State of the Onion:TV

Whoa! I’m very behind this week, but it’s okay, I’m not panicking, as I’ve gotten a lot of other things done  like charity work, and sometimes, sleep. I also have some holiday time to look forward to.  I sometimes have to remind myself that my  reviews won’t be obsolete just because I waited a week. Here’s a list of shows I’m actually paying attention to, some that I’m sort of paying attention to, and some that I’m not. At least one of these shows I’m  actively in hate of (and I bet you can guess which one.)

American Horror Story : Chapter 8


In last week’s episode, the killing continued with the deaths of Shelby and Dominic.  It turns out that Lee is still alive and in the clutches of the Polks. It’s no accident that Lee and the Polks are the main story this evening, and no accident that we’re seeing a middle class Black woman being consumed by these very working class (or below) White villains. There’s a message in there I’ll have to parse at a later date. Anyway, Lee manages to get free by seducing and manipulating one of the younger Polks, who has become attracted to her. Humanizing herself to the him was a good tactic, getting him to see her as a human being, rather than just meat, and this helped her to escape.

But before that, as he was filming her, she confessed in a video she wanted sent to her daughter, that she killed her husband Mason, because he threatened to take sole custody of their daughter. I was more than a little shocked at this revelation, as she swore up and down she didn’t do it, and that was part of her reason for coming back to the Haunted house, and being on the show. She kept filming because she wanted to control her own story, and I believed her. See what I mean about my complete inability to speculate about a show’s plot. 

In the meantime, Audrey and Monet are being tortured by the other Polks, but Monet manages to free herself. She runs off, leaving Audrey behind, but Audrey is saved by Lee, who kills Mama Polk during the event.  Back at the house, Shelby and Dominic are in a panic, after watching Agnes be killed by the Butcher, and they try escaping through the tunnels under the house, but get chased back through the house by all the entities that have come out during the Blood Moon. The Japanese ghosts, the Pig- headed Man, and the nurses stalk them through the house, and a chandelier falls on Shelby’s leg. 

Later, distraught at the fact that she killed her husband, Shelby, in a fit of grief, slits her throat,  while Dominic watches helplessly. When Audrey and Lee return to the house, Lee is horrified to discover Matt’s body in the basement, and Audrey is equally horrified to find Shelby’s body. Naturally, she makes it all about herself. Neither of them believe Dominic’s story of what happened, thinking that he killed everyone. They exile him to the non-existent mercy of the Ghosts, and the Pig Man kills him while he screams outside the door. I was kind of rooting for Shelby. I thought for sure she’d be a survivor. If not her then Lee. But since Monet is in the wind, it might turn out to be her, instead.

Audrey and Lee decide it’s time to go. They attempt to leave, but encounter a “fake” Pig Man at the front door. One of Sydneys assistants,who has no idea that nearly everyone is dead.  Now, they have to try to convince any of the crew left alive that all of these deaths happened, and that it’s too dangerous to stay. 

We’ve got about two more episodes left, so we know that the ending is going to be a bit drawn out. We won’t find out who lived, or if anyone lived, until the final episode, so I suppose we have more running and screaming to look forward to.

Supergirl:


 I’m still sort of watching this. I like the queer representation going on in the show. At least that’s different, as a lot of very popular shows don’t have any. I do wish there were more WoC on the show, though. (Why won’t Hollywood hire Latinas and Asians? Really it’s becoming extremely obvious that they’re being really weird about it?) The action is pretty good. The actress playing Supergirl starts to grow on you after a bit. I dont think I’m ever gonna really like her but she’s less annoying to me than before. 

The surprising break out character for me was Cat. I really thought I’d hate this character, and yes, she is an asshole, but I like how she stans for Kara, gives her good advice, and tolerates none of her flibberty nonsense, which is exactly the kind of female in Kara’s  life that she needs. Cat’s tough on her because she cares and knows she can do better, not just because she’s a mean ol’ witch, who likes yelling at people. I think her new male boss at the newspapaer is kinda the same way. He is a pusher, who doesn’t coddle her, but will back her up when needed.

 This week Kara got her first real news story published and  I was really happy for her. I caught myself smiling at my TV. I see why people like this show, as it has lots of positive moments,and sometimes some afterschool special life lessons, which are eyeballrolling for me, but good for people in general, I guess. I’m never against positive things just because they’re positive.

The show needs to work on its plotlines though, because every genre show, that has ever existed, has done a fight club episode, but I like how Kara makes a friendly overture to her cultural enemy at the end of the episode. It’s a nice message about being a mature, and tolerant  person.


The Flash:


I’m really starting to like this show, now. I know why I ignored it for so long. I didn’t have time to watch it.  Now, I just record it, and watch it later, because I’m not reviewing it. I see why people like it. The villains are interesting, it’s got good action scenes, and special effects, but most importantly, the relationships between the characters are compelling and most of them are positive. I like that the  characters actually talk to one another to solve their problems, rather than acting cold, snarky,and snappish to indicate their displeasure.Its easy to tell who the villains are, until you find out, through some mature insight and tolerance, that maybe they’re not the villain, which is kinda cool. In other words, people act like grown folks, most of the time.  This is much the same formula as Supergirl. I see what DC is trying to do here, trying o make all their shows seem like they happen in the same universe, by giving them the same flavor and formulas. 

This week Caitlin Snow was going through some angsty shit with her mom because she has developed superpowers. Apparently, this is something that’s going around, like a virus. I kinda got into it a bit because I kept yelling at the two of them for being such asshats to each other, after Caitlin’s father died. They both handled their grief badly, and then blamed each other for it. Barry raced around trying to find a holographic monster, but the emphasis was mostly on his relationship with his irritating co-worker, who doesn’t like him. Barry is one of those people who really needs to be liked, and that’s an interesting character trait for a superhero to have, as he spends a lot of time brokering peace between squabbling individuals.

I love Iris, Joe, and Wally, and I’m glad Iris isn’t just some lone Black woman,  floating in a sea of Whiteness, although I do wish there was more of a community of Black people on the show, sort of like how Agents of Shield centers Robbie Reyes’ life around his community. He hangs with, and knows, people in his neighborhood, you see him and his brother out and about, and people know the two them.  It’s not that I want The Flash to be all Black people, all the time, but one of the problems we run into when White people write PoC, is that the PoC never seem to come from a community of people similar to them. They don’t have extended families, or other Black people that know them. All it takes is a throwaway line here and there, or a few phone calls back home, to indicate they live in a wider world, of aunts, uncles, cousins, etc.

Then I remember that the vast majority of white people don’t ever see us in our communities. Their personal encounters with us usually involve one or two Black people, who are just sort of floating through their life, without family or friends attached, so White people tend to reproduce that exact same narrative when they write PoC, especially Latinos, and Asians. (Y’all know there no such thing as a lone Latinx. You know they got fam.)

I’m still not sure how to feel about it when Joe calls Iris and Barry his kids, and I’m reminded that Iris and Barry grew up in the same house. That feels a little weird to me, although since the two of them are completely unrelated, I can find no objection, other than me feeling odd about it.

Agents of Shield:


I’m totally geeking out over the Ghost Rider storyline. I’ve only just started watching the show this season after a disastrous first. I see why people love Daisy, as I’m starting to really like her. When the show started, the only character I could regularly stand was May. Melinda May has always been my best girl and and I hope Robbie becomes a more permanent member of Shield, even though Melinda would like to kick his ass. I love his relationship with his brother (family is important to me, too) and I was on the edge of my seat when he revealed what he was to  Gabriel, this week. I was completely whiteknuckling that scene. 

I love how television presents more nuanced versions of teenagers, probably because the writers are younger.  Movies usually settle for the cliched, sullen, whining, and utterly selfish, teen. I’ve never met any teenagers like that. All the ones I’ve met, as an adult, have been fascinating, with interesting things to say, once you get them talking. I think that cliche says more about how the writers think about teenagers, than how teenagers actually are, and I love the way Gabriel is written, on the show, as he reminds me of teenagers I’ve actually met. He obviously loves his brother, and is generally positive around Robbie, probably as a way of anchoring him, and alleviating Robbie’s guilt, over what happened to them. See? That’s how you write a teenager. 

I could do without the persecuted mutants,  X-Men/Inhumans style storyline, though. I’m really tired of racial allegories, at this point, so I haven’t been paying a lick of attention to that part of the plot. I’ve been mostly enjoying the special effects, the characters relationships, and just not thinking too deeply about the plot line.

What?! I’m waay too old and tired to get  heavily worked up about the plot of every single show I’m watching. 

Channel Zero:

I stopped watching this. I tried picking it back up, and watching it again, but my mind just wasn’t into it. I don’t think I’m in the right mindset for the kind of ominous, slow burner, type of show like this. I just end up falling asleep on them.

From Dusk Til Dawn:


This show has really gotten back to the basics this season. It’s been a lot of fun, with a plot just heavy enough to be interesting, and compelling, without being too intricate and boring. I love it that the Gecko brothers are fighting side by side this season, so we’re getting a lot of brotherly lovehate, hatelove. And yeah, they literally are fighting side by side, as the action scenes are the best part of this season. I don’t care for the villain too much. But at least she found a goal this week, of putting her real body back together, so that she can open he gates of Hell, or something. At the beginning of the season, she seemed kind of purposeless. Its cliched, but I love this Gecko Brothers save the world stuff.

 The show seems to have found its groove, with just the right mix of zaniness, and seriousness. The addition of Tom Savini, as a demon hunter from Xibalba, seems to have added just the right element of crazy to the storyline. I’ll be sure to give you guys the lowdown on whether or not this season’s finale is any good. It’s coming up soon.

The Strain:


I know there’s a contingent of twenty somethings on Tumblr, that seemingly hate all of Pop Culture, and I don’t wanna be that person. Even if they don’t hate it, they seemingly find little to like about it, and I’m just not like that. I try to be positive on here, and mostly lightweight, and informative. I also  grew up having no choice but to try to mine what goodness I could out of Pop Culture, and to appreciate that it was being made at all.

I suppose its a good thing that we have so much television geekery to choose from, that we can afford to be picky and contentious, to make demands that suit us. Since I was a geekgirl before the internet, and there was precious little to choose from, I’m just not where they are mentally, so it can be hard for me to relate to their many, many, many, concerns. But am I really that different from them?

I think that if this show had been on the air twenty, or thirty years ago, I would think it was the absolute shit. But I guess I can afford to talk smack about this show, because there’s so much else to choose from and the stuff I can choose to watch is so much better than this, that I can get snarky about it. Also I just like making fun of the show. It hones my snark skills.

Now I have heard that season four is this show’s last season, and that the shortening of the season to only ten episodes has  tightened its plot, somewhat. So that’s not an issue. My issue is character motivations that are really just plot points and don’t seem to derive from actual characterization. People simply do what it’s convenient in the plot for them to do, and I do like some character consistency, even when I have to do the headcanons myself. Also the acting on this show is really dodgy. It’s gotten to the point where I just hate Zack whenever I see him. He is, arguably, a worse actor than that little boy from the Phatom Menace, and that’s saying something.

Normally, I’d just ignore shows like this, but I had a lot of  hopes for it, and I’ve been very disappointed. The show just aired the last episode of its third season, and every moment I watched it, I found some new fuckery to be pissed off about, including its final moments. On the other hand, I don’t need to be raising my blood pressure over a TV show. If it is the last season, next year, I’m going to have to give considerable thought to watching, or ignoring it, based on whatever else is airing at that time. We’ll see.

 

Legends of Tomorrow:


I’ve  come across people who inexplcaby hate this show. I don’t find that the show is weighty enough to spend that level of energy on. This is really the lightest of lightweight shows, that’s not trying to be anything more than what it claims to be, which is fun entertainment, with occasional positive messages. The substance of this show is as ephemeral, and calorie-free, as cotton candy, and  I love it just for that reason. It’s got pretty people, kicking ass, and cracking jokes. I can sit and enjoy the characters interacting with each other, the plot’s not deep enough to give me angst, and they just added another of my favorite characters to the crew, Vixen. She is awesome! I love how they show her superpowers, too.

Last week’s episode was some lightweight fluff about some of the crew getting trapped in Feudal Japan. The plot was silly and didn’t make one ounce of sense, but I enjoyed it anyway, because apparently,  I’ll watch damn near anything,  if it’s set in Feudal Japan.

This week was a little heavier with Jackson and Maya visiting the Civil War era. Jackson makes the point to the Professor that there’s no moment in American history where he would’ve fit in, when he suggests that Jackson stay on the ship, to avoid the trauma.  At one point Jackson and Maya have to stand and watch a slave woman be whipped, and are utterly helpless to stop it, or they would jeopardize all of history, and they have to sneak onto a plantation disguised as slaves, and Jackson gets beaten by a bully. I think  the show handled this as sensitively as it possibly could considering it’s on the CW. I suppose the writers could’ve chickened out and avoided this era entirely as they have all of history to choose from , but it’s okay. The show doesn’t usually get this heavy.  

Here’s another show with yet another male/male friendship that I adore. I love how the writers have built on the relationship between Martin and Jackson, the two characters who make up the superhero Firestorm. Martin genuinely cares about Jackson’s feelings, and Jackson seems to be learning some valuable life skills from the old gentleman. These two guys couldn’t be anymore different in lifestyle and outlook, and I like how the writers took an intitially antagonistic relationship, in that first season, (Jackson resented having to share a Firestorm with Martin), and transformed it into an actual, caring, friendship between the two.  I’ve been a Firestorm fan since I was a kid and I’m glad the show has decided to go with the black version of this character, as I remember reading those books. 

There were also Confederate zombies, so…make of that what you will. There are very few eras of history that cannot be made more interesting with the addition of Romero style zombies.

Plus, Vixen was on the show! She’s also going to be on the show this Thursday and…get this! probably the following Thursday, too! Whoop whoop!

The Exorcist:

Yeah, I just stopped watching this. I’m not too good with shows about possession, I guess. The shows either get too heavy, too religious, or I get bored with all the ponderous omens, and actors whispering in dark corners. I stopped watching Outcast on Cinemax for the same reason.  I think its because these types of shows are trying too hard to be scary, or trying too hard to be the second coming of The Omen from 1972. In this case this show is trying really hard to recreate that ominous feeling of the original movie, and as I’ve stated before, I’d rather just watch the original movie.

State of the Onion! Mini – Reviews

This has been a very busy week. I binged Luke Cage, and a bunch more television premieres aired this week. I couldn’t catch all of them but I did manage to catch the few that interested me, while keeping up with shows I already started. This weekend I watched:

Versailles: 

Image result for versailles tv show season 2

Everyone in this show, which chronicles Louis XIV’s move from the capitol of France in the 1600’s, has luxurious, long, well kept hair, which I find hard to believe. I’m not saying people back then didn’t have  luxurious hair, just  that it’s distracting, when everyone has the same hairstyle. I kept staring at it, wishing I could run my fingers through it. No one ever seems to get distressed enough to have hair that   is out of place. They also all have clear, gigantic, blue, or grey eyeballs, including the men. Eyes so big, they can probably see me watching this show. It’s  kinda creepy.

From time to time, I do get the strong urge to watch something that’s not about superheroes,  although Louis the XIV often gets treated like one, by his courtiers. There’s the usual courtly shenanigans , most of it centering around the specific relationships between the king and his wife, the king and his semi-openly gay, younger brother, and the king and his various mistresses, and followers. So far, this is just an introductory first and second episode and hasn’t gotten deeply into the wider political issues of that time period. I do prefer that type of plotline but one of the drawbacks is that the show comes across as   “Trailer Trash in 16th Century France” , with better clothing.

There are the usual kingly activities, like intrigue, hunting, torturing dungeon prisoners, and philandering, estate planning, childbirth, and medical arguments, along with lots of significant glancing. I watched these episodes twice, and I must be really worn out after binging Luke Cage, because I couldn’t make hide or hair of the plot of this show, other than the King has decided to move to the middle of no and where, as a means to control his courtiers, because he thinks they’re out to get him. The show seems to move from scene to scene in an arbitrary manner, and although I knew all the scenes were connected, I couldn’t seem to hold in my thoughts exactly what that connection was. Luckily there’s a metric ton of background videos about this show, so I watched those too, otherwise I wouldn’t even know this much. I’m sure the videos are available on YouTube but I’m not going to give you the link because I don’t want to aid and abet this type of television viewing. (I work in a library! Go check out some books!)

If you like intrigue and old French costumes, or The Tudors, (involving intrigue and old Italian costumes), this is a good tide-over until Vikings (which has intrigue and 10th century Scandinavian costumes) comes back on the air.

The Flash:

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This isn’t the first episode of The Flash I’ve ever seen but I’ve been told that its a really good show and I should try to watch it again. I stopped watching it because I didn’t think it was a show aimed at me, the mature (read more cynical) viewer. But I have watched a couple of episodes from last season and while still kinda corny, it is at heart, a very sweet show. Also, I told myself I was going to support more shows with WoC in them and I just want to stan for WestAllen.

So, I’m cautiously optimistic about liking it, after a tentative first date. I really started to get into the characters and started getting feelings for them. Last season Barry ended up in an alternate universe where Iris doesn’t know him, her kid brother, Wally, is The Flash, Cisco is the unsympathetic billionaire CEO of some kind of tech startup, Caitlin Snow is an Eye Doctor, and Iris’ dad is an alcoholic, who has an antagonistic relationship with his daughter, which is really sad because they had a great relationship in Barry’s old universe. On the other hand, the speedster that was about to kill his parents, Reverse Flash,  is locked up, and both Barry’s parents are still alive.

Unfortunately,  by altering the timeline he’s set in motion, the destruction of his current timeline is imminent. And since Barry wasn’t there, the universe put Wally in his place, and this somehow disrupted the West family, although Iris still seems pretty tight with Wally, neither of them ever mention their father.

It’s really fun  watching Barry navigate this new timeline. He meets Iris, and it’s really cute watching them flirt with each other, knowing their old relationship, and that no matter what the timeline, the two of them were meant to be together.

Wally spends most of the episode fighting someone called The Rival. You can tell he’s the villain because he’s wearing an evil black suit. When The Rival wounds Wally, Barry has to step in and defeat him instead, but the price for saving his parents lives’ might mean Wally’s death. Barry makes the tearful decision to let Reverse Flash kill his parents, and restore the original timeline.

Most of what I know about The Flash is from the comic books, and since I only read the team books, I pretty much only know anything about the speedsters of the DCU,  from reading The Justice League books. I liked the special effects and the show doesn’t seem as corny or juvenile as it did the first season, although yeah, it’s still a little corny. But it’s  fun corn, not cheesy corn, and unexpectedly emotional, since I genuinely like these characters. I think I’ll make a habit of watching this every week, even though there’s like 3 other shows on TV on that same night.

Ash vs. the Evil Dead: We’ll get to this show next week.

Westworld:

 Image result for westworld

I had a lot to say about this show, only some of which has to do with the actual plot, so I guess Westworld, and shows like it, will be getting it’s own post soon.

I actually enjoyed this show, and will be watching this every week, as it airs. It looks intriguing. It starts a little slow, as we ease into the idea that the robots are behaving oddly because of new programming their creators have uploaded to them. We spend a lot of the episode with a robot named Dorothy, and we start off with her handler attempting to assess whether or not she has become self aware. Fair warning:  there is an offscreen rape scene, along with threats of female violence. And yes, the show is violent. There’s lots of shooting and gore, as most of it is set in the artificially Wild West environment, created by an annoying British character, who is just an asshole. I hated him immediately and wondered when he’d be shot. The other characters appear to have been thinking something similar, as no one likes him.

Anthony Hopkins plays the quiet, somewhat meditative, creator of Westworld, in a real low key style. He created the first of the robots and is prone to hanging out and drinking whiskey with his original Wild Bill Hickok robot, in the firm’s basement, where all the retired, underused, robots are kept in cold storage. He seems intrigued by the idea that the robots are starting to access previous memories of the lives they were given. The show feels a little bit like Dark City, where you have people who may, or may not, be aware of who and what they are being manipulated by beings who think they’re greater than them. Only in this case the humans do it for entertainment.

Hopkins character has introduced a new program into the robots code called “reveries” and some of the robots react badly. Some of them have strokes, or freeze up, or go on unexpected shooting sprees, involving milk. Before that though, there were already some glitches in the system but not in Dorothy. In one scene her robot father finds an old photograph that a human left behind, and viewing it seems to corrupt his programming, somehow. Dorothy ,when she is asked by a little human boy, if she is “one of them”, just smiles as if she didn’t hear the question. And she probably didn’t. Dorothy dismisses anything that doesn’t line up with what she is programmed to think of her world.

One of the rules of Westworld is that guests, (humans) can never be hurt by hosts (robots), although the robots can and do harm each other, a lot. When you realize these violent scenarios are created by the annoying British dude, you hate him even more. He’s vaguely disgusting.  At first it wasn’t entirely clear to me who were the robots, and who were humans, but the show doesn’t draw that particular mystery out as, by the end of the episode, you know who is who.

Ed Harris plays the iconic role of the Man in Black, originally played by Yul Brynner. He is most indubitably a bad guy. I think he was uploaded with the new program as well, but when all the other robots are killed  in a massive shootout (so as to gather up their bodies, and recode them) he doesn’t get found. It’s disturbing watching him on the trail of something he doesn’t understand. He’s essentially seeking the “real world”, and looking for clues in the other robots. Since he has only interacted with, (and brutalized), other robots, the entire time we’ve seen him, I suspect that’s why he doesn’t get rounded up with all the others. It’s been hypothesized that he’s a guest, but I didn’t see it. I thought he was reprising Yul Brynner’s role, from the original film, and in that film, The Gunslinger is one of the robots. Apparently, I’m going to have to watch the episode again, if I’m going to figure this out.

This is another show where humans don’t come off looking so good. Not because of what they say but what they do. In a show like this, you’re going to witness robots that look, act, and react like people, being hurt or  brutalized. In one scene, inside Westworld,  a human couple laugh at the twitching body of a female robot, that one of them has just shot in the head. But how is this any different from us watching fake violence on Game of Thrones, or this show, just for entertainment? Did I find their behavior repugnant because the robots look and act like real people? Well so do people in movies, so I’m not sure exactly where my disdain for these particular humans comes from. Although maybe it’s because they committed the act themselves and found it funny. The robots can’t  escape being violated in the real world either, as one human woman takes the opportunity to kiss one of the female robots, when she gets left alone with her for even a minute.

This show asks the usual questions that get asked whenever anyone makes a movie about robot. I think its some kind of law. At the end of the episode, Dorothy does something that none of the robots are supposed to be able to do, which does not bode well for the humans on this show.

Aftermath: 

I still have not watched this. So maybe next week.

 

 

From Dusk Til Dawn – Overview

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This season is proving to be much better than last season . We’ve been re-introduced to Scott, who thinks he’s a total badass, with a sword he got from somewhere, last season. Seth and Richie go to recruit him from the Rock band he’s playing in.  Scott’s sister, Kate, continues to be possessed by this season’s villain, Amaru. In the last episode she attacked a town full of people with locusts, and put some kind of tentacled demon glop in their water supply, which turned them into cannibals. Seth got infected, and then everybody got cured.

During all this, Kate kidnapped Richie, and awakened his dark side.  Now Seth, and the team he put together to save Richie, are being hunted in the Asylum where Kate first woke up, by Richie, of all people. Most of this episode consisted of people running around , or being trapped in, various parts of the facility, while snarking at each other.This team doesn’t even like each other. Seth keeps ordering everyone around as if he were in charge, but the rest, who are all vampires, take exception to his orders and then follow them anyway, which is deeply funny.

At any rate, Richie gets saved from Kate/Amaru after Seth, lovingly, sets him on fire, because extreme pain is the only way to free Amaru’s slaves, and Richie is a vampire, so he gon’ be aiight. Frankie however gets enslaved by Amaru and stakes the vampire who confessed her love to him. I still find that kinda icky because she’s a vampire, and he hates them, and isn’t he still married? This is  like the second, or third, woman that Amaru has killed, or caused to be killed, since the season began, and I wonder why Amaru, who is, ostensibly, female, hates women.

Tom Savini, from the original film, makes his debut in the show this season, playing some guy named The Eternal Hunter. He’s there to help Jake Busey’s character, (he’s the Sex Machine remake that Savini originally portrayed in the movie), to take down the demons that escaped from Xibalba ,when Carlos blew up the Titty Twister Saloon, last season.  Busey and  Savini are a match made in Heaven. I didn’t even know I wanted this pairing, but I would watch an entire show, of the two of them, just bitching at each other.

The action is awesome, and there’s lots of it. If you like Supernatural, you could give this a try. Its sillier, a little cheesier, and the action is definitely crazier, but its a lot of fun and has got some nice brotherly action scenes. It would be hilarious if the Geckos and Winchesters were to team up. I would watch the hell out of that and I’m enjoying this season a lot more, now that the Gecko bros. are back together, acting like an old married couple.

American Horror Story:

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The action is flying fast and furious in the fourth chapter of season six, and has so far managed to remain on point. Last chapter, Cricket, who invaded Shelby and Matt’s life, made a deal with the real power behind Kathy Bates’ character, an old Celtic style witch, of some kind. She’s played by the nearly  unrecognizable Lady Gaga. So yeah, this parallels with the third season of AHS, called Coven, which introduced witches. It is now the season of the witch, people!

http://www.popsugar.com/entertainment/Lady-Gaga-Character-American-Horror-Story-Roanoke-42519689

In exchange for not harming the people in the house, the Cricket promised to give her Matt who, hypnotized by the witch, was found doing the nasty with her in the forest…by Shelby, who is, understandably, pissed off. Matt doesn’t remember any of it though. Mad  about what Matt did, Shelby pulls a dick move and calls the police. She has Lee arrested for Mason’s murder, and  kidnapping her own daughter.

Later Shelby is attacked by the Pigheaded Man, which I kinda cheered, because hey! dick move Shelby, but Dr. Cunninhgham, who had been living in the outdoor cellar, saves her from him.He gives them some more background information on the house, claiming he can help them.  The last family that resided there were all killed by The Butcher and their spirits also haunt the land. It seems as if once you die on the land, your spirit is trapped there forever, which is kind of defeating the purpose of the Butcher, who claims to want to clear the land of…well…people.

Anyway, Dr. Cunningham gets killed while trying to save Flora from a pack of ghosts she’s seen to be playing with. Its uncertain whether Flora is a ghost or real, though. Cunningham gets shot with arrows from, I suspect, The Butcher’s people, which is a pretty novel way to die in the modern age, I guess. They’re able to kill him because they have just entered some special cycle of the moon that allows them to become corporeal  for about six days.

Shelby and Matt run back to the house where they meet Cricket who tells them that he encountered Flora in the forest and met the original witch, who has the hots for Matt because she has “needs”, as Cricket put it. Matt has some backstory to tell too, even though he doesn’t remember sleeping with the witch, about what happened to the original Roanoke colony. Cricket also tells them their house sits on the actual site of Roanoke.

Tomasina the Butcher, and her followers invade the front yard, with Flora in tow. They’re about to kill the child before Cricket goes out to parlay for the child’s life, but gets captured instead. Priscilla, experiencing a pang of conscience, rescues her friend, and the two of them escape into the forest, but Shelby and Matt have to watch as Cricket is slowly disemboweled. And I was just starting to like him.

Bye, bye, Cricket.

I know one thing though, I’m not getting too attached to any of the characters this season. They only seem to last just long enough to impart disturbing information, and then be horribly killed. I’m still feeling kinda nauseated about the disemboweling and its been three days. The body count so far is pretty damn high for just four episodes and we still have two more to go. I’m not feeling too good about Matt and Shelby’s chances.

Here are some further fan theories about this season, which if  true, make this season kinda awesome, already:

http://www.vanityfair.com/hollywood/2016/10/american-horror-story-roanoke-episode-4-freakshow-mott-family-number-six

 

 

 

 

From Dusk Til Dawn Season 3 – Head Games; La Reina

The last season of From Dusk till Dawn was not my favorite, although it wasn’t bad. It was certainly one of the best vampire shows on TV at the time, and that includes American Horror Story. The story is generally cohesive, with most of the episodes remaining on point. When a plotline is introduced, it usually gets resolved, characters often have clear cut goals, and so does the season. (The characters have goals, but since all of their goals are in opposition to one another, characters can often get derailed by somebody else’s plans.)

 The biggest drawback is the acting. It just skirts the edge of camp in a lot of scenes, and in some scenes,  it’s just full on awful. So, there needs to be some consistency there. I’m still largely unimpressed by the actress who plays Satanica. She’s such a lite-weight compared to the bodacious Salma Hayek. It’s really hard to top Salma, so she partially gets a pass, but it’s distracting because I keep wondering what Salma would’ve done with the role. 


There are a few women in the cast, and the show has moved alway from some of the misogyny of the first season, although I still have trouble watching the women get treated as violently as the men. The one mitigating factor is the women are every bit as ruthless and violent as the men, after all, most of them are vampires. My second biggest drawback was Richie and Seth spent most of the last season separated and/or fighting with each other and I hated that. The good news is that in the last episode they were back fighting together, so maybe we can get some great brotherly action this season. The action scenes are cool but I still think there should be more of them. The talking scenes aren’t wasted though. This is one of those shows where you have to pay close attention to what people are saying because a lot of the plot is defined/sharpened in he conversations.

Seriously, though. This show does not get enough love and that’s if people even know what station it’s on, (El Rey).The good news is that it’s on Netflix, so some of y’all can catch up.

Kate’s clear goal last season was to save her brother Scott from his vampirism, which didn’t work out, as she got turned into a vampire, or something like it, when the special blood , from the Sante Sangre, seeped into her wounds.  The leader of the Culebras, Carlos, still had plans for Richie’s, and Scott’s, futures, but appeared to be defeated when Richie and Seth  dismembered his body, and sent him  to the four corners of the world. Everyone was on the trail of the Sante Sangre, the Blood Well. It’s like an oil well, only full of blood which acts like catnip for the Culebras (and turned Kate into one of them). Freddie, the ranger who was hunting the Geckos from the first season, is now a Peacekeeper, working with the Culebras to protect their territory,though he is still human. 

Like Supernatural the show’s focus is  on family. There are a lot of parallels between Richie and Seth, and Kate and her adopted brother, Scott,  who was also turned into a vampire at the end of season one, along with Richie. Kate gets in bed with some fairly awful people, (but Seth and Richie grow to like her, and stop underestimating her dedication to saving her brother.) Seth spends almost the entirety of season two separated from Richie, and indulging in hard drugs, because he’s disgusted at Richie being a vampire, and angry because he feels Richie chose Satanica over him. The two of them are set to forgive/reunite, when an old friend of their family refuses to do a job without both of them, then gives both of them a good talking to, and shames them into working together.

The season premiere introduces a new menace after Carlos’ defeat, and takes place about six months after the least season ended. The SkullKeeper, Calavera, is a demon from Xibablba (Hell) ,who takes the skulls of Culebras and makes them his meat puppets. His possession of said drones is suitably gorey, as he  just reaches into the person’s head and tears out the skull. When the Nine Lords of the Culebras become aware of his existence, they task Seth and Richie to find and destroy him. The SkullKeeper wants revenge on the Nine Lords for imprisoning him in the dungeons underneath The Titty Twister. Thanks to Carlos last act,  blowing up the bar, The SkullKeeper and all of the other demonic prisoners were released. A vampire named Brasa, with a burning hand is introduced, and he uses Calavera to destroy the Nine Lords, and succeeds.

By the end of the episode, Calavera is defeated by Seth and Richie and it’s awesome watching the two of them fighting  again, but  eight of the nine lords are dead, and there’s a new queen, Kate, gunning for Satanica. The true villain is established as Brasa, an enemy of all the Culebras. He helped free Calaveras, and  appears to be the worshiper of someone who looks like Kate, who is wearing bad eye makeup, and talking like a supervillain .

In the second episode, Demon Kate makes a play for Satanica, who has retired from the world of the Culebras, but is still being worshipped as a deity by them. DemonKate doesn’t like that. She follows Seth and Richie to Kate’s underground fight club, where the guys try to convince Satanica to come back and help her people. DemonKate and Brasa, have been roaming up and down the Culebras territory burning up all her worshippers. Satanica, who has found new love after breaking it  off with Richie, has to take down a Xibalban warrior that Kate sent to kill her. In return Kate kills her girlfriend. I knew that girl was deadmeat as soon as I found out Kate was in love with her. Even in the most diverse fantasy apparently the rule is  still “Kill your gays!” I should be mad about it but I’m too tired. I liked that character. She was gutsy.

It may sound like I dislike Satanica too, but I don’t really. I’m having difficulty getting past that actress but I like the character. She’s actually very well written and Hispanic creators don’t seem to have a problem writing female characters with agency. From the beginning of the series, Satanica made her thoughts known, and put in motion her plans to escape her enslavement by drafting Richie to her cause. From the beginning, it was always Satanica who was in charge of their relationship, creating the various game plans to win her freedom. As Richie became more certain of his powers, he had to fight to convince her  his plans were worth listening to. In the second season, a lot of the plot was driven by Satanica’s decisions, and she’s the one who made  the final decision to leave Richie, and retire from the field of play. 

This season is being driven by three women, whatever Kate has become, the last surviving Lord, who gives Richie and Seth their orders, and now Satanica. We are reminded of just how bad ass Satanica is, when she singlehandedly defeats the Xibalban warrior, after Kate incapacitates Richie. Seth and Richie then manage to convince her to come out of retirement.  These scenes are interspersed with scenes of Freddy, along with his female companion, hunting Brasa.  


 It gets complicated but I like the mythology of the show. I think I’ve mentioned before that a lot of the vampire mythology is based on Mexican vampires and gods, and some it is just wholly made up stuff. The understanding behind the mythology has evolved since the first season, slowly revealing various beliefs, lore, and artifacts, and what part the Gecko brothers have to play in all of it.

The show has also evolved beyond women as eye candy on the show. I like seeing so many bad ass Latinas onscreen, most of them are exceptionally good at kicking ass, or are just terrifying, or powerful, in their own right. They have agency, make decisions, and affect the plot, and it’s nice to see the occasional Afro-Latina, in the mix too.

I like the evolution of Seth and Richie’s relationship. If you’re looking for another brotherly relationship, but one that’s less claustrophobic than The Winchesters, then the Gecko brothers are it. They do low-key love each other, and although I  don’t like it when they fight, the two of them often have clear-cut reasons for punching each other. Richie is a vampire now, and Seth is still human. Richie occasionally mentions to Seth how he’s going to live forever, trying to convince Seth to become a vampire, but he has never tried to change his brother against his will. It’s subtly played but you can tell that Seth, the older brother, is often disgusted by what Richie has become, sometimes he’s eye-rollingly exasperated by it too. He makes it clear to Richie that he doesn’t want to be a vampire and manages to do that without belittling or demeaning his brother.  He doesn’t like that his brother is a Culebra , but he’s still there for Richie when he needs him. For example, there’s a scene where Richie goes back to his office, puts on a smoking jacket, and picks up a cigar. Seth rolls his eyes and gives his little brother a “what the hell are you doing? “look, but says nothing. He’s gotten used to Richie being weird over the years. 


 And yes, they fight every bit as well as the Winchesters, often sharing weapons, and synchronizing themselves during a fight. They always know where their brother is, and what he’s doing in a fight, something that comes from years of fighting side by side. Richie is smarter and more philosophical than Seth, who mostly leads with his emotions. But that’s okay, as Seth isn’t actually evil. He knows the difference between good and bad, and strives to do good, where Richie can sometimes be lead astray, into philosophically sound ideas, that require evil acts. Yes, Seth thinks Richie is evil, but he appears to be becoming a lot less judgmental about it. This is his little brother. He gets a pass. 

So this show has more pros than cons, and looks set to become an exceptional show, that everyone is ignoring, in favor of watching The Strain, which has not improved even half as much as this one in three seasons. It has a concrete mythology, plenty of action and gore, interesting family relationships, and character consistency. The plots are intricate and not dumb, arising as they do out of the various characters quests for power, love, freedom, or just money.

Stay tuned next week when I’ll try to find time to review another couple of episodes, and let you know  how it’s developing.

(ETA: Wow! Don’t those photos make you the least bit curious about what the hell those scenes were about?)

Coming Attractions

I’m very excited about this summer. There are a number of movies and TV shows I’m geeking out about and I’ll be talking about them here. All of the Fall shows will be on hiatus, but that’s okay, because I’ll soon have some new/old stuff to geek out about.

Coming Soon:

The Strain

The second season of The Strain is on the FX network.

I very much enjoyed the first season, even though it was a bit uneven. I thought some of the characters were pretty dumb but it was very suspenseful and the vampires were awesome. Like a lot of shows, however,  it fell into the trap of having a couple of token POC,  but over time they  became a little more fleshed out. I love vampires as much as you guys do, and we’ll be seeing more of them in the second season as the Vampocalypse gets into full swing.

From Dusk Til Dawn The Series

I’ve  spoken to several people, who have no idea, what the Hell I’m talking about, when I mention this show. Well, for those not in the know, this is a new series based on the Quentin Tarantino film of the same name. Yeah, it’s about vampires too and they are very intriguing.

It’s produced and directed by Robert Rodriguez, for the new El Rey network. Going into its second season, the acting is alright, the Hispanic actors look very, very fine, and it’s just different enough from the film to make things suspenseful. There’s  plenty of vampire action, with just enough Mexican Supernatural Mythos, to make them fascinating.

And the entire first season is available on Netflix. It’s totally binge worthy.

Penny Dreadful

I very much   enjoyed the first season of this. The only part of it that got boggy for me was the Dr. Frankenstein storyline, but the rest was very well done and the show looks gorgeous. It stars a full cast of the supernatural – psychics, Dorian Gray, a werewolf, an African shaman, and of course, vampires.

It stars Eva Green, Josh Hartnett, and Timothy Dalton on the Showtime network. I don’t have Showtime, but  I do have Amazon. I’ll buy the whole season and recap/review each episode, right here.

Daredevil

This new version of Daredevil will be airing it’s entire first season on Netflix.Yet another story about a guy who puts on an odd suit and decides to go out and punch evildoers, because the police are horrible at their jobs. It will be interesting to see if it has any ties to the Marvel Cinematic Universe. The trailer looks great, but really, all I hope is that its better than the movie and we get to see The Night Nurse. I’m  going to be binging this one and reviewing as I go along and as time allows.

Some forthcoming posts will discuss:

The different Blob movies,  including Rob Zombies new version, the upcoming Avengers film,  Mad Max’s Fury Road and Jurassic World. I’ll be having thoughts about the Captain America films, Black Women in Genre TV,  my niece’s favorite Anime, the world’s most beautiful films, the best movies about werewolves, and some Martial Arts favorites will be thrown in there,  too.

Future reviews of books will include: Nick Cutter’s Horror novel, The Deep, Clive Barker’s new Pinhead novel called The Scarlet Gospels, will be out this summer, Alan Smale’s Clash of Eagles, which I’m totally loving right now,  The Devil’s Detective by Simon Unsworth, and Richard Kadrey’s newest Sandman Slim novel will be released this summer, as well.

So stay tuned people!