MORE THAN A STEREOTYPE
04.01.16 1:08 AM ET
Not Your Asian Ninja: How the Marvel Cinematic Universe Keeps Failing Asian-Americans
This episode is very Elektra heavy, as it chronicles how the two of them met, and why she left him the first time. I tried really, really hard to like this character and finally concluded that she’s not meant to be likable. Let me be blunt here: Elektra is an asshole. She’s everything I hate in a female character and she even displayed a couple of new qualities I detested.
Anyway Matt, who evinces about as much personality as a hedgehog, in the flashback scenes, is totally smitten with her because she’s a risk taker, who loves danger. I don’t mean jaywalking, or sticking a fork in the toaster type danger. I’m talking about stealing cars and beating each other up as foreplay danger. The two of them have less chemistry than Matt and Karen though, no matter how much heavy breathing she and Matt engage in. (And Elektra does that breathless talking thing, a lot!) Don’t get me wrong, Elodi Young, as Elektra, is abso-tively gorgeous and her martial arts moves are adequate, but I hate the character. I’m not sure if its the acting, or the horrible dialogue, though. Elodi acts like she’s in a series that’s waaay sexier than the one in which she’s currently starring.
Anyway most of the episode is spent in flashback, as we see Elektra and Matt meet, fight, steal cars, make love, and then the deal-breaker for Matt, breaking into the house of the mobster, (now in hiding), who ordered the death of his father, so Matt can torture and kill him. Matt’s perfectly willing to vandalize the man’s house and beat him up, but killing is going too far, and he declines her invitation to commit murder. Elektra promptly walks out on him. No, really! She acts extremely gleeful about him killing a man, looks completely unhinged while encouraging him to do it, and when he says no to her, she just walks out of the scene.
Ah yeah, incidentally, I’m not impressed by love scenes where the characters grope each other like rabid hamsters. I think that type of acting is meant to convey how they just cant keep their hands off each other, and are in some kind of “people heat”, but I mostly find that kind of shit deeply annoying. (A better love scene would be Richonne’s first, from The Walking Dead.)
I thought, surely, there was a way they could have made Elektra look less batshit, but the writers decided not to go that route, I guess, in favor of making her seem like a version of “My Crazy Ex-Girlfriend”!
(Otoh: The fight scene where Elektra and Matt meet-cute is still a thousand times better than the movie version, between Affleck and Garner.)
Back in the present day, there’s some shady business dealings she wants to hire Matt to help her with that involve the Roxxon Oil Corporation and the Yakuza. Once again, Matt has to tell her “no”, but he is willing to spy on her to find out her true reason for coming to NY. There’s some computer hacking involved, and when her business partners discover her involvement, they hire thugs to visit her apartment, where she and Matt are waiting to kick their ass. Matt is there because Elektra has been spying on him too and knowing about his nigh-time activities as Daredevil, stole his suit.
Oh, yeah. Karen and Matt go out on one of the most awkward dates ever. Awkward and gaudy. This scene hurt my eyeballs.
This episode is mostly about some courtroom type stuff involving Frank Castle, and Matt and Elektra breaking into a building owned by the Yakuza to steal a book. Every step of the way Matt could make different choices but doesn’t. He is seemingly unable to stay away from Elektra and her exciting world of physical danger, even though he keeps saying he wants nothing to do with her.
Karen develops a rapport wit Frank Castle as his trial begins. Reyes, the DA, wants the death penalty but Murdock and Assoc. decide they will represent Frank in court, and perhaps they can unearth exactly what’s wrong with Frank, why his family was killed and what Reyes has to do with any of it. Karen visits Frank’s home. He hasn’t visited his home since his family died.
Matt interrupts his court case to run off with Elektra and attend a party, break into a vault and steal a book. So not only is he keeping his Daredevil life a secret from Karen, he’s keeping Elektra a secret too. This is not going to end well. Foggy is mortified at having to take on Reyes, by himself, and for the second time they fight about Matt’s extracurricular activities. This appears to be a theme this season. Apparently, Foggy has had enough of this shit.
Things come to a head when Matt reveals his night-time activities with Elektra is what’s distracting him from his court case. Foggy and Karen let him have it about his irresponsible behavior, and their relationships become strained. As Matt neglects his duties in The Punisher court case, Foggy ends up having to do all the work, including the opening statements, which he hadn’t planned.
Matt and Elektra are still running around getting into fights with the Yakuza. These fight scenes were a lot of fun and definitely reminded me of scenes from the books, where Matt fights against dozens of ninja assailants. But for some reason I couldn’t enjoy them too much because these scenes are interspersed with scenes of Foggy, hard at work, trying to save Frank Castle from life imprisonment. I kept thinking about all the work Matt was neglecting because he prefers beating people up at night. Ah yeah, Elektra is in there somewhere, and she gets wounded.
Incidentally, a lot of the fight scenes are filmed in so much darkness that I have no clue about Elektra’s fighting style. I’m used to watching Matt fight and Charlie Cox is always spectacular, but couldn’t get a clear picture of what Elodi Young was doing and hence don’t really remember how she fights. Sadly, the most memorable thing about her is her looks.
I have no idea exactly what Elektra and Matt are trying to accomplish in their endless fighting with the Yakuza, either, as its somewhat murky. Its hard for me to really care about the fight scenes because I’m not entirely sure what all the fighting is about beyond simply fighting. What do the two of them stand for?
I also don’t like Elektra because she is a distraction from his day to day life, and Foggy rightfully calls him on it. I also suspect she has ulterior motives beyond the reasons she states for showing up in NY and enlisting Matt’s aid. She doesn’t need Matt’s help to do any of the things they’ve been doing, and why now?
If you pay close attention, you can see that Daredevil is a distinct personality, that is mostly separate from Matt Murdock, the lawyer, but you can also see elements of Daredevil’s personality bleeding into Matt’s everyday life. Wonderful acting on Charlie Cox’s part here.
Guilty as Sin:
So all is revealed as Matt and Elektra are attacked by ninjas, Elektra is wounded by a poisoned sword, and then saved by Stick, Matt’s teacher and mentor. It turns out that Elektra does have ulterior motives for getting Matt into all these endless fight scenes. She works for Stick and has been assessing Matt’s preparedness to join in Stick’s ongoing war against The Hand.
Matt emphatically states that she and Stick are insane and he’s not joining their little war. He and Stick argue, and Matt kicks Stick out of his home, but not before Karen has a chance to stop by and catch Elektra recuperating in Matt’s bed. Welp! I saw that coming!
Matt does agree to take Elektra back if she leaves Stick alone. Elektra goes to Stick and tells him she’s leaving him for Matt. Before they can go through with any of their plans, they’re attacked by an assassin, who is little more than a child. Matt stops just short of killing him, but Elektra, impulsively slits the boy’s throat, while a horrified Matt watches. The first time they had a falling out it was because Matt wouldn’t kill. Til now, he’s been in control of their relationship, and encouraging her not to kill in their many fights. This time their falling out will be because Matt won’t accept her killing people.
He really is a stickler about that sort of thing, even though it strikes me as a bit hypocritical. Beating the crap out of people, breaking their bodies, terrorizing and torturing them for information, is all okay, but he has to draw the line at killing, because life is precious, or something.
Yeah, okay Matt. But it would be nice if he could draw the line at committing violence. This isn’t arguing about self defense. Going out and violently inserting himself into situations is something he chooses to do, outside the law, every night. And he thinks it’s okay to do these things because nobody’s dead by his hand.
Murdock and Associates lose their court case when Frank takes the stand and purposely blows his own defense. Frank continues to be a puzzle to me. Every time Foggy and Karen try to mount a defense for him, he either deliberately blows it, or refuses to abide by it. Its like he wants to go to prison. I suppose I could see that. After all, he won’t have to look so hard to find the bad guys and he can beat up as many as he wants.
Foggy blames Matt for their courtroom loss, and Karen ain’t too happy with him, either. Frank goes to jail, where he is led to a meeting with The Kingpin. (Its nice to see D’onofrio again being his usual excellent self.)
So, we’re a little over halfway through the season and things are moving apace. There are some parts of the narrative I really just don’t find very interesting. Or rather, they’re not as interesting as I thought they’d be. One of those plot lines is the one about The Hand. I liked the fight scenes well enough. They’re very exciting but I didn’t care very much about them because they just seem like fight scenes added to have action and with no particular meaning.
But maybe that is the point, to show Matt engaging in pointless action for action’s sake. Nothing gets resolved, no one’s life is saved, he and Elektra aren’t fighting FOR any philosophy. His fight scenes with her are essentially meaningless, so maybe that means his relationship with her is essentially meaningless, too. The fighting didn’t become interesting until Stick showed up (or maybe I was just excited to see Scott Glenn).
I’m bored with the Frank Castle/ DA Reyes intrigue, probably because much of it consists of Karen reading, and rustling papers, or sitting and writing notes, although I like the dynamic that was created between her and Frank. She doesn’t let him bully her and stands her ground with him when he tries to push her away, and I like that. She’s determined to help him. She’s also dealing with the emotional aftermath of killing Wilson Fisk’s Majordomo last season, after he had her kidnapped, and I’m glad the show hasn’t forgotten what happened the previous season.
I’ve developed an amazing respect for Foggy, and Eldon Henson, the actor who plays him. Foggy is a much better lawyer than he thinks he is. I also like that he’s pushing Matt to make a decision about what he wants do with his life. Does Matt want to abide by the law, or be a vigilante, like Frank? Foggy’s argument is that Matt cannot serve two masters, or rather, serve one master, badly.
We’ll see how this all plays out in the last five episodes.
This recap is for episodes 1-4 of season two of Daredevil, titled, in order: Bang; Dogs to a Gunfight; New York’s Finest; and Penny and Dime.
Season Two of Daredevil is probably one of the hottest tickets in town right now. You can find reviews of it everywhere. I don’t normally review things that everyone else is reviewing. I do on occasion, because I watch these shows too, but I like to find those shows that no one is paying a whole lot of attention to, or shows that people might not have access too, like the ones on PlayStation, Netflix, or certain movie channels.
So, yes, I have been watching the new season of Daredevil. I don’t want to do a play by play recap but I will list some highlights of the first four episodes.
Mostly of the first episodes are devoted to the The Punisher storyline. I know some of the ladies who read my blog don’t necessarily read comic books, and have no idea who The Punisher is, so some background may be in order. The Punisher is a guy named Frank Castle, who has decided to kill as many criminal organizations and people as physically possible, and that’s a hell of a lot.
Its the cliche movie plot about a guy who loses his wife and daughter and decides to take revenge on the men he thinks are responsible. As a general rule, he avoids killing innocents, but he is not above a certain amount of carelessness in killing them too. It’s your typical “fridging” of women in order to spur one man to kill more men.
Frank, is excellently played by Jon Bernthal. I fell in love with him as Shane in The Walking Dead. Yeah, Shane was an asshole, but I loved the actor anyway. Here, he’s playing another asshole, but he’s an understandable one, kind of. The benefit of a story that takes five hours is that you can spend an entire episode just getting to know one character, as they get a chance to espouse their philosophy.
The creators of Daredevil are extremely good at fleshing out their villains. They did it with Kingpin last season, Killgrave in Jessica Jones, and they do the same thing for humanizing Frank in this show. You still don’t like the villains overmuch, but at least their motives can be understood. They’re not one-dimensional, mustache twirling, laughers, impressed by their evilness.
There’s an amount of professional lawyerly intrigue going on between Foggy, Karen and a corrupt DA named Reyes, which I didn’t follow nearly as closely as I followed the fight scenes. Foggy gets some of the best lines in the series, when he goes toe to toe with Reyes, who tries to sweat him about keeping one of their clients, who is the only man to survive one of The Punisher’s assaults.
Daredevil spends most of the first half of the season investigating who is massacreing all the local gangs, including the Irish mafia, and a local biker gang, from whom they just got their latest client, who wishes to go straight now. Daredevil has also been attacking gangs in the city but he doesn’t kill them, and he and Frank are in competition. Matt objects to the killings because, like a good Catholic boy, he believes everyone deserves a chance for redemption, including his new client.
The first couple of times he and Frank meet, it’s a draw, but Matt gets shot, which results in a brief bout of deafness later in his apartment. The show is giving us some idea of just how incredibly important Matt’s sense of hearing is for connecting him to the world. He is completely unable to do anything but sit in one spot, and hope his hearing comes back, which it eventually does. This was fascinating to watch actually. Our senses connect us to the world. If they’re lost, or become unreliable, how do we even know anything at all? He’s certainly not going to be able to fight crime while deaf and blind.
We have seen a tougher, more ruthless, Matt Murdock in these opening episodes. Again, Charlie Cox, while very pleasant as Matt, saves most of his energy for being Daredevil. He and Foggy argue about vigilantism at the top of the show,as Foggy urges him to stop. Karen still doesn’t know what’s going on, but she’s not stupid, and can see that something is happening. Matt may be blind but there’s only so many times blind people can fall down stairs, or bump into things, is her reasoning.
The survivor of Frank’s attack on the bikers is in the hospital but Frank won’t let it go. He hunts him down and tries to kill him, putting Karen’s life and the lives of the nurses, doctors and patients in jeopardy, as he shoots up the hospital. Karen manages to speed away with her client in tow. We get some brief Night Nurse action between Foggy and Claire, as he questions her about Matt’s whereabouts, after his kidnapping by Frank. We don’t get to see nearly enough of her, but maybe there’s more in the next few episodes.
When DA Reyes crafts a plan to draw Frank into a trap, (using the survivor from his attack on the bikers), to capture him in an effort to further her career, Foggy objects. Daredevil catches up with Frank during the trap. They both get shot by snipers during a fight on a rooftop. I loved this fight,but then I’m a sucker for rainy fight scenes. I don’t know why. I liked all the fight scenes, though. They’re not as good as the fight scenes from first season but only because some of the novelty is gone. The fights themselves are as wild and messy as they always were, especially one of the first scenes Matt has with the biker gang, in some constricting hallways, which seems to last forever.
The Punisher spirits Matt away to another rooftop and ties him up. They have a long philosophical conversation about killing people. Matt, as a lawyer, insists that criminals should be brought to justice, unaware that some people could see what he’s doing as being self serving, because who are these criminals going to call on to help them in court. Thats right! Pro bono lawyers, like himself. Of course, since Matt has redeemed more than a few lost souls this way, he firmly believes in it. He’s had experiences with criminals that Frank hasn’t had and that’s what informs his opinion of them as just people.
Frank’s philosophy is that there is no redemption for such creatures, they are evil, and should all die. After all, killing them will absolutely insure they will never commit another crime. This is sort of the same argument that is had in the DC Graphic Novel Kingdom Come storyline. (If you haven’t read it, you should check it out for the artwork alone, as it’s gorgeous.) This is also part of the argument from Jessica Jones series when the characters discuss killing Killgrave. Maybe this will be a theme throughout Netflix’s Marvel Universe.
At one point Frank tries to get Matt to kill his one client. He gives him a loaded gun and tells Matt that if Matt doesn’t shoot him, he will. This doesn’t work for me for two reasons. Frank had to have known, after their discussion, that Matt wouldn’t shoot anyone, including him, otherwise why give him a loaded weapon. Matt shoots himself free and attacks but Frank gets away.
Frank gets captured in the park by the family members of the Irish mafia he attacked at the top of the show. He also stole their money, which is primarily what they seem to be interested in, rather than familial revenge. But stealing their money was just a ruse to draw them to him. It’s booby trapped to blow them up.
They kidnap him and take him to their, I don’t want to say lair, but that is what it looks like. He tells them where their money is, after some amount of torture, including threatening a dog he’d rescued from them earlier. There’s people dying all over this show but I’m deeply concerned about the dog. I don’t like to watch animals get killed, but people are fine, I guess.
Matt swoops in to rescue Frank after learning his whereabouts and the two of them team up to take out Frank’s kidnappers, which was a lot of fun to watch. I don’t like it when my favorite superheroes beat each other up in the comic books. (That won’t stop me from watching the new Captain America movie, though.) I much prefer it when they team up on the bad guys. Although this doesn’t change Frank’s philosophy, their team up is, for me, an indication that Frank, at least, respects Matt’s position. (Remember what I wrote before, about fights between competing philosophies, and whoever wins is the person whose philosophy is most correct.)
Matt, and a severely injured Frank, retire to a cemetery. Frank talks about his dead daughter, a lot. We feel for the guy even though he is a murderer several times over. It’s okay, Matt has enough compassion for both of them as Frank gets taken away by the police. I loved their little team up during the last scene and hope to see more of it later. Jon Bernthal tore it up as Frank Castle. I’m not calling him Punisher yet, because he’s still kind of new at this and hasn’t become that yet.
There’s some romantic shenanigans as Karen puts the movies on Matt, letting him know she’s interested. I know their eventual storyline from the books, so I’m not worried that Elektra, who shows up in the last second of episode four, is going to be a problem for their relationship in the future.
I think the next four episode are going to be exciting for me as The Hand story line is introduced. Not that I don’t like Elektra, or didn’t enjoy these first episodes, but I’m less interested in her and The Punisher, than The Hand.
Full disclosure, I was mostly interested in the fight scenes. I didn’t pay close attention to most of the lawyerly intrigue between Karen, Foggy and Reyes. I like to read mysteries but am uninterested in watching detective work on TV shows, for some reason. I expect to be even more distracted by the fighting, as the series continues, and Stick, Matt’s mentor from season one, makes his entrance.
I love giving these little updates about what I’m doing or things I’m excited about watching. I’m very busy doing things this week, not necessarily telling you about what I’m doing, though, but here’s some stuff.
I’m currently reading a bunch of books right now:
1.) The Brotherhood of the Wheel by RS Belcher. I’m only about 30 pages into it but what I’ve read is very compelling. Since I don’t know much about the plot, and haven’t read any reviews, there have been a few surprises and I like when a book does that.
2.) Hell’s Bounty by Joe Lansdale. It’s not a very long book. I’m maybe 50 pages in and expect to finish this weekend. Its a fun fast read. Its not an especially deep book, but I am enjoying it, and it is pretty funny, especially Lansdale’s descriptions of Hell.
3.) I just picked up Patricia Briggs’ Fire Touched at the library yesterday. I haven’t had time to read more than a sample of it, so I can’t say what it’s about, but I’m intrigued so far.
4.) Son of the Morning by Mark Alder. I said I was looking forward to this. I picked it up at the library a week ago and I’m about 100 pages in. This one is going to take a minute, as its a Stephen King sized doorstopper. Its about one of the many French/English wars, but with each side trying to call in Angels as their nuclear option. The Angels, although they show up, refuse to take sides, so the powers that be call on some of Hell’s Angels, if you know what I mean, to help them out instead.
I have to catch up on my episodes of Vikings and Sleepy Hollow. I couldn’t be a fan of two more different shows. Now, I’m trying to think of two of the strangest shows I could watch back to back.
This March 18th, the new season of Daredevil is coming to Netflix. I’m very excited by this. Yes, I will be binge-watching it this weekend and I probably will review my favorite stand-out episodes, as I won’t really have the time to review all of them.
I am a huge fan of The Hand story-lines, and of Elektra Assassin, and there is all kinds of awesome Ninja shit goin’ on here. I won’t be able to binge-watch the way I wanted because I have to work the next day, but that’s not going to stop me from trying.
Here’s the new trailer for Daredevil:
Yeah, for those of you still wondering, I have watched Crouching Tiger: Sword of Destiny and I will have a review of that soon.
Also, I’ve been neglecting my reviews of Supernatural, so next week there will be new episodes and new reviews will be uploaded to “A Blog Devoted to Supernatural” by BellaUk.
(Note: this is Part One of a Two Part Geeking Out on This Series.)
My very first image of Daredevil, was from a comic book, in the public library. Daredevil was lying across the arms of a statue, in a callback to Michaelangelo’s Pieta, an image I recognized from my Art History classes and I wondered why it was being used in a comic book. I had tremendous respect for the artist ,who seemed to be putting his Art History knowledge to good use. (Do you know how many times that imagery has been used on comic book covers? Hundreds of times.)
This was when I became a fan. I stopped reading the comics sometime after Matt finally defeated Wilson Fisk, been exposed as Daredevil and taken over The Hand.
I remember I was very excited about the movie back in 2003, but that was because I’d never seen Ben Affleck in inaction before, having avoided his movies up til then. I, very distinctly, remember feeling somewhat dubious about him in the role, having never associated his name with action movies.
What’s sad is, I don’t even think it was a bad film. I can see the seeds of a great film inside the mess that got released. It had a lot of fun moments, but they all clashed with each other, as if they belonged to different movies and Colin Farrell should simply not be allowed to star in any action films, ever. I have been burned by that man too many times. He should just stick to Horror and Drama, as he makes a great vampire and has good angst-face. (It’s the eyebrows!)
So, you can guess that I would be a little dubious, at the idea of a Daredevil television show. I didn’t want to get too excited because I still had trauma from the movie.
But I am geeking out about the show. I love the show.
All of the characters and episodes are excellent. By limiting it to thirteen episodes, it keeps the story lean and mean, without a lot of unnecessary filler episodes and people, which I feel is one of the drawbacks to most episodic television. I’m very glad that Cable TV has started breaking this model. It also has the added value of deepening a story that cannot be told in two and half hours.
The writers are excellent. The plot and dialogue is on point and the fight scenes are impactful and meaningful because they also help sell the story. In a lot of American action films, the fighting is just “we need an action scene, here”, to break up the monotony of people talking. Daredevil has opted for the Eastern Martial Arts style, of fight scenes that tell a story, based on who is fighting and why.
Bey Logan once said, that fight scenes in Chinese action movies are not actually fights, but representative of clashing view points and that the winner of the fight is also the prevailing idea that they represent. That the fight scenes themselves, are a story.(We will go into this philosophy a little more, during the second part of this piece.) They have a beginning, a middle and an end, often reiterate the basic plot of the film and also outline a character, or present a point of view, something that a lot of American action movies have not learned to do.
In part one of my posts on Daredevil, I’m going to discuss my top favorite characters and one outlier.
I like Charlie Cox. He’s very handsome and a much better actor than Ben Affleck. My only drawback is that it can be difficult watching Matt Murdock on screen because he’s such a passive character, unlike his alter-ego, who is violently confrontational. But since almost nothing is left to chance in this show, I will assume that this was an intentional acting choice, on Cox’s part. Matt Murdock seems to be lacking in personality because almost all of his energy is reserved for beating the crap out of people when he’s Daredevil. He simply doesnt have much left over for being himself.
Incidentally, I have never understood the superhero tendency to lie about their secret identities to the people closest to them. Is it because of plausible deniability? This is a trope that needs to die. I believe most superhero narratives only adhere to it to provide some overwrought, emotional drama at some later point in the narrative. Now, I understand one probably would not want to cry their superhero identity to the rooftops, but telling your SO, or your parents, or Hell, your legal partner, is well within those boundaries. The only reason you probably wouldn’t is if you just know that person can’t keep their mouth shut.
The show manages not to annoy me with this too much because of the manner in which it’s done, providing insight into Foggy and Matts early relationship. This is why this trope works here. There’s a plausible reason for Foggy’s reaction and an equally plausible excuse within the narrative, for them to make up.
Is Debora Ann Woll, who was last seen as a vampire in True blood and is a much better actress than I previously thought. She begins the series as a typical damsel in distress, and I really didn’t think she’d grow much beyond that. So it was a very pleasant surprise to see this character become more outspoken and assertive as the series progressed.
She starts making choices that affect the plot and affect the other characters and that’s a refreshing change, even though the show has fallen into the trap of having multiple women in the show, who never speak to each other, even when they’re in the same scene.
Karen also keeps making the mistake of running off alone, even though she knows there are people trying to kill her or frame her or something and having to be rescued by various men in the cast, until episode 11: The Path of the Righteous, where her storyline takes a dramatic shift.
As portrayed by Vincent D’onofrio, is an intriguing character. Where the movie version of Kingpin was rather one-note, this Fisk has layers, motivations and a tragic back story. He is extremely dedicated to his city, which is a commendable sentiment, except for his method of showing that love, which seems to involve victimizing the already helpless. But that is understandable as, according to his flashbacks, he never developed what I’d call, a great deal of “fellow feeling”. He seems to care more about “the city” than the actual human lives that live in it. How does this make him different from Loki, who just wants to be “in charge”?
I would respect his motivations a lot more, except he’s gotten into bed with the worse sort of hardened criminals, and then has the nerve to act surprised, when they betray him. It is constantly being argued, in the show, that his love for Vanessa makes him weak, but I disagree. I think his fetish for “his city”, something I find unfathomable, makes him blind to the people closest to him, and there lies his downfall.
It’s Rosario Dawson as the Night Nurse, people! C’mon! She’s like the “Superhero Doctor”. Like Edna Mode from The Incredibles, only less curmudgeonly.
I love this actress. I will watch anything she is in. I couldn’t develop much deep analysis of her character except to say she’s outspoken and very brave. She loves her city too, but shows that love through service to its citizens, not control of them. This is a big difference between an authoritarian personality and a humanist one. The big difference between her and Fisk. Matt is somewhere else on that spectrum.
And how awesome is it that she gets to be Matt’s love interest?
This is my second favorite character in the show after Daredevil. Stick, who is only in one episode, manages to have many layers. This is how good the writers are, people! After having been Matt’s mentor, showing him how to fight and exist in the world as a man,whose only abilities are having super senses, he takes his own advice about not forming emotional attachments and abruptly abandons Matt, when Matt starts to grow fond of him. Naturally, this causes no small amount of resentment in Matt.
And this is what I mean about the fighting in Daredevil telling a story and having meaning. Their fight is about their relationship and it’s told in a very specific way, where Matt starts out with a kind of boxing style, in a callback to his father, Battling Jack Murdock, and he is getting his ass kicked, until he starts fighting in the style Stick taught him, after which he wins, and Stick accedes that his student has surpassed him. This fight was very long in the making, (and it’s set up by the flashbacks just why it needs to happen), and is built on Matt’s resentment of Stick’s abandonment of him. It represents two differing points of view. Matt’s point of view is the one that prevails.
You also get the distinct impression that Stick was grooming Matt for some greater purpose and that his underlying reason for fighting him was to assess whether or not he’s ready for this purpose. (The Hand?) That all his advice about emotional distance was not just for that purpose but also to protect himself from getting too close to a child who desperately needed a father figure or might have to sacrifice later, if Matt doesn’t do what’s expected of him.
Now we come to the character I liked the least. Not because she’s a bad character, although I think she’s badly written and probably badly acted. It’s difficult to tell. I say that because this character and her motivations are a complete mystery to me.
I don’t understand anything about her, her feelings for Fisk, what she wants, why she stays with him after she’s attacked by his enemies. Nothing. Supposedly these two are having some grand love affair but I’m just not feeling it.
Don’t get me wrong, I can see why someone would be attracted to Fisk and his antiquated, Harlequin Romance version of love, and I can see, that initially, she’s somewhat conflicted about getting involved with him, but after he confesses his history of violence and she has reached the suspicion that he is involved in some grand criminal activities, she still decides to cling to him and that’s just puzzling to me.
Is it because she’s fascinated by the danger? The drama? The excitement? His money? Is it fear of him? I must confess, I barely remember her from the comics. I know she’s in them but remember almost nothing about her. This is the one character in the show I couldn’t get any sense of and had no feeling for.
Part Two: The Episodes
Refusing to Stick to the Subject
The People-Watcher and Noticer of Things
musings of a colored introvert with a thing for green juice and french vanilla
Movies, metaphysics and more
A former cop taking on tough subjects
Black+Nerdy=Blerdy!!! Black Nerds Unite
Same Shit, different Dave
or, a supposedly clever thing I really wish I'd thought of earlier
Intelligent Black Thought.
Mental Health & Black Womanhood
ALLAN G. JOHNSON'S BLOG
Horror News, Reviews, Interviews, Art, Trailers, Fashion, Collectibles
Behind the scenes of the greatest Movie Monsters