These are the reviews from things I watched in October and November. I will try to make these as short as possible, but y’all know I’m good at blabbing about TV shows, so wish me luck with that.
Dolemite is My Name
I was kinda excited about seeing this, nevertheless i was surprised by how much I liked this movie, and I can think of no better actor to play Rudy Ray Moore than Eddie Murphy, a comedian I have always had tremendous respect for, and who really doesn’t get enough credit for all the work he’s done, in the past 30 years.
Now, I have to give a little bit of background here. I grew up in the time period in which this movie is set. I would have been 2 maybe three years old at the beginning of the movie, but I have very distinct memories of grownups being really excited about Moore, and Yes, I did encounter a couple of those racy album covers in my mom’s collection, but I don’t think she knows I remember she was a Rudy Ray Moore fan.
I have a very clear memory of mom, and her then boyfriend, taking us to the Drive-in to watch The Human Tornado, which came out in 1975, and was a sequel to Dolemite. I would have been five, and my brothers would have been 3 and 4. She would have had the assurance that, since we were babies, we would all be asleep by the opening credits. I don’t think she knows I was wide awake No, I wasn’t scarred for life or anything, but I definitely remember parts of the movie, and even some it’s theme song. I know this is a genuine memory because I have never seen the movie as an adult.
Anyway, all this to say that this definitely brought back some memories. There are some things about Black culture that only Black people know. I’m gonna let y’all in on a little secret.
Black people have our own stories, which seem to parallel stories from other cultures. Most of them you’ve probably never heard of, unless you grew up in the culture, or have parents of a certain age, like my Mom. My mom used to tell us stories about the Signifyin’ Monkey, the lion, and the elephant, (only without all the cursing, and never the whole story, since its fairly raunchy.) Probably not the sort of things one would tell one’s kids today, but things were different back, then, and my Mom was kinda weird. It has a pretty long history, too. If you have ever read American Gods, Anansi tells a story that is directly based on the folklore tale , titled How the Monkey Got the Tiger’s Balls:
Numerous songs and narratives concern the signifying monkey and his interactions with his friends, the Lion and the Elephant. In general, the stories depict the signifying monkey insulting the Lion, but claiming that he is only repeating the Elephant’s words. The Lion then confronts the Elephant, who physically assaults the Lion. The Lion later realizes that the Monkey has been signifyin(g) and has duped him and returns angrily to castrate the monkey, rendering him unable to reproduce.
The Signifyin’ Monkey is part of the Dolemite theme song. Since this is a Rudy Ray Moore biopic, there’s a lot of cursin’, and some mild nudity. Its not half as raunchy as the actual Moore, but I think he’d be satisfied with what was shown in this movie.
I also enjoyed it outside of the nostalgia factor. There’s a scene, in the early part of the movie, where Rudy encounters a plus size woman whom he recruits into his comedy troupe. This woman later became known as Queen Bee, who was every bit as raunchy in her style of comedy as Rudy. The story is arranged in such a way that you’re meant to cheer Rudy as a driven, hard working man, who triumphs against the small minds of others. Needless to say, most comedians probably couldn’t get away with most of the comedy routines, in this movie. The seventies featured a lot of new culture, that we take for granted now, and one of those things was raunchy Black comedians.
There were plenty of Black comedians before Rudy, who said some fairly racy stuff, but they mostly worked what was known then as The Chitlin’ Circuit, which were a collection of venues where only only Blacks could perform, since they still, even in the seventies, considered too raunchy to play in the mainstream (i.e. White ) circuits. Rudy was one of the first of these type of comedians to go (sort of) mainstream, in that even White people heard about him, although he still would never have been invited on The Johnny Carson Show. So, the movie is one of those low key inspirational films, about overcoming racism in Hollywood. The first half of the movie is very caught up in people telling Rudy “no” , telling him what he can’t do, or making fun of him for wanting certain things, and Rudy going off to do those things anyway.
I have since learned that Eddie Murphy has received a Golden Globe nomination for this role. but I don’t think he will win. He does some great work here, but its not the best work he’s done, and really, I thought it was a walk in the park for him. He can play this type of role in his sleep. But I did enjoy watching him, because his charm makes the occasionally cringey plot, very watchable.
I am loving The Mandolorian, and not just for the Baby Yoda scenes. (No, that isn’t actually Yoda, but some distant descendant, since this series is set after Return of the Jedi.) This series is full of some of the classic themes we expect from Star Wars. George Lucas has said the original Star Wars was based on the works of Japanese film Director Akira Kurosawa, most specifically, Seven Smaurai, and you can see some of the influence here.
In fact the series heavily reminds me of the Japanese Manga called Lone Wolf and Cub, in which an itinerant samurai, a ronin, wanders the Japanese landscape, with his tiny son, searching for vengeance, and getting into various adventures. The only differences between that, and The Mandolorian, is the son doesn’t have force powers, isn’t on anybody’s wanted list, and isn’t half as cute as Baby Yoda. The show takes care to focus on the relationship between Mando and Baby Yoda, too. There are a lot of really cute moments between them, and the public seem to have really taken a shine to the little guy, much the same as his adoptive Dad.
Its also a classic story about a character’s personal growth. Mando starts out as a bounty hunter, who is just there for the work, so he can buy some new armor, but makes the decision to take the baby and run, rather than deliver him/her to his clients. There are larger mysteries which haven’t been answered yet, like who exactly is the Mandolorian, why does everyone want the baby, and where did this baby come from.
The production values, the costumes, acting, and special effects, are all top notch. It really does have the look and feel of one of the movies, which makes it very easy to watch, although this luxury comes at the expense of the episode running times, which never get beyond 45 minutes. I can live with that, especially since the action scenes are the highlight of the series. In one of the earlier episodes, there is a full on fight between a team of Mandolorians and the various ne’er do wells, and criminals, on the planet on which they’ve all been hiding out. When CG is used, its mostly for the creatures, and action scenes, and is largely invisible, as its supposed to be.
War of the Worlds – BBC Version
There have been umpteen different versions of this show. A book, a radio program that, as it is rumored, gave some people the shits back in the thirties, as they thought it was real, several movies from the fifties to the nineties, one of which starred Tom Cruise, another TV show, and now this.
Its a three part miniseries from the BBC, and so far I’m really liking it. Its got some nice production values. You can see where the money went in this one. The special effects are well done, and not that usual cheap TV stuff you sometimes get in big idea shows, and the show, quite frankly, looks gorgeous. The acting is acceptable, although the only actor I truly recognize is Robert Carlisle.
And this show is not fucking around with its theme. H.G.Wells wrote the novel as a reaction to the British annexation of the Congo, and the atrocities that were being committed during the colonization of India. He wrote a book about the violent colonization of England by a superior technological force, as a condemnation of the British Empire’s activities, and the show makes this connection loud and clear, right in the opening credits. In the first fifteen minutes of the show, you hear characters having conversations about the might of the British Empire, and how wonderful it is to live in such a powerful country. By the end of the first episode though, the Martians have shut that talk down.
There’s also some melodrama involving the two stars of the show, Rafe Spall, the brother of Timothy Spall, as a fellow named George, and Eleanor Tomlinson as his paramour, Amy. The two are madly in love, but cannot be together, because George’s wife refuses to divorce him, She hates him, and wants to remain married to him just to spite him. The family is scandalized, his older brother, is outraged, and the the rest of the community don’t know how to think of this thing, where the two of them are living together, unmarried. Plus Amy is pregnant.
I was not initially interested in the melodramatic aspect of the show, but the show does this thing, where it flashes back and forth to the future, after the alien invasion has been conquered, but the Earth is a literal hot mess, because the aliens weren’t just there to invade, they were terrraforming. Amy is wandering through the red deserts of what used to be England, with her young son. She has been separated from George for a long time, but still holds out hope of finding him. I didn’t care, at first, but I decided that I liked the characters. At least, I liked Amy, and that seems to be enough for me to start to care the rest of it.
The show opens with her and George witnessing the launch of the ships from Mars. Its a little different from the movies, because the ships look like meteors as they land, and that’s hat people think they are. They look like black globes that float off the ground, and are capable of setting people on fire from a distance. The tripods break out of the ground after the globes explode, and start their rampage, although the tripods aren’t so much interested in annihilating people, as they seem to be in seeding the planet with various gasses and chemicals. Like I said, this is not an invasion, exactly. They are transforming Earth into another version of Mars, and if you look at the flash forwards, their mission seems successful.
I did have some criticism about characters doing stupid things, but this is only because this is one of those situations where the audience knows more about what’s going to happen than the characters do, so there were a lot of instances where people are standing around looking at things, while I yell things like ,” Get the fuck out of there!!!!’, and, “Run!” There are various government officials who act like the mayor from Jaws, and simply bluster uselessly at the reports they’re getting from other parts of the country, about the annihilation of entire towns, even though the city is filling up with refugees from those areas. The British are so full of themselves about the initial events, that I have to admit, it was a bit satisfying watching them get their asses handed to them by the Martians, which point the show is trying to make. Basically, the show is saying that the British “ain’t all that!”
There are lots of closeups of boiling ant colonies, along with images of English people living their best lives, not unlike the ants, walking the streets of their mighty London, and looking quite busy, and the tripods themselves look very insect like, such that there is a connection being made between the idea of invasive species, and the colonizing aliens, and that what is being done to England by the Martians, England is currently doing to other countries, and been quite proud of themselves for it. We know the English are proud of their activities, but we don’t get any idea how the aliens feel, though. There are scenes where people touch the black globes that have dropped to Earth, and see smeary lingering images of their hands and faces, in the glossy sheen of the alien device, in a very, “We have met the alien, and they is us.” type moment. So yeah, the show ain’t being coy regarding its critique of British empiricism.
The setting for the various iterations is England, at the height of the British Empire, when it was engaged in the violent colonization of different countries. The English were largely brought low after WW2, (look up London Blitz), so its interesting that the first American version showed up in the fifties, (1953), when America, having won some victories during the war, (and starting to feel itself to be the shit) began engaging in its own world dominance behavior. (Before the War, America pursued an isolationist stance.) The 1953 version, (and subsequent invasion movies, like Strange Invaders, and Independence Day), were not about the humbling of America, so much as they were America conquering some great enemy, against all odds.. The 2005 version is a response to 9/11, where its made clear that the alien invasion is a stand-in for the terrorists, and America doesn’t triumph, so much as get lucky.
Not all alien invasion movies are violent. Some of them are enlightening, like 2001, and/or hopeful, like Close Encounters of the Third Kind. This series is in the truest spirit of the book, however, which was a rebuke to British hubris.
Once they were analogies of the Cold War or Vietnam. Sometimes the underlying theme is corporate greed, environmental destruction or fears of technology supplanting humans. The movies feed on public fear of enemies from abroad, which in today’s world, he said, could even include mortgage bankers.