SCP: Special Containment Procedures

 Hi! Welcome to my new obsession!

The shared world of SCP has been around for about ten years now, but I’m just now hearing about it, and I’m kinda mad about that. SCP is a shared world anthology series, not unlike Wikipedia, about an organization somewhat like the Men in Black, that does all of the above for paranormal events, people, places, monsters, objects, and any other things that may potentially harm humanity, are just plain weird, or anomalous.

SCP is old enough  that you can spend weeks reading about the different events, protocols, and monsters of this universe, some of which are truly terrifying, some of which are deeply funny, and some of which are just cute. Anyone can contribute (once you’ve done your research) usually in the form of stories about the organization’s encounters with the weird, dangerous, and/or paranormal. Strictly speaking, there isn’t any canon, and writers are free to reference other characters, events, and  monsters in their own works. Some of these works take the form of personal narratives, fictional stories, biographies, and internal memos of the various anomolies.

For those of you have a little trouble with the written word, there is a huge trough of videos about SCP on YouTube, some of which are audio versions  of  the more famous and popular encounters, some are examinations of various creatures, and artifacts, and explorations of events and places.

For a quick rundown of the past ten years, including stories about experiments, first encounters, and biographies of the hundreds of creatures, beings, places, artifacts, and events, you can visit the following Wiki:

SCP Foundation

 

What is the SCP Foundation?

Most of the things featured, in this shared world, are about monsters, (and y’all know I love monsters), but there are also quite a number of benign objects, and a few downright cute ones, which are often classified not just according to their level of danger to humanity, but how much, or how little, procedure is involved in containing them.

I spent the entire weekend watching videos about the different creatures, places, and events of the SCP, from the funniest (a company that that will get a regular, plain, ol’ llama out to you immediately, no matter where in the world you are), to the most terrifying, ( a god-like creature, that is  set to destroy the world, after the breaking of seven chains, six of which have already broken), to the cutest, (a small orange blob that loves to be tickled, and might be the savior of humanity! ), to just the oddball, (a vending machine that can dispense almost any beverage that can be imagined, a shower curtain that kills you with your worst fear, and a company that specializes in selling dinosaur meat.)

 

There are a number of different  “object” classes, and the site is also used as a guide, for writers who wish to contribute to this shared world experience:

Safe

Safe-class SCPs are anomalies that are easily and safely contained. This is often due to the fact that the Foundation has researched the SCP well enough that containment does not require significant resources or that the anomalies require a specific and conscious activation or trigger. Classifying an SCP as Safe, however, does not mean that handling or activating it does not pose a threat.

For a complete list of Safe-class articles on the site, click here.

Euclid

Euclid-class SCPs are anomalies that require more resources to contain completely or where containment isn’t always reliable. Usually this is because the SCP is insufficiently understood or inherently unpredictable. Euclid is the Object Class with the greatest scope, and it’s usually a safe bet that an SCP will be this class if it doesn’t easily fall into any of the other standard Object Classes.

As a note, any SCP that’s autonomoussentient and/or sapient is generally classified as Euclid, due to the inherent unpredictability of an object that can act or think on its own.

For a complete list of Euclid-class articles on the site, click here.

Keter

Keter-class SCPs are anomalies that are exceedingly difficult to contain consistently or reliably, with containment procedures often being extensive and complex. The Foundation often can’t contain these SCPs well due to not having a solid understanding of the anomaly, or lacking the technology to properly contain or counter it. A Keter SCP does not mean the SCP is dangerous, just that it is simply very difficult or costly to contain.

For a complete list of Keter-class articles on the site, click here.

Thaumiel

Thaumiel-class SCPs are anomalies that the Foundation specifically uses to contain other SCPs. Even the mere existence of Thaumiel-class objects is classified at the highest levels of the Foundation and their locations, functions, and current status are known to few Foundation personnel outside of the O5 Council.

 

Most of the contained creatures and artifacts do not have names, only numbers, but same have both. Some of the more famous SCPs are The Shy Guy, The Flesh That Hates, and The Blood Pool, which are some of the more horrific “things” the organization keeps a watch over.

 

The  top five most terrifying SCP encounters:

 

There are also a number of security clearance levels with D and E being the lowest.

Class D personnel are expendable personnel used to handle extremely hazardous anomalies and are not allowed to come into contact with Class A or Class B personnel. Class D personnel are typically drawn worldwide from the ranks of prison inmates convicted of violent crimes, especially those on death row. In times of duress, Protocol 12 may be enacted, which allows recruitment from other sources — such as political prisoners, refugee populations, and other civilian sources — that can be transferred into Foundation custody under plausibly deniable circumstances. Class D personnel are to be given regular mandatory psychiatric evaluations and are to be administered an amnestic of at least Class B strength or terminated at the end of the month at the discretion of on-site security or medical staff. In the event of a catastrophic site event, Class D personnel are to be terminated immediately except as deemed necessary by on-site security personnel.

 

There are a few channels on YouTube that explore and chronicle these creatures and events. For those of you who are not interested in being scared, there’s something here for you too, as there are a number of deeply funny SCPs out there. There are several different classes of SCP. The less strange and horrible ones are  classified as SAFE. If you’re not a fan of horror, try to steer clear of anything labeled Keter, or Euclid.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

New Movie Trailers (November 2019)

 

Birds of Prey 

Well, I like the trailer for this, but then again I liked the trailer for Suicide Squad, and everyone hated that movie, (while I happen to like Suicide Squad, one of only five human beings to ever make such an outrageous claim). I have developed an appreciation for Margot Robbie, one of only a very small handful of White actresses whose work I actually seek out, and whose career I’m following. I really liked her in I, Tonya, and Mary Queen of Scots.

 

 

Call of the Wild

I read this book a lot when I was a teenager, and can probably credit it for sparking my strange fascination with the Arctic. I also think it was because I just loved dogs, and always imagined Buck  as my dog. I will not go see this in the theater, but I hope it does well, so that Hollywood will get the idea that classic stories, done well, can still do well at the box office.

 

 

Bloodshot

I’m kind of fond of the books on which this movie is based because, for some reason, I’m fascinated with nanotechnology going bad. I blame Greg Bear’s Blood Music. I’m not sure about this movie’s lackluster plot, or the fact that it stars Vin diesel. I don’t hate Vin Diesel. I actually like the guy, but he’s not an especially good actor, and I don’t know if  I want to watch him try to emote for two hours. I really have to be in a certain mood for that kind of thing, since one only needs a little bit of Vin Diesel, at any given time.

On the other hand, the books are great, if you’re a fan of adventure science fiction books, which are really just thinly veiled cover stories of superhero novels.

 

 

 

Fantasy Island

I liked the TV show this is based on, which aired from 1977 to 1984,  and if you have not watched those, I’m sure they can be streamed somewhere. Its a sappy, and sometimes very cheesy show, which rarely got above a level three on the fright-o-meter, but I remember watching it a lot with my mom, who had a crush on Ricardo Montalban. This looks interesting, despite the fact that it heavily reminds me of that failed revival, that happened in the late 90’s.

 

 

 

 

Invisible Man

Yeah, I’m not gonna go see this. I think I’ve had enough Invisible Man horror movies to last a few lifetimes. I think invisibility is probably a fairly useless superpower anyway, since one can only really get up to mischief with it.

 

 

The Irishman

I plan to watch this. I don’t normally watch gangster movies, but it has an all star cast, and marks Scorcese’s first foray into made for TV movies. Despite what Scorcese said about superhero movies, and the fact that he seems ot have staked out this gangster drama genre, I still love his work, and I don’t have to pay extra to see it in a theater, which is cool. We’ll see how good it is.

 

 

 

 

 

 

 

 

 

 

 

 

New TV Trailers (November 2019)

Per my usual announcement, whenever I make these posts, some of these I’m excited for, and some a little less so, but I hope to be able to watch most of them.

 

Doctor Who Series Twelve (2020)

I really enjoyed having a lady Doctor, mostly because she heavily reminds me of a cross between David Tennant, and Peter Capaldi ,and I’m not sure if that’s on purpose. I could have done without a few of the episodes, in that the writing, and story, wasn’t the best on at least a couple of them, but there were at least a couple that stood out too, and since we have a new crop of writers this season, I’m looking forward to what they’re going to do. At least the trailer looks exciting.

 

 

 

 

Antelbellum (2020)

No one knows anything about this show, movie, or whatever. I’m intrigued by the trailer though, and I really like Janelle Monae, so I’m going to check it out. Jordan Peele is one of the producers on this, so it should be an interesting story, even though I generally try to avoid slave narratives, because I’m really, really, tired of them. However, if someone has a clever way of approaching it, I’m willing to give it a try..

 

 

Hunters (12.15)

This airs on Amazon Prime next month, and I’m looking forward to it. Its about a clandestine group of Nazi hunters, and its set in one of my favorite fashion decades, the seventies.

 

 

 

 

V Wars (12.5)

I don’t know what to think or feel about this show. I want to like it, but I’m not a fan of the lead character, and TV has messed up too many vampire shows for me to feel at all confident about this one. I have read some of the books this is based on, and I wonder how closely the show will follow them, which chronicles a breakout of vampirism in America, and it will destroy society, unless humanity wipes it out. I’m not a huge fan of the book series, either, mostly because I didn’t like the writing style. I want to like this though, and I’m going to give it a try.

 

 

 

Lincoln (1.10.20)

For some reason, I was really excited about seeing this. I do not normally seek out cop and detective shows, but I like the books this character is based on, and I liked the movie, which starred Denzel Washington. Some things I’m just not attracted to but if it has an interesting twist, has a diverse cast, or an actor I’m especially fond of, I’ll at least try it.

 

 

 

 

The Outsider (1.12.20)

This is another show based on a Stephen King novel, called The Outsider. I liked the book okay, although I don’t think it’s one King’s best. It did keep me intrigued, though. If you haven’t read the book, I’m not going to give away one of the plot details, on which the initial mystery is based,  which is classic  King, however. Also, if you are a fan of Holly, from the Finders Keepers series, she is one of the major characters in the book, which almost counts as a standalone adventure for her.

 

 

 

The Neighbor (12.31)

Okay, this looks and sounds almost exactly like the plot of the 80s show, Greatest American Hero, which starred William Katt, in which an alien crashes to Earth, and gives  special artifact to some nobody who happened to be close to the crash, which gives him superpowers, which he then has to navigate without any instructions. I’m not especially excited about it, but the trailer looks really cute, and its on Netflix, so it will be easy to check it out.

 

 

 

A Christmas Carol (12.19)

Every couple of years someone has to make a new version of Dicken’s classic Christmas story, and quite frankly, even  I’m not immune to a sappy, holiday story about the redemption of an asshole. I used to read this book every year, and I’ve missed a few, so its probably time to break it out of the mothballs in my closet, and read it again.

 

Native American (And Alaskan Native) Heritage Month

This month is National American Indian Heritage Month in the US.

I know next to nothing about the various Indigenous cultures, beyond the basic stuff, like names,  places, some of the tragic history, what I’ve read in books by people like Sherman Alexie, or watched  fictional movies like Windtalkers, and documentaries like Reel Injun, so I’m going to be learning  a bunch of stuff right alongside you guys, okay.

The first thing I looked up was the word Powwow, because I didn’t really understand what that meant, which  lead me to videos on Youtube. Uhm, guys! this stuff is deeply hypnotic so watch out. I must have spent at least a couple of hours falling down the rabbit hole of watching all these dancers. (From what I gathered, its something like the Olympics for the various Indigenous Peoples, only held every year, in multiple places, and with a lot more dancing.)

 

What is Powwow?

First of all, what exactly is a Powwow, what is it’s purpose, and  why do Native Americans do it? Do Indigenous people do this all over the world? Why is this a thing?

Students from the Kathryn M. Buder Center for American Indian Studies at the Brown School at Washington University in St. Louis and community members discuss the elements of an American Indian Pow Wow, its etiquette and its importance. Pow Wows are an annual spring event at Washington University in St. Louis.

https://www.powwows.com/what-is-a-pow-wow/

 

Why is Powwow?

The reasons why Native Americans have Powwows, plus a little backstory.

 

Visit: http://www.stjo.org for more information

https://www.britannica.com/topic/powwow

Today powwows take place over a period of one to four days and often draw dancers, singers, artists, and traders from hundreds of miles away. Spectators (including non-Indians) are welcome to attend, as participants seek to share the positive aspects of their culture with outsiders. Modern powwows can be grouped into two broad divisions: “competition” (or “contest”) events and those referred to as “traditional.” 

 

How to Powwow:

Some Powwows are open to the public, while others are private, only open to members of the tribe and  family. Here are some basic do’s and don’ts for Non-Natives attending a Powwow.

 

https://www.powwows.com/pow-wow-etiquette/

Pow Wows are one of the best ways to experience Native American culture in person.  

Keep in mind that while they are open to the public, Pow Wows are culturally significant events. 

Be respectful!

 

 Dancing

There are a lot of different types of dancing at a Powwow,  many of them based on locations, and tribes. Dancing isn’t just random moves, most of it has meaning, along with the manner of dress for each style, although there is such a thing as Freestyle dancing, the manner of dress (Regalia) is still deeply personal to the participant. Here’s what to look for when watching:

 

Dance Styles and Regalia:

Rooted in tradition and ceremony, dancing is an important part of Native American culture. Hundreds of dances exist, performed by tribes across the United States. Here are a few of the most popular and well known.

Men’s Traditional

 

Men’s Grass Dance

This is the dance seen in regalia:

 

Because the regalia can sometimes be distracting for some of us, (hello!), here is a grass dancer without his regalia. There are very distinct moves and footwork involved. There are rules , so its not just random movement, which is what it can look like to someone who has never watched this before, or who is easily distracted by  bright colors.

 

Men’s Fancy Dance

 

Women’s Jingle Dress

Here’s the Women’s Jingle Dress Dance, and in the second video, done without regalia:

 

Women’s Traditional

Notice the manner of dress, and style of dance, for Traditional Women’s is much more reserved, more conservative, than for the Fancy Shawl Dance.

 

Women’s Fancy Shawl

 

 

This is one of my personal favorites, Hoop Dancing. I greatly admire this syle, because I couldn’t get anywhere near a hoop, without potentially embarrassing me, and all my ancestors,  by tripping and falling:

 

There is even a Tiny Tots version :

 

Regalia

Many of the designs and colors seen in regalia are personal to the dancer. They make their own outfits, according to their tribe’s traditional manner of dress. They also inherit some pieces, and buy a few pieces here and there, so that every form of regalia is distinct. No two are alike.

General Topic

 

 

Northern Paiute Women’s

 

Women’s Fancy Shawl – Getting Dressed

 

 

This is the United Tribes Powwow of 2019, the Grand Entrance of all the tribes participating in the event:

 

This is a Fusion of Hip Hop and Powwow dancing.  I was surprised to find that Hip Hop is such a huge deal huge on the reservations:

 

Here’s an Intertribal Powwow of some of the Canadian/Alaskan Tribes:

 

For any of my Native readers, (Hi!), any mistakes in this post are strictly my own, and if you have a correction of any kind, (or want me to add something) let me know in the comments over the next two weeks, or leave me a message on my Tumblr page.

Next time: Native Music

Things Are Gonna Be Fun II: Electric Bugaloo

I wrote a version of this post, earlier this year, in which I listed all the movies I was interested in watching, and I just want to offer a sequel to that post, with mini reviews of movies I, did indeed, watch, and one I didn’t get to see, even though I wanted to.

https://tvgeekingout.wordpress.com/2018/12/10/things-are-gonna-be-fun/

I’ve noticed a pattern of saying I’m not gonna see something, because I wasn’t interested, but later I rent the movie, or watch it on cable, so obviously I’m an unreliable narrator, when it comes to determining which movies I’ll be watching in a given year. So, you can take me at my word, at your own risk. Plus my track record of movie watching has been thrown off by my mom’s insistence that we go see every killer animal movie that gets released! I don’t dislike those types of movies, but I told her she’s messin’ up my movie schedule. (Note: No, she does not care about that, and just finds the whole thing deeply funny.)

Anyway these were the movies I showed some interest for, and ended up actually watching.

Glass

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Unlike a lot of  people, who saw this,  I actually liked this movie. Yes, there was a bit of a twist n the movie, in the sense that things do not play out in any way you think they’re going to play out, but it still did have a satisfying ending. I was interested to see how David Dunn ended up in the asylum with Mr. Glass and The Beast, and I though  the team up between Glass and Beast was interesting to watch. In a lot of ways the story plays out exactly the way such stories work in comic books, and I think the twist really threw a lot of people off, especially if they were expecting the movie to go on that way to the end. About halfway through the movie, there’s  a monkey wrench thrown into the story that changes it to be about something else entirely,  and while I was initially dismayed by the change, it ultimately proved to be satisfying for me.

 

Akita Battle Angel

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I read the manga a few years ago, before the movie was announced, and it was okay, but I found this movie rather disappointing. There are a few elements in it that I liked, but ultimately I didn’t finish the movie, and it was mostly  because of the acting, which is both restrained in some places, and over the top in others. And yeah, I did have a problem with the big eyes. They were distracting, even though big eyes are not distracting in anime. I also loathe sports movies, and about halfway through this movie, this turns into one of those made-up sports movies, that’s supposed to be an analogy for revolution, or something.

Sports movies are absolutely the one genre of movie I will not happily watch. I will watch a cop movie before I sit down to watch a sports movie. On the other hand, I did enjoy the world-building, and the special effects were excellent, but ultimately, those two things were not enough to keep my interest.

 

Captain Marvel

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I liked this movie far more than I thought I would. I wasn’t greatly enthusiastic about it, preferring to see her in Avengers Endgame first, before watching this, but it turned out to be okay. I thought its messaging was a bit ham-handed, but I loved the characters most of all, especially the Rambeaus, and the cat loving Nick Fury, and it was  unexpectedly funny, and deeply emotional in some spots. Is it as good as some of my MCU favorites, that I’ve watched multiple times? Nah. This movie doesn’t even break my top ten, but it also doesn’t land in the bottom ten either. Its a good, solid, competent, middle of the road, action movie, with a feminist message, and some acceptable special effects. If I watch  it again, it will be for the character relationships and action scenes.

 

Shazam

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I wasn’t expecting a whole lot out of this movie, but it turned out to be a heckuva lot of fun. The ads for it lead you to believe the kids in the movie are kind of obnoxious, and at first the are, but they quickly grow on you, and I started to really like the lead character ,and the movie is actually pretty funny, in a cringey, covering my eyes sort of way.

I’ve always been fascinated by Billy Batson, not because I thought of him as a power fantasy for children, though. Frankly, and this is where being a PoC, and a woman, comes into me having a very different opinion about movies, I was kinda horrified by Billy’s story. This isn’t a whole lot like the TV show I watched as a child. For one thing, Billy Batson is actually a little kid in this, unlike the teenager in the show, and no kid should ever be put in that sort of position. Billy fucks up a lot, and its really frustrating, and mildly upsetting to watch the villain beat his ass because he has the physical/mental sensibilities of a child. I don’t know how to explain it, but Shazam has always struck me as more of a horror story than a fantasy.

On the other hand, despite my anxiety, this movie was a lot of fun, and I liked the other kids in it, because they were really cute, and they all defeat the villain through teamwork, and superpowers, and stuff. Its a good, lightweight, piece of fluff to watch, on some Saturday afternoon, with your nieces and nephews.

 

Hellboy

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Whoo boy! I have a lot to say about this movie, so watch for my post comparing the Del Toro movies with this version, and the graphic novels. I didn’t hate this movie like a lot of people did. In fact this movie may prove to be better liked at some later date, but I didn’t love it either. It had a lot of problems which are outweighed by how incredibly gorgeous it is.

 

Pokémon: Detective Pikachu

As I said in the original post, I only know as much about Pokemon as raising my sisters would allow me to know, so I was kind of walking into this clean. I didn’t know that the various Pokemon had personalities and stuff, so I didn’t know what to expect. I knew some of the character names, and I liked the premise, and heard that Ryan Reynolds was doing the voice of Pikachu, who is, naturally, my favorite.This movie was as cute as you think it is. Its a nice, funny, piece of fluff. Its got a couple of dark moments, but is mostly safe to watch with kids, as its not that deep, so you can enjoy it without too much anxiety.

I was mostly distracted by the kind of world in which Pokemon live side by side with people. Where do the Pokemon got to  the bathroom? How do the largest Pokemon navigate through the society, and did the biggest ones I saw belong to anyone, or were they just hanging out in the city? Some of the Pokemon were pretty dangerous, so are there humans who hunt them down and exterminate them when they get out of hand? Or do they lock them in jail, like people?

Well, I had questions!

Image result for gifs/ detective pikachu

 

John Wick 3: Parabellum

This movie was every bit as wild and crazy as it looks from the trailer. I’ve been watching this franchise, and really the entire thing is ridiculous, with Assassin’s guilds, mobsters, dog attacks. Its kind of unrelenting and you may need to have a rest about halfway through it. This time there’s some type of regulatory organization involved, and its purpose is to weed out everyone who helped John in the first two movies. So, not only is John still being hunted by all the top assassins in the world, (namely Mark Dacascos, who it was nice to see again), his friends are in danger too, and this all  escalated from the killing of John’s dog, left to him by his late wife, by a no-account mobster’s son.

I loved Halle’s character, with her two guard dogs. She talked in interviews about the training for the dogs, and what it was like being on set with them, and that was fascinating. In fact the entire thing is fascinating because the creators have no qualms saying the movies are just stunt showcases, with a loose plot attached to it, and going into detail about how they do everything. Its fun to watch, not just the film itself, but the making of it, as well.

Halle Berry plays a character named Sophia, who owns two Belgian Malinois. She is fifty three years old. This is a very demanding film and most of its stars are older men and women, so that’s interesting.

Image result for gifs/ john wick 3

 

Men in Black International

I was ultimately so disappointed in this movie, that I didn’t even finish it. I mean Thor and Valkyrie team up to save the world from aliens but there’s really not much of a plot, the acting was a little lackluster. It wasn’t as funny as the first two movies. it was really just lacking Will Smith.

I wouldn’t mind seeing more stories set in this universe, and Tessa and Chris were really cute, but it really does need to have the imagery and the humor, and with actually funny actors, which is something that started to go wrong in the second film. Tessa and Chris are funny, from time to time, but they are not known for their comedy, and it showed, because the writing simply wasn’t there. Its been diminishing returns on the humor ever since that second film, really, but I  expected a lot from this, because the trailer made it look like fun. The wild enthusiasm I had for several other films, that were released around the same time, wasn’t there, but I thought this would be okay. Ultimately, I’m glad I  didn’t spend money to see this in the theater.

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Spider-Man: Far From Home

I missed this one in the theater becasue I was broke around the time this movie got released, but I rented it as soon as the it started streaming ,and I was not disappointed. it has a few slow moments, or moments I didn’t particularly care for, but those moments were not enough to stop me from overall likage. Its not as good as the first film, which had that element of novelty, but its very satisfactory.

I loved a lot of things about it, but mostly it was the relationships between the characters.  I liked the cuteness between Peter ,and MJ. They really did sell the idea of them being awkward teens beginning a romantic relationship. Peter’s friends, and co-stars also get some nice story arcs, too. The action was a lot of fun and didn’t go on interminably long, which is something that always makes me start to squirm, as I get easily  distracted. I’ve watched this about three times since then, and I keep discovering new things ,and its been fun each time.

Image result for spiderman gifs/ far from home

 

I don’t often do sequels to my forthcoming movies posts, but I was going back through some of my older posts, and I saw that I’d watched nearly all the movies in it, and had not given even mini-reviews. so here are some of my  mini-mini-reviews.

October Viewing List II

Supernatural

The final season has begun, I already wrote a short review on my other site. Check it out!

 

Little Monsters

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i am of two minds about this movie. On  the one hand, I hated, hated, hated, the lead character, Dave, who, while not as vile as trump, could definitely give him a run for his money, in the stupid, juvenile delinquent, category. Dave is a vile, foul mouthed, washed-up musician, and asshole, who is irresponsible with kids and himself, does not know how to behave like an adult,  and lies, and steals without compunction. He changes his entire outlook however, when he sees Miss Caroline, his nephew’s grade school teacher, who is, very probably, the greatest ray of sunshine to ever grace a zombie movie. I loved her. Everyone loves her.

On the other hand, hating Dave was not enough for me to quit watching this movie, because Lupita is the best thing in it, its actually pretty funny, and there’s plenty of zombies, gore, and cussin’.

Some serious shenanigans have been going on at a military base in the English countryside, and some zombies get loose, and head over to a nearby children’s amusement park, that Lupita and her class happened to be visiting that day. Yes, the children are in some danger of being eaten by the zombies, but its really not that type of film, as most of the tension comes from Miss Caroline, trying desperately to protect the children from any emotional trauma, that might come of the zombie outbreak.

To that end, Miss Caroline’s charm is turned up to fifteen, as she sings and dances her way through the zombie apocalypse, with her little banjo. The children adore her, and she manages to be successful, not just at saving the children, but winning Dave’s heart, as he attempts to become the type of man who is worthy of her attention, rather than the asshole he’s always been. So even though I hated Dave, this movie isn’t about him manipulating her into falling in love with him. Its about the redemption of a cad, as he understands that the only way to win the love of a woman as magnificent as  Miss Caroline, is to first realize he is not worthy of her as he is, and then to become a different person.

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I feel some type of way about Dave winning the girl at the end of the movie, especially when he is set up at the beginning of the movie as such a hateful piece of shit. (No, truly, for the first twenty minutes of this movie, I just wanted to set Dave’s sorry ass on fire.) When he first meets Caroline, he tries the usual lying bullcrap he has always used to manipulate women into giving him a pass, including his own sister. He is not successful at this because none of that works on Miss Caroline. She is completely immune to it. He’s gotta try something new, if he hopes to win her,  so he pretends to be a worthy person, and in the process, actually becomes a worthy person.

But I suppose the purpose in showing Dave to be such an awful person, is to show the redemptive power of Miss Caroline. One of the most interesting things about the plot is Miss Caroline is not trying to save Dave, or turn him good. She expects that he is already a good man, and simply treats him as if he is. Miss Caroline tells him that she is a Christian woman, who believes fervently in her job, loves children, and does not like cursing. She is not preachy about this. She simply behaves in a Christian manner, and I like that she is not a stereotype of a Christian, as she really is as wholesome as she appears. She loves her kids, loves her job, and will brave any danger to save her kids from harm, which she does, when she fights off a hoard of zombies, to retrieve one of her kid’s  inhalers. She is also tough as fucking nails,  because she is perfectly willing to stab one of her companions in the gut, when he makes himself a danger to her kids, and won’t stop cursing at them. He is supposed to be a role model for the children, and dammit, he’s gonna act like one!

This is the introduction of Mr. McGiggles, one of the entertainers at the park, who s every bit as awful, and foul mouthed as Dave, but since Dave is trying to mend his ways  to impress Caroline, we need a a new foil, to contrast what Dave is no longer trying to be. So McGiggles takes Dave’s place, as the unrepentant foul mouth, in the script, as Dave starts becoming a better person.

So yes, this movie is quite a journey for its characters. Dave finds himself wiling to do anything, and be anything, to live up to Miss Caroline’s example of bright humanity, and I suppose that’s a good thing, because it works. He makes a genuine change to be worthy of her love, and I’m okay with that, I guess, but getting through the first twenty minutes of this movie was really hard.

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Little Monsters is available on Hulu. I plan to watch this one again, when I can find the time.

 

 

Evil

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Here’s another show with religious themes and characters. I did not plan this. This is just sort of how it turned out, because I had no plans to watch this show, not because it wasn’t on my radar, but because I was not particularly interested. Its not a bad show, and I am probably going to watch more episodes of this, because it turned out to not be exactly what I thought it would be.

Now, I’ve only seen one episode, which was medium dark, and definitely had some tense moments in it, but not for the reasons you might think. I haven’t gotten the character names down yet either, so I looked those up. The horror springs from the character decisions, and  that you either know more, or less, than the characters in the show.

Dr. Bouchard is a forensic psychologist, who teams up with Mike Colter’s character, Father Acosta, along with a contractor played by Aasif Mandvi, who I really like, to investigate supernatural incidents. Dr. Bouchard’s job is to determine whether or not a supernatural event occurred, and Mandvi’s job is handling the technical equipment involved, if an incident occurs, so as to document Father Acosta’s claims to the church, when he requests  assistance.

In the episode I watched, a family claims that their little boy is possessed by an evil spirit of some kind. The episode follows as Bouchard and Acosta determine whether or not that’s true. Bouchard conducts therapy sessions with the little boy, which are actually pretty chilling, and Acosta manages to form a connection to the little boy, and actually  encourages him to begin prayer. When the boy attempts to drown his baby sister (Acosta saves the baby’s life with cpr), Bouchard and Acosta manage to convince his superiors that an exorcism is needed. We do not get the cliched exorcism scenes, because the parents of the little boy take matters into their own hands, so yeah, I didn’t see that end coming, at all.

At the same time, there is a secondary story involving Bouchard’s family. She has four little girls, who miss their absent father. She has been lying to the girls about where their father is. Either he is dead, or he left her, but the four girls, all of whom are really cute, believe that he is a expedition guide at Mt Everest. At the same time, her mother has given the little girls some VR toys with an odd Halloween type game the girls have been playing, that starts to take on an odd prominence in the lives of the two oldest girls.

The game starts to become more and more real, and the creature from the Halloween game (in the form of a little girl) starts to bleed into the other games, convincing the little girls to perform a seance with a virtual Ouija Board, and summon some type of virtual demon. Now, this all occurs within the game, but its still pretty frightening, because the only adult who suspects anything out of order is Mandvi, who hacks the game to put parental controls on it. Parental controls that don’t work, as the girl from the game simply invades the other games on the device. Bouchard  is a skeptic who finds that something supernatural might possibly be occurring right under her nose, in her own house. For me, this was the most frightening part of the show. ‘

One of the reasons, I was ignoring this is, I thought the show would simply be a retread of The X-Files, because Bouchard is a skeptic, and it’s Acosta’s job to believe, but the dynamic here is completely different. For one thing, it’s unlikely that there will be a “will they/won’t they”, dynamic between the two, and also because Bouchard is still possibly married, or just divorced or something. Mandvi, although I really like him, seems to be a kind of third wheel. I actually liked all the characters, though. I’m not a religious person, but I did like Acosta’s quiet faith, and I like that he’s not written as a stereotype of religious fanaticism. I like that he is Black, and a Catholic priest, because those are rare in American Pop Culture, with most Black people being associated with the Protestant religions.

The first thing that intrigues me about a show is often its premise, and I wasn’t too wowed by this one, but once I actually watch an episode of something, what keeps my butt in the seat is the characters, and these characters were intriguing enough that I’m going to watch some more episodes. I at least need to find out what happened to the doctor’s husband, why she is secretly crying in her kitchen, and when she is going to share this information with her daughters. I also need to know when or if her daughters are going to tell her that they conjured a demon into the house, through the VR that was gifted to them, by their grandma.

 

 

Watchmen

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I was not particularly enthusiastic about watching this, mostly because the movie was merely so-so for me.  I told y’all before that I didn’t find my way to comic book geekery through the usual White guy channels. I sort of meandered around, putting together my own foundation, via Horror, and Science Fiction. What that means is, I did not read the Watchmen comic books, when they were first published, although I was the right age for it, and by the time I got around to reading the books, I had already read other books by  Alan Moore that I thought were more impressive, like Swamp Thing, and Miracle Man.

So,  I was unimpressed with the movie, beyond liking the special effects, and Dr. Manhattan, and I didn’t think I was going to be into the TV series either, especially since it was written by Damon Lindhelof, because I’m still mad at him for Prometheus. But, nevertheless, I watched the first episode.

I have to warn you the first fifteen minutes are harrowing, as it deals with the Tulsa Race Massacre (because that is indeed what it was) of 1921. This is a real event, I first read about, when I was a teenager, (naturally, it was never something studied in school. I was one of those kids who, after a while,  my teachers just left alone to make up my  own curriculum.) There were a bunch of these “Race War” massacres  throughout the history of the US, like Ocoee Florida, Rosewood, Tulsa Oklahoma, and the Red Summer of 1919, and most people will not have learned about them in school. Needless to say, when you hear some yahoo going on about how there needs to be a Race War, what he really means is that he would like the opportunity to massacre some PoC again.

https://en.wikipedia.org/wiki/Red_Summer

Genocide of the California Indians

The lynching era (1878–1939)

You have to know a little bit about these events to understand something about the alternative universe in which this story takes place. Guns for example are outlawed (even the police need special permission from their superior officers, which is some dude wearing a Panda mask, before using lethal force). There is also an offshoot of the KKK, now called by some other name, and using the Rorschach mask, along with his talking points, thanks to the diary that was mailed to the media, after Dr. Manhattan killed him.

In our world, the police and the KKK clashed in Tulsa, and the KKK won, but in that universe, they lost, and The Reconstruction after the Civil War continued, in which Black people got political power, and the police have been fighting a decades long battle with these KKK offshoots. The police now need to wear masks to protect their identities, and families. In this universe, the police are the good guys, who are besieged by that world’s version of the Alt-Right, and some of these things are  fallout from the events that happened in the comic books, which were set in the 80’s.

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So, Dr. Manhattan still exists, and lives in exile on Mars, Ozymandias is supposedly  dead, (but I don’t think so), and because of the events he engineered in the book, involving a giant squid attacking  Earth, we get regular squid falls, for which cities need sirens to warn people. Quite frankly, I was more weirded out by the  squid rain, than anything else shown in the episode, because that’s just funky. My mind kept going back to the logistics of regular falls of squid. How to clean that up? Does it smell real bad? This is actually relevant to the rest of the season’s plot though, as it involves alternate dimensions, (which is where the squid come from), and  time travel.

The presidents of this world, often have consecutive, multiple runs, in political office. Robert Redford is the president in this universe, and has been for almost thirty years, where he has instituted reparations to the survivors of  the massacre in Tulsa, called Red-forations. Silk Spectre  is still alive, and played by Jean Smart. Vietnam is the fifty first state, ( as a result of Dr. Manhattan’s invasion during that war),  and Louis Gossett Jr. plays a man named Will Reeves, one of the few survivors of the Tulsa Race Massacre, now an old, and  disabled, man. That’s not even most of the weird shit in this show, like a character, named Looking Glass who, when he puts his silver mask on, can tell when people are lying!

An interesting note is that Will Reeves was watching a movie about the real life Bass Reeves, who was the first Black Deputy Marshall, and the character upon which the Lone Ranger was based. The movie he is watching was in the style of the Lone Ranger TV series of this universe, only it has the actual Black character in it. Another interesting theme is the recurring Oklahoma musical. One of the characters loves the play, and we get some songs, and even a little snippet of the movie, which stars an all Black cast in that universe. So the racial and sexism issues, that exist in this universe, didn’t  happen in that one, at least not in the same way, and the US looks fully integrated with Black TV shows, and Pop culture, which everyone just watches, and its no big deal, and that, too,  is probably part of the fallout of what happened in Tulsa.

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Regina King is Sister Night, a former cop, (and bakery owner), from Vietnam, who gets called back into action by some friends on the local police force, after a cop gets murdered by a member of an organization the cops thought might have been extinct. Most of the episode is just introducing us to this weird universe, and these characters, so outside of that intense opening, things calm down to the end, when Sister finds her mentor, from the police force, has been lynched, and Will Reeves is there, impossibly claiming to have done the deed. So yeah, I’m  already intrigued by the mystery of who he is, why he may or may not have done this, and what was the  secret, that got her mentor lynched. I’m looking forward to the rest of the season, even though I, initially, had no concrete plans to watch it.

 

*  _____________________________________ *

 

So, I’m in the process of cutting the cord, as we say in the US, and I no longer have access to these shows on TV.  I’ll just have to try to remember when they air, and catch them on their apps. The Watchmen airs on HBO, every Sunday night, and I’ll just have to remember that, and watch it later in the week, so my timing on some shows is going to be a bit off, as far as reviews, but what I can do, is finish off some of my long form posts, and review the season finales, when they occur.

I’m also going to post some articles to Medium. com, (which will not be posted here, but I’ll let you know when I do), so head over there, if you can, follow me, and give me some claps. I think we get paid there, according to how many people like your writing. I’ve managed to amass quite a following, which always surprises, and delights me, since I  don’t really think of writing as a way to be liked. I write because I have a lot of thoughts in my head, and I’m shit at keeping a journal.

But hey! I will be surprised and delighted if you guys also follow me on Medium, where I intend to do, at least, one post a month.

 

The Baddest Bad-Ass Females In Horror

Here are ten of my favorite horror movie females, and why:

Annie Wilkes –  Misery

I read this book when I was a teenager, and I was mostly unimpressed by it, but Kathy Bates knocked this character out of the park, in the movie. Think of Annie as a rather unhinged version of Dolores Umbridge long before Harry Potter existed. I love characters that have these sweet temperaments on the surface, but are willing to commit to horrific acts of violence when they don’t get their way. There are a lot of male characters like that all over film, (usually serial killers), but female characters who do that are kind of rare, and worth noting.

I had a choice between Sue Ann from Ma, and this character, but I chose this one because she came first, and that leg hammering scene was the most hardcore shit I’ve ever seen a female character commit on a movie screen. She is the poster child for keeping your fanship in fucking perspective, and never letting it get out of hand. You define what your fandom is going to be. You don’t let your fandom define you.

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Samara –  The Ring

What I like, (for lack of a better word), about this character is she is just evil to be fucking evil. Yes, she was drowned by her mother or something, in a well, but what’s bad ass about her is there is no appeasing of this character. You can’t find her body and lay her to rest. She’s not angry because her murderers got away, or any of the usual reasons for ghostly activity. She ‘s just bad, to be bad. There’s just shit all you can do to save yourself from her, and that’s simply terrifying.

The lead character does everything she can to avert Samaras wrath, and the deaths of her loved ones, by investigating Samara’s crimes, and trying to find her, and get justice for her, but to no avail. You can’t do anything to make her happy. She is just bad. Samara is an example of how we should sometimes just “Let it go, already!”

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Carrie White – Carrie

Although the story is tragic, I still see Carrie as a revenge fantasy for teenage girls. I can’t think of a single teenage girl who didn’t like this character, or have her resonate with them, somehow. Stephen King says she was based on a young woman he knew in high school, who was something of an underdog. She tried to get out from under it, to be more popular, dress better, or be more fun, but ultimately she couldn’t, and King saw that and wondered about what her life was like, and her story just stuck with him.

Despite that there have been several movies made about this character, two in the theater, and one on TV, her story, from the book, has still not been adequately captured. Carrie is the ultimate bad-ass of feminine vengeance. In the book, she destroys thousands of lives and burns down an entire town. I think there’d be an audience for this,  if it were made with an actual budget, because the full scope of Carrie’s abilities has never actually been shown.

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Eli  –  Let the Right One In

Eli is one of the few child vampires in cinema, and I would argue its a fairly accurate depiction of the life, in that she seems entirely plausible. A child vampire would need a caretaker, someone to act as a parent. They wouldn’t be able to go to school really, since they don’t age, and even if they did, they couldn’t remain in one place for more than a couple of years at a time.

In the novel, Eli simply says she’s been twelve for a very long time, so she is not a grownup in child’s body. Her brain simply never develops into adulthood at all, which sounds absolutely horrifying. She simply remembers being a child for a very long time, and never develops mature thinking, at all.

Eli is also a total bad ass. At the end of the movie, she comes to the defense of her child friend, when he is being tormented by bullies. What happens to them occurs off screen, but its still an incredibly effective scene. She has all of a child’s terrifying rage and intensity in a fight, coupled with the speed and strength of a vampire.

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Katrina –  Vamp

Katrina was the first Black vampire I’d ever seen. I’d read about a couple of them, but I can’t think of anyone more likely to play a vampire,  than Grace Jones, who was my idol at the time she played this character, waaay back in the eighties, who says not one word throughout the entire movie, and still manages to get the last word right before she dies!

Grace Jones was important to me not just because I happened to be the right age for it, but she was of my time. Not someone my mother, or aunts, or grandmother admired. I chose her. She was an example of the kind of woman I wanted to be at sixteen, laughing, and beautiful, and fearless, in a way I just wasn’t. She was a dark skinned supermodel at a time when there were none who looked like her. She was an action star when there were no black female action stars. And she dated some of the hottest men of that era including Adam Ant, and Dolph Lundgren.

Later, the great Aaliyah, and Eddie Murphy himself, would follow in Jones footsteps, proving , yet again, that African vampires could put their shit down, and compete with any European Vampire. Katrina rips out throats and hearts, and still manages to find time for her night job, dancing in, and running, a vampire strip club. She was the highlight of the movie, and really the only reason anyone remembers this, still rather obscure, 80s vampire comedy.

 

 

 

The Alien Queen – Aliens

Normally The Queen would qualify as the baddest of the bad, except she was defeated by Ripley. I mean, she had a good thing going there, with lots of warm bodies for her eggs, obedient kids, and plenty of food, and it was all ruined. She is every bit as bad as she believes she is, when going  toe to toe with the power loader wearing human, who destroyed her nest. Normally, this sort of thing gets copied over and over in any movies that get released in its wake, like what happened after The Matrix, but nobody even tried to duplicate her.

She is, and always will be, one of a kind!

I remember the first time I saw this in the theater. The audience let out a collective gasp. Everyone was in awe of her. Cameron had delivered an excellent, thrill ride of a movie up to that point. He didn’t need to impress us any more, so really, our first glimpse of this thing, that had only been theorized about earlier in the movie, was like the icing on a chocolate fudge cake. And then to follow that up with a “Final Girl” battle…just WOW!!!

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Satanico Pandemonium – From Dusk Til Dawn

This is only the third woman of color I’ve ever seen as a vampire. This is interesting because, even though vampire mythology can be found across every culture in the world, from Asia, to Africa, and South America, the only vampires we almost ever see in films and books, are White. Vampirism is not a White European tradition. There is a bunch of different types of vampires in the South American tradition, because of the interaction of so many cultures in the region. The vampires in From Dusk til Dawn most closely resemble the Cihuateteo of Aztec folklore.

In the TV series,  Satanica tells about how she was sacrificed to an Aztec god when she was a child, and that she was given certain powers and curses by that god, and at the end of the movie version, we find that the nightclub, the Titty Twister, is situated at the top of an ancient temple.

I find the trope of the centuries old vampire, living a  quiet, and discreet lifestyle, as the owner of a nightclub, to be pretty interesting. I guess it makes sense, as vampires can’t come out in the daytime, and as was explained in the movie Vamp, you get a ready supply of itinerant victims, many of whom won’t be missed. What I find equally interesting is that female vampires eventually become sex workers, club dancers, in the modern era. The male vamps who own nightclubs never have to dance, apparently.

If there is anyone who was going to play this character in a movie, I can think of no one else than the beautiful, and  bodacious, Salma Hayek. She is definitely a rival for Akasha, as the world’s sexiest, baddest vampire.

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Akasha – Queen of the Damned

Guys! When an ancient one walks up in the club, it’s time to get the fuck out!

By any measure of cinema, Queen of the Damned is probably a horrible movie, but it joins the list of horrible movies I’m not ashamed to love, solely on the strength of Aaliyah’s performance, as the titular character. She is a queen by every definition of the word and she knows it. I think I hated every other character in the film, (except Marius), but Aaliyah rocked the shit out of this role. She was simply outstanding!

The scene, where she burns down an entire nightclub full of vampires, is one of the highlights of vampire cinema, and is right up there with the shootout from Near Dark, and the power loader scene from Aliens. She then saunters away from the flames, with not a care in the world. Her ass is completely unbothered, and unburnt. The walk! The Attitude! The music!

What’s interesting to me is that I’ve seen a whole new generation of young black women, including my niece, The Potato, who have fallen in love with Aaliyah. I don’t know if it’s because of her movie roles or her music, though. How about both!

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Sue – Jurassic Park

I don’t actually know the Name of the Rex from this movie. I don’t think she has a name in the film. I call her Sue because the T. Rex skeleton, from the Chicago Field Museum of Natural History, is named Sue, and I’m a fan. (Actually, Sue  is from South Dakota.) The real life Sue was a bigger, and heavier animal than her animatronic counterpart.

I loved this character, and not  because she ate a lawyer. As the movie’s heavyweight (she is fully  acknowledged by the director, Spielberg, as being the film’s star), Sue is iconic, and the special effects still stand up, twenty five years later. According to her Wiki, (yes, she has her own page), she stood 17 feet tall, weighed 17,000+ pounds, and was 20 feet long. The T. Rex was truly a force of nature:

Its roar is a baby elephant mixed with a tiger and an alligator, and its breath is a whale‘s blow.[58] A dog attacking a rope toy was used for the sounds of the T. rex tearing a Gallimimus apart,[12] while cut sequoias crashing to the ground became the sound of the dinosaur’s footsteps.

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 Ellen Ripley – Alien/Aliens

This list would not be complete if I didn’t add Ellen Ripley. She doesn’t just make this list just because she’s the baddest of the bad, or because I’m a huge fan of the actress, Sigourney Weaver. I think of the character as an icon and role model. (I have a couple of others, Grace Jones, and Nichelle Nichols, for example.) Ripley is the only fictitious role model I’ve ever adopted. I just happened to be at the right age, and the right stage of emotional development, when I first saw her.

I remember watching the first film, Alien, when I was  around eleven or twelve, and no Ripley did not impress me in her first outing. (It would be Parker, played by  Yaphet Kotto, who did that.)  I distinctly remember being scared and intrigued by the ads for that movie, but I was too young to see it in the theater, at just nine years old, when it was released. By the time I saw Aliens, I was sixteen, and by that time my family had a VCR. I’d already been  impressed by Cameron’s The Terminator, but for some reason, Sarah Connor, although she was pretty tough, did not make the list to role model, Ripley did.

I think the thing that most impressed me about this character was the scene at the beginning of the movie, Aliens, when her voice breaks as she is describing the murders of the crew of the Nostromo, because its that scene, (and the cut scene where she cries about the daughter she left behind), that informs all her decisions for the rest of the movie.

Ripley cries a lot, actually. She cries, screams, shakes, her voice trembles. This is a woman who has nightmares, and trauma, and is deeply terrified, but nevertheless, she keeps moving forward, and this was an attitude I would adopt as I moved through a life filled with anxieties, nightmares, mental illness, and suicide. I didn’t so much ask myself what she would do, (I knew what she would do), so much as adopt her attitude. Ellen Ripley taught how  me to pass through fear like a cloud of dust, and  that whatever terrors I have are irrelevant, if my goal is important enough.

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Addendum: 

One of the reasons I didn’t add Vasquez from Aliens, is because I wanted to highlight one of the non-human characters in the film, which I thought was awesome, and I had already included Ripley. Because I added the Xenomorph,  I decided to take out the Latina Bad Ass I admired so much when I first saw the film. I had never seen any character like Vasquez in a movie, especially in 1986. Latina character simply were not regulalrly seen in Science Fiction movies, which sort of makes her character as groundbreaking as she is problematic. (The actress who plays her is not Latina, and is Jewish American. Her cultural markers are a bit stereotypical.)

I like all of the women in this movie, to tell the truth, including the brave and resourceful Newt, and the no nonsense Cpl. Ferro (whose very name is totally metal). I’d end up highlighting the entire film if I did that.

I  specifically referenced the Aliens version of Ripley, because of her link to the first film, which is classified as a Horror movie, and while Ripley was an admirable character in that film, she was not yet a full on Bad Ass yet. That didn’t happen until the second movie which is why I referenced that one instead.

Another character I would have liked to include, for the same reason, is Sarah Connor. The first movie classifies as SciFi Horror, but she doesn’t become a true Bad Ass until the sequel. She too is one of the few White female characters, I truly admire, and one of the few White actresses whose career I followed very closely. But once again, I wanted to highlight non-human characters that impressed me, like Sue.

 

10 Terrifying Books For Halloween

Here’s a really good collection of unconventional books to read for Halloween. So pick one up, (or all of them), and prepare to be frightened. Best time to read them? Halloween night of course.

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Scary Stories To Tell In The Dark

You might remember these books from your childhood. I remember reading the first of these in elementary school and being scared out of what wits I’d managed to scrape together at age eight. The other two books in the series are less scary, but Gammell’s drawings  were always deliciously disturbing, and I loved them. Is this series just as effective when reading it as an adult? Yes!

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The Institute – Stephen King

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This is a horror novel for people who don’t like horror novels. I just finished this about a couple of weeks ago. While it started off kind of slow, and King really needs to stop writing any Black people into any of his books, until he can write us to sound like regular fucking people, I ultimately found it very satisfying. This is a story for people who think the Harry Potter universe wasn’t dark enough. In fact, this book slaps that universe in the face, kicks it a few times, and then electrocutes its gonads.  In other words, its got a lot of unpalatable stuff in it, including the (bloodless) torture of children. I listened to the audio-book version of this and some parts were hard to get through, and had I been reading it instead of listening to it, I probably would have put the book down and not finished it. What I can say, in King’s favor, is that the torture isn’t  gratuitous, and does serve the plot.

I don’t usually like the endings of King’s books, although I’m okay with the journey to get there, (I prefer his shorter stuff), but this had a nicely bittersweet ending, that made everything that came before it worth crawling through, and I appreciated it. The kids really did come across sounding and acting  like kids, too. Despite his complete inability to make Black people sound like, ya know, people, he really is pretty good at writing White people who are not men. The lead character is compassionate, smart as fuck, and brave, so that helped, too.

Warning for torture of children.

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Mystery Walk – Robert McCammon

This book is from waaay back in the 80s, and is a great Halloween read, as its one of the few pantshittingly scary books I remember fondly. McCammon writes dark Historical mysteries now, so a lot of people aren’t as aware of his Horror past, as perhaps they should be. He didn’t ever quite rise to the level of King, but his grand novel, Swan Song, is right at the top of apocalyptic fiction along with The Stand, as it should be.

Mystery Walk is about a young man’s journey to adulthood, after he finds out that he has inherited the ability to not only see and speak to ghosts, but he can lay them to rest by consuming their pain. There’s also another character with the same ability that is a dark reflection of him. The book builds up to their eventual confrontation, with one using his abilities for evil and gain, and being manipulated by a demon, while the other, having resisted the demon’s temptations, tries to save him.

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God’s Demon – Wayne D. Barlowe

This is another one of those journeys through Hell books. I have a whole collection of these. I love strong imagery in a book, and Wayne Barlowe, being an artist (who has done at least two illustrated books on this subject) is a master craftsmen. But its not just the images that grab you here, its the characters too, from the  repentant Lilith, to the foot soldiers of the demons major, Hell isn’t just made up of damned souls, and the unredeemable, as Sargatanas, one of Hell’s most powerful Fallen, fights a war to prove that he actually belongs back at God’s side, again.

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FantasticLand

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Okay, I got this book from NetGalley because the plot sounded like it might be funny. I thought it was going to be a satire about Disneyland or something.

This book was not funny.

This book was harrowing, but in a good way. I felt like I had been on a serious journey after I read this. Its not like the other books on this list, in that all the monsters here, are entirely human.

You might get the same idea that its a comedy or satire, as the basic plot is a  bunch of  young people get trapped in an amusement park called FantasticLand, during a hurricane, and over the next couple of weeks, all civility breaks down, as they start to hoard food, break into different tribes, and factions, and begin  warring against each other. In the meantime, they are still dealing with the aftermath of the hurricane, and the resultant flooding.

This is told in reports and interviews after the event. with the people who were involved, various rescue workers, and the media. So its an excellent use of the World War Z format, and unlike the Lord of the Flies book, there are plenty of women, there’s a lot more death, and some very clear reasons behind why everyone starts behaving the way they do, that’s beyond people just being stupid or bad. The book has a lot more depth than I expected, and is a more realistic depiction of how something like it could occur. What’s interesting is that even though the reason why the events happened were pretty clear, the public is still massively puzzled about why it happened.

I can;t praise this book enough, even though it was really hard to get through.

Warning for off-screen rape, and lots of ultra-violence.

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Nocturnes –  John Connolly

This is an excellent collection for Halloween, and one of my favorite anthologies. All of the stories here are straight up horror, ,and very well done. From Mr. Pettinger’s Demon, to the Inkpot Monkey,  with many of the stories consisting of people dealing with different types of demons, both real and imaginary. There are also a couple of really good monster stories, The Wakeford Abyss, and The Man From the Second Fifteen. It also includes a less horrific, but still pretty dark Charlie Parker story, The Reflecting Eye.

“Children go missing, lovers are lost, creatures emerge from below the ground and demons lurk in the shadows as Connolly, clearly having the time of his life, does his best to scare the wits out of his readers.”

 —Gold Coast Bulletin (Australia)

 

I also want to rec the sequel, Nocturnes II, Night Music, with its long form short stories, The Caxton Library, which is not horror, but still lots of fun, and The Fractured Atlas, which is deeply disturbing in a Lovecraftian sort of way. There’s also a fun Sherlockian story, where he meets the man who authored him. The sequel has fewer stories, but The Fractured Atlas more than makes up for the lack of scare in the other stories. Other stories of note are The Lamia, which is not about a vampire at all, and The Children of Dr. Lyall, where two men break into a house, and get trapped in alternate dimensions.

 

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We Are Where The Nightmares Go – C. Robert Cargill

The first story in this collection is one of the most unique zombie stories I’ve ever read. Cargill has this thing, where he can take a well worn trope, like zombies or ghosts, or even Indigenous mythology, and pull out some truly interesting stories, that are not like any other types of those stories. In The Town That Wasn’t Anymore, an entire town is so haunted, that most of its citizens are  afraid to go out at night. There’s a Sin Eater and a Soul Thief’s Son, and the title story is an Anti- Alice in Wonderland tale, as a  little girl goes through a doorway under her bed, and finds herself in a very dark world.

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The Haunted forest Tour – Jeff Strand

If a horror novel can be classified as Pulp, than this is it. I thought it was great, horrific, trashy fun, as a magical forest takes over several acres in America, when it pops out of thin air. The forest just happens to be haunted by every sort of monster that has ever inhabited a horror novel. The whole thing has a very Cabin in the Woods feel to it, right down to its  premise.

This is a story that’s best listened to rather than read. I did both, and the narrator for the audio-book does an excellent job of capturing the incredulity of the characters, and  the horribleness of the monsters.

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The Wide Carnivorous Sky – John Langan

Most of the stories in this collection would best be described as haunting. The first two stories are zombie stories but there is less of a focus on gore, and like any good zombie story, more of a focus on how the end of the world affects the survivors. The title story is, very probably, one of the scariest vampire stories I’ve ever read, not because the vampire is so frightening, although yes it is scary as fuck, but because of the mood. There is a feeling of dread in it that heavily reminds me of The Thing ,as a bunch of afghan vets deal, not just with the aftermath of the war, but the PTSD from encountering the vampire.

The Wide Carnivorous Sky is an excellent story to read on Halloween night.

You will be scaredt!

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The Scarlet Gospels – Clive Barker

If you’re a fan of Hellraiser, this chronicles what happened after the events of the second film, Pinhead’s journey across Cenobite Hell, and  his attempts to gain more power.  This is also good book for  fans of Harry D’amour from Barker’s The Last Illusion, as he travels to Hell to rescue a friend who gets caught up in Pinhead’s machinations, and their eventual confrontation.

This was a deeply satisfying book, but then Barker has always been able to capture me through the vivid imagery he presents, and the depth of his characters. I don’t remember many of the plot details but that is one of the dangers of reading a Barker book.

Warning for torture and rape scenes.

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Have Some Spooky Mini Movies

Hi there!!

Have a small selection of short movies for Halloween. Most of these aren’t too serious or scary, so you should be able to sleep after watching them.

Right?!

 

Alien Anthology

This is one of the serous ones however. If you are  a fan of the Alien movies, these shorts based on that universe, have been released on Youtube, to celebrate the 40th anniversary of the original Alien movie. They have some beautiful production values and hte acting is acceptable.

The surviving crew of a damaged deep-space harvester have minutes to reach the emergency evacuation shuttle. A motion sensor is their only navigation tool leading them to safety while a creature in the shadows terrorizes the crew. However, the greatest threat might have been hiding in plain sight all along.

 

 

We Summoned A Demon

Here is the first of our “summoning” movies. For some reason, all kinds of wacky stories can be made out of this topic. This one has a lot of goop in it., and a demon that likes to play.

 

 

The Summoning

This was one of my favorite “summoning” movies, because its so cute, and disgusting. I guess one of the bigger dangers is summoning the wrong type of demon. This is one of a series of cartoons from a show called Cartoon Hangover called Go! Cartoons, all of which can be found on Youtube.

 

 

 

The Graveyard Shift

This is one of my favorites. It starts off pretty scary, and you think its going to go one way, but…

 

 

Fright Lite

If you were one of those kids (or even an adult) who needed a Nite Lite, I’m sure short will resonate with you.

 

 

 

Amy

A little girl is afraid of the wolf living with her in the house.

This one looks really cute at first but then takes a slightly darker turn.

 

 

 

Behind You

I found the work of Brian Coldrick to be deeply disturbing. Check out his book, with a lot more of these frightening images.

 

 

The Return of the Monster

I liked this one a lot.

10 Favorite Horror Movies (Of The Past 10 Years)

Cabin in the Woods (2011)

The trailer for this movie was very deceptive, so I avoided watching it, because it looked like a  typical slasher horror movie, with all the cliched characters, and tropes. It turns out that there’s very much a reason for that, (which you sort of  find out in the first fifteen minutes of the movie, if you’re paying attention). The ending is also a surprise, in that its definitely not a Happily Ever After, and is  one of the most iconic scenes in any horror movie, ever!

 

Train to Busan/ Seoul Station/ Kingdom (2014-18)

I consider Train to Busan, and its companion movies, Seoul Station, and Kingdom (Rampant), to be some of the best zombie horror being made today. They are harrowing, thrilling and terrifying,  in a way that American zombie movies haven’t been in a long time. They also contain the one bit of advice that American style horror movies never seem to add: If you see a crowd of people running in one direction, don’t wait to see what they’re running from. JUST GO WITH THEM!!!

 

It Follows (2014)

This movie seriously captured me. I loved it so much, I wrote two reviews about the themes, and what the monster represented. I still haven’t gotten tired of watching it.

https://tvgeekingout.wordpress.com/2016/06/16/the-monster-it-follows-2014/

 

Us (2018)

 

I had a choice between Jordan Peele’s Get Out, and this movie, and I chose this one because, while Get Out was good, and I  certainly reckonize,  Us  resonated with me on a fundamental level that the other didn’t. I suspect because it had a Black female lead, and that lead is Lupita Nyongo.

https://tvgeekingout.wordpress.com/2019/04/01/the-meanings-of-us-2019/

 

Shin Godzilla (2016)

I enjoyed this version more that the American version that came out a couple years before it. This one, made by the original creators of Toho studios, actually made Godzilla horrifying and tragic again, with its powerful echoes of the Fukushima earthquake.

 

A Quiet Place (2018)

My Mom had the bright idea to see this at the theater, and I balked at that, because I thought it looked too scary. I was right. It was definitely scary, and horrible, and tragic, with a tiny bit of hope at the end, although  if you think about it too much, the whole plot breaks down.

 

What We Do in the Shadows (2014)

Is very easily one of the best, and funniest, vampire movies to be released in the last ten years, and the TV show that came from it, is equally funny. Also, there’s another spinoff that was released only in Australia, called Wellington Paranormal. Check that out, on Vimeo, if you get a chance.

 

Tucker & Dale vs Evil (2010)

I loved watching this bit of horror silliness with my niece, The Potato. We had a ball and learned a lot about jumping to conclusions about other people. She’ll be visiting soon, and I wonder if I can get her to watch this golden oldie with me. The video is one of our favorite scenes, too. When we first saw it, we really were rolling around on the floor, laughing hysterically.

 

Attack the Block (2011)

This is another movie I watched with my niece. She totally fell in love with John Boyega. She is so fortunate to be growing up with all this great representation in a genre I grew up watching, and seeing nearly none. One day I’m gonna have to explain to her how fortunate she is, to be able to see aspects of herself in Pop culture, in a  way I couldn’t.

 

Halloween ((2018)

I actually liked this movie. I wasn’t sure that I would like it, and I do not normally get into serial killer movies, or remakes, all that much, (in that they are not my first choice of entertainment), but this movie actually made Michael hella scary again, when he hasn’t been scary since Halloween II, which was released about thirty years ago.

Honorable Mentions:

Annihilation (2018)

This was emotional, tragic, with an intriguing mystery.

 

Let Me In (2010)

Its rare to get vampire child movies that truly focus on what that’s like.

 

Afflicted (2013)

Its the horror of being trapped in a situation with no good choices, and no way out of it.

 

The Ritual (2017)

A person cannot movie forward until they deal with ah=n truly let go about the shameful events in their past.

 

Lights Out (2016)

This movie was just pantshittingly scary, and really d.

 

 

 

 

Movie Disease Vectors: Pass It on

I mentioned in an earlier post that one  of the primary staples of the Horror genre is the fear of disease, or loss of bodily autonomy. The Fly is a perfect encapsulation of this theme. The Horror genre also likes to combine the two fears, as in the movie, Slither, and part of the fun of watching such films is figuring out how you would, or could, survive the fate of the film’s characters.

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I was revisiting some commentary I’d left on another website, and  discussing disease vectors. I was specifically discussing zombification, and where and how such a disease would get started. I mentioned a game I was playing called Plague Inc.

I don’t know if any of you have heard of Plague Inc., but it’s a fascinating way of learning how disease works, and the CDC itself approves of the game, and offers suggestions. The objective of the game is to kill  the human race, anything less than that and you lose. You must kill off all humanity. I’ve only won the game once on the easy setting, and trust me, it’s not a triumphant feeling.

Plague Inc. is a strategy title in which you take control of a deadly pathogen and, beginning with patient zero, attempt to spread the plague across the entire world and wipe out the human race — which does its best to adapt and stop you in your tracks at every turn.

You have to factor, not just where the disease begins, but how fast it travels, based on how its victims contract it, how the disease gets spread to different locations, and carefully calculate how fast it works on its victims bodies. You receive points on how effective your disease is, and you can use those points to buy specific attributes it, like new vectors, that can slow it down, or speed it up. If the disease kills its victims too fast, then it dies out before it can infect enough people. If it works on its victims too slowly, then the disease will be cured before it can infect enough people. What you want is a disease that spreads quickly, through as many vectors as possible, while leaving its patients alive just long enough that scientists don’t realize how fatal the disease is.

Horror movies base a lot of their plots off diseases, some of them pretty rare, and some of them entirely  fictional, but they all operate from the same basis. Diseases need to be spread somehow, and just like other living organisms, the virus or bacteria, or whatever the disease is based on, wants to survive and multiply, and can only do that by infecting as many people as possible. Horror movie diseases echo real world versions in that they need to have vectors.

 

28 Days Later (2002)/Train to Busan (2016)/World War Z

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These three movies are too similar in their depictions of zombification not to be compared. The only differences are that in 28 Days Later, the victims are still alive, and slowly starve to death, while in Train to Busan, the victims are the reanimated dead. The diseases are spread very much the same,with humans as the transport vector. and these diseases spread very quickly because the victims are fast, chasing and infecting, more victims.

Much like  Rabies, both diseases are spread through contact with infected saliva, like a bite, or interaction with bodily fluids. The diseases in the movies are spread so fast because the victims are compelled to seek out new hosts, and because it works on the body much faster than any known real life diseases, so its not very realistic in the depictions of the diseases themselves.These diseases work too fast on the bodies of the victims, but the vectors for them are realistic enough.

 

 

World War Z (2013)/The Invasion (2007)

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The vector for the zombification in World War Z is similar to the the one used in The Invasion, which is kind of a slick remake of The Invasion of the Bodysnatchers. The vector, in both cases, is humans, but one extra thing these two diseases have in common is how they react to the human body, in that a previous infection of some other disease, can render a person immune to the current one.

I think World War Z got this idea from the science of immunology.h I have it on good authority that that is not how  disease works in real life, and in World War Z,  it is more how predator/prey relationships sometimes work. In the real world, what would happen is one kind of disease suppressing one’s immune system, and  making a person vulnerable to other infections. One of the things that World War Z gets right, however are that boats and planes are two of the vectors for transport of the disease.

In The Invasion, the “disease’, which is really a kind of sentient virus, is passed via bodily fluids. The victims produce a milky saliva that they use to infect more victims, usually by adulterating beverages. This is another disease that spreads quickly, as the first victims are compelled to seek out more.  A person becomes a “podded” after they fall asleep, and a brief period in which the body tries to fight off the infection through other means, like a fever. In 1400’s England, there was a brief epidemic of something called The Sweating Sickness, that could kill a person within hours of infection. The name, and cause, of the diseases is still unknown, but it is similar to The Invasion, in that the victims suffer “night sweats” which coats their body in a gelatinous like “pod”.

Any … form of sensing the presence of infected prey, unless they just kind of know it preternaturally or something, would require methods we’re not currently aware of.

https://www.vulture.com/2013/06/biophysicist-assesses-world-war-z.html

 

The Stand – Stephen King (1978)

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The disease chronicled in The Stand is not fictional. It is very  real. Called the Superflu, it is spread the same way regular colds and flu is spread, with the only difference between it and the regular flu, is  that the Superflu was genetically modified to be a weapon. Scientists hardly needed to make a super version, as there have been several times that the flu has wiped out whole populations of people. There here have been several of these over the past 300 years. The last major Flu pandemic happened in 1918, called the Spanish Flu, it killed some 50 to 100 million people worldwide. Because the flu is easily transmitted,  it is capable of infecting a lot of people, without their knowledge. The description of the Superflu, or as its called in the book, Captain Trips, closely resembles descriptions of The Spanish Flu.

One of the most interesting chapters in King’s novel, chronicles the transmission of the disease from patient zero, to the rest of the population, illustrating the futility in trying to contain it. The disease travels just fast enough, and kills just slow enough, that no one realizes they have been infected, and are able to pass it along to many unknowingly, by touch. Just like the real flu Captain Trips is contagious before they show any symptoms, after which the disease is airborne, in infected droplets from  mucus.The only difference is that Captain Trips had a 100% mortality rate. If you caught it, you died.

The flu is transmitted through droplet, so if you catch it it’s because you have someone else’s spit in you. So if you do think you have the flu, you should wear a mask when you go outside. And if you refuse to get your flu shot, you should also wear a mask. Droplet range is about three feet. People can sneeze as far as 20 feet but about 3 feet is the contagious range.

That’s what made The Stand so scary. People would go through their days coughing and sneezing, thinking they were just suffering from a light head cold. But as they were going throughout their day, they were infecting everyone they had come across. And then a week later they were dead.

https://factandsciencefiction.com/the-flu-stephen-king-the-stand/

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The Black Death (2010)

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The tile of this movie is a reference to the  Bubonic Plague, AKA The Black Plague. In the mid 1300s, the Black Death was responsible for killing a third of Europe’s population, and parts of the Mediterranean and Africa. The disease still exists today, even here in the US. One of the vectors for Bubonic plague are rats, (and other small rodents), which carry the infected fleas, which can carry the disease quickly and quietly into populated areas. One of the other vectors is humanity. People infected with the plague are highly contagious, and can pass it on, much like the flu.

The bacteria that cause plague, Yersinia pestis, maintain their existence in a cycle involving rodents and their fleas. Plague occurs in rural and semi-rural areas of the western United States, primarily in semi-arid upland forests and grasslands where many types of rodent species can be involved. Many types of animals, such as rock squirrels, wood rats, ground squirrels, prairie dogs, chipmunks, mice, voles, and rabbits can be affected by plague. Wild carnivores can become infected by eating other infected animals.

https://www.cdc.gov/plague/transmission/index.html

 

Cabin Fever (2002)

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Just as in The Invasion , this disease can be passed on by human beings coming into contact with the bodily fluids of the infected.  In the movie, several college students come in contact with  water that’s been contaminated by an infected  body. As the disease progresses they begin to bleed profusely, and the skin begins to slough away. The basis for the disease in the movie is called necrotizing fasciitis,, aka Flesh Eating Bacteria. (I caution you to not Google images of this disease, unless you have a strong stomach. For the record,  it looks exactly like the disease in the movie.)

 If you have necrotizing fasciitis you have a life threatening condition that could spread to kill you within hours. Once you have it you can go from swollen calf to death’s door within a period of days.

https://www.popsci.com/scitech/article/2003-09/catching-cabin-fever/

 

Pontypool (2009)

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This is a unique and  interesting movie in that the vector of contamination here is speech. The use of certain words must be said and heard in a specific arrangement in English, which creates an infection that takes over the brain, and turns the victim into a living zombie.

The disease in the movie mimics some actual speech disorders, like “spasmodic dysphonia”, the speech disorder most famous for its use in the movie Us by Lupita Nyongo, who got into  some small  trouble for it.

“There are three stages to this virus. The first stage is you might begin to repeat a word. Something gets stuck. And usually it’s words that are terms of endearment like sweetheart or honey. The second stage is your language becomes scrambled and you can’t express yourself properly. The third stage you become so distraught at your condition that the only way out of the situation you feel, as an infected person, is to try and chew your way through the mouth of another person.”

https://longsworde.wordpress.com/2011/01/29/the-zombies-of-pontypool-language-as-a-virus/

 

Afflicted (2013)

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The basis for much of the mythology of vampirism is a disease  called Porphyria, a set of several inherited, blood disorders, that result in the body being unable to create hemoglobin. Some of the symptoms of  porphyria are paleness, lethargy, and extreme photsensitivity, all symptoms displayed by the character in the movie. Porphyria, however , is not infectious.

In The Afflicted,  Derek, begins to exhibit all the symptoms of vampirism, after an encounter with a pretty girl at a nightclub. He first exhibits flu like symptoms, before the disease is offset  by the other  symptoms of vamprism,  super strength, and speed. In the movies, vampirism is contagious through contact with saliva, in much the same way as rabies, to which it also bears a similarity. For example, animals with rabies often display “hydrophobia”, an aversion to water, which might have given rise to the belief, that vampires could not abide running water.

The different genetic variations that affect heme production give rise to different clinical presentations of porphyria — including one form that may be responsible for vampire folklore.

https://vector.childrenshospital.org/2017/09/gene-protoporphyria-blood-disorder/

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Rabies is a deadly virus that is transmitted to humans by the bite of an infected animal. Globally, it kills an estimated 59,000 people each year — that equates to almost one death every 9 minutes. Initial symptoms are only flu-like, but once they appear, rabies is almost always fatal.

https://www.medicalnewstoday.com/articles/321780.php

 

Slither (2006)

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The alien in this movie doesn’t resemble any kind of human disease, but it does resemble the actions of a particular fungus. The cordyceps fungus operates in much the same fashion as the alien in the movie: infect, zombify, repeat. In that way, the creature, also called The Long One,  grows to consume the life of an entire planet. The alien mimics the life cycle of cordyceps by controlling the hosts to infect more hosts, through the use of mobile spores, which look like worms.

The cordyceps fungus also infects an ant or other insect through spores. After the host is infected, it is instructed by the spores to climb to a high point, before more of the spores burst from its body, infecting the rest of the colony. In the movie, after a person is directly infected  by the primary host, their bodies are instructed to feed until they grow to enormous size, after which their bodies burst, releasing the spore-like worms.

After patient zero, Grant Grant, is infected by an initial spore (in the shape of a needle), he is instructed to feed, and impregnate more hosts. The alien takes on the intelligence level of its hosts, although it does have its own  memories, which are shared among its hosts, and  is specifically referenced, in the film, as a “Conscious Disease”.

Exploring Horror Movie Themes

Earlier, I talked about how, since most of the American Horror genre is run by White men, what we’re really getting is a glimpse into the minds of what scares straight, middle class, White men, and the themes they like to visit , and re-visit, over and over. These large scale patterns give us some idea what they consider to be important to have, or even to lose, and their close felt anxieties. Its not that other people don’t feel these anxieties, but these are movies told from a particular Western  male framework, while movies in other cultures  have a different set of tropes and patterns, that are reflective of the anxieties of those people.

Western style Horror movies are often about the loss of control, stability, and/or order, in that a status quo  is established at the beginning of the story, then some “thing” comes along to disrupt that status quo, a loss of control, and/or disorder soon follows, after which control and order is re-established, with the defeat of the disruption. The disruption could be anything from a comet (Night of the Comet) , to the return of a long lost brother, (Hellraiser), to malevolent frogs (Frogs), or zombies (Night of the Living Dead). This is white western men’s greatest fear: the disruption of the natural order from a malevolent other.

There are   few movies in which disorder wins, (The Mist), the status quo is not re-instated, (Dawn of the Dead), or there is the threat of more disorder at some point in the future, (Slither), but that too becomes part of the horror. Disorder often takes the form of “the Other”, usually a  monster, which is really just another version of death, something which is relentless, inevitable, and just like in the real world, deeply personal,  but usually the monster is just representative of change ,and a loss of order.

Here are some of the most common versions and themes about change, death, and disorder, found in Horror movies.

 

Grant Grant: Slither

Loss of Bodily Autonomy

Most of these films fall into the Body Horror category, where a person literally loses control of their body, and/or cannot stop what’s happening to it. In the movie Slither, a town is terrorized by an alien consciousness that proceeds to take over people’s bodies, using them for reproduction, food, and to grow itself. The top three horrors: extraterrestrial rape, being eaten, and the loss of bodily autonomy, are all covered in this movie, which encompasses every body horror film, from Invasion of the Bodysnatchers to The Thing

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Zombies: Train to Busan

Being Eaten

Being eaten is always a popular topic, and is a classic “status quo does not get restored” type of film. In such films, the world has been so horribly overturned, that nothing will ever be normal again, and even those who don’t become flesh eating zombies,  are forever changed. These types of movies are often not about the zombies themselves, but how regular citizens cope with the disruption of civilization.

There’s more to this type of movie than zombies, though, which always includes elements of  “being hunted”,  such as any film where people get eaten by animals (Jaws), aliens (Under the Skin), and yes,  non-zombie people, (Ravenous).

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The Xenomorph: Alien

Women

We can conclude, with the success of this entire series of movies, that men are deeply afraid of women.  The Alien films are an example of what psychologist,  Barbara Creed, called The Monstrous Feminine. One aspect of the Alien films which is not addressed in other monstrous feminine films, like Teeth, and Ginger Snaps, is the treatment of the male characters as non-consenting incubators, by the alien.

http://fourteeneastmag.com/index.php/2019/05/31/celebrating-the-monstrous-feminine-the-legacy-of-alien/

https://www.swantower.com/essays/craft/the-monstrous-feminine/

This type of film, where female bodies are coded as sinful, painful,  and symbols of death, and/or castration for men, are fairly numerous, and include movies like The Exorcist, Hereditary, The Brood, Teeth, Jennifer’s Body, and Ginger Snaps.

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The Pods: Invasion of the Bodysnatchers

Losing Yourself

I wrote about this in an earlier post about Invasion of the Body snatchers, about how the movie isn’t just about conformity, but the loss of one’s unique sense of self. All of the Invasion movie remakes have subtle themes outside of this, but it’s a thread that can be seen throughout all of them. This theme includes any number of movies where a person’s mind is taken over, or controlled, by some outside force, which includes movies like Upgrade, Get Out, Scanners, A Clockwork Orange, and The Manchurian Candidate.

https://tvgeekingout.wordpress.com/2018/06/26/invasion-of-the-bodysnatchers-1978-the-loss-of-self/

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Jack: The Shining

Family

That your home could become a source of pain and harm for you is also a very real fear illustrated in countless home invasion films, like Breaking In, Straw Dogs, Don’t Breathe, and The Strangers. But what if the danger doesn’t come from the outside, but is already living with you. What if the call is coming from inside the house?

Two of the biggest family themes in Horror is danger to the family, and danger from the family. The Shining is an example of both. Family is supposed to be the one group of people who  protect and nurture you. The fear that a family member might deliberately seek to cause you harm is what permeates The Shining. Jack engaged in domestic abuse (drinking and violence) long before he encountered the malevolent beings of the Overlook Hotel. The danger was always present. The  family’s isolated conditions, and the spirits in the hotel, just exacerbated it.

The danger from the family has been a common theme since The Shining’s release in 1980, in movies like Hereditary, The Amityville Horror, Hellraiser, and The Babadook.

https://www.playbuzz.com/roreyomalley10/21-things-people-get-completely-wrong-about-domestic-abuse

 

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What if the person who’s supposed to look after you became a threat, one that slowly isolates, intimidates, harms, and ultimately kills you? 

http://msenscene.com/2017/12/19/merry-scary-shining/

 

Seth Brundle: The Fly

Sickness

 

This fear is also closely tied to the fear of loss of bodily autonomy, as these are both fears that what is happening to one’s body is outside of one’s control. In the case of loss of autonomy, the fear is that an outside force controls your body, and is making it do disgusting, or abnormal things, like changing shape, or harming the people you love. In the fear of sickness, the fear is of one’s body going horribly wrong, or the body attacking itself from within, or just changing for some unknown reason.

That is a kind of fear that is seemingly universal. There’s not one person alive whose body has not undergone some change that they couldn’t understand, or which frightened them, starting with puberty, and this is especially true for women, becasue even when you know some change is going to occur, is occurring, the symptoms can still produce a great deal of anxiety.

In The Fly, Seth Brundle’s body starts to undergo changes he doesn’t understand, after an experiment in transporting objects goes horribly wrong. At first its a gift, and he feels wonderful, but we get the full immersion treatment of his emotions as his body begins to deteriorate. We experience his fear when he believes he has some form of cancer or leprosy, sadness when he realizes he is too far gone to ever be saved, the mordant humor of having his body parts drop off, and even that feeling of relief, when he discovers what’s happening to him. Anyone who has ever had a chronic/serious illness can resonate with Seth’s journey. His illness may be fictional, but the emotions evoked are all very real.

 

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 The Grey Widower: The Mist

Arachnophobia

I think this is a special category all its own, and I put this here becasue it happens to be one of my personal phobias. I don’t know what the cause of this particular phobia is, but I have experienced recurrent reinforcement of it over the years. Once when I was in college, I had a spider egg hatch in my bedroom, and I totally freaked the fuck out for three days. Luckily, I had friends who didn’t simply make fun of me, but took great efforts to calm my fears. Its been over twenty five years, and I still don’t think I ever fully recovered from that, judging by the number of times per year I have   bug bombed my house, in order to prevent just such a re-occurence.

Nevertheless, I will still watch movies about this particular phobia, and some of them have even become favorites, like The Mist,  Eight Legged Freaks, and my personal favorite, Big Ass Spider! And yeah, my all-time favorite superhero is indeed Spiderman. Obviously spiders and I have a complicated love/hate relationship.

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A phobia is a type of anxiety disorder that causes an individual to experience extreme, irrational fear about a situation, living creature, place, or object.

When a person has a phobia, they will often shape their lives to avoid what they consider to be dangerous. The imagined threat is greater than any actual threat posed by the cause of terror.

https://www.medicalnewstoday.com/articles/249347.php

Phobias are a really easy theme to make a horror movie from because the fear is already built into the movie. All you have to do is put your audience in a place where the phobia can have free reign. From clowns (Killer Klowns from Outer Space), to enclosed spaces (Buried), to snakes (Anaconda), all the film maker has to do is introduce the situation with the phobia, and you’ve got a scary movie.

 

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The Monster: It Follows

Growing Old

I talked about this movie’s monster at some length, discussing why the movies theme was about aging, and not necessarily the surface level theme of sexually transmitted disease.

This movie is not just about sexuality and STDs. That’s just a surface-level description, and the one most easily accessed by the viewer. Those  two subjects are merely the vehicles through which the meaning of the story is being imparted. The movie is actually about the existential fear of growing up, growing old, and death.

https://tvgeekingout.wordpress.com/2017/04/19/it-follows-2014-more-thoughts/

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He Who Kills: Trilogy of Terror

Being Hunted

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This is a theme closely related to being eaten, although being eaten is not always the result of a “hunt” movie. Most of these types of movies involve humans hunting other humans (Race with the Devil), or animals, (Jaws), but this nasty little short from the movie Trilogy of Terror has an altogether different goal, and involves a woman being chased through her home, by an avatar of the hunt, a killer doll called He Who Hunts.

This is also  another example of how some films can have multiple themes, as this is also a  home invasion movie, and we’re not about to get into the racial connotations behind the images of a pretty, urban, White woman being chased by a savage, nonsense chattering, black doll, who eventually possesses her.

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Non Western Film

The H-Man: The H-Men

The Unexpected

One of the other easy themes  featured in Horror movies is when people encounter the unexpected. Trilogy of Terror’s Prey is an example of this, as are movies like, Friday the 13th, Us, and Annihilation.

I debated whether or not to add this movie, for a long time, because this movie still scares the absolute chittering bejeezus out of me. I made the mistake of watching this late one night, a few years ago, and I kept on my room light for at least a week. That should have been a lesson to me, but I tried to watch this movie again, in broad daylight, and couldn’t even get past the opening credits. There is an enduring and deep level of  creepiness about this movie that isn’t like The Blob, where everybody knows something horrible is happening and then they all take steps to remedy the issue.

This is a Japanese horror movie, and it’s a perfect example of what I meant about foreign horror movies having very different goals in their themes beyond the disruption of the natural order. Order and stability are not restored at the end of this movie by the killing of the monster. The goal here seems to be understanding what happened.  In fact, it is posited in the film that what has happened is part of the natural evolution of humanity, which gives it a close thematic resemblance to the 1988 movie Akira.

. In this movie, none of the characters are at all aware that anything untoward is happening until its far too late. I think the creepiness  factor is that the characters are all engaged in their rather sordid, but  mundane, criminal activities, until they unexpectedly encounter one of these blob men, walking around in a room, or office,  which promptly eats them. In some cases, the victims are unaware of its presence, or can see it, but don’t know what it is. And what’s even worse, these creatures are not entirely unaware of what they are, as they actively strategize to kill some, while deliberately skipping others, and may not actually be malevolent.

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The H-Man rates as one of the most genuinely frightening Japanese horror films of the 1950s. When a minor-league drug runner completely vanishes, leaving only his clothes behind, detective Tominaga (Akihiko Hirata) investigates. Along the way, Tominaga makes the acquaintance of scientist Masada (Kenji Sahara), who theorizes that the missing doper was melted into a liquid “H-Man” as a result of being exposed to nuclear radiation. Sure enough, the H-Man soon resurfaces, seeking out victims to “dissolve” so that he can continue to survive. 
 https://www.allmovie.com/movie/the-h-man-v21230#OYzMaYBVpgL7kGcx.99

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Oh hey! Its October, AKA Halloween Month, so expect lots more scary essays and posts for the rest of this month!

 

The Git Up challenge

Yeah, this song is incredibly catchy!

I’m always late to these things. Apparently, this was some hot thing that was happening this Summer, thanks to Blanco Brown’s hit song The Git up. He issued something called The Git Up Challenge, and well, it took off from there. This mostly appears to be a Western or Southern thing, as I haven’t heard anyone talking about it up here in the Northeast really. Its not  just a teen thing either, because I’ve seen grown ass men and women taking this challenge which is fun, and wholesome, and sorely needed right now.

 

That’s another thing I found interesting about these videos. All the young people have a mixed bag of friends of all different races, and I found that encouraging. This is what’s called Generation Z, I guess. these kids are my nice’s age. She’s 14, now. These kids are the future, and I just love to see them having a carefree time, and making the kinds of memories they’ll look back on with a cringe and a grimace, when they’re my age. Also, are mismatched sneakers a thing, now? Not that I intend to engage, because some things should just be left for younger people to live, but I didn’t know that was a thing the younguns were doing, (although I knew about the mismatched socks thing from my niece. She never even considers wearing matching socks.)

I was also encouraged by all the different types of people who participated in the challenge, everyone from small kids to seniors. The song really does seem to be universally loved!

A lot of people decided to do a Line Dance version of the challenge, which is entirely in keeping with Black culture. Black people will Line Dance anywhere. We’ll probably Line Dance at the Apocalypse, and if you’ve never joined in The Electric Slide at a family reunion, then you have not been living right!

I was a little less enthused about all the cops who love this song, and I avoided a lot of their videos,  but a couple of them were very enjoyable. Like this guy. The twerking just killed me. I was dead! I don’t actually think the song was calling for twerking , but each person interpreted the song their own way ,and brought their own thing to it, and he thought of twerking, so…

Also, I  kept getting distracted by  the thought that the police were supposed to be working not twerking.

 

This is one of my favorite ones. I just wanted to post this, because I’m feeling good this week, what with our coming impeachment of the president, and I thought I’d share some good feelings. These videos just made me smile, and they’re a fascinating glimpse into  the everyday lives of average Americans.

What I Watched In September

I haven’t been very diligent in my television viewing the past few weeks. These shows are what I was able to get through in September. What with the glut of  genre programming, I’ve gotten a lot pickier about what I watch the past few years. There are some shows, I thought I’d be interested in, but after watching a bit,, I lost interest. There are a few I barely got thirty minutes into, before getting tired of the premise, like The Dark Crystal. This was a show I was initially excited about, but once it came time to sit down and watch it, I just didn’t fee like making the emotional investment, no matter how shallow. Of the shows below, I at least managed to get through an entire episode.

 

Carnival Row

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Well, first  of all, the show is gorgeous, but ultimately, I probably will not finish the show because I got really tired of looking at the lead actress’ face looking all sad. She just glowers through the entire show, and we spend far too much time looking at the same facial expression, sometimes for minutes at a time. You know what would be radical? If she smiled. But I don’t believe that actress knows how to do that, because I have never seen her do it. Ever!

On the other hand , it’s fascinating to watch Legolas be a human detective. He glowers a lot too, but he looks more handsome doing it, and he has the exxcuse of looking at mangled bodies all the time. The show does have some other bothersome shit in it, like the fact that there is one, light skinned, woman of color in the show, and she is a one of the Fae, and a sex worker. There is one Black man in the show, and he is a rich,  aristocratic, Fae, who has decided to woo a regular human/White woman, who is a kind of fairy bigot.

Its’ obvious that the Fae are stand-ins for people of color, and the situation on the show is an echo of our current immigration system. For the record, this show takes place in an alternate universe, where certain things in history didn’t happen, like slavery (I think), and magic works, and multiverse travel is a thing. The Fae in the show are all from a parallel universe, which is at war with  some human looking invaders. They are flooding into the current universe as refugees, along with some type of monster, that’s preying on Fae homeless and streetwalkers, while Detective Legolas is on the case.

There’s also a frustrated romance,  which I wasn’t too interested in, between Legolas and the lead character, but I will tolerate it, I guess, but just wasn’t buying the relationship. The two actors have no chemistry at all, and all their drama was unconvincing, but then I haven’t seen anyone that that particular actress (I think her name is Carla Delevigne) has ever had chemistry with. Maybe she’s just a bad actress? I don’t know. I want to like her ,and she is very pretty, but I’ve never liked her in anything I’ve watched her in. What she does have is intensity, and gravity ,and I wish she would choose the kind of roles that better highlight those qualities.

There are parts of the show which are fascinating, like the worldbuilding. I’ve also been told by a friend of mine, that I trust, that the show does get better as the season moves forward. And let me say it again, the show is absolutely gorgeous, to look at. I want to dislike the show, but I can’t, because I’m a ‘ho for a pretty show. I don;t know. Maybe I will finish it.

 

 

Titans

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I started the first episode of season two, and it took a minute for me to be impressed. The last episode, Raven brought her father, the demon Trigon, to Earth and asked him to resurrect Garth, in exchange for her soul or something. Outside her house, the rest of the team were trying to figure out a way to get inside and save her, and they do manage to get inside, but one by one, they all succumb to the worst part of their egos, and Trigon takes over their bodies, or something, and they turn all black-eyed and evil. Trigon gets defeated by Raven, and she absorbs his powers or something, and that frees the others from his influence. Or something. Honestly, I really don’t care about the plot,  which is pretty pedestrian for these types of shows.

But I am interested in the individual characters, and their  relationships to one another, because I find them fascinating, for different reasons. This is one of the reasons behind my love of ensemble shows and movies. Last season, it was the relationships I saw developing between Garth and Raven, and Dick and Kory, that captured my attention. Donna Troy, also known as Wonder Girl (Wonder Woman’s little sister) was introduced at the tail end of the season, and I like the relationship I see developing between her and Kory/ Both of them are close friends of Dick Grayson, and I  wonder how that works. There’s still never enough Garth, who turned out to be my absolute favorite of last season. I’m still indifferent to Raven, even though I loved her in the comic books.

I’m still not a fan of Hawk and Dove. I just think they are the two least interesting characters in the entire show, and I wish so much time was not devoted to them. On the other hand, I would love to see more of Jason Todd’s bratty Robin, and his conflict with the elder Robin, now Nightwing. Bruce Wayne makes a cameo too, but I don’t know that actor, and I found it difficult to wrap my head around the idea that that was Batman.

I plan to finish up the rest of the season, in time, because there will be lots of nice cameos, including Cyborg, who is now starring in Doom Patrol. New shows air on Thursdays, on the DCEU streaming app.

 

 

American Horror Story 1984

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This season is built on a number of slasher movie tropes, all of which should be instantly familiar to anyone who watches Horror movies. A lot of slasher movies get referenced, like Friday the 13th, Halloween, and Cabin in the Woods. It contains the usual cast of characters that make up such movies, where the basic plot is introducing a group of unlikable people to an environment they can’t escape, and dropping a monster into it. But the show also interposes real life serial killer Richard Ramirez into the plot in a big way.

Brooke is the virginal/ good girl, who meets the slut archetype, named Montana or Monique, or something, in aerobics class, along with the handsome pretty boy, the dumb and angry jock, and the token negro, named, naturally, Ray. Those were the only names I got out of this episode. I will be watching more of this show because it does seem like the season will be fun, and since this is Ryan Murphy, I know that its going to get more and more batshit as the season progresses. It certainly seems like more fun then the rather gloomy last season. Perhaps I will actually remember some names by the third episode.

This group of barely likable/unlikable people (I have decided that I like Brook) decide to become camp counselors for the Summer, to get away from  Richard Ramirez, The Night Stalker, who went on a house invasion/killing spree of  the women in LA at that time, for …Satan. I guess.

The night before they are set to leave, Brooke is actually attacked by him, and survives, although he threatens to get her later. On their way to the camp they hit a traveler on the road, and take the severely injured man to the camp with them. I do have an objection to the addition of Ramirez to the show because I think it glorifies, real life killers, and his deeds, which were truly atrocious. He shot, bludgeoned, and  even macheted his victims. I feel like the show will run into the same problems, with this character, that Netflix did when it showcased Ted Bundy, in a couple of dramatic documentaries. But then that seems to be the risk anytime television references serial killers. There will be a contingent of people who glorify and empathize with the killers.

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Once they get there, the camp owner turns out to be a deeply religious evangelistic woman, who expects them all to abstain from sex. It turns out, like Brooke, she is the survivor of a serial killer massacre, at the camp, when she was a child. Her survival is the reason behind her religious fervor. The guy who killed her camp mates, (named Mr. Jingles), escapes from the asylum, where he was kept, and hheads to the camp too. So you’ve got a head on collision of various killers, an injured stranger, religious extremism, and horny young people.

I know I was a little dubious about watching this because the fashions and music are every bit as annoying as I remember, (even though I generally like 80s Pop culture). However, it was nice to hear Salt N Pepa, or some Whitney Houston, because usually, when White people remember any pop culture after the 70s. they never seem to remember the existence of Black culture, and/or music of that time. I mean how the hell do you forget the existence of Prince? At least I think I heard this music, and if I did, then its a bit anachronistic, since neither one of them produced albums until 1988, and 1985, and I thought the show was only referencing music from 1984.

Anyway, the second episode has already aired, and it looks like fun. I’m not necessarily a fan of serial killer movies, but I have watched my share of them, and I do have at least a couple of favorites, so I’m looking forward to seeing references to them, at some point in the season. Also, I remember studying Ramirez in college. (By studying, I mean that I read a lot of books about serial killers and profiling, because apparently, that’s a phase that a lot of autodidacts go through.)

 

 

Prodigal Son

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Speaking of serial killers, there’s this thing. I’m not exactly sure what to call it, since it wants to be a whole lot of different shows. I want to like this  because  of the vibes I’m getting off the actors, but its hard, because everyone acts like they are all in a different show, and there is an unusual comedy aspect that keeps cropping up at odd moments. The show cannot seem to make up its mind if it wants to be a comedy, a drama, a detective show, or a buddy cop show, but is only doing one of those things well. Guess which one.

The show stars Michael Sheen (Woohoo!!!!) as a serial killer who has been caught and jailed. He has a strong relationship with his son, played by Tom Payne, who looks vaguely familiar (He played Jesus in The Walking Dead. I’m glad to see hie’s still working.) and yeah, he’s kinda cute. The lead character’s family was torn apart when his father was discovered to be a serial killer, after which he decided to study serial killers as an agent of the FBI, while using his father as a resource. The two of them eventually have a falling out (which we don’t get to see in this episode) and he doesn’t see his father for ten years. After being fired from the FBI, for being reckless, he becomes  a New York city detective, and he has to see his father, to solve a case where the killer is copying his father’s crimes.

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Now, I really want to like the show for the characters, but like I said, they all act like they are in different shows. The lead character has a mother and a sister. His mother is essentially useless, as a character who thinks she is in a soap opera, while his sister thinks she’s in a teen dramedy, even though she is not a teenager. The coroner, a cute, and  tiny, older Asian woman, acts like she is in a completely different, yet zanier, comedy, and she is obviously attracted to the lead character. There’s a very young Black woman detective, who is obviously supposed to be a future love interest, and who acts like she is in a police procedural, and Lou Diamond Phillips is also present, but thinks he is in a buddy cop movie.  You know what the show could do to change things up a bit, have a romance develop between the older woman coroner, and the lead character. I happen to like that pairing, and they  actually seem to  have chemistry. It could also tone down some of the comedic aspects too. Michael Sheen should be the only funny person on the show.

This show caught me by surprise. It wasn’t on my list and I caught it by accident. I was  intrigued because of the dynamic of a father who is a serial killer, who intensely loves his son. Michael Sheen is superb in the role of course, appearing to be warm and genial, while giving off just enough off-kilter vibes, to seem menacing. Plus there are  the Hannibal the series vibes I’m getting, as both shows are about the intense relationships that develop between a serial killer, and another man, close to him, whose trying not to get roped into madness. I think I’m gonna stick around for a little bit and see where this goes. I generally don’t watch cop shows, or network broadcast television, but it is Michael Sheen, and Tom Payne is just really, really, cute.

 

 

Treadstone (Preview)

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One of the creators of this show is Tim Kring, and I trust him with this show because he at least has some experience working with an ensemble cast, on a global scale, having been one of the creators on the series, Heroes. This show is based on the Bourne franchise, which is based on the Bourne books, and is about the clandestine organization that created Jason.

In the first episode, we ‘re mostly just meeting the primary characters, three sleeper assassins, called Cicadas in the show, who awaken to their special skills with no knowledge of their former selves. Some White guy in Alaska, another White man, being held hostage by the Russians, and a Korean piano teacher. We also meet a Black woman journalist, who is set on uncovering the  purpose behind Treadstone and the Cicadas, by a Korean defector.

I really enjoyed the action scenes, which are smart and well shot. These are people who know how to shoot acceptable action scenes. The show follows the protocol of the movies, by respecting the female characters, and giving them plenty to do. They are smart, capable, and know how to kick ass as well as any of the men, giving as good as they get. One of the major set pieces of the episode is the Korean piano teacher, duking it out with the Korean defector. It’s not simply a good action scene, it has a story in it, with suspenseful moments. There are a few things that seem farfetched but I’m willing to let those things slide because the Bourne franchise has moments like that too.

I think I’ll stick around for this show, which doesn’t actually air until October 15th, because this was a free preview. It’s not too emotionally heavy, and it has just enough intrigue and action to be interesting.

 

PS: Sunday Night was the final episode for the Preacher series. I’ve been watching this crazy-as-shit show, off and on, for about three seasons, so I’ll be reviewing the finale sometime in October.

It Came Out Of My Pocket

Here’s a short collection of articles I saved in Pocket. There’s definitely a theme to the stuff I collect there, and that’s gonna be reflected here. Now, I usually post things on Fridays, but its that time of year again where I get really, really, tired, very easily, and all I can think about is going to sleep. I call it post-seasonal malaise. (I think doctors call it SAD, or Seasonal Affective Disorder.) Well, anyway, I’m gonna soldier through it (while trying to get more sunlight.)

 

The Clapback Mailbag

If you have not read any of these, you need to get over to The Root and catch up. Michael Harriott is hilarious even on his worse days, but he shines when discussing issues of race. He is the only writer who can make me laugh about racism every time. The Clapback mailbag is posted every Friday.

https://www.theroot.com/the-root-s-clapback-mailbag-with-friends-like-these-1838540363

 

 

The Best Of Hannibal

I actually agreed with the choices in this article. These are some of my favorite episodes, but I would pick more than five though, as there are 39 episodes, in three seasons, to choose from.

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https://bloody-disgusting.com/editorials/3576484/revisiting-five-best-episodes-nbcs-hannibal/

 

 

 

The Greta Thunberg Helpline

The last thing I posted was about Greta Thunberg, the young girl who has White men in a bit of a tizzy. This is the funniest thing I’ve seen regarding the entire issue, which of course, is not remotely funny.

 

 

 

Can Black Women Be Introverts

It appears that I simply enjoy being contrary,  doing and being everything that’s against society’s mainstream rules. I’m a woman in a society that preferences men. I’m fat in a culture that prefers women be thin. I’m Black in a White supremacist culture. I’m an introvert in a society that prizes extroversion. I’m left handed in a society that prizes right handedness. I have hobbies, I’m not supposed to have, I love music I’m not supposed to listen to, I’m a nerd who likes Science Fiction and math, and a geek who likes to draw superheroes.

According to the American society I’m not supposed to be doing any of that stuff.

Well, that’s too bad, because I mean to go on, as I began.

https://www.bese.com/black-women-arent-allowed-to-be-introverted/

 

 

On Octavia Butler 

Butler talked about the overwhelming Whiteness of the Science Fiction genre waaay back in 1980.

Once again, I did things in the most contrary manner possible, as I did not come by my interest in Science fiction and Fantasy through reading the works of Tolkien and Heinlein, like most people did. I found my way into SciFi by way of Stephen King, and the Horror genre, having started that journey with women authors, like Octavia  Butler, and James Tiptree. Since I didn’t get into SciFi by reading White men, I tend to think of these men  differently than a lot of SciFi fans.

https://garage.vice.com/en_us/article/d3ekbm/octavia-butler

 

 

 

Black Time Travelers Fall Short

I would love to see some Black time travel stories where the person truly changes the course of long history, like stopping slavery, or helping some tribe win a war. Its funny, but every time I see Black time travel story, its usually them trying to save  a life, rather than the usual time travel question of who  should be killed, and I wonder if that’s some type of racial thing, because there are a million different ways to change history that do not involve killing someone. And I have never seen stories, at least not the ones written by White people, that ever seek to overturn the truly big events of events of history, beyond the Holocaust. I mean why not stop Christopher Columbus, or disrupt the slave trade?

Here Sherronda Brown talks about how she would love to see time travel stories that destroy the status quo.

http://blackyouthproject.com/i-want-black-time-travelers-to-be-a-threat-to-the-status-quo/

 

Yasuke: The Black Samurai

We’re supposed to be getting a movie about this soon starring Chadwick Bozeman. Ive been fascinated by Samurai since I was a teenager. I will watch any movie that has samurai in it, and I will definitely see this, if it ever gets made. In the meantime, there’s a couple of books on the topic that I’m looking forward to reading.

 

 

There’s already a book on Yasuke’s time in Japan:

 

An interview with the author of African Samurai Tim Lockley:

 

And here’s a short fictional film about a young girl who finds out that she is Yasuke’s great, great grandaughter. I would love to see this done on a larger scale.