Racism in Pop Culture

And here’s my monthly series of articles discussing  the intersection of race and pop culture.

First up, an essay about Westworld from the point of view of a Black man. I touched on some issues earlier with the depiction of Black and White women in Westworld’s dynamic, and its been one of my most popular essays,  but this article is a  discussion of the real world racial dynamics of Westworld, most specifically between Arnold/Bernard, and Robert Ford.

Race. Power. Westworld.

HBO’s sci-fi drama Westworld was a psychological mind f*ck of a show revolving around issues of control, power, violence and love. But there wasn’t a single moment in the show that focused on race despite the fact there are a multitude of racial politics in play. I don’t know if this is because the script was written without race in mind and the casting choices informed the racial dynamics or not. But I came away from the show a bit disappointed that the writers never chose to tackle racial motivations as the show evolved. The interaction between Arnold/Bernard and Ford is ripe with implications of power and race while the park itself seems to be no more than a #MAGA fever dream.

https://stillcrew.com/race-power-westworld-fd97c8a2a6b4


In this article, Zoe Kravitz, the daughter of Lenny Kravitz, and Lisa Bonet, brings the fire, about the roles available for Black women in Hollywood. The irony is that this article came from a British newspaper. 

Zoë Kravitz: ‘Why do stories happen to white people and everyone else is a punchline?’

  • August 20th, 2015

The actor has been stranded on the edges of blockbusters such as Mad Max: Fury Road and the Divergent series, but ahead of new film Dope she’s taking on Hollywood’s stereotypes and making a name for herself

https://www.theguardian.com/culture/2015/aug/20/zoe-kravitz-why-do-stories-happen-to-white-people-and-everyone-else-is-a-punchline


This is a very interesting article about how Hunger Games fans ignored the descriptions of race in the books, while being racist towards the characters in the movies.  Although, I am inclined to believe that a certain section of the Hunger Games fandom never  read the books, saw some racism on display, and decided they wanted to jump on that lovely bandwagon. I have found there’s a subset of White people that will take any and every opportunity to bash a black person, whether they know anything about the situation, or not.

Warning: There’s some seriously nasty shit on display in this article. If you don’t feel like dealing with this level of White nonsense today, or just don’t want to get your blood pressure up, my suggestion is to skip it. Come back to it after you’ve maybe had some weed, or a good strong drink. (I recommend some Henny.)

Racist Hunger Games Fans Are Very Disappointed


These articles area set. They’re  discussions of how social justice crusades on social media has changed the way critics do their jobs. There are certain words that have just become part of mainstream dialogue about movies, and I think we owe that to the critics and fans on Tumblr, Twitter, and Facebook.

The American media has no idea how to talk about race on-screen

But they’re (slowly) learning, thanks to social media campaigns that are forcing difficult conversations

http://www.salon.com/2013/12/05/the_american_media_has_no_idea_how_to_talk_about_race_on_screen/

Hot takes and “problematic faves”: the rise of socially conscious criticism

Modern criticism’s affinity for discussing social issues has changed pop culture, for creators and audiences alike.

https://www.vox.com/culture/2017/4/20/15179232/socially-conscious-criticism

For example, the term whitewashing has entered everyday language. Ten years ago, no one was saying this, or critiquing movies with this word. Hell, three years ago the mainstream media wasn’t even socially conscious enough to  be able to spot it, when it happened. But thanks to “woke” fans of Pop Culture, putting it out there, along with other terms like racebending,  appropriation, and erasure, it’s almost impossible for a movie starring white actors (in lieu of actors of color) to not mention any of these terms. 

I do have to thank the Internet for this. If it wasn’t for people like us, arguing vociferously in the comment sections,  and writing our own reviews, meta, and articles about the shows we love and hate, the mainstream media wouldn’t  be aware of these things as problems.

Whitewashing Hollywood movies isn’t just offensive—it’s also bad business

Apparently, ScarJo and Tilda Swinton  have not had enough of getting their edges snatched, all  across social media, by Asian- Americans. They are now starring in a movie together, titled Isle of Dogs, and people are not pleased.

@tsengputterman @ubeempress We get not ONE actress who’s proven her skills at playing Asians, but TWO! Ain’t we lucky! I feel so fucking blessed.

@FilmFatale_NYC New Wes Anderson film set in Japan starring ScarJo and Tilda Swinton. We’re getting trolled.

They really placed Scarlett Johansson and Tilda Swinton in Isle of Dogs to reaffirm their Asian ethnicity? Hollywood killin Asians… STILL!


And finally, more articles about the movie Get Out, which blew up the movie theaters two months ago. February is turning out to be the ” Absolute!Shit” month for African Americans.  Beyonce’s Lemonade dropped in February of last year, and this year we got the unexpected pleasure of Get Out. Next year, it’s the much anticipated arrival of Black Panther, due in (when else?) February.
In the meantime Get out has been one of the most written about movies in the past year. This includes a comparison between Get Out and The Handmaids Tale.  (Later I’ll do a post on the racial implications behind the news show, and the book.)



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These two misplaced fellows below are about Whitewashing. (Bear with me here, it’s morning, and I’m on a tablet!)


And this post wouldn’t be complete without mentioning that reprehensible Heineken ad, that gave me goosebumps just thinking about it. It’s as cringe-worthy as the Pepsi ad that aired earlier this month. Once again, you’ve got a corporation trying to get those Millennial dollars, and getting shit wrong. And here’s why its wrong, as DiDi Delgado perfectly articulates:

The Heineken Ad Is Worse Than The Pepsi Ad, You’re Just Too Stupid To Know It

(On Medium. com. You have to sign in to Medium to view the article. Follow DiDi, if you liked this particular article, and want to read all her stuff.)

View at Medium.com

ETA: The Links for the Get Out articles have been added. I’ll have a part two of this post later this week, after my review of American Gods.

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