.

CHiPS – I remember watching the Hell out of this  TV show as a child. Even then, it was  obvious, that the motorcycles were the stars of the show. I remember othing at all about the human cast, but I think there was a woman in there somewhere, though.

This is by no means a complete list. I”ll have more though, as more trailers are released.

On Tumblr

 *On a lighter note, heres a lot of silly shit that ended up in my Tumblr feed. Be sure to scroll down to the Church’s Chicken protesters.

*First up, any posts in praise of my precious cinnamon bun, John Boyega, and by attachment, Finn, is always going to give me a happy.

Why Finn is the Best Character in Star Wars: The Force Awakens

*The through line under this heading is that you could disagree but you’d be wrong. I am in full agreement with that statement.

Also, this person goes in depth on analyzing Finn’s fighting style. 

Finn’s lightsaber form?

force-2187:

I’ve been wondering about what type of combat form Finn would employ as a Jedi.

We know he’s very adept at a blaster, so I imagine Finn would a damn pro at deflecting blaster bolts back to their source. Like, that would be his signature move. So, for defence, I see him using Shien. In fact, I firmly believe that Finn holds his lightsaber in the reverse grip a la Galen Marek.

As for offensive … Finn’s style is quite aggressive and determined. We can see he puts a lot of strength behind his attacks, he only lacks the proper training. Like the times he put in hits, they were quite powerful and had a great effect (impaling Stormtrooper; slashing Ren’s shoulder). He just has trouble defending himself in lightsaber fights, so Shien would help him a lot there. I see him using Djem So, giving out attacks with brute strength. He even uses the Falling Avalancheattack while fighting Kylo Ren:

According to the wikiThe characteristic Djem So attack was dubbed the “Falling Avalanche,”[9]an overhand power blow that crashed down upon an opponent with exceptional force.

In fact, when Kylo dodges this, Finn falls over from the sheer strength of his attack. That alone shows us the brute power he has, whether that’s Force enhanced or not.

Here is Finn attempting a strong jab at FN-2199, singlehandedly. Finn has a certain grace with the lightsaber weapon. While he has not mastered it yet, nor is he exactly comfortable with it (it’s much lighter than the baton he is used to), it’s evident that he is confident with it. The lightsaber is not an ill-fitting or uncomfortable weapon in his hand. There is no doubt in my mind that he is Force Sensitive.

Finn uses the Falling Avalanche again, with considerable success:

image

Another similarity between Finn and Anakin’s styles is that both seek to gain distance between their opponent, and then go to land the first powerful strike to put them off-balance. Anakin does this by kicking his opponent away and then advancing, while Finn moves away himself after parrying attacks, assesses his opponent, and then runs towards them to land a blow. Now that I think of it, Finn would be a Master at Djem So!

Because Finn is so firmly on the Light Side and is obviously hard to seduce to the Dark (I mean, years of brainwashing couldn’t) it’s safe to assume he has a lot of self control. I believe that after intense training, and mastery of the Force, Finn would be amazing at Vaapad. His style already is aggressive and powerful, and he has a lot of self-reflection and empathy skills, so I can imagine him easily accepting and understanding the Darkness of his opponent and conducting it to feed his own power. Finn has his own Darkness, as we see in his rage-fuelled fight in the forest, but he can control it and won’t fall to the Dark as easily.

I think Finn will become a very powerful Jedi. I don’t care if he lost all his fights in TFA. Luke did, too, before he became one of the most powerful Jedi ever. The only reason people underestimate Finn now is because they’ve seen Rey defeat Kylo, when Rey has had to fight with her staff (same weight as lightsaber) all the time while growing up, and uses the same techniques with the lightsaber as well. I definitely think she’ll use either Niman or Juyo, and you’ll have to prise double-bladed lightsaber Rey out of my cold, dead hands. Besides, Rey has a clear parallel with Obi-Wan in his fight with Darth Maul: after their loved one has been struck down, they fight the bad guy as revenge and in anger and win. However, Finn has parallels with Luke and Anakin: he loses his first fight against the primary antagonist, who actually works under a bigger antagonist, but still shows exceptional skill. There is a strong Finn/Luke parallel in TFA/ESB. This also leads me to believe that it will be Finn vs. Kylo Ren in the final battle, and then Rey vs. Snoke.

What do y’all think?

(you guys seemed interested, so I’m taggin you: @anhamirak @kyloandfinnren @boyega-john@luminousfinn @errrbodylovesfinn @spacefinns )

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* How you gonna tell someone that honoring or celebrating their culture is divisive? You can try it, but the next time you see me, I’m going to be wearing an Afro, one of those Black Power hair picks, a daishiki over a Black Lives Matter t-shirt, and a red black and green headband, with matching coffee mug. I’m gonna be the blackest Black person you have ever seen.

As soon as the word “Divisive” flies out of a white person’s mouth my brain goes into hybernation mode. Nothing they can say after that is valid and shit before that will be rendered invalid.

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*For some reason, this parody of racism in fandom just gave me the giggles, for the rest of the day. “White demon” definitely reminds me of Hannibal Lecter.

A black character: * has those grey morals white people are always nutting over, has Deep Issues and enough Tiny Expressions to fill a book*

the yts: :/ wow he’s :/ he’s really toxic and violent, isn’t he? i :/ i’m very uncomfortable with how he raised his voice to my pure, white angel uwu

A white demon: *is an actual demon, kills people, blinked once*

the yts: !! this ! he’s so pure! did you see how he blinked ? ohmygod give this man an oscar already! look at how his eyes closed for one second and opened the next!! do you know!! do you know what that means!!

Source:

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*On the other hand, The Ascension can only occur anyway after the release of The Black Panther movie, in 2018, so the hell with Han Solo, cuz Black people won’t be here for it.

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The people on Tumblr love to parody  Benedict Cumberbatch’s name. I know its wrong to mock  someone’s  name but I can’t help it. Some of these names are so ridiculous, you can’t help but laugh. I’ve even found an entire website with nothing but name parodies for Mr. Cumberbatch:

I’m pretty sure his name is pronounced Benadryl Combustible

i’m pretty sure they mean Benzene Carbonmonoxide

Benedict Cucumberbitch

Bumbershoot Crumblebread

Bicycle Crashandfall

Bettyboop cabbagepatch

Burgerking Custardbath

bentdick cumberbumble

Bendydirt cumberbutt

Battletoad Pimplerash

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*Well, this makes perfect sense.

helimir:

I think the reason why Tolkien keeps referring to “the bow of Legolas” and “the voice of Legolas” and “the arrows of Legolas” is that he doesn’t want to write “Legolas’s”

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*I would say this is an accurate definition. Well, obviously we don’t need a Black Widow movie, if ScarJo can just keep stealing roles from WoC. What’s she gonna do next? Foxxy Brown? 

attentiondonor:

white feminism is scarlett johansson being offended by misogynistic interview questions, but staying silent when depriving an asian american actress’ opportunity to play a Japanese character.

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*The next time someone comes in your mentions arguing about the Historical accuracy of some Fantasy film, just think of this post, and have a good laugh.

copperbadge: “ hansbekhart: “ astronema-princess-of-all-evil: “ atlas-pt: “ southernsideofme: “ Historical footage of the last T-Rex serving his country in WWl. ” But isn’t that a Jeep? And the T-Rex is holding a…Browning M2? Which wasn’t used until...

Source: southernsideofme

Historical footage of the last T-Rex serving his country in WWl.

But isn’t that a Jeep? And the T-Rex is holding a…Browning M2? Which wasn’t used until 1933…

So I think this footage is actually of WW2.

I’m living for this historical accuracy

Historical accuracy is so important you guys

I agree that it’s WWII, because aside from the Browning and the Jeep, that’s much too small to be one of the last true T-Rexes, which were definitively wiped out in the battle of the Somme.

It’s probably a Nanuqsaurus Hoglundi – they’re similar but smaller so it’s easy to make the mistake. N. Hoglundi, known to soldiers as Hogs, were used for light artillery up through 1954, when PETA (Paleontologists for the Ethical Treatment of Anachronisms, no relation) got on the military’s case about it. The last Hog to serve in the military died in the Brookfield Zoo in something like 1979, I think?

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*Who put this on the internet? And why?
nobigotzone: “ It made me laugh. ”

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*I’ve actually done some of these things. That coffee cup thing actually works. People think you’re a responsible grownup with a job and everything.

unpretty:

ways i have tricked people into thinking i am competent:

  • bought a really nice looking fountain pen
  • that sounds like a joke but fountain pens are cheap as shit and when you use one people look at you like you’re a fucking wizard
    • this hero 901 cost me $3 on ebay and i don’t know why people assume that this is a pen for intelligent people but they do
    • it works better when i am using a nice notebook and not the avengers notebook that makes it look like the hulk is grabbing my sweet pen
    • i write in code which for some reason leads everyone to assume that i am some kind of da vinci motherfucker, instead of the reality, which is that i am writing about dicks and don’t want anyone to know
    • it looks like i am constantly taking notes on everything which is both intimidating and inaccurate, just the way i like it
    • i bought a usb clicker/laser pointer for $11 and now it seems like i’ve got this shit on lock, like i am so pro at giving presentations i even own accessories
    • holding a clicker makes you seem at least 10% more like you know what you’re talking about i’m pretty sure
    • i check the weekly freebies on creativemarket every monday so now i have a huge folder of pro-looking website themes and powerpoint templates and fill-in-the-blank resumes (also a lot of autumnal clipart and watercolor flowers and script fonts but that is less relevant)
    • i bought a ceramic coffee mug at world market years ago and it makes me look like a productive coffee-drinker because no one knows it’s full of hot cocoa
    • i don’t know why drinking coffee makes you look busy it just does even though i’m pretty sure it statistically reduces productivity
      • bonus: not only does no one know i’m just drinking Depression Chocolate but they think i am being Environmentally Conscious rather than Poor As Shit
      • extra bonus: i can take a sip whenever it looks like someone is going to ask a question and then they ask someone else
      • i almost never have to answer questions and i leave the room a lot because i have to pee constantly so double extra bonus
      • “That’s a very good question, and one that deserves an in-depth answer, so if you’d like to leave me your card I’d be happy to discuss it with you later one-on-one” aka “how DARE you suggest i waste everyone’s time answering this question right now” aka “lmfao i have no fucking clue what you just said please let me secretly google that okay”
      • bonus: now it seems like you are a sophisticated grownup who assumes everyone has A Card and if they have to settle for writing their email on a scrap of paper you can feel smug about it even though in your heart you know that you are no better
      • i’ve got anxiety and poor impulse control and anxiety about my poor impulse control so i generally say jack shit about shit and this constant silence is often misinterpreted as aloof observation
      • no one knows that my air of mystery is actually a bad case of the shy and i am too shy to correct them so it works out
      • when i’m on my laptop and i don’t want anyone to notice how much i’m dicking around i turn the brightness way down so they can’t snoop without being obvious
      • at least one window of notepad++ with some random html page or css stylesheet in it makes randos assume you are some kind of genius doing some genius shit, unless they are CS major randos, in which case i guess find an intimidating looking excel spreadsheet and hope for the best
      Source: unpretty

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      *True fax!

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  • And general good news as The Queen, The Goddess, Michelle Yeoh, gets picked up for the new Star Trek TV show, and Pacific Rim has a fairly large Chinese cast, headed by a Black dude, John Boyega. I’m just giving my money away next 

‘Pacific Rim 2’ adds Chinese action star Zhang Jin to its roster

Pacific Rim: Maelstrom, starring Star Wars’ John Boyega, has added another actor to the cast list, rounding out a fairly sizable Chinese cast.

*Michelle Yeoh will appear in ‘Star Trek: Discovery,’ according to producer

The Final Girls (2015)

Image result for THE FINAL GIRLS

Normally, I plan my Horror movie reviews,  for October, well in advance of Halloween, but this one surprised me. I’d never heard of it until a few days ago. I originally confused this movie with another movie about serial killers, with the same title, called Final Girl, which was released the same year. Final Girl is also a comedy but the two movies are very different.

The Final Girls is a rather broad parody of serial killer movies from the eighties, with all their various tropes, specifically the  Friday the 13th movies, and  the movie Sleepaway Camp. There’s also some elements of the Scream  movies. Some modern day teenagers get trapped in an eighties horror movie and have to try to survive to the end of it. To that end, they use their knowledge of horror movies, in general ,and the specific horror movie they’ve landed in, to try to navigate their way through the movie. Nothing goes as planned.

Image result for THE FINAL GIRLS

About 25 years ago, Max’s actress mother, Amanda, starred in a horror movie called Camp Bloodbath, and can’t seem to live it down, as she’s having difficulty finding other roles. After one such audition, Max and Amanda are involved in a car crash and Amanda’s mother dies. Three years later, Max is still grieving for her, but has some new friends, and a crush on a guy named Chris.

All of them get invited to a special screening of her mother’s old movie and its new sequel, Camp Bloodbath II. When the theater catches fire, Max, Chris, her best friend Gertie, a bitchy girl named Vicki, and Gertie’s stepbrother, Duncan,  try to escape the fire by tearing their way through the movie screen, only to find themselves stuck in the movie. Duncan is an expert on serial killer movies and Camp Bloodbath specifically. One of the funniest moments is them sitting by the side of the road, trying to figure out where they are, and if they are indeed, in a movie.

Image result for THE FINAL GIRLS

In a moment of prime surreality, Max meets her actress mother, years before she became her Mom, as the nice girl stereotype named Nancy. Max spends the rest of the movie trying  to save Amanda’s life, even though on some level she knows these aren’t real people. Its a bittersweet moment, as you can tell that seeing her mother alive and well again is having a real effect on Max. She tries to advise and guide her without telling her that she’s Amanda’s  unborn daughter.

The Camp counselors consist of the usual throwaway characters including a randy horndog, named Kurt, who everyone thinks is disgusting, except for the girls in the Bloodbath movie. There’s Tina, the camp sexpot, and the actual Final Girl of Camp Bloodbath, Paula. The Black guy of course, is killed almost immediately. Since one of the rules of serial killer movies is that whoever has sex dies, the  modern crew spend most of the movie trying to keep what characters they can from having sex. After Duncan gets killed, they learn that their own lives are fodder for the killer, named Billy.

Billy is played as a straight killer, in the mold of Jason rather than Freddie, with much the same backstory.  We learn this when the modern day teens get caught in a flashback, within the movie, in the movie (and believe they’ve gone colorblind.) Billy  doesn’t crack jokes, or cackle menacingly. He’s actually pretty terrifying, really, which just makes the movie funnier, as no one takes him as seriously as they should with Duncan deciding he wants a selfie with him.

Image result for THE FINAL GIRLS

One of the funniest moments, for me, is when they put Tina in restraints, kitchen mitts, and extra clothing to keep her from having sex or taking her clothes off. Tina, who is best classified as a very dim bulb, doesn’t understand any of it. Bless her heart! At one point, Vicki tries to explain  that her cellphone is actually a  phone, and Tina just laughs at her.

When Paula gets killed, they decide to take matters into their own hands. Without Paula to be the Final Girl,  they elect Max as the only virgin. Her job is to kill Billy just like in the original film. Killing Billy is probably the only way they can escape the movie. So they lure Billy to the camp by using Tina as bait, by allowing her to take off her clothes, and booby trapping the entire house. During Billy’s siege of the camp, most of the other characters get killed. Only Chris, Nancy and Max escape, and Chris is wounded, when Billy kidnaps Nancy.

Max is desperate to save Nancy and goes after her . She manages to free Nancy but is wounded in the attempt. In order for there to be a Final Girl, one of the girls must die, though. Nancy sacrifices herself but not before Max confesses to her that she is the movie counterpart to her late mother. Now, as the Final Girl, Max has the superpowers to defeat Billy. After killing him with his own machete, she wakes up in the hospital to find all her friends are alive again, but unfortunately, they are all now  stuck in the sequel.

Image result for THE FINAL GIRLS

I had a lot of fun watching this movie. I loved the dialogue, the sight gags, all of it. I especially liked the character’s relationships with each other. Normally these types of movies are full of people you are hoping will be killed, but with the exception of Kurt, who is kinda “rapey”, and thereby disgusting, most of them are sweet, but not too bright. Even the modern characters, while snarky, are not actually mean, and some of them even make fun of which stereotypes they are, with Vicki making cracks about being the “mean girl”. I laughed the hardest at some of the throwaway lines the modern teens lobbed at the movie teens, who were too dim to understand.

I especially liked Max’s relationship with Nancy. The two of them spend some amount of time bonding, and you can see all of Max’s grief and longing, when she talks to Nancy, while  trying not to reveal who she is.  Nancy asks her, a couple of times, why she cares about her so much, and Max stutters to come up with a reason for why she’s attached herself to this girl. I like that the women aren’t just sexy floor lamps. They affect the plot as much as they can, considering their circumstances, and manage to contribute a lot of one-liners to the discussion. The movie teens have no idea how funny they are. They play it completely straight, while the modern teens are deliberately snarky, because they can’t believe the situation they’re in.

 

There are several girls in the movie and they all  talk to each other, support each other when they can, and are largely non-judgmental about one another. For example, no one considers Tina’s cat-in-heat behavior, to be at all remarkable. They just take it in stride that she’s gonna try to hump anything that moves, and/or take her clothes off. They try to stop that because it attracts Billy, not because they judge her as being bad.

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The modern teens are surprisingly intelligent, and some of the funniest moments is watching them come up with a plans to defeat the movie they’re trapped in, but it doesn’t matter because, according to the laws of teen killer movies, there can be only one survivor, so everyone keeps having horrible accidents, as the movie attempts to correct itself.

This strongly reminded me of the movie Tucker and Dale vs. Evil, as it has much of the same kind of silly, slapstick humor.  The kind of humor that’s  not predicated on people being bitchy or unlikable. As an example, I give you Grizzly Park, which is a movie about a bear, hunting and killing teenagers, at a summer camp. The people in that movie, are quite possibly some of the most unlikable characters I’ve ever watched  in a movie, and at some point, I wished all of them would hurry up and be mauled by the bear, so the movie could end. I watched that movie with my Mom, an old veteran of these kinds of movies, and even she cheered for the bear.

Image result for grizzly park

And it was very refreshing to watch a movie made in 2015, where you care about the people being killed. Ordinarily, the killer seems to be the focus of any  movies made after Scream, and you root for  him, or the people he’s killing are so annoying that you pray for their deaths. And its also quite a contrast to movies made in the 80’s, where the teens seemed to like each other. Teens were annoying in the movies back then, and the movies were deeply sexist, but the teens weren’t bad people, and I didn’t spend the movie wishing for them to die.

Since I saw this on a family oriented network, I can assume its mostly safe for teens, but not for little kids under a certain age maybe, as there is a certain amount of gore, language, and sexual situations.

This movie was a surprise like for me, as I wasn’t expecting it to be so good, and I’m adding it to my comedy/ horror list, along with Tucker and Dale, Shaun of the Dead , and The Addam’s Family.

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