This Week On Geeking Out

These are the shows I watched this week. Only three of these shows are actual premieres: Channel Zero, Legends of Tomorrow, and Wolf Creek. Aftermath has been on the air for two weeks and the Exorcist has been on the air for about three. Supernatural also aired this week but will get a separate review, along with American Horror Story. I haven’t even tried to review Luke Cage, preferring to let more eloquent writers approach this topic, but I’ll have something o say about it, very spoilerific, by the end of the month, when I think most people have seen it, and somewhere during this time I promised reviews of some of my favorite horror movies.

American Horror Story:

We begin this episode, Chapter Five, with backstory on the Shaker House, that Matt and Shelby bought in episode one. It turns out the original owner has a connection to the fifth season of AHS:Freakshow, with the story of how Phillipe Mott, ancestor to the Motts mentioned in that season, bought the house in 1792. He was a closeted gay man  and a recluse, who eventually got killed by Thomasina and her minions, after he locked his servants in the cellar, when  some of his  prize paintings were vandalized.He screams a lot, even when he’s not actually in  physical pain, and you can see just a touch of the madness of the Mott family that touched them down through the centuries, culminating in Dandy Mott in 1952.

In the present day, we spend most of the episode running around the forest with Matt and Shelby, as they try to escape The Butcher, save Flora, and get repeatedly kidnapped by the Polks, who are Thomasinas aides and abetters. They made a deal with her to protect their family, and provide the sacrifices Thomasina says she needs, to consecrate the land. They escape from the Polks several times that night as the Polks attempt to deliver the two to Thomasina. At one point, since this is during the blood moon, Phillipe Mott comes to their aid. During all of this, Lee is in jail, answering questions about her husband’s death.  I’m still pissed off at Shelby for calling the police on her. That was a total dick move, Shelby! Anyway, Lee is released, and after getting one of Matt’s texts saying Flora is safe, she shows up just in time to give them a ride to freedom.

Thomasina is killed by one of her own people, who turns on her after having tired of all her killing. So it does seem as if this particular chapter of the story is over. Matt and Shelby’s story is wrapped up, Thomasina has been killed again, and Frances Conroy (Yayy!) put in her appearance as Mama Polk. The Polks also turn out to be inbred cannibals, straight out of The Texas Chainsaw Massacre, as we find Elias still alive, but missing a limb. When one of the Polks gets sick, they blame him for having rancid flesh and kill him in front of Matt and Shelby.

The episode was especially gory, as we see Elias get his head bashed in, Mott get stabbed through the chest with a wooden pole, and Shelby’s leg is broken by Mama Polk, in a scene straight out of the movie Misery. There are a lot of movie references this season, with a little bit of J-Horror thrown in this episode, when Flora gets snatched by  one of the black haired ghosts of Ju-on, in a pointless scene thrown in just to have action. Thomasina and her followers are a reference to the movie The Wicker Man, where out of town strangers get burned alive by a modern day cult of Celtic worshippers., to consecrate the land. The Amityville Horror, Insidious, and The Hills Have Eyes get a shoutout, as well.

Next week, for episode six of season six, we go behind the scenes of the reality show, as finally, my precious cinnamon bun  Cheyenne Jackson😘, puts in his first appearance this season.  Hopefully, we will see the film crew visit the house in the present, and see what fresh Hell occurs then.

Supergirl:


So yeah, I went  and watched the season premiere of Supergirl, and while I can’t say I’ll ever be a fan, or regularly watch this, I can see it’s appeal to a certain segment of the population, namely very young, white women. Like The Flash, it’s not a bad show, it’s just not to my tastes. It’s a little corny/cheesy in the dialogue area, Flockhart’s character is still an asshole, but gives some of the most excellent career advice I’ve ever heard, and Hoechlin looks really weird (he has a funny face) as Superman, but he’s not bad. I think his pants are waay too tight as Clark Kent,  but okay. Speaking of clothes, I don’t like how Kara and Clark just rip open their shirts when they’re getting into character. I mean, that’s losing a lot of buttons, and as far as I can tell, Kara can’t sew.

Kara is still too young and twitchy for me. Like Flockhart’s character, Cat Grant, I  just want to shake her really hard, sometimes. She’s not a bad character, but she’s wishy-washy when she’s not being Supergirl, and I find women like that highly annoying. I understand why they’re like that, I just don’t like it. On the other hand, I like her relationship with Jimmy, who is really cute, and patient with her, and her relationship with her sister is really cute. I’m glad they’re shown getting along instead of some manufactured drama.  I just wish Kara acted a little more sure of herself, and it wouldn’t make my brain twitch. Nevertheless, she made a couple of command decisions in this episode, as Kara. I didn’t necessarily agree with all of the decisions, but at least she made ’em.

I’ve never been a Supergirl fan, I’ve never even read the books, but I am a huge J’onn Jones fan, though. I got most of his backstory from reading the Justice League books. I can’t articulate why, but I just love this character. Maybe it’s nostalgia for the comic book version. I like the actor who plays him, and I’m sure I’ve seen him somewhere before, but it escapes me, now. Kara’s sister started out pretty boring but became a lot less so when I saw her kicking  ass later in the show. What can I say, I love a good fight sequence. The best ones are like watching good dancing.

In this episode, Kara gets a visit from her cousin, Superman, and their relationship is really cute. Kara seems to get along with everybody. Last year she got a visit from The Flash and they seemed to hit it off pretty well. She’s like “the everysister”. Yet another dropship from Krypton falls out of the sky, delivering who knows what, or who. Superman and JJ don’t get along because JJ is a pragmatic paranoiac, who keeps Kryptonite at his facility, and Supe doesn’t want anything to do with that. Lex Luther has a sister, Alex, and someone has been trying to kill her. Well, really it was just murder attempts all night, really. Everything gets resolved though. Kara breaks up with Jimmy, decides she wants to be a reporter like Clark, and Metallo gets created. I was never impressed by Metallo, in the comic books either, but he looks kinda cool in the show.

I still don’t see me ever being a fan, or regular viewer of this show. It just wasn’t galvanizing for me, but it’s not a bad show, as it has improved a lot since that first episode.  Supergirl, and The Flash, are really kind of middle-of-the-road type characters for me. Watching these shows is like watching Superman’s best budds, when what I really want is to just watch a show about Superman. It’s just not powerful or exciting enough for my tastes.

Although, I might need to watch it again next week, just to be sure.

Channel Zero:


I hate to be a wet blanket but this show needs to step up the scares and mystery if it hopes to keep my attention. It has the feel of the first season of American Horror Story, except with more lackluster acting. I didn’t know what to expect going in. I thought maybe it was an anthology show. It’s not. It’s about yet another guy who goes back  to his old hometown where something tragic occurred to him when he was a child, and finds that maybe it’s starting all over again. It’s one of those slow burn mysteries, where you have not one damn clue what’s happening, except that it involves an old tv show that’s back on the air and is influencing the town’s children, and this show ain’t trying to hard explaining shit. Nor are the questions that arise, compelling enough to keep me watching this every week.

One sure way to get me to not like your show is to torture a child. At one point one kid bullies another kid, breaking his finger, while a bunch of other kids stand around and watch. As someone who always intervened when I saw other kids being bullied, I was enraged by this. (Not just the bullying but the standing around watching it.) Apparently, such scenes are one of my few triggers. Having been on the receiving end of a few of these sessions, as a young girl, I have no shame in confessing that I hate bullies with the passion of a thousand fiery suns, and cannot tolerate watching kids harm each other in movies and tv shows. (One of the reasons I refuse to watch movies like Hunger Games, or Battle Royale.)

I also had the impression, from the  trailers, that it was supposed to be scary, but I wasn’t scared. I was however, very irritated. This was not helped by the acting. There are a lot of awkward pauses, and greetings, and  significant glances with no explanation forthcoming, other than maybe nobody likes Mike.  Mike, the guy who goes back home, is quiet and creepy and not one person has a natural sounding conversation with another person. Everything sounds portentous, and ominous for no particular reason that I could discern. Maybe some of you guys will have better luck and then come back and explain to me what the hell I just watched.

I’ll wait!

Aftermath:

I still haven’t watched this show, but I plan on it. It looks like it might be fun, like The Walking Dead, with added demons. I probably won’t get to it until something goes on hiatus in November. Until then, it’s just sitting on my DVR. For my Non-American readers,  Fall premiere season happens in the space of two months (October and September) and there were a lot of genre shows (a good thirty plus) released this season, at least 5 or 6 of them on Tuesday night, alone. Aftermath airs on the same night as Brooklyn 99, From Dusk Til Dawn, Channel Zero, and Agents of Shield, so my dance card is pretty full, and Aftermath, no matter how interesting it looks, is going to have wait it’s turn.

Legends of Tomorrow:


Okay, I watched this but I don’t have much memory about it. Not that it was bad, just kind of lightweight , I guess. So, now the team isn’t superheroes anymore, but time lords, or travelers, or something, trying to right the various wrongs throughout history, being committed by Damien Darhk, like giving nuclear weapons to the Nazis so they can blow up NY city. That’s all  I managed to get out of this episode beyond Jackson feeling salty for being left on the ship all the time,  Rip Hunter being his usual dickish self in having contingency plans he keeps refusing to tell his crew about, and somewhere in there, Albert Einstein was involved.

I kinda like this show because its mindless good fun. I can knit while watching it as its not something I’m going to get particularly angsty about all week. I like the characters, who are dealing with problems just deep enough to keep them interesting, and of course, I love Firestorm whenever he gets to come out and play.And hey! next week…Vixen! and the Justice Society, who all look pretty awesome, even if I have no idea who they are.

Rip Hunter is still a jerk, though.

Wolf Creek:


As a general rule, I don’t watch serial killer movies, except when I do. Wolf Creek, the TV show, is based on a 2005 movie, which is based on a true story of a family that got lost in the  Australian Outback, and claimed they encountered a serial killer, sort of like in the Texas Chainsaw Massacre, another movie I find annoying. (Whew! Thank you run-on sentence gods!) Anyway in the pilot episode, a family gets lost in the Outback and gets attacked by a serial killer. What a surprise! Anyway, I was dubious about watching this because torture-porn is boring, and its difficult to turn lack of character development and torture and killing into a good mini-series. I’ll get back to you guys in this one when I get around to viewing it.

Westworld:


If Westworld is going to cause more questions then answers every time it airs, I can’t keep watching this. Nevertheless, I’m hooked on it, for now. Most of the humans on this show are total assholes, but the robots are kinda cool. Last week we started the story from the Host angle. This week we get a glimpse of what it’s like for the Guests, and mostly I’m just deeply repulsed. I’m not sure if it’s the setup, or the Guests themselves, which I find more distasteful. I’m guessing that’s on purpose by the writers. We’re meant to hate the people as much as the robots would?

Two guys, one of  whom is a jerk, and the other a classic milquetoast (although there’s nothing wrong with that) visit Westworld. The jerky one seems mostly interested in fucking and/or killing the robots, so right away, his story is uninteresting. The other guy though, encounters Dolores (corrected from Dorothy, in my last post), and is immediately smitten. Apparently he’s looking for True Love. There was some girl on girl action in the saloon, and the jerky Guest likes both men and women, and I’m all for LGBT representation, except for how it’s presented in this show, as something that’s risqué, or taboo. It’s something the characters can engage in clandestinely, at Westworld, because it’s unacceptable in the real world, like all the raping and the killing they get up to. I don’t like the idea of gay representation being equated with all the other shitty behavior we see the Guests committing against the robots, especially when there’s no such representation outside of Westworld.

I’m still not clear about how people choose their adventures, how long they can stay, how much it costs and why don’t we see more women Guests being gunfighters, because I would totally choose to be a female Sheriff or something. How do bullets work there, and how do they keep Guests from killing Guests when you can’t tell who is  a robot and who isn’t? Also, the show is working really hard at getting us to believe Ed Harris guy is human but I’m still hedging my bets. I’m not completely convinced, as most of the statements he makes about himself are somewhat ambiguous. But he does know about “the world outside the world”,so I’m still confused, (and will remain so for some time apparently.)

The robots comtinue to be the most interesting characters in the show and behave in an offbeat manner. The “reveries”  code  is contagious because Dolores passes it on to Thandie Newtons character, Maeve, who starts to have flashbacks to a previous existence, where she’d been killed by Indians. One of the Indians morphs into Ed Harris’ Man in Black, and it’s been posited that he might be some kind of icon of death for the robots, like the boogeyman, or the devil, someone they’re universally afraid of. Dolores passes along the contagious code by whispering her father’s phrase into Maeve’s ear.

“These violent delights have violent ends.” Definitely a pronouncement of the future.

Maeve is set to have a diagnostics check, and be decommissioned, but unexpectedly wakes up on the operating table, using the very same technique that the techs have been using to put her to sleep. I think what she does, during her little freedom walk, is a precursor to everything that’s going to be happening later in this season, only bloodier. She comes across the lab techs, hosing down the dead bodies of a roomful of robots, and one of the techs explicitly states that they hope the robots never start remembering what the Guests do to them, which makes me feel disgusted all over again, because based on what I’ve seen of Westworld so far, the humans (even the ones working at the facility) deserve it.

Jeffrey Wright’s character, and Anthony Hopkins don’t seem especially worried about  these malfunctions, and even seem to be encouraged by them, as we see when Wright’s character secretly interviews Dolores about her thoughts. And Hopkins guy may be considering adding religion to the Westworld program. Earlier in the episode, one of the robots mentions God in an offhand manner, and I perked up, wondering if the robots had religion. If they get coded to believe in a God, they already have a devil. The Man in Black.

I have to mention the opening credits here. They’re just incredibly lovely, with its robot horse and rider, and Leonardo Da Vinci’s  ideal man imagery, and it heavily  reminds me of both the opening credits of the original Ghost in the Shell, with its contemplative, percussive theme song, which helps to set the existentialist mood, and its slow stately music, which reminds me of my favorite Bjork video, All is Full of Love, which is about a robot falling in love with itself.

State of the Onion! Mini – Reviews

This has been a very busy week. I binged Luke Cage, and a bunch more television premieres aired this week. I couldn’t catch all of them but I did manage to catch the few that interested me, while keeping up with shows I already started. This weekend I watched:

Versailles: 

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Everyone in this show, which chronicles Louis XIV’s move from the capitol of France in the 1600’s, has luxurious, long, well kept hair, which I find hard to believe. I’m not saying people back then didn’t have  luxurious hair, just  that it’s distracting, when everyone has the same hairstyle. I kept staring at it, wishing I could run my fingers through it. No one ever seems to get distressed enough to have hair that   is out of place. They also all have clear, gigantic, blue, or grey eyeballs, including the men. Eyes so big, they can probably see me watching this show. It’s  kinda creepy.

From time to time, I do get the strong urge to watch something that’s not about superheroes,  although Louis the XIV often gets treated like one, by his courtiers. There’s the usual courtly shenanigans , most of it centering around the specific relationships between the king and his wife, the king and his semi-openly gay, younger brother, and the king and his various mistresses, and followers. So far, this is just an introductory first and second episode and hasn’t gotten deeply into the wider political issues of that time period. I do prefer that type of plotline but one of the drawbacks is that the show comes across as   “Trailer Trash in 16th Century France” , with better clothing.

There are the usual kingly activities, like intrigue, hunting, torturing dungeon prisoners, and philandering, estate planning, childbirth, and medical arguments, along with lots of significant glancing. I watched these episodes twice, and I must be really worn out after binging Luke Cage, because I couldn’t make hide or hair of the plot of this show, other than the King has decided to move to the middle of no and where, as a means to control his courtiers, because he thinks they’re out to get him. The show seems to move from scene to scene in an arbitrary manner, and although I knew all the scenes were connected, I couldn’t seem to hold in my thoughts exactly what that connection was. Luckily there’s a metric ton of background videos about this show, so I watched those too, otherwise I wouldn’t even know this much. I’m sure the videos are available on YouTube but I’m not going to give you the link because I don’t want to aid and abet this type of television viewing. (I work in a library! Go check out some books!)

If you like intrigue and old French costumes, or The Tudors, (involving intrigue and old Italian costumes), this is a good tide-over until Vikings (which has intrigue and 10th century Scandinavian costumes) comes back on the air.

The Flash:

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This isn’t the first episode of The Flash I’ve ever seen but I’ve been told that its a really good show and I should try to watch it again. I stopped watching it because I didn’t think it was a show aimed at me, the mature (read more cynical) viewer. But I have watched a couple of episodes from last season and while still kinda corny, it is at heart, a very sweet show. Also, I told myself I was going to support more shows with WoC in them and I just want to stan for WestAllen.

So, I’m cautiously optimistic about liking it, after a tentative first date. I really started to get into the characters and started getting feelings for them. Last season Barry ended up in an alternate universe where Iris doesn’t know him, her kid brother, Wally, is The Flash, Cisco is the unsympathetic billionaire CEO of some kind of tech startup, Caitlin Snow is an Eye Doctor, and Iris’ dad is an alcoholic, who has an antagonistic relationship with his daughter, which is really sad because they had a great relationship in Barry’s old universe. On the other hand, the speedster that was about to kill his parents, Reverse Flash,  is locked up, and both Barry’s parents are still alive.

Unfortunately,  by altering the timeline he’s set in motion, the destruction of his current timeline is imminent. And since Barry wasn’t there, the universe put Wally in his place, and this somehow disrupted the West family, although Iris still seems pretty tight with Wally, neither of them ever mention their father.

It’s really fun  watching Barry navigate this new timeline. He meets Iris, and it’s really cute watching them flirt with each other, knowing their old relationship, and that no matter what the timeline, the two of them were meant to be together.

Wally spends most of the episode fighting someone called The Rival. You can tell he’s the villain because he’s wearing an evil black suit. When The Rival wounds Wally, Barry has to step in and defeat him instead, but the price for saving his parents lives’ might mean Wally’s death. Barry makes the tearful decision to let Reverse Flash kill his parents, and restore the original timeline.

Most of what I know about The Flash is from the comic books, and since I only read the team books, I pretty much only know anything about the speedsters of the DCU,  from reading The Justice League books. I liked the special effects and the show doesn’t seem as corny or juvenile as it did the first season, although yeah, it’s still a little corny. But it’s  fun corn, not cheesy corn, and unexpectedly emotional, since I genuinely like these characters. I think I’ll make a habit of watching this every week, even though there’s like 3 other shows on TV on that same night.

Ash vs. the Evil Dead: We’ll get to this show next week.

Westworld:

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I had a lot to say about this show, only some of which has to do with the actual plot, so I guess Westworld, and shows like it, will be getting it’s own post soon.

I actually enjoyed this show, and will be watching this every week, as it airs. It looks intriguing. It starts a little slow, as we ease into the idea that the robots are behaving oddly because of new programming their creators have uploaded to them. We spend a lot of the episode with a robot named Dorothy, and we start off with her handler attempting to assess whether or not she has become self aware. Fair warning:  there is an offscreen rape scene, along with threats of female violence. And yes, the show is violent. There’s lots of shooting and gore, as most of it is set in the artificially Wild West environment, created by an annoying British character, who is just an asshole. I hated him immediately and wondered when he’d be shot. The other characters appear to have been thinking something similar, as no one likes him.

Anthony Hopkins plays the quiet, somewhat meditative, creator of Westworld, in a real low key style. He created the first of the robots and is prone to hanging out and drinking whiskey with his original Wild Bill Hickok robot, in the firm’s basement, where all the retired, underused, robots are kept in cold storage. He seems intrigued by the idea that the robots are starting to access previous memories of the lives they were given. The show feels a little bit like Dark City, where you have people who may, or may not, be aware of who and what they are being manipulated by beings who think they’re greater than them. Only in this case the humans do it for entertainment.

Hopkins character has introduced a new program into the robots code called “reveries” and some of the robots react badly. Some of them have strokes, or freeze up, or go on unexpected shooting sprees, involving milk. Before that though, there were already some glitches in the system but not in Dorothy. In one scene her robot father finds an old photograph that a human left behind, and viewing it seems to corrupt his programming, somehow. Dorothy ,when she is asked by a little human boy, if she is “one of them”, just smiles as if she didn’t hear the question. And she probably didn’t. Dorothy dismisses anything that doesn’t line up with what she is programmed to think of her world.

One of the rules of Westworld is that guests, (humans) can never be hurt by hosts (robots), although the robots can and do harm each other, a lot. When you realize these violent scenarios are created by the annoying British dude, you hate him even more. He’s vaguely disgusting.  At first it wasn’t entirely clear to me who were the robots, and who were humans, but the show doesn’t draw that particular mystery out as, by the end of the episode, you know who is who.

Ed Harris plays the iconic role of the Man in Black, originally played by Yul Brynner. He is most indubitably a bad guy. I think he was uploaded with the new program as well, but when all the other robots are killed  in a massive shootout (so as to gather up their bodies, and recode them) he doesn’t get found. It’s disturbing watching him on the trail of something he doesn’t understand. He’s essentially seeking the “real world”, and looking for clues in the other robots. Since he has only interacted with, (and brutalized), other robots, the entire time we’ve seen him, I suspect that’s why he doesn’t get rounded up with all the others. It’s been hypothesized that he’s a guest, but I didn’t see it. I thought he was reprising Yul Brynner’s role, from the original film, and in that film, The Gunslinger is one of the robots. Apparently, I’m going to have to watch the episode again, if I’m going to figure this out.

This is another show where humans don’t come off looking so good. Not because of what they say but what they do. In a show like this, you’re going to witness robots that look, act, and react like people, being hurt or  brutalized. In one scene, inside Westworld,  a human couple laugh at the twitching body of a female robot, that one of them has just shot in the head. But how is this any different from us watching fake violence on Game of Thrones, or this show, just for entertainment? Did I find their behavior repugnant because the robots look and act like real people? Well so do people in movies, so I’m not sure exactly where my disdain for these particular humans comes from. Although maybe it’s because they committed the act themselves and found it funny. The robots can’t  escape being violated in the real world either, as one human woman takes the opportunity to kiss one of the female robots, when she gets left alone with her for even a minute.

This show asks the usual questions that get asked whenever anyone makes a movie about robot. I think its some kind of law. At the end of the episode, Dorothy does something that none of the robots are supposed to be able to do, which does not bode well for the humans on this show.

Aftermath: 

I still have not watched this. So maybe next week.

 

 

From Dusk Til Dawn – Overview

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This season is proving to be much better than last season . We’ve been re-introduced to Scott, who thinks he’s a total badass, with a sword he got from somewhere, last season. Seth and Richie go to recruit him from the Rock band he’s playing in.  Scott’s sister, Kate, continues to be possessed by this season’s villain, Amaru. In the last episode she attacked a town full of people with locusts, and put some kind of tentacled demon glop in their water supply, which turned them into cannibals. Seth got infected, and then everybody got cured.

During all this, Kate kidnapped Richie, and awakened his dark side.  Now Seth, and the team he put together to save Richie, are being hunted in the Asylum where Kate first woke up, by Richie, of all people. Most of this episode consisted of people running around , or being trapped in, various parts of the facility, while snarking at each other.This team doesn’t even like each other. Seth keeps ordering everyone around as if he were in charge, but the rest, who are all vampires, take exception to his orders and then follow them anyway, which is deeply funny.

At any rate, Richie gets saved from Kate/Amaru after Seth, lovingly, sets him on fire, because extreme pain is the only way to free Amaru’s slaves, and Richie is a vampire, so he gon’ be aiight. Frankie however gets enslaved by Amaru and stakes the vampire who confessed her love to him. I still find that kinda icky because she’s a vampire, and he hates them, and isn’t he still married? This is  like the second, or third, woman that Amaru has killed, or caused to be killed, since the season began, and I wonder why Amaru, who is, ostensibly, female, hates women.

Tom Savini, from the original film, makes his debut in the show this season, playing some guy named The Eternal Hunter. He’s there to help Jake Busey’s character, (he’s the Sex Machine remake that Savini originally portrayed in the movie), to take down the demons that escaped from Xibalba ,when Carlos blew up the Titty Twister Saloon, last season.  Busey and  Savini are a match made in Heaven. I didn’t even know I wanted this pairing, but I would watch an entire show, of the two of them, just bitching at each other.

The action is awesome, and there’s lots of it. If you like Supernatural, you could give this a try. Its sillier, a little cheesier, and the action is definitely crazier, but its a lot of fun and has got some nice brotherly action scenes. It would be hilarious if the Geckos and Winchesters were to team up. I would watch the hell out of that and I’m enjoying this season a lot more, now that the Gecko bros. are back together, acting like an old married couple.

American Horror Story:

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The action is flying fast and furious in the fourth chapter of season six, and has so far managed to remain on point. Last chapter, Cricket, who invaded Shelby and Matt’s life, made a deal with the real power behind Kathy Bates’ character, an old Celtic style witch, of some kind. She’s played by the nearly  unrecognizable Lady Gaga. So yeah, this parallels with the third season of AHS, called Coven, which introduced witches. It is now the season of the witch, people!

http://www.popsugar.com/entertainment/Lady-Gaga-Character-American-Horror-Story-Roanoke-42519689

In exchange for not harming the people in the house, the Cricket promised to give her Matt who, hypnotized by the witch, was found doing the nasty with her in the forest…by Shelby, who is, understandably, pissed off. Matt doesn’t remember any of it though. Mad  about what Matt did, Shelby pulls a dick move and calls the police. She has Lee arrested for Mason’s murder, and  kidnapping her own daughter.

Later Shelby is attacked by the Pigheaded Man, which I kinda cheered, because hey! dick move Shelby, but Dr. Cunninhgham, who had been living in the outdoor cellar, saves her from him.He gives them some more background information on the house, claiming he can help them.  The last family that resided there were all killed by The Butcher and their spirits also haunt the land. It seems as if once you die on the land, your spirit is trapped there forever, which is kind of defeating the purpose of the Butcher, who claims to want to clear the land of…well…people.

Anyway, Dr. Cunningham gets killed while trying to save Flora from a pack of ghosts she’s seen to be playing with. Its uncertain whether Flora is a ghost or real, though. Cunningham gets shot with arrows from, I suspect, The Butcher’s people, which is a pretty novel way to die in the modern age, I guess. They’re able to kill him because they have just entered some special cycle of the moon that allows them to become corporeal  for about six days.

Shelby and Matt run back to the house where they meet Cricket who tells them that he encountered Flora in the forest and met the original witch, who has the hots for Matt because she has “needs”, as Cricket put it. Matt has some backstory to tell too, even though he doesn’t remember sleeping with the witch, about what happened to the original Roanoke colony. Cricket also tells them their house sits on the actual site of Roanoke.

Tomasina the Butcher, and her followers invade the front yard, with Flora in tow. They’re about to kill the child before Cricket goes out to parlay for the child’s life, but gets captured instead. Priscilla, experiencing a pang of conscience, rescues her friend, and the two of them escape into the forest, but Shelby and Matt have to watch as Cricket is slowly disemboweled. And I was just starting to like him.

Bye, bye, Cricket.

I know one thing though, I’m not getting too attached to any of the characters this season. They only seem to last just long enough to impart disturbing information, and then be horribly killed. I’m still feeling kinda nauseated about the disemboweling and its been three days. The body count so far is pretty damn high for just four episodes and we still have two more to go. I’m not feeling too good about Matt and Shelby’s chances.

Here are some further fan theories about this season, which if  true, make this season kinda awesome, already:

http://www.vanityfair.com/hollywood/2016/10/american-horror-story-roanoke-episode-4-freakshow-mott-family-number-six