I Saw It On Youtube Again!

Purl

This cute little video, from Pixar, is an allegory for workplace sexism. I was especially drawn to it because Purl is so sunny,  and happens to be a ball of yarn, (probably wool) and I love knitting. I found myself rooting for her, and actually feeling disappointed, when she wasn’t behaving according to my expectations!

 

 

 

White Savior

This is one of the funniest sketches about movie cliches I’ve ever seen. Seth Myers perfectly captures the trope of The White Savior, who comes barrel rolling into every scene where a Black character might appear to need a little assistance. The part of the video that made me laugh the loudest is the scene where the Black woman befriends a racist character because yeah, these types of movies love to  present the idea that forgiving the  racist is going to end racism, and we would all just get along if Black cozied up to our oppressors.

Black people are so inundated, in movies especially, with the idea that we should not be angry about racism, that this leads me to believe that White people’s deepest, most terrifying, nightmare, is Black people being angry about racism.

 

 

 

Kitbull

I thought this video was just cute. It’s from Pixar, the same studio that produced Bao by Domi Shi ,which just won an Oscar.

 

 

Juanita

This movie, about a Black woman who just wants to go on vacation some where, any where, else, and stars Alfre Woodard,  and who is totally underrated as an actress, will air on Netflix.

 

Detective Pikachu

All I know about Pokemon did not come from being a fan, but from living in a house with fans. My two little sisters pretty much controlled the TVs in our house, when they were kids, so I got a crash course in Pokemon, even though I really hated the show. Nevertheless, I did manage to develop favorites like Pikachu, and Bulbasaur, so I was really tickled at the thought of this movie. Who came up with this crazy idea? And what were they smoking?

 

 

We Got Cows

There are a whole series of these videos about cows being attracted to yodeling women. They just come running! And then they just stand there listening. And nope,  I don’t understand why I find that deeply funny.

 

 

 

Hood Naruto

Everything I learned about Naruto came not from being a fan, but from watching gifs about it on Tumblr, and some things are just hilarious, even when you know almost nothing about the subject beyond the character’s names. From what I’ve observed, Black people really, really, really love Naruto, so that explains these types of videos. I am not, however, one of those Black people, and I have not bothered to fix it, probably because I just enjoy being a contrary asshole.

 

 

 

Time For Sushi

This was just a series of weird dance videos I found on Youtube. Watching this is probably going to really mess up my algorithms probably.

Yes, these figures are naked. No, they are not real people. No, I have no idea what the hell is happening, or why this happened, but if my eyeballs had to see this, yours do too.

 

 

 

Time To Do The Dancing

I don’t want to make fun of these people, but they make it so easy. Goths are so tortured with angst, that they can’t look as if they enjoy dancing, and that attitude makes this look like some weird exercise video. Nevertheless, they do  manage to approach their lack of enjoyment in body movement, with a great deal of enthusiasm. So, they probably like “the dancing” but can’t be seen to be enjoying themselves, since dancing pretty much goes against being “Goth”.

 

 

 

Stupid Spider Videos

There’s an entire series of these videos of mate-dancing spiders twerking it to various songs like YMCA, and Staying Alive. I do not like spiders, as a rule, but I can watch these without issue because they’re just so ridiculous. This one with the lightsabers was…well, see for yourself.

Topics For Discussion (Weekend Edition)

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I don’t know if I’m a smart person. I’ve been told by various individuals that I am, (my brother would refer to me as a forgetful bobblehead), but I have spent my whole life trying to find out as much about the world as I can. To know as much as I can find out. So, to see the world descending into the real life version of the movie Idiocracy, is incredibly galling. I watched that movie a couple of years ago, thinking it would just be a stupid comedy, but I had a real emotional reaction to watching a movie about the decline of the human mind into… well, whatever that was in the movie, and I had to stop watching it, about halfway through. If you have never seen that movie, and your head contains brain cells that work, BY ALL THAT IS HOLY, DO NOT WATCH IT!!!! That will only end in tears.

Watching that movie will eliminate any and all faith that you had in humanity, and send you into a hell of depression and anger, as you recognize which version of the universe we are all now living in. People destroying property they have already bought, in protest of some corporate disfavor, is surely one of the signs of the apocalypse.

And don’t think this is just a problem of the Right. The Left has engaged in this sort of thing as well. Its the kind of behavior that people engage in when they have perhaps heard of protesting but aren’t quite sure how the process works.

https://www.thedailybeast.com/from-nike-to-keurig-conservatives-keep-blowing-up-things-they-bought-to-own-libs?via=newsletter&source=DDAfternoon

The stunts aren’t really boycotts at all, but attempts to channel political impotence through consumption. One American can’t change much with a vote, but she can easily set fire to her sneakers, in accordance with her political leanings.

 

 

 

Actually this article was both terrifying and hilarious. Also, it really just cements the idea in my head that bigots are people who simply lack any real imagination. Such people cannot imagine the world in any other  way other than one where they aren’t masters of everyone else in it. The only dynamic they seem to be able to  understand is one in which they are dominated by some other group, (which utterly terrifies them), or they dominate everyone else (which largely consists of bullying, terrorizing, and murdering those others.)

Being an effective artist, (especially a writer), capable of expressing nuanced ideas, requires a level of self examination, and people-knowledge that such bigots are wholly ignorant of. It requires an understanding of complexity. Anything that comes out of their imagination can only be simplistic, often appropriated from elsewhere, or pulled from their truncated understanding of  how the world works. They don’t know enough about people to write them well. They don’t know enough about the world to be able to imagine it in any  way  outside of their terror of it. These stories are full of the authors imagining the worst for stand-up, straight, morally righteous, White people, like themselves, or the worst for everyone else.

 

 

If you visit the website, linked in the article, you will have to sit there for quite a while. The author says he managed to sit through 19 minutes of it and couldn’t fastforward, go back, or pause. If you leave the site, you will just have to start  at the beginning, watching you don’t know how many minutes of a montage of videos illustrating the White Savior narrative in movies. There’s a part of me that finds that deeply funny.

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https://verysmartbrothas.theroot.com/terence-nances-whitepeoplewontsaveyou-org-and-the-never-1828809698

The Blind Side is just one of many white-savior films Terence Nance skewers on his sublime WhitePeopleWontSaveYou.org—a website that just plays scenes from them on an endless loop while a chorus sings “White people won’t save you.” Also, the website doesn’t allow you to pause, rewind or fast forward. You just have to sit and watch and wonder when it ends. (I watched 19 minutes of it last night, so I know it’s at least that long.)

 

 

This article asks the age old question: Why don’t people ride bikes during or after the apocalypse? The answer is that’s something that only works in books, and looks a lot less cool than wearing BDSM gear on a motorcycle. We are so used to the Mad Max version of the the end of the world, I think we would have a hard time grasping the image  of people riding bikes during it.

We Westerners also  seem to think that that would be a global phenomenon, too. It just  occurred to me that huge parts of Asia would not be entirely up-heaved by the end of the world. People in Japan, India, and China already regularly use bicycles right now.

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https://www.thedailybeast.com/where-are-the-bicycles-in-post-apocalyptic-fiction

Bicycles don’t break their legs, they don’t need to be fed, and on a modern road, their gait is a lot smoother. The bicycle was a radical transportation breakthrough, especially when combined with the paved road, which is why millions and millions of people in poor countries still use them.

 

 

 

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This article discusses how science fiction gets racial allegories wrong. The writer points  out how the people being feared and despised by the populace  (mutants, aliens,  orcs), are almost always given enough power that  makes the fear of them entirely justified. Racial allegories written by White writers really just end up justifying real world racism. Basically saying, it’s okay to police the bodies of Black and Brown people because they really are dangerous to the dominant group. This was the major problem with the movie Bright.

http://www.cracked.com/blog/the-cringe-worthy-way-sci-fi-fantasy-deal-with-prejudice/

So, in the least-racist way you can, please imagine black people are hideous violent monsters who are physically stronger than humans and have large protruding fangs. Then understand in your kind human heart that we should accept these hideous monsters as equal to us normal, beautiful humans.

 

 

 

I thought this was especially interesting. One of the reasons I didn’t make any effort to watch Crazy Rich Asians is not just because I’m not a fan of romantic comedies, but because of the presence of Awkwafina, a female Asian rapper, who traffics in the usual tired appropriation of whatever African American tropes are floating around in her head.  She needs to find a way to express herself that does not involve stereotypes of Black culture.

I have met (and befriended) both Asian Americans, and White people, who grew up in Black culture. They lived in the ‘hood, went to school with Black kids, and all their friends were Black. They dressed, spoke, and acted just like the Black Americans around them. I do not think this is what’s happened in the case of Awkwafina. Is this some form of minstrelsy when engaged in by Asian Americans, and what does it say about them, as a group, that they  feel a need to choose between being Black or White?

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https://www.colorlines.com/articles/performing-blackness-wont-fill-our-asian-american-culture-deficit-op-ed

“If first-generation White European immigrants…could use minstrelsy…to not only ensure their status as White people, but also to distance themselves from Black people, can Asian Americans use hip hop (the music, clothing, language and gestures, sans charcoal makeup), and everything it signifies to also assert their dominance over Black bodies, rather than their allegiance to Black liberation?”

 

 

 

 

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The people fighting against diversity in publishing are fighting a lost battle, I think. The Hugo Awards are probably trolling the Alt- Right at this point.

https://www.vox.com/2018/8/21/17763260/n-k-jemisin-hugo-awards-broken-earth-sad-puppies

But as we’ve also seen, these pushes for social change have led to backlash tinged with racism and misogyny — most notably through Gamergate, the unfortunate 2014 movement that essentially underpinned the rise of the alt-right, codified harassment campaigns against women and people of color for years, and helped give rise to the ideological polarization of the internet.

 

 

I’m always fascinated by the ideological differences between Eastern and Western approaches to technology. This article reminds me that I’ve seen very few movies and TV shows out of the East that make robots the bad guys. I’m sure there are some, but none come to mind for me. Asians have a very different approach to thinking about technology, than Westerners do. For Asian people robots and AI are friends, or allies, or happy tools that perform specific purposes. For Westerners (i.e. White people) there’s a tendency to think of robots as rivals, or enemies.

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https://www.wired.com/story/ideas-joi-ito-robot-overlords/

Technology is now at a point where we need to start thinking about what, if any, rights robots deserve and how to codify and enforce those rights. Simply imagining that our relationships with robots will be like those of the human characters in Star Wars with C-3PO, R2-D2 and BB-8 is naive.

 

 

This article is about how music (and musical styles) have degraded over the years. I still say that the 20th century was the time of the Great Vocalists, and although there are people who are good vocalists today, that an unprecedented number of them were born in the last century, and we will probably not see something like that again, (unless its an era that repeats itself later this century).

Article Image

https://www.intellectualtakeout.org/article/tragic-decline-music-literacy-and-quality

Music electronics are another aspect of musical decline as the many untalented people we hear on the radio can’t live without autotune. Autotune artificially stretches or slurs sounds in order to get it closer to center pitch. Many of today’s pop musicians and rappers could not survive without autotune, which has become a sort of musical training wheels. But unlike a five-year-old riding a bike, they never take the training wheels off to mature into a better musician.

 

 

 

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An interesting article about what it’s like to navigate an environment in which your hair is a source of fascination and political rebellion. I started wearing my hair in its natural state about three, maybe four, years ago, not for political reasons, but because I got tired of trying to keep it straight. None of the White people I know has evinced an ounce of interest in my hair. So far they are keeping silent about their thoughts. Black people however are willing to ascribe all manner of political motivations to me wearing my hair the way it just grows out of my head.

Even in Africa, Black people are fighting battles about how and where they can wear their natural hair.

https://qz.com/africa/1215070/black-hair-myths-from-slavery-to-colonialism-school-rules-and-good-hair/

This is one of the first dilemmas that black people face: do I let people touch my hair and under what circumstances? The question, “can I touch it?” becomes one of the most awkward social moments and can break relationships before they even start.

 

 

This was the topic that got to me though. Mostly I was just intensely baffled by it. The very first image that came to my mind was a scene from the book World War Z. There’s a chapter where one of the interviewees describes something called “Quislings”. He says its a French word for turncoat or something like that. Well, anyway he says that certain types of people ,when confronted with some emotionally overwhelming horror, try to appease that horror by becoming it, and that’s what quislings were trying to do, by pretending to be zombies. Of course, the zombies know they’re not zombies and promptly ate them. He describes a scene where zombies ate a quisling, but the person was so wrapped up in the delusion of being a zombie, that they were eaten alive while not making a sound, still pretending to the end.

Make of that description what thou wilt.

https://www.thedailybeast.com/why-young-men-of-color-are-joining-white-supremacist-groups

Tarrio and other people of color at the far-right rallies claim institutional racism no longer exists in America. In their view, blacks are to blame for any lingering inequality because they are dependent on welfare, lack strong leadership, and believe Democrats who tell them “You’re always going to be broke. You’re not going to make it in society because of institutional racism,” as one mixed-race man put it.

Weekend Reading: On History and Pop Culture

Appropriation of  History

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Discussions on the appropriation of Medievalist history by various pseudo- Nazi organizations throughout, and how historians are fighting back against their livelihoods being associated with it.

https://newrepublic.com/article/144320/racism-medievalism-white-supremacists-charlottesville

http://www.inthemedievalmiddle.com/2017/08/teaching-medieval-studies-in-time-of.html

https://eidolon.pub/why-i-teach-about-race-and-ethnicity-in-the-classical-world-ade379722170

The Popularity of Vikings

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Discussions about the appropriation of Viking culture by neo Nazi groups, and how historians and the descendents of that culture  are fighting against it.

https://cjadrien.com/vikings-popular/

https://www.thelocal.se/20171006/we-cant-let-racists-re-define-viking-culture-far-right-runes-swedish

https://www.tampabay.com/opinion/columns/column-white-supremacists-love-vikings-but-theyve-got-history-all-wrong/2325755

https://www.juancole.com/2017/10/supremacists-vikings-muslims.html

https://www.vice.com/en_us/article/ywqn3j/photos-of-modern-vikings-keeping-their-traditions-alive

Star Wars and Fandom

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I have a post coming soon about a version of gamergate, that happened in the seventies, against disco. Rock music, Gamergate, Star Wars, Ghostbusters…white straight men throwing this type of tantrum because of a changing media landscape is not new, and follows the same formula every time it happens.

This is often reactionary behavior. By the time White men (and it is almost always White men) start protesting something it’s too late to do anything about it.  When it happened in the past, especially when the internet didn’t exist,  whatever they were protesting against simply went underground and emerged in a new form. Gamergate didn’t stop companies from developing diverse games, The Disco Sucks movement did not destroy that particular musical style, protests against rap music didn’t stop it from mainstreaming, and these new ass showings around PoC in scifi/ fantasy movies, isnt going to stop movies from being diverse, and women and PoC are still on the internet. So far, all they’ve managed to accomplish is a handful of celebrities closing themselves off from their fans by limiting their social media accounts.  

So what really is the point of such things?

https://www.dailydot.com/parsec/star-wars-last-jedi-gamergate/

The Beautiful, Ugly, and Possessive Hearts of Star Wars

Racism, Misogyny & Death Threats: How Star Wars Fans Turned to the Dark Side

https://www.theodysseyonline.com/star-wars-fandom-toxicity-problem

 

The latest victim of racist ass-showing is the star of the upcoming DC series Titans, Anna Diop, who closed down the comments on her Instagram page when they racist vitriol got to be a bit much. Of course she’d started to receive this commentary the moment her casting was announced, and issued this statement:

https://www.theroot.com/racist-comic-fans-run-titans-star-off-instagram-for-not-1827809010

 

https://www.themarysue.com/candice-patton-asleigh-murray-racist-backlash/

What is really upsetting to me about this is that both actresses were told to prepare themselves for this backlash, and when coming face-to-face with it, the advice they got was to ignore it. That they’re expected to just take it to lay down the foundation for other women of color, when there are so many women who have laid the down foundation for them already, is truly exhausting.

Thinking Critically

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This first article is about this writer’s long road to adjusting his attitude to current media, and learning how to feel and think about it critically, without engaging in racism, and homophobia, something I think a lot of people, who consider themselves fans, need to do.

https://birthmoviesdeath.com/2017/08/04/film-crit-hulk-smash-on-criticism-in-the-intersectional-age

 

For Huck magazine Anthony Lorenzo does not mince words about how Hollywood perpetuates racism both in front of and behind the camera:

https://www.huckmag.com/perspectives/need-talk-race-film-industry/

It isn’t difficult to imagine why white writers don’t want to tackle characters they probably wouldn’t get right and get flack for. How a character might talk, might walk, the music they’d listen to and where they’d head on a messy night out. There’s a subtlety to the art of creating a character that requires knowledge of a relevant culture to accurately depict their nuances. Getting this wrong forces characters into two dimensions, leaving the writer a failure. 

 

At some point, I need to do a post on how media audiences have changed over the decades. There was a time when the primary audience that most media aimed for was the family. Over time, that changed to teenagers with disposable income, which at some point, metastasized into White males, aged 18-34.

http://www.houstonpress.com/arts/dear-straight-white-men-you-are-being-pandered-to-as-well-7652399

Random Movies

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Zombies, Race, and Gender

Dr Zuleyka Zevallos

I don’t entirely agree with this article, as it hasn’t been my experience of the fandom, who seem to all want to be Negan, but nevertheless, it was an interesting read.

https://www.wired.com/2013/06/world-war-z-zombie-messages/

That shift towards a lone-white-man-triumphing-against-the-hordes mentality goes against the dominant manifestations of zombie fandom, where often fans want to join zombie swarms rather than be lone-wolf heroes. As Lauro explains, the group mentality that has proven successful in the past is the one fans share.

 

Bladerunner 2049 and Race

The movie definitely has some racist and sexist issues:

http://colorwebmag.com/2018/03/27/the-racial-flaws-of-blade-runner-2049/

 

The Magnificent Seven: Racial History

On the erasure of PoC from the Western narrative:

<em>The Magnificent Seven</em> vs. The Historical Negationism of Westerns

 

Ready Player One

Ready Player One has several issues wrong with it but I think for me one of the biggest issues is outlined in the first article. In this movie there is almost no acknowledgment that Black culture is American culture:

http://www.okayplayer.com/originals/ready-player-one-black-culture-erasure-harmful-opinion.html

https://inews.co.uk/culture/film/ready-player-one-panders-to-a-lame-sexist-nerd-culture-that-needs-to-die/

 

Analyzing The Purge

An analysis of everything wrong with the plot of The Purge, and an analysis of how poverty would affect the outcome of such a plot.

http://www.plotpedant.com/the-purge/

https://filmschoolrejects.com/the-purge-and-politics-of-poverty-c23e94449e4/

The Purge — the event, not the film — is for white people, specifically rich white people. They are the beneficiaries, the ones who can afford the security systems to keep them safe, the ones wanting to thin the population for the sake of conserving resources, and the ones whose bloodlust is least in check. The victims are minorities, largely, and economically disadvantaged to the point some even resort to selling themselves to wealthy people on Purge Night in exchange for their surviving family’s financial security. That’s another idea that only a couple of weeks ago sounded like pure fiction, and now….well, not as much.

 

Snowpiercer and The White Savior

An analysis of the use of the White Savior trope in the movie Snowpiercer. This is one of my favorite movies. It has a lot of messages in it about the hierarchy of inequality, and stars Chris Evans. It also has an unconventional ending that makes the use of the trope a lot more complicated.

https://alanw2000.wordpress.com/2014/11/29/snowpiercer-analysis-bong-joon-hos-sci-fi-masterpiece-by-alan/

http://mumpsimus.blogspot.com/2014/07/the-decay-of-white-savior.html

 

Avatar: The White Savior Trope

https://io9.gizmodo.com/5422666/when-will-white-people-stop-making-movies-like-avatar

 

Mad Max: Fury Road/Disability

https://womenwriteaboutcomics.com/2015/05/disability-in-the-dystopian-future-of-mad-max-fury-road/

https://www.inverse.com/article/15806-one-year-later-fury-road-resonates-on-disability-sexuality-and-the-end-of-days

 

Logan: On Violence, Death, and Dying

Logan: A Film Fighting With Itself

http://www.btchflcks.com/2017/03/logan-on-death-and-dying-and-mutants.html#.W1JVgjpKgnR

Weekend Linkspam: Television

Here, have some more interesting article links.

On Hannibal: The Series

 

I loved this mashup video of all the different iterations of this specific scene in Hannibal.

 

 

http://www.vulture.com/2013/06/seitz-on-hannibal-its-a-dream-and-it-hurts.html

https://www.firstthings.com/web-exclusives/2015/10/the-moral-universe-of-hannibal

http://www.vulture.com/2015/08/hannibal-redefined-how-we-tell-stories-on-tv.html

 

 

On Whitewashing and Other Concerns

The Seven Strategies for Defending Your Problematic TV Show or Movie—and Why They Don’t Work

http://www.slate.com/blogs/browbeat/2017/03/24/filmmakers_and_actors_keep_defending_casting_controversies_but_here_s_why.html

 

On American Gods:

 

https://blackgirlnerds.com/american-gods-realities-race/

 

On Popular Media and Racism Vs. Historical Accuracy

https://eidolon.pub/how-to-be-a-good-classicist-under-a-bad-emperor-6b848df6e54a

https://sarahemilybond.com/2017/09/10/hold-my-mead-a-bibliography-for-historians-hitting-back-at-white-supremacy/amp/

https://www.publicmedievalist.com/race-racism-middle-ages-toc/

 

On The White Savior Trope

Oh Come All Ye White Saviors

http://www.salon.com/2013/02/21/oscar_loves_a_white_savior/

 

 On Daredevil and the Yellow Peril Trope

Black Mask, Yellow Peril: Anti-Asianism in Netflix’s Otherwise Brilliant <i>Daredevil</i>

https://io9.gizmodo.com/marvel-s-got-an-asian-problem-and-it-s-not-getting-any-1781448797

 

On Furiosa and  Disability in Film

Cover Photo: Frock Flicks

https://catapult.co/stories/love-disability-and-movies

http://www.popmatters.com/feature/194573-power-and-disability-in-mad-max-fury-road1/

https://serfbazaar.wordpress.com/2015/05/22/furiosa-disability-representation-and-empowerment/

https://www.inverse.com/article/15806-one-year-later-fury-road-resonates-on-disability-sexuality-and-the-end-of-days

https://www.bitchmedia.org/article/more-our-machines/aesthetics-and-prosthetics-science-fiction

Weekend Reading Assignments

Here I am, providing you guys with some enjoyable, and enlightening, reading material for the weekend. This should tide you over, until I make a post about something a little more substantial, Monday.

 

*This post is about one of my favorite action series, John Wick, and how it compares to the action films of the 80s.

At one point or another, every major movie site gets around to detailing  the collapse of the modern action movie star. Gone are the bulked up action stars of the eighties who could sell a fight sequence just by looking the part of a demi-god. Gone too are the slow-motion gunfights and myriad of squibs that contemporized the gunfight. In an era where the studio is the star and special effects are limited only by the imagination of those coding them, there isn’t a lot of room for standouts and signature styles.

From: https://wordpress.com/post/tvgeekingout.wordpress.com/57342

Continue reading “Weekend Reading Assignments”

Hollywood’s Problems

This is just another problem in a long list of issues Hollywood has with depicting PoC. For those of you who don’t remember the movie No Escape starring Owen Wilson, here’s some  reviews to refresh you.

Review: ‘No Escape’ is a suspenseful but borderline racist thriller

‘No Escape’ Reviews: Critics Call Owen Wilson’s Actioner ‘Racist,’ ‘Cliche-Ridden,’ ‘Monotonous’

6 Reasons There’s No Escape From Hollywood Racism

And the Impossible, starring Naomi Watts:

https://www.theguardian.com/film/filmblog/2013/jan/02/attempting-the-impossible-asian-roles

IMPOSSIBLE IS NOTHING: WHITENESS KNOWS NO LIMITS

 

And this is a review of Hollywood’s latest debacle starring Blake Lively. I do notice these types of films seems to star Hollywood’s best second raters.

Yet another white lady in jeopardy: “The Shallows” and Hollywood’s empathy gap

In movies like this, the suffering of local people of color takes a back seat to the plight of Caucasian outsiders