Hannibal Season Two: Futamono

 

Hannibal Lecter is in a contemplative mood, as he finishes his composition on the harpsichord, after his near death at the hands of Will’s admirer. He is probably ordering his thoughts about Will, trying not to seem so giddy at the idea of  Will orchestrating (i.e. composing) his death, as he finishes one of his own major orchestrations, the takedown of Frederick Chilton and Abel Gideon, the two major threats to his autonomy.  I often wonder what we’re supposed to think Lecter is thinking about in these scenes. The fans have written a lot of words about this character but he is still mysterious enough that we have no idea what he could possibly be thinking  during quiet moments like this. Lecter doesn’t often say what he is actually  thinking. In fact, most of the time what he says is the exact opposite, when we do know what thoughts he’s having, so him saying something is not necessarily an indication of his thoughts.

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Okay, how twee is it that Lecter owns a harpsichord? He would never be so gauche as to own a piano, I guess, choosing only the most obscure musical instruments on which to write his compositions, like the harpsichord, a kind of mini-piano with a tinier sound, and the theremin, a musical instrument you play by waving your hands at it. (The theremin is that woo-woo sound in the original Star Trek theme song.)

Jack confronts Will Graham about  subletting  Lecter’s death.Will just, straight up, lies to Jack’s face when he asks, which I find hilarious, for reasons known only to the Devil  and Bob. Not only should you listen closely to Will’s speech patterns, during this scene, but be sure to pay close attention to his body language too, which strongly reminded me of Anthony Hopkins’ version of Hannibal from the movies. His posture is straight and still. He sounds confident, almost arrogant. This is a man who is completely at peace with any decisions he’s made and has zero fucks to give about Jack’s judgement of him. Contrast that with his behavior in the first season, when he seemed desperate to have Jack’s approval.

He tells Jack, with certainty that The Chesapeake Ripper is eating his victims and that soon Lecter will have a dinner party. Jack is still reluctant to believe any of this, until Lecter invites Jack to a dinner party that he says is his way of trying to get back to normal. At the same time, he tells Alana that he is going to emotionally distance himself from Will, he tells Jack that he can no longer consult with him on his cases. So his attempts at reformation appears to be sincere.

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This time the case the forensic team is working on has almost nothing to do with the themes of this episode but has much bearing on its plot. Price’s and Zeller’s investigation of the “Tree-Man”, as I’ve taken to calling him, leads Jack to a momentous discovery. For him. Which, of course, is all part of Lecter’s design. The victim in this case has had all of his organs removed and replaced with poisonous but beautiful flowers. Lecter places his body in the middle of a parking lot, entwined with a tree.The forensic evidence from this body leads Jack to a very alive Miriam Lass, at the end of the episode.

We can see the creators of the show start to play around in the mythology of the series a little more with Will’s callback to Lecter’s behavior in the movies, Lecter joking about Census Takers, and getting his appetite back. Lecter says he’s trying to put Will in his past and that he’s given up consulting but it turns out to be a rather short lived retirement, as a couple of episodes later, we see him consulting with Jack on a case and resuming Will’s therapy, which understandably has Alana confused.

I’m not sure if Jack is beginning to be suspicious or not. He acts as if he is, or he could just be being thorough and checking off all his boxes, for both Lecter and Chilton, who both fit the profile of a serial killer.

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Will warns Gideon that now that the two of them have met, and can compare notes,  (because Lecter didn’t think Will would remember that he’d  met Gideon at his home), his life is in danger from Lecter. And he’s right. Since Will didn’t kill Gideon like he was supposed to, the only witness Will has, about what was done to him, is Gideon, and Lecter  didn’t think the two of them would ever meet. Lecter can’t see everything, it seems. Chilton overhears all of this and realizes that he too is in danger of being killed, if Lecter is the Ripper, so goes to Jack and offers to work with him to catch Lecter, saying that Will and Gideon are his witnesses.

Chilton gets some of the funniest lines,  as he desperately tries not to get on Lecter’s radar, when he begins to believe Lecter is  The Ripper.But its already too late for him. Lecter has something very different than killing in mind for Chilton.

Jack tries to talk to Gideon about the night Will tried to kill him, but Gideon isn’t being cooperative because he still resents Chilton for mentally manipulating him into believing he was The Chesapeake Ripper, and upending his sense of self, which still hasn’t completely returned, I think. He also inadvertently, (or Hell, maybe very advertantly), gives Will an alibi, as he insinuates that Chilton was behind the murder attempt on Lecter.

Jack and Alana discuss Will. She has noticed a distinct change in Will’s behavior since his attempt on Lecter’s life.

Will begins hallucinating antlers growing out of him again, as he takes on more and more of Lecter’s tactics. This isn’t just about putting out a hit on Lecter, its also about knowingly putting Abel Gideon’s and Chilton’s lives in danger by talking about his memories of Lecter. Later, as Will becomes more and more enmeshed in Lecter’s life, these hallucinations start to fade, but the ManStag hasn’t gone away. Will is getting desperate to catch Lecter somehow, someway, and is willing to go against all his morals to do  it,  playing directly into Lecter’s hands, of bringing out his true self.

Lecter goes to see Will. He’s not happy that Will tried to have him killed and subtly suggests that he might want to cut back on that kind of shit or put Alana’s life in danger. He wants Will to realize his murderous tendencies, he just just doesn’t want Will exercising those tendencies on him. Its annoying to have to keep slapping down his protege, even though he’s secretly proud of Will’s more assertive stance against him. Lecter has little patience with Passive-Will. He very much prefers Bossy-Will.

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Later that evening, during Lecter’s dinner party, Gideon’s guards beat him up and he’s taken to the hospital.  Lecter thought far enough  ahead to know that he would need an alibi, for when Gideon disappears, which is why he puts the make on Alana that evening, and drugs her wine. After a while, its fairly obvious that Lecter  doesn’t love Alana, although he seems to like her well enough. He lies to her as often as he lies to Jack. Certainly she’s useful at making him appear more normal to people. (Its not unheard of for serial killers to have wives and girlfriends, so their inability to attract women, is not the reason they kill.)

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Lecter spirits Gideon out of the hospital, and uses Alana as his alibi, when Jack comes calling. Jack had come to  the party but only to collect samples of Lecter’s food, which is not a very subtle way of letting someone know you think they might be a cannibal. (Yeah, that’s real low-key, Jack! He will never suspect that you suspect him of eating people!)

There follows for Gideon an especially hellish fate, not just being slowly eaten alive, limb by limb by, but being forced to participate in his own cannibalism, and knowing in advance he won’t be saved because no one knows where he is. Yet, he still manages to pour on the snark. Gideon’s not going out without some kind of fight.

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This is Lecter’s grand composition. Lecter crowing to Alana that he has finished his composition is just the writers playing with us about Lecter’s plans all coming out as they should. Gideon is out of the way, Chilton will fall soon, Will’s finally getting his butt in line. Its been a long time in the making, and its almost done.

Seeing how vastly intelligent Lecter is, how can Will even hope to go up against such a creature and win? (He does win but not by being smarter than Lecter.) What Lecter has failed to master are his emotions, having had so little practice with them. The way for Will to prevail against him is not by being smarter, but by taking advantage of Lecter’s  feelings and appealing tohisneed and desire for friendship. Now that he understands what it is that Lecter wants from him, he can use that to his advantage. This  begins Will’s grand composition in the last part of the season.

Not only does Jack discover that Lecter’s dinner party food is not  people, but an investigation of the Tree-Man, sends Jack to the abandoned farmhouse where Miriam Lass had been held hostage for the past two years.

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Hannibal Season Two : Hassun

Will has a lot of dreams in the next few episodes. This is the result of a clear mind, that’s not being manipulated, drugged, or suffering a fever. His subconscious mind is always busy finding solutions to problems he hasn’t consciously been presented with yet, and answering  questions he hasn’t yet been asked.

This time he’s dreaming about killing himself in the electric chair. This is a basic anxiety dream about his very real life situation and has nothing to do with Lecter, really. I’m not sure of the significance of dreaming that he’s doing it to himself, beyond his last statement to Kade Prunell, about having to save himself. If he doesn’t save himself, no one will. He doesn’t yet know Lecter is just as desperate to save him and wouldn’t believe that if he knew. After all, Lecter put him where he is.

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The first day of the trial begins with watching Will getting dressed in his cell. This is the first time we’ve seen Will this well dressed. (He usually wears rumpled plaids.) This “dressing up” montage is paralleled with scenes of Lecter suiting up for the trial. It’s as if the two of them are going into battle, only in Will’s case, his suit really is a form of armor to emotionally distance himself from the people around him, and the events happening to him. For highly empathic people, crowds are a special form of Hell, where it’s difficult to block out other peoples emotions. Will is going to be sitting in a crowded courtroom, while people focus their attention at him, for several hours.He’s going to need the  protection. In Lecter’s case his suit is a masquerade, hiding his true nature from the people around him, a suit on top of his people suit.

There’s a certain lecherous humor involved in watching Lecter zip his pants. Why is that so funny? I think its the emphatic manner in which its done. There! That’s final!

The Prosecutor’s argument is that Will is an intelligent psychopath who is,  probably, the smartest person in the room. When she says that we glimpse Lecter’s familiar smirk. No. He’s the smartest person in the room.  After all, he caught Will Graham.

Kade Prunell counsels Jack to get over his guilt. She tells him his priority should be keeping his job. But Jack doesn’t listen, and his conscience prompts him to defend Will, when the Prosecutor says that Will enjoyed hiding behind the FBI to commit his crimes. In his testimony, he appears to take responsibility for Will’s instability, saying he kept pressuring Will to do the work, even though Will hated it. Will is his friend, after all, and every one of his instincts tells him that Will is not a killer, and if Will Graham is not a killer, then it is his fault, for making him one.

Afterwards, Will’s lawyer is confident that this is the sort of break they need to have Will exonerated. He and Will argue briefly over the lawyers methods, but they are of too different mindsets. One of them is a sensitive, ivory tower dreamer, and the other is something more grounded and pragmatic, so they’ll never see eye to eye about the issue. (A groundhog has very different priorities than a  hawk.) During this discussion, Will’s lawyer has a human ear delivered to him. The funniest line in the episode, is him saying he must have gotten Will’s mail by mistake.

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The series is starting to play around with humor more. The creators, as they become more certain of the story they wish to tell, are getting frisky with the material, and the characters are funnier. Season three is, of course, one of the funniest seasons, with   Will, Bedelia, and Lecter getting in some wonderful quips and one-liners, as all three of them seem to realize the sheer craziness of the situations they find themselves in.

Jack and Lecter discuss Jack’s testimony. Lecter cautions Jack not to throw away his career for a short term goal, like assuaging his conscience. Its ironic that someone who has never had a friend in his life, in striving to make Jack believe they are friends, is quite possibly one of the best friends Jack could ever have. Lecter says and does all the correct things friends say and do. He’s the prefect friend even though he doesn’t actually know how to be friends. He knows how to go through the motions of friendship to get what he wants. Another irony is that Lecter doesn’t actually see how real his pretense looks.

How much of a difference, which makes no difference, is no difference?  Are Jack and Hannibal really friends? Certainly Jack believes it. Lecter walks the walk and talks the talk, so is he actually Jack’s friend, even though we know that he is only behaving this way because it suits his own ends?

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Questions arise as to where the ear came from and why it was sent to Will. Jack and the forensic crew start to wonder if there is another killer out there and if that person could be responsible for the killings Will has been accused of. Will wonders if he has an admirer and who that might be. It turns out that Will does have an admirer, who killed the bailiff at Will’s trial, chopped off his ear, gave him a Glasgow smile, impaled him on a deer’s antlers and burned him in a booby trap, when the authorities came to investigate. Beverly makes an argument for Will’s innocence, saying that the evidence against him was presentational and that no evidence of his guilt has been found since. The Bailiff’s death is another version of “Field Kabuki”, just like the evidence they found about Will. It is Lecter who asked the most pertinent question: How will this affect the outcome of Will’s trial?

Chilton takes the stand and proceeds to describe Hannibal Lecter in great detail. The only problem is that he’s applying all these descriptions to Will Graham. Not saying that killers can’t love dogs, but the description he gives of Will Graham is no match against what we have actually  seen of Will.  Anyone who has ever seen him around his little pack of Lost Mutts, can’t possibly believe the things Chilton says about him. It’s not that Chilton is wrong. He’s just pointed  in the wrong direction.

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Hannibal takes the forensic evidence in the bailiff’s murder to Will, who unequivocally states that the Bailiff’s murderer, and the person who murdered the women he’s accused of killing, are not the same person. He knows Lecter already knows this, to which Lecter replies, he was reaching for a reason to believe in Will’s innocence.  He wants Will to believe he is his friend and  wants him to think the best of him. Lecter’s attitude towards Will is often puzzling and sometimes funny. In the first season he was indulgent with Will, often giving his rudeness a pass, although Lecter’s patience with him only goes so far. He often harms Will while feeling irritated with him, only to regret it later, as in the season one episode, Fromage.. It is extremely obvious to us  that Will hates him, and why, but Lecter often acts puzzled about Will’s enmity towards him.

He tells Will that the killer left him a gift and that he shouldn’t allow the killer’s love to go to waste, but even though he didn’t kill the Bailiff, you know he’s talking about himself.After all, he admires Will, too. This has parallels to Tobias Budge from season one, who left dead love letters all over Boston, as an admirer of the Chesapeake Ripper.

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Freddie Lounds is called to the stand. She makes quite an entrance, and looks hella smart, in her blue and black suit. She looks like she stepped right out of a Dashell Hammet novel, and she must think she’s in one, as she twitches her way up to the witness stand and proceeds to outright lie about Will Graham’s relationship to Abigail Hobbes. Freddie Lounds is so unreliable a narrator,that all the Defense needs to do is mention the many times shes been sued for libel, and how many times she settled those suits.

Will’s lawyer, who was  grooming Alana to take the stand, abandons her, jumping at the opportunity that’s been given by the Bailiff’s death.  Alana was having some trouble being truthful about whether or not she had a romantic relationship with Will, anyway. Well, technically they didn’t, as that relationship was stillborn. The Defense calls Lecter to the stand, instead, to testify that it is the same killer, but the Judge dismisses Lecter’s testimony. Watch the look of irritation on Lecter’s face when this happens.You just know this is not going to end well for the Judge. Lecter really hates for his professionalism to be questioned..

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Okay, I’m not a lawyer, but I’m not sure I understand why Lecter’s testimony was thrown out. He was called to the stand as an expert witness on profiling, but the prosecutor decided that what he’s saying is his personal opinion about the forensic evidence, and the Judge agreed to go along with this.Why would the Judge agree to that, when he gave the Defense permission to let Lecter testify in the first place?  Well, yes, it is personal opinion, but it’s Lecter’s  expert professional opinion, which is why he was called. He didn’t just pull it out of his  ass (although for the purposes of this discussion, the viewers know, and will ignore,  that he did pull that out of his ass.) At any rate, even I was pissed off at what the Judge and Prosecutor did, so I can imagine how Lecter must have felt.

Lecter, dejected by the Judge’s decision, sits quietly in his office. He ‘s come to deeply regret framing Will for his murders and  misses his friend. There’s that dull ache, that his former patient, Franklyn, talked about. While Chopin’s Prelude No. 4 in E minor plays in the background, we see all the main characters sitting alone in their places of power: Jack, Lecter ,and Will. Lecter wants Will to be free so badly,and  has no real idea how to correct it, except to kill again as the Chesapeake Ripper.So he kills the Judge, scoops out his brain and heart, and balances them on a scale. He needs to make this a definitive Ripper statement. The Judge’s death, at the hands of the real killer, results in a mistrial.

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When Alana comes to see Will, she asks what he thinks the killer wants from him. I’m not sure whether he’s talking about Syke’s killer, or Lecter, when he says the killer wants to know him.

Will dreams of the Stag opening his cell door. He walks out to see Lecter standing in the hall pointing the way out. (Shit Will’s mind is working on while he’s asleep.) Will  knows Lecter killed the Judge in the hope that it would affect his trial. now he just needs to know why?

 

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The Mythology of Hannibal Lecter

 

Hannibal the Series embodies so many themes and myths, its difficult to parse them all (and its possible Fuller may never have intended to make a few of them, if he was simply following the general theme of the films), but some of its themes are classics of the Western, and sometimes World, traditions.

 

Hunting:

It’s a motif that’s threaded throughout  the serie’s primary narrative, which is the Gothic Romance, between its  two major characters, Will Graham and Hannibal Lecter. That Lecter is a predator is made abundantly clear to the viewers. What is not made equally clear, is that everyone else in the show are a Hunters and this is the general theme of the first season. The difference is subtle but there. Lecter preys. Jack and the others Hunt. From Abigail (note Abigail’s various hunting jackets and other attire) and her father, to Jack Crawford and his team, to the serial killers they hunt throughout the first season. Most of the hunters we see have the full weight and backing of government authority, and that includes Lecter, when he’s consulting for the FBI. One could say that their job is to hunt people who are not sanctioned by the government to do so.

But Hunting is not the only mythology represented. This is a many layered series, and a  pantheon of other stories and  mythologies  can be seen within it.

 

  1. The Wild Hunt:

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The Wild Hunt

There are myths of the Wild Hunt all over Western Europe. One of the things they all have in common is that there is a leader, his riders, and a pack of hounds, like any other hunt. It often takes place in Winter or at night, and if you’re caught out in the open when The Wild hunt finds you, your options are vanishingly small.

Flee or die.

Everyone in this series is a Hunter, to a greater or lesser degree. Even Alana,  through her work as a consultant profiler in the FBI, can also be classified as such, although she might be considered one of the lesser hounds. Jack  and Will Graham would be considered the top tier, while Hannibal is, without question, considered to be the ultimate, the pinnacle (until he is deposed by Will Graham, who captures him.)

Jack Crawford has a team of his own hounds,  Price, Zeller, and Katz, and they are very good at their jobs, bringing their prey to ground, time after time, even when it turns out to be one of their own. Jack’s primary prey is the Chesapeake Ripper, with whom he is obsessed. This is an obsession that nearly causes his downfall in the FBI, when one of his hounds goes astray, but he is willing to hunt without government authority, in season three. That said, Jack still has bosses, who can call him to heel, when they feel he’s going outside the bounds of the law.

This is something that’s also true of Will Graham. He also works within the purview of the FBI, but has even less authority than Jack, as Jack is his superior. He is often coded as a wolf to Lecter’s bear,  and at one point is openly referred to as Jack Crawford’s hound. In the first season, before he becomes fully cognizant of how much power he possesses, Will is one of those  poor souls caught out at night by the Wild Hunt. Rather than kill him however, Lecter would prefer that he join him instead, an option not  found in the original mythology.

If the FBI can be considered a version of the Wild Hunt, chasing down those humans who have wandered out into the dark night of the soul, then having positioned himself within the FBI, Lecter could be considered its leader, as he controls and manipulates the hunt and the hunters. He knows more than the government that controls Jack Crawford. He knows more than everyone, and during the first two seasons of the series, Lecter is clearly situated as an omniscient,  God-like being who  sees everything.

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2.The DireRavenStag/The Wild Hunt

Lecter is represented by the RavenStag a combination of the deer’s head and ravens found with the body of Cassie Boyle. This is Lecter’s first killing within the series, and it is the one that sets Will Graham on his trail, as The Chesapeake Ripper hasn’t killed in a number of years. In Germanic mythology, Odin is the leader of the Wild Hunt and is accompanied by the ravens Munin and Hugnin, which mean memory and thought. (In some missives, their names mean “Desire” and “Thought”, which also works within the narrative of the series.)

Both  Will and Lecter represent Odin’s ravens. Lecter ‘s primary qualification is  “thought”, in his job as a psychiatrist, and he and Will have the highest forms of “thought” and “memory”, in the series. Will, as a profiler who reconstructs crime scenes, represents “memory”. (Note:There’s a statue of a black Hart in Lecter’s office, which is often seen during his sessions with Will.) Working together, like Odin’s ravens, Will and Lecter bring information back  to Jack Crawford,  information used by Jack in his hunt for killers.

The Wild Hunt is often shown chasing  a White Hart, so all the animals of the Hunt are represented in the series. The ravens represent The Hunters, while the Stag/Hart represents The Hunted. In the series, Lecter, as the Chesapeake Ripper and member of the FBI task force charged with finding himself,  is both the pursued and the pursuer. Will is also the pursued and pursuer, as he hunts Lecter, Lecter hunts Will.

The Wild Hunt only occurs at night and in the depths of Winter. (Note how many times we get to see Lecter show his true face during the day.) During the daylight hours, Lecter wears the disguise of a benignly polite person suit, as noted by his own therapist Bedelia DuMaurier. We mostly see Lecter’s real face at night, when he’s in session with Will Graham, or eating and cooking his prey.  As the second season progresses, we see his real face more and more often, day or night. By the third season, he has dropped his person suit entirely,  which  is most evident after his incarceration.

How often do we notice snow outside of Lecter’s dining room windows? During the first two seasons, especially when visiting Lecter’s home, it is almost always snowing. It is also  snowing in the some of the  most dramatic moments of the first season, when Lecter is deeply involved in scheming. (For example, during Abel Gideon’s escape, and Will’s hunt for him.)

In the first season, Lecter allows his crimes as The Chesapeake Ripper to be subsumed by the crimes of others, throwing Jack Crawford and his hounds off his trail, (except for Will Graham.) But his arrogance will not allow for this situation to last for long. He is a vain and egotistical creature, that wishes to be known, and being pursued by Will Graham is restricting for him.  He has to put Jack’s hound off his trail, and so first discredits, then frames Will for his own crimes.

In season two, Lecter is content, in Will’s absence, to consume other serial killers and their works. First subsuming the crimes of the  Eye of God Killer, and eating parts of him. Finally culminating in eating most of Abel Gideon, and by doing so, erasing Gideon’s crimes, as we begin to sympathize with Abel’s misfortune at falling into Lecter’s hands.

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While Lecter is doing this, he is also hunting and being hunted by Will Graham, the two of them pursuing each other in a tighter and tighter orbit, until they have no choice but to join as one. They are the head and tail of the Ouroboros. They are Yin and Yang. As Jack states to Chiyo in season three,  “They are identically different”.

Lecter’s  pursuit of Will’s understanding, then friendship, companionship, and ultimately Will’s love, is the driving force of the second season. And if the coda to the story, at the end of season three, is truthful, then his pursuit is successful, as he and Will are now hunting together, and are starting with Bedelia.

 

3. Herne the Hunter/Cernunnos/Satan

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Cernunnos is a Celtic god associated with sexuality, fertility, the hunt, and the underworld. He was worshiped by the iron age Celts all across Europe as late as the first century CE, and his worship must have begun centuries before that. Cernunnos is a Romanized name meaning “Horned One.”

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In English folklore, Herne the Hunter is a ghost associated with Windsor Forest and Great Park in the English county of Berkshire. He has antlers upon his head.

In the second season, Lecter is coded as a Satanic figure, as this season chronicles his fall,  and loss of trust, with the FBI. During the first season, Lecter is represented by the DireRavenStag, an amalgam of imagery from the first Copycat crime scene. After Will Graham surmises that the Copycat Killer is also The Chesapeake Ripper, that hallucination morphs into the ManStag, into Cernunnos:

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At the beginning of season two, it is shown killing and eating The RavenStag. (This is one of several deaths of the RavenStag we will see in the series.)

In season two, Abel Gideon flatly states that Hannibal is the Devil, and every mention or appearance of Lecter is often preceded by the image, or sound, of either the Stag or  ManStag. In the final episode of Season one (Savoureux), the ManStag replaces  Hannibal Lecter altogether, just after Will’s been shot, looming over Jack Crawford. In episode one of season two, (Kaiseki), after Will tells Chilton he wants to speak to Hannibal, there’s the image of the ManStag, rising from the waters of Will’s dream river, before we go to a scene of Chilton talking to Lecter in his dining room. In the second episode, (Sakizuke), Lecter’s appearance is preceded by the sound of hooves, and shots of a cloven hoof.

Lecter is deeply lonely because he is, as was once  said of Will Graham, often the smartest person in the room (certainly in the series), just as Lucifer was the most intelligent creature God ever created. Like Lucifer, Lecter doesn’t believe God can sit in judgement of him. He believes himself to be God’s equal, and states, if a certain behavior is good enough for God to commit, than why can’t he. He thinks God is without morality. Lecter, as he tells the Eye of God Killer,  believes himself high enough to  look God in the eye.

In season three, when Bedelia  asks what happened to make him what he is, he abjures his “making” by saying, ” Nothing happened to me. I happened”, which is a callback to the Hebrew name for God, “I AM”.

 

4. The Wendigo/The ManStag:

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In keeping with the theme of Lecter as a demonic figure, the ManStag is often referred to as the Wendigo, a demonic, cannibalistic spirit of the Wilderness and a legend of the Algonquin peoples of the Northwestern US. Note the similarity to Cernunnos , Lucifer, and Herne the Hunter. (The Wendigo is just one of the many dozens of Hunting deities and demons throughout the world.)

The term Wendigo is used to describe the demonic spirit, and the being a person becomes, after eating human flesh. Legend has it that once someone has tasted human flesh, they will develop an insatiable craving, or addiction for it. Lecter often seems compulsive in his need to kill. One of the reasons he consults with the FBI, is to be close to the crime scenes of other killers, so he can copy them later, and have his own killings attributed to others.

Lecter never passes up any opportunity to insert himself into another’s crime. Its as if he can’t stop himself. It really does seem compulsive. In season two it seems  he  consumes the crimes themselves. By killing the killers he is supposed to be catching, he makes their crimes that of  The Chesapeake Ripper’s, by extension.

In the first season, we are told that the Chesapeake Ripper remains inactive for long periods of time, after killing in bounders of three or four. Will states that the Chesapeake Ripper has no respect for the people he kills, believing them to be like pigs, and he is correct. As Lecter tells Abel Gideon, its only cannibalism when its among equals, and he does not believe the people he kills are his equals. Chilton tells Jack, in season two,  that cannibalism is a form of dominance.

Jack never becomes a Wendigo, but he and Will regularly eat human meat at Lecter’s table. Only Will comes closest to becoming one, as he voluntarily eats the flesh of Randall Tier, while deceiving Lecter into believing its Freddie Lounds. Will pretends to be a Wendigo, pretends to have developed a love of killing, in order  to deceive Lecter. But the first time Will eats human flesh is when Lecter feeds him Cassie Boyle’s ground up lungs. So one can make the  argument that Will becomes possessed by the spirit of The Wendigo. Will is a false Wendigo, however, having been accused of cannibalism, and  framed, by Lecter.

We are told that The Chesapeake Ripper takes a sabbatical from killing for two or three year, so it is telling that,  three years after Lecter’s incarceration, Will is drawn back into Lecter’s orbit, and Lecter resumes killing. First using The Red Dragon as a proxy, then killing The Dragon in partnership with Will.

One could make the argument that Jack is immune, but we don’t  see Jack become violent in the series, until after he finds out that Lecter’s been feeding him human meat,  after which he tries to kill Lecter during the finale. (So one can make the argument that Jack becomes  more bloodthirsty, as well)

Alana is also affected by her close association with The Wendigo. She too, is possessed by its spirit. Contrast the Alana from first season with the hardened and vengeful woman of the third. Her eyes have a sharper glint and her facial expressions have hardened. Due to Lecter’s influence, she has become less human, willing to aid and abet the torture and cannibalism of another person, something that would have been absolutely  unthinkable to the Alana of the first and second  season.  Like Jack, she too, has been possessed by the Wenndigo’s thirst for blood.

Another victim of association with Lecter, Chilton, also becomes a vengeful bloodthirsty person who is  wholly justified in his sentiments, but once again, Lecter seems to have brought out the worst in another.

In light of Lecter’s practice of encouraging people to be their ultimate and   true selves, his tactics are certainly successful in getting the people in his orbit to be more like him. In that sense Lecter, certainly lives up to the Wendigo’s reputation.

 

5. The Courtship of Will Graham

Above Lecter’s mantle, hangs the 1740 painting by Francois Boucher, of Leda and the Swan. The story, as it is told from Greek mythology, is that  Zeus fell in love with her beauty, came to earth, and in the form of a swan, seduced and raped her.

In season one, Hannibal sees something in Will Graham that fascinates him. He is deeply curious about this odd man and how his empathy disorder squares with taking  life. When Will shoots Garrett Jacob Hobbes that incident seems to galvanize Lecter. He’d already seen Will use his superpowers to deduce the difference between the Minnesota Shrike and the Copycat but hadn’t yet seen the brutal, unhesitating efficiency that Will is capable of when threatened.

Lecter, so far above everyone else in taste, intellect, and bearing, is a profoundly lonely man. I posit that he has never had any actual  friends in his life. He’s always been separate and above. As a god, he has no boundaries, can do as he pleases to the creatures beneath him,  and has to hide what he is, but he finds his equal in Will and becomes smitten with the idea of someone who can not only look on his true face, but accept it. First he has to awaken Will Graham to his true nature. He has  to  get   Will to accept that they wear the same face.

Thus begins the courtship of Will Graham.

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During the Minnesota Shrike case, their first case together,  Lecter feeds Will the first of the copycat victims, Cassie Boyle. He removed her lungs while she was still alive and ground them into sausage that he fed to Will, at their first breakfast. I viewed this as a form of courtship feeding, (although if one couples this with the Wendigo narrative above, it can also be coded as a form of rape, since Lecter doesn’t get Will’s consent before feeding him people). Courtship feeding is  something that occurs at right at the opening of their relationship, and is defined as the presentation of food by one partner to the other during courtship (the behavior of male birds and other animals aimed at attracting a mate.) And Lecter does engage in a form of Courtship with Will. Having had his first overture of friendship rejected, Lecter, not understanding/caring about boundaries,  proceeds to flatter, cajole, and otherwise break down Will’s barriers to therapy, friendship and eventually love.

Lecter determines  what it is that  Will needs to hear about himself and says it. He says  flattering things to Will, and tries to create a bond through shared traits, after all Will is lonely and misunderstood, too. Later in the series, he regrets having abused Will’s trust, misses Will’s presence in his life,  and tries to win him back, springing him from prison and writing love letters to him in the form of dead bodies.

 

6. La Vita Nuova/ Vide Cor Meum

Lecter and Will Graham’s relationship has often been described as a Gothic Romance by Bryan Fuller, and one of the musical themes associated specifically with Hannibal Lecter, in both the  movies and the series, is an adaptation by Patrick Cassidy of Vide Cor Meum from the opera La Vita Nuova.

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La Vita Nuova is an autobiographical opera written by Dante Alighieri in 1295. The title means The New Life, which is an expression of “Courtly Love”, a system of ritualized courtship of that time period. Vide Cor Meum  was specially composed  and  based on the sonnet “A ciascun’alma presa”, in chapter 3 of La Vita Nuova.  Dante  addressed this particular poem to his  great love, Beatrice, from whom he tried to conceal it by dating other women.

Vide Cor Meum/See My Heart

 And thinking of her
Sweet sleep overcame me

I am your master
See your heart
And of this burning heart
Your heart
(Chorus: She trembling)
Obediently eats.
Weeping, I saw him then depart from me.

Joy is converted
To bitterest tears

I am in peace
My heart
I am in peace
See my heart

 

Lecter is Dante, and Will,  his Beatrice, from whom Lecter tries to hide his love, by killing other people, I guess.

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Dante and Beatrice By Henry Holiday (1839 – 1927) (British)

This particular custom also involved the notion of “Sweet Suffering”, featuring the imagery of pierced and bound hearts. In season three, Lecter makes an origami heart from the skinned body of Anthony Dimmond,   presenting  it to Will in the Palatine Chapel. The “body heart” is held up by three inverted swords, which in the Tarot, mean forgiveness and moving on from some great emotional setback, (meaning Lecter’s betrayal by Will, in season two.  By presenting Will  with this token, Lecter is telling Will he forgives him. ) At the same time that Will discovers Dimmond’s body, we see Hannibal making  a paper heart out of the image of Da Vinci’s  Vitruvian Man, (The Perfect Man), while discussing Will with Bedelia.

Will is Lecter’s Perfect Man.

 

Hannibal the Series is so rich with meaning and these are just a few of the Western Myths and beliefs that have, through Bryan Fuller, infiltrated this narrative, (although Fuller may not be entirely aware of all of these himself.) Some of these themes are universal and can be found in the myth and story traditions of many countries, but since Bryan Fuller is American, I’ve stuck to Western comparisons, as these are the stories most likely to have influenced him, if at all.

Hannibal Season One Finale : Savoureux

 

Its the season finale where all the plot threads and themes come to die…er I mean, reach fruition. Last episode, Will Graham’s  superpower was desperately seeking Lecter, who is desperate to protect himself, although you can’t tell by looking at him. He appears to be as calm as a cloudless sky, but he has to get Will out of the way, before Will can point any fingers in his direction.

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Will is dreaming that he is hunting the RavenStag, which is entirely appropriate because he actually is. He comes across the RavenStag being killed by the ManStag. Once his mind has latched onto Lecter, and understands him, the RavenStag transforms into the Wendigo, or the ManStag, with Lecter’s face. In season two, as Will adopts more and more of Lecter’s  corrupt behavior, in his attempt to capture him, the ManStag begins to look more and more like himself.

Will wakes to find his feet are filthy, and feeling nauseated, runs to the kitchen sink to vomit up an ear. C’mon! Who swallows an ear without chewing? I think we can guess how it got in his stomach because when we last saw Abigail, she had both her ears. Naturally, the first person he calls is Lecter, who pretends to be distraught at what he’s seeing, though we know he is its architect. Lecter comforts him and tells him they need to call Jack. My question (which should be Will’s first question) is, why can’t they just hide the ear and pretend nothing happened, like they did for Abigail? I know the answer but Will  doesn’t ask it and he probably should.

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When Jack arrives, Lecter’s plan is complete. He has successfully eliminated Will as a danger to him. Jack and the forensic team begin the slow and emotionally torturous evidence gathering process on Will.  (For the record, I never bought that Abigail was dead. I’ve been taught by decades of television viewing, that if there is no body, there’s no death.) The forensic team also find evidence that not only did he kill Abigail Hobbes, he is a serial killer who is responsible for the deaths of Cassie Boyle, Nicholas Boyle, Georgia Madchen, and Dr. Sutcliffe, as the Copycat Killer he has been investigating.

The forensic team give Will the silent treatment except for Beverly and this is why I love this character. I love her candor and forthrightness. In a show full of lies, we need truth-tellers, and she serves the same purpose that Bedelia does for Lecter. Like Alana, she is one of the only people who will tell him the blunt  truth, to his face. In potentially embarrassing situations, she is the kind of person who says exactly what’s on everyone’s mind, which is what she does here. She tells Will to analyze the evidence. What does the evidence say? He replies that the evidence shows he killed Abigail Hobbes.

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Alana is the only person who berates Jack for putting Will in the field in his condition. Everyone wants to place blame on themselves for what they believe Will did. Everyone feels responsible for not “seeing” any of it, because its their job to “see”, and they didn’t.

Alana is also the only person who can come up with  a legitimate reason why Will might have done what he’s accused of. She’s the only person who points out that Dementia, by itself,  is not a disease but a symptom of one. On her way to see Will, she has a total freak out in her car. (I feel ya’, babe!) She has Will take the Clock Test again and gets a significantly distorted drawing (all the numbers are on the right showing mild cognitive impairment). She questions this after Lecter shows her his doctored version. ( He has to give her a doctored one. If he showed her Will’s actual distorted clock, that would make her question why Lecter didn’t bring that to anyone’s attention.) Jack wonders if Will is smart enough to fake the test.

So, when Alana says Will is suffering from Dementia, or Cognitive Dysfunction, she mean his ability to “see”, has been impaired.

Lecter is putting on an Oscar worthy performance of grief for Abigail in Bedelia’s office. Bedelia does not recommend that Lecter participate in Will Graham’s rehabilitation.

Will sees the ManStag in the interrogation room. His mind is trying to tell him that all of these things,  Hobbes phone call, the RavenStag, The ManStag, (i.e. The Chesapeake Ripper and The Copycat Killer), and  the reason he is in jail, are all due to one person. He tries to convince Jack that he is being framed. Jack tells him he’s being paranoid and reads Will his rights.

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Its just  heartbreaking to watch all of this happening to Will. Watching Alana tell him she’ll take care of all his dogs for him, as the forensic team inventories the possessions he has on him when they bring him in. This is something we’ll watch in season two,  when Chilton gets processed for the same crimes, after Will has been exonerated. Interestingly, we don’t get to  watch Lecter go through it in season three, after his arrest.

As the audience, we know Will is innocent and mostly have to resist the deep urge to slap the rest of the cast into enlightenment. We have to remind ourselves, they don’t know what we know. (And obviously they have never seen Will with his pack. No psychopath could ever have such quietly, loyal and goofily, happy dogs.)

Echoing Abel Gideon from the last episode, Will escapes the transport truck. You would think they would change their security tactics since people always seem to be escaping from the vehicles. This happens every season. Working for the Baltimore State Hospital for the Criminally Insane has to be one of the worse security  details, ever! They should at least change security companies because these guys are just no good., and keep getting beat up and/or killed, by the people they’re supposed to be transporting.

Will goes to hide at Lecter’s office. Can we note how creepy it is, that Lecter doesn’t notice he’s on the balcony of his office, until he smells him? Will  tries to convince Lecter he’s being framed, but look who he’s talking to. Lecter  tries to talk him through the crimes he can’t remember. What he’s doing is coaching him, I think. Will says they  need to go to Abigail’s home, where all of this began.

Jack confronts Bedelia about why so many of Lecter’s patients turn out to be violent psychopaths, or just involved in violence, somehow. He asks if Lecter is still helping Will and Bedelia says yes. She still wants to believe Lecter is helpful and loyal to his patients even though she knows that something is not right with Lecter.

On the way to Abigail’s home, Will dreams that Lecter is the one who called Hobbes. That is the final piece of the puzzle that drops into place for him. Once he understands that none of this began until he met Lecter, and that Lecter fits all of the other criteria he outlined about the person framing him, he has reached his conclusion. Since he understands the Copycat Killer, and understands the Chesapeake Ripper, all he needed was the identity of Hobbes’ caller to understand Lecter, and this is why the RavenStag, which before represented the Copycat Killer (which we all knew was Lecter) became the Wendigo or ManStag, with Lecter’s face, a combination of the Copycat and The Ripper.

Lecter, is also coded as Satanic, so his image, with horns and hooves, echoes religious imagery.  He lies constantly, deceives and manipulates everyone , and tempts people to kill. Lecter overplays his hand in the kitchen,  whispering temptation in Will’s ear, outlining his true motivations, pushing Will to see all the horrible things he’s done to him, as a positive thing.

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Finally “seeing” as Garrett Hobbes first asked him to do, he turns to shoot Lecter, but is shot down by Jack, who followed them to Abigail’s home. He lands in Garrett Hobbes bloody space on the kitchen floor and clearly sees Lecter as the ManStag, for the first time.

The overriding theme of the entire first season (probably the entire series) is:

Perception- the ability to see, hear, or become aware of something through the senses, the state of being, or process of, becoming aware of something through the senses, a way of regarding, understanding, or interpreting something; a mental impression.

In other words: recognition, awareness, consciousness, appreciation, realizationknowledge, grasp, understanding, comprehension, apprehension

Jack finds Lecter in the hospital, sitting bedside with Will, and asks him,  if he would still have gone to Minnesota,  if he hadn’t been held at gunpoint. Of course we just watched him do this but he tells Jack he would have wanted to. This is the same question Jack asks Will Graham in season three, about running away with Lecter. Since Lecter doesn’t actually have to be sitting with Will in the hospital, I wonder what his motivation for doing so might be and what changes in Lecter’s character did Will cause.

Lecter has dinner with Bedelia and tells her he’d like to go see Will Graham. She warns him that he has had a pattern of too many violent patients and that the FBI will catch on to this pattern.

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Will is taken to the Baltimore Hospital for the Criminally Insane, pending trial, where Lecter comes to visit. Will tries giving Lecter his best stink-eye, but Lecter is unperturbed, smiling gently about his triumph.

In his mind, he’s won.

 

Music:

Vide Cor Meum <Lecter’s Theme>:

And thinking of her,

Sweet sleep overcame me

I am your Master

See your heart

And of this burning heart, your heart

She trembling, humbly eats. Weeping.

I saw him then depart from me

Joy is converted to bitterest tears

I am at peace

My heart

See my heart

  • Patrick Cassady’s Vide Cor Meum (See My Heart) Based on Dante’s opera  “La Vita Nuova”

In season three, when Will Graham asks Bedelia DuMaurier if Lecter is in love him, her answer has echoes of the lyrics to this song. (Of course, Bedelia would use a food analogy, when referring to Lecter.)