Monster Gallery: Men in Black II (2002)
What Koreans Think Of Black Panther | ASIAN BOSS – YouTube
— Read on m.youtube.com/watch
Their reactions to this movie are surprisingly diverse and nuanced. Some of the people interviewed admitted that this type of movie wasn’t their cup of tea, and their focus was on other things in the movie, that naturally, not being Korean, I never even noticed. There is also a surprising amount of knowledge about US social issues, and I just wasn’t expecting that. They seemed to be really woke as regards racism in Western media as well.
Thoughts on A Wrinkle in Time
I think its very interesting that we all have so much choice out there today, as regards popular media, that some of us PoC are making the bold choice of only supporting films and TV shows which prominently feature other PoC. So there is progress being made as far as diversity and inclusion. Its slow, and hasn’t reached any level of normalcy, to the point where we can just disregard these films, but hopefully we can reach that point.
For myself, I’m just reaching a point where I dont give a flying hot damn what any White fanboy thinks of most movies. I am completely and thoroughly disregarding all of their opinions on movies, (I long ago stopped listening to them as regards music) and most of television. They’ve had their say long enough. It’s time for other people to be heard now.
(9) A Wrinkle in Time
This movie is being released this weekend, and I’m to take my 12 year old niece to see this. I read this book as a child, so I’m almost as excited about this movie as she is, even if she has not yet read it. She just likes seeing little girls having adventures in movies, and I am more than happy to provide her with a steady diet of that. And yeah, watch out for the bad reviews until you’ve seen the movie yourself. They’re already getting started panning this movie, (probably because they can’t hate on Black Panther without looking like a fool.)
(23) Pacific Rim Uprising
I’m sort of in love with John Boyega. I plan to take my niece to see this one too, because she isn’t just sort of in love with him, she is crushin’ bad. We both liked the first film, I’m a huge fan of kaiju movies, and this looks really exciting. Plus, its got that whole Power Rangers thing going for it, too.
My Mom loves giant killer somethings in movies -dogs, crocodiles, dinosaurs. It makes no difference to her as long as ts based on a real animal, is large, and eats people. The film does receive one demerit from her because she is not a Dwayne Johnson fan. On the other hand, I am a Dwayne Johnson fan, and it also stars Naomie Harris, which gives this movie the distinction of not having any of the Chris-es in charge of this action thriller.
(4) Avengers Infinity War
I got plans!
(18) Deapool 2
I love the trailers for this movie, but I don’t know if I’ll be inviting my niece to see this one, and the thought of seeing this with my Mom is kinda terrifying. I think it’s just a tad too mature for my niece, so I may have to go this one alone, or not at all. I do like the movie’s version of Domino. She’s so Pam Grier! And of course, my girl-fave, Negasonic Teenage Warhead, (What an awesome name!!!) will be present, so I have to support her.
This looks like fun, although I do wish the movie was about Lando, rather than Han, and the lead actor has luxurious, cheesy 70’s hair, which is annoying, since I am over that phase of my life..
(8) Oceans 8
The only reason I want to see this film is to see Rihanna. I probably won’t see this anyway. I’ll be all out of money because I have plans to also see…
(15) The Incredibles 2
Yep! Elastigirl is worth 2 Rihannas, and Edna Mode is worth about a couple hundred of whoever else is starring in Oceans 8.
(22) Jurassic World: Fallen Kingdom
Oh c’mon! You know! Giant animals? Check! Eating people? Check! Jeff Goldblum? Check! Running and screaming? Check!
(6) Ant Man and The Wasp
I had no plans to go see this movie, just as I had no plans to see the first film. Then this trailer dropped, and it looks like hella fun, so I’m thinking about it. Just remember, nobody was asking for the first movie. Marvel just decided, for whatever reason, to give us an Ant Man movie, despite our asking for a Black Widow movie. On the other hand, I fully support Janet Van Dyne, (I love her in the comic books) and wish the first movie had been all about her.
(27) Mission Impossible: Fallout
I have never gone to see any of the Mission Impossible movies at the theater, but I’m considering seeing this. The trailer is totally batshit, and Angela Bassett is in it, so…
There are no trailers for these two movies yet.
(3) The Equalizer 2
I only kind of enjoyed the first movie, but I’m interested in this one because the little boy from Moonlight is in this one, I think. I don’t know why people are resting on Antoine Fuqua’s movies, almost all of them starring Denzel Washington, though. He’s no Ryan Coogler, but he’s a Black director who has been quietly going about the business of putting his thing down, and we should probably show some respect for that.
(10) Crazy Rich Asians
I’m almost as excited about this movie as a lot of Asian people. It will be the first movie starring an entirely Asian cast, along with an Asian director, based on a book by an Asian author. Its a romantic comedy , and while I’m not fond of such movies, as a general rule, this movie stars some of my favorite people, like Constance Wu, Gemma Chan, Awkwafina, Harry Shum, and Michelle Yeoh. This is their Black Panther moment and I hope people come out in support for it, especially if you want to see more Asian actors in American films.
In their own words:
(14) The Predator
I haven’t seen any trailers for this yet, but I’m kind of excited about it becasue Keegan Michael Key is in this movie, and I’ve never seen him be a badass with a gun, outside of a comedic purposes. It also stars Edward James Olmos, Sterling K. Brown, and Olivia Munn. I really like the Predator franchise, which has a good history of showcasing PoC in prominent roles, like Carl Weathers from the first film, Danny Glover from Predator II, and Sanaa Lathan in AvP.
I don’t know what to think about this movie yet, because the trailer doesn’t actually show anytihng, or tell anything. On the other hand, it does star Tom Hardy, and I have to support his crazy ass. I’m a fan of some of the comic book versions of Venom, so I’m cautiously excited about this. I also heard that this movie isn’t related to any of the MCU films, so I don’t think we can expect a cameo from Tom holland.
I have not found any official trailers for these movies.
I am cautiously excited about this movie. I will be even more excited if there are no White people in the cast. We watched the cartoon version and that didn’t feature any White people, so I don’t feel we need any in the live action version either. Why would you add White people to this anyway?
Hollywood needs to learn that you do not need White actors to tell a story, or draw the audience in. If the story is good, it can stand for itself. On the other hand, overseas audiences see White people as exotic, and that might be a reason a White character would be added to this movie.
(16) Fantastic Beasts 2: The Crimes of Grindelwald
I’m less than happy that Johnny Depp is in this, and I’m still in my feelings about the lack of PoC in the last movie, even though I enjoyed all the characters, and the plot made no sense. This one, I think, is set in France ,and I’m looking forward to seeing all the characters from the first film, although I probably won’t be seeing this in the theater.
Also: Creed 2; Mary Queen of Scots;Aquaman
I got nothing on these films. They just sound mildly interesting.
Ooh! There’s some great stuff coming to television this spring. Also, some not so great stuff, but we won’t know that until we look at it, soo…
Altered Carbon (Netflix): I have not yet watched this. I will get around to it and let you know what I think at some point.
Ash Vs The Evil Dead Season 3 (Starz): I’ve watched a couple of episodes of this season. Lucy Lawless has returned, and Ash finds out he has a daughter. I don’t think I’ll watch the entire season, but as far as I can tell, the show is even gorier, and zanier, than that first season. Next to Happy, and Legion, its one of the most batshit shows on TV.
Mute (Netflix): I started watching this but checkedout because I got bored. Since then I’ve read a number of great reviews comparing it to Balderunner and Altered Carbon. I also happen to like the lead actor who played Eric from the show True Blood. There’s lot so secretive conversations, half naked dancing, and neon, so my tolerance may be a bit low, but I’ll try to watch it again.
(1) Atlanta:Robbin Season (FX): I missed a lot of episodes of the first season, so I had to go back and catch up. I’ve watched the first episode of this new season, and really enjoyed it. You have to see it to believe it. The special guest star for this episode is Katt Williams, playing a man who owns an alligator, and has kidnapped his girlfriend until she pays him back the money she stole.
(2) Ravenous (Netflix): I think this show is Swedish, or Danish, or French or something. Its not in English anyway. It’s about a small town beset by zombies, and looks intriguing. I’m taking some vacation next week, so I’ll check it out then, and let you know if the subtitles are worth it.
(7) Hard Sun (Hulu): I have no idea what this is aobut, but the description sounded kinda like a British version of The X-Files. I like the X-Files, and I like British shows, but I don’t know that I’ll like this. It just sounds interesting.
(7) Hap and Leonard Season 2 (Sundance): I’ve read a couple of the books, and the show looks like fun. The books are definitely an acquired taste, and have a kind Pulp Fiction meets Justified feel to them. I’m interested to see if the show captures the same flavor. I’m not going to bingewatch it though, just check out a couple of episodes. The trailers look like fun, but I don’t know that I’d enjoy a steady diet of this.
(8) Jessica Jones Season 2 (Netflix): I couldn’t make it through the first season of the show for…reasons. Maybe I’ll have better luck this weekend. I want to like Jessica, but she is such a downer type person, that its hard to watch her series. She was cool in The Defenders, and the trailers look a bit more appetizing though, so I’m going to try again. Maybe I’ll see more WoC in this season, yeah?
(9) The Outsider (Netflix): Despite my judgmental nature, I’m not actually willing to completely condemn a show before I watch it. I’m also one of five people who does not simply hate Jared Leto, although I probably should. I’m not a fan, but I’m not averse to watching (or liking) any vehicle he happens to be in.I also happen to like movies about The Yakuza and will pretty much watch anything with them in it, probably because I get a kick out of watching Japanese men behaving badly.
(9) A.I.C.O. Incarnation (Netflix): I rarely watch anime series, but this looks interesting and scary, so I’m going to try it.
(11) Timeless Season 2 (NBC): I have never watched this, but I’m sure some of you may be interested in it. Its my understanding that the show did some interesting things with the Black character last season, and have not neglected to take into account that he is a Black man, who travels into time periods that are probably not too good for his health.
(21) Krypton (Syfy): I would not normally have included this, because I have no interest in watching a show that doesn’t actually feature Superman, and the trailers look a little too soap opera-adjacent for my tastes. But hey! I’m sure someone, somewhere is very excited about this, and it might turn out to be a good show.
(26) The Terror (AMC): You already heard me gushing about this one. Still gushing!
(29) Siren (Freeform): This is like a horror movie version of The Little Mermaid. The acting looks really dodgy, but I’m going to try it, because i’m always here for evil sea-creatures, pretending to be beautiful, but talent-less actresses.
(30) The Titan (Netflix): I’m not a huge fan of the lead actor here, but I like the idea of hideous transformations and planetary travel.
(30) A Series of Unfortunate Events Season 2 (Netflix): I missed the entire first season, but hey! it’s still on Netflix, so theoretically I can catch up anytime, right? Well, maybe someone besides me can catch up. I liked the movie okay, but I got bored in the first episode. Not that its a bad, or even a boring show. I’m just much more likely to fall asleep while lying in bed with the Netflix on.
(2) The Crossing (ABC): I like the premise of this show which reminds me of The 4400, which was canceled right when I was starting to get into it. Hopefully this has shown up at a good time, and will do well. Sometimes half the success of a show is the timing of its release.
(3) Legion (FX): I think the first season hurt my brain.This is unlike any other superhero show on television. If you like wild situations, that may or may not be tangentially related to the plot, or even real, occasionally linear dialogue, and zany imagery, then go for it. I think this show broke my head, but I’m gonna watch it again anyway.
(8) Killing Eve (BBC): People are always clamoring for female lead shows that are dark and thrilling. Well here you go! I hate the lead character, just from the trailer alone, but I know there’s an audience out there for a female psychopath. I do happen to like and respect Sandra Oh, and she looks wonderful in this.
(13) Lost in Space (netflix): I don’t know why they’re making a remake of this, but I’ll watch it, since I watched and sorta liked the original. Of course I was a kid when I saw the original so that may have been a factor in my enjoyment, and also I wanted a Robbie the Robot just like in the show.
(13) The Expanse Season 3 (Syfy): One of these days I’m going to watch one of the seasons The Expanse, all the way through to the end, after which there shall commence a day of celebration. There shall be much rejoicing, (and possibly some wailing and gnashing of teeth, too.)
(22) Westworld (HBO): AAAAAAAAHHHHHHHH!!!!!!!!
Allow me to repeat that, in case you didn’t get that…uh’hem! AAAAAAAHHHHHHHH!!!!!!
(22) Into the Badlands Season 3 (AMC): Well naturally, to punish me for my enthusiasm, my two favorite shows will air on the same night. Fortunately HBO likes to show multiple repeats all week long, so I can watch this, and record the other. And of course you know, this means reviews, reviews, and more reviews.
Apparently, there’s nothing coming on TV in May. All the stations will just be blank, which will be the signal for the Apocalypse to begin, because What the Fuck!!!
Oh yeah right! Bear Grylls is gonna be doing some shit, on the last day of the month, if you’re into that sort of thing!
(7) Cloak and Dagger (Freeform): I read this comic book as a teen, but I don’t think this show is gonna be a whole lot like the comic, which is a really good thing, because that book was hella racist. I mean half the stuff they did with those two characters, would not fly on TV today, without a major backlash. Cloak’s superpower is that he absorbs light, and Dagger’s power is that she emits it.
(22) Luke Cage Season 2:
Write your own, highly enthusiastic, response here!
Castle Rock (Hulu): We still have received no date for this show. All I know is that its coming to Hulu this year, but I can wait. It looks interesting.
Part Two in a scholarly round table examining Kelly Sue DeConnik and Valentine De Landro’s Bitch Planet.
I am a huge fan of Guillermo Del Toro. I’ve seen every one of his films, and loved all of them, with the exception of Crimson Peak, which wasn’t a bad movie , (merely unequal to his other films.)
Guillermo is the kind of director whose films all have meaning. Every image, every line of dialogue, even the costumes and color choices, have a personal meaning for the director, or propel the narrative, or examine a character, and he always has something interesting to say, a point he wishes to make, a message to impart to his audience. He makes fantasies that parallel and contrast the real world.
In many of his films, he chronicles how the world of fantasy impacts the real world. In Hellboy 1 & 2, there’s a discussion of real world reactions to the existence of supernatural creatures, and what place someone like Hellboy can make for himself in it. Blade 2, despite all its fantastical elements, takes place entirely in the real world, with the same technology, music, and culture. The vampires in that world have adapted very well to human ingenuity, and in Pan’s Labyrinth, a young girl’s horrifying real world life, under fascism, is juxtaposed against a fantasy world, in which she actually holds power, and importance, and agency.
I’ve read many reviews of this film, and not one of them has mentioned how the fantasy elements of this movie contrast, and impact, the real world, of the sixties Civil Rights environment, in which it takes place. This movie is rich with social commentary that I’m not seeing reflected in any of its reviews. Most of the reviewers focus on the romance between Eliza and her Fishman paramour, or the set design, or the special effects, never bothering to go deeper, into what the film actually means for Eliza’s character, or the villain’s motivations. No one has discussed the time period in which it takes place either, which I find frustrating, because the villain’s motivations arise precisely out of the Jim Crow era in which the movie takes place, and informs how Eliza and the Fishman are treated, and the decisions Eliza makes.
The movie sits smack in the middle of the Civil Rights movement, and although it isn’t something explicitlyshown, this is a statement, not just about what’s happening with the characters, but a message to us today. As in all his films, Guillermo is telling us something about ourselves right now. Guillermo says that he chose that particular time period because it’s a direct reflection of what’s happening in the US today, from the re-emergent Cold War, to the various social rights movements like BLM, and the casual racism, sexism, and homophobia, which has reared its ugly head again.
Just as in the sixties, there is a clash of ideologies, which is often brought about, and exacerbated by, emergent technologies. The internet has allowed marginalized groups to push-back against, and challenge, the narratives of White supremacy, in ways they couldn’t before. Social Media allows marginalized groups to organize, and protest with an immediacy that was once lacking, and online communities allow them to disseminate news and information in real time, as with NoDAPL. In the sixties, it was the handheld camera, that brought the Civil Rights movement, the Korean War, and the Vietnam War right into people’s livingrooms. It was the Space Program that heated up the cold war between Russia and the United States.
Michael Shannon, as Strickland, is the physical embodiment of “White male rage, and entitlement”, existing at a period in time in which his cultural supremacy is being called into question by external forces, that his oppression helped to create. He doesn’t just take his rage out on the amphibian captive, on whom he liberally uses a cattle prod, (his captive does push back against his rage and violence) but takes his hatred and contempt out on both Eliza, and Octavia Spencer’s character, Zelda, questioning her, in a smugly racist tone, why she doesn’t have any siblings (because that’s not common for HER people), which forces Zelda to reveal the tragic loss of her mother when she was born. At the same meeting he loudly asks if Eliza can hear him.
He has the best kind of life there is, with a loving wife and children, a brand new model car, and a house in the suburbs, yet seems to resent all of it, showing no affection towards his wife and children, even though they dote on him, and he appears to be in a rage at even his “happiest” moments. This is a man who can’t even find joy in fucking his beautiful, blonde, trophy wife. The only time we ever see Strickland smile, in the movie, is when he’s contemplating, or bringing harm, to someone else. Strickland also lives in a world that is beginning to change, and he can see a future in which he can no longer express his rage and fear at those he deems as less than himself. Just like today, those “people” are talking back to him, and need to be put back in their place of not questioning his supremacy, and again, like today’s form of bigot, all he has at his disposal is violence. He leads a miserable and rage fueled life.
Eliza’s neighbor, Giles, is an older gay man who loves musicals, dancing and key lime pie. One of the first musicals we see in the movie is The Little Colonel, starring Shirley Temple, and Bojangles, and is an example of the time period romanticized by the White people of the sixties, just as the early sixties are heavily romanticized today. At one point, Giles entreats Eliza to turn away from the images of civil rights rioting on his TV, to a happier image of Bojangles, smiling, and dancing, and happy. Directly after that scene, Eliza and Giles do a little tap dance, while sitting on the couch, and maybe this is Guillermo’s way of pointing out how oppressed people have always tried to maximize what little joy they can find, in the face of so much misery. Eliza and Giles are both single, they don’t own a fancy home or car. In society, she and Giles have nothing, and are nothing. Now contrast Eliza and Giles simple pleasures of pie, movies, and dancing, with Strickland’s joyless existence.
Dancing is also Eliza’s escape. There’s a surreal daydream about her and the Amphibian dancing in a musical. Guillermo’s message here is about the power of imagination, and how the oppressed find power and happiness. This is something clearly expressed in his movie Pan’s Labyrinth, where the little girl, Ofelia, dreams of escaping her brutal existence, as a Queen of the Fairies, through the use of her imagination. This is also a statement about Del Toro’s personal life. He grew up poor and escaped poverty through film, through dreams
. Eliza wants to escape the circumstances of her life too, and at the end of the movie, she is more than happy to do so. (Although, I must point out, that though Eliza has managed to escape, and Strickland is gone, Giles, and Zelda are left behind to pick up the pieces.)
There are several interactions between marginalized people that speak to the lack of unity of that time period. Giles is white and male, but every bit as powerless as Zelda, and Eliza, especially after people find out about his private life. Earlier, Giles is emphatic about not watching racial unpleasantness on his TV, but later, he attempts to defend a black couple who try to eat in the diner he frequents, but get kicked out by the counterman. Giles cares enough to come to their defense, but not in the moment, and we realize just how powerless he is afterwards, when he makes a pass at the waiter, and is kicked out of the diner was well. Note that Giles is all alone when he does this. Guillermo quietly illustrates how all these different outsiders are trying to make it on their own. The message here is that unless they all unite to stand against their oppressors they can accomplish nothing.
My biggest issue is the lone Black man in the movie, Zelda’s husband David. He is perhaps the weakest character in the movie. He is of no use to Zelda, (who speaks of him often and seems to love him), and he does not come to Zelda’s aid when Strickland bursts into their home and bullies them for Eliza’s whereabouts. He also does not aid in the Fishman’s escape from the lab, tries to talk Zelda out of getting involved, and is so cowed by his environment, that he rats her out to Strickland.
My overall impression is that David gave up fighting long ago, and that he doesn’t really love Zelda, since he was not only completely unwilling to fight for her but gave up Eliza as well. I have mixed feelings about this character, and I don’t think Del Toro thought him through very well, or took into account how this would look to any Black men watching this film, who would be infuriated at the depiction. On the one hand, it wasn’t necessary to have the only Black man, in the entire movie, be an example of what the system of Jim Crow was meant to do, which is drain all the fighting spirit out of Black men, keeping them terrified, and submissive. On the other hand, if he were not those things, it would’ve become a very different type of movie. I feel he could have been eliminated from the plot altogether and the film would largely be left intact.
Strickland wants to destroy the Amphibian, a creature of the natural world that he often refers to as an abomination. He tortures and abuses the creature, to no purpose, but his own petty enmity. When the Fishman is slated for an autopsy table, Eliza teams up with Zelda, a German researcher, and Giles to thwart Strickland. In the end, they all come together to take down Strickland, and I feel like the message here was that only through the unity of outsiders, can such an overwhelmingly oppressive force, like him, be overcome.
In all of Guillermo’s films, you have a villain who attempts to destroy the natural world for vengeance, greed, entitlement, and/or short sightedness. In Blade 2, the natural order of the world is disrupted by a quest for power, and the destruction of humanity is averted by the hero fighting with the very beings he’d made a profession of killing. In Hellboy, the villain wishes to disrupt the order of the world by calling down The Old Gods of Lovecraftian mythology, and in Hellboy II: The Golden Army, faded fairy nobility wants to avenge the destruction of the natural world by human greed. And in The Shape of Water, Strickland is destroyed by the the very sort of people he most hates and fears.
The message of the outsider being more noble, more self sacrificing, and more compassionate is woven throughout many of Guillermo’s films. Since Del Toro himself is a Mexican immigrant, he has always felt himself to be one of the outsiders, and most of his films are seen through such a lens, recognizing the power of those who stand outside the mainstream. All of Del Toro’s protagonists are pieces of himself. Unlike most fantasy film directors, he is willing to address social issues in his films, and reviewers need to give the man his proper respect for doing that, and acknowledge that in their reviews.
Quick question:What is Guillermo Del Toro’s fascination with Germans? Every one of his films has a German character in it. Can you spot them?
*Note: My second review of this movie will be a discussion of sex and disability.
The first new Sade music since 2010’s Soldier of Love album is out, and we can all thank Ava DuVernay!
As fans gear up for season two of Jessica Jones to hit Netflix March 8, the streaming service has released the first look at the new season of another one of its Marvel heroes. Season two of Luke Cage will make its debut Friday, June 22. Mike Colter returns as the title hero alongside Simone […]
Madeleine Mantock has been cast as the third sister for CW’s Charmed reboot. She joins Melonie Diaz and Sarah Jeffrey. The reboot comes from CW’s Jane the Virgin showrunner Jennie Snyder Urman The pilot is written by Jessica O’Toole and Amy Rardin based on a story by Urman. Ben Silverman and Brad Silberling will direct the […]
Just another collection of interesting items that came across my dashboard.
Best Insult on Tumblr:
“You Uncultured Common Fly!”
*Putting this here:
This is a beautiful collection of information, and images from the movie Coco. This movie did as well in Mexico as Black Panther did in the US. I haven’t yet seen it, but when I finally do, I’ll know what to look for. The writers (and I believe many of the animators themselves), are Mexican. This is why it’s so important for people of other cultures to write their own stories. They know their stories and audiences better than anyone. And its just a wonderful cache of information, and had I seen the movie first, most of it, would’ve gone right over my head.
By now, you’ve probably heard Coco is one of the most well researched films about Mexico and its culture. There are many small details that make it feel like Mexico: the stone roads in a small town, the traditional embroidery patterns in the shirts of Miguel’s female relatives, an uncle wearing a soccer team shirt, even a bowl of limes in a stand of aguas frescas. Of course, the looks of papel picado, day of the dead altars, and cemeteries are also well represented. The clothes of the relatives Miguel sees in the world of the dead is accurate to their eras. While these are a nice touch, you’re ultimately not missing out on anything by not spotting them, so in this post I wanted to talk about the more culturally based details that show the most research and you might not understand if you’re not very well acquainted with Mexican culture:
Names and pronouns
This one is the most straightforward, so let’s start with the name of the movie. While the protagonist is called Miguel, we soon learn that Coco is his great grandmother. “Coco” is what we call a woman called “Socorro” (lit. “help” – it’s a very traditional name that’s considered old fashioned).
The Rivera family calls her “Mamá Coco,” which means “Mother Coco.” They also call Imelda “Mamá Imelda,” and so on. Calling your grandparents “mamá” or “papá” instead of “abuelita” and “abuelito” is a thing you can do, though I can’t say how common it is.
In the Spanish version of the film, Miguel’s grandmother, Elena, talks to Mamá Coco with “usted” (I didn’t notice other instances, but they might be there). Spanish has a formal and an informal version of singular “you:” “usted” for formal, “tú” for informal. The verb conjugation also changes depending on which one you use. It is used differently all through the Spanish speaking world, but in Mexico, other than older people you respect (like a teacher), you can talk to older family members with “usted,” which means respect rather than the distance the formality might imply. Nowadays, it has fallen out of use: as someone born in the 90s, my grandparents talked to their parents almost exclusively with “usted;” out of my parents, my mother talked to hers with “usted” and my father with “tú;” I speak to my parents with “tú.” I have cousins on my mother’s side that talk to their parents with “usted,” but I would say that makes them a minority nowadays.
Traditions and beliefs
2. Crossing to the world of the dead on a bridge of marigolds
If you paid very close attention, you might have noticed two children scattering marigold petals on the ground and their mother telling them not to scatter them, but to make a bridge so the dead could cross over. It was easy to miss, but that’s actually something we believe!
There are several types of flowers you can place in a day of the dead altar, but the one you can’t do without is the yellow marigold. Its petals are scattered all around the altar, and at the very front, you’ll form a path surrounded with candles. The bright yellow will help the dead properly make their way to the altar, and the candles surrounding the path will light their way.
3. Crossing to the world of the dead with a xoloitzcuintli
Several prehispanic cultures had a similar concept of the underworld as many other cultures around the world, in which there was a river they had to cross to get there. For both the Aztecs/Mexicas and the Mayas, a xoloitzcuintli would guide their souls so they could cross the river safely and arrive to Mictlan (Mexicas) or Xibalba (Mayas). To achieve this, a xoloitzcuintli would be sacrificed and buried with its owner. Day of the dead altars can have a xoloitzcuintli figure so that the dead can make it back safely as well.
4. Being thrown into a cenote
My screenshot isn’t the best but at some point, Miguel is thrown into a big pit with water. That’s not just any random pit, but a cenote.
Cenotes are naturally ocurring sinkholes caused by the collapse of limestone. The word “cenote” has Maya etymology, as cenotes are commonly found in the Yucatán peninsula, where they (still!) live. In old times, they would sacrifice animals and people as tributes to the gods, and also throw ceramic objects and jewelry as part of the tribute.
I left these for last because they don’t have any deep meaning. Alebrijes are colorful fantastic animals that a man called Pedro Linares saw in a fever dream. He was a skilled artisan, so when he woke up from his long sickness, he brought them to life in his art.
In Coco, alebrijes are spiritual guides, and while their designs are to the likes of the real alebrijes, the film actually gave them a more important role than they have for us.
6. Genres of Mexican music
The songs in Coco all belong to genres we’ve grown up with, so even if someone isn’t that knowledgeable in music theory or genres, we could vaguely tell they sounded “Mexican” (some more than others). Someone who is more knowledgeable of music genres can help me out here, but I think:
– Remember Me / Recuérdame is a bolero ranchero.
– Much Needed Advice / Dueto a través del tiempo is a ranchera.
– Everyone Knows Juanita / Juanita is a corrido.
– Un Poco Loco is a son jarocho.
– The World Es Mi Familia / El mundo es mi familia is huapango inspired.
– Proud Corazón / El latido de mi corazón is a a son (son de mariachi? I’m most uncertain about this one).
6.5 Un Poco Loco
Un Poco Loco starts in English as
What color is the sky, ay mi amor, ay mi amor,
You tell me that it’s red, ay mi amor, ay mi amor
And in Spanish as
Que el cielo no es azul, ay mi amor, ay mi amor,
Es rojo dices tú, ay mi amor, ay mi amor
(You say the sky isn’t blue, oh my love, oh my love,
It’s red, you say, oh my love, oh my love)
This might be a deliberate reference to a huapango called “Cielo rojo,” which says:
Mientras yo estoy dormido
Sueño que vamos los dos muy juntos
A un cielo azul
Pero cuando despierto
El cielo es rojo, me faltas tú
(As I sleep
I dream of us close together
Going towards a blue sky
But when I wake up
The sky red, I am missing you)
Within the universe of the movie, this would make it an anachronistic reference, though. Additionally, Cielo rojo is a song of loss and Un poco loco is about a woman who thinks very differently and likes to say everything backwards, and that makes him crazy (in a good way!). Hence, in English we’ve got her saying to put his shoes on his head instead of his feet, and in Spanish him saying she might think with her feet and also how she keeps playing with his thoughts. Cielo rojo is a pretty sad song.
7. La Llorona
And I purposefully left La Llorona out of that list (it’s originally a son istmeño, though).
There’s a full musical number in Spanish, which seems to have suprised some people. For those of us who watched Coco in Spanish, it wasn’t too hard to guess it was this one: La Llorona was likely left in Spanish because it’s a very old folk song, one of those that are so old it has no known author and there are many different versions of the lyrics.
“Llorona” just means “weeper,” which is not really as unusual of a word in Spanish as it is in English. It’s closer to “crybaby” in use. If you’re curious, the version used in Coco says the following, with “llorona” being the singer herself:
Poor me, llorona, llorona dressed in sky blue
Even if it costs me my life, llorona, I won’t stop loving you
I climbed the highest pine tree to see if I could spot you
Since the pine tree was so green, llorona, it cried upon seeing me cry
What is grief and what is not grief, llorona: it all is grief to me
Yesterday, I was crying to see you, llorona; today, I’m crying because I saw you
Poor me, llorona, llorona dressed in sky blue
Even if it costs me my life, llorona, I won’t stop loving you
8. Ernesto de la Cruz
“Isn’t he an original charact-” NO LISTEN STAY WITH ME.
Remember how I said Remember Me is a bolero ranchero? Guess who we associate boleros rancheros with?
That would be Pedro Infante, who happens to have a strong resemblance to no other than Ernesto de la Cruz.
It’s probably not a coincidence at all, as later on we see Ernesto with Pedro Infante and Jorge Negrete at his party. Ernesto de la Cruz was explicitly stated to be inspired on both of them and another singer of the same genres, Vicente Fernández.
My parents left the movie saying “Pedro Infante didn’t deserve that burn,” lol.
9. Frida Kahlo (and Diego)
She does have a rather prominent role so she’s hard to miss. For those unaware, Frida is the artist who made the flaming papaya.
The themes in Frida’s are autobiographical, as she had a rather unusual life due to polio and injury. She painted herself and her suffering a lot. That might be why we get performances with many Fridas and things like a crying cactus that’s herself.
Bonus: her husband, Diego Rivera, is also in the same studio where we meet Frida. He was an important artist, specifically a muralist.
10. Other Mexican celebrities
I already brought up Pedro Infante and Jorge Negrete as characters that appear right beside Ernesto de la Cruz.
But we also get to see a cameo of many other famous Mexican names in Ernesto’s studio! Excluding the people at the piano, from left to right:
Emiliano Zapata, a revolutionary; (my best guess is) Adela Velarde, another revolutionary; Ernesto and Miguel; (probably) Agustín Lara, composer and singer; (probably) Dolores del Río, actress (in Hollywood too!); Cantinflas, comedian and actor; Pedro Infante, singer and actor; María Félix, actress; El Santo, wrestler and actor; Jorge Negrete, singer and actor.
They kind of looked like this:
Another bonus: this gal looks like the calavera garbancera / the Catrina illustrated by José Guadalupe Posada.
There might be more things I’m missing or forgot; if that’s the case, feel free to let me know! You can also fix my music genres for me since that’s never been my forte.
I hope this was of interest to someone!
*Frankie Trixx came across my dashboard, and I totally fell in love with him. I was just in tears. Now, its my understanding that this guy isn’t actually from Africa. I believe he’s Canadian, but he has an African name, and this is one of his Instagram personas. He is absolutely hilarious though, and has a lot to say about everything. Here, he discusses unseasoned chicken:
Check him out!
“Why is the chef seasoning his chicken with amnesia?!”
*Another one of my favorite comedians is Quinta Brunson, who has her own Youtube channel. Check her out too.
The real comedy here, outside of Quinta’s dancing, is her boyfriend’s facial expressions. He was not ready!
*As a parallel to my calls for diversity in commenters and reviewers, there is a call for people within fandom to step up their game, to be sensitive to media that is for, and by, Black Americans, and any media that holds special emotional, or religious resonance, or speaks on internal issues within our communities. Don’t write fanfic, or create fanart, or meta, without a thorough understanding of what you’re creating. Do your research. Listen to Black fans discussing how the movie affects them, and read, read, read! (The same goes for media that features other poC, and their cultures.)
Do Your research!!!!
Dear White Fandom
Let’s talk for a second.
So Black Panther opens nationwide today. I saw it last night, and let me tell you: it’s absolutely incredible. It’s as good as you’re hearing. It’s gorgeous. It’s compelling. Everyone acts their faces off. It’s also, inarguably, the most complex movie in the MCU.
You might leave the theater super jazzed and wanting to write meta and fic about how beautiful Wakanda is, how badass the Dora Milajae are, or who the real villains might be and why, or over that little cameo at the end (no spoilers). And you’re not wrong – but if you’re white, pump the brakes on that feeling for a few days.
There’s a lot to take in, about Black Panther. It’s an intricate, incredibly well thought-out movie that covers a lot of ground in terms of thorny and important themes. It stares right in the face of generational trauma, the legacy of slavery, conflicts between the diaspora and Africans and what responsibilities and connections each feel to each other, how colonization continues today under different names, and on and on.
And you’re gonna be missing the context for a lot of that. So hit pause on that content creation for a little bit, okay?
There’s a lot of meta, fic, thought posts, personal experiences, and resources already being shared by Black fans. There’s gonna be a lot more. Take the next few days to read them. Get lost reading up on the historical and cultural touchstones that the movie draws from. Follow Black fans and reblog their stuff. Listen before you hit post on that fic or meta.
And maybe you don’t end up posting it at all. Maybe you learn the context of the characters and issues and history you saw up on screen, and that great idea you came out of the theater with seems more and more like a hot take. That’s okay. It’s totally fine just to listen.
I’m not saying that white people aren’t allowed in the Black Panther fandom. I’m not saying that only Black people can write Black Panther fic. First, that would be incredibly hypocritical of me; and Second, I think that white people not putting in the effort to humanize non-white people literally makes us worse human beings.
What I’m saying is, if you wanna do it: it’s worth putting in the work. Not just to create content that isn’t full of microaggressions and outright racism, but participation means you have to put in the work to do it right. If you’re not willing to wait, and listen, and learn, and work – then just don’t.
*This is pretty much my mood whenever I’m experiencing bouts of insomnia.
Don’t trust morning you. Morning you is a dick. Morning you would sell your loved ones if it got them 5 minutes of extra sleep
maybe morning me wouldn’t be such a dick if that flaky bitch evening me had gone to bed instead of tumblring til butts o’clock in the morning
Well evening me might have fallen asleep at a reasonable hour if that dumbass afternoon me hadn’t lain down for a “little nap” that lasted four hours.
*I love this woman’s clapback. I know we called a moratorium on inviting various White people to the cookout after Trump, but really, this is how you ally.
As a general rule, I don’t give one flying hot damn about who some random Black guy is fucking, but if you feel the need to scandalize my name, (i.e. Black women) to justify who you’re fucking, the problem is not us. The problem is your insecurity about who you’re fucking. There’s no need to put us down to declare your love of White women, and Liv was correct to put these men in heir place:
This right here…MOOD!!!
*Yeah, there’s a reason why people didn’t rally around Catwoman the way they did around Black Panther, and it has nothing to do with disliking Black women. The movie was just shit. Even I checked the fuck out halfway through it. When even the movie’s own writers realize the movie was shit, well..
Also Catwoman had nothing whatsoever to do with the culture. It was essentially culture-less, which is how all Black characters are, when written by non-Black writers. The only White director I’ve ever come across, who got it right, was Steven Spielberg, and I suspect his being Jewish informed a lot of what he did on The Color Purple. (Not even Tarantino gets it right, even though I liked Django Unchained.)
I feel like people are making unfair comparisons to other movies, when really the only movie that comes close to doing what Black Panther has done, is the 1998 Blade movie. It had a couple of Black cultural moments in it, but that had more to do with its star, Wesley Snipes, than the director Stephen Norrington.
*I’m obviously gonna have to do another post on this show. I love this show. It’s like a weekly Luke Cage/Black Panther fix. But really, what I like about all these different Black stories, isn’t just the primarily black cast, but how they truly represent the individuality of our culture, how different they all are, in style and flavor. Atlanta, is a very different type of comedy than Black*ish, or Insecure. Black Lightning feels very different than Black Panther or Luke Cage. They’re all telling very different types of stories.
Below: The Iconic Thunder Foot Stomp! straight out of the comic books. You have nan idea how loud my Mom and I were whooping and hollering, during these scenes.!
Originally posted at Pop Culture Collab “It’s Panther season, family.” My cousin recently said this to me after I asked how her freshman year at an Ivy League university was going. Let’s be clear, by no means is my cousin a comic book or superhero film fan. She always teased me for being an “Afrogeek” […]
This post explains why Black Panther resonated so deeply with Africans, and African Americans, in particular.
*Since this movie blew up the theaters there have been a metric ton of think-pieces and examinations about it. I’ve tried to collect as many of these as I thought were interesting, leaving out all the contrarian negative stuff. I know I promised to write a review, but there’s nothing I would say in it that isn’t already covered by the three lists of think pieces I’ve collected. (Maybe later, I’ll jot something down about my feelings for the various characters or something.)
*But first up, I thought this essay was related to the idea of Wakanda having never been colonized, versus how we are all taught by popular media to think of the continent of Africa. You can read this first ,and then play a drinking game of how many times the writers do these things in the following articles:
Always use the word ‘Africa’ or ‘Darkness’ or ‘Safari’ in your title. Subtitles may include the words ‘Zanzibar’, ‘Masai’, ‘Zulu’, ‘Zambezi’, ‘Congo’, ‘Nile’, ‘Big’, ‘Sky’, ‘Shadow’, ‘Drum’, ‘Sun’ or ‘Bygone’. Also useful are words such as ‘Guerrillas’, ‘Timeless’, ‘Primordial’ and ‘Tribal’. Note that ‘People’ means Africans who are not black, while ‘The People’ means black Africans.
Never have a picture of a well-adjusted African on the cover of your book, or in it, unless that African has won the Nobel Prize. An AK-47, prominent ribs, naked breasts: use these. If you must include an African, make sure you get one in Masai or Zulu or Dogon dress.
Black Panther has a lot to say about politics:
*I didn’t agree with this review but I’m including it here because some of you will find it interesting, and the author does make other salient points. I have to admit, I was a bit taken aback by the depiction of the lone African American in the movie. I was deeply saddened by Killmonger, while agreeing with much of his philosophy. I get why he was angry. I was also saddened by the fate of the only African American woman in the entire film, and I wish the director had put more thought into it. I get the point he’s trying to make, but it still felt pretty bad to watch that point being made.
5 Lessons from Black Panther That Can Save Our Lives — and Transform Black Politics – Medium.com
Dear Fellow White People: Go See “Black Panther” – Medium.com
Here are six reasons. Do it this weekend. Seriously, just go.
*This article is about people who are trolling the movie. As the movie began to take off last weekend, there were a number of alt-right trolls who posted fake tweets demonising the movie’s fans, and claiming that white people had been beaten up at theaters.
I put this here to point out the utter futility of their efforts in trying to disparage and destroy this movie. Their efforts will always meet with failure, not because they’re awful, (because yeah, they are) but because, by the time they are resorting to efforts to sabotage these movies, it’s already too late. These acts are purely defensive, and only illustrate how little control such people have over mainstream media.
All they have in their arsenal to combat progress is more of the same lies and vitriol against black people that they’ve always espoused. Their messages are not new, and not effective.
*Not all of these essays were written by Black reviewers, but even so, I thought the reviewer, regardless of race, had interesting things to say about the philosophies of, and psychology behind, the film’s characters. Just becasue White reviewers can’t (or won’t) talk about race, doesn’t mean they have nothing worthwhile to say on other topics.
Let’s face it, women are the backbone of this movie, holding it down and keeping it 100. I was surprised to find that my favorite female character was Nakia. (I thought it would be Okoye.)
I was watching #BlackPanther and after Okoye was called the general a boy next to me said : “I didn’t know girls can be generals!”
That’s why representation matters
One of the best things about #BlackPanther was definitely the women. Shuri, our princess is cheeky, charming and a fcking genius. Okoye could kill me and I’d gladly thank her. If I have even an ounce of Nakia’s compassion, I would be a better woman that I am now.
The Making of:
*Everyone wants to know everything about the making of Wakanda, and Ruth Carter’s major influences on her designs for the film.
Ruth Carter is a Hollywood costume designer who grew up in Springfield. Her career spans a long list of major motion pictures, and she is best known for her work on Spike Lee’s “Malcolm X” and Steven Spielberg’s “Amistad,” receiving Academy Award nominations for both films. Carter’s most recent work can be seen in “Selma,” a film about the trio of marches from Selma to Montgomery, Alabama, in 1965.
“The PanAfrican flag is red, black and green, so when you see Okoye, T’Challa and Nakia in their covert looks, you’re seeing the PanAfrican flag.” – Ryan Coogler, director of Black Panther.
Oh, yeah. The hair thing:
*This essay was originally written as a response to Beyonce’s Lemonade but many of the writer’s arguments can be equally applied to any media that is made by, and speaks to, a Black audience, including Black Panther.
*This is what Tumblr fans are saying about representation:
He does not like superhero movies and normally he falls asleep in the cinema. But not this time, he was on the edge of his seat and he said that he didn’t wanna miss a single moment. He absolutely loved the movie, the first thing he did when we got home was to call his african friend, yelling at him to go watch it as soon as possible. The second thing he did was ask me when the sequel will be out.
I asked my dad what he liked about the movie and he said everything. He loved that almost everyone was black and that they spoke Xhosa. He was so happy that they captured what life is actually like in many african cities in those scenes when they were walking around in wakanda. Seeing the people sit in cafes, buying food from food stands, kids running around with school bags, just people living their everyday life all the while being unapologetically african. He said he felt as if he was back home. And he was so happy that there finally was a movie where africans weren’t starving, or warlords, or dealing drugs. He told me that this is the kind of movie he has wanted to see for years, not alluding to the superhero stuff but the fact that they portray africans the same way that most if not all movies portray white people and not criminalize or dehumanize them but uplifting them. He loved every single character and especially M’Baku but his absolute favourite was the Queen mother Ramonda because she was so calm and collected while simultaneously being this strong queen. My dad, coming from a culture that really uplifts and value mothers and holds them above all, felt like the movie really captured that in Ramonda and that’s why he loved her.
He loved the soundtrack and how they mixed in djembe drums and traditional african singing with modern western music and he loved the costumes because a lot of the clothes look like the things people are wearing at all the african parties we go to.
The only complaint my dad had was that the sound was to high, which was his own fault for insisting that he sit at the end of the row right next to one of the speakers.
So yeah, representation do matter. I’ve never in my life seen him so happy about a movie. And he wanted to talk about it after it had ended which never happens normally. We joked around with the idea of him being a wakandan wardog stationed here and we did Shuris and T’Challas little handshake saying that is the only way we will now greet other africans. This movie gave my dad pure joy and happiness and it gave us a bonding opportunity because we finally have something that we both could geek out about.
After Black Panther, and Coco, and all the other great films that have come out and boasted great representation (and great Box Office returns) I hope all movie studios are aware that nothing can every go back to the way it used to be.
Like, you know how when you’ve had something high quality, and you just can’t go back to the bargain brand again because you know what this product is supposed to be?
Well, Black Panther and Coco just introduced an entire generation of people (young and old alike) what positive representation is supposed to feel like.
People aren’t going to stand for “This character couldn’t be X because it’s a stereotype.”
People aren’t going to stand for “This character had a small role but it’s fine because X”
People ain’t gonna stand for “Finn can’t be written well because there’s no place for his story to go”
People aren’t going to stand for “Iron Fist couldn’t be Asian-American because it perpetuates a stereotype.
People aren’t going to stand for “We couldn’t find the right type of actor so we just went with a white person.”
People aren’t going to stand for “Let’s make the black woman a frog for the entire movie.”
People aren’t going to stand for “There weren’t any people of color in this era. It wouldn’t be historically accurate.”
People aren’t going to stand for “Well…it’s close enough, isn’t it? Why’re you complaining?”
Movie studios thought it was bad before? Honey. Buckle up.
I loved the African reaction to this movie:
*And the windup:
Viola Davis and Lupita Nyong’o To Play Mother and Daughter in The African Military Movie “The Woman King”
Viola Davis and Lupita Nyong’o To Play Mother and Daughter in The African Military Movie “The Woman King”
— Read on geeksofcolor.co/2018/03/02/viola-davis-and-lupita-nyongo-to-play-mother-and-daughter-in-the-african-military-movie-the-woman-king/
I’m a big Jeff Vandermeer fan. I’ve read most of his books, all of which are pretty trippy. (The man has a serious fascination with mushrooms.) So I was excited to hear they’d be filming his three part Southern Reach series, and while I had no particular objection to Alex Garland as the filmmaker, I had to stop and and ask myself, Is the book unfilmable?
If you haven’t read the book, the best description of it is that it’s an intellectual exercise in horror. Events happen in the book, but the book is not linear, in the sense that the actions you’re reading about have immediate consequences, or lead to other events. This is not helped by the unreliable narrator. Events occur, are occurring, but you have no idea what they mean, or if they did, in fact, actually occur.
In the first book of the Area X trilogy, called Annihilation, an all female team of researchers go on an expedition into what’s called Area X, an area of weird life forms, and bizarre transformations of the natural world, that may or may not be hostile, which grows larger every year. In the movie, this place is called The Shimmer, and it’s probably worth looking at just to see the alien life forms.
These women are the 12th such expedition into the area. Most of the other expeditions didn’t come back, and the individuals who have made it out, either die soon afterwards, or are less than helpful as to what happened.. The narrator is a woman who lost her husband in the previous expedition. He came back but lapsed into a coma.The first book chronicles her journey into Area X, while still in mourning for her husband. Just to complicate issues, some of the members of the expedition have been tasked with observing the others, and some of them have been given hypnotic code words, to make them do, and say things.
I read the first book, and skipped the second and third, because those seemed less about Area X, than about the government organization that studies it, called The Southern Reach. A lot of the second book consists of the backbiting and infighting between the members of this organization.
I don’t know how well this movie is going to do at the box office. I don’t think its going to do exceptionally well, but I could be wrong. Like Nicole Kidman, Natalie Portman has never been a huge draw for filmgoers, although she’s a perfectly acceptable actress. There’s also the matter of this movie coming out on the tail end of the release of Black Panther. But then, I think any movie released in the wake of Black Panther is taking a rather bold stance. The creators of this movie must have realized this because they will be releasing the movie to Netflix UK sometime in March, from what I understand.
What I know of the plot of the movie doesn’t sound a whole lot like the book either. There’s a bunch of mutated animals, including a mutated bear, hunting the members of the expedition. This bear isn’t in the book, although a host of other odd creatures are, the most frightening of which is The Crawler.
And then there is the matter of the whitewashing. Natalie Portman’s character is described as being Asian in the book, and a lot of people feel some type of way about that, to the point where Garland has had to makes some excuses for why he chose her. He claims he had not read the book before she was cast. What Portman’s excuse is, I have no idea. It was someone’s responsibility to let people know that the lead character was Asian. He also cast Jenifer Jason Leigh in another role supposedly meant for a half Indian woman. As usual Hollywood continues to fuck up, when it comes to Asian representation.
Myriad reasons have been cited as to how this happened: The characters’ ethnicities are not explicitly stated until the second book; Garland began working on the adaptation before he was officially attached to the project and therefore before the second book was published. Etcetera. The bottom line seems to be ignorance, as Garland, Portman, and Leigh have all stated that they simply didn’t know. It’s not difficult to believe there was no malicious intent in the casting. But the statements still read like apologies that somehow lack the word “sorry,” and shuck responsibility for what happened onto a nonexistent second part
In the meantime, Non-Asian American fans are getting really, really, tired of only seeing the same 25 white actresses in everything. I have nothing against ScarJo, she’s an adequate actress, and she’s very pretty, (JLaw, on the other hand, can go kick rocks) but I really don’t want to see her ass in one more damn movie. I’m just “tahd” of looking at her, and I’m about to feel the same way about Portman. I understand why Hollywood keeps casting the same people over and over, but still. Enough is enough.
In the book everyone dies, and this is an issue for me, because all the other women in the expedition are women of color. I love that they hired Tessa Thompson and Gina Rodriguez for these roles, but I just don’t feel like sitting in the movie theater watching the only WoC in the entire movie get brutally mauled by a giant demon-bear. I feel tired just thinking about it. Apparently Hollywood’s idea of diversity now is to put WoC in a movie, and then brutally kill them (yeah, we’re looking at you Atomic Blonde!) I’d tell Hollywood to just cast some White women next time, but I’m pretty sure that they are also pretty tired of seeing themselves be brutally fridged,
I feel like making the movie about the women being hunted by a mutated animal is kind of dumbing it down, although a lot of critics claim its a very smart film. I just expected more than that because its not just the plot of the book that’s strange. The mood, the dialogue, all of feels uncanny. The book is full of long, quiet, contemplative moments, where the reader is basically sitting with the protagonists and hearing her thoughts. There’s also the added weirdness that she might very well be going insane, and doesn’t know it. It’s because of that, that her descriptions of what the other characters are doing, is suspect. (Perhaps if Terence Malick had been chosen as the director, I’d be more impressed. He seems to specialize in thoughtful voice-over films.)
Despite my misgivings, I’m still intrigued though, but not intrigued enough to go to the movies and spend money on it. I think I’ll wait for this to come to cable.