These are the shows I watched this week. Only three of these shows are actual premieres: Channel Zero, Legends of Tomorrow, and Wolf Creek. Aftermath has been on the air for two weeks and the Exorcist has been on the air for about three. Supernatural also aired this week but will get a separate review, along with American Horror Story. I haven’t even tried to review Luke Cage, preferring to let more eloquent writers approach this topic, but I’ll have something o say about it, very spoilerific, by the end of the month, when I think most people have seen it, and somewhere during this time I promised reviews of some of my favorite horror movies.
American Horror Story:
We begin this episode, Chapter Five, with backstory on the Shaker House, that Matt and Shelby bought in episode one. It turns out the original owner has a connection to the fifth season of AHS:Freakshow, with the story of how Phillipe Mott, ancestor to the Motts mentioned in that season, bought the house in 1792. He was a closeted gay man and a recluse, who eventually got killed by Thomasina and her minions, after he locked his servants in the cellar, when some of his prize paintings were vandalized.He screams a lot, even when he’s not actually in physical pain, and you can see just a touch of the madness of the Mott family that touched them down through the centuries, culminating in Dandy Mott in 1952.
In the present day, we spend most of the episode running around the forest with Matt and Shelby, as they try to escape The Butcher, save Flora, and get repeatedly kidnapped by the Polks, who are Thomasinas aides and abetters. They made a deal with her to protect their family, and provide the sacrifices Thomasina says she needs, to consecrate the land. They escape from the Polks several times that night as the Polks attempt to deliver the two to Thomasina. At one point, since this is during the blood moon, Phillipe Mott comes to their aid. During all of this, Lee is in jail, answering questions about her husband’s death. I’m still pissed off at Shelby for calling the police on her. That was a total dick move, Shelby! Anyway, Lee is released, and after getting one of Matt’s texts saying Flora is safe, she shows up just in time to give them a ride to freedom.
Thomasina is killed by one of her own people, who turns on her after having tired of all her killing. So it does seem as if this particular chapter of the story is over. Matt and Shelby’s story is wrapped up, Thomasina has been killed again, and Frances Conroy (Yayy!) put in her appearance as Mama Polk. The Polks also turn out to be inbred cannibals, straight out of The Texas Chainsaw Massacre, as we find Elias still alive, but missing a limb. When one of the Polks gets sick, they blame him for having rancid flesh and kill him in front of Matt and Shelby.
The episode was especially gory, as we see Elias get his head bashed in, Mott get stabbed through the chest with a wooden pole, and Shelby’s leg is broken by Mama Polk, in a scene straight out of the movie Misery. There are a lot of movie references this season, with a little bit of J-Horror thrown in this episode, when Flora gets snatched by one of the black haired ghosts of Ju-on, in a pointless scene thrown in just to have action. Thomasina and her followers are a reference to the movie The Wicker Man, where out of town strangers get burned alive by a modern day cult of Celtic worshippers., to consecrate the land. The Amityville Horror, Insidious, and The Hills Have Eyes get a shoutout, as well.
Next week, for episode six of season six, we go behind the scenes of the reality show, as finally, my precious cinnamon bun Cheyenne Jackson😘, puts in his first appearance this season. Hopefully, we will see the film crew visit the house in the present, and see what fresh Hell occurs then.
So yeah, I went and watched the season premiere of Supergirl, and while I can’t say I’ll ever be a fan, or regularly watch this, I can see it’s appeal to a certain segment of the population, namely very young, white women. Like The Flash, it’s not a bad show, it’s just not to my tastes. It’s a little corny/cheesy in the dialogue area, Flockhart’s character is still an asshole, but gives some of the most excellent career advice I’ve ever heard, and Hoechlin looks really weird (he has a funny face) as Superman, but he’s not bad. I think his pants are waay too tight as Clark Kent, but okay. Speaking of clothes, I don’t like how Kara and Clark just rip open their shirts when they’re getting into character. I mean, that’s losing a lot of buttons, and as far as I can tell, Kara can’t sew.
Kara is still too young and twitchy for me. Like Flockhart’s character, Cat Grant, I just want to shake her really hard, sometimes. She’s not a bad character, but she’s wishy-washy when she’s not being Supergirl, and I find women like that highly annoying. I understand why they’re like that, I just don’t like it. On the other hand, I like her relationship with Jimmy, who is really cute, and patient with her, and her relationship with her sister is really cute. I’m glad they’re shown getting along instead of some manufactured drama. I just wish Kara acted a little more sure of herself, and it wouldn’t make my brain twitch. Nevertheless, she made a couple of command decisions in this episode, as Kara. I didn’t necessarily agree with all of the decisions, but at least she made ’em.
I’ve never been a Supergirl fan, I’ve never even read the books, but I am a huge J’onn Jones fan, though. I got most of his backstory from reading the Justice League books. I can’t articulate why, but I just love this character. Maybe it’s nostalgia for the comic book version. I like the actor who plays him, and I’m sure I’ve seen him somewhere before, but it escapes me, now. Kara’s sister started out pretty boring but became a lot less so when I saw her kicking ass later in the show. What can I say, I love a good fight sequence. The best ones are like watching good dancing.
In this episode, Kara gets a visit from her cousin, Superman, and their relationship is really cute. Kara seems to get along with everybody. Last year she got a visit from The Flash and they seemed to hit it off pretty well. She’s like “the everysister”. Yet another dropship from Krypton falls out of the sky, delivering who knows what, or who. Superman and JJ don’t get along because JJ is a pragmatic paranoiac, who keeps Kryptonite at his facility, and Supe doesn’t want anything to do with that. Lex Luther has a sister, Alex, and someone has been trying to kill her. Well, really it was just murder attempts all night, really. Everything gets resolved though. Kara breaks up with Jimmy, decides she wants to be a reporter like Clark, and Metallo gets created. I was never impressed by Metallo, in the comic books either, but he looks kinda cool in the show.
I still don’t see me ever being a fan, or regular viewer of this show. It just wasn’t galvanizing for me, but it’s not a bad show, as it has improved a lot since that first episode. Supergirl, and The Flash, are really kind of middle-of-the-road type characters for me. Watching these shows is like watching Superman’s best budds, when what I really want is to just watch a show about Superman. It’s just not powerful or exciting enough for my tastes.
Although, I might need to watch it again next week, just to be sure.
I hate to be a wet blanket but this show needs to step up the scares and mystery if it hopes to keep my attention. It has the feel of the first season of American Horror Story, except with more lackluster acting. I didn’t know what to expect going in. I thought maybe it was an anthology show. It’s not. It’s about yet another guy who goes back to his old hometown where something tragic occurred to him when he was a child, and finds that maybe it’s starting all over again. It’s one of those slow burn mysteries, where you have not one damn clue what’s happening, except that it involves an old tv show that’s back on the air and is influencing the town’s children, and this show ain’t trying to hard explaining shit. Nor are the questions that arise, compelling enough to keep me watching this every week.
One sure way to get me to not like your show is to torture a child. At one point one kid bullies another kid, breaking his finger, while a bunch of other kids stand around and watch. As someone who always intervened when I saw other kids being bullied, I was enraged by this. (Not just the bullying but the standing around watching it.) Apparently, such scenes are one of my few triggers. Having been on the receiving end of a few of these sessions, as a young girl, I have no shame in confessing that I hate bullies with the passion of a thousand fiery suns, and cannot tolerate watching kids harm each other in movies and tv shows. (One of the reasons I refuse to watch movies like Hunger Games, or Battle Royale.)
I also had the impression, from the trailers, that it was supposed to be scary, but I wasn’t scared. I was however, very irritated. This was not helped by the acting. There are a lot of awkward pauses, and greetings, and significant glances with no explanation forthcoming, other than maybe nobody likes Mike. Mike, the guy who goes back home, is quiet and creepy and not one person has a natural sounding conversation with another person. Everything sounds portentous, and ominous for no particular reason that I could discern. Maybe some of you guys will have better luck and then come back and explain to me what the hell I just watched.
I still haven’t watched this show, but I plan on it. It looks like it might be fun, like The Walking Dead, with added demons. I probably won’t get to it until something goes on hiatus in November. Until then, it’s just sitting on my DVR. For my Non-American readers, Fall premiere season happens in the space of two months (October and September) and there were a lot of genre shows (a good thirty plus) released this season, at least 5 or 6 of them on Tuesday night, alone. Aftermath airs on the same night as Brooklyn 99, From Dusk Til Dawn, Channel Zero, and Agents of Shield, so my dance card is pretty full, and Aftermath, no matter how interesting it looks, is going to have wait it’s turn.
Legends of Tomorrow:
Okay, I watched this but I don’t have much memory about it. Not that it was bad, just kind of lightweight , I guess. So, now the team isn’t superheroes anymore, but time lords, or travelers, or something, trying to right the various wrongs throughout history, being committed by Damien Darhk, like giving nuclear weapons to the Nazis so they can blow up NY city. That’s all I managed to get out of this episode beyond Jackson feeling salty for being left on the ship all the time, Rip Hunter being his usual dickish self in having contingency plans he keeps refusing to tell his crew about, and somewhere in there, Albert Einstein was involved.
I kinda like this show because its mindless good fun. I can knit while watching it as its not something I’m going to get particularly angsty about all week. I like the characters, who are dealing with problems just deep enough to keep them interesting, and of course, I love Firestorm whenever he gets to come out and play.And hey! next week…Vixen! and the Justice Society, who all look pretty awesome, even if I have no idea who they are.
Rip Hunter is still a jerk, though.
As a general rule, I don’t watch serial killer movies, except when I do. Wolf Creek, the TV show, is based on a 2005 movie, which is based on a true story of a family that got lost in the Australian Outback, and claimed they encountered a serial killer, sort of like in the Texas Chainsaw Massacre, another movie I find annoying. (Whew! Thank you run-on sentence gods!) Anyway in the pilot episode, a family gets lost in the Outback and gets attacked by a serial killer. What a surprise! Anyway, I was dubious about watching this because torture-porn is boring, and its difficult to turn lack of character development and torture and killing into a good mini-series. I’ll get back to you guys in this one when I get around to viewing it.
If Westworld is going to cause more questions then answers every time it airs, I can’t keep watching this. Nevertheless, I’m hooked on it, for now. Most of the humans on this show are total assholes, but the robots are kinda cool. Last week we started the story from the Host angle. This week we get a glimpse of what it’s like for the Guests, and mostly I’m just deeply repulsed. I’m not sure if it’s the setup, or the Guests themselves, which I find more distasteful. I’m guessing that’s on purpose by the writers. We’re meant to hate the people as much as the robots would?
Two guys, one of whom is a jerk, and the other a classic milquetoast (although there’s nothing wrong with that) visit Westworld. The jerky one seems mostly interested in fucking and/or killing the robots, so right away, his story is uninteresting. The other guy though, encounters Dolores (corrected from Dorothy, in my last post), and is immediately smitten. Apparently he’s looking for True Love. There was some girl on girl action in the saloon, and the jerky Guest likes both men and women, and I’m all for LGBT representation, except for how it’s presented in this show, as something that’s risqué, or taboo. It’s something the characters can engage in clandestinely, at Westworld, because it’s unacceptable in the real world, like all the raping and the killing they get up to. I don’t like the idea of gay representation being equated with all the other shitty behavior we see the Guests committing against the robots, especially when there’s no such representation outside of Westworld.
I’m still not clear about how people choose their adventures, how long they can stay, how much it costs and why don’t we see more women Guests being gunfighters, because I would totally choose to be a female Sheriff or something. How do bullets work there, and how do they keep Guests from killing Guests when you can’t tell who is a robot and who isn’t? Also, the show is working really hard at getting us to believe Ed Harris guy is human but I’m still hedging my bets. I’m not completely convinced, as most of the statements he makes about himself are somewhat ambiguous. But he does know about “the world outside the world”,so I’m still confused, (and will remain so for some time apparently.)
The robots comtinue to be the most interesting characters in the show and behave in an offbeat manner. The “reveries” code is contagious because Dolores passes it on to Thandie Newtons character, Maeve, who starts to have flashbacks to a previous existence, where she’d been killed by Indians. One of the Indians morphs into Ed Harris’ Man in Black, and it’s been posited that he might be some kind of icon of death for the robots, like the boogeyman, or the devil, someone they’re universally afraid of. Dolores passes along the contagious code by whispering her father’s phrase into Maeve’s ear.
“These violent delights have violent ends.” Definitely a pronouncement of the future.
Maeve is set to have a diagnostics check, and be decommissioned, but unexpectedly wakes up on the operating table, using the very same technique that the techs have been using to put her to sleep. I think what she does, during her little freedom walk, is a precursor to everything that’s going to be happening later in this season, only bloodier. She comes across the lab techs, hosing down the dead bodies of a roomful of robots, and one of the techs explicitly states that they hope the robots never start remembering what the Guests do to them, which makes me feel disgusted all over again, because based on what I’ve seen of Westworld so far, the humans (even the ones working at the facility) deserve it.
Jeffrey Wright’s character, and Anthony Hopkins don’t seem especially worried about these malfunctions, and even seem to be encouraged by them, as we see when Wright’s character secretly interviews Dolores about her thoughts. And Hopkins guy may be considering adding religion to the Westworld program. Earlier in the episode, one of the robots mentions God in an offhand manner, and I perked up, wondering if the robots had religion. If they get coded to believe in a God, they already have a devil. The Man in Black.
I have to mention the opening credits here. They’re just incredibly lovely, with its robot horse and rider, and Leonardo Da Vinci’s ideal man imagery, and it heavily reminds me of both the opening credits of the original Ghost in the Shell, with its contemplative, percussive theme song, which helps to set the existentialist mood, and its slow stately music, which reminds me of my favorite Bjork video, All is Full of Love, which is about a robot falling in love with itself.