10 Movies That Time Forgot

Some of these movies have been forgotten for very good reasons. Nobody should be allowed to remember them, but I can’t seem to turn my brain off, and I’m putting these here, so unless you wanna suffer with me, you will quit reading this post and go have a soda or something. That said, there are a couple of really good ones here that are worth viewing, so go shake the bad ones off, and go check out the good ones immediately.

Elvira: Mistress of the Dark (1988)

For a really long time, Id forgotten about this movie, and then I saw Elvira, aka Cassandra Peterson, on some talk show and I was reminded again that I really love this smart ass ,and I need to check out this movie again. If you’re not familiar with her, she comes right of the tradition of movie show hosts.

When I was a kid, there were people, not exactly celebrities, who would feature different types of movies on the weekends (mostly in the daytime, but Elvira’s show was usually in the evenings). They usually had some schtick, or persona, to go along with the types of movies they hosted. Elvira enhanced the experience by making smart ass comments during the movie. It was awful, but it was good awful, and not at all meant to be taken even the least bit seriously. This was my type of humor back then, and quite frankly, its not too different from that now.

Mazes and Monsters (1981)

This movie happened during the Satanic Panic in the early 80s, when a lot of super idiotic people glommed onto the idea that Dungeons and Dragons was a role playing gateway to Hell. I know it sounds utterly ridiculous, but this is actually what happened! There were a bunch of these “panics” during the 80’s about everything from games, to books, to TV, Rap, and Metal music. . It was basically the old guard’s way of protesting modern culture by, literally, demonizing said culture!

This particular Satan attractor starred, of all people, Tom Hanks, as a young man who gets so caught up in his roleplay, that he starts to believe its real, and proceeds to kill several people, thinking them to be part of the game, while his D&D friends try to find and save him. On the other hand, t does star Christopher Makepeace, the star of Vamp, and My Bodyguard, who I had a terrible crush on, because of that 80’s thing, where white men had luxurious heads of hair. Yeah, I still don’t know what the f*ck that was at all about for them, or me!

This movie was as stupid as the philosophy that made it, and gets everything wrong about role playing games, in its sad efforts to make the point that such games were leading the children into Satanism. The same as what was said about TV, music, and basically any leisure activities that teenagers found enjoyable. You also have to put this into perspective that at the time there was a very literal “witchhunt” going on in American society at the time, where white people found Satanic Cults in every suburban backyard.

You can watch this, but be sure to have the liquor handy. You’re going to need to grease your eyeballs from rolling them so hard.

Death Becomes Her (1992)

This is actually one of my favorite movies. its got a got a lot of problems, though, like fatphobia, but it did question the idea of youth culture, and how older actresses get disposed of and forgotten by the industry once they start to age. It stars Meryl Streep (Madeline) and Goldie Hawn (Helen) as rivals for Bruce Willis’ (Ernest) affections.. While none of these are my favorite actors, they are all pretty funny in this movie.

After Madeline steals her Husband Helen encounters a woman offering a youth potion that works just a little too well. When Madeline’s career starts to fade, and Ernest tries to leave her, she meets the same woman played by Issabella Rossellini, after which the two of them spend the rest of the movie trying to kill each other, at some point realizing that the potion made them effectively immortal, and that ain’t no good for either of them.

The Keep (1983)

This movie was based on the book by F. Paul Wilson, about a demon trapped inside some type of Nazi stronghold, that gets set free ,and starts killing. I remember the book better than I remember the movie, but hey, I’m all for killing Nazis.

This movie starred a who’s who of old British men, although I guess, since the movie was made thirty years ago, maybe they weren’t quite that old yet. The acting is surprisingly not that bad, but I cannot, for the life of me, remember the details of the plot, and I know I watched it, because I remember the monster looked like a Dollar Value version, of Tim Curry’s Darkness, from Ridley Scott’s Legend. It couldn’t have been that bad though, becasue it was one of Michael Mann’s first films, and he eventually went on to make the Red Dragon film, Manhunter.

976 – Evil (1988)

Oh, this is one of my favorites, released just after Fright Night, about a nerdy teenager who makes a pact with the devil by calling a special phone number, after he gets badly humiliated by some high school ne’er do wells. This Devil’s bargain doesn’t go all that well for him, as is usually the case, after he starts turning into a demon, and killing everyone. This starred one of my favorite actors at the time, Stephen Geoffreys, who was just coming off the above named movie, as the character Evil Ed. It also starred a loopy Sandy Dennis, as his religious nutjob mother, who if its even possible, was even more batshit than Margaret White from Carrie.

Its not a great movie, but it is a lot of fun, and a kind of tongue in cheek, homage to Carrie, as it contains a lot of the same elements. he movie is silly and knows it. There were, in the the 80’s, a brief spate of these teenagers gone wrong, revenge films, featuring paranormal powers.

White Men Can’t Jump (1992)

Lets make this clear. At the time this movie was released, it was not one of my favorites. It still isn’t. I was not a Wesley Snipe fan, nor was I a fan of Woody Harrelson, and I generally hate sports movies too, but my family members wanted me to watch this movie with them, for which they shall someday pay a horrible price. On the other hand, it did star Rosie Perez. For y’all yunguns, yes, that is the same Rosie Perez from the Birds of Prey movie.

The title pretty much gives it all away. Woody’s and Snipe’s characters (yeah, I’m not looking up their names) hustle people on local basketball courts, by playing on the notion that white men don’t know how to play street basketball. I am fairly certain that this movie pushed a lot of white kids to challenge this notion, and get beat up for talking shit on many inner-city playgrounds.

The Hidden (1987)

This is one of my all-time favorite movies from the 80’s. This is the movie that made me a fan of Claudia Christian, from Babylon Five. Of course I was following Kyle’s career, at that time, before he found a home in Twin Peaks, which I refused to watch. This movie has all of the usual 80’s scifi tropes, in the form of an alien that takes over human bodies, cop car crashes, weird guns, buddy cops, who start out hating each other, but then later come to respect one another, and even some pathos, in the form of a fridged wife and child.

This movie is insane. It starts up high, and pretty much stays there, with a couple of unexpectedly goofy turns, later in the film, making it similar to, but not quite like any of the other films like it at the time, as if the genre had been building up to it. If you find a copy of this, take care to listen to the commentary, because some actual thought was put into certain elements of the plot, that you might otherwise overlook, like the relationship between the two lead characters, and the ending.

Maximum Overdrive (1986)

This is one of Stephen King’s hot 80’s messes, based on a much much better short story, called Trucks, which also happened to be based on Stephen Spielberg’s Duel. After some type of weird comet passes by the Earth, all mechanical objects come alive and kill people. In the short story, it was only trucks, but in the movie, its everything that’s technological, like electric kitchen knives, and lawnmowers.

The movie is deeply, and I mean deeply, ridiculous, and is one of those rare films that has a cameo from King, who gets called an asshole by an ATM. I forget who the directed this film, but whoever it is, should never be allowed to choose any actors for his films, on the other hand he is utterly merciless when it comes to killing his characters off, even going so far as to show, in horrifying detail, a little kid getting run over by a steam roller! Apparently the 80s was the era in which directors would just happily kill children all over the place, but not dogs. Go figure!

So yeah, this is kind of worth watching for the gore, but maybe you don’t want to watch it because its cheesy.

Coneheads (1993)

I was interested in this only because i was fond of the sketches from Saturday Night Live in the 70’s, and starring the same cast as in the film. The movie turned out to be surprisingly funny, even if it was sort of one note. Worse movies have hinged on much flimsier materials. The idea that aliens might be living here on Earth, attempting to disguise themselves as regular human beings, and failing, but people believe them anyway. It had a great cast of Jane Curtin ,and Dan Ackroyd, and the late, great, Chris Farley, who was pretty understated, in his role as the daughter’s high school boyfriend.

The show was a parody of the idea that, no matter how weird you are, or bizarre you behave,White suburbanites will accept you, as long as you look like you’re trying to assimilate (and look white, I guess.) But I just thought it was funny because the Conehead family were such failures at assimilation, and that much of the movie’s humor was about their directly indirect manner of speaking, which just appealed to my nerdy soul. There’s some drama about two immigration agents trying to capture them because they’re on Earth illegally, and a secondary plot about their daughter’s romantic entanglements.

Gay And Lesbian Horror Movies

There was a time that whenever members of the LGBTQ community appeared in mainstream Horror movies, they were treated as comedy relief, horribly killed, as a means to punish them for being gay, or as villains (Sleepaway Camp, Silence of the Lambs, Dressed to Kill), so to get Horror movies where they’re treated as no different than the other characters, they are the primary characters, or sometimes get to be heroic, is still something of a novelty. Here are 8 Horror movies, where gay, lesbian, or transgender characters get to be primary leads, get to save the day, or experience the uncanny, without that being a reflection on their sexuality.

Spiral (2019)

Malik and Aaron are a same sex couple that move to the countryside, along with Aaron’s daughter, and encounter strange neighbors, and mysterious ritual. If you like movies like The Wicker Man, Hereditary, and Midsommar, then give this movie a try on Halloween night. I haven’t finished this movie yet, (its not boring, I was just tired), but the trailer looks pretty good. his movie is airing on the Shudder app, through Amazon.

Hellbent (2004)

This probably isn’t the first gay slasher, but it is the first one that’s been treated as a typical slasher film, except all the primary characters present in such films have been replaced by gay characters, right down to a Final Guy. Eddie, and his friends, encounter a serial killer during West Hollywood’s annual Halloween Carnival. I’m still not a fan of the production values on this, as it looks murky and too dark, but the plot and characters are taken as seriously as if this were a movie about straight characters. This is currently on the HERE TV app.

Haute Tension (2003)

This is one of those movies about an interesting little twist. When the girl she has fallen in love with is kidnapped by a serial killer after they visit her parent’s house, Marie has to go on the defense to rescue her. This film is very gory, and pretty serious. The twist ending may be problematic for some viewers, but if you like gory Horror movies like The Texas Chainsaw Massacre, and Halloween, then is worth a try. The American title to this French film was Switchblade Sisters, so you may find it streaming under that name. Its also available on the IMDB app, through Amazon Prime.

What Keeps You Alive

This movie is about a lesbian couple that violently hash out their issues during their stay in the countryside. You can tell this by the amount of blood seen in this trailer. I haven’t seen this one yet, but it looks pretty chilling and has been on my radar for at least a year This is now streaming on Netflix, if any of you are interested.

Thelma

I wrote about this maybe a year ago. I generally liked it, although since its kind of artsy, it is somewhat ambiguous on the outcome, as such movies tend to be. its about a young woman in her first year of college, who struggles physically and emotionally with her attraction to a young lady she meets in the school library. There’s a paranormal element involved, a la Carrie, but seems like there’s a happier ending. Its worth watching though, and is currently streaming on Hulu.

Assassination Nation (2018)

When the people in her small town of Salem start to behave erratically after someone starts hacking everyone’s phones and computers, revealing all their embarassing, and deadly, secrets, Lily has to go to the extremes to defend herself and her friends. The film stars one of the first transgender actresses to star in a slasher film, Hari Nef, as one of Lily’s friends. Assassination Nation is streaming on Amazon Prime and Hulu.

We Are The Night (2011)

After they’ve killed all the male vampires for being greedy, a coven of female vampires, led by a woman named Louise, initiates a new member, Lena. Lena is looking for love, but when she doesn’t return Louise’s affections, she must fight to be free of the coven. This available to buy or rent on Google Play, and Youtube.

The Quiet Room (2017)

After a suicide attempt, Michael ends up in a rehab center that appears to be haunted. He ends up having to fight for his life, both physically and psychologically, if he expects to survive a fate worse fate than death. This movie has the distinction of having a gay Black man as the lead. The Quiet Room is airing on Amazon Prime.

State of Dis-Union: What’ I’m Watching

I know this post doesn’t seem Halloween related, but I’m posting it here anyway, otherwise I’ll forget what I wanted to write. Besides, I can (and I most definitely will) post about scary movies all year round! I like to, from time to time, give my readers a heads up, on what I’m watching, but not currently talking about.

Lovecraft Country

Fire Hbo GIF by Lovecraft Country - Find & Share on GIPHY

As a general rule, I don’t really spend a lot of time talking about shows and movies that everyone else in America is talking about, which is the reason I have not discussed Lovecraft Country, which just aired it’s season finale last Sunday. I really enjoyed the entire season, and hope there will be more, but there are a bajillion critiques and reviews, all over Youtube, and in writing. If y’all want I can post some links to a lot of the themes and Historical plot points of the show, which was dense with meaning, and y’all know I love shows like that. As a librarian, I am a firm proponent of the idea, that sometimes, people don’t know enough to know what questions to ask.

https://www.insider.com/lovecraft-country-historical-references-details-you-missed-2020-8

https://www.newsweek.com/lovecraft-country-ending-explained-season-finale-episode-10-full-circle-s01e10-1×10-1540186

But I also read some really good critiques of the shows negative themes, like its abuse and mistreatment of gay, lesbian, and transgender characters, and its use of colorism, with the darker skinned characters being constantly associated with self hatred, and violence. The show needs some work, and if it gets a second season, I hope the show writers have learned from this criticism, and the mistakes they made this season. More importantly though, I want them to treat their lgbtq characters a lot better. Enlightenment for Black women does not need to come at their expense.

That said though, this show really spoke to Black women on a level that few shows bother to do in their attempts to be universal, but there’s enough density in it, that almost anyone can find something in it that resonated with them. My absolute favorite episode of the entire series is “I Am” , and in case none of the reviews mention it, because none of the ones I read did this, the title “I Am” isn’t just that the lead character in this episode, a woman named Hippolyta, is called to name herself, but its a callback to the words of God, to Moses, when he was speaking to Moses through the Burning Bush in the desert. I’m an atheist/ agnostic, but I do know my Bible stories, and there were a lot of these callbacks throughout the season. At some point, I’m going to write a review of this particular episode, so I can cover all the issues in it.

Star Trek Discovery

Speaking of shows that resonate with Black women (and most other women, too), I also watched the season three premiere of Star trek Discovery, and I greatly enjoyed it, but I had questions, like who had time to braid Michael’s hair, because its kinda weird seeing Box Braids in the future. In fact, its so unusual that I don’t know how to feel about that. For y’all who don’t know this, wearing your hair in its natural state, as I do, is a source of great discussion among Black women, especially the whole process of caring for it. For some of us, it can take as long as a whole day to just to wash our hair correctly, while for others, it can take only a few hours. It’s a very involved process just to braid it. I’ve worn box braids, and it took, at the shortest, eight or so hours, just to get it to look like that, although I’m sure the actress herself is probably just wearing a wig.

Anyway, I liked the episode a lot and I especially like the newest addition to the show, Cleveland Booker. He’s handsome, he’s got superpowers, and he is one of the few Black men featured on the show, and I like the chemistry I see between him and Michael. I love that the show has made her a well rounded character, we get to see her laugh more in this episode than we have in the previous two seasons, and that they have changed the venue of the show to some 1000 years into the future.

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Michael after travelling through the wormhole into the future, has lost track of the Discovery, and crashed into Booker’s ship, who was being chased by some smugglers. They both land on the same planet and Michael set out to check his status. Booker is a smuggler (for a very good reason) and initially wants nothing to do with Michael, but they have to team up, because he’s the only person she has met, and she has nowhere to go. She spends a not insignificant amount of time punching Booker in the face until they reach an understanding.

It turns out that she is a true relic of the past, as Starfleet and the Federation no longer exist, because of something called The Burn, that happened about two hundred years before her arrival ,and involved the destruction of all the dilithium crystals that are used to power Starfleet’s ships. She ends up accompanying Booker on his adventures, though. I have to admit, this episode did bring the feels, by the end, and I loved the technology that I saw being used, but I get attached to characters first. If the characters don’t captivate or fascinate me, I’m probably not going to get invested in the show. I’m looking forward to getting to know all the new characters (and a few old ones), this coming season.

The show will be getting some non-binary and transgender characters this season, which I’m looking forward to. Star Trek has had non-binary characters before, but this will be a recurring character, which is a first for all of Trek. There’s also a spinoff show about Captain Pike, starring Anson Mount. For those who don’t know, Pike was Captain of the Enterprise before Kirk, and we sort of know some of his backstory, but he was the Captain for quite a while, so there’s plenty of stories left to tell about him, and I’m looking forward to that because, well… Anson is pretty hot, and there’s a new version of Spock which I like too.

Love and Monsters

love and monsters | Tumblr

I just finished watching Love and Monsters starring Dylan somethin’ or other from Teen Wolf. I mean, I like the guy just fine, but for the life of me I can never remember his last name, and I want to keep calling him Dylan McDermott, but keep realizing that’s a whole notha actor!. The movie was enjoyable and funny, and not too deep. I liked the monsters, and wish I’d gotten to see more of them. There was also a surprise appearance from Michael Rooker, who is his usual hilarious self.

Dylan’s character gets separated from his girlfriend after aliens attack the planet, and his parents get stepped on by a giant bug, because for some reason, the alien attack mutated all the Earth’s invertebrates and reptiles. The largest ones end up being taken out by the world’s different militaries, but that still leaves plenty of midsize ones, like the giant frog-thing seen in the trailer, and some type of gigantic ant queen, that moves underground like a shark, and something called a Rambler which is pretty huge to me, but probably didn’t even register on the military’s radar, as they seemed more concerned with the Kaiju sized monsters. This is one of those found family stories, that I’m such a sucker for, with a pleasant little message in it about believing in oneself, and finding one’s place in the world.

Dylan’s character, ( I did not bother to learn his name at all), does find his girlfriend again, as she’s not very far away, maybe several days, so he decides to go to her. Along the way, he meets Rooker’s character, who is with a very funny and charming little girl who attaches herself to him, and teaches him how to use a crossbow, and a dog named Boy, (see, I learned the dog’s name, which shows you my priorities here),which is definitely a shout out to the nuclear, sci-fi horror movie, A Boy and His Dog. The movie is more comedy action than horror. Some of the monsters are a tiny bit scary, and yucky, but its a movie that’s chaste enough for kids to watch as there’s almost no gore. Its not a deep movie, but not every movie has to be deep, and I would watch it again, along with any sequels.

The Good Lord Bird

I watched the first episode of the Good Lord Bird, and it was okay. I expected it to be a bit zany, which is unusual for a series about slavery, Its about a white man who is crazy enough to think he can end slavery by simply shooting slave owners. Apparently, this was based on a real life person, who actually did do some of the things in the show, and did indeed have an interesting relationship with Frederick Douglas.

https://www.theverge.com/2020/10/9/21508420/the-good-lord-bird-tv-show-review-showtime

The series stars Ethan Hawke, looking unrecognizable, as John Brown, who was a virulent Abolitionist. Most of the episodes are narrated by a young Black ex-slave, named John Shackleford, who was then nicknamed Onion, after being mistaken for a girl. At first, I kind of bristled at the idea of yet another guy in a dress story, (and I’m pretty sure some Black male viewers will too), but at no point does John behave in a derogatorily feminine fashion, and he doesn’t tell people he’s not a girl, for what he thinks is a good reason. As a girl, he receives tokens of kindness and protections that a boy wouldn’t. At the very least, he would not be required to engage in violence, which he doesn’t seem to want to do.

The show is darkly humorous, mostly because of the misadventures Bird gets up to, and the things he says. On the other hand, I really do wish that white people would stop imagining Black people as slaves in historical narratives, because its getting more than a bit tired. We did other things than just be enslaved. There are a lot of other stroeis to tell about our past, although I noticed, (quite a few people noticed this), they never seem to want to tell the stories of actual slave uprisings, of which there were plenty, and you wonder why that is, exactly! I mean that there are a bunch of stories about slaves running away, or fighting one on one, but Hollywood can’t quite imagine a collection of Black people burning down the plantation, and killing the master, but will make, yet another, in a long line of movies about white people, apes, or robots, rebelling against some form of tyranny.

Helstrom

I tried watching Helstrom, a show based on a comic book, in the Marvel Universe, that’s now airing on Hulu. Its about two siblings who fight demons and deal with the paranormal. I’m not loving it. The show looks rather dark and murky, and I couldn’t get into the characters very much. The show is mostly relying on being scary, rather than having character. I’m going to give it another try though, because Supernatural will be coming to the end of its 15th season, in a few weeks, and I need a replacement.

Travels With My Father

I’ve been enjoying Jack Whitehall’s Travels with My Father, which is deeply hilarious. I like the relationship Jack has with his dad. He’s always trying to get his father out of his comfort zone, and sometimes his father resists and wins that fight, but at other times he gives in, and that’s when the show is at its funniest like when he talked his father into being a drag queen for a few hours and he dressed up as the Queen of England, and was perfect at it!

Also:

Things I still have not watched are the latest iteration of Kipo and the Age of Wonderbeasts, the School Nurse Files, which looks deeply, and I mean deeply, strange, about a school nurse who can see people emotions, in the forms of the various weird ectoplasmic creatures they leave behind. I tried watching Monsterland (Hulu) and couldn’t get into it, and Hulu’s Books of Blood, based on the book series, and short stories of Clive Barker, proved uninteresting to me.

There’s also a bunch of trailers that came out, and here are the most interesting ones, in my opinion:

Queen Sono

Queen Sono Still 1 - Netflix Publicity-h 2020

If y’all are looking for a black, female, James Bond, you loved the TV series Alias, can’t wait until the new 007 shows up in the next Bond film, and you’re still coming down after watching The Old Guard, then check out this title on Netflix, (out of Netflix Africa), about a Black female spy in Africa. I have not finished watching this, but I like what I’m seeing, the characters are cool enough, and the fight scenes aren’t bad. The production values are very good, (somebody spent some money on this), and the cinematography is lovely, (yeah I’ve seen a few of those laughably, but charmingly, bad Nigerian films), and its got a 91% on Rotten Tomatoes, which I don’t normally pay much attention to, but this intrigued me. To assuage those most concerned, yes, a season two will be coming soon.

Hailing from creator Kagiso Lediga, Queen Sono stars Pearl Thusi as a field agent in South Africa’s secretive Special Operations Group. Queen — that’s her name, not a title — is the daughter of a legendary South African revolutionary figure whose assassination was a pivotal moment in the transitional period after apartheid. SOG, which itself has pre-apartheid roots and probably isn’t exactly what it appears to be, sends agents throughout Africa on missions overseen by Miri (Chi Mhende), who I think is Queen’s cousin, and Dr. Sid (Sechaba Morojele), but the organization is mysterious enough that Queen can’t even tell her nearest and dearest what she does for a living. That means pretending to be an art dealer in interactions with her grandmother, Mazet (Abigail Kubeka), and platonic best friend, Will (Khathu Ramabulana), and yes, the in-the-dark chum named Will is just one of many places fans will notice narrative overlap with Alias.

https://www.hollywoodreporter.com/review/queen-sono-review-1281706

Monster Hunter

I love monsters, but I am not a fan of the lead actress in this movie, Mila Jovovich, who I find deeply annoying, though some people seem to really like her. Actually, its complicated than that.The actress is an okay person, that I would love to have a beer with, but I just don’t like her acting. Unfortunately T.I. is also in this movie, he of the ignorance of female anatomy and the policing of his daughter’s virginity. Will I be able to enjoy the movie without thinking of that shit? Maybe if he gets killed off early…

That said, this looks like its right up my alley, as far as having monsters. I am vaguely familiar with the video game this is based on, from reading the game books, and the series, by Larry Correia, that the game is based on, (mostly because there were pictures of monsters in the game books.) I stopped reading the series after I found out that Larry Correia is a total asshole, because I couldn’t actually enjoy the books anymore, without thinking of the asshole who wrote them, not because of the series quality, which is okay. If you love the Monster Hunter series, good for you. I’m not asking you to stop enjoying them, because hey! its got some cool ass monsters, and that is to be appreciated, at least.

The 355

You can watch Queen Sono while you’re waiting for this movie to be released. If you love the Jason Bourne Trilogy, and The Old Guard, then here are some more bad-ass women, with Lupita Nyongo, as a technician, for the British government, in Uma Thurman’s old movie group, Femme Force Five, if you remember her dinner date dialogue from Pulp Fiction…

Archenemy

I’m looking forward to this one, not just because I have a soft spot for this particular actor, and down on their luck superheroes, but because it reminds me of a cross between He Never Died, and Jason Bourne.

I could do without the drug dealer stuff though, because of the near constant association of blackness with crime, drug gangs, and/or street thugs. We’ve had enough of that. Black people come in other flavors, and Hollywood needs to start telling genre stories about Black people that don’t just involve street criminals. Also, some people might not be too comfortable with the ‘White Savior” angle to this story. They could have just given superpowers to the black kid, but we already got a movie like that, called Sleight.

Jiu Jitsu

I know this movie is going to be ridiculous fusion of half a dozen genres, probably, because it stars Nicholas Cage, and there’s martial arts, and aliens involved. Those are all really good reasons to watch it, as far as I’m concerned.

Ma Rainey’s Black Bottom

Ma Rainey was a Blues musician during the 20s, and also an out lesbian, of which there were many, in the Blues genre. So any Black wlw looking for representation can check this out. Also, this is one of Chadwick Boseman’s final roles, so you Chadwick fans might want to see this too, and it has great music, so you Blues fans have something to look forward to. I’m not entirely sold on this, because I’m not a Blues fan, but I like Chadwick, and my mother loves both him and the Blues, so I will probably end up watching this with her, maybe. This would make a good double feature with Bessie.

The Spell

This movie is like a Black version of Misery. I probably will not watch this, because I don’t like the demonization, literally, of Voodoo, and Voudon, yet again, in Horror, but it looks intriguing enough for my Mom to watch it. White supremacy, and Christianity, has a nasty habit of villainizing most pagan religions, and treating them as if they were scary, and horrible ways to cause harm to people, when really a lot of them are just rather mundane, and so are the people practicing them.

But when we’re talking about religions practiced by primarily Black and Brown people, there are no good depictions of those. I mean European style pagan religions at least get heroic figures, in TV shows, as Hollywood moves a little bit away from demonized versions of Wiccan and Celtic religions, but that’s not the case with any of the religions practiced by Black people, and this just looks like one more.

For a more rounded and beneficial version of these types of religion check out Brown Girl Begins , on Hulu. This is loosely based on Nalo Hopkinson’s Brown Girl in the Ring, which is a futuristic tale of a young girl receiving special powers from her ancestral gods. I read everything else by Nalo Hopkinson, but for some reason, I didn’t get to this book.

His House

I haven’t seen this one yet. Its about an immigrant couple from the Sudan moving into a haunted council estate, and starring the actress who plays Ruby from Lovecraft Country, and will be coming to Netflix this week. This looks like a Black version of The Ring.

Bad Hair

The reviews for this movie are starting to come in. They’re a bit mixed, but overall, its been said the movie isn’t too bad, and worth a watch. I’m going to take a look at it, so we can talk about the influx of Black Horror movies we’ve been getting lately, which we owe to the success of movies like Get Out. Normally this isn’t the type of movie I would watch, but it stars a lot of actors I know, its set in the 90’s, and looks kind of fun, and I’m intrigued about just what exactly is happening in this trailer.

Movie Disease Vectors: Pass It on

I mentioned in an earlier post that one  of the primary staples of the Horror genre is the fear of disease, or loss of bodily autonomy. The Fly is a perfect encapsulation of this theme. The Horror genre also likes to combine the two fears, as in the movie, Slither, and part of the fun of watching such films is figuring out how you would, or could, survive the fate of the film’s characters.

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I was revisiting some commentary I’d left on another website, and  discussing disease vectors. I was specifically discussing zombification, and where and how such a disease would get started. I mentioned a game I was playing called Plague Inc.

I don’t know if any of you have heard of Plague Inc., but it’s a fascinating way of learning how disease works, and the CDC itself approves of the game, and offers suggestions. The objective of the game is to kill  the human race, anything less than that and you lose. You must kill off all humanity. I’ve only won the game once on the easy setting, and trust me, it’s not a triumphant feeling.

Plague Inc. is a strategy title in which you take control of a deadly pathogen and, beginning with patient zero, attempt to spread the plague across the entire world and wipe out the human race — which does its best to adapt and stop you in your tracks at every turn.

You have to factor, not just where the disease begins, but how fast it travels, based on how its victims contract it, how the disease gets spread to different locations, and carefully calculate how fast it works on its victims bodies. You receive points on how effective your disease is, and you can use those points to buy specific attributes it, like new vectors, that can slow it down, or speed it up. If the disease kills its victims too fast, then it dies out before it can infect enough people. If it works on its victims too slowly, then the disease will be cured before it can infect enough people. What you want is a disease that spreads quickly, through as many vectors as possible, while leaving its patients alive just long enough that scientists don’t realize how fatal the disease is.

Horror movies base a lot of their plots off diseases, some of them pretty rare, and some of them entirely  fictional, but they all operate from the same basis. Diseases need to be spread somehow, and just like other living organisms, the virus or bacteria, or whatever the disease is based on, wants to survive and multiply, and can only do that by infecting as many people as possible. Horror movie diseases echo real world versions in that they need to have vectors.

 

28 Days Later (2002)/Train to Busan (2016)/World War Z

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These three movies are too similar in their depictions of zombification not to be compared. The only differences are that in 28 Days Later, the victims are still alive, and slowly starve to death, while in Train to Busan, the victims are the reanimated dead. The diseases are spread very much the same,with humans as the transport vector. and these diseases spread very quickly because the victims are fast, chasing and infecting, more victims.

Much like  Rabies, both diseases are spread through contact with infected saliva, like a bite, or interaction with bodily fluids. The diseases in the movies are spread so fast because the victims are compelled to seek out new hosts, and because it works on the body much faster than any known real life diseases, so its not very realistic in the depictions of the diseases themselves.These diseases work too fast on the bodies of the victims, but the vectors for them are realistic enough.

 

 

World War Z (2013)/The Invasion (2007)

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The vector for the zombification in World War Z is similar to the the one used in The Invasion, which is kind of a slick remake of The Invasion of the Bodysnatchers. The vector, in both cases, is humans, but one extra thing these two diseases have in common is how they react to the human body, in that a previous infection of some other disease, can render a person immune to the current one.

I think World War Z got this idea from the science of immunology.h I have it on good authority that that is not how  disease works in real life, and in World War Z,  it is more how predator/prey relationships sometimes work. In the real world, what would happen is one kind of disease suppressing one’s immune system, and  making a person vulnerable to other infections. One of the things that World War Z gets right, however are that boats and planes are two of the vectors for transport of the disease.

In The Invasion, the “disease’, which is really a kind of sentient virus, is passed via bodily fluids. The victims produce a milky saliva that they use to infect more victims, usually by adulterating beverages. This is another disease that spreads quickly, as the first victims are compelled to seek out more.  A person becomes a “podded” after they fall asleep, and a brief period in which the body tries to fight off the infection through other means, like a fever. In 1400’s England, there was a brief epidemic of something called The Sweating Sickness, that could kill a person within hours of infection. The name, and cause, of the diseases is still unknown, but it is similar to The Invasion, in that the victims suffer “night sweats” which coats their body in a gelatinous like “pod”.

Any … form of sensing the presence of infected prey, unless they just kind of know it preternaturally or something, would require methods we’re not currently aware of.

https://www.vulture.com/2013/06/biophysicist-assesses-world-war-z.html

 

The Stand – Stephen King (1978)

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The disease chronicled in The Stand is not fictional. It is very  real. Called the Superflu, it is spread the same way regular colds and flu is spread, with the only difference between it and the regular flu, is  that the Superflu was genetically modified to be a weapon. Scientists hardly needed to make a super version, as there have been several times that the flu has wiped out whole populations of people. There here have been several of these over the past 300 years. The last major Flu pandemic happened in 1918, called the Spanish Flu, it killed some 50 to 100 million people worldwide. Because the flu is easily transmitted,  it is capable of infecting a lot of people, without their knowledge. The description of the Superflu, or as its called in the book, Captain Trips, closely resembles descriptions of The Spanish Flu.

One of the most interesting chapters in King’s novel, chronicles the transmission of the disease from patient zero, to the rest of the population, illustrating the futility in trying to contain it. The disease travels just fast enough, and kills just slow enough, that no one realizes they have been infected, and are able to pass it along to many unknowingly, by touch. Just like the real flu Captain Trips is contagious before they show any symptoms, after which the disease is airborne, in infected droplets from  mucus.The only difference is that Captain Trips had a 100% mortality rate. If you caught it, you died.

The flu is transmitted through droplet, so if you catch it it’s because you have someone else’s spit in you. So if you do think you have the flu, you should wear a mask when you go outside. And if you refuse to get your flu shot, you should also wear a mask. Droplet range is about three feet. People can sneeze as far as 20 feet but about 3 feet is the contagious range.

That’s what made The Stand so scary. People would go through their days coughing and sneezing, thinking they were just suffering from a light head cold. But as they were going throughout their day, they were infecting everyone they had come across. And then a week later they were dead.

https://factandsciencefiction.com/the-flu-stephen-king-the-stand/

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The Black Death (2010)

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The tile of this movie is a reference to the  Bubonic Plague, AKA The Black Plague. In the mid 1300s, the Black Death was responsible for killing a third of Europe’s population, and parts of the Mediterranean and Africa. The disease still exists today, even here in the US. One of the vectors for Bubonic plague are rats, (and other small rodents), which carry the infected fleas, which can carry the disease quickly and quietly into populated areas. One of the other vectors is humanity. People infected with the plague are highly contagious, and can pass it on, much like the flu.

The bacteria that cause plague, Yersinia pestis, maintain their existence in a cycle involving rodents and their fleas. Plague occurs in rural and semi-rural areas of the western United States, primarily in semi-arid upland forests and grasslands where many types of rodent species can be involved. Many types of animals, such as rock squirrels, wood rats, ground squirrels, prairie dogs, chipmunks, mice, voles, and rabbits can be affected by plague. Wild carnivores can become infected by eating other infected animals.

https://www.cdc.gov/plague/transmission/index.html

 

Cabin Fever (2002)

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Just as in The Invasion , this disease can be passed on by human beings coming into contact with the bodily fluids of the infected.  In the movie, several college students come in contact with  water that’s been contaminated by an infected  body. As the disease progresses they begin to bleed profusely, and the skin begins to slough away. The basis for the disease in the movie is called necrotizing fasciitis,, aka Flesh Eating Bacteria. (I caution you to not Google images of this disease, unless you have a strong stomach. For the record,  it looks exactly like the disease in the movie.)

 If you have necrotizing fasciitis you have a life threatening condition that could spread to kill you within hours. Once you have it you can go from swollen calf to death’s door within a period of days.

https://www.popsci.com/scitech/article/2003-09/catching-cabin-fever/

 

Pontypool (2009)

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This is a unique and  interesting movie in that the vector of contamination here is speech. The use of certain words must be said and heard in a specific arrangement in English, which creates an infection that takes over the brain, and turns the victim into a living zombie.

The disease in the movie mimics some actual speech disorders, like “spasmodic dysphonia”, the speech disorder most famous for its use in the movie Us by Lupita Nyongo, who got into  some small  trouble for it.

“There are three stages to this virus. The first stage is you might begin to repeat a word. Something gets stuck. And usually it’s words that are terms of endearment like sweetheart or honey. The second stage is your language becomes scrambled and you can’t express yourself properly. The third stage you become so distraught at your condition that the only way out of the situation you feel, as an infected person, is to try and chew your way through the mouth of another person.”

https://longsworde.wordpress.com/2011/01/29/the-zombies-of-pontypool-language-as-a-virus/

 

Afflicted (2013)

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The basis for much of the mythology of vampirism is a disease  called Porphyria, a set of several inherited, blood disorders, that result in the body being unable to create hemoglobin. Some of the symptoms of  porphyria are paleness, lethargy, and extreme photsensitivity, all symptoms displayed by the character in the movie. Porphyria, however , is not infectious.

In The Afflicted,  Derek, begins to exhibit all the symptoms of vampirism, after an encounter with a pretty girl at a nightclub. He first exhibits flu like symptoms, before the disease is offset  by the other  symptoms of vamprism,  super strength, and speed. In the movies, vampirism is contagious through contact with saliva, in much the same way as rabies, to which it also bears a similarity. For example, animals with rabies often display “hydrophobia”, an aversion to water, which might have given rise to the belief, that vampires could not abide running water.

The different genetic variations that affect heme production give rise to different clinical presentations of porphyria — including one form that may be responsible for vampire folklore.

https://vector.childrenshospital.org/2017/09/gene-protoporphyria-blood-disorder/

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Rabies is a deadly virus that is transmitted to humans by the bite of an infected animal. Globally, it kills an estimated 59,000 people each year — that equates to almost one death every 9 minutes. Initial symptoms are only flu-like, but once they appear, rabies is almost always fatal.

https://www.medicalnewstoday.com/articles/321780.php

 

Slither (2006)

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The alien in this movie doesn’t resemble any kind of human disease, but it does resemble the actions of a particular fungus. The cordyceps fungus operates in much the same fashion as the alien in the movie: infect, zombify, repeat. In that way, the creature, also called The Long One,  grows to consume the life of an entire planet. The alien mimics the life cycle of cordyceps by controlling the hosts to infect more hosts, through the use of mobile spores, which look like worms.

The cordyceps fungus also infects an ant or other insect through spores. After the host is infected, it is instructed by the spores to climb to a high point, before more of the spores burst from its body, infecting the rest of the colony. In the movie, after a person is directly infected  by the primary host, their bodies are instructed to feed until they grow to enormous size, after which their bodies burst, releasing the spore-like worms.

After patient zero, Grant Grant, is infected by an initial spore (in the shape of a needle), he is instructed to feed, and impregnate more hosts. The alien takes on the intelligence level of its hosts, although it does have its own  memories, which are shared among its hosts, and  is specifically referenced, in the film, as a “Conscious Disease”.

US (2019) Jordan Peele

Here’s a nice after Christmas treat.

The trailer for Jordan Peele’s new movie just dropped. What a beautiful Christmas present this was!

I watched this trailer, and I am shooketh! This looks genuinely terrifying!

Seriously, Peele’s been a comedian for years, and he’s been holding out on us. I love the cast for this movie, Lupita Nyongo, and Winston Duke, both fresh off of Black Panther. I expect this to be scary, and I expect it to have as much depth as his first movie, Get Out.

https://ew.com/trailers/2018/12/25/us-movie-trailer-jordan-peele/

Jordan says this is not a home invasion movie, it’s not about race, and it involves a new mythology that he’s invented about “The Tethered”. As you can see a lot of it takes place well into the next day, and once again, we get to see Lupita kicking some ass.

Things To Notice:

* That opening song. I Got 5 On It by Luniz was the song from my youth, too. It came out during my college years. I didn’t know I knew the lyrics to this song, and quite frankly the backbeat was always creepy to me, but that’s not something you say to your friends when they jammin’. (And Yes, it is about drugs.)

*The entire family is dark skinned, especially the mother and daughter. The usual dynamic, especially for mainstream movies, is to cast the father as dark skinned, and all the women in the family as several shades lighter, but here, the entire family has the same skin tone, which is something refreshing that people are noticing. It may seem an insignificant detail but those of us who are darker than than a paper bag tend to notice things like that.

*The shoutout to Howard University

*It appears as if the little boy may be on the spectrum. He is wearing a little red devil mask on his head when we first see him, and his mom talks him through the song in the car. Those are the kinds of little things one does when a family member has sensory issues.

*Bunnies!

*People have noticed at least one parallel scene between Lupita’s character, and the main character’s single tear scene from Get Out.

Jordan says having a Black family was incidental, because it’s not something that’s really been done before, and I’d have to agree, because a lot of family style horror movies involve White suburban families dealing with some disruption to their lifestyle, with the status quo being restored by the end of the movie, through their efforts. That’s not a hard and fast rule, but it’s a pretty common one.

Honestly, there really aren’t enough PoC in the horror genre, this is refreshing for that reason alone, and this kind of thing is honestly why we need them, to inject some fresh ideas into a genre that’s been coasting for too long on the kinds of things, made primarily by white men, that only seem to scare teenagers – torture porn, jump scares, ghost stories, and possession plots. (Having a Black cast isn’t unheard of, it’s just not especially common.)

Not that the men who almost entirely run this genre don’t have some good ideas from time to time, (It Follows, Poltergeist, two of the films cited by Peele as being significant enough that they was required viewing for the adult cast), but so much of this genre is not anything to get really excited about, beyond the occasional tentpole film like Halloween. The same way the J-Horror craze injected some new material into the genre, Black and Brown people will too, so hopefully this is the beginning of a trend that will see more women and PoC filmmakers in this genre.

I want to get back to a time when Horror had something interesting to say about the world, it’s people, anything really. Far too much of the genre has nothing to say from either a political or social standpoint, that isn’t abjectly negative about humanity, or just nihilistic. It will be interesting to see where Jordan Peele takes this story, and what meaning it will have on a wider scale, if any.

Halloween Horrors Directed By Women

XX (2017) Anthology

I recently watched this anthology of horror shorts, directed by women, on Netflix and found it very effective. Not particularly frightening, but moving nonetheless. I not only enjoyed the stories themselves, but there were some interstitial moments between the episodes that I found pretty creepy, and which also tell a kind of story. Of the four stories, three of them deal with the idea of motherhood as a harrowing and anxious experience.

One of the middle stories, and the most frightening, is The Box,  about a woman whose family slowly starves themselves to death after the son peeks into the box of a stranger on a bus ride. I think I read this as a short story somewhere because it felt familiar. Its a very effective and emotional scare, as the mother is helpless to save her family, who are determined to destroy themselves. One of the other stories chronicles the adventures of a mother whose husband dies in a giant panda suit just before his daughter’s birthday party called, appropriately enough, The Birthday Party. It’s the funniest of the stories, but I was exasperated by it because it didn’t fit the gray mood of the rest of the anthology.

Dont’ Fall is the most straightforward horror story with no message to it. A group of people go camping and run afoul of an ancient cannibalistic evil. Her Only Living Son is a favorite of mine. Its like a sequel to Rosemary’s Baby, if she had run away from  all the people trying to manipulate her, and tried to  raise her son not to be the AntiChrist. It’s interesting that the two most effective stories are about mothers trying to save their children from the aftermath of bad choices.

I wasn’t sure what to expect, and was a little dubious about watching it, at first. Women directors in the Horror genre are very rare, but this turned out to be pretty good. The types of stories  were  female-centric in a way that men’s stories just aren’t, and that was refreshing.

This movie is available on Netflix.

Ravenous (1999) Antonia Bird

I reviewed this movie some time back, and advised people to listen to the DVD commentary, because it’s very informative. I’ve since learned that Antonia Bird died from cancer in 2013. Her films include a few others I’ve watched: Priest, Safe, and Mad Love.

https://tvgeekingout.wordpress.com/2015/07/15/geeking-out-about-ravenous-1999/

A Girl Walks Home Alone At Night (2014) Ana Lily Amirpour

This is a nice little nugget of a film available on Netflix, which I have not finished watching yet, because I was interrupted. (I was about thirty minutes away from the end, which is probably when all the best stuff happens.) This is a remarkable story about an unnamed and  beautiful Iranian vampire, who spends her nights trying to resist her hunger, in the presence of an innocent young man named Arash. The movie isn’t frightening, so much as it is melancholy, although The Woman, as I call her, does manage to cause plenty of death.

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Jennifer’s Body (2009) Karyn Kusama

Despite people hating this movie, I actually enjoyed it , and thought it was pretty funny. This was my first introduction to Megan Fox ,and based on her performance here, I wish her career had continued. I wasn’t sure what to expect actually. I think I expected the director (who, at the time,  I did not know was a woman) to simply use the plot as an excuse to have Megan Fox be naked and/or sexy. I thought the trailer a little misleading. But the movie turned out to be a lot deeper, as it was about the friendship between these two very different characters, and how people change and grow apart as they get older. The movie was also written by a woman, Diablo Cody, which explains some of its humor.

Anita, played by Amanda Seyfried is friends with a bitchy cheerleader named Jennifer. Now I should have paid closer attention because I was unclear if Jennifer had been turned into a vampire, or if Jennifer actually died and was replaced by some creature. At any rate, its up to Anita to try to stop her, because, obviously, Jennifer is evil. It was hard not to like Jennifer though, because she’s actually funny, and some of the best dialogue in the movie is between her and Anita during their knockdown fight at the end.

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Raw (2016) Julia Decournau

I have yet to watch this film, but I really  liked the trailer, and so its on my Halloween list. It heavily reminds me of a cross between the movies  Thelma and Jennifer’s Body.

Its interesting to me that so many horror films directed by women seem to involve the concept of eating and the  forbidden and blood.   The anthology XX had an episode about people denying food, A Girl Walks Home Alone is about a vampire, and this one is about a young vegetarian developing a taste for raw meat after a horrible campus initiation. Ravenous and Jennifer’s Body are about cannibalism. At some point someone is going to have to analyse why that is.

Pet Semetary (1989) Mary Lambert

This is the one movie on this list I’m not a big fan of, but a heckuva lot of people really really love it, so I’m recommending it for viewing. I thought the movie was kind of ridiculous, and some of the acting was simply terrible. On the other hand, Fred Gwynne, who played Herman Munster on the sitcom, was great, and I liked Denise Crosby, who was really likable here. I was creeped out by the family cat, but I  laughed at part of the ending, when this tiny munchkin went on a murder spree. I don’t hate this movie ,but I don’t have happy thoughts about it either, although I did enjoy the Stephen King book it was based on.

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Near Dark (1987) Kathryn Bigelow

I gave a review of this movie earlier in my blogging career. This was directed by the great Kathryn Bigelow, who won an Oscar for her movie The  Hurt Locker, and gave us such great characters as the Aliens version of Ellen Ripley, and the Terminator 2 version of Sarah Connor.

https://tvgeekingout.wordpress.com/2015/08/12/near-dark-1987/

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Carrie (2013) Kimberly Peirce

I did a review of this one where I compared Kimberly’s version to the one directed by DePalma, charting the difference between when a man makes a female- centered film vs. when a woman does it. Basically, there seems lot more meaningful interaction between the women in a female directed movie. At some point I’m going to revise this review to add some new thoughts.

https://tvgeekingout.wordpress.com/2015/03/16/carrie-vs-carrie/

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Honorable Mentions (Not Directed By Women)

These five movies were not directed by women, but the women characters are not just in the center of the plot, they are the plot. Any one of these movies would be great for a female themed marathon on Halloween night, along with longstanding favorites, like Alien, and Halloween.

Ginger Snaps (2000)

This is one of my favorite werewolf movies, right up there with the newer movie, Wer. Here, two teen Goth sisters, Bridgette, and Ginger, the local high school weirdos of a small suburban town,  discover that Ginger has developed lycanthropy, after being bitten by a wild animal, while on their way to play a prank on another girl. There is a parallel here between the disease and sexual maturity, as Ginger has just had her first period, which is why the animal attacked her. Ginger Snaps considerably deepened the discourse around the subject of feminine transformation, rage, and sisterly love,  and upped the werewolf game.

Thelma

This is a repost of a mini-review I did  in May of this year.

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I’d been looking forward to seeing this for some time, and it did not disappoint. Now, when I first heard the description of it, I had not yet seen the trailer, and I was expecting something like Carrie, but quieter. Then I saw the trailer, and found that it’s something wholly different from Carrie. This movie isn’t about vengeance, it’s about desire, and what happens to a person when that desire is repressed.

For one thing, this is a much quieter, and more subtle movie than Carrie. It’s so low-key, that the supernatural aspects of the story kind of sneak up on you. They sneak up on you because they’re  loosely covered by several other issues that you will find compelling enough to be distracting.

The film is based in Norway, and the lead character, Thelma, starts to experience epileptic seizures, except it’s not seizures. Her doctor says they are psychosomatic, and stem from emotional suppression. At the same time, she meets a young woman who comes to her rescue, after she has a seizure in the college’s public reading room, while that room’s giant picture window is battered by a flock of birds. Every time she resists her feelings for Anja, or tries to suppress her powers, she has a seizure.

Thelma and the young woman, Anja, start to get closer, but Thelma comes from a quietly strict Christian background, and she becomes very conflicted about her relationship with Anja, which starts to take a romantic turn. It turns out that Thelma isn’t necessarily conflicted because of the Christianity, but because she has the power to make things happen to people, when she strongly wants it. The Christian beliefs her parents espouse are what was used to keep her powers in check.

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When Thelma was a child, she became jealous of her baby brother, and wished him away several times. The last time she does it is emotionally devastating to her mother and father, but this isn’t something you find out until the middle of the film, and only in flashbacks, and explains why her parents treat her in the quietly aloof manner that they do.

As Thelma becomes overwhelmed about her relationship with Anja, (she keeps having sexual nightmares involving snakes, and dreams about drowning, which is classic symbolism of someone being overwhelmed by a subject), she wishes Anja away too, and it’s a testament to the low-key horror of the movie, that even at the end, you’re not entirely certain that what is happening is real. Did she bring Anja back? Is Anja even real? And then there’s the further question, brought up by her father, about whether or not Anja truly loves Thelma, or did she make Anja love her because she wants her to love her.

It’s not a straight horror movie, with jump scares, and frightening moments. The most frightening moment in the movie is when Anja disappears, and Thelma kills her father. But mostly it’s those nagging questions,that stay with you, as you start to realize Thelma is far more dangerous than you may at first have believed. Her mother and father were in a car accident a few years before she went to college, and though it’s not explicitly stated, you wonder if it was Thelma who caused it.

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After Anja disappears, Thelma leaves college to go back home, where her family welcomes her, but her father decides that she can’t leave. She takes control of her abilities, takes a horrific revenge on her father, and walks out of the house. She goes back to school, where she is greeted by a newly returned Anja, who passionately kisses her.  Her mother is disabled, and uses a wheelchair after the accident, but by the end of the film, Thelma has given her the ability to walk again.

Like several other movies I’ve seen in the past few years (It Follows, Annihilation, A Quiet Place), the horror comes not so much from what happens in the movie, but from its mood. The wintry landscape of Norway, and the remote location of Thelma’s home, is very effective. On the other hand, I can’t say that the movie was enjoyable, either. It’s too haunting for that, and I am still disturbed by the questions that arose, and the answers I came up with.

For those of you on the LGBTQ spectrum this movie is safe enough to watch There is a brief moment when you think there’s a Kill Your Gays Trope, but by the end of the movie, that has passed. Its a movie about overcoming repression, and acceptance of the self.

Thelma is available on Hulu.

It Follows

I’ve done two reviews for this movie. One is an examination of the meaning of the monster, and the other focusing on the female -centric symbolism embedded in the film.

https://wordpress.com/posts/my/tvgeekingout.wordpress.com?s=it+follows

https://tvgeekingout.wordpress.com/2017/04/19/it-follows-2014-more-thought

Added Bonus:

28 BLACK WOMEN HORROR FILMMAKERS:

http://www.graveyardshiftsisters.com/2018/02/28-black-women-horror-filmmakers-meosha.html

A Quiet Place Review

Mom managed to talk me into going to see this movie, which I had no plans to see, at the theater. I didn’t want to see it, not because I thought it was going to be bad, (I was really intrigued by it), but because sometimes my anxiety likes to ramp itself up, and I can’t leave the theater. When you’re at home you can turn off the TV, or pause a disc, but its a lot harder to call time out in public. I told her this, but she really wanted to see it, and it really did look good, so we agreed that I could hold her hand if I got too scared.

I loved it, actually. I love scary movies, but usually only only watch them when I can control my reaction to them. I didn’t get too scared, though. There were a couple of moments where I was white knuckling it a bit, because I really did like the characters, and empathized with them. One of the ways of controlling my anxiety is telling myself is that its okay, I’m not actually in any danger, and this is what I’m supposed to be feeling during such scenes. This is a process that may, or may not, work for you in public, but I have many, many years of practice at managing such this.

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Also, one of the reasons I didn’t get too worked up is because the movie isn’t exactly what I expected. It has a 100% rating on Rotten Tomatoes. Normally, I don’t give a fly what a movie’s rating is on that site, but in this case, I understand why it’s rated so high, and I see why people are crazy about it. It really is very good, just not what I was expecting. I was expecting more bombast, more jump scares, lots of monsters, but the writers did more interesting things.

If you’re going to see this for the monster, or for gore, you’re going to be disappointed. There’s not much of either, beyond the occasional blink and you’ll miss it shot. You do get a good look at the monster eventually, but  the monsters are not the focus of the movie. Like the movie Alien, the focus is the relationships between the characters, and how they’re dealing with a horrific situation.

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The Earth has experienced some kind of alien invasion, most of humanity has been killed, and the ones left alive mostly live underground, and can’t make any noise, or the aliens, which operate solely on sound waves, (they don’t have eyes) will attack them. The aliens are extremely fast and brutal, with long legs, and giant claws. They don’t eat their victims it seems. They just kill them. I think they just dislike noise. I had the impression that they view loud noises as some sort of attack, rather than as a source of food.

The movie follows a family with a deaf daughter, and a hearing son, who are navigating this world with its new set of rules. They go barefoot, along sand trails that have been set down by the father, to the places they most often frequent. They use American Sign Language to communicate. They wear headphones to listen to anything. They live above ground during the day because the father has been working to perfect a radio system to communicate with any other people.

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Most of this information you can get from paying close attention to what’s happening on the screen. There’s no sound for most of the movies running time, so there’s plenty of time to concentrate, and if you don’t like to read movies…too bad.. you’re to see this movie anyway, and like it!

The terror comes from the logistics of living in a world in which the slightest sound you make could get you killed. When you think about it, human beings are made up of nothing but noise. It seems to be our primary superpower, and kids and babies are noise personified. Getting above a certain decibel level attracts the monsters, and just because you hunker down and get quiet doesn’t mean necessarily mean they go away. There are work-arounds to be had, though. For example, natural sounds like running water, wind, storms, etc.do not attract them, and if you’re near something that’s a natural sound, that’s louder than whatever noise you’re making, you’re mostly safe. I enjoyed watching some of the father’s clever ideas of living within the rules.

Image result for a quiet place gifs

The movie is mostly about this family, their relationships, how they feel about what’s happening and how they navigate this world. The parents are genuinely in love, they love their kids deeply, and most of the film’s tension arises from their need to keep their children safe, and past guilts. At the beginning of the movie something horrible happens that the daughter spends the rest of the movie blaming herself for, and believing her father blames her and hates her for, too. Meanwhile, the mother also blames herself for it, and the son is just terrified of living in this world, in general.

I loved Emily Blunt here. I’ve been a fan of hers for a while now, and she really carries the emotionalism in this movie. The rest of the cast is good too, especially the little actress who plays the daughter. I really enjoyed her performance, although I could’ve done without the “kids wander off on their own” plot points. A lot of the plot points are predictable too, but the acting is so well done, you’re not particularly bothered by that. And the movie is just beautiful to look at. The country landscape is lush and green and…quiet.

Image result for a quiet place gifs

There were a few things I noticed that I had questions about, and a lot of things you can infer from the information onscreen. I understand why cities would have been abandoned. And we witness that any animal that makes noise will be attacked, not just human beings, which implies that most of Earth’s ground animals were probably killed. We can still see that there are some birds left, and that would make some sense.

My biggest problem was the ending, which was only disappointing in the sense that I wanted more of it. I wanted to see a big boss battle at the end. I wanted a little bit more closure. But I get why the movie ended the way it did. You get to tell your own ending and the one I made up was a happy one, that fits the last image we see.

I’m Looking Forward To Watching…TV

Ooh! There’s some great stuff coming to television this spring. Also, some not so great stuff, but we won’t know that until we look at it, soo…

Now:

Altered Carbon (Netflix): I have not yet watched this. I will get around to it and let you know what I think at some point.

 

 

Ash Vs The Evil Dead Season 3 (Starz): I’ve watched a couple of episodes of this season. Lucy Lawless has returned, and Ash finds out he has a daughter. I don’t think I’ll watch the entire season, but as far as I can tell, the show is even gorier, and zanier, than that first season. Next to Happy, and Legion, its one of the most batshit shows on TV.

 

 

Mute (Netflix): I started watching this but checkedout because I got bored. Since then I’ve read a number of great reviews comparing it to Balderunner and Altered Carbon. I also happen to like the lead actor who  played Eric from the show True Blood. There’s lot so secretive conversations, half naked dancing, and neon, so my tolerance may be a bit low, but I’ll try to watch it again.

March:

(1) Atlanta:Robbin Season (FX): I missed a lot of episodes of the first season, so I had to go back and catch up. I’ve watched the first episode of this new season, and really enjoyed it. You have to see it to believe it. The special guest star for this episode is Katt Williams, playing a man who owns an alligator, and has kidnapped his girlfriend until she pays him back the money she stole.

 

(2) Ravenous (Netflix): I think this show is Swedish, or Danish, or French or something. Its not in English anyway. It’s about a small town beset by zombies, and looks intriguing. I’m taking some vacation next week, so I’ll check it out then, and let you know if the subtitles are worth it.

 

(7) Hard Sun (Hulu): I have no idea what this is aobut, but the description sounded kinda like a British version of The X-Files. I like the X-Files, and I like British shows, but I don’t know that I’ll like this. It just sounds interesting.

 

(7) Hap and Leonard Season 2 (Sundance): I’ve read a couple of the books, and the show looks like fun. The books are definitely an acquired taste, and have a kind Pulp Fiction meets Justified feel to them. I’m interested to see if the show captures the same flavor. I’m not going to bingewatch it though, just check out a couple of episodes. The trailers look like fun, but I don’t know that I’d enjoy a steady diet of this.

 

(8) Jessica Jones Season 2 (Netflix): I couldn’t make it through the first season of the show for…reasons. Maybe I’ll have better luck this weekend. I want to like Jessica, but she is such a downer type person, that its hard to watch her series. She was cool in The Defenders, and the trailers look a bit more appetizing though, so I’m going to try again. Maybe I’ll see more WoC in this season, yeah?

 

(9) The Outsider (Netflix): Despite my judgmental nature, I’m not actually  willing to completely condemn a show before I watch it. I’m also one of five people who does not simply hate Jared Leto, although I probably should. I’m not a fan, but I’m not averse to watching (or liking) any vehicle he happens to be in.I also happen to like movies about The Yakuza and will pretty much watch anything with them in it, probably because I get a kick out of watching Japanese men behaving badly.

 

(9) A.I.C.O. Incarnation (Netflix): I rarely watch anime series, but this looks interesting and scary, so I’m going to try it.

 

(11) Timeless Season 2 (NBC): I have never watched this, but I’m sure some of you may be interested in it. Its my understanding that the show did some interesting things with the Black character last season, and have not neglected to take into account that he is a Black man, who travels into time periods that are probably not too good for his health.

 

 

(21) Krypton (Syfy): I would not normally have included this, because I have no interest in watching a show that doesn’t actually feature Superman, and the trailers look a little too soap opera-adjacent for my tastes. But hey! I’m sure someone, somewhere is very excited about this, and it might turn out to be a good show.

 

(26) The Terror (AMC): You already heard me gushing about this one. Still gushing!

 

(29) Siren (Freeform): This is like a horror movie version of The Little Mermaid. The acting looks really dodgy, but I’m going to try it, because i’m always here for evil sea-creatures, pretending to be beautiful, but talent-less actresses.

 

(30) The Titan (Netflix): I’m not a huge fan of the lead actor here, but I like the idea of hideous transformations and planetary travel.

 

(30) A Series of Unfortunate Events Season 2 (Netflix): I missed the entire first season, but hey! it’s still on Netflix, so theoretically I can catch up anytime, right? Well, maybe someone besides me can catch up. I liked the movie okay, but I got bored in the first episode. Not that its a bad, or even a boring show. I’m just much more likely to fall asleep while lying in bed with the Netflix on.

 

 

April:

(2) The Crossing (ABC): I like the premise of this show which reminds me of The 4400, which was canceled right when I was starting to get into it. Hopefully this has shown up at a good time, and will do well. Sometimes half the success of a show is the timing of its release.

 

(3) Legion (FX): I think the first season hurt my brain.This is unlike any other superhero show on television. If you like wild situations, that may or may not be tangentially related to the plot, or even real, occasionally linear dialogue, and zany imagery, then go for it.  I think this show broke my head, but I’m gonna watch it again anyway.

 

 

(8) Killing Eve (BBC): People are always clamoring for female lead shows that are dark and thrilling. Well here you go! I hate the lead character, just from the trailer alone, but I know there’s an audience out there for a female psychopath. I do happen to like and respect Sandra Oh, and she looks wonderful in this.

 

 

(13) Lost in Space (netflix): I don’t know why they’re making a remake of this, but I’ll watch it, since I watched and sorta liked the original. Of course I was a kid when I saw the original so that may have been a factor in my enjoyment, and also I wanted a Robbie the Robot just like in the show.

 

(13) The Expanse Season 3 (Syfy): One of these days I’m going to watch one of the seasons The Expanse, all the way through to the end, after which there shall  commence a day of celebration. There shall be much rejoicing, (and possibly some wailing and gnashing of teeth, too.)

 

(22) Westworld (HBO): AAAAAAAAHHHHHHHH!!!!!!!!

Allow me to repeat that, in case you didn’t get that…uh’hem! AAAAAAAHHHHHHHH!!!!!!

 

(22) Into the Badlands Season 3 (AMC):  Well naturally, to punish me for my enthusiasm, my two favorite shows will air on the same night. Fortunately HBO likes to show multiple repeats all week long, so I can watch this, and record the other. And of course you know, this means reviews, reviews, and more reviews.

 

 

 

May:

Apparently, there’s nothing coming on TV in May. All the stations will just be blank, which will be the signal for the Apocalypse to begin, because What the Fuck!!!

Oh yeah right!  Bear Grylls is gonna be doing some shit, on the last day of the month, if you’re into that sort of thing!

SAVED!!!!

 

June

(7) Cloak and Dagger (Freeform): I read this comic book as a teen, but I don’t think this show is gonna be a whole lot like the comic, which is a really good thing, because that book was hella racist. I mean half the stuff they did with those two characters, would not fly on TV today, without a major backlash. Cloak’s superpower is that he absorbs light, and Dagger’s power is that she emits it.

 

(22) Luke Cage Season 2:

Write your own, highly  enthusiastic, response here!

TBD:

Castle Rock (Hulu): We still have received no date for this show. All I know is that its coming to Hulu this year, but I can wait. It looks interesting.

 

Racism in SciFi

*I just wanted to elaborate on this article, that I posted earlier in the year, on the topic of how race is depicted in SFF genre films and shows. No matter how well meaning the filmmakers may be, their blind spot is almost always racial in nature, and it is impossible to completely and fully tell certain narratives, if the creators refuse to even look in the direction of race. I don’t know if it’s intentional, or deliberate, but one of the failures of modern SFF cinema is an inability to approach the subject of racism  from an honest perspective, when these creators are White.   This is why creators like Jordan Peele, Ava Duverney, John Cho, and even Rod Serling are so important. They did not (do not) ignore race as a factor in the stories they are (were) trying to tell.

Why Don’t Dystopias Know How to Talk About Race?

————Fantasy novelist Daniel José Older sees the problem as a failure of imagination and craft. “I find it very telling how little these worlds that are so much about power and oppression and ways of resistance also magically somehow have solved race,” he said. “On the one hand it’s a truth failure in the sense of it doesn’t feel real to anyone who knows about the lasting power of racism and to anyone who is paying attention to the world today. And it’s a craft failure in that it is a tremendous missed opportunity to develop the world more deeply.”

http://www.vulture.com/2017/08/why-dont-dystopias-know-how-to-talk-about-race.html

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* I’ve been seeing an increasing number of SciFi shows where Blacks, and other minorities, are being cast as the oppressors of White protagonists. We’re not arguing that PoC can’t work for oppressive systems, because plenty of them do. And we’re not arguing that PoC cannot discriminate against White people.Yes, we know PoC can be bigots (towards other PoC, mostly) but that’s not what is being discussed here.

We’re talking about the casting of Black people, particularly, dark skinned, Black women, as virulently racist bigots, which  is starting to become a trope. From Teen Wolf, to The Gifted, to Heroes Reborn, I think the White male writers who create these shows are starting to get a little too comfortable with this idea.

They don’t seem comfortable with depicting actual racism towards PoC by White people, and they continue to cast White actors as the oppressed minorities in these racial allegories (like The Handmaid’s Tale). It’s especially galling in a racism/slavery allegory, to not only erase the existence of  PoC, who are actually experiencing what is being depicted onscreen, in the real world, but to cast them in the roles of the oppressors, and I’m not here for it. I’m also not here for White Writers stealing the narratives of oppressed people of color, but then NOT including any of those oppressed people in the story. (I touched on this briefly in my review of The Gifted.)

One of the major reasons I stopped watching Heroes Reborn wasn’t just because of its lackluster, badly written plot, but because  a Black woman was cast as a virulently nasty, hardline racist, who was willing to kill children, and the children they showed her killing, were White. This is the same plotline used in the final season of Teen Wolf, where a Black woman is seen killing and sometimes torturing White teens, and again, in the show The Gifted, you have a brown-skin man, of indeterminate race, spouting racist jargon against the White protagonists of the show, and hunting and arresting White kids. All of these shows steal the narrative of Black and Brown people being killed (shot, tortured, and abused) by people in positions of authority, but does not include any of these Brown people in the story that’s being told. Instead, casting White actors in roles that real PoC actually live out.

The Gifted is even more annoying because there are PoC on the show who are members of the oppressed minority, but we don’t get to see their stories, sympathize with them, or understand what their lives were like. We do get to see them be bravely tortured by the government, which sends the message that not only are our stories available for consumption, but the pain and degradation of PoC is as well.

Just Like A Caucasian

How Sci-Fi and Fantasy Television Shows Always Get Racism Wrong.

                                                     ————Shabazz Malikali
On Medium.com

 

 

**Reprinting my review of The Gifted, (which I wrote before I saw this article)

I’m simply not in the mood for this show, and I’m fed up with this type of plot, now. It’s loosely based on some of the X-Men and New Mutants comic books, in that it has some Sentinel plotline, and some of the characters from those groups. Stephen Moyer stars as a lawyer who used to prosecute mutant criminals, and  the father of two young mutants, now on the run from the government, which is rounding up mutants and imprisoning them in scientific camps.

I tried watching the first episodes, and while I like a couple of the characters, the show is simply not compelling enough to keep me watching it every week. The characters have the usual teenage angst, with superpowers, that made me dislike the First X-Men movie. Blink is a teenager who can teleport by creating portals, and Thunderbird, who is Native American, is a kind of tracker of people and things. I’m dismayed that the show used the Native American tracker stereotype, as that’s nothing like Thunderbird’s actual powers in the books, which consists of speed and strength.

And I’m just not here for yet another plotline of people with superpowers being rounded up and used by the government. This seems to be the only plotline they can come up with for superpowered characters, especially on TV, and once again, there is only the focus on how this affects White, suburban, middle-class families.

Just like with the show Heroes, there is no focus on how the discovery of superpowers would affect any marginalized communities, something I would consider much more entertaining, and which the show Cleverman handled with a certain amount of depth. As I complained about before, we keep getting stories about middle-class White characters being subjected to the same oppressions that have been visited on marginalized communities. This show would have had far more depth and been much more interesting if it had been set in the G/L community,  or the Black and Latinx communities, in which this type of interment is already occurring.

In the forties, the Japanese were rounded up in internment camps because they were considered a danger to the US, and later, authorities used to raid the gay and lesbian communities and lock them in jails with the full force of legal authority behind them. Today, its immigration officials grabbing random Brown people out of their homes, and locking them up on suspicion of being illegal immigrants. What do you want to bet that none of these things will be addressed in yet another show where we see average White people being treated in the same manner?

 

*For further reading check out Malikali’s article on The Ellison Test. It’s great reading, and available on Medium.com, (which I can’t link to here.)

 

The Ellison Test: The litmus test for diversity.

 

 

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Another way that TV and movies get racism wrong is the constant message, and I’m not certain this is intentional, is the idea that the people being oppressed actually are powerful and dangerous and need to be controlled. So, while Hollywood steals the narratives of PoC to sell their oppression stories of White people, they paradoxically send the message that the oppression is also deserved. This is what went wrong with the movie Zootopia. Zootopia made some excellent points about discrimination, but the animals being discriminated against are all powerful animals that traditionally eat other animals. There’s also the setup that in the past these animals did indeed eat the lesser animals, and so deserve persecution and fear. So Zootopia is trying to tell a story condemning the discrimination and persecution of others is wrong, it reinforces the idea that the ones being persecuted deserved to be feared and hated.

This is also the same problem I ran into with the X-Men and Mutant hysteria plotlines of The Gifted.  The persecuted minority are actually exceptionally powerful beings, and actually can destroy human life, and even the entire world, which goes against the racism metaphor the stories are trying to establish, and defeats the anti-discrimination message that’s being touted.

One story that does get the themes mostly correct is the graphic novel called Maus by Art Spiegelman, in which the Jewish people are represented as helpless prey animals being harmed by cats. The cats are depicted as Nazis.

How Zootopia Gets Its Own Point Exactly Backwards

———–The movie starts with a history of the world, explaining that while predators used to be uncontrollably violent, they have since been civilized and can now live among prey animals, which also means behaving like prey animals (prey animals aren’t asked to accommodate their behavior for predators at all). Because in Zootopia there’s a right way to live and a wrong way to live, and some animals are — in the context of this movie — biologically programmed to live wrong. They have to be corrected in order to fit in with proper, civilized society.

http://www.cracked.com/blog/why-talking-animals-are-bad-way-to-talk-about-racism/

 

Zootopia wants to teach kids about prejudice. Is it accidentally sending the wrong message?

————–The most natural line to draw between the two is that Zootopia‘s predators stand in for black men in our world, and one needs only look at the resurfacing of Hillary Clinton’s “superpredators” clip from the ’90s to know why that’s potentially inflammatory territory.

But all of this pales in comparison to the fact that when you scrutinize Zootopia‘s core metaphor for even a second, it struggles to make sense on a literal level. Yes, the film’s message is that Judy learns to trust Nick, even though he’s predator and she’s prey. But on some other level, we all know that an actual rabbit is right to be afraid of an actual fox — and that muddies the movie’s message considerably.

https://www.vox.com/2016/3/7/11173620/zootopia-review-racism

 

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Yes, even Bladerunner manages to fall into this same trap of presenting a persecuted minority as being incredibly physically powerful and smarter than the humans hunting them.

Blade Runner’s source material says more about modern politics than the movie does

It was written for an age of overreaching policing and sociopathic lack of empathy

———-The police in Do Androids Dream…? are merciless, unstoppable android killers. Their victims, in contrast, are remarkably vulnerable and weak. In the film, the replicants have enhanced reflexes, super-strength, and tremendous intelligence. Part of the reason Deckard evokes sympathy is that he’s clearly overmatched. Replicants may not deserve to be murdered, but they are terrifyingly powerful and dangerous. Roy, howling his shirtless way through an abandoned building at the end of the film, is an atavistic, gothic terror. The androids in Blade Runner are dangerous and threatening when provoked — which is how Darren Wilson saw Michael Brown, and the excuse most often given by police who kill unarmed black civilians.

————–https://www.theverge.com/2017/10/5/16428544/blade-runner-philip-k-dick-do-androids-dream-of-electric-sheep-analysis-adaptation

 

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*The next  3 articles are essays on how the new Bladerunner movie tackles the narratives of racism, assimilation, inclusion, and persecution. Or  how they actually don’t.

‘Blade Runner 2049’: The Deckard Question Matters More Than You Think

Whether Harison Ford’s character is a replicant has far-reaching implications for the film series — and for what it says about our own society.

———-http://www.hollywoodreporter.com/heat-vision/blade-runner-2049-why-it-matters-deckard-is-a-replicant-1046963

 

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Race and Blade Runner 2049

The only black people in Ridley Scott’s Blade Runner are extras. The replicants are all white, and the city of Los Angeles is basically an unmixed population of whites and Asians. The Asians live on the streets or work in small shops. Whites rule the LAPD (all that’s left of the city’s government) and biotech corporations. Whites are also the slaves manufactured by Tyrell Corporation. There are no black, Mexican, or Asian replicants. And the leader of the rebel replicants is a very Aryan Roy Batty. Replicants, however, are, according to Rick Deckard’s voiceover, called “skin jobs,” which is equivalent to calling black people “niggers.” So, Blade Runner is about a slave revolt. And what do the slaves want? Freedom? No. They want more life, which, to be fair, is another kind of freedom. As the 20th century British philosopher Alfred Whitehead put it: “Life is a bid for freedom.”

http://www.thestranger.com/slog/2017/10/06/25457531/race-and-blade-runner-2049

 

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This Future Looks Familiar: WatchingBlade Runner in 2017

————-I watched Blade Runner for the first time this week. Since I have apparently been living in a cave for the past few decades, I thought that Blade Runner was kind of like Tron but with more Harrison Ford, and less neon, and maybe a few more tricky questions about What Is The Nature Of Man.

That is the movie I was expecting.

That is not the movie I saw.

 

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*It is far easier for White audiences to watch allegories about racism, than it is for them to actually tackle the subject head-on in their daily lives. Just as it seems easier for White filmmakers to propose the idea that persecution of minorities is wrong, while engaging in erasure and whitewashing in their films on the subject.

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*There has been some discussion on Tumblr of The Empathy Gap, to explain the woobification of White villains in fandom, vs the vilification of Black and Brown villains, and even characters of color that are the stars and protagonists in the narrative. Want to know more, then read on:

Why White People Don’t Like Black Movies

Why White People Don’t Like Black Movies

http://www.indiewire.com/2014/01/why-white-people-dont-like-black-movies-162548

 

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*This is a perfect example of what we mean by implicit bias in filmmaking. I know the director of this movie, James Mangold, is not some die-hard ,card carrying, member of the alt-right, or KKK. Nevertheless a critical look at his films reveals his own blindspot when it comes to the subject of race.  Because the directors are White males, living in America, they have a tendency to reproduce narratives of race that have always prevailed in films, without much examination. I’m sure it never occurred to Mangold that it would be difficult for PoC to watch a movie in which am entire Black family is brutally murdered by vigilante members of the state. It certainly did not occur to him how such images would impact our watching of the film, given the status of American race relations today. (The same blindspot is evident in the Netflix show, Daredevil, and Mangold’s last Wolverine film, which was set in Japan.)

The Thoughtless Diversity of Logan

————–   Let’s linger on that last point for a second. In Logan, an entire black family gets slaughtered onscreen. This is a black family who we already see terrorized by racist hicks for refusing to move off their farmland. We are shown that they are at the mercy of these white folks to maintain basic amenities like running water. We also see that they are often terrorized by these men WITH GUNS on what seems to be a daily basis.

——https://fishnetcinema.com/2017/03/07/the-thoughtless-diversity-in-logan/

 

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*I liked this rather tongue-in-cheek essay on why Black people don’t attract ghosts or hauntings.

White Fright; Or, Why Are There No Black People in Haunted House Movies?


http://www.blackhorrormovies.com/white-fright-no-black-people-haunted-house-movies/

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*And another tongue in cheek piece on the expectations that Black people should  die in Horror movies, because that’s the tradition, and how hard it can be getting used to watching them survive these movies sometimes.

The Black Die Young: The Internal Struggle of a Black Horror Movie Fan

——–I have a secret passion; the less addicted of you might call it an addiction. I like to watch. I rent base, filthy movies and slip them into brown paper bags so no one can tell. I sit alone in seedy, near-empty theaters, pleasuring myself with this trash. I’m too embarrassed to tell anyone about my weakness, although my wife has caught me watching a time or two (“It’s a documentary!” is my standard excuse; she’s since cancelled the Discovery Channel.). But now I’m ready to step out of the shadows and proclaim loudly, I am a black man… and I love horror movies.

http://www.blackhorrormovies.com/black-die-young/

 

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*Yeah, we’re looking at you Star Wars! 

Every Galaxy Needs More Than Three People of Color

———When people of color do appear in science fiction, it’s often as sidekicks or advisers. Black characters are likely to die quickly and are unlikely to ever interact with any other black characters, since many galaxies seem to contain only about three black people. That lack of representation makes it hard for people of color to imagine that their writing will ever find a home in the genre.

https://www.wired.com/2016/02/geeks-guide-diversity-destroy-scifi/

 

 

*I was going to finish up my review of Bladerunner 2049 with a critique of the films technical and philosophical aspects, but I think I’ll post a list of other critical apporaches to the movie, and post my viewpoint as a followup. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ten Scary Short Horror Movies

Well, it’s almost Halloween and so naturally, as it does every other day of the year, my mind turns toward scary movies. I can’t out a whole movie on here but I can share with you some of my favorite short films. I like monsters, so most of these have monsters. I like comedies, so some of them are funny and there’s a couple of these that scared the living shit outta m
This movie infuriated me, especially after I realized what was actually happening:

Don’t Move

 

 

You guys know I’m not a  fan of spiders, so I was reluctant to watch this one, but it just so happens it has a surprisingly funny ending:

Itsy Bitsy Spiders

 

 

I saw this one last year, and it stuck in my mind for a whole year, but I’d forgotten where I’d seen it, and the title. It took me some time to find it again, and it’s still scary:

Ghost Story

 

 

Yeah, this one is very, very, creepy:

Mimic

 

 

Yeah, this one is creepy but hilarious, and I think I remember this song from my childhood.

The Cat Came Back

 

 

This is a little longer than the others but it’s worth the wait and it’s  funny.

Waiting

 

 

This one isn’t particularly scary but it has zombies in it and I thought it was deeply cute:

Less Than Human

 

 

Here’s a slightly different haunted house story:

Vienna Waits For You

 

 

This isn’t what it seems:

Midnight Snack

 

 

Okay, this is the one that made me actually scream  out loud:

The Thing In The Apartment

 

Hope you enjoyed these. I’ll have some more on Halloween!

 

 

 

 

Summer of 2017 TBR Pile

Currently Reading

This basically means I am well into the book (at least 20%) and dedicated to finishing it. I often have multiple books going at once, and switch out according to mood and whether or not the book needs to be returned to the library soon.

Kill Society – Richard Kadrey

Image result for kill society

I love this entire series, which really needs to be made into a movie starring Vin Diesel, because that’s who I picture, and whose voice I hear, as Sandman Slim. The plot, for this newest book, is a total ripoff of Fury Road, but I’m here for it.

 

Rupert Wong: Cannibal Chef – Kassandra Khaw

Image result for rupert wongcannibal chef

 

These books are really gory, but also unexpectedly funny. I wasn’t sure what I expected when I picked these up, but the title is basically what the book is about. Rupert Wong is paying off some kind of debt  by acting as a chef in demonic restaurants. Yes, they eat people. This is a distinctly Asian setting, and it’s also funny as, well..Hell. It’s on sale at Amazon for less than four bucks.

 

Phantom Pains – Mishell Baker

Related image

 

The first book in this series titled Borderline, is very probably the best fantasy novel written last year. That book made my top ten list, and this sequel is looking to make it on there for this year. Its also on sale at Amazon for 2 bucks. Grab it!

 

Aliens: Bug Hunt Anthology

Image result for aliens bug hunt

I haven’t got very far into this book beyond the first story, which was all kinds of fun, so  I’m looking forward to reading the other stories. This book is on sale at Amazon for 2 dollars, but I don’t know how long that’s going to last, so  grab it up,now.

 

To Be Read

Which basically means I’ve gotten about 10% of the way into these books before continuing with the books I’m already in the middle of reading. I often read multiple books at once, switching to a different book according to my mood, or  whatever is near to hand. This means that finishing a book can take a while, as I make incremental progress across several books.

The Change (1-3) Guy Adams

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I’ve read the first book in this short series, and its genuinely scary. Its about an alien invasion of Earth that killed off most of the human race outright when it occurred, but for the survivors, the world has gone hideously, horribly, wrong. I think these are based on his first book, The Change Orbital, which is also pretty terrifying.

 

The Witch Who Came in From the Cold – Malcolm Gladstone

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I like the ideas of spies who do magic, and I like some of Gladstone’s writing, so I wanted to try this one. The opening chapter is very exciting. The book consists of a bunch of nested, shared-world stories, by different authors, sort of like G.R.R.M.’s Wild Cards Series.

 

Strange Practice – Vivian Shaw

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I haven’t read much of this one but the description is adorable. A woman physician in Victorian London, who is related to Van Helsing,  gets caught up in taking care of the illnesses of various supernatural creatures like werewolves, vampires, and mummies, and has to save their existences from some murderous monks.

 

Urban Enemies Anthology

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Famous Urban Fantasy authors put the spotlight on some of their more villainous characters from their popular series.

 

Magicians Impossible – Brad Abraham

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I have no idea what this is about as I’ve only read the first chapter. What I did read was very exciting , and I’m eager to keep going.

 

Graveyard Shift – Michael Haspil

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I was really looking forward to this book, the moment I read the first blurb. This is an interesting story, that’s not unlike the Rivers of London series by Aaronovitch. The lead character is an ancient Egyptian demi-god, working as a kind of supernatural cop, in a world of vampires, and werewolves, who have just come out of the closet. I’m working on it.

 

Books To Recommend 

I have so many recommendations to give you, but I’m going to stop at these few.Most of these are Dark Fantasy and Horror. There are no monster romances in any of these books, nobody talking about their favorite pair of boots, or what clothes the hot guy is wearing, because that kind of stuff just puts me right to sleep. The darker and more unusual the Fantasy, the more I’ll like it, especially if it takes place in the modern world.

The  Barker & Lewelyn Series by Will Thomas

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This is the only mystery on the list. I’ve become obsessed with Hard Victorian mysteries, and Will Thomas has one of the best. The lead character is totally a Sherlock Holmes clone, but I don’t care. I will read about Holme’s clones, all day, every day. There’s a difference between a hard mystery, vs a soft mystery. A hard mystery is more a police procedural. Its darker and grittier,  and I especially like mysteries that take place before modern forensics.

 

The Rivers of London Series

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I’ve written about this series before. Its hella fun. I like to think of it as a calmer, British version of the Harry Dresden series. Peter grant is a Black cop who gets involved in magical events in London.

 

King Rat – China Mieville

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This was the very first book I ever read by this author. I didn’t know what to expect but the description sounded vaguely intriguing. I was very pleasantly surprised to find that it was unlike any Fantasy I’d eve read. I’ve read nearly every one of Mieville’s books since then, and have never been disappointed.

 

The Iskryne Series – Elizabeth Bear

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I love it when writers take fantasy tropes and  turn them upside down. Bear takes the concept of bonded animal companions all the way to its limit, and that includes how sexuality is handled. Bear’s writing partner for the series is Sarah Monette. There’s not a lot of human women in the books but it more than makes up for that with the ideas that are introduced, and the setting.

 

Wormwood: Gentlemen Corpse Series – Ben Templesmith

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This is the funniest comic book zombie series ever written. At least part of the reason for that are Ben Templesmith’s ridiculous illustrations. Wormwood is not the name of the zombie, mind you, but the name of the tiny, snarky, worm that’s possessing the corpse, who fights various lovecraftian horrors from outer space.

 

The Works of Brom

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Just about any one of Brom’s books is a gem. They’re not comic books but they do contain some beautifully dark illustrations, and cover such topics as: damnation, Peter Pan, toys, and a motorcycling demon. His latest book is called Lost Gods and is about a young man trying to find his way through Hell, to save his endangered wife back on Earth. If you have a taste for weird, then Brom is the writer for you.

 

God’s Demon – Wayne Barlowe

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This is the only prose book written by Barlowe although he has written/illustrated other boos about fantasy figures, science fiction, and aliens. In this story, the war in Heaven continues into Hell, as one of the Fallen, Sargatanas, tries to redeem himself, and win back God’s favor. The novel is based on a series of illustrations Barlowe did for his book, Barlowe’s Inferno, which is a guided tour through Hell.

 

The Skyscraper Throne Series – Tom Pollock

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I love fantasies based on cities, especially when the city is a real character in the book. Such s the case with The City’s Son series. If you liked China Mieville’s Un Lun Dun, then you’ll love this YA series.

 

The Matthew Swift Series – Kate Griffin aka Catherine Webb

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Once again you have a fantasy series where the city is a separate character in the book. The city of London  holds all the magic, and people who are attuned  can access it. This series has a number of Asian and Black characters that I thought were interesting, including a Black female sorceress, who is an apprentice to the lead character, who isn’t, quite, human.

 

Bone Street Rumba Series – Daniel Jose Older

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Daniel Older does for diversity in New York what Ben Aaronovitch does for the city of London. The main character is Carlos Delacruz, a half-ghost,dealing with supernatural events in his working class, Latinx/Hispanic, neighborhood. If you’re looking for diversity, and strong women characters, check it out.

The Eric Carter Series – Stephen Blackmoore

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Much of this series is based on South American mythology. Eric Carter is a modern day necromancer, who gets involved with an Aztec goddess, after the death of his sister. Lots of action, but still less bombast, and more diversity than the Harry Dresden books.

 

The SNAFU Series

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This is an entire series of military horror books, where human beings fight aliens, werewolves, vampires, and various monsters that defy description. If you like military horror then check these out, along with books like:

World War Cthulhu

 

Operation Arcana

 

 

 

 

 

 

 

 

 

 

 

 

 

Stuff I’m Watching

Okay, I though I posted this already, but apparently not, since I can’t find it in my published file. So here we go again, maybe!

The Ghost Brothers (TV)

 

Its a TV show about three guys who all had paranormal experiences as children, and decided as adults that they would like to investigate the existence of ghosts. The second season of this show airs April 15th. In the meantime the first season is available for streaming on TLC. I’m already addicted.

Its  a pretty good show. One of the reasons I’ve always hated ghost hunting shows is I get  exasperated with  White guys running around in the dark, shaking their cameras, and yelling at the ghosts. There’s none of that here. The feel of this show is very different. One of my biggest issues was the attitudes of the ghost hunters in these shows, challenging the ghosts, making demands, and the general disrespect. That’s not here, either. For the record, I don’t believe in ghosts, but I do believe in the inexplicable, and this show has that too, which occasionally makes it actually scary. But it’s not just that. It’s the humor and camaraderie between these three friends, that I enjoyed the most. They genuinely like each other,  and are not above ranking on each other, but don’t do it in a mean spirited way. You can tell they’re really old friends, and this is one of the most authentic depictions of black male friendship, you’ll ever see in a TV show.

The guys make a point of visiting sites that are known spots of racial trauma, so they’re not in the business of retraumatizing any presences that might be there. After all, these are their ancestors. They try to approach their job from a place of respect, with minimal equipment. They ask questions and  try to reach out and emotionally connect with a presence. In one episode, they visit a hotel where a sex worker was killed maybe a hundred years ago. They visit her rooms and attempt to find out if she’s still present. They ask her about her life, implore her to answer, and when they leave, they respectfully leave payment for her time, which I found both sad and hilarious.

In another episode, they visit a place where some children were known to have died. To get the children  to respond, they bring toys and dolls, ask the children if they would like to play, and assure them that it’s safe to come out and do that. All very respectful. Nothing happens of course, but there’s a great deal of tension as you suspect something might.They bring the absolute minimum in equipment, they don’t have scanners, and meters and various devices. They really just have their smartphones and a camera.

Also, these guys are surprisingly brave, in situations that would frankly give me the screaming heebie jeebies, sitting alone in a dark room waiting for some presence to reveal itself. Yes they do get scared, and are willing to acknowledge that, but there’s no exaggerated terror, with a lot of running and screaming. This isn’t a comedy, although the guys are occasionally funny. They take their self appointed task pretty seriously.

One of the reasons I like for white people to watch shows like Atlanta, Luke Cage, and Ghost Borthers is if they’re interested in more authentic depictions of what black people are actually like when white people arent around, and contrast these images with depictions crafted and written by white men, who can only guess at how we relate to each other, or just make shit up. One of the most interesting things I’ve noticed about media depictions of marginalized people by white male writers, is often the relationships are depicted as contentious ones. The white men, who write almost all of the media we see, have no idea what women talk about when men aren’t present, what gay people do when straight people aren’t around beyond having sex, or what black people do when white people arent present. Shows written, by marginalized people themselves, tend to have fewer token characters,  and more genuine conversations, and activities. We actually do get along with each other when white people arent around. We laugh, joke, and tease each other. We have deep conversations that aren’t about race, and trivial conversations that are. And just like with the Bechdel Test, almost none of our conversations center white  straight men.

Ghost Brothers joins those lists of shows that depicts black people’s authentic reactions to the world around us.

ETA:  I added a much more detailed description for this show, and the second season has already started. I’m currently watching episode two, where the Brothers visit the Winchester Ghost Trap House.
Ghostbusters (2016)

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I told myself I wasn’t going to watch this, but it aired on Starz, earlier this month, and that’s why I pay for cable. So yeah, I’m one of five people on Earth who actually love this movie. It was entertaining and I found a lot of positive  things outside of the one negative thing that made me want not watch it.

The one negative thing was me being mad about Patty, played by Leslie Jones, not being a scientist. I still don’t like that, but I also don’t feel she was ill treated by the creators of the movie. Although Leslie’s personal humor doesn’t match mine, I still really liked her character. She was one of the funniest people in the movie and gets some of the best lines. This one negative thing was outweighed by all the positive things I enjoyed.

One of my biggest takeaways was the depiction of friendship between women, which is almost never authentically shown in genre films, in favor of having a lonely badass. These characters are friendly and supportive of each other. To use Erin and Abby, for example, the subplot of how they met is Abby believing Erin when she claimed she saw a ghost when she was a child, and no one else believed her.That no one else believed her is something  that affects her for the rest of her life, prompting her to abandon Abby, and never have anything else to do with the paranormal. Later, she and Abby reaffirm their bonds of friendship when Erin risks her life to save Abby at the end of the movie. When Erin has a very obvious crush on their dimbulb male secretary, played by Chris Hemsworth, the other women never make fun of her, or make her feel ashamed of it. They just accept that she likes him, while gently cautioning her to be careful of sexually harassing him.

I liked Patty, and felt she was given ample screen time. The other characters make no big deal about her not being a scientist. She’s an expert in other things. She talks her way onto the team by offering them something they don’t have. Historical context and knowledge of the city, allows Patty to provide a lot of the movie’s exposition. This is not exactly her being “street -smart” (I suppose technically she is “street-smart,  but only because she is her own kind of nerd, who reads History books for fun. So yeah, all the ladies are in fact, nerds! Patty just is not a Science nerd.)

The other women never act as if they know better than her, or try to lord it over her that they have credentials, and even defer to her expertise on matters they know she has studied. They accept her, like Holtzman,  as one of the contributing members of the team. Yes, she gets them a car, but that’s not why she was allowed to join them. It’s something she offers, along with their ghostbusting suits. She also gets some of the funniest lines in the movie, most of which are quiet personal asides  that if you blink, you’ll miss them.

I especially enjoyed the beginning of a friendship between her and Holtzman. Abby and Erin were already friends, and Holtzman must have occasionally felt like a third wheel, but she and Patty seem to hit it off pretty well, hanging out together whenever they’re not working. Patty  saves Holtzman’s life at one point, and nicknames her Holtzy.

Speaking of Holtzman, she is my favorite character in the entire movie. She’s just plain nuts and really, really,  loves her job. The trailers don’t really do this character justice, just like they didn’t make Patty very likable. She’s impossible to describe. She just has to be seen. She loves destruction, dances around with blowtorches, and is utterly fearless when it comes to her various science toys.

ETA:

So, my niece finally watched this movie, and she had a great time. She couldn’t wait for me to get home from work, and she watched it without me, for which she was mildly chastised. And guess who her favorite character is! Guess! Patty, of course, who she thought was hilarious. I don’t know that my niece wants to grow up to be a Ghostbuster, but she really enjoyed herself, and the movie, and that’s enough for me.

 

 

Suicide Squad (2016)

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Once again, I’m in the minority when it comes to liking a movie. I actually had a good time watching this. I really liked the visuals, and performances, even if the story was full of massive holes, and largely incoherent . I really enjoyed the characters though. I watched this with my niece and she seemed to have a good time, too. I think she wants to be Harley Quinn when she grows up, but I told her no, because that’s not a good look for a Black woman, unless she’s gettin’ paid a lot of money, like Margot Robbie. It would also require she be tortured by Jared Leto, after which I’d have to beat Leto’s ass. (He should probably have his ass kicked just on general principles, anyway, because my niece has decided she has a crush on his version of the Joker. What? She’s like ten years old!)

I’m one of five people on Earth who think that Suicide Squad winning an Oscar for Best Makeup is both hilarious and outrageous. Really!? Over Star Trek? Yeah, right!

It really shouldn’t be that shocking that I liked this. It stars Will Smith and I’ll basically watch anything he ‘s in. Margot Robbie wasn’t too bad in this. I thought her version of Harley was pretty entertaining and not too unlike the comic book version of the character. And then there’s  Queen Viola. I just love the idea of Viola Davis and Will Smith starring in a superhero movie together. Although, the next time we see them together, I hope its something a little more serious.

The Magnificent Seven (2016)

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Unfortunately I did not get to see this in the theater.  I did rent this for me and my Mom to watch for a couple of days. She is a die-hard Denzel fan, and she had expressed an interest in going to the movies to see this. Now this is pretty remarkable for two reasons. She’s not a huge Western movie fan, (even though she was the one who introduced me to Bonanza), and its really hard to get her to go to the movies with me, as she’s  picky. In the past few years, I managed to get her to see Jurassic World, World War Z, and that Halloween Madea movie.

We watched this movie over a weekend and she really enjoyed it. She was deeply happy that Denzel survived to the end of the movie. I enjoyed all the characters but I was kind of bummed out because the one Asian guy got killed. It doesn’t really compare overmuch to the original. It has a very different feel, although the plot is exactly the same. The action sequences were very exciting, and I enjoyed the banter between the various characters. It suffers from lone woman syndrome, and a bad guy who is evil just because he’s evil. (Not that every villain needs a backstory. Its just something I noticed.)

It has a Benetton ad cast, and although the one Mexican guy, Vasquez, is annoying, the stereotypes are mostly kept to a minimum. The men of color in the cast all get to have their action moments. Despite the presence of Vincent D’onofrio as Jack Horne, my favorite character was  Billy Rocks, the group’s blades-man. The most intriguing relationship was between Billy Rocks, and  Ethan Hawke’s character, Goodnight Robichaux. I kept wondering about the nature of their friendship, and afterwards I wrote my own headcanon, where Billy saved Goodnight from suicide, and Goodnight felt indebted to him. It was very clear that one of Billy’s purposes was helping  Goodnight hold his shit together.

My Mom liked the Jack Horne character a lot. He was  melancholy and  gruff, with a penchant for making profound philosophical statements, that mostly puzzled the other characters. Denzel, as Chisholm, was his usual mildly snarky, pragmatic self. He wasn’t really stretching it in this role, but Denzel sparkles on even his worst days, so its all cool.

No, this movie isn’t as good or influential as the original, but its worth watching some cold Saturday night, with a bowl of popcorn, and some good friends.

Legend of Tarzan (2016)

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Let’s just state, for the record, that I’m a little bit older than some of the more hysterical members of Tumblr. As a result, I grew up with the idea of Tarzan, and am well used to the tired trope of Tarzan the White Savior. I grew up reading the Edgar Rice Burroughs books, and watching some of the movies with my Mom, whose favorite Tarzan was Johnny Weismuller. Yes, we did see the problematic aspects of having some White guy being a better African, than actual African people, in Africa, but since almost all of TV, and movies, consisted of this trope, it was easy to overlook it, yet impossible not to see it.

That said, I did watch this movie when it came on cable, which only proves that I will watch any damn thing when it comes on TV, where Alexander Skarsgard takes his shirt off, and growls like a lion. It does not mean I’m not “woke” or “aware”. It just means I occasionally have low standards for what I find entertaining, especially if I can knit to it.

Nevertheless, I still enjoyed this movie for the sheer silliness that it is. Yes, the premise is just as stupid as the original films, and one still wonders what the hell White people,  (and lets face it, there were no PoC clamoring for this movie to be made) were thinking when this movie got made. If you haven’t seen this movie, it’s okay, as your life will not have been upheaved.

For what its worth, the creators did keep the White Savior stuff to a minimum by adding Samuel L. Jackson, who does the saving of various Black people, and some of the actual Congolese people get lines and screen time. Skarsgard is ridiculous in this role,  and spends most of his time trying to look dramatically serious, while trying to save his girlfriend, Margot Robbie, from Waltz’ slimy Englishman. I still don’t know why Waltz kidnaps her but its got something to do with diamonds. It doesn’t matter anyway because the plot is really not that important. What’s important is that Skarsgard is bare chested for most of the movie’s running time.

There is indeed some tree swinging, and some gorilla punching, and for some strange reason, Djimon Honsou is in this movie as an antagonist. He only gets about five minutes of screen time, and maybe six lines. Samuel L. Jackson is in this movie too, and pretty much just acts like Samuel L Jackson, despite the fact that everyone else is acting like they are in a period movie, which is very jarring. I wanted to turn off the sound, so I didn’t have to listen to him speak, but then I wouldn’t have been able to hear Alexander Skarsgard talking to various animals, and yodeling. Yes, there is a classic Tarzan yodel. When I was a kid, this didn’t particularly bother me, but every time I heard it in this movie, I laughed my ass off.

But really, I think the biggest question you have to ask yourself, if you ever watch this movie: Why is Samuel L. Jackson in this movie, when they have Djimon Honsou?

American Horror Story Chapter Six

So yeah, the twist is indeed in, as well as the shift in focus of the show. Everything has been shifted about. In the interests of openness I have to admit it o a hatred of most of reality TV. I’ll watch travel and eatery shows, or shows about wilderness survival, with experts in them, and  I’ve even seen a couple of episodes of Naked and Afraid, but that got boring pretty fast. I am however really liking this season of AHS, mostly because it’s not focused so much  on the inane dramas between the characters, but on the actual horror of the situation they’re all in.

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The idea that we, and the cast, would be revisiting the Roanoke Nightmare House isn’t the twist though. Sydney, played by my precious cinnamon roll, Cheyenne Jackson, is the creator of the show we just watched in the first five episodes, and his proposal to his television backers is that he should gather together the entire cast, go back to the house, and film the results during the Blood Moon. It turns out that what we were watching for five episodes was a huge hit for Sydney and he wants  to cash in on that, despite what has happened to the cast since then. So ,in chapter six, the show goes completely, full-on meta, and I don’t think what we saw tonight is the last of this season’s surprises.

Now, the show has a tendency to go off focus during the season, as the writers get carried away with their storytelling ideas, and start throwing everything into the plot, just to see if it will stick,or just because they like it. This season, with the exception of a few scenes thrown in just to have some action, or a jump scare, has been kept pretty tightly reined in, so I’ve enjoyed it a lot more than previous ones. Tonight’s episode was kept ion point, as well, making it easy to understand, despite how complicated the plot has actually become.

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Since their time at Roanoke, Matt and Shelby have divorced. Matt didn’t care for the fame that came to him because of what happened there, that Shelby called the police on his sister, and accused her of killing her husband, Mason. Yes indeed. That was a dick move on Shelby’s part. Yeah, I don’t like Shelby either. The final straw was when Shelby had an affair with the man who played her husband in the reenactments. His name is Dominic. The actress who played Shelby on the show is actually British, and we get to hear Paulson’s accent, as Audrey, which sounds a bit dodgy. She got married to the actor who played Mott in the last episode, and his name is Monohan. And since he’s so much younger than her ,she’s really super-sensitive about that. I thought it was a scam, on his part, but he seems to genuinely be in love with her.

The actress who played Lee became an alcoholic,  just like the original Lee because she was having trouble dealing with being the public face of the real Lee, who has been accused of killing her husband for the insurance money, and custody of her daughter.  (Angela Bassett’s character is named Monet.) Fans of the show started a petition to have Lee charged with murder, her mother in law is suing for custody of Flora, and everyone treats her with nothing but contempt, including Monet.

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But the worst result of the show is Kathy Bates character, Agnes, who played Thomasina The Butcher, in the reenactments. That actress had a complete mental breakdown and started believed herself  to actually be The Butcher, running through  he streets of downtown Hollywood with an ax, before she was captured and hospitalized. Sydney serves her with a restraining order after a ring of animal organs are found on the new set of the show. He is hoping she will show up on set anyway becasue that will make for great drama. My precious baby is a complete asshole in this role.

When one of the crew gets killed on set with a chainsaw, Sydney’s assistant quits and drives off in an angry huff. She encounters what appears to be a The Butcher by the side of  the road, but is attacked by someone in her car, too, and she crashes. The notecard for her states that she was missing for six months before they found her car, and her body was never found.

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The sixth episode is mostly about the setup, as Sydney lies, cajoles, and coerces all the actual people, and the actors who played ,them into staying at the Roanoke house for several weeks, while they film the entire thing with hidden cameras. And you know it’s going to be explosive because while all the characters have their reason for joining the new cast, they all hate each other.

Matt wants nothing to do with Shelby, who thinks that they might be able to reconcile, during the show. He would love nothing more than to beat the snot out ofDominic, because he slept with his wife. The Shelby actress,Audrey,  is deeply insecure about her marriage, and has nothing but contempt for the real Shelby, as being weak and pathetic. The real Lee  hates the real Shelby. The actress who played Lee, Monet,  hates the actual Lee, and the all actors  have contempt for the actual people they portrayed on the show, laughing and joking about them, whenever they leave the room. Also none of the actors believe in any of the stuff that they say happened to them.

I don’t think this bodes well for non-believers because non-belief won’t save them from what’s happening at Roanoke House.  Like Stephen King’s 1408, what’s happening there isn’t dependent on whether you believe it or not. One of the reasons Shelby, Matt, and Lee survived is because they  simply believed what was happening to them.

Things get off to a rousing start when Lee attacks Shelby, calling her weak and pathetic, just as Audrey does later. Here’s where I have to admit to a certain amount of prejudice towards Shelby myself. As soon as I heard what she did for a living my first thought was that she was a  useless woman, and not someone you want to have in a crisis, but she proved to be okay in that regard. I still don’t like her though.

Later, Matt attacks Dominic and they have a knockdown, drag-out fight, as soon as Dominic steps through the front door. This certainly makes for exciting television for the viewers, but that’s not the point of this episode, because this  isn’t the twist.

It turns out we’re all looking at whatever footage was leftover from a show which never got a chance to air because ,with exception of only one person, the entire cast died.

So we’re really watching final days of everyone involved with the making of My Roanoke Nightmare. And they’re might even be additional twists as the season moves forward.

So yeah,I’m really getting into this. When that note-card appeared onscreen, I got chills. This is awesome!

Lkeke’s Fall Lineup (TV)

Television

I will review the first episode of season three of The Strain this weekend. Hopefully it won’t turn into a hate-review and this season will be better put together than last season. There’s still going to be plenty of snarking on it though. I have never in my life hate-watched a show, but I really believed in the show, because its such a great idea and  the books were pretty good, and I kept hoping the show would get better.

It didn’t.

Last season had some truly awful plot points, characters, and whole episodes. I always go into these endeavors with a sense of optimism, though. I’ll try to do the same for this show as I do for all the other shows.

I will be reviewing as many of the new pilots as I can, and based on my reactions to those, I will add or subtract them to the list of weekly reviews, but my time is limited. I may not review one of your favorites. There are some shows that I’m definitely waiting to review, on a regular basis as soon as they return, like Into the Badlands (TBD/2017), and Shadowhunters, which looks silly and fun,  and The Magicians. I don’t think these will be released until next year. In the meantime, here is the list of shows I will definitely give weekly reviews for.

American Horror Story(9/14) – I have no idea what this season is about. Nobody does. The creators are keeping it a secret which is very frustrating to a lot of people who are used to knowing the entire plots of movies before they’re even released. I don’t mind the surprise, though. I do know that whatever the creators give us will be batshit crazy, so I’m expectant.

Luke Cage (9/30) – I’m so looking forward to this. it looks like its going to be fun. I will be watching for how the characters are treated, especially, the WoC, as Marvel doesn’t have the best track record when it comes to such things.I wonder if Iron Fist will get a mention, and if we’ll get to hear Luke’s catchphrase from the comic books.

Supernatural (10/13) – The show that never ends will be in its twelfth season.  Like I told you guys, I’m gonna be here to the end of the line.  I always go into every  new season with a positive outlook, and I’ll decide how I feel about a season when its over. As usual, my reviews will first be posted on https://samanddeanbrothersinarms.wordpress.com/      and then reblogged here.

The Walking Dead (10/23) – I’ve mostly avoided talking about this show all Summer. I feel really good about this season despite the presence of Negan and the absence of his victim, which I know is really gonna hurt, no matter who it is. I refuse to speculate as to who it will be.

I may or may not review From Dusk Til Dawn (9/6) and Aftermath (9/27) on the Syfy channel. Also coming up is the second season of Ash vs. The Evil Dead (10/2), which I may not review because I didn’t like how the one black woman in the entire show got treated in the narrative. I’m still pissed off about the writers fridging her  (in the   most horrible manner they could think of), just to provide some minor manpain for Ash.

There’s some intriguing new shows coming to the Syfy network , that I have no idea what to think about them, like Falling Water (10/13), and Channel Zero (9/27), which looks pretty scary and weird. I’ll review the pilots if I remember to program them into the DVR.

I still have not watched The Get Down on Netflix, and had no plans to watch Mr. Robot or Gomorrah.

 The pilots I’ll be reviewing are:

Atlanta (9/6) – this looks like a lot of fun. It has an all Black cast, and I’m casting around for a new comedy that’s as good as Black-ish and Brooklyn 99, and I like Donald Glover.

Pitch (/22) – I don’t normally watch anything that’s sports related outside of The Olympics. I definitely do not watch anything involving Baseball, but this looks so good, I’m getting kinda excited for it. I may never watch beyond the pilot but I hope it does well. Its about the first female pitcher in major league baseball, and she’s a black woman, so I hope the writers get the subjects of racism, misogyny, and feminism right.

Versailles (10/1) – I love historical shows about 17th and 18th century France. (Mostly because I love the clothes.) I’m going to check it out because its different from anything else I’m watching and will tide me over til Vikings (TBD/2017) is back on. I always have to watch at least one or two shows that totally don’t fit the aesthetic of anything else I’m watching. I like a little variety, sometimes.

Still Star Crossed (TBD/2017) – This is another historically themed show based on Shakespeare’s Romeo and Juliet, and starring a large Black cast. It looks gorgeous, and I can’t wait to see it.  I just came off  of Coriolanus,  and Macbeth, on Amazon. I’m no expert, and generally not into romances, though. I don’t study the hell out of his plays, or recite them line by line, but I know enough to get by.

Aftermath (9/27) – SyFy needs to hype its new shows more. I barely paid attention to this one but from the trailer it looks interesting. I don’t know if I’m going to tune in on a week by week basis, because The Walking Dead is enough apocalyptic TV for anyone. But this looks like one of those End of the World Christian millenialist type deals and I’m not gonna get all het up about this if I’m also watching the Exorcist.

Channel Zero (9/27) – There’s a horrible looking tooth-monster in the trailer. That’s all I got because Syfy is trying real hard to be mysterious about the creepy shows its going to be airing this Fall. I’m okay with that approach. It just means I’ll tune in to find out what the hell was going on in the trailer.

Midnight Texas (TBD/2017) – From the writer of True Blood (Charlaine Harris) and it may even star a few characters who made cameos on there. This is on NBC, which brought us Hannibal, but I’m not getting my hopes up ,that the show is going to be too wild. I think Hannibal was maybe a fluke or something.

Westworld (10/2) – I generally try to avoid HBO’s shows as they tend to rely a great deal on female violation to titillate male viewers. I’ve already read a bad review of the pilot for Westworld. On the other hand, I enjoyed Deadwood,  Carnivale, and Oz, and  I have memories of the original movie. I want to know how it stacks up.

Mascots (Netflix 10/13) – This is a comedy from the creator of Best in Show,  which is one of my favorite mockumentary films. Its about the world of sports team mascots. I expect it to be as lowkey hilarious as the movies Christopher Guest writes.

Falling Water (10/13) – I got nothing! Looks intriguing. I know nothing about it. I’m not especially impressed by the trailer and that doesn’t bode well.

Dirk Gently’s Holistic Detective Agency (10/22) – I remember reading this book in High School. The trailer looks suitably zany and Frodo is starring in it, and I like him, so I’m going to check it out and see what’s up. There’s also a BBC version of this series, which I have not seen but the trailer looks as zany as this one.

The Crown (Netflix/TBD) – Another historical series on Netflix. I’m not especially impressed with this but I may watch it.

The Exorcist (9/23) – There’s no way this is as good as the original movie but I have to watch it to find out if that’s true.

There’s a bunch of returning shows that I will probably watch but only give a barebones review for. I prefer to leave such reviews up to those who’ve been more devoted to those shows than I have been. Nevertheless I am giddy about a few of the returning shows, like:

Teen Wolf (Season 6 -11/16)

Brooklyn 99 (Season 4 – 9/20)

Agents of Shield (9/20) 

Okay, lets try this again. I haven’t been watching this show because I dislike Chloe Bennett. She’s just highly annoying to me, for some reason, although I like everybody else, with my fave being Melinda, naturally. This season is helped by having one of my all-time favorite characters joining the show Ghostrider. I read these comics as a teen, and even watched those shitty movies, starring a totally miscast Nicholas Cage, for the special effects.

Legends of Tomorrow (Season 2 – 10/13)

I kinda like this show. I cant stand to watch most of the other superhero shows on the Cw but I get through this one just fine. I’m not devoted, but I am intrigued, mostly by Firestorm, whose comic I used to read the hell out of.

From Dusk Til Dawn (Season 3)

I missed some parts of season tweo but i watched enough to know what’s going on and to look forward to season three. This show still looks great but some of the acting is a little cheesy, and the plot is all over the place, by the middle of the season. Nevertheless, where else am I going to see lots of bad-ass, Mexican vampires.

Yeah…NO!

I have no intention of looking at these shows although some of you guys might get a kick out of them.

Conviction starring Hayley Atwell –  She’s a great actress but she’s made  the horrible choice of picking a bland lawyer show to star in next and I don’t watch those.

Lethal Weapon – I refuse to relive mediocre eighties action movies, in the form of mediocre television shows.

Sleepy Hollow – C’mon! You know why!

The DC superhero shows on the CW, I don’t dislike these shows exactly, but I’m never gonna be a Supergirl fan, I don’t care who is on that show. Arrow simply wasn’t compelling enough for me and The Flash felt like it was aimed at kids, although I really like the characters.

I like the look of Gotham and I hope its improved since the second season, when I last watched it, but it wasn’t compelling enough for me, even with the addition of Jada Smith.The show looks gorgeous but its stil la show with cops in it and I’m avoiding those right now.

Lucifer has some interesting looking characters, but I’m waiting for an especially compelling trailer or something becasue so far its just not capturing me, even though it stars DB Woodside, on of my fave Black actors.

Training Day seems like a grittier version of Lethal Weapon. I’m not watching any cop shows, so this one is out.

Van Helsing – I watched the pilot. I was thoroughly unimpressed. No.

Wolf Creek – I’m not sure how I feel about this one yet. Its one of those serial killer movies, so maybe no.

Next up Movies and Books to look forward to.

Review: Red Right Hand – Levi Black

Charlie is set upon by three large skinless dogs in her house, but is saved by a man in a living black coat, who calls himself The Crawling Chaos. He also claims that Charlie is a descendant of Lovecraft, that her boyfriend is a descendant of cultists who worship the Old Gods, which makes him  susceptible to being mentally enslaved by the bad guy.  Mr. Chaos mentally takes Charlie’s boyfriend, Daniel, hostage and tasks her to complete one job for him, after which he’ll set her, and Daniel, free.

I’d like to tell you how this book ended but I didn’t finish it. I simply couldn’t read any further. This book contains every annoying trope that made me stop reading Paranormal YA novels, which featured snarky young,  White women,  who reluctantly become heroes.

 

Who this book is aimed at:

Young women aged 16- 30

Who love lots of gore and horror movies, or just think that kind of stuff is edgy

Who are independent living with possible boyfriends

Women who consider Twilight to be a little light reading

Who love Anne Rice but wishes there was more blood in it

Who are new fans of H.P. Lovecraft

Who have taken up Martial Arts as a hobby

Women who consider themselves spunky and/or snarky

 

Why I didn’t care for this book:

I am none of the above.

I hated Twilight. For me those books weren’t worth reading. I mostly tried to pretend they didn’t exist.

I liked Anne Rice, when I was a teenager. I’m pretty much over her now.

I’m not actually a Lovecraft fan, although I have read a Helluva lot of Lovecraftian type fiction. I am not new at it.

I’m considerably older than thirty and hence had no patience for the voice of the primary character in this book. It was just annoying to me.

I feel like this books was heavily over-written. Its’ certainly over-descriptive. I like description. Its not a bad thing. It is a bad thing when there is waaay too much of it. It reads like that friend who is deeply enthusiastic about some subject, about which you don’t care, but they refuse to shut up.

There was a moment of tension when Charlie was first attacked by the dogs mentioned on the book flap, but I’m an old hand at horror novels, and this wasn’t particularly scary for me. If you’re an experienced Horror reader, this may not be the book for you.

 

This book is great for younger readers who are much less jaded than me. It gets 3/5 stars because a good effort was made to be scary. I’m just not the audience for it.