Star Trek Discovery Season Two – Midseason Update

This season has become a very interesting blend of the personal moments interlocking with the overarching plot, for a lot of the characters. We are re-introduced to Phillipa Gheorghiu , Doctor Culber, and Ash Tyler, as well.

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In the first season we dealt with Michael’s personal traumas and how those traumas impacted the decisions she made throughout the season. Her life isn’t perfect, now. There still needs to be resolution on some of the issues of her childhood, and choices she made last season, so the writers are getting started on working on some of her childhood issues with Spock and her parents, and how these relationships intersect with the Red Angels in the series main plot.

We’re also dealing with the traumas and issues related to other characters and the show has experienced its first real death in the form of Airiam, the cyborg-like being who was a member of the ship’s bridge crew. We get a little bit of backstory on her, who she was, what happened to her.

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The show has gotten a lot better at integrating all these plots into the greater plot of the show because last season some of the themes felt a little separated, to the point where some people were very confused about what the show was about, saying that it felt disjointed. Well, they’ve gotten better at it, because it’s impossible to talk about the other characters, and other themes, without relating them to events which happen in the main plot involving the Red Angels.

 

The Discovery is still on the trail of the Red Angels who keep sending them to different places in the galaxy, usually to resolve some issue that needs Starfleet’s immediate attention. Spock has had visions of the Angels since he was a small child. When we first met Spock he was a cute little six or seven year old, and his first meeting with Michael was not promising, as he closed his bedroom door in the face of the new sister his parents introduced him to. Later, through flashbacks, we find that he and Michael closely bonded, but after several murder attempts from Vulcan radicals Michael decided to run away from home to protect her family, and she emotionally hurt Spock to get him to leave her alone, an event which altered Spock’s perception of her and his own humanity.

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In the first season we dealt with Michael’s  emotional fall out of the Klingons having killed her immediate family, but this season we are dealing with the fallout of Michael having been attacked several times by Vulcan radicals, who were trying to rid Vulcan of humans, and destroy the diplomatic bonds between the two planets. This was mentioned somewhat in the first season in Sarek, and Michael’s flashbacks to her childhood while we dealt with the emotional repercussions of Sarek’s life choices regarding her and Spock, and the reparation of their estranged relationship. it turns out though that Michael’s actions are completely meaningless, as Spock explains to her that she is not the focus of the Vulcan terrorist’s  anger. Its Spock, because he’s half human, and they are opposed to miscegenation.

This season we are watching Michael try to fix the relationship between her and Spock, and hopefully the two will be reconciled. Meanwhile, Spock is of major importance to Starfleet,  (and a clandestine organization in Starfleet called Section 31), as he is the only being who has any knowledge of the Red Angels. Spock is on the run, after escaping from an asylum, after being accused of killing several doctors. When Michael finds him, he is mentally incapacitated by his visions, and it is up to her to decipher them, (and with the help of the Talosians) figure out how they are connected to current events. The Talosians are a race of strong telepaths, who are directly tied to Pike’s past and future, and are referenced in the original Star Trek episode, The Cage. I am really loving how the writers have fleshed out his character, because he has almost none in the original series. I really like him now, so when I went back and watched The Cage, it hit me especially hard.

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I have a theory about the Red Angel that may have some impact on Spock’s relationship with Michael, and why they appeared to Spock, and only Spock, in the first place. It turns out that the Red Angels (at least one of them) is a woman, wearing a special suit from the future. A couple of episodes ago, the Discovery encounters a  dying creature that the Red Angels led them to, whose explosive death creates some time repercussions for the crew, and Captain Pike, with many other  characters receiving visions and information of the past and future, including Airiam, a cybernetic being who regularly uploads her memories to the ship’s core computer.

I think the Red Angel that Spock has known for most of his life, and nearly drove him insane, is probably some future version of Michael. The Red Angels always appear at the moment of some future catastrophe that the Discovery is supposed to prevent, which sounds exactly like the kind of thing Michael would do – trying to help the galaxy by heading off catastrophes, before they can happen, or save people during and after them. (At this point in the show, I have been proven both right and wrong about who the Red Angel is.)

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As of this review, Michael and Spock have had some severely uneasy conversations regarding Michael’s selfish tendencies to shoulder responsibility for things that are not her fault, like her parents deaths, the terrorist attacks against her as a child, and the danger to Sarek’s family because of that,  or fix problems that are not hers to fix, like Spock’s emotional issues. Needless to say, Michael does not like hearing these things about herself, but I agree with Spock.

From the beginning of the show, we’ve watched Michael try to solve everyone else’s problems, and fix everyone, in favor of ignoring her own needs. This is most telling in an earlier episode where Tilly is going through some extreme emotional event, but so is Michael as she has just had a fight with her mother, and rather than focus on her own problem, Michael tries to fix Tilly’s problem. his is a constant that can get a little frustrating at times, becomes it skirts too closely to the Mammy trope, (where a Black female character focuses her attention on solving the problems of the White characters around her rather than focusing on her own issues.) I understand why they are showing Michael like this. They are presenting Michael’s focus on saving other people as a character flaw that Michael needs to work on, but that doesn’t make it any easier to watch.

Spock confronts Michael, saying she is a martyr, who is always trying to save everyone, like Spock, Sarek, and her parents, even though she is not responsible for the situations they  find themselves in. Michael has to acknowledge this when she is given the decision to kill Airiam, to stop her from uploading information that will bring sentience to an AI that wants to destroy the galaxy. Michael desperately resists killing her friend, and is saved from having to do so, by the security officer who opens an airlock to destroy her. But we can see in that scene of Michael desperately trying to save Airiam’s life, everything that Spock said about her, because not only was she disobeying a direct order from both Pike and Airiam, she was endangering her own life, and the lives of the entire ship’s crew.

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There is also the subplot of Dr. Culber being alive again, and Ash Tyler, now a member of Section 31, being back on the ship. If you remember from season one, Ash discovered he was a Klingon (Voq) who had been genetically altered to look human, with Ash Tyler’s human personality as an overlay. The human Ash is dead, and this is who is left behind, the Voq personality having been expunged from the body. When he was Voq he killed Dr. Culber. Through the assistance of his  lover, Stamets, and Tilly, and the spores (which is an entirely different subplot connected to Culber) he is alive and again and reconciling his after life experience with who he is and what happened to him. This is a situation that is not helped by having his killer on board. Culber does try to work out his grievance by kicking Ash’s ass, but that doesn’t work, and he is still very …discombobulated, I guess. As of the last episode, thanks to some counseling from several friends, (and Gheorgiu), he is beginning to grasp some idea of who he is,  and what he meant to Stamets, but the two of them are still not yet reconciled.

As of the writing of this review, Discovery has been issued a renewal and we will be getting a Season three! I expect there to be a bigger ratings bump after the debut of Jordan Peele’s new version of The Twilight Zone, especially after the success of his new movie, Us.

This review is a little bit late because I’ve had some life interfering in my leisure time, but hey! better late than never, huh? I will be back at the end of the season to give an overview of what happened and my thoughts about it.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Star Trek Discovery Review

 

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Before we get started on the second half of the new season, let’s talk about what I liked and disliked about this new show, and do some quick character reviews. I know some of you had some doubts about this show and you can decide for yourself whether or not it’s worth your time, based on my observations. I’m gonna try to be as fair as I can considering I’m biased.

Let me lay out my credentials: I’m an OG Star Trek fan, since about ten or so. I’ve been around since the replays of the Original series back in the 80s, and have watched every episode, multiple times, over the last 35 years. I’ve seen every movie multiple times, can quote dialogue, know most characters backstories, from having read almost all the books , and vowed I would marry Mr. Spock when I was twelve years old. I was a Trek fan before I was a fan of Star Wars,and that’s where the bulk of my nerd-love went.

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I have to admit, I’m kinda addicted to this show, which surprised me, after my initial reserve of those first two episodes. I got into it about six episodes in,when CBS All Access offered a special subscription. As I’ve said, there’s nothing else on the network worth looking at, but I’ve heard there are some promising shows for the future, and I think this is one of them. It’s tackled a couple of sensitive issues with Star Trek’s usual care, and lack of hysteria, and it has some intriguing characters.

The major plot consists of Captain Lorca’s efforts to create a weapon that will help Starfleet win in the war against the Klingons. To that end, he has Michael’s transport shuttle waylaid, so he can use her big brain to help him to do this. Over time, we learn that he has Carte Blanche to do whatever he pleases, as long as it accomplishes his goal. When they find another ship whose crew wiped out by a hostile alien, called a tardigrade, they capture the alien, and use it, (and it’s parasitic relationship with some sentient mushroom spores) to create a new form of trans warp drive, that allows their ship to movie itself anywhere instantly.

When Michael and Stamets find out that their use of the creature is killing it, Michael, in her compassion, sets it free, and prepares to use her own body in place of the alien, to communicate with the spores, but Stamets sacrifices himself instead, and by the end of the season, they have accomplished their goal of creating a new weapon in the war, to spectacular fashion, in an episode rivaling the TNG two parter, The Best of Both Worlds. But Stamets is so changed in personality by what he has done, as to be unrecognizable from when we first met him,and there will be repercussions from that, as biological experimental weapons are outlawed in Starfleet.

 

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In the meantime, most of Michael’s actions, on the ship,revolve around her navigating  new, and old,  relationships, and occasionally saving the ship. She is usually the one person who thinks differently enough from any of the other characters (due to her dual heritage) that she is able to come up with solutions to their problems.

 

Up first:

I like the relationships and characters most of all. ST has never shied away from relationship stories. In fact, I’d argue those were some of the best episodes of any of the series. But Star Trek has always been very plot driven, too, and Discovery does not skimp on that end. I find everything except the  Klingons to be compelling. The special effects are good, and the writing is well done, often involving a primary plot, a B plot, and a couple of smaller subplots, all of them elegantly intertwined, such that what you think is a B or subplot could have an effect on the main one, at any moment, or come into play later in the season.

A word of warning:

 

This is a very dark show. If you liked DS9, then you’ll probably like this one. I was not a huge DS9 fan until after the series ended. But I like how dark this show is. The characters aren’t as blandly pleasant as they were in TNG, which I also liked a lot, or as polarizing as in the Original series. The show has dealt with war, ptsd, rape trauma, spiritual possession, revenge, and treason, and that’s just in the first half of the season.

If you’re used to thinking of Star Trek as light and fluffy, then just remember the Original series had some occasionally very dark episodes too, that addressed serious social issues, like Toxic Masculinity, in Charlie X, and The Enemy Within. It dealt with sexism in Turnabout Intruder, and frequently dealt with issues of population control, slavery, conflicted identity, and the nature of violence. One of my all time favorite episodes of Voyager was the introduction of a member of the immortal Q Continuum who wanted to commit suicide, but was prevented from doing so by the others, in Death Wish. I think that’s probably the only episode, of any of the series, to ever bring me to tears.

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If you’re looking for fun and fluffy, this has very little of it to go around. There are occasionally beautiful moments, (you can see this show costs money), and some lighthearted banter, but that’s not the focus of the show.

Now let’s talk about the six primary characters:

Michael Burnham:

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Its hard to get a grasp on this character. She really is the main focus of the show. She has most of the onscreen time,and many of the episodes revolve around how she thinks and feels, but she is not an especially demonstrative character, due to her Vulcan upbringing, and it’s takes time, and lots of viewing, to get some idea of what she’s thinking and feeling. She is brave, idealistic, and earnest. And at least is not as stiffly formal as when we first met her. She is learning to act more human, I’m going to argue that she either suppressed or ignored her emotions as being irrelevant, because that’s how so many Vulcans operate.

We need to keep in mind that the third episode and the subsequent episodes take place immediately after her court martial, so I’m guessing all within the space of a year, or a few months. Her entrance to Lorca’s ship gets off to a rocky start, as she is rebuffed by Tilley, and tested by Stamets, and rebuked by Saru, who is terrified of her. But over time, these individuals start to understand her worth, as she regularly saves their lives, and they warm to her.

Everyone questions her purpose on the ship, but Lorca knows why he wants her. She’s smart as fuck, and has no qualms about kicking Klingon ass. And I think he just admires her, for her. She has been a great asset to his ship, but no matter how useful she is to him, she has to always keep in mind that she is under a life imprisonment sentence with Starfleet, and is, basically, a convict, whose sentence has been briefly commuted. When Lorca’s mission is over she believes she will go back to prison, so that’s the sword that is hanging over her head throughout all her missions,and informs some of her decision making.

 

Tilly:

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Tilly is Michael’s roommate, and I immediately disliked Tilly, at first, because of the way she treated Michael when they first met. But, I’ve grown to really, really like her. Sometimes more than Michael, but Michael is a very heavy character, who is hard to cozy up to, because she’s so closed with her emotions. Tilly’s emotions are wide open, which makes her more easily accessible, and one of the most likable people on the show. If Michael is the intellect, then Tilly is the heart of the show, and in their friendship, we can see a reflection of the relationships of the Original series, (Kirk, Spock ,and McCoy, who often acted as Kirks intellect and conscience). The only word that can truly describe Tilly, is ” bubbly”.

She is often the comedy relief, for whom Michael plays the straight man, and has sort of appointed herself to be Michael’s emotional liaison, helping her navigate a human social system, without any rank to smooth the way, and I would argue that they are great friends, or getting there. Michael has none, so has to work out each individual relationship, as she encounters them. Tilley has also appointed Michael to be her mentor, and I can’t tell you how heartening it is to watch Michael develop the same relationship with Tilley that she had with Gheorgiu, and fulfilling Gheorgius wishes for her.

Another thing I have to applaud the show for is Tilly’s relationship with Michael is  treated as a priority for both of them, and the writers show that by not creating a trite love triangle between Tilly, Ash, and Michael. It is Tilly who shows initial interest in Ash, but when she can see that Ash and Michael have a connection, she steps aside, and encourages Michael to pursue a relationship with him. In the hands of lesser writers, Tilly and Michael would have competed for Ash’s attention, and I appreciate that these writers were more mature.

Bryan Fuller is known for having positive female relationships in his shows and I am here for it, and I love seeing it.

 

Ash Tyler:

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Ash is played by the exceptionally handsome Shazad Latif, he of the big round eyes! When Captain Lorca gets kidnapped by the Klingons, he gets trapped in a cell with Ash, who had been a prisoner for some time, and was only alive because L’Rel, a female Klingon, took a romantic fancy to him. He later talks about his time with her, to Michael, and we come to understand that he was in fact raped repeatedly by L’Rel, as he slept with her to keep from being tortured and killed, like all the other prisoners who were captured before him. When L’Rel surrenders to Lorca, she gets sent to brig and we see Ash have his first panic attack, as he suffers from ptsd. The writers handle the issues of rape, and post traumatic stress, delicately, and with respect.

After a successful mission with Michael, that saves the ship, Ash gets appointed to Head of Security, as he and Michael form a strong emotional bond. It’s not exactly a romance yet, but there is an implied intimacy of feeling between the two, and they do discuss having a future romantic relationship. Later, during a time travel episode, they share their first kiss. Star Trek has portrayed many different types of romances, but this is one of the few interracial relationships, on any of its shows, that do not involve a White partner, (most interracial relationships on TV involve a White partner), or an alien, and I think it’s handled very well, with care and sensitivity for both their issues, although I suspect it will turn out to be tragic, as the future doesn’t look good for an ex-con, whose only free on sufferance, and a Head of Security in Starfleet.

 

Lt. Saru:

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Saru is played by the inimitable Doug Jones, from Hellboy, and The Shape of Water. If you’re interested in some interesting tidbits and updates on his career (along with some great philosophical analysis of mythology in pop culture) then check out, and follow, his brothers website:

For smart, philisophocal reading on superheroes, follow my oldest brother Bobby and scroll down his WordPress entries!

Saru is another character that is hard to warm up to, but only because he’s so bluntly, and directly suspicious of Michael. I have to keep in mind that Saru is traumatized by the loss of his captain,which really wasn’t that long ago, and blames Michael, and in many ways, himself. Saru is an alien from a member of what he calls, “a prey species”, and so has developed a keen ability to detect danger. He often talks about being risk avoidant, but I’ve seen this character be brave and fearless in a couple of episodes, so I’m taking what he says about himself with a grain of salt.

Over time he does begin to warm up to and trust mIchael, but he never loses his initial suspicion of her. He’s still very wary, but the two of them reached a moment of ,if not friendship, then at least detente,when Michael is delivered Gheorgius last will and testament in the form of a giant telescope, that was her family heirloom. Gheorgius last words to Michael is the first really tearjerker moment in the series, which is only equaled by the scene in which Michael offers the telescope to Saru. In fact we learn about what Saru thinks and feels in that episode,so we reach a fuller understanding of him, even if he is difficult to warm to. He’s not a bad character. He’s not even especially dark. He’s just afraid, but I’m very protective when it comes to Michael’s character, and tend to give the side eye to anyone on the show, who doesn’t like her.

Saru is too traumatized to ever trust Michael. He is always going to be afraid of her, and what she might do, but he makes it clear that he has the utmost respect for her, and I’ll accept that.

 

Lt. Stamets:

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I think all of these characters start out as inherently unlikable, but over time you grow to like them,and none more so than Stamets. He is also a lot like Lorca, in that he is focused and needs to work on his social skills, as he is very blunt and direct, and I initially hated him. When he first meets Michael, he tests her scientific knowledge, but once she has proven she is capable, he simply doesn’t care about her past. She is a member of his crew and the only person he considers smarter than her, is himself. As a character, he is every bit as idealistic and brave as any of the other characters from previous series, and becomes much more likable after he forms an intimate relationship with some sentient mushroom spores. (Don’t ask!) Although, without the influence of the mushrooms, Stamets is the kind of person you’re either terrified of, or just want to slap the living shit out of.

Stamets is married to the ships doctor, Hugh Culber. I liked how their relationship was portrayed in the show, as just like any other. The audience is gradually introduced to them as a romantic couple, living together as partners, over time. Culber doesn’t have a huge role in the show as of this time, but we’ll see more of him as the series progresses. There’s also another one of the first (and few) gay kisses on a Star Trek show, (DS9 had a couple of them), and it is given the full romantic treatment, with swelling music, and swooping camera angles, that it should be given, as Stamets prepares to risk his life to save the ship. Earlier in the season Michael got her own romantic moment with Ash.

Culber is focused and dedicated in his work, and is an absolute cinnamon roll compared to Stamets. Nevertheless, you can see in their interactions with each other, why Culber loves him,and Culber is one of the few people who can call Stamets on his bullshit, and get away with it.

Anthony Rapp, and Wilson Cruz, are both openly gay actors who play openly gay characters, which is how it should be.

 

Captain Lorca:

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Let’s get this out of the way. You will not like Lorca. He isn’t meant to be liked, and he isn’t likable. If you’re expecting someone like Picard or Kirk, then you need to go home, cuz he ain’t the one. Picard, Kirk, and the others were captains of exploratory, diplomatic ships. They were chosen specifically for their positions because of their charm, idealism, diplomacy, candor, and all those other fine qualities. Lorca is the captain of a ship of war. He is mysterious, shifty, shady, unreliable, ruthless, conniving, and morally gray, but he is not evil. At least not actively so. He was appointed to his position for the specific purpose of puttin’ a whoopin’ on some Klingon asses, and that’s his top priority. His job, and his ship are focused on creating new weapons for Starfleet. He is focused and blunt (I can identify with that to a degree), and will sacrifice anyone or anything to meet his ends.

He likes to collect things, and his dimly lit office, (he has some kind of eye disorder that makes him allergic to bright lights) is full of all manner of alien curios, including a live tribble, and some Gorn armor. He’s intriguing and I ljust know he’s getting shipped with somebody on this show even though he isn’t close to any of his crew. He’s generally respectful but he’s not a warm man. The only time we ever see him be warm is with his lover, and oldest friend, Admiral Cornwell.

He is the kind of man that makes no effort to be the bigger person. He saves Ash from the Klingons but when he finds out that Harry Mudd is a spy for them, he leaves him behind to be tortured by them, which is something that comes back to bite him in the ass later, When his lover, Admiral Cornwell , gets captured by the Klingons, he makes no effort to rescue, her because she called into question his ability to command,and planned to report him to Starfleet. And although there are no details, the loss of his light vision is directly attributable to some dust-up he had with Klingons.

It’s interesting that no mention of him is made in any of the other series, which take place long after his death. So I do wonder what happened to him and the technology he created in this show. I very much suspect that he and his ship are destroyed, or are lost somehow. Although we need to keep in mind which universe this show takes place in. Is it the 2009 Star Trek Verse, or the Original series/movie Verse?

 

Favorite episodes:

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Episode 6: Lethe – This one is about Michael’s relationship with Sarek, her decision to join Starfleet, and a mystery she needs to resolve between the two of them to save Sareks life. Some great character work from Sonequa, and Frain.

Episode 7: Magic To Make the Sanest Man Go Mad – This was my all time favorite episode, which surprised me because I’m familiar with the old Harry Mudd episodes from the Original series,and those were not my favorites. So when I heard that the new series would re-introduce this character, I automatically dismissed him. But this episode proved extremely likable.  And Rainn Wilson makes a very compelling Harry Mudd.The events of this episode are directly brought about by Lorca’s previous actions in an earlier episode.

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*There’s a scene where the crew is having a party and the music you hear playing in the background is definitely Al Green’s “Love and Happiness”, and Wycliffe Jean’s “We Tryin’ to Stay Alive” and  Tilley refers to this as Classical music. (All you gotta do is put some of my favorite music in your show to make me a fan for life, apparently. ) Michael dances with Stamets, and Ash and Michael share their first kiss. This episode sets up Michael as being qualifying romantic potential.

Episode 8: Si Vis Pacem, Para Bellum – I actually think this is one of the weakest episodes of this season, because the plot is rather typical, what sets it apart is Doug Jones awesome performance, as an exceptionally dangerous being, possessed by another alien species. This episode belongs entirely to Lt. Saru.

Episode 9: Into The Forest I Go – The last episode before the hiatus is just some great plotting,as far as I’m concerned. Outside of the Harry Mudd episode is the second best of the season, and a great setup for the major changes to come in the second half.

 

The show picks up the second half of its season on January 9th. And while I’m looking forward to new episodes, I’m kinda pissed that I have to wait a week between them as CBS has string the episodes out to keep people subscribing to their channel. They seem pretty aware that the only reason any of us signed up for it is to watch this show,and that as soon as it’s over, we’ll drop this channel. Hopefully, they’ll release some new shows before we all feel an urge to cancel it.