Viewing List – November Edition

These are the reviews from things I watched in October and November. I will try to make these as short as possible, but y’all know I’m good at blabbing about TV shows, so wish me luck with that.

 

Dolemite is My Name

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I was kinda excited about seeing this, nevertheless i was surprised by how much I liked this movie, and I can think of no better actor to play Rudy Ray Moore than Eddie Murphy, a comedian I have  always had tremendous respect for, and who really doesn’t get enough credit for all the work he’s done, in the past 30 years.

Now, I have to give a little bit of background here. I grew up in the time period in which this movie is set. I would have been 2 maybe three years old at the beginning of the movie, but I have very distinct memories of grownups being really excited about Moore, and Yes, I did encounter a couple of those racy album covers in my mom’s collection, but I don’t think she knows I remember she was a Rudy Ray Moore fan.

I have a very clear memory of mom, and her then boyfriend, taking us to the Drive-in to watch The Human Tornado, which came out in 1975, and was a sequel to Dolemite.  I would have been five, and my brothers would have been 3 and 4. She would have had the assurance that, since we were babies, we would all be asleep by the opening credits. I don’t think she knows I was wide awake No, I wasn’t scarred for life or anything, but I definitely  remember parts of  the movie, and even some  it’s theme song. I know this is a genuine memory because I have never seen the movie as an adult.

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Anyway, all this to say that this definitely brought back some memories. There are some things about Black culture that only Black people know. I’m gonna let y’all in on a little secret.

Black people have our own stories, which seem to parallel stories from other cultures. Most of them you’ve probably never heard of,  unless you grew up in the culture, or have parents of a certain age, like my Mom. My mom used to tell us stories about the Signifyin’ Monkey, the lion, and the elephant, (only without all the cursing, and never the whole story, since its fairly raunchy.) Probably not the sort of things one would tell one’s kids today, but things were different back, then, and my Mom was kinda weird. It has a pretty long history, too. If you have ever  read American Gods, Anansi tells a story that is directly based on the folklore tale , titled How the Monkey Got the Tiger’s Balls:

Numerous songs and narratives concern the signifying monkey and his interactions with his friends, the Lion and the Elephant. In general, the stories depict the signifying monkey insulting the Lion, but claiming that he is only repeating the Elephant’s words. The Lion then confronts the Elephant, who physically assaults the Lion. The Lion later realizes that the Monkey has been signifyin(g) and has duped him and returns angrily to castrate the monkey, rendering him unable to reproduce.[3]

https://en.wikipedia.org/wiki/Signifying_monkey

http://mogley.tripod.com/monkey.html  

The Signifyin’ Monkey is part of the Dolemite theme song. Since this is a Rudy Ray Moore biopic, there’s a lot of cursin’, and some mild nudity. Its not half as raunchy as the actual Moore, but I think he’d be satisfied with what was shown in this movie.

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I also enjoyed it outside of the nostalgia factor. There’s a scene, in the early part of the movie, where Rudy encounters a plus size woman whom he recruits into his comedy troupe. This woman later  became known as  Queen Bee, who was every bit as raunchy in her style of comedy as Rudy. The story is arranged in such a way that you’re meant to cheer Rudy as a driven, hard working man, who triumphs against the small minds of others. Needless to say, most comedians probably couldn’t get away with most of the comedy routines, in this movie. The seventies featured a lot of new culture, that we take for granted now, and one of those things was raunchy Black comedians.

There were plenty of Black comedians before Rudy, who said some fairly racy stuff, but they mostly worked what was known then as The Chitlin’ Circuit, which were a collection of venues where only only Blacks could perform, since they still, even in the seventies,  considered too raunchy to play in the mainstream (i.e. White ) circuits. Rudy was one of the first of these type of comedians to go (sort of) mainstream, in that even White people heard about him, although he still would never have been invited on The Johnny Carson Show. So, the movie is one of those low key inspirational films, about overcoming racism in Hollywood. The first half of the movie is very caught up in people telling Rudy “no” , telling him what he can’t do, or making fun of him for wanting certain things, and Rudy going off to do those things anyway.

I have since learned that Eddie Murphy has received a Golden Globe nomination for this role. but I don’t think he will win. He does some great work here, but its not the best work he’s done, and really, I thought it was a walk in the park for him. He can play this type of role in his sleep. But I did enjoy watching him, because his charm makes the occasionally cringey plot, very watchable.

 

The Mandolorian

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I am loving The Mandolorian, and not just for the Baby Yoda scenes. (No, that isn’t actually Yoda, but some distant descendant, since this series is set after Return of the Jedi.) This series is full of some of the classic themes we expect from Star Wars. George Lucas has said the original Star Wars was based on the works of Japanese film Director Akira Kurosawa, most specifically, Seven Smaurai, and you can see some of the influence here.

In fact the series heavily reminds me of the Japanese Manga called Lone Wolf and Cub, in which an itinerant samurai, a ronin, wanders the Japanese landscape, with his tiny son, searching for vengeance, and  getting into various adventures. The only differences between that, and The Mandolorian, is the son doesn’t have force powers, isn’t on anybody’s wanted list, and isn’t half as cute as Baby Yoda. The show takes care to focus on the relationship between Mando and Baby Yoda, too. There are a lot of really cute moments between them, and the public seem to have really taken a shine to the little guy, much the same as his adoptive Dad.

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Its also a classic story about a character’s personal growth.  Mando starts out as a bounty hunter, who is just there for the work, so he can buy some new armor, but makes the decision to take the baby and run, rather than deliver him/her to his clients. There are larger mysteries which haven’t been answered yet, like who exactly is the Mandolorian, why does everyone want the baby, and where did this baby come from.

The production values, the costumes, acting, and special effects, are all top notch. It really does have the look and  feel of one of the movies, which makes it very easy to watch, although this luxury comes at the expense of the episode running times, which never get beyond 45 minutes. I can live with that, especially since the action scenes are the highlight of the series. In one of the earlier episodes, there is a full on fight between a team of Mandolorians and the various ne’er do wells, and criminals, on the planet on which they’ve all been hiding out. When CG is used, its mostly for the creatures, and action scenes, and is largely invisible, as its supposed to be.

 

 

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War of the Worlds – BBC Version

 

There have been umpteen different versions of this show. A book, a radio program that, as it is rumored, gave some people the shits back in the thirties, as they thought it was real, several movies from the fifties to the nineties, one of which starred Tom Cruise, another TV show, and now this.

Its a three part miniseries from the BBC, and so far I’m really liking it. Its got some nice production values. You can see where the money went in this one. The special effects are well done, and not that usual cheap TV stuff you sometimes get in big idea shows, and the show, quite frankly, looks gorgeous. The acting is acceptable,  although the only actor I truly recognize is Robert Carlisle.

And this show is not fucking around with its theme. H.G.Wells wrote the novel as a reaction to the British annexation of the Congo, and the atrocities that were being committed during the colonization of India. He wrote a book about the violent colonization of England by a superior technological force, as a condemnation of the British Empire’s activities, and the show makes this connection loud and clear, right in the opening credits. In the first fifteen minutes of the show, you hear characters having conversations about the might of the British Empire, and how wonderful it is to live in such a powerful country. By the end of the first episode though, the Martians have shut that talk down.

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There’s also some melodrama involving the two stars of the show, Rafe Spall, the brother of Timothy Spall, as a fellow named George, and Eleanor Tomlinson as his paramour, Amy. The two  are madly in love, but cannot be together, because George’s  wife refuses to divorce him, She hates him, and wants to remain married to him just to spite him. The family is scandalized, his older brother,  is outraged, and the  the rest of the community don’t know how to think of this thing, where the two of them are living together, unmarried. Plus Amy is pregnant.

I was not initially interested in the melodramatic aspect of the show, but the show does this thing, where it flashes back and forth to the future, after the alien invasion has been conquered, but the Earth is a literal hot mess, because the aliens weren’t just there to invade, they were terrraforming. Amy is wandering through the red deserts of what used to be England, with her young son. She has been separated from George for a long time, but still holds out hope of finding him. I didn’t care, at first, but I decided that I liked the characters. At least, I liked Amy, and that seems to be enough for me to start to care the rest of it.

The show opens with her and George witnessing the launch of the ships from Mars. Its a little different from the movies, because the ships look like meteors as they land, and that’s hat people think they are. They look like black globes that float off the ground, and are capable of setting people on fire from a distance. The tripods break out of the ground after the globes explode, and start their rampage, although the tripods aren’t so much interested in annihilating people, as they seem to be in seeding the planet with various gasses and chemicals. Like I said, this is not an invasion, exactly. They are transforming Earth into another version of Mars, and if you look at the flash forwards, their mission seems successful.

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I did have some criticism about characters doing stupid things, but this is only because this is one of those situations where the audience knows more about what’s going to happen than the characters do, so there were a lot of instances where people are standing around looking at things, while I yell things like ,” Get the fuck out of there!!!!’, and, “Run!” There are  various government officials who act like the mayor from Jaws, and simply bluster uselessly at the reports they’re getting from other parts of the country, about the annihilation of entire towns, even though the city is filling up with refugees from those areas. The British are so full of themselves about the initial events, that I have to admit, it was a bit satisfying watching them get their asses handed to them by the Martians, which point the show is trying to make. Basically, the show is saying that the British “ain’t all that!”

There are lots of closeups of boiling ant colonies, along with images of English people living their best lives, not unlike the ants, walking the streets of their mighty London, and looking quite busy, and the tripods themselves look very insect like, such that there is a connection being made between the idea of  invasive species, and the colonizing aliens, and that what is being done to England by the Martians, England is currently  doing to other countries, and been quite proud of themselves for it. We know the English are proud of their activities, but we don’t get any idea how the aliens feel, though. There are scenes where people touch the black globes that have dropped to Earth, and see smeary lingering images of their hands and faces, in the glossy sheen of the alien device, in a very,  “We have met the alien, and they is us.” type moment. So yeah, the show ain’t being  coy regarding its critique of British empiricism.

The setting for the various iterations is England, at the height of the British Empire, when it was engaged in the violent colonization of different countries. The English were largely brought low after WW2, (look up London Blitz), so its interesting that the first American version showed up in the fifties, (1953), when America, having won some victories during the war, (and starting to feel itself to be the shit) began engaging in its own world dominance behavior. (Before the War, America pursued an isolationist stance.) The 1953 version, (and subsequent invasion movies, like Strange Invaders, and Independence Day), were not about the humbling of America, so much as they were  America conquering some  great enemy, against all odds.. The 2005 version is a response to 9/11, where its made clear that the alien invasion is a stand-in for the terrorists, and America doesn’t triumph, so much as get lucky.

Not all alien invasion movies are violent. Some of them are enlightening, like 2001, and/or  hopeful, like Close Encounters of the Third Kind. This series is in the truest spirit of the book, however, which was a rebuke to British hubris.

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* https://www.post-gazette.com/ae/movies/2012/06/13/Behind-the-fiction-lie-factual-themes-in-alien-movies/stories/201206130200

Once they were analogies of the Cold War or Vietnam. Sometimes the underlying theme is corporate greed, environmental destruction or fears of technology supplanting humans. The movies feed on public fear of enemies from abroad, which in today’s world, he said, could even include mortgage bankers.

New TV Trailers (November 2019)

Per my usual announcement, whenever I make these posts, some of these I’m excited for, and some a little less so, but I hope to be able to watch most of them.

 

Doctor Who Series Twelve (2020)

I really enjoyed having a lady Doctor, mostly because she heavily reminds me of a cross between David Tennant, and Peter Capaldi ,and I’m not sure if that’s on purpose. I could have done without a few of the episodes, in that the writing, and story, wasn’t the best on at least a couple of them, but there were at least a couple that stood out too, and since we have a new crop of writers this season, I’m looking forward to what they’re going to do. At least the trailer looks exciting.

 

 

 

 

Antelbellum (2020)

No one knows anything about this show, movie, or whatever. I’m intrigued by the trailer though, and I really like Janelle Monae, so I’m going to check it out. Jordan Peele is one of the producers on this, so it should be an interesting story, even though I generally try to avoid slave narratives, because I’m really, really, tired of them. However, if someone has a clever way of approaching it, I’m willing to give it a try..

 

 

Hunters (12.15)

This airs on Amazon Prime next month, and I’m looking forward to it. Its about a clandestine group of Nazi hunters, and its set in one of my favorite fashion decades, the seventies.

 

 

 

 

V Wars (12.5)

I don’t know what to think or feel about this show. I want to like it, but I’m not a fan of the lead character, and TV has messed up too many vampire shows for me to feel at all confident about this one. I have read some of the books this is based on, and I wonder how closely the show will follow them, which chronicles a breakout of vampirism in America, and it will destroy society, unless humanity wipes it out. I’m not a huge fan of the book series, either, mostly because I didn’t like the writing style. I want to like this though, and I’m going to give it a try.

 

 

 

Lincoln (1.10.20)

For some reason, I was really excited about seeing this. I do not normally seek out cop and detective shows, but I like the books this character is based on, and I liked the movie, which starred Denzel Washington. Some things I’m just not attracted to but if it has an interesting twist, has a diverse cast, or an actor I’m especially fond of, I’ll at least try it.

 

 

 

 

The Outsider (1.12.20)

This is another show based on a Stephen King novel, called The Outsider. I liked the book okay, although I don’t think it’s one King’s best. It did keep me intrigued, though. If you haven’t read the book, I’m not going to give away one of the plot details, on which the initial mystery is based,  which is classic  King, however. Also, if you are a fan of Holly, from the Finders Keepers series, she is one of the major characters in the book, which almost counts as a standalone adventure for her.

 

 

 

The Neighbor (12.31)

Okay, this looks and sounds almost exactly like the plot of the 80s show, Greatest American Hero, which starred William Katt, in which an alien crashes to Earth, and gives  special artifact to some nobody who happened to be close to the crash, which gives him superpowers, which he then has to navigate without any instructions. I’m not especially excited about it, but the trailer looks really cute, and its on Netflix, so it will be easy to check it out.

 

 

 

A Christmas Carol (12.19)

Every couple of years someone has to make a new version of Dicken’s classic Christmas story, and quite frankly, even  I’m not immune to a sappy, holiday story about the redemption of an asshole. I used to read this book every year, and I’ve missed a few, so its probably time to break it out of the mothballs in my closet, and read it again.

 

October Viewing List

Raising Dion

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I binge-watched this entire series last weekend. While it wasn’t entirely what I expected, it wasn’t bad, and I will be back for a second season. It was a pleasant series, not as intense as I thought it would be, pretty fun in a lot of places, with the occasional thrill of tension  in others.

I did go into this with some assumptions based on the trailers. I thought it was going to be a straight superhero origin story, but it turned out to be as much about Nicole, his mother, as it was about Dion.

Nicole was a  professional dancer, now turned single mom, after the death of her husband , and she and Dion have moved to Atlanta. Nicole is one of those people whose life always  seems to  careen from one disaster to another, and when Dion develops superpowers, that just complicates her ability to find and keep a job. When we first meet them, she is still job searching, with the help of her older sister, and she still has not yet told Dion that his father is dead, and won’t be coming home, which is rather heartbreaking. (She eventually gets around to telling him.) Dion’s dad died under mysterious circumstances, and Nicole is still in  mourning, while her sister and her girlfriends do their best to console her.

 

The show mostly turned out to be a mystery, and not the government thriller I thought it would be, as Nicole delves into how her husband died, while he was  working for a Biology corporation. She’s spurred on this journey by Dion’s development of powers, so while trying to figure out how Dion got powers, she is also trying to find out what happened to her husband.

I wasn’t into the plot too tightly, but I did enjoy the secondary characters, like her husband’s best friend, Pat, who starts out  endearingly dorky, and obviously crushing on her, and  great as Dion’s godfather. Later in the series, his story changes, and I wasn’t ready for that ,and I was kinda mad about it. Her sister is one of those likable/unlikable people, who at first, seems super critical, but will totally ride or die for her little sister, which made me like her more. I liked these two characters okay, and Nicole was okay too, although I could have done with a lot less dancing in a couple of the episodes.

The two stand out characters for me though were Dion and Esmeralda. The actor playing Dion is as cute as a button, and Dion is imaginative, and kindhearted, which goes a long way with me. Esmeralda is a gem ,and that actress reallt endeared herself to me. Esmeralda is especially smart and insightful and I was glad to see that the show didn’t focus all her personality into her disability, but it does inform certain aspects of her personality.

Esmeralda uses a chair, and when we first meet her, is around the time that Dion discovers he has powers. He declares that he is a superhero, but Esmeralda reminds him that he isn’t a superhero yet, and has to earn that title. One of the things she says about herself is that she can turn invisible, and this is important, because people’s disregard of her allows her to be especially attentive. Because people don’t pay close attention to her, she is able to pay attention to things other people ignore, as she is the first person to figure out, (outside of his mother), that Dion has powers.

So yeah, I already like the characters, and the show is pleasant enough. There are no world ending stakes involved this season, as the story remains mostly small and personal, which will give the show room to expand, as Dion grows into his abilities.

 

Batwoman

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I can’t say that  enjoyed this episode, but I didn’t hate it either. It was a busy episode and I’m still processing it. Let’s just say there is some real potential in the show, and that there is room for some improvement. It was occasionally cheesy, and yeah, some of the dialogue needs help, but it wasn’t actually a bad show, and I’m gonna stick around for the rest of the season, because the action scenes were top notch and I just like Ruby Rose, the actress who plays Batwoman.

I’ve been a fan of Batwoman/Kate Kane fan since she was re-introduced a few years ago, and Rose just perfectly fits this character. Once again, I was not heavily invested in the plot, and I wasn’t  really feeling many of the side characters either,  except for Kate’s bubbly stepsister, Catherine, who is the daughter of her father’s second wife, and is a medical student. Kate lost her mom and bio-sister in a car accident, when she was a child, and she hates Batman because he was there to save them, but left the scene, and Kate watched them die.

We meet up with her while she is undergoing some Bruce Wayne type training with some sassy Indigenous guy, with long White hair, at the behest of her father who, for reasons of love and safety, is trying to keep her out of his hair, after she got kicked out of military school, for fraternizing with another female, her girlfriend, Sophie.

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She and Sophie are given a choice. They can reject their relationship and stay in school, or they can be expelled. Kate chooses to be expelled, but Sophie chooses to deny the relationship and stay. At first, I  was mad about it, but Sophie is a Black woman, from a modest background, who worked damn hard to get where she is, and while she appears to love Kate, she is not willing to sacrifice her potential career for her, as she may not get another chance in life. As she tells Kate, she doesn’t have the luxury of being able to take a stand, while Kate comes from a wealthy family, who will always take care of her, and I thought that was a nice touch.

So Kate’s dad sends her away for some training, and Sophie stays behind and gets a job with The Crows, Kate’s father’s security agency, something which Kate covets, but her father gives her the runaround about. When Sophie gets kidnapped by a villain called Alice, Kate returns to a Gotham which has been missing Batman for  three years. Kate is desperate to save Sophie, and prove herself to her father, and we get some twists and turns in the plot, and some fairly emotional scenes between Kate and Sophie, and Kate and her dad. I thought all that  was too much too soon, as I don’t feel we had enough of a setup to warrant tearful conversations, yet.

Anyway, there was a lot to unpack, as the show covers a lot of emotional  territory, along with Kate finding the Batcave, and meeting one of her father’s  security consultants, named Luke, who appears to have no actual security skills beyond having a big brain. We get a little bit of backstory, and a subplot about a traitor among The Crows.

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I liked that the show made some real efforts at diversity. There are plenty of poc in the cast, and they all have distinct personalities. There are only two White guys in the cast, Kate’s dad, and  one of the villains, and I find it interesting that shows are doing this thing now where they do cast White men, but only as secondary characters, or villains, the way it was done in Star Trek Discovery. It doesn’t happen all the time, but it happens often enough that I’ve noticed it.

This isn’t my first run in with Kate Kane. I first saw her in a crossover episode with Legends of Tomorrow, a show i still like and occasionally watch, and will be watching this season  because there’s supposed to be another crossover with Arrow, and Supergirl, called Crisis on Infinite Earths.Now, i’m probably one of the few comic book readers who has not read that particular series of books. As I’ve said, I was a Marvel fan at the time of that event, and I could care less what happened in the DCU comic books. I don’t dislike the DCU. All the characters I know are all current, or former, members of the Justice League, Teen Titans, or Legion of Superheroes. Of those characters, the only ones I truly cared about, at the time, were the members of the Justice League.

I will will watch all the shows and some of the movies, though. I’m picky about a lot of pop culture, but  I’m not entirely sure why some things capture my attention, while being indifferent to other things. For example, I didn’t ever give a flying rat’s ass  about Aquaman in the comic books, but I liked the movie version just fine. Well, anyway the big new event this season on the CW is the Crisis on Infinite Earths crossover, with multiple Supermen, which should (and it better) be exciting.

 

 

 

The Dead Don’t Die

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This is an exceedingly odd zombie film, which I had a lot of fun watching. Even though most zombie movies give me anxiety, I watch them anyway, because, its zombies, and there was a little of that tension here, but the movie was more comedy than horror. Its not the kind of comedy seen in Shaun of the Dead, or Evil Dead II. Its more of an intellectual kind of comedy, that doesn’t make you laugh out loud, so much as make you nod, and chuckle,  which is the hallmark of a Jim Jarmusch film, really.

The movie has an all star cast of Bill Murray, Danny Glover, Steve Buscemi, Rosie Perez, Tom Waits, Tilda Swinton, and a bunch of others, and is a very oddball film. it heavily reminded me of the movie Rubber, a movie in which a telekinetic car tire goes on a killing spree, in Southwestern America, and if you have not seen that movie, then you probably should. At the very least it will prepare you for watching any horror  movie directed by Jarmusch.

According to the movie, there is a worldwide zombie outbreak because the earth has been thrown off its axis by fracking, or something, but this isn’t important, and barely mentioned in the film. Ronnie (Murray) and Cliff (Adam Driver), are the Sheriff and deputy of Centerville, a small Midwestern town. The first time anyone notices things have gone off kilter is when Cliff notices that the sun has not set at the correct time, and  the town crankypants, (Buscemi), notices his chickens and cows are missing. When the diner is attacked by two zombies, Ronnie and Cliff investigate, and Cliff reaches the swift conclusion that it was zombies.

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There are long moments of characters standing around, or sitting somewhere, having bland conversations about the situation, the world, or sometimes each other.The town is visited by what Cliff calls hipsters from Cleveland. Cliff takes a liking to one of them, but its all pointless since everyone in the movie gets eaten, even after Cliff warns them to stay inside and not go out at night because of the outbreak.

The humor comes from the laconic acceptance, by  all the characters, that the town has been invaded by zombies, and from the activities of the zombies themselves.  The director has taken the idea of the zombies being attracted to the the things they did in life, and just ran with it, which results in the Chardonnay quote, seen in the trailer. From time to time, one of regular humans will freak out about the situation, which is only meant to offset the calm of the other characters. This movie is the exact opposite, in mood,  of The Walking Dead TV shows. The zombies are given odd quirks of personality. They still eat people, but they also like tennis and coffee. There’s a country song that plays throughout the movie, called The Dead Don’t Die, and I kind of liked it. When Ronnie asks why that song keeps playing on the radio, Cliff explains  that that is the theme song.

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Tom Waits plays the  homeless guy, who lives n the woods, named Hermit Bob, who makes voiceover observations of the events happening in the town, and  whom everyone thinks is crazy.  He’s also the only survivor at the end of the film. I  liked Cliff, who is both pragmatic and intelligent. He occasionally mentions that he’s got a bad feeling, and when Ronnie asks why, he says he read the script, and that things do not end well, which is correct. They don’t. Ronnie is unperturbed by Cliff’s insistence that there is a movie script for their scenario, and that he read it.

Swinton plays the new town mortician who also turns to to be an alien. You could tell she was a strange one, because she  made weird observations, and  carried a samurai sword that she was extremely good at using. She is both delighted and unbothered by the zombie outbreak. Yes, there is a UFO in this movie. From time to time, one of the characters will  forget that they are in a Jim Jarmusch movie,  and behave as if they are actually in a big budget zombie movie instead, and try to do something heroic, but it doesn’t work. The movie ends with the deaths of all the other characters, and  Hermit Bob shaking his head with the  observation that the world is a messed up place.

What I Watched In September

I haven’t been very diligent in my television viewing the past few weeks. These shows are what I was able to get through in September. What with the glut of  genre programming, I’ve gotten a lot pickier about what I watch the past few years. There are some shows, I thought I’d be interested in, but after watching a bit,, I lost interest. There are a few I barely got thirty minutes into, before getting tired of the premise, like The Dark Crystal. This was a show I was initially excited about, but once it came time to sit down and watch it, I just didn’t fee like making the emotional investment, no matter how shallow. Of the shows below, I at least managed to get through an entire episode.

 

Carnival Row

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Well, first  of all, the show is gorgeous, but ultimately, I probably will not finish the show because I got really tired of looking at the lead actress’ face looking all sad. She just glowers through the entire show, and we spend far too much time looking at the same facial expression, sometimes for minutes at a time. You know what would be radical? If she smiled. But I don’t believe that actress knows how to do that, because I have never seen her do it. Ever!

On the other hand , it’s fascinating to watch Legolas be a human detective. He glowers a lot too, but he looks more handsome doing it, and he has the exxcuse of looking at mangled bodies all the time. The show does have some other bothersome shit in it, like the fact that there is one, light skinned, woman of color in the show, and she is a one of the Fae, and a sex worker. There is one Black man in the show, and he is a rich,  aristocratic, Fae, who has decided to woo a regular human/White woman, who is a kind of fairy bigot.

Its’ obvious that the Fae are stand-ins for people of color, and the situation on the show is an echo of our current immigration system. For the record, this show takes place in an alternate universe, where certain things in history didn’t happen, like slavery (I think), and magic works, and multiverse travel is a thing. The Fae in the show are all from a parallel universe, which is at war with  some human looking invaders. They are flooding into the current universe as refugees, along with some type of monster, that’s preying on Fae homeless and streetwalkers, while Detective Legolas is on the case.

There’s also a frustrated romance,  which I wasn’t too interested in, between Legolas and the lead character, but I will tolerate it, I guess, but just wasn’t buying the relationship. The two actors have no chemistry at all, and all their drama was unconvincing, but then I haven’t seen anyone that that particular actress (I think her name is Carla Delevigne) has ever had chemistry with. Maybe she’s just a bad actress? I don’t know. I want to like her ,and she is very pretty, but I’ve never liked her in anything I’ve watched her in. What she does have is intensity, and gravity ,and I wish she would choose the kind of roles that better highlight those qualities.

There are parts of the show which are fascinating, like the worldbuilding. I’ve also been told by a friend of mine, that I trust, that the show does get better as the season moves forward. And let me say it again, the show is absolutely gorgeous, to look at. I want to dislike the show, but I can’t, because I’m a ‘ho for a pretty show. I don;t know. Maybe I will finish it.

 

 

Titans

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I started the first episode of season two, and it took a minute for me to be impressed. The last episode, Raven brought her father, the demon Trigon, to Earth and asked him to resurrect Garth, in exchange for her soul or something. Outside her house, the rest of the team were trying to figure out a way to get inside and save her, and they do manage to get inside, but one by one, they all succumb to the worst part of their egos, and Trigon takes over their bodies, or something, and they turn all black-eyed and evil. Trigon gets defeated by Raven, and she absorbs his powers or something, and that frees the others from his influence. Or something. Honestly, I really don’t care about the plot,  which is pretty pedestrian for these types of shows.

But I am interested in the individual characters, and their  relationships to one another, because I find them fascinating, for different reasons. This is one of the reasons behind my love of ensemble shows and movies. Last season, it was the relationships I saw developing between Garth and Raven, and Dick and Kory, that captured my attention. Donna Troy, also known as Wonder Girl (Wonder Woman’s little sister) was introduced at the tail end of the season, and I like the relationship I see developing between her and Kory/ Both of them are close friends of Dick Grayson, and I  wonder how that works. There’s still never enough Garth, who turned out to be my absolute favorite of last season. I’m still indifferent to Raven, even though I loved her in the comic books.

I’m still not a fan of Hawk and Dove. I just think they are the two least interesting characters in the entire show, and I wish so much time was not devoted to them. On the other hand, I would love to see more of Jason Todd’s bratty Robin, and his conflict with the elder Robin, now Nightwing. Bruce Wayne makes a cameo too, but I don’t know that actor, and I found it difficult to wrap my head around the idea that that was Batman.

I plan to finish up the rest of the season, in time, because there will be lots of nice cameos, including Cyborg, who is now starring in Doom Patrol. New shows air on Thursdays, on the DCEU streaming app.

 

 

American Horror Story 1984

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This season is built on a number of slasher movie tropes, all of which should be instantly familiar to anyone who watches Horror movies. A lot of slasher movies get referenced, like Friday the 13th, Halloween, and Cabin in the Woods. It contains the usual cast of characters that make up such movies, where the basic plot is introducing a group of unlikable people to an environment they can’t escape, and dropping a monster into it. But the show also interposes real life serial killer Richard Ramirez into the plot in a big way.

Brooke is the virginal/ good girl, who meets the slut archetype, named Montana or Monique, or something, in aerobics class, along with the handsome pretty boy, the dumb and angry jock, and the token negro, named, naturally, Ray. Those were the only names I got out of this episode. I will be watching more of this show because it does seem like the season will be fun, and since this is Ryan Murphy, I know that its going to get more and more batshit as the season progresses. It certainly seems like more fun then the rather gloomy last season. Perhaps I will actually remember some names by the third episode.

This group of barely likable/unlikable people (I have decided that I like Brook) decide to become camp counselors for the Summer, to get away from  Richard Ramirez, The Night Stalker, who went on a house invasion/killing spree of  the women in LA at that time, for …Satan. I guess.

The night before they are set to leave, Brooke is actually attacked by him, and survives, although he threatens to get her later. On their way to the camp they hit a traveler on the road, and take the severely injured man to the camp with them. I do have an objection to the addition of Ramirez to the show because I think it glorifies, real life killers, and his deeds, which were truly atrocious. He shot, bludgeoned, and  even macheted his victims. I feel like the show will run into the same problems, with this character, that Netflix did when it showcased Ted Bundy, in a couple of dramatic documentaries. But then that seems to be the risk anytime television references serial killers. There will be a contingent of people who glorify and empathize with the killers.

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Once they get there, the camp owner turns out to be a deeply religious evangelistic woman, who expects them all to abstain from sex. It turns out, like Brooke, she is the survivor of a serial killer massacre, at the camp, when she was a child. Her survival is the reason behind her religious fervor. The guy who killed her camp mates, (named Mr. Jingles), escapes from the asylum, where he was kept, and hheads to the camp too. So you’ve got a head on collision of various killers, an injured stranger, religious extremism, and horny young people.

I know I was a little dubious about watching this because the fashions and music are every bit as annoying as I remember, (even though I generally like 80s Pop culture). However, it was nice to hear Salt N Pepa, or some Whitney Houston, because usually, when White people remember any pop culture after the 70s. they never seem to remember the existence of Black culture, and/or music of that time. I mean how the hell do you forget the existence of Prince? At least I think I heard this music, and if I did, then its a bit anachronistic, since neither one of them produced albums until 1988, and 1985, and I thought the show was only referencing music from 1984.

Anyway, the second episode has already aired, and it looks like fun. I’m not necessarily a fan of serial killer movies, but I have watched my share of them, and I do have at least a couple of favorites, so I’m looking forward to seeing references to them, at some point in the season. Also, I remember studying Ramirez in college. (By studying, I mean that I read a lot of books about serial killers and profiling, because apparently, that’s a phase that a lot of autodidacts go through.)

 

 

Prodigal Son

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Speaking of serial killers, there’s this thing. I’m not exactly sure what to call it, since it wants to be a whole lot of different shows. I want to like this  because  of the vibes I’m getting off the actors, but its hard, because everyone acts like they are all in a different show, and there is an unusual comedy aspect that keeps cropping up at odd moments. The show cannot seem to make up its mind if it wants to be a comedy, a drama, a detective show, or a buddy cop show, but is only doing one of those things well. Guess which one.

The show stars Michael Sheen (Woohoo!!!!) as a serial killer who has been caught and jailed. He has a strong relationship with his son, played by Tom Payne, who looks vaguely familiar (He played Jesus in The Walking Dead. I’m glad to see hie’s still working.) and yeah, he’s kinda cute. The lead character’s family was torn apart when his father was discovered to be a serial killer, after which he decided to study serial killers as an agent of the FBI, while using his father as a resource. The two of them eventually have a falling out (which we don’t get to see in this episode) and he doesn’t see his father for ten years. After being fired from the FBI, for being reckless, he becomes  a New York city detective, and he has to see his father, to solve a case where the killer is copying his father’s crimes.

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Now, I really want to like the show for the characters, but like I said, they all act like they are in different shows. The lead character has a mother and a sister. His mother is essentially useless, as a character who thinks she is in a soap opera, while his sister thinks she’s in a teen dramedy, even though she is not a teenager. The coroner, a cute, and  tiny, older Asian woman, acts like she is in a completely different, yet zanier, comedy, and she is obviously attracted to the lead character. There’s a very young Black woman detective, who is obviously supposed to be a future love interest, and who acts like she is in a police procedural, and Lou Diamond Phillips is also present, but thinks he is in a buddy cop movie.  You know what the show could do to change things up a bit, have a romance develop between the older woman coroner, and the lead character. I happen to like that pairing, and they  actually seem to  have chemistry. It could also tone down some of the comedic aspects too. Michael Sheen should be the only funny person on the show.

This show caught me by surprise. It wasn’t on my list and I caught it by accident. I was  intrigued because of the dynamic of a father who is a serial killer, who intensely loves his son. Michael Sheen is superb in the role of course, appearing to be warm and genial, while giving off just enough off-kilter vibes, to seem menacing. Plus there are  the Hannibal the series vibes I’m getting, as both shows are about the intense relationships that develop between a serial killer, and another man, close to him, whose trying not to get roped into madness. I think I’m gonna stick around for a little bit and see where this goes. I generally don’t watch cop shows, or network broadcast television, but it is Michael Sheen, and Tom Payne is just really, really, cute.

 

 

Treadstone (Preview)

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One of the creators of this show is Tim Kring, and I trust him with this show because he at least has some experience working with an ensemble cast, on a global scale, having been one of the creators on the series, Heroes. This show is based on the Bourne franchise, which is based on the Bourne books, and is about the clandestine organization that created Jason.

In the first episode, we ‘re mostly just meeting the primary characters, three sleeper assassins, called Cicadas in the show, who awaken to their special skills with no knowledge of their former selves. Some White guy in Alaska, another White man, being held hostage by the Russians, and a Korean piano teacher. We also meet a Black woman journalist, who is set on uncovering the  purpose behind Treadstone and the Cicadas, by a Korean defector.

I really enjoyed the action scenes, which are smart and well shot. These are people who know how to shoot acceptable action scenes. The show follows the protocol of the movies, by respecting the female characters, and giving them plenty to do. They are smart, capable, and know how to kick ass as well as any of the men, giving as good as they get. One of the major set pieces of the episode is the Korean piano teacher, duking it out with the Korean defector. It’s not simply a good action scene, it has a story in it, with suspenseful moments. There are a few things that seem farfetched but I’m willing to let those things slide because the Bourne franchise has moments like that too.

I think I’ll stick around for this show, which doesn’t actually air until October 15th, because this was a free preview. It’s not too emotionally heavy, and it has just enough intrigue and action to be interesting.

 

PS: Sunday Night was the final episode for the Preacher series. I’ve been watching this crazy-as-shit show, off and on, for about three seasons, so I’ll be reviewing the finale sometime in October.

It Came Out Of My Pocket

Here’s a short collection of articles I saved in Pocket. There’s definitely a theme to the stuff I collect there, and that’s gonna be reflected here. Now, I usually post things on Fridays, but its that time of year again where I get really, really, tired, very easily, and all I can think about is going to sleep. I call it post-seasonal malaise. (I think doctors call it SAD, or Seasonal Affective Disorder.) Well, anyway, I’m gonna soldier through it (while trying to get more sunlight.)

 

The Clapback Mailbag

If you have not read any of these, you need to get over to The Root and catch up. Michael Harriott is hilarious even on his worse days, but he shines when discussing issues of race. He is the only writer who can make me laugh about racism every time. The Clapback mailbag is posted every Friday.

https://www.theroot.com/the-root-s-clapback-mailbag-with-friends-like-these-1838540363

 

 

The Best Of Hannibal

I actually agreed with the choices in this article. These are some of my favorite episodes, but I would pick more than five though, as there are 39 episodes, in three seasons, to choose from.

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https://bloody-disgusting.com/editorials/3576484/revisiting-five-best-episodes-nbcs-hannibal/

 

 

 

The Greta Thunberg Helpline

The last thing I posted was about Greta Thunberg, the young girl who has White men in a bit of a tizzy. This is the funniest thing I’ve seen regarding the entire issue, which of course, is not remotely funny.

 

 

 

Can Black Women Be Introverts

It appears that I simply enjoy being contrary,  doing and being everything that’s against society’s mainstream rules. I’m a woman in a society that preferences men. I’m fat in a culture that prefers women be thin. I’m Black in a White supremacist culture. I’m an introvert in a society that prizes extroversion. I’m left handed in a society that prizes right handedness. I have hobbies, I’m not supposed to have, I love music I’m not supposed to listen to, I’m a nerd who likes Science Fiction and math, and a geek who likes to draw superheroes.

According to the American society I’m not supposed to be doing any of that stuff.

Well, that’s too bad, because I mean to go on, as I began.

https://www.bese.com/black-women-arent-allowed-to-be-introverted/

 

 

On Octavia Butler 

Butler talked about the overwhelming Whiteness of the Science Fiction genre waaay back in 1980.

Once again, I did things in the most contrary manner possible, as I did not come by my interest in Science fiction and Fantasy through reading the works of Tolkien and Heinlein, like most people did. I found my way into SciFi by way of Stephen King, and the Horror genre, having started that journey with women authors, like Octavia  Butler, and James Tiptree. Since I didn’t get into SciFi by reading White men, I tend to think of these men  differently than a lot of SciFi fans.

https://garage.vice.com/en_us/article/d3ekbm/octavia-butler

 

 

 

Black Time Travelers Fall Short

I would love to see some Black time travel stories where the person truly changes the course of long history, like stopping slavery, or helping some tribe win a war. Its funny, but every time I see Black time travel story, its usually them trying to save  a life, rather than the usual time travel question of who  should be killed, and I wonder if that’s some type of racial thing, because there are a million different ways to change history that do not involve killing someone. And I have never seen stories, at least not the ones written by White people, that ever seek to overturn the truly big events of events of history, beyond the Holocaust. I mean why not stop Christopher Columbus, or disrupt the slave trade?

Here Sherronda Brown talks about how she would love to see time travel stories that destroy the status quo.

http://blackyouthproject.com/i-want-black-time-travelers-to-be-a-threat-to-the-status-quo/

 

Yasuke: The Black Samurai

We’re supposed to be getting a movie about this soon starring Chadwick Bozeman. Ive been fascinated by Samurai since I was a teenager. I will watch any movie that has samurai in it, and I will definitely see this, if it ever gets made. In the meantime, there’s a couple of books on the topic that I’m looking forward to reading.

 

 

There’s already a book on Yasuke’s time in Japan:

 

An interview with the author of African Samurai Tim Lockley:

 

And here’s a short fictional film about a young girl who finds out that she is Yasuke’s great, great grandaughter. I would love to see this done on a larger scale.

 

My 2019 Fall Lineup

Here’s a quick rundown of the shows I’m most interested in for Fall. Some of these are already playing. Some, I’m less excited by the idea of the show, than the potential for it to be good, but of course, I always hope they’re good shows, whether I stick around for them or not.

Playing Now

Carnival Row (Amazon Prime)

I watched a couple of episodes of this, and  just wasn’t feeling it. I felt really distant from the characters, and I think its because of the acting. In a lot of ways this is  a typical historical romance film, but with an overlay of politics, as the different races of The Fae are displaced by violent colonization, to another world (not this one), where they are refugees and immigrants. There’s a lot going on with politics, some heavy enemies to friends romance, some tragic romance, and a police procedural. I’ll get into more details in a later post. I think some elements of the plot are intriguing, and some of it is just exasperating, but at all times, I definitely think it’s a more well thought out world than that Will Smith’s Bright,  which aired on Netflix, and  featured a lot of the same themes.

 

Wu Assassins (Netflix)

I watched a few episodes of this, as well, and I liked the plot, and a couple of the characters. The fight scenes are very well done, but there’s a slight tongue in cheek element to the show that kept pulling me out of the story, because some of it is a little ridiculous, and the writers seem to know that, on some level. Ironically, I would have been more intrigued without any of the supernatural elements. I’m going to watch a few more episodes, and see where it goes, but I’m not especially invested, although its not a bad show, and its nice to see Asian characters headlining TV series. I kept wanting to compare this series to Warrior, which was excellent, and Into the Badlands, which got three seasons, and this show came up wanting, mostly because of the acting.

 

The Dark Crystal (NETFLIX)

I haven’t watched this yet, but I fondly remember the movie from the 80s, and when I finally watch, it I’ll let you know what I think.

 

The Terror: Infamy (AMC)

Okay, I did watch a couple of episodes of this. I know a lot about Japanese history, and Japan  as a society, (basically I have a head full of trivia), but I am not Japanese, and just like the series Warrior, this show throws you right into the deep end, and you have to  understand what’s happening, and try to keep up. Since I’m not Japanese, or an immigrant, I understand what’s going on, on a surface level, while suspecting that there are deeper meanings behind what I’m watching, because there’s a lot of Japanese mythology involved. Is it scary? Yeah, sure, but its mostly scary to me, because I have no clue what the fuck is happening beyond some malignant  spirits,  tormenting people at a Japanese internment camp.

 

Two Sentence Horror (CW)

I watched a couple of episodes of this, and I’m lucky I found it, because there’s no promotion of this show at all. It’s  an anthology series, with each episode focusing on one story, for thirty minutes. I enjoyed the first story I watched, which involved a murderous vlogger, and it was interesting because the vlogger was a Black, female, serial killer, who made makeup products out of her victims. I am going to check out a few more episodes too, because I like the idea of the two sentence story, and it seems to have taken a page from the new Twilight Zone, by casting PoC in unusual roles. The second story I watched was about a Japanese family with an abusive ghost, that ended with me all up in my feels. So far, its not delivering what I expect, and I like that.

 

Cannon Busters (NETFLIX)

I haven’t watched any of this yet, and I’m eager to get started. It’s an anime by a Black team, with a Black cast, which is kind of cool. It heavily reminds me of Afro Samurai, and really looks like fun.

 

 

September

6: Travels with My Father (NETFLIX)

I’m really enjoying Jack Whitehall’s travels with his father. I watched the first two seasons, and really liked the dynamic between Jack, and his rather staid, and conservative, British father, who is annoying, but still manages somehow to still  be hilarious. The first season was Jack trying to get his father to loosen up by visiting some of his favorite places around the world. The second season was about his father giving him the same treatment on the continent. I’m looking forward to their adventures in the new season, when they visit some of the crassest places in America, thanks to Jack’s ideas about what American life is actually like.

 

6: Titans (DC)

I was a little disappointed at the ending of the first season, but I like the trailer for the second season, and it looks like fun because of the addition of Krypto and Superboy!. I’m going to check it out and see what other new cameos show up.

 

10: Mr. Mercedes (AUDIENCE)

I didn’t get into the last season too much, but this is the third season, and its  loosely (kinda) following the events of the second and third books, and its okay. I’m not a stan or anything, but its the kind of show you watch on a lazy Sunday night, when not much else is on TV.

 

18: American Horror Story:1984 (FX)

So, I know I’m going to watch this, although I am not in the mood to relive any of those 80s hair, clothes, and musical numbers. On the other hand, it does feature an 80s style serial killer, and the writers are all batshit, so I expect this to be halfway enjoyable, to the point where I just might stan, and geek out, since I lost interest halfway through the last season.

 

26: Creepshow (Shudder)

I haven’t seen much of this beyond the first trailer. I probably won’t see much of it because I refuse to sign up for yet another app just to watch one show.

October

*4: Raising Dion (NETFLIX)

This one I’m really excited about, as I saw the trailer for it over a year ago, about a young Black boy with superpowers, who is on the run from the government.This trailer really got me in my feels, because it isn’t so much about Dion and his powers, as it is about his mom, and her ability to cope with raising a super, and I like her already, just from the little snippets I’ve seen.

I’m here for it!

 

6: Batwoman (CW)

A lot of people hate this show based on the trailer, but I’m actually intrigued. I first saw Batwoman, cameoing on another show, and I’ve read all the comic books about her. Yes, the dialogue needs some serious help, but I like the actress, and the action scenes look like fun. Kate Kane is not the only gay character in the DCEU, but she is the only one with her own show, so I’ll check it out.

 

10: Supernatural (CW)

I’m looking forward to the fifteenth and final season of this show. I told ya’ll I was in it to the end, and I meant it. The last couple of seasons aren’t as exciting as they used to be, but at least two or three times a season, the show airs a real gem, that reminds  me why I stan. As problematic as this show is, I still love The Winchesters, and I’m sticking with them.

 

11: Charmed (CW)

This is one of the few fantasy shows with women of color as the cast, including an Afro-Latina, and also several lesbian characters of color. Its also not a bad show, either. I didn’t catch all of the last season, but I’m gonna be right there for the first episode of this new one, so I can see what’s what.

 

15: Treadstone (USA)

This is intriguing. Its a show based on the  brainwashed sleeper agent idea behind The Bourne series. Treadstone was the program that created Jason Bourne, and this show is about the aftermath of that third movie, after Jason put a stop to it. I’m gonna check it out, because that world was interesting, and the fight scenes look really good.

 

21: Black Lightning (CW)

When the last season ended the family of Black Lightning was about to go global, to fight some kind of intergalactic menace, and I’m here for it. I am more than a little tired of the Tobias Whale storyline,  and wish they would move away from it. Also I’m deeply intrigued by what’s going on  in the ThunderGrace relationship, and I’m looking forward to some answers.

 

TBD: The Watchmen (HBO)

I no longer have access to HBO, so I probably won’t see this. I’m not especially intrigued  because, while I liked the movie okay, I’m really not much of a fan.  On the other hand, it’s Regina King, and I love her, and watching her play a vigilante is gonna be the shit, and this trailer slaps!

November

12: Disney +/ Available At Launch

So the Disney network starts on the 12th, and I’m looking forward to it for a number of reasons. There will be plenty of content, so I’m getting a good deal on my money, and I’m looking forward to watching several of these movies, like Fantasia, and Bao.

Movies

“101 Dalmatians”
*“A Bug’s Life”
“A Goofy Movie”
“An Extremely Goofy Movie”
“Bambi”
*“Bao”
“Big Hero 6″
“Born in China”
“Cars”
*“Fantasia”
*“Finding Dory”
*“Finding Nemo”
“Free Solo”
“Frozen”
“Fun and Fancy Free”
*“Hercules”
“High School Musical”
“Honey, I Shrunk the Kids”
“Inside Out”
“Iron Man”
“Lady and the Tramp”
“Lilo & Stitch”
“Mary Poppins”
“Mickey, Donald, Goofy: The Three Musketeers”
“Mickey’s Once Upon a Christmas”
*“Moana”
“Monsters University”
“Pirates of the Caribbean: The Curse of the Black Pearl”
*“Pixar Short Films Collection Vol. 1″
“Ratatouille”
“Remember the Titans”
“Rogue One: A Star Wars Story”
“Sleeping Beauty”
“Snow White and the Seven Dwarfs”
“Star Wars: Episode I: The Phantom Menace”
“Star Wars: Episode II: Attack of the Clones”
“Star Wars: Episode III: Revenge of the Sith”
“Star Wars: Episode IV: A New Hope”
“Star Wars: Episode V: The Empire Strikes Back”
“Star Wars: Episode VI: Return of the Jedi”
*“Star Wars: Episode VII: The Force Awakens”
“Star Wars: The Clone Wars”
“Steamboat Willie”
“The Good Dinosaur”
*“The Incredibles”
*“The Little Mermaid”
“The Parent Trap” (1961)
“The Prince & the Pauper” (1990)
“The Princess Diaries”
“The Rocketeer”
“The Sorcerer’s Apprentice” (short)
“The Sword in the Stone”
“The Three Caballeros”
“Thor: The Dark World”
“Toy Story”
“Tron” (1982)
“Up”
“Wall-E”
“Zootopia”

 

The Mandolorian

This looks like so much fun.

 

The World According to Jeff Goldblum

So does this! Also, who doesn’t love Jeff Goldblum.

TBD

The Witcher (Netflix)

I talked about this in an earlier post. I’m not as enthused about it as some people.  Ironically, I’m really not into High Fantasy shows that have elves and orcs and shit,  because of the simplistic messaging and overwhelming Whiteness. Game of Throes only caught my attention because of the addition of Ice Zombies.

 

 

It’s A Black Thang!

I’m not saying that Black people are the only ones who can watch these shows, but this is pop culture that is unapologetically aimed at Black audiences.

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Dolemite Is My Name

Some of us are old enough to have actually watched some of Rudy Ray Moore’s movies, like Dolemite and The Human Tornado, which they don’t show on Tv much anymore ,for…reasons.. Some of my younger readers would have encountered his movies as parodies on MadTV, or Key & Peele. They were often laughably bad in and of themselves but they were groundbreaking because Moore was one of the only Black independent filmmakers of the 70s, and was one of the primary directors in the Blaxploitation era.

The first time I saw a Rudy Ray Moore movie, it was at the Drive-In. I was maybe nine or ten years old, and the movie was The Human Tornado, which I wasn’t supposed to be watching, because I was supposedly asleep in the backseat with my two brothers, and because his movies ARE NOT FOR KIDS!!!! I don’t think I can stress this enough. Well anyway, I watched it and I don’t think my mom ever realized i saw the movie, and I haven’t ever told her. I suspect if I told her this, I’d be subject to this:

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Now couple that information with the return of one of the greatest comedians of the 80s and 90s, Eddie Murphy, who hasn’t been relevant in some time, and this is looking like a comeback role, in a classic film. Actually what it is is the making of Dolemite from Moore’s point of view. There are some other great actor/comedians in this, and even more importantly, this is airing on Netflix in September.

The Black Lady Sketch Show

The Black Lady Sketch Show is now airing on HBO, but you can watch select sketches on YouTube. This is such a great show, and I say that even though I don’t subscribe to HBO anymore. The sketches are soooo funny, and some of them are spot on.

Check out Invisible Spy for example. I’ve always thought that women of color would make exceptional spies, because so few people pay attention to us, especially when we’re doing something stereotypical, like housekeeping! The spy in this sketch is invisible all the time, and thats a commentary on how being fat, and dark skinned, renders a person irrelevant. Even her coworkers don’t know what she actually looks like , even though they’re looking right at her. I got that, as I’m always being compared to some other Black woman that people know, someone they went to school with, a cousin, or somebody’s neighbor.

But one of my favorite sketches is the Ball for Basic Bitches! I’m far too contrary to ever be considered “basic”, I think, but I perfectly understand it, though, and Basic Bitches can be fabulous too, only a lot more quietly, I guess.

Got to Youtube to watch the surreal Dance Biter, which stars my favorite comedian Quinta B, the hilarious Invisible Spy, and a sketch about how obsessed America is with beauty standards, called A Day With No Makeup.

 

 

The Rundown w/ Robin Thiede

Robin Thiede is currently one of the stars of the Black Lady Sketch Show, but if you want to see the kind of work that led up to her starring in the above show, then The Rundown is where you need to see it.

The Rundown aired on BET, and showcased different comedians, although Robin was the star. I never watched the show itself, and only just saw a few episodes because they were recommended after I viewed TBLSS, and frankly, I’m impressed. This first sketch is based on the show Stranger Things, and the character of Eleven, and is what I like to call , uncomfortably hilarious, a style that Key and Peele often specialized in.

My favorite though is this video for the Weak Black Woman, because not everybody can be woke and strong, Some of us are too tired from working on those spreadsheets for the Stevenson account, I guess. Not quite as pointed as the Basic Bitch Ball, but close enough. And the second is a parody of the series Stranger Things, that I laughed waaay too hard at.

Missy Elliott and Lizzo

I’m a huge Missy fan, and have been since that first song. Now I have a new heroine, Lizzo, who is fat, Black, and absolutely, unapologetic ally, who she is, here she teams up with Missy Elliot, and Megan The Stallion, to celebrate some more “Hot Girl Summer”. I wasn’t outraged by the dancing but I was bothered at the idea of these ladies wandering around a public parking lot, at night, in bikini wear. Well, theyre wearing fur ,so I know they won’t get cold, but apparently that was a bridge too far. (See what I mean about me being sort of Basic?)

News After San Diego

Last week was the 50th San Diego Comic Con, and we got  some exciting news and trailers from it. Well, exciting for me, at any rate.

Let’s start with the trailers for forthcoming movies and shows:

Top Gun

I am not a Top Gun fan, because I’m just not into military films, as a rule, but I know some of you guys are really into this stuff, so here’s the new trailer  for it. Its funny but I’ve seen all of Tom Cruise’s movies, but would not call myself a fan of his. He just just keeps starring in things that interest me, like spy movies. Perhaps the word I would prefer to use is “tolerate”.

 

 

Creepshow

I just watched these movies back to back a few weekends ago, and they’re still pretty effective.  The original films were an odd mix of horror and humor, and I hope this new show can hold up to the same standards.

 

 

Picard

After the success of Star trek Discovery, I am cautiously excited about this show. I really like Jean Luc Picard as a character, and I really like the idea of him having more adventures after his retirement, and it looks gorgeous. Buuuuut…. I’m still not as enthusiastic about it, as I think I should be, and I wonder if I have Star Trek fatigue. Nevertheless, I’m gonna check this out.

 

 

The Witcher

Not sure how I feel about this show. I’m not a gamer, and only know about this show, and this world, from reading books about the artwork. I keep having to suppress laughter at Henry Caville’s wig, which is very distracting, and  I don’t know why. On the other hand, this trailer looks fucking awesome!

 

 

Watchmen

This is another trailer that looks really  interesting, but I’m not a huge fan of the movie, beyond thinking it looked pretty, nor am I a fan of the philosophies espoused in it, and I’m not sure I want to watch an entire season of something this intense. I can think of a whole bunch of reasons not to watch this, in fact, but I probably will watch it, because I love Regina King , and I’ve never seen her is this type of role before. We keep asking for these types of roles with Black women, and then don’t support them, so I’m definitely gonna be there, but I’m afraid  I may not actually enjoy it.

 

Preacher

I missed the last season  of this show, but I can see by the trailer, that its as zany as it ever was.

 

 

Star Trek Short Treks

I may have to subscribe to CBS All Access again because they are making more of these little one offs, that look really good. I enjoyed the last three or four they made, which occurred between the season’s for Discovery, and were basically back stories for some of the characters we met last season, or some established characters, and one of them presented an interesting mystery for the future, that had bearing on the end of the last season! So I am looking forward to what I’m going to see here. It looks like fun, and I really did enjoy this version of  Spock, btw.

 

Batwoman

I’m really excited about this show, but only because I saw the a couple of The Legends of Tomorrow episodes which featured this actress. Yes, the dialogue is atrocious, but then the same thing was said about Titans, and I liked it okay. This trailer has been horribly panned by well…the usual suspects really, but I’m past caring whether or not they think something is bad or good, based on whether or not there’s women in it.

I gotta say, that while the MCU may be tearing it up on the big screen, the DCEU is killing it on the small one, ,as far as diversity, and inclusion, with plenty of characters of color (that they don’t always get right, but at least they’re trying, which is more than I can say for the MCU), but also plenty of openly gay and lesbian characters, (of which the MCU has but none), who are not all White people. The DCEU really does need to  work on the  dialogue though.

 

 

Snowpiercer

I watched the original move, and while I got the message behind it, it was still so incredibly depressing that it didn’t even make my favorites list for the year of its release. The trailer looks fascinating, but I don’t know if I want to visit this horrible little world on a regular basis. W’ell see how I feel bout it after its air date.

 

 

Wu Assassins

This looks like pure, campy, martial arts fun! It heavily reminds me of last Power Rangers movie.

 

************

And the big news is the upcoming slate of movies and shows from phase 4 of The MCU, including Black Panther 2, Captain Marvel 2, The Eternals, Guardians of the Galaxy 3, and Blade, and The X-Men!

Now, its been said that the new Blade movie is a reboot, and will star Maharsala Ali who has been wanting to play Blade for a while, and people are very excited abut this, (including me).

Its also been stated that Blade, like Deadpool, and Venom, which are not actually a part of the MCU in the same way as Doctor Strange, and Spiderman, will be a standalone franchise, like the other two, or maybe part of phase 5, or a TV show, or well…its not exactly clear. On the other hand, Blade may actually be part of the MCU, and there might possibly be a crossover with Dr. Strange, as in the comic books, there is a crossover between Strange, Morbius, and Blade. There will definitely be a Morbius movie though, so I’m hopeful that is the plan for these movies.

I love, love, love, the Blade movies, and have watched all the other versions, but remain unimpressed by those. A lot of people forget that there was a  live action television show, and a cartoon, as well, and Wesley Snipes recently did a brief cameo on the hit TV series, What We Do In The Shadows.

Mahershala Ali is the only Muslim actor to receive an Oscar, for his role as the drug dealing Juan in the movie Moonlight, so I am really looking forward to seeing him in this new version. If you want to see what he’d be most like as Blade, then check out his character in Battle Angel Alita, which looks like he’s auditioning for the role.

 

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More news from the CON is that Natalie Portman will be starring in the new Thor movie, which will be directed by Taika Waititi, and its rumored that she will play the new Thor, like the character from the comics. Creators have clearly stated that Tessa Thompson’s Valkyrie is the only openly gay character in the MCU, and its possible (at least we hope it is, since Waititi is both the writer and Director) that we will see her get a Queen in the new movie. (This is after Thor has handed over his Kingship to her at the end of Endgame.)

 

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Ava Duvernay is making The Eternals, which will racebend the  white, male, character of Makkari,  to  a deaf Black woman. Lauren Ridloff you may remember from her stint on last season’s The Walking Dead. I’m good with this becasue I just really like this actress.

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There’s also news about the MCU: Shang Chi, about a brilliant martial artist, which has found its lead character actor, and his villainous opponent, The Mandarin, who will be played by Tony Leung, who has starred in Hero and The Grandmaster:

 

And for the rest:

 

 

Also, one more movie I’m really excited about, because I just love this idea of time traveling to save loved ones, and its an opportunity to showcase, yet another, little Black girl in a Thriller, is this little gem, called Don’t Let Go! I thought at first it was going to be a ghost movie, but it turns out to be a little more in depth than that, and I’m here for it..

 

 

 

 

 

Yep! I Saw It On YouTube

I’ve kept my posting light this week, because its too hot to concentrate on stuff, and I’d been prepping to do some cooking and grilling for the fam this week. Mom and I have got this thing down, where she does the prep work and I do the grilling and checking.

So here are a bunch of videos that gave me a happy this week, and one that didn’t!

 

The Mighty Grand Piton

I can’t wait to see what this is about! Do you know how many Giant Robo cartoons there are out there featuring little Black girls, set in the Caribbean?

That’s right! None! Plus I just like saying the name Mighty Grand Piton!

So right now, I think this show is only in the pilot or planning stages.

https://www.thelineanimation.com/work/the-mighty-grand-piton

 

 

Eugene Lee Yang (From Youtube’s The Try Guys):Coming Out 

Last week, Eugene Yang came out. I mean we all sorta guessed, but its my understanding that coming out isn’t about our feelings, its about the feeling of the person doing the outing. So this was his big public coming out, and he had some things he wanted to get off his chest about that, so he directed and produced this video, and its just beautiful.

In the following video, he talks about the process of choreographing and designing it.

 

Look Behind You

I’m not gonna say this made me happy, but it was deliciously scary, and I highly recommend Brian Coldrick’s book, on which these images are based. Its called Behind You, and is a great Halloween gift, if you’re into that sort of thing.

 

 

Doctor Sleep

Doctor Sleep is based on the Stephen King book, of course, and is a sequel to The Shining. Here Danny Torrance, (ewan McGregor) is all grown up, but is still trying to master his psychic visions, while working in a nursing home. He gets  drawn into a psychic battle between a little girl named Abra, and a group of psychic vampires called The True Knot.

I did enjoy the book on this, although I wouldn’t classify it as one of my favorite King novels. The movie looks promising, and the director looks as if he’s taken some care with the adaptation, but I don’t know if I’ll be seeing it in the theater.

 

 

Itsy Bitsy

See, its movies like this that give spiders a bad name. Its just straight up spider bigotry is what it is (said by someone with who does not have even a healthy amount of arachnophobia.)

 

 

Carnival Row

I love the visuals in this, and I will probably watch it. I know nothing about this except its airing on Amazon Prime, sometime this year. I love “Urban” Urban Fantasy, and this looks gorgeous, and intriguing, and, as far as I know, is an original story, starring Carla Delevingne, and Orlando Bloom ( who is looking gritty and unrecognizable). Its a serial killer/detective story, with mythological creatures immigrating to America, to escape some type of war, and looks like its set in the early 20th century.

 

 

Undone

Amazon is getting all interesting and shit this year. I don’t know if the same guys are behind this TV series, but it heavily reminds me of A Scanner Darkly, which was an animated movie about philosophy, which starred Keanu Reeves, and looked a lot like this. Here, Rosa Salazar, from Battle Angel Alita, experiences  some trippy, “timey-wimey”, visions, after a car accident. I will defintiely check out the first episode but I wont guarantee I’ll keep watching it. When TV shows start to get too trippy, , like Legion, I have a hard time mentally processing them.

 

 

Ready or Not

For some reason, I’ve already fallen in love with this movie. The idea that you need to audition to get married into this family, by surviving them trying to kill you, is hilarious. It also has a Cabin in the Woods type feel, in that I think the family members are on a schedule, where they have to kill you, or something really bad happens to them. Also, I just find the idea of killer brides, to be deeply funny.

 

 

Knives Out

This movie has the same flavor as Ready or Not, but with the feel of an Agatha Christie novel, starring all my favorite actors. I once mentioned to a friend of mine that  all horror movies could be boiled down to the plot of Ten Little Indians, which is basically, put a bunch of people in a space they can’t escape from, and start killing them. This looks more like a traditional whodunnit, with humor added, and check out Chris Evans being an asshole, Post-Captain America!

 

 

Jacob’s Ladder

The original Jacob’s ladder ttotally freaked me out, but only because of its novelty. I dont think you can reproduce that feeling here for people who saw the first movie, but the idea of a Black version of it never occurred to me. I guess this is the age of Balck people as the stars of horror movies now, thanks to Jordan Peele. Everyone wants to try to capture that magic of seeing us in new and different roles, and not all of these movies are going to be successful. This doesn’t look as scary as the original. but it does look intriguing. Incidentally, there is a whole thing where movies starring White casts, got remade with all Black casts, so this isn’t a new thing.

The movie does have two things going for it: Michael Ealy, and Nichole Beharrie, who both come with their own, but different, built in, fanbases.

 

Nope!

Charlie’s Angels 

I’m so disappointed I’m not even gonna subject you to this trailer. If you wanna see it, you’re gonna have to punish yourself. I really did expect better.

Instead, why don’t we do a refreshing throwback to some  90s, R&B, with one of my favorite videos from TLC:

Mini Reviews: Swamp Thing; Good Omens; NOS4A2; and “Ma”

Swamp Thing

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I read these comic books like they were religious texts, way back in the eighties, when they were being drawn by Stephen Bissette and John Totleben, when it was called Saga of the Swamp Thing. The books existed before these two artists worked on them (since 1972) but I only read a few of them, sporadically. I had a general idea of the history of the character when I started reading the books, and from the beginning, Swamp Thing has always been heavily based on body horror, with occasional excursions into mystery, dream logic, humor, and  psychedelia, especially during Alan Moore’s run in the mid-80s.

The original story is a scientist, Alec Holland, working on a sort of bio-restorative formula involving plants, for  Arcane Industries. The CEO’s niece is Abigail Arcane, and she develops a relationship with Alec after he becomes the Swamp Thing, which occurs after he falls into the swamp during a murder attempt. Alec spends most of his early years trying to find a cure for what happened to him, and running from the Arcane corporation. Arcane himself is eventually killed, after turning himself into a hybrid insect like creature, in an attempt to reproduce the Swamp Thing effect.

I started reading the books in earnest when Alan Moore started writing the story and his approach changed the entire plot and nature of the story. He crafted a story that was beautiful, majestic, and terrifying in brand new ways. If you’re going to read any of the Swamp Thing books, start a few issues before Moore’s run, (when Len Wein was the writer) so you can get an idea of what the main character was like before that big change. Alan Moore’s run starts with the story The Anatomy Lesson.

That said, the TV show contains little of these qualities. It moves too fast and paradoxically moves too slow, in that we keep waiting for events to happen on screen. Why? Because these are some of the least interesting characters in a TV show. Abby is an earnest, but essentially boring young woman, and a lot of it has to do with the actress who was chosen, I suspect, more for her looks, than any kind of gravity she may have as an actress. The man playing Alec Holland is both unlikable and boring. There a a handful of exciting moments when the plant life in the movie gets a bit rambunctious, and attacks everybody, but those moments are not scary. There is a little bit of the body horror element from the comic books. Why the plant life in the swamp is acting a fool, I don’t know. I must have missed the explanation when I tuned out for a moment.

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I simply could not get into these characters, which is important if I expect to care about a show. I didn’t care about either of these people. I realized this when Abby experiences some pointless drama in the form of a mother figure who hates her for accidentally killing her other daughter, and makes a scene at a party. I tried to care, but this dramatic moment, this pathos, happens too soon, and I don’t know this character enough to give a flying hot damn who does, or doesn’t, like her in the show. Alec likes her, and the two of them flirt a little bit, but since I didn’t like him, and she doesn’t have enough of a personality, I didn’t buy their budding romance. It doesn’t help that the two of them have all the chemistry, and  romantic passion, of a pair of titmice. Nor did I care when Alec gets killed later in the episode and gets turned into the Swamp Thing. I should have cared. I wanted to care. I didn’t.

I feel like the show’s creators put in too many pointless action scenes that don’t actually help the story, or build Abby and Alec’s relationship, or give them much character. We start the episode off with the plants attacking a boat of strangers in the middle of the swamp. The show immediately gets on my bad side, when the only Black man I’ve seen in the entire episode, gets killed in the first ten minutes of the show, and it serves no purpose other than to introduce us to the plants, the only creatures that have a strong personality. I’m hoping that’s the point, and that its a callback to the most famous Swamp Thing story ever written, The Anatomy Lesson. Alec gets turned into the Swamp Thing at the end. I felt that was too soon, and also  that the show had just been vamping to reach that particular moment, because things happened to these characters, and we’re meant to care, but we haven’t spent enough time with either of  them to care about anything that has happened, or will happen to them,  and we wouldn’t want to spend more time with them anyway, because they are  boring. There’s just no spark to these people at all.

I cannot recommend this show. I’m going to persevere  because there’s the possibility of improvement, and the rest of the season may have better tone and pacing than the premiere. The show has since been canceled, so I have all the time in the world to  get around to watching these episodes. I don’t think it was canceled because it was bad. There was some kind of internal fight going on between the creators, the networks, and the producers.

 

+

Good Omens

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This is the total opposite of Swamp Thing. It helps that I’m a fan of David Tennant, who always plays somewhat the same character in everything, but since he’s so charming, and funny, he can get away with it. I even like Michael Sheen, although I’m not as familiar with his career as I am with Tennant’s. The two of them star as an angel and a demon who are trying to prevent the apocalypse because they love living on Earth.

The show is heavily based in Christian mythology, but you don’t need to know all of that to like the show, since a lot of things get explained to you, even as you get thrown in the deep end. There’s a lot of information that gets thrown at you, in voiceovers, and characters speaking their thoughts, but it never feels overwhelming, because the imagery is so much fun. This show doesn’t take any of itself seriously.

Keep in mind that although I’m familiar with the book, I haven’t ever read it. I’m a Neil Gaiman fan, and I’ve read a little bit of Terry Pratchett, and I can’t think  of two more interesting people to write a biblical mythology story together. I like to think of this as a love letter to Christian mythology, sort of like the biblical version of Galaxy Quest. None of this story is done from a place of hate or disrespect. Its an irreverent show, naturally, but its not mean-spirited.

The two celestial entities were both responsible for trying to bring about the End Times, but end up botching the whole thing by losing track of where they put the Anti-Christ. The two celestial entities eventually find the Anti-Christ a week before the apocalypse is set to begin, having been working with the wrong boy who was suspected to be the Anti-Christ, but wasn’t. Just the whole lead up to the two of them losing the Lucifer’s son is hilarious, involving various dim witted and jealous demons, a sect of Satanic nuns, and the pregnant wife of some nobody from a small town in England.

God is portrayed by a woman (Frances McDormand), Adam and Eve is played by a Black couple, and Benedict Cumberbatch is Satan, (but we already knew that). I loved all the colorblind casting going on in the show. The demons are played by every race of humanity, including an Asian woman, and a Black man with a tiny lizard living on top of his head. I’m still unsure if the lizard is the demon controlling the man, or if he is just wearing the lizard for decoration. We get the Four Horseman of the Apocalypse on motorcycles, some of which are women, and the gateways to Heaven and Hell are the escalators in  the local mall. I love the dialogue, and the acting here. The show is just fun to listen to, and watch, and its utterly ridiculous.

But the highlight of the show is the relationship between the demon and the angel. The two of them are meant to work together to bring about the end of the world, and have known each other for centuries, having developed a great deal of affection for one another. Neil Gaiman himself says that its a Romance. Since both of them are asexual beings, they have to express their love and affection for one another in different ways, and they often do. The actors have such great chemistry and its a joy to watch them interact.

I have not finished watching all the episodes, but I don’t think you need me to say that as wild as that first episode was it just gets zanier. Good Omens airs on Amazon Prime.

 

NOS4A2

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Yeah, I was gonna write this long thing about how I loved the book, but was disappointed in this show, but Imma be frank. I fell asleep on it. Zachary Quinto is his usual creepy, yet excellent self, but the lead actress is bOOOOOring! And it is definitely the actress. On the other hand, the show looks great!

NOS4A2 is written, not by Stephen King, although I can see where people might get that idea.  It was  written by his son, Joe Hill, who I’m a big fan of. Charlie is a young lady with the ability to find any object. She discovers this power by riding her bicycle through a magical covered bridge. This draws the attention of a vampire like creature named Charlie Manx, who for decades has been abducting children, and feeding on their innocence, which  turns the child into  a cannibalistic vampire-like creature not unlike himself. All of these feral children live in what Manx calls Christmasland, a perpetually wintry land decorated like Christmas.

Now, I do like to give shows the benefit of the doubt, when the premiere does not inspire enthusiasm, and give the rest of the season a cursory glance at least, but I really don’t want  to sit through that actresses’ lackluster acting for the rest of the season. There’s also the possibility that the show is just too complicated to be written for TV. So, here’s what I’m gonna do. I’m gonna try again, and see if it gets any better, because I want to like the show as much as I liked the book.

*

I have watched a couple more episodes of the series, and I’m starting to actually like it. The acting is better, I like the lead actress more than I did in the pilot, there isn’t any less of the family drama that I cared so little about in the pilot, but I understand a little more of the family dynamics in the show, and the villain is suitably creepy. Zachary Quinto is his usual elegant self. I could really do without the Magical Negro though.

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https://en.wikipedia.org/wiki/Magical_Negro

The Magical Negro is a trope created by white people: the character is typically, but not always, “in some way outwardly or inwardly disabled, either by discrimination, disability or social constraint”. The Negro is often a janitor or prisoner.[7] The character often has no past but simply appears one day to help the white protagonist.[8][9]He or she usually has some sort of magical power, “rather vaguely defined but not the sort of thing one typically encounters.”[8] The character is patient and wise, often dispensing various words of wisdom, and is “closer to the earth”.[6] The character will also do almost anything, including sacrificing him or herself, to save the white protagonist, 

This character definitely fits that trope. We know nothing about her personally, and she shows up right when the lead character needs her,  so she can talk her into fighting the villain, which she knows all about, but seems unable to fight herself.  This actually is a character from the book, although I don’t remember that she was a Black woman. I wouldn’t be surprised because Stephen King has always had this problem of adding Magical Black people to his stories, and Joe seems set to follow his father in that regard. It ‘s also very distracting that she looks like one of my favorite YouTube,  makeup tutorial, personalities, and that’s all I can think about when I see her.

In one of the season previews there’s a scene of that character, being beaten up, and I’m not here for that, because I’m just fucking tired of watching Black pain on TV right right now, no matter how necessary the writers think it is. On the other hand, I suppose I should be grateful that at least her story doesn’t involve police brutality.

I don’t know that I want to watch the rest of the season. The show has gotten better, since that first episode, but my enthusiasm still isn’t up there yet.

 

 

Ma

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I had no plans to go see this movie. It wasn’t even on my radar, but my Mom managed to talk me into watching this with her after I abruptly lost interest in watching Godzilla. I’m a Godzilla fan, but I was just too tired to sit through two hours of Kaiju fighting. I thought Ma would be a bit more relaxing, in the excitement department, and it kind of was, but it was also kind of emotionally wrenching. Ma is a very sad movie. There’s also a few moments of graphic violence, and one full frontal scene of Luke Evans, but I can guarantee you will not enjoy it.

Octavia Spencer plays a woman named Sue Ann, who works at a veterinary clinic, in a Podunk little town, that people desperately want to escape from. She is a lonely, and put upon woman, and one of the few Black people who live in the town. The movie doesn’t have an obvious racial message, but as I’ve said before, there is a racial component, simply because they cast  Octavia, rather than the White actress the role was written for. So, because Tate Taylor cast a Black actress, there’s an element of racism in how she is treated by all these White people in the story, and there is a tiny bit of awareness of this when Sue Anne attacks the only Black man in the movie by slathering his face with white paint. She is condemning his “go along, to get along”, attitude with his White friends, by  whitewashing him. I think that particular moment was added by Spencer, because it is so specifically a Black condemnation. In the Black community, one of the worst insults you can give someone is to say they’re a “Wannabe White”, or that they are “acting White”, and that is her way of showing contempt for him.

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Sixteen year old  Maggie is moving back to the little town with her mother, Erica, played by Juliette Lewis, after her parents divorce. Luke Evans plays the town’s local hottie, Ben Hawkins, who all the girls lusted after back in high school, and who owns a small fleet of vans for his small security company. They all have children, and Sue Ann runs into them while they are trying to buy beer at the market. She get them the beer, but the makes them promise to only drink at her house. After a while, all the local teens are partying at Sue Anne’s house, and Sue Anne is getting to experience what its like to be liked and popular in a way she didn’t get in high school. The original teenagers, sensing her neediness, start trying to avoid her, which pisses her off. driving.

This is one of those little towns where everyone grew up together, and everybody knows everyone, because they all went to the same school.  A lot of what happens in the movie arises out of events that happened when Erica, Ben, and Sue Ann were kids. Sue Ann and Erica were supposedly friends, and both of them had crushes on Ben. Ben thought nothing of Sue Ann, who became emotionally disturbed after he orchestrated her sexual humiliation in front of the whole school. Sue Ann has a host of issues, and yes, she is mean, and she is a killer, and while her  long standing need for revenge against Luke, and the others,  is completely out of proportion,  you get why.

You’ll probably hear a lot about how insane this movie was and there are elements of crazy in the movie, but its really not all that wild. Its been advertised as a Horror/serial killer type of movie, and while  there are some horrible elements, its mostly a Thriller, a campy movie with moments of uncomfortable laughter, because a couple of the characters are a little over the top in their performances, and there’s just a tiny hint of subversive humor. This movie doesn’t take itself completely seriously.

I have to take a moment to  scream about the performances. Octavia Spencer tears it up wonderfully. You can tell she was having sooo much fun making this, but just manages to miss chewing the scenery. Its a fine line, which she just manages to skirt. Her performance is phenomenal, and scary, and surprisingly sympathetic. There’s one scene where she is in a rage, sitting in her car, and some teens drive past and throw a can of beer at her, and she breaks down and cries. She has been mistreated by lots of people up to that moment, but apparently that was just one time too many, and she just loses it. She very cold-bloodedly kills at least three people in this movie.

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It’s rare to see a movie villain in a vulnerable moment, though, and its not until a little later that you understand why she’s like that. Sue Ann is a sad, angry, little woman, desperately seeking the love and attention she was denied as a teenager, and after you see her back story, you have some idea why the town folk treat her the way they do. She just wanted what any ordinary teenager wanted, which was to be the  popular girl, and get the popular guy, and that guy betrayed her trust. By hosting the teen’s parties at her home, she gets to relive her teenage years, the way they should have been, and she gets addicted to that.

Make no mistake, she is a villain and what she is doing is absolutely wrong, but like Eric Killmonger, you feel for her, and her story resonates with you, although you can’t agree with any of her tactics. Now, this is what I mean about what happens when you change a single component of the story. You end up with some deeper moments than you thought you would, because in the hands of a White actress, this would have become your run of the mill, crazy, killer woman story, but changing the race of the lead character only, adds an uncomfortable racial component, that wouldn’t otherwise be there. This same thing happened with the movie Alien, whose principal role was written for a man. At the last moment they cast Sigourney Weaver, and inadvertently made her a Feminist icon in doing so, without being an overtly Feminist film. Ma isn’t in that league, but it is a more interesting movie than it would have been, because of Octavia’s casting.

The second best actress in the movie is Juliette Lewis as Erica. I really feel that Lewis is one of the finest actresses in Hollywood, but because of the kinds of characters she plays, she really doesn’t get enough love and/or recognition. She is one of the few White actresses I stan, but because she always seems to play working class, and poor women, people tend to equate her with her characters, and think of her as not being especially bright. I would love to see a movie with just her and Spencer,, because together, the two of them are awesome.

Here, Lewis plays a newly single Mom, who is feeling some amount of guilt for leaving Maggie’s father, and moving them back to her home town, which  she was so desperate to leave. There’s an element of shame in her return, as well. None of these things are explicitly stated. Its all in her performance, and her interaction with the other characters, and their thinly veiled contempt of her. There’s also a certain amount of guilt in her seeing Sue Ann again. You can see the tension between the two of them, when Sue Ann visits Erica at home, and Erica acts relieved, as if she’s glad Sue Anne doesn’t hold a grudge against her. Erica never came to her aid, or did anything to help, after Sue Anne’s humiliation.

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Later in the movie, Erica drops the civility mask  between her and Maggie, who she has been coddling since the divorce, even though you can sometimes see her disapproval  at Maggie’s decisions. She puts her foot down, and gets her daughter in line, to try to save her life, and my Mom loved the moment she stopped trying to be Maggie’s friend. One of the rawest moments in the movie is when Sue Ann is threatening Maggie, and Erica pleads for Sue Ann’e  forgiveness, in an attempt to save her daughter’s life. Lewis really sells it, and you feel for both these women, who still feel as if they’re paying for mistakes they made decades ago, but nobody will allow them to forget.

I’m still not sure how how I feel about this movie two weeks later. I should say I liked it. I can’t say that. I didn’t hate it though, and its not a bad movie, and the performances make it worth watching.

Sitcoms Have Always Been Political

 

This essay was inspired by a conversation on Tumblr, where an anonymous poster opined that sitcoms were too political these days, and that he wanted to watch them without politics.  I found this declaration to be not just deeply funny, but  disgracefully ignorant of the history of sitcoms. There are plenty of sitcoms that have existed, and air today, that have no political message to them, but many sitcoms have always had political components, and social messages and comedy have always been good bedfellows, from Saturday Night Live, to In Living Color, to Key & Peele.

There are those shows where not every episode deals with social issues, but plenty of sitcoms addressed specific issues during their run, and some of them were political, not because they discussed social issues, but because their very existence was a political act.

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The most famous political sitcom, that didn’t appear to be about politics, also had a somewhat disingenuous title.  All In The Family aired from 1971 to 1979. It starred Carrol O’ Connor, as Archie Bunker, a close-minded and racist bigot who liked to wax nostalgic about the good ol’ days, with his sweet tempered wife Edith, his more emotionally evolved daughter, Gloria, and her counterculture husband, Michael Stivic, who often butted heads with Archie’s ignorance.

While the show didn’t appear to be a political or social justice show, it managed to  disseminate a lot of social concepts through Michael and Gloria’s arguments with Archie. Archie gave voice to a lot of the status quo bigotry of the time, and Gloria and Michael’s job on the show was to refute his ignorant statements about gays, blacks, and women.  The show often put Archie in situations with gays, Blacks, and women, that would require him to question his long held beliefs, or realize the falsity of them. Over the course of the series eight year run, Archie slowly begins to change his views on a lot of issues. But this is not a show about redemption. The point was to show how people evolve in their thinking over time, and to provide counter arguments to a lot of the types of discussions that were actually happening in people’s homes at the time. All in the family gave birth to several spinoffs, including the openly feminist show, Maude, which starred Bea Arthur, of Golden Girls fame. Maude discussed every social issue of the time, from homosexuality, to women’s rights, as Maude spent the bulk of the show butting heads with her apathetic husband, and openly bigoted neighbor.

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SOAP aired for three years, from 1977 to 1981, and included in one of its many storylines, the  life of one Jodi Dallas, an openly gay man, played by Billy Crystal. The show was groundbreaking because this was one of the first times a gay character had been prominently featured in a sitcom, where the humor wasn’t centered around making fun of his sexuality. In fact, Jodi’s “gayness” was handled very sensitively. His character was treated with a certain amount of respect by the writers, and while some of the characters disrespected Jodi, the other marginalized character in the show, a butler named Benson, always treated Jodi with respect. The bullying of any of the other characters was always met with disapproval, and Jodi knew how to defend himself, thereby getting the best lines, and often, the last word.

The show Benson was a spinoff starring the butler of SOAP, played by Robert Guillaume. While not, specifically, a Black show, there was no doubt Guillaume was the star of the show, which declared its liberal status by showcasing Guillaume’s great comedic timing, with Bensons’ sarcastic remarks to his clueless employers.

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The Mary Tyler Moore Show came right on the tail end of the first feminist movement,  and the cusp of the second, and aired from 1970 to 1977. Mary Tyler Moore, fresh off her fame on the Dick Van Dyke show, starred as herself, while navigating life as a single working girl in Minneapolis. The show was groundbreaking in showing an unmarried, woman without children, who was focused on her career.  The show tackled such issues as pre-marital sex, homosexuality, women’s working conditions, sexual harassment, and low wages , and did so while being realistically down to earth, and very funny.

It produced two spinoffs, Rhoda, about Mary’s upstairs neighbor, and Lou Grant, Mary’s boss. It also paved the way for other feminist shows about women tackling life in the big city, like Golden Girls, Designing Women, Maude, Laverne and Shirley, and Murphy Brown, all shows that had political components, and tackled many of the same issues that had been discussed on The Mary Tyler Moore Show. Few of the shows relied  on wacky situations for their humor, but on realistic situations, while putting wacky, and irreverent characters together to see how they’d interact. Sitcoms aimed  at and about only women became a staple of the genre, and the creators would take full advantage of that to discuss the pressing issues of the day.

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If The Mary Tyler Moore Show was about a young single girl in the city, Golden Girls looked at the opposite end of the spectrum, with four retired, single senior citizens sharing a house together in Miami. The show  lasted from 1985 to 1992, and tackled such topics as homosexuality, aging, and living and loving as a senior citizen. It won several awards including a number of  Emmys, Golden Globes, and People’s Choice awards. Not every show was about being old, but the show was political just by existing, since it was a rarity at the time to have female senior citizens as stars in their own  shows then.

The list of feminist shows was not limited to White women. There were plenty of shows that had feminist messages which starred women of color. Shows like Living Single, about a group of Black women living single in the city, which was the template for Friends, and the forerunner to Sex and the City, Moesha which starred Pop singer Brandy, A Different World, a spinoff of the Cosby Show, about the eldest daughter’s adventures at a well known HBCU, and even shows for teenage girls, like Disney’s That’s So Raven.  These are shows that would have been considered political without the feminist messages, as they were about Black women’s lived experiences as Black women.

No list of politics in sitcoms would be complete without mentioning  M.A.S.H., based on the 1970 movie of the same name, (about the Vietnam War), the series was set during the Korean War, and understood by both the audience, and its creators, that all of its ideology was about Vietnam, and war in general. The series aired from 1972 to 1983. One of the creators of the series, Alan Alda was an out liberal, and made that clear in his character, Hawkeye, who often disparaged the war, and occasionally spoke on issues of feminism, race, anti-semitism, and religion, and was not above being called out on his own prejudices, like sexism. The show was nominated for over 100 awards during its run, and is still, decades after its final episode, one of the most beloved sitcoms in American television.

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By their very nature, just about any show that has a cast of color will be a show about politics, or contain social messages. Not all of the episodes on the show are political, but sometimes, just showing people of color going about their daily lives, living, loving, laughing, and working, will show that the personal is sometimes the political. For people of color, and other marginalized identities, our very existence can become a social justice issue. Shows like The Cosby Show, Fresh Prince of Bel-Aire, and Living Single, were groundbreaking in the 80s and 90s because of their rarity. How rare? Julia, starring Diahanne Carroll, first aired in 1968, and was notable for having a Black actress, as the lead, in a non-stereotypical role. She played a nurse, who was a single Mom,  two years before The Mary Tyler Moore Show, and like a lot of other shows starring people of color, it was appropriated to be consumed by White audiences, since it was believed that White audiences didn’t want to watch shows with an all PoC cast, even though the popularity of The Jeffersons, a spinoff of The Archie Bunker Show, and The Cosby Show, during the 80s, made that belief to be false.

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In fact, almost all shows which starred PoC as the leads in the cast, tackled social justice issues, at one time or another, and managed to do so, while being fun and funny,  without becoming too heavy handed about it, although they did occasionally get a little preachy. In the 80s, The Jeffersons, which was a spinoff of All In The Family, the theme was  the upward mobility of the Black Middle Class, which was a turnabout on the theme of Black poverty in the shows Good Times and Sanford and Sons, in the 70s, which later evolved into  the working class themes of Whats Happening. All of these set the stage for the comfortable, Middle Class respectability of The Cosby Show. Surprisingly, a lot of these early show were written by a White man, Norman Lear.

The Cosby family didn’t sit around talking about the important issues of the day, but just showed their lives, as the family lived it. They were  fully immersed in Black culture, often discussing books, music, and movies, that were of interest to their Black audience,  thereby giving the White people who watched the show little glimpses into what the ordinary life of a Black family might be like, while dealing with universal issues like navigating the family/work dynamic, and sending the kids to college. In fact, the Cosby Show was a kind of corollary to Roeseanne, which addressed a lot of the same issues, but from the point of view of a working class White family, a viewpoint which is also a rarity in sitcoms.

There are also all the shows that may not seem as if they are political, but because they star people of color, they become political by association with some current issue, such as Brooklyn 99, which has tackled the issue of bisexuality by having one of its lead characters come out on the show, stars a gay Black cop and his White partner, and even addressed police profiling; One Day At A Time, about the life and loves of a Latina single mother, her lesbian daughter, and the daughter’s non-binary love interest; Fresh Of the Boat, which deals with issues in the Asian immigrant community; and Insecure, a callback to the original Julia, about the love life of an awkward Black woman living in the big city. There is Black*ish, Grown*ish, Speechless, Dear White People, She’s Gotta have It, based on Spike Lee’s movie of the same name, and Bob’s Burgers, all shows told from a different viewpoint than the usual.

For someone to complain that sitcoms never used to be political is evidence of a profound lack of knowledge about the history of the genre. Sitcoms have always addressed the politics of the times in which they were created. To be sure there are plenty of sitcoms that have nothing to do with politics, which are quite popular, and there’s nothing wrong with liking them. There’s a sitcom out there for everyone, from the deeply political Veep, to the blatantly silly Archer.

But some of us enjoy the politics, which is why so many of  these sitcoms are incredibly popular.

New And Exciting Trailers (May 23rd)

Terminator: Dark Fate

This movie actually looks very exciting, although I don’t know how it fits in with the rest of the franchise. I think Miles Dyson’s son Danny is in this one, there are several different timelines, of which this is but one of them, and Sarah Connor survived in this one. Remember, she didn’t survive in Terminator 3, and the World War happened in that one. The “terminators” look pretty cool too. I guess we have to keep upgrading in every film.  James Cameron is a complete, whole ass, but the man does know how to make an action movie, and the Terminator films (that he actually worked on), are some of his best work.

It’s nice to see Linda Hamilton kicking ass again, even if she is looking a little worn. Saving the world, time and again, will do that to a person, I guess.. I’ve never  been a really huge Schwarzeneggar fan, although I like him okay. I’m still I’m not greatly impressed by his presence here, (although he has been doing some  superb dramatic work in the last ten years. Check out the movie, Maggie. Its awesome, and he’s great in it.) I have had a huge crush on  Gabriel Luna, ever since Agents of Shield,  and I hope one day we get to see that Ghost Rider movie, with him as the star, although I just heard there will definitely be a TV show, on Hulu,  about Ghost Rider and Damon Hellstrom, starring Luna as The Rider. I like him as a terminator. He’s not as pantsshittingly scary as Robert Patrick, but he’s alright.

 

 

Star Trek: Picard: (CBS)

I’m cautiously excited about this show. I was a big fan of Star Trek: The Next Generation, and I liked Picard, although I thought sometimes that he was a bit of a stick.But I am a big Patrick Stewart fan,and he always brings his Shakespearean A- game to everything he does.

This show takes place in the 18 years after Star Trek Nemesis, after Picard has seemingly retired from Starfleet, and is said to be less action oriented, with more drama. The trailer looks a little melancholy, though. I wonder if it will tackle some of the themes from the movie Logan, and how much diversity there will be, because the new Trek Discovery is tearing it up in that department.

I also like the idea of the individual stories of different characters in Star Trek. I’d watch a show about Worf’s early life, or Data’s life before he joined Starfleet. Picard will be airing on CBS All Access sometime later this year, and I will consider signing up for it again.

 

 

Downton Abbey

My best friend at work is a huge Downton Abbey fan. I’m a fan too, but I don’t know if I wanna watch a two hour movie about it. Anyway, she’s trying to get me to see it at the theater with her, and I’m considering it. She and I rarely get to watch movies together because we have such widely different tastes in what we consider entertaining. I’ve told her  many times that if no one is being horribly killed, eaten, or having their ass thoroughly kicked in the movie, I’m probably not going ot see it in the theater.

But I really do like the show, the trailer is alright, and it’ll be one of the few opportunities for the two of us to hang out at the movies together.

 

 

Crawl

This is the movie my Mom is trying to get us to go see next. I have no objection to watching this in the theater. This is what I call a safe scare, in that its fairly predictable. People gonna do stupid shit, and die, and some of ’em gon’ get ate. Those are the kinds of things that happens\ in giant killer animal movies ,and I’m cool with that. Its a nice, easy, popcorn movie, that’s not too intellectually taxing.

 

 

IT: Chapter II

I have no particular investment in this movie, but I know some of you guys are big fans. I was unimpressed by the book, and the original made for television movie ,and I wasn’t too keen on the first Chapter of this remake, which kind of bored me. But, this is a Stephen King movie, so I hope it does really well. I always hope his movies do well in the theater, because that means we’ll get more Stephen King movies.

 

 

Judy

Wow! I don’t think you guys understand just how much this movie means to so many people. I’ve loved Judy Garland since I was a little girl, when I first saw her in The Wizard of Oz. Over the years, I’ve watched her in a lot of movies (most of them starring Mickey Rooney), with one of my favorites being Easter Parade. 

This is a grand trifecta of “I’m gonna need a box of tissues-itis”, because I love the song Somewhere Over the Rainbow,  I’m a big fan of movie musicals, and ITS RENEE ZELLWEGER AS JUDY- FUCKING-GARLAND!!!

 

 

Batwoman (CW)

Batwoman is probably one of the worst trailers ever released by the CW, but I’m gonna give most people’s opinions on this show the side eye because Youtube says this about every single trailer about any show with a woman at its helm, and comic book fanboys, who have never read any of the books, are known to be complete hysterics. This is the CW. Its not a show aimed at guys (not that they can’t enjoy it) but squarely aimed at the kind of women who watch Supergirl, a show I find deeply annoying.

That said, I’m also giving the trailer the side eye, not just because it is distinctly cringeworthy, (Yeah, it stinks), but  unlike a lot of people, I understand that most trailers are not created by the same people who created the source material, and quite a number of them have been designed to make a person not want to see the film or show. I’m long used to parsing what bits and pieces I can from trailers, to determine whether or not I want to watch a thing, and I’m actually excited about this show. I’ve loved a lot of shows, and movies, that had shitty trailers, so a shitty trailer doesn’t necessarily mean anything to me. This trailer is just the latest thing for people to be outraged about. All I know is that I have every intention of seeing the show and will probably like it. Maybe.

I actually have read the comic books though,  and I really enjoyed them. I got no problem with the feminism angle, as the feminism shown on the CW has always been very White, ham-fisted, and more than a little cringey. For me, this trailer is just more of the same. I also really, really, like that actress, and this show is groundbreaking in ways the MCU has not even tried to be. It is the only superhero show on TV where the title character is gay! There are other gay characters in superhero shows, but none of them are the  leads, so this is a first, and I suspect a lot of people (especially the ones who are unsatisfied with gay representation in the MCU) are going to tune in for the  premiere, just for that reason.

Also this character isn’t new to me. I’ve seen her in Legends of Tomorrow, which is another cheeesy superhero show, that I happen to actually like, and I was impressed by the character.

 

 

His Dark Materials (HBO)

I’ve not been a big fan of the series this is based on,  by Richard Pullman. I can’t say much about it, other than it looks faithful to the movie, The Golden Compass, which came out a few years ago, so if you remember that, then this is a TV series based on that movie, and you may like it. In this universe, people have familiar-like companions that accompany them everywhere and look like different animals. This is HBO hoping to hit it out of the park again, with a follow-up to Game of Thrones. Hopefully, there will be fewer rape scenes, in this show.

I had not the intention of watching this, because I’m really not a fanatic about Fantasy series and movies, although one might get the impression that I was, based on the things I’ve reviewed on this blog. In fact, my taste in Fantasy shows is entirely arbitrary, depending on a number of unexplainable factors. What is more likely to happen is that I’ll skip the first couple of years, pick it up somewhere in its third or fourth year, and then really enjoy it.

But who knows?

 

 

The Dark Crystal

I saw the original movie when I was a kid, and I remember being terrified of the Skeksis, and enchanted by all the other creatures in the movie. If you haven’t watched the original film, please find a way to stream it, or get the DVD. It really should be as much of a classic as Labyrinth. In fact, if you liked Labyrinth, you will probably like this too.

 

 

Border

I started watching this on Hulu, and will probably not finish it any time soon, but I thought I’d mention it here, because its a very odd and beautiful movie, which  heavily reminded me of  Thelma, which I also watched on Hulu. I like odd and melancholy romances, and this one has been classified as one of the weirdest movies of the year.

Let’s Go Waaaay Back

Now and Again (1999-2000)

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I remember this show aired for one magnificent season, waay back in the 90s, before its very abrupt cancellation. I was totally in love with this show and it was my first huge disappointment in standard network TV. This was a little while before Firefly ever happened. At the time we didn’t have the vast internet systems in place to save worthy shows, so while there was a bit of an uproar, the show didn’t have that vast following of teens and twenty year-olds, with social media accounts, because this was before Twitter, Facebook, and Tumblr.

Interestingly enough, the show also has a 100% rating on Rotten Tomatoes, so somebody’s heard of it, and been watching it. I do know that several of the episodes are available on Youtube, so check them out.

The first episode stars John Goodman, as Michael Wiseman (get it?) as a tired businessman, who gets killed on the NY subway one night, leaving behind a wife and daughter, played by Margaret Colin, and Heather Matarazzo. He’s given a brand new bionic body (sort of like Steve Rogers) in the person of Eric Close. He is now an asset of the US government, his handler played by Dennis Haysbert.

The show ended on a cliffhanger, as it was abruptly (and by abrupt, I mean absolutely no fucking warning at all) canceled, after Michael Wiseman had, illegally,  teamed back up with his wife and daughter, and would have been on the run from the US government. Its been twenty years, and I still feel some type of way about getting burned like that. I learned a valuable lesson from that, and to this day, I keep my distance from most of network TV.

I was initially interested in the show solely because of the song from the trailer. A couple of years earlier, Janet Jackson had a hit song, using the same melody that was used in the trailer, and since I loved that song (I played the hell out of that song all year), I loved the show, and I made sure to tune in to watch the opening credits, since I didn’t have a DVR back then. The opening credits are gorgeous and I think the lyrics were specially written for the show.

The best parts of the show are the dialogue, and acting, although the plots were ridiculous. It doesn’t hurt that Eric Close is a fine looking White man, and Haysbert is just icing. Somewhere somebody is shipping these two characters. I just know it! The weakest part of the show are the uneven characterizations of some of the characters, and the occasional weird plot points, that raised more questions than were answered.

I loved the show for the interaction between the characters. Haysbert’s Dr. Morris, and Michael, had the most interesting and volatile relationship, as Morris, the head of the program that created Michael, was alternately threatening and very protective of his subject. He tried desperately to keep a tight rein on Michael, but Michael insisted on interacting with his past friends and family. The Wiseman ladies are the real heart of the show, especially Margaret’s Lisa Wiseman. Colin had to carry a lot of the episodes, sometimes entirely on her own.We spent a lot of time with her, and her relationships with all the other characters is key to the mood of the show.

There’s something about all these shows that aired before Buffy that is incredibly shippable, often consisting of two handsome men, of any race, and usually  opposite  personality types, who got on, either very well together, or not so well, but with great chemistry. The two men usually spent a lot of time together, often living with each other, so that a certain level of intimacy was expected. For some reason this happened in a lot of  the less well known SciFi /Horror type shows, and this show was no exception. At any rate, you cannot convince me that at least some of these shows weren’t trying to have LGBTQ representation, in a kind of low key manner, during an era where Gay and Lesbian characters were  forbidden to be out on mainstream TV.

It was the abrupt cancellation of this show that made me start examining the making of TV shows, and start looking closer at which shows got made, which ones, got renewed, and which ones got popular, and why. I also never fully trusted the Fox network ever again, so by the time that shows like  Firefly and Sleepy Hollow were getting  canceled, I was mostly calm about it, while for other people, this was their first time getting burned by that network.

 

The Others (2000-2000)

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I’ve been looking for this series forever, having only memories of the basic plot. I remember that I liked the show, but I couldn’t remember the names of the characters, or the dates it aired, or even the title. Well, I went on an all out search recently (I really just googled the plot and linked it to IMDB) and finally stumbled across the title.

The Others is about a small group of psychic individuals that get brought together to fight some nebulous evil that eventually takes human form, and approaches them in the form of a red-eyed woman, who confronts them with their worst fears and insecurities.

The group consists of a young girl just coming into her psychic abilities, played by Julianne Nicholson, an older gentlemen, who tries to be her mentor and teacher, as he’s an old hand at interpreting psychic phenomena, played by Bill Cobbs, a handsome standup looking guy, with formidable mental powers of his own, played by Gabriel Macht, Kevin J O’Connor plays the groups resident unstable flake, and a pretty young thing played by Missy Crider, who is the only character whose name I remember, Satori. The group, which most of the time acts as a kind of support group for psychics, is led by John “Neelix” Billingsley, who, I don’t believe, had any mental powers, at all.

I clearly remember liking this show, and I was fortunate enough to find all the episodes on Youtube. The show only aired in the year 2000,  lasted for 13 episodes, and then it was quickly forgotten.

*Sigh* I seem to remember a lot of forgotten shows.

 

Wild Wild West (1965-1969)

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The Wild Wild West is another show that originally aired before I was born, from 1965 to 1969, but that didn’t stop me from watching the re-runs of the show when it aired on weekend afternoons during the 70’s. I told you about how I used to watch Westerns with my Mom, like Bonanza. This wasn’t a show she watched, but I was inspired to watch it, because I liked TV westerns, and by the time I started watching it, I was into my SciFi phase, and this show had gadgets, (and funky theme music), like Lost in Space.

It starred the very handsome, Robert Conrad as Jim West, and his smarter and less handsome partner, Artemis Gordon, played by Ross Martin. It also starred the little person, Michael Dunn, as the villain Dr. Loveless. For me, one of the highlights of the show was the technology and gadgets created by Gordon and Loveless. Jim West had clearly been modeled after James Kirk, because his job was to finesse his way out of the various traps created by the show’s villains, and romance various female characters, who showed up to distract him from his job.

In hindsight, this show is clearly in the  Steampunk genre, and yet another one of those eminently slashable shows where all of the proper elements were there but, for some reason, the show didn’t get the Spock/Kirk treatment. You’ve got two handsome White guys living together, and  a merry go round of female characters, who have no intention of ever becoming permanent, but something about this formula was just a little bit off, possibly the show’s timing in the aftermath of the cancellation of Star Trek, and the show never really took off, even though it lasted four years.

I do remember that though Loveless was the villain, none of the things he did was ever alluded to his size, and for some reason that stuck with me. He wasn’t a villain because he was  a dwarf. He was just a man  who kept coming up with  nefarious plans that Jim West kept getting in the way of.

 

 

Millenium (1996-1999)

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Chris Carter isn’t only known for having created the X-Files. He created a couple more shows that were X-Files related in the sense there was a thematic dialogue between all of them about paranoia, state cover-ups, and government conspiracies. Millennium was more along the detective show spectrum and aired during the end run of the X-Files, when Carter’s star had reached its highest point.

Millennium aired in 1996 and lasted for three years. It featured one of my all-time favorite actors Lance Henriksen of Aliens fame, as a forensic profiler, with an uncanny ability to suss out paranormal conspiracies and serial killers. This uncanny ability is presented as the ability to see though the eyes of serial killers. He was retired from the FBI and worked as a consultant for his friend, played by Terry O’Quinn, who worked in the local police department. He had a beautiful wife, and a maybe psychic daughter, named Morgan.

I remember watching the show ,and I even liked a few episodes. I was mildly upset at its cancellation, but I wasn’t too put out, as the show really had run its course, and there were times when the show was a little too grim, and dark, and gloom-filled. Since it was something of an offshoot of the X-Files, this was to be expected. America was going through a specifically angst filled moment.  Some shows are only meant to run for a specific length of time, and then stop, and it was clear that in the third season the show was trying to figure out what to do with itself.

I think one of the shows biggest drawbacks was the acting of the side characters. Henriksen’s acting  was okay, but his wife and daughter were especially cringeworthy. Everyone on the show was deeply, deeply, serious, and dedicated to never smiling about anything. Also, that whole angst filled era, in the 90s, of dark conspiracies and government cover-up-itis, was starting to wind itself up, and seem less urgent. Millennium is one of those shows that, unless you were a huge fan of the X-Files, you didn’t even know existed, or you forgot about, the moment the show was canceled.

The most memorable moments for me was a brief crossover with the X-Files ,and the show opening credits which were suitably creepy, and the shows theme song. I have a head full of theme songs from long extinct shows, and this one is at the top somewhere in my mind. The creepiness factor is something that permeated the entire show, and every character interaction, no matter how light hearted the actors tried to be.

Frank’s interactions with his wife and daughter rang false, and a lot of the characters seemed weighted down by the show’s heavy gloom. This is not a show that was ever going to last. I think audiences just eventually got tired of that level of grim and gave up on it. I gave up in the second season, only tuning in to catch the occasional episode that hinted at Frank’s daughters psychic abilities.

Frank’s denial of his abilities, by the way, were the only funny highlight in the show, as he kept insisting to people that he was not psychic. In fact, I do wonder if the creators of Hannibal the TV series borrowed heavily from this show. Frank’s abilities were never illustrated,  so I’m not sure how they worked. It was only shown that he had a strange ability to encounter killers, which he did in nearly every episode of the first season. By the second season, the conspiracy stuff starting creeping in, and by then I think the audience had simply had enough of Carter’s doom and gloom. That doesn’t mean it was a bad show. It’s definitely worth watching, but  maybe not a weekend binge-watch. Small doses is  the key here.

 

Brimstone (1998-1999)

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This show had one season and during that time made quite an impression on its fans despite its low ratings. People loved the show, and wanted more of it, but there just weren’t enough of us watching it. Satan walking around and interacting with people is clearly a very popular concept, or we wouldn’t have shows like Lucifer or Sherlock, and if this show had aired anytime in the past ten years, especially during our current social media boom, it would have taken off like a rocket.

The show’s major claim to fame was its secondary star, John Glover, who was a really hot actor in the 90s, and who played a very laidback and snarky Lucifer. The lead character was played by Peter Horton as Ezekiel Stone, a cop who ended up in Hell for killing the man who murdered his wife. When 100+ evil souls somehow manage to escape from Hell, Zeke gets suckered into hunting all of them down, in exchange for a second chance at life on Earth, and the potential of getting into Heaven. The Devil is powerless on Earth, but seemingly has no problem harassing Zeke at every opportunity, and watching Zeke grow ever more irritable, and flustered, at his interference, especially since he and the viewers are the only ones who can see him. The two of them had great chemistry, and watching their interactions is  really the best part of the show. Plus its always fun to see John Glover just be snarky. It wasn’t always snark though as the two of them would have some fairly deep discussions about Heaven, Hell, Good and Evil.

Every week Zeke would hunt down some new bad buy, the most memorable of which was the soul of the man he killed, just before the series end. There were a handful of complaints  read on a few message boards about how he was only hunting evil men, most of whom had been serial killers in the world, and some viewers wondered if there were not  female serial killers. Well the writers had to have thought of it because later in the season there was an evil female who, according to my memory of these events ,was eiter a Bonnie and Clyde type character, or some form of a Typhoid Mary. Let me look it up…

Okay, there were several women souls that were hunted and returned to Hell. One of them was a partner in a Bonnie and Clyde type situation, and the other was a Typhoid Mary type, who caused diseases and pestilence. There was also a young French girl who killed the men who raped her in 1458.

That’s another thing. The souls spanned all of history. I particularly remember Richard Brooks being in an episode as a Roman soldier, and some of the souls had backgrounds that were not dissimilar to Zeke’s, in that they were sympathetic, and did not believed that they belonged in Hell because they were righting some wrong that had been done to them, like the French girl. And there were some who were just evil.

At any rate someone put a lot of thought, not just into the interaction between Zeke and the Devil, but into the creation of these one time character’s backstories, and I thought that was pretty cool, as I wasn’t expecting that. I expected the characters to just be one thing. I didn’t expect to care about any of them. If any show that’s ever been on TV is rife for a remake, or re imagining, its this one, but as I said, it may already have been done in the show Lucifer, which also mixes crime investigation and detectives, with the Devil.

Thoughts for the Weekend

 

The Media

This article talks about why one of the reasons people think the world is  going to hell. It is the prevalence of negative news. The very nature of the news, the tagline being, “If it bleeds, it leads.” accounts for the greater and greater amounts of negativity we see in the news. Each story has to be sensational, outrageous, and/or gory.

A couple of years ago, my habit, like thousands of other people, was to get up each morning, and turn on the news. I stopped doing that. When I get up in the morning now, I watch something light and fun, that doesn’t require too much thought, like a comedy I recorded the night before, or favorite episodes of old shows. I’ve found that I feel more positive throughout the day, I’m less angry, I’m nicer to my co-workers, and generally more cheerful, at the start of the day, than when I watched the news.

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The media exaggerates negative news.

https://www.theguardian.com/commentisfree/2018/feb/17/steven-pinker-media-negative-news

Whether or not the world really is getting worse, the nature of news will interact with the nature of cognition to make us think that it is.

News is about things that happen, not things that don’t happen. We never see a journalist saying to the camera, “I’m reporting live from a country where a war has not broken out”— or a city that has not been bombed, or a school that has not been shot up. 

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Game of Thrones

If you do nothing else this season of Game of Thrones, you have to read the weekly rundown of the show, by the fans at The Root. Even if you hate the show, don’t watch the show, or know nothing about the show, you should read them anyway because they are, hands down, some of the funniest reviews of anything on the internet. At this point, reading the weekly review becomes part of the show. For those of you with real stamina, you can try reading the show’s live tweet on Black Twitter.

I am always amazed that so many Black people love this show, including many non-geeks. It took me years to really get into it, because I just wasn’t interested. I followed the show off and on for the first three seasons, but didn’t become any kind of fan until season five, after the episode Hardhome, which I understand was the turning point for a lot of people.  Last weekend was the culmination of that particular episode, so there are plenty of spoilers in the post.

I want to point out that Arya Stark is one of my all-time favorite characters on the show, and has been my go-to Baby Badass since season five.

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Arya Stark Forces Night King to Drop Out of Presidential Race

Although he has not issued a formal statement, representatives for Walker—also known as the Night King—confirmed that the blue-eyed devil will not take part in the upcoming primaries, citing the fact that he had lost support among a key group of supporters—namely, the Arya Stark demographic.

 

#NotToday: The Night King nor Kim Kardashian Could Stop Us From Keeping Up With The Battle of Winterfell

With five or six tea lights lighting the battle scene on our screens, The Red Woman came and did what the fuck she had to do and said let there be light and lit the field with fire. Too bad the fire didn’t do shit for our screens our Daenerys’ vision from the sky.

 

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 Robot Fear

This is a very interesting article about how Western nations view robots vs. how cultures in the East view them. The Japanese, for example, have a very different attitude towards robots than Americans. The article credits part of that to the Western attitudes towards systems of chattel slavery. The East had slaves, but the systems there were not set up the same here, or perpetuated throughout that country’s other institutions, either.

I also think part of the issue is not just our attitudes about the treatment of slaves, but the Western religious ideas behind them, and the idea of karmic retribution that has attached itself to those ideas. We need to add decades of movie and TV narratives in which robot slaves turned on their owners. I wrote before about how a lot of futuristic fiction involves imagining what White people have done to other cultures, happening to White people, usually by beings once held in bondage, like robots. The term “robot” was invented in the West, and violent retribution by them, is one of its earliest Pop culture themes, as in the 1927 Metropolis.

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WHY WESTERNERS FEAR ROBOTS AND THE JAPANESE DO NOT

https://www.wired.com/story/ideas-joi-ito-robot-overlords/

It’s not that Westerners haven’t had their fair share of friendly robots like R2-D2 and Rosie, the Jetsons’ robot maid. But compared to the Japanese, the Western world is warier of robots. I think the difference has something to do with our different religious contexts, as well as historical differences with respect to industrial-scale slavery.

 

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Yarn Industry Diversity

Here’s a short list of Knitting designers, and Dyers of Color in the industry.

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Black Yarn Dyers and the case for Purposeful Support

https://theyarnmission.com/black-yarn-dyers-and-the-case-for-purposeful-support/

It’s not about tokenism.” Rather, we insist that folks support artists simply because they are Black. Especially for their Blackness we recognize that for so many it would mean “in spite of their Blackness.” This is what pro-Black looks like to us since we are working towards a liberation in the face of rampant, engrained, and internalized anti-Blackness. 

 

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Comedy

I’m still not over Nanette, which is still airing on Netflix. It just floored me. I’m guessing it floored a lot of people, since so many wrote think pieces about it. I do believe Hannah Gadsby is the future of comedy, while people like Bill Maher, Jerry Seinfeld, and Louis C K, are comedy’s past. I noticed that when women do comedy, (any marginalized people, really), they are as as liable to cause tears as much as laughter. The only male comedian I’ve ever seen who captures that particular vibe is Patton Oswalt, in his stand-up, Annihilation, )where he talks about the death of his wife).

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Bill Maher Is Stand-up Comedy’s Past. Hannah Gadsby Represents Its Future.

https://www.vulture.com/2018/07/bill-maher-hannah-gadsby-stand-up-comedy.html

Nanette is also a deconstruction of stand-up specials, as well as several generations’ worth of straight male–crafted opinions on what “good comedy” is and what “great art” is. Gadsby poses a question which, if answered affirmatively, would validate her stated wish to quit doing stand-up: What if “funny” is the enemy of “honest,” or at least at cross-purposes with it?

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Reverse Racism Claims

Recently Jordan Peele came into the cross hairs of the White Bigot League, when he stated that he wasn’t looking to hire White men for any of his lead roles, as that had all been done before, and he wants to try something different. I think this article perfectly captures all my thoughts on this issue.

For the record, he never said he wouldn’t  cast any White people in his movies. What he said was he wasn’t going to cast them in the lead roles.

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There’s Nothing Wrong With Jordan Peele Not Wanting to Cast White Male Leads

https://www.thewrap.com/jordan-peele-no-white-male-leads-nothing-wrong/

But racism becomes a social disease when it systematically and systemically places one race at the top of a hierarchy at the expense of other races. That is why the N-word stings so much more than any word blacks ever coined to denigrate white people. It’s why blackface hurts in a way that whiteface doesn’t. There are centuries of brutal history to back up the sting.

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Black Romance

I thought this article was especially interesting. I do not read Romance novels, as a general rule but I used to have a disdain for them. At some point, I realized my disdain was contributing to an atmosphere in Pop culture that devalues the interests of women, and if the hobbies and interests of women aren’t considered important, then imagine how denigrated Black women’s interests must be.

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Fifty shades of white: the long fight against racism in romance novels

https://www.theguardian.com/books/2019/apr/04/fifty-shades-of-white-romance-novels-racism-ritas-rwa?src=longreads

Some booksellers continued to shelve black romances separately from white romances, on special African American shelves. Accepted industry wisdom told black authors that putting black couples on their covers could hurt sales, and that they should replace them with images of jewellery, or lawn chairs, or flowers. Other authors of colour had struggled to get representation within the genre at all.

 

 

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US

I promise this is the last article I’m going to post about this movie. Its just fascinating how much (and how many) meanings people are finding in this movie.

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https://www.hollywoodreporter.com/heat-vision/us-movies-hidden-meaning-black-identity-explained-1196687

Jordan Peele may have crafted the first horror movie to truly dismantle the MAGA era and how African Americans fit into it.

 

 

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Poverty

Hollywood has crafted a lot about how we think of the world, its situations, and the people around us. I think many of us would be surprised at how much of our “knowledge” of the world comes from movies.

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Perpetuating the poverty myth: How Hollywood gives us the wrong ideas about poor people

https://www.yahoo.com/entertainment/perpetuating-poverty-myth-hollywood-gives-us-wrong-ideas-poor-people-210440365.html

Pimpare believes that at this time of deep divisions in America, movies that accurately portray modern-day poverty are more important than ever. “We are geographically so segregated, racially segregated, and we are very much economically segregated — so it may be that for growing numbers of people, the only opportunities they have to gain insight into lives of poor and low-income people are through mass media,” 

 

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Representation Matters

Yahp!

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https://the-orbit.net/progpub/2018/12/26/representation-matters/

For myself and many African-American moviegoers, one film has stood out from the rest. Not because the others listed (or those absent) are sub-par movies, but rather, because the Black Panther was the kind of movie we have long thirsted for. The first Black superhero of Marvel Comics got to headline the first Black superhero movie from Marvel Studios, with a Black director, a predominately Black cast, diverse presentation of Black bodies, an Afrofuturist aesthetic, complex nuanced characters largely devoid of stereotypes, a rich backstory, and a massive budget. A monumental box office hit, the movie shattered record after record on its way to a final global tally of roughly $1.3 billion. 

 

Movies Normalize the Harming of Black Bodies

Questioning Authorial Intent

I think it’s time we started discussing a writer’s intention in creating marginalized characters. It doesn’t particularly matter to me whether its done consciously or unconsciously, but we need to speak about how writers treat their characters of color, LGBTQ characters, and female characters.

The TV and movie industries have always been controlled primarily by white male writers. They write  women characters  according to what they think women are actually like, or wish they were and we have to be willing to admit that there are more than a few writers out there who fantasize about how they would like to treat women, and realize their fantasies through the characters they create. It’s also an industry made up of a lot of straight men, who have always been prone to homophobia, and who have  written gay characters the way they see them, or wanted them to be seen. And yes, in some cases they fantasize about these characters being  punished for being who they are. (This is something that has been well documented about women, and  Gay characters in movies. See: “The Celluloid Closet”, and documentaries on female characters in slasher films.)

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We have all become aware  of the unnecessary rape scenes of female characters, and the Kill Your Gays Trope, where the writers punish and kill women  for being  sexually forward, and the gay characters who lead tragic lives, only to die horribly. The same dynamic  seems to be at work for Black characters too, and the reason why may be the unconscious, (or hell, sometimes very conscious), racial resentment of White writers, who feel forced to include these characters in their work.

I’m not advocating that no Black characters ever be punished or killed, but I am questioning the intentions of the writers who do this, and I wonder if, like the OP above, if it’s resentment at having to include characters of color. More and more often, White writers are being called on to be inclusive beyond white, straight, able bodied, men, and some of them might feel some type of way about that.

Hollywood and TV have a long history of depicting White men bullying, torturing, and gunning down “the other”.  Is it any wonder that it is primarily White men who are the main perpetrators of mass acts of violence against women, (The Ecole Polytechnique Massacre) , gay and transgender, (The Pulse Nightclub Shooting), Blacks, (Charleston Church Shooting), Jews (The Synagogue Shooting), Muslims, (Christchurch),  and others too numerous to mention. (This is not including regular acts of police brutality against people of color, and hate crimes against immigrants, and Jewish people.)

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What is new in Pop culture is an influx of Black characters being written by white writers, who think they’re being inclusive, but  who have not done their due diligence on racial issues, or Black culture. Sometimes, I’m seeing characters of color get bullied, tortured, punished, or killed in the narrative by White characters, some of whom are meant to be heroes, and I’m starting to believe that White characters  are stand ins for the writer’s own racial resentment. These characters get to do the kinds of things to Black characters that the writers, whether consciously or not, would like to do themselves, which is sometimes telling off, or hurting, or punishing “The Other”.

I have written before about how Black characters have been traditionally created in the white imagination, often associated with crime, murder, and sexual brutality, (That’s about how racial ideas in the real world get reflected in pop culture). I’m now talking about a different iteration of this theme, and I’m going to use the MCU  as an example, because this is where I first noticed it.

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The series The Defenders, is an amalgamation of the other Netflix series in the MCU,  Luke Cage, Daredevil, Iron Fist, and Jessica Jones, (all of which have since been canceled). In the one season of The Defenders, there are approximately two Black men, one of whom is a villain. There’s a scene where he is being tortured by Daredevil and Iron Fist, while the other team members stand around and debate this tactic. What you have is a team of superheroes torturing a Black man for information, and this is being shown as okay, even though real world specialists on this issue, have clearly stated that torture does not work as a tactic for getting information.

https://www.scientificamerican.com/article/we-rsquo-ve-known-for-400-years-that-torture-doesn-rsquo-t-work/

The prevalence of torture, committed by ostensibly good guys, in movies and TV shows, also accounts for the dramatic rise in  the public’s belief in torture as a real world tactic that  Americans should use in the fight against anyone who is considered “a bad guy”. Since Black men are stereotypically  associated with crime…well, you see where this is going.

 

And this isn’t limited to The Defenders, because Jessica Jones contains the scene of the unceremonious killing of the only  Black woman in the show, and Jessica’s disregard for the life of the only other Black character on the show has been duly  noted.  The Punisher, Iron Fist, and Daredevil are all known for showing their White protagonists beating up, torturing,  and killing whole squads of men of color. I mentioned, in a previous post, how Iron Fist had a nasty problem with beating up young Black men, without asking questions first. Even Spiderman tries to get in on the action by trying to intimidate a Black man he needs information from. (That he fails to intimidate him isn’t the point. The point is that he tried it, and that that was his first, go-to, move.) For the record, none of these supposedly heroic characters limit themselves to torturing only Black men. All men of color are fair game, as evidenced by the sheer number of Asian bodies Daredevil mows down, in any season.

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Many of the MCU movies have such moments. In Captain America: The Winter Soldier, you have another man of color being tortured for information by Captain America,  Black Widow, and Falcon. In Captain America Civil War you have a scene where Rhodey, Tony’s Black sidekick is injured by Vision, but Tony punishes Falcon,  for an incident that he was not responsible for. In Iron Man 3, Tony threatens the man he thinks is the Mandarin, by brandishing a gun at him to get information. To be absolutely honest, heroic characters of any race often get in on the torture of villains in the MCU. In the movie Black Panther, a movie written by a Black man, there are scenes of T’Challa beating up a villain  for information.

Primarily, this is about the use of torture by any “superhero “, towards men of color. These characters are all still  written by white men, and all these supposedly “good people”  end up harming or torturing men of color. (To be absolutely fair “good guys’ torturing “bad guys” is a problem across most, if not all, superhero comic books, but in the movies, these bad guys have a tendency to be men of color.)

https://www.complex.com/pop-culture/2018/04/racist-moments-in-comic-book-history/

We know racism is real. That is not a matter for debate. We also know that people, in the fandoms surrounding these movies, regularly engage in racist thoughts and actions regarding characters of color, and show a great deal of resentment and hatred for them. What I am questioning here is the idea that, somehow, writers of  Fantasy  TV and movies are somehow exempt from racial resentment because …well, they’re creators, I guess.

And just because the hero committing the torture is Black, that does not make the situation exempt from this criticism, as these are Black characters as interpreted through the lens of  White writers. White writers create these characters, making them say and do whatever they want, including voice their own racial resentments, as what happened with Nick Spencer’s  version of Falcon as Captain America. Nick Spencer wrote a parody version of SJWs, and later Sam Wilson, who had been written as a voice of reason, apologized to Steve Rogers for ever having been like them. A Black man apologizes to a White man for ever having been a passionate activist!

https://www.dailydot.com/parsec/captain-america-sam-wilson-nick-spencer-controversy/

Over and over again, White audiences (which this sort entertainment is primarily written for) are subjected to the concept that its okay for good (ie. White) men to beat up on, and/or torture, Black men.  Vigilantism. Is it any wonder that there’s is so little  empathy for Black characters in movies and TV, (The Racial Empathy Gap), or that White people are quick to make excuses for White men’s violent aggression against Black men.

The most recent case of real life vigilantism was when Trayvon Martin was killed by George Zimmerman, and it was Trayvon who was painted as a villain who deserved to be shot by the innocent Zimmerman, who was just trying to protect his neighborhood. This is how such vigilantism plays out in the real world. How is what happened to Trayvon different from a scene in Iron Fist or Daredevil, which are shows about fine upstanding White men, who just want to protect their neighborhoods.

White America has always told such stories, which often resulted in the beatings and lynchings of Black Americans, when White men take it upon themselves to protect against Black criminality. Two of the overwhelming messages in Pop culture, (books, movies, and TV shows), for decades, is that vigilantism is a perfectly acceptable response to criminality, and that Black men are  the criminals, who deserve whatever violence is meted out to them by White men.

There is a connection between the normalization of brutality against marginalized bodies onscreen, and White male brutality agaonst “the other” in the real world. One of these is a reflection of the other, but which of these, remains the question. And what is served by showing audiences image after image of White heroes willing to do their worst to marginalized others?