…And Then It Imploded!

All four of these huge racial implosions happened in the space of a year:

 

Star Wars

This one started in December, just after the release of the last film in the Skywalker trilogy.

In the latest news on racism, we have John Boyega, now that he is free of Disney, which means he is also free of any promotional obligations to them, is lowkey stating what every Black person has felt about the Star Wars fandom, since he first encountered its most toxic members nearly six years ago: F*ck you arseholes!

For the past two weeks he has been trending on Twitter and certain members of the fandom are mad as hell! Here’s an overall  assessment of the situation from Youtube’s Clownfish TV.

This entire thing is so long and convoluted that I cannot possibly go into everything wrong with this fandom. So here’s some links, most of which are all kinds of fun as John speaks in his own words, on his own terms, and let’s  toxic fans have it.

I have long observed that you do not come for British actors and comedians on social media. They are a class of entertainer who have absolutely zero f*cks to give as regards American’s delicate feelings, and tolerate no nonsense from us. Yes, it is primarily Americans who are acting a damn fool about all of this. Americans are so used to throwing their weight around in other countries, that I’m not surprised we try the same shit on social media, and then act surprised when people from other countries push back.

https://www.cinemablend.com/news/2486615/john-boyega-get-candid-about-stupid-star-wars-fan-conflicts

https://www.cbr.com/star-wars-john-boyega-toxic-fandom/

Incidentally, both Kelly Marie Tran, and Oscar Isaac, both pulled a Mark Hamill, and have made it clear they are through with this particular  Disney franchise, and were dissatisfied with how their characters were mistreated in the story. This entire thing must have been especially trying for Kelly Marie, who started out in the franchise as a sweet and bubbly newby, who was excited by her new role, was having a lot of fun, and looking forward to an illustrious career, and look what the so called “fans”  did to her.

https://www.thedailybeast.com/the-persecution-of-kelly-marie-tran-how-star-wars-fandom-became-overrun-by-alt-right-trolls

https://www.yahoo.com/entertainment/star-wars-actress-kelly-marie-tran-reveals-how-she-coped-with-internet-trolls-after-casting-201413884.html

Tran, Boyega, and Ridley have endured years of trolling and bullying from a virulently toxic fandom. (Daisy, less so since, as she isn’t on social media.)

 

American Gods

This happened in the fall of last year:

In October and November of last year, one of my favorite actors, Orlando Jones, found out he’s been fired from the cast of American Gods. where he played Anansi, and African Trickster god. Here’s the timeline of the event from Orlando’s viewpoint. According to Orlando, it’s a complete, racist,  wtf*ery…

Image result for orlando jones

Here are Jones’ comments on his departure from American Gods.

September tenth, 2018, I was fired from American Gods. There will be no more Mr. Nancy. Don’t let these motherfuckers tell you they love Mr. Nancy—they don’t. I’m not going to name names, but the new season three showrunner is Connecticut-born and Yale-educated, so he’s very smart. And he thinks that Mr. Nancy’s angry get-shit-done is the wrong message for black America. That’s right, this white man sits in that decision-making chair, and I’m sure he has many black BFFs who are his advisors, and made it clear to him that if they did not get rid of that angry god Mr. Nancy, he’d start a Denmark Vesey uprising in this country. I mean, what else could it be?

To the wonderful Neil Gaiman, thank you for allowing me to play this role, for writing this wonderful book, for opening the door for me to become a writer/producer on season two of American Gods, thank you, sir. To the magnificent Bryan Fuller and the incredible Michael Green, thank you for creating this series and for allowing me also to become Mr. Nancy. I hope the fans enjoyed it, because really this is about you. I hope you loved it as much as I loved doing it, and, you know, we’ll see each other again real…

https://slate.com/culture/2019/12/orlando-jones-fired-american-gods-mr-nancy-charles-eglee-starz-gaiman.html

I have no plans at this time to watch the third season. The showrunner for hte first season was Bryan Fuller who is an exemplary showrunner, and out gay man, and has no problems with writing complex, and sometimes, controversial shows. The second season saw new showrunners, and while the season wasn’t a bad season, the drop in cohesion and quality was noticeable. I expect it to drop even further wit hthe ousting of Orlando, and a writer’s room that doesn’t want to be bothered writing its Black characters.

That some of it held together at all, is apparently due to Orlando Jones stepping in to help write not just his own character, but many of the of the characters of color  on the show, as the writers couldn’t bring themselves to be bothered to do it, and for which he received no producer credit. They also did not announce his firing in a timely enough manner for him to audition for a new position in an another show.

Here’s what Orlando stated, in his interview with TVLine:

I showed up in Season 2 of American Gods, and they hadn’t written for my character at all. They certainly knew I was coming. That was literally the studio’s job. And they didn’t do that job. And I wasn’t the only person: They didn’t do it for all of the characters of color. So if you really care about these characters of color, then why don’t you write for them? So, I found myself in a very odd situation, because Neil Gaiman was the one who asked me to write a [character] Bible for Mr. Nancy [at the start of Season 2]. I didn’t jump into the writing process and throw my weight around. I was invited by Neil Gaiman. And when I wrote that character Bible and sent it to him, I got back a message I wasn’t expecting. As a fan of the human and, you know, as a writer myself, I was overjoyed. It was all caps the email, you know, “I F–KING LOVE IT. Spread it around.” …I spread around that character Bible. And I suddenly found myself writing, not just Mr. Nancy, but Ibis and Salim and the Jinn and Sam Black Crow and Shadow Moon and all of the characters of color who weren’t written.

Not only did the creators of the show fire Orlando Jones, but they also got rid of the Jinn and Salim, the only MENA actors in the series, and the only openly gay couple (which the show was too chickenshit to show last season), that I’ve ever seen on TV.

I don’t think the creators on these shows realize what a massive fanbase some actors of color have, and Orlando has a huge Black fanbase on Twitter, with whom he regularly interacts. They are incredibly loyal, and vocal about their love for him, and producers and creators of these shows do not understand how much we certain Black actors, They need to recognize that it is that fanbase that’s tuning in to watch these shows. Celebrities like Orlando, Viola Davis, and Gabrielle Union, have a huge cache of good will in our communities, and to dismiss or disregard it, is sheer stupidity.

What has happened since is that about half the main cast has vacated the show. Mr. World. The Jinn, Salim, and New Media.

 

******

What happened here is not that much different from what happened on Sleepy Hollow. A show that was based on a Black female character got new showrunners, who mistreated the lead actress, and decided to focus more of their writing on the White characters in the show to the point where the original lead actress was simply written out of her own show (and replaced by a lighter skinned actress, btw). Not because of anything she’d done, but because the writers either didn’t want to focus on her,  didn’t know what to do with her character, or were too lazy to write a woman of color.

I say let this new season of American Gods go the same way as Sleepy Hollow. its not a good look when a successful show keeps cycling through more and more mediocre (and cheaper) showrunners. I won’t be watching the new season, and believe we should ignore it until it goes off the air. Don’t talk about it, don’t tweet about it. Let the third season be its last.

https://wearyourvoicemag.com/entertainment-culture/the-sleepy-hollow-ing-of-american-gods

Last week, Jones went public on Twitter about being let go from American Gods, citing that Eglee did not think the “angry” message was the right one to send to Black America and that he would know since he writes from “a Black male perspective”. 

What we are witnessing, once again is “whitening” of a show. Every time Hollywood creates a show aimed at a Black audience, they consider that audience to be expendable once the show gets good ratings. They then try to reset the show to appeal to whiter audiences, instead, get rid of everything that drew us to the original story-line (watching characters of color in a fantastic setting), and  considerably “lighten” the characters each season thereafter.

The decline of American Gods and its once sharp-as-nails grasp of the concept of race in America mirrors such issues, with the departure of Mr. Nancy bringing the casting of Herizen Guardiola as Yoruba goddess Oshun back into question. Oshun, sans her appearance in Lemonade, has always been depicted as a beautiful, darkskinned goddess. And it takes a specific type of toffetry and caucasity to assume the opposite and also assume that there cannot be two darkskinned goddesses onscreen at the same time (re: Bilquis).

*****

Image result for gabrielle union agt timeline

But the producers of American Gods aren’t just in trouble for this issue. Fremantle Media, an Australian based company, that usually produces Reality TV shows, is being investigated for the firing of Gabrielle Union, a Black actress from America’s Got Talent.

https://www.kingofreads.com/a-complete-timeline-of-the-gabrielle-union-americas-got-talent-saga/

The Romance Writers of America

Most of this happened in December of last year, and continues to now:

Image result for romance writers

Last year, I published a link to an article on the lack of diversity n romantic fiction, and how women of color were fighting to be included:

https://www.theguardian.com/books/2019/apr/04/fifty-shades-of-white-romance-novels-racism-ritas-rwa

********

NOW:

The Romance Writers guild imploded earlier this month ,in a series of vents which has culminated in the mass exodus of at least a third of its members. Here’s a timeline of the events, as we understand them:

https://www.claireryanauthor.com/blog/2019/12/27/the-implosion-of-the-rwa

********

a summary of my understanding of the situation

  • courtney milan is a chinese-american romance author and was the chair of the romance writers of america ethics committee
  • she wrote a twitter post where she called a book by kathryn lynn davis ‘a fucking racist mess’ (because it was)
  • davis and suzan tisdale file a complaint because How Dare She
image
  • are you guys seeing this because oh my fucking god ARE YOU SEEING THIS
  • “it was the nineties and she did a lot of research into chinese people, you’re just racist against white people”
  • they kicked courtney off the board because of this
  • immediately people started resigning because that’s horseshit
  • so many people resigned
  • SO MANY
  • it turned out the people resigning were some of the only people keeping the absolute bugfuckery of the people in charge at bay
  • the decision was rescinded like “oh whoops our bad” but like?? too late????
  • all the dirty laundry is coming out on twitter
image
  • there are petitions to get the president, president-elect, and executive director of rwa recalled because they’re clearly fuckups
  • either the rwa is going to need to go through some big changes, or a lot of authors (particularly queer authors and authors of color) are going to have to make their own org
  • the founder of rwa was a black woman so bigots taking over is especially fucking galling
  • courtney milan is also the reason we have dinosaur emojis
  • that’s not really relevant except who the fuck steps to the woman who got us dinosaur emojis

 

  • Courtney Milan is not only a great author and the person who gave us dinosaur emojis.
  • She is also a lawyer who clerked for Federal Judge Alex Kozinski.
  • In 2017 she spoke the WaPo and exposed Kozinski’s pattern of sexual harassment, also shedding light on how the clerking system’s confidentiality rules created an environment in which it was effectively impossible to make complaints about the judge one served under.
  • This is a massive clusterfuck from the ground up, but particularly because Milan is just about the worst possible person to fuck with in a situation like this.
  • The Board also took on the Case of the White Lady Publishers Who Don’t Like WoC Pointing Out Racism on Twitter, but has this same week refused to speak on Dreamspinner Press not paying authors.
  • So that’s a look at the priorities of what is *supposed to be* an authors’ advocacy professional org.

courtney milan managed to do a TON of good while she was on the board by taking neither prisoners nor shit, and being very vocal about calling out fuckery in the community, but now it’s looking like there were people within the rwa looking for excuses to get rid of her for exactly those reasons

hopefully they’ll be able to get the org back into good hands, because otherwise that’s a lot of resources that are going to go to waste (think: millions of dollars) while good people have to start over

 

******

*This entire timeline has resulted in the  canceling of their annual awards event.

https://www.washingtonpost.com/nation/2020/01/08/romance-writers-america-cancels-awards-program-writer-racism-controversy/

 

 

The Knitting Community

This began around this same time last year, and wound up in the Summer months:

Image result for knitting

Since this event began Ravelry has banned any form of support for Trump from its website. You can still be a conservative and discuss politics, you’re just not allowed to openly express any support for him, or his administration, on the site.

We are banning support of Donald Trump and his administration on Ravelry.

This includes support in the form of forum posts, projects, patterns, profiles, and all other content. Note that your project data will never be deleted. We will never delete your Ravelry project data for any reason and if a project needs to be removed from the site, we will make sure that you have access to your data. Even if you are permanently banned from Ravelry, you will still be able to access any patterns that you purchased. Also, we will make sure that you receive a copy of your data.

We cannot provide a space that is inclusive of all and also allow support for open white supremacy. Support of the Trump administration is undeniably support for white supremacy.

The Community Guidelines have been updated with the following language: “Note that support of President Trump, his administration, or individual policies that harm marginalized groups, all constitute hate speech.”

Policy notes:

  • You can still participate if you do in fact support the administration, you just can’t talk about it here.
  • We are not endorsing the Democrats nor banning Republicans.
  • We are definitely not banning conservative politics. Hate groups and intolerance are different from other types of political positions.
  • We are not banning people for past support.
  • Do not try to weaponize this policy by entrapping people who do support the Trump administration into voicing their support.
  • Similarly, antagonizing conservative members for their unstated positions is not acceptable.

https://www.vice.com/en_us/article/xwnp4a/the-real-reason-ravelrys-ban-on-white-supremacy-is-surprising

 

 

Exciting Trailers For April/May

Gemini Man

I am really excited about this movie. I am a huge Will Smith fan. I have been since Fresh Prince, and will watch any movie he stars in, or any album he releases. This is non-negotiable, and I am unanimous in this! Plus I like the premise of this movie, of a government assassin fighting a younger version of himself…c’mon! that is John Wick levels of awesome!

 

See You Yesterday

I love the premise of this movie, but ultimately I probably am not going to see this in theater. Some movies I just can’t watch because I would have serious problems controlling my anxiety, and shootings of unarmed people is one of those topics. But don’t get me wrong, I hope it does really well, and I urge people to go see it for its novelty, if nothing else. Groundhog Day-like stories, with Black people in, them rarely get seen. I can always support a movie about little Black nerds, I just don’t want to see any more fictional stories involving unarmed Black people getting shot by the police, (or real ones either, for that matter).

I  do think the fact that Black writers are capable of telling these types stories, at this time, in their own words, is kinda awesome and groundbreaking, though.

 

 

Final Godzilla Trailer

I’m really excited to see this movie, and I hope I can talk my Mom into going to see it with me, even though she claims to hate Godzilla. She says that, but she does like that Michael Bay movie that I hate, so maybe I can get her to see this one.

 

 

Child’s Play

My Mom is  a Chucky fan, but she has emphatically stated that she does not want to see this movie, and that its going to be crap. I, however, am not a Chucky fan, beyond the first film, and this  looks interesting to me, and I’m already trying to figure out how to manipulate her into going to see this movie with me, (which may or may not work).

 

 

 

Addams Family

We goin’ waaay back, to the original Addams cartoons for this …well, cartoon! This is how they were originally drawn by their creator Charles Addams. I remember reading these in some collection when I was a kid, and I do remember loving the TV show which was  toned down from the comics, in that there was less of them actually trying to kill each other. I am looking forward to seeing Lion on screen, though. This seems to be getting back to the Addams’s darker aspects.

Image result for addams family cartoons new yorker

 

Star Wars: The Rise of Skywalker

I’m not sure what to think about this trailer. It looks pretty good, and I hope they do right by Finn in this episode. I was a little disappointed in Finn’s character arc in the last movie, although I loved his fight scenes, and his chemistry with Rose Tico. I think the movie got bogged down with too much emphasis on Kylo Ren’s backstory, which I like to skip over, when I’m watching it on Netflix.

But this trailer looks good, and I’m looking forward to seeing Lando Calrissian again.

 

 

Swamp Thing

I’m a big Swamp Thing fan, especially the 80’s version, which was much more Horror than superhero type story. In fact, Swamp Thing wasn’t a heroic character, really. He had his own personal battles he was fighting, and then there was the introduction of The Green, which really made the books deeply surreal. There was also some pretty deep philosophies  about man and nature ,and man vs. nature, and self identity. I don’t know if the Arcane arc will be covered in the series, but I’ll check it out when it airs.Well anyway this new show is airing on the DC Universe streaming service, along with Titans, and Doom Patrol.

 

 

The Boys

I never read the comic so I can’t say how accurate this is to the written material. This trailer looks insane though. I’m not sure I’m going to watch it, just for that reason. I don’t know if I’m ever ready for intensely crazy imagery like what’s happening here. It also doesn’t look especially deep, seeming to be more spectacle than thought, and it probably needs more PoC in it.

 

 

Like a lot of fans, I am going to see Avengers Endgame, and will probably have some thoughts about it. Hell, I have thoughts about it now because of been doing some reading on Malthusian ethics, (for lack of a better word), and I had some thoughts about Thanos and White Nationalists, and Swift’s A Modest Proposal.

Why Star Wars Fans Are The Worse Fans Ever…

Its not just Star Wars fandoms, though. We spend a lot of time on Tumblr shaking our damn heads over how shitty some of these fandoms behave towards characters they claim to like, and explaining why its not a good idea for people to do and say racist shit about them.

“Do they even know how to Fan?”

The Star Wars Fandom is, on occasion, a complete shitstorm of every awful racist behavior seen in every fandom ever. This is not to condemn those legitimate fans who genuinely love the franchise, and are not engaging in any of these shenanigans, let me make that clear. Hell, I’m a Star Wars fan! Been one since the first movie. But what I do not want to do, is  have anything do with the Star Wars fandom, in general, whose behavior, from the time of the announcement of Finn as a lead character, has been universally awful, racist, and thoroughly nasty, not just towards other fans, but towards the characters, the actors, and even the show’s creators.

As a general rule I do not engage in shipping of various characters. Not because I don’t think it’s a legitimate activity. It’s just that I almost never think about it, and when I do,  I rarely ever go beyond whatever canon pairing is present. Its simply not my priority when consuming media.  Some of the fans, however,  have taken shipping Rey and Kylo to such a  delusional level of behavior, you wouldn’t believe it.  From death threats to the creators, to cropping characters out of cast photos and posting them online, and harassing the actors on Twitter.

I was in the Supernatural fandom when the Destiel shipping started to ramp up, (it has since died down somewhat, thanks to the show no longer queerbaiting the characters), and saw every one of these behaviors  listed here, , within that fandom.

https://www.thewrap.com/12-times-fandom-has-gone-horribly-wrong-from-one-direction-to-dragon-age-photos/

Star Wars fandom is not the only one engaging in harassment of the actors and other fans. This happens in all the largest fandoms. A lot of the problem seems to be a toxic combination of celebrity worship, racism, and entitlement to the stories being consumed, and people not knowing how to be fans, along with internet anonymity. Somewhere along the way, people forgot that fandom involves loving and respecting the characters, and actors, and that this is supposed to be fun.

http://epicstream.com/features/8-Times-Internet-Fandom-Crossed-The-Line-With-Creators-and-Actors

This behavior tends to have  the worst repercussions for fans of color. Fandom becomes a “safe space” for White fans, at our expense. Part of the problem is the use and writing of meta. You have a lot of people writing so-called, think-pieces about these shows. Unfortunately, a lot  of these are written by people who have seen meta,  think they know what it is, and how to do it, but  have never had an analytical thought in their life.

This is not something exclusive to White male fans either. There are plenty of White women out there writing slavefic about Black Panther, cropping Finn out of photos with Rey, writing racist meta on why Michonne, and Uhura, and Iris West should die, or  remain unloved and alone, and harassing Candice Patton with pornographic, and racist memes on Twitter.

meta

1. Meta means about the thing itself. It’s seeing the thing from a higher perspective instead of from within the thing, like being self-aware.

The Reylo faction of the Star Wars fandom  regularly engages in every single one of the behaviors listed in the above articles. How is this fandom? How does this show a person’s love for a show, or character, or even an actor? Fandom has become so toxic in some places that even the mainstream news media have gotten wind of it, and they’re usually oblivious to such things. (We won’t get into how mainstream media has  aided and abetted the  racist, sexist, and homophobic attitudes that make toxic fandom possible.)

@@

The Reylo fandom are those people whose priority is shipping Rey and Kylo Ren from the Star Wars movies. Although many people are opposed to this relationship because it’s seen as romanticizing abuse, and as an erasure of Finn from his own narrative, its the behavior surrounding the ship, that seems to be causing the most consternation among fans of color. My general attitude is like whatever ships you like, but don’t delude yourself that it’s going to happen. Don’t delude yourself about what type of character you’re stanning for, and for fuck’s sake, stop make up bullshit excuses for what you’re doing because you feel some type of way about liking the villain.

JUST OWN IT!!!

 

A List of Things Reylos Have Done

rootbeergoddess

 Okay, this will be the last Reylo post I make today but since they want to act like they’re innocent, I’m just going to make a short list of the things they have done.
  • Harassed Daisy Ridley for posting a picture of Finn and Rey holding hands
  • Spammed unrelated Star Wars tags with Reylo content
  • Sent racist messages to various Finn fans
  • Erase Poe to make Kylo part of the new trio
  • Cropped Dev Patel and John Boyega out of pictures only to replace them with Adam Driver
  • Made racist Native American AUs and a racist Black Lives Matter story
  • Made a really gross and disturbing mental patient AU
  • Have tried time and time again to erase the relationship Finn has with Rey
  • Have posted Reylo content in the Beauty and the Beast tags as well as the Dark Crystal tags
  • Crosstag on a daily basis
  • Made Rose’s line about the things we love about Rey and Kylo
  • Made a Handmaid’s AU

This list will surely get longer.

 

 reylo-more-like-reyno
 Adding to this:
  • Organized, promoted, and held a “Cousin Ben Week” dedicated to creating content where Rey and Kylo were cousins in a romantic relationship, purely for the fetishization of incestuous relationships.
  • When some Reylos came forward with concerns about “Cousin Ben Week” they were silenced by other Reylos and told to get out of the fandom if they were bothered
  • Harassed antis after antis posted stories about being bullied by shippers before becoming antis, called many antis “victim-blamers” for sharing such stories
  • Bullied antis after antis posted selfies to spread positivity in the anti community
  • Made up a fake Crepe story to shit on antis
  • Harassed Pablo Hidalgo about if Kylo is a virgin or not
  • Have called Finn/John Boyega racial slurs including “coal boy” and said he looks 40.
  • Have sexually harassed a Kylo Ren actor at a Disney theme park.
  • There are scattered incidents of Kylo Ren and Rey cosplayers being harassed bt Reylos as well.

xprincessrey

 Also adding made Orient Express about their ship when it came out with Daisy as one of the leads ( where character was half of a interracial couple )

And recently Made the song “Rewrite The Stars ” a song about interracial couple facing racist miscegenation in the 1800s sing how they can rewrite the stars so they don’t have to deal with the racism

 

hanorganaas

 Posted a story where Leia died and Han married Rey only to have Kylo steal his father’s bride from his own dad.

 

nutheadgee

 Used the Holocaust experience as a sob story to try and mine sympathy and got mad when actual Jewish people told to not do that because anti semetism.

Called myself and other black fans nazis, KKK equivalents and racists because I said they don’t experience racism and should STFU about anti blackness.

Sent some select black finnreys pictures of black people being hanged and/or lynched.

Claim to “call out racism” in their little circlejerk echo chamber and in the same breath turn around and say how us blackies are mean and racist when we tell them how nasty they are.

Shit talk on our posts all day while blocking us because they are too pussy to have us respond to them directly.

heartlessbrujx

-Told other reylos to reblog an anti minors post because they expressed being triggered by reylo blogger interaction

-Weaponized cope shipping reylos against anti survivors

-Made a sexual assault reylo video

-Sent porn to underage antis simply for not liking the pairing

-Compared me, a Mexican, to Trump for not liking their pairing

-suicide baiting antis for calling Adam Driver ugly

-Said islamophobia wasn’t real and Muslims uncomfortable with Adam were the “real racists”

-Drawn Finn with wide lips and black skin

-Take FinnRey lines to promo their mayo pairing

-Called FinnRey shippers the “real racists” for not shipping FinnRose

-Reduce Poe to a sexy player and refuse to admit the racist undertones in that stereotype

-Demonize Finn as a black man for taking Rey’s hand “against her will” yet praise Kylo for kidnapping and torturing her simply because Kylo is white

 

angelsaxis

 -sexually harassed me in the comments of a fic I wrote and then claimed that I was the one doing the harrassing just for responding

-made an entire theory on how every instance of Kylo/the FO being violent and angry was ACTUALLY super romantic and about Rey losing her virginity

-compare Adam being called ugly to anti blackness and other forms of racism

 

inkstorrn

  • Harassed a minor for “””doxxing”” them when said minor hadn’t actually done anything wrong
  • Continuously harassed various antis about their ship being canon starting in January 2016 when there was not even a hint of that being true
  • Constantly call antis “scum” and insinuate that we’re all a hivemind and/or 12 years old and “just don’t know better”
  • Instead of informing antis about a rapist in the community, turned it into an antis vs shippers situation, and spread misinfo about a popular blogger
  • Continuously jump onto properly tagged posts to gang up on the op
  • Insinuate that antis tell people to die and/or harass shippers without providing any proof

badships

 Gonna add to this too
  • Wrote gross incest stories on anti posts
  • Used that stupid “anne” insult and then used the “it’s a meme” line on trans/nb antis who said it made them uncomfortable/dysphoric (im one of those trans people)
  • Compared black people to purple aliens when called out on a whitewashed finnrey edit
  • Compared finnrey/finnrey shippers to hitler
  • White shippers continue to speak over POC about what is and isn’t racist
  • Said I have no right to speak on racism because I’m not fully black
  • Refered to my race as a “half breed”
  • Sent themselves racial slurs on anon and then tried to accuse me and a few other antis, wouldn’t provide proof that it was me or said antis

 

@@

My question about this one is, what are White women in fandom supposed to do when The Becky Sue is the example they get from the source material? White racial resentment is  a factor in how fans respond to the media they consume. In one episode of The Walking Dead, a White character named Enid dressed down a WoC on the show. (In  a more recent episode, she tried to do this again to Michonne.) Some fans objected to this, seeing  in this scene, the writers taking the opportunity to express their own real life racial resentment through a white character.

I didn’t see that particular scene, so I can’t say, but I have noticed a trend, in genre media, of White writers putting their own racially coded words into the mouths of Black characters, too many PoC characters being abused and/or  mistreated in the narrative by White female characters, or writing Black characters (especially Black women) to be virulent (allegorical) racists, and xenophobes.

As far as what Tumblr thinks:

 On White Prioritization

 

The dominant ideas in any culture will reflect the ideas of the most powerful, those who control the means of disseminating those ideas for if there is to be social order the less powerful must come to accept the ideas of the most powerful as the correct and right ideas. This is effected via a process of ideological indoctrination. The principal institutions responsible for the spread of the dominant ideology are the media, the educational system, the religious institutions and ordinary popular cultural fare such as movies, music, jokes and seemingly innocent play.

The dominant culture of the US was formed to give preference to and propagate the white supremacist cis-heteropatriarchy, a sociopolitical system in which cisgender, heterosexual white men hold social dominance at the expense of subordinating racial minorities, transgender individuals, non-heterosexual sexual orientations, and women.”

Part and parcel to these interconnected systems of oppression are racist cultural messages that present whites as whole human beings while pathologizing blackness and regarding non-whites as inferior. These ideas become entrenched in our subconscious and infiltrate our social attitudes developed through the socialization process.

 White-centeredness is a deeply-rooted aspect of U.S. culture. White-centeredness denotes the centrality of white representation that permeates every facet of our dominant culture. It upholds as “normal” and “expected” the ubiquity of language, ideas, prejudices, preferences, values, social mores, and worldviews established by the white perspective.

@@

 The Becky Sue

This is a bit of a rant, sorry for any gratuitous swearing.

I know there’s the term ‘Mary Sue’, but I feel like there should be a ‘Becky Sue’, because both in fiction and life, white women are made out to always be the one who is right, the one who needs protecting, etc. There’s white privilege, and I feel that when a white woman against a PoC is involved, the privilege is taken to an even higher level because white women are always seen as the innocent ones.

I feel that the worst kind of Becky Sue in fandom and fiction are the ones that write stories where PoC only exist to fucking bow down to them and be there only to accomplish whatever goal they have. Like a PoC man sees a white woman at the beginning of a fic and is like–

‘Omg, it’s a white woman and she’s the prettiest most precious woman I’ve ever seen and I know absolutely nothing about her, but this is love at first sight and I’m going to marry her as soon as possible. Nothing else matters. Not my family or my identity, nothing. I’m just here to please/worship the ground of Becky Sue.’

It’s fucking nauseating. Then they have the Becky Sue writers who make their Becky Sue characters complete disgusting bitches to PoC, and when they get called out for it, they’ll be like: ‘Oh em gee, you’re misguided, you’re a drama queen. Like, just don’t read my story and let me have my fantasy of shitting all over PoC in peace.’

And then there’s the Becky Sue writers who write kind, intelligent PoC out-of-character (because if there’s a kind PoC character, white people have to knock them down a few pegs though shitty writing, jokes, or white-washing) then when this is pointed out they’ll be like, ‘Omg, not everyone sees everything the way you do. I don’t care about the source material, I just want to treat PoC like trash.’

Then, there’s the Becky Sues that will make up excuses for their racism and microaggressions with fake (or real) excuses like: ‘Oh em gee. I have depression let me write whatever I want.’ Or, ‘Oh em gee. I have Stigmata and a hang nail so you can’t criticize me.’ Or, when all else fails, just resort to name calling and flipping the situation around (white women’s favorite tactic) to where they say the big bad PoC is being a ‘troll’ or ‘mean’, or a dick, asshole, etc. And they’re the victim of harassment.

Or, another Becky Sue will come along and be like, ‘Omg, your Becky Sue character and her shitty treatment of PoC is the best thing I’ve ever read! This is better than any novel I’ve ever read! You’re the greatest writer ever! Like, your Becky Sue is SOOO down to earth!’

Or, they’ll be like: ‘Oh em gee, pointing out my racism is a personal attack. Becky Sues unite! Take down the big bad PoC!’

Just because you have depression or whatever, that doesn’t give you the right to be a fucking racist, and to treat PoC characters like trash. It doesn’t exempt you from being called out or criticized either. If you can’t write (or draw) PoC without being gross, racist garbage. STOP – FUCKING – WRITING – ABOUT THEM, if you’re that fragile to criticism. (I guess white women compare themselves to porcelain because they’re fragile and crack at the tiniest thing–I guess their evil ways is also one thing that makes their looks crack at an earlier age too. *pettyTM*)

I think that white people who are adamant about writing PoC like that are TRYING to antagonize PoC. And may karma just kick them in the fucking ass, please.

Plenty of PoC deal with both depression and OPPRESSION on a daily basis. And do most white people care? Here’s a tiny hint…HELL, FUCKING, NO.

Representation and the things you write do have an effect on others. Don’t try to make excuses or pretend that it doesn’t.

Can PoC writer’s/fanfic writers and artist start tagging their work as ‘PoC writer’, ‘PoC artist’? Or ‘Black writer,’ etc., etc.

I’m so drained of navigating through klandom’s filth, and having to handle white people (many who claim to be “progressive”) with kid gloves for every little thing because they can’t take discussions about anything that isn’t about glorifying everything they do, or anything that takes the focus off their white world.

submitted by  anon on FANDOMS HATE PEOPLE OF COLOR

 

@@

Image result for white feminism

On White Feminism in Fandom Spaces

*(This is what happened in the Agent Carter and Wonder Woman  fandoms.)

http://blackyouthproject.com/feminist-triumph-action-thrillers-always-white-women/

http://time.com/4599585/hollywood-female-action-heroes/

RANT: Video Game Fandoms and White Women

FANDOMS HATE PEOPLE OF COLOR

For me, nothing is worse than having to sift through content in video game fandoms and forums that have predominantly white womenEspecially when those fandoms have PoC characters. At least when white men are racist they, most of the time, don’t try to hide it, so you can know what to avoid better.

It’s so easy for white women to get away with microaggressions, colorism, and covert racism because it is extremely rare, that another white woman will care enough to call them out. (Or, the white women that docare, will just get treated like shit by the white women that don’t.)

And it’s pretty pointless for PoC to call them out because on a forum controlled by white women, you’ll just easily get banned, topic will get locked, or they’ll gang up and gaslight the PoC player most likely saying: ‘such-and-such is just a fictional character or pixels’, ‘it’s just a video game’, etc.

They don’t care how PoC are treated in entertainment, or fictional worlds, nor the real world.

Only the comfort of the white woman matters, in fiction, or the real world.

These quotes from MLK Jr. and Malcolm X below could not be more TRUE. (And either though they’re talking about Black Americans, the same can be said of just about any PoC living in the USA):

MLK Jr.

I have almost reached the regrettable conclusion that the Negro’s great stumbling block in the stride toward freedom is not the White Citizen’s Council-er or the Ku Klux Klanner, but the white moderate who is more devoted to “order” than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says “I agree with you in the goal you seek, but I can’t agree with your methods of direct action;” who paternalistically feels he can set the timetable for another man’s freedom; who lives by the myth of time and who constantly advises the Negro to wait until a “more convenient season.”

Malcolm X

The white liberal differs from the white conservative only in one way: the liberal is more deceitful than the conservative. The liberal is more hypocritical than the conservative. Both want power, but the white liberal is the one who has perfected the art of posing as the Negro’s friend and benefactor; and by winning the friendship, allegiance, and support of the Negro, the white liberal is able to use the Negro as a pawn or tool in this political “football game” that is constantly raging between the white liberals and white conservatives.

The white conservatives aren’t friends of the Negro either, but they at least don’t try to hide it. They are like wolves; they show their teeth in a snarl that keeps the Negro always aware of where he stands with them. But the white liberals are foxes, who also show their teeth to the Negro but pretend that they are smiling. The white liberals are more dangerous than the conservatives; they lure the Negro, and as the Negro runs from the growling wolf, he flees into the open jaws of the “smiling” fox.

@@

From: FANDOMS HATE PEOPLE OF COLOR

I mainly wanted to rant about the white women that swear they love a PoC character, yet they do the following:

  1. They will not shut up about how they don’t think the PoC character is physically attractive. I’ve seen this a lot with dark brown-skinned PoC. Like they could be the most gorgeous PoC character, but because they don’t fit these white women’swhite supremacist beauty standards, they’re not “attractive”. (Definition of white supremacy: ‘the belief that white people are superior to those of all other races…’ that includes beauty standards.) Of course, they’ll hide their covert racism and colorism with vague statements like, ‘Oh, this [PoC] character has ‘less interesting looks’ than everyone else, or ‘isn’t flashy’. I think they’re just mad that brown and black people can still look like this when they are almost 60-years-old.
  2. Because they don’t like how a PoC has dark brown skin, they useany white-washed fan art they can find to use on the forums they frequent. And might make up some completely asinine excuse as to why they use it. Like, ‘I like how this art brings out their personality’. Why don’t you just use the OFFICIAL fucking artwork instead then? The OFFICIAL artwork doesn’t “bring out their personality” enough?
  3. They refuse to acknowledge the character’s existence and identity as a PoC. Because in white people land‘Everybody is treated equal.’
  4. When you call them out–as always…as fucking always–no matter how friendly… no matter how saccharinely kind, no matter how much you fucking bend over in politeness and sensitivity… They play the fucking victim. 9 times out of 10 this shit happens. Call them out even for the SIMPLEST of remedial things like NOT SUPPORTING white-washing, and suddenly they have every fucking physical and mental ailment in the world, and they can’t be held accountable for their words/actions. Then, they’ll virtue signal the fuck out of any PoC character saying ‘Oh, isn’t so-and-so beautiful, I mean, I DON’T LIKE THEM, but man! Isn’t that other PoC character that doesn’t have dark skin beautiful all of a sudden?’

Then, they go back to supporting white-washed art and doing and saying all the fucked up shit they’ve been doing. Because they do not give a single fuck about PoC. PoC are just an entertainment and distraction to them, both in the fictional world and real world.

Virtue-signalling white women that don’t like PoC, especially the dark brown-skinned ones. Just stop. Go find a white character to “obsess” and “fave” over and call it a day. Find a white character that fits your definition of what a ‘total package’ (great looks and personality) should be, and leave PoC characters the fuck alone.

Fuck your feigning innocence and ignorance. And fuck your superiority complex, microaggressions, and your shallow, vapid, privileged white mind. Dark-skinned PoC characters, and people, are out of this fucking universe, ethereal, and beyond gorgeous to the highest degree possible in this existence. Fuck you.

Furthermore, the white women that do the things mentioned above, you don’t “love” any PoC character if you do these things. You wouldn’t know what love, respect, and treating a dark-skinned PoC character with humanity and dignity was if it bit you in the ass. For you, these characters are your flavor of the month/year distraction and entertainment.  *Where you can gleefully unload all your microaggressions and racism onto them that you wish you could do to PoC face-to-face in the real world. 

(*Boldened by me.)

For PoC fans who experience this shit in real life–to have to put up with racism in the realms of books, video games, and other media too, where they’re just trying to get away from the world FOR A SECOND, but they can’t because of white supremacy, it’s PERSONAL.

Fuck you if you do these things. You’re utterly disgusting at how smug you are, knowing you won’t get criticized for your covert racism in your white dominated and controlled forums. And no one is impressed by your virtue-signalling. Doing that, and then continuing to do racist, disrespectful shit, is beyond nauseating. You’re only earning PoC’s contempt, not our respect. (Not that you care, because we’re below you, right?!) We’re not stupid, or less intelligent than white people, like you gaslight yourselves to believe.

White people know EXACTLY what they’re doing. The majority just don’t care. And will NEVER care. All PoC fans can do, I think: is love, support, and respect PoC characters (in anyway you wish through, art, writing, posts, etc.) and hope that in the future, that REAL love is what will override all the hatred, ignorance, and bigotry of a white supremacist society. I hope karma is real.

When it comes to fandom, or anything else, practically the entire world is white people’s ‘safe space’.

@@

Image result for fandom

 

@@

On Finn And Sacrifice

http://www.syfy.com/syfywire/the-last-jedis-message-to-people-of-color-you-dont-have-to-be-the-sacrifice

stitchmediamix

“I really like Finn, but I thought him sacrificing himself would be a really touching end to his character arc.”

A) You’re wrong. So wrong.

B) If you claim to like a character, but then you’re all for him making an absolutely pointless self sacrifice… You don’t like that character nearly as much as you think you do

 

adeptarcanist

Okay hang on, I’m all with you on A, but you *can* like a character and still think that them having a heartbreaking death scene would be awesome.

 

stitchmediamix

Perhaps I should have been clearer about the fact that this is really about how fandom treats Finn BECAUSE he’s a black character in my original post.

Because fandom has, historically, been full of people who swear they love black characters but can only see them getting an honorable death or making a sacrifice (primarily for white characters).

Fandom doesn’t look at white male characters and decide that they should totally have a sweet send off after sacrificing themselves. They don’t.

That dubious honor is largely only bestowed upon characters of color – predominantly Black characters when they’re present.

(I’m on my way out the door and on mobile so I can’t be handy dandy with links, but if you’re not getting where I’m coming from about Finn’s treatment and why wanting him to sacrifice himself is a negative sign, please go through my “fandom racism” and my “the star wars discourse” for how he’s been treated in fandom.)

 

mikeymagee

^This entire phenomenon is examined at length in Toni Morrison’s Playing In the Dark. In which she pretty much states that in the American literary consciousness, Black people are used (while also denied agency) and once their usefulness has ended, they’re discarded with no forethought/consideration for the Black person/character.

According to Morrison, this is basically the building block of the American literary identity (which has strong parallels to slavery, and the modern prison industrial complex).

“These images of impenetrable whiteness need contextualizing to explain their extraordinary power, pattern, and consistency. Because they appear almost always in conjunction with representations of black or Africanist people who are dead, impotent, or under complete control, these images of blinding whiteness seem to function as both antidote for and meditation on the shadow that is companion to this whiteness –a dark and abiding presence that moves the hearts and texts if American literature with fear and longing. This haunting, a darkness from which our early literature seemed unable to extricate itself, suggests the complex and contradictory situation in which American writers found themselves during the formative years of the nation’s literature” (Morrison 33).

Basically Blackness is alright, as long as it serves whiteness. Anything outside of that is pushing the boundaries. Which is why so much of fandom’s treatment of Finn is him either making Rey  and Kyle look better by comparison, or having Finn “die nobly” so Rey/Kyle/everyone else can save the galaxy.

And it doesn’t just stop at Star Wars, it’s pretty much present in all forms of media. I mean, there’s a reason we have a “Black guy dies first”  trope.

Morrison also noted elsewhere in her book that the entire white literary identity (and by extension the cinematic identity) is dependent on Black subjugation. If Black people aren’t subordinate to the White identity, then where does that leave White people? There was a reason people were more pissed about John’s face being in the TFA trailer for five seconds, far more than anyone else’s, including Rey’s.

@@

On Iris West and Fandom

Candice Patton, who has played the role of Iris West on The Flash for the past four seasons, has had to deal with racist idiots complaining that she has the audacity to not be a white, red-haired woman. Sorry Karen Gillan was busy.

https://www.themarysue.com/candice-patton-racist-trolls/

@@

And finally:

On The Fandom Community

lj-writes

Carrying the fandom load

It does get tiring at times staying conscious of bigoted tropes in fandom, deciding not to support racist art, wondering if a quote is appropriative of Jewish experiences, discarding a homophobic fanwork idea, and more.

So as a Fandom Old I can see why some fans long for the “good old days.” Back then anything went! Total creative freedom! We were wild and unfettered! None of these long-winded discussions, we just went and did it and did not give a single fuck!

Except freedom wasn’t for everyone, was it? You only had that total freedom if you were unaffected by fandom’s racism, homophobia, transphobia, antisemitism, ableism, and a host of other bigotries that are a reflection of the world we live in.

Fandom was never the carefree, escapist enterprise some of us like to think it was. It’s just that minority fans were bearing the load of others’ freedom in silence. Too often, fans who were marginalized in real life could not escape to fandom because fandom would uncritically celebrate their oppression and trauma. And if they dared to speak about it they were bullied and shouted down into silence, into leaving.

I speak in the past tense but this is still ongoing, obviously. Fans of marginalized identities are a little more vocal now, but are facing a sustained and vicious backlash that accuses them of being “bullies” and starting “discourse” and “drama” and of “virtue signalling.”

It’s not about discourse or virtue, though. It’s about fans being told that they are not welcome unless they bite their tongues, grin, and go along with a thousand stings and slaps in the very spaces they go to have fun. It’s about fans having to watch characters who look like them be constantly erased and demonized. It’s about fans having to spend endless amounts of time and energy educating other fans about their oppression when all they’d like to do is unwind after a long day made longer by those very issues.

It’s not about virtue. It’s about people.

The thing is, fans who criticize minority fans and their allies for “discourse” aren’t angry about the fact that fandom puts these psychological burdens on minority fans. They’re mad about having to share a tiny little part of the burden minority fans, most visibly Black women, have been carrying for too long. In the minds of these “discourse”-critical fans the burden of considering the impact of fandom and fanworks is not theirs to bear. It is the lot of fans who are not them, “others,” to pay the cost for the majority’s creative freedom. The very suggestion that the load exists, and worse, that all of fandom should share in it so marginalized fans don’t carry it so disproportionately, is enough to make a lot of fans uncomfortable. I know, because I feel that discomfort at times, too.

The thing is, the load of thinking about marginalization in fandom spaces was always mine to bear. It’s every fan’s responsibility to be conscious of how they create and consume fanwork so that they don’t hurt other fans, so fandom can be inclusive and fun for everyone.

No, it’s not pleasant. It’s not fun to always watch yourself and second guess your choices, to fall short anyway and be called out and confront the fact that you have so many unconscious biases and have hurt others. I get it. I do. I want to think of myself as a good person. I don’t like admitting to wrongdoing. I hate challenging myself. I don’t want to think about this hard stuff. I just want to have fun!

But think about how much LESS fun it is when it’s your own humanity on the line. Many marginalized fans don’t have the luxury of just letting go and having fun, not when they always have to brace themselves for the next psychological assault.

These fans have been carrying this fandom burden and are punished for saying it’s too heavy. If you’re feeling a little less feather light in fannish activities than you used to, that’s a good sign! It means you’re starting to carry, in a very small measure, the fandom load of consciousness. It’s something you should be carrying as part of a community, and chances are it’s still not nearly as heavy a load as many marginalized fans are still made to bear.

A community joins together, watches out for its members, shares in the good and the bad. If some members are asked to bear the costs of others’ fun and either stay silent about it or leave, then the promise of community rings pretty hollow, doesn’t it? Sometimes discomfort is a good thing, and if my small discomfort means I am sharing in a tiny measure of my rightful load in fandom spaces, then it is a very good thing indeed.

Best Scifi Costumes in Film

Barbarella (1968)

I watched this late one night, when I was a teenager, and the only things that really impressed me were, how badly the movie sucked, and how fun and funky the costumes were. I watched it because I was a huge fan of Duran Duran, at the time, and they said this movie was where they’d gotten their name from.

Barabrella, played by Jane Fonda, was an astronaut from the 41st century, who was sent through time to stop a mad scientist, named Durand Durand.

Now, you have to remember that outfits this skimpy were  liberating for women back then, and were a direct backlash against the severe conservatism of the fifties., where the agenda had been getting White women to go back into the home, after having been in the workspace, during the war.

Also, there was the breakdown of the movie studio system after the war which ushered in a new ways of approaching filmmaking, and new ways of depicting both men and women in film. You had the rise of new hotness, like Paul Newman, James Dean, and Sidney Poitier, and  a younger, more virile, casual male expression, to go along with the women’s skimpy attire.

Image result for barbarellaImage result for barbarella

Oh, yeah, if you think the costumes were only skimpy for her:

Related image

The Matrix (1999)

About every decade or so a movie is released that affects every other movie for the next decade, and The Matrix was it. This movie didn’t just affect other movies, like Inception, it affected politics, and inspired  real world events, and social movements, like the Columbine shooting, and the Men’s Rights Movement, which uses this movie’s dialogue of the red and blue pills, to fuel its agenda.

http://www.vision.org/visionmedia/society-and-culture/The-Matrix-reality-check-truth/883.aspx

Oddly, what it did not affect was real world dress. Black people were already dressing this cool, so we didn’t need it, and whenever we saw White guys trying to dress like Neo, we laughed at them. But this shit looked great in the movie. Observe Neo’s, and the Twin’s monkish silhouettes, and Niobe’s bantu knots.

Related imageImage result for catholic priests garb

Related image

Image result for the matrix reloaded/niobe

Image result for bantu knots

Dune (1984)

I remember watching this about three years after its release, and loving the costumes. The stillsuits worn by the Fremen were very much exactly the way I imagined them, but I thought the movie excelled in its use of costumes for the female characters, especially the Bene Gesserit’s severe, nun-like, attire, which are reminiscent of the Middle Eastern Chador.

Related image

Image result for Chador

I remember trying to imitate Jessica’s hairstyle in the bathroom mirror, a style which heavily reminded me of Rachel’s from Bladerunner, which had been released a couple of years earlier. This style is sort of like those 30s  Hollywood glamour shots, with a touch of Elizabethan silhouette thrown in:

Dune - Francesca Annis as Lady Jessica Atreides wearing a white pleated dress with ruffled collar, open work embroidered details on the gathered sleeves and white and silver vest with corset belt. The costumes were designed by Bob Ringwood. / via Chimaerman

Image result for elizabethan style

Image result for dune

And who doesn’t remember this image?

Image result for dune/sting

Pacific Rim (2013)

Okay, I liked the “nauts outfits just fine, but what I really fell in love with was Ron Perlman’s shoes. He played a disreputable character named Hannibal Chau, who also happened to be a snazzy dresser.

Related image

Image result for pacific rim hannibal chau shoesRelated image

The Chronicles of Riddick (2004)

I’m not a huge fan of this movie, because it’s just not very good, but I will watch it anyway, as  Thandie Newton’s Dame Vaako wears some of the baddest, slinky dresses ever seen in a Scifi movie. No Black woman has ever looked that damn good in outer space.

Image result for chronicles of riddick/ dame vaako

Related image

Image result for chronicles of riddick ladyRelated image

This reminds me of the slinky dress scene from Serenity:

Image result for firefly/slinky dress

Bladerunner (1982)

I don’t think I even need to go into how influential this movie has been, not just on American Cinema, but Japanese cinema too, as Akira, and Ghost in the Shell are both direct stylistic offshoots.

https://www.gamespot.com/gallery/blade-runners-legacy-10-movies-and-tv-shows-inspir/2900-1519/

http://www.indiewire.com/2017/10/blade-runner-influence-cyberpunk-sci-fi-ridley-scott-1201883053/

The costumes were inspired by 1930s/40s neo-noir films, most keenly seen in Rachel’s costumes. Roy Blatty and Pris’ costumes were inspired by the burgeoning punk scene of the 1980s. Bladerunner’s costumes still manage to look cutting edge even in 2017.

Rachel’s broad shouldered silhouette was entirely in keeping with the eighties aesthetic, too. Lots of women were moving into male dominated workspaces, at that time, and were trying to fit in, in some cases, by out-men-ing the men, trying to appear intimidating, using pantsuits and shoulder pads, while also trying to appear feminine by wearing pink, large bows, and high heels.

Related image

Image result for 70s punkRelated image

As for Rachel’s chinchilla coat. In the world of Bladerunner, it wouldnt be real, since the animals are probably extinct, and even the idea of  killing animals in that world is taboo.

“Chinchilla fur is amongst the most rare and expensive in the world. It takes 100-150 pelts for a waist length coat and at least 250 for a full-length coat.”

– — http://www.chinchillaguide.com/chinchilla-information/history-origin/

Related image

Related imageRelated image

Big shoulders, a cinched waist, and a short skirt was the female power suit of the 80s. Actually that silhouette has been the symbol of feminine power since the Renaissance:

Related image

And these are the women’s work clothes during and just after the war, which Rachel’s outfits are loosely based on, with the cinched waist and big shoulders. As the men went off to war, women moved into the workspaces they left vacant, a parallel to the many women moving into the workspaces in the 80s.

Image result for womens suits of the 40s

Rachel’s hair and makeup are straight out of 1930s Hollywood glamour shots:

Related image

Image result for rachel bladerunner /smoke

The Mad Max Franchise

The Mad Max franchise is also heavily influenced by the Punk scene of the 1980s, combined with the practicality of desert existence. In Thunderdome, and The Road Warrior, we can see the influence of American football in the giant padded shoulders on Auntie Entity’s guards, and most of the “warriors” in Road Warrior.

Image result for mad max warriors

Related image
The Valkyrie

Incidentally, the hairstyle shown, in the photo below, is called the Fish Spine, or the Mohawk.

Image result for punks 70s

Image result for punks 70s

Related image

One of Auntie Entity’s men wears a Noh mask as a headdress. Notice the football pads everyone is wearing, and the loose interpretation of Ancient Roman battle helmets. Auntie’s chain mail dress,and stockings are unique unto themselves. There hasn’t been anything like it in film since. Tina Turner states the dress weighed more than  120 pounds.

From Rolling Stone Magazine, August 1985: “The dress Moriceau concocted for Entity is an expressionist classic: a seventy-pound soldered amalgam of dog muzzles, coat hangers and chicken wire, the whole overlaid with gleaming chainmail butcher aprons and accessorized with pendulant auto-spring earrings.

Her earrings were inspired by springs from a car part.

Image result for thunderdome costumesRelated image

Image result for auntie entity earrings

Related image

Star Wars: The Phantom Menace (1999)

If you are seriously into costume, and want to know more about Queen Amidala’s fashions, then check out this book. It’s also one of the only ways you can get some idea of the  incredibly rich detail of the  fabric and decorations.

Related image

Most of the costumes were desinged by Trisha Biggar, and were heavily influenced by several Ancient Asian cultures. This first one was  influenced by Mongolian culture, specifically the Mongolian wedding dress.. Its my personal favorite.

Related image

Image result for queen amidala costumes influences

‘These two designs have asian cultural inspirations. The color red, popular in east asian culture (esp. in China), symbolize traditional bridal colour, good luck, celebration, joy, vitality, long life, money, recognition, propriety… etc.’

—- https://hayochifabricfilms.wordpress.com/2014/09/25/queen-amidala-and-her-dress-inspirations/

This article also discusses the origin of the two little red dots on Padme’s cheeks, and the  inspiration for her white makeup.

Related image

This outfit is clearly influenced by Japanese Culture. The headdress is influenced by a Roman battle helmet.

Image result for star wars amidala

Image result for queen amidala costumes

The Fifth Element (1997)

This was one of Luc Besson’s first sci-fi movies, and it’s a classic. The clothing was designed by the French Designer Jean Paul Gaultier. The movie is kinda meh, for me personally, but the two stand out characters, that everyone remembers, are the non-binary, Ruby Rhod, played by Chris Tucker, and the alien opera singer, Diva Plavalaguna.

Image result for fifth element/flight attendantImage result for fifth elementImage result for fifth element/diva gif

The Black Panther (2018)

A Black woman is the designer for this movies Costumes. I’m loving what I’ve seen already, but I’ll wait until I’ve seen the movie to comment on the Costumes because there’s going to be a lot to say, and a lot of research to determine the cultural influences. There is nothing that you see on a movie screen that isn’t carefully planned, from Costumes to colors, to makeup, and hairstyles, and every single design element. If you can see it, it’s there for a reason, and has a purpose. The creators of these movies put a lot of thought and effort into these things, and I’d like to think they appreciate our appreciation.

Image result for black panther movie/ costumesRelated imageRelated imageRelated image

Next up in the coming couple of months: The Design and Themes of Bladerunner 2049, Black Panther, and the Design work of Guillermo Del Toro.

From the Halls of Tumblr

I stumbled across this website that rates movies according to diversity and inclusion. I’m not entirely sure I agree with some of the grades. I think this website is a lot stricter in its qualifications than I am, but I found it interesting:
 https://www.mediaversityreviews.com/tv-reviews

 @@

I laughed at this waaay harder than I should have. I’m still laughing at it!

 

 vulcandroid

i will never be over the fact that during first contact a human offered their hand to a vulcan and the vulcan was just like “wow humans are fucking wild” and took it

 

roachpatrol

Humanity’s first contact with Vulcans was some guy going “I’m down to fuck.”

Vulcans’ first contact with Humans was an emphatic “Sure.”

 

star-lord

#iiiiiiiiiiiiii mean vulcans had been watching humans for a long time#they knew the significance of a handshake but still#they had to find some fast and loose ambassador#willing to fuckin make out with a human for the sake of not offending them on first contact#lmao#star trek

give me the story of this fast and loose vulcan

 

moonsofavalon

“sir…these…these humans…they greet each other by…” *glances around before furtively whispering* “byclasping hands…”

*prolonged silence* “oh my…”

“sir…sir how will we make first contact with them? surely we…we cannot refuse this handclasping ritual, they will take it as an insult, but what vulcan would agree to such a distasteful and uncomfortable ritual??”

*several pensive moments later* “contact the vulcan high command and tell them to send us kuvak. i once saw that crazy son of a bitch arm wrestle a klingon, he’ll put his hands on anything”

 

evilminji

Elsewhere, w/ kuvak: “….my day has come.”

 

lierdumoa

The vulcan who made first contact with humans is named Solkar guys. Y’all just be makin’ up names for characters that already have names.

Bonus: here’s a screencap of Solkar doing the “my body is ready” pose right before he shakes Zefram Cochrane’s hand:

adreadfulidea

I swear Vulcans only come in two types and they are “distant xenophobes” or “horny on main for humanity”. Also apparently this guy is Spock’s great-grandfather and frankly that explains everything.

 

Source: lycanthropiste st

@@

For some reason, this was totally a thing about a week ago on Twitter. I have no idea how this got started or why. It’s said that J. K. Rowling thoroughly enjoyed it though.

I think it was the “Sortin’ Du-rag” tweet that  had me cough-spittin’ at work!

Black Hogwarts

Related image

http://www.seventeen.com/celebrity/a15070314/black-hogwarts-twitter/

@@

Image result for fandom

lj-writes  what that fandom lifestyle is SUPPOSED to be about, and how fans who consider themselves allies, Do The Work:

Carrying the fandom load

It does get tiring at times staying conscious of bigoted tropes in fandom, deciding not to support racist art, wondering if a quote is appropriative of Jewish experiences, discarding a homophobic fanwork idea, and more.

So as a Fandom Old I can see why some fans long for the “good old days.” Back then anything went! Total creative freedom! We were wild and unfettered! None of these long-winded discussions, we just went and did it and did not give a single fuck!

Except freedom wasn’t for everyone, was it? You only had that total freedom if you were unaffected by fandom’s racism, homophobia, transphobia, antisemitism, ableism, and a host of other bigotries that are a reflection of the world we live in.

Fandom was never the carefree, escapist enterprise some of us like to think it was. It’s just that minority fans were bearing the load of others’ freedom in silence. Too often, fans who were marginalized in real life could not escape to fandom because fandom would uncritically celebrate their oppression and trauma. And if they dared to speak about it they were bullied and shouted down into silence, into leaving.

I speak in the past tense but this is still ongoing, obviously. Fans of marginalized identities are a little more vocal now, but are facing a sustained and vicious backlash that accuses them of being “bullies” and starting “discourse” and “drama” and of “virtue signalling.”

It’s not about discourse or virtue, though. It’s about fans being told that they are not welcome unless they bite their tongues, grin, and go along with a thousand stings and slaps in the very spaces they go to have fun. It’s about fans having to watch characters who look like them be constantly erased and demonized. It’s about fans having to spend endless amounts of time and energy educating other fans about their oppression when all they’d like to do is unwind after a long day made longer by those very issues.

It’s not about virtue. It’s about people.

The thing is, fans who criticize minority fans and their allies for “discourse” aren’t angry about the fact that fandom puts these psychological burdens on minority fans. They’re mad about having to share a tiny little part of the burden minority fans, most visibly Black women, have been carrying for too long. In the minds of these “discourse”-critical fans the burden of considering the impact of fandom and fanworks is not theirs to bear. It is the lot of fans who are not them, “others,” to pay the cost for the majority’s creative freedom. The very suggestion that the load exists, and worse, that all of fandom should share in it so marginalized fans don’t carry it so disproportionately, is enough to make a lot of fans uncomfortable. I know, because I feel that discomfort at times, too.

The thing is, the load of thinking about marginalization in fandom spaces was always mine to bear. It’s every fan’s responsibility to be conscious of how they create and consume fanwork so that they don’t hurt other fans, so fandom can be inclusive and fun for everyone.

No, it’s not pleasant. It’s not fun to always watch yourself and second guess your choices, to fall short anyway and be called out and confront the fact that you have so many unconscious biases and have hurt others. I get it. I do. I want to think of myself as a good person. I don’t like admitting to wrongdoing. I hate challenging myself. I don’t want to think about this hard stuff. I just want to have fun!

But think about how much LESS fun it is when it’s your own humanity on the line. Many marginalized fans don’t have the luxury of just letting go and having fun, not when they always have to brace themselves for the next psychological assault.

These fans have been carrying this fandom burden and are punished for saying it’s too heavy. If you’re feeling a little less feather light in fannish activities than you used to, that’s a good sign! It means you’re starting to carry, in a very small measure, the fandom load of consciousness. It’s something you should be carrying as part of a community, and chances are it’s still not nearly as heavy a load as many marginalized fans are still made to bear.

A community joins together, watches out for its members, shares in the good and the bad. If some members are asked to bear the costs of others’ fun and either stay silent about it or leave, then the promise of community rings pretty hollow, doesn’t it? Sometimes discomfort is a good thing, and if my small discomfort means I am sharing in a tiny measure of my rightful load in fandom spaces, then it is a very good thing indeed.

 

@@

I’m not a huge advocate for violence, but some of the racist wankery that various fandoms get up to,  just makes me want to give some people a very sharp pinch, with tweezers,  Sometimes several. I mean seriously! I didn’t even know this was a thing. You have got waaay too much time on your hands, and a massive hate-boner, if you are cutting PoC out of their own photos, to prop up your non-canon,  white male ship.

 stitchmediamix

So I’m writing something about how characters and actors of color are literally cut out of images in order to center white characters/actors (usually for shipping purposes) and I’d like to be able to actually link to examples of instances where that’s happened.

I’ve got an image of John and Daisy where John has been replaced by Driver (courtesy of @xprincessrey ’s recent post in the fandom racism tag) and SEVERAL images where Iris West has been erased and replaced by Caitlin that I referenced in my presentation on the misogynoir directed towards her.

I need more examples though and I honestly don’t know how to find what I’m looking for. And… I’m really bad at finding images on the internet.

So if you have collected any receipts on this particular fandom phenomenon where fans cut out characters/actors of color from images in order to focus on a white character or ship, please let me know. I’ll link to your post on the subject if you’ve made one and give you credit for finding the images that I use if you want it.

I need examples of:

  • Anthony Mackie being cut out of press images for either Winter Soldier or Civil War
  • Scott/Tyler Posey being cut out of Teen Wolf press images or scenes in the show
  • Photo manips where Finn/John Boyega has been replaced by Kylo/Adam
  • Any other fandom that cut characters of color out in this way!

I’m writing a thing and I’m working on the header image already but I’d like more examples because man… People need to know that this is a thing that happens and pictures help drive the whole thing in.

(Also, unfortunately I have no idea how y’all  can submit straight up images to me because I don’t use tumblr submit for several reasons, BUT you can always DM me images on twitter or use Tumblr IM if you don’t have links  to images, but want to send them to me anyway.)

If you can share this with your followers, that’d be awesome.

 

elandrialore

R3ylo manips

Original photoshoot with John and Daisy

St3r3k manip

Original promo image

St3r3k manip

Original image of Tyler Posey, Crystal Reed, and Tyler Hoechlin

St3r3k manip

Original image of Tyler Posey and Dylan O’Brien

St3r3k manip

Original image with Tyler Posey and Dylan O’Brien

kyberfox

 

@stitchmediamix

Here’s a video of Finn getting cut out not just of his own confession scene – a character defining moment for him – and Kylo being inserted, he’s also replaced in the hug he and Rey shares. xx

The OP of that then made a gif set of some of the scene they’d cut where they replace Finn with Kylo because they were so proud of their work. x

And here Kylo is edited in instead of Finn in the scene where Rey gives Finn a “wow he looks good” look at Jakku. x

uprisingofcolor

 

@stitchmediamix

Here’s an entire gif set of Jake Pentecost getting cut out of his own trailer to center his white co star.

Oh, and here’s OP’s Response to @kyberfox calling them out (X), they take it about as well as you’d expect. This happened a day or so(?) after the trailer dropped, just for a frame of reference.

 

diversehighfantasy

The Doctor Who series 3 “Fix It”:

Here, they didn’t erase Martha Jones entirely, they made her a third wheel in a series the fandom felt Rose was rightfully entitled to. IMO this is as much of an in-your-face “fuck you” to Martha as pretending she didn’t exist.

Britchell. This is a more obscure ship, but it relentlessly erased, sidelined and minimized one of my favorite characters, Annie Sawyer of Being Human (UK) for being romantically involved with Mitchell, played by Aidan Turner, who also played Kili in The Hobbit. Britchell was a crossover between Mitchell and another character played by the actor who played Kili’s brother Fili in The Hobbit. Anyway. Britchell is the biggest ship in the Being Human fandom to this day.

Annie x Mitchell: http://reyesbidal.tumblr.com/post/53885860951

Britchell (in a nutchell):

 

nerdsagainstfandomracism

 

In Shadowhunters Jalec and Clalec shippers always use Malec scenes for their manips in order to erase Magnus. Here’s an example of a Clalec manip (x). I stay away from their tags and blacklist Jalecs and Clalecs on sight, but pretty sure Google has plenty of more examples. Luke is constantly excluded from the group fanarts, fan videos, etc.

Also, Rickylers in TWD always try to erase Michonne from her own narrative.

 

Source: stitchmediamix fandom racismracism in fandom Erasure ShippingLong Post white prioritization ReblogMod P.

@@

Here’s a review of Black Lightning, written from another perspective.

Image result for black lightning

This week, the new CW show Black Lightning will introduce another Black superhero — rather, Black superheroes — who will thankfully diversify the current ranks of primarily white TV and movie heroes, but it also raises the question: How will the show address its blackness?

With Black Lightning and Black Panther on the way, we’re finally seeing Black heroes represented on both the small screen and the big screen, and with the amount of publicity they deserve. But for Black people around America — and perhaps around the world — these heroes represent more than just the newest installment of a money-making machine built on franchises. These heroes bring familiar faces — faces that resemble their own — to a universe full of magic, superpowers, superhuman feats and abilities.

Blackness in the Media

But how, exactly, do these heroes represent “blackness”? And what, exactly, is “blackness”? This question is never asked of TV shows, movies, or books that feature white heroes. In writing programs or conferences, you’ll encounter panels and workshops in which people discuss how one may write characters of color with sensitivity. In other words, “How can I make it clear that this character is Black without being offensive?” But it’s more than just an issue of figuring out how to avoid your run-of-the-mill racist language. It’s determining if a character of color needs to be defined by their race.

Because whiteness is our country’s default racial lens, if race isn’t mentioned in a story’s narrative, most people will assume a character is white (take, for example, the “Black Hermione” internet debate). White characters are never characterized by their whiteness unless it serves the plot. So many times, however, Black characters or characters of color are defined by their race. “Black” isn’t a character type, nor is it a personality. And yet, because blackness falls so outside of the norm in common thought, it becomes the defining characteristic of a protagonist.

@@

I could not resist putting definitions next to some of these. (Mine are in bold type.)

Image result for smiling black people

anonymous asked:

so you’re jamaican and not regular black?

What the hell is regular black?

 

@@

I did not know that Satan had his own Twitter feed:

Related image

Movie Essays Weekend Linkspam

Here’s a collection of some of the better themed movie essays from the  last few weeks:

The Last Jedi

Image result for last jedi

The Last jedi was a very polarizing film, apparently. It’s one of those films that seem to have no middle ground. Either you hate it for ruining your childhood, or you love it because it was some fun and  unpredictable filmmaking. On the other hand there’s some really wrong character shit going on in this movie, that is completely at odds with what happened in the last one. And then there’s the emphasis on Space Fuckbwoy, Kylo Ren. That was just deeply, deeply 🙄 Meh!

Despite all of the above, I actually enjoyed the movie, though. I went into it expecting a lot of action, some laughs, and a little bit of depth, and that’s mostly what I got. There were definitely parts I didn’t care for (I thought the Rey and Kylo scenes were  cringeworthy, and the movie could have used more Rose, Finn and Poe, acting like normal people, the way they did in the first movie,) but overall, the movie was watchable, with lots of action, some moments of pathos, and bravery, and just plain awesomeness, and many people seem to really love it. I’m giving those people the side eye, just a tiny bit 😳but they love it, so okay. I think it measures up to the first trilogy pretty well, (but with better acting from Mark Hamill, who I loved.

http://www.theodysseyonline.com/star-wars-fandom-toxicity-problem

https://www.vox.com/culture/2017/12/18/16791844/star-wars-last-jedi-backlash-controversy

https://www.wired.com/story/star-wars-last-jedi-the-resistance-tactical-mistake/

https://theconcourse.deadspin.com/a-list-of-some-of-the-times-the-last-jedi-told-the-olde-1821396631

“This is Not Going to Go the Way You Think”: The Last Jedi Is Subversive AF, and I Am Here for It

https://www.theringer.com/2017/12/23/16812542/the-last-jedi-still-speciesist

https://io9.gizmodo.com/the-last-jedi-killed-my-childhood-and-thats-exactly-wh-1821429836

https://www.vanityfair.com/hollywood/2017/12/star-wars-the-last-jedi-backlash-negative-fan-reactions-rotten-tomatoes-score

http://blacknerdproblems.com/star-wars-last-jedi-rebel-yell-fans-rebel-scum/

Media and Race

 

Image result for hallmark xmas movies *A post about how White those Hallmark Xmas movies are. There are a handful of movies with African-Americans in them, that are about Xmas, but this post questions why Hallmark movies are so alike, as to be interchangeable.

https://thewalrus.ca/the-unwatchable-whiteness-of-holiday-movies/ strong>

Posts about the Whitewashing of the Old West:

https://www.theatlantic.com/entertainment/archive/2016/10/how-the-west-was-lost/502850/ strong>

 

Image result for coco movie

*Whenever possible, I like to read reviews by PoC, especially when the movies they’re reviewing have prominent people of color in the casts. I intend to do this for Black Panther, just as I did for Luke Cage, and Beyonce’s Lemonade, not because White people don’t have anything to say, but because reviews by White critics will be easily accessible, and I want to signal boost the opinions of the people these movies are about.

The latest Star Wars movie features three MoC,  and finally, a WoC , and I want to hear what those critics have to say about them. Coco is a Spanish language cartoon centered in Mexican culture and I want to hear what actual Latinx critics have to say about the movie.

http://remezcla.com/lists/film/latino-film-critics-review-pixar-coco/

http://remezcla.com/lists/film/latino-film-critics-star-wars-last-jedi/ strong>On the consumption of Black pain as entertainment:

https://www.huffingtonpost.com/entry/detroit-and-the-problem-with-watching-black-pain-through-a-white-lens_us_597f8907e4b08e143004bbf1

 

*A lot of Asian Americans were not happy with the depiction , and treatment, of Mantis in this movie, and I have to agree. I found the character’s  treatment the absolutely cringiest part of the film:

http://www.bitchmedia.org/article/asian-women-abuse-in-science-fiction

Image result for mantis gotg 2

 

*Why are there so few WoC in the horror genre, as supernatural beings, and the handful of times they are, they’re treated badly?

http://www.vulture.com/2017/10/black-witches-why-cant-they-get-respect-in-pop-culture.html

Image result for women of black panther movie

We’re getting so many posts about Black Panther long before the movie is released. Expect a flood of them afterwards.

http://www.theroot.com/wakanda-forever-on-the-importance-of-black-panther-1820459283

‘A Wrinkle in Time’ Is Just As Important As Black Panther

 

Media and Gender

Image result for rosa diaz

Star Trek Discovery successfully tackled the subject of male rape and trauma, in its first season, while Brooklyn 99 tackled the subject of bi-sexuality, when one of its most prominent characters, Rosa Diaz, came out, paralleling the  decision of the real life actress.

http://www.theverge.com/2017/11/13/16644468/star-trek-discovery-rape

https://www.autostraddle.com/rosa-diazs-big-coming-out-on-brooklyn-nine-nine-was-bittersweet-and-specifically-bisexual-404571/#comments

https://www.autostraddle.com/autostraddles-favorite-and-least-favorite-lgbtq-tv-characters-of-2017-404976/

https://shadowandact.com/hyper-tokenism-ii-othering-the-black-female-body-in-star-wars-the-force-awakens/

View at Medium.com

Televsion and Movie Meta Linkspam

For your reading pleasure this weekend:

 

Get Out (2017)

Wow, there is so much meta being written about Get Out that its hard to keep track of it all. (Do these writers know thats what they’re doing?)Everybody has something to say aobut this movie, even when they dont have anything to contribute. For the record, I have seen this movie and I loved it as much as I’ve loved anything on the Key and Peele show. (And no, I dont have much more to add to the discussions Ive already read.) If you’ve ever watched that show, than Get Out is not some huge surprise for you, as you are well aware of Jordan Peele’s Horror credentials. For example, his zombie spoof is pretty deep:

 

And this spoof of vampire tropes is hilarious:

I dont have anything to add since people pretty much have every topic covered:

http://www.hollywoodreporter.com/news/kareem-abdul-jabbar-why-get-is-invasion-black-body-snatchers-trump-985449

http://io9.gizmodo.com/get-out-is-a-horror-movie-only-a-black-person-could-hav-1792781911

http://www.huffingtonpost.com/entry/get-out-what-black-america-knows-about-the-sunken_us_58c199f8e4b0c3276fb7824a

http://theconcourse.deadspin.com/lets-talk-about-all-the-amazing-little-details-in-get-o-1792781479

 

Buffy The Vampire Slayer (1997)

Its the 20 year anniversary of Buffy the Vampire Slayer, and yep, people are writing about it. I was total trash for this show. I used to watch it like a religious duty, and even back then I was drafting meta, in my head, about this show. For the record, I hated the movie it was based on, and I was prepared to ignore the show. I watched it off and on for the first season. Then the internet started writing about it, and I really revved up my watching in the middle of season two, after Angel became evil. (I didn’t completely understand what was happening but I caught up fast.)

Buffy is also one of the most written about and talked about shows in television history. There are aabout a bajillion books, articles, and websites, devoted to parsing everything from the fashions, to the plot, to the characters and language. 

http://www.whedonstudies.tv/slayage-the-journal-of-whedon-studies.html

http://lithub.com/10-famous-writers-on-loving-buffy-the-vampire-slayer/

https://www.theatlantic.com/entertainment/archive/2017/03/the-body-the-radical-empathy-of-buffys-best-episode/519051/

https://www.theatlantic.com/entertainment/archive/2017/03/how-buffy-the-vampire-slayer-redefined-tv-storytelling/519174/

http://www.vox.com/culture/2017/3/10/14857542/buffy-the-vampire-slayer-explained-tv-influence

https://www.theguardian.com/tv-and-radio/2017/mar/10/buffy-the-vampire-slayer-at-20-the-thrilling-brilliant-birth-of-tv-as-art

http://blog.oxforddictionaries.com/2012/08/buffy-the-vampire-slayer/

http://io9.gizmodo.com/10-vital-storytelling-lessons-i-learned-from-buffy-the-1766651082

http://io9.gizmodo.com/20-things-we-still-love-about-buffy-the-vampire-slayer-1793132161

http://www.vulture.com/2017/03/buffy-the-vampire-slayer-twenty-years-greatest-legacy.html

 

Logan (2017)

I did go see Logan, as I promised. I was going to write a review, but a lot of people have  already written about the issues I would’ve covered in my review. It’s an excellent movie, btw, and  every bit as heartwrenching as you expect.

http://www.rogerebert.com/mzs/all-things-must-pass-the-emotional-reality-of-logan

http://birthmoviesdeath.com/2017/03/05/logan-the-things-we-leave-behind

http://www.rollingstone.com/movies/news/why-we-needed-logan-to-kill-the-modern-superhero-movie-w470501

https://theringer.com/logan-and-conquering-pessimism-through-fatherhood-86d377ae85b9#.nsgel72hh

http://www.theverge.com/2017/3/6/14829768/logan-movie-wolverine-hugh-jackman-patrick-stewart-discussion-highs-lows

https://theringer.com/james-mangold-hugh-jackman-wolverine-logan-movie-review-1d5e5b9c5c93#.2oe0rp6ff

 

Moonlight (2016)

I haven’t seen this movie yet, but I’ve heard such wonderful things about it. I’ve seen a few clips come across my dash on Tumblr, which have me intrigued, and of course, it won Best Picture at the Oscar Awards.  I’ve made plans to watch the DVD soon, however.

Why I refuse to watch “Moonlight,” or any other film about race, with white people

View at Medium.com

http://www.cbc.ca/arts/masculinity-and-moonlight-eight-black-men-dissect-barry-jenkins-momentous-film-1.3836460

https://www.theguardian.com/commentisfree/2017/feb/21/moonlight-affirmation-gay-black-men-exist

http://www.mtv.com/news/2935326/moonlight-and-the-preservation-of-black-manhood/

https://contexts.org/blog/moonlight-trayvon-the-oscars-and-americas-fear-of-black-boys/

https://bitchmedia.org/article/shedding-moonlight-toxic-masculinity/problem-homophobia-not-gay-characters

 

Star Wars

http://www.kissmywonderwoman.com/2016/02/masculinity-monday-star-wars-finn-is.html

View at Medium.com

A Hero, Just Not The Hero: Masculinity in Star Wars: The Force Awakens

http://www.theouthousers.com/index.php/columns/134072-lets-talk-about-finn-star-wars-the-force-awakens.html

 

Hidden Figures:

Yes, I’ve already seen this movie. I loved it, but as a long time Blerdgirl, I’m still processing my thoughts about it. I haven’t finished geeking out about it yet, but when I do, I’ll come back at you with some knowledge. Ideas are already percolating as I type.

http://latinasuprising.com/hidden-figures-feminism/

What’s Hiding Behind the Feel-Good Curtain of <i>Hidden Figures</i>: One Black Feminist’s Take

Taraji P Henson’s Hidden Figures is the intersectional feminist movie we need right now

ETA: This last link was removed because, while I have plenty of issues with feminism, I won’t tolerate any lying  MRA mansplaining bullshit on my blog.

 

Miscellaneous

http://www.chrisbrecheen.com/2012/06/8-things-prometheus-can-teach-you-about.html

https://clearancebinreview.com/2012/05/18/cinematic-soulmates-three-amigos-a-bugs-life-and-galaxy-quest/

http://www.newstatesman.com/politics/feminism/2015/10/pantomime-james-bond-reveals-tragedy-modern-white-masculinity

https://docs.google.com/document/d/1rAM9EtJTHL_M6STjL7TyfUs9ew83v_fhYAlwI97hG5s/mobilebasic

 

Finn Meta Linkspam

Here are some discourses on my favorite character from Star Wars:

Star Wars, Finn, and Fandom Racism

 

We start with an admonishment to not be “That Person”.

thesovereignempress:

the-bi-writer:

this is a post for my fellow white star wars fans: we gotta do better. the treatment of Finn in the fandom at large has been dismal, both in obvious and insidious ways. so let’s talk about this.

quick note before we start: if you’re only here to argue, move on. if you’re already typing out a response beginning with, “not all white people,” don’t. however, if you’re interested in challenging your own biases, welcome aboard.

here are some harmful things white fans do, in regards to Finn:

1. we ignore him in fan works.

a quick check of ao3 stats shows that Hux (who has approx. 3 min of screen time) shows up in two thousand more works than Finn.

before you get defensive: no one’s telling you what you can and can’t write. however, as white fans we need to consider why we’re willing to go to the effort to imagine a rich backstory for a minor character we know almost nothing about, while ignoring the *actual* protagonist who already has a rich backstory of his own. (that protagonist is Finn, in case i was being unclear. Finn is a protagonist of Star Wars: Episode VII -The Force Awakens. Finn is a main character and co-lead. it’s Finn.)

2. when we do include Finn in fan works, we treat him poorly.

i’m going to stay in my lane on this one, and refer you to Writing with Color for more specifics on how *not* to treat black characters in harmful and/or stereotypical ways.

briefly: Finn is often hyper-sexualized (BBC, etc.) or pushed to the side by the narrative. additionally, very few fics, even ones with Finn in the main pairing, truly treat Finn as the protagonist of their fic.

i’m guilty of this myself, and i’m working on it. which is all i’m asking you to do: educate yourself, be willing to change, and then do it.

3. we underestimate his role in cannon

go read this post, and then tell me you haven’t been underestimating Finn from the moment he stepped on screen. i’d noticed almost everything the post points out, but chalked it up to plot holes, instead of considering that Finn (again, a protagonist) had been awake in the force since the beginning of the film.

that, right there friends, is racism.

tl;dr fellow white fans, we gotta do better. let’s take the energy we spend trying to convince people we aren’t racist…and actually be less racist. it’s our responsibility to examine our attitudes and change our actions. now is the time.

further reading:

here’s some excellent finn meta

here’s 5 tips for being an ally (video) by chescaleigh (Franchesca Ramsey) – her channel has a ton of other videos about race too.

here are a whole bunch of resources from Writing with Color, a tumblr “dedicated to writing and resources centered on racial & ethnic diversity.”

(feel free to add links + resources)

The thing is, if Reylo is your pairing and that’s the characters you choose to focus on – since that is how shipping works and as a reader I’m definitely going in for Reylo and other characters are secondary – what qualifies as “ignoring” or “pushing to the side”? That’s my issue with these talks about erasure and sidelining around Finn.

Lest it be misunderstood, I totally agree that we can be better at treating Finn in our fan works. I’ve seen him used in some uncomfortable ways. But there are some contradictions in this endeavor that tend to get glossed over.

I mean, no one is saying Finn should be the focus of fanfics about Reylo or other non-Finn ships. That doesn’t make sense. When we talk about Finn erasure, we’re talking about the bigger picture.

For example, if I go to the main TFA tag or the Star Wars tag, Finn is often nowhere to be seen. If I look for Finn (or even Finnrey or Stormpilot) fics, few that come up in the search are actually about Finn, making it difficult to find actual Finn content where he’s not a background character. When the title for Ep 8 dropped, There was a lot of speculation that The Last Jedi might be Ren and Rey as if Finn doesn’t exist. It’s not just in individual ship fics, if you look at many fan spaces, you would think Finn was a very minor character, not a main character. And that’s a problem.

We have to ask why Reylo and Kylux are the dominant ships while fics about Finn are the least popular. The question is not why aren’t Reylo and Kylux fics about Finn, it’s why are these ships exponentially more popular than ships including Finn and fics where Finn is actually a main character.

After a year’s worth of justifications that historically ONLY apply to white characters (fandom loves villains, the blank slate, etc) plus the fact that white heroes/protags are shipped like crazy, it’s clear that Finn’s blackness contributes heavily to his minimization.

Source: the-bi-writer fandom racism star wars finn
jawnbaeyega luminousfinn

skywalkerapologist:

luminousfinn:

The narrative arc The Force Awakens create between Finn and Kylo Ren is an interesting one. Visually it begins in the very first scene they appear on screen together at the assault of Tuanul village after the execution of the villagers that FN-2187 refused to participate in. When Kylo Ren is returning to his shuttle, he stops and stares at Finn for, at the time, no discernible reason.

In doing this the movie draws a visual line between the two men, connecting them in the audience’s mind and in-universe. One is dressed in black, the other in white, both are helmeted and faceless, but already we have witnessed the distinction between them and the movie spends the rest of its time emphasizing it: Kylo Ren will murder on a whim, while FN-2187 refuses to kill unarmed civilians.

After this “meeting” Kylo Ren maintains a distinct interest in FN-2187. So much that he not only knows that it was the same trooper which aided Poe in escaping, but that when he learns that Finn has got away with BB-8 he throws one of his two destructive rampages.

The other he has when Rey escapes captivity.

After this their stories part for a time, but only to be rejoined on Starkiller Base after Kylo Ren murders Han Solo.

After Chewie shoots Kylo, blows up the oscillator and everyone including Finn and Rey starts shooting, we see Kylo Ren kneeling on the bridge looking up. .

The camera cuts to an angle behind Kylo Ren’s head so we now also have Finn and Rey in the shot, both standing on a balcony in the background

Another cut, closing up on our two leads. This shows them both standing, looking down on Kylo Ren. Both look shocked and Finn is stepping forward on the balcony, towards the audience and more importantly, towards Kylo.

Once again the movie cuts and again it zooms in so that now Finn is in focus. His face merges from the shock and fear he has so far displayed, into grief, anger and determination. And throughout the shot he steps further and further forward while the camera zooms in on him, visually emphasizing him stepping into the conflict with Kylo Ren.

Rey is barely in the frame here and by the end of the shot she’s entirely gone, leaving her literally out of the picture.

Next cut is back to Kylo Ren, who is staring up at Finn. The way this sequence is cut together makes it startlingly clear that this is where he is looking and who he is looking at. Kylo’s face merges from surprise into unmitigated fury and hatred at the sight of FN-2187, the Stormtrooper who defected, who is everything he is not.

The whole sequence mirrors their first encounter with the two men staring at each other, though they’re now unmasked and we can see the mutual enmity clear on their faces. Finn is no longer running away, he’s stepping forward and the camera zooms in on Kylo’s face drawing him into conflict with Finn as well.

The movie sets up this conflict not just for the coming battle in the forest, but also for the next two Episodes as the battle between the two men is a draw. Finn is defeated by Kylo, but the Dark Sider does not obtain the lightsaber and is in turn defeated by Rey. Neither of them emerges a victor and the narrative conflict between them remains unresolved.

So whatever Episode VIII and IX brings, it is clear that Finn and Kylo will cross paths again and Kylo had better beware. To borrow John’s words: “Finn ain’t playing no more”, that much is clear from the scene in the oscillator.

Next cut is back to Kylo Ren, who is staring up at Finn. The way this sequence is cut together makes it startlingly clear that this is where he is looking and who he is looking at. 

This part is so important and yet flew over like 90% of the fandom’s heads in favor of focusing on Rey (gee I wonder why).

The shift in Finn’s expression from shocked grief to quiet rage reminds me of Luke’s reaction to seeing his aunt and uncle’s burnt corpses in ANH. Obviously Rey and Kylo will be squaring off again in VIII but TFA also made it clear that there’s some serious bad blood between Finn and Kylo that’s entirely separate from wanting to protect or recruit Rey. Which is why I roll my eyes when I see people claim that Finn is going to be shunted off to a B-plot opposite Hux (a character he never interacted with in TFA) and Phasma (who he literally threw in the trash).

Also, it’s worth noting that for the first time, Rey has to take Finn by the arm and pull him away.

image

Kylo was stumbling up towards them and I’m not convinced that Finn wouldn’t have tried to take him down right then and there.

finn meta to read
rebelfinn

@
@

*Look, as far as I’m concerned Finn is Force Sensitive, and that’s that. He will be a  Jedi. I will wrestle you out of of your underwear, with your pants still on, if you disagree. Here, have some receipts:

Also, I just love this gorgeous essay on the parallels between Finn’s narrative and Arthurian legend.

jawnbaeyega adagalore

luminousfinn:

Maz giving Finn the lightsaber is noticeable for many reasons, not least of which because it happens twice and for all the Arthurian parallels surrounding the scenes.

 

The first time takes place just after the destruction of the Hosnia system which is what makes Finn return to Han (and implicitly to the fight against the Dark Side). At this point none of them knows that they’re about to be attacked themselves by the First Order, not even Maz.

Despite this she immediately upon Finn’s return  takes him, Han and Chewie into the cellar where she keeps the lightsaber. When she takes it out of the chest Han recognizes it and asks where she got it, she brushes him off and focuses on Finn.

Why Finn? Last she saw him Finn made it clear that he was leaving. Hosnia’s destruction marked a tentative return, but so far it is tentative. And wouldn’t Han a man who might not be a paragon, but someone she’s know for years, make more sense?

Her words as she passes it are ambiguous. “Take it. Find your friend.” And do what exactly? Give it to her? Use it to protect her? What? Recall, no one but Maz and Rey herself knows that Rey can use the Force at this point. In fact Finn is never told this in TFA.

In assorted other things the fact that Han’s attention shifts off Maz and onto Finn the moment she tells him to take it, but before she stops talking is interesting. His intent gaze on Finn as he makes the choice to take the weapon is mirrored in the second “giving” by Maz.

Maz too is looking rather expectantly as Finn reaches out and takes the lightsaber from her. The music that has so far been playing softly in the background swells dramatically the moment Finn’s hand touches the saber and mixes with the diegetic sound of an approaching TIE fighter as Finn raises the lightsaber as a young Arthur might Excalibur. The scene ends in a dramatic boom as the castle is struck just as we see Finn look at the saber with a serious face.

It is noticeable that Finn is so entranced by the lightsaber that he doesn’t seem to hear the incoming TIE. Not long before at Niima Outpost he jumped at the first sound of it, but here he’s oblivious to the noise.

 

Now before I go on to the second “giving” I’m going to make a small detour around Arthurian myth.

Much have been made of the Arthurian parallels in TFA. Kylo Ren as a Mordred like figure. Luke as either a Merlin or a fallen Arthur himself and of course Rey pulling the Skywalker lightsaber out of the metaphorical stone. But the Arthurian parallels have been ignored where Finn is concerned, especially when it comes to the giving of the lightsaber/Excalibur, because in Arthurian myths there are two kinds of givings of that sword. One is Arthur pulling it out of the stone which declares himself the true king of Britain, in the other it is given to him by The Lady of the Lake.

In both versions Arthur starts out as a youth of unknown parentage grown up fostered by strangers, just as Finn is. In the second versions Arthur runs into Merlin, often portrayed as an older, wiser man. Depending on the version Arthur either asks Merlin for help or about his future, in either case Merlin takes him to The Lady of the Lake.

The Lady depending on the version of the tale is either a powerful magical being or a High Priestess of Avalon. She proceeds to ask the young Arthur several question and put him through a test which he fails, but she sees that though he is not perfect he has a good heart and a true spirit. Realizing this she bequeath him Excalibur, the sword of the true king and the mark of a hero.

Maz is in a quite literal sense The Lady of the Lake. She a powerful alien, strong in the Force who has made her home on a lake.

Her initial interactions with Finn runs parallel with The Lady’s testing of Arthur, complete with Finn “failing the test” by choosing to leave. But in deciding to return to the fight Finn proves to The Lady of the Lake that he’s heart and spirit is true and so she gives him Excalibur (the Skywalker lightsaber) to wield.

 

That she means for him to wield it and not just as a caretaker becomes clear in the second “giving”.

When they exit the now ruined castle the dark forces are upon them and battle is joined. Maz once more tells Finn to go find his friends.

This time Finn has no intention of leaving proving him once more worthy of Excalibur and this time Maz’s words are unambiguous, she intends, and always intended, for him to be a wielder of the blade, not just a carrier.

As Finn again lifts the Skywalker lightsaber and this time ignites it, Maz look on with great expectancy clearly meant to mirror the audience. Will “Excalibur” accept Finn as its wielder? And will Finn accept the lightsaber as his?

At first we see doubt on Finn’s face, it’s an unfamiliar weapon and a Jedi’s weapon to boot. How can he wield this? But Maz believes he can and Finn is nothing if not up for whatever challenge life throws at him so he ignites it. The blade flashes to life in his hand, accepting him as a worthy wielder, and the moment it does Finn’s decision is also made. He may not be a Jedi (yet), but the sword is his.

 

tl;dr. There is a lot of Arthurian coding around Han (Merlin) bringing Finn (a young Arthur) to Maz (The Lady of the Lake), Maz testing him and in finding that he has a good and pure heart gives him the Skywalker lightsaber (Excalibur). The sword allowing itself to be ignited (drawn from the sheath) confirms Finn’s worthiness as its wielder.

Source: luminousfinnLISTENTHIS IS THE CONTENT FOR WHICH I AM HEREGOOD SHIT RIGHT HERE OKfinn factsfinn metafinn is force sensitiveboth rey and finn are gonna be jedi okchoke on THAT
@
@
*I have a friend who insists that Finn was nothing more than comedy relief and refuses to move from the position that he is a “coon”, no matter how many valid points I bring up. I just don’t get it. Its obvious that she and I were not watching the same movie at all. But then, she and I aren’t in the same place on the idea of representation, either, which might be some type of generational thing. Also part of the problem is that a lot of Black people were expecting Shaft in Space. We already got all that with Mace Windu’s  purple lightsaber, so why copy that?
lj-writes

Finn’s subversive decency

Choosing to be kind is not choosing to be passive. It’s choosing to end the cycle of abuse… . It’s a courageous act in itself.

-Melissa Grey on Cinderella

It’s amazing to me how some parts of the Star Wars fandom have no sense of nuance when it comes to Finn’s character, seeing him as either a naive child who can hardly function in the real world or a ruthless killer who showed no regrets or conflicts whatsoever about killing his former comrades.

Both extremes are fairly dehumanizing and distorted portrayals of the actual character, because the core of Finn’s character is that he is innocent when he has no business being so. He’s a character whose innocence and purity are not oblivious naïvete but qualities he had to fight to keep and attain. His morality is not based on an ignorance of life’s harsh realities, but rather on an intimate knowledge of brutality and the will to break free of it.

Keep reading

@
@

Oooh! More theory!

https://youtu.be/YByg2UoncBs

Racism Link Roundup

Here’s a selection of readings from last week. The articels themeselves may not be new but they are worth reading if you have an interest in the subject.

*Racism and Toxic Masculinity in Pop Cullture:

blackgirlfly asked: Given what we know from Finn in the various canon novelizations, do you think his depiction in the film serviced him well? Finn is clearly an intelligent, strong, brave, skilled individual, however that doesn’t seem to be what many took away with. They’ve simply written him off as a sanitation worker or the “new Jar Jar”. Is this purely fandom racism or poor character development and do you think there’s room for improvement?

jawnbaeyega:

I think by and large the film serviced him well. We know that he’s intelligent, strong, brave, and skilled because we were shown that in the film. I think there are two major things going into people’s inability to see that Finn is an incredible hero: racism and hyper/toxic masculinity.

As to the racism, it’s been scientifically proven over and over again that white people have significant difficulty empathizing with Black people in real life and on screen. Also given rampant media stereotyping, it’s difficult for people to see Black people outside of basic stereotypical boxes. So even when confronted with a multidimensional and incredible character like Finn, all they see is “comic relief” or “sidekick.”

This is why it’s really important that writers understand that you can’t just write a Black character in the same way as you would a white character. More work has to be done to play up their goodness, heroism, and complexity otherwise people will rely on stereotypes or throw away lines (i.e. how Finn once worked in sanitation when he was a trooper in training and stationed on Starkiller base) to erase all of that. For example, this is why the slow burn relationship build up with Black female characters isn’t successful…folks will just see her as the “strong friend/sidekick who don’t need no man” and won’t see the build up and then will act surprised when it happens. The media needs to spend time just showing Black women being loved and valued and romantic interests and after that settles in the mass consciousness, then we can do the slow burn (or at least both at the same time…bc the will they or won’t they thing alone just isn’t working).

As to the hyper/toxic masculinity, folks aren’t used to male heroes like Finn. Finn is vulnerable, acknowledges his feelings and fears, and is compassionate and empathetic. A lot of men (of all races) I’ve talked to who didn’t like Finn and claimed he was useless kept bringing up “he never won a fight” and “he was unconscious at the end” as “reasons” why he was “useless and weak.” They also always make mention of how Rey, “the girl,” defeated Kylo when Finn “couldn’t” (not taking into account Kylo’s injury, Rey tapping into the Force, and the fact that Finn wielding the saber and injuring Kylo at all w/o consciously using the force is huge). All of that is rooted in the idea that male heroes need to be invulnerable and kill and win all the time and “be better than the girl” by whatever metric they set (note: Finn & Rey are obviously equals and anybody insinuating otherwise has a problem). Finn’s subversion of hyper/toxic masculinity is so important. But that kinda adherence to toxic masculinity keeps people from seeing that Finn is literally the catalyst for the entire film, the reason the plot keeps moving forward, the emotional center of TFA, and obviously on his own hero’s journey.

I mean, it’s a trilogy ffs. Neither Finn nor Rey have reached their full potential. John already told us “Finn ain’t playing no more.” But somehow people think that because Rey’s force sensitivity was made more obvious in the first film that somehow Finn is less important or not a lead or whatever nonsense and it’s all truly ridiculous and rooted in problematic shit that people need to work through.

tl;dr: racism and toxic masculinity are a hellavu drug and white writers don’t understand the extra work they have to do with Black characters to mitigate the effects of those isms on how Black characters are interpreted.

@
A Hero, Just Not The Hero: Masculinity in Star Wars: The Force Awakens

http://www.kissmywonderwoman.com/2016/02/masculinity-monday-star-wars-finn-is.html

@
@

@
@

Racism in General:

http://www.timwise.org/2016/08/patriotism-is-for-black-people-colin-kaepernick-donald-trump-and-the-selectivity-of-white-rage/

http://www.pennlive.com/opinion/2017/01/blacks_should_leave_forgivenes.html

View at Medium.com

https://bullshit.ist/white-genocide-really-6007e1e4192e#.491vr6h10

@
@

Chris Kluwe is always going to be one of my favorite people. If you haven’t read his book yet, Beautifully Unique Sparkleponies, then please find a copy, and settle in for the evening.

Fuck You, Donald Trump

Fuck you, Donald Trump.

Fuck you for being a hypersensitive, grossly plump caricature of a human being; a squirming mass of cockroaches lurking under a skinsuit veneer.

Fuck your wanton plundering of our social fabric, your willingness to tear down the structure that allows you to exist, your glorification of the worst parts of humanity, all in the name of your own insatiable greed and depravity.

Fuck your racebaiting, fearmongering, Nazi-enabling rhetoric that allows the darkest and most destructive corners of our collective zeitgeist free reign to terrorize the rest.

Fuck your ignorant paucity of intellect, your narcissistic belief in your own ego, your inability to recognize your own descent into fascism.

Fuck your promotions of white supremacists to positions of power, of science denying crackpots to oversee our future, of bootlicking toadies to oversee your transition.

Fuck your misogynistic views on women’s rights, fuck your archaic beliefs on the freedom of press and religion, and fuck your idiotic venality when it comes to the destruction of a country that, while not always achieving freedom for all of its citizens, has done the best to get there in the entirety of recorded human history.

Fuck you, Melania Trump.

Fuck you for being willing to support this disgusting slime mold because it means you can live a life of privilege and luxury, never mind the hardships that will befall women across this nation due to your husband’s philistinic views.

Fuck you for posing for puff pieces in entertainment magazines while the cabal of shitgoblins your partner is assembling gets ready to reverse everything that has allowed you to possess even the most moderate amount of power.

Fuck you for taking the easy choice, the choice to suck the dick of a loathsome troll in order to wear Hugo Boss dresses, instead of taking a stand in order to protect the fifty percent of our population who shares your gender.

Fuck you for smiling and waving at the cameras when your husband is on record as saying, “Grab them (women) by the pussy. You can do anything.”

Fuck your betrayal of everything Susan B. Anthony and other suffragettes fought for, fuck your tacit acceptance that a woman should be an accessory to a man, fuck your self-centered interest in insuring your own well-being over the well-being of the country that allows you such a lifestyle.

Fuck you, Ivanka, Eric, and Donald Trump Jr.

Fuck you for being willing lackeys of this pusillanimous ape, for carrying his water on television and in media interviews.

Fuck you for clinging to his hairy teat, for not finding the courage to strike out on your own, for not recognizing that even though you can’t choose your parents, you can certainly choose your own path in life.

Fuck you for normalizing this piece of shit wannabe-Hitler, for treating his wretched series of business enterprises as anything other than the fraudulent snake-oil jobs that they are, for bowing beneath the lash instead of standing tall and making your own way, despite the loss it might incur.

Fuck you for the hate and pain you will inflict on hundreds of thousands of American citizens because you couldn’t muster the courage to say, “No, this isn’t right, and even though I’m related to you by blood, I refuse to proceed with this abhorrent state of affairs.”

Fuck your greasy, slimy, frat-house words and beliefs, your ideals that would tear us apart, your craven unworthiness to occupy a public space that you achieved through no merit of your own, one which you have no idea what to do with other than to cause hurt.

Fuck you, Jared Kushner.

Fuck your anti-Semitism.

Fuck your quisling compliance, your willingness to see those like you tortured and degraded in order to further your own lot in life.

Fuck your manipulation of our media through your financial control of the Observer, fuck your sheltered life of wanton privilege, fuck your inability to understand the arc of history.

Fuck everything you do to uphold a wretched lout who would suffer no qualms in ordering you in front of the firing squad if it meant he might live another day.

Fuck you, Republicans who refuse to disown this bloated leech.

Fuck your cowardice, your disavowal of the solemn duties of your office — keeping this country safe from tyrants and demagogues.

Fuck you for meekly bending the knee in compliance, instead of speaking truth to power.

Fuck you for choosing political expediency over courage, fuck you for sacrificing the poor and the sick, fuck you for dragging our government into a hole from which it may never recover.

Fuck you, members of the media.

Fuck your constant pursuit of ratings, of quarterly profits, of giving this tinpot cumdumpster a platform with which he can influence a large part of our country

Fuck you for buying into the idea that racism should be afforded an equal platform with equality, for calling a Nazi anything other than a Nazi.

Fuck your smarmy thinkpieces attempting to normalize a new hegemony, fuck your cowardice in the face of totalitarianism, fuck your CEOs and VPs and executive producers who are willing to feed the innocent to the depraved in order to forestall their own demise.

Fuck you for not doing your job.

Fuck you, Trump supporters.

Fuck you for your willing ignorance, your inability to understand that a fascist is telling you exactly what he wants to do to you.

Fuck you for tearing apart the rule of law, and bringing back the rule of force.

Fuck you for not caring, for believing the easy lies you read instead of using your brain to find the truth.

Fuck you for putting your petty hatreds and squabbles ahead of everything that once made this country great, and fuck you for unwittingly causing it to fall.

Fuck you everyone who refuses to take a stand against this man.

Fuck your inability to understand history.

Fuck your selfish interests that ignore the fact that if one of us isn’t free, none of us is free.

Fuck your willingness to normalize this dictator, your filthy desire for more lucre, your inability to fight for your fellow citizens and everything this country once stood for. The Founders would be ashamed of you.

Fuck your blind optimism that things will somehow magically turn out okay, fuck your American exceptionalism draped in the corpses of communities of color, fuck your overwhelming ignorance that could be solved if you simply wished to learn and ask ‘why.’

Above all, fuck your cowardice, your self-loathing hypocrisy, your myopic blinders keeping you from identifying the single greatest threat our republic has faced since we took up arms against the British, because if someone other than you suffers, somehow that makes it just fine.

Fuck you, Donald Trump, for turning my country into something that it never should have become, for turning it into something no country should ever become.

Fuck you, Donald Trump, for driving us into conflict, one that will most likely end in violence.

Fuck you, Donald Trump.

@

@

Feminism:

https://psmag.com/female-superheroes-are-not-necessarily-feminist-heroes-6397caf2293b#.hpojr9wgs

https://howwegettonext.com/its-time-for-a-new-kind-of-power-fantasy-a5ff23b2237f#.8b75ns1sg

https://ww2.kqed.org/pop/2016/02/04/nipplegate-revisited-why-america-owes-janet-jackson-a-huge-apology

*This Indigenous woman chronicles her experiences at the one of the Women’s Marches that occurred this weekend. There are a number of criticisms I had about the Women’s March but overall I think its a positive thing. I had no plans to participate in it, but  I support those who wanted to and did so, as long as this isn’t the end of their activism..

  1. This is very important.

@
@

*The Normalization of White Criminality:

https://getpocket.com/explore/item/why-do-we-humanize-white-guys-who-kill-people-1121727335

http://www.huffingtonpost.com/entry/the-problem-with-romanticizing-white-male-criminals-on-tv_us_5632598ae4b06317991166a6

*This article has been making the rounds of Tumblr again:

 

 

 

 

 

 

 

 

Tumblr Discussions # 192

 

*Nick Spencer is the current writer for the Captain America series, which I have not read. Earlier this year, he got into some fandom trouble for revealing Captain America to secretly be a Nazi. Then he put his foot in it again with Sam Wilson. Now I am a huge Sam Wilson fan, although I have not read the Sam Wilson version of Captain America. Apparently, he wrote a scene where a Black man apologizes to a White man for being socially active. And Spencer keeps up this trend of being an old White guy yelling at clouds, by mocking and deriding Social justice activists by  creating nasty caricatures of them:

thefingerfuckingfemalefury:

steviemcfly:

aka14kgold:

wetwareproblem:

lierdumoa:

hellotailor:

‘Captain America’ comic under fire for mocking social justice activism

Captain America writer Nick Spencer is no stranger to controversy, making headlines last year with the infamous “Steve Rogers is secretly a Nazi” plot twist. Now, he’s facing backlash for a satirical depiction of social justice activists.

During a standoff between the Falcon and a racist pundit, the comic introduces a stereotypical parody of young activists: a Z-list supervillain team of college students demanding a “safe space” on campus.

image

Spencer described the team as a lighthearted satire, but if so, that satire isn’t very effective. In a rather preachy tone, the comic presents a judgmental divide between two versions of anti-racist activism: wholesome heroes like Sam Wilson, and laughable weirdos who use words like “patriarchy” and try to blow people up.

It echoes the common misconception that social justice terminology belongs to a realm of Tumblr teens who get “outraged” as a kind of hobby, while reasonable adults provide practical solutions in the real world.

[READ MORE]

When a white guy, draws a black man apologizing to white man for possibly ever using the language of activism. That’s racist masturbation. pic.twitter.com/OTHHVWyrWw

Good article.

TL&DR: Comic artist draws comic equating criticism with terrorism. When met with further criticism, complains that “kids these days are so sensitive.”

Rule one of satire: Punch up.

Rule two: HOLY FUCKING SHIT do not write a PoC apologizing to a white dude for daring to have maybe possibly been an activist. Like. Holy FUCK.

(Rule three: don’t make a character created by a Jew a Nazi)

Seriously, this dude needs to be boycotted or something.

Dude needs to be fired. Out of a cannon. Into the sun.

It’s a pathetic example of some clueless imbecile playing “Respectability Politics” and trying to claim that there’s a “Wrong” way to be progressive or liberal

Or that there’s any such thing as going “too far” when it comes to opposing bigotry and fascism or that we should all just “Play Nice” and “Don’t fight hate with hate” and other such spineless garbage that pathetic cowardly moderates love to spout as they shout their cowardice and weakness to the world

This is the equivalent of Seth McFarlane or South Parks garbage excuse for “Comedy” that celebrates the status quo and acts like progressives and people who want positive social change are either laughable and stupid or else dangerous freaks who are “Just as bad” as actual fascists and bigots through some bizzaro troll logic that only some pathetic old white straight man could apply to a situation

And here we see Nick Spencer combine the worst of both approaches and give us THIS garbage that portrays activists and people who care about human rigths and social justice and oppose bigotry and fascism as being both ridiculous and to be mocked and also as dangerous weirdoes who toss grenades at superheroes

This is GARBAGE

It’s the right wing gutter trash that do shit like this. It’s right wing pieces of shit who commit hate crimes, bomb planned parenthood clinics and carry out atrocities like the shooting at the Pulse nightclub last year…but in the upside down world of Nick Spencer, spineless moderate douchebag, anyone who passionately and vocally opposes the bigotry and fascism of scumbags like that are apparently “Just as bad” and deserve to be mocked

And of course he uses a black character as a mouth piece for his anti-SJW bullshit to try and make it seem less blatantly like a boring old white straight man whining about “Kids today” and how awful it is that we don’t want to play nice with bigots

Playing nice gets you JACK SHIT, Spencer

The civil rights movement, stonewall, women getting the vote…none of these things happened because of us playing nice with the bigots and the fascists of this world.

Spencers writing is pathetic, unfunny and clearly an example of someone playing “Respectability politics” bullshit…you just know he’s the kind of pitiful twat who tries to win arguements with tired “Martin Luther King wouldn’t approve of this you guys” arguements whenever it comes to how to respond to social injustices

And holy shit having Sam Wilson apologise to some old white man if he ever sounded passionate and angry about civil rights (Because lol CARING about things is stupid right) is quite possibly the most disgusting and insulting cherry to put atop this shit sundae

Source: hellotailor
@
@
*One of the more popular critiques of people who argue for representation, is the idea that they should make their own, which ignores that we do in fact make our own, but when the means of distribution is controlled by Straight White men, its extremely difficult to do this. From Bigskydreaming again, this is  a gorgeous essay on how difficult it is to make your own representation, hampered as he is  by the gatekeepers of various  popular media.
bigskydreaming

This shit makes me so mad, not just as a bisexual man, but as a bisexual creator.

Because it wasn’t even a week ago that I talked about a fantasy pilot I’m shopping around town about supernatural teens where the main character was a gay teen boy.

And I got a very well intentioned message about it and how I was likely going to have to make the lead straight if I ever wanted it to have a chance to get picked up by a major network like the CW. And they follow me and know I’m referencing them lol and please know I’m not trying to call you out or anything, because their message was never the problem.

The problem was they’re not wrong. Like, I’m well aware of how this town works, and the limitations it puts on creative content including marginalized characters, let alone REVOLVING around such characters. I’m well aware of how every creative industry is about that, and how audiences and readers are about that.

Even in industries that are supposedly actively seeking out diverse works by marginalized creators, there are still limitations, still quotas. Yeah, the YA publishing industry wants books about teens of color and various sexual orientations, but not TOO many. Trust me, I know. For every book that gets accepted for having a gay lead character, there’s another book that gets rejected because that publishing imprint already has a ‘big’ book coming out with a gay lead character and there’s such a thing as too many of those as far as publishing is concerned. And so every time I see a book getting published by a major imprint about gay characters that isn’t written by a gay author? It fucking hurts, because I know damn well just HOW MANY talented gay writers there are out there desperate to get their stories boosted to wider audiences, marketed by a major publisher….they just got there too late, their spot had already been given away.

I’ve shopped scripts in Hollywood. I’ve had pitch meetings, I’ve sat with people who have the power to buy my scripts and boost them to the next level. And you wanna know what note I get over and over? Too many LGBT+ characters. There’s just too many in my stuff.

There’s something so deeply fucked up and insidious about industries and atmospheres that don’t even bat an eye or show the slightest bit of awareness while telling marginalized creators to limit how much of themselves they pour into their work.

These people, to my face, have made it perfectly clear – they WANT my stories, they WANT my imagination, they WANT my writing….they just don’t want it to look or sound too much like ME, the person behind the story, the person who dreamed it up…..because apparently that just makes it too damn hard to market it to anyone who isn’t just like me.

Since I was a kid, I’ve heard it over and over – you want better representation, make it yourself. And its like yo, fuckwads, we’re fucking TRYING over here. But even when we do, you keep putting limits on it, or telling us you only had the budget to give one or two stories about marginalized characters a chance and oh wait, you already spent that money on straight white men telling these stories for us.

Except those stories? Not written by us? That’s how you end up with the homophobic version of MISERY, with tons of visibility and all the things actual LGBT+ creators would kill to have for their stories about LGBT+ characters….and its not just that the story exists. Its not just the knowledge that something that fucking eroticizes homophobic torture porn has thousands of fans. It’s the awareness that the visibility of THAT piece of work actually detracts from the visibility of actual LGBT+ creators’ work, because hate to say it, but marginalized works ARE still very much a zero sum game.

And to be perfectly clear, its not that you have to be of a specific identity to write a realistic representation of that identity. No, that’s an excuse that people who don’t want to put in the work to do just that love to fall back on, but like. Research. Educate yourself. Put in the time. Put in the effort. You can absolutely represent anyone realistically.

The problem with marginalized works being created primarily by people of non-marginalized identities isn’t in their ABILITY to represent non straight white male identities realistically. The problem is with PRIORITIES.

Because guess what? I’m greedy. I don’t just want to see more bisexual characters on TV. I don’t just want to see a realistic depiction of someone like me, if that means they’re just as likely to get hurt or abused or killed off like the straight characters there just so happen to be twenty replacements for, already to go, just waiting in the wings.

If that was all that mattered, like, I’d sink my money into making a Where’s Waldo book with a gay or bi character on every page and just print those up and hand them out on street corners.

But realistic representation is great and all, but its still not the only thing. There’s nothing realistic about decades and decades of stories where it just so happens that coincidentally, the straight white male character always gets what he wants out of the story even as the black character dies first, the gay character sleeps around but never finds true love, and the disabled character is inspirational, but not much else.

No, representation isn’t just about being able to point at the screen and go, there I am, that’s me, he’s just like me. It’s about getting to see characters like you get everything the other characters get.

It’s about seeing the gay and bi characters get to be the heroes, to save the universe. To be put in life-threatening situations and ESCAPE in spite of the odds, to live to fight another day. To have love triangles and options instead of being paired up with the only other gay character onscreen by default. THAT is what true representation is. Anything less than what straight white audiences take for granted is still just half-assing it.

And as for marginalized works still being a zero sum game, well, you can tell me they’re not, that there’s plenty of room for everyone. The internet is a big place. Yup, yup. It is. Its so big, in fact, that shockingly enough, things like funding and budgets and marketing departments and publisher backing and corporate sponsorship and name recognition all make a difference between you producing content that people can find and enjoy and boost and you just shouting into the void.

Don’t tell me that marginalized works aren’t a zero sum game when I have literally sat in meetings with people who are perfectly conciliatory when explaining that sorry, this is just the way the world/industry/game works.

I mean, don’t get me wrong. This is just me ranting, this isn’t me saying anything that any and all marginalized creators don’t already know for themselves and its certainly not going to do anything to change the minds or priorities of the people who have the most power to do something about this in the shortest span of time.

I know this is essentially me shouting sour grapes into the void. And yeah, I’m perfectly aware that the grapes here are very sour, that I am absolutely 100% bitter about seeing works with shit or even actively harmful marginalized representation get prioritized over the works of actual marginalized creators when it comes to resources, visibility, acclaim.

But just cuz I’m bitter while I’m saying it, doesn’t make what I’m saying untrue.

 

@
@

*There is a huge argument on Twitter involving those who revere Kylo Ren from the Star Wars movies and people calling them out on this. It also involves shipping, and the idea that Kylo Ren fans engage in racism against Finn, to prop up their White male villain:

fandomshatepeopleofcolor

Re: the woobification of Kylo Ren

(Sorry if this submitted twice. For some reason it showed up on my own blog and I was confused.)

I think a huge problem is the lack of diversity in the casting of characters I call “the delicious villain.” When I was little, I used to watch soap operas with my mom, and there were always those “bad boy” characters who were absolutely the villains of the shows, but who were also absolutely known for their sex appeal.

We see these characters in mainstream cinema in the likes of Loki, the Joker, Sweeney Todd, The Phantom of the Opera, Jack Ripner (Red Eye), Spike (Buffy), etc. Is there some internalized misogyny at play that attracts us to these characters? Probably. But we have to acknowledge the popularity of these characters nevertheless, and we can’t ignore the fact the that they are all white.

We have to question why POC aren’t cast as “the delicious villain.”

We have to question whether we would woobify Kylo Ren if he were played by a POC.

Characters like Kylo Ren can actually be fascinating because they are villains that are written with a touch of humanity (Kylo Ren still feels a pull to the light) unlike the Darth Vader-type villains who are there simply to evoke fear. There is no reason not to cast POC in these roles except for the inherent racism that blinds white audiences to the humanity of anyone who isn’t white.

Submitted by a-world-without-shrimp

And I feel this is in line with this essay:

The Glorification of White Crime

@
@

I’m posting this for the excellent clapback against critics of what used to be called “Political Correctness”, but now, in an effort to try insulting Black people in  a different way, is now called “Identity Politics”.

thisiseverydayracism:

The other day on Twitter, a man posted a picture of my coloring book he’d given his daughter for Christmas. He was excited to give her a coloring book full of badass intersectional feminists. He wanted to thank me for creating it.

“I don’t know,” chimed in a random stranger (because Twitter), “Sounds like identity politics to me.”

Hell yeah it does.

“Identity Politics” is now thrown about as an insult at many progressive activists. Critics say that Identity Politics make everything about gender, everything about sexuality, and everything about race. And to this I say: yes, yes, and hell yes.

Call it what you want. I don’t care. Complain that we’re making shit about race — you know what? We are. Complain that we’re keeping the left from focusing only on class — yup, and proudly so. Complain all you want because I am not and will never be ashamed of focusing on the politics of identity. I will not feel a moment’s guilt for slowing this whole train down to make sure that everyone can get on and we’re on the right track. I will proudly own up to making shit hard for you.

Thank god for Identity Politics.

You know why? Because you know what we had before Identity Politics? I’ll tell you.

We had White Dudes.

We had white dudes as the pinnacles of power. We had white dudes on all our TV screens, we had white dudes reporting all our news, we had white dudes writing all our books. Sometimes they were accompanied by attractive white ladies (as all the white dudes were straight). But mostly, we had white dudes.

And if you were not a white dude? You didn’t exist. Laws were not written for you, infrastructure was not built for you, history was not written about you. You did not exist in film, television, or novels. You were not a part of the American dream.

And do you know what has been changing all of that? Do you know what has been saving this country from the monotony and tyranny of white, cis, heterosexual dudes? Identity Politics.

Identity Politics are everything that its critics fear. Identity Politics are decentralizing whiteness, straightness, cis-ness, and maleness. Identity Politics brought you equal marriage, the voting rights act, and abortion access. Identity Politics has got people believing that black is beautiful, that disability is nothing to be ashamed of, that fat people deserve respect, that a woman can say no. Identity politics are forcing the world to consider what it has spent hundreds of years ignoring — everyone else.

Without Identity Politics, we wouldn’t all get along better, we’d just cease to exist. And know, that is primarily what those who decry Identity Politics want. They want the world of the past, where we existed in the shadows, where they never had to consider race or gender, because everything was only about their race and gender. They want a world where nobody raised a hand and said “what about me,” because the only people allowed in the room were those whose needs had already been meet. They want the simplicity and power that comes with being the default.

So yes, Identity Politics are the threat to both the right and the left that its enemies are making it out to be. Because our system is still mostly white dudes, on both sides of the aisle. Their fear isn’t wrong; Identity Politics do threaten their way of life and their idea of progress and unity. Identity Politics will tear down everything they have built because everything they have built is oppressive and exclusionary and wrong.

We are not going back to a time where we were overlooked, dismissed, invalidated, and discounted. We are not going back to not existing. Our Identity Politics are here to stay.

@
@
And some Introvert stuff:

If you’re an introvert, follow @introvertunites.

 

Just some of my various readings around the Internet last week.

 

 

 

 

 

 

 

Tumblr Discussions #62

*I love the character Finn, (from Star Wars 7), and I’m always here for some Finn love, in the form of Meta-analysis on this character. There are so many people out there ready to dump on the only Black lead character in a Star Wars movie. There are White people harshing on Finn because he’s too Black and Black people hatin’ on him because he’s not Black enough. This analysis gets it just right.

lj-writes

Finn’s subversive decency

Choosing to be kind is not choosing to be passive. It’s choosing to end the cycle of abuse… . It’s a courageous act in itself.

-Melissa Grey on Cinderella

@
@

*Of all the arguments occurring on Tumblr, the ones I find most intriguing, are the ones about Fandom. There are a lot of those. It seems to be very young people’s way of ironing out all the rules and regulations involved in being  “real fans”. This one is a discussion of exactly what slash fanfiction is, and what purpose it serves.

stitchmediamix organafinn

i can’t believe y’all made me write this

halfhardtorock:

steflovessamwilson:

arkynn:

markdoesstuff:

poseysprostate:

There’s a piece of meta going around that’s basically saying that mlm should have greater authority on what kinds of content should be produced from the slash community and I think that’s such a huge load of bullshit?  Slash isn’t, and was never about mlm.  Mlm are not the subjects of slash and yaoi works, they’ve always been proxies for the expression of women’s sexual/romantic fantasies.

This is not a bad thing and isn’t a thing that should be changed.

Yes, increasing amounts of men are becoming content creators for slash and yes, there are more stories about healthy and realistic relationships between men but there will always be works that contain tropes that appeal to women?  The failings of individual women to make a distinction between a fictional mlm as a sexual proxy and a real mlm is not the responsibility of the slash fandom?

Take the case of male pornographers producing lesbian porn for straight male consumers.  Does the idea of wlw arguing that these works do not depict realistic wlw relationships make sense?  Clearly not because that genre is not about depicting actual wlw and actual wlw culture.  If wlw create pornography for wlw then they’re really shifting into a different genre.  Although the subjects are technically the same (as in women are portraying these proxies) they are participating in conceptually distinct genres with different audiences.

And with increasing amounts of women consuming works relating to mlm sex, there’s been financial incentive for gay pornography studios to produce more naturalistic, relationship focused movies.  Certain JGV works and Western studios like Cockyboys have increasing numbers of female fans.  If you imagine a progression on this theme and we eventually have a pornography studio produced by women, producing content for women, using men having m-m sex, would and should women be given authority over the content and themes of all gay pornography?

In the fantasy industry, there are creators, there are consumers, and there are the characters and entities that mediate the fantasy – the subjects.  In BL, yaoi, and most slash, these aren’t mlm.  They’re proxies.  There is no genre requirement that they know anything about a mlm lifestyle or mlm culture or anything like that.  In bara, gay interest films, and in an increasing amount of general works, yeah they’re mlm.  They’re created for mlm to identify with.  That’s great!  There is no reasonable need to demand for the former genres to change because they aren’t about mlm.  A misunderstanding of this point only serves to further demonize women in their own spaces.

I pretty much ignore all the ridiculous discourse I see on this hellhole of a site these days but this is so Bad that I had to comment

This is supremely creepy, and viewing queer or gay or mlm as “proxies” is dehumanizing and weird and I can’t believe there is discourse defending this terrible idea. This is Bad, you should feel Bad, and no. You cannot absolve yourself of harmful representation just because it’s a different genre or because the intent of said genre is not for the consumption of mlm. Also: plenty of us queer and gay men write and read slash for our own purposes and this ignores that. And fetishization. And a million other things!!!

Also: COCKYBOYS. ARE YOU FUCKING SERIOUS. THAT IS THE SITE YOU REFERENCED???? Oh my god.

“The failings of individual women to make a distinction between a fictional mlm as a sexual proxy and a real mlm is not the responsibility of the slash fandom?”

This is on the same level as folks arguing about how they can “separate fiction from reality” whenever someone critiques a popular show and/or ship that depicts abuse or bigotry.

Also, “Mlm are not the subjects of slash and yaoi works” – the word you may be looking for is “audience”. Mlm are the literal subjects of the fanfiction. They are the focus, they are the characters driving the story. That makes them the subjects.

“Slash isn’t, and was never about mlm. Mlm are not the subject of slash and yaoi works, they’ve always been proxies for the expression of women’s sexual/romantic fantasies.”

THIS IS LITERALLY THE DEFINITION OF FETISHISING. Viewing members of a marginalized group as proxies for your sexual fantasies is WHAT THE PROBLEM IS. This is VERY MUCH SO a bad thing and this post is disgusting.

“Take the case of male pornographers producing lesbian porn for straight male consumers. Does the idea of wlw arguing that these works do not depict realistic wlw relationships make sense?”

Yes?

When lesbians have such few accessible products of their own and are highly fetishized by straight male-produced lesbian porn, this critique is valid.

When wlw can’t even find their own products because 98% of lesbian porn is made for the straight male gaze, thats a problem.

When some of the states where wlw have the least rights and experience the most violence have the highest number of lesbian porn searches on pornhub, this criticism matters.

The overwhelming amount of fetishistic lesbian porn made for the straight male gaze is a problem and critiquing this fetish, the way it dehumanizes wlw and asking for actual, inoffensive, non-fetishistic portrayals of wlw sexuality is valid.

Also this was a shit comparison in a lot of ways because wlw deal with objectification in a way white cis dudes do not.

OP needs to step back and just rethink all the crap they just spewed under the guise of wanting to be all about/exploring women’s sexuality.

Fetishizing queer people is never okay (and there’s a difference between writing about/being invested queer male characters and fetishizing them and fandom largely hasn’t figured out how to find that difference…)

*Finally someone did make a list of the rules and regulations of writing fanfiction:

thespoonslobeliastole:

glumshoe:

glumshoe:

Everyone’s familiar with “Rule 34 of the Internet: there is porn of any conceivable subject”.

Is there also a rule that states that fandom abhors a vacuum of sexually available slim white men to ship with each other, and any piece of media that doesn’t include at least two will invent them?

Should a piece of popular media include one (1) thin white boy, failure to include another thin white boy to ship him with will result in the most popular ships in a particular fandom…

1.) importing another thin white boy from an unrelated piece of media to pair him with, regardless of reciprocated canon relationships with female characters…

2.) interpreting a non-human character as a thin white boy, even a much, much older antagonist…

3.) shipping the thin white character with himself…

Related: if a fandom DOES include at least two thin white boys, but neither of them are lead characters, they will become the most popular ship in that fandom, preferred over non-white lead male characters who display affection towards one another….

@
@

*This is an interesting little meta on White people’s peculiar ideas about PoC and  European history. I am reminded that most people’s ideas about History come largely from TV shows and movies, and that even if they do read History books, those rarely mention race. Even so, most White people consider Whiteness the default, so the assumption is that there were no PoC present, and that apparently we did not come into existence until slavery.

abbiehollowdays dangercupcakemurdericing

On performing race and performing authenticity

dangercupcakemurdericing:

There are two important things to know before I begin this post. I am a black person with white parents and I belong to a medieval reenactment organization.

I suppose the other thing you need to know is that within this organization, which is mainly white, even more so than the general US population, there is a subset of white people who try to re-create the culture and costume of predominantly nonwhite cultures, even though the organization is technically focused on Western Europe.

Simultaneously there is another subset of people who feel that people of color who are involved in the organization, such as myself, should only portray ourselves as foreign visitors to Western cultures because anything else would be unrealistic. This is laughably untrue of course, but it certainly is a thought process some people have, to the point where they find my portrayal which actually is more plausible than most of the “I was kidnapped by Rromani people, sold to a sultan’s harem and then I ended up in Japan which is why I can wear a kimono” kind of back stories you hear.

But regardless if you dig deep enough on the Internet you find people complaining about how people color participating is ruining their immersion. Which I would’ve thought something that would’ve ruined their immersion would be people from completely different centuries spread across large geographic regions interacting with each other, but you can’t really expect logic from racists.

Anyway because of this I try to be as scrupulous with my research as possible, but honestly I like the subversion of taking this whitewashed history and smearing my blackness across it. Because I’m not making up a fiction actually, any more than any of the rest of the people involved in the organization are, the woman I portray is very much a person who could have existed and if that’s disquieting I want people to think about why that is disquieting to them.

Why is the myth of the lily white Europe only recently invaded by foreign barbarians so popular? Why is it impossible to imagine intercultural exchange that didn’t rest on a system of modern racial domination? I want my presence to make them question what they think they know and how they have to envision history to be comfortable with the present.

I know that some of the people of color involved envision that the person portraying as a white person, but I spent enough of my life being paved over with white bricks that I didn’t feel the need to do that and something I do for fun and I think it is disingenuous anyway, given all the sidestepping we do from the exactness of history.

@
@

*Okay, there isn’t anything I needed to add to this, I just wanted to preserve this because of Bigskydreaming’s EPIC clapback on the laziness, and lack of imagination, of writers who use shitty excuses for not writing PoC into any of their narratives. 

bigskydreaming:

solvola:

bizarrolord:

hijadepavlov:

When will racists stop crying “censorship” every time audiences demand that creators produce better content if we’re expected to buy it?

We are not the fucking government, we aren’t throwing anyone in jail for being a talentless racist shitstain. We are exercising our right to free speech by calling a racist creator “racist”, just like the racist creator is exercising their right to free speech by publishing their shitty ass work.

Unfortunately, many times a creator’s work is personal first and what sells later.

And I think that unfairly smearing someone as “racist” when there’s a decent reason they might not be writing characters of color (such as the “write what you know” maxim applied to a white author who may not want to give offense when writing a non-white character because they don’t know enough about the experiences of being non-white to write a character like that well).

I personally always thought that this wasn’t about diversity and representation at all. It was about fannish entitlement hidden behind a cloak of progressiveness. (Further confirmed by people who keep asking for diverse characters constantly nitpicking the ones they do get because they’re essentially not Mary Sues/Gary Stus/wish-fulfillment characters.)

Well, judging from the trends, it looks like bigotry sells, so that’s not it. We just don’t want to give our money to someone who’s insufferably insensitive and clearly hasn’t read a single article on any social issue (other than conservative conspiracy theories about the next liberal boogeyman and the dooms of socialism, I guess), and if anti-SJW tripe isn’t censorship, then neither is this.

Your point in the second paragraph seems to be incomplete, but if you were going to say that “unfairly smearing someone as racist” is akin to censorship (maybe because it might affect sales, I dunno), once more with feeling, that’s not what censorship is – and I even dare you to give me a single example of someone or something being “unfairly smeared as racist”, because chances are that accusation is wholly pertinent, but people just don’t understand enough about the subject of racism to get why it’s pertinent – thus being more a problem of lack of research done (a very common ailment these days) than unfair accusations of racism with no base or substance.

Whenever someone or their work is accused of bigotry, the knee-jerk reaction is always to go on the defensive, on the denial, and bring up intent, when none of those things matter for what’s in question. Someone or something is racist when it aligns with white supremacist or nationalist beliefs, when it validates or is conducive to unjust racial dynamics or stereotypes against non-white people, when it instigates or nurtures negative beliefs and attitudes, hostile sentiment and normalized or even desirable violence towards non-white people – and all of this will happen if something is set up to do so regardless of intent. That’s why there’s that expression “intent isn’t magic”, because intent will not prevent the consequences of unintentional bigotry no matter how clear it might’ve been.

Lastly, as for your two more fandom and creativity-oriented points: I don’t think “writing what you know” is a good excuse, quite frankly, because it discourages people from doing their research and from getting out of their bubble, leading to precisely the kind of unfair and unrealistic homogeneous lack of diversity that media in general is well known for, from stories to characters to casting. It’s lazy, it’s unoriginal, it’s overdone, and it’s entirely unhelpful to various sizeable chunks of people in your audience. If you’re a white, cis, straight, non-disabled male author, “writing what you know” will alienate non-white people, women, LGBT people, and disabled people in your audience from your work entirely, at least as far as identification and relatability go. If that’s what’s desirable, then I think I must have missed the memo, because the artistic paradigm of reaching audiences as far and wide as possible must have changed while I was sleeping.

If you use that excuse to justify not writing diversity, then people will hold you accountability for being lazy and backwards, and under free speech, people have every right to do so, just as you are allowed to retort or not even listen.

Regarding fandom entitlement, to keep it short, I think fandom entitlement looks like fans harassing actors and producers because their abusive ship wasn’t made canon. I think it looks like fans sending death or rape threats to actors of color and female actors (or both at the same time) because they weren’t happy to see an interracial canon couple on screen. I think it looks like fandom being in uproar every time someone dares say something remotely critical even when it’s pertinent. I think “only positivity always, no criticism/“hate” ever” looks like fandom entitlement, too. I think harboring abusers, violent bigots, rapists, and pedophiles in the name of “fandom positivity” looks quite like it also.

To me, fandom entitlement definitely doesn’t look like fans expecting media created last year or this year to be sufficiently diverse and progressive, it doesn’t look like fans expecting their existence to be acknowledged and portrayed respectfully and in a constructive manner, and it also doesn’t look like fans being critical of any attempts at diversity that end up doing more harm than good, or no good at all, because they were written by someone who “wrote what they knew” and didn’t go and do their damn research.

To add on real quick, falling back on the ‘write what you know’ maxim is bullshit, because since time immemorial, audiences, publishers and Hollywood have been perfectly comfortable expecting black writers to write white characters. Its not actually about writing what you want first, and what sells later, because for marginalized writers, the issue before them has ALWAYS been when sitting down to begin a book or a screenplay, they have to ask themselves – are they going to write what they know, are they going to represent themselves in their own work, or are the chances of such a work getting published so slim that they’re better off writing about white characters whose experiences don’t reflect theirs at all, etc.

Death to the write what you know misinterpretation, because it is bullshit and it has always been bullshit. First off, that quote has NEVER been justification for confining your creative output to the narrow margin of what you have personally experienced in life. It is about building your story or your characters around a core foundation of something that resonates with you and your experiences, something you have intimate knowledge of and can build from in terms of mood, its about passion and forming a connection with your work and through it laying down a road for readers to connect with you and your underlying reasons for writing something. It is THEMATIC, not SUPERFICIAL.

If write what you know were as sacrosanct as people would like to pretend in conversations like this, entire genres of fiction would not exist. Fantasy would not exist. Science fiction would not exist. Mystery novels would solely be the province of retired cops and detectives. Only veterans would write military adventures. Medical and political thrillers? Only doctors and politicians, thanks. You would need two masters degrees and a doctorate in historical fields of study to even be able to pitch something set a thousand years ago. And forget about including characters of a different gender, class, or educational background than your own!

Fuck off. That has never been what write what you know means, AND EVERYONE KNOWS IT. Write what you know means when penning a story about a boy wizard discovering magic and adventure and an impossible destiny no one can relate to, ground it in emotions people CAN identify with, imbue him with feelings of loneliness and neglect and a desperate yearning to be wanted and loved and appreciated that you can channel directly from your own soul onto the paper for people to pick up on and use as their grounding rod while venturing into your imagined world that holds very little similarity to anything anyone knows from the real world, other than the emotions that underpin everything in it.

Write what you know means when writing a script about a boy on a distant desert planet beneath two sons discovering his inner power as he sets off on a quest to destroy an imperialistic tyrant, center that story around archetypal narrative structures and themes that have resonated with audiences since the beginning of time – the simple farmboy who rises to greatness, fathers and sons, family honor, redemption and sins of the father, etc, etc.

Write what you know is a guideline, unless you are writing a goddamn autobiography you are expected and even encouraged to use what you know as a baseline template you step outside of to pull other experiences that AREN’T yours closer to, using your actual experiences to connect audiences to the parts of the story that neither you or them can automatically connect to because they are FICTIONAL EXPERIENCES.

If you’re not actually writing a goddamn autobiography, write what you know is not actually a computer function that copies and pastes your life directly onto the page and punishes any deviation from that material with a slap on the wrist and career ruination. No reader in the history of reading has ever put down a science fiction adventure with a disappointed frown and a ‘whoa whoa whoa, I thought I was buying a book by an actual intergalactic space captain who know what the hell he was talking about when repelling pirates trying to take his ship but this dude is just a fucking librarian from Sacramento? Hell no, I am addressing this in my one star review and telling all my friends not to try this author, he is a FRAUD.’

Write what you know didn’t stop Tolkien from reinventing the fantasy genre with the adventures of four foot tall hairy barefoot badasses trekking across a landscape of walking trees and talking eagles to throw a magic ring into a volcano. Yet somehow, it seems to bar stories about black Chosen Ones slaying dragons in medieval inspired settings because that’s unrealistic, black kids don’t fit in fictional settings like that.

Write what you know doesn’t stop fans from becoming ‘fluent’ in made up languages like Elvish and Klingon, but three lines of Spanish in a story somehow pulls them right out of it.

Write what you know doesn’t stop schoolteachers from googling espionage and military jargon and researching the most obscure factoids of crimes and serial killers and the lives of famous spies or historical military figures and going on to write bestselling crime or spy or political thrillers. Yet somehow it seems to block any attempts to put similar work and research and attention to detail into anything related to non-white characters, lives or experiences like the second google realizes they’re asking about something non-white it clutches its pearls and refuses to divulge anything but a 404 Error Not Found screen.

Okay, so I lied, I didn’t add on anything real quick, but let me just sum up real fast.

In conclusion: fuck your write what you know. It has never stopped white writers from writing beyond the boundaries of their experiences, researching the crap out of shit they know nothing about, or kept white readers from identifying with characters they can not possibly have anything in common with other than underlying thematic connections, on account of, y’know, NOT BEING FOUR FOOT TALL HAIRY BAREFOOT HOBBITS FROM MIDDLE FUCKING EARTH.

Writers have always been able to write characters who have different life experiences than them.

Readers have always been able to connect with characters who have different life experiences than them.

Refusing to write about non-white characters? Refusing to read about non-white characters?

It’s not because you can’t. It’s not because it wouldn’t be authentic. It’s not because some magical rule of writing prohibits you and you’ll lose your writing card for daring to venture outside your margin of personal life experiences.

It’s for one reason and one reason only.

YOU. JUST. DON’T. WANT. TO.

@
@

*I just liked this:

What “Ghetto” Names Really Mean

robregal:

feministsmadefromfire:

“Tinashe” –  Means “God is with us” in Shona ( An African language spoken by nearly 80 percent of people in Zimbabwe.)

“Lakeisha” – A Swahili name meaning “favorite one.”

“Ashanti” –  Name of a powerful African empire in West Africa.

“Tanisha” – Hausa of West Africa name meaning “born on Monday.”

“Zola” – Means “quiet, tranquil” in Zulu.

“Amandla” –  Zulu and Xhosa word meaning “power”. The word was a popular rallying cry in the days of resistance against Apartheid.

“Zendaya” – Means “ To Give Thanks” in Shona

“Latonia”  A Latin name. Latonia was the mother of Diana in Roman mythology.

“Lulu” – Swahili and Muslim name meaning “pearl” or “precious.”

“Ciara” –  Means “dark-haired” in Irish Gaelic

“Lateefah” – A North African name meaning “gentle and pleasant.”

“Mercedes” – Means “Gracious gifts/Benefits) in Spanish

“Kaya” –  Ghanaian name meaning “stay and don’t go back.”

“Amara” –  The Swahili word amara, meaning “urgent business.” Also the Hindu name meaning “immortal.”

“Shanika” – African Bantu name, meaning “young one from the wilderness.

“Zuri” – Means “beautiful” in Swahili.

“Onika” – Word of African origin meaning “warrior.”

JUST BECAUSE A NAME SOUNDS DIFFERENT DOES NOT MEAN IT’S “RATCHET” OR “GHETTO” THEY HAVE BEAUTIFUL MEANINGS.

DON’T BE IGNORANT, LEARN.

Reblog every time it hits the dash.

@
@

*I hope this is a real movie, and not people just trolling me. If so, I’m here for it!

entertainingtheidea:

Watch the official trailer for J.D. Dillard’s sci-fi drama Sleight, out in U.S. theaters on April 7th.

The story follows a young street magician (played by Collateral Beauty’s Jacob Latimore) who is left to care for his little sister after their parents passing and turns to illegal activities to keep a roof over their heads. When he gets in too deep, his sister is kidnapped and he is forced to use his magic and brilliant mind to save her.

Seychelle Gabriel, Dulé Hill, SNL’s Sasheer Zamata, and Storm Reid (who will soon lead the cast of Ava DuVernay’s A Wrinkle in Time) are co-starring.

 

And some Introvert thoughts:

introvertunites: “ If you’re an introvert, follow @introvertunites. ”

Critique Roundup

Here’s a selection of Pop Culture readings for the week of January 9th. Not all of these were written this month, or even this year. They’re just a selection of posts I’ve come across while researching my favorite topics.

*Tarantino Speaks Out: Police Brutality vs. Cinematic Violence

POSTED ON JAN 5 BY

 

*Horror Movies, Why We Love [Some of] Them

POSTED ON JAN 2 BY

 

*Here are some ads that make me irrationally angry

Amanda Rosenberg

*White Feminist Critiques of Rogue One and the Erasure of Race

*Tuesday, 8 December 2015

Where Are The Women Of Color?: On Marvel’s Problems With Race

Melanin Monroe

*The Dragnet Effect: How TV Has Obscured Police Brutality

In the most influential police procedural ever, even Joe Friday, America’s archetypal “good cop,” was blind to the problem.

CONOR FRIEDERSDORF

*What to do when you’re not the hero any more

BYLAURIE PENNY

Tumblr Discussions #182

 

*More introvert facts. There’s an entire website devoted to these little blirps.

introvertunites:
“ If you’re an introvert, follow @introvertunites.
”

@
@

*I’m totally in love with the idea that Finn is Force sensitive, and this person makes some very compelling arguments, for why Finn is a Jedi. 

 

*An analysis of the emotional, and psychological, differences between Finn and Kylo Ren, and their behavior towards Rey:

The parallels between Finn and Kylo Ren are the most direct (and stark) in terms of toxic masculinity. Finn seems to reject this toxicity, whereas Kylo Ren is constantly hung up on performing and proving himself strong enough. They are opposites: especially evidenced by the way they treat Rey – how they define themselves against the chief female presence of the movie.

Like Finn, Kylo Ren is also interested in and impressed by Rey. (And he also first meets her when she attacks him.) But instead of treating Rey like a person, Kylo acts out of aggression, objectification, and self-centeredness. He immediately immobilizes her, Force-faints her, and then carries her, bridal-style, to his ship: old-fashioned, exploitative, and gross. His language towards her is incredibly patronizing: “So this is the girl I’ve heard so much about…” He proceeds to insult her friends and threaten and torture her: violating her mind, using her as a tool but also relishing the show of his own power and the taking of something personal by force. “I can take what I want” is simultaneously a threat, a statement of power/entitlement, and a declaration of how Kylo fundamentally views Rey: an object, something controllable to serve his purposes. When the tables turn and Rey reads him, he is incredibly shaken by the subversion of his own authority and control, and when she escapes, he storms around looking for her in a blind rage, pursuing her with a weapon. Even as she’s beating him in the ensuing lightsaber battle, he has the gall to mansplain her own power to her: “YOU NEED A TEACHER!”

Unlike Kylo Ren, Finn uses Rey’s name throughout the movie. Kylo never calls her anything but “the girl” or “the scavenger,” even when addressing her. While Finn helps others without question, is vulnerable, and demonstrates affection, humor, feelings, and honesty, Kylo Ren is the opposite – all about projecting his own power and lashing out. He takes himself and his image incredibly seriously, valuing himself over others and their goals, treating underlings callously and with violence. Meanwhile, Finn accepts BB-8 as something deserving of his respect and speaks to the droid like a person.

While Finn easily cooperates with those around him, Kylo competes and chokes and throws tantrums, exchanging insults with Hux and belittling him at every opportunity, locked in a power struggle even with his allies. As Finn resists hurting the innocent and then straight-up defects over this, Kylo Ren is the one who orders their murders and then tortures his captives. Where Finn removes, and then ditches, his helmet at the first opportunity, Kylo Ren clings to his completely unnecessary, fabricated mask — a face that is not his own, versus Finn’s sincerity. It’s a powerful metaphor, putting on another face to become something else, to assume power. To disguise one’s true nature. The dark side, like gender, is performative — and the mask, in this case, is literal.

@
@
*How Racism attempts to rewrite history so as to erase the accomplishments and contributions of PoC. According to such people, no person of color was doing anything in History, and they actually seem to  believe all of it was White. This plays out in everything from the shows we watch to the fiction we read. Medieval historians seek to address this issue.

I want to let you in on the dirty little secret of my field, Medieval Studies: The Middle Ages is incredibly attractive to white supremacists. For people whose vision of a backwards-looking, great world is one with white Christian men in positions of power and the rest of us put in our places, the Middle Ages is a fertile ground for fantasy, where it seems very easy, at least superficially, to ignore the integral role of an incredibly diverse population. There are legends like King Arthur, images like the Bayeaux Tapestries, and long histories of Crusading that, on the face of it, make the Middle Ages look very white and like a world very divided neatly into categories of “us” and “them.”
This vision of a very white, very Christian Middle Ages has been a part of political rhetoric for rather a long time: Anti-feminist politicians exploit their idea of medieval chivalry and courtly love to give their ideas a historical grounding. The British Nationalist party uses the story of Excalibur to promote its vision of a racially pure England. The Crusades, in particular, have factored into that: Crusaders became a favorite theme of 19th-century Romantic writers and thinkers, whose refashioning of these tales were crucial to the creating the popular vision of a very white Middle Ages. T.E. Lawrence, the young British army officer who would go on to be known as Lawrence of Arabia and reshape the map of the modern Middle East came to that region as a student at Oxford writing about Crusader castles. Various European fascist movements throughout 20th-century have adopted Crusader rhetoric. More recently and in our own country, George W. Bush called for Crusade in the wake of 9/11. And the most recent presidential election saw a proliferation of images that have long circulated more quietly in the darkest, most racist corners of the internet that rely on medieval and Crusading themes and images to support both individual candidates and wider worldviews.
But it’s not just political rhetoric: Attachment to a white Middle Ages is also an attitude that has absolutely permeated our cultural outlook: Look at something like the TV version of Game of Thrones and you see a kind of fantasy Middle Ages in which the race politics is incredibly uncomplicated, with a lily-white savior and her dragons redeeming the inarticulate, teeming masses of brown barbarians. It’s a rhetoric that politicians can use because it resonates with the population.
But when we look at the actual Middle Ages in all its complexity, the possibility of this fantasy vision evaporates very quickly.

“Both Sons of Spain”: Medieval Jews and Muslims in the Imagined Nation

My department held a round-table and teach-in yesterday in response to post-election Islamophobic and anti-Semitic vandalism on campus. We felt it was important, as scholars in the humanities, to offer a humanistic intellectual response to the changing tenor of campus discourse; we grounded this response within our discipline, with six speakers offering case studies of how different communities have responded to repression within the Spanish-speaking world. (The event was livestreamed and a recording will be available early next week; I’ll post it as and when.) What follows was my intervention. -S.J. Pearce

medievalpoc medieval studies fact and fantasy white supremacists modern politicshistorical context crusades islamophobia antisemitism academia
@
@
*White women being taken to task for practicing White Feminism:
she-kicks-she-throws:

Dear fellow white women: we have a bad habit of self destruction. We have to stop aligning ourselves with white men. We are not ‘one of the guys’ socially or politically. They have and will actively try to ruin our lives. They only care about us when… …it suits them.

And our alliance with them HURTS NON-WHITE women. This is key! Women of color lead the way. They know how to fight. If you don’t care about non-white women, first fuck you. Second you are just hurting yourself. I’m ashamed most white women went for Trump but that’s only our most recent act of violence. White women: get your fucking shit together.

If you’re a white woman uncomfortable with this kind of call-out, check yourself. We don’t require acknowledgment of basic human decency. There’s a reason WOC mistrust us. If you don’t like it, BE BETTER. And they’ve been telling us this for years. But if you won’t listen … … to them, first fuck you, second listen to me, then: WOC mistrust of WW is founded. We need to get sorted.

@

@

I’m always here for  Westworld meta-analysis.

Westworld & Consent

eleonoraditoledo:

I find it so odd that people find guest/host relationships on Westworld even vaguely okay.  At best, if you believe that the hosts aren’t sentient you’re looking at a weird “romancing the blowup doll” situation.  At worst, if you–like me–believe that they are sentient whether or not they’ve actually “woken up”, then you are looking at an enslavement scenario.  If the hosts are human–that is, the next form of humanity as the show has implied–then they are being enslaved.  It’s one thing to be intrigued by say the guest-host dynamics, but to act like a host having sex with a guest is just adorable and romantic is very bizarre to me?

Keep reading

the only thing im a little bit upset about

thatjokerjerome:

is that i feel swindled out of an explanation for why william was the way he was, and why he turned to the dark side so quickly. clearly he had something really disturbed inside of him in order for that change to happen, but we got no real lead-up to it. he went from white hat to black hat literally overnight, and his long-winded voice-over at the end of the episode interspersed with a montage of him being a general evil-doer seemed cheap to me, especially within the context of a show that is supposedly so big on “show don’t tell”. i want to know more about the person he was outside of the park. i want to see how he treated logan’s sister and what happened to him through all the years inbetween. i didn’t “buy” that he just snapped overnight because of one instance where he saw dolores’s insides and realized she wasn’t human. that seemed lazy as fuck to me. it seemed like they were in a super big rush to do this reveal where as it would have been better and more believable to stretch it over another season so we could have seen a bigger and more realistic spiral into darkness for william.

He was already dark. He didn’t turn to  the dark-side. All that shit people romanticized with him and Dolores was actually presented in Westworld as gross as it was from the beginning and I LOVE this show for that. Because all too often impressionable young women romanticize dudes seeing a woman’s love as someone redeeming them. Making them better.

When in reality it’s two already complete people, who cooperate and love.  William wanted Dolores to be something she was not and CONTINUED see her as that even after she insisted she wasn’t.  Dolores is her own person.

William wanted her to be that key for him.

In other words, from the beginning Will was terrible for Dolores.

@

*I thoroughly enjoyed this one, which is a complete rundown of the types of toxic masculinity, embodied by the male characters, in the show.

Westworld is a Stunning Indictment of White Male Entitlement…Or One Big Reason Why I’m Invested In This Show, ESPECIALLY During These Crazy-Ass Days  (SPOILER AND TRIGGER-WARNING)

@
@
*And to finish it up:

10 Signs You’re an Introvert

1. You find small talk incredibly cumbersome.

Introverts are notoriously small talk-phobic, as they find idle chatter to be a source of anxiety, or at least annoyance. For many quiet types, chitchat can feel disingenuous.

“Let’s clear one thing up: Introverts do not hate small talk because we dislike people,” Laurie Helgoe writes in “Introvert Power: Why Your Inner Life Is Your Hidden Strength.” “We hate small talk because we hate the barrier it creates between people.”

10 Myths About Introverts

introvertunites:

Myth #1 – Introverts don’t like to talk.
This is not true. Introverts just don’t talk unless they have something to say. They hate small talk. Get an introvert talking about something they are interested in, and they won’t shut up for days.

Myth #2 – Introverts are shy.
Shyness has nothing to do with being an Introvert. Introverts are not necessarily afraid of people. What they need is a reason to interact. They don’t interact for the sake of interacting. If you want to talk to an Introvert, just start talking. Don’t worry about being polite.

Myth #3 – Introverts are rude.

Click on the links to get the full stories and visit the websites.

Fandom Misogyny and Racism II

 

*This post from neogenesis is the beginning of the thread in my last post on misogyny and racism in fandom and gives an example of the intersection of race and misogyny (misogynoir) in fandom.This is about the kind of toxicity present in all of fandom culture. (I have this person’s permission to publish this here:)

neogenesis85:

I’ve been thinking about how toxic fandom can be.

I could write a dissertation on the various ways fan culture breeds the worst of the worst, but this particular rant is about the race thing. Because Tumblr culture thinks it’s so progressive and above other places like Twitter and Reddit and, idk, Yahoo comment sections when it comes to race. But actually it’s not any better. It just covers the bigotry up with flowery words andfeminism!!! (yeah I’m still mad at how much this site can shit on female characters while praising white peen, all the while claiming they want better for women)

This has been on my mind for awhile, even more since I’ve totally fallen in love with The Flash and watched the fallout that happened the second that Candice Patton was cast to play Iris West.

And I started to really wonder why folks went off the rails. Why people latched on to Caitlin like a life line and insisted that she should be Barry’s love interest, even before the show aired. And once it did, posts in the Iris tag ran the gauntlet of excuses of why she wasn’t a well written character to how she should either be killed off or reduced to something other than a main.

The writers of the show have pretty much made her perfect. Happy, loved, a great friend. Pretty much always has a smile on her face. College student, working part-time to cover expenses at a coffee shop. Loves her some Barry. Loves her some Joe. Even loves her some Eddie once she realizes that her whole world wasn’t just her bff, school and her dad. Even still, she starts a freaking fanblog about that super fast dude that goes around saving people because she knows Barry and wants to help him find the truth/closure about his mom’s death. She literally hasn’t done anything to anyone to be dragged across the coals the way she has been. In fact, everyone else has been doing a disservice to her by being big fat liars about things that she should really know about. Which, somehow, people turned this into being her flaw.

(If you can’t tell, I’m a stan for Iris. I will defend her to the death. Carefree blk girl that has so many people in her corner. This is SO FUCKING RARE! I have NEVER seen this before on tv)

Then that wonder turned into an ‘oh yeah, fandom is racist as hell but they don’t want to admit it.’

Because I’ve seen various versions of CW’s Iris West in other shows, with almost the same personality and charisma and having everyone be in love with her cause she’s just so awesome… and fandom tripped over themselves to stan the hell out of them.

But all those characters where white.

And this is the problem. The second a characters can no longer jokingly be called snowbunny, too much of fandom can no longer relate to them.

That’s when those tired ass tropes come out:

  • The bad actress thing
  • The no chemistry thing
  • The she’s better off without a love interest thing
  • which feeds into The Independent, don’t need a man thing
  • The she’s too aggressive thing
  • The she’s too passive thing
  • The they’re like brother and sister, so it’s incest thing
  • The she’s an action girl, therefore why are you trying to bring in a usually white male love interest to ruin it (even though that male character will have more fans than the said female character)
  • The but she’s also a damsel in distress, why can’t she just save herself and carry that load and just be a general mule that cries I Don’t Need a Hero Baby and if you help me in any way it’s just gonna invalidate my Strong Independence thing
  • The she’s too perfect thing (a.k.a the Mary Sue Syndrome)
  • The she’s not perfect enough (a.k.a. the I don’t understand that characters can be flawed and I can still love them when they identify as a woman… But hey, let me flood your dashboard with Loki and Sherlock and Bucky Barnes, and Sam and freaking Dean Winchester b/c tragic male characters are just the fucking best or something… idk, I seriously don’t care anymore)
  • The why can’t we have more strong male/female FRIENDSHIPSaremagic!!!!!11!, they don’t have to become romantic thing
  • The I just don’t like her thing, even though I can’t articulate why I actually don’t like her. And if pressed for it an explanation, I’ll just throw out the most superficial reasons why she’s just the worst thing ever to hide my internalized misogyny and racism while tagging that shit but please don’t call me out on it because then you’re just being a bully and I was only stating my opinion even though nobody fucking asked for it and gosh can’t I just live?First Amendment!!!! I’ve sent myself gotten anon death threats okay, this is why we can’t have nice things
  • The she didn’t look like that in the original source material thing. Why is everything become so PC? Those black/brown people are really getting out of hand with their want for representation. Why can’t they relate to a character if they don’t actually look like them? It shouldn’t be that hard. Who care’s if they didn’t cast Katnis or Khan or The Exodus right? They’re just characters. And their race shouldn’t play into how much you identify with them. But holly shit, Idris played a Viking god??!? Annie isn’t a pale, freckled faced red head. That’s just taking things too damn far. Let me shove the importance of European beauty standards down your throat some more, because obviously there aren’t enough of us in all your media.

Yo, this shit I just typed… this shit that I’ve seen in literally any fandom that has characters that weren’t melanin challenged… IT’S GOTTEN OLD

And the clap back that’s been happening… those people like me who are done with everyone thinking white is the status quo… it is not about shipping or us being sjw. 

It’s about us being so fucking tired of defending characters that look like us, that speak like us, that go through the same bullshit like us, but are either ignored or vilified by fandom for reason that aren’t canon just because said fandom doesn’t want to admit it’s problematic as hell.

It’s about me being too old and too done with fandom pissing on my head and claiming it’s just rain… It’s about the fact that there is no apparent safe place for fans of color because #fandom is for white women.

This should no longer be a thing. There have been more articulate and sober folks saying this since AOL free trial disks were all the rage (trust, I was there) BUT IT’S STILL HAPPENING

This is why folks like me snark, and curse, and reply to your ‘am I the only one that doesn’t/cant’s stand [insert whatever non-white person of the week’s name here] lol?’ posts with side-eye gifs and general disdain. This is why we don’t care for your criticisms that divorce race from the narrative. This is why we have to have racebending prompts and create new tags just so that we can stan for those characters that apparently the world hates. And why we don’t give a flying fuck about your ‘can’t we all just get along? Solidarity guys. Listen to the only MLK quote I know’ posts when you aren’t trying to police the people that are causing the actual problem, but trying to guilt us into thinking you’re the victim. This is why we create our own message boards and forums and no you aren’t invited. This is why we don’t care to educate you. This is why your passive attitude towards the bs we have to go through as fans of color is worst then the actual assholes that perpetuate it.

THIS IS WHY TUMBLR AIN’T SHIT

But, despite all of this, I like it here. Sure, the staff doesn’t have their priorities straight and apparently will protect the identities of KKK members before they’ll support black history month, but it’s free and the xkit guy works miracles.

But most importantly, I’ve met incredibly talented and smart individuals here. And I know it can be better.

So do better. That’s all I’m asking. Check yourself before you start applying higher standards to characters of color and judging them in ways you don’t to anyone else.

And FOR THE LOVE OF ALL THINGS UNIVERSAL, LISTEN TO US WHEN WE TELL YOU YOUR LANGUAGE IS RACIST!!!!! I DON’T CARE WHAT YOUR INTENTION WAS. I DON’T CARE IF YOU AREN’T LIKE THOSE FIGURATIVE ‘OTHER PEOPLE.’ YOU FUCKED UP. PUT ON YOUR ADULT PANTS AND OWN UP TO IT. LEARN FROM IT. AND DO BETTER NEXT TIME. It’s really that easy.

*This rant has been brought to you in part by too much caps lock, the Charles Shaw Trader Joes chardonnay blend, that tequila and Waffle House I had for breakfast, and years of frustration defending characters like Iris West | Bonnie Bennett | Abby Mills | Jenny Mills | T-Dog | Mako Mori | Breaden | Guinevere | Glenn |  Olivia Pop | Joan Watson | Roxy & Fred Weasley |  Uhura | Martha Jones | Lana Lang | Michonne | Nick Fury|  Dualla ‘Dee’ | Rosita | Tyler Lockwood | Sharon/#8/Boomer | Teyla | Regina Mills | Stacker Pentecost | Lacy Porter | Tara Thorton | Shirley Donavan | Marcel Gerard | Naevia | Melinda May | Michaela Pratt | Sam Wilson | Tiana | Cassie Robinson | Tory Foster | Rhodey | Casca | Heimdall | Hogun | Aveline de Grandpre | Scott McCall | Mika | Sasha | Ororo | Literally all the non-white characters they had white folks playing them in  Game of Thrones | dot dot freaking dot I can go on forever with this list

neogenesis85

Thing is, I’m sure if you asked any of the white girls in these fandoms who bitch and moan about the women of color in the cast, they would tell you that they actually are proponents of diversity. I’m sure they would search back to find a character of color in a previous fandom they didn’t hate (a character that was inevitably supporting, in the background, and not threatening to their understanding of the social order, definitely not of more importance than their white self-inserts).

Diversity to white fangirls has always been fine in theory, because diversity meant to them a man of color or two (usually black) to add to the number of men who idolized the sole woman (always white) in the cast. But this new specific brand of diversity doesn’t automatically place white girls on a pedestal. It doesn’t automatically treat white girls as the only obvious, worthy partner. Every single argument made against a woman of color’s position in the narrative stems from the disruption of this pattern.

White fangirls aren’t used to being placed off center and they react the way you would expect of the entitled and self-absorbed. And when a group of people who are used to casting themselves as the ultimate victims are actually just your typical ugly aggressors you get, well, what the OP described.

@
@

*This is another analysis of misogynoir from another two perspectives:

portraitrevealed:

 

theprettyfeminist:

They can think of themselves as being for diversity because it literally does not compute that expecting Black women to be on the sidelines is being anti-inclusive. They still see Black women (and men – Finn from Star Wars gets it bad, too) as The Other, always, even if they won’t admit it. The Other can exist, but she can’t possibly be the center of attention, because The Other isn’t a “regular” person.

They will always see a white person as the “obvious” match for the hero, even if they’re only seen briefly (or not at all) compared to the Black character. The Walking Dead fandom is a textbook example: Michonne showed up shortly after Rick’s wife died, and the show started building their relationship from go. When they started trusting each other, the soundtrack played a romantic piano score over their scenes. Michonne started to fill a void for Rick and his kids, and they did the same for her. They started to become a family – Rick couldn’t do it without her, and he straight up told her that.

Then the show introduces white, blonde Jessie and they’re all like “finally, a love interest for Rick!” I don’t even think most were conscious of it, it just never occurred to them that a love story had been building between Michonne and Rick all along. And even when Richonne did get together in canon, fans seriously and openly expected that any random white woman they’d see in an episode might get together with Rick. Even if they were never in the same room together. They even wanted him with Maggie, which was a double-whammy, because Maggie is married to Glenn, who is Korean-American. They couldn’t keep their minds from seeing romance between Rick and Anyone But Michonne.

It’s the same in every fandom with a Black character who is allowed to be loved. It’s dehumanization, and THAT is toxic.

@
@

*The following series of posts and articles are further examples of fandom racism, and links, and will be presented without my usual long commentary:
@
@
https://www.buzzfeed.com/tracianne/racism-in-fandom-pairing-preferences-26cv2

https://cassandrashipsit.tumblr.com/Racism101

Fandom. you’ve got a huge race problem — An Introduction Post

@

@

I literally just saw a post where the OP said that Iris West and Abbie Mills are mediocre characters and the only reason why they’re so popular is because they’re black…

DO YOU SEE WHAT I’M TALKING ABOUT? People love to deny the existence of fandom racism, but then shit like this pops up. The op was actually pissed that Iris West and Abbie Mills had fans. Because in their mind, the only reason why a black female character would have any fans is because of black privilege *severe eye roll*

Ugh, it must be so hard being a white fangirl these days.

@
@

@
@

allerasphinx answered:

I find it laughable that people insist on interpreting Finn’s desire to hold Rey’s hand as subconsciously misogynistic. And if I weren’t concerned about the real world implications of that, I’d roll my eyes and keep it moving.

However, I can’t react flippantly because it disturbs me that fans are purposely ignoring the obvious and reading Finn’s actions as ambivalently reinforcing gender roles simply because he tried to help Rey. It disturbs me, because although these characters are fictional, the way we react to them mirrors the way we react to people in real life.

I’ve read a number of articles about hypermasculinity over the years, especially in relation to black men. Men in general are hypermasculinised in society, but the concept is particularly applied to black men because of how black people are dehumanised. We as a society see black people’s physical strength, aggression and sexuality as even more heightened, not because these things are highly concentrated in black bodies, but because of stereotypes [stemming from hundreds of years of inequality].

These stereotypes don’t begin and end with the degradation of black men because black women are also masculinised. White women were (and still are) seen as the embodiment of femininity. Femininity was associated with delicateness, pureness, and vulnerability, thusly black women were defeminised in order to justify the harsh treatment and physical and sexual abuse they endured during slavery. [Note, this is part of the reason why the “strong black woman who don’t need a man” caricature–amongst other things–exists today.]

Essentially, hypermasculinity serves to elevate masculinity as superior, but also serves to distance men from having emotional responses gendered as feminine. Black women and men are primarily affected by this characteristic. And since that is the case, there are insidious and subconscious ideas that disallow black people from being viewed as needing care and emotional reassurance. We’re not allowed to be afraid and we’re certainly not allowed to be weak.

I see this underlying insidiousness in the way people talk about Finn’s cowardliness and supposed emasculation in the narrative. I see this in the way that people infantalise Finn (because a grown black man has no business being sensitive). I see this in the way that people can’t seem to accept that Finn grabbed Rey’s hand in part because he was scared.

Now, I don’t know if it’s the film’s fault for not delving enough into his backstory, but Finn’s clearly an empath; he’s a character who cares about people to the point where he’s reprimanded for it. He witnesses Poe’s torture and instead of finding another means of escape, he rescues Poe because his life is in danger too. When he lands on Jakku, he sees people attacking someone who’s outnumbered (outplanned) and he wants to help her, but then realises that she can handle herself. He runs from her when she pursues him, but then they’re attacked by The Order.

Despite Rey misinterpreting his actions, despite his fear of his captors, he doesn’t leave her behind because he knows what The Order is capable of. [There are documented stories about how horrific it is to be indoctrinated as a child soldier. Children are forced to kill in order to desensitise them. They have to kill their friends, and sometimes their family members if they won’t obey (or they have their loved ones lives threatened). It takes a lot of bravery and strength to run away from that environment, and people absolutely have to go into hiding to avoid recapture.]

Finn wanting to protect someone else from this fate is completely understandable. Finn wanting to run and hide is completely understandable. He doesn’t try to protect Rey because of some misplaced notion of chivalry toward women, he does it because that’s how he reacts to fear. He grabs Rey’s hand because they’re both running from something that makes them afraid. He grabs Rey’s hand because he assumes that if he’s terrified, she must be too.  He recognises that in that moment, Rey’s just as vulnerable as he is; this is the same reason why he rescues Poe. He sees people in danger and genuinely wants to help them.

This acknowledgement of Finn and Rey’s mutual vulnerability is solidified by the fact that Rey softens when Finn asks if she’s okay. She later takes his hand because she realises (as the audience should) that Finn doesn’t have ulterior motives–that even though he just met her, he already cares about her because it’s in his nature. This is one rare instance where a narrative presents a scene as it’s meant to be interpreted and does it in such a deliberate way that it annoys me (on so many levels) that people don’t get it.

@

@

*Reposting these links because the topic needs repeating:

https://fozmeadows.wordpress.com/2016/09/07/the-plausible-diversity-of-apples/

https://fozmeadows.wordpress.com/2016/09/11/how-to-suppress-female-characters/

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Headcanons on Tumblr

This is mostly people just making up their own stories and head canons on Tumblr. For me, this is one of the most fun things on there. Just like the last one I posted where people basically re-invented American magical systems, by extrapolating from JK Rowling’s misconceptions of American culture. (I’m going to revisit that again because I just love the idea of different magical systems being influenced by  cultural, environmental, and    geographical constraints.)

Plus, there’s some meta in here about LOTR and some critical essay type stuff, like this insistence (from men, btw) that women’s armor have titties, or flowers, or something on it to designate that a woman is in it. Why? Exactly what purpose is served by decorating the armor that way?

mathylibrarian:

bestnatesmithever:

kiokushitaka:

adrastuscomic:

iwoofjaneway:

“ It’s armor. On a woman. It doesn’t have to look feminine.”

If I ever don’t reblog this, it’s because I’m dead.

game devs take note

What a weird impulse. Why would you need it to look feminine? Or masculine? It’s armor to protect your body from death. Not dying should be gender neutral.

Not dying should be gender neutral

@
@

Anonymous asked:

Can you tell me why Frodo is so important in lotr? Why can’t someone else, anyone else, carry the ring to mordor?

notbecauseofvictories answered:

but someone else could.

that’s the whole point of frodo—there is nothing special about him, he’s a hobbit, he’s short and likes stories, smokes pipeweed and makes mischief, he’s a young man like other young men, except for the singularly important fact that he is the one who volunteers. there is this terrible thing that must be done, the magnitude of which no one fully understands and can never understand before it is done, but frodo says me and frodo says I will.

(when boromir is thinking of how he can use the ring to defend gondor, when aragorn is thinking of how it brought down proud isildur, when elrond is holding council and gandalf is thinking of how twisted he would become, if he ever dared—)

but then there’s frodo, who desires nothing except what he has already left behind him, and says, I will take the Ring.

it is an offer made out of absolute innocence, utter sincerity. It is made without knowing what it will make of him—and frodo loses everything to the ring, he loses peace and himself and the shire, he loses the ability to be in the world. It’s cruel, the ring is cruel, it searches out every weakness you have and feeds on it, drinks you dry and fills you with its poison instead, the ring is so cruel.

and frodo picks it up willingly. for no other reason except that it has to be done.

(the ring warps boromir into a hopeless grasping dead thing, the power of the palantir turns denethor into an old man, jealous and suspicious, it bends even saruman, once the proudest of the istari, into a mechanised warlord, sitting in his fortress and bent over his perverse creations—all the best of intentions, laid waste)

but there’s a reason gollum exists in the narrative, which is to show—well, to show what frodo might have been. because even as frodo grows mistrustful and wearied, as the burden of this ring grows heavier and heavier, he is never gollum. he is gentle to gollum. he is afraid—god frodo is so afraid for 2/3 of these books he is so tired and afraid, but he keeps moving, he walks though it would pull him into the ground, because he asked for this, he said he would.

someone else could have carried the ring to mordor, I suppose. the idea of a martyr is not dependent on the particular flesh and blood person dying for some greater purpose. but such a thing has to be chosen, lifted onto your shoulders for the right reason, the truest reasons, and followed into the dark, though it would see you burnt through and bled out.

I will take the Ring, though I do not know the way.

Source: notbecauseofvictories

@
@

More critiques of fandom racism, or as Stitchmedia likes to call it “Klandom.”

stitchmediamix

We’re never believed when we talk about racism in fandom and people are just so eager to silence us.

I’m on the “fandom racism” tag on tumblr because I occasionally do like to find new people to block when I see this blogger talking about the white women in fandom doing shipping olympics to justify not shipping Spider-Man with Zendaya!MJ.

Their next post in the tag comes from some anon fussing at them, accusing them of generalizing and blaming a “vocal minority” in the same anonymous message. (”hardly any white girls probably even care about spider-man” the anon said as if a majority of transformative fandom isn’t made up of white women and therefore, the spider-man fandom has a ton of white women in it)

Nevermind that people have been shitting on Zendaya since the second that the news dropped (and btw, it’s still not official news from Sony/Marvel).

Nevermind that the Thor fandom is now pretending that it cares about Jane Foster in order to excuse misogynoiristic complaints about Tessa Thompson playing Valkyrie and possibly playing Thor’s love interest.

Nevermind that every time a Black woman is cast as a white character, white men derride her appearance and white women dismiss her character and act as if she’s unworthy of being in a relationship with the white fave she’s undoubtedly cast opposite.

Nevermind that already I’ve seen female members of fandom talking about how “it’d be nice to have a Spider-Man movie where Mary Jane doesn’t have a love interest” (like Homecoming already doesn’t have that!!).

When we (fans of color and anti-racist allies) talk about the racist abuse we see directed towards, fans, actors, and racebent characters of color, the first thing we see is their outstretched hands demanding “proof” and acting like making up racism is like a thing people actually do.

It pisses me off so hard because right now, we’re getting it from two sides: members of “mainstream” fandom constantly crapping all over Black women as if it’s their job and (largely female) members of transformative fandom who’ve learned to couch their racism and hatred of women of color in social justice rhetoric so it looks like they’re fighting for us, not against us.

And even though you can look at Twitter, in tumblr tags, and google this shit, people are still like “I don’t see why you’re complaining, it’s not a big deal”.

Our anger is reactionary. We are reacting to endless racism aiimed towards fans, characters, and creators of color. If you sincerely believe that the right thing to do when faced with this reality is to demand proof and get mad when it’s given?

You can fuck right off.

text posts fandom ugh UGHUGH long post
@
@
*Why Candice Patton is a total bad-ass!
finnnorgana pocketlass

attoseconds:

westallendiaries:

attoseconds:

Candice Patton as Iris West helped play a massive part in Kiersey and Zendaya being allowed to portray superhero love interests, and opened doors that would have been closed to them three years ago, when they wouldn’t have even been considered an OPTION.

Candice Patton as Iris West helped show execs that a WOC as a romantic lead is a smart decision. From their standpoint, it’s likely financial, but little black girls are going to be allowed to see themselves as the girl the hero loves, wants to be with, and get to see themselves being Important to the story.

One day, saltyass haters will realize that’s why Candice Patton as Iris West is needed, because she’s making a *difference* and one simple casting decision is shaking 50+ years of history for the better.

“Playing this role, I sometimes get blatant racism and the even more painful and complicated non-blatant racism. But, I gladly put on my armour each day and take it. I have to be strong and continue to deliver, because this is bigger than me. It’s not just about this role, its about the landscape of film and TV. It’s about the young girls coming after me. I need to make sure I was strong enough to keep that door open for them.” – Candice Patton

She’s honestly such an amazing human being and I love/respect/adore her SO MUCH.   Source: attoseconds

 @
@

*More explanations on the Zendaya freak-outs:

Zendaya as Mary Jane

brownstocking:

racebending:

jrashad51:

This can be taken multiple ways to me.

1. If everyone gets mad when people of color are played by white people, why can’t white people be angry when it’s done to them?

2. White people have taken roles from people of color for so long, it’s only right if we do the same to them.

3. It doesn’t really matter at the end of the day. Zendaya went through the same audition process as everyone else and she just happened to be the best one for the job.

I’m more in tuned with number 3.

1)  They can be angry, and they are.  Frequently when a role is racebent like the role of Mary Jane has been rumored to be, many white fans will express anger around it.  They are more than entitled to express their opinion about the media product and they know it.   Nothing stopped angry white people upset about racebent Johnny Storm from giving Michael B. Jordan crap about being cast in the role, for example.   The anger does make folks who do that look ignorant; however, because they have access to representation that the PoC they are complaining about lack.   White fans who are upset about a mixed race black actress playing MJ have access to representation through the main character and much of the supporting cast, representation through the writer, director, producers of the movie (and the white execs of Marvel Studios), and representation through countless other superhero movies–including three Spider-man movies with a white MJ.  Girls of color who consume superhero movies simply do not experience the same.    They can be angry, but it looks petty.

2)  What is happening here is not “the same.”   PoC being cast in racebent roles for supporting white characters (and having to receive racist flak for it) is not the same as white actors using raceface or whitewashing to score lead roles.

3)  We don’t really know what process resulted in Zendaya being cast, but her casting as a love interest for Peter Parker does matter because it makes a major social statement, and it is a form of media representation.

werd.

Also can we stop acting like Mary Jane has to be white? Not only is she a fictional character, but her only defining characteristics are red hair, lives in NY, grew up with Peter. That’s it. Despite the hype white people don’t have a lock on red hair. And Zendaya is the first Mary Jane cast for live action who does have that flirty personality that everyone associates with Mary Jane Watson.

Source: jrashad51

@
@

*Along with Black Women in  movies Tropes:

stitchmediamix karnythia

Trope

abbiehollowdays:

Giving a black male character a black female love interest (the earlier in the series, the better), but either:

A. Only show her in flashbacks because she’s dead
B. Kill her off within a few episodes
C. Write her as being an irredeemable bitch who the BM character has already divorced/broken up with or will divorce/break up with soon.
D. Have her choose her career over the relationship.

That way writers have “proved” that he doesn’t hate black women (or hates one “with cause”). Then he’s free to experiment or fall in love with female characters of other races (especially white) and they never have to show him with a black female love interest again for the rest of the series.

Source: abbiehollowdays racism antiblackness misogynoir

@
@

*I am absolutely loving this Arthurian explanation for why Finn is a Jedi. Finn is The Awakening that the movie talks about. There’s a lot of fandom that likes to villainize him and/or erase his presence, but they can’t erase the fact that this movie’s title is in reference to Finn, as much as it is to Rey. 

In my mind, the reason he loses his battle to Kylo is because it’s his first real lightsabers fight, and he was never trained to use that weapon. It’s the first time he’s ever seen, or held, a lightsaber. He doesn’t know the rules. He’s never had a Yoda, or been anybody’s Padawan.  He becomes uncertain about his intentions and focus, (he gets scared), and  is finding it increasingly difficult to keep his connection to the Force, (if he even knows what that feels like), that purity of purpose that made him accept the lightsaber in the first place. It’s as if, right in the middle of this fight, he experiences the terrifying magnitude of what he’s doing. (Omg! This the leader of The First Order! What the hell am I doing?!!)

One of the rules of using the Force is purity of purpose. Without that, it’s easy to fall to the Darkside, or lose one’s connection to it, and just as Yoda said, emotions cloud intentions. This is probably something that happens a lot  to  students of the Force, and I’ll wager that Finn probably doesn’t even know what that is, although, like Rey, he’s heard of it.

jawnbaeyega adagalore

luminousfinn:

Maz giving Finn the lightsaber is noticeable for many reasons, not least of which because it happens twice and for all the Arthurian parallels surrounding the scenes.

 

The first time takes place just after the destruction of the Hosnia system which is what makes Finn return to Han (and implicitly to the fight against the Dark Side). At this point none of them knows that they’re about to be attacked themselves by the First Order, not even Maz.

Despite this she immediately upon Finn’s return  takes him, Han and Chewie into the cellar where she keeps the lightsaber. When she takes it out of the chest Han recognizes it and asks where she got it, she brushes him off and focuses on Finn.

Why Finn? Last she saw him Finn made it clear that he was leaving. Hosnia’s destruction marked a tentative return, but so far it is tentative. And wouldn’t Han a man who might not be a paragon, but someone she’s know for years, make more sense?

Her words as she passes it are ambiguous. “Take it. Find your friend.” And do what exactly? Give it to her? Use it to protect her? What? Recall, no one but Maz and Rey herself knows that Rey can use the Force at this point. In fact Finn is never told this in TFA.

In assorted other things the fact that Han’s attention shifts off Maz and onto Finn the moment she tells him to take it, but before she stops talking is interesting. His intent gaze on Finn as he makes the choice to take the weapon is mirrored in the second “giving” by Maz.

Maz too is looking rather expectantly as Finn reaches out and takes the lightsaber from her. The music that has so far been playing softly in the background swells dramatically the moment Finn’s hand touches the saber and mixes with the diegetic sound of an approaching TIE fighter as Finn raises the lightsaber as a young Arthur might Excalibur. The scene ends in a dramatic boom as the castle is struck just as we see Finn look at the saber with a serious face.

It is noticeable that Finn is so entranced by the lightsaber that he doesn’t seem to hear the incoming TIE. Not long before at Niima Outpost he jumped at the first sound of it, but here he’s oblivious to the noise.

Now before I go on to the second “giving” I’m going to make a small detour around Arthurian myth.

Much have been made of the Arthurian parallels in TFA. Kylo Ren as a Mordred like figure. Luke as either a Merlin or a fallen Arthur himself and of course Rey pulling the Skywalker lightsaber out of the metaphorical stone. But the Arthurian parallels have been ignored where Finn is concerned, especially when it comes to the giving of the lightsaber/Excalibur, because in Arthurian myths there are two kinds of givings of that sword. One is Arthur pulling it out of the stone which declares himself the true king of Britain, in the other it is given to him by The Lady of the Lake.

In both versions Arthur starts out as a youth of unknown parentage grown up fostered by strangers, just as Finn is. In the second versions Arthur runs into Merlin, often portrayed as an older, wiser man. Depending on the version Arthur either asks Merlin for help or about his future, in either case Merlin takes him to The Lady of the Lake.

The Lady depending on the version of the tale is either a powerful magical being or a High Priestess of Avalon. She proceeds to ask the young Arthur several question and put him through a test which he fails, but she sees that though he is not perfect he has a good heart and a true spirit. Realizing this she bequeath him Excalibur, the sword of the true king and the mark of a hero.

Maz is in a quite literal sense The Lady of the Lake. She a powerful alien, strong in the Force who has made her home on a lake.

Her initial interactions with Finn runs parallel with The Lady’s testing of Arthur, complete with Finn “failing the test” by choosing to leave. But in deciding to return to the fight Finn proves to The Lady of the Lake that he’s heart and spirit is true and so she gives him Excalibur (the Skywalker lightsaber) to wield.

 

That she means for him to wield it and not just as a caretaker becomes clear in the second “giving”.

When they exit the now ruined castle the dark forces are upon them and battle is joined. Maz once more tells Finn to go find his friends.

This time Finn has no intention of leaving proving him once more worthy of Excalibur and this time Maz’s words are unambiguous, she intends, and always intended, for him to be a wielder of the blade, not just a carrier.As Finn again lifts the Skywalker lightsaber and this time ignites it, Maz look on with great expectancy clearly meant to mirror the audience. Will “Excalibur” accept Finn as its wielder? And will Finn accept the lightsaber as his?

At first we see doubt on Finn’s face, it’s an unfamiliar weapon and a Jedi’s weapon to boot. How can he wield this? But Maz believes he can and Finn is nothing if not up for whatever challenge life throws at him so he ignites it. The blade flashes to life in his hand, accepting him as a worthy wielder, and the moment it does Finn’s decision is also made. He may not be a Jedi (yet), but the sword is his.

 

tl;dr. There is a lot of Arthurian coding around Han (Merlin) bringing Finn (a young Arthur) to Maz (The Lady of the Lake), Maz testing him and in finding that he has a good and pure heart gives him the Skywalker lightsaber (Excalibur). The sword allowing itself to be ignited (drawn from the sheath) confirms Finn’s worthiness as its wielder.

Source: luminousfinn LISTEN THIS IS THE CONTENT FOR WHICH I AM HEREGOOD SHIT RIGHT HERE OK finn facts finn meta finn is force sensitiveboth rey and finn are gonna be jedi ok choke on THAT

@
@

*This would make an excellent alternative to those War of the Worlds movies! Yeah, pretty much most of the wildlife of Australia is dangerous, from various sized birds, to insects, and forms of sea-life, like jellyfish, octopi, and stonefish. This explains why  Aussies are the way they are, I guess.

cumaeansibyl:

swaff-original:

ladyshinga:

beautytruthandstrangeness:

ellidfics:

tygermama:

myurbandream:

jabberwockypie:

skeletonmug:

artiestroke:

splintercellconviction:

giraffepoliceforce:

I really want a science fiction story where aliens come to invade earth and effortlessly wipe out humanity, only to be fought off by the wildlife.

They were expecting military resistance. They weren’t counting on bears.

Imagine coming to a hostile alien world and being attacked by a horde of creatures that can weigh up to 3 tons, run at 30 km/h (19 mph), and bite with a force of 8,100 newtons (1,800 lbf).

By the time you realise that they can traverse water, it’s too late. The surviving members of your unit manage to make it back by shedding their excess gear and running for their lives; the slower ones were crushed to death within minutes.

You later describe the creature to one of the humans you captured, wanting to know the name of the monstrosity that will haunt your nightmares for cycles to come.

The human smiles as it speaks a single word, slowly and distinctly, in its barbaric tongue.

Hippopotamus.”

This is giving me the biggest, creepiest grin I might have ever grinned

Imagine being the next crew to go down to earth and thinking “it’s fine, we got this. We have the weapons and equipment necessary to deal with bears and *shudders* hippopotamuses. We’ll be fine.”

And at first you are, you’ve learned how to dodge. You’ve learned where their territories are. You know how to defend yourself.

But then one night you are sleeping in your shelter. You’re in a tree covered temperate part of earth. It seems benign. There are been no sightings of the dreaded “hippos” around. Not even any bears. But there is a slight rustle of the undergrowth. You try and ignore it telling yourself it is just the wind.

Then you hear the rustle again. closer this time.

You peer out into the darkness but see nothing amongst the trees.

The rustle again and now you realise you can smell something. It’s musky and slightly foul. It’s the smell of an omen, a warning. But what of? Where is this smell coming from.

You sit up, but it’s too late. The foul smelling creature is on you. You are hit with 17kg of coarse fur and vicious bites. Long dark claws tear in to you and you are pinned down white the striped creature tries to bite your throat.

It takes some doing but you manage to wrestle free. Blood drips from your wounds and already they itch with the sign of infection. The creature has a bloodied snout, rust rad, mingling with the black and white hairs. It lets out a terrifying growl from the back of its throat and looks to attack again. It’s between you and your knife, so your only choice is to back away.

Eventually the creature gives up and snuffles off in to the undergrowth, down a hole near your shelter you hadn’t noticed before.

When you make it back to your base you once again consult the captive human.

“Badger.” they say, with a solemn nod.

One word: Moose

“Our vehicles are far superior to the local human models, in range, speed, armament, and any other metric you care to name! Nothing could possibly-”

BAMrumblerumblethumpcrash!!!

“That’s called a moose.”

“We should be free of the threat of the ‘moose’ here on our new floating accommodation”

*humans start sniggering*

“… they can swim, can’t they”

*humans start laughing louder*

….

*mid-winter*

‘I DON’T KNOW WHAT HAPPENED! K’T’SURKIK WENT OUTSIDE AND A MOUND OF SNOW ROSE UP AND ATE HIM’

“What is this ‘wolverine’ you speak of?”

Tell me the story of the unpleasantly surprised alien invaders and their captive human remnant, getting more smug the more the aliens fail at basic scouting…

I know we’re all talking the big smash-‘em-up type animals, but what about the little ones? Are aliens prepared for spiders? Mosquitoes? Fleas? Ticks? Even humans get sick or die from some of those, who knows what the fuck they’d do to an unprepared alien.

Nobody expects the mosquitoes

Turns out skunk spray is fatal to the aliens, whoops

Truthfully aliens would try to attack, land in Florida & get taken out by snakes, gators…you name it. Or they would land in Australia & the whole continent would attack. Imagine being the alien that doesn’t take a kangaroo seriously and gets beat the fuck up. Or the one that tries to approach an ostrich and gets kicked to death? They landed once, maybe twice & then they decided we breathe death & are surrounded by monsters.

Source: giraffepoliceforce
*I love this particular headcanon.
@
@

*Who goes to a party to watch the TV show House Hunters? That’s just so many levels of wrong. Is that even considered a party? Can you be still be friends with someone who invites you to one of those?

karnythia antimana

went to a househunters-watching party over the weekend; here’s my impression of the show

thewinterotter:

idiopathicsmile:

VOICEOVER: She wants a historically accurate thirteenth century castle in the heart of bustling downtown L.A. He has his heart set on living in a small metallic orb that would float over a bottomless gorge, beyond space and time. Can this pair of newlyweds see eye to eye???

WIFE: The location is nice but I don’t know about these staircases…I just had my heart set on an escalator made of sand and artisan brie.

HUSBAND: Well it’s definitely not a small floating metallic orb.

REALTOR: That…would defy several laws of physics.

WIFE (squinting): Do you have anything that is simultaneously larger, cheaper, newer, and more historic?

REALTOR: Um.

WIFE: And I need a big kitchen. I love to cook!

(Cut to footage of the wife in her current kitchen, wearing an apron and surrounded by pots and pans. She is hitting a banana with a hammer. On the counter next to her is a pile of doll hair.)

HUSBAND: Yeah, get her a nice kitchen. Of course, I won’t be spending any time in there, ha ha! (His laugh is loud but his eyes are so empty. They are empty all the way back.)

WIFE: And I need a room for my shoes. That is simply non-negotiable.

HUSBAND: Also, if we can swing it with our budget, I’d love a finished basement where I can really unwind and stew in my toxic masculinity and repressed emotion. And hardwood floors.

WIFE: And hardwood floors.

HUSBAND AND WIFE IN EERIE UNISON: Hardwood. Floors. (somehow it sounds like way more than two voices, more like the collective whisper of an army)

REALTOR: Okay, I will certainly, um. See what I can do? Anyway, this next house, it’s a metallic orb hanging on a sturdy cord near a ravine—

WIFE: Well it’s definitely not a genuine thirteenth century castle—

HUSBAND AND WIFE: (stare at each other in open contempt)

REALTOR: Heyyy so why don’t we take a look inside?

This is the most accurate ever depiction of House Hunters but I’m still stuck on the idea that somebody somewhere thought a PARTY to watch HOUSE HUNTERS was a great idea like why do you hate yourselves.

Source: idiopathicsmile
Okay, I was working on my finalized list of shows to watch and review in the Fall, the next Hannibal review, Naka Choko, and a review of Brooklyn 99. Oh, and BBC is now showing the first season of Into The Badlands, from the beginning.
I just finished watching the finale of The British Baking Show, where I  cried for the winner, too, a young Indian woman named Nadiyah. She was awesome, and I was rooting for her, and I thought she wouldn’t win because there was a White guy in the contest, too. He was nice enough, and quite talented, but I didn’t want him to win, and he made some baking mistakes. But Nair came through, with a cake based on her Indian style wedding. It was gorgeous and I wanted some. She didn’t believe she’d  won either, at first. But it was lovely. Her husband and family were very supportive, and of course they got to eat all her practice work, so…
I like British reality shows better because there’s less bullshit talking, the contestants actually seem to get along ,and there’s less chatter just to hear oneself say something, and fill in space. The contestants just seemed like nice people in a contest, trying really hard. None of them were trying to play to the camera by trash talking their opponents, grandstanding, or letting their egos write checks they couldn’t cash, something I absolutely hate about American reality shows. They also came across as more intelligent but that might just be a British thing, in general.
TTFN!

 

 

Black Nonbelievers, Inc.

Walking by Sight, NOT Faith!

woolandgraceblog.wordpress.com/

knitting, needlepoint & blogging in Summit, NJ

Shared Threads

Knitting community together

The Afictionado

Pop culture ponderings and associated geekery

By Hook Or By Book

Book Reviews, News, and Other Stuff

We Minored in Film

Geeking Out Over Film & TV

One Lazy Robot

Anthony Vicino

El Paso P.O.V.

A critical look at EL Paso and the World with a Black Eye

My Sparking Thoughts

Just Giving You Something To Think About

Longreads

The best longform stories on the web

Culture Werewolf

Angry Dog Girl Slams Keyboard

Pop N' Crunch

Your Home for Beauty and Pop Culture

Screen Therapy

Movies and Games as Tools For Building Emotional Well-Being

Lil’V aka Viv Lu

just someone writing fiction and giving opinions

%d bloggers like this: