Hannibal Season Three: Apertivo

Apertivo, is  a beverage, usually wine,  that’s consumed before eating a meal, to clear the palette, and stimulate the appetite. This episode is  prelude to the  meal to come that is season three.

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In this episode, there’s not a lot of plot, but there is a lot of maneuvering, as the various players state their goals, and move themselves into position to resume the chase for Hannibal Lecter, who is living in exile in Florence, with Bedelia Du Maurier. Its not that nothing of consequence occurs during this episode, but we’ve spent the first three episodes of the season finding out where Hannibal and Will are, and what they’ve been doing, and this is our chance to find out who survived the Red Dinner, and  see what they have been doing since that night.

In a flashback, we see Crawford in the hospital next to his wife, Bella, who is dying of cancer. Just before she dies, she admonishes him for nearly getting killed, saying that unlike her he can stop what’s killing him, his obsession with the Chesapeake Ripper.Will Graham has gone home, back to fixing boat motors. The most startling change in the aftermath of The Red Dinner however, is Alana Bloom, who has become Mason Verger’s new therapist. Frederick Chilton encounters Alana when he visits Mason in an attempt to scheme the capture of Hannibal, but Mason rejects him, in favor of hiring  Alana. We start with Chilton and Mason Verger in a face off, as Mason takes off his mask, and Chilton removes his makeup, both of them showing off  facial scars received as a result of Lecter’s machinations.

You can see that Alana has undergone some radical emotional change, since her last encounter with Hannibal, when she was pushed out of a window by Abigail. Alana was as significantly changed by the events of that night as much as Will,  and Hannibal (who of course claims that he was not.) Alana is on a mission of revenge, but she goes about it in such a subtle manner that it’s difficult to tell what her plans are exactly, until she comes right out and states to Mason Verger that she is there to offer her services in capturing Hannibal. Mason is his usual vile self, making sexual jokes and asides to her, although I think he says these things to see how she will react to them. When she shows no reaction, (Alana has far more pressing concerns than Mason’s bullshit), we don’t see him talk that way to her again.

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This is also when Alana first meets Margot Verger, and you can immediately see that Margot is smitten  by her. Until now, we’ve been given no idea that Alana might be bisexual. Later, we see that the two of them have developed a romance, and are  working together to defeat Mason. The reason I find Alana so fascinating is that her survival of that night at Hannibal’s has really scarred her on an emotional level, to the point where her entire demeanor has changed, and she seems entirely unlike the woman we met in the first season.

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Alana has hardened. She is cool, blunt, and  pragmatic. She certainly seems less warm and motherly than she was three years ago. She is more calculating. This isn’t just the trauma of  having been thrown from a window by Hannibal’s protege. She is reacting to the final loss of Abigail ,a young woman she couldn’t save, the shame and guilt at not having listened to Will’s warning about getting close to Lecter, and whatever shame and guilt she felt as a result of having fallen for Lecter’s ruse that he loved her, and  the fact that he had been feeding her the bodies of his victims.

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Alana also dresses differently from the first and second seasons. Where before she wore pretty feminine wrap dresses, she now wears boldly patterned pants suits, with high collared coats and jackets, as an expression of power. In fact, she dresses the way Margot used to dress. What’s interesting is that Margot begins to dress in a more relaxed and casual manner than when we first met her, and I think it’s because her relationship with Alana has opened her  in a way she couldn’t express before. Remember when we first met Margot she wore a very severe wardrobe with high collars in stark colors, as a kind of armor against her brother.  In other words, Alana is good for her.

 

As usual though, no matter how progressive  male  showrunners believe themselves to be, they almost always fall into some of the same traps regarding female characters, by neglecting relationships between women on their shows. Often there’s just a lone female character, and when there’s more than one, the women are often in adversarial relationships with each other. This is starting to change as shows begin to hire more women writers and showrunners. I’m glad to see the show has moved away from that dynamic in the third season. We only just met Margot halfway through season two,  so don’t know enough about her other than she is a woman who knows what she wants, and has no problem making it known, and she makes it clear ,she wants Alana.

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In flashback we see Crawford visit Will Graham at his home and ask Will why he contacted Lecter to warn him that the police were coming that night. Will Confesses that he did it because Hannibal was his friend, and that he wanted to leave with him, but couldn’t. It is interesting that he and Hannibal, as far apart as they are, are emotionally sitting in the same place, regretting their actions towards each other, and missing one another terribly while  both of them are engaged in a semi-contentious relationship with a close friend.

Chilton, still scheming, goes to Crawford to ask for his help in capturing Lecter, after his rejection by Mason. Crawford tell him that he is officially out of the business of  chasing Hannibal. He says he has had enough and only wants to tend to his wife in her last days. We later find out that this is a lie, and that he has hatched a plan for Will to lure Hannibal out of hiding, so they can kill him. Or rather say, he has decided to follow Will to Hannibal. Chilton has come to the party too late, because all the key players have already formed their personal Hannibal Recapture teams.

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Eventually, Bella dies, and Crawford is enraged to find that Hannibal has sent him a condolence card. Will Graham attends the funeral and Crawford tries to talk him out of the plan to capture Hannibal. He warns Will that he will probably be killed. But Will is determined (for a number of reasons) and sets out on a boat to Florence. How does he know where Hannibal is? He simply knows Hannibal. Both Chilton and Alana are aware that Will can lead them to Lecter, but it is only Chilton who mentions this to Jack ,who follows Will to Europe. Alana elects to find out on her own, rather than attempt talking to Will again, as the last time they spoke, he rejected her.

Essentially this episode is about a bunch of horribly scarred and vengeful people teaming up to hunt down the man who did this to them before he skipped town. Its almost as if they had learned nothing from their previous inability to capture Hannibal. Later, these same scheming tactics will be in used at the tail end of the season in an attempt to not only capture the Red Dragon, but destroy Hannibal Lecter, once and for all.

On Tumblr: Hannibal Meta

*Yes, I’m still fascinated by this show, its characters, and its meanings. I hope some of you guys are just as interested, so here’s some Hannibal meta, that showed up on my dashboard, from when the show was at its peak. This might  spur some of you to re- watch certain episodes with a fresh perspective.
Remember Bedelia’s statement, later in the first season, about Hannibal’s careful facade and that she could catch glimpses of the real man through his human suit. This is important because Hannibal has been wearing this “person suit” from the moment Will first met him.
From: hannibalsbattlebot

On the surface, Will telling Hannibal “I don’t find you that interesting” seems unbelievably rude. Ah, we think, Hannibal must find Will special if he puts up with that. But, this early on Hannibal has only shown Will his mask, his human suit. To most people, the facade is interesting enough. That’s the point. All the trappings were put there by Hannibal to distract everyone from his real self. When Will is not impressed by this smoke screen, he has passed an important test.

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*This is an essay about Hannibal’s ability to feel. I would say that yes, he does have emotions, but I would argue they are somewhat truncated, not as fully developed as they should be in a grown man, as he rarely, if ever expends emotion on anyone other than Will or himself.

It’s not that Hannibal’s emotions are fake, (although I believe in some cases they are), but when we do see him showing emotions towards others, I think that he’s simply going through the motions,  pretending to care about Jack, or Alana, for example, and when he does have genuine emotions for others, like Abigail and Will, it’s only in relation to how close/useful that person is to himself.He certainly has emotions when it comes to something directly affecting him, but something that directly affects others, not so much.

In other words, Hannibal lacks empathy.

From: slayerangels

”Will loves Hannibal because he doesn’t have emotions and so Will can be himself around him because he can’t pick up feelings from Hannibal with his empathy disorder.”

I’ve seen this idea a few times and it’s baffling. Here’s a list of reasons why that’s wrong:

1. Hannibal has emotions. Many emotions. His emotions are not fake. He shows emotions when people aren’t even observing him or in the same room. He was upset at what happened to Margot after Will left the room. He was upset that Bella died and was crying over it by himself in Italy. He moped around about Will in Italy the entire time. He missed Will so much in Sorbet he was fidgeting around and clearly upset about it. He was mad that Gideon was calling himself the Ripper. He gets super annoyed at rude people. These are all emotions.

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2. Will can “read” the Ripper enough to know which crimes scenes are his and which aren’t and also give a history about his childhood to Jack. Will can also “read” the copycat. Hannibal is the Ripper and the copycat. So, Will can read Hannibal. Which is why Hannibal got super defensive about Will in Season 1 and framed him and put him in prison. Because he knew Will would find him out eventually.

3. Will can “seduce” and “deceive” Hannibal in S2 because he can empathize with him or “understand” him. Hannibal says this directly and Will agrees.

4. Hannibal and Will share a memory palace. Will goes to places he has been to “read” him, just like he does at crime scenes. Will knows Hannibal “intimately” as he says himself. If he likes being around him because he doesn’t “pick up” things from his empathy, then that makes no sense.

5. Will doesn’t automatically know who a killer is, even if he’s investigating their crimes. Tobias is a prime example. Hannibal realized Tobias was a killer immediately, Will didn’t. Another example would be Abigail. Hannibal knew she was a killer before Will did. If anything Hannibal has more insight into people than Will does. That doesn’t mean he has less empathy than Will, it means he has the same amount or more. “I can’t turn it off anymore than you can” Hannibal says to Will in Aperitif. When Hannibal was doing Will’s job in S2 for Jack he got the job done, he figured out who the killer was and why he was killing and exactly where he was, he just didn’t tell all that info to Jack because he wanted to go kill him first. Hannibal can in fact do Will’s job and he helps Will do his job better, “Will has never been more effective than he is with you inside his head”. Hannibal knows all about the Shrike enough to help Will figure out who the Shrike really is, right from the beginning of the show. “He had to show me a negative so that I could see the positive, that crime scene was practically gift wrapped.” My point being that just because Will doesn’t know Hannibal is the Ripper for a while (about 3 months) doesn’t mean that he can’t “read” Hannibal’s emotions. His empathy disorder doesn’t make him psychic and it isn’t supernatural.

I get it’s hard to understand why Will didn’t realize Hannibal was in love with him, but this is no explanation. It negates the entire show. Other explanations should be entertained. Will knows that Hannibal is very sad over him, “He sent us his broken heart” and he knows that the key to understand him is love, “No one can be fully aware of another human being unless we love them” and he knows he can take advantage of Hannibal’s feelings for him, “You’d only do that if I’d rejected you.” So, taking all that into account, the explanation that he just didn’t want to fully believe it, he was lying to himself, or wanted it confirmed by Bedelia (because he was afraid Hannibal loved her or because he believed she would know more than anyone else), or some combination of those is the most likely.

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*I loved this particular meta. I have yet to start reviewing season 3, so  haven’t discussed Will’s mind pendulum  yet.

From: silkysimpona

Will’s Mind Pendulum

Has anyone else noticed the difference between Will analyzing Hannibal’s crime scene and Will analyzing someone else’s crime scene?

When he investigates the Leeds murder in The Great Red Dragon, his mind pendulum makes an appearance for the first time in season 3.

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The pendulum is a way for Will to get into the murder empathy mindset, but it also represents a physical barrier between him and the subject he wants to analyze. In essence, it establishes a defensive barrier between his sense of self and his sense of the killer’s self, keeping them completely separate from each other. The stronger the pendulum, the stronger his sense of self.

Compare this to his analysis of the Hannibal’s crime scene in Primavera. Here, Will doesn’t use a pendulum. There is just a brief blur in and blur out to signify his entrance into Hannibal’s state of mind.

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At this point, his mind is so intertwined with Hannibal’s that he doesn’t need the physical act of the pendulum to get him into the correct mindset. His sense of self is already almost entirely wrapped up and muddled up with Hannibal’s. Not only does he not need to use his pendulum in this moment, he probably can’t use his pendulum to put up a mental barrier between them. They’re already conjoined after all.

In Dolce, Will says to Hannibal, “You and I have begun to blur.” I think it’s pretty neat that they were able to illustrate that with the simple absence of a pendulum effect.

 

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*This essay is about something I touched on in an earlier essay, regarding how Alana changed after her relationship with Hannibal, how she became, in the third season, harder and colder, in reaction to having known him. It also points out some interesting details about Margot.
thatlightsaberlesbian

You know what I really fucking love about Marlana? (everything)

No but really, aside from everything, one specific thing that I love about them is that they had equally interesting but “opposite” wardrobe changes as their characters developed.

Alana started out with the wrap dresses, which were usually not layered with anything, and then by season 3 she was wearing three piece suits. She armored up. Did she abandon femininity? Hell no. But she still, finally, after implicitly trusting Jack, Hannibal, and Will and being betrayed in that trust by literally all of them, learned to protect herself. She withdrew her trust and the physical armor of the suits reflected that change nicely. (One could also argue that she consciously or unconsciously was imitating Hannibal.)

Margot, on the other hand, started out with these incredibly stiff and layered outfits. Her hair buns were sleek and severe, and her lipstick reflected that. Need I say anything about the shoulder pads–designed to make her appear larger, more intimidating? Yes, Margot was protecting herself with these layers of clothing, I don’t think anyone failed to pick up on that. And then she meets Alana. And she makes this switch to softer clothing choices, and hairstyles, and makeup. But only with her.

I find this to be really awesome because both of these wardrobe choices were incredibly well-thought-through. Both of them accurately reflected the development each of them was going through. And that’s really cool because a lot of the time in media you see more masculine girls lauded for becoming more feminine in coming-of-age stories, or by contrast, feminine girls who become more masculine to redeem themselves (e.g. Regina George in Mean Girls). And what I love about Marlana is that there’s none of that, because both of their transformations were intensely personal and reflected what they personally were going through.

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*This one is about the loneliness of both Will and Hannibal.

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Do you ache for him?For me, these two scenes effectively sum up just how alone Hannibal and Will are without each other. We see Will desperately attempting to focus all his attention on fixing a boat motor, a problem we heard Hannibal refer to as ‘easy’ to solve in season one. The simplicity of this creates a stark contrast in relation to Will’s current state of mind regarding his feelings for Hannibal, confirmed through the series of flashbacks we see. Will is not entirely haunted by the fact that Hannibal gutted him; he is haunted by the fact that Hannibal left him. We see flashbacks of Hannibal holding Will, followed by Will falling to the ground and Hannibal bending over him. These are not the typical flashbacks generally associated with people suffering from post-traumatic stress; these flashbacks are rooted in Will’s heartbreak over the fact that Hannibal left him.

In relation to Hannibal, we see him sat in a chair, pensive as he stares ahead. This in itself is unusual as we usually see Hannibal busying himself with something or other. Again this serves to elucidate just how barren his existence is without Will. This also confirms how much Will has changed him, given that the Hannibal we met in season one was entirely self-reliant and self-serving. I believe there was a void in Hannibal’s life, an ache he couldn’t quite identify or pinpoint. Will filled that void. Independence and the isolation associated with it was something Hannibal was used to and previously drew comfort from. Now there is no comfort in his isolation. He and Will quickly realise and accept just how empty, how devoid of purpose their lives are without each other, testament of the vicious mutual co-dependency they each fostered.

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Ooh, I really enjoyed this one, which outlines the various ways that people respond to threatening behavior, and specifically to how Hannibal responds to Will.

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I just noticed a dynamic between these guys that I’d never quite put together before: in precise contrast to what Will thinks he wants, he will always fail to follow through on a lethal confrontation with Hannibal if (and only if) Hannibal makes a show of rolling over for him.
Bear with me for a sec because this is kind of fascinating: a while ago, I read a book called On Killing: The Psychological Cost of Learning to Kill in War and Society. The author Dave Grossman proposed a theory which jives with a lot of stuff I learned in anthropology classes, but he has a particularly pithy way of describing it. Between animals of the same species, he says, the choices of behavior in a confrontation aren’t as simple as the “fight or flight” choice we usually talk about.

Grossman calls his model “fight, flight, posture, or submit.” This model takes into account a common trait among most animals (including humans): members of the same species almost never jump immediately to the ‘fight’ option in a confrontation. Doing so would result in needless deaths, particularly among younger individuals who haven’t yet learned to defend themselves, and then to eventual depopulation and extinction.

Instead, animals tend to begin confrontations by posturing – by making a show of their superiority in an attempt to make the other party back down. If, during the posturing phase, it becomes clear that the individuals are fairly evenly matched, they are likely to start a physical fight in order to establish dominance, while still avoiding lethal attacks if possible.

However, if it becomes clear during the posturing phase that one of the individuals is definitely strong enough to defeat the other one, the weaker opponent will do one of two things: flee or submit. I’ll just quote the book here:

“Submission is a surprisingly common response, usually taking the form of fawning and exposing some vulnerable portion of the anatomy to the victor, in the instinctive knowledge that the opponent will not kill or further harm one of its own kind once it has surrendered.”

So, now that we’ve got all that context out of the way, let’s talk about Will and Hannibal!

Keep reading
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*Here’s a more scholarly approach to why the show, Hannibal, is the way it is, and what that means to the larger culture.

White Collar Cannibal: the Gentrified Grotesque in NBC’s Hannibal

Hannibal Season 2: Tome-Wan

Tome-Wan would at first appear to be one of these interstitial episodes between momentous events, but a number of important events happen in this episode , so its not filler.

There are a number of confrontations, in the aftermath of Will snitching to Mason about how the whole situation between Mason, Margot, and Will was orchestrated by Hannibal.

Will tells Hannibal what he said to Mason, and when Hannibal asks why, he tells him he wanted to see what would happen, throwing back at Hannibal his excuse for why Hannibal warned Garrett Jacob-Hobbes, long ago in that first episode. There are a number of callbacks by Will to that first season.

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Hannibal asks Will to close his eyes and imagine what he’d like Mason to do to Hannibal. Will imagines Hannibal hanging from the rafters in Mason’s pigpen, wearing a straitjacket. In his mind he is the one who slits Hannibal’s throat. Will is suffering from a severe case of “lovehate”. Hannibal has been the architect of so much misery that he can’t wait to see him dead (or captured). At the same time, there’s a part of him that finds all of this exciting, and revels in Hannibal’s antics. Will gets to use his hidden  savage self in service to the state, and loves letting that part of himself of its leash. You can see it in the last episode where he confronted Mason.

Mason confronts Hannibal during his next therapy session. He’s being especially hard on Hannibal’s nerves, as he critiques his drawings, declaring them to be crap, throwing his feet onto Hannibal’s desk, and stabbing at them with a penknife, like a bratty ten year old, which is exactly where Mason is, mentally. He hasn’t evolved beyond the spoiled child stage, and doesn’t seem to realize that he is dealing with a wholly different type of animal than anything he’s ever encountered. Mason is a small fish that, because of his narcissism, thinks he’s pretty big, in a big pond. He doesn’t even conceive that he’s dealing with  Hannibal the  Great White.

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Mason tells Hannibal that he should have stayed out of Verger family business, and threatens to slit his throat. Hannibal, who never gives anything of himself away, acts completely unperturbed, so you know that Mason is  a walking dead man, and that Hannibal have to do this himself, since Will isn’t cooperating with his masterplan of having Will kill Mason. Watch Hannibal’s face during this scene. You can see he is barely holding himself back from snapping the shit outta that little fucker. (Not in the office, Hannibal! Not in the office! – In the voice of Last Week’s John Oliver.)

In Margot’s therapy session with Hannibal, she is broken and restrained. After her forced hysterectomy, (which his quite possibly one of the most heinous things ever done on this show, and that’s saying something, when you consider this is a a show about serial killers.), she has learned her lesson about trying to oppose her brother, and all her hope is lost.In fact all seems lost for everyone, as there are a number of setbacks for all the characters, in this episode.

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Jack Crawford, who is frustrated at how long its taking Will to ensnare Hannibal, has a surprise for Will. He has found and detained Bedelia Du’Maurier, Hannibal’s former psychiatrist. She tried to run away because she knew Hannibal was dangerous for her, but the FBI has done her the favor of putting her back on his radar, as he was too busy with his machinations with Will, to search for her himself.

Will questions Bedelia about Hannibal’s weaknesses. She tells him of her fear of him, how he manipulates others into doing his dirty work for him, something which Will is experiencing first hand, and confesses about the patient Hannibal set her up to kill.She says Hannibal will persuade Will to kill someone he loves, but the only person Will has left to love is Alana. Hannibal has carefully removed everyone else from Will’s life, including the idea of his unborn child.

Hannibal may  be aware of how much Will hates him, during their next therapy session, but he completely disregards the depths to which Will will sink in pursuit of him. Will accuses Hannibal of fostering co-dependency. Hannibal doesn’t want anyone in Will’s life but himself. Which, when you think about it, is one of Hannibal’s creepier aspects.

While Hannibal is drawing one evening, Mason’s henchman, Carlo, bursts in and kidnaps Hannibal, but not without a fight in which Mateo, a friend of Carlo, loses his life, after Hannibal stabs him in the femoral artery with a scalpel.. Carlo stuns Hannibal,  takes him to Muskrat Farm, and trusses him over Mason’s pigpen. This is directly from the book and movie, Hannibal, where Mason Verger has Hannibal in this same position.

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Just as in his imagining, Will is prodded by Mason to slit Hannibal’s throat. We’re not sure exactly whats going on in Will’s mind. He certainly hates Hannibal, but when given an opportunity to kill him he balks, and later when given the opportunity to capture Hannibal, he warns him instead. Does Will even know what he wants, or why? Instead of cutting his throat, Will frees Hannibal but gets knocked out by Carlo for his troubles. Hannibal just leaves Will there unconscious and spirits Mason away for some,  more private, torture.

When Will wakes up he finds blood streaked everywhere, no sign of mason and Carlo’s body, which was eaten by the pigs. He goes back to his home to find Hannibal there with Mason. Hannibal has drugged Mason and induced him to cut off pieces of his flesh, using his father’s knife, and feed it to Will’s dogs. I’m not sure how lost Will is in this scene. He seems  amused at what Hannibal is doing. Is he happy because he finally has evidence of Hannibal doing something actionable in front of him, or is he simply amused at Hannibal’s antics? In a  nastily gruesome scene, Hannibal also orders Mason to cut off his lips and nose, and eat them. What makes this scene especially grotesque is Mason’s mental state. As he happily mutilates his face, he still crack plenty of jokes, about it.

Finally disturbed , Will urges Hannibal to finish Mason, but canny predator that he is, Hannibal doesn’t kill Mason. Instead he carefully paralyzes Mason with a precise break of his neck.

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Weeks later, Jack Crawford questions Mason about what happened to him, but Mason says he fell into his own pigpen, and  sings nothing but praises for Hannibal Lecter’s care. But we know better. This shit ain’t over as far as Mason is concerned. Or maybe it is. As Jack leaves, Mason is confronted by Margot, who tells him that she will take very good care of him. She’s the one in power now. I really love this scene, for the look of deep gratification on Margot’s face, as she says this.

Later, Will and Hannibal are debating whether  to confess their sins to Jack, or not. Hannibal weighs the idea that Jack should be told, and then killed, after which he and Will will run off together.

Hannibal Season : Shii-Zakana

Will Graham’s plan to trap Hannibal into revealing himself to be the Chesapeake Ripper continues.

So far the only thing Will has seemed to accomplish is to fall deeper down the rabbit hole of Hannibal’s desires for him. Even Jack is starting to question just how far Will is willing to go to accomplish a goal, which seems nebulous at best. Its not been fully fleshed out exactly how Will plans to trap Hannibal. Hannibal, so far, has been too canny to admit anything during their therapy sessions, while goading Will into being his worst self. The question is, is Will being truthful, or just telling Hannibal what he wants to hear.

 

In this episode we get a glimpse of one of Hannibal’s end games in the culmination of Randall Tier, into a deranged killer, who thinks he’s an animal. When Randall was a child, he was sent to Hannibal becasue he believed he suffered from a form of animal dysmorphia, that makes him believe he is in the wrong body. Hannibal, who often functions as a kind of anti- psychologist, who does the exact opposite of his actual job description, encouraged Randall to  give in to his true self, much as he encourages Margot to kill her brother, and Will to kill anybody in his orbit, (except him, of course).

This episode still has many of the tropes of the  Police Procedural, except here, its well blended with the show’s  mythology. As the season progresses, the Police Procedural is jettisoned entirely to focus on the relationships of the characters.

The episode begins with Will dreaming aobut killing Hannibal. His desire for this is so strong that he often fantasizes and dreams about harming Hannibal. Yet at the same time he’s reluctant to kill him because he’s so drawn to him. Hannibal is extremely good at telling Will the kinds of things he wants/needs to hear. Will is a man who is starved for affirmation, even if that affirmation is bad.

You basically have these two incredibly unique, and profoundly lonely, souls who have latched onto one another, but neither of them is the most desirable type of companion for the other. Hannibal eats people, which is a thoroughly repugnant concept to Will. That Will refuses to let loose his inner demons is a source of great frustration to Hannibal.

What I’m trying to articulate is best said at the beginning of the episode by Will’s dream version of Hannibal (which is an homage from a scene from Hannibal Rising, where Hannibal kills a man tied to a tree.)  This is what Will thinks Hannibal wants for him, but also applies to his own feelings:

Dr. Hannibal Lecter: No one can be fully aware of another human being unless we love them. By that love, we see potential in our beloved. Through that love, we allow our beloved to see their potential. Expressing that love, our beloved’s potential comes true.’

For Hannibal’s part, he is  just giddy at the idea of encountering an intellectual equal, who has the same capacity for chaotic violence that’s as deep as his own. It’s frustrating for him that Will often only uses his capacity for violence to help others, instead of simply pleasing himself, or Hannibal. Will’s murderous tendencies are too sporadic for him, I guess.

We do get to hear, from Hannibal’s lips, an echo of the above quote, in his therapy session with Will, and again, when Jack visits to thank Hannibal for saving Bella’s life, although with Jack he says all of the above without actually saying it in a way that Jack could catch on.

Randall Tier has decided that now is the time for him to realize his true nature, and has begun killing random people, while dressed as an animal, using hydraulic teeth he built himself. Hannibal figures out almost immediately that its him.

And can we talk about what a Bizarro world they all live in, where there’s  a serial killer, with a gimmick,  around every corner,  or everyone on screen has killed at least one person?

After one of their therapy sessions, Will encounters Margot outside Hannibal’s office. She makes no secret of her interest in him. Later, she visits his home and the two of them share a drink, and compare Hannibal’s therapeutic methods. Margot wonders exactly what kind of Doctor is Hannibal. Will already knows. Will reveals that Hannibal’s therapist, Bedelia, came to visit him when he was incarcerated. Needless to say, Hannibal does not like any of it. The last thing he wants is for his patients to start talking to each other about his methods.

After another one of Randall’s massacres, Hannibal tries to make Will understand Randall’s motivations for killing in relation to Will. Randall Tier (whose last name means “beast” in German) is giving in to his instincts and feeling his power, much as Will should. Before the BAU can interview Randall,  Hannibal visits Randall to express pride in his development, and tell him how to avoid the scrutiny of the BAU. This works and Randall remains free. In return Hannibal encourages Randall to pay Will a visit.

This is another test for Will, to see if he’ll give in to his instincts.If Randall wins then Will was never worthy, but Hannibal has bet his money on Will. He is certain that his “Clever Boy” can out-smart Randall and prevail (and Hannibal probably gets the vicarious thrill of killing through Will.)

Randall attacks one of Will’s dogs, (in an echo of the Red Dragon arc of next season, he attacks the pet and then the family.) Randall’s first attempt to kill Will is unsuccessful, and he breaks through Will’s front window, only to be shot down by Will, who was lying in wait for him. In Will’s mind the attack was clearly Hannibal’s doing hence the image of the RavenStag breaking  into the house.Like wise, when Will is killing Randall he sees the ManStag is his mind’s eye. He knows Hannibal was behind the attack and wishes it was Hannibal he was killing.

Hannibal arrives at his office to find the body of his success story laid out on his desk. Will announces that they are even with trying to kill each other as Hannibal’s “Clever Boy”, has impressed him, once again.

Decipher City

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