What’s the 411? LinkSpam

Hey! I got some great reading material for your weekend. 

History of Dance Music

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*Actually pretty much all of the Popular musical styles originated in marginalized communities. I was inspired by someone asking a question on Tumblr on why Disco died. The answer is that Disco didn’t actually die, it simply went back underground, and morphed into something else.

http://gawker.com/frankie-knuckles-discos-revenge-and-gay-black-music-1556413442

https://thump.vice.com/en_us/article/aeqxwz/dance-pride-the-gay-origins-of-dance-music

https://djmag.com/content/special-feature-gay-dna-house-music

http://www.dazeddigital.com/music/article/35892/1/chicago-house-lgbtq-history-documentary

View story at Medium.com

https://www.univie.ac.at/Anglistik/webprojects/LiveMiss/Chicago-House/house-text.htm

Image result for history of disco

 

*This is about the White male backlash against Disco. There are a number of reasons why there was such a backlash, but what I’ve noticed is that its a pattern that keeps repeating itself through US history. A marginalized community creates a musical style that becomes very popular, which is then followed by an urge to contain and control that music, by the preceding generation, when its adopted by their children.

https://aeon.co/ideas/the-night-when-straight-white-males-tried-to-kill-disco

http://www.thedailybeast.com/of-gamers-gates-and-disco-demolition-the-roots-of-reactionary-rage

*This article chronicles how the backlash against Disco was tied into homophobia and racism:

https://muse.jhu.edu/article/224099

*This video by Sut Jhally, which lasts about an hour, discusses the misogyny of  behind so many poplar musical styles, but pays particualr attention to Rock N Roll. Warning this is NSFW:

https://thoughtmaybe.com/dreamworlds-desire-sex-and-power-in-music-videos/

 

At the Movies

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http://www.huffingtonpost.com/entry/black-panther-costume-designer_us_593ff13ee4b02402687cd1d2

<em>The Magnificent Seven</em> vs. The Historical Negationism of Westerns

https://www.theatlantic.com/entertainment/archive/2016/10/how-the-west-was-lost/502850/

http://www.hollywoodreporter.com/heat-vision/predator-oral-history-arnold-schwarzenegger-film-1014132

http://www.theroot.com/sophia-coppolas-blatant-erasure-of-black-women-in-the-b-1796386121

https://www.villagevoice.com/2016/10/13/the-men-who-were-the-thing-look-back-on-a-modern-horror-classic/

http://www.vanityfair.com/hollywood/2017/05/alien-xenomorph-actor

 

Sex and Gender

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Articles on Gender and Sexual expression will always get a read from me. I just find the topic fascinating. Apparently, so do a lot of other people.

*An article about the “Berdache” gender among American Plains Natives Cultures:

http://plainshumanities.unl.edu/encyclopedia/doc/egp.gen.004

*This one is about how  much freer men were in the past, to express affection for one another.  The most distracting thing in these photos for me was the smoking of cigars. I found the cigar smoking to be kinda weird. We hardly ever see that kind of thing now.

https://truewestmagazine.com/homos-on-the-range/

http://www.artofmanliness.com/2012/07/29/bosom-buddies-a-photo-history-of-male-affection/

*I found this great article on Gender expression in other cultures throughout history:

Image result for gender variation in native americans

http://www.teenvogue.com/story/gender-variance-around-the-world?mbid=social_facebook

 

And the obligatory Fandom Racism post:

http://beatrice-otter.dreamwidth.org/343325.html

Tumblr Humor 2,344

For your amusement this weekend, various artifacts from Tumblr:

*Recently Barbie introduced some new ,more inclusive looking, dolls to their roster. You just know Black Twitter wasn’t gonna let that go, for a second! OMG! These are spot on!

The Hotep
Jamal from ’round the way!
That ni**a that refuse to take no for an answer.
The Otaku
The Good Ol’ Boy
The Becky
The Bitter Ni**a

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I am here on Tumblr for just this type of cat discourse:

kinkshamer69

i wonder if my pets have like a proper language and when i try to speak back to them i’m just speaking jargon

like for example my cat always speaks to me when I come home and i meow back to her and she’ll meow again & even though i don’t think twice about it to her it’s probably a situation where it’s like

her, meowing: “im glad you’re home”

me, meowing back: “tax benefits”

her, meowing: “why do u always do this”

 

commanderflowers

me

theplushfrog

cats actually have a human-specific language. cats don’t often meow at each other and seem to use subvocal communications that humans can’t hear to chat cat-to-cat. however, cats seem to use what humans would call “shout-until-you’re-understood” to speak to humans. so basically, it’s more like:

“I’M GLAD YOU’RE HOME!”

“tax benefits”

“NO, I’M GLAD YOU ARE HOME

“waffle iron”

“IT’S OKAY. I LOVE YOU TOO, MY DUMB HUMAN”

 

defilerwyrm

The domestic house cat’s wild ancestors have a much harsher voice, too. The going theory is that early cats mimicked human infants which tripped humans’ nurturing instincts, and then selective breeding did the rest.

We make a big deal over how dogs have developed the ability to understand human expressions and tones (and let’s be fair, that is in fact awesome), but cats are possibly the only species that has changed their vocal language to try to communicate with us.

 

imayjustbejamesmoriarty

what I love about this post (apart from cats because cats are ADORABLE) is the assumption that cats have words for tax benefits.

 

riverofwhispers

Are you suggesting they don’t?

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That first sign tho’! And that last picture is oddly specific!

 

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My question was how the hell the dog got up there, not why! (The why seems pretty obvious!)

 

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Okay, but in all truthiness, Jason is always taking shit too far. Jason is a habitual Line-Stepper!

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We said shit like this all the time when we were kids:

Black people crack me up. We say “whole” like it even has potential to be a half.

jayywesst

Ex: “The man had a whole dog in the car”

antichristkimm

Ex: “boy you got a WHOLE girlfriend. Get tf away from me.”

 

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 WWHHOOOOO!!!!!! I am ready! (Although apparently, I can just go ahead and unsubscribe during the show’s hiatus, I guess.)

Star Trek: Discovery Leaves The Spacedock On September 24 With A Split Season And Even Higher Hopes
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I think Taco might not make it back home.

dauntlesshadowhunterravenclaw

TACO NEEDS TO KEEP HIS LITTLE MOUTH SHUT

dynastylnoire

TACO NEEDS TO STAY IN HIS DAMN  LANE

dynastylnoire

TACO IS BACK AND HE’S STILL A NOSY BITCH

Black Cowboys/Girls & Black Westerns

 

I recently had a discussion with one of my regular readers (Hi!) about Westerns starring PoC, some of which they hadn’t seen, which inspired me to make a list of some of my favorites.

I love Westerns. If you’ve been reading the Favorite Movies of My Life posts then you know I have a lot of nostalgia for TV Westerns. I used to watch Big Valley, with my Mom, because she loved Barbara Stanwyck, and Bonanza because she liked Lorne Green. Later, we discussed, and watched, shows like Rawhide, which starred Clint Eastwood, and The Rifleman because she was a big Clint Walker fan. From there, she introduced me to Clint Eastwood’s Spaghetti Westerns, and inspired by her, I went on to watch movies like The Magnificent Seven, because I fell in love with Yul Brynner.

But my biggest joy was watching Black people in Westerns. The existence of Black people in the West has been all but erased by Hollywood, like so much of History has been erased, and supplanted, with images of only White people getting to have adventures, or make History.

Image result for black cowboys

 

*The cowboy is an iconic American figure and in popular mythology almost always a white one. For every Django or Ned Logan (Morgan Freeman’s character in Unforgiven) there are hundreds of white gunslingers. But of the “estimated thirty-five thousand cowboys that worked the ranches and rode the trails between 1866 and 1895, researchers have calculated that the number of black cowboys ranged from five thousand to nine thousand, with the high number representing 25 percent,” wrote Tricia Martineau Wagner, an author of several books about the West, in Black Cowboys of the Old West.

https://theundefeated.com/features/fred-whitfield-and-the-black-cowboys-of-rodeo/

 

 

*How Hollywood Whitewashed the Old West

https://www.theatlantic.com/entertainment/archive/2016/10/how-the-west-was-lost/502850/

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*The Other Pioneers: African-Americans on the Frontier

http://www.scholastic.com/browse/article.jsp?id=4807

 

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*Black Outlaws, Cowboys, and Lawmen of the Old Wild West

https://owlcation.com/humanities/Black-Outlaws-Cowboys-And-Lawmen-Of-The-Old-West

Image result for african women cowgirls/history

 

*AFRICAN AMERICAN COWBOYS

http://plainshumanities.unl.edu/encyclopedia/doc/egp.afam.002

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*10 African-American Cowboys Who Shaped The Old West

http://listverse.com/2016/04/04/10-african-american-cowboys-who-shaped-the-old-west/

Even modern day cowboys are simply not being acknowledged. Lets face it, if you’re a Black person, who lives anywhere in the Southern United States, you know there are Black cowboys. Its unfortunate that Hollywood and television don’t ever seem to remember that. My family is from deep Mississippi, so I know about this, but hardly anyone outside of the Southern states seems to know.

Image result for modern black cowboysImage result for african american cowgirlsRelated imageImage result for african american cowgirls

Image result for modern black cowboysOnly one member of the Cowgirls of Color competed in rodeo events as a teenager. “I was the only black person there,” she says. Photograph: M Holden WarrenKB works to control Yankee Girl during the barrel relay Photograph: M Holden Warren

*They’re Cowboys And They’re Coming Straight Outta Compton

 

 

And Philly:

 

Whitewashing of the term Cowboy:

They’re Cowboys And They’re Coming Straight Outta Compton

http://www.npr.org/2015/04/30/403353200/comptons-cowboys-keep-the-old-west-alive-and-kids-off-the-streets

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Image result for black cowboys/will smith

As for Westerns featuring Black actors, here, in no particular order, are some of my favorites:

Gang of Roses (2003)

Reviewed here: https://tvgeekingout.wordpress.com/2015/01/23/gang-of-roses/

Posse (1993)

I remember this movie was a huge deal in the Black community when it was released. A lot of my friends were crowing about how good it was. While it’s not my absolute favorite Black cowboy movie, its in the top ten, because at the time, it was kind of mind-blowing, since the last movie, that was anything like, it had been released in the seventies. And I got mad respect for Mario Van Peebles, who was  trying hard to make Black genre films a thing.

 

Blazing Saddles (1974)

I saw this one when I was in college, as a double bill with Raising Arizona, and laughed my ass off the entire evening. Two of the funniest Westerns ever. This movie was not afraid to go there. My favorite scene is when some racist cowboys bully the the Black railworkers into singing for them, and they burst into a piano-lounge tune called,  “I Get No Kick from Champagne”. The White cowboy’s reactons are  priceless. That scene never gets old!

 

Unforgiven (1992)

Unforgiven has some deep themes. While I’m not a fan of Clint Eastwood, the person,  his films have always been first-rate. Gene Hackman and Morgan Freeman are awesome in this movie.

 

Silverado (1985)

I saw this around the time of its release. Starring Danny Glover, and Kevin Costner, it was the  first time I’d ever seen either of these two actors, and the first time I’d ever seen a Black cowboy in a movie.

 

Buffalo Soldiers (1997)

I don’t remember a whole lot about this one. I watched it on cable late one night and remember enjoying it somewhat, so I’m not sure if this classes as a favorite, but I did watch it in its entirety, so felt I should put it here. It stars Danny Glover again, so that may have been my initial impetus for watching it in the first place, since I enjoyed Silverado.

 

Wild Wild West (1999)

I will watch Will Smith in anything, so I was overjoyed to see him in a Western, even if the movie royally sucked. The music video, on the other hand, was the shit. Yes! I know ALL the lyrics!

 

Django Unchained (2012)

Reviewed here: https://tvgeekingout.wordpress.com/2016/01/15/in-defense-of-django-unchained/

 

The Hateful 8 (2015)

Reviewed here: https://tvgeekingout.wordpress.com/2016/02/28/geeking-out-about-the-hateful-eight/

 

The Magnificent Seven (2016)

Yeah, I liked this movie!

https://tvgeekingout.wordpress.com/2017/03/28/stuff-im-watching/

Things I’ve Been Watching

The Mist (TV Pilot)

Image result for the mist series gif

I’ve only seen the first episode of this, but I’m unimpressed. I think my expectations were a bit high for this show, as it’s nothing like the movie. For one thing, the characters are either bland or unlikable. The characters who come closest to being liked is a young person of indeterminate gender designation, and the tough Mom, of the series.

There’s a mother, dad, and daughter grouping in the movie. The dad is the permissive, easy-going sort, while Mom is a woman of strong opinions and convictions. She gets fired from her job at school for sticking to her principles, and NOT teaching abstinence to her students. I can respect that, even if the local parent’s group can’t. She also forbids her 17-year-old daughter from going to the local  teen party. Dad gives his daughter permission to sneak out to the party, where she gets roofied/raped by the local football star she has a crush on. I saw that coming a mile away, as he just looked untrustworthy to me. He claims he didn’t do it, but her father reports him to the police, and the family gets harassed by the townspeople. The situation is complicated because there is also the possibility that he didn’t.

 

There’s the story line of a young military man, who wakes up in the forest, with no memory of how he got there, just as the mist rolls into town. He heads into town to warn the populace about the mist, only to be arrested by the police. I can definitely say I absolutely DID NOT appreciate watching this Black man get roughed up by the police, just for not answering their questions.  And no, it’s not okay just because that same cop gets eaten by bugs soon afterwards. Just before the dysfunctional nuclear family is about to leave town, the mist shows up, cutting off all escape.

Image result for the mist tv show  gif

There are several stories mixed up in this. Various people get trapped in at least three different locations during the mist’s siege of the town. Mom and daughter are trapped at the local mall; Dad, the sheriff, the military guy, and the non-gender designated young person, get trapped in the jail. There’s also a thoroughly unlikable woman who threatens, and insult the non-gendered teen. This woman, who has no connection to anyone else in the plot, was seemingly added just to make me furious with her, and hope she’d quickly be eaten by something. She is so reprehensible, that I seriously considered turning this shit off, and just going to bed, but I put up with crap like that in order to bring you, my loyal readers, the quality snark I feel you deserve.

Oh yeah, there’s also some  people trapped in a church with Frances Conroy, who you can tell is gonna go batshit, in about two episodes, or less.

So basically, this first episode is all set up for the tensions that will reach a boil during the mist’s invasion of the town, which is not unlike the movie I guess. Mom and daughter are trapped in the mall with the parents who got her fired, and who believe her daughter is lying about being raped. The football hero perpetrator is also trapped there. The a-gendered teen is trapped at the police station with a father who refuses to speak to him because he won’t act like a son, and an abusive inmate. And Frances Conroy’s husband gets killed by something in the mist.

The main difference between the show and the movie is that there aren’t really giant monsters in the mist. I had the impression that people are being killed by either a singular malevolent entity, or their own fears and weaknesses, or possibly both. While that’s an interesting idea that’s much easier to sustain for  an entire season, I was still hoping to see giant monsters. Maybe those show up later.

 

Blood Drive:

SYFY syfy grace blood drive eat a dick GIF

If you like this type of over the top excessiveness, then go for it. I ain’t judging. The plot of this seems to involve people being forced to race each other, by some type of post apocalyptic tyrant, who has nevertheless found a way to wear too much Maybelline. The contestants lives are forfeit if they stop for any reason, up to, and including, running out of gas, which prompts some of them to cannibalize their  opponents, (and partners) and use them for fuel.

I am not a fan of excessive pulp. I was cautiously excited about this show from the trailers, and was willing to give it a try, but some things are just too far over the top even for my tastes, which even some others would consider excessive. I think it’s because so much of this particular genre is spectacle, solely for the sake of spectacle, without rhyme, or reason, to any of it. If it’s a crazy image, the creators will throw it in, no matter if it breaks, or creates  characters, or subverts an already established plot, and Blood Drive appears to be no different.

Somewhere, someone is having a grand old-time watching this show. That person is not me. I don’t think I’m the correct audience for this. At every level of creation, the show looks tasteless, cheap, and ugly. The characters, world-building, costumes, and even the plot, is just ugly. I couldn’t sit through more than half of it. By the time we reached the point where the two main protagonists appear to be having sex in a moving vehicle, I had had enough, and turned it off. I would rather hate-watch The Strain.

Blood Drive gets a resounding NOPE!

 

Dr. Strange: 

Image result for dr Strange gif

Yeah, I know I talked shit about this movie but I didn’t spend money to specifically see this movie, and it was on Netflix, so I thought I’d give it a try. It wasn’t a bad film, and I also don’t feel too bad about the whitewashing angle, for reasons having to do with the plot. Let’s just say, I was pissed off that the Ancient One was not Asian, but I would have been equally pissed off if an Asian woman had been cast. So, spoilers ahead.

The movie is the basic origin story type stuff, except now starring an actual asshole, as an asshole who doesn’t actually get to be a better person by the end of the movie, which is rather different. Strange is a first class shit at the beginning of the movie, and although the story, and the actor try really hard to make him a sympathetic character, I didn’t buy it. I liked every character but him. He’s just a full-time douche. I still didn’t like him even after he cleverly saved the world, but I do admit that may have more to do with the actor than the character.

Tilda Swinton plays The Ancient One, pretty much the way she plays all of her more soft-spoken characters. I generally dismiss her because, like most white actresses in Hollywood, she is thoroughly clueless on issues race and/or whitewashing. I’m also less than secretly  glad that they didn’t choose an Asian Woman to portray this character because 1.) She dies at the end; 2.)she dies to further another character’s manpain; 3.) she turned out to be a huge hypocrite.

So, there’s this alternate world called The Dark Dimension, which naturally means its evil, but basically, she’s been warning her students against having anything to do with this dimension for centuries. Hannibal…I mean, Kaecilius (which sounds like a nasty bacterial infection) is in contact with the being who rules that dimension and he gets drummed out of the corp. This Dark  Being wants to “try to take over the world” and is just lying in wait for someone to invite him to the cookout, which is what Kaecilius does.

Dr. Strange loses the use of his fine surgical dexterity after a horrible car accident. Do not watch this scene if you have car accident terror, because it’s unnecessarily graphic. He decides to travel the world searching for a cure to his neurological problem, and winds up in Kamar -Taj, where he meets the Ancient One, who teaches him how to be a sorcerer, and her eldest assistant, Baron Mordo. (I do not remember this guy from the comic books, and I should, because he is in them. I’m hoping Baron is his actual name, in the  way that some Black people name their sons Prince, or King.)

For the record, The Ancient One doesn’t actually choose Strange as her successor. See, what happened was…all the other sorcerers of the great houses of the Landsraad…I mean the other sorcery nexi, get murdered by Kaecilius. Strange, Wong, and Mordo are the only ones left alive. So he gets to be a master of Sorcery through a combination of. hubris and default.

Those two, and Strange, spend the bulk of the  movie fighting Kaecilius and his minions. Baron Karl Mordo is played by Chewitel Ejiofor, and Wong is played by a man who is, conveniently, named Benedict Wong.

I liked Wong a lot, although there were some unnecessary scenes of Wong being played for a fool by Strange, that I did not care for. The Ancient One turns out to be, while not exactly a bad guy, her betrayal of the Baron’s trust does lead to him being a villain. So really, the movie isn’t  nice to any of the PoC that star in it.

The break-out character is  Strange’s Cloak of Levitation, a semi-sentient magical object that adopts Strange as a Master. This isn’t like in the books where its the Eye of Agamotto that’s sentient. Why they switched it in the movie is anyone’s guess.

So overall, not a bad movie. It’s got some great eye candy, the magic looks really cool and worldbendy, and except for some serious eyeball rolling moments, I didn’t hate it. If you can get pass watching two hours of Benegeserrit Cucumbersnatch, then the movie isn’t a complete waste. On the other hand, if you had no intention of ever watching this movie, you ain’t missed nothing!

 

The Accountant:

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I had no intention of seeing this movie. It was on HBO last weekend and I  was not doing anything in particular that needed my eyeballs, so I ended up watching this movie. I’m not a Ben Affleck fan, but I liked him in this movie, and it was surprisingly good.

Here he plays an assassin who has autism. His father began teaching him how to kill people, as a child, in an attempt to make him more independent, and he became exceedingly good at it. He comes across some corruption at a tech company and feels like he has to protect the young woman he was working with on that case, when she’s targeted by another assassin. The other assassin turns out to be his estranged brother, and I found that particular drama  intriguing.

I initially though the movie was a ripoff of the Bourne Trilogy, but it turned out to be nothing like that, with more heart, and more depth than any of the Bourne sequels. I liked the relationship that developed between Affleck and his co-star, which she thinks is supposed to develop into romance, but he is not particularly interested in her interest. It’s a romance that never develops, even though he likes her, and I thought that was a refreshing change.

The movie kept upending my expectations, and Affleck comes across as a smoothly competent killer. The movie also doesn’t end in car chases, explosions, or dramatic surprises, but in a quiet conversation between two brothers, who have some shit to hash out between them, before they could move on, and I  liked that. I would recommend watching this on some quiet Sunday evening.

 

Alien Covenant: 

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Oh, my gob! This movie was bleak, bleak, and even more importantly, it was bleak. It was even bleaker than the very first Alien movie, if you can believe that. I mean, basically, everybody dies. Well, rather say, that any humans that  were walking around at any point during this film, ain’t walking around by the end of it. If you liked the first Alien movie, then you will like this one, as it is effective at scaring the shit out of you, even when you sort of know what’s going to happen. I mean, Ive watched the first Alien movie multiple times, and I still get scared.

Oh, did I forget to mention that this movie also stars Michael Fassbender, and get this…another Michael Fassbender. So it’s like getting two Fassbenders, for the admission price of only one of them, (even though I spent no money to watch this movie.) Did I mention that I love Michael Fassbender. I feel like I may have mentioned that in some earlier post, or something. If not, then let me reiterate..I love Michael Fassbender who, I am absolutely certain, is a total dick in real life. (If he is, don’t tell me. )

I would talk about the plot, but really that’s all there is to it. Somebody’s gon’ die! and people do stupid shit, to help facilitate their deaths, just like in the first movie, Prometheus. Things like, taking their helmets off just because they can breathe the atmosphere, running towards danger, or wandering off alone, or trusting strange androids.

Not to go off on a tangent, but why do people on strange new worlds always take off their helmets as soon as they learn the atmosphere is breathable? Have they never heard of airborne pathogens? Which is exactly what happens in the case of one of the characters, when he steps on a plant, that releases spores, that go into his ears. His demise is suitably horrible.

Later, the two Fassbenders, David, from the first movie, and some new guy named Walter,  get into a fight, as Walter tries to protect the remaining humans. I would have preferred some loincloth mud-wrestling, but that probably would not have been in keeping with the mood of the film, which is, well…kinda bleak.

 

Suicide Squad:

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Apparently, I’m one of five people on Earth who enjoyed this movie. Its been airing on HBO recently and I’ve watched it multiple times. I think the main reason I enjoy it is because I’m a Will Smith fan and will watch movies with him that I normally wouldn’t pay attention to. Not that the movie isn’t flawed, annoying, and occasionally stupid,  it’s just those moments were not enough to detract from what I was enjoying about it, which is namely Will Smith, and Viola Davis, in an anti-superhero movie together.

I could go through and list everything wrong with this movie, because it’s got a lot of problems, but IT’S WILL SMITH!!!! I love Will Smith!!! Will Smith makes every movie worth looking at, just by being in it. Plus, he’s with Viola Davis, and they actually get to exchange words in the movie, rather than pretending the other doesn’t exist.

Okay, I did like the other characters, too. In fact, my only reasons for liking the movie, was some of the characters, and the action scenes. I enjoyed seeing Killer Croc, onscreen for the first time, and Diablo turned out to be a huge favorite of mine, but then, I’m a fan of seeing Incan Fire Gods in movies, so yeah, his scenes were both hot, and cool.  Outside of Deadshot, I got really attached to Harley Quinn, who I enjoy in the comic books, and the nascent friendship I saw developing between the two of them. I’m here for a Deadshot/Harley Quinn team-up movie, as long as Amanda Waller can be in it. Viola Davis perfectly captured the idea of the Amanda (The Wall) Waller that I had in my head, as the only human on Earth, who can get away with dressing down the Batman.

The plot was deeply, (and I do mean deeply), fucking stupid though, and I have no idea what the villain’s motivation was, or how she actually hoped to accomplish her goals. Yeah, some of the characters were totally undeveloped, like Katana, or just straight up hateable,  like Captain Boomerang, and The Joker. But the movie was pleasant eye candy for its two-hour running time. It’s not a good movie, but I found it mostly inoffensive, unlike some people who found the movie deeply offensive to their intelligence. I can say that part of the reason I’m okay with the movie is because I went into it expecting nothing more than to be distracted for a while, and the movie accomplished that goal. The trailer looked like fun, and that’s what the movie delivered.

Its okay if you haven’t seen this movie, you can rectify the problem of not having enough Will Smith in your life, by watching…Concussion!

 

Note:

I’m still watching stuff because new shows keep being released. Next week I should have a review of the new season of Cleverman, now airing on the Sundance Channel, and the second season of Preacher, on AMC, which looks like a lot of fun, so far.

Favorite Movies of My Life Pt. 4 (2001-2010)

Here we go with part four of the most influential movies of my life, according to the year they were released. I thought about adding more of a prologue here but I’ll save it for the last and final chapter of this essay, covering 2011 through 2016.

2001: Spirited Away

Image result for spirited away gif

For this year there was simply no contest. Hayao Miyazaki’s Spirited Away wins this one hands down. This is not just The Potato’s favorite movie, but her Mom’s and her Aunt’s, when they were her age. I have shown this movie to two generations of little girls and there’s just something about this movie that just resonates with them. This movie was voted the 4th best movie of the 20th century, and that is just too accurate.

This is the coming of age story of a bored little girl named Chihiro, whose parent’s gluttony traps her in the spirit world, where she has to navigate this liminal space in a  bathhouse for spirits, dragons, soot sprites, hungry ghosts without faces, and a witch named Yubaba. It’s an Alice in Wonderland story nestled firmly in Japanese traditions. A story about a little girl re-engaging with the world, becoming self-sufficient, gaining confidence, saving her parents, mending relationships and making new friends; most specifically with  a little boy named Haku, who has a  special secret of his own, a tiny bird, and a little guinea pig, that used to be a giant baby.

Every little girl I’ve shared this movie with became completely obsessed with it and wanted to watch it again and again. And no, I was not immune to it either,as I’ve watched this a countless number of times with them.

This year also saw the release of the final chapter in the Lord of the Rings trilogy, which gets an honorable mention and was one the most entertaining movies of the year.

 

2002: Blade 2

The movies 28 Days Later, Dog Soldiers, and Eight Legged Freaks were  all released this year, and I initially chose Dog Soldiers as my favorite, but on second thought, I think I prefer Blade 2, because I love Guillermo Del Toro’s vampires, and it’s one of the  first films in what would later become the MCU juggernaut. The next time I think on this topic, my favorite could be Dog Soldiers, though.

Del Toro also introduced a different iteration of the vampire here, which became the foundation of the vampires used in the TV series, the Strain, although I think the book versions were more disgusting. Blade 2 isn’t a meaningful film. It’s just a helluva lot of fun, with Ron Perlman, a giant Jewish guy, playing a  Nazi vampire, and some great Martial Arts, choreographed by Donnie Yen and Wesley Snipes. This is one of the most diverse group of vampire villains I’ve ever seen in a  movie. And you have to watch the DVD, because  Gillermo always gives hilarious commentary. He is quite possibly the most cheerful, profanity spewing, director in Hollywood.

I enjoyed 28 Days Later for showcasing Naomie Harris, in one of her first starring roles as an absolute badass, who gets to kiss pretty boy, Ciilian Murphy. Eight Legged Freaks is one of the funniest movies I saw for this year, and I did a reviews of both it and Dog Soldiers.

https://tvgeekingout.wordpress.com/2016/10/10/eight-legged-freaks-2002/

https://tvgeekingout.wordpress.com/2015/08/18/geeking-out-about-dog-soldiers-2002/

 

2003: Kill Bill Pt. 1

I love Kung Fu movies, and so does Quentin Tarantino, and in the making of this movie, he managed to introduce me to a few I’d not heard of.  This movie is one long beautiful love letter to the Kung Fu movies from his youth. From his casting of Gordon Liu as the leader of the Crazy 88s, Johnny Mo, to Daryl Hannah as an assassin named California Whitesnake, from Viveca Fox as Vernita Green (codename Copperhead), to that final big boss fight, that takes up nearly the last full hour, this movie is totally awesome-sauce.

My favorite scene has to be the final fight between Beatrix and O-ren Ishii. It’s a masterclass in how to craft a minimalist fight sequence. The lighting, and sound effects, (which is something I almost never pay close attention to in a movie), the stop and start of the action, the minimal dialogue, and the costumes (O-ren is dressed as the character Lady Snowblood from the movie of the same name), all of it is simply gorgeous. And its such an emotional scene. We’ve been building to the moment these two characters finally crossed swords, since the beginning of the film, when we noticed that O-ren’s name had already been crossed off of Beatrix’s list. Why this film wasn’t lauded by White women as the second coming of Feminism is anybody’s guess., and it’s another reason I find WW unimpressive.  Because I’ve seen better.

There wasn’t anything else of note released this year, in my opinion.

 

2004: Shaun of the Dead/Man on Fire

I’m going with Shawn of the Dead as my favorite this year, even though the Dawn of the Dead remake was also released. I liked Dawn but I always prefer funny over angsty, so Shaun gets my vote, and Dawn of the Dead was mostly pretty grim. Likable but grim. I’m going to review both of these in October. (Yeah, I’m already making a list of horror movies I want to review for Halloween month!)

This year was a really tough call, because Denzel Washington’s remake of Man on Fire, from the book of the same name, was also released this year. I will always stan for Denzel, no matter what movies he makes, but this is one of my top favorites from him, and Tony Scott, who passed on in 2012. It also stars Chrisotpher Walken. Just about anything with a Walken speech in it is going to get my attention.

The Incredibles is the only cartoon about superheroes that I love, love, love, and watch, every time it airs on TV. It was a serious contender for the title of best film of this year for me,  (and I feel kinda guilty for not choosing it, so let’s call it a Runner-Up), but I’m going stick  with Shaun of the Dead because I wouldn’t mind living in Shaun’s world for a few days.

 

2005: A History of Violence 

David Cronenberg has always been a filmmaker of depth and intelligence, qualities which are well showcased in this movie, based on the comic book of the same name. I do have in my post queue, an outline for a review of this movie, and its companion film, Eastern Promises, because I have a lot to say about both these movies. They have so much in common, even though they look almost nothing alike. The movie has the added benefit of starring two of my personal favorites, Ed Harris, and William Hurt, who I’ve had crushes on since I was a teenager.

In hindsight, I would like to have chosen the Joss Whedon Joint, Serenity, as a fave, but one can only watch this movie so many times. I love it, but Whedon is just not in Cronenberg’s league, and this is one of the few SciFi movies that had my angry-crying at a crucial moment.

Cronenberg  is just on a “ho ‘notha level!” It’s just gotten to the point where everything he creates is a gem.

 

2006: The Host/Slither

I did a review of Slither here:

https://tvgeekingout.wordpress.com/2015/10/31/geeking-out-about-slither/

 The Host appears in my list of ten favorite monsters here:

https://tvgeekingout.wordpress.com/2015/02/01/my-ten-favorite-monsters/

Now three other worthy films were released this year, but I couldn’t pick Apocalypto because I have an intense dislike of Mel Gibson. I love his films,  (his version of Hamlet is totally the shit), and Apocalypto is simply one of the most gorgeous films he’s ever made. The man is a phenomenal director, and actor, but also a really shitty human being, so no. I couldnt pick this one.

Paprika is an anime movie from  Satoshi Kon, the director most famous for Tokyo Godfathers, and Millenium Actress, and this is one of the most beautiful animes ever made, but unfortunately, it’s confusing as hell. I know that’s on purpose, but still, I’ve watched this movie at least half a dozen times and I’m still confused, which makes this movie little more than a pretty distraction for me. It’s a great movie that has remained opaque to my sensibilities. I’m just going to accept that Satoshi Kon is just waaay smarter than me.

300 is yet another pretty distraction, because I already knew about the Battle of Thermopylae from paying attention in school. There’s nothing particularly deep about this movie, and the plot is fairly simple, but I actually do like Zack Snyder, and this is a gorgeous movie. It doesn’t hurt that it has lots of pretty, half-naked men, running around with spears and shields. I make ‘nan apology for enjoying the sight of Michael Fassbender, jumping around like a giant spider, in a red loincloth.  I mean c’mon! Its Michael Fassbender!!!…Naked!!! I will watch Michael Fassbender do just about anything, really. I have watched movies that I have zero interest in, just because they starred Fassbender, and I make ‘nan apology for that!

 

2007: Hot Fuzz

I had to pick Hot Fuzz, even though I chose Shaun of the Dead, earlier. This movie is just one of the funniest cop movies I’ve ever seen. Okay, I don’t actually watch cop movies all that much, which make Hot Fuzz pretty remarkable Every scene in this movie is a gem, from the opening scenes establishing Nicholas Angel’s total badassery, to establishing Constable Butterman’s total incompetence. Even their names are perfect reflections of their characters, as Nick can do nothing wrong, and Butterman is one of the laziest cops I’ve ever seen in a movie, which is also kinda refreshing.

I loved seeing Billie Whitelaw again, this time being hilarious with a machine gun, and this is the funniest  I’ve ever seen  Timothy Dalton. I didn’t know he was even capable of that level of smarm. The plot, characters, and every tiny detail, is hilarious, from the police interpreter who needs an interpreter, to Constable  Doris Thatcher’s off-color double entendres, to the fact that the village’s security watch group is named after the rap group N.W.A., to the final, ridiculously over the top shootout, which is a requirement in every cop movie. If you have not seen, this check it out. It was last available on Netflix.

I suppose I could have easily chosen Frank Darabont’s The Mist. It’s a good movie, but I wouldn’t call it enjoyable, exactly. That’s a strong word. The end is waaay too depressing for that. I normally shy away from reviewing horror movies that are too famous, preferring to review indies, or little known films, but this is on my list for October, and is mentioned in my top ten monsters list.

There were a lot of really, really excellent movies to choose from this year:  No Country for Old Men, There Will Be Blood,  The Assassination of Jesse James by the Coward Robert Ford, Sunshine, The Bourne Ultimatum, and finally, Eastern Promises, another Cronenberg Joint, that I’ll be doing a review for, later this Summer.

Wow! This was a great year! But I could only choose one, so Hot Fuzz is it.

 

2008: The Dark Knight

C’mon! Was there really going to be any other choice.?

The Dark Knight absolutely ruled this entire year, both the anticipation, and the aftermath. I have no more to say about this movie, than the few hundred other people who wrote about it, so I’ll just leave it alone, and let these guys speak:

A Scene-By-Scene Analysis of THE DARK KNIGHT (2008, dir. Christopher Nolan)

http://www.slashfilm.com/assessing-the-themes-of-the-dark-knight/

 

2009:  Star Trek

I chose Star Trek because I’m one of the few lovers of the OG series who actually likes this movie. I don’t think people hated it exactly, but people had a lot of complaints about it. I didn’t have very many outside of plot and pacing. It wasnt a deep movie, but I had a lot of feels and sometimes that’s good enough to make something a favorite. I mean these actors did a great job of capturing the spirit of the original actors without mimicry, and I just found that all kinds of ticklish!

I was going to choose Watchmen for this year, but that movie is a lot more depressing that my usual fare, and contains a nuclear holocaust, which makes it even less fun, and I think The Watchmen is a superhero movie for people who hate superheroes, because it’s a cynic’s wet dream. But I like the ideas being presented, and I liked the visuals so it makes my top five of the year, along with Sherlock Holmes.

Like Zack Snyder, Guy Ritchie is one of those directors people seem to have no middle ground for. You love them or hate them. I really enjoyed this remake of Sherlock. I enjoy all of the Sherlock’s really, and never seem to get tired of new versions of this character. Plus,  I will watch Robert Downey Jr. do absolutely anything in a movie.

 

2010: Inception

Christopher Nolan just makes movies after my own heart. He is not the kind of director that ever speaks down to his audience. If you are watching a Nolan film you are expected to pay attention, and be on your toes. And he doesn’t stint on the action scenes either. Like Hitchcock, he makes Thrillers for thinkers, and I appreciate that. He just crafts some wonderfully satisfying movies.

http://narrativefirst.com/articles/meaningful-storytelling-an-analysis-of-inception

Movie Review: “Inception”

Let Me In is complicated. I enjoyed the book the original movie was based on, but didn’t care too much for the  original movie. I think it was the acting that threw me off. I think the creators of the American version did a really good job adapting it for American sensibilities while keeping the spirit and theme of the  original film intact, but I couldnt choose it as a favorite, as it has too many scenes of the primary actor being tortured by bullies, for it to be enjoyable, and its kind of depressing.

“What if a white guy played Black Panther?: The Fake Concern of Fake Geek Guys — Stitch’s Media Mix

Whenever I talk about racebending as a concept when it comes to comics and comics-related properties, smartasses always show up to say something snarky like “what if Black Panther or some other Black hero were a white guy”. They crowd into my mentions or any comment field they can get a hold of, trying to […]

via “What if a white guy played Black Panther?: The Fake Concern of Fake Geek Guys — Stitch’s Media Mix

 

**And for further reading, the distinction is that Whitewashing is bad and Racebending is okay, and here is why:

Dear Comic Fans: We Get it. You’re racist and racebending scares you.

The Incomparable Differences between Whitewashing and Racebending

Whitewashing vs. Racebending: Yes, There is a Difference

https://moviepilot.com/p/how-whitewashing-does-and-doesnt-affect-movies/4112605

https://www.theodysseyonline.com/whitewashing-racebending

 

**And further readings on Race and Media for the weekend include a description of harassment in the Art world,  for speaking the truth, which is important to me because I’m an artist.

This ties into America’s general belief that History was all White, and that PoC played no part in European History at all. As Dr. Who said, “History has been whitewashed!” And yes, I blame Hollywood, and America’s  general historical ignorance. It’s this ignorance of the part PoC played throughout every era of human history that leads to cries of “Historical Accuracy” every time a Black person wanders into the orbit of, not just historical films, but any Fantasy films that have a foundation in European folklore.

https://hyperallergic.com/383776/why-we-need-to-start-seeing-the-classical-world-in-color/

https://www.artforum.com/news/id=68963

 

**And on Race and Fandom Wankery…Stop It! Fandom is every bit as racist as non-geek culture, but Klandom thinks it’s better at disguising it. There has also been some confusion about patterns of implicit racism vs calling individuals racist.

Thinking that you are personally being called out on your racism is basically the Racism 101 approach to this topic,  because we’re not talking about individual people, although individuals may be used as examples of what were drawing attention to.

The discussion that PoC and LGBT people are having is from the 401 Class, and seems to be over quite a few people’s heads. We’re discussing patterns of behavior across multiple platforms. We’re not talking about a handful of bigots, writing stories we don’t like, but  about hundreds of people across fandom engaging in the same behavior, and then making the exact same excuses for their behavior, over and over again.

We are supposed to be the most progressive and transformative community in pop-culture.

nyxelestia

We who…

  • Hyper-focus on white, male characters
  • Contort these male characters into heteronormativity
  • Marginalize and erase characters of color
  • Write out women and replace them with men, especially in shipping
  • Attack women for “getting in the way” of our preferred ships
  • Hold female characters to higher standards than male characters
  • Hold characters of color to higher standards than white characters
  • Latch onto any single excuse to marginalize female characters
  • Utilize any single excuse to demonize characters of color
  • Put women on pedestals and act as if we’re doing them a favor
  • Justify white and male abuses or dismiss them as “mistakes”
  • Use actual mistakes to denigrate female and non-white characters
  • Romanticize white, male pain and mental illness
  • Expect female characters to perform all the emotional labor
  • Expect characters of color to be perfectly mentally healthy forever
  • Expect everyone to subsume their own mental health for the white males’
  • Dismiss the traumas and experiences of characters of color
  • Minimize the achievements of female characters

And then we wonder why mainstream media is so regressive, especially compared to us. We all talk as if mainstream media creators are behind the times.

They’re not.

Fandom likes to imagine itself as being progressive because of all the slash – a mechanism of progress which conveniently boils down to extra attention on overwhelmingly male (and overwhelmingly white) characters. This form of progress is one which takes a minor deviation from the social norm (homosexuality), only to end up ultimately supporting or even amplifying the status quo, by virtue of over-focusing on male characters (and over-representing white ones in the process).

Strip back that gay window dressing, though, and you’ll see that at best, fandom is just as socially stagnant as mainstream media and mainstream culture – or even worse, by virtue of engaging in media that overwhelmingly sidelines several other marginalized groups in order to prop up one.

Professional women have long known the old adage, “Whatever women do they must do twice as well as men to be thought of half as good.” What no one seems to realize is that fandom is still doing exactly the same thing.

We expect female characters to be twice as good for half the acclaim, we expect characters of color to be three times as good for a third of the acclaim, and we let white, male characters be only a quarter as good for four times the acclaim.

Mainstream media is keeping up with the times and with social progress just fine, it’s us who’ve deluded ourselves into believing that we, as a community, are more progressive than we actually are.

 

 

And Danae Guriria lays it out:


**And on Hollywood Erasure. This topic is especially interesting to me becasue I know there were Black cowboys. When Slavery ended, a lot of Black people fled West, rather than North, which is how and why there are so many black people in places like Minnesota, Oklahoma, California and a huge Black population in Texas. I know there were Black Cowboys (and many many Mexican ones) but this is something most Americans don’t no about due once again to Hollywood Whitewashing. The remake of the Magnificent Seven is a lot more historically  accurate than the original.

Although the reception of that movie proves one more thing to me, that Denzel Washington can make whatever the Hell movie he wants, and no one will criticize him for historical accuracy. Apparently, he belongs in any era he wants.

 

black-to-the-bones

The LIT History Series is for the Legends, Innovators and Trailblazers that have shaped our culture.

It is widely believed that the “Lone Ranger”, the famous cowboy of the TV show and the movie, was inspired by a Black man named Bass Reeves.

Reeves was born a slave, but he escaped to the West where he eventually became a Deputy U.S. Marshal, an expert marksman, and a master of disguise with his Native American sidekick. Blacks were a huge part of the Western frontier despite what’s told to us in pop culture or taught to us in the classroom. “The kids who are learning history in our schools are not being told the truth about the way the West was,” says Jim Austin, founder of the National Multicultural Heritage Museum. “I bet you nine out of 10 people in this country think that cowboys were all white – as I did.” (x)

Cherokee Bill, born Crawford Goldsby, was a notorious outlaw whose father was a Buffalo Soldier. His reputation and career as an outlaw rivals the reputation of Billy the Kid. Bill Picket was a “famous” Black cowboy who toured the U.S., Canada, Mexico, South America, and England, and he was inducted into the National Rodeo Hall of Fame 40 years after his death. (x)

And black cowboys are still here, they do exist.

That’s a huge part of history that was also erased from the history of America. We need to bring attention to this, because it’s unfair that black people along with other people of color have been erased from this narrative.

Source

 

Black Panther Trailer: Class 101

Hi! Welcome to the 101 class about the Black Panther movie. I’m here to speak  on this topic because I managed to graduate to the 201 class. I am by no means an expert on Black Panther, Wakanda, or even the current version of the comic books. I have mastered basic information about who is who, what is what, and what I personally enjoy.

Image result for black panther movie cast awards

So the Black Panther trailer dropped Friday, and those of you who refuse to read comic books, or don’t pay that close attention to Marvel Superhero movies, are probably wondering what all the excitement is about. Why are black people so giddy? Who the hell is Black Panther? Is he related to Malcolm X?

Okay. I see we have our work cut out for us. Alright, c’mon over here and sit down, so we can work this whole thing out. I’m gonna do this by giving some background on the character, and  breaking down some  shit in the trailer.

The Black Panther first appeared in Marvel Comics in 1966, which slightly predates the Black Panther Political Party, so there’s no relation. This is notable because he’s the first black superhero to show up in the comics, predating both Luke Cage (Wooo!) and The Falcon. Black Panther’s real name is T’Challa and he’s a prince of the country of Wakanda, located in Africa. His father, T’Chaka, was played by John Kani in Captain America Civil War. After his father’s assassination T’Challa inherited the Kingdom.

This movie is remarkable for several reasons. It has a huge  all-star cast of primarily black actors and actresses.  Lupita Nyong’o, Angela Bassett, and Forest Whitaker, are all Oscar nominated/winning actors. It has a large “dark skinned” female cast. There are more women in this cast than are featured in almost all the MCU films together.  In the comic books, these are characters with names and backstories. Where this movie will truly past the Fabulosity test is if  any of the women speak to one another about anything other than T’Challa, although even without that, this is still great representation for Black women who rarely, if ever get to play primary, action oriented roles in such films.

Its also remarkable for the introduction of the term Afro-Futurism into everyday discourse. Yep! This is a phrase you’re going to be seeing a lot more often in conjunction with discussions about this movie.

*Afrofuturism is a cultural aesthetic, philosophy of science, and philosophy of history that combines elements of science fiction, historical fiction, fantasy, Afrocentrism, and magic realism with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past.

——Wikipedia

http://www.ebony.com/entertainment-culture/black-alt-enter-afrofuturism-999#axzz4k5esHWHx

http://afrofuturism.net/

Image result for afro futurist

Image result for afro futurist

Not only is this an almost entirely Black cast, so are many of  behind-the-scenes talent. The director is Ryan Coogler, the award winning director of Creed and Fruitvale Station. Hannah Beachler is the Production Designer. She was also the Designer for Moonlight, and Beyonce’s Lemonade. Ruth Carter is the Costume Designer, and has worked on Selma, Serenity, and the remake of Oldboy.

 

*There are people out here asking why we’re so hyped for Black Panther.

Like…in case you haven’t noticed…there’s literally a million and five big budget franchise movies centered around white super heroes.

Black Panther shows a black super hero who is the king of an extremely prominent and technologically advanced African country with his badass royal guard that consist of badass black women in all their natural glory and it portrays black people as something other than poor, enslaved, or savage.

Regardless if you understand or not…that is huge for black people.  

 

Black Panther: Chadwick Boseman

After the death of his father in Captain America, T’Challa becomes King, and  inherits the mantle of The Black Panther, which is a  generational position as Guardian of  the country of Wakanda. The Black Panthers inherit their superpowers by eating a mystical herb, which grants them the strength and speed of the Panther God, worshiped in Wakanda. He is one of the wealthiest men in the world, and something of a technological genius, responsible for some of the tech and hardware you’ll see in the movie.

Plot Synopsis:

“After the events of Marvel’s Captain America: Civil War, King T’Challa returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne from factions within his own country. When two foes conspire to destroy Wakanda, the hero known as Black Panther must team up with C.I.A. agent Everett K. Ross and members of the Dora Milaje, Wakandan special forces, to prevent Wakanda from being dragged into a world war.”

For a closer look at this character, and his abilities, see Captain America Civil War, now available on Netflix, and read  Ta-Nehisi Coates current run of the comics, (although there are other versions).

 

Everett Ross: Martin Freeman

Related image

This is one of only two white faces you’re going to see in the rest of this trailer, and probably the movie. Everett Ross only gets a  still picture because he does nothing gifworthy  beyond being annoying to the other characters in Civil War. If you see any critiques about how this character is the hero of Black Panther… RUN!!SAVE YOURSELF!! You have wandered into a cluster of White Man’s Nonsense.

 

Ulysses Klaue: Andy Serkis

You may remember this character from Avengers Ultron, where he lost his arm, and got the privilege of locking ScarJo in a cage, I think. No, this movie isn’t about him either, but he gets the gif treatment because I like Andy Serkis. If you see reviews focused on either Ross, or Klaue’s important roles in the film, I urge you  to escape that review, STAT!!!, and immediately Google a review from a Black critic, as you have probably wandered into a field of White Gibberish. Save your brain cells!! That person is not logicking correctly and that shit is contagious.

 

Wakanda:

Image result for wakanda movie  gif

Wakanda is a fictional nation, hidden, isolated, and futuristic, located in the central part of Africa. Its meant to represent what an African country would be like if it had been allowed to develop without colonization or exploitation by the West. Wakanda is one the wealthiest nations on the continent because of its large Vibranium reserves.

In the comic books, the central city of Wakanda is surrounded by 18 other city-states, that are constantly vying for power. You can catch glimpses of these various tribal kingdoms in the trailer.

 

The Dora Milaje (Dora Meh-lah-shay):

The Dora Milaje are the King’s Elite (Special Forces) Bodyguards. In English, their name means, The Adored Ones.  In the comic books they were also considered potential wives for the King, specially trained warriors, who were selected from the surrounding tribes by the King, in an effort to keep the peace between the various rival tribes. These young girls are groomed from a very early age to be warriors.

The Dora Milaje are the best warriors of Wakanda.  They have defeated Namor, and fought even Storm and Black Widow to a standstill, although it is rumored, that over the years, many Black Widows never made it out of Wakanda alive, thanks to them.

It’s the custom for them to have shaved heads. No, they are not the King’s special booty call, as Adored One is a ceremonial title. They are not his harem.

Okoye: Danae Gurira

Image result for dora milaje gif

Danae is most famous for her role as Michonne on the Walking Dead. She’s the King’s first , speaking only to him and only in a rare language. This was so the King and his wives could speak in private while out in public. Think of her as something like the head of a federal organization that only answers to the president.

 

Ayo:Florence Kusumba

Ayo is the Dora Milaje we got to see for the first time in Captain America Civil War. She said six words and stole half the movie. They better not let her say too much in this movie or none of us will remember why the hell we were sittin’ in the theater.

Image result for move or you will be moved gif

 

Nakia: Lupita Nyong’o

This is Nakia, played by the Oscar Award winning Lupita Nyong’o. In the the comic books Nakia is a mutant of some kind, with enhanced speed, agility, and strength. She later becomes a villain named Malice.

 

Erik Killmonger: Michael B. Jordan

Killmonger is played by Michael “Bae” Jordan from Coogler’s last film, Creed, and unfortunately from The Fantastic Four, but the first time I saw him was in the movie Chronicle. He is one of T’Challa’s rivals for the throne of Wakanda, and plays a pivotal role in the movie. In the books, Erik harbors a grudge against T’Challa for exiling him to America, after the death of his father, who had been branded a traitor. When Erik returned he plunged himself into Wakandan history and traditions, and this radicalized him. So now he preaches against outside Western influences, and wants to rule so that he can make the country more isolationist.

 

Ramonda: Angela Bassett

C’mon! Ya’ll know who Angela Bassett is. Ramonda is T’Challa’s mother. Note the white hair. Disney doesn’t possess the rights to Storm from the X-Men, who is T’Challa’s in canon ex-wife, but they can troll the film company that does, by casting the woman who was born to play that role, and making her up to look like her in this movie.

 

Shuri: Letitia Wright

This Princess of Wakanda is T’Challa’s little sister from a different mother. She is the Wakandan genius behind most of the tech you’ll see in the movie, including those nifty little cat gloves she’s wearing in the trailer. I don’t know what they do but I want them. Shuri is the very definition of Afro – Futurism, combining her country’s cultural traditions with technological concepts beyond even Tony Stark’s skills.

In the books, Shuri is a warrior who was trained by her brother to take over his mantle should the need arise, and who, on occasion,  has had to step in and become The Black Panther, in her own right, after  one of her brother’s extended absences. Here she’s been re-written as a tech genius.

 

Daniel Kaluuya: W’Kabi

I got nothing about this guy. I’ve never paid much attention to him beyond that he grew up with  and is T’Challa’s  second in command and advisor. You know him as the actor from the movie Get Out.

 

Forest Whitaker: Zuri

Zuri is played by Forest Whitaker, is a veteran warrior, and one of T’Challa’s senior advisers.

 

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*On a more serious note we have to talk about this issue here:

Since the release of the trailer onto the national stage, I know some of you guys who are the most excited about this movie, have experienced an influx of racist gibberish into all of your inboxes. There’s something about this movie that has truly galvanized racist geeks into a paroxysm of harassment. (Well I simply can’t imagine what that might be.)

I’ve been warning my friends on Tumblr, and other social media to have their Block finger ready because it’s going to  get a lot of exercise. And it’s not just the white racist dudebros out there either. You have a lineup of various hoteps, and native Africans making static too. Everybody whose  got a beef with black people have their fingers tapping, and mouths flapping, to destroy this movie, which is an utterly pointless pursuit.

You’ve got people writing racist meta about how unrealistic Wakanda is, because  Africa is such an undeveloped country,  how Black people are acting too uppity, and culturally appropriating African cultures, the poster for the movie is militant, there are going to be riots and shootings at the theaters on the day of the movie’s release, and a complete basket full of  nonsense. Basically people out there projecting every one of their racial and social insecurities onto this movie, and it hasn’t  even been released yet. And its only going to get worse as the movie nears its release date.

And all because  black people are giddy about a movie trailer.

*Black Panther is a FICTIONAL movie about a FICTIONAL country in Africa so people need to stop projecting all of their issues on to it and let ALL black people enjoy something for once.  Seriously.  CAN WE STOP WITH THOSE STUPID DIASPORA BATTLES THAT HAPPEN EVERY TIME BLACK AMERICANS GET *ANYTHING* POSITIVE?! 

—–karnythia from angelsscream

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This isn’t my essay, but it says want I want to say much more eloquently. This is from an AfroFuturist tumblr site, and is very deep and entertaining. Please give them a visit.

*Double Standard

I’m sure everyone has seen the trailer for the Marvel Black Panther movie that is set to be released next year. And if we are to be honest, we are over the roof excited about it. Have you seen the memes!? The ones showing how we’re going to go dressed for the premier? Have you seen the amount of views the trailer has on YouTube!?  2018 can not come any sooner!! So, tell me why, in between all the excitement and anticipation for the movie, we still see people hating on it?

So, one person called it “unrealistic” and “poorly put together in order to give Blacks a place in the entertainment industry”. And I’m like, “the name is science FICTION, afrofuturist to be exact, and the sole purpose of such work is to not just envision Blacks in the future but as the agents and subjects of the future.”

And then, I saw this post asking how can Wakanda be so technologically advanced and yet it had no imperialistic goals and its innovations did not spread to anywhere else. Y’all remember Avatar? The one with the blue people with tails that were primitive and highly developed at the same time? They loved that movie right? So why the lack of love for Black Panther then?

Could it be because it is BLACK PANTHER? Could it be because it shows Blacks not just as props and prawns but in the center as kings and leaders and scientists and warriors? But anyway, I hope this is one of many afrofuturist works to be produced because it’s about time we have a place in the future, in science fiction.

 

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*But here’s the thing, this movie is going to be released. Its a done deal. Its going to do as well as any of the other MCU films to date. No amount of online harassment, from people who can’t stand to see Black people being happy about something, is going to stop us from going to the theater,  and seeing it multiple times. 

Now I’m done with this particular topic!

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From pathlesspagan:

Me and squad at the Black Panther premiere.

 

Black Panther (The Reaction)

*From Dark Matters Blog, a collection of video reactions to the Black panther trailer. you gotta watch these. They will make you smile:

via The Diaspora Reacts to the Black Panther Teaser Trailer on Youtube! — Dark Matters

 

*Yeah, I don’t think people are realizing what a groundbreaking moment this is for us. Just like Wonder Woman brought so many women to tears, this seems to be having the same effect on those of the diaspora. Here on this blog, I’ve often jokingly referred to the release date of this movie as, The Ascension.

I don’t think people fully and completely realize just how much visual media matters. How much it has not just reflected the world, but shaped it, and made the world what it is. Those of us who know this realize the impact that movies like Ghostbusters, Wonder Woman and Black Panther can have.

I want Asian-American men and women, LGBTQ, Latinx, Native Americans, everybody to have this same amount of representation in movies, and get it all the time, so that movies like Wonder Woman, Suicide Squad, and Black Panther are not outliers.

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Here are some more reactions from Tumblr:

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unclesteeb

Idk what the appropriate level of emotion is when you’re in a fandom already but y’all I keep bursting into tears seeing all these beautiful edits and gifsets of black panther

This movie is so important. It might be the most important superhero movie of all time. Think of all the black children who are treated like shit from the world around them walking into a movie theater.

This is the movie we need.

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*From behind the scenes:

 

 

 

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*Wonder Women is accessible to ALL women, but it’s not FOR WoC in the same way that it’s for White women. I want White women to have that moment when you’re sitting in a movie theater in tears because you’re so happy. I also want everybody else to have that moment. That said,  I also want for people to just  let us enjoy this time, and to come out in support of this movie the way we came out for WW.

geeky-galpal

Dear white women feminists who loved Wonder Woman–

Listen, I also loved Wonder Woman. But I also think that Diana would be the first to note that we are not free until we are all free. So if you posted a thousand times about how important WW was for little girls to see, then I hope you are also prepared to post a thousand times about how important the new Black Panther movie is for black kids- girls and boys- to see.

I saw Wonder Woman, and I teared up the first time she stormed the battlefield in her full regalia. But, as a black woman, I couldn’t not notice that the women who looked like me played supporting, and largely non-speaking, background parts. Black Panther is the chance for women who look like me to see ourselves as the heroes in our own story. To see ourselves as warriors, as epic royalty, as fully actualized superheroes. In a major studio blockbuster, no less. Never- not ever- has that happened before.

We are looking forward to your support.

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disastergeek

I am all about Wonder Woman and I am definitely all about Black Panther.

But mostly what I really want is a WOC superhero movie. Every woman and every girls should feel what I felt watching that movie and while the gender is the same, race does matter. REPRESENTATION FUCKING MATTERS.

I want black and brown girls to see someone just like them playing the hero. I want them to look at that screen and say, “She’s me!” Because it matters.

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kamala-khan

so as it turns out, there is no such thing as superhero movie fatigue. we all just tired of watching the same white dude in the lead.

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 *Whatcha wearing to The Ascension?

pwussywillow

y’all gon see me walking into theater in full dora milaje gear on opening night for black panther

the-thotyssey

im making my auntie tie my head wrap so i can sit in front of white people and block the screen

pwussywillow

when they ask you to take down your head wrap, turn them, smile and just say “reparations” and go back to watching the movie

moonisneveralone

It’s gonna be cold as fuck here but I’m gonna be in full kente and a headwrap.

 

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From John Boyega, whose movie, Pacific Rim II, drops in March of 2018.

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tittytenda

me presenting my 56 slide , 2 hour long presentation on why everyone is gonna watch black panther and im not gonna hear any complaints from ANYONE  bc we all know that its gonna save the MCU:

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*And from the trailer:

Image result for black panther gifs

 

And in the “This Is Ridiculous” Column:

I just want all of y’all to be prepared for a full eight months of White noise, gibberish, and tears, as racist cockroaches come out of the woodwork to crawl all over Black people’s happiness.

Image result for cockroach gif

There’s a certain type of White bigot who sees Black people (any race of people that’s not them, really) being happy about something that’s important to them, who  will then go out of their way to throw water on them.

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Y’all knew this was coming tho’. As soon as all of America got to see the trailer during the NBA finals, that was the cue for the White whiner to go into danger mode like:

 movies marvel comics iron man robert downey jr GIF

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But I’m not letting these people take away my joy, and neither is anybody else. We just gonna, in the immortal words of Taylor Shifty, “Shake it Off”:

Image result for black people dancing gif

Image result for black people dancing gif

Image result for black people dancing gif

 

Okay, I’m still a bit giddy, as you can tell. Later, I’ll have  something a little more substantial to add to this conversation, as I give those of you who do not read comic books, but  are still excited about this movie, the Black Panther 411.

Superheroes at a Theater Near You

Hi there!

Here’s a list of most, if not all, the top Superhero movies being released in the next two years. But first, some background, because for some reason, people love these mini slice-of -life snippets, that I keep adding to my posts.

I think I’ve said before, that I’m a huge comic book fan, and most of what I read  were superhero comics. I wasn’t a big DC reader as a child. For some reason DC Comic books weren’t as child accessible as Marvel. On the other hand, DC had a lot more shows on television, when I was little, like Shazaam, Wonder Woman, and Batman. I started by reading Peanuts and Archie comics when I was about seven or six, then graduated to Conan and Red Sonja around age eight, Horror comics like EC, and Eerie by the time I was ten, and then, by the time I was twelve, to books like Swamp Thing, and most of the Marvel superhero books.

Somewhere in one of those comics, I saw ads for Doctor Strange and the X-Men. I distinctly remember staring at those ads, wondering who these characters were, and why hadn’t I ever heard of them, because they looked fascinating. I didn’t start reading Justice League, Justice Society, Batman, and Superman comics until I was an adult in college, because my friends were into those books.

So once again, unlike most kids, I did not follow the traditional path to liking superheroes, by starting with Batman and Superman, although I watched all the DC shows and movies, followed by the apparently required reading of The Watchmen. I didn’t read that until I was an adult, and by that time, I was unimpressed by it. (But that’s probably the reason I was one of the five people who loved the movie becasue that’s how that works.)

And I’m still being contrary today. I do not enjoy being contrary. That’s just how everything works out. Since I’m a visual artist, (someday I’ll get up enough nerve to show y’all some of my old drawings) I have had training, but the past few years I’ve taken a hiatus from drawing, in favor of other artistic pursuits. I usually latch onto an artist and just follow them around from book to book,  and series to series. Some of my favorites are Barry Windsor-Smith from the early Conan books, Bill Sienkiewicz for his short stint on The New Mutants, Alan Grant for his work on Excalibur, Geof Darrow for anything, Adam Hughes, Arthur Adams, and of course Alex Ross. (Naturally, I don’t draw like any of them, no matter how much I’d love to.)

I’ve since gotten away from reading superhero comics, except for the occasional Batman, Wolverine, or Midnighter collection. I don’t buy them like I used to , and most of my comic book action happens digitally these days, and are independent projects, like Shaolin Cowboy, Hellboy, and  Cimarronin, and the various movies and TV shows. The last comic I bought online was Enormous.

So here is a  list of the comic book movies, I’m most interested in,  (although that doesn’t mean I’m going to see them in the theater) for the next couple of years:

2017 

Justice League  (11/17)

I’m cautiously excited about this. I didn’t care for BtVS, I don’t like Batfleck, and I’m not a fan of Amber Heard. On the other hand,  I love Jason Momoa, who looks as if he’s having the time of his life, in the trailer; and this movie’s version of The Flash, just because he’s really cute.

 

Thor Ragnarok (10/27)

I’m a huge fan of Jeff Goldblum, Tessa Thompson,  Thor’s new haircut, and the Avengers version of the Hulk. Will I see it. I don’t know.

 

Spiderman Homecoming (7/7)

I’m actually looking forward to seeing this. Its got a diverse cast, and that little Tom Holland is just as cute as the dickens.

 

2018

Black Panther (2/9)

The Ascension is Nigh!

 

Avengers Infinity War Pt. 1 (4/27)

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?????? I got nothing!

 

Ant Man and the Wasp (6/29)

Image result for antman and wasp

Nope!

 

Aquaman (12/21)

Image result for aquaman poster

Yep!

 

New Mutants (4/13)

Image result for new mutants poster

More of these ???????

 

Deadpool 2 (6/1)

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Image result for deadpool 2 poster

Yeah, I’m in!

 

The Incredibles 2

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I loved the first movie. If the story is any good, I’ll have my butt in the seat when its released.

 

Venom (10/5)

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I like this character, but I still feel this should be a horror movie, and that Tom Holland should be in it.

 

Dark Pheonix (11/2)

Nope. I have never cared about the Phoenix, and I ain’t about to start now!

 

After 2018 Honorable Mentions:

Captain Marvel

Meh!

 

Shazaam

I’ll go see this if the story is any good, becasue I love the character.

 

Cyborg

Hmmmm!

 

Mouse Guard

Image result for mouse guard

I love these books, and I’d get a kick out of seeing them on the big screen, even in animated form.

 

Superheroes on TV

So, just as Superheroes have taken over the movie theaters for the next few years, they’re also coming to a television near you. Here’s a partial list of most, if not all, of the superhero, and  superhero adjacent, shows coming to TV this Summer and Fall.

I’ve read most of the comic books associated with these titles, so those I’m looking forward to. I will probably watch the pilots for at least half of these, but as to whether or not I’ll make them a regular viewing habit, I can’t say.

Shows In Development 

The Inhumans (9/1)

I was never a fan of the books, but many of these characters have been featured in other works, so I know about Black Bolt and Medusa. I like Black Bolt but I can’t say I’m enthusiastic about this show because it looks seriously cheap, and the show runner is the same lack-skill that worked on Iron Fist, Scott Buck. I have a special level of contempt for him, so you must forgive me if I decide to skip this.

 

The Gifted (Fall)

I was under the impression that this is based on The New Mutants comic books. I’ve always been a  huge fan of that comic, but I’m thoroughly incurious about this show. I’m not interested in watching earnest looking teens with superpowers.

 

Bright

This is the new Will Smith D&D movie airing on Netflix. I’ll watch Will in pretty much anything.

 

Black Lightning (2017)

Yeah, I’m gonna actually try to watch this. I’ve only read a single one of the comic books, so I’m walking into this one with no preconceptions, and no knowledge outside of: he’s got some daughters, and they got superpowers.

 

The Punisher (November – Netflix)

I’ve never been a Punisher fan. I’ve always thought of him as boring, and unimaginative, but I know a lot about him because he kept starring in every other character’s book. Marvel loves crossovers. I was pretty impressed with Jon Bernthal’s portrayal in Daredevil though, so I’m looking forward to the show.

 

The Tick

I’m not a Tick fan. I know something about this character because I have a friend who loves him, and insists on telling me about him, but I’m not feeling any particular way about it. I hope its as funny as my friend says it will be.

 

Krypton (Fall)

Image result for krypton comic

I’m not particularly interested in this but I’ll give it a look-see. I don’t find life on Krypton to be especially interesting, and I was not clamoring for this, but I’m curious as to what the show will be like, so I’ll take a look.

 

Cloak and Dagger (2018)

I read the comic books like a religious duty, so I’m a huge fan of the characters, but the show doesn’t bear a lot of resemblance to the books. I hope that’s a good thing because the books did have some issues. I will take a look at the pilot and  hope its some good.

 

Jessica Jones 2

I was disappointed in the first season of this show because of its lack of intersectional feminism, and its shabby treatment of PoC, so I’m not on board for the remake. I hope it’s better than season one because I can get PoC abuse and erasure in a much better show than this.

 

Iron Fist 2

*Sigh* I’ll watch this if it has a different show runner attached. Scott Bucked really fucked this up, and I have no confidence in him, so if he’s still attached to the second season, then I’m out.

 

In 2018:

Runaways 

Titans

New Warriors

 

To Be Announced:

Scarlet

Image result for scarlet  comic character

I actually like this character. She always reminded me of Xena Warrior Princess though, for some reason. Anyway, if this gets made, I’ll take a look at it. So far, I’ve only heard that its in development.

 

Hellfire Club

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I had mo interest in the comic book version, and have no interest in this, so it will probably turn out to be an awesome show that will be canceled because I was the only person watching it.

 

Umbrella Academy

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I enjoyed the book version, but I think its a series that’s hard to film and get the flavor of it right. I’m really curious about who will star in it, and what  it will be like, though. So far, its just in development.

 

Concrete

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I’ve never read the books, but I have friends who love this. For their sake, I hope it gets made, and that its as good as they say the books are.

 

Static Shock

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All I know about this character, I learned from the cartoon. This is only in development though. There are no names attached and I don’t even know if it will be live action. If you know more, let me know.

 

Rasl

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I liked this book, but I didn’t continue to read beyond the first collection. The book was kind of confusing but I loved the artwork.

 

 

Y: The last Man

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Didn’t care for the book. Hope the show is some good.

 

Enormous

Image result for enormous comic

I just bought this on Comixology, and enjoyed it. Its mostly about strange giant creatures taking over the Earth, and wiping out humanity, which sounds awesome. With a good budget, and some care, this could be like a Kaiju version of The Walking Dead.

 

I’m familiar with these three comics but I haven’t actually read them.

Happy

Scalped

Locke and Key

Tumblr Started It

Here!

Have some laughs for the week!

*You know how there’s always that one Hotep whose always giving advice about what black people coulda and shoulda done:

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*I feel like this probably describes maybe half the white girls I met in college, though. Seriously, y’all need to be watching Bob’s Burgers. My niece swears  its hilarious, altho’ she still has not explained the bunny ears.

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prokopetz

What “Fratricide” Actually Means: murder of one’s sibling

What “Fratricide” Sounds Like It Should Mean: “Oh my god, they killed Chad!”

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*More Introvert humor:

introvertunites: “ If you’re an introvert, follow @introvertunites​​​. ”

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*Me at 3AM and I know I gotta get my ass up at 7.

 

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I have done this thing where I avoided doing something I was supposed to do because I thought the person standing near my goal looked like a talker.

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introvertunites:
“  If you’re an introvert, follow @introvertunites​.
”

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I feel like there should be an entire industry of people who hire themselves out to be dads, grandmas, and aunties, to single people without families, people disenfranchised from their families, or just people who are separated. These people would act in stereotypical grandma, dad, and auntie manner and shit. Like calling you different types of patries and daddy’s best girl, fixing a meal,  telling you to clean your room, asking when you getting married, and being kind of lovingly annoying, like real family.

The Mist Vs. Nightworld: Writing the Supernatural Apocalypse II

I just recently listened to the audiobook versions of these two stories, and was as  struck by the similarities,  as much as the dissimilarities. Suffice to say, if you’re going to write a Kaiju Style Apocalypse, for maximum terror, these are the things you’re gonna need to include: monsters, death, intrepid survivors, and some human villains.

Nightworld, written by F. Paul Wilson, waaay back in 1992, (it was heavily revised in 2001) ,  was the conclusion to a seven book series that started with The Keep, and starred Wilson’s original character, Repairman Jack, (who is sort of like Jack Reacher, only he fights the supernatural.)

In Nightworld, the entire world is beset by  monsters who have emerged from sinkholes that circle the globe. This invasion is the precursor to the rise of an of Anti-God, named Rasolom, and Hell on Earth, as the sun begins rising later every day, and setting earlier every evening. Worldwide. (To someone with even the most basic understanding of Astronomy, that’s already pretty terrifying.) The endgame is an endless nighttime, where the various monsters, that are  allergic to sunlight, can roam, and eat, freely.

In The Mist, a novella written by Stephen King, and first published in 1980, in the anthology titled Dark Forces, the world is overcome by a dense fog, in which all manner of different  monsters live. It is theorized, by the characters, that scientists accidentally opened a portal to another universe, that flooded into Earth.

First, something naturally unnatural has to occur, in the sky or in the earth, like the sun setting at the wrong time everyday, fogs, mists,  tsunamis, or giant holes opening up in the ground. The precursor to all hell breaking loose (literally), for these characters, is if the natural environment has suddenly gone horribly awry.

Second, you are going to  need monsters, and not just Leviathans. You’re gonna need a variety of sizes to induce maximum terror. After all, you might be able to fight off,  or avoid, the big ones, (I say “might”) but smaller monsters can creep into human hiding places, and cause general havoc, as well as sleeplessness.This is what makes these books different from a Kaiju story. They’re more like Kaiju-Adjacent.

You must have gruesome deaths. Some of these gruesome deaths must involve the use of some kind of acid that dissolves its victims alive. In Nightworld, there is a thoroughly disgusting collection of acidic  critters that fly around eating people’s faces. In The Mist there are giant spiders with acidic webbing, as if the idea of giant spiders isn’t  quite terrifying enough,I guess.

Some of your monsters must have wings. It doesn’t particularly matter what type of wings, as long as the creatures can fly. In Nightworld they have insect wings. In The Mist bat wings seem to be the preferred method of flight.

At least some of your monsters must have tentacles. Nightworld fulfills this requirement admirably, by having lots (and lots) of creatures with tentacles, grabbing people and pulling them into small apertures. The Mist has giant tentacles just sitting outside a grocery story, not even attached to anything, apparently. They’re certainly not attached to anything aquatic as grocery stores are normally on land. The Mist pours some extra gravy on its tentacular horrors by giving them tiny mouths.

At least one of the monsters encountered has to be so fantastical, that it defies belief , like The Mist’s Leviathan, or the creature that decides to take up most of the Atlantic Ocean in Nightworld.

Speaking of giant monsters, they have to come from somewhere, and out of giant holes, whether under the ocean,  or out of the ground, as in Nightworld, are the perfect portals for entry. You must have portals. What?! Them monsters gotta get here somehow.

Okay, once you’ve got your monsters sorted into their various sizes, along with where they’re visiting  from, and their transportation, you then have to lay out who it is they’ll be eating. You must have an intrepid group of people, whose job it is to be eaten, trapped, survive, or defeat the monsters.

Intrepid – fearless, unafraid, undaunted, unflinching, unshrinking, bold, daring, gallant, audacious, adventurous, heroic, dynamic, spirited, indomitable;

I’m not sure if The Mist qualifies in that department, as the people in that story seem scared shitless, throughout the entire ordeal. Nevertheless, since all the other criteria are met, we’ll refer to them as intrepid anyway. After all, they do some brave things,  like fighting the giant spiders, and arguing with the crazy religious lady. The characters from Nightworld are actually described as brave and fearless in the book. In fact, one of the characters has a speech about it, and they all engage in some boldness, some daring, and  even some indomitable behavior.

Your intrepid group of people must consist of, at least one straight, honest, stand-up, White guy. It is a requirement that he be both honest, and White, and no substitutes will be made. He must be the kind of White guy who is strong and bold, but also compassionate, idealistic, and willing to protect the little guy. He must be able to clearly articulate why things need doing, and convey those beliefs to the other characters.

In other words, you need Captain James Tiberius Kirk.

Nightworld fulfills this quota with two…count’em!, two stand-up White guys. Although,  I feel the writer is clearly overdoing it, by having one of them be a former priest, and the other an ancient swordsman.

In accordance with the James Kirk Axiom, you will them need a pretty  blond  White woman. A redhead or possibly auburn haired woman can be used in a pinch, but she must be heterosexual, and conventionally pretty. No arm fat, tattoos, arthritis, or nervous diseases need apply. Not even allergies. She must be in perfect physical health and form, and above all else, she must remain un-traumatized by any of the preceding events attending the end of the world, like watching her family and friends be eaten.

And for Gob’s sake, no women of color! Apparently women of color, (and any women with tattoos) all get eaten first…or something. Whatever is happening though,  they never seem to make it to the being intrepid  part of the story.

There must be at least one child, preferably a boy, but a young girl will suffice. They can be White, but it is not a hard and fast rule, as it is not  required that they be genetically related to either the White man, or White woman. Sometimes it can just be some kid one of them picked up somewhere. Extra points if the child is an orphan who  just witnessed their family be eaten by the monsters, for maximum trauma. How else are you going to convey to the reader how dangerous the world  is, without the help of crying, screaming children. Also, you can always fill up some time by having the child be in extra special danger, by having them wander off alone, or be autistic, or something.

Nightworld is interesting in that there is a perfectly healthy and un-traumatized child in the story, which is turned on its head, by having the child become autistic, when he helps save the world.

Surrounding this trio are what I like to call the intrepid, but disposable people. They are the  literary equivalent of non-playable characters. Don’t get too attached to them, these characters could be eaten at any second. They should consist of at least one (if not more) men of color, preferably Black or Latino.  You can break the rules and have there be at least one  woman of color in the story, but they can’t have any lines of dialogue, unless its exclamations like “Look out!”, or “Aaaaaahhhh!” Any exposition should be left to any extra White men, that you have added,  preferably a teacher, or a scientist. Nightworld has a priest, who knows what’s happening, and can explain it to those characters who are out of the loop. David Drayton, from The Mist, is an illustrator, which kind of changes things up a bit, but he is still the narrator.

Nightworld is not a good template for casting your characters because all of its major characters are White. (People of color probably didn’t exist when it was written. I have it on good authority, that we weren’t invented, in Horror literature, until about 1999. Well, Stephen King had discovered us, but we had to be magical to get in his stories.) There should be no more than ten of these non-essential characters. More than ten and the reader will  lose track of who they should be terrified is going to die next.

And last, but not least, you must have at least one asshole. No story about the end of the world is complete without at least one human being, who is trying to kill off the other human beings, and  that you wish would hurry up and be eaten by something. By anything.

The Mist is exemplary in that it has two…Count ’em! Two assholes. Norton, the asshole neighbor of David Drayton, and Ms. Carmody, the asshole religious townie. Norton fulfills the role of the asshole who wants desperately to be in charge, but no one will listen to him, who becomes increasingly unhinged. He eventually dies by skipping out into the mist to feed himself to the monsters.

Ms Carmody fulfills the role of the asshole, who is already thoroughly unhinged, before the story even begins, and the intrepid people are now trapped with her crazy ass, and the other scared  people start thinking that human sacrifice makes sense.

Nightworld  fulfills this requirement, in exemplary fashion, by also having multiple assholes in the script. In the unrevised edition of the story, (from before 2001), it was the husband of one of the intrepid people. In the newly improved book, its some random bad guys from  previous books, who mostly don’t come into contact with our intrepid gang.

And finally, the ending can’t be all wishy-washy. (We’re looking at you Steve!) In The Mist, there really isn’t much of an end to the story. We don’t know if David Drayton and his friends ever get out of it, or how long it lasts. (Thankfully the movie corrects this problem, which is all I have to say, in that the movie definitely has an end.) Nightworld correctly follows the rules, by having the good guys win, at the last possible second. You know the rules. Disaster is only averted when the countdown reaches one.

Now my people, go forth, and kill your darlings.

Gruesomely!

 

 

 

 

 

 

 

 

 

 

Tumblr Weekend Shenanigans

Okay, not all of these came from Tumblr but a few of them did. I hope some of these images give you a laugh this weekend.

 

I know I said I wouldn’t publish any images of THAT ONE on my blog, but this was just too good to pass up.  #45 visited Saudi Arabia and laid hands on a glowing orb. Actually, it was just a kind of light switch for some type of political display/museum, but the internet had a lot of fun with it anyway:

Funny-donald-trump-the-orb-tweet-reactionsTrump Orb

Funny-donald-trump-the-orb-tweet-reactionsFunny-donald-trump-the-orb-tweet-reactionsFunny-donald-trump-the-orb-tweet-reactionsFunny-donald-trump-the-orb-tweet-reactionsTrump Orb

Trump Orb

Visit the rest of these images at: http://www.boredpanda.com/funny-donald-trump-the-orb-tweet-reactions/?page_numb=2

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I don’t have a cat but if I did this would be a very different type of blog. Cats are just hella funny, and these photos just cry out for captions. My favorites are The Foretold Kitty, and The Chosen Cat.

 Yeah, you’re gonna have to talk him down!
Hail Kitten!

Nope!
And he’s been watching you look for him for two hours!
I’m pretty sure cats don’t understand cats either.

Best Cat Tweets Of 2016

Via Bored Panda

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 The Four Stages of Captain Holt. I suspect this is how I appear to people most of the time.

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Here’s a video from vlogger, Lilly Singh at Superwoman. If you haven’t discovered her  yet, she’s on YouTube. She has a whole series, and they’re hilarious! Reblogging this for the epic clapback.

 
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Agreed! Coleslaw is the Devil’s Salad. I do not condone it!
watuare

eve

Boys who like coleslaw you are valid

chessys

no ur not

 

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This deserves a caption!You must use the words “Queen” or “Slay”.

bagoftryx: “ enemacklemore: “when you have to kill off an entire crew on a spaceship at 7 and be at the met gala at 7:30 ” I have finally found my aesthetic ”

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YouTube videos are what I get up to in my free time. Ha! What free time? Anyway, does anyone remember Hurricane Gaston,  last year?

 

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Okja stars Steven Yeun from The Walking Dead fame, and Tilda Swinton, from Dr. Strange, so its kind of a trade-off, I guess. Anyway this looks very intriguing. I will definitely check it out if I have the time.

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 And here is author R. Frater to sing the praises of Roberta Warren from Z Nation. I’ve only watched the show in scattered bits, and enjoyed what little I saw, but I hope this Summer, to actually sit down and binge the first two seasons.  Check out Ms. Frater’s own zombie series, As the World Dies, which has two great female leads. 

Roberta Warren is why you should watch Z Nation.

rhiannonfrater

Roberta Warren (Kellita Smith) is the woman in charge of Team Bite Mark, the group dedicated to getting Murphy, the only known survivor of a zombie bite, to the CDC.

For the first part of season 1 she’s the second in command and her input is always valued by the leader. Once she takes over, both the group and outsiders defer to her authority without question.

Once a member of the National Guard, she has all the training needed to guide the team on their mission, but she’s more than just a warrior in the guise of a beautiful woman.

She has all the hallmarks of a kick ass leader.

She’s Tough

She can make any possible weapon work for her, but she’s usually wielding her machete or a pistol.

She’s Compassionate

She’s cautious, but she gives strangers a chance to prove themselves. When she sees those in needs, she will step in to help out.

She’s a Strategist 

She knows the strength and weaknesses of her group. She takes in all the information needed to make the right, yet sometimes very tough decisions. Though she’ll listen to the input from her group, she makes the final call. She always makes sure there is a plan to keep everyone as safe as possible.

She’s No Nonsense

Warren doesn’t suffer fools. She is dedicated to the mission and isn’t about to let herself get bogged down. When dealing with Murphy, this is not always easy.

She’s Honest

Warren understands how hard it is to keep going sometimes, and she’ll encourage her team the best she can. Even Murphy. They’ve all suffered losses and she understands that, but in the end of the day they’re trying to save humanity. She may be compassionate, but she’s also honest. She’s not going to lie about the tribulations on the road ahead.

She’s Human

Warren is not a super-human emotionless killing machine. She’s not the sidekick or love interest female propping up a male hero. She’s a fully realized character. Roberta feels the pain of loss just like everyone else. Even at her darkest moment, when she closed herself off in despair, she found a way to push through the pain and keep going with the help of her friends.

Huge kudos to the writers for avoiding the strong black woman trope that would have denied her humanity.

She’s Sexy

Roberta is a beautiful, sexy woman and she owns it completely. Lately she’s been sharing smoldering looks with Vasquez. This doesn’t diminish her role as the leader. She keeps things in perspective, but that doesn’t prevent her from being attracted to someone.

She’s Loved 

Roberta has found love in the apocalypse before. She will again. It’s obvious that she’s attractive and men are drawn to her. Though the mission is what’s important, she’s had moments where she was truly loved.

She’s a Friend

Even when things are tough, she enjoys the good moments in life with her friends. She sincerely cares about those she’s on the mission with and let’s them know it.

Her 2nd In Command is another woman

Addy and Warren have suffered similar losses and have a strong understanding of each others strengths and weaknesses. Roberta depends on Addy to help with the complications of restoring tech for communication with Citizen Z.

On several recent lists of television shows with women of color in the leads, Roberta Warren (Kellita Smith) has been left off. This is such a shame because she’s one of the best representations of female leadership on television in a very long time.

She’s one of the many reasons you should watch Z Nation.

Source: rhiannonfrater

 

 

 

 

Favorite Movies of My Life Pt. 3 (1991-2000)

Oh wow! From here on out its getting increasing difficult to choose one movie. When you’ve watched as many movies as I have, at my age you have a helluva lot of favorites, so this is like picking those desert island movies, (the movies that you would most like to have if you were stranded on a desert island.)

I did have to cheat a few times and choose two:

1991: Terminator 2/Addams Family

Beauty and the Beast was also released this year, so I had a really hard time choosing just one movie. Why is this so hard? I love movies. I find at least one thing to like about even the worse movies, so this is just making it extra difficult, when the movies have fewer flaws to latch onto.

I chose Terminator 2 though, because it was the movie that had the most emotional effect on me. America had just come out of the “Cold War” with Russia, in the 80s, when I had to (real quick) deal with my own existential angst, coupled with the idea of nuclear annihilation. I had a lot of sleepless nights as a teen. That was a very rough period, and watching that movie reawakened all my worst anxieties, especially the scenes of nuclear devastation. I was near tears just at the opening credits, and my anxiety issues almost caused me to walk out.

I have since calmed down about this movie, and can appreciate it for what it is. I still can’t watch the bomb blast scenes, but that hasn’t stopped  the movie from being most excellent, in all other regards, and I’m gonna have to review it someday because the plot and themes still resonate. Also, I have tremendous respect for James Cameron, who managed to tear it up, with some of the best sequels, (to already great movies), ever made.

I chose the Addam’s Family solely for nostalgic reasons. I just love this movie, and never get tired of its humor. I watched the TV show as a child and it was alright. I liked it okay, but the movie built on it in ways that just shone. The acting and actors are, quite simply, perfect. Raul Julia as Gomez simply can’t be topped. And I’ve been in love with Angelica Huston ever since. When I first saw this movie I didn’t even know who she was. Now, whenever I think of her, I think of Morticia. And of course  Wednesday Addams was my personal avatar. If I can be said to have a life philosophy, then Wednesday gave voice to a lot of it. She was smart, practical, snarky, and tolerated no nonsense, often saying the type of  things I actually manged to get away with saying to people, when I was a child,  without getting my ass thoroughly kicked. Incidentally, check out the video series Adult Wednesday Addams. It perfectly captures what she’d be like as a grown woman, and is absolutely hilarious!

The animated version of Beauty and the Beast gets a special mention. Yes, I am also a Disney fan, especially the  years before CGI, and if I had to pick just one Disney film, it would have to be Beauty and the Beast. Its just gorgeous, Howard Ashman’s music was at its best, and I loved all the songs. I know every word of Be Our Guest, and still get chills listening to it today. Why that song resonates with me I can’t even guess! But in every Disney film there’s at least one.

 

1992: Bram Stoker’s Dracula/Reservoir Dogs

I was in Art school when I went to see this movie with some friends. Dracula is another of Cuppola’s  masterpieces. It’s another one of those movies where, when you walk out of the theater, you have to take a moment to readjust to reality. Despite the dodgy acting of its younger stars which has not held up well, the movie itself is one long,  lush, beautiful dream sequence, that doesn’t even need dialogue. This is one of those movies I appreciate, not for reasons of nostalgia, but for solely artistic reasons, and this was one of the first movies I really appreciated as such. I saw it twice in the theater and have watched it multiple times since. Everything, the details, the colors, even the camerawork, has meaning, and I never get tired of watching it.

Reservoir Dogs I saw a couple of years after its release and it was the first Tarantino movie I’d ever seen. It’s one of those movies where you have to ask yourself who that is, and then follow them for the rest of your life, or their career. Despite Tarantino’s many controversies, I have never been disappointed by one of his movies. Even when I didn’t particularly care for a movie, it was still worth looking at. Another reason I like him is because he has managed to singlehandely revive the careers of actors that Hollywood had long forgotten. I would love him just for giving us back Pam Grier, who I grew up listening to my mother rave about. In fact my mother loves Grier so much that she is a total stan for Jackie Brown. I can’t get her to even look at any other of Tarantino’s movies, but Jackie Brown is always on replay. I love Tarantino because he made my Mom redsicover her love for Pam Grier.

 

1993: The Piano

Okay, now I’m reacting to the artistry of the movie. The Piano is one of my all time favorite films, looking incongruous next to movies like The Addams Family, but really it fits right in. Since I’ve been trained as a visual artist; the camerawork, costumes, colors, details, are what attract me to certain movies.  With The Piano though, I really started to pay  close attention to the music in a film.

Music has always been a huge part of my life, (I have moments, milestones, everything), but this was the first time I’d been as engrossed in the sound of a movie, as I was its visuals.  I was haunted by this movie. I thought about it for days afterward. I was moody, examining it, my feelings about it, and puzzling over its meaning. The mood of it simply wouldn’t leave me, and in a lot of ways it still hasn’t left. It’s not a movie I watch often, but when I do, I have to be prepared for several days of thoughtful melancholy afterwards.

Jurassic Park gets a shoutout because I am a total dinosaur fan, and you have not lived until you’ve seen a full grown woman act like  a damn fool in a movie theater, at the sight of one of the most realistic looking T-Rex’s every created for the silverscreen. Does it make me a bi-sexual, if I’ve fallen in live with a female dinosaur?

True Romance: Quentin Tarantino didn’t direct his movie but he wrote much of its dialogue, and it shows, most especially in the scene between Christopher Walken and Dennis Hopper. In the Sicilian scene, Walken stars as an old school Mob boss trying to torture information out of Hopper on his son’s whereabouts. This scene is right up there with that classic meeting between DeNiro and Pacino in Heat, and is very possibly  one of Hopper’s finest scenes.

 

1994: The Crow

I know I should probably pick something the critics loved like Pulp Fiction or The Shawshank Redemption which were also released this year, but nope. This year belongs to The Crow.

I had just left college around this time, I was working, and had a little bit of disposable income. So you know what I did with that extra money? That’s right! Go to lots of movies. I don’t even remember seeing the other two films in the theater, but I went to see The Crow 3 times, dragging all my friends along each time. I’ve seen this movie lots of times since, then, and read the book a few times, too. Yes, I still miss Brandon. I still feel hurt over the career this beautiful man could have had.

 

1995: Seven

The alternative to this movie was Toy Story. I enjoyed TS a lot but I wasn’t really into it like that, until Jessie’s song, When She Loved Me. Til then, I just thought it was cute.When I started crying in the second movie,  I knew that shit was serious. But I’m not picking that one. I’m picking Seven because:

This was the first time I’d ever heard of David Fincher. I wasn’t expecting too much from this movie when I first saw it. I was ready to dismiss it as one of those dark detective type movies, only with extra Morgan Freeman, whose movie career I’d been following, since he played Fast Black in Street Smart. But Seven turned out to be excellent, and upended any expectations I had about the plot. Oddly, my favorite scene isnt the ending, but the scene where Morgan Freeman’s character (Detective William Somerset) goes to do some research at the libray, and banters with the guards. The music playing during that scene is Bach’s Air on the G String. I’ve watched this dozens of times since its initial release, but the best way to watch it is with Fincher’s commentary on the DVD.

This year also saw the release of one of the most intelligent vampire movies I’ve ever seen,  Abel Ferrara’s The Addiction, starring Christopher Walken and Lily Taylor, about a college student who has an existential crisis after she gets bitten by a vampire on the streets of NY. I watched this movie three or four times just trying to follow the conversations in this movie, because gobdammit, this movie is not smarter than me! Except maybe it is. Or maybe its just a bunch of pretentious drivel.

This is one of those movies where you have to pay attention when you’re watching it. No eating popcorn, or chatting with your friends. As a result, this movie was much more successful on video then it was in the theater. And  since this is a Ferrara movie, it doesn’t skimp on the gore, either. There’s a fairly graphic scene, towards the end of the movie, where an entire college faculty  room gets massacred by vampires. These aren’t the most vicious vampires on screen, as they’re too emotionally detached, but that’s what makes the scene so  terrifying.

Christopher Walken also starred in The Prophecy this year, a movie about a new Angel war in Heaven and on Earth. This is also one of my favorites movies. I know people like to write off Walken as a silly actor but he’s starred in a number of very intelligent horror movies.

 

1996: Fargo

I just finished a two part analysis of this movie, and its comparison to Raising Arizona:

https://tvgeekingout.wordpress.com/2017/04/12/fargo-speaking-of-crime/

https://tvgeekingout.wordpress.com/2017/05/02/speaking-of-crime-raising-arizona-1987/

 

1997: Princess Mononoke

I had a hard time getting my niece to watch this, instead of her billionth viewing of Spirited Away, but I finally did, and it was worth it, as I used this movie as a way to hone her critical thinking skills. But rather than focus on the environmental issues in the plot she seemed to focus more on the moral issues. We had a good discussion about the morality of Lady Eboshi, the primary antagonist in this movie.

Lady Eboshi lives in a camp in the forest. She is a weapons maker, and to do this, she tears down and corrupts the forest and its creatures. The corruption is spreading to other parts of the forest not associated with what she’s doing, the forest creatures are angry and want to destroy her, including Princess Mononoke, a young woman who has been raised by wolves. Lady Eboshi also takes in “fallen women”, ex-whores looking to escape their old lives and live free of the brothels, and lepers, whom she tenderly cares for and makes sure their final days are comfortable.

My niece and I discussed the moral grayness of someone like Eboshi. What she’s doing to the forest is very obviously wrong, and she doesn’t care about that, but at the same time, she cares very much for the unfortunate people around her, so its not easy to condemn her as a villain. I think I summed it up for my niece like this: That sometimes, good people do very bad things. And sometimes, bad people do nice things. I don’t know how much of this conversation stuck with her because she was about ten at the time. She also seemed quite taken with the little white forest spirits in the movie. I had a much harder time explaining Japanese religious beliefs too her, tho’.

Most other people would probably choose Men in Black or Disney’s Hercules as this years favorite, but apparently, I like to be contrary.

1998: Dark City

Despite the release of both The Truman Show and Pleasantville, this year, for me, belongs to Dark City. Directed by David Goyer who made The Crow, and starring  Rufus Sewell, who a lot of people inexplicably hate, this is one of the smarter SciFi action movies of the nineties. Its not the characters though, its the plot. From its opening scene of a man waking up in a bathtub, to its apocalyptic ending ,the audience is taken on a compelling mystery, just like it s primary character, John Murdock. There are spiral symbols, aliens, mysterious men in black, a captivating beauty played by Jennifer Connelly, a nosy detective played by William Hurt, and a city that moves around at night. Are you intrigued now? Good!

I remember when I first saw the trailer for this movie. I was immediately captured by it. It suits my aesthetic. This movie wasn’t well received by critics, probably because you have to be patient with it. You don’t know anymore about what’s going on than John, and you find out what’s happening only when he finds out. This is one of the movies on which Roger Ebert and I fully agreed. He enjoyed this movie so much he did three separate commentaries for its DVDs.

 

1999: The Matrix

For a lot of people, this year was all about the Sixth Sense, and its twist ending, but for me, and a lot of other geeks, it was all about The Matrix. This is one of those tent-pole movies, that is not only a summation of all the hottest SciFi  film-making techniques of the twentieth century, but also one of those movies to which every  SciFi movie afterwards would be compared.  Bladerunner did it in the eighties, but the Matrix belongs in The Crow/Dark City family of films. Lots of rain! Check. Black trenchcoats! Check. Mysterious agents in black! Check.

This year also saw the release of Fight Club,  and the first part of the Lord of the Rings trilogy, and Ravenous. As much as I love David Fincher and cannibal movies, I’m not picking those because this is the movie that captured my imagination. The world I would most like to live in, despite the charms of Hobbit-town.As a OG Star Trek fan, I also enjoyed Galaxy Quest immensely.

 

2000: Crouching Tiger, Hidden Dragon

I did a review of this movie from a storytelling point of view.

https://tvgeekingout.wordpress.com/2015/05/04/fight-philosophy-101-crouching-tiger-hidden-dragon/

I’ve said before that I grew up watching Kung Fu and Wuxia movies,  so I’m well used to the tropes used in this movie. I used to work with a rather pretentious white guy who fancied himself something of a cinemaphile. He had seriously lofty taste in movies, and occasionally tried to recommend movies to me. I don’t recall liking anything he suggested but that’s not my point. When this movie was released, he heard great things about it, and checked it out. He came back to work crowing about the wonderfulness of this movie.

I had every intention of seeing the movie anyway but I simply wasn’t as impressed as he was. For him, the movie was the greatest creation since Wonder bread. For me, the movie was a very well made version of movies I’d been watching my whole life. I heard later that Chinese audiences had very much the same reaction. It was a beautiful film but really not a whole lot different than a thousand other Wuxia movies released in the 90s. It was only a new genre to him.

The year 2000 also saw the release of Pitch Black which starred Vin Diesel, who I had never heard of before ,and one of my all time favorite comedies Best in Show, by Christopher Guest. Unbreakable was also released this year and its  one of the most awesome low-key superhero movies ever created, and I’ll have more on it later.

Ooh! Stay tuned for my 2000s movie list, later this month? Next month? And with the success of American Gods, I’d better get started on  my Hannibal Season Three re-watch this Summer, and I have a really nice post on my favorite Supernatural episodes per season. I know I keep promising I’m gonna do special stuff, and these things are sitting in my queue, they just take a bit more time to write then some of my other stuff.

Slainte!

 

They Gon’ Learn!

Oh, didnt I tell you guys that since the elction, my job on Earth now, is to be a “Petty MF”? Now, I don’t have a whole lot of practice being petty. I’m one of those people who usually takes the high road,

But not today White Jeebus! Not today!

Just leaving these receipts here:

Image result for iron fist season

Image result for prince of persia movie

Death Note
Next up on Hollywood’s list of series to mess with: Death Note.Netflix

 

 

 

*Hollywood’s whitewashed version of anime never sells

https://www.polygon.com/2017/4/3/15142608/hollywood-anime-live-action-adaptations-ghost-in-the-shell

*And just in case Hollywood has not learned anything from the previous fuck ups:

 ‘Whitewashing’ Accusations Fly as Zach McGowan Cast as Hawaiian WWII Hero

‘Whitewashing’ Accusations Fly as Zach McGowan Cast as Hawaiian WWII Hero

http://www.indiewire.com/2017/05/whitewashing-zach-mcgowan-hawaiian-niihau-wwii-controversy-1201814715/

*Now contrast that with financially successful and/or Oscar nominated movies prominently featuring PoC:

Image result for moonlightImage result for beasts of no nationImage result for moanaImage result for hidden figuresImage result for lion movieImage result for creedRelated imageImage result for straight outta compton

Image result for selmaImage result for let me explainImage result for madea xmas

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