Unbreakable, Sleight, Spiderman, Chronicle: Shout Out to the Lowkey Superhero

 

In 1981, I watched the pilot for a show, starring William Katt (from  the 1976 movie, Carrie). In it, a Special Education teacher receives a Supersuit from some aliens and decides he wants to fight crime, even though he hates wearing the suit, and has lost the instruction manual. (Why won’t someone remake this show?) Aided by Special FBI Agent Bill Maxwell, played by Robert Culp, he spends most of his time trying to figure out what his superpowers are, and how to use them, with comical results.

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In 1976, Carrie White discovers she had the power to move objects with her mind. Bullied and humiliated at her high school, she unleashes all of her rage on her classmates at the Senior Prom.

In 2000, Bruce Willis portrays David Dunn, a man who discovers that his body is essentially unbreakable, (just like Luke Cage), and has to figure out who and what he is, and what he wants to do with this power, aided by Samuel L Jackson, who also plays the movie’s  archvillain, Mr. Glass.

In 2012’s  Chronicle, Dane DeHaan plays Andrew Detmar who, along with his cousin Matt, and his friend Steve,  stumble across a strange rock in a cave, and receive the power to move objects with their thoughts. After bearing the brunt of schoolyard bullying, physical and emotional abuse from his father, and the death of his mother, Andrew nearly kills his father, and destroys a good portion of Seattle, before being killed by Matt.

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In 2017’s Sleight, a young Black genius named Bo, creates the the ability to move metallic objects with his mind, while he clashes with the local drug dealer, Angelo.

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In Spiderman Homecoming, Peter Parker is a newbie Super, dealing with such mundane things as schoolwork, bicycle thieves, and helping out the local Churro  Lady. He longs to save the world, while using nothing more than some superstrength, a fast wit, and some silkwebbing. He doesn’t have the social cache of Captain America, nor does he have Batman’s budget.

Jessica Jones, Daredevil, Luke Cage, Iron Fist. They’ve got one major power each, the ability to punch things really hard, lift a car, skin that won’t break, and the ability to see sounds. These are not gods. They can’t destroy a city block with the touch of a finger. They don’t own supersuits. They can’t even fly.  Even all-together they ain’t ever gonna be on the level of the Justice League.

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http://www.denofgeek.com/movies/superhero-movies/39560/real-life-superhero-movies-a-closer-look

None of these characters are villains, but many of them are too beset by the weaknesses of their character, or the challenges of their environment, to ever do the world any  real good. They live in the real world of car payments, drug dealers, homework, high school bullies, and 9 to 5 jobs they don’t like, dealing with people who seriously test their ability not to abuse whatever powers they possess, and sometimes that can’t even avoid doing that.

They’re not goddesses created by Zeus. They’re not millionaires who never have to worry about paying for anything. They’re not exiled  aliens. These are not the types of heroes you call to go into outer space to destroy the intergalactic menace. They’re just trying to survive their tiny part of the universe.

And sometimes they don’t manage to do that either.

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In Chronicle, Andrew wants to be special and important to the rest of the world, but that’s not gonna happen. Andrew could have been a true benefit to the world,  but he is bullied at school, abused by his father at home, his mother is dying, and they’re running out of money to pay for her medicine.  Andrew uses his abilities to rob a local drug dealer for the money, but how are his powers going to save his mother? How are those powers going to stop making him the brunt of his father’s anger at his wife’s death? Or make him charming, witty, or popular at school?

Sadly, Andrew gets a brief taste of these things, fending off his father’s abuse in one scene, participating in a talent show where he can secretly show off his abilities (and getting the accolades that he not only feels he richly deserves, but desperately needs), and losing it all when one of his friends, Steve, (who shared the same abilities as he did), dies , possibly as a result of Andrew’s actions.

Eventually, Andrew loses everything, including his mother,  and then eventually his life, at the hands of his cousin, Matt,  (who also shared the same superpowers), as he spirals down into a vortex of shame, hatred, grief, and anger. His powers couldn’t save him from himself.

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None of these superpowers help Matt save his best friend Steve, or solve his cousin’s extreme trauma, or even alleviate his own  emotional trauma, at having to take his cousin’s life, when Andrew goes on an anger fueled rampage. We witness how useless Matt’s abilities are, during his fight with his cousin, when he can’t talk him down, can’t convince him that he is loved, and can only mitigate the damage he causes, with his only option being to kill him.

This is the horrific outcome of actual superpowers in a real world setting that is full of horribly damaged people, and people happy to inflict pain on others for fun. This is something not shown in the Avengers, and Iron Man movies. The villains in those always have lofty goals, and self-serving excuses for why they’re bad. They hate the hero, or want to control the world, or both. Andrew, and his counterpart, Carrie, (whose narrative closely parallels this one), sometimes don’t know what they are, are sometimes just  in pain, and cause an incalculable amount of damage and death, all because they  weren’t loved enough.

This is the opposite story of Unbreakable, where David Dunn, a depressed stadium security guard, begins to realize his true potential, while mentored by a  man who thinks he knows who and what David is capable of. When he and his  wife, Audrey, were involved in a car crash, David used that as an excuse to quit football, because Audrey was opposed to the sport. He spent the next ten years of his life wondering what could have been, and the life they could have had.

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Not realizing that he is an  Unbreakable man, he  is approached by  Elijah Price, who tells him that he is special, that he can regain the glory he knew as high school football star. By using his strength to save lives, David discovers a new sense of purpose. Taking on the name Savior, his activities regain the  respect of his son, the love of the wife, who was planning to divorce him, and lifts his spirits, as he realizes what kind of man he is. David wasn’t trying to save the world. He was just trying to save himself.

http://reallifesuperheroes.com/

In Sleight,  Bo has the ability to move metal, due to a magnetic device he’s implanted in his arm. He gets involved with the local drug dealer, while trying to make a better life for him and his little sister, after their mother dies. Bo isn’t the next Tony Stark, but he would’ve been, were it not for the circumstances of his birth.

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Here’s what the director had to say about the stereotypical setting of the movie, which also tackles issues of race and class, which most superhero movies don’t mention:

<Making Bo a role model and a drug-dealer seems potentially controversial, but it also speaks to his lack of options as a teenager trying to support his sister, and living without a safety net. But you don’t foreground the social issues of his choices. You don’t make it political. Was it important to you to not spell anything out too much?

Obviously, it’s a trope that’s unfortunately very recognizable for black characters in movies, in having something to do with street-level drugs and committing crimes. Part of the goal in centering ourselves in that world was to find a different, empathetic way into a trope that’s maybe a little too familiar. By centering it on this kid who is brilliant and artistic and has a scholarship going for him, we’re showing that a fall into this world really could happen to anyone. If everything you hold dear slowly started unraveling and you had massive responsibility, and part of that responsibility is shielding someone you care about from even knowing that this is going on… There are certain sacrifices we make to take care of the people around us. We don’t just want to paint that familiar iconography. We wanted to find a different way into it, then [go] past it.

And if you read between the lines in Sleight, there’s enough evidence that we’re not fully falling into the trope, I would hope. Bo’s neighborhood is actually not bad. He’s not in a crime-infested, impoverished area. He’s trying to keep his sister in the environment she’s comfortable in. But also, what he does is a very different brand of drug-dealing, one less associated with the urban crime story. When you look at a show like High Maintenance — if we had another act to talk about Bo’s clientele, these are the kinds of stories we would see. Which hints why Bo would consider selling drugs in the first place. He’s savvy enough to not end up on the corner selling dope. And his boss, Angelo, at first glance, isn’t a gun-toting gang-banger. Bo is making an educated compromise, something he thinks he can keep at arm’s distance.>

 

Bo isn’t  heroic because he’s trying to save the entire world. Bo is a hero because he’s working against long odds to save just one small world, his little sister’s.

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Contrast Spiderman Homecoming with The Avengers. The Avengers are so far removed from everyday life that they seem almost like myths to the working man. Nowhere is this contrast more obvious than in the movie Spiderman Homecoming, about the activities of a low-level superhero who wants to make it to the big time. Peter Parker comes from a world of school, homework, and junior proms. His mentor is a multi-billionaire, whose every minor decision can affect entire lives, as Tony Stark’s decision to take over the salvage operations in New York, creates The Vulture, the villain who eventually becomes one of Spiderman’s Rogue’s Gallery.

Spiderman’s inability to run with the Big Boys, like Thor and The Hulk,  is the subject of a  great deal of humor, as seen in Captain America: Civil War, but it can also result in great tragedy, as his lack of discipline nearly causes a massive loss of  life, when he accidentally breaks the Staten Island Ferry.

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In The Incredibles, the superheroes of yesteryear get a taste of what the mundane life is like when superheroing is outlawed by a fed up public. Now all they have are their real jobs, house payments, and watching their weight.  Mr Incredible chafes at these restrictions, living vicariously through his son’s grade school exploits, secretly crime fighting behind his wife’s back, and yearning for the days when he could channel all his restless ingenuity into bringing down super criminals. Like Peter Parker, the mundane life just isn’t challenging enough for him, or his little boy, Dash, There’s also the not so lowkey message in the film that when everyone is considered special, its really just another version of mundanity.

I suppose this essay would not be complete without mentioning the  ultimate street level superhero, Kick Ass, who is the very definition of a superhero nobody. David is a superhero only because he believes it. He has no superpowers to speak of, no martial skills, not even a sharp tongue. Armed with nothing more than a green bodysuit, and some Escrima sticks, he takes out muggers and drug dealers on the streets of New York City, in the hopes of  impressing that one girl in school he has a crush on. He inadvertently falls into deeper water than he can handle, when he encounters a vigilante father/ daughter duo, who are fighting an organized crime family.

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There have been a spate of these movies in the past ten years, (Super, Defendor, Special) about the the low level exploits of gifted, and non-gifted heroes, yearning for the  Big Time, something to give their life meaning, a way to work out their psychological trauma, or just wanting to be special and/or loved. For some of them, these are weaknesses of character that will never allow them to rise to the level of an Avenger, or an X-Man, and other s are so grounded, they will never  get to be heroic, no matter how much they want it.

Even the move Suicide Squad dabbles in these ideas, with characters like Captain Boomerang, and Slipknot, or a character with no superpowers at all, beyond a taste for chaos, and an ability to wield a baseball bat. The’yre little more than small-time villains who get called on to save the world.

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On the other hand, it makes them more relatable, and sympathetic,than the Tony Starks, and Supermen, of the world. Watching them rise to new levels of superheroics, as when Spiderman has no one to save him but himself in Spiderman: Homecoming, or when Bo defeats the neighborhood villains to successfully raise his little sister, gives us the  confidence to survive, especially when we’re beset by our own physical, and mental issues. When they overcome, they are the best of ourselves. And when they fall to the depths of despair, like Andrew and Carrie, they are reflections of our worst, and can spur us to examine and conquer our own weaknesses.

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My Favorite Michael Jackson Videos

The King of Pop’s Birthday is coming on August 29th, and I just wanna celebrate it with a list of my favorite videos. There’s no argument that Michael Jackson revolutionized the music video genre, in a way no one else had before him, when he released Thriller, waaay back in 1982.

In 1982, I was 12 years old. I had been listening to, and watching Michael dancing in videos, since I was a tot. My Mom loved the Jacksons. She named my baby brother after two of them. (I received a more normal sounding name becasue I was born before the Jackson craze.) So yeah, because Mom loved The Jacksons, we grew up loving them too, although I can’t think of anyone in my neighborhood who didn’t.

When Thriller was released, Black people collectively lost the entirety of their shit. The videos released from that album were such major events, that there were specially televised.  There was no thing such as social media at the time. It was all word of mouth, and Michael was all anybody talked about. People dressed like Michael, tried to dance like him, he popularized the Jheri Curl…

 

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And all this was before cosplay was really a thing.

And when he released the video to Billie Jean… well, lets face it! There was no more cooler person on Earth than the King of Pop. Genius is a word that gets bandied around so much these days, but really it should only be reserved for people who changed the world so much while they lived, that all others will be compared to them long after their deaths. Michael was a dancing, singing genius.

Anyway, all of that is to say I have a long list of favorite Michael Jackson songs, but only a few videos really make the  cut. Here they are in no particular order:

 

Billie Jean

There was nothing cooler at the time then those flooding pants, white socks,  that everybody starting rocking after this video came out. I was more impressed by the light-up sidewalk. There’s a great deal of mystery happening in this one. The beat and dancing are prefect, as always.

 

 

Thriller

I think everybody knows the dance from this video. I remember watching this with my family, as it was a major television event at the time, and all anybody talked about at my school  for about a month.

https://youtu.be/sOnqjkJTMaA

Stranger in Moscow

I think the cinematography is just beautiful here. its one of the few music videos that can bring on tears. Its simply gorgeous.

https://youtu.be/pEEMi2j6lYE

Smooth Criminal

I love the dancing in this video. And of course I love to watch Michael dressed up as a gangster anytime. The spats and the silhouette suit him very well here.

https://youtu.be/h_D3VFfhvs4

Earth Song

This is one of my Mom’s favorite songs, and one of my favorite videos. This is another one of those videos that made me cry when I first saw it. The power of Michael’s voice, his message, and the imagery, are all literally breathtaking.

https://youtu.be/XAi3VTSdTxU

Who Is It

There’s so much mystery going on in this video, and the homage to Blue Velvet wasn’t lost on those who watched this.

 

Remember the Time

This is one of my all-time favorite videos ever. This is very possibly one of the Blackest music videos ever made. Of course I wasnt going to miss The Supreme Goddess, Iman. She just looks stunning.

https://youtu.be/LeiFF0gvqcc

Scream

This is the only video, in which both  Janet and Michael starred,  at the height of their careers. I liked the playfulness and pseudo-attitude. Its just fun to watch, even if the plot is  completely baffling.

 

 

Racial Discussion Linkage

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 TPM Special Series: Race, Racism and the Middle Ages

https://www.publicmedievalist.com/race-racism-middle-ages-toc/

https://newrepublic.com/article/144320/racism-medievalism-white-supremacists-charlottesville

CHARLOTTESVILLE SYLLABUS: READINGS ON THE HISTORY OF HATE IN AMERICA

https://daily.jstor.org/charlottesville-syllabi-history-hate-america/

 

Curriculum for White Americans to Educate Themselves on Race and Racism–from Ferguson to Charleston

http://citizenshipandsocialjustice.com/2015/07/10/curriculum-for-white-americans-to-educate-themselves-on-race-and-racism/

 


 

 

https://www.theguardian.com/us-news/2017/aug/08/unlearning-the-myth-of-american-innocence

http://www.notsorryfeminism.com/2017/08/a-guide-to-different-levels-of-white-supremacist.html

https://www.thecut.com/2017/08/mens-rights-activism-is-the-gateway-drug-for-the-alt-right.html

http://www.slate.com/articles/news_and_politics/politics/2017/08/dahlia_lithwick_on_the_nazis_in_charlottesville.html

http://reallifemag.com/the-authoritarian-surround/

http://nymag.com/selectall/2017/08/baked-alaska-charlottesville-and-the-end-of-ironic-nazi.html

https://www.gq.com/story/dylann-roof-making-of-an-american-terrorist

https://www.washingtonpost.com/opinions/after-charlottesville-end-the-denial-about-trump/2017/08/13/05adbc6e-804a-11e7-b359-15a3617c767b_story.html?utm_term=.7fe1abeca686

http://splinternews.com/charlottesville-was-a-preview-of-the-future-of-the-repu-1797988745

 

The Defenders Season Review

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Instead of reviewing every episode, one by one, like most other reviewers, I’ve decided to just review the entire season.  Rather than 13 episodes, the series has been reduced to eight, which I feel was a really good idea, as this helps the story move along a lot more swiftly, and with less filler, than in the individual shows.  Since the plot is moving faster, and interludes are shortened, it’s not possible to get too irritated by any particular plot point (The Villain), or character (Danny), because you just don’t have much time for it.

Overall, I enjoyed the series. I can definitely say that I like certain characters much better in a team setting, than I did in their individual stories, because a lot of their weaknesses of character aren’t on full display here, and when they are on display, there’s a reason for it. I especially enjoyed all the team action, even just sitting around and talking to each other, because these guys are  a lot of fun together. Their fighting styles and attitudes just mesh really well, and they have great chemistry with each other, which makes for some interesting, and cool fight scenes, and some funny and snarky dialogue.

I think the show played up the reluctant hero angle a bit too much. The characters are always having conversations about how they’re not heroes, and don’t want to be heroes, especially Luke and Jessica. Matt is trying to quit  the superhero game as if he were going cold turkey from some kind of -ism. Danny is the only one who wants to be a hero, and he’s not  remotely equipped to be one.

 

Luke Cage:

 

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We get a slightly deeper understanding of Luke as a person, although there are no huge revelations, or anything. He still doesn’t want to be a hero, he’s still living in Harlem, still trying to figure out what he wants to do with his life, all of this is just as in his own show.  We see the opening moves of a friendship between him and Danny, and Luke and Claire finally go out for that coffee, before being awkwardly interrupted by Luke’s former one night, Misty.

All of the characters get a chance to interact, one on one, during the series, although there’s not a lot of forward momentum in their characters, or relationships. Just hints of things to come. We get hints of a reconciliation between him and Jessica. In the comic books, the two are married and have a baby, but I don’t know if these shows will move in that direction. I’m opposed to it because of Jessica having killed his wife, (and then lied to him about it), and Jessica is also  not in any kind of emotional shape to have a relationship with anyone. Also, she is, ethically speaking, the complete opposite of  Luke, and I just don’t see those two  styles of personality meshing well.

As I mentioned, the showrunner doesn’t do anything new with the character. Luke remains a deeply principled guy who, while okay with kicking ass, is opposed to killing. He is not afraid to call someone on their shit, the way he does to Danny.

I love that all the characters have their place and purpose  in the team, and how their differing fighting styles are showcased. Luke is like Superman. He’s invulnerable to most harm, and is often a shield for the others, when the guns come out. He’s not completely invulnerable though, as Danny is one of the few people that can knock him off his feet (well…Danny and unexpected trucks). Seriously, the man is like a tank. He’s even immune to fire.

The team needs Danny whenever they need a huge, loud distraction, as in the finale, when they needed to reach a safe place, but The Hand was being an obstruction. Danny is like a large explosive device, delivering concussive sound and force, and I like the way his powers are used here, although yeah, the glowing fist still looks kinda silly. Still, Luke and Danny are definitely the team’s two heavy hitters.

One of the most annoying parts of the show is the Rap music that appears whenever Luke shows up on screen. To the showrunner: Hey! Luke does not  need a soundtrack to announce his presence!

Matt is the resident Ninja, and while Danny isn’t too bad in that department, Danny has a different purpose. Matt is the kind of team member who can move in and out of a situation quickly and quietly, warn the team of any impending danger, (and get them out of trouble with the law,  if necessary, I guess.)

 

 

Matt Murdock:

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Matt spends a lot of the first couple of episodes trying not to be heroic, or save people. I think we’re meant to believe that he gave it all up after losing Elektra, but since I wasn’t buying his relationship with her, I didn’t care. The two of them have no chemistry, and the emotional intensity of a pair of titmice, especially when it comes to passionate exchanges.

On the other hand, it was nice seeing him put his lawyer-ly shit down, it was nice to see Foggy and Karen again, and I’m glad the three of them made some effort towards reconciliation, especially after last season’s events, when Karen found out he was Daredevil. The two of them treat, and talk about Matt, as if he were a recovering junkie, so that’s kind of weird, made even weirder by scenes of Matt “staring” longingly at his Daredevil outfit, as if it were an ice cream sundae.

Actually, a lot of Charlie Cox’s acting is off in this series. There’s story movement, but his character remains pretty much the same. His fighting skills are awesome as ever, but Charlie looks like he’s phoning in  his performance. When I called him a Floor Lamp Ninja, I meant that he could pretty much be swapped out by any other martial arts actor, and this would not  greatly affect the plot.

I did enjoy the scene where he tails Jessica on the streets and she susses him out, and when they meet for the first time in their superhero guises. Matt steals that big gray scarf she wears everywhere, to wrap around his face, and Jessica rolls her eyes at him.

 

 

Jessica Jones:

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This show went a long way towards making me like this character. As much as she hates people, Jessica really does work well in a team setting. She takes nothing seriously, which ends up making her the funniest person in the group. Her one on one interactions with Matt are especially funny, and she gives absolutely no fucks about who  Danny is, and is quick to say so, which I thought was hilarious.

A lot of the weakness of Jessica’s show is that its very White Feminist, and her mistreatment of PoC in the show really started, not just to grate on my nerves, but to make me actively dislike her, no matter how much I sympathized with her issues. I know and understand  that she is dealing with the severe trauma of what Killgrave did to her, but trauma is not an excuse for her abuse and mistreatment of characters of color.

I actually had a problem, not just with her,but with the show’s writers as well. Despite women’s trauma issues being  the center of  the story, they still managed to erase  WoC entirely, which is something White Feminism keeps doing, in stories that are supposed to be empowering to women. (The stories end up being empowering only  to White women.) But I still applaud the show for its messages and the general treatment of its (White) female characters. I see why some people liked it, but ultimately the show wasn’t for me.

That’s just the logical reasoning for why I disliked the show. The other reason is there was a lot of triggering shit in that show. I had to stop watching it, for my own self care, because I was not ready!

I liked Jessica in The Defenders, because the focus wasn’t on Jessica’s pain, so we got to see her reacting to other things. She’s still an unlikable, alcoholic, snarky mess, but that’s okay. Who says heroes have to be likable? Its especially interesting because unlikability is rare in female characters, and Jessica is thoroughly unapologetic about herself. At one point she very openly steals a can of beer, from a passed out homeless man on the subway, (because she’s had a long day,) right in front of Matt and Luke, who handle  the act with no more than raised eyebrows.

Jessica is definitely the team’s Tony Stark to Luke’s Steve Rogers. There’s much of the same personality dynamics present, except some of the motivation for  Jessica’s rather  loose ethics stem partially from her trauma at the hands of Killgrave.

 

Danny Rand:

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Yeah, for someone who talked a lot of shit about the Iron Fist series, I think you guys will be pleasantly surprised that I didn’t actually dislike Danny Rand in this show. As I mentioned, the shorter running time for the series means that Danny’s scenes are kept to a minimum, so he doesn’t have as much time to be irritating. Not that he doesn’t give it a big try.

Finn Jones has also had the benefit of some practice on his fight choreography, and better directors and it shows. His fight scenes aren’t the trash fire that they were in Iron Fist, so he actually ends up looking competent. Plus, he just works better with a team of people, than he does on his own.

The team dynamics go a long way towards making Danny likable here, and really, in the next season of Iron Fist, the show runners really need to lean in to the ridiculousness of his story, rather than playing it straight, because yeah, Danny sounds like he’s insane. None of the other team members take his backstory seriously, rolling their eyes every time he mentions he’s the Immortal Iron Fist, an attitude I thought was incredibly funny. And then there’s the silliness of him walking around with a large dragon tattoo on his test. His powers aren’t funny, and the audience is never given to laugh at those, but his backstory is kinda nuts. Mr. I Punched a Dragon!

Another reason I like Danny here, is because the showrunner makes an effort to make his character understandable, in a way that he wasn’t in his own series. In his own series, his behavior is incredibly rage inducing, and frustrating, (and I can’t help but think that this change has at least a little to do with the showrunner being a man of color, who understands the issue in a way the last showrunner didn’t). But here, Danny’s behavior is in smaller doses, and he has more well developed characters reacting to his wtf*ery, so he’s  a lot easier to understand. Granted, if the character had been cast as Asian to begin with, we wouldn’t need all these careful repairs.

http://www.indiewire.com/2017/08/luke-cage-iron-fist-marvel-defenders-netflix-privilege-1201868048/

For example, at one point, he and Luke square off, with Luke confronting Danny about his privilege as a rich White man, who chooses to come into his part of town and beat up the impoverished Black people, rather than finding some other way to defeat The Hand’s purposes. The Hand is able to operate with impunity in such neighborhoods because all they have to do is offer money. Luke’s statement is a reminder to Danny that there’s a bunch of other things he could’ve done, as a wealthy White man to defeat the purposes of The Hand, besides beating up the citizens. But then you notice that Danny’s go-to, when dealing with The Hand, is only ever violence. He never tries to thwart them any other way, and thinks he can  simply punch his way to the proper outcome.

For example: Danny and Colleen find a warehouse full of bodies. The Hand is hiring young men from Luke’s  neighborhood to  clean up any evidence that might lead to their organization. Danny and Colleen do not know this. They don’t ask questions, have not investigated the situation, and haven’t bothered to understand the why of any of it. The two of them immediately jump to kicking ass. Danny and Luke first meet when  Luke steps in to protect one of the young men, who has lost his family to The Hand, and feels coerced to work for them.

Luke’s statement about his privilege is meant to remind Danny that there are other perspectives  besides his own. It’s made very plain  that when it comes to The Hand, Danny has a huge blind spot.  Danny doesn’t  think, he just reacts, and that was what happened at the warehouse, which  resulted in Danny brutally beating a (Black) teenage boy. He’s  reckless, impulsive, and has anger issues. He and Colleen don’t have any kind of a plan, beyond destroying The Hand. This gets mentioned a couple of times during the show.

https://www.theverge.com/2017/8/18/16118680/the-defenders-netflix-marvel-iron-fist-sucks

On to the good part: Danny doesn’t get any better at being impulsive, but he does listen to what gets said to him. And the showrunner is a lot better at making clear what Danny’s motivations are, something which is cloudier on his own show. Danny is looking for a purpose. Since he abdicated his responsibilities to K’un L’un (Why?), he’s not only been looking for a way to atone for that, but looking for a new purpose to replace it, and probably looking for a new family too, as he’s one of the few characters that’s at all excited about teaming up. But again he is blind to his rage about The Hand, and as long as he remains blind to his lack of control, as regards them, he can accomplish nothing.

When the rest of the team find out the the The Hand is specifically after Danny, they try to get him to stand down, and stay out of their next fight, rather than just running up on ’em, without a plan. I’m always here for Danny getting his ass handed to him, which the team has to resort to, to keep Danny from fucking up, yet again. There follows a long interlude with him and Luke getting to know each other, and Danny trying to at least understand Luke’s perspective on the world.

So yeah, this show went a little way to making me, if not like Danny, at least understand where he’s coming from in terms I could easily grok.

 

Alexandria:

Image result for defenders gifs alexandra

 

Sigourney Weaver turns in a beautiful performance, as I expected, before being unexpectedly dispatched near the end of the series. My biggest problem is that her motivations as a villain are so vague and ill-defined I was completely unable to care what her goals were. We know what she and the other members of The Hand want to do, but we have no idea why they want to take over the world, other than just wanting to do it.

I didn’t focus on her unfathomable motivations. I just tried to focus on her performance.  She and Elektra have great chemistry, reminiscent of Ellen Ripley and Call, the Android from Alien Resurrection, and I found this dynamic fascinating. On a lighter note, I loved her outfits. Alexandra is always impeccably dressed. She just looks like a woman with a lot of money and extravagant but unshowy tastes.

Another problem that I have is that the women in this show rarely get to interact with each other, (although Claire and Colleen get some nice scenes together, and later, Colleen and Misty get to talk). Alexandra spends a lot of time alone. They couldn’t even bother to write her as being friends to Madame Gao, having her treat Gao like a servant, which I found especially distasteful. Here you have a wealthy White woman treating this older Asian woman as if she were the Help, although there are other factors behind why she does it, it was still ugly and racist, even if that was not what was intended.

I still don’t know why the  showrunners bothered to call Sigourney into this show, which she is simply too good for. I had noticed that her presence sidelines the Asian characters putting, them all in a subordinate position to her, and significantly reducing Madame Gao’s street cred, that she’s built over three other shows. As much as I like Sigourney, I feel like the story would have been better served without Alexandra.

 

Elektra:

Image result for defenders gifs elektra

 

I still do not like this character, because I just feel like she’s evil for no  feckin’ reason. I didn’t like her in Daredevil either, because the writers just made her seem batshit insane for no reason. Elodie Young is gorgeous and all, and can actually act, as I’ve seen her elsewhere acting just fine, but I don’t like the way she approached this character. When we first see her here, she has been brainwashed and controlled by The Hand, most especially Alexandra. She’s pretty much a perfect example of the Born Sexy Yesterday Trope.  Later,  she appears to become evil on purpose,and for the life of me, I simply could not care.

http://tvtropes.org/pmwiki/discussion.php?id=dxgnmgk8728039vcnyat5g65

After Elektra’s resurrection, she is mentored in her evil-ness by Alexandra, and it was really interesting watching the relationship between the two of them, but she does eventually betray Alexandra, and turns against The Hand. Once again, for no reason that I could discern than that the writers needed a new villain in the plot.

The show is somewhat formulaic, with the idea of replacing one Big Bad with another, halfway through the season. This happened with Iron Fist, Daredevil, and Luke Cage, where the viewer starts out with one villain, who gets unceremoniously dispatched by the true villain of the story. Basically, a villain bait and  switch.

I wanted to like Elektra. I just don’t. I couldn’t understand her motivations for anything, and I wasn’t feeling her deep love affair with Matt Murdock. Which is not helped by Matt Murdock acting like  “Floor Lamp Ninja”, throughout most of the series. When she’s not smurking evil-ly, she has a blank, wide-eyed, look on her face, which I found kinda irritating. I got no problem with Elektra’s martial skills. Those were exemplary, as always.

 

Colleen Wing:

Image result for defenders gifs colleen

 

She has even less personality growth here then in Iron Fist. In fact, I found her much more annoying in The Defenders, than I did in that show. She didn’t make much of an impression on me for this show, either. Part of this has to do with the shorter length of the series. There’s just not enough time to develop all the characters, so some of them get short shrift and hers is especially short.

The only thing we get from Colleen’s is more of her being Danny’s support network, (as she is told by Claire) and fighting the same endless fight against Bakuto, that she fought in Iron Fist, with Bakuto making the exact same talking points. Why he wants her is anybody’s guess Is he in love? Wants her as a protege? We don’t know or understand. His motivations are pretty vague. As are most The The Hand’s motivations.

Collen’s motivations are even less discernible to us than they were in Iron Fist. That was a problem that wasn’t even approached here. We don’t know why she loves him, and the two are not especially demonstrative, but nevertheless we are led to believe they are a couple. She may be Danny’s emotional support but she’s doing an awful job at helping him deal with his anger issues ,or his ideas about who and what he is. Case in point, it took a near total stranger, Luke , to point out one of Danny’s biggest flaws. The problem may be that Colleen is unable to point out Danny’s flaws because she’s too much like him. She has a go along to get along attitude with Danny that I found irritating, never questioning what he says or does, and mindlessly following him in his quest. She has no story of her own, seemingly having gave it up to be little more than Danny’s helpmate. The writers need to do better with her. Hopefully, if there is a spinoff show with Misty, she’ll be better written.

As per usual there’s nothing wrong with Colleen’s martial skills. In fact the choreography isn’t bad for the whole series, and at least a few of the directors know how to shoot fight scenes well enough to make them all different, and compelling enough, to keep watching. My favorite fight scenes are the team fights though.

 

Misty Knight:

 

Image result for defenders gifs misty

There’s not much character growth with Misty Knight either, but at least her motivations are clear. We know exactly what she wants in the narrative and why she wants it. She wants to solve her case, and get a promotion, (or not be fired), which is hindered by the fact that the people who could help her solve it, refuse to tell her anything, and the fact that, with The Hand, she is totally out of her league.

Misty is a cop, so she has mostly cop concerns, just as she did in Luke Cage. Shit is happening, her friends are in the middle of it, and they won’t tell her anything, because they realize, but refuse to explain clearly to her, just how far out of her depth she is. I kept admonishing Luke (and Jessica) to make clear to her, that the organization they’re  dealing with  doesn’t give a flying hot damn if she’s a cop, and will happily kill her (and her entire fam), but they kept refusing to tell her this, which was becoming really frustrating.

I’ve also seen some shitty meta about how she’s a bad character because she keeps attacking people she needs help from, and I’m like Bish please! She’s not attacking your White faves! She is being a cop, who knows that the information that will allow her to do her job, is being withheld. She’s got one job in the damn show, which is solving her case, and  she can’t do it, because  the four people who know something about it, won’t tell her anything. So yeah, she gonna be irritated, and not afraid to show that irritation.  This is called DRAMA, people!( I’m trying to  remember that I’m dealing with the hysterical children of Tumblr, who think any time  characters of color show irritation at a White character’s actions,  that it automatically makes them a villain. Yep! This is the level of logic I’m dealing with on Tumblr, guys!)

But she comes through in the end anyway, and lets the team handle their bidness. Although, I suspect she’s mostly there because Luke and Claire were in danger. (Remember, Misty doesn’t know who  any of those White people are. They are just mysterious somebodies who are obstructing her job. Luke and Claire are the ones who are her friends..)

Misty is known in the comic books for having a silver bionic arm, and for teaming up with Colleen to be the Daughters of the Dragon. (On an alternate Earth, she even gets to carry Steve Rogers shield, sorta like a female Bucky.) So,  we may get to see her new prosthetic in season two of Luke Cage, and if we’re lucky we’ll get to see her and Colleen team up. Hey! If side characters like the Punisher can get their own show, they can make a Daughters of the Dragon series, (possibly in the style of the Foxy Brown Blaxploitation movies of my youth.) The series should of course be helmed by a Black or Asian woman, because I absolutely do not  trust a White, male, showrunner to get a Black woman, and an Asian woman correct.

http://mashable.com/2017/08/18/the-defenders-misty-knight-arm-daughters-of-the-dragon-spinoff/#KKkkf8UKpmqx

 

The Hand:

Image result for defenders gifs the hand

https://www.bustle.com/p/who-are-the-five-fingers-of-the-hand-the-defenders-reveals-whos-pulling-the-strings-77358

Unfortunately, the shorter the running time of the series does not seem to allow much clarity on who, or what, The Hand is, or why they want what they want. We have some idea of what they’re doing globally, not just in New York, but that’s pretty much all we get.

New York starts experiencing a spate of seismic disturbances, which are being caused by The Hand digging near some sort of fault line, under a plot of land they built an office on. Why they are digging is slightly unclear. I think some dragon bones are involved becasue its briefly mentioned tat this has something to do with how Iron Fist got his power. For some reason ,they also need to capture Iron Fist and beat him up, or make him angry so he can open some kind of doorway to K’un L’un, so the five leaders of The Hand can go back home.

I did pay attention but really that’s the best I can do regarding the rather lackluster plot. I really didn’t care, although i guess its supposed to be some sort of revelation ,that the five leaders are all incredibly old, exiled citizens of K’un L’un. Even the facts of why they’re exiled in the first place isn’t made abundantly clear. I really hope the showrunner and the writers were making some kind of point about cloudy motivations, or something becasue the villains are a mess.

Alexandra gets unceremoniously dispatched and replaced by Elektra, who gives a self important speech about how she’s now the leader of The Hand. I don’t know if its the actress, or the writing, but I was bored by the whole thing. Why we were introduced to new memebers of The Hand only to have them killed right away is anyone’s guess.

Since The Hand is an egalitarian organization there’s a Japanese guy, whose name I don’t remember, a Brazilian guy named Bakuto, an African (Haitian?) guy named Sowande, and Ms. Gao, who I assume is Chinese. Sowande reminds me of the lead character from the movie Beasts of the Southern Wilds who was a procurer of child soldiers. Sowande is brutally tortured and killed by he Defenders after they capture him in an attempt to find out his people’s plans, something which did not sit well with me. And before you come into my inbox and start mansplaining about how the other members of The Hand also get killed, I have to remind you, that none of the other members of The Hand were brutally tortured first. This happens to the sole Black member of The Hand, by people who are, supposedly, the good guys.

Couple that scene with Iron Fist’s brutal beating of a young Black boy in an earlier episode,Jessica jones treatment of its Black male characters,  Daredevil’s treatment of its Asian characters as some type of Yellow Peril (which even the presence of a White woman leader cannot resolve), and Iron Fists White Savior issues, and it becomes clear that the the MCU has some serious racial issues that need addressing. The only disability on display is Matt Murdock’s blindness. Jessica Jones treament of one of its lesbian characters was, quite simply, abominable, and outside of that there is no LGBT representation in any of it. Marvel comic books are doing much better in regards to these issues than the MCU.

One of the ways they can address some of these issues is by hiring different types of showrunners, and writers and treating the creation of these shows (and the movies which have all the same problems) the same way they approach the comic books. The newest phase of MCU movies have gotten a little bit better as far as racial issues (but not by much) and it’s seriously lacking in LGBT and disability representation, and the creators of these projects need to think more deeply about these issues, most especially in its treatment of Asian characters across all of the MCU, as it’s becoming creepily apparent that maybe don’t like people of the Asian diaspora.

Despite all my criticisms though, I actually enjoyed watching it. I’m still glad I didn’t have to spend 13 hours watching it, instead of the eight. The strongest part of the series are the scenes of The Defenders working together as a team. There’s a lot of room for improvement but also a lot of promise for a season two.

Stuff I’ve Been Watching

 

Midnight Texas (NBC)

Image result for midnight texas

So, I’ve watched maybe two episodes of this show and I’m really liking it so far. I’m willing to date this show for a while, because it’s good fun and makes me laugh. Midnight Texas isn’t a deep show. It’s not a Bryan Fuller Joint, or Westworld, but it’s a fun little interlude before going to bed, since it airs at ten, Monday nights, and I gotta go to work in the morning.

The main character, Manfred Bernardo, can see ghosts. His Auntie comes from the town of Midnight, and after she dies suddenly, leaving him in debt to some type of criminal, her ghost tells him the town can be a safe place for him, where his skills will be appreciated.

Midnight Texas happens to be the home of various supernatural beings, and Manfred fits right in. Upon his  arrival, Manfred meets a local girl named Creek, and while her father is deeply suspicious of him, the young lady is intrigued, and the two of them develop a relationship very quickly. A lot of things happen quickly in the show, and many of the plot points happen in a kind of throwaway manner that takes some getting used to. I understand the idea is to keep it light, and not get too bogged down in philosophy, meta- physics, and whatnot. The show is supposed to just be fun, and I’ll watch it in that spirit.

I have a lot of favorite characters on the show, most of which are supers. There’s some good representation on the show, and I’m looking forward to learning more about the various characters. I missed the second episode, but managed to watch the third. The creators are trying to keep things light without being ha-ha funny, which is a fine line. It doesn’t look like they’re trying so much to reproduce True Blood, as reproduce the mood of True Blood. Some of these characters are mentioned in the True Blood books though.

Manfred, for example, is the psychic that Sookie met when she visited Dallas.  Midnight Texas is based on source material from the same writer, Charlaine Harris. I have not read the books. I opted not to, because I didn’t want my brain focusing on the side issues of the books, while watching the show. I may read them at some point in the future, because they seem like fun, but not right now.

Image result for midnight texas/ joe  gifs

We have a full complement of creatures on the show, so you’d think my favorite would be the Reverend Emilio Sheehan, who happens to be a Were-Tiger, which is kinda awesome. He seems rather morose, which is appropriate as I consider actual tigers to be the “crabby old men” of the giant cat world. There are WoC in the cast. One of them owns the local bar/diner, and I don’t think she has any superpowers, but I could be wrong, and it’s something that could be revealed later. The other is the local witch. The town does have some mundane people inhabiting it, and some of them are aware of the supernatural qualities of the others.

You’d think my next favorite would be the Angel, Joe because he’s really, really hot. I’m not into blondes, as a rule, but I’m willing to acknowledge the occasional hotness of some of them. He happens to be living with a Hispanic man named Chuy, who also happens to be an Angel, and I wonder if the two of them being a couple is the reason they’ve been exiled to Earth.

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Lemuel

Well, you know who my favorite is. Lemuel, the rather unique vampire who feeds off human energy, and eats other vampires. We get to see his backstory in the third episode. He used to be a slave and there’s a scene of Lemuel being whipped for trying to escape, which I didn’t appreciate having to look at. That scene is pretty graphic and you may want to skip it if watching Black people being tortured is not your thing. The point of all that is to show how far Lemuel will go to be free, I guess.  After a couple of escape attempts, Lem encounters a Native American vampire, who transforms him. Lem’s immediate course of action is to avenge himself on the slave owner, who had him beaten, and that guy’s entire family. That’s pretty graphic too.

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Olivia

 

Later, Lem and the other vampires in his clan, have a falling out, because Lem thinks he’s become just another slave to his thirst. In the third episode, Len’s Maker returns looking to take over Midnight for himself. The townspeople rally together to kill the vampires.

This seems to be the main theme this season, as we’ve  had three/four episodes, in which the townspeople need to band together to defeat some outside force. In the middle of all this plot, we learn that Lem started off as an ordinary vampire, but after encountering Manfred’s aunt when she was a child, she transformed him into something else, a vampire that can feed on other vampires.

The characters often have some deep philosophical insights, but like I said, it’s in a blink and you’ll miss it manner. (Joe and the Reverend do this too.) Lem is played by Peter Mensah, who is extremely handsome, in his bold blue contacts. You may remember him as a gladiator from the show Spartacus.

I  like Lem’s girlfriend, Olivia, who is some type of international assassin. She’s a total badass, and she and Lem are the town’s heavy hitters, when it comes to defense. I don’t normally pay a whole lot of attention to White television actresses, unless they’ve firmly established themselves with a good track record, but I like this actress. She’s blunt spoken, clear-headed, and pragmatic, all qualities I admire, and I see why Lem likes her. She has some secrets from her past, that she’s trying to bury, while dealing with  anger issues.  I could do with a lot fewer scenes of Olivia and Lem gettin’ it on, though. It doesnt need to be shown in every episode.

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Fiji

Fiji is another one of my favorites, and I like her, not because she’s the town witch, although that’s kinda cool, but because she has a talking cat. I don’t know much about the cat’s backstory but he’s snarky, and dismissive, just the way you’d think a cat would be. How it happened that her cat talks, we don’t know yet. Fiji is very young, but she’s also extremely powerful, and well-respected in the town. Most of the mundanes know what she is, and rely on her to protect them.

Fiji is also really cute, and kind of adorkably nerdy. She has a mad crush on one of the townies, a guy with the unfortunate name of Bobo, and her feelings seems to be reciprocated. One of the more powerful images I have of her, is from the first episode, where she crushes a police vehicle, with little more than her bare hands, and a strong will. Fiji looks sweet and vulnerable, but she ain’t the one to mess with. She’s  refreshingly different, as Black women rarely get to be emotionally fragile, but powerful love interests, and/or witches either.

I’m going to try to enjoy this show while it lasts. It’s on network television, which has a nasty habit of cancelling the shows I like, so I don’t hold out much hope that Midnight Texas. will be around next year. This is the same station that just canceled Still Star Crossed. But then I was trying really hard not to get attached to that show. (That didn’t work). I’m not gonna try that with this show and it still might get canceled. I might as well get attached. There’s always the books, which I’m told, Charlaine intends to keep writing.

 

Mr. Mercedes (Audience Network)

Image result for mr mercedes gif

 

I liked this show, too. I was expecting it to be a deeply serious dramatic type  show, but it turned out to have a quirky sense of humor, not because the writing is funny, or people are telling jokes, but because certain characters and situations are just odd. It’s not like the show Psych, which was a deliberate comedy. This is not a comedy. It’s just some of the characters are weird.

The show is based on a trilogy of books by Stephen King, the first title of which is Mr. Mercedes, named after the killer in the book. Brendan Gleason plays Bill Hodges, a retired cop who is trying to figure out what to do with himself, now that he’s no longer working. until he is taunted out of retirement by Mr. Mercedes, so-named after he drove a Mercedes into a crowd of job seekers outside a job fair, killing several. I like Gleason’s character. One of the funniest recurring issues is when he can’t believe various women find him attractive. (It’s definitely the beard.)

Image result for mr mercedes tv show gifs

The show begins with  a very graphic scene, and I was heavily reminded of the events in Charlottesville Virginia. There’s no mystery about the killer for the audience, just as in the book. We’re introduced to Brady Hartsfield early in the story. The book remains very faithful to the books, except in tiny details like the wacky neighbor lady who lives next door, and Bill feeding a massive tortoise passing through his yard one morning. I’m not sure if this is a pet or what.

Bill is assisted in his sleuthing, by the kid he hired to mow his lawn, and who happens to be a computer wiz. Jerome is played by Jharrel Jerome, and I like him already. His character is a refreshing change from the Black Male Sportsplayer/Jock, we see so often on TV. Black men are rarely cast as hardware nerds. Brady is also a tech-nerd, and works at one of those big box technical stores, which is something like Best Buy, and I like that Jerome seems to be every bit his equal when it comes to the esoteric workings of computers.

Image result for mr mercedes gifs jerome

I think Bill’s quirky neighbor is meant to represent a woman with which Bill has a brief, but satisfying relationship, in the books. Or at least I hope so. I don’t know if this will happen on the show, but in the book, Janey is murdered by Brady. This is not a catalyst to make Bill chase after him, because Bill was already unofficially working the Mr. Mercedes case. This is Brady’s attmept to make Bill commit suicide. The neighbor, Ida Silver, is played by Holland Taylor, and if she looks familiar, that you may have seen her in every funny show of the 90s.

Image result for mr mercedes cast

The villain is played by one of the alumni of the cable show, Penny Dreadful . Harry Treadaway, who played Victor Frankenstein, is as disgusting character here, as he was on the other show. Apparently, this is how he’s going to make his career, playing unlikable people in perfectly good shows. The show remains very faithful to the books with him too. He has an incestuous relationship with his mother, whom he later poisons, and it looks like the writers are sticking to this plot, although in the book, the mother  initiates sexual activity. In the show, it appears she doesn’t know that her son regularly masturbates with her as his subject. (I know! Ewww!)

Their relationship does have a very Bates Motel feel. Brady works at a Big Box store, with other quirky characters, and a deeply stupid boss, who is constantly shit-talking Brady’s dreams of life beyond the store. This goes a long way towards humanizing this incredibly shitty character, who mowed down dozens of people with his car, just for shits and giggles. This is not something that happens  in the books, so I wasn’t expecting that.

I’m going to keep watching this because the pilot certainly captured me. The show airs on the Audience Network which may be difficult for some of you to access. I have access to it through DirectTV, and its possible you may need that, to watch this show.

 

 

The Void (Netflix)

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I love a good creature feature, and I was attracted to this movie because of its use of tentacles in its promotional material. I wasn’t expecting a whole lot when I sat down to watch it. I was sort of expecting a little Cthulhu type stuff, and there’s certainly a little of that in it, but there was also a lot of it I couldn’t make hide, nor hair, of.

It seems to be about a group of cultists attempting to call some dark being to Earth, to inhabit the bodies of humans, and the cultists are partially successful. They’re doing this in collusion with a doctor at the local hospital, where they’ve trapped several people.  Daniel Carter, Maggie, James, and inexplicably, an Asian woman, named Kim, who I lost track of by the end of the movie.

These people have to fight off monsters inhabiting the bodies of their friends, and a couple of trigger happy locals, while working their way through the maze of the hospital, to find and stop the doctor from unleashing Hell on Earth, through the body of his pregnant daughter.

Image result for the void movie

I have to give fair warning. The movie is very gory, with lots of blood and other fluids gushing all over the place. People get skewered with knives and/or shot, and sometimes they get torn apart by creatures. The cult members wear white hooded cloaks and look a little like KKK members, but there is no equivocating in this case. They are definitely villains ,whose job it is to keep the hapless victims trapped in the hospital to be fodder for the monsters. There’s also an element of the movie The Thing, as the monster is a conglomeration of various body parts and live people.

The movie doesn’t have the happiest ending either. At the end Daniel, and I guess her name is Maggie, get trapped in an alternate universe featuring a giant black pyramid. It’s not a bad movie, but it’s not an A+ movie either. A lot of the plot seems to have been borrowed from  other Lovecraftian pastiche movies, like Hellraiser, and Re-animator ,and the acting is sometimes a bit dodgy. But I think the key words here are “not bad”. It’s a good workmanlike plot where bad things happen to bad, and sometimes not so bad,people, who sometimes act like cowards, and occasionally act like heroes.

Image result for the void movie

Daniel isn’t the most charismatic guy in the film, although he is set up as our hero, who has the most sense,  and who  is gonna save the world. None of the other characters stand out as especially interesting either, really. Basically, if you’re watching this movie, it’s just  for the monsters, and gore.

Charlottesville Links & Discussion

I don’t know what to say about what happened in the US last weekend. My faith in White people to even try to be their better selves is at its absolute lowest point. I’ve gotten to where I don’t want to read anything about racism on the internet, if a White man wrote it. (But I still do.)

I don’t have the words, but plenty of other people do, and I’ve decided to link to them here. Normally, I do not directly discuss politics here, because I want this blog to be a place where people can escape the constant worry about such things, and just decompress. For those of you outside the states, me and mine are fine. The protests and rioting occurred nowhere near us, and I live in a kind of protective bubble of a Midwestern inner city. I just watched it all on TV like everyone else.

It is extremely difficult to be unaware of what’s happening in the US, no matter how much you try to avoid it (for self-care, or anxiety issues, or whatever.) But I thought a linkspam might help people outside the US figure out what the Hell is going on over here.

 

About Charlottesville Virginia:

Recounting a day of rage, hate, violence and death

<A Timeline of Events in 24 Hours from The Washington Post>

https://www.washingtonpost.com/graphics/2017/local/charlottesville-timeline/?utm_term=.a00b0596960d

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Here’s What Really Happened In Charlottesville

https://www.buzzfeed.com/blakemontgomery/heres-what-really-happened-in-charlottesville?utm_term=.sl461znwB#.vwz24J8WO

About White Nationalism and the Alt-Right:

The Right-Wing propaganda machine is working overtime, trying to equate BLM, and the White Nationalist movement, as being flip sides of the same coin. Be very aware that there is a concentrated, and planned effort, to obfuscate, and to derail, any and all discussion on the topic of White racism, onto the topic of Black people’s culpability. (They are, essentially, trying to argue that everything that has happened is the fault of Black Americans, which is yet another attempt to demonize BLM. The exact same tactic that was used to smear MLK during the Civil Rights Era.)

If the person is making claims, without any reputable links to sources for those claims, then beware of their intentions. 

Here’s a link to BLM’s actual website, so you can read about it for yourself, in their own words, rather than toxic people’s interpretations of those words:

http://blacklivesmatter.com/

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Most of these links are from Tumblr, Twitter, and various Op-Ed news sources, as people try to explain and understand what happened. As I always warn, do not go into the comment sections of the articles, because the apologists and racists are out in full force, and have infested most of the comments sections on any articles dealing with this subject, mostly offering misinformation, and false equivalencies.  If your tolerance for White Gibberish is at zero, then don’t read them.

THE ALT-RIGHT CAN’T DISOWN CHARLOTTESVILLE

https://www.wired.com/story/alt-right-charlottesville-reddit-4chan/

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Yes, there are Medieval Historians who are pushing back against narratives of this kind.

Racism, Medievalism, and the White Supremacists of Charlottesville

https://newrepublic.com/article/144320/racism-medievalism-white-supremacists-charlottesville

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The Truth About Women and White Supremacy

https://www.thecut.com/2017/08/charlottesville-attack-women-white-supremacy.html

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A Guide to the Different Levels of White Supremacist

http://www.notsorryfeminism.com/2017/08/a-guide-to-different-levels-of-white-supremacist.html

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View story at Medium.com

To the white male supremacists who feel ‘oppressed’ in America: you’re nothing more than venomous crybabies

http://www.independent.co.uk/voices/charlottesville-white-male-supremacist-attack-killing-oppressed-venomous-crybabies-a7893011.html

On What You Can Do

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phoenix-ace

I’ll say it before and I’ll say it again:

You cannot challenge racism, on this level, by being nice to and reaching out to white supremacists.  Their entire ideology revolves around dehumanizing us.  It just does. not. work.

You cannot fight fascism by prioritizing the feelings of fascists and letting them think they’re safe around you.  You don’t “get them on your side”.  Because treating them kindly and respecting them, gives them your silent approval and access to those of you who are way more vulnerable than you are and who cannot afford to feel safe enough to “debate” with these monsters.

Our humanity is not a question or a debate topic, and by giving these people a platform you legitimize their views and help spread them to a larger audience.

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We Aren’t At The Healing Stage With Racism

A lot of people want to heal our communities in the aftermath of the events in Charlottesville. I am here to counter such narratives. This is not the time for healing. Now is the time to double down on admittedly painful efforts for change instead of feelings.

https://scottwoodsmakeslists.wordpress.com/2017/08/16/we-arent-at-the-healing-stage-with-racism/

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 vaspider

Okay, friends, let’s talk about going to protests and weaponizing our whiteness, if in fact we are white.

You know what the protesters who marched with Dr. King wore? Their best. Their clergy stoles, their suits. If you’re a doctor or a nurse? Wear your scrubs. If you’re a parent? Wear your PTA shirt if it’s too hot for a suit. If you’re a student? Dress like you’re going to go volunteer somewhere nice, or wear a t-shirt that proclaims you a member of your high school band, your drama group, your church youth group. Whatever it is, make sure it’s right there with your white face.

This is literally the tactic of the people who marched with King in the 60s, and we need to bring it back, and bring it back HARD.

I do this all the time when I go to marches. I wear my cutest, least-offensive geeky t-shirt, crocs and black pants, or I wear my t-shirt that mentions my kid’s school district, or now I’ll wear the pink t-shirt that says I’m part of the Sisterhood at my shul. If it’s cold enough, I wear a cardigan and jeans and sit my ass in my wheelchair. (I need to anyway.) I put signs on my wheelchair that say things like ‘I love my trans daughter’ and ‘love for all trans children’ or something else that applies to the event. Dress like you are going to an interview if you can, or make yourself look like a parent going to pick up a gallon of milk at the corner store. Make yourself “respectable.” Use respectability politics and whiteness AS A WEAPON.

Fuck yes I will weaponize the fact that I look like a white soccer mom. And you should do this too if you can. Weaponize the fuck out of your whiteness. If you are disabled and comfortable with doing so, turn ableism on its head and weaponize it. Make it so that the cameras that WILL be pointed at you see your whiteness, see your status as a parent, see your status as a community member. See you in your wheelchair or with your cane. If you have privilege or a status that allows you to use it as a weapon or a shield, use it as a shield to defend others or a weapon to break through the bullshit.

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DEAR WHITE AMERICA: THIS IS YOUR MESS.

I don’t think you understand how serious I am.

This is your mess.

Every single time you barked about how BLM protested, you supported go fund me campaigns for racists and cops that killed unarmed Black (minority) people.  Every time you shouted freedom of speech when someone called a Black person a nigger you created this mess.

Dear White America: This is Your Mess.

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Ju-Hyun Park

llleighsmith: “Ju-Hyun Park ”

Forthcoming Fall Books 2017

Well, I made a list of TV shows, so here’s a list of books I’m looking forward to attempting to read this Fall, or maybe they just look interesting right now. I pretty much have to wait for some of these to be in my hand, before I decide if I’m going to finish, or not.

August

Hex Rated – Jason Ridler

Image result for hex-rated book

From the description this seems like a retro 70s X-Files type of plot. I keep picturing an  Asian cop from Starsky & Hutch, wearing a giant mustache. I still don’t know why I find various combinations of paranormal activity and the Federal government fascinating. probably because government organizations represent Order on a large scale, while  anything having to do with the paranormal represents the complete opposite.

 

Son of the Night – Mark Alder

I got halfway through the first book, Son of the Morning, before having to cart it back to the library, from whence I had procured it! And I do mean cart, because it was a massive book. It was also pretty good, up until I had to put it down. Its an Historical Paranormal Thriller, where actual Angels have gotten involved in Europe’s various wars.

 

Resurrection Game – Michelle Bellanger

Apparently, this is  the third book in a series. I haven’t read any of the others but this one sounds intriguing, and I’ve read Ms. Bellanger’s work before, The Dictionary of Demons, and The Vampire Codex.

 

September

1 – Sea of Rust – Robert Cargill

Image result for sea of rust

This one is about sentient robots, wandering an apocalyptic landscape, while trying to find their own humanity.

 

Iron Angels – Eric Flint

Eric Flint has written lots of Historical Urban Fantasy/SciFi, but this one is  interesting to me. It seems  a little more traditional, with a primary protagonist fighting against some paranormal creatures, in  Chi-Town. It too, has an X-Files type of vibe, with government agents getting involved with the Occult.

 

The Salt Line – Holly Goddard Jones

Image result for salt lines book

This is set in an apocalyptic landscape, where half the US is cut off from the other half, because one side has been invaded by disease carrying ticks, and involves a group of action junkies, who like to play with fate, by jumping The Salt Line.

 

7 – I Am Behind You – Lindqvist

I don’t have a date for this book, but it sounds creepy enough. About a boy and his Mom, who wake up in some kind of twilight zone, with lots of other strange people, and something terrible is coming to get them.

 

14 – Peace Talks – Jim Butcher

I loved the ending of the last book, so I’m eagerly looking forward to this. There’s still no listing on Amazon for this, or I’d have pre-ordered it already.

 

26 – Unkindness of Magicians – Kat Howard

Image result for unkindness of magicians

This sounds not unlike a book I’m reading now about magic in New York City,  called The Last Magician, only this one sounds a lot grittier, and a little less traditional.

 

Sleeping Beauties – Stephen King

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I’m looking forward to King’s collaboration with his son Owen King. I’ve not been much of a fan of Owen’s work, but the plot sounds intriguing. The women of the world fall into a deep sleep inside cocoons, and it’s dangerous to wake them up. Now you know men can be fairly bull-headed creatures, who would of course wake all of them up,  thereby destroying the human race, so I’m interested to see how these two will write around that.

 

October

3 – Scandal in Battersea – Mercedes Lackey

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I’m enjoying these Sherlockian Magic mashups by Lackey.

 

Akata Witch/Warrior – Nnedi Okorafor

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I’m only just now getting into this author through her SciFi book, the Binti series. This sounds like a neat Urban Fantasy set in Nigeria. It’s being billed as an African version of the Harry Potter-verse.

 

What the Hell did I Just Read – David Wong

I’ve liked every one of Wong’s books, so far. They’re terrifying and hilarious, so I don’t want to miss this one, featuring the three main characters from the previous two books, Dave, John (who isn’t actually dead), and Amy, trying to stop some kind of biblical cataclysm.

 

Anno Dracula: 1000 Monsters – Kim Newman

Image result for anno dracula japan

This is set in the Anno Dracula Universe, starring The Diogenes Club, and the Vampiress Genevieve. I’ve tried to read all of the series, and this one is set in japan, which doesn’t have vampires, but has an entire menagerie of its own monsters to deal with. If you like Japanese folklore and mythology then check it out.

 

10 – Stone in the Skull – Elizabeth Bear

I wasn’t going to read this one, but I know some of you guys must like this series, and I’m a fan of Bear’s other work. This is set in the Eternal Sky series, and is about The Lotus Kingdom. I couldn’t get into the other series, but I’ll try this one.

 

17 – Under the Pendulum Sun

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I’ve already borrowed my copy of this from Netgalley and am working on it now. It’s about a Victorian expedition to the lands of the Fae. A Missionary goes missing and his sister arrives to search for him. I like it so far, but I’m still chafing at all the religious stuff.

 

24 – Strange Weather – Joe Hill

Image result for strange weather book

This is another Joe Hill anthology. I’m looking forward to this book, which features four stories featuring horror, and the paranormal, and sometimes, just the normal made horrible.

 

 

November

All Those Explosions Were Someone Else’s Fault –  James Alan Gardner

This sounds like a parody of the superhero genre, with vampires, capes, ghosts and various weirdnesses. I’ve like Gardner’s books in the past and I like the plot of this one.

 

14th – Into the Drowning Deep – Mira Grant

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I read this first novella about an attack by carnivorous mermaids, on the crew of a Reality TV series, and loved it. This is the sequel.

The Fall TV Season (2017)

Here’s a list of shows I’m interested in watching for August, and the new Fall Season. I also included shows I’m not particularly interested in, but some of you might enjoy viewing. i didn’t list some of the returning shows I will be watching though. (The numbers preceding the titles, are the dates of the shows, not a rating of some kind.)

August

4 – Comrade Detective  (Amazon)

I know nothing about this show, except it appears to be set in the mid-80s, and involves a Russian detective who comes to America to solve crimes. From what I saw of the trailer it looked like a parody of 80s cop shows. Its available on Amazon Prime.

 

9 – Mr. Mercedes   (Audience Network/DirecTV)

I read the books for this series, and it’s Stephen King, so I’ll watch this. It should be a good substitute for The Mist, which turned out to be disappointingly boring. The show airs this Wednesday. Just to warn you though, the show does contain some graphic, and possibly triggering imagery:

http://www.nydailynews.com/entertainment/gossip/confidential/mr-mercedes-creators-expect-blow-back-opening-scene-article-1.3384814

 

18 – The Defenders  (Netflix)

I still have mixed feelings about this, but I will watch it. I hate Jessica Jones, and Danny Rand, but I love Luke Cage, Daredevil and Sigourney Weaver, so I actually hope the show looks, and does well, despite my misgivings.

 

25 – The Tick (Amazon)

I was never a big fan of this character but I have seen some episodes here and there over the years, and I know some people are huge fans of both the comics and the short lived cartoon, so I’m putting this on the list. I may or may not watch it. I will add that the lead actor is absolutely perfect for the role, though.

 

September

5 – American Horror Story: Cult (FX)

I’m gearing up for the final season of this show. Its got a brand new cast, along with three, or four, old cast members. I think this season is supposed to touch on some of the themes of the previous seasons. Here! Have a creepy trailer! Hope you’re not scared of clowns.

 

10 – The Orville (Fox)

I’m not sure I want to watch this because of the lead actor, (we do not share the same type of humor, really), but the special effects look like fun, and I’m always up for a Star Trek parody, which is what this appears to be. Trailers are sometimes misleading though.

 

10 – Outlander (Starz)

I kinda like this show, and not just because Jaime is a hottie. I’ve never read any of the books, beyond the Lord Grey series, because I thought they were Romances, and that’s just not my bag. But I like the show. I’m a sucker for a good costume drama, I guess.

 

10 – Fear The Walking Dead (AMC)

I don’t watch this show because one show about The Walking Dead is harrowing enough,  but I know some people love this one, too.

 

24 – Star Trek Discovery (CBS Access)

I’m eagerly looking forward to watching this. I’ll have to subscribe to the network to watch it though. CBS All Access is a subscription cable service like Netflix. It costs 5.99 a month. The show will air the first episode on network television, after which all the episodes will be available on Access, with a  hiatus after about six episodes, and the rest of the new episodes airing  in January.

 

26 – Brooklyn 99 (Fox)

The show’s last season ended on a cliffhanger with Rosa and Jake possibly going to prison on corruption charges. It sounds like a pretty heavy plot, but this show has a way of getting you to laugh at such things, without feeling guilty about it. I’m looking forward to the new season. I love these characters and don’t like to see bad things happen to them.

 

27 – SEAL Team (CBS)

I keep saying I’m going to watch these military type shows, because I find all this Spec Ops stuff fascinating, but I keep skipping them. There’s an unspoken American jingoism in a lot of them, that just doesn’t sit well with me, and I end up just not liking the shows. Also, David Boreanaz is in this one, and I don’t like him very much.

 

28 – Gotham (Fox)

Apparently, The Scarecrow makes his debut this season. I like Killer Croc and hope he’s on the show, or planning to be. I’ve been skipping this show, because it hasn’t been holding my attention, and because some of the acting was a bit dodgy. I hated most of the female characters because their acting was terrible. I hated this show’s version of The Joker. Penguin, however, continued to be a favorite. but I’ll watch the season premiere, and see what’s what.

 

29 – Marvel’s Inhumans (ABC)

This show just looks bad. But bad with the potential to be good. I’m still mad at the show runner, Scott Buck, for inflicting the mess that was Iron Fist on us earlier this year. I swear to gob the next person who mentions the words affirmative action, and undeserving Black hires, in the same sentence is gonna catch some hands. Mediocre stains like Scott Buck are allowed to fuck up multiple times and still manage to have careers. This show could have gone to some deserving PoC instead of this guy. Okay let me stop here, because this rant can, and will, go  for several pages.

     

 

 The Exorcist (Fox)

I stopped watching this about halfway through the first season, but I know some of you out there are still really into it. (It does look kinda scary from the trailers.) Let me now how its going, and I’ll check out a few episodes ,on your rec.

 

October

1 – Ghosted (Fox)

I’ve loved Craig Robinson, ever since Hot Tub Time Machine, a movie I profoundly hated. I also remember him from Reno 911, as the commercial conman who was always singing using the same five notes on his synthesizer. He also did some hilarious cameos on Brooklyn 99. I was wondering when he’d get his own show and I’m set to watch this one, where he plays some regular yahoo, who gets involved in some afterlife type of shenanigans, although it mostly just looks like a buddy-cop show, with ghosts.

 

2 – Lucifer (Fox)

I’m not a fan of this but I heard the show has greatly improved since season one. I’m still not inclined to watch any of it, because I object to the woobification of evil characters. That whole “I’m not really bad. I just like a little drinkin’ and whorin’,” shtick gets real old with me, real fast. If a character is gonna be evil don’t make excuses for them. Just let them be evil.

 

   The Gifted (Fox)

This show isn’t filling me with a great deal of confidence that it will be interesting. Right now it looks like Riverdale with superpowers, and I hate Riverdale so…nah! Also I’m kinda getting tired of the whole’ government is after superpowered people” plot. I find it difficult to believe that anything formed by the US government would have their shit together enough to be that organized. Private companies could pull it off, but not the government.

 

10 – The Flash (CW)

I watched the last season, and still have no idea what the hell is happening on this show. I’ll probably watch this just to figure out what’s going on.

     

 

Legends of Tomorrow (CW)

I’m really looking forward to this. The show is adding some  new characters, and Damien Darhk is rumored to be back on the show this season. Also I’m a huge Firestorm fan and never get tired of looking at Jax. Vixen is also a favorite who clearly needs her own damn show.

Black Lightning doesn’t air until 2018, but I’m going to check it out, as CW becomes the Official DCEU network.

12 – Supernatural (CW)

Yep! Gonna watch!

       Arrow (CW)

Nope. I always fall asleep on this show. I don’t know why!

 

22 – The Walking Dead (AMC)

Yep! Gonna watch!

 

27 – Stranger Things (Netflix)

I think I’ll watch the second season of this, which looks more interesting than the first.  I watched a few episodes, and wasn’t greatly impressed, but it also wasn’t bad either, in that I didn’t fall asleep. It does have kids in it, and I’m allergic to watching those sometimes. At any rate, it looks like a good tide-over until the release of Stephen King’s IT, in theaters next year.

 

November

2 – SWAT (CBS)

Another military themed show I’m planning to look at, and then don’t.

 

14 – Future Man (Syfy)

I got nothing. I know nothing beyond the fact that Seth Rogen is involved, and I sorta, kinda like him and this title. I know Josh Hutcherson is in it too, and I have no idea who the hell he is, nor do I care to Google him. I will, however, give the show a looky-loo,  see what’s up, and let you know what I think. The Trailer doesn’t tell you much either.

 

21 – The Runaways (Hulu)

This looks like a better match for me than The Gifted. The trailer for he Gifted just looks really bad, I think. But I like the idea behind this show, and I’ve read a few of the comic books its based on, about the sons and daughters of some kind of Superteam, (like the JLA) battling with their superparents. The showrunners say they’re not going to do the usual racist stereotype stuff, so I’m holding them to that promise. this is another one with no trailer.

 

29 – Vikings (History)

Hell if I know. I watched all the other seasons without understanding why I love this show. I might as well finish it up.

 

Midnight Texas, Charlaine Harris’ new show has already begun and is approaching its third/fourth episode. Teen Wolf is finishing its last season, and I’ve pretty much skipped it, for reasons, although I will watch the finale. The show has moved to Sunday nights at 8PM without telling anybody, though.

The most recent show to air is The Sinner, starring Jessica Biel, which I wasn’t particularly interested in, although some of you might be interested, because there may be some supernatural element involved in its plot.

Preacher is nearing its end, and I’m a little behind in my episodes because I’ve been watching movie re-runs (like The Thing and Robocop), and I need to stop it. Game of Thrones is also in its final season, but I’m not much of a fan and I’ve been skipping the episodes. I will watch the Finale though.

I will try to watch Ash Vs. The Evil Dead Season 3, even though I missed the last season. The Punisher is set to be released in November on Netflix. I really liked this character in Daredevil, and I’m looking forward to the show.

 

Coming in 2018:

We’ll be seeing the second seasons of Legion, Luke Cage and Jessica Jones, this year. Cloak and Dagger, and The New Warriors is set to be released. I’m looking forward to the New Warriors because Squirrel Girl will be prominently featured.

This isn’t a complete list. For that, visit:

https://www.newsarama.com/30432-the-full-comic-book-television-release-schedule.html

 

And we promise to keep an eye on this show, since the showrunners already feel a need to get out ahead and defend it.

‘Kevin (Probably) Saves The World’ Creators Promise To Sidestep Clichéd People Of Color Trope – TCA

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Tumblr Discussions on Race

Just putting these numbers out here. Actually, I think this is may be from 2014, but really, it doesn’t make much difference. Hollywood talks a good game but is really, really slow to change. I think it takes so long because Hollywood is this big unwieldy ocean liner, and most of the power players on it consider themselves to be above using social media, and interacting  with the public. I think most of them consider that to be the actor’s job, and disdain listening to the public themselves. I think if the ones calling the shots in Hollywood do hear about social issues regarding their movies, it’s probably  second hand/hearsay. (and the ones who do hear about it, just make excuses for their laziness.)

“You’ve just very bravely cast a white person in a role and people are being very critical of it. Here’s how to handle that backlash as poorly as possible.”

http://www.gq.com/story/the-whitewashing-playbook

I’ve noticed that the television creators are much more likely to interact with audiences at Cons, and on social media, than the film/casting directors, and money lenders of Hollywood. The creators of television are just much more intertwined with their audiences, and can know what their audiences think about their product, almost in real time.

For example, the creators of Arrow were on social media that first season, probably just gauging reactions to the show. But I noticed a marked change in the show from the beginning to the end of that first season. The show improved tremendously, and I think many of those improvements were based on the critiques they saw in social media. That’s how fast the creators were able to react to audience reactions. Unlike with movies, the creators for TV don’t have to wait until a show’s run is over before finding out what an audience thinks about it.

I’m not saying that television content creators don’t fuck up, (HBO we’re looking at you!) or that there isn’t an element of racism involved in Hollywood’s decision making process. Just that, in Hollywood, change takes a hell of a lot longer to be implemented because so many of these factors seem to work well enough together to delay progress. To the rest of us it just looks like a truculent inability to move forward.

From the Tumblr: 

Hollywood sticks to the script: Films aren’t more inclusive, despite a decade of advocacy 

The report “Inequality in 900 Popular Films,” released today, from Smith and the Media, Diversity & Social Change (MDSC) Initiative at USC Annenberg, reveals how little top movies have changed when it comes to the on-screen prevalence and portrayal of females, underrepresented racial/ethnic groups, the LGBT community and individuals with disabilities.

“The deficits we see on screen are worse behind the camera,” said Smith. Out of the 1,006 directors hired on the 900 films studied, just 4.1% were females. Only 5.6% of the directors were Black or African American and 3% were Asian or Asian American. Three Black or African-American women and two Asian women worked as directors across the 900 movies. “When we look intersectionally at directors, that’s where we see just how exclusionary Hollywood is when it comes to the hiring process,” said Smith. “The image of a female director seems to be that of a White woman.”

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And riding on the point of that last essay, there’s this one,  in response to  another essay/rant that, basically, blames identity politics, and call-out- culture, for why certain TV shows fail.  Essentially, that person was trying to blame the fans of color for the failure of certain shows. Yeah, that’s not it!

This essay sure sounds like it’s making a lot of sense, but it’s predicated on a bunch of false presumptions.

I agree that hypercritical dogpiling call-out culture is bad. It makes fandom a toxic environment.

Here’s where I find fault in this argument:

Violent fandom backlash/hypercriticism/dogpiling does not actually get shows cancelled, nor does it discourage the creation of future diverse media.

Lord, sometimes I wish it got shows cancelled.

But in reality, when you run the numbers, angry scary fans have a negligible effect on the success or failure of a diverse show.

Shows with a ton of discourse are usually quite successful. Supernatural’s been embroiled in fandom backlash/outcry its entire run and I’ve lost count of how many seasons it has.

Okay but SPN’s not especially diverse, so let’s go to my next example. Speaking of shows I can’t believe are still on the air, Teen Wolf (a show with a non-white lead and numerous LGBT characters) is SIX MOTHERFUCKING SEASONS LONG and fans have been ranting and raving about how shitty and problematic it is since the beginning of season 3 (I myself was one of its loudest and most savage critics back in the day).

Sleepy Hollow was a diverse show that suffered a lot of fandom backlash prior to cancellation. I suppose one might argue that the cancellation was a result of the backlash.

But consider – Sleepy Hollow’s fridged it’s black female lead, Abbie Mills, at the end of its 2nd season, shortly after, The 100 fridged it’s wlw female lead’s primary love interest mid season 3.

There was a shitte tonne of *intense* fandom drama surrounding Lexa’s fridging in season 3 of The 100. Every vaguely liberal entertainment news outlet had something to say about “Hollywood’s dead lesbian problem.” A lot of wlw fans wrote scathing rants and swore off the show.

In comparison, fandom was downright quiet about Abby’s fridging. In fact, the very small handful of posts I read criticizing the writers of Sleepy Hollow made a point of also criticizing fandom’s white feminists for their ‘deafening silence’ with regard to Abbie’s death.

Consequently The 100 just got renewed for season 5. Meanwhile,  Sleepy Hollow is as dead as a doornail.

Seems to me that silence does a better job of killing shows than any amount of screaming and ranting.

.

Here’s what actually causes diverse shows to fail:

1) Old white men in power.

@temporaldecay you want to talk revenue? Perhaps you’d be surprised to learn capitalism is not the be all/end all of a tv show/film’s success as people often assume.

For example, we know that movies with diverse casts are more lucrative, yet the industry continues to churn out all-white media. Why? Nepotism. White execs bring in white producers who find white directors to tell white stories and cast white actors.

They keep doing this, even though financially speaking, it’s self-sabotage.

Teen Titans was the most popular show on Cartoon Network when it was canceled because it appealed to an audience (of girls) that wasn’t the intended target audience (boys) and the marketing team didn’t like how this messed up their gendered merchandising strategy. You can read all the details [here]

Which brings me to the next item on the list:

2) Bad marketing (combined with the aforementioned institutionalized bigotry)

There’s a great essay called Shut The Fuck up Marvel that explains in detail the problematic economics of the comics industry – TL&DR, diverse comics are failing not because of fickle and hypercritical fans, but rather because Marvel’s entire marketing strategy is so flawed that fans don’t even find out about diverse comics until they’ve already been axed.

The same is true of a lot of diverse television.

Wonder Woman got hardly any marketing. I didn’t see trailers for the movie. It managed to go viral anyway through word of mouth, and through the inherent publicity of being the first big blockbuster superhero film revolving around a female lead, but it’s the exception that proves the rule.

Still Star-Crossed, a Shondaland period romance/drama based on pro-fanfiction for Shakespeare’s Romeo & Juliet was recently canceled due to low viewership. The show got next to no marketing. The few people who managed to hear about it from tumblr couldn’t even figure out when it was airing due to the network changing the time slot twice within the first 4 episodes.

Similarly, Sense8 season 2 was under-marketed, as was The Get Down. I must have seen about 8 million ads for that garbage suicide apologia show Netflix has been hawking.

Networks don’t want to market diverse shows. They assume diverse shows will magically sell themselves, and then blame fans when they don’t.

3) Appealing to too small of a niche – Novelty vs. Variety

Consider Agent Carter – this show catered to a niche within a niche within a niche – a period noir drama, that was also a science fiction. Lack of POC meant it had trouble attracting POC as audience members. Lack of LGBTQ rep (queerbaiting doesn’t count) meant it had trouble holding on to LGBTQ fans.

The only audience Agent Carter seemed to want to actively market itself to was ‘straight white feminist-identifying women who like retro noir sci-fi’ – that’s so specific. Too niche of an audience to attract the kind of audience a network like ABC expects for its prime time shows.

Compare that to How to Get Away With Murder – which has a little something for everyone. Ensemble cast, multiple sexual orientations, multiple cultural backgrounds and ethnicities, people from diverse socioeconomic backgrounds – Shonda Rhimes knows how to cast a big net.

Or Brooklyn 99 – similar kinda deal.

Having a one member of a marginalized demographic in a lead role is a novelty. And novelty’s good for getting people to watch your pilot, but it wears off quickly. People come for novelty, but they stay for representation. I don’t mean representation as an abstract concept. I mean people continue watching a show when they find a character that they personally identify with and relate to. The more character variety, the greater the number of audience members who feel consistently well-represented.

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Discourse is not killing diversity.

This is a lie networks and showrunners tell fans to scare us into silence. They sabotage their own shows and then blame fans for being “too critical” or “too entitled.”

And we buy this bullshit. We buy it and we sell it to other fans. We write big long essays telling fellow fans to count their blessings and stfu.

Fuck that noise.

 

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This one is about how Blade began this whole superhero movie nonsense, that we all love so much. Yes, I blame Blade too. Frankly, even though I was a big Marvel Comic book reader, I had never even heard of this character before the movie was released, but I’m always gonna stan for that first movie, which still holds up very well to this day, and despite that Wesley Snipes is something of an asshole.

I personally consider Blade, and The Crow, to be two of the Blackest superhero movies of the 90s. (I will fight ‘chu!)

And that’s the real difference between Blade and the superhero franchises that have followed. Blade was never a big-name character in the first place. So there wasn’t a whole lot of retro-geek enthusiasm associated with the character. But more than that, Blade, the film, simply isn’t backwards-looking.

There’s none of the Greatest Generation boosterism that clings to the Captain America franchise, for example. Nor do we get from Blade the home front 50s stay-at-home mom-with-kids meme that pops up incongruously in Age of Ultron when we get to meet Hawkeye’s secret, perfect family.

Instead, Blade is deliberately, defiantly hip. Motherhood isn’t idealized; on the contrary, one of the queasier moments of the film involves Blade ruthlessly offing his feral, incestuously sexual, evil vampire mom. If there is nostalgia, it’s for blaxploitation’s up-to-the-minute cool.

The movie’s first grinding, sweaty, sex-and-blood drenched night club scene hasn’t dated at all. Nor has the Afrocentric incense store where Blade buys his formula fix, nor the black, brotherhood embrace between that store’s owner and the hero. There’s a notable lack of cell phones, of course, and the computer graphics prophesying the coming of the blood god look rather dated. But there’s little question that, as much as it’s able, the film is looking forward not back.

And part of the reason it’s looking forward, I think, is race. Blade—unlike most superhero films—is set in a meaningfully integrated world. That Afrocentric shop suggests, quietly but definitely, that Blade is part of a black community and that that community matters to him. One of his two crime-fighting companions Dr. Karen Jenson (N’Bushe Wright), is also black.

The diverse cast, and the acknowledgement of diverse communities, is part of why the film still feels and looks relevant. Here, after all, is a narrative that was fulfilling the call for more diverse superhero movies before superhero movies were even a thing.

But beyond that, Blade makes clear the extent to which nostalgia and whiteness are inextricably bound together in so much of the superhero genre. Retooling old, old pop-culture heroes[1] means, inevitably, dreaming about white saviors and about a time when white people were the only ones who were allowed to be heroes.

THE WHITE SUPERHERO FAD STARTED, CRAZY ENOUGH, WITH BLADE

[1]

A lot of us have talked a lot about how Blade started the current superhero domination in Hollywood and how current films forget that; and though it’s important to ask what kinds of behind-the-scenes decisions have caused that, I like this analysis about how Blade is fundamentally different from what we’re getting today and how that film is, in many ways, incompatible with today’s Ant-Men and Men of Steel.

 

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Another argument for why HBO’s new idea for a show, Confederate, (about an alternative world in which the South won the Civil War), is a truly bad idea:

blackfemalescientist

I’ve been thinking a lot about Confederate, the upcoming project by the creators of game of thrones. I’m not alone in actively hating the idea for this, but it took me a while to figure out why the idea for this show bothers me so much. Part of it is the current political climate, part of it is the idea being not nearly as new or interesting as the creators think it is (sci fi and fantasy is full of stories about chattel slavery in more modern/technologically advanced societies), and part of it is just me not trusting these two guys with this kind of story.

But what it really comes down to for me is this: even if I could buy that the south won the war, I do not buy that black people, in a majority black country, would be content to live in the only slave-holding society in the world for another 150 years. And the fact that the creators of this show can imagine that says a lot about how they feel about black people and their agency.

Like to put that idea in perspective, black people waged a successful national campaign to end jim crow in a majority white country and it didn’t take them 150 years. Haiti rebelled in 1804, and while we can talk current economic conditions (and how frace is primarily to blame for that), what you can’t say is that chattel slavery exists there now. Like what world are you living in where black people aren’t resourceful, smart or motivated enough to end chattel slavery 150 years after the entire world decided that maybe chattel slavery was doing too much.

The entire premise doesn’t work as alternative history because its not an alternate world, its a complete fantasy – a fantasy where black people are not only subjugated but incapable of taking steps to end that subjugation. And that leads to all the “who is this for” and “why would you do this” questions that smarter people than me have talked a lot about.

 

And here’s my man, Ta Nehisi Coates, laying it out, in his own very eloquent way, why the writers of Game of Thrones, and HBO, need to catch some hands:

HBO’s Confederate takes as its premise an ugly truth that black Americans are forced to live every day: What if the Confederacy wasn’t wholly defeated?

https://www.theatlantic.com/entertainment/archive/2017/08/no-confederate/535512/

Of course, any time Black people hold discourse on a subject that directly affects our lives, you’ve got those white people crawling out from under the baseboards, to defend this wtf*ery, because for them Black life is  no more than an intellectual exercise, and we should  get over it, because it’s messing up their ability to be entertained by our misery.

 

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This is one of the most cogent arguments I’ve ever read against financial inequality. I also had no idea of the history of the game of Monopoly.

We played this game all the time in our house. My Mom was, naturally, the Banker, and we always played it Socialist style,  I guess, with everyone getting the same amount of money, and being treated the same, following the same rules. Of course she always won, up until we were teenagers, and started learning more about how to handle money,  like how to plan ahead, and how to delay gratification. 

Monopoly isn’t maybe the best way to learn about money, but it does teach you something about how financial systems work.

So let me get this straight, in Monopoly if you give one player more money to start out it’s “unfair” but if you do it in real life it’s “capitalism”?

 

You know what, I’m going to tell you guys a story.

In my Sociology class a few semesters ago, our prof had us break off into groups and, much to our naive joy, began distributing Monopoly boards! We had no idea what was going on but yay! Games! Of course, once our group, and a number of others, got the board we began to work at setting up and distributing the money…

until suddenly our prof told us to put the money down and pick up the dice.

“Roll the dice and sort yourselves from highest to lowest,” our teacher commanded.  “Now, the highest number is the upper class. The next one is upper middle class.  The next two or three are middle class. The last person is in poverty.“

Well, as the person who rolled a two this was startling and not wholly welcome news.

From that point the game changed entirely. We had to hand out the money so that the “upper class” had this fucking mountain, and then less for upper middle, even less for middle, and I didn’t get any triple digit bills. We would all collect different amounts from passing go as well.

The biggest change though? Going to jail. Upper class didn’t. Period. Upper middle class could go but they only had to stay for one turn or they could immediately pay their way out. Middle class had some pretty easy guidelines for when they could pay to get out. As lower class, it was really easy for me to wind up in jail and REALLY hard to get out. But since I was working with so little money when everyone else had so much I was in jail all the time because there was no “game over”.  If I couldn’t pay I had to go to jail for a certain period of time. I had to take out loans with interest I could never pay back just to get out only to wind up back in it again, rolling dice turn after turn hoping to be able to get out.

It was simultaneously the most enlightening and most awful game I had ever played. I was bored and frustrated and a little terrified about it all. And it wasn’t only me. I would never win, I sort of accepted this, but it was amazing how the middle classes reacted as well.  They were stressed. Because they were always that close to either being able to one-up the upper class or from crashing into poverty with me. They had to fight constantly just to stay in the middle.

(I should also mention that the upper class player in one group felt so bad for the lower income players that they ended up overhauling their entire game and creating a “socialist” society instead. I’m not sure how our teacher felt about that one.)

 

Worth stressing this is entirely in the spirit of the original designer’s aims for Monopoly.

Monopoly’s  original form of The Landlord Game which was explicitly designed to teach people about the unfairness of rent systems. To quote from the wikipedia entry, just as it’s the easiest source to hand…

Magie designed the game to be a “practical demonstration of the present system of land grabbing with all its usual outcomes and consequences”.[2]She based the game on the economic principles of Georgism, a system proposed byHenry George, with the object of demonstrating how rents enrich property owners and impoverish tenants. She knew that some people could find it hard to understand why this happened and what might be done about it, and she thought that if Georgist ideas were put into the concrete form of a game, they might be easier to demonstrate.

When the usual suspects start making “don’t bring politics into games” noises, I roll my eyes pretty hard. They have no idea of the history of the form.

 

 

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This final topic speaks to the idea of accurate Representation from a Historical perspective. One of my biggest pet peeves is the bigoted argument against diversity and inclusion, in Fantasy media, coupled with the erasure of PoC from  Historical narratives, and not just because such an argument is irrelevant to a discussion of Fantasy based world-building. 

As an amateur Historian, I’m sick and  tired of seeing the argument about Historical accuracy, from the mouths of lazy, sometimes bigoted, individuals, who have done no research, who have only ever gotten their ideas about what History was like, from various movies and TV shows, trying to uphold the pop culture status quo, by saying we don’t belong in Fantasy environments.

I have found that even the  most well intentioned people are deeply, deeply, ignorant of History, having gotten most of their ideas about it, from whitewashed movies, television shows, and History classes, in which the contributions (sometimes even the presence) of PoC  are erased. When you consider that the vast majority of the world is made up of PoC (Chinese, for example) and that those who are most definitely considered to be “White”  Europeans (whatever that may mean) made up only about 11% of the world’s population in 2010, and by 2060 are set to become less than 10% of the world’s population, I find it more than a little hinky that such  people would argue for Historical accuracy. 

And now we have the Alt-Right attempting to lay claim to this same argument  in an attempt to bolster their racist  beliefs that PoC contributed nothing to Historical narratives, and that all of the humanity’s  major contributions to Literature, Science, and Art, were only done by White men.

Part of the problem is that Historians need to make clear that PoC were History. We were everywhere, not just invented in certain eras, and trotted out when White men needed to conquer somebody. History is far more nuanced and complicated than most people know.

Medievalists, Recoiling From White Supremacy, Try to Diversify the Field

By J. Clara Chan

—-The criticisms of the conference’s diversity stems from problems in medieval studies for decades — that it is still too Eurocentric, male-dominated, and resistant to change. But as the medieval era has become increasingly prevalent in rhetoric used by white supremacists to advocate for a return to racial, ethnic, and religious purity, many nonwhite medievalists are feeling a new urgency to combat the stereotypes that accompany the field.

http://www.chronicle.com/article/Medievalists-Recoiling-From/240666/

 

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And on Historical Anti-Semitism in Art:

thegetty

Dialogue: Exposing the Rhetoric of Exclusion through Medieval Manuscripts

By Kristen Collins and Bryan Keene, originally published on the Getty Iris

We invite your thoughts on an exhibition-in-progress at the Getty that addresses the persistence of prejudice as seen through lingering stereotypes from the Middle Ages.

As curators in the Getty Museum’s department of medieval and Renaissance manuscripts, we are interested in how books, and museum collections more broadly, can spark dialogues about inclusivity and diversity. Our manuscripts collection at the Getty consists primarily of objects from Western Europe, which can present challenges when trying to connect with a multicultural and increasingly international audience.

We are striving to make connections between the Middle Ages and the contemporary world—connections that may not be immediately evident, but are powerful nonetheless. Museums are inherently political organizations, in terms of the ways that collections are assembled, displayed, and interpreted. This year’s meeting of the Association of Art Museum Curators addressed how institutional narratives and implicit bias can skew ideas of history and culture in ways that exclude minorities and gloss over the shameful aspects of our past. Groups such as the Medievalists of Color, the Society for the Study of Disability in the Middle Ages, the Society for Medieval Feminist Scholarship, and the Society for the Study of Homosexuality in the Middle Ages, among others, are applying similar lines of inquiry, seeking to decolonize and diversify the field of medieval studies. We stand with these groups.

We were also inspired by Holland Cotter’s call to arms, as he exhorted museums to tell the truth about art, “about who made objects, and how they work in the world, and how they got to the museum, and what they mean, what values they advertise, good and bad. Go for truth (which, like the telling of history, is always changing), and connect art to life.”

Here is our description of the exhibition, still in draft form:

Medieval manuscripts preserve stories of romance, faith, and knowledge, but their luxurious illuminations can reveal more sinister narratives as well. Typically created for the privileged classes, such books nevertheless provide glimpses of the marginalized and powerless and reflect their tenuous places in society. Attitudes toward Jews and Muslims, the poor, those perceived as sexual or gender deviants, and the foreign peoples beyond European borders can be discerned through caricature and polemical imagery, as well as through marks of erasure and censorship.

As repositories of history and memory, museums reveal much about our shared past, but all too often the stories told from luxury art objects focus on the elite. Through case studies of objects in the Getty’s collection, this exhibition examines the “out groups” living within western Europe. Medieval society was far more diverse than is commonly understood, but diversity did not necessarily engender tolerance. Life contained significant obstacles for those who were not fully abled, wealthy, Caucasian, Christian, heterosexual, cisgendered males. For today’s viewer, the vivid images and pervasive narratives in illuminated manuscripts can serve as a stark reminder of the power of rhetoric and the danger of prejudice.

 

“If you don’t know you have a history, it can be hard to believe you have a future.” —-National Museum of Stockholm

James Baldwin: “Not everything that is faced can be changed; but nothing can be changed until it is faced.” 

 

Tumblr Weekend Reading #210

I spend waaay too much time scrolling through Tumblr, but I just can’t help it. The things that come across my dash are a reflection of America in microcosm. Some of the most virulently anti-logic, and vapidly ignorant human beings, clashing with some of the smartest, articulate, and astute people on the internet. (There are people on the internet who are so dumb, it makes me wonder how they found the internet, and why whoever told them about it, didn’t receive a knock to the head, with a Lego block.)

But I digress. Some of the more recent interesting discussions are from Mikki Kendall, whose rebuke, to the Fireside Fiction Publishers and Readers, is about the lack of PoC being published in the Speculative Fiction Genre. This is her response to their response:

http://firesidefiction.com/a-note-from-the-editor-of-the-blackspecfic-responses

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Okay, I still don’t think people are realizing just how incredibly groundbreaking this is, not just for television, but for SciFi, in general. You have two…count ’em two, WoC, who are headlining a Science Fiction show, with one of them as the Captain of a Starship (White women had Janeway), and the other is the show’s lead character. The last time a Woc played a prominent character on a Star Trek show, (Voyager), was  B’elanna Torres, played by Roxanne Dawson who is Hispanic. The last time a Black woman played a prominent Star Trek character was Nichelle Nichols. (I don’t count Whoopi Goldberg because she was only a (semi)-recurring character, not a regular.)

This is very possibly one of the most diverse Star Trek casts ever assembled! And we just learned that the Medical Officer, for the ship Discovery, is Wilson Cruz who is from Puerto Rico. (I totally stan for Latinoooos in Spaaaaace!)

I’m also gratified to see Asians included in the cast, because outside of Sulu,  that’s also rare, although DS9 was very inclusive, too. Shazad Latif is from London and is English and Pakistani. Michelle Yeoh is of Malaysian descent. (Wooo! I’m excited for you guys, too!)

And let’s not forget:

Star Trek: Discovery’ Will Actually Have an Openly Gay Character

https://www.inverse.com/article/34758-star-trek-discovery-gay-beyond-anthony-rapp-stamets

 

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📷: Matthias Clamer for EW📷: Matthias Clamer for EW📷: Matthias Clamer for EW

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And all these images tie back to the idea of representation, most especially for little girls, as stated by 

You know what? I really wish people were as hyped about Sonequa Martin-Green being the first Black woman to lead in a Star Trek series as they are about the D*ctor Wh* casting. But then again, most feminists don’t care about non-White women so it’s to be expected that most of you guys don’t care about the fact that she’s making history too. And when you factor in Michelle Yeoh, you get it doubly so. Last time I checked, this is a pretty big deal for the sci-fi genre too.

What’s strange, to me, is people thinking that the D*ctor Wh* casting gives hope to all little girls when we know that’s not true. This issue is just so very layered and complex, but there is something particularly troubling about the fact that people think a White woman should be the symbol all little girls should look up to, regardless of their race. It’s so very arrogant to believe that little non-White girls will be represented by this woman that looks nothing like them. It’s very arrogant to think that little non-White girls should look up to the new Doctor as their new hero, especially knowing this casting is only a win for White women and White women only.

*Don’t get me wrong, Woc aren’t unhappy about Wonder Woman, or the new Doctor Who, but White women need to recognize that they are not universal. They don’t represent us or our view of hte world, and need to quit acting like they are. One ofhte biggest divides between White women, and Woc, is their complete disregard for the things that affect WoC.

Little girls of color may like and admire these characters, but they’re not going to look to them as role models. I know I didn’t when I was little. There were White actresses and characters I cared about and admired, like Linda Carter, and Ellen Ripley, but I didnt look to be like them. I did not use them as examples for how to live in the world as a woman, and certainly wasn’t looking to those women to teach me how to be a Black woman, even if I did like them. My role models were the handful of Black women, (and non-Black WoC), who made it into TV shows and movies, like Nichelle Nichols, Diane Carrol, Pam Grier, and yes, even Michelle Yeoh.

I plan on watching the new Doctor because I’m curious, I like the actress, (who  starred in Attack the Block, with John Boyega), and I liked Missy on the show this season. I’m not enthused about  the Wonder Woman movie, but I plan to watch it, at some point, and I’m looking forawrd to watching the Justice League.

Bt I’m a Black woman, and I wish White women would keep in mind that those women are not our idols, nor are they idols for other WoC. Even if we really like, and admire them, they don’t do anything to further our representation, but Sonequa, Michelle, Danai, and others  do. 

 

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In the new Star trek show we’ve heard that Sonequa’s character, Michael Burnham is Spock’s adopted sister. Now the timeline, assuming she and Spock are near the same age at ten years before the Enterprise, would mean that the two of them grew up together, and she lived with his family. She could also be a relative of Amanda’s as well, which is how she came to live with Sarek’s family.

 Now this has messed with a lot of people’s heads, because they claim that it messes with canon, which I can understand why someone would say that, but there’s a very good rebuttal I’ve seen to that argument, and that rebuttal is Spock himself, who was prone to dropping bombshells about his family’s  status, when given half an opportunity::

Adding to canon is not the same thing as

destroying canon

From the mind of : tomfooleryprime

At San Diego Comic Con, we learned that Sonequa Martin-Green’s character, Michael Burnham, is Sarek’s adoptive daughter. The second I heard the news, all I could think was, “Let the hate begin.” And boy, did it ever.

I understand the disappointment, particularly with fan fic writers who invested a lot of time and effort into crafting stories that fit neatly into canon. Amazing how one sound bite can bulldoze right through decades of widely accepted fanon, huh?

Let’s be real, those little behind the scenes moments are almost the entire point of fan fiction: some of us like something so much, we like to imagine all the things the writers didn’t tell us, but now Michael Burnham has come along like a square peg in a round hole, rendering countless stories AU that previously adhered perfectly to canon. Some of mine included.

But fanon isn’t canon. One might say, “How come we’re just hearing about this now?” Surely Spock would have mentioned having an adoptive sister? But would he? Would he though?

No one had any idea he was engaged to T’Pring until the Enterprise showed up to Vulcan on Spock’s impromptu wedding day in the TOS episode, “Amok Time.” What was it he said when Lieutenant Uhura asked who the lovely woman on the viewscreen was?

If you watch closely enough and get creative with your interpretation, I swear Christine Chapel mouths the word, “bullshit.”

And no one knew that Spock had a strained relationship with his father until that time dear old Sarek hopped on Enterprise for the Coridan admission debate in the TOS episode, “Journey to Babel.” Kirk urged Spock to go down to the planet and visit his family before they left orbit, and what was Spock’s reply?

I can’t think of a better example of where Spock made Kirk look like a total asshole.

And then there’s the fact that Kirk had known Spock for decadesbefore finding out he had a half-brother named Sybok in Star Trek V: The Final Frontier.

You would think Kirk would be used to Spock family bombshells by now.

So if anything, the idea that Spock had a secret adoptive sister actually feels more in keeping with canon than going against it. Given the weight of the evidence, I wouldn’t be all that shocked to discover he had three step mothers and a whole nest of secret love children drifting around out there.

The other thing is, as viewers, we tend to get into the habit of thinking that if a character doesn’t specifically address something on screen in front of other characters, other characters are in the dark along with the viewers. Like if a character didn’t explicitly announce some detail about their personal life to the world, not only did it never happen, it never could have happened. And that’s just silly. Think about this: Kirk, Spock, and the rest of the crew spent five years together on that mission, and we only got to view a little less than 66 hours of it. So imagine all the conversations in the mess hall we as viewers missed out on. Not only that, many of those details would be fairly trivial anyway.

Going back and adding to canon is not the same thing as destroying canon. Star Trek, particularly The Original Series, was always more focused on exploring the galaxy and meeting new civilizations – its primary purpose wasn’t to flesh out complicated life stories for each of the main characters. When you think about it, there’s so much we don’t know about Sarek, Amanda, or Spock’s upbringing. Almost everything we do know about this family comes from two episodes – “Journey to Babel” in The Original Series and “Yesteryear” in The Animated Series.

I think because we spent more than five decades without any concrete ideas of how Sarek and Amanda met, what Spock’s formative years were really like, or how their family dynamics worked, we just filled in the blanks for ourselves. But fifty years is a long time for the lines between canon and fanon to start getting blurred.

So I’m actually tickled pink at the thought that Spock had an adoptive sister, not furious that they’re corrupting more than fifty years of canon. It would be tampering with canon to claim that Starship Troopers is actually some kind of prequel to Kirk and the starship EnterpriseThat would be destroying canon, but writing in a sister for Spock where one previously didn’t exist isn’t quite the same thing.

Would you like to know more?

The writers of the show are just doing what we as fan fic writers do all the time – filling in the gaps. You’re definitely allowed to feel however you want to feel about it. And I do understand a lot of the dismay and shock. It really sucks to pour your heart and soul into something, polishing it for months or even years until it’s perfect, and then have Michael Burnham thrown into the mix and it almost feels like a bad Photoshop job over your favorite family portrait, ruining your origins fics for Sarek/Amanda or Spuhura or Spirk or Spones or Spotty? (Is that actually what the Spock/Scotty ship is called?). It’s perfectly acceptable to say that Michael Burnham’s existence has ruined your perception of canon, but I don’t think it should be confused with ruining actual canon.

During the Comic Con panel, producer Alex Kurtzman insisted they have a good canon explanation for why Spock never mentions Michael. He was quoted as saying, “We’re aware [of the situation]. You’ll see where it’s going, but we are staying consistent with canon.” So I’m inclined to keep an open mind and see where they take it before dismissing it outright for being “too ludicrous.” Weirder things have actually happened within the Trek universe, so try not to let this revelation get you down.

 

And from  alightinside

Considering the fact that Spock’s family has to be literally in the same room as him before he even mentions they existent, having adopted sibs he just never talked about is the most canon compliant thing they could have possibly added.

 

*I might also add that Buffy the Vampire Slayer managed to throw in a sister for Buffy, that destroyed four years of watching the show, until it was carefully explained to the viewers why she was there. We haven’t seen Discovery yet, so we don’t have any explanation for why Michael is Spock’s adopted sister, but the creators say there’s a perfectly good explanation for it, and one of those creators is Bryan Fuller, who never puts anything that big into any of his shows by accident. 

 

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And While we’re here,  there’s been some discussion of the marked lack of excitement towards the new Star Trek, from  White feminists, who claim to be progressive, and want diversity. There’s been more excitement from them about the new Dr. Who , then there has been about the groundbreaking diversity on Discovery, with a Black female lead, and an Asian Captain. 

As I said before, I don’t have a problem with White women being excited about stuff that affects them. I’m happy they’re happy. I don’t even have a problem with them being more excited about Dr. Who then about Star Trek, but what  I do object to, is their insistence that white female characters, in leading science fiction roles, are somehow groundbreaking, and role models for little girls all over the world. 

I need them to keep some perspective, in their excitement,  and that perspective is that white women’s stories are not universal, and they are not often role models for little girls of color.

From the mind of  abigailmills: 

You know what? I really wish people were as hyped about Sonequa Martin-Green being the first Black woman to lead in a Star Trek series as they are about the D*ctor Wh* casting. But then again, most feminists don’t care about non-White women so it’s to be expected that most of you guys don’t care about the fact that she’s making history too. And when you factor in Michelle Yeoh, you get it doubly so. Last time I checked, this is a pretty big deal for the sci-fi genre too.

What’s strange, to me, is people thinking that the D*ctor Wh* casting gives hope to all little girls when we know that’s not true. This issue is just so very layered and complex, but there is something particularly troubling about the fact that people think a White woman should be the symbol all little girls should look up to, regardless of their race. It’s so very arrogant to believe that little non-White girls will be represented by this woman that looks nothing like them. It’s very arrogant to think that little non-White girls should look up to the new Doctor as their new hero, especially knowing this casting is only a win for White women and White women only.

 

And my response: lkeke35

I have noticed the chirping silence coming from that particular contingent!

I think that’s one of the biggest divides between White feminists and women of color, is White women’s complete and utter disregard for the fact that WoC  see the world differently than them. They really do think we’re supposed to look up to them as role models. That they are universal.

When I was a little girl, there was precous little diversity on TV, but what diversity there was, I gravitated to. As a young Black woman I never chose White women as my role models, even if I admired a few of them , like Linda Carter as Wonder Woman, or Sigourney Weaver as Ellen Ripley.

I modeled who I wanted to be after women like Eartha Kiit,  Nichelle Nichols, Diane Carroll, and Pam Grier. They were smart, tough, beautiful, graceful women. And yes, I was a Michelle Yeoh fan, and I loved her because she was all those things I just listed (and she still is).

Its not that I didn’t like and admire White actresses. I did. But I also knew, on some level, that no matter how admirably I (or they) behaved,  that as a Black woman, I wasn’t ever going to be accorded the status of a White woman, so I did not use them as  my role models. I didn’t try to be like any of them, and didn’t want to be like them. (This was a lesson I learned very, very early.)

I think its an incredible era we are living in, that my 12 year old niece is growing up with so many role models to choose from, in Pop Culture. I’m going to watch Star Trek Discovery with her and explain the significance to her. I’m going to watch The Walking Dead, and talk about how important Michonne is, and I’m going to take her to see The Black Panther with its gorgeous, and badass women, and yeah, I’m going to go see Proud Mary with her (and my Mom), and we’re all gonna geek out about it afterwards.

I wish White women cared enough to care about, and talk about, WoC in Pop culture, (and think of us as women too) but I don’t need White women’s validation to find and love those characters.

 

And from diversehighfantasy

Nicely said.

I’m also really bothered by the relatively subdued positive reaction to Sonequa leading the new Trek vs Doctor Who. I realized how little it mattered even to white women who are into sci-fi and fantasy when that gifset was going around celebrating all these recent genre leading women (The Doctor, Wonder Woman, Rey etc) all white or perceived as white, and when people started asking where were the Black women/WOC, they added May from Agents of Shield. That’s how off the radar Sonequa leading the new Star Trek (STAR TREK!!) is even for a lot of fandom people.

Now I’m wondering if people on Tumblr even talked about it much outside the Walking Dead fandom. (I know a bunch of people on Twitter acted like ass about “forced diversity,” I mean Tumblr fandom people).

Anyway. Yeah, the difference is very noticeable. I mean, I get the big deal about Jodie, The Doctor has specifically always been a man while Sonequa is playing a new character, and, I guess, to white feminists the barrier was already broken by Janeway. Still, I can’t shake the feeling that if a white woman was leading ST Discovery, we’d be seeing Star Trek/Doctor Who edits everywhere.

 

**

Interlude:

Image result for furious knitting gif

 Just like you shouldn’t drive while angry, you should never knit while you’re mad! That’s just wrong.

**

 

Okay Here’s something I’d never given any thought to, as an able -minded Black woman. I don’t suffer from mental illness (now), although I’ve had bouts of it in the past, and I’ve never been on Schizoid-Spectrum. But what do you do when you are Black and suffer from many of the symptoms of schizophrenia, and some of the things you actually believe are true, but will forever be invalidated by the White people around you. The very White people who refuse to acknowledge the existence of the racism that makes some of your beliefs true.

I’m still going to urge any of my PoC readers to look for therapists who are also PoC, if at all possible,  as there are some  unique issues, when you are a person of color on the spectrum, or suffering from mental illness. This is not because White people are incompetent but because they are not aware of the many issues surrounding your circumstances, if you’re a PoC.

Their reluctance to address the existence of racism, in the day to day lives of their patients, and to accommodate for the stress of that, as well as the stress of mental illness, and the different dynamics that exist in communities of color regarding such illnesses, will end up ultimately being of no help to you.

 

From Tumblr User Questingqueer:

questingqueer

I was sitting in the group room at my intensive outpatient program. I had just finished recounting an incident where I believed a security officer had been following me, but the person with me at the time had disagreed and said we weren’t being followed.

The head psychologist said “Your goal this week should be letting in alternative theories to your paranoia. It isn’t likely anyone is following you.” I said “What do you mean? How can I trust someone else’s perspective over my own, especially when that someone is white?” Another person spoke up, suggested increasing my anti-psychotics.

I looked around the room at the other patients and the professionals in group with me. I was the only Black person there.

I’m mentally ill, and sometimes I’m paranoid, and sometimes I’m delusional.

I’m Black, and I’m more likely to be followed around by security, or have negative interactions with the police. The racism in this world is real, and it can affect me.

I’m mentally ill, and sometimes I have persecutory delusions, and there wasn’t any drugs in my orange juice or bugs living in my arms even though I was convinced there were.

I’m Black, and I’m mentally ill. And that intersection has never been acknowledged online or in therapy. That intersection makes us more vulnerable to abuse, domestic violence, and police brutality. 

Black schizo-spec people face challenges that others don’t. We are more likely to be be labeled as dangerous and violent and be disbelieved when we share about how racism has impacted our lives, among many other things. That makes it harder for me to trust others- not to mention that difficulty trusting others is a symptom.

Was I being followed that day? I wish I had an answer, but I don’t know. Maybe I was, maybe I wasn’t. But that isn’t the point.

A simple search will tell you that schizophrenia is more readily diagnosed in Black patients than in white (source), and some say it is overdiagnosed.

But where are the positivity posts for Black people with stigmatizing disorders?

Where is the positivity for the Black schizo-spec people trying to figure out what level of fear and suspicion towards the police is reasonable and what is a symptom? Where is the positivity for Black schizo-spec people who have everything blamed on their diagnosis while their other mental health problems get ignored? Where’s the positivity for Black schizo-spec people who distrust the medical professionals they deal with, who have ugly symptoms, who are pigeonholed as dangerous?

We have died because we are Black and schizo-spec. Remember those of us who have been murdered or attacked.

And? Don’t forget to include us in your activism while we are living. 

**

 

In Canada, Target seems to have the same rep as Walmart does in America.

TARGET STORE GOTHIC:

strongermonster

it’s so weird hearing americans talk about Target© as some kind of semi-religious holy space of reasonably priced goods and services, bc in it’s short, fever-dream existence up here in the frozen north it was… Not Good.

in my experience with the three (3) i went to in the surrounding area it was. uh. you know when you step into a place and there’s nothing immediately noticeably wrong but you can just Feel that this is a Bad Space? like the kind of space where if you catch a glimpse of your mother walking down an aisle and turning a corner you know it’s a demonic trick and if you follow her it’ll lead you down a path to a dark space you can’t return from?

or you go in with your friend who’s right next to you but you get a text from them saying “hey i’m in the shoe aisle, you should come here” and you know it’s a trap from the devil? like other things:

  • only half of the dim, washed out, often flickering fluorescent lights were lit at any given time, usually only every-other set, leaving these valleys of darkness that made entire aisles inaccessible for fear of shadow people latching on to your soul like a dark passenger.
  • entire sections were just Empty. empty shelves with no product, never any employees filling them up, no boxes waiting to be unpacked, no signs saying what should be there.
  • no employees at all actually? wandering around the store even though the parking lots were full and you walked in with a group of 20 or so felt so lonely. you could walk the whole place and it was dead silent and the only other “people” around always were several aisles away with their back turned, unmoving. there was always only one cashier and there was never anyone in her line.
  • there was never any music on or announcements played? another place that does this are all the dollar trees in my area and it gives me anxiety. i feel like i’m being hunted, like i have to hold my breath and listen for the footsteps of beasts in other aisles.
  • the fitting rooms had a strange, dark energy to them. it felt like if you ever used them, whatever universe you closed the door on would not be the same one you stepped out into when you were done. the washrooms also contained this same dark energy.
  • passing the employees-only doors felt like wandering too close to a bears den. the glass windows never showed anything going on back there, no racks of product, no employees milling around. it was just pitch black, complete darkness. a hungry void.
  • leaving a target was the same disorienting feeling as leaving a dark theatre and exiting into the light. sound and colour and feeling rush back in. you feel like you can breathe again. a weight is lifted from your shoulders. you can’t remember any of the time you spent inside the target.

it is my sincere belief that the targets in canada never existed. the storefronts were put up, yes, but the stores themselves were vast empty caverns filled with dark dreams and sinister interlopers. passing through the automatic doors was meant to teleport us to the nearest american location, but something went wrong and we entered an unnatural zone halfway between the upside down and whatever it was that happened in the langoliers.

i believe the balls outside target are carefully crafted and powerfully attuned magical artifacts that keep up the illusion known as Target©, but were incorrectly spaced in canada due to a mixup between the metric and imperial systems of measurement, and that is why the brief twilight zone episode that was canadian target collapsed virtually overnight.

 

Source: strongermonster
**
From the Tumblr:  writingwithcolor
This is a nice, long essay on the trope of the color black representing evil, and the color white representing goodness:

Black and White Symbolism: A Look into the Trope

We’ve noticed a volume of questions on the topic of Black and White symbolism in works. Light and white symbolizes good and pure. Dark and black is bad and evil. It’s an age-old trope deeply engraved throughout Western society, language, and cultures.

She’s having a “black day.”  He’s the “Black sheep” in the family. The evils of “Black magic.”  They’re “Black as one is painted.”

On the other hand…

They told an innocent “white lie.” He’s “whiter than white.” Good ole “White-collar” jobs.

These were just a few phrases found in the dictionary. The most frequently used dictionaries were written by racist old white men, so most of the language has been shaped by them.

If you flip further back you find entries like these:

imageNow, this guide comes from a western particularly American lens of the view of Black and White and its connotations. We recognize that B&W color symbolism and meaning varies across cultures.

However, western society imports its racist views across the globe, strengthening the Black as Evil and Good as White association within its “conquest” of mass media.

The Trope Incorporated into our Media

This trope is so normalized in Western culture that it is often unconsciously used and incorporated throughout many aspects of culture. It can easily be found in media, such as our TV-series, movies and literature:

  • The black, darkly-dressed or featured characters are often the villains or antagonists,
  • The white or light-featured characters are often the heroes, dispelling the world of the dark Others.

Also note that usually when good guys wear black, they’re more anti-heroes than full-heroes.

image

Tolkien really let himself go with this trope in Lord of the Rings and has the pure white race of elves be ethereal, wise, super good and natural *angelic singing*. Then there’s the orcs on the other side who are barbaric, unintelligent, violent and disgustingly ugly. Their language is black speech by the way.

“The Black Speech, also known as the Dark Tongue of Mordor, was the official language of Mordor. Sauron created the Black Speech to be the unifying language of all the servants of Mordor, used along with different varieties of Orkish and other languages used by his servants.”

“It is notable that the letter “e” is totally absent from the Black Speech. It was omitted on purpose for being a favourite letter of the Elves, and for forming a smile when uttering it.”

“In real life, J. R. R. Tolkien created this language with the intention of making it harsh and ugly…” then later on in the same piece is written: “…the forces of good refuse to utter it.” and “Tolkien designed it to be unpleasant in his own mind…”

With these quotes you can see the link between calling it “Black speech” and the unpleasant, evil and anti-social aspects of the named. Quotes are taken from here.

Many epic fantasy writers mimic Tolkien in his use of fantasy races and themes and such, so they unconsciously also mimic this trope.

Game of Thrones also plays with the good vs evil but switches up the color code with the Kingsguard wearing white and the Night’s Watch wearing black. This posts speaks of the symbolism pertaining to the white cloaks of the Kingsguard.

Attracted to gray characters instead of orcs and angels, Martin regards the hero as the villain on the other side. The Wall’s Night’s Watch, whom Martin described as “criminal scum [who] are also heroes and they wear black”, was a deliberate twist on fantasy stereotypes. Furthermore, the use of black as the identifying colour for the essentially good Night’s Watch and the use of white for the much corrupted Kingsguard is another example of Martin subverting traditional fantasy which tends to link light colours with good and darker ones with evil. From here.

Then there’s Disney that’s notorious for their ingrained racism

This is easily seen in their visuals when portraying villains. When you look at the heroes vs villains, the villains are often portrayed as darker, more “ethnic” (see: Mother Gothel, Jafar) and sometimes queer-coded (like Ratcliff and Dr. Facilier).

Another example: the shadowy,dark huns in Disney’s Mulan. They have greyish, dark skin with strange eye coloring, and they all look the same.

imageOn the left: a hun as portrayed by Disney in Mulan. 

Furthermore, Disney typically depicts baddies as “less beautiful” with some exceptions of very beautiful and vain evil ladies (they have a trope with two types of beauty where one is pure and wholesome while the other is vain and egocentric. The second is also usually an older individual).

The Oz film was pretty visual, colorful, and magical until the evil witch and her black monkey minions come and then everything is dark suddenly. Oh, but there’s the “good” monkey, depicted in bright and lighter coloring.

image

Angels and Demons

There is also the trend where angels are always white and demons black/dark in fantasy. This doesn’t have to be and is a biased way to depict them, at least from a non-religious point of view, and as far as I know I never found a mention of white wings if wings at all when angels were mentioned. Exceptions go to the angels in higher orders, but still no white mentioned. Fallen angels suddenly have black wings, when they still have them.

The Harms of the Trope

Why is the B/W – Good vs Evil- trope harmful? Well, look at how the colors are associated. Dark as bad, evil. White as good, pure. But then you group a whole people as Dark + “Black” and the other as Light and “White” and you’ve set these people in opposition of each other.

There are Black people in the world. There are white people in the world. “Black” as a word is literally viewed as synonymous with darkness and evil. “White” is literally viewed as synonymous with goodness and purity. There’s an intentional pattern here.

Malcolm X’s discussion regarding how Black is used to describe a people adds clarify to this.

Read about it here.

Martin Luther King Jr. also discussed the association of Black to Evil and White to Good.

Somebody told a lie one day. They couched it in language. They made everything Black ugly and evil. Look in your dictionaries and see the synonyms of the word Black. It’s always something degrading and low and sinister. Look at the word White, it’s always something pure, high and clean. Well I want to get the language right tonight.

I want to get the language so right that everyone here will cry out: ‘Yes, I’m Black, I’m proud of it. I’m Black and I’m beautiful!

Check out the clip from this speechhere.

Another notable example of the result of these engraved associations and aversion to Blackness is how racist fans reacted to the Rue character from the Hunger Games being (rightfully) portrayed as a Black girl in the movies.

A lot of these reactions can be found online. Like this one.

image

The trope is deeply ingrained into people’s minds and reinforced by the media that combined with systematic racism Black people and even Black children cannot be seen as pure and innocent. These traits incorporated in the Black and White Symbolism is enforced on Black people (and white people to some extent). The symbolism has been influenced further with racism and that is why it can be harmful.

What to do with the trope

Now, we don’t believe people should stop using Black and white in relation to people; running away from the word, even given its history, would only reinforce Black as a badge of shame when that’s simply a lie. We think the better solution is to built up a new dictionary. To stop using black to mean all things sinister and evil and white as all things blameless and good.

Black & White in our Writing

While it’d be difficult to deconstruct these associations overnight, it’s definitely not impossible to be more conscious of how one might be perpetuating the B&W trope within their works.

Pay attention to your writing and the color symbolism there.

  1. Where do you find Black & White imagery? How is it being used?
  2. Are you using shadows and night skies to foreshadow bad things to come?
  3. Morning light and white gowns to symbolize purity and hopefulness?

Now even these aren’t inherent pitfalls.

The following are some ways to make sure of that:

Defy the Trope

I was watching the first season of Sleepy Hollow, when there was an episode with a playful little girl running in the forest in a white dress. A little Black girl. While I don’t recall if she were meant to symbolize good or evil so neatly, but simply featuring this young child in white, both common emblems of “innocence” felt like a deviation from the typical white or pale girl to play such a part.

Even when using typically good and white symbolism, including Black and brown people to take part in these roles is a better option that shunning them out of such roles and thus the associated symbolism. How many dark-skinned angels do you see in media? How often are characters of color associated with beings that typically represent purity and goodness?

It’s like with heroes and villains. It’s more preferable to have a diverse mix of characters who play positive roles as opposed to making all your Characters of Color villains or antagonists.

Another example of deviating from the trope can be found with George R. R. Martin’s Game of Thrones series as mentioned further up this post.

Subvert the Trope

Suppose Black represented good. Suppose Black represented life, innocence, and good things to come.

Now suppose White symbolized evil. Suppose White represented death, immorality and ominous things on the horizon.

Subverting the B&W trope is another way to handle it in your writing. If your story is one based on a non-western or even fantasy culture, it’d be easier to sell the idea that this is simply a world that doesn’t treat Black as evil but of neutral or good (and here’s how & why). Attempting to pass this off in a more westernized culture might get confusion or skepticism from readers, though.

One idea is to subtly apply the symbolism. Death always or often occurs under bright, white lighting or sky. The dark, black forest protects the character who is being pursued by evil. A Black cat brings hope and good news.

And before you say this is enforcing “reverse racism!” Nah. Just like if you felt like having all white villains, there is no engraved association with whiteness that exists today that could actually reverse society’s overarching association of white to good and black to bad.

Not All Evil

Say you do have some negative imagery in connection to darkness. First, evaluate how heavily you’re enforcing Black as bad and consider if a change would be good.

You could also avoid reinforcing the message of dark as only/always evil if you were to balance out your associations of darkness by also including positive or neutral connections to darkness.

New B&W Meanings

Black & White don’t have to mean good or evil at all, as in not the case in every society anyhow. There are other associations with the colors you could emphasize in your writing. Take some of these examples below:

Black Associated Meanings:

  • Beautiful
  • Bold
  • Calmness/Comfort
  • Elegant
  • Health/Fertility
  • Heat/Warmth
  • Hidden
  • Life
  • Magical*
  • Mysterious
  • Protection
  • Seduction
  • Strength/Power*
  • Wealth
  • Wholeness

*Additional Notes:

  • Avoid strong = Black people tropes
  • The term “Black magic” is rooted in racism. Read about this and for alternatives to “Black magic” here.
  • See here for more associations with Black

White Associated Meanings:

  • Cold
  • Confusion
  • Death
  • Distance/aloofness
  • Emptiness/Absence
  • Fairness/Balance
  • Isolation
  • Opportunity
  • Order
  • Organized
  • Peace/Calm
  • Plain
  • Protection
  • Sterile

Additional Notes:

  • The point with the White list is to provide more symbolism besides the typical good – pure – innocent therefore some of the images are less neutral and positive than that of the Black list.
  • See here for more associations with white.

Construct New Images

  • Black & White aren’t the only colors that can oppose each other.
  • What about contrasting colors? Primary colors, secondary colors, tertiary colors? Earthy colors/oceanic colors?
  • You could even use bright and dimness as a means of symbolism, as discussed in this post.

There’s so much more you can do with the Black vs. White trope. Getting away from the Black/Evil – White/Good overarching symbolism can add something fresh to your writing.

We hope this inspires you to at least be more conscious of the color symbolism in your writing. More discussion on Black & White can be found in our color symbolism tag!

–Mods Colette and Alice

A Little Slice of My Musical Life

Just because it’s Thursday – The Blues in different generations Ain’t no Love in the Heart of the City – Little Milton – Make Me Cry Albert Collins – If Trouble Was Money- Otis Rush – Non-electric blues – Lightnin Hopkins for the early 60’s – From the early 50’s – Son House – And […]

via I’ll Play the Blues For You — Btx3’s Blog

10 Worst 80’s Videos

There were a lot of really dumb videos in the 80s, and I watched plenty of them. There wasn’t a whole lot else to do on hose long nights of babysitting because there wasn’t any internet. There was however plenty of cable, and MTV

1. Safety Dance – Men Without Hats

Of all the dumb videos released in that era, this is one of the absolute dumbest. Our opinions may vary on which video should be in the number one slot but I think we can all agree, that this particular one is deeply stupid, with images completely unrelated to the song, horrible acting and lip syncing, and even the song sucked. I think Safety Dance qualifies on all criteria  of stupid.

 

2. Rock Me Amadeus – Falco

The song is stupid, but at least kind of fun. The video is equally asinine, but also kind of fun. This makes number two, on the list, because this artist was a total one hit wonder and I kinda like the remixes. I never saw, or heard from this singer again, after this song completely took over the airwaves for one whole-ass Summer.

3. Rock Me Tonight – Billy Squier

Oh, boy! This video is bad, bad, bad. I mean laughably bad. You may not be able to sit through this, because I had to stop and catch my breath, about halfway through it. I’ve never been a Billy Squier fan, but this song isnt really all that bad, nevertheless, I’m glad I didn’t have to subject myself to this video beyond the first time I saw it, and this week. I make these big, mental, sacrifices, so I can bring you the quality entertainment, y’all are asking for…

 

4. 99 Luft Balloons – Nena

I just realized this heading looks like “Luft balloons for 4.99”, which  makes just about as much sense as this song. But at least balloons are in the video, I guess. No, it makes no sense,and is basically a bad concert video. Its also  possible it’s some type of German thing that doesn’t translate well to English, so it kinda gets a pass, but not too much, because I still hate it. I know it must be puzzling to millennials, the types of videos and songs, we were willing to sit through, in the 80s.

 

5. All Cried Out – Lisa Lisa and the Cult Jam

I am one of those people who’s a sucker for a sad song, and the reason this is so far down on this list is because I actually like this one. The reason it’s on the list  is because the video is just as trite and maudlin as you could imagine, with all of the emotions carefully displayed for the viewer. I think the only thing the director left out was the singer pointing at the viewer, and then herself.

 

6. Wild Boys – Duran Duran

I am total trash for this Duran Duran, (and The Police), and I liked some of the other videos they made, like Rio, and Hungry Like the Wolf, but this one is both ugly and stupid. The song is alright, but whoever made this video needed to stop watching those Mad Max movies. Now that I think about it, every post-apocalyptic anything after Mad Max, was basically riffing off that movie.

 

7.Eye of the Tiger – Survivor

You may remember this as Dean Winchester’s favorite song, the one we saw him lip syncing to, at the end of the episode Yellow Fever. That particular scene is about a million times better than this video. I actually like this song, and love to sing it in my car especially, but  I just can’t, with this video.

 

 

8. Total Eclipse of the Heart – Bonnie Tyler

I got no problem with the song, but this video is both creepy and stupid, and  is the fulfillment of every 80s music video (and movie) cliche ever invented. Creepy singing kids ? Check! Wind blowing everything? Check! Gauzy nightgowns?Check!  Running through the dark  in a gauzy, windblown, nightgown? Check! Whatever you do, do not listen to this song first thing in the morning, because it’s totally extra.

 

9. Come on Eileen  – Dexy’s Midnight Runners

This song was recently featured in an episode of Preacher, where both Tulip and Cassidy both admitedt that this song is deeply stupid. They are not wrong. I actually like the song, but this makes the list, because yeah, the song is stupid, and I hate the band name, and there is waay too much use of overalls in this video.

 

10. Cherry Pie – Warrant

Oh boy! I hate everything about this song, the video, the band, the lyrics…all of it. It’s a nasty, dumb video, and song, made by nasty, dumb men.

 

New TV Trailers (Fall 2017)

So Pilot reviewing season is here in a month, and its time for me to nimble up my fingers, as I type furiously to keep up with all the new genre shows coming this Fall. Some of them will not be watched, some of them won’t even get reviews. As we get closer to September, I’ll eventually whittle it down to the handful of pilots I’ll be reviewing, along with my regular reviews of returning shows, like Supernatural. 

Image result for fast typing fingers gifs

 

 

 

Midnight Texas

Tonight on July 24th Midnight Texas will be airing on NBC. It’s a show based on the Charlaine Harris trilogy of the same name and involves Supernatural creatures all living in some podunk town in the middle of nowhere Texas, who need to protect themselves from outside discovery. I’m looking forward to watching this.

 

 

Mr. Mercedes

This is coming to the DirecTV Network, called Audience, this fall. Some of you may not have access to this network, so I’ll watch the pilot and review the first episode, for when it eventually makes it to DVD. This is based on a Mystery trilogy by Stephen King, about a former detective who gets called back into action after a serial killer starts sending him taunting letters.  I don’t normally watch cop shows, but this is Stephen King. Yes, it does look a lot like the show Bates Motel, which I only partially watched, but I like Brendan Gleason, and feel like he’s a good choice for this character. In the novel, he has a Black teenage neighbor who helps him navigate technological stuff , and a neurodivergent  female assistant, that I hope gets cast for true. You do not need to have read the books to follow the show, but they are very good books, with a minimum of gore, and only the slightest touch of the supernatural, if that has you worried.

 

 

Star Trek Discovery

Okay here’s, the extended trailer for the new Star Trek Discovery. Remember guys this is, a Bryan Fuller Joint, the same showrunner who worked on Hannibal, and who just finished, the critically acclaimed, first season of American Gods. Fuller also has some Star Trek experience, as he used to be one of the writers on  Deep Space Nine. The show follows lead character Michael Burnham, played by Sonequa Martin-Green, who grew up on Vulcan, and was raised by Sarek, Spock’s father.

 

 

Teen Wolf

The final season of Teen Wolf will be airing this weekend, and I’m not real crazy about it, although I may watch it in support of Scott McCall. Over the years, the show has engaged in a great deal of whitewashing ,as it started out with a good amount of diversity, but has slowly been replacing all of the PoC each season, with new White characters, something which has dulled my enthusiasm for the show. The word “final” is in the title though, so I feel compelled to at least look at the pilot. I hope for a happy end to the series.

 

 

The Incredible Jessica James

If you liked Jessica James when she was snarking at the public on  The Colbert Show than check out her new show on Netflix, coming this Friday.  Remember, she was offered the job as the new host, and famously, turned it down, because she was looking at other plans. I will definitely check it out. I loved her comedy on the show, and I’m looking forward to see what she’s gotten up to here.

 

Bright

Here’s an extended trailer for Netflix’s new show starring Will Smith. I’m a big Will Smith fan, and I’ll be on vacation then, so yeah, BingeWatch! It doesnt look as funny as I’d expect from Smith, but its got some great imagery. We get to see Will Smith wielding a sword, and snarking at some Orcs. This wil lbe released on Dec. 22nd.

 

 

The Walking Dead

Yeah, this looks as harrowing and intense as the last season…so no change then? I’m already tired of Negan, and will be glad when he’s locked up, or whatever they’re gonna do to him, but at least things  look a little more energetic than the last season, which wasn’t one of my favorites, except in those few moments when it was.  I see that Carol “Terminator” Danvers is back with the gang, and Morgan and Jesus get to have a smackdown. Also there’s a lot more Ezekiel, which is okay for me.

 

 

Westworld Season 2

I really enjoyed the first season of this show, so I’m definitely here to watch the fallout of the robot’s rise to sentience, and how that affects things in the park.

 

 

The Defenders

I’m cautiously excited about this because Iron Fist  is in here,  and watching his show was traumatic. On the other hand, I like everyone else in the show and there’s this lady in here that’s uhm…C’MON, ITS FREAKIN’ SIGOURNEY WEAVER, PEOPLE!!!

Oh okay, I’m sorry for yelling but, yeah, I did mean to do that. Uhm, there’s some fightin’, explosions, and Luke Cage, and stuff, too.

 

 

Vikings

This is another one of those shows that I dont know why I watch it. It’s not a bad show, although its gone off the rails a bit since its beginning. I just like the characters, the accents are fascinating, and there’s some gore and swordfights. Its not as complicated as Game of Thrones because the characters seem to have much more prosaic concerns. This is the final season. Apparently, I can’t resist the word “final”, in any description of a show.

 

 

Marvel’s Inhumans

This trailer looks waay better than that first one which seemed created to make you mock the show before its airing. Yeah, Medusa’s hair still looks cheap, but at least they remembered PoC exist in that world.  I’ve always been a huge Black Bolt fan, but I don’t know how to feel about the actor playing him. Hopefully, he will change facial expressions, during one of the episodes. So far, none of these trailers for the show,  are garnering the enthusiasm that I feel The Inhumans deserve.

 

Krypton

Nope. I have no plans to watch this beyond the Pilot because, from the description, it sounds like Riverdale in Space, and I won’t watch that either.

 

 

The Crossing

I think this sounds intriguing. I dont know if I’ll watch it beyond the first episode, (probably not), but it looks like an interesting premise.

 

 

The Alienist

I’m far more likely to keep watching this, because I like period shows, and I have a soft spot for this particular actress, ever since she starred in Man on Fire, with Denzel Washington. The book, by Caleb Carr, was pretty good too,  and I’m interested to see what the creators do with it.

 

 

The Orville

Not sure I want t owatch a Star Trek parody, and I’m uncertain of the lead actors humor, but I did laugh a few times during this trailer, so I’ll at least give it a try.

 

 

Stranger Things Season 2

I didn’t see the first season of Stranger Things but I heard a lot about it. i thought maybe it was an “It” ripoff, but it turned out to be a little bit more than that. This trailer goes a long way towards making me want to see the second season, which is a feat, considering I found the first season not particularly interesting.

 

 

Next up :Part Two of the New Fall Releases, and Returning Shows

Aaaah!!! New Movie Trailers (2017)

San Diego Comic-Con has just begun, which means that  every day will bring new trailer releases to the internet. So, all week long, I’m going to try to collect the ones I’m most interested in and post them here. Not only does the SDCC release new trailers every day, for TV shows and movies, but other avenues often release trailers for their movies in a  competition for Nerd attention spans. I will try to capture a few of those too. (Some of these trailers have been seen before, but sometimes extended trailers, or extra trailers get released, as well.)

Here’s a list of movies I’m very excited about, mildly excited about, and some I don’t care that much about. We’ll start with the ones I’m most enthusiastic about, and descend in order of importance. But only to me though. There are plenty of movies I’m not interested in, but you might find them very intriguing. 

*We will start with my personal favorite, The Dark Tower. I am total trash for these books, and I’m so excited that Idris Elba is playing Roland Deschain, that I can hardly contain myself. I hope I don’t pop before Aug. 4th. It turns out that Mum is also a fan of Idris, and is interested in going to the theater with me to see this. All I had to do was mention Idris, monsters, guns, and Stephen King, in the same sentence, and she was onboard. Now let’s see if I can make it a date with my niece, The Potato!

 

*I think this movie stars some guy named Ryan Gosling. You may have heard of him. Or not. I don’t object to the man but I don’t actually see why everyone’s so gaga over him. Maybe I’ll see it during this movie. He looks really cool in this trailer though, (in my head, everyone in this movie is a Replicant.) Jared Leto is also being weird and creepy in this movie. I’m one of the few people who  still likes Jared, (probably because I don’t personally know him.) But I’m here for Harrison Ford. I’ve been gaga over Harrison since his bit part in Apocalypse Now. I just want to see him reprise his role as Deckard, since I loved the first Bladerunner movie.

 

 

Black women finally get our own version of John Wick/Wonder Woman. I know I can talk my Mum into seeing this because she loves Foxy Brown type movies. I’m a big John Wick fan, and I’d love to see how Taraji handles this role. I feel confident she can pull it off because of her work in Person of Interest. Next year is gonna be the shit as far as diversity in movies. At least for Black people. Now can we get some Latinx, and Indigenous Supers, up in here? I just like seeing different ways of handling the same stories, and a Native American Superhero movie would be awesome! (Yep! I know about Cleverman.)

 

 

I have one word for this trailer: Aaaaaaaahhhhhh!!!!!! Let me reiterate that the single word I’m using here is A-a-a-a, followed by h-h-h-h, and then some exclamation points. I think that says it all!

 

I love when Guillermo Del Toro puts his hand to something. I will see anything he comes up with, even if the idea is ultimately unsuccessful, like Crimson Peak, it’s still a movie worth looking at. This really does look like Abe Sapien gets a girlfriend in 1950s America, though. I am here for this.

 

 

I had a really hard time choosing my favorite movie for the year The Incredibles was released. It’s just one of my all-time favorites. I just know the sight of a grown woman, bouncing around the house in her bunny (actually cow) slippers, over the release of a sequel to The Incredibles, is sure to bring a smile to y’all’s faces, too. The actual family isn’t even in this trailer. This is a tribute to the real star of the movie, Edna Mode, someone I aspire to be when I grow up one day.

 

Okay, I like this trailer a lot more than the first one. This one actually makes me want to see the movie, which is great considering my theories about trailers being designed to make a person hate a movie before it opens. It looks funny, and action packed, the Incredible Hulk is talking, and Cate Blanchett looks awesome as Hel, just like in the comic books. Tessa Thompson looks like she’s having waaaay too much fun. Oh, did you catch Mark Ruffalo’s Commemorative Duran Duran Rio Album T-shirt? Everything about this trailer screams 1980s aesthetic, right down to the music and the Heavy Metal logo, and I am here for it, because that shit is hilarious to me, having actually lived through that era.

 

*Now this is how a trailer is supposed to be. Exciting! Fun! Great lines! Lots of action scenes! Good music! This is the trailer that makes me enthusiastic to see this movie, because that other trailer was kinda, meh!

I like the modern day WW more than I like WW2 version, for some reason.  I read most of the comic book versions of The Justice League, but I was mostly indifferent to The Flash, Cyborg, and Aquaman as individual books. I like the actors they chose, though, especially Ezra Miller, and Jason Momoa. They look they’re having fun, which means I’ll have fun, too. I don’t actually object to Ben Affleck as Batman, except when I do, apparently. (Maybe it has something to do with my mood. Who the heck knows?) I hope Cyborg changes expression at some point.

 

 

 

*Okay, this movie looked creepy enough, even though I don’t normally watch serial killer films. I come from America’s Northeast, (Ohio), so movies  with lots of snow are always attractive to me. I can’t imagine why! Also, movies with snow, and Michael Fassbender, are always going to be intriguing. Did I tell you I was a fan of Michael Fassbender, who in real life is probably a complete asshole, but I don’t want y’all spoiling my daydreams of marriage (and eventual divorce,) in some alternate world’s future? Oh, I haven’t told y’all that!

Never mind.

 

 

I’m feeling just meh! about these:

*I  was not a huge fan of the original movie becasue I hated all the characters,  including Eggsy (or whatever) and there’s one scene, in particular, that was extremely violent, and  sort of harrowing to sit through, and I didn’t like it, even if it was very well choreographed. On the other hand, this one has cowboys and Channing Tatum, which might be a win for me.

 

 

*I think this might have been released already. I’m not sure, but it looks suitably weird and frightening, so I’m not sure I want to sit in a movie theater, and see something like this, although I would definitely watch it on Cable or Netflix. I always have a odd mix of yes/no feelings regarding alien invasion movies, (although I loved last year’s Arrival.)

 

 

*I have no intention of seeing this in a theater, but I love the idea. It looks scary and funny which is exactly my style. Some of you might really like this one. I would definitely watch it on TV.

 

 

 

*I like Noomi Rapace, and this movie sounds intriguing, but I would never watch this in a theater, because it looks deeply depressing, and kind of horrifying. I think I’ll wait for the DVD, on this. But I know some of you will like this, especially if you liked Children of Men.

 

*I love Dwayne Johnson but I’m not going to see this. I even like Kevin Hart’s brand of comedy, and the two of them have such great chemistry together. I won’t go see this unless my sister pays for it, though. I liked the book, and the original movie, too. The idea of upgrading to make it a cliched videogame is also pretty cute, but I won’t be seeing this one until it, inevitably, shows up on cable.

 

 

Okay, these movies are a straight up Nope!, for me, but might be intriguing to some of you guys:

*Why does there even need to be a live-action version of a nearly perfect animated movie? Who did this, and can we find them, and waterdrop them, until they stop doing whatever they think they’re doing?

 

*Nope. I already saw this movie. It was called Wanted, or American Ultra, or something, and I don’t want to pay money to see it again. I’ll wait for it on Amazon.

 

 

 

*Nope. Already saw this movie, too. It was called 10,000 BC, I think. I was disappointed then, and I’m sure I’ll be disappointed here.

 

Next up: New TV show trailers!

Things I’m Looking at # 37

Preacher:

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Aaaaaah!!!!

The second season of Preacher arrives just in time to take up the slack after the full-course meal that was American Gods. I was really looking forward to this new season. Last season was a bit of surprise hit for some people, and even though I was really enthusiastic about it, I’m surprised how much I enjoyed the characters. I was pretty much just expecting crazy plot, but I fell in love with Cassidy, Tulip, and Jessie, and I’m really looking forward to their interactions this season.

Last season, Jessie was possessed by an escaped Angel, named Genesis, that gave him the power to compel people to do his bidding, got assaulted  by two other Angels, named Fiore, and deBlanc, who were after their lost charge, was invited by Tulip to get back on the road to vengeance against some guy who betrayed them,  and being friended by an Irish vampire, who then fell in love with his best girl. The three of them, Jesse, Tulip, and Cassidy, met a fake God, and the town where all these events,  occurred was blown to smithereens, after things went horribly wrong at the local slaughterhouse. Now the three of them are on the road, looking for the real God, because they got questions they need answered, and I’m certain that yet more batshit adventures will ensue.

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Season two has introduced one of the characters from the books called The Saint of Killers. We get our first glimpse of him when the three buddies are pulled over by some cops, and The Saint guns everybody down. In the first episode alone we’re treated to the sight of one of the cops macing his own balls, Tulip siphoning gas through a piece of intestine (lost by one of the cops during the shooting), while Cassidy tries to get out of the sunlight by hiding under the cars, a man getting his tongue ripped out, a preacher who exorcises his parishioners demons by locking them in cages, and Jesse, Tulip, and Cassidy sharing a bed, with Cassidy letting them know that he wouldn’t mind if the two of them had sex in front of him. Sent there by the Jesse’s preacher friend, the three of them visit a Jazz bar/Strip club, where one of the patrons claimed she met God. Cassidy’s shenanigans gets their witness killed.

So the usual, all-around batshittery, really!

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Like I said, when I reviewed the show in the first season, I was not that big a fan of the books because I’m an artistic snob, and hated the artwork. I knew enough about the books to know who some of the characters were, and be excited by Cassidy’s appearance. I have no idea who the Saint of Killers is, or if its an accurate representation on the show. That said, The Saint is really terrifying. As Cassidy would say, “That’s some Terminator-type shite!

Yes, this series can actually be classified as Pulp, and yeah, I do remember from one of my last reviews, that I said I wasn’t a huge fan of Pulp, since I hated Blood Drive, but since I am a fan of Preacher, I guess that means it depends on one’s definition of Pulp. Preacher is everytihng tht Blood Drive isnt. Better acting, writing, cinematograghy, special effects, and characters, go a long way towards a better class of Pulp.

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I mean, Blood Drive and Preacher are basically the same type of show, involving people on the road, doing crazy-ass shit, or having crazy shit happen to them. But Preacher is just much better at it. I guess it’s the difference between an asshole with charm, manners,and a several thousand  dollar suit, compared to an asshole in cheap sneakers and a backwards baseball cap, who keeps spitting on your floor. One of those you date. The other you don’t. Which one you choose is entirely a matter of personal taste.

 

In the second episode we learn that the Saint of Killers was hired by Fiore, who is determined that Jesse not be allowed to keep his superpower, lest he abuse it, which he is already doing. Fiore, in mourning over his dead partner, deBlanc, is working a magician’s show at Mumbai Sky Tower, where he gets killed on stage and keeps coming back, because Angels can’t die. Well, rather they can die, but the only thing that can kill them is The Saint of Killers.

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Jesse, Tulip, and Cassidy petition Fiore to call off The Saint, but he refuses. Cassidy asks Jesse for permission to try to persuade him to change Fiore’s mind. There follows one of the funniest, most delightful, interludes I’ve ever seen in a show! Initially you think Cassidy plans on torturing Fiore, but the show uses that as an opportunity to turn a trope on its head, by having him get Fiore high on heroin, and then  romping with him around his hotel room, like two over-sugared toddlers, for three hours. Fiore who was depressed enough to attempt killing himself hundreds of times, since losing hs partner, is having the time of his life. My favorite moment is the two of them building a pillow fort in the middle of the room, and eating ice cream in it.

Jesse asks Tulip to get married and she accepts at first but when an old acquaintance from New Orleans (her old stomping grounds), shows up at the Mumbai, she tells Jesse she has changed her mind, after beating the holy hell out of the man. I love to watch tulip kick ass, with her little tiny self. She must weigh all of a buck’o five. Tulip’s got a lot of secrets, though. Jesse has an epiphany about how to find God, since they learned in the last episode that God loves Jazz. He figures that God might decide to visit New Orleans, someplace Tulip is  reluctant to go. At the end of the show, Fiore’s last request is for The Saint to kill him, since Jesse commanded him to “Find Peace”.

And that’s just the second episode. We got nine more episodes of this crazy shit, people.

 

Cleverman:

Last season we saw the introduction of a new superhero show, set in Australia called Cleverman. All of the primary characters, including the hero are all Native Australians. The show works along the themes of colonization, erasure, and assimilation of Native people into a violent dominant culture.

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*The Cleverman is an important figure in many Australian Aboriginal cultures. Series creator Ryan Griffen describes the Cleverman as “like the Pope of the Dreamtime … the conduit between the present and the Dreaming”.[6] The version in the television series combines many Cleverman traditions from different Aboriginal clans to create a superheroic version, with powers relating to the Dreaming’s connection to past, present and future.[7]    ——–Wikipedia

 

Koen has reluctantly accepted his position as the new Ceverman after the death of his uncle, who was the last one, and has begun to take steps to protect The Hairy People from a culture of exploitation and enslavement by the government. I didn’t review the last season and there’s a lot to explain, since its a very dense show, that requires close attention, especially if you’re not Australian. So here’s the Cleverman page on the Sundance website, which will give you a quick 101 on who the characters are, what’s going on and who’s is doing what to whom. The first episode of this season drops you right into the middle of everything, so if you didn’t watch the last season, you will need a quick catch-up:

http://www.sundance.tv/series/cleverman

 

And an AVClub review:

http://www.avclub.com/review/aboriginal-fantasy-cleverman-too-busy-building-wor-237354

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This season, Cleverman is attempting to foil a plot by the Australian  government, to destroy the Hairy People, by giving them a drug that will assimilate them into human society. So they’ve introduced a sickness they claim to be curing, and giving them this drug. They’ve also been kidnapping them, breaking up their families, and conducting medical experiments  on them. All of this is fairly graphically shown, so  keep that in mind while watching. At last some of this is being facilitated by Cleverman’s cousin, who  last season, used to hold a  Hairy People Fight Club, in the area of town where the Hairy People, and the Indigenous population, had been corralled

I’m having some difficulty watching the show because it just strikes too close to home, on a realistic level, and I can’t make it through a single episode without yelling at the TV, so I had to cut my viewing short. And I was also having trouble watching the fascistic nature of the plot. Its the reason why I’m not really into watching dystopias right now.

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But this is a great show. It’s very deep. It has good representation for my criteria although, if you’re a member of an Indigenous culture of any kind, you may have more stringent criteria than I do. It might also be too upsetting to watch because the plot does not mince around.

 

 

Will/ The Strain

Other shows I’ve checked out, and won’t be watching again, are Will, a show about the life of William Shakespeare which I found too dense to get into, and The Strain, which I continue to hate despite its change of venue, to Philadelphia, after NY blew up.

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Now, If you’re a student of Shakespearean Literature than you will  love this show because it chronicles the writing of his various plays and whatnot. its written by a couple of scholarly type guys and it shows. Its also full of pretty people being loud and boisterous,, and lots of ribaldry. I guess this is the show’s attempt to seem racy. I tried to like it, but I don’t think I was in the mood for it, as all that authenticity was giving me a headache.

I tried to watch the first episode of The Strain’s fourth and final season. I didn’t get past the first twenty minutes. I figured out what it was I hated so much about this show. Its the characters. I just hate them. Outside of Quinlan, and Fet, none of the characters are even trying to be compelling, and the villains are just ridiculous. The show also just isn’t scary. At least not to me, but the one review I read of the show the reviewer loved it. I just can’t agree. If you like the show, there’s nothing wrong with that, but  you have very different criteria, than I, for liking it.

Since NY blew up last season, the apocalypse has started t in earnest, as the resultant ash cloud has blocked out most of the sun’s UV rays, allowing the Strigoi, as the vampires are called, to walk around in daylight, menacing the populace. The setting has moved to Philly, and the first annoying thing I saw was an ad for a vampire/human organization called The Partnership, which is mostly designed to separate humans from their blood.

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Let me get this out of the way first: Many of the people in the ad were Black, although no more Black people were seen in the rest of the episode, even though it takes place in Philly, which has, quite possibly, one of the most recalcitrant Black populations in America. Apparently, rebellion against authority is only for White guys, since the two Black people I saw are shown  just rolling over for it.

This really pissed me off because I know, in the real world, you can’t even get Black people to do things they want to do, if you  give them an order to do it. Black people (and Puerto Ricans) will decide NOT do something, just to spite you. So I found it hard to believe there were no Black or Brown people rebelling, or creating some kind of Human Underground. C’mon! Marginalized communities would be the first ones to act up. And no explanation is given for why they’re all absent. Were they all wiped out? Eaten? Maybe we’ll find out later in the season but I won’t know because I’m not watching.

 

Castlevania: 

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I watched the first few episodes of this series, which is based on the arcade game from the 80’s. I do have fond memories of watching my brothers play it,  because I wasn’t particularly interested in playing it myself. I’m not that type of gamer, really. I don’t get attached to characters too much, or follow plots that closely, so I can’t tell you if the anime has anything to do with the plot of the game.

But I enjoyed the cartoon, which is about a guy named Belmont, a monster hunter from a disgraced family, going up against Dracula, and the Church. The Church is responsible for burning Dracula’s wife as a witch, and he’s so pissed off that he didn’t receive an apology, or even a tribute for his dead wife, that he unleashed a horde of batlike demons into the world to destroy humankind.

I spent a not inconsiderable time muttering at my TV about this one too because, as is natural, the villains are villainous, and  annoyingly unreasonable bullies. The Church is trying to use the approach of the demon horde to consolidate their power, and deflect attention away from the fact that the release of the demons is their fault. There’s another group of monks, truth tellers, that the Church is trying to wipe out because church officials don’t want word getting out that the demon apocalypse is their fault.

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The animation is very good, with some nice fight scenes. I usually avoid a lot of anime series because they’re too fast paced, and the characters have a tendency to talk too much, in extremely high pitched voices, which just makes my head hurt. But I liked this one. The people have actual motivations for doing stuff, even if I disagree with their actions, and they all talk like regular people.

So, if you’re a fan of the game, you could do worse than spending an evening with Belmont, who is a total bad-ass, and  Dracula. Castlevania is available now on Netflix.

 

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I also watched The British Baking Show and Game of Thrones. I enjoyed the Baking Show because British reality shows are wholly unlike American reality shows.  For one thing, there’s less bragging, and competition from the empty headed contestants, and more a feeling of camaraderie. The British shows don’t look as if they’re trying to get rid of the Black people and women as quickly as possible and the hosts are really funny.

I like the process of watching the contestants learn to bake something, I like looking at the inventiveness of the end results, the judges aren’t mean for meanness sake, but seem honest and forthright, about the results, and the way they choose the winners seems fair. If you have a bad episode, as a baker, that doesn’t automatically mean you’re out. It has to be a consistent thing. By the end of the series some of the baker’s have had several bad events.

 

I have no idea what to think of Game of Thrones. I want to like it. I like parts of it. I’m mostly a casual viewer, who has only watched a few of the more popular episodes. I know who the top five characters are, and the ones I like the most, Jon Snow, Brienne, and Arya and Sansa Stark. I’m much more interested in what’s happening in the north, at The Wall, then I am with what’s going on in the south, even though I realize all of these things are linked.

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 I don’t know who that guy is that’s been stalking Brienne.I think his name is Torm, or Torman) but he is hilariously, and very obviously, smitten with her. Brienne mostly looks annoyed and puzzled at his insinuations, and I can explain why that’s funny. I often have that same look on my face when people flirt with me. I can’t imagine why they think such a tactic would work with me, and puzzled about whatever I might have done, to make them think it would.

He longs for eve nthe faintest scrap of attention from her. Last night, after Brienne thoroughly trashed some guy  she was training with the sword, he walked up to the man and happily told him how lucky he was.

And of course, Twitter was right on it!

Tormund be looking at Brienne like

I’m going to keep watching it (not reviewing it) because I’m curious as to where it’s going to end, and how my favorites end up. Notice that there are some popular characters I didn’t mention, and that’s because I don’t care a single bit, about what they get up to, on the show.

 

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