Brotherhood of the Wolf (2001)
This movie was made in 2001, by the same director of the 2014 French film, Beauty and the Beast, Christophe Gans, and it shows. It’s a gorgeous looking film. In fact, it made my Most Beautiful Movies list from a few years ago, and stars Mark Dacascos, and Vincent Cassell, that villain from that last Jason Bourne movie.
The movie is a curious mixture of history, politics, romance, martial arts, and mystery, based on the myth of the Beast of Gevaudin, in 18th century France. The Beast killed hundreds of people over a number of years, and was never caught. The lead character Gregoire De Fronsac, was based on the man who actually investigated the killings. Dacascos plays his Indigenous sidekick from America, named Mani, who has mad martial arts skills, just because Dacascos has them.
The monster is a kind of steampunk version of a lion and was created by a member of the nobility to destroy the current monarchy by terrorizing the populace. Actually, I’m still not sure why the monster was created, but Monica Belluci plays a prostitute spy, and naturally, we get some titty shots, because its Monica, and the movie is set in France.
Orca; The Killer Whale (1977)
One of the interesting trends I’ve observed in these Horror movies is the Indigenous sidekick who gets killed. So maybe there’s a reason why these movies were forgotten! Nevertheless, I added this movie because it’s one of my mothers favorite films. It should tell you something that while she is indifferent to the movie Jaws, she likes a number of Jaws ripoffs. I on the other hand love Jaws, and hate all the ripoffs, of which Orca is one of the better ones.
It has this ridiculous plot about a killer whale, that stalks and avenges itself, against one of the fisherman who killed its mate and offspring, even going so far as to destroy an entire seaside town, and permanent maim his daughter, and kill his Indigenous sidekick, because as you know, any movie set in nature, must have one of those, else how will the viewers understand the setting. Once you get past the silliness of the plot, and a certain amount of dialogue that exists in service to it, it’s really not a bad film. Some of the action setpieces are very impressive, and the fishing and water scenes are pretty good.
It ultimately comes down to a man against fish fight, between the whale and the fisherman, at the end of the movie. I won’t tell you who wins, but it’s worth watching just to find out, and listen to some of the ecology issues prominently mentioned in the movie.
I really wish people talked about this movie more, because it’s a fairly deep film, tackling the interrelated issues of Manifest Destiny, the consumption of America’s resources, and people, genocide, and colonization, and just a touch of homo-eroticism, as a kind of accent.
Lt. John Boyd catches a bad case of cannibalism during the Mexican American war, and because of his cowardice, is sent off to a remote post in the Rocky Mountains. There are definitely some Donner Party elements in the plot, although that real life historical event isn’t specifically referenced. While there, he fights against his murderous nature, until he meets another like himself, Colonel Ives, who is gleefully cannibalistic, and wants him to join him in eating any passing travelers through the region. Once again the plot comes down to a raw, knockdown drag out fight between the two primary characters. Again, I won’t tell you who wins, but it’s worth watching to find out.
Exorcist III (1990)
This movie is totally different from the critically acclaimed first film, and the much defamed second one.
You may have heard that all the other Exorcist movies really stank in comparison to the first movie, and that is certainly true of the second film which was incomprehensible and overlong. But the third movie of this trilogy is surprisingly good, although it doesn’t have a lot of resemblance to the first.
It picks up several years after the first movie, and the detective we see on the first film, Kinderman, is older and wiser, but still very much haunted by the loss of his first friend, the priest from the first movie, he’s investigating the bizarre death of the priest he’d befriended at the end of the first movie. This leads him to a supernatural force that movies from body to body, destroying anyone who was involved in the original exorcism, and begins circling closer and closer to his family.
This movie is not as loud and audacious a movie as the first. In fact, it feels like an entirely different genre, but there are some genuine scares, and the mystery is disturbing and intriguing. makes a cameo in the movie to dispense some mockery, ridicule, and demonic philosophy as a possessed asylum inmate. it’s worth seeing because it’s a genuinely creepy film with a likable, intelligent, and tenacious lead character.
I remember watching this movie back in the 80s, when it was first released to TV, because that guy from Greatest American Hero, and Carrie, William Katt, starred in it, and I was still at that age when I was fascinated by men with really big hair. I didn’t exactly have crushes on them. Its just that a lot of White men in the 80s had really huge, luxurious, hair and I found that exotic, because it was something I only saw in movies and TV. The white men I saw in my everyday life, like my two classmates, or my doctor, just had regular, completely unremarkable, hair.
Anyway…the movie, released in 1986, is about a man who movies into a house he inherited from his Aunt, after the disappearance of his son, and subsequent separation from his wife. Not long afterwards, he discovers all manner of strange goings-on, like hallucinations, nightmares from his stint in Vietnam, a closet that leads to a nightmare dimension, and the malignant ghost of one of his companions from Vietnam, played by Richard Moll. Things become increasingly dangerous, as he keeps getting attacked by various monsters, until he realizes he must go into the nightmare dimension to battle his fears, if he wants to live.
This movie was part of a huge trend of low budget, supernatural comedies that came out in the mid- 80s, thanks to the release of The Evil Dead films. While some of it was played for laughs, it turned out to be a lot more serious than funny. Its probably time for me to watch this again as I haven’t seen it for bit.
This is probably one of the most unusual zombie movies ever made, and it was definitely made on a budget, as you can see, since it only has a cst of about three people. The basic premise is people being turned into zombie like creatures by their use of language. Certain strings of words, and sounds used together cause them to become mindless attackers of the uninfected. The entire movie takes place in one studio room, with most of it consisting of outside phone calls to the studio, outlining the chaos happening outside, but eventually the infection makes its way inside.
Of the cast, the only one I actually recognize, is Stephen McHattie. I remember the first time I saw this actor, many decades ago, in a little known sequel to Rosemary’s Baby, titled Whatever Happened to Rosemary’s Baby?, another forgotten Horror movie, in which he played the titular character, as a tortured young man. (I remember having a huge crush on him when I was about 16.)