On Tumblr: Hannibal Meta

*Yes, I’m still fascinated by this show, its characters, and its meanings. I hope some of you guys are just as interested, so here’s some Hannibal meta, that showed up on my dashboard, from when the show was at its peak. This might  spur some of you to re- watch certain episodes with a fresh perspective.
Remember Bedelia’s statement, later in the first season, about Hannibal’s careful facade and that she could catch glimpses of the real man through his human suit. This is important because Hannibal has been wearing this “person suit” from the moment Will first met him.
From: hannibalsbattlebot

On the surface, Will telling Hannibal “I don’t find you that interesting” seems unbelievably rude. Ah, we think, Hannibal must find Will special if he puts up with that. But, this early on Hannibal has only shown Will his mask, his human suit. To most people, the facade is interesting enough. That’s the point. All the trappings were put there by Hannibal to distract everyone from his real self. When Will is not impressed by this smoke screen, he has passed an important test.

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*This is an essay about Hannibal’s ability to feel. I would say that yes, he does have emotions, but I would argue they are somewhat truncated, not as fully developed as they should be in a grown man, as he rarely, if ever expends emotion on anyone other than Will or himself.

It’s not that Hannibal’s emotions are fake, (although I believe in some cases they are), but when we do see him showing emotions towards others, I think that he’s simply going through the motions,  pretending to care about Jack, or Alana, for example, and when he does have genuine emotions for others, like Abigail and Will, it’s only in relation to how close/useful that person is to himself.He certainly has emotions when it comes to something directly affecting him, but something that directly affects others, not so much.

In other words, Hannibal lacks empathy.

From: slayerangels

”Will loves Hannibal because he doesn’t have emotions and so Will can be himself around him because he can’t pick up feelings from Hannibal with his empathy disorder.”

I’ve seen this idea a few times and it’s baffling. Here’s a list of reasons why that’s wrong:

1. Hannibal has emotions. Many emotions. His emotions are not fake. He shows emotions when people aren’t even observing him or in the same room. He was upset at what happened to Margot after Will left the room. He was upset that Bella died and was crying over it by himself in Italy. He moped around about Will in Italy the entire time. He missed Will so much in Sorbet he was fidgeting around and clearly upset about it. He was mad that Gideon was calling himself the Ripper. He gets super annoyed at rude people. These are all emotions.

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2. Will can “read” the Ripper enough to know which crimes scenes are his and which aren’t and also give a history about his childhood to Jack. Will can also “read” the copycat. Hannibal is the Ripper and the copycat. So, Will can read Hannibal. Which is why Hannibal got super defensive about Will in Season 1 and framed him and put him in prison. Because he knew Will would find him out eventually.

3. Will can “seduce” and “deceive” Hannibal in S2 because he can empathize with him or “understand” him. Hannibal says this directly and Will agrees.

4. Hannibal and Will share a memory palace. Will goes to places he has been to “read” him, just like he does at crime scenes. Will knows Hannibal “intimately” as he says himself. If he likes being around him because he doesn’t “pick up” things from his empathy, then that makes no sense.

5. Will doesn’t automatically know who a killer is, even if he’s investigating their crimes. Tobias is a prime example. Hannibal realized Tobias was a killer immediately, Will didn’t. Another example would be Abigail. Hannibal knew she was a killer before Will did. If anything Hannibal has more insight into people than Will does. That doesn’t mean he has less empathy than Will, it means he has the same amount or more. “I can’t turn it off anymore than you can” Hannibal says to Will in Aperitif. When Hannibal was doing Will’s job in S2 for Jack he got the job done, he figured out who the killer was and why he was killing and exactly where he was, he just didn’t tell all that info to Jack because he wanted to go kill him first. Hannibal can in fact do Will’s job and he helps Will do his job better, “Will has never been more effective than he is with you inside his head”. Hannibal knows all about the Shrike enough to help Will figure out who the Shrike really is, right from the beginning of the show. “He had to show me a negative so that I could see the positive, that crime scene was practically gift wrapped.” My point being that just because Will doesn’t know Hannibal is the Ripper for a while (about 3 months) doesn’t mean that he can’t “read” Hannibal’s emotions. His empathy disorder doesn’t make him psychic and it isn’t supernatural.

I get it’s hard to understand why Will didn’t realize Hannibal was in love with him, but this is no explanation. It negates the entire show. Other explanations should be entertained. Will knows that Hannibal is very sad over him, “He sent us his broken heart” and he knows that the key to understand him is love, “No one can be fully aware of another human being unless we love them” and he knows he can take advantage of Hannibal’s feelings for him, “You’d only do that if I’d rejected you.” So, taking all that into account, the explanation that he just didn’t want to fully believe it, he was lying to himself, or wanted it confirmed by Bedelia (because he was afraid Hannibal loved her or because he believed she would know more than anyone else), or some combination of those is the most likely.

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*I loved this particular meta. I have yet to start reviewing season 3, so  haven’t discussed Will’s mind pendulum  yet.

From: silkysimpona

Will’s Mind Pendulum

Has anyone else noticed the difference between Will analyzing Hannibal’s crime scene and Will analyzing someone else’s crime scene?

When he investigates the Leeds murder in The Great Red Dragon, his mind pendulum makes an appearance for the first time in season 3.

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The pendulum is a way for Will to get into the murder empathy mindset, but it also represents a physical barrier between him and the subject he wants to analyze. In essence, it establishes a defensive barrier between his sense of self and his sense of the killer’s self, keeping them completely separate from each other. The stronger the pendulum, the stronger his sense of self.

Compare this to his analysis of the Hannibal’s crime scene in Primavera. Here, Will doesn’t use a pendulum. There is just a brief blur in and blur out to signify his entrance into Hannibal’s state of mind.

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At this point, his mind is so intertwined with Hannibal’s that he doesn’t need the physical act of the pendulum to get him into the correct mindset. His sense of self is already almost entirely wrapped up and muddled up with Hannibal’s. Not only does he not need to use his pendulum in this moment, he probably can’t use his pendulum to put up a mental barrier between them. They’re already conjoined after all.

In Dolce, Will says to Hannibal, “You and I have begun to blur.” I think it’s pretty neat that they were able to illustrate that with the simple absence of a pendulum effect.

 

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*This essay is about something I touched on in an earlier essay, regarding how Alana changed after her relationship with Hannibal, how she became, in the third season, harder and colder, in reaction to having known him. It also points out some interesting details about Margot.
thatlightsaberlesbian

You know what I really fucking love about Marlana? (everything)

No but really, aside from everything, one specific thing that I love about them is that they had equally interesting but “opposite” wardrobe changes as their characters developed.

Alana started out with the wrap dresses, which were usually not layered with anything, and then by season 3 she was wearing three piece suits. She armored up. Did she abandon femininity? Hell no. But she still, finally, after implicitly trusting Jack, Hannibal, and Will and being betrayed in that trust by literally all of them, learned to protect herself. She withdrew her trust and the physical armor of the suits reflected that change nicely. (One could also argue that she consciously or unconsciously was imitating Hannibal.)

Margot, on the other hand, started out with these incredibly stiff and layered outfits. Her hair buns were sleek and severe, and her lipstick reflected that. Need I say anything about the shoulder pads–designed to make her appear larger, more intimidating? Yes, Margot was protecting herself with these layers of clothing, I don’t think anyone failed to pick up on that. And then she meets Alana. And she makes this switch to softer clothing choices, and hairstyles, and makeup. But only with her.

I find this to be really awesome because both of these wardrobe choices were incredibly well-thought-through. Both of them accurately reflected the development each of them was going through. And that’s really cool because a lot of the time in media you see more masculine girls lauded for becoming more feminine in coming-of-age stories, or by contrast, feminine girls who become more masculine to redeem themselves (e.g. Regina George in Mean Girls). And what I love about Marlana is that there’s none of that, because both of their transformations were intensely personal and reflected what they personally were going through.

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*This one is about the loneliness of both Will and Hannibal.

bu0nanotte
Do you ache for him?For me, these two scenes effectively sum up just how alone Hannibal and Will are without each other. We see Will desperately attempting to focus all his attention on fixing a boat motor, a problem we heard Hannibal refer to as ‘easy’ to solve in season one. The simplicity of this creates a stark contrast in relation to Will’s current state of mind regarding his feelings for Hannibal, confirmed through the series of flashbacks we see. Will is not entirely haunted by the fact that Hannibal gutted him; he is haunted by the fact that Hannibal left him. We see flashbacks of Hannibal holding Will, followed by Will falling to the ground and Hannibal bending over him. These are not the typical flashbacks generally associated with people suffering from post-traumatic stress; these flashbacks are rooted in Will’s heartbreak over the fact that Hannibal left him.

In relation to Hannibal, we see him sat in a chair, pensive as he stares ahead. This in itself is unusual as we usually see Hannibal busying himself with something or other. Again this serves to elucidate just how barren his existence is without Will. This also confirms how much Will has changed him, given that the Hannibal we met in season one was entirely self-reliant and self-serving. I believe there was a void in Hannibal’s life, an ache he couldn’t quite identify or pinpoint. Will filled that void. Independence and the isolation associated with it was something Hannibal was used to and previously drew comfort from. Now there is no comfort in his isolation. He and Will quickly realise and accept just how empty, how devoid of purpose their lives are without each other, testament of the vicious mutual co-dependency they each fostered.

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Ooh, I really enjoyed this one, which outlines the various ways that people respond to threatening behavior, and specifically to how Hannibal responds to Will.

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I just noticed a dynamic between these guys that I’d never quite put together before: in precise contrast to what Will thinks he wants, he will always fail to follow through on a lethal confrontation with Hannibal if (and only if) Hannibal makes a show of rolling over for him.
Bear with me for a sec because this is kind of fascinating: a while ago, I read a book called On Killing: The Psychological Cost of Learning to Kill in War and Society. The author Dave Grossman proposed a theory which jives with a lot of stuff I learned in anthropology classes, but he has a particularly pithy way of describing it. Between animals of the same species, he says, the choices of behavior in a confrontation aren’t as simple as the “fight or flight” choice we usually talk about.

Grossman calls his model “fight, flight, posture, or submit.” This model takes into account a common trait among most animals (including humans): members of the same species almost never jump immediately to the ‘fight’ option in a confrontation. Doing so would result in needless deaths, particularly among younger individuals who haven’t yet learned to defend themselves, and then to eventual depopulation and extinction.

Instead, animals tend to begin confrontations by posturing – by making a show of their superiority in an attempt to make the other party back down. If, during the posturing phase, it becomes clear that the individuals are fairly evenly matched, they are likely to start a physical fight in order to establish dominance, while still avoiding lethal attacks if possible.

However, if it becomes clear during the posturing phase that one of the individuals is definitely strong enough to defeat the other one, the weaker opponent will do one of two things: flee or submit. I’ll just quote the book here:

“Submission is a surprisingly common response, usually taking the form of fawning and exposing some vulnerable portion of the anatomy to the victor, in the instinctive knowledge that the opponent will not kill or further harm one of its own kind once it has surrendered.”

So, now that we’ve got all that context out of the way, let’s talk about Will and Hannibal!

Keep reading
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*Here’s a more scholarly approach to why the show, Hannibal, is the way it is, and what that means to the larger culture.

White Collar Cannibal: the Gentrified Grotesque in NBC’s Hannibal

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